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Speaker 1: All right, jo Winn, plam me some heaving, then play

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Speaker 1: me some heaven, then blame me some another man so

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Speaker 1: we can get you started.

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Speaker 2: Then what you got over there?

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Speaker 1: Let me hear something. I don't get nervous. Now we

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Speaker 1: got ship, don't get shot. You already introduce yourself to

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Speaker 1: the old team.

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Speaker 2: There you go.

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Speaker 1: Come on, I've been braking on you all week. Hell yeah,

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Speaker 1: I thought we were saving this for Saint Mao. I mean.

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Speaker 3: Always then you always time next year.

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Speaker 2: I thought I thought this was going on our Spanish

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Speaker 2: ape me bad money, I got bad money.

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Speaker 4: Don't want a hook?

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Speaker 2: What you mean? He might just have to just sit

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Speaker 2: him a birthday? You know that birth ain't gotta be that.

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Speaker 3: You ain't gotta be You gotta be there. You got

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Speaker 3: the other people for the birthday. Give me.

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Speaker 1: Man.

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Speaker 2: Welcome back to the eighty five South Show.

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Speaker 1: Body, the blackest TV show that's not on TV, the

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Speaker 1: number one radio show that's not on the radio.

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Speaker 5: What technically we is on TV if they watch YouTube

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Speaker 5: on their television.

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Speaker 1: The number one TV show that's not a TV station.

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Speaker 1: Talk to your talk independent. I got my man jail

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Speaker 1: Win in here with me today. He got on a

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Speaker 1: four win breaker, a real win breakup. Taking it back

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Speaker 1: to nineteen ninety one, Sir, when you walk, you make

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Speaker 1: a town. We got DC young Fly on the ones

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Speaker 1: in the two no cap and we got a very

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Speaker 1: special guest in the trap with us today.

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Speaker 2: DC. We don't give many ladies to stop through the trap.

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Speaker 2: We're working on that.

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Speaker 1: But this lady right here is an exceptional talent.

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Speaker 6: Uh huh, magnificent wordsmith, and her shoes is connected to

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Speaker 6: are connected to her past, not longer than the world

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Speaker 6: famous Miss Lady London.

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Speaker 3: What's going on?

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Speaker 2: Familiar work? She had TikTok in a frenzy.

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Speaker 3: Hey, my little needs to go on, Grady Bro.

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Speaker 1: She gave him an anthem that time, the word players magnificent.

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Speaker 2: I'm saying magnificent because that's what Big Dady came. He

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Speaker 2: just said, he said, she's a magnificent lyricy.

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Speaker 1: You saw that that?

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Speaker 3: Uh huh?

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Speaker 1: How does that feel to see that when you turn

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Speaker 1: it on and you're getting praises like that from legends?

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Speaker 3: So unreal? For real?

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Speaker 7: I mean, Kaine is just amazing across the board. He's

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Speaker 7: it's an amazing person. But to even be recognized by

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Speaker 7: legends like that, it almost don't feel real all the time.

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Speaker 6: You made cry Yeah that's you love him as the

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Speaker 6: O g right there?

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Speaker 2: How did we get here?

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Speaker 1: How did all this start? Hell?

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Speaker 3: If I know, damn gonna say my water.

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Speaker 2: Quick the way to get your kiss?

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Speaker 3: How did it start? The simple story was writing poetry from.

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Speaker 7: Young, went to school a lot, getting my masters. I

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Speaker 7: dropped the video online after Jeremy grad program.

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Speaker 3: Yeah, man, a million degrees out.

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Speaker 8: Here, hold on, hold on, hold on, hold on, hold on, black.

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Speaker 3: Woman, yos.

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Speaker 9: Went out here, don't wanna be I g buers.

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Speaker 3: Yeah, yeah, it's yes.

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Speaker 7: So while I was getting my masters, I was dropping.

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Speaker 7: I dropped a video online of me doing poetry. Everybody

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Speaker 7: thought I was rapping, but it was no beat, no nothing,

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Speaker 7: and this shit went viral like ten million views.

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Speaker 3: Crazy.

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Speaker 7: This is back twenty eighteen, So ten million views is

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Speaker 7: not as normal as it is right now. Yeah, for sure,

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Speaker 7: So it was crazy. I taught myself how to rap.

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Speaker 7: In like three months, I started dropping these things every

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Speaker 7: Monday called Lady Lunday's, which was like viral freestyle, and

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Speaker 7: I was gaining like twenty thirty thousand followers a month

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Speaker 7: from dropping them every Monday consistently grew my following from

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Speaker 7: ninety five hundred to over a million organically. No bots,

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Speaker 7: no box, no bo, no bots, hashtag no box, you did,

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Speaker 7: and yeah I'm here.

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Speaker 2: So so it started.

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Speaker 3: From poetry, yes man, as a artist.

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Speaker 10: As a artist, some of the best are artists out.

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Speaker 2: There du portry.

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Speaker 10: Yeah, like it's not just like do portry, like they

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Speaker 10: actually sitting right poems.

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Speaker 1: I ain't never just sat down and write no goddamn poems.

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Speaker 2: You needed to.

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Speaker 3: You'll be mad good at right now and I'm great

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Speaker 3: at writing. Yeah, you would be so good.

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Speaker 2: So how you rhyme?

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Speaker 1: Is it like a rhyme scheme?

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Speaker 3: Or is you just heartfelt? Is it a b B?

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Speaker 1: Or is it just crazy?

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Speaker 3: Yeah?

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Speaker 7: When I was yeah, when I was writing poetry, it

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Speaker 7: was very like one dimensional. Teaching myself how to ride

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Speaker 7: was w so hard cause I didn't realize how different

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Speaker 7: it is, like multi syllabic structure, fitting in syllables where

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Speaker 7: they supposed to fit in a pocketing, you know, like

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Speaker 7: it's it was a lot getting on beat. At first,

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Speaker 7: I could not rap to save my life. Being in

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Speaker 7: the studio. Yes man, I was like that shit sounds crazy,

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Speaker 7: like it's I'm not catching the beat, like clearly, you

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Speaker 7: just not getting it. And then after a while I'm like, okay, oh,

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Speaker 7: you can only fit nine syllables here, that's why it

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Speaker 7: don't sound right. Okay, okay, now you can start moving

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Speaker 7: like that. Then I just started hearing different pockets and things.

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Speaker 7: So now I'm like, I feelt like you should switch

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Speaker 7: your flow every four bars, and so when you ain't

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Speaker 7: got no one dimensional flow, yeah, hey, I switched the trick.

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Speaker 3: So who did you go study?

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Speaker 2: Cause, like you said, it was a fast process. It's

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Speaker 2: a fast pace. Like you said you did poetry, so

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Speaker 2: music wasn't really like.

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Speaker 1: You know what I'm saying.

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Speaker 2: It was bestow the punt of you.

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Speaker 3: So who did you have to go see?

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Speaker 2: Who do you have to go study in order for

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Speaker 2: you do? Like, Okay, this is what it take.

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Speaker 7: I remember when I was first really like trying to

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Speaker 7: lock in, I would keep watching over and over Jay

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Speaker 7: Z and Big L's freestyle ninety seven, Like over and

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Speaker 7: over again. I kept watching him spar back and forth

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Speaker 7: and just watching the like not only the cadences in

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Speaker 7: the pockets that they would have, but like the subject matter,

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Speaker 7: the wittedness of it.

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Speaker 3: It was so cocky. It was so like for tat

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Speaker 3: for both of them.

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Speaker 7: I don't even know who really won that that battle.

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Speaker 1: That's a tough one cause Big Hell he's so dynamic

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Speaker 1: with the He never rhymed of where you think it's

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Speaker 1: gonna go, always go like completely different.

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Speaker 2: Bro. He was one of the coldest.

