1
00:00:02,200 --> 00:00:04,720
Speaker 1: Live from the Mercedes Benz Interview Lounge.

2
00:00:05,440 --> 00:00:08,560
Speaker 2: Ashley Park is here of course, Mendy Chen from Emily

3
00:00:08,600 --> 00:00:11,680
Speaker 2: in Paris. Yeah, we love Emily in Paris by the way,

4
00:00:12,160 --> 00:00:13,880
Speaker 2: you know. And when you walked in you said, I

5
00:00:13,920 --> 00:00:16,159
Speaker 2: love doing the show, but I'm also the demographic for

6
00:00:16,239 --> 00:00:17,880
Speaker 2: the show. I would watch it if I wasn't on

7
00:00:17,920 --> 00:00:18,200
Speaker 2: the show.

8
00:00:18,280 --> 00:00:20,079
Speaker 1: Yeah, I was shocked that you were the first fan

9
00:00:20,120 --> 00:00:21,799
Speaker 1: of the show in your office.

10
00:00:22,360 --> 00:00:26,000
Speaker 2: Absolutely well, I mean, I think it's it's women who

11
00:00:26,000 --> 00:00:33,920
Speaker 2: have great fashion style and love Paris and gay guys.

12
00:00:31,000 --> 00:00:32,360
Speaker 3: Wheelhouse hot men in Paris.

13
00:00:32,720 --> 00:00:36,919
Speaker 2: I know it's all us. Congratulations and what I love

14
00:00:36,960 --> 00:00:38,600
Speaker 2: most and I want you to tell the story about

15
00:00:38,640 --> 00:00:41,000
Speaker 2: how this happened is not only are you just a

16
00:00:41,000 --> 00:00:43,320
Speaker 2: fantastic actor on the show and you fit in. You

17
00:00:43,320 --> 00:00:46,959
Speaker 2: guys all work together so brilliantly and the characters work

18
00:00:47,040 --> 00:00:48,879
Speaker 2: so well with each other because of you, but you

19
00:00:49,000 --> 00:00:52,800
Speaker 2: sing and you perform on this show and I'm thinking, wow,

20
00:00:52,880 --> 00:00:54,440
Speaker 2: they hired they needed to go out and find a

21
00:00:54,440 --> 00:00:56,400
Speaker 2: great actor who can sing, but it didn't work out

22
00:00:56,440 --> 00:00:56,840
Speaker 2: that way.

23
00:00:57,040 --> 00:01:00,600
Speaker 1: No, the character was initially not supposed to be a singer.

24
00:01:00,640 --> 00:01:02,240
Speaker 1: I think that Darren Starr, you know, he had this

25
00:01:02,320 --> 00:01:05,720
Speaker 1: amazing idea and he wrote the pilot and it was

26
00:01:05,760 --> 00:01:07,880
Speaker 1: picked up. And so when I auditioned for the part,

27
00:01:08,560 --> 00:01:10,319
Speaker 1: the only thing that was written of my character was

28
00:01:10,319 --> 00:01:11,920
Speaker 1: that first scene where they meet on the bench in

29
00:01:11,959 --> 00:01:16,720
Speaker 1: the first season. And after our first table read, Darren

30
00:01:16,720 --> 00:01:18,399
Speaker 1: called me on my cell phone and I was on

31
00:01:18,440 --> 00:01:20,400
Speaker 1: my way to a costume fitting and I literally said

32
00:01:20,400 --> 00:01:22,880
Speaker 1: to the driver, I feel like I'm getting fired.

33
00:01:23,040 --> 00:01:24,720
Speaker 4: I don't know why, but get fired.

34
00:01:24,880 --> 00:01:25,039
Speaker 1: Yeah.

35
00:01:25,040 --> 00:01:26,560
Speaker 4: I was like, why is he calling me?

36
00:01:26,600 --> 00:01:26,640
Speaker 2: Like?

37
00:01:26,680 --> 00:01:27,480
Speaker 4: Am I getting fired?

38
00:01:27,520 --> 00:01:29,640
Speaker 1: Like? Also, is my first time in Pears, is my

39
00:01:29,680 --> 00:01:32,080
Speaker 1: first big thing, so I on screen. So I was

40
00:01:32,120 --> 00:01:34,680
Speaker 1: really nervous. And he called and he was like, hey,

41
00:01:35,000 --> 00:01:37,120
Speaker 1: you know, remember I saw you in Mean Girls twice

42
00:01:37,160 --> 00:01:37,640
Speaker 1: on Broadway.

43
00:01:37,680 --> 00:01:38,399
Speaker 4: I know you sing.

44
00:01:38,560 --> 00:01:41,320
Speaker 1: I'm wondering if it's okay with you if we write

45
00:01:41,319 --> 00:01:43,760
Speaker 1: some singing in for the character of Mindy. And I

46
00:01:43,800 --> 00:01:46,600
Speaker 1: was like, that's very considerate to ask me, you know,

47
00:01:46,600 --> 00:01:48,800
Speaker 1: because sometimes people want to step away from stuff that

48
00:01:48,800 --> 00:01:51,720
Speaker 1: they usually do. And so I literally thought it was

49
00:01:51,720 --> 00:01:53,840
Speaker 1: just going to be like she sings Happy Birthday, or

50
00:01:53,880 --> 00:01:55,120
Speaker 1: like goes to karaoke with.

51
00:01:55,040 --> 00:01:55,840
Speaker 4: Emily one day.

52
00:01:56,080 --> 00:01:59,200
Speaker 1: I had no idea that it would become this storyline

53
00:01:59,240 --> 00:02:02,280
Speaker 1: in this way to kind of open up the character emotionally, right, So.

54
00:02:02,920 --> 00:02:05,480
Speaker 2: Yeah, yeah, it does open up the character emotionally. But

55
00:02:05,560 --> 00:02:07,520
Speaker 2: also you have some campy singing things. I mean, it's

56
00:02:07,560 --> 00:02:08,480
Speaker 2: just all my fun.

57
00:02:08,400 --> 00:02:10,919
Speaker 1: It's literally actually, And I know you've had Freddie Wexler

58
00:02:10,960 --> 00:02:12,800
Speaker 1: on the show and he's written the original music for this,

59
00:02:12,919 --> 00:02:14,920
Speaker 1: but he was saying the other day, I feel like

60
00:02:14,960 --> 00:02:17,440
Speaker 1: we have to produce so one night only Mindy sings

61
00:02:17,639 --> 00:02:19,400
Speaker 1: all the Mindy songs not somewhere.

62
00:02:19,400 --> 00:02:21,000
Speaker 4: But I was like, that is the most.

63
00:02:20,760 --> 00:02:25,000
Speaker 1: Eclectic, like every song is a different genre, like truly

64
00:02:25,080 --> 00:02:28,320
Speaker 1: every genre, and like, so yeah, I don't know.

