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Speaker 1: And what's up?

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Speaker 2: It's Ybe makes you guys check me out on the

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Speaker 2: Bootleg Cat podcast.

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Speaker 1: Yo Boutleg Cat Podcast. Man, we got a special guest here,

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Speaker 1: y Bee in the building. Yes, sir, man, what's g

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Speaker 1: How you doing?

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Speaker 3: It's good to see you brother. Likewise, Broy, you had

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Speaker 3: a dope pre style earlier this year.

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Speaker 1: On the show. Yeah, I believe so.

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Speaker 3: Yeah, Well, for people who don't know, you've been doing

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Speaker 3: your thing for a long time. But what is YB

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Speaker 3: you stand for?

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Speaker 2: Yogi's been because I used to go by Little Yogi. Okay, yeah, yeah,

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Speaker 2: so it's a yogi's been established.

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Speaker 1: Got it? Yeah for sure. Talk to me about because

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Speaker 1: you're from West Covina. Yeah, it feels like that just

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Speaker 1: all like you're kind of like the o G from

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Speaker 1: over there. You can do it. How long you've been rapping,

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Speaker 1: Because you've been rapping for a long time, I.

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Speaker 2: Will say, uh, like recording and ship like like my

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Speaker 2: first album came out or like mixtape came out in

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Speaker 2: two thousand and eight.

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Speaker 3: Oh shit, so that's yeah, that that's what like fifteen

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Speaker 3: high tone trom over there too?

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Speaker 2: Right, Yeah, he's from Covina. He's from Covina.

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Speaker 1: High tone is hard. Man, that's a homie right there. Yeah,

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Speaker 1: that's the boy R. Yeah, hephnes a great guy. Man.

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Speaker 1: Shout to him and the No Lames podcast. Oh yep, yep.

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Speaker 2: Actually I'm gonna see them mother this weekend.

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Speaker 3: Yeah, I'm trying to remember his homies. The guy who

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Speaker 3: I just met it, I just met the other host,

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Speaker 3: the guy who's all tatted.

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Speaker 1: What's his name? Fuck? The other host of the No Names.

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Speaker 3: Podcast, the big dude. He's like a tat dude, always

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Speaker 3: wears a hat.

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Speaker 1: I just met him with Renee vodka, you know. Damn. Yeah,

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Speaker 1: I'm not too sure.

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Speaker 3: I feel bad, but DM and them anyway, I forget

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Speaker 3: a lot. I meet a lot of people. Shout to

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Speaker 3: them though. Anyway, to your new album drop man, it's

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Speaker 3: called uh. I don't know how to pronounce this. I

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Speaker 3: just know it's the gas station in Mexico.

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Speaker 2: Pemex, Yeah, Pemics. That's the gas station in Mexico.

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Speaker 3: So anybody who's been to any part of Mexico this

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Speaker 3: and it is like government owned, I think, right, I believe?

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Speaker 2: So? Yeah, Yeah, that's like the arcle in Mexico?

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Speaker 1: Is it? Because you got Mexican gas? Pretty much.

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Speaker 3: Yeah.

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Speaker 2: Yeah, you know what I'm saying and not the feathers,

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Speaker 2: you know, but yeah, that's pretty much it.

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Speaker 1: Yeah.

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Speaker 3: And then you know what's crazy. You were kind of

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Speaker 3: like also on the podcast before with OT.

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Speaker 1: Yeah. Correct, the first time OT ever came up here

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Speaker 1: on Yeah, yeah, I was chilling right here.

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Speaker 3: How did you guys think, because you're also one of

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Speaker 3: the first guys to like book them. Yeah, I got

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Speaker 3: here like on a headlining show.

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Speaker 1: Yeah.

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Speaker 2: Oh yeah that was I. It was like out I

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Speaker 2: was in Mountclair.

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Speaker 3: Yeah, it was like the most random tours, like because

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Speaker 3: he had his tour that the agent set up and

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Speaker 3: then he had your show.

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Speaker 2: Yeah, shout out to my boy.

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Speaker 1: Nah.

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Speaker 2: So with him, I had I got a feature with him,

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Speaker 2: and we booked him for a feature. And I heard

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Speaker 2: that one song he did that, Uh what's that child's play?

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Speaker 2: I heard it on the full community. I checked him out.

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Speaker 2: I was all this fool hard. So we tapped in

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Speaker 2: with him and then we booked him for the feature.

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Speaker 2: We flew him out here, we took care of him

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Speaker 2: and ship and we just clicked Yeah that's the boy. Yeah,

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Speaker 2: that's the homie right there. And and then ever since

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Speaker 2: he every time he comes out here, he like hits

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Speaker 2: me up and ship.

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Speaker 1: Yeah. I think it's too.

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Speaker 3: It's important too, because like you're like a cool ass

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Speaker 3: dude that ain't no bullshit.

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Speaker 2: Yeah, he's not bullshit. Yeah, I'm sure you see that

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Speaker 2: on beyond that into that bullshit, you know.

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Speaker 3: And then like I just think it's important that the

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Speaker 3: Texas to Cali.

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Speaker 1: It's needed. It's needed, man, I feel like you.

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Speaker 3: I mean, look like you mentioned full Community earlier, which

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Speaker 3: is a dope paid shot to those guys. I know

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Speaker 3: those guys very well, but it feels like there's so

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Speaker 3: much division within the Mexican hip hop community.

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Speaker 1: Yes, oh yeah, and I see all that ship too.

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Speaker 1: It's crazy.

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Speaker 2: Yeah, that's why I stay out the way because man,

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Speaker 2: that's that's like what they feed off of the ship,

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Speaker 2: you know.

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Speaker 3: Yeah, how do you how do you like not get

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Speaker 3: tempted to just participate in some bullshit because it brings clicks,

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Speaker 3: it brings eyes.

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Speaker 2: Man, Honestly, I'm not too sure. I just think I

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Speaker 2: just come from a different era, and I feel like

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Speaker 2: the era I came from when it was really on

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Speaker 2: some ship like that, it was really on some ship,

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Speaker 2: you know. And now I feel like people just do

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Speaker 2: it for the clicks, and I mean food's end up

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Speaker 2: beefing in and they end up being fucking friends and shit,

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Speaker 2: like a couple.

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Speaker 3: Of weeks, you know, you got all your homies, yeah,

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Speaker 3: walling them out for the other guy, and now y'all

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Speaker 3: got to be around each other exactly.

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Speaker 2: So I'm cool on that ship, you know, I'm straight

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Speaker 2: on all that. But but yeah, that's that's pretty much

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Speaker 2: how me and No T click. I just brought him

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Speaker 2: out here and we've been good, and then that day

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Speaker 2: I was just here. I just came to chill with him,

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Speaker 2: and he made me fucking had me sitting here, you

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Speaker 2: know for sure.

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Speaker 1: Yeah, you know you've been everywhere too, man. I feel

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Speaker 1: like I run into you everywhere.

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Speaker 2: I run into you at the fifty show.

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Speaker 1: Oh yeah, Yeah, that was a crazy tour. That shit

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Speaker 1: was hard, bro.

