WEBVTT - Episode 400 w/ Affion Crockett

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<v Speaker 1>He is drinks chants, motherfucking podcast man.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 3>He ain't sag greed as your boy in O r E.

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<v Speaker 3>He's a Miami hip hop pioneer, put up his DJ

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<v Speaker 3>E f N.

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<v Speaker 4>Together they drink it up with some of the biggest players,

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<v Speaker 4>you know what I mean, and the most professional unprofessional

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<v Speaker 4>podcast and your number one source for drunk drinks.

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<v Speaker 3>Chans mo D is new year CST. It's time for

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<v Speaker 3>drink champions. Drink up? Motherfuck? Would it good? Be hoping?

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<v Speaker 3>These woulda sho be? This is your boy in O

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<v Speaker 3>r E. What up is dj E f N.

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<v Speaker 1>This is milling tem Me, crazy World, drink Champs, Yappy.

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<v Speaker 3>Hour, Make some now.

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<v Speaker 1>When I tell you this man here is proving your point.

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<v Speaker 1>The independent route, the IPO route. From what I understand,

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<v Speaker 1>he wrote, produced, directed along with the Home You're Gonna

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<v Speaker 1>bring him in a little later. They took that route.

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<v Speaker 1>They wrote it in two thousand and eight, and it's

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<v Speaker 1>twenty twenty four. Hip hop is just one day older

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<v Speaker 1>than him. So the man is out here monkey footing

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<v Speaker 1>the game at fifty years old, doing what he gotta do.

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<v Speaker 1>All his comedy specials he owned. From what I understand,

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<v Speaker 1>he pays for himself walking it and paid for the

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<v Speaker 1>movie himself. Oh, it is one of the illest sketch

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<v Speaker 1>writers in the game. And I can keep going on

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<v Speaker 1>and on. But in case you don't know who the

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<v Speaker 1>fuck were talking about, we're talking about two days.

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<v Speaker 3>I bet that before we go over, say my name.

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<v Speaker 3>How do you say my name all day? You've been

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<v Speaker 3>drinking to drinking. You know, it's crazy. Usually black people

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<v Speaker 3>get your name right.

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<v Speaker 1>It's like white people fucking your name up right, That's

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<v Speaker 1>what That's what's making me puked up. I've been watching

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<v Speaker 1>you for a whole week and I've been seeing that,

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<v Speaker 1>you know, saying, I'm just lexing though I'm like real dyslexic.

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<v Speaker 1>But the water in the sholass you can't. You can't

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<v Speaker 1>read m So listen, there's two things I better on.

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<v Speaker 1>One that you would be on time, says no way,

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<v Speaker 1>he's not gonna man. You came three day early forty seven,

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<v Speaker 1>three forty seven because we knew your schedule.

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<v Speaker 3>Yes, yes, your fan knows you.

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<v Speaker 1>Very just but I understood, and I also bet that

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<v Speaker 1>you would come in here on bright with bright colors

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<v Speaker 1>on so I tried to get my light scared outfit

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<v Speaker 1>on for you got you got what I'm saying, I.

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<v Speaker 3>Try to get lights.

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<v Speaker 1>Guy trying to get big birds meant that the two bets. No, no, no,

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<v Speaker 1>The bet was that you're gonna have on bright colors. Okay,

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<v Speaker 1>I've been watching you on on the tour run. You've

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<v Speaker 1>been brightening it up, you've been seeing Yeah, yeah, you're

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<v Speaker 1>not seeing the sway Kelly Clarkson.

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<v Speaker 3>Kelly Clarkson, I don't even know who she is. That's how.

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<v Speaker 1>That's how normalhood. I was like, who is that? But

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<v Speaker 1>I had to watch you know what I mean? But

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<v Speaker 1>this movie, let's get straight into it.

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<v Speaker 3>Yeah.

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<v Speaker 1>At first I felt like it was what is that ship?

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<v Speaker 1>Like the ghost of Christmas Past? Like you know how,

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<v Speaker 1>like how they show you like Scrooge, Like Scrooge, That's

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<v Speaker 1>what I mean.

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<v Speaker 3>So so like past president future? Right? Right? Is that something?

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<v Speaker 1>Because that's something that I adapted. Am I the only

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<v Speaker 1>one who saw that?

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<v Speaker 5>No?

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<v Speaker 1>No, no, overybody else picked that up. This movie is

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<v Speaker 1>definitely a combination of some of my favorite movies, even

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<v Speaker 1>down to it being called a hip hop story. I

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<v Speaker 1>wanted to feel like a classic, like a Christmas story,

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<v Speaker 1>a Christmas story, or on the music side, a children's

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<v Speaker 1>story written great of course, So there is that element

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<v Speaker 1>of Scrooge, like, let me show you what it was,

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<v Speaker 1>let me show you where we are and where we

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<v Speaker 1>possibly could go. Right, you know what I'm saying, the

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<v Speaker 1>journey of the backpack wrapper talking to the successful hip

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<v Speaker 1>hop billionaire who may have lost touch with where the

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<v Speaker 1>culture is currently because he's so far up in the

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<v Speaker 1>private jets and in the office buildings he doesn't really know, right, Interesting,

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<v Speaker 1>I'm gonna go where we're at. You pick it, being

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<v Speaker 1>that you're not drinking. You pick what I drink, bakka

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<v Speaker 1>or Japanese whiskey.

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<v Speaker 3>Japanese whiskey. Let's go. Let's go. We're going Japanese whiskey.

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<v Speaker 3>That was very interesting.

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<v Speaker 1>You just picked the interview I didn't have to take

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<v Speaker 1>about Okay, so I'm taking water. One thing that fucked

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<v Speaker 1>me up. We searched you again. This time you were

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<v Speaker 1>born in It was German, you know, Malina Germany.

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<v Speaker 3>Born in North Carolina, Carolina, and then and then you

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<v Speaker 3>grew up in Germany.

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<v Speaker 1>But I didn't remember, Like, just why you don't remember?

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<v Speaker 3>You don't what doing the interview. I do a lot

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<v Speaker 3>of interview, you do. I don't. The Germany.

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<v Speaker 1>We spoke about the Germany War. Really I need to

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<v Speaker 1>ask about that again. How because is one of my

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<v Speaker 1>favorite places on earth, the only place he ever mentioned. No, right,

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<v Speaker 1>come on, is the only man was doing for good

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<v Speaker 1>to me?

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<v Speaker 3>Man? What good to me? Man?

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<v Speaker 1>You had some good.

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<v Speaker 3>Take out some good guy's going too far?

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<v Speaker 1>But because I forgot that reitervate that being born in Germany,

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<v Speaker 1>Like how is that?

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<v Speaker 3>And like I mean, I mean, you know.

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<v Speaker 1>Were raised I'm in I'm a mill North Carolina too.

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<v Speaker 3>That's like two different.

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<v Speaker 6>But here's the thing. My dad rest in peace. He

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<v Speaker 6>was an army guy for Bragg at the time, but

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<v Speaker 6>they changed the name. But for brad is the biggest

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<v Speaker 6>military hub on the East coast, right, and a lot

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<v Speaker 6>of the families get stationed in Germany, so there's a

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<v Speaker 6>lot of uprooting and going overseas. You basically are touring

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<v Speaker 6>with your dad. The whole family goes on tours. So

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<v Speaker 6>you gotta uproot, go to a new school. And it's weird,

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<v Speaker 6>like when you I went over there first time, I

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<v Speaker 6>was five years old. I didn't even understand the concept

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<v Speaker 6>of people speaking different languages.

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<v Speaker 3>You know what I mean.

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<v Speaker 1>You just go to this new place with your with

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<v Speaker 1>your family, You think everybody's gonna talk like they did

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<v Speaker 1>back home from North Carolina. Was you eating Chitlin's No, okay,

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<v Speaker 1>you know, never know because your mom's just h You

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<v Speaker 1>ate a lot of curry, a lot of little tea.

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<v Speaker 1>I'm double I'm full of jerk chicken right now. You

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<v Speaker 1>came from church and keo, so you know I'm full

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<v Speaker 1>of jerk chicken. And then you just got coconuts. Bro,

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<v Speaker 1>we just got over nuts from where's that Marrimart? And

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<v Speaker 1>I had my friend right here brought me veggie jerk chicken.

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<v Speaker 3>But let's still go back to you. Yeah, God damn it.

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<v Speaker 3>Let me. Let me, let me.

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<v Speaker 1>After a while me toring, I started to learn that

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<v Speaker 1>if I wanted things American overseas, I would go.

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<v Speaker 3>To an army basis. Yeah, so that like reminds you

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<v Speaker 3>of home, being like being.

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<v Speaker 7>On an army basis.

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<v Speaker 1>Yeah, that's what made it livable and adaptable. You were

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<v Speaker 1>with other American families on base, right, so it just

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<v Speaker 1>felt like a neighborhood that was from the States, but

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<v Speaker 1>in Germany and this foreign land.

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<v Speaker 3>Right. So even people ask me do I speak fluent German?

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<v Speaker 3>I don't.

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<v Speaker 1>You don't spreaking the line, now, you don't spreaking the Deutsch,

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<v Speaker 1>spreaking the joy, spreaking the dorit client a little bit. Yeah,

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<v Speaker 1>no planing, okay, yeah, yeah, kind so you don't. You're

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<v Speaker 1>not married, right, we won't talk about personal shit. Okay, cool,

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<v Speaker 1>but I'm saying it's not personal. But it's not person

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<v Speaker 1>But if you was to talk to somebody and you

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<v Speaker 1>think you could get, you could hold a full conversation

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<v Speaker 1>in Germany.

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<v Speaker 3>Like no.

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<v Speaker 6>Look, one time, that's what I was saying when I said,

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<v Speaker 6>I'm not.

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<v Speaker 3>Fluent, right, okay, but what means.

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<v Speaker 1>Blew with means I could hold the full guns Okay, okay.

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<v Speaker 1>But one time, one time, I mean, I'm with my brother. Look,

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<v Speaker 1>we have compensations. Randomly, he was really gonna call me

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<v Speaker 1>in four the more like yo.

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<v Speaker 3>He is not.

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<v Speaker 1>But one time, though, one time, I'm I'm working with

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<v Speaker 1>Rockefeller Records. I see, my man, we're gonna be Rockefeller Records,

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<v Speaker 1>Rockefeller Records.

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<v Speaker 7>I didn't know. So they asked me to go to

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<v Speaker 7>a fight.

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<v Speaker 3>I didn't know. The fight that they were in was

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<v Speaker 3>what was it? What was his name? My cord on

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<v Speaker 3>my yoga.

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<v Speaker 1>He had just signed to Rockefeller and he was against

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<v Speaker 1>Tito Trinidad. And they sat me next to Tito Trinidad's mother,

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<v Speaker 1>his brother, and his whole family.

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<v Speaker 3>And at that moment I knew that.

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<v Speaker 1>Rockefeller was trying to set me up. I refused to

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<v Speaker 1>go out. I said, I can't go against my Puerto

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<v Speaker 1>Rican people. But that when I had to say to myself, though,

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<v Speaker 1>but do I know enough Spanish to get the fuck

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<v Speaker 1>out of here?

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<v Speaker 3>Crazy?

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<v Speaker 1>If you put in a situation like that, do you

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<v Speaker 1>know enough that you can get to the to the door.

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<v Speaker 1>I know enough to get to the door, because I

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<v Speaker 1>just want to see a black master Germans.

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<v Speaker 3>Yeah, I know, I don't see that.

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<v Speaker 1>That's not you got to you gotta call it Boris Kojo.

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<v Speaker 3>He's fluent.

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<v Speaker 1>He's actually German. Wow, yeah, Boris Krdjo. Oh yeah, he's German.

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<v Speaker 1>He got mad at me one day. I told him

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<v Speaker 1>to relax. It was I don't like that, said God.

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<v Speaker 1>I was about to say, we're at okay, moving on?

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<v Speaker 3>Yeah, I don't know, moving on, okay. I got mad

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<v Speaker 3>notes okay.

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<v Speaker 7>To Kanye.

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<v Speaker 1>Was that something that you had to go back in

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<v Speaker 1>because I'm saying you wrote it in two thousand and eight.

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<v Speaker 3>Yeah. Yeah, so.

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<v Speaker 6>Because I wrote it in two thousand and eight, the

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<v Speaker 6>history doesn't change, and because I made it about my history,

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<v Speaker 6>it doesn't change. So there were some references that I

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<v Speaker 6>had to update, update, implement all that.

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<v Speaker 3>Kind of stuff.

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<v Speaker 1>So yeah, the kind of the face mask kind right, Definitely,

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<v Speaker 1>My pen game was like, now, let's get in this computer.

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<v Speaker 3>Let's that.

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<v Speaker 4>It was.

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<v Speaker 1>At one point I didn't know if it was him

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<v Speaker 1>or not because he was yelling at that's my man, savvy,

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<v Speaker 1>the amusing. He does all the Kanye voiceovers online on

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<v Speaker 1>i G. So that's my man. I was like, Yo,

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<v Speaker 1>you gotta you got put the mask on and come

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<v Speaker 1>do this role because you did that. You you impersonated

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<v Speaker 1>Kanye before with the Rabbit on your show. Yeah so yeah,

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<v Speaker 1>so I that's the thing, like I can do the

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<v Speaker 1>Kanye voice and I've done the Kanye impression. But I'm

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<v Speaker 1>already playing twelve to fourteen characters that this.

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<v Speaker 6>I still haven't counted yet. That's why I keep sitting

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<v Speaker 6>twelve to fourteen.

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<v Speaker 5>The credits are crazy, name ridiculous, right.

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<v Speaker 1>But yeah, why not spread the love to people that

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<v Speaker 1>I know are like technicians, even my man Dylan from

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<v Speaker 1>uh that place eminem or slimming them in the movie

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<v Speaker 1>he does the eminem joints on. I G yeah, that

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<v Speaker 1>was the same m TG, the one with the white shirt.

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<v Speaker 1>And then at the end, yeah, same guy, same guy,

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<v Speaker 1>the same guy. But I've done an eminem.

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<v Speaker 3>I kept looking to you. Was you?

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<v Speaker 1>I was like, everybody thinks that, but it's like, is

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<v Speaker 1>that racist? I have done you? No, I put on

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<v Speaker 1>the white face before. I've done the eminem impression before,

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<v Speaker 1>and you've done the black face too. But Chris Rocks, well,

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<v Speaker 1>there's no such thing as black face if I'm black,

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<v Speaker 1>So I just put on darker makeup AS's happened. Yeah man,

0:11:18.080 --> 0:11:20.800
<v Speaker 1>so yeah, I've done it. But yeah, I like to

0:11:20.840 --> 0:11:23.920
<v Speaker 1>spread the energy out to people that can get down

0:11:24.080 --> 0:11:27.760
<v Speaker 1>right and really get down. Now, what is the significance

0:11:27.920 --> 0:11:31.200
<v Speaker 1>of changing these character names that based on real characters.

0:11:31.880 --> 0:11:34.440
<v Speaker 6>It's kind of like my bizarro world of hip hop

0:11:34.960 --> 0:11:36.240
<v Speaker 6>right to be able to tell the story.

0:11:36.280 --> 0:11:37.640
<v Speaker 3>We know exactly who they are.

0:11:38.360 --> 0:11:41.280
<v Speaker 6>But I just knew that the audience would be tickled

0:11:41.760 --> 0:11:44.440
<v Speaker 6>by and it proved to be correct. When I watched

0:11:44.440 --> 0:11:47.000
<v Speaker 6>the movie with a few different crowds. They love the

0:11:47.080 --> 0:11:48.120
<v Speaker 6>name changes.

0:11:48.080 --> 0:11:49.560
<v Speaker 1>Because it's just like kind of poking fun, like we

0:11:49.600 --> 0:11:50.480
<v Speaker 1>know what it is, but.

0:11:50.640 --> 0:11:53.800
<v Speaker 6>The creative take on the name, you know. And it

0:11:53.800 --> 0:11:55.600
<v Speaker 6>also helps me to avoid anything legal.

0:11:55.800 --> 0:11:58.920
<v Speaker 1>Yeah, I'm not saying this is actually fifty cent, this

0:11:59.000 --> 0:12:00.280
<v Speaker 1>is actually jays see.

0:12:00.320 --> 0:12:00.839
<v Speaker 3>You know what I mean?

0:12:01.040 --> 0:12:05.600
<v Speaker 7>That scene with fifties Oh yeah, yeah.

0:12:04.880 --> 0:12:07.840
<v Speaker 1>Okrah Whitney, Oh yeah, on the Okra Whitney Show.

0:12:07.960 --> 0:12:08.959
<v Speaker 3>Yeah, I feel like I.

0:12:08.880 --> 0:12:10.800
<v Speaker 1>Feel like I feel like Okrah is like Oprah in

0:12:10.840 --> 0:12:13.360
<v Speaker 1>real life. You think so, Yeah, I think I think

0:12:13.400 --> 0:12:15.280
<v Speaker 1>Oprah behind the scene, me telling me shut the fuck up.

0:12:17.160 --> 0:12:19.160
<v Speaker 6>That's what we want to Yeah, we wanted to tap

0:12:19.200 --> 0:12:21.760
<v Speaker 6>into what we thought people really are like.

0:12:21.920 --> 0:12:23.680
<v Speaker 1>And you know what I'm saying, because they get to

0:12:23.720 --> 0:12:24.720
<v Speaker 1>they they breaking points.

0:12:24.760 --> 0:12:25.280
<v Speaker 3>Think about it.

0:12:25.320 --> 0:12:28.760
<v Speaker 1>We most likely don't book guests, and guests come to

0:12:28.880 --> 0:12:31.160
<v Speaker 1>us and we're we've been only doing this for eight years.

0:12:31.280 --> 0:12:33.760
<v Speaker 3>Oprah been doing this for twenty eight thirty years.

0:12:33.840 --> 0:12:35.800
<v Speaker 1>Well, she'd probably be like she probably be like, fuck

0:12:35.840 --> 0:12:38.640
<v Speaker 1>you nigga, Like on the behind the scenes you never did.

0:12:39.000 --> 0:12:41.720
<v Speaker 3>I'm sure she's got a couple of fuck you niggas

0:12:41.760 --> 0:12:44.840
<v Speaker 3>in there. Yeah, I her dna, her dna. Yeah.

0:12:44.880 --> 0:12:47.040
<v Speaker 1>You don't get to that powerful position without having to

0:12:47.080 --> 0:12:49.520
<v Speaker 1>tell a few people to kiss your motherfucking know.

0:12:49.480 --> 0:12:50.600
<v Speaker 3>You open niggas kill.

0:12:53.600 --> 0:12:56.240
<v Speaker 1>Now, I got my bounce around the place, all look

0:12:56.280 --> 0:12:59.200
<v Speaker 1>a little bit right, I know who you are. So

0:12:59.200 --> 0:13:02.680
<v Speaker 1>so he's said that, like I want't supposed to know around?

0:13:02.880 --> 0:13:04.760
<v Speaker 3>Would you ever go?

0:13:06.400 --> 0:13:07.680
<v Speaker 1>I don't want to say I don't want to start

0:13:07.720 --> 0:13:11.040
<v Speaker 1>with two B, but like a two beach type like place,

0:13:11.200 --> 0:13:12.480
<v Speaker 1>yes to take here?

0:13:12.600 --> 0:13:16.560
<v Speaker 3>Yes? Yeah, yeah, yeah, one hundred per tow B is business. Yeah,

0:13:16.720 --> 0:13:18.600
<v Speaker 3>you know what I mean. And it's also up ship

0:13:18.679 --> 0:13:19.040
<v Speaker 3>to going.

0:13:19.640 --> 0:13:24.800
<v Speaker 1>It's the people that they've opened a platform for entrepreneurs

0:13:24.960 --> 0:13:27.840
<v Speaker 1>and for people who want to independently produce. It's not

0:13:27.960 --> 0:13:30.920
<v Speaker 1>two be's fault that the people's production value.

0:13:30.679 --> 0:13:32.920
<v Speaker 3>Isn't as high as we're used to, you know what

0:13:32.960 --> 0:13:33.240
<v Speaker 3>I mean.

0:13:33.720 --> 0:13:36.160
<v Speaker 1>So no, I would definitely do to be This is

0:13:36.200 --> 0:13:39.240
<v Speaker 1>a distribution outlet actually gets it to places.

0:13:39.480 --> 0:13:41.160
<v Speaker 3>They take your movie. If you're spilming on your on

0:13:41.240 --> 0:13:43.120
<v Speaker 3>your on your on your like, we can we can

0:13:43.160 --> 0:13:43.920
<v Speaker 3>shoot a movie right now.

0:13:44.120 --> 0:13:46.440
<v Speaker 1>We're shooting a movie right now today on my phone,

0:13:46.559 --> 0:13:48.960
<v Speaker 1>right now, and we can put.

0:13:48.800 --> 0:13:50.680
<v Speaker 3>It on, So why AMC.

0:13:52.200 --> 0:13:54.480
<v Speaker 1>It's theater, it's theeter and we had a relationship with

0:13:54.520 --> 0:13:56.440
<v Speaker 1>somebody at AMC, and so.

0:13:56.360 --> 0:13:57.360
<v Speaker 3>The opportunity came.

0:13:57.880 --> 0:14:00.720
<v Speaker 6>First of all, there's no we don't have any studio

0:14:00.760 --> 0:14:04.520
<v Speaker 6>behind us, right, it's me and Domain. We financed it,

0:14:04.600 --> 0:14:06.520
<v Speaker 6>and so we're it's like we're slaying in the movie

0:14:06.520 --> 0:14:07.520
<v Speaker 6>out the trunk type of deal.

0:14:07.800 --> 0:14:09.199
<v Speaker 5>And you told me that early on when you was

0:14:09.240 --> 0:14:11.800
<v Speaker 5>hitting this up to be a part of it, y'all supposed.

0:14:11.480 --> 0:14:15.080
<v Speaker 3>To be in the movie. Yeah, I'm I was.

0:14:16.679 --> 0:14:19.320
<v Speaker 1>Not that you've seen it with the just seeing the

0:14:19.320 --> 0:14:22.440
<v Speaker 1>trailer that I hit y'all last.

0:14:22.280 --> 0:14:24.360
<v Speaker 3>Year, you know what I'm saying. After when I saw,

0:14:24.400 --> 0:14:27.000
<v Speaker 3>I was like, this was supposed to be like Funk

0:14:27.080 --> 0:14:28.240
<v Speaker 3>Flex or the Joe.

0:14:28.240 --> 0:14:30.600
<v Speaker 6>But well, so we was gonna we were gonna blend it, right,

0:14:30.720 --> 0:14:34.520
<v Speaker 6>So it's my portrayal as Joe Budden and the funk

0:14:34.560 --> 0:14:36.560
<v Speaker 6>Flex scene we have my man Ski playing Funk.

0:14:36.960 --> 0:14:39.000
<v Speaker 3>But those scenes and just the whole.

0:14:38.840 --> 0:14:44.160
<v Speaker 6>Portrayal of everybody feels so real To add in some

0:14:44.240 --> 0:14:48.200
<v Speaker 6>real face, like it just grabs like ras Cas and Fredro, right,

0:14:48.640 --> 0:14:49.160
<v Speaker 6>So we.

0:14:49.040 --> 0:14:50.400
<v Speaker 3>Wanted to have y'all.

0:14:50.120 --> 0:14:52.760
<v Speaker 1>Actually there instead of doing an impression of y'all to

0:14:52.800 --> 0:14:56.080
<v Speaker 1>have Roscoe come sit down with y'all, y'all do do

0:14:56.120 --> 0:14:58.160
<v Speaker 1>an interview? Thought it was I thought when I watched

0:14:58.200 --> 0:15:00.480
<v Speaker 1>the movie, I didn't think it was Roscoe that I

0:15:00.480 --> 0:15:03.280
<v Speaker 1>thought it was the artist that that flex was playing.

0:15:03.360 --> 0:15:04.560
<v Speaker 3>It was.

0:15:04.560 --> 0:15:08.520
<v Speaker 6>It's supposed to be Google and Roscoe and Google, Yah, Google.

0:15:09.960 --> 0:15:13.080
<v Speaker 6>It was all it was in the script. But it

0:15:13.120 --> 0:15:17.080
<v Speaker 6>didn't happen. But I'm here now, but let me no, No,

0:15:17.160 --> 0:15:18.800
<v Speaker 6>it's because of Noor that it didn't.

0:15:20.360 --> 0:15:20.920
<v Speaker 3>Was very.

0:15:22.680 --> 0:15:24.920
<v Speaker 1>I was running on over all over the world. I was,

0:15:25.040 --> 0:15:29.080
<v Speaker 1>I'm sorry, but we hear now right, stop bringing up

0:15:29.080 --> 0:15:29.640
<v Speaker 1>old ship.

0:15:31.200 --> 0:15:34.360
<v Speaker 3>Because for people who.

0:15:36.720 --> 0:15:39.440
<v Speaker 1>Who like people, they only see the end of the marathon,

0:15:39.840 --> 0:15:42.880
<v Speaker 1>like they don't my fault. I forgot to tell you

0:15:42.880 --> 0:15:46.760
<v Speaker 1>the other reason why theaters. Okay, right, okay, this is

0:15:46.760 --> 0:15:49.440
<v Speaker 1>a live concert type of a movie. Watching it on

0:15:49.480 --> 0:15:52.160
<v Speaker 1>your phone or your laptop doesn't do it justice. We

0:15:52.280 --> 0:15:54.600
<v Speaker 1>watched it in the theater at least seven times, and

0:15:54.680 --> 0:15:56.720
<v Speaker 1>we had a big premiere in l A in the theater.

0:15:57.880 --> 0:16:02.200
<v Speaker 1>The music in this movie is ship like I have real.

0:16:01.640 --> 0:16:05.080
<v Speaker 3>Original, Yeah, all original, all original, but some sound a likes.

0:16:05.520 --> 0:16:09.720
<v Speaker 6>But we got real easy mob, real producers them joints

0:16:09.800 --> 0:16:13.480
<v Speaker 6>focused ron brows, my boy Devine O Bannon, We got

0:16:13.480 --> 0:16:16.120
<v Speaker 6>a lot like real shit, me and Domain producing bets.

0:16:17.240 --> 0:16:21.320
<v Speaker 6>We watched the audiences in the theater like oh, like nodding,

0:16:21.400 --> 0:16:23.680
<v Speaker 6>like they had a concert, and shit, they're cheering at

0:16:23.720 --> 0:16:26.520
<v Speaker 6>the end of the joint. So it's a different experience

0:16:27.120 --> 0:16:29.520
<v Speaker 6>to do it in the theater. So that's that's the

0:16:29.600 --> 0:16:31.360
<v Speaker 6>biggest reason why we wanted to do it in theater.

0:16:31.440 --> 0:16:33.080
<v Speaker 6>And then, like I said, we had the plug and

0:16:33.120 --> 0:16:34.080
<v Speaker 6>we took it to MC.

0:16:34.280 --> 0:16:38.040
<v Speaker 3>Who doesn't want to see their movie in the theater anyway? Yeah,

0:16:38.120 --> 0:16:40.120
<v Speaker 3>just seen the Bob Marley movie in the theater? Yeah

0:16:40.160 --> 0:16:41.040
<v Speaker 3>I saw that. Yeah. Yeah.

0:16:41.280 --> 0:16:44.080
<v Speaker 1>The only problem is I want to smoke weed. Yeah

0:16:44.280 --> 0:16:47.840
<v Speaker 1>it inspires that. Yes, yes, So we go to New York.

0:16:48.200 --> 0:16:51.600
<v Speaker 1>I can tell that cool Heirk scene was in LA.

0:16:52.200 --> 0:16:54.480
<v Speaker 1>Couldn't fake that New York To me, I was looking

0:16:54.480 --> 0:16:56.760
<v Speaker 1>like that, ain't the bronx nowhere? Well, what is the

0:16:56.760 --> 0:17:02.440
<v Speaker 1>purpose of that? Purpose of what? Like you know, because

0:17:02.720 --> 0:17:04.679
<v Speaker 1>I see that you have real New York scenes like

0:17:04.720 --> 0:17:06.080
<v Speaker 1>real yeah, did.

0:17:06.040 --> 0:17:08.720
<v Speaker 3>You have you know things that we do it?

0:17:08.520 --> 0:17:10.679
<v Speaker 1>Is it more of course effective doing it like that?

0:17:11.640 --> 0:17:11.960
<v Speaker 3>Okay?

0:17:12.040 --> 0:17:16.119
<v Speaker 6>Because imagine we fly the whole crew out to the

0:17:16.200 --> 0:17:18.520
<v Speaker 6>Bronx and try to maneuver around there.

0:17:18.600 --> 0:17:20.440
<v Speaker 1>No one lives in New York, you know what I mean,

0:17:20.520 --> 0:17:22.240
<v Speaker 1>So we have to put people up and do it.

0:17:22.600 --> 0:17:25.280
<v Speaker 1>That's just way crazy. So we had to shoot in

0:17:25.520 --> 0:17:28.600
<v Speaker 1>l A because that's all I could afford, you know

0:17:28.680 --> 0:17:29.080
<v Speaker 1>what I mean.

0:17:29.640 --> 0:17:31.760
<v Speaker 3>It was It was dope because I could tell. But

0:17:31.840 --> 0:17:32.480
<v Speaker 3>only real New.

0:17:32.480 --> 0:17:34.399
<v Speaker 1>Yorkers know that, Like some people watching there, like yo,

0:17:34.480 --> 0:17:36.200
<v Speaker 1>y'all shot at New York, right, You.

0:17:36.160 --> 0:17:38.120
<v Speaker 3>Know I could tell the b roll.

0:17:38.720 --> 0:17:40.280
<v Speaker 1>I could tell the difference, you know what I mean,

0:17:40.320 --> 0:17:43.800
<v Speaker 1>from from when, because I had that skill since sign Feld.

0:17:44.040 --> 0:17:46.040
<v Speaker 1>You know, none of Seinfeld was filmed in New York

0:17:46.080 --> 0:17:48.160
<v Speaker 1>at all, only only to be I don't know.

0:17:48.080 --> 0:17:50.320
<v Speaker 3>If you know that. They also have a show called

0:17:50.359 --> 0:17:53.199
<v Speaker 3>King King of Queens nowhere near Queens. It's all la.

0:17:53.320 --> 0:17:54.360
<v Speaker 3>It's all la. Yeah.

0:17:54.359 --> 0:17:56.240
<v Speaker 1>And when I found that out, I start I start

0:17:56.280 --> 0:18:02.560
<v Speaker 1>to see things like that. But is it like like

0:18:02.600 --> 0:18:04.240
<v Speaker 1>when you started it in two thousand and eight.

0:18:04.440 --> 0:18:05.880
<v Speaker 3>You know, most of us, you.

0:18:05.800 --> 0:18:08.120
<v Speaker 1>Know, are kind of spoiled, you know what I'm saying,

0:18:08.119 --> 0:18:10.400
<v Speaker 1>Like most of us with success are kind of spoiled.

0:18:10.520 --> 0:18:12.399
<v Speaker 3>And if you don't get it at that moment.

0:18:12.840 --> 0:18:17.080
<v Speaker 1>It's like the idea goes away or you lose you

0:18:17.080 --> 0:18:20.199
<v Speaker 1>know what I'm saying, Like you lose the enthusiasms, you

0:18:20.200 --> 0:18:21.080
<v Speaker 1>lose the enthusiasm.

0:18:21.119 --> 0:18:24.080
<v Speaker 3>Right, So did did did that happen? All this or

0:18:24.119 --> 0:18:24.520
<v Speaker 3>how was this?

0:18:24.800 --> 0:18:28.080
<v Speaker 1>It happens from time to time. But man, I'm I'm

0:18:28.080 --> 0:18:31.240
<v Speaker 1>a journeyman. I'm here for the long the long road.

0:18:32.200 --> 0:18:35.040
<v Speaker 1>I've been in this game since ninety four, God damn it.

0:18:35.200 --> 0:18:37.960
<v Speaker 1>So since you had braves all of that, let's not

0:18:38.040 --> 0:18:41.400
<v Speaker 1>talk about Soul Train. We're not forgeting about us depth Jam,

0:18:41.480 --> 0:18:45.399
<v Speaker 1>Soul Train, Apollo on it. But there being guys and

0:18:45.520 --> 0:18:49.199
<v Speaker 1>women that I've seen along the journey that aren't here anymore, you.

0:18:49.200 --> 0:18:49.600
<v Speaker 7>Know what I mean.

0:18:49.600 --> 0:18:51.880
<v Speaker 6>And that's not to knock them or whatever. But I've

0:18:51.920 --> 0:18:55.400
<v Speaker 6>just always been locked into There's always tomorrow. Okay, there's

0:18:55.400 --> 0:18:56.600
<v Speaker 6>always tomorrow. We're gonna get it.

0:18:56.600 --> 0:18:58.560
<v Speaker 1>Tomorrow, We're gonna get it, and just work your ass

0:18:58.600 --> 0:18:59.479
<v Speaker 1>off until you get to it.

0:18:59.560 --> 0:19:00.879
<v Speaker 3>That's right, special that right?

0:19:03.160 --> 0:19:05.720
<v Speaker 5>How did you go ahead, like go about picking who

0:19:05.720 --> 0:19:08.240
<v Speaker 5>you wanted to be featured in terms of the artists

0:19:08.240 --> 0:19:09.520
<v Speaker 5>in the film.

0:19:09.400 --> 0:19:13.040
<v Speaker 6>It was whoever we knew we could portray convincingly. Most

0:19:13.080 --> 0:19:16.159
<v Speaker 6>of these these characters, We've already Me and Demane have

0:19:16.200 --> 0:19:18.600
<v Speaker 6>already done parodies of them on YouTube, you know what

0:19:18.600 --> 0:19:21.840
<v Speaker 6>I mean? For years, since early two thousands, we were

0:19:21.880 --> 0:19:26.160
<v Speaker 6>already doing the jay Z, the Kanye, the Russell Russell,

0:19:26.720 --> 0:19:29.280
<v Speaker 6>Jager Woods, Uh, Tiger Woods.

0:19:29.400 --> 0:19:31.040
<v Speaker 3>He was doing the Freeway impression.

0:19:32.080 --> 0:19:34.800
<v Speaker 6>So we just this was me wanting to write a

0:19:34.840 --> 0:19:36.399
<v Speaker 6>movie that was like, all right, let's put all these

0:19:36.440 --> 0:19:38.360
<v Speaker 6>characters in one place, but.

0:19:38.560 --> 0:19:41.639
<v Speaker 3>Make it not feel like a spoof movie.

0:19:41.880 --> 0:19:45.679
<v Speaker 1>Right, Let's lace a really dope message in here, and

0:19:45.760 --> 0:19:48.119
<v Speaker 1>delivered that message with comedy as the backdrop.

0:19:48.680 --> 0:19:50.560
<v Speaker 3>You know what I mean. You know it was so

0:19:50.640 --> 0:19:51.320
<v Speaker 3>dope about that.

0:19:51.440 --> 0:19:53.000
<v Speaker 1>It was at times of the movie I couldn't tell

0:19:53.040 --> 0:19:54.760
<v Speaker 1>what was real all faith, you know what I mean,

0:19:54.800 --> 0:19:56.840
<v Speaker 1>Like how you was like like you was like, you know,

0:19:57.520 --> 0:20:00.560
<v Speaker 1>was redoing the story of hip hop and then automatically

0:20:00.600 --> 0:20:02.639
<v Speaker 1>made me think that you was reading on all these stories,

0:20:02.680 --> 0:20:04.920
<v Speaker 1>like you had inside information about all these stories, right,

0:20:04.960 --> 0:20:07.840
<v Speaker 1>so I could, I honestly could, and I'm an industry dude,

0:20:08.000 --> 0:20:12.000
<v Speaker 1>I honestly couldn't tell what was like official was like

0:20:12.280 --> 0:20:14.560
<v Speaker 1>you know what I made to just be there So

0:20:14.760 --> 0:20:16.920
<v Speaker 1>it's a really, really, really really fucking great movie.

0:20:16.960 --> 0:20:17.840
<v Speaker 3>Man, Thank you man.

0:20:18.480 --> 0:20:22.520
<v Speaker 1>I appreciate it so for me.

0:20:24.280 --> 0:20:28.480
<v Speaker 6>Because I wasn't in the Bronx and I didn't grow

0:20:28.560 --> 0:20:31.560
<v Speaker 6>up with I didn't go to the cool mold versus

0:20:31.640 --> 0:20:33.760
<v Speaker 6>busy beating battle. I mean, we know about it from

0:20:33.760 --> 0:20:38.240
<v Speaker 6>YouTube and we know the audio, right, and I've seen

0:20:38.359 --> 0:20:40.920
<v Speaker 6>enough documentaries. I never went to the park when herk

0:20:41.080 --> 0:20:44.560
<v Speaker 6>was I was born then, So this, the whole movie

0:20:44.640 --> 0:20:48.840
<v Speaker 6>in a sense, is fiction based on reality and based

0:20:48.880 --> 0:20:50.400
<v Speaker 6>on real events. I like, you know what I'm saying.

0:20:50.400 --> 0:20:53.240
<v Speaker 6>I like, that's another reason why we changed names. It's like, look,

0:20:53.600 --> 0:20:56.320
<v Speaker 6>I'm not representing that this is the actual history, right

0:20:56.600 --> 0:20:59.960
<v Speaker 6>because I wasn't there. This is my reimagining of the history.

0:21:00.119 --> 0:21:02.520
<v Speaker 6>And then from what I said and from what we portrayed,

0:21:02.800 --> 0:21:04.760
<v Speaker 6>you can go do your research. And I have people

0:21:04.800 --> 0:21:07.439
<v Speaker 6>doing that now saying I didn't know who Heirk was.

0:21:07.480 --> 0:21:08.920
<v Speaker 3>I didn't know who this.

0:21:08.680 --> 0:21:10.520
<v Speaker 6>This person was, so I didn't know about this event.

0:21:10.520 --> 0:21:12.679
<v Speaker 6>Was that a real thing? So the same thing that

0:21:12.720 --> 0:21:15.880
<v Speaker 6>you said is pretty much what the mission was for us.

0:21:16.520 --> 0:21:16.720
<v Speaker 3>Now.

0:21:16.800 --> 0:21:20.640
<v Speaker 1>Now the download star is Jay bum who the download

0:21:20.680 --> 0:21:24.280
<v Speaker 1>star or the whole movie is Jay he's the backpack.

0:21:24.320 --> 0:21:26.600
<v Speaker 1>He's like the guy who kind of makes it make sense. Yeah,

0:21:26.720 --> 0:21:29.560
<v Speaker 1>first at first he called him with jay Bum. He

0:21:29.680 --> 0:21:32.520
<v Speaker 1>yells out the thing he yells out to Russell and

0:21:32.560 --> 0:21:34.760
<v Speaker 1>I'm like, oh, this is one of them fucked up

0:21:34.880 --> 0:21:35.960
<v Speaker 1>rappers that never made it.

0:21:36.400 --> 0:21:37.640
<v Speaker 3>And then you know what I mean, and you.

0:21:37.640 --> 0:21:39.800
<v Speaker 1>And they always have a bad story, those guys, and

0:21:39.840 --> 0:21:43.840
<v Speaker 1>they always have dis records. But jay Bum wounded up

0:21:43.840 --> 0:21:44.880
<v Speaker 1>being kind of like the.

0:21:44.920 --> 0:21:47.040
<v Speaker 3>Hero at the end. Yeah, like he will.

0:21:47.119 --> 0:21:51.960
<v Speaker 1>He ignites the hero in thel of the story Freeway exactly.

0:21:52.560 --> 0:21:54.520
<v Speaker 3>He's the catalyst. Right.

0:21:55.440 --> 0:21:57.640
<v Speaker 1>It's not saying that his point of view is right,

0:21:58.000 --> 0:22:01.040
<v Speaker 1>because remember he's saying it's dead, it's fucked up. He

0:22:01.119 --> 0:22:04.840
<v Speaker 1>represents the old heads right as we go along in

0:22:04.840 --> 0:22:07.239
<v Speaker 1>the movie, we start understanding on us.

0:22:07.440 --> 0:22:14.120
<v Speaker 3>He said, look, I added myself to that right white

0:22:15.880 --> 0:22:16.639
<v Speaker 3>we don't ahead.

0:22:17.160 --> 0:22:19.119
<v Speaker 1>And look that's the thing old heads don't want to

0:22:19.160 --> 0:22:22.680
<v Speaker 1>admit that we old head there's a fucking there's a

0:22:22.760 --> 0:22:24.040
<v Speaker 1>thing that happens that.

0:22:24.080 --> 0:22:26.960
<v Speaker 6>Mid life shift when you look in the mirror you're like, god, damn,

0:22:28.160 --> 0:22:29.280
<v Speaker 6>my headline A where.

0:22:29.160 --> 0:22:33.880
<v Speaker 1>What ten years ago? And so he represents that old

0:22:33.920 --> 0:22:36.560
<v Speaker 1>head conversation. But it doesn't start with him.

0:22:36.760 --> 0:22:39.520
<v Speaker 6>If you remember in the barbershop scene, the same conversation

0:22:39.640 --> 0:22:43.640
<v Speaker 6>is happening between Yeah, between soul versus blue.

0:22:44.359 --> 0:22:45.160
<v Speaker 3>It's the same ship.

0:22:45.200 --> 0:22:47.600
<v Speaker 1>There's always gonna be old versus young, And so what

0:22:47.680 --> 0:22:50.080
<v Speaker 1>the what I hope to get to in the movie

0:22:50.240 --> 0:22:55.320
<v Speaker 1>is no one is responsible for ruining it. No one

0:22:55.400 --> 0:22:58.480
<v Speaker 1>is single handedly responsible. We all are as a culture

0:22:59.520 --> 0:23:02.879
<v Speaker 1>as are We're all responsible for where hip hop is

0:23:03.000 --> 0:23:05.760
<v Speaker 1>or isn't, where black culture is or isn't.

0:23:05.800 --> 0:23:06.320
<v Speaker 3>You know what I mean.

0:23:06.359 --> 0:23:09.439
<v Speaker 6>So my thing was, I don't want to, you know,

0:23:10.000 --> 0:23:13.119
<v Speaker 6>place the blame. But the j Bum character is the

0:23:13.240 --> 0:23:16.760
<v Speaker 6>catalyst to get them on this journey of discovery to

0:23:16.760 --> 0:23:18.280
<v Speaker 6>find out what the real problem is.

0:23:18.520 --> 0:23:21.320
<v Speaker 1>It looks like it's the young niggast. I thought I

0:23:21.320 --> 0:23:23.840
<v Speaker 1>thought he was going to be the mad rapper, Like,

0:23:23.920 --> 0:23:26.440
<v Speaker 1>I mean, he kind of is. You're right, he kind

0:23:26.480 --> 0:23:29.840
<v Speaker 1>of is. He definitely is. Yeah, that's what he is.

0:23:30.119 --> 0:23:35.880
<v Speaker 1>He's the backpack rapper, the purist if you will, All right, Okay, okay, there's.

0:23:35.640 --> 0:23:37.600
<v Speaker 3>Some layers in this movie, man, you know what I mean.

0:23:37.640 --> 0:23:39.640
<v Speaker 3>I went in my shit. It's deep. It's deep, man,

0:23:39.680 --> 0:23:41.800
<v Speaker 3>It's deep. Okay, Okay, let me go on my notes.

0:23:42.200 --> 0:23:45.120
<v Speaker 6>I got this nigga going to his notes. I stumped them.

0:23:45.720 --> 0:23:46.720
<v Speaker 6>You can't never shut this.

0:23:47.240 --> 0:23:53.679
<v Speaker 1>Yeah yeah, yeah, Okay, Now did we spoke about you

0:23:53.760 --> 0:23:58.040
<v Speaker 1>being Chinese before too? Because that shit is just amazing

0:23:58.119 --> 0:24:01.480
<v Speaker 1>the randomness of this nigga's mind. Yeah, my grandfather was

0:24:01.560 --> 0:24:07.440
<v Speaker 1>Chinese Chinese Trinidadian. Yeah, which is not I'm trying to

0:24:07.440 --> 0:24:10.159
<v Speaker 1>figure out how exactly. I'm trying to figure out what

0:24:10.280 --> 0:24:14.040
<v Speaker 1>kind of food that tastes like. It's definitely Curry's rotea

0:24:14.119 --> 0:24:15.680
<v Speaker 1>chicken and all that egg.

0:24:15.760 --> 0:24:24.880
<v Speaker 6>Right, No, Chinese, double Chinese, Trinidadian, Chinese, Chinese, Chinese m Trinidadian,

0:24:25.040 --> 0:24:27.439
<v Speaker 6>but Chinese descent like the.

0:24:27.520 --> 0:24:29.120
<v Speaker 1>Chinese Jamaicans the exactly.

0:24:29.200 --> 0:24:32.000
<v Speaker 6>Yeah, yeah, they call them Chinese tiny hold him? What

0:24:32.160 --> 0:24:33.880
<v Speaker 6>Chinese Chinese? Was that Chinese body?

0:24:33.880 --> 0:24:35.280
<v Speaker 3>The Chinese? Yeah?

0:24:35.760 --> 0:24:43.440
<v Speaker 1>Yeah, so where did you take that up from the Chinese?

0:24:43.960 --> 0:24:44.080
<v Speaker 3>No?

0:24:44.119 --> 0:24:48.600
<v Speaker 1>I I was, I was bugging. We visited the Germany thing,

0:24:48.920 --> 0:24:50.120
<v Speaker 1>We visited the China thing.

0:24:50.440 --> 0:24:51.280
<v Speaker 3>Germany and Chinese.

0:24:53.240 --> 0:24:57.480
<v Speaker 1>U your mother Trinidadian? Like that ship is just like ill.