65
00:02:28,600 --> 00:02:29,400
Speaker 2: We would all be there.

66
00:02:29,960 --> 00:02:31,560
Speaker 4: I think you would sell that out easily. Great, you

67
00:02:31,560 --> 00:02:32,480
Speaker 4: guys get the front row seat.

68
00:02:32,520 --> 00:02:34,400
Speaker 5: Do you get to keep the cool clothes that you

69
00:02:34,440 --> 00:02:35,840
Speaker 5: guys wear, because I'm sure.

70
00:02:35,680 --> 00:02:37,800
Speaker 2: You get to ask that question every time, but I

71
00:02:37,840 --> 00:02:38,480
Speaker 2: mean you got.

72
00:02:38,400 --> 00:02:40,200
Speaker 5: There had to be something where you said, could I

73
00:02:40,240 --> 00:02:40,520
Speaker 5: have this?

74
00:02:40,560 --> 00:02:41,320
Speaker 4: Can I take this home?

75
00:02:41,520 --> 00:02:44,440
Speaker 1: You know what's so funny? And I learned this also

76
00:02:44,560 --> 00:02:47,080
Speaker 1: like being on Broadway too. At the end of some

77
00:02:47,120 --> 00:02:49,440
Speaker 1: Broadway runs, I'm like, I love those shoes, like can

78
00:02:49,480 --> 00:02:51,840
Speaker 1: I have them? I've never once worn anything from a

79
00:02:51,840 --> 00:02:54,799
Speaker 1: Broadway show that I've kept because it puts me back

80
00:02:54,800 --> 00:02:56,400
Speaker 1: in that place. I don't know, it feels like a

81
00:02:56,440 --> 00:02:59,399
Speaker 1: relic of that time. Okay, but on the show too.

82
00:02:59,520 --> 00:03:01,080
Speaker 1: I mean there have been some things that I was

83
00:03:01,160 --> 00:03:05,160
Speaker 1: so excited to wear, like you know what. Like for example,

84
00:03:05,520 --> 00:03:08,640
Speaker 1: imagine being in a latex all latex outfit from like

85
00:03:08,840 --> 00:03:11,080
Speaker 1: sun up to sundown, like two days in a row,

86
00:03:11,400 --> 00:03:13,920
Speaker 1: and everyone's like, oh my god, it's amazing. I said,

87
00:03:14,960 --> 00:03:17,919
Speaker 1: cut it off me. I never want to see that again.

88
00:03:18,240 --> 00:03:20,040
Speaker 1: But I think that's what that that's the fun of it.

89
00:03:20,120 --> 00:03:23,200
Speaker 1: So I have Actually it's funny because Mindy actually borrowed

90
00:03:23,200 --> 00:03:24,840
Speaker 1: stuff from my wardrobe this season.

91
00:03:25,160 --> 00:03:26,400
Speaker 4: There's like a couple of pajamas.

92
00:03:26,400 --> 00:03:30,320
Speaker 1: There's a like this local French girl who makes these

93
00:03:30,360 --> 00:03:33,280
Speaker 1: like sustainable pajamas. I think it's called to my Paris

94
00:03:33,360 --> 00:03:35,840
Speaker 1: and she I was like, I was wearing it one

95
00:03:35,880 --> 00:03:37,000
Speaker 1: day to set and I was like, I feel like,

96
00:03:37,040 --> 00:03:39,960
Speaker 1: this is what Mindy should wear right now. So and

97
00:03:40,000 --> 00:03:41,520
Speaker 1: then there was a couple of things that I founded

98
00:03:41,560 --> 00:03:45,840
Speaker 1: a vintage place that Marilynd Fittuci are costume designer. She

99
00:03:46,240 --> 00:03:48,520
Speaker 1: goes to a lot and I it's like the purple

100
00:03:48,600 --> 00:03:50,280
Speaker 1: dress that's in a lot of the a lot of

101
00:03:50,280 --> 00:03:52,800
Speaker 1: the scenes. It's a Moogler dress and stuff, and I

102
00:03:52,800 --> 00:03:55,160
Speaker 1: think Mindy wears it very differently than I wear.

103
00:03:55,200 --> 00:03:56,640
Speaker 4: But there are pieces that I've kept.

104
00:03:56,760 --> 00:04:00,800
Speaker 2: Nice, let's talk about that. Working in Paris. Yeah, I mean,

105
00:04:00,840 --> 00:04:03,040
Speaker 2: do you do you do any scenes in Los Angeles

106
00:04:03,080 --> 00:04:04,880
Speaker 2: at all? Is it all done over in Paris?

107
00:04:05,040 --> 00:04:07,480
Speaker 1: No? Even, Like what's funny is there's sometimes I think

108
00:04:07,800 --> 00:04:10,840
Speaker 1: earlier in the seasons, Emily would FaceTime with people in

109
00:04:10,840 --> 00:04:13,200
Speaker 1: like Chicago or something like that, and those were also

110
00:04:13,240 --> 00:04:15,560
Speaker 1: done in Paris, right, like in the financial district? Well

111
00:04:15,560 --> 00:04:18,360
Speaker 1: do you spend there about four months? O?

112
00:04:23,000 --> 00:04:23,120
Speaker 5: Well?

113
00:04:23,120 --> 00:04:24,200
Speaker 4: What's so funny to ask me?

114
00:04:24,200 --> 00:04:26,200
Speaker 1: And Lily especially first of all, this last season was

115
00:04:26,200 --> 00:04:28,480
Speaker 1: in the winter in Paris in the winter I don't

116
00:04:28,600 --> 00:04:31,600
Speaker 1: ever have to do again. And this is coming from

117
00:04:31,640 --> 00:04:32,920
Speaker 1: someone who's raised in Michigan, like.

118
00:04:32,880 --> 00:04:33,679
Speaker 4: I know the winter.

119
00:04:34,000 --> 00:04:38,000
Speaker 1: But also it's it's funny to me because my friends,

120
00:04:38,279 --> 00:04:40,120
Speaker 1: even a couple of this past, people will be like, Hey,

121
00:04:40,160 --> 00:04:42,039
Speaker 1: I'm in Paris, like want to meet up? And I'm like,

122
00:04:42,080 --> 00:04:45,080
Speaker 1: I don't live here. And when I'm living here, I'm

123
00:04:45,120 --> 00:04:49,000
Speaker 1: working every like I'm working, you know, So I'm working.

124
00:04:49,080 --> 00:04:52,479
Speaker 2: So we're making assumptions about working in Paris or not true.

