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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legends every Queens rapper.

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Speaker 3: He ain't sag greed as your boy in O r E.

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Speaker 3: He's a Miami hip hop pioneer, put up his DJ

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Speaker 3: E f N.

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Speaker 4: Together they drink it up with some of the biggest players,

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Speaker 4: you know what I mean, and the most professional unprofessional

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Speaker 4: podcast and your number one source for drunk drinks.

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Speaker 3: Chans mo D is new year CST. It's time for

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Speaker 3: drink champions. Drink up? Motherfuck? Would it good? Be hoping?

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Speaker 3: These woulda sho be? This is your boy in O

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Speaker 3: r E. What up is dj E f N.

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Speaker 1: This is milling tem Me, crazy World, drink Champs, Yappy.

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Speaker 3: Hour, Make some now.

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Speaker 1: When I tell you this man here is proving your point.

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Speaker 1: The independent route, the IPO route. From what I understand,

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Speaker 1: he wrote, produced, directed along with the Home You're Gonna

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Speaker 1: bring him in a little later. They took that route.

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Speaker 1: They wrote it in two thousand and eight, and it's

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Speaker 1: twenty twenty four. Hip hop is just one day older

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Speaker 1: than him. So the man is out here monkey footing

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Speaker 1: the game at fifty years old, doing what he gotta do.

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Speaker 1: All his comedy specials he owned. From what I understand,

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Speaker 1: he pays for himself walking it and paid for the

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Speaker 1: movie himself. Oh, it is one of the illest sketch

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Speaker 1: writers in the game. And I can keep going on

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Speaker 1: and on. But in case you don't know who the

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Speaker 1: fuck were talking about, we're talking about two days.

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Speaker 3: I bet that before we go over, say my name.

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Speaker 3: How do you say my name all day? You've been

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Speaker 3: drinking to drinking. You know, it's crazy. Usually black people

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Speaker 3: get your name right.

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Speaker 1: It's like white people fucking your name up right, That's

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Speaker 1: what That's what's making me puked up. I've been watching

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Speaker 1: you for a whole week and I've been seeing that,

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Speaker 1: you know, saying, I'm just lexing though I'm like real dyslexic.

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Speaker 1: But the water in the sholass you can't. You can't

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Speaker 1: read m So listen, there's two things I better on.

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Speaker 1: One that you would be on time, says no way,

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Speaker 1: he's not gonna man. You came three day early forty seven,

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Speaker 1: three forty seven because we knew your schedule.

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Speaker 3: Yes, yes, your fan knows you.

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Speaker 1: Very just but I understood, and I also bet that

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Speaker 1: you would come in here on bright with bright colors

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Speaker 1: on so I tried to get my light scared outfit

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Speaker 1: on for you got you got what I'm saying, I.

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Speaker 3: Try to get lights.

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Speaker 1: Guy trying to get big birds meant that the two bets. No, no, no,

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Speaker 1: The bet was that you're gonna have on bright colors. Okay,

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Speaker 1: I've been watching you on on the tour run. You've

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Speaker 1: been brightening it up, you've been seeing Yeah, yeah, you're

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Speaker 1: not seeing the sway Kelly Clarkson.

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Speaker 3: Kelly Clarkson, I don't even know who she is. That's how.

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Speaker 1: That's how normalhood. I was like, who is that? But

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Speaker 1: I had to watch you know what I mean? But

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Speaker 1: this movie, let's get straight into it.

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Speaker 3: Yeah.

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Speaker 1: At first I felt like it was what is that ship?

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Speaker 1: Like the ghost of Christmas Past? Like you know how,

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Speaker 1: like how they show you like Scrooge, Like Scrooge, That's

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Speaker 1: what I mean.

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Speaker 3: So so like past president future? Right? Right? Is that something?

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Speaker 1: Because that's something that I adapted. Am I the only

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Speaker 1: one who saw that?

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Speaker 5: No?

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Speaker 1: No, no, overybody else picked that up. This movie is

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Speaker 1: definitely a combination of some of my favorite movies, even

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Speaker 1: down to it being called a hip hop story. I

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Speaker 1: wanted to feel like a classic, like a Christmas story,

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Speaker 1: a Christmas story, or on the music side, a children's

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Speaker 1: story written great of course, So there is that element

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Speaker 1: of Scrooge, like, let me show you what it was,

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Speaker 1: let me show you where we are and where we

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Speaker 1: possibly could go. Right, you know what I'm saying, the

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Speaker 1: journey of the backpack wrapper talking to the successful hip

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Speaker 1: hop billionaire who may have lost touch with where the

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Speaker 1: culture is currently because he's so far up in the

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Speaker 1: private jets and in the office buildings he doesn't really know, right, Interesting,

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Speaker 1: I'm gonna go where we're at. You pick it, being

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Speaker 1: that you're not drinking. You pick what I drink, bakka

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Speaker 1: or Japanese whiskey.

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Speaker 3: Japanese whiskey. Let's go. Let's go. We're going Japanese whiskey.

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Speaker 3: That was very interesting.

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Speaker 1: You just picked the interview I didn't have to take

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Speaker 1: about Okay, so I'm taking water. One thing that fucked

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Speaker 1: me up. We searched you again. This time you were

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Speaker 1: born in It was German, you know, Malina Germany.

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Speaker 3: Born in North Carolina, Carolina, and then and then you

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Speaker 3: grew up in Germany.

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Speaker 1: But I didn't remember, Like, just why you don't remember?

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Speaker 3: You don't what doing the interview. I do a lot

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Speaker 3: of interview, you do. I don't. The Germany.

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Speaker 1: We spoke about the Germany War. Really I need to

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Speaker 1: ask about that again. How because is one of my

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Speaker 1: favorite places on earth, the only place he ever mentioned. No, right,

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Speaker 1: come on, is the only man was doing for good

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Speaker 1: to me?

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Speaker 3: Man? What good to me? Man?

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Speaker 1: You had some good.

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Speaker 3: Take out some good guy's going too far?

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Speaker 1: But because I forgot that reitervate that being born in Germany,

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Speaker 1: Like how is that?

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Speaker 3: And like I mean, I mean, you know.

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Speaker 1: Were raised I'm in I'm a mill North Carolina too.

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Speaker 3: That's like two different.

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Speaker 6: But here's the thing. My dad rest in peace. He

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Speaker 6: was an army guy for Bragg at the time, but

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Speaker 6: they changed the name. But for brad is the biggest

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Speaker 6: military hub on the East coast, right, and a lot

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Speaker 6: of the families get stationed in Germany, so there's a

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Speaker 6: lot of uprooting and going overseas. You basically are touring

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Speaker 6: with your dad. The whole family goes on tours. So

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Speaker 6: you gotta uproot, go to a new school. And it's weird,

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Speaker 6: like when you I went over there first time, I

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Speaker 6: was five years old. I didn't even understand the concept

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Speaker 6: of people speaking different languages.

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Speaker 3: You know what I mean.

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Speaker 1: You just go to this new place with your with

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Speaker 1: your family, You think everybody's gonna talk like they did

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Speaker 1: back home from North Carolina. Was you eating Chitlin's No, okay,

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Speaker 1: you know, never know because your mom's just h You

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Speaker 1: ate a lot of curry, a lot of little tea.

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Speaker 1: I'm double I'm full of jerk chicken right now. You

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Speaker 1: came from church and keo, so you know I'm full

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Speaker 1: of jerk chicken. And then you just got coconuts. Bro,

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Speaker 1: we just got over nuts from where's that Marrimart? And

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Speaker 1: I had my friend right here brought me veggie jerk chicken.

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Speaker 3: But let's still go back to you. Yeah, God damn it.

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Speaker 3: Let me. Let me, let me.

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Speaker 1: After a while me toring, I started to learn that

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Speaker 1: if I wanted things American overseas, I would go.

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Speaker 3: To an army basis. Yeah, so that like reminds you

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Speaker 3: of home, being like being.

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Speaker 7: On an army basis.

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Speaker 1: Yeah, that's what made it livable and adaptable. You were

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Speaker 1: with other American families on base, right, so it just

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Speaker 1: felt like a neighborhood that was from the States, but

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Speaker 1: in Germany and this foreign land.

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Speaker 3: Right. So even people ask me do I speak fluent German?

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Speaker 3: I don't.

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Speaker 1: You don't spreaking the line, now, you don't spreaking the Deutsch,

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Speaker 1: spreaking the joy, spreaking the dorit client a little bit. Yeah,

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Speaker 1: no planing, okay, yeah, yeah, kind so you don't. You're

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Speaker 1: not married, right, we won't talk about personal shit. Okay, cool,

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Speaker 1: but I'm saying it's not personal. But it's not person

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Speaker 1: But if you was to talk to somebody and you

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Speaker 1: think you could get, you could hold a full conversation

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Speaker 1: in Germany.

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Speaker 3: Like no.

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Speaker 6: Look, one time, that's what I was saying when I said,

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Speaker 6: I'm not.

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Speaker 3: Fluent, right, okay, but what means.

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Speaker 1: Blew with means I could hold the full guns Okay, okay.

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Speaker 1: But one time, one time, I mean, I'm with my brother. Look,

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Speaker 1: we have compensations. Randomly, he was really gonna call me

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Speaker 1: in four the more like yo.

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Speaker 3: He is not.

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Speaker 1: But one time, though, one time, I'm I'm working with

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Speaker 1: Rockefeller Records. I see, my man, we're gonna be Rockefeller Records,

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Speaker 1: Rockefeller Records.

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Speaker 7: I didn't know. So they asked me to go to

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Speaker 7: a fight.

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Speaker 3: I didn't know. The fight that they were in was

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Speaker 3: what was it? What was his name? My cord on

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Speaker 3: my yoga.

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Speaker 1: He had just signed to Rockefeller and he was against

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Speaker 1: Tito Trinidad. And they sat me next to Tito Trinidad's mother,

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Speaker 1: his brother, and his whole family.

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Speaker 3: And at that moment I knew that.

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Speaker 1: Rockefeller was trying to set me up. I refused to

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Speaker 1: go out. I said, I can't go against my Puerto

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Speaker 1: Rican people. But that when I had to say to myself, though,

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Speaker 1: but do I know enough Spanish to get the fuck

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Speaker 1: out of here?

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Speaker 3: Crazy?

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Speaker 1: If you put in a situation like that, do you

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Speaker 1: know enough that you can get to the to the door.

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Speaker 1: I know enough to get to the door, because I

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Speaker 1: just want to see a black master Germans.

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Speaker 3: Yeah, I know, I don't see that.

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Speaker 1: That's not you got to you gotta call it Boris Kojo.

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Speaker 3: He's fluent.

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Speaker 1: He's actually German. Wow, yeah, Boris Krdjo. Oh yeah, he's German.

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Speaker 1: He got mad at me one day. I told him

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Speaker 1: to relax. It was I don't like that, said God.

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Speaker 1: I was about to say, we're at okay, moving on?

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Speaker 3: Yeah, I don't know, moving on, okay. I got mad

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Speaker 3: notes okay.

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Speaker 7: To Kanye.

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Speaker 1: Was that something that you had to go back in

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Speaker 1: because I'm saying you wrote it in two thousand and eight.

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Speaker 3: Yeah. Yeah, so.

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Speaker 6: Because I wrote it in two thousand and eight, the

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Speaker 6: history doesn't change, and because I made it about my history,

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Speaker 6: it doesn't change. So there were some references that I

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Speaker 6: had to update, update, implement all that.

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Speaker 3: Kind of stuff.

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Speaker 1: So yeah, the kind of the face mask kind right, Definitely,

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Speaker 1: My pen game was like, now, let's get in this computer.

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Speaker 3: Let's that.

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Speaker 4: It was.

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Speaker 1: At one point I didn't know if it was him

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Speaker 1: or not because he was yelling at that's my man, savvy,

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Speaker 1: the amusing. He does all the Kanye voiceovers online on

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Speaker 1: i G. So that's my man. I was like, Yo,

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Speaker 1: you gotta you got put the mask on and come

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Speaker 1: do this role because you did that. You you impersonated

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Speaker 1: Kanye before with the Rabbit on your show. Yeah so yeah,

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Speaker 1: so I that's the thing, like I can do the

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Speaker 1: Kanye voice and I've done the Kanye impression. But I'm

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Speaker 1: already playing twelve to fourteen characters that this.

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Speaker 6: I still haven't counted yet. That's why I keep sitting

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Speaker 6: twelve to fourteen.

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Speaker 5: The credits are crazy, name ridiculous, right.

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Speaker 1: But yeah, why not spread the love to people that

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Speaker 1: I know are like technicians, even my man Dylan from

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Speaker 1: uh that place eminem or slimming them in the movie

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Speaker 1: he does the eminem joints on. I G yeah, that

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Speaker 1: was the same m TG, the one with the white shirt.

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Speaker 1: And then at the end, yeah, same guy, same guy,

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Speaker 1: the same guy. But I've done an eminem.

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Speaker 3: I kept looking to you. Was you?

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Speaker 1: I was like, everybody thinks that, but it's like, is

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Speaker 1: that racist? I have done you? No, I put on

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Speaker 1: the white face before. I've done the eminem impression before,

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Speaker 1: and you've done the black face too. But Chris Rocks, well,

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Speaker 1: there's no such thing as black face if I'm black,

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Speaker 1: So I just put on darker makeup AS's happened. Yeah man,

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Speaker 1: so yeah, I've done it. But yeah, I like to

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Speaker 1: spread the energy out to people that can get down

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Speaker 1: right and really get down. Now, what is the significance

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Speaker 1: of changing these character names that based on real characters.

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Speaker 6: It's kind of like my bizarro world of hip hop

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Speaker 6: right to be able to tell the story.

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Speaker 3: We know exactly who they are.

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Speaker 6: But I just knew that the audience would be tickled

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Speaker 6: by and it proved to be correct. When I watched

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Speaker 6: the movie with a few different crowds. They love the

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Speaker 6: name changes.

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Speaker 1: Because it's just like kind of poking fun, like we

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Speaker 1: know what it is, but.

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Speaker 6: The creative take on the name, you know. And it

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Speaker 6: also helps me to avoid anything legal.

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Speaker 1: Yeah, I'm not saying this is actually fifty cent, this

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Speaker 1: is actually jays see.

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Speaker 3: You know what I mean?

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Speaker 7: That scene with fifties Oh yeah, yeah.

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Speaker 1: Okrah Whitney, Oh yeah, on the Okra Whitney Show.

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Speaker 3: Yeah, I feel like I.

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Speaker 1: Feel like I feel like Okrah is like Oprah in

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Speaker 1: real life. You think so, Yeah, I think I think

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Speaker 1: Oprah behind the scene, me telling me shut the fuck up.

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Speaker 6: That's what we want to Yeah, we wanted to tap

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Speaker 6: into what we thought people really are like.

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Speaker 1: And you know what I'm saying, because they get to

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Speaker 1: they they breaking points.

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Speaker 3: Think about it.

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Speaker 1: We most likely don't book guests, and guests come to

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Speaker 1: us and we're we've been only doing this for eight years.

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Speaker 3: Oprah been doing this for twenty eight thirty years.

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Speaker 1: Well, she'd probably be like she probably be like, fuck

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Speaker 1: you nigga, Like on the behind the scenes you never did.

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Speaker 3: I'm sure she's got a couple of fuck you niggas

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Speaker 3: in there. Yeah, I her dna, her dna. Yeah.

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Speaker 1: You don't get to that powerful position without having to

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Speaker 1: tell a few people to kiss your motherfucking know.

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Speaker 3: You open niggas kill.

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Speaker 1: Now, I got my bounce around the place, all look

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Speaker 1: a little bit right, I know who you are. So

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Speaker 1: so he's said that, like I want't supposed to know around?

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Speaker 3: Would you ever go?

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Speaker 1: I don't want to say I don't want to start

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Speaker 1: with two B, but like a two beach type like place,

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Speaker 1: yes to take here?

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Speaker 3: Yes? Yeah, yeah, yeah, one hundred per tow B is business. Yeah,

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Speaker 3: you know what I mean. And it's also up ship

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Speaker 3: to going.

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Speaker 1: It's the people that they've opened a platform for entrepreneurs

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Speaker 1: and for people who want to independently produce. It's not

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Speaker 1: two be's fault that the people's production value.

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Speaker 3: Isn't as high as we're used to, you know what

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Speaker 3: I mean.

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Speaker 1: So no, I would definitely do to be This is

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Speaker 1: a distribution outlet actually gets it to places.

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Speaker 3: They take your movie. If you're spilming on your on

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Speaker 3: your on your on your like, we can we can

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Speaker 3: shoot a movie right now.

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Speaker 1: We're shooting a movie right now today on my phone,

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Speaker 1: right now, and we can put.

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Speaker 3: It on, So why AMC.

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Speaker 1: It's theater, it's theeter and we had a relationship with

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Speaker 1: somebody at AMC, and so.

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Speaker 3: The opportunity came.

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Speaker 6: First of all, there's no we don't have any studio

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Speaker 6: behind us, right, it's me and Domain. We financed it,

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Speaker 6: and so we're it's like we're slaying in the movie

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Speaker 6: out the trunk type of deal.

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Speaker 5: And you told me that early on when you was

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Speaker 5: hitting this up to be a part of it, y'all supposed.

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Speaker 3: To be in the movie. Yeah, I'm I was.

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Speaker 1: Not that you've seen it with the just seeing the

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Speaker 1: trailer that I hit y'all last.

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Speaker 3: Year, you know what I'm saying. After when I saw,

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Speaker 3: I was like, this was supposed to be like Funk

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Speaker 3: Flex or the Joe.

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Speaker 6: But well, so we was gonna we were gonna blend it, right,

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Speaker 6: So it's my portrayal as Joe Budden and the funk

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Speaker 6: Flex scene we have my man Ski playing Funk.

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Speaker 3: But those scenes and just the whole.

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Speaker 6: Portrayal of everybody feels so real To add in some

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Speaker 6: real face, like it just grabs like ras Cas and Fredro, right,

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Speaker 6: So we.

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Speaker 3: Wanted to have y'all.

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Speaker 1: Actually there instead of doing an impression of y'all to

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Speaker 1: have Roscoe come sit down with y'all, y'all do do

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Speaker 1: an interview? Thought it was I thought when I watched

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Speaker 1: the movie, I didn't think it was Roscoe that I

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Speaker 1: thought it was the artist that that flex was playing.

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Speaker 3: It was.

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Speaker 6: It's supposed to be Google and Roscoe and Google, Yah, Google.

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Speaker 6: It was all it was in the script. But it

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Speaker 6: didn't happen. But I'm here now, but let me no, No,

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Speaker 6: it's because of Noor that it didn't.

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Speaker 3: Was very.

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Speaker 1: I was running on over all over the world. I was,

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Speaker 1: I'm sorry, but we hear now right, stop bringing up

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Speaker 1: old ship.

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Speaker 3: Because for people who.

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Speaker 1: Who like people, they only see the end of the marathon,

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Speaker 1: like they don't my fault. I forgot to tell you

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Speaker 1: the other reason why theaters. Okay, right, okay, this is

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Speaker 1: a live concert type of a movie. Watching it on

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Speaker 1: your phone or your laptop doesn't do it justice. We

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Speaker 1: watched it in the theater at least seven times, and

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Speaker 1: we had a big premiere in l A in the theater.

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Speaker 1: The music in this movie is ship like I have real.

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Speaker 3: Original, Yeah, all original, all original, but some sound a likes.

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Speaker 6: But we got real easy mob, real producers them joints

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Speaker 6: focused ron brows, my boy Devine O Bannon, We got

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Speaker 6: a lot like real shit, me and Domain producing bets.

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Speaker 6: We watched the audiences in the theater like oh, like nodding,

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Speaker 6: like they had a concert, and shit, they're cheering at

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Speaker 6: the end of the joint. So it's a different experience

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Speaker 6: to do it in the theater. So that's that's the

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Speaker 6: biggest reason why we wanted to do it in theater.

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Speaker 6: And then, like I said, we had the plug and

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Speaker 6: we took it to MC.

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Speaker 3: Who doesn't want to see their movie in the theater anyway? Yeah,

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Speaker 3: just seen the Bob Marley movie in the theater? Yeah

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Speaker 3: I saw that. Yeah. Yeah.

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Speaker 1: The only problem is I want to smoke weed. Yeah

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Speaker 1: it inspires that. Yes, yes, So we go to New York.

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Speaker 1: I can tell that cool Heirk scene was in LA.

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Speaker 1: Couldn't fake that New York To me, I was looking

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Speaker 1: like that, ain't the bronx nowhere? Well, what is the

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Speaker 1: purpose of that? Purpose of what? Like you know, because

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Speaker 1: I see that you have real New York scenes like

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Speaker 1: real yeah, did.

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Speaker 3: You have you know things that we do it?

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Speaker 1: Is it more of course effective doing it like that?

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Speaker 3: Okay?

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Speaker 6: Because imagine we fly the whole crew out to the

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Speaker 6: Bronx and try to maneuver around there.

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Speaker 1: No one lives in New York, you know what I mean,

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Speaker 1: So we have to put people up and do it.

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Speaker 1: That's just way crazy. So we had to shoot in

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Speaker 1: l A because that's all I could afford, you know

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Speaker 1: what I mean.

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Speaker 3: It was It was dope because I could tell. But

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Speaker 3: only real New.

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Speaker 1: Yorkers know that, Like some people watching there, like yo,

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Speaker 1: y'all shot at New York, right, You.

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Speaker 3: Know I could tell the b roll.

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Speaker 1: I could tell the difference, you know what I mean,

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Speaker 1: from from when, because I had that skill since sign Feld.

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Speaker 1: You know, none of Seinfeld was filmed in New York

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Speaker 1: at all, only only to be I don't know.

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Speaker 3: If you know that. They also have a show called

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Speaker 3: King King of Queens nowhere near Queens. It's all la.

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Speaker 3: It's all la. Yeah.

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Speaker 1: And when I found that out, I start I start

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Speaker 1: to see things like that. But is it like like

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Speaker 1: when you started it in two thousand and eight.

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Speaker 3: You know, most of us, you.

385
00:18:05,800 --> 00:18:08,120
Speaker 1: Know, are kind of spoiled, you know what I'm saying,

386
00:18:08,119 --> 00:18:10,400
Speaker 1: Like most of us with success are kind of spoiled.

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00:18:10,520 --> 00:18:12,399
Speaker 3: And if you don't get it at that moment.

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Speaker 1: It's like the idea goes away or you lose you

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Speaker 1: know what I'm saying, Like you lose the enthusiasms, you

390
00:18:20,200 --> 00:18:21,080
Speaker 1: lose the enthusiasm.

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Speaker 3: Right, So did did did that happen? All this or

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Speaker 3: how was this?

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Speaker 1: It happens from time to time. But man, I'm I'm

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Speaker 1: a journeyman. I'm here for the long the long road.

395
00:18:32,200 --> 00:18:35,040
Speaker 1: I've been in this game since ninety four, God damn it.

396
00:18:35,200 --> 00:18:37,960
Speaker 1: So since you had braves all of that, let's not

397
00:18:38,040 --> 00:18:41,400
Speaker 1: talk about Soul Train. We're not forgeting about us depth Jam,

398
00:18:41,480 --> 00:18:45,399
Speaker 1: Soul Train, Apollo on it. But there being guys and

399
00:18:45,520 --> 00:18:49,199
Speaker 1: women that I've seen along the journey that aren't here anymore, you.

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Speaker 7: Know what I mean.

401
00:18:49,600 --> 00:18:51,880
Speaker 6: And that's not to knock them or whatever. But I've

402
00:18:51,920 --> 00:18:55,400
Speaker 6: just always been locked into There's always tomorrow. Okay, there's

403
00:18:55,400 --> 00:18:56,600
Speaker 6: always tomorrow. We're gonna get it.

404
00:18:56,600 --> 00:18:58,560
Speaker 1: Tomorrow, We're gonna get it, and just work your ass

405
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Speaker 1: off until you get to it.

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Speaker 3: That's right, special that right?

407
00:19:03,160 --> 00:19:05,720
Speaker 5: How did you go ahead, like go about picking who

408
00:19:05,720 --> 00:19:08,240
Speaker 5: you wanted to be featured in terms of the artists

409
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Speaker 5: in the film.

410
00:19:09,400 --> 00:19:13,040
Speaker 6: It was whoever we knew we could portray convincingly. Most

411
00:19:13,080 --> 00:19:16,159
Speaker 6: of these these characters, We've already Me and Demane have

412
00:19:16,200 --> 00:19:18,600
Speaker 6: already done parodies of them on YouTube, you know what

413
00:19:18,600 --> 00:19:21,840
Speaker 6: I mean? For years, since early two thousands, we were

414
00:19:21,880 --> 00:19:26,160
Speaker 6: already doing the jay Z, the Kanye, the Russell Russell,

415
00:19:26,720 --> 00:19:29,280
Speaker 6: Jager Woods, Uh, Tiger Woods.

416
00:19:29,400 --> 00:19:31,040
Speaker 3: He was doing the Freeway impression.

417
00:19:32,080 --> 00:19:34,800
Speaker 6: So we just this was me wanting to write a

418
00:19:34,840 --> 00:19:36,399
Speaker 6: movie that was like, all right, let's put all these

419
00:19:36,440 --> 00:19:38,360
Speaker 6: characters in one place, but.

420
00:19:38,560 --> 00:19:41,639
Speaker 3: Make it not feel like a spoof movie.

421
00:19:41,880 --> 00:19:45,679
Speaker 1: Right, Let's lace a really dope message in here, and

422
00:19:45,760 --> 00:19:48,119
Speaker 1: delivered that message with comedy as the backdrop.

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00:19:48,680 --> 00:19:50,560
Speaker 3: You know what I mean. You know it was so

424
00:19:50,640 --> 00:19:51,320
Speaker 3: dope about that.

425
00:19:51,440 --> 00:19:53,000
Speaker 1: It was at times of the movie I couldn't tell

426
00:19:53,040 --> 00:19:54,760
Speaker 1: what was real all faith, you know what I mean,

427
00:19:54,800 --> 00:19:56,840
Speaker 1: Like how you was like like you was like, you know,

428
00:19:57,520 --> 00:20:00,560
Speaker 1: was redoing the story of hip hop and then automatically

429
00:20:00,600 --> 00:20:02,639
Speaker 1: made me think that you was reading on all these stories,

430
00:20:02,680 --> 00:20:04,920
Speaker 1: like you had inside information about all these stories, right,

431
00:20:04,960 --> 00:20:07,840
Speaker 1: so I could, I honestly could, and I'm an industry dude,

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00:20:08,000 --> 00:20:12,000
Speaker 1: I honestly couldn't tell what was like official was like

433
00:20:12,280 --> 00:20:14,560
Speaker 1: you know what I made to just be there So

434
00:20:14,760 --> 00:20:16,920
Speaker 1: it's a really, really, really really fucking great movie.

435
00:20:16,960 --> 00:20:17,840
Speaker 3: Man, Thank you man.

436
00:20:18,480 --> 00:20:22,520
Speaker 1: I appreciate it so for me.

437
00:20:24,280 --> 00:20:28,480
Speaker 6: Because I wasn't in the Bronx and I didn't grow

438
00:20:28,560 --> 00:20:31,560
Speaker 6: up with I didn't go to the cool mold versus

439
00:20:31,640 --> 00:20:33,760
Speaker 6: busy beating battle. I mean, we know about it from

440
00:20:33,760 --> 00:20:38,240
Speaker 6: YouTube and we know the audio, right, and I've seen

441
00:20:38,359 --> 00:20:40,920
Speaker 6: enough documentaries. I never went to the park when herk

442
00:20:41,080 --> 00:20:44,560
Speaker 6: was I was born then, So this, the whole movie

443
00:20:44,640 --> 00:20:48,840
Speaker 6: in a sense, is fiction based on reality and based

444
00:20:48,880 --> 00:20:50,400
Speaker 6: on real events. I like, you know what I'm saying.

445
00:20:50,400 --> 00:20:53,240
Speaker 6: I like, that's another reason why we changed names. It's like, look,

446
00:20:53,600 --> 00:20:56,320
Speaker 6: I'm not representing that this is the actual history, right

447
00:20:56,600 --> 00:20:59,960
Speaker 6: because I wasn't there. This is my reimagining of the history.

448
00:21:00,119 --> 00:21:02,520
Speaker 6: And then from what I said and from what we portrayed,

449
00:21:02,800 --> 00:21:04,760
Speaker 6: you can go do your research. And I have people

450
00:21:04,800 --> 00:21:07,439
Speaker 6: doing that now saying I didn't know who Heirk was.

451
00:21:07,480 --> 00:21:08,920
Speaker 3: I didn't know who this.

452
00:21:08,680 --> 00:21:10,520
Speaker 6: This person was, so I didn't know about this event.

453
00:21:10,520 --> 00:21:12,679
Speaker 6: Was that a real thing? So the same thing that

454
00:21:12,720 --> 00:21:15,880
Speaker 6: you said is pretty much what the mission was for us.

455
00:21:16,520 --> 00:21:16,720
Speaker 3: Now.

456
00:21:16,800 --> 00:21:20,640
Speaker 1: Now the download star is Jay bum who the download

457
00:21:20,680 --> 00:21:24,280
Speaker 1: star or the whole movie is Jay he's the backpack.

458
00:21:24,320 --> 00:21:26,600
Speaker 1: He's like the guy who kind of makes it make sense. Yeah,

459
00:21:26,720 --> 00:21:29,560
Speaker 1: first at first he called him with jay Bum. He

460
00:21:29,680 --> 00:21:32,520
Speaker 1: yells out the thing he yells out to Russell and

461
00:21:32,560 --> 00:21:34,760
Speaker 1: I'm like, oh, this is one of them fucked up

462
00:21:34,880 --> 00:21:35,960
Speaker 1: rappers that never made it.

463
00:21:36,400 --> 00:21:37,640
Speaker 3: And then you know what I mean, and you.

464
00:21:37,640 --> 00:21:39,800
Speaker 1: And they always have a bad story, those guys, and

465
00:21:39,840 --> 00:21:43,840
Speaker 1: they always have dis records. But jay Bum wounded up

466
00:21:43,840 --> 00:21:44,880
Speaker 1: being kind of like the.

467
00:21:44,920 --> 00:21:47,040
Speaker 3: Hero at the end. Yeah, like he will.

468
00:21:47,119 --> 00:21:51,960
Speaker 1: He ignites the hero in thel of the story Freeway exactly.

469
00:21:52,560 --> 00:21:54,520
Speaker 3: He's the catalyst. Right.

470
00:21:55,440 --> 00:21:57,640
Speaker 1: It's not saying that his point of view is right,

471
00:21:58,000 --> 00:22:01,040
Speaker 1: because remember he's saying it's dead, it's fucked up. He

472
00:22:01,119 --> 00:22:04,840
Speaker 1: represents the old heads right as we go along in

473
00:22:04,840 --> 00:22:07,239
Speaker 1: the movie, we start understanding on us.

474
00:22:07,440 --> 00:22:14,120
Speaker 3: He said, look, I added myself to that right white

475
00:22:15,880 --> 00:22:16,639
Speaker 3: we don't ahead.

476
00:22:17,160 --> 00:22:19,119
Speaker 1: And look that's the thing old heads don't want to

477
00:22:19,160 --> 00:22:22,680
Speaker 1: admit that we old head there's a fucking there's a

478
00:22:22,760 --> 00:22:24,040
Speaker 1: thing that happens that.

479
00:22:24,080 --> 00:22:26,960
Speaker 6: Mid life shift when you look in the mirror you're like, god, damn,

480
00:22:28,160 --> 00:22:29,280
Speaker 6: my headline A where.

481
00:22:29,160 --> 00:22:33,880
Speaker 1: What ten years ago? And so he represents that old

482
00:22:33,920 --> 00:22:36,560
Speaker 1: head conversation. But it doesn't start with him.

483
00:22:36,760 --> 00:22:39,520
Speaker 6: If you remember in the barbershop scene, the same conversation

484
00:22:39,640 --> 00:22:43,640
Speaker 6: is happening between Yeah, between soul versus blue.

485
00:22:44,359 --> 00:22:45,160
Speaker 3: It's the same ship.

486
00:22:45,200 --> 00:22:47,600
Speaker 1: There's always gonna be old versus young, And so what

487
00:22:47,680 --> 00:22:50,080
Speaker 1: the what I hope to get to in the movie

488
00:22:50,240 --> 00:22:55,320
Speaker 1: is no one is responsible for ruining it. No one

489
00:22:55,400 --> 00:22:58,480
Speaker 1: is single handedly responsible. We all are as a culture

490
00:22:59,520 --> 00:23:02,879
Speaker 1: as are We're all responsible for where hip hop is

491
00:23:03,000 --> 00:23:05,760
Speaker 1: or isn't, where black culture is or isn't.

492
00:23:05,800 --> 00:23:06,320
Speaker 3: You know what I mean.

493
00:23:06,359 --> 00:23:09,439
Speaker 6: So my thing was, I don't want to, you know,

494
00:23:10,000 --> 00:23:13,119
Speaker 6: place the blame. But the j Bum character is the

495
00:23:13,240 --> 00:23:16,760
Speaker 6: catalyst to get them on this journey of discovery to

496
00:23:16,760 --> 00:23:18,280
Speaker 6: find out what the real problem is.

497
00:23:18,520 --> 00:23:21,320
Speaker 1: It looks like it's the young niggast. I thought I

498
00:23:21,320 --> 00:23:23,840
Speaker 1: thought he was going to be the mad rapper, Like,

499
00:23:23,920 --> 00:23:26,440
Speaker 1: I mean, he kind of is. You're right, he kind

500
00:23:26,480 --> 00:23:29,840
Speaker 1: of is. He definitely is. Yeah, that's what he is.

501
00:23:30,119 --> 00:23:35,880
Speaker 1: He's the backpack rapper, the purist if you will, All right, Okay, okay, there's.

502
00:23:35,640 --> 00:23:37,600
Speaker 3: Some layers in this movie, man, you know what I mean.

503
00:23:37,640 --> 00:23:39,640
Speaker 3: I went in my shit. It's deep. It's deep, man,

504
00:23:39,680 --> 00:23:41,800
Speaker 3: It's deep. Okay, Okay, let me go on my notes.

505
00:23:42,200 --> 00:23:45,120
Speaker 6: I got this nigga going to his notes. I stumped them.

506
00:23:45,720 --> 00:23:46,720
Speaker 6: You can't never shut this.

507
00:23:47,240 --> 00:23:53,679
Speaker 1: Yeah yeah, yeah, Okay, Now did we spoke about you

508
00:23:53,760 --> 00:23:58,040
Speaker 1: being Chinese before too? Because that shit is just amazing

509
00:23:58,119 --> 00:24:01,480
Speaker 1: the randomness of this nigga's mind. Yeah, my grandfather was

510
00:24:01,560 --> 00:24:07,440
Speaker 1: Chinese Chinese Trinidadian. Yeah, which is not I'm trying to

511
00:24:07,440 --> 00:24:10,159
Speaker 1: figure out how exactly. I'm trying to figure out what

512
00:24:10,280 --> 00:24:14,040
Speaker 1: kind of food that tastes like. It's definitely Curry's rotea

513
00:24:14,119 --> 00:24:15,680
Speaker 1: chicken and all that egg.

514
00:24:15,760 --> 00:24:24,880
Speaker 6: Right, No, Chinese, double Chinese, Trinidadian, Chinese, Chinese, Chinese m Trinidadian,

515
00:24:25,040 --> 00:24:27,439
Speaker 6: but Chinese descent like the.

516
00:24:27,520 --> 00:24:29,120
Speaker 1: Chinese Jamaicans the exactly.

517
00:24:29,200 --> 00:24:32,000
Speaker 6: Yeah, yeah, they call them Chinese tiny hold him? What

518
00:24:32,160 --> 00:24:33,880
Speaker 6: Chinese Chinese? Was that Chinese body?

519
00:24:33,880 --> 00:24:35,280
Speaker 3: The Chinese? Yeah?

520
00:24:35,760 --> 00:24:43,440
Speaker 1: Yeah, so where did you take that up from the Chinese?

521
00:24:43,960 --> 00:24:44,080
Speaker 3: No?

522
00:24:44,119 --> 00:24:48,600
Speaker 1: I I was, I was bugging. We visited the Germany thing,

523
00:24:48,920 --> 00:24:50,120
Speaker 1: We visited the China thing.

524
00:24:50,440 --> 00:24:51,280
Speaker 3: Germany and Chinese.

525
00:24:53,240 --> 00:24:57,480
Speaker 1: U your mother Trinidadian? Like that ship is just like ill.

526
00:24:57,560 --> 00:25:01,520
Speaker 1: I thought I was exotic. We both exig many a

527
00:25:01,600 --> 00:25:02,360
Speaker 1: black and Puerto Rican.

528
00:25:02,440 --> 00:25:04,679
Speaker 3: I was like, he kind of talked. He kind of

529
00:25:04,680 --> 00:25:05,159
Speaker 3: took me out.

530
00:25:05,640 --> 00:25:09,840
Speaker 1: He's in German, North Carolinian. This Nigga's all type of ship,

531
00:25:09,960 --> 00:25:12,920
Speaker 1: all of it. So what's what's what do you like more?

532
00:25:13,600 --> 00:25:14,159
Speaker 3: Stand up?

533
00:25:15,200 --> 00:25:16,960
Speaker 1: Because I know you you took a break for fifteen

534
00:25:17,040 --> 00:25:18,640
Speaker 1: years due said you wasn't doing that.

535
00:25:19,000 --> 00:25:25,359
Speaker 3: But is it? Is it sketches or stand up? I

536
00:25:25,440 --> 00:25:26,399
Speaker 3: like them all right?

537
00:25:26,640 --> 00:25:32,199
Speaker 1: For me that it's just different ways to express.

538
00:25:30,800 --> 00:25:33,000
Speaker 6: Stand up is how I pay for this movie. So

539
00:25:33,000 --> 00:25:36,320
Speaker 6: stand up is a whole business model that and for me,

540
00:25:36,359 --> 00:25:40,720
Speaker 6: it's like that's where I learned the timing and the

541
00:25:40,800 --> 00:25:47,199
Speaker 6: pulse of what the culture is responding to in real time. Right,

542
00:25:47,359 --> 00:25:49,600
Speaker 6: they're right in front of me. I can't escape that.

543
00:25:49,880 --> 00:25:52,439
Speaker 6: Like I'll be in front of the hoodiest crowds to

544
00:25:52,440 --> 00:25:53,639
Speaker 6: spend their hard earned money.

545
00:25:53,680 --> 00:25:54,680
Speaker 3: You better make them laugh.

546
00:25:54,760 --> 00:25:58,480
Speaker 1: They're like, don't waste my mother fucking money only had it.

547
00:25:58,560 --> 00:26:00,119
Speaker 1: I ain't had this money. I had to take my

548
00:26:00,160 --> 00:26:01,520
Speaker 1: girl out, you you know what I mean. So I

549
00:26:01,560 --> 00:26:03,840
Speaker 1: had to dig in to the piggy bank to get this.

550
00:26:04,080 --> 00:26:06,840
Speaker 1: So you got to understand the mentality and respect the

551
00:26:06,840 --> 00:26:09,320
Speaker 1: people that you're in front of. And because I have

552
00:26:09,520 --> 00:26:13,840
Speaker 1: that every weekend or every other weekend test of what

553
00:26:13,880 --> 00:26:16,760
Speaker 1: my comedy muscle is. By the time I'm writing something

554
00:26:17,240 --> 00:26:19,760
Speaker 1: and I don't have the immediate crowd in front of

555
00:26:19,800 --> 00:26:20,680
Speaker 1: me judging.

556
00:26:20,320 --> 00:26:24,800
Speaker 6: What I'm what I'm writing, I know that when I

557
00:26:24,840 --> 00:26:27,960
Speaker 6: produce the movie or the TV show or the sketch,

558
00:26:28,600 --> 00:26:31,200
Speaker 6: I know what they're gonna respond to it for sure.

559
00:26:31,320 --> 00:26:34,080
Speaker 6: A strong sense of what's gonna be visceral. And that's

560
00:26:34,119 --> 00:26:37,080
Speaker 6: what's been happening in these uh these screenings of Hip

561
00:26:37,080 --> 00:26:40,440
Speaker 6: Hop Story. The ship that I knew they was gonna

562
00:26:40,480 --> 00:26:42,800
Speaker 6: go crazy over, I see it happen.

563
00:26:42,880 --> 00:26:44,760
Speaker 3: I know the rhythm, I know the timing, I know.

564
00:26:44,720 --> 00:26:46,120
Speaker 1: The next scene is coming up, and I know they're

565
00:26:46,160 --> 00:26:48,960
Speaker 1: gonna flip out over the Cornell West, I know what

566
00:26:49,000 --> 00:26:50,479
Speaker 1: they're gonna respond to, you know what I mean?

567
00:26:50,680 --> 00:26:53,200
Speaker 3: Cornell West, get manager. I never met him before.

568
00:26:53,200 --> 00:26:55,919
Speaker 5: I don't know has anybody responded to you?

569
00:26:55,840 --> 00:26:56,000
Speaker 1: You know?

570
00:26:56,280 --> 00:26:58,000
Speaker 3: But did you most for the most part, I mean,

571
00:26:58,000 --> 00:26:59,680
Speaker 3: I don't know him, but I know everybody else.

572
00:27:00,280 --> 00:27:03,439
Speaker 1: Communicated with everybody that I ain't complicated.

573
00:27:02,840 --> 00:27:04,959
Speaker 3: Them all, but I know them, you know what I mean?

574
00:27:05,040 --> 00:27:07,919
Speaker 3: Because for the most part, legs and it's very uncomfortable,

575
00:27:07,920 --> 00:27:10,720
Speaker 3: but we just spoke to Russell last night. That's that's

576
00:27:10,720 --> 00:27:15,080
Speaker 3: what you're talking about over. I was like the black

577
00:27:15,080 --> 00:27:16,600
Speaker 3: professor like that, I'll get it.

578
00:27:22,440 --> 00:27:24,120
Speaker 1: I say this at all the people in the movie

579
00:27:24,160 --> 00:27:26,480
Speaker 1: that I portrayed, I'll take my chances in a fight

580
00:27:26,520 --> 00:27:27,320
Speaker 1: with Cornell.

581
00:27:29,040 --> 00:27:31,320
Speaker 3: I'll take my chancewers. But you know, respect to the

582
00:27:31,400 --> 00:27:31,840
Speaker 3: to the o G.

583
00:27:34,560 --> 00:27:36,560
Speaker 1: But I think I might be a little faster than him,

584
00:27:36,640 --> 00:27:38,400
Speaker 1: so I'll run awwn in some of these cases.

585
00:27:40,840 --> 00:27:42,200
Speaker 3: When did it makes sense.

586
00:27:42,119 --> 00:27:45,560
Speaker 1: For like Joe Buttons to play Joe Buttons or Nigga.

587
00:27:45,600 --> 00:27:47,080
Speaker 1: That's what I was trying to do with you. Yeah,

588
00:27:47,320 --> 00:27:50,080
Speaker 1: it would have made sense. It would have made tall

589
00:27:50,200 --> 00:27:55,119
Speaker 1: fucking sense. It's funnier if I portrayed Joe Button though, right,

590
00:27:55,200 --> 00:27:57,320
Speaker 1: and then you play yourself and then right, you know,

591
00:27:57,359 --> 00:27:58,719
Speaker 1: you bounce off the fake Roscoe.

592
00:27:59,200 --> 00:28:02,239
Speaker 3: Right, was that Beijing that you had on?

593
00:28:02,520 --> 00:28:05,280
Speaker 1: Oh yeah, yeah, yeah, it was all the Beijing, the

594
00:28:05,280 --> 00:28:08,880
Speaker 1: beard makeup because I had no facial hair the whole

595
00:28:08,880 --> 00:28:10,800
Speaker 1: movie because I had to play the Rascal ball head

596
00:28:10,840 --> 00:28:13,720
Speaker 1: all that. Yeah, so that my makeup artists, Coully called

597
00:28:13,720 --> 00:28:17,159
Speaker 1: the Wrong and Karen Rhoades, they did hear and makeup

598
00:28:17,280 --> 00:28:18,679
Speaker 1: like nobody's business.

599
00:28:19,040 --> 00:28:22,240
Speaker 6: It was crazy. Wow, So hold on, I'm curious what

600
00:28:22,240 --> 00:28:23,920
Speaker 6: did you like about it? What did you you just

601
00:28:24,119 --> 00:28:25,680
Speaker 6: you seem really excited when I sat down.

602
00:28:25,720 --> 00:28:28,160
Speaker 3: Can you just watched it? So, I mean it resonated

603
00:28:28,200 --> 00:28:28,520
Speaker 3: with you.

604
00:28:29,320 --> 00:28:32,000
Speaker 5: It got deep, like I thought, the moral of the

605
00:28:32,040 --> 00:28:33,640
Speaker 5: story and kind of like.

606
00:28:33,640 --> 00:28:35,320
Speaker 3: What you were trying to get across. It got a.

607
00:28:35,320 --> 00:28:39,800
Speaker 5: Little deep, and towards this half, I'm kind of serious now.

608
00:28:39,720 --> 00:28:40,400
Speaker 3: Because it's deep.

