WEBVTT - Lights, Camera, Horror!

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<v Speaker 1>Hey, folks, welcome to this latest episode of Amy and TJ.

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<v Speaker 2>And just like.

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<v Speaker 1>Always, we have no idea what's going on in this episode,

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<v Speaker 1>but it's different this time. Rodes. Now, this is truly

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<v Speaker 1>one where we don't know what's happening and we're kind

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<v Speaker 1>of excited about Heart is raising.

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<v Speaker 3>Yeah.

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<v Speaker 4>I'm not big on surprises, and I think you know

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<v Speaker 4>that I'm not one loves a surprise party, but this

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<v Speaker 4>is a controlled surprise, like we know we're about to

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<v Speaker 4>be surprised, so.

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<v Speaker 3>It's a little bit different.

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<v Speaker 4>We were just told by our wonderful iHeart team that

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<v Speaker 4>they had a surprise for us and for us to

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<v Speaker 4>keep this day open for us to come into the studio,

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<v Speaker 4>that they had guest possible guests for us that we

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<v Speaker 4>were going to love, that we were going to be

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<v Speaker 4>super excited about, but they wanted it to be secret.

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<v Speaker 1>Wait hasn't this been months in the world. I swear

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<v Speaker 1>Hanad's been telling usbout this one months.

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<v Speaker 4>We've belt about this, I think for at least two months,

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<v Speaker 4>and they seem to think that we're going to be

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<v Speaker 4>so excited about it that they wanted it to be

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<v Speaker 4>a surprise.

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<v Speaker 1>Okay, And it freaked them out a little bit because

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<v Speaker 1>our schedule is a mess. They say, hey, October, you

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<v Speaker 1>don't know, let's let's just check our schedule. So this

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<v Speaker 1>finally did work out. Now we suspect it because it's Halloween,

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<v Speaker 1>it's around thet We are huge horror movie fans, so

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<v Speaker 1>we have all kinds of guesses about who it might be.

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<v Speaker 1>But we've been thrown off a little bit. Now they

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<v Speaker 1>throw us a couple of curves. So now I'm a

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<v Speaker 1>little lost.

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<v Speaker 3>That's true.

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<v Speaker 4>So well, we know it's Halloween themed because when we

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<v Speaker 4>came into the studio. We'll put the pictures up on

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<v Speaker 4>social media. But the it's very cute. Emma decorated the

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<v Speaker 4>Amy and TJ studio with some Halloween high ends.

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<v Speaker 1>We've got this is some high ends.

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<v Speaker 4>Bloody plastic feet. We've got a ghoule behind me. Oh yeah,

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<v Speaker 4>some black netting everywhere. So obviously this is horror movie related,

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<v Speaker 4>which we totally support.

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<v Speaker 3>Do I want to say when? I so when?

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<v Speaker 4>Now we believe it's more than one guest because we

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<v Speaker 4>saw the s Okay, yeah, so that threw me because

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<v Speaker 4>initially I was thinking it might be Stephen King.

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<v Speaker 1>Now I'm all, Now I'm thrown off. Now, I'm really

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<v Speaker 1>off when it went the two that threw me off.

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<v Speaker 3>But yeah, all right.

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<v Speaker 1>Son, we we should do it. We should Okay. So

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<v Speaker 1>we are now, folks, you listening to us, are going

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<v Speaker 1>to find out, as we found out, find out who

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<v Speaker 1>our guests are for the day. So Hannah, will you

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<v Speaker 1>please finally give us the reveal? Who do we have

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<v Speaker 1>on the show today?

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<v Speaker 3>What?

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<v Speaker 5>What?

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<v Speaker 1>Robert England himself? How did Joe pull this off? We

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<v Speaker 1>should let everybody I'm your boyfriend now.

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<v Speaker 3>My goodness, wow, if I could have seen this.

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<v Speaker 1>I'm telling you, Heather, I'm telling you on this happened yesterday.

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<v Speaker 3>So true.

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<v Speaker 1>We were watching you a Nightmare on Elm Street just yesterday.

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<v Speaker 3>And what did I say to you? I under what

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<v Speaker 3>she's doing now and here you are. That is a

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<v Speaker 3>legit absolute.

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<v Speaker 4>So we were on a plane yesterday and we like

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<v Speaker 4>to talk because we're you know, just like that, And

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<v Speaker 4>so we put on what we call background movies. And

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<v Speaker 4>it's usually just a favorite movie of ours. We've seen

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<v Speaker 4>lance up at the screen and see and feel all

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<v Speaker 4>warm and fuzzy, And for me it was Nightmare on

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<v Speaker 4>Elm Street. We just let's say hello, I'm here with

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<v Speaker 4>Robert Evid.

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<v Speaker 6>We're celebrating the fortieth anniversary of Nightmare this year, and

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<v Speaker 6>we're also we're talking about the Ultra four KHD that

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<v Speaker 6>Warner Brothers just putting out. So we're we're spending a

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<v Speaker 6>lot of We're spending a lot of time together, and.

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<v Speaker 2>It's that thing.

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<v Speaker 5>You know. What I realized is so many fans discovered

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<v Speaker 5>Nightmare on Elm Street on that that rented video, that

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<v Speaker 5>VHS came from the Mom and Pop video store. There

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<v Speaker 5>wasn't wound rewounded properly, you know. And of weeks ago,

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<v Speaker 5>I was watching the four K of Hitchcock's Rear Window,

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<v Speaker 5>you know, with Jimmy Stewart and Grace Kelly, and it

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<v Speaker 5>was so incredible.

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<v Speaker 2>It was better than I ever imagined it. So I'm

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<v Speaker 2>I'm I'm.

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<v Speaker 5>Really hyping this four K of Nightmare on Elm Street

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<v Speaker 5>one because I just I know that I've had the

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<v Speaker 5>experience of talking with fans so many of it watched

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<v Speaker 5>it at home, you know, on video, And this one's

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<v Speaker 5>gonna look really.

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<v Speaker 6>Creamy because everyone has these new TVs now that you know,

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<v Speaker 6>can show all the glory.

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<v Speaker 1>In the man cave, the woman you know, how does

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<v Speaker 1>that change. I have not seen like an original and

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<v Speaker 1>older horror movie in this four K format before. We

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<v Speaker 1>have watched the omen A lot actually lately, and there's

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<v Speaker 1>something about just that grainy, that grimy look is not

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<v Speaker 1>so that still is kind of appealing. But you're telling

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<v Speaker 1>me the four K thing is going to blow blow

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<v Speaker 1>his way.

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<v Speaker 6>And what's even more is if they added some about

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<v Speaker 6>eight or nine seconds to the Tina death seeds. You

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<v Speaker 6>know what.

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<v Speaker 2>I dragged China over the ceiling and.

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<v Speaker 3>I just watched it. Yes, that's one thing. I'm telling you.

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<v Speaker 5>Eight seconds of missing footage, which sounds short, but that's

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<v Speaker 5>actually that's a lot of blood and that's already.

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<v Speaker 6>It's such a good scene. It's gonna yeah, it's even

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<v Speaker 6>better now.

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<v Speaker 4>That is so exciting. What I'm trying to remember what

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<v Speaker 4>year it was when it first came out in forty

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<v Speaker 4>years ago, I was eleven years old. I didn't see

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<v Speaker 4>it in theaters, but I sneaked over to my neighbor's

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<v Speaker 4>house to watch it and we would sit there and

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<v Speaker 4>sing one, two, Freddy's after You, three, four better, six,

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<v Speaker 4>Crucifix eight.

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<v Speaker 6>Jumped in sleep.

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<v Speaker 4>But again, I mean I was a huge fan, and

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<v Speaker 4>I know you probably love this, but I mean it

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<v Speaker 4>is scary when I look at you now.

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<v Speaker 3>You still look like Freddy Krueger to me. But Freddy

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<v Speaker 3>was older.

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<v Speaker 5>Freddie was older than Robert England when I originally played it,

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<v Speaker 5>and as I age, I'm kind.

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<v Speaker 2>Of aging like him.

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<v Speaker 5>But that was that's a gift actually from Kevin Yaeger

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<v Speaker 5>or makeup man, because he wanted to make my musculature,

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<v Speaker 5>even with the burns on the face and neck. He

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<v Speaker 5>wanted to make me look like an older man to

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<v Speaker 5>begin with, and I played him with a with a

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<v Speaker 5>gruffer voice that I actually had back then. So uh,

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<v Speaker 5>that's actually why now the shorter my haircut is. When

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<v Speaker 5>I'm in airports and stuff, I actually get recognized more

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<v Speaker 5>now than I did.

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<v Speaker 2>That actually, because I look more like him.

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<v Speaker 3>Do you wear a striped sweater?

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<v Speaker 6>I've never seen Robert in a red and green sweater actually,

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<v Speaker 6>except a couple of times. He does not usually have

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<v Speaker 6>one with them.

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<v Speaker 2>Yes, I'm not all.

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<v Speaker 1>The time, Robert, not your brother. What is a what

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<v Speaker 1>is a screen? Do we still have scream queens these days?

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<v Speaker 6>I mean I always say I don't feel like I

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<v Speaker 6>scream that much. In Nightmare on Elm Street because I'm

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<v Speaker 6>so busy kicking ass. Right, most of the time, I'm

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<v Speaker 6>not screaming that much, but it is become a form.

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<v Speaker 6>It's a term of art that I think is actually

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<v Speaker 6>wonderful because I share that with so many amazing actresses

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<v Speaker 6>who have been in incredible shows like Nightmare on Elm Streets.

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<v Speaker 6>So I kind of feel as like our little brotherhood

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<v Speaker 6>or sisterhood of a sisterhood of women who are able

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<v Speaker 6>to be part of these incredible slasher movies, horror movies

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<v Speaker 6>for the past forty years.

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<v Speaker 5>You know, when I was a kid and we go

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<v Speaker 5>to the you know, the matinee, Molan save up our

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<v Speaker 5>allowance and go see the double bill horror movies for

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<v Speaker 5>a matinee, and it was almost always boys. But after

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<v Speaker 5>Sigourney Weaver and Aliens, and then Jamie Lee Curtis and

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<v Speaker 5>Halloween and then at the outset the Nightmare on Elm

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<v Speaker 5>Street franchise, we always have a strong survival, survivor girl,

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<v Speaker 5>you know, a five girl. Hollywood calls it in their

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<v Speaker 5>in their vocabulary, in parlance, and I'm kind of proud

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<v Speaker 5>that we were sort of the film responsible for getting

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<v Speaker 5>the original accumulation of horror fangirls, you know, really bringing

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<v Speaker 5>them into the into the audience we have.

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<v Speaker 6>When we started forty years ago, very few women would

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<v Speaker 6>come and meet us or come into these autograph shows

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<v Speaker 6>that we do, and now it's half or more. Are

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<v Speaker 6>not only women, but their grandmothers, their daughters, and they

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<v Speaker 6>all come and they just love Nancy and they love

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<v Speaker 6>what she stands for.

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<v Speaker 5>I think they identify, you know, the journey of the

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<v Speaker 5>survivor girl throughout the movies, and it's Heather and several

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<v Speaker 5>of them Lisa Willcox, yeah, Lisa Sane, Billy Zaye's sister,

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<v Speaker 5>and Monica Kena. But their survived you identify and you

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<v Speaker 5>follow that journey, and they do.

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<v Speaker 2>At the end. People forget this. Freddie always loses to

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<v Speaker 2>a girl, a woman.

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<v Speaker 5>At the end of each film, she survives and vanquishes him.

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<v Speaker 5>And I think that that was a kind of a

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<v Speaker 5>first without it. But then all the girls didn't always

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<v Speaker 5>just go into the barn with the guy with a chainsaw.

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<v Speaker 2>Let's go hide in the barcion.

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<v Speaker 3>Oh yeah, that commercial is amazing.

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<v Speaker 4>I'm amazed because I don't think I mean, I just

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<v Speaker 4>loved the film and I did it's funny. I did

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<v Speaker 4>identify with Nancy. I was watching you on the plane yesterday,

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<v Speaker 4>Heather and I and I.

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<v Speaker 3>Was saying, it's so funny.

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<v Speaker 4>I remember just wanting to be you and looking up

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<v Speaker 4>to you, and I just got sucked into the whole story.

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<v Speaker 4>I loved, obviously the adrenaline, with the fear and Freddy

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<v Speaker 4>Kruger and all of that, but I really really identified

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<v Speaker 4>with you and your character of Nancy. Heather and I

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<v Speaker 4>never thought about it like this, And I don't think

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<v Speaker 4>I realized that a woman always ended up I love Vanquishing,

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<v Speaker 4>is it?

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<v Speaker 3>Freddy Kruger?

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<v Speaker 6>I mean, I think that's why this movie came along

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<v Speaker 6>at a time when America was really ready to have

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<v Speaker 6>women step into these roles. But I always tell people

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<v Speaker 6>it wasn't just It's not just girls love Nancy, boys

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<v Speaker 6>and men love her too.

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<v Speaker 2>Because it's the pajamas.

