WEBVTT - #455 - YBE

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<v Speaker 1>And what's up?

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<v Speaker 2>It's Ybe makes you guys check me out on the

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<v Speaker 2>Bootleg Cat podcast.

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<v Speaker 1>Yo Boutleg Cat Podcast. Man, we got a special guest here,

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<v Speaker 1>y Bee in the building. Yes, sir, man, what's g

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<v Speaker 1>How you doing?

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<v Speaker 3>It's good to see you brother. Likewise, Broy, you had

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<v Speaker 3>a dope pre style earlier this year.

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<v Speaker 1>On the show. Yeah, I believe so.

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<v Speaker 3>Yeah, Well, for people who don't know, you've been doing

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<v Speaker 3>your thing for a long time. But what is YB

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<v Speaker 3>you stand for?

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<v Speaker 2>Yogi's been because I used to go by Little Yogi. Okay, yeah, yeah,

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<v Speaker 2>so it's a yogi's been established.

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<v Speaker 1>Got it? Yeah for sure. Talk to me about because

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<v Speaker 1>you're from West Covina. Yeah, it feels like that just

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<v Speaker 1>all like you're kind of like the o G from

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<v Speaker 1>over there. You can do it. How long you've been rapping,

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<v Speaker 1>Because you've been rapping for a long time, I.

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<v Speaker 2>Will say, uh, like recording and ship like like my

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<v Speaker 2>first album came out or like mixtape came out in

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<v Speaker 2>two thousand and eight.

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<v Speaker 3>Oh shit, so that's yeah, that that's what like fifteen

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<v Speaker 3>high tone trom over there too?

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<v Speaker 2>Right, Yeah, he's from Covina. He's from Covina.

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<v Speaker 1>High tone is hard. Man, that's a homie right there. Yeah,

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<v Speaker 1>that's the boy R. Yeah, hephnes a great guy. Man.

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<v Speaker 1>Shout to him and the No Lames podcast. Oh yep, yep.

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<v Speaker 2>Actually I'm gonna see them mother this weekend.

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<v Speaker 3>Yeah, I'm trying to remember his homies. The guy who

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<v Speaker 3>I just met it, I just met the other host,

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<v Speaker 3>the guy who's all tatted.

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<v Speaker 1>What's his name? Fuck? The other host of the No Names.

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<v Speaker 3>Podcast, the big dude. He's like a tat dude, always

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<v Speaker 3>wears a hat.

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<v Speaker 1>I just met him with Renee vodka, you know. Damn. Yeah,

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<v Speaker 1>I'm not too sure.

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<v Speaker 3>I feel bad, but DM and them anyway, I forget

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<v Speaker 3>a lot. I meet a lot of people. Shout to

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<v Speaker 3>them though. Anyway, to your new album drop man, it's

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<v Speaker 3>called uh. I don't know how to pronounce this. I

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<v Speaker 3>just know it's the gas station in Mexico.

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<v Speaker 2>Pemex, Yeah, Pemics. That's the gas station in Mexico.

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<v Speaker 3>So anybody who's been to any part of Mexico this

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<v Speaker 3>and it is like government owned, I think, right, I believe?

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<v Speaker 2>So? Yeah, Yeah, that's like the arcle in Mexico?

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<v Speaker 1>Is it? Because you got Mexican gas? Pretty much.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, you know what I'm saying and not the feathers,

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<v Speaker 2>you know, but yeah, that's pretty much it.

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<v Speaker 1>Yeah.

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<v Speaker 3>And then you know what's crazy. You were kind of

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<v Speaker 3>like also on the podcast before with OT.

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<v Speaker 1>Yeah. Correct, the first time OT ever came up here

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<v Speaker 1>on Yeah, yeah, I was chilling right here.

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<v Speaker 3>How did you guys think, because you're also one of

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<v Speaker 3>the first guys to like book them. Yeah, I got

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<v Speaker 3>here like on a headlining show.

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<v Speaker 1>Yeah.

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<v Speaker 2>Oh yeah that was I. It was like out I

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<v Speaker 2>was in Mountclair.

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<v Speaker 3>Yeah, it was like the most random tours, like because

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<v Speaker 3>he had his tour that the agent set up and

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<v Speaker 3>then he had your show.

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<v Speaker 2>Yeah, shout out to my boy.

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<v Speaker 1>Nah.

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<v Speaker 2>So with him, I had I got a feature with him,

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<v Speaker 2>and we booked him for a feature. And I heard

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<v Speaker 2>that one song he did that, Uh what's that child's play?

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<v Speaker 2>I heard it on the full community. I checked him out.

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<v Speaker 2>I was all this fool hard. So we tapped in

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<v Speaker 2>with him and then we booked him for the feature.

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<v Speaker 2>We flew him out here, we took care of him

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<v Speaker 2>and ship and we just clicked Yeah that's the boy. Yeah,

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<v Speaker 2>that's the homie right there. And and then ever since

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<v Speaker 2>he every time he comes out here, he like hits

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<v Speaker 2>me up and ship.

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<v Speaker 1>Yeah. I think it's too.

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<v Speaker 3>It's important too, because like you're like a cool ass

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<v Speaker 3>dude that ain't no bullshit.

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<v Speaker 2>Yeah, he's not bullshit. Yeah, I'm sure you see that

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<v Speaker 2>on beyond that into that bullshit, you know.

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<v Speaker 3>And then like I just think it's important that the

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<v Speaker 3>Texas to Cali.

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<v Speaker 1>It's needed. It's needed, man, I feel like you.

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<v Speaker 3>I mean, look like you mentioned full Community earlier, which

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<v Speaker 3>is a dope paid shot to those guys. I know

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<v Speaker 3>those guys very well, but it feels like there's so

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<v Speaker 3>much division within the Mexican hip hop community.

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<v Speaker 1>Yes, oh yeah, and I see all that ship too.

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<v Speaker 1>It's crazy.

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<v Speaker 2>Yeah, that's why I stay out the way because man,

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<v Speaker 2>that's that's like what they feed off of the ship,

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<v Speaker 2>you know.

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<v Speaker 3>Yeah, how do you how do you like not get

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<v Speaker 3>tempted to just participate in some bullshit because it brings clicks,

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<v Speaker 3>it brings eyes.

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<v Speaker 2>Man, Honestly, I'm not too sure. I just think I

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<v Speaker 2>just come from a different era, and I feel like

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<v Speaker 2>the era I came from when it was really on

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<v Speaker 2>some ship like that, it was really on some ship,

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<v Speaker 2>you know. And now I feel like people just do

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<v Speaker 2>it for the clicks, and I mean food's end up

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<v Speaker 2>beefing in and they end up being fucking friends and shit,

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<v Speaker 2>like a couple.

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<v Speaker 3>Of weeks, you know, you got all your homies, yeah,

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<v Speaker 3>walling them out for the other guy, and now y'all

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<v Speaker 3>got to be around each other exactly.

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<v Speaker 2>So I'm cool on that ship, you know, I'm straight

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<v Speaker 2>on all that. But but yeah, that's that's pretty much

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<v Speaker 2>how me and No T click. I just brought him

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<v Speaker 2>out here and we've been good, and then that day

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<v Speaker 2>I was just here. I just came to chill with him,

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<v Speaker 2>and he made me fucking had me sitting here, you

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<v Speaker 2>know for sure.