0:24:57.560 --> 0:25:01.520
<v Speaker 1>I thought I was exotic. We both exig many a

0:25:01.600 --> 0:25:02.360
<v Speaker 1>black and Puerto Rican.

0:25:02.440 --> 0:25:04.679
<v Speaker 3>I was like, he kind of talked. He kind of

0:25:04.680 --> 0:25:05.159
<v Speaker 3>took me out.

0:25:05.640 --> 0:25:09.840
<v Speaker 1>He's in German, North Carolinian. This Nigga's all type of ship,

0:25:09.960 --> 0:25:12.920
<v Speaker 1>all of it. So what's what's what do you like more?

0:25:13.600 --> 0:25:14.159
<v Speaker 3>Stand up?

0:25:15.200 --> 0:25:16.960
<v Speaker 1>Because I know you you took a break for fifteen

0:25:17.040 --> 0:25:18.640
<v Speaker 1>years due said you wasn't doing that.

0:25:19.000 --> 0:25:25.359
<v Speaker 3>But is it? Is it sketches or stand up? I

0:25:25.440 --> 0:25:26.399
<v Speaker 3>like them all right?

0:25:26.640 --> 0:25:32.199
<v Speaker 1>For me that it's just different ways to express.

0:25:30.800 --> 0:25:33.000
<v Speaker 6>Stand up is how I pay for this movie. So

0:25:33.000 --> 0:25:36.320
<v Speaker 6>stand up is a whole business model that and for me,

0:25:36.359 --> 0:25:40.720
<v Speaker 6>it's like that's where I learned the timing and the

0:25:40.800 --> 0:25:47.199
<v Speaker 6>pulse of what the culture is responding to in real time. Right,

0:25:47.359 --> 0:25:49.600
<v Speaker 6>they're right in front of me. I can't escape that.

0:25:49.880 --> 0:25:52.439
<v Speaker 6>Like I'll be in front of the hoodiest crowds to

0:25:52.440 --> 0:25:53.639
<v Speaker 6>spend their hard earned money.

0:25:53.680 --> 0:25:54.680
<v Speaker 3>You better make them laugh.

0:25:54.760 --> 0:25:58.480
<v Speaker 1>They're like, don't waste my mother fucking money only had it.

0:25:58.560 --> 0:26:00.119
<v Speaker 1>I ain't had this money. I had to take my

0:26:00.160 --> 0:26:01.520
<v Speaker 1>girl out, you you know what I mean. So I

0:26:01.560 --> 0:26:03.840
<v Speaker 1>had to dig in to the piggy bank to get this.

0:26:04.080 --> 0:26:06.840
<v Speaker 1>So you got to understand the mentality and respect the

0:26:06.840 --> 0:26:09.320
<v Speaker 1>people that you're in front of. And because I have

0:26:09.520 --> 0:26:13.840
<v Speaker 1>that every weekend or every other weekend test of what

0:26:13.880 --> 0:26:16.760
<v Speaker 1>my comedy muscle is. By the time I'm writing something

0:26:17.240 --> 0:26:19.760
<v Speaker 1>and I don't have the immediate crowd in front of

0:26:19.800 --> 0:26:20.680
<v Speaker 1>me judging.

0:26:20.320 --> 0:26:24.800
<v Speaker 6>What I'm what I'm writing, I know that when I

0:26:24.840 --> 0:26:27.960
<v Speaker 6>produce the movie or the TV show or the sketch,

0:26:28.600 --> 0:26:31.200
<v Speaker 6>I know what they're gonna respond to it for sure.

0:26:31.320 --> 0:26:34.080
<v Speaker 6>A strong sense of what's gonna be visceral. And that's

0:26:34.119 --> 0:26:37.080
<v Speaker 6>what's been happening in these uh these screenings of Hip

0:26:37.080 --> 0:26:40.440
<v Speaker 6>Hop Story. The ship that I knew they was gonna

0:26:40.480 --> 0:26:42.800
<v Speaker 6>go crazy over, I see it happen.

0:26:42.880 --> 0:26:44.760
<v Speaker 3>I know the rhythm, I know the timing, I know.

0:26:44.720 --> 0:26:46.120
<v Speaker 1>The next scene is coming up, and I know they're

0:26:46.160 --> 0:26:48.960
<v Speaker 1>gonna flip out over the Cornell West, I know what

0:26:49.000 --> 0:26:50.479
<v Speaker 1>they're gonna respond to, you know what I mean?

0:26:50.680 --> 0:26:53.200
<v Speaker 3>Cornell West, get manager. I never met him before.

0:26:53.200 --> 0:26:55.919
<v Speaker 5>I don't know has anybody responded to you?

0:26:55.840 --> 0:26:56.000
<v Speaker 1>You know?

0:26:56.280 --> 0:26:58.000
<v Speaker 3>But did you most for the most part, I mean,

0:26:58.000 --> 0:26:59.680
<v Speaker 3>I don't know him, but I know everybody else.

0:27:00.280 --> 0:27:03.439
<v Speaker 1>Communicated with everybody that I ain't complicated.

0:27:02.840 --> 0:27:04.959
<v Speaker 3>Them all, but I know them, you know what I mean?

0:27:05.040 --> 0:27:07.919
<v Speaker 3>Because for the most part, legs and it's very uncomfortable,

0:27:07.920 --> 0:27:10.720
<v Speaker 3>but we just spoke to Russell last night. That's that's

0:27:10.720 --> 0:27:15.080
<v Speaker 3>what you're talking about over. I was like the black

0:27:15.080 --> 0:27:16.600
<v Speaker 3>professor like that, I'll get it.

0:27:22.440 --> 0:27:24.120
<v Speaker 1>I say this at all the people in the movie

0:27:24.160 --> 0:27:26.480
<v Speaker 1>that I portrayed, I'll take my chances in a fight

0:27:26.520 --> 0:27:27.320
<v Speaker 1>with Cornell.

0:27:29.040 --> 0:27:31.320
<v Speaker 3>I'll take my chancewers. But you know, respect to the

0:27:31.400 --> 0:27:31.840
<v Speaker 3>to the o G.

0:27:34.560 --> 0:27:36.560
<v Speaker 1>But I think I might be a little faster than him,

0:27:36.640 --> 0:27:38.400
<v Speaker 1>so I'll run awwn in some of these cases.

0:27:40.840 --> 0:27:42.200
<v Speaker 3>When did it makes sense.

0:27:42.119 --> 0:27:45.560
<v Speaker 1>For like Joe Buttons to play Joe Buttons or Nigga.

0:27:45.600 --> 0:27:47.080
<v Speaker 1>That's what I was trying to do with you. Yeah,

0:27:47.320 --> 0:27:50.080
<v Speaker 1>it would have made sense. It would have made tall

0:27:50.200 --> 0:27:55.119
<v Speaker 1>fucking sense. It's funnier if I portrayed Joe Button though, right,

0:27:55.200 --> 0:27:57.320
<v Speaker 1>and then you play yourself and then right, you know,

0:27:57.359 --> 0:27:58.719
<v Speaker 1>you bounce off the fake Roscoe.

0:27:59.200 --> 0:28:02.239
<v Speaker 3>Right, was that Beijing that you had on?

0:28:02.520 --> 0:28:05.280
<v Speaker 1>Oh yeah, yeah, yeah, it was all the Beijing, the

0:28:05.280 --> 0:28:08.880
<v Speaker 1>beard makeup because I had no facial hair the whole

0:28:08.880 --> 0:28:10.800
<v Speaker 1>movie because I had to play the Rascal ball head

0:28:10.840 --> 0:28:13.720
<v Speaker 1>all that. Yeah, so that my makeup artists, Coully called

0:28:13.720 --> 0:28:17.159
<v Speaker 1>the Wrong and Karen Rhoades, they did hear and makeup

0:28:17.280 --> 0:28:18.679
<v Speaker 1>like nobody's business.

0:28:19.040 --> 0:28:22.240
<v Speaker 6>It was crazy. Wow, So hold on, I'm curious what

0:28:22.240 --> 0:28:23.920
<v Speaker 6>did you like about it? What did you you just

0:28:24.119 --> 0:28:25.680
<v Speaker 6>you seem really excited when I sat down.

0:28:25.720 --> 0:28:28.160
<v Speaker 3>Can you just watched it? So, I mean it resonated

0:28:28.200 --> 0:28:28.520
<v Speaker 3>with you.

0:28:29.320 --> 0:28:32.000
<v Speaker 5>It got deep, like I thought, the moral of the

0:28:32.040 --> 0:28:33.640
<v Speaker 5>story and kind of like.

0:28:33.640 --> 0:28:35.320
<v Speaker 3>What you were trying to get across. It got a.

0:28:35.320 --> 0:28:39.800
<v Speaker 5>Little deep, and towards this half, I'm kind of serious now.

0:28:39.720 --> 0:28:40.400
<v Speaker 3>Because it's deep.

0:28:40.440 --> 0:28:43.560
<v Speaker 5>Yeah, But then I started having these these laugh out

0:28:43.560 --> 0:28:46.080
<v Speaker 5>loud moments like the Corner West was the fifty cent

0:28:46.760 --> 0:28:49.600
<v Speaker 5>Joe Budden, and it kind of like it brought something

0:28:49.600 --> 0:28:52.280
<v Speaker 5>that was getting deep and serious to a humorous place.

0:28:52.280 --> 0:28:55.120
<v Speaker 5>So I think it married those two things together really well.

0:28:55.440 --> 0:28:56.120
<v Speaker 3>So it blended.

0:28:56.480 --> 0:28:59.040
<v Speaker 5>Yeah, especially for like a hip hop purist or if

0:28:59.040 --> 0:29:01.760
<v Speaker 5>someone that cares, you know, like like we need this,

0:29:01.800 --> 0:29:03.680
<v Speaker 5>but we need to laugh at this as well for sure.

0:29:04.000 --> 0:29:06.240
<v Speaker 3>Yeah. Yeah, I call it a spoonful of sugar method.

0:29:06.360 --> 0:29:12.200
<v Speaker 6>Like we can theorize and do all kind of debating

0:29:12.600 --> 0:29:15.320
<v Speaker 6>and all that, but at the end of the day,

0:29:16.320 --> 0:29:19.000
<v Speaker 6>what always brings us together is a good laugh and

0:29:19.040 --> 0:29:19.680
<v Speaker 6>good music.

0:29:19.960 --> 0:29:22.080
<v Speaker 3>Right, So this movie has all of it. You know

0:29:22.080 --> 0:29:27.200
<v Speaker 3>what I'm saying. Now, have you ever.

0:29:27.120 --> 0:29:32.240
<v Speaker 1>Thought that comedians be out here acting like rappers, in.

0:29:32.120 --> 0:29:33.680
<v Speaker 3>Some cases worse than rappers.

0:29:34.200 --> 0:29:36.440
<v Speaker 1>You know what's funny, it's not new to me and

0:29:36.560 --> 0:29:39.320
<v Speaker 1>anyone who's a comedian. The first time, this is the

0:29:39.320 --> 0:29:40.640
<v Speaker 1>first time the public has seen it.

0:29:40.680 --> 0:29:43.160
<v Speaker 3>That's the first time. None of this is new. Right.

0:29:43.440 --> 0:29:45.440
<v Speaker 3>We all know who don't like each other. We all

0:29:45.560 --> 0:29:47.520
<v Speaker 3>have heard the stories. We've all seen fights at the

0:29:47.520 --> 0:29:49.560
<v Speaker 3>comedy you know, I'm just getting on. I'm just.

0:29:51.160 --> 0:29:53.840
<v Speaker 1>That's the problem. I've said this before. It's it's like,

0:29:54.200 --> 0:29:56.880
<v Speaker 1>you know, it's the NBA. When NBA players.

0:29:56.600 --> 0:30:00.680
<v Speaker 6>Fight on the court, they at the press conference afterwards

0:30:00.800 --> 0:30:03.000
<v Speaker 6>or the post conference, they asked.

0:30:02.840 --> 0:30:04.800
<v Speaker 3>Him about the fight. Do you really have a beef

0:30:04.840 --> 0:30:06.080
<v Speaker 3>with Lebron? Do you really?

0:30:06.320 --> 0:30:08.720
<v Speaker 1>And they always say the same shit, it's just fast talk.

0:30:09.160 --> 0:30:11.560
<v Speaker 1>It's part of the game. I respect his game. He's

0:30:11.640 --> 0:30:14.160
<v Speaker 1>very competitive. That's just what it is, you know what

0:30:14.200 --> 0:30:14.520
<v Speaker 1>I mean.

0:30:17.720 --> 0:30:20.640
<v Speaker 6>The minute they start spilling out into the public with it,

0:30:21.040 --> 0:30:24.120
<v Speaker 6>That's why the whole what's my man named him? And

0:30:24.160 --> 0:30:28.240
<v Speaker 6>Lebron is going into what he called him old stealing Brooks.

0:30:28.640 --> 0:30:32.160
<v Speaker 6>That's why that got blown out of proportion. It's because

0:30:32.160 --> 0:30:34.640
<v Speaker 6>he perpetuated it. In the conference instead of you know

0:30:34.640 --> 0:30:38.160
<v Speaker 6>what I mean, like it got disrespectful. That's what's going

0:30:38.160 --> 0:30:39.280
<v Speaker 6>on in the comedy world right now.

0:30:39.280 --> 0:30:42.240
<v Speaker 1>The public is not supposed to have a say soul

0:30:42.600 --> 0:30:45.760
<v Speaker 1>in comedy beef. It's supposed to stay behind the lines.

0:30:45.920 --> 0:30:47.760
<v Speaker 1>It's been saying they've been behind the lines.

0:30:48.280 --> 0:30:50.400
<v Speaker 6>Yes, it's been behind the lines, and it should stay there.

0:30:50.840 --> 0:30:53.520
<v Speaker 6>But now that everybody's you know, on the mic talking

0:30:54.160 --> 0:30:57.320
<v Speaker 6>bringing shit up, it's like, now the public is weighing

0:30:57.360 --> 0:30:59.560
<v Speaker 6>in on it and making it way bigger than it's

0:30:59.560 --> 0:31:00.280
<v Speaker 6>supposed to be.

0:31:00.480 --> 0:31:03.560
<v Speaker 5>Which is what's been happening and everything else. Yeah, except

0:31:03.560 --> 0:31:05.000
<v Speaker 5>now it's it took a while for it to.

0:31:05.040 --> 0:31:06.080
<v Speaker 3>Hit hit comedy.

0:31:06.120 --> 0:31:09.640
<v Speaker 6>Yeah, but Kat has always spoke his mind. He's always

0:31:09.640 --> 0:31:12.280
<v Speaker 6>said these things. When he used to say them, the

0:31:12.360 --> 0:31:14.800
<v Speaker 6>audience would call him crazy and that he was on drugs.

0:31:15.040 --> 0:31:17.320
<v Speaker 6>Now the generation has changed a little bit. The audience

0:31:17.360 --> 0:31:19.680
<v Speaker 6>is a little different. They're they're here for all the smoke.

0:31:19.720 --> 0:31:21.959
<v Speaker 6>They want to hear that stuff. So now his message

0:31:22.040 --> 0:31:23.720
<v Speaker 6>is resonating with them, and now it's getting out a

0:31:23.760 --> 0:31:24.560
<v Speaker 6>little more monique.

0:31:24.600 --> 0:31:26.640
<v Speaker 3>Same thing like at the end.

0:31:26.600 --> 0:31:30.200
<v Speaker 1>Of the day, it's not a public conversation, you know,

0:31:30.400 --> 0:31:32.440
<v Speaker 1>I don't live by that code.

0:31:32.480 --> 0:31:35.920
<v Speaker 6>I stay silent if I don't like you. No one

0:31:35.920 --> 0:31:37.240
<v Speaker 6>in the public will ever know it.

0:31:37.320 --> 0:31:39.920
<v Speaker 1>Because I remember it was one Sunday. I believe it's

0:31:40.000 --> 0:31:43.720
<v Speaker 1>during COVID. It was a Mother's Day and I turned

0:31:43.760 --> 0:31:46.880
<v Speaker 1>on my Instagram lot and you and Kevin Hart was

0:31:46.960 --> 0:31:48.400
<v Speaker 1>just trade and blow going for it.

0:31:48.520 --> 0:31:50.240
<v Speaker 3>I believe he said you had a white woman's neck.

0:31:50.520 --> 0:31:54.400
<v Speaker 3>I have never heard. Yeah, and y'all went at it.

0:31:54.440 --> 0:31:56.600
<v Speaker 3>I'm talking about he crying, you crying.

0:31:56.680 --> 0:31:58.320
<v Speaker 1>That's what the comedy I'm used to to tell you

0:31:58.320 --> 0:32:00.640
<v Speaker 1>the truth, Like y'all even though y'all like trying to

0:32:00.680 --> 0:32:02.760
<v Speaker 1>hurt each other's feelings but like not to or not

0:32:02.920 --> 0:32:05.520
<v Speaker 1>even not too far, but you're trying to win, like

0:32:05.600 --> 0:32:11.120
<v Speaker 1>you know what I mean, we're testing with yeh was sparring, right,

0:32:11.160 --> 0:32:12.920
<v Speaker 1>you know what I mean, And it was so in

0:32:12.960 --> 0:32:15.000
<v Speaker 1>the moment, like that's just what that moment was.

0:32:15.680 --> 0:32:21.720
<v Speaker 6>But never in my life will you see me talking

0:32:21.760 --> 0:32:24.240
<v Speaker 6>shit about any comedian, you know what I mean. I'm

0:32:24.280 --> 0:32:26.080
<v Speaker 6>actually the guy that, even if I don't fuck with

0:32:26.120 --> 0:32:29.360
<v Speaker 6>you like that, I have positive shit to say about people.

0:32:29.680 --> 0:32:33.200
<v Speaker 6>I respect people's craft, I respect people's artwork and the

0:32:33.200 --> 0:32:37.080
<v Speaker 6>fact that we're all successful, there's no room for us

0:32:37.120 --> 0:32:38.680
<v Speaker 6>to be fighting, Like, why is niggas mad?

0:32:38.800 --> 0:32:41.400
<v Speaker 3>I'm like, what you mad for? Why is niggas mad?

0:32:41.920 --> 0:32:44.360
<v Speaker 6>So you know, I got love for everybody and for

0:32:44.400 --> 0:32:46.600
<v Speaker 6>those that I don't have love for you never, You'll

0:32:46.600 --> 0:32:47.240
<v Speaker 6>never know it.

0:32:47.400 --> 0:32:49.880
<v Speaker 1>I'm gonna lie. I'm gonna keep it honest. I was

0:32:49.920 --> 0:32:52.520
<v Speaker 1>with Dave Chappelle just hanging out the other day stunt.

0:32:53.360 --> 0:32:54.840
<v Speaker 1>I told him I just had to tell them. I

0:32:54.880 --> 0:32:56.600
<v Speaker 1>just was like, yo, I kind of like, y'all be

0:32:56.680 --> 0:32:58.960
<v Speaker 1>finished because you a rap for niggas.

0:32:59.360 --> 0:33:01.400
<v Speaker 3>I wanted to make the we want to look very

0:33:01.440 --> 0:33:02.480
<v Speaker 3>similar to what he's saying.

0:33:02.840 --> 0:33:04.239
<v Speaker 1>You know, he said he didn't like it, and I

0:33:04.280 --> 0:33:06.680
<v Speaker 1>realized it wasn't kind of like funny to him, Like

0:33:06.800 --> 0:33:08.800
<v Speaker 1>I was like, I like you.

0:33:08.760 --> 0:33:10.840
<v Speaker 6>And Niles better as friends than you talking about you

0:33:10.920 --> 0:33:11.640
<v Speaker 6>gonna beat his asd.

0:33:15.440 --> 0:33:21.240
<v Speaker 1>But I'm not gonna lie to you like it took

0:33:21.280 --> 0:33:23.240
<v Speaker 1>me to see that to say, you know what, We're

0:33:23.280 --> 0:33:26.080
<v Speaker 1>not just crazy. It's not just rappers. It's not just rappers.

0:33:26.200 --> 0:33:30.880
<v Speaker 1>Everybody has feelings. Everybody like having this show taught me

0:33:31.160 --> 0:33:33.680
<v Speaker 1>that the most powerful men in the world have feelings

0:33:34.160 --> 0:33:38.200
<v Speaker 1>because they'll call me and they'll be like, I don't

0:33:38.240 --> 0:33:41.840
<v Speaker 1>can't even say it, but you know what, people have feelings,

0:33:42.160 --> 0:33:45.320
<v Speaker 1>and it was dope to see other people being humans, like,

0:33:45.880 --> 0:33:48.320
<v Speaker 1>for lack of a better term, see comedians.

0:33:47.840 --> 0:33:50.640
<v Speaker 3>Be humans, you know what I mean? Comedians were very sensitive,

0:33:51.040 --> 0:33:51.520
<v Speaker 3>you know what I mean.

0:33:51.640 --> 0:33:53.680
<v Speaker 6>It takes a lot of vulnerability to get on stage

0:33:54.240 --> 0:33:58.880
<v Speaker 6>and believe that you're funny, risk getting booed faster than

0:33:58.920 --> 0:34:02.480
<v Speaker 6>any other art form, and you know, persevere through the

0:34:02.560 --> 0:34:05.760
<v Speaker 6>years to build something that becomes successful, build a name,

0:34:05.800 --> 0:34:08.800
<v Speaker 6>build a brand, build a voice for your comedy. It

0:34:08.880 --> 0:34:11.920
<v Speaker 6>takes a lot to build it, man. But you know,

0:34:12.280 --> 0:34:14.279
<v Speaker 6>like I said, I'm a I'm a.

0:34:14.200 --> 0:34:17.440
<v Speaker 1>Purveyor of peace, but I'm the zen comedian, you know

0:34:17.480 --> 0:34:20.319
<v Speaker 1>what I mean. Did you see Larry what was his name?

0:34:20.760 --> 0:34:24.640
<v Speaker 1>Holmes and Larry what's his name? The comedian he was

0:34:24.640 --> 0:34:27.560
<v Speaker 1>speaking with Donna Rowlands Like it looked like a rap

0:34:29.000 --> 0:34:31.800
<v Speaker 1>korey ho ho both of them, is my guys.

0:34:31.840 --> 0:34:32.359
<v Speaker 3>And that's the thing.

0:34:32.440 --> 0:34:33.879
<v Speaker 1>Did you see how he was going back and forth,

0:34:33.920 --> 0:34:36.320
<v Speaker 1>I'm rap padal Bro. What the fuck is the difference?

0:34:36.400 --> 0:34:39.080
<v Speaker 1>Like That's when I knew comedians y'all going, y'all y'all going,

0:34:39.640 --> 0:34:42.480
<v Speaker 1>I like it, you know, to each their own. You'll

0:34:42.600 --> 0:34:46.600
<v Speaker 1>never see me yelling at another comedian. It's it's not

0:34:46.640 --> 0:34:49.240
<v Speaker 1>gonna happen. But one time I do try to heckle

0:34:49.280 --> 0:34:51.680
<v Speaker 1>you though, right, and it's always you always get heckled.

0:34:51.840 --> 0:34:54.840
<v Speaker 1>That was after Dave Chappelle. But that's before the Dave Chappelle,

0:34:55.239 --> 0:34:58.040
<v Speaker 1>which time he's talking about you, talking about the I

0:34:58.040 --> 0:35:01.680
<v Speaker 1>got on stage, the yeah, when the Karen got on

0:35:01.760 --> 0:35:05.600
<v Speaker 1>say Karen, oh yeah, but it's always hecklers.

0:35:05.600 --> 0:35:08.560
<v Speaker 3>Again, none of this shit is new. None of this

0:35:08.600 --> 0:35:09.200
<v Speaker 3>ship is new.

0:35:09.680 --> 0:35:11.440
<v Speaker 6>When it gets out into the public and it starts

0:35:11.440 --> 0:35:13.040
<v Speaker 6>to circulate, that's when it starts to get blown out

0:35:13.040 --> 0:35:13.440
<v Speaker 6>of proportion.

0:35:13.560 --> 0:35:16.600
<v Speaker 1>But but we've been dealing with this ship. So you're

0:35:16.600 --> 0:35:18.600
<v Speaker 1>saying that's that's when it happened. Karen has been coming

0:35:18.600 --> 0:35:19.360
<v Speaker 1>on your stage.

0:35:19.480 --> 0:35:23.279
<v Speaker 6>I'm just saying, heckling ship getting a little edgys shows

0:35:23.560 --> 0:35:25.719
<v Speaker 6>that is not new, you know what I mean. As

0:35:25.719 --> 0:35:27.680
<v Speaker 6>a rapper, you know, back in the day, there was

0:35:27.719 --> 0:35:29.879
<v Speaker 6>some cities you went to when niggas was throwing beer

0:35:29.880 --> 0:35:32.840
<v Speaker 6>cans or bottles like it was. Ship just happens in

0:35:33.320 --> 0:35:36.319
<v Speaker 6>the art of performing, right, Depending on where you go.

0:35:36.880 --> 0:35:39.800
<v Speaker 3>So there ain't nothing that it ain't nothing.

0:35:39.600 --> 0:35:42.759
<v Speaker 1>That I fear or shy away from. I remember that

0:35:42.800 --> 0:35:45.759
<v Speaker 1>happening to me, and I remember me particularly just saying,

0:35:45.800 --> 0:35:50.760
<v Speaker 1>I'm only going to markets that I'm welcome. I learned,

0:35:50.880 --> 0:35:53.840
<v Speaker 1>like the first year we had we had the war report,

0:35:54.080 --> 0:35:55.880
<v Speaker 1>and the war report was music. It was straight for

0:35:55.960 --> 0:35:59.040
<v Speaker 1>the streets. We could not go to certain places. So

0:35:59.080 --> 0:36:02.000
<v Speaker 1>I remember immediately saying, Yo, take this off of the market.

0:36:02.000 --> 0:36:04.000
<v Speaker 1>This is off of the off of the itinerary, this

0:36:04.040 --> 0:36:04.760
<v Speaker 1>off of the schedule.

0:36:04.920 --> 0:36:06.120
<v Speaker 3>Is that something you ever had to do.

0:36:06.880 --> 0:36:09.680
<v Speaker 6>Yeah, I'll do it for if I don't trust the

0:36:09.680 --> 0:36:12.160
<v Speaker 6>club manager or if I feel like they was disrespecting

0:36:12.200 --> 0:36:13.960
<v Speaker 6>me and my team, and I just won't fuck them.

0:36:13.960 --> 0:36:15.440
<v Speaker 6>I won't go back to that city. I'm wanna go

0:36:15.480 --> 0:36:17.400
<v Speaker 6>back to not the city. I won't go back to

0:36:17.400 --> 0:36:20.040
<v Speaker 6>the venue. Okay, the people in the city, you know,

0:36:20.120 --> 0:36:22.200
<v Speaker 6>if they if they are fans and they rock with me,

0:36:22.360 --> 0:36:24.440
<v Speaker 6>I'll figure out another venture because it's limited.

0:36:26.040 --> 0:36:26.279
<v Speaker 3>City.

0:36:27.239 --> 0:36:30.080
<v Speaker 1>Degree make it take it out in the whole city,

0:36:30.239 --> 0:36:39.239
<v Speaker 1>on the whole city.

0:36:35.239 --> 0:36:36.399
<v Speaker 3>Don't I don't here.

0:36:36.520 --> 0:36:36.560
<v Speaker 8>No.

0:36:36.680 --> 0:36:38.919
<v Speaker 1>I love my fans, especially when I had the number

0:36:38.920 --> 0:36:40.879
<v Speaker 1>one records. Because it's like when you have the number

0:36:40.880 --> 0:36:43.560
<v Speaker 1>one record, it feels like I'm the number one dude,

0:36:43.600 --> 0:36:45.279
<v Speaker 1>you know what I mean, Like you're supposed to get

0:36:45.320 --> 0:36:47.960
<v Speaker 1>saucy when you get the number one shit, and then

0:36:47.960 --> 0:36:50.040
<v Speaker 1>you go some places and then people are looking at

0:36:50.080 --> 0:36:53.920
<v Speaker 1>you because you know they're I'm realizing that this record

0:36:53.960 --> 0:36:56.080
<v Speaker 1>is just getting there. It's a regional record, it's just

0:36:56.120 --> 0:36:56.600
<v Speaker 1>getting there.

0:36:56.800 --> 0:36:58.719
<v Speaker 3>But I'm thinking I'm already to man, I'm number one.

0:36:58.880 --> 0:36:59.319
<v Speaker 3>Mother fuck.

0:36:59.360 --> 0:37:01.640
<v Speaker 1>What the fuck motherfuckers are sitting there looking at me.

0:37:01.680 --> 0:37:04.560
<v Speaker 1>I'm like, I never take this off, take this off

0:37:04.600 --> 0:37:08.239
<v Speaker 1>of the ship. We're never coming back. Yes, I take

0:37:08.280 --> 0:37:12.320
<v Speaker 1>the promoter out. I take it out on the club.

0:37:12.800 --> 0:37:16.799
<v Speaker 1>The bartenders maybe times they always been cool with me

0:37:16.920 --> 0:37:20.080
<v Speaker 1>sometimes how the show was set up, though Sometimes it's

0:37:20.080 --> 0:37:22.840
<v Speaker 1>who you're with. They might just be really big fans

0:37:22.880 --> 0:37:25.759
<v Speaker 1>of that person and then they don't give a fuck

0:37:25.760 --> 0:37:28.200
<v Speaker 1>about who's coming on the stage before them. Yeah, out

0:37:28.239 --> 0:37:29.920
<v Speaker 1>need to do that on certain things. But we got

0:37:29.920 --> 0:37:31.799
<v Speaker 1>a game to be played here. It's called a quick

0:37:31.840 --> 0:37:35.120
<v Speaker 1>Time with Slim. But before we do that, we want

0:37:35.160 --> 0:37:45.080
<v Speaker 1>to give your flowers. You give more flowers. They spelled

0:37:45.120 --> 0:37:48.719
<v Speaker 1>my name right the first time, so just so y'all know.

0:37:48.800 --> 0:37:50.799
<v Speaker 1>I got two of these at the grid judge. One

0:37:50.800 --> 0:37:53.000
<v Speaker 1>of them is spelled wrong. My last thing is spelled wrong,

0:37:53.360 --> 0:37:55.320
<v Speaker 1>but they were gracious enough to send me correctly. But

0:37:55.880 --> 0:37:57.680
<v Speaker 1>you can I can tell that as mister Lee's doing

0:37:57.920 --> 0:37:59.560
<v Speaker 1>you could you think I speak fucked up?

0:37:59.560 --> 0:38:01.719
<v Speaker 3>You hear this? He said?

0:38:04.080 --> 0:38:06.400
<v Speaker 1>Yeah, so we're gonna play quick time with Slid.

0:38:06.480 --> 0:38:09.040
<v Speaker 3>Said that, Oh not yet. What do you mean now yet?

0:38:09.080 --> 0:38:09.200
<v Speaker 7>Oh?

0:38:09.239 --> 0:38:11.440
<v Speaker 3>Yeah, right, cool. I I got a couple of Yeah,

0:38:11.520 --> 0:38:14.359
<v Speaker 3>let's go. It is right here.

0:38:14.560 --> 0:38:16.960
<v Speaker 1>The movie's out, is already out. The movie's already out.

0:38:17.000 --> 0:38:19.680
<v Speaker 6>We did a soft launch, only one hundred and fifty

0:38:19.760 --> 0:38:24.719
<v Speaker 6>nine AMC screens. So this is let me educate people

0:38:24.760 --> 0:38:25.520
<v Speaker 6>in the business of it.

0:38:25.560 --> 0:38:28.879
<v Speaker 1>Most people think that when you see a movie, and

0:38:29.000 --> 0:38:31.200
<v Speaker 1>especially with what we put into the production value, they

0:38:31.239 --> 0:38:33.160
<v Speaker 1>just think, oh, this shit is gonna come to the

0:38:33.160 --> 0:38:35.360
<v Speaker 1>theater right by my crib. It's gonna be on streaming

0:38:35.400 --> 0:38:37.279
<v Speaker 1>next week. Oh man, this is this ship is lit.

0:38:37.280 --> 0:38:37.640
<v Speaker 7>It's up.

0:38:38.280 --> 0:38:40.680
<v Speaker 6>That's not how it works. Right again, there's no studio.

0:38:40.800 --> 0:38:42.080
<v Speaker 6>It's just me and him.

0:38:42.320 --> 0:38:45.880
<v Speaker 1>Most studios have a budget for marketing and placement and

0:38:45.920 --> 0:38:47.879
<v Speaker 1>all that kind of stuff you have to pay per

0:38:47.960 --> 0:38:52.600
<v Speaker 1>screen to house your your film there. Right, So again,

0:38:52.680 --> 0:38:54.520
<v Speaker 1>all of this is out of my pocket, it ain't

0:38:54.760 --> 0:38:56.879
<v Speaker 1>you know what I mean. I ain't sitting on no

0:38:56.880 --> 0:38:59.600
<v Speaker 1>no one f a Leprechaun pot of gold type of shit.

0:39:00.000 --> 0:39:03.399
<v Speaker 1>It's just me investing in the business. So I spent

0:39:03.480 --> 0:39:06.919
<v Speaker 1>the money on as many as I could, and I said, right,

0:39:06.960 --> 0:39:07.960
<v Speaker 1>that's that's enough.

0:39:07.800 --> 0:39:10.600
<v Speaker 3>For what we where we are, and then we're.

0:39:10.400 --> 0:39:14.680
<v Speaker 1>Gonna have meetings with other companies to widen the net

0:39:14.920 --> 0:39:17.560
<v Speaker 1>and of course do uh figure out the streaming deal

0:39:17.640 --> 0:39:20.200
<v Speaker 1>as well. But it's not as easy as people think

0:39:20.200 --> 0:39:21.360
<v Speaker 1>it is, you know what I'm saying.

0:39:21.760 --> 0:39:24.280
<v Speaker 3>And the theaters have to approve your movie.

0:39:24.880 --> 0:39:27.239
<v Speaker 6>If it was coming from a bigger company, a big,

0:39:27.280 --> 0:39:30.080
<v Speaker 6>big name, of course they'd be like yeah, by all means,

0:39:30.080 --> 0:39:33.520
<v Speaker 6>and that company has the budget to just put the

0:39:33.600 --> 0:39:37.239
<v Speaker 6>movie in whatever theater they want. But because it's us,

0:39:37.000 --> 0:39:40.160
<v Speaker 6>it's a little more scrutinized and they can fine tooth

0:39:40.200 --> 0:39:43.839
<v Speaker 6>comit and say we don't want that movie here. There's

0:39:43.840 --> 0:39:46.640
<v Speaker 6>no track record of me and him as producers with

0:39:47.000 --> 0:39:47.480
<v Speaker 6>that theater.

0:39:47.760 --> 0:39:50.319
<v Speaker 1>So it's a lot of elements Phil seats. I mean,

0:39:50.600 --> 0:39:53.000
<v Speaker 1>that's what big care. And that's fair like that business.

0:39:53.280 --> 0:39:55.000
<v Speaker 1>We totally get that, you know what I mean. They want

0:39:55.000 --> 0:39:57.839
<v Speaker 1>to make room for the cartoon or the big action

0:39:57.960 --> 0:40:01.000
<v Speaker 1>hero movie that's gonna bring the people into the theater.

0:40:01.160 --> 0:40:03.120
<v Speaker 1>So that's just a little bit of the business side

0:40:03.120 --> 0:40:05.000
<v Speaker 1>of it. So people understand, like it's not just as

0:40:05.000 --> 0:40:06.920
<v Speaker 1>simple as man, how come it's not playing in Detroit.

0:40:07.680 --> 0:40:09.880
<v Speaker 3>They didn't approve it in Detroit. We couldn't get it

0:40:09.920 --> 0:40:10.360
<v Speaker 3>in Detroit.

0:40:10.400 --> 0:40:12.600
<v Speaker 5>But it performs well and the ones that it's in now,

0:40:12.600 --> 0:40:14.160
<v Speaker 5>will it expand in some more theater.

0:40:14.000 --> 0:40:14.880
<v Speaker 3>Yeah, and that's been happening.

0:40:14.960 --> 0:40:19.040
<v Speaker 6>So it opened Friday last Friday, right the twenty third, Okay,

0:40:19.400 --> 0:40:22.640
<v Speaker 6>and yes, a lot of the screens, especially in the

0:40:22.640 --> 0:40:26.359
<v Speaker 6>bigger cities New York, LA, We've been adding shows. So

0:40:26.400 --> 0:40:30.160
<v Speaker 6>it's it's been a really decent few days in the movie.

0:40:30.520 --> 0:40:33.839
<v Speaker 6>But the biggest part about it was us watching the

0:40:33.920 --> 0:40:36.560
<v Speaker 6>audience's reaction to it. Like they already gave us ninety

0:40:36.600 --> 0:40:39.800
<v Speaker 6>percent on Rotten Tomatoes, which is a hard ranking system,

0:40:39.880 --> 0:40:43.240
<v Speaker 6>you know what I mean. So the reaction has been consistent,

0:40:43.320 --> 0:40:45.640
<v Speaker 6>damn near one hundred percent. Everyone is saying it's a

0:40:45.640 --> 0:40:49.960
<v Speaker 6>brilliant movie, it's hilarious with a message. They loved the

0:40:50.640 --> 0:40:52.839
<v Speaker 6>characters and how many scenes it was, and how many

0:40:53.000 --> 0:40:56.080
<v Speaker 6>journey like the journey of it all, and they love

0:40:56.200 --> 0:40:57.359
<v Speaker 6>love the music.

0:40:57.640 --> 0:41:00.280
<v Speaker 3>And the cinematography. It's well made.

0:41:00.440 --> 0:41:02.880
<v Speaker 5>Yeah, color correction looks ill for like the time period

0:41:02.920 --> 0:41:03.440
<v Speaker 5>you're trying.

0:41:03.239 --> 0:41:05.680
<v Speaker 3>To display, Like it's dope. It's very well made.

0:41:05.880 --> 0:41:08.839
<v Speaker 5>So people watching this go and watch it if it's

0:41:08.880 --> 0:41:09.719
<v Speaker 5>near you in a theater.

0:41:09.840 --> 0:41:10.879
<v Speaker 3>Yeah, if it's still in the theater.

0:41:11.000 --> 0:41:14.360
<v Speaker 1>If not, Like I said, we're going to restructure the

0:41:14.400 --> 0:41:15.800
<v Speaker 1>deal and we're going to shop it around.

0:41:15.800 --> 0:41:16.040
<v Speaker 7>Now.

0:41:16.360 --> 0:41:17.280
<v Speaker 3>Now that we have.

0:41:18.640 --> 0:41:20.719
<v Speaker 6>A litmus test and a focus group, we have some

0:41:21.160 --> 0:41:22.560
<v Speaker 6>evidence of what this movie can do.

0:41:23.040 --> 0:41:24.759
<v Speaker 3>Again, it's just me and him doing it. So what's

0:41:24.800 --> 0:41:29.160
<v Speaker 3>the What is the end result of this is to

0:41:29.280 --> 0:41:31.959
<v Speaker 3>we upgate into a movie theater or for I would

0:41:31.960 --> 0:41:32.400
<v Speaker 3>love to do that.

0:41:32.440 --> 0:41:35.120
<v Speaker 1>Yeah, I would love to do like a wide distribution worldwide.

0:41:35.840 --> 0:41:37.279
<v Speaker 1>I would love for this movie to be one hundred

0:41:37.320 --> 0:41:39.759
<v Speaker 1>million dollars. You know what I'm saying. It's worthy of that,

0:41:40.160 --> 0:41:40.560
<v Speaker 1>you know what I mean.

0:41:40.600 --> 0:41:43.600
<v Speaker 6>Compared to Bob Marley, Bob Marley is about an icon

0:41:44.280 --> 0:41:48.000
<v Speaker 6>that we all know, right. Hip hop is iconic. It's

0:41:48.000 --> 0:41:50.960
<v Speaker 6>a culture full of the movie has icons, in it.

0:41:51.400 --> 0:41:54.799
<v Speaker 6>So it's like we have the same appeal as not

0:41:54.840 --> 0:41:56.799
<v Speaker 6>to say that, you know, no disrespect to Marley at all.

0:41:56.880 --> 0:41:59.040
<v Speaker 6>And I know those producers as well, and I love

0:41:59.080 --> 0:42:01.399
<v Speaker 6>that the success that the having, but we would love

0:42:01.440 --> 0:42:04.399
<v Speaker 6>to be able to have our film in that same

0:42:04.440 --> 0:42:06.680
<v Speaker 6>type of conversation or that same type of success rate.

0:42:06.880 --> 0:42:07.319
<v Speaker 3>You know what I mean.

0:42:07.760 --> 0:42:11.520
<v Speaker 5>Is there a business model where a big studio comes

0:42:11.560 --> 0:42:13.560
<v Speaker 5>in and says, you guys are performing well independently, We're

0:42:13.560 --> 0:42:15.160
<v Speaker 5>going to come in and get no.

0:42:15.200 --> 0:42:16.759
<v Speaker 3>Absolutely, yeah, yep.

0:42:17.520 --> 0:42:21.360
<v Speaker 1>But again we just we proved ourselves every step.

0:42:21.080 --> 0:42:21.399
<v Speaker 7>Of the way.

0:42:21.400 --> 0:42:24.759
<v Speaker 6>With an independent movie, you prove yourself and it's a

0:42:24.800 --> 0:42:26.120
<v Speaker 6>different it's a different model.

0:42:26.400 --> 0:42:28.480
<v Speaker 3>Not everyone is doing it this way. You know.

0:42:28.560 --> 0:42:31.000
<v Speaker 6>Most people take it directly to a studio when it's

0:42:31.000 --> 0:42:33.160
<v Speaker 6>still on the script, when it's still on the page,

0:42:33.600 --> 0:42:39.160
<v Speaker 6>and you may give up most of the ownership.

0:42:38.680 --> 0:42:42.120
<v Speaker 3>Of it, take money once you take money, exactly. Yeah.

0:42:42.840 --> 0:42:44.960
<v Speaker 1>The whole people people have notes and they want to

0:42:44.960 --> 0:42:46.960
<v Speaker 1>tell you let's do this and let's do that.

0:42:47.000 --> 0:42:47.680
<v Speaker 3>And that's the thing.

0:42:48.200 --> 0:42:51.279
<v Speaker 1>We made the movie we wanted to make from front

0:42:51.320 --> 0:42:53.520
<v Speaker 1>to back. So that's another thing, like we made the

0:42:53.560 --> 0:42:55.879
<v Speaker 1>movie we want to make, so we don't look at

0:42:55.880 --> 0:42:58.799
<v Speaker 1>it as ah man, we got bad notes and we

0:42:58.840 --> 0:43:01.360
<v Speaker 1>wish that scene was different. That's the movie we shot,

0:43:01.360 --> 0:43:02.440
<v Speaker 1>in the movie we made.

0:43:02.600 --> 0:43:03.239
<v Speaker 3>That we want to make.

0:43:03.320 --> 0:43:05.839
<v Speaker 1>So because I heard you once say that you didn't

0:43:05.880 --> 0:43:09.040
<v Speaker 1>recognize your show on Fox like after it, like you

0:43:09.560 --> 0:43:11.480
<v Speaker 1>film completely opposite experience.

0:43:11.840 --> 0:43:12.919
<v Speaker 3>So so how does that work?

0:43:13.000 --> 0:43:13.840
<v Speaker 7>You film it?

0:43:14.239 --> 0:43:15.719
<v Speaker 1>I mean you guys film it, I mean not you

0:43:15.760 --> 0:43:18.560
<v Speaker 1>feel it, right, but you get a version and you

0:43:18.640 --> 0:43:20.719
<v Speaker 1>approve a version, and then it has to go to

0:43:20.719 --> 0:43:24.040
<v Speaker 1>the higher ups. And then now what they do, all

0:43:24.040 --> 0:43:27.960
<v Speaker 1>they do is every step of the way in the

0:43:28.080 --> 0:43:32.520
<v Speaker 1>editing process, right in post production, they're giving notes every day,

0:43:33.239 --> 0:43:36.800
<v Speaker 1>sometimes every hour. Right, you send them a new cut

0:43:36.880 --> 0:43:38.719
<v Speaker 1>and they'll be like change this.

0:43:38.719 --> 0:43:41.040
<v Speaker 3>Do that. We don't like this, and we don't like that.

0:43:41.320 --> 0:43:44.640
<v Speaker 1>It's always, you know, the people that know the least

0:43:44.680 --> 0:43:47.200
<v Speaker 1>about what you're doing that's feeling you the most. Yeah,

0:43:47.200 --> 0:43:49.120
<v Speaker 1>because they spending the money, right, you know what I mean?

0:43:49.160 --> 0:43:52.759
<v Speaker 1>So you know, but again, it's business. We understand it.

0:43:52.880 --> 0:43:56.480
<v Speaker 1>We're not We're not knocking the business. The business is

0:43:56.520 --> 0:43:59.920
<v Speaker 1>what it is. We love the business, right because we're

0:44:01.239 --> 0:44:04.120
<v Speaker 1>still succeeding in it. But this is just a new

0:44:04.200 --> 0:44:06.040
<v Speaker 1>venture that we're like, all right, let's see what this goes.

0:44:06.480 --> 0:44:09.240
<v Speaker 1>Like me, I'm always me and EFM. We always argue

0:44:09.520 --> 0:44:14.160
<v Speaker 1>and he's always independent. I'm always major, right. But one time,

0:44:14.480 --> 0:44:17.480
<v Speaker 1>I'll give you a scenario. I had a record with

0:44:17.560 --> 0:44:22.200
<v Speaker 1>Jairou and the record was cool. We filmed the video,

0:44:22.280 --> 0:44:24.560
<v Speaker 1>but it kind of really wasn't.