125
00:04:52,640 --> 00:04:54,880
Speaker 1: No, but it's obviously beautiful, you know. And I think

126
00:04:54,880 --> 00:04:58,240
Speaker 1: that I remember, you know, because it was my first

127
00:04:58,279 --> 00:05:00,560
Speaker 1: time in Paris too. And when people well some people

128
00:05:00,600 --> 00:05:02,560
Speaker 1: thought we see gied the whole thing because some of

129
00:05:02,600 --> 00:05:05,080
Speaker 1: the you know, the scenes and the way that like

130
00:05:05,160 --> 00:05:08,880
Speaker 1: Andy Fleming and our directors they like they, uh, the

131
00:05:08,920 --> 00:05:12,320
Speaker 1: cinematography feels like it must be fake, which beautiful, yeah,

132
00:05:12,480 --> 00:05:13,159
Speaker 1: but all of.

133
00:05:13,160 --> 00:05:14,320
Speaker 4: It's filmed in Paris.

134
00:05:14,600 --> 00:05:16,800
Speaker 1: When we're there, and some of the locations too, I'm like,

135
00:05:16,839 --> 00:05:18,839
Speaker 1: I would never be able to go here.

136
00:05:19,000 --> 00:05:21,279
Speaker 4: Usually I can't believe that we're here, or we we've

137
00:05:21,279 --> 00:05:24,440
Speaker 4: blocked off this entire piazza or park and there.

138
00:05:24,560 --> 00:05:27,159
Speaker 1: You know, it's funny when where we've been on I

139
00:05:27,200 --> 00:05:29,919
Speaker 1: think we I sing a song on a bridge a

140
00:05:29,920 --> 00:05:33,880
Speaker 1: couple of seasons ago, and actually it's really sad when

141
00:05:33,920 --> 00:05:36,400
Speaker 1: we block off the bridge because you've been to Paris. Yes,

142
00:05:36,480 --> 00:05:39,880
Speaker 1: they're gorgeous right along this time, and every day there's

143
00:05:39,920 --> 00:05:42,160
Speaker 1: like brides and grooms who want to take their pictures there.

144
00:05:42,440 --> 00:05:43,760
Speaker 1: And there was one day where we had like this

145
00:05:44,000 --> 00:05:46,200
Speaker 1: really beautiful bridge that we were filming on, and there

146
00:05:46,240 --> 00:05:47,880
Speaker 1: was like crying brides because they.

147
00:05:48,160 --> 00:05:49,400
Speaker 5: Look I know.

148
00:05:49,520 --> 00:05:53,279
Speaker 1: How now there's even more people who like want to

149
00:05:53,279 --> 00:05:56,040
Speaker 1: come because because it looks so pretty in the show Beautiful.

150
00:05:56,480 --> 00:05:58,400
Speaker 3: That was gonna be my question, how do the locals

151
00:05:58,440 --> 00:06:01,560
Speaker 3: treat you guys? Because you know, Resians are notoriously rude

152
00:06:01,600 --> 00:06:04,840
Speaker 3: in general, but if you're there as Americans shutting down

153
00:06:04,920 --> 00:06:07,279
Speaker 3: streets recording this show, how does that work out for you?

154
00:06:07,760 --> 00:06:10,680
Speaker 4: I mean, the Parisians have always been like very.

155
00:06:10,600 --> 00:06:14,240
Speaker 1: Nice to be well, yeah, but I think I mean

156
00:06:14,440 --> 00:06:17,359
Speaker 1: it's different first season, you know, especially there's that the

157
00:06:17,800 --> 00:06:21,520
Speaker 1: square where like Emily's apartment, the restaurant and everything. First season,

158
00:06:21,720 --> 00:06:24,279
Speaker 1: like no one cared who we were what we were doing.

159
00:06:24,800 --> 00:06:26,640
Speaker 1: By the time I got to the second season, there's

160
00:06:26,720 --> 00:06:29,279
Speaker 1: like hundreds of people. It's like a tourist destination now

161
00:06:29,560 --> 00:06:31,800
Speaker 1: like all around all the time. But I think the

162
00:06:31,839 --> 00:06:35,799
Speaker 1: people in that in that particular square, of the people

163
00:06:35,800 --> 00:06:38,320
Speaker 1: who are living there, half of them are happy because

164
00:06:38,360 --> 00:06:41,359
Speaker 1: they get like the best paparazzi shots or whatever, and

165
00:06:41,400 --> 00:06:44,640
Speaker 1: the other half are like furious that the croissant prices

166
00:06:44,640 --> 00:06:48,520
Speaker 1: have gone up to like eighty dollars.

167
00:06:48,880 --> 00:06:50,440
Speaker 3: We have that said. You know, when they shut down

168
00:06:50,440 --> 00:06:53,640
Speaker 3: a street for SBU whatever they're recording. We know that

169
00:06:53,640 --> 00:06:55,560
Speaker 3: the tourists love it, but we walk by in stell like,

170
00:06:57,320 --> 00:06:58,160
Speaker 3: dare you block.

171
00:07:00,120 --> 00:07:03,279
Speaker 2: So to get home through an SVU shoot? Is I

172
00:07:03,279 --> 00:07:05,080
Speaker 2: mean I'll run through while they're shooting. I'm not going

173
00:07:05,120 --> 00:07:05,880
Speaker 2: to Yeah.

174
00:07:06,120 --> 00:07:08,200
Speaker 1: So when we were on a bridge another time we

175
00:07:08,240 --> 00:07:10,640
Speaker 1: had a jogger we have I got to find the

176
00:07:10,640 --> 00:07:13,560
Speaker 1: take somewhere. But all of a sudden, because all the extras,

177
00:07:13,560 --> 00:07:16,280
Speaker 1: you know, it's an extra on the show, or like

178
00:07:16,320 --> 00:07:19,600
Speaker 1: a supporting artist when they're dressed like they're for Emily

179
00:07:19,640 --> 00:07:21,520
Speaker 1: in Paris, even if they're just like in the background,

180
00:07:21,520 --> 00:07:23,000
Speaker 1: you're like, ah, I see you there.

181
00:07:23,520 --> 00:07:23,800
Speaker 2: Cut off.

182
00:07:24,120 --> 00:07:26,920
Speaker 1: There's a jogger that Jess was really French and just

183
00:07:27,080 --> 00:07:29,920
Speaker 1: ran through the scene. Was like this is my you know,

184
00:07:30,040 --> 00:07:32,080
Speaker 1: and we were like are we supposed to keep going?

185
00:07:32,320 --> 00:07:37,960
Speaker 2: Like, well, I know, but it's it is invasive, but

186
00:07:38,000 --> 00:07:39,720
Speaker 2: it's your neighborhood. I went, I need to get home.

