WEBVTT - The Cauldron, Part 4

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<v Speaker 1>My Welcome to Stuff to Blow Your Mind production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>it's Cauldron's Part four. This is really the last Cauldron's episode, right, yes,

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<v Speaker 1>for now, um, but no, no, this is the last one.

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<v Speaker 1>Even my son when he asked what I was doing today,

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<v Speaker 1>I said, we're going to record a fourth Cauldron's episode.

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<v Speaker 1>He's like, really, I was still you are still doing

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<v Speaker 1>those Cauldron episodes? Like, yeah, yeah, this is some more

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<v Speaker 1>exciting stuff. And you know, there's so much we're not

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<v Speaker 1>even gonna be able to cover in these episodes, but

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<v Speaker 1>this is an exciting one because we're gonna roll through

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<v Speaker 1>a few more myths. We have some more content about

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<v Speaker 1>just how Cauldron's factor into our our history and our beliefs.

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<v Speaker 1>Uh and you know we'll get into uh the Inferno

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<v Speaker 1>a bit as well. Rob, I am ready to be boiled.

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<v Speaker 1>All right, Well, let's the basically we've we've alluded to this.

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<v Speaker 1>We've all along we've mentioned that you have some strong

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<v Speaker 1>Celtic traditions that involve the Cauldron and they end up

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<v Speaker 1>having an influence over European traditions of the cauldron in general.

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<v Speaker 1>Uh So let's roll through just a few of these

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<v Speaker 1>different myths. I'm not going to go into super detail

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<v Speaker 1>on these, though a number of these are the subject

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<v Speaker 1>of of epics and longer tales and of course treatments

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<v Speaker 1>and retreatments over the years. So let's start with the

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<v Speaker 1>Dogda's cauldron. So Dogdo or the Dogdo was the most

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<v Speaker 1>powerful of all the too often to dine and you

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<v Speaker 1>know these are the magical folk, um, you know, the

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<v Speaker 1>ancestors of Ireland and so forth. Uh, Dogto was a

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<v Speaker 1>master of the battle club, the magic harp, and the cauldron.

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<v Speaker 1>He was sometimes called the good God because he was

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<v Speaker 1>simply good at everything. Today you'd call him a Mary Sue.

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<v Speaker 1>As Patricia Monagan explains in the Encyclopedia of Celtic Mythology

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<v Speaker 1>and Folklore, he was kind of a god of not

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<v Speaker 1>only fertility, but also kind of exaggerated male desire. So

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<v Speaker 1>he's round, you know, kind of a rotund individual. His

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<v Speaker 1>tunic is a bit too short to cover his genitals

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<v Speaker 1>in some depictions. Anyway, he wields a mallet that's so

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<v Speaker 1>huge that he has to drag it behind him in

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<v Speaker 1>a cart So he's he's kind of this exaggerated cartoon

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<v Speaker 1>character in many respects. I like them already. He also

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<v Speaker 1>has a pair of self replenishing pigs that you can

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<v Speaker 1>just keep eating. Um, I'm I'm not sure how the

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<v Speaker 1>details of that work. I'm assuming it's like you cook

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<v Speaker 1>them up or you're I don't know if you're slicing

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<v Speaker 1>pieces off of them. I'm not sure. But anyway, I

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<v Speaker 1>don't know that the pigs really mind. They're magical after all,

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<v Speaker 1>but even more magical than the pigs. He also has

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<v Speaker 1>a magic cauldron that can never be emptied. It it

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<v Speaker 1>overfloweth with goodness. Uh. So he has many romantic adventure years.

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<v Speaker 1>He has many children. He's eventually slain in battle by

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<v Speaker 1>the seth Leon, wife of the Great fa Marii and

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<v Speaker 1>King Baler, and then he goes on to party forever

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<v Speaker 1>in the other world, sustained by his his bottomless cauldron

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<v Speaker 1>that he gets to bring with him into the afterlife.

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<v Speaker 1>Oh that's lucky. Yeah. Now. Bonnigan, who also wrote The

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<v Speaker 1>Encyclopedia of Goddesses and Heroines, wrote that that the Irish

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<v Speaker 1>cauldron is of course not only a mundane item for

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<v Speaker 1>cooking and stewing, but also quote a place where new

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<v Speaker 1>life was brewed and stewed. Uh. It was a symbol

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<v Speaker 1>of great power for the Celts. The Roman writers. Strabo

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<v Speaker 1>describes a great cauldron sent to Caesar by Simbri and

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<v Speaker 1>claims that the Celts ritually sliced open the throats of

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<v Speaker 1>prisoners over such a cauldron. And these traditions, to whatever

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<v Speaker 1>extent they are accurately reported here, may connect to the

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<v Speaker 1>Gunstrip cauldron that we talked about in the last episode

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<v Speaker 1>that was unearthed in Denmark but burying Celtic symbols, etcetera. Um.

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<v Speaker 1>Other cauldron's Monican rights have been found in bogs and

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<v Speaker 1>lakes and are suspected to have been offerings to the

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<v Speaker 1>other world. Yeah, that'll actually connect to an archaeology paper

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<v Speaker 1>I want to talk about in a minute. In general, though,

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<v Speaker 1>she she contends that the Irish cauldron means fullness and abundance,

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<v Speaker 1>and Doctor's cauldron is just a great example of this,

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<v Speaker 1>a never ending supply of good eats. Um. The Welsh

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<v Speaker 1>goddess sur Win also uses a cauldron to make a

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<v Speaker 1>broth that abuse one with great wisdom. Uh So it's

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<v Speaker 1>interesting how you know, we're getting into talking about just

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<v Speaker 1>sustaining the self, sustaining the body via the contents of

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<v Speaker 1>the cauldron, but then we kind of take that into

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<v Speaker 1>another dimension as well, sustaining the mind. Uh and uh.

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<v Speaker 1>This will have ramifications on on other storytelling and mythic traditions.

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<v Speaker 1>All right, we'll come back to some of these ideas,

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<v Speaker 1>but let's let's move on of the next myth here.

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<v Speaker 1>This is another one from Celtic traditions, but it takes

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<v Speaker 1>the idea of the cauldron as lifebringer and kind of

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<v Speaker 1>puts a different spin on it. This is the story

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<v Speaker 1>of the pair do deny the cauldron of Rebirth? Now

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<v Speaker 1>there there are already some some accounts that indicate that

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<v Speaker 1>the Dogda's cauldron, in addition to overflowing with great and

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<v Speaker 1>miraculously healing foods, in some cases, could also raise the

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<v Speaker 1>dead if they were lowered into the cauldron. And yeah,

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<v Speaker 1>that leads us into what is perhaps the most noteworthy

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<v Speaker 1>necromantic cauldron. Um. This is the cauldron of Rebirth from

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<v Speaker 1>Welsh mythology and literature. Along with the Cauldron of Dogda.

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<v Speaker 1>It's a key mythic cauldron. To understand the artifacts place

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<v Speaker 1>in European traditions. It's also the primary inspiration for the

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<v Speaker 1>black cauldron that shows up in the novels of Lloyd Alexander.

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<v Speaker 1>It factors into a few different tales, including um Brandwyn,

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<v Speaker 1>daughter of Lear, a legendary tale from medieval Welsh literature,

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<v Speaker 1>and the second of four branches of the mob in

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<v Speaker 1>Ogeon collection of Tales. So this is a this is

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<v Speaker 1>a pretty interesting one, and again I'm just giving you

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<v Speaker 1>the broad strokes here. Again, this one has received much

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<v Speaker 1>more expansive treatment and works of literature, but it concerns

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<v Speaker 1>the mythic conflict between the Welsh and the Irish, and

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<v Speaker 1>involves the exploits of Ifnissian, the half brother of Bron

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<v Speaker 1>the Blessed, who has been described as an easily offended

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<v Speaker 1>troublemaker or even as a psychotic anti hero. Okay, so

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<v Speaker 1>this is a guy who does things like mutil aid

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<v Speaker 1>horses inside wars, burn people alive. So he's not presented

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<v Speaker 1>as a good guy. He's not. It doesn't even seem

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<v Speaker 1>like it's one of these cases where you can say, well,

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<v Speaker 1>today we wouldn't like him, but we have to put him.

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<v Speaker 1>Look at him within the context of the time. Now

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<v Speaker 1>it seems like everyone seems to think that he's supposed

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<v Speaker 1>to be a crazy dangerous fellow. He's not Snake plis Skin.

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<v Speaker 1>He's Darth Vader. Yeah yeah, But like Darth Vader, he

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<v Speaker 1>has a redemption arc of sorts, ends up engaging in

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<v Speaker 1>a little bit of self sacrifice to bring balance to things.

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<v Speaker 1>So it comes to light that the Irish are using

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<v Speaker 1>the magical Cauldron of Rebirth to resurrect their dead warriors

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<v Speaker 1>so that they can keep on fighting. And so you

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<v Speaker 1>know that the Welsh forces are concerned about this. This

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<v Speaker 1>is an unfair advantage, right if you're bringing your own

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<v Speaker 1>dead back to life onto the battlefield. So what does

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<v Speaker 1>Ethnician do. Well, he hides himself among the enemy Irish dead,

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<v Speaker 1>and then the Irish hall all those dead bodies back.