0:44:24.640 --> 0:44:27.080
<v Speaker 3>Me and Leo Coles did have edits.

0:44:27.320 --> 0:44:29.759
<v Speaker 1>Leo Colmes came to me and was like, listen, I

0:44:29.840 --> 0:44:34.560
<v Speaker 1>kind of invested in Nori, not Jiro. Like it's like,

0:44:34.800 --> 0:44:37.480
<v Speaker 1>I don't want a job popcorn He said it was popcorn.

0:44:37.520 --> 0:44:41.600
<v Speaker 1>He was like, I don't want to jay tongue. Yeah. Yeah,

0:44:41.640 --> 0:44:43.480
<v Speaker 1>So and he was right this time, and you know

0:44:43.520 --> 0:44:46.560
<v Speaker 1>what happened for that, I went and I made Homeboy.

0:44:46.920 --> 0:44:50.080
<v Speaker 1>I came to party, so that record wouldn't even exist. So,

0:44:50.200 --> 0:44:55.680
<v Speaker 1>and sometimes these producers are correct, I mean the executives.

0:44:55.680 --> 0:44:58.000
<v Speaker 1>I mean to say the executives. Oh, there are some

0:44:58.120 --> 0:45:01.600
<v Speaker 1>of course, but to lose owner for good I'm not saying.

0:45:01.640 --> 0:45:01.759
<v Speaker 5>Now.

0:45:02.480 --> 0:45:03.520
<v Speaker 3>Let me finished my question.

0:45:03.560 --> 0:45:06.640
<v Speaker 1>So as opposed, so let me ask, are you opposed

0:45:06.719 --> 0:45:08.320
<v Speaker 1>to never working with a studio?

0:45:08.440 --> 0:45:08.760
<v Speaker 5>No?

0:45:08.760 --> 0:45:09.239
<v Speaker 3>No, no.

0:45:09.560 --> 0:45:11.800
<v Speaker 1>All I'm saying is this is something that we decided

0:45:11.840 --> 0:45:14.520
<v Speaker 1>to do because we were passionate about it. We had

0:45:14.520 --> 0:45:17.040
<v Speaker 1>a vision for it, and I had the money to

0:45:17.040 --> 0:45:18.520
<v Speaker 1>be able to get it going.

0:45:19.120 --> 0:45:21.920
<v Speaker 3>Well, yeah, to do it my way. I'm still in Hollywood.

0:45:21.920 --> 0:45:25.480
<v Speaker 1>I still you know, work for other projects and audition

0:45:25.600 --> 0:45:26.560
<v Speaker 1>and do all that kind of stuff.

0:45:26.719 --> 0:45:27.440
<v Speaker 3>I still do all of that.

0:45:27.520 --> 0:45:32.000
<v Speaker 6>But when it comes to independent filmmaking, this is the

0:45:32.000 --> 0:45:34.799
<v Speaker 6>film that we wanted to make and it could change

0:45:34.840 --> 0:45:37.440
<v Speaker 6>our lives based on how we've had to do things

0:45:37.480 --> 0:45:39.479
<v Speaker 6>in the past, you know. I mean now, you said

0:45:39.520 --> 0:45:42.680
<v Speaker 6>something in the past too, you said Hollywood could be.

0:45:42.640 --> 0:45:43.320
<v Speaker 3>A little racist.

0:45:44.560 --> 0:45:46.680
<v Speaker 1>You said, because there's never been a black man to

0:45:46.680 --> 0:45:53.000
<v Speaker 1>play Batman. And then it wasn't rumors of a playing Batman,

0:45:53.840 --> 0:45:56.160
<v Speaker 1>but it was rumors of a black man playing James

0:45:56.239 --> 0:45:58.279
<v Speaker 1>James Bond. I feel like, I feel like that's colse

0:45:58.320 --> 0:46:00.960
<v Speaker 1>of you. No, you don't want that, you don't want

0:46:01.200 --> 0:46:03.160
<v Speaker 1>give you that's not because of me. And I'm saying

0:46:03.560 --> 0:46:06.880
<v Speaker 1>because I'm saying you said it, and I think Hollywood

0:46:06.920 --> 0:46:07.759
<v Speaker 1>is like, you know what, that'd be.

0:46:07.680 --> 0:46:09.080
<v Speaker 3>Cool to have a black James Bond.

0:46:09.360 --> 0:46:12.360
<v Speaker 1>I may have said it in jest, Yeah, but he's

0:46:12.400 --> 0:46:15.160
<v Speaker 1>coming through maybe voices like yours your part, don't want

0:46:15.160 --> 0:46:16.320
<v Speaker 1>those I'm.

0:46:16.160 --> 0:46:18.480
<v Speaker 3>Giving you those props. Just take him just.

0:46:23.760 --> 0:46:23.840
<v Speaker 4>Now.

0:46:23.960 --> 0:46:27.880
<v Speaker 1>I think I would rather because it was approaching Idris

0:46:27.880 --> 0:46:30.799
<v Speaker 1>Elba to be and everybody was saying that they wanted him.

0:46:30.719 --> 0:46:32.400
<v Speaker 3>To do it. He got the ad already.

0:46:32.480 --> 0:46:37.680
<v Speaker 6>I understand his mentality on it. He's just like, why

0:46:37.719 --> 0:46:41.760
<v Speaker 6>why do we always have to do the black version

0:46:41.840 --> 0:46:44.600
<v Speaker 6>of what they created? Why don't we just create our

0:46:44.640 --> 0:46:47.560
<v Speaker 6>own like he did with Luther, you know what I mean?

0:46:47.600 --> 0:46:50.759
<v Speaker 6>Instead of said that, you know, he said that I'm paraphrasing.

0:46:50.840 --> 0:46:53.200
<v Speaker 1>Okay, right, but but he was like, now, I would

0:46:53.280 --> 0:46:56.960
<v Speaker 1>rather focus on Luther because he keeps getting asked if

0:46:57.000 --> 0:46:58.680
<v Speaker 1>he's going to do the James Bond thing, and his

0:46:58.800 --> 0:47:01.880
<v Speaker 1>answer as of right now that I know of, is no,

0:47:02.120 --> 0:47:04.680
<v Speaker 1>that he doesn't. He's not interested in doing that, you

0:47:04.680 --> 0:47:06.400
<v Speaker 1>know what I mean. But again, I don't want to

0:47:06.400 --> 0:47:09.080
<v Speaker 1>speak for him, but that's the understanding of it. But

0:47:09.120 --> 0:47:11.040
<v Speaker 1>that's my my thing too, is like, look, we are

0:47:11.160 --> 0:47:15.360
<v Speaker 1>very creative. We don't have to rehash anything or you know,

0:47:15.480 --> 0:47:18.560
<v Speaker 1>be the new black version of this character that's been

0:47:19.160 --> 0:47:23.359
<v Speaker 1>in their world for a long time. I think we're

0:47:23.440 --> 0:47:25.279
<v Speaker 1>creative enough we could come up with some fire.

0:47:25.440 --> 0:47:26.799
<v Speaker 3>I think I'm fifty to fifty on that.

0:47:27.000 --> 0:47:29.520
<v Speaker 1>What if I grew up being a fan A Flash

0:47:29.560 --> 0:47:32.840
<v Speaker 1>Gordon and I just want to see the black Flash Gordon.

0:47:33.200 --> 0:47:35.239
<v Speaker 1>What ain't nothing wrong with that? Look, there's nothing wrong

0:47:35.280 --> 0:47:37.239
<v Speaker 1>with That's the whitest and whitest character that I just

0:47:37.280 --> 0:47:39.759
<v Speaker 1>like to push the culture to be more creative, that's what,

0:47:40.000 --> 0:47:41.120
<v Speaker 1>you know what I mean. I don't always like to

0:47:41.120 --> 0:47:43.279
<v Speaker 1>see a remake. Yeah, I agree, Like I.

0:47:43.280 --> 0:47:45.040
<v Speaker 3>Don't want to get a black vidy, you know what

0:47:45.080 --> 0:47:45.359
<v Speaker 3>I mean.

0:47:45.840 --> 0:47:48.839
<v Speaker 1>I get that just a shitload of remakes right now.

0:47:48.880 --> 0:47:53.040
<v Speaker 1>So you know it's all, but it's sound.

0:47:57.680 --> 0:48:02.600
<v Speaker 6>That I would like the play, Oh for sure. I

0:48:02.640 --> 0:48:08.759
<v Speaker 6>mean I'm working on my action uh star leading man

0:48:09.280 --> 0:48:11.400
<v Speaker 6>energy now, that's that's why I'm going next.

0:48:11.640 --> 0:48:12.719
<v Speaker 3>Yeah, you know what I mean.

0:48:12.840 --> 0:48:15.879
<v Speaker 1>I'm not the guy who's one dimensional. Who I mean

0:48:15.880 --> 0:48:18.000
<v Speaker 1>you see this from the movie like I played, Yeah

0:48:18.320 --> 0:48:22.719
<v Speaker 1>a thousand niggas a desjoyed So but I want to

0:48:22.760 --> 0:48:26.000
<v Speaker 1>be very clear, we're me and Demaan are actual filmmakers.

0:48:26.080 --> 0:48:29.080
<v Speaker 1>We're not just hey, let's do this spook movie because

0:48:29.080 --> 0:48:32.200
<v Speaker 1>it's some some cultural ship and do it because it's

0:48:32.400 --> 0:48:37.800
<v Speaker 1>it's an easy play let's put this film out. Let's succeed,

0:48:38.280 --> 0:48:40.399
<v Speaker 1>and then let's go into our sci fi bag. Let's

0:48:40.400 --> 0:48:42.359
<v Speaker 1>go into an action bag. Let's go on our kung

0:48:42.400 --> 0:48:45.080
<v Speaker 1>fu bag. Like we got we are filmmakers. Yeah, I

0:48:45.080 --> 0:48:47.000
<v Speaker 1>gotta si mo. I want to smoke weed in.

0:48:47.120 --> 0:48:52.239
<v Speaker 3>Space domain Write that down, write that down. I want

0:48:52.280 --> 0:48:52.799
<v Speaker 3>to I want to.

0:48:53.160 --> 0:48:59.400
<v Speaker 1>Always oh yeah, about to be like that ship, like

0:48:59.440 --> 0:49:02.160
<v Speaker 1>because thinking about it, there's been a lot of space movies,

0:49:03.080 --> 0:49:06.880
<v Speaker 1>but even one of my favorite ship on Netflix is

0:49:06.920 --> 0:49:07.440
<v Speaker 1>a thing.

0:49:07.360 --> 0:49:11.480
<v Speaker 7>Called Sports Space Force. You've never seen it, no, I

0:49:11.600 --> 0:49:11.880
<v Speaker 7>heard it?

0:49:12.000 --> 0:49:15.280
<v Speaker 3>I heard? Is it a movie? It's a comedy about

0:49:15.680 --> 0:49:17.719
<v Speaker 3>like a fake Star Trek, like a spoof on Star Trek,

0:49:17.760 --> 0:49:18.000
<v Speaker 3>isn't it?

0:49:18.040 --> 0:49:20.640
<v Speaker 1>I wouldn't say Star Trek, But it's like, what's this

0:49:20.719 --> 0:49:21.680
<v Speaker 1>guy name for forty.

0:49:21.520 --> 0:49:22.160
<v Speaker 7>Year old version?

0:49:23.080 --> 0:49:29.200
<v Speaker 3>Paul Rudd? Steve that that dude, Yeah, for forty year version?

0:49:29.320 --> 0:49:32.680
<v Speaker 1>Right, yeah yeah, yeah, so he's he's like the general

0:49:33.320 --> 0:49:37.720
<v Speaker 1>Yeah yeah, yeah, yeah, he got It's like dope.

0:49:38.160 --> 0:49:38.759
<v Speaker 3>It's dope, but.

0:49:38.880 --> 0:49:41.560
<v Speaker 1>It's like in space and it's like em you know,

0:49:42.080 --> 0:49:45.400
<v Speaker 1>all right, like and that's what you want to do.

0:49:45.600 --> 0:49:48.600
<v Speaker 1>But it's like, yeah, that's what I'm thinking. That was

0:49:48.640 --> 0:49:52.000
<v Speaker 1>like nobody smoke in the space like I think you

0:49:52.040 --> 0:49:53.239
<v Speaker 1>want to spend three in space?

0:49:53.480 --> 0:49:55.600
<v Speaker 3>And Chong did those movies they do that? Yeah, but

0:49:55.680 --> 0:49:58.919
<v Speaker 3>they did. I don't think like he was the new version.

0:49:59.400 --> 0:50:00.319
<v Speaker 3>New version. Shit.

0:50:00.440 --> 0:50:03.080
<v Speaker 1>They catch beef with China. China run run over all flag.

0:50:03.120 --> 0:50:06.360
<v Speaker 1>It's America against China in space in space. Yeah, this

0:50:06.440 --> 0:50:08.520
<v Speaker 1>is real ship. They run over all flag, fly or

0:50:08.640 --> 0:50:11.160
<v Speaker 1>run the moon like they're on the moon, on the

0:50:11.239 --> 0:50:13.279
<v Speaker 1>moon and the flag this is real ship is in

0:50:13.360 --> 0:50:16.239
<v Speaker 1>the in the thing. So the American flag is there

0:50:16.239 --> 0:50:19.920
<v Speaker 1>and China just runs it over. So the people in America,

0:50:22.600 --> 0:50:25.719
<v Speaker 1>the people like the generals because they have real min

0:50:25.840 --> 0:50:30.840
<v Speaker 1>What do you put in your I ain't never before,

0:50:31.600 --> 0:50:34.080
<v Speaker 1>but if it gives me that imagination, you got to.

0:50:36.400 --> 0:50:38.360
<v Speaker 3>Face for it. I might at least want to smell it.

0:50:38.480 --> 0:50:40.000
<v Speaker 3>So this is what they did.

0:50:40.360 --> 0:50:43.440
<v Speaker 1>So they had me and this is the Navy, the army,

0:50:43.560 --> 0:50:46.799
<v Speaker 1>and they're like, yo, the Navy, the Army, they all

0:50:46.880 --> 0:50:49.320
<v Speaker 1>meet together because they're like, yo, you look the Chinese

0:50:49.320 --> 0:50:52.160
<v Speaker 1>people destroy American flag. So they're like, yo, we got

0:50:52.280 --> 0:50:56.479
<v Speaker 1>to attack. And this is in space watching space force

0:50:56.719 --> 0:50:57.319
<v Speaker 1>sh is hall.

0:50:57.400 --> 0:51:02.040
<v Speaker 3>How do y'all? How do you do it? How do

0:51:02.160 --> 0:51:06.120
<v Speaker 3>you because you've seem very clear headed. And then there's

0:51:06.120 --> 0:51:11.000
<v Speaker 3>story he's thinking about. I'm telling you, I.

0:51:11.120 --> 0:51:13.440
<v Speaker 1>Promise you when you watch, you're gonna watch this to be.

0:51:13.480 --> 0:51:14.879
<v Speaker 3>Like but let me ask you. Do you actually say

0:51:14.960 --> 0:51:18.160
<v Speaker 3>my bad? But you always do? You always have like

0:51:18.239 --> 0:51:19.360
<v Speaker 3>are you a d D? Do you have a D

0:51:19.480 --> 0:51:21.920
<v Speaker 3>D A d h D? Yeah? The way it is

0:51:22.719 --> 0:51:25.480
<v Speaker 3>all of this ship, all of the yea because you

0:51:25.640 --> 0:51:26.160
<v Speaker 3>just you you.

0:51:27.160 --> 0:51:29.080
<v Speaker 6>It's like we'd be having a conversation about one thing

0:51:29.160 --> 0:51:34.560
<v Speaker 6>and you'll pull out a giraffett the giraffe that it's.

0:51:34.440 --> 0:51:40.480
<v Speaker 3>Gonna be the promo po. I loved every second of that.

0:51:40.680 --> 0:51:42.839
<v Speaker 3>Thank you, we're doing quick time was actually call him

0:51:42.880 --> 0:51:43.880
<v Speaker 3>it to me. I don't know if you do that

0:51:45.120 --> 0:51:45.520
<v Speaker 3>now now.

0:51:46.040 --> 0:51:46.640
<v Speaker 7>It wasn't this.

0:51:46.840 --> 0:51:49.480
<v Speaker 6>It was just I'm just trying to understand. I'm understanding

0:51:49.520 --> 0:51:53.759
<v Speaker 6>how your your minds. Yeah, because you know it's just

0:51:53.840 --> 0:51:57.759
<v Speaker 6>so much stake. I'm doing part two. Yeah, I'm studying you,

0:51:57.800 --> 0:51:59.480
<v Speaker 6>got you gotta I'm studying you.

0:51:59.800 --> 0:52:07.680
<v Speaker 3>Really? Is that serious? Wait? What wait? What happened? Okay? Yeah, yeah,

0:52:07.760 --> 0:52:08.400
<v Speaker 3>who's gonna have you?

0:52:08.600 --> 0:52:10.400
<v Speaker 1>You want to bring anybody in, you want to bring anybody,

0:52:10.520 --> 0:52:14.080
<v Speaker 1>you want to tell the comme you can be the

0:52:14.120 --> 0:52:16.040
<v Speaker 1>designated drinking Now, who's talking about you?

0:52:16.239 --> 0:52:18.799
<v Speaker 3>You want you want one of your people, you want

0:52:18.840 --> 0:52:21.080
<v Speaker 3>want to people. None of us drink, None of y'all drinks.

0:52:21.080 --> 0:52:21.680
<v Speaker 3>None of us drinks.

0:52:21.680 --> 0:52:25.279
<v Speaker 7>So we're gonna you want something to you want to drink.

0:52:25.320 --> 0:52:34.279
<v Speaker 3>Okay, you a big was happening. You don't get a

0:52:34.440 --> 0:52:34.960
<v Speaker 3>good speech?

0:52:36.480 --> 0:52:39.200
<v Speaker 1>Yeah, yeah, give them give me a chair, right there, mister,

0:52:40.360 --> 0:52:43.800
<v Speaker 1>you're Comminican, Dominican, Dominican to Dominican.

0:52:45.480 --> 0:52:48.960
<v Speaker 3>Yeah. That that fade the Black scene. Yeah, yeah, that

0:52:49.080 --> 0:52:51.120
<v Speaker 3>was the faith the black scene. Yeah, because fade the

0:52:51.160 --> 0:52:54.120
<v Speaker 3>black can't have dregs, no, no, but we did our

0:52:54.280 --> 0:52:58.040
<v Speaker 3>version of like the newer version of that that energy. Okay,

0:52:58.280 --> 0:53:00.600
<v Speaker 3>you can't. You can't do that kind of music. Jah,

0:53:00.760 --> 0:53:04.080
<v Speaker 3>you can do that. We're talking about. This is this

0:53:04.239 --> 0:53:06.920
<v Speaker 3>is Jesus smile.

0:53:08.239 --> 0:53:10.400
<v Speaker 1>I said, slugs hit a bigger than you through your

0:53:10.440 --> 0:53:13.080
<v Speaker 1>passionate side to ups ground you side.

0:53:12.880 --> 0:53:19.719
<v Speaker 3>For I'm telling these niggas to be delivery man. That

0:53:19.920 --> 0:53:24.600
<v Speaker 3>was hard, wet, that was hard. You made people want

0:53:24.640 --> 0:53:26.520
<v Speaker 3>to do kwan. You can you can say one or

0:53:26.560 --> 0:53:27.640
<v Speaker 3>the other if you pick both.

0:53:27.719 --> 0:53:30.000
<v Speaker 1>Your man, you played this last time, right, Yeah, your

0:53:30.080 --> 0:53:32.000
<v Speaker 1>man drinks, but we drink with them.

0:53:32.000 --> 0:53:32.839
<v Speaker 3>We don't leave him out there.

0:53:33.160 --> 0:53:34.919
<v Speaker 7>Yeah, I've been waving my whole life for this movement.

0:53:35.040 --> 0:53:39.520
<v Speaker 1>Okay, cool shout out. Shout out to Tonyo Skits. He's

0:53:40.200 --> 0:53:43.759
<v Speaker 1>king of Miami comedy. And when I called him, he

0:53:43.920 --> 0:53:46.839
<v Speaker 1>was like, Yo, I'll be there. He flew himself out

0:53:46.880 --> 0:53:49.359
<v Speaker 1>to l A. He showed up on, said he knew

0:53:49.400 --> 0:53:51.480
<v Speaker 1>his not like. The dude is a professional man. He

0:53:51.640 --> 0:53:54.200
<v Speaker 1>really rocks out and he has his own brand. Like

0:53:54.280 --> 0:53:56.440
<v Speaker 1>I'm not just saying no like me putting him on.

0:53:56.920 --> 0:53:58.719
<v Speaker 1>This is him saying, nah, I want to be there

0:53:58.800 --> 0:54:00.840
<v Speaker 1>for this moment of the theater. So shout out to

0:54:00.880 --> 0:54:07.520
<v Speaker 1>Tonio is an affection. He's professionally drinking for you right now,

0:54:07.600 --> 0:54:11.920
<v Speaker 1>no doubt, no doubt, no doubt. Okay, Kevin Hart or

0:54:12.000 --> 0:54:13.279
<v Speaker 1>Cat Williams who.

0:54:13.239 --> 0:54:18.320
<v Speaker 3>Put Caddy Williams, Yo, take a drink. I speak fluid.

0:54:19.200 --> 0:54:20.520
<v Speaker 3>I say fluid, mister Lee.

0:54:23.400 --> 0:54:23.879
<v Speaker 7>Oh that's good.

0:54:24.160 --> 0:54:25.839
<v Speaker 3>I know exactly what he meant. But look, I got

0:54:25.920 --> 0:54:26.560
<v Speaker 3>some mamajuana.

0:54:26.840 --> 0:54:34.840
<v Speaker 1>Okay, he said, bro bring me okay, little personal tupac

0:54:35.160 --> 0:54:35.640
<v Speaker 1>or biggie.

0:54:36.239 --> 0:54:40.880
<v Speaker 3>Oh, that's a personal mamajuana for you.

0:54:41.920 --> 0:54:43.359
<v Speaker 7>Thank you, I need more, I need more drinks.

0:54:44.239 --> 0:54:46.279
<v Speaker 3>No, no, no, it's going. But what do you want

0:54:46.320 --> 0:54:47.719
<v Speaker 3>to drink? You don't have to drink that, that's what

0:54:48.239 --> 0:54:51.279
<v Speaker 3>you want you Yeah, because we got drink.

0:54:51.600 --> 0:54:56.359
<v Speaker 1>We don't drink okay, yeah, because yeah, you can drink.

0:54:57.520 --> 0:55:01.319
<v Speaker 3>Shake it, shake a little bit. Shake, Let them take

0:55:01.360 --> 0:55:01.920
<v Speaker 3>that home.

0:55:03.880 --> 0:55:04.080
<v Speaker 9>Home.

0:55:04.360 --> 0:55:06.000
<v Speaker 3>Because we got we got we got mars, we got

0:55:06.040 --> 0:55:06.480
<v Speaker 3>shots for you.

0:55:07.040 --> 0:55:10.640
<v Speaker 1>I'll say this, I like this one that's in this

0:55:10.719 --> 0:55:16.920
<v Speaker 1>cargo pocket, like keeping this Showtime at the Apollo or

0:55:17.000 --> 0:55:21.400
<v Speaker 1>Soul Train, Showtime at the Apollo. Why because show Time Apollo.

0:55:21.200 --> 0:55:21.960
<v Speaker 3>Came first.

0:55:24.840 --> 0:55:31.480
<v Speaker 6>Apollo for me. Apollo for me has uh it just

0:55:31.600 --> 0:55:35.480
<v Speaker 6>has a different rawness to it. And because I danced

0:55:35.520 --> 0:55:39.920
<v Speaker 6>on Soul Train, I understand how exploitive Soul Train was

0:55:39.960 --> 0:55:40.640
<v Speaker 6>to the dancers.

0:55:41.320 --> 0:55:43.680
<v Speaker 1>And when you got the Soul Train, because it wasn't

0:55:43.760 --> 0:55:46.000
<v Speaker 1>the Soul Train that you knew it. I already knew

0:55:46.000 --> 0:55:49.320
<v Speaker 1>that it wasn't that. What I'm saying is for years

0:55:49.520 --> 0:55:52.480
<v Speaker 1>they I mean for the whole run, they never paid

0:55:52.520 --> 0:55:54.759
<v Speaker 1>the dancers, and the dancers are what made Soul train,

0:55:54.960 --> 0:55:57.760
<v Speaker 1>you know what I mean? And you know I understand

0:55:57.800 --> 0:56:00.520
<v Speaker 1>the legacy of Soul Train. It's it's legendary, it's iconic.

0:56:01.239 --> 0:56:05.360
<v Speaker 1>The principle of not paying the dancers and seeing some

0:56:05.440 --> 0:56:07.080
<v Speaker 1>of these people that I still know to this day

0:56:07.120 --> 0:56:10.279
<v Speaker 1>and they're not financially well off. I think it's it's

0:56:10.400 --> 0:56:12.919
<v Speaker 1>it's not right. So I would I would go show

0:56:12.960 --> 0:56:14.799
<v Speaker 1>tell me the Apollo. But hold on, you sucking out

0:56:14.800 --> 0:56:16.759
<v Speaker 1>my childhood. So you mean to tell me all these

0:56:16.840 --> 0:56:19.640
<v Speaker 1>years of me watching, nobody got paid them people walking

0:56:19.719 --> 0:56:23.520
<v Speaker 1>down that nobody got a minimum any cold fried chicken?

0:56:26.360 --> 0:56:29.520
<v Speaker 3>Wow, damn that fucked me up. Okay, but did it

0:56:29.560 --> 0:56:30.239
<v Speaker 3>apollow pay?

0:56:31.360 --> 0:56:31.440
<v Speaker 5>Uh?

0:56:31.560 --> 0:56:34.640
<v Speaker 1>No? I mean it's amateur Night, so it's a different

0:56:35.040 --> 0:56:39.200
<v Speaker 1>it's a different muscle. Okay, it's a different it's a

0:56:39.239 --> 0:56:43.480
<v Speaker 1>different system. The dancers on Soul Train were regulars, okay,

0:56:43.600 --> 0:56:45.960
<v Speaker 1>you know what I mean. Every week you see these people.

0:56:46.000 --> 0:56:48.760
<v Speaker 1>They became names off of it. So it was great exposure,

0:56:48.800 --> 0:56:50.640
<v Speaker 1>but they didn't pay.

0:56:50.520 --> 0:56:51.160
<v Speaker 3>Them, right.

0:56:51.920 --> 0:56:54.880
<v Speaker 1>And new socks that you had on on Amateur Night,

0:56:56.840 --> 0:57:00.200
<v Speaker 1>my white the white Sox, that was those the Michael

0:57:00.280 --> 0:57:02.320
<v Speaker 1>Jackson had glittering and glitter.

0:57:02.640 --> 0:57:06.080
<v Speaker 3>Kept focusing in. I'm sure I'm sure that was you know,

0:57:06.239 --> 0:57:07.080
<v Speaker 3>Walmart or something like that.

0:57:07.200 --> 0:57:09.960
<v Speaker 1>Oh really, okay, yeah, yeah, okay, all right, come on,

0:57:11.560 --> 0:57:12.520
<v Speaker 1>sketches and movies.

0:57:16.040 --> 0:57:19.400
<v Speaker 6>I would say movies. I love sketch, but movies gives

0:57:19.480 --> 0:57:23.320
<v Speaker 6>me the the range to to stretch out that that

0:57:24.920 --> 0:57:29.720
<v Speaker 6>that muscle pause. Yeah, it gives me the range to

0:57:29.760 --> 0:57:32.240
<v Speaker 6>exercise a different creativity, and it gives you the time

0:57:33.000 --> 0:57:35.120
<v Speaker 6>to shape it in a way that that's that's different.

0:57:35.160 --> 0:57:37.840
<v Speaker 3>Sketches so fast, you know what I mean? So I

0:57:37.880 --> 0:57:39.480
<v Speaker 3>would I like movies and.

0:57:39.560 --> 0:57:45.160
<v Speaker 1>Real quick it's the Bootlegger uptown. But he didn't have

0:57:45.240 --> 0:57:46.160
<v Speaker 1>Michael Blacksmith play.

0:57:46.200 --> 0:57:48.520
<v Speaker 3>I called him. He was in Hollywood.

0:57:48.640 --> 0:57:50.160
<v Speaker 1>No, No, he was in Ghana because you know, he

0:57:50.160 --> 0:57:52.080
<v Speaker 1>has a school out there, so he was in He

0:57:52.200 --> 0:57:55.480
<v Speaker 1>was in Ghana taking care of that when we were

0:57:55.520 --> 0:57:58.640
<v Speaker 1>filming it. So I definitely he was the first person

0:57:58.680 --> 0:58:02.480
<v Speaker 1>I call. Yeah, start like him, yeah, yeah, yeah, Okay,

0:58:04.640 --> 0:58:05.200
<v Speaker 1>what's his name?

0:58:05.600 --> 0:58:14.080
<v Speaker 3>Michael? What Michael Blacksman? Blacks Men, Michael black Son. That's

0:58:14.320 --> 0:58:19.440
<v Speaker 3>I'm bad. He knows what I mean, He knows what

0:58:19.720 --> 0:58:21.600
<v Speaker 3>he knows what I mean. He knows what his Dave is,

0:58:22.080 --> 0:58:25.240
<v Speaker 3>Dave Chappelle or Chris Rock mm hm. Take a drink.

0:58:27.000 --> 0:58:28.000
<v Speaker 3>He already was taking one.

0:58:28.280 --> 0:58:28.920
<v Speaker 7>Yeah, yeah he was.

0:58:29.000 --> 0:58:29.520
<v Speaker 3>He could wait.

0:58:30.240 --> 0:58:32.600
<v Speaker 6>But No, both of those guys are goats for different reasons.

0:58:35.320 --> 0:58:37.560
<v Speaker 6>But Chris is our og like Dave and I at

0:58:37.560 --> 0:58:40.400
<v Speaker 6>the same age. So it's like Chris is still our og,

0:58:41.240 --> 0:58:46.560
<v Speaker 6>but Dave is obviously, you know, the goat in his era.

0:58:47.080 --> 0:58:51.400
<v Speaker 6>He's He's phenomenal in his output, his the way that

0:58:51.520 --> 0:58:53.960
<v Speaker 6>he thinks. But if you notice in the movie I

0:58:54.120 --> 0:58:56.760
<v Speaker 6>played the Chris Rock you know, a whole in his

0:58:56.920 --> 0:58:58.960
<v Speaker 6>cadence and all that kind of stuff. So Chris is

0:58:59.000 --> 0:59:00.640
<v Speaker 6>one of the people that I've studied for a long

0:59:00.760 --> 0:59:07.760
<v Speaker 6>time and I've always respected his social uh social consciousness,

0:59:08.320 --> 0:59:10.480
<v Speaker 6>if that makes any sense, that goes into his comedy.

0:59:10.480 --> 0:59:14.240
<v Speaker 3>He's very brilliant and very smart in how he approaches it.

0:59:16.160 --> 0:59:20.680
<v Speaker 1>Like that. You know, I'm sorry this is a boring

0:59:20.760 --> 0:59:24.800
<v Speaker 1>one because I'm not gonna the controversy guy or Seinfeld.

0:59:25.320 --> 0:59:29.080
<v Speaker 1>Curb Curb is the DNA of Seinfeld, you know what

0:59:29.120 --> 0:59:32.040
<v Speaker 1>I mean. So you got to give props to a

0:59:32.080 --> 0:59:36.040
<v Speaker 1>lot of people would say Seinfeld he wrote it, but

0:59:36.200 --> 0:59:39.360
<v Speaker 1>Larry created time Lowry created so but that's what he's saying.

0:59:39.480 --> 0:59:42.400
<v Speaker 1>You say, but I thought you said Curb is Curb

0:59:42.560 --> 0:59:48.040
<v Speaker 1>is the DNA of Seinfeld. But because he created Seinfeld.

0:59:48.320 --> 0:59:51.800
<v Speaker 1>He brought that same template to Curb, but it's him

0:59:51.920 --> 0:59:56.160
<v Speaker 1>doing it. It's not him giving his formula to actors, right,

0:59:56.840 --> 1:00:00.200
<v Speaker 1>it's him doing it. And you really see it the

1:00:00.320 --> 1:00:03.919
<v Speaker 1>life in curve because he's playing a version of himself. Yeah,

1:00:04.120 --> 1:00:06.800
<v Speaker 1>and it's way more off the chain. It's it's HBO.

1:00:06.960 --> 1:00:10.280
<v Speaker 1>You can cuss, So imagine Seinfeld could cuss. Then maybe

1:00:10.440 --> 1:00:14.800
<v Speaker 1>I you know, Seinfeld was brilliant, but when you watch Curb,

1:00:14.880 --> 1:00:15.680
<v Speaker 1>you gotta respect that.

1:00:15.800 --> 1:00:18.960
<v Speaker 3>Oh this is the mind that Seinfeld came out of.

1:00:19.680 --> 1:00:21.320
<v Speaker 3>So I got to go to the source. Did you

1:00:21.440 --> 1:00:25.200
<v Speaker 3>realize that Seinfeld and Elaine was both horse? That there

1:00:25.320 --> 1:00:28.840
<v Speaker 3>was what both horse? Horse? Oh? Yeah, yeah.

1:00:28.840 --> 1:00:31.760
<v Speaker 1>I think they had a different day every week. I mean,

1:00:31.840 --> 1:00:36.800
<v Speaker 1>you know, being young and single in New York. Although

1:00:36.800 --> 1:00:38.880
<v Speaker 1>they filmed in in l A. They filmed it in

1:00:39.160 --> 1:00:41.600
<v Speaker 1>l A. I watched it, we like, I love it.

1:00:41.880 --> 1:00:43.560
<v Speaker 1>So I go back and I visited and I'm like,

1:00:44.080 --> 1:00:44.680
<v Speaker 1>I didn't peep it.

1:00:44.720 --> 1:00:45.280
<v Speaker 3>They were horse.

1:00:45.440 --> 1:00:46.560
<v Speaker 7>She was very promiscuous.

1:00:46.760 --> 1:00:47.360
<v Speaker 3>Yeah she was.

1:00:47.600 --> 1:00:51.720
<v Speaker 1>She's smashing everything was crack and was talking about it too, like, yeah,

1:00:51.920 --> 1:00:57.160
<v Speaker 1>I smashed him, I like his ship there, right, she

1:00:57.280 --> 1:00:58.440
<v Speaker 1>smashed time fel too.

1:00:58.880 --> 1:01:01.160
<v Speaker 3>Yes, but in all.

1:01:02.880 --> 1:01:07.040
<v Speaker 1>Because we can't be sexist. So was Sienfeld. You said

1:01:07.080 --> 1:01:08.840
<v Speaker 1>both of them he had, I mean.

1:01:09.320 --> 1:01:12.360
<v Speaker 3>Don't remember I emphasized both of them.

1:01:12.560 --> 1:01:14.480
<v Speaker 1>Yeah no, but I just said, like Elaine, but I

1:01:14.600 --> 1:01:16.720
<v Speaker 1>just want to say you said about it was justice guilty.

1:01:17.360 --> 1:01:22.440
<v Speaker 3>Yeah. Yeah, you started out with right, go ahead, e

1:01:24.440 --> 1:01:26.560
<v Speaker 3>the next one. But you don't think you can read that.

1:01:27.320 --> 1:01:30.880
<v Speaker 7>You think the English haunted house or soul Man.

1:01:34.560 --> 1:01:37.240
<v Speaker 1>I'm gonna go hunting House because that's the Ray Ray character,

1:01:38.160 --> 1:01:45.240
<v Speaker 1>even though people love Leicester Leicesters. Yeah, a hundred house

1:01:45.240 --> 1:01:48.800
<v Speaker 1>because Ray Ray that. I went and shot that scene

1:01:48.840 --> 1:01:50.440
<v Speaker 1>for like a couple of hours. I never knew that

1:01:50.520 --> 1:01:53.280
<v Speaker 1>that thing was gonna live on like it does. Like

1:01:53.320 --> 1:01:54.760
<v Speaker 1>I'll be having little white kids come up to me

1:01:54.880 --> 1:01:56.840
<v Speaker 1>like I don't give as.

1:01:59.080 --> 1:01:59.800
<v Speaker 3>That is weird.

1:02:00.920 --> 1:02:04.760
<v Speaker 1>That was the first time in that movie I heard

1:02:04.800 --> 1:02:10.480
<v Speaker 1>I heard somebody say fuck the kids and peoples.

1:02:10.720 --> 1:02:13.880
<v Speaker 3>Three kids. I say, holy Ship was like, word it up.

1:02:15.760 --> 1:02:18.520
<v Speaker 1>Holy You felt him when he said that, And now

1:02:19.480 --> 1:02:21.840
<v Speaker 1>I said Earthquakes say that on his special album the

1:02:21.880 --> 1:02:24.040
<v Speaker 1>other day, and I was like, holy Ship, like that's cool.

1:02:24.120 --> 1:02:25.560
<v Speaker 3>Now they put the kids.

1:02:25.640 --> 1:02:29.240
<v Speaker 1>I never knew that. You said, yeah, yeah, Okay, m

1:02:29.240 --> 1:02:34.760
<v Speaker 1>O per mob deep, take a drink. This is a

1:02:34.800 --> 1:02:46.240
<v Speaker 1>great game for Tonio. Outcast or U g K, why

1:02:46.280 --> 1:02:46.800
<v Speaker 1>would you do that?

1:02:47.000 --> 1:02:52.360
<v Speaker 3>Man? Shout out to my man bun real Burgers.

1:02:54.880 --> 1:02:57.400
<v Speaker 1>But I I listened more to outcasts growing up, so

1:02:57.400 --> 1:03:01.200
<v Speaker 1>I would say outcasts, that's cool. Got stopped at the

1:03:01.240 --> 1:03:02.920
<v Speaker 1>model the other day. Heard a call from the other

1:03:02.960 --> 1:03:05.000
<v Speaker 1>way that I just came from. So Nigga was saying

1:03:05.080 --> 1:03:08.040
<v Speaker 1>something tom about, hey, what's up? Remember me from school?

1:03:08.400 --> 1:03:08.560
<v Speaker 8>Now?

1:03:08.720 --> 1:03:11.160
<v Speaker 1>Not really, but it kept smiling like a clown facial expression,

1:03:11.200 --> 1:03:13.200
<v Speaker 1>looking silly. Then they kept asking, will kind of car

1:03:13.240 --> 1:03:15.000
<v Speaker 1>you drive? I know you paid, I know you got

1:03:15.040 --> 1:03:17.240
<v Speaker 1>Bootkool bill Folds from all them songs that shall have made.

1:03:17.520 --> 1:03:19.480
<v Speaker 1>I replied that that I'm going through the same thing

1:03:19.560 --> 1:03:21.320
<v Speaker 1>that he has. True, I got more fans in an

1:03:21.320 --> 1:03:23.120
<v Speaker 1>average man, but not enough loot that last me to

1:03:23.200 --> 1:03:23.760
<v Speaker 1>the end of the week.

1:03:23.800 --> 1:03:25.480
<v Speaker 6>I live by to beat. Let you live, check the check.

1:03:25.640 --> 1:03:27.200
<v Speaker 6>If you remove your feet, then I don't eat that.

1:03:27.240 --> 1:03:28.160
<v Speaker 6>We let next to Nick.

1:03:28.680 --> 1:03:30.320
<v Speaker 1>Yes, we don't come along. We let them send them

1:03:30.320 --> 1:03:32.760
<v Speaker 1>as cigarettes from Virginia. This ain't gonna stop, so we

1:03:32.880 --> 1:03:33.680
<v Speaker 1>just gonna continue.

1:03:34.080 --> 1:03:36.959
<v Speaker 3>Me and you your mama and your.

1:03:39.920 --> 1:03:40.760
<v Speaker 4>This bo.

1:03:43.440 --> 1:03:45.120
<v Speaker 3>Go boom.

1:03:48.560 --> 1:03:53.720
<v Speaker 1>Now this one, I'm very curious. This is I don't

1:03:53.720 --> 1:03:56.480
<v Speaker 1>know if this is a regional question. Well, but it's

1:03:56.520 --> 1:04:01.200
<v Speaker 1>a legendary question or just a classic question. N w

1:04:01.480 --> 1:04:08.560
<v Speaker 1>A or Wu Tang clan take a fucking drink, that's both. Yeah,

1:04:08.600 --> 1:04:13.080
<v Speaker 1>I could never listen. Man, I'm thinking the amount of

1:04:13.400 --> 1:04:17.040
<v Speaker 1>influence that both of those groups had West Coast. I

1:04:17.120 --> 1:04:20.960
<v Speaker 1>mean n w A was West Coast, they were before

1:04:21.040 --> 1:04:25.520
<v Speaker 1>Wu Tang, but they had influence on everybody and there

1:04:25.600 --> 1:04:28.840
<v Speaker 1>was no real even though they was straight out of Compton,

1:04:30.280 --> 1:04:32.880
<v Speaker 1>the level of skills, and that's kind of what the

1:04:33.000 --> 1:04:34.560
<v Speaker 1>movie points to as well.

1:04:34.840 --> 1:04:35.520
<v Speaker 3>When they came out.

1:04:35.520 --> 1:04:37.080
<v Speaker 6>Even though they were from a different region, it's not

1:04:37.120 --> 1:04:40.800
<v Speaker 6>about the region. They still had the formula of having skills.

1:04:40.920 --> 1:04:44.120
<v Speaker 6>They had rhymes, they had ill beats. So we all

1:04:44.240 --> 1:04:46.320
<v Speaker 6>rocked to them. We didn't care where they were from.

1:04:46.400 --> 1:04:49.280
<v Speaker 6>We were big fans of them. And then Wu Tang

1:04:49.320 --> 1:04:52.280
<v Speaker 6>they just in the whole. They're aliens, man. Both are movements,

1:04:53.360 --> 1:04:55.840
<v Speaker 6>were sure movements, you know what I mean? So you

1:04:56.360 --> 1:05:01.680
<v Speaker 6>respect every MC was crazy with it. Now, Yeah, shout

1:05:01.720 --> 1:05:04.760
<v Speaker 6>out to n w ain't wo thinking we just ye, yes,

1:05:05.240 --> 1:05:07.240
<v Speaker 6>he shout out the Snoop. Snoop is uh, you know,

1:05:07.400 --> 1:05:08.760
<v Speaker 6>son of n w A and this thing.

1:05:09.080 --> 1:05:12.520
<v Speaker 1>I mean, yes, for sure, rest in peace, Snoop brother,

1:05:12.760 --> 1:05:15.920
<v Speaker 1>exactly exactly, rest in peace, being man. I told Snoop

1:05:15.920 --> 1:05:17.800
<v Speaker 1>I was gonna wear the jacket for him, man, so

1:05:18.360 --> 1:05:21.040
<v Speaker 1>rest in peace. It's crazy because I had text Snoop

1:05:21.080 --> 1:05:27.960
<v Speaker 1>the other day and just just I said positive positive energy, right, blessings,

1:05:28.560 --> 1:05:32.000
<v Speaker 1>and Snoop called me, called me and like me and him,

1:05:32.000 --> 1:05:34.160
<v Speaker 1>look got more of a text bless his relationship.

1:05:34.240 --> 1:05:37.000
<v Speaker 3>But he called me. I knew that it was something up.

1:05:37.800 --> 1:05:40.440
<v Speaker 3>He was like, yo, yo, cud you.

1:05:40.480 --> 1:05:43.240
<v Speaker 1>Know, I can't say what he yeah, you know, because

1:05:43.240 --> 1:05:45.240
<v Speaker 1>I don't know if that was between me and him.

1:05:45.280 --> 1:05:47.040
<v Speaker 1>But it was just like I texted him at a

1:05:47.120 --> 1:05:49.240
<v Speaker 1>moment where you know, I think he just you know,

1:05:50.080 --> 1:05:51.120
<v Speaker 1>found out what happened to us.

1:05:51.200 --> 1:05:53.919
<v Speaker 3>For sure, for sure, rest in peace the Snoopers brother.

1:05:54.000 --> 1:05:58.480
<v Speaker 6>You know, he called me around the same time because

1:05:58.520 --> 1:06:03.240
<v Speaker 6>he when it had happened at the same time he

1:06:03.280 --> 1:06:06.040
<v Speaker 6>found out about my movie, right, so he asked me.

1:06:06.120 --> 1:06:08.440
<v Speaker 6>He's like, man, can I please see a screening of it?

1:06:08.560 --> 1:06:10.800
<v Speaker 6>Just before it hit the theaters? Wow, He's like, man,

1:06:10.920 --> 1:06:12.240
<v Speaker 6>is it any way I could, I could see I

1:06:12.360 --> 1:06:14.520
<v Speaker 6>just need a laugh right now, and I was like,

1:06:15.200 --> 1:06:18.200
<v Speaker 6>anything you need you know what I'm saying. So he's

1:06:18.720 --> 1:06:22.160
<v Speaker 6>he's a big support of mine anyway, But in that moment,

1:06:22.320 --> 1:06:24.280
<v Speaker 6>it felt it felt good to be able to just

1:06:24.400 --> 1:06:27.320
<v Speaker 6>be able to, you know, have something that could.

1:06:27.200 --> 1:06:29.720
<v Speaker 1>Ease some of the pain for him, you know. I mean,

1:06:30.600 --> 1:06:37.320
<v Speaker 1>that's something that I wish comedians y'all know that more

1:06:38.560 --> 1:06:43.480
<v Speaker 1>of is we need y'all to make fun of. Not

1:06:44.040 --> 1:06:47.080
<v Speaker 1>not that obviously, but you know we need to laugh

1:06:47.200 --> 1:06:50.480
<v Speaker 1>sometimes when it's you're going through turmoil, you need to

1:06:50.560 --> 1:06:51.480
<v Speaker 1>go look at something.

