1 00:00:01,760 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,080 --> 00:00:12,520 Speaker 1: Welcome to and that's what you're in the miss podcast. 4 00:00:14,920 --> 00:00:17,079 Speaker 2: Jena, is this the last competition? 5 00:00:17,720 --> 00:00:21,640 Speaker 1: Yes, it is. Oh my gosh, we weren't even there. 6 00:00:21,880 --> 00:00:28,680 Speaker 1: It feels very strange, very very strange. It's sectionals, people, 7 00:00:29,080 --> 00:00:33,680 Speaker 1: it's sectionals. Okay, we are here. We are at season six, 8 00:00:33,760 --> 00:00:38,320 Speaker 1: episode eleven of thirteen. Whoa We built this Glee Club? 9 00:00:38,880 --> 00:00:42,480 Speaker 1: Air date March thirteen, twenty fifteen. So Glee has already 10 00:00:42,520 --> 00:00:48,839 Speaker 1: wrapped its series finale by this point, and here we are, 11 00:00:49,440 --> 00:00:52,560 Speaker 1: here we are. The number of song was Uptown Funk 12 00:00:52,880 --> 00:00:57,920 Speaker 1: Still by Mark Ronson and Bruno. And a new movie Cinderella, 13 00:00:57,960 --> 00:01:02,280 Speaker 1: which I have seen parts of now because Emma isn't 14 00:01:02,480 --> 00:01:07,080 Speaker 1: the live action Disney movies. She's currently wearing a Cinderella 15 00:01:07,160 --> 00:01:08,760 Speaker 1: dress right now in the back. 16 00:01:08,920 --> 00:01:12,760 Speaker 2: She's so cute. The EP for this episode was released 17 00:01:12,800 --> 00:01:16,559 Speaker 2: on March tenth. It featured six tracks from the episode. 18 00:01:16,800 --> 00:01:21,319 Speaker 1: On March twelve, Jenna, Chris, Darren, Corn, and Leah appeared 19 00:01:21,360 --> 00:01:23,840 Speaker 1: on The Ellen Show to discuss the upcoming series finale 20 00:01:23,920 --> 00:01:27,720 Speaker 1: and reflect on their recent series rap. They also participated 21 00:01:27,800 --> 00:01:32,480 Speaker 1: in games of class, superlatives and cards against Humanity. So said, 22 00:01:32,520 --> 00:01:33,720 Speaker 1: you weren't there, Kevin. 23 00:01:33,560 --> 00:01:34,839 Speaker 2: And me too? Did you have fun? 24 00:01:35,600 --> 00:01:40,520 Speaker 1: So so much fun? It was such a blast. It 25 00:01:40,600 --> 00:01:41,640 Speaker 1: was a really really fun day. 26 00:01:44,440 --> 00:01:45,280 Speaker 2: Not better at all. 27 00:01:45,640 --> 00:01:48,440 Speaker 1: No, I'm pretty sad about it that you were in there. 28 00:01:49,480 --> 00:01:53,000 Speaker 2: And on March thirteenth, members of the cast participated in 29 00:01:53,000 --> 00:01:56,400 Speaker 2: a panel discussion at the thirty second Annual Pailey Fest. 30 00:01:56,560 --> 00:02:01,720 Speaker 2: The event was at Adoby Theater in Hollywood. Leah, Heather, Chris, Darren, Cord, Amber, 31 00:02:01,840 --> 00:02:03,440 Speaker 2: Jane and Dot were in attendance. 32 00:02:03,680 --> 00:02:08,560 Speaker 1: Well but no, and no I was not there, probably 33 00:02:08,560 --> 00:02:09,680 Speaker 1: because I wasn't in the show. 34 00:02:12,840 --> 00:02:15,120 Speaker 2: So this episode was directed by our DP at the 35 00:02:15,120 --> 00:02:18,760 Speaker 2: time director of Photography, Joaquin Cidio and written by. 36 00:02:18,800 --> 00:02:25,200 Speaker 1: Telly One and Only Aristotle Kusakas and we are joined 37 00:02:25,240 --> 00:02:27,799 Speaker 1: by special guest star John. 38 00:02:27,960 --> 00:02:30,560 Speaker 2: Groff and Max George is back. 39 00:02:31,320 --> 00:02:33,320 Speaker 1: Yes yes, yes, yes, Okay. 40 00:02:33,360 --> 00:02:35,160 Speaker 2: So there's a lot of songs in this episode. 41 00:02:35,440 --> 00:02:35,840 Speaker 3: A lot. 42 00:02:35,919 --> 00:02:40,079 Speaker 1: Listen to Your Heart performed by Jesse and Rachel. 43 00:02:39,560 --> 00:02:42,920 Speaker 2: We Built the City performed by Vocal Adrenaline. 44 00:02:43,000 --> 00:02:45,359 Speaker 1: And Mickey performed a Vocal Adrenaline. 45 00:02:45,720 --> 00:02:49,000 Speaker 2: Take Me to Church performed by the New Directions. 46 00:02:48,639 --> 00:02:51,080 Speaker 1: Shandelier performing the New Directions. 47 00:02:50,840 --> 00:02:53,960 Speaker 2: Come sail Away performed by the New Directions. 48 00:02:53,400 --> 00:02:57,800 Speaker 1: And a special unreleased Broken Wings by Mister Mister Mister 49 00:02:58,320 --> 00:03:05,800 Speaker 1: performed by the Falconers. Okay, there's a lot of fun decks, yes, 50 00:03:05,880 --> 00:03:08,320 Speaker 1: so here we go. This episode marks the return of 51 00:03:08,360 --> 00:03:11,920 Speaker 1: the following characters. Jesse st. James first appearance since season 52 00:03:12,040 --> 00:03:18,000 Speaker 1: three episode Nationals, a fifty three episode gap, Wow Damn. 53 00:03:19,240 --> 00:03:23,080 Speaker 2: Donna Landry's first appearance since the season one episode Sectionals, 54 00:03:23,240 --> 00:03:26,480 Speaker 2: a one hundred and five episode gap, appearing in the 55 00:03:26,520 --> 00:03:30,160 Speaker 2: show's first and last competition episode. That's cute. This is 56 00:03:30,160 --> 00:03:33,200 Speaker 2: the longest gap between a character's debut and reappearance, and 57 00:03:33,280 --> 00:03:35,360 Speaker 2: she was very good, very good. 58 00:03:35,720 --> 00:03:40,119 Speaker 1: Coincidentally, both characters last appearances before this episode feature a competition. 59 00:03:41,640 --> 00:03:44,160 Speaker 2: Sue telling Will about her intentions to come back and 60 00:03:44,200 --> 00:03:46,880 Speaker 2: destroy Glee after a break in Boca is another throwback 61 00:03:46,880 --> 00:03:50,720 Speaker 2: to the episode Sectionals, where after New Directions win that competition, 62 00:03:50,800 --> 00:03:52,360 Speaker 2: she tells him the exact same thing. 63 00:03:53,880 --> 00:03:56,240 Speaker 1: The title is a reference to the Starship song We 64 00:03:56,320 --> 00:03:58,840 Speaker 1: Built the City featured in this episode. 65 00:03:59,120 --> 00:04:02,680 Speaker 2: This is the last time and episode focuses primarily on 66 00:04:02,720 --> 00:04:04,040 Speaker 2: a show choir competition. 67 00:04:04,680 --> 00:04:08,280 Speaker 1: Oh This is the second time an eleventh episode features 68 00:04:08,320 --> 00:04:10,680 Speaker 1: New Directions in a competition, the first being City of 69 00:04:10,760 --> 00:04:12,160 Speaker 1: Angels in the previous season. 70 00:04:13,120 --> 00:04:15,480 Speaker 2: This marked the second time New Directions has beaten vocal 71 00:04:15,520 --> 00:04:19,800 Speaker 2: adrenaline and direct competition Don't Forget It, and the first 72 00:04:19,800 --> 00:04:22,200 Speaker 2: time being twenty twelve Nationals. 