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<v Speaker 1>They take them to the Cauldron of Rebirth and one

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<v Speaker 1>by one they throw them in the cauldron, and then

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<v Speaker 1>one by one each warrior emerges once more to fight.

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<v Speaker 1>Eventually they come to Ethnician, who again is pretending to

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<v Speaker 1>be a dead irishman. They throw him into the cauldron alive,

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<v Speaker 1>and this seems to sort of short circuit everything. You know,

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<v Speaker 1>the the cauldron is not designed or made, It does

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<v Speaker 1>not exist to resurrect the living. It totally just screws

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<v Speaker 1>up everything. And and somehow if Nisinin is then able

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<v Speaker 1>to destroy the cauldron from within, but in doing so,

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<v Speaker 1>not only does he shatter the cauldron, but he dies

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<v Speaker 1>in the process. And there's some wonderful illustrations of this.

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<v Speaker 1>I want more detail here. Did like, did he know

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<v Speaker 1>that was going to happen to him? Or what did

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<v Speaker 1>he expect was gonna like? Did it not? Just did

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<v Speaker 1>it not cross his mind that like, oh, yeah, I

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<v Speaker 1>can't be resurrected because I'm not dead yet. I think

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<v Speaker 1>he knew, I mean, otherwise it's not that I mean,

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<v Speaker 1>the self sacrifice is diminished if he doesn't know that

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<v Speaker 1>that this is probably going to destroy him. Uh So,

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<v Speaker 1>I think the general vibe is the he knows that

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<v Speaker 1>this will be the end, but it's the only way

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<v Speaker 1>to stop the cauldron of rebirth. Okay, he's not just

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<v Speaker 1>being like, dude, I'd love to be resurrected from the dead. No, no, no, alright,

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<v Speaker 1>I'm gonna run through a few other cauldrons. Of note,

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<v Speaker 1>there's the Cauldron of drin which the giant In medieval

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<v Speaker 1>Welsh tradition, there are thirteen Treasures of the Island of Britain,

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<v Speaker 1>in tailing various horns and chariots, knives, rings, and more.

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<v Speaker 1>But there's also a cauldron owned by the giant Drin

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<v Speaker 1>which which can tell brave men from cowards because it

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<v Speaker 1>will not boil meat for a coward, but we'll quickly

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<v Speaker 1>boil meat for a brave man. Now I'm not sure

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<v Speaker 1>if there was a vegetarian option, but basically it's it's

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<v Speaker 1>said to just be massive enough to cook an entire

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<v Speaker 1>wedding feast within Uh. It eventually falls into the possession

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<v Speaker 1>of King Arthur and some tellings. But yeah, I guess

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<v Speaker 1>it's like if if you're not sure if somebody is

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<v Speaker 1>is brave or cowardly, you just have them bring forth

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<v Speaker 1>their chicken Cutlets throw them into the cauldron here and

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<v Speaker 1>see what happens. Here's another one where I wonder about

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<v Speaker 1>the mechanics of exactly what that means. So you put

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<v Speaker 1>the meat in. Does it mean if you're a coward

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<v Speaker 1>the water won't come to a boil, or does it

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<v Speaker 1>mean even if it boils, the meat won't get under

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<v Speaker 1>I don't know. I'm I'm just imagining it like, Okay,

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<v Speaker 1>you put the meat in and maybe the water looks

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<v Speaker 1>like it's boiling, but the meat is not cooking. You

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<v Speaker 1>just got some some raw chicken cutlets in there, just

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<v Speaker 1>bobbing around. Well, it reminds me of those stories of

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<v Speaker 1>um people up on mountaintops trying to cook food, like

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<v Speaker 1>boiling potatoes in a pot on Mount Everest, where your

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<v Speaker 1>potatoes don't get cooked because when you go higher and

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<v Speaker 1>higher into the into the atmosphere, the boiling point of

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<v Speaker 1>water goes down. So you can be there boiling a

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<v Speaker 1>pot on the stove and it is actually boiling, like

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<v Speaker 1>it's bubbling and turning into steam, but the boiling point

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<v Speaker 1>is so low that the water is actually not hot

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<v Speaker 1>enough to cook your food. So you can boil potatoes

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<v Speaker 1>at the top of a mountain for a long time,

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<v Speaker 1>take them out, and they're basically still raw. Yeah. I

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<v Speaker 1>don't have an answer for that, but it does make

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<v Speaker 1>me wonder to what extent like to experiences with different

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<v Speaker 1>altitudes and uh and and attempts to boil stuff in

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<v Speaker 1>the cauldron, how that might affect this because they would

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<v Speaker 1>clearly notice you would know that well here it seems

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<v Speaker 1>to take longer to to cook our food. Uh why

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<v Speaker 1>might that be? I haven't done the math. I don't

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<v Speaker 1>know if there are peaks in Britain high enough for

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<v Speaker 1>that to happen. I'm not sure. Maybe so perhaps word

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<v Speaker 1>of of this had traveled, who knows. Let's see, here's

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<v Speaker 1>another cauldron. This one comes from Norse mythology. Heimer is

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<v Speaker 1>a giant and the father of two ace or gods,

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<v Speaker 1>according to Carol Rose, who was said to live on

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<v Speaker 1>the eastern edge of the universe and had a brewing

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<v Speaker 1>pot or a cauldron so large that the heavens could

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<v Speaker 1>fit inside it. So we we mentally alluded to this

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<v Speaker 1>something like this earlier, and one of the other episodes

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<v Speaker 1>about the cauldron becomes kind of like a model, a

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<v Speaker 1>technological model for the cosmos itself. And here we have

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<v Speaker 1>a cauldron so vast that the universe itself fits inside it.

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<v Speaker 1>Whereas the cauldron while you're thinking too hard about this

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<v Speaker 1>myth or maybe you're not, I mean, maybe that's ultimately

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<v Speaker 1>kind of the goal of one of these stories is

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<v Speaker 1>to sort of give you a real head spinner about

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<v Speaker 1>about the nature of the universe. So that's the cauldron itself,

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<v Speaker 1>but there's there are some stories attached to it. So

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<v Speaker 1>at one point the gods decide they're gonna have a

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<v Speaker 1>great feast, but they need some sort of vessel to

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<v Speaker 1>put all the meat that they're going to drink. And

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<v Speaker 1>they're the gods, they can drink a lot of meat.

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<v Speaker 1>So they send Thor to borrow uh Heimer's brewing cauldron.

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<v Speaker 1>So Thor shows up and Heimer says, no, you can't

0:12:29.480 --> 0:12:33.319
<v Speaker 1>borrow this. But they start discussing and they agree, well,

0:12:33.320 --> 0:12:36.320
<v Speaker 1>well let's settle this. We'll have a fishing contest. And

0:12:36.360 --> 0:12:40.080
<v Speaker 1>there are apparently many different versions of what follows next um.

0:12:40.120 --> 0:12:43.240
<v Speaker 1>In one version of Heimer uses two bowls too as

0:12:43.280 --> 0:12:46.880
<v Speaker 1>bait and then catches two whales, but then Thor, not

0:12:46.960 --> 0:12:50.640
<v Speaker 1>to be outdone, catches the mid guard storm itself the

0:12:50.679 --> 0:12:55.920
<v Speaker 1>world serpent um. In some versions, the results are inconclusive

0:12:56.040 --> 0:12:58.560
<v Speaker 1>or they're disputed, so they move on to a drinking

0:12:58.600 --> 0:13:02.080
<v Speaker 1>contest after of the fishing contest, and in some tales,

0:13:02.320 --> 0:13:06.079
<v Speaker 1>Door wins and takes the vessel with him, or finally

0:13:06.120 --> 0:13:09.200
<v Speaker 1>just steals it, and Heimer chases after him with an

0:13:09.280 --> 0:13:11.480
<v Speaker 1>army of giants, and Thor has to smite all of

0:13:11.520 --> 0:13:14.840
<v Speaker 1>them with his hammer. Um. But at any rate, thor

0:13:15.040 --> 0:13:18.000
<v Speaker 1>it usually ends up with the cauldron. And the cauldron's

0:13:18.040 --> 0:13:25.959
<v Speaker 1>power again is that it's just super big. Thank you,

0:13:26.120 --> 0:13:29.760
<v Speaker 1>thank so. Maybe this is a good place in the

0:13:29.760 --> 0:13:32.720
<v Speaker 1>discussion to talk about interesting paper. I was reading an

0:13:32.760 --> 0:13:37.839
<v Speaker 1>archaeology paper. So this was published by uh the Proceedings

0:13:37.880 --> 0:13:42.040
<v Speaker 1>of the Prehistoric Society, Cambridge University Press in and it's

0:13:42.080 --> 0:13:45.920
<v Speaker 1>called fire Burn and Cauldron, Bubble, Iron Age and Early

0:13:46.040 --> 0:13:50.160
<v Speaker 1>Roman Cauldrons of Britain and Ireland by Jody Joy. The

