1
00:00:00,960 --> 00:00:03,840
Speaker 1: All right, welcome to episode sixty of the Bobby Cast,

2
00:00:03,920 --> 00:00:05,960
Speaker 1: brought to us by a Sleep number and Blue Apron.

3
00:00:06,640 --> 00:00:09,440
Speaker 1: So Wheeler Walker Jr. Is here. Before we started this,

4
00:00:09,600 --> 00:00:11,159
Speaker 1: Before you say anything, I want to say, first of all,

5
00:00:11,200 --> 00:00:13,480
Speaker 1: I do not people are gonna hear this and go

6
00:00:13,560 --> 00:00:15,280
Speaker 1: check out your music, and if they do, I don't

7
00:00:15,280 --> 00:00:18,400
Speaker 1: want them blaming me because it's not music that even

8
00:00:18,440 --> 00:00:21,120
Speaker 1: I listened to. I think it's funny, but I don't

9
00:00:21,160 --> 00:00:23,079
Speaker 1: listen to it because I don't occurse in my real life.

10
00:00:23,120 --> 00:00:25,079
Speaker 1: This is just a big disclaimer everybody's listening to I

11
00:00:25,120 --> 00:00:28,680
Speaker 1: have no I have no interest in Wheeler Walker Junior's

12
00:00:28,720 --> 00:00:30,720
Speaker 1: dirty music other than I think it's funny to read

13
00:00:30,760 --> 00:00:33,400
Speaker 1: the titles. Now, you can say whatever you want, Alright, cool, Yeah,

14
00:00:33,440 --> 00:00:35,240
Speaker 1: I want. I'm gonna keep it clean for this podcast,

15
00:00:35,240 --> 00:00:37,960
Speaker 1: but I'm not gonna lie. It's definitely not the first

16
00:00:38,000 --> 00:00:40,320
Speaker 1: interview I've done with it that starts with a disclaimer.

17
00:00:40,440 --> 00:00:43,240
Speaker 1: You know. That's the That's the bummer for me is

18
00:00:43,240 --> 00:00:46,160
Speaker 1: I gotta sit down for interview and then the interviewer

19
00:00:46,360 --> 00:00:49,480
Speaker 1: spends ten minutes apologizing before I have a chance to talk.

20
00:00:49,560 --> 00:00:52,240
Speaker 1: But um, I appreciate you having me on and having

21
00:00:52,240 --> 00:00:55,840
Speaker 1: me on, you know, over to your place and doing this, um,

22
00:00:55,920 --> 00:00:58,840
Speaker 1: because my new the thing with my new record, and

23
00:00:58,920 --> 00:01:01,960
Speaker 1: the first one was kind of just like kicking my

24
00:01:01,960 --> 00:01:03,600
Speaker 1: foot into nationale and see what I could do. And

25
00:01:03,680 --> 00:01:06,960
Speaker 1: this one, I'm truly trying to, you know, I'm trying

26
00:01:07,000 --> 00:01:10,720
Speaker 1: to be part of the conversation, you know in the

27
00:01:10,760 --> 00:01:14,400
Speaker 1: Bobby Bones and well yeah, but I but I want

28
00:01:14,880 --> 00:01:17,720
Speaker 1: I'm trying not to insult the other country acts as

29
00:01:17,760 --> 00:01:19,800
Speaker 1: much as I used to because in my head I'm

30
00:01:19,800 --> 00:01:22,839
Speaker 1: gonna be sitting next to him at the Grammys and

31
00:01:23,520 --> 00:01:25,160
Speaker 1: it gets it gets a laugh when I say it.

32
00:01:25,200 --> 00:01:28,520
Speaker 1: But um, I'm here to stay and I want to.

33
00:01:29,000 --> 00:01:33,080
Speaker 1: I want to out sell Sky Luke Combs. His album

34
00:01:33,120 --> 00:01:36,000
Speaker 1: comes out the same day as mine, and I've decided

35
00:01:36,040 --> 00:01:38,000
Speaker 1: he's my enemy because his album comes out the same

36
00:01:38,080 --> 00:01:41,319
Speaker 1: day as mine. But I don't know, I don't know.

37
00:01:41,360 --> 00:01:43,000
Speaker 1: If you don't think I don't think he's a bad dude.

38
00:01:43,000 --> 00:01:45,280
Speaker 1: But your album comes out the same day as mind

39
00:01:45,280 --> 00:01:47,160
Speaker 1: your mind, I'll find something bad about you. You know,

40
00:01:47,200 --> 00:01:52,000
Speaker 1: what are you thinking about a song? Hurricane? Um? I

41
00:01:52,000 --> 00:01:54,920
Speaker 1: mean I guess it was it was, you know, as

42
00:01:54,920 --> 00:01:56,800
Speaker 1: far as the stuff I like and don't it's closer

43
00:01:56,840 --> 00:02:02,800
Speaker 1: to real music than then not really, you know who

44
00:02:02,880 --> 00:02:08,520
Speaker 1: don't like? To me, I don't like it's weird because, um,

45
00:02:08,600 --> 00:02:10,760
Speaker 1: I think a lot of people think because I make

46
00:02:10,800 --> 00:02:14,079
Speaker 1: fun of a lot of pop country. But what's what's

47
00:02:14,120 --> 00:02:16,320
Speaker 1: odd is I love I do love good pop music

48
00:02:16,360 --> 00:02:18,359
Speaker 1: and I love good country music. And why the two

49
00:02:18,520 --> 00:02:23,040
Speaker 1: coming together? I don't. It makes me so angry. It's

50
00:02:23,040 --> 00:02:26,040
Speaker 1: hard to say. And I don't think I'm any kind

51
00:02:26,040 --> 00:02:30,720
Speaker 1: of purist. But my favorite Taylor Swift record was nine nine.

52
00:02:30,800 --> 00:02:34,799
Speaker 1: I really liked that album. And uh, I thought Bangers

53
00:02:34,840 --> 00:02:37,840
Speaker 1: was great, that Miley Cyrus record. So I like good

54
00:02:37,880 --> 00:02:40,239
Speaker 1: pop and I love Michael Jackson. I just gonna go

55
00:02:40,280 --> 00:02:43,600
Speaker 1: down the good pop music, you know, and I love

56
00:02:43,639 --> 00:02:46,400
Speaker 1: good pop music. I just don't for some reason. I

57
00:02:46,440 --> 00:02:50,680
Speaker 1: think it's a Did you have Brandy Clark on your podcast?

58
00:02:51,400 --> 00:02:53,520
Speaker 1: Because I was talking to her recently and it's not her,

59
00:02:54,880 --> 00:02:56,960
Speaker 1: it's not her quote, but someone gave her a quote

60
00:02:57,000 --> 00:03:00,240
Speaker 1: recently because it's hard. We're just trying to define what

61
00:03:00,240 --> 00:03:02,880
Speaker 1: what is country music? And she said someone defined to

62
00:03:02,919 --> 00:03:06,200
Speaker 1: her country music it's whatever white people are listening to. Well,

63
00:03:06,320 --> 00:03:08,960
Speaker 1: that was a pretty good description, just because that these

64
00:03:09,080 --> 00:03:10,960
Speaker 1: these days, who knows what is country and what's not

65
00:03:11,080 --> 00:03:16,000
Speaker 1: country because it's you know, are you country? I mean,

66
00:03:16,160 --> 00:03:18,560
Speaker 1: I I claim I am, but in some ways it's not.

67
00:03:19,240 --> 00:03:20,840
Speaker 1: I mean that's part of my thing. I claim I'm

68
00:03:20,840 --> 00:03:24,840
Speaker 1: made more country to anybody else, but it's it's not

69
00:03:24,880 --> 00:03:27,280
Speaker 1: really for me to sit. You know. June two, my

70
00:03:27,320 --> 00:03:31,600
Speaker 1: Alms coming out. We have official seal of disapproval from

71
00:03:31,639 --> 00:03:35,560
Speaker 1: Bobby Bones. No, it's not disapproval. I don't disapprove of

72
00:03:35,600 --> 00:03:40,080
Speaker 1: because I personally think it's hilarious. But I'm not going

73
00:03:40,160 --> 00:03:44,040
Speaker 1: to put my Yeah, I'm not gonna put my Hey,

74
00:03:44,080 --> 00:03:45,960
Speaker 1: you should go buy it. As you go check it out, Well,

75
00:03:46,040 --> 00:03:48,360
Speaker 1: give me what's your quote? Then? All right? My quote

76
00:03:48,480 --> 00:03:53,280
Speaker 1: is this stuff is crazy. Don't you don't approve of it?

77
00:03:53,520 --> 00:03:57,440
Speaker 1: But I don't approve. Okay, if I said as, I'm

78
00:03:57,440 --> 00:03:58,920
Speaker 1: not saying, I'm gonna use it like a sticker on

79
00:03:58,920 --> 00:04:01,160
Speaker 1: the record. Here's my quote, stuff is crazy and I

80
00:04:01,160 --> 00:04:04,640
Speaker 1: don't approve. I'll take that. Yeah, I'm gonna use that whatever. Great,

81
00:04:05,000 --> 00:04:07,600
Speaker 1: it's all you want. I said it, But secretly I

82
00:04:07,600 --> 00:04:10,640
Speaker 1: do I approve because you just said you said both

83
00:04:10,640 --> 00:04:14,480
Speaker 1: into the money that part you can't use the record.

84
00:04:14,480 --> 00:04:16,360
Speaker 1: I'm gonna. I'm gonna when I leave here on a tweet,

85
00:04:16,400 --> 00:04:21,040
Speaker 1: I don't approve Bobby Bones correct but for quotations, but

86
00:04:21,120 --> 00:04:25,360
Speaker 1: secretly you can do quotations. But secretly I do. Okay,

87
00:04:26,080 --> 00:04:31,559
Speaker 1: just just did the podcast with Bobby Bones quote. Here's

88
00:04:31,560 --> 00:04:37,479
Speaker 1: this quote. I don't approve parentheses, but secretly, secretly he does.

89
00:04:37,640 --> 00:04:39,240
Speaker 1: I do. What if you're quote to me? He sasically,

90
00:04:39,320 --> 00:04:44,200
Speaker 1: I do secretly, Okay, that's part of the quotote, But

91
00:04:44,240 --> 00:04:47,040
Speaker 1: secretly I do. You might get like a like a

92
00:04:47,120 --> 00:04:51,120
Speaker 1: kind of borrow laptop of this, clean up the third

93
00:04:51,160 --> 00:04:54,920
Speaker 1: album and I'll play it. Yeah, you have my give

94
00:04:55,000 --> 00:04:56,960
Speaker 1: me a song not right now? I hope, hope. Oh

95
00:04:56,960 --> 00:04:59,640
Speaker 1: whiler does great. Well, here's my This leads to my question.

96
00:05:00,000 --> 00:05:02,640
Speaker 1: Will probably get cut from the podcast. But if you

97
00:05:02,640 --> 00:05:05,200
Speaker 1: have a song you love, can you just play it? Yeah?

98
00:05:05,279 --> 00:05:06,840
Speaker 1: Nothing gets cut from the podcast the way ever, it's

99
00:05:06,839 --> 00:05:08,440
Speaker 1: our one role. Nothing gets cut. I got to a

100
00:05:08,440 --> 00:05:10,760
Speaker 1: fight with Jake going right here, big one. By the way,

101
00:05:10,880 --> 00:05:13,880
Speaker 1: as long we're talking about Jake going, uh, can we

102
00:05:13,960 --> 00:05:16,440
Speaker 1: get it's my I got a message for Jake going,

103
00:05:17,240 --> 00:05:20,320
Speaker 1: can we get his uh? His his cell phone? My

104
00:05:20,360 --> 00:05:22,719
Speaker 1: cell phone number out of his phone two in the morning.

105
00:05:22,760 --> 00:05:27,160
Speaker 1: He facetimes me the other I'm like, dude, like, I'm

106
00:05:27,400 --> 00:05:29,760
Speaker 1: I'm in my underwear. Like he's on the road. He goes,

107
00:05:30,080 --> 00:05:32,320
Speaker 1: I was, I just met John Dale, you know, the golfer.

108
00:05:32,360 --> 00:05:34,440
Speaker 1: He's like, we're playing your stuff. He loves it. Like

109
00:05:34,839 --> 00:05:40,040
Speaker 1: that's a text brother, you know FaceTime. I'm like, anyway,

110
00:05:40,120 --> 00:05:43,359
Speaker 1: so yeah, that's where I am, like, you know, I

111
00:05:43,480 --> 00:05:46,039
Speaker 1: also haven't seen Jake going tweeting about him. I loves

112
00:05:46,080 --> 00:05:47,880
Speaker 1: my record. It's just I gotta wake up at two

113
00:05:47,880 --> 00:05:50,160
Speaker 1: in the morning. Answer at FaceTime, how do you get

114
00:05:50,160 --> 00:05:53,839
Speaker 1: your number? I met him at a Here's here's an

115
00:05:53,880 --> 00:05:56,960
Speaker 1: important thing to learn about Wheeler. So I played a

116
00:05:56,880 --> 00:05:58,680
Speaker 1: a c M A party that was like the quote

117
00:05:58,720 --> 00:06:02,039
Speaker 1: unquote the anti CMA party full of hipsters. And my

118
00:06:02,160 --> 00:06:04,080
Speaker 1: thing is I always want to be the opposite. If

119
00:06:04,240 --> 00:06:05,919
Speaker 1: I hear it's ton me a bunch of hipsters, I go.

120
00:06:06,600 --> 00:06:08,479
Speaker 1: I actually asked my friends, I go, who would be

121
00:06:08,480 --> 00:06:10,919
Speaker 1: the list least hip person to have at this party.

122
00:06:11,360 --> 00:06:14,120
Speaker 1: I'm gonna do that with them, and they go, well,

123
00:06:14,160 --> 00:06:16,400
Speaker 1: the most a real corporate guy, because they were trying

124
00:06:16,400 --> 00:06:19,840
Speaker 1: to be anti corporate this party. Well, they go, how

125
00:06:19,839 --> 00:06:21,560
Speaker 1: about Jake Owen. I look, he's following me on twere.

126
00:06:21,560 --> 00:06:24,880
Speaker 1: I go, you wanna do a duet and make all

127
00:06:24,880 --> 00:06:27,920
Speaker 1: these hipsters mad? And he's like, he shows up and

128
00:06:27,960 --> 00:06:31,200
Speaker 1: we sang a song together. You know, it's just anyone

129
00:06:31,279 --> 00:06:33,120
Speaker 1: who was a fan I want to. I'm just trying

130
00:06:33,120 --> 00:06:36,040
Speaker 1: to lose any fans I have. You know, that's how

131
00:06:36,040 --> 00:06:39,000
Speaker 1: you get I how you get people though, Yeah, what

132
00:06:39,360 --> 00:06:41,840
Speaker 1: if you don't care? Yeah, I wanted to. I wanted

133
00:06:41,839 --> 00:06:44,240
Speaker 1: to lose the fans I had, But yeah, no, you

134
00:06:44,320 --> 00:06:46,480
Speaker 1: talked me into a clean third record, not even a

135
00:06:46,520 --> 00:06:49,600
Speaker 1: whole claim record. If you get me something that's funny

136
00:06:49,640 --> 00:06:52,040
Speaker 1: and it's a decent song, or it's just a decent song.

137
00:06:52,320 --> 00:06:53,560
Speaker 1: You ask me if I can play whatever, I play

138
00:06:53,600 --> 00:06:56,240
Speaker 1: whatever all the time. Well, Summers in Kentucky's a pretty song.

139
00:06:56,360 --> 00:06:59,320
Speaker 1: It's I've heard it, it's not i'ven't read the lyrics

140
00:06:59,320 --> 00:07:01,040
Speaker 1: before I heard it. Could you post it them online?

