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Speaker 1: Hey there, I'm Norah Jones and today I'm playing along

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Speaker 1: with Margo Price. I'm just playing.

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Speaker 2: Long Weuy, I'm just playing lone Weezy.

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Speaker 1: Hi, welcome to the show. This is playing along and

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Speaker 1: I'm your host, Norah Jones. With me as always is

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Speaker 1: Sarah Oda. Thank you for hello having me. Hello, Welcome,

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Speaker 1: We're at all.

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Speaker 3: Welcome back, We're back, We're back.

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Speaker 1: This is our doubleheader first week. It is a doubleheader

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Speaker 1: new episodes. We also have an episode out this week

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Speaker 1: with Black Pumas, and we decided to make it a

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Speaker 1: two fur and we're also doing this amazing episode with Margo.

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Speaker 4: Price, our guest today, Margo Price.

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Speaker 5: She's one of the boldest, most honest voices out there

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Speaker 5: in the modern country world.

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Speaker 4: She is Grammy nominated. She's a total powerhouse.

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Speaker 5: Her debut album, West Farmer's Daughter came out in twenty sixteen,

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Speaker 5: and now she has a total of five albums out,

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Speaker 5: including her latest project called Hard Headed Woman, which.

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Speaker 4: Just came out this past August. And you might hear

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Speaker 4: some music from that later.

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Speaker 1: You will hear some music from that later. I'm teasing it.

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Speaker 1: Oh sorry, I'm like, what, that's what we're here for.

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Speaker 1: Is to play music and hang out and talk and

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Speaker 1: she's just so fun. We had such a good time.

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Speaker 5: Yeah, you guys talk about some of her inspirations, sort

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Speaker 5: of how she got her start in music, the vastness

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Speaker 5: of country music and how it's evolved over time. You're

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Speaker 5: going to learn about her signature guitar and lots of

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Speaker 5: good music as always.

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Speaker 1: Yeah, please enjoy. We have so much fun doing this

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Speaker 1: episode and I think you're gonna love it. Enjoy the

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Speaker 1: episode with Margo Price. This episode is also available as

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Speaker 1: video on YouTube. You can visit Nora Jones channel and

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Speaker 1: be sure to subscribe while you're there. There is some

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Speaker 1: spicy language in this episode, so listener discretion is advised.

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Speaker 1: It's not that bad, but just so you know it's there.

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Speaker 6: It's gonna get my boot going. We have a little

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Speaker 6: boot on the recording. We'll see if I can stand

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Speaker 6: in time with myself.

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Speaker 1: I like your boots.

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Speaker 7: Thank you.

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Speaker 8: Nowhere Ese where.

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Speaker 2: I come from, Where nothing grums but the debut in

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Speaker 2: the Dry Rivers, Run.

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Speaker 8: In the Dry Rivers Run Nowhere Somewhere nineteen ninety time.

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Speaker 9: House Speeding down the Gravel.

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Speaker 8: Road has the Merse County.

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Speaker 10: By has the mers County line.

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Speaker 6: On your way down Wall.

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Speaker 8: She paid me up.

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Speaker 7: If there's.

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Speaker 8: Room enough, you've.

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Speaker 2: Got gas in the truck.

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Speaker 11: If you're going over, I could use a ride.

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Speaker 12: Mm hmmm, boy, the hellas south they dry nowhere to slay.

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Speaker 8: Thoughts, go no.

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Speaker 2: Between the combine clouds and the waves down the miles

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Speaker 2: and miles of.

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Speaker 13: Course, and the miles and miles of course, on your

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Speaker 13: way down, won't you pay me?

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Speaker 7: If there's.

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Speaker 2: Room enough and you've got guys in the truck. If

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Speaker 2: you go in no over, I could use a rise.

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Speaker 8: With the headlinds of it. Turn the radio. We'll be

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Speaker 8: good as gone when the sun comes up.

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Speaker 13: Tell her way stops till Louis's call Hanny antin.

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Speaker 8: Russ tail, The pavement burns, he.

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Speaker 3: Some mol turns, and soon blaze glory.

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Speaker 8: Come no locress plant.

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Speaker 3: A singer read, rewrite the story.

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Speaker 8: On your way down? Won't you pay.

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Speaker 7: Up?

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Speaker 8: If there's.

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Speaker 2: Ruin h you've got guys in the trouble, if you're.

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Speaker 9: Going over, can use all right for the head struck.

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Speaker 7: M h.

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Speaker 6: Nice, sounded so good.

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Speaker 1: It was great, such a great song.

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Speaker 6: Thank you.

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Speaker 1: I really love this song.

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Speaker 6: Yeah. I wrote it with Jeremy and also this really

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Speaker 6: wonderful writer named Morgan Nigler. She I've written with her

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Speaker 6: a couple of times, and she's just got a great

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Speaker 6: lyrical sensibility. But she's actually putting out some of her

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Speaker 6: own music. But she's like written a lot with Jenny

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Speaker 6: Lewis and Cool Phoebe Bridgers.

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Speaker 1: And Okay, yeah, I don't really know anybody down in Nashville.

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Speaker 1: She's sort of she lives in La Okay.

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Speaker 6: I'm trying to think how I met her. I don't know.

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Speaker 6: She knows like Jonathan Wilson and.

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Speaker 1: Okay, cool, I know that that kind of Yeah.

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Speaker 6: Yeah, she like lived out there into Pega Canyon, like

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Speaker 6: on his property.

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Speaker 1: For a while. Oh fine, yeah, okay, but she's yeah,

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Speaker 1: she's great.

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Speaker 6: Yeah, she kind of helped helped that one come together.

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Speaker 6: I was having like trouble with the phrasing of the

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Speaker 6: tagline and then the end, the end part was really fun.

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Speaker 1: We kind of wrote that together. It's fun and it's

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Speaker 1: just there's like some yeah, it's simple, but it's got

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Speaker 1: some turns that you don't expect. Yeah, yeah, yeah, thank

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Speaker 1: you for I like it. And the words are just

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Speaker 1: so they feel very you know, yeah, straight from the

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Speaker 1: heart you know, where are you from? Are you from

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Speaker 1: the heartland?

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Speaker 6: Yeah, as you could tell talking about corn when you

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Speaker 6: see them exactly. Yeah. I'm from a little town in

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Speaker 6: the Midwest. It's called Alito, Illinois, Okay, and it's got

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Speaker 6: like three thousand people in it.

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Speaker 1: Wow, that's tiny.

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Speaker 6: It is really tiny. And my parents lived in the country.

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Speaker 6: We didn't live in the town. And actually the closest

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Speaker 6: town near us was called Hamlet, and it was just

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Speaker 6: like a mile up the road the other way. The

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Speaker 6: bigger town was five miles away. But it has a

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Speaker 6: sign that still says like Hamlet population thirty four.

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Speaker 1: Oh that's great.

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Speaker 6: Yeah, so's song kind of feels desolate like that.

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Speaker 1: Yeah, I can, I can kind of picture it. Yeah, yeah,

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Speaker 1: did you did? You grow up with a big family?

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Speaker 6: So I have two younger sisters and and like lots

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Speaker 6: of cousins and stuff.

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Speaker 1: That's a little less desolate if you're at in the

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Speaker 1: yeah on the sticks.

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Speaker 6: Yeah. Yeah. I had my sisters to play with, and

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Speaker 6: we spent most of our time kind of outside and

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Speaker 6: like making forts in the woods and that's so fun.

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Speaker 7: Yeah.

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Speaker 1: Yeah, it.

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Speaker 6: Was idyllic. I mean, definitely had to get out of there.

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Speaker 1: But yeah, I like to.

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Speaker 6: I like to go back and really just like shut down.

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Speaker 6: There's my parents like still there.

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Speaker 10: Yeah.

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Speaker 6: Yeah, my childhood home is still there. My my parents

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Speaker 6: still have it. And I go back and there's they

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Speaker 6: don't have any like internet service at their house. Really,

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Speaker 6: it's really been that like you could go to like

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Speaker 6: one spot in the house or like kind of works

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Speaker 6: that they still have a lambline.

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Speaker 1: Okay, yeah that's fun. It is fun.

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Speaker 6: Yeah, it's probably good for your kids to go visit

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Speaker 6: it really is. We go out there and just like

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Speaker 6: ride ATVs and I don't know, go break into abandoned

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Speaker 6: buildings and stuff. Yeah, fun things that we used to

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Speaker 6: do in the nineties.

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Speaker 1: Yeah, I feel like now you have to curate that

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Speaker 1: kind of child really you do. There's a whole movement.

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Speaker 6: Yeah, I think I like taking the devices away from

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Speaker 6: my kids and I'm like, go do something dangerous outside.

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Speaker 1: Yeah, climb a tree, I know, just climb the tree.

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Speaker 1: Just yeah exactly, yeah, just get outside. But I have

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Speaker 1: a friend who is raising his kids like it's the nineties,

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Speaker 1: like very intentionally. I love they don't have streaming TV

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Speaker 1: even they do they have like a thousand DVDs and

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Speaker 1: fun kind of like that.

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Speaker 6: Yeah. Yeah, I mean I grew up with no cable.

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Speaker 6: My grandma had cable, so after school we would hang

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Speaker 6: at her house and I would like watch Nickelodeon and

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Speaker 6: so I could keep up with my friends and get

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Speaker 6: you know, I like watch the MTV and stuff. But

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Speaker 6: at my house we had five channels. And I never

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Speaker 6: had a Nintendo. I never had a Sega or any

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Speaker 6: of the video game like consoles that people had. I

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Speaker 6: just wasn't very good at them. Yeah, so it was

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Speaker 6: kind of nice that, Well.

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Speaker 1: It's hard to be good at them when you're not

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Speaker 1: playing them all the time.

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Speaker 6: Yeah, exactly. I don't know.

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Speaker 10: I just.

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Speaker 6: Did things like I don't know, I read a lot

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Speaker 6: of books and yeah, like I said, just writing around

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Speaker 6: on like four wheelers.

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Speaker 1: And it's great. Yeah that sounds awesome.

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Speaker 6: Smoking cigarettes and drinking beers, you know, the things that

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Speaker 6: people used to do.

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Speaker 1: But were you did you leave home pretty pretty immediately?

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Speaker 6: Yeah, yeah, I was ready to get out of there.

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Speaker 1: Where did you go?

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Speaker 6: I went to school in Chicago for two years at

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Speaker 6: Northern Illinois University, and then just was like, I have

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Speaker 6: got to get out of the Midwest. I had a

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Speaker 6: cousin who lived in Nashville, and I went to visit

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Speaker 6: her on spring break, and I really wanted to move

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Speaker 6: to New York or Los Angeles, but my parents were like, oh,

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Speaker 6: you'll never be able to drive in the City's too

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Speaker 6: far away, it's too dangerous, And they were right, probably.

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Speaker 1: You don't have to though, Yeah, I guess, yeah, no way,

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Speaker 1: you can drive.

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Speaker 6: Yeah, no way, you kind of have to drive. But

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Speaker 6: so yeah, I moved to Nashville at the age of twenty.

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Speaker 1: Wow.

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Speaker 6: It was right around the time that Johnny Cash died. Okay,

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Speaker 6: not being a big deal, but been there ever since. Wow. Yeah,

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Speaker 6: it's great.

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Speaker 1: Seems like it's gone great.

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Speaker 10: Yeah.

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Speaker 6: I have a lot of great friends there, and I

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Speaker 6: mean I do love going out and like being able

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Speaker 6: to see music. I would love to live in New

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Speaker 6: York at some point, really, yeah.

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Speaker 1: I mean it's great, but it's hard to I feel

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Speaker 1: like it would be hard to move here after your

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Speaker 1: mid twenties somehow, Yes, because you have the quality of

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Speaker 1: life is just so different.

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Speaker 6: Yeah. Yeah, to acclimate with it, yeah yeah.

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Speaker 1: Yeah, but I don't know. It's great. Yeah, I would

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Speaker 1: love to live in a city like Nashville. That's still

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Speaker 1: a city but not too small. Yeah. Yeah, but I'm

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Speaker 1: from Texas. I can't do the heat anymore.

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Speaker 6: Oh it's so hot in Texas. Yeah yeah, what town

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Speaker 6: in Texas?

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Speaker 1: I'm from Dallas.

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Speaker 6: Oh see, yeah, yeah, I don't I think Houston hates me.

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Speaker 6: Dallas likes me.

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Speaker 1: It's funny. I don't feel like Dallas likes me really.

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Speaker 6: Yeah.

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Speaker 1: I feel like I always have a hard time.

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Speaker 6: It's crazy because you're from there.

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Speaker 1: I know, maybe it's too like loaded for me, but

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Speaker 1: I feel like the audience is I'm confused by it.

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Speaker 1: I don't know who my audience is there. I'm sure

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Speaker 1: they're nice people. I just don't I don't know.

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Speaker 6: Yeah. I like Austin of course, like so fun. Yeah,

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Speaker 6: anytime I go to Texas, I yah, just stay in

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Speaker 6: Austin the whole time, or in like San Antonio and

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Speaker 6: the Hill Country and.

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Speaker 1: All that areas my favorite mine too.

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Speaker 6: Yeah.

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Speaker 1: Do you play locally in Nashville ever? Like just two

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Speaker 1: little you know, sneak out gigs or anything like that.

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Speaker 6: I have been recently. I was like, I have got

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Speaker 6: to get back in the local scene here, Like it's

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Speaker 6: so fun to do that. It really is.

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Speaker 1: If you have the opportunity and you're in a town

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Speaker 1: like that, I feel.

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Speaker 6: Like, yeah, I love going to all the little dive bars.

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Speaker 6: There's like Bobby's Idle Hour is kind of like down

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Speaker 6: in like Music Row area, but it's been there forever

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Speaker 6: and it's got just like this local crowd town. It's

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Speaker 6: a towny bar. They're there to listen. They're like really engaged.

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Speaker 6: So I went and kind of like would shopped a

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Speaker 6: couple tunes there. That's finally like six months ago. Where

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Speaker 6: else did I play? Santa's Pub? I don't know if

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Speaker 6: you've ever been there.

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Speaker 1: I don't know anything.

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Speaker 6: And it's a trailer and it's like decorated like Christmas

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Speaker 6: twenty twenty four, seven, three sixty five, and you can

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Speaker 6: do really karaoke. There's like, my yes, you should, we

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Speaker 6: should go do karaoke next day. You're in Nashville.

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Speaker 1: That would be fun.

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Speaker 6: People flip out, that'd be fun. And then this little

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Speaker 6: bar opened, the Skinny Dentists. That's in Brooklyn. There's one

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Speaker 6: in Nashville.

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Speaker 1: Oh really, Oh oh, I didn't know that.

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Speaker 6: It's great. It's got a huge dance floor and I've

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Speaker 6: three times just since they've opened in the last couple

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Speaker 6: of months.

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Speaker 1: When there's dancing, there's just something it's just feels old school. Yeah,

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Speaker 1: and it's so rare now, man, I know it's such

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Speaker 1: a lost art.

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Speaker 2: Yeah.