73 00:04:22,480 --> 00:04:26,159 Speaker 1: I really thought New Direction was going to lose this one. Like, 74 00:04:26,279 --> 00:04:28,080 Speaker 1: I thought like the writers were going to be like, 75 00:04:28,920 --> 00:04:32,680 Speaker 1: they can't win this. With this episode, New Directions has 76 00:04:32,680 --> 00:04:35,440 Speaker 1: faced a vocal adrenaline in every round of the Show 77 00:04:35,520 --> 00:04:41,120 Speaker 1: Choir competition Sectionals In this episode, Regionals and Journey Nationals 78 00:04:41,120 --> 00:04:44,359 Speaker 1: in both New York and Nationals, and cliffs from Sectionals 79 00:04:44,360 --> 00:04:47,120 Speaker 1: hold On to sixteen Special Education on My Way and 80 00:04:47,240 --> 00:04:50,159 Speaker 1: Nationals are shown as each trophy is placed back in 81 00:04:50,279 --> 00:04:50,719 Speaker 1: the case. 82 00:04:51,600 --> 00:04:53,919 Speaker 2: That's how we got in this episode, I know it. 83 00:04:55,320 --> 00:04:58,320 Speaker 2: None of the season four competitions were shown, but the 84 00:04:58,360 --> 00:05:01,320 Speaker 2: trophies from the competitions were still in the display case. 85 00:05:01,600 --> 00:05:05,320 Speaker 1: Oh, this is the only competition episode in which Arreadie, Mercedes, 86 00:05:05,360 --> 00:05:08,760 Speaker 1: and Tina are not present. I yeah, this was you 87 00:05:09,080 --> 00:05:09,800 Speaker 1: said that there. 88 00:05:10,000 --> 00:05:13,640 Speaker 2: Yeah. This is the second time Sue's Show Choir lost 89 00:05:13,680 --> 00:05:16,920 Speaker 2: to New Directions, the first being oral Intensity, and original song. 90 00:05:17,800 --> 00:05:20,960 Speaker 1: This episode marks the final appearance of Clint and Rod Revington. 91 00:05:22,080 --> 00:05:24,919 Speaker 2: This is the last episode that primarily takes place in 92 00:05:24,960 --> 00:05:27,160 Speaker 2: the present, as the next two take place in the 93 00:05:27,200 --> 00:05:29,200 Speaker 2: past two thousand and nine and then in the future 94 00:05:29,440 --> 00:05:30,120 Speaker 2: twenty twenty. 95 00:05:30,440 --> 00:05:34,080 Speaker 1: That's crazy, I didn't realize the future episode was twenty 96 00:05:34,120 --> 00:05:39,120 Speaker 1: Twenty's that hurts. This episode contains the last and that's 97 00:05:39,160 --> 00:05:41,840 Speaker 1: what you missed on Glee section ever. 98 00:05:42,440 --> 00:05:45,160 Speaker 2: Oh no, no, what are you going to do? 99 00:05:46,640 --> 00:05:49,839 Speaker 1: I'm going to read you this episode. Summery, Kevin so, 100 00:05:50,000 --> 00:05:54,400 Speaker 1: New Directions, and Vocal Adrenaline go head to head at sectionals. Meanwhile, 101 00:05:54,480 --> 00:05:57,880 Speaker 1: Rachel must choose between returning to Niata and doing another 102 00:05:57,960 --> 00:06:02,320 Speaker 1: Broadway show with her past love Jess see Saint James. Wow, 103 00:06:02,360 --> 00:06:02,760 Speaker 1: Wow Wow. 104 00:06:02,839 --> 00:06:05,880 Speaker 2: Let's let's dive into Rachel because Rachel is still deciding 105 00:06:06,040 --> 00:06:08,600 Speaker 2: whether she wants to go back to Niada or go 106 00:06:08,720 --> 00:06:11,400 Speaker 2: back to Broadway. And Sam had that talk with her 107 00:06:11,440 --> 00:06:16,679 Speaker 2: last episode and Ram is Brave Chat, Brave Chat. Sam's 108 00:06:16,680 --> 00:06:21,600 Speaker 2: team Niyada, and he has another chat with her this 109 00:06:21,680 --> 00:06:24,760 Speaker 2: episode with lists of people who have gone back to college, 110 00:06:24,800 --> 00:06:27,080 Speaker 2: who have done college and then had a siest career and. 111 00:06:27,360 --> 00:06:30,960 Speaker 1: Rachel knows that he was going to do it. 112 00:06:30,560 --> 00:06:32,320 Speaker 2: Such a good bit, and then he has a response 113 00:06:32,360 --> 00:06:36,279 Speaker 2: to that it's so good. I really enjoyed that she 114 00:06:36,320 --> 00:06:39,040 Speaker 2: put her trump card. Which are we talking about this again? 115 00:06:39,200 --> 00:06:41,120 Speaker 1: I was like, are we talking about this? Is Sam 116 00:06:41,120 --> 00:06:43,400 Speaker 1: doing this again? I was like, wow, we're really dating, like, 117 00:06:43,960 --> 00:06:48,640 Speaker 1: you know, digging deep on this one. But yeah, but 118 00:06:48,680 --> 00:06:54,440 Speaker 1: then Rachel is singing listen. 119 00:06:54,279 --> 00:06:55,839 Speaker 2: To your heart mid song here. 120 00:06:57,240 --> 00:07:00,720 Speaker 1: In true Jesse Saint James Form comes to up mid 121 00:07:00,800 --> 00:07:05,000 Speaker 1: song and revealed he he is the one who reminded 122 00:07:05,040 --> 00:07:11,440 Speaker 1: these Broadway producers of her talent and and that Rachel 123 00:07:11,480 --> 00:07:15,560 Speaker 1: was right for the role. He is starring in the show. 124 00:07:16,160 --> 00:07:22,440 Speaker 1: Opposite would be Rachel and and you know, it just 125 00:07:22,440 --> 00:07:29,280 Speaker 1: adds another layer to complexity going back to Broadway. 126 00:07:30,000 --> 00:07:32,520 Speaker 2: Yeah, what would you have done in this situation? 127 00:07:33,040 --> 00:07:36,640 Speaker 1: It's really tough. I really I really don't know. I 128 00:07:36,680 --> 00:07:41,280 Speaker 1: think I think it would have taken the Broadway show. 129 00:07:42,680 --> 00:07:47,240 Speaker 2: Yeah, so so she's still deciding obviously. Jesse lays it 130 00:07:47,280 --> 00:07:50,840 Speaker 2: on thick. Also great to see Graff. Hear graf Graff 131 00:07:50,920 --> 00:07:56,480 Speaker 2: got a haircut. But then Kurt comes up and she's like, 132 00:07:56,720 --> 00:07:59,080 Speaker 2: I don't want to hear it, I've already heard from 133 00:08:00,040 --> 00:08:03,400 Speaker 2: saying other people, and he goes, no, no, no, whatever you decide, 134 00:08:03,400 --> 00:08:06,280 Speaker 2: it is completely fine, Like I support you, but just 135 00:08:07,320 --> 00:08:11,440 Speaker 2: do what makes you happy, Like there's no expectations other 136 00:08:11,520 --> 00:08:13,480 Speaker 2: than like you do what you feel is right. 137 00:08:13,640 --> 00:08:18,800 Speaker 1: Right, right? But what do you think he was like, 138 00:08:19,080 --> 00:08:21,680 Speaker 1: because he was essentially saying like he's going back to 139 00:08:21,760 --> 00:08:25,080 Speaker 1: Nyada and Blaine is going to nay, yes. 140 00:08:25,000 --> 00:08:27,040 Speaker 2: Throwing out those little tidbits real quick. 