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<v Speaker 6>It's the pajamas, the sexy pajamas, the little Chinese pajamas

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<v Speaker 6>with the flowers. But she just represented how to face

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<v Speaker 6>your fear and how to like get over through, you know,

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<v Speaker 6>get through whatever in your life is causing you. You know, Freddy,

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<v Speaker 6>I always say, what's your Freddie and people always answer, Oh,

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<v Speaker 6>it's it's my you know, my horrible whatever that's going

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<v Speaker 6>on in my life, and that's their Freddy and everyone

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<v Speaker 6>needs a Nancy inspiration to get over that.

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<v Speaker 5>I think that's the best gimmick, the best hook that

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<v Speaker 5>that we should praise. And remember, you know, the late

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<v Speaker 5>great Wes Craven, you know, and he also did the

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<v Speaker 5>screen franchise, you know, and he changed Horror before Nightmare

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<v Speaker 5>on Elm Street with the Hills Have Eyes and last

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<v Speaker 5>House on the left. But this great book, which is

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<v Speaker 5>the Nightmare. The nightmare is universal everyone has had and

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<v Speaker 5>we all have some of the same dreams about falling

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<v Speaker 5>or drowning or our algebra test.

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<v Speaker 6>We're stepping into the gluey steps with your feet, yeah,

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<v Speaker 6>but you can't get out.

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<v Speaker 1>It's funny you mentioned you we are not kidding. I

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<v Speaker 1>assume they passed along to you how big horror movie

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<v Speaker 1>fans we are. But on the way here to the

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<v Speaker 1>studio today, she's in the kitchen just making scrambled eggs,

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<v Speaker 1>and I'm on the computer and she's whimming up something

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<v Speaker 1>to eat and puts on something in the background to

0:11:21.160 --> 0:11:23.200
<v Speaker 1>watch on the TV in the kitchen, and she put

0:11:23.240 --> 0:11:27.000
<v Speaker 1>on Scream. We're watching Scream at ten thirty in the

0:11:27.040 --> 0:11:29.480
<v Speaker 1>morning as our background movie. That's how serious it is.

0:11:29.880 --> 0:11:34.400
<v Speaker 2>Yes, Breakfast with Drew Barrylmore. Yeah, the last Yeah, the.

0:11:34.360 --> 0:11:35.440
<v Speaker 6>Last two movies.

0:11:36.559 --> 0:11:38.640
<v Speaker 4>The last two movies we just watched are Nightmare and

0:11:38.640 --> 0:11:41.520
<v Speaker 4>elm Street and Scream and then voila. We are now

0:11:42.000 --> 0:11:44.800
<v Speaker 4>walking into this interview with you two and it couldn't

0:11:44.840 --> 0:11:45.480
<v Speaker 4>be more perfect.

0:11:45.520 --> 0:11:48.560
<v Speaker 3>So we're super excited. I'm curious we're either.

0:11:48.360 --> 0:11:51.880
<v Speaker 4>One of you horror movie fans beforehand, and what did

0:11:51.880 --> 0:11:53.400
<v Speaker 4>you think when you got the script? Did you think

0:11:53.720 --> 0:11:55.360
<v Speaker 4>this is going to be crazy or this is going

0:11:55.400 --> 0:11:56.720
<v Speaker 4>to be excellent? I mean, I just want to know

0:11:56.720 --> 0:11:59.880
<v Speaker 4>what you thought going into it versus what the reality actually.

0:12:00.720 --> 0:12:02.000
<v Speaker 3>I'll start with you Robert.

0:12:02.600 --> 0:12:06.720
<v Speaker 5>Well, Yeah, I was fascinated with horror as a child,

0:12:07.200 --> 0:12:12.520
<v Speaker 5>and my godfather had a coffee table book of the movies,

0:12:13.400 --> 0:12:17.120
<v Speaker 5>and it had a section of the Golden Age of

0:12:17.120 --> 0:12:20.880
<v Speaker 5>Horror Frankenstein, Dracula, the wolf Man, etc. But it also

0:12:21.040 --> 0:12:25.360
<v Speaker 5>had from the Silent Days. It had a two page

0:12:25.400 --> 0:12:29.160
<v Speaker 5>fold out of all of the various makeups that Lon

0:12:29.280 --> 0:12:32.839
<v Speaker 5>Cheney had done, including one where he boiled an egg

0:12:33.200 --> 0:12:36.480
<v Speaker 5>and took the placentia of a hard boiled egg and

0:12:36.600 --> 0:12:39.840
<v Speaker 5>put it over his eye to make it look milky

0:12:39.880 --> 0:12:43.280
<v Speaker 5>and dead, probably the first contact lens. But I was

0:12:43.400 --> 0:12:46.520
<v Speaker 5>fascinated with that stuff. But when I was a theater actor,

0:12:46.920 --> 0:12:50.640
<v Speaker 5>I became kind of a snob for several years. You know,

0:12:50.679 --> 0:12:52.440
<v Speaker 5>I was the guy in the corduroy jacket with the

0:12:52.480 --> 0:12:57.760
<v Speaker 5>patches on the sleeve, that guy. And it took Wes

0:12:57.840 --> 0:13:03.400
<v Speaker 5>Craven to remind me how much as a child and

0:13:03.640 --> 0:13:06.640
<v Speaker 5>as a young man, I loved horror and loved that

0:13:06.720 --> 0:13:09.360
<v Speaker 5>world and the fantasy aspect of it.

0:13:09.720 --> 0:13:11.200
<v Speaker 2>So yeah, I was Heather.

0:13:11.200 --> 0:13:14.199
<v Speaker 6>How about you, Well, I was very scared. I never

0:13:14.240 --> 0:13:16.120
<v Speaker 6>could really watch a horror movie all the way through.

0:13:16.240 --> 0:13:18.520
<v Speaker 6>As soon as there was like one scary scene, I

0:13:18.520 --> 0:13:20.240
<v Speaker 6>would turn off the TV as fast as I could

0:13:20.280 --> 0:13:24.319
<v Speaker 6>because I had really bad dreams. And so, I mean

0:13:24.360 --> 0:13:26.280
<v Speaker 6>I even tell people that Wizard of Oz would scare

0:13:26.360 --> 0:13:29.560
<v Speaker 6>me so badly. Those trees that came alive and like

0:13:29.600 --> 0:13:35.920
<v Speaker 6>tried to grab Dorothy, lying that wicked witch. I mean,

0:13:35.960 --> 0:13:37.720
<v Speaker 6>all of that terrified me. So I knew I had

0:13:37.760 --> 0:13:38.920
<v Speaker 6>a really low threshold.

0:13:39.120 --> 0:13:41.839
<v Speaker 2>Flying Monkey's got to be But you know, on the.

0:13:41.760 --> 0:13:44.240
<v Speaker 6>Other hand learning from Wes. I mean, I got to

0:13:44.320 --> 0:13:47.280
<v Speaker 6>learn from the very best. I really learned to appreciate

0:13:47.320 --> 0:13:50.160
<v Speaker 6>horror and like what kind of role it plays for people,

0:13:50.200 --> 0:13:53.280
<v Speaker 6>and and so now I really love I love to

0:13:53.320 --> 0:13:57.000
<v Speaker 6>watch horror movies. My husband's a special effects makeup artists,

0:13:57.040 --> 0:13:59.520
<v Speaker 6>so I'm really critical about all the flood in.

0:13:59.559 --> 0:14:03.200
<v Speaker 2>You are American Horror Story. You've watched the American Horror Story.

0:14:03.960 --> 0:14:06.360
<v Speaker 6>Yeah, if I see something that looks slightly cheesy, I'm like,

0:14:06.559 --> 0:14:08.120
<v Speaker 6>I don't know if I'm going to continue watching.

0:14:08.920 --> 0:14:11.080
<v Speaker 2>And there's some great There's some great new stuff out

0:14:11.120 --> 0:14:11.520
<v Speaker 2>now too.

0:14:11.640 --> 0:14:13.840
<v Speaker 1>Okay, we have to ask you to you all are

0:14:14.360 --> 0:14:18.560
<v Speaker 1>horror movie royalty. What these days do you like? And

0:14:18.640 --> 0:14:21.200
<v Speaker 1>that you've maybe even something you've seen lately. We've got

0:14:21.240 --> 0:14:22.960
<v Speaker 1>to know what horror movies do you two?

0:14:23.320 --> 0:14:24.920
<v Speaker 5>That's what I was just gonna say. There is some

0:14:24.960 --> 0:14:29.560
<v Speaker 5>great new stuff out. I just watched Apartment seven A

0:14:29.800 --> 0:14:31.280
<v Speaker 5>with Julia Gard streaming.

0:14:31.280 --> 0:14:33.120
<v Speaker 1>We haven't seen it yet from Ozart.

0:14:34.400 --> 0:14:37.960
<v Speaker 5>I just saw her do the that's the prequel to

0:14:38.080 --> 0:14:42.800
<v Speaker 5>Rosemary's Baby, and Dan Weis is playing the Ruth Gordon role.

0:14:42.880 --> 0:14:46.280
<v Speaker 5>She's channeling Ruth Gordon. And if you watch them back

0:14:46.320 --> 0:14:50.800
<v Speaker 5>to back. It's a perfect prequel to Rosemary's Baby, which

0:14:50.840 --> 0:14:53.080
<v Speaker 5>is one of my favorites, which is a definite classic.

0:14:54.840 --> 0:14:56.920
<v Speaker 5>You just saw them back to back, and it was

0:14:57.000 --> 0:15:00.560
<v Speaker 5>so much fun because in Rosemary's Baby they talk about

0:15:00.560 --> 0:15:04.800
<v Speaker 5>that character that Julia Garner plays, she's the girl from

0:15:04.880 --> 0:15:09.480
<v Speaker 5>the laundry room in the fabulous apartment house that disappears.

0:15:10.840 --> 0:15:20.280
<v Speaker 1>And what about you? What do you like in these days?

0:15:20.320 --> 0:15:23.200
<v Speaker 6>I mean, the last horror movie I really saw was Abigail,

0:15:23.680 --> 0:15:26.840
<v Speaker 6>which I really like. Melissa Barrera is like one of

0:15:26.840 --> 0:15:30.200
<v Speaker 6>my favorite actresses now in horror, and she's in a

0:15:30.200 --> 0:15:33.000
<v Speaker 6>lot of different horror movies. She's gonna be in this

0:15:33.280 --> 0:15:35.760
<v Speaker 6>movie called Your Monster that's coming up. That is also

0:15:35.840 --> 0:15:38.800
<v Speaker 6>I got to see in the Citrus Film Festival just

0:15:38.880 --> 0:15:39.560
<v Speaker 6>last weekend.

0:15:39.680 --> 0:15:42.840
<v Speaker 1>Is that the horror romantic or.

0:15:43.440 --> 0:15:48.320
<v Speaker 6>I mean it is a great oh wow, So yeah,

0:15:48.480 --> 0:15:51.480
<v Speaker 6>he made the monster in that, So that's not why

0:15:51.520 --> 0:15:53.760
<v Speaker 6>I love it. I saw it in an audience of

0:15:53.920 --> 0:15:57.960
<v Speaker 6>like European people and they were cheering at the screen

0:15:58.080 --> 0:16:00.000
<v Speaker 6>and laughing, and then at the end it's a pretty

0:16:00.120 --> 0:16:03.520
<v Speaker 6>horrifying handy. But I that movie, I have to say,

0:16:03.600 --> 0:16:06.240
<v Speaker 6>is one of my favorites, but more meta movies like

0:16:06.320 --> 0:16:09.040
<v Speaker 6>Happen in the Woods and you know, of course I

0:16:09.040 --> 0:16:11.120
<v Speaker 6>saw the latest Evil Dead.

0:16:11.680 --> 0:16:15.160
<v Speaker 5>You know, long Long Legs, Nick Page and long Legs.

0:16:15.480 --> 0:16:16.680
<v Speaker 3>Oh yeah, so good.

0:16:16.760 --> 0:16:19.360
<v Speaker 2>Probably, yeah, that's probably a serial killer movie.

0:16:19.360 --> 0:16:24.760
<v Speaker 5>But still, boy, wow, just really strange darlings enveloped.

0:16:24.960 --> 0:16:27.360
<v Speaker 1>You will see that one. Strange darlings were just exchange

0:16:27.440 --> 0:16:28.480
<v Speaker 1>exchanging horror movie notes.

0:16:28.520 --> 0:16:31.400
<v Speaker 2>Now, I just saw the trailers. It looks great, It's phenomenal.

0:16:31.440 --> 0:16:33.800
<v Speaker 3>Oh my goodness, this is amazing.

0:16:33.880 --> 0:16:38.320
<v Speaker 4>I'm I'm curious how your lives changed after that movie.

0:16:38.680 --> 0:16:41.000
<v Speaker 4>I don't think anyone probably could have anticipated. I know

0:16:41.040 --> 0:16:44.240
<v Speaker 4>it was Wes Craven, the wild success. The fact that

0:16:44.320 --> 0:16:46.920
<v Speaker 4>even my daughters who are now twenty one and eighteen

0:16:47.480 --> 0:16:50.040
<v Speaker 4>will still watch and be scared by. And they love

0:16:50.080 --> 0:16:52.760
<v Speaker 4>horror movies too, because they come by it honestly, but

0:16:52.840 --> 0:16:55.360
<v Speaker 4>they'll still go back and watch a movie from nineteen

0:16:55.520 --> 0:17:00.080
<v Speaker 4>eighty four and say, holy crap, that is amazing. How

0:17:00.120 --> 0:17:02.720
<v Speaker 4>did your lives change after that movie became the success

0:17:03.000 --> 0:17:04.200
<v Speaker 4>it was and still is.