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<v Speaker 1>Yeah, you know you've been everywhere too, man. I feel

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<v Speaker 1>like I run into you everywhere.

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<v Speaker 2>I run into you at the fifty show.

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<v Speaker 1>Oh yeah, Yeah, that was a crazy tour. That shit

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<v Speaker 1>was hard, bro.

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<v Speaker 3>Honestly, I tell everybody, I'm like, yo, I'm not saying

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<v Speaker 3>it's the best show I've ever been to, but it's

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<v Speaker 3>the last show I've been to, the first show in

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<v Speaker 3>a long time I've been to where I was like, damn, man,

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<v Speaker 3>she's just used to be different.

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<v Speaker 2>Honestly, for me, that was the best show I've been to.

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<v Speaker 1>That was hard. He killed it.

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<v Speaker 3>It was just like it was just like damn, Like

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<v Speaker 3>rap is different now, these fools don't even really these

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<v Speaker 3>fools rap over there.

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<v Speaker 1>Fucking yeah.

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<v Speaker 2>He did it live ways, Yeah, though, he did that

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<v Speaker 2>ship live. And you know what, I've seen footages of

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<v Speaker 2>him like doing shows and they don't sound too good

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<v Speaker 2>on Instagram.

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<v Speaker 1>I mean ship outfit changes.

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<v Speaker 2>Oh that ship was crazy. The fucking lighting like just everything.

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<v Speaker 2>Dog and I was right in the front too. I

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<v Speaker 2>had some good as seeds.

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<v Speaker 1>I think be Real came out right with Buster.

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<v Speaker 2>I think I got there late, but I literally got there,

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<v Speaker 2>like when Buster was doing that fast verse on that

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<v Speaker 2>one song look at me now.

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<v Speaker 1>I'm looking at your album. You got Rob with the

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<v Speaker 1>bag chaser on here. Yeah. Hey, shout out to Fingers Man,

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<v Speaker 1>who's a legendary producer. Man. Shout out to Fingers Fingers

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<v Speaker 1>on the track Man.

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<v Speaker 2>Yeah, Yo, he's one of the ones that helped the

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<v Speaker 2>you know, I will say the Chicano you know sound.

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<v Speaker 1>You know for sure, he's one of the he's I

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<v Speaker 1>mean one of the ones.

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<v Speaker 2>He's the dre for us, you know.

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<v Speaker 1>Yeah, And he was.

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<v Speaker 3>He was one of the first producers low Key that

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<v Speaker 3>had like a real like stand out like tag.

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<v Speaker 2>Yeah, yeah that fingers the trash Hard. I actually threw

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<v Speaker 2>it on my ship too.

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<v Speaker 1>What what's your favorite song on this album? Man? Ship?

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<v Speaker 2>I would say the what would you do? As one

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<v Speaker 2>of them? And hard too? And you got Gee Perico

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<v Speaker 2>on here. That's the boy too man shout out to Geperico.

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<v Speaker 1>Yeah that's hard.

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<v Speaker 2>You know what's crazy is that that song like that

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<v Speaker 2>was just like a last minute song. We threw it

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<v Speaker 2>on there, and that one's fucking like the top.

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<v Speaker 1>Viewed on and I was going crazy. Yeah, that was

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<v Speaker 1>going pretty crazy right now. Why did you make real CDs?

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<v Speaker 1>Because nobody's doing this. Yeah, I know, I appreciate it.

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<v Speaker 2>Yeah, no, gods to that because I just feel like

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<v Speaker 2>CDs have a lot of value. Now, well, we're silling

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<v Speaker 2>on for fifty bucks.

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<v Speaker 1>Let's say, if you've got real fans. Yeah, yeah, we

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<v Speaker 1>get by Yeah exactly.

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<v Speaker 2>We signed them for fifty bucks online and we only

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<v Speaker 2>printed up one hundred.

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<v Speaker 1>That's hard. You guys told you something.

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<v Speaker 2>Yeah, yeah, we sold a good amount, still got some left.

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<v Speaker 3>But I was gonna say for you, like, how do

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<v Speaker 3>you uh, somebody who's been doing this for so long,

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<v Speaker 3>It's seen so many kind of people come and go, right, like, yeah,

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<v Speaker 3>for sure, what are the things you have like kind

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<v Speaker 3>of taken note of that you're able to kind of,

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<v Speaker 3>I guess evolve into like where music is now.

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<v Speaker 2>I feel like, man, just stay in my lane. Like

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<v Speaker 2>I see like a lot of people, you know, like

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<v Speaker 2>you said, coming go and some some will be over

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<v Speaker 2>just like clickbait shit. They'll just pop up and you're

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<v Speaker 2>just like, who the fuck is this?

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<v Speaker 1>You know?

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<v Speaker 2>And then now everybody's talking about this certain artists and

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<v Speaker 2>shit like that, and no matter what, I just continue

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<v Speaker 2>doing me stick to my plan and always uh my

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<v Speaker 2>thing too is it's about like what I'm doing is

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<v Speaker 2>about music, right, you know what I'm saying.

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<v Speaker 1>So put the music first, everything, musics.

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<v Speaker 2>First before fucking cloud chasing or running my mouth or

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<v Speaker 2>anything like that. So I always feel that the music

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<v Speaker 2>will overpower like all the bullshit in the end, you

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<v Speaker 2>know what I'm saying.

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<v Speaker 3>So for people who don't know who aren't from the

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<v Speaker 3>LA area, you're from West Carolina, West Covina. West Covina

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<v Speaker 3>is probably about forty five minutes from from here from

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<v Speaker 3>where I'm at. Yeah, yeah, if there's no traffic, it's

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<v Speaker 3>probably like forty four. It might thirty minutes if there's no.

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<v Speaker 2>Trap now right now with traffic goes like fifty five.

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<v Speaker 1>If there's no traffic, five minutes. Yeah, for sure, that's ready.

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<v Speaker 3>It's like on the other side of rose meating Azusa

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<v Speaker 3>or is it before?

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<v Speaker 1>Is it?

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<v Speaker 2>It's close to Azusa? Yeah, yeah, Roseman's on the other side.

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<v Speaker 3>You just have to go out there to just just

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<v Speaker 3>to get Raising Kanes. There's the closest one.

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<v Speaker 2>Do we have Raising Kingsausa right?

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<v Speaker 1>Yeah? Not in West what's the chicken place with the

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<v Speaker 1>orange Chicken Dinos? Oh?

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<v Speaker 2>Yeah, Dinos, that's that's right by. You're still open.

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<v Speaker 1>They closed it. They closed it.

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<v Speaker 2>Yeah, that ship was so that ship was guys. It

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<v Speaker 2>was like yeah, no, I picked the yeah exactly, I

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<v Speaker 2>picked them up, Like what, like was it last week?

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<v Speaker 2>And I was like, what the fuck? They closed Dinos?

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<v Speaker 2>It's closed?

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<v Speaker 1>So what was it? Like?

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<v Speaker 3>Give me kind of a rundown of what West Covene is, Like, uh,

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<v Speaker 3>what was it like growing.

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<v Speaker 1>Up out there? It was cool.