609
00:28:40,440 --> 00:28:43,560
Speaker 5: Yeah, But then I started having these these laugh out

610
00:28:43,560 --> 00:28:46,080
Speaker 5: loud moments like the Corner West was the fifty cent

611
00:28:46,760 --> 00:28:49,600
Speaker 5: Joe Budden, and it kind of like it brought something

612
00:28:49,600 --> 00:28:52,280
Speaker 5: that was getting deep and serious to a humorous place.

613
00:28:52,280 --> 00:28:55,120
Speaker 5: So I think it married those two things together really well.

614
00:28:55,440 --> 00:28:56,120
Speaker 3: So it blended.

615
00:28:56,480 --> 00:28:59,040
Speaker 5: Yeah, especially for like a hip hop purist or if

616
00:28:59,040 --> 00:29:01,760
Speaker 5: someone that cares, you know, like like we need this,

617
00:29:01,800 --> 00:29:03,680
Speaker 5: but we need to laugh at this as well for sure.

618
00:29:04,000 --> 00:29:06,240
Speaker 3: Yeah. Yeah, I call it a spoonful of sugar method.

619
00:29:06,360 --> 00:29:12,200
Speaker 6: Like we can theorize and do all kind of debating

620
00:29:12,600 --> 00:29:15,320
Speaker 6: and all that, but at the end of the day,

621
00:29:16,320 --> 00:29:19,000
Speaker 6: what always brings us together is a good laugh and

622
00:29:19,040 --> 00:29:19,680
Speaker 6: good music.

623
00:29:19,960 --> 00:29:22,080
Speaker 3: Right, So this movie has all of it. You know

624
00:29:22,080 --> 00:29:27,200
Speaker 3: what I'm saying. Now, have you ever.

625
00:29:27,120 --> 00:29:32,240
Speaker 1: Thought that comedians be out here acting like rappers, in.

626
00:29:32,120 --> 00:29:33,680
Speaker 3: Some cases worse than rappers.

627
00:29:34,200 --> 00:29:36,440
Speaker 1: You know what's funny, it's not new to me and

628
00:29:36,560 --> 00:29:39,320
Speaker 1: anyone who's a comedian. The first time, this is the

629
00:29:39,320 --> 00:29:40,640
Speaker 1: first time the public has seen it.

630
00:29:40,680 --> 00:29:43,160
Speaker 3: That's the first time. None of this is new. Right.

631
00:29:43,440 --> 00:29:45,440
Speaker 3: We all know who don't like each other. We all

632
00:29:45,560 --> 00:29:47,520
Speaker 3: have heard the stories. We've all seen fights at the

633
00:29:47,520 --> 00:29:49,560
Speaker 3: comedy you know, I'm just getting on. I'm just.

634
00:29:51,160 --> 00:29:53,840
Speaker 1: That's the problem. I've said this before. It's it's like,

635
00:29:54,200 --> 00:29:56,880
Speaker 1: you know, it's the NBA. When NBA players.

636
00:29:56,600 --> 00:30:00,680
Speaker 6: Fight on the court, they at the press conference afterwards

637
00:30:00,800 --> 00:30:03,000
Speaker 6: or the post conference, they asked.

638
00:30:02,840 --> 00:30:04,800
Speaker 3: Him about the fight. Do you really have a beef

639
00:30:04,840 --> 00:30:06,080
Speaker 3: with Lebron? Do you really?

640
00:30:06,320 --> 00:30:08,720
Speaker 1: And they always say the same shit, it's just fast talk.

641
00:30:09,160 --> 00:30:11,560
Speaker 1: It's part of the game. I respect his game. He's

642
00:30:11,640 --> 00:30:14,160
Speaker 1: very competitive. That's just what it is, you know what

643
00:30:14,200 --> 00:30:14,520
Speaker 1: I mean.

644
00:30:17,720 --> 00:30:20,640
Speaker 6: The minute they start spilling out into the public with it,

645
00:30:21,040 --> 00:30:24,120
Speaker 6: That's why the whole what's my man named him? And

646
00:30:24,160 --> 00:30:28,240
Speaker 6: Lebron is going into what he called him old stealing Brooks.

647
00:30:28,640 --> 00:30:32,160
Speaker 6: That's why that got blown out of proportion. It's because

648
00:30:32,160 --> 00:30:34,640
Speaker 6: he perpetuated it. In the conference instead of you know

649
00:30:34,640 --> 00:30:38,160
Speaker 6: what I mean, like it got disrespectful. That's what's going

650
00:30:38,160 --> 00:30:39,280
Speaker 6: on in the comedy world right now.

651
00:30:39,280 --> 00:30:42,240
Speaker 1: The public is not supposed to have a say soul

652
00:30:42,600 --> 00:30:45,760
Speaker 1: in comedy beef. It's supposed to stay behind the lines.

653
00:30:45,920 --> 00:30:47,760
Speaker 1: It's been saying they've been behind the lines.

654
00:30:48,280 --> 00:30:50,400
Speaker 6: Yes, it's been behind the lines, and it should stay there.

655
00:30:50,840 --> 00:30:53,520
Speaker 6: But now that everybody's you know, on the mic talking

656
00:30:54,160 --> 00:30:57,320
Speaker 6: bringing shit up, it's like, now the public is weighing

657
00:30:57,360 --> 00:30:59,560
Speaker 6: in on it and making it way bigger than it's

658
00:30:59,560 --> 00:31:00,280
Speaker 6: supposed to be.

659
00:31:00,480 --> 00:31:03,560
Speaker 5: Which is what's been happening and everything else. Yeah, except

660
00:31:03,560 --> 00:31:05,000
Speaker 5: now it's it took a while for it to.

661
00:31:05,040 --> 00:31:06,080
Speaker 3: Hit hit comedy.

662
00:31:06,120 --> 00:31:09,640
Speaker 6: Yeah, but Kat has always spoke his mind. He's always

663
00:31:09,640 --> 00:31:12,280
Speaker 6: said these things. When he used to say them, the

664
00:31:12,360 --> 00:31:14,800
Speaker 6: audience would call him crazy and that he was on drugs.

665
00:31:15,040 --> 00:31:17,320
Speaker 6: Now the generation has changed a little bit. The audience

666
00:31:17,360 --> 00:31:19,680
Speaker 6: is a little different. They're they're here for all the smoke.

667
00:31:19,720 --> 00:31:21,959
Speaker 6: They want to hear that stuff. So now his message

668
00:31:22,040 --> 00:31:23,720
Speaker 6: is resonating with them, and now it's getting out a

669
00:31:23,760 --> 00:31:24,560
Speaker 6: little more monique.

670
00:31:24,600 --> 00:31:26,640
Speaker 3: Same thing like at the end.

671
00:31:26,600 --> 00:31:30,200
Speaker 1: Of the day, it's not a public conversation, you know,

672
00:31:30,400 --> 00:31:32,440
Speaker 1: I don't live by that code.

673
00:31:32,480 --> 00:31:35,920
Speaker 6: I stay silent if I don't like you. No one

674
00:31:35,920 --> 00:31:37,240
Speaker 6: in the public will ever know it.

675
00:31:37,320 --> 00:31:39,920
Speaker 1: Because I remember it was one Sunday. I believe it's

676
00:31:40,000 --> 00:31:43,720
Speaker 1: during COVID. It was a Mother's Day and I turned

677
00:31:43,760 --> 00:31:46,880
Speaker 1: on my Instagram lot and you and Kevin Hart was

678
00:31:46,960 --> 00:31:48,400
Speaker 1: just trade and blow going for it.

679
00:31:48,520 --> 00:31:50,240
Speaker 3: I believe he said you had a white woman's neck.

680
00:31:50,520 --> 00:31:54,400
Speaker 3: I have never heard. Yeah, and y'all went at it.

681
00:31:54,440 --> 00:31:56,600
Speaker 3: I'm talking about he crying, you crying.

682
00:31:56,680 --> 00:31:58,320
Speaker 1: That's what the comedy I'm used to to tell you

683
00:31:58,320 --> 00:32:00,640
Speaker 1: the truth, Like y'all even though y'all like trying to

684
00:32:00,680 --> 00:32:02,760
Speaker 1: hurt each other's feelings but like not to or not

685
00:32:02,920 --> 00:32:05,520
Speaker 1: even not too far, but you're trying to win, like

686
00:32:05,600 --> 00:32:11,120
Speaker 1: you know what I mean, we're testing with yeh was sparring, right,

687
00:32:11,160 --> 00:32:12,920
Speaker 1: you know what I mean, And it was so in

688
00:32:12,960 --> 00:32:15,000
Speaker 1: the moment, like that's just what that moment was.

689
00:32:15,680 --> 00:32:21,720
Speaker 6: But never in my life will you see me talking

690
00:32:21,760 --> 00:32:24,240
Speaker 6: shit about any comedian, you know what I mean. I'm

691
00:32:24,280 --> 00:32:26,080
Speaker 6: actually the guy that, even if I don't fuck with

692
00:32:26,120 --> 00:32:29,360
Speaker 6: you like that, I have positive shit to say about people.

693
00:32:29,680 --> 00:32:33,200
Speaker 6: I respect people's craft, I respect people's artwork and the

694
00:32:33,200 --> 00:32:37,080
Speaker 6: fact that we're all successful, there's no room for us

695
00:32:37,120 --> 00:32:38,680
Speaker 6: to be fighting, Like, why is niggas mad?

696
00:32:38,800 --> 00:32:41,400
Speaker 3: I'm like, what you mad for? Why is niggas mad?

697
00:32:41,920 --> 00:32:44,360
Speaker 6: So you know, I got love for everybody and for

698
00:32:44,400 --> 00:32:46,600
Speaker 6: those that I don't have love for you never, You'll

699
00:32:46,600 --> 00:32:47,240
Speaker 6: never know it.

700
00:32:47,400 --> 00:32:49,880
Speaker 1: I'm gonna lie. I'm gonna keep it honest. I was

701
00:32:49,920 --> 00:32:52,520
Speaker 1: with Dave Chappelle just hanging out the other day stunt.

702
00:32:53,360 --> 00:32:54,840
Speaker 1: I told him I just had to tell them. I

703
00:32:54,880 --> 00:32:56,600
Speaker 1: just was like, yo, I kind of like, y'all be

704
00:32:56,680 --> 00:32:58,960
Speaker 1: finished because you a rap for niggas.

705
00:32:59,360 --> 00:33:01,400
Speaker 3: I wanted to make the we want to look very

706
00:33:01,440 --> 00:33:02,480
Speaker 3: similar to what he's saying.

707
00:33:02,840 --> 00:33:04,239
Speaker 1: You know, he said he didn't like it, and I

708
00:33:04,280 --> 00:33:06,680
Speaker 1: realized it wasn't kind of like funny to him, Like

709
00:33:06,800 --> 00:33:08,800
Speaker 1: I was like, I like you.

710
00:33:08,760 --> 00:33:10,840
Speaker 6: And Niles better as friends than you talking about you

711
00:33:10,920 --> 00:33:11,640
Speaker 6: gonna beat his asd.

712
00:33:15,440 --> 00:33:21,240
Speaker 1: But I'm not gonna lie to you like it took

713
00:33:21,280 --> 00:33:23,240
Speaker 1: me to see that to say, you know what, We're

714
00:33:23,280 --> 00:33:26,080
Speaker 1: not just crazy. It's not just rappers. It's not just rappers.

715
00:33:26,200 --> 00:33:30,880
Speaker 1: Everybody has feelings. Everybody like having this show taught me

716
00:33:31,160 --> 00:33:33,680
Speaker 1: that the most powerful men in the world have feelings

717
00:33:34,160 --> 00:33:38,200
Speaker 1: because they'll call me and they'll be like, I don't

718
00:33:38,240 --> 00:33:41,840
Speaker 1: can't even say it, but you know what, people have feelings,

719
00:33:42,160 --> 00:33:45,320
Speaker 1: and it was dope to see other people being humans, like,

720
00:33:45,880 --> 00:33:48,320
Speaker 1: for lack of a better term, see comedians.

721
00:33:47,840 --> 00:33:50,640
Speaker 3: Be humans, you know what I mean? Comedians were very sensitive,

722
00:33:51,040 --> 00:33:51,520
Speaker 3: you know what I mean.

723
00:33:51,640 --> 00:33:53,680
Speaker 6: It takes a lot of vulnerability to get on stage

724
00:33:54,240 --> 00:33:58,880
Speaker 6: and believe that you're funny, risk getting booed faster than

725
00:33:58,920 --> 00:34:02,480
Speaker 6: any other art form, and you know, persevere through the

726
00:34:02,560 --> 00:34:05,760
Speaker 6: years to build something that becomes successful, build a name,

727
00:34:05,800 --> 00:34:08,800
Speaker 6: build a brand, build a voice for your comedy. It

728
00:34:08,880 --> 00:34:11,920
Speaker 6: takes a lot to build it, man. But you know,

729
00:34:12,280 --> 00:34:14,279
Speaker 6: like I said, I'm a I'm a.

730
00:34:14,200 --> 00:34:17,440
Speaker 1: Purveyor of peace, but I'm the zen comedian, you know

731
00:34:17,480 --> 00:34:20,319
Speaker 1: what I mean. Did you see Larry what was his name?

732
00:34:20,760 --> 00:34:24,640
Speaker 1: Holmes and Larry what's his name? The comedian he was

733
00:34:24,640 --> 00:34:27,560
Speaker 1: speaking with Donna Rowlands Like it looked like a rap

734
00:34:29,000 --> 00:34:31,800
Speaker 1: korey ho ho both of them, is my guys.

735
00:34:31,840 --> 00:34:32,359
Speaker 3: And that's the thing.

736
00:34:32,440 --> 00:34:33,879
Speaker 1: Did you see how he was going back and forth,

737
00:34:33,920 --> 00:34:36,320
Speaker 1: I'm rap padal Bro. What the fuck is the difference?

738
00:34:36,400 --> 00:34:39,080
Speaker 1: Like That's when I knew comedians y'all going, y'all y'all going,

739
00:34:39,640 --> 00:34:42,480
Speaker 1: I like it, you know, to each their own. You'll

740
00:34:42,600 --> 00:34:46,600
Speaker 1: never see me yelling at another comedian. It's it's not

741
00:34:46,640 --> 00:34:49,240
Speaker 1: gonna happen. But one time I do try to heckle

742
00:34:49,280 --> 00:34:51,680
Speaker 1: you though, right, and it's always you always get heckled.

743
00:34:51,840 --> 00:34:54,840
Speaker 1: That was after Dave Chappelle. But that's before the Dave Chappelle,

744
00:34:55,239 --> 00:34:58,040
Speaker 1: which time he's talking about you, talking about the I

745
00:34:58,040 --> 00:35:01,680
Speaker 1: got on stage, the yeah, when the Karen got on

746
00:35:01,760 --> 00:35:05,600
Speaker 1: say Karen, oh yeah, but it's always hecklers.

747
00:35:05,600 --> 00:35:08,560
Speaker 3: Again, none of this shit is new. None of this

748
00:35:08,600 --> 00:35:09,200
Speaker 3: ship is new.

749
00:35:09,680 --> 00:35:11,440
Speaker 6: When it gets out into the public and it starts

750
00:35:11,440 --> 00:35:13,040
Speaker 6: to circulate, that's when it starts to get blown out

751
00:35:13,040 --> 00:35:13,440
Speaker 6: of proportion.

752
00:35:13,560 --> 00:35:16,600
Speaker 1: But but we've been dealing with this ship. So you're

753
00:35:16,600 --> 00:35:18,600
Speaker 1: saying that's that's when it happened. Karen has been coming

754
00:35:18,600 --> 00:35:19,360
Speaker 1: on your stage.

755
00:35:19,480 --> 00:35:23,279
Speaker 6: I'm just saying, heckling ship getting a little edgys shows

756
00:35:23,560 --> 00:35:25,719
Speaker 6: that is not new, you know what I mean. As

757
00:35:25,719 --> 00:35:27,680
Speaker 6: a rapper, you know, back in the day, there was

758
00:35:27,719 --> 00:35:29,879
Speaker 6: some cities you went to when niggas was throwing beer

759
00:35:29,880 --> 00:35:32,840
Speaker 6: cans or bottles like it was. Ship just happens in

760
00:35:33,320 --> 00:35:36,319
Speaker 6: the art of performing, right, Depending on where you go.

761
00:35:36,880 --> 00:35:39,800
Speaker 3: So there ain't nothing that it ain't nothing.

762
00:35:39,600 --> 00:35:42,759
Speaker 1: That I fear or shy away from. I remember that

763
00:35:42,800 --> 00:35:45,759
Speaker 1: happening to me, and I remember me particularly just saying,

764
00:35:45,800 --> 00:35:50,760
Speaker 1: I'm only going to markets that I'm welcome. I learned,

765
00:35:50,880 --> 00:35:53,840
Speaker 1: like the first year we had we had the war report,

766
00:35:54,080 --> 00:35:55,880
Speaker 1: and the war report was music. It was straight for

767
00:35:55,960 --> 00:35:59,040
Speaker 1: the streets. We could not go to certain places. So

768
00:35:59,080 --> 00:36:02,000
Speaker 1: I remember immediately saying, Yo, take this off of the market.

769
00:36:02,000 --> 00:36:04,000
Speaker 1: This is off of the off of the itinerary, this

770
00:36:04,040 --> 00:36:04,760
Speaker 1: off of the schedule.

771
00:36:04,920 --> 00:36:06,120
Speaker 3: Is that something you ever had to do.

772
00:36:06,880 --> 00:36:09,680
Speaker 6: Yeah, I'll do it for if I don't trust the

773
00:36:09,680 --> 00:36:12,160
Speaker 6: club manager or if I feel like they was disrespecting

774
00:36:12,200 --> 00:36:13,960
Speaker 6: me and my team, and I just won't fuck them.

775
00:36:13,960 --> 00:36:15,440
Speaker 6: I won't go back to that city. I'm wanna go

776
00:36:15,480 --> 00:36:17,400
Speaker 6: back to not the city. I won't go back to

777
00:36:17,400 --> 00:36:20,040
Speaker 6: the venue. Okay, the people in the city, you know,

778
00:36:20,120 --> 00:36:22,200
Speaker 6: if they if they are fans and they rock with me,

779
00:36:22,360 --> 00:36:24,440
Speaker 6: I'll figure out another venture because it's limited.

780
00:36:26,040 --> 00:36:26,279
Speaker 3: City.

781
00:36:27,239 --> 00:36:30,080
Speaker 1: Degree make it take it out in the whole city,

782
00:36:30,239 --> 00:36:39,239
Speaker 1: on the whole city.

783
00:36:35,239 --> 00:36:36,399
Speaker 3: Don't I don't here.

784
00:36:36,520 --> 00:36:36,560
Speaker 8: No.

785
00:36:36,680 --> 00:36:38,919
Speaker 1: I love my fans, especially when I had the number

786
00:36:38,920 --> 00:36:40,879
Speaker 1: one records. Because it's like when you have the number

787
00:36:40,880 --> 00:36:43,560
Speaker 1: one record, it feels like I'm the number one dude,

788
00:36:43,600 --> 00:36:45,279
Speaker 1: you know what I mean, Like you're supposed to get

789
00:36:45,320 --> 00:36:47,960
Speaker 1: saucy when you get the number one shit, and then

790
00:36:47,960 --> 00:36:50,040
Speaker 1: you go some places and then people are looking at

791
00:36:50,080 --> 00:36:53,920
Speaker 1: you because you know they're I'm realizing that this record

792
00:36:53,960 --> 00:36:56,080
Speaker 1: is just getting there. It's a regional record, it's just

793
00:36:56,120 --> 00:36:56,600
Speaker 1: getting there.

794
00:36:56,800 --> 00:36:58,719
Speaker 3: But I'm thinking I'm already to man, I'm number one.

795
00:36:58,880 --> 00:36:59,319
Speaker 3: Mother fuck.

796
00:36:59,360 --> 00:37:01,640
Speaker 1: What the fuck motherfuckers are sitting there looking at me.

797
00:37:01,680 --> 00:37:04,560
Speaker 1: I'm like, I never take this off, take this off

798
00:37:04,600 --> 00:37:08,239
Speaker 1: of the ship. We're never coming back. Yes, I take

799
00:37:08,280 --> 00:37:12,320
Speaker 1: the promoter out. I take it out on the club.

800
00:37:12,800 --> 00:37:16,799
Speaker 1: The bartenders maybe times they always been cool with me

801
00:37:16,920 --> 00:37:20,080
Speaker 1: sometimes how the show was set up, though Sometimes it's

802
00:37:20,080 --> 00:37:22,840
Speaker 1: who you're with. They might just be really big fans

803
00:37:22,880 --> 00:37:25,759
Speaker 1: of that person and then they don't give a fuck

804
00:37:25,760 --> 00:37:28,200
Speaker 1: about who's coming on the stage before them. Yeah, out

805
00:37:28,239 --> 00:37:29,920
Speaker 1: need to do that on certain things. But we got

806
00:37:29,920 --> 00:37:31,799
Speaker 1: a game to be played here. It's called a quick

807
00:37:31,840 --> 00:37:35,120
Speaker 1: Time with Slim. But before we do that, we want

808
00:37:35,160 --> 00:37:45,080
Speaker 1: to give your flowers. You give more flowers. They spelled

809
00:37:45,120 --> 00:37:48,719
Speaker 1: my name right the first time, so just so y'all know.

810
00:37:48,800 --> 00:37:50,799
Speaker 1: I got two of these at the grid judge. One

811
00:37:50,800 --> 00:37:53,000
Speaker 1: of them is spelled wrong. My last thing is spelled wrong,

812
00:37:53,360 --> 00:37:55,320
Speaker 1: but they were gracious enough to send me correctly. But

813
00:37:55,880 --> 00:37:57,680
Speaker 1: you can I can tell that as mister Lee's doing

814
00:37:57,920 --> 00:37:59,560
Speaker 1: you could you think I speak fucked up?

815
00:37:59,560 --> 00:38:01,719
Speaker 3: You hear this? He said?

816
00:38:04,080 --> 00:38:06,400
Speaker 1: Yeah, so we're gonna play quick time with Slid.

817
00:38:06,480 --> 00:38:09,040
Speaker 3: Said that, Oh not yet. What do you mean now yet?

818
00:38:09,080 --> 00:38:09,200
Speaker 7: Oh?

819
00:38:09,239 --> 00:38:11,440
Speaker 3: Yeah, right, cool. I I got a couple of Yeah,

820
00:38:11,520 --> 00:38:14,359
Speaker 3: let's go. It is right here.

821
00:38:14,560 --> 00:38:16,960
Speaker 1: The movie's out, is already out. The movie's already out.

822
00:38:17,000 --> 00:38:19,680
Speaker 6: We did a soft launch, only one hundred and fifty

823
00:38:19,760 --> 00:38:24,719
Speaker 6: nine AMC screens. So this is let me educate people

824
00:38:24,760 --> 00:38:25,520
Speaker 6: in the business of it.

825
00:38:25,560 --> 00:38:28,879
Speaker 1: Most people think that when you see a movie, and

826
00:38:29,000 --> 00:38:31,200
Speaker 1: especially with what we put into the production value, they

827
00:38:31,239 --> 00:38:33,160
Speaker 1: just think, oh, this shit is gonna come to the

828
00:38:33,160 --> 00:38:35,360
Speaker 1: theater right by my crib. It's gonna be on streaming

829
00:38:35,400 --> 00:38:37,279
Speaker 1: next week. Oh man, this is this ship is lit.

830
00:38:37,280 --> 00:38:37,640
Speaker 7: It's up.

831
00:38:38,280 --> 00:38:40,680
Speaker 6: That's not how it works. Right again, there's no studio.

832
00:38:40,800 --> 00:38:42,080
Speaker 6: It's just me and him.

833
00:38:42,320 --> 00:38:45,880
Speaker 1: Most studios have a budget for marketing and placement and

834
00:38:45,920 --> 00:38:47,879
Speaker 1: all that kind of stuff you have to pay per

835
00:38:47,960 --> 00:38:52,600
Speaker 1: screen to house your your film there. Right, So again,

836
00:38:52,680 --> 00:38:54,520
Speaker 1: all of this is out of my pocket, it ain't

837
00:38:54,760 --> 00:38:56,879
Speaker 1: you know what I mean. I ain't sitting on no

838
00:38:56,880 --> 00:38:59,600
Speaker 1: no one f a Leprechaun pot of gold type of shit.

839
00:39:00,000 --> 00:39:03,399
Speaker 1: It's just me investing in the business. So I spent

840
00:39:03,480 --> 00:39:06,919
Speaker 1: the money on as many as I could, and I said, right,

841
00:39:06,960 --> 00:39:07,960
Speaker 1: that's that's enough.

842
00:39:07,800 --> 00:39:10,600
Speaker 3: For what we where we are, and then we're.

843
00:39:10,400 --> 00:39:14,680
Speaker 1: Gonna have meetings with other companies to widen the net

844
00:39:14,920 --> 00:39:17,560
Speaker 1: and of course do uh figure out the streaming deal

845
00:39:17,640 --> 00:39:20,200
Speaker 1: as well. But it's not as easy as people think

846
00:39:20,200 --> 00:39:21,360
Speaker 1: it is, you know what I'm saying.

847
00:39:21,760 --> 00:39:24,280
Speaker 3: And the theaters have to approve your movie.

848
00:39:24,880 --> 00:39:27,239
Speaker 6: If it was coming from a bigger company, a big,

849
00:39:27,280 --> 00:39:30,080
Speaker 6: big name, of course they'd be like yeah, by all means,

850
00:39:30,080 --> 00:39:33,520
Speaker 6: and that company has the budget to just put the

851
00:39:33,600 --> 00:39:37,239
Speaker 6: movie in whatever theater they want. But because it's us,

852
00:39:37,000 --> 00:39:40,160
Speaker 6: it's a little more scrutinized and they can fine tooth

853
00:39:40,200 --> 00:39:43,839
Speaker 6: comit and say we don't want that movie here. There's

854
00:39:43,840 --> 00:39:46,640
Speaker 6: no track record of me and him as producers with

855
00:39:47,000 --> 00:39:47,480
Speaker 6: that theater.

856
00:39:47,760 --> 00:39:50,319
Speaker 1: So it's a lot of elements Phil seats. I mean,

857
00:39:50,600 --> 00:39:53,000
Speaker 1: that's what big care. And that's fair like that business.

858
00:39:53,280 --> 00:39:55,000
Speaker 1: We totally get that, you know what I mean. They want

859
00:39:55,000 --> 00:39:57,839
Speaker 1: to make room for the cartoon or the big action

860
00:39:57,960 --> 00:40:01,000
Speaker 1: hero movie that's gonna bring the people into the theater.

861
00:40:01,160 --> 00:40:03,120
Speaker 1: So that's just a little bit of the business side

862
00:40:03,120 --> 00:40:05,000
Speaker 1: of it. So people understand, like it's not just as

863
00:40:05,000 --> 00:40:06,920
Speaker 1: simple as man, how come it's not playing in Detroit.

864
00:40:07,680 --> 00:40:09,880
Speaker 3: They didn't approve it in Detroit. We couldn't get it

865
00:40:09,920 --> 00:40:10,360
Speaker 3: in Detroit.

866
00:40:10,400 --> 00:40:12,600
Speaker 5: But it performs well and the ones that it's in now,

867
00:40:12,600 --> 00:40:14,160
Speaker 5: will it expand in some more theater.

868
00:40:14,000 --> 00:40:14,880
Speaker 3: Yeah, and that's been happening.

869
00:40:14,960 --> 00:40:19,040
Speaker 6: So it opened Friday last Friday, right the twenty third, Okay,

870
00:40:19,400 --> 00:40:22,640
Speaker 6: and yes, a lot of the screens, especially in the

871
00:40:22,640 --> 00:40:26,359
Speaker 6: bigger cities New York, LA, We've been adding shows. So

872
00:40:26,400 --> 00:40:30,160
Speaker 6: it's it's been a really decent few days in the movie.

873
00:40:30,520 --> 00:40:33,839
Speaker 6: But the biggest part about it was us watching the

874
00:40:33,920 --> 00:40:36,560
Speaker 6: audience's reaction to it. Like they already gave us ninety

875
00:40:36,600 --> 00:40:39,800
Speaker 6: percent on Rotten Tomatoes, which is a hard ranking system,

876
00:40:39,880 --> 00:40:43,240
Speaker 6: you know what I mean. So the reaction has been consistent,

877
00:40:43,320 --> 00:40:45,640
Speaker 6: damn near one hundred percent. Everyone is saying it's a

878
00:40:45,640 --> 00:40:49,960
Speaker 6: brilliant movie, it's hilarious with a message. They loved the

879
00:40:50,640 --> 00:40:52,839
Speaker 6: characters and how many scenes it was, and how many

880
00:40:53,000 --> 00:40:56,080
Speaker 6: journey like the journey of it all, and they love

881
00:40:56,200 --> 00:40:57,359
Speaker 6: love the music.

882
00:40:57,640 --> 00:41:00,280
Speaker 3: And the cinematography. It's well made.

883
00:41:00,440 --> 00:41:02,880
Speaker 5: Yeah, color correction looks ill for like the time period

884
00:41:02,920 --> 00:41:03,440
Speaker 5: you're trying.

885
00:41:03,239 --> 00:41:05,680
Speaker 3: To display, Like it's dope. It's very well made.

886
00:41:05,880 --> 00:41:08,839
Speaker 5: So people watching this go and watch it if it's

887
00:41:08,880 --> 00:41:09,719
Speaker 5: near you in a theater.

888
00:41:09,840 --> 00:41:10,879
Speaker 3: Yeah, if it's still in the theater.

889
00:41:11,000 --> 00:41:14,360
Speaker 1: If not, Like I said, we're going to restructure the

890
00:41:14,400 --> 00:41:15,800
Speaker 1: deal and we're going to shop it around.

891
00:41:15,800 --> 00:41:16,040
Speaker 7: Now.

892
00:41:16,360 --> 00:41:17,280
Speaker 3: Now that we have.

893
00:41:18,640 --> 00:41:20,719
Speaker 6: A litmus test and a focus group, we have some

894
00:41:21,160 --> 00:41:22,560
Speaker 6: evidence of what this movie can do.

895
00:41:23,040 --> 00:41:24,759
Speaker 3: Again, it's just me and him doing it. So what's

896
00:41:24,800 --> 00:41:29,160
Speaker 3: the What is the end result of this is to

897
00:41:29,280 --> 00:41:31,959
Speaker 3: we upgate into a movie theater or for I would

898
00:41:31,960 --> 00:41:32,400
Speaker 3: love to do that.

899
00:41:32,440 --> 00:41:35,120
Speaker 1: Yeah, I would love to do like a wide distribution worldwide.

900
00:41:35,840 --> 00:41:37,279
Speaker 1: I would love for this movie to be one hundred

901
00:41:37,320 --> 00:41:39,759
Speaker 1: million dollars. You know what I'm saying. It's worthy of that,

902
00:41:40,160 --> 00:41:40,560
Speaker 1: you know what I mean.

903
00:41:40,600 --> 00:41:43,600
Speaker 6: Compared to Bob Marley, Bob Marley is about an icon

904
00:41:44,280 --> 00:41:48,000
Speaker 6: that we all know, right. Hip hop is iconic. It's

905
00:41:48,000 --> 00:41:50,960
Speaker 6: a culture full of the movie has icons, in it.

906
00:41:51,400 --> 00:41:54,799
Speaker 6: So it's like we have the same appeal as not

907
00:41:54,840 --> 00:41:56,799
Speaker 6: to say that, you know, no disrespect to Marley at all.

908
00:41:56,880 --> 00:41:59,040
Speaker 6: And I know those producers as well, and I love

909
00:41:59,080 --> 00:42:01,399
Speaker 6: that the success that the having, but we would love

910
00:42:01,440 --> 00:42:04,399
Speaker 6: to be able to have our film in that same

911
00:42:04,440 --> 00:42:06,680
Speaker 6: type of conversation or that same type of success rate.

912
00:42:06,880 --> 00:42:07,319
Speaker 3: You know what I mean.

913
00:42:07,760 --> 00:42:11,520
Speaker 5: Is there a business model where a big studio comes

914
00:42:11,560 --> 00:42:13,560
Speaker 5: in and says, you guys are performing well independently, We're

915
00:42:13,560 --> 00:42:15,160
Speaker 5: going to come in and get no.

916
00:42:15,200 --> 00:42:16,759
Speaker 3: Absolutely, yeah, yep.

917
00:42:17,520 --> 00:42:21,360
Speaker 1: But again we just we proved ourselves every step.

918
00:42:21,080 --> 00:42:21,399
Speaker 7: Of the way.

919
00:42:21,400 --> 00:42:24,759
Speaker 6: With an independent movie, you prove yourself and it's a

920
00:42:24,800 --> 00:42:26,120
Speaker 6: different it's a different model.

921
00:42:26,400 --> 00:42:28,480
Speaker 3: Not everyone is doing it this way. You know.

922
00:42:28,560 --> 00:42:31,000
Speaker 6: Most people take it directly to a studio when it's

923
00:42:31,000 --> 00:42:33,160
Speaker 6: still on the script, when it's still on the page,

924
00:42:33,600 --> 00:42:39,160
Speaker 6: and you may give up most of the ownership.

925
00:42:38,680 --> 00:42:42,120
Speaker 3: Of it, take money once you take money, exactly. Yeah.

926
00:42:42,840 --> 00:42:44,960
Speaker 1: The whole people people have notes and they want to

927
00:42:44,960 --> 00:42:46,960
Speaker 1: tell you let's do this and let's do that.

928
00:42:47,000 --> 00:42:47,680
Speaker 3: And that's the thing.

929
00:42:48,200 --> 00:42:51,279
Speaker 1: We made the movie we wanted to make from front

930
00:42:51,320 --> 00:42:53,520
Speaker 1: to back. So that's another thing, like we made the

931
00:42:53,560 --> 00:42:55,879
Speaker 1: movie we want to make, so we don't look at

932
00:42:55,880 --> 00:42:58,799
Speaker 1: it as ah man, we got bad notes and we

933
00:42:58,840 --> 00:43:01,360
Speaker 1: wish that scene was different. That's the movie we shot,

934
00:43:01,360 --> 00:43:02,440
Speaker 1: in the movie we made.

935
00:43:02,600 --> 00:43:03,239
Speaker 3: That we want to make.

936
00:43:03,320 --> 00:43:05,839
Speaker 1: So because I heard you once say that you didn't

937
00:43:05,880 --> 00:43:09,040
Speaker 1: recognize your show on Fox like after it, like you

938
00:43:09,560 --> 00:43:11,480
Speaker 1: film completely opposite experience.

939
00:43:11,840 --> 00:43:12,919
Speaker 3: So so how does that work?

940
00:43:13,000 --> 00:43:13,840
Speaker 7: You film it?

941
00:43:14,239 --> 00:43:15,719
Speaker 1: I mean you guys film it, I mean not you

942
00:43:15,760 --> 00:43:18,560
Speaker 1: feel it, right, but you get a version and you

943
00:43:18,640 --> 00:43:20,719
Speaker 1: approve a version, and then it has to go to

944
00:43:20,719 --> 00:43:24,040
Speaker 1: the higher ups. And then now what they do, all

945
00:43:24,040 --> 00:43:27,960
Speaker 1: they do is every step of the way in the

946
00:43:28,080 --> 00:43:32,520
Speaker 1: editing process, right in post production, they're giving notes every day,

947
00:43:33,239 --> 00:43:36,800
Speaker 1: sometimes every hour. Right, you send them a new cut

948
00:43:36,880 --> 00:43:38,719
Speaker 1: and they'll be like change this.

949
00:43:38,719 --> 00:43:41,040
Speaker 3: Do that. We don't like this, and we don't like that.

950
00:43:41,320 --> 00:43:44,640
Speaker 1: It's always, you know, the people that know the least

951
00:43:44,680 --> 00:43:47,200
Speaker 1: about what you're doing that's feeling you the most. Yeah,

952
00:43:47,200 --> 00:43:49,120
Speaker 1: because they spending the money, right, you know what I mean?

953
00:43:49,160 --> 00:43:52,759
Speaker 1: So you know, but again, it's business. We understand it.

954
00:43:52,880 --> 00:43:56,480
Speaker 1: We're not We're not knocking the business. The business is

955
00:43:56,520 --> 00:43:59,920
Speaker 1: what it is. We love the business, right because we're

956
00:44:01,239 --> 00:44:04,120
Speaker 1: still succeeding in it. But this is just a new

957
00:44:04,200 --> 00:44:06,040
Speaker 1: venture that we're like, all right, let's see what this goes.

958
00:44:06,480 --> 00:44:09,240
Speaker 1: Like me, I'm always me and EFM. We always argue

959
00:44:09,520 --> 00:44:14,160
Speaker 1: and he's always independent. I'm always major, right. But one time,

960
00:44:14,480 --> 00:44:17,480
Speaker 1: I'll give you a scenario. I had a record with

961
00:44:17,560 --> 00:44:22,200
Speaker 1: Jairou and the record was cool. We filmed the video,

962
00:44:22,280 --> 00:44:24,560
Speaker 1: but it kind of really wasn't.

963
00:44:24,640 --> 00:44:27,080
Speaker 3: Me and Leo Coles did have edits.

964
00:44:27,320 --> 00:44:29,759
Speaker 1: Leo Colmes came to me and was like, listen, I

965
00:44:29,840 --> 00:44:34,560
Speaker 1: kind of invested in Nori, not Jiro. Like it's like,

966
00:44:34,800 --> 00:44:37,480
Speaker 1: I don't want a job popcorn He said it was popcorn.

967
00:44:37,520 --> 00:44:41,600
Speaker 1: He was like, I don't want to jay tongue. Yeah. Yeah,

968
00:44:41,640 --> 00:44:43,480
Speaker 1: So and he was right this time, and you know

969
00:44:43,520 --> 00:44:46,560
Speaker 1: what happened for that, I went and I made Homeboy.

970
00:44:46,920 --> 00:44:50,080
Speaker 1: I came to party, so that record wouldn't even exist. So,

971
00:44:50,200 --> 00:44:55,680
Speaker 1: and sometimes these producers are correct, I mean the executives.

972
00:44:55,680 --> 00:44:58,000
Speaker 1: I mean to say the executives. Oh, there are some

973
00:44:58,120 --> 00:45:01,600
Speaker 1: of course, but to lose owner for good I'm not saying.

974
00:45:01,640 --> 00:45:01,759
Speaker 5: Now.

975
00:45:02,480 --> 00:45:03,520
Speaker 3: Let me finished my question.

976
00:45:03,560 --> 00:45:06,640
Speaker 1: So as opposed, so let me ask, are you opposed

977
00:45:06,719 --> 00:45:08,320
Speaker 1: to never working with a studio?

978
00:45:08,440 --> 00:45:08,760
Speaker 5: No?

979
00:45:08,760 --> 00:45:09,239
Speaker 3: No, no.

980
00:45:09,560 --> 00:45:11,800
Speaker 1: All I'm saying is this is something that we decided

981
00:45:11,840 --> 00:45:14,520
Speaker 1: to do because we were passionate about it. We had

982
00:45:14,520 --> 00:45:17,040
Speaker 1: a vision for it, and I had the money to

983
00:45:17,040 --> 00:45:18,520
Speaker 1: be able to get it going.

984
00:45:19,120 --> 00:45:21,920
Speaker 3: Well, yeah, to do it my way. I'm still in Hollywood.

985
00:45:21,920 --> 00:45:25,480
Speaker 1: I still you know, work for other projects and audition

986
00:45:25,600 --> 00:45:26,560
Speaker 1: and do all that kind of stuff.

987
00:45:26,719 --> 00:45:27,440
Speaker 3: I still do all of that.

988
00:45:27,520 --> 00:45:32,000
Speaker 6: But when it comes to independent filmmaking, this is the

989
00:45:32,000 --> 00:45:34,799
Speaker 6: film that we wanted to make and it could change

990
00:45:34,840 --> 00:45:37,440
Speaker 6: our lives based on how we've had to do things

991
00:45:37,480 --> 00:45:39,479
Speaker 6: in the past, you know. I mean now, you said

992
00:45:39,520 --> 00:45:42,680
Speaker 6: something in the past too, you said Hollywood could be.

993
00:45:42,640 --> 00:45:43,320
Speaker 3: A little racist.

994
00:45:44,560 --> 00:45:46,680
Speaker 1: You said, because there's never been a black man to

995
00:45:46,680 --> 00:45:53,000
Speaker 1: play Batman. And then it wasn't rumors of a playing Batman,

996
00:45:53,840 --> 00:45:56,160
Speaker 1: but it was rumors of a black man playing James

997
00:45:56,239 --> 00:45:58,279
Speaker 1: James Bond. I feel like, I feel like that's colse

998
00:45:58,320 --> 00:46:00,960
Speaker 1: of you. No, you don't want that, you don't want

999
00:46:01,200 --> 00:46:03,160
Speaker 1: give you that's not because of me. And I'm saying

1000
00:46:03,560 --> 00:46:06,880
Speaker 1: because I'm saying you said it, and I think Hollywood

1001
00:46:06,920 --> 00:46:07,759
Speaker 1: is like, you know what, that'd be.

1002
00:46:07,680 --> 00:46:09,080
Speaker 3: Cool to have a black James Bond.

1003
00:46:09,360 --> 00:46:12,360
Speaker 1: I may have said it in jest, Yeah, but he's

1004
00:46:12,400 --> 00:46:15,160
Speaker 1: coming through maybe voices like yours your part, don't want

1005
00:46:15,160 --> 00:46:16,320
Speaker 1: those I'm.

1006
00:46:16,160 --> 00:46:18,480
Speaker 3: Giving you those props. Just take him just.

1007
00:46:23,760 --> 00:46:23,840
Speaker 4: Now.

1008
00:46:23,960 --> 00:46:27,880
Speaker 1: I think I would rather because it was approaching Idris

1009
00:46:27,880 --> 00:46:30,799
Speaker 1: Elba to be and everybody was saying that they wanted him.

1010
00:46:30,719 --> 00:46:32,400
Speaker 3: To do it. He got the ad already.

1011
00:46:32,480 --> 00:46:37,680
Speaker 6: I understand his mentality on it. He's just like, why

1012
00:46:37,719 --> 00:46:41,760
Speaker 6: why do we always have to do the black version

1013
00:46:41,840 --> 00:46:44,600
Speaker 6: of what they created? Why don't we just create our

1014
00:46:44,640 --> 00:46:47,560
Speaker 6: own like he did with Luther, you know what I mean?

1015
00:46:47,600 --> 00:46:50,759
Speaker 6: Instead of said that, you know, he said that I'm paraphrasing.

1016
00:46:50,840 --> 00:46:53,200
Speaker 1: Okay, right, but but he was like, now, I would

1017
00:46:53,280 --> 00:46:56,960
Speaker 1: rather focus on Luther because he keeps getting asked if

1018
00:46:57,000 --> 00:46:58,680
Speaker 1: he's going to do the James Bond thing, and his

1019
00:46:58,800 --> 00:47:01,880
Speaker 1: answer as of right now that I know of, is no,

1020
00:47:02,120 --> 00:47:04,680
Speaker 1: that he doesn't. He's not interested in doing that, you

1021
00:47:04,680 --> 00:47:06,400
Speaker 1: know what I mean. But again, I don't want to

1022
00:47:06,400 --> 00:47:09,080
Speaker 1: speak for him, but that's the understanding of it. But

1023
00:47:09,120 --> 00:47:11,040
Speaker 1: that's my my thing too, is like, look, we are

1024
00:47:11,160 --> 00:47:15,360
Speaker 1: very creative. We don't have to rehash anything or you know,

1025
00:47:15,480 --> 00:47:18,560
Speaker 1: be the new black version of this character that's been

1026
00:47:19,160 --> 00:47:23,359
Speaker 1: in their world for a long time. I think we're

1027
00:47:23,440 --> 00:47:25,279
Speaker 1: creative enough we could come up with some fire.

1028
00:47:25,440 --> 00:47:26,799
Speaker 3: I think I'm fifty to fifty on that.

1029
00:47:27,000 --> 00:47:29,520
Speaker 1: What if I grew up being a fan A Flash

1030
00:47:29,560 --> 00:47:32,840
Speaker 1: Gordon and I just want to see the black Flash Gordon.

1031
00:47:33,200 --> 00:47:35,239
Speaker 1: What ain't nothing wrong with that? Look, there's nothing wrong

1032
00:47:35,280 --> 00:47:37,239
Speaker 1: with That's the whitest and whitest character that I just

1033
00:47:37,280 --> 00:47:39,759
Speaker 1: like to push the culture to be more creative, that's what,

1034
00:47:40,000 --> 00:47:41,120
Speaker 1: you know what I mean. I don't always like to

1035
00:47:41,120 --> 00:47:43,279
Speaker 1: see a remake. Yeah, I agree, Like I.

1036
00:47:43,280 --> 00:47:45,040
Speaker 3: Don't want to get a black vidy, you know what

1037
00:47:45,080 --> 00:47:45,359
Speaker 3: I mean.

1038
00:47:45,840 --> 00:47:48,839
Speaker 1: I get that just a shitload of remakes right now.

1039
00:47:48,880 --> 00:47:53,040
Speaker 1: So you know it's all, but it's sound.

1040
00:47:57,680 --> 00:48:02,600
Speaker 6: That I would like the play, Oh for sure. I

1041
00:48:02,640 --> 00:48:08,759
Speaker 6: mean I'm working on my action uh star leading man

1042
00:48:09,280 --> 00:48:11,400
Speaker 6: energy now, that's that's why I'm going next.