0:17:04.720 --> 0:17:07.400
<v Speaker 5>I'd had a hit TV series at the same time

0:17:07.440 --> 0:17:11.560
<v Speaker 5>called v and that had made me international, and then

0:17:12.480 --> 0:17:15.000
<v Speaker 5>doing Nightmare on elm Street. I did some of the

0:17:15.000 --> 0:17:18.960
<v Speaker 5>publicity for it, and I realized it was also simultaneously

0:17:19.640 --> 0:17:22.320
<v Speaker 5>as here. It was a hit in Europe, and the

0:17:22.359 --> 0:17:25.199
<v Speaker 5>real gift I got from being in it is it

0:17:25.240 --> 0:17:28.159
<v Speaker 5>made me an international actor, and you know, things get

0:17:28.240 --> 0:17:30.760
<v Speaker 5>slow for me in Hollywood. I go chase some beautiful

0:17:30.760 --> 0:17:33.080
<v Speaker 5>young actors like Heather or around a castle in Spain.

0:17:34.480 --> 0:17:37.320
<v Speaker 6>Well, I mean, yeah, I think the movie really did.

0:17:37.840 --> 0:17:41.960
<v Speaker 6>The success really did pile upon Robert right away, but

0:17:42.280 --> 0:17:46.439
<v Speaker 6>the idea of Nancy as this important character, really it

0:17:46.480 --> 0:17:48.479
<v Speaker 6>really was a much slower build, and I found it

0:17:48.520 --> 0:17:52.400
<v Speaker 6>probably took five to even ten years before people started noticing,

0:17:52.760 --> 0:17:56.080
<v Speaker 6>oh there's this girl, and people started actually writing about it.

0:17:56.359 --> 0:17:58.800
<v Speaker 6>The movie came out on VHS, and of course more

0:17:58.800 --> 0:18:02.159
<v Speaker 6>people saw it. But Nancy's you know, slow rise to

0:18:02.200 --> 0:18:04.879
<v Speaker 6>this point where she, you know, is this final girl

0:18:04.960 --> 0:18:08.160
<v Speaker 6>and scream queen. That took quite a while, actually, and

0:18:08.440 --> 0:18:11.359
<v Speaker 6>I never really felt that a lot of people saw

0:18:11.400 --> 0:18:13.840
<v Speaker 6>the movie. Frankly, I wasn't like Robert, who was being

0:18:14.160 --> 0:18:16.879
<v Speaker 6>mobbed at airports like I was, you know, going to

0:18:16.880 --> 0:18:20.200
<v Speaker 6>the grocery store and doing my daily life pretty anonymously

0:18:20.320 --> 0:18:21.000
<v Speaker 6>for a long time.

0:18:21.040 --> 0:18:23.600
<v Speaker 5>Well, Heather almost didn't do the movie. You know, her

0:18:24.040 --> 0:18:27.800
<v Speaker 5>back in eighty four horror movies. I mean, I'm old

0:18:27.880 --> 0:18:30.360
<v Speaker 5>enough to remember when you either did television or movies.

0:18:30.640 --> 0:18:32.360
<v Speaker 5>You know, you didn't go back and forth. And then

0:18:32.480 --> 0:18:35.439
<v Speaker 5>John Travolta kind of broke it wide open, going from

0:18:35.520 --> 0:18:40.480
<v Speaker 5>Welcome Back Caught Her to Saturday Night Fever. But Heather's

0:18:40.760 --> 0:18:43.200
<v Speaker 5>was counseled, you know, not to do a horror movie.

0:18:43.359 --> 0:18:46.160
<v Speaker 5>And I even had second thoughts after I took the part.

0:18:46.200 --> 0:18:48.199
<v Speaker 5>I took it because it fit in my schedule, and

0:18:48.280 --> 0:18:51.320
<v Speaker 5>I wanted to work with Wes and there was a

0:18:51.359 --> 0:18:54.840
<v Speaker 5>certain stigma then, you know, And and boy, I'll tell you,

0:18:55.320 --> 0:18:56.280
<v Speaker 5>am I ever glad?

0:18:56.320 --> 0:18:59.360
<v Speaker 2>I said yes to the Blue.

0:18:59.280 --> 0:19:00.640
<v Speaker 1>Yeah, how does that work?

0:19:01.080 --> 0:19:01.399
<v Speaker 2>Robert?

0:19:01.600 --> 0:19:04.159
<v Speaker 1>Well, Heather, you're the one that's not in makeup the

0:19:04.200 --> 0:19:06.840
<v Speaker 1>whole movie. He's in disguise. But you say he's the

0:19:06.880 --> 0:19:08.720
<v Speaker 1>one that gets recognized all the time.

0:19:09.320 --> 0:19:11.560
<v Speaker 6>Well, I mean he's just such an iconic character. I mean,

0:19:11.600 --> 0:19:14.199
<v Speaker 6>look that hat and a sweater. I mean people, you know,

0:19:14.280 --> 0:19:18.000
<v Speaker 6>people just really love Freddy Krueger. And there's no explanation.

0:19:18.119 --> 0:19:22.679
<v Speaker 6>It's just this visceral feeling of wanting to go for

0:19:22.720 --> 0:19:25.240
<v Speaker 6>the bad guy, I guess, or or just feel part

0:19:25.280 --> 0:19:28.040
<v Speaker 6>of that energy that he has. It's just so incredible.

0:19:28.160 --> 0:19:31.320
<v Speaker 5>Well also, I'm sure the image of Freddie is the

0:19:31.320 --> 0:19:36.880
<v Speaker 5>logo for the experience of seeing the franchise or going

0:19:36.920 --> 0:19:40.920
<v Speaker 5>through the franchise, whereas Heather was the star of three movies,

0:19:41.080 --> 0:19:44.760
<v Speaker 5>you know, and has infinitely more screen time than I do.

0:19:44.960 --> 0:19:48.239
<v Speaker 5>But I got this sort of lucky gift or the

0:19:48.280 --> 0:19:52.600
<v Speaker 5>happy accident of being the sort of logo for it. Now, However,

0:19:53.200 --> 0:19:56.320
<v Speaker 5>forty years later, and actually thirty years later, and actually

0:19:56.359 --> 0:20:01.560
<v Speaker 5>twenty years later, the merchandising is so a worldwide of

0:20:01.600 --> 0:20:06.000
<v Speaker 5>our images that there's you know, probably more posters.

0:20:05.880 --> 0:20:08.800
<v Speaker 2>With Heather you know, featured on them now than me.

0:20:09.240 --> 0:20:11.119
<v Speaker 5>You know, I'm in the corner over here, but they

0:20:11.280 --> 0:20:13.879
<v Speaker 5>has a shadow and then Heather because you know, she's

0:20:13.880 --> 0:20:15.080
<v Speaker 5>no drop dead gorgeous.

0:20:15.240 --> 0:20:17.960
<v Speaker 2>They feature Heather, you know, add a little cleavage to it.

0:20:18.240 --> 0:20:21.720
<v Speaker 6>But they never, like they've never marketed the little Cassio

0:20:21.840 --> 0:20:26.680
<v Speaker 6>watch that says ten seconds you know they made that yet,

0:20:26.720 --> 0:20:29.080
<v Speaker 6>you know, or my little wife of Jamas. They really

0:20:29.080 --> 0:20:32.600
<v Speaker 6>deserve to be, you know, immortalized in some way. And

0:20:32.680 --> 0:20:33.520
<v Speaker 6>I'm still waiting.

0:20:33.600 --> 0:20:34.920
<v Speaker 2>I still copy we're eating.

0:20:34.920 --> 0:20:37.439
<v Speaker 6>Oh, we have the coffee for the stay awake, the

0:20:37.480 --> 0:20:40.960
<v Speaker 6>little pills in the bottle. There's so many marketing opportunities.

0:20:41.000 --> 0:20:43.080
<v Speaker 6>They just got go out by the Heather.

0:20:43.160 --> 0:20:45.439
<v Speaker 2>Langen Camp says, I dream folgers.

0:20:45.720 --> 0:20:49.560
<v Speaker 6>Oh you know it is a mattress commercial. I could

0:20:49.600 --> 0:20:53.159
<v Speaker 6>do a bet a betting mattresses. I could, like, I

0:20:53.200 --> 0:20:55.080
<v Speaker 6>could advertise so many products.

0:20:55.080 --> 0:20:59.000
<v Speaker 5>A Lifetime movie Freddie and Nancy The Untold Story I'm

0:20:59.040 --> 0:20:59.720
<v Speaker 5>Your Boyfriend.

0:21:00.600 --> 0:21:01.719
<v Speaker 3>We would definitely watch that.

0:21:01.800 --> 0:21:04.360
<v Speaker 4>I mean, it is such an amazing concept to make

0:21:04.400 --> 0:21:05.800
<v Speaker 4>somebody afraid to go to sleep.

0:21:05.840 --> 0:21:07.719
<v Speaker 3>I mean, that's the thing you can't help but to

0:21:07.800 --> 0:21:09.560
<v Speaker 3>do every single day.

0:21:09.840 --> 0:21:13.600
<v Speaker 4>I'm curious, Robert, you mentioned that for a while, being

0:21:13.600 --> 0:21:16.040
<v Speaker 4>in a horror movie might have not seemed as esteemed

0:21:16.320 --> 0:21:18.919
<v Speaker 4>as doing a Shakespeare play or something like that when

0:21:18.920 --> 0:21:23.439
<v Speaker 4>you're trained the way you have been. But how fun Like,

0:21:23.520 --> 0:21:26.359
<v Speaker 4>how does playing Freddy Krueger compare to other roles you've had.

0:21:26.640 --> 0:21:29.679
<v Speaker 4>It has to be a blast. I would think to

0:21:29.800 --> 0:21:32.120
<v Speaker 4>be the bad guy, to be the evil guy.

0:21:33.119 --> 0:21:36.439
<v Speaker 5>I think, you know, I played bad guys even before Freddy,

0:21:36.640 --> 0:21:37.959
<v Speaker 5>and they're usually better written.

0:21:38.240 --> 0:21:40.080
<v Speaker 2>You know, the heroes are the hardest parts.

0:21:40.119 --> 0:21:42.520
<v Speaker 5>They have the hardest dialogue, and they also have to

0:21:42.560 --> 0:21:46.399
<v Speaker 5>pitch a lot of exposition. But the great thing for

0:21:46.520 --> 0:21:49.080
<v Speaker 5>me was once I got all that makeup on and

0:21:49.119 --> 0:21:52.280
<v Speaker 5>I was in front of these semi surreal sets that

0:21:52.359 --> 0:21:56.560
<v Speaker 5>were slightly exaggerated or askew, and the lighting was more

0:21:56.640 --> 0:22:02.080
<v Speaker 5>dramatic and using severe colors, I realized I could use

0:22:02.119 --> 0:22:05.520
<v Speaker 5>some of the tricks I'd learned in the theater, and

0:22:05.600 --> 0:22:09.679
<v Speaker 5>I could employ those as an actor. Whereas and actors

0:22:09.720 --> 0:22:11.320
<v Speaker 5>are afraid to tell you this, but a lot of

0:22:11.359 --> 0:22:14.280
<v Speaker 5>the time, when we're working and we're in our own

0:22:14.320 --> 0:22:17.240
<v Speaker 5>face and our own bald spot, and our own good

0:22:17.320 --> 0:22:20.200
<v Speaker 5>side and bad side, a lot of times there's a

0:22:20.240 --> 0:22:23.240
<v Speaker 5>little voice as that camera gets closer and closer that's

0:22:23.280 --> 0:22:26.800
<v Speaker 5>saying to us, don't act, don't get caught acting. Don't

0:22:26.920 --> 0:22:30.960
<v Speaker 5>get caught acting now, Robert. And that's actually a kind

0:22:31.000 --> 0:22:34.439
<v Speaker 5>of violation for me or the experience of acting and

0:22:34.560 --> 0:22:39.639
<v Speaker 5>listening and behaving and reacting. And I loved the liberation

0:22:40.640 --> 0:22:43.919
<v Speaker 5>of playing Freddie. I wasn't worried about my bald spot

0:22:44.040 --> 0:22:50.560
<v Speaker 5>catching the light anymore. Moved differently, I could I could

0:22:50.560 --> 0:22:53.639
<v Speaker 5>be a little more theatrical with my voice and I

0:22:53.680 --> 0:22:58.679
<v Speaker 5>could move differently literally some points in some of the

0:22:58.720 --> 0:23:01.120
<v Speaker 5>films where I would come round a piece of furniture,

0:23:01.840 --> 0:23:03.399
<v Speaker 5>or I would be in a doorway or something and

0:23:03.400 --> 0:23:07.680
<v Speaker 5>I would compose myself with the frame, or I would

0:23:07.680 --> 0:23:10.639
<v Speaker 5>literally dance it a little bit because I'm not in reality.

0:23:11.000 --> 0:23:14.280
<v Speaker 2>And that was a great liberating thing for me.