0:13:50.160 --> 0:13:53.120
<v Speaker 1>author of this paper, Jodie Joy, is a senior curator

0:13:53.160 --> 0:13:56.359
<v Speaker 1>at the Museum of Archaeology and Anthropology at the University

0:13:56.360 --> 0:13:59.120
<v Speaker 1>of Cambridge. And the paper begins with the quote I

0:13:59.160 --> 0:14:02.240
<v Speaker 1>really like it's as uh. It's an old Kazakh saying

0:14:02.600 --> 0:14:05.160
<v Speaker 1>that a man can live to fifty, but a cauldron

0:14:05.240 --> 0:14:09.120
<v Speaker 1>will live to a hundred. I think you compare yourself

0:14:09.160 --> 0:14:13.240
<v Speaker 1>to a cauldron now. But anyway, so Joy begins with

0:14:13.280 --> 0:14:17.160
<v Speaker 1>some sections examining the archaeological record of cauldrons in Britain

0:14:17.240 --> 0:14:21.360
<v Speaker 1>and Ireland from the Iron Age and the Early Roman period,

0:14:21.800 --> 0:14:23.400
<v Speaker 1>and the early parts of this paper going to a

0:14:23.400 --> 0:14:26.880
<v Speaker 1>sort of catalog of all these different cauldron artifacts and

0:14:26.960 --> 0:14:31.760
<v Speaker 1>a discussion of their manufacture and physical characteristics. One of

0:14:31.800 --> 0:14:34.640
<v Speaker 1>the main things about the section is that cauldrons of

0:14:34.680 --> 0:14:37.680
<v Speaker 1>the time took a lot of skill to produce. But

0:14:37.800 --> 0:14:40.800
<v Speaker 1>the part of this paper that really got my attention

0:14:40.920 --> 0:14:44.720
<v Speaker 1>was his section on the use and significance of cauldrons

0:14:44.720 --> 0:14:48.080
<v Speaker 1>from this period. Now, it's obvious from the prominent role

0:14:48.200 --> 0:14:51.840
<v Speaker 1>of cauldron's in myths and legends like the ones we've

0:14:51.920 --> 0:14:55.280
<v Speaker 1>just been talking about, uh and as magical items in

0:14:55.320 --> 0:14:59.360
<v Speaker 1>early medieval literature from Ireland and Wales, that these objects

0:14:59.440 --> 0:15:06.479
<v Speaker 1>were charged with mythical significance, particularly associated with resurrection and sacrifice.

0:15:07.440 --> 0:15:10.320
<v Speaker 1>But if you think about it, why would just a

0:15:10.360 --> 0:15:15.880
<v Speaker 1>big metal pot have any particular symbolic or mythic significance? Now,

0:15:15.960 --> 0:15:18.360
<v Speaker 1>rob we we've already talked about some ideas we've had

0:15:18.360 --> 0:15:21.080
<v Speaker 1>on that that maybe uh it has something to do

0:15:21.120 --> 0:15:25.400
<v Speaker 1>with the way that cauldron's transform foods when you cook them,

0:15:25.400 --> 0:15:27.440
<v Speaker 1>though of course that's straw of smaller pots as well.

0:15:27.480 --> 0:15:30.880
<v Speaker 1>You know, cooking transforms, and thus uh it may be

0:15:31.040 --> 0:15:34.400
<v Speaker 1>is symbolic of transformation in some way, But there are

0:15:34.440 --> 0:15:38.680
<v Speaker 1>other ways that they could acquire magical significance, as well,

0:15:38.760 --> 0:15:42.400
<v Speaker 1>and Joy argues that some of the significance might be

0:15:42.440 --> 0:15:45.200
<v Speaker 1>related to how these objects were actually used in their

0:15:45.280 --> 0:15:48.080
<v Speaker 1>role in the culture of iron Age Britain in Ireland.

0:15:48.640 --> 0:15:51.640
<v Speaker 1>So how were they used? Uh, This is a good

0:15:51.720 --> 0:15:54.720
<v Speaker 1>question because there are several lines of evidence pointing to

0:15:54.760 --> 0:15:58.680
<v Speaker 1>the conclusion that these huge pots were primarily used to

0:15:58.760 --> 0:16:02.480
<v Speaker 1>cook food, particular pularly soups and stews containing meat. Now

0:16:02.520 --> 0:16:05.640
<v Speaker 1>we we've already sort of been assuming the soup and

0:16:05.680 --> 0:16:08.880
<v Speaker 1>stew connection, but technically, you know, just a big metal

0:16:08.920 --> 0:16:10.760
<v Speaker 1>pot could have been used for all kinds of things.

0:16:10.760 --> 0:16:13.280
<v Speaker 1>So it is good to examine what the actual evidence is.

0:16:13.320 --> 0:16:16.440
<v Speaker 1>And we know of examples where large metal vessels were

0:16:16.640 --> 0:16:19.880
<v Speaker 1>used for other things that might have been just decorative,

0:16:19.960 --> 0:16:21.880
<v Speaker 1>or they might have been used to make burnt offerings

0:16:21.920 --> 0:16:24.040
<v Speaker 1>to the gods or something like that. But no. In

0:16:24.080 --> 0:16:27.480
<v Speaker 1>the case of these cauldrons from from iron Age and

0:16:27.480 --> 0:16:31.480
<v Speaker 1>and early Roman Britain and Ireland, first of all, it

0:16:31.560 --> 0:16:34.680
<v Speaker 1>seems they were clearly designed to hold liquid, and we

0:16:34.720 --> 0:16:38.280
<v Speaker 1>can tell because almost all of the cauldrons from this

0:16:38.360 --> 0:16:43.320
<v Speaker 1>period in this place show signs of having been through repairs,

0:16:43.480 --> 0:16:47.160
<v Speaker 1>which in itself is interesting because it indicates a long

0:16:47.360 --> 0:16:50.360
<v Speaker 1>social life for each individual cauldron. You know, they're being

0:16:50.440 --> 0:16:52.520
<v Speaker 1>used long enough that people have to like go in

0:16:52.560 --> 0:16:55.760
<v Speaker 1>and fix them up after they get damaged. Yeah, it

0:16:56.080 --> 0:16:58.640
<v Speaker 1>kind of takes us back to that quote. Right, you

0:16:58.680 --> 0:17:00.720
<v Speaker 1>may live to be fifty, but you're auldron will live

0:17:00.720 --> 0:17:03.960
<v Speaker 1>to be a hundred. Right. Nowadays humans may live to

0:17:03.960 --> 0:17:06.280
<v Speaker 1>be a hundred, but like these cauldrons, you'll probably have

0:17:06.359 --> 0:17:09.760
<v Speaker 1>to have some holes patched here. And that's true. Uh

0:17:09.800 --> 0:17:13.359
<v Speaker 1>and and so why do we think that these cauldrons

0:17:13.400 --> 0:17:15.920
<v Speaker 1>were designed to hold liquid? It's because when you look

0:17:15.920 --> 0:17:18.640
<v Speaker 1>at the repairs that were done to them, we see

0:17:18.640 --> 0:17:21.479
<v Speaker 1>that they're essentially repairs that would function to keep the

0:17:21.520 --> 0:17:25.159
<v Speaker 1>cauldron's water tight. And if these were just decorative or

0:17:25.200 --> 0:17:27.479
<v Speaker 1>if they were used for say like making a burnt

0:17:27.520 --> 0:17:30.399
<v Speaker 1>offering to the gods or something, they wouldn't need to

0:17:30.440 --> 0:17:33.640
<v Speaker 1>patch tiny holes and keep the vessel water tight. It's

0:17:33.640 --> 0:17:37.920
<v Speaker 1>obvious that they wanted to prevent leaks. Second line of evidence,

0:17:38.000 --> 0:17:42.560
<v Speaker 1>they were clearly designed to be suspended over fires. So uh,

0:17:42.560 --> 0:17:45.640
<v Speaker 1>this can be seen from the presence of uh, sort

0:17:45.640 --> 0:17:51.520
<v Speaker 1>of supplemental materials like chains, handles, and frames that would

0:17:51.560 --> 0:17:55.440
<v Speaker 1>all serve to hang or suspend the cauldron over a hearth. Uh.

