WEBVTT - From the Vault: Myth-Fleshed Fossil

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<v Speaker 1>Hey, Welcome to Stuff to Blow your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and it's Saturday.

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<v Speaker 1>Time to venture down into the darkness of the vault.

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<v Speaker 1>This time there are monsters in the vault, and perhaps

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<v Speaker 1>dinosaurs and previous dark creatures as well. This episode originally

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<v Speaker 1>aired June two thousand sixteen, and it is our episode

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<v Speaker 1>about geo mythology and the relationship between fossils of ancient

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<v Speaker 1>extinct organisms and the best mythical monsters of all time.

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<v Speaker 1>That's right. This is a perfect rearing of this episode

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<v Speaker 1>because we just published our new episode about the idea

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<v Speaker 1>of a Cambodian Steaga saucus. Oh yeah, that was a

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<v Speaker 1>lot of fun. Yeah, And and I believe we referenced

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<v Speaker 1>this episode in the Steaga Staris episode. Yes, we do.

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<v Speaker 1>So if you were wondering what are they talking about here,

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<v Speaker 1>you're about to find out. All right, let's dive in.

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. The hunt grows tense. It's been three

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<v Speaker 1>days since you last caught the trail of deer through

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<v Speaker 1>the wilderness, and your hunger, the hunger of the tribe

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<v Speaker 1>mounts toward a breaking point. And so with bow and arrow,

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<v Speaker 1>fire and amulet, you've wandered beyond the limits of the

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<v Speaker 1>fall hunt. You've tracked your quarry into the rocky hills beyond,

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<v Speaker 1>and here, amid these strange rocky outcroppings, you happen upon

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<v Speaker 1>a cave. You know, animals sometimes venture into these places

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<v Speaker 1>for shelter, perhaps water or salt, so you venture in

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<v Speaker 1>as well. You find nothing in the cave save a

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<v Speaker 1>few dry sticks, but as night falls you build a

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<v Speaker 1>small fire against the cold. As the flames illuminate the

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<v Speaker 1>cavern walls, you suddenly make out the shattered form of

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<v Speaker 1>bones in the rock, bones as solid as the stone itself.

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<v Speaker 1>In the dancing glow, they describe a form you've never

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<v Speaker 1>seen before, and it instantly makes you wonder where the

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<v Speaker 1>deer have gone, What things beyond the scope of your

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<v Speaker 1>experience thrive here amid the stony hills you've dared to

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<v Speaker 1>hunt for. The bones describe a thing twice the height

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<v Speaker 1>of a man, hornet and clawed, a talent toothed, and

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<v Speaker 1>with a rib cage or large enough to swallow you,

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<v Speaker 1>your family, the entire tribe, all of it within the

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<v Speaker 1>dark hell of its hunger. Hey, welcome to stuff to

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<v Speaker 1>bloil your mind. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick. And Robert. What were you getting at in

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<v Speaker 1>that little story there, Well, basically about finding some bones, uh,

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<v Speaker 1>not knowing what those bones are from, and having to

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<v Speaker 1>sort of fill in the holes, fill in the details.

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<v Speaker 1>Well maybe with a little myth making. Yeah, I want

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<v Speaker 1>to put you in just a strange frame of mind

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<v Speaker 1>you might not be used to. We we all know

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<v Speaker 1>about fossils. We we all know now that there are

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<v Speaker 1>things that lived a long time ago that sometimes undergo

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<v Speaker 1>a mineralization process where their remains become sort of locked

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<v Speaker 1>in stone and preserved in ways that can keep them,

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<v Speaker 1>keep them holding their holding their shape across the eons. Yea,

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<v Speaker 1>and inherently incomplete fossil record of what came before. Yeah,

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<v Speaker 1>but try to imagine. You don't know any of that.

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<v Speaker 1>You don't know how old the earth is. You don't

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<v Speaker 1>know anything about geology, sediment replacement or permanent mineralization, anything

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<v Speaker 1>about soil chemistry, any of that. You're you're just you know,

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<v Speaker 1>maybe a shepherd or something like that a few thousand

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<v Speaker 1>years ago, and you come across gigantic bones in the

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<v Speaker 1>ground that are bigger than any animal you've ever seen,

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<v Speaker 1>and looked nothing like it is for some animal with

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<v Speaker 1>a gigantic lizard like head and sharp teeth. What would

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<v Speaker 1>you think you were looking at? Well, as our character

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<v Speaker 1>in in our introductory piece here seemed to think that

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<v Speaker 1>perhaps this is an exactly an existing creature that's somewhere

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<v Speaker 1>out there in the world, and I should be afraid

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<v Speaker 1>of it. But then also I'm I'm probably gonna know

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<v Speaker 1>enough about bones, enough about actual organisms to realize there's

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<v Speaker 1>something fishy about this one. These bones are like like stone.

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<v Speaker 1>There's you know, there's something there's something unnatural going on

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<v Speaker 1>here as well. Yeah, I was having this thought recently

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<v Speaker 1>when my wife Rachel and I went to New York

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<v Speaker 1>and one of the places we went there was the

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<v Speaker 1>American Museum in Natural History, which is just an absolute delight.

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<v Speaker 1>If you've never been, it is wonderful. You should also

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<v Speaker 1>commit more than one day of your trip to it,

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<v Speaker 1>because there's no way you can see it all in

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<v Speaker 1>a day, and it's just absolutely wonderful. I recommended as

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<v Speaker 1>a pure experience just to go see, for example, the

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<v Speaker 1>dinosaur fossils and stuff like that. They're and they're charming

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<v Speaker 1>lye retro dioramas of old animals and all that. But

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<v Speaker 1>it's it's not only just a great visual experience, it's

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<v Speaker 1>also wonderful science education. And because the museum exhibits do

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<v Speaker 1>an excellent job of not just telling you what we

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<v Speaker 1>know about the things you're looking at, but also helping

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<v Speaker 1>you understand how we came to know what we know

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<v Speaker 1>about the things you're looking at, and what the what

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<v Speaker 1>the method behind and reasoning behind what we know is.

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<v Speaker 1>So it's it's a wonderful monument of scientific education for

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<v Speaker 1>for kids and people of all ages. Really. But anyway,

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<v Speaker 1>people wander in not knowing what fossils were, asking what

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<v Speaker 1>what dragons are these? I I don't think they did,

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<v Speaker 1>but only if only you could, because that I was

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<v Speaker 1>having that thought. I'm looking at at these bones walking

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<v Speaker 1>around and thinking, Man, if I didn't know anything, I

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<v Speaker 1>would think these were monsters. I would be like, where

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<v Speaker 1>are the live ones? I need to get away from them.

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<v Speaker 1>And so this is what we want to talk about today,

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<v Speaker 1>the idea that fossils and uh, not just fossils, but

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<v Speaker 1>remains fossilized or not bones of extinct animals would have

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<v Speaker 1>inspired visions of mythological creatures throughout history. We want to

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<v Speaker 1>essentially focus on the topic of geo mythology. Yes, now,

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<v Speaker 1>if you I just want to have a one quick

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<v Speaker 1>note about myths here, if you turned into the previous

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<v Speaker 1>episode of The Christian and I did Unraveling the Mythic,

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<v Speaker 1>you know that there are various ways to tackle mythology.

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<v Speaker 1>The most most agree that it's ultimately poly functional. Uh.

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<v Speaker 1>That that means that, you know, a myth, myth has

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<v Speaker 1>several simultaneous purposes Uh within a culture. Yeah, it's not

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<v Speaker 1>just uh you know, it's like it's like the Swiss

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<v Speaker 1>Army knife of of like cultural uh energies. I guess yes.

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<v Speaker 1>I I think that scientists and science minded people often

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<v Speaker 1>have a tendency to overrepresent the role of naturalistic explanation

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<v Speaker 1>when trying to think about the origins of myths. And

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<v Speaker 1>what I mean by that is, uh, if you're you're

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<v Speaker 1>you're a science e kind of person, you're more likely

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<v Speaker 1>to say, Okay, here's a myth about um a god

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<v Speaker 1>who throws thunderbolts. The This myth was created in order

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<v Speaker 1>to explain why lightning happens during storms, and I'm not

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<v Speaker 1>saying that's not part of our mythological structures. I think

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<v Speaker 1>it absolutely is. I think mostionally, most of the better arguments,

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<v Speaker 1>the more modern arguments to at least acknowledge that that

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<v Speaker 1>is part of it, that is one of the functions

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<v Speaker 1>and the poly functional um explanation. Yeah, that's the point

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<v Speaker 1>I'm making. I think myths are definitely truly meant to

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<v Speaker 1>be explanatory for natural phenomenon, but that's not all they are.

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<v Speaker 1>They're also about moralizing to people, and they're also about

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<v Speaker 1>representing social norms and all kinds of things that you know,

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<v Speaker 1>they're they're as you say, poly functional. Yeah, so you know,

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<v Speaker 1>it's important for us to to keep in mind that

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<v Speaker 1>a mythical monster, beast is all is almost always more

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<v Speaker 1>than a mirror, you know, proto scientific explanation in a

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<v Speaker 1>mirror geo mythological explanation. But the geo mythological explanations I

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<v Speaker 1>think can be very helpful. Uh at times that they

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<v Speaker 1>seem to just hit the nail right on the head.

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<v Speaker 1>Other times they at least raise some interests in questions

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<v Speaker 1>about how fossils, which which ancient people undoubtedly came across

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<v Speaker 1>as they as they they you know, dug in the earth,

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<v Speaker 1>as they farmed, as they explored their world, they would

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<v Speaker 1>they found these things. We know they found these things,

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<v Speaker 1>but then they had to somehow make sense of them

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<v Speaker 1>without a modern understanding of fossils. Yeah, so what is

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<v Speaker 1>the concept of geomethology. We should offer a definition. And

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<v Speaker 1>I'm going to read a quote from the Encyclopedia of

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<v Speaker 1>Geology that was an entry written by Adrian Mayer, who

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<v Speaker 1>is who is a name who's going to figure very

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<v Speaker 1>big into this episode because she's one of the biggest

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<v Speaker 1>names right now in the in the whole field of geomethology,

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<v Speaker 1>but especially in linking ancient mythological creatures to fossil evidence

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<v Speaker 1>and and remains of extinct animals. So she writes, quote,

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<v Speaker 1>geo mythology also called legends of the Earth, myths of observation,

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<v Speaker 1>natural knowledge, and physical mythology. I like that last is

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<v Speaker 1>the study of ideological oral traditions created by pre scientific

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<v Speaker 1>cultures to explain, in poetic metaphor and mythological imagery, geological

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<v Speaker 1>phenomena such as volcanoes, earthquakes, floods, fossils, and other natural features.

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<v Speaker 1>Of the landscape now in this century. She goes on

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<v Speaker 1>to relate stuff about all kinds of geology, like explanations

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<v Speaker 1>of myths that would explain why a volcano is erupting.

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<v Speaker 1>You know, at Mount Etna, there happens to be a

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<v Speaker 1>dragon underneath this volcano who's trying to escape, and that

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<v Speaker 1>might explain why sometimes melted stone comes out the top

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<v Speaker 1>of it, or you know, just one example of why

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<v Speaker 1>earthquakes are being caused by God's the way the landscape

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<v Speaker 1>is shaped, the topography of it has sometimes that has

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<v Speaker 1>a mythological explanation, like you know, the great the combat

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<v Speaker 1>creation myths, like the God slays a monster and then

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<v Speaker 1>the monster's dead body becomes the earth, and you know,

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<v Speaker 1>the ridges on its spine are the mountains and things

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<v Speaker 1>like that. So there's just a wonderful wealth of great

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<v Speaker 1>links between the earth and its geological features and the

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<v Speaker 1>mythology that people come up with. But fossils are a

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<v Speaker 1>big part of this, and so uh Mayor Mayor is

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<v Speaker 1>a Stanford folklorist and historian of science who studies ways

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<v Speaker 1>in which knowledge about the natural world, often knowledge that

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<v Speaker 1>we could consider scientific or proto scientific, appears in pre

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<v Speaker 1>scientific myths and traditions, and she's going to come up

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<v Speaker 1>repeatedly in this episode, so we thought we should establish

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<v Speaker 1>her um. She's written a lot on this topic. Yeah,

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<v Speaker 1>two of her key books, there's two thousand seven Fossil

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<v Speaker 1>Legends of the First Americans and then her two thousand

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<v Speaker 1>eleven book The First Fossil Hunters, Dinosaurs, Mammoths and myth

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<v Speaker 1>in Greek in Roman Times. So that's a reissue of

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<v Speaker 1>the book the too o Love and version is it's updated,

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<v Speaker 1>I think with some stuff. Okay, so that one actually

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<v Speaker 1>predates the America's book, but yeah, it tackles antiquity, you know,

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<v Speaker 1>looking at, for example, Greek legends. Yeah, and at times

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<v Speaker 1>she she points out that so many of these these

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<v Speaker 1>monsters that we discuss, they often what they break out

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<v Speaker 1>of the ground, they have origins in the earth or

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<v Speaker 1>perhaps under the earth. So that's just one of the

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<v Speaker 1>many different and it's gonna vary depending on what the

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<v Speaker 1>particular myth is, because certainly you have you have mythical

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<v Speaker 1>creatures that are terrestrial in nature, that are celestial in nature,

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<v Speaker 1>that are tied to the ocean or the rivers, or

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<v Speaker 1>to the caves. Uh, there's a lot of variety here.

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<v Speaker 1>Needless to say, there are so many different mythic creatures,

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<v Speaker 1>some related to one another, but they're all going to

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<v Speaker 1>have particular ties to their own time and place and

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<v Speaker 1>the people who dreamt about them, and we're not gonna

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<v Speaker 1>have time to cover them all here today, right, But

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<v Speaker 1>we should start looking at some examples of arguments that

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<v Speaker 1>certain mythological creatures and monsters are truly inspired by fossil evidence.

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<v Speaker 1>And one of the big ones, I think the one

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<v Speaker 1>we really need to start with is the griffin, because

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<v Speaker 1>this is this is something that's been widespread. I think

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<v Speaker 1>this has become sort of well known that there's an

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<v Speaker 1>idea that griffins are inspired by dinosaur bones, and so traditionally,

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<v Speaker 1>a griffin is a creature said to have the body

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<v Speaker 1>of a lion with the head, beak, and wings of

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<v Speaker 1>an eagle, and in ancient Greek sources, the griffin is

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<v Speaker 1>often mentioned in association with a tribe called the r

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<v Speaker 1>A Mosspi, which were traditionally said to all have only

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<v Speaker 1>one eye on their head, so they're kind of cyclopsis. Yeah,

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<v Speaker 1>the the r Mospy were like these, uh, these Central

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<v Speaker 1>Asian Scythian type people who who harvested gold from the

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<v Speaker 1>fields of the of the Griffins. And this is great,

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<v Speaker 1>the whole thing about them all having one eye on

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<v Speaker 1>on their head. Herodotus, the Greek historian Herodotus, expresses some

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<v Speaker 1>skepticism about this that I find really funny. I want

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<v Speaker 1>to quote Herodotus now, as translated by George Rawlinson, quote

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<v Speaker 1>the northern parts of Europe are very much richer in

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<v Speaker 1>gold than any other region. But how it is procured

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<v Speaker 1>I have no certain knowledge. The story runs that the

0:13:27.400 --> 0:13:31.000
<v Speaker 1>one eyed r a mosspy purloin it from the Griffins.

