WEBVTT - A Conversation with Iyaz Akhtar

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<v Speaker 1>Welcome to Tech Stuff, a production from My Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio

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<v Speaker 1>and I love all things tech. And we have a

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<v Speaker 1>special guest today, a special topic. Yes, i As Zactar.

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<v Speaker 1>This is your life, except you're the one who's going

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<v Speaker 1>to have to tell us about it because I don't

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<v Speaker 1>know enough about your background. My good friend i As

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<v Speaker 1>has agreed to join the show. Welcome back to Tech Stuff.

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<v Speaker 1>Thank you, Jonathan, it's good to be back. I was

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<v Speaker 1>like talking to your listeners because I do find them

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<v Speaker 1>to be some of the smartest people on the planet.

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<v Speaker 1>This is true. They consistently tell me how wrong I am.

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<v Speaker 1>And it's only smart people who can pick up on

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<v Speaker 1>all the mistakes I make. Uh no, you're You're right.

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<v Speaker 1>They are. They are really smart crew, and I love

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<v Speaker 1>them very much. And i As and I have known

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<v Speaker 1>each other for around a decade now. I think it's

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<v Speaker 1>been about ten years since we has met. Probably a

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<v Speaker 1>little more than that. Actually, it's something like that. Time

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<v Speaker 1>has no meaning anymore, so it's probably a decade or

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<v Speaker 1>twelve decades. It's hard to tell. That's true. Lasted about

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<v Speaker 1>seventeen years, I think. But we first met I think

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<v Speaker 1>back at a c E S you were, I believe,

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<v Speaker 1>working with tech TV at the time. Tech V. Tech

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<v Speaker 1>V that's it. That's what I meant at tech TV

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<v Speaker 1>is something I've never joined. I think I joined the

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<v Speaker 1>spiritual successor to it at one point, some people call it,

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<v Speaker 1>but tech V with Randall Bennett, who used to work

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<v Speaker 1>at and Gadgets worked at cen At, started his own

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<v Speaker 1>video network and I jumped on board and we were

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<v Speaker 1>we had a little space, I think, and it was

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<v Speaker 1>in CS in the North Hall, I want to say.

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<v Speaker 1>And then this guy Jonathan Strictly shows up and we

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<v Speaker 1>hit it off and I couldn't get rid of me since. Yeah,

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<v Speaker 1>of course, listeners you probably know I A's Best from

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<v Speaker 1>the hit podcast podcast Without Pretense, a show that he

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<v Speaker 1>and I and Eric Sandan sporadically recorded for sometime. We

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<v Speaker 1>threatened to bring it back, but that kind of I mean,

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<v Speaker 1>let's be honest, Pandemic really did a number on everything.

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<v Speaker 1>But yeah, there's there's still the threat that that show

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<v Speaker 1>could come back. If you're a fan of family friendly entertainment,

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<v Speaker 1>do not listen to podcasts without pretense. I totally agree.

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<v Speaker 1>It's not for the faint of heart. It's not for

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<v Speaker 1>those who love certain media conglomerates. It's not for people

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<v Speaker 1>who like swear words. If you don't like swear words,

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<v Speaker 1>I would avoid that show unless you want to just

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<v Speaker 1>count how often we swear on the That show itself

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<v Speaker 1>can live on its own. I will not touch upon

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<v Speaker 1>it again. But I as I wanted to talk to

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<v Speaker 1>you because you have had a long career in the

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<v Speaker 1>sort of area that I work into in tech communication,

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<v Speaker 1>although yours has had very different styles than my own.

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<v Speaker 1>So I wanted to start off by talking about how

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<v Speaker 1>did you get into the field of working in like

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<v Speaker 1>tech video production and tech podcasting and that sort of stuff.

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<v Speaker 1>How did that all get started? Well, the story that

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<v Speaker 1>is a long and uninteresting one, so you can jump

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<v Speaker 1>ahead at any time, you guys, if you're listening to this.

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<v Speaker 1>But it turned out that I loved technology since I

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<v Speaker 1>was a little kid, and my dad was a gadget guy,

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<v Speaker 1>and my mom would yell in him like, hey, don't

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<v Speaker 1>spend that, don't find those gadgets because you gotta send

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<v Speaker 1>your kids to college. And so I used to just

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<v Speaker 1>be obsessed with gadgets growing up. And then I was

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<v Speaker 1>in law school at the time, and I just was

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<v Speaker 1>writing a lot of blogs. I was doing a lot

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<v Speaker 1>of writing in general, and I got a job writing

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<v Speaker 1>at the Apple blog, which I don't think was with

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<v Speaker 1>us anymore. It's part of Giga Home. And I started

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<v Speaker 1>writing blogs about Apple stuff, and then I started writing

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<v Speaker 1>my own blogs on tech things that are beyond Apple.

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<v Speaker 1>And there was one point where I reached studying for

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<v Speaker 1>the bar exam for New York State, and I was

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<v Speaker 1>studying about eleven to twelve hours a day, something crazy. Basically,

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<v Speaker 1>if I was awake, I was studying for this exam

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<v Speaker 1>because it was a two day exam at the time.

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<v Speaker 1>New York is the second hardest a state to pass,

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<v Speaker 1>not like Passachusetts or or in Danielson. New York has changed,

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<v Speaker 1>I believe it's now three days. And so I was

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<v Speaker 1>studying like crazy, and I needed a creative outlet. And

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<v Speaker 1>so while I was studying, I took these breaks and

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<v Speaker 1>I would do an audio podcast with my best friend

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<v Speaker 1>Rob called Killing Time, which is on and off still

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<v Speaker 1>for like now ten to fifteen years. I've been doing

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<v Speaker 1>this ridiculous show. It's just an entertainment show, just talking

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<v Speaker 1>about stuff that wasn't it wasn't being covered because back

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<v Speaker 1>then this is the starter podcast. I saw Leo Laporte

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<v Speaker 1>had moved to his own thing on Twitter. I saw

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<v Speaker 1>this show called Hack five. I was watching this guy

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<v Speaker 1>named Darren Kitchen. I'm like, you know, these guys are

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<v Speaker 1>doing podcasts. I think I could do that, and so

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<v Speaker 1>I started recording audio stuff on my own. I figured

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<v Speaker 1>out how to do with an old I believe this

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<v Speaker 1>was an iMac, one of the first Intel ones, and

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<v Speaker 1>I call my friend up, we'd record it and I

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<v Speaker 1>put it out. And this is the very early days

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<v Speaker 1>of podcast asting. So I turned that into a job

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<v Speaker 1>at one point because I was also still finishing law

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<v Speaker 1>school and I just got just past the bar, and

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<v Speaker 1>I was going to go into the field of law,

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<v Speaker 1>which because I'm a first generation American, so my folks

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<v Speaker 1>will be a lawyer, be a doctor, I didn't want

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<v Speaker 1>to be a doctor. So I got the law degree

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<v Speaker 1>and I entered a field. I think it was around

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<v Speaker 1>two thousand and six, two thousand seven, and the entire

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<v Speaker 1>market for lawyers dropped, so all of these people coming

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<v Speaker 1>out of school were competing with high level. People were

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<v Speaker 1>being paid a lot, we were competing for the same jobs,

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<v Speaker 1>so this was an absolute nightmare. So I was looking

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<v Speaker 1>for positions while I was still doing my audio podcast,

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<v Speaker 1>and I started messing with video a little bit more.

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<v Speaker 1>And during this time, I got a job at a

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<v Speaker 1>place called Gadgetel and I ended up being their editor

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<v Speaker 1>in chief. And as editor in chief, I'm like, let's

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<v Speaker 1>make videos, and I want to be in them because

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<v Speaker 1>I'm in charge. So I started making videos with the

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<v Speaker 1>people there, and I found other video outlets with Will

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<v Speaker 1>Harris and Justin Gainer over a channel flip, which I

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<v Speaker 1>believe got bought by Condie Nast in the long run.

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<v Speaker 1>So I started doing videos around then, and that's where

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<v Speaker 1>it all really started, because I was going bonkers and

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<v Speaker 1>just losing. I was just losing my patients in general

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<v Speaker 1>because I was studying so much. I just needed a

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<v Speaker 1>creative outlet, and that was audio and video. When you

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<v Speaker 1>were studying law, I want to say that there was

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<v Speaker 1>a point where I had you on an episode where

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<v Speaker 1>we were talking about patent law. Am I remembering that correctly?

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<v Speaker 1>That is correct? Because I did study intellectual property. It

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<v Speaker 1>was a field of law that I am and still

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<v Speaker 1>am interested. I was interested, and I'm still interested in it.

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<v Speaker 1>But due to the fact that so many of the

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<v Speaker 1>cases were so it was like splitting hairs. It was

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<v Speaker 1>making me really really agitated, and I thought, Hey, if

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<v Speaker 1>I was every going to die at a job because

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<v Speaker 1>of a heart attack, this would be the thing. So

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<v Speaker 1>I veered away from intellectual property just because I was

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<v Speaker 1>just getting so amped up about why does this pac

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<v Speaker 1>Man game make sense? That this Pong game isn't infringement?

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<v Speaker 1>And I just I got two worked up. I'm like,

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<v Speaker 1>I can't, I can't do that. So I did do

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<v Speaker 1>a bit of intellectual property class work. Never practiced that,

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<v Speaker 1>but it did show up on an episode with you

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<v Speaker 1>talking about intellectual property, and I believe video games was

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<v Speaker 1>a large chunk of that. Yeah, I should probably have

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<v Speaker 1>you back and we can have a discussion about patent

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<v Speaker 1>trolls in general and the one in particular that was

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<v Speaker 1>threatening the entire podcast industry for a few years, because

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<v Speaker 1>that was back in the yeah, back in the days

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<v Speaker 1>when when tech stuff was part of Discovery Communications and

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<v Speaker 1>there were just these crazy lawsuits getting thrown around, and

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<v Speaker 1>we could kind of dive into how that all worked.

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<v Speaker 1>But that'll I'll save that for a future episode. So

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<v Speaker 1>you you get this editor in chief job and you

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<v Speaker 1>start making, you start making videos. I love this too

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<v Speaker 1>because as someone who's become executive producer in the same

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<v Speaker 1>way where I launched a podcast, because I realized I

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<v Speaker 1>had the authority to do it, so I did it.

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<v Speaker 1>That's how, That's how Large Nerd Drunk Colleider it got started.

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<v Speaker 1>If you guys out there have listened to you of

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<v Speaker 1>those episodes, Um, it was a show that my friend

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<v Speaker 1>Ariel and I were doing on our own, and then

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<v Speaker 1>I had the chance to bring it over here, and

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<v Speaker 1>I kept on there was there was talk of bringing

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<v Speaker 1>it on for like two years, and it just never happened.

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<v Speaker 1>Then I realized, wait a minute, I'm an executive producer.

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<v Speaker 1>I can make this happen myself. So I I identify

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<v Speaker 1>strongly there's a couple of different parallels in our career paths.

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<v Speaker 1>So what happens next? Where do you go from there?

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<v Speaker 1>After you've got this editor in chief gig. So I

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<v Speaker 1>do that for a couple of years, and that's not

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<v Speaker 1>that's completely wrong, that's wrong entirely. I did that for

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<v Speaker 1>a couple of months that's right. And then Randall Bennett

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<v Speaker 1>offered me this job because he was having me on

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<v Speaker 1>as a guest a lot of some of my videos

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<v Speaker 1>on Gadgetel, and he was like, Hey, I think I

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<v Speaker 1>want to interview for this this thing I'm doing, Like

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<v Speaker 1>I said, okay, and he did a startup called tech

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<v Speaker 1>V tech v I, and I eventually was offered a

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<v Speaker 1>position as managing editor of the startup. Now would be

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<v Speaker 1>a step down, but it was. It was purely video,

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<v Speaker 1>and I thought, well, screw it, let's do it. Let's

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<v Speaker 1>go ahead end see if I could manage to do

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<v Speaker 1>this now. At the time, I don't have I have

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<v Speaker 1>a son now, but I didn't have a kid then,

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<v Speaker 1>so there was I was much more. I wasn't as

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<v Speaker 1>risk risk of versus I am now and switching jobs.

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<v Speaker 1>So I just completely left my job at Gadgetel, wound

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<v Speaker 1>up a tech V started doing video with Randall and

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<v Speaker 1>we're talking about doing daily videos. And this is somewhere

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<v Speaker 1>in like two thousand eight or so, so internet speeds,

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<v Speaker 1>I'm not exactly great. Everything was in one man operation

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<v Speaker 1>at the time. So in my my part, my house,

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<v Speaker 1>that is, I had my prompter set up I built

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<v Speaker 1>my own prompters because everything was much cheaper to build

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<v Speaker 1>back then versus now. Because as YouTube has grown and

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<v Speaker 1>everybody can make content, the amount of equipment that's available

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<v Speaker 1>now for cheap is just mind blowing. But when I

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<v Speaker 1>was doing this in two thousand eight, I had to

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<v Speaker 1>build something. A thirty five dollar prompter was made out

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<v Speaker 1>of heavy wood and the most expensive parts were the brackets.

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<v Speaker 1>So I set up my own prompter in my in

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<v Speaker 1>my office home office. I would write up my scripts,

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<v Speaker 1>I read camera, I've send it, I do the editing myself.

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<v Speaker 1>If I could do it live, we did it live

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<v Speaker 1>to not live to take, but live to digital, I guess.

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<v Speaker 1>And then we published it. So we published two or

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<v Speaker 1>three times a day, which was a really unusual pace

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<v Speaker 1>for the time because usually people are setting up and

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<v Speaker 1>then you've got your scriptwriting, you've got your research, you

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<v Speaker 1>got this, that and the other thing. And I was

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<v Speaker 1>pulling out two to three pieces of video content per day.

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<v Speaker 1>So that's got that got me to tech V and

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<v Speaker 1>then Randa wanted to kill the company because it wasn't

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<v Speaker 1>going anywhere. He said, this is not reaching the level

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<v Speaker 1>where I wanted to reach, and so I'm just going

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<v Speaker 1>to close the doors. And so I said, oh, crud, no,

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<v Speaker 1>what do I do? So at that point I was like, Okay,

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<v Speaker 1>well do I want to give law another shot? I'm like, yeah,

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<v Speaker 1>I'll give a law another shot. Because the market it

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<v Speaker 1>changed a bit, and I managed to get an interview

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<v Speaker 1>in Plantation, Florida with the I R S of all things,

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<v Speaker 1>because I studied tax law. That's true. I passed the

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<v Speaker 1>bar in New York, and I have a master's in

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<v Speaker 1>tax law, which is completely relevant to what I do now,

0:11:01.200 --> 0:11:05.640
<v Speaker 1>completely relevant. So I I go to this interview and

0:11:05.960 --> 0:11:08.680
<v Speaker 1>I bombed the interview flat out. To this day, I

0:11:08.679 --> 0:11:11.280
<v Speaker 1>remember the question I should have answered truthfully. They asked

0:11:11.320 --> 0:11:13.080
<v Speaker 1>me this question of what do you do when you

0:11:13.080 --> 0:11:15.600
<v Speaker 1>go too far in the wrong direction? And I wanted

0:11:15.640 --> 0:11:17.360
<v Speaker 1>I should have just told them the truth of like,

0:11:17.520 --> 0:11:20.440
<v Speaker 1>I don't ever do that. When I start feeling like

0:11:20.480 --> 0:11:23.400
<v Speaker 1>something's off, I immediately talked to somebody else and I go, hey,

0:11:23.520 --> 0:11:25.000
<v Speaker 1>does this seem right? This is the way it's supposed

0:11:25.000 --> 0:11:27.120
<v Speaker 1>to be gone? Because this isn't seem right. I'm from

0:11:27.120 --> 0:11:29.400
<v Speaker 1>New York and we have signs for delayed green lights.

