WEBVTT - Paul Solet: Chowchilla

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<v Speaker 1>This story contains adult content and language. Listener discretion is advised.

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<v Speaker 2>The kids heard dirt and quarry rock be pushed over them,

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<v Speaker 2>and they realized that they were being very alive.

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<v Speaker 1>I'm Kate Winkler Dawson, a nonfiction author and journalism professor

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<v Speaker 1>in Austin, Texas. I'm also the co host of the

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<v Speaker 1>podcast Buried Bones on Exactly Right, and throughout my career

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<v Speaker 1>research for my many audio and book projects has taken

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<v Speaker 1>me around the world. On Wicked Words, I sit down

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<v Speaker 1>with the people I've met along the way, amazing writers, journalists, filmmakers,

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<v Speaker 1>and podcasters who have investigated and reported on notorious true

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<v Speaker 1>crime cases. This is about the choices writers make, both

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<v Speaker 1>good and bad, and it's a deep dive into the

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<v Speaker 1>unpublished details behind their stories. In nineteen seventy six, twenty

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<v Speaker 1>six kids were riding on a school bus in Chowchilla, California,

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<v Speaker 1>when they were kidnapped along with their driver by three men.

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<v Speaker 1>The men buried them all underground in the middle of nowhere.

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<v Speaker 1>The kids were terrified as they struggled to stay alive,

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<v Speaker 1>and then a fourteen year old boy took control. It's

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<v Speaker 1>an incredible story of survival. Paul Solid tells me about

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<v Speaker 1>the story at the center of his film Chowchilla. So

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<v Speaker 1>this is I think a hell of a film. I really.

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<v Speaker 1>I was impressed with the way you put it together

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<v Speaker 1>and what a harrowing story. I was two when this happened,

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<v Speaker 1>so I don't remember I remember hearing about it. Tell

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<v Speaker 1>me how this film came to you, because you don't

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<v Speaker 1>look older than I am. I'm probably older than you are,

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<v Speaker 1>So how did you get this film?

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<v Speaker 2>I come from scripton films, actually, and a long time ago.

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<v Speaker 2>I was just doing research when I came upon. I

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<v Speaker 2>was probably looking for, you know, the craziest crimes blah

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<v Speaker 2>blah blah, and I came upon the Chuchulli kidnapping, and

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<v Speaker 2>I was just I was first of all shocked, I

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<v Speaker 2>think that I hadn't heard of it before, and then

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<v Speaker 2>I realized there were a lot of questions that I

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<v Speaker 2>had reading about it that that hadn't been the answer.

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<v Speaker 2>I wanted to know what happened for the kids, and

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<v Speaker 2>I wanted to know more specifics on how it resolved

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<v Speaker 2>on the day, because I mean, the crime itself is

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<v Speaker 2>completely crazy, but also its resolution is really just, you know,

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<v Speaker 2>if you wrote it, you know, as a scripted film,

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<v Speaker 2>you'd say, give me a break, this is no way.

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<v Speaker 2>I can't I can't believe that I happened.

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<v Speaker 1>And you know, importantly, to a documentary like the one

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<v Speaker 1>you made, you had great archive to work with. You

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<v Speaker 1>had the original debriefing of the kids, you know, right

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<v Speaker 1>then in seventy six, you had interviews with a lot

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<v Speaker 1>of them when they were adults. You had present day

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<v Speaker 1>news footage. So it sounded like you had a lot

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<v Speaker 1>to work with. Was there something missing that you would

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<v Speaker 1>have wanted?

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<v Speaker 2>You know, I feel like we got kind of everything

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<v Speaker 2>that there is. The DA's office worked really closely with

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<v Speaker 2>us and provided us basically every piece of evidence that existed,

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<v Speaker 2>so we had the full archive, you know, from Anivesca's

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<v Speaker 2>story standpoint, and then we also had you know, I

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<v Speaker 2>became really you make one of these things, you really

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<v Speaker 2>become close with the subjects. You know, they've become your friends.

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<v Speaker 2>And I don't know, I don't know how to make

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<v Speaker 2>one of these things without doing that. Their stories are

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<v Speaker 2>so powerful and they've been through so much, and you're

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<v Speaker 2>sort of in awe of them before you've ever met them,

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<v Speaker 2>and so you know they they worked very hard to

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<v Speaker 2>sort of provide every single piece of personal archival that

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<v Speaker 2>they could. You know, a lot of that stuff I've

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<v Speaker 2>never been seen before, you know. And so part of

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<v Speaker 2>that was original audio recordings, you know, one of which

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<v Speaker 2>was recorded days after the event.

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<v Speaker 1>It's pretty incredible and it's amazing to hear sort of

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<v Speaker 1>one of your heroes, who is Mike Marshall as a

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<v Speaker 1>kid and then as an adult and what happens. And

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<v Speaker 1>I think that's what's powerful about the film is you know,

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<v Speaker 1>you walk away and there's literally someone of high authority

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<v Speaker 1>in California years later who says, well, nobody was physically hurt,

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<v Speaker 1>you know, And then you do a wonderful job of

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<v Speaker 1>just unfurling all of the emotional trauma and physical heart

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<v Speaker 1>that people really go through with these sorts of things

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<v Speaker 1>in childhood trauma and showing the impact. So I think

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<v Speaker 1>that this treatment of this story could have gone very

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<v Speaker 1>differently in somebody else's hands. And I think you did

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<v Speaker 1>a wonderful job of being empathetic and you know, really

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<v Speaker 1>paying attention to the survivors.

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<v Speaker 2>Yeah, I'm glad that I'm glad that's your sense of it.

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<v Speaker 2>I mean, I think it is it was a huge

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<v Speaker 2>story at the time, massive the world was watching. So

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<v Speaker 2>it's not that it was underreported. It was reported tremendously.

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<v Speaker 2>And you know, the issue is that what was reported

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<v Speaker 2>was sort of the intrigue in the event itself, and

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<v Speaker 2>then that narrative that became the official narrative sort of

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<v Speaker 2>just ends when everybody comes home. Okay, yeah, and it's

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<v Speaker 2>that's like really not. That's where a lot of those kids'

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<v Speaker 2>stories began. You know. It was like and at the time,

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<v Speaker 2>our understanding of trauma was a very very different. You know,

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<v Speaker 2>those kids were told, those kids' parents were told to

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<v Speaker 2>ignore their nightmares. You know, that's just to not address

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<v Speaker 2>any of the issues they were having and that it

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<v Speaker 2>would go away, you know, and that is not our

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<v Speaker 2>understanding of trauma. Now. In fact, this case shaped, you know,

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<v Speaker 2>the way we understand Cheraldo trauma a lot. You know

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<v Speaker 2>Leonora Terror's book and you know started she interviewed all

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<v Speaker 2>the victims, you know, in the in the months after

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<v Speaker 2>the kidnapping, and then kept in touch with them a

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<v Speaker 2>lot of them for years after. In particular, mic I

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<v Speaker 2>think that work was really important and is still relevant.

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<v Speaker 1>Now, well, let's get going on the story. We are

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<v Speaker 1>in July of nineteen seventy six in Chowchilla, California, which,

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<v Speaker 1>to be honest, I mean, I have heard about the bus,

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<v Speaker 1>chaw Schilla, the bus, the kidnapping, very vaguely. I didn't

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<v Speaker 1>know very much about this story. I did not know

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<v Speaker 1>there was a Chouchilla, California, So you know, this was

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<v Speaker 1>not even the right state when I started watching this

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<v Speaker 1>film in my mind, will you tell me a little

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<v Speaker 1>bit about the political environment we're in the United States,

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<v Speaker 1>and certainly what Chouchila was like in the seventies.

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<v Speaker 2>When you look at Chowchila in nineteen seventy six, you

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<v Speaker 2>know you're seeing a very particular slice in America. You know,

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<v Speaker 2>it's a small town. It's a small farm town in

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<v Speaker 2>California Central Valley. It's flat, very flat, dusty, surrounded by

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<v Speaker 2>orchards and dairies. And you know, even though it's the

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<v Speaker 2>mid seventies and your post Watergate and your post Vietnam,

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<v Speaker 2>it's sort of a time capsule of a place. You know,

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<v Speaker 2>the rhythms of life out there are still closer to

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<v Speaker 2>kind of an earlier era. A lot of the families

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<v Speaker 2>there are descendants of dustbel migration. So culturally it's funny.

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<v Speaker 2>You know, you go to Central Valley in California, and

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<v Speaker 2>California is a big place, and so you're so people

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<v Speaker 2>are sort of surprising when they sort of hear echoes

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<v Speaker 2>of like there's sort of like a you know, an

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<v Speaker 2>Oklahoma and even down to the accent, you know, culturally

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<v Speaker 2>religious religious views. There are a lot of churches, and

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<v Speaker 2>so it really is it's like you feel that you

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<v Speaker 2>know that these are people who left places like Oklahoma

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<v Speaker 2>and Texas and Missouri during depression and there really is

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<v Speaker 2>a bedrock of sort of self reliance and church centered

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<v Speaker 2>community that it really does feel like you know that

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<v Speaker 2>it does. You can feel that it goes back to

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<v Speaker 2>that era. As far as what's happening, you know, in

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<v Speaker 2>the seventies, I mean a lot, you know, a lot

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<v Speaker 2>is happening. Economically. The country is in you know, a

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<v Speaker 2>really bad place, all the oil shocks and stackflation and

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<v Speaker 2>all that stuff. California is going through all kinds of

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<v Speaker 2>stuff with agriculture, water issues, you know, all kinds of

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<v Speaker 2>changing labor conditions. But Churchill as a town, it really

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<v Speaker 2>is a sort of little time capsule. You know, kids

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<v Speaker 2>are they're growing up like kids used to grow up.

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<v Speaker 2>They're riding their bikes, you know, they're catching frogs. You know,

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<v Speaker 2>it's sort of idyllic in a way. You know, nobody

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<v Speaker 2>locked their doors, you know, it really was. It was

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<v Speaker 2>a very hard working town. Everybody worked their asses off

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<v Speaker 2>and that they still do. It was not a place

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<v Speaker 2>where you would have expected this to happen. And it

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<v Speaker 2>was also it's a working class place. You know, it's

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<v Speaker 2>not a place that you would expect a ransom quim

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<v Speaker 2>to happen because these people don't have any money.

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<v Speaker 1>There were people who had money in Chowchilla, but even

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<v Speaker 1>what they were making money off it wasn't finance. It

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<v Speaker 1>was you know, working class companies, right, I mean, what

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<v Speaker 1>were Give me some examples of some of the wealthier

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<v Speaker 1>folks in that area how they got their wealth.

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<v Speaker 2>Chechell is really not a wealthy place. People are farmers,

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<v Speaker 2>you know, people are working farms. You know, that's really

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<v Speaker 2>what's going on. They're working farms, and they're you know,

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<v Speaker 2>they work in a restaurant, they work in a bar.

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<v Speaker 2>It's not a place that has wealthy inhabitants.

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<v Speaker 1>Let's see on that day, I mean, set us up,

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<v Speaker 1>how does this whole thing start to begin with.

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<v Speaker 2>So one July day in nineteen seventy six, in this

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<v Speaker 2>little idyllic central valley town, hard working town. Everyone is working,

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<v Speaker 2>you know, so the kids need something to do during

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<v Speaker 2>the day. So there's a summer program and it's like

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<v Speaker 2>camp the kids life. They love to go there. It's

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<v Speaker 2>mostly mostly kids under the age of ten, and there's

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<v Speaker 2>bus takes them to school, takes them from the school

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<v Speaker 2>to the local pool, takes them back to the school,

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<v Speaker 2>then takes them home. And so this is their last

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<v Speaker 2>day of the summer program for the summer. They were

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<v Speaker 2>sad that it was ending, and they had even come

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<v Speaker 2>up with a petition to extend it. It was sort

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<v Speaker 2>of you know, of course wasn't going to work, but

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<v Speaker 2>it was a sweet sort of you know, endeavor that

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<v Speaker 2>these kids had put together. And so on the way home,

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<v Speaker 2>they were taking the bus a guy named Ed Ray

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<v Speaker 2>who was a longtime school employee and bus driver there.