0:13:31.000 --> 0:13:34.400
<v Speaker 1>But here too I am incredulous and cannot persuade myself

0:13:34.880 --> 0:13:37.520
<v Speaker 1>that there is a race of men born with one eye,

0:13:38.040 --> 0:13:41.719
<v Speaker 1>who in all else resemble the rest of mankind. Nevertheless,

0:13:41.840 --> 0:13:44.120
<v Speaker 1>it seems to be true that the extreme regions of

0:13:44.120 --> 0:13:47.240
<v Speaker 1>the earth, which surround and shut up within themselves all

0:13:47.280 --> 0:13:50.440
<v Speaker 1>other countries, produced the things which are the rarest and

0:13:50.480 --> 0:13:53.880
<v Speaker 1>which men reckon the most beautiful. And so that's Herodotus

0:13:53.880 --> 0:13:56.840
<v Speaker 1>writing in the fifth century b c uh. And I

0:13:56.920 --> 0:14:00.760
<v Speaker 1>find it great that he's skeptical about the one eyed humans.

0:14:00.800 --> 0:14:04.079
<v Speaker 1>He's like, I don't buy it, but not necessarily about

0:14:04.120 --> 0:14:06.920
<v Speaker 1>the Griffins, And I wonder why could it be that

0:14:07.080 --> 0:14:11.560
<v Speaker 1>in ancient times people with a skeptical, fairly evidence based

0:14:11.679 --> 0:14:16.599
<v Speaker 1>epistemological framework might have reason to believe in some mythical creatures.

0:14:16.679 --> 0:14:19.600
<v Speaker 1>And if so, what could that reason be? One one

0:14:19.640 --> 0:14:22.120
<v Speaker 1>part of me says that it could just be not knowing. Right,

0:14:22.400 --> 0:14:24.000
<v Speaker 1>We've never been to the ends of the Earth. Who

0:14:24.000 --> 0:14:27.280
<v Speaker 1>knows what creatures live there. Yeah, the the understanding of

0:14:27.280 --> 0:14:33.040
<v Speaker 1>the time of of Earth's diverse um life forms was

0:14:33.040 --> 0:14:35.760
<v Speaker 1>was very incomplete. I mean it's still incomplete, but it

0:14:35.800 --> 0:14:37.920
<v Speaker 1>was even more incomplete at the time. So the idea

0:14:37.960 --> 0:14:40.880
<v Speaker 1>that something like a griffin existed, sure, that's not out

0:14:40.920 --> 0:14:44.560
<v Speaker 1>of keeping with our experience of other creatures. Uh. And

0:14:44.640 --> 0:14:47.760
<v Speaker 1>so a couple more ancient sources about the Griffins. The

0:14:47.880 --> 0:14:51.120
<v Speaker 1>Roman author Plenty of the Elder summarizes what he's learned

0:14:51.120 --> 0:14:53.320
<v Speaker 1>about the Griffins while talking about the R mos b

0:14:53.520 --> 0:14:56.480
<v Speaker 1>So writing in his Natural History in the first centuries CE.

0:14:56.520 --> 0:15:00.400
<v Speaker 1>Plenty says, quote many authorities, the most distinct wish being

0:15:00.440 --> 0:15:04.600
<v Speaker 1>Herodotus and r a status of proconnesus. Right that these

0:15:04.640 --> 0:15:07.600
<v Speaker 1>people and he's referring to the r Mosby or arm

0:15:07.640 --> 0:15:11.600
<v Speaker 1>posse sorry wage continual war with the griffins, a kind

0:15:11.600 --> 0:15:15.400
<v Speaker 1>of wild beast with wings, as commonly reported that digs

0:15:15.480 --> 0:15:18.880
<v Speaker 1>gold out of minds which the creatures guard, and the

0:15:19.080 --> 0:15:23.600
<v Speaker 1>r mosby tried to take from them, both with remarkable covetousness.

0:15:25.480 --> 0:15:28.680
<v Speaker 1>That's a nice sort of like moralizing. They're a little

0:15:28.720 --> 0:15:33.080
<v Speaker 1>bit right, adding some kind of motivations. But then here's

0:15:33.120 --> 0:15:35.240
<v Speaker 1>one more long one that will give you a pretty

0:15:35.360 --> 0:15:37.760
<v Speaker 1>good picture of the ancient view of the griffin. So

0:15:37.840 --> 0:15:43.240
<v Speaker 1>this is alien writing on animals, translated by Shoalfield in

0:15:43.560 --> 0:15:46.600
<v Speaker 1>his Greek Natural History second century a d. And I've

0:15:46.640 --> 0:15:50.080
<v Speaker 1>made a couple of illusions just for brevity, because this

0:15:50.160 --> 0:15:54.360
<v Speaker 1>is a long quote. But Alien writes. I have heard

0:15:54.400 --> 0:15:58.040
<v Speaker 1>that the Indian animal the griffin, is a quadruped like

0:15:58.080 --> 0:16:01.480
<v Speaker 1>a lion, that it has claws of enormous strength, and

0:16:01.480 --> 0:16:05.040
<v Speaker 1>that they resemble those of a lion. Men commonly report

0:16:05.120 --> 0:16:07.720
<v Speaker 1>that it is winged, and that the feathers along its

0:16:07.760 --> 0:16:10.360
<v Speaker 1>back are black and those on its front are red,

0:16:10.680 --> 0:16:13.920
<v Speaker 1>while the actual wings are neither but are white. It

0:16:13.960 --> 0:16:16.200
<v Speaker 1>has a beak like an eagle's and a head to

0:16:16.600 --> 0:16:20.120
<v Speaker 1>just as artists portrayed in pictures and sculpture. Its eyes

0:16:20.240 --> 0:16:23.680
<v Speaker 1>are like fire. It builds its layer among the mountains,

0:16:23.720 --> 0:16:26.280
<v Speaker 1>and although it is not possible to capture the full

0:16:26.320 --> 0:16:29.480
<v Speaker 1>grown animal, they do take the young ones. And the

0:16:29.560 --> 0:16:32.880
<v Speaker 1>people of Bactria, who are neighbors of the Indians, say

0:16:32.920 --> 0:16:36.280
<v Speaker 1>that the Griffins guard gold in those parts, that they

0:16:36.320 --> 0:16:38.800
<v Speaker 1>dig it up and build their nests with it, and

0:16:38.840 --> 0:16:41.880
<v Speaker 1>that the Indians carry off any that falls from them.

0:16:42.120 --> 0:16:45.360
<v Speaker 1>The Indians, however, denied that they guard the aforesaid gold,

0:16:45.600 --> 0:16:48.360
<v Speaker 1>for the Griffins have no need for it. And if

0:16:48.400 --> 0:16:51.040
<v Speaker 1>that is what they say, then I at any rate

0:16:51.080 --> 0:16:54.880
<v Speaker 1>think that they speak the truth, but that they themselves

0:16:54.920 --> 0:16:57.680
<v Speaker 1>come to collect the gold. While the Griffins, fearing for

0:16:57.720 --> 0:17:01.240
<v Speaker 1>their young ones, fight with the invaders, they engage too

0:17:01.320 --> 0:17:04.840
<v Speaker 1>with other beasts and overcome them without difficulty. But they

0:17:04.880 --> 0:17:08.840
<v Speaker 1>will not face the lion or the elephant. Accordingly, the natives,

0:17:09.080 --> 0:17:11.720
<v Speaker 1>dreading the strength of these animals, do not set out

0:17:11.800 --> 0:17:14.600
<v Speaker 1>in quest of the gold by day, but arrived by night.

0:17:15.040 --> 0:17:18.280
<v Speaker 1>For that season they are less likely to be detected. Now,

0:17:18.320 --> 0:17:20.840
<v Speaker 1>the region where the Griffins live and where the gold

0:17:20.920 --> 0:17:24.400
<v Speaker 1>is mind is a dreary wilderness, and the seekers after

0:17:24.440 --> 0:17:28.200
<v Speaker 1>the aforesaid substance arrive a thousand or two strong armed

0:17:28.200 --> 0:17:32.320
<v Speaker 1>and bringing spades and sacks and watching for a moonless night,

0:17:32.400 --> 0:17:35.600
<v Speaker 1>they begin to dig. Now, if they contrive to elude

0:17:35.600 --> 0:17:38.199
<v Speaker 1>the Griffins, they reap a double advantage, for they not

0:17:38.320 --> 0:17:41.280
<v Speaker 1>only escape with their lives, but they also take home

0:17:41.400 --> 0:17:46.040
<v Speaker 1>they're freight. So this is pretty outline into sounding. But

0:17:46.760 --> 0:17:50.280
<v Speaker 1>I am already seeing a connection here between this creature,

0:17:50.400 --> 0:17:54.080
<v Speaker 1>this fantastic creature, and the Earth with things mind from

0:17:54.119 --> 0:17:56.600
<v Speaker 1>the Earth exactly right. And you are not the first

0:17:56.600 --> 0:18:01.040
<v Speaker 1>person to notice that this figures in to Adrian Mayer's

0:18:01.080 --> 0:18:05.440
<v Speaker 1>theory about the Griffins and the and a specific type

0:18:05.440 --> 0:18:07.520
<v Speaker 1>of dinosaur will get into in a minute. So the

0:18:07.560 --> 0:18:10.920
<v Speaker 1>griffin head of an eagle, body of a lion lives

0:18:10.920 --> 0:18:14.119
<v Speaker 1>in a desolate or desert wilderness where gold can be found.

0:18:14.160 --> 0:18:19.360
<v Speaker 1>It's got wings, claws, scary as heck, screaming death, diving

0:18:19.400 --> 0:18:21.480
<v Speaker 1>at you out of the sky while you are blinded

0:18:21.480 --> 0:18:25.880
<v Speaker 1>by desert sun glinting off a mountain of gold. Pretty cool, uh,

0:18:25.920 --> 0:18:27.879
<v Speaker 1>And it builds its nests out of gold and just

0:18:28.080 --> 0:18:30.840
<v Speaker 1>jealously guards the golden treasures or not, maybe it doesn't

0:18:30.840 --> 0:18:33.959
<v Speaker 1>care about gold. But either way they're pilfering humans who

0:18:34.080 --> 0:18:37.200
<v Speaker 1>it does battle with. The Greek and Roman legends often

0:18:37.240 --> 0:18:40.639
<v Speaker 1>associate Griffins with the north and the east, so India

0:18:40.680 --> 0:18:44.320
<v Speaker 1>and northern Europe or Central Asia the land of the Scythians.

0:18:45.160 --> 0:18:47.400
<v Speaker 1>In real life, that was a group. The Scythians were

0:18:47.400 --> 0:18:50.679
<v Speaker 1>a large group of horse riding people who occupied Central Asia,

0:18:50.720 --> 0:18:53.639
<v Speaker 1>and the extent of their empire overlapped the desert in

0:18:53.680 --> 0:18:56.639
<v Speaker 1>Asia now known as the Gobi. And there's a curious

0:18:56.680 --> 0:18:59.639
<v Speaker 1>thing about the Gobi Desert. It is a place where

0:18:59.640 --> 0:19:02.800
<v Speaker 1>fosse tolls are not nearly as difficult to find as

0:19:02.840 --> 0:19:06.840
<v Speaker 1>they are in many other places. According to the paleontologists

0:19:06.880 --> 0:19:10.800
<v Speaker 1>within the archives of the American Museum in Natural History,

0:19:11.119 --> 0:19:15.280
<v Speaker 1>it was not historically uncommon to come across fossils of

0:19:15.320 --> 0:19:20.680
<v Speaker 1>the dinosaur proto Serratops peaking naked out of eroding hillsides

0:19:21.480 --> 0:19:23.440
<v Speaker 1>in the Gobi Desert. And this, of course one with

0:19:23.520 --> 0:19:27.080
<v Speaker 1>kind of a beaked apparience. So it's a saratopsid. It's

0:19:27.080 --> 0:19:30.119
<v Speaker 1>a four legged dinosaur, and it has so it's a

0:19:30.200 --> 0:19:34.000
<v Speaker 1>quadruped and it has yeah, I frill along the top

0:19:34.040 --> 0:19:44.000
<v Speaker 1>of its head and a beaked mouth. But here's one

0:19:44.040 --> 0:19:47.320
<v Speaker 1>account that was from the American Museum and Natural History

0:19:47.320 --> 0:19:52.080
<v Speaker 1>exhibit that they did on this comparison between dinosaurs and

0:19:52.160 --> 0:19:57.800
<v Speaker 1>griffin's and so it's an account related from when the

0:19:58.119 --> 0:20:01.640
<v Speaker 1>m n H paleontologist Michael knew A Check and paleontologists

0:20:01.720 --> 0:20:04.399
<v Speaker 1>Mark Noral were on an expedition in the Gobi Desert

0:20:04.640 --> 0:20:07.280
<v Speaker 1>in which they came across a skeleton of a dinosaur,

0:20:07.640 --> 0:20:11.960
<v Speaker 1>this Protoceratops dinosaur uh so nova. Check described the scene

0:20:12.040 --> 0:20:15.080
<v Speaker 1>in these words quote, We stopped at a low saddle

0:20:15.119 --> 0:20:18.080
<v Speaker 1>between the hills. Before I could remove the keys from

0:20:18.080 --> 0:20:22.160
<v Speaker 1>the ignition, Mark sang out excitedly. Several feet away, near

0:20:22.200 --> 0:20:25.200
<v Speaker 1>the very apex of the saddle was a stunning skull

0:20:25.320 --> 0:20:29.480
<v Speaker 1>and partial skeleton of a Protoceratops, a big fellow whose

0:20:29.520 --> 0:20:33.000
<v Speaker 1>beak and crooked fingers pointed west to our small outcrop,

0:20:33.320 --> 0:20:36.160
<v Speaker 1>like a griffin pointing the way to a guarded treasure.

0:20:36.760 --> 0:20:40.840
<v Speaker 1>We continued to pounce on precious specimens with remarkable consistency.