0:11:29.760 --> 0:11:31.520
<v Speaker 1>I don't know if you have that elsewhere in this

0:11:31.559 --> 0:11:34.240
<v Speaker 1>country or anywhere else, because we're so impatient to New

0:11:34.320 --> 0:11:37.120
<v Speaker 1>York that if the light hasn't changed immediately after the

0:11:37.120 --> 0:11:39.679
<v Speaker 1>other one has, something's broken, people start going. So we

0:11:39.720 --> 0:11:43.120
<v Speaker 1>need to sign delayed green light. So when I in

0:11:43.200 --> 0:11:45.160
<v Speaker 1>my reality run into a thing where I think I'm

0:11:45.200 --> 0:11:47.040
<v Speaker 1>kind of going the wrong way just by a hair,

0:11:47.520 --> 0:11:50.080
<v Speaker 1>I'll talk to somebody, either they're above me or to

0:11:50.120 --> 0:11:52.440
<v Speaker 1>my side. I'm like, hey, does this seem right? If

0:11:52.480 --> 0:11:54.800
<v Speaker 1>I just answered that question truthfully, none of this would

0:11:54.800 --> 0:11:58.200
<v Speaker 1>have happened. So I bombed that interview. I start looking

0:11:58.200 --> 0:12:01.400
<v Speaker 1>for jobs like crazy. I go through six months or

0:12:01.440 --> 0:12:05.199
<v Speaker 1>seven months of unemployment. This was horrible for me, So

0:12:05.320 --> 0:12:07.200
<v Speaker 1>I'm just trying to figure out what to do. I

0:12:07.240 --> 0:12:09.400
<v Speaker 1>start doing my own show again. I'm like, Okay. After

0:12:09.440 --> 0:12:11.080
<v Speaker 1>a while, it's bubbled up in me, like you gotta

0:12:11.160 --> 0:12:13.640
<v Speaker 1>do this show called this Old Nerd. It's a video

0:12:13.679 --> 0:12:17.680
<v Speaker 1>podcast I did. And this is before YouTube is huge.

0:12:17.800 --> 0:12:21.560
<v Speaker 1>It's there's a lots of different video streaming sites. There's blip,

0:12:21.760 --> 0:12:25.560
<v Speaker 1>there's YouTube, there's daily Motion, there was vo there was video,

0:12:25.760 --> 0:12:28.360
<v Speaker 1>and there was there's obviously some of those are still around.

0:12:28.760 --> 0:12:31.880
<v Speaker 1>So I started doing this show, and then, of course,

0:12:31.880 --> 0:12:33.920
<v Speaker 1>since I did the show, I ended up getting a

0:12:34.040 --> 0:12:38.240
<v Speaker 1>job at PC Magazine. Now this job was not video,

0:12:38.440 --> 0:12:41.360
<v Speaker 1>this was a featured writer, and I had to spin

0:12:41.760 --> 0:12:44.400
<v Speaker 1>my video to trajectory to explain to them why I

0:12:44.440 --> 0:12:47.240
<v Speaker 1>wanted to do this. A hundred days goes by and

0:12:47.280 --> 0:12:50.440
<v Speaker 1>I quit. So the reason why I quit was I

0:12:50.480 --> 0:12:54.680
<v Speaker 1>got an offer from Twitch in California when I was

0:12:54.720 --> 0:12:59.120
<v Speaker 1>at CS. I was at CS for something. I forget what.

0:12:59.200 --> 0:13:01.320
<v Speaker 1>I forget him it was for gadgetel or it was

0:13:01.400 --> 0:13:05.360
<v Speaker 1>for it was for um tech v or PC mag

0:13:05.360 --> 0:13:07.280
<v Speaker 1>I don't even remember which thing was. At this point,

0:13:07.600 --> 0:13:09.800
<v Speaker 1>I was somewhere is It's kind of ambiguous. I get

0:13:09.840 --> 0:13:13.360
<v Speaker 1>this offer from twit to be on tom Merritt show

0:13:13.400 --> 0:13:18.960
<v Speaker 1>called Tech News Today, and I get the offer, and

0:13:19.120 --> 0:13:21.400
<v Speaker 1>I have to tell this company that I persuaded after

0:13:21.400 --> 0:13:23.280
<v Speaker 1>weeks and weeks and weeks to hire me, to let

0:13:23.280 --> 0:13:25.400
<v Speaker 1>me go, so I equip within a hundred days. The

0:13:25.520 --> 0:13:28.559
<v Speaker 1>editor in chief you know who you are, didn't talk

0:13:28.559 --> 0:13:31.319
<v Speaker 1>to me for two weeks after I quit. I was

0:13:31.320 --> 0:13:33.720
<v Speaker 1>still at the company for seventeen days. He would not

0:13:33.760 --> 0:13:37.319
<v Speaker 1>speak to me, and I was assigned absolute garbage pieces

0:13:37.400 --> 0:13:41.200
<v Speaker 1>like I didn't write these features about the most excellent

0:13:41.440 --> 0:13:44.679
<v Speaker 1>pets in tech or animals and technology. And I'm like,

0:13:44.920 --> 0:13:47.439
<v Speaker 1>because Boo was really big at the time, Like, this

0:13:47.520 --> 0:13:50.560
<v Speaker 1>is obviously not to my skill level, but I'm on

0:13:50.640 --> 0:13:52.880
<v Speaker 1>my way out, so I'm gonna make some fun with this.

0:13:53.320 --> 0:13:54.720
<v Speaker 1>So if you ever look at PC mag and you

0:13:54.720 --> 0:13:57.080
<v Speaker 1>see anything written by me about animals and technology, and

0:13:57.120 --> 0:14:00.520
<v Speaker 1>that's why. So I get this job at Twitch, and

0:14:00.559 --> 0:14:02.600
<v Speaker 1>I have to pick up my life and move. At

0:14:02.600 --> 0:14:04.360
<v Speaker 1>this point, I have a young son, I have a wife,

0:14:04.679 --> 0:14:07.719
<v Speaker 1>and we move over to California, to a little town

0:14:07.760 --> 0:14:12.040
<v Speaker 1>called Pedaluma in northern California. And it is a bumpy start.

0:14:12.040 --> 0:14:15.520
<v Speaker 1>I started working with with Tom Merritt, Sara Lane, Jason Howell,

0:14:15.760 --> 0:14:18.640
<v Speaker 1>leoo Port, and a whole bunch of other people, and

0:14:19.120 --> 0:14:22.440
<v Speaker 1>it was a complete, uh mind bender for me because

0:14:22.440 --> 0:14:23.840
<v Speaker 1>I used to watch a lot of these people on

0:14:24.560 --> 0:14:26.280
<v Speaker 1>tech TV, and I used to watch Tom all the

0:14:26.320 --> 0:14:29.200
<v Speaker 1>time on set and I started working with these guys.

0:14:29.200 --> 0:14:32.560
<v Speaker 1>So that goes on for a little bit and someone

0:14:32.560 --> 0:14:35.840
<v Speaker 1>pleasantness happens, which leads me to see net which we

0:14:35.880 --> 0:14:39.160
<v Speaker 1>can get into that at some point. Yeah, So so

0:14:39.320 --> 0:14:43.640
<v Speaker 1>backtracking a little bit, so I would always run into

0:14:43.640 --> 0:14:45.640
<v Speaker 1>you at C E S. That's that's when we would

0:14:45.680 --> 0:14:49.520
<v Speaker 1>spend whenever we saw each other in person. Of the

0:14:49.520 --> 0:14:51.760
<v Speaker 1>time that we have spent time together, it was because

0:14:51.760 --> 0:14:54.200
<v Speaker 1>we were both at C E S UH, and we

0:14:54.240 --> 0:14:56.680
<v Speaker 1>would go grab a meal or something or just hang

0:14:56.720 --> 0:15:00.800
<v Speaker 1>out and like make snarky comments about people in tech

0:15:00.880 --> 0:15:04.160
<v Speaker 1>and each other. UM. A lot of ribbing going on

0:15:04.240 --> 0:15:07.120
<v Speaker 1>at C E S. And I remember distinctly the C

0:15:07.240 --> 0:15:11.920
<v Speaker 1>E S before you got hired onto twit because I

0:15:11.960 --> 0:15:15.760
<v Speaker 1>was sitting down with Tom Merritt. Uh. And Tom is brilliant.

0:15:15.960 --> 0:15:19.280
<v Speaker 1>He's one of the best in the business. Just phenomenal,

0:15:19.320 --> 0:15:23.400
<v Speaker 1>hard worker. I his work ethic is to a point

0:15:23.400 --> 0:15:26.560
<v Speaker 1>where I can't even like when I complain about my

0:15:26.600 --> 0:15:28.440
<v Speaker 1>workload being too heavy, I sit there and think about

0:15:28.480 --> 0:15:31.040
<v Speaker 1>what Tom Merritt does on a normal week, not even

0:15:31.040 --> 0:15:33.280
<v Speaker 1>a heavy week, a normal week, and it just puts

0:15:33.280 --> 0:15:37.240
<v Speaker 1>me to shame. Tom had he was He wasn't seen

0:15:37.280 --> 0:15:40.840
<v Speaker 1>at Left Seen Net, joined This Weekend tech or twit

0:15:41.400 --> 0:15:44.800
<v Speaker 1>and started tech news Today, and I was chatting with

0:15:44.880 --> 0:15:47.120
<v Speaker 1>him and he was talking about he needed to find

0:15:47.120 --> 0:15:48.840
<v Speaker 1>a new co host. He I could tell he was

0:15:48.880 --> 0:15:51.320
<v Speaker 1>feeling out, like who I thought might be a good

0:15:51.320 --> 0:15:53.920
<v Speaker 1>co host. And I said, well, I'll tell you the

0:15:53.960 --> 0:15:56.320
<v Speaker 1>guy I would grab. I mean, he just started a

0:15:56.320 --> 0:15:59.040
<v Speaker 1>new job, but I'd grab I as A's who I'd

0:15:59.040 --> 0:16:01.240
<v Speaker 1>go for if I you had to have a tech

0:16:01.840 --> 0:16:04.400
<v Speaker 1>co host. At the time, I didn't need a tech

0:16:04.440 --> 0:16:07.600
<v Speaker 1>co host because I still had Chris Palette. I do

0:16:07.680 --> 0:16:09.600
<v Speaker 1>not have Chris Pallette anyone. I'm just saying, I as,

0:16:09.640 --> 0:16:14.320
<v Speaker 1>if you need another gig tech stuff, tech stuff could

0:16:14.360 --> 0:16:18.800
<v Speaker 1>always use another co host. But but no. But I

0:16:18.840 --> 0:16:21.600
<v Speaker 1>told Tom, I said, yeah, I would talk. I would

0:16:21.840 --> 0:16:24.000
<v Speaker 1>definitely I would chat with I s because he knows

0:16:24.000 --> 0:16:27.960
<v Speaker 1>his stuff. He's got a very strong perspective, his his

0:16:28.120 --> 0:16:30.880
<v Speaker 1>background in law is very helpful in that regard as well.

0:16:31.440 --> 0:16:33.360
<v Speaker 1>And uh, and he agreed. He was like, you know,

0:16:33.400 --> 0:16:34.840
<v Speaker 1>I was thinking about that, but I was kind of

0:16:34.840 --> 0:16:37.480
<v Speaker 1>trying to see if anyone else was having the same

0:16:37.520 --> 0:16:40.400
<v Speaker 1>sort of thought process. And I think shortly thereafter you

0:16:40.480 --> 0:16:43.040
<v Speaker 1>got approach to move over to twit. So I was

0:16:43.080 --> 0:16:46.040
<v Speaker 1>another time where I wasn't, like, you know, terribly surprised

0:16:46.080 --> 0:16:47.800
<v Speaker 1>at the thing that happened. I was very pleased to

0:16:47.800 --> 0:16:52.760
<v Speaker 1>see it come through. And obviously, uh, you know, moving

0:16:52.800 --> 0:16:57.240
<v Speaker 1>all the way across country. There's always the the just

0:16:57.320 --> 0:17:02.200
<v Speaker 1>the stress of moving, all the culture change that's there

0:17:02.240 --> 0:17:06.800
<v Speaker 1>as well. You have the culture of the the new office,

0:17:07.640 --> 0:17:10.800
<v Speaker 1>which is a very different thing in LEO Reports world.

0:17:11.680 --> 0:17:14.000
<v Speaker 1>And so how how do you remember how long you

0:17:14.000 --> 0:17:17.000
<v Speaker 1>were at TWIT? I was at twit for almost three years.

0:17:17.600 --> 0:17:19.960
<v Speaker 1>It was about two years and likes say eight or

0:17:20.040 --> 0:17:24.440
<v Speaker 1>nine months, but that place was it was something magical

0:17:24.680 --> 0:17:26.520
<v Speaker 1>over there because we got to do some really fun stuff.

