WEBVTT - TGI – Episode 407 “Singled Out”

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<v Speaker 1>So we have all had our fair share of talk

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<v Speaker 1>show appearances, but Writer apparently has the worst of all

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<v Speaker 1>of them.

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<v Speaker 2>I don't know, I've had like four of the worst.

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<v Speaker 2>Oh I've been forced to sing multiple times. I've been

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<v Speaker 2>asked to go Like I showed up at one and

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<v Speaker 2>it was a win a date with your favorite keen actors,

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<v Speaker 2>and I didn't.

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<v Speaker 3>Win a date with Hey.

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<v Speaker 2>It was like three girls were brought in and they

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<v Speaker 2>had to like each ask me questions and.

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<v Speaker 4>Oh my gosh, how did you not die? Inside writers Hell?

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<v Speaker 4>I know literally Writer's Hell.

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<v Speaker 2>Yeah exactly, But yeah, no, I think the one you're

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<v Speaker 2>referring to is when I was on Regis and Kathy Lee.

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<v Speaker 2>So I was promoting I think it was my giant

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<v Speaker 2>that the movie I was in, the Billy Crystal movie

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<v Speaker 2>that I had like a small part in, and they

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<v Speaker 2>flew me out to New York to do publicity and

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<v Speaker 2>go to some screening.

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<v Speaker 3>I don't know what it was.

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<v Speaker 2>So I was only seventeen in New York City with

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<v Speaker 2>my friend Nathan at the and like just having a

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<v Speaker 2>great time, and at six am they picked me up

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<v Speaker 2>in a limo to take me and I'm like, I

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<v Speaker 2>mean just based on having had horrible I'm so bad

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<v Speaker 2>at talk shows like, oh, like wait.

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<v Speaker 3>I can see that. Yeah, I love you and I

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<v Speaker 3>can see that. Yeah, oh my god. Billed for the

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<v Speaker 3>talk show, Would you asked me to do Good Morning

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<v Speaker 3>America with you?

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<v Speaker 2>Like way back when you were promoting, I hear voices.

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<v Speaker 2>I was like, Okay, I'm gonna do this for Will,

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<v Speaker 2>I'm going to do this. And then I get up

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<v Speaker 2>there and the Good Morning America was the worst thing ever.

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<v Speaker 2>My friend Todd texted me, He's like, you look like

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<v Speaker 2>you were being held hostage, Like because you were, you

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<v Speaker 2>were Will.

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<v Speaker 3>Made me do Good Morning America. Totally.

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<v Speaker 2>There are things I'm good at, Like I'm good at

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<v Speaker 2>Q and a's like, you know, great, like if you

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<v Speaker 2>if it's like I'm up there and doing a Q

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<v Speaker 2>and A, especially if it's about like something I wrote

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<v Speaker 2>or directed, I'm all about it. But just like actory

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<v Speaker 2>talk show appearance is nothing's worth. So anyway, I get

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<v Speaker 2>in the limo for Kathy and and Regius and I'm

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<v Speaker 2>so like just already so nervous, and my publicist who's

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<v Speaker 2>like taking me around New York for all the others

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<v Speaker 2>is sitting in there She's like, Okay, have you heard,

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<v Speaker 2>Like I don't know. She's say, we just found out.

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<v Speaker 2>Kathy Lee found out last night that her husband is

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<v Speaker 2>cheating on her. And it was if you guys, remember

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<v Speaker 2>there was this her husband who was a football player,

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<v Speaker 2>so he was like famous in his own right. He'd

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<v Speaker 2>been having Okay, Frank Giffort, he had been caught having

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<v Speaker 2>an affair. I was on the next morning and they

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<v Speaker 2>were like, basically, they were like, Kathy Lee is doing

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<v Speaker 2>the show. She just she's gonna, you know, not talk

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<v Speaker 2>about it. She is not going to reference it. We

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<v Speaker 2>are acting like everything is normal, and I'm like sweating

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<v Speaker 2>bullets in the limo and they're like, whatever you do,

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<v Speaker 2>do not talk about her family, Do not ask her

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<v Speaker 2>about her children, do not talk about marriage, do not

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<v Speaker 2>talk about dating. I was like, oh my god, oh

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<v Speaker 2>my god, you're just ready to get any moment to

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<v Speaker 2>like ruin this woman's life on national television by saying

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<v Speaker 2>the wrong thing. So I go out there and like

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<v Speaker 2>sure enough, I'm so nervous. If you I'm sure we

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<v Speaker 2>can find the clip. But like my callers all messed up,

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<v Speaker 2>Like I walked out on stage with like my collar

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<v Speaker 2>tucked in under my shirt.

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<v Speaker 3>I'm so awkward.

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<v Speaker 1>It was probably because you had just been having an affair. Exactly,

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<v Speaker 1>you walk out, you go sorry. I wasn't having an

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<v Speaker 1>affair with it. I wasn't having an affair with anybody.

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<v Speaker 3>How's your family? Your kids?

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<v Speaker 5>Oh god?

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<v Speaker 3>Exactly. I look at this poor woman and she is

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<v Speaker 3>puffy caked in makeup.

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<v Speaker 2>Like like you know, you're always wearing a lot of makeup,

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<v Speaker 2>but she is like covered in like clearly just been

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<v Speaker 2>crying all morning and is trying to put on a good.

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<v Speaker 4>Face this morning. She probably hadn't even slept.

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<v Speaker 3>And has to do her talk show.

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<v Speaker 4>It was the I was so tell us about I

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<v Speaker 4>say it.

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<v Speaker 2>No, I think she held it together pretty well, but like,

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<v Speaker 2>of course, the whole audience, like everyone knows it was like.

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<v Speaker 2>And then at one point I brought up somehow, like

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<v Speaker 2>the fact that I had been Leama's robb came up,

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<v Speaker 2>and she was like, that was a very that's a

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<v Speaker 2>very moral story. It's about moral characters doing the right things.

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<v Speaker 2>It's a real morality tale. And I just remember looking

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<v Speaker 2>at her being.

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<v Speaker 3>Like, sure is, miss Kathleen, do you want to talk

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<v Speaker 3>about morality?

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<v Speaker 2>No?

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<v Speaker 6>Okay, Okay, oh god, he stole a loaf of infidelity.

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<v Speaker 4>Wait, I mean read.

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<v Speaker 6>Oh it's so we're laughing, but it's there's nothing worse.

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<v Speaker 6>I mean, it's you've got ride or Strong, who's already

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<v Speaker 6>the most just miserable having to be at a talk show,

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<v Speaker 6>then coupled with we gotta you know, you already don't

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<v Speaker 6>know what you're gonna talk about, but now we're gonna

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<v Speaker 6>put it in your head. It's like the old saying

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<v Speaker 6>of don't think of a white elephant.

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<v Speaker 3>Rights.

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<v Speaker 6>If you just didn't say anything, I probably wouldn't walk

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<v Speaker 6>out there and be thinking about her.

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<v Speaker 3>Family and morality. And but oh god.

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<v Speaker 2>The whole thing is like you have to be you

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<v Speaker 2>have to be like really produced. Like the whole point

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<v Speaker 2>of doing those talk shows is to have like your

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<v Speaker 2>little story that you have memorized, that you've worked out

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<v Speaker 2>with a producer ahead of time, and like you get

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<v Speaker 2>out there and you and the host are basically scripted.

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<v Speaker 3>Telling a story or telling a thing.

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<v Speaker 2>I just so I still like naively believe in the

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<v Speaker 2>purity of like I can just show up and we

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<v Speaker 2>can talk, and so like I walk into a trap

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<v Speaker 2>every time because what they do for somebody like me

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<v Speaker 2>is they have a pre show interview ahead of time.

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<v Speaker 2>You get on the phone with whoever, the producers, and

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<v Speaker 2>they ask you questions, and based on those answers, they feed.

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<v Speaker 3>The host what they're to ask you whatever.

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<v Speaker 2>Sure, and like you're supposed to if you're a smart,

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<v Speaker 2>grown up actor, comedian person, you're supposed to do in

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<v Speaker 2>that pre interview, like tell them what you want to

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<v Speaker 2>talk about, tell them what you're not willing to do,

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<v Speaker 2>what you're not willing.

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<v Speaker 3>To talk about.

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<v Speaker 2>And instead I would just be like whatever, man, I'm cool.

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<v Speaker 2>I mean yeah, let's so like with Rosie O'Donnell, it

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<v Speaker 2>was like a writer Rosie loves les miss and I'm like,

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<v Speaker 2>yeah cool and she's and they're like, so she would

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<v Speaker 2>love it if you'd be willing to sing a little bit.

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<v Speaker 2>I'm like, oh no, no, no, I actually like stop

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<v Speaker 2>singing like it's a big thing, like it gets you know,

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<v Speaker 2>Like I just I really get nervous.

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<v Speaker 3>And I never my voice never changed.

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<v Speaker 2>I just like I'm not I'm not a singer person,

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<v Speaker 2>like I know, I was in musicals, so yeah, like

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<v Speaker 2>I just I'm really uncomfortable with that. So sure enough,

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<v Speaker 2>when I get out there. They were like Rosie's like,

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<v Speaker 2>we heard.

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<v Speaker 3>You were in Le Mez. You're a big boy. Now

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<v Speaker 3>let's hear it go And her piano player starts playing.

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<v Speaker 1>Can you know how uncomfortable about that is? Like that

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<v Speaker 1>is not the producer. That was somebody who said to

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<v Speaker 1>Rosie who loves musicals and he doesn't want to sing,

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<v Speaker 1>And Rosie was like, watch this him get in to sing,

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<v Speaker 1>and like that is I can't imagine knowing somebody's like listen,

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<v Speaker 1>this makes me, this makes me uncomfortable and then being

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<v Speaker 1>like gonna put you in the corner.

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<v Speaker 4>Anyway, it would have.

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<v Speaker 6>Been would have been ballsy to just be like I

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<v Speaker 6>told you I'm not going to sing as the piano's playing,

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<v Speaker 6>just be like I'm not going out.

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<v Speaker 3>Oh well, not gonna happen.

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<v Speaker 4>Now.

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<v Speaker 2>I would do that, But Matt Lawrence was with me.

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<v Speaker 2>He had just joined our show, so he was with

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<v Speaker 2>me on Rosie' donald and like in retrospect, like Matt

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<v Speaker 2>can really sing. I should have been like Matt will sing,

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<v Speaker 2>like yeah, oh but no, I got completely pressured and cornered.

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<v Speaker 2>And it's like the whole audience is cheery, like clapping along,

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<v Speaker 2>like let's do this.

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<v Speaker 3>And it's like, what do you do? Like, are you

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<v Speaker 3>going to be that?

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<v Speaker 2>It was like, no, yes, I literally told you I

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<v Speaker 2>am not singing, and here we are in live television.

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<v Speaker 2>I'm not going to sing for you.

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<v Speaker 4>Do you remember who else was on that Rose O'Donnell

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<v Speaker 4>episode with you?

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<v Speaker 3>Just Matt Lawrence is all I can remember.

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<v Speaker 4>No, it was uh Bill Cosby. Bill Cosby was on that.

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<v Speaker 4>What was it?

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<v Speaker 3>Oh godre's your star studded line. I don't remember that

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<v Speaker 3>at all.

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<v Speaker 2>I mean I definitely did not meet him because I

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<v Speaker 2>never I've never met Cosby.

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<v Speaker 3>Wow, oh oh my god.

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<v Speaker 2>And then I did Oprah once. I told you guys

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<v Speaker 2>about that. That was horrible.

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<v Speaker 4>Oh yeah, that was your fan mail one.

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<v Speaker 2>Somebody should do like a I'm sure all these things

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<v Speaker 2>are available. Somebody should do like an edit of awkward writer,

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<v Speaker 2>strong appearances. You can probably find them all, and.

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<v Speaker 4>I think you could.

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<v Speaker 6>You don't have to say awkward. I think just type

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<v Speaker 6>in writer.

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<v Speaker 3>I think the awkward is it comes along with everything else.

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<v Speaker 4>Welcome to Pod Meets World. I'm Daniel Fishel.

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<v Speaker 3>I'm right strong, and I am not going to sing.

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<v Speaker 3>I'm well for do.

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<v Speaker 1>Welcome to season four, Episode seven, Singled Out. It originally

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<v Speaker 1>aired November first, nineteen ninety six. The synopsis Eric lies

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<v Speaker 1>to land a spot on MTV's dating show singled Out

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<v Speaker 1>while Corey has his tonsils removed?

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<v Speaker 4>Was this a Ben has Finals episode?

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<v Speaker 3>I don't know, because he's a story.

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<v Speaker 5>Yeah, I know.

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<v Speaker 4>I couldn't figure it out. I know.

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<v Speaker 1>It was like, do they just always make him sick

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<v Speaker 1>when he has finals? And so I thought maybe we

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<v Speaker 1>weren't going to see a lot of him, but we did.

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<v Speaker 3>Yeah.

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<v Speaker 4>But also, his scratchy tonsil voice is phenomenal.

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<v Speaker 6>He's sick, wasn't really sick because then after he had

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<v Speaker 6>it done later he's five. Like he speaks at the

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<v Speaker 6>end as a voiceover act our city.

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<v Speaker 4>They're going, this is great. He was a great scratchy voice.

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<v Speaker 3>Yeah.

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<v Speaker 2>Really, it made me so uncomfortable for it. But I

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<v Speaker 2>just the idea of like somebody having a sore voice.

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<v Speaker 2>I was like, oh, uncomfortable, Like I made it hard

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<v Speaker 2>to enjoy. I was like, yeah, that's that's not a

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<v Speaker 2>knock on bed. That's just like the idea of like

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<v Speaker 2>somebody's sore voice just makes me I was like, no,

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<v Speaker 2>I don't want to listen to this.

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<v Speaker 1>Yeah, I thought, wow, that's a really I don't know

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<v Speaker 1>how he's doing that. I don't know how he's putting

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<v Speaker 1>that on, but it's really good.

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<v Speaker 3>He's got it just comes down here with the kind

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<v Speaker 3>of scraggling throat.

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<v Speaker 6>Yeah right, I'm going to really make rider feel good

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<v Speaker 6>to do the whole do the whole episode, like Jesus Christ.

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<v Speaker 3>No, this is the weirdest episode. Did you guys?

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<v Speaker 2>Did you guys remember I didn't remember this episode at all.

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<v Speaker 2>I had no Like I know, I said, I don't

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<v Speaker 2>remember episodes.

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<v Speaker 3>But like you well, yeah, I remembered the Singled Out part.

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<v Speaker 3>I remember, No, that was on another set, right that

0:09:50.040 --> 0:09:51.560
<v Speaker 3>It was actually on the set of Okay, I think

0:09:51.559 --> 0:09:51.800
<v Speaker 3>we went.

0:09:51.920 --> 0:09:53.840
<v Speaker 2>That's probably why I don't remember it, because like half

0:09:53.840 --> 0:09:56.760
<v Speaker 2>the week was taped somewhere else completely Like what a

0:09:56.760 --> 0:09:57.560
<v Speaker 2>weird week.

0:09:57.720 --> 0:09:59.640
<v Speaker 3>Just such a bizarre episode.

0:10:00.120 --> 0:10:01.600
<v Speaker 4>Yeah, it was very weird.

0:10:01.640 --> 0:10:05.720
<v Speaker 1>And No, I did not remember the anything no part

0:10:05.760 --> 0:10:11.160
<v Speaker 1>of that b storyline. I strangely did kind of remember

0:10:11.360 --> 0:10:14.040
<v Speaker 1>the a storyline, like I remember that.

0:10:14.160 --> 0:10:17.000
<v Speaker 4>Set for some reason, even though I was never honest.

0:10:17.440 --> 0:10:21.000
<v Speaker 4>Did you go, no, watch I must.

0:10:21.120 --> 0:10:24.359
<v Speaker 1>Yeah, I must have watched Singled Out and I'm just remembering,

0:10:25.280 --> 0:10:27.480
<v Speaker 1>but yeah, because I also know I don't know it

0:10:27.520 --> 0:10:29.680
<v Speaker 1>was weird. I did have like weird feelings like I

0:10:29.760 --> 0:10:31.520
<v Speaker 1>kind of remembered it. But you're probably right that what

0:10:31.600 --> 0:10:32.920
<v Speaker 1>I remembered was singled Out.

0:10:32.920 --> 0:10:35.040
<v Speaker 3>Sled Out. Nah, yeah, boy meets.

0:10:34.840 --> 0:10:37.280
<v Speaker 4>World on single Out, So.

0:10:36.760 --> 0:10:40.520
<v Speaker 2>So like I thought singleed Out was, Wasn't there another host?

0:10:40.559 --> 0:10:43.840
<v Speaker 2>Wasn't Jenny McCarthy McCarthy, Okay, That's what I remember so

0:10:44.840 --> 0:10:46.800
<v Speaker 2>Hardwick Start, who was the first one, was always just one.

0:10:46.800 --> 0:10:48.280
<v Speaker 2>I thought there was a guy and a girl, like

0:10:48.320 --> 0:10:49.480
<v Speaker 2>for some reason in my mind there.

0:10:49.360 --> 0:10:50.160
<v Speaker 3>Were two people.

0:10:50.440 --> 0:10:52.520
<v Speaker 4>It was them together the entire time.

0:10:52.640 --> 0:10:56.560
<v Speaker 1>Yeah, its just didn't get hurt and it makes no

0:10:56.679 --> 0:10:59.640
<v Speaker 1>sense even though for the most part, uh, Jenny McCarthy.

0:10:59.679 --> 0:11:02.040
<v Speaker 1>When you say Jenny McCarthy, people immediately would go the

0:11:02.080 --> 0:11:04.440
<v Speaker 1>host of Singled Out, like, especially at that time. She

0:11:04.600 --> 0:11:08.720
<v Speaker 1>was extremely identifiable for that show. So yeah, I'm not

0:11:08.760 --> 0:11:12.319
<v Speaker 1>really sure why we didn't get her. She yasmine bleethed us.

0:11:12.360 --> 0:11:13.359
<v Speaker 4>She's did.

0:11:15.120 --> 0:11:24.840
<v Speaker 3>She bathed it, never go back, so that's she bleethed it.

0:11:27.160 --> 0:11:29.960
<v Speaker 1>This episode was directed by Jeff McCracken. It was written

0:11:29.960 --> 0:11:32.359
<v Speaker 1>by Stephen Hibbert. This is his first episode.

0:11:32.480 --> 0:11:33.200
<v Speaker 5>Yay.

0:11:34.080 --> 0:11:37.080
<v Speaker 4>Know what he is most known for, yes, go for it.

0:11:36.960 --> 0:11:40.320
<v Speaker 3>Was the Gimp in pulp Fiction. I just texted him

0:11:40.400 --> 0:11:42.080
<v Speaker 3>he's coming on our show. Yeah.

0:11:45.280 --> 0:11:48.800
<v Speaker 6>Days, we'll get into the show that we did together

0:11:48.840 --> 0:11:49.720
<v Speaker 6>with him right after.

0:11:50.440 --> 0:11:56.720
<v Speaker 3>Remember the show. What a legendary thing to be like. Yep,

0:11:57.000 --> 0:11:57.560
<v Speaker 3>so cool.

0:11:58.080 --> 0:11:59.559
<v Speaker 4>He's also in Austin Powers.

0:12:00.080 --> 0:12:00.480
<v Speaker 5>Is he really?

0:12:00.840 --> 0:12:04.800
<v Speaker 6>Yeah, he's also in the second. Quite a career he does.

0:12:04.880 --> 0:12:07.400
<v Speaker 3>The second he wrote one of our best national treasure.

0:12:07.679 --> 0:12:10.120
<v Speaker 3>He wrote chick Like Me, which right exactly.

0:12:10.200 --> 0:12:12.240
<v Speaker 2>Yeah, I think one of our best episodes. We'll see

0:12:12.240 --> 0:12:12.760
<v Speaker 2>when we get there.

0:12:12.800 --> 0:12:16.000
<v Speaker 6>Well, he obviously tends towards the and I'm saying this

0:12:16.040 --> 0:12:18.560
<v Speaker 6>in the good way, the absurd, yeah, because it's like

0:12:18.600 --> 0:12:20.720
<v Speaker 6>some of the stuff he wrote is just it's bananas.

0:12:20.760 --> 0:12:23.000
<v Speaker 6>What's going on in this episode, especially the oh yeah,

0:12:23.000 --> 0:12:23.440
<v Speaker 6>we'll get it.

0:12:23.440 --> 0:12:24.040
<v Speaker 3>It's crazy.

0:12:24.320 --> 0:12:27.800
<v Speaker 1>And then we got another deep guest star list. Yeah,

0:12:27.920 --> 0:12:30.600
<v Speaker 1>Chris Hardwick. As Chris Hardwick. He was the host of

0:12:30.600 --> 0:12:33.959
<v Speaker 1>Singled Out and the syndicated dating show Shipmates, and much

0:12:34.040 --> 0:12:36.160
<v Speaker 1>later he'd become the face of the G four network

0:12:36.200 --> 0:12:39.679
<v Speaker 1>and one of the first successful podcasters. He was like

0:12:39.800 --> 0:12:41.400
<v Speaker 1>one of the first people to podcasting.

0:12:41.600 --> 0:12:42.200
<v Speaker 3>Yes, yep.

0:12:42.400 --> 0:12:44.560
<v Speaker 2>I just think of him as like the ultimate like

0:12:44.600 --> 0:12:48.079
<v Speaker 2>host from like two thousand and six to twenty sixteen

0:12:48.200 --> 0:12:51.120
<v Speaker 2>ish or somewhere around there, but mostly in the nerd culture, right,

0:12:51.640 --> 0:12:53.360
<v Speaker 2>which is which is how I know him, Which is

0:12:53.400 --> 0:12:55.440
<v Speaker 2>so funny because then singled out he's like the hip

0:12:55.480 --> 0:12:57.439
<v Speaker 2>cool guy, the cool guy, which I was like, what.

0:12:57.440 --> 0:13:00.000
<v Speaker 3>This is hardwicck this is where he started? Yep, yeah,

0:13:00.040 --> 0:13:00.480
<v Speaker 3>I didn't know.

0:13:00.880 --> 0:13:03.520
<v Speaker 1>And then John O'Hurley returns to the show, but now

0:13:03.679 --> 0:13:07.480
<v Speaker 1>as Grant Steele, not the news reporter we saw him

0:13:07.520 --> 0:13:08.760
<v Speaker 1>as just last season.

0:13:09.080 --> 0:13:10.959
<v Speaker 2>But it's a dream secret so it kind of makes

0:13:11.000 --> 0:13:13.000
<v Speaker 2>sense that it would be great the news reporter from

0:13:13.040 --> 0:13:15.280
<v Speaker 2>their local station in Jen.

0:13:15.600 --> 0:13:19.439
<v Speaker 1>Why isn't he just the news reporter reporting on Corey

0:13:19.520 --> 0:13:23.199
<v Speaker 1>Vanishing instead of a different guy hosting a difference?

0:13:23.200 --> 0:13:28.840
<v Speaker 4>You remember the name of the reporter? Was it Cal something? Cal? Yes, Cal.