0:20:41.200 --> 0:20:44.240
<v Speaker 1>Mark would sing out skull, and almost on que I

0:20:44.240 --> 0:20:47.240
<v Speaker 1>would find one too. The surface of the gentle slopes

0:20:47.240 --> 0:20:50.879
<v Speaker 1>and shallow gullies was splattered with white patches of fossils,

0:20:51.119 --> 0:20:53.480
<v Speaker 1>as if someone had emptied a paint can in a

0:20:53.600 --> 0:20:57.440
<v Speaker 1>random fashion over the ground. So they're just tripping over

0:20:57.480 --> 0:21:00.520
<v Speaker 1>fossils and and it's not you don't to do a

0:21:00.600 --> 0:21:04.280
<v Speaker 1>detailed excavation to try to find one. Apparently in this

0:21:04.359 --> 0:21:07.320
<v Speaker 1>region they can be seen by the naked eye. Anybody

0:21:07.320 --> 0:21:09.760
<v Speaker 1>who had happened to come across them would see these

0:21:09.840 --> 0:21:16.520
<v Speaker 1>huge beasts with four legs and beaks. So Adrian may

0:21:16.640 --> 0:21:19.600
<v Speaker 1>Or has over the years developed a fairly strong argument

0:21:19.640 --> 0:21:25.199
<v Speaker 1>that these Protoceratops fossils have points of agreement with the

0:21:25.240 --> 0:21:29.399
<v Speaker 1>griffin legend. So their quadrupedal, they've got a beak, the

0:21:29.400 --> 0:21:32.439
<v Speaker 1>griffin has an eagle's beak, but a quadrupedal body like

0:21:32.480 --> 0:21:35.679
<v Speaker 1>a lion. Uh. That's sort of that that goes in

0:21:35.760 --> 0:21:38.159
<v Speaker 1>line with the shape of these dinosaurs. It's got the

0:21:38.160 --> 0:21:41.800
<v Speaker 1>bony frill uh. And and she argues that the bony

0:21:41.800 --> 0:21:45.320
<v Speaker 1>frill sometimes gets broken and leaves these stumps there, which

0:21:45.320 --> 0:21:48.160
<v Speaker 1>could have been interpreted as the crests you often see

0:21:48.240 --> 0:21:50.480
<v Speaker 1>on griffin heads or the ears you often see on

0:21:50.560 --> 0:21:56.080
<v Speaker 1>illustrations of ancient griffins uh. And sometimes the elongated shoulder blades,

0:21:56.160 --> 0:21:58.359
<v Speaker 1>the shoulder blades that if you look at a Proto

0:21:58.359 --> 0:22:01.080
<v Speaker 1>Serratop skeleton, they have shoulder blades that kind of poke

0:22:01.240 --> 0:22:06.440
<v Speaker 1>backward and look strange, and they look kind of like wingbones, honestly,

0:22:06.920 --> 0:22:10.360
<v Speaker 1>So that could explain griffin's being said to have wings.

0:22:10.880 --> 0:22:14.119
<v Speaker 1>And then of course there's the location. So these are

0:22:14.119 --> 0:22:16.919
<v Speaker 1>found in the bone beds of Central Asia and Mongolia

0:22:16.920 --> 0:22:21.480
<v Speaker 1>and China, near where the Scythians would have been mining gold.

0:22:21.680 --> 0:22:25.639
<v Speaker 1>These alluvial gold deposits are are near where Protos Saratops

0:22:25.640 --> 0:22:30.040
<v Speaker 1>fossils are found. And these these griffin descriptions seem to

0:22:30.160 --> 0:22:33.480
<v Speaker 1>appear in the ancient Greek literature around the time that

0:22:33.560 --> 0:22:37.800
<v Speaker 1>the Greeks would have been interacting and trading with the Scythians.

0:22:37.840 --> 0:22:41.320
<v Speaker 1>So I think that's a really interesting argument, And essentially

0:22:41.320 --> 0:22:46.359
<v Speaker 1>it goes not necessarily that there were no griffin ideas

0:22:47.160 --> 0:22:52.119
<v Speaker 1>before the the Scythians interacted with Protoceratops fossils, but that

0:22:52.280 --> 0:22:54.720
<v Speaker 1>if they came across these fossils, it could have very

0:22:54.800 --> 0:22:57.879
<v Speaker 1>much have shaped and steered the griffin legend to boot

0:22:57.920 --> 0:23:00.440
<v Speaker 1>to the strong version that we see of it repeated

0:23:00.520 --> 0:23:03.520
<v Speaker 1>so often in this ancient Greek literature. Yeah, and that's

0:23:03.520 --> 0:23:06.040
<v Speaker 1>a motif that we we come back to again and

0:23:06.080 --> 0:23:08.760
<v Speaker 1>again with these examples, And I think it's very important

0:23:08.760 --> 0:23:11.200
<v Speaker 1>to drive them because it's on one hand, you could

0:23:11.280 --> 0:23:13.560
<v Speaker 1>very much take the approach that like, oh, a primitive

0:23:13.600 --> 0:23:16.400
<v Speaker 1>person solve this bone, and then a myth was born

0:23:16.480 --> 0:23:19.520
<v Speaker 1>on it. But but as we probably not that, probably

0:23:19.560 --> 0:23:22.280
<v Speaker 1>not that simple. Myths are more complicated than that. It's

0:23:22.320 --> 0:23:25.439
<v Speaker 1>also not impossible, but not impossible. But it seems like

0:23:25.480 --> 0:23:30.000
<v Speaker 1>the the more believable version the of of the encounter

0:23:30.160 --> 0:23:33.040
<v Speaker 1>is that you have a pre existing myth that involves

0:23:33.080 --> 0:23:36.120
<v Speaker 1>some sort of fantastic beast or another. Then you find

0:23:36.280 --> 0:23:40.280
<v Speaker 1>these fossils, and without you know, and without a you know,

0:23:40.440 --> 0:23:43.000
<v Speaker 1>an actual understanding of how fossils work, without a without

0:23:43.000 --> 0:23:46.479
<v Speaker 1>a better explanation, you turn to that script as an

0:23:46.480 --> 0:23:49.760
<v Speaker 1>explanation for what you see here. So the myth informs

0:23:49.760 --> 0:23:54.040
<v Speaker 1>your interpretation of the fossils, and then the fossils may

0:23:54.359 --> 0:23:58.400
<v Speaker 1>enforce and and and change your interpretation of the myth itself,

0:23:59.040 --> 0:24:01.560
<v Speaker 1>and then you move into new a new age that's

0:24:01.560 --> 0:24:04.760
<v Speaker 1>informed both by the myth and the fossil. Yeah. So,

0:24:04.760 --> 0:24:07.440
<v Speaker 1>so I do think we should come back to uh

0:24:07.720 --> 0:24:11.880
<v Speaker 1>to exactly that idea later on about how how these

0:24:11.920 --> 0:24:14.840
<v Speaker 1>myths would be formed and what what level of explanation

0:24:14.960 --> 0:24:17.840
<v Speaker 1>we need for them as we encounter them. But for

0:24:17.920 --> 0:24:23.159
<v Speaker 1>this one specific example of Protoceratops fossils or other dinosaur

0:24:23.200 --> 0:24:26.520
<v Speaker 1>fossils in the Gobi Desert or in Central Asia more

0:24:26.560 --> 0:24:33.240
<v Speaker 1>generally inspiring the Scythian griffins that guard the gold, the

0:24:33.280 --> 0:24:37.520
<v Speaker 1>paleontologist and paleo artist Mark Witten wrote an interesting blog

0:24:37.560 --> 0:24:41.320
<v Speaker 1>post I read that essentially is a pretty well researched

0:24:41.400 --> 0:24:44.840
<v Speaker 1>disagreement with the idea that Protoceratops could have served as

0:24:44.920 --> 0:24:47.480
<v Speaker 1>the inspiration for the griffin, and and he makes some

0:24:47.520 --> 0:24:50.600
<v Speaker 1>pretty decent arguments against it. For one thing, according to Witten,

0:24:50.640 --> 0:24:54.560
<v Speaker 1>the timeline is not very favorable to the proto Protoceratops

0:24:54.640 --> 0:24:58.600
<v Speaker 1>griffin hypothesis because he says it's sort of ignores evidence

0:24:58.760 --> 0:25:01.600
<v Speaker 1>of griffin lore from the for the seventh century b C,

0:25:02.040 --> 0:25:05.520
<v Speaker 1>when when the Scythians could have introduced this these Protoceratops

0:25:05.600 --> 0:25:10.480
<v Speaker 1>inspired ideas to the Greeks. For example, one one example

0:25:10.520 --> 0:25:13.520
<v Speaker 1>he gives is this fourth millennium b C. Depiction of

0:25:13.520 --> 0:25:16.000
<v Speaker 1>a griffin from the ancient city of Susa and what

0:25:16.160 --> 0:25:19.280
<v Speaker 1>is now iran Um. And so there's this long tradition

0:25:19.280 --> 0:25:23.679
<v Speaker 1>of griffin iron iconography predating the supposed Scythian interaction with

0:25:23.760 --> 0:25:26.960
<v Speaker 1>the Greeks Um. But then again there there could also

0:25:26.960 --> 0:25:29.480
<v Speaker 1>be a sort of like myth and fossil back and forth,

0:25:29.560 --> 0:25:32.399
<v Speaker 1>like we were just talking about. Whitten also argues that

0:25:32.480 --> 0:25:35.840
<v Speaker 1>Mayer's hypothesis is based on sort of a narrow selection

0:25:36.040 --> 0:25:40.800
<v Speaker 1>of griffin representation types, because he says they're actually, you know,

0:25:40.840 --> 0:25:43.680
<v Speaker 1>a lot of different ways to depict a griffin, And

0:25:43.760 --> 0:25:47.280
<v Speaker 1>he's saying that the proto Saratops griffin hypothesis is based

0:25:47.320 --> 0:25:51.520
<v Speaker 1>on selection bias in griffin imagery sampling, so sort of

0:25:51.600 --> 0:25:55.399
<v Speaker 1>cherry picking the Griffins that best fit the protoceratops, whereas

0:25:55.400 --> 0:25:57.960
<v Speaker 1>there are other types of Griffins that don't look very

0:25:58.000 --> 0:26:00.879
<v Speaker 1>much like that. Yeah, this, and this will come up

0:26:00.880 --> 0:26:03.440
<v Speaker 1>again too with some other monsters that we're going to

0:26:03.520 --> 0:26:07.440
<v Speaker 1>discuss here, uh huh, and then a few more one uh,

0:26:07.560 --> 0:26:09.760
<v Speaker 1>One thing, he says that the griffin doesn't really need

0:26:09.960 --> 0:26:14.080
<v Speaker 1>an explanation in Exotic Anatomy of Extinct Species, because it

0:26:14.160 --> 0:26:17.480
<v Speaker 1>will could well have been imagined simply by combining elements

0:26:17.480 --> 0:26:20.240
<v Speaker 1>of existing animals known to these cultures at the time.

0:26:20.640 --> 0:26:23.320
<v Speaker 1>You don't have to have seen a quadruped with a beak.

0:26:24.080 --> 0:26:27.160
<v Speaker 1>You can just imagine an eagle's head which you've seen

0:26:27.400 --> 0:26:31.360
<v Speaker 1>on the lines body which you've seen. So that argument

0:26:31.480 --> 0:26:33.120
<v Speaker 1>that makes some sense to me, and I do want

0:26:33.119 --> 0:26:36.520
<v Speaker 1>to come back to that idea also. Um. He also

0:26:36.800 --> 0:26:39.840
<v Speaker 1>argues that the earliest Greek accounts of griffin lore come

0:26:39.920 --> 0:26:44.440
<v Speaker 1>from semi mythical stories. Quote why should we consider griffin's

0:26:44.520 --> 0:26:47.120
<v Speaker 1>to have any more basis in reality than the gods,

0:26:47.200 --> 0:26:51.639
<v Speaker 1>monsters or strange human races also mentioned in these stories? Uh,

0:26:51.680 --> 0:26:54.320
<v Speaker 1>if griffins are based on actual phenomenon, do we need

0:26:54.359 --> 0:26:57.960
<v Speaker 1>to seek rationales for these other creatures too? And I

0:26:58.240 --> 0:27:00.720
<v Speaker 1>you know, one thing that comes to my mind is yeah, okay,

0:27:00.720 --> 0:27:03.720
<v Speaker 1>So if we need to seek a rational explanation for

0:27:03.760 --> 0:27:06.400
<v Speaker 1>the inspiration of the griffin myth, do we also need

0:27:06.440 --> 0:27:09.760
<v Speaker 1>it for the arm posse with the one eyed people? Um?

0:27:10.560 --> 0:27:12.480
<v Speaker 1>Do we have to figure well, where the people who

0:27:12.520 --> 0:27:16.080
<v Speaker 1>all had one eye from some genetic kind of condition?

0:27:16.840 --> 0:27:18.680
<v Speaker 1>I don't think so. But also I think this point

0:27:18.680 --> 0:27:21.800
<v Speaker 1>seems a little weak to me because everybody acknowledges that

0:27:21.840 --> 0:27:24.760
<v Speaker 1>Griffins are mythical and the stories about them are not

0:27:24.920 --> 0:27:28.520
<v Speaker 1>historically true. So the question is whether the myths are

0:27:28.520 --> 0:27:32.720
<v Speaker 1>pure imaginative fiction or fictions inspired by real world objects

0:27:32.760 --> 0:27:35.200
<v Speaker 1>and events. And I think either could likely be the case.

0:27:35.560 --> 0:27:39.280
<v Speaker 1>There's no way to automatically favor one or the other.

0:27:40.520 --> 0:27:43.120
<v Speaker 1>I think the fossil link is just an argument for

0:27:43.240 --> 0:27:46.240
<v Speaker 1>the latter. And another point he makes is that Protosterotops

0:27:46.280 --> 0:27:48.600
<v Speaker 1>fossils are you know, have not been found at the

0:27:48.640 --> 0:27:51.600
<v Speaker 1>sites of the Scythian gold mines, but rather within a

0:27:51.600 --> 0:27:55.080
<v Speaker 1>few hundred miles of them, so you know, it's not

0:27:55.160 --> 0:27:59.159
<v Speaker 1>like we saw them there at the gold mine. That

0:27:59.160 --> 0:28:01.320
<v Speaker 1>would be a pretty good argument. I think, yes, yes,

0:28:01.359 --> 0:28:04.720
<v Speaker 1>if we actually had seen them there. But yeah, so anyway,

0:28:04.760 --> 0:28:08.040
<v Speaker 1>there there are arguments for their arguments against that the

0:28:08.480 --> 0:28:13.280
<v Speaker 1>Protoceratops or another dinosaur quadrupedal dinosaur with a beak could

0:28:13.320 --> 0:28:17.240
<v Speaker 1>have inspired griffin ideas, and uh, I think, I don't know,

0:28:17.480 --> 0:28:19.119
<v Speaker 1>I'm not sure where I come down on it, but

0:28:19.200 --> 0:28:22.680
<v Speaker 1>I think it's still an interesting idea. But he wouldn't

0:28:22.760 --> 0:28:26.920
<v Speaker 1>make some some interesting arguments against it. Yeah, but that

0:28:27.040 --> 0:28:30.320
<v Speaker 1>is by no means the only mythical creature that has

0:28:30.400 --> 0:28:35.200
<v Speaker 1>been said to have been inspired possibly by fossils, right right,

0:28:35.240 --> 0:28:37.879
<v Speaker 1>I mean we've been talking about one eyed folks. So

0:28:38.240 --> 0:28:41.160
<v Speaker 1>that leads us, of course to the cyclops. Man. I

0:28:41.400 --> 0:28:43.840
<v Speaker 1>love a good cyclops. Yeah, I do too. And and and

0:28:44.000 --> 0:28:45.600
<v Speaker 1>you know, we see a lot of variety. That's the thing.