141 00:08:27,200 --> 00:08:33,480 Speaker 1: Right, just throwing it in there, and essentially saying like 142 00:08:33,760 --> 00:08:36,840 Speaker 1: this is a second chance at Nyada, Like. 143 00:08:37,360 --> 00:08:40,320 Speaker 2: Well, I can't. He points out, like they all sort 144 00:08:40,320 --> 00:08:43,240 Speaker 2: of get to go back to where the roads diverged 145 00:08:43,400 --> 00:08:46,160 Speaker 2: last time, right, And he's like, how lucky are we 146 00:08:46,240 --> 00:08:48,320 Speaker 2: to get to go back to the same crossroads, and 147 00:08:48,360 --> 00:08:49,359 Speaker 2: like pick option. 148 00:08:49,240 --> 00:08:51,120 Speaker 1: B right right right? Rights? 149 00:08:51,120 --> 00:08:54,240 Speaker 2: Option A didn't go how any of us thought it would, right, 150 00:08:54,320 --> 00:08:57,280 Speaker 2: So we're in a position to go back and do 151 00:08:57,400 --> 00:09:00,920 Speaker 2: it the other way. Yeah, which is really fortunate position 152 00:09:01,000 --> 00:09:02,079 Speaker 2: either way you look at it. 153 00:09:02,440 --> 00:09:06,640 Speaker 1: Yeah, for sure, it's important to hear from Kurt, you know, 154 00:09:06,800 --> 00:09:08,240 Speaker 1: before she makes a decision. 155 00:09:08,520 --> 00:09:12,400 Speaker 2: And he gives a very shoster speech. Does It's very 156 00:09:12,480 --> 00:09:15,760 Speaker 2: like pointing out how good she is at this job, 157 00:09:15,840 --> 00:09:19,640 Speaker 2: like what they're doing for kids, Like the time hasn't 158 00:09:19,679 --> 00:09:22,040 Speaker 2: been a waste going back to Ohio. 159 00:09:22,360 --> 00:09:29,280 Speaker 1: Right, really making a difference, which I actually matters. Seen, well, 160 00:09:29,320 --> 00:09:31,880 Speaker 1: you know how much they learned in that time back 161 00:09:31,920 --> 00:09:39,240 Speaker 1: at Kinley exactly. Well a spoiler alert, we're going to 162 00:09:39,320 --> 00:09:45,920 Speaker 1: go through all of sectionals. Obviously we love a competition episode. 163 00:09:46,760 --> 00:09:49,080 Speaker 1: But in the end, at the end of the day, 164 00:09:49,360 --> 00:09:55,280 Speaker 1: Rachel decides that she is, in fact going back to Nyada. 165 00:09:56,000 --> 00:09:57,199 Speaker 2: Did you think she's going to pick that? 166 00:10:00,360 --> 00:10:03,200 Speaker 1: I really didn't know. I really didn't know where she 167 00:10:03,400 --> 00:10:08,080 Speaker 1: was gonna go, because it's the Glee. It's the Glee 168 00:10:08,160 --> 00:10:10,320 Speaker 1: choice is to go back to Niada. I think it's 169 00:10:10,360 --> 00:10:15,280 Speaker 1: the humble choice. I think it's the the harder road. 170 00:10:16,200 --> 00:10:18,240 Speaker 1: I think it's the one she care to be the 171 00:10:18,240 --> 00:10:22,680 Speaker 1: most lost things, yeah, exactly, versus like just taking the 172 00:10:22,760 --> 00:10:25,240 Speaker 1: job again. You know, she's been through so much, she says, 173 00:10:25,320 --> 00:10:27,960 Speaker 1: and like, you know, it's it's been tough. So I 174 00:10:28,000 --> 00:10:31,520 Speaker 1: think I'm happy that she chose Nyata. I think it's 175 00:10:31,600 --> 00:10:34,960 Speaker 1: the right one. I think there could have been it 176 00:10:34,960 --> 00:10:38,840 Speaker 1: could have gone both ways. But knowing that what's coming 177 00:10:39,080 --> 00:10:43,880 Speaker 1: in twenty you know, the final episode of the series. 178 00:10:44,520 --> 00:10:46,720 Speaker 1: I was like, oh, she must have picked me outa 179 00:10:46,800 --> 00:10:50,560 Speaker 1: because then she's gonna succeed later, you know what I mean. Like, 180 00:10:50,600 --> 00:10:54,920 Speaker 1: so I kind of knew with the what was you know, 181 00:10:54,920 --> 00:10:55,760 Speaker 1: knowing what it is. 182 00:10:55,760 --> 00:10:58,160 Speaker 2: So weird that this is the last episode in present 183 00:10:58,320 --> 00:10:59,680 Speaker 2: time in the show. 184 00:11:00,120 --> 00:11:04,640 Speaker 1: That's crazy. Okay. I'm glad it was a competition. I'm glad. 185 00:11:05,280 --> 00:11:07,520 Speaker 1: And now I'm thinking like, oh, we had to win then, 186 00:11:07,679 --> 00:11:10,880 Speaker 1: like it has to feel good, right, you know. 187 00:11:11,480 --> 00:11:12,840 Speaker 2: Absolutely, So. 188 00:11:14,760 --> 00:11:16,640 Speaker 1: He's going to go back to Niana and then they kiss. 189 00:11:16,640 --> 00:11:18,240 Speaker 1: They're going to see each other in New York and 190 00:11:18,520 --> 00:11:19,000 Speaker 1: they kiss. 191 00:11:19,240 --> 00:11:22,280 Speaker 2: So it was a great scene. He's not mad, she's 192 00:11:22,320 --> 00:11:23,000 Speaker 2: following her heart. 193 00:11:23,520 --> 00:11:24,000 Speaker 1: So good. 194 00:11:24,520 --> 00:11:25,920 Speaker 2: They're both grown up now. 195 00:11:26,120 --> 00:11:32,440 Speaker 1: Yeah, Spencer and Roderick are are non dancers of this season. 196 00:11:33,320 --> 00:11:36,880 Speaker 2: And they're called out by the Warblers, and Spencer assumes 197 00:11:36,880 --> 00:11:40,200 Speaker 2: it's just about Roderick makes some inappropriate comments per husue 198 00:11:40,880 --> 00:11:42,960 Speaker 2: and then they're like, no, no, no, you're included in 199 00:11:43,040 --> 00:11:46,680 Speaker 2: this too. Kitty agrees, and they're trying to demote them 200 00:11:46,679 --> 00:11:48,960 Speaker 2: to just like sway in the back, stay out of 201 00:11:48,960 --> 00:11:54,960 Speaker 2: the way, and so Spencer and Roderick come up with 202 00:11:55,000 --> 00:11:56,640 Speaker 2: like a little plan of like they're just gonna work 203 00:11:56,640 --> 00:12:00,320 Speaker 2: with Kitty to help them because they're not She's not 204 00:12:00,320 --> 00:12:01,280 Speaker 2: going to pull any punches. 205 00:12:01,640 --> 00:12:04,080 Speaker 1: I love that scene of them being like, no, mister, 206 00:12:04,080 --> 00:12:05,480 Speaker 1: she would just tell us we're doing a good job. 207 00:12:05,480 --> 00:12:07,280 Speaker 2: We're gone. Yeah, it's so good. 208 00:12:07,480 --> 00:12:08,280 Speaker 1: It's so good. 209 00:12:08,760 --> 00:12:11,360 Speaker 2: I like a little little body comedy. 210 00:12:11,640 --> 00:12:16,680 Speaker 1: Yeah, yeah, it's very cute. Also a Spencer with his 211 00:12:16,720 --> 00:12:18,240 Speaker 1: little Canadian accent coming. 212 00:12:18,040 --> 00:12:20,200 Speaker 2: Out all the time. 213 00:12:20,559 --> 00:12:26,560 Speaker 1: Yeah, right, it's really bright in this episode. And Spencer 214 00:12:26,640 --> 00:12:30,400 Speaker 1: is going to spring his ankle on this man, which. 215 00:12:30,200 --> 00:12:32,120 Speaker 2: Is like I love that he's an athlete, like an 216 00:12:32,200 --> 00:12:33,319 Speaker 2: all star athlete. 