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Speaker 3: Honestly, I tell everybody, I'm like, yo, I'm not saying

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Speaker 3: it's the best show I've ever been to, but it's

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Speaker 3: the last show I've been to, the first show in

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Speaker 3: a long time I've been to where I was like, damn, man,

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Speaker 3: she's just used to be different.

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Speaker 2: Honestly, for me, that was the best show I've been to.

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Speaker 1: That was hard. He killed it.

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Speaker 3: It was just like it was just like damn, Like

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Speaker 3: rap is different now, these fools don't even really these

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Speaker 3: fools rap over there.

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Speaker 1: Fucking yeah.

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Speaker 2: He did it live ways, Yeah, though, he did that

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Speaker 2: ship live. And you know what, I've seen footages of

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Speaker 2: him like doing shows and they don't sound too good

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Speaker 2: on Instagram.

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Speaker 1: I mean ship outfit changes.

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Speaker 2: Oh that ship was crazy. The fucking lighting like just everything.

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Speaker 2: Dog and I was right in the front too. I

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Speaker 2: had some good as seeds.

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Speaker 1: I think be Real came out right with Buster.

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Speaker 2: I think I got there late, but I literally got there,

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Speaker 2: like when Buster was doing that fast verse on that

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Speaker 2: one song look at me now.

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Speaker 1: I'm looking at your album. You got Rob with the

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Speaker 1: bag chaser on here. Yeah. Hey, shout out to Fingers Man,

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Speaker 1: who's a legendary producer. Man. Shout out to Fingers Fingers

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Speaker 1: on the track Man.

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Speaker 2: Yeah, Yo, he's one of the ones that helped the

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Speaker 2: you know, I will say the Chicano you know sound.

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Speaker 1: You know for sure, he's one of the he's I

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Speaker 1: mean one of the ones.

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Speaker 2: He's the dre for us, you know.

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Speaker 1: Yeah, And he was.

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Speaker 3: He was one of the first producers low Key that

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Speaker 3: had like a real like stand out like tag.

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Speaker 2: Yeah, yeah that fingers the trash Hard. I actually threw

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Speaker 2: it on my ship too.

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Speaker 1: What what's your favorite song on this album? Man? Ship?

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Speaker 2: I would say the what would you do? As one

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Speaker 2: of them? And hard too? And you got Gee Perico

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Speaker 2: on here. That's the boy too man shout out to Geperico.

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Speaker 1: Yeah that's hard.

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Speaker 2: You know what's crazy is that that song like that

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Speaker 2: was just like a last minute song. We threw it

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Speaker 2: on there, and that one's fucking like the top.

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Speaker 1: Viewed on and I was going crazy. Yeah, that was

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Speaker 1: going pretty crazy right now. Why did you make real CDs?

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Speaker 1: Because nobody's doing this. Yeah, I know, I appreciate it.

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Speaker 2: Yeah, no, gods to that because I just feel like

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Speaker 2: CDs have a lot of value. Now, well, we're silling

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Speaker 2: on for fifty bucks.

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Speaker 1: Let's say, if you've got real fans. Yeah, yeah, we

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Speaker 1: get by Yeah exactly.

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Speaker 2: We signed them for fifty bucks online and we only

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Speaker 2: printed up one hundred.

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Speaker 1: That's hard. You guys told you something.

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Speaker 2: Yeah, yeah, we sold a good amount, still got some left.

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Speaker 3: But I was gonna say for you, like, how do

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Speaker 3: you uh, somebody who's been doing this for so long,

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Speaker 3: It's seen so many kind of people come and go, right, like, yeah,

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Speaker 3: for sure, what are the things you have like kind

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Speaker 3: of taken note of that you're able to kind of,

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Speaker 3: I guess evolve into like where music is now.

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Speaker 2: I feel like, man, just stay in my lane. Like

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Speaker 2: I see like a lot of people, you know, like

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Speaker 2: you said, coming go and some some will be over

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Speaker 2: just like clickbait shit. They'll just pop up and you're

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Speaker 2: just like, who the fuck is this?

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Speaker 1: You know?

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Speaker 2: And then now everybody's talking about this certain artists and

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Speaker 2: shit like that, and no matter what, I just continue

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Speaker 2: doing me stick to my plan and always uh my

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Speaker 2: thing too is it's about like what I'm doing is

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Speaker 2: about music, right, you know what I'm saying.

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Speaker 1: So put the music first, everything, musics.

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Speaker 2: First before fucking cloud chasing or running my mouth or

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Speaker 2: anything like that. So I always feel that the music

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Speaker 2: will overpower like all the bullshit in the end, you

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Speaker 2: know what I'm saying.

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Speaker 3: So for people who don't know who aren't from the

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Speaker 3: LA area, you're from West Carolina, West Covina. West Covina

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Speaker 3: is probably about forty five minutes from from here from

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Speaker 3: where I'm at. Yeah, yeah, if there's no traffic, it's

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Speaker 3: probably like forty four. It might thirty minutes if there's no.

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Speaker 2: Trap now right now with traffic goes like fifty five.

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Speaker 1: If there's no traffic, five minutes. Yeah, for sure, that's ready.

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Speaker 3: It's like on the other side of rose meating Azusa

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Speaker 3: or is it before?

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Speaker 1: Is it?

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Speaker 2: It's close to Azusa? Yeah, yeah, Roseman's on the other side.

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Speaker 3: You just have to go out there to just just

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Speaker 3: to get Raising Kanes. There's the closest one.

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Speaker 2: Do we have Raising Kingsausa right?

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Speaker 1: Yeah? Not in West what's the chicken place with the

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Speaker 1: orange Chicken Dinos? Oh?

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Speaker 2: Yeah, Dinos, that's that's right by. You're still open.

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Speaker 1: They closed it. They closed it.

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Speaker 2: Yeah, that ship was so that ship was guys. It

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Speaker 2: was like yeah, no, I picked the yeah exactly, I

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Speaker 2: picked them up, Like what, like was it last week?

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Speaker 2: And I was like, what the fuck? They closed Dinos?

222
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Speaker 2: It's closed?

223
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Speaker 1: So what was it? Like?

224
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Speaker 3: Give me kind of a rundown of what West Covene is, Like, uh,

225
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Speaker 3: what was it like growing.

226
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Speaker 1: Up out there? It was cool.

227
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Speaker 2: I mean it's it's a beautiful city, you know, So,

228
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Speaker 2: I mean I grew up, you know, on a in

229
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Speaker 2: a good city and ship, but you know, it comes

230
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Speaker 2: with a little bullshit here and there, just chilling with

231
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Speaker 2: the homies and you know, typical ship, you know. But

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Speaker 2: but it was a good city and there wasn't a

233
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Speaker 2: lot of artists from the city. I believe one of

234
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Speaker 2: the first ones I heard was what was that do that?

235
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Speaker 2: Did Indo smoke?

236
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Speaker 1: Graham?

237
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Speaker 2: Mista Grim, Yeah, mister Graham, he was one of them.

238
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Speaker 2: And then I think fucking Tone was like the next

239
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Speaker 2: one I heard.

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Speaker 1: You know, yeah, this think for years. Man.

241
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Speaker 2: My brother my brothers too, they wrapped two back in

242
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Speaker 2: the days.