1:06:51.520 --> 1:06:53.320
<v Speaker 3>You need to go you know what I mean, and

1:06:54.240 --> 1:06:55.840
<v Speaker 3>just laugh, you know what I mean, like that shit

1:06:55.920 --> 1:06:56.200
<v Speaker 3>is real.

1:06:56.440 --> 1:06:59.160
<v Speaker 6>Well, that's one of the biggest compliments I've ever gotten,

1:06:59.400 --> 1:07:02.640
<v Speaker 6>and consider get. It's people saying, man, you helped me

1:07:02.720 --> 1:07:03.600
<v Speaker 6>through the pandemic.

1:07:03.960 --> 1:07:06.240
<v Speaker 1>That's what's up by going on IG Live and acting

1:07:06.280 --> 1:07:09.760
<v Speaker 1>facilly or your movies or your this wilding out whole episode.

1:07:10.440 --> 1:07:14.400
<v Speaker 6>So I don't take my purpose in this comedy game lightly.

1:07:14.760 --> 1:07:18.080
<v Speaker 6>I respect that, which is another reason why I will

1:07:18.240 --> 1:07:23.600
<v Speaker 6>never talk bad about any other comedian publicly. I don't

1:07:23.640 --> 1:07:28.640
<v Speaker 6>care who it is I actually like I got I

1:07:28.680 --> 1:07:30.600
<v Speaker 6>got love for Cat. You know what, I haven't told

1:07:30.760 --> 1:07:32.080
<v Speaker 6>any of these stories, so I'm gonna do it here

1:07:32.120 --> 1:07:32.640
<v Speaker 6>on drink Jams.

1:07:32.680 --> 1:07:33.720
<v Speaker 3>Can I do that? I love it.

1:07:38.320 --> 1:07:43.320
<v Speaker 6>Kat Williams, we started out on Wilding Out. That's where

1:07:43.320 --> 1:07:47.400
<v Speaker 6>I met him. I've seen Kat's heart at work. We

1:07:47.640 --> 1:07:49.760
<v Speaker 6>was auditioning for the network, right. This is at the

1:07:49.840 --> 1:07:52.160
<v Speaker 6>end of auditions when everybody's kind of like they chose

1:07:52.240 --> 1:07:56.080
<v Speaker 6>all the people that they want as possible, and they

1:07:56.160 --> 1:07:58.200
<v Speaker 6>get us all in a chemistry kind of.

1:07:58.200 --> 1:08:00.840
<v Speaker 3>A reach their network TV continue.

1:08:00.880 --> 1:08:02.480
<v Speaker 6>So they get us all in a chemistry kind of

1:08:02.520 --> 1:08:05.240
<v Speaker 6>a read where we're all there, they mix and matching us.

1:08:05.320 --> 1:08:07.960
<v Speaker 6>Let me see a Pan and d Ray do these jokes.

1:08:08.040 --> 1:08:09.919
<v Speaker 6>Let me see Atheon and Corey Holcom do these jokes.

1:08:09.960 --> 1:08:11.680
<v Speaker 6>Let me see how they all how they bounce off

1:08:11.720 --> 1:08:15.960
<v Speaker 6>of each other. We were there all fucking day and

1:08:16.000 --> 1:08:17.680
<v Speaker 6>we couldn't leave because it's an audition. We don't know

1:08:17.680 --> 1:08:19.360
<v Speaker 6>when they're gonna call us back in the coats whatever.

1:08:19.760 --> 1:08:21.839
<v Speaker 6>And this is at the time when Cat had.

1:08:23.320 --> 1:08:23.679
<v Speaker 3>The money.

1:08:23.760 --> 1:08:26.800
<v Speaker 6>Mike had already happened the Friday after next he was torn.

1:08:26.880 --> 1:08:28.960
<v Speaker 6>He was already making a little bit of change at

1:08:28.960 --> 1:08:30.840
<v Speaker 6>the time, so had all of us. He had more

1:08:30.840 --> 1:08:31.559
<v Speaker 6>money than all of us.

1:08:31.640 --> 1:08:35.120
<v Speaker 3>Right. He sent his driver to McDonald's.

1:08:34.880 --> 1:08:38.240
<v Speaker 1>And came back and fed everybody that was there auditioning.

1:08:38.439 --> 1:08:38.639
<v Speaker 3>Wow.

1:08:38.960 --> 1:08:39.080
<v Speaker 7>Right.

1:08:39.439 --> 1:08:41.519
<v Speaker 1>He didn't do it for no accolades. He just was like,

1:08:41.680 --> 1:08:43.240
<v Speaker 1>you know, people was like thank you, Kat. He was

1:08:43.439 --> 1:08:46.559
<v Speaker 1>quiet about it. Another time, we did a wilding out

1:08:46.640 --> 1:08:50.080
<v Speaker 1>live show in Vegas. This was the first time we

1:08:50.200 --> 1:08:52.919
<v Speaker 1>did a wilding out live show. Now they're doing arenas

1:08:52.960 --> 1:08:55.080
<v Speaker 1>and shit, but we were doing it and we did

1:08:55.160 --> 1:08:59.519
<v Speaker 1>one in Vegas and Caesars Palace. Kat sees me after

1:08:59.560 --> 1:09:01.360
<v Speaker 1>the show with some of my homies that live in

1:09:01.479 --> 1:09:05.599
<v Speaker 1>Vegas is like a family settings, like twelve fourteen people

1:09:05.800 --> 1:09:09.479
<v Speaker 1>at the table, and he comes up to me.

1:09:10.120 --> 1:09:11.280
<v Speaker 3>He sees us, he weighs.

1:09:11.640 --> 1:09:14.639
<v Speaker 1>Then he comes up to me about twenty minutes later,

1:09:15.120 --> 1:09:17.120
<v Speaker 1>he says, your eighth just pay the tip.

1:09:18.280 --> 1:09:20.400
<v Speaker 3>I was like what. So he took care of the

1:09:20.479 --> 1:09:24.280
<v Speaker 3>bill like on the love Wow. He didn't owe me nothing.

1:09:24.520 --> 1:09:27.519
<v Speaker 3>It was just him one. So he has this generous side.

1:09:27.400 --> 1:09:31.200
<v Speaker 6>Of him that's like everyone says that's dope, and he

1:09:31.320 --> 1:09:35.000
<v Speaker 6>doesn't want accolades for it. I've seen him throw cash

1:09:35.080 --> 1:09:36.720
<v Speaker 6>up in the air on wild'n Out. You know what

1:09:36.760 --> 1:09:39.200
<v Speaker 6>I'm saying that everybody grabbing for the cash. So he

1:09:39.240 --> 1:09:43.120
<v Speaker 6>has a very giving heart. Cedric d entertainer, Obviously he

1:09:43.240 --> 1:09:47.639
<v Speaker 6>kills it in this movie. One of the nicest niggas ever. Right,

1:09:47.760 --> 1:09:51.160
<v Speaker 6>He's always been gracious with me. I mean when I

1:09:51.160 --> 1:09:53.320
<v Speaker 6>first moved to LA, He's like, man, take my number down.

1:09:53.360 --> 1:09:55.400
<v Speaker 6>If you ever need anything, just let me know. Most

1:09:56.000 --> 1:09:58.120
<v Speaker 6>superstar guys don't do that kind of shit, you know

1:09:58.160 --> 1:10:00.840
<v Speaker 6>what I'm saying. I know Cat went at Ricky Smiley,

1:10:00.880 --> 1:10:03.479
<v Speaker 6>but Ricky Smiley is another guy who early in my

1:10:03.600 --> 1:10:08.280
<v Speaker 6>career gave me a lot of gems. He was already superstar.

1:10:09.120 --> 1:10:12.320
<v Speaker 6>I called him up. This was before I moved to LA.

1:10:12.560 --> 1:10:15.519
<v Speaker 6>I said, man, I'm doing this show at my college.

1:10:15.560 --> 1:10:17.360
<v Speaker 6>We really need a big comedian to come down.

1:10:18.160 --> 1:10:18.800
<v Speaker 3>Would you do it?

1:10:19.640 --> 1:10:23.000
<v Speaker 6>Then it was like, of course he showed up immediately.

1:10:24.240 --> 1:10:27.200
<v Speaker 6>I'm not nobody at the time, and he showed up.

1:10:27.640 --> 1:10:30.599
<v Speaker 6>So I'm just going down the line if everybody that's

1:10:30.640 --> 1:10:33.960
<v Speaker 6>involved in these in these things earthquake is the first

1:10:34.200 --> 1:10:37.840
<v Speaker 6>person to pay me any money in the industry. On

1:10:38.000 --> 1:10:42.719
<v Speaker 6>the Uptown, Yeah, the fancy Uptown that was off Peatrie

1:10:42.960 --> 1:10:45.800
<v Speaker 6>in Buckhead Earthquake is the first person to pay me

1:10:45.920 --> 1:10:48.360
<v Speaker 6>any money. He saw me doing stand up in Charlotte,

1:10:48.360 --> 1:10:50.479
<v Speaker 6>North Carolina. He was like, Yo, you need to come

1:10:50.479 --> 1:10:54.120
<v Speaker 6>down to my club. You got the skill set, you talented.

1:10:54.120 --> 1:10:56.400
<v Speaker 6>I want to bring you down for a weekend opening

1:10:56.479 --> 1:11:00.439
<v Speaker 6>for Steve Harvey. You know what I'm saying. So again,

1:11:00.680 --> 1:11:03.280
<v Speaker 6>these are the types of stories that I want to tell,

1:11:03.479 --> 1:11:06.000
<v Speaker 6>that I want to talk about with these people who

1:11:06.080 --> 1:11:09.560
<v Speaker 6>are wildly successful. Steve Harvey's another one. When I was

1:11:09.560 --> 1:11:12.000
<v Speaker 6>opening up for him, I was getting moved because they

1:11:12.080 --> 1:11:13.479
<v Speaker 6>didn't give a fuck about me. That's why I was

1:11:13.520 --> 1:11:16.680
<v Speaker 6>telling you earlier. Sometimes it matters who you're opening up for.

1:11:17.040 --> 1:11:17.960
<v Speaker 6>They always the city.

1:11:18.479 --> 1:11:21.400
<v Speaker 1>It's how the show is set up, set up for Steve, Steve,

1:11:22.439 --> 1:11:23.200
<v Speaker 1>Steve's show.

1:11:24.080 --> 1:11:26.519
<v Speaker 6>I'm nobody at the time. They don't know nothing about me.

1:11:26.560 --> 1:11:28.920
<v Speaker 6>I'm just a local comedian opening up and they were

1:11:28.960 --> 1:11:32.599
<v Speaker 6>just sitting there looking at me. Like to the point where,

1:11:32.600 --> 1:11:34.840
<v Speaker 6>if you know anything about a stand up comedy club,

1:11:35.040 --> 1:11:38.120
<v Speaker 6>when the headliner leaves the stage after they're performing, everyone

1:11:38.200 --> 1:11:41.599
<v Speaker 6>else leaves and they're gone, right the crowd is still

1:11:41.640 --> 1:11:43.000
<v Speaker 6>there because they're paying their bills.

1:11:44.000 --> 1:11:45.519
<v Speaker 3>And I'm up there they want me to do.

1:11:45.520 --> 1:11:48.800
<v Speaker 1>Another twenty minutes after he's off stage that I'm up

1:11:48.840 --> 1:11:52.160
<v Speaker 1>there dying but a slow death. And then I hear

1:11:52.800 --> 1:11:56.439
<v Speaker 1>from the back of the curtain, Hey, for'all man gone,

1:11:56.520 --> 1:12:01.920
<v Speaker 1>sit on down, now gone, sit on down. Yeah, they

1:12:02.000 --> 1:12:03.599
<v Speaker 1>wanted me to come on back out.

1:12:03.479 --> 1:12:05.759
<v Speaker 3>Here because they said he up here just talking.

1:12:07.120 --> 1:12:09.200
<v Speaker 6>And he does another like Q and able or and

1:12:09.280 --> 1:12:12.040
<v Speaker 6>he stays out there for to give the club time to.

1:12:12.080 --> 1:12:13.479
<v Speaker 3>Collect the bills.

1:12:14.280 --> 1:12:17.479
<v Speaker 6>After that, he had every opportunity to just walk by me,

1:12:18.280 --> 1:12:22.240
<v Speaker 6>shit on me, or do some whatever. Steve Harvey sits

1:12:22.320 --> 1:12:26.759
<v Speaker 6>me down for an hour and gives me jewels about

1:12:27.080 --> 1:12:28.840
<v Speaker 6>how talented he sees that I am.

1:12:30.080 --> 1:12:33.360
<v Speaker 3>He said, fuck that show. He says, you got all

1:12:33.439 --> 1:12:36.760
<v Speaker 3>the talent, you got, the characters you got, you can

1:12:36.880 --> 1:12:38.000
<v Speaker 3>make millions at this.

1:12:39.200 --> 1:12:41.280
<v Speaker 1>He said, you go to Hollywood, you can make millions

1:12:41.320 --> 1:12:43.280
<v Speaker 1>at this. He said, don't give up, don't don't be

1:12:43.320 --> 1:12:48.280
<v Speaker 1>concerned Hollywood. He's one of the one of the few

1:12:48.840 --> 1:12:51.639
<v Speaker 1>that was that saw the magic in what I was doing.

1:12:51.960 --> 1:12:54.120
<v Speaker 1>But he spoke to me for an hour after he

1:12:54.200 --> 1:12:57.040
<v Speaker 1>just headlined two shows, you know what I mean. And

1:12:57.120 --> 1:12:58.400
<v Speaker 1>he didn't have to do that he didn't know me

1:12:58.479 --> 1:12:58.960
<v Speaker 1>from Adam.

1:12:59.560 --> 1:13:00.760
<v Speaker 3>So these are the.

1:13:00.800 --> 1:13:03.559
<v Speaker 1>Stories that I like to tell about people, man, because

1:13:03.680 --> 1:13:07.000
<v Speaker 1>it's just what's going on right now with the public

1:13:07.640 --> 1:13:12.960
<v Speaker 1>comedy beef. It's too divisive and it causes the audience

1:13:13.000 --> 1:13:15.400
<v Speaker 1>to have to pick a side. And it's enough room

1:13:15.439 --> 1:13:17.719
<v Speaker 1>for all of us to be out here and spread

1:13:17.760 --> 1:13:19.439
<v Speaker 1>the love, spread the joy, spread the.

1:13:19.520 --> 1:13:22.920
<v Speaker 6>Last and we're all making money. Everything Steve Harvey said

1:13:22.920 --> 1:13:26.320
<v Speaker 6>to me that night was became true. So why would

1:13:26.360 --> 1:13:29.400
<v Speaker 6>I ever, you know, sidewipe his name in any kind

1:13:29.439 --> 1:13:29.639
<v Speaker 6>of way.

1:13:29.960 --> 1:13:33.280
<v Speaker 1>So you said, like almost every the comedian, but you

1:13:33.680 --> 1:13:35.519
<v Speaker 1>I think you forgot Kevin Harky.

1:13:35.920 --> 1:13:38.599
<v Speaker 3>No, keV is my guy. Yeah, I mean like yeah, yeah, yeah,

1:13:38.680 --> 1:13:41.080
<v Speaker 3>yeah yah history. So keV.

1:13:42.160 --> 1:13:45.280
<v Speaker 6>keV actually financed one of my pilot ideas in the

1:13:45.360 --> 1:13:46.320
<v Speaker 6>last two years after.

1:13:46.240 --> 1:13:51.240
<v Speaker 3>We did the roast on the IG Live. Oh okay, that's.

1:13:51.080 --> 1:13:52.839
<v Speaker 1>When I went to him with my first Standard special

1:13:53.040 --> 1:13:56.479
<v Speaker 1>and was like, yo, let's let's do some business together.

1:13:57.040 --> 1:13:59.720
<v Speaker 1>And my Standard Special was the first special that he

1:13:59.880 --> 1:14:03.960
<v Speaker 1>liked on lolow on a network which lol They're on.

1:14:04.280 --> 1:14:05.920
<v Speaker 3>Peacock, NBCP Cock and.

1:14:08.680 --> 1:14:11.360
<v Speaker 6>There's a couple of Exfinity and Sumo and all these

1:14:11.400 --> 1:14:16.120
<v Speaker 6>other other platforms. So partnering up with him had my

1:14:16.240 --> 1:14:18.639
<v Speaker 6>standard special out to a lot of way bigger audience

1:14:18.680 --> 1:14:23.479
<v Speaker 6>than if I would have self distributed. After that, I

1:14:23.560 --> 1:14:25.840
<v Speaker 6>went to him with a pilot idea for a sketch show,

1:14:26.560 --> 1:14:30.320
<v Speaker 6>and he heard me talking about it, and for a

1:14:30.360 --> 1:14:33.880
<v Speaker 6>minute he was giving me his executive Kevin hartbring and

1:14:34.000 --> 1:14:36.560
<v Speaker 6>he's telling me why it probably wouldn't work. And I

1:14:36.680 --> 1:14:38.280
<v Speaker 6>just convinced him. I said, listen, man, I think the

1:14:38.320 --> 1:14:40.559
<v Speaker 6>wrong people are doing sketch. That's why you're hesitant. That's

1:14:40.600 --> 1:14:43.320
<v Speaker 6>why the networks are hesitant, I said, And I just

1:14:43.479 --> 1:14:45.400
<v Speaker 6>gave him all the a couple of reasons that was

1:14:45.520 --> 1:14:47.960
<v Speaker 6>like very you couldn't argue them.

1:14:48.840 --> 1:14:49.600
<v Speaker 3>And he looked at me.

1:14:49.680 --> 1:14:51.560
<v Speaker 1>He said, he I think you know exactly what the

1:14:51.600 --> 1:14:53.280
<v Speaker 1>fuck you're doing. He said, I'm going to write the check.

1:14:53.720 --> 1:14:56.040
<v Speaker 1>He said, you go shoot whatever you want and bring

1:14:56.080 --> 1:14:58.759
<v Speaker 1>it back to me. And he said, just go shoot

1:14:58.800 --> 1:15:01.320
<v Speaker 1>like two or three videos, shoot whatever you want. I

1:15:01.400 --> 1:15:03.639
<v Speaker 1>went and shot a whole pilot with the money he gave.

1:15:03.680 --> 1:15:05.960
<v Speaker 1>So I flipped that bird, chopped it up.

1:15:06.320 --> 1:15:06.800
<v Speaker 7>You know what I mean.

1:15:08.320 --> 1:15:15.439
<v Speaker 1>Boy, I got busy, But no, he's he's a true friend.

1:15:15.479 --> 1:15:18.120
<v Speaker 1>He's a true professional. He's a he's a great guy.

1:15:18.680 --> 1:15:20.680
<v Speaker 1>All these comedians are great man. Funk out of here,

1:15:20.760 --> 1:15:21.360
<v Speaker 1>all this, all this.

1:15:21.439 --> 1:15:34.960
<v Speaker 3>Beef, stop the balls ship keep going. What's man? Okay?

1:15:35.000 --> 1:15:39.080
<v Speaker 3>Where we're at after n w A but we're still

1:15:39.120 --> 1:15:43.040
<v Speaker 3>playing the game? My fulk No, no come up from this,

1:15:43.200 --> 1:15:47.120
<v Speaker 3>please no, no, where's okay?

1:15:47.280 --> 1:15:47.479
<v Speaker 1>Yeah?

1:15:47.600 --> 1:15:51.160
<v Speaker 3>Okay, shout out to Charlie Mack in the building. Charlie Mac,

1:15:51.360 --> 1:15:54.080
<v Speaker 3>Charlie Max and them.

1:15:59.200 --> 1:16:02.519
<v Speaker 1>Did not make this question though, the Columbian guy that

1:16:02.600 --> 1:16:07.560
<v Speaker 1>the Dominican guy right there, famous hazard it sounds and

1:16:07.800 --> 1:16:11.880
<v Speaker 1>mister Lee, you might see me jogging, you might see

1:16:11.960 --> 1:16:14.040
<v Speaker 1>me walking. You might see me walking the dead rat

1:16:14.080 --> 1:16:15.560
<v Speaker 1>with the dog with his head chopped off in the

1:16:15.600 --> 1:16:17.439
<v Speaker 1>park with a spy Kyler holland at him because the

1:16:17.479 --> 1:16:19.599
<v Speaker 1>son of a bitch won't quit parking, or lean out

1:16:19.640 --> 1:16:21.680
<v Speaker 1>of a window with a cock shotgun driving up the

1:16:21.720 --> 1:16:23.760
<v Speaker 1>block in the car of the shot pocking looking for

1:16:23.840 --> 1:16:26.519
<v Speaker 1>bigs killers, dressing ridiculous blue and red like I don't

1:16:26.520 --> 1:16:30.479
<v Speaker 1>see what the big deal is, uh, eminem And by

1:16:30.520 --> 1:16:35.559
<v Speaker 1>the way, I worked out to him and the music

1:16:35.680 --> 1:16:40.680
<v Speaker 1>twice the other day, is I just wanted to there

1:16:41.040 --> 1:16:43.479
<v Speaker 1>I have witnessed this. I might have not filmed it,

1:16:43.560 --> 1:16:47.880
<v Speaker 1>but I have. We gonna get Benzi know that drunk.

1:16:51.439 --> 1:16:52.120
<v Speaker 3>If you watch it.

1:16:52.439 --> 1:16:54.479
<v Speaker 1>We trying to stop it. I felt bad. I was

1:16:54.560 --> 1:16:57.320
<v Speaker 1>like yo, from the beginning, we were like waves. But honestly,

1:16:57.439 --> 1:17:01.160
<v Speaker 1>though the drunker he got, the more since that he

1:17:01.280 --> 1:17:04.360
<v Speaker 1>was making. Yeah, he was right start ripping off the

1:17:04.400 --> 1:17:05.280
<v Speaker 1>persona in a sense.

1:17:05.400 --> 1:17:10.600
<v Speaker 6>Yeah, exactly exactly. But what he was saying resonated. I

1:17:10.720 --> 1:17:12.880
<v Speaker 6>feel the same way. We gotta come together, we gotta

1:17:13.040 --> 1:17:13.519
<v Speaker 6>do better.

1:17:14.600 --> 1:17:17.400
<v Speaker 7>Said he really had no real beef with eminem Yah.

1:17:17.439 --> 1:17:20.439
<v Speaker 3>Yeah, like it was. Yeah, the mask came on.

1:17:21.560 --> 1:17:22.880
<v Speaker 7>What look at y'all gave him.

1:17:22.800 --> 1:17:26.360
<v Speaker 3>Though we.

1:17:28.439 --> 1:17:32.640
<v Speaker 1>Only have do say an Acus Spade here, so if

1:17:32.680 --> 1:17:34.880
<v Speaker 1>this Hennessy here, they bring their own.

1:17:35.120 --> 1:17:36.960
<v Speaker 3>He came on a mission, he came on.

1:17:37.520 --> 1:17:40.840
<v Speaker 1>But that's the homie. Okay, much love to him. Man,

1:17:43.439 --> 1:17:45.360
<v Speaker 1>John Candy or Chris Farley.

1:17:45.760 --> 1:17:49.080
<v Speaker 6>Chris Farley, Man, I love John Candy, but Chris Farley

1:17:49.240 --> 1:17:52.320
<v Speaker 6>just had a different Yeah, both.

1:17:52.120 --> 1:17:52.559
<v Speaker 3>Of those guys.

1:17:52.640 --> 1:17:56.639
<v Speaker 6>Yeah, Tommy boy is one of my favorite your Tommy boys. Yeah,

1:17:56.720 --> 1:17:59.120
<v Speaker 6>Chris was that dude. And then his sn L days

1:17:59.240 --> 1:18:03.120
<v Speaker 6>was highlights, highlight, real fat guy.

1:18:03.360 --> 1:18:07.040
<v Speaker 3>And a little Cold Fat Guy and.

1:18:08.040 --> 1:18:16.320
<v Speaker 1>Co yay or Pharrell whichever yay and whichever Farrall producer artists,

1:18:16.360 --> 1:18:19.160
<v Speaker 1>which whichever version you want to pick.

1:18:19.439 --> 1:18:25.080
<v Speaker 3>You gotta take a drink on that. Okay, Yeah, both prolific.

1:18:25.640 --> 1:18:28.799
<v Speaker 6>You know, of course, I don't prefer the rank Kanye,

1:18:29.400 --> 1:18:33.240
<v Speaker 6>but it made ran Kanye was good body right.

1:18:33.520 --> 1:18:35.120
<v Speaker 1>I'm not gonna say it made for great comedy in

1:18:35.160 --> 1:18:38.040
<v Speaker 1>the movie. Go see a hip hop story, guys, Yes, yes,

1:18:38.200 --> 1:18:44.320
<v Speaker 1>exactly theater near you. Okay, I'm gonna if you go

1:18:44.439 --> 1:18:45.040
<v Speaker 1>with that one.

1:18:45.640 --> 1:18:51.080
<v Speaker 3>Walling out or Key and Peel Show, both great shows,

1:18:51.240 --> 1:18:52.320
<v Speaker 3>but I gotta go with the home team.

1:18:52.760 --> 1:18:54.720
<v Speaker 6>Shout out to Nick Cannon, but shout out to Key

1:18:54.760 --> 1:18:57.400
<v Speaker 6>and Peel as well, because them motherfuckers.

1:18:57.439 --> 1:18:57.599
<v Speaker 1>Man.

1:18:58.560 --> 1:19:00.439
<v Speaker 6>I still watching Peel to this day. I'll just be

1:19:00.600 --> 1:19:03.880
<v Speaker 6>on tour and it's on Netflix, so I'll just I'll

1:19:03.920 --> 1:19:05.000
<v Speaker 6>just catch them episodes.

1:19:05.320 --> 1:19:08.840
<v Speaker 1>One of the greatest kids killing pill shows. When he's saying,

1:19:09.360 --> 1:19:11.640
<v Speaker 1>how black people Obama.

1:19:11.360 --> 1:19:13.880
<v Speaker 3>Obama shaking the hand, that's what that's my favorite sketch.

1:19:13.960 --> 1:19:16.680
<v Speaker 3>That's my favorite sketch. That ship is legendary and.

1:19:16.760 --> 1:19:18.719
<v Speaker 1>Keith Can said it really happened when they met Obama.

1:19:19.800 --> 1:19:22.360
<v Speaker 1>He said, really, I felt like it. Really, it did happen.

1:19:22.439 --> 1:19:24.800
<v Speaker 6>I did not want I did not said, I did

1:19:24.880 --> 1:19:27.479
<v Speaker 6>not want the fact check just now, no son, He said,

1:19:27.520 --> 1:19:31.599
<v Speaker 6>it happened for when when they show was popping, when

1:19:31.640 --> 1:19:34.920
<v Speaker 6>it first came out and everybody was everyone was watching it,

1:19:35.560 --> 1:19:38.400
<v Speaker 6>and they didn't realize Obama watched it and saw the

1:19:38.479 --> 1:19:39.519
<v Speaker 6>impression of them and everything.

1:19:39.600 --> 1:19:40.640
<v Speaker 3>So they went to I guess a.

1:19:40.640 --> 1:19:43.839
<v Speaker 1>White house type of like press conference where they invite

1:19:43.880 --> 1:19:48.000
<v Speaker 1>somebody entertainers there and they've watched him shake white people's

1:19:48.040 --> 1:19:50.080
<v Speaker 1>hands very sternly, like hey, hey, hey, what are you

1:19:50.120 --> 1:19:50.720
<v Speaker 1>doing all right?

1:19:51.400 --> 1:20:02.960
<v Speaker 3>Make sure they say he stopped the beating down, he

1:20:03.280 --> 1:20:04.280
<v Speaker 3>gave him the cookouts.

1:20:08.360 --> 1:20:08.800
<v Speaker 7>What's going on?

1:20:11.800 --> 1:20:13.439
<v Speaker 3>That's my favorite scam. I did not want to.

1:20:13.560 --> 1:20:14.280
<v Speaker 7>I did not want that.

1:20:14.680 --> 1:20:18.439
<v Speaker 3>You did you needed that? I needed? Uh Dre or

1:20:18.520 --> 1:20:23.679
<v Speaker 3>Quincy Jones take a drink. Yep.

1:20:27.680 --> 1:20:31.320
<v Speaker 6>But at the same time, you don't anybody. You don't

1:20:31.360 --> 1:20:34.040
<v Speaker 6>have Dre without Quincy, you know what I mean? So

1:20:34.280 --> 1:20:36.760
<v Speaker 6>but Dre understands that. Yeah, but it's not it's not

1:20:36.840 --> 1:20:39.560
<v Speaker 6>one over the other. But Quincy's he's everybody's o g

1:20:40.960 --> 1:20:47.880
<v Speaker 6>there he is. He went the next one but Dre

1:20:48.040 --> 1:20:48.639
<v Speaker 6>is the big homie.

1:20:48.680 --> 1:20:51.320
<v Speaker 1>So if I ever said, if I said somebody, if

1:20:51.360 --> 1:20:55.360
<v Speaker 1>I chose another name over Dre, he'd be like, hey, nigga, and.

1:20:55.400 --> 1:20:57.720
<v Speaker 3>Talking about Quincy, you've seen that? Uh that we are

1:20:57.800 --> 1:21:00.160
<v Speaker 3>the world? Oh yeah, away Quinn.

1:21:00.080 --> 1:21:04.880
<v Speaker 1>See master brilliant. That ship was crazy, Like who had

1:21:04.960 --> 1:21:09.120
<v Speaker 1>this footage? All these I don't know about this story?

1:21:11.479 --> 1:21:13.360
<v Speaker 1>Like who had all that footage? That's crazy?

1:21:13.560 --> 1:21:13.640
<v Speaker 3>Now?

1:21:13.720 --> 1:21:16.360
<v Speaker 6>That ship was crazy because looking at it is almost

1:21:16.400 --> 1:21:18.479
<v Speaker 6>as if they filmed the song yesterday.

1:21:19.040 --> 1:21:24.080
<v Speaker 3>Yeah, damn, that ship was crazy. Where we at Jim

1:21:24.160 --> 1:21:25.080
<v Speaker 3>Carry or Bill Burr?

1:21:27.200 --> 1:21:30.080
<v Speaker 1>I mean it's two totally different comedians. I'm a Jim

1:21:30.200 --> 1:21:35.879
<v Speaker 1>Carrey influenced guy. Yeah, Color Yeah, yeah yeah, East Ventura.

1:21:36.640 --> 1:21:38.160
<v Speaker 3>Yeah. I mean then you know Jim is.

1:21:39.680 --> 1:21:39.960
<v Speaker 5>R O G.

1:21:41.000 --> 1:21:42.880
<v Speaker 6>I think Bill Burr would have tested that. But Bill

1:21:43.000 --> 1:21:45.640
<v Speaker 6>is just raw. He's raw. He's gonna give it to

1:21:45.720 --> 1:21:48.439
<v Speaker 6>you the way he sees it. And he's a brilliant,

1:21:48.600 --> 1:21:50.320
<v Speaker 6>brilliant comedian. I love what he does.

1:21:51.160 --> 1:21:54.240
<v Speaker 3>And he married to a black woman. Yeah, he's got

1:21:54.280 --> 1:21:59.400
<v Speaker 3>a sister. Who you pick? Jim Carry? Okay? Would you

1:21:59.479 --> 1:22:09.000
<v Speaker 3>rather be feared? Bronx Tale? That's my movie. I'm gonna

1:22:09.040 --> 1:22:10.080
<v Speaker 3>go with Sonny on this one.

1:22:12.080 --> 1:22:15.679
<v Speaker 6>Love it's a cool emotion, But I think when people

1:22:15.840 --> 1:22:18.120
<v Speaker 6>fear you, there's a respect that comes along with that

1:22:18.920 --> 1:22:22.280
<v Speaker 6>that could feel like love. But because they fear you,

1:22:22.360 --> 1:22:24.560
<v Speaker 6>they won't get out of line and they won't cross you.

1:22:26.040 --> 1:22:29.720
<v Speaker 6>Mad niggas that love you cross you because they that

1:22:30.080 --> 1:22:33.599
<v Speaker 6>love is a vulnerability. I mean so yeah, I'd rather

1:22:33.640 --> 1:22:34.040
<v Speaker 6>be feared.

1:22:34.800 --> 1:22:35.040
<v Speaker 3>Wow.

1:22:36.040 --> 1:22:39.479
<v Speaker 5>I mean, fear could make people do something erradic because

1:22:39.479 --> 1:22:42.280
<v Speaker 5>they fear you. Also, I'll always keep people in line.

1:22:43.479 --> 1:22:45.519
<v Speaker 3>Love doesn't keep you in the line. Neither of those

1:22:45.560 --> 1:22:48.080
<v Speaker 3>motherfucking things keep you in line. I think fear does

1:22:48.160 --> 1:22:48.720
<v Speaker 3>a little more.

1:22:49.439 --> 1:22:54.320
<v Speaker 1>If I'm comparing the two, I would definitely say fears

1:22:54.840 --> 1:22:58.840
<v Speaker 1>keeps some motherfucking line a lot more than love does.

1:23:00.320 --> 1:23:03.280
<v Speaker 1>I can respect that. Push it to your fab, push

1:23:03.320 --> 1:23:12.000
<v Speaker 1>your tea or fab. That's tough, take a drink, damn.

1:23:13.640 --> 1:23:16.479
<v Speaker 3>Yeah. Because fab is.

1:23:16.520 --> 1:23:19.120
<v Speaker 6>Punchline like one of one of the punchline kings. Him

1:23:19.160 --> 1:23:23.000
<v Speaker 6>and Luda are my favorite punchline rappers, and I think

1:23:23.040 --> 1:23:27.920
<v Speaker 6>I can add Cassidy to that too. But Push just

1:23:28.080 --> 1:23:35.120
<v Speaker 6>has this. He has a very descriptive scorsesey kind of

1:23:35.360 --> 1:23:37.840
<v Speaker 6>rhyme pattern. Or you know what I mean, the way

1:23:37.920 --> 1:23:39.720
<v Speaker 6>he describes ship, and.

1:23:39.760 --> 1:23:43.360
<v Speaker 3>He's gotten better at it. I feel mm hmm like.

1:23:43.400 --> 1:23:45.639
<v Speaker 5>Clip stays to now. I think he's better even sure.

1:23:46.400 --> 1:23:49.000
<v Speaker 5>Yeah that new joint who's in the homie from t

1:23:49.120 --> 1:23:50.160
<v Speaker 5>D Yeah.

1:23:50.080 --> 1:23:51.280
<v Speaker 3>Rayvon Rayvon.

1:23:51.400 --> 1:23:54.400
<v Speaker 6>Yeah that that ship that's hard just great. But fab

1:23:54.960 --> 1:23:58.200
<v Speaker 6>Fab gets the consistency thing. So he's been in the

1:23:58.240 --> 1:24:00.280
<v Speaker 6>game for a long time. He just never lets off

1:24:00.320 --> 1:24:03.479
<v Speaker 6>the gas. So he gets a ton of respect from

1:24:03.520 --> 1:24:07.000
<v Speaker 6>me for that. And that's how I actually started working

1:24:07.000 --> 1:24:10.280
<v Speaker 6>with the main. The main was doing Fabulous impressions on

1:24:10.800 --> 1:24:14.200
<v Speaker 6>on YouTube back in the day and the early Freeway ship,

1:24:14.280 --> 1:24:17.000
<v Speaker 6>so that's actually how we connected and it all led

1:24:17.000 --> 1:24:17.559
<v Speaker 6>to this movie.

1:24:17.640 --> 1:24:20.000
<v Speaker 3>I would like to add that Fabulous is half Dominican

1:24:20.640 --> 1:24:21.120
<v Speaker 3>shut out.

1:24:25.120 --> 1:24:26.720
<v Speaker 1>Yeah, I'll be throwing it out there too. I'll be

1:24:26.760 --> 1:24:31.080
<v Speaker 1>making sure he remember. But does fab make music that

1:24:31.160 --> 1:24:36.960
<v Speaker 1>makes people want to do quime? He Dominican sneakers at

1:24:36.960 --> 1:24:40.360
<v Speaker 1>that time, and time has a little little flag on

1:24:40.439 --> 1:24:43.559
<v Speaker 1>it of time that he went the next one.

1:24:44.320 --> 1:24:50.560
<v Speaker 3>Hannibal Burrs or Craig Robinson. Mm hmmm, I don't know.

1:24:50.760 --> 1:24:53.439
<v Speaker 6>The funny thing. I don't know Hannibal that well. I

1:24:53.560 --> 1:24:55.960
<v Speaker 6>met him and we you know, know we know each other,

1:24:56.040 --> 1:24:59.519
<v Speaker 6>but we just really linked last year. I will go

1:24:59.680 --> 1:25:02.400
<v Speaker 6>Craig on that one because I've known Craig is a

1:25:02.479 --> 1:25:03.519
<v Speaker 6>deaf comedy jamo g.

1:25:05.000 --> 1:25:05.400
<v Speaker 7>He can't.

1:25:05.439 --> 1:25:07.200
<v Speaker 6>He's one of the first people that brought up prop

1:25:07.320 --> 1:25:11.240
<v Speaker 6>on stage. He had his piano in the stage and

1:25:13.200 --> 1:25:16.639
<v Speaker 6>he did the whole joke about the DJ. You remember

1:25:16.680 --> 1:25:21.600
<v Speaker 6>that joke. So he was he's at the piano and

1:25:21.720 --> 1:25:24.680
<v Speaker 6>he was like, shout out to kick Capri. Last night

1:25:25.920 --> 1:25:28.360
<v Speaker 6>after the taping we went we went to the bar

1:25:28.400 --> 1:25:30.600
<v Speaker 6>across the street and we had a few drinks, some

1:25:30.760 --> 1:25:33.160
<v Speaker 6>ladies in there. We have some laughs and as we

1:25:33.200 --> 1:25:37.400
<v Speaker 6>were walking back across the street to the hotel, a

1:25:37.560 --> 1:25:43.080
<v Speaker 6>bus was speeding down forty second Street and Craig didn't

1:25:43.080 --> 1:25:44.720
<v Speaker 6>see the bus and he's about I was about to

1:25:44.760 --> 1:25:47.240
<v Speaker 6>walk out and kick Capri. Just he grabbed me and

1:25:47.360 --> 1:25:49.639
<v Speaker 6>he made sure that I was good. You know, he said,

1:25:49.640 --> 1:25:52.200
<v Speaker 6>you had a little bit too much to drink, he said,

1:25:52.280 --> 1:26:04.479
<v Speaker 6>last night a DJ saent Yo def comedy champ went up,

1:26:05.360 --> 1:26:06.639
<v Speaker 6>shout up to Craig Robinson.

1:26:08.600 --> 1:26:10.439
<v Speaker 3>It wasn't Annibal, the one that we was drinking with

1:26:10.600 --> 1:26:12.920
<v Speaker 3>right here. You want to tell that story.

1:26:13.160 --> 1:26:14.920
<v Speaker 1>I mean, I remember, I think you got arrested. After that,

1:26:17.479 --> 1:26:18.960
<v Speaker 1>I fell back and we were like, oh ship, we

1:26:19.120 --> 1:26:20.840
<v Speaker 1>was just he was just with us. He was at

1:26:20.880 --> 1:26:22.439
<v Speaker 1>the bar with there. I mean we didn't like get

1:26:22.520 --> 1:26:22.680
<v Speaker 1>him on.

1:26:23.040 --> 1:26:28.040
<v Speaker 3>He was already there there. I think he was already drunk.

1:26:28.080 --> 1:26:29.840
<v Speaker 1>We seen each other that we had some drinks together.

1:26:30.280 --> 1:26:33.760
<v Speaker 1>He left us and left up and he was he

1:26:33.920 --> 1:26:37.120
<v Speaker 1>was he was already touched down Miami. That means you

1:26:37.200 --> 1:26:40.519
<v Speaker 1>know he got arrested because you know, Miami is the

1:26:40.520 --> 1:26:43.040
<v Speaker 1>place you come on vacation and you leave on probation.

1:26:44.200 --> 1:26:53.280
<v Speaker 3>Hilarious, all right, cad DC Young Flyer d Ra take

1:26:53.320 --> 1:26:53.960
<v Speaker 3>a drink. Yeah.

1:26:55.560 --> 1:27:00.479
<v Speaker 1>Both my brothers man different errors, both brilliant, both my brothers,

1:27:03.000 --> 1:27:07.559
<v Speaker 1>Jack Black or Will Ferrell. Will Ferrell, I just look

1:27:07.600 --> 1:27:13.000
<v Speaker 1>at Will and just laugh. He's funny, motherfucker. He can't

1:27:13.040 --> 1:27:13.840
<v Speaker 1>do no wrong with me.

1:27:14.439 --> 1:27:15.000
<v Speaker 3>That's funny.

1:27:17.080 --> 1:27:17.200
<v Speaker 1>YEA.

1:27:17.280 --> 1:27:21.320
<v Speaker 3>Elf is my favorite holiday movie. Elf, isn't. He's anchorman

1:27:21.400 --> 1:27:23.599
<v Speaker 3>for me as far as as far as Will ferrell

1:27:23.720 --> 1:27:31.559
<v Speaker 3>movies Holiday movie. That's hilarious, man, for sure. Brother, what's

1:27:31.600 --> 1:27:33.559
<v Speaker 3>the ship with him and keV and they went to jail?

1:27:34.320 --> 1:27:37.120
<v Speaker 3>Get hard? Yeah? But you know, slept on I love

1:27:37.200 --> 1:27:39.880
<v Speaker 3>wedding rhetor ringer, wedding ringer. Oh yeah, well Will Ferrell

1:27:39.960 --> 1:27:43.800
<v Speaker 3>wasn't in there. No, I'm saying I slept I was

1:27:44.000 --> 1:27:47.439
<v Speaker 3>changing the subject. But you understood me. You just said

1:27:47.439 --> 1:27:51.120
<v Speaker 3>you understood me? What? Yeah, yeah, I'm glad. Did you

1:27:51.200 --> 1:27:52.880
<v Speaker 3>really know what he was going on? Because Kevin is

1:27:52.920 --> 1:27:55.559
<v Speaker 3>in there. I was also trying his mind is kind

1:27:55.600 --> 1:27:59.640
<v Speaker 3>of laughing, Yeah, kind of like, uh like how he

1:27:59.760 --> 1:28:02.800
<v Speaker 3>beat like you need out? I like how I like

1:28:02.880 --> 1:28:04.680
<v Speaker 3>how he was like this.

1:28:07.040 --> 1:28:09.519
<v Speaker 1>Exactly as a therapist. It's like, listen, this is what

1:28:09.720 --> 1:28:12.959
<v Speaker 1>you have to stop doing. You have to start focusing

1:28:14.000 --> 1:28:18.840
<v Speaker 1>and fuck on. Yeah, I knew he was going with

1:28:18.920 --> 1:28:22.320
<v Speaker 1>that because he heard the name Kevi and then he

1:28:22.320 --> 1:28:24.960
<v Speaker 1>said wedding ringer because I've been trying to say that,

1:28:25.040 --> 1:28:27.280
<v Speaker 1>pauls get this out for a long time. Read and

1:28:27.360 --> 1:28:30.559
<v Speaker 1>Winger is one of the most under movies.

1:28:30.640 --> 1:28:33.360
<v Speaker 6>It's a good movie, man, I love it's a good movie.

1:28:33.400 --> 1:28:35.920
<v Speaker 6>Shout out to my boy Jeremy Garlic, the director. He's uh,

1:28:36.720 --> 1:28:39.040
<v Speaker 6>he just has a different eye. Jeremy's one of them

1:28:39.080 --> 1:28:41.360
<v Speaker 6>dudes that just too Yeah.

1:28:41.560 --> 1:28:43.960
<v Speaker 3>Yep. Me and Corey Holkum was also one of the

1:28:44.000 --> 1:28:49.080
<v Speaker 3>same death comedy Jam episode Yeah oh g o gs.

1:28:49.720 --> 1:28:54.160
<v Speaker 3>So the leads me to my next question. Corey Hog Oh,

1:28:54.240 --> 1:28:55.600
<v Speaker 3>Donald Rowlands.

1:28:56.760 --> 1:28:59.479
<v Speaker 1>Take a drink, right? I wanted to take a drink

1:28:59.520 --> 1:29:02.040
<v Speaker 1>to that too. I love them both, like how they battle.

1:29:02.720 --> 1:29:03.559
<v Speaker 1>I'm not like beef.

1:29:03.720 --> 1:29:07.479
<v Speaker 3>You like you like controversy you don't. I just want

1:29:07.560 --> 1:29:08.000
<v Speaker 3>to make you like.

1:29:08.000 --> 1:29:10.960
<v Speaker 1>Thatppers like we not only looked at it's crazy.

1:29:11.320 --> 1:29:11.720
<v Speaker 3>I got you.

1:29:12.040 --> 1:29:16.000
<v Speaker 1>I need everybody else to be like we normal. We

1:29:16.080 --> 1:29:18.360
<v Speaker 1>all got feelings. Okay, everybody need.

1:29:18.360 --> 1:29:23.200
<v Speaker 3>To chill out. There's the last one. Go ahead. Loyalty

1:29:23.600 --> 1:29:26.880
<v Speaker 3>or respect? Mm hmmmm.

1:29:31.600 --> 1:29:35.559
<v Speaker 1>I think respect Gardner's loyalty. So I'm gonna pick respect.