217 00:12:33,600 --> 00:12:37,240 Speaker 1: He does one one turn and he's down. 218 00:12:37,880 --> 00:12:39,960 Speaker 2: And Beast is there and be like, oh, this is bad. 219 00:12:40,000 --> 00:12:43,200 Speaker 2: They're all making such a big thing over of how 220 00:12:43,320 --> 00:12:47,960 Speaker 2: terrible it is, and he's like, well, no, I'm a 221 00:12:48,000 --> 00:12:50,000 Speaker 2: team player. I'm going to show up and be on 222 00:12:50,040 --> 00:12:52,080 Speaker 2: that stage like you don't need to be. 223 00:12:52,480 --> 00:12:55,920 Speaker 1: And also the fact that like against the medical advice, 224 00:12:55,960 --> 00:12:57,360 Speaker 1: he's like I'm going to do it anyway, and they're 225 00:12:57,400 --> 00:12:59,559 Speaker 1: like no, but this has this is long term effects 226 00:12:59,559 --> 00:13:02,000 Speaker 1: if you don't rest now, and he's like, I'm going 227 00:13:02,040 --> 00:13:04,200 Speaker 1: to do it anyway. Like, yeah, if someone called that 228 00:13:04,280 --> 00:13:07,000 Speaker 1: valiant and someone call that stupid, well, it's. 229 00:13:06,880 --> 00:13:09,160 Speaker 2: Such a it's such a teen boy thing to do. 230 00:13:09,679 --> 00:13:15,200 Speaker 1: Yeah, like I already appreciate questions later Yeah like classic, Yeah, 231 00:13:15,240 --> 00:13:17,080 Speaker 1: like macho, this is what I'm doing. 232 00:13:17,440 --> 00:13:19,679 Speaker 2: Yeah, yeah, look how committed I am. 233 00:13:19,760 --> 00:13:22,960 Speaker 1: So we don't know what's going to happen. We don't 234 00:13:23,000 --> 00:13:28,400 Speaker 1: know what's coming for sectionals at the performance, but maybe 235 00:13:28,400 --> 00:13:29,880 Speaker 1: he'll be there. Maybe you won't. 236 00:13:32,720 --> 00:13:36,520 Speaker 2: Wait to tease it out, Jenna really have the people 237 00:13:36,520 --> 00:13:37,520 Speaker 2: on the edge of their seats. 238 00:13:45,520 --> 00:13:50,600 Speaker 1: Meanwhile, meanwhile, to Sue in new Directions thing, it's just 239 00:13:50,679 --> 00:13:56,520 Speaker 1: like so uninched, uh, new directions, get some packages delivered, 240 00:13:56,600 --> 00:13:58,800 Speaker 1: and just by the setup of the scene, I was like, 241 00:13:58,920 --> 00:14:00,840 Speaker 1: this is not going well. I don't know where this 242 00:14:00,920 --> 00:14:03,000 Speaker 1: is going, but it's not gonna go well. Like Rachel 243 00:14:03,080 --> 00:14:05,960 Speaker 1: was too excited to get these packages. They're saying they're 244 00:14:05,960 --> 00:14:10,520 Speaker 1: from Glad and then they explode in their glitter bombs 245 00:14:10,800 --> 00:14:13,840 Speaker 1: that we find out there from Sue. This scene is 246 00:14:13,880 --> 00:14:14,880 Speaker 1: my favorite scene. 247 00:14:15,320 --> 00:14:17,600 Speaker 2: The piano blows up and. 248 00:14:17,559 --> 00:14:20,440 Speaker 1: It's not insured. It's not insured. 249 00:14:20,760 --> 00:14:21,840 Speaker 2: Why would Blane know that? 250 00:14:23,440 --> 00:14:25,480 Speaker 1: You know what? I don't know, but I do know 251 00:14:25,520 --> 00:14:28,040 Speaker 1: that the glitter bomb was very funny, and I wish 252 00:14:28,120 --> 00:14:32,560 Speaker 1: I was there to shoot that, just like everywhere. I 253 00:14:32,560 --> 00:14:37,520 Speaker 1: actually don't wish I was there because everywhere, Oh my gosh, 254 00:14:37,720 --> 00:14:41,560 Speaker 1: you really get one take with that, you know. 255 00:14:41,720 --> 00:14:43,920 Speaker 2: It's also like the it's not a bad thing having 256 00:14:43,920 --> 00:14:44,840 Speaker 2: a glitter bomb. 257 00:14:46,320 --> 00:14:52,840 Speaker 1: No, but Will seeing Sue laughing during all of these 258 00:14:52,960 --> 00:14:56,920 Speaker 1: like mischievous things that she does. She puts eye drops 259 00:14:57,080 --> 00:15:00,720 Speaker 1: in the coffee and Sam is vomit. He's like, oh, 260 00:15:00,800 --> 00:15:02,120 Speaker 1: must than the meat loaf. And then you see the 261 00:15:02,120 --> 00:15:05,360 Speaker 1: whole faculty room is vomiting and it's it's Sue and 262 00:15:05,440 --> 00:15:07,440 Speaker 1: she's in the bushes with her hands in front of 263 00:15:07,440 --> 00:15:11,400 Speaker 1: her face. Laughing is also the highlight of this episode. 264 00:15:11,240 --> 00:15:19,280 Speaker 1: And then she blows up Will's car, which, by the way, 265 00:15:19,640 --> 00:15:21,840 Speaker 1: we thought he had a range drover for vocal adrenaline. 266 00:15:21,880 --> 00:15:23,520 Speaker 1: He must have had to trade that in and he 267 00:15:23,640 --> 00:15:27,560 Speaker 1: had the oldest minivan of all time. Where did that 268 00:15:27,600 --> 00:15:28,320 Speaker 1: minivan come from? 269 00:15:28,400 --> 00:15:30,320 Speaker 2: Why would he have traded it? Because he can't blow 270 00:15:30,400 --> 00:15:31,200 Speaker 2: up a rain drover. 271 00:15:33,040 --> 00:15:37,600 Speaker 1: Right well, it doesn't work for vocal adrenaline anymore. So 272 00:15:37,640 --> 00:15:38,760 Speaker 1: I'm sure they were like, we have to give it 273 00:15:38,800 --> 00:15:39,400 Speaker 1: to the new coach. 274 00:15:39,440 --> 00:15:40,280 Speaker 2: Oh they took it back. 275 00:15:40,400 --> 00:15:46,320 Speaker 1: Yeah, yeah, exactly, and Will's car gets blown up in 276 00:15:46,360 --> 00:15:48,840 Speaker 1: the end to find out that Sue had done this 277 00:15:48,960 --> 00:15:51,840 Speaker 1: all for five. Well she did the car for five. 278 00:15:51,920 --> 00:15:57,880 Speaker 2: Oh so you don't spoil if Roderic and no Spencer. 279 00:15:58,120 --> 00:16:01,920 Speaker 2: If Spencer's going on, but you spoil that. 280 00:16:04,120 --> 00:16:10,720 Speaker 1: Oh man, I forgot a jeez that one. 281 00:16:11,160 --> 00:16:12,520 Speaker 2: That was thirty seconds ago. 282 00:16:14,000 --> 00:16:19,840 Speaker 1: My memory is short these days. Okay, sorry, pretend you 283 00:16:19,840 --> 00:16:27,080 Speaker 1: didn't hear that. Listeners all right, So we're at sectionals. 284 00:16:27,160 --> 00:16:28,000 Speaker 1: We're at sectionals. 285 00:16:28,000 --> 00:16:29,640 Speaker 2: Here we are I think is happening? I think because 286 00:16:29,640 --> 00:16:31,520 Speaker 2: we're getting towards the end of the season. It's like 287 00:16:31,760 --> 00:16:35,280 Speaker 2: I also feel like we've gotten senior itis it. 288 00:16:36,840 --> 00:16:39,800 Speaker 1: Stay tuned, but like stay tuned. 