0:23:14.520 --> 0:23:17.159
<v Speaker 5>And when I went back to playing with my own face,

0:23:18.119 --> 0:23:22.119
<v Speaker 5>you know, in movies and television series, I was just

0:23:22.200 --> 0:23:23.439
<v Speaker 5>more free as an actor.

0:23:23.720 --> 0:23:24.960
<v Speaker 2>I think I was just more.

0:23:24.960 --> 0:23:27.679
<v Speaker 6>Yeah forgetting to mention that you had the clause, because

0:23:27.720 --> 0:23:32.200
<v Speaker 6>the claws were actually something that he would often say, Heather,

0:23:32.400 --> 0:23:34.520
<v Speaker 6>put your face here, so my Claus can go there,

0:23:34.600 --> 0:23:36.800
<v Speaker 6>or move this way and the light will glint off

0:23:36.800 --> 0:23:40.240
<v Speaker 6>my claws. Like the claus were such an important character

0:23:40.359 --> 0:23:43.680
<v Speaker 6>in and of themselves that Robert quickly learned that they

0:23:43.720 --> 0:23:46.800
<v Speaker 6>made sounds, that they could glint, that they could be

0:23:46.920 --> 0:23:50.600
<v Speaker 6>really threatening. And so I feel some of the his

0:23:51.000 --> 0:23:53.959
<v Speaker 6>understanding of how powerful that glove is. Even today when

0:23:54.000 --> 0:23:56.320
<v Speaker 6>we take photos with folks, he has that glove in

0:23:56.320 --> 0:23:59.399
<v Speaker 6>the picture because it became an extension of his body

0:23:59.400 --> 0:24:01.679
<v Speaker 6>and such an incredible.

0:24:01.359 --> 0:24:04.720
<v Speaker 5>Prop But it's also that liberation that I was talking

0:24:04.760 --> 0:24:06.600
<v Speaker 5>about in the theater.

0:24:06.680 --> 0:24:09.760
<v Speaker 2>You're not afraid to throw that tape over your shoulder.

0:24:11.040 --> 0:24:15.320
<v Speaker 5>Dramatically on your entrance into Shakespearean play, or to hit

0:24:15.359 --> 0:24:18.240
<v Speaker 5>that pose with your hand on the hilt of your sword.

0:24:18.680 --> 0:24:20.600
<v Speaker 5>And the claw became that kind of thing. I was

0:24:20.680 --> 0:24:22.960
<v Speaker 5>not afraid. I didn't feel like I had to hide

0:24:23.000 --> 0:24:25.240
<v Speaker 5>it or save it. I felt like I could get

0:24:25.240 --> 0:24:27.560
<v Speaker 5>it in there and use it and again in the frame,

0:24:28.400 --> 0:24:30.439
<v Speaker 5>dance with it a little bit, whether it was here

0:24:30.560 --> 0:24:32.040
<v Speaker 5>or here or here?

0:24:32.640 --> 0:24:36.320
<v Speaker 1>Yeah, where's the claw? Where is it kept? Where is

0:24:36.320 --> 0:24:36.800
<v Speaker 1>it right now?

0:24:37.520 --> 0:24:37.800
<v Speaker 2>Well?

0:24:38.280 --> 0:24:40.879
<v Speaker 5>I think the original is with the widow of my

0:24:41.040 --> 0:24:43.640
<v Speaker 5>late great agent, Joe Rice, and I need to write

0:24:43.680 --> 0:24:47.760
<v Speaker 5>her a certainicate of authenticity. But actually, yeah, I'd had

0:24:47.760 --> 0:24:50.200
<v Speaker 5>it in a shoe box for about a year. Wes

0:24:50.200 --> 0:24:51.600
<v Speaker 5>had loaned it to me to wear it to do

0:24:51.680 --> 0:24:54.359
<v Speaker 5>pickup shots. Well, you have to understand back at the beginning,

0:24:54.480 --> 0:24:56.800
<v Speaker 5>you guys, we had no idea it was going to

0:24:56.800 --> 0:25:01.359
<v Speaker 5>become iconic, you know, film for that we'd be celebrating

0:25:01.400 --> 0:25:04.520
<v Speaker 5>forty years later. And I took it out in frame,

0:25:04.600 --> 0:25:07.920
<v Speaker 5>I stuffed it and framed it in plexiglass and gave

0:25:07.960 --> 0:25:10.840
<v Speaker 5>it to my agent. And he'd had it. He's had

0:25:10.880 --> 0:25:13.280
<v Speaker 5>it all those years, so it's in his office.

0:25:13.320 --> 0:25:14.359
<v Speaker 2>I believe you've just.

0:25:14.400 --> 0:25:16.359
<v Speaker 6>Broken the hearts of everyone who thinks they have an

0:25:16.359 --> 0:25:17.120
<v Speaker 6>original Welt.

0:25:17.440 --> 0:25:22.960
<v Speaker 5>Oh well, there were, you know, a full full disclosure.

0:25:23.400 --> 0:25:26.480
<v Speaker 5>There were several gloves. There was a stuntman's glove. There

0:25:26.520 --> 0:25:28.400
<v Speaker 5>was one that had my lar on it that caught

0:25:28.400 --> 0:25:30.760
<v Speaker 5>the light better. There was one made of razors that

0:25:30.760 --> 0:25:33.040
<v Speaker 5>could cut through scenery. So there were and there were

0:25:33.080 --> 0:25:36.200
<v Speaker 5>probably two or three hero gloves, so don't think that

0:25:36.560 --> 0:25:37.480
<v Speaker 5>it was the only lub.

0:25:37.800 --> 0:25:39.080
<v Speaker 6>Still, do you own an original?

0:25:39.640 --> 0:25:42.919
<v Speaker 5>I have the original hero glove that Wes Craven took

0:25:43.000 --> 0:25:43.720
<v Speaker 5>home from the set.

0:25:43.880 --> 0:25:46.240
<v Speaker 1>Can I some of those were actually sharp enough to

0:25:46.280 --> 0:25:46.920
<v Speaker 1>do damage?

0:25:47.520 --> 0:25:50.399
<v Speaker 2>Oh yeah, but we had a hard rubber one for

0:25:50.600 --> 0:25:51.280
<v Speaker 2>fight scenes.

0:25:51.520 --> 0:25:53.879
<v Speaker 6>There's one scene where he goes through the like the

0:25:53.960 --> 0:25:57.520
<v Speaker 6>Muslin curtain, and that was of course those were real

0:25:57.720 --> 0:26:00.000
<v Speaker 6>sharp knives, but only once or twice that he.

0:26:00.080 --> 0:26:11.440
<v Speaker 2>Use those on meat, Heather.

0:26:11.520 --> 0:26:13.280
<v Speaker 1>Did you see a switch in him or was it

0:26:13.320 --> 0:26:16.959
<v Speaker 1>even weird to have Robert England in full Freddie makeup

0:26:17.040 --> 0:26:19.520
<v Speaker 1>and then maybe have a conversation or a coffee with him.

0:26:19.680 --> 0:26:21.919
<v Speaker 1>Did he go into character as soon as that makeup

0:26:21.960 --> 0:26:24.200
<v Speaker 1>came on or was it weird to have a regular

0:26:24.200 --> 0:26:25.000
<v Speaker 1>conversation le.

0:26:25.200 --> 0:26:27.399
<v Speaker 6>No, he was not that method. He would try to

0:26:27.440 --> 0:26:29.600
<v Speaker 6>make us laugh. He would crack us up. He'd be

0:26:29.640 --> 0:26:31.679
<v Speaker 6>telling us like where to go for the best, you know,

0:26:31.800 --> 0:26:34.320
<v Speaker 6>thie food, and then they'd rele action, and then he'd

0:26:34.359 --> 0:26:38.119
<v Speaker 6>be Freddie. You know, Robert. Robert did not maintain the

0:26:38.160 --> 0:26:39.560
<v Speaker 6>Freddie character off screen.

0:26:40.280 --> 0:26:42.040
<v Speaker 5>You wanted to get I wanted to get the kids

0:26:42.080 --> 0:26:44.560
<v Speaker 5>to trust me so I could throw them across the room,

0:26:44.840 --> 0:26:47.679
<v Speaker 5>you know. And I mean, I'm sure over the course

0:26:47.840 --> 0:26:51.639
<v Speaker 5>of the films, I've left thumbrints on Heather's arm, you know,

0:26:52.160 --> 0:26:53.879
<v Speaker 5>in it from fight scenes and things.

0:26:53.920 --> 0:26:55.719
<v Speaker 2>But you want to get them to trust you.

0:26:55.800 --> 0:26:58.399
<v Speaker 5>So I would like, I'm there at dawn getting that

0:26:59.000 --> 0:27:02.200
<v Speaker 5>makeup stuck on me with cold glue.

0:27:01.640 --> 0:27:03.840
<v Speaker 2>And eating donuts and drinking coffee.

0:27:03.880 --> 0:27:05.639
<v Speaker 5>But I would get all the only other people on

0:27:05.680 --> 0:27:08.680
<v Speaker 5>the set were that that earlier, the teamsters, So I'd

0:27:08.720 --> 0:27:11.200
<v Speaker 5>get all the dirty jokes for the teamsters, and then.

0:27:11.119 --> 0:27:13.080
<v Speaker 2>The little fresh fraced Heather.

0:27:12.920 --> 0:27:16.440
<v Speaker 5>That Andreu would come in about eleven am on Bankers Hours,

0:27:16.440 --> 0:27:19.360
<v Speaker 5>and I would tell her all these really lude dirty jokes.

0:27:19.200 --> 0:27:22.919
<v Speaker 6>Forgetting to say is that overall the atmosphere on this

0:27:23.000 --> 0:27:27.199
<v Speaker 6>particular set with Wes Craven was such a happy, happy experience.

0:27:27.240 --> 0:27:30.040
<v Speaker 6>I mean, I haven't been on a set recently that

0:27:30.160 --> 0:27:34.040
<v Speaker 6>had such Everyone was very joyous, really excited to be

0:27:34.400 --> 0:27:37.960
<v Speaker 6>making such a creative project. Everyone was bringing so many

0:27:38.119 --> 0:27:40.439
<v Speaker 6>interesting ideas to the set. I remember the day they

0:27:40.440 --> 0:27:43.560
<v Speaker 6>brought the idea of putting the spandex across the ceiling

0:27:43.640 --> 0:27:45.960
<v Speaker 6>so that Freddy could just lean over my head in

0:27:46.000 --> 0:27:50.199
<v Speaker 6>the bedroom when I'm over the and spandex had just

0:27:50.280 --> 0:27:54.399
<v Speaker 6>been invented, literally like the day before, and the special effects,

0:27:54.400 --> 0:27:55.600
<v Speaker 6>and I said, look, I'm going to go to Joe

0:27:55.600 --> 0:27:57.919
<v Speaker 6>Anne's or whatever store. I'm going to buy some of

0:27:57.920 --> 0:28:00.800
<v Speaker 6>this new fabric because I think it'll work. And we

0:28:00.840 --> 0:28:03.360
<v Speaker 6>got him there and back and then they stretched it over.

0:28:03.440 --> 0:28:05.840
<v Speaker 6>They tried it with the lighting and it was like

0:28:06.119 --> 0:28:08.600
<v Speaker 6>because about seventeen dollars to get efact.

0:28:08.440 --> 0:28:11.120
<v Speaker 5>Like be about ninety nine and it still holds up

0:28:11.280 --> 0:28:15.000
<v Speaker 5>that you know, it's the great era of practical special effects.

0:28:15.280 --> 0:28:18.560
<v Speaker 4>Wow, that is so fascinating and it's I'm still my

0:28:18.640 --> 0:28:20.520
<v Speaker 4>mind is still blown that we were watching this movie

0:28:20.560 --> 0:28:22.840
<v Speaker 4>yesterday and it had been a while since I had

0:28:22.880 --> 0:28:25.520
<v Speaker 4>seen it, and I actually forgot I did. I forgot

0:28:25.560 --> 0:28:29.080
<v Speaker 4>that young young Johnny Depp was in the movie. Do

0:28:29.160 --> 0:28:31.760
<v Speaker 4>you all stay in touch? I mean, what is does

0:28:31.760 --> 0:28:34.120
<v Speaker 4>the cast? I know it's been forty years, but I'm

0:28:34.160 --> 0:28:36.639
<v Speaker 4>just curious who you're in touch with still and with

0:28:36.800 --> 0:28:39.720
<v Speaker 4>this type of anniversary, is there a reason or a

0:28:39.720 --> 0:28:41.880
<v Speaker 4>point to catch up or to reach out.

0:28:42.960 --> 0:28:46.280
<v Speaker 5>Well, I've seen some of the cast, Amanda Wiss, I

0:28:46.320 --> 0:28:49.080
<v Speaker 5>see a lot, but I haven't run.

0:28:48.920 --> 0:28:50.040
<v Speaker 2>Into Johnny quite a while.

0:28:50.280 --> 0:28:52.440
<v Speaker 5>He was I had been in Europe on a movie,

0:28:53.000 --> 0:28:56.760
<v Speaker 5>and he was on every bus and every billboard in

0:28:56.800 --> 0:29:00.200
<v Speaker 5>Europe for a feature that he'd done, and it was

0:29:00.200 --> 0:29:01.719
<v Speaker 5>it was like the number one movie in Europe.