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Speaker 6: I feel like people used to meet their partners that

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Speaker 6: way and meet their spouses that way.

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Speaker 1: Yeah.

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Speaker 6: That's one thing I do love about Texas is that everybody,

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Speaker 6: it seems like people that are very serious about their

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Speaker 6: two stepping, very sare.

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Speaker 1: I've had some good two stepping in Texas, for sure.

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Speaker 1: I don't really know what's open anymore, you.

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Speaker 6: Know, Yeah, but.

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Speaker 1: Some good nights off.

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Speaker 6: Yeah, that's for sure.

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Speaker 1: You want to try another song, Let's do it?

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Speaker 6: What should we do next?

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Speaker 1: Well, I was thinking I could do this super fun

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Speaker 1: one that I think you just just put it out.

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Speaker 1: Don't let the bastards get you down. This is a

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Speaker 1: good one. Let's do it.

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Speaker 6: Yeah, thanks for pretty out all my lyrics. Oh yeah,

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Speaker 6: I've been doing this one live a lot, and I

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Speaker 6: have somebody who sings harmonies with me on it, so

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Speaker 6: I have to sing them right. And I've been like, okay, businessman,

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Speaker 6: you know, used to start going through it in your mind,

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Speaker 6: like trying to pound it in there until it becomes

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Speaker 6: just muscle memory exactly.

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Speaker 1: Looking forward to this One's so fun. I just wanted

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Speaker 1: to sing harmony on like the whole thing.

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Speaker 6: But do you want to sing any like verses or anything?

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Speaker 1: I could, but I feel like I would almot would

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Speaker 1: rather do a harmony on It is.

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Speaker 6: That cooling anywhere?

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Speaker 14: All right?

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Speaker 1: All right, such a great boy, just gonna go all over. Yeah.

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Speaker 1: All your songs are just they're just so like harmony friendly.

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Speaker 7: You know.

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Speaker 6: I have, like have had a band that didn't really

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Speaker 6: like sing a lot of harmony my last band. And

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Speaker 6: I just started working with a new group of musicians

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Speaker 6: after being with the same people for like ten some

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Speaker 6: of them thirteen years. And everybody in this new band

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Speaker 6: or they're like great singers, great, and so it's kind

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Speaker 6: of like a new It's so fun to sing harmonies.

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Speaker 1: It's so fun.

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Speaker 6: Yeah. Yeah, yeah, your band you have like I know

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Speaker 6: when it's Sasha.

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Speaker 1: You know Sasha, Yeah, she said to say, hi, awesome.

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Speaker 6: Yeah, you'all have great harmonies.

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Speaker 1: Yeah, you know, I've always had people in my band

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Speaker 1: who sang, but I've never had dedicated harmony singers. Sasha

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Speaker 1: plays guitar as well and Sammy Stevens plays some keys

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Speaker 1: as well, but they're really like it's super harmony strong

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Speaker 1: right now, which has been so fun.

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Speaker 6: Yeah yeah, yeah. It adds like a whole other element

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Speaker 6: because I feel like, you know, on my records, I'll

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Speaker 6: have harmonies everywhere and they're live. I'll be like someone

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Speaker 6: going to see that.

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Speaker 7: Yeah.

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Speaker 1: Well, then the audience gets to Shiman.

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Speaker 6: Yeah, yeah, yeah, the guy who said, well, Rodney Crass

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Speaker 6: sang on this recording.

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Speaker 1: Oh yeah, it's so fun. You can really fire.

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Speaker 6: Him on the all the cocaine in existence. Oh yeah, okay,

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Speaker 6: it was out of my business. You can really hear

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Speaker 6: Rodney's voice good on that.

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Speaker 1: That's great.

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Speaker 6: And then I've got this other guys singing with me

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Speaker 6: who's now in my band, and his name's Logan Ledger,

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Speaker 6: and he's just got a voice like George Jones, Like

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Speaker 6: he's just got one of the best voices ever.

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Speaker 1: That's nice.

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Speaker 6: So I've suckered him into coming in and being like

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Speaker 6: on a bunch of tracks on the record. And then

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Speaker 6: I was like, do you want to be in my

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Speaker 6: band for a while? That's great, So I broke him in.

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Speaker 1: It's fun to change it up. It can be hard,

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Speaker 1: but yeah, it's fun evolving, evolving, it is.

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Speaker 6: Full of changes. Yeah, okays doers.

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Speaker 1: I had to warm up. My hands are like, wait

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Speaker 1: a second, I should be able to play that.

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Speaker 6: I was talking to Jim James about like some stretching

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Speaker 6: some things, because I feel like I always stretch really

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Speaker 6: abrasively and I'm always popping things. And he said that

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Speaker 6: he had somebody that was getting him to do these

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Speaker 6: more like fluid with his hands.

347
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Speaker 1: Can just picture him.

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Speaker 6: He's doing. But funny, I feel that I've I've had

349
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Speaker 6: a massage therapist that works specifically on some of these

350
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Speaker 6: tendons in my arms because it's like, you know, you're

351
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Speaker 6: holding your body in weird, unnatural positions. You play guitar

352
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Speaker 6: as well, so I do.

353
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Speaker 1: But not a lot. And I feel like this tour,

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Speaker 1: I just did the piano. I think I just maybe

355
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Speaker 1: I'm too stiff or something. Oh my gosh, yeah, I

356
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Speaker 1: got a little I'm like, whoa, I'm getting old.

357
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Speaker 6: So piano was your first instrument and when did you

358
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Speaker 6: start playing it?

359
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Speaker 1: I actually started playing with Sasha probably after my second record.

360
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Speaker 1: She booked a pool haul gig and she's like, do

361
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Speaker 1: you want to learn to play guitar with me, and

362
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Speaker 1: I said, sure, we would just go play and suck

363
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Speaker 1: until we got better.

364
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Speaker 6: That's how it goes.

365
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Speaker 1: Yeah, exactly, it's so fun.

366
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Speaker 6: Piano was my first instrument. But I had this teacher

367
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Speaker 6: I loved, and then she moved away, and then I

368
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Speaker 6: got this other teacher and she was like really strict,

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Speaker 6: and I didn't vibe with her as much. And then

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Speaker 6: I picked up the guitar on my own.

371
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Speaker 1: Okay, I wish I had stuck.

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Speaker 6: With the piano sometimes a little bit more.

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Speaker 1: Yeah, yeah, I think that's the best when you're a

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Speaker 1: little limited.

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Speaker 6: Yeah, you know. Yeah, Yeah, it's a good starting instrument

376
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Speaker 6: for sure. I've been sitting my daughter at it. We

377
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Speaker 6: put little pieces of tape all over the piano and

378
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Speaker 6: then you can just remember where the notes are.

379
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Speaker 1: It's great.

380
00:20:38,760 --> 00:20:41,600
Speaker 6: A minor key version of Twinkle Twinkle.

381
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Speaker 1: The other day we took the tape it.

382
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Speaker 6: It's like, that's really cool.

383
00:20:46,680 --> 00:20:52,399
Speaker 1: She's got Okay, let's do this here, all right.

384
00:20:53,080 --> 00:20:53,879
Speaker 7: Yeah, we got it.

385
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Speaker 4: I got it.

386
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Speaker 3: I don't let the bastards catch don't sell your heart to.

387
00:21:04,000 --> 00:21:05,080
Speaker 9: No business man.

388
00:21:06,880 --> 00:21:09,160
Speaker 15: You sell the bag next time around.

389
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Speaker 3: Don't let the bastards get you down.

390
00:21:17,520 --> 00:21:19,520
Speaker 6: There's a hotel, come in my way?

391
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Speaker 3: What's a never ending highway?

392
00:21:22,119 --> 00:21:26,320
Speaker 8: I missed my baby's birthday. You're sorry in the worst way.

393
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Speaker 3: It seems.

394
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Speaker 14: I'm moments losing for another life to choose it then

395
00:21:31,560 --> 00:21:33,639
Speaker 14: make you go the distance, telling you.

396
00:21:33,800 --> 00:21:39,920
Speaker 8: Lose your hown existence. Don't let the bastards get you down.

397
00:21:42,080 --> 00:21:44,680
Speaker 8: Don't let us sell your heart and see you go.

398
00:21:46,760 --> 00:21:52,040
Speaker 15: Make sure there's no next time around. Don't let the

399
00:21:52,160 --> 00:22:01,040
Speaker 15: bastards catch you down. From that moody to Boston in Augustine,

400
00:22:01,160 --> 00:22:02,359
Speaker 15: the Boston.

401
00:22:02,320 --> 00:22:06,439
Speaker 11: We ain't about to getting that to those just kidding that.

402
00:22:06,960 --> 00:22:09,479
Speaker 8: They want to wear ransoms men.

403
00:22:09,640 --> 00:22:13,560
Speaker 14: They got the backbone them some on them sons, bitches

404
00:22:13,720 --> 00:22:15,040
Speaker 14: and annoyers.

405
00:22:15,480 --> 00:22:23,239
Speaker 8: Bitches. Don't let the bastards get you down. Don't let

406
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Speaker 8: them get you up.

407
00:22:24,600 --> 00:22:25,800
Speaker 6: And use your crowd.

408
00:22:27,480 --> 00:22:30,080
Speaker 3: Don't give yourselves a common clowns.

409
00:22:32,160 --> 00:22:56,680
Speaker 16: Don't let the bastards get you down, big one, when

410
00:22:56,800 --> 00:23:00,720
Speaker 16: the dreams were come under you wake up back nowhere

411
00:23:01,240 --> 00:23:05,960
Speaker 16: to poor a pay attention to follow dude dimension just

412
00:23:06,240 --> 00:23:10,240
Speaker 16: looking down the noses they can bullsh itsels like noses.

413
00:23:10,720 --> 00:23:14,120
Speaker 3: All the cocaine in existence can.

414
00:23:14,280 --> 00:23:15,880
Speaker 8: Keep your nose out.

415
00:23:17,000 --> 00:23:27,560
Speaker 15: Mouths names, don't let the baskeards get you down. Don't

416
00:23:27,640 --> 00:23:33,120
Speaker 15: sell your part soon, no, businessman, Let's sell the ball

417
00:23:33,280 --> 00:23:34,440
Speaker 15: next time around.

418
00:23:36,760 --> 00:23:39,119
Speaker 16: Don't let the baskets catch you down.

419
00:23:41,440 --> 00:23:43,760
Speaker 6: Keep all the meters under DRIs.

420
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Speaker 8: Don't let the baskets catch you down.

421
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Speaker 7: Dead.

422
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Speaker 8: That's fun, great harmonies.

423
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Speaker 6: Oh my gosh, come on tour with me.

424
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Speaker 16: Oh my god.

425
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Speaker 1: I think it's my dream to just just like be

426
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Speaker 1: harmony singer. I love it.

427
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Speaker 6: Yeah, it's something that I've like had to get better at.

428
00:24:15,520 --> 00:24:17,359
Speaker 1: Yeah. It's not natural for everyone.

429
00:24:17,600 --> 00:24:21,119
Speaker 6: Yeah, yeah, especially not your singing lead typically. But I

430
00:24:21,680 --> 00:24:24,760
Speaker 6: did enjoy singing like second soprano and alto parts, like

431
00:24:25,000 --> 00:24:29,960
Speaker 6: in choir in church. Yeah, like school choir, and you

432
00:24:30,040 --> 00:24:33,000
Speaker 6: know I sang we meached church. I sing in church

433
00:24:33,040 --> 00:24:35,639
Speaker 6: a bit too. But yeah, what about you, what was

434
00:24:35,680 --> 00:24:41,520
Speaker 6: your like my gateweight? Yeah, definitely church in the beginning. Yeah,

435
00:24:41,920 --> 00:24:44,159
Speaker 6: my mom just told me this funny story which I

436
00:24:44,280 --> 00:24:46,200
Speaker 6: did not know. She said that because I used to

437
00:24:46,200 --> 00:24:47,920
Speaker 6: get all the solos, I was like five and six,

438
00:24:49,000 --> 00:24:50,639
Speaker 6: and my mom said to me, she said, it's not

439
00:24:50,680 --> 00:24:53,080
Speaker 6: because you were a good singer yet, it's because you

440
00:24:53,760 --> 00:24:56,440
Speaker 6: you enunciated, and she kept giving you the solos and

441
00:24:56,560 --> 00:24:57,800
Speaker 6: so I went up to her and I told her

442
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Speaker 6: to stop giving you the soulos.

443
00:25:00,040 --> 00:25:01,960
Speaker 1: She told me this story last week, and I was like, what,

444
00:25:02,320 --> 00:25:05,320
Speaker 1: why did you tell her? She said, because I think

445
00:25:05,440 --> 00:25:07,520
Speaker 1: every parent wants to see their kid in the front

446
00:25:07,600 --> 00:25:09,639
Speaker 1: doing the solo and she should spread it around. And

447
00:25:09,760 --> 00:25:10,760
Speaker 1: you were getting a big head.

448
00:25:12,000 --> 00:25:13,840
Speaker 6: Oh my gosh, I funny.

449
00:25:14,920 --> 00:25:16,000
Speaker 1: I thought that was so funny.

450
00:25:16,240 --> 00:25:17,520
Speaker 6: Are there videos of you singing?

451
00:25:17,720 --> 00:25:20,680
Speaker 1: There's a video of me like maybe seven, and it

452
00:25:20,880 --> 00:25:24,159
Speaker 1: was it was like a program, like a theater. It

453
00:25:24,240 --> 00:25:26,639
Speaker 1: was a church thing, but it wasn't like a full choir,

454
00:25:26,720 --> 00:25:30,240
Speaker 1: but I had a solo and there was a microphone

455
00:25:30,280 --> 00:25:32,920
Speaker 1: hanging from the rafters night it was like, you know,

456
00:25:33,040 --> 00:25:35,280
Speaker 1: five feet above me. It wasn't It was just kind

457
00:25:35,280 --> 00:25:38,320
Speaker 1: of a pick it up. And the entire video, I'm

458
00:25:38,480 --> 00:25:41,840
Speaker 1: like stretching and I'm craning my neck and I'm staring

459
00:25:41,840 --> 00:25:44,640
Speaker 1: at the microphone because i just want attic cute. Yeah,

460
00:25:44,880 --> 00:25:45,520
Speaker 1: oh I love that.

461
00:25:46,040 --> 00:25:48,119
Speaker 6: But but so you went to church growing up and

462
00:25:48,240 --> 00:25:52,320
Speaker 6: you say, yeah, I sang in church, but like, I also, yeah,

463
00:25:52,440 --> 00:25:56,200
Speaker 6: sang in choir. And I had the same choir teacher

464
00:25:56,560 --> 00:25:59,360
Speaker 6: from the age of sixth grade all the way through

465
00:25:59,560 --> 00:26:03,280
Speaker 6: to scene your years. Wow, And she was incredible. She

466
00:26:03,359 --> 00:26:05,280
Speaker 6: taught me how to like sight read, and you know,

467
00:26:05,600 --> 00:26:10,359
Speaker 6: I did jazz choir, I did show choir, and but

468
00:26:10,600 --> 00:26:11,200
Speaker 6: she did know.