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Speaker 7: Man man when you think about j like, okay, Jay

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Speaker 7: gunn do what J do. But big ol so ahead

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Speaker 7: of my time. My parents haven't even met yet.

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Speaker 3: I'm like this.

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Speaker 11: Niggas talking crazy like this is this is this is nuts,

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Speaker 11: Like you listen to the whole time because you you

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Speaker 11: fire tell me right, yeah, Field.

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Speaker 3: Mom Phil Mom.

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Speaker 2: Wants to play. Want you to listen to both of them? Okay,

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Speaker 2: one of them, either one because you can track.

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Speaker 12: You'd be like, oh okay, yeah, shout it way harder

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Speaker 12: than he shout him.

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Speaker 2: And Ludacris, oh of course, of course.

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Speaker 10: Lula is just I just feel like he just had fun,

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Speaker 10: like he don't try and if he tried, you know

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Speaker 10: you you are.

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Speaker 1: But the way he'd be so all over that motherfucker.

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Speaker 2: And then Lucas back Luther.

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Speaker 1: Kris can wrap his ads off and he don't get

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Speaker 1: no credit.

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Speaker 3: That he as a lyricists.

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Speaker 7: Who are some of your favorite lyricists, Jay Kiss, Oh

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Speaker 7: Slick red Man.

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Speaker 3: It's some, it's some, it's some cold. My fucker's out there.

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Speaker 7: I like Biggie's storytelling abilities obviously as well. See yeah

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Speaker 7: three thousand.

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Speaker 3: Really yeah, from being from.

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Speaker 10: Here, I mean, I was a big boy.

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Speaker 2: You either gonna pick up. You either gonna pick stacks

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Speaker 2: or you're gonna pick big boy really.

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Speaker 10: Or you're gonna be good at my or you gonna

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Speaker 10: you gonna pick You're gonna pick somebody.

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Speaker 3: Okay, So I was like, oh.

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Speaker 10: Big boy, cause I really I didn't never understand the

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Speaker 10: shoulder pads.

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Speaker 2: As a kid.

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Speaker 3: Uh huh. I'm like, you not even playing football when

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Speaker 3: you on the top of school boys with some shoulder pads. Yeah.

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Speaker 11: But then as I got old, I said, you know

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Speaker 11: you have that shit on I second, oh, first of all,

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Speaker 11: he was fresh as full.

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Speaker 3: Yeah, I need to go.

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Speaker 1: Buy some shoulder pads. The whole thing is telling you

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Speaker 1: I'm rapping from the year three thousand, and then I went,

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Speaker 1: when you.

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Speaker 2: Come to three thousands, a lot of shit ain't.

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Speaker 1: Supposed to make since you do need some big fuzzy

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Speaker 1: pants snow boots and some shoulder pants. That's the type

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Speaker 1: of shit we doing in three thousand. You niggas ain't

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Speaker 1: made it the two thousand note, that's what he was saying.

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Speaker 3: I was wearing church pants and church shoes.

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Speaker 2: Bro.

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Speaker 1: I didn't understand it.

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Speaker 2: So when I went back and heard him, I was

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Speaker 2: just like.

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Speaker 3: You know what, Now, I gotta saint.

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Speaker 5: Maybe Andreank what's probably the coldest but big but big

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Speaker 5: boys like, he's still my favorite.

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Speaker 1: Yeah, I underestimated Andre.

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Speaker 3: Just put it like that.

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Speaker 1: I like three stacks, cause he always made the shit

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Speaker 1: look easy. M you know what I'm saying, Like he

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Speaker 1: never had even on the first shit. If you go

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Speaker 1: listen back to like get up and get out. That

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Speaker 1: nigga just came right in and was like, y'all telling

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Speaker 1: me that I need to get out and vote.

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Speaker 2: Hump.

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Speaker 1: Why ain't nobody black running but crack curves?

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Speaker 2: So why I need the register?

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Speaker 1: Yeah?

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Speaker 2: Hm, come on? When in like off the rip and

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Speaker 2: this ain't this ain't.

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Speaker 1: This is his introduction to the rap game. Talk yo

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Speaker 1: talk man.

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Speaker 2: It's look to the ogs man.

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Speaker 10: Yeah yeah them look them loom them there for.

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Speaker 2: Some heavy heaters.

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Speaker 10: So who do you cu you know, this couch is famous,

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Speaker 10: yeah for for manifest stations of God.

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Speaker 3: Put everything in the place on the place.

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Speaker 2: But if you.

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Speaker 3: Wanna sit here, uh huh, God, listen.

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Speaker 5: When you sit on this couch and you ask, so,

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Speaker 5: who is it a artist that you wanna work with?

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Speaker 7: A lot of people I wanna work with, but top

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Speaker 7: of my list a lot of R and B people.

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Speaker 12: S F.

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Speaker 7: It's the first to come to mind. Uh, Jasmine Sullivan

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Speaker 7: her would love to do something with some Atlanta artists.

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Speaker 7: Uh future Uh pluto, Pluto gonna would be dope, shit, drake,

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Speaker 7: a little bit of everybody.

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Speaker 3: Honestly, if I can be.

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Speaker 1: Honest, I was asking you before, what's your process?

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Speaker 2: What you like? You turn the lights off? You gotta

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Speaker 2: be in there by yourself.

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Speaker 3: I prefer solitude when I'm writing, for sure. For sure.

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Speaker 7: Process is different depending on the type of record it is.

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Speaker 7: If it's like some turn up shit, it's quick, it's

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Speaker 7: you know, get it out the way. But if it's

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Speaker 7: some like really honing in perspective on things, I gotta

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Speaker 7: be out of the way. Like I prefer sunlight, like

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Speaker 7: I thrive in sunlight. And oh you daytime, Yeah, I

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Speaker 7: love daytime.

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Speaker 3: Recording.

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Speaker 7: I actually like I'm building a studio in my house

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Speaker 7: to be the first studio I have ever been in

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Speaker 7: with its with windows. You don't just have studios don't

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Speaker 7: have windows. It's like you lose concept of time throughout

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Speaker 7: the whole day. Like yeah, yeah, I think so, but

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Speaker 7: I don't really like as somebody who functions in a daytime,

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Speaker 7: Like I record from twelve pm to ten pm, n

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Speaker 7: hard out. I'm not staying in til the wee warnings

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Speaker 7: at the hour a wee hours in the morning. So

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Speaker 7: I just like, I like sunlight. I love the sound

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Speaker 7: of water. So if I can be like next to

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Speaker 7: water or something like that, I think it just it

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Speaker 7: does something for the frequencies in my brain.

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Speaker 1: You have to try the mountains.

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Speaker 7: Uh. I live next to the mountains for a long

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Speaker 7: time in La so M. Yeah, I used to have

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Speaker 7: a good view of that.

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Speaker 3: I'm gonna ask me that shit be so peaceful.

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Speaker 1: I gotta ask you this cause it's like you talking

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Speaker 1: about the degrees. A lot of people might not know

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Speaker 1: you a real smart ass girl for real.

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Speaker 3: Yeah, so it super cool. They told me going a

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Speaker 3: lot of.

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Speaker 1: Is it hard for you to make the switch from

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Speaker 1: from that to the streets.

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Speaker 2: No, I'm always like with the music though.

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Speaker 3: Nah, not at all, not at all.

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Speaker 7: I was always that kid that was like I grew

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Speaker 7: up in the hood and was busted out three counties

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Speaker 7: a way to go to school in a better area.

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Speaker 7: So I had to have the dynamic to survive. There

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Speaker 7: was no like like my Goddess counselor in high school.

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Speaker 7: I went to high school that was like three percent black,

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Speaker 7: and they'll be like, you.

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Speaker 3: Know, you should go back and help your people.

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Speaker 7: Like they I was like looked down upon in school,

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Speaker 7: but smart as fuck. They couldn't really fuck with me

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Speaker 7: on that. But my behavior was bad and I was

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Speaker 7: just like that kid that had the the the perfect balance.