0:17:26.560 --> 0:17:29.480
<v Speaker 1>It was very experimental. We were alive all the time,

0:17:29.600 --> 0:17:33.200
<v Speaker 1>So that I thought was really important when it came

0:17:33.240 --> 0:17:35.680
<v Speaker 1>to getting to know people. Because it's one thing when

0:17:35.680 --> 0:17:38.720
<v Speaker 1>you're talking on a podcast and you're explaining how a

0:17:38.800 --> 0:17:41.760
<v Speaker 1>patentrol is doing something or this technology is going to

0:17:41.840 --> 0:17:44.760
<v Speaker 1>change the world or this is complete garbage, but people

0:17:44.760 --> 0:17:46.840
<v Speaker 1>don't get to really know who you are. And in

0:17:46.880 --> 0:17:49.080
<v Speaker 1>these live streams where we would just be shooting the

0:17:49.080 --> 0:17:52.000
<v Speaker 1>breeze or post show pre show stuff, the audience really

0:17:52.040 --> 0:17:53.439
<v Speaker 1>got to know us, and I got to know the audience,

0:17:53.440 --> 0:17:54.760
<v Speaker 1>so like I don't think of the audience anymore like

0:17:54.760 --> 0:17:56.159
<v Speaker 1>they're my friends. I'd still talk to a lot of

0:17:56.160 --> 0:17:59.200
<v Speaker 1>these people today online and I forget that I knew

0:17:59.240 --> 0:18:01.160
<v Speaker 1>them from the chat and that's also why how new

0:18:01.160 --> 0:18:04.080
<v Speaker 1>people have seen it. Like I flat out I was

0:18:04.119 --> 0:18:05.600
<v Speaker 1>in the chat room all the time. That's how Tom

0:18:05.640 --> 0:18:08.760
<v Speaker 1>knew who I was in the first place, because when

0:18:08.800 --> 0:18:11.399
<v Speaker 1>I was editing whatever I was doing, I would have

0:18:11.640 --> 0:18:13.879
<v Speaker 1>seen that videos up live and I would just be

0:18:13.880 --> 0:18:15.680
<v Speaker 1>in the chat room like, oh, that's not right, here's

0:18:15.680 --> 0:18:18.159
<v Speaker 1>what's going on. And that's actually partly what got me

0:18:18.240 --> 0:18:22.800
<v Speaker 1>noticed was that I was giving corrections for the for

0:18:22.840 --> 0:18:25.000
<v Speaker 1>the podcast buzz out Loud as it was going on,

0:18:25.480 --> 0:18:28.680
<v Speaker 1>heavily researched, and if I was wrong, I would own

0:18:28.720 --> 0:18:30.320
<v Speaker 1>up to it. But it didn't happen a lot. And

0:18:30.400 --> 0:18:33.199
<v Speaker 1>he's oddly enough that parallel. Something he did how he

0:18:33.240 --> 0:18:35.240
<v Speaker 1>got his job at tech TV was that he was

0:18:35.280 --> 0:18:38.040
<v Speaker 1>frequently in the forums of tech TV, and with something

0:18:38.080 --> 0:18:40.000
<v Speaker 1>would go wrong, he'd write something about it and he

0:18:40.000 --> 0:18:42.440
<v Speaker 1>got noticed by Leolaport, so he ended up a tech TV.

0:18:42.560 --> 0:18:46.119
<v Speaker 1>So this is very similar, these these two career paths

0:18:46.119 --> 0:18:49.160
<v Speaker 1>of how that happened. So I completely lost track. We're

0:18:49.160 --> 0:18:50.560
<v Speaker 1>talking about other than I used to it for Tom

0:18:50.560 --> 0:18:53.960
<v Speaker 1>and that was really fun. Yeah, No, and I love

0:18:54.080 --> 0:18:56.399
<v Speaker 1>I love. I haven't been on a show with Tom

0:18:56.600 --> 0:18:59.000
<v Speaker 1>in years now, I haven't chat with him in years.

0:18:59.040 --> 0:19:02.600
<v Speaker 1>We kind of kind of lost touch. But anytime I

0:19:02.600 --> 0:19:04.639
<v Speaker 1>got a chance to do that, it was always a

0:19:04.640 --> 0:19:08.359
<v Speaker 1>great joy, mostly because I mean Tom would do so

0:19:08.440 --> 0:19:10.639
<v Speaker 1>much of that work too, write like, he would do

0:19:10.680 --> 0:19:14.080
<v Speaker 1>so much of the initial research that you could go

0:19:14.119 --> 0:19:16.640
<v Speaker 1>ahead and try and do some research on your own,

0:19:16.680 --> 0:19:19.320
<v Speaker 1>but he covered those bases so thoroughly that it was

0:19:19.720 --> 0:19:21.800
<v Speaker 1>more like, well, what do you think about this? Well,

0:19:22.040 --> 0:19:23.760
<v Speaker 1>Tom's drive in the driver's seat. I just have to

0:19:23.760 --> 0:19:26.520
<v Speaker 1>sit in the passengers and like point out stuff occasionally.

0:19:27.160 --> 0:19:30.879
<v Speaker 1>So it's fantastic. Well, so you're at You're over at twit?

0:19:31.520 --> 0:19:35.359
<v Speaker 1>How did the transition from uh without having to get

0:19:35.400 --> 0:19:39.600
<v Speaker 1>into messy details, how did how did the transition away

0:19:39.600 --> 0:19:45.360
<v Speaker 1>from twit? How what happened next? Well, there was there

0:19:45.400 --> 0:19:47.600
<v Speaker 1>was a big pivot point where Tom was going to

0:19:47.640 --> 0:19:49.760
<v Speaker 1>move to l A. The the company was in North

0:19:49.800 --> 0:19:52.040
<v Speaker 1>cal and he was gonna move to SoCal and this

0:19:52.200 --> 0:19:55.840
<v Speaker 1>became what was thought to be untenable, which is kind

0:19:55.840 --> 0:19:57.720
<v Speaker 1>of hilarious if you think about because he's remote and

0:19:57.800 --> 0:20:00.679
<v Speaker 1>remote stuff can't work with hosts. You can't possibly do

0:20:00.680 --> 0:20:04.320
<v Speaker 1>a show remotely with people, and so Tom was not renewed.

0:20:04.400 --> 0:20:07.000
<v Speaker 1>This contract was not renewed, and I was passed over

0:20:07.040 --> 0:20:09.119
<v Speaker 1>for a position that I'm gonna This is like the

0:20:09.119 --> 0:20:10.800
<v Speaker 1>first time I'm saying this. I was passed over for

0:20:10.840 --> 0:20:14.080
<v Speaker 1>a position that I was told I would get. I

0:20:14.119 --> 0:20:15.840
<v Speaker 1>was told to yeah, you'd get this, it should should

0:20:15.840 --> 0:20:19.320
<v Speaker 1>this happen, and completely got blindsided and I'm like, okay,

0:20:19.320 --> 0:20:22.800
<v Speaker 1>I'm I'm gonna go. So I started pursuing seen net now,

0:20:22.880 --> 0:20:26.919
<v Speaker 1>seeing that I had been applying to since probably about

0:20:27.200 --> 0:20:29.720
<v Speaker 1>two thousand two. I mean since it was a thing.

0:20:30.040 --> 0:20:32.200
<v Speaker 1>I was like, I love seeing that it's got the

0:20:32.400 --> 0:20:34.399
<v Speaker 1>coolest tech reviewers. I always wanted to know what they

0:20:34.480 --> 0:20:36.560
<v Speaker 1>think and I want to know what's going on. And

0:20:36.800 --> 0:20:39.320
<v Speaker 1>I applied there. Thankfully, I had a lot of people

0:20:39.320 --> 0:20:41.560
<v Speaker 1>and I've grown a lot of networking at this point,

0:20:41.640 --> 0:20:44.960
<v Speaker 1>and tom Merritt was backing me up, and people at

0:20:45.000 --> 0:20:47.560
<v Speaker 1>s net knew me from the chat room. Lindsay Turnin

0:20:47.680 --> 0:20:49.240
<v Speaker 1>knew who I was because she would be in the

0:20:49.280 --> 0:20:51.159
<v Speaker 1>podcast and she was a VP at this point. Now

0:20:51.200 --> 0:20:53.600
<v Speaker 1>she was the e I C. Of sen So people

0:20:53.640 --> 0:20:55.480
<v Speaker 1>knew who I was when I applied for this job.

0:20:56.080 --> 0:20:58.600
<v Speaker 1>But this job was not in video. This was front

0:20:58.680 --> 0:21:00.800
<v Speaker 1>Door editor, and that what that means is when you

0:21:00.840 --> 0:21:03.520
<v Speaker 1>go to seen net dot com, there is there are

0:21:03.560 --> 0:21:06.200
<v Speaker 1>stories up there, and that's not generated by algorithm. That

0:21:06.320 --> 0:21:08.600
<v Speaker 1>is somebody programming it. You'd programmed the door, That's what

0:21:08.640 --> 0:21:12.280
<v Speaker 1>they would call it. And so I'm like, okay, I

0:21:12.440 --> 0:21:15.600
<v Speaker 1>will go to see it because it will be different,

0:21:15.760 --> 0:21:18.800
<v Speaker 1>and I will say, seen that is incredibly professional. Reading

0:21:18.840 --> 0:21:20.800
<v Speaker 1>to that as you as you would like, and it

0:21:20.920 --> 0:21:24.360
<v Speaker 1>is a fantastic place to work. But within about six

0:21:24.440 --> 0:21:25.960
<v Speaker 1>or seven months, I was kind of losing my mind

0:21:26.080 --> 0:21:29.560
<v Speaker 1>not doing any video, and so I told my boss

0:21:29.560 --> 0:21:30.800
<v Speaker 1>is this. I'm like, hey, I want to start doing

0:21:30.800 --> 0:21:33.480
<v Speaker 1>some videos and they said sure. We what we were

0:21:33.480 --> 0:21:35.440
<v Speaker 1>really wondering what took you so long in the first place,

0:21:35.480 --> 0:21:38.080
<v Speaker 1>because we thought within three months you'd say something. You

0:21:38.200 --> 0:21:40.680
<v Speaker 1>got six months through. I think I lost that bet

0:21:40.760 --> 0:21:42.439
<v Speaker 1>is when my boss said, and I was like, Okay,

0:21:42.480 --> 0:21:44.720
<v Speaker 1>that's great. I'm really glad that you guys were willing

0:21:45.000 --> 0:21:47.080
<v Speaker 1>and you were you knew I was gonna switch over.

0:21:47.359 --> 0:21:50.520
<v Speaker 1>So I was offered the Top five gig, which was

0:21:51.119 --> 0:21:53.679
<v Speaker 1>pretty awesome because Tom used to do it and Donald

0:21:53.680 --> 0:21:54.879
<v Speaker 1>Bell did it, and I used to sit next to

0:21:54.880 --> 0:21:57.399
<v Speaker 1>Donald Bell and we would work on scripts. Essentially, he

0:21:57.440 --> 0:22:00.600
<v Speaker 1>would say, you've got any ideas for top five the yeah,

0:22:00.640 --> 0:22:02.280
<v Speaker 1>give me a second, and I throw some stupid ideas

0:22:02.280 --> 0:22:04.200
<v Speaker 1>at him and he'd make some great video with it.

0:22:04.560 --> 0:22:08.240
<v Speaker 1>So that was fun, and even the show has kind

0:22:08.280 --> 0:22:10.199
<v Speaker 1>of been on a on a hiatus, mostly because of

0:22:10.240 --> 0:22:12.960
<v Speaker 1>my own laziness and the pandemic and everything. But I

0:22:12.960 --> 0:22:15.480
<v Speaker 1>started getting into the video side that way. At seeing that,

0:22:15.680 --> 0:22:19.040
<v Speaker 1>then I kept pushing to be on the video team.

0:22:19.040 --> 0:22:21.040
<v Speaker 1>They split my job in half. They go, okay, so

0:22:21.080 --> 0:22:24.520
<v Speaker 1>you'll be half on edits half on video. And then

0:22:24.680 --> 0:22:27.640
<v Speaker 1>I concocted a plan where I could fully move over

0:22:27.680 --> 0:22:30.800
<v Speaker 1>to video because I trained my successor. I go, hey,

0:22:31.040 --> 0:22:33.080
<v Speaker 1>would you mind doing this job? And she's like, yeah,

0:22:33.080 --> 0:22:35.040
<v Speaker 1>I would love to do this job. I want this job.

0:22:35.560 --> 0:22:37.520
<v Speaker 1>What took you so long? So she starts working on

0:22:37.560 --> 0:22:40.600
<v Speaker 1>this this side. The company goes to me, Hey, you know,

0:22:40.640 --> 0:22:42.359
<v Speaker 1>we don't know if we can take you off the door,

0:22:43.040 --> 0:22:45.000
<v Speaker 1>because you know it's it's a hard job, but we

0:22:45.000 --> 0:22:46.359
<v Speaker 1>don't know if we could train somebody. I go, do

0:22:46.359 --> 0:22:47.560
<v Speaker 1>you know I've not been doing the door for the

0:22:47.560 --> 0:22:49.840
<v Speaker 1>past two weeks and this other person has been doing it.

0:22:50.119 --> 0:22:52.040
<v Speaker 1>How's everything going, And they're like, oh, it's going great.

0:22:52.040 --> 0:22:54.199
<v Speaker 1>Go well, why don't you put the job, give Caitlin

0:22:54.280 --> 0:22:57.480
<v Speaker 1>that job, give me the video team, and they put

0:22:57.480 --> 0:22:59.040
<v Speaker 1>me on the video team. So I've been on the

0:22:59.119 --> 0:23:01.919
<v Speaker 1>video team now for five six years. I've been at

0:23:01.920 --> 0:23:06.280
<v Speaker 1>the company for almost eight years. At Sena, we've had

0:23:06.320 --> 0:23:08.359
<v Speaker 1>a lot of different approaches when it comes to video.

0:23:08.920 --> 0:23:10.960
<v Speaker 1>We need shows, we don't need shows. We need faces,

0:23:11.000 --> 0:23:12.959
<v Speaker 1>we don't need faces, we just need voices. We need this,

0:23:13.400 --> 0:23:17.800
<v Speaker 1>and so there's all of this attempt to respond to

0:23:17.840 --> 0:23:23.639
<v Speaker 1>the market at sen A. That is interesting because one

0:23:23.680 --> 0:23:25.960
<v Speaker 1>of the weird things about Seen that is that there

0:23:26.080 --> 0:23:29.600
<v Speaker 1>isn't a lot of other places to go up. Seen

0:23:29.920 --> 0:23:31.720
<v Speaker 1>is like at the top. And I'm not saying this

0:23:31.760 --> 0:23:34.320
<v Speaker 1>because I worked there. I'm not saying this because I'm

0:23:34.359 --> 0:23:36.320
<v Speaker 1>trying to say oh, yeah, well I have no career

0:23:36.359 --> 0:23:38.639
<v Speaker 1>ambitions or anything like that. It's more of that This

0:23:38.720 --> 0:23:42.160
<v Speaker 1>company gets tons and tons of views on every single

0:23:42.160 --> 0:23:44.760
<v Speaker 1>piece of content we do, video or audio or written,

0:23:45.119 --> 0:23:47.680
<v Speaker 1>because it really has been around for over twenty years.

0:23:47.960 --> 0:23:50.520
<v Speaker 1>The biggest issues that has is like, well, that's an

0:23:50.520 --> 0:23:54.280
<v Speaker 1>old person's brand. Seen at is old. It's old it's like, yeah,

0:23:54.280 --> 0:23:55.720
<v Speaker 1>it is old because it's been around for a really

0:23:55.720 --> 0:23:58.359
<v Speaker 1>long time, but it's it's got some great people there.

0:23:58.720 --> 0:24:03.120
<v Speaker 1>So being on the video t him has been just excellent.