187
00:07:39,760 --> 00:07:41,520
Speaker 2: I've got dogs that need to eat, I need I

188
00:07:41,560 --> 00:07:43,680
Speaker 2: need to go pee. And you're like, I'm sorry, sorry,

189
00:07:43,720 --> 00:07:46,160
Speaker 2: you're I said, my door is right there. Sorry you

190
00:07:46,200 --> 00:07:48,600
Speaker 2: can't go. I'm going, and I walked right through the middle.

191
00:07:49,400 --> 00:07:50,760
Speaker 1: I think the best thing though, is I mean the

192
00:07:50,800 --> 00:07:55,240
Speaker 1: Olympics really shut down the city days.

193
00:07:56,400 --> 00:07:58,400
Speaker 2: By the way, this is actually parked with us Mendy

194
00:07:58,480 --> 00:08:01,840
Speaker 2: Chen of course on the huge hit Netflix show Emily

195
00:08:01,880 --> 00:08:05,240
Speaker 2: in Paris, So Happy You're Here, and of course this

196
00:08:05,400 --> 00:08:10,800
Speaker 2: show has okay, okay, Lily Collins. Her character gives me

197
00:08:10,840 --> 00:08:14,560
Speaker 2: anxiety because she's always breaked. She's breaking up relationships left

198
00:08:14,600 --> 00:08:16,680
Speaker 2: and right, and it's not always her fault, but it

199
00:08:16,800 --> 00:08:18,360
Speaker 2: just seems like it's her fault.

200
00:08:18,520 --> 00:08:18,720
Speaker 4: I know.

201
00:08:18,800 --> 00:08:21,320
Speaker 1: But I love what I love so much about I

202
00:08:21,400 --> 00:08:24,240
Speaker 1: literally make this sound oh so much and Ashley, when

203
00:08:24,280 --> 00:08:28,440
Speaker 1: I'm watching Lily do these scenes because she's so positive

204
00:08:28,520 --> 00:08:31,400
Speaker 1: and well intentioned, yes, and like nothing.

205
00:08:31,120 --> 00:08:33,320
Speaker 4: Ever goes just like how life is. Right.

206
00:08:33,480 --> 00:08:36,360
Speaker 1: I actually think I really enjoyed watching this past season

207
00:08:36,440 --> 00:08:39,520
Speaker 1: because I feel like she's really like her comedy and

208
00:08:39,559 --> 00:08:42,240
Speaker 1: the way she she's embraced like who Emily is and

209
00:08:42,240 --> 00:08:45,720
Speaker 1: she's so unapologetic and positive is like so cute to me.

210
00:08:46,000 --> 00:08:46,760
Speaker 4: It's so funny.

211
00:08:46,840 --> 00:08:50,959
Speaker 2: It's sort of like she's a trouble magnetative she doesn't

212
00:08:50,960 --> 00:08:51,280
Speaker 2: mean to.

213
00:08:51,240 --> 00:08:55,360
Speaker 1: Be wettings get canceled, you know things that was wild.

214
00:08:55,480 --> 00:08:57,360
Speaker 1: When I read that episode for the first time, I

215
00:08:57,400 --> 00:08:58,560
Speaker 1: was like, who's pregnant?

216
00:08:58,600 --> 00:08:59,800
Speaker 4: What do you guys talk about?

217
00:09:00,120 --> 00:09:02,360
Speaker 1: I was like, Mindy's like, I'm in a helicopter with

218
00:09:02,360 --> 00:09:04,559
Speaker 1: my boyfriend. I'll come and way through.

219
00:09:05,960 --> 00:09:07,760
Speaker 2: Let's talk about how you shoot these things. Of course,

220
00:09:08,240 --> 00:09:11,319
Speaker 2: we're out here in real worldland whatever this is. E

221
00:09:11,400 --> 00:09:13,440
Speaker 2: were watching Emily in Paris. We know that you shoot

222
00:09:13,440 --> 00:09:15,480
Speaker 2: out of sequence. So you you show up to the

223
00:09:15,480 --> 00:09:17,559
Speaker 2: set that day not knowing why you're there. I mean

224
00:09:18,480 --> 00:09:20,760
Speaker 2: there was a fight, right, the fight? What we're talking about?

225
00:09:20,760 --> 00:09:22,080
Speaker 4: The fuck? Oh yeah? Last season?

226
00:09:22,280 --> 00:09:24,320
Speaker 1: Well, I think what a fun thing is is that

227
00:09:24,400 --> 00:09:27,120
Speaker 1: our writers and Darren Starts so brilliant about weaving together

228
00:09:27,200 --> 00:09:30,480
Speaker 1: stories and storylines and truly people ask us all the time,

229
00:09:30,520 --> 00:09:32,360
Speaker 1: what do you want for your character? And I'm like,

230
00:09:32,600 --> 00:09:34,679
Speaker 1: I would have never imagined what has happened so far,

231
00:09:34,760 --> 00:09:37,320
Speaker 1: So let's just let them do it. But they write

232
00:09:37,559 --> 00:09:40,040
Speaker 1: the they obviously have a plan maybe for the whole season.

233
00:09:40,120 --> 00:09:42,040
Speaker 1: But we all go to Paris and they have the

234
00:09:42,040 --> 00:09:45,280
Speaker 1: first two episodes written and they're working on the scripts

235
00:09:45,320 --> 00:09:47,600
Speaker 1: as we're filming. Wow, And so we film it in

236
00:09:47,640 --> 00:09:49,440
Speaker 1: block shooting, so usually we do like one and two

237
00:09:49,480 --> 00:09:51,280
Speaker 1: at the same time, but all out of order, three

238
00:09:51,360 --> 00:09:54,360
Speaker 1: and four, five, six, seven, eight, whatever. And I think

239
00:09:54,440 --> 00:09:57,640
Speaker 1: it was last season. I mean, so it's so fun

240
00:09:57,640 --> 00:10:00,240
Speaker 1: to get the scripts all together. But last season We're

241
00:10:00,240 --> 00:10:02,199
Speaker 1: gonna We were shooting in a location with me and

242
00:10:02,240 --> 00:10:05,600
Speaker 1: my boyfriend Paul Foreman, and it was his character Nicola's apartment,

243
00:10:05,880 --> 00:10:08,360
Speaker 1: and we had to We only had that location one day,

244
00:10:08,360 --> 00:10:11,160
Speaker 1: so we had to film a big fight scene between

245
00:10:11,160 --> 00:10:11,680
Speaker 1: me and him.

246
00:10:12,920 --> 00:10:16,959
Speaker 2: Ideaout Yeah, And it.

