1
00:00:19,160 --> 00:00:22,880
Speaker 1: So we have all had our fair share of talk

2
00:00:22,920 --> 00:00:26,760
Speaker 1: show appearances, but Writer apparently has the worst of all

3
00:00:26,840 --> 00:00:27,480
Speaker 1: of them.

4
00:00:28,080 --> 00:00:31,000
Speaker 2: I don't know, I've had like four of the worst.

5
00:00:31,440 --> 00:00:35,519
Speaker 2: Oh I've been forced to sing multiple times. I've been

6
00:00:35,520 --> 00:00:37,519
Speaker 2: asked to go Like I showed up at one and

7
00:00:37,560 --> 00:00:41,279
Speaker 2: it was a win a date with your favorite keen actors,

8
00:00:41,560 --> 00:00:43,000
Speaker 2: and I didn't.

9
00:00:42,720 --> 00:00:44,479
Speaker 3: Win a date with Hey.

10
00:00:46,120 --> 00:00:47,839
Speaker 2: It was like three girls were brought in and they

11
00:00:47,840 --> 00:00:49,800
Speaker 2: had to like each ask me questions and.

12
00:00:49,800 --> 00:00:53,480
Speaker 4: Oh my gosh, how did you not die? Inside writers Hell?

13
00:00:53,840 --> 00:00:55,440
Speaker 4: I know literally Writer's Hell.

14
00:00:55,480 --> 00:00:58,639
Speaker 2: Yeah exactly, But yeah, no, I think the one you're

15
00:00:58,680 --> 00:01:02,960
Speaker 2: referring to is when I was on Regis and Kathy Lee.

16
00:01:03,080 --> 00:01:05,480
Speaker 2: So I was promoting I think it was my giant

17
00:01:05,520 --> 00:01:07,160
Speaker 2: that the movie I was in, the Billy Crystal movie

18
00:01:07,160 --> 00:01:08,680
Speaker 2: that I had like a small part in, and they

19
00:01:08,680 --> 00:01:10,360
Speaker 2: flew me out to New York to do publicity and

20
00:01:10,520 --> 00:01:11,360
Speaker 2: go to some screening.

21
00:01:11,440 --> 00:01:12,160
Speaker 3: I don't know what it was.

22
00:01:12,400 --> 00:01:14,800
Speaker 2: So I was only seventeen in New York City with

23
00:01:14,800 --> 00:01:17,160
Speaker 2: my friend Nathan at the and like just having a

24
00:01:17,200 --> 00:01:20,760
Speaker 2: great time, and at six am they picked me up

25
00:01:20,800 --> 00:01:23,480
Speaker 2: in a limo to take me and I'm like, I

26
00:01:23,480 --> 00:01:26,600
Speaker 2: mean just based on having had horrible I'm so bad

27
00:01:26,600 --> 00:01:29,240
Speaker 2: at talk shows like, oh, like wait.

28
00:01:29,200 --> 00:01:31,440
Speaker 3: I can see that. Yeah, I love you and I

29
00:01:31,440 --> 00:01:33,080
Speaker 3: can see that. Yeah, oh my god. Billed for the

30
00:01:33,080 --> 00:01:35,120
Speaker 3: talk show, Would you asked me to do Good Morning

31
00:01:35,160 --> 00:01:36,320
Speaker 3: America with you?

32
00:01:36,560 --> 00:01:38,600
Speaker 2: Like way back when you were promoting, I hear voices.

33
00:01:38,640 --> 00:01:40,160
Speaker 2: I was like, Okay, I'm gonna do this for Will,

34
00:01:40,200 --> 00:01:41,800
Speaker 2: I'm going to do this. And then I get up

35
00:01:41,800 --> 00:01:44,000
Speaker 2: there and the Good Morning America was the worst thing ever.

36
00:01:44,680 --> 00:01:46,840
Speaker 2: My friend Todd texted me, He's like, you look like

37
00:01:46,840 --> 00:01:49,520
Speaker 2: you were being held hostage, Like because you were, you

38
00:01:49,640 --> 00:01:50,840
Speaker 2: were Will.

39
00:01:50,800 --> 00:01:52,919
Speaker 3: Made me do Good Morning America. Totally.

40
00:01:53,360 --> 00:01:54,720
Speaker 2: There are things I'm good at, Like I'm good at

41
00:01:54,760 --> 00:01:56,920
Speaker 2: Q and a's like, you know, great, like if you

42
00:01:57,400 --> 00:01:59,200
Speaker 2: if it's like I'm up there and doing a Q

43
00:01:59,240 --> 00:02:01,560
Speaker 2: and A, especially if it's about like something I wrote

44
00:02:01,680 --> 00:02:04,320
Speaker 2: or directed, I'm all about it. But just like actory

45
00:02:04,880 --> 00:02:08,079
Speaker 2: talk show appearance is nothing's worth. So anyway, I get

46
00:02:08,080 --> 00:02:11,359
Speaker 2: in the limo for Kathy and and Regius and I'm

47
00:02:11,440 --> 00:02:15,200
Speaker 2: so like just already so nervous, and my publicist who's

48
00:02:15,200 --> 00:02:16,720
Speaker 2: like taking me around New York for all the others

49
00:02:17,000 --> 00:02:19,680
Speaker 2: is sitting in there She's like, Okay, have you heard,

50
00:02:20,200 --> 00:02:23,600
Speaker 2: Like I don't know. She's say, we just found out.

51
00:02:24,120 --> 00:02:27,320
Speaker 2: Kathy Lee found out last night that her husband is

52
00:02:27,400 --> 00:02:29,920
Speaker 2: cheating on her. And it was if you guys, remember

53
00:02:30,000 --> 00:02:32,120
Speaker 2: there was this her husband who was a football player,

54
00:02:32,160 --> 00:02:34,239
Speaker 2: so he was like famous in his own right. He'd

55
00:02:34,240 --> 00:02:37,320
Speaker 2: been having Okay, Frank Giffort, he had been caught having

56
00:02:37,320 --> 00:02:40,000
Speaker 2: an affair. I was on the next morning and they

57
00:02:40,000 --> 00:02:43,320
Speaker 2: were like, basically, they were like, Kathy Lee is doing

58
00:02:43,360 --> 00:02:46,240
Speaker 2: the show. She just she's gonna, you know, not talk

59
00:02:46,280 --> 00:02:47,880
Speaker 2: about it. She is not going to reference it. We

60
00:02:47,919 --> 00:02:50,880
Speaker 2: are acting like everything is normal, and I'm like sweating

61
00:02:50,880 --> 00:02:53,640
Speaker 2: bullets in the limo and they're like, whatever you do,

62
00:02:53,639 --> 00:02:55,880
Speaker 2: do not talk about her family, Do not ask her

63
00:02:55,880 --> 00:02:59,520
Speaker 2: about her children, do not talk about marriage, do not

64
00:02:59,560 --> 00:03:01,880
Speaker 2: talk about dating. I was like, oh my god, oh

65
00:03:01,919 --> 00:03:03,840
Speaker 2: my god, you're just ready to get any moment to

66
00:03:03,919 --> 00:03:06,680
Speaker 2: like ruin this woman's life on national television by saying

67
00:03:06,720 --> 00:03:08,840
Speaker 2: the wrong thing. So I go out there and like

68
00:03:09,639 --> 00:03:11,840
Speaker 2: sure enough, I'm so nervous. If you I'm sure we

69
00:03:11,840 --> 00:03:13,960
Speaker 2: can find the clip. But like my callers all messed up,

70
00:03:14,000 --> 00:03:15,680
Speaker 2: Like I walked out on stage with like my collar

71
00:03:15,760 --> 00:03:16,880
Speaker 2: tucked in under my shirt.

72
00:03:17,360 --> 00:03:18,320
Speaker 3: I'm so awkward.

73
00:03:18,360 --> 00:03:21,320
Speaker 1: It was probably because you had just been having an affair. Exactly,

74
00:03:22,480 --> 00:03:24,480
Speaker 1: you walk out, you go sorry. I wasn't having an

75
00:03:24,480 --> 00:03:26,360
Speaker 1: affair with it. I wasn't having an affair with anybody.

76
00:03:26,360 --> 00:03:27,600
Speaker 3: How's your family? Your kids?

77
00:03:27,639 --> 00:03:28,040
Speaker 5: Oh god?

78
00:03:29,680 --> 00:03:32,480
Speaker 3: Exactly. I look at this poor woman and she is

79
00:03:32,680 --> 00:03:34,800
Speaker 3: puffy caked in makeup.

80
00:03:34,560 --> 00:03:36,600
Speaker 2: Like like you know, you're always wearing a lot of makeup,

81
00:03:36,600 --> 00:03:39,800
Speaker 2: but she is like covered in like clearly just been

82
00:03:40,120 --> 00:03:42,320
Speaker 2: crying all morning and is trying to put on a good.

83
00:03:42,240 --> 00:03:44,240
Speaker 4: Face this morning. She probably hadn't even slept.

84
00:03:45,200 --> 00:03:46,520
Speaker 3: And has to do her talk show.

85
00:03:46,640 --> 00:03:50,080
Speaker 4: It was the I was so tell us about I

86
00:03:50,200 --> 00:03:50,560
Speaker 4: say it.

87
00:03:51,080 --> 00:03:53,440
Speaker 2: No, I think she held it together pretty well, but like,

88
00:03:53,480 --> 00:03:56,120
Speaker 2: of course, the whole audience, like everyone knows it was like.

89
00:03:56,720 --> 00:03:59,160
Speaker 2: And then at one point I brought up somehow, like

90
00:03:59,200 --> 00:04:01,280
Speaker 2: the fact that I had been Leama's robb came up,

91
00:04:01,560 --> 00:04:03,680
Speaker 2: and she was like, that was a very that's a

92
00:04:03,760 --> 00:04:07,800
Speaker 2: very moral story. It's about moral characters doing the right things.

93
00:04:07,840 --> 00:04:09,880
Speaker 2: It's a real morality tale. And I just remember looking

94
00:04:09,880 --> 00:04:10,400
Speaker 2: at her being.

95
00:04:10,320 --> 00:04:15,320
Speaker 3: Like, sure is, miss Kathleen, do you want to talk

96
00:04:15,360 --> 00:04:16,120
Speaker 3: about morality?

97
00:04:16,240 --> 00:04:16,360
Speaker 2: No?

98
00:04:16,560 --> 00:04:20,320
Speaker 6: Okay, Okay, oh god, he stole a loaf of infidelity.

99
00:04:20,440 --> 00:04:23,120
Speaker 4: Wait, I mean read.

100
00:04:26,080 --> 00:04:29,119
Speaker 6: Oh it's so we're laughing, but it's there's nothing worse.

101
00:04:29,200 --> 00:04:32,120
Speaker 6: I mean, it's you've got ride or Strong, who's already

102
00:04:32,480 --> 00:04:36,440
Speaker 6: the most just miserable having to be at a talk show,

103
00:04:36,960 --> 00:04:39,680
Speaker 6: then coupled with we gotta you know, you already don't

104
00:04:39,680 --> 00:04:41,280
Speaker 6: know what you're gonna talk about, but now we're gonna

105
00:04:41,279 --> 00:04:43,320
Speaker 6: put it in your head. It's like the old saying

106
00:04:43,320 --> 00:04:44,720
Speaker 6: of don't think of a white elephant.

107
00:04:45,000 --> 00:04:45,920
Speaker 3: Rights.

108
00:04:45,960 --> 00:04:48,480
Speaker 6: If you just didn't say anything, I probably wouldn't walk

109
00:04:48,520 --> 00:04:49,960
Speaker 6: out there and be thinking about her.

110
00:04:49,839 --> 00:04:52,400
Speaker 3: Family and morality. And but oh god.

111
00:04:52,400 --> 00:04:54,159
Speaker 2: The whole thing is like you have to be you

112
00:04:54,279 --> 00:04:56,600
Speaker 2: have to be like really produced. Like the whole point

113
00:04:56,640 --> 00:04:58,280
Speaker 2: of doing those talk shows is to have like your

114
00:04:58,320 --> 00:05:00,720
Speaker 2: little story that you have memorized, that you've worked out

115
00:05:00,720 --> 00:05:03,200
Speaker 2: with a producer ahead of time, and like you get

116
00:05:03,200 --> 00:05:05,919
Speaker 2: out there and you and the host are basically scripted.

117
00:05:05,480 --> 00:05:06,840
Speaker 3: Telling a story or telling a thing.

118
00:05:07,400 --> 00:05:10,640
Speaker 2: I just so I still like naively believe in the

119
00:05:10,640 --> 00:05:12,200
Speaker 2: purity of like I can just show up and we

120
00:05:12,279 --> 00:05:14,359
Speaker 2: can talk, and so like I walk into a trap

121
00:05:14,400 --> 00:05:16,719
Speaker 2: every time because what they do for somebody like me

122
00:05:17,000 --> 00:05:19,920
Speaker 2: is they have a pre show interview ahead of time.

123
00:05:20,080 --> 00:05:21,800
Speaker 2: You get on the phone with whoever, the producers, and

124
00:05:21,800 --> 00:05:25,720
Speaker 2: they ask you questions, and based on those answers, they feed.

125
00:05:25,480 --> 00:05:27,239
Speaker 3: The host what they're to ask you whatever.

126
00:05:27,320 --> 00:05:29,560
Speaker 2: Sure, and like you're supposed to if you're a smart,

127
00:05:30,040 --> 00:05:33,800
Speaker 2: grown up actor, comedian person, you're supposed to do in

128
00:05:33,800 --> 00:05:35,400
Speaker 2: that pre interview, like tell them what you want to

129
00:05:35,440 --> 00:05:37,400
Speaker 2: talk about, tell them what you're not willing to do,

130
00:05:37,520 --> 00:05:38,560
Speaker 2: what you're not willing.

131
00:05:38,320 --> 00:05:38,880
Speaker 3: To talk about.

132
00:05:39,040 --> 00:05:41,920
Speaker 2: And instead I would just be like whatever, man, I'm cool.

133
00:05:41,920 --> 00:05:44,880
Speaker 2: I mean yeah, let's so like with Rosie O'Donnell, it

134
00:05:44,960 --> 00:05:49,240
Speaker 2: was like a writer Rosie loves les miss and I'm like,

135
00:05:49,360 --> 00:05:52,279
Speaker 2: yeah cool and she's and they're like, so she would

136
00:05:52,320 --> 00:05:53,920
Speaker 2: love it if you'd be willing to sing a little bit.

137
00:05:53,920 --> 00:05:56,520
Speaker 2: I'm like, oh no, no, no, I actually like stop

138
00:05:56,600 --> 00:05:58,919
Speaker 2: singing like it's a big thing, like it gets you know,

139
00:05:58,960 --> 00:06:00,320
Speaker 2: Like I just I really get nervous.

140
00:06:00,360 --> 00:06:02,159
Speaker 3: And I never my voice never changed.

141
00:06:02,160 --> 00:06:04,200
Speaker 2: I just like I'm not I'm not a singer person,

142
00:06:04,279 --> 00:06:06,680
Speaker 2: like I know, I was in musicals, so yeah, like

143
00:06:06,760 --> 00:06:09,039
Speaker 2: I just I'm really uncomfortable with that. So sure enough,

144
00:06:09,520 --> 00:06:12,240
Speaker 2: when I get out there. They were like Rosie's like,

145
00:06:12,279 --> 00:06:12,719
Speaker 2: we heard.

146
00:06:12,560 --> 00:06:14,520
Speaker 3: You were in Le Mez. You're a big boy. Now

147
00:06:14,760 --> 00:06:17,559
Speaker 3: let's hear it go And her piano player starts playing.

148
00:06:18,040 --> 00:06:20,800
Speaker 1: Can you know how uncomfortable about that is? Like that

149
00:06:20,960 --> 00:06:24,039
Speaker 1: is not the producer. That was somebody who said to

150
00:06:24,200 --> 00:06:27,400
Speaker 1: Rosie who loves musicals and he doesn't want to sing,

151
00:06:27,520 --> 00:06:32,280
Speaker 1: And Rosie was like, watch this him get in to sing,

152
00:06:32,760 --> 00:06:36,640
Speaker 1: and like that is I can't imagine knowing somebody's like listen,

153
00:06:36,680 --> 00:06:39,640
Speaker 1: this makes me, this makes me uncomfortable and then being

154
00:06:39,680 --> 00:06:41,440
Speaker 1: like gonna put you in the corner.

