1 00:00:00,160 --> 00:00:03,480 Speaker 1: Hello the Internet, and welcome to this episode of The 2 00:00:03,560 --> 00:00:07,840 Speaker 1: Weekly Zeitgeist. Uh these are some of our favorite segments 3 00:00:08,119 --> 00:00:14,880 Speaker 1: from this week, all edited together into one NonStop infotainment 4 00:00:16,079 --> 00:00:22,440 Speaker 1: laugh stravaganza. Uh yeah, So, without further ado, here is 5 00:00:22,680 --> 00:00:26,880 Speaker 1: the Weekly Zeitgeist. Well, we are thrilled to be joined 6 00:00:26,960 --> 00:00:31,880 Speaker 1: in our fourth seat by first time guest, the hilarious 7 00:00:31,920 --> 00:00:35,720 Speaker 1: Ben she Han. I am so thrilled that this started 8 00:00:35,760 --> 00:00:37,960 Speaker 1: off with Papa Rich parodies, and I can only imagine 9 00:00:38,000 --> 00:00:40,040 Speaker 1: that puddle of mud is really disappointed to have been 10 00:00:40,080 --> 00:00:43,520 Speaker 1: left out of them. They'll get there, they'll get Yeah. 11 00:00:43,560 --> 00:00:46,800 Speaker 1: I don't know that. I know you're right, We don't know, Ben, 12 00:00:46,800 --> 00:00:50,160 Speaker 1: How are you doing? We're doing okay? You know going 13 00:00:50,200 --> 00:00:54,760 Speaker 1: on week I don't know seven eight of quarantine and 14 00:00:55,000 --> 00:00:58,560 Speaker 1: uh what are we sick of everything? We're eating pretty much? 15 00:00:58,640 --> 00:01:02,000 Speaker 1: Is I think where everyone is? Yeah, I don't count. 16 00:01:02,640 --> 00:01:13,319 Speaker 1: It's probably close. Let's see one, two, three, four, five, six, seven, eight, 17 00:01:14,000 --> 00:01:22,160 Speaker 1: yep five six. I'm going full out on this core now. 18 00:01:22,440 --> 00:01:25,160 Speaker 1: That's uh yeah, I would have had no idea. I 19 00:01:25,200 --> 00:01:28,040 Speaker 1: got I that. That's good to know, though. Are you 20 00:01:28,080 --> 00:01:29,959 Speaker 1: just eating kind of the same thing? Is that why 21 00:01:30,000 --> 00:01:33,520 Speaker 1: you're saying you're kind of getting into the like boredom 22 00:01:33,560 --> 00:01:35,399 Speaker 1: of the food. What's going on? You said that first? 23 00:01:36,040 --> 00:01:38,040 Speaker 1: I know, well, look I'm saying that, you know, I 24 00:01:38,760 --> 00:01:41,560 Speaker 1: may have a limited range of things that that I 25 00:01:41,600 --> 00:01:43,679 Speaker 1: can make, and uh, you know, you're going to the 26 00:01:43,680 --> 00:01:46,200 Speaker 1: same store over and over. You're kind of fall into 27 00:01:46,240 --> 00:01:48,880 Speaker 1: your your routine, and I think it's on me. It's 28 00:01:48,920 --> 00:01:51,120 Speaker 1: really really this is me talking to myself. It's my 29 00:01:51,160 --> 00:01:55,160 Speaker 1: responsibility to either expand the grocery stores or to expand 30 00:01:55,240 --> 00:01:58,280 Speaker 1: my slate of things to to make. What do you, 31 00:01:58,480 --> 00:02:00,200 Speaker 1: I mean, give me an idea? What's your thing? What 32 00:02:00,200 --> 00:02:03,360 Speaker 1: are you making? Over and over that? So I'm I'm 33 00:02:03,360 --> 00:02:05,760 Speaker 1: saying I'm making this, But really this my my girlfriend 34 00:02:05,840 --> 00:02:08,920 Speaker 1: is a very very skilled chef and she makes way 35 00:02:08,960 --> 00:02:10,560 Speaker 1: better food than I do. So this is this is 36 00:02:10,600 --> 00:02:13,480 Speaker 1: me talking to myself. In my shortcomings, I'm reminded of 37 00:02:13,520 --> 00:02:17,959 Speaker 1: every day. UM really big on you know, the uh, 38 00:02:18,040 --> 00:02:21,560 Speaker 1: the right mix of additions to a smoothie. You've got 39 00:02:21,639 --> 00:02:23,799 Speaker 1: your frozen fruit, but it's like adding a little bit 40 00:02:23,800 --> 00:02:25,840 Speaker 1: of ginger, adding a little bit of honey, adding a 41 00:02:25,919 --> 00:02:28,320 Speaker 1: little bit of the right powder something to kind of 42 00:02:28,360 --> 00:02:30,600 Speaker 1: spice it up a little bit. And this is like 43 00:02:30,760 --> 00:02:34,840 Speaker 1: some high level stuff. I don't even more power to 44 00:02:35,000 --> 00:02:39,720 Speaker 1: you a powder. I can't even know powder. A little Um, 45 00:02:40,080 --> 00:02:44,560 Speaker 1: there is that the green one. I don't know. People 46 00:02:44,639 --> 00:02:51,359 Speaker 1: I know who live in cane and talk about we 47 00:02:51,480 --> 00:02:55,520 Speaker 1: got some random like mushroom powder in the mail and 48 00:02:55,680 --> 00:02:57,920 Speaker 1: that I don't really I mean not like like just 49 00:02:57,960 --> 00:03:00,920 Speaker 1: sort of like a regular dietary supplement powder. And I'm 50 00:03:00,960 --> 00:03:03,359 Speaker 1: not entirely sure it does anything, but you know, we're 51 00:03:03,639 --> 00:03:08,000 Speaker 1: experimenting with it where it goes, Yeah, experimenting with mushrooms. 52 00:03:08,160 --> 00:03:10,840 Speaker 1: And it's a great time to do that during And 53 00:03:10,880 --> 00:03:14,400 Speaker 1: are you publicly dating Jackie? I am publicly dating, so 54 00:03:14,400 --> 00:03:18,799 Speaker 1: we can mention that his past guests double j H 55 00:03:20,000 --> 00:03:23,120 Speaker 1: first first actually got me handwashing much better the last 56 00:03:23,120 --> 00:03:24,840 Speaker 1: time she was on the show, because I think her 57 00:03:24,880 --> 00:03:27,520 Speaker 1: myth was about hand washing about how long you have 58 00:03:28,040 --> 00:03:31,400 Speaker 1: and that was months before, so in a way, oh 59 00:03:31,520 --> 00:03:34,200 Speaker 1: her my life. I mean, maybe she started this whole 60 00:03:34,240 --> 00:03:37,440 Speaker 1: thing just so that she could be right about right 61 00:03:37,480 --> 00:03:42,760 Speaker 1: about that wouldn't put a pastor Jackie. Michelle Sophia, what 62 00:03:42,880 --> 00:03:45,360 Speaker 1: is something from your search history that's revealing about who 63 00:03:45,400 --> 00:03:49,200 Speaker 1: you are? Okay? So, um, if you at all. Follow 64 00:03:49,240 --> 00:03:51,440 Speaker 1: me on social media, you may know that I am 65 00:03:51,520 --> 00:03:54,320 Speaker 1: trying to raise an army of crows in my yard. 66 00:03:55,080 --> 00:03:58,480 Speaker 1: Um so I've been googling a lot about the crows. 67 00:04:00,000 --> 00:04:06,800 Speaker 1: All I'm murdering soccer, so I had to scream. I'm 68 00:04:06,800 --> 00:04:09,720 Speaker 1: trying to really just uh, I mean, they have the 69 00:04:09,760 --> 00:04:12,600 Speaker 1: intelligence of three year olds. They recognize faces. So I'm 70 00:04:12,600 --> 00:04:15,040 Speaker 1: just trying to get them on my side now, And 71 00:04:15,280 --> 00:04:19,000 Speaker 1: what are you doing? Like I'm feeding them and I'm 72 00:04:19,040 --> 00:04:21,360 Speaker 1: trying to say things that they might like to hear, 73 00:04:21,400 --> 00:04:24,160 Speaker 1: like who's a pretty bird? I don't know if they 74 00:04:24,240 --> 00:04:27,919 Speaker 1: enjoy that, but that's what I've settled into, not who's 75 00:04:27,960 --> 00:04:31,320 Speaker 1: an intelligent creature? No, because I'm like, they're so plain 76 00:04:31,400 --> 00:04:34,520 Speaker 1: they probably need to hear it. Oh wow, okay, Like, 77 00:04:34,920 --> 00:04:36,600 Speaker 1: and I'm trying to learn how to tell them apart, 78 00:04:36,920 --> 00:04:39,719 Speaker 1: like I think I can only tell them apart a 79 00:04:39,760 --> 00:04:42,839 Speaker 1: little bit. I mean, I don't know, I think they're 80 00:04:43,839 --> 00:04:46,440 Speaker 1: us apart. So who's got the intelligence of a three 81 00:04:46,520 --> 00:04:52,120 Speaker 1: year old? Now? They can? Well not clearly so unless 82 00:04:52,560 --> 00:04:54,760 Speaker 1: unless you like tranquilize them and paint one of their 83 00:04:54,800 --> 00:04:59,240 Speaker 1: toenails or something. Yeah I know, right, yeah, whatever you 84 00:04:59,360 --> 00:05:01,920 Speaker 1: call that a. I think Charles is the big one 85 00:05:03,960 --> 00:05:08,040 Speaker 1: crow petty. Um. Yeah, they're they're super smart and they 86 00:05:08,080 --> 00:05:11,760 Speaker 1: hold like lifelong grudges and ship. Oh yeah, that's why 87 00:05:11,800 --> 00:05:16,239 Speaker 1: I'd like for them to become my army now before 88 00:05:16,360 --> 00:05:19,440 Speaker 1: it is too late. What's your long term goal? What 89 00:05:19,480 --> 00:05:22,840 Speaker 1: do you see yourself doing in your dreams? You wield this, 90 00:05:23,040 --> 00:05:25,680 Speaker 1: you know, unmatched crow power. Just kind of roam the 91 00:05:25,720 --> 00:05:29,840 Speaker 1: neighborhood with my murder. And are they flying behind you 92 00:05:29,960 --> 00:05:32,719 Speaker 1: like Calisi? Do you do? They hop along next to 93 00:05:32,720 --> 00:05:35,840 Speaker 1: you on the ground. Picture some of them on my 94 00:05:35,960 --> 00:05:39,479 Speaker 1: shoulders and then the others like hop from tree to 95 00:05:39,560 --> 00:05:46,599 Speaker 1: tree as I walk. That's the days. Is there one 96 00:05:46,680 --> 00:05:48,440 Speaker 1: like and then you have one who's like the scout 97 00:05:48,560 --> 00:05:50,719 Speaker 1: up ahead, who's just kind of checking everything out up 98 00:05:50,800 --> 00:05:53,840 Speaker 1: You're making sure everything's good in case you Yeah, yeah, yeah, 99 00:05:53,880 --> 00:05:57,120 Speaker 1: you gotta have scouts. Obviously, everyone has to have an 100 00:05:57,120 --> 00:05:59,320 Speaker 1: important job. You know. I want my crows to feel 101 00:05:59,360 --> 00:06:04,359 Speaker 1: like they're all doing something because I am fully insane. Yeah. Um, anyway, 102 00:06:04,800 --> 00:06:08,880 Speaker 1: someone told me that they like and if you leave 103 00:06:08,920 --> 00:06:11,760 Speaker 1: them shiny things, which I already knew that they stole 104 00:06:11,800 --> 00:06:13,720 Speaker 1: shiny things, but I didn't know if like they would 105 00:06:13,720 --> 00:06:16,200 Speaker 1: take them if you just left them. So then I 106 00:06:16,240 --> 00:06:18,280 Speaker 1: took some tinsel and I made hearts out of it 107 00:06:18,680 --> 00:06:23,400 Speaker 1: because I'm again very lonely, and oh my god, they 108 00:06:23,480 --> 00:06:28,800 Speaker 1: did not take them, so obviously that makes me love 109 00:06:28,839 --> 00:06:32,640 Speaker 1: them more. So they're just playing hard to get That 110 00:06:32,680 --> 00:06:37,040 Speaker 1: sounds like a crow. Yeah, classic crow. I've had a 111 00:06:37,160 --> 00:06:40,800 Speaker 1: larger crow presence in my backyard, which is leading me 112 00:06:40,880 --> 00:06:46,039 Speaker 1: to the question, our crows taking over like our our yards? 113 00:06:46,279 --> 00:06:50,239 Speaker 1: Or are are these advanced scouts from your crow army 114 00:06:50,440 --> 00:06:54,040 Speaker 1: and you're going to invade my backyard? Obviously, we are 115 00:06:54,120 --> 00:06:57,120 Speaker 1: scouting everybody's yards, but it's just for your own protection. 