0:29:01.800 --> 0:29:03.520
<v Speaker 2>And I ran into him at a pub.

0:29:04.280 --> 0:29:07.760
<v Speaker 5>This is back in ker Viper Room days and I

0:29:07.840 --> 0:29:10.600
<v Speaker 5>ran into him at a pub and we were both

0:29:10.720 --> 0:29:16.160
<v Speaker 5>day drinking and and uh he I told he was

0:29:16.400 --> 0:29:18.120
<v Speaker 5>upset because I don't think the film had done as

0:29:18.120 --> 0:29:21.040
<v Speaker 5>well here in the States. And I said, Johnny, I said,

0:29:21.040 --> 0:29:23.800
<v Speaker 5>you're number one in Europe, you know. And I don't

0:29:23.840 --> 0:29:25.480
<v Speaker 5>know if he took my advice, but I know he

0:29:25.520 --> 0:29:28.320
<v Speaker 5>did go work in Europe for a while shortly after that,

0:29:28.360 --> 0:29:30.280
<v Speaker 5>and it was a really smart move.

0:29:30.080 --> 0:29:32.000
<v Speaker 2>I think that he did for his career.

0:29:32.040 --> 0:29:32.200
<v Speaker 4>Then.

0:29:32.280 --> 0:29:33.240
<v Speaker 2>Yeah, well, we get.

0:29:33.120 --> 0:29:35.120
<v Speaker 6>A chance to see a lot of the people from

0:29:35.160 --> 0:29:38.160
<v Speaker 6>all the Nightmare franchises when we go to city to city.

0:29:38.200 --> 0:29:42.520
<v Speaker 6>We do autograph conventions and comic cons a few times

0:29:42.520 --> 0:29:45.240
<v Speaker 6>a year, so we'll see the you know, Nightmare four,

0:29:45.640 --> 0:29:49.520
<v Speaker 6>Nightmare five, Ninemore six, Nightmare three. We see all of

0:29:49.560 --> 0:29:50.080
<v Speaker 6>the folks.

0:29:50.200 --> 0:29:52.040
<v Speaker 2>We should have We should have softball games.

0:29:52.280 --> 0:29:52.520
<v Speaker 5>We do.

0:29:52.600 --> 0:29:54.760
<v Speaker 6>We have these pictures of us that are like nine

0:29:54.840 --> 0:29:55.280
<v Speaker 6>or ten of.

0:29:55.240 --> 0:29:58.080
<v Speaker 5>Us to get screen more years versus the original Elm

0:29:58.120 --> 0:29:58.840
<v Speaker 5>Street Brats.

0:29:59.080 --> 0:30:01.360
<v Speaker 6>It's kind of a cub. Yeah, we're definitely a club.

0:30:01.520 --> 0:30:03.719
<v Speaker 6>But I do see Amanda wisz Off and she's my

0:30:03.920 --> 0:30:06.960
<v Speaker 6>one of my best friends. And I see Nick Corey

0:30:07.040 --> 0:30:09.400
<v Speaker 6>quite a bit. But yeah, unfortunately I have not run

0:30:09.400 --> 0:30:12.320
<v Speaker 6>into Johnny, and I really would love to, you know,

0:30:12.360 --> 0:30:15.640
<v Speaker 6>see him again and you know, exchange some stories about then.

0:30:15.960 --> 0:30:16.880
<v Speaker 3>Back then, I.

0:30:16.800 --> 0:30:18.640
<v Speaker 1>Didn't know where that story was going to go, right,

0:30:18.920 --> 0:30:21.680
<v Speaker 1>So me and Johnny Depp were day drinking. That could

0:30:21.720 --> 0:30:23.360
<v Speaker 1>have gone a lot of ways.

0:30:23.520 --> 0:30:25.560
<v Speaker 6>I was going to kick him under the table actually

0:30:25.600 --> 0:30:26.760
<v Speaker 6>and just say leave it at.

0:30:26.680 --> 0:30:30.800
<v Speaker 1>That, you know, and back to the makeup for a second.

0:30:30.880 --> 0:30:33.160
<v Speaker 1>How long did it take you to get into Freddie

0:30:33.160 --> 0:30:34.240
<v Speaker 1>makeup every day?

0:30:34.560 --> 0:30:38.640
<v Speaker 5>You know, I'd love to really be whiny and a

0:30:39.200 --> 0:30:42.800
<v Speaker 5>Christian martyr about the makeup, but it's only it only

0:30:42.840 --> 0:30:44.800
<v Speaker 5>takes about three and a half hours to be camera

0:30:44.800 --> 0:30:47.400
<v Speaker 5>ready unless I'm going for an extreme close up. When

0:30:47.400 --> 0:30:49.280
<v Speaker 5>I did find them at the Opera, that was a

0:30:49.480 --> 0:30:53.760
<v Speaker 5>fat four hours because that involved hair. I had kind

0:30:53.800 --> 0:30:57.440
<v Speaker 5>of like a big Maine like Beethoven of white hair.

0:30:57.640 --> 0:30:59.920
<v Speaker 5>And I did a Stephen King movie called The Mangler

0:31:00.480 --> 0:31:03.800
<v Speaker 5>and that was about five hours because that was prosthetics

0:31:04.160 --> 0:31:08.400
<v Speaker 5>combined with stippling combined with hair. But I don't brag

0:31:08.520 --> 0:31:12.720
<v Speaker 5>because I was again in a pub in London with

0:31:13.080 --> 0:31:16.000
<v Speaker 5>one of the general Orcs from Lord of the Rings.

0:31:16.480 --> 0:31:18.400
<v Speaker 5>You know that the Orcs, you know, and they're on

0:31:18.480 --> 0:31:21.040
<v Speaker 5>horseback and they're fighting Vigo Morgenston.

0:31:21.120 --> 0:31:25.160
<v Speaker 2>But I was talking to that guy and.

0:31:25.080 --> 0:31:27.040
<v Speaker 5>He told me if they had to be camera ready

0:31:27.080 --> 0:31:29.040
<v Speaker 5>by nine in the morning, they were in the makeup

0:31:29.120 --> 0:31:29.960
<v Speaker 5>chair at two am.

0:31:30.320 --> 0:31:32.840
<v Speaker 2>Oh wow, good seven hours.

0:31:32.840 --> 0:31:34.360
<v Speaker 1>Still three and a half I mean.

0:31:34.280 --> 0:31:39.120
<v Speaker 5>So yeah, So Freddy's not the tough one. Tim Curry

0:31:39.160 --> 0:31:42.000
<v Speaker 5>for legend, I think Tim Curry and Legend was a

0:31:42.080 --> 0:31:46.960
<v Speaker 5>famously long makeup. I'm trying to think of it obviously,

0:31:47.000 --> 0:31:47.720
<v Speaker 5>the Elephant Man.

0:31:47.840 --> 0:31:50.560
<v Speaker 3>Yeah, that was a yeah, oh my god, so how

0:31:50.800 --> 0:31:51.160
<v Speaker 3>so wait?

0:31:52.000 --> 0:31:56.280
<v Speaker 4>I don't remember how many Nightmare on Elm Streets are

0:31:56.320 --> 0:31:57.280
<v Speaker 4>there or were there.

0:31:57.920 --> 0:31:59.320
<v Speaker 2>There's eight, there's eight.

0:31:59.200 --> 0:31:59.920
<v Speaker 3>Okay, there's eight.

0:32:00.320 --> 0:32:03.400
<v Speaker 4>Would you all be open to doing another one? I

0:32:03.440 --> 0:32:04.960
<v Speaker 4>mean it's revisualia.

0:32:05.520 --> 0:32:12.200
<v Speaker 1>Yeah, yeah, he always says that, shine up.

0:32:12.640 --> 0:32:13.360
<v Speaker 6>Yeah, We're ready.

0:32:13.760 --> 0:32:15.480
<v Speaker 2>No, I would love We're ready.

0:32:15.480 --> 0:32:16.240
<v Speaker 6>We're gonna do it?

0:32:16.440 --> 0:32:20.560
<v Speaker 5>If yes, if they if they remake number three Dream Warriers,

0:32:20.600 --> 0:32:23.680
<v Speaker 5>which is arguably the most popular.

0:32:23.360 --> 0:32:25.600
<v Speaker 6>If they remake Wes Craven's.

0:32:25.160 --> 0:32:28.120
<v Speaker 5>New Nightmare, yes, or West Craven. But yeah, but if

0:32:28.120 --> 0:32:30.880
<v Speaker 5>they we made Dream Oyers, I would like to be

0:32:30.960 --> 0:32:35.760
<v Speaker 5>asked to play one of the medical faculty in the

0:32:35.760 --> 0:32:39.280
<v Speaker 5>therapy section that Heather's in, because I think it was.

0:32:39.280 --> 0:32:40.560
<v Speaker 6>Just it's actually crazy.

0:32:40.680 --> 0:32:44.360
<v Speaker 5>I think it was played by Priscilla Pointer, Amy Irving's mother,

0:32:45.000 --> 0:32:47.320
<v Speaker 5>the wonderful actress Priscilla Pointer. But it would be fun

0:32:47.360 --> 0:32:49.800
<v Speaker 5>to play it, you know, switch the genders and play

0:32:49.840 --> 0:32:52.880
<v Speaker 5>it as a man, because if I'm the skeptical doctor,

0:32:53.080 --> 0:32:56.120
<v Speaker 5>the cynical doctor that doesn't believe all these kids are

0:32:56.120 --> 0:32:59.880
<v Speaker 5>having a collective nightmare. I think that's a great cameo,

0:33:00.440 --> 0:33:04.160
<v Speaker 5>wink at the fans if there would be attending a

0:33:04.200 --> 0:33:04.800
<v Speaker 5>reboot of.

0:33:04.720 --> 0:33:06.440
<v Speaker 1>That Wait, but you would be coming back.

0:33:06.280 --> 0:33:08.440
<v Speaker 2>So that's maybe a good one to start with on

0:33:08.480 --> 0:33:08.960
<v Speaker 2>a remake.

0:33:09.120 --> 0:33:12.120
<v Speaker 1>But you don't see yourself your question. The first thought

0:33:12.160 --> 0:33:14.080
<v Speaker 1>I had was you being Freddy Krueger again.

0:33:14.440 --> 0:33:16.520
<v Speaker 5>But you're still I can't you, guys, I'm an old

0:33:16.520 --> 0:33:18.920
<v Speaker 5>dog now. I can't do those stunts from every angle.

0:33:19.160 --> 0:33:22.040
<v Speaker 5>I could probably do one take of a stunt now,

0:33:22.240 --> 0:33:24.280
<v Speaker 5>but I can't do them for you know, they cover them.

0:33:24.160 --> 0:33:27.560
<v Speaker 6>From different das four Robert. I know that's why the

0:33:27.600 --> 0:33:29.160
<v Speaker 6>stunt men get into your gift, you know.

0:33:29.400 --> 0:33:31.760
<v Speaker 5>But you get into that, it's still you still have

0:33:31.800 --> 0:33:32.880
<v Speaker 5>to sell, Robert.

0:33:33.080 --> 0:33:35.440
<v Speaker 6>Robert did do a lot of the work when we

0:33:35.440 --> 0:33:36.640
<v Speaker 6>were forty years ago.

0:33:37.040 --> 0:33:39.440
<v Speaker 5>But well, I did a lot of my stuff on

0:33:39.680 --> 0:33:42.560
<v Speaker 5>Freddy versus Jason, and I was well into my fifties

0:33:42.600 --> 0:33:43.200
<v Speaker 5>on that one.

0:33:43.400 --> 0:33:45.680
<v Speaker 1>But Heather, Robert, it sounds like you all are ready

0:33:45.680 --> 0:33:48.120
<v Speaker 1>to go. Has there been any talk, even rumblings of

0:33:48.160 --> 0:33:50.240
<v Speaker 1>the past couple of years that you all stay in contact.

0:33:50.280 --> 0:33:52.360
<v Speaker 1>Is there a script on a with dust on it

0:33:52.400 --> 0:33:53.440
<v Speaker 1>on a shelf somewhere.

0:33:53.640 --> 0:33:57.640
<v Speaker 5>Fortunately, No, Unfortunately, I think there's a I think that

0:33:57.680 --> 0:34:00.200
<v Speaker 5>there's a bit of a tied uh.

0:34:00.520 --> 0:34:03.200
<v Speaker 2>I think with the rights now.

0:34:03.280 --> 0:34:06.560
<v Speaker 5>I know it's I know a time Warner and Warner Brothers,

0:34:06.680 --> 0:34:08.920
<v Speaker 5>and I know I think there for a while Platinum Dunes,

0:34:09.400 --> 0:34:13.120
<v Speaker 5>and I know that there's the West Craven Estate, and

0:34:13.239 --> 0:34:15.960
<v Speaker 5>there's just lots of people that sort of, uh, you know,

0:34:16.040 --> 0:34:18.399
<v Speaker 5>have have DIBs on on it that.

0:34:18.360 --> 0:34:19.440
<v Speaker 2>They have to negotiate.

0:34:19.560 --> 0:34:22.120
<v Speaker 5>But yeah, if they ever get around to doing a remake,

0:34:22.120 --> 0:34:24.839
<v Speaker 5>I would love to cameo in Dream Warriors, so you've

0:34:24.880 --> 0:34:25.560
<v Speaker 5>heard it at first.