0:28:45.640 --> 0:28:48.840
<v Speaker 1>We always see more variety than than you might expect.

0:28:49.080 --> 0:28:51.719
<v Speaker 1>So like with the Cyclops, you see some artistic depictions

0:28:52.160 --> 0:28:56.280
<v Speaker 1>where there's just one um one orifice for the eye

0:28:56.680 --> 0:28:59.760
<v Speaker 1>in the head, just one one eyehole. Sometimes they are three,

0:28:59.800 --> 0:29:02.120
<v Speaker 1>and two of them are fleshed over. Uh. So there's

0:29:02.120 --> 0:29:04.400
<v Speaker 1>a lot of variety there as well. And indeed we

0:29:04.440 --> 0:29:07.320
<v Speaker 1>see a number of different explanations for where this might

0:29:07.360 --> 0:29:09.840
<v Speaker 1>have come from. I've read that this man might have

0:29:09.840 --> 0:29:13.880
<v Speaker 1>been informed by the forehead lanterns of Pellucidian miners, or

0:29:14.000 --> 0:29:17.720
<v Speaker 1>perhaps the protective eye patches that were worn by blacksmiths

0:29:18.080 --> 0:29:21.600
<v Speaker 1>was prevented sparks from blinding both eyes at once. You'd

0:29:21.600 --> 0:29:25.200
<v Speaker 1>always have one covered. Uh. But the theory that I

0:29:25.240 --> 0:29:27.320
<v Speaker 1>think most people have probably encountered, and you either probably

0:29:27.360 --> 0:29:29.720
<v Speaker 1>encountered this in a school textbook or perhaps at the

0:29:29.840 --> 0:29:33.600
<v Speaker 1>zoo um, and that is that the school that the

0:29:33.720 --> 0:29:39.120
<v Speaker 1>skulls of elephants, particularly the skulls of prehistoric Mediterranean dwarf elephants,

0:29:39.360 --> 0:29:42.520
<v Speaker 1>could have informed our idea of the psyclops because you

0:29:42.560 --> 0:29:45.360
<v Speaker 1>look at this skull and you see this massive hole

0:29:45.560 --> 0:29:47.640
<v Speaker 1>there in the middle, that of course is a nasal

0:29:47.720 --> 0:29:50.760
<v Speaker 1>opening is for the trunk, right, but you might think, hey,

0:29:50.840 --> 0:29:53.520
<v Speaker 1>that looks like an eye socket and the head looks

0:29:53.680 --> 0:29:58.120
<v Speaker 1>kind of humanoid. Maybe that's what's going on here. And

0:29:58.200 --> 0:30:01.000
<v Speaker 1>indeed Um mayor chi is in on this as well.

0:30:01.520 --> 0:30:05.480
<v Speaker 1>And uh, the argument here is that the myth may

0:30:05.560 --> 0:30:09.080
<v Speaker 1>have originated or at least gathered some some steam via

0:30:09.120 --> 0:30:13.080
<v Speaker 1>the discovery of elephant skull fossils, namely the prehistoric Mediterranean

0:30:13.120 --> 0:30:18.560
<v Speaker 1>dwarf elephants. Or another particular one is Dionithrum giagantum, which

0:30:18.600 --> 0:30:21.200
<v Speaker 1>had been a would have been a fifteen foot four

0:30:21.240 --> 0:30:26.520
<v Speaker 1>point six meter high elephant creature, but unlike modern elephants,

0:30:26.520 --> 0:30:29.640
<v Speaker 1>these guys had had a four four point five foot

0:30:29.760 --> 0:30:35.200
<v Speaker 1>one point three meter backward pointing tusks. Yeah so backward. Yeah,

0:30:35.240 --> 0:30:36.960
<v Speaker 1>you'll have to look at an image of this because

0:30:37.000 --> 0:30:40.360
<v Speaker 1>the tusk that they kind of look like a chin beard,

0:30:40.440 --> 0:30:42.880
<v Speaker 1>like some sort of a chin beard that has been

0:30:43.000 --> 0:30:46.600
<v Speaker 1>uh been shaped those braided devil beards. Yeah, like kind

0:30:46.600 --> 0:30:49.240
<v Speaker 1>of like a braided devil beard. Yeah, with the forks

0:30:49.280 --> 0:30:52.760
<v Speaker 1>and it's kind of turning backwards towards the individual's chest

0:30:52.960 --> 0:30:56.840
<v Speaker 1>chin fangs, chin kind of chin thangs. The elephant would

0:30:56.840 --> 0:30:59.200
<v Speaker 1>have probably used these two strip barks from trees or

0:30:59.200 --> 0:31:03.880
<v Speaker 1>possibly dig up plants. But no, only use them for

0:31:03.960 --> 0:31:06.800
<v Speaker 1>draining the blood out of enemies. But but but you

0:31:06.840 --> 0:31:11.120
<v Speaker 1>look at it, and it does look like a humanoid skull,

0:31:11.200 --> 0:31:14.560
<v Speaker 1>a very monstrous humanoid skull that for some reason has

0:31:14.600 --> 0:31:17.840
<v Speaker 1>a skeletal basis for its goatee. Uh. And it has

0:31:17.960 --> 0:31:21.960
<v Speaker 1>something like a third eyehole or a large central eyehole

0:31:22.000 --> 0:31:25.000
<v Speaker 1>in the middle of its head. Now, a geologist from

0:31:25.000 --> 0:31:28.000
<v Speaker 1>the University of Crets Natural History Museum believe these creatures

0:31:28.000 --> 0:31:30.959
<v Speaker 1>probably swam over from Turkey via the islands of Rhodes

0:31:31.440 --> 0:31:35.640
<v Speaker 1>and Carpathos to reach Crete. But yeah, these present one

0:31:35.720 --> 0:31:39.440
<v Speaker 1>possible idea of where the cyclops came from. Uh. Again,

0:31:39.520 --> 0:31:42.800
<v Speaker 1>If not an origin story, then perhaps something that informed

0:31:43.280 --> 0:31:47.720
<v Speaker 1>and strengthened existing beliefs along the way. Yeah. Again, that

0:31:48.160 --> 0:31:50.960
<v Speaker 1>seems like an interesting explanatory fit, but I guess there's

0:31:50.960 --> 0:31:53.040
<v Speaker 1>no way to know for sure. All Right, we're gonna

0:31:53.080 --> 0:31:55.440
<v Speaker 1>take a quick break and when we come back, we

0:31:55.480 --> 0:32:01.440
<v Speaker 1>shall get to the dragons. Hey, everybody, do you like TV? Well,

0:32:01.600 --> 0:32:03.440
<v Speaker 1>I have a feeling the TV likes you, because it's

0:32:03.480 --> 0:32:06.360
<v Speaker 1>about to give you the second season of the hit

0:32:06.440 --> 0:32:10.640
<v Speaker 1>show Mr Robot. Mr Robot follows Elliott Alderson played by

0:32:10.720 --> 0:32:14.360
<v Speaker 1>Rommy Malick, a young cybersecurity engineer who becomes involved in

0:32:14.400 --> 0:32:18.200
<v Speaker 1>the underground hacker group F Society after being recruited by

0:32:18.240 --> 0:32:21.560
<v Speaker 1>their mysterious leader played by Christians Later an old favorite

0:32:21.560 --> 0:32:25.160
<v Speaker 1>of mine. Following the events of F Society's five nine

0:32:25.200 --> 0:32:29.040
<v Speaker 1>hack on multinational company Evil Corps. The second season is

0:32:29.040 --> 0:32:31.920
<v Speaker 1>going to explore the consequences of that attack, as well

0:32:31.960 --> 0:32:35.320
<v Speaker 1>as the illusion of control. Now, obviously, the show ties

0:32:35.360 --> 0:32:37.720
<v Speaker 1>in perfectly with a number of topics we've discussed on

0:32:37.760 --> 0:32:41.440
<v Speaker 1>the on the show illusions of perception, uh, some of

0:32:41.440 --> 0:32:44.280
<v Speaker 1>the more technological based episodes we've discussed as well. So

0:32:44.280 --> 0:32:46.720
<v Speaker 1>we think it's a no brainer for listeners out there

0:32:46.760 --> 0:32:48.880
<v Speaker 1>to to give it a try. Check it out, and hey,

0:32:49.000 --> 0:32:51.520
<v Speaker 1>if you were already on board with season one, season

0:32:51.600 --> 0:32:55.440
<v Speaker 1>two drops Wednesday, July thirteenth, at ten nine Central on

0:32:55.600 --> 0:33:00.479
<v Speaker 1>USA Network. That's Mr. Robot Season two, Wednesday July thirteen,

0:33:00.640 --> 0:33:07.640
<v Speaker 1>ten nine Central, only on USA Network. Alright, we're back.

0:33:08.000 --> 0:33:11.120
<v Speaker 1>So one of the obvious things has got to be dragons, right,

0:33:11.200 --> 0:33:15.320
<v Speaker 1>I mean you think about therapod dinosaurs like, uh, you

0:33:15.360 --> 0:33:19.320
<v Speaker 1>see a spinosaurus or Terrannosaurus rex, alberta Saurus and any

0:33:19.400 --> 0:33:23.400
<v Speaker 1>kind of Uh, I mean they just look so dragon like. Yeah. Uh,

0:33:23.520 --> 0:33:25.800
<v Speaker 1>as soon as you see them, you're like, that is

0:33:25.800 --> 0:33:29.640
<v Speaker 1>a thing that Yeah, it guards golden treasure, kind of

0:33:29.680 --> 0:33:32.480
<v Speaker 1>like the griffin, I guess, and it will bite you

0:33:32.520 --> 0:33:35.520
<v Speaker 1>in half if you look at it cross side. Yeah,

0:33:35.640 --> 0:33:38.440
<v Speaker 1>it's it's kind of hard, like I find with with

0:33:38.480 --> 0:33:41.040
<v Speaker 1>a four year old at times, it's been a little

0:33:41.160 --> 0:33:45.680
<v Speaker 1>challenging to describe and to explain that, Okay, this dragon here,

0:33:45.720 --> 0:33:47.520
<v Speaker 1>this is not real. These were never real. These are

0:33:47.560 --> 0:33:51.080
<v Speaker 1>purely made up. But this dinosaur this is this is real.

0:33:51.240 --> 0:33:53.840
<v Speaker 1>This was real, These used to exist. Well, you know,

0:33:53.920 --> 0:33:58.880
<v Speaker 1>some people make a kind of very different but in

0:33:59.080 --> 0:34:01.960
<v Speaker 1>a strange way, sort of parallel argument. I didn't really

0:34:02.000 --> 0:34:04.920
<v Speaker 1>know this, but if you google dinosaurs and dragons together,

0:34:05.040 --> 0:34:08.239
<v Speaker 1>actually you will get a lot of Young Earth creationist literature.

0:34:09.120 --> 0:34:11.120
<v Speaker 1>It wasn't really a where this, but apparently some people

0:34:11.200 --> 0:34:14.360
<v Speaker 1>of that persuasion believe that the dragon myths were created

0:34:14.440 --> 0:34:17.000
<v Speaker 1>not out of a need to explain fossils, but came

0:34:17.000 --> 0:34:22.240
<v Speaker 1>out of direct human interactions with dinosaurs. Uh So, leaving

0:34:22.280 --> 0:34:26.120
<v Speaker 1>that belief aside, uh, if you walk among the skeletons

0:34:26.200 --> 0:34:29.600
<v Speaker 1>of these dinosaurs and you see the fossils, that's really

0:34:29.640 --> 0:34:32.200
<v Speaker 1>I think all you would need to definitely want to

0:34:32.200 --> 0:34:35.200
<v Speaker 1>come up with some kind of dragon type creature to

0:34:35.320 --> 0:34:38.480
<v Speaker 1>explain them, and so that yeah, they may have dreamed

0:34:38.560 --> 0:34:42.719
<v Speaker 1>up something like we see in various mythological depictions. But

0:34:42.920 --> 0:34:46.279
<v Speaker 1>you also, in fact, and I think I agree with

0:34:46.320 --> 0:34:48.560
<v Speaker 1>this may Or makes the point that you wouldn't necessarily

0:34:48.600 --> 0:34:53.480
<v Speaker 1>have to see dinosaur fossils to dream up dragons. In fact,

0:34:53.880 --> 0:34:57.480
<v Speaker 1>the fossils or or just skeletal remains of many large

0:34:57.560 --> 0:35:02.120
<v Speaker 1>mammals could easily be taken as dragon like in nature. Yeah,

0:35:02.239 --> 0:35:06.360
<v Speaker 1>especially when you start thinking outside of the box of

0:35:06.520 --> 0:35:08.319
<v Speaker 1>about what a dragon is. We discuss this a little

0:35:08.320 --> 0:35:11.239
<v Speaker 1>bit in our Chinese Zodiac episode, because in the in

0:35:11.280 --> 0:35:15.000
<v Speaker 1>the the Asian traditions, you strip away this sort of

0:35:15.280 --> 0:35:18.960
<v Speaker 1>cliche Western idea sort of dungeons and dragon's view of

0:35:18.960 --> 0:35:21.360
<v Speaker 1>a dragon. And he's try trying to describe it. It

0:35:21.360 --> 0:35:26.280
<v Speaker 1>just becomes this amalgam of different biological influence. They're less

0:35:26.360 --> 0:35:30.839
<v Speaker 1>large lizards and more boundary crossing chimera animals. Yeah, and

0:35:30.880 --> 0:35:33.080
<v Speaker 1>so all you need is a large rib cage. All

0:35:33.120 --> 0:35:35.440
<v Speaker 1>you need is, uh, you know, a few bones that

0:35:35.600 --> 0:35:38.799
<v Speaker 1>clearly don't match up with anything in the world that

