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Speaker 1: The volume.

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Speaker 2: While I am happy that we get new music and

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Speaker 2: we get a lot of good new music, right, I

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Speaker 2: do think that.

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Speaker 3: It's bad that we get this much new music wise.

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Speaker 4: It was three albums as far as like bigger artists, Yeah, but.

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Speaker 2: I feel like we just got the Clips album a

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Speaker 2: couple of weeks ago, and weeks ago Alfredo two. We

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Speaker 2: just got Alfreido two a few weeks ago, and now

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Speaker 2: we have Jid album, we have Gunners album, we have

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Speaker 2: Bryson Tiller's album, to.

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Speaker 3: Name a few.

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Speaker 2: I'm sure some other projects dropped, but like, when do

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Speaker 2: we have the time to really like listen to all

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Speaker 2: of this Because we spent so much time having a

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Speaker 2: conversation with my boy the other day and we've lost

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Speaker 2: we In the conversation, we were talking about how we've

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Speaker 2: lost the connection to music like this. There's times now

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Speaker 2: where I could love somebody's album and I don't even

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Speaker 2: remember the lyrics to the raps before. If I love

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Speaker 2: the probably this album is crazy. I could recite every

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Speaker 2: song because I felt like there was a different connection

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Speaker 2: to it versus now we do everything on our phone.

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Speaker 2: If I'm listening to the music on my phone and

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Speaker 2: then I get a text message, or I get a call,

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Speaker 2: or somebody sends me a clip and I gotta watch

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Speaker 2: this clip. It's like you're being pulled away from what

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Speaker 2: I'm really like, I'm.

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Speaker 3: Listening to music on my phone.

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Speaker 2: So now if I got all these other things happening,

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Speaker 2: this is like this connect Like I hear the music.

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Speaker 2: I hear it like I'm listening to the album. But

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Speaker 2: there's no like the connection order or the like there's something.

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Speaker 2: This is like a wall in between us and really

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Speaker 2: connecting to the music.

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Speaker 3: It feels like.

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Speaker 4: But I don't think it's a music thing per se.

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Speaker 4: I just think it's an entertainment thing. Well that is,

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Speaker 4: music is just folded into that because I mean even

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Speaker 4: the way we binge shows, Like imagine if a season

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Speaker 4: of The Sopranos was available one day, not spread out

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Speaker 4: amongst fourteen weeks, where you watched an episode, you talked

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Speaker 4: about it with your friends for the whole week, you

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Speaker 4: made predictions, you did all that, Like you can just

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Speaker 4: binge things immediately, and then on top of that, you

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Speaker 4: have every bit of content and your phone on social media,

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Speaker 4: whether it be TikTok ig, like music is going to

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Speaker 4: fall to the wayside. And that regard, and it's so

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Speaker 4: it's so much easier to make music now.

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Speaker 3: It's easier to make it, it's easy to put it out.

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Speaker 4: So in that regard, you have and you will get

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Speaker 4: to the Bryson thing. But you can put a double

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Speaker 4: album out. But the contradiction there is I feel like

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Speaker 4: no one has the attention span for it. So it's

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Speaker 4: easier to put it out, but you're putting it out

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Speaker 4: to consumers that don't have the time or attention span

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Speaker 4: to listen to that amount. So yeah, everyone's fucked in

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Speaker 4: that regard. Like imagine imagine working on Netflix series for

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Speaker 4: three years and somebody binges it in one rainy Saturday

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Speaker 4: and then says, yoh, he know, whe're season two. That's

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Speaker 4: for my life into this shit. Yeah yeah, it's access

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Speaker 4: to everything. And even when I'm watching something i'm engaged with,

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Speaker 4: I look at my phone and start scrolling through. I'll

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Speaker 4: see that right and get distracted. But the music is

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Speaker 4: the same way, Like it's very low on the totem

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Speaker 4: pole if you're not like a real lover of music.

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Speaker 2: But even if the songs are too I loved, I loved,

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Speaker 2: I love the technology now because again literally I could

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Speaker 2: pull up any song. I could be thinking about a

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Speaker 2: record and type it in and pull it them and

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Speaker 2: listen to it.

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Speaker 5: So I love Sario.

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Speaker 6: You can start saying the lyrics the series.

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Speaker 3: I love that aspect of it.

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Speaker 2: But there is a difference in the way I connect

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Speaker 2: to music now. Then I used to, like when I

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Speaker 2: had to literally buy physical music or you know, seeia album.

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Speaker 3: There was like a different even if I didn't like.

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Speaker 4: It, because you could only carry so much with you,

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Speaker 4: like be able to carry the big CD booklet. But

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Speaker 4: but even then, like I would keep one CD.

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Speaker 2: And this is what I'm saying, because I think it's

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Speaker 2: too much now, like we just I'm still listening to

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Speaker 2: Alfredo two and now I got j Jid's album. Now

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Speaker 2: I got you know, Bryce's IBM's just like Bro. I'm

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Speaker 2: still I haven't really even you know, really digested all

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Speaker 2: the bars in Alfredo two yet and not ready now

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Speaker 2: Jid is on on my phone.

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Speaker 4: Okay, all right, I hear you. And again I'm not

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Speaker 4: trying to beat Devil's Advocate here. Ironically, on September eleventh,

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Speaker 4: when Blueprint and Fabs first album came out, like people

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Speaker 4: used to drop on the same day graduation. Curtis like

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Speaker 4: that would happen often where people would drop on the same.

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Speaker 3: Day, right, But tell me what came out three weeks

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Speaker 3: before those albums? Oh, I see it?

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Speaker 6: Yeah, I don't know.

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Speaker 2: You get what I'm saying, Like that's the difference. It's like, Okay,

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Speaker 2: we get Alfredo two, two weeks ago, well a week ago,

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Speaker 2: and then now this week, Jid next week, chance to rapper.

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Speaker 3: It's like it's like if.

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Speaker 2: I'm on a phone call having a good conversation with somebody, somebody.

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Speaker 3: Calls in, I'm like, hold on, how real? How often

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Speaker 3: do I go back to that other call? But that's

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Speaker 3: if it's another good complict. My Homie call was, I'm like, yo,

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Speaker 3: I'm downtown.

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Speaker 2: It was lit out out of there. I just saw

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Speaker 2: SOS I forgot I got Homie on the on on

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Speaker 2: hold now. So now it's like, when do you when

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Speaker 2: do you have an opportunity to really or it's a

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Speaker 2: shorter window to connect to the music now think.

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Speaker 4: And I mean I'm not saying this about you whatsoever.

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Speaker 4: I'm just saying the consumer. I feel like a lot

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Speaker 4: of the consumers listen to react as quick as they

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Speaker 4: can rather than live with the music and then move

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Speaker 4: on to the next thing that they can react to.

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Speaker 3: So as an artist, how do you how do you

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Speaker 3: navigate through that?

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Speaker 2: Do you have two years to create and then to

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Speaker 2: put somebody in three hours to.

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Speaker 3: Be like, Yo, this shit track.

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Speaker 4: Yeah, that's out of at that point, that's out of

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Speaker 4: your control. That's where finding the right consumer in the

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Speaker 4: right tribe and the right core fan base matters the most.

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Speaker 6: Which is which will get to jid shit.

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Speaker 4: I don't think he tried to chase anything at all

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Speaker 4: but his core fan base on this project, myself being one,

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Speaker 4: and I think that was the smartest thing ever.

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Speaker 6: Like you try to I get it.

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Speaker 4: You got to grow and get more fans the best

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Speaker 4: way possible. Shit we go through with podcasts and two

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Speaker 4: down to how we title certain YouTube shit. But at

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Speaker 4: the end of the day, it's still the core that's

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Speaker 4: really gonna matter and return, and that's the only people

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Speaker 4: you really should feed. That's the strategy, that's the only

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Speaker 4: strategy that you could have control of feeding your core

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Speaker 4: and your tribe. Along the way, maybe you'll get some

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Speaker 4: more people. But do you think Freddie and al was

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Speaker 4: sitting there of like, Yo, we got to get it

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Speaker 4: as many people as possible to go back to listen

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Speaker 4: to our fraidle one after listen. No, let's keep our

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Speaker 4: formula and grow our formula. That's what's gonna move. Any

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Speaker 4: type of vinyls move actual real ticket sales. That's the

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Speaker 4: only thing that matters at this point. If you're in

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Speaker 4: that space. And jid Is is a big artist like

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Speaker 4: he is.

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Speaker 2: An eminem feature that we were completely wrong about. I

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Speaker 2: feel like we deserve some credit because I think he

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Speaker 2: added it back to the album because of us. Well, No,

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Speaker 2: you came in here with information that you heard or

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Speaker 2: you received from somewhere.

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Speaker 6: It was on an EP. I didn't know it's gonna

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Speaker 6: be my album. No, that's an old Rick Ross move.

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Speaker 2: No, but I ain't gonna lie like that would have

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Speaker 2: been insane if you don't put us he said.

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Speaker 6: When all that shit came out, that this was not

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Speaker 6: on the album.

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Speaker 4: Oh, he did say that when he posted the EP.

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Speaker 4: Shit if I'm correct me. If I'm wrong, fans, you

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Speaker 4: can kill me in the damn. When he was tweting,

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Speaker 4: she was like, yo, I want to put out some

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Speaker 4: shit before my project, like this is this is the

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Speaker 4: EP before the album? Like this didn't never play on

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Speaker 4: my album. Okay, but again, I mean it's an eminem

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Speaker 4: feature so it should stay there, and I wasn't too

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Speaker 4: mad at it in the sequencing. It's not really a

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Speaker 4: song for me, are you? The prelux is strictly to

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Speaker 4: get people talking, intrigued, excited about the album. That's well, yeah,

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Speaker 4: how I interpreted it, which is, you know, obviously I

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Speaker 4: was wrong. I interpreted that along with everyone else, that

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Speaker 4: this was like your pre ep.

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Speaker 3: Shit.

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Speaker 2: The prelux is strictly to get people talking, intrigued, excited

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Speaker 2: about the album.

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Speaker 4: Great strategy, But would you not read that.

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Speaker 3: So there's another n verse on the main album? Nope,

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Speaker 3: I got two of the best fast rappers of all time.

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Speaker 4: I think he was alluding to himself in there, but

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Speaker 4: I mean, either way, yeah, to close your point in

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Speaker 4: that regard, I think just feeding your core is the

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Speaker 4: only way because the average consumer is just going to

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Speaker 4: move on and swipe up to the next fucking fifteen

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Speaker 4: second reel like music.

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Speaker 6: Even when they've chopped it down to.

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Speaker 4: Two thirty as far as songs go, that's still hard

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Speaker 4: to keep people's attention. Like you have fucking movie studios

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Speaker 4: trying to figure out how can we capture somebody in

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Speaker 4: ten seconds and they're putting out films that are four hours. Right,

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Speaker 4: We're fucked with a microwave brain. Like, that's just how

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Speaker 4: things go. So it is kind of on you as

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Speaker 4: the consumer to get out of that way, because yes,

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Speaker 4: I'm more attached to some of the music I grew

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Speaker 4: up on, but I also had a different mind state

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Speaker 4: and was in a different environment at that time and

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Speaker 4: how I even consume things. So as a music lover,

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Speaker 4: as a consumer, sometimes I have to like discipline myself

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Speaker 4: and be like, yo, don't look at your phone, sit

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Speaker 4: and just live with this music, because I know that's

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Speaker 4: where your heart really is with this shit, and like

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Speaker 4: how you feel better and everything.

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Speaker 2: I guess for me, it's just different though, because I

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Speaker 2: used to. I used to literally when the album come out,

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Speaker 2: you know, or artists I like drops a project.

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Speaker 3: I burned that project to the ground because.

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Speaker 2: I need to I need to hear it, I need

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Speaker 2: to live with it, I need to move around with

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Speaker 2: it just to see if I like it, love it,

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Speaker 2: hate it. Now it's like I'm in the mix of

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Speaker 2: still trying to figure out if I love this project

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Speaker 2: or not. And then now this week, I got another

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Speaker 2: artist that I like, he's dropping his album. I gotta

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Speaker 2: listen to this, And now it's just it's like it

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Speaker 2: seems like you can't. I can't listen to everything fairly.

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Speaker 4: But we also got older, like you also have to

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Speaker 4: add that factory.

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Speaker 3: Well, and that's another thing. Life happens. I got things

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Speaker 3: to do now.

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Speaker 2: I can't just be listening to music move so all

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Speaker 2: of these things happen. But like the cadence of the

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Speaker 2: way we receive music though, I think it's just like

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Speaker 2: it just feels very like it's almost like a conveyor

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Speaker 2: belt and you know, I'm seeing a product come down,

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Speaker 2: Oh I like this, and by the time I'm looking

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Speaker 2: at this, three mores going underneath it, and I'm like,

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Speaker 2: oh shit, like let me listen to it. It just

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Speaker 2: feel like you're always playing ketch up when it comes

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Speaker 2: to your favorite music.

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Speaker 6: But I mean, I'll even say, like I have not listened.

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Speaker 3: To the Gunner album yet, but I'm very not because

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Speaker 3: you don't like Gunner.