141
00:07:01,279 --> 00:07:03,400
Speaker 1: You're like, I was like I mentioned in this and

142
00:07:03,440 --> 00:07:05,159
Speaker 1: I heard it. I was like, that's funny. Can't play

143
00:07:05,160 --> 00:07:07,640
Speaker 1: it on the radio, but it is pretty. The entitle

144
00:07:07,800 --> 00:07:12,160
Speaker 1: is And then halfway through we go a little I

145
00:07:12,240 --> 00:07:16,120
Speaker 1: go a little it's a little medical, all right, Wheeler

146
00:07:16,120 --> 00:07:19,320
Speaker 1: Walker Jr. June second. I'm a fan. I told you

147
00:07:19,320 --> 00:07:21,360
Speaker 1: the first time I met you. Well, I appreciate it, man. Yeah,

148
00:07:21,400 --> 00:07:23,040
Speaker 1: And like I said, like all seriousness, like I'm a

149
00:07:23,080 --> 00:07:25,280
Speaker 1: fan of what you do because you're you're doing something different,

150
00:07:25,280 --> 00:07:27,280
Speaker 1: you're pushing the boundaries. Well, and I'm the first to

151
00:07:27,320 --> 00:07:29,560
Speaker 1: admit that I I hit you pretty hard at first,

152
00:07:30,080 --> 00:07:32,120
Speaker 1: and you took it like a champ and then we

153
00:07:32,120 --> 00:07:36,200
Speaker 1: we worked through it. And I always like when it's

154
00:07:36,280 --> 00:07:39,400
Speaker 1: it's funny for me to you know, like say like

155
00:07:39,440 --> 00:07:41,600
Speaker 1: you like you worked, you didn't do anything you did

156
00:07:41,680 --> 00:07:44,880
Speaker 1: was sit there while I ripped on you. And then

157
00:07:45,040 --> 00:07:48,680
Speaker 1: you know you turned me around. But I guess through reputation,

158
00:07:48,720 --> 00:07:52,480
Speaker 1: I guess, and and also not caring not to be

159
00:07:52,480 --> 00:07:54,520
Speaker 1: able to get up. What's up with you? And Dylan Scott?

160
00:07:55,680 --> 00:07:58,480
Speaker 1: That one is real? That one I got really upset

161
00:07:58,640 --> 00:08:00,800
Speaker 1: because to me, the Grand ol opertors a sacred place.

162
00:08:01,240 --> 00:08:03,760
Speaker 1: He brought chewbacka mom on stage of the Grand ol Operty.

163
00:08:03,800 --> 00:08:05,840
Speaker 1: I don't know if you know Hank Williams Seniors banned

164
00:08:05,840 --> 00:08:09,760
Speaker 1: from the Grand ol Opry and Chewbacca moms up there.

165
00:08:09,800 --> 00:08:12,000
Speaker 1: I'm like, again, you don't have to be the most

166
00:08:12,000 --> 00:08:15,480
Speaker 1: pure country arts in the world. But chewbacka Mom ain't

167
00:08:15,480 --> 00:08:17,080
Speaker 1: supposed to be on stage of the Grand Ol Operation.

168
00:08:17,120 --> 00:08:19,040
Speaker 1: So I ripped on him and then I got word

169
00:08:19,200 --> 00:08:21,720
Speaker 1: that and I said, I when I when I make

170
00:08:21,720 --> 00:08:23,640
Speaker 1: fun of someone on Twitter, I don't tweet one tweet.

171
00:08:23,880 --> 00:08:27,680
Speaker 1: I do about fifty. And I'm like, Chewbacca Mom, you're

172
00:08:27,720 --> 00:08:29,600
Speaker 1: the reason chewbacka Mom got on stage at the grand

173
00:08:29,600 --> 00:08:32,160
Speaker 1: Ol Operate. You're my enemy now. And someone from his

174
00:08:32,240 --> 00:08:35,640
Speaker 1: label contacted my drummer and said, you know, like, can

175
00:08:35,640 --> 00:08:38,839
Speaker 1: you tell him to knock it off? Which is just

176
00:08:38,920 --> 00:08:42,440
Speaker 1: gets me going again. I mean, it doesn't take much

177
00:08:42,640 --> 00:08:45,480
Speaker 1: for you to not get in my you know, just

178
00:08:45,480 --> 00:08:47,600
Speaker 1: don't bring Chewbacca Mom on stage at the grand Ole

179
00:08:47,600 --> 00:08:50,719
Speaker 1: operating your pone. Don't take Chewbaca Mom anyway. This will

180
00:08:50,720 --> 00:08:53,679
Speaker 1: be playing on the radio. Cool with that? What this

181
00:08:53,800 --> 00:08:55,760
Speaker 1: part you just said? I like it? Sure? I like

182
00:08:55,840 --> 00:08:57,959
Speaker 1: I think that's a that's a good reason to be

183
00:08:58,080 --> 00:09:01,560
Speaker 1: for somebody. Yeah, because I take I take the grand Ope.

184
00:09:01,880 --> 00:09:03,840
Speaker 1: You know, like I said, my family coming here from

185
00:09:03,920 --> 00:09:07,760
Speaker 1: Nashville and the from my family been in Nashville since

186
00:09:08,559 --> 00:09:11,280
Speaker 1: they went to the Grand operating the whole days, and

187
00:09:11,679 --> 00:09:13,960
Speaker 1: to know that Hank Williams Sr. Is not a member

188
00:09:14,840 --> 00:09:17,760
Speaker 1: and that and not like my aunt is really close

189
00:09:17,800 --> 00:09:21,199
Speaker 1: with Crystal Gale and she just got in. I'm not

190
00:09:21,200 --> 00:09:23,520
Speaker 1: saying they made Chewbaka member, but Cheebaka Mom being on

191
00:09:23,520 --> 00:09:28,920
Speaker 1: the Grand Opery stage, that ain't right. He blocked you

192
00:09:28,960 --> 00:09:30,920
Speaker 1: on Twitter, and he's blocking on Twitter. Now I can't

193
00:09:30,960 --> 00:09:33,480
Speaker 1: and now I'm missing out on all the good Chewbaca Mom. Juice.

194
00:09:34,840 --> 00:09:37,920
Speaker 1: If someone's going on with Chewbaca Mom, I I am

195
00:09:38,080 --> 00:09:41,120
Speaker 1: gonna know record together. You haven't heard heard well that

196
00:09:41,280 --> 00:09:43,760
Speaker 1: I heard he was taking her on tour. You didn't

197
00:09:43,800 --> 00:09:45,280
Speaker 1: really hear that. No, No, he said he was gonna

198
00:09:45,280 --> 00:09:47,559
Speaker 1: take her on to I think he would never do that.

199
00:09:47,840 --> 00:09:49,800
Speaker 1: I heard that well, I don't even know. I'll tell

200
00:09:49,800 --> 00:09:50,959
Speaker 1: you what if I went to I'll tell you what.

201
00:09:51,000 --> 00:09:53,199
Speaker 1: I would probably go to that show to see. If

202
00:09:53,320 --> 00:09:55,199
Speaker 1: if I heard that Chewbaka Mom was doing it was

203
00:09:55,240 --> 00:09:58,520
Speaker 1: playing the country show and that Chewbacca mask, I'd probably

204
00:09:58,520 --> 00:10:02,000
Speaker 1: be in the front row. I mean, can you imagine

205
00:10:02,000 --> 00:10:06,679
Speaker 1: how crazy that would love? I can. I'm not terribly

206
00:10:06,720 --> 00:10:09,120
Speaker 1: moved by the thought. Of it. Yeah, remembers Chewbacama came

207
00:10:09,160 --> 00:10:11,960
Speaker 1: out of the CMT Awards and I was just like

208
00:10:13,720 --> 00:10:17,640
Speaker 1: this joke old Yet, Like I said, being fat and

209
00:10:17,640 --> 00:10:20,520
Speaker 1: putting on a Chewbacca mask is not a career. Like,

210
00:10:20,600 --> 00:10:22,520
Speaker 1: how's that you can make a living doing that? Why

211
00:10:22,559 --> 00:10:26,200
Speaker 1: am I wasting my time writing songs for I should

212
00:10:26,200 --> 00:10:28,720
Speaker 1: have just been fat and bought at Chewbacca mask. You

213
00:10:28,800 --> 00:10:31,160
Speaker 1: still can't? There's still time. Oh yeah, I can eat,

214
00:10:31,200 --> 00:10:33,320
Speaker 1: I can buy a mask, but I ain't got the

215
00:10:33,400 --> 00:10:35,240
Speaker 1: I ain't got the goods she's got. You know, I

216
00:10:35,280 --> 00:10:38,319
Speaker 1: don't have that special something that Chewbaca Mom has that

217
00:10:38,440 --> 00:10:43,640
Speaker 1: Dylan Scott obviously found him liking and I love doing

218
00:10:43,679 --> 00:10:45,360
Speaker 1: it ripping on guys like. I've never heard a note

219
00:10:45,360 --> 00:10:48,520
Speaker 1: of his music, nor will I ever. But would you

220
00:10:48,559 --> 00:10:52,360
Speaker 1: like to hear something and decide for yourself? Um, I'm

221
00:10:52,360 --> 00:10:54,600
Speaker 1: sure the answer is no, but now I really want to. Yeah.

222
00:10:55,000 --> 00:10:58,400
Speaker 1: Are the songs? Are his songs about Chewbaka Mom. His

223
00:10:58,480 --> 00:11:03,719
Speaker 1: whole album is called Me and the Chew Chewlie. Here's that.

224
00:11:03,880 --> 00:11:07,360
Speaker 1: Here's a single, My girl? This is It's like Top

225
00:11:07,360 --> 00:11:09,800
Speaker 1: twenty right now, taking a long time to get there,

226
00:11:09,840 --> 00:11:11,320
Speaker 1: to be fair, But it's the top twenty song. Now

227
00:11:11,679 --> 00:11:17,080
Speaker 1: here we go. This is um, Dylan Scott, I can

228
00:11:17,120 --> 00:11:34,880
Speaker 1: already tell us this crap. I hate this bon Jovi country. Look,

229
00:11:35,880 --> 00:11:41,079
Speaker 1: I'm oh my god. You should hear talking to her

230
00:11:41,120 --> 00:11:44,520
Speaker 1: mama on the phone. This is this was, this is

231
00:11:44,679 --> 00:11:47,280
Speaker 1: a this is good as a garage band recording it.

232
00:11:47,400 --> 00:11:50,280
Speaker 1: This This is made on garage band with like the

233
00:11:50,320 --> 00:11:52,880
Speaker 1: country filter or something. This is this is this is

234
00:11:52,920 --> 00:11:59,120
Speaker 1: god awful. This there like then let's let's wait for it.

235
00:12:00,000 --> 00:12:02,920
Speaker 1: You should see a smile. When she called the baby,

236
00:12:03,360 --> 00:12:06,240
Speaker 1: he sounds pretty good. I don't want to say that

237
00:12:06,600 --> 00:12:13,080
Speaker 1: she saved me. My girl. It's called my Girl, yeah,

238
00:12:13,200 --> 00:12:15,360
Speaker 1: the first song they ever called my Yeah. That's my

239
00:12:15,640 --> 00:12:18,680
Speaker 1: girl in the passenger seat. When the down dance in

240
00:12:18,720 --> 00:12:21,440
Speaker 1: the round called in a scene, that's my girl sipping

241
00:12:21,520 --> 00:12:24,240
Speaker 1: crown is sprite and a ball cap turned back. Good.

242
00:12:24,320 --> 00:12:26,520
Speaker 1: She got me and I can't. Maybe girl, you're gonna

243
00:12:26,600 --> 00:12:28,800
Speaker 1: turn it again. And they getting all the guys for

244
00:12:28,960 --> 00:12:31,240
Speaker 1: she mute with them but a bit. They don't see

245
00:12:31,280 --> 00:12:35,240
Speaker 1: what I see when I see my girl. There you go,

246
00:12:35,320 --> 00:12:37,960
Speaker 1: there's Dylan Scott. Okay, can I give you my my

247
00:12:38,000 --> 00:12:43,080
Speaker 1: grade F strong f. That was horrible and uh, you

248
00:12:43,120 --> 00:12:46,400
Speaker 1: know what he deserves Chewbacca mom. I honestly think Chewbacca mom,

249
00:12:46,600 --> 00:12:49,520
Speaker 1: that is better than that. Yeah. By the way, I

250
00:12:49,880 --> 00:12:53,480
Speaker 1: prefer that song. He was wearing a Chewbacca mask. Yeah,

251
00:12:53,480 --> 00:12:57,400
Speaker 1: that was god awful. We don't have to agree on everything.

252
00:12:57,760 --> 00:13:01,920
Speaker 1: You like. You like that song, I don't us like it.

253
00:13:01,920 --> 00:13:03,880
Speaker 1: It hasn't growing on me fully yet, but I don't

254
00:13:03,880 --> 00:13:06,160
Speaker 1: just like Itah, no problem with it. Well, I got

255
00:13:06,160 --> 00:13:08,360
Speaker 1: some problems with it. Yeah, that that's just it's just

256
00:13:08,520 --> 00:13:11,560
Speaker 1: I mean, you've heard this is the just the most

257
00:13:11,559 --> 00:13:14,320
Speaker 1: generic thing I've ever heard. So, okay, you're here. I'd

258
00:13:14,320 --> 00:13:15,840
Speaker 1: like ole to know who you are listening to this.

259
00:13:17,040 --> 00:13:20,959
Speaker 1: You're very I can't even retweet you sometimes, although I

260
00:13:20,960 --> 00:13:23,280
Speaker 1: think it thinks they're very funny. Oh yeah, no, I'm

261
00:13:23,320 --> 00:13:27,360
Speaker 1: I'm very vulgar. I'm very vulgar, and I really you know,

262
00:13:27,800 --> 00:13:30,080
Speaker 1: it was a lot of anger and frustration that led

263
00:13:30,120 --> 00:13:32,280
Speaker 1: to the making of this, the first record, in the

264
00:13:32,320 --> 00:13:35,199
Speaker 1: second one, which is I'm just gonna go, I'm gonna

265
00:13:35,760 --> 00:13:37,800
Speaker 1: because a lot of musicians, I think I know that

266
00:13:37,840 --> 00:13:39,560
Speaker 1: do this. A lot of songwriters, you know, they'll write

267
00:13:39,559 --> 00:13:41,880
Speaker 1: the dirty version. There's like let's let's record it, let's

268
00:13:41,880 --> 00:13:43,800
Speaker 1: go clean it up. I'm like, what if we made

269
00:13:43,800 --> 00:13:45,800
Speaker 1: a record, we didn't do that second process or we

270
00:13:45,840 --> 00:13:48,480
Speaker 1: cleaned it up. I go, it's two. You know it's two.

271
00:13:49,040 --> 00:13:50,839
Speaker 1: Was two thousand and sixteen when did my first record.

272
00:13:50,920 --> 00:13:53,720
Speaker 1: So it's like, we got a YouTube, we got sell

273
00:13:53,720 --> 00:13:57,040
Speaker 1: like radio, we got podcasts. Why do I need the radio?

274
00:13:57,440 --> 00:13:59,800
Speaker 1: Why do I need tell? You know? I don't need

275
00:13:59,840 --> 00:14:03,439
Speaker 1: to on fallon? And I was a little wrong on that.

276
00:14:04,559 --> 00:14:06,400
Speaker 1: Um I was off five, but I think it would

277
00:14:06,440 --> 00:14:10,680
Speaker 1: help him in the extra four million copies maybe. But um,

278
00:14:10,800 --> 00:14:14,400
Speaker 1: what are some of the titles here? Uh? Fu By

279
00:14:14,559 --> 00:14:17,440
Speaker 1: when he hits Yeah, it's a big one. That's got

280
00:14:18,400 --> 00:14:22,400
Speaker 1: eaten p and kicking a Yeah, that's fan favorite. Yeah.

281
00:14:22,440 --> 00:14:23,960
Speaker 1: So that was that was the one that broke. That

282
00:14:24,000 --> 00:14:25,960
Speaker 1: was the one that uh, that was what got us

283
00:14:25,960 --> 00:14:33,040
Speaker 1: our tony redneck s um blank on my face, which

284
00:14:33,040 --> 00:14:38,600
Speaker 1: is actually you make it sound worse. Ah, let's see

285
00:14:39,880 --> 00:14:44,200
Speaker 1: better off beating off. There's that. That's that. That's one

286
00:14:45,160 --> 00:14:47,840
Speaker 1: I can say that you can say radio. The thing is,

287
00:14:47,840 --> 00:14:51,640
Speaker 1: we can say whatever we want. It's just if you say, hey,

288
00:14:52,040 --> 00:14:55,120
Speaker 1: you have thirty minutes to go outside and play Give

289
00:14:55,160 --> 00:14:57,960
Speaker 1: a Kick thirty they really have like forty five. If

290
00:14:58,000 --> 00:15:01,440
Speaker 1: I tell Eddie to get to work it four thirty,

291
00:15:01,760 --> 00:15:04,720
Speaker 1: he's really got to four. So I was like, hey, dude,

292
00:15:04,720 --> 00:15:07,280
Speaker 1: we have big sponsors. You know, you can't come in here.