247
00:10:16,920 --> 00:10:18,280
Speaker 1: Was the day before, so they realized, oh, we do

248
00:10:18,360 --> 00:10:20,320
Speaker 1: can't get this location again. Here's this fight from the

249
00:10:20,400 --> 00:10:22,200
Speaker 1: tenth episode. We know you don't have it yet, but

250
00:10:22,280 --> 00:10:23,960
Speaker 1: here it is. And I was like, what are the

251
00:10:24,000 --> 00:10:27,840
Speaker 1: stakes of this fight? Like did he like steal my fork?

252
00:10:27,960 --> 00:10:31,480
Speaker 1: Or are we like or is this like what's happening here?

253
00:10:31,520 --> 00:10:34,760
Speaker 1: But yeah, i'd always have really good guidance from the

254
00:10:34,760 --> 00:10:35,480
Speaker 1: people in charge.

255
00:10:35,520 --> 00:10:37,640
Speaker 5: Now, I know you're dating him in real life, but

256
00:10:38,000 --> 00:10:40,319
Speaker 5: I need you to end up with Ben wah Place.

257
00:10:40,640 --> 00:10:42,920
Speaker 5: Oh really, Yeah, I think a lot of people want

258
00:10:42,920 --> 00:10:43,719
Speaker 5: you to end up with him.

259
00:10:43,760 --> 00:10:46,520
Speaker 1: Oh. I think that people love that they associate Mindy

260
00:10:46,600 --> 00:10:47,920
Speaker 1: singing with him, but.

261
00:10:47,920 --> 00:10:50,560
Speaker 4: Also like I've always like guys.

262
00:10:50,720 --> 00:10:53,080
Speaker 1: He walked out on her while they were performing on

263
00:10:53,120 --> 00:10:55,360
Speaker 1: stage and was very jealous, and I don't think I

264
00:10:55,480 --> 00:10:57,760
Speaker 1: think they're both. You know, I'm glad that Mindy's kind

265
00:10:57,760 --> 00:11:00,600
Speaker 1: of choosing herself and has ended up there, But he

266
00:11:00,679 --> 00:11:01,840
Speaker 1: was kind of a little.

267
00:11:02,360 --> 00:11:07,000
Speaker 4: I think he loves you though deep I mean, not

268
00:11:07,120 --> 00:11:08,199
Speaker 4: you the character.

269
00:11:09,440 --> 00:11:13,760
Speaker 2: Deep down way. Are we spoiling things here? Because I'll

270
00:11:13,760 --> 00:11:15,840
Speaker 2: tell you tell the story? Who was it we had

271
00:11:15,880 --> 00:11:16,520
Speaker 2: in this seat?

272
00:11:16,640 --> 00:11:17,640
Speaker 5: We just told her this.

273
00:11:19,920 --> 00:11:22,679
Speaker 4: American horror story. She comes in the day after the

274
00:11:22,720 --> 00:11:23,760
Speaker 4: big season.

275
00:11:23,440 --> 00:11:25,520
Speaker 5: Finale, and you know that show is like, you know,

276
00:11:25,559 --> 00:11:27,560
Speaker 5: a mystery and you never know what happened, And she

277
00:11:27,679 --> 00:11:29,320
Speaker 5: just went ahead and told that what happened.

278
00:11:30,559 --> 00:11:32,280
Speaker 4: If you're a fan, you should have bleep and watched it.

279
00:11:32,280 --> 00:11:37,240
Speaker 2: By now, can you watch Emily and Paris as a fan?

280
00:11:38,440 --> 00:11:39,960
Speaker 2: Is it? Are you too close to it? How does

281
00:11:40,000 --> 00:11:41,160
Speaker 2: that work for the actors?

282
00:11:41,559 --> 00:11:44,600
Speaker 1: You? I mean usually This season was a little bit

283
00:11:45,320 --> 00:11:48,000
Speaker 1: different for me because you know, I came a month

284
00:11:48,040 --> 00:11:50,120
Speaker 1: late to filming and like on it, like to be

285
00:11:50,280 --> 00:11:54,760
Speaker 1: very candid, filming was very physically, emotionally, mentally challenging for me,

286
00:11:54,960 --> 00:11:57,560
Speaker 1: just because I had just come from having sepsis, and

287
00:11:57,600 --> 00:11:59,360
Speaker 1: I was I was very ill during it, and we'll

288
00:11:59,360 --> 00:12:07,280
Speaker 1: get to that in this Okay, Okay, but I think

289
00:12:07,320 --> 00:12:09,600
Speaker 1: that for me, I do watch it as a fan

290
00:12:09,640 --> 00:12:12,000
Speaker 1: of the show because I'm not, you know, in the theater,

291
00:12:12,160 --> 00:12:13,719
Speaker 1: which is the world I come from. We're all in

292
00:12:13,760 --> 00:12:16,120
Speaker 1: a rehearsal room. You see the show all together, you

293
00:12:16,120 --> 00:12:18,400
Speaker 1: know what the story is. I have no clue when

294
00:12:18,440 --> 00:12:20,560
Speaker 1: I'm not on set what's happening in the office, like

295
00:12:20,600 --> 00:12:23,120
Speaker 1: what my other friends are doing. Like, I love getting

296
00:12:23,160 --> 00:12:25,040
Speaker 1: to watch the scenes. I you know, I see it

297
00:12:25,040 --> 00:12:27,240
Speaker 1: on paper, but I'm like, you know, so I get

298
00:12:27,240 --> 00:12:28,680
Speaker 1: to watch it for the first time and be a

299
00:12:28,679 --> 00:12:30,200
Speaker 1: fan of like all my friends on the show.

300
00:12:30,480 --> 00:12:34,840
Speaker 2: Right. Well, it's an amazing show, by the way, because

301
00:12:34,840 --> 00:12:36,760
Speaker 2: I've always been in love with Paris. Paris is a

302
00:12:36,840 --> 00:12:39,400
Speaker 2: character in and of itself. It's a star of the show.

303
00:12:39,640 --> 00:12:41,600
Speaker 5: And there's little hot people on the show. It's all

304
00:12:42,000 --> 00:12:44,880
Speaker 5: one ugly person like Emily has to pick between these

305
00:12:44,920 --> 00:12:46,080
Speaker 5: three hot guys.

306
00:12:46,080 --> 00:12:47,080
Speaker 4: It's like, how do you pick?

307
00:12:48,440 --> 00:12:49,960
Speaker 2: You do always go with the chef.

308
00:12:50,480 --> 00:12:52,599
Speaker 3: It's gotta feel great though, knowing everyone's hot men. You

309
00:12:52,679 --> 00:12:54,079
Speaker 3: have a role, So like, okay, I'm hot.

310
00:12:53,960 --> 00:12:56,400
Speaker 1: I know, but sometimes I show up to set and

311
00:12:56,440 --> 00:12:58,600
Speaker 1: I'm like, good luck to my hair and makeup in

312
00:12:58,600 --> 00:12:59,040
Speaker 1: the morning.