155
00:06:41,480 --> 00:06:43,280
Speaker 4: Anyway, it would have.

156
00:06:43,240 --> 00:06:44,880
Speaker 6: Been would have been ballsy to just be like I

157
00:06:44,880 --> 00:06:46,640
Speaker 6: told you I'm not going to sing as the piano's playing,

158
00:06:46,760 --> 00:06:47,839
Speaker 6: just be like I'm not going out.

159
00:06:47,920 --> 00:06:49,120
Speaker 3: Oh well, not gonna happen.

160
00:06:49,160 --> 00:06:49,320
Speaker 4: Now.

161
00:06:49,320 --> 00:06:51,240
Speaker 2: I would do that, But Matt Lawrence was with me.

162
00:06:51,320 --> 00:06:53,120
Speaker 2: He had just joined our show, so he was with

163
00:06:53,160 --> 00:06:55,800
Speaker 2: me on Rosie' donald and like in retrospect, like Matt

164
00:06:55,839 --> 00:06:57,839
Speaker 2: can really sing. I should have been like Matt will sing,

165
00:06:57,960 --> 00:07:01,240
Speaker 2: like yeah, oh but no, I got completely pressured and cornered.

166
00:07:01,279 --> 00:07:03,719
Speaker 2: And it's like the whole audience is cheery, like clapping along,

167
00:07:03,839 --> 00:07:04,680
Speaker 2: like let's do this.

168
00:07:04,640 --> 00:07:05,760
Speaker 3: And it's like, what do you do? Like, are you

169
00:07:05,800 --> 00:07:06,279
Speaker 3: going to be that?

170
00:07:06,640 --> 00:07:09,479
Speaker 2: It was like, no, yes, I literally told you I

171
00:07:09,480 --> 00:07:11,480
Speaker 2: am not singing, and here we are in live television.

172
00:07:11,520 --> 00:07:12,720
Speaker 2: I'm not going to sing for you.

173
00:07:12,760 --> 00:07:14,920
Speaker 4: Do you remember who else was on that Rose O'Donnell

174
00:07:14,960 --> 00:07:15,560
Speaker 4: episode with you?

175
00:07:16,040 --> 00:07:17,520
Speaker 3: Just Matt Lawrence is all I can remember.

176
00:07:17,640 --> 00:07:21,040
Speaker 4: No, it was uh Bill Cosby. Bill Cosby was on that.

177
00:07:21,040 --> 00:07:22,440
Speaker 4: What was it?

178
00:07:22,880 --> 00:07:26,680
Speaker 3: Oh godre's your star studded line. I don't remember that

179
00:07:26,760 --> 00:07:27,000
Speaker 3: at all.

180
00:07:27,080 --> 00:07:28,760
Speaker 2: I mean I definitely did not meet him because I

181
00:07:28,800 --> 00:07:30,320
Speaker 2: never I've never met Cosby.

182
00:07:30,480 --> 00:07:32,720
Speaker 3: Wow, oh oh my god.

183
00:07:33,760 --> 00:07:35,280
Speaker 2: And then I did Oprah once. I told you guys

184
00:07:35,320 --> 00:07:36,400
Speaker 2: about that. That was horrible.

185
00:07:36,720 --> 00:07:39,360
Speaker 4: Oh yeah, that was your fan mail one.

186
00:07:39,400 --> 00:07:41,240
Speaker 2: Somebody should do like a I'm sure all these things

187
00:07:41,240 --> 00:07:44,320
Speaker 2: are available. Somebody should do like an edit of awkward writer,

188
00:07:44,400 --> 00:07:46,600
Speaker 2: strong appearances. You can probably find them all, and.

189
00:07:47,200 --> 00:07:47,680
Speaker 4: I think you could.

190
00:07:47,720 --> 00:07:49,200
Speaker 6: You don't have to say awkward. I think just type

191
00:07:49,200 --> 00:07:50,000
Speaker 6: in writer.

192
00:07:50,480 --> 00:07:53,120
Speaker 3: I think the awkward is it comes along with everything else.

193
00:07:53,320 --> 00:07:55,520
Speaker 4: Welcome to Pod Meets World. I'm Daniel Fishel.

194
00:07:55,800 --> 00:07:58,200
Speaker 3: I'm right strong, and I am not going to sing.

195
00:08:00,320 --> 00:08:00,920
Speaker 3: I'm well for do.

196
00:08:13,800 --> 00:08:18,600
Speaker 1: Welcome to season four, Episode seven, Singled Out. It originally

197
00:08:18,680 --> 00:08:22,480
Speaker 1: aired November first, nineteen ninety six. The synopsis Eric lies

198
00:08:22,560 --> 00:08:25,600
Speaker 1: to land a spot on MTV's dating show singled Out

199
00:08:25,920 --> 00:08:28,520
Speaker 1: while Corey has his tonsils removed?

200
00:08:28,960 --> 00:08:31,400
Speaker 4: Was this a Ben has Finals episode?

201
00:08:32,080 --> 00:08:34,280
Speaker 3: I don't know, because he's a story.

202
00:08:34,440 --> 00:08:35,800
Speaker 5: Yeah, I know.

203
00:08:35,880 --> 00:08:36,959
Speaker 4: I couldn't figure it out. I know.

204
00:08:37,080 --> 00:08:38,800
Speaker 1: It was like, do they just always make him sick

205
00:08:38,800 --> 00:08:40,560
Speaker 1: when he has finals? And so I thought maybe we

206
00:08:40,559 --> 00:08:42,120
Speaker 1: weren't going to see a lot of him, but we did.

207
00:08:42,480 --> 00:08:42,680
Speaker 3: Yeah.

208
00:08:42,720 --> 00:08:47,000
Speaker 4: But also, his scratchy tonsil voice is phenomenal.

209
00:08:47,200 --> 00:08:50,360
Speaker 6: He's sick, wasn't really sick because then after he had

210
00:08:50,360 --> 00:08:53,440
Speaker 6: it done later he's five. Like he speaks at the

211
00:08:53,520 --> 00:08:55,560
Speaker 6: end as a voiceover act our city.

212
00:08:55,600 --> 00:08:58,800
Speaker 4: They're going, this is great. He was a great scratchy voice.

213
00:08:58,920 --> 00:08:59,120
Speaker 3: Yeah.

214
00:08:59,440 --> 00:09:02,720
Speaker 2: Really, it made me so uncomfortable for it. But I

215
00:09:02,800 --> 00:09:05,000
Speaker 2: just the idea of like somebody having a sore voice.

216
00:09:05,040 --> 00:09:07,440
Speaker 2: I was like, oh, uncomfortable, Like I made it hard

217
00:09:07,480 --> 00:09:09,199
Speaker 2: to enjoy. I was like, yeah, that's that's not a

218
00:09:09,320 --> 00:09:11,440
Speaker 2: knock on bed. That's just like the idea of like

219
00:09:11,480 --> 00:09:13,640
Speaker 2: somebody's sore voice just makes me I was like, no,

220
00:09:13,679 --> 00:09:14,600
Speaker 2: I don't want to listen to this.

221
00:09:15,800 --> 00:09:20,480
Speaker 1: Yeah, I thought, wow, that's a really I don't know

222
00:09:20,520 --> 00:09:22,240
Speaker 1: how he's doing that. I don't know how he's putting

223
00:09:22,280 --> 00:09:23,840
Speaker 1: that on, but it's really good.

224
00:09:24,000 --> 00:09:26,120
Speaker 3: He's got it just comes down here with the kind

225
00:09:26,120 --> 00:09:27,440
Speaker 3: of scraggling throat.

226
00:09:27,480 --> 00:09:29,520
Speaker 6: Yeah right, I'm going to really make rider feel good

227
00:09:29,520 --> 00:09:32,520
Speaker 6: to do the whole do the whole episode, like Jesus Christ.

228
00:09:32,720 --> 00:09:35,800
Speaker 3: No, this is the weirdest episode. Did you guys?

229
00:09:35,840 --> 00:09:38,920
Speaker 2: Did you guys remember I didn't remember this episode at all.

230
00:09:39,280 --> 00:09:41,320
Speaker 2: I had no Like I know, I said, I don't

231
00:09:41,320 --> 00:09:42,600
Speaker 2: remember episodes.

232
00:09:42,160 --> 00:09:46,240
Speaker 3: But like you well, yeah, I remembered the Singled Out part.

233
00:09:46,360 --> 00:09:49,199
Speaker 3: I remember, No, that was on another set, right that

234
00:09:50,040 --> 00:09:51,560
Speaker 3: It was actually on the set of Okay, I think

235
00:09:51,559 --> 00:09:51,800
Speaker 3: we went.

236
00:09:51,920 --> 00:09:53,840
Speaker 2: That's probably why I don't remember it, because like half

237
00:09:53,840 --> 00:09:56,760
Speaker 2: the week was taped somewhere else completely Like what a

238
00:09:56,760 --> 00:09:57,560
Speaker 2: weird week.

239
00:09:57,720 --> 00:09:59,640
Speaker 3: Just such a bizarre episode.

240
00:10:00,120 --> 00:10:01,600
Speaker 4: Yeah, it was very weird.

241
00:10:01,640 --> 00:10:05,720
Speaker 1: And No, I did not remember the anything no part

242
00:10:05,760 --> 00:10:11,160
Speaker 1: of that b storyline. I strangely did kind of remember

243
00:10:11,360 --> 00:10:14,040
Speaker 1: the a storyline, like I remember that.

244
00:10:14,160 --> 00:10:17,000
Speaker 4: Set for some reason, even though I was never honest.

245
00:10:17,440 --> 00:10:21,000
Speaker 4: Did you go, no, watch I must.

246
00:10:21,120 --> 00:10:24,359
Speaker 1: Yeah, I must have watched Singled Out and I'm just remembering,

247
00:10:25,280 --> 00:10:27,480
Speaker 1: but yeah, because I also know I don't know it

248
00:10:27,520 --> 00:10:29,680
Speaker 1: was weird. I did have like weird feelings like I

249
00:10:29,760 --> 00:10:31,520
Speaker 1: kind of remembered it. But you're probably right that what

250
00:10:31,600 --> 00:10:32,920
Speaker 1: I remembered was singled Out.

251
00:10:32,920 --> 00:10:35,040
Speaker 3: Sled Out. Nah, yeah, boy meets.

252
00:10:34,840 --> 00:10:37,280
Speaker 4: World on single Out, So.

253
00:10:36,760 --> 00:10:40,520
Speaker 2: So like I thought singleed Out was, Wasn't there another host?

254
00:10:40,559 --> 00:10:43,840
Speaker 2: Wasn't Jenny McCarthy McCarthy, Okay, That's what I remember so

255
00:10:44,840 --> 00:10:46,800
Speaker 2: Hardwick Start, who was the first one, was always just one.

256
00:10:46,800 --> 00:10:48,280
Speaker 2: I thought there was a guy and a girl, like

257
00:10:48,320 --> 00:10:49,480
Speaker 2: for some reason in my mind there.

258
00:10:49,360 --> 00:10:50,160
Speaker 3: Were two people.

259
00:10:50,440 --> 00:10:52,520
Speaker 4: It was them together the entire time.

260
00:10:52,640 --> 00:10:56,560
Speaker 1: Yeah, its just didn't get hurt and it makes no

261
00:10:56,679 --> 00:10:59,640
Speaker 1: sense even though for the most part, uh, Jenny McCarthy.

262
00:10:59,679 --> 00:11:02,040
Speaker 1: When you say Jenny McCarthy, people immediately would go the

263
00:11:02,080 --> 00:11:04,440
Speaker 1: host of Singled Out, like, especially at that time. She

264
00:11:04,600 --> 00:11:08,720
Speaker 1: was extremely identifiable for that show. So yeah, I'm not

265
00:11:08,760 --> 00:11:12,319
Speaker 1: really sure why we didn't get her. She yasmine bleethed us.

266
00:11:12,360 --> 00:11:13,359
Speaker 4: She's did.

267
00:11:15,120 --> 00:11:24,840
Speaker 3: She bathed it, never go back, so that's she bleethed it.

268
00:11:27,160 --> 00:11:29,960
Speaker 1: This episode was directed by Jeff McCracken. It was written

269
00:11:29,960 --> 00:11:32,359
Speaker 1: by Stephen Hibbert. This is his first episode.

270
00:11:32,480 --> 00:11:33,200
Speaker 5: Yay.

271
00:11:34,080 --> 00:11:37,080
Speaker 4: Know what he is most known for, yes, go for it.

272
00:11:36,960 --> 00:11:40,320
Speaker 3: Was the Gimp in pulp Fiction. I just texted him

273
00:11:40,400 --> 00:11:42,080
Speaker 3: he's coming on our show. Yeah.

274
00:11:45,280 --> 00:11:48,800
Speaker 6: Days, we'll get into the show that we did together

275
00:11:48,840 --> 00:11:49,720
Speaker 6: with him right after.

276
00:11:50,440 --> 00:11:56,720
Speaker 3: Remember the show. What a legendary thing to be like. Yep,

277
00:11:57,000 --> 00:11:57,560
Speaker 3: so cool.

278
00:11:58,080 --> 00:11:59,559
Speaker 4: He's also in Austin Powers.

279
00:12:00,080 --> 00:12:00,480
Speaker 5: Is he really?

280
00:12:00,840 --> 00:12:04,800
Speaker 6: Yeah, he's also in the second. Quite a career he does.

281
00:12:04,880 --> 00:12:07,400
Speaker 3: The second he wrote one of our best national treasure.

282
00:12:07,679 --> 00:12:10,120
Speaker 3: He wrote chick Like Me, which right exactly.

283
00:12:10,200 --> 00:12:12,240
Speaker 2: Yeah, I think one of our best episodes. We'll see

284
00:12:12,240 --> 00:12:12,760
Speaker 2: when we get there.

285
00:12:12,800 --> 00:12:16,000
Speaker 6: Well, he obviously tends towards the and I'm saying this

286
00:12:16,040 --> 00:12:18,560
Speaker 6: in the good way, the absurd, yeah, because it's like

287
00:12:18,600 --> 00:12:20,720
Speaker 6: some of the stuff he wrote is just it's bananas.

288
00:12:20,760 --> 00:12:23,000
Speaker 6: What's going on in this episode, especially the oh yeah,

289
00:12:23,000 --> 00:12:23,440
Speaker 6: we'll get it.

290
00:12:23,440 --> 00:12:24,040
Speaker 3: It's crazy.

291
00:12:24,320 --> 00:12:27,800
Speaker 1: And then we got another deep guest star list. Yeah,

292
00:12:27,920 --> 00:12:30,600
Speaker 1: Chris Hardwick. As Chris Hardwick. He was the host of

293
00:12:30,600 --> 00:12:33,959
Speaker 1: Singled Out and the syndicated dating show Shipmates, and much

294
00:12:34,040 --> 00:12:36,160
Speaker 1: later he'd become the face of the G four network

295
00:12:36,200 --> 00:12:39,679
Speaker 1: and one of the first successful podcasters. He was like

296
00:12:39,800 --> 00:12:41,400
Speaker 1: one of the first people to podcasting.

297
00:12:41,600 --> 00:12:42,200
Speaker 3: Yes, yep.

298
00:12:42,400 --> 00:12:44,560
Speaker 2: I just think of him as like the ultimate like

299
00:12:44,600 --> 00:12:48,079
Speaker 2: host from like two thousand and six to twenty sixteen

300
00:12:48,200 --> 00:12:51,120
Speaker 2: ish or somewhere around there, but mostly in the nerd culture, right,

301
00:12:51,640 --> 00:12:53,360
Speaker 2: which is which is how I know him, Which is

302
00:12:53,400 --> 00:12:55,440
Speaker 2: so funny because then singled out he's like the hip

303
00:12:55,480 --> 00:12:57,439
Speaker 2: cool guy, the cool guy, which I was like, what.

304
00:12:57,440 --> 00:13:00,000
Speaker 3: This is hardwicck this is where he started? Yep, yeah,

305
00:13:00,040 --> 00:13:00,480
Speaker 3: I didn't know.