0:13:29.400 --> 0:13:32.000
<v Speaker 4>I was gonna say Cal Worthington, But it's not Worthington.

0:13:32.920 --> 0:13:34.640
<v Speaker 3>You want to get a deal, go to Cal.

0:13:34.800 --> 0:13:35.800
<v Speaker 4>No, that's not.

0:13:37.520 --> 0:13:40.760
<v Speaker 3>Isn't there a Simpsons character that basically is this, like

0:13:41.080 --> 0:13:43.679
<v Speaker 3>it's always doing the news? Do you know what I'm trying?

0:13:43.880 --> 0:13:47.400
<v Speaker 6>Ken, I am Kent Brockman, Yeah, that's who you're you're

0:13:47.440 --> 0:13:48.400
<v Speaker 6>thinking about, Kent Brockman.

0:13:48.440 --> 0:13:53.320
<v Speaker 1>Yeah, but yes, So then we have Bridget Flannery as Lisa.

0:13:53.440 --> 0:13:56.320
<v Speaker 1>She played Lilah on the show Sweet Valley High from

0:13:56.400 --> 0:13:58.840
<v Speaker 1>nineteen ninety four to nineteen ninety six and Jill on

0:13:58.880 --> 0:14:01.240
<v Speaker 1>Sabrina the Teenage Witch from nineteen ninety six to nineteen

0:14:01.280 --> 0:14:03.439
<v Speaker 1>ninety eight. I just would like for the record to

0:14:03.480 --> 0:14:05.480
<v Speaker 1>show that the name could also be Leela on the

0:14:05.520 --> 0:14:06.520
<v Speaker 1>show Sweet Valley High.

0:14:06.559 --> 0:14:07.959
<v Speaker 4>And I have no way of knowing.

0:14:08.040 --> 0:14:09.839
<v Speaker 3>So I read Sweet Valley High.

0:14:09.880 --> 0:14:11.280
<v Speaker 4>I did not read it.

0:14:12.040 --> 0:14:16.120
<v Speaker 1>I wouldn't I wouldn't know if it was Lila Orlila Isla.

0:14:15.480 --> 0:14:17.600
<v Speaker 3>One of our most famous episodes of literary Disco. We

0:14:17.640 --> 0:14:20.880
<v Speaker 3>read the first Sweet Valley High, disturbing, guys.

0:14:20.600 --> 0:14:21.480
<v Speaker 4>Is it Lila or Leila?

0:14:21.800 --> 0:14:23.640
<v Speaker 3>I don't know because I only read it, you know.

0:14:24.160 --> 0:14:26.520
<v Speaker 4>Right right, but that you asked me if I have read.

0:14:26.360 --> 0:14:28.920
<v Speaker 3>It, is it more more disturbing than.

0:14:30.120 --> 0:14:33.520
<v Speaker 2>The multiple multiple rapes, multiple rapes in the first So

0:14:33.560 --> 0:14:35.080
<v Speaker 2>that it is because there's only one rape and the

0:14:35.080 --> 0:14:36.880
<v Speaker 2>first one that I get that it's so I read

0:14:36.960 --> 0:14:39.280
<v Speaker 2>like we could not believe that this is the book

0:14:39.320 --> 0:14:42.800
<v Speaker 2>that's so many teenage girls love and remember it's like

0:14:42.880 --> 0:14:45.400
<v Speaker 2>it opens with her looking in the mirror and talking

0:14:45.400 --> 0:14:48.720
<v Speaker 2>about how fat she is. Like it's so it's it's

0:14:48.760 --> 0:14:51.720
<v Speaker 2>it's so damaging and like you're just like, oh, it's

0:14:51.720 --> 0:14:53.840
<v Speaker 2>like Flowers in the Attic, which is also super disturbing

0:14:53.840 --> 0:14:55.520
<v Speaker 2>to realize so many kids were reading It's like their

0:14:55.520 --> 0:14:57.120
<v Speaker 2>first book as teenagers.

0:14:57.280 --> 0:14:58.600
<v Speaker 3>So worse than Piers Anthony.

0:14:59.320 --> 0:15:02.600
<v Speaker 2>Yeah, well, because what's crazy is is more insidious, you know,

0:15:02.720 --> 0:15:05.360
<v Speaker 2>like it's almost as bad. It's like the female version

0:15:05.400 --> 0:15:07.280
<v Speaker 2>appears Anthony where it's like you're just.

0:15:07.200 --> 0:15:09.360
<v Speaker 3>Like, girls should not be reading this.

0:15:09.480 --> 0:15:11.320
<v Speaker 2>Like this is I'm sure they're better now, Like I'm

0:15:11.360 --> 0:15:13.800
<v Speaker 2>sure there's a whole sweep, but like the original first

0:15:13.800 --> 0:15:15.520
<v Speaker 2>Sweet Valley High, it's super disturbing.

0:15:15.680 --> 0:15:15.960
<v Speaker 4>Wow.

0:15:16.080 --> 0:15:19.840
<v Speaker 1>All right, Well Bridget Bridget Flannery, who plays Lisa in

0:15:19.880 --> 0:15:23.400
<v Speaker 1>a bit of an ironic twist, graduated from Yale with her.

0:15:23.280 --> 0:15:26.920
<v Speaker 3>Master's amazing research.

0:15:26.960 --> 0:15:29.040
<v Speaker 4>I can't believe you guys found that. That's so went

0:15:29.080 --> 0:15:29.840
<v Speaker 4>to Yale.

0:15:30.160 --> 0:15:32.680
<v Speaker 1>Yeah, she went to yaweh and she now teaches acting

0:15:32.920 --> 0:15:34.040
<v Speaker 1>here in Los Angeles.

0:15:34.360 --> 0:15:35.840
<v Speaker 3>Oh, so I wonder if she went to Yale four

0:15:35.880 --> 0:15:37.160
<v Speaker 3>acting she must have. That's awesome.

0:15:37.200 --> 0:15:40.800
<v Speaker 6>Probably well obviously didn't decide to stay with her boyfriend

0:15:40.800 --> 0:15:42.000
<v Speaker 6>and get married at a very young age.

0:15:42.040 --> 0:15:44.120
<v Speaker 4>She went to Yale. Look what she's doing. Oh, look

0:15:44.120 --> 0:15:45.080
<v Speaker 4>what she's able to do.

0:15:45.720 --> 0:15:48.120
<v Speaker 1>And then we have Karen Lynn Scott as Donna, the

0:15:48.280 --> 0:15:51.760
<v Speaker 1>MTV casting Agent. She has a lot of nineties TV

0:15:51.800 --> 0:15:55.440
<v Speaker 1>appearances under the belt Seinfeld, Martin, Drew Carey, also Sabrina

0:15:56.560 --> 0:16:00.480
<v Speaker 1>and then Leah Fisher as contestant number one and Jennifer

0:16:00.560 --> 0:16:05.600
<v Speaker 1>Lee Edwards's contestant number two. We have Gail Boggs as nurse,

0:16:05.800 --> 0:16:08.680
<v Speaker 1>best known as Louise Brown, the sister of Whoopi Goldberg

0:16:08.760 --> 0:16:12.840
<v Speaker 1>and Ghost, but also musically she sang on Hollan Oates

0:16:12.880 --> 0:16:18.160
<v Speaker 1>and Carly Simon songs cool. She also alleges that she

0:16:18.600 --> 0:16:21.640
<v Speaker 1>was the person who convinced Madonna and Nile Rogers to

0:16:21.760 --> 0:16:24.320
<v Speaker 1>release Like a Virgin as a single.

0:16:24.800 --> 0:16:27.880
<v Speaker 3>Wait wait, who is this? This is a nurse? A nurse?

0:16:27.960 --> 0:16:29.880
<v Speaker 1>Yes, so she's the one I think who just says

0:16:29.880 --> 0:16:31.240
<v Speaker 1>like I'm giving him a mild sedative.

0:16:31.360 --> 0:16:33.640
<v Speaker 3>Yeah yeah, Online.

0:16:33.240 --> 0:16:35.760
<v Speaker 1>Gael Bogs She's best known as Louise Brown, and then

0:16:35.920 --> 0:16:39.400
<v Speaker 1>John Ernst as John Ernst the in House singled out DJ.

0:16:39.720 --> 0:16:41.960
<v Speaker 1>He'd later go on to be music supervisor on other

0:16:42.080 --> 0:16:45.360
<v Speaker 1>MTV hits like The Hills, Laguna Beach, and Cribs and

0:16:45.520 --> 0:16:46.880
<v Speaker 1>he can Payne.

0:16:47.400 --> 0:16:49.640
<v Speaker 6>Nope, no, but we kept cutting to him because he's like,

0:16:49.800 --> 0:16:52.280
<v Speaker 6>he just gets one of the co hosts, and.

0:16:52.240 --> 0:16:54.080
<v Speaker 1>I wonder if he did at some point have a

0:16:54.120 --> 0:16:59.120
<v Speaker 1>line that ended up getting So he composed all the

0:16:59.200 --> 0:17:02.360
<v Speaker 1>music for Ductne to see behind the music Love is Blind.

0:17:02.120 --> 0:17:05.400
<v Speaker 4>And Netflix's cheer Wow yep.

0:17:05.560 --> 0:17:09.399
<v Speaker 1>Jay Wodell as TV producer Again, this is another person

0:17:09.440 --> 0:17:12.880
<v Speaker 1>who was credited but didn't appear. I don't remember there

0:17:12.880 --> 0:17:19.320
<v Speaker 1>being a TV producer that right, besides the casting agent

0:17:19.400 --> 0:17:24.200
<v Speaker 1>in the office. And then there was the announcer who yeah,

0:17:24.560 --> 0:17:27.439
<v Speaker 1>maybe yeah, maybe a cut scene or at least a

0:17:27.440 --> 0:17:29.840
<v Speaker 1>cut line, somebody coming out maybe to say something to

0:17:29.920 --> 0:17:34.399
<v Speaker 1>Chris or to you who knows. And then finally Chuck Riley,

0:17:34.480 --> 0:17:37.120
<v Speaker 1>a common voice used on Boy Meets World, returns as

0:17:37.440 --> 0:17:42.439
<v Speaker 1>the announcer. So overall thoughts, we've decided. We've said it

0:17:42.480 --> 0:17:43.960
<v Speaker 1>was weird and bizarre.

0:17:44.160 --> 0:17:47.080
<v Speaker 2>Yeah, it's just like a I mean, it's not like

0:17:47.200 --> 0:17:49.480
<v Speaker 2>super I mean, I guess it is pretty weird, but like.

0:17:49.480 --> 0:17:50.840
<v Speaker 3>It just felt slight to me.

0:17:50.920 --> 0:17:52.720
<v Speaker 2>It was like, okay, cool, there's an episode of a

0:17:52.760 --> 0:17:54.760
<v Speaker 2>show like I don't know where it fits in the story.

0:17:54.800 --> 0:17:57.440
<v Speaker 3>It doesn't connect with it's just mine. It was, yeah,

0:17:57.480 --> 0:17:58.399
<v Speaker 3>you know, I don't know.

0:17:58.440 --> 0:18:02.000
<v Speaker 2>I guess like the by the end, the Eric storyline

0:18:02.160 --> 0:18:04.000
<v Speaker 2>just didn't really go much.

0:18:04.080 --> 0:18:05.600
<v Speaker 3>It was just kind of like, oh no, she lied

0:18:05.640 --> 0:18:07.720
<v Speaker 3>to great, Okay, I don't know.

0:18:08.680 --> 0:18:11.199
<v Speaker 6>I didn't find I thought that there were times the

0:18:11.200 --> 0:18:14.119
<v Speaker 6>b storyline made me laugh out loud. I did not

0:18:14.280 --> 0:18:16.720
<v Speaker 6>think any of the singled out stuff was funny, No,

0:18:16.960 --> 0:18:20.399
<v Speaker 6>I mean at all. It was the whole show that

0:18:20.600 --> 0:18:22.679
<v Speaker 6>dragged for me, all the singled out stuff. And I

0:18:22.720 --> 0:18:25.280
<v Speaker 6>distinctly remember talking to Chris about it at the time

0:18:25.320 --> 0:18:28.040
<v Speaker 6>where certain things like it's like looking in a mirror

0:18:28.080 --> 0:18:29.560
<v Speaker 6>in our hair, We looked at each other and went,

0:18:29.760 --> 0:18:32.960
<v Speaker 6>we don't look that much alike to make this a joke, right,

0:18:33.160 --> 0:18:35.520
<v Speaker 6>And so it came off as both of us, at

0:18:35.600 --> 0:18:37.000
<v Speaker 6>least how I saw it as an actor. For me,

0:18:37.480 --> 0:18:39.720
<v Speaker 6>it came off where I wasn't committing to the stuff

0:18:39.760 --> 0:18:41.680
<v Speaker 6>as much as I should have because I didn't believe

0:18:41.680 --> 0:18:43.080
<v Speaker 6>in it, which I was very rare for me.

0:18:44.000 --> 0:18:46.359
<v Speaker 2>I also think you don't have a laugh track in

0:18:46.400 --> 0:18:50.159
<v Speaker 2>those scenes. No, So it's weird because it's jarring to

0:18:50.200 --> 0:18:53.159
<v Speaker 2>suddenly leave a show. So like when he makes that

0:18:53.200 --> 0:18:54.840
<v Speaker 2>joke about it's like looking at a mirror whatever, there's

0:18:54.880 --> 0:18:56.760
<v Speaker 2>no laugh And it's not because the joke bombed. It's

0:18:56.760 --> 0:18:58.919
<v Speaker 2>because there's no studio audience. You guys were filming at

0:18:58.960 --> 0:19:02.200
<v Speaker 2>the But ironically there's a lot of energy because that's

0:19:02.200 --> 0:19:04.520
<v Speaker 2>the singled out, So there's like people cheering and there's music.

0:19:04.680 --> 0:19:08.440
<v Speaker 2>But you're right, it's like grinds to a halt like sitcom.

0:19:08.960 --> 0:19:11.399
<v Speaker 3>It's like becomes them yelling, trying to yell the jokes

0:19:11.400 --> 0:19:13.080
<v Speaker 3>over the audience going.

0:19:13.119 --> 0:19:15.320
<v Speaker 6>And it was so I didn't find any that funny.

0:19:15.960 --> 0:19:17.400
<v Speaker 6>I thought that I didn't think it was a bad

0:19:17.400 --> 0:19:20.080
<v Speaker 6>episode by any just like you. It was like, this

0:19:20.240 --> 0:19:24.320
<v Speaker 6>is obviously there's certain things in this episode that are iconic,

0:19:24.480 --> 0:19:28.120
<v Speaker 6>which we'll get to, right. I know, I know there's moments,

0:19:28.800 --> 0:19:32.760
<v Speaker 6>huge moments that literally altered everything in the show in

0:19:32.800 --> 0:19:33.160
<v Speaker 6>this and.

0:19:33.160 --> 0:19:36.920
<v Speaker 4>Yet they're completely glossed over. It's like the yeah, yep.

0:19:37.400 --> 0:19:39.639
<v Speaker 3>Yeah, and then you get to the singled out stuff,

0:19:39.640 --> 0:19:40.440
<v Speaker 3>and I was like, eh.

0:19:40.320 --> 0:19:41.800
<v Speaker 2>Well, do you think it was part of the like

0:19:41.880 --> 0:19:45.439
<v Speaker 2>era of like I mean part of like all the

0:19:45.480 --> 0:19:49.240
<v Speaker 2>singled out stuff. Right, it's like hot girls, horny guy.

0:19:49.320 --> 0:19:51.280
<v Speaker 2>And I just feel like that doesn't like that's just

0:19:51.320 --> 0:19:52.320
<v Speaker 2>not that interesting to me.

0:19:52.400 --> 0:19:53.000
<v Speaker 3>It never was.

0:19:53.040 --> 0:19:55.720
<v Speaker 2>But it also feels very dated. It feels like, of

0:19:55.800 --> 0:19:58.320
<v Speaker 2>course it is. I mean, it's like heavy handed and

0:19:58.359 --> 0:19:59.400
<v Speaker 2>like it says.

0:19:59.359 --> 0:20:02.320
<v Speaker 6>As ni as you can get all right, we're getting

0:20:02.359 --> 0:20:03.480
<v Speaker 6>rid of the naughty girl.

0:20:05.320 --> 0:20:07.959
<v Speaker 1>I felt a little bit like how Will has mentioned

0:20:08.000 --> 0:20:10.679
<v Speaker 1>before that because so much of the show took place

0:20:10.800 --> 0:20:11.880
<v Speaker 1>on two sets.

0:20:11.600 --> 0:20:13.040
<v Speaker 4>That we've never seen before.

0:20:13.320 --> 0:20:15.399
<v Speaker 1>It was like so much of the show was on

0:20:15.400 --> 0:20:18.920
<v Speaker 1>this singled out set that like start yeah, and there's

0:20:18.960 --> 0:20:21.000
<v Speaker 1>no audience there, and so, like you mentioned, there's all

0:20:21.040 --> 0:20:23.720
<v Speaker 1>this energy that's coming from people we don't know and

0:20:23.760 --> 0:20:26.520
<v Speaker 1>don't have a real connection to. And then there's a

0:20:26.560 --> 0:20:29.439
<v Speaker 1>hospital room. It's a place we've never been in before.

0:20:29.480 --> 0:20:31.719
<v Speaker 1>And so it felt a little like what show am

0:20:31.800 --> 0:20:34.120
<v Speaker 1>I watching? It's not a bad one, I just don't

0:20:34.160 --> 0:20:36.919
<v Speaker 1>know that I need to revisit it. Like I watched it,

0:20:37.040 --> 0:20:38.879
<v Speaker 1>I feel like I watched a pilot for something and

0:20:39.000 --> 0:20:40.159
<v Speaker 1>was like great.

0:20:40.000 --> 0:20:42.160
<v Speaker 2>Yeah, and then it's it's a meta in some weird

0:20:42.160 --> 0:20:45.159
<v Speaker 2>ways too, Like obviously you know the whole like what

0:20:45.440 --> 0:20:46.160
<v Speaker 2>is the name of the show.

0:20:46.160 --> 0:20:49.720
<v Speaker 3>Within the show, it's like, it's what's it's happen.

0:20:51.119 --> 0:20:53.600
<v Speaker 4>It's like unsolved mystery disappear.

0:20:54.119 --> 0:20:56.720
<v Speaker 2>Like and and also I think the iconic moment that

0:20:56.760 --> 0:20:58.960
<v Speaker 2>we've all referenced in is like the mister Feenie moment.

0:20:59.040 --> 0:21:01.159
<v Speaker 2>It's like, is all so sort of self aware in

0:21:01.160 --> 0:21:02.800
<v Speaker 2>a way that the show hasn't been that often where

0:21:02.960 --> 0:21:04.600
<v Speaker 2>it's like, mister Phoenie has to be here. So there's

0:21:04.640 --> 0:21:06.439
<v Speaker 2>like a couple of metal moments that are actually pretty

0:21:06.480 --> 0:21:07.480
<v Speaker 2>clever and interesting.

0:21:07.760 --> 0:21:10.200
<v Speaker 3>But yeah, it doesn't feel like a typical episode by anything.

0:21:10.600 --> 0:21:12.760
<v Speaker 6>It's kind of a filler episode, which is strange for

0:21:12.840 --> 0:21:15.040
<v Speaker 6>it having so many iconic moments.

0:21:15.080 --> 0:21:17.919
<v Speaker 1>Well, the iconic moment we're talking about is Will's first

0:21:18.040 --> 0:21:18.760
<v Speaker 1>Phoenie call.

0:21:20.200 --> 0:21:22.040
<v Speaker 3>The Phoenie call. It is where it's starts.

0:21:22.600 --> 0:21:22.879
<v Speaker 5>This is it.

0:21:23.040 --> 0:21:27.240
<v Speaker 2>Okay, we're gonna call it because because you just yell

0:21:27.320 --> 0:21:28.600
<v Speaker 2>at once, don't it.

0:21:29.000 --> 0:21:32.639
<v Speaker 1>I was like, this is the moment where yelling Phoene

0:21:32.720 --> 0:21:35.400
<v Speaker 1>in a funny way becomes a bit yep.

0:21:36.960 --> 0:21:37.480
<v Speaker 4>It's so great.

0:21:37.520 --> 0:21:39.280
<v Speaker 1>Okay, So jumping into our recap, we start in the

0:21:39.280 --> 0:21:41.760
<v Speaker 1>Matthew's living room. Eric is moping he's home alone on

0:21:41.800 --> 0:21:44.000
<v Speaker 1>a Saturday night, flipping through channels on the couch, feed

0:21:44.080 --> 0:21:45.159
<v Speaker 1>up with dirty socks.

0:21:45.840 --> 0:21:49.320
<v Speaker 3>Really say, this is an amazing, very rare camera move.

0:21:50.040 --> 0:21:53.840
<v Speaker 2>The camera is like panning and then zooming like it

0:21:53.920 --> 0:21:56.960
<v Speaker 2>was very stylized and kind of cool. It's like slow creep,

0:21:57.080 --> 0:21:58.359
<v Speaker 2>you know, and then the whole thing is played in

0:21:58.400 --> 0:22:03.720
<v Speaker 2>one shot. It was like this, Yeah, can anybody tell.

0:22:03.560 --> 0:22:05.919
<v Speaker 6>Me before we get too deep into the episode what

0:22:06.119 --> 0:22:08.920
<v Speaker 6>we were doing the week before? Were we coming off

0:22:08.920 --> 0:22:14.359
<v Speaker 6>of vacation? Because everyone in this episode is tan? Everyone really,

0:22:14.359 --> 0:22:20.439
<v Speaker 6>it might have been every single person in this episode,

0:22:20.600 --> 0:22:22.679
<v Speaker 6>including the guest star. So either we had a new

0:22:22.680 --> 0:22:25.399
<v Speaker 6>makeup artist who was doing the makeup differently, or we

0:22:25.440 --> 0:22:29.320
<v Speaker 6>were all at Sandals resort together, I hope, because what.

0:22:29.280 --> 0:22:31.879
<v Speaker 4>It was the vacation we ask together that I have

0:22:31.920 --> 0:22:32.439
<v Speaker 4>no memory of.

0:22:32.720 --> 0:22:34.920
<v Speaker 3>Yes, everyone was tan. It was very strange. Huh.

0:22:34.960 --> 0:22:36.600
<v Speaker 4>I don't remember thinking I looked tan?

0:22:37.320 --> 0:22:39.960
<v Speaker 1>You did, so, He angrily tells himself, I should be

0:22:40.040 --> 0:22:41.040
<v Speaker 1>dating college.

0:22:40.680 --> 0:22:43.240
<v Speaker 4>Girls, but I'm not. I want to date college girls,

0:22:43.240 --> 0:22:45.960
<v Speaker 4>but how how I ask? He changes the station to

0:22:46.119 --> 0:22:49.240
<v Speaker 4>the weather channel that announces Hurricane Chester has been downgraded

0:22:49.280 --> 0:22:53.880
<v Speaker 4>to a refreshing breeze. I don't know why that made

0:22:53.880 --> 0:22:56.920
<v Speaker 4>me laugh so much. I really did I notice?