469
00:26:11,440 --> 00:26:14,080
Speaker 1: She never gave me solos, really she didn't.

470
00:26:14,600 --> 00:26:17,080
Speaker 6: She and she also wouldn't give me any ensembles or

471
00:26:17,119 --> 00:26:19,439
Speaker 6: do its because she said my voice did not blend

472
00:26:19,840 --> 00:26:23,320
Speaker 6: what She's probably right, my voice is very like Fossy.

473
00:26:23,560 --> 00:26:25,959
Speaker 1: That's so funny. And does she come to your shows now?

474
00:26:26,080 --> 00:26:29,400
Speaker 6: She's she has shared some things. I think she's been like, oh,

475
00:26:29,600 --> 00:26:34,000
Speaker 6: you know, taught her everything she knows. She was like

476
00:26:34,160 --> 00:26:36,919
Speaker 6: Judge Judy. She was so mean, that's so funny.

477
00:26:37,000 --> 00:26:37,200
Speaker 10: Yeah.

478
00:26:37,480 --> 00:26:39,480
Speaker 6: And then I had another My mom got me like

479
00:26:39,600 --> 00:26:42,520
Speaker 6: a vocal coach. That was we had to drive forty

480
00:26:42,560 --> 00:26:44,720
Speaker 6: five minutes to get to her. Her name was Sue Clark,

481
00:26:44,920 --> 00:26:50,520
Speaker 6: and she was even more mean and even more knowledgeable though.

482
00:26:50,680 --> 00:26:53,120
Speaker 6: She was like taught me like meso soprano, like telling

483
00:26:53,119 --> 00:26:56,560
Speaker 6: you style singing. Oh wow, yeah she was. She was

484
00:26:56,640 --> 00:26:57,120
Speaker 6: really great.

485
00:26:57,240 --> 00:26:58,920
Speaker 1: So you've really done it really?

486
00:26:59,080 --> 00:26:59,280
Speaker 7: Yeah?

487
00:26:59,400 --> 00:27:00,880
Speaker 1: Yeah, you just loved to sing?

488
00:27:01,320 --> 00:27:03,280
Speaker 6: I did. Yeah, I just loved it so much. I

489
00:27:03,359 --> 00:27:07,720
Speaker 6: feel like I tried out for a show choir. In

490
00:27:08,000 --> 00:27:11,200
Speaker 6: like fourth grade and had to sing some like Christmas

491
00:27:11,280 --> 00:27:13,720
Speaker 6: song and I was practicing it, and I remember my

492
00:27:13,800 --> 00:27:15,440
Speaker 6: mom and my grandma like coming in the room and

493
00:27:15,480 --> 00:27:18,320
Speaker 6: they were like, was that you like you didn't know

494
00:27:18,400 --> 00:27:21,320
Speaker 6: anything like that. And then from that point on, I

495
00:27:21,440 --> 00:27:24,840
Speaker 6: was just like always trying. I got my first guitar

496
00:27:25,040 --> 00:27:27,240
Speaker 6: at like the age of twelve, and I was always

497
00:27:27,240 --> 00:27:29,920
Speaker 6: making up my own songs and recording them on my

498
00:27:30,440 --> 00:27:31,240
Speaker 6: my boom box.

499
00:27:31,480 --> 00:27:34,840
Speaker 1: That's great, Yeah, that's tapes and stuff. But that's good

500
00:27:34,880 --> 00:27:38,119
Speaker 1: that you were writing fatterally. Yeah, I didn't really know.

501
00:27:38,359 --> 00:27:41,159
Speaker 6: Right to do that garbage. Yeah, yeah, we start writing, you.

502
00:27:41,200 --> 00:27:44,439
Speaker 1: Got to get the garbage out to get to the good, right, right.

503
00:27:45,560 --> 00:27:47,440
Speaker 1: I didn't start writing until I was like twenty and

504
00:27:47,520 --> 00:27:50,840
Speaker 1: I moved to New York. Really yeah, so fun. What

505
00:27:50,960 --> 00:27:53,080
Speaker 1: were you listening to at that age? It's like what

506
00:27:53,240 --> 00:27:53,960
Speaker 1: was in your house?

507
00:27:54,640 --> 00:27:59,159
Speaker 6: So yeah, my mother listened to like just kind of

508
00:27:59,280 --> 00:28:02,680
Speaker 6: like Poper video, you know, whatever, it was like popular

509
00:28:02,720 --> 00:28:07,920
Speaker 6: at the time. My dad liked oldies, so he always

510
00:28:07,960 --> 00:28:13,320
Speaker 6: had an unlike classic rock, and then my grandparents loved

511
00:28:13,359 --> 00:28:16,560
Speaker 6: country music, and so I would hear that like via them,

512
00:28:17,880 --> 00:28:21,600
Speaker 6: you know. I was into like a lot of rap

513
00:28:21,680 --> 00:28:24,680
Speaker 6: and stuff when I was like junior high. You know,

514
00:28:24,720 --> 00:28:25,840
Speaker 6: I wanted to listen to like what.

515
00:28:25,960 --> 00:28:27,960
Speaker 1: Was popular, but I that was the time.

516
00:28:28,200 --> 00:28:31,440
Speaker 6: Yes, I mean I loved Fiona Apple's like record. I

517
00:28:31,480 --> 00:28:34,040
Speaker 6: remember that coming out when I was in like sixth

518
00:28:34,200 --> 00:28:35,320
Speaker 6: or seventh grade.

519
00:28:35,359 --> 00:28:36,440
Speaker 1: And also.

520
00:28:37,720 --> 00:28:40,920
Speaker 6: Like Jule's first album, Pieces of You. I really I

521
00:28:41,080 --> 00:28:45,360
Speaker 6: loved that and loosen to Williams and Gillian Walsh. I

522
00:28:45,800 --> 00:28:48,360
Speaker 6: remember when your album came out. I was waitressing in Nashville.

523
00:28:48,480 --> 00:28:50,480
Speaker 6: Oh wow, my first waitressing job, and it would be

524
00:28:50,560 --> 00:28:53,520
Speaker 6: on all the times. I loved your records too.

525
00:28:53,880 --> 00:28:56,800
Speaker 1: It feels like yesterday. Well you know, it's crazy.

526
00:28:57,320 --> 00:28:58,280
Speaker 6: Yeah, it goes so fast.

527
00:28:58,360 --> 00:29:02,520
Speaker 1: It so fast, that's cool.

528
00:29:02,960 --> 00:29:06,000
Speaker 6: I am grateful that I had like a well rounded

529
00:29:06,640 --> 00:29:09,880
Speaker 6: kind of musical education. I mean, I just love all

530
00:29:09,920 --> 00:29:13,000
Speaker 6: the music from like the sixties and the seventies, and

531
00:29:14,200 --> 00:29:16,600
Speaker 6: I don't know, I often feel that I was born

532
00:29:16,680 --> 00:29:18,000
Speaker 6: in the wrong time or something.

533
00:29:18,280 --> 00:29:19,160
Speaker 1: Yeah, I feel that way.

534
00:29:19,480 --> 00:29:21,719
Speaker 6: Yeah. Yeah, there's like older things. I draw a lot

535
00:29:21,760 --> 00:29:26,200
Speaker 6: of inspiration from from old things. And even like the nineties,

536
00:29:26,240 --> 00:29:27,960
Speaker 6: I'm like, I thought it was like shit when we

537
00:29:28,040 --> 00:29:30,200
Speaker 6: were in it, but I'm like, oh my gosh, music

538
00:29:30,320 --> 00:29:33,640
Speaker 6: was so much better even back then. It was fun

539
00:29:33,720 --> 00:29:34,720
Speaker 6: in the early two thousands.

540
00:29:34,920 --> 00:29:38,080
Speaker 1: It's so nostalgic now too. Yeah, Like that's what my

541
00:29:38,160 --> 00:29:43,000
Speaker 1: husband always plays. And the kids they know it nice. Yeah,

542
00:29:43,040 --> 00:29:44,400
Speaker 1: they know all this nineties music.

543
00:29:44,640 --> 00:29:46,000
Speaker 6: Like what does he playing for them?

544
00:29:46,240 --> 00:29:50,040
Speaker 1: He plays? I mean, we have our hair metal phase

545
00:29:50,120 --> 00:29:53,720
Speaker 1: and then we have like the good nineties like reality

546
00:29:53,760 --> 00:29:58,320
Speaker 1: Bites era type of music. Cool. It's funny what kids

547
00:29:58,400 --> 00:30:01,800
Speaker 1: gravitate towards when you're playing music all the time at home.

548
00:30:02,120 --> 00:30:03,680
Speaker 1: Yeah too, It's like.

549
00:30:04,560 --> 00:30:07,240
Speaker 6: Yeah, what you like, they could be a little desensitized.

550
00:30:07,800 --> 00:30:10,080
Speaker 6: It's a little bit at least my kids can. I think.

551
00:30:11,200 --> 00:30:14,640
Speaker 6: I'm always trying to play my my son, who's a teenager,

552
00:30:14,800 --> 00:30:16,440
Speaker 6: like things that I think he'll like. I'm like, you

553
00:30:16,520 --> 00:30:18,920
Speaker 6: need to check out Ween, Yeah, okay, getn't put on

554
00:30:19,720 --> 00:30:20,600
Speaker 6: put on white pepper?

555
00:30:20,760 --> 00:30:23,360
Speaker 1: Yeah, you know, and does he pretend not to like

556
00:30:23,440 --> 00:30:25,640
Speaker 1: it and he actually really likes Ween.

557
00:30:26,000 --> 00:30:27,640
Speaker 6: I'm trying to think of what else he's into. But

558
00:30:27,720 --> 00:30:29,480
Speaker 6: my daughter, I feel like she's the one who is

559
00:30:29,640 --> 00:30:33,840
Speaker 6: just like she's always singing. She's always has a song

560
00:30:33,920 --> 00:30:36,200
Speaker 6: in her head, and if like we're writing or something,

561
00:30:36,320 --> 00:30:39,400
Speaker 6: she'll start singing along. To it and she'll suggests song lyrics.

562
00:30:39,520 --> 00:30:44,520
Speaker 1: Great, Yeah, that's fun. Yeah, happy, happy musical family. Yeah

563
00:30:44,680 --> 00:30:45,040
Speaker 1: for sure.

564
00:30:45,280 --> 00:30:47,160
Speaker 6: You know, she just learned how to whistle too. Really,

565
00:30:47,280 --> 00:30:49,479
Speaker 6: she's like whistling all over the house.

566
00:30:49,840 --> 00:30:51,600
Speaker 1: Has she made it to any of the records yet

567
00:30:52,360 --> 00:30:53,160
Speaker 1: with her whistles?

568
00:30:53,640 --> 00:30:56,320
Speaker 6: Actually? Yes. I was telling you about how my husband

569
00:30:56,360 --> 00:30:59,880
Speaker 6: got the TASKM three eighty eight like recorder, and he's

570
00:31:00,320 --> 00:31:05,080
Speaker 6: got this song that she sings on and it's like

571
00:31:06,040 --> 00:31:07,560
Speaker 6: called Little Bird and it's.

572
00:31:07,520 --> 00:31:09,160
Speaker 1: Just they it's the keyst thing ever.

573
00:31:09,560 --> 00:31:12,400
Speaker 6: That's nice. And she's done some like album art and

574
00:31:12,440 --> 00:31:14,520
Speaker 6: stuff for us. We're always like, could you make a poster?

575
00:31:15,360 --> 00:31:15,920
Speaker 1: That's great?

576
00:31:16,400 --> 00:31:22,160
Speaker 6: Yeah, she seems to be very creative and yeah, just

577
00:31:22,320 --> 00:31:24,520
Speaker 6: into all things, all things musical.

578
00:31:25,040 --> 00:31:29,320
Speaker 1: They like having jobs too, I think tasks absolutely, Yeah,

579
00:31:29,640 --> 00:31:31,680
Speaker 1: put those kids to work. Yeah, we try to get

580
00:31:32,520 --> 00:31:34,680
Speaker 1: our daughter to sing on some stuff because she's she's

581
00:31:34,680 --> 00:31:37,640
Speaker 1: actually a really good singer, but she rejects it every

582
00:31:37,680 --> 00:31:40,960
Speaker 1: time we try. She won't let us make her do it,

583
00:31:41,040 --> 00:31:41,240
Speaker 1: you know.

584
00:31:41,560 --> 00:31:42,920
Speaker 8: Yeah, I know.

585
00:31:43,200 --> 00:31:46,800
Speaker 6: I never want to like push it too much because

586
00:31:47,520 --> 00:31:49,960
Speaker 6: it's like music for me was like kind of a rebellion,

587
00:31:50,440 --> 00:31:54,080
Speaker 6: you know, like rather than getting the straight job and

588
00:31:54,320 --> 00:31:56,520
Speaker 6: just like settling down and having kids and stuff. Right away,

589
00:31:56,680 --> 00:32:01,440
Speaker 6: I found myself, I don't know, being pulled to this

590
00:32:01,600 --> 00:32:04,360
Speaker 6: career that everybody told me that I couldn't have or

591
00:32:04,440 --> 00:32:07,200
Speaker 6: that like wasn't a real job. So with my kids too,

592
00:32:07,280 --> 00:32:09,960
Speaker 6: I'm like, are they going to rebel and like become accountants? Yeah?

593
00:32:11,920 --> 00:32:13,800
Speaker 1: I know, it's crazy. Yeah. Yeah.

594
00:32:14,200 --> 00:32:19,840
Speaker 6: We just put my daughter in violin lessons and she's

595
00:32:20,520 --> 00:32:22,240
Speaker 6: a natural at it. She's so great at it.

596
00:32:22,320 --> 00:32:23,080
Speaker 1: She's got a good year.

597
00:32:23,640 --> 00:32:27,560
Speaker 6: She does the way that she holds it and everything

598
00:32:27,800 --> 00:32:29,760
Speaker 6: or fingering is really beautiful. And I go and I

599
00:32:29,880 --> 00:32:31,040
Speaker 6: take alongside her.

600
00:32:31,440 --> 00:32:32,040
Speaker 1: Oh that's fine.

601
00:32:32,040 --> 00:32:33,560
Speaker 6: I've always wanted to play me too.

602
00:32:34,400 --> 00:32:37,800
Speaker 1: I just want to fiddle around country style, you know, Yeah,

603
00:32:38,320 --> 00:32:38,920
Speaker 1: I just want.

604
00:32:38,760 --> 00:32:43,560
Speaker 6: To do a little song. But she again, it's like

605
00:32:43,600 --> 00:32:45,440
Speaker 6: I don't want to push her like too much to

606
00:32:45,560 --> 00:32:48,720
Speaker 6: do it, because I just don't want to make it

607
00:32:48,920 --> 00:32:54,040
Speaker 6: like a a chore or like a job that feels arduous.

608
00:32:54,240 --> 00:32:55,760
Speaker 1: It's a delicate balance, it is.