306
00:13:00,880 --> 00:13:03,520
Speaker 1: And then John O'Hurley returns to the show, but now

307
00:13:03,679 --> 00:13:07,480
Speaker 1: as Grant Steele, not the news reporter we saw him

308
00:13:07,520 --> 00:13:08,760
Speaker 1: as just last season.

309
00:13:09,080 --> 00:13:10,959
Speaker 2: But it's a dream secret so it kind of makes

310
00:13:11,000 --> 00:13:13,000
Speaker 2: sense that it would be great the news reporter from

311
00:13:13,040 --> 00:13:15,280
Speaker 2: their local station in Jen.

312
00:13:15,600 --> 00:13:19,439
Speaker 1: Why isn't he just the news reporter reporting on Corey

313
00:13:19,520 --> 00:13:23,199
Speaker 1: Vanishing instead of a different guy hosting a difference?

314
00:13:23,200 --> 00:13:28,840
Speaker 4: You remember the name of the reporter? Was it Cal something? Cal? Yes, Cal.

315
00:13:29,400 --> 00:13:32,000
Speaker 4: I was gonna say Cal Worthington, But it's not Worthington.

316
00:13:32,920 --> 00:13:34,640
Speaker 3: You want to get a deal, go to Cal.

317
00:13:34,800 --> 00:13:35,800
Speaker 4: No, that's not.

318
00:13:37,520 --> 00:13:40,760
Speaker 3: Isn't there a Simpsons character that basically is this, like

319
00:13:41,080 --> 00:13:43,679
Speaker 3: it's always doing the news? Do you know what I'm trying?

320
00:13:43,880 --> 00:13:47,400
Speaker 6: Ken, I am Kent Brockman, Yeah, that's who you're you're

321
00:13:47,440 --> 00:13:48,400
Speaker 6: thinking about, Kent Brockman.

322
00:13:48,440 --> 00:13:53,320
Speaker 1: Yeah, but yes, So then we have Bridget Flannery as Lisa.

323
00:13:53,440 --> 00:13:56,320
Speaker 1: She played Lilah on the show Sweet Valley High from

324
00:13:56,400 --> 00:13:58,840
Speaker 1: nineteen ninety four to nineteen ninety six and Jill on

325
00:13:58,880 --> 00:14:01,240
Speaker 1: Sabrina the Teenage Witch from nineteen ninety six to nineteen

326
00:14:01,280 --> 00:14:03,439
Speaker 1: ninety eight. I just would like for the record to

327
00:14:03,480 --> 00:14:05,480
Speaker 1: show that the name could also be Leela on the

328
00:14:05,520 --> 00:14:06,520
Speaker 1: show Sweet Valley High.

329
00:14:06,559 --> 00:14:07,959
Speaker 4: And I have no way of knowing.

330
00:14:08,040 --> 00:14:09,839
Speaker 3: So I read Sweet Valley High.

331
00:14:09,880 --> 00:14:11,280
Speaker 4: I did not read it.

332
00:14:12,040 --> 00:14:16,120
Speaker 1: I wouldn't I wouldn't know if it was Lila Orlila Isla.

333
00:14:15,480 --> 00:14:17,600
Speaker 3: One of our most famous episodes of literary Disco. We

334
00:14:17,640 --> 00:14:20,880
Speaker 3: read the first Sweet Valley High, disturbing, guys.

335
00:14:20,600 --> 00:14:21,480
Speaker 4: Is it Lila or Leila?

336
00:14:21,800 --> 00:14:23,640
Speaker 3: I don't know because I only read it, you know.

337
00:14:24,160 --> 00:14:26,520
Speaker 4: Right right, but that you asked me if I have read.

338
00:14:26,360 --> 00:14:28,920
Speaker 3: It, is it more more disturbing than.

339
00:14:30,120 --> 00:14:33,520
Speaker 2: The multiple multiple rapes, multiple rapes in the first So

340
00:14:33,560 --> 00:14:35,080
Speaker 2: that it is because there's only one rape and the

341
00:14:35,080 --> 00:14:36,880
Speaker 2: first one that I get that it's so I read

342
00:14:36,960 --> 00:14:39,280
Speaker 2: like we could not believe that this is the book

343
00:14:39,320 --> 00:14:42,800
Speaker 2: that's so many teenage girls love and remember it's like

344
00:14:42,880 --> 00:14:45,400
Speaker 2: it opens with her looking in the mirror and talking

345
00:14:45,400 --> 00:14:48,720
Speaker 2: about how fat she is. Like it's so it's it's

346
00:14:48,760 --> 00:14:51,720
Speaker 2: it's so damaging and like you're just like, oh, it's

347
00:14:51,720 --> 00:14:53,840
Speaker 2: like Flowers in the Attic, which is also super disturbing

348
00:14:53,840 --> 00:14:55,520
Speaker 2: to realize so many kids were reading It's like their

349
00:14:55,520 --> 00:14:57,120
Speaker 2: first book as teenagers.

350
00:14:57,280 --> 00:14:58,600
Speaker 3: So worse than Piers Anthony.

351
00:14:59,320 --> 00:15:02,600
Speaker 2: Yeah, well, because what's crazy is is more insidious, you know,

352
00:15:02,720 --> 00:15:05,360
Speaker 2: like it's almost as bad. It's like the female version

353
00:15:05,400 --> 00:15:07,280
Speaker 2: appears Anthony where it's like you're just.

354
00:15:07,200 --> 00:15:09,360
Speaker 3: Like, girls should not be reading this.

355
00:15:09,480 --> 00:15:11,320
Speaker 2: Like this is I'm sure they're better now, Like I'm

356
00:15:11,360 --> 00:15:13,800
Speaker 2: sure there's a whole sweep, but like the original first

357
00:15:13,800 --> 00:15:15,520
Speaker 2: Sweet Valley High, it's super disturbing.

358
00:15:15,680 --> 00:15:15,960
Speaker 4: Wow.

359
00:15:16,080 --> 00:15:19,840
Speaker 1: All right, Well Bridget Bridget Flannery, who plays Lisa in

360
00:15:19,880 --> 00:15:23,400
Speaker 1: a bit of an ironic twist, graduated from Yale with her.

361
00:15:23,280 --> 00:15:26,920
Speaker 3: Master's amazing research.

362
00:15:26,960 --> 00:15:29,040
Speaker 4: I can't believe you guys found that. That's so went

363
00:15:29,080 --> 00:15:29,840
Speaker 4: to Yale.

364
00:15:30,160 --> 00:15:32,680
Speaker 1: Yeah, she went to yaweh and she now teaches acting

365
00:15:32,920 --> 00:15:34,040
Speaker 1: here in Los Angeles.

366
00:15:34,360 --> 00:15:35,840
Speaker 3: Oh, so I wonder if she went to Yale four

367
00:15:35,880 --> 00:15:37,160
Speaker 3: acting she must have. That's awesome.

368
00:15:37,200 --> 00:15:40,800
Speaker 6: Probably well obviously didn't decide to stay with her boyfriend

369
00:15:40,800 --> 00:15:42,000
Speaker 6: and get married at a very young age.

370
00:15:42,040 --> 00:15:44,120
Speaker 4: She went to Yale. Look what she's doing. Oh, look

371
00:15:44,120 --> 00:15:45,080
Speaker 4: what she's able to do.

372
00:15:45,720 --> 00:15:48,120
Speaker 1: And then we have Karen Lynn Scott as Donna, the

373
00:15:48,280 --> 00:15:51,760
Speaker 1: MTV casting Agent. She has a lot of nineties TV

374
00:15:51,800 --> 00:15:55,440
Speaker 1: appearances under the belt Seinfeld, Martin, Drew Carey, also Sabrina

375
00:15:56,560 --> 00:16:00,480
Speaker 1: and then Leah Fisher as contestant number one and Jennifer

376
00:16:00,560 --> 00:16:05,600
Speaker 1: Lee Edwards's contestant number two. We have Gail Boggs as nurse,

377
00:16:05,800 --> 00:16:08,680
Speaker 1: best known as Louise Brown, the sister of Whoopi Goldberg

378
00:16:08,760 --> 00:16:12,840
Speaker 1: and Ghost, but also musically she sang on Hollan Oates

379
00:16:12,880 --> 00:16:18,160
Speaker 1: and Carly Simon songs cool. She also alleges that she

380
00:16:18,600 --> 00:16:21,640
Speaker 1: was the person who convinced Madonna and Nile Rogers to

381
00:16:21,760 --> 00:16:24,320
Speaker 1: release Like a Virgin as a single.

382
00:16:24,800 --> 00:16:27,880
Speaker 3: Wait wait, who is this? This is a nurse? A nurse?

383
00:16:27,960 --> 00:16:29,880
Speaker 1: Yes, so she's the one I think who just says

384
00:16:29,880 --> 00:16:31,240
Speaker 1: like I'm giving him a mild sedative.

385
00:16:31,360 --> 00:16:33,640
Speaker 3: Yeah yeah, Online.

386
00:16:33,240 --> 00:16:35,760
Speaker 1: Gael Bogs She's best known as Louise Brown, and then

387
00:16:35,920 --> 00:16:39,400
Speaker 1: John Ernst as John Ernst the in House singled out DJ.

388
00:16:39,720 --> 00:16:41,960
Speaker 1: He'd later go on to be music supervisor on other

389
00:16:42,080 --> 00:16:45,360
Speaker 1: MTV hits like The Hills, Laguna Beach, and Cribs and

390
00:16:45,520 --> 00:16:46,880
Speaker 1: he can Payne.

391
00:16:47,400 --> 00:16:49,640
Speaker 6: Nope, no, but we kept cutting to him because he's like,

392
00:16:49,800 --> 00:16:52,280
Speaker 6: he just gets one of the co hosts, and.

393
00:16:52,240 --> 00:16:54,080
Speaker 1: I wonder if he did at some point have a

394
00:16:54,120 --> 00:16:59,120
Speaker 1: line that ended up getting So he composed all the

395
00:16:59,200 --> 00:17:02,360
Speaker 1: music for Ductne to see behind the music Love is Blind.

396
00:17:02,120 --> 00:17:05,400
Speaker 4: And Netflix's cheer Wow yep.

397
00:17:05,560 --> 00:17:09,399
Speaker 1: Jay Wodell as TV producer Again, this is another person

398
00:17:09,440 --> 00:17:12,880
Speaker 1: who was credited but didn't appear. I don't remember there

399
00:17:12,880 --> 00:17:19,320
Speaker 1: being a TV producer that right, besides the casting agent

400
00:17:19,400 --> 00:17:24,200
Speaker 1: in the office. And then there was the announcer who yeah,

401
00:17:24,560 --> 00:17:27,439
Speaker 1: maybe yeah, maybe a cut scene or at least a

402
00:17:27,440 --> 00:17:29,840
Speaker 1: cut line, somebody coming out maybe to say something to

403
00:17:29,920 --> 00:17:34,399
Speaker 1: Chris or to you who knows. And then finally Chuck Riley,

404
00:17:34,480 --> 00:17:37,120
Speaker 1: a common voice used on Boy Meets World, returns as

405
00:17:37,440 --> 00:17:42,439
Speaker 1: the announcer. So overall thoughts, we've decided. We've said it

406
00:17:42,480 --> 00:17:43,960
Speaker 1: was weird and bizarre.

407
00:17:44,160 --> 00:17:47,080
Speaker 2: Yeah, it's just like a I mean, it's not like

408
00:17:47,200 --> 00:17:49,480
Speaker 2: super I mean, I guess it is pretty weird, but like.

409
00:17:49,480 --> 00:17:50,840
Speaker 3: It just felt slight to me.

410
00:17:50,920 --> 00:17:52,720
Speaker 2: It was like, okay, cool, there's an episode of a

411
00:17:52,760 --> 00:17:54,760
Speaker 2: show like I don't know where it fits in the story.

412
00:17:54,800 --> 00:17:57,440
Speaker 3: It doesn't connect with it's just mine. It was, yeah,

413
00:17:57,480 --> 00:17:58,399
Speaker 3: you know, I don't know.

414
00:17:58,440 --> 00:18:02,000
Speaker 2: I guess like the by the end, the Eric storyline

415
00:18:02,160 --> 00:18:04,000
Speaker 2: just didn't really go much.

416
00:18:04,080 --> 00:18:05,600
Speaker 3: It was just kind of like, oh no, she lied

417
00:18:05,640 --> 00:18:07,720
Speaker 3: to great, Okay, I don't know.

418
00:18:08,680 --> 00:18:11,199
Speaker 6: I didn't find I thought that there were times the

419
00:18:11,200 --> 00:18:14,119
Speaker 6: b storyline made me laugh out loud. I did not

420
00:18:14,280 --> 00:18:16,720
Speaker 6: think any of the singled out stuff was funny, No,

421
00:18:16,960 --> 00:18:20,399
Speaker 6: I mean at all. It was the whole show that

422
00:18:20,600 --> 00:18:22,679
Speaker 6: dragged for me, all the singled out stuff. And I

423
00:18:22,720 --> 00:18:25,280
Speaker 6: distinctly remember talking to Chris about it at the time

424
00:18:25,320 --> 00:18:28,040
Speaker 6: where certain things like it's like looking in a mirror

425
00:18:28,080 --> 00:18:29,560
Speaker 6: in our hair, We looked at each other and went,

426
00:18:29,760 --> 00:18:32,960
Speaker 6: we don't look that much alike to make this a joke, right,

427
00:18:33,160 --> 00:18:35,520
Speaker 6: And so it came off as both of us, at

428
00:18:35,600 --> 00:18:37,000
Speaker 6: least how I saw it as an actor. For me,

429
00:18:37,480 --> 00:18:39,720
Speaker 6: it came off where I wasn't committing to the stuff

430
00:18:39,760 --> 00:18:41,680
Speaker 6: as much as I should have because I didn't believe

431
00:18:41,680 --> 00:18:43,080
Speaker 6: in it, which I was very rare for me.

432
00:18:44,000 --> 00:18:46,359
Speaker 2: I also think you don't have a laugh track in

433
00:18:46,400 --> 00:18:50,159
Speaker 2: those scenes. No, So it's weird because it's jarring to

434
00:18:50,200 --> 00:18:53,159
Speaker 2: suddenly leave a show. So like when he makes that

435
00:18:53,200 --> 00:18:54,840
Speaker 2: joke about it's like looking at a mirror whatever, there's

436
00:18:54,880 --> 00:18:56,760
Speaker 2: no laugh And it's not because the joke bombed. It's

437
00:18:56,760 --> 00:18:58,919
Speaker 2: because there's no studio audience. You guys were filming at

438
00:18:58,960 --> 00:19:02,200
Speaker 2: the But ironically there's a lot of energy because that's

439
00:19:02,200 --> 00:19:04,520
Speaker 2: the singled out, So there's like people cheering and there's music.

440
00:19:04,680 --> 00:19:08,440
Speaker 2: But you're right, it's like grinds to a halt like sitcom.

441
00:19:08,960 --> 00:19:11,399
Speaker 3: It's like becomes them yelling, trying to yell the jokes

442
00:19:11,400 --> 00:19:13,080
Speaker 3: over the audience going.

443
00:19:13,119 --> 00:19:15,320
Speaker 6: And it was so I didn't find any that funny.

444
00:19:15,960 --> 00:19:17,400
Speaker 6: I thought that I didn't think it was a bad

445
00:19:17,400 --> 00:19:20,080
Speaker 6: episode by any just like you. It was like, this

446
00:19:20,240 --> 00:19:24,320
Speaker 6: is obviously there's certain things in this episode that are iconic,

447
00:19:24,480 --> 00:19:28,120
Speaker 6: which we'll get to, right. I know, I know there's moments,

448
00:19:28,800 --> 00:19:32,760
Speaker 6: huge moments that literally altered everything in the show in

449
00:19:32,800 --> 00:19:33,160
Speaker 6: this and.

450
00:19:33,160 --> 00:19:36,920
Speaker 4: Yet they're completely glossed over. It's like the yeah, yep.

451
00:19:37,400 --> 00:19:39,639
Speaker 3: Yeah, and then you get to the singled out stuff,

452
00:19:39,640 --> 00:19:40,440
Speaker 3: and I was like, eh.

453
00:19:40,320 --> 00:19:41,800
Speaker 2: Well, do you think it was part of the like

454
00:19:41,880 --> 00:19:45,439
Speaker 2: era of like I mean part of like all the

455
00:19:45,480 --> 00:19:49,240
Speaker 2: singled out stuff. Right, it's like hot girls, horny guy.