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Speaker 1: Of the two.

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Speaker 7: Yeah, you know, so, Nah, it's not it's not different

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Speaker 7: at all. It's just I wanted better for myself and

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Speaker 7: that's why I pushed and finished every education that I started,

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Speaker 7: cause at the end of the day, that's my fallback.

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Speaker 3: If anything, you got three. I have a double double degree.

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Speaker 7: My bachelor's is a double major in sports medicine and chemistry,

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Speaker 7: and then my master's is with global medicine Global medicine.

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Speaker 10: So base all this shit they said about Colvid was, Oh, we.

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Speaker 7: Could get into that a whole nother time. Okay, they

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Speaker 7: don't know the difference between public health and public safety,

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Speaker 7: but that's a whole nother situation about cause I need

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Speaker 7: to know.

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Speaker 1: Uh shit, I wanted to ask you, was it hard

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Speaker 1: for you to build you a buzz in New York

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Speaker 1: NW You know New York. It's that's the jungle is

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Speaker 1: when it comes to the music and shit like that.

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Speaker 7: So I think I got the old support from hom

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Speaker 7: I from being honest, I was able to really cultivate

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Speaker 7: an audience there before anywhere else. Of course, there's some haters,

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Speaker 7: you know, people don't wanna see you do well.

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Speaker 2: R gonna be rappid.

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Speaker 3: But no, it's.

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Speaker 7: I think we don't have as much as we used to,

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Speaker 7: or I think we're beginning to see more artists emerge

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Speaker 7: from you know, the New York City metropolitan area in general,

305
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Speaker 7: but the South Guiding has had it for a while

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Speaker 7: now that we've been trying to like take it back

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Speaker 7: in a way y'all can have it.

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Speaker 3: Well, least share the platform. Shit, y'all, y'all.

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Speaker 7: You know what I love about Atlanta specifically is the

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Speaker 7: camaraderie amongst artists, like I feel like y'all support each

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Speaker 7: other more out here than uh than up north in

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Speaker 7: my opinion, Like y'all get on each other's songs and

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Speaker 7: everybody show love for each other.

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Speaker 3: We not like that. It's a very doggy dog wro.

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Speaker 2: You's a lot of legends up there.

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Speaker 3: It's a lot a lot of legends. Yeah, uh huh.

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Speaker 2: You can change that.

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Speaker 3: You could try, You could try.

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Speaker 10: But are you one of those artists that's willing to

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Speaker 10: work with others?

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Speaker 3: Absolutely? I just I'm not.

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Speaker 7: You know, people kind of like New York is interesting

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Speaker 7: cause you can go from being like, you know, like

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Speaker 7: y'all come, we should all work together to like, oh

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Speaker 7: you dick Ryan, you know what.

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Speaker 3: So it's like the quickest little like a little switch

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Speaker 3: to it.

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Speaker 7: So you gotta be careful sometimes exactly.

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Speaker 8: Yeah, it's such a thin line. That's a That's how

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Speaker 8: I said.

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Speaker 7: I respect it down here cause it's like a bro

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Speaker 7: cont work and everybody's like, yeah, that's my partner. That

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Speaker 7: everybody's cool. It's all good shit up North. Some people

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Speaker 7: it's cool. Now I'm seeing more like whatever. But you'd

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Speaker 7: be surprised by I talk so thirty about you about,

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Speaker 7: you know, trying to work together.

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Speaker 1: Whatever pomp it off you started, you showed you more.

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Speaker 2: Fucker like, man, we don't stay together.

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Speaker 3: Everybody gonna keep running over.

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Speaker 7: Yeah, we gotta be like the Jews, you know, let's

341
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Speaker 7: unity amongst diversity.

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Speaker 1: Conglomerates three degrees.

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Speaker 2: Man, Yeah, what's.

344
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Speaker 3: Up with y'all? What's going on?

345
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Speaker 2: We're working?

346
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Speaker 1: What you want?

347
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Speaker 3: What's having?

348
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Speaker 8: I want to talk to your houses, like, what's house everything?

349
00:15:37,880 --> 00:15:39,120
Speaker 3: What's the climate? How y'all feeling?

350
00:15:39,840 --> 00:15:41,000
Speaker 2: Everything is amazing?

351
00:15:41,080 --> 00:15:45,160
Speaker 1: Yeah, we out here living out ghetto dreams back on tour,

352
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Speaker 1: selling shows, producing show.

353
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Speaker 2: Production deals.

354
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Speaker 3: It's how many shows y'all got? How many cities side

355
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Speaker 3: we're doing?

356
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Speaker 1: Like twenty right, twenty twenty city?

357
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Speaker 3: Sheh. I just got off thirty seven. That's what we

358
00:16:02,720 --> 00:16:08,240
Speaker 3: got a little thirty seven in Fifbruary. O State prayed up,

359
00:16:08,240 --> 00:16:09,920
Speaker 3: Stay thanks and stay grateful.

360
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Speaker 2: Everybody.

361
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Speaker 4: No touring is touring is where we can have the leverage. Yeah,

362
00:16:18,760 --> 00:16:22,400
Speaker 4: you feel me, that's what we can on everything. You

363
00:16:22,440 --> 00:16:24,880
Speaker 4: know what I'm saying, because then you go do a movie,

364
00:16:24,920 --> 00:16:26,400
Speaker 4: you go do all this. You're working with people.

365
00:16:26,600 --> 00:16:29,240
Speaker 3: Yeah that's great.

366
00:16:29,440 --> 00:16:32,560
Speaker 1: Yeah, everything working over here. Bro, We're just expanding the

367
00:16:32,640 --> 00:16:35,680
Speaker 1: empire man. And then you know, this is another another

368
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Speaker 1: branch of what what it is that we do.

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Speaker 2: Eighty five South.

370
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Speaker 1: We love to get guest stopped through here and catch

371
00:16:41,760 --> 00:16:44,120
Speaker 1: us up on what they got going on. Let us

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Speaker 1: know the album coming album.

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Speaker 7: Is coming next year. But right now, my two B

374
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Speaker 7: documentary's coming out.

375
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Speaker 2: I did see the trailer for that.

376
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Speaker 3: School October tenth, October sent It's.

377
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Speaker 2: The family in there too. Man, The family give you

378
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Speaker 2: a lot of support.

379
00:16:59,120 --> 00:17:02,560
Speaker 3: Yeah, absolutely, absolutely. It's been a it's been a journey filming.

380
00:17:02,640 --> 00:17:07,280
Speaker 7: It comes out October tenth. Three part series, three episodes

381
00:17:07,320 --> 00:17:09,760
Speaker 7: like forty five minutes for an hour each talking about

382
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Speaker 7: the makings of this album and how were.

383
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Speaker 1: They hesitant with the music at first cause you did

384
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Speaker 1: go to all the school and then turn around and

385
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Speaker 1: get to the music.

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Speaker 3: You're quick.

387
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Speaker 7: Hell yeah, I said, I wanted to wrap my momself,

388
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Speaker 7: wrap what presence?

389
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Speaker 3: Because you trying to rap and this on your second degree.

390
00:17:24,920 --> 00:17:25,480
Speaker 3: Yeah right.

391
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Speaker 7: She was like, well, you got six months figure it out.

392
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Speaker 7: But I don't think she realized the magnitude that I

393
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Speaker 7: was reaching at the time. I was like, man, I'm

394
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Speaker 7: going viral. Everybody's talking about me.

395
00:17:34,040 --> 00:17:35,359
Speaker 3: It's crazy. I'm getting all these followers.

396
00:17:35,760 --> 00:17:38,480
Speaker 7: She wasn't on Instagram, so she like, I don't care

397
00:17:38,520 --> 00:17:39,320
Speaker 7: about none of that.

398
00:17:39,400 --> 00:17:40,479
Speaker 3: You don't have no money.