0:24:03.800 --> 0:24:07.880
<v Speaker 1>I'd say good nentime excellent. But like everybody's jobs, there's

0:24:07.880 --> 0:24:10.399
<v Speaker 1>that five percent real Like do I really have to

0:24:10.440 --> 0:24:14.800
<v Speaker 1>cover best Air Pure Fires today? Yeah? Okay, I'm gonna

0:24:14.800 --> 0:24:16.639
<v Speaker 1>make the best video for this though. I'm telling you what,

0:24:16.680 --> 0:24:18.160
<v Speaker 1>I'm gonna have fun with it. My script is gonna

0:24:18.160 --> 0:24:19.840
<v Speaker 1>be full of jokes that doesn't make any sense, but

0:24:19.880 --> 0:24:21.520
<v Speaker 1>I'm telling you I'm gonna do And there is a

0:24:21.600 --> 0:24:23.920
<v Speaker 1>video by the way way I do Best Air Pure

0:24:23.960 --> 0:24:26.600
<v Speaker 1>Fires and it's a hoot. Well, i AS, if you

0:24:26.600 --> 0:24:29.439
<v Speaker 1>ever want to know how Gooseneck trailer hitches work, I

0:24:29.480 --> 0:24:31.920
<v Speaker 1>gotta how stuff works article I can point you toward.

0:24:32.680 --> 0:24:36.800
<v Speaker 1>Uh I am. I am more than familiar with that

0:24:36.920 --> 0:24:40.520
<v Speaker 1>as well. We're gonna take a quick break with our

0:24:40.640 --> 0:24:52.600
<v Speaker 1>conversation with i AS and we'll be right back. So

0:24:53.160 --> 0:24:55.240
<v Speaker 1>can you talk a little bit about like what what

0:24:55.440 --> 0:24:58.760
<v Speaker 1>is your job? Like we were talking before we started

0:24:58.800 --> 0:25:02.359
<v Speaker 1>recording that job. Idols can get kind of fuzzy and

0:25:02.480 --> 0:25:06.359
<v Speaker 1>vague in our field, like there there's a point where

0:25:07.280 --> 0:25:09.720
<v Speaker 1>you can have two people who have on paper the

0:25:09.760 --> 0:25:11.840
<v Speaker 1>same job title, and then when they talk about what

0:25:11.920 --> 0:25:14.480
<v Speaker 1>their job is, you realize, wow, there's not a whole

0:25:14.480 --> 0:25:17.120
<v Speaker 1>lot of common ground there. They can be vastly different

0:25:17.200 --> 0:25:20.440
<v Speaker 1>experiences and job accountabilities and that sort of thing. So

0:25:20.760 --> 0:25:23.600
<v Speaker 1>kind of kind of walk through what it is that

0:25:23.720 --> 0:25:28.680
<v Speaker 1>you do typically, uh, during a week at seen a Well,

0:25:28.760 --> 0:25:32.439
<v Speaker 1>my main thing is to make videos and that sounds

0:25:32.440 --> 0:25:34.359
<v Speaker 1>pretty simple, but it's not. You've got to think of

0:25:34.480 --> 0:25:37.080
<v Speaker 1>topics that will resonate with the audience. And if you're

0:25:37.080 --> 0:25:38.920
<v Speaker 1>pitching something that's gonna go to YouTube, it's got to

0:25:38.960 --> 0:25:41.680
<v Speaker 1>fit within the YouTube channel that's got its own strategy.

0:25:41.880 --> 0:25:43.760
<v Speaker 1>If you're pitching something for sena dot com, that's got

0:25:43.800 --> 0:25:45.880
<v Speaker 1>a different strategy because you can be a little bit

0:25:45.880 --> 0:25:49.200
<v Speaker 1>more wide. YouTube has this. They have a method of

0:25:49.240 --> 0:25:52.159
<v Speaker 1>recommending stuff. The algorithms that you've probably seen videos but

0:25:52.160 --> 0:25:55.280
<v Speaker 1>like the algorithm moved us or whatever. That's a big key.

0:25:55.320 --> 0:25:58.200
<v Speaker 1>So in my in the course of the week, technically

0:25:58.240 --> 0:26:01.479
<v Speaker 1>I'm a senior video producer, which is a weird title

0:26:01.560 --> 0:26:04.879
<v Speaker 1>because I don't produce other people's content. Not yet. This

0:26:04.920 --> 0:26:08.080
<v Speaker 1>is something I've been thinking about for the long term.

0:26:08.119 --> 0:26:10.200
<v Speaker 1>But the title doesn't really match what I do. I'm

0:26:10.200 --> 0:26:12.879
<v Speaker 1>an on air talent. I pitched my own videos. I go,

0:26:12.960 --> 0:26:15.720
<v Speaker 1>this is what I want to do, and here's the

0:26:15.720 --> 0:26:18.119
<v Speaker 1>timeline where I can get it done. If it's a

0:26:18.119 --> 0:26:19.920
<v Speaker 1>news story, I can do that usually within a day.

0:26:20.200 --> 0:26:23.160
<v Speaker 1>I was tasked with a Richard Branson story. I don't

0:26:23.200 --> 0:26:24.560
<v Speaker 1>know when this is gonna air, but at the time

0:26:24.640 --> 0:26:27.320
<v Speaker 1>Richard Branson, at the time recording of this, Richard Branson

0:26:27.359 --> 0:26:29.960
<v Speaker 1>is trying to get into space before Jeff Bezos to

0:26:30.040 --> 0:26:32.879
<v Speaker 1>be the first billionaire in space. And I'm doing I'm

0:26:32.920 --> 0:26:35.240
<v Speaker 1>researching this to make sure I can have a well

0:26:35.320 --> 0:26:37.600
<v Speaker 1>told story of why this is happening. So I do

0:26:37.720 --> 0:26:40.080
<v Speaker 1>like the vast majority of my own research. It's rare

0:26:40.119 --> 0:26:42.399
<v Speaker 1>that I'm handed research on somebody else. I'm not a

0:26:42.440 --> 0:26:44.800
<v Speaker 1>talking head. I am not handed a script from somebody

0:26:44.840 --> 0:26:48.320
<v Speaker 1>who just says here read this. I write my own scripts.

0:26:48.440 --> 0:26:51.440
<v Speaker 1>I at this point, since in the pandemic, I run

0:26:51.440 --> 0:26:53.320
<v Speaker 1>my own camera, I run my own prompter, I run

0:26:53.400 --> 0:26:57.040
<v Speaker 1>the lights. I have everything set for myself and I

0:26:57.160 --> 0:27:00.400
<v Speaker 1>then uploaded to an editor so I get that review

0:27:00.440 --> 0:27:03.240
<v Speaker 1>the videos see if everything matches and then we'll publish it.

0:27:03.359 --> 0:27:06.800
<v Speaker 1>I also write the headlines and the descriptions. Those can

0:27:06.840 --> 0:27:10.920
<v Speaker 1>be tweaked based on search engine optimization, and those things

0:27:11.000 --> 0:27:13.919
<v Speaker 1>can change. But I've have a pretty heavy hand when

0:27:13.960 --> 0:27:16.200
<v Speaker 1>it comes to this because I do not like when

0:27:16.200 --> 0:27:20.000
<v Speaker 1>titles change, which wholly change the meaning of the video,

0:27:20.280 --> 0:27:22.760
<v Speaker 1>or they don't, they don't really mesh with the video.

0:27:23.080 --> 0:27:24.760
<v Speaker 1>So I really keep an eye on that kind of

0:27:24.800 --> 0:27:27.000
<v Speaker 1>stuff because I don't want to mislead the viewers. If

0:27:27.000 --> 0:27:29.520
<v Speaker 1>you're watching one of my videos, my big keys, I

0:27:29.560 --> 0:27:31.480
<v Speaker 1>want you to walk away smarter. I want you to

0:27:31.520 --> 0:27:33.240
<v Speaker 1>have clicked for a reason. I hope you get the

0:27:33.280 --> 0:27:36.800
<v Speaker 1>answer right away. I will say that one of my

0:27:36.880 --> 0:27:39.000
<v Speaker 1>favorite things, which wasn't one of my favorite things at

0:27:39.000 --> 0:27:42.840
<v Speaker 1>the beginning, was reading through YouTube comments, which on a

0:27:42.840 --> 0:27:45.200
<v Speaker 1>good day can be pretty bad, and on a on

0:27:45.320 --> 0:27:48.679
<v Speaker 1>a great day is not so bad. So it's it's

0:27:48.720 --> 0:27:51.040
<v Speaker 1>it's there's really not a great range of things there.

0:27:51.840 --> 0:27:55.160
<v Speaker 1>But I was really reading all of these comments with

0:27:55.240 --> 0:27:56.879
<v Speaker 1>something Tom Merritt told me a long time. It goes like,

0:27:56.920 --> 0:28:00.119
<v Speaker 1>just look look for a kernel of actual so thin

0:28:00.160 --> 0:28:03.600
<v Speaker 1>you can improve on. If there's something there, then work

0:28:03.640 --> 0:28:05.720
<v Speaker 1>with it. If there isn't, then you can just throw

0:28:05.760 --> 0:28:08.120
<v Speaker 1>that comment aside. So one of the things that I've

0:28:08.160 --> 0:28:10.560
<v Speaker 1>done differently in my videos is that within the first

0:28:10.600 --> 0:28:13.399
<v Speaker 1>like eight seconds the video, I'll tell you the answer

0:28:13.400 --> 0:28:15.840
<v Speaker 1>to something. If it's like, you know, like what's the

0:28:15.880 --> 0:28:18.040
<v Speaker 1>best what's the best phone of the years? Like, I'll

0:28:18.040 --> 0:28:20.320
<v Speaker 1>tell you the first four seconds, like the iPhone is

0:28:20.320 --> 0:28:21.960
<v Speaker 1>the best phone in the year. I'm gonna explain why,

0:28:22.320 --> 0:28:23.840
<v Speaker 1>Like I don't make you wait. I don't want to

0:28:23.840 --> 0:28:27.639
<v Speaker 1>waste the viewers time. So my actual job is making

0:28:27.640 --> 0:28:30.879
<v Speaker 1>these videos happen, make sure the content fits, the brand,

0:28:30.960 --> 0:28:34.639
<v Speaker 1>fits the channel, helps us continue working with the YouTube

0:28:34.640 --> 0:28:37.480
<v Speaker 1>algorithm where our stuff kind of makes sense. So that's

0:28:38.240 --> 0:28:40.719
<v Speaker 1>that's kind of what I do. That's about what I do.

0:28:41.760 --> 0:28:45.320
<v Speaker 1>It's interesting that you bring up the algorithm because that's, uh,

0:28:45.360 --> 0:28:48.720
<v Speaker 1>that's it's just like s e O or search engine optimization,

0:28:48.760 --> 0:28:52.960
<v Speaker 1>and that it shows how beholden content creators are to

0:28:53.160 --> 0:28:56.080
<v Speaker 1>the platforms to which we publish. Right. This is why

0:28:56.600 --> 0:28:59.960
<v Speaker 1>Bernie Burns, who was a co founder of rooster Teeth,

0:29:00.520 --> 0:29:03.520
<v Speaker 1>used to say that there was no substitute for having

0:29:03.520 --> 0:29:07.280
<v Speaker 1>your own platform, because at least then you know the

0:29:07.360 --> 0:29:11.440
<v Speaker 1>rules aren't going to change arbitrarily and force you to

0:29:11.560 --> 0:29:15.320
<v Speaker 1>completely change your strategy in order to remain competitive. Whereas

0:29:15.320 --> 0:29:18.080
<v Speaker 1>when you're publishing on a different platform like YouTube, if

0:29:18.080 --> 0:29:20.920
<v Speaker 1>there's a change in the algorithm, suddenly what was working

0:29:21.400 --> 0:29:24.880
<v Speaker 1>great yesterday isn't trending at all today. It's not even

0:29:25.160 --> 0:29:28.520
<v Speaker 1>not even a blip and uh. And that's something I

0:29:28.520 --> 0:29:31.240
<v Speaker 1>think that is applicable to just about everyone who's listening,

0:29:31.280 --> 0:29:33.400
<v Speaker 1>whoever wants to make any kind of content. I mean,

0:29:33.480 --> 0:29:37.040
<v Speaker 1>if you're trying to make anything where you're putting it

0:29:37.040 --> 0:29:41.040
<v Speaker 1>out in a saturated market, knowing about these algorithms and

0:29:41.360 --> 0:29:43.520
<v Speaker 1>at least kind of having an understanding of how they

0:29:43.520 --> 0:29:49.600
<v Speaker 1>work is absolutely instrumental in getting a foothold in those areas.

0:29:49.720 --> 0:29:53.760
<v Speaker 1>Same thing with podcasts, like all the different podcatching uh

0:29:53.960 --> 0:29:58.200
<v Speaker 1>services out there have their own method for identifying and

0:29:58.240 --> 0:30:04.320
<v Speaker 1>promoting material. Often it will promote whatever is proprietary first,

0:30:04.800 --> 0:30:07.600
<v Speaker 1>So so if it's a if it's Stitcher, then it

0:30:07.680 --> 0:30:12.840
<v Speaker 1>might be Stitcher exclusives get get first priority. But you know,

0:30:12.840 --> 0:30:17.440
<v Speaker 1>knowing that is helpful just because I think it helps

0:30:17.440 --> 0:30:21.480
<v Speaker 1>you set expectations. It also helps you reconcile the fact

0:30:21.560 --> 0:30:23.920
<v Speaker 1>if it takes a while to take off. It may

0:30:23.960 --> 0:30:26.440
<v Speaker 1>not be that you know, you're not doing a good

0:30:26.520 --> 0:30:29.680
<v Speaker 1>enough job or your content isn't interesting. It may literally

0:30:29.760 --> 0:30:32.520
<v Speaker 1>be people just haven't found a way to find you yet.

0:30:33.280 --> 0:30:36.600
<v Speaker 1>So this is a thing that big companies struggle with too,

0:30:36.680 --> 0:30:39.200
<v Speaker 1>seeing that being one of them, I mean, how stuff works.

0:30:39.200 --> 0:30:41.960
<v Speaker 1>When we were part of Discovery, this was a big

0:30:42.000 --> 0:30:44.880
<v Speaker 1>deal to which we were always really focused on search

0:30:44.920 --> 0:30:47.600
<v Speaker 1>engine optimization. We saw a lot of traffic coming in

0:30:48.200 --> 0:30:50.840
<v Speaker 1>from Google searches for a lot of our articles, and

0:30:50.840 --> 0:30:53.640
<v Speaker 1>whenever that algorithm would change, it would drastically change that,

0:30:53.680 --> 0:30:56.640
<v Speaker 1>which then changes revenue models. It just has this cascading

0:30:56.640 --> 0:31:01.719
<v Speaker 1>effect through the entire business. So having that kind of

0:31:02.240 --> 0:31:04.880
<v Speaker 1>approach and knowledge is really important. And having two different

0:31:04.880 --> 0:31:08.000
<v Speaker 1>strategies for something about how it might perform on c

0:31:08.160 --> 0:31:11.480
<v Speaker 1>net versus on YouTube. That's also a big deal. And

0:31:11.520 --> 0:31:13.280
<v Speaker 1>you you touched on this a little bit, but can

0:31:13.320 --> 0:31:17.040
<v Speaker 1>you talk about uh, you know, not that I want

0:31:17.080 --> 0:31:19.840
<v Speaker 1>to go back and think about twenty too much. But

0:31:20.280 --> 0:31:23.040
<v Speaker 1>once the pandemic hit, once the once things started going

0:31:23.080 --> 0:31:26.440
<v Speaker 1>into lockdown, and once people started to try and look

0:31:26.480 --> 0:31:31.120
<v Speaker 1>at how to pivot to maintain operations in this you

0:31:31.160 --> 0:31:35.080
<v Speaker 1>know now pandemic world. How did that unfold for you guys?