1:29:36.120 --> 1:29:41.200
<v Speaker 3>Okay, I'm glad because I didn't want to drink no more. Man,

1:29:41.280 --> 1:29:43.920
<v Speaker 3>Can I tell them what the scene was? Yes, the

1:29:44.040 --> 1:29:45.760
<v Speaker 3>joke of the scene. Do we want to save? In

1:29:45.760 --> 1:29:46.719
<v Speaker 3>any case, we do it again?

1:29:47.920 --> 1:29:48.120
<v Speaker 5>Yeah?

1:29:48.960 --> 1:29:55.120
<v Speaker 1>Man, move, move a chair over, I whatever, get a champo,

1:29:55.360 --> 1:29:56.160
<v Speaker 1>get a chairp.

1:30:02.280 --> 1:30:04.720
<v Speaker 3>Here you there, you go now because we gotta talk

1:30:04.720 --> 1:30:05.720
<v Speaker 3>about your freeway woe.

1:30:08.439 --> 1:30:10.680
<v Speaker 5>We gotta shout out Underdog. I'm doing to make sure

1:30:10.680 --> 1:30:16.479
<v Speaker 5>everybody downloads under what we got Underdog Fantasy app use

1:30:16.600 --> 1:30:19.120
<v Speaker 5>your code drink Champs or drink or Champs.

1:30:19.479 --> 1:30:20.080
<v Speaker 3>Drink or Champ.

1:30:20.160 --> 1:30:22.519
<v Speaker 5>You can get massive to one hundred dollars. On damn,

1:30:22.640 --> 1:30:24.360
<v Speaker 5>let's go in the dog shouts under the dog. Fants

1:30:26.000 --> 1:30:27.120
<v Speaker 5>following me under the dog.

1:30:27.160 --> 1:30:29.680
<v Speaker 3>I'm gonna be honest. You should just stick with me.

1:31:11.360 --> 1:31:32.040
<v Speaker 9>H drink Chands, Army underdog Fantasy.

1:31:32.080 --> 1:31:38.240
<v Speaker 3>Underdoor fantasy, Fantasy. Get your hundred dollars, school drinks or chance.

1:31:38.320 --> 1:31:40.639
<v Speaker 9>Putting a hundred dollars will match you a hundred dollars matching.

1:31:40.760 --> 1:31:42.439
<v Speaker 3>Come on, come ahead for this.

1:31:50.240 --> 1:31:50.519
<v Speaker 7>All right.

1:31:50.840 --> 1:31:52.800
<v Speaker 3>Don't want to have me very scared of that first,

1:31:52.840 --> 1:31:53.320
<v Speaker 3>but hold on.

1:31:53.520 --> 1:31:56.360
<v Speaker 1>But we said talk about that. But let me let me,

1:31:56.479 --> 1:32:01.400
<v Speaker 1>let me say something hilarious. Let me say something. We

1:32:01.560 --> 1:32:06.360
<v Speaker 1>asked him earlier, did anybody like come at Adam because of.

1:32:06.439 --> 1:32:17.439
<v Speaker 3>The freeway m At times, I didn't know, But the

1:32:17.520 --> 1:32:21.600
<v Speaker 3>audience loves the freeway character fro Away. They love I

1:32:21.720 --> 1:32:22.519
<v Speaker 3>love it me.

1:32:23.120 --> 1:32:26.000
<v Speaker 1>He has one of the most quotable early everybody walking

1:32:26.040 --> 1:32:30.960
<v Speaker 1>out saying early, and they're cheering for him when he does. Director,

1:32:31.120 --> 1:32:34.000
<v Speaker 1>I don't want to say the scene, but they're cheering

1:32:34.040 --> 1:32:36.799
<v Speaker 1>for him throughout this movie. So we even told freeway.

1:32:36.840 --> 1:32:40.120
<v Speaker 1>That was like, look, man, so you're going to okay,

1:32:40.120 --> 1:32:45.880
<v Speaker 1>go ahead, Okay. When I first see it, I'm like, okay, damn,

1:32:47.160 --> 1:32:49.800
<v Speaker 1>where's he working at? But then you realize that it

1:32:49.880 --> 1:32:54.040
<v Speaker 1>got all rappers working and you have to make a

1:32:54.080 --> 1:32:58.240
<v Speaker 1>good point, right, it's an exaggerate if you just see

1:32:58.280 --> 1:33:01.479
<v Speaker 1>it all exaggeration though, you're right, but for the think

1:33:01.680 --> 1:33:03.120
<v Speaker 1>the culture, for the specific people.

1:33:03.160 --> 1:33:05.360
<v Speaker 3>For the specific people's specifically.

1:33:05.600 --> 1:33:08.120
<v Speaker 1>But then at the end he's he's at the self

1:33:08.200 --> 1:33:13.760
<v Speaker 1>destruction Reckett. He's dead. So he actually makes it at

1:33:13.800 --> 1:33:22.200
<v Speaker 1>the end, but at points it felt hard. It did

1:33:22.320 --> 1:33:25.320
<v Speaker 1>feel like and even though it might not be true,

1:33:28.240 --> 1:33:29.719
<v Speaker 1>I don't know how it felt.

1:33:29.800 --> 1:33:32.679
<v Speaker 3>I think you're feeling. I hear what you're saying.

1:33:32.760 --> 1:33:35.840
<v Speaker 1>Okay, you're feeling the sensitivity of the culture right now,

1:33:36.920 --> 1:33:39.920
<v Speaker 1>because that that type of what you're talking about is harsh.

1:33:40.080 --> 1:33:42.640
<v Speaker 1>Is it jokes, it's shown in its ros and he's

1:33:42.680 --> 1:33:44.519
<v Speaker 1>close to it too. To be close to it also

1:33:44.600 --> 1:33:46.439
<v Speaker 1>might be different from yeah I'm close to it. Yeah,

1:33:46.560 --> 1:33:50.360
<v Speaker 1>I'm close to it because as I had a work rapper,

1:33:50.640 --> 1:33:53.320
<v Speaker 1>which any of you what us can be at the time,

1:33:53.760 --> 1:33:56.120
<v Speaker 1>any of us could be had of work rapper and

1:33:56.920 --> 1:33:58.479
<v Speaker 1>it's not saying that y'all was saying that he was

1:33:58.520 --> 1:34:00.479
<v Speaker 1>out of work, Rapps being off.

1:34:00.520 --> 1:34:03.240
<v Speaker 3>But I know the point of that is we throw

1:34:03.280 --> 1:34:04.040
<v Speaker 3>away our gems.

1:34:04.080 --> 1:34:08.160
<v Speaker 1>And I've said this before as a culture hip hop,

1:34:08.400 --> 1:34:12.160
<v Speaker 1>R and B black culture period, we throw our gems away,

1:34:12.680 --> 1:34:14.960
<v Speaker 1>meaning meaning cooling.

1:34:14.720 --> 1:34:18.400
<v Speaker 3>A gang, earth winning fire. They're not doing the numbers

1:34:18.439 --> 1:34:19.639
<v Speaker 3>that you two is doing.

1:34:21.000 --> 1:34:22.720
<v Speaker 1>You two can do arenas for the rest of their

1:34:22.800 --> 1:34:26.280
<v Speaker 1>life by themselves, the cooling of gangs. They'll do a

1:34:26.479 --> 1:34:29.760
<v Speaker 1>jam with a bunch of different artists and it's great.

1:34:29.920 --> 1:34:33.479
<v Speaker 1>It's a theater, but it's not the same. And we're

1:34:33.600 --> 1:34:36.519
<v Speaker 1>in a culture where we like to we want the

1:34:36.600 --> 1:34:36.960
<v Speaker 1>new ship.

1:34:37.040 --> 1:34:39.640
<v Speaker 3>We always want to do. That's the reason why we

1:34:39.720 --> 1:34:40.400
<v Speaker 3>started drinking.

1:34:40.520 --> 1:34:43.879
<v Speaker 1>But why that's the reason why to give a platform

1:34:43.960 --> 1:34:44.479
<v Speaker 1>to the artists.

1:34:44.479 --> 1:34:46.960
<v Speaker 3>And maybe people haven't forgotten about it. It starts with

1:34:47.080 --> 1:34:48.000
<v Speaker 3>up Piers of the nineties.

1:34:48.439 --> 1:34:50.960
<v Speaker 1>That's the reason why the point of just freeway part

1:34:51.080 --> 1:34:53.719
<v Speaker 1>not everyone. Yeah, this three ray part felt a little

1:34:53.840 --> 1:34:57.200
<v Speaker 1>too risky because I suppose people believe that and they're like,

1:34:57.320 --> 1:35:01.679
<v Speaker 1>yof we wait, it's really working in the fucking grocery store.

1:35:01.680 --> 1:35:04.160
<v Speaker 3>People can believe anything. Some people, some people can't believe that.

1:35:04.280 --> 1:35:07.320
<v Speaker 3>Some people don't at all.

1:35:07.479 --> 1:35:09.320
<v Speaker 1>There's still some people who just go to the movie

1:35:09.400 --> 1:35:13.320
<v Speaker 1>theaters and don't have Instagram. Does that hurt his image?

1:35:13.320 --> 1:35:15.120
<v Speaker 1>I'm asking, like I'm clearly doing.

1:35:15.400 --> 1:35:19.040
<v Speaker 2>I'll say this, people have been probably hitting Freeway up

1:35:19.160 --> 1:35:22.280
<v Speaker 2>and wanted to know about Freeway now more than Okay,

1:35:22.560 --> 1:35:24.320
<v Speaker 2>then they have it, and he said it.

1:35:24.880 --> 1:35:27.040
<v Speaker 7>The relevancy all of that stuff is just people are

1:35:27.240 --> 1:35:27.960
<v Speaker 7>calling his name.

1:35:28.200 --> 1:35:30.880
<v Speaker 2>Okay, remind you I've been doing that character for over

1:35:30.960 --> 1:35:32.640
<v Speaker 2>twenty years, but a lot of people don't know it.

1:35:33.080 --> 1:35:35.519
<v Speaker 7>No, they don't know that, Okay, but but he he knows.

1:35:36.240 --> 1:35:40.040
<v Speaker 2>Remember when I first my first job was that Rockefeller

1:35:40.240 --> 1:35:42.200
<v Speaker 2>Like I was the cameraman, Like I was that guy

1:35:42.240 --> 1:35:45.040
<v Speaker 2>who traveled all around the world with the State Property,

1:35:45.200 --> 1:35:49.519
<v Speaker 2>with the Dame, with everybody filming everything. So when State

1:35:49.560 --> 1:35:51.800
<v Speaker 2>probably got signed and I've seen those guys come in,

1:35:51.880 --> 1:35:54.240
<v Speaker 2>I've seen State Property come I spent time in Philly

1:35:54.320 --> 1:35:55.920
<v Speaker 2>with them and all of that, he was a guy

1:35:56.000 --> 1:35:58.479
<v Speaker 2>that stood out to me. He was somebody admired his

1:35:58.640 --> 1:36:00.559
<v Speaker 2>voice because look, I never seen the be I never

1:36:00.600 --> 1:36:02.040
<v Speaker 2>say any of that. I believe you said you never

1:36:02.080 --> 1:36:04.639
<v Speaker 2>saw I wouldn't do in these parodies and I would

1:36:04.680 --> 1:36:06.320
<v Speaker 2>go home and when I first did it, I did

1:36:06.400 --> 1:36:08.639
<v Speaker 2>him fabulous all of that. I would go to Rockefeller

1:36:08.640 --> 1:36:10.120
<v Speaker 2>and I would show him these videos. They would be

1:36:10.160 --> 1:36:12.800
<v Speaker 2>in there. They loved it. Back then, I'm talking about,

1:36:12.880 --> 1:36:15.840
<v Speaker 2>you know, early two thousands, So it's something that just stuck.

1:36:15.920 --> 1:36:17.680
<v Speaker 2>So once me and a fian got together, it was

1:36:17.920 --> 1:36:20.760
<v Speaker 2>it was he wrote it specifically for his friends. It

1:36:20.920 --> 1:36:22.599
<v Speaker 2>was like, I want all my friends that are dope

1:36:22.600 --> 1:36:24.360
<v Speaker 2>at what they do, and I'm gonna bring them together

1:36:24.400 --> 1:36:25.599
<v Speaker 2>and we're gonna make this movie.

1:36:25.960 --> 1:36:28.599
<v Speaker 1>You know, for the culture, for an all fairness. That's

1:36:28.640 --> 1:36:32.840
<v Speaker 1>before hip hop had sensitivity. Once there was a ray

1:36:32.920 --> 1:36:38.120
<v Speaker 1>J fabulous moment through social media, it was like everyone

1:36:38.240 --> 1:36:40.360
<v Speaker 1>kind of got on point and everyone kind of changed

1:36:40.680 --> 1:36:43.519
<v Speaker 1>because although we didn't take it serious, we knew that

1:36:43.680 --> 1:36:47.439
<v Speaker 1>it was serious. So like, I have to take that

1:36:47.880 --> 1:36:51.280
<v Speaker 1>in consideration as an artist, as a rapper, did you

1:36:51.439 --> 1:36:54.160
<v Speaker 1>take that into consideration that someone might just take it

1:36:54.200 --> 1:36:57.400
<v Speaker 1>too far? Remember fab was joking on ray J. He

1:36:57.560 --> 1:36:58.640
<v Speaker 1>was playing with the ray Ja.

1:36:58.720 --> 1:37:01.600
<v Speaker 3>He was, well, we what we are is.

1:37:02.080 --> 1:37:05.120
<v Speaker 1>I'm just being Davids allocate. No, I get you, but

1:37:06.280 --> 1:37:07.880
<v Speaker 1>I'm gonna give you the Angels at it, Okay.

1:37:08.280 --> 1:37:08.640
<v Speaker 3>I like that.

1:37:10.040 --> 1:37:13.080
<v Speaker 1>What we are and what we represent is when comedy

1:37:13.360 --> 1:37:17.040
<v Speaker 1>was comedy, yes, and the Wayns was doing comedy, when

1:37:17.120 --> 1:37:21.439
<v Speaker 1>Robert Townsend did Hollywood Shuffle. Yes, we represent niggas laughing

1:37:22.040 --> 1:37:26.679
<v Speaker 1>again right and not taking themselves too seriously. So sure,

1:37:27.920 --> 1:37:30.160
<v Speaker 1>anyone can believe whatever they want to believe. They can

1:37:30.240 --> 1:37:32.800
<v Speaker 1>take something and twist it however they want to twist it.

1:37:33.400 --> 1:37:35.960
<v Speaker 1>But I think what you when you walk away from

1:37:36.000 --> 1:37:38.439
<v Speaker 1>this movie, you walk away feeling like you took a ride,

1:37:38.479 --> 1:37:41.800
<v Speaker 1>you took an experience, and you laughed your ass off.

1:37:41.880 --> 1:37:44.960
<v Speaker 1>You learned something, I learned something, and you heard some

1:37:45.200 --> 1:37:48.639
<v Speaker 1>dope ass bars in the voices of these people.

1:37:48.680 --> 1:37:50.200
<v Speaker 3>But it was all written by me, him and my

1:37:50.479 --> 1:37:51.639
<v Speaker 3>other Homiejevin Smith.

1:37:52.160 --> 1:37:57.479
<v Speaker 1>So I don't think there's anything disrespectful or anything overly

1:37:57.600 --> 1:37:58.439
<v Speaker 1>sensitive about that.

1:37:58.840 --> 1:38:02.400
<v Speaker 3>It's an experiences. It's a feel good movie. And for

1:38:02.560 --> 1:38:04.920
<v Speaker 3>Freeway specifically, no, that's our guy, Early, you know what

1:38:04.960 --> 1:38:06.240
<v Speaker 3>I'm saying, Early, and you.

1:38:06.439 --> 1:38:08.880
<v Speaker 5>I don't want to go back, and because after watching

1:38:08.960 --> 1:38:11.240
<v Speaker 5>I want to go back and listen to Freeways catalog.

1:38:11.880 --> 1:38:13.640
<v Speaker 3>It reminds me I know that that's not him, but

1:38:13.640 --> 1:38:16.360
<v Speaker 3>it reminded me how dope he is. You did that.

1:38:17.080 --> 1:38:19.280
<v Speaker 1>I'm glad that you're telling me that because I'm not

1:38:19.360 --> 1:38:20.920
<v Speaker 1>looking at it like that. I'm looking at it from

1:38:20.920 --> 1:38:23.479
<v Speaker 1>an artist point of view only you know what I mean.

1:38:23.520 --> 1:38:25.519
<v Speaker 1>And the artist point of view is just like damn,

1:38:25.560 --> 1:38:29.519
<v Speaker 1>I don't want to be like you know, even putting

1:38:29.560 --> 1:38:32.160
<v Speaker 1>that category like yo, okay, this is where you was

1:38:32.240 --> 1:38:34.280
<v Speaker 1>at and now this is where you're at now, Like

1:38:34.320 --> 1:38:37.280
<v Speaker 1>you know what I mean, I get like that because,

1:38:37.360 --> 1:38:39.559
<v Speaker 1>like you said, he but then if you and if

1:38:39.600 --> 1:38:42.599
<v Speaker 1>you watch the whole movie, then he's on the self

1:38:42.640 --> 1:38:43.519
<v Speaker 1>destruction record.

1:38:43.680 --> 1:38:45.559
<v Speaker 3>He's actually he actually makes it.

1:38:45.880 --> 1:38:46.400
<v Speaker 7>You know what I mean.

1:38:46.479 --> 1:38:51.240
<v Speaker 3>But you know what I mean, like up the movie's hero.

1:38:53.080 --> 1:38:56.479
<v Speaker 1>Listen to the audience loves that character. I'm done with

1:38:56.560 --> 1:38:59.840
<v Speaker 1>the shots, so I'm going straight to drink. He's quick times.

1:39:00.960 --> 1:39:03.120
<v Speaker 1>We know the audience loves that character. He's one of

1:39:03.160 --> 1:39:05.639
<v Speaker 1>the favorite He's one of the favorite character.

1:39:05.680 --> 1:39:07.200
<v Speaker 3>Who's the body double running around?

1:39:08.080 --> 1:39:15.120
<v Speaker 1>Oh man, you're run boy yeah boy key one key one,

1:39:15.600 --> 1:39:20.040
<v Speaker 1>So one again, that wasn't a knock to freeway the

1:39:20.240 --> 1:39:22.599
<v Speaker 1>main Yes, I'm.

1:39:21.960 --> 1:39:25.360
<v Speaker 2>Six six right, so obviously you know, as I'm making

1:39:25.439 --> 1:39:28.320
<v Speaker 2>a film, I'm on my knees and I have to

1:39:28.320 --> 1:39:30.040
<v Speaker 2>play this character I've been through for twenty years.

1:39:30.120 --> 1:39:30.360
<v Speaker 3>Pause.

1:39:30.600 --> 1:39:33.120
<v Speaker 2>But when when we have to do full shots with

1:39:33.200 --> 1:39:35.200
<v Speaker 2>them walking down the street or running whatever, I can

1:39:36.080 --> 1:39:36.759
<v Speaker 2>be shuffling.

1:39:36.880 --> 1:39:38.479
<v Speaker 7>So we had to get somebody just saw the double

1:39:39.000 --> 1:39:39.320
<v Speaker 7>for that.

1:39:40.400 --> 1:39:43.880
<v Speaker 3>It was funny. It was Hollywood shuffle. I'm gonna get

1:39:43.920 --> 1:39:44.360
<v Speaker 3>your sucker.

1:39:44.920 --> 1:39:46.720
<v Speaker 7>When she's fighting inside.

1:39:46.439 --> 1:39:49.479
<v Speaker 1>The yeah was fighting in the bar. And then they

1:39:49.560 --> 1:39:54.640
<v Speaker 1>showed the white dude with the mustard. Yeah, okay, right,

1:39:54.720 --> 1:39:55.240
<v Speaker 1>that's fire.

1:39:55.680 --> 1:39:55.880
<v Speaker 3>Yeah.

1:39:55.920 --> 1:39:58.439
<v Speaker 1>We we paid homage to We tip our hat to

1:39:58.600 --> 1:40:00.479
<v Speaker 1>all ab out o G's in this movie. To barbershop

1:40:00.520 --> 1:40:03.160
<v Speaker 1>scene is reminiscent of Coming to America, you know what

1:40:03.160 --> 1:40:06.200
<v Speaker 1>I mean, the coming to I'm going to get you sucker,

1:40:06.720 --> 1:40:10.760
<v Speaker 1>energy crush groove. The scene with a little little young

1:40:10.880 --> 1:40:13.560
<v Speaker 1>Rasco New Jack City right the open Jack City is

1:40:13.680 --> 1:40:15.080
<v Speaker 1>opening is New Jack City.

1:40:15.240 --> 1:40:18.320
<v Speaker 3>The drone person that caught that right away, that right

1:40:18.400 --> 1:40:26.479
<v Speaker 3>away midst of course that's the way it works.

1:40:27.600 --> 1:40:30.760
<v Speaker 2>Just wait and I come back after the draft, and

1:40:31.200 --> 1:40:33.160
<v Speaker 2>I risked, I risked it off of that drone shot

1:40:33.200 --> 1:40:34.880
<v Speaker 2>them drone shots. I flew to New York with my

1:40:35.000 --> 1:40:37.760
<v Speaker 2>drone and I went down to Brooklyn where you can't

1:40:37.760 --> 1:40:39.760
<v Speaker 2>shoot no drones in New York City, none of that.

1:40:40.040 --> 1:40:43.720
<v Speaker 2>And I flew it like flewid Yeah, I flew all

1:40:43.760 --> 1:40:45.960
<v Speaker 2>over the city. And when I was landing in the drone,

1:40:46.600 --> 1:40:49.800
<v Speaker 2>the FBI was right there. Way as I was landing

1:40:49.840 --> 1:40:52.280
<v Speaker 2>in the drone, they tracked the drone down and it

1:40:52.360 --> 1:40:52.840
<v Speaker 2>came up to me.

1:40:52.920 --> 1:40:54.080
<v Speaker 3>It was like what are you doing? You know?

1:40:54.200 --> 1:40:56.720
<v Speaker 2>You can't you know, And I tried to act like

1:40:56.760 --> 1:40:59.120
<v Speaker 2>a tourist. I was like I do know what I

1:40:59.240 --> 1:41:05.639
<v Speaker 2>was working. Yeah, And it was like Luckily I talked

1:41:05.720 --> 1:41:07.320
<v Speaker 2>myself out of it, and they took all my drone

1:41:07.360 --> 1:41:09.200
<v Speaker 2>information down, the cereal codes and all of that, and

1:41:09.320 --> 1:41:11.120
<v Speaker 2>it was like, look, you can never fly just we

1:41:11.200 --> 1:41:13.960
<v Speaker 2>was gonna shoot your drone down if we were about

1:41:14.000 --> 1:41:15.559
<v Speaker 2>to shoot it there, you.

1:41:15.560 --> 1:41:22.360
<v Speaker 3>Can't fly drone. Can't say you something.

1:41:22.640 --> 1:41:25.320
<v Speaker 1>Then be places I'll be at and there'll be drones

1:41:25.360 --> 1:41:25.800
<v Speaker 1>all the time.

1:41:25.920 --> 1:41:28.360
<v Speaker 7>So no, no, no tell you.

1:41:28.520 --> 1:41:29.680
<v Speaker 2>Let me tell you if you if you go to

1:41:29.760 --> 1:41:32.000
<v Speaker 2>places like that in the airports and you see drones,

1:41:32.560 --> 1:41:35.519
<v Speaker 2>there's a drone hack that can tap into for your

1:41:35.640 --> 1:41:39.000
<v Speaker 2>drone for dj I that will unlock certain areas that

1:41:39.120 --> 1:41:39.439
<v Speaker 2>you can.

1:41:39.400 --> 1:41:40.080
<v Speaker 3>Still fly in.

1:41:40.800 --> 1:41:42.200
<v Speaker 7>So if there's a map that we have on it,

1:41:42.320 --> 1:41:43.040
<v Speaker 7>on it, that's a map.

1:41:43.080 --> 1:41:45.080
<v Speaker 2>That is when it's a big red circle, it's nothing

1:41:45.160 --> 1:41:47.080
<v Speaker 2>in there can be your dron won't even take off.

1:41:47.120 --> 1:41:49.760
<v Speaker 2>They'll be like, you can't take But if you is

1:41:49.800 --> 1:41:52.280
<v Speaker 2>that act that allows you to bypass some of them,

1:41:52.960 --> 1:41:55.559
<v Speaker 2>you know, some places. But this is a dumbo Brooklyn.

1:41:55.680 --> 1:41:58.479
<v Speaker 2>You're saying I started them to shoot, but I was

1:41:58.560 --> 1:41:59.400
<v Speaker 2>lying in Manhattan.

1:42:02.080 --> 1:42:05.200
<v Speaker 3>Yeah yeah, man, So yeah, you was on your bed lane.

1:42:05.200 --> 1:42:11.000
<v Speaker 3>Ship you gotta relax. Oh yes, was one by any

1:42:11.080 --> 1:42:15.960
<v Speaker 3>means necessary to get it done? Everything great, agreed, Ship down,

1:42:16.080 --> 1:42:17.920
<v Speaker 3>I would agree. Get it out of.

1:42:17.880 --> 1:42:22.479
<v Speaker 1>There pays to a lot of a lot of our

1:42:22.520 --> 1:42:24.200
<v Speaker 1>favorite films, including Fade the Black.

1:42:24.400 --> 1:42:25.960
<v Speaker 6>You know what I'm saying, Like we just blended all

1:42:26.000 --> 1:42:29.639
<v Speaker 6>these these these elements together. And that's where Tony came

1:42:29.720 --> 1:42:32.080
<v Speaker 6>in with that scene. You had Google, let me ask

1:42:32.160 --> 1:42:34.040
<v Speaker 6>you do you do you?

1:42:34.320 --> 1:42:37.920
<v Speaker 3>Yeah? Why why why didn't you hit young Ghoul to

1:42:38.000 --> 1:42:42.880
<v Speaker 3>play Young Gul? I hit Goo Goo is busy Goo

1:42:43.160 --> 1:42:44.599
<v Speaker 3>is a college professor.

1:42:45.560 --> 1:42:49.040
<v Speaker 1>All of the things, man, Because some of these characters,

1:42:49.320 --> 1:42:50.880
<v Speaker 1>I felt like war was available.

1:42:52.080 --> 1:42:56.080
<v Speaker 3>Yeah, it's like he hit drink Champs and they were not.

1:42:57.880 --> 1:42:58.880
<v Speaker 3>So you gotta understand it too.

1:42:59.640 --> 1:43:03.240
<v Speaker 6>I'm I'm spending my own money, right, and we got

1:43:03.360 --> 1:43:07.240
<v Speaker 6>to work within a certain window when we have everybody available, right,

1:43:07.400 --> 1:43:10.400
<v Speaker 6>I can't chase people down. I can't wait for one

1:43:10.479 --> 1:43:12.439
<v Speaker 6>person type of dun. We gotta just we gotta go,

1:43:13.040 --> 1:43:14.800
<v Speaker 6>you know what I mean. So it was a lot

1:43:14.840 --> 1:43:17.840
<v Speaker 6>of that too. But I mean, look, everybody, I would

1:43:17.840 --> 1:43:22.599
<v Speaker 6>say about ninety of the whole movie was my first choice.

1:43:22.760 --> 1:43:24.679
<v Speaker 1>Was it was people that I saw that I wanted

1:43:24.760 --> 1:43:25.840
<v Speaker 1>in these in these roles.

1:43:26.120 --> 1:43:30.240
<v Speaker 6>I always saw Cedric as Biggie always because he's, first

1:43:30.280 --> 1:43:32.040
<v Speaker 6>of all, he's one of the greatest comedians, I mean,

1:43:32.080 --> 1:43:32.759
<v Speaker 6>of our generation.

1:43:32.960 --> 1:43:35.920
<v Speaker 1>But to play the Biggie role, me and him playing

1:43:35.920 --> 1:43:37.680
<v Speaker 1>off of each other is did he do something to

1:43:37.720 --> 1:43:40.000
<v Speaker 1>make his voice that way, like something specifically. No, he

1:43:40.120 --> 1:43:41.920
<v Speaker 1>just that was naturally he was able to do that.

1:43:42.240 --> 1:43:43.040
<v Speaker 3>Yeah. He just came in.

1:43:43.439 --> 1:43:46.680
<v Speaker 2>We had had for thirty minutes for said he was

1:43:46.720 --> 1:43:50.639
<v Speaker 2>coming off doing his TV. Came from the dress already

1:43:50.720 --> 1:43:54.240
<v Speaker 2>dressed adady. We had everything lit ready, just like how

1:43:54.280 --> 1:43:55.040
<v Speaker 2>you guys have him.

1:43:55.360 --> 1:43:58.639
<v Speaker 3>We sat down and it was like we walked about

1:43:58.640 --> 1:44:01.680
<v Speaker 3>it just I could see this. I can see as

1:44:01.720 --> 1:44:02.760
<v Speaker 3>you said, I see it.

1:44:03.080 --> 1:44:05.000
<v Speaker 6>So it's me doing the Biggie voice on the track

1:44:05.280 --> 1:44:09.120
<v Speaker 6>on the rat but the credits yeah yeah yeah, but

1:44:09.400 --> 1:44:10.760
<v Speaker 6>now he did that, that's all him.

1:44:10.880 --> 1:44:14.479
<v Speaker 5>And then Biggie and Jay talking about Brooklyn's funds.

1:44:14.520 --> 1:44:17.720
<v Speaker 3>It's hilarious yea. And then you made your fade. You

1:44:17.840 --> 1:44:18.519
<v Speaker 3>made your fade.

1:44:18.760 --> 1:44:23.479
<v Speaker 1>Yeah, I got hair and makeup team, man, Karon, your

1:44:23.560 --> 1:44:26.800
<v Speaker 1>hair makeup team was that it was on it. You

1:44:27.200 --> 1:44:29.080
<v Speaker 1>felt like you was really back in the day though,

1:44:29.080 --> 1:44:31.720
<v Speaker 1>when you like each era felt right, like the Big

1:44:31.800 --> 1:44:36.080
<v Speaker 1>Daddy main scene. Big Daddy came MC hammer, we hit

1:44:36.479 --> 1:44:37.280
<v Speaker 1>Latifa Light.

1:44:37.520 --> 1:44:40.439
<v Speaker 6>We we we wanted to make sure we we kept

1:44:40.479 --> 1:44:42.479
<v Speaker 6>it as authentic as possible to make you feel like

1:44:42.560 --> 1:44:44.040
<v Speaker 6>you was taking a journey throughout time.

1:44:44.560 --> 1:44:47.200
<v Speaker 3>And is it true that you had MC light come

1:44:47.280 --> 1:44:48.840
<v Speaker 3>in and we make the rect one.

1:44:49.880 --> 1:44:53.080
<v Speaker 1>Not only is it true that we made the record,

1:44:53.400 --> 1:44:57.599
<v Speaker 1>you were actually in the studio actually did it absolutely? Yeah, yeah,

1:45:00.200 --> 1:45:03.439
<v Speaker 1>Yo Light is I know people throw around the word

1:45:03.720 --> 1:45:05.040
<v Speaker 1>that's my big sis, that's my big bro.

1:45:05.680 --> 1:45:08.200
<v Speaker 3>She's really big cists like she really looks out. She's

1:45:08.400 --> 1:45:09.240
<v Speaker 3>a heart of goal.

1:45:11.040 --> 1:45:14.519
<v Speaker 6>And she's just very supportive, like whatever I need it

1:45:14.680 --> 1:45:16.519
<v Speaker 6>she was like, no, you if you need that song,

1:45:16.840 --> 1:45:19.080
<v Speaker 6>I figure out how we can make it work and

1:45:19.120 --> 1:45:21.240
<v Speaker 6>shout out to my man Focus who redid the beat

1:45:21.320 --> 1:45:24.120
<v Speaker 6>a big record big so he replayed.

1:45:23.720 --> 1:45:26.280
<v Speaker 3>Everything live and it sounds just like the original ship.

1:45:26.400 --> 1:45:28.680
<v Speaker 1>So she said it, but but it's different. The only

1:45:28.760 --> 1:45:31.160
<v Speaker 1>difference is like a hip hop story at the beginning.

1:45:30.920 --> 1:45:34.920
<v Speaker 3>I asked her to do because I think about it,

1:45:34.920 --> 1:45:36.400
<v Speaker 3>She's one of the most iconic.

1:45:36.200 --> 1:45:39.759
<v Speaker 5>Voices, and right now she's voicing everything, which is amazing, That's.

1:45:39.640 --> 1:45:40.160
<v Speaker 3>What I'm saying.

1:45:40.560 --> 1:45:42.840
<v Speaker 1>And her voice was already original, right and now she's

1:45:42.920 --> 1:45:43.559
<v Speaker 1>voiced female.

1:45:43.600 --> 1:45:52.000
<v Speaker 3>Samuel Jackson right now with the voice overs man with

1:45:52.120 --> 1:45:56.960
<v Speaker 3>the voice you know how everything he doesn't do it

1:45:57.120 --> 1:46:02.760
<v Speaker 3>as many voices. Mama, your min mama is mine.

1:46:05.320 --> 1:46:10.439
<v Speaker 1>Because I was like, wait, what Samuel j Man was

1:46:10.640 --> 1:46:15.040
<v Speaker 1>he got Capital one and some ship. Yeah, and he

1:46:15.200 --> 1:46:16.519
<v Speaker 1>was in your show to you hit him with the

1:46:16.560 --> 1:46:20.920
<v Speaker 1>golf balls, Tiger Woods Wolde shout out to.

1:46:20.920 --> 1:46:22.439
<v Speaker 2>All of the your shout out the light and the

1:46:22.479 --> 1:46:24.120
<v Speaker 2>people who came in and lock at the end of

1:46:24.200 --> 1:46:24.559
<v Speaker 2>the movie.

1:46:25.040 --> 1:46:25.280
<v Speaker 3>That was.

1:46:27.120 --> 1:46:33.439
<v Speaker 7>Yeah, yeah, yeah, what the show that Charlie my show, and.

1:46:33.720 --> 1:46:36.920
<v Speaker 5>They always I figured that's where it was, Yeah, did

1:46:36.960 --> 1:46:39.519
<v Speaker 5>you guys ever having the script anything having to do

1:46:39.560 --> 1:46:42.320
<v Speaker 5>with Park because I felt that that was the only

1:46:42.960 --> 1:46:44.679
<v Speaker 5>one that might have made sense.

1:46:44.520 --> 1:46:46.720
<v Speaker 2>To I got one more that I felt that hip

1:46:46.720 --> 1:46:49.080
<v Speaker 2>hop is so big, there's so much story to telling

1:46:49.200 --> 1:46:51.559
<v Speaker 2>him that you can't put it all in one ninety minute.

1:46:52.720 --> 1:46:56.360
<v Speaker 3>There's a lot of people also, got one more.

1:46:56.520 --> 1:47:02.160
<v Speaker 6>Yeah, people that we can can insanely portray, because it's

1:47:02.280 --> 1:47:05.000
<v Speaker 6>all kinds of people that would watch this movie, Like

1:47:05.040 --> 1:47:05.840
<v Speaker 6>why they didn't do me?

1:47:06.720 --> 1:47:08.599
<v Speaker 3>Grant Masters, isn't it? How Melly Mail?

1:47:08.680 --> 1:47:08.920
<v Speaker 5>Isn't it?

1:47:09.360 --> 1:47:12.439
<v Speaker 3>Who are ogs? They are the building blocks of this thing.

1:47:12.720 --> 1:47:15.280
<v Speaker 6>But we wanted to make sure we could convincingly look

1:47:15.400 --> 1:47:18.640
<v Speaker 6>like them, sound like them, and you know, just we

1:47:18.800 --> 1:47:20.760
<v Speaker 6>just wanted to tell the story that we wanted to tell.

1:47:20.880 --> 1:47:24.760
<v Speaker 6>But we're not trying to exclude anybody for any particular reason.

1:47:24.800 --> 1:47:29.040
<v Speaker 6>It's just we have limited resources, and.

1:47:29.280 --> 1:47:33.080
<v Speaker 1>Uh time, there was one character part eighteen.

1:47:33.680 --> 1:47:35.040
<v Speaker 3>There's a lot of stories character.

1:47:35.160 --> 1:47:37.800
<v Speaker 1>I was like, damn, why they ain't have that at

1:47:37.840 --> 1:47:42.200
<v Speaker 1>this particular moment that's when you said hip hop is Dad?

1:47:43.000 --> 1:47:46.280
<v Speaker 3>I felt like NAS should have been there at some

1:47:46.520 --> 1:47:49.479
<v Speaker 3>point saying that. So it's funny, Well, shit, if I

1:47:49.479 --> 1:47:53.439
<v Speaker 3>could have you, you can't blame us. This is the thing.

1:47:53.600 --> 1:47:56.920
<v Speaker 1>Nas has always asked me to do an impression to him,

1:47:56.920 --> 1:47:59.360
<v Speaker 1>because like, why how you ain't doing an impression me

1:48:00.040 --> 1:48:02.080
<v Speaker 1>and I did the voiceover. I did a couple of

1:48:02.120 --> 1:48:06.080
<v Speaker 1>cartoons with him and jay on on on I g

1:48:06.840 --> 1:48:08.639
<v Speaker 1>and he heard that he was he was dying laughing

1:48:08.680 --> 1:48:09.120
<v Speaker 1>at the ship.

1:48:09.200 --> 1:48:11.200
<v Speaker 3>But Nas is a hard needed to get a hold of.

1:48:11.479 --> 1:48:15.679
<v Speaker 1>Oh yeah, and again if we we we we gotta

1:48:15.680 --> 1:48:18.639
<v Speaker 1>shoot within this window because think about.

1:48:18.439 --> 1:48:21.479
<v Speaker 6>A movie, right. We have to rent the location. It

1:48:21.600 --> 1:48:23.560
<v Speaker 6>all has to be available when we need it. But

1:48:23.920 --> 1:48:27.000
<v Speaker 6>we have to rent the cameras, we have to pay

1:48:27.040 --> 1:48:30.360
<v Speaker 6>the crew, we gotta feed people. It's so mainly Union.

1:48:30.439 --> 1:48:31.720
<v Speaker 6>You were saying, I saw at the end of the

1:48:31.800 --> 1:48:39.120
<v Speaker 6>second dot every every t and so yeah, we don't

1:48:39.240 --> 1:48:43.479
<v Speaker 6>we Unfortunately, we can't just wait for whoever.

1:48:43.560 --> 1:48:45.000
<v Speaker 3>What did you reach out to him for this?

1:48:46.000 --> 1:48:46.040
<v Speaker 4>No?

1:48:46.320 --> 1:48:49.320
<v Speaker 1>I never saw Nas in it. No, I mean I

1:48:49.439 --> 1:48:51.800
<v Speaker 1>saw a version of Nas in it where it said

1:48:51.840 --> 1:48:55.240
<v Speaker 1>hip hop is over. Like maybe for one second you

1:48:55.280 --> 1:48:57.479
<v Speaker 1>could have had to have move part on. I don't

1:48:57.479 --> 1:48:59.560
<v Speaker 1>think I would pay it, guys, to be able to

1:48:59.600 --> 1:49:02.040
<v Speaker 1>be to portray him on if you.

1:49:02.080 --> 1:49:06.479
<v Speaker 3>Know you like sir, That don't mean I look like you,

1:49:07.880 --> 1:49:10.960
<v Speaker 3>but you made it work. You made it work. Your

1:49:11.000 --> 1:49:12.360
<v Speaker 3>makeup team what's their name again?

1:49:14.920 --> 1:49:25.479
<v Speaker 6>Again favorite, the audience goes up for the Drake was

1:49:28.680 --> 1:49:30.640
<v Speaker 6>again shout out the focus man. He was like it

1:49:30.720 --> 1:49:32.320
<v Speaker 6>was in the studio, he said, y'all want to break

1:49:32.360 --> 1:49:35.560
<v Speaker 6>the beat down right here? He did that ship, He

1:49:35.680 --> 1:49:37.720
<v Speaker 6>played that R and B ship. He made that s

1:49:37.840 --> 1:49:41.080
<v Speaker 6>in like three minutes. Wow, but it was perfect And

1:49:41.160 --> 1:49:42.880
<v Speaker 6>the audience goes nuts every time.

1:49:42.960 --> 1:49:47.280
<v Speaker 3>That's part imagine that. So how do you guys feel? Man?

1:49:48.760 --> 1:49:51.240
<v Speaker 1>Man, we we're on a cloud right now for so

1:49:51.720 --> 1:49:56.280
<v Speaker 1>not just because I'm contact high, but yeah, I'm just

1:49:56.320 --> 1:50:01.000
<v Speaker 1>giving probably yeah, give him a shot just because.

1:50:01.080 --> 1:50:03.639
<v Speaker 2>Just like a full circle moment, you know what I mean,

1:50:03.760 --> 1:50:05.360
<v Speaker 2>when you work so hard to try to get to

1:50:05.439 --> 1:50:08.680
<v Speaker 2>this point to let the world see your vision and

1:50:09.040 --> 1:50:11.160
<v Speaker 2>your content and the stuff you want to do, you

1:50:11.240 --> 1:50:11.680
<v Speaker 2>know what I mean?

1:50:11.880 --> 1:50:13.960
<v Speaker 7>So if it feels you know, we don't fly out

1:50:14.000 --> 1:50:14.600
<v Speaker 7>nine right and we.

1:50:14.800 --> 1:50:16.760
<v Speaker 6>And we did a movie with our friends, like I

1:50:16.920 --> 1:50:20.040
<v Speaker 6>was able to work with my guys like this is

1:50:20.120 --> 1:50:24.000
<v Speaker 6>my guy, Jevin Smith, that's my dude, Charlie Mack that's big, bro.

1:50:24.640 --> 1:50:27.400
<v Speaker 6>Charlie is the connector. He makes every call that we need,

1:50:27.600 --> 1:50:32.160
<v Speaker 6>and he's positioning us. Honestly, he's positioning us on some

1:50:32.320 --> 1:50:34.800
<v Speaker 6>will Smith shit I love, on some Martin Lawren shit.

1:50:34.920 --> 1:50:37.280
<v Speaker 6>Like he's really trying to make sure he grooms us

1:50:37.400 --> 1:50:42.280
<v Speaker 6>for the success that we've worked hard for, you know

1:50:42.320 --> 1:50:42.680
<v Speaker 6>what I mean.

1:50:43.160 --> 1:50:44.920
<v Speaker 3>And so we're always.

1:50:46.080 --> 1:50:50.240
<v Speaker 1>Around those caliber of people or that caliber of people

1:50:50.680 --> 1:50:55.840
<v Speaker 1>because of Charlie, and we're able to like just have

1:50:56.160 --> 1:50:58.800
<v Speaker 1>to ask questions and talk to them about the movie

1:50:58.840 --> 1:50:59.400
<v Speaker 1>making business.

1:50:59.439 --> 1:50:59.960
<v Speaker 7>You know what I'm saying.

1:51:00.040 --> 1:51:02.080
<v Speaker 3>I'm not gonna lie. When Charlie hit me, I said,

1:51:02.120 --> 1:51:05.960
<v Speaker 3>did we do something wrong? He speak to you? I'm like,

1:51:06.160 --> 1:51:08.920
<v Speaker 3>what the fuck did we say? What did we want

1:51:08.960 --> 1:51:09.240
<v Speaker 3>to say?

1:51:09.240 --> 1:51:09.920
<v Speaker 4>What said?

1:51:10.439 --> 1:51:12.200
<v Speaker 1>When Charlie hit me, I was like listen, because you

1:51:12.240 --> 1:51:14.439
<v Speaker 1>know Chris Rock said drink Champs called him a bitch.

1:51:14.479 --> 1:51:16.599
<v Speaker 1>I said, I ain't got that was a lot drink

1:51:16.680 --> 1:51:21.320
<v Speaker 1>Champs never called Chris Rock, I mean Willisonier bitch. Oh yeah,

1:51:21.760 --> 1:51:24.280
<v Speaker 1>I told Charlie to call you all. That's what Chris

1:51:24.400 --> 1:51:26.240
<v Speaker 1>Rock said on the special. By the way, we love

1:51:26.320 --> 1:51:29.560
<v Speaker 1>the shout out. It just we didn't say that. No

1:51:30.439 --> 1:51:33.280
<v Speaker 1>club who said that. I told Charlie to call you. Yeah,

1:51:33.800 --> 1:51:36.200
<v Speaker 1>because again me and you talk random hours. But just

1:51:36.240 --> 1:51:37.760
<v Speaker 1>tell you you don't always answer my call when I

1:51:37.800 --> 1:51:39.640
<v Speaker 1>tell you how. Let me tell you how gangster Charlie is.

1:51:41.760 --> 1:51:47.080
<v Speaker 1>We're coming back from Leo cons Flex ship. We got

1:51:47.120 --> 1:51:49.240
<v Speaker 1>the private plane Flex the grad Man.

1:51:51.479 --> 1:51:53.400
<v Speaker 3>That was the most hip hop plane. That was the

1:51:53.479 --> 1:51:54.960
<v Speaker 3>most hip hop. And I saw you that night.

1:51:55.640 --> 1:52:00.439
<v Speaker 1>I'm sitting there, Charlie. The only niggas film body don't

1:52:00.439 --> 1:52:05.439
<v Speaker 1>say ship niggas like man, that's that's Charlie Man. That's

1:52:05.520 --> 1:52:09.280
<v Speaker 1>Charlie man. Man trying to get up on anybody here.

1:52:09.840 --> 1:52:13.760
<v Speaker 1>He's he's trying to document the motherfucking moment. And nobody said,

1:52:13.920 --> 1:52:16.799
<v Speaker 1>I've never seen this before in my life, like nobody.