399
00:17:40,560 --> 00:17:40,919
Speaker 1: What do you?

400
00:17:40,960 --> 00:17:43,080
Speaker 3: What do you? How? Where are you gonna you know, like,

401
00:17:43,119 --> 00:17:45,280
Speaker 3: where you gonna work? What are you gonna do? I

402
00:17:45,320 --> 00:17:46,639
Speaker 3: think this is it's gonna work for me?

403
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Speaker 7: And now, you know, I think she really really realizes, uh,

404
00:17:50,720 --> 00:17:52,000
Speaker 7: the trajectory that I had.

405
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Speaker 3: So I got a lot of support.

406
00:17:54,000 --> 00:17:56,080
Speaker 1: Now have you had that moment in your career where

407
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Speaker 1: you're like, damn, I'm really doing this shit.

408
00:17:58,440 --> 00:18:02,760
Speaker 7: Yeah, every day, every day I quit rap and start again.

409
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Speaker 3: For real?

410
00:18:05,400 --> 00:18:06,720
Speaker 2: Say that again, say.

411
00:18:06,600 --> 00:18:08,080
Speaker 3: Every day I quit and start again.

412
00:18:08,680 --> 00:18:11,560
Speaker 2: Ye know, m that's different.

413
00:18:11,720 --> 00:18:12,960
Speaker 1: That was that was that wa that wa?

414
00:18:13,320 --> 00:18:13,919
Speaker 3: See you do that?

415
00:18:14,080 --> 00:18:14,399
Speaker 2: You do it?

416
00:18:14,440 --> 00:18:18,600
Speaker 9: That poetry shit? You just took me there. Every day

417
00:18:18,640 --> 00:18:23,080
Speaker 9: I quit and then I start again. A ooh, So

418
00:18:23,119 --> 00:18:24,920
Speaker 9: that mean you wake up with a a new drive.

419
00:18:26,280 --> 00:18:26,840
Speaker 3: I caught that.

420
00:18:28,320 --> 00:18:32,520
Speaker 2: That's how you stay in love with it. You gotta

421
00:18:32,560 --> 00:18:33,760
Speaker 2: approach it like that. Man.

422
00:18:34,119 --> 00:18:36,560
Speaker 1: I still get excited every time I get ready to

423
00:18:36,600 --> 00:18:39,399
Speaker 1: go grab some you know, a fit for the show

424
00:18:39,520 --> 00:18:41,000
Speaker 1: or jump on the plane or.

425
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Speaker 5: Everybody still get that Bubba good, like right before it, like,

426
00:18:43,280 --> 00:18:44,399
Speaker 5: damn shit still going on?

427
00:18:44,600 --> 00:18:47,000
Speaker 2: You Like, thank Jesus, they came to see.

428
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Speaker 1: Me one more time.

429
00:18:48,080 --> 00:18:51,200
Speaker 2: Yeah, you gotta treat Yeah.

430
00:18:51,000 --> 00:18:54,000
Speaker 3: They got to Yeah, gotta go crazy. This is what

431
00:18:54,080 --> 00:18:55,119
Speaker 3: diele what my teacher told.

432
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Speaker 13: Me stop doing.

433
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Speaker 1: That's why I always feel like soon as you get

434
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Speaker 1: on stage, it's over.

435
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Speaker 8: It's just like, yeah, you just get right into character.

436
00:19:02,000 --> 00:19:05,400
Speaker 4: I always tell them when they call your name, that's like.

437
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Speaker 13: The best part and the worst part, because it's the

438
00:19:11,440 --> 00:19:13,160
Speaker 13: best part because you know you got to go to work,

439
00:19:13,520 --> 00:19:16,000
Speaker 13: But it's the worst part because you can't tell them,

440
00:19:16,000 --> 00:19:20,520
Speaker 13: hold up right quick, I'm gonna be right back, hold right,

441
00:19:22,160 --> 00:19:23,880
Speaker 13: bring your stupid as the night.

442
00:19:24,720 --> 00:19:26,520
Speaker 2: Oh no, but it's you ain't ready for this shit.

443
00:19:26,720 --> 00:19:28,560
Speaker 1: It'd be hard for me to sleep after the show.

444
00:19:29,160 --> 00:19:32,199
Speaker 1: What after the adrenaline you did, be up. I'll be

445
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Speaker 1: up all night, man.

446
00:19:34,680 --> 00:19:35,960
Speaker 3: I die right into that bed.

447
00:19:36,960 --> 00:19:37,879
Speaker 2: I bathe in the morning.

448
00:19:37,920 --> 00:19:38,960
Speaker 3: I feel sor sleeping.

449
00:19:38,960 --> 00:19:47,400
Speaker 2: That mother forgotter me. I can't up like something. That's

450
00:19:47,400 --> 00:19:49,040
Speaker 2: how I damn it. Like early flights.

451
00:19:49,560 --> 00:19:51,520
Speaker 1: That's why I don't never really do the early joint

452
00:19:51,600 --> 00:19:52,960
Speaker 1: if I can avoid it, because.

453
00:19:52,760 --> 00:19:54,640
Speaker 2: I'll be up all fucking night.

454
00:19:55,119 --> 00:19:59,919
Speaker 12: So the midday, three in the morning, full of dressed

455
00:20:01,240 --> 00:20:06,639
Speaker 12: in the room, all the light song that's still laughing.

456
00:20:07,000 --> 00:20:08,919
Speaker 3: I don't know, man, I should see it.

457
00:20:16,200 --> 00:20:18,560
Speaker 8: Boy, that's the best reason to take the six ahead ship.

458
00:20:18,560 --> 00:20:19,760
Speaker 3: You already up what.

459
00:20:20,400 --> 00:20:20,840
Speaker 2: I get that.

460
00:20:21,760 --> 00:20:25,120
Speaker 1: It's a it's about a two hour window from between

461
00:20:25,119 --> 00:20:26,040
Speaker 1: like four and six.

462
00:20:26,520 --> 00:20:29,160
Speaker 2: That's where you really be like, you really break down.

463
00:20:29,160 --> 00:20:31,280
Speaker 2: Get me on the early flight out of here. My

464
00:20:31,400 --> 00:20:31,960
Speaker 2: job done.

465
00:20:32,760 --> 00:20:35,280
Speaker 10: When I when you when I'm walking off the stage,

466
00:20:35,280 --> 00:20:35,760
Speaker 10: I'm like.

467
00:20:36,800 --> 00:20:39,919
Speaker 2: It's what we practice for. That's what we were hard for.

468
00:20:41,200 --> 00:20:44,439
Speaker 2: Are they not in your tam look at the people.

469
00:20:45,480 --> 00:20:46,119
Speaker 2: That's what you do.

470
00:20:46,119 --> 00:20:49,280
Speaker 5: Don't ever get complacent, no elver feel like you say

471
00:20:50,119 --> 00:20:52,879
Speaker 5: basally were saying the same thing, nigga, this show over with.

472
00:20:53,560 --> 00:20:55,440
Speaker 9: Yeah, I got a note on tomorrow.

473
00:20:55,960 --> 00:20:59,200
Speaker 3: I gotta regroup. I gotta find that same and you

474
00:20:59,240 --> 00:21:00,160
Speaker 3: get right, I gotta.

475
00:21:00,040 --> 00:21:03,200
Speaker 5: Even space right cause being funny and all that, that's

476
00:21:03,240 --> 00:21:04,320
Speaker 5: a different emotion.

477
00:21:04,320 --> 00:21:06,480
Speaker 1: I must be. I'll be looking at it different. I'd

478
00:21:06,520 --> 00:21:10,040
Speaker 1: be like a mad scientist. I'd be like, tomorrow, I

479
00:21:10,080 --> 00:21:10,720
Speaker 1: haven't gonna do.

480
00:21:11,119 --> 00:21:15,560
Speaker 3: It more, abulicle.