293
00:15:07,480 --> 00:15:12,520
Speaker 1: I see you're putting your videos on you know, explicit websites. Yeah,

294
00:15:12,560 --> 00:15:15,720
Speaker 1: well that's the thing too, is um Well, my thing

295
00:15:15,760 --> 00:15:17,480
Speaker 1: is always for people to just be honest to who

296
00:15:17,520 --> 00:15:21,760
Speaker 1: they are. That's why I what I I appreciate you

297
00:15:21,840 --> 00:15:23,280
Speaker 1: that the fact that you don't cust in your your

298
00:15:23,320 --> 00:15:26,280
Speaker 1: life and don't cost on the like, to me, that's

299
00:15:26,320 --> 00:15:29,320
Speaker 1: being authentic. That's to who you are. You know, it'd

300
00:15:29,320 --> 00:15:31,080
Speaker 1: be different if I don't like the guys who are

301
00:15:31,120 --> 00:15:33,960
Speaker 1: just really I don't have as much problem as the guys.

302
00:15:34,240 --> 00:15:35,880
Speaker 1: It was just really clean in real life, and then

303
00:15:35,880 --> 00:15:38,760
Speaker 1: it were some crazy persona on air that would bother me,

304
00:15:38,800 --> 00:15:42,680
Speaker 1: probably just as much. I think the first time we met,

305
00:15:42,760 --> 00:15:45,360
Speaker 1: do you remember start taking that CMT s right, yeah,

306
00:15:45,400 --> 00:15:47,040
Speaker 1: c m T Awards and you had just put out

307
00:15:47,440 --> 00:15:50,200
Speaker 1: your first record. Yeah, and I'd ripped. I had ripped

308
00:15:50,240 --> 00:15:53,440
Speaker 1: on you quite a bit on a on a I

309
00:15:53,480 --> 00:15:56,560
Speaker 1: was gonna say on Twitter, but probably everything yeah and everything.

310
00:15:56,600 --> 00:15:59,480
Speaker 1: But to me, that's funny, like if I find it

311
00:15:59,480 --> 00:16:01,720
Speaker 1: when someone makes the time to put me in their heart,

312
00:16:02,480 --> 00:16:04,920
Speaker 1: good or bad. Well you want the first The first

313
00:16:04,960 --> 00:16:07,880
Speaker 1: thing that I became aware of you that got me

314
00:16:08,640 --> 00:16:11,000
Speaker 1: push me on the other side is in a I

315
00:16:11,080 --> 00:16:14,080
Speaker 1: usually listen to. I don't like other people's opinions of people,

316
00:16:14,120 --> 00:16:16,000
Speaker 1: except when I hear the same thing over and over.

317
00:16:16,600 --> 00:16:18,200
Speaker 1: And I kept hearing a lot of people say, you

318
00:16:18,240 --> 00:16:21,040
Speaker 1: know your name coming up is like, you know, he

319
00:16:21,200 --> 00:16:24,560
Speaker 1: likes to push buttons. I go after Like the fourth

320
00:16:24,600 --> 00:16:26,520
Speaker 1: person said that, I was like, I got the I got.

321
00:16:26,600 --> 00:16:30,200
Speaker 1: I've picked this guy wrong, you know, because I'm thinking

322
00:16:30,200 --> 00:16:34,800
Speaker 1: of you as this you know, goody goody pushing pop

323
00:16:34,840 --> 00:16:38,480
Speaker 1: I mean posh pushing you know pop country onto the world.

324
00:16:38,480 --> 00:16:39,920
Speaker 1: I mean, I don't know if that's wrong. Though, to

325
00:16:39,960 --> 00:16:41,880
Speaker 1: be fair, I don't know that you were wrong about that.

326
00:16:42,520 --> 00:16:45,640
Speaker 1: Well the button pusher part, which I don't know about,

327
00:16:45,680 --> 00:16:49,520
Speaker 1: which is what intrigued me. Which is and maybe you

328
00:16:49,520 --> 00:16:52,520
Speaker 1: could tell explained to me where that that reputation came from.

329
00:16:52,600 --> 00:16:54,720
Speaker 1: I don't think there's a button push your thing. I

330
00:16:54,720 --> 00:16:56,640
Speaker 1: think what happens if you just say how you feel

331
00:16:56,800 --> 00:17:02,280
Speaker 1: enough people get piste off. You give enough opinions, eventually

332
00:17:02,320 --> 00:17:03,800
Speaker 1: you're going to make someone upset. This is the world

333
00:17:03,800 --> 00:17:07,199
Speaker 1: of opinions anymore. It's either have all the opinions or

334
00:17:07,280 --> 00:17:11,880
Speaker 1: none of the opinions. You'd obviously angered enough people that,

335
00:17:12,880 --> 00:17:15,600
Speaker 1: um it came back to me that I was like, Oh,

336
00:17:15,640 --> 00:17:18,760
Speaker 1: I'd like to talk to this dude because he's he's

337
00:17:19,280 --> 00:17:22,080
Speaker 1: anyone who angers people is like, I want to meet

338
00:17:22,400 --> 00:17:24,600
Speaker 1: I don't anger people. Didn't for the sake of angering people,

339
00:17:25,000 --> 00:17:27,160
Speaker 1: angry people just because I haven't. If you're angering people

340
00:17:27,200 --> 00:17:29,600
Speaker 1: just because you're being honest, then that's why. That's what

341
00:17:29,760 --> 00:17:31,520
Speaker 1: That's what I did. I don't I don't set out

342
00:17:31,520 --> 00:17:33,560
Speaker 1: to make anybody that ever, but I don't want to

343
00:17:33,560 --> 00:17:34,879
Speaker 1: listen to that person. I don't want to listen to

344
00:17:34,920 --> 00:17:39,240
Speaker 1: someone on the radio who's worried about everything. They're gonna say, yeah,

345
00:17:39,320 --> 00:17:40,840
Speaker 1: that doesn't happen. But then again, I don't do it

346
00:17:40,880 --> 00:17:43,000
Speaker 1: on purpose. But I've been in a few and I

347
00:17:43,040 --> 00:17:44,880
Speaker 1: have people, but I've really got into fights with them

348
00:17:44,920 --> 00:17:47,439
Speaker 1: buddies with that now, you know, because it's like, you

349
00:17:47,440 --> 00:17:49,399
Speaker 1: know what, and probably went over a little bit, or

350
00:17:49,440 --> 00:17:51,760
Speaker 1: you probably were a little too sensitive and now we're

351
00:17:51,760 --> 00:17:54,760
Speaker 1: cool exactly. Well, my my favorite one is I went

352
00:17:54,880 --> 00:17:59,040
Speaker 1: real hard especially, I mean at the beginning, I went

353
00:17:59,160 --> 00:18:02,800
Speaker 1: real hard on at Old Dominion, and they tweeted back

354
00:18:02,800 --> 00:18:05,439
Speaker 1: something to me that I thought was funnier. I was like,

355
00:18:05,480 --> 00:18:07,439
Speaker 1: well they win. I'm never gonna I'm never gonna do

356
00:18:07,480 --> 00:18:11,240
Speaker 1: anything to them again. You know, like, you can't make

357
00:18:11,240 --> 00:18:13,880
Speaker 1: fun of someone if they'd make fun of the Ruins,

358
00:18:13,920 --> 00:18:16,800
Speaker 1: it's the eight mile, Like Eminem, you go at yourself.

359
00:18:16,800 --> 00:18:18,720
Speaker 1: There's nothing else to say. Yeah, I was like, I'll

360
00:18:18,840 --> 00:18:21,720
Speaker 1: I go. I don't know that I'm gonna listening to

361
00:18:21,760 --> 00:18:23,800
Speaker 1: Old Dominion all night, but I ain't gonna make fun

362
00:18:23,800 --> 00:18:28,200
Speaker 1: of them again. You know who do you like? Um? Well,

363
00:18:28,200 --> 00:18:30,200
Speaker 1: I mean obviously other than the old stuff. I'm trying

364
00:18:30,240 --> 00:18:32,480
Speaker 1: to think who's out there right now? You know who

365
00:18:32,520 --> 00:18:35,080
Speaker 1: your audience wouldn't know. It's not that like Margot Price

366
00:18:35,119 --> 00:18:38,679
Speaker 1: has played the show. Yeah, I love I love Brandy

367
00:18:38,720 --> 00:18:40,840
Speaker 1: and you had her on. I love um, I love

368
00:18:40,880 --> 00:18:46,359
Speaker 1: really like John Party, um like Stapleton obviously obviously all

369
00:18:46,359 --> 00:18:50,919
Speaker 1: of America does. And uh, you know I'm Sturgil, you know,

370
00:18:51,880 --> 00:18:56,320
Speaker 1: and is Bill who? These are something? I guess maybe

371
00:18:56,359 --> 00:18:59,280
Speaker 1: some of the Outsiders that Europe is. My favorite is

372
00:18:59,320 --> 00:19:01,679
Speaker 1: someone you actually you had on your show, which I

373
00:19:01,720 --> 00:19:03,520
Speaker 1: love that you had her on. My favorite album the

374
00:19:03,520 --> 00:19:08,200
Speaker 1: probably the past year or so was Laurie McKenna's album Yeah,

375
00:19:08,200 --> 00:19:10,800
Speaker 1: Burton the Rifle, Yeah I got. I love that record. Yeah,

376
00:19:10,800 --> 00:19:12,320
Speaker 1: I've had her on as a writer and an artist

377
00:19:12,880 --> 00:19:14,840
Speaker 1: because I love it. I love it so much. But kids,

378
00:19:14,840 --> 00:19:16,880
Speaker 1: you know she writes everything. Yeah, that's a new thing

379
00:19:16,920 --> 00:19:19,240
Speaker 1: that It's been really cool lately a lot of these

380
00:19:19,240 --> 00:19:22,160
Speaker 1: songwriters have kind of been putting out their own records.

381
00:19:22,240 --> 00:19:25,520
Speaker 1: That because Lorie's records great, Natalie Hemby's record is great.

382
00:19:26,480 --> 00:19:29,480
Speaker 1: It's because, you know, because being around you know, I

383
00:19:29,520 --> 00:19:31,959
Speaker 1: hear their demos and I you always wonder, like, why

384
00:19:32,000 --> 00:19:33,480
Speaker 1: don't you put out a record? And that Pete they're

385
00:19:33,480 --> 00:19:35,520
Speaker 1: finally starting to do it. I love when that happens.

386
00:19:35,560 --> 00:19:37,560
Speaker 1: You know, you're not as angry right now as I

387
00:19:37,560 --> 00:19:39,920
Speaker 1: thought you might be. Yeah, I don't. People are always

388
00:19:39,960 --> 00:19:43,400
Speaker 1: surprised because usually unless I just got someone just got

389
00:19:43,400 --> 00:19:45,800
Speaker 1: angry at me when I walked in. I'm not in

390
00:19:45,800 --> 00:19:48,639
Speaker 1: a bad mood because I've done interviews where I just

391
00:19:48,680 --> 00:19:52,119
Speaker 1: got like one recently, I just found out because my

392
00:19:52,160 --> 00:19:56,840
Speaker 1: album is now banned from Walmart. I don't want to

393
00:19:56,880 --> 00:19:58,240
Speaker 1: get it wrong. I don't care if I get wrong.

394
00:19:58,280 --> 00:20:01,679
Speaker 1: Actually Walmart cam Art best I think. And I just

395
00:20:01,720 --> 00:20:03,879
Speaker 1: got that news right before an interview last week, and

396
00:20:03,920 --> 00:20:06,040
Speaker 1: the whole interview was angry. But right now, do you

397
00:20:06,119 --> 00:20:08,320
Speaker 1: see that coming? Like, don't you make it and go,

398
00:20:08,560 --> 00:20:10,520
Speaker 1: I'm going to get banned it probably eighty percent of

399
00:20:10,560 --> 00:20:14,280
Speaker 1: the places. Yeah, but I thought I was gonna have

400
00:20:14,280 --> 00:20:19,200
Speaker 1: a chance of beating this Luke Combs jerk. But um,

401
00:20:19,200 --> 00:20:21,800
Speaker 1: it's just it. I mean, yeah, I know what you're saying,

402
00:20:21,840 --> 00:20:25,960
Speaker 1: which is it's weird for me to really Um, I can't.

403
00:20:26,280 --> 00:20:29,320
Speaker 1: I can't be seriously mad about it. You know. It's

404
00:20:29,320 --> 00:20:32,719
Speaker 1: not like I can't call up a publicist or manager

405
00:20:32,760 --> 00:20:35,000
Speaker 1: and go, how in the world did that happen? You know,

406
00:20:35,200 --> 00:20:40,080
Speaker 1: I'm not that dumb, although I'm pretty dumb, But um,

407
00:20:40,200 --> 00:20:44,359
Speaker 1: I try because I really want to. That's the thing.

408
00:20:44,400 --> 00:20:46,640
Speaker 1: Other thing people don't believe about it. I really want

409
00:20:46,640 --> 00:20:49,840
Speaker 1: to compete with these guys. And I could say it's

410
00:20:49,880 --> 00:20:51,720
Speaker 1: not fair, you know, it's not a level playing field,

411
00:20:51,720 --> 00:20:53,719
Speaker 1: but I did. I did it to myself. You know,

412
00:20:54,680 --> 00:20:58,639
Speaker 1: when you have pornographic titles on a record, like you're

413
00:20:58,640 --> 00:21:01,879
Speaker 1: gonna be in places if they don't want take pornographic anything.

414
00:21:02,480 --> 00:21:05,719
Speaker 1: Oh totally yeah, I mean, I um, but you can

415
00:21:05,800 --> 00:21:07,440
Speaker 1: use it you and you do use it your advantage,

416
00:21:07,600 --> 00:21:09,200
Speaker 1: like it's a fun game you play where it's like

417
00:21:09,240 --> 00:21:13,159
Speaker 1: I'm banned here. Uh, let's go to their website and

418
00:21:13,160 --> 00:21:15,679
Speaker 1: trash it. Yeah, I mean, I think the part that

419
00:21:15,720 --> 00:21:20,399
Speaker 1: angers me is when, because I know it's people listening

420
00:21:20,480 --> 00:21:21,919
Speaker 1: right now are laughing at me, that I want to

421
00:21:21,920 --> 00:21:24,479
Speaker 1: be taken seriously as an artist with titles like that.

422
00:21:24,520 --> 00:21:27,600
Speaker 1: But to me, especially the new records, I'm trying to

423
00:21:27,640 --> 00:21:30,320
Speaker 1: say serious things, but in the way that I talk

424
00:21:30,440 --> 00:21:32,919
Speaker 1: because I cursed all I want to talk, and I

425
00:21:32,960 --> 00:21:35,080
Speaker 1: just I want to sing the way I talk. So

426
00:21:37,320 --> 00:21:40,560
Speaker 1: it would be untrue to myself to sing instead of

427
00:21:40,600 --> 00:21:42,720
Speaker 1: fub is seeing you know, love you girl, you know,

428
00:21:42,800 --> 00:21:46,000
Speaker 1: miss you girl, or something. It wouldn't it wouldn't be

429
00:21:46,119 --> 00:21:48,879
Speaker 1: how I It's not my natural inclination to do it

430
00:21:49,000 --> 00:21:50,679
Speaker 1: like that. So I don't know. I don't people know

431
00:21:50,680 --> 00:21:52,760
Speaker 1: anything about your history that where'd you grow up. I'm

432
00:21:52,760 --> 00:21:54,879
Speaker 1: from Kentucky, all right, so you grew up a Kentucky

433
00:21:56,640 --> 00:21:58,679
Speaker 1: But I love it here and I've most of my

434
00:21:58,720 --> 00:22:00,720
Speaker 1: families from here. By the way, this isn't I was

435
00:22:00,760 --> 00:22:03,280
Speaker 1: just saying this is a must be noon new area

436
00:22:03,280 --> 00:22:06,800
Speaker 1: in Nashville house. Well, I'm saying this area. Yeah, we

437
00:22:06,840 --> 00:22:08,479
Speaker 1: won't say exactly what the area. They get too many

438
00:22:08,480 --> 00:22:10,880
Speaker 1: people come about with guns. I was gonna say kind

439
00:22:10,880 --> 00:22:14,000
Speaker 1: of about the address. I'll tweet the addressing, tweet a

440
00:22:14,000 --> 00:22:16,920
Speaker 1: picture in the front of the house. Um, so you

441
00:22:16,920 --> 00:22:19,720
Speaker 1: grew up with Kentucky. Like, are you a real I mean,

442
00:22:19,720 --> 00:22:23,720
Speaker 1: I don't even know how good are you are musically? Um? Like,

443
00:22:23,760 --> 00:22:28,200
Speaker 1: are you do you consider yourself like an A level musician?