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<v Speaker 2>I mean it's it's a beautiful city, you know, So,

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<v Speaker 2>I mean I grew up, you know, on a in

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<v Speaker 2>a good city and ship, but you know, it comes

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<v Speaker 2>with a little bullshit here and there, just chilling with

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<v Speaker 2>the homies and you know, typical ship, you know. But

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<v Speaker 2>but it was a good city and there wasn't a

0:08:44.480 --> 0:08:47.320
<v Speaker 2>lot of artists from the city. I believe one of

0:08:47.320 --> 0:08:50.200
<v Speaker 2>the first ones I heard was what was that do that?

0:08:50.240 --> 0:08:51.520
<v Speaker 2>Did Indo smoke?

0:08:52.280 --> 0:08:52.559
<v Speaker 1>Graham?

0:08:52.559 --> 0:08:54.880
<v Speaker 2>Mista Grim, Yeah, mister Graham, he was one of them.

0:08:55.200 --> 0:08:57.280
<v Speaker 2>And then I think fucking Tone was like the next

0:08:57.280 --> 0:08:57.880
<v Speaker 2>one I heard.

0:08:58.080 --> 0:09:00.000
<v Speaker 1>You know, yeah, this think for years. Man.

0:09:00.320 --> 0:09:02.600
<v Speaker 2>My brother my brothers too, they wrapped two back in

0:09:02.640 --> 0:09:03.040
<v Speaker 2>the days.

0:09:03.120 --> 0:09:03.320
<v Speaker 1>Yeah.

0:09:03.360 --> 0:09:06.600
<v Speaker 2>Yeah, so they did their thing too, man, and they

0:09:06.640 --> 0:09:08.560
<v Speaker 2>had a little movement going back in the days. And

0:09:09.800 --> 0:09:12.520
<v Speaker 2>but they only did like one album and ship. But

0:09:12.520 --> 0:09:14.880
<v Speaker 2>but yeah, besides them, I would say, hi Tone for sure,

0:09:14.960 --> 0:09:15.400
<v Speaker 2>and then.

0:09:15.520 --> 0:09:18.600
<v Speaker 3>Like because that's that's the San Gabriel Gable Valley. Yeah,

0:09:18.880 --> 0:09:20.680
<v Speaker 3>so that it kind of consists of just that whole

0:09:20.679 --> 0:09:22.040
<v Speaker 3>little rolled me.

0:09:22.120 --> 0:09:23.400
<v Speaker 1>Yeah. So we got what rolls me.

0:09:23.559 --> 0:09:27.760
<v Speaker 2>We got fucking Pasadena rolling Heights, we got West Covina

0:09:27.840 --> 0:09:30.439
<v Speaker 2>Bawlling Park like one there, we got zeus.

0:09:30.280 --> 0:09:33.000
<v Speaker 1>Ship, y'all got some ship going. Hip boy's dad is

0:09:33.000 --> 0:09:36.480
<v Speaker 1>from Pasadena. Yeah, yeah, I've seen that. Ye lefties from Baldwin,

0:09:37.040 --> 0:09:40.080
<v Speaker 1>leftist down the street from us. So Righty racks yup

0:09:40.160 --> 0:09:42.800
<v Speaker 1>yup down the street right to the hard too. Yeah,

0:09:42.800 --> 0:09:43.120
<v Speaker 1>he hard.

0:09:43.120 --> 0:09:44.720
<v Speaker 2>I funk with this ship left hard too.

0:09:44.760 --> 0:09:46.439
<v Speaker 1>I think the leftist dope and he's been in with

0:09:46.520 --> 0:09:48.959
<v Speaker 1>hit Boy. Yeah that's hard. I've seen that.

0:09:49.080 --> 0:09:51.120
<v Speaker 3>I always say, man, whatever you want to say about

0:09:51.280 --> 0:09:52.559
<v Speaker 3>whatever you want to say about Lefty.

0:09:52.800 --> 0:09:56.320
<v Speaker 1>I actually think he's a talented guy. Yeah. Music, Yeah,

0:09:56.360 --> 0:09:58.280
<v Speaker 1>he's dope. Like I think he's hard. He got a

0:09:58.320 --> 0:10:00.000
<v Speaker 1>swag to it too, you know for sure.

0:10:00.240 --> 0:10:02.960
<v Speaker 3>I mean if he can get the other ship figured out, yeah,

0:10:03.080 --> 0:10:05.319
<v Speaker 3>he's a star. But he got to get that other

0:10:05.360 --> 0:10:07.959
<v Speaker 3>ship figured out, so you know, no, definitely, but he's

0:10:07.960 --> 0:10:08.600
<v Speaker 3>super talented.

0:10:08.640 --> 0:10:08.800
<v Speaker 1>Yeah.

0:10:08.800 --> 0:10:10.319
<v Speaker 2>Shout out to the homie man, shout out to both

0:10:10.320 --> 0:10:11.920
<v Speaker 2>of them, him and Rowdy doing this ship.

0:10:12.000 --> 0:10:13.760
<v Speaker 3>Yeah, Rowdy's dope. I just was talking with him yesterday.

0:10:13.800 --> 0:10:15.160
<v Speaker 3>I saw a freestyle he put out. I was like, Damn,

0:10:15.160 --> 0:10:17.040
<v Speaker 3>you're hard bro, come on the show sick hell.

0:10:17.160 --> 0:10:19.760
<v Speaker 2>Yeah that's right. Yeah, No, that's GV shining right now.

0:10:19.840 --> 0:10:22.760
<v Speaker 2>So that's been It's dope. Oh yeah, we had actually

0:10:22.760 --> 0:10:24.319
<v Speaker 2>we had Coponi two back in the days.

0:10:24.360 --> 0:10:26.160
<v Speaker 1>Mister, Yeah, he's from LASGV two.

0:10:26.720 --> 0:10:31.040
<v Speaker 2>He's from Well West Covina, right yeah, shot him, yeah,

0:10:31.200 --> 0:10:32.360
<v Speaker 2>shot mister Capponi.

0:10:32.440 --> 0:10:37.080
<v Speaker 1>The guy who is he's Palestinian. Yeah yeah, yeah, yeah,

0:10:37.120 --> 0:10:40.520
<v Speaker 1>yeh hey, he's like low key.

0:10:41.600 --> 0:10:44.680
<v Speaker 3>I remember as an intern, I interned from the radio

0:10:44.679 --> 0:10:49.400
<v Speaker 3>station when I was like seventeen eighteen nineteen, and we

0:10:49.400 --> 0:10:51.800
<v Speaker 3>we like some of my earliest radio memories are going

0:10:51.800 --> 0:10:55.320
<v Speaker 3>to low rider shows, bro, mister Capponi and the High

0:10:55.400 --> 0:10:56.160
<v Speaker 3>Power Records.

0:10:56.200 --> 0:10:57.680
<v Speaker 1>They had it going for sure.

0:10:57.760 --> 0:11:00.840
<v Speaker 3>It was like the love Making Ship and it was

0:11:00.880 --> 0:11:05.520
<v Speaker 3>like magic and NB riders. Yeah yeah, like the street ship, bro,

0:11:06.320 --> 0:11:08.520
<v Speaker 3>it was High Power Records, right, yeah, they had that

0:11:08.600 --> 0:11:10.120
<v Speaker 3>ship cracking.

0:11:10.360 --> 0:11:11.040
<v Speaker 1>Yeah, for sure.

0:11:11.200 --> 0:11:14.520
<v Speaker 3>Them fools have like ten booths and all gus naked

0:11:14.600 --> 0:11:17.400
<v Speaker 3>broads and lines sign and ship. Yeah, mister Caponi was

0:11:17.400 --> 0:11:18.960
<v Speaker 3>that dude. I mean he's one of the goats of

0:11:18.960 --> 0:11:19.440
<v Speaker 3>the chicono.