0:31:35.120 --> 0:31:37.280
<v Speaker 1>When did when did? Like? Do you remember when the

0:31:37.320 --> 0:31:41.440
<v Speaker 1>Senate Office is essentially shut down? Yeah, it was around March,

0:31:41.600 --> 0:31:45.440
<v Speaker 1>and I believe there was one confirmed case and one

0:31:45.480 --> 0:31:47.880
<v Speaker 1>of the CBS buildings at the time. I believe it

0:31:47.920 --> 0:31:50.840
<v Speaker 1>was maybe at the Broadcast Center ont S, so not

0:31:50.920 --> 0:31:55.200
<v Speaker 1>in our office. And based on that and all the

0:31:55.240 --> 0:31:58.080
<v Speaker 1>news coming in, they said, Oh, we're gonna we're gonna

0:31:58.120 --> 0:32:00.840
<v Speaker 1>try something we're gonna do. If you Friday, you can

0:32:00.880 --> 0:32:02.680
<v Speaker 1>work from home and then we'll let you know if

0:32:02.680 --> 0:32:04.920
<v Speaker 1>you're coming back. We'll probably come back in two weeks,

0:32:05.880 --> 0:32:10.560
<v Speaker 1>which turned into into forever. So they told us then

0:32:10.600 --> 0:32:14.320
<v Speaker 1>that okay, we're gonna work from home. And so I

0:32:14.440 --> 0:32:16.840
<v Speaker 1>was in a panic in general because I am in

0:32:16.880 --> 0:32:20.800
<v Speaker 1>a small New York apartment. I got this apartment because

0:32:20.840 --> 0:32:24.720
<v Speaker 1>I like the outside, which doesn't didn't exist essentially, I

0:32:24.760 --> 0:32:27.160
<v Speaker 1>couldn't use it anymore, and we came to shooting and stuff.

0:32:27.160 --> 0:32:30.160
<v Speaker 1>I had to become very creative as to how to

0:32:30.280 --> 0:32:34.920
<v Speaker 1>shoot in this space. Mm hmm. So I know that

0:32:34.960 --> 0:32:37.760
<v Speaker 1>on ours like we closed down March thirteenth. And the

0:32:37.760 --> 0:32:39.360
<v Speaker 1>reason I know that is because I've been back to

0:32:39.400 --> 0:32:44.440
<v Speaker 1>the office about a dozen times, and there's one desk

0:32:44.600 --> 0:32:50.560
<v Speaker 1>calendar that ominously just stays at March thirteen, twenty perpetually

0:32:51.160 --> 0:32:54.200
<v Speaker 1>Friday of the thirteenth. What a day. Uh So, Yeah,

0:32:54.280 --> 0:32:57.240
<v Speaker 1>Like it's interesting because I don't do video obviously, which

0:32:57.320 --> 0:33:00.160
<v Speaker 1>makes it way easier for me. Right, I'm only doing you.

0:33:00.480 --> 0:33:02.840
<v Speaker 1>I just have to make sure that I'm not getting

0:33:02.840 --> 0:33:06.160
<v Speaker 1>too much bleed over from outside. I imagine that for you.

0:33:06.480 --> 0:33:09.600
<v Speaker 1>Setting this all up in a in a New York space,

0:33:09.680 --> 0:33:14.000
<v Speaker 1>which I think we could charitably call cozy, it was

0:33:14.040 --> 0:33:17.640
<v Speaker 1>a little presented its own challenges. Like you just mentioned

0:33:17.720 --> 0:33:20.800
<v Speaker 1>earlier that you run everything. You run the camera, the prompter,

0:33:20.880 --> 0:33:23.760
<v Speaker 1>all that stuff because you have to. I mean, you

0:33:23.800 --> 0:33:26.760
<v Speaker 1>can't have people come in during a pandemic to to

0:33:26.880 --> 0:33:31.000
<v Speaker 1>help run tech for you. So, uh, can you talk

0:33:31.040 --> 0:33:33.200
<v Speaker 1>a little bit about sort of the setup you use,

0:33:33.280 --> 0:33:35.600
<v Speaker 1>like what what what's the sort of equipment you're using

0:33:35.680 --> 0:33:37.160
<v Speaker 1>in the space that you have in order to be

0:33:37.240 --> 0:33:40.160
<v Speaker 1>able to to do what you do. Yeah, So I

0:33:40.280 --> 0:33:42.680
<v Speaker 1>used to have camp quarters ten ad P camp quarters

0:33:42.680 --> 0:33:45.440
<v Speaker 1>around just for old videos I I used to do.

0:33:45.480 --> 0:33:47.720
<v Speaker 1>So I set up one of those things immediately I

0:33:47.840 --> 0:33:52.400
<v Speaker 1>found some prompters made by glide Gear because as I

0:33:52.440 --> 0:33:54.200
<v Speaker 1>was doing research, As I said before, it's so much

0:33:54.280 --> 0:33:57.959
<v Speaker 1>cheaper now to buy then build, because I was just

0:33:58.200 --> 0:34:00.480
<v Speaker 1>I was floored by seeing how many options as I had.

0:34:00.560 --> 0:34:03.000
<v Speaker 1>It's this company called glide Gear. They're not paying me.

0:34:03.000 --> 0:34:04.440
<v Speaker 1>They didn't give me a free one. I found their

0:34:04.440 --> 0:34:06.680
<v Speaker 1>stuff on Amazon at that was really cool. It seemed

0:34:06.680 --> 0:34:09.239
<v Speaker 1>really simple. I bought a glide Gear teleprompter. You've got

0:34:09.320 --> 0:34:12.200
<v Speaker 1>to provide your own screen. I had experience doing that

0:34:12.280 --> 0:34:14.080
<v Speaker 1>with tech V, so I knew exactly what I needed

0:34:14.120 --> 0:34:18.160
<v Speaker 1>to do. I had Presentation Prompter as my teleprompter software,

0:34:18.160 --> 0:34:20.880
<v Speaker 1>which feeds another monitor, which works pretty well. Because that

0:34:21.080 --> 0:34:24.200
<v Speaker 1>is because it's also a monitor, I can when I

0:34:24.239 --> 0:34:28.240
<v Speaker 1>have to do any group video calls for like live streaming,

0:34:28.280 --> 0:34:30.160
<v Speaker 1>I can put that right to camera, so I'm not

0:34:30.200 --> 0:34:32.080
<v Speaker 1>looking down, I'm not looking to this side when it

0:34:32.120 --> 0:34:34.480
<v Speaker 1>comes to that live streaming kind of thing. Generally, I

0:34:34.520 --> 0:34:37.319
<v Speaker 1>don't use it for anything but those two things. So

0:34:37.360 --> 0:34:39.600
<v Speaker 1>I got that set up pretty well. Then it came

0:34:39.640 --> 0:34:42.200
<v Speaker 1>to lights. Now, back in the early days, I was

0:34:42.280 --> 0:34:45.680
<v Speaker 1>using halogens because they were the cheapest, but they were

0:34:45.719 --> 0:34:48.640
<v Speaker 1>super hot and it wouldn't die with those so thankfully,

0:34:48.680 --> 0:34:51.040
<v Speaker 1>because again things have changed. I got to get some

0:34:51.200 --> 0:34:53.520
<v Speaker 1>LED lights and they were really good. Newer makes a

0:34:53.520 --> 0:34:57.960
<v Speaker 1>whole bunch of really good, low cost devices, and so

0:34:58.000 --> 0:35:00.440
<v Speaker 1>I got a bunch of their LED lights. I had

0:35:00.560 --> 0:35:02.800
<v Speaker 1>set up my there's only two point lighting. I'm supposed

0:35:02.800 --> 0:35:04.759
<v Speaker 1>to be doing three point lighting, supposed to be able

0:35:04.760 --> 0:35:06.759
<v Speaker 1>to have a hair light. I couldn't do that, just

0:35:06.800 --> 0:35:08.800
<v Speaker 1>because I needed to find a space. And now the

0:35:08.840 --> 0:35:11.720
<v Speaker 1>space to shoot in my apartment we have a loft

0:35:11.800 --> 0:35:15.600
<v Speaker 1>that runs a good portion of the apartment and it's

0:35:15.640 --> 0:35:20.240
<v Speaker 1>about at highest fifty two inches salt, which is shorter

0:35:20.560 --> 0:35:24.160
<v Speaker 1>than I am, which is a little annoying. So I

0:35:24.200 --> 0:35:27.120
<v Speaker 1>had to figure out how to make this space work

0:35:27.239 --> 0:35:30.080
<v Speaker 1>on camera. So I created one set and I had

0:35:30.080 --> 0:35:31.960
<v Speaker 1>this really great backdrop, but the problem is it was

0:35:31.960 --> 0:35:34.800
<v Speaker 1>all bricks, and the bricks are great except my skin

0:35:34.840 --> 0:35:36.680
<v Speaker 1>tone and the bricks were kind of washing out and

0:35:36.719 --> 0:35:38.720
<v Speaker 1>that was kind of a problem. So then I created

0:35:38.800 --> 0:35:42.439
<v Speaker 1>a second studio and that had a lot of work.

0:35:42.640 --> 0:35:45.480
<v Speaker 1>A lot of this was I want to say tetricy

0:35:45.520 --> 0:35:47.000
<v Speaker 1>because it was more like Mane of those puzzle games

0:35:47.000 --> 0:35:48.840
<v Speaker 1>where you have it's a little piece of plastic, and

0:35:48.880 --> 0:35:50.840
<v Speaker 1>you have the numbers in them, you've got to arrange

0:35:50.880 --> 0:35:53.440
<v Speaker 1>them properly. But to move one thing, you gotta move

0:35:53.480 --> 0:35:56.399
<v Speaker 1>like three things. That's exactly what it took to make

0:35:56.600 --> 0:36:00.239
<v Speaker 1>any space work in this in this loft, So I

0:36:00.280 --> 0:36:01.960
<v Speaker 1>had to come to terms with whether or not I

0:36:02.000 --> 0:36:05.239
<v Speaker 1>was keeping things. I was throwing things out regularly. Could

0:36:05.239 --> 0:36:06.680
<v Speaker 1>I find a camera that fits? How am I going

0:36:06.719 --> 0:36:09.640
<v Speaker 1>to make this work? Because to my original studio had

0:36:09.760 --> 0:36:12.560
<v Speaker 1>a floor seat. I got a little video game seat

0:36:12.560 --> 0:36:14.880
<v Speaker 1>that could sit on because there was no way I

0:36:14.880 --> 0:36:17.359
<v Speaker 1>could fit a chair in here. Any proper chair, I'd

0:36:17.360 --> 0:36:20.160
<v Speaker 1>be bonking my head. So I measured everything out. When

0:36:20.160 --> 0:36:24.080
<v Speaker 1>I built a second set up. The chair I found

0:36:24.280 --> 0:36:28.680
<v Speaker 1>was something for changing brakes. It's eighteen inches tall, that's

0:36:28.680 --> 0:36:30.800
<v Speaker 1>got big wheels you can move around on it is.

0:36:30.840 --> 0:36:33.720
<v Speaker 1>It's super comfortable. No, but at least I look seated

0:36:33.880 --> 0:36:37.279
<v Speaker 1>because I am seated. I knew about backdrops, so I

0:36:37.320 --> 0:36:40.000
<v Speaker 1>got myself a After doing a lot of research, I

0:36:40.040 --> 0:36:43.520
<v Speaker 1>got myself a white brick background, which apparently people thought

0:36:43.600 --> 0:36:46.239
<v Speaker 1>was was real, which is great because it's not. I

0:36:46.280 --> 0:36:47.880
<v Speaker 1>had a steamer, so I steamed the heck out of it.

0:36:47.920 --> 0:36:51.640
<v Speaker 1>There's no there's no wrinkles, and staples are all where

0:36:51.680 --> 0:36:53.360
<v Speaker 1>the fake mortar would be. So I had to do

0:36:53.400 --> 0:36:55.360
<v Speaker 1>a lot of that, and that was in a super

0:36:55.400 --> 0:36:57.680
<v Speaker 1>hot room and I'm on my back and I'm trying

0:36:57.680 --> 0:37:01.359
<v Speaker 1>to staple these things. I'm adding everywhere, staples are falling

0:37:01.360 --> 0:37:04.239
<v Speaker 1>when they hit something hard. Not fun. So I did

0:37:04.239 --> 0:37:06.480
<v Speaker 1>all this building up stuff, building it out. Got a

0:37:06.480 --> 0:37:08.399
<v Speaker 1>desk that sort of fits. But the thing about the desk,

0:37:08.640 --> 0:37:11.400
<v Speaker 1>there's always something weird about this space that when I

0:37:11.440 --> 0:37:13.480
<v Speaker 1>put my arms on it, it looks like my arms

0:37:13.480 --> 0:37:15.560
<v Speaker 1>are huge because they're closer to camera, because the height

0:37:15.640 --> 0:37:17.880
<v Speaker 1>is wrong because none of the heights are standard in

0:37:17.920 --> 0:37:19.719
<v Speaker 1>this you can't sit in an eighteen ent high seat

0:37:20.160 --> 0:37:22.399
<v Speaker 1>at a standard desk. So a lot of this has

0:37:22.440 --> 0:37:25.040
<v Speaker 1>been trial and error, trying to figure out what fits

0:37:25.120 --> 0:37:28.280
<v Speaker 1>on camera, obviously making things look neat on camera. Everything

0:37:28.280 --> 0:37:30.719
<v Speaker 1>beyond the camera is a mess. Like this is like

0:37:30.719 --> 0:37:33.840
<v Speaker 1>where my luggage is for trips which I don't take anymore.

0:37:34.120 --> 0:37:36.840
<v Speaker 1>This is where my where my books are. This is

0:37:36.920 --> 0:37:41.880
<v Speaker 1>where like like with storage for the apartment is winter closed,

0:37:41.920 --> 0:37:43.920
<v Speaker 1>like that's where they live up here, but they have

0:37:44.000 --> 0:37:47.279
<v Speaker 1>to be off camera. So all of that it was

0:37:47.320 --> 0:37:49.200
<v Speaker 1>the long wited answer of how I set this thing up.

0:37:49.200 --> 0:37:51.359
<v Speaker 1>If there's the camera, and there's the prompter, and there's

0:37:51.400 --> 0:37:55.080
<v Speaker 1>a desk and remote. Remotes were really important to me

0:37:55.120 --> 0:37:57.319
<v Speaker 1>on this. I had on my Canon camera. It was

0:37:57.360 --> 0:37:59.319
<v Speaker 1>all remote controlled, so I don't have to keep you

0:37:59.440 --> 0:38:02.239
<v Speaker 1>going behind it. And as the ceiling is low here,

0:38:03.400 --> 0:38:06.160
<v Speaker 1>one of the biggest issues is being able to see

0:38:06.200 --> 0:38:08.279
<v Speaker 1>the top of a camera because it camera to be

0:38:08.320 --> 0:38:10.760
<v Speaker 1>really close to the ceiling, so I can't see the buttons.