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Speaker 6: No, you just haven't had an opportunity with that yet.

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Speaker 4: With that said, outside of I mean, we have a

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Speaker 4: chance on the Pop podcast this this coming week, and

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Speaker 4: I had to listen to that album plus g I D.

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Speaker 6: And Bryce and Tiller, three artists that I really like Gonna.

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Speaker 4: I like Gunna, don't get me wrong, but I've admitted

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Speaker 4: like I'm not gonna move my life around for a

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Speaker 4: Gunner album. It would strictly be for the podcast, which

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Speaker 4: to me also feels a little gross because like, why

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Speaker 4: should I be the one even reviewing, Like I feel

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Speaker 4: like that's fucked up to Gunner, like with them, not

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Speaker 4: that we have the biggest media platform, but you know

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Speaker 4: people do listen to us. I'm not the one for this,

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Speaker 4: Like I like a Gunner song every now and then,

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Speaker 4: I'm not gonna sit there and do a deep dive

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Speaker 4: on Gunn. And that's nothing negative about him, it's my taste.

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Speaker 4: I'm sure Gunn would look at some of the music

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Speaker 4: I listened to and be like, oh you that's whack.

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Speaker 5: That's just.

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Speaker 4: Like that's just how life goes. So you also have

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Speaker 4: to take that into consideration. I'm not never in my life,

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Speaker 4: even when I would be completely free and have nothing

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Speaker 4: to do, would I run to go dissect a gun album. Yeah,

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Speaker 4: So add that into and I think a lot of

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Speaker 4: people feel that way with how much music is out there.

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Speaker 4: I love that streaming allows you to not have to

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Speaker 4: sit with the radio and the mainstream shit you're just

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Speaker 4: forced to listen to. When I get in the car,

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Speaker 4: I don't have to listen to what the radio is programming.

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Speaker 4: But you're also going to not listen to other shit

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Speaker 4: because of that, even if gun is the biggest shit moving,

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Speaker 4: I can't believe I'm not gonna sit there and listen

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Speaker 4: to with a Gunner album on the song and listen

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Speaker 4: to lying I said, and listening to radio now, I

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Speaker 4: can't believe I actually used to listen to the radio.

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Speaker 6: Why I used to record the radio.

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Speaker 2: It's the same twelve songs from seven artists. Oh and

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Speaker 2: was it not that over?

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Speaker 3: But that's what I'm saying. And now that you realize that,

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Speaker 3: now that I have.

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Speaker 2: The ability to listen to whatever I want, whenever I want,

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Speaker 2: I can't really I cannot believe that radio was such

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Speaker 2: a big part of my life at one point because

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Speaker 2: when you listen to it now, like sometimes in commute

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Speaker 2: and I'll just listen to radio.

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Speaker 3: And then like.

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Speaker 2: Example, the other day, I went out, so I caught

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Speaker 2: an uber went downtown.

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Speaker 3: Right when I got out the car a song was playing.

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Speaker 2: Two hours later, I got back in an uber, that

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Speaker 2: same song was playing again, and I was like, bro,

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Speaker 2: this is so now I'm listening because now I'm gonnay, okay,

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Speaker 2: let me hear what's next. It almost got to a

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Speaker 2: point where I know which song they get ready to

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Speaker 2: play next. So I'm just like we used to sit

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Speaker 2: down in the crib like around the radio and listen. Yeah,

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Speaker 2: and it's like, bro, it's the same songs, the same artists.

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Speaker 2: And then I'm thinking, like, we know how programming works.

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Speaker 2: We know that they have playlist at the radio and

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Speaker 2: things like that, but my thing is that there's so

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Speaker 2: many other songs and dope artists that you could easily like,

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Speaker 2: we don't have to listen to this song three times

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Speaker 2: in the hour, Like there's two other artists you coulda

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Speaker 2: put in that spot and play play dead new record.

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Speaker 4: I mean, I hear you. But in yes, this was

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Speaker 4: programming working. But like you know, I remember taking the

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Speaker 4: boombox to go play ball and just waiting for Country

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Speaker 4: Grammar to play, like just waiting for it, and yeah,

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Speaker 4: it would play once an hour, But that was like

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Speaker 4: a moment at that time. That's why it resonated more

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Speaker 4: because we only had access to that.

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Speaker 6: Had I have the ability.

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Speaker 4: To just listen before the album came out, howd I

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Speaker 4: have the ability to just listen to country grammar every

304
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Speaker 4: five minutes, I probably would have moved the fuck on

305
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Speaker 4: the fact that we sat around the radio waiting for

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Speaker 4: that song, even if it played every hour like it

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Speaker 4: made it resonate more. Like even like when we would

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Speaker 4: Tia one on six in part like Tara waiting for

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Speaker 4: DMX party up video like run home so you could

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Speaker 4: watch that again. If YouTube was really a thing, it

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Speaker 4: wouldn't have been a moment with me and my friends

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Speaker 4: of like, yo, know what you think?

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Speaker 5: Yo?

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Speaker 4: That part in this year I call another thing in

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Speaker 4: the video because you could only maybe see it once

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Speaker 4: a day, never wind this is TV.

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Speaker 5: Yeah.

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Speaker 3: Yeah.

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Speaker 4: And even when we used to record the radio on

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Speaker 4: tapes because I'm really not that young, we would do

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Speaker 4: that as well, like all right, if we want to

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Speaker 4: listen to this again, let's do a pushape, like literally

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Speaker 4: record the radio. That was a thing that made it

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Speaker 4: made it a moment for a record outside of it

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Speaker 4: just resonating sonically, that was like a moment with your friends,

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Speaker 4: like who knows the lyrics like who like that was

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Speaker 4: to the point.

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Speaker 2: Too much access kind of killed that, like having the

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Speaker 2: ability the ability.

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Speaker 4: To you shouldn't have that much access to art at

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Speaker 4: any times. It's a catch twenty two, Like I really

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Speaker 4: see both sides of how great that is because I

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Speaker 4: love the ability to do that. Especially when I got

334
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Speaker 4: an iPod, I thought it was the greatest thing ever. Yeah,

335
00:15:47,360 --> 00:15:51,920
Speaker 4: and it definitely changed, uh my music discovery and my

336
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Speaker 4: music taste. But it did definitely take away from the

337
00:15:56,880 --> 00:16:01,200
Speaker 4: moments you have with music, like the AID and Offset record,

338
00:16:01,400 --> 00:16:04,080
Speaker 4: which is fired obas is for shit, Like if that

339
00:16:04,280 --> 00:16:07,200
Speaker 4: was in radio time, that would probably be a joint

340
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Speaker 4: that would live with me forever.

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Speaker 6: But now I don't know. I mean I like.

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Speaker 3: It, yeah, but too much act.

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Speaker 4: Yeah, I'm not waiting for that record to come on

344
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Speaker 4: because I can just play it.

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Speaker 3: Yeah. Well, Jid dropped his God does like ugly.

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Speaker 4: I'll take my sunflowers. I texted tomorrow shows me some

347
00:16:28,280 --> 00:16:29,200
Speaker 4: sunflowers as well.

348
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Speaker 3: Yes you did.

349
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Speaker 2: At the top of the year, I believe you said,

350
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Speaker 2: Jid will drop the best rap album.

351
00:16:34,840 --> 00:16:39,240
Speaker 4: Said Jid in clips will be candidates for Rap album

352
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Speaker 4: of the Year, and I think I'm there. It's only

353
00:16:41,160 --> 00:16:43,480
Speaker 4: been two days plus obviously we had to listen to

354
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Speaker 4: the Chance Shit had tomorrow the whole weekend and studio sessions.

355
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Speaker 6: But off the few listens I had of the Jit shit, I.

356
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Speaker 4: Mean, I feel like personally he's setting himself up to

357
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Speaker 4: be the next generation person. But I don't know if

358
00:17:02,440 --> 00:17:05,439
Speaker 4: that even exists anymore, that there's going to be like

359
00:17:05,480 --> 00:17:08,040
Speaker 4: a new Big Three, But Ginny.

360
00:17:07,800 --> 00:17:08,399
Speaker 3: I don't see it.

361
00:17:08,920 --> 00:17:10,800
Speaker 4: Yeah, I don't know if that's even gonna be a thing.

362
00:17:10,880 --> 00:17:11,560
Speaker 3: Not not to.

363
00:17:13,119 --> 00:17:15,200
Speaker 6: Jid's credit or discredit.

364
00:17:15,320 --> 00:17:19,040
Speaker 4: But this this is easily up there with the clips

365
00:17:19,440 --> 00:17:21,840
Speaker 4: Alfredo two? Is Was I the only one that like

366
00:17:21,880 --> 00:17:24,280
Speaker 4: listen to Shit and know it was fucking incredible? No?

367
00:17:24,359 --> 00:17:29,680
Speaker 3: So it was Sunday. I was on the phone with

368
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Speaker 3: Nick Nick Grant. He asked me, say, Yo, your a

369
00:17:31,560 --> 00:17:34,280
Speaker 3: Jed album yet, And I said, oh, shit, Like I'm

370
00:17:34,320 --> 00:17:37,280
Speaker 3: still listening to Alfredo too and clips like I forgot

371
00:17:37,359 --> 00:17:41,560
Speaker 3: Jid dropped Friday, SOI i'ma listening to it today. So

372
00:17:41,600 --> 00:17:43,080
Speaker 3: I'm like, what you think, Nick, Like, Yo, there's some

373
00:17:43,160 --> 00:17:44,800
Speaker 3: joints on it, Like he definitely you know, he got

374
00:17:44,800 --> 00:17:46,639
Speaker 3: some shit on there's definitely some joints that that I

375
00:17:46,640 --> 00:17:48,159
Speaker 3: think you're gonna like. So I said, all right, let

376
00:17:48,160 --> 00:17:50,280
Speaker 3: me let me check it out. So all day Sunday

377
00:17:51,520 --> 00:17:52,040
Speaker 3: moving around.

378
00:17:52,119 --> 00:17:54,000
Speaker 2: So I'm playing the album and again, when I'm listening

379
00:17:54,040 --> 00:17:55,920
Speaker 2: to music, it's literally the music I hear first.

380
00:17:56,480 --> 00:17:58,000
Speaker 3: I don't even know what you're saying, can't.

381
00:17:58,160 --> 00:17:59,840
Speaker 2: I'm just trying to hear the sound that you went

382
00:17:59,880 --> 00:18:02,919
Speaker 2: at after what you did with the music. So then

383
00:18:02,920 --> 00:18:04,720
Speaker 2: now I'm getting to the lyrics and the flows, and

384
00:18:04,760 --> 00:18:08,800
Speaker 2: I'm like, damn, Like this feels like an album that

385
00:18:08,840 --> 00:18:10,120
Speaker 2: would have came out in the nineties.

386
00:18:10,200 --> 00:18:10,480
Speaker 6: Yep.

387
00:18:11,320 --> 00:18:14,360
Speaker 2: Like it has that, it has that energy, it has

388
00:18:14,440 --> 00:18:17,800
Speaker 2: that attention to you know, details when it comes to

389
00:18:17,920 --> 00:18:22,879
Speaker 2: bars and how you write and construct songs. And you know,

390
00:18:23,000 --> 00:18:25,760
Speaker 2: Jed is one of those rappers that understands his voice

391
00:18:25,800 --> 00:18:28,800
Speaker 2: as an instrument. The way he uses inflections in his

392
00:18:28,920 --> 00:18:34,760
Speaker 2: voice and his tone, his his cadence, his his you know, his.

393
00:18:34,720 --> 00:18:36,240
Speaker 3: Flows on a lot of the records.

394
00:18:37,560 --> 00:18:41,359
Speaker 2: He does like interesting little things with his voice that

395
00:18:41,520 --> 00:18:44,240
Speaker 2: he that he does with the music. And I thought

396
00:18:44,240 --> 00:18:48,119
Speaker 2: that this album was was incredible. Like I listened to it,

397
00:18:48,119 --> 00:18:51,280
Speaker 2: it's some joints that I think the g's record, to

398
00:18:51,359 --> 00:18:54,479
Speaker 2: me is one of the better records I've heard from

399
00:18:54,560 --> 00:18:58,119
Speaker 2: Jid in his discography, like ever, Yeah, that's one of

400
00:18:58,160 --> 00:18:59,560
Speaker 2: my favorite Jid songs.

401
00:19:00,320 --> 00:19:00,640
Speaker 3: I think.

402
00:19:00,720 --> 00:19:04,879
Speaker 2: Ever I'm terrible with titles, but I specifically looked at

403
00:19:04,920 --> 00:19:07,040
Speaker 2: that because when I heard it, I remember when I

404
00:19:07,080 --> 00:19:09,040
Speaker 2: was listening to it the first time, and I'm listening

405
00:19:09,080 --> 00:19:11,440
Speaker 2: to the music and I'm listening, I'm.

406
00:19:11,280 --> 00:19:13,200
Speaker 3: Like, damn, like what is that? So I went and looked.