0:11:19.520 --> 0:11:20.160
<v Speaker 1>That's what I'm saying.

0:11:20.200 --> 0:11:22.760
<v Speaker 2>Like for the for that's GV He's definitely one of them.

0:11:22.760 --> 0:11:26.120
<v Speaker 3>He's up there for sure, records with everybody, you know, like, yeah,

0:11:26.160 --> 0:11:28.400
<v Speaker 3>the man High Power Records I got, was he the

0:11:28.440 --> 0:11:28.840
<v Speaker 3>guy who.

0:11:28.800 --> 0:11:29.440
<v Speaker 1>Ran that ship?

0:11:29.559 --> 0:11:32.160
<v Speaker 2>Yeah yeah, I believe the interview him because I'm like, yeah,

0:11:32.200 --> 0:11:32.800
<v Speaker 2>you gotta get bro.

0:11:32.840 --> 0:11:35.000
<v Speaker 1>They had random they had random albums out with like

0:11:35.040 --> 0:11:39.320
<v Speaker 1>Busy Bone Yeah, yeah, yeah, yeah, Little Yeah. That's hard though.

0:11:39.600 --> 0:11:42.319
<v Speaker 1>It was hard. Like I just remember being like, wait,

0:11:42.360 --> 0:11:43.600
<v Speaker 1>there's a new Little Flip album.

0:11:43.880 --> 0:11:46.160
<v Speaker 2>Yeah, that's the power and then you hear it and

0:11:46.200 --> 0:11:46.840
<v Speaker 2>its official.

0:11:47.000 --> 0:11:49.560
<v Speaker 1>Sure yeah yeah yeah No. I was an era shots

0:11:49.559 --> 0:11:50.520
<v Speaker 1>and mister CAPONI man.

0:11:50.440 --> 0:11:52.280
<v Speaker 2>See that's the time my brothers were rapping and ship,

0:11:52.559 --> 0:11:54.560
<v Speaker 2>so they were kind of like beefing in with him.

0:11:54.720 --> 0:11:55.600
<v Speaker 1>Oh ship. Yeah.

0:11:55.679 --> 0:11:57.319
<v Speaker 2>So I was like in the middle of all that ship.

0:11:57.920 --> 0:12:00.960
<v Speaker 2>So that that's that's how my brothers were. They were

0:12:00.960 --> 0:12:03.920
<v Speaker 2>with some artist that was signed to Coponi before, which

0:12:03.960 --> 0:12:06.320
<v Speaker 2>was Snapper got It. So he would sign a componing

0:12:06.320 --> 0:12:08.000
<v Speaker 2>and then they parted ways and then they were all

0:12:08.000 --> 0:12:09.160
<v Speaker 2>some like game and fifty.

0:12:09.600 --> 0:12:09.800
<v Speaker 1>Yeah.

0:12:09.800 --> 0:12:11.640
<v Speaker 3>I just remember that. Like I used to have to

0:12:11.679 --> 0:12:14.479
<v Speaker 3>board up for vocals pedal locals.

0:12:14.480 --> 0:12:17.920
<v Speaker 2>Oh yeah, oh you know who just a messagol aid

0:12:18.120 --> 0:12:18.760
<v Speaker 2>shout out to her.

0:12:19.280 --> 0:12:22.319
<v Speaker 3>So I used to My first radio job in a

0:12:22.520 --> 0:12:25.920
<v Speaker 3>studio was in the middle of the night. I would

0:12:26.040 --> 0:12:27.839
<v Speaker 3>put their CD in and press play and make sure

0:12:27.840 --> 0:12:28.720
<v Speaker 3>it ran in Phoenix.

0:12:28.760 --> 0:12:31.920
<v Speaker 2>Oh ship damn. So I was vocals locals in Phoenix.

0:12:31.960 --> 0:12:32.200
<v Speaker 1>It was not.

0:12:32.320 --> 0:12:34.960
<v Speaker 3>It was syndicated all over the country, right, So they

0:12:34.960 --> 0:12:37.880
<v Speaker 3>would send uh the CDs in like an overnight envelope.

0:12:38.040 --> 0:12:40.080
<v Speaker 3>I think by Thursday you had to get them. And

0:12:40.080 --> 0:12:42.320
<v Speaker 3>then I forget what night of the week it ran,

0:12:42.440 --> 0:12:44.480
<v Speaker 3>so I had to load it. So I'm like, you know,

0:12:44.520 --> 0:12:47.280
<v Speaker 3>I'm a fucking hardcore hip hop head. Yeah, so I'm

0:12:47.280 --> 0:12:49.280
<v Speaker 3>over here just chilling in the studio, listen to all

0:12:49.280 --> 0:12:50.120
<v Speaker 3>this Chicano ship.

0:12:50.280 --> 0:12:51.440
<v Speaker 1>What the fuck's going on?

0:12:51.520 --> 0:12:51.679
<v Speaker 3>Bro?

0:12:51.760 --> 0:12:53.160
<v Speaker 1>Who are all these motherfuckers?

0:12:54.120 --> 0:12:57.240
<v Speaker 2>Mister Shadow was killing it the Hunt for sure, Shadow,

0:12:57.320 --> 0:12:59.480
<v Speaker 2>I remember those albums and Shadow always have the thing

0:12:59.640 --> 0:12:59.960
<v Speaker 2>on that.

0:13:00.160 --> 0:13:02.760
<v Speaker 3>Then like even like s PM and like that's how

0:13:02.760 --> 0:13:03.160
<v Speaker 3>I first time.

0:13:03.280 --> 0:13:05.160
<v Speaker 2>Yeah, I ain't gonna lie. SPM had some heat too.

0:13:06.320 --> 0:13:07.080
<v Speaker 1>Like a lot of them do.

0:13:07.160 --> 0:13:10.760
<v Speaker 3>And then I'm even thinking, like there was like shout

0:13:10.880 --> 0:13:16.680
<v Speaker 3>to Uno, shout out to brown Boy, Yeah, Gemini, big

0:13:16.720 --> 0:13:17.440
<v Speaker 3>gem and I had something.

0:13:17.480 --> 0:13:18.960
<v Speaker 1>Yeah, what do you have that one? That one that

0:13:19.040 --> 0:13:21.440
<v Speaker 1>blew up for him? Hypnotized, hypnotized?

0:13:21.520 --> 0:13:22.120
<v Speaker 2>Is he amazing?

0:13:22.440 --> 0:13:24.680
<v Speaker 1>No? No, no no, But he had a bunch of music

0:13:24.679 --> 0:13:28.360
<v Speaker 1>with magic. Brown Boy had that Superman ship smacking Yeah.

0:13:28.400 --> 0:13:29.320
<v Speaker 1>Shout out to Brown Boy.

0:13:29.320 --> 0:13:32.040
<v Speaker 2>That's and then of course little Rob that's the legend.

0:13:32.840 --> 0:13:37.880
<v Speaker 2>Just mother's mother, that's the snoop Snooper. Yeah, shout out

0:13:37.920 --> 0:13:38.679
<v Speaker 2>to him for sure.