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<v Speaker 2>Everyone knew him. He was, you know, a strapping you know,

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<v Speaker 2>I think mid fifties at the time, farmer, tough they

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<v Speaker 2>kind of got, you know, like a big tough farmer,

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<v Speaker 2>you know, bucks his own hay, but also and the

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<v Speaker 2>kids loved him. He was could be stern, but you

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<v Speaker 2>know he really was just, you know, adored. He was

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<v Speaker 2>driving these kids home and he dropped one of them off.

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<v Speaker 2>And shortly thereafter, almost immediately thereafter, amidst these orchards, these

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<v Speaker 2>sort of flat orchards where they're growing almond trees, they

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<v Speaker 2>saw a white van in the middle of the street.

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<v Speaker 2>And you know, in a place like Chowchilla, if you

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<v Speaker 2>see a van, you know, a car stop, you assume

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<v Speaker 2>they're in trouble, and you do what people in small

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<v Speaker 2>towns do, They try to help. So ed Ray stopped

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<v Speaker 2>the bus and immediately a man came running out of

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<v Speaker 2>the orchard with a sawn off shotgun and a pistol

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<v Speaker 2>and said open the door. He had a mask, he

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<v Speaker 2>couldn't see his face, wearing the stocking over his face.

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<v Speaker 2>And then two other men similarly dressed jumpsuits, stockings over

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<v Speaker 2>their faces, also carrying a shotgun, one with a pistol.

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<v Speaker 2>Two So these two more men, they ed, what could

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<v Speaker 2>he do. He opened the bus doors. They came on

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<v Speaker 2>the bus, they pointed a gun at the kids. They

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<v Speaker 2>set everybody to the back of the bus. They told

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<v Speaker 2>ad to get to the back of the bus and

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<v Speaker 2>they took the bus. And so they follow this white

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<v Speaker 2>van up the road and they drive then the van

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<v Speaker 2>and the bus both down a little incline into what

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<v Speaker 2>they call a slough. Now, if you're not from Chuchilla,

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<v Speaker 2>you know, or a similar place, most people don't know

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<v Speaker 2>what the hell of slou is, as slugh is like

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<v Speaker 2>a sort of a high reeded area and this is

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<v Speaker 2>you know, the sort of like a tall like sort

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<v Speaker 2>of bamboo like, you know, an area that and this,

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<v Speaker 2>you know, The point was it couldn't be seen from

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<v Speaker 2>the road. And so they come into a little clearing

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<v Speaker 2>in this slough and they order the kids to at

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<v Speaker 2>gunpoint to get off the bus and to step directly

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<v Speaker 2>onto the white van. Half the kids, so the kids

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<v Speaker 2>on the right side got into the white van. And

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<v Speaker 2>now there are twenty six kids on this bus, most

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<v Speaker 2>of them under the age of ten. There was one

0:11:51.400 --> 0:11:53.640
<v Speaker 2>fourteen year old on the bus. His name is Mike Marshall.

0:11:54.440 --> 0:11:57.640
<v Speaker 2>He does not ride the bus home usually, and he's

0:11:57.640 --> 0:12:00.560
<v Speaker 2>only actually riding the bus that day because he is

0:12:00.600 --> 0:12:03.800
<v Speaker 2>he's gotten in trouble with his mom. And so she said,

0:12:03.800 --> 0:12:05.080
<v Speaker 2>you know what, Mike, you're going to ride the bus

0:12:05.080 --> 0:12:07.280
<v Speaker 2>home with the other kids. He is. He is not

0:12:07.400 --> 0:12:09.480
<v Speaker 2>in the summer program for the same reason as the

0:12:09.559 --> 0:12:13.480
<v Speaker 2>other kids. Mike is in the summer program because he

0:12:13.600 --> 0:12:15.600
<v Speaker 2>and the principal do not get along. Mike is new

0:12:15.600 --> 0:12:18.679
<v Speaker 2>in town and right away he's gotten into it with

0:12:18.720 --> 0:12:21.880
<v Speaker 2>the principal and they just they both want to have

0:12:22.000 --> 0:12:23.800
<v Speaker 2>the it to see the end of each other. And

0:12:23.840 --> 0:12:26.800
<v Speaker 2>so Mike is in school to accelerate his junior high

0:12:26.800 --> 0:12:28.360
<v Speaker 2>experience and get the hell out of there. It's a

0:12:28.360 --> 0:12:32.240
<v Speaker 2>little tiny school, Dairyland Elementary, tiny tiny school and out

0:12:32.240 --> 0:12:35.600
<v Speaker 2>in the middle of these orchards, totally secluded. So they

0:12:35.600 --> 0:12:39.360
<v Speaker 2>offload these kids onto these two vans. These vans have

0:12:39.440 --> 0:12:44.400
<v Speaker 2>been modified. They have wood paneling that isolates the back

0:12:44.440 --> 0:12:47.360
<v Speaker 2>from the front, and you know, you can't open the

0:12:47.400 --> 0:12:49.840
<v Speaker 2>doors from inside. You can't see out. There are no windows,

0:12:49.880 --> 0:12:52.640
<v Speaker 2>there's no air circulating. By the way, it's July in

0:12:52.720 --> 0:12:55.920
<v Speaker 2>Central Valley, California, which is hot as hell, and they

0:12:55.960 --> 0:12:57.720
<v Speaker 2>slam the doors and these kids are in the dark

0:12:57.840 --> 0:13:00.760
<v Speaker 2>in the heat, and they start to drive. These kids

0:13:00.800 --> 0:13:04.240
<v Speaker 2>are in these vans for eleven hours. These are little kids.

0:13:04.600 --> 0:13:07.640
<v Speaker 2>In one van is the only adult ed ray along

0:13:07.679 --> 0:13:09.920
<v Speaker 2>with half the kids, and in the other van is Mike.

0:13:10.559 --> 0:13:12.480
<v Speaker 2>Mike Marshall, the fourteen year old, and he's with the

0:13:12.520 --> 0:13:15.240
<v Speaker 2>other half the kids. The kids are terrified, you know,

0:13:15.440 --> 0:13:18.480
<v Speaker 2>like as you know, any group of adults would be terrified,

0:13:18.520 --> 0:13:21.960
<v Speaker 2>these are little kids. Driving for eleven hours. You know,

0:13:22.000 --> 0:13:24.679
<v Speaker 2>there's no way to use the bathroom, so these kids

0:13:24.720 --> 0:13:27.720
<v Speaker 2>are soiling themselves and it's horrible. You know. At one

0:13:27.720 --> 0:13:30.160
<v Speaker 2>point they stop for gas and they can smell the

0:13:30.240 --> 0:13:32.640
<v Speaker 2>gas and they you know, they bang on the on

0:13:32.720 --> 0:13:36.000
<v Speaker 2>the wall, but no one hears them. And you know, finally,

0:13:36.040 --> 0:13:39.920
<v Speaker 2>after eleven hours, they stop. The doors are opened and

0:13:40.040 --> 0:13:42.440
<v Speaker 2>one kid is dragged out, and then they're they're slam

0:13:42.480 --> 0:13:44.800
<v Speaker 2>shut and this happens again and again and again until

0:13:44.840 --> 0:13:47.600
<v Speaker 2>all the kids are dragged off. And what was happening

0:13:47.760 --> 0:13:51.160
<v Speaker 2>one at a time. The kidnappers were taking the kids out,

0:13:51.360 --> 0:13:54.679
<v Speaker 2>and they had constructed some sort of a tent which

0:13:54.800 --> 0:13:59.040
<v Speaker 2>later was discovered to be a military surplus issue tent,

0:13:59.400 --> 0:14:01.360
<v Speaker 2>you know, and they have work lights glaring at them.

0:14:01.440 --> 0:14:03.040
<v Speaker 2>These kids don't know what the hell is going on.

0:14:03.280 --> 0:14:07.080
<v Speaker 2>They march them across this space. They take an item

0:14:07.120 --> 0:14:09.079
<v Speaker 2>of clothing from each of them and they take their

0:14:09.120 --> 0:14:11.360
<v Speaker 2>name down, you know, this is sort of proof of life,

0:14:11.440 --> 0:14:16.040
<v Speaker 2>clothing or possession. And then they mark them further across

0:14:16.040 --> 0:14:20.200
<v Speaker 2>the space to where a ladder is sticking out of

0:14:20.240 --> 0:14:22.800
<v Speaker 2>a hole in the ground, and one by one, at gunpoint,

0:14:22.800 --> 0:14:25.080
<v Speaker 2>they have these kids climb down the ladder. They don't

0:14:25.080 --> 0:14:26.680
<v Speaker 2>know where the other kids are, they don't know what

0:14:26.720 --> 0:14:27.640
<v Speaker 2>the hell is going.

0:14:27.440 --> 0:14:32.560
<v Speaker 1>On on the bus ride, you know. And when they're

0:14:32.600 --> 0:14:35.359
<v Speaker 1>getting the kids out, are these three men, the kidnappers

0:14:35.440 --> 0:14:38.480
<v Speaker 1>who have the pantyhose masks on? Do they say anything

0:14:38.600 --> 0:14:41.160
<v Speaker 1>at all? Are they reacting to each other or to

0:14:41.200 --> 0:14:42.080
<v Speaker 1>the kids or to ed.

0:14:42.400 --> 0:14:45.280
<v Speaker 2>Yeah, that's an important detail. So in the midst of

0:14:45.320 --> 0:14:49.760
<v Speaker 2>this kidnappening, you know, just to understand some kind of

0:14:49.840 --> 0:14:51.800
<v Speaker 2>have some sense of what's happening, you know, would have

0:14:51.840 --> 0:14:54.440
<v Speaker 2>made all the difference. And as you learn about trauma,

0:14:54.520 --> 0:14:56.720
<v Speaker 2>like having some sense of what's happening to you is

0:14:56.760 --> 0:15:00.280
<v Speaker 2>like just absolutely critical thing. These guys did not tell

0:15:00.280 --> 0:15:03.320
<v Speaker 2>the kids anything. They didn't tell them what they were doing.

0:15:03.320 --> 0:15:05.120
<v Speaker 2>They didn't say they were going to be okay, they

0:15:05.120 --> 0:15:07.320
<v Speaker 2>didn't say this is a you know, kidnapping for ransom.

0:15:07.360 --> 0:15:09.880
<v Speaker 2>They just took them and you know, for little kids

0:15:09.880 --> 0:15:12.480
<v Speaker 2>looking at these men, they looked like monsters. I mean,

0:15:12.520 --> 0:15:15.200
<v Speaker 2>they really did, like their recollections of them were, you know,

0:15:15.240 --> 0:15:16.880
<v Speaker 2>and you can see that, you know how some of

0:15:16.880 --> 0:15:19.520
<v Speaker 2>the recollections in the film are affected by their upbringing.

0:15:19.640 --> 0:15:22.360
<v Speaker 2>You know, one of our subjects, guy Larry Park, you know,

0:15:22.400 --> 0:15:24.360
<v Speaker 2>his family very involved in the church. He's still very

0:15:24.400 --> 0:15:25.920
<v Speaker 2>involved in the church. And it's a little boy. His

0:15:25.920 --> 0:15:29.360
<v Speaker 2>frame of reference was demons, and these men looked like

0:15:29.400 --> 0:15:33.320
<v Speaker 2>demons to Larry. Their faces were blurred. They just Another

0:15:33.400 --> 0:15:36.520
<v Speaker 2>little girl who was very very little asked one of

0:15:36.560 --> 0:15:39.320
<v Speaker 2>them if if he was the Easter Bunny because he

0:15:39.440 --> 0:15:42.040
<v Speaker 2>had the end of the panteose hanging off of his

0:15:42.120 --> 0:15:45.160
<v Speaker 2>head of like years, So you know, it's really it's heartbreaking.

0:15:45.440 --> 0:15:47.160
<v Speaker 2>So yeah, no, that's an important detail. They did not

0:15:47.240 --> 0:15:48.000
<v Speaker 2>tell them anything.