407
00:19:13,240 --> 00:19:15,359
Speaker 2: I had to see what the name of that particular

408
00:19:15,480 --> 00:19:18,399
Speaker 2: song was, and I played that like three times, and

409
00:19:18,440 --> 00:19:21,280
Speaker 2: I'm listening to what he's saying and the way he

410
00:19:21,359 --> 00:19:23,840
Speaker 2: ended the album on uh for keeps. I think it

411
00:19:23,880 --> 00:19:26,760
Speaker 2: is the name of that one, Yes, keeps for keeps.

412
00:19:26,960 --> 00:19:27,440
Speaker 3: Uh.

413
00:19:27,800 --> 00:19:30,040
Speaker 2: You know, he really got in his you know, soul loop,

414
00:19:30,119 --> 00:19:32,760
Speaker 2: the soul sample let me just get my shit off.

415
00:19:34,880 --> 00:19:39,440
Speaker 2: You could obviously hear, you know, the Audre three thousand influenced,

416
00:19:39,440 --> 00:19:40,600
Speaker 2: the Outcast influence.

417
00:19:40,600 --> 00:19:42,959
Speaker 4: You can hear it's not even just that Dungeon family,

418
00:19:43,000 --> 00:19:46,640
Speaker 4: and it's Dungeon Family, Coodie Mob, like even from Earth Gang,

419
00:19:46,720 --> 00:19:50,159
Speaker 4: that whole that whole crew, like the new version of

420
00:19:51,160 --> 00:19:56,720
Speaker 4: East Atlanta, like post Gucci between Black Jid, Earth Gang,

421
00:19:57,720 --> 00:20:01,800
Speaker 4: like all of them doesn't get I talked about enough,

422
00:20:01,880 --> 00:20:03,720
Speaker 4: even though they all aren't in the same I mean,

423
00:20:03,760 --> 00:20:07,399
Speaker 4: obviously Jid and Earth Gang are Dreamville and LVR went Black,

424
00:20:07,440 --> 00:20:08,840
Speaker 4: but they all grew up together.

425
00:20:09,119 --> 00:20:11,159
Speaker 6: That doesn't get talked about enough of.

426
00:20:11,200 --> 00:20:15,399
Speaker 4: Like carrying on and elevating a sound in Atlanta, because

427
00:20:15,400 --> 00:20:18,560
Speaker 4: to me, that shit is goodie mob on steroids in

428
00:20:18,600 --> 00:20:19,320
Speaker 4: twenty twenty five.

429
00:20:19,359 --> 00:20:21,439
Speaker 6: Of what Earth Gang and Jid with This did with

430
00:20:21,480 --> 00:20:22,320
Speaker 6: his production.

431
00:20:22,680 --> 00:20:25,159
Speaker 4: I should have looked at the credits. I don't know

432
00:20:25,520 --> 00:20:29,480
Speaker 4: the full production breakdown, but yeah, on the side of

433
00:20:29,480 --> 00:20:34,439
Speaker 4: somebody that could just rap really well, Atlanta is Atlanta

434
00:20:34,520 --> 00:20:38,160
Speaker 4: artists are great at rapping really well, but making sure

435
00:20:38,200 --> 00:20:41,520
Speaker 4: that we're going to make good music. Yeah, Like music

436
00:20:41,560 --> 00:20:44,680
Speaker 4: goes first in Atlanta, lyrics go second. And I don't

437
00:20:44,680 --> 00:20:47,560
Speaker 4: mean that as a slight because I think three Stacks,

438
00:20:47,560 --> 00:20:49,600
Speaker 4: who's one of the greatest lyricists ever, if you want

439
00:20:49,640 --> 00:20:52,280
Speaker 4: to get down to it, he's going to put music

440
00:20:52,560 --> 00:20:55,760
Speaker 4: way before lyrics with everything, and that's where Atlanta always wins.

441
00:20:55,760 --> 00:20:58,919
Speaker 6: And that's what I think Jid did on this album.

442
00:20:59,440 --> 00:21:02,400
Speaker 4: We all know he could rap just as good as

443
00:21:02,440 --> 00:21:05,880
Speaker 4: anybody in twenty twenty five. To me, that wasn't the focus.

444
00:21:05,920 --> 00:21:08,240
Speaker 4: It was content of what he was saying, and it

445
00:21:08,440 --> 00:21:12,080
Speaker 4: was melodies. It was how he was arranging his flow

446
00:21:12,119 --> 00:21:16,000
Speaker 4: on certain things. Nothing about outside of Animal Volume one.

447
00:21:16,560 --> 00:21:18,200
Speaker 2: Was you know I could rap it, you know, Yeah,

448
00:21:18,800 --> 00:21:20,960
Speaker 2: it was music I could have did without that record though.

449
00:21:21,160 --> 00:21:23,280
Speaker 3: I mean just being honest like.

450
00:21:23,200 --> 00:21:25,879
Speaker 2: That, and that's my thing. Even the album is incredible.

451
00:21:26,080 --> 00:21:29,720
Speaker 2: I think the music is great, the you know lyrically,

452
00:21:29,880 --> 00:21:33,359
Speaker 2: his flows, everything that he did, paid attention to every

453
00:21:33,400 --> 00:21:35,800
Speaker 2: detail when it comes to constructing.

454
00:21:36,080 --> 00:21:39,400
Speaker 4: Yeah, fucking Sierra on that shit Atlantaships.

455
00:21:39,560 --> 00:21:40,480
Speaker 3: The features was dope.

456
00:21:40,520 --> 00:21:44,040
Speaker 4: Obviously having the clips is fucking crazy. Malice might have

457
00:21:44,080 --> 00:21:46,399
Speaker 4: another versus though, on that.

458
00:21:46,840 --> 00:21:50,440
Speaker 3: Push and Malice both went fucking that community record Past

459
00:21:50,440 --> 00:21:50,919
Speaker 3: de Troy.

460
00:21:51,520 --> 00:21:54,359
Speaker 4: Yeah, I mean showing my age of just how great

461
00:21:54,359 --> 00:21:56,040
Speaker 4: it was to hear from Past de Troy.

462
00:21:56,160 --> 00:21:56,560
Speaker 3: Yeah.

463
00:21:56,720 --> 00:22:00,320
Speaker 2: But yeah, I can't say enough about this project. Shut

464
00:22:00,320 --> 00:22:02,240
Speaker 2: Out the Vince. Vince got a crazy verse on that

465
00:22:02,359 --> 00:22:06,240
Speaker 2: VCRs record. No, it's crazy verse on that VCRs record.

466
00:22:06,640 --> 00:22:09,639
Speaker 2: Don Toliver, I love that. I loved that Don Taliver record.

467
00:22:10,240 --> 00:22:12,040
Speaker 2: I was, you know, I didn't when I saw the

468
00:22:12,080 --> 00:22:14,000
Speaker 2: Don Tolliver feature. I was kind of like, you know,

469
00:22:14,240 --> 00:22:19,320
Speaker 2: seems like completely different worlds, but you know, you quickly realize.

470
00:22:20,280 --> 00:22:21,960
Speaker 3: How much of an artist Jid is.

471
00:22:22,000 --> 00:22:24,639
Speaker 2: He's not just a rapper, like, so mixing him with

472
00:22:24,720 --> 00:22:27,080
Speaker 2: Don it looks kind of like to.

473
00:22:27,080 --> 00:22:29,760
Speaker 3: The eye, like what would they do together? But the

474
00:22:29,760 --> 00:22:30,600
Speaker 3: the records though.

475
00:22:30,560 --> 00:22:32,959
Speaker 4: But that's very much to what I was saying before

476
00:22:33,040 --> 00:22:35,800
Speaker 4: of like three Stacks, Like once Three Stacks went on

477
00:22:35,880 --> 00:22:38,000
Speaker 4: his like feature run. It was always on records that

478
00:22:38,000 --> 00:22:39,840
Speaker 4: you wouldn't expect yea, even when he would do his

479
00:22:39,880 --> 00:22:44,400
Speaker 4: freestyles of uh, walk it out, and like he would

480
00:22:44,440 --> 00:22:46,639
Speaker 4: always go on things that you'd be like, all right,

481
00:22:46,640 --> 00:22:48,680
Speaker 4: I didn't expect you to go on this even would

482
00:22:48,840 --> 00:22:51,320
Speaker 4: whether it be James Blake, whether it be Frank like

483
00:22:51,359 --> 00:22:53,439
Speaker 4: all that stuff. He always found a way to be

484
00:22:53,480 --> 00:22:57,880
Speaker 4: on something different. And I think Jed has that same ability. Yeah,

485
00:22:57,520 --> 00:23:01,560
Speaker 4: he can show out on anything and sound weird.

486
00:23:01,560 --> 00:23:03,240
Speaker 3: Of blue, phenomenal record.

487
00:23:04,200 --> 00:23:06,440
Speaker 4: No. I think Don and Jig could do an EP

488
00:23:06,840 --> 00:23:08,520
Speaker 4: tomorrow and it would sound great.

489
00:23:08,720 --> 00:23:09,359
Speaker 3: Yeah, No, I was.

490
00:23:09,440 --> 00:23:12,520
Speaker 2: I was definitely again, you know, always always like Jid,

491
00:23:12,560 --> 00:23:16,000
Speaker 2: always supported Jed, think he's phenomenal, But you know, you

492
00:23:16,200 --> 00:23:18,480
Speaker 2: kind of get scared when it comes to your favorites

493
00:23:18,520 --> 00:23:20,520
Speaker 2: putting out a projectcause you're like, I hope you didn't.

494
00:23:21,000 --> 00:23:23,479
Speaker 2: It wasn't you know, influenced by certain pressures that make

495
00:23:23,560 --> 00:23:26,679
Speaker 2: this type of sound. And it's that it's good to

496
00:23:26,800 --> 00:23:28,760
Speaker 2: know that JD is going to be JID, Like he

497
00:23:28,800 --> 00:23:30,760
Speaker 2: looks like he's sticking to what he wants to do,

498
00:23:30,880 --> 00:23:33,280
Speaker 2: how he wants to sound, how he wants to you know,

499
00:23:33,640 --> 00:23:37,000
Speaker 2: be perceived. So it's always dope when your favorite rappers

500
00:23:37,480 --> 00:23:39,520
Speaker 2: go about it that way and approach it, like you said,

501
00:23:39,520 --> 00:23:40,600
Speaker 2: stick to the to their core.

502
00:23:41,040 --> 00:23:43,000
Speaker 4: Yeah, And I mean I think that speaks to the

503
00:23:43,040 --> 00:23:45,280
Speaker 4: system that he's in. I think he was talking to

504
00:23:45,520 --> 00:23:47,159
Speaker 4: b Dot. I forgot who was talking to when I

505
00:23:47,160 --> 00:23:49,480
Speaker 4: saw the clip, but just that dream though system of

506
00:23:49,560 --> 00:23:51,680
Speaker 4: they're not going to give you any of that pressure whatsoever.

507
00:23:51,840 --> 00:23:53,920
Speaker 6: Yeah, cold talk for years.

508
00:23:53,720 --> 00:23:56,200
Speaker 4: When he was in that first Rock Nation system where

509
00:23:56,400 --> 00:23:58,480
Speaker 4: it was radio record, let's get you with Stargate and

510
00:23:58,560 --> 00:24:00,920
Speaker 4: like you have to have that, and they were like, no, no,

511
00:24:01,359 --> 00:24:03,240
Speaker 4: we could do this another way. Let me show you

512
00:24:03,320 --> 00:24:06,520
Speaker 4: another way to get to that a list rapper shit,

513
00:24:06,640 --> 00:24:09,760
Speaker 4: which Cole did. So JID is in a system where

514
00:24:10,359 --> 00:24:12,679
Speaker 4: they're gonna let him do what he wants to do. Yeah,

515
00:24:12,720 --> 00:24:15,840
Speaker 4: and yeah, I think that speaks to Dreamville and why

516
00:24:15,920 --> 00:24:19,800
Speaker 4: the music sounds so good, because if they were over

517
00:24:20,359 --> 00:24:22,840
Speaker 4: Jid's shoulder trying to make something happen, I don't think

518
00:24:22,880 --> 00:24:24,760
Speaker 4: we'd get a good project.

519
00:24:24,960 --> 00:24:27,080
Speaker 6: I also don't think you get like a shade buttered baby.

520
00:24:27,119 --> 00:24:30,199
Speaker 4: I think the system that Even and Cole have with

521
00:24:30,240 --> 00:24:32,960
Speaker 4: their artists is the best way.

522
00:24:34,040 --> 00:24:35,960
Speaker 2: Nari doesn't seem to be too happy with it, though,

523
00:24:36,040 --> 00:24:38,160
Speaker 2: Well she left dream yeah exactly.