609
00:32:56,040 --> 00:32:58,280
Speaker 6: Yeah, she jumped up on stage with me at Red

610
00:32:58,360 --> 00:33:02,240
Speaker 6: Rocks last summer. Fine danced around, and she keeps saying

611
00:33:02,320 --> 00:33:05,200
Speaker 6: she's gonna do it again. But yeah, we'll see. Yeah,

612
00:33:05,400 --> 00:33:07,760
Speaker 6: not actually any like getting into the mic, but she

613
00:33:07,920 --> 00:33:08,280
Speaker 6: wants to.

614
00:33:08,560 --> 00:33:12,440
Speaker 1: I'm sure. I'm sure she's down. Yeah, that's fun. You

615
00:33:12,480 --> 00:33:13,960
Speaker 1: want to play another song, Yeah, let's do it.

616
00:33:14,200 --> 00:33:14,840
Speaker 6: I'll see her.

617
00:33:14,920 --> 00:33:17,480
Speaker 1: I forgot what I sent over? How about close to You?

618
00:33:18,440 --> 00:33:21,520
Speaker 1: How long did you guys work on this new record forever?

619
00:33:21,920 --> 00:33:22,160
Speaker 8: Really?

620
00:33:22,640 --> 00:33:28,400
Speaker 6: Yeah? I started writing it like back in two thousand three,

621
00:33:29,920 --> 00:33:33,880
Speaker 6: and yeah, went in to record it like last summer.

622
00:33:33,960 --> 00:33:36,480
Speaker 1: Wait you said two thousand and three. Yeah, we started

623
00:33:36,520 --> 00:33:40,080
Speaker 1: thinking some of these songs are are that will wow?

624
00:33:40,440 --> 00:33:43,120
Speaker 6: Yeah, then we went into I was kind of in

625
00:33:43,200 --> 00:33:47,280
Speaker 6: between like management for a while, and I was trying

626
00:33:47,320 --> 00:33:49,720
Speaker 6: to just be on my own and like be free.

627
00:33:49,880 --> 00:33:52,600
Speaker 6: But it's kind of hard, Yeah, the gate the music

628
00:33:52,680 --> 00:33:55,680
Speaker 6: business when you don't have anybody advocating in there for you.

629
00:33:55,840 --> 00:33:57,600
Speaker 6: So yeah, it took me a minute to get into

630
00:33:57,680 --> 00:34:02,840
Speaker 6: the studio. But like Rodney craw was really encouraging when

631
00:34:02,880 --> 00:34:04,120
Speaker 6: I was like showing him a bunch of the new

632
00:34:04,160 --> 00:34:06,320
Speaker 6: stuff we were playing, Like him and Emmy we had

633
00:34:06,400 --> 00:34:09,399
Speaker 6: some kind of song right around and I played Close

634
00:34:09,480 --> 00:34:11,680
Speaker 6: to You for them and they were like, wow, what

635
00:34:11,800 --> 00:34:14,440
Speaker 6: a great song. So I was like, okay, I got

636
00:34:14,480 --> 00:34:17,160
Speaker 6: them in my corner. I'm going to eventually get into

637
00:34:17,200 --> 00:34:19,359
Speaker 6: the studio and then yeah, we did it like last

638
00:34:20,560 --> 00:34:23,440
Speaker 6: last June, and just like by the time you get

639
00:34:23,520 --> 00:34:27,319
Speaker 6: all the little accouterments and like features and things on there,

640
00:34:27,400 --> 00:34:31,440
Speaker 6: it seems like it takes longer than it should. Sometimes.

641
00:34:31,680 --> 00:34:35,439
Speaker 1: Yeah, for me, the mixing is the real pain ride. Yes,

642
00:34:35,600 --> 00:34:38,160
Speaker 1: the music can be quick and fun and easy, and

643
00:34:38,200 --> 00:34:41,439
Speaker 1: then yeah, you just want to change a few things

644
00:34:41,520 --> 00:34:43,040
Speaker 1: in the mix and balance it at and then all

645
00:34:43,080 --> 00:34:44,880
Speaker 1: of a sudden it becomes this huge project.

646
00:34:45,160 --> 00:34:49,360
Speaker 6: Yeah, for me, I spent a lot of time mixing.

647
00:34:49,719 --> 00:34:51,520
Speaker 6: I think in the past I would just kind of

648
00:34:51,600 --> 00:34:54,400
Speaker 6: be like, oh, you know, you do it. I'll come

649
00:34:54,440 --> 00:34:56,840
Speaker 6: in and listen a little bit, and like I would definitely,

650
00:34:57,040 --> 00:34:59,200
Speaker 6: you know, give opinions and thoughts. But like this time,

651
00:34:59,239 --> 00:35:03,439
Speaker 6: I was in there so much that my ears really

652
00:35:04,040 --> 00:35:07,319
Speaker 6: like felt fatigued and would like hurt at the end

653
00:35:07,360 --> 00:35:09,080
Speaker 6: of the day. Like I don't know how engineers do

654
00:35:09,160 --> 00:35:12,239
Speaker 6: it when they're listening to something for twelve hours, Like

655
00:35:12,880 --> 00:35:14,839
Speaker 6: it's so hard to explain, but it's like, know your

656
00:35:14,880 --> 00:35:16,400
Speaker 6: ears like they ache.

657
00:35:17,480 --> 00:35:19,279
Speaker 1: I can't do it. I have to go in at

658
00:35:19,320 --> 00:35:23,400
Speaker 1: the end and just be like, yeah, change this yeah.

659
00:35:23,320 --> 00:35:25,879
Speaker 6: Yeah, it's a lot. I think this time, I kind

660
00:35:25,880 --> 00:35:27,600
Speaker 6: of like we kind of lost our minds doing it.

661
00:35:27,760 --> 00:35:30,080
Speaker 6: My producer Matt Ross Spang and I like, and we

662
00:35:30,160 --> 00:35:32,120
Speaker 6: were just having so much fun working on it that

663
00:35:32,239 --> 00:35:34,200
Speaker 6: it was like we almost didn't want it to end.

664
00:35:34,600 --> 00:35:37,000
Speaker 1: Yeah, I know what you mean. Yeah, it's a fun

665
00:35:37,080 --> 00:35:37,520
Speaker 1: process of.

666
00:35:37,560 --> 00:35:40,279
Speaker 6: Really special this is a really special one. But after

667
00:35:40,360 --> 00:35:43,000
Speaker 6: a certain point you have to stop or you'll burn

668
00:35:43,040 --> 00:35:43,520
Speaker 6: the beans.

669
00:35:44,239 --> 00:35:46,640
Speaker 1: Exactly. I always overcook it.

670
00:35:46,760 --> 00:35:48,640
Speaker 6: Yes, we go back, you know, like, oh my god,

671
00:35:48,680 --> 00:35:49,280
Speaker 6: the first mix.

672
00:35:49,280 --> 00:35:52,600
Speaker 1: Was better, Like what did we do? Exactly? Yeah, and

673
00:35:52,680 --> 00:35:55,480
Speaker 1: then your engineer was to kill you. Yeah, exactly. I'm

674
00:35:55,520 --> 00:35:57,759
Speaker 1: taking a painting class right now, and I fin I

675
00:35:58,000 --> 00:36:01,560
Speaker 1: find that I'm over I I like, go past something

676
00:36:01,640 --> 00:36:03,520
Speaker 1: that's good every time and I ruin my painting.

677
00:36:04,120 --> 00:36:05,520
Speaker 6: Are you doing? What kind of medium are you doing?

678
00:36:05,600 --> 00:36:06,800
Speaker 6: Like it's a cryl acrylic.

679
00:36:07,040 --> 00:36:09,720
Speaker 1: It's fine because I'm not trying to be a painter.

680
00:36:09,880 --> 00:36:11,399
Speaker 1: I just love it. It's so fun.

681
00:36:11,520 --> 00:36:14,160
Speaker 6: But I picked up painting too during the Pandelic. Yeah,

682
00:36:14,200 --> 00:36:17,160
Speaker 6: it's fun. I've got a bunch of easels and avises

683
00:36:17,200 --> 00:36:19,239
Speaker 6: and things, but acrylic hard.

684
00:36:19,880 --> 00:36:20,080
Speaker 7: Well.

685
00:36:20,400 --> 00:36:23,040
Speaker 6: I started with some watercolors, which is like so challenging.

686
00:36:23,160 --> 00:36:23,960
Speaker 1: It's really hard.

687
00:36:24,120 --> 00:36:26,600
Speaker 6: And then I tried to do some acrylic and then

688
00:36:26,640 --> 00:36:28,600
Speaker 6: I ended up I did oil too.

689
00:36:28,680 --> 00:36:29,759
Speaker 1: I did all of them bad.

690
00:36:30,920 --> 00:36:33,080
Speaker 6: I don't know. I think oil might be like the

691
00:36:33,200 --> 00:36:36,440
Speaker 6: easiest because you can keep changing it and it's justn't quite.

692
00:36:36,920 --> 00:36:39,560
Speaker 1: Justn't dry, but a curlic you can just paint over it.

693
00:36:39,719 --> 00:36:41,040
Speaker 1: But yeah, it's true, you can't.

694
00:36:41,719 --> 00:36:43,000
Speaker 6: What's your favorite thing painted.

695
00:36:43,960 --> 00:36:46,880
Speaker 1: There's a couple of landscapes I'm into. I did a

696
00:36:46,960 --> 00:36:48,719
Speaker 1: portrait of my daughter that I like, but I don't

697
00:36:48,719 --> 00:36:49,399
Speaker 1: think she likes.

698
00:36:50,080 --> 00:36:52,680
Speaker 6: I gotta see it. I don't know.

699
00:36:53,000 --> 00:36:55,440
Speaker 1: I'm just way into it. And I have way too

700
00:36:55,520 --> 00:36:58,400
Speaker 1: many mediocre, crappy paintings right now in my house, but

701
00:36:58,520 --> 00:37:00,800
Speaker 1: it's so fun. A lot of them go in the basement.

702
00:37:00,920 --> 00:37:01,400
Speaker 1: It's fine.

703
00:37:01,560 --> 00:37:03,439
Speaker 6: I know, I have mine all stacked up in my attic.

704
00:37:03,520 --> 00:37:05,120
Speaker 6: I don't really want to sell any of them because

705
00:37:05,120 --> 00:37:06,279
Speaker 6: I don't think they're good enough to sell.

706
00:37:06,520 --> 00:37:07,080
Speaker 14: Yeah, but.

707
00:37:08,680 --> 00:37:11,840
Speaker 6: Yeah, I always I love doing it. I've painted a

708
00:37:11,840 --> 00:37:13,680
Speaker 6: lot of weird things. I've painted, like some trees and

709
00:37:13,760 --> 00:37:17,840
Speaker 6: some landscapes, but I've also painted, like one of my

710
00:37:17,880 --> 00:37:20,600
Speaker 6: first paintings was a dead bird. I was like, oh, wow,

711
00:37:20,719 --> 00:37:22,400
Speaker 6: get a hunter, like, it's.

712
00:37:22,239 --> 00:37:24,520
Speaker 1: Probably interesting by its foot.

713
00:37:24,760 --> 00:37:26,759
Speaker 6: What else did I paint? I painted a picture of

714
00:37:26,840 --> 00:37:30,480
Speaker 6: a woman swallowing a snake. I don't know, but like

715
00:37:30,560 --> 00:37:34,080
Speaker 6: I said, they're hiding your little twisty. I like this, Yeah,

716
00:37:34,120 --> 00:37:35,560
Speaker 6: well how to show.

717
00:37:37,120 --> 00:37:39,800
Speaker 1: Yeah, I love it. This lady in my class is

718
00:37:39,880 --> 00:37:43,160
Speaker 1: painting her this dream she had and it was just

719
00:37:43,239 --> 00:37:44,120
Speaker 1: such a cool idea.

720
00:37:44,800 --> 00:37:45,520
Speaker 6: What is the dream?

721
00:37:45,640 --> 00:37:46,319
Speaker 8: What was the dream?

722
00:37:46,440 --> 00:37:49,319
Speaker 1: I'm not sure yet. It's still evolving, but that's really

723
00:37:49,400 --> 00:37:52,960
Speaker 1: there's wolves in a pickup truck. It's pretty cool.

724
00:37:53,080 --> 00:37:53,319
Speaker 6: Nice.

725
00:37:53,400 --> 00:37:57,040
Speaker 1: Yeah, it's really beautiful. I just like the idea of that. Yeah,

726
00:37:57,120 --> 00:37:59,759
Speaker 1: I know it's kind of scary, and actually I.

727
00:37:59,840 --> 00:38:02,080
Speaker 6: Know I love I've been keeping a dream journal too,

728
00:38:02,160 --> 00:38:04,080
Speaker 6: where I'm like, I need to be riding some of

729
00:38:04,120 --> 00:38:04,799
Speaker 6: these things down.

730
00:38:04,960 --> 00:38:05,680
Speaker 1: It's a good idea.

731
00:38:05,960 --> 00:38:08,439
Speaker 6: I had really bizarre dreams when I was pregnant. Really,

732
00:38:08,440 --> 00:38:10,520
Speaker 6: I don't know if that happened to you, but I

733
00:38:10,560 --> 00:38:12,680
Speaker 6: don't remember it. I had like one dream I was

734
00:38:13,000 --> 00:38:15,360
Speaker 6: in the back of a truck on this road that

735
00:38:15,480 --> 00:38:17,520
Speaker 6: we used to drive on when I was a teenager,

736
00:38:17,680 --> 00:38:19,560
Speaker 6: and it was called hill Jump Road, and you would

737
00:38:19,600 --> 00:38:20,960
Speaker 6: like get in the back of the pickup truck. And

738
00:38:21,000 --> 00:38:24,920
Speaker 6: then some upperclassmen would be like driving you around up

739
00:38:25,120 --> 00:38:27,840
Speaker 6: down these hills and it was hill jump road. But

740
00:38:28,520 --> 00:38:31,200
Speaker 6: I looked in the front of a cab and there

741
00:38:31,320 --> 00:38:33,840
Speaker 6: was a deer. No, it was a horse. Excuse me,

742
00:38:33,920 --> 00:38:36,440
Speaker 6: a horse was driving the car. It dn't really steer.

743
00:38:37,560 --> 00:38:40,400
Speaker 1: Stressed. That is stressful. You could paint it and then

744
00:38:40,520 --> 00:38:43,960
Speaker 1: reframe it. Yeah, like you know, like yourself in Charge.

745
00:38:44,320 --> 00:38:46,560
Speaker 6: Yeah. Yeah, it's like a King of the Hill episode.

746
00:38:47,600 --> 00:38:49,760
Speaker 1: It also looks like a cartoon that I was seeing.

747
00:38:50,719 --> 00:38:50,919
Speaker 17: Yeah.

748
00:38:51,080 --> 00:38:54,480
Speaker 6: Yeah, well, I can't wait to see this woman's painting.

749
00:38:54,840 --> 00:38:57,560
Speaker 6: Send it to me too. She's invested. Now, she's really good.

750
00:38:58,120 --> 00:38:59,640
Speaker 6: I gotta remember where I put my capo.