0:38:11.200 --> 0:38:14.680
<v Speaker 1>I can't do anything. So the remote are really, really,

0:38:14.719 --> 0:38:17.440
<v Speaker 1>really important to me, so I did everything of remote.

0:38:17.840 --> 0:38:20.760
<v Speaker 1>The lights are on a remote, the cameras on the remote,

0:38:20.880 --> 0:38:23.160
<v Speaker 1>the power to all these sections are on remote, so

0:38:23.200 --> 0:38:25.040
<v Speaker 1>I can tell Google to turn them on and off.

0:38:25.520 --> 0:38:27.760
<v Speaker 1>Just because I know when I climbed down that ladder,

0:38:28.160 --> 0:38:30.839
<v Speaker 1>if I forgot something, I'm gonna be fierce. I got

0:38:30.880 --> 0:38:32.760
<v Speaker 1>to climb up the ladder again and then squirrel around

0:38:32.760 --> 0:38:34.680
<v Speaker 1>press buttons. I'm like, I'm not doing that. So a

0:38:34.680 --> 0:38:37.279
<v Speaker 1>lot of investment and smart etletts as well. So that

0:38:37.400 --> 0:38:40.879
<v Speaker 1>was a lot of planning, a lot of thinking, and

0:38:41.840 --> 0:38:44.239
<v Speaker 1>I'm down in one studio space and I kind of

0:38:44.280 --> 0:38:47.960
<v Speaker 1>like it. It works pretty well, and there I kind

0:38:47.960 --> 0:38:50.160
<v Speaker 1>of want to tear it all down again because it's

0:38:50.160 --> 0:38:51.799
<v Speaker 1>not working exactly the way I want it, but I

0:38:51.840 --> 0:38:56.719
<v Speaker 1>know that's gonna be for the future. Well, was there

0:38:56.760 --> 0:39:00.359
<v Speaker 1>like a long interruption between when you were predy sing

0:39:00.440 --> 0:39:02.680
<v Speaker 1>videos in studio too when you were doing it at

0:39:02.719 --> 0:39:04.520
<v Speaker 1>home or was it pretty quick? Were you able to

0:39:04.520 --> 0:39:07.239
<v Speaker 1>turn it around fairly quickly? I think I had my

0:39:07.239 --> 0:39:09.600
<v Speaker 1>first video back up and running within about a week.

0:39:09.920 --> 0:39:13.440
<v Speaker 1>So I had, I had the prompter and everything. I

0:39:13.480 --> 0:39:16.480
<v Speaker 1>had ordered this stuff when I when I heard the

0:39:16.600 --> 0:39:20.320
<v Speaker 1>rumor we were leaving, I ordered stuff like on Wednesday,

0:39:20.640 --> 0:39:22.359
<v Speaker 1>And then when Friday showed them like, oh yeah, you're

0:39:22.360 --> 0:39:24.880
<v Speaker 1>gonna spend Friday at home, all my stuff showed up.

0:39:24.880 --> 0:39:26.719
<v Speaker 1>I'm like, oh, that's cool. And then when I find

0:39:26.719 --> 0:39:28.879
<v Speaker 1>out we're not going back. By Wednesday, I had everything

0:39:28.960 --> 0:39:31.359
<v Speaker 1>running again, and I figured out the shot, figured out

0:39:31.360 --> 0:39:34.920
<v Speaker 1>the composition of everything. I had to buy something from

0:39:34.960 --> 0:39:36.839
<v Speaker 1>the hardware store across the street because I couldn't get

0:39:36.840 --> 0:39:39.680
<v Speaker 1>something in time, So I paid a lot of money

0:39:39.719 --> 0:39:42.320
<v Speaker 1>for this really cheap led thing, which I know I

0:39:42.360 --> 0:39:44.560
<v Speaker 1>could have got on Amazon for like half the price,

0:39:45.040 --> 0:39:46.960
<v Speaker 1>but I needed it now, so I shot with that

0:39:47.480 --> 0:39:50.360
<v Speaker 1>got the videos out, and that was a huge learning

0:39:50.360 --> 0:39:52.560
<v Speaker 1>curve too of like what videos do people want to see?

0:39:52.800 --> 0:39:55.320
<v Speaker 1>How do people are like do they want to be distracted?

0:39:55.320 --> 0:39:57.040
<v Speaker 1>Do they want to be informed about this? Do they

0:39:57.040 --> 0:39:59.399
<v Speaker 1>want to think about fun things you can do at home?

0:39:59.480 --> 0:40:01.400
<v Speaker 1>Or do you want to think about, hey, look this

0:40:01.440 --> 0:40:03.400
<v Speaker 1>TV should be cool. Let's just talk about tech like

0:40:03.480 --> 0:40:08.319
<v Speaker 1>nothing has changed. That was an adjustment period. That's really interesting. Yeah,

0:40:08.360 --> 0:40:10.400
<v Speaker 1>I didn't even think about that, but I mean, I

0:40:10.400 --> 0:40:13.120
<v Speaker 1>guess technically I did sort of the same thing, except

0:40:13.200 --> 0:40:15.560
<v Speaker 1>of course I did it in podcasting. So for me,

0:40:16.360 --> 0:40:19.080
<v Speaker 1>the really difficult transition was I had to plug a

0:40:19.200 --> 0:40:22.799
<v Speaker 1>USB microphone into this computer and then I already had

0:40:22.880 --> 0:40:26.480
<v Speaker 1>the the mic stand because we used to record podcasts

0:40:26.480 --> 0:40:28.839
<v Speaker 1>about pretense at this very same space where I'm at

0:40:28.920 --> 0:40:31.880
<v Speaker 1>right now. So so it really wasn't that difficult. In

0:40:31.920 --> 0:40:34.440
<v Speaker 1>other words, what I'm saying is my experience was vastly

0:40:34.680 --> 0:40:37.759
<v Speaker 1>easier than yours, except that it does come down to

0:40:38.040 --> 0:40:42.960
<v Speaker 1>like how do you determine what what content to create? Right?

0:40:43.320 --> 0:40:46.960
<v Speaker 1>And in my case, um, my listeners are great. They

0:40:47.000 --> 0:40:50.920
<v Speaker 1>typically reach out to me on Twitter and I don't.

0:40:50.960 --> 0:40:53.759
<v Speaker 1>I didn't get a lot of messaging about hey can

0:40:53.800 --> 0:40:57.720
<v Speaker 1>you kind of shy away from stuff that's more COVID related,

0:40:57.880 --> 0:41:00.880
<v Speaker 1>or hey can you really focus on COVID? So I

0:41:01.000 --> 0:41:05.000
<v Speaker 1>just kept going as is, which I mean, if you

0:41:05.040 --> 0:41:07.200
<v Speaker 1>look through the history of tech stuff, it's it's pretty

0:41:07.280 --> 0:41:09.759
<v Speaker 1>much the entire Jonathan just does what he wants to do,

0:41:09.840 --> 0:41:11.560
<v Speaker 1>is what that really comes down to over the last

0:41:11.560 --> 0:41:15.719
<v Speaker 1>say five years or so. UM. But I'm so impressed

0:41:16.280 --> 0:41:20.479
<v Speaker 1>that there was essentially one week of adjustment before things

0:41:20.520 --> 0:41:24.360
<v Speaker 1>were coming out again, because it's so much more involved

0:41:24.760 --> 0:41:28.960
<v Speaker 1>doing video than doing audio. And you know, I guess

0:41:29.000 --> 0:41:31.680
<v Speaker 1>one benefit is that you and I both typically do

0:41:31.800 --> 0:41:36.120
<v Speaker 1>a lot of solo host work, which means that we're

0:41:36.160 --> 0:41:40.200
<v Speaker 1>not dependent upon anyone else's schedule. If there's a technical issue,

0:41:41.200 --> 0:41:43.840
<v Speaker 1>usually it's it's easier to track down what the problem

0:41:43.920 --> 0:41:46.960
<v Speaker 1>is and solve it. Obviously, when you have multiple people,

0:41:47.040 --> 0:41:50.640
<v Speaker 1>especially when you're all doing it remotely, you've increased the

0:41:50.680 --> 0:41:54.160
<v Speaker 1>likelihood of technical problems, and then you have to figure out, well,

0:41:54.200 --> 0:41:57.240
<v Speaker 1>where is the problem originating from, how can we identify

0:41:57.320 --> 0:42:00.080
<v Speaker 1>what it is, and how do we fix it? I

0:42:00.200 --> 0:42:02.040
<v Speaker 1>as and I have a little bit more to talk about,

0:42:02.040 --> 0:42:05.080
<v Speaker 1>but before we get to that, let's take another quick break.

0:42:12.880 --> 0:42:14.880
<v Speaker 1>I thought maybe we did this out by talking a

0:42:14.920 --> 0:42:18.560
<v Speaker 1>little bit about some of your favorite little memories related

0:42:18.600 --> 0:42:22.120
<v Speaker 1>to stuff you've done with tech, whether it was with

0:42:22.239 --> 0:42:25.359
<v Speaker 1>snet or twit or whatever it may be. Like, are

0:42:25.360 --> 0:42:27.759
<v Speaker 1>there any moments that kind of stick out either as

0:42:27.800 --> 0:42:30.279
<v Speaker 1>being just like, I'm really proud of how that turned out,

0:42:30.320 --> 0:42:32.680
<v Speaker 1>or this ended up being really funny, or let me

0:42:32.719 --> 0:42:35.040
<v Speaker 1>tell you about the time I completely beefed it on

0:42:35.200 --> 0:42:38.400
<v Speaker 1>camera or whatever. Well, the first thing that comes to

0:42:38.440 --> 0:42:41.000
<v Speaker 1>mind was I was giving a tour. Now, if you

0:42:41.040 --> 0:42:44.239
<v Speaker 1>go to a scene at their booth and at CS,

0:42:44.840 --> 0:42:47.880
<v Speaker 1>the company has tours for really big, fancy, big wigs.

0:42:48.280 --> 0:42:51.040
<v Speaker 1>And it was my first year giving tours, and there

0:42:51.080 --> 0:42:53.520
<v Speaker 1>was a very very large company that I was leading.

0:42:53.520 --> 0:42:56.279
<v Speaker 1>And I won't mention that company, but you're gonna be

0:42:56.320 --> 0:42:59.040
<v Speaker 1>able to figure out. So as I'm walking with them,

0:42:59.080 --> 0:43:02.759
<v Speaker 1>I take this company to l g S booth and

0:43:02.800 --> 0:43:05.080
<v Speaker 1>I told them that this is the coolest thing I saw. Now,

0:43:05.120 --> 0:43:08.600
<v Speaker 1>this company is a very very large competitor to l G,

0:43:09.000 --> 0:43:10.640
<v Speaker 1>and they were very mad at me for saying that

0:43:10.680 --> 0:43:13.200
<v Speaker 1>this was the coolest thing now. LG at the time

0:43:13.239 --> 0:43:16.160
<v Speaker 1>showed a rollable oh, let television that fit into a

0:43:16.280 --> 0:43:19.080
<v Speaker 1>box essentially and rolled out and it rolled back in.

0:43:19.120 --> 0:43:21.680
<v Speaker 1>And I thought this was fascinating, as did many people

0:43:21.719 --> 0:43:23.520
<v Speaker 1>because this was one of the coolest things people had

0:43:23.520 --> 0:43:26.239
<v Speaker 1>seen at CS. Now CS has gotten to the point

0:43:26.239 --> 0:43:28.279
<v Speaker 1>where people are like, oh yea, and it's like, no,

0:43:28.400 --> 0:43:31.160
<v Speaker 1>this was super cool. So this company got really really

0:43:31.160 --> 0:43:32.719
<v Speaker 1>mad at me, started yelling at me, and I had

0:43:32.760 --> 0:43:35.520
<v Speaker 1>a little microphone on on my face and they can

0:43:35.520 --> 0:43:37.239
<v Speaker 1>all hear me with the little headsets, and so one

0:43:37.239 --> 0:43:39.480
<v Speaker 1>of the gentleman decides to yell at me into my

0:43:39.560 --> 0:43:42.560
<v Speaker 1>microphone so everybody can hear. And they're all saying that

0:43:42.600 --> 0:43:44.440
<v Speaker 1>you know, you are biased against our company and you

0:43:44.480 --> 0:43:46.319
<v Speaker 1>don't give us good reviews, and this, that and the

0:43:46.320 --> 0:43:48.279
<v Speaker 1>other thing, which is the furthest thing from the truth.

0:43:48.320 --> 0:43:50.480
<v Speaker 1>But because this company makes great products, I'll say it

0:43:50.560 --> 0:43:53.560
<v Speaker 1>right now again, good luck finding out who the competitor

0:43:53.600 --> 0:43:56.960
<v Speaker 1>to l G is. A competitor to l G that

0:43:57.120 --> 0:44:01.319
<v Speaker 1>just viciously doesn't like LG. So uh, that part was

0:44:01.520 --> 0:44:07.319
<v Speaker 1>amazing because I got yelled at so much and I

0:44:07.360 --> 0:44:10.600
<v Speaker 1>was so disliked. I didn't have to give a tour again,

0:44:10.880 --> 0:44:12.200
<v Speaker 1>and people were asking me, how do you get out

0:44:12.200 --> 0:44:13.359
<v Speaker 1>of the tours. I don't want to give the tours.

0:44:13.360 --> 0:44:15.520
<v Speaker 1>I'm like, this is what I did. I didn't need

0:44:15.520 --> 0:44:19.000
<v Speaker 1>to do that. But they got really really mad because

0:44:19.080 --> 0:44:20.600
<v Speaker 1>I was telling the truth. I said, this is the

0:44:20.640 --> 0:44:22.440
<v Speaker 1>coolest thing, and you guys don't have this, so like,

0:44:22.480 --> 0:44:24.520
<v Speaker 1>it's not my fault, you don't do this. So that

0:44:24.560 --> 0:44:26.920
<v Speaker 1>was one of the biggest things that I remember. I

0:44:26.960 --> 0:44:28.799
<v Speaker 1>will say one of my favorite memories as well was

0:44:28.880 --> 0:44:31.840
<v Speaker 1>being at the seen Net stage and sitting at the

0:44:31.880 --> 0:44:34.319
<v Speaker 1>desk and ready to you know, there's prompters going and

0:44:34.360 --> 0:44:38.040
<v Speaker 1>there's people there and I remember back when I think

0:44:38.080 --> 0:44:39.799
<v Speaker 1>it was you, me, Derek, a whole bunch of people

0:44:39.840 --> 0:44:41.600
<v Speaker 1>were just kind of sitting there in the audience has

0:44:41.640 --> 0:44:44.239
<v Speaker 1>seen it and just watching people like okay, we're just

0:44:44.280 --> 0:44:45.759
<v Speaker 1>sitting there and watching like you we a little wave

0:44:45.840 --> 0:44:48.399
<v Speaker 1>to camera, and there's Fattiamo kid. We're all hanging out.