0:15:48.160 --> 0:15:49.960
<v Speaker 1>Did they talk to each other. Did the kids say

0:15:49.960 --> 0:15:53.200
<v Speaker 1>that that the were they communicating the kidnappers? No? Wow,

0:15:53.520 --> 0:15:56.360
<v Speaker 1>this was planned really well. So they're loading these kids

0:15:56.400 --> 0:15:58.480
<v Speaker 1>down underground, is that right, one at a time down

0:15:58.520 --> 0:15:59.080
<v Speaker 1>this ladder.

0:15:59.320 --> 0:16:01.800
<v Speaker 2>Yeah, So that the kids come down this ladder and

0:16:01.840 --> 0:16:05.560
<v Speaker 2>they emerge into a narrow chamber that's about twenty eight

0:16:05.560 --> 0:16:09.200
<v Speaker 2>feet long and about six feet high, six to eight

0:16:09.200 --> 0:16:11.160
<v Speaker 2>feet high. They don't know what it is. If the

0:16:11.240 --> 0:16:13.920
<v Speaker 2>walls are lined with like a thick gauge hog wire,

0:16:14.160 --> 0:16:16.240
<v Speaker 2>like a gritted makes it look a little bit like

0:16:16.280 --> 0:16:20.240
<v Speaker 2>a cage, like chicken wire, but thicker. The walls are

0:16:20.560 --> 0:16:25.160
<v Speaker 2>crimson painted, Crimson would be on that. There are no bathrooms.

0:16:24.760 --> 0:16:28.400
<v Speaker 2>The only bathrooms are holes cut in the floor. There

0:16:28.440 --> 0:16:31.080
<v Speaker 2>is hardly any food and water. There's some few jugs

0:16:31.080 --> 0:16:33.440
<v Speaker 2>of water, a couple five yallon jugs. There's a little

0:16:33.440 --> 0:16:36.720
<v Speaker 2>bit of there's like, you know, some cheerios, jar peanut butter,

0:16:37.120 --> 0:16:39.800
<v Speaker 2>some bread like it was not we're talking about twenty

0:16:39.880 --> 0:16:42.360
<v Speaker 2>six kids and an adult, right, So if they were

0:16:42.520 --> 0:16:44.680
<v Speaker 2>in a twenty eight foot one chamber, if they were

0:16:44.760 --> 0:16:48.920
<v Speaker 2>lying side by side, there is no room. So this

0:16:49.000 --> 0:16:52.040
<v Speaker 2>is a tiny little place. And then the kidnappers came

0:16:52.080 --> 0:16:55.040
<v Speaker 2>to the top. They shined a light down, They threw

0:16:55.200 --> 0:16:58.680
<v Speaker 2>down a flashlight and one set of extra batteries, and

0:16:58.720 --> 0:17:03.200
<v Speaker 2>then they slammed a very very heavy metal door. And

0:17:03.240 --> 0:17:06.960
<v Speaker 2>then after that the kids heard a sound, and the

0:17:07.040 --> 0:17:11.520
<v Speaker 2>sound was dirt and quarry rock being pushed over them,

0:17:11.600 --> 0:17:14.120
<v Speaker 2>and they realized that they were being buried alive.

0:17:14.119 --> 0:17:16.040
<v Speaker 1>And this is six feet down, right? Is that how

0:17:16.080 --> 0:17:17.159
<v Speaker 1>long the ladder was?

0:17:17.560 --> 0:17:19.840
<v Speaker 2>Yeah, they're a little bit more than six feet down.

0:17:19.920 --> 0:17:23.800
<v Speaker 2>I mean the thing itself is you basically have like

0:17:24.160 --> 0:17:27.479
<v Speaker 2>six feet to the entrance to the chamber and then

0:17:27.520 --> 0:17:31.320
<v Speaker 2>you have an additional you know, eight feet down to

0:17:31.400 --> 0:17:34.479
<v Speaker 2>the floor of the chamber. So they are underground and

0:17:34.480 --> 0:17:35.679
<v Speaker 2>they're buried alive.

0:17:35.640 --> 0:17:37.959
<v Speaker 1>And they couldn't tell where they were. Were they in

0:17:38.000 --> 0:17:40.160
<v Speaker 1>the desert or the mountains or anything like that.

0:17:40.400 --> 0:17:43.080
<v Speaker 2>They had no idea And what is Ed?

0:17:43.600 --> 0:17:46.360
<v Speaker 1>I know that he does interviews later on, but do

0:17:46.400 --> 0:17:48.880
<v Speaker 1>we remember what Ed was sort of thinking or what

0:17:48.960 --> 0:17:52.000
<v Speaker 1>his thought precess was at this point. He's the only

0:17:52.080 --> 0:17:55.960
<v Speaker 1>adult with a fourteen year old basically as his sidekick,

0:17:56.040 --> 0:17:56.560
<v Speaker 1>and that's it.

0:17:57.000 --> 0:17:59.560
<v Speaker 2>So, you know, Ed Ray like, no one would end

0:17:59.560 --> 0:18:02.320
<v Speaker 2>be this guy this position. This is a terrible position.

0:18:02.400 --> 0:18:05.520
<v Speaker 2>You know. He loves these kids and all these kids

0:18:05.560 --> 0:18:09.040
<v Speaker 2>are his charges. They're in his care and Ed is

0:18:09.640 --> 0:18:12.080
<v Speaker 2>more aware than any of the kids that this is

0:18:12.119 --> 0:18:14.919
<v Speaker 2>not likely to go well and it is weighing on

0:18:15.040 --> 0:18:19.400
<v Speaker 2>him tremendously, so he does his best to calm them down.

0:18:19.840 --> 0:18:24.359
<v Speaker 2>The kids work together with him to distribute some of

0:18:24.359 --> 0:18:27.359
<v Speaker 2>the rations make sure that people have a little bit

0:18:27.400 --> 0:18:29.679
<v Speaker 2>of food, a little bit of water. The older kids,

0:18:29.760 --> 0:18:33.399
<v Speaker 2>especially the girls, very very helpful and taking care of

0:18:33.480 --> 0:18:36.600
<v Speaker 2>the younger ones and trying to calm everybody down ed.

0:18:36.720 --> 0:18:38.840
<v Speaker 2>At a certain point, got everyone to take a nap.

0:18:39.440 --> 0:18:41.199
<v Speaker 2>But there's nothing they can do. You know, they have

0:18:41.280 --> 0:18:43.960
<v Speaker 2>one light in this chamber. It's a flashlight, and they're

0:18:43.960 --> 0:18:46.159
<v Speaker 2>trying to conserve the batteries. They don't they don't know

0:18:46.160 --> 0:18:49.480
<v Speaker 2>what's going on. They have no idea. Food is rapidly

0:18:49.600 --> 0:18:56.880
<v Speaker 2>going away. And the structure itself is very shody. So

0:18:57.040 --> 0:19:00.640
<v Speaker 2>there's already a support beam holding up the center of it,

0:19:00.680 --> 0:19:04.240
<v Speaker 2>as if when they were initially burying this thing it

0:19:04.359 --> 0:19:06.760
<v Speaker 2>started to cave in and they needed to reinforce it.

0:19:07.359 --> 0:19:10.000
<v Speaker 2>So if someone bumps into that thing, who knows if

0:19:10.040 --> 0:19:12.440
<v Speaker 2>the roof is going to go. There is very little

0:19:12.520 --> 0:19:16.639
<v Speaker 2>air coming in. There are two little vents you're talking about,

0:19:16.640 --> 0:19:19.080
<v Speaker 2>like a dryer tube. Ultimately they found it. It was like

0:19:19.080 --> 0:19:21.080
<v Speaker 2>it just a little dryer tube that was pushing air

0:19:21.160 --> 0:19:24.720
<v Speaker 2>and it wasn't much. And so you know, this is

0:19:24.960 --> 0:19:28.320
<v Speaker 2>just a nightmare gone to another nightmare.

0:19:28.680 --> 0:19:32.399
<v Speaker 1>And this is July. Central California was there an estimate

0:19:32.440 --> 0:19:36.640
<v Speaker 1>on what the temperatures could get to where they were

0:19:37.040 --> 0:19:40.000
<v Speaker 1>six feet or more underground during this time.

0:19:40.240 --> 0:19:43.959
<v Speaker 2>So when you're underground, it's not as bad as it

0:19:44.000 --> 0:19:45.399
<v Speaker 2>was when they were in the vans. When they were

0:19:45.400 --> 0:19:47.560
<v Speaker 2>in the vans, it's likely that those vans are one

0:19:47.600 --> 0:19:51.480
<v Speaker 2>hundred and fifteen degrees inside, you know, maybe more because

0:19:51.480 --> 0:19:54.639
<v Speaker 2>there's no ventilation, you know, and you're talking about blistering

0:19:54.760 --> 0:19:58.320
<v Speaker 2>sun heating these vans for hours and hours and hours,

0:19:58.440 --> 0:20:01.399
<v Speaker 2>no air conditioning at all, no ventilation at all. So

0:20:01.600 --> 0:20:04.600
<v Speaker 2>those that van, those van rids, these kids were dehydrated,

0:20:04.720 --> 0:20:07.280
<v Speaker 2>they were you know, they had soiled their clothes, they

0:20:07.280 --> 0:20:10.359
<v Speaker 2>were horrified, and that's before they went in the chamber.

0:20:10.680 --> 0:20:12.600
<v Speaker 1>And a lot of that, I know you said before,

0:20:13.440 --> 0:20:16.600
<v Speaker 1>is a lack of information, the not knowing you're going

0:20:16.600 --> 0:20:19.360
<v Speaker 1>through something terrible now. But even if it's a false promise,

0:20:19.400 --> 0:20:22.840
<v Speaker 1>we'll come back, don't worry. Given that hope, that hope

0:20:22.920 --> 0:20:26.680
<v Speaker 1>is what's important. Do you think that the kidnappers thought

0:20:26.800 --> 0:20:28.959
<v Speaker 1>that through, like we're just not going to give them

0:20:28.960 --> 0:20:33.680
<v Speaker 1>any information, the intention is to terrify these kids, or

0:20:33.840 --> 0:20:36.720
<v Speaker 1>why wouldn't they give them any kind of false hope?

0:20:37.040 --> 0:20:39.480
<v Speaker 2>No, They certainly didn't consider that. I mean you just

0:20:39.520 --> 0:20:41.800
<v Speaker 2>look at the rations they left. Yeah, you look at

0:20:41.880 --> 0:20:43.639
<v Speaker 2>you know, what was down there for the kids, like

0:20:44.080 --> 0:20:47.640
<v Speaker 2>there were some mattresses, old mattresses, and some box springs,

0:20:47.760 --> 0:20:50.120
<v Speaker 2>a couple of blankets. I think they were not thinking

0:20:50.119 --> 0:20:53.840
<v Speaker 2>about that, I mean their children, Yeah, little children like. No,

0:20:54.000 --> 0:20:56.199
<v Speaker 2>there was no consideration given. So what would happen to

0:20:56.200 --> 0:20:58.240
<v Speaker 2>those kids? No, it wasn't part of the equation. It

0:20:58.280 --> 0:20:59.480
<v Speaker 2>wasn't part of their concern at all.

0:21:00.000 --> 0:21:02.159
<v Speaker 1>Anybody have any health issues. I mean, I'm thinking of

0:21:02.320 --> 0:21:05.119
<v Speaker 1>ed first, if he's in his fifties, but any of

0:21:05.119 --> 0:21:08.840
<v Speaker 1>the other kids' asthma, anything that was particularly would make

0:21:08.880 --> 0:21:11.320
<v Speaker 1>them really susceptible to these conditions.