0:17:55.440 --> 0:17:58.720
<v Speaker 1>And also many cauldrons have layers of soot caked onto

0:17:58.760 --> 0:18:01.720
<v Speaker 1>the outside surface, knowing that a fire was applied to

0:18:01.760 --> 0:18:06.920
<v Speaker 1>them from the outside. Third, you've got organic residues. Few

0:18:07.000 --> 0:18:09.560
<v Speaker 1>artifacts from this period, for example, a group known as

0:18:09.600 --> 0:18:14.159
<v Speaker 1>the Chiselden cauldrons have been sampled for organic residues on

0:18:14.200 --> 0:18:18.080
<v Speaker 1>the inner surfaces, and chemical analyses indicate the presence of

0:18:18.320 --> 0:18:24.320
<v Speaker 1>animal fats, which points to soup source stews containing meat. However,

0:18:24.520 --> 0:18:28.240
<v Speaker 1>some cauldrons from Northwest Europe also showed traces of honey,

0:18:28.760 --> 0:18:32.639
<v Speaker 1>probably indicating their use in serving honey based meads, which

0:18:32.880 --> 0:18:36.240
<v Speaker 1>would be an alcoholic beverage. Yeah, which brings us back

0:18:36.280 --> 0:18:40.359
<v Speaker 1>to the myth of the giants brewing cauldron. Yeah. Yeah,

0:18:40.800 --> 0:18:45.080
<v Speaker 1>So these cauldrons were almost definitely used mostly for cooking food,

0:18:45.280 --> 0:18:49.480
<v Speaker 1>usually meat based soups and stews, but sometimes alcoholic beverages

0:18:49.520 --> 0:18:53.040
<v Speaker 1>as well. But can we infer anything else about how

0:18:53.080 --> 0:18:56.520
<v Speaker 1>they were used? Well, Joy argues yes we can, and

0:18:56.680 --> 0:18:59.880
<v Speaker 1>points as specifically to the fact that these were big. Boy,

0:19:00.240 --> 0:19:05.000
<v Speaker 1>these cauldrons are huge. Quote. The cauldron from Hochdorff could

0:19:05.040 --> 0:19:08.680
<v Speaker 1>hold five hundred leaders. The cauldrons examined here had more

0:19:08.720 --> 0:19:13.000
<v Speaker 1>modest capacities, ranging from thirty to eighty leaders. Even taking

0:19:13.000 --> 0:19:15.919
<v Speaker 1>into account the fact that they are unlikely to have

0:19:16.000 --> 0:19:19.120
<v Speaker 1>been filled to the brim and probably only ever two

0:19:19.160 --> 0:19:23.760
<v Speaker 1>thirds full, even the smallest cauldrons still probably contained twenty leaders.

0:19:24.320 --> 0:19:28.040
<v Speaker 1>This is a substantial quantity of food and drink. And

0:19:28.280 --> 0:19:30.800
<v Speaker 1>I agree. I don't think I could eat twenty leaders

0:19:30.800 --> 0:19:33.480
<v Speaker 1>of soup in a single sitting, but that alone. You

0:19:33.520 --> 0:19:38.760
<v Speaker 1>can easily imagine this becoming extrapolated into myths of cauldrons

0:19:38.800 --> 0:19:41.159
<v Speaker 1>that are just so full of goodness that you cannot

0:19:41.240 --> 0:19:44.159
<v Speaker 1>empty it. You cannot possibly eat all of this food.

0:19:44.480 --> 0:19:48.720
<v Speaker 1>Now combine the bigness of these boys with the another factor,

0:19:48.720 --> 0:19:51.880
<v Speaker 1>which is that cauldrons are relatively scarce in the archaeological

0:19:51.960 --> 0:19:56.359
<v Speaker 1>record compared to other types of household items, even those

0:19:56.359 --> 0:20:00.560
<v Speaker 1>made of similar materials. And from these facts, Joy infers

0:20:00.640 --> 0:20:05.080
<v Speaker 1>that cauldrons were not used for everyday cooking, but instead

0:20:05.119 --> 0:20:09.600
<v Speaker 1>they were used for the community based practice of feasting.

0:20:10.600 --> 0:20:13.080
<v Speaker 1>And I believe the argument is that this is sort

0:20:13.080 --> 0:20:17.040
<v Speaker 1>of what gives cauldrons their special power, what makes them

0:20:17.640 --> 0:20:20.960
<v Speaker 1>uh fit for use as a recurring magical item in myths.

0:20:21.000 --> 0:20:25.200
<v Speaker 1>And legends and literature. Uh Joy rights as follows. At

0:20:25.200 --> 0:20:28.840
<v Speaker 1>their heart, feasts involved the creation and maintenance of social

0:20:28.880 --> 0:20:32.919
<v Speaker 1>relationships and can be used to redistribute wealth, mobilized labor,

0:20:33.240 --> 0:20:39.040
<v Speaker 1>create alliances between or exclude different groups, celebrate marriages, commemorate deaths,

0:20:39.080 --> 0:20:44.520
<v Speaker 1>and compensate for transgressions. As objects used during feasts, cauldrons

0:20:44.560 --> 0:20:47.840
<v Speaker 1>helped facilitate these activities and that is where much of

0:20:47.880 --> 0:20:52.640
<v Speaker 1>their significance and value derives. So Joy is arguing that

0:20:52.880 --> 0:20:56.960
<v Speaker 1>feasting was this incredibly important tradition in the cultures of

0:20:56.960 --> 0:21:00.119
<v Speaker 1>Iron Age Europe, and it had this complex suite of

0:21:00.160 --> 0:21:03.200
<v Speaker 1>social utilities. And the paper invokes the work of a

0:21:03.200 --> 0:21:07.520
<v Speaker 1>different scholar named Michael Dietler, who has created three different

0:21:07.600 --> 0:21:11.560
<v Speaker 1>categories of sort of the social roles of feasting, which

0:21:11.560 --> 0:21:17.440
<v Speaker 1>are empowering, the patron role, and the diacritical. So empowering

0:21:17.600 --> 0:21:22.320
<v Speaker 1>feasts quote allow people or groups to acquire prestige without

0:21:22.359 --> 0:21:27.960
<v Speaker 1>necessarily requiring the existence of fixed social hierarchies. By hosting

0:21:28.000 --> 0:21:32.119
<v Speaker 1>a feast, debts or obligations are passed on to guests,

0:21:32.520 --> 0:21:36.919
<v Speaker 1>thus making feasts arenas for negotiations of social influence. But

0:21:37.000 --> 0:21:40.960
<v Speaker 1>empowering feasts can also be viewed as celebrations of community identity.

0:21:41.280 --> 0:21:42.879
<v Speaker 1>So there's a lot that's going on here in this

0:21:42.920 --> 0:21:45.719
<v Speaker 1>first category. Like you you could host a feast and

0:21:45.800 --> 0:21:49.520
<v Speaker 1>serve people out of a cauldron, and this is this

0:21:49.560 --> 0:21:53.439
<v Speaker 1>is a powerful community activity. In one sense, it maybe

0:21:53.440 --> 0:21:56.840
<v Speaker 1>makes everybody who's at the feast feel more united. It's,

0:21:56.840 --> 0:22:00.320
<v Speaker 1>you know, um, it cements this idea of community identity,

0:22:00.359 --> 0:22:03.080
<v Speaker 1>but it also sort of puts guests in your debt.

0:22:03.240 --> 0:22:06.040
<v Speaker 1>It is, you know, empowering to the host in terms

0:22:06.080 --> 0:22:10.680
<v Speaker 1>of enhancing their perceived social prestige, maybe even making them

0:22:10.720 --> 0:22:14.879
<v Speaker 1>feel temporarily like some kind of king or something. And

0:22:14.920 --> 0:22:16.720
<v Speaker 1>then there are a couple of other types of feasts.

0:22:16.720 --> 0:22:20.840
<v Speaker 1>One of the patron role feasts where they're um is

0:22:20.880 --> 0:22:23.720
<v Speaker 1>sort of an it's sort of like without the strings attached.

0:22:23.800 --> 0:22:27.440
<v Speaker 1>It's an expectation that the social elite must host, but

0:22:27.520 --> 0:22:32.160
<v Speaker 1>not necessarily the the obligation for reciprocation by the guests.

0:22:32.720 --> 0:22:36.119
<v Speaker 1>And then finally there's what is called a diacritical feast,

0:22:36.680 --> 0:22:39.840
<v Speaker 1>and this is where subgroups of a culture consume different

0:22:39.840 --> 0:22:42.920
<v Speaker 1>types of food or drink to emphasize their difference from

0:22:42.920 --> 0:22:46.399
<v Speaker 1>other people. Interesting, I mean, I don't know if this

0:22:46.480 --> 0:22:49.600
<v Speaker 1>is a useful exercise. But I can't help but try

0:22:49.680 --> 0:22:53.480
<v Speaker 1>and take these categories and apply them to modern communal

0:22:53.520 --> 0:22:56.920
<v Speaker 1>feasting situations, like I do feel like the patron role

0:22:57.000 --> 0:22:59.960
<v Speaker 1>feast does sound a lot like the office Christmas party

0:23:00.400 --> 0:23:03.439
<v Speaker 1>you know, where uh, you know, it's kind of expected

0:23:03.680 --> 0:23:07.600
<v Speaker 1>that the that the boss powers will provide you with

0:23:07.680 --> 0:23:10.080
<v Speaker 1>some sort of a food or you know, some sort

0:23:10.080 --> 0:23:13.400
<v Speaker 1>of wine from plastic cups at least, but there's no

0:23:13.720 --> 0:23:15.720
<v Speaker 1>it doesn't mean that we need to host the next

0:23:15.840 --> 0:23:20.080
<v Speaker 1>feast for our processes. It doesn't put you any more

0:23:20.080 --> 0:23:23.600
<v Speaker 1>in the boss's debt or service than you were already. Right,

0:23:24.040 --> 0:23:26.000
<v Speaker 1>But then if they don't know the first category, the

0:23:26.000 --> 0:23:29.000
<v Speaker 1>empowering feast, if your CEO was too suddenly out of

0:23:29.000 --> 0:23:31.040
<v Speaker 1>the blue say hey, why don't you and your family

0:23:31.080 --> 0:23:32.720
<v Speaker 1>come over over to my house for a little get

0:23:32.760 --> 0:23:35.800
<v Speaker 1>together We're going to have. Yeah, you wonder what they're

0:23:35.800 --> 0:23:37.879
<v Speaker 1>gonna hit you up for? Yeah, yeah, that might be

0:23:37.920 --> 0:23:40.280
<v Speaker 1>some sort of situation where their strings attached. I'm not

0:23:40.280 --> 0:23:43.160
<v Speaker 1>sure exactly how best to apply the diacritical one because

0:23:43.200 --> 0:23:45.600
<v Speaker 1>I don't know exactly like to what extent that would

0:23:45.640 --> 0:23:49.760
<v Speaker 1>apply to religious rituals, like say, like Christian communion or

0:23:49.800 --> 0:23:53.240
<v Speaker 1>things like that. Um, I mean that's where my brain went.