0:44:48.719 --> 0:44:50.799
<v Speaker 1>And then I'm now on the stage. Like I used

0:44:50.840 --> 0:44:52.279
<v Speaker 1>to be the guy in the audience. Now I'm the

0:44:52.280 --> 0:44:54.560
<v Speaker 1>guy on the stage and that was really cool because

0:44:54.560 --> 0:44:56.400
<v Speaker 1>I do they're doing my makeup and talking to like

0:44:56.440 --> 0:44:58.680
<v Speaker 1>stage makeup. So there's like this cake stuff on me,

0:44:59.000 --> 0:45:01.640
<v Speaker 1>which I don't wait are normally, so it's like, Okay,

0:45:01.680 --> 0:45:03.920
<v Speaker 1>this looks really good. I'm doing all this stuff, I'm

0:45:03.920 --> 0:45:07.000
<v Speaker 1>reading the prompter, and this really easy chatting with everybody.

0:45:07.080 --> 0:45:11.360
<v Speaker 1>It was super smooth. It got I Also, there was

0:45:11.400 --> 0:45:13.719
<v Speaker 1>a point where I realized it became very normal for

0:45:13.760 --> 0:45:16.520
<v Speaker 1>somebody to be jamming something in my ear. My friend

0:45:16.560 --> 0:45:19.600
<v Speaker 1>Brian van Gelder, he's the he was like the stage tech,

0:45:19.960 --> 0:45:21.520
<v Speaker 1>and so he'd be putting an if be in my

0:45:21.560 --> 0:45:24.120
<v Speaker 1>ear or taping something to my back. And there's one

0:45:24.120 --> 0:45:26.759
<v Speaker 1>point where I'm like, when did this become normal? Because

0:45:26.800 --> 0:45:29.720
<v Speaker 1>this is really weird. So to take a photo a selfie,

0:45:29.760 --> 0:45:31.640
<v Speaker 1>it's me like kind of smiling, and he's this weird out,

0:45:31.640 --> 0:45:33.000
<v Speaker 1>like why are you taking a photo of me jamming

0:45:33.040 --> 0:45:35.560
<v Speaker 1>something in your ear? It's because like, yeah, this is

0:45:35.640 --> 0:45:38.160
<v Speaker 1>normal for me. Because as much as I've been doing

0:45:38.200 --> 0:45:41.719
<v Speaker 1>this now for almost fifteen years maybe more, it is

0:45:41.760 --> 0:45:45.839
<v Speaker 1>still really cool to have these moments where I get

0:45:45.840 --> 0:45:47.759
<v Speaker 1>to talk to people and tell people, hey, this is

0:45:47.760 --> 0:45:49.879
<v Speaker 1>some really cool technology stuff that you should really check out,

0:45:50.000 --> 0:45:52.000
<v Speaker 1>or like, you know, this sounds like a great idea,

0:45:52.040 --> 0:45:54.880
<v Speaker 1>but it's not so being able to like share the

0:45:54.920 --> 0:45:58.800
<v Speaker 1>information that I have access to is really really fun.

0:45:59.160 --> 0:46:01.160
<v Speaker 1>So all of that, anytime I do a video, like

0:46:01.200 --> 0:46:02.759
<v Speaker 1>I said, I try to make sure the audience walks

0:46:02.760 --> 0:46:05.200
<v Speaker 1>away smarter, like I really love doing that stuff. But

0:46:05.239 --> 0:46:07.799
<v Speaker 1>those two moments for C Yes anyway, they stand out

0:46:07.800 --> 0:46:11.000
<v Speaker 1>a lot because again I've really ticked off that company

0:46:12.920 --> 0:46:16.200
<v Speaker 1>and and there's people jam stuff in my ears. Those

0:46:16.200 --> 0:46:18.080
<v Speaker 1>are like just two of them, but there's there's there's

0:46:18.080 --> 0:46:19.360
<v Speaker 1>a lot more, but that those are the two that

0:46:19.400 --> 0:46:22.719
<v Speaker 1>popped out of my head the fastest. So so a's

0:46:22.760 --> 0:46:26.120
<v Speaker 1>c e S typically c NETS Booth I believe is

0:46:26.239 --> 0:46:30.200
<v Speaker 1>outside of the upper floor of South Hall if I'm mistaken.

0:46:30.520 --> 0:46:33.160
<v Speaker 1>It was until I think two years ago we switched

0:46:33.200 --> 0:46:36.879
<v Speaker 1>to West as our main one because we used to back.

0:46:37.200 --> 0:46:39.480
<v Speaker 1>If you guys don't know, there used to be a

0:46:39.520 --> 0:46:42.400
<v Speaker 1>competing show. There was a Consumer Electronic Show and then

0:46:42.400 --> 0:46:44.400
<v Speaker 1>the A v N Show, which is an adult video

0:46:44.880 --> 0:46:47.480
<v Speaker 1>show and I'm not making that up. And so you

0:46:47.560 --> 0:46:50.359
<v Speaker 1>had this very strange mix of people that your tech

0:46:50.400 --> 0:46:53.839
<v Speaker 1>nerds and porn stars and they were they will they

0:46:53.840 --> 0:46:56.560
<v Speaker 1>would often have for A v N. They would often

0:46:56.640 --> 0:46:59.880
<v Speaker 1>have a special where if you had a membership to

0:47:00.760 --> 0:47:03.839
<v Speaker 1>C E S you would get like a complementary one

0:47:03.920 --> 0:47:05.719
<v Speaker 1>for the A v N one. So I know a

0:47:05.760 --> 0:47:09.200
<v Speaker 1>lot of people who would do both. I I never did.

0:47:09.840 --> 0:47:12.439
<v Speaker 1>I was I felt like it was just there would

0:47:12.480 --> 0:47:15.040
<v Speaker 1>just be a bald man blushing so hard he would

0:47:15.040 --> 0:47:18.719
<v Speaker 1>pass out. That's all it would be. Well, since they

0:47:18.760 --> 0:47:21.560
<v Speaker 1>used to occupy the Sands West, and when they left

0:47:21.800 --> 0:47:25.680
<v Speaker 1>several years ago, c S expanded and West became this

0:47:25.760 --> 0:47:29.279
<v Speaker 1>kind of wild no no, no pun intended wild West.

0:47:29.320 --> 0:47:32.480
<v Speaker 1>It was really all these weird little gadgets, little companies.

0:47:32.719 --> 0:47:35.919
<v Speaker 1>Because the main show was in the Las Vegas Convention Center,

0:47:35.920 --> 0:47:38.719
<v Speaker 1>so you had your big name companies that aren't there

0:47:38.760 --> 0:47:41.160
<v Speaker 1>any more. Microsoft used to be there either with the

0:47:41.200 --> 0:47:44.040
<v Speaker 1>giant Xbox thing. I think High Sense replaced them. There's TCL,

0:47:44.200 --> 0:47:49.240
<v Speaker 1>there's Samsung, there's LG there's Panasonic. Everybody's over and Sony.

0:47:49.280 --> 0:47:52.960
<v Speaker 1>They're all in in in Las Vegas Convention Center. But

0:47:53.040 --> 0:47:55.360
<v Speaker 1>West started getting all these weirder and little things that

0:47:55.400 --> 0:48:00.600
<v Speaker 1>were really fun to cover, gadgets, more oddities, and so

0:48:01.880 --> 0:48:05.080
<v Speaker 1>that grew and grew as as the space was open,

0:48:05.320 --> 0:48:08.000
<v Speaker 1>and so we moved our stage from South to West.

0:48:08.080 --> 0:48:10.480
<v Speaker 1>I believe it was two years ago, and it was

0:48:10.800 --> 0:48:13.399
<v Speaker 1>really really fun. I got to be an anchor over

0:48:13.440 --> 0:48:16.319
<v Speaker 1>there for a while, which was just super fun. That's

0:48:16.320 --> 0:48:19.239
<v Speaker 1>that's so cool. Like I haven't I haven't been to

0:48:19.280 --> 0:48:22.440
<v Speaker 1>a C E S since they relocated the stage, because

0:48:22.440 --> 0:48:27.040
<v Speaker 1>I do remember going and seeing your image on one

0:48:27.040 --> 0:48:30.279
<v Speaker 1>of those enormous screens right like like right there at

0:48:30.320 --> 0:48:32.200
<v Speaker 1>the booth Like that was to me. I was like, wow,

0:48:32.280 --> 0:48:35.040
<v Speaker 1>I as this maide a man, his face is like

0:48:35.120 --> 0:48:39.120
<v Speaker 1>three stories tall. That's amazing and um and I always

0:48:39.160 --> 0:48:40.960
<v Speaker 1>thought that that was just like and I knew you

0:48:41.000 --> 0:48:42.640
<v Speaker 1>were gonna be super busy, so I was like, well,

0:48:42.680 --> 0:48:45.720
<v Speaker 1>I don't want to I have such a loose schedule

0:48:45.760 --> 0:48:48.880
<v Speaker 1>whenever I met C E S that I can easily

0:48:49.200 --> 0:48:52.040
<v Speaker 1>take up someone else's entire time if they let me,

0:48:52.160 --> 0:48:53.680
<v Speaker 1>So I didn't want to do that while you were

0:48:54.200 --> 0:48:56.640
<v Speaker 1>very busy working. I always felt the same way when

0:48:56.880 --> 0:48:59.319
<v Speaker 1>you know, we were just hanging out at the scene

0:48:59.320 --> 0:49:01.279
<v Speaker 1>at booth before you worked there, when we were just

0:49:01.440 --> 0:49:03.239
<v Speaker 1>you know, like you mentioned, oh, I also want to

0:49:03.239 --> 0:49:05.359
<v Speaker 1>say something else in case my listeners picked up on it.

0:49:05.560 --> 0:49:08.160
<v Speaker 1>I as mentioned our friend fat emo kid that is

0:49:08.200 --> 0:49:13.080
<v Speaker 1>his handle, So yeah, I don't think that he's saying

0:49:13.080 --> 0:49:15.600
<v Speaker 1>there was a fat Emo Kid sitting next to us.

0:49:16.080 --> 0:49:19.520
<v Speaker 1>It's Eric who goes by fat Emo Kid, whom we

0:49:19.560 --> 0:49:23.960
<v Speaker 1>love very much, and so I just wanted to just

0:49:24.000 --> 0:49:26.520
<v Speaker 1>wanted to point that out as well. Yeah, No, this

0:49:26.600 --> 0:49:28.640
<v Speaker 1>was this was great. I mean we've had like some

0:49:28.680 --> 0:49:32.840
<v Speaker 1>crazy adventures, maybe not crazy, we've had some goofy adventures

0:49:32.840 --> 0:49:34.960
<v Speaker 1>at c e S. Like there was the year where

0:49:35.719 --> 0:49:38.759
<v Speaker 1>Eric was I think he even registered the domain CEOs

0:49:38.800 --> 0:49:41.400
<v Speaker 1>from the back of Jonathan Strickland's head, where he was

0:49:41.440 --> 0:49:43.560
<v Speaker 1>just going to stand behind me with a camera and

0:49:43.600 --> 0:49:45.920
<v Speaker 1>just followed the back of my head or not. I

0:49:45.920 --> 0:49:47.359
<v Speaker 1>think that was the other thing, because we were taking

0:49:47.360 --> 0:49:50.319
<v Speaker 1>photos of people. If anybody it was bald, there was that.

0:49:50.400 --> 0:49:52.319
<v Speaker 1>There was I believe Carpets of c S was one

0:49:52.320 --> 0:49:54.600
<v Speaker 1>of them. I don't know that was hours of somebody else's.

0:49:54.800 --> 0:49:56.560
<v Speaker 1>There was the time where we wound up in the

0:49:56.800 --> 0:49:59.240
<v Speaker 1>We went through the employees entrance of a casino because

0:49:59.239 --> 0:50:01.520
<v Speaker 1>we just couldn't get across because you know, if you're

0:50:01.520 --> 0:50:03.440
<v Speaker 1>on this strip, it looks like everything is connected and

0:50:03.440 --> 0:50:06.239
<v Speaker 1>it's not, so it's super difficult to get across. To

0:50:06.280 --> 0:50:08.600
<v Speaker 1>be fair, We asked an employee about how to get in,

0:50:08.680 --> 0:50:11.640
<v Speaker 1>and the employee just pointed at the side door, which

0:50:11.719 --> 0:50:14.879
<v Speaker 1>was an employee's only entrance, and the first the first

0:50:14.880 --> 0:50:18.719
<v Speaker 1>stop as we walked in was the security desk. Yet

0:50:18.800 --> 0:50:20.440
<v Speaker 1>that and that was not super but they were nice.

0:50:22.080 --> 0:50:23.879
<v Speaker 1>Wasn't what those movies were like, Oh, you're gonna break

0:50:23.880 --> 0:50:26.759
<v Speaker 1>your your thumbs. It's like go out that way and

0:50:26.840 --> 0:50:28.319
<v Speaker 1>you can go where you need to go. Oh thanks,

0:50:28.360 --> 0:50:30.480
<v Speaker 1>that was for the next Yeah, they clearly they knew

0:50:30.520 --> 0:50:33.200
<v Speaker 1>that we were clueless and idiotic, so they were very

0:50:33.320 --> 0:50:36.839
<v Speaker 1>kind to us. These were great moments. And that LG

0:50:37.040 --> 0:50:39.000
<v Speaker 1>television you were mentioning, that was one of those things

0:50:39.000 --> 0:50:41.879
<v Speaker 1>that I thought was fascinating when I first saw the tech.

0:50:41.920 --> 0:50:44.720
<v Speaker 1>I mean, we had been promised oh LAD screens for

0:50:44.760 --> 0:50:46.520
<v Speaker 1>a few years at that point, but mostly the old

0:50:46.560 --> 0:50:49.759
<v Speaker 1>LAD screens that we saw were like six inches in

0:50:49.960 --> 0:50:52.399
<v Speaker 1>size and like you could see where they would show

0:50:52.440 --> 0:50:55.279
<v Speaker 1>off how it could bend in everything, but there there

0:50:55.360 --> 0:50:58.239
<v Speaker 1>was no real practical way of create manufacturing them at

0:50:58.239 --> 0:51:01.200
<v Speaker 1>a scale that would be that would make any sense, right,

0:51:01.200 --> 0:51:03.839
<v Speaker 1>Like it would just be astronomically expensive. That LG TV

0:51:04.000 --> 0:51:07.000
<v Speaker 1>was astronomically expensive, but but at least it was no

0:51:07.080 --> 0:51:11.600
<v Speaker 1>longer in the you know half a million range. I

0:51:11.640 --> 0:51:13.759
<v Speaker 1>think it was somewhere around a hundred thousand dollars if

0:51:13.800 --> 0:51:17.680
<v Speaker 1>I recall correctly. But uh, still a little outside my

0:51:17.680 --> 0:51:23.920
<v Speaker 1>own price range for entertainment centers. But well, my question

0:51:23.960 --> 0:51:26.840
<v Speaker 1>to you, than I asked, is, uh, if you could

0:51:27.120 --> 0:51:30.040
<v Speaker 1>be on an episode of tech Stuff and cover any

0:51:30.120 --> 0:51:32.279
<v Speaker 1>one topic, what would it be because I'll invite you back.