289 00:16:40,360 --> 00:16:43,280 Speaker 2: Yeah, I don't. I don't understand what's happening to us. 290 00:16:43,640 --> 00:16:47,400 Speaker 1: Oh yes, okay, wait, so also before we get into sectionals, 291 00:16:47,400 --> 00:16:49,200 Speaker 1: in those performances. 292 00:16:49,280 --> 00:16:51,720 Speaker 2: There's something you have to talk about it. 293 00:16:51,760 --> 00:16:59,080 Speaker 1: Okay, Will, in return for the glitter bombs and the car, 294 00:16:59,760 --> 00:17:06,719 Speaker 1: you know, fire and the eye drops, he goes and 295 00:17:06,760 --> 00:17:11,320 Speaker 1: pretends to be Sue's hair stylist in the salon and 296 00:17:11,480 --> 00:17:17,800 Speaker 1: shaves her head and she has no hair for the 297 00:17:17,840 --> 00:17:21,200 Speaker 1: ages kind of reminds me of your ball cap from. 298 00:17:21,200 --> 00:17:26,119 Speaker 2: Absolutely uh Superheroes, because it was the same thing. 299 00:17:27,720 --> 00:17:30,200 Speaker 1: Of course, it was great, it was very, very funny, 300 00:17:30,200 --> 00:17:32,200 Speaker 1: and then of course she has they call her real 301 00:17:32,200 --> 00:17:34,280 Speaker 1: hair away later but which. 302 00:17:34,119 --> 00:17:36,320 Speaker 2: Is also weird. That's also the scene where Beast comes 303 00:17:36,320 --> 00:17:40,960 Speaker 2: in and it's like, I've been so nice to you, 304 00:17:41,040 --> 00:17:43,680 Speaker 2: like Will and I are the only people who struck 305 00:17:43,760 --> 00:17:46,800 Speaker 2: up for you, and then you come in here bring 306 00:17:46,880 --> 00:17:50,119 Speaker 2: Vocal Adrenaline, who also did horrible things to my car, 307 00:17:50,640 --> 00:17:53,480 Speaker 2: and you're also showing them Nazi footage. 308 00:17:54,160 --> 00:17:58,240 Speaker 1: Oh yeah, oh yeah, that's that. 309 00:17:58,320 --> 00:18:00,800 Speaker 2: Scene because she'll evil evil. 310 00:18:00,880 --> 00:18:06,480 Speaker 1: Showing them that footage could have done without that. He's like, 311 00:18:07,119 --> 00:18:11,159 Speaker 1: get out, get out, get out, get out. Sue is 312 00:18:11,240 --> 00:18:18,320 Speaker 1: back to her diabolical ways, even though they're the only 313 00:18:18,400 --> 00:18:25,120 Speaker 1: ones Sheldon and Willy stuck their necks out for Sue, 314 00:18:25,440 --> 00:18:33,959 Speaker 1: but brudal Okay, where we're now at sectionals. It is sectionals. 315 00:18:34,720 --> 00:18:45,840 Speaker 1: We have the craziest judges. It's wild a poodle who's 316 00:18:45,920 --> 00:18:53,800 Speaker 1: voting h and we've got these wild performances. So Vocal 317 00:18:53,800 --> 00:18:58,320 Speaker 1: Adrenaline gives a massive, I mean a massive performance. It's 318 00:18:58,480 --> 00:19:01,040 Speaker 1: the perform of all performances. 319 00:19:01,119 --> 00:19:01,840 Speaker 2: It's really good. 320 00:19:02,000 --> 00:19:03,920 Speaker 1: I love we Built the City. I was like, why 321 00:19:04,000 --> 00:19:05,880 Speaker 1: doesn't New Directions do that song? 322 00:19:06,680 --> 00:19:07,040 Speaker 2: Yeah? 323 00:19:07,160 --> 00:19:09,520 Speaker 1: I wish we had done that song. Yeah, it feels 324 00:19:09,560 --> 00:19:17,119 Speaker 1: very us very and Mickey, which is very yeah, Mickey, 325 00:19:17,160 --> 00:19:21,240 Speaker 1: which is very bring it on circa early two thousands, 326 00:19:21,280 --> 00:19:22,400 Speaker 1: maybe late nineties. 327 00:19:22,680 --> 00:19:26,120 Speaker 2: Wait, oh Mickey, you're so fine. Oh yeah, that's isn't 328 00:19:26,119 --> 00:19:26,840 Speaker 2: that from the eighties? 329 00:19:27,400 --> 00:19:30,600 Speaker 1: It is, but it's my reference is bring it up? 330 00:19:31,800 --> 00:19:32,639 Speaker 2: Oh my god? 331 00:19:32,840 --> 00:19:36,040 Speaker 1: Really no, I mean I know that song, of course, 332 00:19:36,119 --> 00:19:40,600 Speaker 1: but it is now it's like bittersweet symphony and criole intentions. 333 00:19:42,160 --> 00:19:44,040 Speaker 2: Oh wow, do you know what I mean? 334 00:19:44,119 --> 00:19:46,960 Speaker 1: We were talking about this last night. Yeah. 335 00:19:47,000 --> 00:19:49,320 Speaker 2: I don't think I relate things to I knew those 336 00:19:49,359 --> 00:19:52,080 Speaker 2: songs were so in my head before seeing them in 337 00:19:52,160 --> 00:19:53,560 Speaker 2: other media. 338 00:19:53,640 --> 00:19:55,840 Speaker 1: It's like David too, that's because you guys are well 339 00:19:55,920 --> 00:19:59,240 Speaker 1: versed in music, and I'm like, oh, it's the theme song. 340 00:20:00,080 --> 00:20:03,560 Speaker 2: Uh, I'm surrounded by you people? 341 00:20:04,000 --> 00:20:11,720 Speaker 1: Yeah yeah, uh okay. I love this vocal adrenaline performance though. 342 00:20:12,760 --> 00:20:15,879 Speaker 1: I thought they were great. Also, watching New Directions watch 343 00:20:16,000 --> 00:20:20,880 Speaker 1: them really took me back to the pilot. It seemed intentional, right, 344 00:20:21,040 --> 00:20:23,439 Speaker 1: it had to be Yeah, oh, it was so sweet. 345 00:20:24,440 --> 00:20:39,360 Speaker 1: Then broken Wings with birds that birds, I was like. 346 00:20:41,760 --> 00:20:44,639 Speaker 2: My daughter than the judge was like, I hope my 347 00:20:45,080 --> 00:20:49,240 Speaker 2: taxpayer dollars are going to fund that school because I 348 00:20:49,240 --> 00:20:50,760 Speaker 2: would be too, But what is this? 349 00:20:51,200 --> 00:20:54,439 Speaker 1: And then the costume wings, it was just something different, 350 00:20:54,520 --> 00:20:55,160 Speaker 1: it was something else. 351 00:20:55,200 --> 00:20:55,440 Speaker 2: Wait. 352 00:20:55,600 --> 00:20:59,440 Speaker 1: Also, I forgot to mention in the rehearsals for when 353 00:20:59,440 --> 00:21:02,720 Speaker 1: new directions are performing, when I think one of those 354 00:21:02,760 --> 00:21:05,280 Speaker 1: early scenes, I think when we're talking about taking a break, 355 00:21:05,280 --> 00:21:08,159 Speaker 1: when they were talking about taking a break and you 356 00:21:08,160 --> 00:21:11,200 Speaker 1: know we're having that kind of like little disagreement the 357 00:21:11,920 --> 00:21:15,560 Speaker 1: talk and dance moves when they're like, you know, dut 358 00:21:15,640 --> 00:21:21,240 Speaker 1: your knees whatever. That is all Zach Woodley. Zach Woodley, 359 00:21:21,560 --> 00:21:24,679 Speaker 1: our choreographer, used to make up the words to the 360 00:21:24,760 --> 00:21:33,160 Speaker 1: songs or makeup sayings to string choreography, choreogography, choreography together. 361 00:21:34,040 --> 00:21:37,639 Speaker 1: And I was like, wow, I'm so glad they included that. 362 00:21:37,680 --> 00:21:40,080 Speaker 1: I'm sure other choreographers do that as well, but that 363 00:21:40,200 --> 00:21:42,080 Speaker 1: was like a Zach Woodley special. 