524
00:24:39,320 --> 00:24:41,359
Speaker 4: Yeah, but I mean again, I really don't know like

525
00:24:41,400 --> 00:24:45,360
Speaker 4: the politics of that. But before they let her even

526
00:24:45,760 --> 00:24:49,320
Speaker 4: asl like, they let her do her thing, So I mean,

527
00:24:49,640 --> 00:24:52,359
Speaker 4: I'm not sure contractually what that looks like, but Jid

528
00:24:52,359 --> 00:24:55,080
Speaker 4: spoke very highly of what it was like working with

529
00:24:55,119 --> 00:24:58,680
Speaker 4: them in the major label system, and they did right

530
00:24:58,720 --> 00:25:02,160
Speaker 4: by by him. I don't know Ari's take on that,

531
00:25:02,240 --> 00:25:06,159
Speaker 4: but yeah, I think everyone kind of just gets left alone,

532
00:25:06,160 --> 00:25:07,840
Speaker 4: and you could do some people maybe don't want to

533
00:25:07,840 --> 00:25:09,879
Speaker 4: be left alone. Maybe some people want people can't be

534
00:25:09,920 --> 00:25:12,480
Speaker 4: left alone. Some people maybe want more support than what

535
00:25:12,520 --> 00:25:15,760
Speaker 4: they're doing. Like Earth Gang, I think is incredible because

536
00:25:15,760 --> 00:25:19,480
Speaker 4: they're left alone. Now you could say if they weren't

537
00:25:19,800 --> 00:25:22,119
Speaker 4: maybe they would be bigger because they're like two of

538
00:25:22,119 --> 00:25:25,080
Speaker 4: the most talented fucking people I've heard in the last

539
00:25:25,240 --> 00:25:26,280
Speaker 4: fifteen years, but.

540
00:25:26,680 --> 00:25:27,639
Speaker 6: They're left alone.

541
00:25:27,560 --> 00:25:27,760
Speaker 3: Yeah.

542
00:25:28,200 --> 00:25:29,439
Speaker 4: So if you want to be left alone and make

543
00:25:29,480 --> 00:25:32,240
Speaker 4: your music and make your money, great system. If you

544
00:25:32,320 --> 00:25:35,240
Speaker 4: want the major shit and like all right, we're going

545
00:25:35,320 --> 00:25:37,400
Speaker 4: to go buy you a hit somewhere, then maybe it's

546
00:25:37,400 --> 00:25:38,880
Speaker 4: not the place for you. And I don't know if

547
00:25:38,880 --> 00:25:41,800
Speaker 4: that's the case with R I really don't, but well.

548
00:25:41,680 --> 00:25:44,920
Speaker 3: Either way, shout out to Jid Jitty Jig. God does

549
00:25:45,040 --> 00:25:45,840
Speaker 3: like Ugly.

550
00:25:45,600 --> 00:25:49,400
Speaker 2: Available now, stream that download that play that support that

551
00:25:50,000 --> 00:25:51,760
Speaker 2: phenomenal raps, great music.

552
00:25:51,920 --> 00:25:54,680
Speaker 4: Westside Gun. Popping the album off within the first two seconds,

553
00:25:55,760 --> 00:25:57,600
Speaker 4: I was like, wait, did I click the right album?

554
00:25:57,760 --> 00:25:59,960
Speaker 2: Yeah? Man, I really really like this project. I'm looking

555
00:25:59,920 --> 00:26:02,800
Speaker 2: forward to living with it a little longer, even though

556
00:26:03,240 --> 00:26:05,280
Speaker 2: fucking next week Drake might decide to drop and then

557
00:26:05,320 --> 00:26:07,919
Speaker 2: now I can't listen to or Kendrick might put some

558
00:26:08,000 --> 00:26:11,280
Speaker 2: lings like what the fuck man, I'm just I'm just digesting.

559
00:26:11,320 --> 00:26:13,760
Speaker 2: God does like Ugly and here come you Niggas with

560
00:26:13,840 --> 00:26:17,520
Speaker 2: more raps. But no, this is a great project. Definitely

561
00:26:17,600 --> 00:26:19,320
Speaker 2: enjoyed it and shout out to.

562
00:26:19,320 --> 00:26:23,760
Speaker 3: Jed for a phenomenal, phenomenal album.

563
00:26:23,960 --> 00:26:26,639
Speaker 4: I have my hangover glasses on today. These lights I

564
00:26:26,680 --> 00:26:28,679
Speaker 4: did not expect to hurt my eyes the way that

565
00:26:28,720 --> 00:26:33,320
Speaker 4: they do. I would have got a better fit to it,

566
00:26:33,480 --> 00:26:35,400
Speaker 4: just like these. I did not expect these to make

567
00:26:35,400 --> 00:26:36,359
Speaker 4: my eyes water.

568
00:26:36,520 --> 00:26:38,320
Speaker 2: I thought he was about to play the drums or something.

569
00:26:38,520 --> 00:26:39,679
Speaker 2: Those are like drummer shades.

570
00:26:41,000 --> 00:26:43,000
Speaker 6: These are my Breezy Bowl hangover shades.

571
00:26:43,280 --> 00:26:47,720
Speaker 3: Breezy Bowl hangover, you had a breezy bawl. I have

572
00:26:47,760 --> 00:26:49,840
Speaker 3: to go home, like while you're trying to hang out

573
00:26:49,840 --> 00:26:53,600
Speaker 3: with Chris, like he just did a five hour set

574
00:26:53,640 --> 00:26:55,160
Speaker 3: and you're trying to hang out and kick it after.

575
00:26:55,680 --> 00:26:57,320
Speaker 6: Oh yeah, I started impressing with that much.

576
00:26:57,320 --> 00:27:00,560
Speaker 3: I could drake, oh my god, you're disgusting. Disgusting.

577
00:27:00,600 --> 00:27:04,800
Speaker 2: But anyway, with that spontsor by boost mobile h and

578
00:27:04,840 --> 00:27:08,080
Speaker 2: do remember that we do still have merch on sale.

579
00:27:08,600 --> 00:27:11,560
Speaker 3: Yes, Patreon dot com new Roryanmaul.

580
00:27:11,680 --> 00:27:13,560
Speaker 6: No ads five dollars per month.

581
00:27:13,600 --> 00:27:17,360
Speaker 4: You can listen to everything ad free at any moment free.

582
00:27:18,320 --> 00:27:21,200
Speaker 3: I like hearing ads sometimes though, show me something, sell

583
00:27:21,240 --> 00:27:21,800
Speaker 3: me some stuff.

584
00:27:21,880 --> 00:27:23,080
Speaker 6: I like when marketing works.

585
00:27:23,320 --> 00:27:26,480
Speaker 4: Yeah, like I like being tricked sometimes sometimes I like

586
00:27:26,480 --> 00:27:29,040
Speaker 4: seeing a commercial and go, yes, White Castle, I will

587
00:27:29,119 --> 00:27:29,800
Speaker 4: drive up the street.

588
00:27:30,080 --> 00:27:32,200
Speaker 2: But it's hard to get tricked by ads now though.

589
00:27:32,280 --> 00:27:34,320
Speaker 2: I think it's like you get tricked by something.

590
00:27:34,119 --> 00:27:36,119
Speaker 6: It just reminds you. I just think it reminds you

591
00:27:36,200 --> 00:27:38,119
Speaker 6: sometimes of like things that you missed.

592
00:27:38,359 --> 00:27:40,800
Speaker 2: Yeah, people like, oh my god, I spent money on

593
00:27:40,840 --> 00:27:42,960
Speaker 2: this and I got it and it wasn't what I thought.

594
00:27:43,000 --> 00:27:45,239
Speaker 2: And then I look at the picture. I'm like, well,

595
00:27:45,280 --> 00:27:47,120
Speaker 2: why did you even buy this in the first place? Yeah,

596
00:27:47,200 --> 00:27:48,639
Speaker 2: what did you think this was going to do for

597
00:27:48,680 --> 00:27:48,960
Speaker 2: your life?

598
00:27:49,040 --> 00:27:50,800
Speaker 4: That's how you know. Peg likes that girl. I've never

599
00:27:50,880 --> 00:27:52,080
Speaker 4: heard his phone ring in my life.

600
00:27:52,440 --> 00:27:55,480
Speaker 3: Got to keep the ring on, right, ring, you know

601
00:27:55,520 --> 00:27:56,520
Speaker 3: what I mean. It's no call.

602
00:27:57,119 --> 00:27:58,120
Speaker 6: Vibrate doesn't do it.

603
00:27:58,200 --> 00:28:01,560
Speaker 4: Yeah, but yes, I had a great time at the

604
00:28:01,640 --> 00:28:02,560
Speaker 4: at the Breezy Bowl.

605
00:28:02,840 --> 00:28:05,919
Speaker 2: Shout out to Bryson Tiller, Summer Walker, and Chris Brown

606
00:28:06,280 --> 00:28:09,800
Speaker 2: met Life Stadium this week in New Jersey, two nights

607
00:28:09,840 --> 00:28:15,120
Speaker 2: in a row sold out. Shout out to Bryson. Yes,

608
00:28:15,560 --> 00:28:18,960
Speaker 2: uh pulling up? We got an episode is next week.

609
00:28:19,040 --> 00:28:20,920
Speaker 6: Next week we have a Bryson until the episode until

610
00:28:20,920 --> 00:28:21,960
Speaker 6: the episode coming soon.

611
00:28:22,160 --> 00:28:24,680
Speaker 4: Very interesting conversation, right now our Chance episode is out.

612
00:28:24,880 --> 00:28:29,720
Speaker 4: We had this week because we did Chance this week too, right, Yeah,

613
00:28:29,920 --> 00:28:32,200
Speaker 4: I'm like everything's blurred at this After the Breezey Bowl,

614
00:28:32,200 --> 00:28:32,960
Speaker 4: I can't even remember.

615
00:28:33,000 --> 00:28:36,080
Speaker 6: I can't remember. It's been a It wiped my hard

616
00:28:36,160 --> 00:28:37,240
Speaker 6: drive of everything.

617
00:28:37,880 --> 00:28:38,080
Speaker 1: Yeah.

618
00:28:38,080 --> 00:28:40,760
Speaker 3: Once you see Chris flying around like life is just

619
00:28:40,840 --> 00:28:42,160
Speaker 3: like a like, what is life like?

620
00:28:42,200 --> 00:28:45,400
Speaker 6: Look at it? That's all I have in my head

621
00:28:45,480 --> 00:28:45,760
Speaker 6: right now.

622
00:28:45,800 --> 00:28:47,880
Speaker 3: You think that you feel small when you're on the plane,

623
00:28:47,920 --> 00:28:51,360
Speaker 3: imagine how Chris feels flying over football stadiums every night,

624
00:28:51,400 --> 00:28:54,040
Speaker 3: looking down on all of you, like you owe me nothing.

625
00:28:54,120 --> 00:28:55,560
Speaker 3: You were so small in his world.

626
00:28:55,720 --> 00:28:59,320
Speaker 4: He didn't miss a word while doing backflips to look

627
00:28:59,360 --> 00:29:03,240
Speaker 4: at me now thirty feet in the Yeah, man, rappers

628
00:29:03,240 --> 00:29:06,880
Speaker 4: that can't get through a sixteen hit every fucking word

629
00:29:07,000 --> 00:29:08,040
Speaker 4: while flipping through the air.

630
00:29:08,120 --> 00:29:10,600
Speaker 6: But yes, we'll get to that. We had a great

631
00:29:10,640 --> 00:29:11,600
Speaker 6: conversation with Chance.

632
00:29:13,120 --> 00:29:14,480
Speaker 4: I hadn't want to hear from Chance in a while,

633
00:29:14,560 --> 00:29:16,680
Speaker 4: like I just felt like so much went all in

634
00:29:16,680 --> 00:29:18,280
Speaker 4: his life. So I thought that was a good conversation.

635
00:29:18,640 --> 00:29:20,880
Speaker 4: Bryson conversation was great. Can't wait if that's come out.

636
00:29:21,080 --> 00:29:25,360
Speaker 4: So we leave here yesterday and I thought the apocalypse

637
00:29:25,400 --> 00:29:28,120
Speaker 4: was happening. I had never heard biblical thunder like that.

638
00:29:28,400 --> 00:29:30,440
Speaker 4: I don't know where you were when that was happening,

639
00:29:30,440 --> 00:29:34,520
Speaker 4: but in New Jersey, my brand new house was shaking.

640
00:29:34,720 --> 00:29:37,640
Speaker 6: It's like made of bricks. You've seen my house, It's

641
00:29:37,680 --> 00:29:41,040
Speaker 6: like a structure. Yeah, it was shaking it.

642
00:29:41,720 --> 00:29:42,960
Speaker 3: I knew it was gonna rain. I didn't know it

643
00:29:43,000 --> 00:29:44,080
Speaker 3: was gonna storm like that though.

644
00:29:44,120 --> 00:29:45,880
Speaker 2: I had just got home as soon as it started

645
00:29:46,440 --> 00:29:48,800
Speaker 2: started to rain, and I was like, you know what,

646
00:29:48,880 --> 00:29:50,440
Speaker 2: let me just chill for a minute and I head back.

647
00:29:50,480 --> 00:29:52,400
Speaker 2: I'll go to met Life, you know, to catch the show.

648
00:29:53,040 --> 00:29:56,600
Speaker 2: And then you called me because the tickets under my

649
00:29:56,720 --> 00:29:58,920
Speaker 2: name and you needed a ticket.

650
00:29:59,280 --> 00:29:59,880
Speaker 3: So we got that.

651
00:30:00,080 --> 00:30:02,600
Speaker 2: Squared away, and I another that gave me a band,

652
00:30:03,080 --> 00:30:04,000
Speaker 2: or you had to gave me a.