444
00:22:28,480 --> 00:22:32,240
Speaker 1: B level musician? Well, anyone who just strumps and sings.

445
00:22:32,280 --> 00:22:36,600
Speaker 1: I mean my albums both albums were recorded live um

446
00:22:36,840 --> 00:22:39,760
Speaker 1: to tape, you know. So anything you're hearing is me.

447
00:22:39,840 --> 00:22:44,199
Speaker 1: There's no auto tune, there's no you know, the second one,

448
00:22:44,320 --> 00:22:48,040
Speaker 1: especially there. I didn't rerecord any lines, you know, So

449
00:22:48,160 --> 00:22:51,560
Speaker 1: what you're hearing on the album is is who I am. So, um,

450
00:22:51,920 --> 00:22:53,760
Speaker 1: don't you wanna give me like a guitar to have

451
00:22:53,880 --> 00:22:56,520
Speaker 1: me give me a test here? No? I just want

452
00:22:56,520 --> 00:23:01,200
Speaker 1: to because again I see your your first record, which

453
00:23:01,200 --> 00:23:03,160
Speaker 1: I did listen to all and I think it's really funny.

454
00:23:03,160 --> 00:23:05,120
Speaker 1: It's the thing it's not. It's not fun I would

455
00:23:05,160 --> 00:23:07,120
Speaker 1: put out, but I think it's really funny that redneck

456
00:23:07,600 --> 00:23:11,359
Speaker 1: s s is an expert, so you put it out.

457
00:23:11,640 --> 00:23:13,560
Speaker 1: And I remember sitting the studio with Addie, my producer,

458
00:23:13,560 --> 00:23:16,640
Speaker 1: listening to songs, laughing a lot. They go on, man,

459
00:23:16,640 --> 00:23:18,399
Speaker 1: this is funny, but people listen to it to go

460
00:23:18,440 --> 00:23:21,119
Speaker 1: is this guy even real? Like do you like do

461
00:23:21,160 --> 00:23:24,920
Speaker 1: you really play? Yeah? These songs? Well, I think sometimes

462
00:23:25,119 --> 00:23:27,240
Speaker 1: Well I didn't want to be on the comedy charts,

463
00:23:27,280 --> 00:23:29,600
Speaker 1: and I got I got an argument with the people

464
00:23:29,600 --> 00:23:32,119
Speaker 1: who distributed my record. They called me up and like

465
00:23:32,440 --> 00:23:34,200
Speaker 1: tell me, because to me it was I want to

466
00:23:34,200 --> 00:23:36,040
Speaker 1: only want to be on the country charts. And we

467
00:23:36,160 --> 00:23:38,360
Speaker 1: got in a big argument like it's not comedy, don't

468
00:23:38,359 --> 00:23:41,600
Speaker 1: put it and they're streaming like I'm not on the comedy,

469
00:23:41,680 --> 00:23:44,880
Speaker 1: don't put me on the comedy charts. And halfway through

470
00:23:44,880 --> 00:23:46,840
Speaker 1: the argument I realized it. By the way before, I

471
00:23:46,920 --> 00:23:50,400
Speaker 1: keep yelling and you know, blowing out my voice, what

472
00:23:50,520 --> 00:23:52,800
Speaker 1: number am I on the comedy charts? And they're like

473
00:23:52,880 --> 00:23:54,200
Speaker 1: number one. I was like, all right, keep me on

474
00:23:54,240 --> 00:23:56,760
Speaker 1: the comedy charts. You know because to me it's not.

475
00:23:57,040 --> 00:23:59,560
Speaker 1: It's to me it's really serious stuff that I'm singing about.

476
00:23:59,600 --> 00:24:02,439
Speaker 1: I'm just using bad words. You know it's not. But

477
00:24:02,520 --> 00:24:05,120
Speaker 1: how was that serious that you're singing about? For example,

478
00:24:05,640 --> 00:24:10,680
Speaker 1: in the song ah, let's see fighting, Well, that's about

479
00:24:10,720 --> 00:24:13,680
Speaker 1: you picked the worst one. Yet I'm just picking one

480
00:24:13,920 --> 00:24:18,240
Speaker 1: fighting and farting and nothing with fart I mean that one.

481
00:24:18,600 --> 00:24:21,120
Speaker 1: I want that was the worst one, that you picked

482
00:24:21,119 --> 00:24:23,520
Speaker 1: the worst one, because anything with farting is not gonna

483
00:24:23,520 --> 00:24:26,399
Speaker 1: be serious. But so that was your one moving to comedy,

484
00:24:26,520 --> 00:24:27,840
Speaker 1: that's all. That was your one. No, I don't think

485
00:24:27,840 --> 00:24:30,440
Speaker 1: it's my one moving to comedy, but it was all

486
00:24:30,480 --> 00:24:33,480
Speaker 1: of It's kind of an f you to to Nashville

487
00:24:33,520 --> 00:24:37,280
Speaker 1: to music rows. Okay, that's interesting. So you're angry at

488
00:24:37,280 --> 00:24:39,960
Speaker 1: the whole establishment, which I am too. When I got

489
00:24:39,960 --> 00:24:44,520
Speaker 1: into the studio, I'm like, I'm unsuccessful, and this is

490
00:24:44,560 --> 00:24:48,159
Speaker 1: my middle finger to music. Row in my middle and

491
00:24:48,160 --> 00:24:50,320
Speaker 1: I'm gonna make the song so catchy and good that

492
00:24:50,320 --> 00:24:52,959
Speaker 1: people are gonna have to listen to them, and no

493
00:24:53,000 --> 00:24:54,800
Speaker 1: matter how dirty they are, I'm gonna sell. I'm gonna

494
00:24:54,800 --> 00:24:56,840
Speaker 1: out sell all these guys, which I didn't do so

495
00:24:56,880 --> 00:24:59,479
Speaker 1: I failed, but I'm gonna out sell these guys with filth.

496
00:25:00,160 --> 00:25:01,840
Speaker 1: How high on their country chart? Did you ever get

497
00:25:02,440 --> 00:25:04,960
Speaker 1: debuted a number nine? Which wasn't bad? I mean, we're

498
00:25:05,080 --> 00:25:08,480
Speaker 1: you know, I was expecting number nine hundreds, so especially

499
00:25:08,480 --> 00:25:11,360
Speaker 1: for a first record. So I mean, by the way,

500
00:25:11,400 --> 00:25:12,959
Speaker 1: lad as a podcast you canna listen to. It's very

501
00:25:13,000 --> 00:25:15,840
Speaker 1: vulgar and dirty. I actually recommend you don't listen to it. So,

502
00:25:15,920 --> 00:25:19,000
Speaker 1: but it's it exists, it's weird, it's ante that long.

503
00:25:19,040 --> 00:25:21,600
Speaker 1: I've already gotten a lot of non recommendations. Yeah, that's

504
00:25:21,640 --> 00:25:23,240
Speaker 1: what you want, though, it's like being kicked out of stores.

505
00:25:23,240 --> 00:25:25,600
Speaker 1: Like if you you'd rather have people non recommended, then

506
00:25:25,600 --> 00:25:28,119
Speaker 1: not mention it. Yeah, like I encourage people not to

507
00:25:28,200 --> 00:25:30,040
Speaker 1: check it out. Yeah, and while you while you're at it,

508
00:25:30,080 --> 00:25:33,000
Speaker 1: don't listen to Bobby Bones. Yes, that's my favorite thing.

509
00:25:33,680 --> 00:25:35,560
Speaker 1: I'd rather have those and people saying listen to it.

510
00:25:35,600 --> 00:25:38,080
Speaker 1: Because I bought a bunch of billboards and didn't tell

511
00:25:38,080 --> 00:25:41,080
Speaker 1: anybody about it, and they all said go away Bobby Bones,

512
00:25:41,119 --> 00:25:43,520
Speaker 1: and I hit it for years into a book and

513
00:25:43,680 --> 00:25:46,359
Speaker 1: everyone thought certain artists that bought them are record labels,

514
00:25:46,359 --> 00:25:48,600
Speaker 1: and I put up all over town, huge billboards. It's

515
00:25:48,640 --> 00:25:51,000
Speaker 1: a go away Bobby Bones, that's it. That's a pretty

516
00:25:51,040 --> 00:25:54,000
Speaker 1: good Now you got me thinking, yeah, And so everyone

517
00:25:54,080 --> 00:25:56,679
Speaker 1: was like, who's upset of Bobby? Is it? This artist

518
00:25:56,800 --> 00:25:59,160
Speaker 1: that I had to fight with? Is that this record label?

519
00:25:59,280 --> 00:26:01,400
Speaker 1: Is that the other ready of stations? And forever they

520
00:26:01,400 --> 00:26:03,480
Speaker 1: stayed and nobody knew until I put on my book

521
00:26:03,520 --> 00:26:05,840
Speaker 1: and the people were pisted, like Flora George Line went

522
00:26:05,840 --> 00:26:10,120
Speaker 1: on satellite and bash me because they were like, ain't

523
00:26:10,160 --> 00:26:13,920
Speaker 1: putting up billboards about himself? Not understanding? I don't know.

524
00:26:14,080 --> 00:26:16,000
Speaker 1: I didn't put them up about me. I did put

525
00:26:16,080 --> 00:26:18,640
Speaker 1: them up about me, but in your own controversy. Yes,

526
00:26:18,880 --> 00:26:22,040
Speaker 1: that's it. Controversies all I love controversy. Yeah, well, you

527
00:26:22,080 --> 00:26:26,320
Speaker 1: know these billboards still up. Let's get some fill, but

528
00:26:26,440 --> 00:26:28,960
Speaker 1: they cost too much. I have to leave up. That's

529
00:26:28,960 --> 00:26:31,000
Speaker 1: the thing is because I put my albums out of myself,

530
00:26:31,160 --> 00:26:34,240
Speaker 1: I got a lot of ideas that don't ever that

531
00:26:34,320 --> 00:26:37,040
Speaker 1: we can't pay for because it costs too much money.

532
00:26:37,119 --> 00:26:40,280
Speaker 1: Let me talk about you get commercials in your podcast yet, no,

533
00:26:40,400 --> 00:26:42,880
Speaker 1: we got we gotta offer. Some dog food company wanted

534
00:26:42,920 --> 00:26:44,480
Speaker 1: to do it, and then I had that. I told

535
00:26:44,520 --> 00:26:45,800
Speaker 1: him my idea what I wanted to do with the

536
00:26:45,840 --> 00:26:49,600
Speaker 1: dog food, and then they disappeared. Okay, let me talk

537
00:26:49,600 --> 00:26:52,840
Speaker 1: about Let me talk about sleep number. One of my

538
00:26:52,880 --> 00:26:56,120
Speaker 1: favorites here obvio sleep number and if you go into

539
00:26:56,119 --> 00:26:59,080
Speaker 1: a sleep number store and adjusts on each side. So

540
00:26:59,760 --> 00:27:03,119
Speaker 1: you married, by the way, No girlfriend? All right, Oh

541
00:27:03,160 --> 00:27:06,080
Speaker 1: that's right, you have X wife. She's somebody sings on

542
00:27:06,119 --> 00:27:07,640
Speaker 1: your record as your ex wife, but it's not really

543
00:27:07,640 --> 00:27:10,600
Speaker 1: your ex wife. Right. Well, my ex wife's did sing

544
00:27:10,600 --> 00:27:12,240
Speaker 1: on it, but then she took her name off, she

545
00:27:12,320 --> 00:27:15,399
Speaker 1: took her vocals off, but we'd already made the artwork,

546
00:27:15,480 --> 00:27:18,840
Speaker 1: so her name's on it. But it's a country singer

547
00:27:18,880 --> 00:27:21,399
Speaker 1: I love called Nicki. Her name is Nicky Lane. She

548
00:27:21,480 --> 00:27:24,920
Speaker 1: sings on the track and it's it's uh, that one's

549
00:27:24,960 --> 00:27:27,119
Speaker 1: called cheating. I'm just calling from my head. What's what's

550
00:27:27,160 --> 00:27:30,160
Speaker 1: it called. It's called messing or messing her, but it's

551
00:27:30,240 --> 00:27:32,520
Speaker 1: but it's the dirty word of messing around. That's what

552
00:27:32,600 --> 00:27:35,080
Speaker 1: it is. Effing around. Yeah, that was why I did

553
00:27:35,119 --> 00:27:40,439
Speaker 1: a shame. Okay, The bed adjust on each side, so

554
00:27:40,480 --> 00:27:42,639
Speaker 1: it's right for both of you. The sleep number adjust

555
00:27:42,720 --> 00:27:45,080
Speaker 1: a firmness and comfort and sports. So you're sleep number setting.

556
00:27:45,160 --> 00:27:47,520
Speaker 1: It's perfect for both couples with optional sleep i Q

557
00:27:47,640 --> 00:27:50,520
Speaker 1: technology attract your sleep, it helps your sleep. And so

558
00:27:50,840 --> 00:27:53,080
Speaker 1: my setting is thirty and my sleep i Q score

559
00:27:53,119 --> 00:27:54,760
Speaker 1: last night was in the nineties. So you want to

560
00:27:54,800 --> 00:27:57,040
Speaker 1: find a sleep numberstorinary, you can right now. There's a

561
00:27:57,040 --> 00:27:59,000
Speaker 1: big deal semi annual sell where a Queen C two,

562
00:27:59,000 --> 00:28:02,159
Speaker 1: mattress is six and you'll only find sleep number in

563
00:28:02,240 --> 00:28:06,080
Speaker 1: the fifties. Sleep Number stores nationwide and you can tell

564
00:28:06,119 --> 00:28:09,200
Speaker 1: him you herd to hear on the Bobby Cast and

565
00:28:09,359 --> 00:28:11,840
Speaker 1: there you go, sleep number. I have one my bedrooms,

566
00:28:11,840 --> 00:28:14,080
Speaker 1: like right over there. Really, can I take it for

567
00:28:14,080 --> 00:28:16,639
Speaker 1: a test? Dride whatever. I'd like to meet some of

568
00:28:16,680 --> 00:28:18,639
Speaker 1: the girls on your radio show. They look. Am I

569
00:28:18,640 --> 00:28:21,040
Speaker 1: wrong to say that I started? I think I followed

570
00:28:21,040 --> 00:28:23,679
Speaker 1: on Twitter or something or Instagram? Is a lot of

571
00:28:23,680 --> 00:28:26,159
Speaker 1: the girls who are on your show? Might wrong? Just

572
00:28:26,200 --> 00:28:28,640
Speaker 1: say that there's a lot of attractive women on your show? Yeah,

573
00:28:28,680 --> 00:28:30,480
Speaker 1: I think everybody in our show keeps himself a pretty

574
00:28:30,480 --> 00:28:33,760
Speaker 1: good shape. Who what are the women? Women names? Again?

575
00:28:33,960 --> 00:28:38,080
Speaker 1: Amy is my man host? Yeah? No, na a, Yeah,

576
00:28:38,120 --> 00:28:40,320
Speaker 1: that's I thought she's very really pretty. I saw picture

577
00:28:40,320 --> 00:28:43,560
Speaker 1: of her. She tweeted out some article she wants some

578
00:28:43,600 --> 00:28:46,560
Speaker 1: award or something, and then said I always noticed this stuff.

579
00:28:46,640 --> 00:28:49,280
Speaker 1: Or sayce she said she graduated college when she was

580
00:28:49,320 --> 00:28:51,680
Speaker 1: like twelve years old. I mean not twelve, but it

581
00:28:51,680 --> 00:28:54,600
Speaker 1: was something crazy. I'm like you guys in the high

582
00:28:54,600 --> 00:28:57,960
Speaker 1: school like fifteen or sixteen and in college, I'd like

583
00:28:58,000 --> 00:28:59,960
Speaker 1: to find a real smart woman, you know, to bounce

584
00:29:00,160 --> 00:29:01,920
Speaker 1: me out. How do you tell girls about your Like

585
00:29:01,960 --> 00:29:03,520
Speaker 1: if they say, hey, what do you do for a living?