1043
00:48:11,640 --> 00:48:12,719
Speaker 3: Yeah, you know what I mean.

1044
00:48:12,840 --> 00:48:15,879
Speaker 1: I'm not the guy who's one dimensional. Who I mean

1045
00:48:15,880 --> 00:48:18,000
Speaker 1: you see this from the movie like I played, Yeah

1046
00:48:18,320 --> 00:48:22,719
Speaker 1: a thousand niggas a desjoyed So but I want to

1047
00:48:22,760 --> 00:48:26,000
Speaker 1: be very clear, we're me and Demaan are actual filmmakers.

1048
00:48:26,080 --> 00:48:29,080
Speaker 1: We're not just hey, let's do this spook movie because

1049
00:48:29,080 --> 00:48:32,200
Speaker 1: it's some some cultural ship and do it because it's

1050
00:48:32,400 --> 00:48:37,800
Speaker 1: it's an easy play let's put this film out. Let's succeed,

1051
00:48:38,280 --> 00:48:40,399
Speaker 1: and then let's go into our sci fi bag. Let's

1052
00:48:40,400 --> 00:48:42,359
Speaker 1: go into an action bag. Let's go on our kung

1053
00:48:42,400 --> 00:48:45,080
Speaker 1: fu bag. Like we got we are filmmakers. Yeah, I

1054
00:48:45,080 --> 00:48:47,000
Speaker 1: gotta si mo. I want to smoke weed in.

1055
00:48:47,120 --> 00:48:52,239
Speaker 3: Space domain Write that down, write that down. I want

1056
00:48:52,280 --> 00:48:52,799
Speaker 3: to I want to.

1057
00:48:53,160 --> 00:48:59,400
Speaker 1: Always oh yeah, about to be like that ship, like

1058
00:48:59,440 --> 00:49:02,160
Speaker 1: because thinking about it, there's been a lot of space movies,

1059
00:49:03,080 --> 00:49:06,880
Speaker 1: but even one of my favorite ship on Netflix is

1060
00:49:06,920 --> 00:49:07,440
Speaker 1: a thing.

1061
00:49:07,360 --> 00:49:11,480
Speaker 7: Called Sports Space Force. You've never seen it, no, I

1062
00:49:11,600 --> 00:49:11,880
Speaker 7: heard it?

1063
00:49:12,000 --> 00:49:15,280
Speaker 3: I heard? Is it a movie? It's a comedy about

1064
00:49:15,680 --> 00:49:17,719
Speaker 3: like a fake Star Trek, like a spoof on Star Trek,

1065
00:49:17,760 --> 00:49:18,000
Speaker 3: isn't it?

1066
00:49:18,040 --> 00:49:20,640
Speaker 1: I wouldn't say Star Trek, But it's like, what's this

1067
00:49:20,719 --> 00:49:21,680
Speaker 1: guy name for forty.

1068
00:49:21,520 --> 00:49:22,160
Speaker 7: Year old version?

1069
00:49:23,080 --> 00:49:29,200
Speaker 3: Paul Rudd? Steve that that dude, Yeah, for forty year version?

1070
00:49:29,320 --> 00:49:32,680
Speaker 1: Right, yeah yeah, yeah, so he's he's like the general

1071
00:49:33,320 --> 00:49:37,720
Speaker 1: Yeah yeah, yeah, yeah, he got It's like dope.

1072
00:49:38,160 --> 00:49:38,759
Speaker 3: It's dope, but.

1073
00:49:38,880 --> 00:49:41,560
Speaker 1: It's like in space and it's like em you know,

1074
00:49:42,080 --> 00:49:45,400
Speaker 1: all right, like and that's what you want to do.

1075
00:49:45,600 --> 00:49:48,600
Speaker 1: But it's like, yeah, that's what I'm thinking. That was

1076
00:49:48,640 --> 00:49:52,000
Speaker 1: like nobody smoke in the space like I think you

1077
00:49:52,040 --> 00:49:53,239
Speaker 1: want to spend three in space?

1078
00:49:53,480 --> 00:49:55,600
Speaker 3: And Chong did those movies they do that? Yeah, but

1079
00:49:55,680 --> 00:49:58,919
Speaker 3: they did. I don't think like he was the new version.

1080
00:49:59,400 --> 00:50:00,319
Speaker 3: New version. Shit.

1081
00:50:00,440 --> 00:50:03,080
Speaker 1: They catch beef with China. China run run over all flag.

1082
00:50:03,120 --> 00:50:06,360
Speaker 1: It's America against China in space in space. Yeah, this

1083
00:50:06,440 --> 00:50:08,520
Speaker 1: is real ship. They run over all flag, fly or

1084
00:50:08,640 --> 00:50:11,160
Speaker 1: run the moon like they're on the moon, on the

1085
00:50:11,239 --> 00:50:13,279
Speaker 1: moon and the flag this is real ship is in

1086
00:50:13,360 --> 00:50:16,239
Speaker 1: the in the thing. So the American flag is there

1087
00:50:16,239 --> 00:50:19,920
Speaker 1: and China just runs it over. So the people in America,

1088
00:50:22,600 --> 00:50:25,719
Speaker 1: the people like the generals because they have real min

1089
00:50:25,840 --> 00:50:30,840
Speaker 1: What do you put in your I ain't never before,

1090
00:50:31,600 --> 00:50:34,080
Speaker 1: but if it gives me that imagination, you got to.

1091
00:50:36,400 --> 00:50:38,360
Speaker 3: Face for it. I might at least want to smell it.

1092
00:50:38,480 --> 00:50:40,000
Speaker 3: So this is what they did.

1093
00:50:40,360 --> 00:50:43,440
Speaker 1: So they had me and this is the Navy, the army,

1094
00:50:43,560 --> 00:50:46,799
Speaker 1: and they're like, yo, the Navy, the Army, they all

1095
00:50:46,880 --> 00:50:49,320
Speaker 1: meet together because they're like, yo, you look the Chinese

1096
00:50:49,320 --> 00:50:52,160
Speaker 1: people destroy American flag. So they're like, yo, we got

1097
00:50:52,280 --> 00:50:56,479
Speaker 1: to attack. And this is in space watching space force

1098
00:50:56,719 --> 00:50:57,319
Speaker 1: sh is hall.

1099
00:50:57,400 --> 00:51:02,040
Speaker 3: How do y'all? How do you do it? How do

1100
00:51:02,160 --> 00:51:06,120
Speaker 3: you because you've seem very clear headed. And then there's

1101
00:51:06,120 --> 00:51:11,000
Speaker 3: story he's thinking about. I'm telling you, I.

1102
00:51:11,120 --> 00:51:13,440
Speaker 1: Promise you when you watch, you're gonna watch this to be.

1103
00:51:13,480 --> 00:51:14,879
Speaker 3: Like but let me ask you. Do you actually say

1104
00:51:14,960 --> 00:51:18,160
Speaker 3: my bad? But you always do? You always have like

1105
00:51:18,239 --> 00:51:19,360
Speaker 3: are you a d D? Do you have a D

1106
00:51:19,480 --> 00:51:21,920
Speaker 3: D A d h D? Yeah? The way it is

1107
00:51:22,719 --> 00:51:25,480
Speaker 3: all of this ship, all of the yea because you

1108
00:51:25,640 --> 00:51:26,160
Speaker 3: just you you.

1109
00:51:27,160 --> 00:51:29,080
Speaker 6: It's like we'd be having a conversation about one thing

1110
00:51:29,160 --> 00:51:34,560
Speaker 6: and you'll pull out a giraffett the giraffe that it's.

1111
00:51:34,440 --> 00:51:40,480
Speaker 3: Gonna be the promo po. I loved every second of that.

1112
00:51:40,680 --> 00:51:42,839
Speaker 3: Thank you, we're doing quick time was actually call him

1113
00:51:42,880 --> 00:51:43,880
Speaker 3: it to me. I don't know if you do that

1114
00:51:45,120 --> 00:51:45,520
Speaker 3: now now.

1115
00:51:46,040 --> 00:51:46,640
Speaker 7: It wasn't this.

1116
00:51:46,840 --> 00:51:49,480
Speaker 6: It was just I'm just trying to understand. I'm understanding

1117
00:51:49,520 --> 00:51:53,759
Speaker 6: how your your minds. Yeah, because you know it's just

1118
00:51:53,840 --> 00:51:57,759
Speaker 6: so much stake. I'm doing part two. Yeah, I'm studying you,

1119
00:51:57,800 --> 00:51:59,480
Speaker 6: got you gotta I'm studying you.

1120
00:51:59,800 --> 00:52:07,680
Speaker 3: Really? Is that serious? Wait? What wait? What happened? Okay? Yeah, yeah,

1121
00:52:07,760 --> 00:52:08,400
Speaker 3: who's gonna have you?

1122
00:52:08,600 --> 00:52:10,400
Speaker 1: You want to bring anybody in, you want to bring anybody,

1123
00:52:10,520 --> 00:52:14,080
Speaker 1: you want to tell the comme you can be the

1124
00:52:14,120 --> 00:52:16,040
Speaker 1: designated drinking Now, who's talking about you?

1125
00:52:16,239 --> 00:52:18,799
Speaker 3: You want you want one of your people, you want

1126
00:52:18,840 --> 00:52:21,080
Speaker 3: want to people. None of us drink, None of y'all drinks.

1127
00:52:21,080 --> 00:52:21,680
Speaker 3: None of us drinks.

1128
00:52:21,680 --> 00:52:25,279
Speaker 7: So we're gonna you want something to you want to drink.

1129
00:52:25,320 --> 00:52:34,279
Speaker 3: Okay, you a big was happening. You don't get a

1130
00:52:34,440 --> 00:52:34,960
Speaker 3: good speech?

1131
00:52:36,480 --> 00:52:39,200
Speaker 1: Yeah, yeah, give them give me a chair, right there, mister,

1132
00:52:40,360 --> 00:52:43,800
Speaker 1: you're Comminican, Dominican, Dominican to Dominican.

1133
00:52:45,480 --> 00:52:48,960
Speaker 3: Yeah. That that fade the Black scene. Yeah, yeah, that

1134
00:52:49,080 --> 00:52:51,120
Speaker 3: was the faith the black scene. Yeah, because fade the

1135
00:52:51,160 --> 00:52:54,120
Speaker 3: black can't have dregs, no, no, but we did our

1136
00:52:54,280 --> 00:52:58,040
Speaker 3: version of like the newer version of that that energy. Okay,

1137
00:52:58,280 --> 00:53:00,600
Speaker 3: you can't. You can't do that kind of music. Jah,

1138
00:53:00,760 --> 00:53:04,080
Speaker 3: you can do that. We're talking about. This is this

1139
00:53:04,239 --> 00:53:06,920
Speaker 3: is Jesus smile.

1140
00:53:08,239 --> 00:53:10,400
Speaker 1: I said, slugs hit a bigger than you through your

1141
00:53:10,440 --> 00:53:13,080
Speaker 1: passionate side to ups ground you side.

1142
00:53:12,880 --> 00:53:19,719
Speaker 3: For I'm telling these niggas to be delivery man. That

1143
00:53:19,920 --> 00:53:24,600
Speaker 3: was hard, wet, that was hard. You made people want

1144
00:53:24,640 --> 00:53:26,520
Speaker 3: to do kwan. You can you can say one or

1145
00:53:26,560 --> 00:53:27,640
Speaker 3: the other if you pick both.

1146
00:53:27,719 --> 00:53:30,000
Speaker 1: Your man, you played this last time, right, Yeah, your

1147
00:53:30,080 --> 00:53:32,000
Speaker 1: man drinks, but we drink with them.

1148
00:53:32,000 --> 00:53:32,839
Speaker 3: We don't leave him out there.

1149
00:53:33,160 --> 00:53:34,919
Speaker 7: Yeah, I've been waving my whole life for this movement.

1150
00:53:35,040 --> 00:53:39,520
Speaker 1: Okay, cool shout out. Shout out to Tonyo Skits. He's

1151
00:53:40,200 --> 00:53:43,759
Speaker 1: king of Miami comedy. And when I called him, he

1152
00:53:43,920 --> 00:53:46,839
Speaker 1: was like, Yo, I'll be there. He flew himself out

1153
00:53:46,880 --> 00:53:49,359
Speaker 1: to l A. He showed up on, said he knew

1154
00:53:49,400 --> 00:53:51,480
Speaker 1: his not like. The dude is a professional man. He

1155
00:53:51,640 --> 00:53:54,200
Speaker 1: really rocks out and he has his own brand. Like

1156
00:53:54,280 --> 00:53:56,440
Speaker 1: I'm not just saying no like me putting him on.

1157
00:53:56,920 --> 00:53:58,719
Speaker 1: This is him saying, nah, I want to be there

1158
00:53:58,800 --> 00:54:00,840
Speaker 1: for this moment of the theater. So shout out to

1159
00:54:00,880 --> 00:54:07,520
Speaker 1: Tonio is an affection. He's professionally drinking for you right now,

1160
00:54:07,600 --> 00:54:11,920
Speaker 1: no doubt, no doubt, no doubt. Okay, Kevin Hart or

1161
00:54:12,000 --> 00:54:13,279
Speaker 1: Cat Williams who.

1162
00:54:13,239 --> 00:54:18,320
Speaker 3: Put Caddy Williams, Yo, take a drink. I speak fluid.

1163
00:54:19,200 --> 00:54:20,520
Speaker 3: I say fluid, mister Lee.

1164
00:54:23,400 --> 00:54:23,879
Speaker 7: Oh that's good.

1165
00:54:24,160 --> 00:54:25,839
Speaker 3: I know exactly what he meant. But look, I got

1166
00:54:25,920 --> 00:54:26,560
Speaker 3: some mamajuana.

1167
00:54:26,840 --> 00:54:34,840
Speaker 1: Okay, he said, bro bring me okay, little personal tupac

1168
00:54:35,160 --> 00:54:35,640
Speaker 1: or biggie.

1169
00:54:36,239 --> 00:54:40,880
Speaker 3: Oh, that's a personal mamajuana for you.

1170
00:54:41,920 --> 00:54:43,359
Speaker 7: Thank you, I need more, I need more drinks.

1171
00:54:44,239 --> 00:54:46,279
Speaker 3: No, no, no, it's going. But what do you want

1172
00:54:46,320 --> 00:54:47,719
Speaker 3: to drink? You don't have to drink that, that's what

1173
00:54:48,239 --> 00:54:51,279
Speaker 3: you want you Yeah, because we got drink.

1174
00:54:51,600 --> 00:54:56,359
Speaker 1: We don't drink okay, yeah, because yeah, you can drink.

1175
00:54:57,520 --> 00:55:01,319
Speaker 3: Shake it, shake a little bit. Shake, Let them take

1176
00:55:01,360 --> 00:55:01,920
Speaker 3: that home.

1177
00:55:03,880 --> 00:55:04,080
Speaker 9: Home.

1178
00:55:04,360 --> 00:55:06,000
Speaker 3: Because we got we got we got mars, we got

1179
00:55:06,040 --> 00:55:06,480
Speaker 3: shots for you.

1180
00:55:07,040 --> 00:55:10,640
Speaker 1: I'll say this, I like this one that's in this

1181
00:55:10,719 --> 00:55:16,920
Speaker 1: cargo pocket, like keeping this Showtime at the Apollo or

1182
00:55:17,000 --> 00:55:21,400
Speaker 1: Soul Train, Showtime at the Apollo. Why because show Time Apollo.

1183
00:55:21,200 --> 00:55:21,960
Speaker 3: Came first.

1184
00:55:24,840 --> 00:55:31,480
Speaker 6: Apollo for me. Apollo for me has uh it just

1185
00:55:31,600 --> 00:55:35,480
Speaker 6: has a different rawness to it. And because I danced

1186
00:55:35,520 --> 00:55:39,920
Speaker 6: on Soul Train, I understand how exploitive Soul Train was

1187
00:55:39,960 --> 00:55:40,640
Speaker 6: to the dancers.

1188
00:55:41,320 --> 00:55:43,680
Speaker 1: And when you got the Soul Train, because it wasn't

1189
00:55:43,760 --> 00:55:46,000
Speaker 1: the Soul Train that you knew it. I already knew

1190
00:55:46,000 --> 00:55:49,320
Speaker 1: that it wasn't that. What I'm saying is for years

1191
00:55:49,520 --> 00:55:52,480
Speaker 1: they I mean for the whole run, they never paid

1192
00:55:52,520 --> 00:55:54,759
Speaker 1: the dancers, and the dancers are what made Soul train,

1193
00:55:54,960 --> 00:55:57,760
Speaker 1: you know what I mean? And you know I understand

1194
00:55:57,800 --> 00:56:00,520
Speaker 1: the legacy of Soul Train. It's it's legendary, it's iconic.

1195
00:56:01,239 --> 00:56:05,360
Speaker 1: The principle of not paying the dancers and seeing some

1196
00:56:05,440 --> 00:56:07,080
Speaker 1: of these people that I still know to this day

1197
00:56:07,120 --> 00:56:10,279
Speaker 1: and they're not financially well off. I think it's it's

1198
00:56:10,400 --> 00:56:12,919
Speaker 1: it's not right. So I would I would go show

1199
00:56:12,960 --> 00:56:14,799
Speaker 1: tell me the Apollo. But hold on, you sucking out

1200
00:56:14,800 --> 00:56:16,759
Speaker 1: my childhood. So you mean to tell me all these

1201
00:56:16,840 --> 00:56:19,640
Speaker 1: years of me watching, nobody got paid them people walking

1202
00:56:19,719 --> 00:56:23,520
Speaker 1: down that nobody got a minimum any cold fried chicken?

1203
00:56:26,360 --> 00:56:29,520
Speaker 3: Wow, damn that fucked me up. Okay, but did it

1204
00:56:29,560 --> 00:56:30,239
Speaker 3: apollow pay?

1205
00:56:31,360 --> 00:56:31,440
Speaker 5: Uh?

1206
00:56:31,560 --> 00:56:34,640
Speaker 1: No? I mean it's amateur Night, so it's a different

1207
00:56:35,040 --> 00:56:39,200
Speaker 1: it's a different muscle. Okay, it's a different it's a

1208
00:56:39,239 --> 00:56:43,480
Speaker 1: different system. The dancers on Soul Train were regulars, okay,

1209
00:56:43,600 --> 00:56:45,960
Speaker 1: you know what I mean. Every week you see these people.

1210
00:56:46,000 --> 00:56:48,760
Speaker 1: They became names off of it. So it was great exposure,

1211
00:56:48,800 --> 00:56:50,640
Speaker 1: but they didn't pay.

1212
00:56:50,520 --> 00:56:51,160
Speaker 3: Them, right.

1213
00:56:51,920 --> 00:56:54,880
Speaker 1: And new socks that you had on on Amateur Night,

1214
00:56:56,840 --> 00:57:00,200
Speaker 1: my white the white Sox, that was those the Michael

1215
00:57:00,280 --> 00:57:02,320
Speaker 1: Jackson had glittering and glitter.

1216
00:57:02,640 --> 00:57:06,080
Speaker 3: Kept focusing in. I'm sure I'm sure that was you know,

1217
00:57:06,239 --> 00:57:07,080
Speaker 3: Walmart or something like that.

1218
00:57:07,200 --> 00:57:09,960
Speaker 1: Oh really, okay, yeah, yeah, okay, all right, come on,

1219
00:57:11,560 --> 00:57:12,520
Speaker 1: sketches and movies.

1220
00:57:16,040 --> 00:57:19,400
Speaker 6: I would say movies. I love sketch, but movies gives

1221
00:57:19,480 --> 00:57:23,320
Speaker 6: me the the range to to stretch out that that

1222
00:57:24,920 --> 00:57:29,720
Speaker 6: that muscle pause. Yeah, it gives me the range to

1223
00:57:29,760 --> 00:57:32,240
Speaker 6: exercise a different creativity, and it gives you the time

1224
00:57:33,000 --> 00:57:35,120
Speaker 6: to shape it in a way that that's that's different.

1225
00:57:35,160 --> 00:57:37,840
Speaker 3: Sketches so fast, you know what I mean? So I

1226
00:57:37,880 --> 00:57:39,480
Speaker 3: would I like movies and.

1227
00:57:39,560 --> 00:57:45,160
Speaker 1: Real quick it's the Bootlegger uptown. But he didn't have

1228
00:57:45,240 --> 00:57:46,160
Speaker 1: Michael Blacksmith play.

1229
00:57:46,200 --> 00:57:48,520
Speaker 3: I called him. He was in Hollywood.

1230
00:57:48,640 --> 00:57:50,160
Speaker 1: No, No, he was in Ghana because you know, he

1231
00:57:50,160 --> 00:57:52,080
Speaker 1: has a school out there, so he was in He

1232
00:57:52,200 --> 00:57:55,480
Speaker 1: was in Ghana taking care of that when we were

1233
00:57:55,520 --> 00:57:58,640
Speaker 1: filming it. So I definitely he was the first person

1234
00:57:58,680 --> 00:58:02,480
Speaker 1: I call. Yeah, start like him, yeah, yeah, yeah, Okay,

1235
00:58:04,640 --> 00:58:05,200
Speaker 1: what's his name?

1236
00:58:05,600 --> 00:58:14,080
Speaker 3: Michael? What Michael Blacksman? Blacks Men, Michael black Son. That's

1237
00:58:14,320 --> 00:58:19,440
Speaker 3: I'm bad. He knows what I mean, He knows what

1238
00:58:19,720 --> 00:58:21,600
Speaker 3: he knows what I mean. He knows what his Dave is,

1239
00:58:22,080 --> 00:58:25,240
Speaker 3: Dave Chappelle or Chris Rock mm hm. Take a drink.

1240
00:58:27,000 --> 00:58:28,000
Speaker 3: He already was taking one.

1241
00:58:28,280 --> 00:58:28,920
Speaker 7: Yeah, yeah he was.

1242
00:58:29,000 --> 00:58:29,520
Speaker 3: He could wait.

1243
00:58:30,240 --> 00:58:32,600
Speaker 6: But No, both of those guys are goats for different reasons.

1244
00:58:35,320 --> 00:58:37,560
Speaker 6: But Chris is our og like Dave and I at

1245
00:58:37,560 --> 00:58:40,400
Speaker 6: the same age. So it's like Chris is still our og,

1246
00:58:41,240 --> 00:58:46,560
Speaker 6: but Dave is obviously, you know, the goat in his era.

1247
00:58:47,080 --> 00:58:51,400
Speaker 6: He's He's phenomenal in his output, his the way that

1248
00:58:51,520 --> 00:58:53,960
Speaker 6: he thinks. But if you notice in the movie I

1249
00:58:54,120 --> 00:58:56,760
Speaker 6: played the Chris Rock you know, a whole in his

1250
00:58:56,920 --> 00:58:58,960
Speaker 6: cadence and all that kind of stuff. So Chris is

1251
00:58:59,000 --> 00:59:00,640
Speaker 6: one of the people that I've studied for a long

1252
00:59:00,760 --> 00:59:07,760
Speaker 6: time and I've always respected his social uh social consciousness,

1253
00:59:08,320 --> 00:59:10,480
Speaker 6: if that makes any sense, that goes into his comedy.

1254
00:59:10,480 --> 00:59:14,240
Speaker 3: He's very brilliant and very smart in how he approaches it.

1255
00:59:16,160 --> 00:59:20,680
Speaker 1: Like that. You know, I'm sorry this is a boring

1256
00:59:20,760 --> 00:59:24,800
Speaker 1: one because I'm not gonna the controversy guy or Seinfeld.

1257
00:59:25,320 --> 00:59:29,080
Speaker 1: Curb Curb is the DNA of Seinfeld, you know what

1258
00:59:29,120 --> 00:59:32,040
Speaker 1: I mean. So you got to give props to a

1259
00:59:32,080 --> 00:59:36,040
Speaker 1: lot of people would say Seinfeld he wrote it, but

1260
00:59:36,200 --> 00:59:39,360
Speaker 1: Larry created time Lowry created so but that's what he's saying.

1261
00:59:39,480 --> 00:59:42,400
Speaker 1: You say, but I thought you said Curb is Curb

1262
00:59:42,560 --> 00:59:48,040
Speaker 1: is the DNA of Seinfeld. But because he created Seinfeld.

1263
00:59:48,320 --> 00:59:51,800
Speaker 1: He brought that same template to Curb, but it's him

1264
00:59:51,920 --> 00:59:56,160
Speaker 1: doing it. It's not him giving his formula to actors, right,

1265
00:59:56,840 --> 01:00:00,200
Speaker 1: it's him doing it. And you really see it the

1266
01:00:00,320 --> 01:00:03,919
Speaker 1: life in curve because he's playing a version of himself. Yeah,

1267
01:00:04,120 --> 01:00:06,800
Speaker 1: and it's way more off the chain. It's it's HBO.

1268
01:00:06,960 --> 01:00:10,280
Speaker 1: You can cuss, So imagine Seinfeld could cuss. Then maybe

1269
01:00:10,440 --> 01:00:14,800
Speaker 1: I you know, Seinfeld was brilliant, but when you watch Curb,

1270
01:00:14,880 --> 01:00:15,680
Speaker 1: you gotta respect that.

1271
01:00:15,800 --> 01:00:18,960
Speaker 3: Oh this is the mind that Seinfeld came out of.

1272
01:00:19,680 --> 01:00:21,320
Speaker 3: So I got to go to the source. Did you

1273
01:00:21,440 --> 01:00:25,200
Speaker 3: realize that Seinfeld and Elaine was both horse? That there

1274
01:00:25,320 --> 01:00:28,840
Speaker 3: was what both horse? Horse? Oh? Yeah, yeah.

1275
01:00:28,840 --> 01:00:31,760
Speaker 1: I think they had a different day every week. I mean,

1276
01:00:31,840 --> 01:00:36,800
Speaker 1: you know, being young and single in New York. Although

1277
01:00:36,800 --> 01:00:38,880
Speaker 1: they filmed in in l A. They filmed it in

1278
01:00:39,160 --> 01:00:41,600
Speaker 1: l A. I watched it, we like, I love it.

1279
01:00:41,880 --> 01:00:43,560
Speaker 1: So I go back and I visited and I'm like,

1280
01:00:44,080 --> 01:00:44,680
Speaker 1: I didn't peep it.

1281
01:00:44,720 --> 01:00:45,280
Speaker 3: They were horse.

1282
01:00:45,440 --> 01:00:46,560
Speaker 7: She was very promiscuous.

1283
01:00:46,760 --> 01:00:47,360
Speaker 3: Yeah she was.

1284
01:00:47,600 --> 01:00:51,720
Speaker 1: She's smashing everything was crack and was talking about it too, like, yeah,

1285
01:00:51,920 --> 01:00:57,160
Speaker 1: I smashed him, I like his ship there, right, she

1286
01:00:57,280 --> 01:00:58,440
Speaker 1: smashed time fel too.

1287
01:00:58,880 --> 01:01:01,160
Speaker 3: Yes, but in all.

1288
01:01:02,880 --> 01:01:07,040
Speaker 1: Because we can't be sexist. So was Sienfeld. You said

1289
01:01:07,080 --> 01:01:08,840
Speaker 1: both of them he had, I mean.

1290
01:01:09,320 --> 01:01:12,360
Speaker 3: Don't remember I emphasized both of them.

1291
01:01:12,560 --> 01:01:14,480
Speaker 1: Yeah no, but I just said, like Elaine, but I

1292
01:01:14,600 --> 01:01:16,720
Speaker 1: just want to say you said about it was justice guilty.

1293
01:01:17,360 --> 01:01:22,440
Speaker 3: Yeah. Yeah, you started out with right, go ahead, e

1294
01:01:24,440 --> 01:01:26,560
Speaker 3: the next one. But you don't think you can read that.

1295
01:01:27,320 --> 01:01:30,880
Speaker 7: You think the English haunted house or soul Man.

1296
01:01:34,560 --> 01:01:37,240
Speaker 1: I'm gonna go hunting House because that's the Ray Ray character,

1297
01:01:38,160 --> 01:01:45,240
Speaker 1: even though people love Leicester Leicesters. Yeah, a hundred house

1298
01:01:45,240 --> 01:01:48,800
Speaker 1: because Ray Ray that. I went and shot that scene

1299
01:01:48,840 --> 01:01:50,440
Speaker 1: for like a couple of hours. I never knew that

1300
01:01:50,520 --> 01:01:53,280
Speaker 1: that thing was gonna live on like it does. Like

1301
01:01:53,320 --> 01:01:54,760
Speaker 1: I'll be having little white kids come up to me

1302
01:01:54,880 --> 01:01:56,840
Speaker 1: like I don't give as.

1303
01:01:59,080 --> 01:01:59,800
Speaker 3: That is weird.

1304
01:02:00,920 --> 01:02:04,760
Speaker 1: That was the first time in that movie I heard

1305
01:02:04,800 --> 01:02:10,480
Speaker 1: I heard somebody say fuck the kids and peoples.

1306
01:02:10,720 --> 01:02:13,880
Speaker 3: Three kids. I say, holy Ship was like, word it up.

1307
01:02:15,760 --> 01:02:18,520
Speaker 1: Holy You felt him when he said that, And now

1308
01:02:19,480 --> 01:02:21,840
Speaker 1: I said Earthquakes say that on his special album the

1309
01:02:21,880 --> 01:02:24,040
Speaker 1: other day, and I was like, holy Ship, like that's cool.

1310
01:02:24,120 --> 01:02:25,560
Speaker 3: Now they put the kids.

1311
01:02:25,640 --> 01:02:29,240
Speaker 1: I never knew that. You said, yeah, yeah, Okay, m

1312
01:02:29,240 --> 01:02:34,760
Speaker 1: O per mob deep, take a drink. This is a

1313
01:02:34,800 --> 01:02:46,240
Speaker 1: great game for Tonio. Outcast or U g K, why

1314
01:02:46,280 --> 01:02:46,800
Speaker 1: would you do that?

1315
01:02:47,000 --> 01:02:52,360
Speaker 3: Man? Shout out to my man bun real Burgers.

1316
01:02:54,880 --> 01:02:57,400
Speaker 1: But I I listened more to outcasts growing up, so

1317
01:02:57,400 --> 01:03:01,200
Speaker 1: I would say outcasts, that's cool. Got stopped at the

1318
01:03:01,240 --> 01:03:02,920
Speaker 1: model the other day. Heard a call from the other

1319
01:03:02,960 --> 01:03:05,000
Speaker 1: way that I just came from. So Nigga was saying

1320
01:03:05,080 --> 01:03:08,040
Speaker 1: something tom about, hey, what's up? Remember me from school?

1321
01:03:08,400 --> 01:03:08,560
Speaker 8: Now?

1322
01:03:08,720 --> 01:03:11,160
Speaker 1: Not really, but it kept smiling like a clown facial expression,

1323
01:03:11,200 --> 01:03:13,200
Speaker 1: looking silly. Then they kept asking, will kind of car

1324
01:03:13,240 --> 01:03:15,000
Speaker 1: you drive? I know you paid, I know you got

1325
01:03:15,040 --> 01:03:17,240
Speaker 1: Bootkool bill Folds from all them songs that shall have made.

1326
01:03:17,520 --> 01:03:19,480
Speaker 1: I replied that that I'm going through the same thing

1327
01:03:19,560 --> 01:03:21,320
Speaker 1: that he has. True, I got more fans in an

1328
01:03:21,320 --> 01:03:23,120
Speaker 1: average man, but not enough loot that last me to

1329
01:03:23,200 --> 01:03:23,760
Speaker 1: the end of the week.

1330
01:03:23,800 --> 01:03:25,480
Speaker 6: I live by to beat. Let you live, check the check.

1331
01:03:25,640 --> 01:03:27,200
Speaker 6: If you remove your feet, then I don't eat that.

1332
01:03:27,240 --> 01:03:28,160
Speaker 6: We let next to Nick.

1333
01:03:28,680 --> 01:03:30,320
Speaker 1: Yes, we don't come along. We let them send them

1334
01:03:30,320 --> 01:03:32,760
Speaker 1: as cigarettes from Virginia. This ain't gonna stop, so we

1335
01:03:32,880 --> 01:03:33,680
Speaker 1: just gonna continue.

1336
01:03:34,080 --> 01:03:36,959
Speaker 3: Me and you your mama and your.

1337
01:03:39,920 --> 01:03:40,760
Speaker 4: This bo.

1338
01:03:43,440 --> 01:03:45,120
Speaker 3: Go boom.

1339
01:03:48,560 --> 01:03:53,720
Speaker 1: Now this one, I'm very curious. This is I don't

1340
01:03:53,720 --> 01:03:56,480
Speaker 1: know if this is a regional question. Well, but it's

1341
01:03:56,520 --> 01:04:01,200
Speaker 1: a legendary question or just a classic question. N w

1342
01:04:01,480 --> 01:04:08,560
Speaker 1: A or Wu Tang clan take a fucking drink, that's both. Yeah,

1343
01:04:08,600 --> 01:04:13,080
Speaker 1: I could never listen. Man, I'm thinking the amount of

1344
01:04:13,400 --> 01:04:17,040
Speaker 1: influence that both of those groups had West Coast. I

1345
01:04:17,120 --> 01:04:20,960
Speaker 1: mean n w A was West Coast, they were before

1346
01:04:21,040 --> 01:04:25,520
Speaker 1: Wu Tang, but they had influence on everybody and there

1347
01:04:25,600 --> 01:04:28,840
Speaker 1: was no real even though they was straight out of Compton,

1348
01:04:30,280 --> 01:04:32,880
Speaker 1: the level of skills, and that's kind of what the

1349
01:04:33,000 --> 01:04:34,560
Speaker 1: movie points to as well.

1350
01:04:34,840 --> 01:04:35,520
Speaker 3: When they came out.

1351
01:04:35,520 --> 01:04:37,080
Speaker 6: Even though they were from a different region, it's not

1352
01:04:37,120 --> 01:04:40,800
Speaker 6: about the region. They still had the formula of having skills.

1353
01:04:40,920 --> 01:04:44,120
Speaker 6: They had rhymes, they had ill beats. So we all

1354
01:04:44,240 --> 01:04:46,320
Speaker 6: rocked to them. We didn't care where they were from.

1355
01:04:46,400 --> 01:04:49,280
Speaker 6: We were big fans of them. And then Wu Tang

1356
01:04:49,320 --> 01:04:52,280
Speaker 6: they just in the whole. They're aliens, man. Both are movements,

1357
01:04:53,360 --> 01:04:55,840
Speaker 6: were sure movements, you know what I mean? So you

1358
01:04:56,360 --> 01:05:01,680
Speaker 6: respect every MC was crazy with it. Now, Yeah, shout

1359
01:05:01,720 --> 01:05:04,760
Speaker 6: out to n w ain't wo thinking we just ye, yes,

1360
01:05:05,240 --> 01:05:07,240
Speaker 6: he shout out the Snoop. Snoop is uh, you know,

1361
01:05:07,400 --> 01:05:08,760
Speaker 6: son of n w A and this thing.

1362
01:05:09,080 --> 01:05:12,520
Speaker 1: I mean, yes, for sure, rest in peace, Snoop brother,

1363
01:05:12,760 --> 01:05:15,920
Speaker 1: exactly exactly, rest in peace, being man. I told Snoop

1364
01:05:15,920 --> 01:05:17,800
Speaker 1: I was gonna wear the jacket for him, man, so

1365
01:05:18,360 --> 01:05:21,040
Speaker 1: rest in peace. It's crazy because I had text Snoop

1366
01:05:21,080 --> 01:05:27,960
Speaker 1: the other day and just just I said positive positive energy, right, blessings,

1367
01:05:28,560 --> 01:05:32,000
Speaker 1: and Snoop called me, called me and like me and him,

1368
01:05:32,000 --> 01:05:34,160
Speaker 1: look got more of a text bless his relationship.

1369
01:05:34,240 --> 01:05:37,000
Speaker 3: But he called me. I knew that it was something up.

1370
01:05:37,800 --> 01:05:40,440
Speaker 3: He was like, yo, yo, cud you.

1371
01:05:40,480 --> 01:05:43,240
Speaker 1: Know, I can't say what he yeah, you know, because

1372
01:05:43,240 --> 01:05:45,240
Speaker 1: I don't know if that was between me and him.

1373
01:05:45,280 --> 01:05:47,040
Speaker 1: But it was just like I texted him at a

1374
01:05:47,120 --> 01:05:49,240
Speaker 1: moment where you know, I think he just you know,

1375
01:05:50,080 --> 01:05:51,120
Speaker 1: found out what happened to us.

1376
01:05:51,200 --> 01:05:53,919
Speaker 3: For sure, for sure, rest in peace the Snoopers brother.

1377
01:05:54,000 --> 01:05:58,480
Speaker 6: You know, he called me around the same time because

1378
01:05:58,520 --> 01:06:03,240
Speaker 6: he when it had happened at the same time he

1379
01:06:03,280 --> 01:06:06,040
Speaker 6: found out about my movie, right, so he asked me.

1380
01:06:06,120 --> 01:06:08,440
Speaker 6: He's like, man, can I please see a screening of it?

1381
01:06:08,560 --> 01:06:10,800
Speaker 6: Just before it hit the theaters? Wow, He's like, man,

1382
01:06:10,920 --> 01:06:12,240
Speaker 6: is it any way I could, I could see I

1383
01:06:12,360 --> 01:06:14,520
Speaker 6: just need a laugh right now, and I was like,

1384
01:06:15,200 --> 01:06:18,200
Speaker 6: anything you need you know what I'm saying. So he's

1385
01:06:18,720 --> 01:06:22,160
Speaker 6: he's a big support of mine anyway, But in that moment,

1386
01:06:22,320 --> 01:06:24,280
Speaker 6: it felt it felt good to be able to just

1387
01:06:24,400 --> 01:06:27,320
Speaker 6: be able to, you know, have something that could.

1388
01:06:27,200 --> 01:06:29,720
Speaker 1: Ease some of the pain for him, you know. I mean,

1389
01:06:30,600 --> 01:06:37,320
Speaker 1: that's something that I wish comedians y'all know that more

1390
01:06:38,560 --> 01:06:43,480
Speaker 1: of is we need y'all to make fun of. Not

1391
01:06:44,040 --> 01:06:47,080
Speaker 1: not that obviously, but you know we need to laugh

1392
01:06:47,200 --> 01:06:50,480
Speaker 1: sometimes when it's you're going through turmoil, you need to

1393
01:06:50,560 --> 01:06:51,480
Speaker 1: go look at something.

1394
01:06:51,520 --> 01:06:53,320
Speaker 3: You need to go you know what I mean, and

1395
01:06:54,240 --> 01:06:55,840
Speaker 3: just laugh, you know what I mean, like that shit

1396
01:06:55,920 --> 01:06:56,200
Speaker 3: is real.

1397
01:06:56,440 --> 01:06:59,160
Speaker 6: Well, that's one of the biggest compliments I've ever gotten,

1398
01:06:59,400 --> 01:07:02,640
Speaker 6: and consider get. It's people saying, man, you helped me

1399
01:07:02,720 --> 01:07:03,600
Speaker 6: through the pandemic.

1400
01:07:03,960 --> 01:07:06,240
Speaker 1: That's what's up by going on IG Live and acting

1401
01:07:06,280 --> 01:07:09,760
Speaker 1: facilly or your movies or your this wilding out whole episode.

1402
01:07:10,440 --> 01:07:14,400
Speaker 6: So I don't take my purpose in this comedy game lightly.

1403
01:07:14,760 --> 01:07:18,080
Speaker 6: I respect that, which is another reason why I will

1404
01:07:18,240 --> 01:07:23,600
Speaker 6: never talk bad about any other comedian publicly. I don't

1405
01:07:23,640 --> 01:07:28,640
Speaker 6: care who it is I actually like I got I

1406
01:07:28,680 --> 01:07:30,600
Speaker 6: got love for Cat. You know what, I haven't told

1407
01:07:30,760 --> 01:07:32,080
Speaker 6: any of these stories, so I'm gonna do it here

1408
01:07:32,120 --> 01:07:32,640
Speaker 6: on drink Jams.

1409
01:07:32,680 --> 01:07:33,720
Speaker 3: Can I do that? I love it.

1410
01:07:38,320 --> 01:07:43,320
Speaker 6: Kat Williams, we started out on Wilding Out. That's where

1411
01:07:43,320 --> 01:07:47,400
Speaker 6: I met him. I've seen Kat's heart at work. We

1412
01:07:47,640 --> 01:07:49,760
Speaker 6: was auditioning for the network, right. This is at the

1413
01:07:49,840 --> 01:07:52,160
Speaker 6: end of auditions when everybody's kind of like they chose

1414
01:07:52,240 --> 01:07:56,080
Speaker 6: all the people that they want as possible, and they

1415
01:07:56,160 --> 01:07:58,200
Speaker 6: get us all in a chemistry kind of.

1416
01:07:58,200 --> 01:08:00,840
Speaker 3: A reach their network TV continue.

1417
01:08:00,880 --> 01:08:02,480
Speaker 6: So they get us all in a chemistry kind of

1418
01:08:02,520 --> 01:08:05,240
Speaker 6: a read where we're all there, they mix and matching us.

1419
01:08:05,320 --> 01:08:07,960
Speaker 6: Let me see a Pan and d Ray do these jokes.

1420
01:08:08,040 --> 01:08:09,919
Speaker 6: Let me see Atheon and Corey Holcom do these jokes.

1421
01:08:09,960 --> 01:08:11,680
Speaker 6: Let me see how they all how they bounce off

1422
01:08:11,720 --> 01:08:15,960
Speaker 6: of each other. We were there all fucking day and

1423
01:08:16,000 --> 01:08:17,680
Speaker 6: we couldn't leave because it's an audition. We don't know

1424
01:08:17,680 --> 01:08:19,360
Speaker 6: when they're gonna call us back in the coats whatever.

1425
01:08:19,760 --> 01:08:21,839
Speaker 6: And this is at the time when Cat had.

1426
01:08:23,320 --> 01:08:23,679
Speaker 3: The money.

1427
01:08:23,760 --> 01:08:26,800
Speaker 6: Mike had already happened the Friday after next he was torn.

1428
01:08:26,880 --> 01:08:28,960
Speaker 6: He was already making a little bit of change at

1429
01:08:28,960 --> 01:08:30,840
Speaker 6: the time, so had all of us. He had more

1430
01:08:30,840 --> 01:08:31,559
Speaker 6: money than all of us.

1431
01:08:31,640 --> 01:08:35,120
Speaker 3: Right. He sent his driver to McDonald's.

1432
01:08:34,880 --> 01:08:38,240
Speaker 1: And came back and fed everybody that was there auditioning.

1433
01:08:38,439 --> 01:08:38,639
Speaker 3: Wow.

1434
01:08:38,960 --> 01:08:39,080
Speaker 7: Right.

1435
01:08:39,439 --> 01:08:41,519
Speaker 1: He didn't do it for no accolades. He just was like,

1436
01:08:41,680 --> 01:08:43,240
Speaker 1: you know, people was like thank you, Kat. He was

1437
01:08:43,439 --> 01:08:46,559
Speaker 1: quiet about it. Another time, we did a wilding out

1438
01:08:46,640 --> 01:08:50,080
Speaker 1: live show in Vegas. This was the first time we

1439
01:08:50,200 --> 01:08:52,919
Speaker 1: did a wilding out live show. Now they're doing arenas

1440
01:08:52,960 --> 01:08:55,080
Speaker 1: and shit, but we were doing it and we did

1441
01:08:55,160 --> 01:08:59,519
Speaker 1: one in Vegas and Caesars Palace. Kat sees me after

1442
01:08:59,560 --> 01:09:01,360
Speaker 1: the show with some of my homies that live in

1443
01:09:01,479 --> 01:09:05,599
Speaker 1: Vegas is like a family settings, like twelve fourteen people

1444
01:09:05,800 --> 01:09:09,479
Speaker 1: at the table, and he comes up to me.

1445
01:09:10,120 --> 01:09:11,280
Speaker 3: He sees us, he weighs.

1446
01:09:11,640 --> 01:09:14,639
Speaker 1: Then he comes up to me about twenty minutes later,

1447
01:09:15,120 --> 01:09:17,120
Speaker 1: he says, your eighth just pay the tip.

1448
01:09:18,280 --> 01:09:20,400
Speaker 3: I was like what. So he took care of the

1449
01:09:20,479 --> 01:09:24,280
Speaker 3: bill like on the love Wow. He didn't owe me nothing.

1450
01:09:24,520 --> 01:09:27,519
Speaker 3: It was just him one. So he has this generous side.

1451
01:09:27,400 --> 01:09:31,200
Speaker 6: Of him that's like everyone says that's dope, and he

1452
01:09:31,320 --> 01:09:35,000
Speaker 6: doesn't want accolades for it. I've seen him throw cash

1453
01:09:35,080 --> 01:09:36,720
Speaker 6: up in the air on wild'n Out. You know what

1454
01:09:36,760 --> 01:09:39,200
Speaker 6: I'm saying that everybody grabbing for the cash. So he

1455
01:09:39,240 --> 01:09:43,120
Speaker 6: has a very giving heart. Cedric d entertainer, Obviously he

1456
01:09:43,240 --> 01:09:47,639
Speaker 6: kills it in this movie. One of the nicest niggas ever. Right,

1457
01:09:47,760 --> 01:09:51,160
Speaker 6: He's always been gracious with me. I mean when I

1458
01:09:51,160 --> 01:09:53,320
Speaker 6: first moved to LA, He's like, man, take my number down.