481
00:21:15,880 --> 00:21:18,320
Speaker 2: Then I ask you to rade a juke about it, right, Nuzzerius.

482
00:21:21,240 --> 00:21:21,640
Speaker 2: That's something.

483
00:21:24,160 --> 00:21:26,239
Speaker 5: No, man, it's good man to see you prospering though,

484
00:21:26,280 --> 00:21:28,320
Speaker 5: but it's it's like to see it so you know

485
00:21:28,359 --> 00:21:30,440
Speaker 5: what I'm saying, sporadic and then out the moment like

486
00:21:30,520 --> 00:21:32,600
Speaker 5: you ain't know this was gonna happen, and you weren't

487
00:21:32,600 --> 00:21:35,159
Speaker 5: scared to actually step out the box, you know.

488
00:21:35,160 --> 00:21:35,560
Speaker 3: What I'm saying.

489
00:21:35,600 --> 00:21:37,359
Speaker 2: And then like like you said your mom, like come.

490
00:21:37,240 --> 00:21:40,679
Speaker 7: On, ye exactly, if you're gonna be adopt man, you

491
00:21:40,680 --> 00:21:41,399
Speaker 7: can quit all that.

492
00:21:42,400 --> 00:21:44,320
Speaker 3: Who you wrapping to? Cause I ain't never heard the rat.

493
00:21:44,400 --> 00:21:45,880
Speaker 1: I wanted to ask you when you said you had

494
00:21:45,880 --> 00:21:47,000
Speaker 1: to teach yourself how to wrap?

495
00:21:47,040 --> 00:21:47,880
Speaker 2: What was that process?

496
00:21:48,000 --> 00:21:48,080
Speaker 5: Like?

497
00:21:49,000 --> 00:21:49,680
Speaker 3: Just studying?

498
00:21:49,880 --> 00:21:51,960
Speaker 7: Uh, I'm a scholar first, so it's really easy for

499
00:21:52,000 --> 00:21:53,960
Speaker 7: me to study anything. Like if I really want to

500
00:21:54,000 --> 00:21:58,080
Speaker 7: do something, I'm like, huh, how does.

501
00:21:58,200 --> 00:21:59,320
Speaker 3: One plus one equal to?

502
00:21:59,520 --> 00:22:01,679
Speaker 7: So I I'm looking at my favorite rappers, I'm like,

503
00:22:01,720 --> 00:22:04,600
Speaker 7: I'm watching the patterns like oh he does this. Oh

504
00:22:04,640 --> 00:22:07,399
Speaker 7: the influx is like that, Oh they do that, Okay.

505
00:22:07,480 --> 00:22:10,960
Speaker 7: So I'm just applying practically to everything that I'm doing.

506
00:22:11,040 --> 00:22:15,520
Speaker 7: That's literally how I taught myself counting meters everything. Then

507
00:22:15,560 --> 00:22:17,960
Speaker 7: I learned how to engineer. At the time, I didn't

508
00:22:17,960 --> 00:22:20,280
Speaker 7: have no I didn't have no a lot. I didn't

509
00:22:20,320 --> 00:22:22,200
Speaker 7: have a lot of money to book my sessions and stuff.

510
00:22:22,240 --> 00:22:24,240
Speaker 7: So as you know, when you book a studio session,

511
00:22:24,280 --> 00:22:26,360
Speaker 7: that pay for the room and you pay for the engineer. Yea,

512
00:22:26,680 --> 00:22:32,440
Speaker 7: all that niggas, all I got is this room right now,

513
00:22:32,480 --> 00:22:33,000
Speaker 7: I got the room.

514
00:22:33,040 --> 00:22:33,200
Speaker 1: Raid.

515
00:22:33,240 --> 00:22:34,960
Speaker 3: The engineer rate costs too fucking much.

516
00:22:35,080 --> 00:22:37,359
Speaker 7: So I'll be like, okay, I'll get an engineer for

517
00:22:37,400 --> 00:22:39,119
Speaker 7: like four hours, and I'd be over this nigga's shoulder,

518
00:22:39,119 --> 00:22:39,600
Speaker 7: like what you doing?

519
00:22:39,600 --> 00:22:41,439
Speaker 3: What's what's that? Show me how to do that?

520
00:22:41,520 --> 00:22:44,000
Speaker 7: Then I've dev developed my own template and learn how

521
00:22:44,000 --> 00:22:47,960
Speaker 7: to track engineering myself and uh a lot of that yourself.

522
00:22:48,119 --> 00:22:52,320
Speaker 7: Yeah yeah, A lot of what I learned in was

523
00:22:52,359 --> 00:22:56,240
Speaker 7: birth and struggle, and I think but it was nourished

524
00:22:56,280 --> 00:22:58,040
Speaker 7: later on when I had money. You know, I c

525
00:22:58,359 --> 00:23:00,840
Speaker 7: now when I'm in a studio sessions and Paramount in

526
00:23:00,920 --> 00:23:03,440
Speaker 7: west Lake and fifteen hundred dollars sessions.

527
00:23:03,800 --> 00:23:05,320
Speaker 3: The engine they'd be like, how the fuck you know that.

528
00:23:05,400 --> 00:23:07,240
Speaker 3: I'll be like, yeah, no, take that, put that hair.

529
00:23:07,640 --> 00:23:08,840
Speaker 3: He's like, how the fuck do you even know?

530
00:23:09,600 --> 00:23:11,919
Speaker 7: How you even know the terminology to even direct me

531
00:23:11,960 --> 00:23:13,000
Speaker 7: to do certain things.

532
00:23:13,000 --> 00:23:16,359
Speaker 10: So just the engineer, I should know what I like

533
00:23:16,440 --> 00:23:19,720
Speaker 10: to sound exactly, or I'm coming here guessing every time.

534
00:23:20,160 --> 00:23:21,320
Speaker 3: I hope you know what he's doing.

535
00:23:21,480 --> 00:23:23,720
Speaker 7: But being able to communicate that efficiently as a you

536
00:23:23,800 --> 00:23:24,560
Speaker 7: know a lot of artists to go.

537
00:23:24,680 --> 00:23:25,040
Speaker 3: I don't know.

538
00:23:25,080 --> 00:23:28,000
Speaker 8: I hear like A, it's something that's making it.

539
00:23:28,080 --> 00:23:30,280
Speaker 7: You like, that's the reverb, that's the this, that's to that.

540
00:23:30,440 --> 00:23:31,879
Speaker 7: You know you got a one non filter? Want to

541
00:23:31,920 --> 00:23:32,879
Speaker 7: take it out, make it filtered?

542
00:23:32,960 --> 00:23:33,199
Speaker 1: Do this?

543
00:23:33,320 --> 00:23:36,679
Speaker 3: Do that? Go up to decibels? Come down, engineer.

544
00:23:36,720 --> 00:23:38,159
Speaker 2: They might do something to your voice and be like, hey,

545
00:23:38,200 --> 00:23:38,480
Speaker 2: what they do?

546
00:23:38,600 --> 00:23:40,880
Speaker 3: They be like, see that's my special song.

547
00:23:42,480 --> 00:23:43,800
Speaker 8: Yeah literally.

548
00:23:48,080 --> 00:23:49,879
Speaker 3: Exactly crazy.

549
00:23:50,040 --> 00:23:52,840
Speaker 8: I hate that just off and don't have nothing on it.

550
00:23:52,840 --> 00:23:53,280
Speaker 3: Strips.

551
00:23:53,760 --> 00:23:56,480
Speaker 7: Yeah, I can't get a people my sore.

552
00:23:59,320 --> 00:24:01,000
Speaker 1: I want to ask you because this is like a

553
00:24:01,080 --> 00:24:04,080
Speaker 1: defining moment, like as an artist who was the first

554
00:24:04,560 --> 00:24:06,720
Speaker 1: big artist to reach out to you to do some work.