586
00:29:03,920 --> 00:29:06,440
Speaker 1: You talk about this this music. Um, you know, what

587
00:29:06,480 --> 00:29:09,040
Speaker 1: I've noticed is the best thing for with with with

588
00:29:09,160 --> 00:29:13,760
Speaker 1: girls about the Wheeler stuff is as you're you're seeing

589
00:29:13,760 --> 00:29:16,200
Speaker 1: that this side of me, which is if you put

590
00:29:16,200 --> 00:29:20,760
Speaker 1: out music like this and you're not a complete, um degenerate,

591
00:29:21,640 --> 00:29:23,840
Speaker 1: they think they reached, you know, they got past the

592
00:29:23,920 --> 00:29:26,800
Speaker 1: dark side and the soft cuddy inside, which is not

593
00:29:26,880 --> 00:29:29,120
Speaker 1: that hard to get to. So they think I'm some

594
00:29:29,440 --> 00:29:34,400
Speaker 1: crazy bad dude, and then they I can surprise them

595
00:29:34,440 --> 00:29:37,200
Speaker 1: by being nice and it kind of works. What was

596
00:29:37,200 --> 00:29:39,840
Speaker 1: it that I do so mad at everybody? Like in Nashville, Like,

597
00:29:39,840 --> 00:29:42,160
Speaker 1: what what was it? It said? I think, Uh, the

598
00:29:42,200 --> 00:29:45,280
Speaker 1: one word I use is failure. You know, your failure,

599
00:29:45,400 --> 00:29:48,320
Speaker 1: My failure. Yeah. I spent a lot of time trying to,

600
00:29:48,400 --> 00:29:52,440
Speaker 1: you know, make it and it just didn't happen. Um.

601
00:29:52,480 --> 00:29:54,640
Speaker 1: And you know, I had some record company issues and

602
00:29:54,680 --> 00:29:58,479
Speaker 1: I had UM, I had some bad deals I signed.

603
00:29:58,520 --> 00:30:00,000
Speaker 1: I mean, at the end of the day, your career

604
00:30:00,160 --> 00:30:03,840
Speaker 1: is your fault. But I was just so angry. I'm like,

605
00:30:03,840 --> 00:30:07,480
Speaker 1: I'm gonna put this anger onto onto a record. And

606
00:30:08,360 --> 00:30:13,360
Speaker 1: my hope being UM, that are there people out there

607
00:30:13,400 --> 00:30:15,400
Speaker 1: who as angry as me and like listen to the

608
00:30:15,480 --> 00:30:18,280
Speaker 1: kind of music which I think you know, they answered

609
00:30:18,280 --> 00:30:21,880
Speaker 1: to a lot of angry people around America right now.

610
00:30:22,760 --> 00:30:24,640
Speaker 1: So you you go out and you're doing a whole

611
00:30:24,840 --> 00:30:27,840
Speaker 1: uh wheeler tour. Yeah, we're doing a tour. We're doing

612
00:30:27,840 --> 00:30:30,280
Speaker 1: a three dates the week of the release, and then

613
00:30:30,320 --> 00:30:32,680
Speaker 1: we're waiting a couple of weeks and we're gonna do uh,

614
00:30:32,840 --> 00:30:35,600
Speaker 1: I guess, like a whole another tour. I don't know

615
00:30:35,640 --> 00:30:37,680
Speaker 1: if you get this a lot with your when you tour,

616
00:30:37,840 --> 00:30:42,560
Speaker 1: right when people just when you announce the tour, all

617
00:30:42,600 --> 00:30:44,880
Speaker 1: yours like eight million comments, why aren't you coming to

618
00:30:44,960 --> 00:30:49,040
Speaker 1: my city? It's like, anyhow touring works, you know. I

619
00:30:49,040 --> 00:30:51,040
Speaker 1: wanted to explain that to people and people just think

620
00:30:51,080 --> 00:30:53,680
Speaker 1: you pick cities. Yeah, and you don't really just go

621
00:30:54,000 --> 00:30:55,960
Speaker 1: I think I'll go there. We'll just think about like

622
00:30:56,000 --> 00:30:59,240
Speaker 1: if I was a kid and like what I tweet Actel,

623
00:30:59,320 --> 00:31:01,880
Speaker 1: you know, come to so in Kentucky? You know, like

624
00:31:01,920 --> 00:31:05,880
Speaker 1: in acts would reading go tell his major? This guy

625
00:31:05,880 --> 00:31:07,480
Speaker 1: Wheeler wants us to play a lesson and make sure

626
00:31:07,480 --> 00:31:09,360
Speaker 1: it happens, Like, well, what do the thing is gonna happen?

627
00:31:09,720 --> 00:31:11,480
Speaker 1: And now we're booked in l A one, but let's

628
00:31:11,480 --> 00:31:13,120
Speaker 1: go to lex to this day. I mean, we don't

629
00:31:13,120 --> 00:31:15,240
Speaker 1: want we don't meant this little kid Wheeler, we don't

630
00:31:15,320 --> 00:31:18,720
Speaker 1: mess up mess with him. So um yeah, it drives me.

631
00:31:18,920 --> 00:31:21,120
Speaker 1: You know, it's just like you think your real country

632
00:31:21,120 --> 00:31:22,640
Speaker 1: and you ain't playing in Texas. I'm like, they didn't

633
00:31:22,720 --> 00:31:24,800
Speaker 1: rub me to Texas, wait me to do and there

634
00:31:24,840 --> 00:31:26,840
Speaker 1: wasn't a venue available in the area that I could

635
00:31:26,880 --> 00:31:29,120
Speaker 1: get to in time. Yeah, what I didn't call up?

636
00:31:29,160 --> 00:31:30,560
Speaker 1: Let's do a tour and make sure we stay out

637
00:31:30,560 --> 00:31:33,160
Speaker 1: of Texas. Do you know a lot of country artists

638
00:31:33,160 --> 00:31:37,600
Speaker 1: stay out of Texas really because of the Texas country scene. Yeah,

639
00:31:37,600 --> 00:31:38,640
Speaker 1: I was gonna say, there's all I know. I was

640
00:31:38,680 --> 00:31:40,560
Speaker 1: gonna see the options. I know artists who really don't

641
00:31:40,640 --> 00:31:44,280
Speaker 1: leave Texas and that's why, because what happens is some

642
00:31:44,440 --> 00:31:49,960
Speaker 1: of the Texas artists will vilify the Nashville artists. So

643
00:31:50,000 --> 00:31:53,680
Speaker 1: in the Nashville artists going to Texas, they've been trained

644
00:31:53,800 --> 00:31:56,560
Speaker 1: by the Texas country artists that that's all bad. That's

645
00:31:56,600 --> 00:31:58,880
Speaker 1: interesting because we actually actually had a good time doing

646
00:31:58,960 --> 00:32:01,800
Speaker 1: Texas on the last were But yeah, it's funny. It's

647
00:32:01,800 --> 00:32:04,120
Speaker 1: funny for you to say that, because not I forget

648
00:32:04,120 --> 00:32:06,200
Speaker 1: that I'm in Nashville because I'm such an outslayer that

649
00:32:06,240 --> 00:32:10,120
Speaker 1: I am to that I'm a Nashville artist still, which

650
00:32:10,160 --> 00:32:12,960
Speaker 1: I you know, I just have no pride take pride

651
00:32:13,000 --> 00:32:17,239
Speaker 1: in that. But um yeah, I guess you would get

652
00:32:17,320 --> 00:32:20,120
Speaker 1: territorial because I've heard before that there are people who

653
00:32:20,160 --> 00:32:22,800
Speaker 1: make millions of dollars just in Texas. Just I want

654
00:32:22,840 --> 00:32:28,040
Speaker 1: to say millions. Very comfortable. I would say, Also, you

655
00:32:28,120 --> 00:32:29,680
Speaker 1: only gotta you gotta you know you have to buy

656
00:32:29,680 --> 00:32:31,480
Speaker 1: a house in Texas that you're gonna cost that much

657
00:32:32,400 --> 00:32:34,360
Speaker 1: and you don't want to buy a house in Texas. Listen,

658
00:32:34,480 --> 00:32:37,520
Speaker 1: I live in Austin for it's the greatest. And when

659
00:32:37,520 --> 00:32:40,400
Speaker 1: I go and we play Texas it's awesome for us

660
00:32:40,440 --> 00:32:44,440
Speaker 1: because weird Mike's everybody's Texan. I grew up in Arkansas. Yeah,

661
00:32:44,600 --> 00:32:48,680
Speaker 1: I know that because the basketball battles be battles. Really

662
00:32:48,960 --> 00:32:51,040
Speaker 1: about that too, by the way, Yeah, well, thank well.

663
00:32:51,160 --> 00:32:54,120
Speaker 1: I'm very passionate about Kentucky basketball and I'm and I

664
00:32:54,200 --> 00:32:58,040
Speaker 1: make no apologies about it. But it's also the one

665
00:32:58,080 --> 00:33:00,200
Speaker 1: thing that I can make fun of people and I'm

666
00:33:00,200 --> 00:33:02,320
Speaker 1: probably gonna win. It's only one of the few arguments

667
00:33:02,320 --> 00:33:05,600
Speaker 1: I know I'm gonna win. Kentucky basketball is a thing.

668
00:33:06,800 --> 00:33:09,280
Speaker 1: This music and the new record comes out Jean second

669
00:33:10,240 --> 00:33:12,120
Speaker 1: Old Wheeler. It's called what's the difference in the First

670
00:33:12,120 --> 00:33:14,880
Speaker 1: Record and the Second Record? To me, the second record

671
00:33:15,040 --> 00:33:18,480
Speaker 1: is well, the main thing is the second records better?

672
00:33:19,040 --> 00:33:21,800
Speaker 1: And it's um to me, it's really more focused because

673
00:33:23,160 --> 00:33:25,560
Speaker 1: it's a you know, it's a famous thing. The first records.

674
00:33:25,800 --> 00:33:27,800
Speaker 1: You's got twenty years to make the first record in

675
00:33:27,920 --> 00:33:30,400
Speaker 1: six months to make the second record. But I used

676
00:33:30,400 --> 00:33:32,600
Speaker 1: that to my advantage and made it much more focused.

677
00:33:32,880 --> 00:33:35,040
Speaker 1: Second records really about everything that happened from the first

678
00:33:35,080 --> 00:33:38,960
Speaker 1: record to the second record. So it's really um a,

679
00:33:41,960 --> 00:33:44,720
Speaker 1: it's really a snapshot of that portion of my life.

680
00:33:44,760 --> 00:33:46,400
Speaker 1: I mean to me, it was it's an album about

681
00:33:46,440 --> 00:33:49,800
Speaker 1: I call a wheeler because it's an album about growing old.

682
00:33:49,880 --> 00:33:53,680
Speaker 1: You know, this new world that we're living in right now,

683
00:33:54,280 --> 00:33:55,959
Speaker 1: I feel like a man out of time, you know,

684
00:33:56,760 --> 00:34:00,880
Speaker 1: like going to gigs and girls asking me from my

685
00:34:00,920 --> 00:34:02,800
Speaker 1: snapchat and I don't even know what that, you know,

686
00:34:03,000 --> 00:34:04,320
Speaker 1: I didn't know what what I got it now, I

687
00:34:04,320 --> 00:34:06,800
Speaker 1: didn't know what at the time, just you know, trying

688
00:34:06,800 --> 00:34:09,600
Speaker 1: to play this type of music in this new world

689
00:34:09,680 --> 00:34:12,480
Speaker 1: was very strange to me and being you know, and

690
00:34:12,480 --> 00:34:13,960
Speaker 1: a lot of it, you know, being I felt like

691
00:34:13,960 --> 00:34:16,160
Speaker 1: I was too old, Like why wasn't I doing this?

692
00:34:16,520 --> 00:34:18,239
Speaker 1: Why didn't this happen when I was twenty three? You know,

693
00:34:18,480 --> 00:34:20,279
Speaker 1: why didn't happen you were twenty three? What were doing

694
00:34:20,280 --> 00:34:23,080
Speaker 1: at twenty three? Um? I was just about you know,

695
00:34:24,120 --> 00:34:26,239
Speaker 1: I couldn't. I was just stepping on my own feet.

696
00:34:26,239 --> 00:34:27,839
Speaker 1: I couldn't get out my own way, you know. So

697
00:34:29,920 --> 00:34:33,560
Speaker 1: it was probably a lot of um and a lot

698
00:34:33,600 --> 00:34:38,040
Speaker 1: of insecurity, and a lot of blaming things and other people,

699
00:34:38,160 --> 00:34:40,960
Speaker 1: you know, like a labeled big deal goes bad and I,

700
00:34:41,680 --> 00:34:44,520
Speaker 1: you know, say it's their fault when I actually actually

701
00:34:44,560 --> 00:34:47,640
Speaker 1: you know, the songs weren't you know, it wasn't good.

702
00:34:47,680 --> 00:34:51,000
Speaker 1: But you know, I think people are gonna hear this

703
00:34:51,040 --> 00:34:53,600
Speaker 1: and hear a more sensitive side. You bring it out

704
00:34:53,600 --> 00:34:56,120
Speaker 1: of me. But Wheeler, Yeah, I thought you were gonna

705
00:34:56,120 --> 00:34:59,480
Speaker 1: come in right a lot me on fire. No, I

706
00:34:59,480 --> 00:35:02,200
Speaker 1: mean seen looking forward forward to it a bit. Yeah,

707
00:35:02,239 --> 00:35:05,160
Speaker 1: I mean I could, but I mean I wasn't. I'll

708
00:35:05,160 --> 00:35:07,839
Speaker 1: tell you what I wasn't expecting is coming in and

709
00:35:07,880 --> 00:35:10,120
Speaker 1: having you tell people not to buy my record or

710
00:35:10,200 --> 00:35:12,680
Speaker 1: to listen to my podcast. Yeah. Yeah, I think people

711
00:35:12,680 --> 00:35:16,920
Speaker 1: shouldn't yeah anymore anymore. Great, but they should sleep on

712
00:35:16,960 --> 00:35:19,920
Speaker 1: that bed, absolutely, they should what kind of bed is

713
00:35:20,360 --> 00:35:22,800
Speaker 1: And not only that they should they should buy Blue Apron.

714
00:35:22,880 --> 00:35:25,400
Speaker 1: You read Blue Apron before I've heard about it, but

715
00:35:25,840 --> 00:35:30,759
Speaker 1: by my albums better Blue Apron. Blue Apron. Not all

716
00:35:30,880 --> 00:35:33,680
Speaker 1: ingredients are created equal, but the fresh eye quality ingredients

717
00:35:33,680 --> 00:35:35,879
Speaker 1: make a real difference. So it is important to know

718
00:35:35,960 --> 00:35:37,839
Speaker 1: where your food comes from. And so Blue Apron comes

719
00:35:37,840 --> 00:35:40,040
Speaker 1: back to the house. It's affordable, less than ten dollars

720
00:35:40,040 --> 00:35:43,279
Speaker 1: per pose and permele. Blue Apron delivers seasonal recipes with

721
00:35:43,360 --> 00:35:46,799
Speaker 1: proportioned ingredients, making delicious home cooked meals. And there's a

722
00:35:46,840 --> 00:35:49,120
Speaker 1: ton of recipes go up a Blue Apron that they

723
00:35:49,160 --> 00:35:51,479
Speaker 1: have a culinary team and the recipes don't even repeat

724
00:35:51,480 --> 00:35:53,080
Speaker 1: it within a year, so you're not gonna get bored.

725
00:35:53,560 --> 00:35:56,960
Speaker 1: They're also flexible. They'll deliver to your house at whatever

726
00:35:57,080 --> 00:35:59,520
Speaker 1: time that you you'll see all the options there. Blue

727
00:35:59,520 --> 00:36:01,960
Speaker 1: Apron has several delivery options so you can choose what

728
00:36:02,000 --> 00:36:04,680
Speaker 1: fits your needs. No weekly commitment, so you only get

729
00:36:04,719 --> 00:36:06,520
Speaker 1: deliveries when you want them, and there's a step by

730
00:36:06,520 --> 00:36:08,759
Speaker 1: step recipe card. Forty minutes or less. You can be

731
00:36:08,760 --> 00:36:10,960
Speaker 1: able to cooking this and you'll look like a chef.