0:13:38.559 --> 0:13:40.959
<v Speaker 1>Shout a little Rob. Yeah. You you were telling me

0:13:41.000 --> 0:13:43.520
<v Speaker 1>you you lived in Mexico for some time. What part

0:13:43.840 --> 0:13:44.160
<v Speaker 1>I was in?

0:13:44.520 --> 0:13:47.120
<v Speaker 2>It's called Man, it's Inada, but it's like a little

0:13:47.120 --> 0:13:48.120
<v Speaker 2>town on the side and ship.

0:13:48.160 --> 0:13:50.000
<v Speaker 1>Why did you live there? Uh?

0:13:50.040 --> 0:13:52.320
<v Speaker 2>So I was out here with my brothers and ship,

0:13:52.360 --> 0:13:54.600
<v Speaker 2>and you know, my brothers were sucking up and moms

0:13:54.679 --> 0:13:56.440
<v Speaker 2>was pretty much tired of this ship, so she she

0:13:56.520 --> 0:13:59.360
<v Speaker 2>moved to Georgia and she had bought me a ticket

0:13:59.400 --> 0:14:02.760
<v Speaker 2>to roll with her. But Georgia to Georgia Atlanta, and

0:14:02.800 --> 0:14:05.120
<v Speaker 2>I was over here on some like fuck that right,

0:14:05.240 --> 0:14:07.839
<v Speaker 2>So I didn't go. Literally at the airport, she had

0:14:07.840 --> 0:14:09.640
<v Speaker 2>to take it for me and everything, and I fucking

0:14:10.040 --> 0:14:10.880
<v Speaker 2>I was being stubborn.

0:14:10.920 --> 0:14:12.200
<v Speaker 1>I didn't go, and she took off.

0:14:12.679 --> 0:14:15.160
<v Speaker 2>So she left me with my brother and he was

0:14:15.240 --> 0:14:17.000
<v Speaker 2>kind of like, fuck, what we're gonna do with this food,

0:14:17.080 --> 0:14:19.480
<v Speaker 2>you know, So they took me to my dad's in Mexico.

0:14:19.920 --> 0:14:23.320
<v Speaker 1>So you stayed out there how would we? I was like, well, fifteen,

0:14:24.040 --> 0:14:27.560
<v Speaker 1>like fourteen fifteen, how close is that to I want

0:14:27.560 --> 0:14:30.880
<v Speaker 1>to go to a Portunuwevo. Oh that's like like an

0:14:30.920 --> 0:14:32.840
<v Speaker 1>hour away. I heard that fucking lobsters.

0:14:32.920 --> 0:14:34.720
<v Speaker 2>Yeah, that shit fired for sure, and it is cheap.

0:14:35.040 --> 0:14:37.840
<v Speaker 1>I heard lot. I heard that did like lobster capital

0:14:37.840 --> 0:14:39.560
<v Speaker 1>of Mexico. Cheap his head.

0:14:39.560 --> 0:14:42.040
<v Speaker 2>You got big ass fucking whole lobster and ship for

0:14:42.360 --> 0:14:42.720
<v Speaker 2>the low.

0:14:42.840 --> 0:14:45.520
<v Speaker 3>So you lived there for a few four years. How

0:14:45.600 --> 0:14:47.960
<v Speaker 3>was it living there compared to being like out here?

0:14:48.160 --> 0:14:53.000
<v Speaker 2>That's a big difference. Hell yeah, it's a huge difference. Shit,

0:14:53.080 --> 0:14:55.120
<v Speaker 2>I was so used to like, you know, just jumping

0:14:55.120 --> 0:14:57.720
<v Speaker 2>in the shower and over there, you gotta fucking warm

0:14:57.760 --> 0:15:00.520
<v Speaker 2>up the pot, throw it in the fucking bear, mix

0:15:00.600 --> 0:15:01.080
<v Speaker 2>up the water.

0:15:01.680 --> 0:15:06.600
<v Speaker 3>I've taken us a ball, yeah, saying my son's mom's

0:15:06.640 --> 0:15:09.560
<v Speaker 3>families from Portopasco, and we were there, that's what's so

0:15:09.760 --> 0:15:13.760
<v Speaker 3>all right. Yeah, we stayed at her her grandmaf's house

0:15:13.760 --> 0:15:16.000
<v Speaker 3>when I was like eighteen, and I took one of

0:15:16.080 --> 0:15:17.760
<v Speaker 3>them showers. Yeah, and then they have to set the

0:15:17.800 --> 0:15:18.480
<v Speaker 3>trash on fire.

0:15:18.520 --> 0:15:21.440
<v Speaker 1>People don't know. Yeah, it's not a trashy thing too. Trash.

0:15:21.640 --> 0:15:23.400
<v Speaker 1>You just set the trash for gout about that, but yeah,

0:15:23.400 --> 0:15:25.880
<v Speaker 1>you're right, yeah yeah, like ship like there's no trash

0:15:26.320 --> 0:15:30.200
<v Speaker 1>coming in, like the trash gets set on fire facts, Yeah,

0:15:30.240 --> 0:15:32.960
<v Speaker 1>which is crazy. So so you what what motivated you

0:15:33.000 --> 0:15:34.560
<v Speaker 1>to come back to the US. Uh?

0:15:34.600 --> 0:15:36.480
<v Speaker 2>Well, I was out there, like I said, for those

0:15:36.480 --> 0:15:38.200
<v Speaker 2>four years, but I will come back. I'll come back

0:15:38.240 --> 0:15:38.600
<v Speaker 2>and forth.

0:15:38.640 --> 0:15:39.400
<v Speaker 1>You're going back and forth?

0:15:39.440 --> 0:15:41.240
<v Speaker 2>Yeah, yeah, I will come back and forth. And fucking

0:15:42.200 --> 0:15:44.240
<v Speaker 2>my brothers were just like trying to get the ship together.

0:15:44.400 --> 0:15:46.480
<v Speaker 2>So at the same time they were, they were doing

0:15:46.520 --> 0:15:48.800
<v Speaker 2>the music ship already, So that's what made me start trying.

0:15:48.640 --> 0:15:50.800
<v Speaker 1>To get into the music. So I was over there.

0:15:50.840 --> 0:15:53.120
<v Speaker 2>I was working at the liquor store, and I was

0:15:53.200 --> 0:15:55.800
<v Speaker 2>just writing lyrics like NonStop and fucking I had man,

0:15:55.840 --> 0:15:58.120
<v Speaker 2>I had books dog like a gang of like no.

0:15:58.120 --> 0:15:59.760
<v Speaker 1>Pads full of lyrics. You're writing New Mexico.

0:16:00.000 --> 0:16:03.200
<v Speaker 2>I was writing in Mexico and I was there for

0:16:03.240 --> 0:16:05.440
<v Speaker 2>like the four years, and then my brothers eventually got

0:16:05.440 --> 0:16:07.840
<v Speaker 2>an apartment and they were just they called me one

0:16:07.920 --> 0:16:08.920
<v Speaker 2>day and they were like, what's up for? Were you

0:16:08.960 --> 0:16:11.120
<v Speaker 2>ready to come back? I was like hell yeah, and

0:16:11.160 --> 0:16:12.520
<v Speaker 2>they sewed me up and I came back.