555
00:24:09,200 --> 00:24:11,919
Speaker 3: You know, I get It's it's blurry for me.

556
00:24:12,000 --> 00:24:12,160
Speaker 14: Now.

557
00:24:12,280 --> 00:24:13,920
Speaker 7: I want to say it was like I want to

558
00:24:13,960 --> 00:24:16,640
Speaker 7: say it was Timbland that's so dope.

559
00:24:17,160 --> 00:24:20,840
Speaker 3: I want to say it was timbling or busted one

560
00:24:20,920 --> 00:24:23,320
Speaker 3: of the two for sure that I remember the time.

561
00:24:24,000 --> 00:24:26,199
Speaker 7: I'm thinking of the people that I was like like

562
00:24:26,359 --> 00:24:29,400
Speaker 7: jaw drop when I seen the message, it was either

563
00:24:29,440 --> 00:24:31,200
Speaker 7: one of them too easily.

564
00:24:30,840 --> 00:24:31,760
Speaker 2: Tell me how to timbling.

565
00:24:31,840 --> 00:24:33,520
Speaker 3: But I don't want to.

566
00:24:33,520 --> 00:24:36,879
Speaker 13: Know what happened when you walk into the studio and

567
00:24:36,920 --> 00:24:38,000
Speaker 13: Timbler was right there.

568
00:24:38,840 --> 00:24:40,800
Speaker 7: I've never been in a student team, but he No,

569
00:24:40,920 --> 00:24:43,679
Speaker 7: he reached out to work though. Yeah, like one of

570
00:24:43,680 --> 00:24:45,520
Speaker 7: the early on people in my career to reach out

571
00:24:45,560 --> 00:24:45,920
Speaker 7: for sure.

572
00:24:46,840 --> 00:24:49,040
Speaker 3: But I've been around to him several times, but I've

573
00:24:49,080 --> 00:24:53,520
Speaker 3: never been in the studio. Yeah, yeah, yeah, not yet. Oh,

574
00:24:54,320 --> 00:25:00,600
Speaker 3: because you've seen Troy Taylor. Oh, he's incredible, incredible. The

575
00:25:00,640 --> 00:25:02,879
Speaker 3: only reason why I have a K because I know

576
00:25:02,960 --> 00:25:03,640
Speaker 3: I'm not ready.

577
00:25:04,359 --> 00:25:05,640
Speaker 2: I'm ready, but I know.

578
00:25:05,560 --> 00:25:07,000
Speaker 13: You're gonna put me through the fight, and I want

579
00:25:07,000 --> 00:25:07,640
Speaker 13: to be able to fight.

580
00:25:07,880 --> 00:25:09,560
Speaker 8: Yeah, and when I get there, I wanna be like,

581
00:25:09,880 --> 00:25:10,240
Speaker 8: come on.

582
00:25:10,240 --> 00:25:13,040
Speaker 5: Man, Coyri, go ahead, get all the specials.

583
00:25:12,440 --> 00:25:12,840
Speaker 1: Then do it.

584
00:25:13,520 --> 00:25:14,320
Speaker 2: I know you finished sing.

585
00:25:14,240 --> 00:25:17,320
Speaker 7: Me through it, and they do it amazing, Amaze mobile coaches.

586
00:25:18,119 --> 00:25:20,240
Speaker 1: He gets you right, Well, you built this from the

587
00:25:20,240 --> 00:25:20,760
Speaker 1: ground up.

588
00:25:20,840 --> 00:25:21,000
Speaker 7: Man.

589
00:25:21,080 --> 00:25:24,520
Speaker 1: What you say to people who watch and who maybe

590
00:25:24,600 --> 00:25:26,560
Speaker 1: the next up and coming.

591
00:25:27,400 --> 00:25:30,439
Speaker 7: Should fight your fight. I don't worry about nobody around.

592
00:25:30,520 --> 00:25:31,720
Speaker 7: Keep your eyes on your own paper.

593
00:25:33,200 --> 00:25:34,360
Speaker 2: Now that's the bar right there.

594
00:25:34,480 --> 00:25:38,399
Speaker 1: You gotta keep your eyes on your own paper, school teacher.

595
00:25:39,160 --> 00:25:41,080
Speaker 3: But I won't them to understand what she just said.

596
00:25:41,680 --> 00:25:43,879
Speaker 3: Keep your eyes on your own paper.

597
00:25:44,520 --> 00:25:48,320
Speaker 7: Be where your feet are. The people around you can

598
00:25:48,359 --> 00:25:52,280
Speaker 7: be your cage or your circle. And that's really that

599
00:25:52,320 --> 00:25:55,320
Speaker 7: would be like my mean, well, damn.

600
00:25:58,520 --> 00:26:00,000
Speaker 2: She always got some deep lots.

601
00:26:00,480 --> 00:26:06,680
Speaker 7: Yeah, you gonna either be ana, be your Yeah, between

602
00:26:07,680 --> 00:26:10,160
Speaker 7: between what they saying, Now, what's the us?

603
00:26:10,240 --> 00:26:13,320
Speaker 3: What's the verse in the Bible? The bad Company coup morals?

604
00:26:13,800 --> 00:26:16,000
Speaker 2: Yes it does, Yeah, yes it does.

605
00:26:17,119 --> 00:26:20,240
Speaker 3: So that really be my advice. It's a fucked up game.

606
00:26:20,680 --> 00:26:23,760
Speaker 10: But even though you do the you in the medicine field,

607
00:26:24,200 --> 00:26:27,760
Speaker 10: you diep Is there something else that the people might

608
00:26:27,840 --> 00:26:30,360
Speaker 10: not know that you love to do that you may

609
00:26:30,480 --> 00:26:31,560
Speaker 10: just come out of nowhere.

610
00:26:34,640 --> 00:26:35,440
Speaker 2: You got in the bag.

611
00:26:35,680 --> 00:26:41,199
Speaker 7: I really wanna get more into directing, creative direction in general,

612
00:26:42,240 --> 00:26:44,119
Speaker 7: mainly for films. I really want to get into like

613
00:26:44,359 --> 00:26:47,160
Speaker 7: direct my directorial debuts maybe like a short indeed tries

614
00:26:47,280 --> 00:26:48,680
Speaker 7: to start off, but I.

615
00:26:48,680 --> 00:26:49,120
Speaker 3: Really like.

616
00:26:53,920 --> 00:27:01,920
Speaker 14: Something should we reach out in the middle we might

617
00:27:02,119 --> 00:27:03,920
Speaker 14: have some independent movies.

618
00:27:05,119 --> 00:27:07,320
Speaker 3: Yeah, I would love. I would love to sit down

619
00:27:07,359 --> 00:27:07,680
Speaker 3: with that.

620
00:27:09,000 --> 00:27:11,280
Speaker 1: Your voice is common as hey. I could literally talk

621
00:27:11,320 --> 00:27:11,960
Speaker 1: to you all day.

622
00:27:12,040 --> 00:27:13,639
Speaker 3: Oh I thank you. I appreciate that.

623
00:27:13,720 --> 00:27:15,280
Speaker 2: Yeah, I want to know what she's not like.

624
00:27:15,440 --> 00:27:17,000
Speaker 3: You're mad, it's the same.

625
00:27:17,000 --> 00:27:24,480
Speaker 2: No, motherfucker the New York come out. Na, It's crazy.

626
00:27:25,080 --> 00:27:26,960
Speaker 7: I actually get more and more quiet when i'm mad.

627
00:27:27,240 --> 00:27:29,160
Speaker 7: Me being mad, I mean me being quiet is probably

628
00:27:29,160 --> 00:27:31,840
Speaker 7: the worst worst case scenario.

629
00:27:31,560 --> 00:27:32,639
Speaker 2: Cause you got too much to office.