732
00:36:11,360 --> 00:36:14,520
Speaker 1: Blue Aprons Fresh and is guarantee every every every ingredient

733
00:36:14,520 --> 00:36:16,879
Speaker 1: that arrives ready to cook. Check out this week's menu

734
00:36:16,920 --> 00:36:19,040
Speaker 1: and get your first three meals for free with free

735
00:36:19,040 --> 00:36:22,120
Speaker 1: shipping by going to Blue Apron dot com slash Bobby

736
00:36:22,160 --> 00:36:24,680
Speaker 1: cast Blue Apron dot com slash Bobby Cast. You'll know

737
00:36:24,719 --> 00:36:26,520
Speaker 1: if I get a fields and taste and it's incredible

738
00:36:26,520 --> 00:36:29,560
Speaker 1: home cook mills Blue Apron dot com slash Bobby Cast.

739
00:36:29,600 --> 00:36:31,799
Speaker 1: It's a better way to cook. I feel like they're

740
00:36:32,600 --> 00:36:34,359
Speaker 1: with the Luke Combs having the number one and maybe

741
00:36:34,400 --> 00:36:35,799
Speaker 1: suck a little bit out of you know, like you

742
00:36:35,840 --> 00:36:37,400
Speaker 1: thought you had a shot at beating and well, that's

743
00:36:37,440 --> 00:36:38,719
Speaker 1: the thing is I've kind of I don't know if

744
00:36:38,719 --> 00:36:41,000
Speaker 1: you noticed. My thing was to kind of battle him

745
00:36:41,040 --> 00:36:42,719
Speaker 1: to the top of the charts. Now he's gonna number

746
00:36:42,760 --> 00:36:45,960
Speaker 1: one song, it's gonna be impossible. So that battle may

747
00:36:46,000 --> 00:36:49,960
Speaker 1: have already been been one. But may I lose the battle,

748
00:36:49,960 --> 00:36:52,319
Speaker 1: but win the war. Let's check back in a year.

749
00:36:52,360 --> 00:36:54,279
Speaker 1: And so you sold more. I saw you. I'm playing

750
00:36:54,320 --> 00:36:56,880
Speaker 1: it too. I saw you're playing Faster Horses and that

751
00:36:57,000 --> 00:36:58,960
Speaker 1: was real because you've done the fake things were like,

752
00:36:58,960 --> 00:37:02,040
Speaker 1: look look at Wheeler I'm starting wheeler Fest. I started.

753
00:37:02,040 --> 00:37:05,480
Speaker 1: I put out a thing called on April Fools. I

754
00:37:05,520 --> 00:37:08,000
Speaker 1: announced wheeler Fest with a bunch of huge artists and

755
00:37:08,480 --> 00:37:10,759
Speaker 1: wheeler Fest dot Com go there for tickets and it

756
00:37:10,960 --> 00:37:14,520
Speaker 1: just had an expletive that led you to preorder my

757
00:37:14,560 --> 00:37:20,120
Speaker 1: new record. And people are supps still mad, you know,

758
00:37:20,280 --> 00:37:24,719
Speaker 1: they're like, you know, and yeah, I was like, that's

759
00:37:24,719 --> 00:37:28,560
Speaker 1: your fault. There's no place to buy tickets. How are

760
00:37:28,560 --> 00:37:31,440
Speaker 1: you gonna go book a vacation on somewhere there's no tickets,

761
00:37:32,080 --> 00:37:35,319
Speaker 1: But yeah, faster Horses, And uh, there was another one.

762
00:37:35,320 --> 00:37:39,279
Speaker 1: I forget what it was. Um, yeah, they're having me

763
00:37:39,320 --> 00:37:43,480
Speaker 1: on late night spots. I guess, you know, adult entertainment,

764
00:37:44,480 --> 00:37:47,480
Speaker 1: although you know these guys. I guess people are getting

765
00:37:47,520 --> 00:37:50,319
Speaker 1: roundy around midnight. I guess I can go on after

766
00:37:50,320 --> 00:37:52,200
Speaker 1: the headliners done, I'm gonna play. I think it's what

767
00:37:52,239 --> 00:37:54,960
Speaker 1: they're saying, that's that would be the headliner. Then of

768
00:37:55,000 --> 00:37:56,799
Speaker 1: the headliner, Well, that's what I said, and that means

769
00:37:56,840 --> 00:37:58,640
Speaker 1: I'm the headliner. They said, no, no, no, I don't

770
00:37:58,640 --> 00:38:02,600
Speaker 1: say that, And I thought at first it may be

771
00:38:02,719 --> 00:38:04,919
Speaker 1: a joke, just because it's what you do. You put

772
00:38:04,920 --> 00:38:07,560
Speaker 1: things out there. Well, I like making enough, like making

773
00:38:07,640 --> 00:38:09,560
Speaker 1: up enough stuff so no one knows what's real. Like

774
00:38:09,600 --> 00:38:13,000
Speaker 1: if I put out number one country album in America,

775
00:38:13,200 --> 00:38:15,440
Speaker 1: I like that people wouldn't even believe me. Haven't you

776
00:38:15,480 --> 00:38:20,239
Speaker 1: noticed that anything that's put online is just fact until

777
00:38:20,280 --> 00:38:22,160
Speaker 1: it's proven otherwise. By the time it's proven otherwise, it

778
00:38:22,160 --> 00:38:25,000
Speaker 1: doesn't matter. It's already people's heads. It's fact. We sat

779
00:38:25,000 --> 00:38:27,879
Speaker 1: with the last election. Yeah, I mean, it'sn't it's it's

780
00:38:27,880 --> 00:38:29,920
Speaker 1: true because when you see it, something in like the

781
00:38:30,000 --> 00:38:33,960
Speaker 1: right font, because it looks like what old media used

782
00:38:34,000 --> 00:38:37,399
Speaker 1: to look like. It's just like it was written down

783
00:38:37,400 --> 00:38:40,399
Speaker 1: on my computer. It must be true, you know, It's

784
00:38:40,440 --> 00:38:44,319
Speaker 1: like because I was trying to to um, it looks

785
00:38:44,320 --> 00:38:47,560
Speaker 1: like it's not gonna happen, But I tried to because

786
00:38:47,560 --> 00:38:49,760
Speaker 1: a lot of the this election was a lot about

787
00:38:50,200 --> 00:38:53,319
Speaker 1: fake news and about all that stuff, and so I

788
00:38:53,360 --> 00:38:56,120
Speaker 1: wanted to plant a fake news story about Wheeler, like

789
00:38:56,200 --> 00:38:58,880
Speaker 1: kind of like your Bobby bone, like the Billboard thing.

790
00:38:58,880 --> 00:39:02,479
Speaker 1: I wanted to get a crazy story about myself, playing

791
00:39:02,560 --> 00:39:05,920
Speaker 1: the news that went viral and plant like, you know,

792
00:39:06,040 --> 00:39:08,520
Speaker 1: like that pizza place, what was that thing called pizza

793
00:39:08,560 --> 00:39:12,239
Speaker 1: Gate something like that about me and have it go big.

794
00:39:12,360 --> 00:39:14,120
Speaker 1: Not like that though, not like that. Now. I was

795
00:39:14,160 --> 00:39:16,400
Speaker 1: like a sex I didn't want to get in anybody

796
00:39:16,400 --> 00:39:18,160
Speaker 1: in trouble, but I wanted to. Can I tell you

797
00:39:18,200 --> 00:39:19,440
Speaker 1: what I wanted to do, as long as you don't

798
00:39:19,440 --> 00:39:22,279
Speaker 1: feel like you're running it for later use, Well, yeah,

799
00:39:22,360 --> 00:39:23,440
Speaker 1: I might want to do it, so I'll keep it

800
00:39:23,480 --> 00:39:25,200
Speaker 1: to myself. But it was something. It was something bad

801
00:39:25,239 --> 00:39:27,720
Speaker 1: that happened to me, and I wanted people I wanted

802
00:39:27,719 --> 00:39:31,120
Speaker 1: to do. I wanted to hire someone to put out

803
00:39:31,160 --> 00:39:34,560
Speaker 1: fake news about me. But it's hard to find these,

804
00:39:34,680 --> 00:39:37,560
Speaker 1: you know, these dudes stay pretty underground. Yeah, they're mostly

805
00:39:37,600 --> 00:39:39,960
Speaker 1: from other countries. Yeah, they are. They all the ones

806
00:39:40,000 --> 00:39:42,560
Speaker 1: I've been finding. It's like I gotta pay them in

807
00:39:42,640 --> 00:39:46,720
Speaker 1: you know, some weird kind of bitcoin. Bitcoin. Yeah, I'll

808
00:39:46,719 --> 00:39:48,320
Speaker 1: tell you what. I don't have a lot of bitcoin.

809
00:39:49,080 --> 00:39:53,759
Speaker 1: How's that bitcoin thing work? Basically, you take money and

810
00:39:53,800 --> 00:39:56,600
Speaker 1: you it's a currency exchange. It's just like any other dollar,

811
00:39:56,760 --> 00:40:00,480
Speaker 1: but it goes up it does it like a stock point? No,

812
00:40:00,840 --> 00:40:02,520
Speaker 1: I don't know. I thought I may have to if

813
00:40:02,560 --> 00:40:05,120
Speaker 1: my computer gets hit by one of these malware viruses,

814
00:40:05,360 --> 00:40:07,680
Speaker 1: because they did the whole cyber attack and they hit

815
00:40:07,719 --> 00:40:09,840
Speaker 1: all the UK. It's they have FedEx in the United States,

816
00:40:09,960 --> 00:40:12,240
Speaker 1: but all the computers will pop up and it would say, boom,

817
00:40:12,239 --> 00:40:14,840
Speaker 1: we got you. We need three hundred dollars. And what

818
00:40:14,920 --> 00:40:16,400
Speaker 1: you can do is send it to bitcoin. To send

819
00:40:16,440 --> 00:40:18,600
Speaker 1: it to this address. You can't track the addressing bitcoin.

820
00:40:18,640 --> 00:40:21,879
Speaker 1: It's not a real post office box. So it's it's

821
00:40:21,880 --> 00:40:23,960
Speaker 1: how hackers are making money right now. I think they

822
00:40:23,960 --> 00:40:26,080
Speaker 1: made a couple of billion dollars. If someone hacked me

823
00:40:26,120 --> 00:40:28,080
Speaker 1: and they said three inner bucks will unhack you, I'd

824
00:40:28,080 --> 00:40:30,160
Speaker 1: pay you in to seconds. So what I would be

825
00:40:30,239 --> 00:40:32,040
Speaker 1: some way like Durnner Bucks. But how do I know that?

826
00:40:32,040 --> 00:40:34,000
Speaker 1: I gotta come back at me again. And even then,

827
00:40:34,760 --> 00:40:36,440
Speaker 1: you can't be like, here's my credit card, you know,

828
00:40:36,600 --> 00:40:40,160
Speaker 1: take three you know in bitcoin exactly. Yeah, that's I'll

829
00:40:40,160 --> 00:40:42,319
Speaker 1: get bitcoin for that. I get unhacked, I save them

830
00:40:42,320 --> 00:40:44,200
Speaker 1: off files, and I throw that computer away. So you

831
00:40:44,200 --> 00:40:46,200
Speaker 1: you got you bought the bitcoins to get ready for that.

832
00:40:46,440 --> 00:40:49,560
Speaker 1: I'm a whole closet full of bitcoin. It's not a

833
00:40:49,560 --> 00:40:52,399
Speaker 1: real thing, is not a tangible Bitcoin's intangible thing. It's

834
00:40:52,480 --> 00:40:55,080
Speaker 1: it's a bitcoins like credit. So they can't throw it

835
00:40:55,120 --> 00:40:58,000
Speaker 1: to you onto your own stage when you're playing. They

836
00:40:59,120 --> 00:41:01,239
Speaker 1: don't asked to get paid. I can't, can't, I can't.

837
00:41:01,239 --> 00:41:04,360
Speaker 1: I can't. I can't put bitcoin in a girl's bottom.

838
00:41:04,360 --> 00:41:06,960
Speaker 1: And I'm at the club. You can't know. Are you

839
00:41:06,960 --> 00:41:10,440
Speaker 1: expecting people to come to your shows? Yeah, I mean

840
00:41:10,640 --> 00:41:12,360
Speaker 1: that's the point. That's why I'm doing it. Yeah, I

841
00:41:12,360 --> 00:41:15,480
Speaker 1: mean Exit in sold out. Um, we're doing three shows

842
00:41:15,520 --> 00:41:19,040
Speaker 1: that week, and I think it's Exit. It's Nashville doing

843
00:41:19,080 --> 00:41:24,840
Speaker 1: Exit in uh New York Bowery Ballroom and troubad Or

844
00:41:24,880 --> 00:41:27,000
Speaker 1: in l A. I think they're all sold out. New

845
00:41:27,080 --> 00:41:31,319
Speaker 1: York might be you have some tickets, but um, they're

846
00:41:31,360 --> 00:41:34,480
Speaker 1: buying tickets, so that's my thing. I'm playing the shows

847
00:41:34,480 --> 00:41:36,960
Speaker 1: as long as people buy tickets. You're gonna Is this

848
00:41:36,960 --> 00:41:38,520
Speaker 1: the thing you're gonna stick to doing? Are you gonna

849
00:41:38,719 --> 00:41:41,680
Speaker 1: try for album three, four or five? Yeah? I mean

850
00:41:42,280 --> 00:41:44,400
Speaker 1: it always comes up. Well, I always gonna stay one

851
00:41:44,440 --> 00:41:47,520
Speaker 1: step ahead of them. But unfortunately, like I'm thinking, like

852
00:41:47,560 --> 00:41:50,560
Speaker 1: you know, like the biggest trick I could play right

853
00:41:50,560 --> 00:41:52,680
Speaker 1: now would be to come out with like a clean record,

854
00:41:52,719 --> 00:41:53,960
Speaker 1: but I don't know that. I want. You know, that

855
00:41:53,960 --> 00:41:58,200
Speaker 1: would shock everyone. But is that really the game I

856
00:41:58,200 --> 00:41:59,839
Speaker 1: want to play? I don't know. You know, I don't know.

857
00:42:00,320 --> 00:42:02,440
Speaker 1: Do you find artists are trying to be your friends?

858
00:42:02,560 --> 00:42:05,560
Speaker 1: You don't attack them? Yeah, I mean I will. I

859
00:42:05,640 --> 00:42:08,000
Speaker 1: won't name their name, but I think people would be

860
00:42:08,040 --> 00:42:13,239
Speaker 1: surprised what country artists have come out privately to me

861
00:42:13,600 --> 00:42:15,560
Speaker 1: through whoever. Like, I just want to let you know

862
00:42:15,600 --> 00:42:20,120
Speaker 1: I'm a fan. Like no, I don't want nothing about

863
00:42:20,160 --> 00:42:21,719
Speaker 1: I want you to open a show. I don't want

864
00:42:21,719 --> 00:42:23,040
Speaker 1: to see d I don't want to agreh and just

865
00:42:23,080 --> 00:42:24,879
Speaker 1: want to let you know I'm a fan. I think

866
00:42:25,080 --> 00:42:27,200
Speaker 1: what you just said is the reason why I think

867
00:42:27,200 --> 00:42:29,320
Speaker 1: what they're saying is to leave me, leave me alone.

868
00:42:30,280 --> 00:42:31,680
Speaker 1: But I've met a lot of these dude, you know,

869
00:42:31,760 --> 00:42:34,279
Speaker 1: the big the big guys who are fans of mine.

870
00:42:34,320 --> 00:42:36,560
Speaker 1: I'm just like, can you tweet about it? We're a

871
00:42:36,560 --> 00:42:38,759
Speaker 1: T shirt or something. It doesn't help me. If you're

872
00:42:38,880 --> 00:42:40,480
Speaker 1: a big star and you're a fan, you keep it

873
00:42:40,480 --> 00:42:43,400
Speaker 1: to yourself. Spit it out, dude. To be fair, I

874
00:42:43,440 --> 00:42:46,000
Speaker 1: retweet you when I can because I think it's funny. Yeah,

875
00:42:46,040 --> 00:42:48,399
Speaker 1: you're good about that. You don't, I mean, you don't care.

876
00:42:48,719 --> 00:42:51,160
Speaker 1: Aubrey Sellers is a big fan. She's a friend I love.