1:52:17.000 --> 1:52:18.599
<v Speaker 3>He didn't care. He was just he was just filming

1:52:18.840 --> 1:52:23.639
<v Speaker 3>every moment. Charlie was rock taking the ship. That's kind.

1:52:26.160 --> 1:52:26.560
<v Speaker 5>And I do.

1:52:26.720 --> 1:52:29.280
<v Speaker 1>That's what I said. This nigga is super, super super,

1:52:29.960 --> 1:52:33.000
<v Speaker 1>by the way, been for years, been for years, such

1:52:33.040 --> 1:52:36.960
<v Speaker 1>a great guy. God damn it.

1:52:37.520 --> 1:52:38.800
<v Speaker 3>We don't know if he want to be on camera

1:52:38.920 --> 1:52:42.720
<v Speaker 3>or not. We don't know. You don't know, pup, you

1:52:42.760 --> 1:52:45.160
<v Speaker 3>can pull up, yeah, come on if you want to

1:52:45.200 --> 1:52:47.559
<v Speaker 3>come on. Pull up, pull up. We got chairs. We're

1:52:47.560 --> 1:52:47.960
<v Speaker 3>gonna make it.

1:52:48.000 --> 1:52:48.760
<v Speaker 7>We're gonna make it happen.

1:52:49.680 --> 1:52:49.920
<v Speaker 4>Come on.

1:52:51.360 --> 1:52:54.559
<v Speaker 3>He definitely need a little chair. He needs a big chere.

1:52:56.240 --> 1:52:56.400
<v Speaker 4>Chair.

1:52:57.760 --> 1:52:59.000
<v Speaker 3>What's happening? What's going on?

1:52:59.280 --> 1:52:59.600
<v Speaker 1>Going on?

1:52:59.800 --> 1:52:59.960
<v Speaker 3>Man?

1:53:00.080 --> 1:53:07.760
<v Speaker 4>Listen man, Noriyah, yeah you you you Yes, they say

1:53:07.800 --> 1:53:10.519
<v Speaker 4>life imitates art, that we was on the true soul plane.

1:53:10.560 --> 1:53:12.400
<v Speaker 4>Huh yeah, that was the true song plane. That like

1:53:12.479 --> 1:53:14.280
<v Speaker 4>the moments, you know what I mean, you know they're

1:53:14.280 --> 1:53:15.840
<v Speaker 4>gonna be created. But that was a moment in the sky.

1:53:16.000 --> 1:53:17.360
<v Speaker 4>It was so badful, beautiful.

1:53:17.920 --> 1:53:18.360
<v Speaker 3>She didn't know.

1:53:19.240 --> 1:53:21.559
<v Speaker 4>I sure didn't know. Yes, people was on the plane,

1:53:21.560 --> 1:53:22.800
<v Speaker 4>was gonna be on the plane. I think it was

1:53:22.880 --> 1:53:24.880
<v Speaker 4>just me and Leora. It was like you fly on

1:53:24.920 --> 1:53:28.559
<v Speaker 4>the paneky, cool, let's go. I'm like, Nori, yes, Eric sermon,

1:53:31.000 --> 1:53:33.280
<v Speaker 4>it was that was That was when I say a moment.

1:53:33.600 --> 1:53:37.200
<v Speaker 4>I had many moments, but that was a moment. Listen, listen,

1:53:37.600 --> 1:53:40.519
<v Speaker 4>red MANA. Jeff was from the video in the air. Yes,

1:53:40.720 --> 1:53:41.280
<v Speaker 4>but we're sitting.

1:53:42.160 --> 1:53:47.360
<v Speaker 3>I believe it was Kane who who d J making.

1:53:47.680 --> 1:53:49.200
<v Speaker 3>I think you know he was the DP. He was

1:53:49.240 --> 1:53:51.519
<v Speaker 3>the DP. He was camera. Okay, he's holding the camera

1:53:52.640 --> 1:53:53.400
<v Speaker 3>holding the cameras kicking.

1:53:53.479 --> 1:53:56.679
<v Speaker 1>Pree that was kicking might have been playing with DJ okay, okay, yeah,

1:53:56.880 --> 1:53:58.599
<v Speaker 1>and I'm like, I'm just sitting there.

1:53:58.680 --> 1:54:00.719
<v Speaker 3>This was a great hip hop moment.

1:54:01.439 --> 1:54:03.960
<v Speaker 1>So you know, Lee all gets a lot of slack

1:54:04.120 --> 1:54:06.840
<v Speaker 1>from certain people in certain areas, and I wanted to big.

1:54:07.840 --> 1:54:09.360
<v Speaker 3>I love Lee, you know what I mean?

1:54:12.920 --> 1:54:18.800
<v Speaker 1>So so so okay, you guys got the script. What

1:54:19.000 --> 1:54:23.200
<v Speaker 1>makes y'all say me bring Charlie mack in Charlie's hip hop? Yeah,

1:54:23.560 --> 1:54:25.960
<v Speaker 1>Charlie hip hop. He's always been like a big brother

1:54:26.040 --> 1:54:29.479
<v Speaker 1>to me. I mean we again, how yeah, I'm so

1:54:29.600 --> 1:54:32.880
<v Speaker 1>connected through no comedy club. He was at the Laugh

1:54:32.960 --> 1:54:36.360
<v Speaker 1>Factory in Hollywood. I said, what's up to him? At

1:54:36.360 --> 1:54:38.160
<v Speaker 1>the time, he didn't know who I was. So when

1:54:38.200 --> 1:54:41.640
<v Speaker 1>I sugar his hand, he kept the lockout, like you know,

1:54:41.760 --> 1:54:42.960
<v Speaker 1>he the giant.

1:54:43.200 --> 1:54:43.600
<v Speaker 5>He gave.

1:54:47.400 --> 1:54:49.880
<v Speaker 4>And uh, bro your brother and every since don't love

1:54:49.920 --> 1:54:51.720
<v Speaker 4>you right, so you can't bring people in you.

1:54:52.600 --> 1:54:53.000
<v Speaker 3>I love it.

1:54:53.280 --> 1:54:56.000
<v Speaker 1>But then a couple of weeks after that, he reached

1:54:56.040 --> 1:54:59.640
<v Speaker 1>out because d J d Reck from Wilding Out Out

1:55:00.040 --> 1:55:00.840
<v Speaker 1>Shout Out to Direct.

1:55:01.640 --> 1:55:02.640
<v Speaker 3>He reached out and said.

1:55:02.560 --> 1:55:04.200
<v Speaker 1>Charlie might want to get ahold of you for his

1:55:04.320 --> 1:55:05.840
<v Speaker 1>party for Peace Weekends in Philly.

1:55:06.520 --> 1:55:09.400
<v Speaker 3>So I ended up going out to maybe six of those.

1:55:10.560 --> 1:55:12.960
<v Speaker 4>Everyone that I had every weekend I have, yeah, and uh,

1:55:13.240 --> 1:55:16.160
<v Speaker 4>that's real weekend in party for Peace Weekend.

1:55:16.720 --> 1:55:17.200
<v Speaker 7>Yeah, it was.

1:55:17.600 --> 1:55:19.520
<v Speaker 1>He had everybody out there and the first one was

1:55:19.640 --> 1:55:22.880
<v Speaker 1>like Will and Jada was there, t Sha Campbell to

1:55:23.000 --> 1:55:23.800
<v Speaker 1>Sheena Arnold.

1:55:24.320 --> 1:55:27.440
<v Speaker 3>Everybody was one hundred celebrities over a three day weekend.

1:55:28.480 --> 1:55:33.200
<v Speaker 1>Run run like it was ridiculous. But it was through

1:55:33.280 --> 1:55:35.360
<v Speaker 1>that that, you know, we were just able to connect

1:55:35.400 --> 1:55:37.640
<v Speaker 1>and just you know, outside of the industry and just

1:55:37.720 --> 1:55:40.840
<v Speaker 1>have real conversations. And we just created a friendship and

1:55:40.880 --> 1:55:45.320
<v Speaker 1>a brotherhood and I respect him. We literally could talk

1:55:45.320 --> 1:55:48.440
<v Speaker 1>about whatever and and so that's that's how I gauged

1:55:48.480 --> 1:55:49.680
<v Speaker 1>my industry relationships.

1:55:50.080 --> 1:55:52.400
<v Speaker 6>I don't like users. I don't like people that want

1:55:52.440 --> 1:55:55.560
<v Speaker 6>to use me to get to somebody else. So the

1:55:55.640 --> 1:55:58.600
<v Speaker 6>fact that we can talk about whatever, and this is

1:55:58.680 --> 1:56:01.520
<v Speaker 6>the first time we've done bus together, That's that's how

1:56:01.600 --> 1:56:03.520
<v Speaker 6>real our friendship is. You know what I'm saying, Like

1:56:03.560 --> 1:56:05.400
<v Speaker 6>he's he's brought me around the Will camp and all

1:56:05.400 --> 1:56:07.440
<v Speaker 6>that kind of stuff, and most people clamor for that, right,

1:56:07.760 --> 1:56:09.920
<v Speaker 6>But I've never asked him. He always reaches out to

1:56:10.000 --> 1:56:11.640
<v Speaker 6>me and says, yo, man, come to this premiere, come

1:56:11.680 --> 1:56:15.280
<v Speaker 6>to whatever this event. But I don't ask Charlie for anything.

1:56:15.400 --> 1:56:17.200
<v Speaker 6>This is the first time that I was like, Yo, Charlie,

1:56:17.280 --> 1:56:20.480
<v Speaker 6>we got this movie that I think you'd be interested in.

1:56:20.920 --> 1:56:23.680
<v Speaker 3>And once he listen after you filmed a Pride to

1:56:23.720 --> 1:56:24.320
<v Speaker 3>you film prior?

1:56:24.920 --> 1:56:28.240
<v Speaker 6>Yeah, Yeah, because he was on set for every every day,

1:56:28.360 --> 1:56:31.080
<v Speaker 6>especially the first half of what we shot. Charlie was

1:56:31.120 --> 1:56:34.240
<v Speaker 6>there and because he experienced a lot of this stuff,

1:56:34.520 --> 1:56:35.600
<v Speaker 6>he was there for it.

1:56:36.640 --> 1:56:39.440
<v Speaker 1>It was nostalgia for him. He was on set like

1:56:40.120 --> 1:56:43.120
<v Speaker 1>a kid, and the kid he stought. His camera was out,

1:56:43.200 --> 1:56:43.720
<v Speaker 1>his phone.

1:56:43.600 --> 1:56:46.120
<v Speaker 3>Was out, and he was documenting everything, like said ship like.

1:56:47.720 --> 1:56:50.120
<v Speaker 2>He was my dialogue coach for all the freeway throway

1:56:50.160 --> 1:56:52.280
<v Speaker 2>stuff I did, and he was doing everything.

1:56:52.400 --> 1:56:52.760
<v Speaker 3>Every line.

1:56:53.000 --> 1:56:56.280
<v Speaker 2>Make sure you sound like making sure you can't say John,

1:56:56.320 --> 1:56:59.200
<v Speaker 2>you gotta say John, you gotta say you.

1:56:59.760 --> 1:57:01.640
<v Speaker 3>Young bull that stuff.

1:57:01.680 --> 1:57:02.160
<v Speaker 4>You know what I mean?

1:57:02.600 --> 1:57:04.840
<v Speaker 2>Radio could I was, I was saying radio. He said

1:57:04.840 --> 1:57:06.960
<v Speaker 2>you got that radio. You got to like the way

1:57:07.000 --> 1:57:08.600
<v Speaker 2>he was radio.

1:57:08.760 --> 1:57:11.360
<v Speaker 3>So you know it was authentic Phillys. Yeah, man, And

1:57:11.520 --> 1:57:16.160
<v Speaker 3>one of my early Will Smith's spoofs. He plays Charlie Mack.

1:57:16.280 --> 1:57:18.560
<v Speaker 1>We did a Hancocks bool for years when Hancock.

1:57:18.320 --> 1:57:20.480
<v Speaker 3>First came out, and at the end of it, I

1:57:20.600 --> 1:57:21.680
<v Speaker 3>had him step in and do.

1:57:21.840 --> 1:57:25.400
<v Speaker 6>Charlie Mack impression and then that's their connection out, know

1:57:25.400 --> 1:57:27.400
<v Speaker 6>what I mean, He's like young, young Charlie.

1:57:27.760 --> 1:57:29.560
<v Speaker 3>I'm cracking up. Yeah, definitely cracking up.

1:57:29.680 --> 1:57:32.200
<v Speaker 1>Sure, So I mean Charlie because you know, because we

1:57:32.360 --> 1:57:33.200
<v Speaker 1>want to tell the people.

1:57:35.560 --> 1:57:37.320
<v Speaker 3>Yeah, yeah, your story as well.

1:57:38.840 --> 1:57:40.680
<v Speaker 4>Hey man, you say you can write a book, and

1:57:41.160 --> 1:57:43.120
<v Speaker 4>fortunately enough I did write a book. So I want

1:57:43.120 --> 1:57:45.520
<v Speaker 4>to come back. You know, I made but again, you

1:57:45.600 --> 1:57:48.440
<v Speaker 4>know what I mean. My story started nineteen seventy eight,

1:57:49.280 --> 1:57:50.920
<v Speaker 4>what you know was being a street team.

1:57:51.400 --> 1:57:52.440
<v Speaker 3>I was doing that for my uncle.

1:57:52.600 --> 1:57:55.800
<v Speaker 4>Started a label called April Records in nineteen seventy eight. Wow,

1:57:55.840 --> 1:57:57.680
<v Speaker 4>I was like a street team a cat for m

1:57:58.040 --> 1:58:00.280
<v Speaker 4>fourteen years old. That was kind of what actually hit me.

1:58:00.520 --> 1:58:02.240
<v Speaker 4>I did that in a house party and I was bit.

1:58:02.360 --> 1:58:04.400
<v Speaker 4>I was like entertainment because I wanted to I wanted

1:58:04.400 --> 1:58:05.080
<v Speaker 4>to play basketball.

1:58:05.080 --> 1:58:05.200
<v Speaker 1>You know.

1:58:05.400 --> 1:58:07.920
<v Speaker 4>Doctor J of course was in Philadelphia, me saying doctor J.

1:58:08.160 --> 1:58:10.000
<v Speaker 4>I used to hang out with the Sixers. So all

1:58:10.040 --> 1:58:11.920
<v Speaker 4>those moments you see there was clips. I was in

1:58:12.000 --> 1:58:14.680
<v Speaker 4>the sixers, you know, at the spectrum seeing them. So

1:58:14.800 --> 1:58:16.920
<v Speaker 4>for me, I thought it was basketball. But I seen

1:58:17.040 --> 1:58:20.160
<v Speaker 4>I'm saying hip hop y figures. Hip Hop's nineteen seventy three.

1:58:20.160 --> 1:58:22.560
<v Speaker 4>I'm eight years old now, I mean when hip hop

1:58:22.640 --> 1:58:23.920
<v Speaker 4>was born, you know what I mean. So for me,

1:58:24.000 --> 1:58:25.200
<v Speaker 4>it was like a love affair. And I said, I

1:58:25.320 --> 1:58:27.840
<v Speaker 4>could never let down. Then then the opportunity to come

1:58:27.880 --> 1:58:30.320
<v Speaker 4>from music, and he did R and B, but I signed.

1:58:30.400 --> 1:58:32.840
<v Speaker 4>I signed the first rapper to the label. His name

1:58:32.920 --> 1:58:36.360
<v Speaker 4>was Georgeous George. We did a record called cabbage Patch Fact.

1:58:36.400 --> 1:58:38.200
<v Speaker 4>I remember the cabbage Patch Cames Up, came out, and

1:58:38.280 --> 1:58:41.000
<v Speaker 4>I did a rooker called cabbage Patch Scratch. And that

1:58:41.120 --> 1:58:43.360
<v Speaker 4>was like what actually got me into it. Because everybody

1:58:43.400 --> 1:58:44.960
<v Speaker 4>thinks as Will and Jeff. It wasn't Will and Jeff.

1:58:46.000 --> 1:58:46.400
<v Speaker 3>No, no, no.

1:58:46.480 --> 1:58:48.160
<v Speaker 4>I I had already been in the business from seventy

1:58:48.160 --> 1:58:49.960
<v Speaker 4>eight if my brother didn't come out to eighty six

1:58:50.080 --> 1:58:50.800
<v Speaker 4>eighty seven.

1:58:51.280 --> 1:58:53.360
<v Speaker 3>So I was already in the Yeah. So I was

1:58:53.400 --> 1:58:55.520
<v Speaker 3>already in it. But I have a book coming. Who

1:58:55.600 --> 1:58:58.160
<v Speaker 3>is Charlie Mack dot dot dot Mister Phillipia, Come on,

1:58:58.240 --> 1:59:03.000
<v Speaker 3>let's make the first down, hope have me back.

1:59:04.560 --> 1:59:12.600
<v Speaker 1>But let me ask you one more question. Philadelphia seems

1:59:12.640 --> 1:59:14.320
<v Speaker 1>like a wow wow place.

1:59:15.760 --> 1:59:20.120
<v Speaker 3>Like now. I don't know if it's always.

1:59:19.880 --> 1:59:23.040
<v Speaker 1>Been like this. I mean since I've visited it, I've

1:59:23.120 --> 1:59:25.959
<v Speaker 1>only been famous twenty five years.

1:59:25.960 --> 1:59:28.160
<v Speaker 4>Only been famous twenty five years. Yea, yeah, yeah, I

1:59:28.200 --> 1:59:30.000
<v Speaker 4>think it realized twenty five years ago.

1:59:30.560 --> 1:59:34.400
<v Speaker 1>And I've never known Philly for not being like a

1:59:34.440 --> 1:59:39.080
<v Speaker 1>little bit like crazy. Has it always been like this?

1:59:39.440 --> 1:59:42.680
<v Speaker 4>Because I think I think everything is heightened today, Okay,

1:59:42.720 --> 1:59:44.280
<v Speaker 4>we heightened, like you know what I mean, Like he.

1:59:44.360 --> 1:59:46.920
<v Speaker 3>Was saying earlier, like yeah, like you're saying filmed.

1:59:46.800 --> 1:59:48.760
<v Speaker 4>Yeah, what Will says the whole time, you know, I mean,

1:59:48.880 --> 1:59:51.440
<v Speaker 4>racism didn't change, It just got filmed, you know what

1:59:51.480 --> 1:59:53.760
<v Speaker 4>I mean. So I think the thing about is which

1:59:53.800 --> 1:59:56.680
<v Speaker 4>is unfortunately because the drill rap I didn't realize it

1:59:56.760 --> 2:00:00.160
<v Speaker 4>was basically like you kill rap, right, they actually talkalking

2:00:00.200 --> 2:00:01.480
<v Speaker 4>about how they're going to kill you.

2:00:01.600 --> 2:00:01.720
<v Speaker 7>Right.

2:00:02.160 --> 2:00:04.440
<v Speaker 4>So I think everybody do things for clipbait, clickbait, you

2:00:04.440 --> 2:00:06.000
<v Speaker 4>know what I mean. But again, you know in the

2:00:06.080 --> 2:00:10.960
<v Speaker 4>movie they say, actually cut they get something, go home, Raby,

2:00:11.000 --> 2:00:11.480
<v Speaker 4>don't go home.

2:00:11.720 --> 2:00:14.040
<v Speaker 3>You know what I mean? When they when you murder somebody.

2:00:14.360 --> 2:00:14.640
<v Speaker 3>That's it.

2:00:14.880 --> 2:00:17.000
<v Speaker 4>And then that little kid, that little kid is going

2:00:17.200 --> 2:00:19.320
<v Speaker 4>to the penitentiary, you know what I mean. So I

2:00:19.400 --> 2:00:20.960
<v Speaker 4>think the thing about it is they don't think about

2:00:21.000 --> 2:00:23.000
<v Speaker 4>it after the fact. They think about in the moment,

2:00:23.200 --> 2:00:25.200
<v Speaker 4>and they want fames so bad that they willing to

2:00:25.240 --> 2:00:27.840
<v Speaker 4>do whatever. That's the unfortunate thing. So, no, fell Off,

2:00:27.880 --> 2:00:30.080
<v Speaker 4>You wasn't like that When I grew up. Violence was there,

2:00:30.360 --> 2:00:32.360
<v Speaker 4>it just wasn't as prevalent as as today.

2:00:32.960 --> 2:00:34.640
<v Speaker 1>That was one of the things that I wanted you

2:00:34.760 --> 2:00:37.360
<v Speaker 1>to kind of focus on just a little more, was

2:00:37.880 --> 2:00:43.000
<v Speaker 1>the young rap now of how they really murder killed

2:00:43.120 --> 2:00:46.200
<v Speaker 1>rap right, Like it's really like, it's really like that now,

2:00:46.360 --> 2:00:47.520
<v Speaker 1>Like what is it called drill?

2:00:47.960 --> 2:00:50.720
<v Speaker 3>What you just said I just talked about doing. It's

2:00:50.720 --> 2:00:51.200
<v Speaker 3>talked about.

2:00:51.240 --> 2:00:55.560
<v Speaker 1>But what that characters that character, the young the young

2:00:55.680 --> 2:00:59.040
<v Speaker 1>character that flex dropped the bombs one googie?

2:00:59.400 --> 2:01:01.680
<v Speaker 3>Yeah, who who was he based on? Nobody?

2:01:01.920 --> 2:01:06.160
<v Speaker 1>He's based on generations. Yeah, he's based on the generation.

2:01:06.320 --> 2:01:09.480
<v Speaker 1>He's based on lazy rap.

2:01:10.600 --> 2:01:14.200
<v Speaker 6>So it's not necessarily he's a representation of lazy raps.

2:01:14.200 --> 2:01:18.960
<v Speaker 6>So it's not even necessarily young versus old. Because I

2:01:19.040 --> 2:01:20.920
<v Speaker 6>say it all the time, there was garbage niggas in

2:01:20.920 --> 2:01:21.720
<v Speaker 6>the eighties and nineties.

2:01:21.760 --> 2:01:25.919
<v Speaker 3>Two you know what I mean. Yeah, so he represents

2:01:26.040 --> 2:01:27.440
<v Speaker 3>lazy because his whole song is.

2:01:27.520 --> 2:01:30.440
<v Speaker 1>Yeah, yeah, yeah right, and most people would say yeah,

2:01:30.440 --> 2:01:31.720
<v Speaker 1>which first in this year is good.

2:01:32.880 --> 2:01:36.560
<v Speaker 3>One. We just flipped what's popular now what's dope? Now?

2:01:36.600 --> 2:01:39.600
<v Speaker 3>We would have never let certain things slide and assume

2:01:39.680 --> 2:01:42.240
<v Speaker 3>that that's an Uzi verb jab. But it's not like

2:01:42.760 --> 2:01:44.680
<v Speaker 3>Uzi is my guy, like some people.

2:01:44.800 --> 2:01:47.440
<v Speaker 1>I was some people thinking it's Uzi and some people

2:01:47.480 --> 2:01:51.560
<v Speaker 1>thinking it's twenty one because of the nah the thing

2:01:51.640 --> 2:01:53.360
<v Speaker 1>in the middle. I wasn't even thinking about twenty one.

2:01:53.400 --> 2:01:56.320
<v Speaker 1>That's funny. But no, I used Uzzi's the tempo of

2:01:56.400 --> 2:01:58.240
<v Speaker 1>his beat because that was a popular song. And it

2:01:58.320 --> 2:02:00.880
<v Speaker 1>takes this now because then he goes like yeah yeah.

2:02:02.320 --> 2:02:04.560
<v Speaker 5>But then the dude in the when they're watching the

2:02:04.640 --> 2:02:08.960
<v Speaker 5>video in the store, the TV in the store, the

2:02:09.040 --> 2:02:10.080
<v Speaker 5>kids dancing, Yeah.

2:02:10.320 --> 2:02:12.400
<v Speaker 1>But it leaves over for a sequel to right, and

2:02:12.640 --> 2:02:17.360
<v Speaker 1>it also leaves over flects to respond because I sincerely,

2:02:17.880 --> 2:02:21.839
<v Speaker 1>one million percent believe that funk Flex has never took Paola.

2:02:22.280 --> 2:02:25.840
<v Speaker 1>It's never what took Paola. I'm just being honest again,

2:02:26.600 --> 2:02:30.560
<v Speaker 1>Never I know it's a comedy. I know it's a comedy,

2:02:30.640 --> 2:02:34.320
<v Speaker 1>but he might watch this and be like, you know,

2:02:34.480 --> 2:02:37.840
<v Speaker 1>as a as a DJ, Like I'm just let me

2:02:37.880 --> 2:02:40.680
<v Speaker 1>ask you. Yeah, like I know it's comedy, like somebody,

2:02:40.720 --> 2:02:44.080
<v Speaker 1>but if somebody says yo, I paid, yeah, yeah, of

2:02:44.160 --> 2:02:48.640
<v Speaker 1>course I'm gonna get on drinks pay yeah. Because the

2:02:48.720 --> 2:02:51.680
<v Speaker 1>way that people perceive things. Yeah, And I'm telling you

2:02:51.840 --> 2:02:56.240
<v Speaker 1>from what I know, everything I know, Funk Flexes never

2:02:56.400 --> 2:02:57.560
<v Speaker 1>took money from no one.

2:02:57.800 --> 2:02:58.800
<v Speaker 3>I promised that.

2:02:59.080 --> 2:03:02.920
<v Speaker 6>I believe again from what I know, the movie Salt

2:03:03.000 --> 2:03:08.000
<v Speaker 6>and people don't really work in Dina right right, influence work.

2:03:10.800 --> 2:03:13.920
<v Speaker 3>Is not a school teacher. But let me just be

2:03:14.280 --> 2:03:15.520
<v Speaker 3>advocate because.

2:03:16.800 --> 2:03:19.720
<v Speaker 1>Part it's something that he's been accused of before.

2:03:20.000 --> 2:03:22.400
<v Speaker 3>I don't know that. Yeah, so I could. I don't

2:03:22.480 --> 2:03:27.200
<v Speaker 3>know that I can take all DJs have been. It's

2:03:27.240 --> 2:03:29.720
<v Speaker 3>a radio thing. I used to be a radio DJ

2:03:30.280 --> 2:03:35.680
<v Speaker 3>and Charlotte but so yeah, that's what that even that

2:03:35.880 --> 2:03:37.760
<v Speaker 3>term because not even says Polo anymore.

2:03:38.280 --> 2:03:44.320
<v Speaker 1>I know that term because exactly people let's say dream Champs.

2:03:45.760 --> 2:03:50.200
<v Speaker 1>You cannot platform that that gets things out. People are like,

2:03:50.360 --> 2:03:55.680
<v Speaker 1>if they don't get it becomes a conspiracy. Yeah, but

2:03:55.800 --> 2:03:59.320
<v Speaker 1>by no means do we really believe or are we accusing?

2:03:59.720 --> 2:04:02.960
<v Speaker 1>It's a comedy. And this is why I keep saying people,

2:04:03.320 --> 2:04:06.200
<v Speaker 1>I want the freedom to be able to write now again.

2:04:06.440 --> 2:04:08.560
<v Speaker 1>He has the right to feel whatever he want to feel,

2:04:08.880 --> 2:04:11.360
<v Speaker 1>if he feels a way. I don't think he does,

2:04:11.520 --> 2:04:12.760
<v Speaker 1>but because I'm spoken to him.

2:04:12.840 --> 2:04:16.000
<v Speaker 3>But at the end of the day, I don't think

2:04:16.280 --> 2:04:17.440
<v Speaker 3>he's done anything.

2:04:17.480 --> 2:04:20.120
<v Speaker 1>He's just he just happened to be the relevant djail

2:04:20.320 --> 2:04:22.760
<v Speaker 1>that I could, that I could use as a character.

2:04:23.080 --> 2:04:25.240
<v Speaker 7>To make the point in the movie. But think about it,

2:04:25.240 --> 2:04:26.120
<v Speaker 7>I don't think he will.

2:04:26.440 --> 2:04:29.240
<v Speaker 1>But I think he's so engaged with like his haters

2:04:29.800 --> 2:04:32.879
<v Speaker 1>and the people who don't like him, very engaged, very engaged,

2:04:32.880 --> 2:04:36.160
<v Speaker 1>with a little bit tightened, so they will come back him.

2:04:36.200 --> 2:04:38.720
<v Speaker 3>And then he'll might be like, man, why would these

2:04:38.800 --> 2:04:42.880
<v Speaker 3>guys do that? And then he'll if you're watching, there's

2:04:43.000 --> 2:04:46.360
<v Speaker 3>no you. I'm a fan.

2:04:46.840 --> 2:04:49.520
<v Speaker 4>I supposed to. I called him up, I spoke to him. Okay,

2:04:50.480 --> 2:04:52.520
<v Speaker 4>he said, whatever you need from me, yes, okay. That's

2:04:52.560 --> 2:04:53.240
<v Speaker 4>what I think about.

2:04:53.240 --> 2:04:55.720
<v Speaker 2>When was the last comedy that opened up this type

2:04:55.720 --> 2:04:58.920
<v Speaker 2>of dog conversation about the whole post?

2:04:58.960 --> 2:05:01.640
<v Speaker 3>And that's why hopefully not hip hop. You know, you

2:05:01.800 --> 2:05:02.520
<v Speaker 3>know what, you know what?

2:05:02.720 --> 2:05:05.160
<v Speaker 1>And this is just me being the devil's advocate advocate, right.

2:05:06.680 --> 2:05:09.960
<v Speaker 1>I think Flex would have played himself. I think Joe

2:05:10.000 --> 2:05:13.920
<v Speaker 1>Waddens would have played itself. I think whoever, I think

2:05:14.000 --> 2:05:15.360
<v Speaker 1>most people would have played itself.

2:05:15.400 --> 2:05:17.440
<v Speaker 3>What you need at the time, you.

2:05:18.920 --> 2:05:22.120
<v Speaker 7>Don't love you? Yeah, yeah, you would have been funny,

2:05:23.280 --> 2:05:26.160
<v Speaker 7>you know, a version of.

2:05:26.200 --> 2:05:31.320
<v Speaker 3>Nord to come on like because he's already so.

2:05:33.920 --> 2:05:42.080
<v Speaker 4>Characterstice you and then well you gotta play him.

2:05:42.080 --> 2:05:43.959
<v Speaker 3>You gotta, you know what I mean, maybe.

2:05:43.800 --> 2:05:45.880
<v Speaker 1>Have some approach on you, and you would have added

2:05:45.920 --> 2:05:47.920
<v Speaker 1>more credibility to the old hip hop of it all.

2:05:47.960 --> 2:05:50.160
<v Speaker 3>And it was me to me.

2:05:51.920 --> 2:05:55.320
<v Speaker 1>I apologize because I was I was busy. I really

2:05:55.360 --> 2:05:57.280
<v Speaker 1>wish I was a part of this. But even with

2:05:57.480 --> 2:06:01.200
<v Speaker 1>us not being a part of I looked at this movie.

2:06:01.880 --> 2:06:04.080
<v Speaker 1>I saw so I said by coming out. Hold On,

2:06:04.120 --> 2:06:07.320
<v Speaker 1>hold on, I said, I saw no flaws in this,

2:06:11.160 --> 2:06:14.640
<v Speaker 1>you know what I mean. I watched it and I'm

2:06:14.680 --> 2:06:18.800
<v Speaker 1>a I'm a comedy guy, contrary part of belief. I

2:06:19.000 --> 2:06:22.520
<v Speaker 1>love music and everything, but you ain't coming to my

2:06:22.640 --> 2:06:23.840
<v Speaker 1>house listening to music.

2:06:24.280 --> 2:06:25.400
<v Speaker 3>You come into my crib.

2:06:26.320 --> 2:06:31.919
<v Speaker 1>I got motherfucking living color playing Seinfeld.

2:06:31.640 --> 2:06:33.800
<v Speaker 3>Kirbyan, You've always shown me that respect.

2:06:33.960 --> 2:06:34.120
<v Speaker 5>Dave.

2:06:34.320 --> 2:06:37.720
<v Speaker 1>We first met like you love like Yo, you a

2:06:37.880 --> 2:06:41.400
<v Speaker 1>bad comedy so I know you you rock with the

2:06:42.440 --> 2:06:43.280
<v Speaker 1>with comedy world.

2:06:43.320 --> 2:06:44.640
<v Speaker 3>You know, I live and.

2:06:44.720 --> 2:06:49.080
<v Speaker 1>Breathe comedy maybe more than I live and brief hip

2:06:49.080 --> 2:06:51.040
<v Speaker 1>hop because hip hop is just it just comes to me.

2:06:51.320 --> 2:06:54.120
<v Speaker 1>But comedy, I gotta want to feel that moment. I

2:06:54.200 --> 2:06:55.560
<v Speaker 1>gotta be wanting to be like, yo, you know what,

2:06:56.440 --> 2:06:57.640
<v Speaker 1>let me let me go laugh.

2:06:57.800 --> 2:07:00.840
<v Speaker 3>It's a release, Yeah, it's a release. He's a release.

2:07:01.840 --> 2:07:03.080
<v Speaker 1>But do you feel like this is a movie that

2:07:03.160 --> 2:07:07.200
<v Speaker 1>you would watch over and over like classic and stuff?

2:07:07.200 --> 2:07:08.920
<v Speaker 3>I feel like you might miss what you want to watch.

2:07:09.640 --> 2:07:13.000
<v Speaker 3>But I wanted to the boy I did this. I

2:07:13.120 --> 2:07:15.120
<v Speaker 3>watched it for this interview. Other than that, I would

2:07:15.160 --> 2:07:15.760
<v Speaker 3>have went to the movie.

2:07:15.760 --> 2:07:17.880
<v Speaker 1>Did for sure, Like I swear to god, I'm like,

2:07:18.320 --> 2:07:19.920
<v Speaker 1>I don't say it like that, but I'm flying to

2:07:20.040 --> 2:07:21.280
<v Speaker 1>a movie to go see this.

2:07:22.080 --> 2:07:28.440
<v Speaker 3>This is what happened. Damian John, Damon John, you know

2:07:28.520 --> 2:07:29.560
<v Speaker 3>you know up everybody.

2:07:34.640 --> 2:07:39.120
<v Speaker 1>So he said to me, they'll come come watch the

2:07:39.200 --> 2:07:43.280
<v Speaker 1>premier of Bob Marley and I was like, Okay, that's

2:07:43.320 --> 2:07:43.840
<v Speaker 1>some flash.

2:07:44.160 --> 2:07:45.600
<v Speaker 3>We spoke to you when you were down Flash.

2:07:45.760 --> 2:07:46.400
<v Speaker 7>So I came.

2:07:46.520 --> 2:07:48.960
<v Speaker 3>I went, I watched not even the premier. He didn't

2:07:48.960 --> 2:07:49.320
<v Speaker 3>even do it.

2:07:49.800 --> 2:07:51.640
<v Speaker 1>I didn't even make it to the permier. He did

2:07:51.720 --> 2:07:54.680
<v Speaker 1>a private screening of it, and I went to it,

2:07:55.160 --> 2:07:57.400
<v Speaker 1>but I said, I felt like I'm not supporting the family.

2:07:57.760 --> 2:07:59.400
<v Speaker 1>So I went and I went to see it on

2:07:59.520 --> 2:08:01.920
<v Speaker 1>my own. And that's exactly how I feel about this movie.

2:08:01.960 --> 2:08:04.360
<v Speaker 1>It's like, as much as we're here when we're doing it,

2:08:04.680 --> 2:08:07.760
<v Speaker 1>and like we're helping each other, but it's like, I

2:08:07.840 --> 2:08:10.040
<v Speaker 1>gotta go to the movie. So I don't know where

2:08:10.080 --> 2:08:12.920
<v Speaker 1>the ship is playing out in Florida, but I'm driving

2:08:13.160 --> 2:08:13.440
<v Speaker 1>the ship.

2:08:13.480 --> 2:08:14.160
<v Speaker 3>It's still in the Miami.

2:08:14.200 --> 2:08:17.560
<v Speaker 4>This we in Miami, and you want that, you want

2:08:17.600 --> 2:08:26.960
<v Speaker 4>the experience of the theater. We ain't saying ship go Thursday.

2:08:28.280 --> 2:08:35.400
<v Speaker 3>You're popping out drink Champs Avage people to the movies.

2:08:35.400 --> 2:08:38.400
<v Speaker 3>Where'd you go? Let's get this stre drink Champs screen.

2:08:39.640 --> 2:08:45.880
<v Speaker 3>I'm in, I'm in. Yeah, I do about the.

2:08:48.520 --> 2:08:51.040
<v Speaker 2>Can I give a quick full circle moment real quickly? Okay,

2:08:51.160 --> 2:08:55.840
<v Speaker 2>So I'm working at Rockefeller the camera man only I

2:08:56.320 --> 2:08:59.080
<v Speaker 2>never did anything in the film business like that. Besides

2:08:59.120 --> 2:09:01.320
<v Speaker 2>filming people. Chlodi B says, hey, I want you to

2:09:01.400 --> 2:09:03.840
<v Speaker 2>go to the studio because he's there working on the

2:09:03.880 --> 2:09:07.360
<v Speaker 2>album or project. I go to the studio studio, I

2:09:07.440 --> 2:09:10.240
<v Speaker 2>meet you there, you on in there and the music

2:09:10.320 --> 2:09:12.360
<v Speaker 2>comes on and the first thing I hear was if.

2:09:12.240 --> 2:09:14.960
<v Speaker 7>I'm a nigga again and some nigga he was doing

2:09:15.200 --> 2:09:15.720
<v Speaker 7>with p d Krack.

2:09:18.160 --> 2:09:18.840
<v Speaker 3>That's a classic.

2:09:19.400 --> 2:09:21.440
<v Speaker 2>And I met you and I said, hey, man, I'm

2:09:21.560 --> 2:09:24.480
<v Speaker 2>an upcoming writer, filmmaker, all of this stuff, and I

2:09:24.600 --> 2:09:26.600
<v Speaker 2>just want to get some knowledge. He looked at me

2:09:26.600 --> 2:09:28.880
<v Speaker 2>and he says, Yo, I'm making I want to make

2:09:28.920 --> 2:09:31.960
<v Speaker 2>a movie. And you're the first person that let me

2:09:32.000 --> 2:09:33.280
<v Speaker 2>write a script for you for the first time.

2:09:38.640 --> 2:09:46.080
<v Speaker 3>We're going because I remember, I mean, I remember gas,

2:09:46.440 --> 2:09:49.440
<v Speaker 3>I remember the gas. Remember I'm not about that. Yeah,

2:09:50.120 --> 2:09:52.560
<v Speaker 3>and you look extra cold. It's just.

2:09:54.760 --> 2:09:58.600
<v Speaker 1>I don't know where you don't see me sweating? Yeah, yeah, yeah,

2:09:58.680 --> 2:10:01.160
<v Speaker 1>I don't know if you a hole you with.

2:10:02.920 --> 2:10:07.640
<v Speaker 3>Telling me I'm going.

2:10:09.080 --> 2:10:12.680
<v Speaker 1>Drake sniggers because I begging you would feel this, because

2:10:12.760 --> 2:10:14.040
<v Speaker 1>this this is my love of boys.

2:10:14.880 --> 2:10:18.080
<v Speaker 3>This is Drake's exclusive night escort. I've been waiting for this.

2:10:18.200 --> 2:10:24.800
<v Speaker 1>We show. Wherever did you I said, you know, I

2:10:24.920 --> 2:10:27.520
<v Speaker 1>know y'all don't go to karate class. You Drake d

2:10:27.680 --> 2:10:30.400
<v Speaker 1>j en Vy, y'all want of the same karate late

2:10:30.480 --> 2:10:31.160
<v Speaker 1>street class.

2:10:31.600 --> 2:10:32.880
<v Speaker 8>I know that, I know that.

2:10:33.040 --> 2:10:33.520
<v Speaker 7>I heard it.

2:10:33.720 --> 2:10:38.120
<v Speaker 1>I'm in a little bit. I'm on the other side

2:10:38.160 --> 2:10:42.360
<v Speaker 1>of Luminadi. I'm the brownskin version. Charlie has seen some things. Yeah,

2:10:42.360 --> 2:10:44.320
<v Speaker 1>he'll kick your head straight off. Yeah, yeah, I know

2:10:44.440 --> 2:10:44.640
<v Speaker 1>he can.

2:10:45.320 --> 2:10:45.800
<v Speaker 3>I know, I know.

2:10:45.920 --> 2:10:47.480
<v Speaker 7>I've seen him in a many pocket yard.

2:10:47.480 --> 2:10:50.880
<v Speaker 3>I know it's going down. I'm peaceful man. And you

2:10:51.040 --> 2:10:53.960
<v Speaker 3>like Bruce Lee Love, that's a teacher.

2:10:54.360 --> 2:10:58.960
<v Speaker 1>So you be fucking with Bruce Lee moves? What do

2:10:59.000 --> 2:11:02.400
<v Speaker 1>you What do you doing boost leak class when you're

2:11:02.400 --> 2:11:07.480
<v Speaker 1>win ship out of a nigga? Because I'm not, I'm not.

2:11:08.480 --> 2:11:10.360
<v Speaker 1>I heard you say you don't want to fight at all.

2:11:10.800 --> 2:11:12.280
<v Speaker 1>Now I also heard you say you would like to

2:11:12.360 --> 2:11:14.680
<v Speaker 1>kick people's head off. So I'm confused.

2:11:14.840 --> 2:11:18.960
<v Speaker 6>I have the ability to kick people's heads, but I don't. Yeah,

2:11:19.560 --> 2:11:23.080
<v Speaker 6>but I don't. Yeah, I'm not at all.

2:11:23.760 --> 2:11:26.360
<v Speaker 1>You know, Okay, I'm the guy who's gonna talk my

2:11:26.400 --> 2:11:27.360
<v Speaker 1>way out of some ship at first.

2:11:27.520 --> 2:11:33.240
<v Speaker 3>That's what a kick ass. I don't want to fight you, right,

2:11:33.360 --> 2:11:35.160
<v Speaker 3>I'm about to get your head kicked off and keep

2:11:35.160 --> 2:11:37.360
<v Speaker 3>your head in turn the person who is trying to

2:11:37.360 --> 2:11:37.880
<v Speaker 3>stop a fight.

2:11:38.360 --> 2:11:41.440
<v Speaker 6>Yeah, I get anxious when that that beef starts. I'm like, oh,

2:11:42.160 --> 2:11:42.960
<v Speaker 6>this is about to happen.

2:11:43.360 --> 2:11:47.440
<v Speaker 3>This is really But as long as you're talking, I'm

2:11:47.480 --> 2:11:48.240
<v Speaker 3>not in any danger.

2:11:48.960 --> 2:11:50.680
<v Speaker 1>The only time you're in danger is when a nigga

2:11:50.920 --> 2:11:53.960
<v Speaker 1>is either pulling out something or if the fist is

2:11:54.040 --> 2:11:56.840
<v Speaker 1>coming right towards your head or your face.

2:11:57.520 --> 2:11:59.840
<v Speaker 6>You can say whatever you want from over there, right,

2:12:00.120 --> 2:12:02.280
<v Speaker 6>I'd be like, word, no doubt. Look you mean the

2:12:02.320 --> 2:12:04.240
<v Speaker 6>guy told y'all they being like rappers.

2:12:04.400 --> 2:12:05.160
<v Speaker 3>Look that wasn't mean.

2:12:05.200 --> 2:12:08.920
<v Speaker 1>You know, I ain't that I'm funny, but I ain't

2:12:08.920 --> 2:12:12.320
<v Speaker 1>on you. God damn it, I'm not good guy. So

2:12:12.640 --> 2:12:18.600
<v Speaker 1>so Charlie Mack you here man, Oh damn, here it comes,

2:12:19.360 --> 2:12:22.600
<v Speaker 1>here it comes. Somebody told me said they was like,

2:12:22.680 --> 2:12:24.920
<v Speaker 1>you gotta be careful. I'm like, so tell me the tome.

2:12:25.320 --> 2:12:27.320
<v Speaker 1>He said, Besna, he's gonna slotted in there.

2:12:30.920 --> 2:12:37.400
<v Speaker 4>But I remember, I remember, I remember the moment I came.

2:12:37.400 --> 2:12:41.600
<v Speaker 4>When I first came, I went in two minutes, you thought, I'm.

2:12:41.480 --> 2:12:45.880
<v Speaker 3>Like whoa, I'm like noriay where's the love? You know,

2:12:46.080 --> 2:12:47.720
<v Speaker 3>I just love.

2:12:47.840 --> 2:12:48.200
<v Speaker 7>It is love.

2:12:48.280 --> 2:12:52.920
<v Speaker 1>But you're a legend, and I honestly think you were

2:12:53.000 --> 2:12:54.880
<v Speaker 1>there that night. So the way you answer it, you

2:12:54.960 --> 2:12:55.560
<v Speaker 1>can answer it.

2:12:55.600 --> 2:12:56.520
<v Speaker 7>The way you want to know.

2:12:56.560 --> 2:12:59.040
<v Speaker 1>You're going with it, so you you don't have you

2:12:59.080 --> 2:13:02.520
<v Speaker 1>know what I mean, love love, Everybody get a moment.

2:13:02.960 --> 2:13:04.120
<v Speaker 3>You want to say, but go ahead.

2:13:03.960 --> 2:13:06.280
<v Speaker 1>Call we love, we want, we want will all heead

2:13:06.400 --> 2:13:08.640
<v Speaker 1>we love Chris, and we love Chris absolutely.

2:13:08.680 --> 2:13:10.440
<v Speaker 3>But what did you think when you saw that?

2:13:10.560 --> 2:13:21.280
<v Speaker 10>Come on, why are you bringing up it already happened.