243
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Speaker 1: Yeah.

244
00:09:03,360 --> 00:09:06,600
Speaker 2: Yeah, so they did their thing too, man, and they

245
00:09:06,640 --> 00:09:08,560
Speaker 2: had a little movement going back in the days. And

246
00:09:09,800 --> 00:09:12,520
Speaker 2: but they only did like one album and ship. But

247
00:09:12,520 --> 00:09:14,880
Speaker 2: but yeah, besides them, I would say, hi Tone for sure,

248
00:09:14,960 --> 00:09:15,400
Speaker 2: and then.

249
00:09:15,520 --> 00:09:18,600
Speaker 3: Like because that's that's the San Gabriel Gable Valley. Yeah,

250
00:09:18,880 --> 00:09:20,680
Speaker 3: so that it kind of consists of just that whole

251
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Speaker 3: little rolled me.

252
00:09:22,120 --> 00:09:23,400
Speaker 1: Yeah. So we got what rolls me.

253
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Speaker 2: We got fucking Pasadena rolling Heights, we got West Covina

254
00:09:27,840 --> 00:09:30,439
Speaker 2: Bawlling Park like one there, we got zeus.

255
00:09:30,280 --> 00:09:33,000
Speaker 1: Ship, y'all got some ship going. Hip boy's dad is

256
00:09:33,000 --> 00:09:36,480
Speaker 1: from Pasadena. Yeah, yeah, I've seen that. Ye lefties from Baldwin,

257
00:09:37,040 --> 00:09:40,080
Speaker 1: leftist down the street from us. So Righty racks yup

258
00:09:40,160 --> 00:09:42,800
Speaker 1: yup down the street right to the hard too. Yeah,

259
00:09:42,800 --> 00:09:43,120
Speaker 1: he hard.

260
00:09:43,120 --> 00:09:44,720
Speaker 2: I funk with this ship left hard too.

261
00:09:44,760 --> 00:09:46,439
Speaker 1: I think the leftist dope and he's been in with

262
00:09:46,520 --> 00:09:48,959
Speaker 1: hit Boy. Yeah that's hard. I've seen that.

263
00:09:49,080 --> 00:09:51,120
Speaker 3: I always say, man, whatever you want to say about

264
00:09:51,280 --> 00:09:52,559
Speaker 3: whatever you want to say about Lefty.

265
00:09:52,800 --> 00:09:56,320
Speaker 1: I actually think he's a talented guy. Yeah. Music, Yeah,

266
00:09:56,360 --> 00:09:58,280
Speaker 1: he's dope. Like I think he's hard. He got a

267
00:09:58,320 --> 00:10:00,000
Speaker 1: swag to it too, you know for sure.

268
00:10:00,240 --> 00:10:02,960
Speaker 3: I mean if he can get the other ship figured out, yeah,

269
00:10:03,080 --> 00:10:05,319
Speaker 3: he's a star. But he got to get that other

270
00:10:05,360 --> 00:10:07,959
Speaker 3: ship figured out, so you know, no, definitely, but he's

271
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Speaker 3: super talented.

272
00:10:08,640 --> 00:10:08,800
Speaker 1: Yeah.

273
00:10:08,800 --> 00:10:10,319
Speaker 2: Shout out to the homie man, shout out to both

274
00:10:10,320 --> 00:10:11,920
Speaker 2: of them, him and Rowdy doing this ship.

275
00:10:12,000 --> 00:10:13,760
Speaker 3: Yeah, Rowdy's dope. I just was talking with him yesterday.

276
00:10:13,800 --> 00:10:15,160
Speaker 3: I saw a freestyle he put out. I was like, Damn,

277
00:10:15,160 --> 00:10:17,040
Speaker 3: you're hard bro, come on the show sick hell.

278
00:10:17,160 --> 00:10:19,760
Speaker 2: Yeah that's right. Yeah, No, that's GV shining right now.

279
00:10:19,840 --> 00:10:22,760
Speaker 2: So that's been It's dope. Oh yeah, we had actually

280
00:10:22,760 --> 00:10:24,319
Speaker 2: we had Coponi two back in the days.

281
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Speaker 1: Mister, Yeah, he's from LASGV two.

282
00:10:26,720 --> 00:10:31,040
Speaker 2: He's from Well West Covina, right yeah, shot him, yeah,

283
00:10:31,200 --> 00:10:32,360
Speaker 2: shot mister Capponi.

284
00:10:32,440 --> 00:10:37,080
Speaker 1: The guy who is he's Palestinian. Yeah yeah, yeah, yeah,

285
00:10:37,120 --> 00:10:40,520
Speaker 1: yeh hey, he's like low key.

286
00:10:41,600 --> 00:10:44,680
Speaker 3: I remember as an intern, I interned from the radio

287
00:10:44,679 --> 00:10:49,400
Speaker 3: station when I was like seventeen eighteen nineteen, and we

288
00:10:49,400 --> 00:10:51,800
Speaker 3: we like some of my earliest radio memories are going

289
00:10:51,800 --> 00:10:55,320
Speaker 3: to low rider shows, bro, mister Capponi and the High

290
00:10:55,400 --> 00:10:56,160
Speaker 3: Power Records.

291
00:10:56,200 --> 00:10:57,680
Speaker 1: They had it going for sure.

292
00:10:57,760 --> 00:11:00,840
Speaker 3: It was like the love Making Ship and it was

293
00:11:00,880 --> 00:11:05,520
Speaker 3: like magic and NB riders. Yeah yeah, like the street ship, bro,

294
00:11:06,320 --> 00:11:08,520
Speaker 3: it was High Power Records, right, yeah, they had that

295
00:11:08,600 --> 00:11:10,120
Speaker 3: ship cracking.

296
00:11:10,360 --> 00:11:11,040
Speaker 1: Yeah, for sure.

297
00:11:11,200 --> 00:11:14,520
Speaker 3: Them fools have like ten booths and all gus naked

298
00:11:14,600 --> 00:11:17,400
Speaker 3: broads and lines sign and ship. Yeah, mister Caponi was

299
00:11:17,400 --> 00:11:18,960
Speaker 3: that dude. I mean he's one of the goats of

300
00:11:18,960 --> 00:11:19,440
Speaker 3: the chicono.

301
00:11:19,520 --> 00:11:20,160
Speaker 1: That's what I'm saying.

302
00:11:20,200 --> 00:11:22,760
Speaker 2: Like for the for that's GV He's definitely one of them.

303
00:11:22,760 --> 00:11:26,120
Speaker 3: He's up there for sure, records with everybody, you know, like, yeah,

304
00:11:26,160 --> 00:11:28,400
Speaker 3: the man High Power Records I got, was he the

305
00:11:28,440 --> 00:11:28,840
Speaker 3: guy who.

306
00:11:28,800 --> 00:11:29,440
Speaker 1: Ran that ship?

307
00:11:29,559 --> 00:11:32,160
Speaker 2: Yeah yeah, I believe the interview him because I'm like, yeah,

308
00:11:32,200 --> 00:11:32,800
Speaker 2: you gotta get bro.