0:21:11.720 --> 0:21:14.280
<v Speaker 2>You know, they got lucky, you know that no one

0:21:14.320 --> 0:21:16.920
<v Speaker 2>had a terrible asthma attack, and definitely kids were having

0:21:16.920 --> 0:21:19.240
<v Speaker 2>trouble breathing. Some of the kids have held their pee

0:21:19.560 --> 0:21:23.200
<v Speaker 2>for so long that they ended up having terrible infections

0:21:23.240 --> 0:21:26.920
<v Speaker 2>and stuff like that, and that stuff was reported ultimately,

0:21:27.720 --> 0:21:32.159
<v Speaker 2>you know, in the escape attempt which is forthcoming. Ed

0:21:32.280 --> 0:21:37.119
<v Speaker 2>Ray ended up having some burns from battery acid, but

0:21:37.280 --> 0:21:41.359
<v Speaker 2>not terrible, and of course Mike Marshall ended up just

0:21:41.640 --> 0:21:42.879
<v Speaker 2>entirely exhausted.

0:21:46.359 --> 0:21:52.120
<v Speaker 1>How many hours is it in this underground compartment before

0:21:52.560 --> 0:21:54.920
<v Speaker 1>there is a thought of how do we get out

0:21:54.920 --> 0:21:57.000
<v Speaker 1>of here? Is there a chance we could get out

0:21:57.000 --> 0:21:57.320
<v Speaker 1>of here?

0:21:57.600 --> 0:22:00.760
<v Speaker 2>So the initial thought, you know, is someone is going

0:22:00.800 --> 0:22:03.080
<v Speaker 2>to help us, and that is what Edray is telling them.

0:22:03.080 --> 0:22:06.040
<v Speaker 2>Someone's gonna come. They're looking for us, someone is gonna come.

0:22:06.400 --> 0:22:09.320
<v Speaker 2>He tries to maintain that hope, both for the kids

0:22:09.359 --> 0:22:13.200
<v Speaker 2>and for himself. But there's a certain point where the hope,

0:22:13.280 --> 0:22:16.120
<v Speaker 2>you know, starts to fade. They're running out of food,

0:22:16.160 --> 0:22:18.560
<v Speaker 2>they're running out of water. At a certain point, the

0:22:18.640 --> 0:22:23.240
<v Speaker 2>batteries that are connected to the air supply that's pushing

0:22:23.240 --> 0:22:27.280
<v Speaker 2>fresh air in they die, and so the air is

0:22:27.280 --> 0:22:30.000
<v Speaker 2>starting to go bad. Your kids, of course, are progressively

0:22:30.200 --> 0:22:34.400
<v Speaker 2>more exhausted and terrified, and you know, everyone needs to eat,

0:22:34.440 --> 0:22:37.280
<v Speaker 2>everyone needs to drink. And then, to make matters worse,

0:22:38.040 --> 0:22:41.080
<v Speaker 2>there's a point at which the ceiling starts to collapse,

0:22:41.400 --> 0:22:43.760
<v Speaker 2>you know, like suddenly, you know, they hear something buckle

0:22:44.520 --> 0:22:47.680
<v Speaker 2>and they think that the ceiling is catering in on them.

0:22:47.880 --> 0:22:50.879
<v Speaker 2>You know, there's sort of a cascade of dirt and rock,

0:22:50.960 --> 0:22:55.560
<v Speaker 2>and eventually it doesn't fully fall in it stabilizes, but

0:22:56.040 --> 0:22:58.080
<v Speaker 2>they're then in a position where they're like, it's only

0:22:58.080 --> 0:23:00.399
<v Speaker 2>a matter of time, you know, before this thing caves

0:23:00.400 --> 0:23:03.679
<v Speaker 2>in on our hands. And so at that point what

0:23:03.880 --> 0:23:07.760
<v Speaker 2>starts to happen is Mike Marshall, who's the older kid,

0:23:07.760 --> 0:23:12.600
<v Speaker 2>he's fourteen years old, who is the son of Bob Marshall.

0:23:12.720 --> 0:23:15.600
<v Speaker 2>Bob Marshall is a world champion steer wrestler, which is

0:23:15.640 --> 0:23:18.440
<v Speaker 2>like basically the baddest ass of all rodeo sports. I mean,

0:23:18.960 --> 0:23:22.320
<v Speaker 2>Bob is he's the world champion, and so you know,

0:23:22.359 --> 0:23:24.400
<v Speaker 2>that doesn't make him rich. That makes him a very

0:23:24.400 --> 0:23:29.159
<v Speaker 2>hard working rodeo guy. And his son, Mike, you know,

0:23:29.200 --> 0:23:32.600
<v Speaker 2>who is like an adolescent kid, is an aspiring rodeo kid,

0:23:32.760 --> 0:23:35.040
<v Speaker 2>you know, and he rides his ass off. It's all

0:23:35.080 --> 0:23:37.560
<v Speaker 2>he wants to do is be like his dad. And

0:23:37.640 --> 0:23:40.359
<v Speaker 2>so he has all the qualities of a kid who

0:23:40.400 --> 0:23:43.000
<v Speaker 2>grew up in the rodeo. He's tough, he's scrappy, he's

0:23:43.080 --> 0:23:46.359
<v Speaker 2>incredible hard, incredibly hard worker. He also has all of

0:23:46.359 --> 0:23:50.280
<v Speaker 2>the sort of spirit of a cowboy. He's been raised

0:23:50.720 --> 0:23:53.600
<v Speaker 2>as a cowboy, and that means a number of different things.

0:23:53.640 --> 0:23:56.560
<v Speaker 2>So it means he's brave as hell. It means he's

0:23:56.560 --> 0:24:01.760
<v Speaker 2>physically courageous. It means he is physically capable. But it

0:24:01.800 --> 0:24:04.840
<v Speaker 2>also means he has honor and that he respects his elders.

0:24:05.160 --> 0:24:08.960
<v Speaker 2>And so he has really spent this whole time, you know,

0:24:09.240 --> 0:24:12.680
<v Speaker 2>just following dad's lead. But there's a point at which

0:24:12.880 --> 0:24:16.080
<v Speaker 2>he starts to realize that if they don't do something,

0:24:16.359 --> 0:24:21.000
<v Speaker 2>they're gonna die, and ed ray, you know, God bless him.

0:24:21.080 --> 0:24:24.639
<v Speaker 2>He at a certain point quietly sort of falls apart

0:24:24.880 --> 0:24:28.320
<v Speaker 2>in the darkness and is quietly crying and praying and

0:24:28.359 --> 0:24:30.240
<v Speaker 2>doing all the things that a normal human being would

0:24:30.240 --> 0:24:32.720
<v Speaker 2>do in that situation. You know, the man is not

0:24:32.760 --> 0:24:35.119
<v Speaker 2>a coward, you know, he's a He's a tough, brave

0:24:35.200 --> 0:24:38.399
<v Speaker 2>guy in a terrible situation. It just so happens that

0:24:38.480 --> 0:24:42.160
<v Speaker 2>Mike again, Mike never wrote the bus like, he never

0:24:42.200 --> 0:24:43.760
<v Speaker 2>rode the bus along. He wrote it to school, he

0:24:43.800 --> 0:24:46.000
<v Speaker 2>never wrote it home. It just so happens he was

0:24:46.080 --> 0:24:48.920
<v Speaker 2>riding that day and he almost missed the bus. He

0:24:49.000 --> 0:24:51.840
<v Speaker 2>was he was actually in the in the back when

0:24:51.880 --> 0:24:54.600
<v Speaker 2>the buses were leaving, making out with the teacher's daughter,

0:24:54.960 --> 0:24:57.480
<v Speaker 2>and she encouraged him, like she was like, you're gonna

0:24:57.480 --> 0:25:00.159
<v Speaker 2>miss the bus and he and he sort of like,

0:25:00.200 --> 0:25:03.760
<v Speaker 2>you know, like red faced and blissful and said, oh okay,

0:25:03.840 --> 0:25:05.480
<v Speaker 2>and brand for the bus and the last guy on.

0:25:05.720 --> 0:25:08.920
<v Speaker 2>So he'd really like, if you believe in any sort

0:25:08.960 --> 0:25:13.200
<v Speaker 2>of you know, wow, if you believe in anything, divine intervention,

0:25:13.520 --> 0:25:16.200
<v Speaker 2>whatever you want to believe. Yeah, and Mike believes that

0:25:16.280 --> 0:25:20.080
<v Speaker 2>he was meant to be on that boss. And Mike says,

0:25:20.200 --> 0:25:22.399
<v Speaker 2>we have to do something. And the other kids, and

0:25:22.400 --> 0:25:24.120
<v Speaker 2>there are other kids that are saying that too. There's

0:25:24.119 --> 0:25:26.800
<v Speaker 2>some older kids. One kid, Jeff Brown, he was he

0:25:26.880 --> 0:25:28.840
<v Speaker 2>was ten, but he was he was he was bigger

0:25:28.840 --> 0:25:30.879
<v Speaker 2>for his age, and he was a you know, he

0:25:31.000 --> 0:25:35.399
<v Speaker 2>was another scrappy, intelligent young kid. They determined that they

0:25:35.400 --> 0:25:38.520
<v Speaker 2>needed to do something, whether whether you know Ed would

0:25:38.560 --> 0:25:41.440
<v Speaker 2>help or not. And Ed had tried the hatch earlier

0:25:42.480 --> 0:25:44.479
<v Speaker 2>and there was a lot of weight on it, so

0:25:44.560 --> 0:25:49.000
<v Speaker 2>Mike gave it another try. They stacked up some mattresses

0:25:49.040 --> 0:25:51.560
<v Speaker 2>so he could get a little bit more leverage, and

0:25:51.640 --> 0:25:53.600
<v Speaker 2>he pushed on this thing and pushed on this thing,

0:25:53.760 --> 0:25:56.040
<v Speaker 2>on this hatch, and indeed there was a lot of

0:25:56.040 --> 0:25:58.840
<v Speaker 2>weight on it. But at a certain point he's straining

0:25:58.880 --> 0:26:01.720
<v Speaker 2>as hard as he can. The kids that are watching,

0:26:01.920 --> 0:26:04.600
<v Speaker 2>and they're all gathered around cheering him on. The kids

0:26:04.600 --> 0:26:08.200
<v Speaker 2>say it moved, it moved, and so Mike makes another

0:26:08.240 --> 0:26:10.479
<v Speaker 2>appeal to Ad. He says, Ed, we've got to try this.

0:26:10.760 --> 0:26:13.480
<v Speaker 2>You know, it moved. The thing moved, and d reluctantly

0:26:13.560 --> 0:26:16.000
<v Speaker 2>agreed to help him. You know, remember Ed is a big,

0:26:16.040 --> 0:26:20.600
<v Speaker 2>strong adult farmer, and so he and Mike worked together

0:26:20.880 --> 0:26:22.920
<v Speaker 2>to try to lift this thing up. So Ed got

0:26:22.960 --> 0:26:25.720
<v Speaker 2>this thing up. It was incredibly heavy, this hatch. He

0:26:25.880 --> 0:26:28.879
<v Speaker 2>raised it enough for Mike to reach his hand up

0:26:28.880 --> 0:26:31.000
<v Speaker 2>and to feel around on top of it. He could

0:26:31.000 --> 0:26:33.480
<v Speaker 2>feel that there was weight on top of it, something

0:26:33.600 --> 0:26:36.159
<v Speaker 2>very very heavy up there. And they realized the only

0:26:36.200 --> 0:26:37.520
<v Speaker 2>way they were going to get this thing open is

0:26:37.560 --> 0:26:41.480
<v Speaker 2>if Mike reached his arm through and pulled off the

0:26:41.520 --> 0:26:45.760
<v Speaker 2>weight somehow. Now, if Ed had dropped this thing later,

0:26:45.840 --> 0:26:47.879
<v Speaker 2>when you do the math, what it was was there

0:26:47.880 --> 0:26:51.280
<v Speaker 2>were two tractor batteries, and tractor batteries aren't like car batteries,

0:26:51.400 --> 0:26:53.479
<v Speaker 2>you know, they weighed like one hundred hundred pounds each,

0:26:53.560 --> 0:26:56.320
<v Speaker 2>hundred fifty pounds each. And then in addition to the hatch,

0:26:56.320 --> 0:26:58.160
<v Speaker 2>which was one hundred pounds, you know, you're talking about

0:26:58.200 --> 0:27:01.719
<v Speaker 2>four hundred pounds of weight. So ed Ray is pushing

0:27:01.760 --> 0:27:04.600
<v Speaker 2>this this four underd panns up and Mike has this