0:16:12.600 --> 0:16:16.960
<v Speaker 1>That's dope. Yeah, do you feel like there's like I

0:16:16.960 --> 0:16:18.920
<v Speaker 1>don't think there's much of an effort for a lot

0:16:18.960 --> 0:16:23.040
<v Speaker 1>of the Mexican artists that that we talked about that

0:16:23.080 --> 0:16:25.880
<v Speaker 1>are popping right now in like the scene to like

0:16:27.400 --> 0:16:30.000
<v Speaker 1>go into Mexico and try to build a fan base. Yeah.

0:16:30.160 --> 0:16:32.240
<v Speaker 1>And I know because I've talked to some guys.

0:16:32.280 --> 0:16:35.600
<v Speaker 3>I mean, shit, my artists is Mexican, and motherfucks are

0:16:35.600 --> 0:16:37.840
<v Speaker 3>scared to go to Mexico because they're like, yo, we

0:16:37.880 --> 0:16:39.240
<v Speaker 3>go out there and try to do a show or

0:16:39.320 --> 0:16:41.600
<v Speaker 3>try to break a record, like you know, like you know,

0:16:41.600 --> 0:16:42.960
<v Speaker 3>I don't know how much of that stuff is like

0:16:42.960 --> 0:16:45.040
<v Speaker 3>a real thing to worry about it because you hear

0:16:45.080 --> 0:16:48.840
<v Speaker 3>about artists getting like merked on the freeway out there,

0:16:48.880 --> 0:16:50.240
<v Speaker 3>Like is that is that?

0:16:50.320 --> 0:16:50.400
<v Speaker 1>Like?

0:16:50.600 --> 0:16:52.160
<v Speaker 3>Did you ever try to build a fan base out

0:16:52.160 --> 0:16:53.480
<v Speaker 3>there since your pops is out there?

0:16:53.640 --> 0:16:55.960
<v Speaker 2>Nah, try to build a fan base.

0:16:56.000 --> 0:16:56.160
<v Speaker 1>No.

0:16:56.240 --> 0:16:59.080
<v Speaker 2>But I think telling my story now, might you know

0:16:59.280 --> 0:17:01.760
<v Speaker 2>might have because I got people from Mexico like tapping

0:17:01.760 --> 0:17:03.560
<v Speaker 2>in now, and I think because of my story, Bro.

0:17:03.520 --> 0:17:06.000
<v Speaker 1>I'll be sitting in that line trying to cross.

0:17:07.040 --> 0:17:10.320
<v Speaker 2>Were you know they freaked out for you.

0:17:10.280 --> 0:17:12.520
<v Speaker 3>Bro, these fools ship up with the boom box like

0:17:12.560 --> 0:17:14.280
<v Speaker 3>for Mexican you know that line.

0:17:14.080 --> 0:17:16.119
<v Speaker 1>Where you gotta get Yeah, yeah, bro, these fools are

0:17:16.119 --> 0:17:19.800
<v Speaker 1>wrapping their ass offish. I don't know what I chipped.

0:17:19.800 --> 0:17:22.399
<v Speaker 1>I chipped him out new ship right there. I was like,

0:17:22.600 --> 0:17:23.760
<v Speaker 1>here you go, that's hard.

0:17:23.920 --> 0:17:26.639
<v Speaker 2>Yeah, but we got we got we got Mexican rappers

0:17:26.640 --> 0:17:28.959
<v Speaker 2>out there popping right now something Effect line and all them.

0:17:29.040 --> 0:17:32.280
<v Speaker 3>No, no, they're some killing what's the ball, dude, that's

0:17:32.320 --> 0:17:32.960
<v Speaker 3>super late.

0:17:33.080 --> 0:17:36.200
<v Speaker 2>You're talking about Concrete used to shoot his videos. I

0:17:36.240 --> 0:17:38.200
<v Speaker 2>don't you're talking about You're talking about Bulbo or whatever.

0:17:41.160 --> 0:17:45.520
<v Speaker 3>Uh no, uh fuck? What's the guy's name. He's on Empire.

0:17:46.359 --> 0:17:48.240
<v Speaker 3>He's like the one of the biggest streaming artists on Empire.

0:17:49.119 --> 0:17:51.159
<v Speaker 2>Kan Yeah, yeah, yeah, yeah, that fools lit as fun

0:17:51.320 --> 0:17:53.720
<v Speaker 2>Hell yeah, I'm not sure is he still Is he

0:17:53.760 --> 0:17:56.360
<v Speaker 2>still doing it like big and ship bro, Because I've

0:17:56.359 --> 0:17:58.720
<v Speaker 2>been hearing a lot about something Effect he did.

0:17:59.760 --> 0:18:01.840
<v Speaker 3>I know about that because they're on they're about to

0:18:01.880 --> 0:18:05.000
<v Speaker 3>do a US tour. I think the team Yeah, well yeah,

0:18:05.359 --> 0:18:07.639
<v Speaker 3>but the Sekandu was the first dude, I really because he.

0:18:07.880 --> 0:18:09.520
<v Speaker 1>Was one of the first two for but like a

0:18:09.520 --> 0:18:12.119
<v Speaker 1>couple of years ago, like we were supposed to be

0:18:12.119 --> 0:18:12.960
<v Speaker 1>doing a record with him.

0:18:13.240 --> 0:18:14.479
<v Speaker 3>We're trying to put him on a song on an

0:18:14.400 --> 0:18:16.600
<v Speaker 3>a Lexra song with that we have with te Pain

0:18:16.640 --> 0:18:19.080
<v Speaker 3>and Snow the product and U and they're trying to

0:18:19.080 --> 0:18:20.199
<v Speaker 3>get just to go to because I think he's from

0:18:20.280 --> 0:18:23.680
<v Speaker 3>monter Ray maybe or something like that. But he had

0:18:23.720 --> 0:18:26.920
<v Speaker 3>this big ass like arena or stadium show that he headlined,

0:18:27.000 --> 0:18:29.399
<v Speaker 3>and I remember I saw the footage and I was like,

0:18:31.840 --> 0:18:34.080
<v Speaker 3>I'm not a hip I have no idea who this

0:18:34.200 --> 0:18:37.399
<v Speaker 3>guy is. Yeah, but he's fucking I guess he's one

0:18:37.440 --> 0:18:38.040
<v Speaker 3>of the O g's.

0:18:38.400 --> 0:18:40.600
<v Speaker 2>Yeah, I will say that. I will say so is

0:18:40.760 --> 0:18:44.040
<v Speaker 2>that you heard him? Yeah, I'm doing it too.

0:18:44.119 --> 0:18:46.040
<v Speaker 3>But it's like crazy that like we don't even like

0:18:46.119 --> 0:18:49.840
<v Speaker 3>we don't even like this whole new world. Yeah, And

0:18:49.880 --> 0:18:52.440
<v Speaker 3>it's like literally you just crassed, Like we're two hours

0:18:52.440 --> 0:18:55.159
<v Speaker 3>away from being literally like you walk into Tijuana and

0:18:55.200 --> 0:18:58.560
<v Speaker 3>you're like, I'm in a whole other place, like the

0:18:58.600 --> 0:19:01.320
<v Speaker 3>ship that's popping on the others. They don't matter here

0:19:01.400 --> 0:19:04.040
<v Speaker 3>for real fact and vice versa. It's kind of crazy,

0:19:04.119 --> 0:19:04.560
<v Speaker 3>like it's.

0:19:04.400 --> 0:19:06.480
<v Speaker 1>A trip but they're killing it all.