1459
01:09:53,360 --> 01:09:55,400
Speaker 6: If you ever need anything, just let me know. Most

1460
01:09:56,000 --> 01:09:58,120
Speaker 6: superstar guys don't do that kind of shit, you know

1461
01:09:58,160 --> 01:10:00,840
Speaker 6: what I'm saying. I know Cat went at Ricky Smiley,

1462
01:10:00,880 --> 01:10:03,479
Speaker 6: but Ricky Smiley is another guy who early in my

1463
01:10:03,600 --> 01:10:08,280
Speaker 6: career gave me a lot of gems. He was already superstar.

1464
01:10:09,120 --> 01:10:12,320
Speaker 6: I called him up. This was before I moved to LA.

1465
01:10:12,560 --> 01:10:15,519
Speaker 6: I said, man, I'm doing this show at my college.

1466
01:10:15,560 --> 01:10:17,360
Speaker 6: We really need a big comedian to come down.

1467
01:10:18,160 --> 01:10:18,800
Speaker 3: Would you do it?

1468
01:10:19,640 --> 01:10:23,000
Speaker 6: Then it was like, of course he showed up immediately.

1469
01:10:24,240 --> 01:10:27,200
Speaker 6: I'm not nobody at the time, and he showed up.

1470
01:10:27,640 --> 01:10:30,599
Speaker 6: So I'm just going down the line if everybody that's

1471
01:10:30,640 --> 01:10:33,960
Speaker 6: involved in these in these things earthquake is the first

1472
01:10:34,200 --> 01:10:37,840
Speaker 6: person to pay me any money in the industry. On

1473
01:10:38,000 --> 01:10:42,719
Speaker 6: the Uptown, Yeah, the fancy Uptown that was off Peatrie

1474
01:10:42,960 --> 01:10:45,800
Speaker 6: in Buckhead Earthquake is the first person to pay me

1475
01:10:45,920 --> 01:10:48,360
Speaker 6: any money. He saw me doing stand up in Charlotte,

1476
01:10:48,360 --> 01:10:50,479
Speaker 6: North Carolina. He was like, Yo, you need to come

1477
01:10:50,479 --> 01:10:54,120
Speaker 6: down to my club. You got the skill set, you talented.

1478
01:10:54,120 --> 01:10:56,400
Speaker 6: I want to bring you down for a weekend opening

1479
01:10:56,479 --> 01:11:00,439
Speaker 6: for Steve Harvey. You know what I'm saying. So again,

1480
01:11:00,680 --> 01:11:03,280
Speaker 6: these are the types of stories that I want to tell,

1481
01:11:03,479 --> 01:11:06,000
Speaker 6: that I want to talk about with these people who

1482
01:11:06,080 --> 01:11:09,560
Speaker 6: are wildly successful. Steve Harvey's another one. When I was

1483
01:11:09,560 --> 01:11:12,000
Speaker 6: opening up for him, I was getting moved because they

1484
01:11:12,080 --> 01:11:13,479
Speaker 6: didn't give a fuck about me. That's why I was

1485
01:11:13,520 --> 01:11:16,680
Speaker 6: telling you earlier. Sometimes it matters who you're opening up for.

1486
01:11:17,040 --> 01:11:17,960
Speaker 6: They always the city.

1487
01:11:18,479 --> 01:11:21,400
Speaker 1: It's how the show is set up, set up for Steve, Steve,

1488
01:11:22,439 --> 01:11:23,200
Speaker 1: Steve's show.

1489
01:11:24,080 --> 01:11:26,519
Speaker 6: I'm nobody at the time. They don't know nothing about me.

1490
01:11:26,560 --> 01:11:28,920
Speaker 6: I'm just a local comedian opening up and they were

1491
01:11:28,960 --> 01:11:32,599
Speaker 6: just sitting there looking at me. Like to the point where,

1492
01:11:32,600 --> 01:11:34,840
Speaker 6: if you know anything about a stand up comedy club,

1493
01:11:35,040 --> 01:11:38,120
Speaker 6: when the headliner leaves the stage after they're performing, everyone

1494
01:11:38,200 --> 01:11:41,599
Speaker 6: else leaves and they're gone, right the crowd is still

1495
01:11:41,640 --> 01:11:43,000
Speaker 6: there because they're paying their bills.

1496
01:11:44,000 --> 01:11:45,519
Speaker 3: And I'm up there they want me to do.

1497
01:11:45,520 --> 01:11:48,800
Speaker 1: Another twenty minutes after he's off stage that I'm up

1498
01:11:48,840 --> 01:11:52,160
Speaker 1: there dying but a slow death. And then I hear

1499
01:11:52,800 --> 01:11:56,439
Speaker 1: from the back of the curtain, Hey, for'all man gone,

1500
01:11:56,520 --> 01:12:01,920
Speaker 1: sit on down, now gone, sit on down. Yeah, they

1501
01:12:02,000 --> 01:12:03,599
Speaker 1: wanted me to come on back out.

1502
01:12:03,479 --> 01:12:05,759
Speaker 3: Here because they said he up here just talking.

1503
01:12:07,120 --> 01:12:09,200
Speaker 6: And he does another like Q and able or and

1504
01:12:09,280 --> 01:12:12,040
Speaker 6: he stays out there for to give the club time to.

1505
01:12:12,080 --> 01:12:13,479
Speaker 3: Collect the bills.

1506
01:12:14,280 --> 01:12:17,479
Speaker 6: After that, he had every opportunity to just walk by me,

1507
01:12:18,280 --> 01:12:22,240
Speaker 6: shit on me, or do some whatever. Steve Harvey sits

1508
01:12:22,320 --> 01:12:26,759
Speaker 6: me down for an hour and gives me jewels about

1509
01:12:27,080 --> 01:12:28,840
Speaker 6: how talented he sees that I am.

1510
01:12:30,080 --> 01:12:33,360
Speaker 3: He said, fuck that show. He says, you got all

1511
01:12:33,439 --> 01:12:36,760
Speaker 3: the talent, you got, the characters you got, you can

1512
01:12:36,880 --> 01:12:38,000
Speaker 3: make millions at this.

1513
01:12:39,200 --> 01:12:41,280
Speaker 1: He said, you go to Hollywood, you can make millions

1514
01:12:41,320 --> 01:12:43,280
Speaker 1: at this. He said, don't give up, don't don't be

1515
01:12:43,320 --> 01:12:48,280
Speaker 1: concerned Hollywood. He's one of the one of the few

1516
01:12:48,840 --> 01:12:51,639
Speaker 1: that was that saw the magic in what I was doing.

1517
01:12:51,960 --> 01:12:54,120
Speaker 1: But he spoke to me for an hour after he

1518
01:12:54,200 --> 01:12:57,040
Speaker 1: just headlined two shows, you know what I mean. And

1519
01:12:57,120 --> 01:12:58,400
Speaker 1: he didn't have to do that he didn't know me

1520
01:12:58,479 --> 01:12:58,960
Speaker 1: from Adam.

1521
01:12:59,560 --> 01:13:00,760
Speaker 3: So these are the.

1522
01:13:00,800 --> 01:13:03,559
Speaker 1: Stories that I like to tell about people, man, because

1523
01:13:03,680 --> 01:13:07,000
Speaker 1: it's just what's going on right now with the public

1524
01:13:07,640 --> 01:13:12,960
Speaker 1: comedy beef. It's too divisive and it causes the audience

1525
01:13:13,000 --> 01:13:15,400
Speaker 1: to have to pick a side. And it's enough room

1526
01:13:15,439 --> 01:13:17,719
Speaker 1: for all of us to be out here and spread

1527
01:13:17,760 --> 01:13:19,439
Speaker 1: the love, spread the joy, spread the.

1528
01:13:19,520 --> 01:13:22,920
Speaker 6: Last and we're all making money. Everything Steve Harvey said

1529
01:13:22,920 --> 01:13:26,320
Speaker 6: to me that night was became true. So why would

1530
01:13:26,360 --> 01:13:29,400
Speaker 6: I ever, you know, sidewipe his name in any kind

1531
01:13:29,439 --> 01:13:29,639
Speaker 6: of way.

1532
01:13:29,960 --> 01:13:33,280
Speaker 1: So you said, like almost every the comedian, but you

1533
01:13:33,680 --> 01:13:35,519
Speaker 1: I think you forgot Kevin Harky.

1534
01:13:35,920 --> 01:13:38,599
Speaker 3: No, keV is my guy. Yeah, I mean like yeah, yeah, yeah,

1535
01:13:38,680 --> 01:13:41,080
Speaker 3: yeah yah history. So keV.

1536
01:13:42,160 --> 01:13:45,280
Speaker 6: keV actually financed one of my pilot ideas in the

1537
01:13:45,360 --> 01:13:46,320
Speaker 6: last two years after.

1538
01:13:46,240 --> 01:13:51,240
Speaker 3: We did the roast on the IG Live. Oh okay, that's.

1539
01:13:51,080 --> 01:13:52,839
Speaker 1: When I went to him with my first Standard special

1540
01:13:53,040 --> 01:13:56,479
Speaker 1: and was like, yo, let's let's do some business together.

1541
01:13:57,040 --> 01:13:59,720
Speaker 1: And my Standard Special was the first special that he

1542
01:13:59,880 --> 01:14:03,960
Speaker 1: liked on lolow on a network which lol They're on.

1543
01:14:04,280 --> 01:14:05,920
Speaker 3: Peacock, NBCP Cock and.

1544
01:14:08,680 --> 01:14:11,360
Speaker 6: There's a couple of Exfinity and Sumo and all these

1545
01:14:11,400 --> 01:14:16,120
Speaker 6: other other platforms. So partnering up with him had my

1546
01:14:16,240 --> 01:14:18,639
Speaker 6: standard special out to a lot of way bigger audience

1547
01:14:18,680 --> 01:14:23,479
Speaker 6: than if I would have self distributed. After that, I

1548
01:14:23,560 --> 01:14:25,840
Speaker 6: went to him with a pilot idea for a sketch show,

1549
01:14:26,560 --> 01:14:30,320
Speaker 6: and he heard me talking about it, and for a

1550
01:14:30,360 --> 01:14:33,880
Speaker 6: minute he was giving me his executive Kevin hartbring and

1551
01:14:34,000 --> 01:14:36,560
Speaker 6: he's telling me why it probably wouldn't work. And I

1552
01:14:36,680 --> 01:14:38,280
Speaker 6: just convinced him. I said, listen, man, I think the

1553
01:14:38,320 --> 01:14:40,559
Speaker 6: wrong people are doing sketch. That's why you're hesitant. That's

1554
01:14:40,600 --> 01:14:43,320
Speaker 6: why the networks are hesitant, I said, And I just

1555
01:14:43,479 --> 01:14:45,400
Speaker 6: gave him all the a couple of reasons that was

1556
01:14:45,520 --> 01:14:47,960
Speaker 6: like very you couldn't argue them.

1557
01:14:48,840 --> 01:14:49,600
Speaker 3: And he looked at me.

1558
01:14:49,680 --> 01:14:51,560
Speaker 1: He said, he I think you know exactly what the

1559
01:14:51,600 --> 01:14:53,280
Speaker 1: fuck you're doing. He said, I'm going to write the check.

1560
01:14:53,720 --> 01:14:56,040
Speaker 1: He said, you go shoot whatever you want and bring

1561
01:14:56,080 --> 01:14:58,759
Speaker 1: it back to me. And he said, just go shoot

1562
01:14:58,800 --> 01:15:01,320
Speaker 1: like two or three videos, shoot whatever you want. I

1563
01:15:01,400 --> 01:15:03,639
Speaker 1: went and shot a whole pilot with the money he gave.

1564
01:15:03,680 --> 01:15:05,960
Speaker 1: So I flipped that bird, chopped it up.

1565
01:15:06,320 --> 01:15:06,800
Speaker 7: You know what I mean.

1566
01:15:08,320 --> 01:15:15,439
Speaker 1: Boy, I got busy, But no, he's he's a true friend.

1567
01:15:15,479 --> 01:15:18,120
Speaker 1: He's a true professional. He's a he's a great guy.

1568
01:15:18,680 --> 01:15:20,680
Speaker 1: All these comedians are great man. Funk out of here,

1569
01:15:20,760 --> 01:15:21,360
Speaker 1: all this, all this.

1570
01:15:21,439 --> 01:15:34,960
Speaker 3: Beef, stop the balls ship keep going. What's man? Okay?

1571
01:15:35,000 --> 01:15:39,080
Speaker 3: Where we're at after n w A but we're still

1572
01:15:39,120 --> 01:15:43,040
Speaker 3: playing the game? My fulk No, no come up from this,

1573
01:15:43,200 --> 01:15:47,120
Speaker 3: please no, no, where's okay?

1574
01:15:47,280 --> 01:15:47,479
Speaker 1: Yeah?

1575
01:15:47,600 --> 01:15:51,160
Speaker 3: Okay, shout out to Charlie Mack in the building. Charlie Mac,

1576
01:15:51,360 --> 01:15:54,080
Speaker 3: Charlie Max and them.

1577
01:15:59,200 --> 01:16:02,519
Speaker 1: Did not make this question though, the Columbian guy that

1578
01:16:02,600 --> 01:16:07,560
Speaker 1: the Dominican guy right there, famous hazard it sounds and

1579
01:16:07,800 --> 01:16:11,880
Speaker 1: mister Lee, you might see me jogging, you might see

1580
01:16:11,960 --> 01:16:14,040
Speaker 1: me walking. You might see me walking the dead rat

1581
01:16:14,080 --> 01:16:15,560
Speaker 1: with the dog with his head chopped off in the

1582
01:16:15,600 --> 01:16:17,439
Speaker 1: park with a spy Kyler holland at him because the

1583
01:16:17,479 --> 01:16:19,599
Speaker 1: son of a bitch won't quit parking, or lean out

1584
01:16:19,640 --> 01:16:21,680
Speaker 1: of a window with a cock shotgun driving up the

1585
01:16:21,720 --> 01:16:23,760
Speaker 1: block in the car of the shot pocking looking for

1586
01:16:23,840 --> 01:16:26,519
Speaker 1: bigs killers, dressing ridiculous blue and red like I don't

1587
01:16:26,520 --> 01:16:30,479
Speaker 1: see what the big deal is, uh, eminem And by

1588
01:16:30,520 --> 01:16:35,559
Speaker 1: the way, I worked out to him and the music

1589
01:16:35,680 --> 01:16:40,680
Speaker 1: twice the other day, is I just wanted to there

1590
01:16:41,040 --> 01:16:43,479
Speaker 1: I have witnessed this. I might have not filmed it,

1591
01:16:43,560 --> 01:16:47,880
Speaker 1: but I have. We gonna get Benzi know that drunk.

1592
01:16:51,439 --> 01:16:52,120
Speaker 3: If you watch it.

1593
01:16:52,439 --> 01:16:54,479
Speaker 1: We trying to stop it. I felt bad. I was

1594
01:16:54,560 --> 01:16:57,320
Speaker 1: like yo, from the beginning, we were like waves. But honestly,

1595
01:16:57,439 --> 01:17:01,160
Speaker 1: though the drunker he got, the more since that he

1596
01:17:01,280 --> 01:17:04,360
Speaker 1: was making. Yeah, he was right start ripping off the

1597
01:17:04,400 --> 01:17:05,280
Speaker 1: persona in a sense.

1598
01:17:05,400 --> 01:17:10,600
Speaker 6: Yeah, exactly exactly. But what he was saying resonated. I

1599
01:17:10,720 --> 01:17:12,880
Speaker 6: feel the same way. We gotta come together, we gotta

1600
01:17:13,040 --> 01:17:13,519
Speaker 6: do better.

1601
01:17:14,600 --> 01:17:17,400
Speaker 7: Said he really had no real beef with eminem Yah.

1602
01:17:17,439 --> 01:17:20,439
Speaker 3: Yeah, like it was. Yeah, the mask came on.

1603
01:17:21,560 --> 01:17:22,880
Speaker 7: What look at y'all gave him.

1604
01:17:22,800 --> 01:17:26,360
Speaker 3: Though we.

1605
01:17:28,439 --> 01:17:32,640
Speaker 1: Only have do say an Acus Spade here, so if

1606
01:17:32,680 --> 01:17:34,880
Speaker 1: this Hennessy here, they bring their own.

1607
01:17:35,120 --> 01:17:36,960
Speaker 3: He came on a mission, he came on.

1608
01:17:37,520 --> 01:17:40,840
Speaker 1: But that's the homie. Okay, much love to him. Man,

1609
01:17:43,439 --> 01:17:45,360
Speaker 1: John Candy or Chris Farley.

1610
01:17:45,760 --> 01:17:49,080
Speaker 6: Chris Farley, Man, I love John Candy, but Chris Farley

1611
01:17:49,240 --> 01:17:52,320
Speaker 6: just had a different Yeah, both.

1612
01:17:52,120 --> 01:17:52,559
Speaker 3: Of those guys.

1613
01:17:52,640 --> 01:17:56,639
Speaker 6: Yeah, Tommy boy is one of my favorite your Tommy boys. Yeah,

1614
01:17:56,720 --> 01:17:59,120
Speaker 6: Chris was that dude. And then his sn L days

1615
01:17:59,240 --> 01:18:03,120
Speaker 6: was highlights, highlight, real fat guy.

1616
01:18:03,360 --> 01:18:07,040
Speaker 3: And a little Cold Fat Guy and.

1617
01:18:08,040 --> 01:18:16,320
Speaker 1: Co yay or Pharrell whichever yay and whichever Farrall producer artists,

1618
01:18:16,360 --> 01:18:19,160
Speaker 1: which whichever version you want to pick.

1619
01:18:19,439 --> 01:18:25,080
Speaker 3: You gotta take a drink on that. Okay, Yeah, both prolific.

1620
01:18:25,640 --> 01:18:28,799
Speaker 6: You know, of course, I don't prefer the rank Kanye,

1621
01:18:29,400 --> 01:18:33,240
Speaker 6: but it made ran Kanye was good body right.

1622
01:18:33,520 --> 01:18:35,120
Speaker 1: I'm not gonna say it made for great comedy in

1623
01:18:35,160 --> 01:18:38,040
Speaker 1: the movie. Go see a hip hop story, guys, Yes, yes,

1624
01:18:38,200 --> 01:18:44,320
Speaker 1: exactly theater near you. Okay, I'm gonna if you go

1625
01:18:44,439 --> 01:18:45,040
Speaker 1: with that one.

1626
01:18:45,640 --> 01:18:51,080
Speaker 3: Walling out or Key and Peel Show, both great shows,

1627
01:18:51,240 --> 01:18:52,320
Speaker 3: but I gotta go with the home team.

1628
01:18:52,760 --> 01:18:54,720
Speaker 6: Shout out to Nick Cannon, but shout out to Key

1629
01:18:54,760 --> 01:18:57,400
Speaker 6: and Peel as well, because them motherfuckers.

1630
01:18:57,439 --> 01:18:57,599
Speaker 1: Man.

1631
01:18:58,560 --> 01:19:00,439
Speaker 6: I still watching Peel to this day. I'll just be

1632
01:19:00,600 --> 01:19:03,880
Speaker 6: on tour and it's on Netflix, so I'll just I'll

1633
01:19:03,920 --> 01:19:05,000
Speaker 6: just catch them episodes.

1634
01:19:05,320 --> 01:19:08,840
Speaker 1: One of the greatest kids killing pill shows. When he's saying,

1635
01:19:09,360 --> 01:19:11,640
Speaker 1: how black people Obama.

1636
01:19:11,360 --> 01:19:13,880
Speaker 3: Obama shaking the hand, that's what that's my favorite sketch.

1637
01:19:13,960 --> 01:19:16,680
Speaker 3: That's my favorite sketch. That ship is legendary and.

1638
01:19:16,760 --> 01:19:18,719
Speaker 1: Keith Can said it really happened when they met Obama.

1639
01:19:19,800 --> 01:19:22,360
Speaker 1: He said, really, I felt like it. Really, it did happen.

1640
01:19:22,439 --> 01:19:24,800
Speaker 6: I did not want I did not said, I did

1641
01:19:24,880 --> 01:19:27,479
Speaker 6: not want the fact check just now, no son, He said,

1642
01:19:27,520 --> 01:19:31,599
Speaker 6: it happened for when when they show was popping, when

1643
01:19:31,640 --> 01:19:34,920
Speaker 6: it first came out and everybody was everyone was watching it,

1644
01:19:35,560 --> 01:19:38,400
Speaker 6: and they didn't realize Obama watched it and saw the

1645
01:19:38,479 --> 01:19:39,519
Speaker 6: impression of them and everything.

1646
01:19:39,600 --> 01:19:40,640
Speaker 3: So they went to I guess a.

1647
01:19:40,640 --> 01:19:43,839
Speaker 1: White house type of like press conference where they invite

1648
01:19:43,880 --> 01:19:48,000
Speaker 1: somebody entertainers there and they've watched him shake white people's

1649
01:19:48,040 --> 01:19:50,080
Speaker 1: hands very sternly, like hey, hey, hey, what are you

1650
01:19:50,120 --> 01:19:50,720
Speaker 1: doing all right?

1651
01:19:51,400 --> 01:20:02,960
Speaker 3: Make sure they say he stopped the beating down, he

1652
01:20:03,280 --> 01:20:04,280
Speaker 3: gave him the cookouts.

1653
01:20:08,360 --> 01:20:08,800
Speaker 7: What's going on?

1654
01:20:11,800 --> 01:20:13,439
Speaker 3: That's my favorite scam. I did not want to.

1655
01:20:13,560 --> 01:20:14,280
Speaker 7: I did not want that.

1656
01:20:14,680 --> 01:20:18,439
Speaker 3: You did you needed that? I needed? Uh Dre or

1657
01:20:18,520 --> 01:20:23,679
Speaker 3: Quincy Jones take a drink. Yep.

1658
01:20:27,680 --> 01:20:31,320
Speaker 6: But at the same time, you don't anybody. You don't

1659
01:20:31,360 --> 01:20:34,040
Speaker 6: have Dre without Quincy, you know what I mean? So

1660
01:20:34,280 --> 01:20:36,760
Speaker 6: but Dre understands that. Yeah, but it's not it's not

1661
01:20:36,840 --> 01:20:39,560
Speaker 6: one over the other. But Quincy's he's everybody's o g

1662
01:20:40,960 --> 01:20:47,880
Speaker 6: there he is. He went the next one but Dre

1663
01:20:48,040 --> 01:20:48,639
Speaker 6: is the big homie.

1664
01:20:48,680 --> 01:20:51,320
Speaker 1: So if I ever said, if I said somebody, if

1665
01:20:51,360 --> 01:20:55,360
Speaker 1: I chose another name over Dre, he'd be like, hey, nigga, and.

1666
01:20:55,400 --> 01:20:57,720
Speaker 3: Talking about Quincy, you've seen that? Uh that we are

1667
01:20:57,800 --> 01:21:00,160
Speaker 3: the world? Oh yeah, away Quinn.

1668
01:21:00,080 --> 01:21:04,880
Speaker 1: See master brilliant. That ship was crazy, Like who had

1669
01:21:04,960 --> 01:21:09,120
Speaker 1: this footage? All these I don't know about this story?

1670
01:21:11,479 --> 01:21:13,360
Speaker 1: Like who had all that footage? That's crazy?

1671
01:21:13,560 --> 01:21:13,640
Speaker 3: Now?

1672
01:21:13,720 --> 01:21:16,360
Speaker 6: That ship was crazy because looking at it is almost

1673
01:21:16,400 --> 01:21:18,479
Speaker 6: as if they filmed the song yesterday.

1674
01:21:19,040 --> 01:21:24,080
Speaker 3: Yeah, damn, that ship was crazy. Where we at Jim

1675
01:21:24,160 --> 01:21:25,080
Speaker 3: Carry or Bill Burr?

1676
01:21:27,200 --> 01:21:30,080
Speaker 1: I mean it's two totally different comedians. I'm a Jim

1677
01:21:30,200 --> 01:21:35,879
Speaker 1: Carrey influenced guy. Yeah, Color Yeah, yeah yeah, East Ventura.

1678
01:21:36,640 --> 01:21:38,160
Speaker 3: Yeah. I mean then you know Jim is.

1679
01:21:39,680 --> 01:21:39,960
Speaker 5: R O G.

1680
01:21:41,000 --> 01:21:42,880
Speaker 6: I think Bill Burr would have tested that. But Bill

1681
01:21:43,000 --> 01:21:45,640
Speaker 6: is just raw. He's raw. He's gonna give it to

1682
01:21:45,720 --> 01:21:48,439
Speaker 6: you the way he sees it. And he's a brilliant,

1683
01:21:48,600 --> 01:21:50,320
Speaker 6: brilliant comedian. I love what he does.

1684
01:21:51,160 --> 01:21:54,240
Speaker 3: And he married to a black woman. Yeah, he's got

1685
01:21:54,280 --> 01:21:59,400
Speaker 3: a sister. Who you pick? Jim Carry? Okay? Would you

1686
01:21:59,479 --> 01:22:09,000
Speaker 3: rather be feared? Bronx Tale? That's my movie. I'm gonna

1687
01:22:09,040 --> 01:22:10,080
Speaker 3: go with Sonny on this one.

1688
01:22:12,080 --> 01:22:15,679
Speaker 6: Love it's a cool emotion, But I think when people

1689
01:22:15,840 --> 01:22:18,120
Speaker 6: fear you, there's a respect that comes along with that

1690
01:22:18,920 --> 01:22:22,280
Speaker 6: that could feel like love. But because they fear you,

1691
01:22:22,360 --> 01:22:24,560
Speaker 6: they won't get out of line and they won't cross you.

1692
01:22:26,040 --> 01:22:29,720
Speaker 6: Mad niggas that love you cross you because they that

1693
01:22:30,080 --> 01:22:33,599
Speaker 6: love is a vulnerability. I mean so yeah, I'd rather

1694
01:22:33,640 --> 01:22:34,040
Speaker 6: be feared.

1695
01:22:34,800 --> 01:22:35,040
Speaker 3: Wow.

1696
01:22:36,040 --> 01:22:39,479
Speaker 5: I mean, fear could make people do something erradic because

1697
01:22:39,479 --> 01:22:42,280
Speaker 5: they fear you. Also, I'll always keep people in line.

1698
01:22:43,479 --> 01:22:45,519
Speaker 3: Love doesn't keep you in the line. Neither of those

1699
01:22:45,560 --> 01:22:48,080
Speaker 3: motherfucking things keep you in line. I think fear does

1700
01:22:48,160 --> 01:22:48,720
Speaker 3: a little more.

1701
01:22:49,439 --> 01:22:54,320
Speaker 1: If I'm comparing the two, I would definitely say fears

1702
01:22:54,840 --> 01:22:58,840
Speaker 1: keeps some motherfucking line a lot more than love does.

1703
01:23:00,320 --> 01:23:03,280
Speaker 1: I can respect that. Push it to your fab, push

1704
01:23:03,320 --> 01:23:12,000
Speaker 1: your tea or fab. That's tough, take a drink, damn.

1705
01:23:13,640 --> 01:23:16,479
Speaker 3: Yeah. Because fab is.

1706
01:23:16,520 --> 01:23:19,120
Speaker 6: Punchline like one of one of the punchline kings. Him

1707
01:23:19,160 --> 01:23:23,000
Speaker 6: and Luda are my favorite punchline rappers, and I think

1708
01:23:23,040 --> 01:23:27,920
Speaker 6: I can add Cassidy to that too. But Push just

1709
01:23:28,080 --> 01:23:35,120
Speaker 6: has this. He has a very descriptive scorsesey kind of

1710
01:23:35,360 --> 01:23:37,840
Speaker 6: rhyme pattern. Or you know what I mean, the way

1711
01:23:37,920 --> 01:23:39,720
Speaker 6: he describes ship, and.

1712
01:23:39,760 --> 01:23:43,360
Speaker 3: He's gotten better at it. I feel mm hmm like.

1713
01:23:43,400 --> 01:23:45,639
Speaker 5: Clip stays to now. I think he's better even sure.

1714
01:23:46,400 --> 01:23:49,000
Speaker 5: Yeah that new joint who's in the homie from t

1715
01:23:49,120 --> 01:23:50,160
Speaker 5: D Yeah.

1716
01:23:50,080 --> 01:23:51,280
Speaker 3: Rayvon Rayvon.

1717
01:23:51,400 --> 01:23:54,400
Speaker 6: Yeah that that ship that's hard just great. But fab

1718
01:23:54,960 --> 01:23:58,200
Speaker 6: Fab gets the consistency thing. So he's been in the

1719
01:23:58,240 --> 01:24:00,280
Speaker 6: game for a long time. He just never lets off

1720
01:24:00,320 --> 01:24:03,479
Speaker 6: the gas. So he gets a ton of respect from

1721
01:24:03,520 --> 01:24:07,000
Speaker 6: me for that. And that's how I actually started working

1722
01:24:07,000 --> 01:24:10,280
Speaker 6: with the main. The main was doing Fabulous impressions on

1723
01:24:10,800 --> 01:24:14,200
Speaker 6: on YouTube back in the day and the early Freeway ship,

1724
01:24:14,280 --> 01:24:17,000
Speaker 6: so that's actually how we connected and it all led

1725
01:24:17,000 --> 01:24:17,559
Speaker 6: to this movie.

1726
01:24:17,640 --> 01:24:20,000
Speaker 3: I would like to add that Fabulous is half Dominican

1727
01:24:20,640 --> 01:24:21,120
Speaker 3: shut out.

1728
01:24:25,120 --> 01:24:26,720
Speaker 1: Yeah, I'll be throwing it out there too. I'll be

1729
01:24:26,760 --> 01:24:31,080
Speaker 1: making sure he remember. But does fab make music that

1730
01:24:31,160 --> 01:24:36,960
Speaker 1: makes people want to do quime? He Dominican sneakers at

1731
01:24:36,960 --> 01:24:40,360
Speaker 1: that time, and time has a little little flag on

1732
01:24:40,439 --> 01:24:43,559
Speaker 1: it of time that he went the next one.

1733
01:24:44,320 --> 01:24:50,560
Speaker 3: Hannibal Burrs or Craig Robinson. Mm hmmm, I don't know.

1734
01:24:50,760 --> 01:24:53,439
Speaker 6: The funny thing. I don't know Hannibal that well. I

1735
01:24:53,560 --> 01:24:55,960
Speaker 6: met him and we you know, know we know each other,

1736
01:24:56,040 --> 01:24:59,519
Speaker 6: but we just really linked last year. I will go

1737
01:24:59,680 --> 01:25:02,400
Speaker 6: Craig on that one because I've known Craig is a

1738
01:25:02,479 --> 01:25:03,519
Speaker 6: deaf comedy jamo g.

1739
01:25:05,000 --> 01:25:05,400
Speaker 7: He can't.

1740
01:25:05,439 --> 01:25:07,200
Speaker 6: He's one of the first people that brought up prop

1741
01:25:07,320 --> 01:25:11,240
Speaker 6: on stage. He had his piano in the stage and

1742
01:25:13,200 --> 01:25:16,639
Speaker 6: he did the whole joke about the DJ. You remember

1743
01:25:16,680 --> 01:25:21,600
Speaker 6: that joke. So he was he's at the piano and

1744
01:25:21,720 --> 01:25:24,680
Speaker 6: he was like, shout out to kick Capri. Last night

1745
01:25:25,920 --> 01:25:28,360
Speaker 6: after the taping we went we went to the bar

1746
01:25:28,400 --> 01:25:30,600
Speaker 6: across the street and we had a few drinks, some

1747
01:25:30,760 --> 01:25:33,160
Speaker 6: ladies in there. We have some laughs and as we

1748
01:25:33,200 --> 01:25:37,400
Speaker 6: were walking back across the street to the hotel, a

1749
01:25:37,560 --> 01:25:43,080
Speaker 6: bus was speeding down forty second Street and Craig didn't

1750
01:25:43,080 --> 01:25:44,720
Speaker 6: see the bus and he's about I was about to

1751
01:25:44,760 --> 01:25:47,240
Speaker 6: walk out and kick Capri. Just he grabbed me and

1752
01:25:47,360 --> 01:25:49,639
Speaker 6: he made sure that I was good. You know, he said,

1753
01:25:49,640 --> 01:25:52,200
Speaker 6: you had a little bit too much to drink, he said,

1754
01:25:52,280 --> 01:26:04,479
Speaker 6: last night a DJ saent Yo def comedy champ went up,

1755
01:26:05,360 --> 01:26:06,639
Speaker 6: shout up to Craig Robinson.

1756
01:26:08,600 --> 01:26:10,439
Speaker 3: It wasn't Annibal, the one that we was drinking with

1757
01:26:10,600 --> 01:26:12,920
Speaker 3: right here. You want to tell that story.

1758
01:26:13,160 --> 01:26:14,920
Speaker 1: I mean, I remember, I think you got arrested. After that,

1759
01:26:17,479 --> 01:26:18,960
Speaker 1: I fell back and we were like, oh ship, we

1760
01:26:19,120 --> 01:26:20,840
Speaker 1: was just he was just with us. He was at

1761
01:26:20,880 --> 01:26:22,439
Speaker 1: the bar with there. I mean we didn't like get

1762
01:26:22,520 --> 01:26:22,680
Speaker 1: him on.

1763
01:26:23,040 --> 01:26:28,040
Speaker 3: He was already there there. I think he was already drunk.

1764
01:26:28,080 --> 01:26:29,840
Speaker 1: We seen each other that we had some drinks together.

1765
01:26:30,280 --> 01:26:33,760
Speaker 1: He left us and left up and he was he

1766
01:26:33,920 --> 01:26:37,120
Speaker 1: was he was already touched down Miami. That means you

1767
01:26:37,200 --> 01:26:40,519
Speaker 1: know he got arrested because you know, Miami is the

1768
01:26:40,520 --> 01:26:43,040
Speaker 1: place you come on vacation and you leave on probation.

1769
01:26:44,200 --> 01:26:53,280
Speaker 3: Hilarious, all right, cad DC Young Flyer d Ra take

1770
01:26:53,320 --> 01:26:53,960
Speaker 3: a drink. Yeah.

1771
01:26:55,560 --> 01:27:00,479
Speaker 1: Both my brothers man different errors, both brilliant, both my brothers,

1772
01:27:03,000 --> 01:27:07,559
Speaker 1: Jack Black or Will Ferrell. Will Ferrell, I just look

1773
01:27:07,600 --> 01:27:13,000
Speaker 1: at Will and just laugh. He's funny, motherfucker. He can't

1774
01:27:13,040 --> 01:27:13,840
Speaker 1: do no wrong with me.

1775
01:27:14,439 --> 01:27:15,000
Speaker 3: That's funny.

1776
01:27:17,080 --> 01:27:17,200
Speaker 1: YEA.

1777
01:27:17,280 --> 01:27:21,320
Speaker 3: Elf is my favorite holiday movie. Elf, isn't. He's anchorman

1778
01:27:21,400 --> 01:27:23,599
Speaker 3: for me as far as as far as Will ferrell

1779
01:27:23,720 --> 01:27:31,559
Speaker 3: movies Holiday movie. That's hilarious, man, for sure. Brother, what's

1780
01:27:31,600 --> 01:27:33,559
Speaker 3: the ship with him and keV and they went to jail?

1781
01:27:34,320 --> 01:27:37,120
Speaker 3: Get hard? Yeah? But you know, slept on I love

1782
01:27:37,200 --> 01:27:39,880
Speaker 3: wedding rhetor ringer, wedding ringer. Oh yeah, well Will Ferrell

1783
01:27:39,960 --> 01:27:43,800
Speaker 3: wasn't in there. No, I'm saying I slept I was

1784
01:27:44,000 --> 01:27:47,439
Speaker 3: changing the subject. But you understood me. You just said

1785
01:27:47,439 --> 01:27:51,120
Speaker 3: you understood me? What? Yeah, yeah, I'm glad. Did you

1786
01:27:51,200 --> 01:27:52,880
Speaker 3: really know what he was going on? Because Kevin is

1787
01:27:52,920 --> 01:27:55,559
Speaker 3: in there. I was also trying his mind is kind

1788
01:27:55,600 --> 01:27:59,640
Speaker 3: of laughing, Yeah, kind of like, uh like how he

1789
01:27:59,760 --> 01:28:02,800
Speaker 3: beat like you need out? I like how I like

1790
01:28:02,880 --> 01:28:04,680
Speaker 3: how he was like this.

1791
01:28:07,040 --> 01:28:09,519
Speaker 1: Exactly as a therapist. It's like, listen, this is what

1792
01:28:09,720 --> 01:28:12,959
Speaker 1: you have to stop doing. You have to start focusing

1793
01:28:14,000 --> 01:28:18,840
Speaker 1: and fuck on. Yeah, I knew he was going with

1794
01:28:18,920 --> 01:28:22,320
Speaker 1: that because he heard the name Kevi and then he

1795
01:28:22,320 --> 01:28:24,960
Speaker 1: said wedding ringer because I've been trying to say that,

1796
01:28:25,040 --> 01:28:27,280
Speaker 1: pauls get this out for a long time. Read and

1797
01:28:27,360 --> 01:28:30,559
Speaker 1: Winger is one of the most under movies.

1798
01:28:30,640 --> 01:28:33,360
Speaker 6: It's a good movie, man, I love it's a good movie.

1799
01:28:33,400 --> 01:28:35,920
Speaker 6: Shout out to my boy Jeremy Garlic, the director. He's uh,

1800
01:28:36,720 --> 01:28:39,040
Speaker 6: he just has a different eye. Jeremy's one of them

1801
01:28:39,080 --> 01:28:41,360
Speaker 6: dudes that just too Yeah.

1802
01:28:41,560 --> 01:28:43,960
Speaker 3: Yep. Me and Corey Holkum was also one of the

1803
01:28:44,000 --> 01:28:49,080
Speaker 3: same death comedy Jam episode Yeah oh g o gs.

1804
01:28:49,720 --> 01:28:54,160
Speaker 3: So the leads me to my next question. Corey Hog Oh,

1805
01:28:54,240 --> 01:28:55,600
Speaker 3: Donald Rowlands.

1806
01:28:56,760 --> 01:28:59,479
Speaker 1: Take a drink, right? I wanted to take a drink

1807
01:28:59,520 --> 01:29:02,040
Speaker 1: to that too. I love them both, like how they battle.

1808
01:29:02,720 --> 01:29:03,559
Speaker 1: I'm not like beef.

1809
01:29:03,720 --> 01:29:07,479
Speaker 3: You like you like controversy you don't. I just want

1810
01:29:07,560 --> 01:29:08,000
Speaker 3: to make you like.

1811
01:29:08,000 --> 01:29:10,960
Speaker 1: Thatppers like we not only looked at it's crazy.

1812
01:29:11,320 --> 01:29:11,720
Speaker 3: I got you.

1813
01:29:12,040 --> 01:29:16,000
Speaker 1: I need everybody else to be like we normal. We

1814
01:29:16,080 --> 01:29:18,360
Speaker 1: all got feelings. Okay, everybody need.

1815
01:29:18,360 --> 01:29:23,200
Speaker 3: To chill out. There's the last one. Go ahead. Loyalty

1816
01:29:23,600 --> 01:29:26,880
Speaker 3: or respect? Mm hmmmm.

1817
01:29:31,600 --> 01:29:35,559
Speaker 1: I think respect Gardner's loyalty. So I'm gonna pick respect.

1818
01:29:36,120 --> 01:29:41,200
Speaker 3: Okay, I'm glad because I didn't want to drink no more. Man,

1819
01:29:41,280 --> 01:29:43,920
Speaker 3: Can I tell them what the scene was? Yes, the

1820
01:29:44,040 --> 01:29:45,760
Speaker 3: joke of the scene. Do we want to save? In

1821
01:29:45,760 --> 01:29:46,719
Speaker 3: any case, we do it again?

1822
01:29:47,920 --> 01:29:48,120
Speaker 5: Yeah?

1823
01:29:48,960 --> 01:29:55,120
Speaker 1: Man, move, move a chair over, I whatever, get a champo,

1824
01:29:55,360 --> 01:29:56,160
Speaker 1: get a chairp.

1825
01:30:02,280 --> 01:30:04,720
Speaker 3: Here you there, you go now because we gotta talk

1826
01:30:04,720 --> 01:30:05,720
Speaker 3: about your freeway woe.

1827
01:30:08,439 --> 01:30:10,680
Speaker 5: We gotta shout out Underdog. I'm doing to make sure

1828
01:30:10,680 --> 01:30:16,479
Speaker 5: everybody downloads under what we got Underdog Fantasy app use

1829
01:30:16,600 --> 01:30:19,120
Speaker 5: your code drink Champs or drink or Champs.

1830
01:30:19,479 --> 01:30:20,080
Speaker 3: Drink or Champ.

1831
01:30:20,160 --> 01:30:22,519
Speaker 5: You can get massive to one hundred dollars. On damn,

1832
01:30:22,640 --> 01:30:24,360
Speaker 5: let's go in the dog shouts under the dog. Fants

1833
01:30:26,000 --> 01:30:27,120
Speaker 5: following me under the dog.

1834
01:30:27,160 --> 01:30:29,680
Speaker 3: I'm gonna be honest. You should just stick with me.

1835
01:31:11,360 --> 01:31:32,040
Speaker 9: H drink Chands, Army underdog Fantasy.

1836
01:31:32,080 --> 01:31:38,240
Speaker 3: Underdoor fantasy, Fantasy. Get your hundred dollars, school drinks or chance.

1837
01:31:38,320 --> 01:31:40,639
Speaker 9: Putting a hundred dollars will match you a hundred dollars matching.

1838
01:31:40,760 --> 01:31:42,439
Speaker 3: Come on, come ahead for this.

1839
01:31:50,240 --> 01:31:50,519
Speaker 7: All right.

1840
01:31:50,840 --> 01:31:52,800
Speaker 3: Don't want to have me very scared of that first,

1841
01:31:52,840 --> 01:31:53,320
Speaker 3: but hold on.

1842
01:31:53,520 --> 01:31:56,360
Speaker 1: But we said talk about that. But let me let me,

1843
01:31:56,479 --> 01:32:01,400
Speaker 1: let me say something hilarious. Let me say something. We

1844
01:32:01,560 --> 01:32:06,360
Speaker 1: asked him earlier, did anybody like come at Adam because of.

1845
01:32:06,439 --> 01:32:17,439
Speaker 3: The freeway m At times, I didn't know, But the

1846
01:32:17,520 --> 01:32:21,600
Speaker 3: audience loves the freeway character fro Away. They love I

1847
01:32:21,720 --> 01:32:22,519
Speaker 3: love it me.

1848
01:32:23,120 --> 01:32:26,000
Speaker 1: He has one of the most quotable early everybody walking

1849
01:32:26,040 --> 01:32:30,960
Speaker 1: out saying early, and they're cheering for him when he does. Director,

1850
01:32:31,120 --> 01:32:34,000
Speaker 1: I don't want to say the scene, but they're cheering

1851
01:32:34,040 --> 01:32:36,799
Speaker 1: for him throughout this movie. So we even told freeway.

1852
01:32:36,840 --> 01:32:40,120
Speaker 1: That was like, look, man, so you're going to okay,

1853
01:32:40,120 --> 01:32:45,880
Speaker 1: go ahead, Okay. When I first see it, I'm like, okay, damn,

1854
01:32:47,160 --> 01:32:49,800
Speaker 1: where's he working at? But then you realize that it

1855
01:32:49,880 --> 01:32:54,040
Speaker 1: got all rappers working and you have to make a

1856
01:32:54,080 --> 01:32:58,240
Speaker 1: good point, right, it's an exaggerate if you just see

1857
01:32:58,280 --> 01:33:01,479
Speaker 1: it all exaggeration though, you're right, but for the think

1858
01:33:01,680 --> 01:33:03,120
Speaker 1: the culture, for the specific people.

1859
01:33:03,160 --> 01:33:05,360
Speaker 3: For the specific people's specifically.

1860
01:33:05,600 --> 01:33:08,120
Speaker 1: But then at the end he's he's at the self

1861
01:33:08,200 --> 01:33:13,760
Speaker 1: destruction Reckett. He's dead. So he actually makes it at

1862
01:33:13,800 --> 01:33:22,200
Speaker 1: the end, but at points it felt hard. It did

1863
01:33:22,320 --> 01:33:25,320
Speaker 1: feel like and even though it might not be true,

1864
01:33:28,240 --> 01:33:29,719
Speaker 1: I don't know how it felt.

1865
01:33:29,800 --> 01:33:32,679
Speaker 3: I think you're feeling. I hear what you're saying.

1866
01:33:32,760 --> 01:33:35,840
Speaker 1: Okay, you're feeling the sensitivity of the culture right now,

1867
01:33:36,920 --> 01:33:39,920
Speaker 1: because that that type of what you're talking about is harsh.

1868
01:33:40,080 --> 01:33:42,640
Speaker 1: Is it jokes, it's shown in its ros and he's

1869
01:33:42,680 --> 01:33:44,519
Speaker 1: close to it too. To be close to it also

1870
01:33:44,600 --> 01:33:46,439
Speaker 1: might be different from yeah I'm close to it. Yeah,

1871
01:33:46,560 --> 01:33:50,360
Speaker 1: I'm close to it because as I had a work rapper,

1872
01:33:50,640 --> 01:33:53,320
Speaker 1: which any of you what us can be at the time,

1873
01:33:53,760 --> 01:33:56,120
Speaker 1: any of us could be had of work rapper and

1874
01:33:56,920 --> 01:33:58,479
Speaker 1: it's not saying that y'all was saying that he was

1875
01:33:58,520 --> 01:34:00,479
Speaker 1: out of work, Rapps being off.