116 00:06:57,520 --> 00:06:59,560 Speaker 1: I mean, I'm not saying we're going to invade you. 117 00:07:00,000 --> 00:07:04,880 Speaker 1: You're not jumping to conclusion your neighborhood watch situation. Yeah, 118 00:07:05,240 --> 00:07:08,400 Speaker 1: they've just shown up to protect your oil reserves. Yeah whatever, 119 00:07:09,080 --> 00:07:13,120 Speaker 1: wherever they may be your yard or anybody else's. What 120 00:07:13,280 --> 00:07:18,280 Speaker 1: is something you think is underrated? Uh? Yeah, okay, so 121 00:07:18,360 --> 00:07:21,480 Speaker 1: cutting your own bangs is underrated because I did a 122 00:07:21,480 --> 00:07:26,320 Speaker 1: great job and has there been a lot of trial 123 00:07:26,400 --> 00:07:29,720 Speaker 1: and error though? No, No, you make the one mistake 124 00:07:29,800 --> 00:07:32,640 Speaker 1: one time where you do this instead of cutting vertically, 125 00:07:32,680 --> 00:07:35,600 Speaker 1: you cut horizontally one time and you look horrible, and 126 00:07:35,600 --> 00:07:37,880 Speaker 1: then you never do it again, and then you just 127 00:07:38,040 --> 00:07:42,080 Speaker 1: do this and then you're chilling. Oh that's a trick. 128 00:07:42,440 --> 00:07:46,760 Speaker 1: I didn't realize this vertical cut. Keep the scissors straight 129 00:07:46,840 --> 00:07:49,000 Speaker 1: up and down, because if you go across, it's gonna 130 00:07:49,040 --> 00:07:54,120 Speaker 1: be Ah, it's gonna be jack. Hold on, Jack will 131 00:07:54,160 --> 00:07:58,280 Speaker 1: pull your bangs down a little. Yeah, let us he 132 00:07:58,360 --> 00:08:08,240 Speaker 1: hit him. He hit him horizontally out here looking like 133 00:08:08,320 --> 00:08:12,960 Speaker 1: he's married to a property brother? God damn wait is 134 00:08:13,000 --> 00:08:20,480 Speaker 1: she married to a property brother? Are there like hating? Fully? Right? There? 135 00:08:21,160 --> 00:08:24,000 Speaker 1: Really one of those facts that I learned. I've learned 136 00:08:24,120 --> 00:08:27,280 Speaker 1: multiple times and it just won't enter my brain. I 137 00:08:27,440 --> 00:08:31,160 Speaker 1: just it refuses, I know what I mean, something so 138 00:08:31,240 --> 00:08:33,640 Speaker 1: shocking you forget it after you learn it, and then 139 00:08:33,640 --> 00:08:37,600 Speaker 1: the next time you shocked. Yeah, oh wait, they're not married. 140 00:08:37,640 --> 00:08:41,480 Speaker 1: I lied there. I don't know whether or not to 141 00:08:41,800 --> 00:08:45,360 Speaker 1: be giddy about that. I remembered that fact about them, Like, 142 00:08:45,440 --> 00:08:47,400 Speaker 1: I don't think they're married. I don't think it's like 143 00:08:47,520 --> 00:08:54,680 Speaker 1: that partnered. It deserves to be fair, though, Jamie. You've 144 00:08:54,720 --> 00:08:58,200 Speaker 1: been shipping them since the early tens. You've been shipping 145 00:08:59,120 --> 00:09:04,800 Speaker 1: Jachanel The logical conclusion of Zoey Dejanelle is for her 146 00:09:04,840 --> 00:09:07,640 Speaker 1: to do the lamest thing with her life that she 147 00:09:07,679 --> 00:09:10,920 Speaker 1: could do, which is Mary a property brother It makes 148 00:09:10,960 --> 00:09:15,280 Speaker 1: so much sense. But which one are the one or 149 00:09:15,360 --> 00:09:20,000 Speaker 1: the left? She's dating the weird looking Yeah, I figured 150 00:09:20,280 --> 00:09:25,760 Speaker 1: the one is not? Yeah what they look like? And 151 00:09:25,840 --> 00:09:30,080 Speaker 1: I almost left? Or right? Bro? Whoa fact? Both of 152 00:09:30,120 --> 00:09:33,040 Speaker 1: their shows entered the collective consciousness in the Year of 153 00:09:33,080 --> 00:09:40,319 Speaker 1: Our Lord. The New Girls and Property Brothers they possible 154 00:09:40,880 --> 00:09:45,640 Speaker 1: there In America's Psyche, I watched there's like a new 155 00:09:45,679 --> 00:09:49,480 Speaker 1: Property Brothers show that my aunt recommended to me that 156 00:09:49,720 --> 00:09:53,880 Speaker 1: was called like, it's like the premises that celebrities choose 157 00:09:54,520 --> 00:09:57,360 Speaker 1: their friends who are not as rich as them, and 158 00:09:57,400 --> 00:10:00,440 Speaker 1: the Property Brothers show up and renovate a celebt Bretty's 159 00:10:00,480 --> 00:10:04,520 Speaker 1: friend's house. It's a very it's so tenuous. But I 160 00:10:04,559 --> 00:10:09,199 Speaker 1: watched an episode where it's Viola Davis. Is it something 161 00:10:09,240 --> 00:10:12,120 Speaker 1: like repaying the kindness of the people from their past 162 00:10:12,240 --> 00:10:15,040 Speaker 1: or something? Is is that that? Yeah? But it's like 163 00:10:15,080 --> 00:10:19,480 Speaker 1: their celebrities their friends are mostly fine, like they don't 164 00:10:19,080 --> 00:10:22,600 Speaker 1: but but so they go to Viola Davis's friend like 165 00:10:22,760 --> 00:10:25,520 Speaker 1: college friends house and then they do what the property 166 00:10:25,520 --> 00:10:29,480 Speaker 1: brothers do. They they just like torch the house of 167 00:10:29,600 --> 00:10:33,920 Speaker 1: personality and then it's a blindingly white like hell escape 168 00:10:34,000 --> 00:10:38,760 Speaker 1: and Viola Davis is like, thank you, you're like and 169 00:10:39,000 --> 00:10:48,760 Speaker 1: favor repaid. Yeah, she ruined her college roommates house. You're welcome. 170 00:10:49,440 --> 00:10:51,960 Speaker 1: I would love yeah, I would love. Like the interest segments, 171 00:10:52,040 --> 00:10:55,440 Speaker 1: clearly the friend is like on like hard times and 172 00:10:55,480 --> 00:10:58,680 Speaker 1: it's clear the celebrity friend has no interest in helping 173 00:10:58,720 --> 00:11:02,120 Speaker 1: them at all. It's a very simple way they crossing 174 00:11:02,120 --> 00:11:06,480 Speaker 1: it off a list. This episode was really dark because 175 00:11:06,520 --> 00:11:09,240 Speaker 1: it was like, I guess that her friend's husband had 176 00:11:09,240 --> 00:11:13,480 Speaker 1: passed away, and they added like a record player that 177 00:11:13,600 --> 00:11:16,800 Speaker 1: was built into the wall that had his signature written 178 00:11:16,840 --> 00:11:20,480 Speaker 1: on it, and Viola Davis was like look, and her 179 00:11:20,480 --> 00:11:26,520 Speaker 1: friend was like like so morbid and beard. I don't know. 180 00:11:27,120 --> 00:11:29,439 Speaker 1: I love making that decision for someone that they want 181 00:11:29,480 --> 00:11:34,480 Speaker 1: to stare at their dead spouses signature signature for the 182 00:11:34,559 --> 00:11:37,400 Speaker 1: rest of their life. It's like, no, you don't get 183 00:11:37,440 --> 00:11:42,360 Speaker 1: to move on. I've decided that for you. Built into 184 00:11:42,400 --> 00:11:46,520 Speaker 1: the fucking foundation of this house. This record players now 185 00:11:46,559 --> 00:11:50,800 Speaker 1: built on sadness. I don't worry. We took care of 186 00:11:50,800 --> 00:11:52,680 Speaker 1: that creepy jar for you that was in the way 187 00:11:53,880 --> 00:12:02,559 Speaker 1: his remains. Well, anyways, I would recommend with well we 188 00:12:02,760 --> 00:12:07,760 Speaker 1: replaced them with a cookie jar. That's just young. It 189 00:12:07,800 --> 00:12:13,120 Speaker 1: open it look so why does it play that song? 190 00:12:13,200 --> 00:12:17,360 Speaker 1: When I opened it, we heard that was your favorite 191 00:12:17,360 --> 00:12:20,640 Speaker 1: song with your dead husband turned it like it's so 192 00:12:20,920 --> 00:12:25,760 Speaker 1: every property house Brothers is the same blindingly like white 193 00:12:25,920 --> 00:12:30,600 Speaker 1: crypt It's horror, dude, that's literally my overrated you guys, 194 00:12:30,800 --> 00:12:35,000 Speaker 1: that's my oat. They're stealing it. It's boring celebrity houses 195 00:12:35,080 --> 00:12:41,600 Speaker 1: like Kylie, Kanye, etcetera. Hell yeah, hell yeah, true, it's 196 00:12:41,840 --> 00:12:45,120 Speaker 1: they their houses suck and we're seeing so much more 197 00:12:45,200 --> 00:12:49,080 Speaker 1: of them now because of the quarantine. But yeah, they're 198 00:12:49,120 --> 00:12:52,160 Speaker 1: just all they all look like they could be the 199 00:12:52,200 --> 00:12:57,080 Speaker 1: same house. Yeah. I feel like it's it's a person 200 00:12:57,200 --> 00:13:00,280 Speaker 1: with no tastes idea of what taste is, you know 201 00:13:00,320 --> 00:13:03,200 Speaker 1: what I mean. It's like it's like those people that 202 00:13:03,280 --> 00:13:05,640 Speaker 1: thought Crash was like a really good movie and deserve 203 00:13:05,720 --> 00:13:09,319 Speaker 1: the Oscar. It's like you have to be that kind 204 00:13:09,360 --> 00:13:12,320 Speaker 1: of dumb person to think that that movie is smart 205 00:13:12,400 --> 00:13:14,640 Speaker 1: and it made you feel good that you got it, 206 00:13:14,720 --> 00:13:21,160 Speaker 1: But like it's not as smart designed home crashes for 207 00:13:21,240 --> 00:13:24,440 Speaker 1: upper middle class white people to be like feel feel 208 00:13:24,679 --> 00:13:31,600 Speaker 1: deep for like two seconds, but it was oh man, yeah, god, 209 00:13:31,679 --> 00:13:36,160 Speaker 1: I mean so Sandra Bullock and her housekeeper is her 210 00:13:36,200 --> 00:13:39,160 Speaker 1: best friend? How much did you die during that segment? 211 00:13:40,559 --> 00:13:43,960 Speaker 1: I put the film out of my mind. I bravely 212 00:13:43,960 --> 00:13:47,640 Speaker 1: have not seen it. Oh I saw years later because 213 00:13:47,679 --> 00:13:51,280 Speaker 1: I like, don't watch it now, you'll vomit. It's thest thing. 