313
00:13:00,160 --> 00:13:06,720
Speaker 2: To this, let's talk about stepsisus so you, uh, let's

314
00:13:06,720 --> 00:13:11,439
Speaker 2: talk about that feels good speaking of sepsis. I mean

315
00:13:11,480 --> 00:13:14,480
Speaker 2: that's sepstius can kill you. I mean, so, uh, you

316
00:13:14,480 --> 00:13:16,400
Speaker 2: don't have to go through all the particulars if it's

317
00:13:16,520 --> 00:13:19,160
Speaker 2: because I'm sure it's an emotional thing knowing that your

318
00:13:19,640 --> 00:13:22,079
Speaker 2: death doorstep in the hospital. And as I laugh, I

319
00:13:22,080 --> 00:13:25,200
Speaker 2: don't mean to laugh, but you, I mean, what happened.

320
00:13:25,280 --> 00:13:26,720
Speaker 1: Well, I think you know, it's funny you bring up

321
00:13:26,800 --> 00:13:28,719
Speaker 1: laughing because I think I'm also a cancer survivor, and

322
00:13:28,760 --> 00:13:32,160
Speaker 1: so I think that humor much like and it's one

323
00:13:32,160 --> 00:13:33,920
Speaker 1: of the things I connected to with the character of

324
00:13:33,960 --> 00:13:37,400
Speaker 1: Mindy is sometimes humor is a really amazing device to

325
00:13:37,400 --> 00:13:39,800
Speaker 1: help you get through hard times, you know. So I

326
00:13:39,840 --> 00:13:43,360
Speaker 1: find myself leading with humor a lot. But uh, yeah,

327
00:13:43,400 --> 00:13:45,920
Speaker 1: I mean it was it was a really freak thing.

328
00:13:46,120 --> 00:13:51,040
Speaker 1: And I again, I'm so so lucky that my boyfriend

329
00:13:51,160 --> 00:13:55,160
Speaker 1: was with me, Paul Foreman, and that he was going

330
00:13:55,240 --> 00:13:56,680
Speaker 1: to come back and film the show with me, because

331
00:13:56,679 --> 00:13:58,240
Speaker 1: I would not have been able to get through this

332
00:13:58,320 --> 00:13:59,160
Speaker 1: season otherwise.

333
00:13:59,720 --> 00:14:02,880
Speaker 4: But I what was the question?

334
00:14:04,640 --> 00:14:08,719
Speaker 2: Was there a question sepsis? I mean, so you get

335
00:14:08,800 --> 00:14:12,200
Speaker 2: very sick. Yeah, and it's and it affects different people

336
00:14:12,200 --> 00:14:14,120
Speaker 2: in different different levels of severity.

337
00:14:14,240 --> 00:14:16,680
Speaker 1: Oh so, I mean Paul took me to the hospital

338
00:14:16,720 --> 00:14:19,120
Speaker 1: on New Year's Day and we are across the world,

339
00:14:20,040 --> 00:14:22,040
Speaker 1: and I was I was told that I had five

340
00:14:22,160 --> 00:14:26,000
Speaker 1: organs failing pneumonium, both lungs and it was very severe.

341
00:14:26,200 --> 00:14:30,120
Speaker 1: And we're at a local ICU. So a lot happened.

342
00:14:30,400 --> 00:14:33,800
Speaker 1: It was very fast and very very scary, but this

343
00:14:33,880 --> 00:14:35,240
Speaker 1: is where I was. He was being told that I

344
00:14:35,240 --> 00:14:39,240
Speaker 1: had a forty percent mortality rate. And then I was

345
00:14:39,280 --> 00:14:42,000
Speaker 1: told that this is not sepsis, at septic shock, which

346
00:14:42,040 --> 00:14:44,400
Speaker 1: is the severest kind. But what I heard, I go,

347
00:14:44,520 --> 00:14:47,680
Speaker 1: oh my gosh, Yes, I am shocked that I have sepsis,

348
00:14:47,720 --> 00:14:48,280
Speaker 1: Like that's what.

349
00:14:48,280 --> 00:14:48,800
Speaker 4: I thought it was.

350
00:14:48,840 --> 00:14:50,680
Speaker 1: So, which is why you know, it was just World

351
00:14:50,760 --> 00:14:53,400
Speaker 1: Sepsis Day and like raising awareness about that it could

352
00:14:53,400 --> 00:14:55,480
Speaker 1: happen from a cut. I got it from what they

353
00:14:55,520 --> 00:14:58,760
Speaker 1: think it was tonsilitis spread to that. So it's weird

354
00:14:58,760 --> 00:15:02,560
Speaker 1: and wild to watch this because I think I experienced

355
00:15:02,600 --> 00:15:05,920
Speaker 1: firsthand what people why people watch the show when they're

356
00:15:05,960 --> 00:15:08,720
Speaker 1: having a bad day, when they're in a rough point,

357
00:15:08,720 --> 00:15:11,120
Speaker 1: and I had to really it was I think it

358
00:15:11,160 --> 00:15:16,400
Speaker 1: was the most mental accomplishment that I was I've been

359
00:15:16,440 --> 00:15:17,440
Speaker 1: able to do so.

360
00:15:17,480 --> 00:15:20,200
Speaker 2: Coming out on the other end, Okay, this this actually

361
00:15:20,200 --> 00:15:20,640
Speaker 2: turned out.

362
00:15:20,800 --> 00:15:22,080
Speaker 4: I'm obviously still processing.

363
00:15:22,200 --> 00:15:25,320
Speaker 5: Yeah, how do you come out of the hospital and

364
00:15:25,400 --> 00:15:27,760
Speaker 5: have the energy to just get back into filming like that?

365
00:15:27,840 --> 00:15:29,120
Speaker 4: I don't so I think.

366
00:15:30,240 --> 00:15:32,640
Speaker 1: I think again it's if my scene partner was not

367
00:15:33,760 --> 00:15:39,040
Speaker 1: Lily Collins and Paul and if my our producers, especially

368
00:15:39,400 --> 00:15:42,160
Speaker 1: Stephen Brown, like we're so incredible, and because what was

369
00:15:42,200 --> 00:15:44,520
Speaker 1: wild is I when I was cleared from the hospital,

370
00:15:44,560 --> 00:15:47,840
Speaker 1: I couldn't fly home. I've been open about that. I

371
00:15:47,880 --> 00:15:50,800
Speaker 1: had to fly directly to Paris just because it was closer,

372
00:15:51,000 --> 00:15:53,440
Speaker 1: and so I recovered there for a while and then

373
00:15:53,880 --> 00:15:55,840
Speaker 1: step back into filming and the you know that Black

374
00:15:55,880 --> 00:15:57,720
Speaker 1: and White Ball was one of the first my first

375
00:15:57,840 --> 00:15:59,640
Speaker 1: night shoot back on SEM and this the tour thing,

376
00:15:59,680 --> 00:16:01,800
Speaker 1: I mean, the stilettos. So it was a little bit

377
00:16:01,840 --> 00:16:05,120
Speaker 1: of disbelief and disassociation and thank god, I've walked in

378
00:16:05,480 --> 00:16:08,280
Speaker 1: Ninda's shoes for like three seasons and I knew these

379
00:16:08,320 --> 00:16:11,480
Speaker 1: people so well, or else I don't think I would

380
00:16:11,480 --> 00:16:12,520
Speaker 1: have been able to get through it.