1876
01:34:00,520 --> 01:34:03,240
Speaker 3: But I know the point of that is we throw

1877
01:34:03,280 --> 01:34:04,040
Speaker 3: away our gems.

1878
01:34:04,080 --> 01:34:08,160
Speaker 1: And I've said this before as a culture hip hop,

1879
01:34:08,400 --> 01:34:12,160
Speaker 1: R and B black culture period, we throw our gems away,

1880
01:34:12,680 --> 01:34:14,960
Speaker 1: meaning meaning cooling.

1881
01:34:14,720 --> 01:34:18,400
Speaker 3: A gang, earth winning fire. They're not doing the numbers

1882
01:34:18,439 --> 01:34:19,639
Speaker 3: that you two is doing.

1883
01:34:21,000 --> 01:34:22,720
Speaker 1: You two can do arenas for the rest of their

1884
01:34:22,800 --> 01:34:26,280
Speaker 1: life by themselves, the cooling of gangs. They'll do a

1885
01:34:26,479 --> 01:34:29,760
Speaker 1: jam with a bunch of different artists and it's great.

1886
01:34:29,920 --> 01:34:33,479
Speaker 1: It's a theater, but it's not the same. And we're

1887
01:34:33,600 --> 01:34:36,519
Speaker 1: in a culture where we like to we want the

1888
01:34:36,600 --> 01:34:36,960
Speaker 1: new ship.

1889
01:34:37,040 --> 01:34:39,640
Speaker 3: We always want to do. That's the reason why we

1890
01:34:39,720 --> 01:34:40,400
Speaker 3: started drinking.

1891
01:34:40,520 --> 01:34:43,879
Speaker 1: But why that's the reason why to give a platform

1892
01:34:43,960 --> 01:34:44,479
Speaker 1: to the artists.

1893
01:34:44,479 --> 01:34:46,960
Speaker 3: And maybe people haven't forgotten about it. It starts with

1894
01:34:47,080 --> 01:34:48,000
Speaker 3: up Piers of the nineties.

1895
01:34:48,439 --> 01:34:50,960
Speaker 1: That's the reason why the point of just freeway part

1896
01:34:51,080 --> 01:34:53,719
Speaker 1: not everyone. Yeah, this three ray part felt a little

1897
01:34:53,840 --> 01:34:57,200
Speaker 1: too risky because I suppose people believe that and they're like,

1898
01:34:57,320 --> 01:35:01,679
Speaker 1: yof we wait, it's really working in the fucking grocery store.

1899
01:35:01,680 --> 01:35:04,160
Speaker 3: People can believe anything. Some people, some people can't believe that.

1900
01:35:04,280 --> 01:35:07,320
Speaker 3: Some people don't at all.

1901
01:35:07,479 --> 01:35:09,320
Speaker 1: There's still some people who just go to the movie

1902
01:35:09,400 --> 01:35:13,320
Speaker 1: theaters and don't have Instagram. Does that hurt his image?

1903
01:35:13,320 --> 01:35:15,120
Speaker 1: I'm asking, like I'm clearly doing.

1904
01:35:15,400 --> 01:35:19,040
Speaker 2: I'll say this, people have been probably hitting Freeway up

1905
01:35:19,160 --> 01:35:22,280
Speaker 2: and wanted to know about Freeway now more than Okay,

1906
01:35:22,560 --> 01:35:24,320
Speaker 2: then they have it, and he said it.

1907
01:35:24,880 --> 01:35:27,040
Speaker 7: The relevancy all of that stuff is just people are

1908
01:35:27,240 --> 01:35:27,960
Speaker 7: calling his name.

1909
01:35:28,200 --> 01:35:30,880
Speaker 2: Okay, remind you I've been doing that character for over

1910
01:35:30,960 --> 01:35:32,640
Speaker 2: twenty years, but a lot of people don't know it.

1911
01:35:33,080 --> 01:35:35,519
Speaker 7: No, they don't know that, Okay, but but he he knows.

1912
01:35:36,240 --> 01:35:40,040
Speaker 2: Remember when I first my first job was that Rockefeller

1913
01:35:40,240 --> 01:35:42,200
Speaker 2: Like I was the cameraman, Like I was that guy

1914
01:35:42,240 --> 01:35:45,040
Speaker 2: who traveled all around the world with the State Property,

1915
01:35:45,200 --> 01:35:49,519
Speaker 2: with the Dame, with everybody filming everything. So when State

1916
01:35:49,560 --> 01:35:51,800
Speaker 2: probably got signed and I've seen those guys come in,

1917
01:35:51,880 --> 01:35:54,240
Speaker 2: I've seen State Property come I spent time in Philly

1918
01:35:54,320 --> 01:35:55,920
Speaker 2: with them and all of that, he was a guy

1919
01:35:56,000 --> 01:35:58,479
Speaker 2: that stood out to me. He was somebody admired his

1920
01:35:58,640 --> 01:36:00,559
Speaker 2: voice because look, I never seen the be I never

1921
01:36:00,600 --> 01:36:02,040
Speaker 2: say any of that. I believe you said you never

1922
01:36:02,080 --> 01:36:04,639
Speaker 2: saw I wouldn't do in these parodies and I would

1923
01:36:04,680 --> 01:36:06,320
Speaker 2: go home and when I first did it, I did

1924
01:36:06,400 --> 01:36:08,639
Speaker 2: him fabulous all of that. I would go to Rockefeller

1925
01:36:08,640 --> 01:36:10,120
Speaker 2: and I would show him these videos. They would be

1926
01:36:10,160 --> 01:36:12,800
Speaker 2: in there. They loved it. Back then, I'm talking about,

1927
01:36:12,880 --> 01:36:15,840
Speaker 2: you know, early two thousands, So it's something that just stuck.

1928
01:36:15,920 --> 01:36:17,680
Speaker 2: So once me and a fian got together, it was

1929
01:36:17,920 --> 01:36:20,760
Speaker 2: it was he wrote it specifically for his friends. It

1930
01:36:20,920 --> 01:36:22,599
Speaker 2: was like, I want all my friends that are dope

1931
01:36:22,600 --> 01:36:24,360
Speaker 2: at what they do, and I'm gonna bring them together

1932
01:36:24,400 --> 01:36:25,599
Speaker 2: and we're gonna make this movie.

1933
01:36:25,960 --> 01:36:28,599
Speaker 1: You know, for the culture, for an all fairness. That's

1934
01:36:28,640 --> 01:36:32,840
Speaker 1: before hip hop had sensitivity. Once there was a ray

1935
01:36:32,920 --> 01:36:38,120
Speaker 1: J fabulous moment through social media, it was like everyone

1936
01:36:38,240 --> 01:36:40,360
Speaker 1: kind of got on point and everyone kind of changed

1937
01:36:40,680 --> 01:36:43,519
Speaker 1: because although we didn't take it serious, we knew that

1938
01:36:43,680 --> 01:36:47,439
Speaker 1: it was serious. So like, I have to take that

1939
01:36:47,880 --> 01:36:51,280
Speaker 1: in consideration as an artist, as a rapper, did you

1940
01:36:51,439 --> 01:36:54,160
Speaker 1: take that into consideration that someone might just take it

1941
01:36:54,200 --> 01:36:57,400
Speaker 1: too far? Remember fab was joking on ray J. He

1942
01:36:57,560 --> 01:36:58,640
Speaker 1: was playing with the ray Ja.

1943
01:36:58,720 --> 01:37:01,600
Speaker 3: He was, well, we what we are is.

1944
01:37:02,080 --> 01:37:05,120
Speaker 1: I'm just being Davids allocate. No, I get you, but

1945
01:37:06,280 --> 01:37:07,880
Speaker 1: I'm gonna give you the Angels at it, Okay.

1946
01:37:08,280 --> 01:37:08,640
Speaker 3: I like that.

1947
01:37:10,040 --> 01:37:13,080
Speaker 1: What we are and what we represent is when comedy

1948
01:37:13,360 --> 01:37:17,040
Speaker 1: was comedy, yes, and the Wayns was doing comedy, when

1949
01:37:17,120 --> 01:37:21,439
Speaker 1: Robert Townsend did Hollywood Shuffle. Yes, we represent niggas laughing

1950
01:37:22,040 --> 01:37:26,679
Speaker 1: again right and not taking themselves too seriously. So sure,

1951
01:37:27,920 --> 01:37:30,160
Speaker 1: anyone can believe whatever they want to believe. They can

1952
01:37:30,240 --> 01:37:32,800
Speaker 1: take something and twist it however they want to twist it.

1953
01:37:33,400 --> 01:37:35,960
Speaker 1: But I think what you when you walk away from

1954
01:37:36,000 --> 01:37:38,439
Speaker 1: this movie, you walk away feeling like you took a ride,

1955
01:37:38,479 --> 01:37:41,800
Speaker 1: you took an experience, and you laughed your ass off.

1956
01:37:41,880 --> 01:37:44,960
Speaker 1: You learned something, I learned something, and you heard some

1957
01:37:45,200 --> 01:37:48,639
Speaker 1: dope ass bars in the voices of these people.

1958
01:37:48,680 --> 01:37:50,200
Speaker 3: But it was all written by me, him and my

1959
01:37:50,479 --> 01:37:51,639
Speaker 3: other Homiejevin Smith.

1960
01:37:52,160 --> 01:37:57,479
Speaker 1: So I don't think there's anything disrespectful or anything overly

1961
01:37:57,600 --> 01:37:58,439
Speaker 1: sensitive about that.

1962
01:37:58,840 --> 01:38:02,400
Speaker 3: It's an experiences. It's a feel good movie. And for

1963
01:38:02,560 --> 01:38:04,920
Speaker 3: Freeway specifically, no, that's our guy, Early, you know what

1964
01:38:04,960 --> 01:38:06,240
Speaker 3: I'm saying, Early, and you.

1965
01:38:06,439 --> 01:38:08,880
Speaker 5: I don't want to go back, and because after watching

1966
01:38:08,960 --> 01:38:11,240
Speaker 5: I want to go back and listen to Freeways catalog.

1967
01:38:11,880 --> 01:38:13,640
Speaker 3: It reminds me I know that that's not him, but

1968
01:38:13,640 --> 01:38:16,360
Speaker 3: it reminded me how dope he is. You did that.

1969
01:38:17,080 --> 01:38:19,280
Speaker 1: I'm glad that you're telling me that because I'm not

1970
01:38:19,360 --> 01:38:20,920
Speaker 1: looking at it like that. I'm looking at it from

1971
01:38:20,920 --> 01:38:23,479
Speaker 1: an artist point of view only you know what I mean.

1972
01:38:23,520 --> 01:38:25,519
Speaker 1: And the artist point of view is just like damn,

1973
01:38:25,560 --> 01:38:29,519
Speaker 1: I don't want to be like you know, even putting

1974
01:38:29,560 --> 01:38:32,160
Speaker 1: that category like yo, okay, this is where you was

1975
01:38:32,240 --> 01:38:34,280
Speaker 1: at and now this is where you're at now, Like

1976
01:38:34,320 --> 01:38:37,280
Speaker 1: you know what I mean, I get like that because,

1977
01:38:37,360 --> 01:38:39,559
Speaker 1: like you said, he but then if you and if

1978
01:38:39,600 --> 01:38:42,599
Speaker 1: you watch the whole movie, then he's on the self

1979
01:38:42,640 --> 01:38:43,519
Speaker 1: destruction record.

1980
01:38:43,680 --> 01:38:45,559
Speaker 3: He's actually he actually makes it.

1981
01:38:45,880 --> 01:38:46,400
Speaker 7: You know what I mean.

1982
01:38:46,479 --> 01:38:51,240
Speaker 3: But you know what I mean, like up the movie's hero.

1983
01:38:53,080 --> 01:38:56,479
Speaker 1: Listen to the audience loves that character. I'm done with

1984
01:38:56,560 --> 01:38:59,840
Speaker 1: the shots, so I'm going straight to drink. He's quick times.

1985
01:39:00,960 --> 01:39:03,120
Speaker 1: We know the audience loves that character. He's one of

1986
01:39:03,160 --> 01:39:05,639
Speaker 1: the favorite He's one of the favorite character.

1987
01:39:05,680 --> 01:39:07,200
Speaker 3: Who's the body double running around?

1988
01:39:08,080 --> 01:39:15,120
Speaker 1: Oh man, you're run boy yeah boy key one key one,

1989
01:39:15,600 --> 01:39:20,040
Speaker 1: So one again, that wasn't a knock to freeway the

1990
01:39:20,240 --> 01:39:22,599
Speaker 1: main Yes, I'm.

1991
01:39:21,960 --> 01:39:25,360
Speaker 2: Six six right, so obviously you know, as I'm making

1992
01:39:25,439 --> 01:39:28,320
Speaker 2: a film, I'm on my knees and I have to

1993
01:39:28,320 --> 01:39:30,040
Speaker 2: play this character I've been through for twenty years.

1994
01:39:30,120 --> 01:39:30,360
Speaker 3: Pause.

1995
01:39:30,600 --> 01:39:33,120
Speaker 2: But when when we have to do full shots with

1996
01:39:33,200 --> 01:39:35,200
Speaker 2: them walking down the street or running whatever, I can

1997
01:39:36,080 --> 01:39:36,759
Speaker 2: be shuffling.

1998
01:39:36,880 --> 01:39:38,479
Speaker 7: So we had to get somebody just saw the double

1999
01:39:39,000 --> 01:39:39,320
Speaker 7: for that.

2000
01:39:40,400 --> 01:39:43,880
Speaker 3: It was funny. It was Hollywood shuffle. I'm gonna get

2001
01:39:43,920 --> 01:39:44,360
Speaker 3: your sucker.

2002
01:39:44,920 --> 01:39:46,720
Speaker 7: When she's fighting inside.

2003
01:39:46,439 --> 01:39:49,479
Speaker 1: The yeah was fighting in the bar. And then they

2004
01:39:49,560 --> 01:39:54,640
Speaker 1: showed the white dude with the mustard. Yeah, okay, right,

2005
01:39:54,720 --> 01:39:55,240
Speaker 1: that's fire.

2006
01:39:55,680 --> 01:39:55,880
Speaker 3: Yeah.

2007
01:39:55,920 --> 01:39:58,439
Speaker 1: We we paid homage to We tip our hat to

2008
01:39:58,600 --> 01:40:00,479
Speaker 1: all ab out o G's in this movie. To barbershop

2009
01:40:00,520 --> 01:40:03,160
Speaker 1: scene is reminiscent of Coming to America, you know what

2010
01:40:03,160 --> 01:40:06,200
Speaker 1: I mean, the coming to I'm going to get you sucker,

2011
01:40:06,720 --> 01:40:10,760
Speaker 1: energy crush groove. The scene with a little little young

2012
01:40:10,880 --> 01:40:13,560
Speaker 1: Rasco New Jack City right the open Jack City is

2013
01:40:13,680 --> 01:40:15,080
Speaker 1: opening is New Jack City.

2014
01:40:15,240 --> 01:40:18,320
Speaker 3: The drone person that caught that right away, that right

2015
01:40:18,400 --> 01:40:26,479
Speaker 3: away midst of course that's the way it works.

2016
01:40:27,600 --> 01:40:30,760
Speaker 2: Just wait and I come back after the draft, and

2017
01:40:31,200 --> 01:40:33,160
Speaker 2: I risked, I risked it off of that drone shot

2018
01:40:33,200 --> 01:40:34,880
Speaker 2: them drone shots. I flew to New York with my

2019
01:40:35,000 --> 01:40:37,760
Speaker 2: drone and I went down to Brooklyn where you can't

2020
01:40:37,760 --> 01:40:39,760
Speaker 2: shoot no drones in New York City, none of that.

2021
01:40:40,040 --> 01:40:43,720
Speaker 2: And I flew it like flewid Yeah, I flew all

2022
01:40:43,760 --> 01:40:45,960
Speaker 2: over the city. And when I was landing in the drone,

2023
01:40:46,600 --> 01:40:49,800
Speaker 2: the FBI was right there. Way as I was landing

2024
01:40:49,840 --> 01:40:52,280
Speaker 2: in the drone, they tracked the drone down and it

2025
01:40:52,360 --> 01:40:52,840
Speaker 2: came up to me.

2026
01:40:52,920 --> 01:40:54,080
Speaker 3: It was like what are you doing? You know?

2027
01:40:54,200 --> 01:40:56,720
Speaker 2: You can't you know, And I tried to act like

2028
01:40:56,760 --> 01:40:59,120
Speaker 2: a tourist. I was like I do know what I

2029
01:40:59,240 --> 01:41:05,639
Speaker 2: was working. Yeah, And it was like Luckily I talked

2030
01:41:05,720 --> 01:41:07,320
Speaker 2: myself out of it, and they took all my drone

2031
01:41:07,360 --> 01:41:09,200
Speaker 2: information down, the cereal codes and all of that, and

2032
01:41:09,320 --> 01:41:11,120
Speaker 2: it was like, look, you can never fly just we

2033
01:41:11,200 --> 01:41:13,960
Speaker 2: was gonna shoot your drone down if we were about

2034
01:41:14,000 --> 01:41:15,559
Speaker 2: to shoot it there, you.

2035
01:41:15,560 --> 01:41:22,360
Speaker 3: Can't fly drone. Can't say you something.

2036
01:41:22,640 --> 01:41:25,320
Speaker 1: Then be places I'll be at and there'll be drones

2037
01:41:25,360 --> 01:41:25,800
Speaker 1: all the time.

2038
01:41:25,920 --> 01:41:28,360
Speaker 7: So no, no, no tell you.

2039
01:41:28,520 --> 01:41:29,680
Speaker 2: Let me tell you if you if you go to

2040
01:41:29,760 --> 01:41:32,000
Speaker 2: places like that in the airports and you see drones,

2041
01:41:32,560 --> 01:41:35,519
Speaker 2: there's a drone hack that can tap into for your

2042
01:41:35,640 --> 01:41:39,000
Speaker 2: drone for dj I that will unlock certain areas that

2043
01:41:39,120 --> 01:41:39,439
Speaker 2: you can.

2044
01:41:39,400 --> 01:41:40,080
Speaker 3: Still fly in.

2045
01:41:40,800 --> 01:41:42,200
Speaker 7: So if there's a map that we have on it,

2046
01:41:42,320 --> 01:41:43,040
Speaker 7: on it, that's a map.

2047
01:41:43,080 --> 01:41:45,080
Speaker 2: That is when it's a big red circle, it's nothing

2048
01:41:45,160 --> 01:41:47,080
Speaker 2: in there can be your dron won't even take off.

2049
01:41:47,120 --> 01:41:49,760
Speaker 2: They'll be like, you can't take But if you is

2050
01:41:49,800 --> 01:41:52,280
Speaker 2: that act that allows you to bypass some of them,

2051
01:41:52,960 --> 01:41:55,559
Speaker 2: you know, some places. But this is a dumbo Brooklyn.

2052
01:41:55,680 --> 01:41:58,479
Speaker 2: You're saying I started them to shoot, but I was

2053
01:41:58,560 --> 01:41:59,400
Speaker 2: lying in Manhattan.

2054
01:42:02,080 --> 01:42:05,200
Speaker 3: Yeah yeah, man, So yeah, you was on your bed lane.

2055
01:42:05,200 --> 01:42:11,000
Speaker 3: Ship you gotta relax. Oh yes, was one by any

2056
01:42:11,080 --> 01:42:15,960
Speaker 3: means necessary to get it done? Everything great, agreed, Ship down,

2057
01:42:16,080 --> 01:42:17,920
Speaker 3: I would agree. Get it out of.

2058
01:42:17,880 --> 01:42:22,479
Speaker 1: There pays to a lot of a lot of our

2059
01:42:22,520 --> 01:42:24,200
Speaker 1: favorite films, including Fade the Black.

2060
01:42:24,400 --> 01:42:25,960
Speaker 6: You know what I'm saying, Like we just blended all

2061
01:42:26,000 --> 01:42:29,639
Speaker 6: these these these elements together. And that's where Tony came

2062
01:42:29,720 --> 01:42:32,080
Speaker 6: in with that scene. You had Google, let me ask

2063
01:42:32,160 --> 01:42:34,040
Speaker 6: you do you do you?

2064
01:42:34,320 --> 01:42:37,920
Speaker 3: Yeah? Why why why didn't you hit young Ghoul to

2065
01:42:38,000 --> 01:42:42,880
Speaker 3: play Young Gul? I hit Goo Goo is busy Goo

2066
01:42:43,160 --> 01:42:44,599
Speaker 3: is a college professor.

2067
01:42:45,560 --> 01:42:49,040
Speaker 1: All of the things, man, Because some of these characters,

2068
01:42:49,320 --> 01:42:50,880
Speaker 1: I felt like war was available.

2069
01:42:52,080 --> 01:42:56,080
Speaker 3: Yeah, it's like he hit drink Champs and they were not.

2070
01:42:57,880 --> 01:42:58,880
Speaker 3: So you gotta understand it too.

2071
01:42:59,640 --> 01:43:03,240
Speaker 6: I'm I'm spending my own money, right, and we got

2072
01:43:03,360 --> 01:43:07,240
Speaker 6: to work within a certain window when we have everybody available, right,

2073
01:43:07,400 --> 01:43:10,400
Speaker 6: I can't chase people down. I can't wait for one

2074
01:43:10,479 --> 01:43:12,439
Speaker 6: person type of dun. We gotta just we gotta go,

2075
01:43:13,040 --> 01:43:14,800
Speaker 6: you know what I mean. So it was a lot

2076
01:43:14,840 --> 01:43:17,840
Speaker 6: of that too. But I mean, look, everybody, I would

2077
01:43:17,840 --> 01:43:22,599
Speaker 6: say about ninety of the whole movie was my first choice.

2078
01:43:22,760 --> 01:43:24,679
Speaker 1: Was it was people that I saw that I wanted

2079
01:43:24,760 --> 01:43:25,840
Speaker 1: in these in these roles.

2080
01:43:26,120 --> 01:43:30,240
Speaker 6: I always saw Cedric as Biggie always because he's, first

2081
01:43:30,280 --> 01:43:32,040
Speaker 6: of all, he's one of the greatest comedians, I mean,

2082
01:43:32,080 --> 01:43:32,759
Speaker 6: of our generation.

2083
01:43:32,960 --> 01:43:35,920
Speaker 1: But to play the Biggie role, me and him playing

2084
01:43:35,920 --> 01:43:37,680
Speaker 1: off of each other is did he do something to

2085
01:43:37,720 --> 01:43:40,000
Speaker 1: make his voice that way, like something specifically. No, he

2086
01:43:40,120 --> 01:43:41,920
Speaker 1: just that was naturally he was able to do that.

2087
01:43:42,240 --> 01:43:43,040
Speaker 3: Yeah. He just came in.

2088
01:43:43,439 --> 01:43:46,680
Speaker 2: We had had for thirty minutes for said he was

2089
01:43:46,720 --> 01:43:50,639
Speaker 2: coming off doing his TV. Came from the dress already

2090
01:43:50,720 --> 01:43:54,240
Speaker 2: dressed adady. We had everything lit ready, just like how

2091
01:43:54,280 --> 01:43:55,040
Speaker 2: you guys have him.

2092
01:43:55,360 --> 01:43:58,639
Speaker 3: We sat down and it was like we walked about

2093
01:43:58,640 --> 01:44:01,680
Speaker 3: it just I could see this. I can see as

2094
01:44:01,720 --> 01:44:02,760
Speaker 3: you said, I see it.

2095
01:44:03,080 --> 01:44:05,000
Speaker 6: So it's me doing the Biggie voice on the track

2096
01:44:05,280 --> 01:44:09,120
Speaker 6: on the rat but the credits yeah yeah yeah, but

2097
01:44:09,400 --> 01:44:10,760
Speaker 6: now he did that, that's all him.

2098
01:44:10,880 --> 01:44:14,479
Speaker 5: And then Biggie and Jay talking about Brooklyn's funds.

2099
01:44:14,520 --> 01:44:17,720
Speaker 3: It's hilarious yea. And then you made your fade. You

2100
01:44:17,840 --> 01:44:18,519
Speaker 3: made your fade.

2101
01:44:18,760 --> 01:44:23,479
Speaker 1: Yeah, I got hair and makeup team, man, Karon, your

2102
01:44:23,560 --> 01:44:26,800
Speaker 1: hair makeup team was that it was on it. You

2103
01:44:27,200 --> 01:44:29,080
Speaker 1: felt like you was really back in the day though,

2104
01:44:29,080 --> 01:44:31,720
Speaker 1: when you like each era felt right, like the Big

2105
01:44:31,800 --> 01:44:36,080
Speaker 1: Daddy main scene. Big Daddy came MC hammer, we hit

2106
01:44:36,479 --> 01:44:37,280
Speaker 1: Latifa Light.

2107
01:44:37,520 --> 01:44:40,439
Speaker 6: We we we wanted to make sure we we kept

2108
01:44:40,479 --> 01:44:42,479
Speaker 6: it as authentic as possible to make you feel like

2109
01:44:42,560 --> 01:44:44,040
Speaker 6: you was taking a journey throughout time.

2110
01:44:44,560 --> 01:44:47,200
Speaker 3: And is it true that you had MC light come

2111
01:44:47,280 --> 01:44:48,840
Speaker 3: in and we make the rect one.

2112
01:44:49,880 --> 01:44:53,080
Speaker 1: Not only is it true that we made the record,

2113
01:44:53,400 --> 01:44:57,599
Speaker 1: you were actually in the studio actually did it absolutely? Yeah, yeah,

2114
01:45:00,200 --> 01:45:03,439
Speaker 1: Yo Light is I know people throw around the word

2115
01:45:03,720 --> 01:45:05,040
Speaker 1: that's my big sis, that's my big bro.

2116
01:45:05,680 --> 01:45:08,200
Speaker 3: She's really big cists like she really looks out. She's

2117
01:45:08,400 --> 01:45:09,240
Speaker 3: a heart of goal.

2118
01:45:11,040 --> 01:45:14,519
Speaker 6: And she's just very supportive, like whatever I need it

2119
01:45:14,680 --> 01:45:16,519
Speaker 6: she was like, no, you if you need that song,

2120
01:45:16,840 --> 01:45:19,080
Speaker 6: I figure out how we can make it work and

2121
01:45:19,120 --> 01:45:21,240
Speaker 6: shout out to my man Focus who redid the beat

2122
01:45:21,320 --> 01:45:24,120
Speaker 6: a big record big so he replayed.

2123
01:45:23,720 --> 01:45:26,280
Speaker 3: Everything live and it sounds just like the original ship.

2124
01:45:26,400 --> 01:45:28,680
Speaker 1: So she said it, but but it's different. The only

2125
01:45:28,760 --> 01:45:31,160
Speaker 1: difference is like a hip hop story at the beginning.

2126
01:45:30,920 --> 01:45:34,920
Speaker 3: I asked her to do because I think about it,

2127
01:45:34,920 --> 01:45:36,400
Speaker 3: She's one of the most iconic.

2128
01:45:36,200 --> 01:45:39,759
Speaker 5: Voices, and right now she's voicing everything, which is amazing, That's.

2129
01:45:39,640 --> 01:45:40,160
Speaker 3: What I'm saying.

2130
01:45:40,560 --> 01:45:42,840
Speaker 1: And her voice was already original, right and now she's

2131
01:45:42,920 --> 01:45:43,559
Speaker 1: voiced female.

2132
01:45:43,600 --> 01:45:52,000
Speaker 3: Samuel Jackson right now with the voice overs man with

2133
01:45:52,120 --> 01:45:56,960
Speaker 3: the voice you know how everything he doesn't do it

2134
01:45:57,120 --> 01:46:02,760
Speaker 3: as many voices. Mama, your min mama is mine.

2135
01:46:05,320 --> 01:46:10,439
Speaker 1: Because I was like, wait, what Samuel j Man was

2136
01:46:10,640 --> 01:46:15,040
Speaker 1: he got Capital one and some ship. Yeah, and he

2137
01:46:15,200 --> 01:46:16,519
Speaker 1: was in your show to you hit him with the

2138
01:46:16,560 --> 01:46:20,920
Speaker 1: golf balls, Tiger Woods Wolde shout out to.

2139
01:46:20,920 --> 01:46:22,439
Speaker 2: All of the your shout out the light and the

2140
01:46:22,479 --> 01:46:24,120
Speaker 2: people who came in and lock at the end of

2141
01:46:24,200 --> 01:46:24,559
Speaker 2: the movie.

2142
01:46:25,040 --> 01:46:25,280
Speaker 3: That was.

2143
01:46:27,120 --> 01:46:33,439
Speaker 7: Yeah, yeah, yeah, what the show that Charlie my show, and.

2144
01:46:33,720 --> 01:46:36,920
Speaker 5: They always I figured that's where it was, Yeah, did

2145
01:46:36,960 --> 01:46:39,519
Speaker 5: you guys ever having the script anything having to do

2146
01:46:39,560 --> 01:46:42,320
Speaker 5: with Park because I felt that that was the only

2147
01:46:42,960 --> 01:46:44,679
Speaker 5: one that might have made sense.

2148
01:46:44,520 --> 01:46:46,720
Speaker 2: To I got one more that I felt that hip

2149
01:46:46,720 --> 01:46:49,080
Speaker 2: hop is so big, there's so much story to telling

2150
01:46:49,200 --> 01:46:51,559
Speaker 2: him that you can't put it all in one ninety minute.

2151
01:46:52,720 --> 01:46:56,360
Speaker 3: There's a lot of people also, got one more.

2152
01:46:56,520 --> 01:47:02,160
Speaker 6: Yeah, people that we can can insanely portray, because it's

2153
01:47:02,280 --> 01:47:05,000
Speaker 6: all kinds of people that would watch this movie, Like

2154
01:47:05,040 --> 01:47:05,840
Speaker 6: why they didn't do me?

2155
01:47:06,720 --> 01:47:08,599
Speaker 3: Grant Masters, isn't it? How Melly Mail?

2156
01:47:08,680 --> 01:47:08,920
Speaker 5: Isn't it?

2157
01:47:09,360 --> 01:47:12,439
Speaker 3: Who are ogs? They are the building blocks of this thing.

2158
01:47:12,720 --> 01:47:15,280
Speaker 6: But we wanted to make sure we could convincingly look

2159
01:47:15,400 --> 01:47:18,640
Speaker 6: like them, sound like them, and you know, just we

2160
01:47:18,800 --> 01:47:20,760
Speaker 6: just wanted to tell the story that we wanted to tell.

2161
01:47:20,880 --> 01:47:24,760
Speaker 6: But we're not trying to exclude anybody for any particular reason.

2162
01:47:24,800 --> 01:47:29,040
Speaker 6: It's just we have limited resources, and.

2163
01:47:29,280 --> 01:47:33,080
Speaker 1: Uh time, there was one character part eighteen.

2164
01:47:33,680 --> 01:47:35,040
Speaker 3: There's a lot of stories character.

2165
01:47:35,160 --> 01:47:37,800
Speaker 1: I was like, damn, why they ain't have that at

2166
01:47:37,840 --> 01:47:42,200
Speaker 1: this particular moment that's when you said hip hop is Dad?

2167
01:47:43,000 --> 01:47:46,280
Speaker 3: I felt like NAS should have been there at some

2168
01:47:46,520 --> 01:47:49,479
Speaker 3: point saying that. So it's funny, Well, shit, if I

2169
01:47:49,479 --> 01:47:53,439
Speaker 3: could have you, you can't blame us. This is the thing.

2170
01:47:53,600 --> 01:47:56,920
Speaker 1: Nas has always asked me to do an impression to him,

2171
01:47:56,920 --> 01:47:59,360
Speaker 1: because like, why how you ain't doing an impression me

2172
01:48:00,040 --> 01:48:02,080
Speaker 1: and I did the voiceover. I did a couple of

2173
01:48:02,120 --> 01:48:06,080
Speaker 1: cartoons with him and jay on on on I g

2174
01:48:06,840 --> 01:48:08,639
Speaker 1: and he heard that he was he was dying laughing

2175
01:48:08,680 --> 01:48:09,120
Speaker 1: at the ship.

2176
01:48:09,200 --> 01:48:11,200
Speaker 3: But Nas is a hard needed to get a hold of.

2177
01:48:11,479 --> 01:48:15,679
Speaker 1: Oh yeah, and again if we we we we gotta

2178
01:48:15,680 --> 01:48:18,639
Speaker 1: shoot within this window because think about.

2179
01:48:18,439 --> 01:48:21,479
Speaker 6: A movie, right. We have to rent the location. It

2180
01:48:21,600 --> 01:48:23,560
Speaker 6: all has to be available when we need it. But

2181
01:48:23,920 --> 01:48:27,000
Speaker 6: we have to rent the cameras, we have to pay

2182
01:48:27,040 --> 01:48:30,360
Speaker 6: the crew, we gotta feed people. It's so mainly Union.

2183
01:48:30,439 --> 01:48:31,720
Speaker 6: You were saying, I saw at the end of the

2184
01:48:31,800 --> 01:48:39,120
Speaker 6: second dot every every t and so yeah, we don't

2185
01:48:39,240 --> 01:48:43,479
Speaker 6: we Unfortunately, we can't just wait for whoever.

2186
01:48:43,560 --> 01:48:45,000
Speaker 3: What did you reach out to him for this?

2187
01:48:46,000 --> 01:48:46,040
Speaker 4: No?

2188
01:48:46,320 --> 01:48:49,320
Speaker 1: I never saw Nas in it. No, I mean I

2189
01:48:49,439 --> 01:48:51,800
Speaker 1: saw a version of Nas in it where it said

2190
01:48:51,840 --> 01:48:55,240
Speaker 1: hip hop is over. Like maybe for one second you

2191
01:48:55,280 --> 01:48:57,479
Speaker 1: could have had to have move part on. I don't

2192
01:48:57,479 --> 01:48:59,560
Speaker 1: think I would pay it, guys, to be able to

2193
01:48:59,600 --> 01:49:02,040
Speaker 1: be to portray him on if you.

2194
01:49:02,080 --> 01:49:06,479
Speaker 3: Know you like sir, That don't mean I look like you,

2195
01:49:07,880 --> 01:49:10,960
Speaker 3: but you made it work. You made it work. Your

2196
01:49:11,000 --> 01:49:12,360
Speaker 3: makeup team what's their name again?

2197
01:49:14,920 --> 01:49:25,479
Speaker 6: Again favorite, the audience goes up for the Drake was

2198
01:49:28,680 --> 01:49:30,640
Speaker 6: again shout out the focus man. He was like it

2199
01:49:30,720 --> 01:49:32,320
Speaker 6: was in the studio, he said, y'all want to break

2200
01:49:32,360 --> 01:49:35,560
Speaker 6: the beat down right here? He did that ship, He

2201
01:49:35,680 --> 01:49:37,720
Speaker 6: played that R and B ship. He made that s

2202
01:49:37,840 --> 01:49:41,080
Speaker 6: in like three minutes. Wow, but it was perfect And

2203
01:49:41,160 --> 01:49:42,880
Speaker 6: the audience goes nuts every time.

2204
01:49:42,960 --> 01:49:47,280
Speaker 3: That's part imagine that. So how do you guys feel? Man?

2205
01:49:48,760 --> 01:49:51,240
Speaker 1: Man, we we're on a cloud right now for so

2206
01:49:51,720 --> 01:49:56,280
Speaker 1: not just because I'm contact high, but yeah, I'm just

2207
01:49:56,320 --> 01:50:01,000
Speaker 1: giving probably yeah, give him a shot just because.

2208
01:50:01,080 --> 01:50:03,639
Speaker 2: Just like a full circle moment, you know what I mean,

2209
01:50:03,760 --> 01:50:05,360
Speaker 2: when you work so hard to try to get to

2210
01:50:05,439 --> 01:50:08,680
Speaker 2: this point to let the world see your vision and

2211
01:50:09,040 --> 01:50:11,160
Speaker 2: your content and the stuff you want to do, you

2212
01:50:11,240 --> 01:50:11,680
Speaker 2: know what I mean?

2213
01:50:11,880 --> 01:50:13,960
Speaker 7: So if it feels you know, we don't fly out

2214
01:50:14,000 --> 01:50:14,600
Speaker 7: nine right and we.

2215
01:50:14,800 --> 01:50:16,760
Speaker 6: And we did a movie with our friends, like I

2216
01:50:16,920 --> 01:50:20,040
Speaker 6: was able to work with my guys like this is

2217
01:50:20,120 --> 01:50:24,000
Speaker 6: my guy, Jevin Smith, that's my dude, Charlie Mack that's big, bro.

2218
01:50:24,640 --> 01:50:27,400
Speaker 6: Charlie is the connector. He makes every call that we need,

2219
01:50:27,600 --> 01:50:32,160
Speaker 6: and he's positioning us. Honestly, he's positioning us on some

2220
01:50:32,320 --> 01:50:34,800
Speaker 6: will Smith shit I love, on some Martin Lawren shit.

2221
01:50:34,920 --> 01:50:37,280
Speaker 6: Like he's really trying to make sure he grooms us

2222
01:50:37,400 --> 01:50:42,280
Speaker 6: for the success that we've worked hard for, you know

2223
01:50:42,320 --> 01:50:42,680
Speaker 6: what I mean.

2224
01:50:43,160 --> 01:50:44,920
Speaker 3: And so we're always.

2225
01:50:46,080 --> 01:50:50,240
Speaker 1: Around those caliber of people or that caliber of people

2226
01:50:50,680 --> 01:50:55,840
Speaker 1: because of Charlie, and we're able to like just have

2227
01:50:56,160 --> 01:50:58,800
Speaker 1: to ask questions and talk to them about the movie

2228
01:50:58,840 --> 01:50:59,400
Speaker 1: making business.

2229
01:50:59,439 --> 01:50:59,960
Speaker 7: You know what I'm saying.

2230
01:51:00,040 --> 01:51:02,080
Speaker 3: I'm not gonna lie. When Charlie hit me, I said,

2231
01:51:02,120 --> 01:51:05,960
Speaker 3: did we do something wrong? He speak to you? I'm like,

2232
01:51:06,160 --> 01:51:08,920
Speaker 3: what the fuck did we say? What did we want

2233
01:51:08,960 --> 01:51:09,240
Speaker 3: to say?

2234
01:51:09,240 --> 01:51:09,920
Speaker 4: What said?

2235
01:51:10,439 --> 01:51:12,200
Speaker 1: When Charlie hit me, I was like listen, because you

2236
01:51:12,240 --> 01:51:14,439
Speaker 1: know Chris Rock said drink Champs called him a bitch.

2237
01:51:14,479 --> 01:51:16,599
Speaker 1: I said, I ain't got that was a lot drink

2238
01:51:16,680 --> 01:51:21,320
Speaker 1: Champs never called Chris Rock, I mean Willisonier bitch. Oh yeah,

2239
01:51:21,760 --> 01:51:24,280
Speaker 1: I told Charlie to call you all. That's what Chris

2240
01:51:24,400 --> 01:51:26,240
Speaker 1: Rock said on the special. By the way, we love

2241
01:51:26,320 --> 01:51:29,560
Speaker 1: the shout out. It just we didn't say that. No

2242
01:51:30,439 --> 01:51:33,280
Speaker 1: club who said that. I told Charlie to call you. Yeah,

2243
01:51:33,800 --> 01:51:36,200
Speaker 1: because again me and you talk random hours. But just

2244
01:51:36,240 --> 01:51:37,760
Speaker 1: tell you you don't always answer my call when I

2245
01:51:37,800 --> 01:51:39,640
Speaker 1: tell you how. Let me tell you how gangster Charlie is.

2246
01:51:41,760 --> 01:51:47,080
Speaker 1: We're coming back from Leo cons Flex ship. We got

2247
01:51:47,120 --> 01:51:49,240
Speaker 1: the private plane Flex the grad Man.

2248
01:51:51,479 --> 01:51:53,400
Speaker 3: That was the most hip hop plane. That was the

2249
01:51:53,479 --> 01:51:54,960
Speaker 3: most hip hop. And I saw you that night.

2250
01:51:55,640 --> 01:52:00,439
Speaker 1: I'm sitting there, Charlie. The only niggas film body don't

2251
01:52:00,439 --> 01:52:05,439
Speaker 1: say ship niggas like man, that's that's Charlie Man. That's

2252
01:52:05,520 --> 01:52:09,280
Speaker 1: Charlie man. Man trying to get up on anybody here.

2253
01:52:09,840 --> 01:52:13,760
Speaker 1: He's he's trying to document the motherfucking moment. And nobody said,

2254
01:52:13,920 --> 01:52:16,799
Speaker 1: I've never seen this before in my life, like nobody.

2255
01:52:17,000 --> 01:52:18,599
Speaker 3: He didn't care. He was just he was just filming

2256
01:52:18,840 --> 01:52:23,639
Speaker 3: every moment. Charlie was rock taking the ship. That's kind.

2257
01:52:26,160 --> 01:52:26,560
Speaker 5: And I do.

2258
01:52:26,720 --> 01:52:29,280
Speaker 1: That's what I said. This nigga is super, super super,

2259
01:52:29,960 --> 01:52:33,000
Speaker 1: by the way, been for years, been for years, such

2260
01:52:33,040 --> 01:52:36,960
Speaker 1: a great guy. God damn it.

2261
01:52:37,520 --> 01:52:38,800
Speaker 3: We don't know if he want to be on camera

2262
01:52:38,920 --> 01:52:42,720
Speaker 3: or not. We don't know. You don't know, pup, you

2263
01:52:42,760 --> 01:52:45,160
Speaker 3: can pull up, yeah, come on if you want to

2264
01:52:45,200 --> 01:52:47,559
Speaker 3: come on. Pull up, pull up. We got chairs. We're

2265
01:52:47,560 --> 01:52:47,960
Speaker 3: gonna make it.

2266
01:52:48,000 --> 01:52:48,760
Speaker 7: We're gonna make it happen.

2267
01:52:49,680 --> 01:52:49,920
Speaker 4: Come on.

2268
01:52:51,360 --> 01:52:54,559
Speaker 3: He definitely need a little chair. He needs a big chere.

2269
01:52:56,240 --> 01:52:56,400
Speaker 4: Chair.

2270
01:52:57,760 --> 01:52:59,000
Speaker 3: What's happening? What's going on?

2271
01:52:59,280 --> 01:52:59,600
Speaker 1: Going on?

2272
01:52:59,800 --> 01:52:59,960
Speaker 3: Man?

2273
01:53:00,080 --> 01:53:07,760
Speaker 4: Listen man, Noriyah, yeah you you you Yes, they say

2274
01:53:07,800 --> 01:53:10,519
Speaker 4: life imitates art, that we was on the true soul plane.

2275
01:53:10,560 --> 01:53:12,400
Speaker 4: Huh yeah, that was the true song plane. That like

2276
01:53:12,479 --> 01:53:14,280
Speaker 4: the moments, you know what I mean, you know they're

2277
01:53:14,280 --> 01:53:15,840
Speaker 4: gonna be created. But that was a moment in the sky.

2278
01:53:16,000 --> 01:53:17,360
Speaker 4: It was so badful, beautiful.

2279
01:53:17,920 --> 01:53:18,360
Speaker 3: She didn't know.

2280
01:53:19,240 --> 01:53:21,559
Speaker 4: I sure didn't know. Yes, people was on the plane,

2281
01:53:21,560 --> 01:53:22,800
Speaker 4: was gonna be on the plane. I think it was

2282
01:53:22,880 --> 01:53:24,880
Speaker 4: just me and Leora. It was like you fly on

2283
01:53:24,920 --> 01:53:28,559
Speaker 4: the paneky, cool, let's go. I'm like, Nori, yes, Eric sermon,

2284
01:53:31,000 --> 01:53:33,280
Speaker 4: it was that was That was when I say a moment.

2285
01:53:33,600 --> 01:53:37,200
Speaker 4: I had many moments, but that was a moment. Listen, listen,

2286
01:53:37,600 --> 01:53:40,519
Speaker 4: red MANA. Jeff was from the video in the air. Yes,

2287
01:53:40,720 --> 01:53:41,280
Speaker 4: but we're sitting.

2288
01:53:42,160 --> 01:53:47,360
Speaker 3: I believe it was Kane who who d J making.

2289
01:53:47,680 --> 01:53:49,200
Speaker 3: I think you know he was the DP. He was

2290
01:53:49,240 --> 01:53:51,519
Speaker 3: the DP. He was camera. Okay, he's holding the camera

2291
01:53:52,640 --> 01:53:53,400
Speaker 3: holding the cameras kicking.

2292
01:53:53,479 --> 01:53:56,679
Speaker 1: Pree that was kicking might have been playing with DJ okay, okay, yeah,

2293
01:53:56,880 --> 01:53:58,599
Speaker 1: and I'm like, I'm just sitting there.

2294
01:53:58,680 --> 01:54:00,719
Speaker 3: This was a great hip hop moment.

2295
01:54:01,439 --> 01:54:03,960
Speaker 1: So you know, Lee all gets a lot of slack

2296
01:54:04,120 --> 01:54:06,840
Speaker 1: from certain people in certain areas, and I wanted to big.

2297
01:54:07,840 --> 01:54:09,360
Speaker 3: I love Lee, you know what I mean?