0:22:58.080 --> 0:22:58.800
<v Speaker 3>Yeah I did.

0:22:58.880 --> 0:23:02.200
<v Speaker 1>Yeah, she was really I was expecting like tropical storm

0:23:02.240 --> 0:23:03.320
<v Speaker 1>and instead it's just.

0:23:03.240 --> 0:23:05.840
<v Speaker 3>Like refreshing breeze, refreshing breeze.

0:23:06.880 --> 0:23:10.480
<v Speaker 1>And then the TV answers this question, MTV singled Out

0:23:10.560 --> 0:23:12.639
<v Speaker 1>is coming to Philadelphia. If you want to be a

0:23:12.640 --> 0:23:15.240
<v Speaker 1>contestant and meet hundreds of college girls on a very

0:23:15.280 --> 0:23:17.879
<v Speaker 1>special edition of singled Out, then call the number on

0:23:17.920 --> 0:23:21.239
<v Speaker 1>your screen. Despite his dreams coming true, Eric doesn't even

0:23:21.280 --> 0:23:23.560
<v Speaker 1>bout an eye and flips the channel again. The MTV

0:23:23.600 --> 0:23:26.680
<v Speaker 1>commercial finally registers, and he flips back, excitedly writing the

0:23:26.760 --> 0:23:29.000
<v Speaker 1>number down so he can be on singled Out. And

0:23:29.040 --> 0:23:31.359
<v Speaker 1>I loved watching you scribble on your piece of paper.

0:23:31.600 --> 0:23:34.440
<v Speaker 6>Of course, you got to write the numbers down, got

0:23:34.440 --> 0:23:37.600
<v Speaker 6>to go to the next room to dial up.

0:23:38.680 --> 0:23:40.520
<v Speaker 2>It seems kind of crazy to me that we did

0:23:40.560 --> 0:23:43.640
<v Speaker 2>a crossover with an MTV show, doesn't It seem like.

0:23:43.680 --> 0:23:45.639
<v Speaker 6>It makes perfect sense though when you think about it,

0:23:45.680 --> 0:23:48.400
<v Speaker 6>like you're trying to get that same audience, because that's

0:23:48.400 --> 0:23:50.119
<v Speaker 6>when our show really took off. Was the second or

0:23:50.119 --> 0:23:53.000
<v Speaker 6>third run when it was on MTV two or three, right, right,

0:23:53.200 --> 0:23:53.720
<v Speaker 6>but it's just.

0:23:54.640 --> 0:23:57.080
<v Speaker 2>For ABC, and like, think about it, last season we

0:23:57.080 --> 0:23:59.600
<v Speaker 2>were doing like Disney World, right, so like now we're

0:23:59.600 --> 0:24:02.240
<v Speaker 2>sort of like aging up into this. Like and of course,

0:24:02.280 --> 0:24:07.080
<v Speaker 2>at the time, like Cable, MTV was so just a

0:24:07.080 --> 0:24:09.760
<v Speaker 2>different world, you know, like they're like their ratings would

0:24:09.760 --> 0:24:12.919
<v Speaker 2>have been nothing compared to a mainstream primetime show, So

0:24:12.920 --> 0:24:14.199
<v Speaker 2>it was in a weird way, we're kind of like

0:24:14.280 --> 0:24:16.480
<v Speaker 2>slumming it with this, like do you know what I mean?

0:24:16.520 --> 0:24:20.480
<v Speaker 2>Like MTV was like this, like Cable Racus, little little station.

0:24:20.640 --> 0:24:22.880
<v Speaker 6>Also think they were changing at this point. There's almost

0:24:22.920 --> 0:24:25.200
<v Speaker 6>no music left and this was the height of like

0:24:25.280 --> 0:24:29.840
<v Speaker 6>the Real World and road Rule. Yeah, at this point

0:24:29.880 --> 0:24:31.000
<v Speaker 6>I think so pretty sure.

0:24:31.440 --> 0:24:34.040
<v Speaker 1>Ninety seven really it was yeah, okay, I think it

0:24:34.119 --> 0:24:34.919
<v Speaker 1>was yeah, and I.

0:24:35.040 --> 0:24:37.840
<v Speaker 3>Really revolutionized stuff when thou yes, well, and.

0:24:37.800 --> 0:24:38.560
<v Speaker 4>That's exactly it.

0:24:38.600 --> 0:24:41.360
<v Speaker 1>Even if their audience was low, their engagement, like their

0:24:41.400 --> 0:24:42.400
<v Speaker 1>reach was really.

0:24:42.200 --> 0:24:46.440
<v Speaker 3>High cultural soffect totally. Yeah, I mean the real world

0:24:46.440 --> 0:24:48.720
<v Speaker 3>that was kind of the start of the reality stuff.

0:24:49.119 --> 0:24:53.520
<v Speaker 1>Yes, and also the risque factor of even the beer

0:24:53.680 --> 0:24:58.880
<v Speaker 1>Stein naughty girls and drinking for Eric to be Yeah,

0:24:58.920 --> 0:25:02.120
<v Speaker 1>that's like, that's you know, And I guess the save

0:25:02.320 --> 0:25:05.119
<v Speaker 1>for it was, well, Eric's gonna rule those things.

0:25:04.880 --> 0:25:07.840
<v Speaker 6>Out and talk about his mommy and stuff like that,

0:25:08.040 --> 0:25:09.720
<v Speaker 6>so hot cocoa and stuff like that.

0:25:10.040 --> 0:25:10.399
<v Speaker 5>Yeah.

0:25:10.480 --> 0:25:13.040
<v Speaker 1>Yeah, So then we're in the Matthew's kitchen. The family

0:25:13.160 --> 0:25:16.040
<v Speaker 1>enters with Tapanga and Sean. Amy is reassuring Corey that

0:25:16.080 --> 0:25:19.240
<v Speaker 1>a ton selectomy is a simple operation to Panga Grease,

0:25:19.320 --> 0:25:21.400
<v Speaker 1>telling Corey you get to stay overnight in the hospital,

0:25:21.480 --> 0:25:24.359
<v Speaker 1>eat jello, and then you come home the next day. Corey,

0:25:24.440 --> 0:25:27.720
<v Speaker 1>revealing a very hoarse voice, says I don't need an operation.

0:25:28.400 --> 0:25:32.120
<v Speaker 1>Amy asks, okay, be sure we do it every time

0:25:32.119 --> 0:25:32.520
<v Speaker 1>he talks.

0:25:33.880 --> 0:25:36.119
<v Speaker 6>By the way, this entire episode, you are dressed like

0:25:36.160 --> 0:25:38.280
<v Speaker 6>either a go go dancer or in the mod squad.

0:25:38.960 --> 0:25:41.359
<v Speaker 3>No, I don't know what's happening with my The seven

0:25:41.440 --> 0:25:42.080
<v Speaker 3>is straight.

0:25:41.880 --> 0:25:43.879
<v Speaker 6>Up like I expected you to get a call on

0:25:43.920 --> 0:25:46.800
<v Speaker 6>your giant phone because Charlie's Angels needed you somewhere, and

0:25:47.040 --> 0:25:48.800
<v Speaker 6>it was so like, what the hell are they dressing her?

0:25:48.880 --> 0:25:51.320
<v Speaker 1>I know, I know, I thought, I don't know. We

0:25:51.359 --> 0:25:57.200
<v Speaker 1>are we are experimenting. We are experimenting. Fair enough, He says,

0:25:57.200 --> 0:25:59.359
<v Speaker 1>I don't need an operation. Amy asks, then why are

0:25:59.359 --> 0:25:59.920
<v Speaker 1>you talking like that?

0:26:00.680 --> 0:26:00.800
<v Speaker 3>Uh?

0:26:01.040 --> 0:26:04.120
<v Speaker 1>Corey quickly invents the idea that he irritated his tonsils

0:26:04.119 --> 0:26:07.960
<v Speaker 1>when brushing his teeth. It's that darn angled toothbrush. Tepega

0:26:08.040 --> 0:26:09.960
<v Speaker 1>encourages Sean to tell his friend that he needs to

0:26:09.960 --> 0:26:12.159
<v Speaker 1>go to the hospital. Sean says, he's sorry, but he

0:26:12.240 --> 0:26:14.960
<v Speaker 1>has some serious problems with doctors, and then he explains

0:26:14.960 --> 0:26:17.640
<v Speaker 1>it last night he was slipping through channels. Who's watching CNN?

0:26:18.080 --> 0:26:20.280
<v Speaker 1>Sean admits they lured him in with a story about cake,

0:26:20.359 --> 0:26:22.320
<v Speaker 1>but then they did an expose on a fifteen year

0:26:22.320 --> 0:26:24.160
<v Speaker 1>old boy who went to the hospital for a routine

0:26:24.160 --> 0:26:25.480
<v Speaker 1>procedure and vanished.

0:26:26.520 --> 0:26:28.480
<v Speaker 6>This is such a strange story like that, I know,

0:26:28.720 --> 0:26:31.000
<v Speaker 6>but it seemes they did this on Seinfeld.

0:26:31.040 --> 0:26:31.520
<v Speaker 3>What do you mean?

0:26:31.600 --> 0:26:32.000
<v Speaker 4>Oh?

0:26:32.080 --> 0:26:35.960
<v Speaker 6>This was so it's a Kramer George has to go

0:26:36.040 --> 0:26:38.960
<v Speaker 6>in for a ton selectomy, and it's Kramer the whole

0:26:38.960 --> 0:26:40.120
<v Speaker 6>time saying you.

0:26:40.040 --> 0:26:41.480
<v Speaker 3>Don't want you don't want to do that. That's think

0:26:41.480 --> 0:26:42.159
<v Speaker 3>you're gonna end up.

0:26:42.359 --> 0:26:44.920
<v Speaker 6>My friend Bob Sacamano went in for ton selected me

0:26:45.119 --> 0:26:48.080
<v Speaker 6>and they took out his heart, took out his testicles,

0:26:48.080 --> 0:26:49.919
<v Speaker 6>and now he says, Hi, my name's Bob, Like it

0:26:49.960 --> 0:26:52.520
<v Speaker 6>was always something you shouldn't be here at this hospital.

0:26:52.560 --> 0:26:55.880
<v Speaker 4>They're going to kill you in here, Like this was exactly.

0:26:55.480 --> 0:26:58.200
<v Speaker 6>From Seinfeld, and you think it was after s ahlways

0:26:58.200 --> 0:27:00.480
<v Speaker 6>way after, because this was season one of Seinfeld.

0:27:01.320 --> 0:27:02.439
<v Speaker 3>They did this whole episode.

0:27:02.440 --> 0:27:04.840
<v Speaker 6>It's an episode called the heart Attack where George thinks

0:27:04.840 --> 0:27:06.680
<v Speaker 6>he's having a heart attack and goes to the hospital

0:27:07.040 --> 0:27:09.159
<v Speaker 6>and then turns out he needs his tonsils out and

0:27:09.200 --> 0:27:10.399
<v Speaker 6>it's Kramer there.

0:27:11.160 --> 0:27:12.200
<v Speaker 3>They're going to kill you in here.

0:27:12.200 --> 0:27:13.800
<v Speaker 2>They're going to kill you in That's one of those

0:27:13.800 --> 0:27:15.640
<v Speaker 2>things that you could see like a writer is doing

0:27:15.680 --> 0:27:17.119
<v Speaker 2>without even realizing that they're doing it.

0:27:17.119 --> 0:27:19.720
<v Speaker 3>If it was a couple of years earlier, that's this

0:27:19.840 --> 0:27:23.880
<v Speaker 3>was This is a storyline straight from.

0:27:23.160 --> 0:27:27.240
<v Speaker 2>So I think this might be the first Cake reference.

0:27:27.640 --> 0:27:30.879
<v Speaker 2>This becomes a thing this sean.

0:27:32.440 --> 0:27:32.960
<v Speaker 4>Haven't we done?

0:27:33.119 --> 0:27:33.280
<v Speaker 5>Think?

0:27:33.280 --> 0:27:35.520
<v Speaker 3>I know we've had We've already had it on we

0:27:35.560 --> 0:27:37.720
<v Speaker 3>had Weak. I feel like you've done this one.

0:27:37.600 --> 0:27:39.840
<v Speaker 2>Because I remember there's like one of the one of

0:27:39.840 --> 0:27:42.639
<v Speaker 2>the more famous moments I remember our Note Sessions is

0:27:42.680 --> 0:27:44.600
<v Speaker 2>the episode that's I don't know if it's this season

0:27:44.640 --> 0:27:47.000
<v Speaker 2>or next season, when Corey and I are like, uh,

0:27:47.560 --> 0:27:49.120
<v Speaker 2>I have a girlfriend who won't let me see.

0:27:48.920 --> 0:27:51.360
<v Speaker 4>Cory or like fair.

0:27:51.200 --> 0:27:54.960
<v Speaker 3>To forget that's and talk about and I.

0:27:54.920 --> 0:27:58.040
<v Speaker 2>Go like this, this isn't Corey, this is Cake. And

0:27:59.359 --> 0:28:02.359
<v Speaker 2>then Ben the note during the note session, Michael was

0:28:02.440 --> 0:28:06.320
<v Speaker 2>like when he says that cake, and Ben was like,

0:28:06.320 --> 0:28:07.919
<v Speaker 2>what does that mean? He's like, I don't know, just

0:28:07.960 --> 0:28:10.600
<v Speaker 2>be cake. And so Ben made cake face and then

0:28:10.640 --> 0:28:12.280
<v Speaker 2>we put it in the script so then the writers

0:28:12.320 --> 0:28:14.200
<v Speaker 2>would put it in the script whenever he was just

0:28:14.240 --> 0:28:15.000
<v Speaker 2>put cake face.

0:28:15.080 --> 0:28:16.800
<v Speaker 3>For Ben to do it was like one of those

0:28:16.880 --> 0:28:17.520
<v Speaker 3>legendary boys.

0:28:17.520 --> 0:28:20.120
<v Speaker 4>And I remember that because I thought we talked.

0:28:19.960 --> 0:28:22.959
<v Speaker 2>About I don't think I think this is the first time,

0:28:23.000 --> 0:28:25.399
<v Speaker 2>because I repeated in the scene, I'm like Cake, and

0:28:25.440 --> 0:28:27.359
<v Speaker 2>I was like, what this was? I remember this was

0:28:27.400 --> 0:28:30.040
<v Speaker 2>our running thing, like cake, because like a thing that

0:28:30.080 --> 0:28:30.840
<v Speaker 2>we talked about.

0:28:31.520 --> 0:28:32.560
<v Speaker 4>We have a different memory.

0:28:32.760 --> 0:28:34.960
<v Speaker 1>The one we talked about was where there's something a

0:28:35.000 --> 0:28:37.960
<v Speaker 1>little sad where somebody's like, but it's not this cake.

0:28:39.080 --> 0:28:42.880
<v Speaker 4>Yes, I remember that, Yes, really we've already done that.

0:28:43.080 --> 0:28:44.920
<v Speaker 1>I feel like that's the one we'd already done where

0:28:44.920 --> 0:28:45.720
<v Speaker 1>there's like a little bit.

0:28:45.600 --> 0:28:47.239
<v Speaker 4>Of a sad thing where it's like, well, that's not

0:28:47.280 --> 0:28:49.200
<v Speaker 4>what it is. It's okay.

0:28:49.360 --> 0:28:52.200
<v Speaker 6>Yeah, I feel like I don't remember that, Corey. I

0:28:52.240 --> 0:28:53.960
<v Speaker 6>think I feel like it's Corey saying that. Did you

0:28:54.040 --> 0:28:55.680
<v Speaker 6>just feel when you did that in your jaw?

0:28:55.720 --> 0:28:58.040
<v Speaker 3>Is that what you just? I just I think I

0:28:58.080 --> 0:28:59.479
<v Speaker 3>just checked your pulse every once in a while. Make

0:28:59.480 --> 0:29:02.960
<v Speaker 3>sure you're still here by double chin. So let our

0:29:03.000 --> 0:29:07.920
<v Speaker 3>well please retic in, please only only one of you?

0:29:07.960 --> 0:29:08.959
<v Speaker 3>How do we want to do that?

0:29:10.640 --> 0:29:12.760
<v Speaker 2>Can you guys get together and just elect one person

0:29:12.800 --> 0:29:14.880
<v Speaker 2>to be the representative to like email us so we

0:29:14.880 --> 0:29:16.320
<v Speaker 2>don't get thousands, but just one.

0:29:16.720 --> 0:29:18.240
<v Speaker 4>George, it's you, George.

0:29:18.400 --> 0:29:20.640
<v Speaker 3>I mean maybe Easton? Can you be our? I mean

0:29:20.960 --> 0:29:21.640
<v Speaker 3>you should know this.

0:29:21.720 --> 0:29:25.000
<v Speaker 4>You're the Superman Easton email super fan Easton.

0:29:25.960 --> 0:29:28.640
<v Speaker 2>We need somebody to be our, like like on, like

0:29:28.960 --> 0:29:31.280
<v Speaker 2>do the research and know like what we've referenced.

0:29:31.480 --> 0:29:34.040
<v Speaker 3>Boy, we're already losing it anyway, it's you.

0:29:34.240 --> 0:29:36.840
<v Speaker 1>I've just decided it's Melissa. If you're out there, Melissa,

0:29:37.000 --> 0:29:37.640
<v Speaker 1>you're the one.

0:29:38.640 --> 0:29:41.840
<v Speaker 6>There's gonna be nine hundred. Melissa's going, oh my god, Daniel.

0:29:41.480 --> 0:29:43.760
<v Speaker 3>He totally called me out. She said for me to

0:29:43.800 --> 0:29:44.120
<v Speaker 3>do it.

0:29:46.520 --> 0:29:49.880
<v Speaker 1>So Corey Kroaks vanished. I want a second opinion. He

0:29:49.920 --> 0:29:54.360
<v Speaker 1>sprints up the stairs. Sean yells, you're missing the point here, Cake, Yes,

0:29:55.400 --> 0:29:58.160
<v Speaker 1>Amy forces Sean to go home, he's scaring her son.

0:29:58.560 --> 0:30:01.040
<v Speaker 1>Sean says it's his duty to and protect his friend

0:30:01.200 --> 0:30:03.480
<v Speaker 1>to Panga pushes him out the door, saying she's protecting

0:30:03.520 --> 0:30:06.320
<v Speaker 1>Corey from him. Sean tries to be intimidating, telling to

0:30:06.600 --> 0:30:08.960
<v Speaker 1>Panga he can take her. She shoves him out the

0:30:09.000 --> 0:30:13.840
<v Speaker 1>door and he stumbles backwards. This show really likes women

0:30:14.360 --> 0:30:17.720
<v Speaker 1>aggressively dominating men physically.

0:30:18.880 --> 0:30:22.840
<v Speaker 4>We all know the best women are men. So Eric

0:30:22.960 --> 0:30:23.600
<v Speaker 4>runs into.

0:30:23.440 --> 0:30:25.720
<v Speaker 3>The have that line a lot too, I could take you?

0:30:25.880 --> 0:30:26.320
<v Speaker 3>Did we do?

0:30:26.520 --> 0:30:28.360
<v Speaker 2>There was like the trailer Park episode that we have

0:30:28.440 --> 0:30:31.640
<v Speaker 2>multiple lines like that. It's a funny little kid says

0:30:31.720 --> 0:30:32.520
<v Speaker 2>I can take you.

0:30:33.320 --> 0:30:34.080
<v Speaker 3>Yeah, that's right.

0:30:35.440 --> 0:30:39.880
<v Speaker 6>What Danny asks Tony could I take you? And so

0:30:39.880 --> 0:30:42.280
<v Speaker 6>there's yeah, there's a bunch of those interest Yeah, we

0:30:42.360 --> 0:30:43.880
<v Speaker 6>like we like references on the show.

0:30:44.240 --> 0:30:47.120
<v Speaker 1>But also a week with the last week with the

0:30:47.240 --> 0:30:50.600
<v Speaker 1>with the yeah Lonnie beating you out.

0:30:50.600 --> 0:30:53.560
<v Speaker 4>But there's like a lot of moments where someone really

0:30:53.680 --> 0:30:58.680
<v Speaker 4>likes women who could physically. Think about the fight we

0:30:58.760 --> 0:30:59.240
<v Speaker 4>have at the.

0:30:59.280 --> 0:31:01.960
<v Speaker 6>End, you and I, You're throwing me around the apartment,

0:31:02.080 --> 0:31:04.000
<v Speaker 6>and and it's all of us wrestling and.

0:31:03.960 --> 0:31:06.680
<v Speaker 4>Being yeah that food, fights and hair.

0:31:06.720 --> 0:31:08.440
<v Speaker 3>I think we're starting to figure out our writers room.

0:31:09.680 --> 0:31:13.120
<v Speaker 1>Eric runs into the kitchen. Mail mail male Alan tries

0:31:13.120 --> 0:31:15.440
<v Speaker 1>to burst his bubble. There must be thousands of guys

0:31:15.480 --> 0:31:17.440
<v Speaker 1>trying to get on Singled Out. It'll probably take a

0:31:17.480 --> 0:31:20.280
<v Speaker 1>month to make a decision. Eric gloats, and yet, looky,

0:31:20.360 --> 0:31:23.200
<v Speaker 1>here do Eric Matthews from m T.

0:31:23.920 --> 0:31:25.800
<v Speaker 4>I can't make out the last letter? What is that?

0:31:26.200 --> 0:31:28.680
<v Speaker 1>Alan sheepishly answers V and then when he's sick of

0:31:28.800 --> 0:31:30.640
<v Speaker 1>Eric rubbing it in, he snaps, how about I kill you?

0:31:30.720 --> 0:31:33.720
<v Speaker 3>We'll do that. Oh my god, so funny.

0:31:34.120 --> 0:31:36.600
<v Speaker 2>But I love this beat. You and Rusty like, you

0:31:36.600 --> 0:31:40.520
<v Speaker 2>guys are just together. Partnership is yeah, yeah.

0:31:40.360 --> 0:31:42.200
<v Speaker 4>They're just putting Rusty and I together now, yes.

0:31:42.080 --> 0:31:45.280
<v Speaker 2>Because you guys are great. Negative negative Dad is so

0:31:45.400 --> 0:31:50.400
<v Speaker 2>I was dying. He's like, oh, actually, I.

0:31:50.280 --> 0:31:51.480
<v Speaker 3>Was like, that's brilliant.

0:31:52.000 --> 0:31:54.080
<v Speaker 4>Actually it is actually fun.

0:31:54.720 --> 0:31:55.000
<v Speaker 3>I know.

0:32:07.080 --> 0:32:09.280
<v Speaker 1>Eric rips opened the letter he was selected to appear

0:32:09.280 --> 0:32:11.600
<v Speaker 1>as a contestant on Singled Out. He continues reading, and

0:32:11.640 --> 0:32:14.760
<v Speaker 1>please don't bring your negative negative dad. Alan snatches the

0:32:14.840 --> 0:32:20.640
<v Speaker 1>letter let's see what this really says. Oh, they really did.

0:32:21.080 --> 0:32:21.760
<v Speaker 3>For a letter too.