364 00:21:42,400 --> 00:21:46,000 Speaker 2: I don't know if anybody follows Sean Bankhead on TikTok, 365 00:21:46,240 --> 00:21:53,560 Speaker 2: He's like probably the biggest choreographer. No. He and Paris 366 00:21:53,560 --> 00:21:56,359 Speaker 2: are like the two biggest choreographers like current people like 367 00:21:56,720 --> 00:22:01,160 Speaker 2: artists out there right now. And he does really great 368 00:22:01,240 --> 00:22:05,000 Speaker 2: videos because his choreography is very memorable and very very good. 369 00:22:05,240 --> 00:22:08,520 Speaker 2: And when he shows like rehearsal videos, it's very similar 370 00:22:08,560 --> 00:22:13,040 Speaker 2: to Zach Oh, like around and round the road, do yo, 371 00:22:13,160 --> 00:22:16,119 Speaker 2: and like he's just have. 372 00:22:16,240 --> 00:22:18,880 Speaker 1: To do that, but like it's so cute. I love it. 373 00:22:19,800 --> 00:22:26,160 Speaker 1: That's funny. Roderick and Spencer. Roderick has an idea before 374 00:22:26,600 --> 00:22:27,879 Speaker 1: New Directions performs. 375 00:22:29,320 --> 00:22:31,680 Speaker 2: You want to give this away now, Jennal, here it. 376 00:22:31,600 --> 00:22:37,120 Speaker 1: Is, here, it is. Here's my spoiler of the episode. Uh, 377 00:22:37,960 --> 00:22:45,560 Speaker 1: Spencer comes flying in on a chandelier Alla wrecking ball 378 00:22:46,840 --> 00:22:51,000 Speaker 1: and when they're singing chandelier, Now, let's talk about this 379 00:22:51,200 --> 00:22:55,719 Speaker 1: number because we'll talk about shaking me to church, but uh, 380 00:22:56,440 --> 00:23:03,199 Speaker 1: chandelier what more? Laura Dreifa, Please, where was her voice 381 00:23:03,240 --> 00:23:08,640 Speaker 1: this whole season? I'm yelling because I'm angry because her 382 00:23:08,720 --> 00:23:10,240 Speaker 1: voice is so good. 383 00:23:11,480 --> 00:23:12,119 Speaker 2: Is this yelling? 384 00:23:13,160 --> 00:23:19,959 Speaker 1: This is microphone yelling? Okay, I'm angry. I love her voice. 385 00:23:20,040 --> 00:23:22,720 Speaker 1: I think she sounded so good on this. Her tone 386 00:23:22,800 --> 00:23:26,680 Speaker 1: is so different. She's I know she's talented. Obviously she's 387 00:23:26,720 --> 00:23:30,240 Speaker 1: gone on to do massive things, but like so good, 388 00:23:30,240 --> 00:23:32,600 Speaker 1: and I'm like, why didn't we have more of her voice? Yeah, 389 00:23:33,640 --> 00:23:40,560 Speaker 1: saying more we love chandelier, love chandelier. And then Spencer 390 00:23:40,800 --> 00:23:43,840 Speaker 1: also comes in and sings and he does the whole thing, 391 00:23:43,880 --> 00:23:46,400 Speaker 1: and they have him in there and he is with 392 00:23:46,480 --> 00:23:50,240 Speaker 1: them without having to get the quarterzone shot, without having 393 00:23:50,320 --> 00:23:56,680 Speaker 1: to wreck his self for future, you know, long term damage. 394 00:23:57,600 --> 00:23:59,680 Speaker 1: We have him in there anyway, and he was able 395 00:23:59,720 --> 00:24:04,359 Speaker 1: to pref form and spoiler alert, New Directions were within 396 00:24:04,760 --> 00:24:09,199 Speaker 1: the regulations for members. I guess that wasn't really a 397 00:24:09,200 --> 00:24:12,000 Speaker 1: thing this time. We've had that in the past, but. 398 00:24:12,200 --> 00:24:14,600 Speaker 2: We all know that now, you know it's built in. 399 00:24:14,920 --> 00:24:15,760 Speaker 1: Yeah. 400 00:24:15,800 --> 00:24:20,919 Speaker 2: Also, the singing was so I see. I know you 401 00:24:21,040 --> 00:24:26,520 Speaker 2: thought Vocal General would win, but I didn't. I wasn't 402 00:24:26,560 --> 00:24:31,200 Speaker 2: sure because I thought New Directions had such strong vocals, 403 00:24:31,200 --> 00:24:35,399 Speaker 2: lineup vocals. The performance was great. Yeah, like take me 404 00:24:35,400 --> 00:24:38,680 Speaker 2: to Church, starting would take me to church, Oh my god. Yeah, 405 00:24:38,720 --> 00:24:42,280 Speaker 2: obviously it's the exact thing he should be singing. 406 00:24:43,600 --> 00:24:46,480 Speaker 1: Forever. One of the best, and I think the fans 407 00:24:46,480 --> 00:24:48,119 Speaker 1: have spoken and they've said that this is one of 408 00:24:48,160 --> 00:24:50,480 Speaker 1: the best songs on Glee ever. 409 00:24:51,520 --> 00:24:55,480 Speaker 2: Yeah, it's just like it was down to the right person. Yeah, yeah, yeah, 410 00:24:55,520 --> 00:24:58,080 Speaker 2: really and he and Sandy sound great on this together, 411 00:24:58,320 --> 00:25:02,240 Speaker 2: so good, so yeah, yeah, it comes still away. Also, 412 00:25:02,960 --> 00:25:06,720 Speaker 2: I was watching this and I could hear David singing along. 413 00:25:12,040 --> 00:25:17,160 Speaker 1: Billy sounds incredible, so good. I really love this lineup. 414 00:25:17,400 --> 00:25:24,840 Speaker 1: I love this, this direction competition very strong. Billy can 415 00:25:25,040 --> 00:25:29,439 Speaker 1: sing his face off, he really can. I'm god, it 416 00:25:29,480 --> 00:25:32,040 Speaker 1: was really good. It was really really good. He was cute. 417 00:25:32,160 --> 00:25:32,879 Speaker 1: They looked great. 418 00:25:33,400 --> 00:25:34,600 Speaker 2: I'm mad we have. 419 00:25:34,560 --> 00:25:36,560 Speaker 1: More Billy and Laura. 420 00:25:37,520 --> 00:25:40,840 Speaker 2: Yeah, where was that? I don't know, but I'm glad 421 00:25:40,880 --> 00:25:43,480 Speaker 2: they had their moment in this. Everybody had their moment 422 00:25:43,480 --> 00:25:49,680 Speaker 2: in this. And Josie dressed up video. 423 00:25:50,320 --> 00:25:53,520 Speaker 1: Yeah, so Josie goes and dresses up like Maddie's Eiegler 424 00:25:53,600 --> 00:25:57,480 Speaker 1: in the Chandelier music video and goes through the audience 425 00:25:57,640 --> 00:26:03,720 Speaker 1: and does interpretive dance and the judges are not thrilled 426 00:26:04,640 --> 00:26:09,200 Speaker 1: by it. That is the unhinged part of this. I 427 00:26:09,240 --> 00:26:11,640 Speaker 1: was like, what is happening over there? 