309
00:11:32,840 --> 00:11:35,000
Speaker 1: They had random they had random albums out with like

310
00:11:35,040 --> 00:11:39,320
Speaker 1: Busy Bone Yeah, yeah, yeah, yeah, Little Yeah. That's hard though.

311
00:11:39,600 --> 00:11:42,319
Speaker 1: It was hard. Like I just remember being like, wait,

312
00:11:42,360 --> 00:11:43,600
Speaker 1: there's a new Little Flip album.

313
00:11:43,880 --> 00:11:46,160
Speaker 2: Yeah, that's the power and then you hear it and

314
00:11:46,200 --> 00:11:46,840
Speaker 2: its official.

315
00:11:47,000 --> 00:11:49,560
Speaker 1: Sure yeah yeah yeah No. I was an era shots

316
00:11:49,559 --> 00:11:50,520
Speaker 1: and mister CAPONI man.

317
00:11:50,440 --> 00:11:52,280
Speaker 2: See that's the time my brothers were rapping and ship,

318
00:11:52,559 --> 00:11:54,560
Speaker 2: so they were kind of like beefing in with him.

319
00:11:54,720 --> 00:11:55,600
Speaker 1: Oh ship. Yeah.

320
00:11:55,679 --> 00:11:57,319
Speaker 2: So I was like in the middle of all that ship.

321
00:11:57,920 --> 00:12:00,960
Speaker 2: So that that's that's how my brothers were. They were

322
00:12:00,960 --> 00:12:03,920
Speaker 2: with some artist that was signed to Coponi before, which

323
00:12:03,960 --> 00:12:06,320
Speaker 2: was Snapper got It. So he would sign a componing

324
00:12:06,320 --> 00:12:08,000
Speaker 2: and then they parted ways and then they were all

325
00:12:08,000 --> 00:12:09,160
Speaker 2: some like game and fifty.

326
00:12:09,600 --> 00:12:09,800
Speaker 1: Yeah.

327
00:12:09,800 --> 00:12:11,640
Speaker 3: I just remember that. Like I used to have to

328
00:12:11,679 --> 00:12:14,479
Speaker 3: board up for vocals pedal locals.

329
00:12:14,480 --> 00:12:17,920
Speaker 2: Oh yeah, oh you know who just a messagol aid

330
00:12:18,120 --> 00:12:18,760
Speaker 2: shout out to her.

331
00:12:19,280 --> 00:12:22,319
Speaker 3: So I used to My first radio job in a

332
00:12:22,520 --> 00:12:25,920
Speaker 3: studio was in the middle of the night. I would

333
00:12:26,040 --> 00:12:27,839
Speaker 3: put their CD in and press play and make sure

334
00:12:27,840 --> 00:12:28,720
Speaker 3: it ran in Phoenix.

335
00:12:28,760 --> 00:12:31,920
Speaker 2: Oh ship damn. So I was vocals locals in Phoenix.

336
00:12:31,960 --> 00:12:32,200
Speaker 1: It was not.

337
00:12:32,320 --> 00:12:34,960
Speaker 3: It was syndicated all over the country, right, So they

338
00:12:34,960 --> 00:12:37,880
Speaker 3: would send uh the CDs in like an overnight envelope.

339
00:12:38,040 --> 00:12:40,080
Speaker 3: I think by Thursday you had to get them. And

340
00:12:40,080 --> 00:12:42,320
Speaker 3: then I forget what night of the week it ran,

341
00:12:42,440 --> 00:12:44,480
Speaker 3: so I had to load it. So I'm like, you know,

342
00:12:44,520 --> 00:12:47,280
Speaker 3: I'm a fucking hardcore hip hop head. Yeah, so I'm

343
00:12:47,280 --> 00:12:49,280
Speaker 3: over here just chilling in the studio, listen to all

344
00:12:49,280 --> 00:12:50,120
Speaker 3: this Chicano ship.

345
00:12:50,280 --> 00:12:51,440
Speaker 1: What the fuck's going on?

346
00:12:51,520 --> 00:12:51,679
Speaker 3: Bro?

347
00:12:51,760 --> 00:12:53,160
Speaker 1: Who are all these motherfuckers?

348
00:12:54,120 --> 00:12:57,240
Speaker 2: Mister Shadow was killing it the Hunt for sure, Shadow,

349
00:12:57,320 --> 00:12:59,480
Speaker 2: I remember those albums and Shadow always have the thing

350
00:12:59,640 --> 00:12:59,960
Speaker 2: on that.

351
00:13:00,160 --> 00:13:02,760
Speaker 3: Then like even like s PM and like that's how

352
00:13:02,760 --> 00:13:03,160
Speaker 3: I first time.

353
00:13:03,280 --> 00:13:05,160
Speaker 2: Yeah, I ain't gonna lie. SPM had some heat too.

354
00:13:06,320 --> 00:13:07,080
Speaker 1: Like a lot of them do.

355
00:13:07,160 --> 00:13:10,760
Speaker 3: And then I'm even thinking, like there was like shout

356
00:13:10,880 --> 00:13:16,680
Speaker 3: to Uno, shout out to brown Boy, Yeah, Gemini, big

357
00:13:16,720 --> 00:13:17,440
Speaker 3: gem and I had something.

358
00:13:17,480 --> 00:13:18,960
Speaker 1: Yeah, what do you have that one? That one that

359
00:13:19,040 --> 00:13:21,440
Speaker 1: blew up for him? Hypnotized, hypnotized?

360
00:13:21,520 --> 00:13:22,120
Speaker 2: Is he amazing?

361
00:13:22,440 --> 00:13:24,680
Speaker 1: No? No, no no, But he had a bunch of music

362
00:13:24,679 --> 00:13:28,360
Speaker 1: with magic. Brown Boy had that Superman ship smacking Yeah.

363
00:13:28,400 --> 00:13:29,320
Speaker 1: Shout out to Brown Boy.

364
00:13:29,320 --> 00:13:32,040
Speaker 2: That's and then of course little Rob that's the legend.

365
00:13:32,840 --> 00:13:37,880
Speaker 2: Just mother's mother, that's the snoop Snooper. Yeah, shout out

366
00:13:37,920 --> 00:13:38,679
Speaker 2: to him for sure.

367
00:13:38,559 --> 00:13:40,959
Speaker 1: Shout a little Rob. Yeah. You you were telling me

368
00:13:41,000 --> 00:13:43,520
Speaker 1: you you lived in Mexico for some time. What part

369
00:13:43,840 --> 00:13:44,160
Speaker 1: I was in?

370
00:13:44,520 --> 00:13:47,120
Speaker 2: It's called Man, it's Inada, but it's like a little

371
00:13:47,120 --> 00:13:48,120
Speaker 2: town on the side and ship.

372
00:13:48,160 --> 00:13:50,000
Speaker 1: Why did you live there? Uh?