214 00:13:51,960 --> 00:13:56,240 Speaker 1: It's so bad, like you should have medical supervision watching 215 00:13:56,280 --> 00:13:59,040 Speaker 1: that now, like with our eyes. Now you have to 216 00:13:59,080 --> 00:14:01,360 Speaker 1: see it. I I'm kind of here. I do want 217 00:14:01,360 --> 00:14:03,920 Speaker 1: to see it. You know. The orange couch was the 218 00:14:04,679 --> 00:14:08,200 Speaker 1: like feature of all fun tech offices, Like what is 219 00:14:08,280 --> 00:14:11,800 Speaker 1: the feature of all like modern celebrity homes. I feel 220 00:14:11,840 --> 00:14:15,120 Speaker 1: like there's okay, gotta have thin necked vauses. You can't 221 00:14:15,120 --> 00:14:20,080 Speaker 1: put anything into that are white or gray, um, maybe black, 222 00:14:20,160 --> 00:14:21,720 Speaker 1: but that's like if you're a rebel and it's in 223 00:14:21,720 --> 00:14:24,080 Speaker 1: your like black room, you know what I mean. But 224 00:14:24,120 --> 00:14:28,280 Speaker 1: that probably is the room you'll never bom your gothroom. Yeah, 225 00:14:28,280 --> 00:14:30,680 Speaker 1: I got to have it. And then for sure, I 226 00:14:30,680 --> 00:14:35,040 Speaker 1: would say couches that are white and carpets that are 227 00:14:35,040 --> 00:14:38,320 Speaker 1: white for no reason, and that makes it pretty clear 228 00:14:38,360 --> 00:14:42,080 Speaker 1: that they cannot be living human lives there. Yeah, it 229 00:14:42,200 --> 00:14:45,280 Speaker 1: just has to feel like the most high stress environment 230 00:14:45,360 --> 00:14:48,720 Speaker 1: for someone who has a job. That's what it's like 231 00:14:48,760 --> 00:14:50,680 Speaker 1: being one of those homes. You're like, everything is too 232 00:14:50,680 --> 00:14:52,600 Speaker 1: clean in here. There's no way I could live like this. 233 00:14:52,720 --> 00:14:56,360 Speaker 1: I don't have the time to maintain the whiteness and 234 00:14:56,480 --> 00:14:59,680 Speaker 1: like sanctity of this everything. Like, oh it's fine, you 235 00:14:59,800 --> 00:15:02,720 Speaker 1: just leach everything. I'm like, oh you bleach everything? Yeah, 236 00:15:02,880 --> 00:15:05,600 Speaker 1: staff does like what's going on here? Yeah? I can't. 237 00:15:05,600 --> 00:15:09,480 Speaker 1: Whenever I see that, I feel just I'm gonna dirty everything? Yeah, 238 00:15:09,840 --> 00:15:11,600 Speaker 1: who can? I mean it just yeah. It does seem 239 00:15:11,680 --> 00:15:14,080 Speaker 1: like you're like, oh, I can afford to for this 240 00:15:14,200 --> 00:15:18,960 Speaker 1: to not become dirty. Like yeah, it's like a weird flex. 241 00:15:20,280 --> 00:15:25,280 Speaker 1: You'd rather pay people, uh to clean a house over 242 00:15:25,320 --> 00:15:28,240 Speaker 1: and over and over again then just live in a 243 00:15:28,320 --> 00:15:31,400 Speaker 1: house that looks really nice and cozy that people might 244 00:15:31,480 --> 00:15:34,360 Speaker 1: have to clean a little less. It's really relaxing, though, 245 00:15:34,400 --> 00:15:36,360 Speaker 1: you know, it reminds me of um, we went to 246 00:15:36,480 --> 00:15:39,720 Speaker 1: crete once and this is kind of like what we're replicating. 247 00:15:40,320 --> 00:15:43,760 Speaker 1: I would rather be Britney Spears and burn my home 248 00:15:43,880 --> 00:15:46,880 Speaker 1: gym down. Yeah, blah, blah blah, you know how that 249 00:15:46,960 --> 00:15:54,000 Speaker 1: kind of thing happens. I don't know, YadA, YadA, YadA. 250 00:15:54,160 --> 00:15:57,880 Speaker 1: And then I murdered that whole family and she says 251 00:15:57,880 --> 00:16:00,320 Speaker 1: that she did it six months ago. I of it. 252 00:16:01,960 --> 00:16:06,240 Speaker 1: She's still out of breath explaining. She's just like, I'm 253 00:16:06,280 --> 00:16:09,960 Speaker 1: going to have to address it, but I also like 254 00:16:10,000 --> 00:16:12,680 Speaker 1: the details. She's like, I only have two things to 255 00:16:12,680 --> 00:16:16,800 Speaker 1: work out with now. I'm like, I don't need that detail. 256 00:16:16,960 --> 00:16:20,320 Speaker 1: I need the details of the fire. That was the 257 00:16:20,360 --> 00:16:26,800 Speaker 1: best celebrity news I've heard in months. She's incredible. What 258 00:16:26,920 --> 00:16:30,360 Speaker 1: is something you think is overrated? Sour dough? Starter? Kids? 259 00:16:30,480 --> 00:16:37,640 Speaker 1: Grow up? Enough? Have you? Have you baked a loaf? Though? 260 00:16:37,680 --> 00:16:41,320 Speaker 1: Have you a baked one? If I I'll know that 261 00:16:41,400 --> 00:16:45,200 Speaker 1: I've I've I've I've really gone off, you know, into 262 00:16:45,240 --> 00:16:48,680 Speaker 1: another world. If I even learn what a starter does 263 00:16:49,080 --> 00:16:51,840 Speaker 1: sour dough, If I know what it looks like, I'm 264 00:16:51,880 --> 00:16:54,360 Speaker 1: on the wrong track in my life. I don't want 265 00:16:54,360 --> 00:16:56,160 Speaker 1: to know what it looks like. I don't want to 266 00:16:56,160 --> 00:17:00,240 Speaker 1: know how it works. I don't like seeing, I don't 267 00:17:00,280 --> 00:17:02,160 Speaker 1: want to know. I don't want to eat it. I 268 00:17:02,280 --> 00:17:05,120 Speaker 1: just I got all like worked up about it. Yesterday. 269 00:17:05,160 --> 00:17:07,240 Speaker 1: But yeah, I don't want to know anything about the 270 00:17:07,240 --> 00:17:09,800 Speaker 1: sour dough. I saw Jake Jillen Hall doing it in 271 00:17:09,920 --> 00:17:14,000 Speaker 1: a YouTube clip and it made me upset. Yeah, it's 272 00:17:14,040 --> 00:17:18,520 Speaker 1: weird how like we're even finding quarantine activities that we're 273 00:17:18,640 --> 00:17:23,000 Speaker 1: somehow like relegating to like basicness, where it's like, right now, 274 00:17:23,119 --> 00:17:26,760 Speaker 1: if you're basic, you're making banana bread and sour dough. Okay. 275 00:17:28,000 --> 00:17:30,680 Speaker 1: Everybody's also like everyone just sort of like we're trying 276 00:17:30,680 --> 00:17:33,400 Speaker 1: to do something, but we still like, even though we're 277 00:17:33,440 --> 00:17:35,600 Speaker 1: all in our houses, we're still trying to create like 278 00:17:35,640 --> 00:17:38,560 Speaker 1: a hierarchy of activities still to be like actually bread 279 00:17:40,240 --> 00:17:44,119 Speaker 1: like smoking weed. It's like, also, don't listen to a 280 00:17:44,200 --> 00:17:46,439 Speaker 1: word I say, because I'm like, yeah, I'm doing a 281 00:17:46,480 --> 00:17:52,680 Speaker 1: friendly competition with my stuff. List take that. If I start, 282 00:17:53,160 --> 00:17:55,400 Speaker 1: If I start making food people and can eat, I'm 283 00:17:55,440 --> 00:17:58,639 Speaker 1: on the wrong track. I need to take a look 284 00:17:58,680 --> 00:18:01,720 Speaker 1: of my life. If I haven't three D printed PVC 285 00:18:02,000 --> 00:18:05,679 Speaker 1: armor for my pets, uh, then something's really going wrong. Well, 286 00:18:05,720 --> 00:18:08,920 Speaker 1: I'm less bothered by like bread of people like that 287 00:18:08,960 --> 00:18:12,720 Speaker 1: are like it's like mainly celebrity bread. I don't know 288 00:18:12,800 --> 00:18:16,880 Speaker 1: something about the celebrity bread does celeb bread. I'm just 289 00:18:17,280 --> 00:18:18,919 Speaker 1: it just rubs me the wrong way. I don't know 290 00:18:18,960 --> 00:18:20,639 Speaker 1: what it is. I was talking about it with my 291 00:18:20,720 --> 00:18:23,600 Speaker 1: dad on the phone yesterday and then he he went 292 00:18:23,640 --> 00:18:26,359 Speaker 1: on like a different tangent that also made no sense 293 00:18:26,760 --> 00:18:30,400 Speaker 1: where he was like, well, my father used to deliver 294 00:18:30,920 --> 00:18:33,600 Speaker 1: five hundred loaves of wonder bread a day, and if 295 00:18:33,640 --> 00:18:38,159 Speaker 1: everyone started making their own bread, he'd be screwed. But 296 00:18:38,200 --> 00:18:43,080 Speaker 1: if that's a moot point, because he's dead, there are 297 00:18:43,600 --> 00:18:46,479 Speaker 1: And also, I don't think we're even close to becoming 298 00:18:46,520 --> 00:18:49,560 Speaker 1: a society where people are homemaking their own bread, Like, 299 00:18:49,560 --> 00:18:52,600 Speaker 1: I don't think we've put wonder bread on business, dude. 300 00:18:52,640 --> 00:18:56,760 Speaker 1: America's built on like defanging people and taking away the 301 00:18:56,880 --> 00:19:00,199 Speaker 1: skills that make them less reliant on my consumption. Like 302 00:19:00,280 --> 00:19:03,120 Speaker 1: it's it's built that way. Don't worry, nobody's nobody's gonna 303 00:19:03,119 --> 00:19:04,600 Speaker 1: try and learn how to make white bread all of 304 00:19:04,640 --> 00:19:07,840 Speaker 1: a sudden. But my grandfather ate a loaf of white 305 00:19:07,880 --> 00:19:11,479 Speaker 1: bread a day, No, yeah, in his chair and then 306 00:19:11,560 --> 00:19:13,560 Speaker 1: he died at sixty four. Do you think the two 307 00:19:13,560 --> 00:19:16,920 Speaker 1: could be connected? He would eat Are you serious? He 308 00:19:16,920 --> 00:19:19,280 Speaker 1: would eat an entire loaf of like that was his 309 00:19:19,359 --> 00:19:22,040 Speaker 1: food for the day. That's no, there was other food 310 00:19:22,040 --> 00:19:24,119 Speaker 1: as well. He's a pretty big guy, but there was. 311 00:19:24,560 --> 00:19:27,240 Speaker 1: That's I mean that he died when I was very little, 312 00:19:27,280 --> 00:19:29,560 Speaker 1: but that's like the family lore was that he worked 313 00:19:29,560 --> 00:19:33,080 Speaker 1: for Wonderbread and at the dog track, and at between 314 00:19:33,240 --> 00:19:36,600 Speaker 1: jobs he would eat a loaf of bread and need 315 00:19:36,600 --> 00:19:39,840 Speaker 1: a dog, and then eat a dog after that, greyhound 316 00:19:40,000 --> 00:19:44,040 Speaker 1: and yeah, with a bunch of bedding stubs. Yeah. I 317 00:19:45,000 --> 00:19:48,480 Speaker 1: do wonder if some of the self sufficiency making stuff 318 00:19:48,520 --> 00:19:55,199 Speaker 1: from home is part of America's collective unconscious realizing capitalism. Maybe. 319 00:19:55,400 --> 00:19:57,680 Speaker 1: I don't know. I also was going to say that 320 00:19:57,760 --> 00:20:03,359 Speaker 1: you said that that it's not bad to make food 321 00:20:03,440 --> 00:20:06,159 Speaker 1: people can eat, but if you change the punctuation and 322 00:20:06,200 --> 00:20:11,040 Speaker 1: you're making food people that, right, that gets weird. That's 323 00:20:11,160 --> 00:20:15,600 Speaker 1: that's usually you've been. Yeah, but I think for inside 324 00:20:15,600 --> 00:20:18,520 Speaker 1: too long, I think bread offers people a thing like 325 00:20:18,560 --> 00:20:21,320 Speaker 1: if you're not normally creative, it gives you the same 326 00:20:21,880 --> 00:20:25,719 Speaker 1: satisfaction any creative person has, in that you you're working 327 00:20:25,760 --> 00:20:28,960 Speaker 1: on something and there's an outcome fairly quickly that you 328 00:20:29,000 --> 00:20:32,280 Speaker 1: can assess and it gives you feedback and then you 329 00:20:32,280 --> 00:20:35,320 Speaker 1: can begin iterating, like on your loaf, You're like, Okay, 330 00:20:35,400 --> 00:20:36,880 Speaker 1: so I gotta do this. It's like, I think it's 331 00:20:36,920 --> 00:20:40,520 Speaker 1: just it helps people feel like you're fucking making some ship, 332 00:20:40,600 --> 00:20:42,479 Speaker 1: because i know I've had that urge too. I'm even like, 333 00:20:42,760 --> 00:20:45,159 Speaker 1: give me a lego set or some ship. You're always 334 00:20:45,280 --> 00:20:49,280 Speaker 1: iterating on your loaf. I've always said that, exactly iterating 335 00:20:49,320 --> 00:20:52,920 Speaker 1: on loaves the new EP from Miles Gray. Alright, guys, 336 00:20:53,000 --> 00:20:55,720 Speaker 1: let's take a quick break and we'll be right back. 337 00:21:04,200 --> 00:21:08,800 Speaker 1: And we're back, and speaking of the name, Bernard the 338 00:21:08,880 --> 00:21:13,480 Speaker 1: Musk and Grimes child will probably need to have an 339 00:21:13,520 --> 00:21:17,119 Speaker 1: actual name. It turns out we we still haven't gotten 340 00:21:17,560 --> 00:21:24,160 Speaker 1: a pronunciation of their current name, right, Yeah, I mean 341 00:21:24,359 --> 00:21:26,560 Speaker 1: all we know is X and then the A E 342 00:21:26,920 --> 00:21:29,479 Speaker 1: or the elve. Okay, so as we look at it, 343 00:21:29,480 --> 00:21:34,440 Speaker 1: it's the X, that A E ship, then fucking O 344 00:21:34,880 --> 00:21:38,480 Speaker 1: A A through twelve aid hyphen twelve. That's the name. 345 00:21:38,520 --> 00:21:44,399 Speaker 1: As we read each character like that pronunciation, I'm gonnah 346 00:21:44,480 --> 00:21:46,760 Speaker 1: him with that. Just to make it as absurd as possible. 