0:23:53.320 --> 0:23:56.199
<v Speaker 1>But maybe that doesn't really apply. I'm not sure. It

0:23:56.280 --> 0:23:58.239
<v Speaker 1>doesn't make me wonder, like I don't know, you know,

0:23:58.840 --> 0:24:01.440
<v Speaker 1>you know, they're like egg no people and and non

0:24:01.440 --> 0:24:06.400
<v Speaker 1>eggnog people, and I wonder if that's going nowhere. Yeah,

0:24:06.560 --> 0:24:08.640
<v Speaker 1>the only thing that comes to mind is pot luck

0:24:08.760 --> 0:24:11.240
<v Speaker 1>for some reason, like I'm imagining different people bringing their

0:24:11.280 --> 0:24:16.960
<v Speaker 1>different dishes and uh yeah, maybe missing the mark on this.

0:24:17.440 --> 0:24:19.600
<v Speaker 1>I don't know if that really serves to emphasize difference.

0:24:19.640 --> 0:24:21.719
<v Speaker 1>This may just be a sort of a category that

0:24:21.800 --> 0:24:24.720
<v Speaker 1>doesn't really show up in American culture today. Maybe it will.

0:24:24.800 --> 0:24:27.840
<v Speaker 1>Maybe it's the food court at the mall, celebration of differences.

0:24:27.840 --> 0:24:29.840
<v Speaker 1>Everybody can get what they want. You don't have to

0:24:29.880 --> 0:24:32.000
<v Speaker 1>like the other person's food. It's just about whatever you eat.

0:24:32.440 --> 0:24:35.920
<v Speaker 1>Maybe not. Maybe does that emphasize your difference? I don't know. Well,

0:24:36.359 --> 0:24:39.440
<v Speaker 1>is there anything more divisive than the mall food court?

0:24:40.160 --> 0:24:44.040
<v Speaker 1>I don't know. I have vivid memories of of walking

0:24:44.080 --> 0:24:46.280
<v Speaker 1>through my mall food court when I was a kid,

0:24:46.320 --> 0:24:49.880
<v Speaker 1>because there was a there was a Japanese place where

0:24:49.920 --> 0:24:52.040
<v Speaker 1>they would have somebody out with a tray handing out

0:24:52.080 --> 0:24:55.640
<v Speaker 1>little bites of chicken teriaki, and it was so delicious

0:24:56.240 --> 0:24:59.560
<v Speaker 1>they would oh man, sometimes I would walk by multiple times.

0:25:00.840 --> 0:25:02.640
<v Speaker 1>Oh but anyway, So to come back to the idea

0:25:02.680 --> 0:25:06.760
<v Speaker 1>of like the magic power infusing the cauldron as a

0:25:06.800 --> 0:25:09.439
<v Speaker 1>symbol being in some way related to the role of

0:25:09.480 --> 0:25:13.080
<v Speaker 1>cauldrons in feasting traditions, it strikes me that in many

0:25:13.080 --> 0:25:15.320
<v Speaker 1>ways the cauldron could be seen as a symbol kind

0:25:15.359 --> 0:25:18.160
<v Speaker 1>of like a crown with with this view, because it's

0:25:18.240 --> 0:25:21.200
<v Speaker 1>you know, it's symbolic of power, of power over the

0:25:21.240 --> 0:25:25.600
<v Speaker 1>social order, of like possessing the kind of the wealth

0:25:25.600 --> 0:25:28.520
<v Speaker 1>and abundance that you can freely give out to others

0:25:28.560 --> 0:25:32.000
<v Speaker 1>by hosting a feast um, but also being symbolic of

0:25:32.000 --> 0:25:34.800
<v Speaker 1>the ties that bind a community. Another thing that this

0:25:34.920 --> 0:25:40.159
<v Speaker 1>paper highlights is the way that cauldrons are often apparently

0:25:40.320 --> 0:25:46.399
<v Speaker 1>deposited intact in some deliberate, perhaps ritual manner in the

0:25:46.440 --> 0:25:48.960
<v Speaker 1>in the ground or in the water. They're sort of buried,

0:25:49.040 --> 0:25:53.119
<v Speaker 1>seemingly given as offerings to gods or to ancestors. This

0:25:53.160 --> 0:25:57.439
<v Speaker 1>would be though it's it's sort of confusing because there

0:25:57.440 --> 0:25:59.520
<v Speaker 1>were some people saying it's not a cauldron, but This

0:25:59.640 --> 0:26:01.639
<v Speaker 1>was the case with the Good District cauldron, right that

0:26:01.680 --> 0:26:06.760
<v Speaker 1>it was apparently deliberately deposited in the bog um. This

0:26:06.840 --> 0:26:09.359
<v Speaker 1>also appears to be something that happens with things that

0:26:09.400 --> 0:26:13.320
<v Speaker 1>are definitely actually cauldrons used for cooking, and Joy makes

0:26:13.320 --> 0:26:16.800
<v Speaker 1>a connection between this kind of ritual use and the

0:26:16.920 --> 0:26:19.840
<v Speaker 1>use of the cauldron in feasting, saying quote, the use

0:26:19.840 --> 0:26:24.280
<v Speaker 1>of cauldrons as receptacles for symbolic food stuffs is drawn

0:26:24.359 --> 0:26:27.600
<v Speaker 1>upon in deposition, and they are instead used as containers

0:26:27.680 --> 0:26:30.960
<v Speaker 1>for another kind of offering, this time to deities or

0:26:31.040 --> 0:26:35.879
<v Speaker 1>ancestors rather than attendees at feasts. So the End of

0:26:36.000 --> 0:26:39.280
<v Speaker 1>Joy summarizes and says, yeah, probably a major reason why

0:26:39.400 --> 0:26:44.000
<v Speaker 1>cauldrons are such a such a respected and fearsome magical

0:26:44.080 --> 0:26:47.920
<v Speaker 1>object in all these stories is that they are socially

0:26:48.040 --> 0:26:52.960
<v Speaker 1>powerful objects. They they represent social power, and they're used

0:26:53.080 --> 0:26:59.000
<v Speaker 1>in powerful social customs, mainly feasting, because feasting is something

0:26:59.040 --> 0:27:02.960
<v Speaker 1>that establishes hierarchies, that is used as as expressions of

0:27:03.000 --> 0:27:07.200
<v Speaker 1>individual power or used to strengthen the identity of a community.

0:27:07.640 --> 0:27:10.760
<v Speaker 1>And it's interesting how how this this seems to apply

0:27:10.960 --> 0:27:14.760
<v Speaker 1>rather broadly like this, this could have been a quotation

0:27:15.040 --> 0:27:18.560
<v Speaker 1>from any of the papers we're looking at concerning UH

0:27:18.800 --> 0:27:21.879
<v Speaker 1>cauldrons and Eastern traditions as well. Uh, the idea that,

0:27:21.960 --> 0:27:24.679
<v Speaker 1>like the cauldron is a thing that produces, can produce

0:27:24.680 --> 0:27:26.520
<v Speaker 1>a massive quantity of food. It can be made to

0:27:26.840 --> 0:27:28.679
<v Speaker 1>used to make a sacrifice. It as a symbol of

0:27:28.720 --> 0:27:32.440
<v Speaker 1>power those who possess the cauldron. Uh, it means something,

0:27:32.480 --> 0:27:34.640
<v Speaker 1>it stands for something. I mean, I'm trying to think

0:27:34.640 --> 0:27:38.720
<v Speaker 1>how this compares to uh, modern things like what's a

0:27:38.840 --> 0:27:42.719
<v Speaker 1>type of serving vessel or some type of food related

0:27:42.760 --> 0:27:45.000
<v Speaker 1>thing that you wouldn't really use just for you in

0:27:45.040 --> 0:27:47.879
<v Speaker 1>your own household. You only break out to certain like

0:27:47.920 --> 0:27:50.040
<v Speaker 1>when you're hosting a party. I guess maybe a punch

0:27:50.119 --> 0:27:54.640
<v Speaker 1>bowl or or maybe a fonduce set or something like that,