373
00:13:50,040 --> 00:13:52,320
Speaker 2: So I was out here with my brothers and ship,

374
00:13:52,360 --> 00:13:54,600
Speaker 2: and you know, my brothers were sucking up and moms

375
00:13:54,679 --> 00:13:56,440
Speaker 2: was pretty much tired of this ship, so she she

376
00:13:56,520 --> 00:13:59,360
Speaker 2: moved to Georgia and she had bought me a ticket

377
00:13:59,400 --> 00:14:02,760
Speaker 2: to roll with her. But Georgia to Georgia Atlanta, and

378
00:14:02,800 --> 00:14:05,120
Speaker 2: I was over here on some like fuck that right,

379
00:14:05,240 --> 00:14:07,839
Speaker 2: So I didn't go. Literally at the airport, she had

380
00:14:07,840 --> 00:14:09,640
Speaker 2: to take it for me and everything, and I fucking

381
00:14:10,040 --> 00:14:10,880
Speaker 2: I was being stubborn.

382
00:14:10,920 --> 00:14:12,200
Speaker 1: I didn't go, and she took off.

383
00:14:12,679 --> 00:14:15,160
Speaker 2: So she left me with my brother and he was

384
00:14:15,240 --> 00:14:17,000
Speaker 2: kind of like, fuck, what we're gonna do with this food,

385
00:14:17,080 --> 00:14:19,480
Speaker 2: you know, So they took me to my dad's in Mexico.

386
00:14:19,920 --> 00:14:23,320
Speaker 1: So you stayed out there how would we? I was like, well, fifteen,

387
00:14:24,040 --> 00:14:27,560
Speaker 1: like fourteen fifteen, how close is that to I want

388
00:14:27,560 --> 00:14:30,880
Speaker 1: to go to a Portunuwevo. Oh that's like like an

389
00:14:30,920 --> 00:14:32,840
Speaker 1: hour away. I heard that fucking lobsters.

390
00:14:32,920 --> 00:14:34,720
Speaker 2: Yeah, that shit fired for sure, and it is cheap.

391
00:14:35,040 --> 00:14:37,840
Speaker 1: I heard lot. I heard that did like lobster capital

392
00:14:37,840 --> 00:14:39,560
Speaker 1: of Mexico. Cheap his head.

393
00:14:39,560 --> 00:14:42,040
Speaker 2: You got big ass fucking whole lobster and ship for

394
00:14:42,360 --> 00:14:42,720
Speaker 2: the low.

395
00:14:42,840 --> 00:14:45,520
Speaker 3: So you lived there for a few four years. How

396
00:14:45,600 --> 00:14:47,960
Speaker 3: was it living there compared to being like out here?

397
00:14:48,160 --> 00:14:53,000
Speaker 2: That's a big difference. Hell yeah, it's a huge difference. Shit,

398
00:14:53,080 --> 00:14:55,120
Speaker 2: I was so used to like, you know, just jumping

399
00:14:55,120 --> 00:14:57,720
Speaker 2: in the shower and over there, you gotta fucking warm

400
00:14:57,760 --> 00:15:00,520
Speaker 2: up the pot, throw it in the fucking bear, mix

401
00:15:00,600 --> 00:15:01,080
Speaker 2: up the water.

402
00:15:01,680 --> 00:15:06,600
Speaker 3: I've taken us a ball, yeah, saying my son's mom's

403
00:15:06,640 --> 00:15:09,560
Speaker 3: families from Portopasco, and we were there, that's what's so

404
00:15:09,760 --> 00:15:13,760
Speaker 3: all right. Yeah, we stayed at her her grandmaf's house

405
00:15:13,760 --> 00:15:16,000
Speaker 3: when I was like eighteen, and I took one of

406
00:15:16,080 --> 00:15:17,760
Speaker 3: them showers. Yeah, and then they have to set the

407
00:15:17,800 --> 00:15:18,480
Speaker 3: trash on fire.

408
00:15:18,520 --> 00:15:21,440
Speaker 1: People don't know. Yeah, it's not a trashy thing too. Trash.

409
00:15:21,640 --> 00:15:23,400
Speaker 1: You just set the trash for gout about that, but yeah,

410
00:15:23,400 --> 00:15:25,880
Speaker 1: you're right, yeah yeah, like ship like there's no trash

411
00:15:26,320 --> 00:15:30,200
Speaker 1: coming in, like the trash gets set on fire facts, Yeah,

412
00:15:30,240 --> 00:15:32,960
Speaker 1: which is crazy. So so you what what motivated you

413
00:15:33,000 --> 00:15:34,560
Speaker 1: to come back to the US. Uh?

414
00:15:34,600 --> 00:15:36,480
Speaker 2: Well, I was out there, like I said, for those

415
00:15:36,480 --> 00:15:38,200
Speaker 2: four years, but I will come back. I'll come back

416
00:15:38,240 --> 00:15:38,600
Speaker 2: and forth.

417
00:15:38,640 --> 00:15:39,400
Speaker 1: You're going back and forth?

418
00:15:39,440 --> 00:15:41,240
Speaker 2: Yeah, yeah, I will come back and forth. And fucking

419
00:15:42,200 --> 00:15:44,240
Speaker 2: my brothers were just like trying to get the ship together.

420
00:15:44,400 --> 00:15:46,480
Speaker 2: So at the same time they were, they were doing

421
00:15:46,520 --> 00:15:48,800
Speaker 2: the music ship already, So that's what made me start trying.

422
00:15:48,640 --> 00:15:50,800
Speaker 1: To get into the music. So I was over there.

423
00:15:50,840 --> 00:15:53,120
Speaker 2: I was working at the liquor store, and I was

424
00:15:53,200 --> 00:15:55,800
Speaker 2: just writing lyrics like NonStop and fucking I had man,

425
00:15:55,840 --> 00:15:58,120
Speaker 2: I had books dog like a gang of like no.

426
00:15:58,120 --> 00:15:59,760
Speaker 1: Pads full of lyrics. You're writing New Mexico.

427
00:16:00,000 --> 00:16:03,200
Speaker 2: I was writing in Mexico and I was there for

428
00:16:03,240 --> 00:16:05,440
Speaker 2: like the four years, and then my brothers eventually got

429
00:16:05,440 --> 00:16:07,840
Speaker 2: an apartment and they were just they called me one

430
00:16:07,920 --> 00:16:08,920
Speaker 2: day and they were like, what's up for? Were you

431
00:16:08,960 --> 00:16:11,120
Speaker 2: ready to come back? I was like hell yeah, and

432
00:16:11,160 --> 00:16:12,520
Speaker 2: they sewed me up and I came back.

433
00:16:12,600 --> 00:16:16,960
Speaker 1: That's dope. Yeah, do you feel like there's like I

434
00:16:16,960 --> 00:16:18,920
Speaker 1: don't think there's much of an effort for a lot

435
00:16:18,960 --> 00:16:23,040
Speaker 1: of the Mexican artists that that we talked about that

436
00:16:23,080 --> 00:16:25,880
Speaker 1: are popping right now in like the scene to like

437
00:16:27,400 --> 00:16:30,000
Speaker 1: go into Mexico and try to build a fan base. Yeah.

438
00:16:30,160 --> 00:16:32,240
Speaker 1: And I know because I've talked to some guys.