751
00:39:01,040 --> 00:39:05,319
Speaker 1: It's an A and then F sharp minor, so there

752
00:39:05,360 --> 00:39:09,719
Speaker 1: it is. Yeah cool, okay, great.

753
00:39:14,360 --> 00:39:14,560
Speaker 9: Too?

754
00:39:16,080 --> 00:39:16,239
Speaker 10: Two?

755
00:39:20,960 --> 00:39:23,040
Speaker 6: Okay, wait, I'm gonna stop. Yeah, I want to make

756
00:39:23,040 --> 00:39:24,880
Speaker 6: sure it's in tune. And also, do you want to

757
00:39:24,880 --> 00:39:26,120
Speaker 6: sing a verse on this one?

758
00:39:26,200 --> 00:39:26,239
Speaker 3: Or?

759
00:39:26,400 --> 00:39:26,600
Speaker 10: Yeah?

760
00:39:26,760 --> 00:39:28,319
Speaker 6: Would that be cool? I would love you too?

761
00:39:28,600 --> 00:39:30,080
Speaker 1: Should I do that? I left my phone in a

762
00:39:30,120 --> 00:39:31,160
Speaker 1: truck stop diner verse?

763
00:39:31,239 --> 00:39:31,439
Speaker 7: Yeah?

764
00:39:31,520 --> 00:39:32,040
Speaker 1: Okay? Cool?

765
00:39:32,200 --> 00:39:32,600
Speaker 6: Awesome?

766
00:39:33,280 --> 00:39:35,160
Speaker 1: Do you want to harmonize it fun?

767
00:39:35,320 --> 00:39:36,279
Speaker 6: Sing? Oh?

768
00:39:36,360 --> 00:39:39,000
Speaker 1: Yeah I can if you want to harmonize all over it.

769
00:39:39,160 --> 00:39:44,759
Speaker 1: I think I have your freezing okay, pretty close. It's

770
00:39:44,800 --> 00:39:46,600
Speaker 1: a little out on the piano up here too. I think,

771
00:39:47,080 --> 00:39:47,920
Speaker 1: no worries at all.

772
00:39:49,080 --> 00:39:51,320
Speaker 6: I just got my piano tuned. In my house, we

773
00:39:51,400 --> 00:39:55,680
Speaker 6: have a nineteen sixty six Baby Baldwin fun Eadie Graham Baldwin.

774
00:39:56,400 --> 00:39:58,200
Speaker 6: And it's so humid and.

775
00:39:58,280 --> 00:40:01,319
Speaker 1: Stuff there oh in Nashville. Yeah, so it is right.

776
00:40:01,560 --> 00:40:03,640
Speaker 6: It's like I worry about my guitars all the time.

777
00:40:03,680 --> 00:40:05,240
Speaker 6: I have like dehumidifiers going.

778
00:40:05,160 --> 00:40:08,400
Speaker 1: But it's better humid, right or no? Then the stuff

779
00:40:08,400 --> 00:40:09,320
Speaker 1: starts coming undone.

780
00:40:09,400 --> 00:40:11,640
Speaker 6: Yeah right. I think they like it dry for those cars,

781
00:40:11,800 --> 00:40:12,200
Speaker 6: that's right.

782
00:40:12,400 --> 00:40:13,360
Speaker 1: I always get confused.

783
00:40:13,400 --> 00:40:14,239
Speaker 6: I get confused too.

784
00:40:14,480 --> 00:40:16,600
Speaker 1: I used to have a whole humidity system for my

785
00:40:16,680 --> 00:40:18,600
Speaker 1: piano and I would always forget to water.

786
00:40:18,719 --> 00:40:19,880
Speaker 11: And I don't know.

787
00:40:20,040 --> 00:40:21,560
Speaker 6: God, Yeah, what is how old?

788
00:40:21,680 --> 00:40:21,800
Speaker 4: Is this?

789
00:40:22,200 --> 00:40:24,399
Speaker 1: This is an old staring myte I think it's from

790
00:40:24,560 --> 00:40:28,600
Speaker 1: like nineteen thirteen. I'm not great at remembering, but it's

791
00:40:28,680 --> 00:40:30,200
Speaker 1: really beaut one hundred and plus years old.

792
00:40:30,360 --> 00:40:32,279
Speaker 6: Is this what you tour with? Or this stays here?

793
00:40:32,400 --> 00:40:32,560
Speaker 5: Then?

794
00:40:32,680 --> 00:40:35,480
Speaker 1: I actually tour with Yamaha, which I like a lot,

795
00:40:35,760 --> 00:40:38,320
Speaker 1: and I've only had this piano on tour for like

796
00:40:38,520 --> 00:40:42,080
Speaker 1: a year now, so it changes. Yeah, sometimes I'll tour

797
00:40:42,120 --> 00:40:44,759
Speaker 1: with an upright because I just I love upright. The

798
00:40:44,840 --> 00:40:47,120
Speaker 1: piano on stage is so big and it blocks you

799
00:40:47,239 --> 00:40:47,920
Speaker 1: from everybody.

800
00:40:48,160 --> 00:40:48,600
Speaker 6: I hear that.

801
00:40:49,040 --> 00:40:50,000
Speaker 1: I really love it.

802
00:40:50,160 --> 00:40:54,200
Speaker 6: But uprights just sound so cool. I love tac pianos too,

803
00:40:54,400 --> 00:40:56,680
Speaker 6: I do too. Yeah, so fun.

804
00:40:57,120 --> 00:40:59,640
Speaker 1: You ever played Neil Young's Upright?

805
00:41:00,000 --> 00:41:01,880
Speaker 6: I was just thinking about his upright?

806
00:41:01,960 --> 00:41:02,200
Speaker 7: I love.

807
00:41:02,680 --> 00:41:04,719
Speaker 6: I love it so much, so much it sounds like

808
00:41:04,719 --> 00:41:05,320
Speaker 6: good you played it.

809
00:41:05,400 --> 00:41:05,640
Speaker 7: I have.

810
00:41:08,400 --> 00:41:11,080
Speaker 1: On my own set, like, but you let you play it?

811
00:41:11,520 --> 00:41:11,759
Speaker 4: Yeah?

812
00:41:11,880 --> 00:41:14,800
Speaker 1: Oh my gosh, it's awesome. The Bridge School benefit that

813
00:41:14,880 --> 00:41:17,959
Speaker 1: they did for a long time. I remember the first

814
00:41:18,040 --> 00:41:20,279
Speaker 1: time I got to play it for some reason, and

815
00:41:20,360 --> 00:41:22,320
Speaker 1: then after that, every time I did it, I was like,

816
00:41:22,640 --> 00:41:24,160
Speaker 1: please let me play Neil's piano.

817
00:41:24,400 --> 00:41:28,880
Speaker 6: Oh my gosh, it's it's so beautiful, so beautifully sonically,

818
00:41:28,960 --> 00:41:32,239
Speaker 6: it's you just can tell it's the one that he's had.

819
00:41:33,040 --> 00:41:35,600
Speaker 1: It's got, it's got the vibes soun mistakably. Yeah.

820
00:41:36,800 --> 00:41:45,720
Speaker 6: I love him so much too. Okay, so you'll take two, okay, okash,

821
00:41:45,840 --> 00:41:50,200
Speaker 6: it's a waltz, so oh is it? No, it's not no,

822
00:41:50,280 --> 00:41:50,520
Speaker 6: it's not.

823
00:41:51,719 --> 00:41:54,360
Speaker 1: Hey, who's playing guitar?

824
00:41:54,719 --> 00:42:00,160
Speaker 6: I think I play some of the guitar. My Husbann

825
00:42:00,239 --> 00:42:02,480
Speaker 6: does some of the like more like fingerpicky stuff.

826
00:42:02,920 --> 00:42:04,200
Speaker 1: Is he doing the solo stuff?

827
00:42:05,080 --> 00:42:05,200
Speaker 10: Oh?

828
00:42:05,440 --> 00:42:09,480
Speaker 6: So that is my guitar player, Jamie Davis.

829
00:42:09,600 --> 00:42:10,239
Speaker 1: This sounds great.

830
00:42:10,440 --> 00:42:12,120
Speaker 6: Yeah, thank you so much. And then I had Russ

831
00:42:12,160 --> 00:42:14,000
Speaker 6: Paul play pedal steel.

832
00:42:14,880 --> 00:42:16,080
Speaker 1: He's that's awesome.

833
00:42:16,560 --> 00:42:18,680
Speaker 6: Yeah, he's the one who always says, don't burn the beans.

834
00:42:23,320 --> 00:42:29,000
Speaker 7: Okay. Two three.

835
00:42:49,320 --> 00:42:53,400
Speaker 17: Walked out on my job, drove across the delta.

836
00:42:54,120 --> 00:43:00,319
Speaker 9: I had to be close to you, rolled the windows down,

837
00:43:01,440 --> 00:43:03,080
Speaker 9: singing to the syndo.

838
00:43:03,840 --> 00:43:05,480
Speaker 8: I had to be close to you.

839
00:43:09,160 --> 00:43:12,400
Speaker 6: I didn't want to hear what my mama would say.

840
00:43:14,160 --> 00:43:15,839
Speaker 6: I didn't care about.

841
00:43:15,560 --> 00:43:20,120
Speaker 8: To piss some my money away all anew.

842
00:43:21,000 --> 00:43:23,600
Speaker 7: I had to be close to you.

843
00:43:28,040 --> 00:43:33,360
Speaker 18: Left my phone and a truck stopped dying who I

844
00:43:33,600 --> 00:43:40,080
Speaker 18: had to be close to you. I hogged my home

845
00:43:40,680 --> 00:43:45,120
Speaker 18: at the Tennessee Board. I had to be close to you,

846
00:43:48,880 --> 00:43:53,840
Speaker 18: knocked on your door and kissed you home Now, I

847
00:43:54,000 --> 00:43:59,600
Speaker 18: squeezed you tired and set it out loud one things

848
00:43:59,640 --> 00:44:03,680
Speaker 18: for so it had to be close to you.

849
00:44:07,480 --> 00:44:07,920
Speaker 8: Close.

850
00:44:10,640 --> 00:44:15,279
Speaker 15: All dins up been also long.

851
00:44:17,480 --> 00:44:25,400
Speaker 8: Close to no side be long.

852
00:44:29,280 --> 00:44:34,480
Speaker 11: Down to the pub, buy a couple lms. Hands been

853
00:44:34,719 --> 00:44:39,880
Speaker 11: close to you, shot some.

854
00:44:40,160 --> 00:44:42,640
Speaker 8: Darts while already him down.

855
00:44:43,880 --> 00:44:51,800
Speaker 10: Hands been close to you, talked about Heaven, We talked

856
00:44:51,840 --> 00:44:57,840
Speaker 10: about hell. We played the jukebox while democracy fell.

857
00:44:59,480 --> 00:45:04,080
Speaker 17: Whilst across the floor, I had to be close to you.

858
00:45:30,040 --> 00:45:33,360
Speaker 17: Paid our tap stumbled outside.

859
00:45:34,520 --> 00:45:36,120
Speaker 8: Had to be close to you.

860
00:45:39,960 --> 00:45:43,320
Speaker 3: Your leather jacket was soaking away.

861
00:45:44,440 --> 00:45:51,360
Speaker 8: I had to be close to you. No one else

862
00:45:52,000 --> 00:45:58,880
Speaker 8: could understand how you pulling me with your cowless hands.

863
00:46:00,560 --> 00:46:03,040
Speaker 1: Weave fields had.

864
00:46:02,920 --> 00:46:19,680
Speaker 8: To be closed, closed all that azapah so long closed

865
00:46:24,680 --> 00:46:27,160
Speaker 8: side up long.

866
00:46:30,800 --> 00:46:37,880
Speaker 11: Octun job drove across the delta had to be closed to.

867
00:46:44,440 --> 00:46:44,680
Speaker 6: Fun.

868
00:46:44,960 --> 00:46:45,560
Speaker 1: That's pretty.

869
00:46:46,040 --> 00:46:48,000
Speaker 6: Oh the higher harmony on the chorus, So.

870
00:46:48,200 --> 00:46:50,760
Speaker 1: It's a great harmony. I just ripped it from your album.

871
00:46:51,320 --> 00:46:52,200
Speaker 6: I'm so glad.

872
00:46:52,400 --> 00:46:53,240
Speaker 1: She's so great.

873
00:46:53,400 --> 00:46:56,960
Speaker 6: My fiddle player, Kristen Webber, she's beautiful, such great harmonies.

874
00:46:57,200 --> 00:46:59,799
Speaker 1: That's great. Yeah, it is a great.

875
00:47:01,120 --> 00:47:01,319
Speaker 6: Yay.

876
00:47:02,520 --> 00:47:05,160
Speaker 1: Can you tell me about your guitar. Yes, yeah, I'm

877
00:47:05,239 --> 00:47:06,520
Speaker 1: so excited, so glad.

878
00:47:06,600 --> 00:47:10,839
Speaker 6: Yess I just put out this signature J forty five

879
00:47:11,360 --> 00:47:12,000
Speaker 6: with Gibson.

880
00:47:12,239 --> 00:47:14,080
Speaker 1: Oh wow, yeah, that's awesome.

881
00:47:15,719 --> 00:47:20,200
Speaker 6: Went to the factory in Montana and got to see

882
00:47:20,880 --> 00:47:25,279
Speaker 6: how they make them and oh my gosh. Yeah, it's

883
00:47:25,400 --> 00:47:29,480
Speaker 6: really a dream come true. I have a nineteen sixty

884
00:47:29,560 --> 00:47:33,279
Speaker 6: five Cherry Burst J forty five that I play all

885
00:47:33,360 --> 00:47:36,120
Speaker 6: the time, and I got it ten years ago when

886
00:47:36,160 --> 00:47:40,720
Speaker 6: I signed my first album deal and it's been damaged

887
00:47:40,840 --> 00:47:44,160
Speaker 6: like once while flying, and so it's really nice to have,

888
00:47:44,400 --> 00:47:48,160
Speaker 6: like we kind of made this so I can take

889
00:47:48,239 --> 00:47:52,600
Speaker 6: it and it's protected also from I strum quite furiously.

890
00:47:52,880 --> 00:47:56,440
Speaker 6: I'm gonna double pick. Yeah, So on my on my

891
00:47:57,000 --> 00:48:00,680
Speaker 6: vintage one, there's like scrapes and scratches, like it doesn't

892
00:48:00,680 --> 00:48:03,680
Speaker 6: look like trigger, yeah, but it is getting there.

893
00:48:04,480 --> 00:48:05,359
Speaker 1: It's pretty Yeah.

894
00:48:07,239 --> 00:48:11,839
Speaker 6: Yeah, it's these are like redtail hawks. I always see

895
00:48:11,880 --> 00:48:14,440
Speaker 6: them when I'm out or kind of that's cool. I

896
00:48:14,520 --> 00:48:18,560
Speaker 6: want to say my spirit animal. But yeah, they they

897
00:48:18,640 --> 00:48:21,719
Speaker 6: came up with this whole design. Robbie John's over at

898
00:48:21,760 --> 00:48:26,040
Speaker 6: Gibson had a lot to do with like the finding

899
00:48:26,120 --> 00:48:29,480
Speaker 6: the rosewood and coming up with all the details.