0:35:38.840 --> 0:35:42.600
<v Speaker 1>you have seen, or some huge skulls in ancient India,

0:35:43.000 --> 0:35:46.200
<v Speaker 1>that's right. So uh so there is a tradition of

0:35:46.280 --> 0:35:50.840
<v Speaker 1>dragons in India that is attributed to so a story

0:35:51.080 --> 0:35:56.000
<v Speaker 1>about the first century CE Greek philosopher Apollonius of Tyana

0:35:56.440 --> 0:36:00.239
<v Speaker 1>saying when he when he traveled through the foothills of

0:36:00.280 --> 0:36:04.840
<v Speaker 1>the Himalayas and went to northern India. Philostratus's story about

0:36:04.880 --> 0:36:08.319
<v Speaker 1>this is that it was just full of dragon skulls. Right, Yeah,

0:36:08.520 --> 0:36:12.400
<v Speaker 1>we're not dragon skulls. Dragons. Well, he basically reported as

0:36:12.480 --> 0:36:15.359
<v Speaker 1>fact that, hey, dragons are everywhere in this area, and

0:36:15.480 --> 0:36:18.759
<v Speaker 1>I've seen the skulls to prove it. Um. And and

0:36:18.880 --> 0:36:20.839
<v Speaker 1>indeed there seemed to have been just a number of

0:36:20.880 --> 0:36:25.360
<v Speaker 1>different skulls or heads that were laid at the base

0:36:25.480 --> 0:36:28.759
<v Speaker 1>of a mountain in a place that referred to as

0:36:28.840 --> 0:36:33.520
<v Speaker 1>a paraca. They kept his trophies, right, like the predator. Yeah,

0:36:33.600 --> 0:36:35.719
<v Speaker 1>kind of like the predator and the skull and some

0:36:35.760 --> 0:36:37.800
<v Speaker 1>of these are like, you know, not only are they skulls,

0:36:37.800 --> 0:36:40.200
<v Speaker 1>but they have crystals inside them in some cases, which

0:36:40.200 --> 0:36:43.160
<v Speaker 1>seems to have represented you know, the supernatural powers perhaps

0:36:43.160 --> 0:36:46.720
<v Speaker 1>of these these creatures. Yeah. Now, so who knows where

0:36:46.760 --> 0:36:49.120
<v Speaker 1>this was actually supposed to take place or if there's

0:36:49.160 --> 0:36:51.720
<v Speaker 1>any truth to the story of this journey at all

0:36:52.280 --> 0:36:55.319
<v Speaker 1>about Apollonius, But either way, it could have been inspired

0:36:55.400 --> 0:36:59.320
<v Speaker 1>by accounts of the region independent of Apollonius. Yeah, there's

0:36:59.480 --> 0:37:04.160
<v Speaker 1>some reculation that it might match up with with Peshawar

0:37:04.280 --> 0:37:07.399
<v Speaker 1>and modern Pakistan, uh and In and indeed in later

0:37:07.440 --> 0:37:10.320
<v Speaker 1>times according to Mayor, a famous of Buddhist holy place

0:37:10.520 --> 0:37:14.080
<v Speaker 1>near Peshawar was known as quote the Shrine of the

0:37:14.120 --> 0:37:18.879
<v Speaker 1>Thousand Heads. So what could these heads have been if

0:37:18.920 --> 0:37:22.400
<v Speaker 1>they were not truly dragon heads? Well, as you as

0:37:22.440 --> 0:37:26.480
<v Speaker 1>you mentioned, they could have been just about anything. Um

0:37:26.520 --> 0:37:29.600
<v Speaker 1>in this area is just strewn with the impressive Pleo

0:37:29.960 --> 0:37:34.680
<v Speaker 1>Pleistocene era vertebrate fossils. So they would have had their

0:37:34.719 --> 0:37:38.640
<v Speaker 1>pick of pretty impressive dragon heads. And and what's more,

0:37:39.160 --> 0:37:42.239
<v Speaker 1>calcite and uh selenite crystals are very common in the

0:37:42.239 --> 0:37:45.319
<v Speaker 1>fossilized bones in this area, So this would have led

0:37:45.360 --> 0:37:47.759
<v Speaker 1>to perhaps to the tails of the gems that are

0:37:47.800 --> 0:37:51.879
<v Speaker 1>embedded within the dragon's heads. Yeah, that's a crazy myth.

0:37:52.080 --> 0:37:56.279
<v Speaker 1>Gym's inside the dragon head? Yeah, the gyms are its

0:37:56.400 --> 0:38:00.440
<v Speaker 1>brain or you know, some component, maybe some cybernetic opponent.

0:38:02.520 --> 0:38:06.000
<v Speaker 1>Oh man, that's great. That's another one that that sounds

0:38:06.040 --> 0:38:10.959
<v Speaker 1>like a very interesting historical explanation. But then again, we're

0:38:11.000 --> 0:38:13.640
<v Speaker 1>just sort of like fitting what we know now onto

0:38:13.719 --> 0:38:17.400
<v Speaker 1>the details of history. So it's it's hard to know

0:38:17.480 --> 0:38:20.960
<v Speaker 1>for sure if if an explanation like that was true.

0:38:21.239 --> 0:38:25.759
<v Speaker 1>I think, yeah, it's interesting, this very same region just

0:38:25.760 --> 0:38:29.719
<v Speaker 1>below the Himalayas. UH. It's also been argued that this

0:38:29.800 --> 0:38:35.600
<v Speaker 1>may have informed and molded some understandings of of of

0:38:35.680 --> 0:38:39.360
<v Speaker 1>an of a very important event in in Hindu mythology,

0:38:39.680 --> 0:38:44.680
<v Speaker 1>specifically the dynastic war between the Carabas and the Pandavas

0:38:44.760 --> 0:38:48.720
<v Speaker 1>in the epic mahabarata Um and this UH. This idea

0:38:48.800 --> 0:38:52.799
<v Speaker 1>comes from the paper Fossil Folklore from India The Sea

0:38:52.840 --> 0:38:57.359
<v Speaker 1>Wala Hills and the Mahabarata by Alexander van der Geer, Uh,

0:38:57.520 --> 0:39:02.040
<v Speaker 1>Michael Dermissoats and John DeVos. And this was published in

0:39:02.239 --> 0:39:04.799
<v Speaker 1>the journal Folklore in two thousand and eight. But they

0:39:04.840 --> 0:39:08.760
<v Speaker 1>basically point out that you have you have a number

0:39:08.800 --> 0:39:13.960
<v Speaker 1>of fossil ammonites, for example, that are worshiped as the

0:39:14.480 --> 0:39:17.200
<v Speaker 1>disc or chakra of the Hindu god Vishnu. Oh I

0:39:17.239 --> 0:39:19.640
<v Speaker 1>didn't know that and that Uh, And then indeed, this

0:39:19.680 --> 0:39:22.400
<v Speaker 1>is an area that's rich invertebrate fossils. And the authors

0:39:22.480 --> 0:39:25.759
<v Speaker 1>argued that this region was seen as perhaps the historical

0:39:25.880 --> 0:39:30.840
<v Speaker 1>stage for this legendary battle that's described in the Mahabaratah,

0:39:31.000 --> 0:39:35.279
<v Speaker 1>during which hundreds of mighty and sometimes gigantic heroes or

0:39:35.440 --> 0:39:38.680
<v Speaker 1>are engaging in battle with each other. They are elephants

0:39:38.680 --> 0:39:41.400
<v Speaker 1>that are war elephants that are said to have fought

0:39:41.440 --> 0:39:45.080
<v Speaker 1>and died. So that kind of makes sense. How if

0:39:45.120 --> 0:39:47.239
<v Speaker 1>you were to find a bunch of fossils all in

0:39:47.280 --> 0:39:50.719
<v Speaker 1>the same place, you you might not having an understanding

0:39:50.760 --> 0:39:54.759
<v Speaker 1>of how things get deposited over geological time, you might

0:39:54.880 --> 0:39:58.279
<v Speaker 1>very well assume that something big went down here. Yeah,

0:39:58.320 --> 0:40:00.480
<v Speaker 1>surely this was the side of some epic attle and

0:40:00.520 --> 0:40:02.719
<v Speaker 1>look at all the strange things that died here. Some

0:40:02.760 --> 0:40:05.600
<v Speaker 1>of these are clearly elephants, because you would have seen

0:40:05.600 --> 0:40:09.520
<v Speaker 1>a number of prehistoric elephant type species. But also you'd

0:40:09.560 --> 0:40:14.800
<v Speaker 1>have four horn horn giraffe creatures, giant tortoises, sabretooth cats,

0:40:15.160 --> 0:40:17.520
<v Speaker 1>different camels, and on top of this, you would have

0:40:17.520 --> 0:40:20.960
<v Speaker 1>also found lots of ancient bronze javelins and spears. So

0:40:21.280 --> 0:40:27.880
<v Speaker 1>the archaeological artifacts plus the uh the paleontological remains would

0:40:27.880 --> 0:40:32.279
<v Speaker 1>have equaled an influence over the setting and context of

0:40:32.320 --> 0:40:35.360
<v Speaker 1>the great battle that occurs in this Indian epic. That

0:40:35.480 --> 0:40:37.560
<v Speaker 1>is really interesting. And I think the the idea of

0:40:37.600 --> 0:40:42.160
<v Speaker 1>the density of fossils leading into the differential mythical interpretations

0:40:42.200 --> 0:40:44.720
<v Speaker 1>and stuff like that, that that's something to keep in mind.

0:40:45.239 --> 0:40:48.120
<v Speaker 1>But let's go farther east, right, shall we. Okay, let's

0:40:48.120 --> 0:40:57.120
<v Speaker 1>do Yeah, let's talk just a little bit about the

0:40:57.120 --> 0:41:01.040
<v Speaker 1>the Chinese unicorn, the the the quillan, a creature that

0:41:01.120 --> 0:41:05.360
<v Speaker 1>is often known referred to by Westerners as the Chinese unicorn.

0:41:06.080 --> 0:41:09.400
<v Speaker 1>And it's worth noting that the that that Western unicorn

0:41:09.440 --> 0:41:13.080
<v Speaker 1>depictions vary a lot on their own. So you have

0:41:13.120 --> 0:41:15.839
<v Speaker 1>some Western unicorns that look more like a goat, some

0:41:15.920 --> 0:41:18.480
<v Speaker 1>look more like a horse. Sometimes within the same work

0:41:18.560 --> 0:41:21.200
<v Speaker 1>or series of works, such as the Lady in the

0:41:21.239 --> 0:41:25.600
<v Speaker 1>Unicorn Tapestries. Um. But the the Chinese quillon, and it's

0:41:25.680 --> 0:41:29.200
<v Speaker 1>various incarnations that you find throughout East Asia. They vary

0:41:29.239 --> 0:41:32.880
<v Speaker 1>even more so. It's it's essentially a mystical sacred forest creature,

0:41:33.400 --> 0:41:36.120
<v Speaker 1>but there are elements of a deer and other herbivores,

0:41:36.719 --> 0:41:41.319
<v Speaker 1>and the details vary beyond that. Um there's um you know,

0:41:41.360 --> 0:41:44.239
<v Speaker 1>sometimes it's it's sometimes it has one. Sometimes there's two

0:41:44.400 --> 0:41:48.960
<v Speaker 1>or three fleshy horns. Sometimes they're more distinctly antlers. Um

0:41:49.280 --> 0:41:51.759
<v Speaker 1>So you can well imagine that in looking at the

0:41:51.800 --> 0:41:54.960
<v Speaker 1>fossil record, you could easily pick and choose what you

0:41:55.000 --> 0:42:00.279
<v Speaker 1>want this thing to resemble in the fossil record. Um So.

0:42:00.320 --> 0:42:02.120
<v Speaker 1>There are a couple of interesting arguments that are made

0:42:02.160 --> 0:42:05.680
<v Speaker 1>about it. One is that is that this might that

0:42:05.800 --> 0:42:09.359
<v Speaker 1>the origin of this might have been a giraffe. Um So,

0:42:09.680 --> 0:42:12.400
<v Speaker 1>essentially you would have had travelers that and this is

0:42:12.440 --> 0:42:14.919
<v Speaker 1>not even fossil related, but the idea that you would

0:42:14.920 --> 0:42:18.840
<v Speaker 1>have had travelers who ventured out to the coast of

0:42:18.880 --> 0:42:23.000
<v Speaker 1>Africa and returned with not only stories of giraffes, but

0:42:23.040 --> 0:42:26.839
<v Speaker 1>in one case UH fourteen fourteen, the unit commander ching

0:42:27.000 --> 0:42:31.040
<v Speaker 1>Ho would have returned with a giraffe as a tribute

0:42:31.120 --> 0:42:35.239
<v Speaker 1>to Emperor Yunglow. And the Somali name for giraffe is

0:42:35.280 --> 0:42:40.040
<v Speaker 1>also gearing, which might have sounded like quillen and so um,

0:42:40.480 --> 0:42:43.239
<v Speaker 1>which is a word that also is an emblem of

0:42:43.320 --> 0:42:46.360
<v Speaker 1>justice to the Chinese. So there's a possibility that that

0:42:46.440 --> 0:42:49.640
<v Speaker 1>the giraffe might have played some role in the formation

0:42:50.200 --> 0:42:54.359
<v Speaker 1>or the evolution of the idea of equilling. That's interesting now.

0:42:54.440 --> 0:42:56.880
<v Speaker 1>I know. One thing I think I've heard is that

0:42:57.280 --> 0:43:00.800
<v Speaker 1>different unicorn legends would have to be traceable back to

0:43:00.840 --> 0:43:06.080
<v Speaker 1>the rhinoceros. Is there anything to that, Well, possibly, you know,

0:43:06.160 --> 0:43:08.920
<v Speaker 1>there's no This is one of another one of those

0:43:08.920 --> 0:43:12.439
<v Speaker 1>areas where you can't really say for sure, and I

0:43:12.480 --> 0:43:15.279
<v Speaker 1>tend like, personally, looking at the information, I tend to

0:43:15.440 --> 0:43:18.040
<v Speaker 1>doubt some of the connections that are made a lot

0:43:18.080 --> 0:43:21.399
<v Speaker 1>of people, both for western and Eastern unicorns. They pull

0:43:21.520 --> 0:43:26.439
<v Speaker 1>they point to the elasmotherium um, which were particularly more recent.