2298
01:54:12,920 --> 01:54:18,800
Speaker 1: So so so okay, you guys got the script. What

2299
01:54:19,000 --> 01:54:23,200
Speaker 1: makes y'all say me bring Charlie mack in Charlie's hip hop? Yeah,

2300
01:54:23,560 --> 01:54:25,960
Speaker 1: Charlie hip hop. He's always been like a big brother

2301
01:54:26,040 --> 01:54:29,479
Speaker 1: to me. I mean we again, how yeah, I'm so

2302
01:54:29,600 --> 01:54:32,880
Speaker 1: connected through no comedy club. He was at the Laugh

2303
01:54:32,960 --> 01:54:36,360
Speaker 1: Factory in Hollywood. I said, what's up to him? At

2304
01:54:36,360 --> 01:54:38,160
Speaker 1: the time, he didn't know who I was. So when

2305
01:54:38,200 --> 01:54:41,640
Speaker 1: I sugar his hand, he kept the lockout, like you know,

2306
01:54:41,760 --> 01:54:42,960
Speaker 1: he the giant.

2307
01:54:43,200 --> 01:54:43,600
Speaker 5: He gave.

2308
01:54:47,400 --> 01:54:49,880
Speaker 4: And uh, bro your brother and every since don't love

2309
01:54:49,920 --> 01:54:51,720
Speaker 4: you right, so you can't bring people in you.

2310
01:54:52,600 --> 01:54:53,000
Speaker 3: I love it.

2311
01:54:53,280 --> 01:54:56,000
Speaker 1: But then a couple of weeks after that, he reached

2312
01:54:56,040 --> 01:54:59,640
Speaker 1: out because d J d Reck from Wilding Out Out

2313
01:55:00,040 --> 01:55:00,840
Speaker 1: Shout Out to Direct.

2314
01:55:01,640 --> 01:55:02,640
Speaker 3: He reached out and said.

2315
01:55:02,560 --> 01:55:04,200
Speaker 1: Charlie might want to get ahold of you for his

2316
01:55:04,320 --> 01:55:05,840
Speaker 1: party for Peace Weekends in Philly.

2317
01:55:06,520 --> 01:55:09,400
Speaker 3: So I ended up going out to maybe six of those.

2318
01:55:10,560 --> 01:55:12,960
Speaker 4: Everyone that I had every weekend I have, yeah, and uh,

2319
01:55:13,240 --> 01:55:16,160
Speaker 4: that's real weekend in party for Peace Weekend.

2320
01:55:16,720 --> 01:55:17,200
Speaker 7: Yeah, it was.

2321
01:55:17,600 --> 01:55:19,520
Speaker 1: He had everybody out there and the first one was

2322
01:55:19,640 --> 01:55:22,880
Speaker 1: like Will and Jada was there, t Sha Campbell to

2323
01:55:23,000 --> 01:55:23,800
Speaker 1: Sheena Arnold.

2324
01:55:24,320 --> 01:55:27,440
Speaker 3: Everybody was one hundred celebrities over a three day weekend.

2325
01:55:28,480 --> 01:55:33,200
Speaker 1: Run run like it was ridiculous. But it was through

2326
01:55:33,280 --> 01:55:35,360
Speaker 1: that that, you know, we were just able to connect

2327
01:55:35,400 --> 01:55:37,640
Speaker 1: and just you know, outside of the industry and just

2328
01:55:37,720 --> 01:55:40,840
Speaker 1: have real conversations. And we just created a friendship and

2329
01:55:40,880 --> 01:55:45,320
Speaker 1: a brotherhood and I respect him. We literally could talk

2330
01:55:45,320 --> 01:55:48,440
Speaker 1: about whatever and and so that's that's how I gauged

2331
01:55:48,480 --> 01:55:49,680
Speaker 1: my industry relationships.

2332
01:55:50,080 --> 01:55:52,400
Speaker 6: I don't like users. I don't like people that want

2333
01:55:52,440 --> 01:55:55,560
Speaker 6: to use me to get to somebody else. So the

2334
01:55:55,640 --> 01:55:58,600
Speaker 6: fact that we can talk about whatever, and this is

2335
01:55:58,680 --> 01:56:01,520
Speaker 6: the first time we've done bus together, That's that's how

2336
01:56:01,600 --> 01:56:03,520
Speaker 6: real our friendship is. You know what I'm saying, Like

2337
01:56:03,560 --> 01:56:05,400
Speaker 6: he's he's brought me around the Will camp and all

2338
01:56:05,400 --> 01:56:07,440
Speaker 6: that kind of stuff, and most people clamor for that, right,

2339
01:56:07,760 --> 01:56:09,920
Speaker 6: But I've never asked him. He always reaches out to

2340
01:56:10,000 --> 01:56:11,640
Speaker 6: me and says, yo, man, come to this premiere, come

2341
01:56:11,680 --> 01:56:15,280
Speaker 6: to whatever this event. But I don't ask Charlie for anything.

2342
01:56:15,400 --> 01:56:17,200
Speaker 6: This is the first time that I was like, Yo, Charlie,

2343
01:56:17,280 --> 01:56:20,480
Speaker 6: we got this movie that I think you'd be interested in.

2344
01:56:20,920 --> 01:56:23,680
Speaker 3: And once he listen after you filmed a Pride to

2345
01:56:23,720 --> 01:56:24,320
Speaker 3: you film prior?

2346
01:56:24,920 --> 01:56:28,240
Speaker 6: Yeah, Yeah, because he was on set for every every day,

2347
01:56:28,360 --> 01:56:31,080
Speaker 6: especially the first half of what we shot. Charlie was

2348
01:56:31,120 --> 01:56:34,240
Speaker 6: there and because he experienced a lot of this stuff,

2349
01:56:34,520 --> 01:56:35,600
Speaker 6: he was there for it.

2350
01:56:36,640 --> 01:56:39,440
Speaker 1: It was nostalgia for him. He was on set like

2351
01:56:40,120 --> 01:56:43,120
Speaker 1: a kid, and the kid he stought. His camera was out,

2352
01:56:43,200 --> 01:56:43,720
Speaker 1: his phone.

2353
01:56:43,600 --> 01:56:46,120
Speaker 3: Was out, and he was documenting everything, like said ship like.

2354
01:56:47,720 --> 01:56:50,120
Speaker 2: He was my dialogue coach for all the freeway throway

2355
01:56:50,160 --> 01:56:52,280
Speaker 2: stuff I did, and he was doing everything.

2356
01:56:52,400 --> 01:56:52,760
Speaker 3: Every line.

2357
01:56:53,000 --> 01:56:56,280
Speaker 2: Make sure you sound like making sure you can't say John,

2358
01:56:56,320 --> 01:56:59,200
Speaker 2: you gotta say John, you gotta say you.

2359
01:56:59,760 --> 01:57:01,640
Speaker 3: Young bull that stuff.

2360
01:57:01,680 --> 01:57:02,160
Speaker 4: You know what I mean?

2361
01:57:02,600 --> 01:57:04,840
Speaker 2: Radio could I was, I was saying radio. He said

2362
01:57:04,840 --> 01:57:06,960
Speaker 2: you got that radio. You got to like the way

2363
01:57:07,000 --> 01:57:08,600
Speaker 2: he was radio.

2364
01:57:08,760 --> 01:57:11,360
Speaker 3: So you know it was authentic Phillys. Yeah, man, And

2365
01:57:11,520 --> 01:57:16,160
Speaker 3: one of my early Will Smith's spoofs. He plays Charlie Mack.

2366
01:57:16,280 --> 01:57:18,560
Speaker 1: We did a Hancocks bool for years when Hancock.

2367
01:57:18,320 --> 01:57:20,480
Speaker 3: First came out, and at the end of it, I

2368
01:57:20,600 --> 01:57:21,680
Speaker 3: had him step in and do.

2369
01:57:21,840 --> 01:57:25,400
Speaker 6: Charlie Mack impression and then that's their connection out, know

2370
01:57:25,400 --> 01:57:27,400
Speaker 6: what I mean, He's like young, young Charlie.

2371
01:57:27,760 --> 01:57:29,560
Speaker 3: I'm cracking up. Yeah, definitely cracking up.

2372
01:57:29,680 --> 01:57:32,200
Speaker 1: Sure, So I mean Charlie because you know, because we

2373
01:57:32,360 --> 01:57:33,200
Speaker 1: want to tell the people.

2374
01:57:35,560 --> 01:57:37,320
Speaker 3: Yeah, yeah, your story as well.

2375
01:57:38,840 --> 01:57:40,680
Speaker 4: Hey man, you say you can write a book, and

2376
01:57:41,160 --> 01:57:43,120
Speaker 4: fortunately enough I did write a book. So I want

2377
01:57:43,120 --> 01:57:45,520
Speaker 4: to come back. You know, I made but again, you

2378
01:57:45,600 --> 01:57:48,440
Speaker 4: know what I mean. My story started nineteen seventy eight,

2379
01:57:49,280 --> 01:57:50,920
Speaker 4: what you know was being a street team.

2380
01:57:51,400 --> 01:57:52,440
Speaker 3: I was doing that for my uncle.

2381
01:57:52,600 --> 01:57:55,800
Speaker 4: Started a label called April Records in nineteen seventy eight. Wow,

2382
01:57:55,840 --> 01:57:57,680
Speaker 4: I was like a street team a cat for m

2383
01:57:58,040 --> 01:58:00,280
Speaker 4: fourteen years old. That was kind of what actually hit me.

2384
01:58:00,520 --> 01:58:02,240
Speaker 4: I did that in a house party and I was bit.

2385
01:58:02,360 --> 01:58:04,400
Speaker 4: I was like entertainment because I wanted to I wanted

2386
01:58:04,400 --> 01:58:05,080
Speaker 4: to play basketball.

2387
01:58:05,080 --> 01:58:05,200
Speaker 1: You know.

2388
01:58:05,400 --> 01:58:07,920
Speaker 4: Doctor J of course was in Philadelphia, me saying doctor J.

2389
01:58:08,160 --> 01:58:10,000
Speaker 4: I used to hang out with the Sixers. So all

2390
01:58:10,040 --> 01:58:11,920
Speaker 4: those moments you see there was clips. I was in

2391
01:58:12,000 --> 01:58:14,680
Speaker 4: the sixers, you know, at the spectrum seeing them. So

2392
01:58:14,800 --> 01:58:16,920
Speaker 4: for me, I thought it was basketball. But I seen

2393
01:58:17,040 --> 01:58:20,160
Speaker 4: I'm saying hip hop y figures. Hip Hop's nineteen seventy three.

2394
01:58:20,160 --> 01:58:22,560
Speaker 4: I'm eight years old now, I mean when hip hop

2395
01:58:22,640 --> 01:58:23,920
Speaker 4: was born, you know what I mean. So for me,

2396
01:58:24,000 --> 01:58:25,200
Speaker 4: it was like a love affair. And I said, I

2397
01:58:25,320 --> 01:58:27,840
Speaker 4: could never let down. Then then the opportunity to come

2398
01:58:27,880 --> 01:58:30,320
Speaker 4: from music, and he did R and B, but I signed.

2399
01:58:30,400 --> 01:58:32,840
Speaker 4: I signed the first rapper to the label. His name

2400
01:58:32,920 --> 01:58:36,360
Speaker 4: was Georgeous George. We did a record called cabbage Patch Fact.

2401
01:58:36,400 --> 01:58:38,200
Speaker 4: I remember the cabbage Patch Cames Up, came out, and

2402
01:58:38,280 --> 01:58:41,000
Speaker 4: I did a rooker called cabbage Patch Scratch. And that

2403
01:58:41,120 --> 01:58:43,360
Speaker 4: was like what actually got me into it. Because everybody

2404
01:58:43,400 --> 01:58:44,960
Speaker 4: thinks as Will and Jeff. It wasn't Will and Jeff.

2405
01:58:46,000 --> 01:58:46,400
Speaker 3: No, no, no.

2406
01:58:46,480 --> 01:58:48,160
Speaker 4: I I had already been in the business from seventy

2407
01:58:48,160 --> 01:58:49,960
Speaker 4: eight if my brother didn't come out to eighty six

2408
01:58:50,080 --> 01:58:50,800
Speaker 4: eighty seven.

2409
01:58:51,280 --> 01:58:53,360
Speaker 3: So I was already in the Yeah. So I was

2410
01:58:53,400 --> 01:58:55,520
Speaker 3: already in it. But I have a book coming. Who

2411
01:58:55,600 --> 01:58:58,160
Speaker 3: is Charlie Mack dot dot dot Mister Phillipia, Come on,

2412
01:58:58,240 --> 01:59:03,000
Speaker 3: let's make the first down, hope have me back.

2413
01:59:04,560 --> 01:59:12,600
Speaker 1: But let me ask you one more question. Philadelphia seems

2414
01:59:12,640 --> 01:59:14,320
Speaker 1: like a wow wow place.

2415
01:59:15,760 --> 01:59:20,120
Speaker 3: Like now. I don't know if it's always.

2416
01:59:19,880 --> 01:59:23,040
Speaker 1: Been like this. I mean since I've visited it, I've

2417
01:59:23,120 --> 01:59:25,959
Speaker 1: only been famous twenty five years.

2418
01:59:25,960 --> 01:59:28,160
Speaker 4: Only been famous twenty five years. Yea, yeah, yeah, I

2419
01:59:28,200 --> 01:59:30,000
Speaker 4: think it realized twenty five years ago.

2420
01:59:30,560 --> 01:59:34,400
Speaker 1: And I've never known Philly for not being like a

2421
01:59:34,440 --> 01:59:39,080
Speaker 1: little bit like crazy. Has it always been like this?

2422
01:59:39,440 --> 01:59:42,680
Speaker 4: Because I think I think everything is heightened today, Okay,

2423
01:59:42,720 --> 01:59:44,280
Speaker 4: we heightened, like you know what I mean, Like he.

2424
01:59:44,360 --> 01:59:46,920
Speaker 3: Was saying earlier, like yeah, like you're saying filmed.

2425
01:59:46,800 --> 01:59:48,760
Speaker 4: Yeah, what Will says the whole time, you know, I mean,

2426
01:59:48,880 --> 01:59:51,440
Speaker 4: racism didn't change, It just got filmed, you know what

2427
01:59:51,480 --> 01:59:53,760
Speaker 4: I mean. So I think the thing about is which

2428
01:59:53,800 --> 01:59:56,680
Speaker 4: is unfortunately because the drill rap I didn't realize it

2429
01:59:56,760 --> 02:00:00,160
Speaker 4: was basically like you kill rap, right, they actually talkalking

2430
02:00:00,200 --> 02:00:01,480
Speaker 4: about how they're going to kill you.

2431
02:00:01,600 --> 02:00:01,720
Speaker 7: Right.

2432
02:00:02,160 --> 02:00:04,440
Speaker 4: So I think everybody do things for clipbait, clickbait, you

2433
02:00:04,440 --> 02:00:06,000
Speaker 4: know what I mean. But again, you know in the

2434
02:00:06,080 --> 02:00:10,960
Speaker 4: movie they say, actually cut they get something, go home, Raby,

2435
02:00:11,000 --> 02:00:11,480
Speaker 4: don't go home.

2436
02:00:11,720 --> 02:00:14,040
Speaker 3: You know what I mean? When they when you murder somebody.

2437
02:00:14,360 --> 02:00:14,640
Speaker 3: That's it.

2438
02:00:14,880 --> 02:00:17,000
Speaker 4: And then that little kid, that little kid is going

2439
02:00:17,200 --> 02:00:19,320
Speaker 4: to the penitentiary, you know what I mean. So I

2440
02:00:19,400 --> 02:00:20,960
Speaker 4: think the thing about it is they don't think about

2441
02:00:21,000 --> 02:00:23,000
Speaker 4: it after the fact. They think about in the moment,

2442
02:00:23,200 --> 02:00:25,200
Speaker 4: and they want fames so bad that they willing to

2443
02:00:25,240 --> 02:00:27,840
Speaker 4: do whatever. That's the unfortunate thing. So, no, fell Off,

2444
02:00:27,880 --> 02:00:30,080
Speaker 4: You wasn't like that When I grew up. Violence was there,

2445
02:00:30,360 --> 02:00:32,360
Speaker 4: it just wasn't as prevalent as as today.

2446
02:00:32,960 --> 02:00:34,640
Speaker 1: That was one of the things that I wanted you

2447
02:00:34,760 --> 02:00:37,360
Speaker 1: to kind of focus on just a little more, was

2448
02:00:37,880 --> 02:00:43,000
Speaker 1: the young rap now of how they really murder killed

2449
02:00:43,120 --> 02:00:46,200
Speaker 1: rap right, Like it's really like, it's really like that now,

2450
02:00:46,360 --> 02:00:47,520
Speaker 1: Like what is it called drill?

2451
02:00:47,960 --> 02:00:50,720
Speaker 3: What you just said I just talked about doing. It's

2452
02:00:50,720 --> 02:00:51,200
Speaker 3: talked about.

2453
02:00:51,240 --> 02:00:55,560
Speaker 1: But what that characters that character, the young the young

2454
02:00:55,680 --> 02:00:59,040
Speaker 1: character that flex dropped the bombs one googie?

2455
02:00:59,400 --> 02:01:01,680
Speaker 3: Yeah, who who was he based on? Nobody?

2456
02:01:01,920 --> 02:01:06,160
Speaker 1: He's based on generations. Yeah, he's based on the generation.

2457
02:01:06,320 --> 02:01:09,480
Speaker 1: He's based on lazy rap.

2458
02:01:10,600 --> 02:01:14,200
Speaker 6: So it's not necessarily he's a representation of lazy raps.

2459
02:01:14,200 --> 02:01:18,960
Speaker 6: So it's not even necessarily young versus old. Because I

2460
02:01:19,040 --> 02:01:20,920
Speaker 6: say it all the time, there was garbage niggas in

2461
02:01:20,920 --> 02:01:21,720
Speaker 6: the eighties and nineties.

2462
02:01:21,760 --> 02:01:25,919
Speaker 3: Two you know what I mean. Yeah, so he represents

2463
02:01:26,040 --> 02:01:27,440
Speaker 3: lazy because his whole song is.

2464
02:01:27,520 --> 02:01:30,440
Speaker 1: Yeah, yeah, yeah right, and most people would say yeah,

2465
02:01:30,440 --> 02:01:31,720
Speaker 1: which first in this year is good.

2466
02:01:32,880 --> 02:01:36,560
Speaker 3: One. We just flipped what's popular now what's dope? Now?

2467
02:01:36,600 --> 02:01:39,600
Speaker 3: We would have never let certain things slide and assume

2468
02:01:39,680 --> 02:01:42,240
Speaker 3: that that's an Uzi verb jab. But it's not like

2469
02:01:42,760 --> 02:01:44,680
Speaker 3: Uzi is my guy, like some people.

2470
02:01:44,800 --> 02:01:47,440
Speaker 1: I was some people thinking it's Uzi and some people

2471
02:01:47,480 --> 02:01:51,560
Speaker 1: thinking it's twenty one because of the nah the thing

2472
02:01:51,640 --> 02:01:53,360
Speaker 1: in the middle. I wasn't even thinking about twenty one.

2473
02:01:53,400 --> 02:01:56,320
Speaker 1: That's funny. But no, I used Uzzi's the tempo of

2474
02:01:56,400 --> 02:01:58,240
Speaker 1: his beat because that was a popular song. And it

2475
02:01:58,320 --> 02:02:00,880
Speaker 1: takes this now because then he goes like yeah yeah.

2476
02:02:02,320 --> 02:02:04,560
Speaker 5: But then the dude in the when they're watching the

2477
02:02:04,640 --> 02:02:08,960
Speaker 5: video in the store, the TV in the store, the

2478
02:02:09,040 --> 02:02:10,080
Speaker 5: kids dancing, Yeah.

2479
02:02:10,320 --> 02:02:12,400
Speaker 1: But it leaves over for a sequel to right, and

2480
02:02:12,640 --> 02:02:17,360
Speaker 1: it also leaves over flects to respond because I sincerely,

2481
02:02:17,880 --> 02:02:21,839
Speaker 1: one million percent believe that funk Flex has never took Paola.

2482
02:02:22,280 --> 02:02:25,840
Speaker 1: It's never what took Paola. I'm just being honest again,

2483
02:02:26,600 --> 02:02:30,560
Speaker 1: Never I know it's a comedy. I know it's a comedy,

2484
02:02:30,640 --> 02:02:34,320
Speaker 1: but he might watch this and be like, you know,

2485
02:02:34,480 --> 02:02:37,840
Speaker 1: as a as a DJ, Like I'm just let me

2486
02:02:37,880 --> 02:02:40,680
Speaker 1: ask you. Yeah, like I know it's comedy, like somebody,

2487
02:02:40,720 --> 02:02:44,080
Speaker 1: but if somebody says yo, I paid, yeah, yeah, of

2488
02:02:44,160 --> 02:02:48,640
Speaker 1: course I'm gonna get on drinks pay yeah. Because the

2489
02:02:48,720 --> 02:02:51,680
Speaker 1: way that people perceive things. Yeah, And I'm telling you

2490
02:02:51,840 --> 02:02:56,240
Speaker 1: from what I know, everything I know, Funk Flexes never

2491
02:02:56,400 --> 02:02:57,560
Speaker 1: took money from no one.

2492
02:02:57,800 --> 02:02:58,800
Speaker 3: I promised that.

2493
02:02:59,080 --> 02:03:02,920
Speaker 6: I believe again from what I know, the movie Salt

2494
02:03:03,000 --> 02:03:08,000
Speaker 6: and people don't really work in Dina right right, influence work.

2495
02:03:10,800 --> 02:03:13,920
Speaker 3: Is not a school teacher. But let me just be

2496
02:03:14,280 --> 02:03:15,520
Speaker 3: advocate because.

2497
02:03:16,800 --> 02:03:19,720
Speaker 1: Part it's something that he's been accused of before.

2498
02:03:20,000 --> 02:03:22,400
Speaker 3: I don't know that. Yeah, so I could. I don't

2499
02:03:22,480 --> 02:03:27,200
Speaker 3: know that I can take all DJs have been. It's

2500
02:03:27,240 --> 02:03:29,720
Speaker 3: a radio thing. I used to be a radio DJ

2501
02:03:30,280 --> 02:03:35,680
Speaker 3: and Charlotte but so yeah, that's what that even that

2502
02:03:35,880 --> 02:03:37,760
Speaker 3: term because not even says Polo anymore.

2503
02:03:38,280 --> 02:03:44,320
Speaker 1: I know that term because exactly people let's say dream Champs.

2504
02:03:45,760 --> 02:03:50,200
Speaker 1: You cannot platform that that gets things out. People are like,

2505
02:03:50,360 --> 02:03:55,680
Speaker 1: if they don't get it becomes a conspiracy. Yeah, but

2506
02:03:55,800 --> 02:03:59,320
Speaker 1: by no means do we really believe or are we accusing?

2507
02:03:59,720 --> 02:04:02,960
Speaker 1: It's a comedy. And this is why I keep saying people,

2508
02:04:03,320 --> 02:04:06,200
Speaker 1: I want the freedom to be able to write now again.

2509
02:04:06,440 --> 02:04:08,560
Speaker 1: He has the right to feel whatever he want to feel,

2510
02:04:08,880 --> 02:04:11,360
Speaker 1: if he feels a way. I don't think he does,

2511
02:04:11,520 --> 02:04:12,760
Speaker 1: but because I'm spoken to him.

2512
02:04:12,840 --> 02:04:16,000
Speaker 3: But at the end of the day, I don't think

2513
02:04:16,280 --> 02:04:17,440
Speaker 3: he's done anything.

2514
02:04:17,480 --> 02:04:20,120
Speaker 1: He's just he just happened to be the relevant djail

2515
02:04:20,320 --> 02:04:22,760
Speaker 1: that I could, that I could use as a character.

2516
02:04:23,080 --> 02:04:25,240
Speaker 7: To make the point in the movie. But think about it,

2517
02:04:25,240 --> 02:04:26,120
Speaker 7: I don't think he will.

2518
02:04:26,440 --> 02:04:29,240
Speaker 1: But I think he's so engaged with like his haters

2519
02:04:29,800 --> 02:04:32,879
Speaker 1: and the people who don't like him, very engaged, very engaged,

2520
02:04:32,880 --> 02:04:36,160
Speaker 1: with a little bit tightened, so they will come back him.

2521
02:04:36,200 --> 02:04:38,720
Speaker 3: And then he'll might be like, man, why would these

2522
02:04:38,800 --> 02:04:42,880
Speaker 3: guys do that? And then he'll if you're watching, there's

2523
02:04:43,000 --> 02:04:46,360
Speaker 3: no you. I'm a fan.

2524
02:04:46,840 --> 02:04:49,520
Speaker 4: I supposed to. I called him up, I spoke to him. Okay,

2525
02:04:50,480 --> 02:04:52,520
Speaker 4: he said, whatever you need from me, yes, okay. That's

2526
02:04:52,560 --> 02:04:53,240
Speaker 4: what I think about.

2527
02:04:53,240 --> 02:04:55,720
Speaker 2: When was the last comedy that opened up this type

2528
02:04:55,720 --> 02:04:58,920
Speaker 2: of dog conversation about the whole post?

2529
02:04:58,960 --> 02:05:01,640
Speaker 3: And that's why hopefully not hip hop. You know, you

2530
02:05:01,800 --> 02:05:02,520
Speaker 3: know what, you know what?

2531
02:05:02,720 --> 02:05:05,160
Speaker 1: And this is just me being the devil's advocate advocate, right.

2532
02:05:06,680 --> 02:05:09,960
Speaker 1: I think Flex would have played himself. I think Joe

2533
02:05:10,000 --> 02:05:13,920
Speaker 1: Waddens would have played itself. I think whoever, I think

2534
02:05:14,000 --> 02:05:15,360
Speaker 1: most people would have played itself.

2535
02:05:15,400 --> 02:05:17,440
Speaker 3: What you need at the time, you.

2536
02:05:18,920 --> 02:05:22,120
Speaker 7: Don't love you? Yeah, yeah, you would have been funny,

2537
02:05:23,280 --> 02:05:26,160
Speaker 7: you know, a version of.

2538
02:05:26,200 --> 02:05:31,320
Speaker 3: Nord to come on like because he's already so.

2539
02:05:33,920 --> 02:05:42,080
Speaker 4: Characterstice you and then well you gotta play him.

2540
02:05:42,080 --> 02:05:43,959
Speaker 3: You gotta, you know what I mean, maybe.

2541
02:05:43,800 --> 02:05:45,880
Speaker 1: Have some approach on you, and you would have added

2542
02:05:45,920 --> 02:05:47,920
Speaker 1: more credibility to the old hip hop of it all.

2543
02:05:47,960 --> 02:05:50,160
Speaker 3: And it was me to me.

2544
02:05:51,920 --> 02:05:55,320
Speaker 1: I apologize because I was I was busy. I really

2545
02:05:55,360 --> 02:05:57,280
Speaker 1: wish I was a part of this. But even with

2546
02:05:57,480 --> 02:06:01,200
Speaker 1: us not being a part of I looked at this movie.

2547
02:06:01,880 --> 02:06:04,080
Speaker 1: I saw so I said by coming out. Hold On,

2548
02:06:04,120 --> 02:06:07,320
Speaker 1: hold on, I said, I saw no flaws in this,

2549
02:06:11,160 --> 02:06:14,640
Speaker 1: you know what I mean. I watched it and I'm

2550
02:06:14,680 --> 02:06:18,800
Speaker 1: a I'm a comedy guy, contrary part of belief. I

2551
02:06:19,000 --> 02:06:22,520
Speaker 1: love music and everything, but you ain't coming to my

2552
02:06:22,640 --> 02:06:23,840
Speaker 1: house listening to music.

2553
02:06:24,280 --> 02:06:25,400
Speaker 3: You come into my crib.

2554
02:06:26,320 --> 02:06:31,919
Speaker 1: I got motherfucking living color playing Seinfeld.

2555
02:06:31,640 --> 02:06:33,800
Speaker 3: Kirbyan, You've always shown me that respect.

2556
02:06:33,960 --> 02:06:34,120
Speaker 5: Dave.

2557
02:06:34,320 --> 02:06:37,720
Speaker 1: We first met like you love like Yo, you a

2558
02:06:37,880 --> 02:06:41,400
Speaker 1: bad comedy so I know you you rock with the

2559
02:06:42,440 --> 02:06:43,280
Speaker 1: with comedy world.

2560
02:06:43,320 --> 02:06:44,640
Speaker 3: You know, I live and.

2561
02:06:44,720 --> 02:06:49,080
Speaker 1: Breathe comedy maybe more than I live and brief hip

2562
02:06:49,080 --> 02:06:51,040
Speaker 1: hop because hip hop is just it just comes to me.

2563
02:06:51,320 --> 02:06:54,120
Speaker 1: But comedy, I gotta want to feel that moment. I

2564
02:06:54,200 --> 02:06:55,560
Speaker 1: gotta be wanting to be like, yo, you know what,

2565
02:06:56,440 --> 02:06:57,640
Speaker 1: let me let me go laugh.

2566
02:06:57,800 --> 02:07:00,840
Speaker 3: It's a release, Yeah, it's a release. He's a release.

2567
02:07:01,840 --> 02:07:03,080
Speaker 1: But do you feel like this is a movie that

2568
02:07:03,160 --> 02:07:07,200
Speaker 1: you would watch over and over like classic and stuff?

2569
02:07:07,200 --> 02:07:08,920
Speaker 3: I feel like you might miss what you want to watch.

2570
02:07:09,640 --> 02:07:13,000
Speaker 3: But I wanted to the boy I did this. I

2571
02:07:13,120 --> 02:07:15,120
Speaker 3: watched it for this interview. Other than that, I would

2572
02:07:15,160 --> 02:07:15,760
Speaker 3: have went to the movie.

2573
02:07:15,760 --> 02:07:17,880
Speaker 1: Did for sure, Like I swear to god, I'm like,

2574
02:07:18,320 --> 02:07:19,920
Speaker 1: I don't say it like that, but I'm flying to

2575
02:07:20,040 --> 02:07:21,280
Speaker 1: a movie to go see this.

2576
02:07:22,080 --> 02:07:28,440
Speaker 3: This is what happened. Damian John, Damon John, you know

2577
02:07:28,520 --> 02:07:29,560
Speaker 3: you know up everybody.

2578
02:07:34,640 --> 02:07:39,120
Speaker 1: So he said to me, they'll come come watch the

2579
02:07:39,200 --> 02:07:43,280
Speaker 1: premier of Bob Marley and I was like, Okay, that's

2580
02:07:43,320 --> 02:07:43,840
Speaker 1: some flash.

2581
02:07:44,160 --> 02:07:45,600
Speaker 3: We spoke to you when you were down Flash.

2582
02:07:45,760 --> 02:07:46,400
Speaker 7: So I came.

2583
02:07:46,520 --> 02:07:48,960
Speaker 3: I went, I watched not even the premier. He didn't

2584
02:07:48,960 --> 02:07:49,320
Speaker 3: even do it.

2585
02:07:49,800 --> 02:07:51,640
Speaker 1: I didn't even make it to the permier. He did

2586
02:07:51,720 --> 02:07:54,680
Speaker 1: a private screening of it, and I went to it,

2587
02:07:55,160 --> 02:07:57,400
Speaker 1: but I said, I felt like I'm not supporting the family.

2588
02:07:57,760 --> 02:07:59,400
Speaker 1: So I went and I went to see it on

2589
02:07:59,520 --> 02:08:01,920
Speaker 1: my own. And that's exactly how I feel about this movie.

2590
02:08:01,960 --> 02:08:04,360
Speaker 1: It's like, as much as we're here when we're doing it,

2591
02:08:04,680 --> 02:08:07,760
Speaker 1: and like we're helping each other, but it's like, I

2592
02:08:07,840 --> 02:08:10,040
Speaker 1: gotta go to the movie. So I don't know where

2593
02:08:10,080 --> 02:08:12,920
Speaker 1: the ship is playing out in Florida, but I'm driving

2594
02:08:13,160 --> 02:08:13,440
Speaker 1: the ship.

2595
02:08:13,480 --> 02:08:14,160
Speaker 3: It's still in the Miami.

2596
02:08:14,200 --> 02:08:17,560
Speaker 4: This we in Miami, and you want that, you want

2597
02:08:17,600 --> 02:08:26,960
Speaker 4: the experience of the theater. We ain't saying ship go Thursday.

2598
02:08:28,280 --> 02:08:35,400
Speaker 3: You're popping out drink Champs Avage people to the movies.

2599
02:08:35,400 --> 02:08:38,400
Speaker 3: Where'd you go? Let's get this stre drink Champs screen.

2600
02:08:39,640 --> 02:08:45,880
Speaker 3: I'm in, I'm in. Yeah, I do about the.

2601
02:08:48,520 --> 02:08:51,040
Speaker 2: Can I give a quick full circle moment real quickly? Okay,

2602
02:08:51,160 --> 02:08:55,840
Speaker 2: So I'm working at Rockefeller the camera man only I

2603
02:08:56,320 --> 02:08:59,080
Speaker 2: never did anything in the film business like that. Besides

2604
02:08:59,120 --> 02:09:01,320
Speaker 2: filming people. Chlodi B says, hey, I want you to

2605
02:09:01,400 --> 02:09:03,840
Speaker 2: go to the studio because he's there working on the

2606
02:09:03,880 --> 02:09:07,360
Speaker 2: album or project. I go to the studio studio, I

2607
02:09:07,440 --> 02:09:10,240
Speaker 2: meet you there, you on in there and the music

2608
02:09:10,320 --> 02:09:12,360
Speaker 2: comes on and the first thing I hear was if.

2609
02:09:12,240 --> 02:09:14,960
Speaker 7: I'm a nigga again and some nigga he was doing

2610
02:09:15,200 --> 02:09:15,720
Speaker 7: with p d Krack.

2611
02:09:18,160 --> 02:09:18,840
Speaker 3: That's a classic.

2612
02:09:19,400 --> 02:09:21,440
Speaker 2: And I met you and I said, hey, man, I'm

2613
02:09:21,560 --> 02:09:24,480
Speaker 2: an upcoming writer, filmmaker, all of this stuff, and I

2614
02:09:24,600 --> 02:09:26,600
Speaker 2: just want to get some knowledge. He looked at me

2615
02:09:26,600 --> 02:09:28,880
Speaker 2: and he says, Yo, I'm making I want to make

2616
02:09:28,920 --> 02:09:31,960
Speaker 2: a movie. And you're the first person that let me

2617
02:09:32,000 --> 02:09:33,280
Speaker 2: write a script for you for the first time.

2618
02:09:38,640 --> 02:09:46,080
Speaker 3: We're going because I remember, I mean, I remember gas,

2619
02:09:46,440 --> 02:09:49,440
Speaker 3: I remember the gas. Remember I'm not about that. Yeah,

2620
02:09:50,120 --> 02:09:52,560
Speaker 3: and you look extra cold. It's just.

2621
02:09:54,760 --> 02:09:58,600
Speaker 1: I don't know where you don't see me sweating? Yeah, yeah, yeah,

2622
02:09:58,680 --> 02:10:01,160
Speaker 1: I don't know if you a hole you with.

2623
02:10:02,920 --> 02:10:07,640
Speaker 3: Telling me I'm going.

2624
02:10:09,080 --> 02:10:12,680
Speaker 1: Drake sniggers because I begging you would feel this, because

2625
02:10:12,760 --> 02:10:14,040
Speaker 1: this this is my love of boys.

2626
02:10:14,880 --> 02:10:18,080
Speaker 3: This is Drake's exclusive night escort. I've been waiting for this.

2627
02:10:18,200 --> 02:10:24,800
Speaker 1: We show. Wherever did you I said, you know, I

2628
02:10:24,920 --> 02:10:27,520
Speaker 1: know y'all don't go to karate class. You Drake d

2629
02:10:27,680 --> 02:10:30,400
Speaker 1: j en Vy, y'all want of the same karate late

2630
02:10:30,480 --> 02:10:31,160
Speaker 1: street class.

2631
02:10:31,600 --> 02:10:32,880
Speaker 8: I know that, I know that.

2632
02:10:33,040 --> 02:10:33,520
Speaker 7: I heard it.

2633
02:10:33,720 --> 02:10:38,120
Speaker 1: I'm in a little bit. I'm on the other side

2634
02:10:38,160 --> 02:10:42,360
Speaker 1: of Luminadi. I'm the brownskin version. Charlie has seen some things. Yeah,

2635
02:10:42,360 --> 02:10:44,320
Speaker 1: he'll kick your head straight off. Yeah, yeah, I know

2636
02:10:44,440 --> 02:10:44,640
Speaker 1: he can.

2637
02:10:45,320 --> 02:10:45,800
Speaker 3: I know, I know.

2638
02:10:45,920 --> 02:10:47,480
Speaker 7: I've seen him in a many pocket yard.

2639
02:10:47,480 --> 02:10:50,880
Speaker 3: I know it's going down. I'm peaceful man. And you

2640
02:10:51,040 --> 02:10:53,960
Speaker 3: like Bruce Lee Love, that's a teacher.

2641
02:10:54,360 --> 02:10:58,960
Speaker 1: So you be fucking with Bruce Lee moves? What do

2642
02:10:59,000 --> 02:11:02,400
Speaker 1: you What do you doing boost leak class when you're

2643
02:11:02,400 --> 02:11:07,480
Speaker 1: win ship out of a nigga? Because I'm not, I'm not.

2644
02:11:08,480 --> 02:11:10,360
Speaker 1: I heard you say you don't want to fight at all.

2645
02:11:10,800 --> 02:11:12,280
Speaker 1: Now I also heard you say you would like to

2646
02:11:12,360 --> 02:11:14,680
Speaker 1: kick people's head off. So I'm confused.

2647
02:11:14,840 --> 02:11:18,960
Speaker 6: I have the ability to kick people's heads, but I don't. Yeah,

2648
02:11:19,560 --> 02:11:23,080
Speaker 6: but I don't. Yeah, I'm not at all.

2649
02:11:23,760 --> 02:11:26,360
Speaker 1: You know, Okay, I'm the guy who's gonna talk my

2650
02:11:26,400 --> 02:11:27,360
Speaker 1: way out of some ship at first.

2651
02:11:27,520 --> 02:11:33,240
Speaker 3: That's what a kick ass. I don't want to fight you, right,

2652
02:11:33,360 --> 02:11:35,160
Speaker 3: I'm about to get your head kicked off and keep

2653
02:11:35,160 --> 02:11:37,360
Speaker 3: your head in turn the person who is trying to

2654
02:11:37,360 --> 02:11:37,880
Speaker 3: stop a fight.

2655
02:11:38,360 --> 02:11:41,440
Speaker 6: Yeah, I get anxious when that that beef starts. I'm like, oh,

2656
02:11:42,160 --> 02:11:42,960
Speaker 6: this is about to happen.

2657
02:11:43,360 --> 02:11:47,440
Speaker 3: This is really But as long as you're talking, I'm

2658
02:11:47,480 --> 02:11:48,240
Speaker 3: not in any danger.

2659
02:11:48,960 --> 02:11:50,680
Speaker 1: The only time you're in danger is when a nigga

2660
02:11:50,920 --> 02:11:53,960
Speaker 1: is either pulling out something or if the fist is

2661
02:11:54,040 --> 02:11:56,840
Speaker 1: coming right towards your head or your face.

2662
02:11:57,520 --> 02:11:59,840
Speaker 6: You can say whatever you want from over there, right,

2663
02:12:00,120 --> 02:12:02,280
Speaker 6: I'd be like, word, no doubt. Look you mean the

2664
02:12:02,320 --> 02:12:04,240
Speaker 6: guy told y'all they being like rappers.

2665
02:12:04,400 --> 02:12:05,160
Speaker 3: Look that wasn't mean.

2666
02:12:05,200 --> 02:12:08,920
Speaker 1: You know, I ain't that I'm funny, but I ain't

2667
02:12:08,920 --> 02:12:12,320
Speaker 1: on you. God damn it, I'm not good guy. So

2668
02:12:12,640 --> 02:12:18,600
Speaker 1: so Charlie Mack you here man, Oh damn, here it comes,

2669
02:12:19,360 --> 02:12:22,600
Speaker 1: here it comes. Somebody told me said they was like,

2670
02:12:22,680 --> 02:12:24,920
Speaker 1: you gotta be careful. I'm like, so tell me the tome.

2671
02:12:25,320 --> 02:12:27,320
Speaker 1: He said, Besna, he's gonna slotted in there.

2672
02:12:30,920 --> 02:12:37,400
Speaker 4: But I remember, I remember, I remember the moment I came.

2673
02:12:37,400 --> 02:12:41,600
Speaker 4: When I first came, I went in two minutes, you thought, I'm.

2674
02:12:41,480 --> 02:12:45,880
Speaker 3: Like whoa, I'm like noriay where's the love? You know,

2675
02:12:46,080 --> 02:12:47,720
Speaker 3: I just love.

2676
02:12:47,840 --> 02:12:48,200
Speaker 7: It is love.

2677
02:12:48,280 --> 02:12:52,920
Speaker 1: But you're a legend, and I honestly think you were

2678
02:12:53,000 --> 02:12:54,880
Speaker 1: there that night. So the way you answer it, you

2679
02:12:54,960 --> 02:12:55,560
Speaker 1: can answer it.

2680
02:12:55,600 --> 02:12:56,520
Speaker 7: The way you want to know.

2681
02:12:56,560 --> 02:12:59,040
Speaker 1: You're going with it, so you you don't have you

2682
02:12:59,080 --> 02:13:02,520
Speaker 1: know what I mean, love love, Everybody get a moment.

2683
02:13:02,960 --> 02:13:04,120
Speaker 3: You want to say, but go ahead.

2684
02:13:03,960 --> 02:13:06,280
Speaker 1: Call we love, we want, we want will all heead

2685
02:13:06,400 --> 02:13:08,640
Speaker 1: we love Chris, and we love Chris absolutely.

2686
02:13:08,680 --> 02:13:10,440
Speaker 3: But what did you think when you saw that?

2687
02:13:10,560 --> 02:13:21,280
Speaker 10: Come on, why are you bringing up it already happened.

2688
02:13:27,440 --> 02:13:29,560
Speaker 4: Yeah, not even just saying that it really is love.

2689
02:13:29,640 --> 02:13:31,720
Speaker 4: But everybody get a moment in their life. Everybody get

2690
02:13:31,760 --> 02:13:32,040
Speaker 4: a moment.

2691
02:13:32,120 --> 02:13:34,160
Speaker 3: Like I was talking. He was talking to not name.

2692
02:13:34,480 --> 02:13:37,480
Speaker 3: He was with Martin on the beach yesterday out here.

2693
02:13:37,640 --> 02:13:39,960
Speaker 4: Yeah, he was saying that we would say, everybody get

2694
02:13:39,960 --> 02:13:41,360
Speaker 4: a moment. He said, I had a few, you know

2695
02:13:41,400 --> 02:13:43,200
Speaker 4: what I mean, And so everybody had the moment missing

2696
02:13:43,400 --> 02:13:45,160
Speaker 4: human human, you know what I mean.

2697
02:13:45,160 --> 02:13:45,720
Speaker 3: That's just what it is.

2698
02:13:45,800 --> 02:13:50,400
Speaker 4: It was just a uh, very unfortunately situation in time.

2699
02:13:50,720 --> 02:13:52,040
Speaker 3: But you move on from you, you know what I mean.

2700
02:13:52,320 --> 02:13:54,400
Speaker 3: You listen, you have you go through with your own family.

2701
02:13:54,680 --> 02:13:56,760
Speaker 6: Yeah, so it's the same thing I said about the

2702
02:13:57,280 --> 02:13:59,760
Speaker 6: comedians beefing is it was a moment that shouldn't have

2703
02:13:59,760 --> 02:14:00,520
Speaker 6: happened in the public.

2704
02:14:00,560 --> 02:14:03,640
Speaker 3: Guy, you know, but this ship happens. Learning. You move on,

2705
02:14:04,040 --> 02:14:06,280
Speaker 3: you know, learn and move on. I love you.

2706
02:14:06,680 --> 02:14:08,720
Speaker 7: My question is if we do do a sequel, you're

2707
02:14:08,800 --> 02:14:10,720
Speaker 7: gonna be available to be next one.

2708
02:14:12,160 --> 02:14:17,200
Speaker 3: I want to be there. Let me do, let me

2709
02:14:17,720 --> 02:14:25,880
Speaker 3: know we do came this suggest. I suggest good when

2710
02:14:25,880 --> 02:14:27,640
Speaker 3: you get your word, because you give us some work. Yeah,

2711
02:14:27,960 --> 02:14:32,040
Speaker 3: you know, I think this, This is what I suggest.

2712
02:14:33,160 --> 02:14:34,080
Speaker 3: You start us now.

2713
02:14:34,400 --> 02:14:36,800
Speaker 1: But we're gonna we're gonna do three different scenes. We're

2714
02:14:36,800 --> 02:14:39,040
Speaker 1: gonna come with We're gonna come with different changes the

2715
02:14:39,080 --> 02:14:41,920
Speaker 1: outfits because we know how to cheat the camera, right right,

2716
02:14:43,080 --> 02:14:45,440
Speaker 1: three different If you want five, we can go five.

2717
02:14:45,720 --> 02:14:47,200
Speaker 3: Okay, you just want to drink that much?