653
00:30:03,960 --> 00:30:05,600
Speaker 4: Band to get on the field, but not into the

654
00:30:06,120 --> 00:30:07,640
Speaker 4: not into the safety you get.

655
00:30:07,520 --> 00:30:08,080
Speaker 6: On the grounds.

656
00:30:08,360 --> 00:30:09,600
Speaker 3: So we handled that situation.

657
00:30:09,600 --> 00:30:12,240
Speaker 2: We got over that obstacle, that hurdle, and I said, yo,

658
00:30:12,240 --> 00:30:14,080
Speaker 2: it's still raining over there, because I was. You know,

659
00:30:14,200 --> 00:30:16,840
Speaker 2: everybody or most people my timeline were at the show,

660
00:30:16,920 --> 00:30:20,479
Speaker 2: and they showed at one point everybody was inside by

661
00:30:20,480 --> 00:30:21,400
Speaker 2: the concession.

662
00:30:21,040 --> 00:30:21,960
Speaker 3: Waiting for the rain to stop.

663
00:30:22,000 --> 00:30:23,760
Speaker 2: So I'm like, all right, I don't want to walk

664
00:30:23,760 --> 00:30:27,000
Speaker 2: into that, Like it just seemed like madness. You said, nah,

665
00:30:27,000 --> 00:30:29,520
Speaker 2: it's clear, everything's good. I said, alright, cool, hung up

666
00:30:29,520 --> 00:30:32,880
Speaker 2: with Rory, called the car service, got in the car,

667
00:30:33,600 --> 00:30:37,720
Speaker 2: headed to MetLife. Rory text me when I'm about thirty

668
00:30:37,760 --> 00:30:42,120
Speaker 2: five minutes away, he says, heads up, it's a ship show.

669
00:30:42,200 --> 00:30:43,160
Speaker 6: Trying to be a good friend.

670
00:30:43,360 --> 00:30:46,200
Speaker 2: And I told my driver my good my good friend, YO,

671
00:30:46,560 --> 00:30:48,800
Speaker 2: turn this ship around going home.

672
00:30:49,000 --> 00:30:49,600
Speaker 3: Yeah, no, I'm not.

673
00:30:49,640 --> 00:30:52,280
Speaker 2: I'm not going through a ship show to see Chris

674
00:30:52,280 --> 00:30:53,080
Speaker 2: Brown singing the rain.

675
00:30:53,120 --> 00:30:54,320
Speaker 3: First of all, I felt kind of gay.

676
00:30:55,120 --> 00:30:58,520
Speaker 2: Yeah that I had, like went home, showered, put on cologne.

677
00:30:58,760 --> 00:31:01,200
Speaker 3: And putting on cologne for Breeziest. Well it wasn't for

678
00:31:01,280 --> 00:31:04,200
Speaker 3: bree It's just it's just that's part of a routine.

679
00:31:04,240 --> 00:31:06,080
Speaker 2: After you shall you get dressed though a little COLOGNEA

680
00:31:06,600 --> 00:31:07,840
Speaker 2: And then I look at the mirror. I said, I'm

681
00:31:07,840 --> 00:31:11,960
Speaker 2: going to see a talented man singing the ring. Like

682
00:31:12,400 --> 00:31:14,480
Speaker 2: what am I doing with my life?

683
00:31:14,560 --> 00:31:18,440
Speaker 3: Right? But no problem saying it. Fan of Chris Brown.

684
00:31:18,240 --> 00:31:19,960
Speaker 2: Think he's one of the greatest we've ever seen. So

685
00:31:20,000 --> 00:31:22,479
Speaker 2: anytime you got the opportunity to see Chris shut down

686
00:31:22,520 --> 00:31:23,760
Speaker 2: a fucking stadium.

687
00:31:23,960 --> 00:31:27,040
Speaker 3: You go see it. On the way there, Rory says,

688
00:31:27,120 --> 00:31:30,000
Speaker 3: shit show. I say, nah, I'm not going. It was

689
00:31:30,040 --> 00:31:31,440
Speaker 3: too much, just thunder and lightning.

690
00:31:31,800 --> 00:31:35,960
Speaker 2: Yeah, I feel gay anyway, and now it's.

691
00:31:35,840 --> 00:31:38,600
Speaker 4: Kind of gayer turning around with like with your fit

692
00:31:38,680 --> 00:31:40,240
Speaker 4: already on and nah.

693
00:31:40,280 --> 00:31:42,440
Speaker 2: But but nobody saw me, so it's like it's not

694
00:31:42,480 --> 00:31:43,880
Speaker 2: really you know, I mean it's not that bad.

695
00:31:43,920 --> 00:31:45,120
Speaker 3: I mean I felt bad, like.

696
00:31:45,120 --> 00:31:47,600
Speaker 2: Internally I was dying on the way there, like, yo,

697
00:31:47,640 --> 00:31:50,440
Speaker 2: what am I doing? But for Chris Brown, I was

698
00:31:50,480 --> 00:31:52,520
Speaker 2: willing to make an exception, so it was like, all right, cool.

699
00:31:52,520 --> 00:31:54,480
Speaker 2: But then once you say shit show, I'm too old

700
00:31:54,520 --> 00:31:55,360
Speaker 2: for shit shows, Rory.

701
00:31:55,200 --> 00:31:55,680
Speaker 3: I'm not doing it.

702
00:31:55,680 --> 00:31:59,240
Speaker 4: No, no, And I mean Bryce's performance is great, Summers

703
00:31:59,240 --> 00:32:01,240
Speaker 4: is great. Obviously we'll get to the Chris part as well.

704
00:32:01,560 --> 00:32:04,640
Speaker 4: It wasn't them. It was met Life and the infrastructure

705
00:32:04,640 --> 00:32:09,120
Speaker 4: of just what happened after that rain, like everything everyone

706
00:32:09,240 --> 00:32:11,520
Speaker 4: was in different places they shouldn't have been. They was

707
00:32:11,600 --> 00:32:14,320
Speaker 4: just like remember stopping frisk They were just doing that

708
00:32:14,360 --> 00:32:16,120
Speaker 4: with people's tickets, like no, no, no, let me see a ticket.

709
00:32:16,360 --> 00:32:19,520
Speaker 4: You're not supposed to sit that like it was a mess. Okay,

710
00:32:19,880 --> 00:32:23,520
Speaker 4: understand that it was still easily I mean, I'm not

711
00:32:23,560 --> 00:32:25,480
Speaker 4: saying anything that has been on all of our social media.

712
00:32:25,480 --> 00:32:26,760
Speaker 4: It was easily one of the greatest shows I've ever

713
00:32:26,760 --> 00:32:29,360
Speaker 4: seen in my entire life. I've also never seen anyone

714
00:32:29,480 --> 00:32:33,320
Speaker 4: perform for three hours in my entire life. I had fatigue,

715
00:32:33,600 --> 00:32:35,040
Speaker 4: Like I went home exhausted.

716
00:32:35,840 --> 00:32:37,800
Speaker 6: He was the one singing and dancing the entire time.

717
00:32:37,840 --> 00:32:39,400
Speaker 2: That's the onliest part about all of this shit to me,

718
00:32:39,440 --> 00:32:41,680
Speaker 2: because we, you know, for years, we sat down, especially

719
00:32:41,720 --> 00:32:45,000
Speaker 2: on our platform, and talked about, you know, Chris Brown

720
00:32:45,080 --> 00:32:47,880
Speaker 2: being the one artist that we can all unanimously agree

721
00:32:48,360 --> 00:32:51,480
Speaker 2: deserves the super Bowl halftime and hasn't gotten it. Yeah,

722
00:32:51,720 --> 00:32:53,960
Speaker 2: whatever whatever reason we want to say, he hasn't gotten

723
00:32:53,960 --> 00:32:54,360
Speaker 2: one yet.

724
00:32:54,440 --> 00:32:55,760
Speaker 3: That's what it is. What it is.

725
00:32:55,800 --> 00:32:58,720
Speaker 2: But he's the one person, the one artist that we've

726
00:32:58,720 --> 00:33:02,560
Speaker 2: all think collectively agree deserves a super Bowl halftime show

727
00:33:02,600 --> 00:33:05,400
Speaker 2: and would absolutely do an amazing job. So what does

728
00:33:05,480 --> 00:33:07,320
Speaker 2: Chris Brown turn around to do. He turns around and

729
00:33:09,480 --> 00:33:12,760
Speaker 2: this is essentially Chris Brown's super Bowl. Every night he's

730
00:33:12,760 --> 00:33:15,440
Speaker 2: in the stadium, he's in He's in the stadium, selling

731
00:33:15,520 --> 00:33:19,880
Speaker 2: it out, doing three hours of hits performing at a

732
00:33:19,920 --> 00:33:24,680
Speaker 2: high level production at a high level. Everybody that goes

733
00:33:24,960 --> 00:33:27,320
Speaker 2: is saying it's the greatest show they've ever been to.

734
00:33:28,480 --> 00:33:30,960
Speaker 2: You know, how amazing a performer and the hardist he is,

735
00:33:31,000 --> 00:33:33,680
Speaker 2: and you get to see twenty years of his songs

736
00:33:33,680 --> 00:33:36,560
Speaker 2: and his hits being performed. I just think that it's

737
00:33:36,600 --> 00:33:38,400
Speaker 2: dope that, you know, Chris kind of you know, named

738
00:33:38,400 --> 00:33:41,320
Speaker 2: it the Breezy Bowl and is essentially doing a super

739
00:33:41,320 --> 00:33:46,040
Speaker 2: Bowl halftime show every time out. You know, in these shows,

740
00:33:46,040 --> 00:33:47,400
Speaker 2: I think it's a I think it's a flex. I

741
00:33:47,440 --> 00:33:49,560
Speaker 2: think this is just Chris Brown's way of saying, I

742
00:33:49,560 --> 00:33:50,600
Speaker 2: don't need to do the super Bowl.

743
00:33:51,040 --> 00:33:52,960
Speaker 3: Actually I'll do one every night on my tour.

744
00:33:53,320 --> 00:33:56,520
Speaker 4: There wasn't in the three hour set. There wasn't one

745
00:33:56,600 --> 00:33:59,120
Speaker 4: single song that I was like, damn, what song is

746
00:33:59,160 --> 00:33:59,520
Speaker 4: this again?

747
00:33:59,760 --> 00:33:59,960
Speaker 3: Yeah?

748
00:34:00,200 --> 00:34:02,560
Speaker 4: I knew the words to every single record that came

749
00:34:02,560 --> 00:34:04,240
Speaker 4: on for three hours. And then when they're when they're

750
00:34:04,240 --> 00:34:07,120
Speaker 4: strapping them up to the fucking you know, when he

751
00:34:07,160 --> 00:34:09,120
Speaker 4: goes as high as the jets that go over met Life,

752
00:34:09,960 --> 00:34:11,680
Speaker 4: they have to like obviously kill some time in between.

753
00:34:11,760 --> 00:34:13,719
Speaker 4: They bring the DJ back out and he's like, yo,

754
00:34:13,840 --> 00:34:15,400
Speaker 4: I'm just gonna play a few records that we couldn't

755
00:34:15,400 --> 00:34:18,040
Speaker 4: squeeze in and then play like four or five number

756
00:34:18,080 --> 00:34:20,880
Speaker 4: one records while they were strapping, like you didn't have

757
00:34:20,920 --> 00:34:23,040
Speaker 4: songs you couldn't fit in a three hour set right

758
00:34:24,000 --> 00:34:24,840
Speaker 4: at the stadium.

759
00:34:25,040 --> 00:34:28,319
Speaker 2: Yeah, yeah, just he just flexing on everybody, man, showing

760
00:34:29,040 --> 00:34:31,319
Speaker 2: there's nobody that can do I mean again, a three

761
00:34:31,320 --> 00:34:35,040
Speaker 2: hour set. There's maybe three other artists that could do

762
00:34:35,120 --> 00:34:38,360
Speaker 2: something like that and perform at that level. You know,

763
00:34:38,560 --> 00:34:40,600
Speaker 2: Chris Brown is obviously one of them. So I did

764
00:34:40,640 --> 00:34:42,000
Speaker 2: want to go see the more Josus side, I did

765
00:34:42,000 --> 00:34:43,680
Speaker 2: want to go see the show because I've been there

766
00:34:43,760 --> 00:34:46,040
Speaker 2: great things about it, but I just felt like it

767
00:34:46,080 --> 00:34:46,560
Speaker 2: was too many.

768
00:34:46,640 --> 00:34:48,200
Speaker 3: There's too many just red flags.