381
00:16:12,720 --> 00:16:15,440
Speaker 2: Wow, you know Gandhi, Yes, you had to dance with

382
00:16:15,480 --> 00:16:16,440
Speaker 2: a little sebstance.

383
00:16:16,520 --> 00:16:18,560
Speaker 3: I had to dance with kind of a lot of

384
00:16:18,560 --> 00:16:19,880
Speaker 3: what you're talking about too.

385
00:16:20,200 --> 00:16:21,440
Speaker 4: How has it.

386
00:16:21,400 --> 00:16:23,440
Speaker 3: Changed the way you look at everything and the way

387
00:16:23,440 --> 00:16:25,400
Speaker 3: you do everything now? Has it changed the way you

388
00:16:25,400 --> 00:16:26,160
Speaker 3: look at everything now?

389
00:16:26,400 --> 00:16:28,600
Speaker 4: I mean vastly. I think that also.

390
00:16:28,680 --> 00:16:32,720
Speaker 1: You know, having having cancer as a fifteen year old,

391
00:16:33,040 --> 00:16:36,000
Speaker 1: that definitely informed the person that I am, mostly because

392
00:16:36,040 --> 00:16:38,320
Speaker 1: I really didn't want to be identified by that and

393
00:16:38,360 --> 00:16:41,160
Speaker 1: then in that personality trade of mind of not wanting

394
00:16:41,200 --> 00:16:44,280
Speaker 1: to be the bald, sick girl or the you know,

395
00:16:44,600 --> 00:16:49,280
Speaker 1: have that identity and really made me the person I

396
00:16:49,320 --> 00:16:50,960
Speaker 1: am in terms of the artists, I am the human

397
00:16:51,000 --> 00:16:53,360
Speaker 1: I am the kind of person I am. But I

398
00:16:53,400 --> 00:16:56,720
Speaker 1: think that, I mean, this is wildly changed. I think

399
00:16:56,720 --> 00:16:59,480
Speaker 1: it's just a it's a complete perspective change, and you've

400
00:16:59,640 --> 00:17:02,360
Speaker 1: experience at firsthand. It's wild me to watch a scene

401
00:17:02,360 --> 00:17:06,320
Speaker 1: where a month before I was just like hooked up

402
00:17:06,320 --> 00:17:07,400
Speaker 1: all over in the hospital.

403
00:17:07,480 --> 00:17:09,119
Speaker 3: You know, I feel like a lot of times it

404
00:17:09,200 --> 00:17:10,639
Speaker 3: just becomes this thing in your life where there's the

405
00:17:10,680 --> 00:17:13,000
Speaker 3: before and after, and that's how you look up so

406
00:17:13,080 --> 00:17:13,520
Speaker 3: many things.

407
00:17:13,560 --> 00:17:15,240
Speaker 4: Yeah, yeah, that was before and now that was.

408
00:17:16,119 --> 00:17:19,040
Speaker 1: Yeah, we say presepsis and post sepsis a little bit

409
00:17:19,119 --> 00:17:22,080
Speaker 1: now because but I think for me the biggest thing

410
00:17:22,160 --> 00:17:24,439
Speaker 1: was it, you know, when you go through stuff like

411
00:17:24,440 --> 00:17:29,000
Speaker 1: that with people that you love, like that, the grace

412
00:17:29,040 --> 00:17:31,960
Speaker 1: and the patients and the care that Paul showed me,

413
00:17:32,119 --> 00:17:35,679
Speaker 1: and that, like it was far beyond Oh they started

414
00:17:35,760 --> 00:17:37,960
Speaker 1: dating in season three of Emily in Paris, you know,

415
00:17:38,040 --> 00:17:38,320
Speaker 1: and I.

416
00:17:38,280 --> 00:17:39,800
Speaker 4: See now I want you to end up with him,

417
00:17:39,840 --> 00:17:40,359
Speaker 4: even though.

418
00:17:42,560 --> 00:17:47,000
Speaker 2: Danielle, daniel I'm good. I mean, I count a proud

419
00:17:47,040 --> 00:17:48,760
Speaker 2: for you. By the way, it's just turning us on.

420
00:17:48,840 --> 00:17:50,520
Speaker 2: You need to listen to this interview from the very

421
00:17:50,520 --> 00:17:53,360
Speaker 2: beginning on our on demand channel Ashley Park. Of course,

422
00:17:53,400 --> 00:17:56,359
Speaker 2: Mindy Chen from Emily in Paris. So you just discovered

423
00:17:57,040 --> 00:18:00,720
Speaker 2: season five is on the road. What was it like

424
00:18:00,840 --> 00:18:02,520
Speaker 2: being told it's like, oh god, we got to do

425
00:18:02,560 --> 00:18:02,920
Speaker 2: this again.

426
00:18:05,440 --> 00:18:08,800
Speaker 1: Well, it's funny because I didn't even because we've been

427
00:18:08,800 --> 00:18:10,840
Speaker 1: doing Presby did a Rome premiere. We were in Paris,

428
00:18:11,080 --> 00:18:12,639
Speaker 1: I went to London for a couple of days and

429
00:18:12,720 --> 00:18:14,359
Speaker 1: Darren texted me, and I knew I was flying to

430
00:18:14,440 --> 00:18:16,320
Speaker 1: New York the next day to start this whole week.

431
00:18:16,480 --> 00:18:18,040
Speaker 1: So in my mind, I'm like, we're not going to

432
00:18:18,119 --> 00:18:20,120
Speaker 1: hear for a while, Like the show just came out,

433
00:18:20,400 --> 00:18:22,800
Speaker 1: and Darren texted and was like, can't wait to celebrate

434
00:18:22,800 --> 00:18:24,480
Speaker 1: in New York where you know, we got picked up

435
00:18:24,480 --> 00:18:27,119
Speaker 1: for season five officially, we're announcing it tomorrow. And I

436
00:18:27,160 --> 00:18:28,800
Speaker 1: was like, well, I'm not even in New York yet,

437
00:18:28,920 --> 00:18:31,679
Speaker 1: Like what's happening? So I mean, but that's a testament too,

438
00:18:32,600 --> 00:18:35,719
Speaker 1: I mean truly, the fact that people all over the globe.