347 00:21:48,400 --> 00:21:50,159 Speaker 1: Grimes kind of broke it down just so you know 348 00:21:50,160 --> 00:21:52,720 Speaker 1: it's not a bunch of bullshit. Okay, it means a 349 00:21:52,840 --> 00:21:58,359 Speaker 1: lot to me. An Elon ruby pockets. Musk X stands 350 00:21:58,359 --> 00:22:01,320 Speaker 1: for the unknown variable. Well, A E is the Elvin 351 00:22:01,440 --> 00:22:08,400 Speaker 1: spelling of I love and or artificial intelligence. A twelve Chinese. Yeah, 352 00:22:08,640 --> 00:22:13,119 Speaker 1: A twelve equals the precursor to SR seventeen, our favorite aircraft. 353 00:22:13,240 --> 00:22:17,119 Speaker 1: No weapons, no defenses, just speed, great in battle but 354 00:22:17,280 --> 00:22:21,159 Speaker 1: non violent, and a battle but non violent, and A 355 00:22:22,119 --> 00:22:29,360 Speaker 1: and A equals archangel. Uh huh, so shut the funk up? Yeah, 356 00:22:29,400 --> 00:22:32,600 Speaker 1: I mean yeah, But based on that naming convention like that, 357 00:22:32,600 --> 00:22:35,000 Speaker 1: that's just a bunch of ship that they like, that's all. 358 00:22:35,680 --> 00:22:37,840 Speaker 1: It's more of a list than a name, not how 359 00:22:37,960 --> 00:22:41,320 Speaker 1: names work, and it reads that way. According to this 360 00:22:41,440 --> 00:22:44,439 Speaker 1: naming convention, my first child shall be known as I 361 00:22:44,560 --> 00:22:48,240 Speaker 1: D A h H oh three oh four O G okay. 362 00:22:48,600 --> 00:22:52,359 Speaker 1: Now I D A H h from my favorite DMX album, 363 00:22:52,400 --> 00:22:55,119 Speaker 1: It's Dark and Hell's Hot oh three oh four for 364 00:22:55,240 --> 00:22:58,520 Speaker 1: the Arsenal Invincible season of two thousand three, two thousand four, 365 00:22:58,720 --> 00:23:01,520 Speaker 1: and O G my favorite straight of cush okay. So 366 00:23:01,600 --> 00:23:04,560 Speaker 1: that's what my child's name is. Please please leave us alone. 367 00:23:05,760 --> 00:23:08,159 Speaker 1: They're going to get some upset when they go to 368 00:23:08,400 --> 00:23:11,720 Speaker 1: the U Souvenir store and there's no little license plate 369 00:23:11,720 --> 00:23:14,320 Speaker 1: with their name on it. There's no little California license 370 00:23:14,320 --> 00:23:17,399 Speaker 1: plate that says idah three oh four O G miles. 371 00:23:17,440 --> 00:23:19,600 Speaker 1: What would you do that? I would love to leave 372 00:23:19,640 --> 00:23:22,520 Speaker 1: them alone, like I don't want to think about them ever. 373 00:23:22,640 --> 00:23:26,600 Speaker 1: Again they're acting like like leave us alone. It's like, yeah, 374 00:23:26,640 --> 00:23:29,760 Speaker 1: we don't want to talk to you, Like Sora, I'll 375 00:23:29,760 --> 00:23:34,080 Speaker 1: spend all my money, like uh, stocking gift stores at 376 00:23:34,080 --> 00:23:39,560 Speaker 1: amusement parks with the name X A, E A through thirteen. 377 00:23:40,600 --> 00:23:49,919 Speaker 1: So's like, you idiot, we had them all except that one. Huh. 378 00:23:52,280 --> 00:23:54,520 Speaker 1: I like baby Drusk. I think that was a great name, 379 00:23:54,640 --> 00:24:00,000 Speaker 1: Baby Drusk. But according to the law in Los Ange 380 00:24:00,000 --> 00:24:03,720 Speaker 1: Angela or California, presumably presumably that's where the baby was born, 381 00:24:04,040 --> 00:24:06,800 Speaker 1: they can only incorporate like letters from the English alphabet. 382 00:24:06,800 --> 00:24:12,800 Speaker 1: No numbers are special characters. So it's just gonna be X, 383 00:24:13,000 --> 00:24:16,919 Speaker 1: X A A. Why I just, um, you know, if 384 00:24:16,960 --> 00:24:19,480 Speaker 1: you name your kid X anything anything, you're just gonna 385 00:24:19,520 --> 00:24:23,879 Speaker 1: call your kid X. So just name your kid x X. 386 00:24:25,400 --> 00:24:30,120 Speaker 1: Speaking of it's dark dark man X. Yeah. Well that's 387 00:24:30,160 --> 00:24:34,439 Speaker 1: actually uh. And then there then there was X. This 388 00:24:34,520 --> 00:24:37,480 Speaker 1: is like, this is the perfect name. This is the 389 00:24:37,480 --> 00:24:40,679 Speaker 1: perfect name for a for the child of two big nerds, 390 00:24:40,920 --> 00:24:43,800 Speaker 1: because the nerds also think that a list of things 391 00:24:43,840 --> 00:24:51,360 Speaker 1: they like is an identity. Yeah, I'm just yeah, I'm 392 00:24:51,400 --> 00:24:56,600 Speaker 1: so absolutely sick of these losers. There. When I read 393 00:24:56,600 --> 00:25:02,639 Speaker 1: the words our favorite aircraft, I puked aircraft, our favorite aircraft, 394 00:25:02,840 --> 00:25:06,040 Speaker 1: our favorite aircraft. Well that's how I know I'm not 395 00:25:06,160 --> 00:25:08,600 Speaker 1: in love because her Majesty and I don't have a 396 00:25:08,960 --> 00:25:14,560 Speaker 1: shared favorite area. Yeah, you guys are a fake as couple. Yeah, exactly, 397 00:25:15,440 --> 00:25:19,240 Speaker 1: this could have been you, Miles. I'm playing, I'm playing 398 00:25:19,280 --> 00:25:23,399 Speaker 1: with these real names. I'm so exhausted with with with 399 00:25:23,560 --> 00:25:26,480 Speaker 1: this couple. Do you think I like when I like 400 00:25:26,520 --> 00:25:30,640 Speaker 1: that they did a fake reverse etymology of of their 401 00:25:30,720 --> 00:25:35,879 Speaker 1: child's name where it was like a AI is artificial intelligence. 402 00:25:35,920 --> 00:25:38,720 Speaker 1: But then they noticed that it's also like the word 403 00:25:38,800 --> 00:25:43,880 Speaker 1: for love in Chinese, I think, And then they were like, yeah, 404 00:25:43,880 --> 00:25:47,040 Speaker 1: we did that on purpose. That's on breakfast oh Japanese. Yeah, 405 00:25:47,080 --> 00:25:49,000 Speaker 1: so they were like, yeah, we meant we were doing that. 406 00:25:49,040 --> 00:25:54,320 Speaker 1: It's like a double meaning. Yeah, so that's right. But 407 00:25:54,400 --> 00:25:58,040 Speaker 1: like you could look at an actual name and and 408 00:25:58,640 --> 00:26:01,520 Speaker 1: like say all sorts of like ship like and then 409 00:26:01,600 --> 00:26:05,840 Speaker 1: this is the letter in the alphabet and thirteen stands 410 00:26:05,840 --> 00:26:07,960 Speaker 1: for like, you can do that same ship if you 411 00:26:08,000 --> 00:26:11,360 Speaker 1: want to. That's an actual name that you can say 412 00:26:11,400 --> 00:26:14,880 Speaker 1: out loud. You don't need to give your child an 413 00:26:15,000 --> 00:26:18,240 Speaker 1: unpronounceable name. I'm gonna it's just gonna be so annoying, 414 00:26:18,440 --> 00:26:21,240 Speaker 1: like even to them, like very quickly. Yeah, it's like 415 00:26:21,240 --> 00:26:24,360 Speaker 1: this kid will not If this kid likes it, they're 416 00:26:24,400 --> 00:26:29,160 Speaker 1: even worse than their parents. What's gonna happen. They're gonna 417 00:26:29,280 --> 00:26:32,560 Speaker 1: they're gonna try and get that child's name like legally 418 00:26:32,680 --> 00:26:34,440 Speaker 1: changed to that, and they're gonna say no, and they're 419 00:26:34,440 --> 00:26:36,040 Speaker 1: gonna be like, well then funk that we don't want 420 00:26:36,040 --> 00:26:40,800 Speaker 1: a kid. Well that that's um. I do like that. 421 00:26:41,359 --> 00:26:48,520 Speaker 1: Oh my god. The whole thing about oh it is 422 00:26:48,560 --> 00:26:51,159 Speaker 1: should we talk about that? There? We talked about it 423 00:26:51,160 --> 00:26:52,639 Speaker 1: a little bit the other day. I don't think that 424 00:26:52,640 --> 00:26:55,280 Speaker 1: there's any updates other than they're still messy as fuck 425 00:26:55,440 --> 00:26:57,960 Speaker 1: and it's kind of funny. I just like for ukulele 426 00:26:58,119 --> 00:27:02,520 Speaker 1: goths is my favorite term. Kill. Yeah, I think I 427 00:27:02,600 --> 00:27:07,640 Speaker 1: gotta get into that whole aesthetic now. Yeah, my makeup 428 00:27:09,920 --> 00:27:15,000 Speaker 1: circus vaguely circusy stuff, you know, maybe a steam culture 429 00:27:15,160 --> 00:27:21,679 Speaker 1: gone awry. Yeah, yeah, black two twos and like striped tights, 430 00:27:21,720 --> 00:27:24,600 Speaker 1: something about your heart being ripped out of your body 431 00:27:24,720 --> 00:27:28,119 Speaker 1: by by your maryon Nette some hort. There's just going 432 00:27:28,160 --> 00:27:33,679 Speaker 1: to be some relation with puppet metaphors. O. God, Yeah, 433 00:27:33,840 --> 00:27:39,159 Speaker 1: they're dolls, you know, they're just do are dolls? We 434 00:27:39,240 --> 00:27:43,360 Speaker 1: are old dolls are actually we're all dolls, and our 435 00:27:43,400 --> 00:27:48,359 Speaker 1: hearts are pretty What is a myth? What's something people 436 00:27:48,400 --> 00:27:52,200 Speaker 1: think is true you know to be false. Um, I'm 437 00:27:52,200 --> 00:27:53,760 Speaker 1: gonna take it back to what I just said about 438 00:27:53,760 --> 00:27:56,720 Speaker 1: like what audiences want. Right, there's this conventional wisdom in 439 00:27:56,760 --> 00:27:59,960 Speaker 1: Hollywood about a lot of things that is just it's 440 00:28:00,000 --> 00:28:03,440 Speaker 1: all convention and no wisdom. So a few examples, like 441 00:28:03,800 --> 00:28:05,560 Speaker 1: when I was coming up in the film industry, you'd 442 00:28:05,560 --> 00:28:09,680 Speaker 1: be told like, female driven action movies don't work. To 443 00:28:09,720 --> 00:28:12,000 Speaker 1: make a successful female driven action movie, and like I 444 00:28:12,040 --> 00:28:15,399 Speaker 1: remember thinking, like it doesn't really make any sense to me. 445 00:28:16,280 --> 00:28:19,280 Speaker 1: Why wouldn't they, And you'd be told something like, well, 446 00:28:19,320 --> 00:28:22,040 Speaker 1: men won't go see women driven action movies, but like 447 00:28:22,080 --> 00:28:24,000 Speaker 1: women will go see male driven action movies, so you 448 00:28:24,040 --> 00:28:26,560 Speaker 1: should never make a male driven, female driven action movie. 