0:43:26.480 --> 0:43:30.879
<v Speaker 1>It's been in the news recently because Uh, it's been

0:43:31.040 --> 0:43:36.280
<v Speaker 1>discovered that you actually had humans and elasmo theoriums living

0:43:36.800 --> 0:43:40.640
<v Speaker 1>side by side in modern day Kazakhstan, a mere twenty

0:43:40.719 --> 0:43:43.680
<v Speaker 1>nine thousand years ago. This according to a recent study

0:43:43.680 --> 0:43:46.760
<v Speaker 1>published in the American Journal of Applied Sciences. Previous estimates

0:43:46.760 --> 0:43:49.839
<v Speaker 1>would have placed it outside the two hundred thousand year

0:43:49.920 --> 0:43:53.560
<v Speaker 1>run of human history. The elasmotherorium did not look like

0:43:54.600 --> 0:43:57.160
<v Speaker 1>at western unicorn. It did not really look like any

0:43:57.200 --> 0:44:00.440
<v Speaker 1>of the depictions we see of an Eastern unicorn or quillan.

0:44:01.400 --> 0:44:04.279
<v Speaker 1>It really looks like a large prehistoric rhino with a

0:44:04.400 --> 0:44:10.640
<v Speaker 1>really awesome horn. But there is the idea that if

0:44:10.680 --> 0:44:15.799
<v Speaker 1>not direct human observation of this creature, then perhaps memories

0:44:16.080 --> 0:44:20.600
<v Speaker 1>and stories in oral tradition of encountering or crew illustrations. Yeah,

0:44:20.640 --> 0:44:24.160
<v Speaker 1>our crewe illustrations informed our knowledge of of of what

0:44:24.200 --> 0:44:28.800
<v Speaker 1>it is. Um Now. Of course, there are also arguments

0:44:28.800 --> 0:44:30.600
<v Speaker 1>to be made that the quillan is in what was

0:44:30.640 --> 0:44:35.440
<v Speaker 1>informed by actual rhinos, more modern rhinos, particularly sue Matron

0:44:35.960 --> 0:44:40.120
<v Speaker 1>Rhinoceros is that that once lived throughout China and still

0:44:40.200 --> 0:44:44.320
<v Speaker 1>live in in parts of of Asia today. Um And

0:44:44.360 --> 0:44:47.040
<v Speaker 1>there's some interesting arguments on both sides here, but you

0:44:47.120 --> 0:44:55.560
<v Speaker 1>definitely see realistic depictions of Sumatran rhinos in Chinese artistic traditions.

0:44:55.640 --> 0:45:00.560
<v Speaker 1>So there does seem to be a divide between the

0:45:00.239 --> 0:45:04.560
<v Speaker 1>the pure real world rhino uh camp and the Quillen camp.

0:45:04.680 --> 0:45:08.520
<v Speaker 1>So again it remains an open question. Well, Robert, I've

0:45:08.560 --> 0:45:10.560
<v Speaker 1>got another one, and I want you to take a

0:45:10.600 --> 0:45:12.680
<v Speaker 1>look at a vase with me. Okay, do you want

0:45:12.680 --> 0:45:14.920
<v Speaker 1>to look at a not a vase, a mixing bowl.

0:45:15.719 --> 0:45:18.240
<v Speaker 1>Put your eyes on it. Okay, I'm looking at it now. Okay.

0:45:18.239 --> 0:45:21.120
<v Speaker 1>So this is a This is an object in the

0:45:21.200 --> 0:45:24.160
<v Speaker 1>Museum of Fine Arts in Boston that is a late

0:45:24.200 --> 0:45:29.080
<v Speaker 1>Corinthian mixing bowl from about five fifty BC, and it

0:45:29.200 --> 0:45:34.040
<v Speaker 1>is it is described as Heracles, or also known as Hercules,

0:45:34.080 --> 0:45:37.840
<v Speaker 1>firing arrows while he Sion hurls rocks at a dragon.

0:45:38.040 --> 0:45:42.160
<v Speaker 1>Presumably this dragon is the monster of Troy or the

0:45:42.320 --> 0:45:49.920
<v Speaker 1>cats troyas uh. This this illustration is crazy looking Hercules

0:45:50.000 --> 0:45:53.880
<v Speaker 1>and Heracles. He looks like a robot, straight up robot,

0:45:54.000 --> 0:45:58.279
<v Speaker 1>right and then uh he Sion of course is kind

0:45:58.280 --> 0:46:02.600
<v Speaker 1>of standing there between him and this monster. And I

0:46:02.600 --> 0:46:04.280
<v Speaker 1>don't know, I'll get to the monster in a second.

0:46:04.360 --> 0:46:06.600
<v Speaker 1>But if you're able to look this up, do so,

0:46:06.680 --> 0:46:09.960
<v Speaker 1>because it is weird. The monster does not look like

0:46:10.040 --> 0:46:12.160
<v Speaker 1>a normal monster as you would expect it to be

0:46:12.239 --> 0:46:15.800
<v Speaker 1>depicted in classical Greek art. It looks like a big

0:46:15.880 --> 0:46:21.200
<v Speaker 1>black mass with some sort of white animal skull jutting

0:46:21.200 --> 0:46:23.719
<v Speaker 1>out of it. So what's going on in this story? Well,

0:46:23.760 --> 0:46:28.880
<v Speaker 1>in the tradition, Poseidon has a beef beef with Lawmadon,

0:46:29.080 --> 0:46:32.520
<v Speaker 1>the king of Troy, and so Poseidon to get back

0:46:32.560 --> 0:46:37.120
<v Speaker 1>at Lamadon sends a key TOAs a sea sea beast

0:46:37.239 --> 0:46:40.160
<v Speaker 1>to attack the city, and the Trojans keep the sea

0:46:40.160 --> 0:46:44.360
<v Speaker 1>monster at bay by sacrificing maidens to it. Keytas is like, okay,

0:46:44.400 --> 0:46:47.520
<v Speaker 1>maidens are tasty, I can I can make this work, um.

0:46:47.600 --> 0:46:51.240
<v Speaker 1>But at some point Hercules rolls up to Troy around

0:46:51.239 --> 0:46:54.240
<v Speaker 1>the same time that the Trojans are about to sacrifice

0:46:54.320 --> 0:46:59.120
<v Speaker 1>Lamadon's daughter Heson to the monster, and then Hercules saves

0:46:59.160 --> 0:47:03.399
<v Speaker 1>Hecon by killing the sea beast. But in two thousand two,

0:47:03.480 --> 0:47:06.319
<v Speaker 1>Adrian Mayor authored a paper in the Oxford Journal of

0:47:06.440 --> 0:47:11.759
<v Speaker 1>Archaeology about this illustration on this mixing bowl, and the

0:47:11.760 --> 0:47:15.279
<v Speaker 1>paper was called the Monster of Troy vase, the the

0:47:15.360 --> 0:47:20.560
<v Speaker 1>earliest artistic record of a vertebrate fossil discovery, and Mayor

0:47:20.680 --> 0:47:24.360
<v Speaker 1>argues that this illustration of the legend of Hercules rescuing

0:47:24.920 --> 0:47:28.520
<v Speaker 1>from the Monster of Troy was likely visually inspired by

0:47:28.560 --> 0:47:31.880
<v Speaker 1>a large fossil skull, so here it's not necessarily the

0:47:31.920 --> 0:47:35.319
<v Speaker 1>myth itself, but at least this illustration of it um.

0:47:35.600 --> 0:47:40.080
<v Speaker 1>So the key toss in this illustration does not conform

0:47:40.200 --> 0:47:42.759
<v Speaker 1>to the Greek style of sea monster art, which was

0:47:42.840 --> 0:47:46.040
<v Speaker 1>usually created kind of like the griffin tradition by mixing

0:47:46.080 --> 0:47:49.480
<v Speaker 1>attributes of various different known animals like the head of

0:47:49.480 --> 0:47:53.360
<v Speaker 1>a lion, body of a snake or something like that. Instead,

0:47:53.520 --> 0:47:56.560
<v Speaker 1>features on the illustration caused Mayor to think that the

0:47:56.600 --> 0:48:00.239
<v Speaker 1>image was inspired by quote, a large fossil skull of

0:48:00.239 --> 0:48:04.960
<v Speaker 1>a prehistoric mammal, possibly a Samotherium, which was a giant

0:48:05.120 --> 0:48:09.640
<v Speaker 1>Miocene giraffhoid. Back to giraffes again, that they're so terrifying

0:48:09.680 --> 0:48:12.840
<v Speaker 1>in the mythic tradition, and having looked at both myself,

0:48:13.000 --> 0:48:15.720
<v Speaker 1>I can definitely see the resemblance that would cause somebody

0:48:15.719 --> 0:48:20.520
<v Speaker 1>to say this, including both the skull the skull monster

0:48:20.680 --> 0:48:24.480
<v Speaker 1>in the picture and the sam ethereum have this l

0:48:24.600 --> 0:48:28.720
<v Speaker 1>shaped lower jaw that protrudes from beyond the upper jaw

0:48:28.880 --> 0:48:31.120
<v Speaker 1>in the front, and then when it hooks up in

0:48:31.120 --> 0:48:33.880
<v Speaker 1>the l shape uh to connect with the rest of

0:48:33.920 --> 0:48:36.560
<v Speaker 1>the skull, it's sort of right behind where the eyes are,

0:48:36.640 --> 0:48:39.840
<v Speaker 1>and it's the same in the picture, so uh Mayor

0:48:39.920 --> 0:48:44.279
<v Speaker 1>also points out that quote. Numerous literary accounts describe exposures

0:48:44.320 --> 0:48:47.880
<v Speaker 1>of these and similar large mammal fossils in antiquity along

0:48:47.920 --> 0:48:50.680
<v Speaker 1>the Turkish coast, on the Aegean Islands, and on the

0:48:50.680 --> 0:48:54.239
<v Speaker 1>Greek mainland. I conclude that this vase painting is the

0:48:54.280 --> 0:48:57.520
<v Speaker 1>earliest artistic record of such a discovery. So the idea

0:48:57.600 --> 0:49:01.640
<v Speaker 1>here is that the image in the painting is inspired

0:49:01.800 --> 0:49:07.160
<v Speaker 1>by a giant samotherium or other large extinct mammal skull

0:49:07.320 --> 0:49:10.880
<v Speaker 1>jutting out of a cliff, which you may well have

0:49:11.040 --> 0:49:14.040
<v Speaker 1>found at that time in that place. It's it's almost

0:49:14.080 --> 0:49:16.440
<v Speaker 1>as if the the artist here they said, all right,

0:49:16.440 --> 0:49:18.359
<v Speaker 1>what does this monster look like? And then someone said, oh,

0:49:18.400 --> 0:49:20.279
<v Speaker 1>you see that skull up on the cliff, that that

0:49:20.360 --> 0:49:21.799
<v Speaker 1>might have been when its head was like and then

0:49:21.840 --> 0:49:24.719
<v Speaker 1>he did like a direct drawing of and they're like,

0:49:24.960 --> 0:49:27.200
<v Speaker 1>your bonehead, that's not what it actually looked like. That's

0:49:27.200 --> 0:49:32.160
<v Speaker 1>just the skull. Oh bonehead by accident. But seriously, you

0:49:32.160 --> 0:49:35.320
<v Speaker 1>should look up this mixing bowl. It looks it looks

0:49:35.400 --> 0:49:38.520
<v Speaker 1>so weird and so great. Yeah. Both the both the

0:49:38.560 --> 0:49:41.560
<v Speaker 1>illustration of the monster of the of Troy and the

0:49:41.560 --> 0:49:45.480
<v Speaker 1>the actual fossil skull both look very metal, like they

0:49:45.480 --> 0:49:47.680
<v Speaker 1>could either one could be on the cover of a

0:49:47.680 --> 0:49:50.360
<v Speaker 1>heavy metal album. You do usually don't think of giraffes

0:49:50.400 --> 0:49:52.640
<v Speaker 1>as being very metal, but I guess they are, especially

0:49:52.640 --> 0:49:54.319
<v Speaker 1>when you take all their flesh off. Yeah, and they

0:49:54.360 --> 0:49:58.400
<v Speaker 1>have the elongated skull in this case and the bony

0:49:58.600 --> 0:50:02.440
<v Speaker 1>horn lumps on top of the head. All right, we're

0:50:02.440 --> 0:50:05.320
<v Speaker 1>gonna return to to China for for I think we

0:50:05.360 --> 0:50:09.560
<v Speaker 1>have our last specific example here. So in many regions

0:50:09.560 --> 0:50:14.480
<v Speaker 1>of China you will find track bearing fossil slabs that

0:50:14.560 --> 0:50:17.360
<v Speaker 1>are used. They're either sometimes they're used as building materials

0:50:17.440 --> 0:50:21.239
<v Speaker 1>or at least they're they're integrated into houses, yards, uh

0:50:21.280 --> 0:50:25.200
<v Speaker 1>in older traditions, cave dwellings. Uh. And they serve as

0:50:25.360 --> 0:50:30.440
<v Speaker 1>auspicious symbols or just mere decorations. But they are essentially

0:50:31.000 --> 0:50:34.399
<v Speaker 1>the footsteps of dinosaurs. And there are records of these

0:50:34.440 --> 0:50:37.800
<v Speaker 1>going back hundreds and hundreds of years of individuals finding

0:50:37.840 --> 0:50:41.080
<v Speaker 1>these uh. People are fascinated with them and they hold

0:50:41.080 --> 0:50:43.920
<v Speaker 1>onto them because when you encounter these footsteps, it's kind

0:50:43.920 --> 0:50:46.839
<v Speaker 1>of like encountering the bones. Here are some some footsteps

0:50:46.840 --> 0:50:49.520
<v Speaker 1>in the stone, and you know what footsteps are. You

0:50:49.560 --> 0:50:51.000
<v Speaker 1>can you can look at these and go, oh, that

0:50:51.040 --> 0:50:54.080
<v Speaker 1>kind of looks like the footsteps of a bird. But

0:50:54.680 --> 0:50:57.799
<v Speaker 1>they're set in stone. There's something weird going on here,

0:50:57.840 --> 0:51:02.720
<v Speaker 1>there's something supernaturalust have been a magical bird, right, So, uh,

0:51:02.880 --> 0:51:04.719
<v Speaker 1>this is where we end up with the idea that

0:51:04.800 --> 0:51:08.920
<v Speaker 1>these are the footsteps of the golden pheasant or sometimes

0:51:09.000 --> 0:51:11.840
<v Speaker 1>that referred to as the golden chicken, like golden chicken,

0:51:12.640 --> 0:51:16.840
<v Speaker 1>the gingi or um the or the golden chickens claw

0:51:17.520 --> 0:51:22.959
<v Speaker 1>gingi za, and it's regarded as again an auspicious symbol. Uh. Now,

0:51:23.280 --> 0:51:26.239
<v Speaker 1>the golden pheasant is of course a real bird, but

0:51:26.400 --> 0:51:29.840
<v Speaker 1>it's elusive nature, it's beautiful colors make it a prime

0:51:29.920 --> 0:51:34.959
<v Speaker 1>candidate for deification, and it's also associated with the feng Hong,

0:51:35.360 --> 0:51:39.000
<v Speaker 1>which is a mythological bird similar to the western phoenix.