2718
02:14:47,320 --> 02:14:50,160
Speaker 1: And then we're gonna no, no, no, We're gonna change

2719
02:14:50,600 --> 02:14:51,480
Speaker 1: do different scenes.

2720
02:14:52,120 --> 02:14:52,720
Speaker 3: You know what I mean?

2721
02:14:53,120 --> 02:14:54,360
Speaker 7: Yeah, I want to interview money.

2722
02:14:55,840 --> 02:14:56,880
Speaker 3: He has nothing to do with hip hop.

2723
02:14:57,400 --> 02:14:59,880
Speaker 1: Yeah yeah, but but that's that's what's going to make

2724
02:14:59,920 --> 02:15:02,480
Speaker 1: it funny. It's like, Yo, you want to fight fory Mayweather.

2725
02:15:02,560 --> 02:15:03,920
Speaker 3: Do you know you shouldn't, right?

2726
02:15:06,960 --> 02:15:07,200
Speaker 5: I don't.

2727
02:15:07,840 --> 02:15:10,320
Speaker 3: Okay, So the movie.

2728
02:15:10,960 --> 02:15:13,960
Speaker 1: Let me let me get more shot, get more shots,

2729
02:15:16,440 --> 02:15:17,400
Speaker 1: let me get one more shot.

2730
02:15:17,440 --> 02:15:18,240
Speaker 3: Okay.

2731
02:15:18,320 --> 02:15:21,880
Speaker 1: So I'm gonna say we're going to interview drink Champs. Right,

2732
02:15:23,040 --> 02:15:24,920
Speaker 1: we're gonna interview drink No, no, no, no, no, no

2733
02:15:25,360 --> 02:15:27,840
Speaker 1: one of the characters. We can't interview whole because you

2734
02:15:27,920 --> 02:15:30,240
Speaker 1: did you see Vince Staples. Just do it out there

2735
02:15:30,320 --> 02:15:36,240
Speaker 1: that drink Champs was on jay Z drunk? You think

2736
02:15:36,280 --> 02:15:39,880
Speaker 1: about drink Champs. Yeah, you want to take.

2737
02:15:39,760 --> 02:15:42,960
Speaker 3: A shot for the jay Z on drink chants. You

2738
02:15:43,040 --> 02:15:45,400
Speaker 3: really want jay Z on drink Champ. No, I really

2739
02:15:45,480 --> 02:15:48,520
Speaker 3: want you to show me how you feel like he

2740
02:15:48,600 --> 02:15:52,120
Speaker 3: would be. What what are you asking him? What are

2741
02:15:52,120 --> 02:15:55,840
Speaker 3: you asking Jason? Get him drunk? Oh, you want to

2742
02:15:55,840 --> 02:15:56,360
Speaker 3: get him drunk?

2743
02:15:56,800 --> 02:15:57,440
Speaker 7: So act like.

2744
02:15:59,680 --> 02:16:03,040
Speaker 3: Not regular jay Z? Can you do drunk jay Z

2745
02:16:03,200 --> 02:16:03,800
Speaker 3: on drinkings?

2746
02:16:03,880 --> 02:16:06,400
Speaker 1: And now he asked me to act? No acting, You

2747
02:16:06,480 --> 02:16:08,560
Speaker 1: asked me to act, okay, because you know we got

2748
02:16:08,600 --> 02:16:12,400
Speaker 1: the space. If he would be here, these will all

2749
02:16:12,520 --> 02:16:16,680
Speaker 1: be gone. That idea is limited.

2750
02:16:18,960 --> 02:16:28,120
Speaker 3: He knows that we know that idea is not making

2751
02:16:28,120 --> 02:16:34,680
Speaker 3: it back. He's thinking about his video game. So we

2752
02:16:34,800 --> 02:16:35,200
Speaker 3: know that.

2753
02:16:37,680 --> 02:16:40,920
Speaker 1: He knows that idea we've we've hung out for six

2754
02:16:41,040 --> 02:16:44,680
Speaker 1: hours drinking this and Japanese whisky and it was fantastic.

2755
02:16:45,120 --> 02:16:45,320
Speaker 4: Yeah.

2756
02:16:45,640 --> 02:16:52,000
Speaker 3: No, uh what was the song when Jay Niles and Cali? Oh?

2757
02:16:52,080 --> 02:16:54,360
Speaker 5: I love that? H not?

2758
02:16:54,480 --> 02:16:57,000
Speaker 1: God did He's whiskey on the measin.

2759
02:16:59,160 --> 02:17:02,280
Speaker 3: That saw the video. I talked to you because that's

2760
02:17:02,320 --> 02:17:05,360
Speaker 3: how I started drinking. And now it was like, y'all

2761
02:17:05,560 --> 02:17:09,519
Speaker 3: like that I heard that verse Japanese.

2762
02:17:11,840 --> 02:17:15,640
Speaker 1: It's like, y'all got to go in the booth my ship,

2763
02:17:16,800 --> 02:17:19,240
Speaker 1: through my ship. I gotta call prect.

2764
02:17:23,840 --> 02:17:26,240
Speaker 3: It with the Japanese whiskey line. He was like, y'all

2765
02:17:26,520 --> 02:17:31,400
Speaker 3: Japanese whiskey. Yeah, get some flashy with the so like

2766
02:17:31,720 --> 02:17:32,200
Speaker 3: this f.

2767
02:17:34,520 --> 02:17:45,160
Speaker 1: Who he just dropped the wraps on Okay, recently, I

2768
02:17:45,200 --> 02:17:47,480
Speaker 1: don't know how this is got rather than to this conversation.

2769
02:17:48,000 --> 02:17:54,000
Speaker 3: Oh he's still drunk. I don't know if you noticed.

2770
02:17:54,000 --> 02:17:55,039
Speaker 3: I sold it up a little bit.

2771
02:17:55,360 --> 02:17:57,720
Speaker 4: Yeah, drink.

2772
02:17:58,000 --> 02:17:59,120
Speaker 3: This is what we do.

2773
02:17:59,840 --> 02:18:03,160
Speaker 7: We navigating, Yeah, navigate.

2774
02:18:04,800 --> 02:18:11,920
Speaker 1: So next movie, Tyler Perry comes to y'all. I'm sorry

2775
02:18:12,160 --> 02:18:16,200
Speaker 1: saying Tyler Perry teller. I mean that we're taking the

2776
02:18:16,240 --> 02:18:19,240
Speaker 1: budget right. If Tyler Perry comes, right, Tyler Perry comes

2777
02:18:19,360 --> 02:18:24,640
Speaker 1: and says, whatever y'all want.

2778
02:18:26,080 --> 02:18:29,039
Speaker 3: What's my next check? What's the next movie y'all want

2779
02:18:29,080 --> 02:18:32,000
Speaker 3: to do? Cut the check? What what movie are y'all picking?

2780
02:18:32,160 --> 02:18:33,760
Speaker 1: I don't want to say what what the next movie?

2781
02:18:33,760 --> 02:18:34,840
Speaker 1: But we know what the next movie is.

2782
02:18:34,879 --> 02:18:36,240
Speaker 3: We want to do. But can you give us a

2783
02:18:36,840 --> 02:18:44,880
Speaker 3: giving us something? You said action? You did serious your movie? Yeah?

2784
02:18:45,120 --> 02:18:48,880
Speaker 6: Okay, well and other movies as well, Like I see

2785
02:18:48,920 --> 02:18:52,080
Speaker 6: myself alongside the Mark Wahlbergs, the Will Smiths.

2786
02:18:53,520 --> 02:18:58,000
Speaker 3: I have that range, and I want to do the unexpected.

2787
02:18:58,520 --> 02:19:01,199
Speaker 1: You know, most people know me for being an animated comedian,

2788
02:19:01,480 --> 02:19:04,840
Speaker 1: but what I showed in this in this hip hop

2789
02:19:04,920 --> 02:19:06,959
Speaker 1: story was I actually have acting range as well.

2790
02:19:07,120 --> 02:19:10,439
Speaker 6: He has acting range. He's a director. We're both producers.

2791
02:19:11,040 --> 02:19:15,560
Speaker 6: So this isn't something that's just like a viral movie

2792
02:19:15,800 --> 02:19:19,840
Speaker 6: or its Internet level. We're like, nah, we really are

2793
02:19:20,280 --> 02:19:24,000
Speaker 6: Ryan Coogler, Michael B. Jordan's Stephen Stephen Cable junior type

2794
02:19:24,120 --> 02:19:27,520
Speaker 6: type energy, like we're really filmmakers from.

2795
02:19:27,400 --> 02:19:32,720
Speaker 3: On screen from behind. Yeah, I'm gonna be honest. I

2796
02:19:32,840 --> 02:19:36,320
Speaker 3: see it, be honest it again. I see it and

2797
02:19:36,400 --> 02:19:38,080
Speaker 3: I believe it. Clap it up for that.

2798
02:19:45,680 --> 02:19:47,440
Speaker 1: I guess it's easier for me to see it and

2799
02:19:47,560 --> 02:19:49,560
Speaker 1: believe it because of how y'all see it and believe

2800
02:19:49,600 --> 02:19:50,200
Speaker 1: in yourselves.

2801
02:19:50,800 --> 02:19:54,600
Speaker 6: Yeah, but we're talking about Michael Bay, Jerry Brookheimer level

2802
02:19:54,640 --> 02:19:56,480
Speaker 6: stuff like that's those are the people that.

2803
02:19:56,600 --> 02:19:58,840
Speaker 3: We admire, you know what I mean.

2804
02:19:58,959 --> 02:20:03,280
Speaker 6: We admire big films, big action, high octane type of stuff,

2805
02:20:03,879 --> 02:20:05,000
Speaker 6: even on the TV side.

2806
02:20:05,320 --> 02:20:09,160
Speaker 3: Bruce Lee's daughter did Warrior, which.

2807
02:20:09,040 --> 02:20:11,920
Speaker 1: Was a concept that Bruce Lee made back in seventy four,

2808
02:20:13,560 --> 02:20:16,840
Speaker 1: not seventy four, sorry, he died in seventy three, but

2809
02:20:16,959 --> 02:20:19,640
Speaker 1: he made He had this treatment that he wrote and

2810
02:20:19,680 --> 02:20:21,840
Speaker 1: they wouldn't Hollywood wouldn't let him start it because they

2811
02:20:21,959 --> 02:20:25,279
Speaker 1: told him that Asian people wouldn't be able to lead.

2812
02:20:26,760 --> 02:20:27,240
Speaker 3: Projects.

2813
02:20:28,280 --> 02:20:31,600
Speaker 6: And she found the treatment and her and Justin Lynn

2814
02:20:31,680 --> 02:20:36,840
Speaker 6: partnered up and Warrior is incredible. I'm talking about the action,

2815
02:20:37,440 --> 02:20:40,240
Speaker 6: the camera work, everything about the writing.

2816
02:20:41,040 --> 02:20:43,320
Speaker 3: So I'm on that shit.

2817
02:20:43,440 --> 02:20:45,720
Speaker 6: He's on that shit, Like, we're not just hip hop

2818
02:20:46,959 --> 02:20:48,600
Speaker 6: comedy movie makers.

2819
02:20:48,760 --> 02:20:52,360
Speaker 3: This is just, you know, something very close to our hearts,

2820
02:20:52,800 --> 02:20:54,040
Speaker 3: and we could really do that too.

2821
02:20:54,560 --> 02:20:56,920
Speaker 6: The fact that we wrote bars in the voices of

2822
02:20:57,000 --> 02:21:00,840
Speaker 6: all these different iconic mcs was us saying no, we

2823
02:21:01,040 --> 02:21:03,560
Speaker 6: we actually are of the culture. But we're actors too.

2824
02:21:03,760 --> 02:21:06,680
Speaker 6: This isn't just an impersonation. We're acting as these people

2825
02:21:07,240 --> 02:21:09,280
Speaker 6: so that you really believe you're listening to a Joe

2826
02:21:09,360 --> 02:21:13,360
Speaker 6: Burden verse on that song, or free Way verse or

2827
02:21:13,600 --> 02:21:14,360
Speaker 6: a Drake verse.

2828
02:21:14,440 --> 02:21:19,119
Speaker 1: So whoever, whoever, we we imitate. E forty too short

2829
02:21:19,200 --> 02:21:23,120
Speaker 1: like what he was great, crazy that JEFFN. Smith crazy, But.

2830
02:21:23,200 --> 02:21:25,080
Speaker 2: Not only that, I just want to also just give

2831
02:21:25,160 --> 02:21:27,640
Speaker 2: my brother also flowers because his pen game is crazy,

2832
02:21:28,040 --> 02:21:31,600
Speaker 2: from his script pen game to his rap ping game

2833
02:21:31,760 --> 02:21:32,240
Speaker 2: is crazy.

2834
02:21:32,920 --> 02:21:34,360
Speaker 7: So I just got to give him his flowers.

2835
02:21:34,720 --> 02:21:39,520
Speaker 3: Put this right movie. Yeah, you're gonna finish it the

2836
02:21:39,560 --> 02:21:40,480
Speaker 3: whole time. Thank you, brother.

2837
02:21:40,840 --> 02:21:43,880
Speaker 2: He led me as a friend. He could have got

2838
02:21:43,920 --> 02:21:46,560
Speaker 2: anybody to direct this movie that he wrote for us

2839
02:21:46,600 --> 02:21:48,600
Speaker 2: a long time ago, but he put his trust in

2840
02:21:48,680 --> 02:21:50,480
Speaker 2: me and this is my first feature that I got

2841
02:21:50,520 --> 02:21:52,560
Speaker 2: to direct, and he put his trust in me and

2842
02:21:52,680 --> 02:21:54,640
Speaker 2: his money and allow me to do that.

2843
02:21:54,840 --> 02:21:56,400
Speaker 7: So I'm grateful to my brother.

2844
02:21:59,400 --> 02:22:01,560
Speaker 1: Let me tell y'all something. We tell you something what

2845
02:22:01,640 --> 02:22:09,200
Speaker 1: I see again because we said it earlier. It's like, yo,

2846
02:22:09,280 --> 02:22:11,680
Speaker 1: why do we have to do other people's movie? But

2847
02:22:12,120 --> 02:22:15,600
Speaker 1: I have no better example than what I'm about to say.

2848
02:22:15,680 --> 02:22:19,240
Speaker 3: Right now. So I'm gonna say it, y'all can be

2849
02:22:19,400 --> 02:22:22,840
Speaker 3: like the Adam Sandon you know where they go and

2850
02:22:23,000 --> 02:22:25,960
Speaker 3: do movies with the same crew and friends. Man, they

2851
02:22:26,040 --> 02:22:32,240
Speaker 3: say appetite Adam, I told you loyal. I love that comedy.

2852
02:22:32,600 --> 02:22:34,880
Speaker 3: You know the seth Rogans.

2853
02:22:34,920 --> 02:22:38,359
Speaker 1: They hire the same exact people, the Adam Sadler's hiding.

2854
02:22:38,200 --> 02:22:39,760
Speaker 3: The same exact people. And some of them most of

2855
02:22:39,800 --> 02:22:41,760
Speaker 3: them are some of them are black people. But there's

2856
02:22:42,160 --> 02:22:42,680
Speaker 3: now they're all.

2857
02:22:43,400 --> 02:22:47,000
Speaker 1: But when you got the director, of the producer, the

2858
02:22:47,120 --> 02:22:50,000
Speaker 1: writer and everybody and you continue to do that, that

2859
02:22:50,120 --> 02:22:54,280
Speaker 1: ship is just so like, for lack of a better term, attractive.

2860
02:22:53,800 --> 02:22:54,920
Speaker 7: To me, we've been doing that.

2861
02:22:55,520 --> 02:22:57,480
Speaker 2: You go back to his sketch show that he had

2862
02:22:57,600 --> 02:22:59,960
Speaker 2: back and fix all of the people that in there,

2863
02:23:00,640 --> 02:23:04,560
Speaker 2: all the people out doing this movie friends make up.

2864
02:23:04,879 --> 02:23:06,840
Speaker 3: All of this. Wow, yeah, same hair and makeup.

2865
02:23:07,959 --> 02:23:10,160
Speaker 1: Keep the people we already been makeup and now the

2866
02:23:10,200 --> 02:23:11,720
Speaker 1: world is starting to me hair and making the I'm

2867
02:23:11,720 --> 02:23:15,480
Speaker 1: about to hire them. Oh yeah, well he called her own.

2868
02:23:15,560 --> 02:23:17,320
Speaker 1: She was my makeup artist on Wild and Out. That's

2869
02:23:17,320 --> 02:23:17,720
Speaker 1: where we met.

2870
02:23:17,800 --> 02:23:20,520
Speaker 6: She was Knicks makeup artists for a while, but when

2871
02:23:20,520 --> 02:23:23,080
Speaker 6: we were on sets, she told me and we did

2872
02:23:23,160 --> 02:23:24,720
Speaker 6: some sketches there. But that's when I learned that she

2873
02:23:24,760 --> 02:23:27,440
Speaker 6: does special effects makeup too, and she can really transform people.

2874
02:23:27,520 --> 02:23:29,160
Speaker 6: She turned me into eminem when I did the dream

2875
02:23:29,360 --> 02:23:33,720
Speaker 6: just on YouTube. But she really knows what she's doing.

2876
02:23:34,600 --> 02:23:37,760
Speaker 6: Her her partner Karen Rhodes on the hair, she really

2877
02:23:37,840 --> 02:23:38,480
Speaker 6: knew the errors.

2878
02:23:38,480 --> 02:23:40,920
Speaker 3: And anytime we told her what we needed or who

2879
02:23:41,240 --> 02:23:44,280
Speaker 3: we wanted to portray, they did the googles, They pulled

2880
02:23:44,360 --> 02:23:49,080
Speaker 3: up the the images went right to work, and they

2881
02:23:49,160 --> 02:23:52,640
Speaker 3: started sending me images of the wigs being cut on

2882
02:23:52,720 --> 02:23:53,520
Speaker 3: the dummy heads.

2883
02:23:53,600 --> 02:23:53,720
Speaker 7: Right.

2884
02:23:53,959 --> 02:23:56,240
Speaker 1: They would send me photos of like mc lights wig

2885
02:23:56,400 --> 02:23:58,640
Speaker 1: and this wig and that wig, and it already was

2886
02:23:58,680 --> 02:24:01,119
Speaker 1: looking like the person on the win on the dummy.

2887
02:24:01,840 --> 02:24:04,680
Speaker 1: I was like, oh, ship, wait until we get this

2888
02:24:04,720 --> 02:24:06,640
Speaker 1: wig on little Mama, Like it's gonna be.

2889
02:24:06,760 --> 02:24:12,400
Speaker 3: Shut a little moments light. I had to look at

2890
02:24:12,440 --> 02:24:15,360
Speaker 3: it three times. She was light. She embodied like light.

2891
02:24:16,959 --> 02:24:17,959
Speaker 7: Men.

2892
02:24:18,800 --> 02:24:24,960
Speaker 1: Right, No, listen, the whole movie is on the page,

2893
02:24:25,040 --> 02:24:28,800
Speaker 1: like I wrote that ship nigga, I'm nice ship.

2894
02:24:30,240 --> 02:24:34,160
Speaker 7: Game cheese.

2895
02:24:35,480 --> 02:24:38,400
Speaker 5: But when you were around Rockefeller, were you involved in

2896
02:24:38,440 --> 02:24:40,440
Speaker 5: any of the films that the Dane was doing, like

2897
02:24:40,560 --> 02:24:41,680
Speaker 5: paper Soldiers, or anything like that.

2898
02:24:42,800 --> 02:24:43,720
Speaker 7: Death of a Dynasty.

2899
02:24:44,200 --> 02:24:45,000
Speaker 3: Okay, I heard you.

2900
02:24:45,560 --> 02:24:47,600
Speaker 2: During that time because I was just filming, and I

2901
02:24:47,720 --> 02:24:49,440
Speaker 2: was filming all the behind the scenes stuff with with

2902
02:24:49,520 --> 02:24:49,800
Speaker 2: all of that.

2903
02:24:49,920 --> 02:24:51,640
Speaker 3: So I was around State property too.

2904
02:24:51,760 --> 02:24:52,440
Speaker 7: I was around there.

2905
02:24:52,600 --> 02:24:54,480
Speaker 2: I was around filming all the behind the scenes of that.

2906
02:24:55,920 --> 02:24:57,880
Speaker 2: But yeah, so I was around. I was around for everything.

2907
02:24:57,879 --> 02:25:00,080
Speaker 2: I still have all of that footage, I like and

2908
02:25:00,480 --> 02:25:03,200
Speaker 2: hundreds of tape of the whole Rockefeller like era of

2909
02:25:03,320 --> 02:25:06,880
Speaker 2: that time filming. So, man, nobody's gonna ever see that,

2910
02:25:07,879 --> 02:25:12,400
Speaker 2: like the guy with with his uh with his footage,

2911
02:25:13,000 --> 02:25:15,600
Speaker 2: you know what I mean. At some point, yeah, at

2912
02:25:15,640 --> 02:25:16,039
Speaker 2: some point.

2913
02:25:16,320 --> 02:25:19,400
Speaker 1: Yeah, oh yeah, when it makes sense absolute Sometimes it

2914
02:25:19,560 --> 02:25:20,520
Speaker 1: just doesn't make sense.

2915
02:25:20,680 --> 02:25:21,560
Speaker 3: Some things at.

2916
02:25:23,320 --> 02:25:26,440
Speaker 1: And did you ever think that Rockefeller will break up

2917
02:25:26,480 --> 02:25:28,280
Speaker 1: when you first came to them?

2918
02:25:29,560 --> 02:25:30,119
Speaker 7: No, I didn't.

2919
02:25:30,160 --> 02:25:30,480
Speaker 3: I didn't.

2920
02:25:30,480 --> 02:25:32,560
Speaker 7: You know, nobody ever thought that. I just kind of

2921
02:25:32,600 --> 02:25:34,280
Speaker 7: came out of nowhere. But I was a fly on

2922
02:25:34,360 --> 02:25:34,640
Speaker 7: the wall.

2923
02:25:34,760 --> 02:25:37,400
Speaker 3: How did you get man?

2924
02:25:37,760 --> 02:25:39,680
Speaker 7: I was filming the Harlem Shakers.

2925
02:25:39,720 --> 02:25:42,360
Speaker 2: The Halem Shaker has just got real big in New York, right,

2926
02:25:42,680 --> 02:25:46,280
Speaker 2: So I'm filming these guys. Yeah, g WebStar. It was

2927
02:25:46,400 --> 02:25:48,680
Speaker 2: like the the guys who danced you know what I mean.

2928
02:25:48,959 --> 02:25:50,440
Speaker 2: You used to dance in the Eve video and all

2929
02:25:50,480 --> 02:25:54,520
Speaker 2: these other videos. And then uh, I believe Tone Hooker,

2930
02:25:55,440 --> 02:25:58,400
Speaker 2: Tone Hooker and Claudi By they reached out to me

2931
02:25:58,440 --> 02:25:59,879
Speaker 2: because they saw the stuff that I was doing around

2932
02:25:59,879 --> 02:26:01,680
Speaker 2: the lock around the neighborhoods, and it was like, hey man,

2933
02:26:01,760 --> 02:26:04,280
Speaker 2: they need somebody to come travel with him and film

2934
02:26:04,560 --> 02:26:07,280
Speaker 2: all the Rockefeller stuff. And they just brought me to

2935
02:26:07,360 --> 02:26:10,400
Speaker 2: the office and I got there to day Dame looked

2936
02:26:10,440 --> 02:26:12,120
Speaker 2: at me, He's like, yo, I got the camera, he

2937
02:26:12,160 --> 02:26:13,920
Speaker 2: gave me, gave me the camera, gave me the equipment,

2938
02:26:14,520 --> 02:26:16,840
Speaker 2: and proceeded to snap on me for about the next

2939
02:26:17,080 --> 02:26:20,360
Speaker 2: three or four hours at Rockefeller. That was like my

2940
02:26:20,879 --> 02:26:24,080
Speaker 2: intro to the to the initiation to the family, and

2941
02:26:24,560 --> 02:26:26,680
Speaker 2: and I just traveled around with that's I got to

2942
02:26:26,720 --> 02:26:27,800
Speaker 2: meet you man and write my.

2943
02:26:27,800 --> 02:26:29,040
Speaker 7: First script and all that.

2944
02:26:30,120 --> 02:26:31,480
Speaker 3: But was you with them in France?

2945
02:26:32,240 --> 02:26:35,520
Speaker 11: No, I didn't go to France. I didn't go to France. Yeah,

2946
02:26:35,959 --> 02:26:42,480
Speaker 11: some other people win. So yeah, Charlie Mann, Yes, sir,

2947
02:26:44,520 --> 02:26:45,600
Speaker 11: what's our chances again?

2948
02:26:45,680 --> 02:26:48,680
Speaker 3: Will Smith? Oh, very very well, he's here, he's.

2949
02:26:48,600 --> 02:26:51,400
Speaker 4: Here, He's gonna come. I give you that, he's definitely

2950
02:26:51,440 --> 02:26:54,160
Speaker 4: gonna come. It's gonna be great.

2951
02:26:54,840 --> 02:26:57,480
Speaker 3: Now if we get Will Smith and Mark what the hell.

2952
02:26:57,440 --> 02:26:59,760
Speaker 4: Is that's even I think that's a possibility as well,

2953
02:27:00,280 --> 02:27:01,960
Speaker 4: you know, with them tonight.

2954
02:27:02,040 --> 02:27:04,040
Speaker 3: So let them know. You gotta come to I love

2955
02:27:04,080 --> 02:27:06,360
Speaker 3: the floor, I got it. I just want to give

2956
02:27:06,400 --> 02:27:07,040
Speaker 3: them their flowers.

2957
02:27:07,080 --> 02:27:09,400
Speaker 7: Man. But but.

2958
02:27:11,600 --> 02:27:13,000
Speaker 3: But it's right, it's right then they come up. You

2959
02:27:13,040 --> 02:27:16,000
Speaker 3: know what I mean? Culture? You know is the new

2960
02:27:16,040 --> 02:27:17,720
Speaker 3: marketing campaign.

2961
02:27:17,840 --> 02:27:18,200
Speaker 1: This is it.

2962
02:27:18,360 --> 02:27:20,520
Speaker 2: This is on the top of the marketing in the

2963
02:27:20,600 --> 02:27:23,600
Speaker 2: world that you can go to. But to express your art,

2964
02:27:24,440 --> 02:27:25,599
Speaker 2: get your projects.

2965
02:27:25,200 --> 02:27:26,360
Speaker 3: Out, got it?

2966
02:27:27,000 --> 02:27:28,640
Speaker 4: Well you gotta Will Martin, you gotta come over here

2967
02:27:28,640 --> 02:27:30,600
Speaker 4: and sit with he and Nor.

2968
02:27:30,480 --> 02:27:30,960
Speaker 3: You know what I mean?

2969
02:27:36,480 --> 02:27:38,879
Speaker 1: Yeah, man, I god, damn man, I ain't gonna lie.

2970
02:27:39,920 --> 02:27:42,320
Speaker 1: It wasn't just that I'm smiling. I'm just being honest.

2971
02:27:42,360 --> 02:27:43,720
Speaker 1: I've been I've been happy this whole time.

2972
02:27:43,800 --> 02:27:46,920
Speaker 3: That's beautiful. Let me tell us, no, no, you go,

2973
02:27:48,480 --> 02:27:49,120
Speaker 3: it's not no.

2974
02:27:49,600 --> 02:27:51,280
Speaker 1: I wanted to piggyback off of what he was saying

2975
02:27:51,320 --> 02:27:54,480
Speaker 1: about me give give me my flowers. The reason why

2976
02:27:54,800 --> 02:27:57,720
Speaker 1: I didn't go to some other director in Hollywood is.

2977
02:27:57,680 --> 02:27:59,680
Speaker 6: Because this is my guy. Like we've been doing this

2978
02:27:59,720 --> 02:28:02,640
Speaker 6: ship YouTube. So I already know what we think of, Like, right,

2979
02:28:02,720 --> 02:28:07,240
Speaker 6: I wrote this movie for us, and he's a genius.

2980
02:28:07,600 --> 02:28:11,360
Speaker 6: He knows, he really knows like cameras and editing and

2981
02:28:11,600 --> 02:28:14,440
Speaker 6: like he's a special effects guy. He does all kinds

2982
02:28:14,440 --> 02:28:19,080
Speaker 6: of shit. So I want to rewrite the narrative. Like

2983
02:28:19,160 --> 02:28:22,000
Speaker 6: Hollywood loves to hire the same people. They go to

2984
02:28:22,000 --> 02:28:23,920
Speaker 6: the same people over and over and over, and I

2985
02:28:24,000 --> 02:28:29,320
Speaker 6: think at some point those people hit their ceiling. They

2986
02:28:29,400 --> 02:28:31,199
Speaker 6: don't you know what I mean, Like they hit a wall,

2987
02:28:31,320 --> 02:28:34,600
Speaker 6: Like the creativity is not as great as it could

2988
02:28:34,640 --> 02:28:38,480
Speaker 6: be because they they're oversaturated. That he getting called So

2989
02:28:38,640 --> 02:28:43,200
Speaker 6: why not go to somebody who you know personally and

2990
02:28:43,400 --> 02:28:46,520
Speaker 6: give them the shot to become the next big director?

2991
02:28:46,560 --> 02:28:49,600
Speaker 3: Why not? And why not take that journey together?

2992
02:28:49,760 --> 02:28:53,000
Speaker 6: And I mean it shows on the screen like everything

2993
02:28:53,080 --> 02:28:56,760
Speaker 6: that we did worked really well together, from the writing

2994
02:28:56,840 --> 02:28:59,040
Speaker 6: to the directing to the casting.

2995
02:29:00,240 --> 02:29:03,400
Speaker 3: Friend, it's Tim's story, right, yeah, I mean it's my guy.

2996
02:29:03,480 --> 02:29:09,880
Speaker 4: But I could have been like, man, let me get story,

2997
02:29:09,920 --> 02:29:10,120
Speaker 4: but no.

2998
02:29:10,200 --> 02:29:11,320
Speaker 3: Yeah, Tim story. Definitely.

2999
02:29:12,040 --> 02:29:14,960
Speaker 1: He read the script two years ago, but it's before

3000
02:29:15,400 --> 02:29:18,200
Speaker 1: the whole Kevin Hart movies and all that stuff. And

3001
02:29:19,760 --> 02:29:21,600
Speaker 1: but yeah, at the time, he was still looking to

3002
02:29:22,000 --> 02:29:24,720
Speaker 1: get his big movie. Malcolm Lee wanted to do it,

3003
02:29:24,959 --> 02:29:27,720
Speaker 1: but he was busy, he was doing other things. But

3004
02:29:28,120 --> 02:29:30,640
Speaker 1: it was meant to happen right now, you know, Hip

3005
02:29:30,680 --> 02:29:31,119
Speaker 1: Hop fifty.

3006
02:29:31,360 --> 02:29:34,080
Speaker 5: I think it should be said though, and that it's

3007
02:29:34,160 --> 02:29:36,560
Speaker 5: not just because people are your friends, it's because you.

3008
02:29:36,879 --> 02:29:39,720
Speaker 3: You trust that they have the skills to thousands.

3009
02:29:40,240 --> 02:29:42,119
Speaker 5: Even like when we're talking about Adam Sandler, the people

3010
02:29:42,680 --> 02:29:45,560
Speaker 5: they're funny. It's funny for what he's trying to accomplish.

3011
02:29:45,560 --> 02:29:49,120
Speaker 5: It's not just what he has, the skill sets that

3012
02:29:49,200 --> 02:29:50,720
Speaker 5: he has. And you're right, I was.

3013
02:29:52,480 --> 02:29:53,880
Speaker 3: I was more than willing, thank you.

3014
02:29:54,000 --> 02:29:55,880
Speaker 6: I was more than willing to put my money up

3015
02:29:57,320 --> 02:29:59,520
Speaker 6: and invest in him right the same way I'm willing

3016
02:29:59,600 --> 02:30:02,720
Speaker 6: to invest to me with your focus absolutely.

3017
02:30:03,520 --> 02:30:05,800
Speaker 1: So what we gotta do is, I'm just throw this

3018
02:30:05,879 --> 02:30:11,880
Speaker 1: out there. Besides the gas station movie, we gotta do

3019
02:30:12,000 --> 02:30:12,920
Speaker 1: a handball movie.

3020
02:30:13,480 --> 02:30:16,240
Speaker 5: Oh what you already have the I guess the pilot

3021
02:30:16,320 --> 02:30:19,440
Speaker 5: demo for the movie A handball Handball.

3022
02:30:19,840 --> 02:30:22,040
Speaker 3: You gotta listen because they did. They did Dollgeball. So

3023
02:30:22,480 --> 02:30:23,920
Speaker 3: it's not let's look at it.

3024
02:30:23,959 --> 02:30:26,320
Speaker 4: I'm just we can never know we're listening. But don't

3025
02:30:26,360 --> 02:30:28,840
Speaker 4: get don't get all the Jews handball. Don't get away

3026
02:30:28,840 --> 02:30:30,120
Speaker 4: all the Jews on there, you know what I mean.

3027
02:30:30,360 --> 02:30:35,240
Speaker 4: So yeah, yeah, I grew up playing.

3028
02:30:38,040 --> 02:30:41,640
Speaker 3: I mean we need you got to show them the footage.

3029
02:30:43,800 --> 02:30:46,400
Speaker 1: We did, Like I even got like a like a

3030
02:30:46,480 --> 02:30:49,680
Speaker 1: handball baseball card picture, Like well, I'm like.

3031
02:30:50,480 --> 02:30:52,040
Speaker 3: When do we film that. We filmed that like in

3032
02:30:52,160 --> 02:30:55,320
Speaker 3: early two thousand. We did. Yeah, the footage is terrible

3033
02:30:55,360 --> 02:30:56,560
Speaker 3: now in terms.

3034
02:30:56,400 --> 02:30:59,720
Speaker 5: Of like the quality, the idea, the ideas there and

3035
02:30:59,800 --> 02:31:01,200
Speaker 5: there's crazy.

3036
02:31:01,240 --> 02:31:05,560
Speaker 1: It's crazy because yeah yeah yeah, and it's two things

3037
02:31:05,640 --> 02:31:09,800
Speaker 1: that's like hood handball and Bayes what I said, stickball,

3038
02:31:10,160 --> 02:31:13,320
Speaker 1: stickball and handball. It's very hood and you we do

3039
02:31:13,480 --> 02:31:16,960
Speaker 1: a handble we let yeah yeah, yeah, we go in

3040
02:31:17,040 --> 02:31:19,520
Speaker 1: the hood with the hood, play the hood in the hood,

3041
02:31:20,280 --> 02:31:24,000
Speaker 1: the hood and everything is good and everything is good.

3042
02:31:25,600 --> 02:31:35,160
Speaker 3: Yeah, I mean playing. Yes, molested and there was double

3043
02:31:35,320 --> 02:31:37,760
Speaker 3: jall is in there, y'all, Like you gotta relax, by

3044
02:31:37,800 --> 02:31:39,520
Speaker 3: the way, there was no molester in that bar in

3045
02:31:39,600 --> 02:31:46,760
Speaker 3: at birth. Yeah you said that the whole time. I'm sorry,

3046
02:31:47,360 --> 02:31:54,320
Speaker 3: I heard Court just said Court just after.

3047
02:32:00,120 --> 02:32:00,760
Speaker 8: What I heard.

3048
02:32:02,240 --> 02:32:02,440
Speaker 4: High.

3049
02:32:04,920 --> 02:32:06,320
Speaker 7: I'm like, so relaxed.

3050
02:32:07,240 --> 02:32:10,360
Speaker 3: How was it that the Rockefeller days it was great

3051
02:32:10,480 --> 02:32:11,080
Speaker 3: changed my life.

3052
02:32:12,040 --> 02:32:14,120
Speaker 7: It was the first obviously, this is the second thing

3053
02:32:14,200 --> 02:32:14,800
Speaker 7: that changed my life.

3054
02:32:14,840 --> 02:32:18,200
Speaker 2: That was the first introduction of just being around the

3055
02:32:18,280 --> 02:32:20,560
Speaker 2: people that imed forever and being a hip hop you

3056
02:32:20,600 --> 02:32:22,680
Speaker 2: know what I mean, seeing those guys. So it was

3057
02:32:22,959 --> 02:32:25,120
Speaker 2: a great experience, you know what I mean. It was

3058
02:32:25,240 --> 02:32:28,840
Speaker 2: just dope traveling the world and all of that fun stuff.

3059
02:32:28,879 --> 02:32:31,560
Speaker 7: It was just dope. Never I've never, I don't know

3060
02:32:31,680 --> 02:32:34,440
Speaker 7: any error. It's my favorite era of hip hop to me.

3061
02:32:35,440 --> 02:32:40,320
Speaker 3: So you don't got these other people's stories. It was.

3062
02:32:42,120 --> 02:32:45,760
Speaker 2: I was just the camera man me too, I said,

3063
02:32:45,800 --> 02:32:47,480
Speaker 2: I said h in, and I shot everything.

3064
02:32:47,600 --> 02:32:50,760
Speaker 3: That's it. Well, my whole Rockefella days was great.

3065
02:32:51,760 --> 02:32:52,240
Speaker 4: I love it.

3066
02:32:53,440 --> 02:33:00,000
Speaker 3: It was great. Alloise to Rockefeller. We guys signed Rockefella

3067
02:33:00,760 --> 02:33:03,879
Speaker 3: listens the manager to.

3068
02:33:06,240 --> 02:33:10,680
Speaker 1: I got a question for you. Yes, let me let

3069
02:33:10,760 --> 02:33:14,440
Speaker 1: me tell you something. When I keep studying you, your

3070
02:33:14,600 --> 02:33:19,400
Speaker 1: memory is too good. You remember everybody where you know them,

3071
02:33:19,520 --> 02:33:25,680
Speaker 1: from where you know them at, and the time you

3072
02:33:25,879 --> 02:33:26,280
Speaker 1: met them.

3073
02:33:26,600 --> 02:33:26,920
Speaker 3: Facts.

3074
02:33:27,360 --> 02:33:31,200
Speaker 1: So what are you about to say? I'm scared of

3075
02:33:31,360 --> 02:33:33,880
Speaker 1: that something. You know what I'm about to ask you.

3076
02:33:36,720 --> 02:33:42,560
Speaker 1: It's a legendary cipher DMX to your Mexican cannabis. Yeah,

3077
02:33:42,640 --> 02:33:45,400
Speaker 1: I think they was jumping clue if you felt what

3078
02:33:45,720 --> 02:33:47,920
Speaker 1: I thought they was jumping me how.

3079
02:33:48,680 --> 02:33:55,920
Speaker 3: Because they knew each other? How you know them? I

3080
02:33:56,080 --> 02:33:57,920
Speaker 3: want to make sure what sighte were you talking about

3081
02:33:57,959 --> 02:34:01,400
Speaker 3: that when you was on that was? It was a clue?

3082
02:34:01,480 --> 02:34:04,160
Speaker 3: Who's a FlexE on the radio? On the radio? Yeah,

3083
02:34:04,480 --> 02:34:07,240
Speaker 3: wasn't it? Who was it was?

3084
02:34:07,680 --> 02:34:10,280
Speaker 1: There's a couple of if you know, you know, you

3085
02:34:10,480 --> 02:34:14,119
Speaker 1: tell me bringing this ship up and checking me this whole.

3086
02:34:20,600 --> 02:34:23,440
Speaker 3: Let me finish that motherfucker.

3087
02:34:24,200 --> 02:34:28,280
Speaker 1: He wanted too much, you had too much, too much

3088
02:34:28,320 --> 02:34:31,320
Speaker 1: more Because I'm ready, I'm ready, I'm ready to answer.

3089
02:34:31,440 --> 02:34:33,760
Speaker 6: No, you're you're a part of a legendary cipher with

3090
02:34:33,920 --> 02:34:36,240
Speaker 6: I'm part of a couple of a few.

3091
02:34:36,600 --> 02:34:37,920
Speaker 3: But that was my favorite one.

3092
02:34:38,000 --> 02:34:42,119
Speaker 1: I might have the the second best posse record, maybe

3093
02:34:42,240 --> 02:34:47,199
Speaker 1: maybe the third best problem TV from TV in the world.

3094
02:34:47,440 --> 02:34:50,960
Speaker 3: Was no one ever even realized I am got hooked? Yeah,

3095
02:34:52,240 --> 02:34:58,680
Speaker 3: So can I ask my question? I thought you finished? No? No, no, Like,

3096
02:34:58,840 --> 02:35:01,200
Speaker 3: how was that that energy for you? Like?

3097
02:35:01,200 --> 02:35:04,000
Speaker 1: How do you feel about that cipher? You cannabis and

3098
02:35:04,120 --> 02:35:07,840
Speaker 1: DMX going back and forth, Like that's that's a legendary joint.

3099
02:35:07,920 --> 02:35:12,400
Speaker 1: It traveled the world, and I don't know if you understand, Okay,

3100
02:35:12,640 --> 02:35:13,920
Speaker 1: the impact of that cipher.

3101
02:35:14,000 --> 02:35:16,600
Speaker 3: I feel like we're confusing a couple of different ciphers. Zoe,

3102
02:35:17,040 --> 02:35:19,520
Speaker 3: and you heard about that. It was cannabis and DMX

3103
02:35:19,680 --> 02:35:22,600
Speaker 3: cannabis MX seven.

3104
02:35:23,400 --> 02:35:27,440
Speaker 1: Okay, funk Flex, I'm the hottest dude in the world,

3105
02:35:27,520 --> 02:35:29,840
Speaker 1: but guess what SO is cannabis?

3106
02:35:30,720 --> 02:35:31,800
Speaker 3: So is DMX.

3107
02:35:32,920 --> 02:35:37,160
Speaker 1: I went up there and all I remember was funk

3108
02:35:37,240 --> 02:35:40,560
Speaker 1: Flex mowing it but not telling me. He's promoting it,

3109
02:35:42,560 --> 02:35:50,120
Speaker 1: and Pun hitting me immediately like, Yo, let's I'm coming

3110
02:35:50,200 --> 02:35:53,560
Speaker 1: up there, And I was just like what because I

3111
02:35:53,560 --> 02:35:55,800
Speaker 1: didn't know what I was walking into. It was two

3112
02:35:55,840 --> 02:36:01,520
Speaker 1: way days, so I walked in. I didn't know cannabis

3113
02:36:01,760 --> 02:36:02,359
Speaker 1: or DMX.

3114
02:36:02,680 --> 02:36:06,760
Speaker 3: Just legendary that Pun hits you about it is legendary.

3115
02:36:06,840 --> 02:36:09,120
Speaker 1: He was listening to Hot ninety seven, like back then

3116
02:36:09,560 --> 02:36:12,800
Speaker 1: that was our We didn't have links, right, we didn't

3117
02:36:12,879 --> 02:36:15,760
Speaker 1: have my Space, we didn't have such and us. So

3118
02:36:15,920 --> 02:36:19,840
Speaker 1: Pun knew what I was walking into before I knew when.

3119
02:36:19,720 --> 02:36:21,879
Speaker 3: I walked into it, and he was like, yo, tell

3120
02:36:21,959 --> 02:36:25,600
Speaker 3: Flex to let me up. And as the time, I

3121
02:36:25,680 --> 02:36:31,680
Speaker 3: don't think either. I didn't know cannabis or X, and

3122
02:36:31,800 --> 02:36:32,000
Speaker 3: you know.

3123
02:36:32,720 --> 02:36:35,680
Speaker 1: They rhymed, and when they rhymed at first, they gave

3124
02:36:35,720 --> 02:36:41,640
Speaker 1: each other five and I ain't like, like the fuck

3125
02:36:42,879 --> 02:36:46,200
Speaker 1: so you felt away from the door, you felt like

3126
02:36:47,360 --> 02:36:49,160
Speaker 1: I didn't, not from the door. I felt the way

3127
02:36:49,280 --> 02:36:52,080
Speaker 1: after the rhymes was spits right after the round spit,

3128
02:36:52,240 --> 02:36:55,039
Speaker 1: they like, it's like you and your comedia on me, like, yo,

3129
02:36:55,440 --> 02:36:58,840
Speaker 1: your finished your boom. But I'm like, damn, there's three

3130
02:36:58,920 --> 02:37:02,960
Speaker 1: of us, let's hit O the night cool. So I

3131
02:37:03,120 --> 02:37:07,440
Speaker 1: keep going in pun Is calling me, flexus calling me.

3132
02:37:08,720 --> 02:37:12,160
Speaker 1: And that's when me and d m X became friends,

3133
02:37:12,600 --> 02:37:18,600
Speaker 1: right because me and d m X and cannabis and cannabis, damn,

3134
02:37:18,640 --> 02:37:21,120
Speaker 1: because we gotta we got a big cannabis, then we.

3135
02:37:21,120 --> 02:37:21,800
Speaker 3: Gotta have cannabis.

3136
02:37:22,120 --> 02:37:24,320
Speaker 7: We gotta have cannabis, can cannabis.

3137
02:37:24,320 --> 02:37:27,440
Speaker 1: There's so many fake rumors of that's not whining cannabis

3138
02:37:27,480 --> 02:37:30,400
Speaker 1: on this fucking show, this fucking retardet. You gotta you

3139
02:37:30,480 --> 02:37:32,520
Speaker 1: gotta have them, you gotta have cannabis on all right.

3140
02:37:32,840 --> 02:37:34,720
Speaker 1: But listen, this is why I even brought it up.