449 00:28:27,080 --> 00:28:29,480 Speaker 1: And it's like, I don't know. Titanic was kind of 450 00:28:29,480 --> 00:28:31,840 Speaker 1: a female driven action movie that did pretty well, like 451 00:28:32,080 --> 00:28:35,480 Speaker 1: all really all of James all of James Cameron's movies 452 00:28:35,480 --> 00:28:38,720 Speaker 1: are sort of fundamentally female driven action movies and he 453 00:28:38,800 --> 00:28:43,760 Speaker 1: has made most of the so so like, that's a 454 00:28:43,760 --> 00:28:46,640 Speaker 1: big one. The other big one that that frustrates me 455 00:28:46,680 --> 00:28:50,120 Speaker 1: personally as a black person is uh, oh, well, you 456 00:28:50,160 --> 00:28:53,240 Speaker 1: can't sell black movies abroad, Like there's an audience in 457 00:28:53,320 --> 00:28:56,640 Speaker 1: the US, but like, you know, people outside of the 458 00:28:56,680 --> 00:28:59,240 Speaker 1: US don't want to see black people on screen. And 459 00:28:59,240 --> 00:29:02,600 Speaker 1: I'm just kinda like only emails. We're shocking the thing 460 00:29:02,640 --> 00:29:04,800 Speaker 1: about the equal as er and equal as er two, 461 00:29:05,360 --> 00:29:07,680 Speaker 1: like black doesn't travel, guys. I I don't want to 462 00:29:07,720 --> 00:29:10,720 Speaker 1: be the one to say it, because Denzel is my 463 00:29:10,720 --> 00:29:13,000 Speaker 1: favorite actor of all time. I was just like, shut 464 00:29:13,040 --> 00:29:16,000 Speaker 1: the fuck up, right, But but the wild part about 465 00:29:16,000 --> 00:29:17,760 Speaker 1: it is when you really think about it, right, Like, Okay, 466 00:29:17,840 --> 00:29:20,400 Speaker 1: let's just say that people believe that for whatever reason, right, 467 00:29:20,480 --> 00:29:22,120 Speaker 1: But then you step back and you're like, okay, so 468 00:29:22,160 --> 00:29:24,800 Speaker 1: wait a minute, you want me to believe that hip 469 00:29:24,800 --> 00:29:28,480 Speaker 1: hop is the most important cultural force worldwide over the 470 00:29:28,560 --> 00:29:31,560 Speaker 1: last forty years. Anywhere you go, you can hear hipop 471 00:29:31,760 --> 00:29:36,040 Speaker 1: literally anywhere. Uh, people root for black athletes on their 472 00:29:36,080 --> 00:29:39,040 Speaker 1: local teams no matter where they are in the world, 473 00:29:39,800 --> 00:29:43,400 Speaker 1: but somehow when it comes to movies, they're not interested. 474 00:29:43,800 --> 00:29:46,720 Speaker 1: But when also Denzel will Smith, all these guys have 475 00:29:46,760 --> 00:29:49,200 Speaker 1: been like crushing it internationally for years, and like even 476 00:29:49,240 --> 00:29:51,920 Speaker 1: coming to America did like three dred million dollars four 477 00:29:52,000 --> 00:29:55,920 Speaker 1: in so like there's this weird sort of racism. And 478 00:29:55,960 --> 00:29:58,640 Speaker 1: then the wildest part about it was so the most 479 00:29:58,680 --> 00:30:01,400 Speaker 1: recent excuse people uses like look, yeah, things are getting 480 00:30:01,400 --> 00:30:03,840 Speaker 1: better like in Europe and elsewhere, but like China is 481 00:30:03,840 --> 00:30:06,920 Speaker 1: a real problem, Like China super racist. Chinese people don't 482 00:30:06,920 --> 00:30:09,560 Speaker 1: want to see black people. And I was in Shanghai 483 00:30:09,760 --> 00:30:11,840 Speaker 1: two years ago and I was walking back to my 484 00:30:11,920 --> 00:30:14,600 Speaker 1: hotel late at night, and right about the hotel there's 485 00:30:14,640 --> 00:30:17,080 Speaker 1: an ad for the new iPhone and it features a 486 00:30:17,160 --> 00:30:20,200 Speaker 1: black model, Like the photo is a black woman. I 487 00:30:20,200 --> 00:30:22,600 Speaker 1: just remember thinking, like, oh, so Apple thinks they can 488 00:30:22,640 --> 00:30:26,120 Speaker 1: sell their products with black faces, but somehow movie people 489 00:30:26,240 --> 00:30:28,800 Speaker 1: don't think they can sell their products with black faces. 490 00:30:28,960 --> 00:30:30,960 Speaker 1: And I realized that it was like this weird double racism. 491 00:30:31,000 --> 00:30:33,040 Speaker 1: It's like it's it's folks in the business who are 492 00:30:33,080 --> 00:30:36,840 Speaker 1: neither black nor Asian saying it's not us that's racist, 493 00:30:37,200 --> 00:30:41,480 Speaker 1: it's them that's racist. And it's like, yes, there's anti 494 00:30:41,520 --> 00:30:44,800 Speaker 1: blackness everywhere, like let's be clear, and it comes from 495 00:30:44,840 --> 00:30:49,320 Speaker 1: at its root white supremacy, but like they're getting that 496 00:30:49,440 --> 00:30:53,080 Speaker 1: from the culture that we export, right, Like there's this 497 00:30:53,160 --> 00:30:55,520 Speaker 1: amazing video of like Man on the Street interviews in 498 00:30:55,600 --> 00:30:57,960 Speaker 1: Korea after Black Panther came out, and that one of 499 00:30:57,960 --> 00:31:00,560 Speaker 1: the interview we uses like, yeah, I mean it was amazing, 500 00:31:00,680 --> 00:31:03,040 Speaker 1: Like we've never seen black people on screen this way. 501 00:31:03,080 --> 00:31:05,480 Speaker 1: They're usually like you know, hip hop stars or criminals, 502 00:31:05,880 --> 00:31:08,840 Speaker 1: and I'm like, they're not seeing that on Korean television 503 00:31:09,000 --> 00:31:11,520 Speaker 1: or like the local news. They're seeing it from other 504 00:31:11,640 --> 00:31:15,040 Speaker 1: Hollywood movies, and that's the assumption that they make about 505 00:31:15,560 --> 00:31:17,800 Speaker 1: about sort of what black people are and sort of 506 00:31:17,840 --> 00:31:20,960 Speaker 1: are limited by. So it's just h yeah, it's again 507 00:31:20,960 --> 00:31:24,560 Speaker 1: it's a frustration. There's like a moral and ethical issue there, 508 00:31:24,960 --> 00:31:27,400 Speaker 1: but I'm also just kind of like I'm trying to 509 00:31:27,440 --> 00:31:30,480 Speaker 1: get this money by making movies, and there's money to 510 00:31:30,600 --> 00:31:33,120 Speaker 1: be had on these movies because people want to see them. 511 00:31:33,200 --> 00:31:35,840 Speaker 1: Like Black Panther didn't make a billion dollars because no 512 00:31:35,840 --> 00:31:39,600 Speaker 1: one wants to see black people in movies, so like 513 00:31:39,680 --> 00:31:41,920 Speaker 1: maybe be less racist and sexist and we can all 514 00:31:41,960 --> 00:31:46,200 Speaker 1: make more money. It seems like a good plan. Yeah, yeah, yeah, 515 00:31:47,160 --> 00:31:50,440 Speaker 1: those like conversations never take into account either like what 516 00:31:50,480 --> 00:31:54,200 Speaker 1: you were just saying of, like how like when you 517 00:31:54,280 --> 00:31:57,000 Speaker 1: do see black characters, or you see women, or you 518 00:31:57,040 --> 00:32:01,800 Speaker 1: see like really anyone on screen poorly and written to 519 00:32:02,080 --> 00:32:05,000 Speaker 1: stereotypes like that is a turn off for a lot 520 00:32:05,000 --> 00:32:06,960 Speaker 1: of viewers. Or they're like, oh, you know, like but 521 00:32:07,000 --> 00:32:10,160 Speaker 1: then when you actually write a character or give a 522 00:32:10,240 --> 00:32:14,760 Speaker 1: writer with some lived experience and not just uh, someone 523 00:32:14,840 --> 00:32:17,400 Speaker 1: that is like whatever, like a white guy who's been 524 00:32:17,400 --> 00:32:21,080 Speaker 1: working in Hollywood for five years, usually it works. And 525 00:32:21,120 --> 00:32:23,080 Speaker 1: if there's like the marketing money put behind it too, 526 00:32:23,080 --> 00:32:25,320 Speaker 1: which is like another thing that just doesn't isn't doesn't 527 00:32:25,320 --> 00:32:27,680 Speaker 1: even come up in those conversations of like well are 528 00:32:27,680 --> 00:32:29,840 Speaker 1: you investing in this movie at all? Or you just 529 00:32:29,880 --> 00:32:34,920 Speaker 1: like dooming it to fail by assuming it couldn't possibly succeed. Yeah, yeah, 530 00:32:34,920 --> 00:32:39,160 Speaker 1: it's wild. I mean the on that question. I've asked 531 00:32:39,200 --> 00:32:41,080 Speaker 1: that question a bunch, like so how much marketing money 532 00:32:41,080 --> 00:32:42,440 Speaker 1: did you up behind it? And they're like, well, we 533 00:32:42,480 --> 00:32:45,120 Speaker 1: didn't because it's not possible to succeed. I'm like, you 534 00:32:45,160 --> 00:32:48,760 Speaker 1: don't you don't see the circuit world logic here, Like, 535 00:32:48,880 --> 00:32:50,960 Speaker 1: I'm not the smartest person in the world, but I'm 536 00:32:50,960 --> 00:32:55,560 Speaker 1: pretty sure that's flawed logic. Yeah, guys, real quick, should 537 00:32:55,560 --> 00:32:58,080 Speaker 1: we talk about the Florida guy who got busted camping 538 00:32:58,280 --> 00:33:00,840 Speaker 1: on It's just in it it really, it's just a 539 00:33:00,920 --> 00:33:06,040 Speaker 1: fun story because this forty a forty two year old man, 540 00:33:06,360 --> 00:33:11,640 Speaker 1: Okay Richard Maguire, he was arrested last week because they 541 00:33:11,680 --> 00:33:16,440 Speaker 1: caught him basically camping on this old disney World island, 542 00:33:16,480 --> 00:33:18,800 Speaker 1: like in the on the property of disney World Discovery 543 00:33:18,840 --> 00:33:21,040 Speaker 1: Island that used to be like a wild animal attraction 544 00:33:21,480 --> 00:33:23,720 Speaker 1: and all this other stuff and people basically there were 545 00:33:23,720 --> 00:33:26,000 Speaker 1: allegations of animal abuse and things like that in the 546 00:33:26,040 --> 00:33:28,600 Speaker 1: park had other developments like Animal Kingdom. They're like, all right, 547 00:33:28,640 --> 00:33:31,880 Speaker 1: we can just shutter this whole eleven acre island. So 548 00:33:31,920 --> 00:33:36,280 Speaker 1: this guy apparently just got like the great idea when 549 00:33:36,280 --> 00:33:38,160 Speaker 1: they found him, he said when he was arrested, he 550 00:33:38,160 --> 00:33:40,600 Speaker 1: told the deputies. He said he had entered the island 551 00:33:40,640 --> 00:33:43,280 Speaker 1: go camping on Monday or Tuesday and planned on staying 552 00:33:43,320 --> 00:33:45,760 Speaker 1: there for about a week, and he was just like 553 00:33:45,920 --> 00:33:47,720 Speaker 1: just said I didn't. I didn't know that, like you 554 00:33:47,720 --> 00:33:49,600 Speaker 1: know what the deal was just looks like a tropical 555 00:33:49,640 --> 00:33:53,200 Speaker 1: paradise because it was like, you know, they put all 556 00:33:53,240 --> 00:33:55,520 Speaker 1: this like flora and fauna there to make it look 557 00:33:55,560 --> 00:33:58,280 Speaker 1: like as tropical as possible because it wasn't attraction now, 558 00:33:58,400 --> 00:34:01,920 Speaker 1: just completely overgrown. And it wasn't until like a couple 559 00:34:01,920 --> 00:34:05,360 Speaker 1: of Disney and plays like spotted him like qualking around 560 00:34:05,400 --> 00:34:07,920 Speaker 1: on the island from like a boat or something. They're like, wait, 561 00:34:07,960 --> 00:34:10,560 Speaker 1: what the funk? I think some guy is camping on 562 00:34:10,600 --> 00:34:14,600 Speaker 1: the property. So they had to use boats fucking uh 563 00:34:14,760 --> 00:34:18,000 Speaker 1: like on foot I think a fucking helicopter at one point, 564 00:34:18,239 --> 00:34:20,640 Speaker 1: and they were like blaring over p a systems like yo, 565 00:34:20,719 --> 00:34:23,680 Speaker 1: come out, like your trespassing, and the guy just came 566 00:34:23,680 --> 00:34:26,400 Speaker 1: out and apparently said sorry, dude, I didn't. He claims 567 00:34:26,520 --> 00:34:29,160 Speaker 1: did not see or hear them due to being asleep 568 00:34:29,160 --> 00:34:32,239 Speaker 1: in one of the buildings on the island. Okay, this 569 00:34:32,360 --> 00:34:36,680 Speaker 1: is great. This is like eminem style lose yourself, one live, 570 00:34:36,800 --> 00:34:40,120 Speaker 1: one opportunity. This opportunity comes once in a lifetime. Okay, 571 00:34:40,120 --> 00:34:41,840 Speaker 1: do you know what's a chance to blow? Right? Probably 572 00:34:41,840 --> 00:34:45,640 Speaker 1: had some moms spaghetti on a shirt. You also say 573 00:34:45,800 --> 00:34:48,560 Speaker 1: the forty two, like that's shocking. But have you seen 574 00:34:48,600 --> 00:34:51,800 Speaker 1: the people who are two into Disney? They're all forty two. 575 00:34:52,200 --> 00:34:56,760 Speaker 1: They're all like the whole Disney YouTube community is forty two. 576 00:34:57,160 --> 00:34:59,960 Speaker 1: That's the thing that happens to wits at the age 577 00:35:00,120 --> 00:35:03,360 Speaker 1: or forty two. We go on a Mormon like journey 578 00:35:03,400 --> 00:35:06,080 Speaker 1: where we must just take a year off to be 579 00:35:06,160 --> 00:35:09,720 Speaker 1: obsessed with Disney. Did you ever go to Discovery Island? 