0:32:22.400 --> 0:32:24.640
<v Speaker 2>A lot for the letter Eric getting letters, though I

0:32:24.640 --> 0:32:25.960
<v Speaker 2>feel like there's been like because there.

0:32:25.920 --> 0:32:28.920
<v Speaker 3>Was the male stuff, there's a lot of the mail

0:32:29.000 --> 0:32:30.400
<v Speaker 3>and Eric getting letters.

0:32:30.160 --> 0:32:33.320
<v Speaker 4>Or sending finding out if he's getting been into college.

0:32:33.360 --> 0:32:36.920
<v Speaker 3>That's what I mean. It's a refurm like, Yeah.

0:32:36.160 --> 0:32:39.080
<v Speaker 1>Then we're in the Matthew's backyard. Eric looks spiffy in

0:32:39.120 --> 0:32:41.720
<v Speaker 1>a button up shirt tucked into khaki's a belt. He's

0:32:41.760 --> 0:32:43.760
<v Speaker 1>trying to find mister Feenie. He's not in his garden,

0:32:43.800 --> 0:32:48.480
<v Speaker 1>so he yells, and this is our very the start

0:32:48.920 --> 0:32:50.080
<v Speaker 1>of the Foenie call.

0:32:51.360 --> 0:32:53.560
<v Speaker 2>I love everything about this. I mean, obviously like the

0:32:53.600 --> 0:32:56.880
<v Speaker 2>anger and the expression of like mister, the self righteousness

0:32:56.920 --> 0:33:00.520
<v Speaker 2>of like where is Phoenie? But then I also love

0:33:00.560 --> 0:33:02.880
<v Speaker 2>the meta thing of like he's either teaching or he's

0:33:02.920 --> 0:33:05.960
<v Speaker 2>go's all he does here else.

0:33:06.200 --> 0:33:07.080
<v Speaker 3>The awareness of.

0:33:07.000 --> 0:33:09.440
<v Speaker 2>Our show to like comment on its own sort of

0:33:09.480 --> 0:33:12.680
<v Speaker 2>tropes is just so lovely, and so you're only going

0:33:12.760 --> 0:33:14.360
<v Speaker 2>to do more of it, I know, as the show

0:33:14.400 --> 0:33:16.800
<v Speaker 2>goes on, and it's so comforting. It's such a great thing.

0:33:16.880 --> 0:33:18.880
<v Speaker 3>I totally forgot this though, and I'm sitting on the

0:33:18.880 --> 0:33:20.880
<v Speaker 3>couch next to Soo, and I was a sudden I'm.

0:33:20.760 --> 0:33:22.920
<v Speaker 4>Like, wait, is this this is it? This is the

0:33:22.960 --> 0:33:25.200
<v Speaker 4>first Phoenie call. I'm like, it's it's happening right now.

0:33:25.240 --> 0:33:28.160
<v Speaker 1>She's like, what what do you remember in the moment

0:33:28.520 --> 0:33:31.160
<v Speaker 1>anybody's saying anything to you about it being really funny

0:33:31.200 --> 0:33:32.920
<v Speaker 1>the way you said, Phoenie, what do you remember about

0:33:32.960 --> 0:33:33.800
<v Speaker 1>the moment it happened?

0:33:34.120 --> 0:33:38.000
<v Speaker 6>Remember the table read it getting a laugh, and then

0:33:38.200 --> 0:33:40.920
<v Speaker 6>every run through it getting a laugh. And so my

0:33:41.040 --> 0:33:43.320
<v Speaker 6>guess is we're going to start to see because they

0:33:43.360 --> 0:33:45.040
<v Speaker 6>tried this with a bunch of things with Eric in

0:33:45.080 --> 0:33:49.200
<v Speaker 6>the past, like they tried the uh, the weird cackle laughing.

0:33:49.280 --> 0:33:51.120
<v Speaker 6>I remember I did that for two episodes in a row,

0:33:51.160 --> 0:33:52.720
<v Speaker 6>and then Michael. I even looked at Michael one time

0:33:52.760 --> 0:33:54.320
<v Speaker 6>during a table reading and he went like this. I

0:33:54.360 --> 0:33:55.600
<v Speaker 6>was like, please cut it out.

0:33:56.840 --> 0:33:59.320
<v Speaker 3>But the actual Phoenie call adjusted mister Feenie, and I

0:33:59.360 --> 0:34:02.560
<v Speaker 3>just remember the way I said it, so that it's

0:34:02.560 --> 0:34:05.840
<v Speaker 3>the indignation. It's the like, you can't be anywhere, mister Phoene,

0:34:05.840 --> 0:34:06.760
<v Speaker 3>but I need you.

0:34:08.280 --> 0:34:10.480
<v Speaker 2>So great, you know, And it's and it's so earned

0:34:10.480 --> 0:34:12.760
<v Speaker 2>at this point, because it's like we're fourth season.

0:34:13.320 --> 0:34:15.520
<v Speaker 3>Of course Phoene's gonna be and of course he is there.

0:34:15.600 --> 0:34:17.200
<v Speaker 2>Like That's what I love is that he's like, I'm

0:34:17.239 --> 0:34:20.280
<v Speaker 2>here now, and that is such a great delivery. It's like, Okay,

0:34:20.320 --> 0:34:23.360
<v Speaker 2>calm down, I am now doing my job, and it's

0:34:23.480 --> 0:34:24.360
<v Speaker 2>just perfect.

0:34:24.520 --> 0:34:27.359
<v Speaker 4>It's so perfect, it's so good. Phoene rushes out, what

0:34:27.360 --> 0:34:29.160
<v Speaker 4>can he do for him? Eric complains, you're not out

0:34:29.200 --> 0:34:31.640
<v Speaker 4>here gardening, You're not at school, You're not gardening. What

0:34:31.680 --> 0:34:36.399
<v Speaker 4>are you doing? Phoene assures him he's sorry, he's here now.

0:34:36.680 --> 0:34:41.680
<v Speaker 4>Eric rides strengthened. I know he's like, I really, amy.

0:34:41.200 --> 0:34:43.719
<v Speaker 3>Okay, I really don't. I was not doing my job.

0:34:44.280 --> 0:34:44.680
<v Speaker 3>I am here.

0:34:47.560 --> 0:34:49.360
<v Speaker 1>So Eric tells him, I've been selected to be on

0:34:49.400 --> 0:34:51.480
<v Speaker 1>this MTV game show, singled Out, and I know they're

0:34:51.480 --> 0:34:53.640
<v Speaker 1>going to ask me what college I go to. Phoene

0:34:53.640 --> 0:34:56.560
<v Speaker 1>reminds him, you don't go to a college. Eric ignores this.

0:34:56.640 --> 0:34:58.359
<v Speaker 1>The one I don't want to say is Harvard. Could

0:34:58.360 --> 0:34:59.879
<v Speaker 1>you just give me the name of a school you went,

0:35:00.200 --> 0:35:01.280
<v Speaker 1>if it still exists.

0:35:01.800 --> 0:35:09.560
<v Speaker 4>Phoene shakes his head no. Eric nods and understanding, gone, huh,

0:35:09.840 --> 0:35:12.680
<v Speaker 4>Feoene won't be a party to this deception. His advice to.

0:35:12.719 --> 0:35:16.960
<v Speaker 3>Eric where went to college? Because we never talked about it.

0:35:17.080 --> 0:35:17.719
<v Speaker 3>We never talked.

0:35:17.840 --> 0:35:20.840
<v Speaker 6>So do you see him going to like apor exactly?

0:35:21.680 --> 0:35:24.000
<v Speaker 6>Do you see him going to an ivy league school?

0:35:24.160 --> 0:35:26.200
<v Speaker 6>I see him going to a small liberal college.

0:35:26.239 --> 0:35:28.480
<v Speaker 2>I think he went to a small school because I

0:35:28.480 --> 0:35:31.920
<v Speaker 2>I yeah, I see him because he has such a

0:35:31.960 --> 0:35:34.200
<v Speaker 2>he has such a what's the word I'm looking for,

0:35:34.280 --> 0:35:36.960
<v Speaker 2>Like he has such a democratic approach to teaching. I

0:35:37.000 --> 0:35:38.760
<v Speaker 2>feel like he wouldn't have gone to an elite school.

0:35:38.840 --> 0:35:40.480
<v Speaker 2>Like I feel like he went to a small school.

0:35:40.760 --> 0:35:42.680
<v Speaker 2>And it's like he's a teacher who cares about every

0:35:42.719 --> 0:35:46.040
<v Speaker 2>student and giving everybody a chance. So it's not elite,

0:35:46.040 --> 0:35:47.719
<v Speaker 2>you know, like wherever he went it was like a

0:35:47.800 --> 0:35:50.640
<v Speaker 2>state school or somewhere like maybe Penn State, like you know,

0:35:50.680 --> 0:35:53.880
<v Speaker 2>somewhere like big and like still it's still a good school,

0:35:53.920 --> 0:35:56.040
<v Speaker 2>but not like you know, like he struggled to get

0:35:56.040 --> 0:35:57.920
<v Speaker 2>there and get you know, he he paid his own

0:35:57.960 --> 0:35:58.719
<v Speaker 2>way and like it.

0:35:58.840 --> 0:36:01.000
<v Speaker 6>And then I also think he did a year abroad

0:36:01.160 --> 0:36:03.200
<v Speaker 6>at Cambridge or Oxford and came back with the accent.

0:36:04.200 --> 0:36:07.120
<v Speaker 3>Dude, really there's a scholar, right.

0:36:07.640 --> 0:36:09.920
<v Speaker 1>What if like his accent, it's all fake and he's

0:36:09.960 --> 0:36:12.480
<v Speaker 1>a high school dropout and he's in a throttle with

0:36:12.680 --> 0:36:17.640
<v Speaker 1>Eric and Lula Lila.

0:36:17.880 --> 0:36:19.960
<v Speaker 4>We've got a prequel to make. Guys, we have to write.

0:36:20.080 --> 0:36:22.200
<v Speaker 4>This is a writer's room. I should feel comfortable throwing

0:36:22.200 --> 0:36:22.720
<v Speaker 4>out anything.

0:36:22.880 --> 0:36:24.560
<v Speaker 3>Okay, no, no, no, it's okay. It keeps you.

0:36:26.360 --> 0:36:28.759
<v Speaker 2>I think I think Boston area makes sense, which is,

0:36:28.800 --> 0:36:30.160
<v Speaker 2>you know, there's a lot of college up there, but

0:36:30.320 --> 0:36:33.479
<v Speaker 2>like Boston's wear his accent, so he's like from Boston originally, so.

0:36:35.000 --> 0:36:37.080
<v Speaker 6>I love you, and then he went to somewhere like that.

0:36:37.280 --> 0:36:40.440
<v Speaker 6>By the way, Danielle, you're not saying Leela or Lila incorrectly.

0:36:40.640 --> 0:36:42.720
<v Speaker 3>They're both right. But it's sweet Valet High.

0:36:43.640 --> 0:36:44.839
<v Speaker 4>Sweet sweet Valet High.

0:36:45.160 --> 0:36:47.359
<v Speaker 1>I just realized that's actually not her name on this show,

0:36:47.440 --> 0:36:49.200
<v Speaker 1>so it doesn't really matter what the name is. That

0:36:49.280 --> 0:36:51.480
<v Speaker 1>she's Lisa on this one, which is easy for me

0:36:51.560 --> 0:36:56.319
<v Speaker 1>to say Lisa Lisa. His advice to Eric is to

0:36:56.320 --> 0:36:58.359
<v Speaker 1>think long and hard about what you're doing. Eric thinks

0:36:58.360 --> 0:37:01.680
<v Speaker 1>it over for a moment, but we optical flip, optical

0:37:01.680 --> 0:37:05.000
<v Speaker 1>Flip into a casting office. Eric sits across from the

0:37:05.120 --> 0:37:09.080
<v Speaker 1>MTV casting agent she's giving real mob wife aesthetic and

0:37:09.120 --> 0:37:12.320
<v Speaker 1>she asks what college she goes to. He immediately says Harvard.

0:37:12.480 --> 0:37:16.320
<v Speaker 1>Goo smart guys. Casting agent asks, if you go to Harvard,

0:37:16.320 --> 0:37:18.000
<v Speaker 1>then why are you here in Philadelphia.

0:37:18.280 --> 0:37:22.279
<v Speaker 4>Eric's explanation, he goes to the Philadelphia campus. They have

0:37:22.320 --> 0:37:23.480
<v Speaker 4>a Philadelphia campus.

0:37:23.520 --> 0:37:26.239
<v Speaker 1>She asks, they have six Eric class back, stop trying

0:37:26.239 --> 0:37:26.640
<v Speaker 1>to trap me.

0:37:26.719 --> 0:37:28.439
<v Speaker 3>You're so good.

0:37:28.840 --> 0:37:32.520
<v Speaker 2>It's so funny, like just this like bantery, sort of

0:37:32.600 --> 0:37:33.440
<v Speaker 2>like stuff trying to try.

0:37:33.520 --> 0:37:35.920
<v Speaker 3>I just love it. Like Eric is now so confident.

0:37:36.040 --> 0:37:39.279
<v Speaker 2>Yes, it's like he's gonna once he's decided to do this.

0:37:39.360 --> 0:37:43.640
<v Speaker 3>He's just gonna go for it first. I love it, dude,

0:37:43.680 --> 0:37:44.359
<v Speaker 3>It's so good.

0:37:44.800 --> 0:37:46.359
<v Speaker 4>The woman admits it doesn't matter.

0:37:46.440 --> 0:37:49.080
<v Speaker 1>I chose you because of your hair, and the hair

0:37:49.120 --> 0:37:51.040
<v Speaker 1>obsession continues.

0:37:51.280 --> 0:37:53.719
<v Speaker 6>I just realized she was on Seinfeld and the guy

0:37:53.800 --> 0:37:56.160
<v Speaker 6>cal was on Seinfeld, and the b storyline is from

0:37:56.200 --> 0:37:57.120
<v Speaker 6>science from Seinfeld.

0:37:57.280 --> 0:37:58.600
<v Speaker 4>We are just trying to be Seinfeld.

0:37:58.680 --> 0:37:59.279
<v Speaker 3>Let's take a moment.

0:37:59.320 --> 0:38:01.200
<v Speaker 2>I want to take a moment to talk about this

0:38:01.200 --> 0:38:02.200
<v Speaker 2>this scene, because there's a.

0:38:02.200 --> 0:38:02.600
<v Speaker 3>Couple of things.

0:38:02.640 --> 0:38:05.560
<v Speaker 2>I was thinking, this is an opportunity, this is our

0:38:05.640 --> 0:38:12.360
<v Speaker 2>show representing a producer's a television show Office. So I

0:38:12.480 --> 0:38:15.160
<v Speaker 2>was like looking around the set and thinking like this

0:38:15.360 --> 0:38:17.719
<v Speaker 2>is how and it does doesn't it kind of look

0:38:17.880 --> 0:38:21.200
<v Speaker 2>like our writer's room. Yeah, like a little mess And

0:38:21.239 --> 0:38:23.480
<v Speaker 2>I was like, so I like freeze framed and went around.

0:38:23.480 --> 0:38:26.200
<v Speaker 2>This is like you know, it were similar to when

0:38:26.320 --> 0:38:28.000
<v Speaker 2>you know we had Tapanga's room. I was like, this

0:38:28.040 --> 0:38:31.399
<v Speaker 2>is an opportunity to see how our writers represent what

0:38:31.880 --> 0:38:33.960
<v Speaker 2>a writer's room looks like or what a producer's room

0:38:34.000 --> 0:38:36.920
<v Speaker 2>looks like. So okay, So you have like music posters,

0:38:36.960 --> 0:38:39.480
<v Speaker 2>like kind of hip, colorful music posters with like and

0:38:39.520 --> 0:38:42.400
<v Speaker 2>they're like tilted, so it's like, uh, stylish, but not

0:38:42.560 --> 0:38:46.000
<v Speaker 2>very tasteful. It's like very colorful and like messy. And

0:38:46.040 --> 0:38:48.160
<v Speaker 2>then you have like a stack of tapes like all

0:38:48.200 --> 0:38:51.400
<v Speaker 2>those VHS tapes as right, and then boxes.

0:38:51.560 --> 0:38:53.839
<v Speaker 3>One of the boxes actually says fox on it, which

0:38:53.880 --> 0:38:55.480
<v Speaker 3>is super interesting. Yeah.

0:38:55.560 --> 0:38:58.040
<v Speaker 2>And then you but boxes piled to the ceiling everywhere.

0:38:58.080 --> 0:39:00.720
<v Speaker 2>It's like chaos and like binders then is like randomly

0:39:00.760 --> 0:39:03.800
<v Speaker 2>a trophy on the desk, like a trophy for something

0:39:03.960 --> 0:39:07.880
<v Speaker 2>she plays. It was like this like messy, frazzled and

0:39:07.960 --> 0:39:11.560
<v Speaker 2>kind of overwhelmed space, right, And then I was like

0:39:11.800 --> 0:39:14.440
<v Speaker 2>if did you guys look at her, Like her vibe

0:39:14.520 --> 0:39:18.800
<v Speaker 2>is really kind of strange actually, because she's like wearing

0:39:18.840 --> 0:39:22.719
<v Speaker 2>an extremely short skirt, huh, leg up, leg up, and

0:39:22.840 --> 0:39:26.160
<v Speaker 2>knee high boots, Like I don't know what producers look like.

0:39:28.520 --> 0:39:30.720
<v Speaker 2>This is like our writer's fantasy of what an MTV

0:39:30.840 --> 0:39:31.520
<v Speaker 2>producer is like.

0:39:31.640 --> 0:39:34.760
<v Speaker 4>Correct, that's what I said, mob wife. It's a little

0:39:34.920 --> 0:39:37.680
<v Speaker 4>like she's sure my wife.

0:39:38.400 --> 0:39:41.680
<v Speaker 2>Doesn't that completely go against the actual joke of the story,

0:39:41.719 --> 0:39:44.719
<v Speaker 2>because wouldn't it be better if like he's lying to

0:39:45.080 --> 0:39:47.239
<v Speaker 2>like a much more sort of like the joke that

0:39:47.320 --> 0:39:49.239
<v Speaker 2>she's like, I only care about the hair would have

0:39:49.280 --> 0:39:52.040
<v Speaker 2>been funnier she was like more like an uptight button

0:39:52.080 --> 0:39:55.000
<v Speaker 2>nut producer who then reveals like I actually only care

0:39:55.000 --> 0:39:55.680
<v Speaker 2>about your hair.

0:39:55.560 --> 0:39:57.560
<v Speaker 3>You know what I mean, Like the second you see

0:39:57.560 --> 0:39:59.000
<v Speaker 3>this woman, you're like, she's not gonna care that he

0:39:59.040 --> 0:40:00.560
<v Speaker 3>went to Harvard, Like there's.

0:40:00.160 --> 0:40:02.560
<v Speaker 2>No actual pressure there. I don't know, I was kind

0:40:02.600 --> 0:40:04.440
<v Speaker 2>of but I just love this little window into like

0:40:04.480 --> 0:40:05.680
<v Speaker 2>what our writers.

0:40:05.280 --> 0:40:07.480
<v Speaker 3>Thought, like the MTV offices were like.

0:40:07.560 --> 0:40:12.040
<v Speaker 6>But it's also that's the thing is it's MTV visiting Philadelphia,

0:40:12.120 --> 0:40:14.400
<v Speaker 6>So why did you have an office that's been lived

0:40:14.400 --> 0:40:16.960
<v Speaker 6>in for a year and a half, right, so none

0:40:16.960 --> 0:40:19.759
<v Speaker 6>of it actually makes any sense, that's true, but it is.

0:40:19.800 --> 0:40:23.799
<v Speaker 6>It's the the and when you think about it, you

0:40:24.160 --> 0:40:24.640
<v Speaker 6>kind of.

0:40:24.600 --> 0:40:27.239
<v Speaker 4>Don't need the scene at all. Right, you could have

0:40:27.360 --> 0:40:29.440
<v Speaker 4>just right. It's fun it's very funny.

0:40:29.440 --> 0:40:32.200
<v Speaker 6>But he didn't cut just right to singled out and

0:40:32.239 --> 0:40:33.959
<v Speaker 6>you didn't need and Eric still lying.

0:40:33.960 --> 0:40:35.759
<v Speaker 3>You know he's lying. The audience knows he's lying. You

0:40:35.800 --> 0:40:36.960
<v Speaker 3>didn't need this scene at all.

0:40:37.040 --> 0:40:41.520
<v Speaker 6>It's one of my just there for it's it's so unnecessary,

0:40:41.680 --> 0:40:41.960
<v Speaker 6>but it was.

0:40:42.360 --> 0:40:45.080
<v Speaker 3>It was funny, Yeah, it was. It's just that little

0:40:45.120 --> 0:40:47.359
<v Speaker 3>singer of like, well is will gonna? Is Eric gonna

0:40:47.360 --> 0:40:49.520
<v Speaker 3>get away with this? And then you're just so confident.

0:40:49.280 --> 0:40:51.440
<v Speaker 6>And I love the end where yeah, at the end

0:40:51.480 --> 0:40:52.879
<v Speaker 6>of the scene, it's like I chose you for your hair.

0:40:52.920 --> 0:40:56.279
<v Speaker 6>I understand where we we we see each other, the

0:40:56.280 --> 0:40:57.799
<v Speaker 6>same page, same page, let's go.

0:40:57.880 --> 0:40:58.080
<v Speaker 3>Yeah.

0:40:58.160 --> 0:41:00.600
<v Speaker 2>Yeah, it's it's a commentary on like the super officiality

0:41:00.600 --> 0:41:02.919
<v Speaker 2>of television, which I know, Boymous World does a lot

0:41:03.040 --> 0:41:05.799
<v Speaker 2>like we make fun of ourselves and TV and how

0:41:05.840 --> 0:41:06.719
<v Speaker 2>superficial it is.

0:41:07.120 --> 0:41:11.040
<v Speaker 6>Yeah, well it's also it was it's specifically an episode

0:41:11.120 --> 0:41:14.239
<v Speaker 6>for college people. To meet other college people, and at

0:41:14.280 --> 0:41:15.799
<v Speaker 6>the end of the day, the producer doesn't care that

0:41:15.840 --> 0:41:17.560
<v Speaker 6>the guy they picked didn't go to come right, right,

0:41:17.600 --> 0:41:19.480
<v Speaker 6>So that's that's the commentary is it's just like.

0:41:19.520 --> 0:41:20.560
<v Speaker 3>Yeah, we don't care, we.

0:41:20.560 --> 0:41:21.480
<v Speaker 4>Don't really care about it.

0:41:21.680 --> 0:41:33.600
<v Speaker 5>Yeah.

0:41:33.680 --> 0:41:34.760
<v Speaker 4>So then we're in the hospital.

0:41:34.800 --> 0:41:38.000
<v Speaker 1>Alan is tucking Corey into bed pre tom selectomy. Alan

0:41:38.080 --> 0:41:40.320
<v Speaker 1>tries to sneak away, but Corey awakens.