3141
02:37:35,240 --> 02:37:38,080
Speaker 6: It's it's it's one of those ciphers that me and

3142
02:37:38,160 --> 02:37:41,040
Speaker 6: my boys listened to over and over and what was

3143
02:37:41,160 --> 02:37:43,280
Speaker 6: more impressive because I didn't grow up in New York, right,

3144
02:37:43,360 --> 02:37:49,320
Speaker 6: so I didn't hear all of the different stretch Armstrong

3145
02:37:49,480 --> 02:37:52,199
Speaker 6: and you know what I mean, all of those those ciphers.

3146
02:37:52,240 --> 02:37:56,720
Speaker 6: I heard about them later legendaries. This is what I'm saying,

3147
02:37:56,840 --> 02:38:01,240
Speaker 6: Like to hear guys that are already.

3148
02:38:03,000 --> 02:38:06,920
Speaker 1: On top, like superheroes are wrap three guys that aren't

3149
02:38:07,200 --> 02:38:12,440
Speaker 1: a group that are trading the mic. Yeah, like for

3150
02:38:13,040 --> 02:38:15,120
Speaker 1: John and Niggas rhyming for like forty five minutes to

3151
02:38:15,160 --> 02:38:17,080
Speaker 1: an hour, like it was crazy. It was something crazy,

3152
02:38:17,879 --> 02:38:20,360
Speaker 1: But I just had to bring it up because I

3153
02:38:20,360 --> 02:38:23,360
Speaker 1: don't know if you understand how how iconic that moment was.

3154
02:38:23,440 --> 02:38:25,640
Speaker 1: And they were really like the freshman class of that era. No,

3155
02:38:25,760 --> 02:38:27,879
Speaker 1: that is the freshman class. You look at the sort

3156
02:38:28,800 --> 02:38:31,520
Speaker 1: we're all on there. That's the reason why pun so

3157
02:38:31,760 --> 02:38:35,560
Speaker 1: mad that he can, Yeah, that he wanted to. That's

3158
02:38:35,640 --> 02:38:39,640
Speaker 1: that's me. You know, he hit me because he knew

3159
02:38:39,840 --> 02:38:42,560
Speaker 1: I didn't know the MX or Cannabis.

3160
02:38:42,959 --> 02:38:45,200
Speaker 3: He knew I didn't know. I think him and him

3161
02:38:45,240 --> 02:38:47,360
Speaker 3: and Cannabis kind of had that look because there was

3162
02:38:47,360 --> 02:38:49,720
Speaker 3: that other cipher happened most.

3163
02:38:49,560 --> 02:38:53,800
Speaker 1: Definitely that already had now had already happened, already got

3164
02:38:53,840 --> 02:38:56,320
Speaker 1: in my opinion, if you know, you know.

3165
02:38:56,480 --> 02:38:59,600
Speaker 3: Yeah, memory service serves me, right, But.

3166
02:39:02,600 --> 02:39:04,200
Speaker 1: One that was hitting me and it was like, I

3167
02:39:04,280 --> 02:39:06,480
Speaker 1: remember it's two way pages and he was like, let

3168
02:39:06,560 --> 02:39:07,120
Speaker 1: me upstairs.

3169
02:39:07,360 --> 02:39:09,320
Speaker 3: I wanted to be a two on two and I'm

3170
02:39:09,440 --> 02:39:12,720
Speaker 3: like and I was like, well, I didn't realize that

3171
02:39:12,800 --> 02:39:16,240
Speaker 3: he was saying that, like you know, cannabis and DMX

3172
02:39:16,440 --> 02:39:17,199
Speaker 3: know each other.

3173
02:39:18,840 --> 02:39:23,240
Speaker 1: And you don't know neither. And then eventually we did

3174
02:39:23,280 --> 02:39:25,240
Speaker 1: this sauce cover together with all of us.

3175
02:39:26,120 --> 02:39:27,360
Speaker 3: You know what I mean, what you think is the

3176
02:39:27,560 --> 02:39:33,240
Speaker 3: precursor to the freshman eventually XL. That's what you said, precursor. Yeah,

3177
02:39:33,240 --> 02:39:36,400
Speaker 3: you felt like that was the first is it?

3178
02:39:36,600 --> 02:39:38,680
Speaker 1: That's no, it's no the way look at it, like

3179
02:39:39,200 --> 02:39:42,959
Speaker 1: we all got Google now, like we all got it now,

3180
02:39:43,120 --> 02:39:45,600
Speaker 1: like we all got it. Like I felt like I

3181
02:39:45,760 --> 02:39:52,000
Speaker 1: was exclusive when I had Google, Like we all got

3182
02:39:52,080 --> 02:39:55,600
Speaker 1: it now, Like it's yeah, you can Google. The first

3183
02:39:55,720 --> 02:39:59,800
Speaker 1: time you've seen artists on the first cover together, right,

3184
02:40:00,080 --> 02:40:02,120
Speaker 1: like the new artists of that era, new artist of

3185
02:40:02,200 --> 02:40:08,240
Speaker 1: that era, the DMX corrupt Cameron.

3186
02:40:08,200 --> 02:40:11,039
Speaker 3: And that was Elliot Wilson. Mean, that's a mean.

3187
02:40:11,040 --> 02:40:14,600
Speaker 1: Class, right, who did that cover? You gotta act has

3188
02:40:14,680 --> 02:40:17,560
Speaker 1: That's not my part of the job. If you were,

3189
02:40:18,320 --> 02:40:20,040
Speaker 1: but no, I brought I brought that up because I

3190
02:40:20,080 --> 02:40:22,720
Speaker 1: just want to know if you felt the if you

3191
02:40:22,800 --> 02:40:25,160
Speaker 1: felt how iconic that was, if you feel it the

3192
02:40:25,240 --> 02:40:28,240
Speaker 1: same way we were listening to it, if you felt

3193
02:40:28,240 --> 02:40:29,600
Speaker 1: like you was a part of a moment that was

3194
02:40:29,640 --> 02:40:31,520
Speaker 1: like really big in history. It's like me being on

3195
02:40:31,600 --> 02:40:33,680
Speaker 1: Deaf Comedy jam Right, I was on there, Jamie Fox

3196
02:40:33,840 --> 02:40:36,240
Speaker 1: was hosting me and Corey Hulkam on the same show.

3197
02:40:36,360 --> 02:40:39,280
Speaker 6: And now to see where we are? So now did

3198
02:40:39,360 --> 02:40:44,080
Speaker 6: you know it and looking back on it now? Yeah,

3199
02:40:44,240 --> 02:40:45,720
Speaker 6: but you didn't know it in the moment. No, you

3200
02:40:45,840 --> 02:40:48,280
Speaker 6: don't know it in the moment, but now I do.

3201
02:40:48,560 --> 02:40:49,960
Speaker 6: Now I'm looking at that ship like y'all is a

3202
02:40:50,000 --> 02:40:51,080
Speaker 6: part of something so okay.

3203
02:40:51,160 --> 02:40:53,959
Speaker 5: So now you can look back at those moments now

3204
02:40:54,120 --> 02:40:56,440
Speaker 5: living moments. Do you say to yourself now, in a moment,

3205
02:40:56,600 --> 02:40:59,240
Speaker 5: this is a moment because you know you didn't never

3206
02:40:59,320 --> 02:40:59,920
Speaker 5: look like that.

3207
02:41:00,240 --> 02:41:03,320
Speaker 3: Yeah, because we have the experience of the moments. That's

3208
02:41:03,320 --> 02:41:05,880
Speaker 3: a great question. Some moments.

3209
02:41:06,000 --> 02:41:09,240
Speaker 4: Yeah, in the last few hours, right, yeah, right, right,

3210
02:41:09,760 --> 02:41:12,360
Speaker 4: they had some moments. We created moments and they had

3211
02:41:12,400 --> 02:41:12,760
Speaker 4: some moments.

3212
02:41:12,760 --> 02:41:15,120
Speaker 3: But yeah, natively we have and it's of youth, you know,

3213
02:41:15,240 --> 02:41:18,000
Speaker 3: like we don't know. You're just living. You're just doing

3214
02:41:18,080 --> 02:41:20,720
Speaker 3: it you just like I did. That was legendary.

3215
02:41:21,040 --> 02:41:22,760
Speaker 5: Now you can kind of live in that moment and

3216
02:41:22,959 --> 02:41:26,200
Speaker 5: enjoy it more experienced looking back saying Okay, now I

3217
02:41:26,320 --> 02:41:28,400
Speaker 5: know what I was like, what I wasn't thinking about

3218
02:41:28,440 --> 02:41:28,800
Speaker 5: back then?

3219
02:41:30,160 --> 02:41:33,879
Speaker 3: Right, yeah, I don't smoke. I just had to try.

3220
02:41:34,040 --> 02:41:37,000
Speaker 3: I know, I feel like he's gonna be in the moment.

3221
02:41:38,720 --> 02:41:41,760
Speaker 3: I don't know in this moment now, I just feel

3222
02:41:41,800 --> 02:41:44,720
Speaker 3: like he's gonna be in the moment. I was saluting you,

3223
02:41:44,840 --> 02:41:45,480
Speaker 3: is what I was doing.

3224
02:41:46,080 --> 02:41:48,800
Speaker 6: You you wanted the icons of rat Man stopped playing,

3225
02:41:48,959 --> 02:41:51,480
Speaker 6: and uh, you know, we all know about your records

3226
02:41:51,520 --> 02:41:52,640
Speaker 6: and your platinum hits and your.

3227
02:41:52,959 --> 02:41:56,080
Speaker 3: But but the ciphers though, you know what I mean.

3228
02:41:56,760 --> 02:41:58,879
Speaker 3: I'm crazy. Also, when at.

3229
02:42:00,440 --> 02:42:03,240
Speaker 1: I was sowing a couple more, I don't want to

3230
02:42:03,240 --> 02:42:06,000
Speaker 1: talk about it. You know, why leave that in the path?

3231
02:42:06,200 --> 02:42:07,440
Speaker 1: Oh look that's the cover right there.

3232
02:42:07,480 --> 02:42:09,640
Speaker 3: That's the cover right there. Oh yeah, who's the who's

3233
02:42:09,720 --> 02:42:11,240
Speaker 3: the editor on that one?

3234
02:42:14,920 --> 02:42:15,120
Speaker 7: Y'all?

3235
02:42:15,240 --> 02:42:16,320
Speaker 3: Engineery man high.

3236
02:42:20,560 --> 02:42:22,800
Speaker 1: I have to just text Elliott and ask him, bare,

3237
02:42:25,000 --> 02:42:27,440
Speaker 1: we don't know we're talking about with Benzino that I

3238
02:42:27,480 --> 02:42:28,400
Speaker 1: think we're talking.

3239
02:42:28,280 --> 02:42:31,480
Speaker 8: He didn't know neither. He was high as hell. That's

3240
02:42:31,560 --> 02:42:40,240
Speaker 8: my son, Ellie, it is my son. Tell me, don't

3241
02:42:40,320 --> 02:42:41,960
Speaker 8: I just I just remember that part.

3242
02:42:42,000 --> 02:42:45,200
Speaker 3: He's like, Yo, that's my son. I raised him on

3243
02:42:45,320 --> 02:42:47,440
Speaker 3: the magazine Kids in that episode.

3244
02:42:47,600 --> 02:42:52,760
Speaker 1: Yeah, look, it's a it's a it's a polarizing episode

3245
02:42:52,920 --> 02:42:57,960
Speaker 1: for sure, to say the least. But then I don't

3246
02:42:58,000 --> 02:43:01,600
Speaker 1: know what means it means a polarizing You can love

3247
02:43:01,640 --> 02:43:05,520
Speaker 1: it plarizing, though it just means that it's so like

3248
02:43:07,680 --> 02:43:11,320
Speaker 1: you have to pay attention, you have to pay for

3249
02:43:11,480 --> 02:43:12,360
Speaker 1: more reasons than one.

3250
02:43:14,360 --> 02:43:17,520
Speaker 3: Of course he has. He has a point when when

3251
02:43:17,800 --> 02:43:21,600
Speaker 3: when he was on the top, he took so many people.

3252
02:43:22,160 --> 02:43:25,039
Speaker 5: And he actually comes from a genuine place of caring

3253
02:43:25,640 --> 02:43:29,400
Speaker 5: about the culture, regardless whether you agree how he talks

3254
02:43:29,400 --> 02:43:31,520
Speaker 5: about it or what he does. But you could tell

3255
02:43:31,600 --> 02:43:32,760
Speaker 5: like he genuinely cares.

3256
02:43:33,840 --> 02:43:37,560
Speaker 6: Like I said, I appreciated the honesty. The more innebriated

3257
02:43:37,600 --> 02:43:40,280
Speaker 6: he got, what he was saying was spot the funk on,

3258
02:43:41,200 --> 02:43:44,440
Speaker 6: you know what I mean. So look, everybody's gonna have

3259
02:43:44,480 --> 02:43:47,680
Speaker 6: a moment and you know, we we clown for that

3260
02:43:47,760 --> 02:43:49,360
Speaker 6: kind of shit, and me being a comedian, I'm gonna

3261
02:43:49,400 --> 02:43:51,320
Speaker 6: find some the funny in it. But at the end

3262
02:43:51,360 --> 02:43:54,760
Speaker 6: of the day, he's a man that was very successful.

3263
02:43:54,760 --> 02:43:58,200
Speaker 6: He's a black man that was very successful, and we

3264
02:43:58,560 --> 02:44:01,800
Speaker 6: we definitely part of what the movie is trying to say.

3265
02:44:01,840 --> 02:44:05,240
Speaker 1: Also, we tear each other down so fucking fast. We

3266
02:44:05,400 --> 02:44:08,840
Speaker 1: can't wait to tear motherfuckers down when the person is

3267
02:44:08,879 --> 02:44:12,080
Speaker 1: going down any any.

3268
02:44:11,720 --> 02:44:15,800
Speaker 5: Point, get at any point because they're like, oh, nobody

3269
02:44:15,879 --> 02:44:17,960
Speaker 5: knows them but me, and then you make it to

3270
02:44:18,040 --> 02:44:18,680
Speaker 5: a certain level.

3271
02:44:19,120 --> 02:44:19,600
Speaker 3: I don't like that.

3272
02:44:20,320 --> 02:44:23,560
Speaker 6: But here's the thing about it is the people that

3273
02:44:23,680 --> 02:44:27,360
Speaker 6: are tearing celebrities down. If they had to walk in

3274
02:44:27,440 --> 02:44:33,439
Speaker 6: their celebrities shoes one day and have thirty people scrutinizing

3275
02:44:33,520 --> 02:44:36,400
Speaker 6: them telling them, dang shit, you whack, you whack as

3276
02:44:36,520 --> 02:44:39,720
Speaker 6: fuck that last thing you put together to them, it's

3277
02:44:39,760 --> 02:44:42,920
Speaker 6: a thing to you as the artist. It's a song

3278
02:44:43,040 --> 02:44:44,960
Speaker 6: that you sat on the right with a producer and

3279
02:44:45,000 --> 02:44:48,160
Speaker 6: there's layers of instruments. It's a full composition, and in

3280
02:44:48,280 --> 02:44:50,240
Speaker 6: one click of a button, these niggas could be like, oh,

3281
02:44:50,280 --> 02:44:54,480
Speaker 6: that's just whack yeah, right, that's just trash right, we

3282
02:44:54,680 --> 02:44:57,000
Speaker 6: sold so when he was when Benzino was on here

3283
02:44:57,200 --> 02:45:00,640
Speaker 6: crying and doing all that, I felt that nigg is pain.

3284
02:45:00,840 --> 02:45:06,279
Speaker 3: I felt the years of I'm tired of this sh I'm.

3285
02:45:06,160 --> 02:45:08,560
Speaker 6: Tired of acting like the tough nigga. I'm tired of being,

3286
02:45:09,200 --> 02:45:12,400
Speaker 6: you know, on the defense. I'm tired of people talking

3287
02:45:12,480 --> 02:45:16,199
Speaker 6: shit about me, my daughter, my business, my magazine.

3288
02:45:16,520 --> 02:45:19,200
Speaker 3: This nigga really built a successful company.

3289
02:45:20,440 --> 02:45:23,240
Speaker 6: Sure, we all got our flaws, but it's like, at

3290
02:45:23,280 --> 02:45:25,840
Speaker 6: what point do we start looking at each other and

3291
02:45:26,040 --> 02:45:31,520
Speaker 6: being like, man, that motherfucker really did something great and.

3292
02:45:31,680 --> 02:45:32,360
Speaker 3: Just leave it at that.

3293
02:45:33,120 --> 02:45:35,040
Speaker 6: Keep our opinions to you know, we're gonna talk shit

3294
02:45:35,080 --> 02:45:37,400
Speaker 6: at the crib or biber shop or whatever, but to

3295
02:45:37,520 --> 02:45:40,800
Speaker 6: go onto public platforms and to keep tearing each other down,

3296
02:45:41,320 --> 02:45:44,280
Speaker 6: We're gonna always be like a toilet, like that shit

3297
02:45:44,320 --> 02:45:46,080
Speaker 6: is just gonna always flush, and the shit just gonna

3298
02:45:46,120 --> 02:45:48,800
Speaker 6: keep going down, and there's never gonna be a moment

3299
02:45:48,840 --> 02:45:52,320
Speaker 6: where because other people don't do this, White people don't

3300
02:45:52,360 --> 02:45:53,039
Speaker 6: do this to each other.

3301
02:45:53,959 --> 02:45:56,400
Speaker 3: Only us. We tear each other down, and we wonder

3302
02:45:56,440 --> 02:45:57,200
Speaker 3: why we don't have shit.

3303
02:45:57,959 --> 02:45:59,480
Speaker 5: And one thing I'll say about Zeno that I think

3304
02:45:59,560 --> 02:46:02,080
Speaker 5: is kind of doing after it came out, is that

3305
02:46:02,200 --> 02:46:04,600
Speaker 5: he could have been someone that said, oh, you know,

3306
02:46:05,640 --> 02:46:08,240
Speaker 5: like no fun drink chances for airing that, or or

3307
02:46:08,280 --> 02:46:11,600
Speaker 5: they edited the wrong way. He actually made Uh. He

3308
02:46:11,680 --> 02:46:13,880
Speaker 5: made an argument for why a man should be able

3309
02:46:13,959 --> 02:46:15,880
Speaker 5: to cry without any problem like that.

3310
02:46:16,040 --> 02:46:17,480
Speaker 3: That's what the human made.

3311
02:46:18,080 --> 02:46:19,840
Speaker 5: But I think it's note that he actually did because

3312
02:46:19,840 --> 02:46:22,600
Speaker 5: he's you know, it's an example for others, you know, like,

3313
02:46:22,800 --> 02:46:24,800
Speaker 5: so what I cried a real gangster christ type of ship.

3314
02:46:24,800 --> 02:46:25,280
Speaker 3: You know what I'm saying.

3315
02:46:27,400 --> 02:46:29,960
Speaker 6: That's he buried his soul out here, you know, And

3316
02:46:30,280 --> 02:46:37,680
Speaker 6: I hope that whole you know, Yeah, I helped him

3317
02:46:37,720 --> 02:46:39,240
Speaker 6: and him stop beefing because.

3318
02:46:40,560 --> 02:46:47,840
Speaker 1: Just stop believe it. I believe it will because I

3319
02:46:47,920 --> 02:46:54,400
Speaker 1: think I think, I think vulnerability is actually being acception now,

3320
02:46:54,959 --> 02:47:02,360
Speaker 1: I think, like wrong right in between, when you keep

3321
02:47:02,400 --> 02:47:06,039
Speaker 1: it real to your truth, people are starting to accept

3322
02:47:06,080 --> 02:47:07,440
Speaker 1: that down and.

3323
02:47:10,040 --> 02:47:12,720
Speaker 3: I think that's cool. Let me ask you this, how

3324
02:47:12,760 --> 02:47:20,040
Speaker 3: did you come up with was that the lyric? Or

3325
02:47:20,160 --> 02:47:23,640
Speaker 3: was you just in the boot vibing? No? We know this, No,

3326
02:47:23,800 --> 02:47:28,920
Speaker 3: you know that's one of my favorite songs. But believe man,

3327
02:47:29,480 --> 02:47:32,640
Speaker 3: on the next play, I don't know where be back.

3328
02:47:33,160 --> 02:47:35,120
Speaker 3: Was that a difference? So to me, y'll pray for me,

3329
02:47:35,840 --> 02:47:41,000
Speaker 3: tell me that you'll worry for me. That's the original song,

3330
02:47:41,560 --> 02:47:53,240
Speaker 3: that little nigga, you know what I mean. Yeah, but

3331
02:47:53,360 --> 02:47:55,200
Speaker 3: that's that's gonna let you get away with that one.

3332
02:47:56,320 --> 02:48:00,440
Speaker 3: That's listen, listen, that's the original song, year one. Come on,

3333
02:48:02,000 --> 02:48:04,640
Speaker 3: I love you, let me see, let me get away

3334
02:48:04,680 --> 02:48:10,840
Speaker 3: with you, pempt call me in the morning about some

3335
02:48:11,040 --> 02:48:13,760
Speaker 3: random ship, right, Yo? Hey, what do you think about

3336
02:48:13,840 --> 02:48:17,640
Speaker 3: this this movie? I guess what they be knowing about

3337
02:48:17,640 --> 02:48:19,280
Speaker 3: it too. You be like, word, I don't like it?

3338
02:48:23,200 --> 02:48:25,920
Speaker 3: Don't you told me out there myself be calling you like,

3339
02:48:26,440 --> 02:48:26,680
Speaker 3: I don't.

3340
02:48:26,760 --> 02:48:29,160
Speaker 1: I don't. I don't think this is right. Yeah, we

3341
02:48:29,320 --> 02:48:32,480
Speaker 1: know we be pow wow forself. That's right man, my brother, But.

3342
02:48:34,160 --> 02:48:34,760
Speaker 3: I just want to.

3343
02:48:34,800 --> 02:48:42,680
Speaker 1: Reiterate how happy, how proud I am what you brothers did.

3344
02:48:44,920 --> 02:48:46,800
Speaker 3: Came out there. You did your own money.

3345
02:48:49,720 --> 02:48:53,039
Speaker 1: But even in your own money, and even and even

3346
02:48:53,080 --> 02:48:56,680
Speaker 1: the biggest story, the biggest story is you're doing it

3347
02:48:56,800 --> 02:48:59,039
Speaker 1: on your own, even though that does.

3348
02:48:58,920 --> 02:48:59,920
Speaker 3: Relate to your own money.

3349
02:49:00,080 --> 02:49:03,400
Speaker 1: I understand that more, but you believe it in your

3350
02:49:03,440 --> 02:49:06,039
Speaker 1: own people and doing it on your own.

3351
02:49:07,600 --> 02:49:10,080
Speaker 3: And sometimes even your own people. Don't even mean your

3352
02:49:10,120 --> 02:49:15,039
Speaker 3: own people. It mean your own people. It mean people

3353
02:49:15,120 --> 02:49:17,480
Speaker 3: that's for you or with you.

3354
02:49:19,280 --> 02:49:21,760
Speaker 1: And I watched the movie Man and I soul was

3355
02:49:21,840 --> 02:49:26,840
Speaker 1: so proud because you taught the story. It was funny,

3356
02:49:28,920 --> 02:49:33,880
Speaker 1: but then you also taught a lesson m hm. And

3357
02:49:34,000 --> 02:49:36,480
Speaker 1: that to me is what hip hop was supposed to be.

3358
02:49:37,959 --> 02:49:45,600
Speaker 1: If a rapper biz markis one of them, that's the

3359
02:49:45,640 --> 02:49:52,000
Speaker 1: piece he talked about picking buggers the story each other,

3360
02:49:53,360 --> 02:49:58,039
Speaker 1: and at this point, who the fuck wants to crack

3361
02:49:58,200 --> 02:49:59,200
Speaker 1: about picking up.

3362
02:50:00,760 --> 02:50:01,080
Speaker 3: Daring?

3363
02:50:02,080 --> 02:50:05,160
Speaker 1: But I always witnessed that, and I always knew I

3364
02:50:05,280 --> 02:50:08,240
Speaker 1: wanted to do that in my own rhymes. So I

3365
02:50:08,280 --> 02:50:10,240
Speaker 1: always want to be funny in my own rhymes. I

3366
02:50:10,280 --> 02:50:15,600
Speaker 1: wanted to people. Sometimes it works. Sometimes it's like I said,

3367
02:50:15,920 --> 02:50:17,680
Speaker 1: stick a broom in your butt, tell you too. It

3368
02:50:17,840 --> 02:50:20,120
Speaker 1: was what the stick a broom in your but I

3369
02:50:20,240 --> 02:50:23,200
Speaker 1: never stuck a broom in no bitch butts, But fuck it,

3370
02:50:23,280 --> 02:50:24,199
Speaker 1: it sounded good.

3371
02:50:27,760 --> 02:50:27,880
Speaker 5: Man.

3372
02:50:27,959 --> 02:50:32,360
Speaker 3: It's the truth of some DJ coute right. Yeah.

3373
02:50:33,240 --> 02:50:37,880
Speaker 1: But I'm saying that, and I'm saying that comedy and

3374
02:50:38,200 --> 02:50:47,640
Speaker 1: rat and even athletes and even actors kind of live

3375
02:50:47,720 --> 02:50:54,880
Speaker 1: the same fucking life. Like you can't have a day off.

3376
02:50:55,640 --> 02:50:58,920
Speaker 1: It's a lot of parallels. You can't have a day off.

3377
02:50:59,080 --> 02:51:01,080
Speaker 1: I know you can't have right there. I know you

3378
02:51:01,240 --> 02:51:06,199
Speaker 1: can't walk to McDonald's. You get a cappuccino. Excuse me, Starbucks.

3379
02:51:06,840 --> 02:51:11,160
Speaker 1: I like cappuccinos. Cappuccinos. They do rouble cappuccinos with oat milk.

3380
02:51:11,280 --> 02:51:15,320
Speaker 3: It's kind of fun ship. It's cut the fun, cutting

3381
02:51:15,320 --> 02:51:17,840
Speaker 3: the fire. I kind of like being the white people's section.

3382
02:51:18,959 --> 02:51:23,680
Speaker 3: But you can't go to there. They're gonna say to

3383
02:51:23,720 --> 02:51:30,439
Speaker 3: you something, nigga, take a picture.

3384
02:51:30,120 --> 02:51:37,880
Speaker 1: Of me, be funny, funny man. They're gonna like, if

3385
02:51:37,920 --> 02:51:42,040
Speaker 1: it's all people, they're gonna make you perform. Other all

3386
02:51:42,040 --> 02:51:45,440
Speaker 1: people make you perform. They'd be like you nigga, rat

3387
02:51:45,560 --> 02:51:48,000
Speaker 1: nigga through the whole, Like what, who the fuck you

3388
02:51:48,120 --> 02:51:51,920
Speaker 1: think our people fave. White people don't make us perform.

3389
02:51:52,000 --> 02:51:58,680
Speaker 1: But they like kind of like say, hey, I'm gonna

3390
02:51:59,360 --> 02:52:00,280
Speaker 1: I'm gonna blowing up.

3391
02:52:00,360 --> 02:52:00,520
Speaker 7: Man.

3392
02:52:02,959 --> 02:52:11,520
Speaker 1: I'm not gonna say ship, I gotta stop. But being

3393
02:52:11,680 --> 02:52:15,480
Speaker 1: famous might have been it might be the hardest thing ever.

3394
02:52:17,240 --> 02:52:20,520
Speaker 3: And what I mean by that is you have to

3395
02:52:20,560 --> 02:52:21,920
Speaker 3: always be fit, you always be on.

3396
02:52:23,520 --> 02:52:26,640
Speaker 1: I said, I hung with Dave the other day and

3397
02:52:26,840 --> 02:52:30,200
Speaker 1: he did something that was remarkable to me. It kind

3398
02:52:30,200 --> 02:52:31,840
Speaker 1: of like refused to be a celebrity.

3399
02:52:31,920 --> 02:52:34,720
Speaker 3: At that moment. People were coming up to him. He

3400
02:52:34,879 --> 02:52:36,480
Speaker 3: was like, hey, how you doing.

3401
02:52:37,600 --> 02:52:41,279
Speaker 1: Yeah, he just kept in the indulgent in all conversations,

3402
02:52:41,600 --> 02:52:43,640
Speaker 1: and I was like, I had never seen that before.

3403
02:52:43,720 --> 02:52:47,640
Speaker 3: I was like, they all want to take a picture

3404
02:52:47,680 --> 02:52:50,200
Speaker 3: with them the whole No.

3405
02:52:50,240 --> 02:52:53,400
Speaker 6: I've been around him. We were we all had lunch,

3406
02:52:53,480 --> 02:52:56,400
Speaker 6: Me and most death a bunch of people and same thing.

3407
02:52:56,440 --> 02:52:58,040
Speaker 6: People is coming up to the table and they wanted

3408
02:52:58,040 --> 02:53:00,200
Speaker 6: to get photos and he has his moments where he's

3409
02:53:00,240 --> 02:53:01,680
Speaker 6: just like, no, thank you, I'm just hanging out with

3410
02:53:01,720 --> 02:53:04,879
Speaker 6: my friends. If you don't mind, I would not want

3411
02:53:04,879 --> 02:53:05,360
Speaker 6: to take a pace.

3412
02:53:05,360 --> 02:53:08,520
Speaker 3: Oh. He says. It's the most politeless way, very very classic.

3413
02:53:09,000 --> 02:53:10,720
Speaker 3: I didn't know. I didn't know how could do that,

3414
02:53:12,959 --> 02:53:16,000
Speaker 3: manage manage people's expectations of you, You know what I mean.

3415
02:53:16,120 --> 02:53:19,320
Speaker 3: You teach them how to treat you, how to absolutely

3416
02:53:21,000 --> 02:53:21,320
Speaker 3: to do that.

3417
02:53:21,680 --> 02:53:24,080
Speaker 1: But you're still right even if you're doing that, you're

3418
02:53:24,120 --> 02:53:27,440
Speaker 1: being polite because you still don't want to offend the person,

3419
02:53:27,520 --> 02:53:31,640
Speaker 1: as opposed to you being concerned about your own boundaries

3420
02:53:31,680 --> 02:53:33,640
Speaker 1: and your own peace. You know what I mean, You're

3421
02:53:33,640 --> 02:53:36,280
Speaker 1: still trying to placate the person as opposed to just

3422
02:53:36,560 --> 02:53:38,959
Speaker 1: holding yourself down, and you still feel like you got

3423
02:53:39,040 --> 02:53:41,800
Speaker 1: to be on even in the denial of the photo.

3424
02:53:42,920 --> 02:53:47,480
Speaker 3: Oh it was just me and his wife, Me and

3425
02:53:47,600 --> 02:53:51,120
Speaker 3: my wife at that moment, Like it was like he

3426
02:53:51,240 --> 02:53:51,920
Speaker 3: protected us.

3427
02:53:52,000 --> 02:53:54,760
Speaker 1: He knew what to say to the people that came

3428
02:53:54,800 --> 02:53:59,040
Speaker 1: around us, and I would not experienced and that I

3429
02:53:59,200 --> 02:54:03,520
Speaker 1: always I just fool all right, cool, like I'm sitting

3430
02:54:03,560 --> 02:54:07,840
Speaker 1: here with me pasta and ship. Let's go, let's take

3431
02:54:07,840 --> 02:54:11,959
Speaker 1: a picture. Like they knew you knew how to navigate

3432
02:54:12,040 --> 02:54:12,800
Speaker 1: this situation.

3433
02:54:13,000 --> 02:54:16,760
Speaker 3: Like hey, and I had never seen that. Dad never

3434
02:54:16,920 --> 02:54:18,480
Speaker 3: knew how to.

3435
02:54:20,760 --> 02:54:23,720
Speaker 1: I don't want to say deny, yeah, celebrity, but just

3436
02:54:24,080 --> 02:54:25,039
Speaker 1: manage the situation.

3437
02:54:25,560 --> 02:54:28,880
Speaker 3: Manage the situation. And that was just so dope to me.

3438
02:54:29,600 --> 02:54:31,840
Speaker 12: And I had never s what about now you now

3439
02:54:32,400 --> 02:54:36,520
Speaker 12: that's what you're talking about. This just happened, so now

3440
02:54:36,600 --> 02:54:40,400
Speaker 12: you you tried to look, I hit it. I hit

3441
02:54:40,440 --> 02:54:42,200
Speaker 12: it with a different lot the other days.

3442
02:54:43,640 --> 02:54:48,480
Speaker 3: Lie, it was coming a lot. What did you tell him?

3443
02:54:49,400 --> 02:54:53,560
Speaker 3: Dude came up to me. It was like, oh man, yeah,

3444
02:54:53,840 --> 02:54:59,080
Speaker 3: I was like this, I'm on vacation. If they find

3445
02:54:59,120 --> 02:55:05,600
Speaker 3: out on my head, I can't get paid. Dude felt

3446
02:55:05,720 --> 02:55:10,400
Speaker 3: He was like, blow it up, just like dam. I

3447
02:55:10,480 --> 02:55:13,520
Speaker 3: was like, yo, man, I looked and it was it

3448
02:55:13,680 --> 02:55:16,840
Speaker 3: was ill because I looked around. I did it like

3449
02:55:16,920 --> 02:55:17,520
Speaker 3: a drug deal.

3450
02:55:18,080 --> 02:55:21,080
Speaker 1: Was like, yo, man, listen, man, you really got love

3451
02:55:21,160 --> 02:55:24,879
Speaker 1: for me because I don't take that picture. Don't take

3452
02:55:24,959 --> 02:55:28,360
Speaker 1: that picture. He was like, man, you that money And

3453
02:55:28,440 --> 02:55:32,680
Speaker 1: I felt so bad. You can continue to go out

3454
02:55:32,680 --> 02:55:34,560
Speaker 1: and go ahead. I went too far.

3455
02:55:36,560 --> 02:55:42,360
Speaker 3: How about you. I know you deny your celebrity. I'm good.

3456
02:55:43,720 --> 02:55:49,119
Speaker 1: That's why you stay. So tell us an awkward moment

3457
02:55:49,200 --> 02:55:50,120
Speaker 1: of your celebrity.

3458
02:55:50,480 --> 02:55:52,080
Speaker 3: I'm got an awkward moment. That's what a picture? I

3459
02:55:52,120 --> 02:55:55,240
Speaker 3: take a picture by Southwest. Somebody ain't step on your niggas.

3460
02:55:56,760 --> 02:56:01,840
Speaker 1: Listen this niggas, Frank, come on, talk about it, man,

3461
02:56:01,879 --> 02:56:04,400
Speaker 1: talk about what somebody stepped in your sneakers.

3462
02:56:04,440 --> 02:56:08,920
Speaker 3: One time you get back. I was like, hey, hey,

3463
02:56:09,840 --> 02:56:10,360
Speaker 3: I love you.

3464
02:56:10,800 --> 02:56:13,400
Speaker 1: Nobody annoy you, and you have no fan that annoys you.

3465
02:56:14,000 --> 02:56:19,240
Speaker 1: How would I know that my fans are ignoring me, annoyed, annoying,

3466
02:56:19,680 --> 02:56:22,720
Speaker 1: annoyed those people that are annoying, But yeah, you keep

3467
02:56:22,840 --> 02:56:25,039
Speaker 1: mad as if they're polite. My thing is, if you're polite,

3468
02:56:25,520 --> 02:56:27,200
Speaker 1: you come up. Can I please take a picture? Cool,

3469
02:56:27,200 --> 02:56:29,040
Speaker 1: I'm cool with any picture. I'm gonna be honest with you.

3470
02:56:29,240 --> 02:56:32,200
Speaker 1: Annoying and polite don't go together. Okay, So if they're polite,

3471
02:56:32,360 --> 02:56:35,320
Speaker 1: if they're annoying, no, if anybody disrespects me, no, that's

3472
02:56:35,320 --> 02:56:39,080
Speaker 1: when I ask no. No one never been annoying to you. Yeah,

3473
02:56:39,120 --> 02:56:41,520
Speaker 1: and they don't get a picture, they don't stay away

3474
02:56:41,520 --> 02:56:43,200
Speaker 1: from me. Give us a scenario.

3475
02:56:44,400 --> 02:56:48,640
Speaker 13: Yeah, drunk motherfucker? All right, cool, go that way and

3476
02:56:48,720 --> 02:56:55,200
Speaker 13: then call me later. Look you the listener guy here.

3477
02:56:56,840 --> 02:57:00,240
Speaker 3: Holy shit, Yo, man, this has been so fucking great.

3478
02:57:01,240 --> 02:57:06,840
Speaker 3: Don't being honest. I'm so happy that we established the

3479
02:57:07,080 --> 02:57:11,160
Speaker 3: Chinese established that man.

3480
02:57:12,560 --> 02:57:16,960
Speaker 7: Coming from North Carolina. He was the homie from Rocking

3481
02:57:16,959 --> 02:57:19,840
Speaker 7: from the gas Station, that.

3482
02:57:20,560 --> 02:57:23,320
Speaker 5: Bron Fens come out of the Flying.

3483
02:57:23,160 --> 02:57:28,480
Speaker 1: The Old gas Station movie. We're gonna continue. Absolutely, we're

3484
02:57:28,520 --> 02:57:30,560
Speaker 1: gonna do this. I don't know if I'm like being

3485
02:57:30,600 --> 02:57:33,920
Speaker 1: like every all my fucking money in there, but I'm

3486
02:57:34,080 --> 02:57:35,400
Speaker 1: gonna find somebody to fund us.

3487
02:57:35,840 --> 02:57:45,000
Speaker 3: We're gonna. We're gonna Charlie, Charlie, We're talking.

3488
02:57:45,400 --> 02:57:48,440
Speaker 1: We getting we just we we established again will Smith

3489
02:57:48,560 --> 02:57:51,440
Speaker 1: and Martin at some point, at some point, at some point,

3490
02:57:51,440 --> 02:57:53,720
Speaker 1: at some point, at some point, not now. I'm gonna

3491
02:57:53,720 --> 02:57:58,160
Speaker 1: talk to them for you now again. Of course I've

3492
02:57:58,160 --> 02:58:00,400
Speaker 1: seen him a fat Joe the other day. Put me

3493
02:58:00,440 --> 02:58:02,280
Speaker 1: on FaceTime. You want to celebrate that.

3494
02:58:02,400 --> 02:58:04,120
Speaker 3: That's all we want to do about because because we

3495
02:58:04,200 --> 02:58:07,360
Speaker 3: don't drink, right, does he drink? He doesn't drink.

3496
02:58:08,120 --> 02:58:08,480
Speaker 1: I don't know.

3497
02:58:08,720 --> 02:58:10,480
Speaker 4: I can't speak for them in terms of whether he drinks.

3498
02:58:10,640 --> 02:58:13,760
Speaker 4: All right, cool, I don't drink. I've never drink with him.

3499
02:58:13,959 --> 02:58:15,520
Speaker 4: Yeah yeah, but I mean you know he might take.

3500
02:58:15,400 --> 02:58:15,880
Speaker 3: A drink with you.

3501
02:58:15,920 --> 02:58:16,240
Speaker 7: I don't know.

3502
02:58:16,360 --> 02:58:18,280
Speaker 3: Yeah, yeah, I mean a lot of people take you

3503
02:58:18,360 --> 02:58:20,440
Speaker 3: drinking me. That's what I'm saying. You know, you know

3504
02:58:20,520 --> 02:58:23,280
Speaker 3: a great guy, these three. That's what I said. We drink.

3505
02:58:23,480 --> 02:58:28,120
Speaker 3: You took a drinking me exactly, my friend, but you

3506
02:58:28,200 --> 02:58:29,080
Speaker 3: got drunk water.

3507
02:58:30,480 --> 02:58:37,880
Speaker 1: That'sen this the correct way. Proud of this movie. I'm

3508
02:58:37,959 --> 02:58:41,400
Speaker 1: staying by this movie. I respect this movie. I'm co

3509
02:58:41,640 --> 02:58:46,040
Speaker 1: sign this co sign your movement sign. Everything you're doing

3510
02:58:48,040 --> 02:58:51,080
Speaker 1: that ship is dope. I was so happy watching it.

3511
02:58:52,080 --> 02:58:55,840
Speaker 1: I was so happy watching you teaching a lesson. I

3512
02:58:56,000 --> 02:58:58,520
Speaker 1: was like, damn, because I knew where you were going.

3513
02:58:58,600 --> 02:59:02,600
Speaker 1: I was like, damn, and I know that anybody younger

3514
02:59:02,640 --> 02:59:06,800
Speaker 1: than me might not know, but they're going to understand

3515
02:59:06,840 --> 02:59:10,000
Speaker 1: and do that. If they understand and do that, it's

3516
02:59:10,040 --> 02:59:15,280
Speaker 1: still the same lesson rights, still the same lesson you understand.

3517
02:59:15,360 --> 02:59:18,800
Speaker 3: So I was like, ah, cool, I love it. So

3518
02:59:18,840 --> 02:59:23,320
Speaker 3: I want to give your flowers again. Congratulations man, Thank

3519
02:59:23,400 --> 02:59:24,320
Speaker 3: you man, you.

3520
02:59:29,160 --> 02:59:33,760
Speaker 1: We love you, man, and thank you for having you

3521
02:59:33,840 --> 02:59:36,640
Speaker 1: know what I mean. You know this is truly an

3522
02:59:36,680 --> 02:59:40,880
Speaker 1: independent effort. Oh be independent too, Yeah, but that's what

3523
02:59:40,879 --> 02:59:41,240
Speaker 1: I'm saying.

3524
02:59:41,280 --> 02:59:43,720
Speaker 6: But y'all, y'all have such a platform that everybody knows

3525
02:59:43,920 --> 02:59:46,240
Speaker 6: who y'all are. Like, we know, we understand where we

3526
02:59:46,320 --> 02:59:51,120
Speaker 6: are right now, but as much as we're friends, you

3527
02:59:51,200 --> 02:59:54,879
Speaker 6: don't you still don't have to open your platform for me.

3528
02:59:54,920 --> 02:59:56,879
Speaker 3: To just come on and talk about my movie.

3529
02:59:57,200 --> 02:59:59,920
Speaker 6: So the fact that you saw this movie as import

3530
03:00:00,240 --> 03:00:02,000
Speaker 6: enough of a topic to be like, you know what,

3531
03:00:02,080 --> 03:00:04,959
Speaker 6: I want to give them the microphone. We don't take

3532
03:00:04,959 --> 03:00:07,959
Speaker 6: that lightly. So thank y'all for always, you know, showing up.

3533
03:00:08,120 --> 03:00:11,920
Speaker 6: Imagine y'all didn't get in the movie. We couldn't get

3534
03:00:11,959 --> 03:00:13,560
Speaker 6: your availability.

3535
03:00:14,040 --> 03:00:19,040
Speaker 1: I want to reiterate your flowers. No, even if we

3536
03:00:19,120 --> 03:00:21,959
Speaker 1: had nothing to do with the movie, be about the movie.

3537
03:00:23,520 --> 03:00:27,480
Speaker 1: How important you are to this culture. Important y'all law

3538
03:00:27,560 --> 03:00:30,840
Speaker 1: to this culture, and y'all three conglomerates to get together.

3539
03:00:31,840 --> 03:00:34,320
Speaker 3: Of course, this was this was, this is meant to be,

3540
03:00:35,440 --> 03:00:35,800
Speaker 3: meant to be.

3541
03:00:36,760 --> 03:00:37,240
Speaker 7: I don't.

3542
03:00:38,920 --> 03:00:42,800
Speaker 3: Thank you, just take a yes.

3543
03:00:42,879 --> 03:00:45,560
Speaker 2: Indeed, shout out to your camera batteries too. For last,

3544
03:00:46,600 --> 03:00:47,160
Speaker 2: how y'all do this?

3545
03:00:48,000 --> 03:00:51,400
Speaker 5: Drink Champs is a drink Champs LLC production hosts and

3546
03:00:51,560 --> 03:00:54,440
Speaker 5: executive producers n O r E and d j e

3547
03:00:54,720 --> 03:00:54,960
Speaker 5: f N.

3548
03:00:56,120 --> 03:00:57,320
Speaker 3: Listen to Drink Champs.

3549
03:00:57,120 --> 03:01:01,400
Speaker 5: On Apple Podcast, Amazon Music Spot, or wherever you get

3550
03:01:01,440 --> 03:01:05,080
Speaker 5: your podcasts. Thanks for joining us for another episode of

3551
03:01:05,160 --> 03:01:07,880
Speaker 5: drink Champs hosted by yours truly, dj e f N

3552
03:01:08,120 --> 03:01:10,240
Speaker 5: and n O r E. Please make sure to follow

3553
03:01:10,320 --> 03:01:12,840
Speaker 5: us on all our socials That's at drink Champs across

3554
03:01:12,920 --> 03:01:17,240
Speaker 5: all platforms, at the Real noriagon I g at Noriega

3555
03:01:17,280 --> 03:01:20,920
Speaker 5: on Twitter, mine is at Who's Crazy on ig at,

3556
03:01:21,040 --> 03:01:23,840
Speaker 5: dj e f N on Twitter, and most importantly, stay

3557
03:01:23,920 --> 03:01:26,879
Speaker 5: up to date with the latest releases, news and merch

3558
03:01:27,080 --> 03:01:28,960
Speaker 5: by going to drink Champs dot com.