769
00:34:48,239 --> 00:34:51,600
Speaker 2: It's the thunder and lightning, it's the delay, it's you know,

770
00:34:51,719 --> 00:34:54,320
Speaker 2: you're telling me it's a shit show. And then internally

771
00:34:54,360 --> 00:34:56,560
Speaker 2: I feel like this is nasty. I got cologne on

772
00:34:56,600 --> 00:35:00,600
Speaker 2: going to see Chris Brown by myself, it just felt nasty. Yeah,

773
00:35:00,640 --> 00:35:03,319
Speaker 2: And of course just how my life just has been

774
00:35:03,360 --> 00:35:06,839
Speaker 2: working lately, just you know, running into everybody. Oh man,

775
00:35:07,000 --> 00:35:10,560
Speaker 2: Jesus who Justice is arguing with the security guards because

776
00:35:10,560 --> 00:35:13,160
Speaker 2: we're in like the front of house, like on the

777
00:35:13,200 --> 00:35:15,000
Speaker 2: other side of the barricade, but they were already trying

778
00:35:15,000 --> 00:35:16,880
Speaker 2: to kick. It was just a lot going on, and

779
00:35:17,040 --> 00:35:20,280
Speaker 2: Justice has like the I d like, it's not a pass,

780
00:35:20,360 --> 00:35:22,799
Speaker 2: like he has his photo on the fucking thing for

781
00:35:22,840 --> 00:35:26,000
Speaker 2: the whole tour, and the security guards even getting mad

782
00:35:26,040 --> 00:35:27,120
Speaker 2: at him with that whole shit.

783
00:35:27,600 --> 00:35:29,359
Speaker 6: I'm mine in my business because I don't even think

784
00:35:29,360 --> 00:35:30,239
Speaker 6: I'm supposed.

785
00:35:29,920 --> 00:35:32,080
Speaker 3: To be here with whatever credential average I'm over here.

786
00:35:32,719 --> 00:35:34,279
Speaker 4: But then I could see it was getting a little heated,

787
00:35:34,320 --> 00:35:36,319
Speaker 4: so I just, you know, grab just was like, oh,

788
00:35:36,320 --> 00:35:38,120
Speaker 4: come on, let's let's just go this way. Then the

789
00:35:38,160 --> 00:35:40,920
Speaker 4: security card grabs my arm and I look at his

790
00:35:40,960 --> 00:35:43,759
Speaker 4: face and he goes rory.

791
00:35:44,680 --> 00:35:47,279
Speaker 6: It's like, hey man, and just like you know, it's

792
00:35:47,320 --> 00:35:49,160
Speaker 6: like it's my ex cousin in law.

793
00:35:51,080 --> 00:35:53,480
Speaker 3: Look at that look at the family everywhere.

794
00:35:53,600 --> 00:35:54,480
Speaker 6: No, it wasn't funny.

795
00:35:54,960 --> 00:35:56,640
Speaker 4: It's always fair because I don't know. I don't know

796
00:35:56,680 --> 00:35:57,479
Speaker 4: the tempt like.

797
00:35:57,840 --> 00:36:00,560
Speaker 2: Said, we used to be really closet.

798
00:36:01,000 --> 00:36:03,359
Speaker 4: I can't come by a smirk. I couldn't tell if

799
00:36:03,360 --> 00:36:05,800
Speaker 4: it was like, yo, I've been owing you the fade,

800
00:36:05,920 --> 00:36:09,359
Speaker 4: or we're still still in laws. Don't worry but yeah,

801
00:36:09,400 --> 00:36:11,359
Speaker 4: it was. It was a little nerve racking. And then

802
00:36:11,400 --> 00:36:13,080
Speaker 4: I was sitting there like, of course, I just keep

803
00:36:13,120 --> 00:36:15,719
Speaker 4: running into every X person like what front of house

804
00:36:15,719 --> 00:36:18,080
Speaker 4: of the Chris Brown Show. That's the guy, all right,

805
00:36:18,120 --> 00:36:19,239
Speaker 4: But did he look out for you? Did he get

806
00:36:19,280 --> 00:36:20,920
Speaker 4: you to Yeah? He let us stay right there. That's

807
00:36:20,920 --> 00:36:23,120
Speaker 4: what's so funny about the whole ship. He was kicking

808
00:36:23,200 --> 00:36:24,520
Speaker 4: justice out with that idea, and.

809
00:36:24,400 --> 00:36:27,200
Speaker 3: He was like, y'all, yell, fine, there you go. Family

810
00:36:27,239 --> 00:36:28,000
Speaker 3: your family now.

811
00:36:28,520 --> 00:36:29,759
Speaker 6: But speaking of gay ship.

812
00:36:31,200 --> 00:36:33,360
Speaker 4: Another friend I will not say his name because I

813
00:36:33,400 --> 00:36:34,440
Speaker 4: don't want to out him like that.

814
00:36:34,560 --> 00:36:37,600
Speaker 6: In the middle of the show, he did whisper.

815
00:36:37,320 --> 00:36:41,520
Speaker 4: To me, I totally understand if your girl just fucks

816
00:36:41,560 --> 00:36:45,799
Speaker 4: Chris Brown, right, I was like what He's like, come on.

817
00:36:46,000 --> 00:36:48,120
Speaker 6: Like she gets a pass. This is in the middle

818
00:36:48,200 --> 00:36:51,520
Speaker 6: him doing backflips for ship. I was like, don't.

819
00:36:52,840 --> 00:36:55,560
Speaker 4: That. We had a whole debate backstage after the show

820
00:36:55,600 --> 00:36:56,399
Speaker 4: about the whole thing.

821
00:36:56,760 --> 00:37:01,120
Speaker 6: He was like, no, you just gotta all right, all right,

822
00:37:01,160 --> 00:37:01,920
Speaker 6: It wasn't a debate.

823
00:37:01,960 --> 00:37:03,799
Speaker 4: We all were just looking at him like he was

824
00:37:03,800 --> 00:37:06,080
Speaker 4: fucking insane the entire time. But he was like, now

825
00:37:06,080 --> 00:37:08,799
Speaker 4: you gotta just like that's top tier level talent, Like

826
00:37:08,960 --> 00:37:11,040
Speaker 4: if Rihanna came over here, I would expect my girl

827
00:37:11,120 --> 00:37:13,080
Speaker 4: to just let me beat. So like you gotta just

828
00:37:13,160 --> 00:37:14,799
Speaker 4: let your girl fuck Chris Brown. I was like, I

829
00:37:14,840 --> 00:37:15,600
Speaker 4: really don't have to.

830
00:37:16,440 --> 00:37:18,719
Speaker 3: No, yeah, no, see, I don't know. Is that what

831
00:37:18,920 --> 00:37:20,200
Speaker 3: men are thinking at the show, Like.

832
00:37:20,960 --> 00:37:25,320
Speaker 4: That could have a show, Hey, Chris Crown breaking Chris,

833
00:37:26,120 --> 00:37:29,239
Speaker 4: your girl up, like Abraham, just.

834
00:37:29,200 --> 00:37:31,120
Speaker 3: Take her, do what you want with her, have your

835
00:37:31,160 --> 00:37:33,759
Speaker 3: way with user, user, and send it back home.

836
00:37:34,040 --> 00:37:34,600
Speaker 5: I'm honored.

837
00:37:34,840 --> 00:37:36,279
Speaker 3: Yeah, like what type of shit is that?

838
00:37:37,160 --> 00:37:39,759
Speaker 6: But I did, uh stay after they do have the

839
00:37:40,520 --> 00:37:43,000
Speaker 6: I forgot what. It's some breezy bowl.

840
00:37:43,160 --> 00:37:44,839
Speaker 4: There's a cute name for it, but it's like after

841
00:37:44,880 --> 00:37:47,480
Speaker 4: already in met life, like how Drake has done those before?

842
00:37:48,160 --> 00:37:53,719
Speaker 4: And I'm not here to ship on young women. But gross,

843
00:37:55,080 --> 00:37:57,680
Speaker 4: you don't like him, not for you. Every single ship

844
00:37:57,800 --> 00:38:01,480
Speaker 4: is the exact same fucking face, the same stupid oversized lips,

845
00:38:02,000 --> 00:38:04,400
Speaker 4: same can't figure out. I'm sure you're white, but you

846
00:38:04,480 --> 00:38:07,160
Speaker 4: have You've gone so far with the surgery now I

847
00:38:07,200 --> 00:38:08,320
Speaker 4: can't tell if you're mixed.

848
00:38:08,360 --> 00:38:11,239
Speaker 2: Yeah, he looked, he looked, Oh my god, look like

849
00:38:11,239 --> 00:38:12,160
Speaker 2: the Aborigine.

850
00:38:12,239 --> 00:38:13,080
Speaker 3: Yes.

851
00:38:15,160 --> 00:38:17,680
Speaker 4: Meanwhile, she's Greek the whole time, Like, I just can't

852
00:38:17,680 --> 00:38:21,560
Speaker 4: figure it out. They're all like they're just sit there

853
00:38:21,640 --> 00:38:25,239
Speaker 4: and just look fucking swollen in the face. Yeah, they're

854
00:38:25,280 --> 00:38:29,720
Speaker 4: just they're so uninteresting and gross. I just I feel

855
00:38:29,760 --> 00:38:32,480
Speaker 4: for the young bunch. And listen, I'm no prize and

856
00:38:32,520 --> 00:38:34,080
Speaker 4: I know none of those women want to sleep with me.

857
00:38:34,160 --> 00:38:35,440
Speaker 6: Yeah, get that out there.

858
00:38:36,160 --> 00:38:38,520
Speaker 4: I'm just saying as a thirty five year old man

859
00:38:39,040 --> 00:38:42,960
Speaker 4: looking at all the couches of just fifty women just

860
00:38:43,000 --> 00:38:45,600
Speaker 4: sitting there, not even speaking to each other. Like, remember

861
00:38:45,600 --> 00:38:47,680
Speaker 4: when hoes used to like be fun. I'm not even

862
00:38:47,719 --> 00:38:49,239
Speaker 4: saying like in a sexual way, but like hoes used

863
00:38:49,239 --> 00:38:52,040
Speaker 4: to be fun. Y'allly just boring. Y'all are like bad

864
00:38:52,800 --> 00:38:53,479
Speaker 4: art on the wall.

865
00:38:54,719 --> 00:38:56,880
Speaker 2: You essentially were at You were essentially at the DMV.

866
00:38:56,960 --> 00:38:58,920
Speaker 2: All of the women were in the que hoping that

867
00:38:58,960 --> 00:39:01,640
Speaker 2: the number was called for sure. Solutely know if you

868
00:39:01,640 --> 00:39:03,120
Speaker 2: have you ever been on a you know, a job,

869
00:39:03,160 --> 00:39:04,920
Speaker 2: and if everybody's in the lobby kind of just you know,

870
00:39:04,960 --> 00:39:06,960
Speaker 2: you don't really talk to each other kind of like, hey,

871
00:39:06,960 --> 00:39:09,160
Speaker 2: how you doing, Like because we're all in competition, we're

872
00:39:09,200 --> 00:39:12,160
Speaker 2: all trying to get this position, this job, so that's

873
00:39:12,160 --> 00:39:13,880
Speaker 2: the same energy. They're all trying to get a position

874
00:39:13,920 --> 00:39:17,960
Speaker 2: of the job for the night. And you know, just there.

875
00:39:17,520 --> 00:39:22,839
Speaker 4: Also an extremely selfish and young minded, young bitch way

876
00:39:22,880 --> 00:39:27,040
Speaker 4: of thinking. This man just rocked for three hours, sung

877
00:39:27,120 --> 00:39:29,200
Speaker 4: every single note, dance the entire time.

878
00:39:29,239 --> 00:39:31,480
Speaker 6: You think he wants to fuck your weird face.

879
00:39:31,920 --> 00:39:36,160
Speaker 4: Yeah, who has the energy like Chris is? If Chris

880
00:39:36,160 --> 00:39:39,880
Speaker 4: bums anyone that night, he is a different level of energy.

881
00:39:40,080 --> 00:39:40,520
Speaker 3: Absolutely.

882
00:39:40,640 --> 00:39:42,040
Speaker 6: Yeah, he did walk back.

883
00:39:41,840 --> 00:39:43,920
Speaker 4: Into that ship with more energy than everybody though, like

884
00:39:44,000 --> 00:39:46,760
Speaker 4: once he walked in, like you, I'm tired.

885
00:39:47,080 --> 00:39:49,319
Speaker 2: This is why he's one of the greats. You gotta

886
00:39:49,360 --> 00:39:50,719
Speaker 2: be one of the greats to do that, man.

887
00:39:51,000 --> 00:39:51,799
Speaker 3: But I am, I am.

888
00:39:51,840 --> 00:39:53,879
Speaker 2: I am gonna try to catch the show at some point.

889
00:39:53,880 --> 00:39:55,680
Speaker 2: I don't know which city, but I do want to

890
00:39:55,680 --> 00:39:57,239
Speaker 2: see the show. But I just last night it was

891
00:39:57,280 --> 00:39:59,640
Speaker 2: just too many, too many red flags, and I was

892
00:39:59,680 --> 00:40:02,040
Speaker 2: just like, I mean, I don't know, it just just.

893
00:40:02,040 --> 00:40:03,879
Speaker 3: Doesn't feel like the thing to do.

894
00:40:04,120 --> 00:40:06,239
Speaker 2: And truthfully, I wanted to see bryceon said and when

895
00:40:06,239 --> 00:40:08,640
Speaker 2: you told me he had just finished when you got there,

896
00:40:08,640 --> 00:40:10,680
Speaker 2: I was like, yeah, so oh yeah.