428 00:26:13,000 --> 00:26:17,200 Speaker 2: It's great, though the little audience participation, you know, that. 429 00:26:17,280 --> 00:26:21,480 Speaker 1: Was a little unnecessary, but it's just like almost texted 430 00:26:21,600 --> 00:26:25,000 Speaker 1: and been like, oh my god, how did you feel? 431 00:26:26,160 --> 00:26:31,879 Speaker 1: How did you feel? But anyway, new Directions spoiler alert, 432 00:26:32,200 --> 00:26:33,800 Speaker 1: New Directions wins. 433 00:26:34,480 --> 00:26:38,960 Speaker 2: And then we get one of those beautiful gut punch oh. 434 00:26:40,320 --> 00:26:42,520 Speaker 1: Man. So they decide that they you know, they're all 435 00:26:42,520 --> 00:26:45,199 Speaker 1: in the choir room celebrating as we do after competition 436 00:26:45,440 --> 00:26:47,720 Speaker 1: and they receive the trophy, they're going to put it 437 00:26:47,760 --> 00:26:51,119 Speaker 1: in the in the wall, and then Kitty sees Rachel 438 00:26:51,320 --> 00:26:54,479 Speaker 1: and this very emotional moment where she realizes that like, 439 00:26:54,880 --> 00:26:58,679 Speaker 1: you know, it just it is a beautiful culmination of 440 00:26:58,720 --> 00:27:02,159 Speaker 1: all of the work that Rachel had and her history 441 00:27:02,160 --> 00:27:05,240 Speaker 1: in this Glee club and all the winds and the 442 00:27:05,280 --> 00:27:09,560 Speaker 1: loses and the trials and tribulations and that. Yeah, that's 443 00:27:09,600 --> 00:27:12,120 Speaker 1: when it hit me that I was like, oh, this 444 00:27:12,200 --> 00:27:15,639 Speaker 1: is the last episode in the present of Glee, like 445 00:27:15,800 --> 00:27:18,600 Speaker 1: present time of Glee, And I was like wow. And 446 00:27:18,640 --> 00:27:21,320 Speaker 1: then you know, we all make our little appearances and 447 00:27:22,359 --> 00:27:25,440 Speaker 1: all those competitions, so this is the only competition Kevin 448 00:27:25,480 --> 00:27:26,440 Speaker 1: that we've never been in. 449 00:27:27,359 --> 00:27:28,720 Speaker 2: Yeah, that's a pretty good run. 450 00:27:28,880 --> 00:27:32,960 Speaker 1: That is a really good run. They only got better 451 00:27:33,240 --> 00:27:36,560 Speaker 1: with time and age. But like, man, I am that 452 00:27:36,680 --> 00:27:39,520 Speaker 1: really got me. I was like, I also like. 453 00:27:39,480 --> 00:27:43,919 Speaker 2: The show looks so different, Like everything looked so different 454 00:27:43,960 --> 00:27:45,879 Speaker 2: and then as it got closer to present time, like 455 00:27:46,960 --> 00:27:51,640 Speaker 2: it was fun seeing everybody like grow up. Yeah, man, 456 00:27:51,680 --> 00:27:53,000 Speaker 2: we filmed a lot of stuff. 457 00:27:54,119 --> 00:27:57,919 Speaker 1: I know, we were there for all of that, but 458 00:27:58,080 --> 00:28:00,720 Speaker 1: it was really sweet and it was nice to see that. 459 00:28:01,040 --> 00:28:03,879 Speaker 1: I really like that. I really really like that. That 460 00:28:03,920 --> 00:28:07,600 Speaker 1: one got me so. 461 00:28:06,680 --> 00:28:12,120 Speaker 2: And then there's this scene with Will and Sue at 462 00:28:12,160 --> 00:28:16,720 Speaker 2: the end and Will's like, well, I guess we're done here, 463 00:28:17,760 --> 00:28:22,040 Speaker 2: and Sue is like, not even a thank you, and 464 00:28:22,040 --> 00:28:25,120 Speaker 2: he's like, for what. And then she proceeds to go 465 00:28:25,200 --> 00:28:29,439 Speaker 2: through all of her insane actions the past sixty minutes 466 00:28:30,840 --> 00:28:33,680 Speaker 2: or forty four minutes and says that all of them 467 00:28:33,960 --> 00:28:39,040 Speaker 2: were done in a calculated way to ensure new directions 468 00:28:40,320 --> 00:28:44,080 Speaker 2: the win. And he's like, I don't believe you. And 469 00:28:44,120 --> 00:28:45,240 Speaker 2: when she lays it out. 470 00:28:45,760 --> 00:28:46,400 Speaker 1: It's too good. 471 00:28:46,520 --> 00:28:51,840 Speaker 2: It's this crazy, detailed, like nuanced. All those insane things 472 00:28:51,840 --> 00:28:52,840 Speaker 2: were just all on purpose. 473 00:28:53,600 --> 00:28:56,720 Speaker 1: The projectile vomiting with the eye drops was like them 474 00:28:56,800 --> 00:29:01,160 Speaker 1: losing pounds, you know, it's like a perfect win, a police. 475 00:29:00,920 --> 00:29:06,400 Speaker 2: Pounds, and the serotonin levels with the surprise of the confession. 476 00:29:06,040 --> 00:29:11,240 Speaker 3: Yes, the cortisol boot, the cord sorry, and then yeah, 477 00:29:11,360 --> 00:29:15,400 Speaker 3: it was wildly calculated and then obviously the car just 478 00:29:15,440 --> 00:29:19,960 Speaker 3: for fine, but she's continuing to call him Butch and. 479 00:29:21,440 --> 00:29:25,760 Speaker 1: She's going to Boca And I love that. I love 480 00:29:25,880 --> 00:29:29,600 Speaker 1: that little like, oh, here's our little plot twist. She 481 00:29:29,760 --> 00:29:34,680 Speaker 1: was like helping us from the inside. It was great. 482 00:29:34,720 --> 00:29:35,800 Speaker 1: I thought it was really really great. 483 00:29:36,480 --> 00:29:38,200 Speaker 2: Yeah, it's fun to still have the little second. 484 00:29:38,520 --> 00:29:41,720 Speaker 1: This episode was like I was like, Okay, here we are, 485 00:29:41,440 --> 00:29:44,320 Speaker 1: we're moving. The train's back on the tracks. 486 00:29:44,520 --> 00:29:48,680 Speaker 2: Yeah, I mean, I think a competition episode really does that. 487 00:29:48,760 --> 00:29:51,520 Speaker 2: It really like focuses about like what the show is 488 00:29:51,640 --> 00:29:56,400 Speaker 2: actually about. And so it's it's nice to see everyone's 489 00:29:56,440 --> 00:30:01,360 Speaker 2: involvement indirectly and directly with the competitions. Yes, makes for 490 00:30:01,480 --> 00:30:03,400 Speaker 2: good storyline, Yes. 491 00:30:03,720 --> 00:30:06,920 Speaker 1: Yes, definitely. And then we obviously find out out for 492 00:30:06,960 --> 00:30:09,880 Speaker 1: that that Rachel has chosen Yana. Jesse comes back and 493 00:30:09,920 --> 00:30:13,000 Speaker 1: he's talking about, you know, the nostalgia like missing quick 494 00:30:13,000 --> 00:30:18,640 Speaker 1: Glee clubs and the all the competitions and and and 495 00:30:18,720 --> 00:30:22,680 Speaker 1: there we have it. We are we at our we 496 00:30:22,720 --> 00:30:28,239 Speaker 1: are at our last episode of Glee present day, and 497 00:30:28,240 --> 00:30:31,720 Speaker 1: we were onto we were already shooting. Oh no, sorry, 498 00:30:31,720 --> 00:30:34,120 Speaker 1: we weren't already shooting. We were well, while this was shooting. 