900
00:48:29,680 --> 00:48:31,160
Speaker 1: It's great, it's beautiful.

901
00:48:31,280 --> 00:48:32,840
Speaker 6: I'm kind so thrilled. Thank you.

902
00:48:32,960 --> 00:48:34,240
Speaker 1: It's your first signature guitar.

903
00:48:34,480 --> 00:48:40,320
Speaker 6: It is yeah, yeah, yeah, I've been waiting for like

904
00:48:40,400 --> 00:48:43,200
Speaker 6: three years. Also for this to come to fruition, this

905
00:48:43,360 --> 00:48:44,120
Speaker 6: would be awesome.

906
00:48:44,400 --> 00:48:45,040
Speaker 10: Yeah it is.

907
00:48:45,280 --> 00:48:47,160
Speaker 6: Yeah. They sent like one model and I like played

908
00:48:47,200 --> 00:48:48,759
Speaker 6: it and I made some adjustments on the neck.

909
00:48:49,120 --> 00:48:49,359
Speaker 7: Yeah.

910
00:48:50,760 --> 00:48:53,239
Speaker 6: I like all different kinds of guitars, but I really

911
00:48:53,440 --> 00:48:56,560
Speaker 6: like Gibson's because at least like the J forty five

912
00:48:56,600 --> 00:48:58,200
Speaker 6: that I have, it's got just like a little bit

913
00:48:58,239 --> 00:49:00,680
Speaker 6: of a thinner neck, easier for small hands.

914
00:49:00,920 --> 00:49:05,320
Speaker 1: Same I have. I'm horrible with names. I'm not a gearhead,

915
00:49:05,480 --> 00:49:08,000
Speaker 1: but I have a really thick neck. Beautiful old guitar there.

916
00:49:08,120 --> 00:49:11,359
Speaker 1: What is that, Matt? Is it a J forty five?

917
00:49:11,600 --> 00:49:12,000
Speaker 11: Is that a J.

918
00:49:14,719 --> 00:49:17,759
Speaker 1: You don't know it's old. It's forties. It's like a

919
00:49:17,800 --> 00:49:20,480
Speaker 1: forties J forty five, but very it's my hands.

920
00:49:21,000 --> 00:49:22,640
Speaker 6: It's just a I can sell that neck.

921
00:49:22,840 --> 00:49:24,719
Speaker 1: Yeah, it's like a baseball bat. Yeah yeah.

922
00:49:24,920 --> 00:49:27,040
Speaker 6: And then that gut string you have over there, it

923
00:49:27,120 --> 00:49:29,719
Speaker 6: looks like the next even three times the size.

924
00:49:29,840 --> 00:49:32,320
Speaker 1: Yeah, it's really I love the gut string. Yeah, but

925
00:49:32,400 --> 00:49:33,800
Speaker 1: I like the sin one next to it.

926
00:49:33,920 --> 00:49:35,319
Speaker 6: It's this one over here.

927
00:49:35,520 --> 00:49:38,239
Speaker 1: Yeah. Nice. Yeah, it's just a center neck, so it

928
00:49:38,320 --> 00:49:40,560
Speaker 1: doesn't sound as fat, but it's easy.

929
00:49:40,920 --> 00:49:43,960
Speaker 6: Okay, do some little jango licks on there.

930
00:49:43,960 --> 00:49:48,480
Speaker 1: Not quiet same. So the first time I met you

931
00:49:48,680 --> 00:49:50,680
Speaker 1: was at the Willie Show, Right, was that the first

932
00:49:50,719 --> 00:49:51,239
Speaker 1: time we met?

933
00:49:51,280 --> 00:49:51,759
Speaker 6: I think it was.

934
00:49:51,760 --> 00:49:54,320
Speaker 1: It was the only time we've really met. Yeah, the

935
00:49:54,400 --> 00:49:56,560
Speaker 1: Willy Nelson ninetieth Oh.

936
00:49:56,440 --> 00:49:57,840
Speaker 6: My gosh, what a legend.

937
00:49:58,239 --> 00:50:00,880
Speaker 1: I mean, he's just my al tie favorite, I know.

938
00:50:01,600 --> 00:50:04,920
Speaker 1: But also that was such a special weekend, it wasn't it.

939
00:50:05,560 --> 00:50:08,840
Speaker 6: I think it's my favorite show I've ever played. I

940
00:50:08,960 --> 00:50:14,680
Speaker 6: really can't think of an artist who brings together more

941
00:50:14,880 --> 00:50:17,759
Speaker 6: people from different genres, and like I mean, when you

942
00:50:17,840 --> 00:50:21,640
Speaker 6: see like Snoop Dogg and George Street sharing a trailer, like,

943
00:50:21,840 --> 00:50:22,920
Speaker 6: where else would that happen?

944
00:50:23,920 --> 00:50:28,600
Speaker 1: Will It felt like a real family. Everybody just came together.

945
00:50:28,840 --> 00:50:31,360
Speaker 1: And I didn't know a lot of people personally, but

946
00:50:31,480 --> 00:50:32,920
Speaker 1: it felt like we were all connected.

947
00:50:33,280 --> 00:50:36,279
Speaker 6: Oh my gosh, your duet with Chris was really really

948
00:50:37,400 --> 00:50:40,160
Speaker 6: I was sitting in the audience for that. I was bawling.

949
00:50:40,280 --> 00:50:40,719
Speaker 7: Oh yeah.

950
00:50:41,040 --> 00:50:43,320
Speaker 6: And the duet that he did with Roseyne, it was

951
00:50:43,480 --> 00:50:45,000
Speaker 6: just such an emotion.

952
00:50:44,800 --> 00:50:47,319
Speaker 1: So beautiful. It was a very emotional weekend. I think

953
00:50:47,960 --> 00:50:49,640
Speaker 1: I was standing next to you and there's a great

954
00:50:49,680 --> 00:50:52,520
Speaker 1: picture of us with smoke between us.

955
00:50:53,239 --> 00:50:56,439
Speaker 6: I was just telling you, Greg, my public is set

956
00:50:56,520 --> 00:50:58,439
Speaker 6: on the way over that there's like a photover. I'm

957
00:50:58,480 --> 00:51:00,279
Speaker 6: like holding a joint and I think it's like singing

958
00:51:00,320 --> 00:51:01,640
Speaker 6: my face. Smoke is blowing.

959
00:51:01,440 --> 00:51:04,160
Speaker 1: Directly in my face and I'm like I'm looking up

960
00:51:04,239 --> 00:51:06,560
Speaker 1: and like I'm smelling it and I'm in heaven and

961
00:51:06,760 --> 00:51:09,920
Speaker 1: it was just so great. Yeah, And when we started

962
00:51:09,960 --> 00:51:12,480
Speaker 1: to do an off fly away that second night, I

963
00:51:12,560 --> 00:51:15,200
Speaker 1: think I just started uncontrollably sobbing.

964
00:51:15,440 --> 00:51:18,279
Speaker 6: Yes, I'm I'm just thinking, I know I could see

965
00:51:18,560 --> 00:51:20,360
Speaker 6: I just yeah, I think.

966
00:51:20,239 --> 00:51:22,040
Speaker 1: I looked over at you and you were crying too,

967
00:51:22,320 --> 00:51:25,160
Speaker 1: and I was just like, I wasn't even just a

968
00:51:25,280 --> 00:51:28,480
Speaker 1: tearing up. I was just uncontrollably sobbing and trying to

969
00:51:28,560 --> 00:51:29,279
Speaker 1: sing it the same.

970
00:51:29,480 --> 00:51:33,800
Speaker 6: Yes, it was tears of joy totally, and just like

971
00:51:34,360 --> 00:51:37,560
Speaker 6: the gratitude to be able to stand in the same

972
00:51:37,680 --> 00:51:39,759
Speaker 6: space as absolutely so many of the people on that.

973
00:51:39,800 --> 00:51:41,880
Speaker 1: Stage that night. Yeah, And it was just it was

974
00:51:41,960 --> 00:51:42,680
Speaker 1: so emotional.

975
00:51:42,840 --> 00:51:45,359
Speaker 6: I mean, oh, I partied so hard that night. When

976
00:51:45,400 --> 00:51:48,040
Speaker 6: I go back to the sun Summer, well you too

977
00:51:48,120 --> 00:51:50,120
Speaker 6: a little bit, but yeah, yeah, yeah.

978
00:51:50,280 --> 00:51:52,000
Speaker 1: I think you were staying across the way from me

979
00:51:52,080 --> 00:51:53,959
Speaker 1: and I could see you in your.

980
00:51:53,960 --> 00:51:56,719
Speaker 6: Hotel room and I was like, Hi, I know it

981
00:51:56,840 --> 00:51:58,880
Speaker 6: was so crazy that I think like Jack Johnson was

982
00:51:58,960 --> 00:52:01,319
Speaker 6: like above you and you like was waving down.

983
00:52:01,480 --> 00:52:01,680
Speaker 4: I know.

984
00:52:01,880 --> 00:52:03,800
Speaker 1: I mean it was so fun at the hotel.

985
00:52:04,000 --> 00:52:07,120
Speaker 6: Yes, yeah, that was That was a weekend I will

986
00:52:07,360 --> 00:52:12,000
Speaker 6: never forget, like say, yeah, yeah, it was special, very surreal.

987
00:52:12,520 --> 00:52:15,040
Speaker 1: Only Willing can bring us all. It's so true.

988
00:52:15,239 --> 00:52:17,640
Speaker 6: I mean, he's just he's such a pioneer and like

989
00:52:17,719 --> 00:52:22,440
Speaker 6: the way that he has developed his sound and created

990
00:52:22,520 --> 00:52:25,480
Speaker 6: something that's like it's so unmistakable. Like when he plays

991
00:52:25,719 --> 00:52:27,879
Speaker 6: you just you hear his guitar like this Willy. Yeah.

992
00:52:27,880 --> 00:52:30,640
Speaker 6: I feel like we're saying, sit behind the piano is

993
00:52:30,680 --> 00:52:33,239
Speaker 6: the same way, like thanks. I've been listening to your

994
00:52:33,320 --> 00:52:34,600
Speaker 6: records for two decades.

995
00:52:34,680 --> 00:52:35,320
Speaker 1: That's crazy.

996
00:52:36,080 --> 00:52:38,880
Speaker 6: Literally, I remember waitressing and just like your album had

997
00:52:38,920 --> 00:52:42,279
Speaker 6: come out, had come out, and getting to sit here

998
00:52:42,320 --> 00:52:44,759
Speaker 6: with you and hear you play. It's like you just

999
00:52:44,840 --> 00:52:47,840
Speaker 6: have a style that is so uniquely your own things beautiful.

1000
00:52:48,040 --> 00:52:50,279
Speaker 1: Well you too. It's so fun to like actually be

1001
00:52:50,360 --> 00:52:53,840
Speaker 1: able to share music with people, and you know, it

1002
00:52:53,960 --> 00:52:55,400
Speaker 1: was fun to see what the Willy thing. But we

1003
00:52:55,400 --> 00:52:57,840
Speaker 1: didn't get to play together, so you finally get to

1004
00:52:57,920 --> 00:52:58,120
Speaker 1: do it.

1005
00:52:58,480 --> 00:53:01,680
Speaker 6: Yeah, I know that was It was a whirlwind of weekend.

1006
00:53:01,560 --> 00:53:03,840
Speaker 1: Like I feel like it was long though, you know,

1007
00:53:04,040 --> 00:53:05,640
Speaker 1: there was like the rehearsal day and then it was

1008
00:53:05,680 --> 00:53:08,520
Speaker 1: two nights of the show. Oh my gosh, I felt

1009
00:53:08,800 --> 00:53:11,040
Speaker 1: you know, I got substantial.

1010
00:53:10,640 --> 00:53:14,759
Speaker 6: Like talk to Paul Simon, I talked to Keith Richards.

1011
00:53:15,840 --> 00:53:17,800
Speaker 6: They both signed I have a guitar that I have

1012
00:53:17,920 --> 00:53:21,040
Speaker 6: been bringing around and making everybody sign. Who else did

1013
00:53:21,120 --> 00:53:21,640
Speaker 6: I get to talk?

1014
00:53:21,680 --> 00:53:21,839
Speaker 1: Oh?

1015
00:53:22,080 --> 00:53:25,240
Speaker 6: Beck got a beasting on his hands to the stage

1016
00:53:25,280 --> 00:53:28,360
Speaker 6: and I got it. Brought him like some tobacco and

1017
00:53:28,520 --> 00:53:30,400
Speaker 6: some I was trying to help the stinging go.

1018
00:53:30,600 --> 00:53:30,759
Speaker 3: Yeah.

1019
00:53:31,040 --> 00:53:31,760
Speaker 1: It was just funny.

1020
00:53:31,920 --> 00:53:34,400
Speaker 6: Yeah, like where are you going to find like all

1021
00:53:34,480 --> 00:53:35,640
Speaker 6: these people in the same room.

1022
00:53:35,880 --> 00:53:39,479
Speaker 1: Yes, and everybody sounded great. Yeah, it was really fun.

1023
00:53:39,840 --> 00:53:42,720
Speaker 6: Yeah. They did a good job, like picking all the songs,

1024
00:53:42,800 --> 00:53:45,640
Speaker 6: and I mean he's got such a catalog to choose from,

1025
00:53:46,400 --> 00:53:47,360
Speaker 6: really hard to decide.

1026
00:53:47,360 --> 00:53:49,880
Speaker 1: And both shows were completely different. Yes, you sang a

1027
00:53:49,920 --> 00:53:50,719
Speaker 1: different song each night.

1028
00:53:50,880 --> 00:53:52,680
Speaker 6: Yeah, I like, no repeats, right, what did you do?

1029
00:53:53,000 --> 00:53:56,000
Speaker 1: I only repeated the Bobby Bobby Nelson piano.

1030
00:53:56,120 --> 00:53:58,399
Speaker 6: Of course you've got to do that down yonder, right, they.

1031
00:53:58,360 --> 00:54:01,239
Speaker 1: Wanted me to do another one the second night, but

1032
00:54:01,480 --> 00:54:04,239
Speaker 1: I was just I was like, I really don't want

1033
00:54:04,239 --> 00:54:05,960
Speaker 1: to fuck it up, and you know, I don't really

1034
00:54:06,000 --> 00:54:07,839
Speaker 1: play that fast usually, so I was like, I can

1035
00:54:07,880 --> 00:54:09,919
Speaker 1: do Dan Yonder. Can I just do that both nights? Please?

1036
00:54:10,200 --> 00:54:12,360
Speaker 6: It's classic. That's what he opens every show exactly.

1037
00:54:12,600 --> 00:54:15,399
Speaker 1: Yeah. Yeah, but I didn't remember hearing the other one

1038
00:54:16,520 --> 00:54:18,880
Speaker 1: when I saw Willy with her so many times.

1039
00:54:19,000 --> 00:54:21,640
Speaker 6: But yeah, but yeah, did you get a talk to

1040
00:54:21,760 --> 00:54:23,200
Speaker 6: Bobby over the years?