0:41:39.920 --> 0:41:41.080
<v Speaker 4>Fatty, are you leaving?

0:41:41.640 --> 0:41:43.840
<v Speaker 1>Alan explains that visiting hours are over and if he

0:41:43.840 --> 0:41:45.719
<v Speaker 1>stays any longer, they're going to charge him forty five

0:41:45.760 --> 0:41:46.360
<v Speaker 1>hundred bucks.

0:41:46.640 --> 0:41:48.720
<v Speaker 4>Corey asks, everything's going to be okay? Huh.

0:41:48.920 --> 0:41:51.480
<v Speaker 1>Alan promises this is a routine procedure. He's going to

0:41:51.560 --> 0:41:54.200
<v Speaker 1>be fine. Corey asks, they won't slip and cut off

0:41:54.239 --> 0:41:56.719
<v Speaker 1>my head. Alan says, it's the best hospital with the

0:41:56.760 --> 0:41:58.960
<v Speaker 1>best doctors in the city. Do you think they just

0:41:59.040 --> 0:42:05.160
<v Speaker 1>let anybody in here to.

0:42:04.640 --> 0:42:06.560
<v Speaker 3>Funny enters?

0:42:06.640 --> 0:42:07.239
<v Speaker 4>Me too?

0:42:09.320 --> 0:42:12.279
<v Speaker 2>This is is this the beginning? I'm just trying to

0:42:12.280 --> 0:42:15.120
<v Speaker 2>think have we seen this kind of thing yet? Besides

0:42:15.960 --> 0:42:19.080
<v Speaker 2>Sean being in the girl's bathroom. I feel like this

0:42:19.120 --> 0:42:20.759
<v Speaker 2>is a trope that's going to run throughout the rest

0:42:20.760 --> 0:42:24.200
<v Speaker 2>of the series, which is this Sean sector Sean like

0:42:24.239 --> 0:42:27.000
<v Speaker 2>where he just like fits in anywhere and is like

0:42:27.040 --> 0:42:29.680
<v Speaker 2>suddenly a genius or expert in whatever.

0:42:30.200 --> 0:42:33.320
<v Speaker 4>Right, is this the first time he iss a vaunt

0:42:33.880 --> 0:42:38.120
<v Speaker 4>in in role play? Which is perfect? Now that we

0:42:38.200 --> 0:42:39.640
<v Speaker 4>know Chet the way we do.

0:42:40.000 --> 0:42:44.920
<v Speaker 1>I feel like this is exactly Sean's an expert in this.

0:42:45.040 --> 0:42:47.120
<v Speaker 4>Yes, Chet's son. He knows exactly what to do.

0:42:47.200 --> 0:42:49.919
<v Speaker 1>You you have full confidence and you tell people who

0:42:49.920 --> 0:42:51.759
<v Speaker 1>you are and they just get away.

0:42:52.000 --> 0:42:55.919
<v Speaker 3>The mechanics office, but that's only because your uncle runs

0:42:55.960 --> 0:42:59.480
<v Speaker 3>the mechanic shop, right, is kind of similar.

0:42:59.520 --> 0:43:01.279
<v Speaker 4>Right, it was like I was there and yeah, you

0:43:01.320 --> 0:43:03.120
<v Speaker 4>were into jumps that you knew. Suddenly you knew how

0:43:03.160 --> 0:43:05.520
<v Speaker 4>to do these used tools and fixed bikes.

0:43:05.520 --> 0:43:07.080
<v Speaker 6>And I don't know if that was the same joke

0:43:07.120 --> 0:43:09.480
<v Speaker 6>though it doesn't, but it's not done for a joke

0:43:09.560 --> 0:43:11.439
<v Speaker 6>that time. That's just like you're working at your uncle.

0:43:11.480 --> 0:43:13.200
<v Speaker 2>I feel like it was the girl's bathroom, like where

0:43:13.239 --> 0:43:15.080
<v Speaker 2>it's just like Sean just fits in and nobody's gonna

0:43:15.120 --> 0:43:17.200
<v Speaker 2>question it, and I We're gonna keep doing this.

0:43:17.320 --> 0:43:19.200
<v Speaker 3>You know where I can speak Dutch. I'm sudden, right,

0:43:20.000 --> 0:43:23.920
<v Speaker 3>and I it's so it's it's funny.

0:43:24.239 --> 0:43:28.279
<v Speaker 2>Well, it's it's funny because from Corey's perspective, it's it's

0:43:28.320 --> 0:43:30.920
<v Speaker 2>great because he's so stressed out. He's never comfortable, right Like,

0:43:31.360 --> 0:43:35.040
<v Speaker 2>Corey always is too nervous, and so to have Sean

0:43:35.080 --> 0:43:38.000
<v Speaker 2>his best friend, suddenly be like totally fine wherever he

0:43:38.120 --> 0:43:41.560
<v Speaker 2>is is hysterical. But it actually goes completely against Sean's

0:43:41.640 --> 0:43:43.839
<v Speaker 2>character in the set. I like what you're saying about Chad,

0:43:43.960 --> 0:43:46.480
<v Speaker 2>but the reality is Sean is a mess, right Like,

0:43:46.520 --> 0:43:49.920
<v Speaker 2>he's very insecure and he's like never comfortable in like

0:43:50.120 --> 0:43:52.880
<v Speaker 2>his life or he doesn't have like a stable family

0:43:52.960 --> 0:43:53.960
<v Speaker 2>or a stable business.

0:43:54.320 --> 0:43:54.919
<v Speaker 3>But it is fine.

0:43:55.000 --> 0:43:58.480
<v Speaker 2>Yeah, it's from Ory's perspective, it's just hysterical that Sean

0:43:58.600 --> 0:43:59.840
<v Speaker 2>like always is fine no matter what.

0:44:01.040 --> 0:44:03.879
<v Speaker 1>I love that Corey is such a rule follower and

0:44:03.920 --> 0:44:06.279
<v Speaker 1>Sean does not even acknowledge.

0:44:05.840 --> 0:44:09.560
<v Speaker 6>Rules that doesn't even exist yet. It's just we If

0:44:09.640 --> 0:44:12.640
<v Speaker 6>I want to be a doctor, I'm gonna be cake. Yeah,

0:44:13.160 --> 0:44:15.759
<v Speaker 6>I mean that's what it is. Here's what hit me

0:44:15.800 --> 0:44:19.799
<v Speaker 6>in this scene. Can you remember and it can't be

0:44:19.880 --> 0:44:21.840
<v Speaker 6>that far ago, that long ago, but I can't remember

0:44:21.920 --> 0:44:24.799
<v Speaker 6>where Corey was the a story entirely.

0:44:26.239 --> 0:44:28.000
<v Speaker 2>No, I mean that's I think season four has been

0:44:28.400 --> 0:44:29.719
<v Speaker 2>much more of an ensemble or.

0:44:29.840 --> 0:44:33.160
<v Speaker 4>Was it the Disney World episode?

0:44:33.400 --> 0:44:35.400
<v Speaker 1>Was that the last time where Corey's going to the

0:44:36.320 --> 0:44:37.720
<v Speaker 1>end of season three and I think.

0:44:38.920 --> 0:44:42.160
<v Speaker 3>And they've started season four and Corey's there, but it's

0:44:42.200 --> 0:44:48.080
<v Speaker 3>certainly not Corey. Yeah, storylines, that's yeah. Or Alan has

0:44:48.080 --> 0:44:51.760
<v Speaker 3>had his storyline I know with getting the Topanga has

0:44:51.800 --> 0:44:52.800
<v Speaker 3>with getting the haircut.

0:44:52.840 --> 0:44:56.520
<v Speaker 2>I mean it's a shallow boy like that driving so

0:44:56.520 --> 0:44:58.520
<v Speaker 2>many Sean. We've had the Shawn family episodes.

0:44:58.719 --> 0:45:01.160
<v Speaker 6>Yes, it's it's a it's and that's one of the

0:45:01.160 --> 0:45:03.040
<v Speaker 6>reasons why some of these episodes are jarring for me.

0:45:03.120 --> 0:45:05.279
<v Speaker 6>Is not just because and not in a bad way,

0:45:05.280 --> 0:45:07.640
<v Speaker 6>they're just it's becoming a different show.

0:45:07.840 --> 0:45:12.239
<v Speaker 3>Yeah, they just grow and they develop, and you have

0:45:12.280 --> 0:45:13.239
<v Speaker 3>different casts.

0:45:12.960 --> 0:45:15.440
<v Speaker 6>And you put people together and you try partnerships and

0:45:15.480 --> 0:45:17.319
<v Speaker 6>you do this and this is working and that's not working.

0:45:17.360 --> 0:45:20.040
<v Speaker 6>It's just it's interesting to see where now what seven

0:45:20.080 --> 0:45:22.799
<v Speaker 6>episodes into season four and it that we haven't done

0:45:22.800 --> 0:45:23.480
<v Speaker 6>a Kory episode.

0:45:23.560 --> 0:45:25.920
<v Speaker 3>Yeah at all. Well, I can't wait to see this.

0:45:25.920 --> 0:45:29.520
<v Speaker 2>This this this development of Sean like because we started

0:45:29.520 --> 0:45:32.000
<v Speaker 2>this season with him being the like sad puppy dog

0:45:32.080 --> 0:45:33.799
<v Speaker 2>being left by his parents. You know that sort of

0:45:33.840 --> 0:45:38.719
<v Speaker 2>vibe again. So now to have this purely like confident, effortless,

0:45:38.760 --> 0:45:43.360
<v Speaker 2>always comfortable, Sean is really it's fun I actually remember

0:45:43.400 --> 0:45:45.520
<v Speaker 2>kind of not getting it, Like I remember kind of

0:45:45.640 --> 0:45:47.279
<v Speaker 2>like not thinking it was that funny. But now I

0:45:47.320 --> 0:45:47.839
<v Speaker 2>watch it, like.

0:45:47.800 --> 0:45:49.440
<v Speaker 4>Oh, it's really funny.

0:45:50.120 --> 0:45:53.799
<v Speaker 3>You walking in the scrubs that alone, Karen and like

0:45:53.840 --> 0:45:55.799
<v Speaker 3>flipping and throwing on my shoulder. I'm like, what, it's

0:45:55.840 --> 0:45:57.040
<v Speaker 3>all so good? Yeah.

0:45:57.080 --> 0:45:59.960
<v Speaker 1>Sean enters, dressed in full scrub security around here suck.

0:46:00.400 --> 0:46:02.400
<v Speaker 1>Cory asks how he got in, and Shawn answers, we

0:46:02.440 --> 0:46:03.399
<v Speaker 1>got to get you out of here.

0:46:03.560 --> 0:46:06.040
<v Speaker 4>Sean yanks Corey's bed. Careful my intro.

0:46:07.200 --> 0:46:09.400
<v Speaker 1>Sean apologizes he'll take a look at that later, but

0:46:09.480 --> 0:46:12.720
<v Speaker 1>he needs to leave before Corey loses his whole body. Corey, concerned,

0:46:12.760 --> 0:46:15.960
<v Speaker 1>says he's starting to talk crazy again. Sean scoffs, crazy,

0:46:16.000 --> 0:46:19.480
<v Speaker 1>am I. He starts to read a newspaper dateline Orlando, Florida.

0:46:19.480 --> 0:46:21.280
<v Speaker 1>A fifteen year old boy was admitted to a local

0:46:21.280 --> 0:46:24.880
<v Speaker 1>hospital for a routine procedure today, mysteriously vanished from the

0:46:24.880 --> 0:46:28.400
<v Speaker 1>operating table. Corey says, I'm quite prone to nervousness. So

0:46:28.400 --> 0:46:30.839
<v Speaker 1>I would appreciate it if you didn't bring those idiotic

0:46:31.040 --> 0:46:32.640
<v Speaker 1>supermarket tabloids in here.

0:46:32.680 --> 0:46:35.200
<v Speaker 4>Okay, Sean, so funny.

0:46:35.880 --> 0:46:36.400
<v Speaker 3>I'm prone.

0:46:36.480 --> 0:46:39.720
<v Speaker 6>I'm gonna say that forever I knows.

0:46:40.160 --> 0:46:42.160
<v Speaker 3>I'm quite prone to nervousness. Can we not do this?

0:46:44.000 --> 0:46:46.640
<v Speaker 4>Sean smirks and tosses the paper. It's in the New

0:46:46.760 --> 0:46:50.880
<v Speaker 4>York Times. Baby Corey reads the New York Times Trailer

0:46:50.920 --> 0:46:53.759
<v Speaker 4>Park edition. Sean explains, it's exactly the same, except you.

0:46:53.680 --> 0:46:55.120
<v Speaker 3>Can eat it. It's a wit.

0:46:55.760 --> 0:47:00.759
<v Speaker 2>Oh my god, that is one of the most witty, gorgeous.

0:47:00.920 --> 0:47:03.759
<v Speaker 2>Oh my god, our writers are so good. It is

0:47:03.840 --> 0:47:06.320
<v Speaker 2>just a joke in a half man that's so gorgeous.

0:47:06.360 --> 0:47:08.399
<v Speaker 3>I mean, the way it builds, it's so.

0:47:08.480 --> 0:47:11.759
<v Speaker 4>Good, the whole thing, Oh.

0:47:11.000 --> 0:47:14.240
<v Speaker 6>The whole banter back and forth. This scene is perfect

0:47:14.320 --> 0:47:16.360
<v Speaker 6>op not comedy writing.

0:47:16.560 --> 0:47:19.759
<v Speaker 1>So Steve Hibbert comes from He's an improv guy, so

0:47:20.520 --> 0:47:22.400
<v Speaker 1>you know he comes from the ground lane, just building

0:47:23.160 --> 0:47:26.200
<v Speaker 1>that joke, building the fact that he probably has one

0:47:26.239 --> 0:47:28.480
<v Speaker 1>hundred of those in his pocket at all times.

0:47:28.840 --> 0:47:30.080
<v Speaker 5>Yeah. Uh.

0:47:30.160 --> 0:47:32.399
<v Speaker 1>Then over the PA we hear a woman doctor hunter.

0:47:32.480 --> 0:47:35.440
<v Speaker 1>You're wanted in delivery. Sean says, well, this hospital doesn't

0:47:35.440 --> 0:47:38.280
<v Speaker 1>seem to think so Corey believes it's another it's another

0:47:38.400 --> 0:47:41.440
<v Speaker 1>doctor hunter. Sean says, I'm going to delivery. I tell you,

0:47:41.520 --> 0:47:44.840
<v Speaker 1>core no matter how many you do, it's a miracle.

0:47:47.160 --> 0:47:50.239
<v Speaker 3>In Sean's head, he has delivered hundred.

0:47:51.880 --> 0:47:56.200
<v Speaker 4>What I just what a beautiful little scene.

0:47:56.520 --> 0:48:00.319
<v Speaker 1>I just love it so much, so great, believe, but

0:48:00.360 --> 0:48:00.759
<v Speaker 1>I love it.

0:48:01.520 --> 0:48:03.960
<v Speaker 4>None of this makes any sense to anything. It matters

0:48:04.000 --> 0:48:04.480
<v Speaker 4>not at all.

0:48:04.560 --> 0:48:06.239
<v Speaker 3>And it's great. Yeah, so good.

0:48:07.320 --> 0:48:10.280
<v Speaker 4>Uh and then we are on the Singled Out set.

0:48:10.600 --> 0:48:10.880
<v Speaker 2>Uh?

0:48:11.440 --> 0:48:15.360
<v Speaker 4>So, will I need to know about this day of recording?

0:48:15.520 --> 0:48:16.480
<v Speaker 3>Where were you?

0:48:17.120 --> 0:48:20.040
<v Speaker 4>Somebody that remembers it must have been?

0:48:20.080 --> 0:48:22.360
<v Speaker 2>Where was MTV filming? Like somewhere in LA like a

0:48:22.360 --> 0:48:24.200
<v Speaker 2>different embtage, a different studio.

0:48:23.920 --> 0:48:24.440
<v Speaker 3>Any of this.

0:48:24.719 --> 0:48:27.040
<v Speaker 6>I mean, I remember the idea that I was on

0:48:27.120 --> 0:48:28.879
<v Speaker 6>Singled Out, but I don't remember where we went.

0:48:29.160 --> 0:48:33.439
<v Speaker 4>Do you remember Jason Marsden being there? Yes? And I thought,

0:48:33.520 --> 0:48:36.040
<v Speaker 4>because from a photo there's once.

0:48:35.800 --> 0:48:40.080
<v Speaker 1>There's a photo Chris Hardwick posted years ago you and

0:48:40.200 --> 0:48:42.280
<v Speaker 1>Jason Marriston together with.

0:48:42.200 --> 0:48:44.759
<v Speaker 3>Him sense Jay just came as your friend, Like yeah,

0:48:45.320 --> 0:48:48.760
<v Speaker 3>and I guess And because of that photo, I said

0:48:48.800 --> 0:48:52.440
<v Speaker 3>to Susan, Oh, I think Jason.

0:48:52.120 --> 0:48:54.120
<v Speaker 6>Might actually be in this episode. Maybe this is the

0:48:54.200 --> 0:48:57.120
<v Speaker 6>last episode Jay ever did. And then in my head

0:48:57.160 --> 0:48:59.719
<v Speaker 6>it was like, oh, did Jason get Eric on the

0:48:59.760 --> 0:49:03.399
<v Speaker 6>sing I didn't remember any of that. I singled out

0:49:03.840 --> 0:49:07.600
<v Speaker 6>easton super Fans has Singled Out filmed at Empire in Burbank.

0:49:08.400 --> 0:49:10.680
<v Speaker 3>Empire Burbank Studios. Okay, yeah, I remember. I don't know

0:49:10.680 --> 0:49:11.279
<v Speaker 3>what any of.

0:49:11.160 --> 0:49:12.480
<v Speaker 6>This at all. So yeah, so Jay must have just

0:49:12.480 --> 0:49:14.960
<v Speaker 6>come and visited for the day. So yeah, so you

0:49:15.000 --> 0:49:18.120
<v Speaker 6>don't remember the Yes, I remember hanging out with Chris,

0:49:18.239 --> 0:49:19.279
<v Speaker 6>who was very cool.

0:49:19.840 --> 0:49:22.839
<v Speaker 3>Ye you know, I remember him talking.

0:49:22.480 --> 0:49:25.560
<v Speaker 6>About the the two of us, talking about not really

0:49:25.560 --> 0:49:28.160
<v Speaker 6>getting the jokes of us looking so similar.

0:49:28.480 --> 0:49:32.040
<v Speaker 4>Was he improving any of this? His performance feels very improved.

0:49:33.040 --> 0:49:35.560
<v Speaker 6>I think some of the lines were written because obviously

0:49:35.640 --> 0:49:37.399
<v Speaker 6>it had to tee me up for stuff and some

0:49:37.440 --> 0:49:39.800
<v Speaker 6>of the but I think some of it was probably improved.

0:49:39.880 --> 0:49:42.080
<v Speaker 2>Yeah, But I think it's also just pretty straightforward hosting,

0:49:42.120 --> 0:49:43.239
<v Speaker 2>like that's just what he did, right.

0:49:43.280 --> 0:49:44.600
<v Speaker 3>He didn't have lines when he was host.

0:49:44.640 --> 0:49:46.279
<v Speaker 1>He was just well, that's what I'm saying is that,

0:49:46.360 --> 0:49:49.160
<v Speaker 1>you know, was even you know, as a singled out host.

0:49:49.200 --> 0:49:51.239
<v Speaker 1>I could see how so was he doing the same thing?

0:49:51.280 --> 0:49:52.839
<v Speaker 1>Did he did he improve at all?

0:49:52.880 --> 0:49:54.239
<v Speaker 4>I don't know. I thought it was so well. I'll

0:49:54.239 --> 0:49:55.000
<v Speaker 4>ask somebody who.

0:49:56.920 --> 0:49:58.000
<v Speaker 3>Seriously you might remember.

0:49:58.000 --> 0:50:01.120
<v Speaker 2>Actually, it's funny that you say, you know that you

0:50:01.160 --> 0:50:02.800
<v Speaker 2>didn't think you guys look that much alike, because the

0:50:02.800 --> 0:50:05.759
<v Speaker 2>second he was on screen, because I didn't remember Chris

0:50:05.800 --> 0:50:06.839
<v Speaker 2>Hardwick as, I was like.

0:50:06.800 --> 0:50:10.200
<v Speaker 3>Wow, he really does. Oh you think, well, you guys are.

0:50:10.120 --> 0:50:12.840
<v Speaker 2>Just the same type. It's a white guy with that haircut,

0:50:12.880 --> 0:50:13.960
<v Speaker 2>do you know what I mean? I was like, good

0:50:13.960 --> 0:50:16.360
<v Speaker 2>looking white guy with that haircut. I was like, oh wow,

0:50:16.760 --> 0:50:19.399
<v Speaker 2>and wearing the sweater or too, like he's dressed like Eric.

0:50:19.600 --> 0:50:21.640
<v Speaker 2>I was like, oh, And I wonder how much of

0:50:21.680 --> 0:50:25.360
<v Speaker 2>this just came from you know, Michael or somebody flipping

0:50:25.360 --> 0:50:26.799
<v Speaker 2>through the channels one night and being like that guy

0:50:26.800 --> 0:50:28.080
<v Speaker 2>looks like will I wonder if we could do an

0:50:28.080 --> 0:50:30.160
<v Speaker 2>episode of Boy Means World where we gave him together,

0:50:30.440 --> 0:50:32.640
<v Speaker 2>because it is funny. I was like, Oh, they're totally

0:50:32.920 --> 0:50:33.920
<v Speaker 2>of a type, you know.

0:50:34.480 --> 0:50:35.480
<v Speaker 4>Yeah.

0:50:35.520 --> 0:50:37.760
<v Speaker 1>So there are a crowd of college girls and boys

0:50:37.840 --> 0:50:40.719
<v Speaker 1>cheering on the stage. Welcome to our special college edition

0:50:40.760 --> 0:50:43.200
<v Speaker 1>of Singled Out, and once again, our professor of love

0:50:43.239 --> 0:50:44.840
<v Speaker 1>Ology Chris Hardwick.

0:50:45.880 --> 0:50:48.200
<v Speaker 4>There's so many background actors.

0:50:48.680 --> 0:50:50.200
<v Speaker 3>Yeah, so many.

0:50:50.440 --> 0:50:53.040
<v Speaker 1>Chris walks on stage and introduces the episode's big man

0:50:53.120 --> 0:50:55.080
<v Speaker 1>on campus who will be winning a date with one

0:50:55.120 --> 0:50:57.200
<v Speaker 1>of the fifty co eds selected for him.

0:50:57.280 --> 0:50:59.759
<v Speaker 4>Let's meet him, mister Eric Matthews.

0:51:00.719 --> 0:51:03.239
<v Speaker 6>You wonder if I'm sorry, because now I'm thinking about

0:51:03.239 --> 0:51:06.560
<v Speaker 6>all the extras. You wonder if Singled Out was one

0:51:06.600 --> 0:51:08.959
<v Speaker 6>of those shows and they do this with game shows

0:51:08.960 --> 0:51:11.160
<v Speaker 6>all the time, where they'll shoot ten episodes in a day.