456
00:19:49,320 --> 00:19:51,280
Speaker 2: And I just feel like that doesn't like that's just

457
00:19:51,320 --> 00:19:52,320
Speaker 2: not that interesting to me.

458
00:19:52,400 --> 00:19:53,000
Speaker 3: It never was.

459
00:19:53,040 --> 00:19:55,720
Speaker 2: But it also feels very dated. It feels like, of

460
00:19:55,800 --> 00:19:58,320
Speaker 2: course it is. I mean, it's like heavy handed and

461
00:19:58,359 --> 00:19:59,400
Speaker 2: like it says.

462
00:19:59,359 --> 00:20:02,320
Speaker 6: As ni as you can get all right, we're getting

463
00:20:02,359 --> 00:20:03,480
Speaker 6: rid of the naughty girl.

464
00:20:05,320 --> 00:20:07,959
Speaker 1: I felt a little bit like how Will has mentioned

465
00:20:08,000 --> 00:20:10,679
Speaker 1: before that because so much of the show took place

466
00:20:10,800 --> 00:20:11,880
Speaker 1: on two sets.

467
00:20:11,600 --> 00:20:13,040
Speaker 4: That we've never seen before.

468
00:20:13,320 --> 00:20:15,399
Speaker 1: It was like so much of the show was on

469
00:20:15,400 --> 00:20:18,920
Speaker 1: this singled out set that like start yeah, and there's

470
00:20:18,960 --> 00:20:21,000
Speaker 1: no audience there, and so, like you mentioned, there's all

471
00:20:21,040 --> 00:20:23,720
Speaker 1: this energy that's coming from people we don't know and

472
00:20:23,760 --> 00:20:26,520
Speaker 1: don't have a real connection to. And then there's a

473
00:20:26,560 --> 00:20:29,439
Speaker 1: hospital room. It's a place we've never been in before.

474
00:20:29,480 --> 00:20:31,719
Speaker 1: And so it felt a little like what show am

475
00:20:31,800 --> 00:20:34,120
Speaker 1: I watching? It's not a bad one, I just don't

476
00:20:34,160 --> 00:20:36,919
Speaker 1: know that I need to revisit it. Like I watched it,

477
00:20:37,040 --> 00:20:38,879
Speaker 1: I feel like I watched a pilot for something and

478
00:20:39,000 --> 00:20:40,159
Speaker 1: was like great.

479
00:20:40,000 --> 00:20:42,160
Speaker 2: Yeah, and then it's it's a meta in some weird

480
00:20:42,160 --> 00:20:45,159
Speaker 2: ways too, Like obviously you know the whole like what

481
00:20:45,440 --> 00:20:46,160
Speaker 2: is the name of the show.

482
00:20:46,160 --> 00:20:49,720
Speaker 3: Within the show, it's like, it's what's it's happen.

483
00:20:51,119 --> 00:20:53,600
Speaker 4: It's like unsolved mystery disappear.

484
00:20:54,119 --> 00:20:56,720
Speaker 2: Like and and also I think the iconic moment that

485
00:20:56,760 --> 00:20:58,960
Speaker 2: we've all referenced in is like the mister Feenie moment.

486
00:20:59,040 --> 00:21:01,159
Speaker 2: It's like, is all so sort of self aware in

487
00:21:01,160 --> 00:21:02,800
Speaker 2: a way that the show hasn't been that often where

488
00:21:02,960 --> 00:21:04,600
Speaker 2: it's like, mister Phoenie has to be here. So there's

489
00:21:04,640 --> 00:21:06,439
Speaker 2: like a couple of metal moments that are actually pretty

490
00:21:06,480 --> 00:21:07,480
Speaker 2: clever and interesting.

491
00:21:07,760 --> 00:21:10,200
Speaker 3: But yeah, it doesn't feel like a typical episode by anything.

492
00:21:10,600 --> 00:21:12,760
Speaker 6: It's kind of a filler episode, which is strange for

493
00:21:12,840 --> 00:21:15,040
Speaker 6: it having so many iconic moments.

494
00:21:15,080 --> 00:21:17,919
Speaker 1: Well, the iconic moment we're talking about is Will's first

495
00:21:18,040 --> 00:21:18,760
Speaker 1: Phoenie call.

496
00:21:20,200 --> 00:21:22,040
Speaker 3: The Phoenie call. It is where it's starts.

497
00:21:22,600 --> 00:21:22,879
Speaker 5: This is it.

498
00:21:23,040 --> 00:21:27,240
Speaker 2: Okay, we're gonna call it because because you just yell

499
00:21:27,320 --> 00:21:28,600
Speaker 2: at once, don't it.

500
00:21:29,000 --> 00:21:32,639
Speaker 1: I was like, this is the moment where yelling Phoene

501
00:21:32,720 --> 00:21:35,400
Speaker 1: in a funny way becomes a bit yep.

502
00:21:36,960 --> 00:21:37,480
Speaker 4: It's so great.

503
00:21:37,520 --> 00:21:39,280
Speaker 1: Okay, So jumping into our recap, we start in the

504
00:21:39,280 --> 00:21:41,760
Speaker 1: Matthew's living room. Eric is moping he's home alone on

505
00:21:41,800 --> 00:21:44,000
Speaker 1: a Saturday night, flipping through channels on the couch, feed

506
00:21:44,080 --> 00:21:45,159
Speaker 1: up with dirty socks.

507
00:21:45,840 --> 00:21:49,320
Speaker 3: Really say, this is an amazing, very rare camera move.

508
00:21:50,040 --> 00:21:53,840
Speaker 2: The camera is like panning and then zooming like it

509
00:21:53,920 --> 00:21:56,960
Speaker 2: was very stylized and kind of cool. It's like slow creep,

510
00:21:57,080 --> 00:21:58,359
Speaker 2: you know, and then the whole thing is played in

511
00:21:58,400 --> 00:22:03,720
Speaker 2: one shot. It was like this, Yeah, can anybody tell.

512
00:22:03,560 --> 00:22:05,919
Speaker 6: Me before we get too deep into the episode what

513
00:22:06,119 --> 00:22:08,920
Speaker 6: we were doing the week before? Were we coming off

514
00:22:08,920 --> 00:22:14,359
Speaker 6: of vacation? Because everyone in this episode is tan? Everyone really,

515
00:22:14,359 --> 00:22:20,439
Speaker 6: it might have been every single person in this episode,

516
00:22:20,600 --> 00:22:22,679
Speaker 6: including the guest star. So either we had a new

517
00:22:22,680 --> 00:22:25,399
Speaker 6: makeup artist who was doing the makeup differently, or we

518
00:22:25,440 --> 00:22:29,320
Speaker 6: were all at Sandals resort together, I hope, because what.

519
00:22:29,280 --> 00:22:31,879
Speaker 4: It was the vacation we ask together that I have

520
00:22:31,920 --> 00:22:32,439
Speaker 4: no memory of.

521
00:22:32,720 --> 00:22:34,920
Speaker 3: Yes, everyone was tan. It was very strange. Huh.

522
00:22:34,960 --> 00:22:36,600
Speaker 4: I don't remember thinking I looked tan?

523
00:22:37,320 --> 00:22:39,960
Speaker 1: You did, so, He angrily tells himself, I should be

524
00:22:40,040 --> 00:22:41,040
Speaker 1: dating college.

525
00:22:40,680 --> 00:22:43,240
Speaker 4: Girls, but I'm not. I want to date college girls,

526
00:22:43,240 --> 00:22:45,960
Speaker 4: but how how I ask? He changes the station to

527
00:22:46,119 --> 00:22:49,240
Speaker 4: the weather channel that announces Hurricane Chester has been downgraded

528
00:22:49,280 --> 00:22:53,880
Speaker 4: to a refreshing breeze. I don't know why that made

529
00:22:53,880 --> 00:22:56,920
Speaker 4: me laugh so much. I really did I notice?

530
00:22:58,080 --> 00:22:58,800
Speaker 3: Yeah I did.

531
00:22:58,880 --> 00:23:02,200
Speaker 1: Yeah, she was really I was expecting like tropical storm

532
00:23:02,240 --> 00:23:03,320
Speaker 1: and instead it's just.

533
00:23:03,240 --> 00:23:05,840
Speaker 3: Like refreshing breeze, refreshing breeze.

534
00:23:06,880 --> 00:23:10,480
Speaker 1: And then the TV answers this question, MTV singled Out

535
00:23:10,560 --> 00:23:12,639
Speaker 1: is coming to Philadelphia. If you want to be a

536
00:23:12,640 --> 00:23:15,240
Speaker 1: contestant and meet hundreds of college girls on a very

537
00:23:15,280 --> 00:23:17,879
Speaker 1: special edition of singled Out, then call the number on

538
00:23:17,920 --> 00:23:21,239
Speaker 1: your screen. Despite his dreams coming true, Eric doesn't even

539
00:23:21,280 --> 00:23:23,560
Speaker 1: bout an eye and flips the channel again. The MTV

540
00:23:23,600 --> 00:23:26,680
Speaker 1: commercial finally registers, and he flips back, excitedly writing the

541
00:23:26,760 --> 00:23:29,000
Speaker 1: number down so he can be on singled Out. And

542
00:23:29,040 --> 00:23:31,359
Speaker 1: I loved watching you scribble on your piece of paper.

543
00:23:31,600 --> 00:23:34,440
Speaker 6: Of course, you got to write the numbers down, got

544
00:23:34,440 --> 00:23:37,600
Speaker 6: to go to the next room to dial up.

545
00:23:38,680 --> 00:23:40,520
Speaker 2: It seems kind of crazy to me that we did

546
00:23:40,560 --> 00:23:43,640
Speaker 2: a crossover with an MTV show, doesn't It seem like.

547
00:23:43,680 --> 00:23:45,639
Speaker 6: It makes perfect sense though when you think about it,

548
00:23:45,680 --> 00:23:48,400
Speaker 6: like you're trying to get that same audience, because that's

549
00:23:48,400 --> 00:23:50,119
Speaker 6: when our show really took off. Was the second or

550
00:23:50,119 --> 00:23:53,000
Speaker 6: third run when it was on MTV two or three, right, right,

551
00:23:53,200 --> 00:23:53,720
Speaker 6: but it's just.

552
00:23:54,640 --> 00:23:57,080
Speaker 2: For ABC, and like, think about it, last season we

553
00:23:57,080 --> 00:23:59,600
Speaker 2: were doing like Disney World, right, so like now we're

554
00:23:59,600 --> 00:24:02,240
Speaker 2: sort of like aging up into this. Like and of course,

555
00:24:02,280 --> 00:24:07,080
Speaker 2: at the time, like Cable, MTV was so just a

556
00:24:07,080 --> 00:24:09,760
Speaker 2: different world, you know, like they're like their ratings would

557
00:24:09,760 --> 00:24:12,919
Speaker 2: have been nothing compared to a mainstream primetime show, So

558
00:24:12,920 --> 00:24:14,199
Speaker 2: it was in a weird way, we're kind of like

559
00:24:14,280 --> 00:24:16,480
Speaker 2: slumming it with this, like do you know what I mean?

560
00:24:16,520 --> 00:24:20,480
Speaker 2: Like MTV was like this, like Cable Racus, little little station.

561
00:24:20,640 --> 00:24:22,880
Speaker 6: Also think they were changing at this point. There's almost

562
00:24:22,920 --> 00:24:25,200
Speaker 6: no music left and this was the height of like

563
00:24:25,280 --> 00:24:29,840
Speaker 6: the Real World and road Rule. Yeah, at this point

564
00:24:29,880 --> 00:24:31,000
Speaker 6: I think so pretty sure.

565
00:24:31,440 --> 00:24:34,040
Speaker 1: Ninety seven really it was yeah, okay, I think it

566
00:24:34,119 --> 00:24:34,919
Speaker 1: was yeah, and I.

567
00:24:35,040 --> 00:24:37,840
Speaker 3: Really revolutionized stuff when thou yes, well, and.

568
00:24:37,800 --> 00:24:38,560
Speaker 4: That's exactly it.

569
00:24:38,600 --> 00:24:41,360
Speaker 1: Even if their audience was low, their engagement, like their

570
00:24:41,400 --> 00:24:42,400
Speaker 1: reach was really.

571
00:24:42,200 --> 00:24:46,440
Speaker 3: High cultural soffect totally. Yeah, I mean the real world

572
00:24:46,440 --> 00:24:48,720
Speaker 3: that was kind of the start of the reality stuff.

573
00:24:49,119 --> 00:24:53,520
Speaker 1: Yes, and also the risque factor of even the beer

574
00:24:53,680 --> 00:24:58,880
Speaker 1: Stein naughty girls and drinking for Eric to be Yeah,

575
00:24:58,920 --> 00:25:02,120
Speaker 1: that's like, that's you know, And I guess the save

576
00:25:02,320 --> 00:25:05,119
Speaker 1: for it was, well, Eric's gonna rule those things.

577
00:25:04,880 --> 00:25:07,840
Speaker 6: Out and talk about his mommy and stuff like that,

578
00:25:08,040 --> 00:25:09,720
Speaker 6: so hot cocoa and stuff like that.

579
00:25:10,040 --> 00:25:10,399
Speaker 5: Yeah.

580
00:25:10,480 --> 00:25:13,040
Speaker 1: Yeah, So then we're in the Matthew's kitchen. The family

581
00:25:13,160 --> 00:25:16,040
Speaker 1: enters with Tapanga and Sean. Amy is reassuring Corey that

582
00:25:16,080 --> 00:25:19,240
Speaker 1: a ton selectomy is a simple operation to Panga Grease,

583
00:25:19,320 --> 00:25:21,400
Speaker 1: telling Corey you get to stay overnight in the hospital,

584
00:25:21,480 --> 00:25:24,359
Speaker 1: eat jello, and then you come home the next day. Corey,

585
00:25:24,440 --> 00:25:27,720
Speaker 1: revealing a very hoarse voice, says I don't need an operation.

586
00:25:28,400 --> 00:25:32,120
Speaker 1: Amy asks, okay, be sure we do it every time

587
00:25:32,119 --> 00:25:32,520
Speaker 1: he talks.

588
00:25:33,880 --> 00:25:36,119
Speaker 6: By the way, this entire episode, you are dressed like

589
00:25:36,160 --> 00:25:38,280
Speaker 6: either a go go dancer or in the mod squad.

590
00:25:38,960 --> 00:25:41,359
Speaker 3: No, I don't know what's happening with my The seven

591
00:25:41,440 --> 00:25:42,080
Speaker 3: is straight.

592
00:25:41,880 --> 00:25:43,879
Speaker 6: Up like I expected you to get a call on

593
00:25:43,920 --> 00:25:46,800
Speaker 6: your giant phone because Charlie's Angels needed you somewhere, and

594
00:25:47,040 --> 00:25:48,800
Speaker 6: it was so like, what the hell are they dressing her?

595
00:25:48,880 --> 00:25:51,320
Speaker 1: I know, I know, I thought, I don't know. We

596
00:25:51,359 --> 00:25:57,200
Speaker 1: are we are experimenting. We are experimenting. Fair enough, He says,

597
00:25:57,200 --> 00:25:59,359
Speaker 1: I don't need an operation. Amy asks, then why are

598
00:25:59,359 --> 00:25:59,920
Speaker 1: you talking like that?

599
00:26:00,680 --> 00:26:00,800
Speaker 3: Uh?

600
00:26:01,040 --> 00:26:04,120
Speaker 1: Corey quickly invents the idea that he irritated his tonsils

601
00:26:04,119 --> 00:26:07,960
Speaker 1: when brushing his teeth. It's that darn angled toothbrush. Tepega

602
00:26:08,040 --> 00:26:09,960
Speaker 1: encourages Sean to tell his friend that he needs to

603
00:26:09,960 --> 00:26:12,159
Speaker 1: go to the hospital. Sean says, he's sorry, but he

604
00:26:12,240 --> 00:26:14,960
Speaker 1: has some serious problems with doctors, and then he explains

605
00:26:14,960 --> 00:26:17,640
Speaker 1: it last night he was slipping through channels. Who's watching CNN?