0:34:25.680 --> 0:34:27.080
<v Speaker 3>I love that. Heather, What about you?

0:34:27.120 --> 0:34:29.479
<v Speaker 4>Would you want to reprise your role as Nancy? Would

0:34:29.480 --> 0:34:30.920
<v Speaker 4>you want to come in as another character?

0:34:32.080 --> 0:34:35.040
<v Speaker 6>I think any and all. I just love the series

0:34:35.080 --> 0:34:38.160
<v Speaker 6>so much. I love having played Nancy, you know, three

0:34:38.280 --> 0:34:41.200
<v Speaker 6>different times as a teenager, as a young woman, and

0:34:41.239 --> 0:34:43.640
<v Speaker 6>then as a mother. I really loved that arc and

0:34:43.680 --> 0:34:46.200
<v Speaker 6>I kind of would like to see her like as

0:34:46.239 --> 0:34:49.480
<v Speaker 6>an older woman, just to put a nice bow on it.

0:34:49.520 --> 0:34:52.359
<v Speaker 2>But night mare and menopause may.

0:34:52.520 --> 0:34:55.040
<v Speaker 6>Yeah, Perry menopause, my mayor. I don't know.

0:34:55.560 --> 0:35:02.000
<v Speaker 7>It's not a terrible idea there. I'm not a hot

0:35:02.080 --> 0:35:06.400
<v Speaker 7>class right now, No, I mean I just feel so

0:35:06.960 --> 0:35:10.200
<v Speaker 7>indebted to this entire franchise for you know, a lot

0:35:10.239 --> 0:35:12.680
<v Speaker 7>of the good things in my life. So there would

0:35:12.719 --> 0:35:15.040
<v Speaker 7>never be an instance where I would reject it out

0:35:15.040 --> 0:35:17.120
<v Speaker 7>of hand. I would love to hear what you know,

0:35:17.160 --> 0:35:21.360
<v Speaker 7>anybody had to create based on all these great characters.

0:35:21.480 --> 0:35:24.279
<v Speaker 4>I love hearing that because so often, Look, we've been

0:35:24.400 --> 0:35:27.920
<v Speaker 4>interviewing celebrities and actors for three decades now, and so

0:35:28.000 --> 0:35:31.520
<v Speaker 4>many times you hear actors try to get away from

0:35:31.560 --> 0:35:35.279
<v Speaker 4>that iconic role that put them into the limelight because

0:35:35.280 --> 0:35:37.440
<v Speaker 4>they want to be something different, or they don't want

0:35:37.440 --> 0:35:39.360
<v Speaker 4>people to think of them only as that character.

0:35:39.440 --> 0:35:39.560
<v Speaker 3>Right.

0:35:39.600 --> 0:35:42.000
<v Speaker 4>Some people say it even ruins their careers because they're

0:35:42.040 --> 0:35:45.080
<v Speaker 4>only thought of as that one character. I love hearing

0:35:45.080 --> 0:35:49.320
<v Speaker 4>both of you embrace those characters, embrace how much they're loved,

0:35:49.640 --> 0:35:52.680
<v Speaker 4>embrace how much they're celebrated, and actually credit it with

0:35:53.160 --> 0:35:55.560
<v Speaker 4>helping your career. I think that's so cool because we

0:35:55.600 --> 0:35:58.279
<v Speaker 4>don't hear that that often. I'm sure you're familiar with it,

0:35:58.520 --> 0:35:59.759
<v Speaker 4>so that's a pretty.

0:35:59.480 --> 0:36:02.600
<v Speaker 5>Much that's exactly what happened, though you know, I mean it,

0:36:02.920 --> 0:36:07.880
<v Speaker 5>it's that thing, that gift that I got for working internationally,

0:36:08.360 --> 0:36:12.160
<v Speaker 5>you know. But it's also that I was established in

0:36:12.200 --> 0:36:14.760
<v Speaker 5>Hollywood when I did nightmanams It, I'd done a dozen

0:36:14.840 --> 0:36:18.239
<v Speaker 5>movies and I had a hit television series, so that

0:36:18.360 --> 0:36:21.160
<v Speaker 5>helped me make the decision. But I do remember at

0:36:21.200 --> 0:36:24.480
<v Speaker 5>some point, right around part three, when I realized, you know,

0:36:25.040 --> 0:36:28.279
<v Speaker 5>no one had sort of stepped into those shoes in

0:36:28.360 --> 0:36:31.399
<v Speaker 5>the horror genre, you know, that had been vacated by

0:36:31.480 --> 0:36:34.120
<v Speaker 5>Vincent Price and people like that, And it was sort

0:36:34.160 --> 0:36:35.759
<v Speaker 5>of like I was sort of like, hey, I will

0:36:36.040 --> 0:36:40.040
<v Speaker 5>you know, okay, because I could feel the momentum of

0:36:40.080 --> 0:36:44.480
<v Speaker 5>the franchise and the popularity and the rising of horror

0:36:44.880 --> 0:36:49.319
<v Speaker 5>and science fiction and fantasy films in popular culture. You know,

0:36:49.520 --> 0:36:53.360
<v Speaker 5>we used to have westerns and gangster movies every week,

0:36:53.400 --> 0:36:55.480
<v Speaker 5>but now they're every week in the box office, there's

0:36:55.520 --> 0:36:58.440
<v Speaker 5>a fantasy film or a horror film or a thriller

0:36:59.480 --> 0:37:04.480
<v Speaker 5>you know, or you know, and those movies travel better internationally.

0:37:05.320 --> 0:37:08.440
<v Speaker 5>You know, some of our greatest comedians in America are

0:37:08.520 --> 0:37:12.920
<v Speaker 5>unknown in Europe because comedy doesn't travel as well. But

0:37:13.000 --> 0:37:16.120
<v Speaker 5>a great action film or a fantasy film or a

0:37:16.120 --> 0:37:20.240
<v Speaker 5>horror film. They speak that sort of international language of cinema,

0:37:20.640 --> 0:37:21.640
<v Speaker 5>and everybody.

0:37:21.280 --> 0:37:24.120
<v Speaker 6>Understands say that. I mean, I think you'd be hard

0:37:24.160 --> 0:37:28.640
<v Speaker 6>pressed to find better roles actually even today than Nancy Thompson.

0:37:28.680 --> 0:37:31.680
<v Speaker 6>I mean, she was such an incredible character. She not

0:37:31.719 --> 0:37:34.000
<v Speaker 6>only was the dramatically, but she had to do all

0:37:34.040 --> 0:37:37.160
<v Speaker 6>these stunts and she had to fight Freddy. So it's

0:37:37.320 --> 0:37:39.200
<v Speaker 6>rare that you get a part if you're just a

0:37:39.280 --> 0:37:42.880
<v Speaker 6>lead in a straight movie where you have such an

0:37:42.960 --> 0:37:45.040
<v Speaker 6>amazing amount of things that you have to do in

0:37:45.080 --> 0:37:47.320
<v Speaker 6>a film like that. So, I mean a lot of

0:37:47.320 --> 0:37:49.799
<v Speaker 6>people disparage horror movies for a long time, but I

0:37:49.800 --> 0:37:53.680
<v Speaker 6>always said, well, show me another character that is as

0:37:54.080 --> 0:37:56.680
<v Speaker 6>you know, tough as Nancy or has such a great part,

0:37:58.080 --> 0:38:00.640
<v Speaker 6>and it's hard to find them as for a young

0:38:00.640 --> 0:38:01.920
<v Speaker 6>woman in Hollywood back then.

0:38:02.280 --> 0:38:06.680
<v Speaker 5>And people forget that whole dynamic between Heather and her

0:38:06.719 --> 0:38:08.840
<v Speaker 5>mother played by Ronnie Blakeley.

0:38:09.040 --> 0:38:10.200
<v Speaker 2>The star of Nashville.

0:38:10.719 --> 0:38:12.840
<v Speaker 5>But that whole dynamic, I mean, that was serious stuff

0:38:13.080 --> 0:38:16.680
<v Speaker 5>because Wes Craven was saying that the adults are flawed,

0:38:17.400 --> 0:38:20.720
<v Speaker 5>you know, and it's a loss of innocence with the kids.

0:38:20.760 --> 0:38:25.240
<v Speaker 5>Throughout the franchise, but the adults are actually more damage

0:38:25.280 --> 0:38:27.799
<v Speaker 5>than the kids, because it was that moment of time

0:38:27.840 --> 0:38:31.120
<v Speaker 5>in the early eighties when we became aware that there

0:38:31.160 --> 0:38:34.399
<v Speaker 5>can be damage from divorce, and there was damage from

0:38:34.440 --> 0:38:38.200
<v Speaker 5>alcoholism and damage from from pill taking, which we know

0:38:38.239 --> 0:38:42.200
<v Speaker 5>what's happened with that in recent years. And Wes was

0:38:42.280 --> 0:38:45.160
<v Speaker 5>mining that that's part of the nightmare on Elm Street

0:38:45.719 --> 0:38:51.200
<v Speaker 5>is the damaged of America. And Freddie is rearing his

0:38:51.360 --> 0:38:55.520
<v Speaker 5>ugly head and infiltrating that. You know, people forget Elm Street.

0:38:56.160 --> 0:38:58.640
<v Speaker 5>Elm Street is in that book we all read to

0:38:58.719 --> 0:39:00.480
<v Speaker 5>learn how to read, you know, Dick and Jane and

0:39:01.120 --> 0:39:05.440
<v Speaker 5>their dog Spot and their cat Puff and Elm Street.

0:39:06.080 --> 0:39:09.400
<v Speaker 5>But a whole generation, many generations did. It was a

0:39:09.440 --> 0:39:12.040
<v Speaker 5>reading guide, but it was also I mean every town,

0:39:12.600 --> 0:39:14.600
<v Speaker 5>as they say in part six, every town does have

0:39:14.640 --> 0:39:17.520
<v Speaker 5>an Elm Street. Of course, it also has a broadway

0:39:17.520 --> 0:39:20.279
<v Speaker 5>in a main street and an Oak Street. But every

0:39:20.320 --> 0:39:24.000
<v Speaker 5>town has an Elm Street. But also what's the name

0:39:24.040 --> 0:39:27.160
<v Speaker 5>of the street that our beloved President John Kennedy was

0:39:27.200 --> 0:39:31.160
<v Speaker 5>shot on Elm Street in Dallas, and Wes knew that

0:39:31.280 --> 0:39:34.200
<v Speaker 5>as symbolic that that was a loss of innocence, the

0:39:34.239 --> 0:39:38.080
<v Speaker 5>death of our president, John F. Kennedy was an American

0:39:38.160 --> 0:39:41.239
<v Speaker 5>loss of innocence and and and and that could be

0:39:41.320 --> 0:39:44.000
<v Speaker 5>construed as the Nightmare on Elm Street. And Wes was

0:39:44.040 --> 0:39:48.360
<v Speaker 5>talking about loss of innocence because Freddy kills children and

0:39:48.480 --> 0:39:49.480
<v Speaker 5>children are the future.

0:39:49.880 --> 0:39:53.080
<v Speaker 1>Well, night Merrel Elm Street is more cerebral than I

0:39:53.120 --> 0:39:55.479
<v Speaker 1>gave it credit. And after talking to I know.

0:39:57.680 --> 0:39:59.640
<v Speaker 6>Watched it seventy five times yet.

0:40:01.520 --> 0:40:02.880
<v Speaker 2>Just going to be at the end of the show.

0:40:03.080 --> 0:40:04.920
<v Speaker 4>But you know what, this is so cool because I

0:40:04.920 --> 0:40:07.400
<v Speaker 4>think oftentimes DJ and I and I've had to defend

0:40:07.600 --> 0:40:09.560
<v Speaker 4>my love of horror movies for a very long time.

0:40:09.600 --> 0:40:13.600
<v Speaker 4>I think people think that it's some silly you know, uh,

0:40:14.080 --> 0:40:18.040
<v Speaker 4>just non cerebral form of entertainment where you're just inundated

0:40:18.080 --> 0:40:21.480
<v Speaker 4>with fear. But so often when you think about Wes Craven,

0:40:21.480 --> 0:40:23.520
<v Speaker 4>when you think about Stephen King, these are some of

0:40:23.520 --> 0:40:26.279
<v Speaker 4>my favorite like authors and I have grown up loving

0:40:26.280 --> 0:40:28.319
<v Speaker 4>fantasy and horror. But I love how you just put that,

0:40:28.400 --> 0:40:32.920
<v Speaker 4>because there is so much social commentary oftentimes in these

0:40:32.920 --> 0:40:36.160
<v Speaker 4>horror movies, and now I love how they're even infiltrated

0:40:36.200 --> 0:40:38.480
<v Speaker 4>with some comedy as well, so there's lighter moments and

0:40:38.640 --> 0:40:40.920
<v Speaker 4>scary moments, but I just think there's such a full

0:40:41.920 --> 0:40:45.680
<v Speaker 4>experience and entertainment experience that actually does have deeper meeting oftentimes.

0:40:45.719 --> 0:40:48.239
<v Speaker 4>So I love Robert how you I didn't realize all

0:40:48.320 --> 0:40:50.400
<v Speaker 4>of what you just said, but it's part of the

0:40:50.400 --> 0:40:53.080
<v Speaker 4>reason that maybe even subconsciously we love it, we don't

0:40:53.080 --> 0:40:55.080
<v Speaker 4>even realize what we're absorbing.