0:51:11.920 --> 0:51:14.120
<v Speaker 3>They did, so maybe they just fit us in.

0:51:14.239 --> 0:51:18.080
<v Speaker 6>So those might be have been actual contestants for Singled Out,

0:51:18.440 --> 0:51:20.600
<v Speaker 6>and then we just filled one of the slots of Hey,

0:51:20.600 --> 0:51:22.440
<v Speaker 6>we're going to shoot a fake episode in between the

0:51:22.520 --> 0:51:23.560
<v Speaker 6>five real ones you're.

0:51:23.400 --> 0:51:24.000
<v Speaker 3>Going to do.

0:51:24.120 --> 0:51:26.360
<v Speaker 2>We would have to paid that, We would have to

0:51:26.400 --> 0:51:29.400
<v Speaker 2>have had paid them as extras too, So it's really

0:51:29.440 --> 0:51:31.360
<v Speaker 2>like it's a big episode for us. You know, this

0:51:31.400 --> 0:51:33.719
<v Speaker 2>would have been very hectic and stressful, and like, I

0:51:33.760 --> 0:51:35.920
<v Speaker 2>wonder how much of our crew would have gone over.

0:51:35.800 --> 0:51:39.319
<v Speaker 3>That's my question is with the Singled Out cameras and

0:51:39.440 --> 0:51:40.919
<v Speaker 3>all that kind of stuff. I don't know either.

0:51:41.000 --> 0:51:42.640
<v Speaker 2>I don't know how it's I would love to ask

0:51:42.719 --> 0:51:46.040
<v Speaker 2>Jeff McCracken because he'd probably remember like how they managed it.

0:51:46.280 --> 0:51:49.040
<v Speaker 1>Did you guys notice later when there's a shot of

0:51:49.080 --> 0:51:51.160
<v Speaker 1>a camera in the frame, No.

0:51:51.080 --> 0:51:53.480
<v Speaker 3>Yeah, you see the jib arm. Is that what happened? No?

0:51:53.560 --> 0:51:55.000
<v Speaker 1>I think what it is is you see one of

0:51:55.040 --> 0:51:57.480
<v Speaker 1>our four cameras the jib see.

0:51:58.400 --> 0:52:03.040
<v Speaker 4>One of our So we brought recruit over correct?

0:52:03.320 --> 0:52:04.120
<v Speaker 3>That so interesting?

0:52:04.160 --> 0:52:04.440
<v Speaker 5>Wow?

0:52:04.520 --> 0:52:06.839
<v Speaker 1>Yeah, I know I wish, uh, I wish we had

0:52:06.840 --> 0:52:08.520
<v Speaker 1>the answers to this, but we just don't.

0:52:08.520 --> 0:52:11.080
<v Speaker 4>We'll ask Steve Hibbert when they bring.

0:52:10.920 --> 0:52:13.879
<v Speaker 3>Him, and then McCracken would be a good person too. Yes, yeah,

0:52:14.239 --> 0:52:14.480
<v Speaker 3>so too.

0:52:15.360 --> 0:52:18.800
<v Speaker 1>So two men dressed like Cupid bring a very excited

0:52:18.920 --> 0:52:21.879
<v Speaker 1>and masked Eric out to a chair facing away from

0:52:21.880 --> 0:52:23.840
<v Speaker 1>his potential suitors so nobody can see.

0:52:23.760 --> 0:52:25.680
<v Speaker 3>Him with the mask. Is this something they did on

0:52:25.719 --> 0:52:26.040
<v Speaker 3>the show?

0:52:26.120 --> 0:52:26.680
<v Speaker 4>I think so that.

0:52:28.520 --> 0:52:29.640
<v Speaker 3>Yeah, you're not supposed to see anything.

0:52:29.680 --> 0:52:30.560
<v Speaker 4>They were blindfolded.

0:52:30.600 --> 0:52:33.200
<v Speaker 1>I think on Singled Out they wore a blindfold out

0:52:33.239 --> 0:52:35.080
<v Speaker 1>past the people until they go behind the wall.

0:52:35.200 --> 0:52:37.040
<v Speaker 3>Sit them behind the wall so they can't actually with

0:52:37.040 --> 0:52:37.600
<v Speaker 3>their back turns.

0:52:37.600 --> 0:52:39.080
<v Speaker 2>So why aren't you wearing a blindfold? Why are you

0:52:39.080 --> 0:52:40.439
<v Speaker 2>wearing like this fan or the opera mask?

0:52:40.480 --> 0:52:42.120
<v Speaker 3>I don't get it. Well, I think it's it's I

0:52:42.160 --> 0:52:44.520
<v Speaker 3>think it's a it's blacked out, like my eyes were

0:52:44.520 --> 0:52:45.680
<v Speaker 3>blacked out. So they put on a mask.

0:52:45.880 --> 0:52:48.160
<v Speaker 1>It's still supposed to be that he can't see but

0:52:48.239 --> 0:52:49.640
<v Speaker 1>I don't know why they didn't use.

0:52:49.960 --> 0:52:52.880
<v Speaker 3>That they can't see you. It's that you can't see that, right.

0:52:53.320 --> 0:52:55.880
<v Speaker 1>Right, But it also in this case works that the

0:52:56.080 --> 0:53:00.680
<v Speaker 1>contestants can't really see him. So this feels like a

0:53:00.680 --> 0:53:02.560
<v Speaker 1>weird sticking point for the episode.

0:53:02.560 --> 0:53:04.880
<v Speaker 3>I don't know.

0:53:04.920 --> 0:53:06.760
<v Speaker 2>It was like suddenly it was like eyes wide shut,

0:53:06.840 --> 0:53:11.359
<v Speaker 2>kind of masks, like sex is this college thing?

0:53:11.480 --> 0:53:14.839
<v Speaker 3>Like what is happening? Somebody gonna beat up Eric? Come

0:53:14.880 --> 0:53:21.279
<v Speaker 3>and beat out Eric. Let's bring out the game. Yeah.

0:53:21.320 --> 0:53:23.879
<v Speaker 1>So Chris has Eric take his mask off and he says,

0:53:23.920 --> 0:53:25.399
<v Speaker 1>I'm not trying to be funny or anything, but you're

0:53:25.400 --> 0:53:28.439
<v Speaker 1>a very attractive man. Eric tells him it's like looking

0:53:28.480 --> 0:53:30.279
<v Speaker 1>in a mirror. Chris response, I don't think.

0:53:30.280 --> 0:53:33.960
<v Speaker 6>So he added that because both of us weren't didn't

0:53:33.960 --> 0:53:34.680
<v Speaker 6>get the mirror thing.

0:53:34.719 --> 0:53:37.000
<v Speaker 3>So he was like, yeah, no, it's not Yeah, and

0:53:37.040 --> 0:53:37.720
<v Speaker 3>you know I didn't.

0:53:37.880 --> 0:53:40.280
<v Speaker 2>You brought up the improvise. Improvise that's fine. I forget

0:53:40.480 --> 0:53:42.680
<v Speaker 2>when the end of the next scene, or maybe the

0:53:42.800 --> 0:53:44.160
<v Speaker 2>end of this scene, I felt like you two were

0:53:44.160 --> 0:53:46.680
<v Speaker 2>improvising with each other. You're like, I didn't say that,

0:53:46.719 --> 0:53:49.160
<v Speaker 2>I said the naughty didn't and he's like responding though it.

0:53:49.200 --> 0:53:50.719
<v Speaker 4>Was to exactly just.

0:53:52.400 --> 0:53:54.600
<v Speaker 1>And I do think there was a lot of fun

0:53:55.080 --> 0:53:59.919
<v Speaker 1>sprinkled in you guys just riffing with each other on sprinkles. Yeah,

0:54:00.080 --> 0:54:02.279
<v Speaker 1>love an improv sprinkle Who doesn't love that? It's an

0:54:02.280 --> 0:54:03.000
<v Speaker 1>improv jimmy.

0:54:03.120 --> 0:54:05.040
<v Speaker 6>And I was gonna say an improv jimmy or an

0:54:05.040 --> 0:54:06.480
<v Speaker 6>improv shot, depending on where you are.

0:54:07.800 --> 0:54:09.680
<v Speaker 1>Eric, would you like to tell the girls a little

0:54:09.680 --> 0:54:11.960
<v Speaker 1>bit about the big Harvard man that you are?

0:54:12.120 --> 0:54:13.560
<v Speaker 4>Chris hypes up the crowd.

0:54:13.560 --> 0:54:17.600
<v Speaker 1>Harvard University ladies and gentlemen. Eric nervously begs, why don't

0:54:17.600 --> 0:54:20.320
<v Speaker 1>we just play the game? Chris announces he's modest. Two girls,

0:54:20.320 --> 0:54:23.520
<v Speaker 1>what a catch. He currently maintains a GPA of seven

0:54:23.600 --> 0:54:27.960
<v Speaker 1>point zero. Yeah, why couldn't they have just kept it

0:54:28.280 --> 0:54:30.400
<v Speaker 1>a four point zero? Is this a nod to the

0:54:30.440 --> 0:54:32.040
<v Speaker 1>fact that Eric is the one who told them that

0:54:32.080 --> 0:54:34.160
<v Speaker 1>and he just doesn't understand how.

0:54:34.040 --> 0:54:35.960
<v Speaker 3>Yes, okayting, so okay.

0:54:35.960 --> 0:54:38.080
<v Speaker 1>The girls all cheer for his GPA. As Eric is

0:54:38.080 --> 0:54:39.640
<v Speaker 1>still nervous. Do we have to talk about this on

0:54:39.680 --> 0:54:41.640
<v Speaker 1>the air, Chris tells him they don't, and they won't.

0:54:41.680 --> 0:54:43.800
<v Speaker 1>He walks over to the board and explains the categories

0:54:43.840 --> 0:54:47.920
<v Speaker 1>first date, brains, hygiene, experience, height, and h He asks

0:54:48.040 --> 0:54:50.959
<v Speaker 1>Eric's Eric where he'd like to start first date. Chris

0:54:50.960 --> 0:54:53.440
<v Speaker 1>reveals two options. Have you been naughty or have you

0:54:53.520 --> 0:54:56.640
<v Speaker 1>been nice? Eric slily answers, I know my mom would

0:54:56.680 --> 0:54:59.640
<v Speaker 1>want me to send away the naughty girls, but Chris interrupts.

0:54:59.280 --> 0:55:01.239
<v Speaker 4>Him, all right, have you been naughty? Get out?

0:55:01.760 --> 0:55:05.160
<v Speaker 1>Eric kills no as a bunch of cute naughty girls

0:55:05.160 --> 0:55:07.360
<v Speaker 1>walk past him. Not a leather jacket in the bunch.

0:55:07.600 --> 0:55:09.320
<v Speaker 3>No, not fast girls.

0:55:09.480 --> 0:55:13.439
<v Speaker 4>No, not naughty girls. That's different. That's different. And then

0:55:13.719 --> 0:55:16.120
<v Speaker 4>Eric yells, my mom's not here. You can be naughty.

0:55:16.160 --> 0:55:19.280
<v Speaker 4>I want to be naughty with you. It's kind of creepy.

0:55:19.640 --> 0:55:23.280
<v Speaker 4>It was kind of creepy, funny. I love it.

0:55:23.040 --> 0:55:24.040
<v Speaker 3>It's funny it is.

0:55:24.520 --> 0:55:27.480
<v Speaker 1>Eric keeps yelling as a herd of hotties walks by.

0:55:27.640 --> 0:55:29.359
<v Speaker 1>One girl even goes up to him and kisses him

0:55:29.360 --> 0:55:32.399
<v Speaker 1>on the cheek. Chris admits, you're a strong man, sacrificing

0:55:32.440 --> 0:55:35.040
<v Speaker 1>all that just to make mom proud. He says, Eric's

0:55:35.040 --> 0:55:35.840
<v Speaker 1>the type of guy.

0:55:35.680 --> 0:55:39.200
<v Speaker 4>Every girl wants. Will Did you meet any girls here

0:55:39.239 --> 0:55:39.640
<v Speaker 4>this day?

0:55:40.560 --> 0:55:45.160
<v Speaker 3>I don't remember. I don't remember.

0:55:45.520 --> 0:55:49.680
<v Speaker 4>I think what year was this, ninety I don't know.

0:55:50.800 --> 0:55:51.960
<v Speaker 3>Ninety six.

0:55:52.040 --> 0:55:54.400
<v Speaker 1>We still and originally aired November first, ninety six, so

0:55:54.440 --> 0:55:55.200
<v Speaker 1>it's ninety six.

0:55:55.440 --> 0:55:59.120
<v Speaker 3>Okay, I don't know if I'm dating Love yet, right, Yeah,

0:55:59.160 --> 0:56:01.359
<v Speaker 3>you would have done Trojan War, so you were dating

0:56:01.400 --> 0:56:01.719
<v Speaker 3>had I?

0:56:01.800 --> 0:56:02.000
<v Speaker 2>Yeah?

0:56:02.000 --> 0:56:03.040
<v Speaker 3>Okay, then I get because you're.

0:56:02.920 --> 0:56:05.600
<v Speaker 4>Talking, so you were blind you you were blinded by

0:56:05.640 --> 0:56:06.680
<v Speaker 4>love and.

0:56:06.680 --> 0:56:10.480
<v Speaker 3>Love and love yeah, yeah, but yes, I don't if

0:56:10.520 --> 0:56:12.960
<v Speaker 3>we were dating then normally I can tell by the

0:56:13.000 --> 0:56:15.920
<v Speaker 3>necklace I'm wearing, because of course you're young actors. So

0:56:15.960 --> 0:56:17.920
<v Speaker 3>both Love and I wore the same necklace on our shows.

0:56:17.920 --> 0:56:20.120
<v Speaker 4>We thought it was hit each other's blood in it

0:56:20.200 --> 0:56:22.520
<v Speaker 4>or something. No, it wasn't even worse than that. It

0:56:22.600 --> 0:56:24.680
<v Speaker 4>was seriously worse than It looks like a little little

0:56:24.680 --> 0:56:25.320
<v Speaker 4>mini heads.

0:56:26.640 --> 0:56:27.000
<v Speaker 3>It does.

0:56:27.040 --> 0:56:28.880
<v Speaker 6>It looks like a tiny little coke. It's it's a

0:56:28.880 --> 0:56:30.840
<v Speaker 6>little heart, but it looks like a little koke spoon.

0:56:30.880 --> 0:56:32.040
<v Speaker 6>Every time I look at it now, it's like I'm

0:56:32.040 --> 0:56:34.080
<v Speaker 6>wearing a little you're wearing Envoy World.

0:56:34.200 --> 0:56:36.279
<v Speaker 3>Yeah for a year or two something.

0:56:36.360 --> 0:56:38.239
<v Speaker 4>Why did you wear spoon necklaces?

0:56:38.360 --> 0:56:40.800
<v Speaker 3>I have no she said, you're wearing little spoon.

0:56:41.000 --> 0:56:42.319
<v Speaker 4>Have you ever heard of a white Why were you

0:56:42.320 --> 0:56:43.480
<v Speaker 4>the little spoon? Much better?

0:56:44.280 --> 0:56:46.000
<v Speaker 3>Just wear a full white rose around my neck and

0:56:46.120 --> 0:56:50.680
<v Speaker 3>where we go? I think it'd be great answer your question.

0:56:50.719 --> 0:56:53.000
<v Speaker 3>I don't know if I shows like this exist anymore,

0:56:53.040 --> 0:56:54.920
<v Speaker 3>like singled Out? Remember Studs?

0:56:55.239 --> 0:56:58.520
<v Speaker 2>There were always like these dating shows where if you're like.

0:56:58.680 --> 0:57:02.600
<v Speaker 1>Yeah, yeah, now it's like ninety dight Fiance Bachelor.

0:57:03.120 --> 0:57:06.640
<v Speaker 3>Yeah. No, wonder the Internet.

0:57:06.320 --> 0:57:09.160
<v Speaker 2>Dating mind filled these kinds of shows, right, like the

0:57:09.239 --> 0:57:11.520
<v Speaker 2>idea of like getting a bunch of hotties together and

0:57:11.560 --> 0:57:15.200
<v Speaker 2>like asking them questions like zero people like you just

0:57:15.280 --> 0:57:15.600
<v Speaker 2>do this.

0:57:15.600 --> 0:57:18.160
<v Speaker 3>On the internet every like everybody just does this on apps?

0:57:18.160 --> 0:57:25.320
<v Speaker 4>Well no, now, eliminate no, eliminate fifth Wheel. There were

0:57:25.360 --> 0:57:25.800
<v Speaker 4>so many.

0:57:25.960 --> 0:57:28.360
<v Speaker 3>I feel like you're making these up. No, no, But

0:57:28.360 --> 0:57:29.760
<v Speaker 3>do you guys remember Studs?

0:57:30.560 --> 0:57:32.280
<v Speaker 4>Kind of? I remember the name.

0:57:32.640 --> 0:57:34.720
<v Speaker 3>I remember watching that, Like, I feel like I learned

0:57:34.760 --> 0:57:37.200
<v Speaker 3>a lot about dating when I was like eleven by

0:57:37.200 --> 0:57:38.880
<v Speaker 3>watching Studs.

0:57:39.000 --> 0:57:41.600
<v Speaker 1>Where you got the white rose, that's where you were

0:57:41.600 --> 0:57:43.040
<v Speaker 1>the original Bachelor you were.

0:57:43.360 --> 0:57:44.560
<v Speaker 3>I gotta look that up. Now.

0:57:44.560 --> 0:57:46.720
<v Speaker 6>It's like, here, you're gonna you're gonna marry a girl

0:57:46.760 --> 0:57:48.480
<v Speaker 6>you haven't met yet and you've known each other.

0:57:50.520 --> 0:57:52.200
<v Speaker 3>Ye ridiculous.

0:57:52.360 --> 0:57:56.040
<v Speaker 1>Yeah, So Chris asks where they're going to go to next,

0:57:56.080 --> 0:57:58.400
<v Speaker 1>and Eric answers, I want to go with the naughty girls,

0:57:58.560 --> 0:58:01.320
<v Speaker 1>but he ends up picking brains his next category. The

0:58:01.360 --> 0:58:05.520
<v Speaker 1>options are Einstein or beer Stein. Eric tells him he's

0:58:05.560 --> 0:58:07.800
<v Speaker 1>not gonna get fooled this time, so he knows if

0:58:07.840 --> 0:58:10.160
<v Speaker 1>he says beer Stein first, whoops.

0:58:10.400 --> 0:58:13.120
<v Speaker 4>Wris yells beer Stein, get out.

0:58:13.480 --> 0:58:17.640
<v Speaker 1>Eric screams no again, and a plethora of alcoholic girls

0:58:17.680 --> 0:58:20.480
<v Speaker 1>exit as he begs them to stay. He saves a

0:58:20.520 --> 0:58:22.840
<v Speaker 1>girl with a golden ticket and that gets her to

0:58:22.880 --> 0:58:23.560
<v Speaker 1>the next round.

0:58:23.600 --> 0:58:29.000
<v Speaker 4>And explained just just you have a thing all of

0:58:29.000 --> 0:58:30.880
<v Speaker 4>a sudden, and where did it come from? And we

0:58:30.920 --> 0:58:32.920
<v Speaker 4>didn't get it and then you think, did you just

0:58:32.960 --> 0:58:34.600
<v Speaker 4>slip one of the extras something.

0:58:34.800 --> 0:58:37.520
<v Speaker 1>It was like siler Fan Easton will know this, of course,

0:58:37.600 --> 0:58:40.400
<v Speaker 1>because that's that was a famous thing from singled Out.

0:58:40.560 --> 0:58:43.040
<v Speaker 1>So it was just like, we're not going to explain

0:58:43.120 --> 0:58:45.040
<v Speaker 1>it on Boy Meets World. We're just going to assume,

0:58:45.080 --> 0:58:46.640
<v Speaker 1>you know, singled out and then you.

0:58:46.560 --> 0:58:48.960
<v Speaker 2>Guys noticed that, like all the girls leave for the

0:58:49.080 --> 0:58:51.480
<v Speaker 2>naughty list, and then it cuts to them cheering and

0:58:51.520 --> 0:58:52.160
<v Speaker 2>they're all back.

0:58:52.520 --> 0:58:54.520
<v Speaker 6>Did you guys notice that we I noticed that they

0:58:54.760 --> 0:58:58.880
<v Speaker 6>obviously doubled up on the I think they them.

0:58:57.920 --> 0:58:58.840
<v Speaker 3>Cheering right before this.

0:58:58.920 --> 0:59:00.840
<v Speaker 2>Next question was like, but those girls who just like

0:59:01.080 --> 0:59:03.800
<v Speaker 2>you could recognize their outfits, Like right, they're right there,

0:59:03.840 --> 0:59:04.360
<v Speaker 2>they didn't leave.

0:59:04.400 --> 0:59:05.560
<v Speaker 4>Well, no, but that's what you didn't.

0:59:05.600 --> 0:59:07.880
<v Speaker 6>This was the Twin day, so this was the naughty

0:59:07.920 --> 0:59:10.200
<v Speaker 6>and nice. So the naughty twin left and the nice

0:59:10.240 --> 0:59:10.880
<v Speaker 6>twin was there.

0:59:11.040 --> 0:59:13.320
<v Speaker 1>Well, what I really think happened is that they did

0:59:13.360 --> 0:59:15.520
<v Speaker 1>those pickups at the end of the day, all right,

0:59:15.640 --> 0:59:17.880
<v Speaker 1>the crowd of people, and then in editing when they

0:59:17.880 --> 0:59:19.720
<v Speaker 1>were like, now we'll cut back to this, they used

0:59:19.720 --> 0:59:21.760
<v Speaker 1>a shot they didn't when they were doing it, say

0:59:21.800 --> 0:59:23.040
<v Speaker 1>take fifty percent of you away.

0:59:23.240 --> 0:59:26.800
<v Speaker 3>Yep. So, like my twin explanation better.

0:59:26.680 --> 0:59:28.760
<v Speaker 1>I know yours is really good. It's a soap opera there,

0:59:28.840 --> 0:59:29.440
<v Speaker 1>it's twins.

0:59:29.480 --> 0:59:31.640
<v Speaker 3>Okay. When I was amnesia, forget it.

0:59:31.760 --> 0:59:34.280
<v Speaker 1>Eric's still pleading when Chris grabs his head forget about them.

0:59:34.360 --> 0:59:37.760
<v Speaker 1>We've narrowed it down to our last five brainy, chaste girls.

0:59:38.280 --> 0:59:41.160
<v Speaker 1>Eric asks, it's bad, isn't it. Chris assures them they're

0:59:41.200 --> 0:59:44.640
<v Speaker 1>exactly the girls he wanted. Sweet, sensitive, intelligent and fully clothed.

0:59:44.840 --> 0:59:46.400
<v Speaker 1>We'll see how bad it is for Eric when we

0:59:46.440 --> 0:59:48.880
<v Speaker 1>come back. The camera zooms in on the remaining ladies

0:59:48.880 --> 0:59:50.840
<v Speaker 1>that are left as they go to break and this

0:59:51.000 --> 0:59:51.880
<v Speaker 1>is a long.