897
00:40:10,680 --> 00:40:15,239
Speaker 4: Then when I walked back to Bryson's dress room to

898
00:40:15,239 --> 00:40:18,480
Speaker 4: stay what's up? Before he left? Walk in some people

899
00:40:18,480 --> 00:40:20,359
Speaker 4: in there. One girl goes, hey, Roy, are our kids

900
00:40:20,400 --> 00:40:22,440
Speaker 4: play together? I was like, I can't escape anything.

901
00:40:22,640 --> 00:40:26,640
Speaker 3: Yeah, it's a simulation. Yeah, your dad now.

902
00:40:26,840 --> 00:40:28,319
Speaker 4: Just to stare at me, gud the deer in the

903
00:40:28,320 --> 00:40:30,520
Speaker 4: headlights because I didn't recognize the girl, which made me

904
00:40:30,560 --> 00:40:32,000
Speaker 4: look like an awful father that I don't know who

905
00:40:32,040 --> 00:40:33,080
Speaker 4: my kids is playing with, right.

906
00:40:34,320 --> 00:40:36,479
Speaker 3: Ma'am, I don't know you've never seen before.

907
00:40:36,480 --> 00:40:37,920
Speaker 6: And a great conversation.

908
00:40:38,000 --> 00:40:40,200
Speaker 4: But it was just literally going from seeing my ex

909
00:40:40,239 --> 00:40:43,399
Speaker 4: fiance's cousin to then walking into a green room where

910
00:40:43,440 --> 00:40:44,880
Speaker 4: I think things are safe and it's like, hey, our

911
00:40:44,920 --> 00:40:45,560
Speaker 4: kids play together.

912
00:40:45,560 --> 00:40:48,120
Speaker 6: It's like, yeah, dude, what all right? I need to

913
00:40:48,120 --> 00:40:48,399
Speaker 6: go home.

914
00:40:50,560 --> 00:40:55,640
Speaker 4: You did have like definitely a dad trip where you

915
00:40:55,680 --> 00:40:58,520
Speaker 4: were off the map, Josh, wea that video.

916
00:41:00,160 --> 00:41:02,359
Speaker 6: This This was one of those personal lives like dad

917
00:41:02,400 --> 00:41:03,080
Speaker 6: needs a weekend.

918
00:41:03,680 --> 00:41:07,439
Speaker 5: Look but look at the is this rewinded one time?

919
00:41:07,880 --> 00:41:10,759
Speaker 6: This is how is that carnival? Look a look at me?

920
00:41:10,840 --> 00:41:11,359
Speaker 5: Look at the.

921
00:41:11,360 --> 00:41:16,399
Speaker 1: Camera, yeah, and then and then look oh and then

922
00:41:16,440 --> 00:41:18,200
Speaker 1: look at the look off like I didn't see the camera.

923
00:41:21,640 --> 00:41:24,839
Speaker 4: It's like this may affect when this came out.

924
00:41:25,080 --> 00:41:28,239
Speaker 3: I defended you online because we definitely defended Well, it's

925
00:41:28,280 --> 00:41:31,720
Speaker 3: the coach, it's Carnival chances, he's interested in the culture.

926
00:41:32,000 --> 00:41:32,840
Speaker 3: This is what you.

927
00:41:32,719 --> 00:41:38,200
Speaker 1: Do at cart Yeah, here's the truth. I regardless, I

928
00:41:38,280 --> 00:41:40,800
Speaker 1: was tripping. Yeah, I was tripping. Yeah, you know what

929
00:41:40,800 --> 00:41:41,120
Speaker 1: I'm saying.

930
00:41:41,120 --> 00:41:42,080
Speaker 6: Why do you think you were tripping?

931
00:41:43,160 --> 00:41:45,200
Speaker 3: How do you think he was tripping? I think he

932
00:41:45,239 --> 00:41:45,640
Speaker 3: was tripping.

933
00:41:45,680 --> 00:41:47,400
Speaker 1: No, I think I was tripping because nobody knew that

934
00:41:47,520 --> 00:41:48,880
Speaker 1: me and my wife were separated.

935
00:41:48,920 --> 00:41:51,000
Speaker 5: You know what I'm saying. So I have you.

936
00:41:50,920 --> 00:41:51,560
Speaker 6: Don't let you.

937
00:41:53,960 --> 00:41:57,560
Speaker 1: Whether she bm your wife, your best friend, don't let

938
00:41:57,640 --> 00:41:58,799
Speaker 1: your lady look stupid.

939
00:41:58,880 --> 00:42:01,080
Speaker 6: With them some reason. I the that was after there

940
00:42:01,160 --> 00:42:01,920
Speaker 6: was the no.

941
00:42:01,680 --> 00:42:03,520
Speaker 5: That was the big deal about it.

942
00:42:03,560 --> 00:42:06,160
Speaker 1: Where everybody was tripping, was was like, it's this appropriate

943
00:42:06,520 --> 00:42:07,960
Speaker 1: behavior for somebody that's married.

944
00:42:08,000 --> 00:42:10,080
Speaker 3: Okay, so that's what that lookof wasn't like oh shit,

945
00:42:10,480 --> 00:42:11,479
Speaker 3: it was like, damn, like.

946
00:42:11,560 --> 00:42:12,920
Speaker 5: I'm putting our business out there.

947
00:42:12,960 --> 00:42:15,520
Speaker 1: Basically, it was my birthday and I was I'm not

948
00:42:15,520 --> 00:42:17,319
Speaker 1: ever gonna say anything else, but I'm saying like it

949
00:42:17,360 --> 00:42:20,280
Speaker 1: was my birthday. I'm lit and with all my guys,

950
00:42:20,280 --> 00:42:23,279
Speaker 1: it's carnival. That was my thirtieth birthday. I'm not trying

951
00:42:23,280 --> 00:42:25,160
Speaker 1: to make excuses. I'm just saying, like I'm paying the

952
00:42:25,200 --> 00:42:27,920
Speaker 1: scene for you, like but basically, yeah, I mean that

953
00:42:28,080 --> 00:42:30,960
Speaker 1: is that is you know Caribbean culture. That is like

954
00:42:32,080 --> 00:42:36,440
Speaker 1: you know, uh a thing. But like at the end

955
00:42:36,440 --> 00:42:42,680
Speaker 1: of the day, like I feel like I was glad

956
00:42:42,719 --> 00:42:45,760
Speaker 1: when that ship was over because my phone was blowing

957
00:42:45,840 --> 00:42:47,560
Speaker 1: up the next day about that shit.

958
00:42:47,680 --> 00:42:49,640
Speaker 4: Yeah, I mean I feel like your man that was

959
00:42:49,640 --> 00:42:51,799
Speaker 4: holding you up on the dub, it's classic move.

960
00:42:52,120 --> 00:42:53,560
Speaker 6: Maybe he should have been grabbing phones.

961
00:42:53,800 --> 00:42:59,280
Speaker 5: Yeah, it's carnival. The thing, like everybody was lit.

962
00:42:59,080 --> 00:42:59,959
Speaker 3: Like everybody's dance.

963
00:43:00,080 --> 00:43:06,160
Speaker 1: I was probably the like the cleanest wine I caught,

964
00:43:06,400 --> 00:43:09,759
Speaker 1: like you know what I'm saying, Like they censor yeah,

965
00:43:10,000 --> 00:43:12,440
Speaker 1: the other wines, iways catch it when it's someone down,

966
00:43:12,560 --> 00:43:14,520
Speaker 1: you know what I'm saying. It's like what the truth

967
00:43:14,600 --> 00:43:17,720
Speaker 1: is Like like I said, like, don't don't have anybody

968
00:43:17,760 --> 00:43:21,040
Speaker 1: looking stupid, and I went out there for fun like

969
00:43:21,160 --> 00:43:23,759
Speaker 1: we're I think at the end of the day, like

970
00:43:25,680 --> 00:43:28,279
Speaker 1: I do wish that that shit didn't happen that way,

971
00:43:28,440 --> 00:43:30,520
Speaker 1: you know what I'm saying. And I wish that I was,

972
00:43:31,200 --> 00:43:35,440
Speaker 1: you know, more protective of her, but like I think

973
00:43:36,800 --> 00:43:40,840
Speaker 1: it's you know, it's it's in the past. That's the reality.

974
00:43:40,880 --> 00:43:43,080
Speaker 1: That's part of it's like you deal with realities. You

975
00:43:43,200 --> 00:43:45,840
Speaker 1: go through like all of these different decisions that get you.

976
00:43:45,920 --> 00:43:48,480
Speaker 1: Every single decision that we all made got us to

977
00:43:48,560 --> 00:43:51,560
Speaker 1: sitting on these couches right now. So it's like okay,

978
00:43:51,640 --> 00:43:55,080
Speaker 1: like I gotta deal with whatever comes with that, and

979
00:43:55,160 --> 00:43:57,920
Speaker 1: also like do whatever I can to like make up

980
00:43:57,920 --> 00:44:02,520
Speaker 1: for that. And also I gotta like I can't like

981
00:44:02,560 --> 00:44:04,400
Speaker 1: make it seem like, oh, I've got to build a

982
00:44:04,400 --> 00:44:05,720
Speaker 1: fucking time machine.

983
00:44:05,360 --> 00:44:07,280
Speaker 6: Like yeah, yeah, I mean, what was that conversation?

984
00:44:07,360 --> 00:44:10,320
Speaker 4: Like, because nothing's worse than like especially your thirtieth birthday,

985
00:44:10,840 --> 00:44:12,960
Speaker 4: Like you just start phone just start ringing like that.

986
00:44:13,040 --> 00:44:15,520
Speaker 6: You don't even know the videos up, just phone blowing up.

987
00:44:15,600 --> 00:44:20,480
Speaker 5: Like no, it's like really, it's like you're I got

988
00:44:20,480 --> 00:44:20,960
Speaker 5: a lot.

989
00:44:20,800 --> 00:44:22,759
Speaker 1: Of people that love me, like and a lot of

990
00:44:22,800 --> 00:44:24,719
Speaker 1: people that love me but don't necessarily know everything that's

991
00:44:24,760 --> 00:44:25,439
Speaker 1: going on in my life.

992
00:44:25,480 --> 00:44:28,320
Speaker 5: So like it's mainly like.

993
00:44:28,800 --> 00:44:34,040
Speaker 1: Friends, family, team press, like everybody hit.

994
00:44:34,040 --> 00:44:36,440
Speaker 5: My along, Like yo, this you're.

995
00:44:36,320 --> 00:44:39,480
Speaker 3: Going viral, Like you take it.

996
00:44:40,080 --> 00:44:44,120
Speaker 5: It's your birthday. You're supposed to just catch the wine,

997
00:44:44,200 --> 00:44:44,880
Speaker 5: don't smack it.

998
00:44:45,239 --> 00:44:48,439
Speaker 3: Yeah, yeah, fuck is it doing?

999
00:44:49,320 --> 00:44:51,399
Speaker 5: And but like you know, at the end of the day,

1000
00:44:52,360 --> 00:44:53,080
Speaker 5: they gonna end.

1001
00:44:53,120 --> 00:44:53,319
Speaker 3: Man.

1002
00:44:53,520 --> 00:44:55,640
Speaker 5: Yeah, I'm thirty two now, you know what I'm saying.

1003
00:44:55,760 --> 00:44:56,960
Speaker 3: Yeah, sorry, listen, listen.

1004
00:44:56,960 --> 00:44:59,279
Speaker 2: When it came out, I was like, listen, man, he's

1005
00:44:59,280 --> 00:45:02,680
Speaker 2: that Carnival. This is what goes on, this is what happens.

1006
00:45:03,200 --> 00:45:05,960
Speaker 2: And everybody was like, nah, he wold you know. The

1007
00:45:05,960 --> 00:45:08,279
Speaker 2: women was having he wow for that, and I'm like,

1008
00:45:08,719 --> 00:45:12,080
Speaker 2: I get it, but it's carnival, you know what I'm saying. Yeah,

1009
00:45:12,480 --> 00:45:13,880
Speaker 2: I feel the same way. But this is where I

1010
00:45:13,920 --> 00:45:15,160
Speaker 2: believe double standards exist.

1011
00:45:15,640 --> 00:45:17,319
Speaker 4: If my if it was flipped and my girl did

1012
00:45:17,320 --> 00:45:21,200
Speaker 4: that was like no, but it's Carnival, I'd be like, yeah, crazy.

1013
00:45:21,320 --> 00:45:22,920
Speaker 3: Double standards is real. We know that.

1014
00:45:23,040 --> 00:45:26,439
Speaker 1: I feel like there's always gonna be gender wars because

1015
00:45:26,440 --> 00:45:27,320
Speaker 1: there's du genders.

1016
00:45:27,640 --> 00:45:29,600
Speaker 5: Sorry wait, whoa, whoa? All right, let's take it.

1017
00:45:29,719 --> 00:45:33,000
Speaker 6: Let's take a step there's a republican republic.

1018
00:45:36,120 --> 00:45:37,480
Speaker 5: The episode. Take a step back.

1019
00:45:37,680 --> 00:45:38,560
Speaker 6: Let's take a step back.