439
00:16:32,280 --> 00:16:35,600
Speaker 3: I mean, shit, my artists is Mexican, and motherfucks are

440
00:16:35,600 --> 00:16:37,840
Speaker 3: scared to go to Mexico because they're like, yo, we

441
00:16:37,880 --> 00:16:39,240
Speaker 3: go out there and try to do a show or

442
00:16:39,320 --> 00:16:41,600
Speaker 3: try to break a record, like you know, like you know,

443
00:16:41,600 --> 00:16:42,960
Speaker 3: I don't know how much of that stuff is like

444
00:16:42,960 --> 00:16:45,040
Speaker 3: a real thing to worry about it because you hear

445
00:16:45,080 --> 00:16:48,840
Speaker 3: about artists getting like merked on the freeway out there,

446
00:16:48,880 --> 00:16:50,240
Speaker 3: Like is that is that?

447
00:16:50,320 --> 00:16:50,400
Speaker 1: Like?

448
00:16:50,600 --> 00:16:52,160
Speaker 3: Did you ever try to build a fan base out

449
00:16:52,160 --> 00:16:53,480
Speaker 3: there since your pops is out there?

450
00:16:53,640 --> 00:16:55,960
Speaker 2: Nah, try to build a fan base.

451
00:16:56,000 --> 00:16:56,160
Speaker 1: No.

452
00:16:56,240 --> 00:16:59,080
Speaker 2: But I think telling my story now, might you know

453
00:16:59,280 --> 00:17:01,760
Speaker 2: might have because I got people from Mexico like tapping

454
00:17:01,760 --> 00:17:03,560
Speaker 2: in now, and I think because of my story, Bro.

455
00:17:03,520 --> 00:17:06,000
Speaker 1: I'll be sitting in that line trying to cross.

456
00:17:07,040 --> 00:17:10,320
Speaker 2: Were you know they freaked out for you.

457
00:17:10,280 --> 00:17:12,520
Speaker 3: Bro, these fools ship up with the boom box like

458
00:17:12,560 --> 00:17:14,280
Speaker 3: for Mexican you know that line.

459
00:17:14,080 --> 00:17:16,119
Speaker 1: Where you gotta get Yeah, yeah, bro, these fools are

460
00:17:16,119 --> 00:17:19,800
Speaker 1: wrapping their ass offish. I don't know what I chipped.

461
00:17:19,800 --> 00:17:22,399
Speaker 1: I chipped him out new ship right there. I was like,

462
00:17:22,600 --> 00:17:23,760
Speaker 1: here you go, that's hard.

463
00:17:23,920 --> 00:17:26,639
Speaker 2: Yeah, but we got we got we got Mexican rappers

464
00:17:26,640 --> 00:17:28,959
Speaker 2: out there popping right now something Effect line and all them.

465
00:17:29,040 --> 00:17:32,280
Speaker 3: No, no, they're some killing what's the ball, dude, that's

466
00:17:32,320 --> 00:17:32,960
Speaker 3: super late.

467
00:17:33,080 --> 00:17:36,200
Speaker 2: You're talking about Concrete used to shoot his videos. I

468
00:17:36,240 --> 00:17:38,200
Speaker 2: don't you're talking about You're talking about Bulbo or whatever.

469
00:17:41,160 --> 00:17:45,520
Speaker 3: Uh no, uh fuck? What's the guy's name. He's on Empire.

470
00:17:46,359 --> 00:17:48,240
Speaker 3: He's like the one of the biggest streaming artists on Empire.

471
00:17:49,119 --> 00:17:51,159
Speaker 2: Kan Yeah, yeah, yeah, yeah, that fools lit as fun

472
00:17:51,320 --> 00:17:53,720
Speaker 2: Hell yeah, I'm not sure is he still Is he

473
00:17:53,760 --> 00:17:56,360
Speaker 2: still doing it like big and ship bro, Because I've

474
00:17:56,359 --> 00:17:58,720
Speaker 2: been hearing a lot about something Effect he did.

475
00:17:59,760 --> 00:18:01,840
Speaker 3: I know about that because they're on they're about to

476
00:18:01,880 --> 00:18:05,000
Speaker 3: do a US tour. I think the team Yeah, well yeah,

477
00:18:05,359 --> 00:18:07,639
Speaker 3: but the Sekandu was the first dude, I really because he.

478
00:18:07,880 --> 00:18:09,520
Speaker 1: Was one of the first two for but like a

479
00:18:09,520 --> 00:18:12,119
Speaker 1: couple of years ago, like we were supposed to be

480
00:18:12,119 --> 00:18:12,960
Speaker 1: doing a record with him.

481
00:18:13,240 --> 00:18:14,479
Speaker 3: We're trying to put him on a song on an

482
00:18:14,400 --> 00:18:16,600
Speaker 3: a Lexra song with that we have with te Pain

483
00:18:16,640 --> 00:18:19,080
Speaker 3: and Snow the product and U and they're trying to

484
00:18:19,080 --> 00:18:20,199
Speaker 3: get just to go to because I think he's from

485
00:18:20,280 --> 00:18:23,680
Speaker 3: monter Ray maybe or something like that. But he had

486
00:18:23,720 --> 00:18:26,920
Speaker 3: this big ass like arena or stadium show that he headlined,

487
00:18:27,000 --> 00:18:29,399
Speaker 3: and I remember I saw the footage and I was like,

488
00:18:31,840 --> 00:18:34,080
Speaker 3: I'm not a hip I have no idea who this

489
00:18:34,200 --> 00:18:37,399
Speaker 3: guy is. Yeah, but he's fucking I guess he's one

490
00:18:37,440 --> 00:18:38,040
Speaker 3: of the O g's.

491
00:18:38,400 --> 00:18:40,600
Speaker 2: Yeah, I will say that. I will say so is

492
00:18:40,760 --> 00:18:44,040
Speaker 2: that you heard him? Yeah, I'm doing it too.

493
00:18:44,119 --> 00:18:46,040
Speaker 3: But it's like crazy that like we don't even like

494
00:18:46,119 --> 00:18:49,840
Speaker 3: we don't even like this whole new world. Yeah, And

495
00:18:49,880 --> 00:18:52,440
Speaker 3: it's like literally you just crassed, Like we're two hours

496
00:18:52,440 --> 00:18:55,159
Speaker 3: away from being literally like you walk into Tijuana and

497
00:18:55,200 --> 00:18:58,560
Speaker 3: you're like, I'm in a whole other place, like the

498
00:18:58,600 --> 00:19:01,320
Speaker 3: ship that's popping on the others. They don't matter here

499
00:19:01,400 --> 00:19:04,040
Speaker 3: for real fact and vice versa. It's kind of crazy,

500
00:19:04,119 --> 00:19:04,560
Speaker 3: like it's.

501
00:19:04,400 --> 00:19:06,480
Speaker 1: A trip but they're killing it all.

502
00:19:06,560 --> 00:19:08,960
Speaker 2: Like if you compare that to us over here, It's

503
00:19:09,000 --> 00:19:11,320
Speaker 2: like damn yeah, they got.

504
00:19:11,200 --> 00:19:14,920
Speaker 1: Like really a big fucking reach. How mature? Have you

505
00:19:14,960 --> 00:19:17,360
Speaker 1: ever tried to do like a full like Spanish project

506
00:19:17,600 --> 00:19:19,280
Speaker 1: or Nah? I haven't, honestly I have.