0:51:39.600 --> 0:51:42.960
<v Speaker 1>So without the knowledge of fossil making, the maker of

0:51:42.960 --> 0:51:46.440
<v Speaker 1>these tracks clearly had to be divine. So so it's

0:51:46.440 --> 0:51:49.960
<v Speaker 1>an interesting tradition I read about this in a paper

0:51:49.960 --> 0:51:55.040
<v Speaker 1>titled Dinosaur Tracks Myths and Buildings Um the Gingi Stones

0:51:55.560 --> 0:51:59.279
<v Speaker 1>from Zizo Area, Northern shawn Zi, China. It's a two

0:51:59.680 --> 0:52:03.160
<v Speaker 1>fifty paper, um, but it's yeah, it's a more interesting

0:52:03.160 --> 0:52:06.000
<v Speaker 1>insight into it. And again it doesn't specifically involve bones,

0:52:06.040 --> 0:52:09.000
<v Speaker 1>but involves just the the fossil footsteps. Oh, that's still

0:52:09.000 --> 0:52:13.000
<v Speaker 1>be geomethology typically, yeah, totally. But but this one I

0:52:13.000 --> 0:52:15.799
<v Speaker 1>feel like it's more of a direct case because it's

0:52:15.800 --> 0:52:19.719
<v Speaker 1>individuals saying and cultures saying, here are the footsteps, and

0:52:19.800 --> 0:52:21.640
<v Speaker 1>this is why they're important to us, this is what

0:52:21.680 --> 0:52:24.240
<v Speaker 1>they mean. Well, that would actually be a really good

0:52:24.320 --> 0:52:28.080
<v Speaker 1>example than of, um, what it looks like when you

0:52:28.160 --> 0:52:33.600
<v Speaker 1>have a very solid case in geo mythology explanations, because um,

0:52:34.960 --> 0:52:38.239
<v Speaker 1>I mean with with this whole subject, it's very fascinating.

0:52:38.280 --> 0:52:41.640
<v Speaker 1>I love reading about this stuff. It's super fun. But

0:52:41.920 --> 0:52:44.440
<v Speaker 1>very often we're coming up with it's kind of like

0:52:45.320 --> 0:52:49.440
<v Speaker 1>evolutionary psychology explanations that you encounter that can be very

0:52:49.480 --> 0:52:54.839
<v Speaker 1>cleverly devised. Oftentimes there there's some very compelling kind of

0:52:54.960 --> 0:52:58.000
<v Speaker 1>it makes sense fitting the evidence together for them, but

0:52:58.200 --> 0:53:01.719
<v Speaker 1>at the same time they can feel less solid than

0:53:01.760 --> 0:53:04.880
<v Speaker 1>a lot of other scientific hypotheses, because it's hard for

0:53:04.920 --> 0:53:08.080
<v Speaker 1>you to make predictions with them. At the end of

0:53:08.080 --> 0:53:11.799
<v Speaker 1>the day, even the best examples of either evolutionary psychology

0:53:11.920 --> 0:53:15.160
<v Speaker 1>or a geomethology, I feel like I am shaking, I'm

0:53:15.200 --> 0:53:17.319
<v Speaker 1>nodding my head and saying, yeah, I feel like that

0:53:17.320 --> 0:53:20.200
<v Speaker 1>could be part of the explanation. So while I don't

0:53:20.200 --> 0:53:22.360
<v Speaker 1>mean to downplay the work people have done on this

0:53:22.440 --> 0:53:24.279
<v Speaker 1>at all, like I think that a whole lot of

0:53:24.360 --> 0:53:27.920
<v Speaker 1>really really intelligent research has gone into this subject, and

0:53:27.960 --> 0:53:30.640
<v Speaker 1>I love reading about it, but it definitely does feel

0:53:30.719 --> 0:53:34.800
<v Speaker 1>like a softer, squishier science than than much other science.

0:53:35.480 --> 0:53:37.839
<v Speaker 1>And one issue that follows from that is this, I've

0:53:37.840 --> 0:53:41.160
<v Speaker 1>been thinking about this question, how hard should we be

0:53:41.360 --> 0:53:46.160
<v Speaker 1>looking for scientific historical explanations for ancient myths and legends

0:53:46.719 --> 0:53:51.040
<v Speaker 1>before we conclude that they're most likely explained just from

0:53:51.600 --> 0:53:55.320
<v Speaker 1>forces inside the mind of the creator, whether that's conscious

0:53:55.400 --> 0:54:01.840
<v Speaker 1>imaginative fiction writing, or visions or hallucinations, whatever psychogenic origins.

0:54:02.040 --> 0:54:08.160
<v Speaker 1>Um Because if you try to explain every myth by

0:54:08.160 --> 0:54:11.480
<v Speaker 1>external facts about the world that we can find evidence

0:54:11.560 --> 0:54:14.120
<v Speaker 1>of now, it's sort of it can end up taking

0:54:14.160 --> 0:54:18.279
<v Speaker 1>you to crazy extremes. Right. Yeah. One thing that definitely

0:54:18.640 --> 0:54:21.120
<v Speaker 1>comes to my mind is have you ever heard what

0:54:21.160 --> 0:54:24.839
<v Speaker 1>the ancient aliens people say about the Bible? Oh? How? How?

0:54:25.040 --> 0:54:27.320
<v Speaker 1>How have I not? Oh? Yeah, I mean it's crazy.

0:54:27.480 --> 0:54:30.880
<v Speaker 1>So in the uh quick one, the Book of Ezekiel,

0:54:30.960 --> 0:54:34.160
<v Speaker 1>but the Bible, chapter one, the author says he sees

0:54:34.200 --> 0:54:37.160
<v Speaker 1>a vision of God. Right. He says, quote, as I looked,

0:54:37.160 --> 0:54:39.200
<v Speaker 1>a stormy wind came out of the north, a great

0:54:39.239 --> 0:54:42.879
<v Speaker 1>cloud with brightness around it, and fire flashing forth continually,

0:54:43.200 --> 0:54:45.840
<v Speaker 1>and in the middle of the fire something like gleaming amber.

0:54:46.160 --> 0:54:49.080
<v Speaker 1>In the middle of it was something like four living creatures.

0:54:49.120 --> 0:54:52.000
<v Speaker 1>This was their appearance. They were human, of human form.

0:54:52.360 --> 0:54:55.600
<v Speaker 1>Each had four faces, and each of them had four wings.

0:54:55.640 --> 0:54:58.120
<v Speaker 1>Their legs were straight, and the soles of their feet

0:54:58.160 --> 0:55:00.359
<v Speaker 1>were like the soul of a calf's foot, and they

0:55:00.360 --> 0:55:04.240
<v Speaker 1>sparkled like burnished bronze. And then later, starting a verse fifteen,

0:55:04.560 --> 0:55:06.520
<v Speaker 1>as I looked at the living creatures, I saw a

0:55:06.560 --> 0:55:09.360
<v Speaker 1>wheel on the earth beside the living creatures, one for

0:55:09.440 --> 0:55:11.840
<v Speaker 1>each of the four of them. As for the appearance

0:55:11.880 --> 0:55:14.719
<v Speaker 1>of the wheels and their construction, their appearance was like

0:55:14.760 --> 0:55:17.279
<v Speaker 1>the gleaming of Beryl, and the four of them had

0:55:17.280 --> 0:55:20.440
<v Speaker 1>the same form, their construction being something like a wheel

0:55:20.600 --> 0:55:26.040
<v Speaker 1>within a wheel. Obviously flying saucer aliens. Right, ask the Internet,

0:55:26.080 --> 0:55:28.480
<v Speaker 1>it will tell you the author of this passage encounter

0:55:28.600 --> 0:55:32.160
<v Speaker 1>to flying saucer aliens. Four aliens got out of it there.

0:55:32.200 --> 0:55:36.120
<v Speaker 1>I don't know their shape shifting, uh, nanomaterial suits, whatever

0:55:36.200 --> 0:55:39.919
<v Speaker 1>you want, it's all there. Now. This is a very

0:55:40.000 --> 0:55:44.759
<v Speaker 1>different and much more extreme hypothesis than fossils explaining mythical creatures, right,

0:55:44.800 --> 0:55:48.279
<v Speaker 1>because whereas we actually know that fossils exist, we do

0:55:48.360 --> 0:55:51.359
<v Speaker 1>not know whether aliens or flying saucers exist. And there

0:55:51.400 --> 0:55:55.399
<v Speaker 1>are some good arguments concerning interstellar distances, etcetera to make

0:55:55.480 --> 0:55:57.560
<v Speaker 1>us think that even if they do exist, that it's

0:55:57.640 --> 0:56:02.200
<v Speaker 1>unlikely they visited Earth. But them or principle is at play. Right,

0:56:02.480 --> 0:56:05.400
<v Speaker 1>when we encounter an ancient account of a vision or

0:56:05.440 --> 0:56:09.040
<v Speaker 1>a myth or anything that seems fantastical in any way,

0:56:09.200 --> 0:56:14.279
<v Speaker 1>do we need to find a naturalistic external explanation for it,

0:56:14.880 --> 0:56:19.319
<v Speaker 1>apart from psychogenic origins? Is it just the person writing it?

0:56:19.400 --> 0:56:22.239
<v Speaker 1>Is that their imagination or a vision they saw in

0:56:22.280 --> 0:56:26.759
<v Speaker 1>their head? Yeah, because otherwise you're limiting an ancient individual

0:56:26.880 --> 0:56:30.160
<v Speaker 1>to some to some sort of really really ultimately alien

0:56:30.960 --> 0:56:33.920
<v Speaker 1>mindset where they have no creative thought, they have no

0:56:34.120 --> 0:56:38.879
<v Speaker 1>pre existing stories of the fantastic or ideas of the fantastic,

0:56:39.120 --> 0:56:42.600
<v Speaker 1>and are not susceptible susceptible to hallucination of any sort,

0:56:43.080 --> 0:56:45.920
<v Speaker 1>and they can only they can only make create a

0:56:45.920 --> 0:56:48.560
<v Speaker 1>written account or a or an oral tradition based on

0:56:48.640 --> 0:56:52.440
<v Speaker 1>something they directly saw as it is written. Yeah. Then again,

0:56:52.800 --> 0:56:56.160
<v Speaker 1>people definitely do take inspiration in the fiction and the

0:56:56.200 --> 0:56:59.600
<v Speaker 1>fantasy they create from events and objects in the real world.

0:56:59.640 --> 0:57:01.719
<v Speaker 1>So I don't think it's a fool's errand to be

0:57:01.800 --> 0:57:05.200
<v Speaker 1>looking for these kind of explanations. But how hard should

0:57:05.200 --> 0:57:07.640
<v Speaker 1>we look? I guess as the question like, when should

0:57:07.680 --> 0:57:11.280
<v Speaker 1>we just be satisfied that, well, you know, this person

0:57:11.360 --> 0:57:14.799
<v Speaker 1>probably just had an active imagination and they came up

0:57:14.800 --> 0:57:17.720
<v Speaker 1>with the with the lion's body and an eagle's head.

0:57:17.760 --> 0:57:20.440
<v Speaker 1>Wouldn't that be weird? You know? Do they need to

0:57:20.480 --> 0:57:24.200
<v Speaker 1>have seen something that made them think of a quadruped

0:57:24.240 --> 0:57:27.200
<v Speaker 1>with a beak? Yeah? Because I mean, ultimately, if you

0:57:27.680 --> 0:57:31.680
<v Speaker 1>to take a skeptical approach, more even skeptical approach, you

0:57:31.760 --> 0:57:35.360
<v Speaker 1>can basically say that this person is describing a bunch

0:57:35.400 --> 0:57:40.760
<v Speaker 1>of um, sort of psychedelic craziness, and the religious script

0:57:40.800 --> 0:57:44.000
<v Speaker 1>for it that they had to play with says, oh,

0:57:44.000 --> 0:57:47.400
<v Speaker 1>well this is God. Our modern supernatural script is that

0:57:47.480 --> 0:57:51.160
<v Speaker 1>it's aliens, and both are essentially just um, you know,

0:57:51.960 --> 0:57:55.320
<v Speaker 1>fictional scripts that we have to describe something that does

0:57:55.360 --> 0:57:58.760
<v Speaker 1>not conform to the world. Yeah, if you're going to

0:57:58.840 --> 0:58:02.960
<v Speaker 1>go with a naturalistic nation, yeah, or it's God, I

0:58:03.040 --> 0:58:06.600
<v Speaker 1>mean just literally, it's just that's the actual God appearing

0:58:06.640 --> 0:58:09.240
<v Speaker 1>before well, I mean, of course, for people who believe

0:58:09.360 --> 0:58:13.040
<v Speaker 1>in whatever God is figuring into this particular story, that's

0:58:13.040 --> 0:58:15.840
<v Speaker 1>obviously an option for them. For people on the outside

0:58:15.880 --> 0:58:18.720
<v Speaker 1>of that belief tradition who don't believe in that, that's

0:58:18.720 --> 0:58:21.840
<v Speaker 1>not really an option for them in in explaining where

0:58:21.880 --> 0:58:24.959
<v Speaker 1>this comes from. But you don't have to go any

0:58:25.040 --> 0:58:29.000
<v Speaker 1>kind of to any kind of contorted, uh third party

0:58:29.120 --> 0:58:33.160
<v Speaker 1>external naturalistic interpretations. You can always just think, well, somebody

0:58:33.400 --> 0:58:36.640
<v Speaker 1>thought something up. Yeah. Of course, we're always at a

0:58:36.640 --> 0:58:42.080
<v Speaker 1>disadvantage because we're always looking back in hindsight on these examples.