0:27:54.680 --> 0:27:57.800
<v Speaker 1>these other things that would serve a similar function there,

0:27:57.840 --> 0:28:03.920
<v Speaker 1>like an object that symbolizes your your power to host. Yeah,

0:28:03.960 --> 0:28:05.760
<v Speaker 1>I guess you could also get into the whole realm

0:28:05.800 --> 0:28:08.920
<v Speaker 1>of like the fine china, the good silverware, and so forth,

0:28:09.119 --> 0:28:13.040
<v Speaker 1>which is kind of the the cauldronization of your entire

0:28:13.960 --> 0:28:17.240
<v Speaker 1>dining room. I guess. I mean sometimes that is part

0:28:17.280 --> 0:28:19.320
<v Speaker 1>of it. It's like it's not only it's the special

0:28:19.320 --> 0:28:21.760
<v Speaker 1>dining room, not the place where we we don't normally

0:28:21.760 --> 0:28:30.760
<v Speaker 1>eat dinner, but this is a special event. So at

0:28:30.760 --> 0:28:33.359
<v Speaker 1>this point we're gonna finally come around to something that

0:28:33.640 --> 0:28:35.280
<v Speaker 1>a number of you may have been thinking about, and

0:28:35.320 --> 0:28:38.320
<v Speaker 1>that is the Holy Grail. So you've given all of

0:28:38.320 --> 0:28:42.640
<v Speaker 1>these associations with cauldrons and rebirth. It's notable that connections

0:28:42.800 --> 0:28:45.920
<v Speaker 1>have have certainly been made between pre Christian traditions of

0:28:46.000 --> 0:28:52.120
<v Speaker 1>sacred cauldrons and the the medieval legacy of the literary

0:28:52.160 --> 0:28:55.720
<v Speaker 1>concept of the Holy Grail. The Grail, after all, is

0:28:55.760 --> 0:28:59.120
<v Speaker 1>not a product of Biblical texts, but rather emerges during

0:28:59.120 --> 0:29:02.040
<v Speaker 1>the medieval period it with our earliest mention of it

0:29:02.120 --> 0:29:06.680
<v Speaker 1>coming from a work by Kretianti, a twelfth century French poet.

0:29:07.200 --> 0:29:09.840
<v Speaker 1>It's thought that the concept of the Holy Grail, the

0:29:09.880 --> 0:29:13.480
<v Speaker 1>goblet which collects the blood of Christ, is a combination

0:29:13.600 --> 0:29:17.520
<v Speaker 1>of pre existing cauldron traditions and the right of the Eucharist,

0:29:18.000 --> 0:29:20.880
<v Speaker 1>who I'm generally depicted as a cup something, especially in

0:29:20.880 --> 0:29:23.600
<v Speaker 1>more modern renditions. You know, this is the thing you're

0:29:23.640 --> 0:29:26.120
<v Speaker 1>going to see Indiana Jones holding this is the what

0:29:26.240 --> 0:29:29.240
<v Speaker 1>you're gonna see in the clouds in Monty Python and

0:29:29.280 --> 0:29:33.360
<v Speaker 1>the Holy Grail. Uh. Still other other times it seems

0:29:33.400 --> 0:29:35.520
<v Speaker 1>to connect with the idea. Certainly when you get into

0:29:35.520 --> 0:29:38.680
<v Speaker 1>the etymology of the word, it connects with this idea

0:29:38.760 --> 0:29:42.600
<v Speaker 1>of a bowl or some other kind of serving vessel

0:29:43.200 --> 0:29:46.120
<v Speaker 1>of varying materials, so it doesn't necessarily need to be

0:29:46.160 --> 0:29:49.840
<v Speaker 1>made of solid gold or whatnot. So very loosely speaking,

0:29:49.840 --> 0:29:52.800
<v Speaker 1>there seems to be a connection between Celtic legends involving

0:29:52.840 --> 0:29:58.240
<v Speaker 1>cauldron's thirteenth century romances and uh that end up involving

0:29:59.080 --> 0:30:01.920
<v Speaker 1>the Grail, and then centuries worth of tales to follow.

0:30:03.000 --> 0:30:05.320
<v Speaker 1>I also think it's interesting that that while the right

0:30:05.600 --> 0:30:09.440
<v Speaker 1>of immersion baptism and Christian traditions has its roots in

0:30:09.480 --> 0:30:13.440
<v Speaker 1>the use of rivers and streams, modern churches often use

0:30:13.720 --> 0:30:17.520
<v Speaker 1>artificial baptism tanks that wind up feeling more in line

0:30:17.520 --> 0:30:20.920
<v Speaker 1>with some of these ideas of immersion within a cauldron.

0:30:21.360 --> 0:30:23.040
<v Speaker 1>What did you think about any of that as we

0:30:23.040 --> 0:30:25.440
<v Speaker 1>were rolling through this stuff. No, I did not really

0:30:25.480 --> 0:30:27.880
<v Speaker 1>make that connection, though, yeah, obviously there it is a

0:30:27.920 --> 0:30:31.000
<v Speaker 1>broader theme, the idea of immersion and some kind of

0:30:31.040 --> 0:30:35.840
<v Speaker 1>liquid being a transformative process and the process of baptism, which,

0:30:36.080 --> 0:30:39.080
<v Speaker 1>of course baptism actually you know, predates Christianity. Even in

0:30:39.120 --> 0:30:42.160
<v Speaker 1>the Bible, John the Baptist was baptizing people in the

0:30:42.200 --> 0:30:46.040
<v Speaker 1>River Jordan's before before Christianity was invented. So you know,

0:30:46.080 --> 0:30:48.360
<v Speaker 1>this is an idea that goes way back and is

0:30:48.480 --> 0:30:51.840
<v Speaker 1>applied in many different contexts. Yet and so we see it, Yeah,

0:30:51.880 --> 0:30:53.840
<v Speaker 1>we see it again in the imagery on the Gun

0:30:53.920 --> 0:30:56.680
<v Speaker 1>District cauldron. There is something going on there where there's

0:30:56.720 --> 0:30:59.720
<v Speaker 1>some kind of baptism like event where a god is

0:30:59.760 --> 0:31:04.440
<v Speaker 1>like dunking uh slain warriors headfirst into a cauldron, and

0:31:04.480 --> 0:31:09.280
<v Speaker 1>this is somehow transforming them into some other state. Alright,

0:31:09.320 --> 0:31:11.960
<v Speaker 1>speaking of other states, it's uh, it's time to go

0:31:12.040 --> 0:31:16.520
<v Speaker 1>to Hell once more. So we you know, we mentioned

0:31:16.520 --> 0:31:20.120
<v Speaker 1>in one of the previous Cauldron's episodes that Western connections

0:31:20.120 --> 0:31:23.680
<v Speaker 1>to divine cauldrons may have prevented their use in some

0:31:23.760 --> 0:31:28.000
<v Speaker 1>depictions of Hell in later Christian traditions, and despite the

0:31:28.040 --> 0:31:30.680
<v Speaker 1>fact that certainly many of those myths involved people being

0:31:30.680 --> 0:31:33.680
<v Speaker 1>immersed in said cauldrons, and the fact that death by

0:31:33.760 --> 0:31:35.840
<v Speaker 1>cauldron was very much a thing in parts of Europe

0:31:35.880 --> 0:31:41.720
<v Speaker 1>as well. Um this in talking about European ideas and

0:31:41.760 --> 0:31:44.520
<v Speaker 1>medieval ideas of Hell, of course, there's there's one place

0:31:44.560 --> 0:31:46.200
<v Speaker 1>we end up having to go to, and that, of

0:31:46.240 --> 0:31:50.520
<v Speaker 1>course is Dante's Inferno in the Divine Comedy. A lot

0:31:50.560 --> 0:31:55.520
<v Speaker 1>of modern ideas about about the Christian Hell are from Dante. There.

0:31:55.560 --> 0:31:57.360
<v Speaker 1>You know, you can't find him anywhere in the Bible

0:31:57.720 --> 0:31:59.760
<v Speaker 1>right right, and and beyond hell, I mean you get

0:31:59.760 --> 0:32:04.800
<v Speaker 1>into the idea of purgatory, etcetera. Dante's work was incredibly influential.

0:32:05.800 --> 0:32:09.480
<v Speaker 1>And uh, if you start looking around though for examples

0:32:09.520 --> 0:32:13.719
<v Speaker 1>of death by cauldron or cauldron immersion or you know,

0:32:14.160 --> 0:32:17.680
<v Speaker 1>cauldron torture in in Dante's Inferno, you do find a

0:32:17.680 --> 0:32:21.440
<v Speaker 1>few interesting things. So in Canto twenty three, in which

0:32:21.480 --> 0:32:26.600
<v Speaker 1>it depicts the torment of hypocrites who wear cloaks with hoods,

0:32:27.040 --> 0:32:31.040
<v Speaker 1>bright colors and lead linings, Uh, yeah, we see a

0:32:31.120 --> 0:32:34.040
<v Speaker 1>reference to death by cauldron. Uh. This is in the

0:32:34.200 --> 0:32:37.560
<v Speaker 1>sixth trench of the Malibolga. I'm gonna read from a

0:32:37.840 --> 0:32:42.320
<v Speaker 1>translation here. Outside these cloaks were gilded and they dazzled,

0:32:42.320 --> 0:32:45.320
<v Speaker 1>but inside they were all of lead, so heavy that

0:32:45.400 --> 0:32:49.959
<v Speaker 1>Frederick's capes were straw compared to them, a tiring mantle

0:32:50.040 --> 0:32:53.200
<v Speaker 1>for eternity. We turned again, as always to the left

0:32:53.240 --> 0:32:56.440
<v Speaker 1>along with them, intent on their sad weeping. But with

0:32:56.520 --> 0:33:00.240
<v Speaker 1>their weights the wary people pay so slowly that we

0:33:00.320 --> 0:33:03.560
<v Speaker 1>found ourselves among new company each time we took a step.