0:40:55.719 --> 0:40:57.680
<v Speaker 6>Well, what you mentioned about the comedy is so true

0:40:57.680 --> 0:41:00.360
<v Speaker 6>because I have, you know, the horror movies that I see,

0:41:00.600 --> 0:41:03.080
<v Speaker 6>comedy's actually missing in a lot of them. But the

0:41:03.120 --> 0:41:06.080
<v Speaker 6>final say, ten minutes of Nightmare on Elm Street has

0:41:06.239 --> 0:41:10.240
<v Speaker 6>so many funny moments where Nancy's like breaking the windows

0:41:10.239 --> 0:41:13.040
<v Speaker 6>saying get my dad, you know, and the guy's like,

0:41:13.480 --> 0:41:15.879
<v Speaker 6>maybe I better go get certainly, you know, I mean,

0:41:16.280 --> 0:41:19.400
<v Speaker 6>it's this humor that's a laugh, and then there's terror

0:41:19.520 --> 0:41:20.960
<v Speaker 6>laughing and then a terrar laughing.

0:41:20.960 --> 0:41:24.400
<v Speaker 5>Well, Wes Craven and Sam Raymie, the Great Sam Raimie

0:41:25.000 --> 0:41:27.960
<v Speaker 5>explored that early on, you know, with the Evil Dead films,

0:41:28.320 --> 0:41:31.680
<v Speaker 5>and Wes. Wes told me once that you can't just

0:41:31.719 --> 0:41:34.560
<v Speaker 5>scare people for ninety minutes. If you let them laugh

0:41:34.760 --> 0:41:37.680
<v Speaker 5>a couple of times, then you can sit. They relax,

0:41:37.760 --> 0:41:40.200
<v Speaker 5>they release that tension and you can set them up

0:41:40.239 --> 0:41:43.480
<v Speaker 5>to scare them again. And he was so deft with

0:41:43.600 --> 0:41:47.400
<v Speaker 5>that scream in his Scream franchise, especially.

0:41:47.239 --> 0:41:49.960
<v Speaker 6>Well, especially when Marge brings the vodka bottle out of

0:41:49.960 --> 0:41:53.520
<v Speaker 6>the linen closet and it's at this really heightened tension

0:41:53.560 --> 0:41:55.560
<v Speaker 6>when Nancy has to go see if Glenn is dead

0:41:55.640 --> 0:41:59.520
<v Speaker 6>or not, and that moment when she grabs the vodka

0:41:59.520 --> 0:42:03.359
<v Speaker 6>bottle and chugs in the hallway is the biggest laugh

0:42:03.520 --> 0:42:06.439
<v Speaker 6>I ever get. I mean ever here in the movie theater.

0:42:06.680 --> 0:42:08.000
<v Speaker 6>People just want to let.

0:42:07.840 --> 0:42:10.640
<v Speaker 7>It all go at that they.

0:42:09.800 --> 0:42:13.760
<v Speaker 6>Need to laugh, and it's always like a huge laughter moment.

0:42:22.840 --> 0:42:25.120
<v Speaker 1>There's a whole new sub genre now of horror that

0:42:25.200 --> 0:42:27.279
<v Speaker 1>is horror comedy, and we're starting to get into that

0:42:27.560 --> 0:42:29.760
<v Speaker 1>a little bit. But to you Ole's point, some horror

0:42:29.760 --> 0:42:32.000
<v Speaker 1>movies they just need a little moment of levity, just

0:42:32.000 --> 0:42:34.839
<v Speaker 1>give us a little relief. It almost sets you up

0:42:34.880 --> 0:42:38.000
<v Speaker 1>to relax, and then they're coming for you. And you

0:42:38.280 --> 0:42:42.359
<v Speaker 1>were mentioning just a moment ago, how you kind of

0:42:42.719 --> 0:42:45.600
<v Speaker 1>were able to progress and mature in some of the movies,

0:42:45.600 --> 0:42:47.959
<v Speaker 1>from a girl to a young woman to a mother.

0:42:48.480 --> 0:42:51.360
<v Speaker 1>That is the model, I guess that Jamie Lee Curtis

0:42:51.400 --> 0:42:54.200
<v Speaker 1>also has in Halloween to where it carried through the

0:42:54.200 --> 0:42:57.040
<v Speaker 1>franchise to where her daughter and even her granddaughter were

0:42:57.080 --> 0:42:59.560
<v Speaker 1>a part of the other ones. But I get I

0:42:59.600 --> 0:43:03.560
<v Speaker 1>can't think of another besides you too. But did you

0:43:03.719 --> 0:43:06.759
<v Speaker 1>have you had no model for this? Did you have

0:43:06.840 --> 0:43:11.279
<v Speaker 1>any screen queens or anybody to really emuate or you

0:43:11.360 --> 0:43:14.000
<v Speaker 1>looked up to say, I like how they did that

0:43:14.040 --> 0:43:16.560
<v Speaker 1>in the horror movie? Or were you just pioneering?

0:43:17.600 --> 0:43:20.880
<v Speaker 6>Well, you know, Wes Craven was my you know, he's

0:43:20.960 --> 0:43:22.840
<v Speaker 6>kind of my coach all along the way, because I

0:43:22.880 --> 0:43:26.080
<v Speaker 6>would I would be really confused, like how am I

0:43:26.080 --> 0:43:29.359
<v Speaker 6>supposed to play this, Wes? And and I'd ask him

0:43:29.400 --> 0:43:31.439
<v Speaker 6>so many questions about that, just that kind of thing,

0:43:31.560 --> 0:43:34.080
<v Speaker 6>like how am I going to make people believe that

0:43:34.120 --> 0:43:38.080
<v Speaker 6>this is really happening? Especially in New Nightmare? And you know,

0:43:38.160 --> 0:43:40.240
<v Speaker 6>all along the way he just had really steady advice,

0:43:40.320 --> 0:43:42.719
<v Speaker 6>and he he would tell me, you know, you know,

0:43:43.000 --> 0:43:45.200
<v Speaker 6>just the mood to create and how to get through it,

0:43:45.280 --> 0:43:48.080
<v Speaker 6>and and I really I just couldn't have done it

0:43:48.080 --> 0:43:50.359
<v Speaker 6>without him. He gave me so much confidence. And then

0:43:50.360 --> 0:43:52.840
<v Speaker 6>he also he also just taught me how to be

0:43:53.000 --> 0:43:55.839
<v Speaker 6>an actor, you know, who has to you know, lead

0:43:55.880 --> 0:43:59.319
<v Speaker 6>a movie, has to tell the story. And I'll never

0:43:59.320 --> 0:44:03.040
<v Speaker 6>forget those lefts and I just have everything in the

0:44:03.080 --> 0:44:04.239
<v Speaker 6>world to owe to him for that.

0:44:04.920 --> 0:44:05.960
<v Speaker 2>Heather's being modest.

0:44:06.360 --> 0:44:08.600
<v Speaker 5>Just prior to the original Nightmare in Elm Street, I

0:44:08.640 --> 0:44:11.520
<v Speaker 5>think she starred with Joe Anne Woodward in a film,

0:44:11.640 --> 0:44:12.440
<v Speaker 5>so you know.

0:44:13.120 --> 0:44:15.040
<v Speaker 6>Yeah, but that was like that was the daughter and

0:44:15.080 --> 0:44:17.560
<v Speaker 6>I was in four scenes, you know, it was.

0:44:17.600 --> 0:44:18.840
<v Speaker 2>That's some good season.

0:44:20.400 --> 0:44:23.319
<v Speaker 3>How the original movie, how long did it take to film?

0:44:23.320 --> 0:44:25.440
<v Speaker 3>Do you all remember? I'm curious because it was.

0:44:25.400 --> 0:44:27.560
<v Speaker 6>Such a it was five or six weeks.

0:44:27.680 --> 0:44:28.239
<v Speaker 2>Yeah.

0:44:28.320 --> 0:44:31.880
<v Speaker 5>We shot at the old Desilu Studios in Hollywood.

0:44:32.160 --> 0:44:34.799
<v Speaker 6>I had Lucille's ball Ball's old dressing room.

0:44:35.320 --> 0:44:35.560
<v Speaker 4>Yeah.

0:44:36.160 --> 0:44:38.640
<v Speaker 5>I love Lucy and I think they'd done the Partridge

0:44:38.680 --> 0:44:42.000
<v Speaker 5>Family there because I used to see some memorabilia stuck

0:44:42.040 --> 0:44:44.160
<v Speaker 5>in the back on the back of an old scenery

0:44:44.160 --> 0:44:47.000
<v Speaker 5>flat in the back, and they were like polaroids, you

0:44:47.000 --> 0:44:49.120
<v Speaker 5>know of David Cassidy.

0:44:48.320 --> 0:44:50.160
<v Speaker 1>You'll shut it out.

0:44:50.680 --> 0:44:53.200
<v Speaker 6>It was a really dilapidated old studio. I mean it

0:44:53.320 --> 0:44:57.200
<v Speaker 6>was really romantic though well I didn't know any better.

0:44:57.280 --> 0:44:59.839
<v Speaker 6>I just thought it was dusty and it was falling.

0:44:59.560 --> 0:45:03.200
<v Speaker 2>Down Futon's with cigarette burns in them.

0:45:03.280 --> 0:45:05.160
<v Speaker 6>You think Carver was like, really it was the.

0:45:07.320 --> 0:45:09.520
<v Speaker 1>Now you said it took six weeks to shoot it.

0:45:09.560 --> 0:45:11.160
<v Speaker 1>You all didn't know what you had and what it

0:45:11.200 --> 0:45:13.719
<v Speaker 1>was going to become. How long did it take after

0:45:13.800 --> 0:45:16.200
<v Speaker 1>the movie came out that you all say, oh, wow,

0:45:16.320 --> 0:45:17.120
<v Speaker 1>we got a winner here.

0:45:17.120 --> 0:45:20.920
<v Speaker 5>Well, I knew we'd made something special because I'd been around,

0:45:20.960 --> 0:45:23.320
<v Speaker 5>you know, it was maybe my thirteenth or fourteenth film.

0:45:23.360 --> 0:45:25.400
<v Speaker 2>But I just wanted people to see it.

0:45:25.480 --> 0:45:26.799
<v Speaker 5>I just wanted us to be able to get it

0:45:26.840 --> 0:45:30.600
<v Speaker 5>out there because you know, we had We actually kind

0:45:30.640 --> 0:45:32.400
<v Speaker 5>of run out of money towards the end, and I

0:45:32.400 --> 0:45:34.759
<v Speaker 5>think they had this new line Cinema had to sell

0:45:34.800 --> 0:45:35.640
<v Speaker 5>the video rights.

0:45:35.960 --> 0:45:37.640
<v Speaker 2>They eventually bought them back.

0:45:38.080 --> 0:45:41.279
<v Speaker 5>But I just wanted it to get distributed and get

0:45:41.320 --> 0:45:43.719
<v Speaker 5>it out there because I knew it was something special.

0:45:43.840 --> 0:45:49.080
<v Speaker 5>But for me it was I was in Italy getting

0:45:49.080 --> 0:45:55.000
<v Speaker 5>an award in Milan and for a television project in

0:45:55.000 --> 0:45:58.439
<v Speaker 5>my rented tuxedo, and the fans grabbed me and pulled

0:45:58.440 --> 0:46:00.640
<v Speaker 5>me out of the limo and passed me over the

0:46:01.320 --> 0:46:05.360
<v Speaker 5>crowd of chanting Freddy Freddy, And that's when I knew

0:46:05.440 --> 0:46:09.040
<v Speaker 5>this is this is right after it had opened, and

0:46:09.360 --> 0:46:11.360
<v Speaker 5>I didn't it was already a hit in Europe.

0:46:11.400 --> 0:46:14.640
<v Speaker 2>So that's when I knew, how I.

0:46:14.560 --> 0:46:17.040
<v Speaker 6>Think I knew when actually Wes asked me to be

0:46:17.080 --> 0:46:21.400
<v Speaker 6>in Nightmare three Dream Warriors, when he said, you know,

0:46:21.440 --> 0:46:23.759
<v Speaker 6>I've written this script and you're in it again, And

0:46:23.800 --> 0:46:26.560
<v Speaker 6>then I thought, oh, wow, they're doing another they're doing

0:46:26.560 --> 0:46:28.640
<v Speaker 6>another sequel, and it must be doing well.

0:46:28.680 --> 0:46:30.440
<v Speaker 2>Sat when you were doing your series.

0:46:30.800 --> 0:46:32.879
<v Speaker 6>I mean it was just after I did this series.

0:46:32.600 --> 0:46:34.560
<v Speaker 2>She was doing a series then the Ten of Us.

0:46:34.680 --> 0:46:36.560
<v Speaker 5>But so yeah, that yeah, and then ate in the

0:46:36.600 --> 0:46:38.360
<v Speaker 5>middle of that she found out that we're going to

0:46:38.400 --> 0:46:39.160
<v Speaker 5>be three, and so.