0:27:04.640 --> 0:27:06.679
<v Speaker 2>little fourteen year old arm in there trying to get

0:27:06.680 --> 0:27:09.400
<v Speaker 2>these things off. And they both knew full well that

0:27:09.480 --> 0:27:11.880
<v Speaker 2>if ed dropped the thing, Mike would lose his arm. Yeah,

0:27:12.040 --> 0:27:14.040
<v Speaker 2>but they managed to get this thing out. They managed

0:27:14.080 --> 0:27:17.800
<v Speaker 2>to get the these batteries off. They dropped down and oh,

0:27:17.840 --> 0:27:20.760
<v Speaker 2>my god, you know, maybe this is it. But when

0:27:20.840 --> 0:27:24.719
<v Speaker 2>they looked up there, they realized that the ladder. They

0:27:24.720 --> 0:27:27.280
<v Speaker 2>had pulled up the ladder when the kidnappers left, but

0:27:27.400 --> 0:27:29.520
<v Speaker 2>they they realized when they looked up there, the surface

0:27:29.640 --> 0:27:33.359
<v Speaker 2>was further blocked. They had constructed the kidnappers constructed a

0:27:33.560 --> 0:27:37.320
<v Speaker 2>like a four x four foot wooden box that went

0:27:37.560 --> 0:27:41.919
<v Speaker 2>over the hatch and so. And at that point whatever

0:27:42.000 --> 0:27:44.800
<v Speaker 2>hope he had, I think was gone. He sort of

0:27:44.800 --> 0:27:49.560
<v Speaker 2>retreated into the shadows again, but Mike worked with the

0:27:49.600 --> 0:27:52.480
<v Speaker 2>rest of the kids, got up there. They broke a

0:27:52.520 --> 0:27:54.879
<v Speaker 2>box spring. Mike got a piece of up box spring,

0:27:55.160 --> 0:28:00.720
<v Speaker 2>crawled up into the box and started to dig and

0:28:00.880 --> 0:28:03.000
<v Speaker 2>to smash at the box. They couldn't smash it. It

0:28:03.000 --> 0:28:05.520
<v Speaker 2>was plywood. If you've ever worked with plywood, it's pretty

0:28:05.560 --> 0:28:06.240
<v Speaker 2>strong stuff.

0:28:06.359 --> 0:28:06.720
<v Speaker 1>It is.

0:28:06.920 --> 0:28:10.320
<v Speaker 2>Mike was smashing and smashing and trying to, you know,

0:28:10.400 --> 0:28:12.399
<v Speaker 2>kick a hole in it. You know, at one point,

0:28:12.440 --> 0:28:14.600
<v Speaker 2>you know, another kid try to help him, and you know,

0:28:14.680 --> 0:28:17.879
<v Speaker 2>down below the other kids were holding lights and cheering

0:28:17.960 --> 0:28:20.760
<v Speaker 2>him on. And finally, what Mike realized was that there

0:28:20.920 --> 0:28:24.240
<v Speaker 2>was at the base of the hatch, the wall, at

0:28:24.240 --> 0:28:27.760
<v Speaker 2>the base of this box, where the box met the

0:28:27.800 --> 0:28:31.199
<v Speaker 2>top of the chamber, there was he could see a

0:28:31.280 --> 0:28:34.560
<v Speaker 2>line of dirt. And so he started to dig dirt

0:28:34.920 --> 0:28:38.160
<v Speaker 2>out of that line, out of that little tiny little crack,

0:28:38.360 --> 0:28:40.960
<v Speaker 2>and pull it into the box and push it down

0:28:40.960 --> 0:28:42.800
<v Speaker 2>the box into the rest of the chamber. And his

0:28:42.880 --> 0:28:45.800
<v Speaker 2>thinking was that if he could pull enough of it out,

0:28:46.120 --> 0:28:49.640
<v Speaker 2>maybe enough of that dirt would fall, he could create

0:28:49.680 --> 0:28:53.200
<v Speaker 2>a little hole on the side of the box and

0:28:53.280 --> 0:28:55.320
<v Speaker 2>eventually me get a little bit of a weight, a

0:28:55.320 --> 0:28:57.960
<v Speaker 2>little bit of weight off the top of this box.

0:28:58.400 --> 0:29:02.200
<v Speaker 2>And so he done and doug and dug. No one

0:29:02.360 --> 0:29:05.440
<v Speaker 2>knows how long he dug, but it was hours. It

0:29:05.480 --> 0:29:09.240
<v Speaker 2>was so long that he started to lose equilibrium. He

0:29:09.280 --> 0:29:11.840
<v Speaker 2>didn't know whether he was digging up or down. He

0:29:11.880 --> 0:29:14.520
<v Speaker 2>started to hallucinate. At one point he had a really

0:29:14.560 --> 0:29:17.440
<v Speaker 2>specific hallucination, you know, of a stairway and a hall

0:29:17.480 --> 0:29:20.240
<v Speaker 2>away and coming up into you know, these kidnappers chamber.

0:29:20.400 --> 0:29:24.480
<v Speaker 2>That didn't happen. You know. He was just completely exhausted.

0:29:24.880 --> 0:29:28.280
<v Speaker 2>But after many, many, many hours of digging, and at

0:29:28.280 --> 0:29:30.480
<v Speaker 2>one point Mike passed out and was revived by the

0:29:30.560 --> 0:29:32.440
<v Speaker 2>kids with some of the lasts of their water they

0:29:32.480 --> 0:29:34.120
<v Speaker 2>poured on him to help wake him up. They give

0:29:34.280 --> 0:29:37.120
<v Speaker 2>last some of the last their water, and you know,

0:29:37.240 --> 0:29:41.000
<v Speaker 2>with that same cowboy spirit, he went back up and

0:29:41.040 --> 0:29:44.720
<v Speaker 2>he kept digging again, and finally he managed to get

0:29:44.800 --> 0:29:46.880
<v Speaker 2>that weight off the roof, a little bit of weight

0:29:46.920 --> 0:29:49.600
<v Speaker 2>off the side of the roof of the box, and

0:29:50.080 --> 0:29:52.800
<v Speaker 2>break a piece of it, and then break another piece

0:29:52.840 --> 0:29:55.400
<v Speaker 2>and another piece. And as he broke these pieces off

0:29:55.440 --> 0:29:58.600
<v Speaker 2>the roof, sand would start to pour through quarry dirt,

0:29:58.720 --> 0:30:01.680
<v Speaker 2>quarry rocks, and and he broke a bigger piece and

0:30:01.720 --> 0:30:05.000
<v Speaker 2>a bigger piece, and finally this beam of light came through.

0:30:05.320 --> 0:30:08.160
<v Speaker 2>And in the film, one of our subjects, one of

0:30:08.160 --> 0:30:10.760
<v Speaker 2>the survivors, Larry, who was this little boy at the time,

0:30:10.880 --> 0:30:14.800
<v Speaker 2>described seeing that light, you know, and again his interpretation

0:30:15.000 --> 0:30:17.640
<v Speaker 2>was as a sort of a divine light, but there

0:30:17.720 --> 0:30:18.600
<v Speaker 2>was some trepidation.

0:30:18.760 --> 0:30:21.240
<v Speaker 1>Right, people are still thinking the kidnappers are up there.

0:30:21.560 --> 0:30:23.960
<v Speaker 1>There was one thing I'd love for you to describe.

0:30:24.040 --> 0:30:27.760
<v Speaker 1>You have a psychologist talking about the hallucinations and delusions

0:30:27.840 --> 0:30:30.480
<v Speaker 1>that especially with kids, can go through when they're deprived

0:30:30.480 --> 0:30:33.320
<v Speaker 1>of everything and they're frightened about I think it was

0:30:33.360 --> 0:30:36.720
<v Speaker 1>the girl who was one of them could clearly see

0:30:36.760 --> 0:30:40.600
<v Speaker 1>the kidnappers sleeping and sleeping bags on top of this chamber.

0:30:40.720 --> 0:30:42.640
<v Speaker 1>Can you talk just a little bit about that before

0:30:42.640 --> 0:30:44.640
<v Speaker 1>they're released and why they would be scared to get

0:30:44.640 --> 0:30:46.080
<v Speaker 1>out of that chamber to begin with?

0:30:46.320 --> 0:30:48.400
<v Speaker 2>Yeah, yeah, any thanks for bringing that up. That's important

0:30:48.400 --> 0:30:50.239
<v Speaker 2>stuff too. So you've got to remember, these kids are

0:30:50.240 --> 0:30:52.239
<v Speaker 2>down there for sixteen hours. You know, what are they

0:30:52.280 --> 0:30:54.960
<v Speaker 2>doing down there and in the dark, and what you

0:30:55.160 --> 0:30:59.560
<v Speaker 2>hear from them in their recollections are various copa mechanisms

0:30:59.560 --> 0:31:03.600
<v Speaker 2>that they're so. In the one case, one of our subjects, Larry,

0:31:04.040 --> 0:31:08.000
<v Speaker 2>who was five years old at the time, he was

0:31:08.040 --> 0:31:11.600
<v Speaker 2>sort of transporting himself to safer places. He was imagining

0:31:11.960 --> 0:31:15.560
<v Speaker 2>being camping with his family and those the two spaces

0:31:15.600 --> 0:31:17.760
<v Speaker 2>sort of merged for him in a way. That's like

0:31:17.800 --> 0:31:21.080
<v Speaker 2>almost sort of hallucinatory, you know, and he could almost

0:31:21.200 --> 0:31:24.360
<v Speaker 2>you know, smell you know, the campground, the fire burning,

0:31:24.480 --> 0:31:28.080
<v Speaker 2>and because that's that was Larry's happy, safe place with

0:31:28.160 --> 0:31:30.320
<v Speaker 2>his family. And you know, by the way, Larry's family

0:31:30.400 --> 0:31:32.120
<v Speaker 2>was also camping at the time. The rest of his

0:31:32.120 --> 0:31:34.560
<v Speaker 2>family was camping when this happened. Another little girl, who

0:31:34.640 --> 0:31:39.080
<v Speaker 2>was even younger than Larry, imagined that she could see

0:31:39.360 --> 0:31:42.320
<v Speaker 2>through what was the ceiling for her, you know, and

0:31:42.360 --> 0:31:45.440
<v Speaker 2>then sort of up through the floor and could see

0:31:45.680 --> 0:31:49.280
<v Speaker 2>kidnappers lying in what she imagined in her four year

0:31:49.320 --> 0:31:52.640
<v Speaker 2>old mind kidnappers hideout would look like, which is three

0:31:52.680 --> 0:31:56.280
<v Speaker 2>kidnappers weren't pajamas lying in bed with their guns, like

0:31:56.440 --> 0:31:59.720
<v Speaker 2>lying in three beds above them. This, of course wasn't true.

0:31:59.720 --> 0:32:02.080
<v Speaker 2>They appers were nowhere near there at the time. You know,

0:32:02.120 --> 0:32:05.080
<v Speaker 2>they had they had left. What the mind does, and

0:32:05.120 --> 0:32:07.160
<v Speaker 2>particularly the mind of a child does to try to

0:32:07.200 --> 0:32:09.400
<v Speaker 2>sort of make sense of this stuff. You don't really

0:32:09.560 --> 0:32:13.040
<v Speaker 2>understood any of that at the time. The part I

0:32:13.120 --> 0:32:17.120
<v Speaker 2>left out was this ed Ray was really concerned that

0:32:17.600 --> 0:32:19.760
<v Speaker 2>those kidnappers were still up there, and he had no

0:32:19.840 --> 0:32:22.440
<v Speaker 2>reason not to be, you know. That was the conservative

0:32:22.480 --> 0:32:25.800
<v Speaker 2>adult choice. They had guns. They pointed them at us,

0:32:26.120 --> 0:32:28.160
<v Speaker 2>you know, they had They had made Ed Ray take

0:32:28.200 --> 0:32:30.440
<v Speaker 2>off his h his clothes, and they left him in

0:32:30.480 --> 0:32:33.080
<v Speaker 2>his box or shorts, you know, whether to humiliate him

0:32:33.240 --> 0:32:36.680
<v Speaker 2>or or what. You know. But Ed's concern was that

0:32:37.080 --> 0:32:39.880
<v Speaker 2>they weren't there and he didn't want them to get killed.