580 00:35:10,000 --> 00:35:12,200 Speaker 1: I've I've never been to a world, so I'm completely 581 00:35:12,239 --> 00:35:16,279 Speaker 1: ignorant of, you know, all of the fantastic things that live. 582 00:35:16,800 --> 00:35:18,799 Speaker 1: I was not aware that exists. I didn't know that 583 00:35:18,800 --> 00:35:21,560 Speaker 1: that was the thing. And I watched those roller coaster 584 00:35:21,640 --> 00:35:25,839 Speaker 1: YouTube channels I saw with your new form of edging. Um. 585 00:35:25,960 --> 00:35:28,919 Speaker 1: Discovery Island was once called Treasure Island. It was open 586 00:35:28,960 --> 00:35:34,680 Speaker 1: in nineteen seventy nine, been closed since ninety nine, and 587 00:35:34,760 --> 00:35:36,880 Speaker 1: like there's a there's been keeping it up enough for 588 00:35:36,920 --> 00:35:39,520 Speaker 1: somebody to camp there. You know, there's a YouTube video 589 00:35:39,800 --> 00:35:43,400 Speaker 1: of a dude who went there recently, like clearly just trespassed, 590 00:35:43,400 --> 00:35:46,440 Speaker 1: like one of those like Urban Explorer type YouTube channels, 591 00:35:46,760 --> 00:35:48,759 Speaker 1: and it full on looks like a place that has 592 00:35:48,800 --> 00:35:53,439 Speaker 1: not been like operating for you know, twenty years. Yeah. Yeah, 593 00:35:54,040 --> 00:35:56,840 Speaker 1: I mean like some of the fixtures are not fully rotten, 594 00:35:56,880 --> 00:36:01,920 Speaker 1: but it's completely like overgrown. Yeah, love it? Good for 595 00:36:02,080 --> 00:36:08,400 Speaker 1: him something to aspire to gang fun. Yeah, looks like 596 00:36:08,520 --> 00:36:13,080 Speaker 1: fun and hopefully you don't get shot while doing it. Sorry, June. 597 00:36:13,120 --> 00:36:15,719 Speaker 1: What is a myth? What's something you know to be 598 00:36:15,840 --> 00:36:19,319 Speaker 1: false that people think is true or vice versa. I know, 599 00:36:20,280 --> 00:36:24,240 Speaker 1: and I have known for some time that UM open 600 00:36:24,280 --> 00:36:30,000 Speaker 1: plan offices are actually really bad. Maybe rocking the boat 601 00:36:30,000 --> 00:36:33,560 Speaker 1: a little bit here with my hot take, but open 602 00:36:33,600 --> 00:36:35,920 Speaker 1: plan offices are the worst fucking thing to happen to 603 00:36:36,000 --> 00:36:40,920 Speaker 1: offices since offices were invented. UM. Open plan offices are 604 00:36:40,960 --> 00:36:44,160 Speaker 1: distracting for everybody. They do not enhance creativity. All they 605 00:36:44,200 --> 00:36:45,919 Speaker 1: do is make it so you're you have to yell 606 00:36:45,960 --> 00:36:48,040 Speaker 1: all the time because everybody is talking and you have 607 00:36:48,040 --> 00:36:51,120 Speaker 1: to yell over them. And now I have been proven 608 00:36:51,239 --> 00:36:55,480 Speaker 1: right by the coronavirus because it turns out that UM 609 00:36:55,520 --> 00:36:58,799 Speaker 1: a lot of companies are trying to redesign their open 610 00:36:58,840 --> 00:37:05,760 Speaker 1: plan offices because plant office is extremely conducive to spreading diseases. Yeah, 611 00:37:05,880 --> 00:37:09,680 Speaker 1: so now places are trying to get like flexible basically 612 00:37:09,719 --> 00:37:13,360 Speaker 1: sneeze guards around every cubicle, you know, raising a half 613 00:37:13,400 --> 00:37:18,720 Speaker 1: wall to a higher wall transparently almost like a room 614 00:37:18,760 --> 00:37:21,520 Speaker 1: but not quite. Here's I like, I don't want to 615 00:37:21,560 --> 00:37:24,640 Speaker 1: like yeah, it's like I don't want to like trigger 616 00:37:24,840 --> 00:37:26,680 Speaker 1: gen X. I know that gen X put a lot 617 00:37:26,680 --> 00:37:30,719 Speaker 1: of effort into hating cubicles, but like I funk with cubicles. 618 00:37:30,800 --> 00:37:32,880 Speaker 1: I've never had a problem with them. I like having 619 00:37:32,920 --> 00:37:36,440 Speaker 1: my own little space and like it's called soundproofing. Also, 620 00:37:36,600 --> 00:37:38,800 Speaker 1: like the point of the cubicle is like you can't 621 00:37:38,840 --> 00:37:42,600 Speaker 1: really hear people that well, right, Like it's because there's 622 00:37:42,600 --> 00:37:45,719 Speaker 1: like natural baffling in the panels of your cubicle. And 623 00:37:45,719 --> 00:37:48,560 Speaker 1: and I mean this is maybe a more but like 624 00:37:48,960 --> 00:37:52,600 Speaker 1: you don't I don't like having a coworker having such 625 00:37:52,640 --> 00:37:54,920 Speaker 1: I don't like knowing what's going on in the tabs 626 00:37:55,000 --> 00:38:00,960 Speaker 1: near me because I'm always gonna look at and then 627 00:38:01,000 --> 00:38:03,239 Speaker 1: they're always looking at you, and then they're always looking 628 00:38:03,280 --> 00:38:04,960 Speaker 1: at your tabs, and no one wants to know what. 629 00:38:05,239 --> 00:38:06,960 Speaker 1: I just want to look at ear rings that I'm 630 00:38:06,960 --> 00:38:10,160 Speaker 1: not going to buy, right, That's the fun thing about 631 00:38:10,239 --> 00:38:16,120 Speaker 1: is like rush me, okay, oh yeah, well, I think 632 00:38:16,160 --> 00:38:19,720 Speaker 1: that's those are all the you know, the the office. 633 00:38:19,800 --> 00:38:21,600 Speaker 1: It was funny because the office used to be like 634 00:38:21,640 --> 00:38:24,040 Speaker 1: the pinnacle of like doing it. You're like, I got 635 00:38:24,040 --> 00:38:25,840 Speaker 1: an office, you know what I mean, Like I have 636 00:38:25,920 --> 00:38:29,279 Speaker 1: my my own door and ship. And then there was 637 00:38:29,280 --> 00:38:30,799 Speaker 1: this like swing where it's like you know, that's like 638 00:38:30,840 --> 00:38:33,680 Speaker 1: for that's like for Grandpa. Like you know, like let's 639 00:38:33,680 --> 00:38:36,080 Speaker 1: just kind of let's make it like kindergarten, but with 640 00:38:36,239 --> 00:38:40,279 Speaker 1: desks and way more stress. What if the kids went 641 00:38:40,360 --> 00:38:46,880 Speaker 1: in the cubbies so if they want just like clear 642 00:38:47,000 --> 00:38:50,160 Speaker 1: sneeze guards so that you're like in a little to 643 00:38:50,239 --> 00:38:55,000 Speaker 1: be able to see each other Jamie screen. See, it 644 00:38:55,040 --> 00:38:57,760 Speaker 1: doesn't solve the tab issues. See, we need o pad guard. 645 00:38:58,120 --> 00:39:01,279 Speaker 1: I'm not I'm not advocating for trans parent tabs. Through 646 00:39:01,320 --> 00:39:05,760 Speaker 1: a sneezeguard is a nightmare that would make you feel 647 00:39:05,760 --> 00:39:07,920 Speaker 1: I think even more of like a prisoner that you 648 00:39:08,040 --> 00:39:10,799 Speaker 1: already dealing with the tab thing and people can see 649 00:39:10,800 --> 00:39:13,719 Speaker 1: into your tab. Now you're in this like plexiglass menagerie. 650 00:39:15,080 --> 00:39:17,680 Speaker 1: Seeing the tabs makes me brings out an ugly side 651 00:39:17,680 --> 00:39:20,400 Speaker 1: of me because then I just like i'd like I 652 00:39:20,920 --> 00:39:24,160 Speaker 1: started texting my friend being like this fucking they're Oh, 653 00:39:24,200 --> 00:39:26,839 Speaker 1: they're just on eBay dot com. And then like, I'm 654 00:39:26,880 --> 00:39:30,200 Speaker 1: also on eBay dot com. But I'm just like, fucking 655 00:39:30,840 --> 00:39:38,520 Speaker 1: this m is checking Twitter, they're looking they're looking for 656 00:39:38,680 --> 00:39:43,160 Speaker 1: Drusilla from Buffy Merch, Like, what the fuck? Why Drusilla? 657 00:39:44,800 --> 00:39:46,480 Speaker 1: I don't want anyone to know what's going on in 658 00:39:46,480 --> 00:39:50,799 Speaker 1: my eBay. Yeah. I think I think your desktop should 659 00:39:50,840 --> 00:39:54,319 Speaker 1: be private. I think it's a man's right to have 660 00:39:54,440 --> 00:39:58,799 Speaker 1: nobody looking at his desktop. That's the Zoom anxiety too, 661 00:39:58,880 --> 00:40:01,520 Speaker 1: of like people are shared in their desktops on Zoom, 662 00:40:01,560 --> 00:40:05,360 Speaker 1: and I like every time, I would never, I would never. 663 00:40:05,920 --> 00:40:07,960 Speaker 1: You're just like every time I get in this situation 664 00:40:08,320 --> 00:40:11,000 Speaker 1: where somebody has to share screens with me, I put 665 00:40:11,040 --> 00:40:13,319 Speaker 1: all of my ship that's on my desktop into a 666 00:40:13,320 --> 00:40:18,200 Speaker 1: new folder and I titled Epstein Theories. So it just 667 00:40:18,200 --> 00:40:21,080 Speaker 1: looks like there's nothing on my desktop. It's totally clean 668 00:40:21,160 --> 00:40:24,719 Speaker 1: except for this one little folder. Make multiple Epstein theory 669 00:40:24,800 --> 00:40:27,440 Speaker 1: V one, Epstein theory v two, Epstein Theories v three, 670 00:40:27,600 --> 00:40:34,600 Speaker 1: v four. In general, in a general sense, people who 671 00:40:34,680 --> 00:40:37,240 Speaker 1: share their screen with you on Zoom have no inner 672 00:40:37,280 --> 00:40:41,200 Speaker 1: life and nothing to fear or a work computer that's 673 00:40:41,200 --> 00:40:44,080 Speaker 1: separate from right. Yeah, the only time I've done a 674 00:40:44,200 --> 00:40:49,080 Speaker 1: screen share is for work. Other times I think, like Zoom, 675 00:40:49,719 --> 00:40:51,600 Speaker 1: it's weird. I don't like to use Zoom all the 676 00:40:51,680 --> 00:40:54,719 Speaker 1: time to like interact. Sometimes I use Google hangouts, like 677 00:40:54,760 --> 00:40:57,799 Speaker 1: with certain friend groups just to feel like it's like 678 00:40:58,200 --> 00:41:00,520 Speaker 1: Zoom has become my home to or it's like, oh 679 00:41:00,560 --> 00:41:03,160 Speaker 1: I can't have my work and my pleasure blur into 680 00:41:03,200 --> 00:41:07,920 Speaker 1: one app. Now, Yeah, you have to delineate somehow between 681 00:41:08,040 --> 00:41:10,359 Speaker 1: things that are the same. Yeah, all right, let's take 682 00:41:10,400 --> 00:41:12,880 Speaker 1: a quick break and we'll come back and talk about 683 00:41:12,880 --> 00:41:24,600 Speaker 1: some bullshit and we're back, guys, Let's talk about Dr 684 00:41:24,719 --> 00:41:28,920 Speaker 1: Fauci real quick. Uh fine, I wanna. I want to 685 00:41:29,000 --> 00:41:34,320 Speaker 1: get everybody's read. So are you asking me if I 686 00:41:34,360 --> 00:41:38,160 Speaker 1: would fun Dr Fauci? Is he I don't think he's hot. 687 00:41:39,160 --> 00:41:41,359 Speaker 1: I don't think anybody really thinks he's hot. I think 688 00:41:41,400 --> 00:41:46,000 Speaker 1: everybody because everyone you know really projecting onto Dr Fauci. 