2:13:27.440 --> 2:13:29.560
<v Speaker 4>Yeah, not even just saying that it really is love.

2:13:29.640 --> 2:13:31.720
<v Speaker 4>But everybody get a moment in their life. Everybody get

2:13:31.760 --> 2:13:32.040
<v Speaker 4>a moment.

2:13:32.120 --> 2:13:34.160
<v Speaker 3>Like I was talking. He was talking to not name.

2:13:34.480 --> 2:13:37.480
<v Speaker 3>He was with Martin on the beach yesterday out here.

2:13:37.640 --> 2:13:39.960
<v Speaker 4>Yeah, he was saying that we would say, everybody get

2:13:39.960 --> 2:13:41.360
<v Speaker 4>a moment. He said, I had a few, you know

2:13:41.400 --> 2:13:43.200
<v Speaker 4>what I mean, And so everybody had the moment missing

2:13:43.400 --> 2:13:45.160
<v Speaker 4>human human, you know what I mean.

2:13:45.160 --> 2:13:45.720
<v Speaker 3>That's just what it is.

2:13:45.800 --> 2:13:50.400
<v Speaker 4>It was just a uh, very unfortunately situation in time.

2:13:50.720 --> 2:13:52.040
<v Speaker 3>But you move on from you, you know what I mean.

2:13:52.320 --> 2:13:54.400
<v Speaker 3>You listen, you have you go through with your own family.

2:13:54.680 --> 2:13:56.760
<v Speaker 6>Yeah, so it's the same thing I said about the

2:13:57.280 --> 2:13:59.760
<v Speaker 6>comedians beefing is it was a moment that shouldn't have

2:13:59.760 --> 2:14:00.520
<v Speaker 6>happened in the public.

2:14:00.560 --> 2:14:03.640
<v Speaker 3>Guy, you know, but this ship happens. Learning. You move on,

2:14:04.040 --> 2:14:06.280
<v Speaker 3>you know, learn and move on. I love you.

2:14:06.680 --> 2:14:08.720
<v Speaker 7>My question is if we do do a sequel, you're

2:14:08.800 --> 2:14:10.720
<v Speaker 7>gonna be available to be next one.

2:14:12.160 --> 2:14:17.200
<v Speaker 3>I want to be there. Let me do, let me

2:14:17.720 --> 2:14:25.880
<v Speaker 3>know we do came this suggest. I suggest good when

2:14:25.880 --> 2:14:27.640
<v Speaker 3>you get your word, because you give us some work. Yeah,

2:14:27.960 --> 2:14:32.040
<v Speaker 3>you know, I think this, This is what I suggest.

2:14:33.160 --> 2:14:34.080
<v Speaker 3>You start us now.

2:14:34.400 --> 2:14:36.800
<v Speaker 1>But we're gonna we're gonna do three different scenes. We're

2:14:36.800 --> 2:14:39.040
<v Speaker 1>gonna come with We're gonna come with different changes the

2:14:39.080 --> 2:14:41.920
<v Speaker 1>outfits because we know how to cheat the camera, right right,

2:14:43.080 --> 2:14:45.440
<v Speaker 1>three different If you want five, we can go five.

2:14:45.720 --> 2:14:47.200
<v Speaker 3>Okay, you just want to drink that much?

2:14:47.320 --> 2:14:50.160
<v Speaker 1>And then we're gonna no, no, no, We're gonna change

2:14:50.600 --> 2:14:51.480
<v Speaker 1>do different scenes.

2:14:52.120 --> 2:14:52.720
<v Speaker 3>You know what I mean?

2:14:53.120 --> 2:14:54.360
<v Speaker 7>Yeah, I want to interview money.

2:14:55.840 --> 2:14:56.880
<v Speaker 3>He has nothing to do with hip hop.

2:14:57.400 --> 2:14:59.880
<v Speaker 1>Yeah yeah, but but that's that's what's going to make

2:14:59.920 --> 2:15:02.480
<v Speaker 1>it funny. It's like, Yo, you want to fight fory Mayweather.

2:15:02.560 --> 2:15:03.920
<v Speaker 3>Do you know you shouldn't, right?

2:15:06.960 --> 2:15:07.200
<v Speaker 5>I don't.

2:15:07.840 --> 2:15:10.320
<v Speaker 3>Okay, So the movie.

2:15:10.960 --> 2:15:13.960
<v Speaker 1>Let me let me get more shot, get more shots,

2:15:16.440 --> 2:15:17.400
<v Speaker 1>let me get one more shot.

2:15:17.440 --> 2:15:18.240
<v Speaker 3>Okay.

2:15:18.320 --> 2:15:21.880
<v Speaker 1>So I'm gonna say we're going to interview drink Champs. Right,

2:15:23.040 --> 2:15:24.920
<v Speaker 1>we're gonna interview drink No, no, no, no, no, no

2:15:25.360 --> 2:15:27.840
<v Speaker 1>one of the characters. We can't interview whole because you

2:15:27.920 --> 2:15:30.240
<v Speaker 1>did you see Vince Staples. Just do it out there

2:15:30.320 --> 2:15:36.240
<v Speaker 1>that drink Champs was on jay Z drunk? You think

2:15:36.280 --> 2:15:39.880
<v Speaker 1>about drink Champs. Yeah, you want to take.

2:15:39.760 --> 2:15:42.960
<v Speaker 3>A shot for the jay Z on drink chants. You

2:15:43.040 --> 2:15:45.400
<v Speaker 3>really want jay Z on drink Champ. No, I really

2:15:45.480 --> 2:15:48.520
<v Speaker 3>want you to show me how you feel like he

2:15:48.600 --> 2:15:52.120
<v Speaker 3>would be. What what are you asking him? What are

2:15:52.120 --> 2:15:55.840
<v Speaker 3>you asking Jason? Get him drunk? Oh, you want to

2:15:55.840 --> 2:15:56.360
<v Speaker 3>get him drunk?

2:15:56.800 --> 2:15:57.440
<v Speaker 7>So act like.

2:15:59.680 --> 2:16:03.040
<v Speaker 3>Not regular jay Z? Can you do drunk jay Z

2:16:03.200 --> 2:16:03.800
<v Speaker 3>on drinkings?

2:16:03.880 --> 2:16:06.400
<v Speaker 1>And now he asked me to act? No acting, You

2:16:06.480 --> 2:16:08.560
<v Speaker 1>asked me to act, okay, because you know we got

2:16:08.600 --> 2:16:12.400
<v Speaker 1>the space. If he would be here, these will all

2:16:12.520 --> 2:16:16.680
<v Speaker 1>be gone. That idea is limited.

2:16:18.960 --> 2:16:28.120
<v Speaker 3>He knows that we know that idea is not making

2:16:28.120 --> 2:16:34.680
<v Speaker 3>it back. He's thinking about his video game. So we

2:16:34.800 --> 2:16:35.200
<v Speaker 3>know that.

2:16:37.680 --> 2:16:40.920
<v Speaker 1>He knows that idea we've we've hung out for six

2:16:41.040 --> 2:16:44.680
<v Speaker 1>hours drinking this and Japanese whisky and it was fantastic.

2:16:45.120 --> 2:16:45.320
<v Speaker 4>Yeah.

2:16:45.640 --> 2:16:52.000
<v Speaker 3>No, uh what was the song when Jay Niles and Cali? Oh?

2:16:52.080 --> 2:16:54.360
<v Speaker 5>I love that? H not?

2:16:54.480 --> 2:16:57.000
<v Speaker 1>God did He's whiskey on the measin.

2:16:59.160 --> 2:17:02.280
<v Speaker 3>That saw the video. I talked to you because that's

2:17:02.320 --> 2:17:05.360
<v Speaker 3>how I started drinking. And now it was like, y'all

2:17:05.560 --> 2:17:09.519
<v Speaker 3>like that I heard that verse Japanese.

2:17:11.840 --> 2:17:15.640
<v Speaker 1>It's like, y'all got to go in the booth my ship,

2:17:16.800 --> 2:17:19.240
<v Speaker 1>through my ship. I gotta call prect.

2:17:23.840 --> 2:17:26.240
<v Speaker 3>It with the Japanese whiskey line. He was like, y'all

2:17:26.520 --> 2:17:31.400
<v Speaker 3>Japanese whiskey. Yeah, get some flashy with the so like

2:17:31.720 --> 2:17:32.200
<v Speaker 3>this f.

2:17:34.520 --> 2:17:45.160
<v Speaker 1>Who he just dropped the wraps on Okay, recently, I

2:17:45.200 --> 2:17:47.480
<v Speaker 1>don't know how this is got rather than to this conversation.

2:17:48.000 --> 2:17:54.000
<v Speaker 3>Oh he's still drunk. I don't know if you noticed.

2:17:54.000 --> 2:17:55.039
<v Speaker 3>I sold it up a little bit.

2:17:55.360 --> 2:17:57.720
<v Speaker 4>Yeah, drink.

2:17:58.000 --> 2:17:59.120
<v Speaker 3>This is what we do.

2:17:59.840 --> 2:18:03.160
<v Speaker 7>We navigating, Yeah, navigate.

2:18:04.800 --> 2:18:11.920
<v Speaker 1>So next movie, Tyler Perry comes to y'all. I'm sorry

2:18:12.160 --> 2:18:16.200
<v Speaker 1>saying Tyler Perry teller. I mean that we're taking the

2:18:16.240 --> 2:18:19.240
<v Speaker 1>budget right. If Tyler Perry comes, right, Tyler Perry comes

2:18:19.360 --> 2:18:24.640
<v Speaker 1>and says, whatever y'all want.

2:18:26.080 --> 2:18:29.039
<v Speaker 3>What's my next check? What's the next movie y'all want

2:18:29.080 --> 2:18:32.000
<v Speaker 3>to do? Cut the check? What what movie are y'all picking?

2:18:32.160 --> 2:18:33.760
<v Speaker 1>I don't want to say what what the next movie?

2:18:33.760 --> 2:18:34.840
<v Speaker 1>But we know what the next movie is.

2:18:34.879 --> 2:18:36.240
<v Speaker 3>We want to do. But can you give us a

2:18:36.840 --> 2:18:44.880
<v Speaker 3>giving us something? You said action? You did serious your movie? Yeah?

2:18:45.120 --> 2:18:48.880
<v Speaker 6>Okay, well and other movies as well, Like I see

2:18:48.920 --> 2:18:52.080
<v Speaker 6>myself alongside the Mark Wahlbergs, the Will Smiths.

2:18:53.520 --> 2:18:58.000
<v Speaker 3>I have that range, and I want to do the unexpected.

2:18:58.520 --> 2:19:01.199
<v Speaker 1>You know, most people know me for being an animated comedian,

2:19:01.480 --> 2:19:04.840
<v Speaker 1>but what I showed in this in this hip hop

2:19:04.920 --> 2:19:06.959
<v Speaker 1>story was I actually have acting range as well.

2:19:07.120 --> 2:19:10.439
<v Speaker 6>He has acting range. He's a director. We're both producers.

2:19:11.040 --> 2:19:15.560
<v Speaker 6>So this isn't something that's just like a viral movie

2:19:15.800 --> 2:19:19.840
<v Speaker 6>or its Internet level. We're like, nah, we really are

2:19:20.280 --> 2:19:24.000
<v Speaker 6>Ryan Coogler, Michael B. Jordan's Stephen Stephen Cable junior type

2:19:24.120 --> 2:19:27.520
<v Speaker 6>type energy, like we're really filmmakers from.

2:19:27.400 --> 2:19:32.720
<v Speaker 3>On screen from behind. Yeah, I'm gonna be honest. I

2:19:32.840 --> 2:19:36.320
<v Speaker 3>see it, be honest it again. I see it and

2:19:36.400 --> 2:19:38.080
<v Speaker 3>I believe it. Clap it up for that.

2:19:45.680 --> 2:19:47.440
<v Speaker 1>I guess it's easier for me to see it and

2:19:47.560 --> 2:19:49.560
<v Speaker 1>believe it because of how y'all see it and believe

2:19:49.600 --> 2:19:50.200
<v Speaker 1>in yourselves.

2:19:50.800 --> 2:19:54.600
<v Speaker 6>Yeah, but we're talking about Michael Bay, Jerry Brookheimer level

2:19:54.640 --> 2:19:56.480
<v Speaker 6>stuff like that's those are the people that.

2:19:56.600 --> 2:19:58.840
<v Speaker 3>We admire, you know what I mean.

2:19:58.959 --> 2:20:03.280
<v Speaker 6>We admire big films, big action, high octane type of stuff,

2:20:03.879 --> 2:20:05.000
<v Speaker 6>even on the TV side.

2:20:05.320 --> 2:20:09.160
<v Speaker 3>Bruce Lee's daughter did Warrior, which.

2:20:09.040 --> 2:20:11.920
<v Speaker 1>Was a concept that Bruce Lee made back in seventy four,

2:20:13.560 --> 2:20:16.840
<v Speaker 1>not seventy four, sorry, he died in seventy three, but

2:20:16.959 --> 2:20:19.640
<v Speaker 1>he made He had this treatment that he wrote and

2:20:19.680 --> 2:20:21.840
<v Speaker 1>they wouldn't Hollywood wouldn't let him start it because they

2:20:21.959 --> 2:20:25.279
<v Speaker 1>told him that Asian people wouldn't be able to lead.

2:20:26.760 --> 2:20:27.240
<v Speaker 3>Projects.

2:20:28.280 --> 2:20:31.600
<v Speaker 6>And she found the treatment and her and Justin Lynn

2:20:31.680 --> 2:20:36.840
<v Speaker 6>partnered up and Warrior is incredible. I'm talking about the action,

2:20:37.440 --> 2:20:40.240
<v Speaker 6>the camera work, everything about the writing.

2:20:41.040 --> 2:20:43.320
<v Speaker 3>So I'm on that shit.

2:20:43.440 --> 2:20:45.720
<v Speaker 6>He's on that shit, Like, we're not just hip hop

2:20:46.959 --> 2:20:48.600
<v Speaker 6>comedy movie makers.

2:20:48.760 --> 2:20:52.360
<v Speaker 3>This is just, you know, something very close to our hearts,

2:20:52.800 --> 2:20:54.040
<v Speaker 3>and we could really do that too.

2:20:54.560 --> 2:20:56.920
<v Speaker 6>The fact that we wrote bars in the voices of

2:20:57.000 --> 2:21:00.840
<v Speaker 6>all these different iconic mcs was us saying no, we

2:21:01.040 --> 2:21:03.560
<v Speaker 6>we actually are of the culture. But we're actors too.

2:21:03.760 --> 2:21:06.680
<v Speaker 6>This isn't just an impersonation. We're acting as these people

2:21:07.240 --> 2:21:09.280
<v Speaker 6>so that you really believe you're listening to a Joe

2:21:09.360 --> 2:21:13.360
<v Speaker 6>Burden verse on that song, or free Way verse or

2:21:13.600 --> 2:21:14.360
<v Speaker 6>a Drake verse.

2:21:14.440 --> 2:21:19.119
<v Speaker 1>So whoever, whoever, we we imitate. E forty too short

2:21:19.200 --> 2:21:23.120
<v Speaker 1>like what he was great, crazy that JEFFN. Smith crazy, But.

2:21:23.200 --> 2:21:25.080
<v Speaker 2>Not only that, I just want to also just give

2:21:25.160 --> 2:21:27.640
<v Speaker 2>my brother also flowers because his pen game is crazy,

2:21:28.040 --> 2:21:31.600
<v Speaker 2>from his script pen game to his rap ping game

2:21:31.760 --> 2:21:32.240
<v Speaker 2>is crazy.

2:21:32.920 --> 2:21:34.360
<v Speaker 7>So I just got to give him his flowers.

2:21:34.720 --> 2:21:39.520
<v Speaker 3>Put this right movie. Yeah, you're gonna finish it the

2:21:39.560 --> 2:21:40.480
<v Speaker 3>whole time. Thank you, brother.

2:21:40.840 --> 2:21:43.880
<v Speaker 2>He led me as a friend. He could have got

2:21:43.920 --> 2:21:46.560
<v Speaker 2>anybody to direct this movie that he wrote for us

2:21:46.600 --> 2:21:48.600
<v Speaker 2>a long time ago, but he put his trust in

2:21:48.680 --> 2:21:50.480
<v Speaker 2>me and this is my first feature that I got

2:21:50.520 --> 2:21:52.560
<v Speaker 2>to direct, and he put his trust in me and

2:21:52.680 --> 2:21:54.640
<v Speaker 2>his money and allow me to do that.

2:21:54.840 --> 2:21:56.400
<v Speaker 7>So I'm grateful to my brother.

2:21:59.400 --> 2:22:01.560
<v Speaker 1>Let me tell y'all something. We tell you something what

2:22:01.640 --> 2:22:09.200
<v Speaker 1>I see again because we said it earlier. It's like, yo,

2:22:09.280 --> 2:22:11.680
<v Speaker 1>why do we have to do other people's movie? But

2:22:12.120 --> 2:22:15.600
<v Speaker 1>I have no better example than what I'm about to say.

2:22:15.680 --> 2:22:19.240
<v Speaker 3>Right now. So I'm gonna say it, y'all can be

2:22:19.400 --> 2:22:22.840
<v Speaker 3>like the Adam Sandon you know where they go and

2:22:23.000 --> 2:22:25.960
<v Speaker 3>do movies with the same crew and friends. Man, they

2:22:26.040 --> 2:22:32.240
<v Speaker 3>say appetite Adam, I told you loyal. I love that comedy.

2:22:32.600 --> 2:22:34.880
<v Speaker 3>You know the seth Rogans.

2:22:34.920 --> 2:22:38.359
<v Speaker 1>They hire the same exact people, the Adam Sadler's hiding.

2:22:38.200 --> 2:22:39.760
<v Speaker 3>The same exact people. And some of them most of

2:22:39.800 --> 2:22:41.760
<v Speaker 3>them are some of them are black people. But there's

2:22:42.160 --> 2:22:42.680
<v Speaker 3>now they're all.

2:22:43.400 --> 2:22:47.000
<v Speaker 1>But when you got the director, of the producer, the

2:22:47.120 --> 2:22:50.000
<v Speaker 1>writer and everybody and you continue to do that, that

2:22:50.120 --> 2:22:54.280
<v Speaker 1>ship is just so like, for lack of a better term, attractive.

2:22:53.800 --> 2:22:54.920
<v Speaker 7>To me, we've been doing that.

2:22:55.520 --> 2:22:57.480
<v Speaker 2>You go back to his sketch show that he had

2:22:57.600 --> 2:22:59.960
<v Speaker 2>back and fix all of the people that in there,

2:23:00.640 --> 2:23:04.560
<v Speaker 2>all the people out doing this movie friends make up.

2:23:04.879 --> 2:23:06.840
<v Speaker 3>All of this. Wow, yeah, same hair and makeup.

2:23:07.959 --> 2:23:10.160
<v Speaker 1>Keep the people we already been makeup and now the

2:23:10.200 --> 2:23:11.720
<v Speaker 1>world is starting to me hair and making the I'm

2:23:11.720 --> 2:23:15.480
<v Speaker 1>about to hire them. Oh yeah, well he called her own.

2:23:15.560 --> 2:23:17.320
<v Speaker 1>She was my makeup artist on Wild and Out. That's

2:23:17.320 --> 2:23:17.720
<v Speaker 1>where we met.

2:23:17.800 --> 2:23:20.520
<v Speaker 6>She was Knicks makeup artists for a while, but when

2:23:20.520 --> 2:23:23.080
<v Speaker 6>we were on sets, she told me and we did

2:23:23.160 --> 2:23:24.720
<v Speaker 6>some sketches there. But that's when I learned that she

2:23:24.760 --> 2:23:27.440
<v Speaker 6>does special effects makeup too, and she can really transform people.

2:23:27.520 --> 2:23:29.160
<v Speaker 6>She turned me into eminem when I did the dream

2:23:29.360 --> 2:23:33.720
<v Speaker 6>just on YouTube. But she really knows what she's doing.

2:23:34.600 --> 2:23:37.760
<v Speaker 6>Her her partner Karen Rhodes on the hair, she really

2:23:37.840 --> 2:23:38.480
<v Speaker 6>knew the errors.

2:23:38.480 --> 2:23:40.920
<v Speaker 3>And anytime we told her what we needed or who

2:23:41.240 --> 2:23:44.280
<v Speaker 3>we wanted to portray, they did the googles, They pulled

2:23:44.360 --> 2:23:49.080
<v Speaker 3>up the the images went right to work, and they

2:23:49.160 --> 2:23:52.640
<v Speaker 3>started sending me images of the wigs being cut on

2:23:52.720 --> 2:23:53.520
<v Speaker 3>the dummy heads.

2:23:53.600 --> 2:23:53.720
<v Speaker 7>Right.

2:23:53.959 --> 2:23:56.240
<v Speaker 1>They would send me photos of like mc lights wig

2:23:56.400 --> 2:23:58.640
<v Speaker 1>and this wig and that wig, and it already was

2:23:58.680 --> 2:24:01.119
<v Speaker 1>looking like the person on the win on the dummy.

2:24:01.840 --> 2:24:04.680
<v Speaker 1>I was like, oh, ship, wait until we get this

2:24:04.720 --> 2:24:06.640
<v Speaker 1>wig on little Mama, Like it's gonna be.

2:24:06.760 --> 2:24:12.400
<v Speaker 3>Shut a little moments light. I had to look at

2:24:12.440 --> 2:24:15.360
<v Speaker 3>it three times. She was light. She embodied like light.

2:24:16.959 --> 2:24:17.959
<v Speaker 7>Men.

2:24:18.800 --> 2:24:24.960
<v Speaker 1>Right, No, listen, the whole movie is on the page,

2:24:25.040 --> 2:24:28.800
<v Speaker 1>like I wrote that ship nigga, I'm nice ship.

2:24:30.240 --> 2:24:34.160
<v Speaker 7>Game cheese.

2:24:35.480 --> 2:24:38.400
<v Speaker 5>But when you were around Rockefeller, were you involved in

2:24:38.440 --> 2:24:40.440
<v Speaker 5>any of the films that the Dane was doing, like

2:24:40.560 --> 2:24:41.680
<v Speaker 5>paper Soldiers, or anything like that.

2:24:42.800 --> 2:24:43.720
<v Speaker 7>Death of a Dynasty.

2:24:44.200 --> 2:24:45.000
<v Speaker 3>Okay, I heard you.

2:24:45.560 --> 2:24:47.600
<v Speaker 2>During that time because I was just filming, and I

2:24:47.720 --> 2:24:49.440
<v Speaker 2>was filming all the behind the scenes stuff with with

2:24:49.520 --> 2:24:49.800
<v Speaker 2>all of that.

2:24:49.920 --> 2:24:51.640
<v Speaker 3>So I was around State property too.

2:24:51.760 --> 2:24:52.440
<v Speaker 7>I was around there.

2:24:52.600 --> 2:24:54.480
<v Speaker 2>I was around filming all the behind the scenes of that.

2:24:55.920 --> 2:24:57.880
<v Speaker 2>But yeah, so I was around. I was around for everything.

2:24:57.879 --> 2:25:00.080
<v Speaker 2>I still have all of that footage, I like and

2:25:00.480 --> 2:25:03.200
<v Speaker 2>hundreds of tape of the whole Rockefeller like era of

2:25:03.320 --> 2:25:06.880
<v Speaker 2>that time filming. So, man, nobody's gonna ever see that,

2:25:07.879 --> 2:25:12.400
<v Speaker 2>like the guy with with his uh with his footage,

2:25:13.000 --> 2:25:15.600
<v Speaker 2>you know what I mean. At some point, yeah, at

2:25:15.640 --> 2:25:16.039
<v Speaker 2>some point.

2:25:16.320 --> 2:25:19.400
<v Speaker 1>Yeah, oh yeah, when it makes sense absolute Sometimes it

2:25:19.560 --> 2:25:20.520
<v Speaker 1>just doesn't make sense.

2:25:20.680 --> 2:25:21.560
<v Speaker 3>Some things at.

2:25:23.320 --> 2:25:26.440
<v Speaker 1>And did you ever think that Rockefeller will break up

2:25:26.480 --> 2:25:28.280
<v Speaker 1>when you first came to them?

2:25:29.560 --> 2:25:30.119
<v Speaker 7>No, I didn't.

2:25:30.160 --> 2:25:30.480
<v Speaker 3>I didn't.

2:25:30.480 --> 2:25:32.560
<v Speaker 7>You know, nobody ever thought that. I just kind of

2:25:32.600 --> 2:25:34.280
<v Speaker 7>came out of nowhere. But I was a fly on

2:25:34.360 --> 2:25:34.640
<v Speaker 7>the wall.

2:25:34.760 --> 2:25:37.400
<v Speaker 3>How did you get man?

2:25:37.760 --> 2:25:39.680
<v Speaker 7>I was filming the Harlem Shakers.

2:25:39.720 --> 2:25:42.360
<v Speaker 2>The Halem Shaker has just got real big in New York, right,

2:25:42.680 --> 2:25:46.280
<v Speaker 2>So I'm filming these guys. Yeah, g WebStar. It was

2:25:46.400 --> 2:25:48.680
<v Speaker 2>like the the guys who danced you know what I mean.

2:25:48.959 --> 2:25:50.440
<v Speaker 2>You used to dance in the Eve video and all

2:25:50.480 --> 2:25:54.520
<v Speaker 2>these other videos. And then uh, I believe Tone Hooker,

2:25:55.440 --> 2:25:58.400
<v Speaker 2>Tone Hooker and Claudi By they reached out to me

2:25:58.440 --> 2:25:59.879
<v Speaker 2>because they saw the stuff that I was doing around

2:25:59.879 --> 2:26:01.680
<v Speaker 2>the lock around the neighborhoods, and it was like, hey man,

2:26:01.760 --> 2:26:04.280
<v Speaker 2>they need somebody to come travel with him and film

2:26:04.560 --> 2:26:07.280
<v Speaker 2>all the Rockefeller stuff. And they just brought me to

2:26:07.360 --> 2:26:10.400
<v Speaker 2>the office and I got there to day Dame looked

2:26:10.440 --> 2:26:12.120
<v Speaker 2>at me, He's like, yo, I got the camera, he

2:26:12.160 --> 2:26:13.920
<v Speaker 2>gave me, gave me the camera, gave me the equipment,

2:26:14.520 --> 2:26:16.840
<v Speaker 2>and proceeded to snap on me for about the next

2:26:17.080 --> 2:26:20.360
<v Speaker 2>three or four hours at Rockefeller. That was like my

2:26:20.879 --> 2:26:24.080
<v Speaker 2>intro to the to the initiation to the family, and

2:26:24.560 --> 2:26:26.680
<v Speaker 2>and I just traveled around with that's I got to

2:26:26.720 --> 2:26:27.800
<v Speaker 2>meet you man and write my.

2:26:27.800 --> 2:26:29.040
<v Speaker 7>First script and all that.

2:26:30.120 --> 2:26:31.480
<v Speaker 3>But was you with them in France?

2:26:32.240 --> 2:26:35.520
<v Speaker 11>No, I didn't go to France. I didn't go to France. Yeah,

2:26:35.959 --> 2:26:42.480
<v Speaker 11>some other people win. So yeah, Charlie Mann, Yes, sir,

2:26:44.520 --> 2:26:45.600
<v Speaker 11>what's our chances again?

2:26:45.680 --> 2:26:48.680
<v Speaker 3>Will Smith? Oh, very very well, he's here, he's.

2:26:48.600 --> 2:26:51.400
<v Speaker 4>Here, He's gonna come. I give you that, he's definitely

2:26:51.440 --> 2:26:54.160
<v Speaker 4>gonna come. It's gonna be great.

2:26:54.840 --> 2:26:57.480
<v Speaker 3>Now if we get Will Smith and Mark what the hell.

2:26:57.440 --> 2:26:59.760
<v Speaker 4>Is that's even I think that's a possibility as well,

2:27:00.280 --> 2:27:01.960
<v Speaker 4>you know, with them tonight.

2:27:02.040 --> 2:27:04.040
<v Speaker 3>So let them know. You gotta come to I love

2:27:04.080 --> 2:27:06.360
<v Speaker 3>the floor, I got it. I just want to give

2:27:06.400 --> 2:27:07.040
<v Speaker 3>them their flowers.

2:27:07.080 --> 2:27:09.400
<v Speaker 7>Man. But but.

2:27:11.600 --> 2:27:13.000
<v Speaker 3>But it's right, it's right then they come up. You

2:27:13.040 --> 2:27:16.000
<v Speaker 3>know what I mean? Culture? You know is the new

2:27:16.040 --> 2:27:17.720
<v Speaker 3>marketing campaign.

2:27:17.840 --> 2:27:18.200
<v Speaker 1>This is it.

2:27:18.360 --> 2:27:20.520
<v Speaker 2>This is on the top of the marketing in the

2:27:20.600 --> 2:27:23.600
<v Speaker 2>world that you can go to. But to express your art,

2:27:24.440 --> 2:27:25.599
<v Speaker 2>get your projects.

2:27:25.200 --> 2:27:26.360
<v Speaker 3>Out, got it?

2:27:27.000 --> 2:27:28.640
<v Speaker 4>Well you gotta Will Martin, you gotta come over here

2:27:28.640 --> 2:27:30.600
<v Speaker 4>and sit with he and Nor.

2:27:30.480 --> 2:27:30.960
<v Speaker 3>You know what I mean?

2:27:36.480 --> 2:27:38.879
<v Speaker 1>Yeah, man, I god, damn man, I ain't gonna lie.

2:27:39.920 --> 2:27:42.320
<v Speaker 1>It wasn't just that I'm smiling. I'm just being honest.

2:27:42.360 --> 2:27:43.720
<v Speaker 1>I've been I've been happy this whole time.

2:27:43.800 --> 2:27:46.920
<v Speaker 3>That's beautiful. Let me tell us, no, no, you go,

2:27:48.480 --> 2:27:49.120
<v Speaker 3>it's not no.

2:27:49.600 --> 2:27:51.280
<v Speaker 1>I wanted to piggyback off of what he was saying

2:27:51.320 --> 2:27:54.480
<v Speaker 1>about me give give me my flowers. The reason why

2:27:54.800 --> 2:27:57.720
<v Speaker 1>I didn't go to some other director in Hollywood is.

2:27:57.680 --> 2:27:59.680
<v Speaker 6>Because this is my guy. Like we've been doing this

2:27:59.720 --> 2:28:02.640
<v Speaker 6>ship YouTube. So I already know what we think of, Like, right,

2:28:02.720 --> 2:28:07.240
<v Speaker 6>I wrote this movie for us, and he's a genius.

2:28:07.600 --> 2:28:11.360
<v Speaker 6>He knows, he really knows like cameras and editing and

2:28:11.600 --> 2:28:14.440
<v Speaker 6>like he's a special effects guy. He does all kinds

2:28:14.440 --> 2:28:19.080
<v Speaker 6>of shit. So I want to rewrite the narrative. Like

2:28:19.160 --> 2:28:22.000
<v Speaker 6>Hollywood loves to hire the same people. They go to

2:28:22.000 --> 2:28:23.920
<v Speaker 6>the same people over and over and over, and I

2:28:24.000 --> 2:28:29.320
<v Speaker 6>think at some point those people hit their ceiling. They

2:28:29.400 --> 2:28:31.199
<v Speaker 6>don't you know what I mean, Like they hit a wall,

2:28:31.320 --> 2:28:34.600
<v Speaker 6>Like the creativity is not as great as it could

2:28:34.640 --> 2:28:38.480
<v Speaker 6>be because they they're oversaturated. That he getting called So

2:28:38.640 --> 2:28:43.200
<v Speaker 6>why not go to somebody who you know personally and

2:28:43.400 --> 2:28:46.520
<v Speaker 6>give them the shot to become the next big director?

2:28:46.560 --> 2:28:49.600
<v Speaker 3>Why not? And why not take that journey together?

2:28:49.760 --> 2:28:53.000
<v Speaker 6>And I mean it shows on the screen like everything

2:28:53.080 --> 2:28:56.760
<v Speaker 6>that we did worked really well together, from the writing

2:28:56.840 --> 2:28:59.040
<v Speaker 6>to the directing to the casting.

2:29:00.240 --> 2:29:03.400
<v Speaker 3>Friend, it's Tim's story, right, yeah, I mean it's my guy.

2:29:03.480 --> 2:29:09.880
<v Speaker 4>But I could have been like, man, let me get story,

2:29:09.920 --> 2:29:10.120
<v Speaker 4>but no.

2:29:10.200 --> 2:29:11.320
<v Speaker 3>Yeah, Tim story. Definitely.

2:29:12.040 --> 2:29:14.960
<v Speaker 1>He read the script two years ago, but it's before

2:29:15.400 --> 2:29:18.200
<v Speaker 1>the whole Kevin Hart movies and all that stuff. And

2:29:19.760 --> 2:29:21.600
<v Speaker 1>but yeah, at the time, he was still looking to

2:29:22.000 --> 2:29:24.720
<v Speaker 1>get his big movie. Malcolm Lee wanted to do it,

2:29:24.959 --> 2:29:27.720
<v Speaker 1>but he was busy, he was doing other things. But

2:29:28.120 --> 2:29:30.640
<v Speaker 1>it was meant to happen right now, you know, Hip

2:29:30.680 --> 2:29:31.119
<v Speaker 1>Hop fifty.

2:29:31.360 --> 2:29:34.080
<v Speaker 5>I think it should be said though, and that it's

2:29:34.160 --> 2:29:36.560
<v Speaker 5>not just because people are your friends, it's because you.

2:29:36.879 --> 2:29:39.720
<v Speaker 3>You trust that they have the skills to thousands.

2:29:40.240 --> 2:29:42.119
<v Speaker 5>Even like when we're talking about Adam Sandler, the people

2:29:42.680 --> 2:29:45.560
<v Speaker 5>they're funny. It's funny for what he's trying to accomplish.

2:29:45.560 --> 2:29:49.120
<v Speaker 5>It's not just what he has, the skill sets that

2:29:49.200 --> 2:29:50.720
<v Speaker 5>he has. And you're right, I was.

2:29:52.480 --> 2:29:53.880
<v Speaker 3>I was more than willing, thank you.

2:29:54.000 --> 2:29:55.880
<v Speaker 6>I was more than willing to put my money up

2:29:57.320 --> 2:29:59.520
<v Speaker 6>and invest in him right the same way I'm willing

2:29:59.600 --> 2:30:02.720
<v Speaker 6>to invest to me with your focus absolutely.

2:30:03.520 --> 2:30:05.800
<v Speaker 1>So what we gotta do is, I'm just throw this

2:30:05.879 --> 2:30:11.880
<v Speaker 1>out there. Besides the gas station movie, we gotta do

2:30:12.000 --> 2:30:12.920
<v Speaker 1>a handball movie.

2:30:13.480 --> 2:30:16.240
<v Speaker 5>Oh what you already have the I guess the pilot

2:30:16.320 --> 2:30:19.440
<v Speaker 5>demo for the movie A handball Handball.

2:30:19.840 --> 2:30:22.040
<v Speaker 3>You gotta listen because they did. They did Dollgeball. So

2:30:22.480 --> 2:30:23.920
<v Speaker 3>it's not let's look at it.

2:30:23.959 --> 2:30:26.320
<v Speaker 4>I'm just we can never know we're listening. But don't

2:30:26.360 --> 2:30:28.840
<v Speaker 4>get don't get all the Jews handball. Don't get away

2:30:28.840 --> 2:30:30.120
<v Speaker 4>all the Jews on there, you know what I mean.

2:30:30.360 --> 2:30:35.240
<v Speaker 4>So yeah, yeah, I grew up playing.

2:30:38.040 --> 2:30:41.640
<v Speaker 3>I mean we need you got to show them the footage.

2:30:43.800 --> 2:30:46.400
<v Speaker 1>We did, Like I even got like a like a

2:30:46.480 --> 2:30:49.680
<v Speaker 1>handball baseball card picture, Like well, I'm like.

2:30:50.480 --> 2:30:52.040
<v Speaker 3>When do we film that. We filmed that like in

2:30:52.160 --> 2:30:55.320
<v Speaker 3>early two thousand. We did. Yeah, the footage is terrible

2:30:55.360 --> 2:30:56.560
<v Speaker 3>now in terms.

2:30:56.400 --> 2:30:59.720
<v Speaker 5>Of like the quality, the idea, the ideas there and

2:30:59.800 --> 2:31:01.200
<v Speaker 5>there's crazy.

2:31:01.240 --> 2:31:05.560
<v Speaker 1>It's crazy because yeah yeah yeah, and it's two things

2:31:05.640 --> 2:31:09.800
<v Speaker 1>that's like hood handball and Bayes what I said, stickball,

2:31:10.160 --> 2:31:13.320
<v Speaker 1>stickball and handball. It's very hood and you we do

2:31:13.480 --> 2:31:16.960
<v Speaker 1>a handble we let yeah yeah, yeah, we go in

2:31:17.040 --> 2:31:19.520
<v Speaker 1>the hood with the hood, play the hood in the hood,

2:31:20.280 --> 2:31:24.000
<v Speaker 1>the hood and everything is good and everything is good.

2:31:25.600 --> 2:31:35.160
<v Speaker 3>Yeah, I mean playing. Yes, molested and there was double

2:31:35.320 --> 2:31:37.760
<v Speaker 3>jall is in there, y'all, Like you gotta relax, by

2:31:37.800 --> 2:31:39.520
<v Speaker 3>the way, there was no molester in that bar in

2:31:39.600 --> 2:31:46.760
<v Speaker 3>at birth. Yeah you said that the whole time. I'm sorry,

2:31:47.360 --> 2:31:54.320
<v Speaker 3>I heard Court just said Court just after.

2:32:00.120 --> 2:32:00.760
<v Speaker 8>What I heard.

2:32:02.240 --> 2:32:02.440
<v Speaker 4>High.

2:32:04.920 --> 2:32:06.320
<v Speaker 7>I'm like, so relaxed.

2:32:07.240 --> 2:32:10.360
<v Speaker 3>How was it that the Rockefeller days it was great

2:32:10.480 --> 2:32:11.080
<v Speaker 3>changed my life.

2:32:12.040 --> 2:32:14.120
<v Speaker 7>It was the first obviously, this is the second thing

2:32:14.200 --> 2:32:14.800
<v Speaker 7>that changed my life.

2:32:14.840 --> 2:32:18.200
<v Speaker 2>That was the first introduction of just being around the

2:32:18.280 --> 2:32:20.560
<v Speaker 2>people that imed forever and being a hip hop you

2:32:20.600 --> 2:32:22.680
<v Speaker 2>know what I mean, seeing those guys. So it was

2:32:22.959 --> 2:32:25.120
<v Speaker 2>a great experience, you know what I mean. It was

2:32:25.240 --> 2:32:28.840
<v Speaker 2>just dope traveling the world and all of that fun stuff.

2:32:28.879 --> 2:32:31.560
<v Speaker 7>It was just dope. Never I've never, I don't know

2:32:31.680 --> 2:32:34.440
<v Speaker 7>any error. It's my favorite era of hip hop to me.

2:32:35.440 --> 2:32:40.320
<v Speaker 3>So you don't got these other people's stories. It was.

2:32:42.120 --> 2:32:45.760
<v Speaker 2>I was just the camera man me too, I said,

2:32:45.800 --> 2:32:47.480
<v Speaker 2>I said h in, and I shot everything.

2:32:47.600 --> 2:32:50.760
<v Speaker 3>That's it. Well, my whole Rockefella days was great.

2:32:51.760 --> 2:32:52.240
<v Speaker 4>I love it.

2:32:53.440 --> 2:33:00.000
<v Speaker 3>It was great. Alloise to Rockefeller. We guys signed Rockefella

2:33:00.760 --> 2:33:03.879
<v Speaker 3>listens the manager to.

2:33:06.240 --> 2:33:10.680
<v Speaker 1>I got a question for you. Yes, let me let

2:33:10.760 --> 2:33:14.440
<v Speaker 1>me tell you something. When I keep studying you, your

2:33:14.600 --> 2:33:19.400
<v Speaker 1>memory is too good. You remember everybody where you know them,

2:33:19.520 --> 2:33:25.680
<v Speaker 1>from where you know them at, and the time you

2:33:25.879 --> 2:33:26.280
<v Speaker 1>met them.

2:33:26.600 --> 2:33:26.920
<v Speaker 3>Facts.

2:33:27.360 --> 2:33:31.200
<v Speaker 1>So what are you about to say? I'm scared of

2:33:31.360 --> 2:33:33.880
<v Speaker 1>that something. You know what I'm about to ask you.

2:33:36.720 --> 2:33:42.560
<v Speaker 1>It's a legendary cipher DMX to your Mexican cannabis. Yeah,

2:33:42.640 --> 2:33:45.400
<v Speaker 1>I think they was jumping clue if you felt what

2:33:45.720 --> 2:33:47.920
<v Speaker 1>I thought they was jumping me how.

2:33:48.680 --> 2:33:55.920
<v Speaker 3>Because they knew each other? How you know them? I

2:33:56.080 --> 2:33:57.920
<v Speaker 3>want to make sure what sighte were you talking about

2:33:57.959 --> 2:34:01.400
<v Speaker 3>that when you was on that was? It was a clue?

2:34:01.480 --> 2:34:04.160
<v Speaker 3>Who's a FlexE on the radio? On the radio? Yeah,

2:34:04.480 --> 2:34:07.240
<v Speaker 3>wasn't it? Who was it was?

2:34:07.680 --> 2:34:10.280
<v Speaker 1>There's a couple of if you know, you know, you

2:34:10.480 --> 2:34:14.119
<v Speaker 1>tell me bringing this ship up and checking me this whole.

2:34:20.600 --> 2:34:23.440
<v Speaker 3>Let me finish that motherfucker.

2:34:24.200 --> 2:34:28.280
<v Speaker 1>He wanted too much, you had too much, too much

2:34:28.320 --> 2:34:31.320
<v Speaker 1>more Because I'm ready, I'm ready, I'm ready to answer.

2:34:31.440 --> 2:34:33.760
<v Speaker 6>No, you're you're a part of a legendary cipher with

2:34:33.920 --> 2:34:36.240
<v Speaker 6>I'm part of a couple of a few.

2:34:36.600 --> 2:34:37.920
<v Speaker 3>But that was my favorite one.

2:34:38.000 --> 2:34:42.119
<v Speaker 1>I might have the the second best posse record, maybe

2:34:42.240 --> 2:34:47.199
<v Speaker 1>maybe the third best problem TV from TV in the world.

2:34:47.440 --> 2:34:50.960
<v Speaker 3>Was no one ever even realized I am got hooked? Yeah,

2:34:52.240 --> 2:34:58.680
<v Speaker 3>So can I ask my question? I thought you finished? No? No, no, Like,

2:34:58.840 --> 2:35:01.200
<v Speaker 3>how was that that energy for you? Like?

2:35:01.200 --> 2:35:04.000
<v Speaker 1>How do you feel about that cipher? You cannabis and

2:35:04.120 --> 2:35:07.840
<v Speaker 1>DMX going back and forth, Like that's that's a legendary joint.

2:35:07.920 --> 2:35:12.400
<v Speaker 1>It traveled the world, and I don't know if you understand, Okay,

2:35:12.640 --> 2:35:13.920
<v Speaker 1>the impact of that cipher.

2:35:14.000 --> 2:35:16.600
<v Speaker 3>I feel like we're confusing a couple of different ciphers. Zoe,

2:35:17.040 --> 2:35:19.520
<v Speaker 3>and you heard about that. It was cannabis and DMX

2:35:19.680 --> 2:35:22.600
<v Speaker 3>cannabis MX seven.

2:35:23.400 --> 2:35:27.440
<v Speaker 1>Okay, funk Flex, I'm the hottest dude in the world,

2:35:27.520 --> 2:35:29.840
<v Speaker 1>but guess what SO is cannabis?

2:35:30.720 --> 2:35:31.800
<v Speaker 3>So is DMX.

2:35:32.920 --> 2:35:37.160
<v Speaker 1>I went up there and all I remember was funk

2:35:37.240 --> 2:35:40.560
<v Speaker 1>Flex mowing it but not telling me. He's promoting it,

2:35:42.560 --> 2:35:50.120
<v Speaker 1>and Pun hitting me immediately like, Yo, let's I'm coming

2:35:50.200 --> 2:35:53.560
<v Speaker 1>up there, And I was just like what because I

2:35:53.560 --> 2:35:55.800
<v Speaker 1>didn't know what I was walking into. It was two

2:35:55.840 --> 2:36:01.520
<v Speaker 1>way days, so I walked in. I didn't know cannabis

2:36:01.760 --> 2:36:02.359
<v Speaker 1>or DMX.

2:36:02.680 --> 2:36:06.760
<v Speaker 3>Just legendary that Pun hits you about it is legendary.

2:36:06.840 --> 2:36:09.120
<v Speaker 1>He was listening to Hot ninety seven, like back then

2:36:09.560 --> 2:36:12.800
<v Speaker 1>that was our We didn't have links, right, we didn't

2:36:12.879 --> 2:36:15.760
<v Speaker 1>have my Space, we didn't have such and us. So

2:36:15.920 --> 2:36:19.840
<v Speaker 1>Pun knew what I was walking into before I knew when.

2:36:19.720 --> 2:36:21.879
<v Speaker 3>I walked into it, and he was like, yo, tell

2:36:21.959 --> 2:36:25.600
<v Speaker 3>Flex to let me up. And as the time, I

2:36:25.680 --> 2:36:31.680
<v Speaker 3>don't think either. I didn't know cannabis or X, and

2:36:31.800 --> 2:36:32.000
<v Speaker 3>you know.