877
00:42:51,200 --> 00:42:53,120
Speaker 1: I love Aubrey. You guess she's really good. She came

878
00:42:53,120 --> 00:42:56,160
Speaker 1: in with singing your praises. Yeah, and I think it's

879
00:42:56,200 --> 00:43:00,120
Speaker 1: a you know, um, I don't think it. It's gonna

880
00:43:00,000 --> 00:43:03,560
Speaker 1: In fact, you you're you're you know Stapleton in my podcast,

881
00:43:03,600 --> 00:43:06,520
Speaker 1: So he's obviously not worried about it. But it's not

882
00:43:06,520 --> 00:43:10,080
Speaker 1: gonna affect your sales, isn't you know? You know, like

883
00:43:10,120 --> 00:43:15,439
Speaker 1: if I could see why, you know, like Luke Bryan

884
00:43:15,520 --> 00:43:17,800
Speaker 1: ain't canna cover fu b But if he said in

885
00:43:17,800 --> 00:43:19,279
Speaker 1: an interview that he was a fan of mine, it's

886
00:43:19,280 --> 00:43:22,000
Speaker 1: not gonna He's not gonna go broke, you know, but

887
00:43:22,239 --> 00:43:24,640
Speaker 1: why would it benefit him to say he's a fan

888
00:43:24,680 --> 00:43:27,719
Speaker 1: of something that could cost him money. I don't know.

889
00:43:27,760 --> 00:43:29,480
Speaker 1: I just want. I just want people like that to

890
00:43:29,520 --> 00:43:33,439
Speaker 1: say it. I want. I can't argue why. I can't

891
00:43:33,520 --> 00:43:35,360
Speaker 1: argue why people like that shouldn't say. I mean, I

892
00:43:35,400 --> 00:43:38,240
Speaker 1: understand why they're not, but I want still who publicly

893
00:43:38,280 --> 00:43:40,319
Speaker 1: has been the biggest person to Counting go. I enjoy

894
00:43:40,360 --> 00:43:47,400
Speaker 1: Wiler Walker Jr. Publicly. Um, if we're just playing a

895
00:43:47,480 --> 00:43:50,000
Speaker 1: pure numbers game, I would say I did the Joe

896
00:43:50,080 --> 00:43:53,040
Speaker 1: Rogan podcast because he was a fan of Holy Mackerel.

897
00:43:53,320 --> 00:43:55,759
Speaker 1: I'll tell you what, And that's bigger than SNL. That's

898
00:43:55,760 --> 00:43:59,160
Speaker 1: Beard is a night show. He uh. Someone told me

899
00:44:00,000 --> 00:44:02,960
Speaker 1: some of his his podcasts get up to ten million downloads,

900
00:44:03,440 --> 00:44:05,759
Speaker 1: So that's bigger than network TV. That's what I'm saying.

901
00:44:05,760 --> 00:44:07,759
Speaker 1: The new which I don't need to explain to you,

902
00:44:07,800 --> 00:44:10,000
Speaker 1: we're doing it right now, but this new media is

903
00:44:11,200 --> 00:44:13,279
Speaker 1: it's crazy what you can do out there. I mean,

904
00:44:16,080 --> 00:44:17,719
Speaker 1: I think if you were a new artist, I think

905
00:44:17,719 --> 00:44:19,880
Speaker 1: going on Joe Rogan would be a better use of

906
00:44:19,880 --> 00:44:23,200
Speaker 1: your time than SNL. Honestly, I understand the prestige of it.

907
00:44:23,239 --> 00:44:25,880
Speaker 1: But as far as what's going to move the needle,

908
00:44:26,840 --> 00:44:31,240
Speaker 1: I think they go that those numbers are just getting

909
00:44:31,280 --> 00:44:33,680
Speaker 1: so big. Right Now, here's the difference, because I agree

910
00:44:33,680 --> 00:44:36,080
Speaker 1: with you, Like, if I had something to promote and

911
00:44:36,120 --> 00:44:37,800
Speaker 1: it was me and I already had a name, I

912
00:44:37,840 --> 00:44:40,880
Speaker 1: would try to go on Joe Rogan because he has

913
00:44:40,920 --> 00:44:44,080
Speaker 1: such a first of all, it's hilarious exactly, he is

914
00:44:44,239 --> 00:44:47,640
Speaker 1: such a loyal if when he says it's good, they

915
00:44:47,640 --> 00:44:50,680
Speaker 1: go by. You know. The difference is when you do

916
00:44:50,719 --> 00:44:53,520
Speaker 1: a SNL, it's not so much to sell, it's to

917
00:44:53,719 --> 00:44:57,160
Speaker 1: sell your peers that they should sell you so it

918
00:44:57,280 --> 00:44:59,879
Speaker 1: verifies you. Yeah, So when it's like the blue check

919
00:45:00,160 --> 00:45:02,839
Speaker 1: on your Twitter. When Maren goes on SNL, I don't

920
00:45:02,880 --> 00:45:04,560
Speaker 1: think SNL sold a bunch of records for her. But

921
00:45:04,600 --> 00:45:06,360
Speaker 1: then some more people were like, oh let me, okay,

922
00:45:06,840 --> 00:45:08,319
Speaker 1: I should get in on this, and the next thing

923
00:45:08,480 --> 00:45:10,040
Speaker 1: you see time you see you in the paper, you're like, oh,

924
00:45:10,040 --> 00:45:13,799
Speaker 1: I know her. So I think they're used for different things. Yeah,

925
00:45:13,880 --> 00:45:16,400
Speaker 1: But as far as just moving units, I think nowadays

926
00:45:16,480 --> 00:45:19,880
Speaker 1: podcasts and all these other weirds. Because my thing is

927
00:45:19,880 --> 00:45:22,640
Speaker 1: I like to always say yet like this guy. His

928
00:45:22,760 --> 00:45:26,359
Speaker 1: name is Jehovah Jehovah I would assume not his birth name,

929
00:45:26,400 --> 00:45:30,239
Speaker 1: but he plays video games on the on YouTube and

930
00:45:30,239 --> 00:45:32,600
Speaker 1: he goes, hey, man, I've never done a podcast before,

931
00:45:32,640 --> 00:45:34,680
Speaker 1: but would you skype in? I would like to try

932
00:45:34,680 --> 00:45:37,720
Speaker 1: a podcast, And he has a head a million YouTube followers,

933
00:45:37,719 --> 00:45:41,320
Speaker 1: and I'm just like, yeah, just to do a podcast

934
00:45:41,400 --> 00:45:43,839
Speaker 1: and you know, half a million people listen to it.

935
00:45:44,560 --> 00:45:46,719
Speaker 1: Just be open to that, you know, I like to

936
00:45:46,719 --> 00:45:49,000
Speaker 1: be open to that kind of stuff. I'll talk to thee.

937
00:45:49,200 --> 00:45:51,360
Speaker 1: What happened was he was playing my he was playing

938
00:45:51,400 --> 00:45:54,640
Speaker 1: video games while and singing my songs while he was playing,

939
00:45:55,680 --> 00:45:58,719
Speaker 1: and people were listening liked watching him play video games

940
00:45:58,719 --> 00:46:01,440
Speaker 1: while he's saying my songs. Because we were noticing a

941
00:46:01,440 --> 00:46:05,759
Speaker 1: lot of people mentioning Jehovah on my videos. I'm like,

942
00:46:05,760 --> 00:46:08,759
Speaker 1: our people finding God while you mean, it turns out

943
00:46:08,800 --> 00:46:12,839
Speaker 1: this this this uh, this gamer guy was so there's

944
00:46:12,840 --> 00:46:16,160
Speaker 1: like there's unlimited ways to now promote yourself. That's just

945
00:46:16,440 --> 00:46:20,319
Speaker 1: so strange, you know, um, other than I mean, they

946
00:46:20,400 --> 00:46:23,759
Speaker 1: used to be radio only and now it's well, I

947
00:46:23,760 --> 00:46:26,239
Speaker 1: guess I should ask you your opinion on that. Being

948
00:46:26,280 --> 00:46:29,719
Speaker 1: a radio guy like does that worry you or do you? Well?

949
00:46:29,760 --> 00:46:31,840
Speaker 1: I do everything else, so it's all I guess. I

950
00:46:31,880 --> 00:46:33,719
Speaker 1: think it's cool that you do radio. I don't like

951
00:46:33,680 --> 00:46:35,640
Speaker 1: I want to compliment you too much because it roun

952
00:46:35,719 --> 00:46:38,480
Speaker 1: my image, But that you're doing the podcast with the

953
00:46:38,600 --> 00:46:41,919
Speaker 1: radio thing, I think there's there are a million ways

954
00:46:41,920 --> 00:46:44,239
Speaker 1: to promote yourself. I tell artists all the time, like, hey,

955
00:46:44,280 --> 00:46:46,799
Speaker 1: you don't have to have radio to succeed. Well, that's

956
00:46:46,800 --> 00:46:49,000
Speaker 1: why I started the podcast because they were all these

957
00:46:49,000 --> 00:46:50,960
Speaker 1: podcasts helped me out. Was like, wouldn't it be easy

958
00:46:50,960 --> 00:46:53,480
Speaker 1: if I just did my own and then my podcast

959
00:46:53,480 --> 00:46:56,320
Speaker 1: will help me out? But I'm not getting rogue numbers,

960
00:46:56,360 --> 00:46:59,359
Speaker 1: so you won't until you do. It's just I mean

961
00:46:59,360 --> 00:47:02,040
Speaker 1: even for I, I mean before we hit seven figures,

962
00:47:02,040 --> 00:47:05,359
Speaker 1: it took forty episodes. Well you haven't had me on yet.

963
00:47:05,880 --> 00:47:10,120
Speaker 1: This one probably break the all, so can I I'll

964
00:47:10,120 --> 00:47:12,400
Speaker 1: answer you much out radio right now in our format

965
00:47:12,440 --> 00:47:15,399
Speaker 1: and country radio moves and need more than anything else does. Yeah,

966
00:47:15,440 --> 00:47:18,120
Speaker 1: well that's my problem. That's that's where I'm hurting myself.

967
00:47:18,200 --> 00:47:20,920
Speaker 1: And that's why Luck Luke komb singing about the weather's outside,

968
00:47:23,560 --> 00:47:25,479
Speaker 1: so he's me doing a tie in with the Weather

969
00:47:25,560 --> 00:47:27,799
Speaker 1: Channel is there? So I gotta beat this guy. I mean,

970
00:47:28,160 --> 00:47:30,799
Speaker 1: you can't. You can't playing country music and doing a

971
00:47:30,840 --> 00:47:33,520
Speaker 1: tie in with the Weather Channel. You're saying that's not country.

972
00:47:34,239 --> 00:47:35,920
Speaker 1: I don't. I don't even know. I don't know what

973
00:47:36,080 --> 00:47:41,919
Speaker 1: that is. But like, you know, hey, man, you gotta

974
00:47:41,960 --> 00:47:43,719
Speaker 1: check out this new artist on the Weather Channel. No,

975
00:47:43,840 --> 00:47:46,480
Speaker 1: I would be like, you know, man, that's enough. Shut up?

976
00:47:47,280 --> 00:47:50,920
Speaker 1: What about who? While Walker Senior? That's my dad and

977
00:47:51,200 --> 00:47:56,920
Speaker 1: who now wishes he'd called me Carl. He's nothing too

978
00:47:56,960 --> 00:47:59,799
Speaker 1: happy about it, just because he doesn't call himself wheel Walker,

979
00:47:59,840 --> 00:48:02,000
Speaker 1: so years called himself We have a walk and they're like, oh,

980
00:48:02,120 --> 00:48:04,920
Speaker 1: you must be relations Like, don't even bring it up.

981
00:48:05,239 --> 00:48:08,560
Speaker 1: You know, giving your mom and I headache. You know

982
00:48:08,600 --> 00:48:12,000
Speaker 1: it's enough already. So I actually did my first interview.

983
00:48:12,080 --> 00:48:15,920
Speaker 1: I didn't interview with an Alabama paper last week. They

984
00:48:15,960 --> 00:48:17,799
Speaker 1: won't interview my dad to me and my dad both

985
00:48:17,800 --> 00:48:20,680
Speaker 1: got on a conference call and talked to this guy.

986
00:48:20,320 --> 00:48:22,799
Speaker 1: And I can't wait to read this article. Is me

987
00:48:22,960 --> 00:48:26,120
Speaker 1: with my dad yelling at me for forty five minutes. Well,

988
00:48:26,120 --> 00:48:28,759
Speaker 1: this guy tried to break up and fight, so we'll

989
00:48:28,800 --> 00:48:30,160
Speaker 1: see how it comes out. It was like he was

990
00:48:30,200 --> 00:48:31,600
Speaker 1: listening into a call from back in the day when

991
00:48:31,640 --> 00:48:32,960
Speaker 1: you pick up the phone and two people are on

992
00:48:33,000 --> 00:48:35,520
Speaker 1: it talking exactly and he's like, we have time for

993
00:48:35,520 --> 00:48:37,279
Speaker 1: a question that my dad's yell and I'm like, no,

994
00:48:37,480 --> 00:48:38,880
Speaker 1: we're in the middle. We're in the middle. I'm in

995
00:48:38,920 --> 00:48:40,960
Speaker 1: the middle of yelling at what's your mom think about this?

996
00:48:42,000 --> 00:48:45,080
Speaker 1: She mean, she's she's such a sweetheart that she's you know, oh,

997
00:48:45,120 --> 00:48:47,719
Speaker 1: you're selling records, you're selling tickets. Is good? But you know,

998
00:48:48,560 --> 00:48:51,759
Speaker 1: what did I do wrong? Is? Really? I thought I

999
00:48:51,880 --> 00:48:53,680
Speaker 1: raised you right? You know. I see your song is

1000
00:48:53,719 --> 00:48:56,600
Speaker 1: going for radio play next week. Yeah, it's going for

1001
00:48:56,719 --> 00:48:59,160
Speaker 1: radio ads. It's summer, summer. I can tuck you right.

1002
00:48:59,760 --> 00:49:02,000
Speaker 1: Some was in Kentucky. We're gonna see if people will

1003
00:49:02,040 --> 00:49:05,440
Speaker 1: have the colonies to play this thing. By the way,

1004
00:49:05,440 --> 00:49:07,040
Speaker 1: I can tell you the answer if you want to know.

1005
00:49:09,120 --> 00:49:11,319
Speaker 1: You know, they ain't gonna play it. But it's fun

1006
00:49:11,360 --> 00:49:14,000
Speaker 1: to try because I'm trying to play the game. But

1007
00:49:14,080 --> 00:49:17,879
Speaker 1: are you like trying to play the game again, You're

1008
00:49:17,880 --> 00:49:19,320
Speaker 1: doing the opposite that I got in trouble for. Like

1009
00:49:19,320 --> 00:49:20,919
Speaker 1: I didn't I in trou for not playing the game.

1010
00:49:21,560 --> 00:49:24,799
Speaker 1: I have a question well, you might be asking like,

1011
00:49:24,960 --> 00:49:26,759
Speaker 1: that's whatever you want? Are you? Are you? Do you

1012
00:49:26,800 --> 00:49:28,440
Speaker 1: get in trouble for playing a song where they're like,

1013
00:49:28,440 --> 00:49:31,200
Speaker 1: you're not supposed. I don't mean dirty, I'm just talking about, like,

1014
00:49:31,840 --> 00:49:34,640
Speaker 1: especially at first a lot. Here's here's a really good

1015
00:49:34,680 --> 00:49:38,680
Speaker 1: example for you. There was yeah the answers yes many

1016
00:49:38,719 --> 00:49:41,799
Speaker 1: times earlier in the first couple of years. And so

1017
00:49:42,040 --> 00:49:44,759
Speaker 1: there was an artist, it was mostly songwriter in town.

1018
00:49:44,800 --> 00:49:46,600
Speaker 1: So I called him. I was like, because I seen

1019
00:49:46,680 --> 00:49:47,960
Speaker 1: him on YouTube and I had some friends who had

1020
00:49:47,960 --> 00:49:51,440
Speaker 1: written with them a lot, and so I'm like, hey's regrets.

1021
00:49:51,480 --> 00:49:52,800
Speaker 1: I called him once and he was in the shower

1022
00:49:53,080 --> 00:49:55,520
Speaker 1: and he's like, oh, man, let me call you right back.

1023
00:49:55,520 --> 00:49:57,640
Speaker 1: This is on the air. Calls me back. I was like, hey,

1024
00:49:57,640 --> 00:49:59,600
Speaker 1: did you come up and play our show? And he

1025
00:49:59,640 --> 00:50:03,359
Speaker 1: didn't have song, didn't have a never record out. I've

1026
00:50:03,400 --> 00:50:05,480
Speaker 1: been in bands before, but he didn't have a song.