1020
00:45:39,080 --> 00:45:42,160
Speaker 5: Republic Let's take a step back. Okay.

1021
00:45:42,600 --> 00:45:45,200
Speaker 1: What I'm trying to say is that the c I

1022
00:45:45,239 --> 00:45:48,920
Speaker 1: A Is trying to cause Yes, my brother.

1023
00:45:49,320 --> 00:45:54,719
Speaker 3: Yes, you know, it's so funny how you say that

1024
00:45:54,760 --> 00:45:57,120
Speaker 3: and you catch it so like, wait, WHOA mean?

1025
00:45:57,239 --> 00:45:59,560
Speaker 1: I mean, I don't even say the word gender office.

1026
00:45:59,640 --> 00:46:01,719
Speaker 1: It was like, and once I heard myself talking, I

1027
00:46:01,760 --> 00:46:02,839
Speaker 1: was like, no, what am I talking about?

1028
00:46:03,239 --> 00:46:03,319
Speaker 3: Now?

1029
00:46:03,440 --> 00:46:04,520
Speaker 5: What I'm talking about right now?

1030
00:46:05,000 --> 00:46:08,360
Speaker 6: We are right now in your relationship, there was two genders,

1031
00:46:08,400 --> 00:46:08,799
Speaker 6: That's what.

1032
00:46:08,680 --> 00:46:09,480
Speaker 5: You were get what I was saying.

1033
00:46:09,600 --> 00:46:11,759
Speaker 1: What I was saying is like, no matter what if

1034
00:46:11,760 --> 00:46:14,279
Speaker 1: something happens with some celebrities, there's gonna be a lot

1035
00:46:14,320 --> 00:46:17,640
Speaker 1: of people that tag onto the conversation in pushing whatever

1036
00:46:17,680 --> 00:46:21,080
Speaker 1: their belief or stance on something is. And even whatever

1037
00:46:21,160 --> 00:46:24,160
Speaker 1: happened is going to be presented to you by the

1038
00:46:24,239 --> 00:46:27,319
Speaker 1: blogs or whatever, Instagram pages or whatever in a way

1039
00:46:27,360 --> 00:46:30,440
Speaker 1: to make you have to have a you know, hot

1040
00:46:30,560 --> 00:46:34,280
Speaker 1: or cold opinion on what's going on. And so sometimes

1041
00:46:34,360 --> 00:46:36,719
Speaker 1: I think the people that's involved in those stories don't

1042
00:46:36,800 --> 00:46:39,800
Speaker 1: even like we don't take the time or give ourselves

1043
00:46:39,800 --> 00:46:41,840
Speaker 1: the grace to realize, like, this shit not really about me.

1044
00:46:42,440 --> 00:46:45,880
Speaker 1: It's about niggas wanting to go get go catch a

1045
00:46:45,880 --> 00:46:47,879
Speaker 1: wine as somewhere else, Like this should don't got nothing

1046
00:46:47,880 --> 00:46:50,960
Speaker 1: to do with me, But Unfortunately, I'm tied into this

1047
00:46:51,000 --> 00:46:56,480
Speaker 1: conversation now and it's going to you know, it'll only

1048
00:46:56,560 --> 00:46:58,319
Speaker 1: lasts as long as I keep talking about that shit.

1049
00:46:58,480 --> 00:47:02,760
Speaker 1: So I kind of got that. You know, Yeah, it happens, drugs,

1050
00:47:02,800 --> 00:47:03,359
Speaker 1: you know what I'm saying.

1051
00:47:03,440 --> 00:47:03,920
Speaker 3: It happens.

1052
00:47:03,960 --> 00:47:04,600
Speaker 5: Did I do that?

1053
00:47:05,520 --> 00:47:07,160
Speaker 6: I mean, listen, if you got to get caught doing

1054
00:47:07,200 --> 00:47:08,320
Speaker 6: something carnival.

1055
00:47:09,200 --> 00:47:12,319
Speaker 2: So you've been you've been, you've been writing. What is

1056
00:47:12,320 --> 00:47:14,800
Speaker 2: your relationship like today with uh?

1057
00:47:15,160 --> 00:47:15,720
Speaker 3: With Kanye?

1058
00:47:15,719 --> 00:47:18,319
Speaker 2: Because I would you didn't put nothing out album wise

1059
00:47:18,320 --> 00:47:20,439
Speaker 2: the last six years, but you've been writing a lot,

1060
00:47:20,480 --> 00:47:23,480
Speaker 2: You've been working a lot, specifically with Kanye. Where's the

1061
00:47:23,520 --> 00:47:26,040
Speaker 2: relationship like today with ya? Like, where do y'all stand?

1062
00:47:26,560 --> 00:47:28,799
Speaker 2: Do you still speak to him often? You still work

1063
00:47:28,840 --> 00:47:29,120
Speaker 2: with them?

1064
00:47:29,120 --> 00:47:29,319
Speaker 4: Out there?

1065
00:47:29,400 --> 00:47:31,960
Speaker 2: Any sessions left off, any music that came from those

1066
00:47:31,960 --> 00:47:33,280
Speaker 2: sessions that are on this album.

1067
00:47:33,600 --> 00:47:36,160
Speaker 1: No, there's nothing from from those sessions on this album.

1068
00:47:36,200 --> 00:47:38,160
Speaker 1: There was one that would have could have been raw,

1069
00:47:39,520 --> 00:47:43,239
Speaker 1: but no, there's not an on this out And I

1070
00:47:43,280 --> 00:47:48,480
Speaker 1: was gonna say so, honestly, is the best policy. I

1071
00:47:48,920 --> 00:47:53,439
Speaker 1: haven't talked to him in a long time, Okay. He's

1072
00:47:53,520 --> 00:47:56,520
Speaker 1: one of the most influential people in my music. You

1073
00:47:56,600 --> 00:48:00,239
Speaker 1: know what I'm saying, he was at my way adding

1074
00:48:00,480 --> 00:48:03,560
Speaker 1: he's you know, our kids have hung out together, so like,

1075
00:48:03,880 --> 00:48:06,960
Speaker 1: you know, I always love Kanye. Yeah, and and but

1076
00:48:07,120 --> 00:48:08,879
Speaker 1: just being honest, I haven't talked to him in a while.

1077
00:48:08,920 --> 00:48:09,480
Speaker 5: I feel like.

1078
00:48:11,800 --> 00:48:14,880
Speaker 1: I've been hella busy. I'm working on ship. He's obviously

1079
00:48:14,920 --> 00:48:17,560
Speaker 1: been busy. He's been working on shit, so like you

1080
00:48:17,560 --> 00:48:21,680
Speaker 1: know what I'm saying, like nah, but also like I'll

1081
00:48:21,719 --> 00:48:24,600
Speaker 1: be trying not to take opportunities to like this. Motherfuckers

1082
00:48:24,600 --> 00:48:26,839
Speaker 1: are like add too much to the story. So like people,

1083
00:48:27,320 --> 00:48:31,719
Speaker 1: chances whatever, genuinely just want to know what I haven't

1084
00:48:31,719 --> 00:48:33,440
Speaker 1: talked to him in a long time, but like you

1085
00:48:33,520 --> 00:48:35,600
Speaker 1: know what I'm saying, Like, that's just that's people.

1086
00:48:35,680 --> 00:48:37,879
Speaker 4: Yeah, I mean, would that be a conversation you'd want

1087
00:48:37,920 --> 00:48:40,680
Speaker 4: to have once, you know, everything gets a little less

1088
00:48:40,680 --> 00:48:45,640
Speaker 4: busy after the release and a conversation.

1089
00:48:45,680 --> 00:48:48,040
Speaker 1: So the way that I think about my world is

1090
00:48:48,120 --> 00:48:51,200
Speaker 1: like I'll be thinking about my day, so like what

1091
00:48:51,280 --> 00:48:53,080
Speaker 1: I got to do that day and what I'm working

1092
00:48:53,080 --> 00:48:56,080
Speaker 1: on for the next two weeks, maybe six months, but

1093
00:48:56,120 --> 00:48:58,799
Speaker 1: more likely what I'm just thinking about that day. There's

1094
00:48:58,840 --> 00:49:02,040
Speaker 1: be a lot of shit going on So my relationships

1095
00:49:02,040 --> 00:49:04,279
Speaker 1: and how I view people as friends and stuff is

1096
00:49:04,400 --> 00:49:07,600
Speaker 1: just have I loved this person? And have they ever like,

1097
00:49:08,440 --> 00:49:13,880
Speaker 1: you know, willfully and intentionally betrayed me? And so I

1098
00:49:13,920 --> 00:49:16,000
Speaker 1: got friends that I haven't talked to in five or

1099
00:49:16,040 --> 00:49:20,400
Speaker 1: six seven years, right, And so it's like it's not

1100
00:49:20,400 --> 00:49:22,279
Speaker 1: like I'm anticipating some conversations.

1101
00:49:22,280 --> 00:49:23,280
Speaker 5: I'm like thing where.

1102
00:49:23,080 --> 00:49:25,359
Speaker 1: It's like, all right, now it's my time to fix

1103
00:49:25,400 --> 00:49:27,200
Speaker 1: you and tell your ask what you've been tweaking on them?

1104
00:49:27,440 --> 00:49:32,840
Speaker 1: No ship like that? You know that's what that was

1105
00:49:32,880 --> 00:49:33,840
Speaker 1: one of my co hosts.

1106
00:49:34,239 --> 00:49:35,279
Speaker 5: You know what I'm saying to.

1107
00:49:35,239 --> 00:49:38,520
Speaker 6: Folks too, John leg be trying to fix Kanye through Twitter.

1108
00:49:39,160 --> 00:49:42,359
Speaker 3: You've got his number that ain't gonna work, That ain't

1109
00:49:42,360 --> 00:49:44,120
Speaker 3: gonna get it, That ain't get it.

1110
00:49:44,080 --> 00:49:46,760
Speaker 6: Like you know his address, you could just go to.

1111
00:49:46,520 --> 00:49:47,520
Speaker 3: Man, just pull up.

1112
00:49:50,360 --> 00:49:51,680
Speaker 1: Yeah, I don't know what they got going on. I'm

1113
00:49:51,680 --> 00:49:53,360
Speaker 1: also a lot younger than them niggas, Like you know

1114
00:49:53,400 --> 00:49:54,840
Speaker 1: what I'm saying. So I feel like there's also like

1115
00:49:55,520 --> 00:50:00,799
Speaker 1: different ways that people can even have friendships because we're

1116
00:50:00,800 --> 00:50:03,319
Speaker 1: not necessarily peers, you know what I'm saying, Like we

1117
00:50:03,600 --> 00:50:09,400
Speaker 1: you know, like I I my first like album that

1118
00:50:09,480 --> 00:50:12,320
Speaker 1: I consciously wanted to have was the college dropout, so

1119
00:50:13,640 --> 00:50:17,000
Speaker 1: I have a different reverence for him, or or just

1120
00:50:17,120 --> 00:50:21,080
Speaker 1: understanding of like how my life went and how it

1121
00:50:21,200 --> 00:50:23,759
Speaker 1: influenced things I do. Like I think most rappers got

1122
00:50:23,800 --> 00:50:26,640
Speaker 1: a rapper that was their first album and probably from

1123
00:50:26,640 --> 00:50:28,600
Speaker 1: the city, you know what I'm saying. So imagine if

1124
00:50:28,640 --> 00:50:31,200
Speaker 1: yours was Kanye West, right, so, and imagine if you

1125
00:50:31,239 --> 00:50:32,879
Speaker 1: worked with them, and imagine all that shit. So it's

1126
00:50:32,920 --> 00:50:37,880
Speaker 1: like for me, I think I just begin that, you know,

1127
00:50:38,000 --> 00:50:40,960
Speaker 1: I let people be people. I always gonna have my

1128
00:50:41,040 --> 00:50:44,480
Speaker 1: own opinions, and I'm gonna always state my opinions, you

1129
00:50:44,520 --> 00:50:46,279
Speaker 1: know what I'm saying, not necessarily a camera usually, but

1130
00:50:46,360 --> 00:50:49,279
Speaker 1: like but like you know, for the most part, I'm

1131
00:50:49,280 --> 00:50:50,880
Speaker 1: gonna just i'ma just be me.

1132
00:50:50,920 --> 00:50:53,400
Speaker 5: I'ma let people be them.

1133
00:50:52,600 --> 00:50:55,640
Speaker 1: And so no, there's not like a time or like

1134
00:50:55,719 --> 00:50:58,239
Speaker 1: I'm like, man, I gotta make sure I held up

1135
00:50:58,280 --> 00:50:59,759
Speaker 1: Kanye before I put this album out or after I

1136
00:50:59,840 --> 00:51:02,000
Speaker 1: put the timeout or anybody, you know what I'm saying,

1137
00:51:02,000 --> 00:51:03,600
Speaker 1: Like I'll be thinking about like who's in the rack,

1138
00:51:03,680 --> 00:51:05,200
Speaker 1: Like who am I going to hang out with today,

1139
00:51:05,280 --> 00:51:07,440
Speaker 1: Who's going what business do I have to do today

1140
00:51:08,239 --> 00:51:09,799
Speaker 1: is more of my like in law, I guess