689 00:41:46,880 --> 00:41:49,000 Speaker 1: Just because somebody is saving your life doesn't mean that 690 00:41:49,080 --> 00:41:52,440 Speaker 1: you need to want to funk them. Well for yourself, 691 00:41:52,560 --> 00:41:56,120 Speaker 1: speak for yourself. Yeah. So, there are three Maryland based 692 00:41:56,160 --> 00:42:01,279 Speaker 1: microbiologists who created a group chat to uh and this 693 00:42:01,320 --> 00:42:06,080 Speaker 1: is a quote gush over Faulci in private, and then 694 00:42:06,160 --> 00:42:12,399 Speaker 1: they created like a twitter. Um. And first of all, 695 00:42:12,719 --> 00:42:18,120 Speaker 1: is the phrase gush over? Is that like I've used 696 00:42:18,200 --> 00:42:20,439 Speaker 1: that phrase since I was a kid to be like, oh, 697 00:42:20,480 --> 00:42:23,600 Speaker 1: they're really gushing over that thing. Does that just mean 698 00:42:24,200 --> 00:42:26,359 Speaker 1: does that come from the idea that people are like 699 00:42:26,520 --> 00:42:33,360 Speaker 1: coming about a thing? No, No, that would be horrible. However, 700 00:42:33,440 --> 00:42:36,319 Speaker 1: I will say I think of yeah, like gush over 701 00:42:36,480 --> 00:42:39,520 Speaker 1: is like when you talk about someone a lot um 702 00:42:39,560 --> 00:42:43,160 Speaker 1: but and yeah and old but an old fashioned thing 703 00:42:43,160 --> 00:42:46,640 Speaker 1: to do is when somebody um kind of like exclaims 704 00:42:46,960 --> 00:42:50,200 Speaker 1: to call it ejaculating um. And I used to like 705 00:42:50,320 --> 00:42:52,040 Speaker 1: as a kid, I would read a lot of like 706 00:42:52,120 --> 00:42:54,400 Speaker 1: kind of like turn of the century like kids books, 707 00:42:54,400 --> 00:42:58,000 Speaker 1: and and when somebody like exclaimed something, they would say like, wow, 708 00:42:58,120 --> 00:43:02,200 Speaker 1: he ejaculated um is And I never thought. I didn't 709 00:43:02,239 --> 00:43:05,640 Speaker 1: know that it meant anything else. And my mom, at 710 00:43:05,640 --> 00:43:07,200 Speaker 1: one point, I think, saw it in one of my 711 00:43:07,239 --> 00:43:10,040 Speaker 1: books and she was like Sneakley was like, sorry, what 712 00:43:10,120 --> 00:43:13,399 Speaker 1: does ejaculating mean? And I was like, it means when 713 00:43:13,400 --> 00:43:19,360 Speaker 1: somebody's like talking loud, and she was like, okay, us, 714 00:43:20,040 --> 00:43:29,359 Speaker 1: whoa what are those fucking box car, children getting up 715 00:43:29,400 --> 00:43:34,640 Speaker 1: to there were there like words when you were a 716 00:43:34,760 --> 00:43:36,680 Speaker 1: kid that you just like straight up you just for 717 00:43:36,760 --> 00:43:39,800 Speaker 1: a very long time. Just we're using it totally wrong. 718 00:43:40,600 --> 00:43:43,440 Speaker 1: There is I didn't know what I thought pedophile meant 719 00:43:43,520 --> 00:43:48,840 Speaker 1: bad teacher because of an episode, because of an episode 720 00:43:48,880 --> 00:43:53,320 Speaker 1: of Degrassi that I saw. Wait, one episode of Degrassi, 721 00:43:53,760 --> 00:43:56,320 Speaker 1: there was a teacher. There was some episode where Emma 722 00:43:56,400 --> 00:44:00,160 Speaker 1: on Degrassi goes like more like Mr Pedophile, and me 723 00:44:00,200 --> 00:44:03,880 Speaker 1: and my cousin called another teacher Mr pedophile because we 724 00:44:03,920 --> 00:44:06,120 Speaker 1: thought that that meant like he's just a shitty teacher, 725 00:44:06,640 --> 00:44:12,520 Speaker 1: and we got in trouble at camp. Uh. Mr Flanagan 726 00:44:12,600 --> 00:44:14,720 Speaker 1: was not a pedophile. He was simply a bad teacher. 727 00:44:17,080 --> 00:44:19,560 Speaker 1: I remember reading on the internet as a child that 728 00:44:19,640 --> 00:44:22,439 Speaker 1: a pig's orgasm lasts for thirty minutes. And I didn't 729 00:44:22,480 --> 00:44:24,960 Speaker 1: know what orgasm was, but I kind of vaguely knew 730 00:44:25,000 --> 00:44:28,120 Speaker 1: that it was bad, and so I asked my mom 731 00:44:28,160 --> 00:44:34,640 Speaker 1: what it meant, and she wouldn't tell me. Whoa that is? 732 00:44:34,680 --> 00:44:36,960 Speaker 1: Like you're super going to find out and get bad info. 733 00:44:37,320 --> 00:44:39,840 Speaker 1: But that's the weird thing, is like I don't I 734 00:44:39,880 --> 00:44:41,920 Speaker 1: don't know if I did, I could have just googled 735 00:44:41,960 --> 00:44:44,120 Speaker 1: what is an orgasm? But I didn't. I guess I 736 00:44:44,160 --> 00:44:46,200 Speaker 1: didn't really think of the it was. It was at 737 00:44:46,200 --> 00:44:48,160 Speaker 1: a time where I thought of the Internet as a 738 00:44:48,239 --> 00:44:50,040 Speaker 1: very different place, not just a place where you could 739 00:44:50,040 --> 00:44:52,600 Speaker 1: type in a question and get an answer, but one 740 00:44:52,640 --> 00:44:55,040 Speaker 1: where you had to go to like a Yahoo Music 741 00:44:55,040 --> 00:44:57,480 Speaker 1: page in order to watch your favorite music videos on 742 00:44:57,560 --> 00:45:02,680 Speaker 1: their weird flashes simpler time. Yeah, well, guys, Dr Fauci 743 00:45:02,800 --> 00:45:07,320 Speaker 1: has been giving people thirty minute long pig orgasms for 744 00:45:07,320 --> 00:45:11,120 Speaker 1: for a long time, uh since a There was a 745 00:45:12,480 --> 00:45:16,400 Speaker 1: romance novel by a writer named Sally Quinn, and according 746 00:45:16,440 --> 00:45:19,279 Speaker 1: to Quinn, she was seated next to Fauci at a 747 00:45:19,400 --> 00:45:23,359 Speaker 1: d C dinner event and like fell in love with him. 748 00:45:23,440 --> 00:45:27,720 Speaker 1: He was like so charming and she saw what these 749 00:45:28,080 --> 00:45:33,600 Speaker 1: three microbiologists who created the Fauci fan club I saw 750 00:45:33,760 --> 00:45:38,640 Speaker 1: because she then made him the hero of her novel, 751 00:45:39,440 --> 00:45:43,160 Speaker 1: which was I think a big success. It was called 752 00:45:43,200 --> 00:45:49,280 Speaker 1: Happy Endings, And yeah, she was like a subject matters weird, Yeah, 753 00:45:49,320 --> 00:45:53,239 Speaker 1: so the subject matter. So he before he was our 754 00:45:53,320 --> 00:45:57,719 Speaker 1: guy who was just you know, having to endure the 755 00:45:58,120 --> 00:46:01,600 Speaker 1: bullshit of the Trump administration during this pandemic. He was 756 00:46:02,040 --> 00:46:04,200 Speaker 1: the guy who was having to endure the bullshit of 757 00:46:04,239 --> 00:46:08,680 Speaker 1: the Reagan administration during the AIDS crisis. Um. He like 758 00:46:08,920 --> 00:46:15,680 Speaker 1: abandoned his career to study HIV AIDS in one because 759 00:46:15,680 --> 00:46:18,759 Speaker 1: he just like had an intuition that this was going 760 00:46:18,840 --> 00:46:22,359 Speaker 1: to get out of control. Um. And he was like 761 00:46:22,480 --> 00:46:26,480 Speaker 1: the main kind of person for HIV AIDS in the 762 00:46:26,520 --> 00:46:31,399 Speaker 1: Reagan administration. But because the Reagan administration was so backwards 763 00:46:31,440 --> 00:46:37,440 Speaker 1: and conservative and homophobic, they like he became kind of 764 00:46:37,480 --> 00:46:43,440 Speaker 1: associated with a really like shitty HIV uh policy and 765 00:46:43,480 --> 00:46:46,880 Speaker 1: became there were like chants outside of the White House 766 00:46:46,920 --> 00:46:51,000 Speaker 1: of fuck you fauci um. But then he like won 767 00:46:51,040 --> 00:46:54,520 Speaker 1: the protesters over by just being who he is, like 768 00:46:54,640 --> 00:46:59,800 Speaker 1: a kind of listening to them and caring about human life. Yeah, 769 00:47:00,320 --> 00:47:04,239 Speaker 1: that's wild searing about him. But the story of the 770 00:47:05,360 --> 00:47:11,120 Speaker 1: of the novel is that he is like the czar 771 00:47:11,480 --> 00:47:17,279 Speaker 1: of HIV AIDS and is treating the President who secretly 772 00:47:17,360 --> 00:47:23,200 Speaker 1: has AIDS while having an affair with the former first Lady, 773 00:47:25,000 --> 00:47:32,799 Speaker 1: and the scientist is having an affair with the president. Gotcha, Yeah, Um, 774 00:47:33,280 --> 00:47:37,440 Speaker 1: I don't know. It's it's pretty uh pretty steamy stuff. 775 00:47:38,480 --> 00:47:41,000 Speaker 1: It's so funny. How like in the thing. It was 776 00:47:41,120 --> 00:47:44,880 Speaker 1: like there there were some pretty interesting like j M 777 00:47:44,920 --> 00:47:46,800 Speaker 1: who wrote The Feast, like had some excerpts with some 778 00:47:46,880 --> 00:47:50,400 Speaker 1: of the reviews that we're pretty seemed pretty scathing, but 779 00:47:50,600 --> 00:47:54,600 Speaker 1: also like the hearing about just the dynamic of the doctor. 780 00:47:54,680 --> 00:47:57,440 Speaker 1: It's like he resisted because he was married and Jewish 781 00:47:57,600 --> 00:48:06,000 Speaker 1: and she is neither what okay? And then the character 782 00:48:06,360 --> 00:48:08,400 Speaker 1: would say lines like you are like a tumor in 783 00:48:08,520 --> 00:48:11,600 Speaker 1: my brain which is getting larger and larger each day. 784 00:48:14,400 --> 00:48:19,520 Speaker 1: See why he was seen as irresistible. I want to 785 00:48:19,600 --> 00:48:22,880 Speaker 1: know why is the New York Times reviewing this romance novel? 