439
00:18:36,160 --> 00:18:38,159
Speaker 1: You know, I'm so grateful to the fans of the

440
00:18:38,240 --> 00:18:40,520
Speaker 1: show and people who love this show because there would

441
00:18:40,560 --> 00:18:41,800
Speaker 1: not be a fifth season otherwise.

442
00:18:41,880 --> 00:18:44,360
Speaker 5: How long before you'll start like filming that because we wait.

443
00:18:44,400 --> 00:18:45,840
Speaker 5: I feel like we wait so long with a lot

444
00:18:45,880 --> 00:18:46,280
Speaker 5: of shows.

445
00:18:46,680 --> 00:18:49,240
Speaker 2: Sometimes we wait season. Sometimes we wait too long.

446
00:18:49,880 --> 00:18:51,919
Speaker 1: What I'll say, is there because you know, we wrapped

447
00:18:51,960 --> 00:18:54,439
Speaker 1: in May and then the show, the first half of

448
00:18:54,440 --> 00:18:55,359
Speaker 1: it came out in August.

449
00:18:55,440 --> 00:18:58,000
Speaker 4: So I actually don't know how they do that so fast.

450
00:18:58,080 --> 00:19:02,840
Speaker 1: Like Darren is an expert, uh editor of these TV shows,

451
00:19:02,880 --> 00:19:06,160
Speaker 1: you know, so I don't know you know what, though,

452
00:19:06,240 --> 00:19:08,960
Speaker 1: I really and I've been very open about this, I

453
00:19:09,000 --> 00:19:10,720
Speaker 1: do not want to do it in the winter again.

454
00:19:10,880 --> 00:19:12,360
Speaker 4: We got through Christmas.

455
00:19:14,000 --> 00:19:14,280
Speaker 2: Winter.

456
00:19:15,000 --> 00:19:16,720
Speaker 4: I think maybe it had to do also like.

457
00:19:16,720 --> 00:19:19,760
Speaker 1: I love the sun, and I love like I'm very

458
00:19:19,840 --> 00:19:22,119
Speaker 1: much affected by weather, I think, and I was like

459
00:19:22,600 --> 00:19:25,320
Speaker 1: depressed from having stepsis, so like it was not a

460
00:19:25,359 --> 00:19:27,159
Speaker 1: fun time, and so I think, I just want the

461
00:19:27,200 --> 00:19:28,040
Speaker 1: sun to be out again.

462
00:19:28,160 --> 00:19:30,760
Speaker 2: Okay, I get it. Paris in the sunshine.

463
00:19:31,000 --> 00:19:33,960
Speaker 1: Also, you tried being like in stilettos on cobblestone. And

464
00:19:34,080 --> 00:19:36,400
Speaker 1: also half the time we had to pretend like it

465
00:19:36,480 --> 00:19:39,959
Speaker 1: was warm still, and because we were filming stuff from

466
00:19:39,960 --> 00:19:41,840
Speaker 1: the previous episode, So I was like in a bathing

467
00:19:41,880 --> 00:19:43,800
Speaker 1: suit outside everyone else was in a parka, and I

468
00:19:43,840 --> 00:19:49,320
Speaker 1: was like, I just I just barely got here and survived.

469
00:19:50,000 --> 00:19:52,399
Speaker 2: Put this on, get out there. Yeah, well, how do

470
00:19:52,440 --> 00:19:59,280
Speaker 2: you know I haven't been in I believe street, don't assume.

471
00:19:59,320 --> 00:20:00,359
Speaker 2: Actually we have to.

472
00:20:00,359 --> 00:20:02,159
Speaker 5: Talk about the naked song, but we can't because I

473
00:20:02,160 --> 00:20:03,600
Speaker 5: don't want to ruin it for other people.

474
00:20:03,920 --> 00:20:05,600
Speaker 4: There's just a naked don't care all. It's all out

475
00:20:05,600 --> 00:20:07,680
Speaker 4: there literally just on Instagram.

476
00:20:07,720 --> 00:20:10,800
Speaker 2: No, it's not naked songs.

477
00:20:11,240 --> 00:20:12,960
Speaker 3: I don't want to ruin it for anybody yelling at

478
00:20:13,000 --> 00:20:14,280
Speaker 3: us about spoiling the sopranos.

479
00:20:14,320 --> 00:20:19,240
Speaker 2: So that is true, got mad for spoiling Uh do.

480
00:20:19,280 --> 00:20:20,960
Speaker 4: You mean a crazy worst song? Yeah?

481
00:20:21,040 --> 00:20:24,000
Speaker 1: Okay, I was like, wait, maybe Titanic naked song? Naked

482
00:20:24,000 --> 00:20:26,040
Speaker 1: song because you're supposed to be naked.

483
00:20:26,119 --> 00:20:28,280
Speaker 2: Yeah, we got yelled at ruining Titanic.

484
00:20:28,960 --> 00:20:29,679
Speaker 4: What you did?

485
00:20:30,040 --> 00:20:35,159
Speaker 1: She did by literally who it's a historical event, like

486
00:20:35,240 --> 00:20:37,480
Speaker 1: they I know that.

487
00:20:37,640 --> 00:20:39,600
Speaker 4: No, King Kong, I got mad at us about that one.

488
00:20:39,680 --> 00:20:42,840
Speaker 2: I know when he does exactly. I don't want to

489
00:20:42,840 --> 00:20:46,639
Speaker 2: spoil it. You die, just ru damn you.

490
00:20:48,600 --> 00:20:52,040
Speaker 1: Both. Damn Everyone climb up, and then the blonde girls

491
00:20:52,080 --> 00:20:54,800
Speaker 1: like you're okay, Oh my god, are you serious?

492
00:20:55,440 --> 00:20:56,159
Speaker 2: We gotta move on.

493
00:20:56,280 --> 00:20:59,760
Speaker 1: This is horrible, god Zilla, I know it's fine. Wait,

494
00:20:59,800 --> 00:21:05,560
Speaker 1: I really thought they survives. You don't the apes?

495
00:21:05,600 --> 00:21:09,760
Speaker 2: I don't know's not ruin all of them, Ashley, thank

496
00:21:09,800 --> 00:21:14,520
Speaker 2: you for coming in Actley Park. Of course, Emily in Paris.

497
00:21:15,000 --> 00:21:16,800
Speaker 2: If we ruin part of it, sorry.

498
00:21:18,240 --> 00:21:18,840
Speaker 1: Your fault.

499
00:21:20,960 --> 00:21:21,960
Speaker 2: God Morning, Good Morning

500
00:21:24,400 --> 00:21:24,600
Speaker 5: Show