0:59:53.120 --> 0:59:57.680
<v Speaker 7>Really same thing. We just had time to kill like

0:59:58.240 --> 1:00:02.000
<v Speaker 7>we didn't. This is what they did on MTV shows.

1:00:02.080 --> 1:00:04.280
<v Speaker 7>They played the played the outro for.

1:00:04.240 --> 1:00:06.440
<v Speaker 1>A long time and you got to see people dancing

1:00:06.480 --> 1:00:09.640
<v Speaker 1>and it's just like, no, you will doing that dance

1:00:09.640 --> 1:00:12.080
<v Speaker 1>where he looks like he's stirring a very large soup.

1:00:12.360 --> 1:00:15.680
<v Speaker 3>It's I was kicking it right there, kicking but it was.

1:00:15.720 --> 1:00:17.920
<v Speaker 4>It felt so weird for Boy Meets World was.

1:00:18.520 --> 1:00:22.000
<v Speaker 2>Coming back and the same song as playing. I was like, oh, more, more,

1:00:22.360 --> 1:00:23.960
<v Speaker 2>more of this, what is happening?

1:00:24.560 --> 1:00:26.360
<v Speaker 4>They had an extra two and a half minutes in

1:00:26.400 --> 1:00:27.240
<v Speaker 4>the show and they were.

1:00:27.640 --> 1:00:30.480
<v Speaker 3>My dancing is so good that they were there like

1:00:30.520 --> 1:00:31.840
<v Speaker 3>we need more of this.

1:00:34.040 --> 1:00:36.840
<v Speaker 4>So we're back at singled Out. Eric looks down in

1:00:36.880 --> 1:00:37.320
<v Speaker 4>the dumps.

1:00:37.360 --> 1:00:39.160
<v Speaker 1>It's the final round of Singled Out and they're down

1:00:39.200 --> 1:00:42.120
<v Speaker 1>to the last three girls we apparently lost to during

1:00:42.160 --> 1:00:44.840
<v Speaker 1>the commercial break, but we don't see that. We don't

1:00:44.840 --> 1:00:48.000
<v Speaker 1>need The girl with the golden ticket was eliminated. I

1:00:48.040 --> 1:00:51.000
<v Speaker 1>took it back, and Eric pounced, there used to be fifty.

1:00:51.280 --> 1:00:53.200
<v Speaker 1>Chris responds, let it go, math boy.

1:00:54.120 --> 1:00:55.880
<v Speaker 4>I think it's so funny. I call back to you

1:00:55.920 --> 1:00:58.600
<v Speaker 4>being smart. I thought that was really funny.

1:00:59.480 --> 1:01:01.360
<v Speaker 1>He tells every one that before the show, they gave

1:01:01.480 --> 1:01:03.919
<v Speaker 1>Eric a pop quiz, and now these girls will try

1:01:03.960 --> 1:01:06.760
<v Speaker 1>to match his answers. Each correct answer gets them a

1:01:06.800 --> 1:01:09.640
<v Speaker 1>step closer to Eric, and the winner gets a chance

1:01:09.680 --> 1:01:13.240
<v Speaker 1>to go out with their Harvard hunk Eric. Eric excitedly

1:01:13.320 --> 1:01:16.840
<v Speaker 1>yells Harvard hunk. You hear that, mister Phoene, Why now

1:01:16.880 --> 1:01:17.800
<v Speaker 1>are you cool with it?

1:01:18.040 --> 1:01:21.720
<v Speaker 3>And he wanted to downplay it first, but now he's yeah,

1:01:21.720 --> 1:01:22.720
<v Speaker 3>it didn't make any sense.

1:01:22.840 --> 1:01:28.640
<v Speaker 4>You're like, ooh, guys, and then you're like, Harvard Vinie,

1:01:28.880 --> 1:01:31.920
<v Speaker 4>you hear? What's so funny? Okay?

1:01:32.120 --> 1:01:35.240
<v Speaker 1>Chris starts the game. First question, bad kissers dumb them

1:01:35.360 --> 1:01:39.040
<v Speaker 1>or train them? Eric answers train them. Two girls step forward.

1:01:39.280 --> 1:01:42.720
<v Speaker 1>Next question, a guy who listens is sensitive or picturing

1:01:42.720 --> 1:01:47.080
<v Speaker 1>you naked? Eric's answer sensitive, Now this could be the

1:01:47.120 --> 1:01:51.360
<v Speaker 1>final question, best way to wake up steamy hot cocoa

1:01:51.440 --> 1:01:54.040
<v Speaker 1>for two or steamy hot shower for two.

1:01:54.640 --> 1:01:57.040
<v Speaker 4>Chris is sure he's gonna answer, do you too you

1:01:57.120 --> 1:01:57.840
<v Speaker 4>have shower?

1:01:59.320 --> 1:01:59.680
<v Speaker 3>Nope.

1:02:00.160 --> 1:02:04.240
<v Speaker 4>Eric likes Coco, So Coco before.

1:02:03.920 --> 1:02:06.360
<v Speaker 6>The even said, so you went, you got two things?

1:02:06.400 --> 1:02:08.000
<v Speaker 6>You've got Coco, Sue went, I.

1:02:07.960 --> 1:02:09.680
<v Speaker 3>Don't need to hear the second one. You'd pick Coco.

1:02:12.120 --> 1:02:14.200
<v Speaker 3>It's like, yeah, that's true. She's like, yeah, I don't

1:02:14.200 --> 1:02:15.200
<v Speaker 3>even need to hear what second?

1:02:16.880 --> 1:02:19.960
<v Speaker 4>Definitely Coco Coco, and we have a winner.

1:02:20.120 --> 1:02:22.800
<v Speaker 1>Chris puts Eric and his new love interest back to back,

1:02:22.960 --> 1:02:25.000
<v Speaker 1>and that's when we see one of our cameramen.

1:02:25.120 --> 1:02:26.360
<v Speaker 4>So we see the jib is.

1:02:26.360 --> 1:02:28.840
<v Speaker 1>Moving around, okay, and then one of our you know

1:02:28.920 --> 1:02:32.600
<v Speaker 1>four cameras, uh, probably coming in to do Will's coverage,

1:02:33.280 --> 1:02:38.200
<v Speaker 1>and the jibs like zooms in. So she is all

1:02:38.280 --> 1:02:41.360
<v Speaker 1>things Eric wanted in a girl. Her name is Lisa Thurman.

1:02:41.800 --> 1:02:44.160
<v Speaker 1>Eric and Lisa turn around and they look really happy

1:02:44.160 --> 1:02:46.840
<v Speaker 1>with the results. The game show announcer chimes in, you

1:02:46.880 --> 1:02:49.400
<v Speaker 1>and Lisa will enjoy a night on the town escorted

1:02:49.440 --> 1:02:52.600
<v Speaker 1>in your own personal limo. We also hear Lisa asking

1:02:52.720 --> 1:02:55.160
<v Speaker 1>Eric about being a junior at Harvard, and we learn

1:02:55.240 --> 1:02:59.040
<v Speaker 1>that she is a sophomore at Columbia, and again, very

1:02:59.040 --> 1:03:01.760
<v Speaker 1>weird for boy Meets World. The announcer is talking and

1:03:01.960 --> 1:03:04.200
<v Speaker 1>they are also talking Undernath You've.

1:03:04.080 --> 1:03:08.080
<v Speaker 6>Got to kind of gett because what they're saying.

1:03:08.200 --> 1:03:14.400
<v Speaker 1>Yes, yeah, but it did work, but awkward and weird

1:03:14.440 --> 1:03:15.920
<v Speaker 1>for Boys World, but good direction.

1:03:16.080 --> 1:03:18.600
<v Speaker 4>It did. It did like it was just it.

1:03:18.880 --> 1:03:20.640
<v Speaker 2>Feels like you guys are naturally talking to one of

1:03:20.680 --> 1:03:22.120
<v Speaker 2>these the show is still going on.

1:03:22.320 --> 1:03:24.720
<v Speaker 3>It's like, oh, they're actually connecting. And the whole Chubby thing.

1:03:24.640 --> 1:03:27.560
<v Speaker 4>Yes, the Chubby's thing is unbelievable.

1:03:27.800 --> 1:03:30.040
<v Speaker 1>The voice continues, You'll be ending your night at the

1:03:30.080 --> 1:03:34.600
<v Speaker 1>best kept little Secret Chubby's. Lisa loves that place. Eric

1:03:34.640 --> 1:03:36.440
<v Speaker 1>lies and says he's never been. And I would just

1:03:36.480 --> 1:03:39.320
<v Speaker 1>like to point out that if Lisa loves Chubby's, I

1:03:39.360 --> 1:03:41.560
<v Speaker 1>mean she has definitely seen Eric.

1:03:41.600 --> 1:03:44.600
<v Speaker 4>There is no other place to eat.

1:03:45.320 --> 1:03:48.320
<v Speaker 1>She probably knows mister Turner, and she may have even

1:03:48.360 --> 1:03:49.840
<v Speaker 1>seen Eric's trick pool shot.

1:03:50.160 --> 1:03:54.840
<v Speaker 4>So exactly, she's DTC. She's down a job job. I

1:03:54.880 --> 1:03:56.280
<v Speaker 4>was gonna say down to Chubbs, and then I was

1:03:56.280 --> 1:03:57.720
<v Speaker 4>like I'm gonna just take.

1:04:00.600 --> 1:04:04.560
<v Speaker 1>Mid mid sentences, but we can all put that in

1:04:04.560 --> 1:04:04.959
<v Speaker 1>our head.

1:04:04.880 --> 1:04:05.640
<v Speaker 3>Anyway we'd like to.

1:04:06.760 --> 1:04:10.120
<v Speaker 1>Chris tells Eric nice hair. Eric compliments him right back,

1:04:10.640 --> 1:04:15.160
<v Speaker 1>because they both have middle parted, blondish hair. The show

1:04:15.280 --> 1:04:18.240
<v Speaker 1>ends in a very nineties way, with other couples dancing

1:04:18.280 --> 1:04:21.040
<v Speaker 1>on stage and Lisa and Eric making small talk until

1:04:21.080 --> 1:04:24.920
<v Speaker 1>it cuts, and then we're back at the hospital. Cory

1:04:25.040 --> 1:04:27.440
<v Speaker 1>is still laying in the hospital bed pre operation, his

1:04:27.520 --> 1:04:30.160
<v Speaker 1>parents in Tapanga at his side. The nurse explains that

1:04:30.200 --> 1:04:32.920
<v Speaker 1>she gave him a mild sedative for nerves. It's obviously

1:04:32.960 --> 1:04:36.000
<v Speaker 1>making Corey quite groggy. As he announces, I'll have the soup.

1:04:36.240 --> 1:04:39.000
<v Speaker 1>What are you going to have? King Louis, Tapanga tells

1:04:39.040 --> 1:04:42.280
<v Speaker 1>him she'll be waiting for him. He asks spongebath right

1:04:42.320 --> 1:04:43.240
<v Speaker 1>in front of his mama.

1:04:44.680 --> 1:04:47.000
<v Speaker 6>Well, you also had just gotten back from solving that

1:04:47.040 --> 1:04:49.920
<v Speaker 6>bank robbery from nineteen seventy eight.

1:04:50.080 --> 1:04:52.040
<v Speaker 3>Yeah, with the rest of your crew. Is the way

1:04:52.080 --> 1:04:52.560
<v Speaker 3>you're dressed.

1:04:52.560 --> 1:04:54.480
<v Speaker 6>I'm just looking the whole time, just like the leathern

1:04:54.560 --> 1:04:55.880
<v Speaker 6>jacket is going on.

1:04:56.800 --> 1:04:59.520
<v Speaker 4>Hey, Angel's like, what the hell, who's dressing?

1:04:59.640 --> 1:05:02.400
<v Speaker 1>I know it is very seventies inspired, it's very funny.

1:05:03.120 --> 1:05:05.800
<v Speaker 1>Uh so, Phoene bursts in through the door. He received

1:05:05.840 --> 1:05:08.320
<v Speaker 1>an urgent phone call imploring him to come down. Corey

1:05:08.400 --> 1:05:09.920
<v Speaker 1>motions Phoene to come closer to him.

1:05:09.960 --> 1:05:10.080
<v Speaker 5>Now.

1:05:10.080 --> 1:05:12.160
<v Speaker 1>I don't have much time. I need to make peace

1:05:12.200 --> 1:05:14.880
<v Speaker 1>with you. Phoene looks at Alan, who explains it's the sedative.

1:05:15.040 --> 1:05:17.560
<v Speaker 1>Phoene tells Corey all is forgiven, but Corey says it's

1:05:17.600 --> 1:05:20.760
<v Speaker 1>not that simple. Phoene admits, you're making me very uncomfortable.

1:05:21.000 --> 1:05:23.160
<v Speaker 1>Corey grabs him by the collar and whisper. Yells, just

1:05:23.200 --> 1:05:25.720
<v Speaker 1>listen to me, man. There's a key under the desk

1:05:25.760 --> 1:05:28.000
<v Speaker 1>that will open an airport locker that's hiding his homework

1:05:28.000 --> 1:05:31.280
<v Speaker 1>from the past five years. Corey reveals that he's understood everything.

1:05:31.360 --> 1:05:35.080
<v Speaker 1>He's actually a brilliant student. Phoene asks what the capital

1:05:35.120 --> 1:05:37.600
<v Speaker 1>of Montana is, and Corey knows the jig is up.

1:05:37.920 --> 1:05:46.320
<v Speaker 4>You're not going to the airport? Are you a valise?

1:05:46.720 --> 1:05:50.560
<v Speaker 4>I was losing it because it's so funny, random.

1:05:51.520 --> 1:05:54.680
<v Speaker 3>What's the capital of Montana? You're not You're not going

1:05:56.320 --> 1:05:59.040
<v Speaker 3>so good? Yeah.

1:06:00.920 --> 1:06:02.880
<v Speaker 1>Just then, a nurse walks into the room, ready to

1:06:02.880 --> 1:06:04.080
<v Speaker 1>take Corey into his operation.

1:06:04.240 --> 1:06:06.280
<v Speaker 4>He tells everyone no, I vanished.

1:06:06.600 --> 1:06:09.000
<v Speaker 1>Alan looks at the newspaper and reads fifteen year old

1:06:09.000 --> 1:06:12.120
<v Speaker 1>boy vanishes during surgery. He scoffs, this is idiotic. Not

1:06:12.160 --> 1:06:14.560
<v Speaker 1>even Corey could believe this could happen to him. Corey

1:06:14.640 --> 1:06:17.400
<v Speaker 1>drifts asleep and we get a dream sequence. It's a

1:06:17.440 --> 1:06:21.240
<v Speaker 1>parody of Unsolved Mysteries. This is television's hardest hitting exploration

1:06:21.320 --> 1:06:24.520
<v Speaker 1>of unexplained phenomena. We're not making this up.

1:06:24.480 --> 1:06:27.600
<v Speaker 2>Now perfect the title card we're not making this up, though,

1:06:27.720 --> 1:06:28.920
<v Speaker 2>is truly horrific.

1:06:30.360 --> 1:06:31.000
<v Speaker 4>Faught is that?

1:06:31.120 --> 1:06:33.960
<v Speaker 2>But it's the font and like it's also not centered

1:06:34.080 --> 1:06:36.200
<v Speaker 2>or like, and there's no TV show that would ever

1:06:36.280 --> 1:06:39.160
<v Speaker 2>have that cheesy of like it's so funny, and I

1:06:39.120 --> 1:06:43.120
<v Speaker 2>don't recome a like self conscious, Like I don't think

1:06:43.120 --> 1:06:43.800
<v Speaker 2>that was a choice.

1:06:43.840 --> 1:06:44.400
<v Speaker 3>I think they.

1:06:44.280 --> 1:06:46.440
<v Speaker 2>Literally were like, oh, it's just plugging a throwing out

1:06:47.360 --> 1:06:49.760
<v Speaker 2>the title we could get with our you know, software

1:06:49.880 --> 1:06:51.439
<v Speaker 2>from nineteen ninety six.

1:06:51.760 --> 1:06:55.439
<v Speaker 6>But he also say that Ben's Dream doesn't make goods

1:06:55.840 --> 1:06:57.600
<v Speaker 6>produced poor poorly.

1:06:57.400 --> 1:06:59.600
<v Speaker 3>Poorly produced. No, I think it's fine. I think it's

1:06:59.640 --> 1:06:59.960
<v Speaker 3>kind of fun.

1:07:00.320 --> 1:07:02.840
<v Speaker 2>But like it's because like Unsolved Mysteries had like a

1:07:02.880 --> 1:07:06.240
<v Speaker 2>great look and like all those shows back then, but

1:07:06.280 --> 1:07:08.200
<v Speaker 2>that would have been very expensive to do back then,

1:07:08.240 --> 1:07:10.640
<v Speaker 2>like nowadays you could do. So I just love that

1:07:10.680 --> 1:07:13.280
<v Speaker 2>our show was so cheap that you just like pick

1:07:13.320 --> 1:07:14.520
<v Speaker 2>a weird font and put it on the.

1:07:14.520 --> 1:07:15.960
<v Speaker 3>Screen for new sets.

1:07:16.080 --> 1:07:19.520
<v Speaker 4>And this week we.

1:07:19.480 --> 1:07:21.600
<v Speaker 3>Don't have time for We don't have time for fond

1:07:22.040 --> 1:07:25.320
<v Speaker 3>but perfect casting. You couldn't make anyone better. You knowly

1:07:25.320 --> 1:07:29.040
<v Speaker 3>didn't even audition. Get him back and related.

1:07:33.600 --> 1:07:35.920
<v Speaker 2>Now now that I saw him again, I was like, oh,

1:07:35.920 --> 1:07:38.960
<v Speaker 2>that could have happened actually after this right right right.

1:07:39.000 --> 1:07:41.040
<v Speaker 2>We don't know when that party was where he said

1:07:41.040 --> 1:07:41.640
<v Speaker 2>that to us.

1:07:41.840 --> 1:07:44.000
<v Speaker 3>So funny though, yea perfect for this.

1:07:44.200 --> 1:07:47.000
<v Speaker 1>The host of this TV show, Slash Fantasy is Grant

1:07:47.080 --> 1:07:50.680
<v Speaker 1>Steel played by John O'Hurley uh, and he explains the

1:07:50.720 --> 1:07:54.120
<v Speaker 1>story of Corey Matthews' disappearance. Grant now stands in Corey's

1:07:54.120 --> 1:07:56.680
<v Speaker 1>hospital room. This bed is empty because a fifteen.

1:07:56.480 --> 1:07:58.120
<v Speaker 4>Year old boy is not in it.

1:07:58.800 --> 1:08:01.720
<v Speaker 1>We see Amy and Allen, the grief stricken parents. They

1:08:01.760 --> 1:08:03.880
<v Speaker 1>explained that they were looking right at him and then

1:08:03.920 --> 1:08:06.560
<v Speaker 1>he just vanished. The news anchor asks what they mean.

1:08:06.840 --> 1:08:10.560
<v Speaker 1>He explains, he disappeared, and then yes.

1:08:10.480 --> 1:08:15.919
<v Speaker 4>And by disappeared, you mean and Alan says Vanish, that's

1:08:15.960 --> 1:08:22.719
<v Speaker 4>literally it's so good, and then Sean appears. Of course

1:08:22.760 --> 1:08:23.320
<v Speaker 4>he vanished.

1:08:23.360 --> 1:08:25.559
<v Speaker 1>I even knew where he went, and he went where

1:08:25.600 --> 1:08:28.400
<v Speaker 1>they all go to the fourth dimension, sometimes known as

1:08:28.439 --> 1:08:31.360
<v Speaker 1>the Bottle City of Candor. I know.

1:08:31.680 --> 1:08:33.200
<v Speaker 4>I was like, is this a reference? I don't get?

1:08:33.280 --> 1:08:34.160
<v Speaker 4>But no, apparently not.

1:08:34.840 --> 1:08:35.479
<v Speaker 3>It's nothing.

1:08:36.040 --> 1:08:38.200
<v Speaker 4>No one ever listens to me. They all think I'm crazy.

1:08:38.240 --> 1:08:40.240
<v Speaker 1>He then grabs a cooler, telling Grant he has to

1:08:40.240 --> 1:08:42.559
<v Speaker 1>go so a guy's head back on. He walks out

1:08:42.560 --> 1:08:45.599
<v Speaker 1>the door and flips the cooler around as two orderlies

1:08:45.640 --> 1:08:49.800
<v Speaker 1>then start chasing after him. Next, Grant interviews Phoene, who's

1:08:49.840 --> 1:08:53.320
<v Speaker 1>looking through Corey's stashed homework in the plaid valise. It

1:08:53.400 --> 1:08:55.960
<v Speaker 1>was all there at the airport, just like Corey said.

1:08:56.360 --> 1:08:59.599
<v Speaker 1>Phoene is astonished and the papers are remarkable. When Grant

1:08:59.640 --> 1:09:01.880
<v Speaker 1>Steal asks how he feels about Corey now with this

1:09:01.880 --> 1:09:04.439
<v Speaker 1>new information, Phoene says about the same.

1:09:04.560 --> 1:09:05.200
<v Speaker 4>I'vebout the same.

1:09:06.400 --> 1:09:07.760
<v Speaker 3>I was in love that. He says, like just like

1:09:07.840 --> 1:09:08.439
<v Speaker 3>the boy said.

1:09:08.479 --> 1:09:09.439
<v Speaker 2>It was like, oh, this is like one of the

1:09:09.439 --> 1:09:11.880
<v Speaker 2>only times you've heard like boy like the boy.

1:09:12.000 --> 1:09:12.960
<v Speaker 3>Yeah, he was kind of cool.

1:09:13.360 --> 1:09:17.440
<v Speaker 1>Yeah, Grant concludes the segment, looking down the camera. Corey matthews,

1:09:17.560 --> 1:09:20.000
<v Speaker 1>if you're out there, you're sort of missed.

1:09:22.360 --> 1:09:23.240
<v Speaker 4>That's so absurd.

1:09:23.760 --> 1:09:26.320
<v Speaker 3>It's great storyline.

1:09:26.520 --> 1:09:40.880
<v Speaker 1>I know, it was really fun. Eric and Lisa are

1:09:40.920 --> 1:09:43.360
<v Speaker 1>on their date. Eric's admitting how embarrassed he was on

1:09:43.400 --> 1:09:46.400
<v Speaker 1>the show. Lisa bought his whole confidence thing. The things

1:09:46.400 --> 1:09:48.640
<v Speaker 1>you were saying were so cute and smart. Well, of

1:09:48.640 --> 1:09:51.280
<v Speaker 1>course you're smart. You're going to Harvard. Eric adds, well,

1:09:51.320 --> 1:09:54.120
<v Speaker 1>you got into Columbia. She responds, yeah, but I never

1:09:54.160 --> 1:09:56.479
<v Speaker 1>thought i'd have so much in common with a Harvard boy.

1:09:57.000 --> 1:09:59.559
<v Speaker 4>Eric asks quietly, will you forget about Harvard?