0:33:04.200 --> 0:33:07.640
<v Speaker 1>And then the Dante comes back to this, and one

0:33:07.640 --> 0:33:10.840
<v Speaker 1>of them replied, the yellow cloaks are of a lead,

0:33:10.920 --> 0:33:15.840
<v Speaker 1>so thick their heaviness makes us the balances beneath them creak. Now,

0:33:15.880 --> 0:33:19.320
<v Speaker 1>the illusion here apparently is to death by cauldron um

0:33:19.400 --> 0:33:21.840
<v Speaker 1>and uh. I was looking into this in the notes

0:33:21.920 --> 0:33:25.520
<v Speaker 1>to the Durling and Martinez edition of Dante's Inferno that

0:33:25.560 --> 0:33:30.440
<v Speaker 1>I have. There was apparently a Guelf propaganda campaign against

0:33:30.440 --> 0:33:33.760
<v Speaker 1>the Holy Roman Emperor Frederick the Second, who lived eleven

0:33:34.000 --> 0:33:37.800
<v Speaker 1>ninety four through twelve fifty, that charged him with him

0:33:37.840 --> 0:33:41.400
<v Speaker 1>having punished traitors by encasing them in lead and then

0:33:41.520 --> 0:33:44.960
<v Speaker 1>roasting them. At least in some tellings, this was achieved

0:33:44.960 --> 0:33:49.160
<v Speaker 1>by placing the lead cloaked individual inside of a cauldron. Now,

0:33:49.160 --> 0:33:53.200
<v Speaker 1>the Guelfs were a political faction who supported the papacy

0:33:53.240 --> 0:33:55.840
<v Speaker 1>against the Holy Roman Emperor, and they were opposed by

0:33:55.880 --> 0:34:00.400
<v Speaker 1>the Ghibillins, who basically had the opposite values. On top

0:34:00.440 --> 0:34:03.400
<v Speaker 1>of this, there are boilings in the Inferno there boilings

0:34:03.400 --> 0:34:08.240
<v Speaker 1>are plenty. Uh. Most notably there is the river of Flagathon,

0:34:08.480 --> 0:34:11.920
<v Speaker 1>which is literally a river of boiling blood in which

0:34:11.960 --> 0:34:15.880
<v Speaker 1>the souls of the damned drive. Here, those who perpetrated

0:34:16.000 --> 0:34:19.840
<v Speaker 1>violence against other humans are tormented. You have centaurs patrolling

0:34:19.880 --> 0:34:23.440
<v Speaker 1>the banks of the river, uh, pelting anyone with arrows

0:34:23.480 --> 0:34:26.399
<v Speaker 1>if they try to rise above their station in the river.

0:34:26.760 --> 0:34:29.880
<v Speaker 1>I seem to recall Virgil and Dante end up talking

0:34:29.920 --> 0:34:34.080
<v Speaker 1>to these centaurs a good bit. I I've forgotten the

0:34:34.120 --> 0:34:38.640
<v Speaker 1>conversation with the centers, but they have so many wonderful conversations. Uh.

0:34:38.680 --> 0:34:41.240
<v Speaker 1>Now elsewhere, at the mount back of the Mala Bolga,

0:34:41.680 --> 0:34:44.759
<v Speaker 1>the evil ditches of torment. The fifth Trench consists of

0:34:44.760 --> 0:34:47.880
<v Speaker 1>a river of burning pitch, And here the demons of

0:34:47.920 --> 0:34:51.960
<v Speaker 1>the Mala Braca use cruel skewers to make sure the

0:34:52.000 --> 0:34:56.800
<v Speaker 1>grafters punished her stay immersed and don't escape. And Durling

0:34:56.800 --> 0:34:59.920
<v Speaker 1>and Martinez translate this is fall. Part of this is

0:35:00.040 --> 0:35:04.200
<v Speaker 1>follows quote. Not otherwise do cooks have their servants push

0:35:04.440 --> 0:35:07.520
<v Speaker 1>down with hooks the meat cooking in a broth so

0:35:07.560 --> 0:35:09.920
<v Speaker 1>that it may float. So here, once more we have

0:35:10.000 --> 0:35:13.120
<v Speaker 1>cooking imagery, and the authors discussed this at length. They

0:35:13.120 --> 0:35:15.799
<v Speaker 1>have a little uh bit in the back where they

0:35:15.800 --> 0:35:19.080
<v Speaker 1>break this down a bit more so. Dante was essentially

0:35:19.160 --> 0:35:24.239
<v Speaker 1>building upon various well established metaphors here, especially for frauds, counterfeits,

0:35:24.239 --> 0:35:27.840
<v Speaker 1>and other false individuals who are tormented in this particular

0:35:27.880 --> 0:35:31.520
<v Speaker 1>portion of the Inferno. Various of the parts of the

0:35:31.760 --> 0:35:36.640
<v Speaker 1>Malabolga feature quote sharply focused parodies of cooking and digestion.

0:35:37.440 --> 0:35:39.919
<v Speaker 1>So this part of the Inferno is kind of like

0:35:40.000 --> 0:35:42.759
<v Speaker 1>they say, a great spider web, but also it is

0:35:42.840 --> 0:35:45.520
<v Speaker 1>kind of like the belly or the winding and testines

0:35:45.600 --> 0:35:48.800
<v Speaker 1>of hell. Uh, there's a lot here about the consumer

0:35:48.880 --> 0:35:52.960
<v Speaker 1>being consumed. Uh. Cooking metaphors were often wound up in

0:35:53.000 --> 0:35:56.000
<v Speaker 1>discussing the fraudulent, and we see that today as well.

0:35:56.400 --> 0:36:00.280
<v Speaker 1>Yeah yeah, yeah, cooking the books, um uh, they're also

0:36:00.360 --> 0:36:03.080
<v Speaker 1>the scheme is cooked up. If we're if we're tricked

0:36:03.080 --> 0:36:05.319
<v Speaker 1>into following it, you know, we're we're eating it up

0:36:05.480 --> 0:36:08.919
<v Speaker 1>or we're being fed a lie or fedicon that sort

0:36:08.920 --> 0:36:12.520
<v Speaker 1>of thing. Yeah. So Dante is always is painting with

0:36:12.560 --> 0:36:16.320
<v Speaker 1>a number of palets here, but but touches on various

0:36:16.400 --> 0:36:20.839
<v Speaker 1>elements that we've discussed already in this series. Cooking is digestion,

0:36:21.440 --> 0:36:25.920
<v Speaker 1>cooking as transformation, cooking as torment. There are also various

0:36:26.000 --> 0:36:29.759
<v Speaker 1>depictions of Hell outside of Dante's work of Hell as

0:36:29.800 --> 0:36:33.280
<v Speaker 1>a Cauldron, though, of course Dante's layout for the Inferno

0:36:33.680 --> 0:36:36.360
<v Speaker 1>is far more complex than that, you know, not geared

0:36:36.400 --> 0:36:40.400
<v Speaker 1>around a single technological metaphor, but a larger mix of

0:36:40.480 --> 0:36:43.960
<v Speaker 1>influences and illusions. You can't, you can't tie Dante down

0:36:44.040 --> 0:36:46.759
<v Speaker 1>and just ask him to compare all of Hell to

0:36:46.920 --> 0:36:50.040
<v Speaker 1>just one thing. That's that's not the game he's playing. So,

0:36:50.160 --> 0:36:53.000
<v Speaker 1>of course Christian Hell and and Dante's version of it

0:36:53.040 --> 0:36:55.920
<v Speaker 1>in Inferno. Uh, we have to remind ourselves this is

0:36:55.960 --> 0:37:00.680
<v Speaker 1>not a transformative realm like we see in Eastern traditions

0:37:00.719 --> 0:37:04.560
<v Speaker 1>of hell, uh, where it's about the soul being transformed

0:37:04.560 --> 0:37:07.800
<v Speaker 1>into something else. No, Uh, it doesn't even these versions

0:37:07.800 --> 0:37:12.719
<v Speaker 1>of Hell don't even accomplish transformation via annihilation. Um. Now,

0:37:12.960 --> 0:37:16.319
<v Speaker 1>certainly within the Divine Comedy you get into purgatory, and

0:37:16.400 --> 0:37:20.719
<v Speaker 1>that is about transformation. Uh. And certainly that concept, the

0:37:21.000 --> 0:37:23.840
<v Speaker 1>concept of purgatory that we see within the Divine Comedy

0:37:24.200 --> 0:37:28.560
<v Speaker 1>has more in common with Eastern traditions of the afterlife. Anyway,

0:37:28.600 --> 0:37:30.760
<v Speaker 1>they're still On top of this, there are certainly visual

0:37:30.760 --> 0:37:35.239
<v Speaker 1>and literary depictions of hell cauldrons in Christian and European traditions.