630
00:27:32,640 --> 00:27:36,399
Speaker 10: So I need you to say something, like say something

631
00:27:37,160 --> 00:27:38,000
Speaker 10: right now.

632
00:27:38,040 --> 00:27:40,600
Speaker 1: You did say the album coming out next year? How's

633
00:27:40,640 --> 00:27:44,560
Speaker 1: it going as far as the process building sneak little features,

634
00:27:44,560 --> 00:27:46,080
Speaker 1: but we got you gotta give us something.

635
00:27:46,840 --> 00:27:50,359
Speaker 7: We got some ship coming. It's not like it's not

636
00:27:50,400 --> 00:27:53,040
Speaker 7: exactly where I want it at. And we were originally

637
00:27:53,080 --> 00:27:55,040
Speaker 7: gonna push for this year, but I'm like, nah, I

638
00:27:55,080 --> 00:27:57,000
Speaker 7: need to make sure my first album. You only get

639
00:27:57,000 --> 00:27:59,320
Speaker 7: one chance at the first album, So I'm like, I

640
00:27:59,400 --> 00:28:02,119
Speaker 7: need to like curated properly, so it'll be coming out

641
00:28:02,200 --> 00:28:07,359
Speaker 7: top of next year sometime, uh, first first quarter. But yeah,

642
00:28:07,400 --> 00:28:10,560
Speaker 7: I mean it's it's it's hard. It's hard making an album,

643
00:28:10,600 --> 00:28:13,119
Speaker 7: but it's fun. At the same time, up and down moments.

644
00:28:13,200 --> 00:28:17,639
Speaker 7: It's versatile yet cohesive. So you'll see like fun, some

645
00:28:17,720 --> 00:28:22,280
Speaker 7: turn up ship, some painful ship, some popping your ship.

646
00:28:22,280 --> 00:28:24,879
Speaker 7: That's my my favorite baggage just in my like popping

647
00:28:24,880 --> 00:28:28,040
Speaker 7: ship witty.

648
00:28:28,880 --> 00:28:32,320
Speaker 1: Anytime I hear you rather, I'm always imagining myself as

649
00:28:32,359 --> 00:28:34,760
Speaker 1: the nigga.

650
00:28:35,520 --> 00:28:36,879
Speaker 3: Sometimes I roll to you all the.

651
00:28:38,480 --> 00:28:43,520
Speaker 2: Happen cause you said a big tree. Now we gotta

652
00:28:43,520 --> 00:28:44,320
Speaker 2: put that on tape.

653
00:28:44,520 --> 00:28:47,600
Speaker 1: She did say, So, we're not gonna.

654
00:28:47,400 --> 00:28:51,040
Speaker 2: Let you leave until you tell us what. You don't

655
00:28:51,440 --> 00:28:51,960
Speaker 2: get to hear that.

656
00:28:57,040 --> 00:28:57,320
Speaker 3: For me?

657
00:29:00,480 --> 00:29:08,720
Speaker 6: Oh me, you didn't.

658
00:29:09,360 --> 00:29:23,200
Speaker 2: You know the moment it shoty guy, I know what

659
00:29:23,400 --> 00:29:28,520
Speaker 2: you FLI like, bro only be wandy.

660
00:29:29,160 --> 00:29:30,640
Speaker 3: Would you find niggas out here?

661
00:29:30,680 --> 00:29:30,840
Speaker 12: Man?

662
00:29:31,000 --> 00:29:32,960
Speaker 3: I feel like every girl would be tricking to just be.

663
00:29:33,400 --> 00:29:34,160
Speaker 3: I love about it.

664
00:29:34,240 --> 00:29:35,800
Speaker 7: Like if you really like somebody, I feel like you

665
00:29:35,840 --> 00:29:38,280
Speaker 7: start spending money on them just randomly. You'll be seeing

666
00:29:38,320 --> 00:29:39,120
Speaker 7: ship out You're.

667
00:29:39,040 --> 00:29:43,040
Speaker 3: Like, this would be cute, this would be cute. I listen.

668
00:29:43,040 --> 00:29:45,520
Speaker 8: I don't buy no big big like I said, I tricked.

669
00:29:45,480 --> 00:29:47,040
Speaker 3: Tricked bigger. I don't buy no cars.

670
00:29:47,720 --> 00:29:49,640
Speaker 8: Damn you get that on the table.

671
00:29:50,000 --> 00:29:52,040
Speaker 7: You said that to me because you know I like car,

672
00:29:52,240 --> 00:29:54,000
Speaker 7: I'm buying no.

673
00:29:54,280 --> 00:30:00,960
Speaker 1: I got mother another one and that's that time.

674
00:30:04,360 --> 00:30:06,560
Speaker 7: I don't buy no car. He said, he trick bigger.

675
00:30:06,600 --> 00:30:08,440
Speaker 7: So I buy socks and t shirts. He buys you

676
00:30:08,480 --> 00:30:09,800
Speaker 7: know back, you know that's.

677
00:30:11,160 --> 00:30:12,240
Speaker 3: Just playing but the cray.

678
00:30:12,520 --> 00:30:13,280
Speaker 2: But I just want to.

679
00:30:15,520 --> 00:30:19,120
Speaker 13: Socks and just appreciate the.

680
00:30:19,120 --> 00:30:22,040
Speaker 3: Ship at a little trinkets like that. Why women's thin

681
00:30:22,160 --> 00:30:24,080
Speaker 3: we gonna be alright with some draw y'all. I do

682
00:30:24,160 --> 00:30:24,840
Speaker 3: appreciate it.

683
00:30:24,920 --> 00:30:27,480
Speaker 5: But he's like the polo c.

684
00:30:28,960 --> 00:30:30,200
Speaker 1: They's gonna be under.

685
00:30:29,960 --> 00:30:33,440
Speaker 2: Depend Sometimes women are sneaking by you.

686
00:30:33,520 --> 00:30:36,000
Speaker 1: Gives some ship that like the ship. They don't like

687
00:30:36,040 --> 00:30:38,640
Speaker 1: about you. So you like socks and draws. She don't

688
00:30:38,680 --> 00:30:39,680
Speaker 1: funk with your sock.

689
00:30:40,520 --> 00:30:46,280
Speaker 2: Your old hanging drawers got dirty with the with the

690
00:30:46,400 --> 00:30:47,240
Speaker 2: loose elastic.

691
00:30:47,520 --> 00:30:49,680
Speaker 5: Because that's a sign if a woman used drawing, they

692
00:30:49,720 --> 00:30:51,520
Speaker 5: mean them all got a whold them.

693
00:30:52,040 --> 00:30:53,000
Speaker 1: Or some nookes thing.

694
00:30:55,560 --> 00:30:55,760
Speaker 3: Wrong.

695
00:30:56,080 --> 00:30:57,959
Speaker 8: Yeah, he could have not just tacked no draws out

696
00:30:58,640 --> 00:30:59,000
Speaker 8: going on.

697
00:31:00,080 --> 00:31:00,560
Speaker 1: You need.

698
00:31:02,040 --> 00:31:05,080
Speaker 3: Everything I saw outside the draws is what you need.

699
00:31:06,960 --> 00:31:09,000
Speaker 3: I'll love you though, I'll buy clothes. I'll buy some shoes.

700
00:31:09,240 --> 00:31:14,720
Speaker 2: We'll speaking of trigger. We got you something, Yeah, ain't

701
00:31:14,720 --> 00:31:15,280
Speaker 2: get excited.

702
00:31:15,800 --> 00:31:17,320
Speaker 3: I can't believe how excited you get for that?

703
00:31:17,760 --> 00:31:18,840
Speaker 8: Did I see how it gets to me?

704
00:31:19,600 --> 00:31:19,800
Speaker 3: Thank?

705
00:31:19,920 --> 00:31:20,440
Speaker 2: Y see?