1:10:00.040 --> 1:10:01.400
<v Speaker 1>He says, the only reason he went on that show,

1:10:01.520 --> 1:10:02.880
<v Speaker 1>because it's just like turns out that.

1:10:02.840 --> 1:10:05.840
<v Speaker 3>She's lying, because I was like, Columbia is pretty good.

1:10:05.880 --> 1:10:06.080
<v Speaker 6>I know.

1:10:10.000 --> 1:10:12.439
<v Speaker 3>You're not sitting there going like Harvard is so much better.

1:10:12.520 --> 1:10:15.360
<v Speaker 3>Like no, no, no, Columbia is everybody's safety school.

1:10:15.360 --> 1:10:16.000
<v Speaker 5>Oh my god.

1:10:16.320 --> 1:10:17.960
<v Speaker 3>Everybody knows that you.

1:10:17.880 --> 1:10:19.880
<v Speaker 6>Go to Columbia's because you didn't get into your first

1:10:19.920 --> 1:10:22.320
<v Speaker 6>For those who don't know strong.

1:10:22.120 --> 1:10:28.200
<v Speaker 4>When to Columbia case you didn't know, there's.

1:10:29.439 --> 1:10:31.960
<v Speaker 2>God, Columbia's hard, but it's you know, for people who

1:10:31.960 --> 1:10:35.800
<v Speaker 2>can also handle a real city.

1:10:36.000 --> 1:10:36.559
<v Speaker 3>It's cool.

1:10:36.640 --> 1:10:38.960
<v Speaker 4>Yeah, uh, He says.

1:10:38.960 --> 1:10:40.599
<v Speaker 1>The only reason he went on that show is because

1:10:40.640 --> 1:10:43.200
<v Speaker 1>it's so hard to meet somebody like her. Don't you

1:10:43.240 --> 1:10:45.800
<v Speaker 1>meet a lot of girls in Boston? He stutters, Yeah, Well,

1:10:45.840 --> 1:10:47.439
<v Speaker 1>I'm in class all the time, and when I'm not

1:10:47.479 --> 1:10:50.200
<v Speaker 1>in class, I'm on singled Out and stuff. He asks

1:10:50.200 --> 1:10:52.240
<v Speaker 1>about the boys at Columbia and she says they're nice,

1:10:52.320 --> 1:10:55.200
<v Speaker 1>but she looks upset. Eric asks what's wrong, and she admits,

1:10:55.520 --> 1:10:56.720
<v Speaker 1>I'm not what you think I am.

1:10:57.040 --> 1:10:57.479
<v Speaker 4>I lied.

1:10:58.120 --> 1:11:00.200
<v Speaker 1>Eric perks up, you lied, You're really one of the

1:11:00.280 --> 1:11:02.880
<v Speaker 1>naughty girls. He fakes in, Awe there, I'm over it.

1:11:02.920 --> 1:11:06.000
<v Speaker 1>How naughty are you? She tells him I'm pretty naughty. Eric,

1:11:06.160 --> 1:11:08.519
<v Speaker 1>I don't go to Columbia. I applied, but I didn't

1:11:08.520 --> 1:11:10.720
<v Speaker 1>get in. I didn't get in anywhere. I went on

1:11:10.800 --> 1:11:12.880
<v Speaker 1>singled Out because I really wanted to date a college

1:11:12.920 --> 1:11:15.160
<v Speaker 1>guy because it would make me feel better about myself.

1:11:15.360 --> 1:11:16.800
<v Speaker 4>Oh, Eric, but.

1:11:16.800 --> 1:11:19.920
<v Speaker 2>This all just felt so convenient, and it's a bummer

1:11:19.960 --> 1:11:22.920
<v Speaker 2>because it's not. It's just such a random like if

1:11:22.920 --> 1:11:25.320
<v Speaker 2>they had developed her character ahead of time in any

1:11:25.400 --> 1:11:25.880
<v Speaker 2>I don't know this.

1:11:26.000 --> 1:11:28.320
<v Speaker 3>It's just it's so well yeah, but the way you

1:11:28.360 --> 1:11:31.320
<v Speaker 3>do that is by you don't do an entire episode

1:11:31.320 --> 1:11:33.040
<v Speaker 3>of singled out in the middle, right.

1:11:32.960 --> 1:11:35.400
<v Speaker 2>You do something you do them go on multiple dates

1:11:35.439 --> 1:11:37.479
<v Speaker 2>like they start, and then the lie comes out.

1:11:37.520 --> 1:11:39.439
<v Speaker 3>But yeah, iving a whole single out thing. It just

1:11:39.439 --> 1:11:42.599
<v Speaker 3>doesn't know. It felt that fell flat for me. It

1:11:42.640 --> 1:11:49.559
<v Speaker 3>wasn't particularly funny. It was too long. Yeah, so exactly, yeah, exactly,

1:11:49.640 --> 1:11:50.679
<v Speaker 3>so it was unfortunate.

1:11:50.800 --> 1:11:55.439
<v Speaker 1>But uh, Eric is flabbergasted. Wow, where do I start.

1:11:55.880 --> 1:11:58.200
<v Speaker 1>Lisa says she'll leave if he wants. He tells her, no,

1:11:58.320 --> 1:12:00.680
<v Speaker 1>don't leave. He should really be the onely thing you

1:12:01.120 --> 1:12:03.040
<v Speaker 1>I'm the pathetic towny who lied to get on a

1:12:03.080 --> 1:12:03.559
<v Speaker 1>game show?

1:12:04.160 --> 1:12:07.719
<v Speaker 4>Is towny a phrase people used?

1:12:08.240 --> 1:12:09.960
<v Speaker 3>I used to say that, really. I used to say

1:12:10.000 --> 1:12:12.920
<v Speaker 3>that back, and it's like you on the show, because

1:12:13.400 --> 1:12:13.760
<v Speaker 3>that's what I.

1:12:15.240 --> 1:12:17.800
<v Speaker 1>Thought it was maybe like a show thing, but I

1:12:17.800 --> 1:12:20.160
<v Speaker 1>guess it is like an actual it is used.

1:12:20.560 --> 1:12:22.720
<v Speaker 3>I never used it growing up. I never heard that

1:12:22.840 --> 1:12:24.080
<v Speaker 3>we did. We did? We did?

1:12:24.200 --> 1:12:26.000
<v Speaker 6>If it was like, maybe that's an East Coast thing,

1:12:26.080 --> 1:12:28.360
<v Speaker 6>because it was you. People would graduate from high school

1:12:28.400 --> 1:12:30.120
<v Speaker 6>and certain people go to college, and you'd always come

1:12:30.160 --> 1:12:32.960
<v Speaker 6>back and it was there'd be the townies were there.

1:12:33.000 --> 1:12:34.920
<v Speaker 6>It's like, oh, yeah, that guy never left and he's

1:12:34.920 --> 1:12:36.800
<v Speaker 6>still wearing his high school jersey in the local bar,

1:12:36.960 --> 1:12:37.640
<v Speaker 6>like that kind of thing.

1:12:37.720 --> 1:12:39.479
<v Speaker 3>Right, That's well.

1:12:39.680 --> 1:12:42.000
<v Speaker 1>Eric tells her the truth. I don't go to Harvard.

1:12:42.160 --> 1:12:44.479
<v Speaker 1>I did the same thing you did, but you confessed first.

1:12:44.800 --> 1:12:46.240
<v Speaker 1>I was gonna let you think I really went to

1:12:46.240 --> 1:12:48.240
<v Speaker 1>Harvard until you liked me anyway, and I felt better

1:12:48.280 --> 1:12:50.360
<v Speaker 1>about myself, and then I'd have my parents call you

1:12:50.400 --> 1:12:50.840
<v Speaker 1>and till.

1:12:50.720 --> 1:12:56.800
<v Speaker 4>You I died. I died, I died.

1:12:57.280 --> 1:13:00.519
<v Speaker 1>She takes this all in and smiles, Wow, we really

1:13:00.560 --> 1:13:03.240
<v Speaker 1>are compatible. He agrees, you want to cut the classes

1:13:03.240 --> 1:13:05.320
<v Speaker 1>we don't have and see a movie. Actually, she's heard

1:13:05.360 --> 1:13:07.320
<v Speaker 1>there's a great party in Swarthmore and asks if he

1:13:07.360 --> 1:13:09.320
<v Speaker 1>wants to go. She can't get them in, but she's

1:13:09.320 --> 1:13:13.040
<v Speaker 1>hoping Eric can. He ponders the thought, one day I will.

1:13:14.800 --> 1:13:17.560
<v Speaker 4>Huh, Okay, why can't they just go to the party.

1:13:18.400 --> 1:13:21.040
<v Speaker 6>Do they check student IDs as you're going to random

1:13:21.080 --> 1:13:21.880
<v Speaker 6>parties at college?

1:13:22.080 --> 1:13:22.880
<v Speaker 3>Doesn't understand that.

1:13:24.240 --> 1:13:26.200
<v Speaker 4>Is the point that you're going to go to college someday.

1:13:26.360 --> 1:13:27.760
<v Speaker 6>Yeah, I think that's what it means. That's what it's

1:13:27.760 --> 1:13:29.439
<v Speaker 6>supposed to be. Is like someday I'll be able to

1:13:29.439 --> 1:13:32.720
<v Speaker 6>get us into a college college part which three of

1:13:32.760 --> 1:13:34.960
<v Speaker 6>us right now wanted to go to a college party.

1:13:34.960 --> 1:13:36.840
<v Speaker 3>You just walk into a college party. I think that's

1:13:36.840 --> 1:13:38.679
<v Speaker 3>how that you know we're old.

1:13:38.760 --> 1:13:40.320
<v Speaker 1>They would be like, they would be like, get out

1:13:40.360 --> 1:13:42.719
<v Speaker 1>of your narks, what are you doing, NERVs.

1:13:43.200 --> 1:13:46.160
<v Speaker 3>I told you I'd have my homework done next week, nerd.

1:13:46.520 --> 1:13:49.000
<v Speaker 1>That's what we We don't care that you're the hosts

1:13:49.040 --> 1:13:50.400
<v Speaker 1>of Pod Meets World.

1:13:50.760 --> 1:13:52.000
<v Speaker 4>They might he losing.

1:13:52.080 --> 1:13:54.040
<v Speaker 3>They might oh boy meets World.

1:13:54.320 --> 1:13:58.840
<v Speaker 2>I feel like my grandparents talked about that History channel.

1:13:58.880 --> 1:14:02.280
<v Speaker 1>You know what, my dad I had a crush on you.

1:14:02.280 --> 1:14:06.880
<v Speaker 2>You not like I had, Like I swear they were

1:14:06.880 --> 1:14:10.639
<v Speaker 2>like nineteen twenty year olds, like recognizing me and asking

1:14:10.640 --> 1:14:12.120
<v Speaker 2>for my picture in Park City last week.

1:14:12.160 --> 1:14:14.920
<v Speaker 3>I was like, how is this still a thing?

1:14:15.120 --> 1:14:18.559
<v Speaker 4>It's young? Yeah, I hate to go back to the show,

1:14:19.160 --> 1:14:20.760
<v Speaker 4>even though we were to talk about it. But I

1:14:20.800 --> 1:14:22.000
<v Speaker 4>have a question about the show.

1:14:22.680 --> 1:14:25.320
<v Speaker 1>In the chubby scene and will you're the only one

1:14:25.320 --> 1:14:28.160
<v Speaker 1>I'm not even gonna ask writer, writer, it's about sports ball?

1:14:28.520 --> 1:14:29.559
<v Speaker 4>Okay, Well, did.

1:14:29.400 --> 1:14:32.479
<v Speaker 1>You happen to notice the jersey that's on the wall

1:14:33.040 --> 1:14:34.679
<v Speaker 1>over her right shoulder.

1:14:34.960 --> 1:14:38.280
<v Speaker 4>Upstage, there's a jersey on the maroon and golden. Yes,

1:14:38.360 --> 1:14:41.120
<v Speaker 4>it looks like a Trojan jersey. I saw that too.

1:14:42.040 --> 1:14:44.759
<v Speaker 4>I think it might be Oh J Simpson's jersey.

1:14:44.960 --> 1:14:45.960
<v Speaker 3>No, was it thirty two?

1:14:46.200 --> 1:14:49.080
<v Speaker 1>We can't see the three. There's definitely a two. The

1:14:49.120 --> 1:14:50.640
<v Speaker 1>second number two just.

1:14:50.640 --> 1:14:53.840
<v Speaker 2>Would have been after the murder trial. That that makes

1:14:53.960 --> 1:14:54.479
<v Speaker 2>no sense.

1:14:54.680 --> 1:14:56.240
<v Speaker 3>Do we have Jay's jersey?

1:14:56.479 --> 1:14:58.960
<v Speaker 4>I don't know, because he does not do well when

1:14:59.000 --> 1:14:59.839
<v Speaker 4>people taking.

1:14:59.640 --> 1:15:04.559
<v Speaker 6>It seriously, give just give it back.

1:15:05.960 --> 1:15:06.599
<v Speaker 3>It can't.

1:15:08.640 --> 1:15:09.840
<v Speaker 4>On the sleeve for sure.

1:15:09.960 --> 1:15:12.040
<v Speaker 1>And the second number is definitely a two, but she

1:15:12.160 --> 1:15:15.240
<v Speaker 1>stands up directly in front of the other number, and

1:15:15.800 --> 1:15:18.759
<v Speaker 1>it is either a three or an eight.

1:15:18.960 --> 1:15:20.280
<v Speaker 4>It definitely has.

1:15:21.000 --> 1:15:24.240
<v Speaker 3>Oh god, anyway, I hope it's not O's jersey. It's not.

1:15:24.640 --> 1:15:26.559
<v Speaker 3>This was after the trial. They would never would have

1:15:26.680 --> 1:15:31.040
<v Speaker 3>had it on our show. Who knows he was?

1:15:31.240 --> 1:15:31.719
<v Speaker 4>Who knows?

1:15:31.800 --> 1:15:32.400
<v Speaker 3>I don't know.

1:15:32.479 --> 1:15:34.400
<v Speaker 1>It's completely blocked by her head, So I don't know

1:15:34.400 --> 1:15:35.559
<v Speaker 1>if it'll be there in other episodes.

1:15:35.600 --> 1:15:36.679
<v Speaker 4>We'll have to I just want now.

1:15:36.600 --> 1:15:39.360
<v Speaker 1>That we know that's where it is, let's just keep

1:15:39.400 --> 1:15:40.960
<v Speaker 1>an eye on it in case it is still in

1:15:41.040 --> 1:15:41.679
<v Speaker 1>other episodes.

1:15:41.680 --> 1:15:42.720
<v Speaker 4>We can look to see what it is?

1:15:42.840 --> 1:15:43.639
<v Speaker 3>Okay, all right?

1:15:43.640 --> 1:15:45.879
<v Speaker 4>Then we enter into the tag. We're in the hospital.

1:15:45.920 --> 1:15:48.800
<v Speaker 1>Cory, now post operation, is in his hospital bed with

1:15:48.840 --> 1:15:51.360
<v Speaker 1>Tapanga at his side. She asks if he's feeling better,

1:15:51.360 --> 1:15:54.400
<v Speaker 1>and he says, with a glazed overlook, I'm completely recovered, darling.

1:15:54.560 --> 1:15:56.360
<v Speaker 1>They might have taken out my tonsils, but they could

1:15:56.360 --> 1:15:58.519
<v Speaker 1>never take out my love for you. Could you bring

1:15:58.560 --> 1:16:01.640
<v Speaker 1>me some soup? She pulls out some Sherbert and he

1:16:01.680 --> 1:16:05.080
<v Speaker 1>asks chicken and rice. Pang asks you're still a little woozy,

1:16:05.200 --> 1:16:07.960
<v Speaker 1>aren't you. He admits, I'm seeing five of yeah. She

1:16:08.080 --> 1:16:10.040
<v Speaker 1>asks if he feels strong enough for a walk around

1:16:10.040 --> 1:16:12.400
<v Speaker 1>the hallways, and he excitedly says, are you kidding? I'd

1:16:12.439 --> 1:16:16.240
<v Speaker 1>walk anywhere for soup. She doesn't help him get up

1:16:16.360 --> 1:16:18.400
<v Speaker 1>at all, by the way, she doesn't.

1:16:18.479 --> 1:16:20.960
<v Speaker 4>She just on your own, kid. She just walks out.

1:16:21.560 --> 1:16:24.080
<v Speaker 1>He stumbles out of the room. Once they're gone, Sean

1:16:24.120 --> 1:16:26.679
<v Speaker 1>walks in from the other direction with some comics for Corey.

1:16:26.720 --> 1:16:28.040
<v Speaker 1>What you think they don't like X men?

1:16:28.280 --> 1:16:32.599
<v Speaker 6>Huh, I don't know, I don't which, He toss out come.

1:16:32.439 --> 1:16:37.639
<v Speaker 1>On, so Sean realizes it's happened. He vanished. Then Sean

1:16:37.680 --> 1:16:40.280
<v Speaker 1>starts to spiral. He's next because he knows too much,

1:16:40.439 --> 1:16:43.360
<v Speaker 1>his body starts to pixelate. Oh no, he's getting minkissed.

1:16:44.040 --> 1:16:45.320
<v Speaker 3>Wow, I thought that too.

1:16:45.920 --> 1:16:46.080
<v Speaker 6>And the.

1:16:48.080 --> 1:16:50.960
<v Speaker 2>Effects for our show, and I don't remember doing like

1:16:51.000 --> 1:16:53.000
<v Speaker 2>I guess they just pixelate me like I don't. I'm

1:16:53.040 --> 1:16:54.479
<v Speaker 2>definitely not in front of a green screen.

1:16:54.560 --> 1:16:55.360
<v Speaker 3>So no, they're not.

1:16:55.439 --> 1:16:57.160
<v Speaker 4>Just that you're isolated, and that's why.

1:16:57.200 --> 1:16:59.400
<v Speaker 1>Then when we enter, you don't see us as you

1:17:00.080 --> 1:17:03.200
<v Speaker 1>saw like the technology wasn't wasn't great.

1:17:03.280 --> 1:17:05.040
<v Speaker 4>So when we come back Star Trek.

1:17:05.600 --> 1:17:07.760
<v Speaker 3>It does special effects.

1:17:08.520 --> 1:17:11.160
<v Speaker 1>He says, I'm starting to de materialize. Sean looks at

1:17:11.160 --> 1:17:13.519
<v Speaker 1>his body and disbelief. Then the pixelating comes to an

1:17:13.560 --> 1:17:16.559
<v Speaker 1>abrupt stop. Corey tapanger at the door. Corey blurts out

1:17:16.640 --> 1:17:18.519
<v Speaker 1>to Panga and her four sisters are taking me for

1:17:18.600 --> 1:17:21.280
<v Speaker 1>soup you want in? Seawan obliges and walks out the

1:17:21.320 --> 1:17:25.839
<v Speaker 1>room like nothing happened. Weird little episode.

1:17:26.040 --> 1:17:28.040
<v Speaker 4>It is a weird episode, not a bad episode.

1:17:28.720 --> 1:17:31.600
<v Speaker 2>Why we were recapping it, we kept finding things that

1:17:31.640 --> 1:17:32.720
<v Speaker 2>were hysterical to us.

1:17:33.320 --> 1:17:34.400
<v Speaker 4>That's very funny.

1:17:34.400 --> 1:17:37.920
<v Speaker 6>Things in this episode that were laugh out loud funny. Yes,

1:17:38.479 --> 1:17:40.960
<v Speaker 6>both storylines and the first Feenie call i mean, you

1:17:41.000 --> 1:17:45.120
<v Speaker 6>can't dismiss this episode, but it's it's just a weird.

1:17:44.960 --> 1:17:45.519
<v Speaker 3>You know what it is.

1:17:45.560 --> 1:17:48.320
<v Speaker 2>It's silly, like it's a silly Boys World episode, and

1:17:48.360 --> 1:17:51.040
<v Speaker 2>I think that there's a big strain of silliness, you know.

1:17:51.080 --> 1:17:52.840
<v Speaker 3>That's pretty great. I like that.

1:17:53.200 --> 1:17:56.240
<v Speaker 1>It also is something we've talked about before where sometimes

1:17:56.240 --> 1:17:58.479
<v Speaker 1>what we're bumping against without even realizing it, is the

1:17:58.520 --> 1:17:59.599
<v Speaker 1>fact that both.

1:17:59.439 --> 1:18:00.920
<v Speaker 4>Storylines are a little absurd.

1:18:01.120 --> 1:18:04.640
<v Speaker 1>Whereas sometime like if we just had this weird storyline,

1:18:04.640 --> 1:18:08.880
<v Speaker 1>the b storyline with a maybe more like less out

1:18:08.960 --> 1:18:12.360
<v Speaker 1>there single arounded a storyline, we would have been.

1:18:12.320 --> 1:18:15.320
<v Speaker 4>Like the balance. Yeah, but because both of them are a.

1:18:15.280 --> 1:18:18.880
<v Speaker 1>Little bonkers, Yeah, it feels like, Wow, this is a lot,

1:18:18.960 --> 1:18:22.519
<v Speaker 1>but still very funny, very funny. So join us for

1:18:22.560 --> 1:18:25.000
<v Speaker 1>our next episode, which will be season four, episode eight,

1:18:25.280 --> 1:18:28.760
<v Speaker 1>Dangerous Secret. It originally aired November eighth, nineteen ninety six.

1:18:29.200 --> 1:18:30.960
<v Speaker 1>Thank you all for joining us for this episode of

1:18:30.960 --> 1:18:33.919
<v Speaker 1>Podmeets World. As always, you can follow us on Instagram

1:18:33.920 --> 1:18:36.000
<v Speaker 1>pod meets World Show. You can send us your emails

1:18:36.000 --> 1:18:39.280
<v Speaker 1>pod meets World Show at gmail dot com, and we

1:18:39.320 --> 1:18:39.920
<v Speaker 1>have merch.

1:18:40.479 --> 1:18:46.280
<v Speaker 4>Mister March pod meets Worldshow dot com. We love You

1:18:46.320 --> 1:18:49.960
<v Speaker 4>All pod dismissed. Pod Meets World is.

1:18:49.960 --> 1:18:53.400
<v Speaker 1>An iHeart podcast produced and hosted by Danielle Fischel, Wilfredell

1:18:53.439 --> 1:18:57.040
<v Speaker 1>and Wright Strong. Executive producers Jensen Karp and Amy Sugarman.

1:18:57.280 --> 1:19:00.719
<v Speaker 1>Executive in charge of production, Danielle Romo, Sir and Editor,

1:19:00.800 --> 1:19:04.800
<v Speaker 1>Tara Subash, producer Maddy Moore, engineer and Boy Meets World

1:19:04.880 --> 1:19:07.960
<v Speaker 1>super fan Easton Allen. Our theme song is by Kyle

1:19:08.040 --> 1:19:11.240
<v Speaker 1>Morton of Typhoon. Follow us on Instagram at podmeets World

1:19:11.320 --> 1:19:14.240
<v Speaker 1>Show or email us at Podmeets Worldshow at gmail dot

1:19:14.280 --> 1:19:15.000
<v Speaker 1>com