0:37:35.600 --> 0:37:37.759
<v Speaker 1>I don't imagine you could keep them out of hell

0:37:37.920 --> 0:37:40.480
<v Speaker 1>if you wanted to, even if you have you know,

0:37:40.560 --> 0:37:44.120
<v Speaker 1>say again like a Celtic tradition in the background, in

0:37:44.200 --> 0:37:47.640
<v Speaker 1>which the cauldron seems a little too holy and a

0:37:47.719 --> 0:37:49.799
<v Speaker 1>little too special to be a part of some sort

0:37:49.840 --> 0:37:54.160
<v Speaker 1>of delirious hell painting. Somebody is going to be like, oh,

0:37:54.200 --> 0:37:56.080
<v Speaker 1>but but what if you were cooked in a soup?

0:37:56.239 --> 0:37:58.480
<v Speaker 1>Or how about that guy that we boiled last week

0:37:58.520 --> 0:38:02.400
<v Speaker 1>for for making f valent coins? Uh? Like, the idea

0:38:02.560 --> 0:38:04.680
<v Speaker 1>is going to worm its way in there. There's no

0:38:04.960 --> 0:38:07.319
<v Speaker 1>way you're going to keep that image out of your

0:38:07.360 --> 0:38:10.680
<v Speaker 1>imagined afterlife. None of this hell imagery really seems to

0:38:10.719 --> 0:38:13.360
<v Speaker 1>have anything to do with with hosting or feasting, does it?

0:38:15.080 --> 0:38:18.160
<v Speaker 1>Uh No? But but I mean it does have a

0:38:18.160 --> 0:38:22.279
<v Speaker 1>lot to do with with eating and digestion. So I

0:38:22.280 --> 0:38:25.040
<v Speaker 1>mean it's it's everything seated at the same table one

0:38:25.040 --> 0:38:28.200
<v Speaker 1>way or another. Here, I'm still thinking about modern analogies

0:38:28.239 --> 0:38:32.640
<v Speaker 1>for the cauldron as a symbol of hosting power. Uh So,

0:38:32.760 --> 0:38:35.480
<v Speaker 1>I said the punch bowl earlier, maybe the Fundu said

0:38:35.520 --> 0:38:37.279
<v Speaker 1>if it was the I don't know, the seventies or

0:38:37.320 --> 0:38:39.839
<v Speaker 1>eighties whenever that was. But the one that just came

0:38:39.880 --> 0:38:42.839
<v Speaker 1>to me is like the really nice smoker, you know.

0:38:43.200 --> 0:38:46.200
<v Speaker 1>Oh yeah, they're the green ones and so forth. Yeah, yeah,

0:38:46.440 --> 0:38:48.919
<v Speaker 1>I'm gonna host a barbecue and look all the Look

0:38:48.920 --> 0:38:50.799
<v Speaker 1>at all the meat I can make. Oh yeah, yeah.

0:38:50.840 --> 0:38:54.839
<v Speaker 1>Big grills in general, yeah, I think totally. The really

0:38:54.960 --> 0:38:57.360
<v Speaker 1>nice charcoal grill or gas grill is very much in

0:38:57.440 --> 0:39:00.360
<v Speaker 1>keeping with the tradition of the cauldron and uh, I

0:39:00.400 --> 0:39:04.319
<v Speaker 1>mean the idea of a low country boil or it's variations,

0:39:04.600 --> 0:39:07.080
<v Speaker 1>uh of the low country boil, in which you know,

0:39:07.120 --> 0:39:10.160
<v Speaker 1>you're essentially essentially you have a cauldron and you're gonna

0:39:10.200 --> 0:39:13.040
<v Speaker 1>cook cook up a whole bunch of shrimp and a

0:39:13.080 --> 0:39:15.759
<v Speaker 1>few veggies and so forth. You know, that's very much

0:39:16.120 --> 0:39:19.160
<v Speaker 1>in the tradition. Spill it all out on the table

0:39:19.200 --> 0:39:21.520
<v Speaker 1>and let's all have a feast. I don't know that

0:39:21.520 --> 0:39:23.560
<v Speaker 1>that would really be a special pot, but I mean

0:39:23.600 --> 0:39:25.960
<v Speaker 1>just sometimes when we're talking about special, we could be

0:39:26.000 --> 0:39:29.000
<v Speaker 1>talking about uh, an ornate vessel. But sometimes it's just

0:39:29.040 --> 0:39:31.319
<v Speaker 1>the fact that it is large. I have a pot

0:39:31.440 --> 0:39:34.320
<v Speaker 1>large enough to to to create a low country boil

0:39:34.400 --> 0:39:36.799
<v Speaker 1>that that's in and of itself is impressed. You've got

0:39:36.840 --> 0:39:40.759
<v Speaker 1>family in Louisiana, right, or do you uh down in

0:39:40.800 --> 0:39:43.960
<v Speaker 1>that area? Yes, south of Mississippi? Yeah, okay, you do

0:39:44.040 --> 0:39:47.680
<v Speaker 1>crawfish boils? Or have you done? Oh? Yeah? Yeah? So

0:39:47.719 --> 0:39:50.440
<v Speaker 1>basically a big, big metal cauldron in the front yard,

0:39:51.520 --> 0:39:54.600
<v Speaker 1>gas flame underneath it, coming up a bunch of shump,

0:39:55.360 --> 0:39:58.280
<v Speaker 1>some older man telling like scolding you for not sucking

0:39:58.280 --> 0:40:03.120
<v Speaker 1>the heads on you. You gotta heads, that's what they say. Yeah,

0:40:03.160 --> 0:40:06.320
<v Speaker 1>with the with the crawl, dad's the mud bugs. Okay,

0:40:06.320 --> 0:40:09.320
<v Speaker 1>I think maybe we're done. Yeah, but I mean, obviously

0:40:09.480 --> 0:40:11.520
<v Speaker 1>we'd love to hear from everyone out there about very

0:40:11.880 --> 0:40:15.120
<v Speaker 1>certainly this question, like the special thing in your household

0:40:15.239 --> 0:40:17.400
<v Speaker 1>or a household you grew up in, or or just

0:40:17.800 --> 0:40:21.320
<v Speaker 1>a cultural tradition surrounding you, Like what is what is

0:40:21.400 --> 0:40:25.560
<v Speaker 1>your version of of the sacred cauldron, the sacred festival

0:40:25.719 --> 0:40:28.680
<v Speaker 1>for feasts? Uh? What is the or or what is

0:40:28.680 --> 0:40:31.440
<v Speaker 1>the dish that is central to your experiences that that

0:40:31.600 --> 0:40:34.040
<v Speaker 1>matches up with all of this? Uh, we'd love to

0:40:34.080 --> 0:40:36.280
<v Speaker 1>hear your thoughts on that, about anything that we've discussed

0:40:36.640 --> 0:40:39.600
<v Speaker 1>in these four episodes on the Cauldron, so we'll be

0:40:39.600 --> 0:40:42.960
<v Speaker 1>back next time with with with something new, something non

0:40:43.040 --> 0:40:46.520
<v Speaker 1>Cauldron related, so we hope you'll join us. Core episodes

0:40:46.560 --> 0:40:48.680
<v Speaker 1>of Stuff to Blow Your Mind air on Tuesdays and

0:40:48.719 --> 0:40:51.640
<v Speaker 1>Thursdays in the Stuff to Blow Your Mind podcast feed.

0:40:52.120 --> 0:40:54.960
<v Speaker 1>On Monday's we usually do a listener mail episode. On

0:40:55.000 --> 0:40:57.560
<v Speaker 1>Wednesdays we usually do a short form artifact or monster

0:40:57.640 --> 0:41:00.600
<v Speaker 1>fact episode, and on Friday's we do Weird Cinema. That's

0:41:00.600 --> 0:41:03.200
<v Speaker 1>our time to set aside most serious concerns and just

0:41:03.239 --> 0:41:06.000
<v Speaker 1>talk about a strange film. Huge thanks as always to

0:41:06.040 --> 0:41:09.279
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you would

0:41:09.320 --> 0:41:11.319
<v Speaker 1>like to get in touch with us with feedback on

0:41:11.360 --> 0:41:13.560
<v Speaker 1>this episode or any other, to suggest a topic for

0:41:13.600 --> 0:41:15.800
<v Speaker 1>the future, or just to say hello, you can email

0:41:15.880 --> 0:41:26.719
<v Speaker 1>us at contact at stuff to Blow your Mind dot com.

0:41:26.719 --> 0:41:29.240
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0:41:29.560 --> 0:41:31.920
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