0:32:40.200 --> 0:32:43.280
<v Speaker 2>And everyone respected that and understood that, and Mike understood that.

0:32:43.320 --> 0:32:45.600
<v Speaker 2>But there was a point at which Mike knew, look,

0:32:45.680 --> 0:32:48.600
<v Speaker 2>we're gonna die. We have to do something. So that's

0:32:48.640 --> 0:32:51.560
<v Speaker 2>when Mike sort of began to step in and take

0:32:51.640 --> 0:32:54.520
<v Speaker 2>over in that regard. So but even when when they

0:32:54.520 --> 0:32:58.920
<v Speaker 2>had gotten through, there is still this trepidation, a renewed

0:32:58.960 --> 0:33:02.200
<v Speaker 2>trepidation about who's up there. Are they going to poke

0:33:02.240 --> 0:33:04.960
<v Speaker 2>their head up and get shot. There's no reason to

0:33:04.960 --> 0:33:07.240
<v Speaker 2>think that that's not going to happen, you know. They

0:33:07.280 --> 0:33:10.120
<v Speaker 2>just know they have no other choice. And so Mike,

0:33:10.520 --> 0:33:13.000
<v Speaker 2>when he gets this thing open, he pokes his head

0:33:13.080 --> 0:33:17.480
<v Speaker 2>up through this hole into what is at that point

0:33:17.640 --> 0:33:20.880
<v Speaker 2>fading daylight, but still much brighter than anything he'd seen

0:33:20.920 --> 0:33:23.120
<v Speaker 2>for a long time. So his eyes are adjusting and

0:33:23.280 --> 0:33:25.920
<v Speaker 2>they're no kidnappers. He sees no kidnappers. He sees, in fact,

0:33:25.960 --> 0:33:31.640
<v Speaker 2>nothing except dirt and you know, cory, sand and trees.

0:33:31.760 --> 0:33:33.680
<v Speaker 2>He doesn't know where the hell he is. And so

0:33:34.240 --> 0:33:36.960
<v Speaker 2>one by one Ed hands up the kids to Mike,

0:33:37.240 --> 0:33:39.280
<v Speaker 2>you know that they're all on the surface, and Ed,

0:33:39.760 --> 0:33:43.520
<v Speaker 2>you know, takes over once again and shepherds them through

0:33:43.600 --> 0:33:45.920
<v Speaker 2>this space to who knows where. They don't know where

0:33:45.920 --> 0:33:47.479
<v Speaker 2>they are, they don't know where the kidnappers are. There.

0:33:47.560 --> 0:33:50.680
<v Speaker 2>They're being super quiet. Mike is actually is not in

0:33:50.680 --> 0:33:52.920
<v Speaker 2>the movie, but he can't put everything in the movie.

0:33:52.960 --> 0:33:55.800
<v Speaker 2>But Mike was actually laying back and trying to keep

0:33:55.800 --> 0:33:58.160
<v Speaker 2>an eye out and going from sort of scrub to scrub,

0:33:58.320 --> 0:34:00.320
<v Speaker 2>you know, in cover, to try it see if you

0:34:00.320 --> 0:34:03.040
<v Speaker 2>could see anybody. But what happened was they crested a

0:34:03.080 --> 0:34:07.680
<v Speaker 2>little hill and they saw a quarry, like an active

0:34:07.840 --> 0:34:11.160
<v Speaker 2>working quarry, and then they saw a worker like at

0:34:11.160 --> 0:34:13.640
<v Speaker 2>first they see this figure and they say, oh my god,

0:34:13.680 --> 0:34:15.840
<v Speaker 2>it's one of them, and then they realize it's a

0:34:15.920 --> 0:34:18.759
<v Speaker 2>quarry worker. And he says, the whole world has been

0:34:18.800 --> 0:34:21.680
<v Speaker 2>looking for you, because it's been everywhere. You know. What

0:34:22.160 --> 0:34:24.400
<v Speaker 2>we don't know is what's going above ground this whole time.

0:34:24.600 --> 0:34:26.640
<v Speaker 1>This is a total what sixteen hours. Is that right?

0:34:27.040 --> 0:34:29.799
<v Speaker 2>Well, you've got eleven hours in the vans and then

0:34:29.800 --> 0:34:33.520
<v Speaker 2>you've got sixteen underground. And so by this point, one

0:34:33.560 --> 0:34:36.719
<v Speaker 2>of the many things that kidnappers didn't consider was that

0:34:36.800 --> 0:34:39.800
<v Speaker 2>if you kidnap twenty six children, there will be a massive,

0:34:39.960 --> 0:34:43.840
<v Speaker 2>massive outrage and huge news story. And that's exactly what happened.

0:34:44.320 --> 0:34:46.160
<v Speaker 2>It was all over the wires. It was, you know,

0:34:46.320 --> 0:34:50.239
<v Speaker 2>chac Chila was flooded with press from everywhere. You know,

0:34:50.280 --> 0:34:53.400
<v Speaker 2>there's one story of a reporter getting out of a

0:34:53.400 --> 0:34:56.160
<v Speaker 2>cab from Los Angeles, you know, paying in canrash like

0:34:56.560 --> 0:34:59.480
<v Speaker 2>you know, that's a long cab ride, and you know,

0:34:59.520 --> 0:35:02.720
<v Speaker 2>it was covered, it was covered internationally. It was a massive,

0:35:02.719 --> 0:35:06.239
<v Speaker 2>massive story. And so on the kidnappers side, they went

0:35:06.280 --> 0:35:09.359
<v Speaker 2>to call on this ransom and they couldn't get through.

0:35:09.840 --> 0:35:11.759
<v Speaker 2>And you would have thought that they would have been

0:35:11.800 --> 0:35:14.920
<v Speaker 2>industrious enough to find another way to make a ransom request,

0:35:15.320 --> 0:35:19.560
<v Speaker 2>but they either were not or chose not to. And

0:35:19.640 --> 0:35:21.520
<v Speaker 2>you know, the kidnapping side is a whole nother story.

0:35:21.800 --> 0:35:26.120
<v Speaker 1>Yeah, the kids and Ed get to safety and I'm

0:35:26.160 --> 0:35:30.439
<v Speaker 1>sure you know, the authorities debrief them and the first

0:35:30.520 --> 0:35:34.160
<v Speaker 1>questions are where besides are you okay, and how are you?

0:35:34.239 --> 0:35:36.719
<v Speaker 1>It's you know, how do we figure out who these

0:35:36.760 --> 0:35:37.360
<v Speaker 1>people are?

0:35:37.640 --> 0:35:37.839
<v Speaker 2>Right?

0:35:37.880 --> 0:35:39.600
<v Speaker 1>Who kidnapped you? Because they're out there.

0:35:40.000 --> 0:35:42.399
<v Speaker 2>Yeah. I mean, I think one of the striking things

0:35:42.440 --> 0:35:45.000
<v Speaker 2>is that these kids who were kidnapped, you know, their

0:35:45.040 --> 0:35:48.600
<v Speaker 2>bus was kidnapped or then loaded onto a bus and

0:35:48.760 --> 0:35:54.879
<v Speaker 2>driven to the only place nearby where they can question them,

0:35:54.920 --> 0:35:57.360
<v Speaker 2>and it's a jail. These kids are driven to a

0:35:57.440 --> 0:36:01.200
<v Speaker 2>jail and they are you know, everyone is very kind

0:36:01.239 --> 0:36:03.880
<v Speaker 2>to them. You know, these were you know, hardworking police

0:36:03.880 --> 0:36:06.319
<v Speaker 2>and detective and investigators and you know, you know they're

0:36:06.600 --> 0:36:08.600
<v Speaker 2>doing their jobs, but it's it's a sort of a

0:36:09.120 --> 0:36:11.440
<v Speaker 2>crazy irony. You know that they're loaded back onto a

0:36:11.440 --> 0:36:13.680
<v Speaker 2>bus and driven in this place, and you know, they're

0:36:13.960 --> 0:36:17.880
<v Speaker 2>clothes are soiled, and so they're given adult prison jumpsuits.

0:36:17.920 --> 0:36:20.759
<v Speaker 2>So there are these images in the film of these

0:36:20.760 --> 0:36:23.839
<v Speaker 2>little kids wearing these white prison jumpsuits that are rolled up,

0:36:24.160 --> 0:36:26.000
<v Speaker 2>you know, in their little legs and arms. It's like

0:36:26.040 --> 0:36:28.640
<v Speaker 2>it's just heartbreaking, but they were happy to be alive,

0:36:29.000 --> 0:36:30.719
<v Speaker 2>and I think the trauma that was to come, it

0:36:30.760 --> 0:36:33.319
<v Speaker 2>really was. They didn't they were really quite understood at

0:36:33.360 --> 0:36:35.920
<v Speaker 2>the time, and so they were questioned and then it

0:36:35.960 --> 0:36:38.440
<v Speaker 2>became about who did this. They were questioned by the

0:36:38.440 --> 0:36:40.600
<v Speaker 2>police and the FBI, and then they were put on

0:36:40.640 --> 0:36:42.560
<v Speaker 2>another bus and driven back to jud Chua, where they

0:36:42.560 --> 0:36:47.160
<v Speaker 2>were reunited with their parents. Wow, so there's a you know,

0:36:47.400 --> 0:36:49.839
<v Speaker 2>nationwide manhunt. They're trying to figure out who the hell

0:36:49.880 --> 0:36:53.680
<v Speaker 2>did this, and eventually they put the pieces together and

0:36:54.160 --> 0:36:57.799
<v Speaker 2>discover that the people who are responsible are not you know,

0:36:57.840 --> 0:36:59.480
<v Speaker 2>there were all kinds of theories about who this could

0:36:59.480 --> 0:37:01.600
<v Speaker 2>have been. You know, it's nineteen seventy six, right, so

0:37:01.960 --> 0:37:04.560
<v Speaker 2>you had skyjackings at the time, you had you know,

0:37:04.840 --> 0:37:07.600
<v Speaker 2>judges getting kidnapped. It was crazy. Nineteen seventy six was

0:37:07.600 --> 0:37:10.600
<v Speaker 2>a crazy time, and so a lot of motives respect

0:37:10.640 --> 0:37:12.480
<v Speaker 2>and people thought it might be the Moonies. There was

0:37:12.600 --> 0:37:14.560
<v Speaker 2>you know, really no one knew what the hell was

0:37:14.600 --> 0:37:17.520
<v Speaker 2>going on. Some people thought they just were abducted, like

0:37:17.600 --> 0:37:21.960
<v Speaker 2>by aliens. So it's really every every conceivable because they

0:37:22.040 --> 0:37:24.719
<v Speaker 2>really ditches of ash and so what was what they

0:37:24.719 --> 0:37:28.040
<v Speaker 2>discovered was the wasn't any set of mass or criminals.

0:37:28.080 --> 0:37:30.920
<v Speaker 2>It was three young men in their twenties, and they

0:37:30.920 --> 0:37:33.680
<v Speaker 2>were not the young man that anyone would have supposed

0:37:33.719 --> 0:37:37.040
<v Speaker 2>that they would be. They were in fact, wealthy kids

0:37:37.080 --> 0:37:39.040
<v Speaker 2>from the Portola Valley. It was a very nice area

0:37:39.040 --> 0:37:42.279
<v Speaker 2>of California, very nice. Two of them were brothers who

0:37:42.360 --> 0:37:45.960
<v Speaker 2>were the sons of a local doctor, and the other

0:37:46.000 --> 0:37:50.080
<v Speaker 2>one was a guy named Fred Woods. And Fred Woods

0:37:50.719 --> 0:37:55.920
<v Speaker 2>was from a family that was incredibly wealthy. They were

0:37:55.960 --> 0:37:58.759
<v Speaker 2>an old money family. They had one hundred and fifty

0:37:58.800 --> 0:38:04.840
<v Speaker 2>thousand acres of rancho. They basically built the San Francisco Railroad. Okay,

0:38:05.000 --> 0:38:07.400
<v Speaker 2>so that's it's like as old as old money can be.