507
00:19:19,359 --> 00:19:21,679
Speaker 2: I got like Spanish songs and ship, but like on

508
00:19:21,720 --> 00:19:23,680
Speaker 2: this album, I kind of touched up on some shit

509
00:19:23,760 --> 00:19:25,640
Speaker 2: like that, like some Quardo.

510
00:19:25,320 --> 00:19:27,480
Speaker 1: Like rap ship songs.

511
00:19:27,560 --> 00:19:30,240
Speaker 2: Yeah, but that's it's kind of going up too that

512
00:19:30,240 --> 00:19:32,440
Speaker 2: that song I have we just shot a video that

513
00:19:32,800 --> 00:19:35,760
Speaker 2: was lit on the video fucking had all we got. Man,

514
00:19:35,760 --> 00:19:38,119
Speaker 2: that's just hard. That's just coming out like in two weeks.

515
00:19:40,040 --> 00:19:40,800
Speaker 1: Yoh, this is uh.

516
00:19:41,720 --> 00:19:44,600
Speaker 3: First of all, Look, we gotta put everybody you got

517
00:19:44,600 --> 00:19:47,400
Speaker 3: the CD man, I gotta start putting more more. It's

518
00:19:47,440 --> 00:19:50,280
Speaker 3: just mixing mastered by the talent. Are master ship?

519
00:19:50,400 --> 00:19:51,920
Speaker 2: No, no, mixing master by talent.

520
00:19:52,400 --> 00:19:54,440
Speaker 1: I thought it like by talent, like you're the talent.

521
00:19:54,480 --> 00:19:55,680
Speaker 1: No no, no, that's someone's name.

522
00:19:55,800 --> 00:19:59,560
Speaker 2: Yeah, shout out to talent. Yeah, that's my boy. He's

523
00:19:59,560 --> 00:20:01,160
Speaker 2: been a rocking with me from the gate.

524
00:20:01,240 --> 00:20:03,280
Speaker 1: That's a fucking very tell me he's got a very

525
00:20:03,320 --> 00:20:04,040
Speaker 1: generic name.

526
00:20:04,960 --> 00:20:08,439
Speaker 2: Telling you heard that right, I'm like, oh shit, he

527
00:20:09,640 --> 00:20:10,240
Speaker 2: straight up.

528
00:20:11,680 --> 00:20:17,760
Speaker 1: Mix it mastered by talent. Oh you for you man?

529
00:20:17,840 --> 00:20:19,160
Speaker 1: Like is it?

530
00:20:19,359 --> 00:20:21,920
Speaker 3: Because obviously the music game is hard to make money,

531
00:20:21,960 --> 00:20:24,879
Speaker 3: it's hard to like keep the fucking dream going. Like

532
00:20:24,920 --> 00:20:27,160
Speaker 3: for you, what are the things that you've been able

533
00:20:27,200 --> 00:20:28,680
Speaker 3: to kind of do that still make it makes sense

534
00:20:28,720 --> 00:20:32,840
Speaker 3: to be an artist as an independent artist because you're independents.

535
00:20:32,840 --> 00:20:33,800
Speaker 2: I've been independent too.

536
00:20:33,920 --> 00:20:35,640
Speaker 3: You got to do everything yourself. You got to press

537
00:20:35,680 --> 00:20:38,840
Speaker 3: up these yourself. You know, you're booking your own shows.

538
00:20:38,880 --> 00:20:42,160
Speaker 2: I would say catalog, Yeah, just building up a catalog.

539
00:20:42,440 --> 00:20:43,920
Speaker 2: Like I said, I've been doing this since two thousand

540
00:20:43,960 --> 00:20:46,040
Speaker 2: and eight, so I probably got like fucking like thirteen

541
00:20:47,119 --> 00:20:52,000
Speaker 2: low album, yeah, my iTunes and all that shit, and yeah,

542
00:20:52,040 --> 00:20:54,080
Speaker 2: I mean all that ship adds up and you know,

543
00:20:54,520 --> 00:20:56,120
Speaker 2: it does what it does. And then like you said,

544
00:20:56,119 --> 00:20:59,040
Speaker 2: I booked my shows, I do shit like that merch

545
00:20:59,840 --> 00:21:00,479
Speaker 2: just like that.

546
00:21:00,600 --> 00:21:00,800
Speaker 1: Yeah.

547
00:21:01,200 --> 00:21:03,040
Speaker 3: So I always tell people like, the music is the

548
00:21:03,119 --> 00:21:05,399
Speaker 3: vehicle to get people to spend money with you on

549
00:21:05,520 --> 00:21:05,920
Speaker 3: other ship.

550
00:21:06,080 --> 00:21:09,000
Speaker 2: Oh yeah, hell yeah, you know. And and just building

551
00:21:09,040 --> 00:21:12,000
Speaker 2: relationships too. That's another thing. I've been building relationships for

552
00:21:12,119 --> 00:21:14,919
Speaker 2: years and I just know so many people and I

553
00:21:15,040 --> 00:21:16,520
Speaker 2: just get love, you know what I'm saying I get

554
00:21:16,560 --> 00:21:18,760
Speaker 2: like recently, like with this album, I reached out to

555
00:21:18,880 --> 00:21:21,080
Speaker 2: like so many heads and I don't know if you've

556
00:21:21,080 --> 00:21:23,400
Speaker 2: seen that, like all the little shoutouts I got from everybody,

557
00:21:23,440 --> 00:21:25,560
Speaker 2: and it was it was a trip, like just to

558
00:21:25,600 --> 00:21:27,240
Speaker 2: get that from so many fucking.

559
00:21:27,440 --> 00:21:29,879
Speaker 1: I didn't see it too, dog, I had what little

560
00:21:29,960 --> 00:21:34,080
Speaker 1: rob I had, baby bash, I had ot you know,

561
00:21:34,560 --> 00:21:41,800
Speaker 1: fit of course, Frank Marin Frank, Yeah, it's funny.

562
00:21:41,520 --> 00:21:45,000
Speaker 2: As ninety two three you were on Crucial tru show. Yeah,

563
00:21:45,320 --> 00:21:47,880
Speaker 2: shout out to them. Just so many people I reached

564
00:21:47,880 --> 00:21:49,399
Speaker 2: out to that just show love. And it was like

565
00:21:49,520 --> 00:21:51,520
Speaker 2: quick like I just reached out to them and everybody

566
00:21:51,520 --> 00:21:53,520
Speaker 2: sent me in the video and it was dope.

567
00:21:53,640 --> 00:21:57,200
Speaker 1: Do know? You know it was cool? Yeah for sure.

568
00:21:58,280 --> 00:21:59,840
Speaker 3: Are you Are you going to be doing any more

569
00:21:59,880 --> 00:22:01,520
Speaker 3: like shows like coming up? Yeah?

570
00:22:01,520 --> 00:22:03,840
Speaker 2: Actually I do. I have a show this Saturday, Kings

571
00:22:03,840 --> 00:22:05,360
Speaker 2: of the West with Bobby d.

572
00:22:05,400 --> 00:22:06,040
Speaker 1: Always saw that.