606
00:26:18,080 --> 00:26:20,280
Speaker 1: Sean admits they lured him in with a story about cake,

607
00:26:20,359 --> 00:26:22,320
Speaker 1: but then they did an expose on a fifteen year

608
00:26:22,320 --> 00:26:24,160
Speaker 1: old boy who went to the hospital for a routine

609
00:26:24,160 --> 00:26:25,480
Speaker 1: procedure and vanished.

610
00:26:26,520 --> 00:26:28,480
Speaker 6: This is such a strange story like that, I know,

611
00:26:28,720 --> 00:26:31,000
Speaker 6: but it seemes they did this on Seinfeld.

612
00:26:31,040 --> 00:26:31,520
Speaker 3: What do you mean?

613
00:26:31,600 --> 00:26:32,000
Speaker 4: Oh?

614
00:26:32,080 --> 00:26:35,960
Speaker 6: This was so it's a Kramer George has to go

615
00:26:36,040 --> 00:26:38,960
Speaker 6: in for a ton selectomy, and it's Kramer the whole

616
00:26:38,960 --> 00:26:40,120
Speaker 6: time saying you.

617
00:26:40,040 --> 00:26:41,480
Speaker 3: Don't want you don't want to do that. That's think

618
00:26:41,480 --> 00:26:42,159
Speaker 3: you're gonna end up.

619
00:26:42,359 --> 00:26:44,920
Speaker 6: My friend Bob Sacamano went in for ton selected me

620
00:26:45,119 --> 00:26:48,080
Speaker 6: and they took out his heart, took out his testicles,

621
00:26:48,080 --> 00:26:49,919
Speaker 6: and now he says, Hi, my name's Bob, Like it

622
00:26:49,960 --> 00:26:52,520
Speaker 6: was always something you shouldn't be here at this hospital.

623
00:26:52,560 --> 00:26:55,880
Speaker 4: They're going to kill you in here, Like this was exactly.

624
00:26:55,480 --> 00:26:58,200
Speaker 6: From Seinfeld, and you think it was after s ahlways

625
00:26:58,200 --> 00:27:00,480
Speaker 6: way after, because this was season one of Seinfeld.

626
00:27:01,320 --> 00:27:02,439
Speaker 3: They did this whole episode.

627
00:27:02,440 --> 00:27:04,840
Speaker 6: It's an episode called the heart Attack where George thinks

628
00:27:04,840 --> 00:27:06,680
Speaker 6: he's having a heart attack and goes to the hospital

629
00:27:07,040 --> 00:27:09,159
Speaker 6: and then turns out he needs his tonsils out and

630
00:27:09,200 --> 00:27:10,399
Speaker 6: it's Kramer there.

631
00:27:11,160 --> 00:27:12,200
Speaker 3: They're going to kill you in here.

632
00:27:12,200 --> 00:27:13,800
Speaker 2: They're going to kill you in That's one of those

633
00:27:13,800 --> 00:27:15,640
Speaker 2: things that you could see like a writer is doing

634
00:27:15,680 --> 00:27:17,119
Speaker 2: without even realizing that they're doing it.

635
00:27:17,119 --> 00:27:19,720
Speaker 3: If it was a couple of years earlier, that's this

636
00:27:19,840 --> 00:27:23,880
Speaker 3: was This is a storyline straight from.

637
00:27:23,160 --> 00:27:27,240
Speaker 2: So I think this might be the first Cake reference.

638
00:27:27,640 --> 00:27:30,879
Speaker 2: This becomes a thing this sean.

639
00:27:32,440 --> 00:27:32,960
Speaker 4: Haven't we done?

640
00:27:33,119 --> 00:27:33,280
Speaker 5: Think?

641
00:27:33,280 --> 00:27:35,520
Speaker 3: I know we've had We've already had it on we

642
00:27:35,560 --> 00:27:37,720
Speaker 3: had Weak. I feel like you've done this one.

643
00:27:37,600 --> 00:27:39,840
Speaker 2: Because I remember there's like one of the one of

644
00:27:39,840 --> 00:27:42,639
Speaker 2: the more famous moments I remember our Note Sessions is

645
00:27:42,680 --> 00:27:44,600
Speaker 2: the episode that's I don't know if it's this season

646
00:27:44,640 --> 00:27:47,000
Speaker 2: or next season, when Corey and I are like, uh,

647
00:27:47,560 --> 00:27:49,120
Speaker 2: I have a girlfriend who won't let me see.

648
00:27:48,920 --> 00:27:51,360
Speaker 4: Cory or like fair.

649
00:27:51,200 --> 00:27:54,960
Speaker 3: To forget that's and talk about and I.

650
00:27:54,920 --> 00:27:58,040
Speaker 2: Go like this, this isn't Corey, this is Cake. And

651
00:27:59,359 --> 00:28:02,359
Speaker 2: then Ben the note during the note session, Michael was

652
00:28:02,440 --> 00:28:06,320
Speaker 2: like when he says that cake, and Ben was like,

653
00:28:06,320 --> 00:28:07,919
Speaker 2: what does that mean? He's like, I don't know, just

654
00:28:07,960 --> 00:28:10,600
Speaker 2: be cake. And so Ben made cake face and then

655
00:28:10,640 --> 00:28:12,280
Speaker 2: we put it in the script so then the writers

656
00:28:12,320 --> 00:28:14,200
Speaker 2: would put it in the script whenever he was just

657
00:28:14,240 --> 00:28:15,000
Speaker 2: put cake face.

658
00:28:15,080 --> 00:28:16,800
Speaker 3: For Ben to do it was like one of those

659
00:28:16,880 --> 00:28:17,520
Speaker 3: legendary boys.

660
00:28:17,520 --> 00:28:20,120
Speaker 4: And I remember that because I thought we talked.

661
00:28:19,960 --> 00:28:22,959
Speaker 2: About I don't think I think this is the first time,

662
00:28:23,000 --> 00:28:25,399
Speaker 2: because I repeated in the scene, I'm like Cake, and

663
00:28:25,440 --> 00:28:27,359
Speaker 2: I was like, what this was? I remember this was

664
00:28:27,400 --> 00:28:30,040
Speaker 2: our running thing, like cake, because like a thing that

665
00:28:30,080 --> 00:28:30,840
Speaker 2: we talked about.

666
00:28:31,520 --> 00:28:32,560
Speaker 4: We have a different memory.

667
00:28:32,760 --> 00:28:34,960
Speaker 1: The one we talked about was where there's something a

668
00:28:35,000 --> 00:28:37,960
Speaker 1: little sad where somebody's like, but it's not this cake.

669
00:28:39,080 --> 00:28:42,880
Speaker 4: Yes, I remember that, Yes, really we've already done that.

670
00:28:43,080 --> 00:28:44,920
Speaker 1: I feel like that's the one we'd already done where

671
00:28:44,920 --> 00:28:45,720
Speaker 1: there's like a little bit.

672
00:28:45,600 --> 00:28:47,239
Speaker 4: Of a sad thing where it's like, well, that's not

673
00:28:47,280 --> 00:28:49,200
Speaker 4: what it is. It's okay.

674
00:28:49,360 --> 00:28:52,200
Speaker 6: Yeah, I feel like I don't remember that, Corey. I

675
00:28:52,240 --> 00:28:53,960
Speaker 6: think I feel like it's Corey saying that. Did you

676
00:28:54,040 --> 00:28:55,680
Speaker 6: just feel when you did that in your jaw?

677
00:28:55,720 --> 00:28:58,040
Speaker 3: Is that what you just? I just I think I

678
00:28:58,080 --> 00:28:59,479
Speaker 3: just checked your pulse every once in a while. Make

679
00:28:59,480 --> 00:29:02,960
Speaker 3: sure you're still here by double chin. So let our

680
00:29:03,000 --> 00:29:07,920
Speaker 3: well please retic in, please only only one of you?

681
00:29:07,960 --> 00:29:08,959
Speaker 3: How do we want to do that?

682
00:29:10,640 --> 00:29:12,760
Speaker 2: Can you guys get together and just elect one person

683
00:29:12,800 --> 00:29:14,880
Speaker 2: to be the representative to like email us so we

684
00:29:14,880 --> 00:29:16,320
Speaker 2: don't get thousands, but just one.

685
00:29:16,720 --> 00:29:18,240
Speaker 4: George, it's you, George.

686
00:29:18,400 --> 00:29:20,640
Speaker 3: I mean maybe Easton? Can you be our? I mean

687
00:29:20,960 --> 00:29:21,640
Speaker 3: you should know this.

688
00:29:21,720 --> 00:29:25,000
Speaker 4: You're the Superman Easton email super fan Easton.

689
00:29:25,960 --> 00:29:28,640
Speaker 2: We need somebody to be our, like like on, like

690
00:29:28,960 --> 00:29:31,280
Speaker 2: do the research and know like what we've referenced.

691
00:29:31,480 --> 00:29:34,040
Speaker 3: Boy, we're already losing it anyway, it's you.

692
00:29:34,240 --> 00:29:36,840
Speaker 1: I've just decided it's Melissa. If you're out there, Melissa,

693
00:29:37,000 --> 00:29:37,640
Speaker 1: you're the one.

694
00:29:38,640 --> 00:29:41,840
Speaker 6: There's gonna be nine hundred. Melissa's going, oh my god, Daniel.

695
00:29:41,480 --> 00:29:43,760
Speaker 3: He totally called me out. She said for me to

696
00:29:43,800 --> 00:29:44,120
Speaker 3: do it.

697
00:29:46,520 --> 00:29:49,880
Speaker 1: So Corey Kroaks vanished. I want a second opinion. He

698
00:29:49,920 --> 00:29:54,360
Speaker 1: sprints up the stairs. Sean yells, you're missing the point here, Cake, Yes,

699
00:29:55,400 --> 00:29:58,160
Speaker 1: Amy forces Sean to go home, he's scaring her son.

700
00:29:58,560 --> 00:30:01,040
Speaker 1: Sean says it's his duty to and protect his friend

701
00:30:01,200 --> 00:30:03,480
Speaker 1: to Panga pushes him out the door, saying she's protecting

702
00:30:03,520 --> 00:30:06,320
Speaker 1: Corey from him. Sean tries to be intimidating, telling to

703
00:30:06,600 --> 00:30:08,960
Speaker 1: Panga he can take her. She shoves him out the

704
00:30:09,000 --> 00:30:13,840
Speaker 1: door and he stumbles backwards. This show really likes women

705
00:30:14,360 --> 00:30:17,720
Speaker 1: aggressively dominating men physically.

706
00:30:18,880 --> 00:30:22,840
Speaker 4: We all know the best women are men. So Eric

707
00:30:22,960 --> 00:30:23,600
Speaker 4: runs into.

708
00:30:23,440 --> 00:30:25,720
Speaker 3: The have that line a lot too, I could take you?

709
00:30:25,880 --> 00:30:26,320
Speaker 3: Did we do?

710
00:30:26,520 --> 00:30:28,360
Speaker 2: There was like the trailer Park episode that we have

711
00:30:28,440 --> 00:30:31,640
Speaker 2: multiple lines like that. It's a funny little kid says

712
00:30:31,720 --> 00:30:32,520
Speaker 2: I can take you.

713
00:30:33,320 --> 00:30:34,080
Speaker 3: Yeah, that's right.

714
00:30:35,440 --> 00:30:39,880
Speaker 6: What Danny asks Tony could I take you? And so

715
00:30:39,880 --> 00:30:42,280
Speaker 6: there's yeah, there's a bunch of those interest Yeah, we

716
00:30:42,360 --> 00:30:43,880
Speaker 6: like we like references on the show.

717
00:30:44,240 --> 00:30:47,120
Speaker 1: But also a week with the last week with the

718
00:30:47,240 --> 00:30:50,600
Speaker 1: with the yeah Lonnie beating you out.

719
00:30:50,600 --> 00:30:53,560
Speaker 4: But there's like a lot of moments where someone really

720
00:30:53,680 --> 00:30:58,680
Speaker 4: likes women who could physically. Think about the fight we

721
00:30:58,760 --> 00:30:59,240
Speaker 4: have at the.

722
00:30:59,280 --> 00:31:01,960
Speaker 6: End, you and I, You're throwing me around the apartment,

723
00:31:02,080 --> 00:31:04,000
Speaker 6: and and it's all of us wrestling and.

724
00:31:03,960 --> 00:31:06,680
Speaker 4: Being yeah that food, fights and hair.

725
00:31:06,720 --> 00:31:08,440
Speaker 3: I think we're starting to figure out our writers room.

726
00:31:09,680 --> 00:31:13,120
Speaker 1: Eric runs into the kitchen. Mail mail male Alan tries

727
00:31:13,120 --> 00:31:15,440
Speaker 1: to burst his bubble. There must be thousands of guys

728
00:31:15,480 --> 00:31:17,440
Speaker 1: trying to get on Singled Out. It'll probably take a

729
00:31:17,480 --> 00:31:20,280
Speaker 1: month to make a decision. Eric gloats, and yet, looky,

730
00:31:20,360 --> 00:31:23,200
Speaker 1: here do Eric Matthews from m T.

731
00:31:23,920 --> 00:31:25,800
Speaker 4: I can't make out the last letter? What is that?

732
00:31:26,200 --> 00:31:28,680
Speaker 1: Alan sheepishly answers V and then when he's sick of

733
00:31:28,800 --> 00:31:30,640
Speaker 1: Eric rubbing it in, he snaps, how about I kill you?

734
00:31:30,720 --> 00:31:33,720
Speaker 3: We'll do that. Oh my god, so funny.

735
00:31:34,120 --> 00:31:36,600
Speaker 2: But I love this beat. You and Rusty like, you

736
00:31:36,600 --> 00:31:40,520
Speaker 2: guys are just together. Partnership is yeah, yeah.

737
00:31:40,360 --> 00:31:42,200
Speaker 4: They're just putting Rusty and I together now, yes.

738
00:31:42,080 --> 00:31:45,280
Speaker 2: Because you guys are great. Negative negative Dad is so

739
00:31:45,400 --> 00:31:50,400
Speaker 2: I was dying. He's like, oh, actually, I.

740
00:31:50,280 --> 00:31:51,480
Speaker 3: Was like, that's brilliant.

741
00:31:52,000 --> 00:31:54,080
Speaker 4: Actually it is actually fun.

742
00:31:54,720 --> 00:31:55,000
Speaker 3: I know.

743
00:32:07,080 --> 00:32:09,280
Speaker 1: Eric rips opened the letter he was selected to appear

744
00:32:09,280 --> 00:32:11,600
Speaker 1: as a contestant on Singled Out. He continues reading, and

745
00:32:11,640 --> 00:32:14,760
Speaker 1: please don't bring your negative negative dad. Alan snatches the

746
00:32:14,840 --> 00:32:20,640
Speaker 1: letter let's see what this really says. Oh, they really did.

747
00:32:21,080 --> 00:32:21,760
Speaker 3: For a letter too.

748
00:32:22,400 --> 00:32:24,640
Speaker 2: A lot for the letter Eric getting letters, though I

749
00:32:24,640 --> 00:32:25,960
Speaker 2: feel like there's been like because there.

750
00:32:25,920 --> 00:32:28,920
Speaker 3: Was the male stuff, there's a lot of the mail

751
00:32:29,000 --> 00:32:30,400
Speaker 3: and Eric getting letters.

752
00:32:30,160 --> 00:32:33,320
Speaker 4: Or sending finding out if he's getting been into college.

753
00:32:33,360 --> 00:32:36,920
Speaker 3: That's what I mean. It's a refurm like, Yeah.

754
00:32:36,160 --> 00:32:39,080
Speaker 1: Then we're in the Matthew's backyard. Eric looks spiffy in

755
00:32:39,120 --> 00:32:41,720
Speaker 1: a button up shirt tucked into khaki's a belt. He's

756
00:32:41,760 --> 00:32:43,760
Speaker 1: trying to find mister Feenie. He's not in his garden,

757
00:32:43,800 --> 00:32:48,480
Speaker 1: so he yells, and this is our very the start

758
00:32:48,920 --> 00:32:50,080
Speaker 1: of the Foenie call.

759
00:32:51,360 --> 00:32:53,560
Speaker 2: I love everything about this. I mean, obviously like the

760
00:32:53,600 --> 00:32:56,880
Speaker 2: anger and the expression of like mister, the self righteousness

761
00:32:56,920 --> 00:33:00,520
Speaker 2: of like where is Phoenie? But then I also love

762
00:33:00,560 --> 00:33:02,880
Speaker 2: the meta thing of like he's either teaching or he's

763
00:33:02,920 --> 00:33:05,960
Speaker 2: go's all he does here else.