0:51:33.840 --> 0:51:35.800
<v Speaker 1>Oh that's not fair, because I would pick a topic

0:51:36.320 --> 0:51:39.400
<v Speaker 1>that I don't know anything about. I could do anything

0:51:39.760 --> 0:51:41.640
<v Speaker 1>that means I knew I knew about it, versus like

0:51:41.680 --> 0:51:46.279
<v Speaker 1>what could I actually be prepared for? Oh, man, I

0:51:46.280 --> 0:51:50.040
<v Speaker 1>think I don't want to see five because I think

0:51:50.040 --> 0:51:52.000
<v Speaker 1>you're right, You've done probably a thousand of those things.

0:51:52.239 --> 0:51:55.319
<v Speaker 1>So I'm also the host of The Restless One, say,

0:51:55.360 --> 0:51:59.359
<v Speaker 1>a show branded by T Mobile about five G technologies.

0:51:59.400 --> 0:52:01.000
<v Speaker 1>But if you want to talk about five G, I

0:52:01.000 --> 0:52:05.240
<v Speaker 1>can chat about it. It's more that there's so much

0:52:05.880 --> 0:52:08.960
<v Speaker 1>there's so many nuances to it that even to this

0:52:09.120 --> 0:52:13.080
<v Speaker 1>to this day, it's still kind of a mess, such

0:52:13.120 --> 0:52:15.120
<v Speaker 1>that like does your phone do five G? Does it

0:52:15.239 --> 0:52:17.640
<v Speaker 1>have that can handle sub six in this and millimentary wave?

0:52:17.719 --> 0:52:20.560
<v Speaker 1>It's like what does that mean? Because nobody thinks about

0:52:20.600 --> 0:52:22.360
<v Speaker 1>that when they think about four G, Like my phone

0:52:22.400 --> 0:52:24.560
<v Speaker 1>does this because it has fifteen radios, you don't think

0:52:24.560 --> 0:52:26.960
<v Speaker 1>about it. So five g's got the same thing. But

0:52:27.400 --> 0:52:30.200
<v Speaker 1>it's not something that's really talked about in the ads

0:52:30.239 --> 0:52:34.080
<v Speaker 1>for these companies because honestly, it can be. It can

0:52:34.120 --> 0:52:37.440
<v Speaker 1>just glazier eyes over because it's like it's not that interesting,

0:52:37.480 --> 0:52:40.960
<v Speaker 1>but it's super important. So five G in general to me,

0:52:41.360 --> 0:52:45.000
<v Speaker 1>has been really interesting, even maybe even home five G.

0:52:45.200 --> 0:52:47.560
<v Speaker 1>Like I've been testing a T mobile. They're not paying

0:52:47.600 --> 0:52:51.800
<v Speaker 1>me for this T Mobile gateway because my wired speeds

0:52:51.800 --> 0:52:55.080
<v Speaker 1>in my New York City apartment they're not very fast,

0:52:55.080 --> 0:52:59.920
<v Speaker 1>and I don't have options. And with the advance of

0:53:00.040 --> 0:53:02.440
<v Speaker 1>five G speeds in theory, I should be able to

0:53:02.440 --> 0:53:05.759
<v Speaker 1>get faster speeds and more competition. That's why I love

0:53:05.800 --> 0:53:08.279
<v Speaker 1>five G in general, Like any company can be a

0:53:08.320 --> 0:53:12.200
<v Speaker 1>five G provider while they're whether they're reselling somebody else's

0:53:12.200 --> 0:53:15.200
<v Speaker 1>bandwidth or not. But there's more competition and I'm not

0:53:15.280 --> 0:53:18.799
<v Speaker 1>locked to a certain provider. So five G is the

0:53:18.800 --> 0:53:20.920
<v Speaker 1>first thing I'm thinking of, and then I'd have to

0:53:20.960 --> 0:53:25.799
<v Speaker 1>think about the second one, because maybe how the most

0:53:25.800 --> 0:53:28.879
<v Speaker 1>boring topic of all H d C p my least

0:53:28.920 --> 0:53:33.040
<v Speaker 1>favorite thing. That's stupid handshake between I think it's what, um,

0:53:33.040 --> 0:53:35.400
<v Speaker 1>it's not what is the HD Standford's not just high definition?

0:53:35.440 --> 0:53:38.040
<v Speaker 1>Is it? Oh? I wouldn't be able to tell you that.

0:53:38.480 --> 0:53:40.399
<v Speaker 1>I just did a full I just did a full

0:53:40.440 --> 0:53:44.440
<v Speaker 1>series of tech glossary episodes about acronyms and initialisms, and

0:53:44.480 --> 0:53:46.960
<v Speaker 1>once I finished that, I erased them from my brain

0:53:47.880 --> 0:53:51.960
<v Speaker 1>high band with digital content protection. This is what's known

0:53:51.960 --> 0:53:55.200
<v Speaker 1>as the handshake between one HDM my device to another.

0:53:55.560 --> 0:54:00.439
<v Speaker 1>And that is really, really, really a no go because

0:54:00.440 --> 0:54:03.000
<v Speaker 1>it breaks stuff all the time. If you do anything

0:54:03.040 --> 0:54:06.680
<v Speaker 1>like video game capture or like hook up one a

0:54:06.800 --> 0:54:09.719
<v Speaker 1>c and my cable to an adapter to another as

0:54:09.920 --> 0:54:11.920
<v Speaker 1>my cable to make a longer one that could break.

0:54:12.560 --> 0:54:14.359
<v Speaker 1>I'd love to talk about that, just because it's so

0:54:15.160 --> 0:54:18.320
<v Speaker 1>so dumb. That's the decent stand for it is. It's dumb.

0:54:18.840 --> 0:54:21.640
<v Speaker 1>Stop doing this. Well, maybe what I'll do is I'll

0:54:21.680 --> 0:54:23.600
<v Speaker 1>invite you on for a couple of episodes. We can

0:54:23.600 --> 0:54:25.480
<v Speaker 1>do one about five G and talk about like the

0:54:25.520 --> 0:54:28.800
<v Speaker 1>three broad flavors of five G and what does it

0:54:28.920 --> 0:54:32.400
<v Speaker 1>actually mean? Yes? Uh, And we can talk about you

0:54:32.440 --> 0:54:35.280
<v Speaker 1>know again, like you you say there's a lot of misunderstanding,

0:54:35.360 --> 0:54:39.359
<v Speaker 1>largely because the messaging around five G is complicated. Right,

0:54:39.400 --> 0:54:44.680
<v Speaker 1>it's hard to get across in a way that's quickly digestible.

0:54:44.920 --> 0:54:48.600
<v Speaker 1>What five G is capable of doing. Everyone just thinks of, oh,

0:54:48.640 --> 0:54:50.920
<v Speaker 1>it's five. It's like spinal tap. It's five. It's one

0:54:51.000 --> 0:54:54.799
<v Speaker 1>better than four, and it's more complicated than that. Uh.

0:54:54.800 --> 0:54:56.520
<v Speaker 1>And then I'll get you on for maybe one where

0:54:56.560 --> 0:54:59.600
<v Speaker 1>we talk about stuff that is supposed to work in

0:54:59.680 --> 0:55:03.800
<v Speaker 1>tech but sometimes makes things more difficult than it would

0:55:03.800 --> 0:55:06.160
<v Speaker 1>have been if you hadn't used that technology at all,

0:55:06.680 --> 0:55:09.920
<v Speaker 1>because there are some options there, right, Like there's some

0:55:09.960 --> 0:55:14.080
<v Speaker 1>things where you can say, here's something that was created

0:55:14.280 --> 0:55:17.960
<v Speaker 1>to solve a specific problem, and here's how it made

0:55:17.960 --> 0:55:21.480
<v Speaker 1>that problem worse, perhaps in a totally different way. I

0:55:21.520 --> 0:55:25.120
<v Speaker 1>think I tweeted something similar about Android being like Ralph

0:55:25.160 --> 0:55:28.160
<v Speaker 1>Wigham sometimes like I think it's helping. I'm gonna turn

0:55:28.200 --> 0:55:30.759
<v Speaker 1>low power battery on, lottle little power on. It's like

0:55:31.080 --> 0:55:32.840
<v Speaker 1>you just turned off all my stuff in the background.

0:55:32.880 --> 0:55:35.759
<v Speaker 1>I'm not getting notifications for this because you think it

0:55:35.880 --> 0:55:39.040
<v Speaker 1>makes sense to turn off email put that to deep sleep.

0:55:39.040 --> 0:55:40.920
<v Speaker 1>It's like I have to go into the settings and

0:55:40.960 --> 0:55:46.120
<v Speaker 1>then undo your helpful thing. Yeah sometimes it thinks helping,

0:55:46.600 --> 0:55:49.560
<v Speaker 1>but no, yeah, yeah, that'd be fun to talk about.

0:55:49.760 --> 0:55:54.080
<v Speaker 1>I watched your video about the latest build of Android

0:55:54.120 --> 0:55:57.400
<v Speaker 1>when it was going into beta testing, and you it

0:55:57.480 --> 0:55:59.840
<v Speaker 1>was it was the day of and you uploaded your

0:56:00.040 --> 0:56:01.839
<v Speaker 1>dio and he was like, well, this isn't working yet,

0:56:02.120 --> 0:56:05.439
<v Speaker 1>like the idea, like the color palette that's based off

0:56:05.520 --> 0:56:08.799
<v Speaker 1>of your your whatever background image you've chosen, that kind

0:56:08.800 --> 0:56:10.880
<v Speaker 1>of stuff. I want to let you know. I also

0:56:10.920 --> 0:56:13.160
<v Speaker 1>installed the beta after I watched your video, and now

0:56:13.239 --> 0:56:16.480
<v Speaker 1>my phone just randomly freezes and then I have to

0:56:17.040 --> 0:56:19.360
<v Speaker 1>turn the power button off and it's not supposed to

0:56:19.400 --> 0:56:21.640
<v Speaker 1>be better. But I also would like to say this

0:56:21.719 --> 0:56:23.840
<v Speaker 1>my one of my favorite comments about that video was

0:56:24.200 --> 0:56:26.160
<v Speaker 1>dude doesn't know Android because it has a built in

0:56:26.239 --> 0:56:30.160
<v Speaker 1>screen recorder, And to that, I replied, it doesn't work

0:56:30.360 --> 0:56:33.520
<v Speaker 1>in the data like I kept trying and it kept crashing.

0:56:33.600 --> 0:56:36.680
<v Speaker 1>So I did something crazy by downloading a third party

0:56:36.680 --> 0:56:39.920
<v Speaker 1>one because the first party one was buggy. So if

0:56:39.920 --> 0:56:41.880
<v Speaker 1>I tried to record with it, try to make a

0:56:41.960 --> 0:56:44.360
<v Speaker 1>video for people, and it's like, oh, I keep breaking,

0:56:44.600 --> 0:56:46.440
<v Speaker 1>So I really needed to use the third party one.

0:56:46.480 --> 0:56:49.959
<v Speaker 1>So I know I Android a bit, but I also

0:56:49.960 --> 0:56:53.040
<v Speaker 1>know and stuff doesn't work. Yeah, so that's that's when

0:56:53.080 --> 0:56:55.080
<v Speaker 1>I'll have you on. We'll talk about how tech doesn't

0:56:55.120 --> 0:56:58.680
<v Speaker 1>work occasionally. I as thank you so much for coming

0:56:58.680 --> 0:57:02.080
<v Speaker 1>on the show and for giving some of your valuable

0:57:02.120 --> 0:57:06.120
<v Speaker 1>time over to the beloved text stuff listeners. I'm sure

0:57:06.160 --> 0:57:10.600
<v Speaker 1>they appreciate it. Where should they go to see your work? Okay,

0:57:10.600 --> 0:57:13.360
<v Speaker 1>I'm gonna be very very very self promotional. Go to

0:57:13.400 --> 0:57:16.200
<v Speaker 1>Twitter dot com slash I s I y a Z.

0:57:16.560 --> 0:57:18.800
<v Speaker 1>That's me, not not that, that's me parts just I

0:57:19.080 --> 0:57:22.440
<v Speaker 1>y e Z. I tweet about my my day. I

0:57:22.480 --> 0:57:26.000
<v Speaker 1>tweet about what I'm covering, what videos I'm doing. Occasionally

0:57:26.000 --> 0:57:27.960
<v Speaker 1>I'll tell you about stuff that has nothing to do

0:57:28.000 --> 0:57:30.520
<v Speaker 1>with technology, so be aware of that. If you're interested

0:57:30.520 --> 0:57:33.040
<v Speaker 1>in barbecue sauce, I might be talking about it there.

0:57:33.320 --> 0:57:35.520
<v Speaker 1>But also go to YouTube dot com slash s net

0:57:35.840 --> 0:57:38.320
<v Speaker 1>because we're doing some of the best stuff we've ever

0:57:38.400 --> 0:57:40.560
<v Speaker 1>done and it's showing up there. We're doing some long

0:57:40.600 --> 0:57:43.479
<v Speaker 1>form stuff, we're doing some experimental content. I'm really proud

0:57:43.520 --> 0:57:45.280
<v Speaker 1>of our team and really proud of the stuff we're

0:57:45.280 --> 0:57:47.440
<v Speaker 1>putting out there. So go to s net dot com

0:57:47.520 --> 0:57:49.600
<v Speaker 1>or YouTube, dot com, slash s net and see all

0:57:49.600 --> 0:57:52.800
<v Speaker 1>the stuff there and follow me on Twitter please excellent

0:57:53.240 --> 0:57:56.160
<v Speaker 1>And guys, if you have any suggestions for topics that

0:57:56.240 --> 0:57:58.400
<v Speaker 1>I should cover in future episodes of tech Stuff, you

0:57:58.440 --> 0:58:01.200
<v Speaker 1>can always reach out to me on Twitter. The handle

0:58:01.240 --> 0:58:04.600
<v Speaker 1>for the show is text Stuff h s W. Because

0:58:04.600 --> 0:58:07.000
<v Speaker 1>while I'm no longer part of how stuff works, it's

0:58:07.040 --> 0:58:10.959
<v Speaker 1>always in my heart. They surgically implanted it, and I'll

0:58:10.960 --> 0:58:19.760
<v Speaker 1>talk to you again really soon, yea. Tex Stuff is

0:58:19.800 --> 0:58:22.920
<v Speaker 1>an I Heart Radio production. For more podcasts from my

0:58:23.080 --> 0:58:26.680
<v Speaker 1>Heart Radio, visit the i Heart Radio app, Apple Podcasts,

0:58:26.800 --> 0:58:28.800
<v Speaker 1>or wherever you listen to your favorite shows