1 00:00:01,000 --> 00:00:03,920 Speaker 1: Here we go. This is it the big trailer for 2 00:00:04,080 --> 00:00:09,840 Speaker 1: season three of the Ron Burgundy Podcast. It's a I'm sorry, 3 00:00:09,880 --> 00:00:13,080 Speaker 1: shouldn't we have some dramatic music playing underneath my voice? 4 00:00:12,880 --> 00:00:16,720 Speaker 1: I brought in a cassette of dramatic music. Ron. We 5 00:00:16,800 --> 00:00:19,479 Speaker 1: can't use the dramatic music you brought in. Well why not? 6 00:00:19,720 --> 00:00:22,040 Speaker 1: This is a big trailer. We're trying to get people 7 00:00:22,120 --> 00:00:24,279 Speaker 1: excited that the show is coming back, and I took 8 00:00:24,320 --> 00:00:27,800 Speaker 1: some initiative and found some dramatic music. So let's just 9 00:00:28,080 --> 00:00:30,800 Speaker 1: queue that up. You took a micro caussette recorder and 10 00:00:30,880 --> 00:00:33,720 Speaker 1: held it up to your TV while Terminator to Judgment 11 00:00:33,800 --> 00:00:37,800 Speaker 1: Day was playing. Yeah, you're welcome. It's kick dramatic music 12 00:00:37,880 --> 00:00:40,040 Speaker 1: for the trailer. First, we can't use that music for 13 00:00:40,120 --> 00:00:44,159 Speaker 1: legal reasons. It's copyrighted, which we you know, talked about. Second, 14 00:00:44,200 --> 00:00:46,840 Speaker 1: the quality of the recording is terrible because you taped 15 00:00:46,840 --> 00:00:49,440 Speaker 1: it on a kissette from your TV. Actually, I used 16 00:00:49,440 --> 00:00:52,800 Speaker 1: an old answering machine. I had to act fast. They 17 00:00:52,800 --> 00:00:55,840 Speaker 1: were showing Terminator two on cable and the credits were 18 00:00:55,880 --> 00:00:57,800 Speaker 1: about to come up, and I had the quick thinking 19 00:00:57,840 --> 00:01:00,480 Speaker 1: to catch it on tape. It's unusable. Why don't you 20 00:01:00,520 --> 00:01:02,520 Speaker 1: just tell people about some of the great guests we've 21 00:01:02,520 --> 00:01:06,040 Speaker 1: had on the past. Well, I was going to do that, Carolina. Look, look, 22 00:01:06,080 --> 00:01:08,560 Speaker 1: I have sat down on this show with everyone from 23 00:01:08,720 --> 00:01:12,479 Speaker 1: Gloria Steinham to the San Diego Chicken. People know how 24 00:01:12,520 --> 00:01:17,000 Speaker 1: important the work we do here is what we needed, however, 25 00:01:17,160 --> 00:01:19,959 Speaker 1: was a dramatic score to emphasize how big a moment 26 00:01:20,040 --> 00:01:23,360 Speaker 1: this is. Am I crazy here, Carolina? You can't deny 27 00:01:23,720 --> 00:01:26,960 Speaker 1: a dramatic score would sound great for this trailer, right, sure, 28 00:01:27,040 --> 00:01:29,640 Speaker 1: it would be great, and I'm sure we can maybe 29 00:01:29,680 --> 00:01:32,039 Speaker 1: we can pull some dramatic No, we are using my 30 00:01:32,240 --> 00:01:35,880 Speaker 1: cassette tape of the terminator to soundtrack that I recorded 31 00:01:35,920 --> 00:01:39,920 Speaker 1: off the USA Network on my answering machine. It might 32 00:01:39,959 --> 00:01:41,760 Speaker 1: have been T and T. I don't know. Forget it. 33 00:01:41,959 --> 00:01:44,080 Speaker 1: Hand me the answering machine. I'll just play it myself. 34 00:01:47,760 --> 00:01:53,000 Speaker 1: Ron Burger rush her Art Ron, no one can understand you. 35 00:01:53,120 --> 00:01:57,720 Speaker 1: Listen and listen to the Raw Burger podcast, I R Radio, 36 00:01:57,760 --> 00:02:00,960 Speaker 1: lap Apple podcast or whoever did Okay, I'm going to 37 00:02:01,080 --> 00:02:03,840 Speaker 1: turn off your answer mission tape. No one heard a 38 00:02:03,880 --> 00:02:06,520 Speaker 1: word of that. Can I just say something? You're being 39 00:02:06,760 --> 00:02:11,359 Speaker 1: extremely unprofessional right now. This is a big trailer okay, 40 00:02:11,480 --> 00:02:13,760 Speaker 1: and we want people to tune in for season three 41 00:02:13,840 --> 00:02:16,160 Speaker 1: on March five. And you're just being difficult, Ron, I 42 00:02:16,200 --> 00:02:18,400 Speaker 1: assure you just read the copy again. I will make 43 00:02:18,440 --> 00:02:21,400 Speaker 1: sure that dramatic music is added in later. Oh so 44 00:02:21,480 --> 00:02:24,960 Speaker 1: you're going to fix it and post. I've never heard 45 00:02:25,000 --> 00:02:27,359 Speaker 1: that one before, Carolina. Do you think I just fell 46 00:02:27,400 --> 00:02:30,440 Speaker 1: off the parsnip truck? Do you mean? Do you mean 47 00:02:30,560 --> 00:02:33,440 Speaker 1: turn turnip truck? What are you talking about? It's an 48 00:02:33,440 --> 00:02:37,680 Speaker 1: old expression. I didn't just fall off the parsnip truck. Wow, 49 00:02:37,720 --> 00:02:40,239 Speaker 1: how do you not know that? I'm just pretty sure 50 00:02:40,240 --> 00:02:43,760 Speaker 1: it's turnip truck. That is not a saying. No one 51 00:02:43,800 --> 00:02:47,560 Speaker 1: has ever said that this trailer is a disaster. We're 52 00:02:47,600 --> 00:02:51,160 Speaker 1: keeping all this for the trailer. Ron, just read the copy. 53 00:02:51,200 --> 00:02:54,799 Speaker 1: I will, I will, okay, but I swear if I 54 00:02:54,840 --> 00:02:58,280 Speaker 1: hear this back and there's no dramatic music playing while 55 00:02:58,320 --> 00:03:02,919 Speaker 1: I say this, heads are gonna all all right, I'll 56 00:03:02,960 --> 00:03:07,399 Speaker 1: put it on unbelievable. I have a splitting headache. Now 57 00:03:07,960 --> 00:03:14,040 Speaker 1: this back and forth, Okay, Okay, the dramatic music will start. Now. 58 00:03:15,720 --> 00:03:18,880 Speaker 1: Listen to the Ron Burgundy podcast on the I Heart 59 00:03:19,000 --> 00:03:23,720 Speaker 1: Radio app, Apple podcast, or wherever you get your podcasts. Yeah, 60 00:03:23,760 --> 00:03:25,520 Speaker 1: it'll sound great. Okay, it'd better