499 00:30:34,120 --> 00:30:38,960 Speaker 1: We were already shooting two thousand and nine. But that's it. 500 00:30:39,440 --> 00:30:46,440 Speaker 1: That's the episode. Wow, that's wild, like we made it, 501 00:30:47,360 --> 00:30:59,720 Speaker 1: we made it less crazy. And performances, Okay, listen to 502 00:30:59,720 --> 00:31:06,040 Speaker 1: your heart A minus yeah, we built the city A. 503 00:31:06,040 --> 00:31:11,400 Speaker 2: Plus A yeah, I guess A plus yeah, Nicky B plus. 504 00:31:11,480 --> 00:31:15,080 Speaker 1: Plus song Yeah. I was like whatever it was only 505 00:31:15,080 --> 00:31:17,960 Speaker 1: when the judges she was like, I don't want to 506 00:31:18,000 --> 00:31:22,479 Speaker 1: hear that, So take me to church A plus plus, 507 00:31:22,560 --> 00:31:28,600 Speaker 1: A plus plus plus plus. Chandelier A plus comes alway 508 00:31:28,760 --> 00:31:31,800 Speaker 1: A plus A plus wow, and broken wings by the 509 00:31:31,800 --> 00:31:35,160 Speaker 1: Falconers we have to give you know, the word's going 510 00:31:35,240 --> 00:31:35,880 Speaker 1: to B plus. 511 00:31:35,880 --> 00:31:38,000 Speaker 2: For me, I thought it was phenomenal. 512 00:31:38,280 --> 00:31:42,760 Speaker 1: I mean truly. Okay, let's do some PARTI takes cringe moments. 513 00:31:43,560 --> 00:31:46,840 Speaker 1: I mean the Nazi footage, the Nazi footage, Yeah, it's 514 00:31:46,840 --> 00:31:51,280 Speaker 1: too much. Uh dance, best dance move. 515 00:31:53,760 --> 00:31:55,160 Speaker 2: There's a lot of good options in this. 516 00:31:55,440 --> 00:31:58,480 Speaker 1: I've got to say. I think I think Spencer's turn, 517 00:32:00,920 --> 00:32:04,680 Speaker 1: oh god, oh ma, and CHANDELI are dancing. 518 00:32:06,640 --> 00:32:09,720 Speaker 2: Oh yeah, I mean, for sure a shout out to mother, 519 00:32:09,840 --> 00:32:15,960 Speaker 2: may I point to you, but legitimately vocal adrenaline. 520 00:32:16,200 --> 00:32:17,280 Speaker 1: Yeah, yeah, yeah, for sure. 521 00:32:17,400 --> 00:32:22,160 Speaker 2: Best song take Me, Yeah, I would say the whole set. 522 00:32:22,160 --> 00:32:26,200 Speaker 1: Yeah, was really good. Solid. Uh, best performance by. 523 00:32:26,120 --> 00:32:28,640 Speaker 2: A prop Oh my god, the human canon. We didn't 524 00:32:28,640 --> 00:32:29,320 Speaker 2: even mention that. 525 00:32:29,440 --> 00:32:31,400 Speaker 1: Oh my gosh, me cannon. 526 00:32:31,160 --> 00:32:32,480 Speaker 2: And they just land on their knees. 527 00:32:33,640 --> 00:32:35,960 Speaker 1: And the glitter bombs. I think I love the glitter bombs. 528 00:32:36,040 --> 00:32:39,840 Speaker 2: Yeah, bestline I really enjoyed. 529 00:32:40,480 --> 00:32:40,840 Speaker 1: Donna. 530 00:32:41,480 --> 00:32:43,040 Speaker 2: Donna, how did you know? 531 00:32:43,520 --> 00:32:45,680 Speaker 1: I just knew? She says, Can I just say? I 532 00:32:45,680 --> 00:32:48,360 Speaker 1: can't believe I got roped into doing this again. This 533 00:32:48,440 --> 00:32:50,440 Speaker 1: is gotta be the lowest form of entertainment ever known 534 00:32:50,480 --> 00:32:54,960 Speaker 1: to mankind. She's like, I'm okay, okay, donnad Andry's just 535 00:32:55,000 --> 00:32:57,960 Speaker 1: calmed down. These groups cannot be worse than the last time. 536 00:32:58,360 --> 00:33:00,880 Speaker 1: And then they were. I don't know which group I 537 00:33:00,920 --> 00:33:05,040 Speaker 1: hated more. Uh, you're gonna point a cannon at me? 538 00:33:05,160 --> 00:33:09,480 Speaker 1: Hell no? And what's up with this bird school? It's great? 539 00:33:09,920 --> 00:33:12,600 Speaker 2: Okay, We're giving a single person on Earth who woke 540 00:33:12,680 --> 00:33:14,360 Speaker 2: up this morning and said, you know what song I 541 00:33:14,400 --> 00:33:21,440 Speaker 2: really need to hear today? Hey, nicky performance MVP also 542 00:33:21,480 --> 00:33:25,280 Speaker 2: shout out to you Becca with I Love Waffles. 543 00:33:28,320 --> 00:33:31,920 Speaker 1: Performance MVP. Man, it was good. 544 00:33:36,520 --> 00:33:39,600 Speaker 2: I think it's an all hands on Deck episode Yeah, agreed, 545 00:33:41,160 --> 00:33:42,520 Speaker 2: I think that's an ensemble. 546 00:33:43,080 --> 00:33:48,840 Speaker 1: Agreed. Shout out Tilia, Yeah and Matt and Matt. 547 00:33:49,760 --> 00:33:54,840 Speaker 2: And Jane and Jane. Okay, Jenna, should we found on 548 00:33:54,880 --> 00:34:01,200 Speaker 2: TikTok for Bray Forever. Are you familiar with Beating the Beast? 549 00:34:01,480 --> 00:34:05,000 Speaker 2: Beating the Beat? Sorry, Justin Bieber featured Nicki Minaj song Yes, 550 00:34:06,200 --> 00:34:11,359 Speaker 2: so Brave Forever made a cut Glee things that go 551 00:34:11,520 --> 00:34:16,239 Speaker 2: with the lyrics of Nicki Minaj's verse, and that is 552 00:34:16,560 --> 00:34:23,279 Speaker 2: very unbelievable. It's on beat. I can't even really describe this, 553 00:34:24,200 --> 00:34:25,480 Speaker 2: but you have to go watch it. 554 00:34:27,239 --> 00:34:29,160 Speaker 1: Wow, you got to just see it. 555 00:34:29,320 --> 00:34:34,040 Speaker 2: It's so good. Everything goes so perfectly, Like this is 556 00:34:34,960 --> 00:34:39,240 Speaker 2: six seasons worth of material crammed into twenty three seconds 557 00:34:40,000 --> 00:34:46,280 Speaker 2: and unbelievable. Beast Beast is insane? 558 00:34:48,600 --> 00:34:50,280 Speaker 1: Oh god, wow? 559 00:34:51,040 --> 00:34:53,080 Speaker 2: Yeah, the boy is mine for his mine. 560 00:34:53,400 --> 00:34:55,719 Speaker 1: Like wow, it's excellent. 561 00:34:56,520 --> 00:34:57,719 Speaker 2: It's so detailed. 562 00:34:57,920 --> 00:35:00,520 Speaker 1: I wonder how long it take it TechEd to do this. 563 00:35:01,560 --> 00:35:03,879 Speaker 2: I don't know, but I love when people are so clean. 564 00:35:03,920 --> 00:35:05,600 Speaker 1: You know, you know, it's so good. 565 00:35:07,200 --> 00:35:09,560 Speaker 2: Thanks for making that, Thanks for sharing that with us 566 00:35:09,600 --> 00:35:12,759 Speaker 2: so we could see it, and thanks for joining us. 567 00:35:14,360 --> 00:35:19,000 Speaker 2: Next episode, Jenna is episode twelve of thirteen, two thousand 568 00:35:19,000 --> 00:35:19,359 Speaker 2: and nine. 569 00:35:19,680 --> 00:35:24,360 Speaker 1: Oh my gosh, that is Are you ready? Are you 570 00:35:24,400 --> 00:35:28,520 Speaker 1: ready for it? Wow? 571 00:35:28,680 --> 00:35:29,560 Speaker 2: Voice of an Angel. 572 00:35:30,000 --> 00:35:32,600 Speaker 1: You know it's waiting here. 573 00:35:33,239 --> 00:35:36,480 Speaker 2: Thanks for joining us. We did it, and that's what 574 00:35:36,520 --> 00:35:39,480 Speaker 2: you really missed. Thanks for listening and follow us on 575 00:35:39,520 --> 00:35:42,520 Speaker 2: Instagram at and that's what you really miss pod. Make 576 00:35:42,560 --> 00:35:44,880 Speaker 2: sure to write us a review and leave us five stars. 577 00:35:45,040 --> 00:35:45,759 Speaker 2: See you next time.