0:19:06.560 --> 0:19:08.960
<v Speaker 2>Like if you compare that to us over here, It's

0:19:09.000 --> 0:19:11.320
<v Speaker 2>like damn yeah, they got.

0:19:11.200 --> 0:19:14.920
<v Speaker 1>Like really a big fucking reach. How mature? Have you

0:19:14.960 --> 0:19:17.360
<v Speaker 1>ever tried to do like a full like Spanish project

0:19:17.600 --> 0:19:19.280
<v Speaker 1>or Nah? I haven't, honestly I have.

0:19:19.359 --> 0:19:21.679
<v Speaker 2>I got like Spanish songs and ship, but like on

0:19:21.720 --> 0:19:23.680
<v Speaker 2>this album, I kind of touched up on some shit

0:19:23.760 --> 0:19:25.640
<v Speaker 2>like that, like some Quardo.

0:19:25.320 --> 0:19:27.480
<v Speaker 1>Like rap ship songs.

0:19:27.560 --> 0:19:30.240
<v Speaker 2>Yeah, but that's it's kind of going up too that

0:19:30.240 --> 0:19:32.440
<v Speaker 2>that song I have we just shot a video that

0:19:32.800 --> 0:19:35.760
<v Speaker 2>was lit on the video fucking had all we got. Man,

0:19:35.760 --> 0:19:38.119
<v Speaker 2>that's just hard. That's just coming out like in two weeks.

0:19:40.040 --> 0:19:40.800
<v Speaker 1>Yoh, this is uh.

0:19:41.720 --> 0:19:44.600
<v Speaker 3>First of all, Look, we gotta put everybody you got

0:19:44.600 --> 0:19:47.400
<v Speaker 3>the CD man, I gotta start putting more more. It's

0:19:47.440 --> 0:19:50.280
<v Speaker 3>just mixing mastered by the talent. Are master ship?

0:19:50.400 --> 0:19:51.920
<v Speaker 2>No, no, mixing master by talent.

0:19:52.400 --> 0:19:54.440
<v Speaker 1>I thought it like by talent, like you're the talent.

0:19:54.480 --> 0:19:55.680
<v Speaker 1>No no, no, that's someone's name.

0:19:55.800 --> 0:19:59.560
<v Speaker 2>Yeah, shout out to talent. Yeah, that's my boy. He's

0:19:59.560 --> 0:20:01.160
<v Speaker 2>been a rocking with me from the gate.

0:20:01.240 --> 0:20:03.280
<v Speaker 1>That's a fucking very tell me he's got a very

0:20:03.320 --> 0:20:04.040
<v Speaker 1>generic name.

0:20:04.960 --> 0:20:08.439
<v Speaker 2>Telling you heard that right, I'm like, oh shit, he

0:20:09.640 --> 0:20:10.240
<v Speaker 2>straight up.

0:20:11.680 --> 0:20:17.760
<v Speaker 1>Mix it mastered by talent. Oh you for you man?

0:20:17.840 --> 0:20:19.160
<v Speaker 1>Like is it?

0:20:19.359 --> 0:20:21.920
<v Speaker 3>Because obviously the music game is hard to make money,

0:20:21.960 --> 0:20:24.879
<v Speaker 3>it's hard to like keep the fucking dream going. Like

0:20:24.920 --> 0:20:27.160
<v Speaker 3>for you, what are the things that you've been able

0:20:27.200 --> 0:20:28.680
<v Speaker 3>to kind of do that still make it makes sense

0:20:28.720 --> 0:20:32.840
<v Speaker 3>to be an artist as an independent artist because you're independents.

0:20:32.840 --> 0:20:33.800
<v Speaker 2>I've been independent too.

0:20:33.920 --> 0:20:35.640
<v Speaker 3>You got to do everything yourself. You got to press

0:20:35.680 --> 0:20:38.840
<v Speaker 3>up these yourself. You know, you're booking your own shows.

0:20:38.880 --> 0:20:42.160
<v Speaker 2>I would say catalog, Yeah, just building up a catalog.

0:20:42.440 --> 0:20:43.920
<v Speaker 2>Like I said, I've been doing this since two thousand

0:20:43.960 --> 0:20:46.040
<v Speaker 2>and eight, so I probably got like fucking like thirteen

0:20:47.119 --> 0:20:52.000
<v Speaker 2>low album, yeah, my iTunes and all that shit, and yeah,

0:20:52.040 --> 0:20:54.080
<v Speaker 2>I mean all that ship adds up and you know,

0:20:54.520 --> 0:20:56.120
<v Speaker 2>it does what it does. And then like you said,

0:20:56.119 --> 0:20:59.040
<v Speaker 2>I booked my shows, I do shit like that merch

0:20:59.840 --> 0:21:00.479
<v Speaker 2>just like that.

0:21:00.600 --> 0:21:00.800
<v Speaker 1>Yeah.

0:21:01.200 --> 0:21:03.040
<v Speaker 3>So I always tell people like, the music is the

0:21:03.119 --> 0:21:05.399
<v Speaker 3>vehicle to get people to spend money with you on

0:21:05.520 --> 0:21:05.920
<v Speaker 3>other ship.

0:21:06.080 --> 0:21:09.000
<v Speaker 2>Oh yeah, hell yeah, you know. And and just building

0:21:09.040 --> 0:21:12.000
<v Speaker 2>relationships too. That's another thing. I've been building relationships for

0:21:12.119 --> 0:21:14.919
<v Speaker 2>years and I just know so many people and I

0:21:15.040 --> 0:21:16.520
<v Speaker 2>just get love, you know what I'm saying I get

0:21:16.560 --> 0:21:18.760
<v Speaker 2>like recently, like with this album, I reached out to

0:21:18.880 --> 0:21:21.080
<v Speaker 2>like so many heads and I don't know if you've

0:21:21.080 --> 0:21:23.400
<v Speaker 2>seen that, like all the little shoutouts I got from everybody,

0:21:23.440 --> 0:21:25.560
<v Speaker 2>and it was it was a trip, like just to

0:21:25.600 --> 0:21:27.240
<v Speaker 2>get that from so many fucking.

0:21:27.440 --> 0:21:29.879
<v Speaker 1>I didn't see it too, dog, I had what little

0:21:29.960 --> 0:21:34.080
<v Speaker 1>rob I had, baby bash, I had ot you know,

0:21:34.560 --> 0:21:41.800
<v Speaker 1>fit of course, Frank Marin Frank, Yeah, it's funny.

0:21:41.520 --> 0:21:45.000
<v Speaker 2>As ninety two three you were on Crucial tru show. Yeah,

0:21:45.320 --> 0:21:47.880
<v Speaker 2>shout out to them. Just so many people I reached

0:21:47.880 --> 0:21:49.399
<v Speaker 2>out to that just show love. And it was like

0:21:49.520 --> 0:21:51.520
<v Speaker 2>quick like I just reached out to them and everybody

0:21:51.520 --> 0:21:53.520
<v Speaker 2>sent me in the video and it was dope.

0:21:53.640 --> 0:21:57.200
<v Speaker 1>Do know? You know it was cool? Yeah for sure.

0:21:58.280 --> 0:21:59.840
<v Speaker 3>Are you Are you going to be doing any more

0:21:59.880 --> 0:22:01.520
<v Speaker 3>like shows like coming up? Yeah?