706
00:31:20,520 --> 00:31:24,080
Speaker 3: I like really big boxes are really little. We brought

707
00:31:24,120 --> 00:31:28,880
Speaker 3: the big one, O you what's here the whole goddamn time?

708
00:31:29,080 --> 00:31:32,080
Speaker 3: Oh this is perfect?

709
00:31:33,400 --> 00:31:33,640
Speaker 1: Okay?

710
00:31:33,760 --> 00:31:35,800
Speaker 3: Did you know I love Grace sweatpants or no? This

711
00:31:35,960 --> 00:31:37,760
Speaker 3: is my actual Like I think.

712
00:31:37,640 --> 00:31:40,000
Speaker 7: I literally served the jail big because I walk around

713
00:31:40,040 --> 00:31:42,000
Speaker 7: with great sweatpants every day.

714
00:31:42,960 --> 00:31:43,880
Speaker 2: Don't ever buy no more.

715
00:31:43,960 --> 00:31:45,880
Speaker 1: All your great sweatpants gotta come from us.

716
00:31:46,040 --> 00:31:48,560
Speaker 2: Okay, Grace sweat Pants.

717
00:31:50,280 --> 00:31:51,840
Speaker 3: Officially eighty five styles.

718
00:31:54,880 --> 00:31:55,920
Speaker 2: Record something in there.

719
00:31:56,080 --> 00:31:56,160
Speaker 12: Now.

720
00:31:56,280 --> 00:32:00,320
Speaker 3: Let me ask y'all how y'all saw Atlanta? But this

721
00:32:00,440 --> 00:32:03,080
Speaker 3: studio ain't in Atlanta and I've been traveling all day.

722
00:32:03,320 --> 00:32:05,720
Speaker 7: I need to call my sense I'm a ready figure

723
00:32:05,720 --> 00:32:07,640
Speaker 7: out where we're at right now because y'all be like,

724
00:32:07,720 --> 00:32:08,920
Speaker 7: what what you closed?

725
00:32:10,880 --> 00:32:13,200
Speaker 1: You gotta understand when we had a studio in the

726
00:32:13,320 --> 00:32:16,320
Speaker 1: Lemma motherfuckers was scared to come right.

727
00:32:16,840 --> 00:32:19,560
Speaker 2: Yeah, so it's really more peaceful, like you you tell

728
00:32:19,600 --> 00:32:20,320
Speaker 2: you like quiet, right?

729
00:32:20,960 --> 00:32:21,400
Speaker 3: This ship so.

730
00:32:21,520 --> 00:32:23,920
Speaker 1: Quiet and this way you can't just pull up this

731
00:32:24,120 --> 00:32:26,280
Speaker 1: inviting only we know ever call.

732
00:32:27,120 --> 00:32:28,480
Speaker 3: Like when you're staying in the neighborhood.

733
00:32:28,480 --> 00:32:30,840
Speaker 4: Like you said, a look, unknown, I'm on your.

734
00:32:30,760 --> 00:32:34,080
Speaker 3: Ass right go to a house because you're not. But

735
00:32:34,200 --> 00:32:37,760
Speaker 3: you are thinking about breaking in somebody ship forgot run here.

736
00:32:37,760 --> 00:32:38,480
Speaker 9: You ain't the man man.

737
00:32:39,040 --> 00:32:41,520
Speaker 2: We trapped down the city for a little man. Okay, yeah,

738
00:32:41,600 --> 00:32:44,360
Speaker 2: but you know what, you wouldn't want to come to that.

739
00:32:44,600 --> 00:32:44,840
Speaker 12: Look.

740
00:32:44,960 --> 00:32:46,160
Speaker 2: Oh my good, I.

741
00:32:46,760 --> 00:32:50,000
Speaker 3: Wanta come to thanks, but not been the time we

742
00:32:50,080 --> 00:32:50,520
Speaker 3: finished through that.

743
00:32:50,800 --> 00:32:57,080
Speaker 2: Hold hold on. Yeah we're good, but.

744
00:32:59,680 --> 00:32:59,720
Speaker 4: No.

745
00:33:00,920 --> 00:33:03,320
Speaker 1: We love the city, but you know, sometimes you gotta

746
00:33:04,040 --> 00:33:05,200
Speaker 1: you gotta move out a little bit.

747
00:33:05,360 --> 00:33:09,480
Speaker 6: Yeah, listen, everybody, everybody who let him know that everywhere

748
00:33:09,520 --> 00:33:09,800
Speaker 6: you want.

749
00:33:10,280 --> 00:33:15,200
Speaker 3: Ain't hear that, but I can hear it. Yeah, yeah,

750
00:33:15,280 --> 00:33:16,760
Speaker 3: you hurt.

751
00:33:16,840 --> 00:33:17,800
Speaker 1: Run in the ambalancee.

752
00:33:22,160 --> 00:33:22,840
Speaker 3: It'll get you there.

753
00:33:23,440 --> 00:33:27,440
Speaker 2: You hear it. We definitely appreciate you stopping through here.

754
00:33:27,680 --> 00:33:29,320
Speaker 3: I appreciate that little ship with us.

755
00:33:29,320 --> 00:33:31,120
Speaker 7: I gotta come back when the album's dut We're gonna

756
00:33:31,120 --> 00:33:32,080
Speaker 7: have a good time.

757
00:33:33,680 --> 00:33:34,200
Speaker 3: Good party.

758
00:33:34,320 --> 00:33:35,920
Speaker 2: We'll do an album release party.

759
00:33:36,320 --> 00:33:36,760
Speaker 3: Let's do it.

760
00:33:36,960 --> 00:33:39,200
Speaker 1: I love you know. We gotta roll out stage. We'll

761
00:33:39,240 --> 00:33:42,680
Speaker 1: bring the stage out. That's what I heard about it.

762
00:33:43,400 --> 00:33:44,240
Speaker 2: This is everybody.

763
00:33:44,280 --> 00:33:46,720
Speaker 5: We're gonna set you up for you to handle your ship,

764
00:33:47,280 --> 00:33:47,600
Speaker 5: trying to.

765
00:33:47,600 --> 00:33:50,920
Speaker 1: Get her to come through here since twenty twenty. And

766
00:33:51,000 --> 00:33:53,560
Speaker 1: I know it's not jeering, but they do.

767
00:33:55,040 --> 00:34:05,320
Speaker 2: They're gonna be front do y'all? Right? What can they

768
00:34:05,360 --> 00:34:07,480
Speaker 2: follow you and keep up with all the updates.

769
00:34:07,200 --> 00:34:07,520
Speaker 1: And all that.

770
00:34:07,720 --> 00:34:10,360
Speaker 7: Y'all can follow me everywhere at Lady London, no underscores,

771
00:34:10,480 --> 00:34:12,520
Speaker 7: no periods, exactly how you see how you're here.

772
00:34:13,680 --> 00:34:14,880
Speaker 3: Check out my documentary.

773
00:34:15,440 --> 00:34:16,360
Speaker 8: Yeah, check my.

774
00:34:18,920 --> 00:34:21,200
Speaker 7: My documentary coming out. And I'm also dropping a single

775
00:34:21,280 --> 00:34:23,520
Speaker 7: that day called ten So y'all's happening to that?

776
00:34:23,840 --> 00:34:26,319
Speaker 2: No, you folks got to everybody want it to tube up?

777
00:34:26,600 --> 00:34:28,680
Speaker 3: Yeah, so y'all, I don't gotta tell y'all it's free right,

778
00:34:28,760 --> 00:34:29,040
Speaker 3: get to.

779
00:34:29,120 --> 00:34:32,200
Speaker 2: It, ladies and gentlemen.

780
00:34:32,719 --> 00:34:34,880
Speaker 1: Eighty five self shows what we do Lady in London,

781
00:34:35,120 --> 00:34:37,680
Speaker 1: Jay when we out it there you hear.

782
00:34:40,320 --> 00:34:40,839
Speaker 3: Thanks God