0:38:07.840 --> 0:38:11.880
<v Speaker 2>And in fact, Fred had you know, many, many, many, many,

0:38:11.920 --> 0:38:14.839
<v Speaker 2>many tens of millions of dollar inheritance that he would

0:38:14.840 --> 0:38:17.960
<v Speaker 2>have gotten had he just waited. But he had a

0:38:18.000 --> 0:38:21.400
<v Speaker 2>strange relationship with his father about money, and he wanted

0:38:21.440 --> 0:38:24.600
<v Speaker 2>to do his own thing, and he was you know,

0:38:24.640 --> 0:38:26.560
<v Speaker 2>the film gets into all this stuff, you know, much

0:38:26.800 --> 0:38:29.279
<v Speaker 2>much more deeply. But I think these were not people

0:38:29.320 --> 0:38:31.799
<v Speaker 2>who needed the money. They were people who wanted the

0:38:31.800 --> 0:38:35.080
<v Speaker 2>money and who wanted an adventure. They wanted a caper,

0:38:35.760 --> 0:38:38.360
<v Speaker 2>they wanted to do something in the case of the

0:38:38.360 --> 0:38:41.400
<v Speaker 2>brothers that was sort of bold and adventurous and challenging,

0:38:41.560 --> 0:38:44.560
<v Speaker 2>which sort of that component of it is almost relatable.

0:38:44.640 --> 0:38:47.239
<v Speaker 2>But then you go but didn't you think about the

0:38:47.760 --> 0:38:49.880
<v Speaker 2>kids that we were going to get nap? Like, yeah,

0:38:49.920 --> 0:38:51.640
<v Speaker 2>that didn't occur to you in your you know, in

0:38:51.680 --> 0:38:54.200
<v Speaker 2>your adventure, in your venture narrative you concocted.

0:38:54.440 --> 0:38:57.560
<v Speaker 1>But you know, the way they constructed that chamber, which

0:38:57.640 --> 0:38:59.919
<v Speaker 1>was a ended up being a moving truck, is that right?

0:39:00.280 --> 0:39:03.120
<v Speaker 2>Yeah? They eventually discovered that the chamber that had been

0:39:03.440 --> 0:39:06.880
<v Speaker 2>constructed was in fact built from the back of an

0:39:06.920 --> 0:39:08.040
<v Speaker 2>old style moving van.

0:39:08.280 --> 0:39:08.560
<v Speaker 1>Wow.

0:39:08.680 --> 0:39:10.799
<v Speaker 2>And like the toilets were in the wheel wells, they

0:39:10.920 --> 0:39:12.000
<v Speaker 2>drilled out the wheel wells.

0:39:12.160 --> 0:39:14.319
<v Speaker 1>To me, the way they constructed this and you know,

0:39:14.360 --> 0:39:16.520
<v Speaker 1>they've got the cage on top, and they've got these

0:39:16.840 --> 0:39:20.160
<v Speaker 1>truck batteries and they pulled up the ladder, it doesn't

0:39:20.160 --> 0:39:23.160
<v Speaker 1>seem to me like these three guys intended to come back.

0:39:23.719 --> 0:39:25.080
<v Speaker 1>I mean, it just seemed like they were trying to

0:39:25.080 --> 0:39:28.440
<v Speaker 1>make this permanent and this is you know, they're going

0:39:28.520 --> 0:39:30.239
<v Speaker 1>to ask for a ransom. I don't know, it just

0:39:30.239 --> 0:39:33.480
<v Speaker 1>seemed odd like they weren't going to give provisions anymore.

0:39:33.800 --> 0:39:35.120
<v Speaker 1>What do you think they were thinking?

0:39:35.440 --> 0:39:37.239
<v Speaker 2>I mean, I do think they were going to come back.

0:39:37.280 --> 0:39:39.880
<v Speaker 2>I think that there was you know, a ransom crime.

0:39:40.040 --> 0:39:42.200
<v Speaker 2>In fact, they had. It was just a sort of

0:39:42.520 --> 0:39:47.040
<v Speaker 2>half baked, insane, bizarrely complicated. You know. The film goes

0:39:47.080 --> 0:39:49.719
<v Speaker 2>into some details of what their intended plan was. That

0:39:50.040 --> 0:39:54.040
<v Speaker 2>you know, involved like a fully blacked out Cadillac, you know,

0:39:54.160 --> 0:39:58.960
<v Speaker 2>throwing dummies out of airplanes. Like it's a crazy, crazy,

0:39:59.080 --> 0:40:01.960
<v Speaker 2>wackadoo plan, and that didn't actually ultimately make a lick

0:40:01.960 --> 0:40:04.759
<v Speaker 2>of sense or have any chance of working. You know,

0:40:04.960 --> 0:40:08.799
<v Speaker 2>as complicated as it was, it was ultimately like relatively idiotic.

0:40:09.120 --> 0:40:11.319
<v Speaker 2>One of the sort of starting points for that plan

0:40:11.520 --> 0:40:13.800
<v Speaker 2>was one of them had read an article that said

0:40:13.800 --> 0:40:17.240
<v Speaker 2>that California had a five million dollar budgets or plus

0:40:17.280 --> 0:40:20.719
<v Speaker 2>that year. They had decided like, well, you know what

0:40:20.840 --> 0:40:25.160
<v Speaker 2>if we take a city vehicle like a school bus,

0:40:25.400 --> 0:40:27.480
<v Speaker 2>we can then leverage state of California.

0:40:27.560 --> 0:40:27.680
<v Speaker 1>You know.

0:40:27.760 --> 0:40:31.520
<v Speaker 2>It's just insane, yeah, and ridiculous, you know, like they're

0:40:31.560 --> 0:40:33.759
<v Speaker 2>like they're just gonna get a bag of five million

0:40:33.800 --> 0:40:36.160
<v Speaker 2>bucks and drop it somewhere. But w was the idea.

0:40:36.320 --> 0:40:39.879
<v Speaker 2>They claimed to have been intending to return with more provisions.

0:40:40.239 --> 0:40:41.879
<v Speaker 2>I don't think they thought it was gonna last quite

0:40:41.920 --> 0:40:46.239
<v Speaker 2>so long. The brothers were impressionable early twenties guys that

0:40:46.320 --> 0:40:50.240
<v Speaker 2>were I think largely under the influence of fred Woods,

0:40:50.239 --> 0:40:53.120
<v Speaker 2>who was I think in many ways the ringleader for

0:40:53.160 --> 0:40:56.080
<v Speaker 2>the operation, even though one of the brothers was really

0:40:56.160 --> 0:41:00.680
<v Speaker 2>more logistically inclined. But fred Woods. I think it's pretty

0:41:00.680 --> 0:41:03.600
<v Speaker 2>clear fred Wood's you know, as a sociopath, you know,

0:41:03.640 --> 0:41:05.920
<v Speaker 2>based on how he was over the years in prison.

0:41:06.120 --> 0:41:08.200
<v Speaker 2>I mean, the movie goes into it more, you know,

0:41:08.760 --> 0:41:11.520
<v Speaker 2>his behavior after the fact, but yeah, he really sort

0:41:11.560 --> 0:41:15.560
<v Speaker 2>of really eliminates any question about you know, his character.

0:41:16.080 --> 0:41:20.279
<v Speaker 1>And this where they buried these kids and ed was

0:41:20.360 --> 0:41:25.120
<v Speaker 1>on fred Woods's father's property. It was a quarry, right.

0:41:25.239 --> 0:41:28.239
<v Speaker 2>That's right. Yeah, So ultimately what they discovered is that

0:41:28.520 --> 0:41:32.560
<v Speaker 2>the property that they have buried these kids in is

0:41:32.840 --> 0:41:37.760
<v Speaker 2>owned by fred Wood's father. He owns the quarry, among

0:41:37.960 --> 0:41:39.560
<v Speaker 2>you know, a whole lot of other things.

0:41:39.800 --> 0:41:43.879
<v Speaker 1>So we get enough to charge them, Police charge them,

0:41:43.960 --> 0:41:46.960
<v Speaker 1>and then they go on trial. Is there any doubt

0:41:47.160 --> 0:41:49.759
<v Speaker 1>that they're going to be convicted? And I have to

0:41:49.800 --> 0:41:53.960
<v Speaker 1>assume that the kid's families are all there waiting to

0:41:53.960 --> 0:41:54.840
<v Speaker 1>see what happens.

0:41:55.360 --> 0:41:57.880
<v Speaker 2>Yeah, I think a little bit slow, but this obviously

0:41:57.960 --> 0:41:59.480
<v Speaker 2>was a big case on big trial, and so it

0:41:59.520 --> 0:42:03.160
<v Speaker 2>moved relative quickly through court system and what their defense

0:42:03.400 --> 0:42:06.839
<v Speaker 2>was was that there was no bodily harm. Every kid

0:42:06.960 --> 0:42:10.560
<v Speaker 2>in there was severely traumatized, every single one of them.

0:42:11.080 --> 0:42:14.320
<v Speaker 2>Their lives were really really fucked up by what happened

0:42:14.360 --> 0:42:17.879
<v Speaker 2>to them. But the defense attorney made this argument, and

0:42:18.880 --> 0:42:21.520
<v Speaker 2>ultimately they ended up doing quite a bit of time,

0:42:21.719 --> 0:42:25.480
<v Speaker 2>but they did all eventually get parole. The last one,

0:42:25.680 --> 0:42:28.200
<v Speaker 2>Fred Woods, was in there a good deal longer other

0:42:28.280 --> 0:42:30.279
<v Speaker 2>than the brothers, and he is now free.

0:42:30.160 --> 0:42:33.120
<v Speaker 1>So you know, and there were some powerful people who

0:42:33.120 --> 0:42:39.080
<v Speaker 1>were advocating for these three guys thirty forty years later

0:42:39.440 --> 0:42:44.160
<v Speaker 1>to get out. But also I was surprised that there

0:42:44.360 --> 0:42:48.920
<v Speaker 1>was at least one of the survivors who thought they

0:42:48.960 --> 0:42:52.239
<v Speaker 1>should be out too. But I think the insinuation was

0:42:52.280 --> 0:42:54.400
<v Speaker 1>maybe that was a payoff or no.

0:42:55.080 --> 0:42:59.799
<v Speaker 2>There are allegations that seem at the very least very likely.

0:43:00.200 --> 0:43:03.360
<v Speaker 2>What we know is that one of the key investigators

0:43:03.360 --> 0:43:05.680
<v Speaker 2>on the case from almost years ago, a guy named

0:43:05.760 --> 0:43:09.800
<v Speaker 2>Dale four, was years later hired by Fred Woods, who remember,

0:43:09.880 --> 0:43:12.040
<v Speaker 2>has a tremendous amount of money. He eventually gets that

0:43:12.280 --> 0:43:13.520
<v Speaker 2>inheritance when he's in prison.

0:43:13.640 --> 0:43:15.560
<v Speaker 1>It's like one hundred million, right, Yeah, he.

0:43:15.520 --> 0:43:18.680
<v Speaker 2>Got a lot of money, and so you know, he

0:43:18.760 --> 0:43:22.400
<v Speaker 2>can kind of do what he wants with that money.

0:43:22.760 --> 0:43:26.279
<v Speaker 2>He hires Dale four, who was an investigator on the case,

0:43:26.280 --> 0:43:30.920
<v Speaker 2>so the kids remember fondly and Dale four allegedly started

0:43:30.960 --> 0:43:34.560
<v Speaker 2>to approach survivors to try to influence the way that

0:43:34.600 --> 0:43:39.000
<v Speaker 2>the parole hearings would go, and eventually Fred Woods has

0:43:39.040 --> 0:43:42.520
<v Speaker 2>a relationship with one of the survivors. You know, it

0:43:42.560 --> 0:43:47.560
<v Speaker 2>seems like their likely was money exchanged. It's all pretty

0:43:47.800 --> 0:43:50.799
<v Speaker 2>horrible and sortid, and I think pretty on brand for

0:43:50.840 --> 0:43:52.400
<v Speaker 2>a guy who would come up with this crime in

0:43:52.400 --> 0:43:53.000
<v Speaker 2>the first place.