0:22:01.520 --> 0:22:03.840
<v Speaker 2>Actually I do. I have a show this Saturday, Kings

0:22:03.840 --> 0:22:05.360
<v Speaker 2>of the West with Bobby d.

0:22:05.400 --> 0:22:06.040
<v Speaker 1>Always saw that.

0:22:06.240 --> 0:22:09.080
<v Speaker 2>Yeah, that's in Bakersfield.

0:22:09.200 --> 0:22:11.200
<v Speaker 3>Yeah, who else on the show. There's a lot of people.

0:22:11.920 --> 0:22:13.960
<v Speaker 3>You're like kind of like the least popping guy on

0:22:14.000 --> 0:22:14.320
<v Speaker 3>the show.

0:22:14.400 --> 0:22:16.640
<v Speaker 2>First seeing the flyer and I was like, damn, that's

0:22:16.680 --> 0:22:19.880
<v Speaker 2>a crazy show and I'm on the lineup officially shout.

0:22:19.720 --> 0:22:22.280
<v Speaker 1>To Bobby D. Two's I want to interview Bobby D

0:22:22.400 --> 0:22:22.760
<v Speaker 1>for show?

0:22:22.960 --> 0:22:25.359
<v Speaker 2>Yeah, you got to interview, but that motherfuckers got a

0:22:25.359 --> 0:22:28.760
<v Speaker 2>crazy history, crazy and he's like running the whole.

0:22:29.000 --> 0:22:31.280
<v Speaker 1>The show game right, it's murdering it. Yeah.

0:22:31.400 --> 0:22:33.280
<v Speaker 2>No, that's the boy man. He I've been having a

0:22:33.320 --> 0:22:35.439
<v Speaker 2>relationship with him for like a couple of years and

0:22:35.480 --> 0:22:38.520
<v Speaker 2>a few years and he's you know, he's been working

0:22:38.520 --> 0:22:41.200
<v Speaker 2>with me and ship and he just I just remember him.

0:22:41.240 --> 0:22:42.479
<v Speaker 2>He hit me up and he was just like are

0:22:42.480 --> 0:22:44.120
<v Speaker 2>you ready? And I was like, hell, yeah, what's up.

0:22:44.840 --> 0:22:46.560
<v Speaker 2>I don't send this flyer to nobody yet and he

0:22:46.600 --> 0:22:48.280
<v Speaker 2>sent it to me. I was like, damn, who was

0:22:48.320 --> 0:22:51.879
<v Speaker 2>on the show? We got well Bone, Thugs, E forty two, Short,

0:22:52.080 --> 0:22:58.080
<v Speaker 2>DJ Quick, Dog Pound, Jesus, fuck everybody, Dog, Warren G,

0:22:58.440 --> 0:23:03.240
<v Speaker 2>Sugar Free, fucking rbl Posse, Mac Tin and like you said,

0:23:03.359 --> 0:23:06.000
<v Speaker 2>just and then, yb you know what I'm saying.

0:23:05.760 --> 0:23:08.520
<v Speaker 3>That's big He's Yeah, I think Bobby's been doing a

0:23:08.520 --> 0:23:11.560
<v Speaker 3>good job of trying to like use his platform to help.

0:23:12.119 --> 0:23:15.159
<v Speaker 2>Yeah, definitely, young young dudes shout out to him for that,

0:23:15.200 --> 0:23:18.199
<v Speaker 2>because that to me was like damn, Like I was like,

0:23:18.200 --> 0:23:18.960
<v Speaker 2>what the fuck.

0:23:18.880 --> 0:23:21.440
<v Speaker 1>Like, okay, hell yeah you know, yeah for sure, Yeah,

0:23:21.480 --> 0:23:22.760
<v Speaker 1>shout out to him for that for sure.

0:23:22.760 --> 0:23:24.800
<v Speaker 3>So that's this Saturday and Bakershield, your album is out.

0:23:24.880 --> 0:23:26.720
<v Speaker 3>Where can people go buy the album? Obviously you can

0:23:26.720 --> 0:23:27.679
<v Speaker 3>find you on Instagram.

0:23:27.800 --> 0:23:30.320
<v Speaker 2>Yeah, you can find that ship on on Apple Music, Spotify,

0:23:30.320 --> 0:23:31.400
<v Speaker 2>all that this.

0:23:31.760 --> 0:23:32.760
<v Speaker 1>Yeah yeah, I was about to.

0:23:32.760 --> 0:23:35.680
<v Speaker 2>Yeah, you gotta tap in on a money success motivation

0:23:35.760 --> 0:23:36.320
<v Speaker 2>dot com.

0:23:36.320 --> 0:23:39.040
<v Speaker 1>Money success Motivation dot Com. It's a lot of mouthful,

0:23:39.080 --> 0:23:39.600
<v Speaker 1>I'll tell you that.

0:23:39.720 --> 0:23:42.800
<v Speaker 2>Yeah yeah, yeah, I know right, yeah, money success Motivation

0:23:42.960 --> 0:23:43.560
<v Speaker 2>dot Com.

0:23:43.600 --> 0:23:45.600
<v Speaker 1>Tap the hell, but you are l right.

0:23:46.600 --> 0:23:47.960
<v Speaker 2>I had to how to make sure I bought the

0:23:48.320 --> 0:23:50.920
<v Speaker 2>domain though, so I don't have that fucking that big

0:23:51.000 --> 0:23:52.440
<v Speaker 2>cartel for sure.

0:23:52.119 --> 0:23:55.560
<v Speaker 3>For sure we'll go support the album. Uh and uh,

0:23:55.640 --> 0:23:57.040
<v Speaker 3>you got any music videos out off this?

0:23:57.280 --> 0:23:57.480
<v Speaker 1>Yeah?

0:23:57.480 --> 0:23:59.520
<v Speaker 2>I got What would You Do? It's out now, you

0:23:59.520 --> 0:24:00.560
<v Speaker 2>guys can go check that out.

0:24:00.560 --> 0:24:01.200
<v Speaker 1>Audio is coming.

0:24:01.359 --> 0:24:03.440
<v Speaker 2>Yeah, I got well, I got one, I got two videos.

0:24:03.480 --> 0:24:04.880
<v Speaker 2>I got what would you Do? I got the one

0:24:04.880 --> 0:24:07.000
<v Speaker 2>with Rich g which is called Real Ones, and then

0:24:07.000 --> 0:24:10.200
<v Speaker 2>I got fucking the new one coming out, which is Villa.

0:24:11.119 --> 0:24:13.600
<v Speaker 1>That's that's a good one. So I appreciate you pulling up, brother.

0:24:13.600 --> 0:24:14.879
<v Speaker 2>Yeah, thank you, my boy. I appreciate you.

0:24:15.080 --> 0:24:17.440
<v Speaker 1>YB. There it is. Who's the guy who passed away?

0:24:17.720 --> 0:24:19.800
<v Speaker 2>Shout yeah, man, shout out to my boy, Cali boy,

0:24:20.000 --> 0:24:21.920
<v Speaker 2>rest in peace. That was my my boy, and shit,

0:24:21.920 --> 0:24:22.879
<v Speaker 2>he would have been here right now.

0:24:23.760 --> 0:24:27.199
<v Speaker 1>Yeah. I appreciate you for your time. Brother. Yeah, thank you.

0:24:27.440 --> 0:24:30.760
<v Speaker 1>It is, YB. E fire, yes, sir, payments, Let's go.