2:36:32.720 --> 2:36:35.680
<v Speaker 1>They rhymed, and when they rhymed at first, they gave

2:36:35.720 --> 2:36:41.640
<v Speaker 1>each other five and I ain't like, like the fuck

2:36:42.879 --> 2:36:46.200
<v Speaker 1>so you felt away from the door, you felt like

2:36:47.360 --> 2:36:49.160
<v Speaker 1>I didn't, not from the door. I felt the way

2:36:49.280 --> 2:36:52.080
<v Speaker 1>after the rhymes was spits right after the round spit,

2:36:52.240 --> 2:36:55.039
<v Speaker 1>they like, it's like you and your comedia on me, like, yo,

2:36:55.440 --> 2:36:58.840
<v Speaker 1>your finished your boom. But I'm like, damn, there's three

2:36:58.920 --> 2:37:02.960
<v Speaker 1>of us, let's hit O the night cool. So I

2:37:03.120 --> 2:37:07.440
<v Speaker 1>keep going in pun Is calling me, flexus calling me.

2:37:08.720 --> 2:37:12.160
<v Speaker 1>And that's when me and d m X became friends,

2:37:12.600 --> 2:37:18.600
<v Speaker 1>right because me and d m X and cannabis and cannabis, damn,

2:37:18.640 --> 2:37:21.120
<v Speaker 1>because we gotta we got a big cannabis, then we.

2:37:21.120 --> 2:37:21.800
<v Speaker 3>Gotta have cannabis.

2:37:22.120 --> 2:37:24.320
<v Speaker 7>We gotta have cannabis, can cannabis.

2:37:24.320 --> 2:37:27.440
<v Speaker 1>There's so many fake rumors of that's not whining cannabis

2:37:27.480 --> 2:37:30.400
<v Speaker 1>on this fucking show, this fucking retardet. You gotta you

2:37:30.480 --> 2:37:32.520
<v Speaker 1>gotta have them, you gotta have cannabis on all right.

2:37:32.840 --> 2:37:34.720
<v Speaker 1>But listen, this is why I even brought it up.

2:37:35.240 --> 2:37:38.080
<v Speaker 6>It's it's it's one of those ciphers that me and

2:37:38.160 --> 2:37:41.040
<v Speaker 6>my boys listened to over and over and what was

2:37:41.160 --> 2:37:43.280
<v Speaker 6>more impressive because I didn't grow up in New York, right,

2:37:43.360 --> 2:37:49.320
<v Speaker 6>so I didn't hear all of the different stretch Armstrong

2:37:49.480 --> 2:37:52.199
<v Speaker 6>and you know what I mean, all of those those ciphers.

2:37:52.240 --> 2:37:56.720
<v Speaker 6>I heard about them later legendaries. This is what I'm saying,

2:37:56.840 --> 2:38:01.240
<v Speaker 6>Like to hear guys that are already.

2:38:03.000 --> 2:38:06.920
<v Speaker 1>On top, like superheroes are wrap three guys that aren't

2:38:07.200 --> 2:38:12.440
<v Speaker 1>a group that are trading the mic. Yeah, like for

2:38:13.040 --> 2:38:15.120
<v Speaker 1>John and Niggas rhyming for like forty five minutes to

2:38:15.160 --> 2:38:17.080
<v Speaker 1>an hour, like it was crazy. It was something crazy,

2:38:17.879 --> 2:38:20.360
<v Speaker 1>But I just had to bring it up because I

2:38:20.360 --> 2:38:23.360
<v Speaker 1>don't know if you understand how how iconic that moment was.

2:38:23.440 --> 2:38:25.640
<v Speaker 1>And they were really like the freshman class of that era. No,

2:38:25.760 --> 2:38:27.879
<v Speaker 1>that is the freshman class. You look at the sort

2:38:28.800 --> 2:38:31.520
<v Speaker 1>we're all on there. That's the reason why pun so

2:38:31.760 --> 2:38:35.560
<v Speaker 1>mad that he can, Yeah, that he wanted to. That's

2:38:35.640 --> 2:38:39.640
<v Speaker 1>that's me. You know, he hit me because he knew

2:38:39.840 --> 2:38:42.560
<v Speaker 1>I didn't know the MX or Cannabis.

2:38:42.959 --> 2:38:45.200
<v Speaker 3>He knew I didn't know. I think him and him

2:38:45.240 --> 2:38:47.360
<v Speaker 3>and Cannabis kind of had that look because there was

2:38:47.360 --> 2:38:49.720
<v Speaker 3>that other cipher happened most.

2:38:49.560 --> 2:38:53.800
<v Speaker 1>Definitely that already had now had already happened, already got

2:38:53.840 --> 2:38:56.320
<v Speaker 1>in my opinion, if you know, you know.

2:38:56.480 --> 2:38:59.600
<v Speaker 3>Yeah, memory service serves me, right, But.

2:39:02.600 --> 2:39:04.200
<v Speaker 1>One that was hitting me and it was like, I

2:39:04.280 --> 2:39:06.480
<v Speaker 1>remember it's two way pages and he was like, let

2:39:06.560 --> 2:39:07.120
<v Speaker 1>me upstairs.

2:39:07.360 --> 2:39:09.320
<v Speaker 3>I wanted to be a two on two and I'm

2:39:09.440 --> 2:39:12.720
<v Speaker 3>like and I was like, well, I didn't realize that

2:39:12.800 --> 2:39:16.240
<v Speaker 3>he was saying that, like you know, cannabis and DMX

2:39:16.440 --> 2:39:17.199
<v Speaker 3>know each other.

2:39:18.840 --> 2:39:23.240
<v Speaker 1>And you don't know neither. And then eventually we did

2:39:23.280 --> 2:39:25.240
<v Speaker 1>this sauce cover together with all of us.

2:39:26.120 --> 2:39:27.360
<v Speaker 3>You know what I mean, what you think is the

2:39:27.560 --> 2:39:33.240
<v Speaker 3>precursor to the freshman eventually XL. That's what you said, precursor. Yeah,

2:39:33.240 --> 2:39:36.400
<v Speaker 3>you felt like that was the first is it?

2:39:36.600 --> 2:39:38.680
<v Speaker 1>That's no, it's no the way look at it, like

2:39:39.200 --> 2:39:42.959
<v Speaker 1>we all got Google now, like we all got it now,

2:39:43.120 --> 2:39:45.600
<v Speaker 1>like we all got it. Like I felt like I

2:39:45.760 --> 2:39:52.000
<v Speaker 1>was exclusive when I had Google, Like we all got

2:39:52.080 --> 2:39:55.600
<v Speaker 1>it now, Like it's yeah, you can Google. The first

2:39:55.720 --> 2:39:59.800
<v Speaker 1>time you've seen artists on the first cover together, right,

2:40:00.080 --> 2:40:02.120
<v Speaker 1>like the new artists of that era, new artist of

2:40:02.200 --> 2:40:08.240
<v Speaker 1>that era, the DMX corrupt Cameron.

2:40:08.200 --> 2:40:11.039
<v Speaker 3>And that was Elliot Wilson. Mean, that's a mean.

2:40:11.040 --> 2:40:14.600
<v Speaker 1>Class, right, who did that cover? You gotta act has

2:40:14.680 --> 2:40:17.560
<v Speaker 1>That's not my part of the job. If you were,

2:40:18.320 --> 2:40:20.040
<v Speaker 1>but no, I brought I brought that up because I

2:40:20.080 --> 2:40:22.720
<v Speaker 1>just want to know if you felt the if you

2:40:22.800 --> 2:40:25.160
<v Speaker 1>felt how iconic that was, if you feel it the

2:40:25.240 --> 2:40:28.240
<v Speaker 1>same way we were listening to it, if you felt

2:40:28.240 --> 2:40:29.600
<v Speaker 1>like you was a part of a moment that was

2:40:29.640 --> 2:40:31.520
<v Speaker 1>like really big in history. It's like me being on

2:40:31.600 --> 2:40:33.680
<v Speaker 1>Deaf Comedy jam Right, I was on there, Jamie Fox

2:40:33.840 --> 2:40:36.240
<v Speaker 1>was hosting me and Corey Hulkam on the same show.

2:40:36.360 --> 2:40:39.280
<v Speaker 6>And now to see where we are? So now did

2:40:39.360 --> 2:40:44.080
<v Speaker 6>you know it and looking back on it now? Yeah,

2:40:44.240 --> 2:40:45.720
<v Speaker 6>but you didn't know it in the moment. No, you

2:40:45.840 --> 2:40:48.280
<v Speaker 6>don't know it in the moment, but now I do.

2:40:48.560 --> 2:40:49.960
<v Speaker 6>Now I'm looking at that ship like y'all is a

2:40:50.000 --> 2:40:51.080
<v Speaker 6>part of something so okay.

2:40:51.160 --> 2:40:53.959
<v Speaker 5>So now you can look back at those moments now

2:40:54.120 --> 2:40:56.440
<v Speaker 5>living moments. Do you say to yourself now, in a moment,

2:40:56.600 --> 2:40:59.240
<v Speaker 5>this is a moment because you know you didn't never

2:40:59.320 --> 2:40:59.920
<v Speaker 5>look like that.

2:41:00.240 --> 2:41:03.320
<v Speaker 3>Yeah, because we have the experience of the moments. That's

2:41:03.320 --> 2:41:05.880
<v Speaker 3>a great question. Some moments.

2:41:06.000 --> 2:41:09.240
<v Speaker 4>Yeah, in the last few hours, right, yeah, right, right,

2:41:09.760 --> 2:41:12.360
<v Speaker 4>they had some moments. We created moments and they had

2:41:12.400 --> 2:41:12.760
<v Speaker 4>some moments.

2:41:12.760 --> 2:41:15.120
<v Speaker 3>But yeah, natively we have and it's of youth, you know,

2:41:15.240 --> 2:41:18.000
<v Speaker 3>like we don't know. You're just living. You're just doing

2:41:18.080 --> 2:41:20.720
<v Speaker 3>it you just like I did. That was legendary.

2:41:21.040 --> 2:41:22.760
<v Speaker 5>Now you can kind of live in that moment and

2:41:22.959 --> 2:41:26.200
<v Speaker 5>enjoy it more experienced looking back saying Okay, now I

2:41:26.320 --> 2:41:28.400
<v Speaker 5>know what I was like, what I wasn't thinking about

2:41:28.440 --> 2:41:28.800
<v Speaker 5>back then?

2:41:30.160 --> 2:41:33.879
<v Speaker 3>Right, yeah, I don't smoke. I just had to try.

2:41:34.040 --> 2:41:37.000
<v Speaker 3>I know, I feel like he's gonna be in the moment.

2:41:38.720 --> 2:41:41.760
<v Speaker 3>I don't know in this moment now, I just feel

2:41:41.800 --> 2:41:44.720
<v Speaker 3>like he's gonna be in the moment. I was saluting you,

2:41:44.840 --> 2:41:45.480
<v Speaker 3>is what I was doing.

2:41:46.080 --> 2:41:48.800
<v Speaker 6>You you wanted the icons of rat Man stopped playing,

2:41:48.959 --> 2:41:51.480
<v Speaker 6>and uh, you know, we all know about your records

2:41:51.520 --> 2:41:52.640
<v Speaker 6>and your platinum hits and your.

2:41:52.959 --> 2:41:56.080
<v Speaker 3>But but the ciphers though, you know what I mean.

2:41:56.760 --> 2:41:58.879
<v Speaker 3>I'm crazy. Also, when at.

2:42:00.440 --> 2:42:03.240
<v Speaker 1>I was sowing a couple more, I don't want to

2:42:03.240 --> 2:42:06.000
<v Speaker 1>talk about it. You know, why leave that in the path?

2:42:06.200 --> 2:42:07.440
<v Speaker 1>Oh look that's the cover right there.

2:42:07.480 --> 2:42:09.640
<v Speaker 3>That's the cover right there. Oh yeah, who's the who's

2:42:09.720 --> 2:42:11.240
<v Speaker 3>the editor on that one?

2:42:14.920 --> 2:42:15.120
<v Speaker 7>Y'all?

2:42:15.240 --> 2:42:16.320
<v Speaker 3>Engineery man high.

2:42:20.560 --> 2:42:22.800
<v Speaker 1>I have to just text Elliott and ask him, bare,

2:42:25.000 --> 2:42:27.440
<v Speaker 1>we don't know we're talking about with Benzino that I

2:42:27.480 --> 2:42:28.400
<v Speaker 1>think we're talking.

2:42:28.280 --> 2:42:31.480
<v Speaker 8>He didn't know neither. He was high as hell. That's

2:42:31.560 --> 2:42:40.240
<v Speaker 8>my son, Ellie, it is my son. Tell me, don't

2:42:40.320 --> 2:42:41.960
<v Speaker 8>I just I just remember that part.

2:42:42.000 --> 2:42:45.200
<v Speaker 3>He's like, Yo, that's my son. I raised him on

2:42:45.320 --> 2:42:47.440
<v Speaker 3>the magazine Kids in that episode.

2:42:47.600 --> 2:42:52.760
<v Speaker 1>Yeah, look, it's a it's a it's a polarizing episode

2:42:52.920 --> 2:42:57.960
<v Speaker 1>for sure, to say the least. But then I don't

2:42:58.000 --> 2:43:01.600
<v Speaker 1>know what means it means a polarizing You can love

2:43:01.640 --> 2:43:05.520
<v Speaker 1>it plarizing, though it just means that it's so like

2:43:07.680 --> 2:43:11.320
<v Speaker 1>you have to pay attention, you have to pay for

2:43:11.480 --> 2:43:12.360
<v Speaker 1>more reasons than one.

2:43:14.360 --> 2:43:17.520
<v Speaker 3>Of course he has. He has a point when when

2:43:17.800 --> 2:43:21.600
<v Speaker 3>when he was on the top, he took so many people.

2:43:22.160 --> 2:43:25.039
<v Speaker 5>And he actually comes from a genuine place of caring

2:43:25.640 --> 2:43:29.400
<v Speaker 5>about the culture, regardless whether you agree how he talks

2:43:29.400 --> 2:43:31.520
<v Speaker 5>about it or what he does. But you could tell

2:43:31.600 --> 2:43:32.760
<v Speaker 5>like he genuinely cares.

2:43:33.840 --> 2:43:37.560
<v Speaker 6>Like I said, I appreciated the honesty. The more innebriated

2:43:37.600 --> 2:43:40.280
<v Speaker 6>he got, what he was saying was spot the funk on,

2:43:41.200 --> 2:43:44.440
<v Speaker 6>you know what I mean. So look, everybody's gonna have

2:43:44.480 --> 2:43:47.680
<v Speaker 6>a moment and you know, we we clown for that

2:43:47.760 --> 2:43:49.360
<v Speaker 6>kind of shit, and me being a comedian, I'm gonna

2:43:49.400 --> 2:43:51.320
<v Speaker 6>find some the funny in it. But at the end

2:43:51.360 --> 2:43:54.760
<v Speaker 6>of the day, he's a man that was very successful.

2:43:54.760 --> 2:43:58.200
<v Speaker 6>He's a black man that was very successful, and we

2:43:58.560 --> 2:44:01.800
<v Speaker 6>we definitely part of what the movie is trying to say.

2:44:01.840 --> 2:44:05.240
<v Speaker 1>Also, we tear each other down so fucking fast. We

2:44:05.400 --> 2:44:08.840
<v Speaker 1>can't wait to tear motherfuckers down when the person is

2:44:08.879 --> 2:44:12.080
<v Speaker 1>going down any any.

2:44:11.720 --> 2:44:15.800
<v Speaker 5>Point, get at any point because they're like, oh, nobody

2:44:15.879 --> 2:44:17.960
<v Speaker 5>knows them but me, and then you make it to

2:44:18.040 --> 2:44:18.680
<v Speaker 5>a certain level.

2:44:19.120 --> 2:44:19.600
<v Speaker 3>I don't like that.

2:44:20.320 --> 2:44:23.560
<v Speaker 6>But here's the thing about it is the people that

2:44:23.680 --> 2:44:27.360
<v Speaker 6>are tearing celebrities down. If they had to walk in

2:44:27.440 --> 2:44:33.439
<v Speaker 6>their celebrities shoes one day and have thirty people scrutinizing

2:44:33.520 --> 2:44:36.400
<v Speaker 6>them telling them, dang shit, you whack, you whack as

2:44:36.520 --> 2:44:39.720
<v Speaker 6>fuck that last thing you put together to them, it's

2:44:39.760 --> 2:44:42.920
<v Speaker 6>a thing to you as the artist. It's a song

2:44:43.040 --> 2:44:44.960
<v Speaker 6>that you sat on the right with a producer and

2:44:45.000 --> 2:44:48.160
<v Speaker 6>there's layers of instruments. It's a full composition, and in

2:44:48.280 --> 2:44:50.240
<v Speaker 6>one click of a button, these niggas could be like, oh,

2:44:50.280 --> 2:44:54.480
<v Speaker 6>that's just whack yeah, right, that's just trash right, we

2:44:54.680 --> 2:44:57.000
<v Speaker 6>sold so when he was when Benzino was on here

2:44:57.200 --> 2:45:00.640
<v Speaker 6>crying and doing all that, I felt that nigg is pain.

2:45:00.840 --> 2:45:06.279
<v Speaker 3>I felt the years of I'm tired of this sh I'm.

2:45:06.160 --> 2:45:08.560
<v Speaker 6>Tired of acting like the tough nigga. I'm tired of being,

2:45:09.200 --> 2:45:12.400
<v Speaker 6>you know, on the defense. I'm tired of people talking

2:45:12.480 --> 2:45:16.199
<v Speaker 6>shit about me, my daughter, my business, my magazine.

2:45:16.520 --> 2:45:19.200
<v Speaker 3>This nigga really built a successful company.

2:45:20.440 --> 2:45:23.240
<v Speaker 6>Sure, we all got our flaws, but it's like, at

2:45:23.280 --> 2:45:25.840
<v Speaker 6>what point do we start looking at each other and

2:45:26.040 --> 2:45:31.520
<v Speaker 6>being like, man, that motherfucker really did something great and.

2:45:31.680 --> 2:45:32.360
<v Speaker 3>Just leave it at that.

2:45:33.120 --> 2:45:35.040
<v Speaker 6>Keep our opinions to you know, we're gonna talk shit

2:45:35.080 --> 2:45:37.400
<v Speaker 6>at the crib or biber shop or whatever, but to

2:45:37.520 --> 2:45:40.800
<v Speaker 6>go onto public platforms and to keep tearing each other down,

2:45:41.320 --> 2:45:44.280
<v Speaker 6>We're gonna always be like a toilet, like that shit

2:45:44.320 --> 2:45:46.080
<v Speaker 6>is just gonna always flush, and the shit just gonna

2:45:46.120 --> 2:45:48.800
<v Speaker 6>keep going down, and there's never gonna be a moment

2:45:48.840 --> 2:45:52.320
<v Speaker 6>where because other people don't do this, White people don't

2:45:52.360 --> 2:45:53.039
<v Speaker 6>do this to each other.

2:45:53.959 --> 2:45:56.400
<v Speaker 3>Only us. We tear each other down, and we wonder

2:45:56.440 --> 2:45:57.200
<v Speaker 3>why we don't have shit.

2:45:57.959 --> 2:45:59.480
<v Speaker 5>And one thing I'll say about Zeno that I think

2:45:59.560 --> 2:46:02.080
<v Speaker 5>is kind of doing after it came out, is that

2:46:02.200 --> 2:46:04.600
<v Speaker 5>he could have been someone that said, oh, you know,

2:46:05.640 --> 2:46:08.240
<v Speaker 5>like no fun drink chances for airing that, or or

2:46:08.280 --> 2:46:11.600
<v Speaker 5>they edited the wrong way. He actually made Uh. He

2:46:11.680 --> 2:46:13.880
<v Speaker 5>made an argument for why a man should be able

2:46:13.959 --> 2:46:15.880
<v Speaker 5>to cry without any problem like that.

2:46:16.040 --> 2:46:17.480
<v Speaker 3>That's what the human made.

2:46:18.080 --> 2:46:19.840
<v Speaker 5>But I think it's note that he actually did because

2:46:19.840 --> 2:46:22.600
<v Speaker 5>he's you know, it's an example for others, you know, like,

2:46:22.800 --> 2:46:24.800
<v Speaker 5>so what I cried a real gangster christ type of ship.

2:46:24.800 --> 2:46:25.280
<v Speaker 3>You know what I'm saying.

2:46:27.400 --> 2:46:29.960
<v Speaker 6>That's he buried his soul out here, you know, And

2:46:30.280 --> 2:46:37.680
<v Speaker 6>I hope that whole you know, Yeah, I helped him

2:46:37.720 --> 2:46:39.240
<v Speaker 6>and him stop beefing because.

2:46:40.560 --> 2:46:47.840
<v Speaker 1>Just stop believe it. I believe it will because I

2:46:47.920 --> 2:46:54.400
<v Speaker 1>think I think, I think vulnerability is actually being acception now,

2:46:54.959 --> 2:47:02.360
<v Speaker 1>I think, like wrong right in between, when you keep

2:47:02.400 --> 2:47:06.039
<v Speaker 1>it real to your truth, people are starting to accept

2:47:06.080 --> 2:47:07.440
<v Speaker 1>that down and.

2:47:10.040 --> 2:47:12.720
<v Speaker 3>I think that's cool. Let me ask you this, how

2:47:12.760 --> 2:47:20.040
<v Speaker 3>did you come up with was that the lyric? Or

2:47:20.160 --> 2:47:23.640
<v Speaker 3>was you just in the boot vibing? No? We know this, No,

2:47:23.800 --> 2:47:28.920
<v Speaker 3>you know that's one of my favorite songs. But believe man,

2:47:29.480 --> 2:47:32.640
<v Speaker 3>on the next play, I don't know where be back.

2:47:33.160 --> 2:47:35.120
<v Speaker 3>Was that a difference? So to me, y'll pray for me,

2:47:35.840 --> 2:47:41.000
<v Speaker 3>tell me that you'll worry for me. That's the original song,

2:47:41.560 --> 2:47:53.240
<v Speaker 3>that little nigga, you know what I mean. Yeah, but

2:47:53.360 --> 2:47:55.200
<v Speaker 3>that's that's gonna let you get away with that one.

2:47:56.320 --> 2:48:00.440
<v Speaker 3>That's listen, listen, that's the original song, year one. Come on,

2:48:02.000 --> 2:48:04.640
<v Speaker 3>I love you, let me see, let me get away

2:48:04.680 --> 2:48:10.840
<v Speaker 3>with you, pempt call me in the morning about some

2:48:11.040 --> 2:48:13.760
<v Speaker 3>random ship, right, Yo? Hey, what do you think about

2:48:13.840 --> 2:48:17.640
<v Speaker 3>this this movie? I guess what they be knowing about

2:48:17.640 --> 2:48:19.280
<v Speaker 3>it too. You be like, word, I don't like it?

2:48:23.200 --> 2:48:25.920
<v Speaker 3>Don't you told me out there myself be calling you like,

2:48:26.440 --> 2:48:26.680
<v Speaker 3>I don't.

2:48:26.760 --> 2:48:29.160
<v Speaker 1>I don't. I don't think this is right. Yeah, we

2:48:29.320 --> 2:48:32.480
<v Speaker 1>know we be pow wow forself. That's right man, my brother, But.

2:48:34.160 --> 2:48:34.760
<v Speaker 3>I just want to.

2:48:34.800 --> 2:48:42.680
<v Speaker 1>Reiterate how happy, how proud I am what you brothers did.

2:48:44.920 --> 2:48:46.800
<v Speaker 3>Came out there. You did your own money.

2:48:49.720 --> 2:48:53.039
<v Speaker 1>But even in your own money, and even and even

2:48:53.080 --> 2:48:56.680
<v Speaker 1>the biggest story, the biggest story is you're doing it

2:48:56.800 --> 2:48:59.039
<v Speaker 1>on your own, even though that does.

2:48:58.920 --> 2:48:59.920
<v Speaker 3>Relate to your own money.

2:49:00.080 --> 2:49:03.400
<v Speaker 1>I understand that more, but you believe it in your

2:49:03.440 --> 2:49:06.039
<v Speaker 1>own people and doing it on your own.

2:49:07.600 --> 2:49:10.080
<v Speaker 3>And sometimes even your own people. Don't even mean your

2:49:10.120 --> 2:49:15.039
<v Speaker 3>own people. It mean your own people. It mean people

2:49:15.120 --> 2:49:17.480
<v Speaker 3>that's for you or with you.

2:49:19.280 --> 2:49:21.760
<v Speaker 1>And I watched the movie Man and I soul was

2:49:21.840 --> 2:49:26.840
<v Speaker 1>so proud because you taught the story. It was funny,

2:49:28.920 --> 2:49:33.880
<v Speaker 1>but then you also taught a lesson m hm. And

2:49:34.000 --> 2:49:36.480
<v Speaker 1>that to me is what hip hop was supposed to be.

2:49:37.959 --> 2:49:45.600
<v Speaker 1>If a rapper biz markis one of them, that's the

2:49:45.640 --> 2:49:52.000
<v Speaker 1>piece he talked about picking buggers the story each other,

2:49:53.360 --> 2:49:58.039
<v Speaker 1>and at this point, who the fuck wants to crack

2:49:58.200 --> 2:49:59.200
<v Speaker 1>about picking up.

2:50:00.760 --> 2:50:01.080
<v Speaker 3>Daring?

2:50:02.080 --> 2:50:05.160
<v Speaker 1>But I always witnessed that, and I always knew I

2:50:05.280 --> 2:50:08.240
<v Speaker 1>wanted to do that in my own rhymes. So I

2:50:08.280 --> 2:50:10.240
<v Speaker 1>always want to be funny in my own rhymes. I

2:50:10.280 --> 2:50:15.600
<v Speaker 1>wanted to people. Sometimes it works. Sometimes it's like I said,

2:50:15.920 --> 2:50:17.680
<v Speaker 1>stick a broom in your butt, tell you too. It

2:50:17.840 --> 2:50:20.120
<v Speaker 1>was what the stick a broom in your but I

2:50:20.240 --> 2:50:23.200
<v Speaker 1>never stuck a broom in no bitch butts, But fuck it,

2:50:23.280 --> 2:50:24.199
<v Speaker 1>it sounded good.

2:50:27.760 --> 2:50:27.880
<v Speaker 5>Man.

2:50:27.959 --> 2:50:32.360
<v Speaker 3>It's the truth of some DJ coute right. Yeah.

2:50:33.240 --> 2:50:37.880
<v Speaker 1>But I'm saying that, and I'm saying that comedy and

2:50:38.200 --> 2:50:47.640
<v Speaker 1>rat and even athletes and even actors kind of live

2:50:47.720 --> 2:50:54.880
<v Speaker 1>the same fucking life. Like you can't have a day off.

2:50:55.640 --> 2:50:58.920
<v Speaker 1>It's a lot of parallels. You can't have a day off.

2:50:59.080 --> 2:51:01.080
<v Speaker 1>I know you can't have right there. I know you

2:51:01.240 --> 2:51:06.199
<v Speaker 1>can't walk to McDonald's. You get a cappuccino. Excuse me, Starbucks.

2:51:06.840 --> 2:51:11.160
<v Speaker 1>I like cappuccinos. Cappuccinos. They do rouble cappuccinos with oat milk.

2:51:11.280 --> 2:51:15.320
<v Speaker 3>It's kind of fun ship. It's cut the fun, cutting

2:51:15.320 --> 2:51:17.840
<v Speaker 3>the fire. I kind of like being the white people's section.

2:51:18.959 --> 2:51:23.680
<v Speaker 3>But you can't go to there. They're gonna say to

2:51:23.720 --> 2:51:30.439
<v Speaker 3>you something, nigga, take a picture.

2:51:30.120 --> 2:51:37.880
<v Speaker 1>Of me, be funny, funny man. They're gonna like, if

2:51:37.920 --> 2:51:42.040
<v Speaker 1>it's all people, they're gonna make you perform. Other all

2:51:42.040 --> 2:51:45.440
<v Speaker 1>people make you perform. They'd be like you nigga, rat

2:51:45.560 --> 2:51:48.000
<v Speaker 1>nigga through the whole, Like what, who the fuck you

2:51:48.120 --> 2:51:51.920
<v Speaker 1>think our people fave. White people don't make us perform.

2:51:52.000 --> 2:51:58.680
<v Speaker 1>But they like kind of like say, hey, I'm gonna

2:51:59.360 --> 2:52:00.280
<v Speaker 1>I'm gonna blowing up.

2:52:00.360 --> 2:52:00.520
<v Speaker 7>Man.

2:52:02.959 --> 2:52:11.520
<v Speaker 1>I'm not gonna say ship, I gotta stop. But being

2:52:11.680 --> 2:52:15.480
<v Speaker 1>famous might have been it might be the hardest thing ever.

2:52:17.240 --> 2:52:20.520
<v Speaker 3>And what I mean by that is you have to

2:52:20.560 --> 2:52:21.920
<v Speaker 3>always be fit, you always be on.

2:52:23.520 --> 2:52:26.640
<v Speaker 1>I said, I hung with Dave the other day and

2:52:26.840 --> 2:52:30.200
<v Speaker 1>he did something that was remarkable to me. It kind

2:52:30.200 --> 2:52:31.840
<v Speaker 1>of like refused to be a celebrity.

2:52:31.920 --> 2:52:34.720
<v Speaker 3>At that moment. People were coming up to him. He

2:52:34.879 --> 2:52:36.480
<v Speaker 3>was like, hey, how you doing.

2:52:37.600 --> 2:52:41.279
<v Speaker 1>Yeah, he just kept in the indulgent in all conversations,

2:52:41.600 --> 2:52:43.640
<v Speaker 1>and I was like, I had never seen that before.

2:52:43.720 --> 2:52:47.640
<v Speaker 3>I was like, they all want to take a picture

2:52:47.680 --> 2:52:50.200
<v Speaker 3>with them the whole No.

2:52:50.240 --> 2:52:53.400
<v Speaker 6>I've been around him. We were we all had lunch,

2:52:53.480 --> 2:52:56.400
<v Speaker 6>Me and most death a bunch of people and same thing.

2:52:56.440 --> 2:52:58.040
<v Speaker 6>People is coming up to the table and they wanted

2:52:58.040 --> 2:53:00.200
<v Speaker 6>to get photos and he has his moments where he's

2:53:00.240 --> 2:53:01.680
<v Speaker 6>just like, no, thank you, I'm just hanging out with

2:53:01.720 --> 2:53:04.879
<v Speaker 6>my friends. If you don't mind, I would not want

2:53:04.879 --> 2:53:05.360
<v Speaker 6>to take a pace.

2:53:05.360 --> 2:53:08.520
<v Speaker 3>Oh. He says. It's the most politeless way, very very classic.

2:53:09.000 --> 2:53:10.720
<v Speaker 3>I didn't know. I didn't know how could do that,

2:53:12.959 --> 2:53:16.000
<v Speaker 3>manage manage people's expectations of you, You know what I mean.

2:53:16.120 --> 2:53:19.320
<v Speaker 3>You teach them how to treat you, how to absolutely

2:53:21.000 --> 2:53:21.320
<v Speaker 3>to do that.

2:53:21.680 --> 2:53:24.080
<v Speaker 1>But you're still right even if you're doing that, you're

2:53:24.120 --> 2:53:27.440
<v Speaker 1>being polite because you still don't want to offend the person,

2:53:27.520 --> 2:53:31.640
<v Speaker 1>as opposed to you being concerned about your own boundaries

2:53:31.680 --> 2:53:33.640
<v Speaker 1>and your own peace. You know what I mean, You're

2:53:33.640 --> 2:53:36.280
<v Speaker 1>still trying to placate the person as opposed to just

2:53:36.560 --> 2:53:38.959
<v Speaker 1>holding yourself down, and you still feel like you got

2:53:39.040 --> 2:53:41.800
<v Speaker 1>to be on even in the denial of the photo.

2:53:42.920 --> 2:53:47.480
<v Speaker 3>Oh it was just me and his wife, Me and

2:53:47.600 --> 2:53:51.120
<v Speaker 3>my wife at that moment, Like it was like he

2:53:51.240 --> 2:53:51.920
<v Speaker 3>protected us.

2:53:52.000 --> 2:53:54.760
<v Speaker 1>He knew what to say to the people that came

2:53:54.800 --> 2:53:59.040
<v Speaker 1>around us, and I would not experienced and that I

2:53:59.200 --> 2:54:03.520
<v Speaker 1>always I just fool all right, cool, like I'm sitting

2:54:03.560 --> 2:54:07.840
<v Speaker 1>here with me pasta and ship. Let's go, let's take

2:54:07.840 --> 2:54:11.959
<v Speaker 1>a picture. Like they knew you knew how to navigate

2:54:12.040 --> 2:54:12.800
<v Speaker 1>this situation.

2:54:13.000 --> 2:54:16.760
<v Speaker 3>Like hey, and I had never seen that. Dad never

2:54:16.920 --> 2:54:18.480
<v Speaker 3>knew how to.

2:54:20.760 --> 2:54:23.720
<v Speaker 1>I don't want to say deny, yeah, celebrity, but just

2:54:24.080 --> 2:54:25.039
<v Speaker 1>manage the situation.

2:54:25.560 --> 2:54:28.880
<v Speaker 3>Manage the situation. And that was just so dope to me.

2:54:29.600 --> 2:54:31.840
<v Speaker 12>And I had never s what about now you now

2:54:32.400 --> 2:54:36.520
<v Speaker 12>that's what you're talking about. This just happened, so now

2:54:36.600 --> 2:54:40.400
<v Speaker 12>you you tried to look, I hit it. I hit

2:54:40.440 --> 2:54:42.200
<v Speaker 12>it with a different lot the other days.

2:54:43.640 --> 2:54:48.480
<v Speaker 3>Lie, it was coming a lot. What did you tell him?

2:54:49.400 --> 2:54:53.560
<v Speaker 3>Dude came up to me. It was like, oh man, yeah,

2:54:53.840 --> 2:54:59.080
<v Speaker 3>I was like this, I'm on vacation. If they find

2:54:59.120 --> 2:55:05.600
<v Speaker 3>out on my head, I can't get paid. Dude felt

2:55:05.720 --> 2:55:10.400
<v Speaker 3>He was like, blow it up, just like dam. I

2:55:10.480 --> 2:55:13.520
<v Speaker 3>was like, yo, man, I looked and it was it

2:55:13.680 --> 2:55:16.840
<v Speaker 3>was ill because I looked around. I did it like

2:55:16.920 --> 2:55:17.520
<v Speaker 3>a drug deal.

2:55:18.080 --> 2:55:21.080
<v Speaker 1>Was like, yo, man, listen, man, you really got love

2:55:21.160 --> 2:55:24.879
<v Speaker 1>for me because I don't take that picture. Don't take

2:55:24.959 --> 2:55:28.360
<v Speaker 1>that picture. He was like, man, you that money And

2:55:28.440 --> 2:55:32.680
<v Speaker 1>I felt so bad. You can continue to go out

2:55:32.680 --> 2:55:34.560
<v Speaker 1>and go ahead. I went too far.

2:55:36.560 --> 2:55:42.360
<v Speaker 3>How about you. I know you deny your celebrity. I'm good.

2:55:43.720 --> 2:55:49.119
<v Speaker 1>That's why you stay. So tell us an awkward moment

2:55:49.200 --> 2:55:50.120
<v Speaker 1>of your celebrity.

2:55:50.480 --> 2:55:52.080
<v Speaker 3>I'm got an awkward moment. That's what a picture? I

2:55:52.120 --> 2:55:55.240
<v Speaker 3>take a picture by Southwest. Somebody ain't step on your niggas.

2:55:56.760 --> 2:56:01.840
<v Speaker 1>Listen this niggas, Frank, come on, talk about it, man,

2:56:01.879 --> 2:56:04.400
<v Speaker 1>talk about what somebody stepped in your sneakers.

2:56:04.440 --> 2:56:08.920
<v Speaker 3>One time you get back. I was like, hey, hey,

2:56:09.840 --> 2:56:10.360
<v Speaker 3>I love you.

2:56:10.800 --> 2:56:13.400
<v Speaker 1>Nobody annoy you, and you have no fan that annoys you.

2:56:14.000 --> 2:56:19.240
<v Speaker 1>How would I know that my fans are ignoring me, annoyed, annoying,

2:56:19.680 --> 2:56:22.720
<v Speaker 1>annoyed those people that are annoying, But yeah, you keep

2:56:22.840 --> 2:56:25.039
<v Speaker 1>mad as if they're polite. My thing is, if you're polite,

2:56:25.520 --> 2:56:27.200
<v Speaker 1>you come up. Can I please take a picture? Cool,

2:56:27.200 --> 2:56:29.040
<v Speaker 1>I'm cool with any picture. I'm gonna be honest with you.

2:56:29.240 --> 2:56:32.200
<v Speaker 1>Annoying and polite don't go together. Okay, So if they're polite,

2:56:32.360 --> 2:56:35.320
<v Speaker 1>if they're annoying, no, if anybody disrespects me, no, that's

2:56:35.320 --> 2:56:39.080
<v Speaker 1>when I ask no. No one never been annoying to you. Yeah,

2:56:39.120 --> 2:56:41.520
<v Speaker 1>and they don't get a picture, they don't stay away

2:56:41.520 --> 2:56:43.200
<v Speaker 1>from me. Give us a scenario.

2:56:44.400 --> 2:56:48.640
<v Speaker 13>Yeah, drunk motherfucker? All right, cool, go that way and

2:56:48.720 --> 2:56:55.200
<v Speaker 13>then call me later. Look you the listener guy here.

2:56:56.840 --> 2:57:00.240
<v Speaker 3>Holy shit, Yo, man, this has been so fucking great.

2:57:01.240 --> 2:57:06.840
<v Speaker 3>Don't being honest. I'm so happy that we established the

2:57:07.080 --> 2:57:11.160
<v Speaker 3>Chinese established that man.

2:57:12.560 --> 2:57:16.960
<v Speaker 7>Coming from North Carolina. He was the homie from Rocking

2:57:16.959 --> 2:57:19.840
<v Speaker 7>from the gas Station, that.

2:57:20.560 --> 2:57:23.320
<v Speaker 5>Bron Fens come out of the Flying.

2:57:23.160 --> 2:57:28.480
<v Speaker 1>The Old gas Station movie. We're gonna continue. Absolutely, we're

2:57:28.520 --> 2:57:30.560
<v Speaker 1>gonna do this. I don't know if I'm like being

2:57:30.600 --> 2:57:33.920
<v Speaker 1>like every all my fucking money in there, but I'm

2:57:34.080 --> 2:57:35.400
<v Speaker 1>gonna find somebody to fund us.

2:57:35.840 --> 2:57:45.000
<v Speaker 3>We're gonna. We're gonna Charlie, Charlie, We're talking.

2:57:45.400 --> 2:57:48.440
<v Speaker 1>We getting we just we we established again will Smith

2:57:48.560 --> 2:57:51.440
<v Speaker 1>and Martin at some point, at some point, at some point,

2:57:51.440 --> 2:57:53.720
<v Speaker 1>at some point, at some point, not now. I'm gonna

2:57:53.720 --> 2:57:58.160
<v Speaker 1>talk to them for you now again. Of course I've

2:57:58.160 --> 2:58:00.400
<v Speaker 1>seen him a fat Joe the other day. Put me

2:58:00.440 --> 2:58:02.280
<v Speaker 1>on FaceTime. You want to celebrate that.

2:58:02.400 --> 2:58:04.120
<v Speaker 3>That's all we want to do about because because we

2:58:04.200 --> 2:58:07.360
<v Speaker 3>don't drink, right, does he drink? He doesn't drink.

2:58:08.120 --> 2:58:08.480
<v Speaker 1>I don't know.

2:58:08.720 --> 2:58:10.480
<v Speaker 4>I can't speak for them in terms of whether he drinks.

2:58:10.640 --> 2:58:13.760
<v Speaker 4>All right, cool, I don't drink. I've never drink with him.

2:58:13.959 --> 2:58:15.520
<v Speaker 4>Yeah yeah, but I mean you know he might take.

2:58:15.400 --> 2:58:15.880
<v Speaker 3>A drink with you.

2:58:15.920 --> 2:58:16.240
<v Speaker 7>I don't know.

2:58:16.360 --> 2:58:18.280
<v Speaker 3>Yeah, yeah, I mean a lot of people take you

2:58:18.360 --> 2:58:20.440
<v Speaker 3>drinking me. That's what I'm saying. You know, you know

2:58:20.520 --> 2:58:23.280
<v Speaker 3>a great guy, these three. That's what I said. We drink.

2:58:23.480 --> 2:58:28.120
<v Speaker 3>You took a drinking me exactly, my friend, but you

2:58:28.200 --> 2:58:29.080
<v Speaker 3>got drunk water.

2:58:30.480 --> 2:58:37.880
<v Speaker 1>That'sen this the correct way. Proud of this movie. I'm

2:58:37.959 --> 2:58:41.400
<v Speaker 1>staying by this movie. I respect this movie. I'm co

2:58:41.640 --> 2:58:46.040
<v Speaker 1>sign this co sign your movement sign. Everything you're doing

2:58:48.040 --> 2:58:51.080
<v Speaker 1>that ship is dope. I was so happy watching it.

2:58:52.080 --> 2:58:55.840
<v Speaker 1>I was so happy watching you teaching a lesson. I

2:58:56.000 --> 2:58:58.520
<v Speaker 1>was like, damn, because I knew where you were going.

2:58:58.600 --> 2:59:02.600
<v Speaker 1>I was like, damn, and I know that anybody younger

2:59:02.640 --> 2:59:06.800
<v Speaker 1>than me might not know, but they're going to understand

2:59:06.840 --> 2:59:10.000
<v Speaker 1>and do that. If they understand and do that, it's

2:59:10.040 --> 2:59:15.280
<v Speaker 1>still the same lesson rights, still the same lesson you understand.

2:59:15.360 --> 2:59:18.800
<v Speaker 3>So I was like, ah, cool, I love it. So

2:59:18.840 --> 2:59:23.320
<v Speaker 3>I want to give your flowers again. Congratulations man, Thank

2:59:23.400 --> 2:59:24.320
<v Speaker 3>you man, you.

2:59:29.160 --> 2:59:33.760
<v Speaker 1>We love you, man, and thank you for having you

2:59:33.840 --> 2:59:36.640
<v Speaker 1>know what I mean. You know this is truly an

2:59:36.680 --> 2:59:40.880
<v Speaker 1>independent effort. Oh be independent too, Yeah, but that's what

2:59:40.879 --> 2:59:41.240
<v Speaker 1>I'm saying.

2:59:41.280 --> 2:59:43.720
<v Speaker 6>But y'all, y'all have such a platform that everybody knows

2:59:43.920 --> 2:59:46.240
<v Speaker 6>who y'all are. Like, we know, we understand where we

2:59:46.320 --> 2:59:51.120
<v Speaker 6>are right now, but as much as we're friends, you

2:59:51.200 --> 2:59:54.879
<v Speaker 6>don't you still don't have to open your platform for me.

2:59:54.920 --> 2:59:56.879
<v Speaker 3>To just come on and talk about my movie.

2:59:57.200 --> 2:59:59.920
<v Speaker 6>So the fact that you saw this movie as import

3:00:00.240 --> 3:00:02.000
<v Speaker 6>enough of a topic to be like, you know what,

3:00:02.080 --> 3:00:04.959
<v Speaker 6>I want to give them the microphone. We don't take

3:00:04.959 --> 3:00:07.959
<v Speaker 6>that lightly. So thank y'all for always, you know, showing up.

3:00:08.120 --> 3:00:11.920
<v Speaker 6>Imagine y'all didn't get in the movie. We couldn't get

3:00:11.959 --> 3:00:13.560
<v Speaker 6>your availability.

3:00:14.040 --> 3:00:19.040
<v Speaker 1>I want to reiterate your flowers. No, even if we

3:00:19.120 --> 3:00:21.959
<v Speaker 1>had nothing to do with the movie, be about the movie.

3:00:23.520 --> 3:00:27.480
<v Speaker 1>How important you are to this culture. Important y'all law

3:00:27.560 --> 3:00:30.840
<v Speaker 1>to this culture, and y'all three conglomerates to get together.

3:00:31.840 --> 3:00:34.320
<v Speaker 3>Of course, this was this was, this is meant to be,

3:00:35.440 --> 3:00:35.800
<v Speaker 3>meant to be.

3:00:36.760 --> 3:00:37.240
<v Speaker 7>I don't.

3:00:38.920 --> 3:00:42.800
<v Speaker 3>Thank you, just take a yes.

3:00:42.879 --> 3:00:45.560
<v Speaker 2>Indeed, shout out to your camera batteries too. For last,

3:00:46.600 --> 3:00:47.160
<v Speaker 2>how y'all do this?

3:00:48.000 --> 3:00:51.400
<v Speaker 5>Drink Champs is a drink Champs LLC production hosts and

3:00:51.560 --> 3:00:54.440
<v Speaker 5>executive producers n O r E and d j e

3:00:54.720 --> 3:00:54.960
<v Speaker 5>f N.

3:00:56.120 --> 3:00:57.320
<v Speaker 3>Listen to Drink Champs.

3:00:57.120 --> 3:01:01.400
<v Speaker 5>On Apple Podcast, Amazon Music Spot, or wherever you get

3:01:01.440 --> 3:01:05.080
<v Speaker 5>your podcasts. Thanks for joining us for another episode of

3:01:05.160 --> 3:01:07.880
<v Speaker 5>drink Champs hosted by yours truly, dj e f N

3:01:08.120 --> 3:01:10.240
<v Speaker 5>and n O r E. Please make sure to follow

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3:01:12.920 --> 3:01:17.240
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3:01:17.280 --> 3:01:20.920
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3:01:21.040 --> 3:01:23.840
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3:01:27.080 --> 3:01:28.960
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