0:43:53.280 --> 0:43:56.080
<v Speaker 1>Yeah, and you do go into detail about Fred in

0:43:56.239 --> 0:44:00.440
<v Speaker 1>prison versus the other two brothers. You know that Fred

0:44:01.080 --> 0:44:04.799
<v Speaker 1>was very manipulative and use the system. And I have

0:44:04.880 --> 0:44:08.600
<v Speaker 1>not how was he able to access that money while

0:44:08.640 --> 0:44:11.200
<v Speaker 1>he was in prison? Is there not a law that

0:44:11.239 --> 0:44:12.520
<v Speaker 1>precludes that from happening.

0:44:12.880 --> 0:44:14.880
<v Speaker 2>I mean, I can't speak to I can't speak to

0:44:14.920 --> 0:44:16.759
<v Speaker 2>the lawn. What I can tell you is, you know,

0:44:17.040 --> 0:44:18.840
<v Speaker 2>you can get a cell phone in prison pretty easily.

0:44:19.200 --> 0:44:23.440
<v Speaker 2>And yeah, you know Fred had cell phones. Again and

0:44:23.440 --> 0:44:25.480
<v Speaker 2>again he had cell phones, and he was running businesses,

0:44:25.560 --> 0:44:28.239
<v Speaker 2>a lot of businesses. He was trying to you know,

0:44:28.280 --> 0:44:30.680
<v Speaker 2>he had a gold mine that he was getting going.

0:44:30.920 --> 0:44:34.200
<v Speaker 2>He was buying and selling a lot of cars. In fact,

0:44:34.200 --> 0:44:38.680
<v Speaker 2>at one point he bought back the kidnapping bands because

0:44:38.719 --> 0:44:41.600
<v Speaker 2>he thought they would be valuable. Yeah, it's just so dark.

0:44:42.160 --> 0:44:45.440
<v Speaker 1>So where are the three kidnappers now? Do we have

0:44:45.480 --> 0:44:47.359
<v Speaker 1>any idea? Did they just vanish?

0:44:47.440 --> 0:44:50.400
<v Speaker 2>They're free, living their lives. I don't think that the

0:44:51.160 --> 0:44:54.400
<v Speaker 2>survivors are scared that they're gonna that these guys are

0:44:54.400 --> 0:44:56.600
<v Speaker 2>going to get them again. But I do think that

0:44:57.239 --> 0:45:00.640
<v Speaker 2>many of them fell very strongly that they shouldn't and released.

0:45:01.000 --> 0:45:04.120
<v Speaker 2>That was that's my own impression. Those guys are pretty

0:45:04.120 --> 0:45:06.840
<v Speaker 2>old now, It wasn't my impression of the survivors actually

0:45:06.840 --> 0:45:09.040
<v Speaker 2>felt like they were going to get them. But I mean,

0:45:09.040 --> 0:45:11.240
<v Speaker 2>in particular Fred Woods, the way he behaved in prison,

0:45:11.400 --> 0:45:13.400
<v Speaker 2>Like you know, it's just just no indication of this

0:45:13.480 --> 0:45:15.720
<v Speaker 2>guy's character has changed at all.

0:45:16.200 --> 0:45:19.040
<v Speaker 1>Right, I guess if we endier on sort of the

0:45:19.120 --> 0:45:23.200
<v Speaker 1>long lasting ramifications of what happened with them. I remember

0:45:23.239 --> 0:45:25.440
<v Speaker 1>the story of the woman who said she lives in

0:45:25.480 --> 0:45:28.920
<v Speaker 1>a tornado ridden state and she has to you know,

0:45:28.960 --> 0:45:32.920
<v Speaker 1>they needed a tornado shelter, but they couldn't put an underground,

0:45:32.920 --> 0:45:36.239
<v Speaker 1>which is understandable because of everything she went through and

0:45:36.640 --> 0:45:38.839
<v Speaker 1>how difficult things like that are. And there was another

0:45:38.880 --> 0:45:41.319
<v Speaker 1>person who talked about being triggered by men just in

0:45:41.360 --> 0:45:45.279
<v Speaker 1>general in some ways. You know. So while they might

0:45:45.320 --> 0:45:47.319
<v Speaker 1>not be scared that, you know, these guys are going

0:45:47.360 --> 0:45:49.920
<v Speaker 1>to come after them, necessarily that specter's there and it

0:45:49.960 --> 0:45:52.560
<v Speaker 1>doesn't go away, and so there are all of these

0:45:52.719 --> 0:45:55.759
<v Speaker 1>you know, shades coming at them. So can you talk

0:45:55.760 --> 0:45:56.560
<v Speaker 1>a little bit about that.

0:45:56.840 --> 0:45:58.640
<v Speaker 2>Yeah, I mean, I think the point is not that

0:45:58.680 --> 0:46:00.600
<v Speaker 2>they're afraid that these guys are going to come after

0:46:00.719 --> 0:46:03.279
<v Speaker 2>and the point is that these guys never left them.

0:46:03.600 --> 0:46:06.120
<v Speaker 2>Everyone I talked to described in one way or another

0:46:06.320 --> 0:46:09.280
<v Speaker 2>sort of leaving part of themselves down there and spending

0:46:09.320 --> 0:46:11.880
<v Speaker 2>the rest of their lives fighting trying to find some

0:46:11.960 --> 0:46:14.440
<v Speaker 2>way to make it to get it back. And they

0:46:14.440 --> 0:46:16.960
<v Speaker 2>tried all different things, you know, all these different all

0:46:17.000 --> 0:46:19.480
<v Speaker 2>these kids went through all kinds of different shit. You know,

0:46:19.760 --> 0:46:21.839
<v Speaker 2>like there was a there was you know, a lot

0:46:21.840 --> 0:46:24.239
<v Speaker 2>of there was alcoholism, there was substance abuse. You know,

0:46:24.320 --> 0:46:27.839
<v Speaker 2>some people were committing crimes themselves. Mike Marshall tells very

0:46:27.920 --> 0:46:30.120
<v Speaker 2>candidly in the movie what he went through, and it's

0:46:30.160 --> 0:46:32.480
<v Speaker 2>a lot. Thank god, you know, some of them have

0:46:33.120 --> 0:46:35.160
<v Speaker 2>been able to build lives for themselves, you know, And

0:46:35.160 --> 0:46:36.799
<v Speaker 2>I think that's one of the most one of the

0:46:36.800 --> 0:46:40.680
<v Speaker 2>most powerful things to me about about what happened is

0:46:40.719 --> 0:46:43.920
<v Speaker 2>that in a way, it's sort of simultaneously a story

0:46:43.960 --> 0:46:47.680
<v Speaker 2>about the fragility of the human spirit and how vulnerable

0:46:47.800 --> 0:46:50.520
<v Speaker 2>we are, especially as children. And then on the other hand,

0:46:51.160 --> 0:46:53.640
<v Speaker 2>there's still this sort of incredible resilience, you know, and

0:46:53.680 --> 0:46:56.200
<v Speaker 2>this this will to push forward, you know, to see

0:46:56.280 --> 0:46:59.640
<v Speaker 2>how the survivors of this thing, despite everything they've been through,

0:46:59.680 --> 0:47:03.120
<v Speaker 2>and it is a lot, have managed to make lives

0:47:03.120 --> 0:47:06.600
<v Speaker 2>for themselves, and also to understand that they are that

0:47:06.640 --> 0:47:09.040
<v Speaker 2>they really are still affected by the kid appen of

0:47:09.080 --> 0:47:12.400
<v Speaker 2>this day. That is just hugely powerful, you know, And

0:47:12.440 --> 0:47:16.520
<v Speaker 2>I think ultimately it's a story about how how precious

0:47:16.600 --> 0:47:19.000
<v Speaker 2>childhood is, you know, and how we should do everything

0:47:19.040 --> 0:47:20.359
<v Speaker 2>we possibly can to protect it.

0:47:20.480 --> 0:47:20.640
<v Speaker 1>You know.

0:47:20.719 --> 0:47:22.560
<v Speaker 2>When I came to this, it was a lot you know,

0:47:22.840 --> 0:47:24.600
<v Speaker 2>many years ago. When I first came to the story,

0:47:25.000 --> 0:47:28.000
<v Speaker 2>it drew me in from this sort of spectacle of

0:47:28.040 --> 0:47:31.879
<v Speaker 2>the true crime itself, and the deeper I got into

0:47:31.920 --> 0:47:34.240
<v Speaker 2>it and older I got, you know, I got married,

0:47:34.280 --> 0:47:36.680
<v Speaker 2>I had a kid, you know like and I made

0:47:36.680 --> 0:47:40.239
<v Speaker 2>this movie as a new father, you know, and so

0:47:40.560 --> 0:47:42.840
<v Speaker 2>it had a very different resonance, you know, for me

0:47:42.920 --> 0:47:46.600
<v Speaker 2>than it did when it started. The absurdity and craziness,

0:47:46.760 --> 0:47:49.239
<v Speaker 2>you know, of the crime itself, it's not lost on me,

0:47:49.760 --> 0:47:52.240
<v Speaker 2>you know. It's it's like out of a Coen Brothers movie.

0:47:52.280 --> 0:47:55.040
<v Speaker 2>It's nuts. It's just completely nuts, and so are the characters.

0:47:55.440 --> 0:47:58.880
<v Speaker 2>You can never understand it. But when you've done everything

0:47:58.920 --> 0:48:01.040
<v Speaker 2>you can to try to try to put yourself in

0:48:01.080 --> 0:48:03.560
<v Speaker 2>this position and to live in there with them and Toga,

0:48:03.560 --> 0:48:05.600
<v Speaker 2>I don't understand how they're living now, you know, you

0:48:05.680 --> 0:48:07.960
<v Speaker 2>realize that, you know, this movie is about a lot

0:48:08.000 --> 0:48:08.960
<v Speaker 2>more than just a crime.

0:48:20.480 --> 0:48:23.360
<v Speaker 1>If you love historical true crime stories, check out the

0:48:23.400 --> 0:48:26.440
<v Speaker 1>audio versions of my books The Sinners, All About the

0:48:26.480 --> 0:48:29.640
<v Speaker 1>Ghost Club, All That Is Wicked, and American Sherlock and

0:48:29.719 --> 0:48:33.000
<v Speaker 1>Don't Forget There are twelve seasons of my historical true

0:48:33.000 --> 0:48:37.520
<v Speaker 1>crime podcast, Tenfold More Wicked right here in this podcast feed,

0:48:37.800 --> 0:48:40.520
<v Speaker 1>scroll back and give them a listen if you haven't already.

0:48:40.920 --> 0:48:44.440
<v Speaker 1>This has been an exactly right production. Our senior producer

0:48:44.520 --> 0:48:48.920
<v Speaker 1>is Alexis M. Morosi. Our associate producer is Christina Chamberlain.

0:48:49.280 --> 0:48:52.880
<v Speaker 1>This episode was mixed by John Bradley. Curtis Heath is

0:48:52.920 --> 0:48:57.880
<v Speaker 1>our composer. Artwork by Nick Toga. Executive produced by Georgia Hartstark,

0:48:58.080 --> 0:49:02.120
<v Speaker 1>Karen Kilgarriff and Danielle Kramer. Follow Wicked Words on Instagram

0:49:02.160 --> 0:49:05.719
<v Speaker 1>and Facebook at tenfold more Wicked and on Twitter at

0:49:05.760 --> 0:49:08.400
<v Speaker 1>tenfold more and if you know of a historical crime

0:49:08.400 --> 0:49:11.000
<v Speaker 1>that could use some attention from the crew at tenfold

0:49:11.000 --> 0:49:15.680
<v Speaker 1>more Wicked, email us at info at tenfoldmore wicked dot com.

0:49:15.719 --> 0:49:18.799
<v Speaker 1>We'll also take your suggestions for true crime authors for

0:49:18.880 --> 0:49:19.680
<v Speaker 1>Wicked Words