1041
00:54:23,320 --> 00:54:23,600
Speaker 10: I did.

1042
00:54:23,719 --> 00:54:27,600
Speaker 1: I think the first time, Uh well, I opened for

1043
00:54:27,680 --> 00:54:30,000
Speaker 1: Willy right before my first record came out, and so

1044
00:54:30,080 --> 00:54:31,160
Speaker 1: I got to meet them all then.

1045
00:54:31,640 --> 00:54:32,120
Speaker 11: So cool.

1046
00:54:32,320 --> 00:54:34,200
Speaker 1: But then I think I played like it his seventieth

1047
00:54:34,280 --> 00:54:38,000
Speaker 1: birthday party. Nice and I know the seventy fifth and

1048
00:54:38,120 --> 00:54:40,640
Speaker 1: eightieth and eighty fifth and I love that. Yeah, it's

1049
00:54:40,719 --> 00:54:41,759
Speaker 1: kind of crazy I played it.

1050
00:54:42,560 --> 00:54:44,640
Speaker 6: I'm trying to think if it was his eighty ninth

1051
00:54:45,239 --> 00:54:47,960
Speaker 6: or I can't remember which one it was, but it.

1052
00:54:48,000 --> 00:54:49,960
Speaker 1: Was like out of Luck and they had fun. You know,

1053
00:54:50,000 --> 00:54:52,360
Speaker 1: I've never been to Luck. Oh my god, I know,

1054
00:54:52,560 --> 00:54:53,239
Speaker 1: I don't know why.

1055
00:54:53,640 --> 00:54:55,840
Speaker 6: Yeah, you got to go out there and play. I

1056
00:54:55,960 --> 00:54:58,520
Speaker 6: know they like do more shows and stuff out there

1057
00:54:58,640 --> 00:55:01,719
Speaker 6: now too, just like not even just Luck, but just

1058
00:55:01,960 --> 00:55:05,360
Speaker 6: they'll do like I think loosen to Williams and like

1059
00:55:05,520 --> 00:55:08,800
Speaker 6: Waxahatchie just like played the show. Oh cool, it's so

1060
00:55:08,880 --> 00:55:11,520
Speaker 6: cool because he they built that whole set for like

1061
00:55:11,600 --> 00:55:14,320
Speaker 6: Redheaded Stranger, and then at the end of the movie

1062
00:55:14,680 --> 00:55:17,680
Speaker 6: they were supposed to burn the town down, but he

1063
00:55:17,880 --> 00:55:20,239
Speaker 6: changed the whole ending because he's like, no, I want

1064
00:55:20,280 --> 00:55:22,600
Speaker 6: to keep this and so like you go there and

1065
00:55:22,680 --> 00:55:24,759
Speaker 6: it's just like there's a bank and there's like a

1066
00:55:24,920 --> 00:55:28,680
Speaker 6: bar and west. Yeah, it's so cool, but is cool.

1067
00:55:28,840 --> 00:55:30,279
Speaker 1: Yeah, I got to go. I don't know why I

1068
00:55:30,320 --> 00:55:30,640
Speaker 1: haven't been.

1069
00:55:30,719 --> 00:55:32,560
Speaker 6: Absolutely, let's go together next year.

1070
00:55:32,760 --> 00:55:33,680
Speaker 1: Yeah, let's go to it.

1071
00:55:33,920 --> 00:55:34,640
Speaker 6: It's really fun.

1072
00:55:34,840 --> 00:55:35,400
Speaker 1: Yeah, I would go.

1073
00:55:35,560 --> 00:55:38,680
Speaker 6: It's crazy. There's like cops everywhere because you know, they

1074
00:55:38,760 --> 00:55:41,920
Speaker 6: have to keep it safe, but like everybody's smoking doobies

1075
00:55:41,960 --> 00:55:43,040
Speaker 6: in It's Texas.

1076
00:55:42,760 --> 00:55:47,200
Speaker 1: And it's like a lawless city's village, its own thing.

1077
00:55:47,480 --> 00:55:49,200
Speaker 1: They just can't they can't crack down on that.

1078
00:55:49,640 --> 00:55:49,839
Speaker 6: Yeah.

1079
00:55:50,040 --> 00:55:50,239
Speaker 9: Luck.

1080
00:55:50,400 --> 00:55:53,279
Speaker 6: I think a couple of the like cops that work there,

1081
00:55:53,360 --> 00:55:56,080
Speaker 6: they actually got married out at Luck and I met

1082
00:55:56,200 --> 00:55:58,000
Speaker 6: out there, so like they're pretty chill.

1083
00:55:58,120 --> 00:56:03,080
Speaker 1: That's pretty cool. That's great your relationship to country music

1084
00:56:03,280 --> 00:56:08,360
Speaker 1: and the whole genre and the you know, everything that

1085
00:56:08,440 --> 00:56:08,960
Speaker 1: comes with it.

1086
00:56:09,080 --> 00:56:09,120
Speaker 4: It.

1087
00:56:09,640 --> 00:56:12,399
Speaker 1: You know, it feels like you're in the Willy vein

1088
00:56:12,520 --> 00:56:16,960
Speaker 1: of it, you know whatever that means. But I don't

1089
00:56:17,000 --> 00:56:20,480
Speaker 1: know how you feel about the industry. It's just such

1090
00:56:20,520 --> 00:56:23,279
Speaker 1: a big it's a big it's a big place, it

1091
00:56:23,440 --> 00:56:23,960
Speaker 1: really is.

1092
00:56:24,560 --> 00:56:27,759
Speaker 6: And I think, yeah, I think country music it's like

1093
00:56:27,880 --> 00:56:31,640
Speaker 6: so many people try to like own the genre or

1094
00:56:31,800 --> 00:56:33,719
Speaker 6: like say that it's one thing or say that it's

1095
00:56:33,760 --> 00:56:36,279
Speaker 6: the other, but it's actually so many different things. Yeah,

1096
00:56:36,800 --> 00:56:40,320
Speaker 6: and I think, you know, Willy was definitely one of

1097
00:56:40,360 --> 00:56:46,600
Speaker 6: the people paving the way for artists that didn't want

1098
00:56:46,640 --> 00:56:49,920
Speaker 6: to fit inside a small box.

1099
00:56:50,080 --> 00:56:53,919
Speaker 1: Yeah, which I feel like is almost every artist I know. Yeah,

1100
00:56:54,320 --> 00:56:57,319
Speaker 1: but then people get caught up in the business part

1101
00:56:57,360 --> 00:57:01,279
Speaker 1: of it and it becomes something else sometimes. But glad

1102
00:57:01,320 --> 00:57:02,040
Speaker 1: you're not in that.

1103
00:57:02,400 --> 00:57:05,040
Speaker 6: Yeah. I definitely have like a love hate relationship with

1104
00:57:06,239 --> 00:57:10,000
Speaker 6: country music and just with Nashville in general. Like I

1105
00:57:10,080 --> 00:57:11,759
Speaker 6: kind of stay on my side of town. I stay

1106
00:57:11,800 --> 00:57:15,000
Speaker 6: in East Nashville, and like it's a thing. Yeah, yeah,

1107
00:57:15,080 --> 00:57:18,560
Speaker 6: I thought so, but I don't know a lot about it. Yeah,

1108
00:57:18,760 --> 00:57:22,480
Speaker 6: it's like the last couple of records I made were

1109
00:57:22,560 --> 00:57:29,480
Speaker 6: like more in the rock, like psychedelic vein, and I

1110
00:57:30,000 --> 00:57:32,640
Speaker 6: think I did need just a little space from like,

1111
00:57:32,880 --> 00:57:35,200
Speaker 6: you know, people always saying like, oh, you're a country singer.

1112
00:57:35,240 --> 00:57:37,760
Speaker 6: You're a country singer. It was like, well, actually I

1113
00:57:37,960 --> 00:57:39,760
Speaker 6: was in a soul band for a bunch of years,

1114
00:57:39,800 --> 00:57:43,800
Speaker 6: and like I sang you know, Italian like opera opera

1115
00:57:43,960 --> 00:57:47,840
Speaker 6: style singing, and I've you know, just I love folk

1116
00:57:48,000 --> 00:57:51,120
Speaker 6: and I love the blues, and like there's just so

1117
00:57:51,320 --> 00:57:55,880
Speaker 6: many different things that become the melting pot of like yeah,

1118
00:57:56,000 --> 00:57:57,840
Speaker 6: you know what you do. So I felt like I

1119
00:57:57,920 --> 00:57:59,680
Speaker 6: needed to get out of it in a way. But

1120
00:58:00,040 --> 00:58:02,640
Speaker 6: and you know, you start getting carried away with like

1121
00:58:03,080 --> 00:58:06,720
Speaker 6: too heavy of you know, jams. It's like a twenty

1122
00:58:06,760 --> 00:58:07,680
Speaker 6: minute go to space.

1123
00:58:08,000 --> 00:58:09,360
Speaker 8: No, but maybe you need it.

1124
00:58:09,560 --> 00:58:10,080
Speaker 15: It was fun.

1125
00:58:10,400 --> 00:58:11,880
Speaker 6: I enjoyed it, you know. I like to get behind

1126
00:58:11,920 --> 00:58:14,920
Speaker 6: the drums too, and like play the drums and yever,

1127
00:58:15,080 --> 00:58:17,960
Speaker 6: but I wanted to get back to the song into

1128
00:58:18,080 --> 00:58:23,680
Speaker 6: like the storytelling and it's it's been nice to put

1129
00:58:23,720 --> 00:58:26,240
Speaker 6: on those like old records like you know, Redhead Stranger

1130
00:58:26,320 --> 00:58:30,040
Speaker 6: and stuff that I just absolutely adore and go back

1131
00:58:30,120 --> 00:58:34,520
Speaker 6: to what I love about country music. Yeah, yeah, there's

1132
00:58:34,560 --> 00:58:36,640
Speaker 6: so much to love absolutely.

1133
00:58:36,320 --> 00:58:38,840
Speaker 1: Yeah, No, it's funny. It's funny nowadays when you hear

1134
00:58:38,920 --> 00:58:40,960
Speaker 1: somebody say they like country music, you don't know what

1135
00:58:41,000 --> 00:58:43,880
Speaker 1: they're talking about, don't until they explain the artists they like,

1136
00:58:43,960 --> 00:58:48,880
Speaker 1: and they're like, okay, yeah, that's that. And that's maybe

1137
00:58:48,960 --> 00:58:51,120
Speaker 1: a little different from what I was thinking. But you know,

1138
00:58:52,000 --> 00:58:54,919
Speaker 1: it's all good. It's just it's so bad.

1139
00:58:55,280 --> 00:58:55,880
Speaker 9: It really is.

1140
00:58:56,160 --> 00:58:56,680
Speaker 17: It really is.

1141
00:58:56,800 --> 00:58:58,560
Speaker 6: And I try not to judge because at the end

1142
00:58:58,560 --> 00:59:02,000
Speaker 6: of the day, like any artists who is out there

1143
00:59:02,240 --> 00:59:05,240
Speaker 6: like singing their songs and trying to you know, connect

1144
00:59:05,400 --> 00:59:08,480
Speaker 6: with people through music like they're not the enemy. And

1145
00:59:08,600 --> 00:59:10,240
Speaker 6: I think, you know, for a long time, it was

1146
00:59:10,320 --> 00:59:12,120
Speaker 6: just I had a really big chip on my shoulder

1147
00:59:12,280 --> 00:59:14,760
Speaker 6: about a lot of these like bro country dudes. And

1148
00:59:15,560 --> 00:59:20,440
Speaker 6: I guess because some of it seems like inherently misogynistic

1149
00:59:20,840 --> 00:59:21,760
Speaker 6: or like, well.

1150
00:59:21,640 --> 00:59:23,360
Speaker 1: That's a whole other thing. Yeah it is. I mean

1151
00:59:23,400 --> 00:59:26,920
Speaker 1: that's yeah, that's okay to be been out of shape vacut.

1152
00:59:27,000 --> 00:59:32,360
Speaker 6: Okay, still screw those people that. Yeah, I love like

1153
00:59:32,840 --> 00:59:36,600
Speaker 6: the Americana genre is you know, it used to be

1154
00:59:36,680 --> 00:59:40,360
Speaker 6: called like alt country. Yeah, I remember what did you

1155
00:59:40,400 --> 00:59:42,160
Speaker 6: get classified as like, well.

1156
00:59:42,080 --> 00:59:43,959
Speaker 1: People still think of me as a jazz singer because

1157
00:59:43,960 --> 00:59:46,080
Speaker 1: I was in a Blue Note, yeah, which is a

1158
00:59:46,120 --> 00:59:49,880
Speaker 1: jazz label, but and I came from jazz, but my

1159
00:59:49,960 --> 00:59:52,640
Speaker 1: first record kind of had a mix of stuff in it. Absolutely,

1160
00:59:52,800 --> 00:59:55,440
Speaker 1: So people always say that to me, and I don't

1161
00:59:55,480 --> 00:59:58,960
Speaker 1: get offended at it because I love jazz. But yeah,

1162
00:59:59,080 --> 01:00:02,400
Speaker 1: I definitely. I'm like, I wouldn't say that you're.

1163
01:00:02,320 --> 01:00:05,560
Speaker 6: Beyond You're beyond just being a jazz musician.

1164
01:00:05,680 --> 01:00:05,880
Speaker 13: Yeah.

1165
01:00:06,000 --> 01:00:08,480
Speaker 6: Absolutely, and Willing too. It's like he had so much

1166
01:00:08,600 --> 01:00:11,760
Speaker 6: jazz influence totally, but like made it all his made

1167
01:00:11,760 --> 01:00:12,280
Speaker 6: it all his time.

1168
01:00:12,320 --> 01:00:12,520
Speaker 7: Yeah.

1169
01:00:13,040 --> 01:00:15,200
Speaker 1: I think it's the best compliment when somebody tells you

1170
01:00:15,400 --> 01:00:17,680
Speaker 1: you just sound like you. Yeah, I know, that's what

1171
01:00:17,840 --> 01:00:20,120
Speaker 1: you that's what you strive for. That's right, I think.

1172
01:00:20,640 --> 01:00:23,600
Speaker 6: Absolutely, I know I do. I'm still trying to remind

1173
01:00:23,640 --> 01:00:25,360
Speaker 6: myself that all I have to be is me and

1174
01:00:25,360 --> 01:00:30,320
Speaker 6: I don't have to try to fit in any cowboy

1175
01:00:30,400 --> 01:00:31,479
Speaker 6: hat or it's true.

1176
01:00:31,560 --> 01:00:33,560
Speaker 1: Yeah, but you look damn good in a cowboy hat,

1177
01:00:33,800 --> 01:00:34,120
Speaker 1: thank you.

1178
01:00:34,760 --> 01:00:36,200
Speaker 6: It's good when you don't want to wash your hair

1179
01:00:36,480 --> 01:00:38,160
Speaker 6: just throw No.