764
00:33:06,200 --> 00:33:07,080
Speaker 3: The awareness of.

765
00:33:07,000 --> 00:33:09,440
Speaker 2: Our show to like comment on its own sort of

766
00:33:09,480 --> 00:33:12,680
Speaker 2: tropes is just so lovely, and so you're only going

767
00:33:12,760 --> 00:33:14,360
Speaker 2: to do more of it, I know, as the show

768
00:33:14,400 --> 00:33:16,800
Speaker 2: goes on, and it's so comforting. It's such a great thing.

769
00:33:16,880 --> 00:33:18,880
Speaker 3: I totally forgot this though, and I'm sitting on the

770
00:33:18,880 --> 00:33:20,880
Speaker 3: couch next to Soo, and I was a sudden I'm.

771
00:33:20,760 --> 00:33:22,920
Speaker 4: Like, wait, is this this is it? This is the

772
00:33:22,960 --> 00:33:25,200
Speaker 4: first Phoenie call. I'm like, it's it's happening right now.

773
00:33:25,240 --> 00:33:28,160
Speaker 1: She's like, what what do you remember in the moment

774
00:33:28,520 --> 00:33:31,160
Speaker 1: anybody's saying anything to you about it being really funny

775
00:33:31,200 --> 00:33:32,920
Speaker 1: the way you said, Phoenie, what do you remember about

776
00:33:32,960 --> 00:33:33,800
Speaker 1: the moment it happened?

777
00:33:34,120 --> 00:33:38,000
Speaker 6: Remember the table read it getting a laugh, and then

778
00:33:38,200 --> 00:33:40,920
Speaker 6: every run through it getting a laugh. And so my

779
00:33:41,040 --> 00:33:43,320
Speaker 6: guess is we're going to start to see because they

780
00:33:43,360 --> 00:33:45,040
Speaker 6: tried this with a bunch of things with Eric in

781
00:33:45,080 --> 00:33:49,200
Speaker 6: the past, like they tried the uh, the weird cackle laughing.

782
00:33:49,280 --> 00:33:51,120
Speaker 6: I remember I did that for two episodes in a row,

783
00:33:51,160 --> 00:33:52,720
Speaker 6: and then Michael. I even looked at Michael one time

784
00:33:52,760 --> 00:33:54,320
Speaker 6: during a table reading and he went like this. I

785
00:33:54,360 --> 00:33:55,600
Speaker 6: was like, please cut it out.

786
00:33:56,840 --> 00:33:59,320
Speaker 3: But the actual Phoenie call adjusted mister Feenie, and I

787
00:33:59,360 --> 00:34:02,560
Speaker 3: just remember the way I said it, so that it's

788
00:34:02,560 --> 00:34:05,840
Speaker 3: the indignation. It's the like, you can't be anywhere, mister Phoene,

789
00:34:05,840 --> 00:34:06,760
Speaker 3: but I need you.

790
00:34:08,280 --> 00:34:10,480
Speaker 2: So great, you know, And it's and it's so earned

791
00:34:10,480 --> 00:34:12,760
Speaker 2: at this point, because it's like we're fourth season.

792
00:34:13,320 --> 00:34:15,520
Speaker 3: Of course Phoene's gonna be and of course he is there.

793
00:34:15,600 --> 00:34:17,200
Speaker 2: Like That's what I love is that he's like, I'm

794
00:34:17,239 --> 00:34:20,280
Speaker 2: here now, and that is such a great delivery. It's like, Okay,

795
00:34:20,320 --> 00:34:23,360
Speaker 2: calm down, I am now doing my job, and it's

796
00:34:23,480 --> 00:34:24,360
Speaker 2: just perfect.

797
00:34:24,520 --> 00:34:27,359
Speaker 4: It's so perfect, it's so good. Phoene rushes out, what

798
00:34:27,360 --> 00:34:29,160
Speaker 4: can he do for him? Eric complains, you're not out

799
00:34:29,200 --> 00:34:31,640
Speaker 4: here gardening, You're not at school, You're not gardening. What

800
00:34:31,680 --> 00:34:36,399
Speaker 4: are you doing? Phoene assures him he's sorry, he's here now.

801
00:34:36,680 --> 00:34:41,680
Speaker 4: Eric rides strengthened. I know he's like, I really, amy.

802
00:34:41,200 --> 00:34:43,719
Speaker 3: Okay, I really don't. I was not doing my job.

803
00:34:44,280 --> 00:34:44,680
Speaker 3: I am here.

804
00:34:47,560 --> 00:34:49,360
Speaker 1: So Eric tells him, I've been selected to be on

805
00:34:49,400 --> 00:34:51,480
Speaker 1: this MTV game show, singled Out, and I know they're

806
00:34:51,480 --> 00:34:53,640
Speaker 1: going to ask me what college I go to. Phoene

807
00:34:53,640 --> 00:34:56,560
Speaker 1: reminds him, you don't go to a college. Eric ignores this.

808
00:34:56,640 --> 00:34:58,359
Speaker 1: The one I don't want to say is Harvard. Could

809
00:34:58,360 --> 00:34:59,879
Speaker 1: you just give me the name of a school you went,

810
00:35:00,200 --> 00:35:01,280
Speaker 1: if it still exists.

811
00:35:01,800 --> 00:35:09,560
Speaker 4: Phoene shakes his head no. Eric nods and understanding, gone, huh,

812
00:35:09,840 --> 00:35:12,680
Speaker 4: Feoene won't be a party to this deception. His advice to.

813
00:35:12,719 --> 00:35:16,960
Speaker 3: Eric where went to college? Because we never talked about it.

814
00:35:17,080 --> 00:35:17,719
Speaker 3: We never talked.

815
00:35:17,840 --> 00:35:20,840
Speaker 6: So do you see him going to like apor exactly?

816
00:35:21,680 --> 00:35:24,000
Speaker 6: Do you see him going to an ivy league school?

817
00:35:24,160 --> 00:35:26,200
Speaker 6: I see him going to a small liberal college.

818
00:35:26,239 --> 00:35:28,480
Speaker 2: I think he went to a small school because I

819
00:35:28,480 --> 00:35:31,920
Speaker 2: I yeah, I see him because he has such a

820
00:35:31,960 --> 00:35:34,200
Speaker 2: he has such a what's the word I'm looking for,

821
00:35:34,280 --> 00:35:36,960
Speaker 2: Like he has such a democratic approach to teaching. I

822
00:35:37,000 --> 00:35:38,760
Speaker 2: feel like he wouldn't have gone to an elite school.

823
00:35:38,840 --> 00:35:40,480
Speaker 2: Like I feel like he went to a small school.

824
00:35:40,760 --> 00:35:42,680
Speaker 2: And it's like he's a teacher who cares about every

825
00:35:42,719 --> 00:35:46,040
Speaker 2: student and giving everybody a chance. So it's not elite,

826
00:35:46,040 --> 00:35:47,719
Speaker 2: you know, like wherever he went it was like a

827
00:35:47,800 --> 00:35:50,640
Speaker 2: state school or somewhere like maybe Penn State, like you know,

828
00:35:50,680 --> 00:35:53,880
Speaker 2: somewhere like big and like still it's still a good school,

829
00:35:53,920 --> 00:35:56,040
Speaker 2: but not like you know, like he struggled to get

830
00:35:56,040 --> 00:35:57,920
Speaker 2: there and get you know, he he paid his own

831
00:35:57,960 --> 00:35:58,719
Speaker 2: way and like it.

832
00:35:58,840 --> 00:36:01,000
Speaker 6: And then I also think he did a year abroad

833
00:36:01,160 --> 00:36:03,200
Speaker 6: at Cambridge or Oxford and came back with the accent.

834
00:36:04,200 --> 00:36:07,120
Speaker 3: Dude, really there's a scholar, right.

835
00:36:07,640 --> 00:36:09,920
Speaker 1: What if like his accent, it's all fake and he's

836
00:36:09,960 --> 00:36:12,480
Speaker 1: a high school dropout and he's in a throttle with

837
00:36:12,680 --> 00:36:17,640
Speaker 1: Eric and Lula Lila.

838
00:36:17,880 --> 00:36:19,960
Speaker 4: We've got a prequel to make. Guys, we have to write.

839
00:36:20,080 --> 00:36:22,200
Speaker 4: This is a writer's room. I should feel comfortable throwing

840
00:36:22,200 --> 00:36:22,720
Speaker 4: out anything.

841
00:36:22,880 --> 00:36:24,560
Speaker 3: Okay, no, no, no, it's okay. It keeps you.

842
00:36:26,360 --> 00:36:28,759
Speaker 2: I think I think Boston area makes sense, which is,

843
00:36:28,800 --> 00:36:30,160
Speaker 2: you know, there's a lot of college up there, but

844
00:36:30,320 --> 00:36:33,479
Speaker 2: like Boston's wear his accent, so he's like from Boston originally, so.

845
00:36:35,000 --> 00:36:37,080
Speaker 6: I love you, and then he went to somewhere like that.

846
00:36:37,280 --> 00:36:40,440
Speaker 6: By the way, Danielle, you're not saying Leela or Lila incorrectly.

847
00:36:40,640 --> 00:36:42,720
Speaker 3: They're both right. But it's sweet Valet High.

848
00:36:43,640 --> 00:36:44,839
Speaker 4: Sweet sweet Valet High.

849
00:36:45,160 --> 00:36:47,359
Speaker 1: I just realized that's actually not her name on this show,

850
00:36:47,440 --> 00:36:49,200
Speaker 1: so it doesn't really matter what the name is. That

851
00:36:49,280 --> 00:36:51,480
Speaker 1: she's Lisa on this one, which is easy for me

852
00:36:51,560 --> 00:36:56,319
Speaker 1: to say Lisa Lisa. His advice to Eric is to

853
00:36:56,320 --> 00:36:58,359
Speaker 1: think long and hard about what you're doing. Eric thinks

854
00:36:58,360 --> 00:37:01,680
Speaker 1: it over for a moment, but we optical flip, optical

855
00:37:01,680 --> 00:37:05,000
Speaker 1: Flip into a casting office. Eric sits across from the

856
00:37:05,120 --> 00:37:09,080
Speaker 1: MTV casting agent she's giving real mob wife aesthetic and

857
00:37:09,120 --> 00:37:12,320
Speaker 1: she asks what college she goes to. He immediately says Harvard.

858
00:37:12,480 --> 00:37:16,320
Speaker 1: Goo smart guys. Casting agent asks, if you go to Harvard,

859
00:37:16,320 --> 00:37:18,000
Speaker 1: then why are you here in Philadelphia.

860
00:37:18,280 --> 00:37:22,279
Speaker 4: Eric's explanation, he goes to the Philadelphia campus. They have

861
00:37:22,320 --> 00:37:23,480
Speaker 4: a Philadelphia campus.

862
00:37:23,520 --> 00:37:26,239
Speaker 1: She asks, they have six Eric class back, stop trying

863
00:37:26,239 --> 00:37:26,640
Speaker 1: to trap me.

864
00:37:26,719 --> 00:37:28,439
Speaker 3: You're so good.

865
00:37:28,840 --> 00:37:32,520
Speaker 2: It's so funny, like just this like bantery, sort of

866
00:37:32,600 --> 00:37:33,440
Speaker 2: like stuff trying to try.

867
00:37:33,520 --> 00:37:35,920
Speaker 3: I just love it. Like Eric is now so confident.

868
00:37:36,040 --> 00:37:39,279
Speaker 2: Yes, it's like he's gonna once he's decided to do this.

869
00:37:39,360 --> 00:37:43,640
Speaker 3: He's just gonna go for it first. I love it, dude,

870
00:37:43,680 --> 00:37:44,359
Speaker 3: It's so good.

871
00:37:44,800 --> 00:37:46,359
Speaker 4: The woman admits it doesn't matter.

872
00:37:46,440 --> 00:37:49,080
Speaker 1: I chose you because of your hair, and the hair

873
00:37:49,120 --> 00:37:51,040
Speaker 1: obsession continues.

874
00:37:51,280 --> 00:37:53,719
Speaker 6: I just realized she was on Seinfeld and the guy

875
00:37:53,800 --> 00:37:56,160
Speaker 6: cal was on Seinfeld, and the b storyline is from

876
00:37:56,200 --> 00:37:57,120
Speaker 6: science from Seinfeld.

877
00:37:57,280 --> 00:37:58,600
Speaker 4: We are just trying to be Seinfeld.

878
00:37:58,680 --> 00:37:59,279
Speaker 3: Let's take a moment.

879
00:37:59,320 --> 00:38:01,200
Speaker 2: I want to take a moment to talk about this

880
00:38:01,200 --> 00:38:02,200
Speaker 2: this scene, because there's a.

881
00:38:02,200 --> 00:38:02,600
Speaker 3: Couple of things.

882
00:38:02,640 --> 00:38:05,560
Speaker 2: I was thinking, this is an opportunity, this is our

883
00:38:05,640 --> 00:38:12,360
Speaker 2: show representing a producer's a television show Office. So I

884
00:38:12,480 --> 00:38:15,160
Speaker 2: was like looking around the set and thinking like this

885
00:38:15,360 --> 00:38:17,719
Speaker 2: is how and it does doesn't it kind of look

886
00:38:17,880 --> 00:38:21,200
Speaker 2: like our writer's room. Yeah, like a little mess And

887
00:38:21,239 --> 00:38:23,480
Speaker 2: I was like, so I like freeze framed and went around.

888
00:38:23,480 --> 00:38:26,200
Speaker 2: This is like you know, it were similar to when

889
00:38:26,320 --> 00:38:28,000
Speaker 2: you know we had Tapanga's room. I was like, this

890
00:38:28,040 --> 00:38:31,399
Speaker 2: is an opportunity to see how our writers represent what

891
00:38:31,880 --> 00:38:33,960
Speaker 2: a writer's room looks like or what a producer's room

892
00:38:34,000 --> 00:38:36,920
Speaker 2: looks like. So okay, So you have like music posters,

893
00:38:36,960 --> 00:38:39,480
Speaker 2: like kind of hip, colorful music posters with like and

894
00:38:39,520 --> 00:38:42,400
Speaker 2: they're like tilted, so it's like, uh, stylish, but not

895
00:38:42,560 --> 00:38:46,000
Speaker 2: very tasteful. It's like very colorful and like messy. And

896
00:38:46,040 --> 00:38:48,160
Speaker 2: then you have like a stack of tapes like all

897
00:38:48,200 --> 00:38:51,400
Speaker 2: those VHS tapes as right, and then boxes.

898
00:38:51,560 --> 00:38:53,839
Speaker 3: One of the boxes actually says fox on it, which

899
00:38:53,880 --> 00:38:55,480
Speaker 3: is super interesting. Yeah.

900
00:38:55,560 --> 00:38:58,040
Speaker 2: And then you but boxes piled to the ceiling everywhere.

901
00:38:58,080 --> 00:39:00,720
Speaker 2: It's like chaos and like binders then is like randomly

902
00:39:00,760 --> 00:39:03,800
Speaker 2: a trophy on the desk, like a trophy for something

903
00:39:03,960 --> 00:39:07,880
Speaker 2: she plays. It was like this like messy, frazzled and

904
00:39:07,960 --> 00:39:11,560
Speaker 2: kind of overwhelmed space, right, And then I was like

905
00:39:11,800 --> 00:39:14,440
Speaker 2: if did you guys look at her, Like her vibe

906
00:39:14,520 --> 00:39:18,800
Speaker 2: is really kind of strange actually, because she's like wearing

907
00:39:18,840 --> 00:39:22,719
Speaker 2: an extremely short skirt, huh, leg up, leg up, and

908
00:39:22,840 --> 00:39:26,160
Speaker 2: knee high boots, Like I don't know what producers look like.

909
00:39:28,520 --> 00:39:30,720
Speaker 2: This is like our writer's fantasy of what an MTV

910
00:39:30,840 --> 00:39:31,520
Speaker 2: producer is like.

911
00:39:31,640 --> 00:39:34,760
Speaker 4: Correct, that's what I said, mob wife. It's a little

912
00:39:34,920 --> 00:39:37,680
Speaker 4: like she's sure my wife.