786 00:48:24,520 --> 00:48:26,880 Speaker 1: I think because the woman because she used to right 787 00:48:26,920 --> 00:48:29,480 Speaker 1: for the Washington Post. Author Sally Quinn was like a 788 00:48:30,000 --> 00:48:34,759 Speaker 1: respected Washington Post journalist. That's funny. And then she wrote, 789 00:48:37,160 --> 00:48:40,280 Speaker 1: you know, I'm like, I'm I'm not you know, people 790 00:48:40,400 --> 00:48:44,040 Speaker 1: are writing fan fic in in Quarantine. I mean, who 791 00:48:44,239 --> 00:48:50,600 Speaker 1: who are we? Right? For a long time, it's very 792 00:48:50,640 --> 00:48:53,000 Speaker 1: funny to me that, um that the New York Times 793 00:48:53,280 --> 00:48:55,239 Speaker 1: has this like like this is from the New York 794 00:48:55,280 --> 00:48:57,359 Speaker 1: Times review of the book when it came out. Um, 795 00:48:58,160 --> 00:49:00,440 Speaker 1: you know, um, all the characters are made from the 796 00:49:00,440 --> 00:49:03,600 Speaker 1: stuff of yesterday's Hollywood. Allison and Sadie are so interchangeably 797 00:49:03,600 --> 00:49:06,240 Speaker 1: gorgeous and accomplished, and their men, Des and Michael Lanzer 798 00:49:06,560 --> 00:49:08,800 Speaker 1: are so charismatic and macho that they seemed to speak 799 00:49:08,840 --> 00:49:10,560 Speaker 1: with a single voice. I'm like, yeah, have you never 800 00:49:10,640 --> 00:49:13,520 Speaker 1: read a fucking romance novel? They're all the same, Like, 801 00:49:13,640 --> 00:49:18,120 Speaker 1: why are you complaining? Oh? I mean that way to 802 00:49:18,280 --> 00:49:23,160 Speaker 1: legitimize this? Uh this art? Yeah, there was as it's 803 00:49:23,200 --> 00:49:25,800 Speaker 1: great art. There was the thing, what is there's a 804 00:49:25,960 --> 00:49:29,200 Speaker 1: line about like one of the reviewers was pointing to 805 00:49:29,280 --> 00:49:32,359 Speaker 1: an interview she gave in the seventies. Uh, it says, 806 00:49:32,400 --> 00:49:35,759 Speaker 1: by reputation, did you read that part? Not about how 807 00:49:36,160 --> 00:49:39,839 Speaker 1: Quinn is quinn is flippancy incarnate on paper? Such rep 808 00:49:39,880 --> 00:49:43,719 Speaker 1: partake and look art can look arch and contrived with wit, 809 00:49:44,000 --> 00:49:46,759 Speaker 1: as with charm, you usually had to be there. And 810 00:49:46,840 --> 00:49:48,920 Speaker 1: then they go on about some of these uh like 811 00:49:49,080 --> 00:49:51,200 Speaker 1: sex scenes and and then they say this from someone 812 00:49:51,280 --> 00:49:54,480 Speaker 1: who once answered the handwringing of other women journalists with 813 00:49:55,000 --> 00:49:57,800 Speaker 1: being blonde doesn't hurt. And that was something that apparently 814 00:49:57,840 --> 00:49:59,839 Speaker 1: I was like looking into that. In the seventies people 815 00:49:59,840 --> 00:50:02,360 Speaker 1: were asking, like, you know, about being a journalist, and 816 00:50:02,480 --> 00:50:04,080 Speaker 1: she was like you know, you can take advantage of 817 00:50:04,160 --> 00:50:07,000 Speaker 1: like a situation. Maybe they're more comfortable with you, maybe 818 00:50:07,040 --> 00:50:10,200 Speaker 1: there's flirtation, insinuation. And then like said, and also being 819 00:50:10,239 --> 00:50:12,399 Speaker 1: blond doesn't hurt. And apparently a lot of the women 820 00:50:12,560 --> 00:50:15,120 Speaker 1: were like there at this talk, We're like that's like 821 00:50:15,280 --> 00:50:17,600 Speaker 1: the most backwards thing, like we're all here trying to 822 00:50:17,880 --> 00:50:20,239 Speaker 1: learn some ship and that was the answer you gave. 823 00:50:20,640 --> 00:50:23,160 Speaker 1: So it's interesting to see that, Like that quote I 824 00:50:23,400 --> 00:50:26,000 Speaker 1: guess must have been infamous because that was eighteen years 825 00:50:26,080 --> 00:50:28,279 Speaker 1: before the book came out. Yeah, I think this is 826 00:50:28,320 --> 00:50:30,279 Speaker 1: a big deal. This book was a big deal at 827 00:50:30,320 --> 00:50:33,839 Speaker 1: the time. M I see, that makes sense, and it's 828 00:50:33,840 --> 00:50:35,880 Speaker 1: also makes it so much funnier that it was so 829 00:50:36,120 --> 00:50:42,120 Speaker 1: viciously panned. Is this is something really hot? Tea right now? 830 00:50:42,440 --> 00:50:46,680 Speaker 1: This is But here's the thing, Like, clearly Fauci's got 831 00:50:46,760 --> 00:50:51,760 Speaker 1: the cavorca for a certain type of personnelity, Like there's 832 00:50:51,840 --> 00:50:53,880 Speaker 1: I mean there, I don't know what That's what I'm 833 00:50:53,880 --> 00:50:55,440 Speaker 1: trying to figure out. What is it? Purely? Is it 834 00:50:55,560 --> 00:50:57,800 Speaker 1: the hope that he offers, And that's what it is. 835 00:50:57,880 --> 00:51:03,279 Speaker 1: The juxtaposition of this absolute ignoramus in chief and then 836 00:51:03,600 --> 00:51:06,440 Speaker 1: like someone a learned person just next to it, and 837 00:51:06,520 --> 00:51:09,400 Speaker 1: it's like, that's so fucking hot right now. Yeah, I 838 00:51:09,480 --> 00:51:12,359 Speaker 1: think so, especially because like it's the same thing that's 839 00:51:12,360 --> 00:51:14,960 Speaker 1: happening with Cuomo is people are like, Wow, I love Cuomo. 840 00:51:15,000 --> 00:51:16,800 Speaker 1: He's so amazing, and it's like he's actually doing a 841 00:51:16,840 --> 00:51:19,400 Speaker 1: really bad job, but he's still doing way better than Trump, 842 00:51:19,600 --> 00:51:24,080 Speaker 1: So you know, people people think he's it's like, wow, 843 00:51:24,160 --> 00:51:26,520 Speaker 1: he's so reassuring right now. It's like, yeah, compared to Trump, 844 00:51:26,680 --> 00:51:29,640 Speaker 1: the like man with dementia who doesn't give a funk 845 00:51:29,640 --> 00:51:32,680 Speaker 1: about anyone else or like can't conceptualize who he is 846 00:51:32,800 --> 00:51:35,719 Speaker 1: or what he's doing, Like, yeah, anybody looks hot next 847 00:51:35,760 --> 00:51:38,799 Speaker 1: to him. It's like, you know, you bring you bring 848 00:51:38,880 --> 00:51:41,640 Speaker 1: someone who looks worse than you to the bar to 849 00:51:41,760 --> 00:51:45,800 Speaker 1: make you look good. That's basic science, guys. So Fauci 850 00:51:45,920 --> 00:51:48,680 Speaker 1: on Tinder, it's him and Trump in his profile. Yeah, 851 00:51:49,080 --> 00:51:51,600 Speaker 1: it's him next to Trump, and he's he's he's pointing 852 00:51:51,640 --> 00:51:53,759 Speaker 1: at Trump, like can you fucking believe this guy? And 853 00:51:53,800 --> 00:51:56,200 Speaker 1: you're like, oh my god, Like the photo is of me, 854 00:51:56,520 --> 00:52:00,239 Speaker 1: you are looking for me, swiping for me. There's also 855 00:52:00,520 --> 00:52:02,800 Speaker 1: the thing of like on paper, he is really like 856 00:52:03,239 --> 00:52:06,560 Speaker 1: the perfect romance novel lead. He's a doctor. Um, he 857 00:52:06,640 --> 00:52:09,000 Speaker 1: seems to like give a shit about people. You know, 858 00:52:09,120 --> 00:52:12,919 Speaker 1: he's very smart and you know by by Quinn's uh yeah, 859 00:52:12,960 --> 00:52:15,640 Speaker 1: he's athletic. He's like, um, the guy who's the star 860 00:52:15,760 --> 00:52:18,560 Speaker 1: of the Doctor Robert Langdon, the star of the fucking 861 00:52:18,640 --> 00:52:22,239 Speaker 1: Da Vinci Code, and and you know Dan Brown books, Yeah, 862 00:52:24,040 --> 00:52:29,880 Speaker 1: expert that guy. Yeah, he's like a puzzle expert. But 863 00:52:29,960 --> 00:52:32,960 Speaker 1: he's also like a swimmer and um, actually his students 864 00:52:33,000 --> 00:52:37,440 Speaker 1: call him the dolphin because he's always swimming. Laughs. This 865 00:52:37,640 --> 00:52:45,200 Speaker 1: is Cannon, This is the Origins book is really good, Yeah, 866 00:52:45,400 --> 00:52:48,160 Speaker 1: because they really go into like, wow, he's like all 867 00:52:48,280 --> 00:52:50,719 Speaker 1: his girls students have crushes on him. And I'm like okay, yeah, 868 00:52:50,760 --> 00:52:54,239 Speaker 1: it's like you could cast Fauci as this right. Yeah. 869 00:52:54,800 --> 00:52:57,840 Speaker 1: They're like his core. The shape of his core reminded 870 00:52:58,239 --> 00:53:03,560 Speaker 1: us of a Roman statue. It's like, yeah, Jamie, what, Jamie? 871 00:53:03,640 --> 00:53:05,680 Speaker 1: What is a myth? Let's something people think it is true, 872 00:53:05,719 --> 00:53:08,279 Speaker 1: you know to be false. Okay, So this is also 873 00:53:08,360 --> 00:53:11,400 Speaker 1: a food related thing. A myth is that if you 874 00:53:11,800 --> 00:53:16,000 Speaker 1: make the food smaller on purpose, you'll eat less of 875 00:53:16,040 --> 00:53:20,839 Speaker 1: the food. I've been experimenting with this. We've we've been 876 00:53:20,920 --> 00:53:24,080 Speaker 1: experimenting with this in the home where so my boyfriend 877 00:53:24,120 --> 00:53:29,800 Speaker 1: has been making cookies like like basic, you know, nothing wild, 878 00:53:30,040 --> 00:53:33,440 Speaker 1: but just cookies. And then we had a brilliant idea 879 00:53:33,600 --> 00:53:35,680 Speaker 1: while we were trying to stop our animals from shipping 880 00:53:35,719 --> 00:53:39,200 Speaker 1: on our stuff. We're like, what, maybe we'd eat less 881 00:53:39,239 --> 00:53:43,480 Speaker 1: cookies if we made the cookies really small. And then 882 00:53:43,520 --> 00:53:45,640 Speaker 1: it turns out you just eat the same amount of 883 00:53:45,680 --> 00:53:48,200 Speaker 1: cookies and you feel worse because you feel like you 884 00:53:48,520 --> 00:53:53,200 Speaker 1: ate twelve. Yeah, turns out our stomachs just don't resolve 885 00:53:53,239 --> 00:53:59,000 Speaker 1: to numerical values. Had three teeny ones stomach hello, feel 886 00:53:59,080 --> 00:54:01,279 Speaker 1: like it's six. I really, I really went into it 887 00:54:01,360 --> 00:54:04,560 Speaker 1: with some polypocket logic of like this is just as 888 00:54:04,600 --> 00:54:07,440 Speaker 1: good as a regular doll, but it's very small, but 889 00:54:07,520 --> 00:54:09,560 Speaker 1: you get the same amount of joy from it. I 890 00:54:09,640 --> 00:54:12,040 Speaker 1: tried to apply that logic to cookies and it didn't work. 891 00:54:12,280 --> 00:54:14,719 Speaker 1: Have you tried anything else or cookies? You're one and done? 892 00:54:14,760 --> 00:54:17,680 Speaker 1: You're like, all, I tried it, don't eat We're done there. Well, 893 00:54:17,880 --> 00:54:20,279 Speaker 1: the well, the nice thing about the cookie, the small 894 00:54:20,320 --> 00:54:22,560 Speaker 1: cookies is that that they're fun and I like them. 895 00:54:22,640 --> 00:54:24,839 Speaker 1: So we're gonna keep them small. But we're not going 896 00:54:24,880 --> 00:54:28,040 Speaker 1: to try to regulate what do we amount like quarter size? 897 00:54:28,080 --> 00:54:30,560 Speaker 1: What do we tell like a little famous amos? I'll 898 00:54:30,600 --> 00:54:33,160 Speaker 1: grab one d in the break. They're pretty they're pretty small. 899 00:54:33,320 --> 00:54:37,560 Speaker 1: Some of the cookie crisps or quite that small. I 900 00:54:37,600 --> 00:54:43,320 Speaker 1: would say about about not longer than the thumb small cookies. 901 00:54:44,080 --> 00:54:48,600 Speaker 1: And you're taking these from like the prefab cookie dough 902 00:54:48,680 --> 00:54:51,080 Speaker 1: that you buy the store and just like cutting making 903 00:54:51,160 --> 00:54:54,880 Speaker 1: it into a little smaller. Yeah, make a little little 904 00:54:54,920 --> 00:54:58,960 Speaker 1: tiny cookies. Put them in the cookie jar. Sea How 905 00:54:59,000 --> 00:55:02,719 Speaker 1: long they last? Yeah? Do they quick? Quicker? Did they 906 00:55:02,760 --> 00:55:07,120 Speaker 1: bake fast? Well? That's yeah. That's another problem is you 907 00:55:07,239 --> 00:55:12,600 Speaker 1: can get a lot of cookies much faster. You said 908 00:55:12,680 --> 00:55:18,680 Speaker 1: that with such glee. Good the thing you need to know. 909 00:55:20,840 --> 00:55:25,439 Speaker 1: All right, that's gonna do it for this week's weekly Zeite. Guys, 910 00:55:25,640 --> 00:55:29,399 Speaker 1: please like and review the show. If you like the show, 911 00:55:30,040 --> 00:55:34,400 Speaker 1: uh means the world to Miles. He needs your validation, folks. 912 00:55:35,000 --> 00:55:38,080 Speaker 1: I hope you're having a great weekend and I will 913 00:55:38,120 --> 00:55:39,440 Speaker 1: talk to him Monday. By