0:46:39.200 --> 0:46:41.680
<v Speaker 6>That way, I mean, I just his faith to do

0:46:41.760 --> 0:46:44.680
<v Speaker 6>another show with me as the lead. I felt, oh,

0:46:45.000 --> 0:46:46.839
<v Speaker 6>it's doing well enough where he would put me in.

0:46:47.080 --> 0:46:50.520
<v Speaker 6>But like I said, those three years between those first

0:46:50.520 --> 0:46:52.319
<v Speaker 6>one and the third one, I didn't really think it

0:46:52.360 --> 0:46:54.320
<v Speaker 6>was like that big of a deal. I mean, I

0:46:54.360 --> 0:46:56.600
<v Speaker 6>don't know, I didn't get pulled out of the limo.

0:46:56.640 --> 0:46:59.480
<v Speaker 6>I didn't get like sir body serves across that.

0:46:59.760 --> 0:47:02.000
<v Speaker 5>Even even when that happened, even when that that just

0:47:02.080 --> 0:47:04.120
<v Speaker 5>meant to me that we had a hit movie and

0:47:04.239 --> 0:47:06.200
<v Speaker 5>that I could work in Europe, but that I didn't

0:47:06.239 --> 0:47:08.759
<v Speaker 5>know that. Forty years later, you know we'd be we'd

0:47:08.760 --> 0:47:10.240
<v Speaker 5>be here talking to you about this.

0:47:10.400 --> 0:47:12.880
<v Speaker 1>All right, forty years later, still to this day, the

0:47:13.520 --> 0:47:17.120
<v Speaker 1>Mount Rushmore, of of of bad guys, ha's got to

0:47:17.120 --> 0:47:21.720
<v Speaker 1>be Freddy Jason, Michael Myers. Who else goals on that list?

0:47:21.719 --> 0:47:23.520
<v Speaker 1>Are those who leather Face?

0:47:23.600 --> 0:47:26.080
<v Speaker 6>Maybe leather Face? Yeah?

0:47:26.160 --> 0:47:28.319
<v Speaker 5>Probably? I think he has his foot in the door.

0:47:28.760 --> 0:47:32.160
<v Speaker 5>Wonderful actor Doug Bradley, who's pin Head Phead? Maybe in

0:47:32.200 --> 0:47:37.520
<v Speaker 5>that hell Wow, because that's a real Those are real, strange, dark,

0:47:37.880 --> 0:47:39.920
<v Speaker 5>kinky films, and they deserve a.

0:47:39.840 --> 0:47:41.480
<v Speaker 2>Place in the pantheon.

0:47:41.640 --> 0:47:41.839
<v Speaker 6>Yeah.

0:47:41.920 --> 0:47:45.760
<v Speaker 2>Does Chuck Barker Flyve Barker's got some dark ship?

0:47:47.080 --> 0:47:49.400
<v Speaker 1>Does Chucky count in that group? Chuckie?

0:47:50.880 --> 0:47:51.480
<v Speaker 6>I don't think so.

0:47:52.000 --> 0:47:52.560
<v Speaker 3>I go with no.

0:47:52.680 --> 0:47:54.680
<v Speaker 4>I'm gonna go no. I think we just got the

0:47:54.840 --> 0:47:57.360
<v Speaker 4>Mount Rushmore. I think that's exactly it. That's perfect.

0:47:58.960 --> 0:48:01.200
<v Speaker 6>You have to be I don't know the doll thing.

0:48:01.560 --> 0:48:03.760
<v Speaker 6>I don't know. It just doesn't seem right on Mount Rushmore.

0:48:03.880 --> 0:48:05.560
<v Speaker 2>I kicked a Chucky across the room.

0:48:05.560 --> 0:48:06.439
<v Speaker 1>It makes a good point.

0:48:06.840 --> 0:48:09.160
<v Speaker 5>Here's our story. Here's the story for you. When I

0:48:09.239 --> 0:48:12.880
<v Speaker 5>was doing Nightmare and Elm Street Part two. In the

0:48:12.920 --> 0:48:16.239
<v Speaker 5>trailer dressing room in Pasadena. As I was getting my

0:48:16.360 --> 0:48:20.799
<v Speaker 5>makeup on, my makeup man Kevin Yaeger was also doing

0:48:20.840 --> 0:48:24.399
<v Speaker 5>the prototypes for Chucky the Doll, and so I sat

0:48:24.440 --> 0:48:26.520
<v Speaker 5>there getting my makeup on and saw he would bring

0:48:26.560 --> 0:48:29.279
<v Speaker 5>them in to get he was working on them and

0:48:29.320 --> 0:48:30.320
<v Speaker 5>to get people's opinions.

0:48:30.320 --> 0:48:33.200
<v Speaker 2>So I saw all the evolution of the Chucky doll.

0:48:33.239 --> 0:48:37.160
<v Speaker 5>He originally had short red crew cut and he was fattered,

0:48:37.440 --> 0:48:40.880
<v Speaker 5>you know, and they sort of kept modifying him, you know.

0:48:41.239 --> 0:48:43.920
<v Speaker 5>And one of the producers, Sarah Risher of the Nightmare

0:48:43.920 --> 0:48:47.080
<v Speaker 5>on Elm Street Films, she just had a baby and

0:48:47.120 --> 0:48:49.560
<v Speaker 5>she was really a hands on producer. So in the

0:48:49.880 --> 0:48:53.800
<v Speaker 5>it was Freddy Krueger and whatever the new incarnation of

0:48:53.880 --> 0:48:56.600
<v Speaker 5>the Chucky Doll. And then next to that was the baby,

0:48:56.960 --> 0:48:59.839
<v Speaker 5>the baby creatit, you know, with this naked baby crime.

0:49:01.040 --> 0:49:03.640
<v Speaker 2>That's that poor child is scarred for life.

0:49:03.960 --> 0:49:06.160
<v Speaker 1>Robert, how how long would it take Freddy Krueger to

0:49:06.200 --> 0:49:09.320
<v Speaker 1>take out Chucky if that was a Freddy versus Chucky moon.

0:49:10.360 --> 0:49:11.799
<v Speaker 5>The first two things you got on us know about

0:49:11.800 --> 0:49:14.360
<v Speaker 5>Freddie one as I dropped that little sucker, But the

0:49:14.400 --> 0:49:17.440
<v Speaker 5>other thing you have to know is if any of

0:49:17.480 --> 0:49:23.520
<v Speaker 5>the other monsters fall asleep after they know or they

0:49:23.840 --> 0:49:25.440
<v Speaker 5>know who I am. This is the whole point of

0:49:25.800 --> 0:49:29.080
<v Speaker 5>Freddy versus Jason. But if they acknowledge me in my

0:49:29.239 --> 0:49:33.600
<v Speaker 5>existence and they sleep, I've got that conduit into their

0:49:33.600 --> 0:49:38.960
<v Speaker 5>subconsciousness and I can exploit. For instance, Jason's afraid of water,

0:49:39.400 --> 0:49:41.839
<v Speaker 5>so I can exploit water. I can make it rain,

0:49:42.560 --> 0:49:44.640
<v Speaker 5>you know, I can make them dream of drowning.

0:49:44.719 --> 0:49:46.360
<v Speaker 6>Robert's been thinking about this alone.

0:49:46.600 --> 0:49:50.600
<v Speaker 5>No, really, these are elements. These are elements in the world,

0:49:50.719 --> 0:49:54.520
<v Speaker 5>fire and water and air. And that's what Jason's fear is.

0:49:54.560 --> 0:49:57.160
<v Speaker 2>He is I here? Where's he from? Cam Crystal Lake?

0:49:57.400 --> 0:50:00.000
<v Speaker 5>So it's just that that that's if they follow us,

0:50:00.760 --> 0:50:01.600
<v Speaker 5>I've got them.

0:50:01.719 --> 0:50:02.920
<v Speaker 3>Yeah, that's amazing.

0:50:03.000 --> 0:50:05.239
<v Speaker 6>I love that the nose comes in, Are there?

0:50:08.880 --> 0:50:11.759
<v Speaker 4>I I that is so creepy to hear you say that.

0:50:11.800 --> 0:50:14.239
<v Speaker 4>I love it, though, creepy in a really, really good way.

0:50:14.480 --> 0:50:16.279
<v Speaker 4>I'm curious if you had to pick both of you

0:50:16.280 --> 0:50:20.319
<v Speaker 4>your all time favorite horror movie, you can only pick one.

0:50:21.200 --> 0:50:22.880
<v Speaker 3>What is it?

0:50:22.960 --> 0:50:25.160
<v Speaker 6>Okay, I'm going to say, just because I've been asked

0:50:25.160 --> 0:50:27.399
<v Speaker 6>this question a lot, and It's the first horror movie

0:50:27.400 --> 0:50:30.120
<v Speaker 6>that I really loved and was scared by his Wizard

0:50:30.160 --> 0:50:33.520
<v Speaker 6>of Oz because for a little kid, that one was

0:50:33.600 --> 0:50:36.480
<v Speaker 6>terrifying to see that and the trees that come alive,

0:50:36.520 --> 0:50:39.200
<v Speaker 6>and the flying monkeys and the Wicked Witch and everything

0:50:39.200 --> 0:50:42.959
<v Speaker 6>that happens at Oz. I think that that one really

0:50:43.000 --> 0:50:46.920
<v Speaker 6>set in motion my great fear and the first character

0:50:46.920 --> 0:50:49.760
<v Speaker 6>I ever played as an actor was like a wicked

0:50:49.800 --> 0:50:52.400
<v Speaker 6>Witch kind of character when I was seven years old,

0:50:52.440 --> 0:50:56.759
<v Speaker 6>and I totally modeled myself on that witch. So that's

0:50:56.800 --> 0:50:59.320
<v Speaker 6>my favorite and most influential horror movie.

0:50:59.160 --> 0:50:59.480
<v Speaker 2>I think.

0:50:59.520 --> 0:51:04.440
<v Speaker 5>For me, it's Brian De Palmer's nineteen seventy four film Sisters,

0:51:05.160 --> 0:51:09.320
<v Speaker 5>low budget, starring Margot Kidder, Lois Lang from Superman as

0:51:09.719 --> 0:51:17.880
<v Speaker 5>Simese twins from French speaking Quebec in Montreal, Canada, and.

0:51:19.160 --> 0:51:20.879
<v Speaker 2>A great great actor.

0:51:20.600 --> 0:51:24.840
<v Speaker 5>William Finley playing my favorite mad doctor ever. He's the

0:51:24.880 --> 0:51:27.799
<v Speaker 5>mad doctor who falls in love with his Siamese twin

0:51:27.880 --> 0:51:30.640
<v Speaker 5>patient and he's got to cut them and separate them

0:51:31.000 --> 0:51:33.359
<v Speaker 5>so he can have his for himself. It's just a

0:51:33.440 --> 0:51:36.879
<v Speaker 5>terrific film. Some of the best split screen editing and

0:51:37.320 --> 0:51:38.839
<v Speaker 5>parallelism I've ever seen in.

0:51:38.840 --> 0:51:43.000
<v Speaker 3>Movies amazing early to Palma. We cannot wait.

0:51:43.040 --> 0:51:45.040
<v Speaker 4>We will be checking out, and we are just so

0:51:45.200 --> 0:51:47.560
<v Speaker 4>honored to have the two of you here. It was

0:51:47.600 --> 0:51:52.040
<v Speaker 4>such a wonderful surprise and so well timed, not just

0:51:52.120 --> 0:51:53.600
<v Speaker 4>with Halloween.

0:51:53.080 --> 0:51:54.840
<v Speaker 3>But with our recent air travel.

0:51:54.920 --> 0:51:57.080
<v Speaker 4>I just I'm still kind of like in shock that

0:51:57.120 --> 0:51:59.000
<v Speaker 4>you all are sitting in front of us. So I mean,

0:51:59.080 --> 0:52:02.600
<v Speaker 4>oh my gosh, my teenage self would be dying right

0:52:02.640 --> 0:52:05.480
<v Speaker 4>now because I was so obsessed with these movies, and

0:52:05.600 --> 0:52:07.960
<v Speaker 4>so many people still are, and all to your credit,

0:52:08.000 --> 0:52:08.839
<v Speaker 4>Wes Craven's credit.

0:52:08.880 --> 0:52:11.200
<v Speaker 3>But thank you all so much for being read.

0:52:11.239 --> 0:52:14.480
<v Speaker 6>Thank you Amy, thank you maj thank you so much

0:52:14.520 --> 0:52:15.120
<v Speaker 6>for having us.

0:52:15.200 --> 0:52:18.840
<v Speaker 5>Yeah, thank you, hey you, Qutie Piere.

0:52:20.160 --> 0:52:22.040
<v Speaker 1>Okay, no, we got to land on a better note

0:52:22.040 --> 0:52:25.120
<v Speaker 1>than that. Say say something, Sep, Robert, whatever.

0:52:24.880 --> 0:52:27.640
<v Speaker 6>You do, don't fall asleep.

0:52:27.680 --> 0:52:32.279
<v Speaker 1>Oh my god, guys, love you so much. Thank you.

0:52:32.400 --> 0:52:35.160
<v Speaker 1>We'll see you in the next nightmare, all right, Yes,

0:52:35.960 --> 0:52:36.400
<v Speaker 1>thank you.

0:52:36.719 --> 0:52:46.600
<v Speaker 3>Bye,