913
00:39:38,400 --> 00:39:41,680
Speaker 2: Doesn't that completely go against the actual joke of the story,

914
00:39:41,719 --> 00:39:44,719
Speaker 2: because wouldn't it be better if like he's lying to

915
00:39:45,080 --> 00:39:47,239
Speaker 2: like a much more sort of like the joke that

916
00:39:47,320 --> 00:39:49,239
Speaker 2: she's like, I only care about the hair would have

917
00:39:49,280 --> 00:39:52,040
Speaker 2: been funnier she was like more like an uptight button

918
00:39:52,080 --> 00:39:55,000
Speaker 2: nut producer who then reveals like I actually only care

919
00:39:55,000 --> 00:39:55,680
Speaker 2: about your hair.

920
00:39:55,560 --> 00:39:57,560
Speaker 3: You know what I mean, Like the second you see

921
00:39:57,560 --> 00:39:59,000
Speaker 3: this woman, you're like, she's not gonna care that he

922
00:39:59,040 --> 00:40:00,560
Speaker 3: went to Harvard, Like there's.

923
00:40:00,160 --> 00:40:02,560
Speaker 2: No actual pressure there. I don't know, I was kind

924
00:40:02,600 --> 00:40:04,440
Speaker 2: of but I just love this little window into like

925
00:40:04,480 --> 00:40:05,680
Speaker 2: what our writers.

926
00:40:05,280 --> 00:40:07,480
Speaker 3: Thought, like the MTV offices were like.

927
00:40:07,560 --> 00:40:12,040
Speaker 6: But it's also that's the thing is it's MTV visiting Philadelphia,

928
00:40:12,120 --> 00:40:14,400
Speaker 6: So why did you have an office that's been lived

929
00:40:14,400 --> 00:40:16,960
Speaker 6: in for a year and a half, right, so none

930
00:40:16,960 --> 00:40:19,759
Speaker 6: of it actually makes any sense, that's true, but it is.

931
00:40:19,800 --> 00:40:23,799
Speaker 6: It's the the and when you think about it, you

932
00:40:24,160 --> 00:40:24,640
Speaker 6: kind of.

933
00:40:24,600 --> 00:40:27,239
Speaker 4: Don't need the scene at all. Right, you could have

934
00:40:27,360 --> 00:40:29,440
Speaker 4: just right. It's fun it's very funny.

935
00:40:29,440 --> 00:40:32,200
Speaker 6: But he didn't cut just right to singled out and

936
00:40:32,239 --> 00:40:33,959
Speaker 6: you didn't need and Eric still lying.

937
00:40:33,960 --> 00:40:35,759
Speaker 3: You know he's lying. The audience knows he's lying. You

938
00:40:35,800 --> 00:40:36,960
Speaker 3: didn't need this scene at all.

939
00:40:37,040 --> 00:40:41,520
Speaker 6: It's one of my just there for it's it's so unnecessary,

940
00:40:41,680 --> 00:40:41,960
Speaker 6: but it was.

941
00:40:42,360 --> 00:40:45,080
Speaker 3: It was funny, Yeah, it was. It's just that little

942
00:40:45,120 --> 00:40:47,359
Speaker 3: singer of like, well is will gonna? Is Eric gonna

943
00:40:47,360 --> 00:40:49,520
Speaker 3: get away with this? And then you're just so confident.

944
00:40:49,280 --> 00:40:51,440
Speaker 6: And I love the end where yeah, at the end

945
00:40:51,480 --> 00:40:52,879
Speaker 6: of the scene, it's like I chose you for your hair.

946
00:40:52,920 --> 00:40:56,279
Speaker 6: I understand where we we we see each other, the

947
00:40:56,280 --> 00:40:57,799
Speaker 6: same page, same page, let's go.

948
00:40:57,880 --> 00:40:58,080
Speaker 3: Yeah.

949
00:40:58,160 --> 00:41:00,600
Speaker 2: Yeah, it's it's a commentary on like the super officiality

950
00:41:00,600 --> 00:41:02,919
Speaker 2: of television, which I know, Boymous World does a lot

951
00:41:03,040 --> 00:41:05,799
Speaker 2: like we make fun of ourselves and TV and how

952
00:41:05,840 --> 00:41:06,719
Speaker 2: superficial it is.

953
00:41:07,120 --> 00:41:11,040
Speaker 6: Yeah, well it's also it was it's specifically an episode

954
00:41:11,120 --> 00:41:14,239
Speaker 6: for college people. To meet other college people, and at

955
00:41:14,280 --> 00:41:15,799
Speaker 6: the end of the day, the producer doesn't care that

956
00:41:15,840 --> 00:41:17,560
Speaker 6: the guy they picked didn't go to come right, right,

957
00:41:17,600 --> 00:41:19,480
Speaker 6: So that's that's the commentary is it's just like.

958
00:41:19,520 --> 00:41:20,560
Speaker 3: Yeah, we don't care, we.

959
00:41:20,560 --> 00:41:21,480
Speaker 4: Don't really care about it.

960
00:41:21,680 --> 00:41:33,600
Speaker 5: Yeah.

961
00:41:33,680 --> 00:41:34,760
Speaker 4: So then we're in the hospital.

962
00:41:34,800 --> 00:41:38,000
Speaker 1: Alan is tucking Corey into bed pre tom selectomy. Alan

963
00:41:38,080 --> 00:41:40,320
Speaker 1: tries to sneak away, but Corey awakens.

964
00:41:39,920 --> 00:41:41,080
Speaker 4: Fatty, are you leaving?

965
00:41:41,640 --> 00:41:43,840
Speaker 1: Alan explains that visiting hours are over and if he

966
00:41:43,840 --> 00:41:45,719
Speaker 1: stays any longer, they're going to charge him forty five

967
00:41:45,760 --> 00:41:46,360
Speaker 1: hundred bucks.

968
00:41:46,640 --> 00:41:48,720
Speaker 4: Corey asks, everything's going to be okay? Huh.

969
00:41:48,920 --> 00:41:51,480
Speaker 1: Alan promises this is a routine procedure. He's going to

970
00:41:51,560 --> 00:41:54,200
Speaker 1: be fine. Corey asks, they won't slip and cut off

971
00:41:54,239 --> 00:41:56,719
Speaker 1: my head. Alan says, it's the best hospital with the

972
00:41:56,760 --> 00:41:58,960
Speaker 1: best doctors in the city. Do you think they just

973
00:41:59,040 --> 00:42:05,160
Speaker 1: let anybody in here to.

974
00:42:04,640 --> 00:42:06,560
Speaker 3: Funny enters?

975
00:42:06,640 --> 00:42:07,239
Speaker 4: Me too?

976
00:42:09,320 --> 00:42:12,279
Speaker 2: This is is this the beginning? I'm just trying to

977
00:42:12,280 --> 00:42:15,120
Speaker 2: think have we seen this kind of thing yet? Besides

978
00:42:15,960 --> 00:42:19,080
Speaker 2: Sean being in the girl's bathroom. I feel like this

979
00:42:19,120 --> 00:42:20,759
Speaker 2: is a trope that's going to run throughout the rest

980
00:42:20,760 --> 00:42:24,200
Speaker 2: of the series, which is this Sean sector Sean like

981
00:42:24,239 --> 00:42:27,000
Speaker 2: where he just like fits in anywhere and is like

982
00:42:27,040 --> 00:42:29,680
Speaker 2: suddenly a genius or expert in whatever.

983
00:42:30,200 --> 00:42:33,320
Speaker 4: Right, is this the first time he iss a vaunt

984
00:42:33,880 --> 00:42:38,120
Speaker 4: in in role play? Which is perfect? Now that we

985
00:42:38,200 --> 00:42:39,640
Speaker 4: know Chet the way we do.

986
00:42:40,000 --> 00:42:44,920
Speaker 1: I feel like this is exactly Sean's an expert in this.

987
00:42:45,040 --> 00:42:47,120
Speaker 4: Yes, Chet's son. He knows exactly what to do.

988
00:42:47,200 --> 00:42:49,919
Speaker 1: You you have full confidence and you tell people who

989
00:42:49,920 --> 00:42:51,759
Speaker 1: you are and they just get away.

990
00:42:52,000 --> 00:42:55,919
Speaker 3: The mechanics office, but that's only because your uncle runs

991
00:42:55,960 --> 00:42:59,480
Speaker 3: the mechanic shop, right, is kind of similar.

992
00:42:59,520 --> 00:43:01,279
Speaker 4: Right, it was like I was there and yeah, you

993
00:43:01,320 --> 00:43:03,120
Speaker 4: were into jumps that you knew. Suddenly you knew how

994
00:43:03,160 --> 00:43:05,520
Speaker 4: to do these used tools and fixed bikes.

995
00:43:05,520 --> 00:43:07,080
Speaker 6: And I don't know if that was the same joke

996
00:43:07,120 --> 00:43:09,480
Speaker 6: though it doesn't, but it's not done for a joke

997
00:43:09,560 --> 00:43:11,439
Speaker 6: that time. That's just like you're working at your uncle.

998
00:43:11,480 --> 00:43:13,200
Speaker 2: I feel like it was the girl's bathroom, like where

999
00:43:13,239 --> 00:43:15,080
Speaker 2: it's just like Sean just fits in and nobody's gonna

1000
00:43:15,120 --> 00:43:17,200
Speaker 2: question it, and I We're gonna keep doing this.

1001
00:43:17,320 --> 00:43:19,200
Speaker 3: You know where I can speak Dutch. I'm sudden, right,

1002
00:43:20,000 --> 00:43:23,920
Speaker 3: and I it's so it's it's funny.

1003
00:43:24,239 --> 00:43:28,279
Speaker 2: Well, it's it's funny because from Corey's perspective, it's it's

1004
00:43:28,320 --> 00:43:30,920
Speaker 2: great because he's so stressed out. He's never comfortable, right Like,

1005
00:43:31,360 --> 00:43:35,040
Speaker 2: Corey always is too nervous, and so to have Sean

1006
00:43:35,080 --> 00:43:38,000
Speaker 2: his best friend, suddenly be like totally fine wherever he

1007
00:43:38,120 --> 00:43:41,560
Speaker 2: is is hysterical. But it actually goes completely against Sean's

1008
00:43:41,640 --> 00:43:43,839
Speaker 2: character in the set. I like what you're saying about Chad,

1009
00:43:43,960 --> 00:43:46,480
Speaker 2: but the reality is Sean is a mess, right Like,

1010
00:43:46,520 --> 00:43:49,920
Speaker 2: he's very insecure and he's like never comfortable in like

1011
00:43:50,120 --> 00:43:52,880
Speaker 2: his life or he doesn't have like a stable family

1012
00:43:52,960 --> 00:43:53,960
Speaker 2: or a stable business.

1013
00:43:54,320 --> 00:43:54,919
Speaker 3: But it is fine.

1014
00:43:55,000 --> 00:43:58,480
Speaker 2: Yeah, it's from Ory's perspective, it's just hysterical that Sean

1015
00:43:58,600 --> 00:43:59,840
Speaker 2: like always is fine no matter what.

1016
00:44:01,040 --> 00:44:03,879
Speaker 1: I love that Corey is such a rule follower and

1017
00:44:03,920 --> 00:44:06,279
Speaker 1: Sean does not even acknowledge.

1018
00:44:05,840 --> 00:44:09,560
Speaker 6: Rules that doesn't even exist yet. It's just we If

1019
00:44:09,640 --> 00:44:12,640
Speaker 6: I want to be a doctor, I'm gonna be cake. Yeah,

1020
00:44:13,160 --> 00:44:15,759
Speaker 6: I mean that's what it is. Here's what hit me

1021
00:44:15,800 --> 00:44:19,799
Speaker 6: in this scene. Can you remember and it can't be

1022
00:44:19,880 --> 00:44:21,840
Speaker 6: that far ago, that long ago, but I can't remember

1023
00:44:21,920 --> 00:44:24,799
Speaker 6: where Corey was the a story entirely.

1024
00:44:26,239 --> 00:44:28,000
Speaker 2: No, I mean that's I think season four has been

1025
00:44:28,400 --> 00:44:29,719
Speaker 2: much more of an ensemble or.

1026
00:44:29,840 --> 00:44:33,160
Speaker 4: Was it the Disney World episode?

1027
00:44:33,400 --> 00:44:35,400
Speaker 1: Was that the last time where Corey's going to the

1028
00:44:36,320 --> 00:44:37,720
Speaker 1: end of season three and I think.

1029
00:44:38,920 --> 00:44:42,160
Speaker 3: And they've started season four and Corey's there, but it's

1030
00:44:42,200 --> 00:44:48,080
Speaker 3: certainly not Corey. Yeah, storylines, that's yeah. Or Alan has

1031
00:44:48,080 --> 00:44:51,760
Speaker 3: had his storyline I know with getting the Topanga has

1032
00:44:51,800 --> 00:44:52,800
Speaker 3: with getting the haircut.

1033
00:44:52,840 --> 00:44:56,520
Speaker 2: I mean it's a shallow boy like that driving so

1034
00:44:56,520 --> 00:44:58,520
Speaker 2: many Sean. We've had the Shawn family episodes.

1035
00:44:58,719 --> 00:45:01,160
Speaker 6: Yes, it's it's a it's and that's one of the

1036
00:45:01,160 --> 00:45:03,040
Speaker 6: reasons why some of these episodes are jarring for me.

1037
00:45:03,120 --> 00:45:05,279
Speaker 6: Is not just because and not in a bad way,

1038
00:45:05,280 --> 00:45:07,640
Speaker 6: they're just it's becoming a different show.

1039
00:45:07,840 --> 00:45:12,239
Speaker 3: Yeah, they just grow and they develop, and you have

1040
00:45:12,280 --> 00:45:13,239
Speaker 3: different casts.

1041
00:45:12,960 --> 00:45:15,440
Speaker 6: And you put people together and you try partnerships and

1042
00:45:15,480 --> 00:45:17,319
Speaker 6: you do this and this is working and that's not working.

1043
00:45:17,360 --> 00:45:20,040
Speaker 6: It's just it's interesting to see where now what seven

1044
00:45:20,080 --> 00:45:22,799
Speaker 6: episodes into season four and it that we haven't done

1045
00:45:22,800 --> 00:45:23,480
Speaker 6: a Kory episode.

1046
00:45:23,560 --> 00:45:25,920
Speaker 3: Yeah at all. Well, I can't wait to see this.

1047
00:45:25,920 --> 00:45:29,520
Speaker 2: This this this development of Sean like because we started

1048
00:45:29,520 --> 00:45:32,000
Speaker 2: this season with him being the like sad puppy dog

1049
00:45:32,080 --> 00:45:33,799
Speaker 2: being left by his parents. You know that sort of

1050
00:45:33,840 --> 00:45:38,719
Speaker 2: vibe again. So now to have this purely like confident, effortless,

1051
00:45:38,760 --> 00:45:43,360
Speaker 2: always comfortable, Sean is really it's fun I actually remember

1052
00:45:43,400 --> 00:45:45,520
Speaker 2: kind of not getting it, Like I remember kind of

1053
00:45:45,640 --> 00:45:47,279
Speaker 2: like not thinking it was that funny. But now I

1054
00:45:47,320 --> 00:45:47,839
Speaker 2: watch it, like.

1055
00:45:47,800 --> 00:45:49,440
Speaker 4: Oh, it's really funny.

1056
00:45:50,120 --> 00:45:53,799
Speaker 3: You walking in the scrubs that alone, Karen and like

1057
00:45:53,840 --> 00:45:55,799
Speaker 3: flipping and throwing on my shoulder. I'm like, what, it's

1058
00:45:55,840 --> 00:45:57,040
Speaker 3: all so good? Yeah.

1059
00:45:57,080 --> 00:45:59,960
Speaker 1: Sean enters, dressed in full scrub security around here suck.

1060
00:46:00,400 --> 00:46:02,400
Speaker 1: Cory asks how he got in, and Shawn answers, we

1061
00:46:02,440 --> 00:46:03,399
Speaker 1: got to get you out of here.

1062
00:46:03,560 --> 00:46:06,040
Speaker 4: Sean yanks Corey's bed. Careful my intro.