0:58:42.080 --> 0:58:44.880
<v Speaker 1>But what if we what if we dare to look ahead,

0:58:45.160 --> 0:58:50.840
<v Speaker 1>what have we dare to imagine? What future commentators, future historians, uh,

0:58:51.000 --> 0:58:54.040
<v Speaker 1>maybe even visitors from outer space would make of some

0:58:54.160 --> 0:58:58.360
<v Speaker 1>of the uh, the mythical constructs that we have today. Yeah,

0:58:58.400 --> 0:59:00.560
<v Speaker 1>I think that is a fascinating question, and it's something

0:59:00.560 --> 0:59:04.720
<v Speaker 1>that Adrian Mayer brings up in her Geomethology entry that

0:59:04.840 --> 0:59:08.640
<v Speaker 1>I talked about earlier in the Encyclopedia of Geology. She

0:59:08.800 --> 0:59:14.880
<v Speaker 1>points out the storage of transuranic radioactive waste. Have you

0:59:14.880 --> 0:59:18.560
<v Speaker 1>ever heard about the intentional creation of geo myths with

0:59:18.680 --> 0:59:21.480
<v Speaker 1>relation to this? No? I don't believe I have. Okay,

0:59:21.480 --> 0:59:25.200
<v Speaker 1>So the problem is, once you have high level radioactive waste,

0:59:25.920 --> 0:59:28.160
<v Speaker 1>after you know, it comes out of it comes out

0:59:28.160 --> 0:59:30.880
<v Speaker 1>of a nuclear reactor, you've got to store it somewhere,

0:59:30.960 --> 0:59:35.920
<v Speaker 1>preferably somewhere underground. And this stuff will remain dangerous for

0:59:36.120 --> 0:59:41.080
<v Speaker 1>thousands of years, far far beyond the lifespan of of

0:59:41.400 --> 0:59:44.360
<v Speaker 1>you know, the United States already, I mean, so much

0:59:44.520 --> 0:59:46.920
<v Speaker 1>changes on the surface of the Earth in the amount

0:59:46.960 --> 0:59:49.960
<v Speaker 1>of time that this stuff remains dangerous. How do you

0:59:50.080 --> 0:59:53.800
<v Speaker 1>come up with ways of keeping people away from it

0:59:54.000 --> 0:59:56.680
<v Speaker 1>that are going to last that long. You can lock

0:59:56.760 --> 0:59:59.440
<v Speaker 1>it up in a building, but what if future people

0:59:59.480 --> 1:00:02.160
<v Speaker 1>come across this building and say, hmm, something's locked in there?

1:00:02.240 --> 1:00:04.320
<v Speaker 1>Might be valuable. Maybe we should get inside and then

1:00:04.360 --> 1:00:08.360
<v Speaker 1>of course they sicken and die. Um. Or you could

1:00:08.440 --> 1:00:11.480
<v Speaker 1>try to put up signs that say warning, this is poisonous,

1:00:11.560 --> 1:00:14.160
<v Speaker 1>stay away from it. It will hurt you. Will the

1:00:14.200 --> 1:00:16.920
<v Speaker 1>people of the future remember why those signs were there

1:00:16.920 --> 1:00:19.240
<v Speaker 1>and believe you? Or will they even speak the same

1:00:19.320 --> 1:00:22.600
<v Speaker 1>language as you, will they be able to read them? Uh?

1:00:22.640 --> 1:00:26.200
<v Speaker 1>So this this is a problem, and so one solution,

1:00:26.240 --> 1:00:29.680
<v Speaker 1>as mentioned by Mayor is uh. Some people have suggested,

1:00:29.680 --> 1:00:34.200
<v Speaker 1>what if we create geo myths about radioactive storage sites,

1:00:34.360 --> 1:00:39.600
<v Speaker 1>thus creating intentionally mythology that says, don't go near these

1:00:39.600 --> 1:00:44.480
<v Speaker 1>places because they're full of curses that will destroy you. Well,

1:00:44.520 --> 1:00:46.680
<v Speaker 1>that's it, like the like one idea that comes to mind,

1:00:46.680 --> 1:00:48.040
<v Speaker 1>as you just go ahead and put out an image

1:00:48.080 --> 1:00:51.000
<v Speaker 1>of Godzilla there, and then they'll think, oh, well, no

1:00:51.040 --> 1:00:53.120
<v Speaker 1>one will come near because we'll see the image of Godzilla.

1:00:53.240 --> 1:00:57.160
<v Speaker 1>But as a monster, I always go toward images of Godzilla, right.

1:00:58.120 --> 1:01:00.600
<v Speaker 1>But then also they might think, oh, an image of

1:01:00.920 --> 1:01:02.840
<v Speaker 1>a large dinosaur here, there must be a bunch of

1:01:02.920 --> 1:01:06.280
<v Speaker 1>dinosaur bones in there, which gets into a whole other

1:01:06.320 --> 1:01:08.680
<v Speaker 1>idea like how would you make sense of of Godzilla

1:01:08.960 --> 1:01:11.960
<v Speaker 1>if you if you were taking a geo mythological approach,

1:01:12.000 --> 1:01:13.880
<v Speaker 1>you might say, oh, they are inspired by dinosaurs and

1:01:13.920 --> 1:01:18.360
<v Speaker 1>their love of dinosaurs, which is partially true. Godzilla is

1:01:18.360 --> 1:01:21.640
<v Speaker 1>is undeniably informed by our love of something like a

1:01:21.720 --> 1:01:24.360
<v Speaker 1>torontos arts rex. But in the other hand, there's a

1:01:24.360 --> 1:01:27.840
<v Speaker 1>lot more to the fabric of Godzilla's identity as well,

1:01:28.240 --> 1:01:33.560
<v Speaker 1>tying in the horrors of atomic war and radioactive anxiety. Yeah, yeah,

1:01:33.600 --> 1:01:37.400
<v Speaker 1>absolutely that That's a great example of the sort of complex,

1:01:37.440 --> 1:01:40.720
<v Speaker 1>poly functional nature of myth, and the polygenic nature of myth.

1:01:40.920 --> 1:01:43.720
<v Speaker 1>It comes from all over the place. Godzilla isn't just

1:01:43.840 --> 1:01:45.959
<v Speaker 1>that somebody saw a t rex skeleton. Yeah. You gotta

1:01:45.960 --> 1:01:47.680
<v Speaker 1>be careful when you're playing with myth, because if you

1:01:47.720 --> 1:01:51.440
<v Speaker 1>approach it from a very you know, one dimensional framework,

1:01:51.480 --> 1:01:56.400
<v Speaker 1>you're you're you're playing with a multidimensional object. Uh. I mean,

1:01:56.960 --> 1:01:59.800
<v Speaker 1>I imagine even the Benny Jessriates have some problems with this.

1:02:00.880 --> 1:02:03.840
<v Speaker 1>I mean, what else about today, apart from our radioactive

1:02:03.840 --> 1:02:07.000
<v Speaker 1>waste storage facilities? What else about today? Can you imagine?

1:02:07.080 --> 1:02:10.160
<v Speaker 1>Let's say, you know, mad Max scenario happens, and we

1:02:10.280 --> 1:02:13.320
<v Speaker 1>lose a lot of the connection with with history and

1:02:13.400 --> 1:02:17.040
<v Speaker 1>culture and future generations. Are just dealing with our remains

1:02:17.120 --> 1:02:20.480
<v Speaker 1>and our artifacts to try and figure out what happened,

1:02:21.000 --> 1:02:24.000
<v Speaker 1>What geo myths might they have about the present day,

1:02:24.080 --> 1:02:29.120
<v Speaker 1>What what mythological creatures would would they invent when coming

1:02:29.200 --> 1:02:34.880
<v Speaker 1>upon a Google server farm? Oh m hmm, Man, I

1:02:34.880 --> 1:02:38.760
<v Speaker 1>don't know. I mean maybe transformers. Yeah, I mean transformers

1:02:38.760 --> 1:02:42.000
<v Speaker 1>are either robots that turn into cars or cars that

1:02:42.040 --> 1:02:45.160
<v Speaker 1>turn into robots. I mean they're real world technological objects

1:02:45.400 --> 1:02:52.600
<v Speaker 1>that become unreal sentient robot creatures. So that might be

1:02:52.680 --> 1:02:56.960
<v Speaker 1>a complex one for for future commentators to figure out

1:02:57.080 --> 1:02:59.400
<v Speaker 1>what is the transformer and why? Well? Yeah, I mean

1:02:59.440 --> 1:03:01.480
<v Speaker 1>it's so when I think about a server farm, and

1:03:01.520 --> 1:03:05.040
<v Speaker 1>I imagine, okay, so I have no scientific knowledge, I

1:03:05.040 --> 1:03:08.120
<v Speaker 1>have no technological knowledge. I've just come across this facility.

1:03:09.080 --> 1:03:11.120
<v Speaker 1>The one thing that seems to be clear about it

1:03:11.160 --> 1:03:14.160
<v Speaker 1>is it's a gigantic building and nobody lived inside it,

1:03:14.640 --> 1:03:16.880
<v Speaker 1>and so it must Okay, Yeah, so you're talking specifically

1:03:16.880 --> 1:03:19.000
<v Speaker 1>about such like the server farms that show up and say,

1:03:19.000 --> 1:03:22.080
<v Speaker 1>still look on Valley where it's just a massive, massive

1:03:22.200 --> 1:03:26.960
<v Speaker 1>room with just rows upon rows of these boxes. Right, Sure,

1:03:28.480 --> 1:03:30.440
<v Speaker 1>I don't know, I mean, surely you can think of

1:03:30.480 --> 1:03:33.720
<v Speaker 1>something strange about that. Oh yeah, I mean instantly, maybe

1:03:33.720 --> 1:03:37.440
<v Speaker 1>it's amazed for a minuteur and yeah, or you are

1:03:37.480 --> 1:03:41.440
<v Speaker 1>a tomb of some kind. Um, maybe it is a

1:03:41.480 --> 1:03:43.760
<v Speaker 1>tomb because the people of the past have uploaded their

1:03:43.760 --> 1:03:46.840
<v Speaker 1>consciousness into these servers and that's where they still exist.

1:03:47.040 --> 1:03:48.960
<v Speaker 1>Oh yeah, it's running in there and they're just having

1:03:49.240 --> 1:03:54.080
<v Speaker 1>imagine how detached from reality their simulations are at this point.

1:03:54.480 --> 1:03:57.640
<v Speaker 1>You know, I'm really curious now to hear what y'all

1:03:57.640 --> 1:03:59.840
<v Speaker 1>out there, what you listeners are going to have to

1:03:59.840 --> 1:04:02.640
<v Speaker 1>say about the geo myths of the present. Yeah, yeah,

1:04:02.720 --> 1:04:05.200
<v Speaker 1>because I'm sure we're missing some really key ones because

1:04:05.200 --> 1:04:08.400
<v Speaker 1>there's there's just so much there's so much weird stuff

1:04:08.400 --> 1:04:10.440
<v Speaker 1>that we have in our pop culture these days that

1:04:10.960 --> 1:04:13.720
<v Speaker 1>is much like a myth. It is, it is poly functional.

1:04:14.000 --> 1:04:17.160
<v Speaker 1>It's not just you know, the cartoon image that it portrays.

1:04:17.200 --> 1:04:20.720
<v Speaker 1>It's informed by all these other ideas. And uh uh

1:04:20.800 --> 1:04:22.560
<v Speaker 1>And certainly when we get into some of the strange

1:04:22.600 --> 1:04:27.320
<v Speaker 1>memes out there, memes that continually evolve, uh, both intentionally

1:04:27.520 --> 1:04:33.560
<v Speaker 1>and just as a byproduct of life online. Absolutely, uh so, Robert.

1:04:33.560 --> 1:04:37.439
<v Speaker 1>One last question, how convinced are you looking at these

1:04:37.520 --> 1:04:42.720
<v Speaker 1>arguments for mythological creatures inspired by fossils and and remains

1:04:42.720 --> 1:04:45.720
<v Speaker 1>of extinct animals. What what do you think do they

1:04:45.760 --> 1:04:48.760
<v Speaker 1>figure in the creation of this, these mythological creatures, and

1:04:48.800 --> 1:04:52.440
<v Speaker 1>if so, how often I tend to buy more. I'm

1:04:52.480 --> 1:04:55.840
<v Speaker 1>not saying that that they never play into the creation

1:04:56.000 --> 1:04:59.720
<v Speaker 1>of myths, but I tend to favor that midpoint argument,

1:04:59.760 --> 1:05:03.840
<v Speaker 1>where where some version of the myth is pre existing

1:05:04.040 --> 1:05:08.880
<v Speaker 1>and then fossils are observed and the to inform each other.

1:05:09.880 --> 1:05:13.480
<v Speaker 1>I think that makes a lot of sense. Um. I

1:05:13.640 --> 1:05:16.360
<v Speaker 1>think I'm somewhere in the middle too. I'm not I'm

1:05:16.400 --> 1:05:19.600
<v Speaker 1>not wholly on board, but I really love these ideas.

1:05:19.720 --> 1:05:22.160
<v Speaker 1>I very much want them to be true because I

1:05:22.200 --> 1:05:25.000
<v Speaker 1>love the idea of people reckoning with the geo facts

1:05:25.040 --> 1:05:29.720
<v Speaker 1>of their surroundings by using the darkest parts of their imagination. Yeah,

1:05:29.760 --> 1:05:31.880
<v Speaker 1>and you know it ties in nicely with the episode

1:05:31.920 --> 1:05:35.400
<v Speaker 1>we also recorded this week on our desire for complete

1:05:35.440 --> 1:05:39.160
<v Speaker 1>narratives and complete understandings, Like there's a there's a beautiful

1:05:39.200 --> 1:05:43.320
<v Speaker 1>simplicity to geo mythology that that is so attractive and

1:05:43.360 --> 1:05:49.720
<v Speaker 1>that you could just so succinctively explain this fantastic creature. Uh. However,

1:05:49.800 --> 1:05:52.600
<v Speaker 1>it seems. It seems very rare that such a succinct

1:05:53.240 --> 1:05:58.280
<v Speaker 1>explanation would be the only explanation for for something that

1:05:58.280 --> 1:06:00.480
<v Speaker 1>that has so many facets to it. I think they

1:06:00.520 --> 1:06:06.200
<v Speaker 1>convince me on the Golden Chicken. Golden chicken with the chicken. Yeah, um, yeah,

1:06:06.240 --> 1:06:09.720
<v Speaker 1>that's a good one, all right. So hey, if you

1:06:09.800 --> 1:06:12.160
<v Speaker 1>want to check out some of the some links to

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<v Speaker 1>some of the things we're talking about here, maybe an

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<v Speaker 1>image or two, heading over to stuff to Blow your

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<v Speaker 1>Mind dot com. That's the mothership. That's where you'll find

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<v Speaker 1>all the podcast episodes, including the landing page for this

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<v Speaker 1>episode with those cool, outgoing links. And you'll also find

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<v Speaker 1>links to our social media accounts, which is Facebook as Twitter.

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<v Speaker 1>We are blow the Mind on both of those. Follow

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<v Speaker 1>us on Instagram, follow us on tumbler. We maintain all

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<v Speaker 1>those social media accounts. And if you want to get

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<v Speaker 1>in touch with us to let us know your ideas

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<v Speaker 1>about the future, geo mythology of the present, or any

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<v Speaker 1>other reactions to this episode, you can email us at

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<v Speaker 1>blow the Mind at how stuffworks dot com. Well more

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<v Speaker 1>on this and paths of other topics. Is that how

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<v Speaker 1>stuff works dot com? Say the people the first fist

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<v Speaker 1>first start,