573
00:22:06,240 --> 00:22:09,080
Speaker 2: Yeah, that's in Bakersfield.

574
00:22:09,200 --> 00:22:11,200
Speaker 3: Yeah, who else on the show. There's a lot of people.

575
00:22:11,920 --> 00:22:13,960
Speaker 3: You're like kind of like the least popping guy on

576
00:22:14,000 --> 00:22:14,320
Speaker 3: the show.

577
00:22:14,400 --> 00:22:16,640
Speaker 2: First seeing the flyer and I was like, damn, that's

578
00:22:16,680 --> 00:22:19,880
Speaker 2: a crazy show and I'm on the lineup officially shout.

579
00:22:19,720 --> 00:22:22,280
Speaker 1: To Bobby D. Two's I want to interview Bobby D

580
00:22:22,400 --> 00:22:22,760
Speaker 1: for show?

581
00:22:22,960 --> 00:22:25,359
Speaker 2: Yeah, you got to interview, but that motherfuckers got a

582
00:22:25,359 --> 00:22:28,760
Speaker 2: crazy history, crazy and he's like running the whole.

583
00:22:29,000 --> 00:22:31,280
Speaker 1: The show game right, it's murdering it. Yeah.

584
00:22:31,400 --> 00:22:33,280
Speaker 2: No, that's the boy man. He I've been having a

585
00:22:33,320 --> 00:22:35,439
Speaker 2: relationship with him for like a couple of years and

586
00:22:35,480 --> 00:22:38,520
Speaker 2: a few years and he's you know, he's been working

587
00:22:38,520 --> 00:22:41,200
Speaker 2: with me and ship and he just I just remember him.

588
00:22:41,240 --> 00:22:42,479
Speaker 2: He hit me up and he was just like are

589
00:22:42,480 --> 00:22:44,120
Speaker 2: you ready? And I was like, hell, yeah, what's up.

590
00:22:44,840 --> 00:22:46,560
Speaker 2: I don't send this flyer to nobody yet and he

591
00:22:46,600 --> 00:22:48,280
Speaker 2: sent it to me. I was like, damn, who was

592
00:22:48,320 --> 00:22:51,879
Speaker 2: on the show? We got well Bone, Thugs, E forty two, Short,

593
00:22:52,080 --> 00:22:58,080
Speaker 2: DJ Quick, Dog Pound, Jesus, fuck everybody, Dog, Warren G,

594
00:22:58,440 --> 00:23:03,240
Speaker 2: Sugar Free, fucking rbl Posse, Mac Tin and like you said,

595
00:23:03,359 --> 00:23:06,000
Speaker 2: just and then, yb you know what I'm saying.

596
00:23:05,760 --> 00:23:08,520
Speaker 3: That's big He's Yeah, I think Bobby's been doing a

597
00:23:08,520 --> 00:23:11,560
Speaker 3: good job of trying to like use his platform to help.

598
00:23:12,119 --> 00:23:15,159
Speaker 2: Yeah, definitely, young young dudes shout out to him for that,

599
00:23:15,200 --> 00:23:18,199
Speaker 2: because that to me was like damn, Like I was like,

600
00:23:18,200 --> 00:23:18,960
Speaker 2: what the fuck.

601
00:23:18,880 --> 00:23:21,440
Speaker 1: Like, okay, hell yeah you know, yeah for sure, Yeah,

602
00:23:21,480 --> 00:23:22,760
Speaker 1: shout out to him for that for sure.

603
00:23:22,760 --> 00:23:24,800
Speaker 3: So that's this Saturday and Bakershield, your album is out.

604
00:23:24,880 --> 00:23:26,720
Speaker 3: Where can people go buy the album? Obviously you can

605
00:23:26,720 --> 00:23:27,679
Speaker 3: find you on Instagram.

606
00:23:27,800 --> 00:23:30,320
Speaker 2: Yeah, you can find that ship on on Apple Music, Spotify,

607
00:23:30,320 --> 00:23:31,400
Speaker 2: all that this.

608
00:23:31,760 --> 00:23:32,760
Speaker 1: Yeah yeah, I was about to.

609
00:23:32,760 --> 00:23:35,680
Speaker 2: Yeah, you gotta tap in on a money success motivation

610
00:23:35,760 --> 00:23:36,320
Speaker 2: dot com.

611
00:23:36,320 --> 00:23:39,040
Speaker 1: Money success Motivation dot Com. It's a lot of mouthful,

612
00:23:39,080 --> 00:23:39,600
Speaker 1: I'll tell you that.

613
00:23:39,720 --> 00:23:42,800
Speaker 2: Yeah yeah, yeah, I know right, yeah, money success Motivation

614
00:23:42,960 --> 00:23:43,560
Speaker 2: dot Com.

615
00:23:43,600 --> 00:23:45,600
Speaker 1: Tap the hell, but you are l right.

616
00:23:46,600 --> 00:23:47,960
Speaker 2: I had to how to make sure I bought the

617
00:23:48,320 --> 00:23:50,920
Speaker 2: domain though, so I don't have that fucking that big

618
00:23:51,000 --> 00:23:52,440
Speaker 2: cartel for sure.

619
00:23:52,119 --> 00:23:55,560
Speaker 3: For sure we'll go support the album. Uh and uh,

620
00:23:55,640 --> 00:23:57,040
Speaker 3: you got any music videos out off this?

621
00:23:57,280 --> 00:23:57,480
Speaker 1: Yeah?

622
00:23:57,480 --> 00:23:59,520
Speaker 2: I got What would You Do? It's out now, you

623
00:23:59,520 --> 00:24:00,560
Speaker 2: guys can go check that out.

624
00:24:00,560 --> 00:24:01,200
Speaker 1: Audio is coming.

625
00:24:01,359 --> 00:24:03,440
Speaker 2: Yeah, I got well, I got one, I got two videos.

626
00:24:03,480 --> 00:24:04,880
Speaker 2: I got what would you Do? I got the one

627
00:24:04,880 --> 00:24:07,000
Speaker 2: with Rich g which is called Real Ones, and then

628
00:24:07,000 --> 00:24:10,200
Speaker 2: I got fucking the new one coming out, which is Villa.

629
00:24:11,119 --> 00:24:13,600
Speaker 1: That's that's a good one. So I appreciate you pulling up, brother.

630
00:24:13,600 --> 00:24:14,879
Speaker 2: Yeah, thank you, my boy. I appreciate you.

631
00:24:15,080 --> 00:24:17,440
Speaker 1: YB. There it is. Who's the guy who passed away?

632
00:24:17,720 --> 00:24:19,800
Speaker 2: Shout yeah, man, shout out to my boy, Cali boy,

633
00:24:20,000 --> 00:24:21,920
Speaker 2: rest in peace. That was my my boy, and shit,

634
00:24:21,920 --> 00:24:22,879
Speaker 2: he would have been here right now.

635
00:24:23,760 --> 00:24:27,199
Speaker 1: Yeah. I appreciate you for your time. Brother. Yeah, thank you.

636
00:24:27,440 --> 00:24:30,760
Speaker 1: It is, YB. E fire, yes, sir, payments, Let's go.