1180
01:00:38,560 --> 01:00:40,280
Speaker 1: I mean, you do sound like you, and that's what's

1181
01:00:40,360 --> 01:00:44,760
Speaker 1: great things. Yeah, it's been a real pleasure. I think

1182
01:00:44,760 --> 01:00:46,760
Speaker 1: we should wrap it up with a Willie tune.

1183
01:00:46,920 --> 01:00:47,440
Speaker 8: Let's do it.

1184
01:00:47,680 --> 01:00:50,080
Speaker 1: Yeah, I'm glad you suggested this one. This is one

1185
01:00:50,120 --> 01:00:53,800
Speaker 1: of my faves that I have never covered. I've I've

1186
01:00:53,840 --> 01:00:56,120
Speaker 1: done a lot of Willy tunes, but never this swim.

1187
01:00:56,680 --> 01:01:00,400
Speaker 1: I love doing these old Redheaded Stranger songs. The best

1188
01:01:00,600 --> 01:01:01,240
Speaker 1: is so good.

1189
01:01:01,400 --> 01:01:04,600
Speaker 6: I can't believe it's like the fifty year anniversary. Is

1190
01:01:04,640 --> 01:01:05,720
Speaker 6: that it coming up?

1191
01:01:05,880 --> 01:01:06,040
Speaker 4: Oh?

1192
01:01:06,360 --> 01:01:09,400
Speaker 1: Wow, it's really so wild, it's amazing.

1193
01:01:10,080 --> 01:01:11,480
Speaker 6: All right, Okay, let's do it.

1194
01:01:11,560 --> 01:01:11,920
Speaker 1: I love it.

1195
01:01:12,640 --> 01:01:16,400
Speaker 6: Oh boy, Okay, so do you want to take the

1196
01:01:16,440 --> 01:01:17,360
Speaker 6: first one and I'll.

1197
01:01:17,160 --> 01:01:18,479
Speaker 1: Take the second verse? Sure?

1198
01:01:18,680 --> 01:01:21,440
Speaker 6: Okay, okay, yeah, you do the first one, all right.

1199
01:01:22,440 --> 01:01:23,600
Speaker 1: You gotta get that food in there.

1200
01:01:23,880 --> 01:01:25,120
Speaker 6: Yeah, I'll get a little stumping.

1201
01:01:28,480 --> 01:01:28,720
Speaker 14: Yeah.

1202
01:01:30,520 --> 01:01:33,880
Speaker 1: I don't even remember how it starts on the sea.

1203
01:01:34,240 --> 01:01:34,439
Speaker 14: Yeah.

1204
01:01:48,600 --> 01:01:52,080
Speaker 18: Last night I came home and I've.

1205
01:01:53,320 --> 01:01:54,920
Speaker 8: I called to my love.

1206
01:01:55,320 --> 01:02:01,800
Speaker 19: As ive ta before I'm not and I know no answer, ka,

1207
01:02:02,600 --> 01:02:06,600
Speaker 19: no kisses grieve me, no boys called my lad.

1208
01:02:08,440 --> 01:02:13,880
Speaker 9: I couldn't believe it was true, Old Lord, I couldn't

1209
01:02:14,360 --> 01:02:16,080
Speaker 9: believe it was true.

1210
01:02:17,920 --> 01:02:19,640
Speaker 6: My still tears.

1211
01:02:20,320 --> 01:02:23,760
Speaker 9: I must have bested ten years, and I couldn't.

1212
01:02:23,960 --> 01:02:25,600
Speaker 1: Believe it was true.

1213
01:02:48,920 --> 01:02:52,880
Speaker 3: My shock was so great I was quivering yere.

1214
01:02:53,640 --> 01:02:59,760
Speaker 2: I tried to forgive my can not forget my heartbreak law,

1215
01:03:00,480 --> 01:03:02,160
Speaker 2: it's another man's game.

1216
01:03:03,200 --> 01:03:11,320
Speaker 3: Perhaps I will remain. And I couldn't believe the most

1217
01:03:11,400 --> 01:03:16,880
Speaker 3: true Old LORDA couldn't believe the huste.

1218
01:03:18,120 --> 01:03:19,720
Speaker 8: Mys few tears.

1219
01:03:20,400 --> 01:03:24,800
Speaker 2: I must mage ten ears, and I couldn't please.

1220
01:03:24,840 --> 01:03:49,439
Speaker 3: The most shoe, And I couldn't believe it was true.

1221
01:03:49,840 --> 01:03:54,120
Speaker 11: Old LORDA couldn't believe it was true.

1222
01:03:55,920 --> 01:03:58,960
Speaker 3: My few teas, I must.

1223
01:03:58,920 --> 01:04:00,160
Speaker 8: Lage any here.

1224
01:04:00,760 --> 01:04:03,040
Speaker 6: Couldn't believe it was.

1225
01:04:05,280 --> 01:04:13,320
Speaker 3: Mask o, jeez, I must fish. He couldn't believe it was.

1226
01:04:24,000 --> 01:04:24,280
Speaker 1: Nice.

1227
01:04:29,160 --> 01:04:29,440
Speaker 7: Nice.

1228
01:04:29,640 --> 01:04:30,080
Speaker 11: I love that.

1229
01:04:30,520 --> 01:04:31,040
Speaker 3: That was fun.

1230
01:04:31,240 --> 01:04:33,720
Speaker 6: Yeah, it was so fun to do that live sometimes.

1231
01:04:33,840 --> 01:04:35,320
Speaker 1: Yeah, that was fun. Have you ever done that one?

1232
01:04:35,920 --> 01:04:37,080
Speaker 6: I have, it's been a minute.

1233
01:04:37,280 --> 01:04:37,800
Speaker 1: I just did.

1234
01:04:38,840 --> 01:04:41,160
Speaker 6: Let's see what was the other one, but I just did.

1235
01:04:41,200 --> 01:04:42,600
Speaker 6: I've done hands on the wheel too.

1236
01:04:42,720 --> 01:04:44,200
Speaker 1: Oh, that's one of my favorite ones to do.

1237
01:04:45,840 --> 01:04:47,960
Speaker 6: When you get to the chorus, it's just like it's

1238
01:04:48,000 --> 01:04:50,160
Speaker 6: crazy how he like does something, and then it's like

1239
01:04:50,560 --> 01:04:52,800
Speaker 6: you just assume it's a willy song until like later

1240
01:04:52,880 --> 01:04:54,680
Speaker 6: you go look it up. I know Fred Rose.

1241
01:04:54,840 --> 01:04:57,439
Speaker 1: Yeah he didn't even write that one. Yeah, it doesn't matter.

1242
01:04:57,960 --> 01:04:59,480
Speaker 6: He owns it and he owns it now.

1243
01:05:00,080 --> 01:05:00,240
Speaker 2: Yeah.

1244
01:05:01,480 --> 01:05:02,920
Speaker 6: I guess that's like why they used to call it

1245
01:05:03,080 --> 01:05:06,600
Speaker 6: like a cover song, because it would be covering up

1246
01:05:06,720 --> 01:05:07,560
Speaker 6: the original one.

1247
01:05:07,920 --> 01:05:10,480
Speaker 1: Interesting, I didn't know that. No, I've never I've never

1248
01:05:10,720 --> 01:05:11,600
Speaker 1: known why they called her that.

1249
01:05:11,880 --> 01:05:14,880
Speaker 6: Yeah, I just create like a couple of months ago.

1250
01:05:15,400 --> 01:05:16,440
Speaker 1: Do you do a lot of covers?

1251
01:05:17,200 --> 01:05:20,280
Speaker 6: You know, I love to write my own songs, but

1252
01:05:21,160 --> 01:05:25,000
Speaker 6: this record that I have coming out, I have a

1253
01:05:25,120 --> 01:05:27,520
Speaker 6: song that a friend of mine wrote. It's called love

1254
01:05:27,600 --> 01:05:30,200
Speaker 6: Me like he used to do, and he like wrote

1255
01:05:30,200 --> 01:05:33,200
Speaker 6: it for me like five years ago. And then I

1256
01:05:33,640 --> 01:05:36,080
Speaker 6: also did a cover of a song called two Stone

1257
01:05:36,160 --> 01:05:39,000
Speaker 6: to Cry that my friend Andrew Combs wrote.

1258
01:05:39,240 --> 01:05:42,600
Speaker 1: Okay, but I do like to play covers, like.

1259
01:05:42,920 --> 01:05:45,600
Speaker 6: Especially when I'm on tour live, and yeah, I'm like

1260
01:05:45,760 --> 01:05:47,440
Speaker 6: if I'm in a certain city, or if it's like,

1261
01:05:48,360 --> 01:05:52,240
Speaker 6: you know, somebody's birthday, like it's like, oh, it's you know,

1262
01:05:52,320 --> 01:05:54,880
Speaker 6: Dolly's birthday, Let's do a Dolly song something like that.

1263
01:05:55,080 --> 01:05:59,200
Speaker 6: But I think it was Chris Stapleton who told me

1264
01:05:59,320 --> 01:06:01,480
Speaker 6: once a long time He's like, you know, I used

1265
01:06:01,480 --> 01:06:04,080
Speaker 6: to think I had to write everything myself, but he's like,

1266
01:06:04,320 --> 01:06:07,000
Speaker 6: it's okay to cover other people's work.

1267
01:06:07,160 --> 01:06:09,800
Speaker 1: Totally. Yeah, as long as you you feel like you're

1268
01:06:09,840 --> 01:06:12,000
Speaker 1: singing the truth, I think that's all that matters.

1269
01:06:12,480 --> 01:06:16,720
Speaker 6: I really feel like anytime that I learn a song,

1270
01:06:17,040 --> 01:06:21,360
Speaker 6: it's kind of like an insight into how it was

1271
01:06:21,400 --> 01:06:23,160
Speaker 6: written or like, I don't know. I always compare it

1272
01:06:23,280 --> 01:06:27,200
Speaker 6: to like you're you're trying on a suit and then

1273
01:06:27,440 --> 01:06:29,840
Speaker 6: you know how to sew the suit better, or something

1274
01:06:30,160 --> 01:06:31,400
Speaker 6: that's kind of a dorky analogy.

1275
01:06:31,520 --> 01:06:32,840
Speaker 1: No, I know what you mean. I feel like doing

1276
01:06:32,880 --> 01:06:34,640
Speaker 1: this podcast is so good for me because I keep

1277
01:06:34,680 --> 01:06:37,800
Speaker 1: learning people's songs and then they'll make it their way

1278
01:06:37,880 --> 01:06:41,720
Speaker 1: in my you know, my knowledge bank totally. Yeah, and

1279
01:06:42,000 --> 01:06:44,600
Speaker 1: eventually I'll probably steal something by accident.

1280
01:06:44,680 --> 01:06:47,760
Speaker 6: Yeah you know a way, Yeah, like the nuance of

1281
01:06:47,840 --> 01:06:50,280
Speaker 6: the way that somebody will, like, I don't know, go

1282
01:06:50,400 --> 01:06:51,760
Speaker 6: to a chord that you wouldn't have thought of.

1283
01:06:52,080 --> 01:06:55,800
Speaker 1: Yeah, it's interesting. So many people have very specific things

1284
01:06:55,880 --> 01:06:58,200
Speaker 1: they go towards, and you notice patterns and then you

1285
01:06:58,320 --> 01:07:00,280
Speaker 1: realize like, oh, yeah, we all have our little thanks

1286
01:07:00,320 --> 01:07:03,440
Speaker 1: for little quirks. Yeah, yeah, little turns. Well, This was

1287
01:07:03,480 --> 01:07:03,880
Speaker 1: so fun.

1288
01:07:03,960 --> 01:07:05,400
Speaker 6: Thank thank you so much for having me.

1289
01:07:06,120 --> 01:07:10,400
Speaker 1: Yay, that was great.

1290
01:07:10,680 --> 01:07:11,560
Speaker 4: That was amazing.

1291
01:07:11,800 --> 01:07:12,439
Speaker 1: She's so fun.

1292
01:07:12,880 --> 01:07:17,160
Speaker 4: What a beautiful voice, so strong and like Crystal Clear.

1293
01:07:17,720 --> 01:07:19,840
Speaker 1: Yes, and I just want to hang out with her

1294
01:07:19,840 --> 01:07:20,280
Speaker 1: all the time.

1295
01:07:20,360 --> 01:07:21,120
Speaker 4: Yeah, she's sweet.

1296
01:07:21,680 --> 01:07:23,840
Speaker 1: I hope you guys enjoyed this episode. If you want

1297
01:07:23,840 --> 01:07:25,520
Speaker 1: to know the songs from this episode, which I know

1298
01:07:25,640 --> 01:07:29,720
Speaker 1: you do, they were in order. Nowhere is Where from

1299
01:07:29,840 --> 01:07:32,640
Speaker 1: hard Headed Woman, which has just been released Don't let

1300
01:07:32,680 --> 01:07:35,160
Speaker 1: the Bastards Get You Down from hard Headed Women as well,

1301
01:07:35,520 --> 01:07:38,400
Speaker 1: Close to You from hard Headed Woman and I Couldn't

1302
01:07:38,440 --> 01:07:40,800
Speaker 1: Believe It was True, which was written by Eddie Arnold

1303
01:07:40,880 --> 01:07:43,800
Speaker 1: and Wally Fowler. It was originally performed by Eddie Arnold

1304
01:07:43,960 --> 01:07:47,120
Speaker 1: and covered by Willie Nelson on his album Redheaded Stranger

1305
01:07:47,440 --> 01:07:49,080
Speaker 1: that came out in nineteen seventy five.

1306
01:07:49,280 --> 01:07:50,000
Speaker 6: One of my faves.

1307
01:07:50,720 --> 01:07:53,520
Speaker 1: Special thanks to Margot Price for joining us today. Thank

1308
01:07:53,560 --> 01:07:55,400
Speaker 1: you so much for listening, and don't forget to check

1309
01:07:55,440 --> 01:07:57,840
Speaker 1: out the episode with Black Pumas, which is also at Today.

1310
01:07:58,240 --> 01:08:01,439
Speaker 1: And We'll be back next week with Jason nor Jones.

1311
01:08:01,520 --> 01:08:04,480
Speaker 1: Is Playing Along is a production of iHeart Podcasts and

1312
01:08:04,600 --> 01:08:07,640
Speaker 1: I'm your host Nora Jones. This episode was recorded by

1313
01:08:07,720 --> 01:08:11,760
Speaker 1: Matt Marinelli. Video by Heck Moore Media, mixed by Jamie Landry.

1314
01:08:12,200 --> 01:08:16,080
Speaker 1: Video editing by Marcus Rutledge. Audio post production by Greg Tobler.

1315
01:08:16,360 --> 01:08:20,000
Speaker 1: Artwork by Eliza Frye. Photography by Shervin Linnez. Produced by

1316
01:08:20,080 --> 01:08:23,919
Speaker 1: Nora Jones and Sarah Oda. Executive producers Aaron Wang Kaufman

1317
01:08:24,080 --> 01:08:28,439
Speaker 1: and Jordan Runtogg Marketing lead. Queen and Nike have a

1318
01:08:28,520 --> 01:08:29,000
Speaker 1: Great One.