1027
00:50:05,560 --> 00:50:07,800
Speaker 1: He's promoting then, and so it came up and played

1028
00:50:08,080 --> 00:50:11,319
Speaker 1: and it was amazing. He left and said, hey, should

1029
00:50:11,320 --> 00:50:13,880
Speaker 1: come up again. Two weeks later, comes up, plays again, amazing.

1030
00:50:14,600 --> 00:50:16,720
Speaker 1: My boss calls, he goes, hey, we're getting complaints because

1031
00:50:16,760 --> 00:50:20,400
Speaker 1: this artist nobody knows who he is, and you're on

1032
00:50:20,520 --> 00:50:23,359
Speaker 1: in a hundred cities and you have the unknown artist

1033
00:50:23,400 --> 00:50:24,879
Speaker 1: that nobody and I was like, but he's so good

1034
00:50:24,920 --> 00:50:26,520
Speaker 1: does that even matter? And that was the argument, he's

1035
00:50:26,520 --> 00:50:28,560
Speaker 1: so good, he's so good. Played one more time and

1036
00:50:28,560 --> 00:50:31,000
Speaker 1: they're like, you have to stop having them on, so

1037
00:50:32,160 --> 00:50:34,800
Speaker 1: smash cut to about two months later, he's playing the

1038
00:50:34,800 --> 00:50:37,799
Speaker 1: Cima with Justin timber Lake. It's Chris Stapleton, and all

1039
00:50:37,840 --> 00:50:40,359
Speaker 1: of a sudden, it's like, okay, you know what we're

1040
00:50:40,360 --> 00:50:43,040
Speaker 1: gonna So basically they don't trust you to break new artists.

1041
00:50:43,080 --> 00:50:45,239
Speaker 1: They didn't, and that was the That was kind of

1042
00:50:45,280 --> 00:50:47,759
Speaker 1: the final pop. If I were you do you use

1043
00:50:47,880 --> 00:50:51,360
Speaker 1: as examples sometimes? But the thing is I didn't break Chris.

1044
00:50:51,440 --> 00:50:53,720
Speaker 1: But but I'm saying, look, but I guess my question

1045
00:50:53,800 --> 00:50:57,640
Speaker 1: is to them, it does them no good for you

1046
00:50:57,680 --> 00:50:59,840
Speaker 1: to break an artist, is what you're saying. It doesn't

1047
00:51:00,000 --> 00:51:03,040
Speaker 1: out because the artists that I've had in before, like

1048
00:51:03,120 --> 00:51:06,319
Speaker 1: I broke Jansen, Chris Jansen, like he even't even record label.

1049
00:51:06,320 --> 00:51:08,960
Speaker 1: When I played this song Cam she came in. It

1050
00:51:09,000 --> 00:51:11,799
Speaker 1: wasn't even her single. Burning House wasn't a single. I'm

1051
00:51:11,800 --> 00:51:13,840
Speaker 1: just gonna show up at your station just start playing.

1052
00:51:13,960 --> 00:51:16,320
Speaker 1: We had Marin before her songs were even downloadable that

1053
00:51:16,480 --> 00:51:17,840
Speaker 1: it was just well, I thought it was cool, you know,

1054
00:51:18,120 --> 00:51:19,239
Speaker 1: like I said, I thought it was cool for you

1055
00:51:19,280 --> 00:51:21,680
Speaker 1: because like Lorie's albums on a really small label. I

1056
00:51:21,680 --> 00:51:23,040
Speaker 1: thought it was cool for you to have Lori and

1057
00:51:23,120 --> 00:51:25,399
Speaker 1: that was really cool. You know, getting that out there

1058
00:51:25,440 --> 00:51:28,840
Speaker 1: is cool because that's that obviously had to help. I

1059
00:51:28,880 --> 00:51:30,960
Speaker 1: got a lot of trouble at first, but then they

1060
00:51:30,960 --> 00:51:34,360
Speaker 1: started to say, okay, well he's he's batting pretty high

1061
00:51:35,040 --> 00:51:37,120
Speaker 1: and it's good for the company. Tucker Bethard, you know,

1062
00:51:37,320 --> 00:51:39,600
Speaker 1: his song wasn't even threw him on. So yeah, I know,

1063
00:51:39,800 --> 00:51:41,840
Speaker 1: I don't even more. Now you're just rubbing it in

1064
00:51:41,960 --> 00:51:44,680
Speaker 1: about what what I could get if I if you

1065
00:51:44,760 --> 00:51:46,400
Speaker 1: just showed up with We've had artis show up with

1066
00:51:46,400 --> 00:51:49,040
Speaker 1: the guitarsist in the in the lobby and then get

1067
00:51:49,200 --> 00:51:51,200
Speaker 1: really upset they couldn't get in the studio. So I could,

1068
00:51:51,239 --> 00:51:53,080
Speaker 1: I could, I could play a clean version on my

1069
00:51:53,120 --> 00:51:57,319
Speaker 1: acoustic I clean version of what summers in Kentucky? Then

1070
00:51:57,400 --> 00:51:59,279
Speaker 1: why not make a clean version for radio? Because you

1071
00:51:59,320 --> 00:52:03,080
Speaker 1: know radio playing to act like a bad bad MF.

1072
00:52:03,120 --> 00:52:04,799
Speaker 1: You know, I gotta go. But a bad m F

1073
00:52:04,840 --> 00:52:07,200
Speaker 1: doesn't get on the radio. And you don't need the radio.

1074
00:52:07,280 --> 00:52:09,000
Speaker 1: But a bad m F does not get on the radio.

1075
00:52:09,480 --> 00:52:11,839
Speaker 1: I know. I again, where were you two years ago

1076
00:52:11,880 --> 00:52:14,239
Speaker 1: when I when I was trying to do you know,

1077
00:52:16,200 --> 00:52:17,839
Speaker 1: what kind of song did you have two years ago?

1078
00:52:18,080 --> 00:52:20,040
Speaker 1: I'm saying, when I made the first record, if you

1079
00:52:20,120 --> 00:52:22,160
Speaker 1: told me make a clean version and I'll play it,

1080
00:52:22,200 --> 00:52:23,840
Speaker 1: I would have done it. But I just assumed no

1081
00:52:23,840 --> 00:52:26,040
Speaker 1: one was gonna play it anyway. That's why I didn't

1082
00:52:26,080 --> 00:52:28,839
Speaker 1: do it. Yeah, I'll come by place a clean version

1083
00:52:28,840 --> 00:52:35,000
Speaker 1: of Somers in Kentucky. But um, uh, you know uh,

1084
00:52:35,280 --> 00:52:37,279
Speaker 1: because I mean the other thing too, is it's hard

1085
00:52:37,560 --> 00:52:39,759
Speaker 1: because I'm doing New York Press next week and we're

1086
00:52:39,760 --> 00:52:43,359
Speaker 1: gonna do Stern I think, So it's like there, I'm

1087
00:52:43,360 --> 00:52:46,120
Speaker 1: not gonna have to to do it. So then do

1088
00:52:46,160 --> 00:52:48,239
Speaker 1: I want to come back and do Rigor Radio and

1089
00:52:48,440 --> 00:52:52,120
Speaker 1: clean it up? My answers probably yeah, because I gotta

1090
00:52:52,120 --> 00:52:54,560
Speaker 1: I gotta get this. I get I gotta get the this.

1091
00:52:54,719 --> 00:52:57,040
Speaker 1: Uh the lead singer of the Weather Channel off the charts.

1092
00:52:58,000 --> 00:53:01,480
Speaker 1: The fact that you're getting starting is pretty awesome. Um yeah,

1093
00:53:01,520 --> 00:53:04,360
Speaker 1: I'm I was psyched about it. I think to be honest.

1094
00:53:04,680 --> 00:53:07,960
Speaker 1: So we're doing I know, we're doing the after show show,

1095
00:53:08,000 --> 00:53:10,279
Speaker 1: and then I'm not sure, and then there was the

1096
00:53:10,360 --> 00:53:13,959
Speaker 1: possibility of doing the actual Stern maybe the week after.

1097
00:53:14,040 --> 00:53:19,799
Speaker 1: I don't know. Yeah, I'm a huge fan. Yeah, I

1098
00:53:19,880 --> 00:53:21,960
Speaker 1: love him. Yeah, even now, I don't know, do you

1099
00:53:23,040 --> 00:53:25,239
Speaker 1: I still do? Yeah? And I, Um, I did the

1100
00:53:25,360 --> 00:53:29,080
Speaker 1: I did the wrap up show last year and um

1101
00:53:29,200 --> 00:53:31,120
Speaker 1: sal and Richard gave me a tour the studio was

1102
00:53:31,160 --> 00:53:34,960
Speaker 1: like the best part of my whole my whole, the

1103
00:53:35,000 --> 00:53:38,319
Speaker 1: whole promo experience. Like I saw the studio, Howard's desk

1104
00:53:38,360 --> 00:53:40,880
Speaker 1: and everything, and I had a blast. It was like

1105
00:53:41,520 --> 00:53:43,440
Speaker 1: it was better than country music called thing for me.

1106
00:53:43,760 --> 00:53:45,759
Speaker 1: You meet Gary and John? Yeah, because she did the

1107
00:53:45,760 --> 00:53:47,799
Speaker 1: show with them, right. Yeah. You know I love about

1108
00:53:47,920 --> 00:53:51,200
Speaker 1: about the wrap up show is Gary and John. They'll

1109
00:53:51,239 --> 00:53:54,600
Speaker 1: come in arguing about it's you realize when you're there,

1110
00:53:54,640 --> 00:53:57,279
Speaker 1: this is real. They're arguing about what just happened on

1111
00:53:57,320 --> 00:53:59,239
Speaker 1: the air, and they sit down and just flip the

1112
00:53:59,320 --> 00:54:02,880
Speaker 1: mics on. They're going like, did you meet j D. Yeah,

1113
00:54:02,880 --> 00:54:04,359
Speaker 1: so you get to meet it. I'm as you can say,

1114
00:54:04,360 --> 00:54:06,200
Speaker 1: I'm I'm a super fan. Yeah, I met you. I

1115
00:54:06,600 --> 00:54:09,160
Speaker 1: hung out with j D a little bit sal Richard

1116
00:54:10,080 --> 00:54:15,120
Speaker 1: Um John Heine and uh hit him with the hind

1117
00:54:15,280 --> 00:54:19,600
Speaker 1: and uh uh and boba booie. Um. So it's yeah,

1118
00:54:19,640 --> 00:54:21,640
Speaker 1: I was a heck of a day for me. Satellite

1119
00:54:21,680 --> 00:54:24,200
Speaker 1: is playing some of your stuff. Yeah, all all countries

1120
00:54:24,200 --> 00:54:30,440
Speaker 1: playing it? Yeah, Al, who's the host? Mojo Nixon? Mojoe Nixon?

1121
00:54:30,520 --> 00:54:31,839
Speaker 1: Do you ever? Do you ever hear him? Growing up?

1122
00:54:31,840 --> 00:54:33,879
Speaker 1: He used to. He had a song that MTV played

1123
00:54:33,920 --> 00:54:36,319
Speaker 1: for a while. No, you know that's he. He had

1124
00:54:36,360 --> 00:54:38,200
Speaker 1: one called Elvis is Everywhere that people would play. And

1125
00:54:38,200 --> 00:54:40,640
Speaker 1: there's also that Dead Milkman song that they used to

1126
00:54:40,640 --> 00:54:44,480
Speaker 1: play on MTV a lot with a Dead Milkman. The

1127
00:54:44,480 --> 00:54:46,279
Speaker 1: song is called punk Rock Girl. He's just singing about

1128
00:54:46,280 --> 00:54:49,839
Speaker 1: punk rock Girl. It's like he's talking about the local

1129
00:54:49,840 --> 00:54:52,520
Speaker 1: record store. If you're if your story ain't got Mojoe

1130
00:54:52,640 --> 00:54:55,160
Speaker 1: Nixon and your store could use some fixing. I'm not

1131
00:54:55,200 --> 00:54:57,480
Speaker 1: saying his poetry, but that's how I first heard the

1132
00:54:57,560 --> 00:55:00,319
Speaker 1: name Mojoe Nixon. It was the guy in in the

1133
00:55:00,440 --> 00:55:02,840
Speaker 1: video was mad that the local record store was Karen

1134
00:55:02,880 --> 00:55:06,000
Speaker 1: Mojo all right. I was coming out of June second.

1135
00:55:06,600 --> 00:55:11,319
Speaker 1: I hope people that are of Mike, How would you

1136
00:55:11,360 --> 00:55:13,399
Speaker 1: say this? Who should we tell to check this record out?

1137
00:55:14,160 --> 00:55:19,719
Speaker 1: Because a lot of audience to listen to it prisoners, um, degenerates. Uh,

1138
00:55:20,600 --> 00:55:24,799
Speaker 1: people who hate Dylan Scott but also like to sell

1139
00:55:24,840 --> 00:55:26,839
Speaker 1: a copy of Dylant Scott's gotta buy it. I ain't

1140
00:55:26,840 --> 00:55:31,360
Speaker 1: gonna get him one. Um. If you like if you

1141
00:55:31,400 --> 00:55:34,880
Speaker 1: like country music and you like you don't and you

1142
00:55:34,920 --> 00:55:38,480
Speaker 1: like it, you're you like it your music uncensored, you know,

1143
00:55:40,360 --> 00:55:42,279
Speaker 1: that's this is what this is for you. If you

1144
00:55:42,320 --> 00:55:45,080
Speaker 1: don't mind the dirty words and you're sick of people

1145
00:55:45,120 --> 00:55:48,640
Speaker 1: trying to hold back with if you hate what you

1146
00:55:48,719 --> 00:55:52,760
Speaker 1: just heard, it's this album for you. It's the anti

1147
00:55:52,840 --> 00:55:56,759
Speaker 1: Dylant Scott. If people listen to this and yeah, maybe

1148
00:55:56,920 --> 00:55:58,600
Speaker 1: I don't like the music, but it is paying that

1149
00:55:58,800 --> 00:56:01,160
Speaker 1: ten bucks free record or whatever it is. Is that

1150
00:56:01,360 --> 00:56:06,080
Speaker 1: also paying? Is it? Is it money toward or against

1151
00:56:06,400 --> 00:56:08,879
Speaker 1: the current state of country music? Absolutely? That's what I'm

1152
00:56:08,920 --> 00:56:10,239
Speaker 1: trying to do. I'm trying to try to turn this

1153
00:56:10,320 --> 00:56:14,200
Speaker 1: into a war. All right. Uh, Wheeler Walker Jr. A

1154
00:56:14,239 --> 00:56:15,799
Speaker 1: lot of people are gonna check you out and something

1155
00:56:15,800 --> 00:56:17,880
Speaker 1: they're gonna be mad at me for it, and that's okay.

1156
00:56:17,960 --> 00:56:19,799
Speaker 1: And Can I just say one thing. Don't blame don't

1157
00:56:19,800 --> 00:56:23,200
Speaker 1: blame Bobby. Don't yell at him. I did bring you

1158
00:56:23,239 --> 00:56:24,920
Speaker 1: up and put you on to be fair so they

1159
00:56:24,920 --> 00:56:26,919
Speaker 1: could blame me. I got blame for a lot of things.

1160
00:56:27,040 --> 00:56:29,560
Speaker 1: You know what. Blame Bobby. I don't care. I didn't care.

1161
00:56:29,920 --> 00:56:33,239
Speaker 1: All Right, Um, we're gonna go. We appreciate you coming by.

1162
00:56:33,280 --> 00:56:35,560
Speaker 1: Good luck with the record. Thanks man, I'm going to

1163
00:56:35,600 --> 00:56:37,799
Speaker 1: do an interview or I'm here. I'm doing press all day,

1164
00:56:37,840 --> 00:56:40,040
Speaker 1: so everybody wants to talk to you. He's taking the

1165
00:56:40,040 --> 00:56:41,800
Speaker 1: headphones off and he's he's done. We haven't even wrapped

1166
00:56:41,800 --> 00:56:44,480
Speaker 1: the show. He's out though, all right, Wheeler Walker Junior,

1167
00:56:45,080 --> 00:56:50,640
Speaker 1: Episode sixty Mike, all right, there he goes, all right, buddy,

1168
00:56:51,000 --> 00:56:53,680
Speaker 1: all right, he's out of here and he leaves the room.

1169
00:56:53,719 --> 00:56:57,000
Speaker 1: All right, weel Walker Junior, everybody, and he's he's out.