1063
00:46:07,200 --> 00:46:09,400
Speaker 1: Sean apologizes he'll take a look at that later, but

1064
00:46:09,480 --> 00:46:12,720
Speaker 1: he needs to leave before Corey loses his whole body. Corey, concerned,

1065
00:46:12,760 --> 00:46:15,960
Speaker 1: says he's starting to talk crazy again. Sean scoffs, crazy,

1066
00:46:16,000 --> 00:46:19,480
Speaker 1: am I. He starts to read a newspaper dateline Orlando, Florida.

1067
00:46:19,480 --> 00:46:21,280
Speaker 1: A fifteen year old boy was admitted to a local

1068
00:46:21,280 --> 00:46:24,880
Speaker 1: hospital for a routine procedure today, mysteriously vanished from the

1069
00:46:24,880 --> 00:46:28,400
Speaker 1: operating table. Corey says, I'm quite prone to nervousness. So

1070
00:46:28,400 --> 00:46:30,839
Speaker 1: I would appreciate it if you didn't bring those idiotic

1071
00:46:31,040 --> 00:46:32,640
Speaker 1: supermarket tabloids in here.

1072
00:46:32,680 --> 00:46:35,200
Speaker 4: Okay, Sean, so funny.

1073
00:46:35,880 --> 00:46:36,400
Speaker 3: I'm prone.

1074
00:46:36,480 --> 00:46:39,720
Speaker 6: I'm gonna say that forever I knows.

1075
00:46:40,160 --> 00:46:42,160
Speaker 3: I'm quite prone to nervousness. Can we not do this?

1076
00:46:44,000 --> 00:46:46,640
Speaker 4: Sean smirks and tosses the paper. It's in the New

1077
00:46:46,760 --> 00:46:50,880
Speaker 4: York Times. Baby Corey reads the New York Times Trailer

1078
00:46:50,920 --> 00:46:53,759
Speaker 4: Park edition. Sean explains, it's exactly the same, except you.

1079
00:46:53,680 --> 00:46:55,120
Speaker 3: Can eat it. It's a wit.

1080
00:46:55,760 --> 00:47:00,759
Speaker 2: Oh my god, that is one of the most witty, gorgeous.

1081
00:47:00,920 --> 00:47:03,759
Speaker 2: Oh my god, our writers are so good. It is

1082
00:47:03,840 --> 00:47:06,320
Speaker 2: just a joke in a half man that's so gorgeous.

1083
00:47:06,360 --> 00:47:08,399
Speaker 3: I mean, the way it builds, it's so.

1084
00:47:08,480 --> 00:47:11,759
Speaker 4: Good, the whole thing, Oh.

1085
00:47:11,000 --> 00:47:14,240
Speaker 6: The whole banter back and forth. This scene is perfect

1086
00:47:14,320 --> 00:47:16,360
Speaker 6: op not comedy writing.

1087
00:47:16,560 --> 00:47:19,759
Speaker 1: So Steve Hibbert comes from He's an improv guy, so

1088
00:47:20,520 --> 00:47:22,400
Speaker 1: you know he comes from the ground lane, just building

1089
00:47:23,160 --> 00:47:26,200
Speaker 1: that joke, building the fact that he probably has one

1090
00:47:26,239 --> 00:47:28,480
Speaker 1: hundred of those in his pocket at all times.

1091
00:47:28,840 --> 00:47:30,080
Speaker 5: Yeah. Uh.

1092
00:47:30,160 --> 00:47:32,399
Speaker 1: Then over the PA we hear a woman doctor hunter.

1093
00:47:32,480 --> 00:47:35,440
Speaker 1: You're wanted in delivery. Sean says, well, this hospital doesn't

1094
00:47:35,440 --> 00:47:38,280
Speaker 1: seem to think so Corey believes it's another it's another

1095
00:47:38,400 --> 00:47:41,440
Speaker 1: doctor hunter. Sean says, I'm going to delivery. I tell you,

1096
00:47:41,520 --> 00:47:44,840
Speaker 1: core no matter how many you do, it's a miracle.

1097
00:47:47,160 --> 00:47:50,239
Speaker 3: In Sean's head, he has delivered hundred.

1098
00:47:51,880 --> 00:47:56,200
Speaker 4: What I just what a beautiful little scene.

1099
00:47:56,520 --> 00:48:00,319
Speaker 1: I just love it so much, so great, believe, but

1100
00:48:00,360 --> 00:48:00,759
Speaker 1: I love it.

1101
00:48:01,520 --> 00:48:03,960
Speaker 4: None of this makes any sense to anything. It matters

1102
00:48:04,000 --> 00:48:04,480
Speaker 4: not at all.

1103
00:48:04,560 --> 00:48:06,239
Speaker 3: And it's great. Yeah, so good.

1104
00:48:07,320 --> 00:48:10,280
Speaker 4: Uh and then we are on the Singled Out set.

1105
00:48:10,600 --> 00:48:10,880
Speaker 2: Uh?

1106
00:48:11,440 --> 00:48:15,360
Speaker 4: So, will I need to know about this day of recording?

1107
00:48:15,520 --> 00:48:16,480
Speaker 3: Where were you?

1108
00:48:17,120 --> 00:48:20,040
Speaker 4: Somebody that remembers it must have been?

1109
00:48:20,080 --> 00:48:22,360
Speaker 2: Where was MTV filming? Like somewhere in LA like a

1110
00:48:22,360 --> 00:48:24,200
Speaker 2: different embtage, a different studio.

1111
00:48:23,920 --> 00:48:24,440
Speaker 3: Any of this.

1112
00:48:24,719 --> 00:48:27,040
Speaker 6: I mean, I remember the idea that I was on

1113
00:48:27,120 --> 00:48:28,879
Speaker 6: Singled Out, but I don't remember where we went.

1114
00:48:29,160 --> 00:48:33,439
Speaker 4: Do you remember Jason Marsden being there? Yes? And I thought,

1115
00:48:33,520 --> 00:48:36,040
Speaker 4: because from a photo there's once.

1116
00:48:35,800 --> 00:48:40,080
Speaker 1: There's a photo Chris Hardwick posted years ago you and

1117
00:48:40,200 --> 00:48:42,280
Speaker 1: Jason Marriston together with.

1118
00:48:42,200 --> 00:48:44,759
Speaker 3: Him sense Jay just came as your friend, Like yeah,

1119
00:48:45,320 --> 00:48:48,760
Speaker 3: and I guess And because of that photo, I said

1120
00:48:48,800 --> 00:48:52,440
Speaker 3: to Susan, Oh, I think Jason.

1121
00:48:52,120 --> 00:48:54,120
Speaker 6: Might actually be in this episode. Maybe this is the

1122
00:48:54,200 --> 00:48:57,120
Speaker 6: last episode Jay ever did. And then in my head

1123
00:48:57,160 --> 00:48:59,719
Speaker 6: it was like, oh, did Jason get Eric on the

1124
00:48:59,760 --> 00:49:03,399
Speaker 6: sing I didn't remember any of that. I singled out

1125
00:49:03,840 --> 00:49:07,600
Speaker 6: easton super Fans has Singled Out filmed at Empire in Burbank.

1126
00:49:08,400 --> 00:49:10,680
Speaker 3: Empire Burbank Studios. Okay, yeah, I remember. I don't know

1127
00:49:10,680 --> 00:49:11,279
Speaker 3: what any of.

1128
00:49:11,160 --> 00:49:12,480
Speaker 6: This at all. So yeah, so Jay must have just

1129
00:49:12,480 --> 00:49:14,960
Speaker 6: come and visited for the day. So yeah, so you

1130
00:49:15,000 --> 00:49:18,120
Speaker 6: don't remember the Yes, I remember hanging out with Chris,

1131
00:49:18,239 --> 00:49:19,279
Speaker 6: who was very cool.

1132
00:49:19,840 --> 00:49:22,839
Speaker 3: Ye you know, I remember him talking.

1133
00:49:22,480 --> 00:49:25,560
Speaker 6: About the the two of us, talking about not really

1134
00:49:25,560 --> 00:49:28,160
Speaker 6: getting the jokes of us looking so similar.

1135
00:49:28,480 --> 00:49:32,040
Speaker 4: Was he improving any of this? His performance feels very improved.

1136
00:49:33,040 --> 00:49:35,560
Speaker 6: I think some of the lines were written because obviously

1137
00:49:35,640 --> 00:49:37,399
Speaker 6: it had to tee me up for stuff and some

1138
00:49:37,440 --> 00:49:39,800
Speaker 6: of the but I think some of it was probably improved.

1139
00:49:39,880 --> 00:49:42,080
Speaker 2: Yeah, But I think it's also just pretty straightforward hosting,

1140
00:49:42,120 --> 00:49:43,239
Speaker 2: like that's just what he did, right.

1141
00:49:43,280 --> 00:49:44,600
Speaker 3: He didn't have lines when he was host.

1142
00:49:44,640 --> 00:49:46,279
Speaker 1: He was just well, that's what I'm saying is that,

1143
00:49:46,360 --> 00:49:49,160
Speaker 1: you know, was even you know, as a singled out host.

1144
00:49:49,200 --> 00:49:51,239
Speaker 1: I could see how so was he doing the same thing?

1145
00:49:51,280 --> 00:49:52,839
Speaker 1: Did he did he improve at all?

1146
00:49:52,880 --> 00:49:54,239
Speaker 4: I don't know. I thought it was so well. I'll

1147
00:49:54,239 --> 00:49:55,000
Speaker 4: ask somebody who.

1148
00:49:56,920 --> 00:49:58,000
Speaker 3: Seriously you might remember.

1149
00:49:58,000 --> 00:50:01,120
Speaker 2: Actually, it's funny that you say, you know that you

1150
00:50:01,160 --> 00:50:02,800
Speaker 2: didn't think you guys look that much alike, because the

1151
00:50:02,800 --> 00:50:05,759
Speaker 2: second he was on screen, because I didn't remember Chris

1152
00:50:05,800 --> 00:50:06,839
Speaker 2: Hardwick as, I was like.

1153
00:50:06,800 --> 00:50:10,200
Speaker 3: Wow, he really does. Oh you think, well, you guys are.

1154
00:50:10,120 --> 00:50:12,840
Speaker 2: Just the same type. It's a white guy with that haircut,

1155
00:50:12,880 --> 00:50:13,960
Speaker 2: do you know what I mean? I was like, good

1156
00:50:13,960 --> 00:50:16,360
Speaker 2: looking white guy with that haircut. I was like, oh wow,

1157
00:50:16,760 --> 00:50:19,399
Speaker 2: and wearing the sweater or too, like he's dressed like Eric.

1158
00:50:19,600 --> 00:50:21,640
Speaker 2: I was like, oh, And I wonder how much of

1159
00:50:21,680 --> 00:50:25,360
Speaker 2: this just came from you know, Michael or somebody flipping

1160
00:50:25,360 --> 00:50:26,799
Speaker 2: through the channels one night and being like that guy

1161
00:50:26,800 --> 00:50:28,080
Speaker 2: looks like will I wonder if we could do an

1162
00:50:28,080 --> 00:50:30,160
Speaker 2: episode of Boy Means World where we gave him together,

1163
00:50:30,440 --> 00:50:32,640
Speaker 2: because it is funny. I was like, Oh, they're totally

1164
00:50:32,920 --> 00:50:33,920
Speaker 2: of a type, you know.

1165
00:50:34,480 --> 00:50:35,480
Speaker 4: Yeah.

1166
00:50:35,520 --> 00:50:37,760
Speaker 1: So there are a crowd of college girls and boys

1167
00:50:37,840 --> 00:50:40,719
Speaker 1: cheering on the stage. Welcome to our special college edition

1168
00:50:40,760 --> 00:50:43,200
Speaker 1: of Singled Out, and once again, our professor of love

1169
00:50:43,239 --> 00:50:44,840
Speaker 1: Ology Chris Hardwick.

1170
00:50:45,880 --> 00:50:48,200
Speaker 4: There's so many background actors.

1171
00:50:48,680 --> 00:50:50,200
Speaker 3: Yeah, so many.

1172
00:50:50,440 --> 00:50:53,040
Speaker 1: Chris walks on stage and introduces the episode's big man

1173
00:50:53,120 --> 00:50:55,080
Speaker 1: on campus who will be winning a date with one

1174
00:50:55,120 --> 00:50:57,200
Speaker 1: of the fifty co eds selected for him.

1175
00:50:57,280 --> 00:50:59,759
Speaker 4: Let's meet him, mister Eric Matthews.

1176
00:51:00,719 --> 00:51:03,239
Speaker 6: You wonder if I'm sorry, because now I'm thinking about

1177
00:51:03,239 --> 00:51:06,560
Speaker 6: all the extras. You wonder if Singled Out was one

1178
00:51:06,600 --> 00:51:08,959
Speaker 6: of those shows and they do this with game shows

1179
00:51:08,960 --> 00:51:11,160
Speaker 6: all the time, where they'll shoot ten episodes in a day.

1180
00:51:11,920 --> 00:51:14,120
Speaker 3: They did, so maybe they just fit us in.

1181
00:51:14,239 --> 00:51:18,080
Speaker 6: So those might be have been actual contestants for Singled Out,

1182
00:51:18,440 --> 00:51:20,600
Speaker 6: and then we just filled one of the slots of Hey,

1183
00:51:20,600 --> 00:51:22,440
Speaker 6: we're going to shoot a fake episode in between the

1184
00:51:22,520 --> 00:51:23,560
Speaker 6: five real ones you're.

1185
00:51:23,400 --> 00:51:24,000
Speaker 3: Going to do.

1186
00:51:24,120 --> 00:51:26,360
Speaker 2: We would have to paid that, We would have to

1187
00:51:26,400 --> 00:51:29,400
Speaker 2: have had paid them as extras too, So it's really

1188
00:51:29,440 --> 00:51:31,360
Speaker 2: like it's a big episode for us. You know, this

1189
00:51:31,400 --> 00:51:33,719
Speaker 2: would have been very hectic and stressful, and like, I

1190
00:51:33,760 --> 00:51:35,920
Speaker 2: wonder how much of our crew would have gone over.

1191
00:51:35,800 --> 00:51:39,319
Speaker 3: That's my question is with the Singled Out cameras and

1192
00:51:39,440 --> 00:51:40,919
Speaker 3: all that kind of stuff. I don't know either.

1193
00:51:41,000 --> 00:51:42,640
Speaker 2: I don't know how it's I would love to ask

1194
00:51:42,719 --> 00:51:46,040
Speaker 2: Jeff McCracken because he'd probably remember like how they managed it.

1195
00:51:46,280 --> 00:51:49,040
Speaker 1: Did you guys notice later when there's a shot of

1196
00:51:49,080 --> 00:51:51,160
Speaker 1: a camera in the frame, No.

1197
00:51:51,080 --> 00:51:53,480
Speaker 3: Yeah, you see the jib arm. Is that what happened? No?

1198
00:51:53,560 --> 00:51:55,000
Speaker 1: I think what it is is you see one of

1199
00:51:55,040 --> 00:51:57,480
Speaker 1: our four cameras the jib see.

1200
00:51:58,400 --> 00:52:03,040
Speaker 4: One of our So we brought recruit over correct?

1201
00:52:03,320 --> 00:52:04,120
Speaker 3: That so interesting?

1202
00:52:04,160 --> 00:52:04,440
Speaker 5: Wow?

1203
00:52:04,520 --> 00:52:06,839
Speaker 1: Yeah, I know I wish, uh, I wish we had

1204
00:52:06,840 --> 00:52:08,520
Speaker 1: the answers to this, but we just don't.

1205
00:52:08,520 --> 00:52:11,080
Speaker 4: We'll ask Steve Hibbert when they bring.

1206
00:52:10,920 --> 00:52:13,879
Speaker 3: Him, and then McCracken would be a good person too. Yes, yeah,

1207
00:52:14,239 --> 00:52:14,480
Speaker 3: so too.

1208
00:52:15,360 --> 00:52:18,800
Speaker 1: So two men dressed like Cupid bring a very excited

1209
00:52:18,920 --> 00:52:21,879
Speaker 1: and masked Eric out to a chair facing away from

1210
00:52:21,880 --> 00:52:23,840
Speaker 1: his potential suitors so nobody can see.

1211
00:52:23,760 --> 00:52:25,680
Speaker 3: Him with the mask. Is this something they did on

1212
00:52:25,719 --> 00:52:26,040
Speaker 3: the show?

1213
00:52:26,120 --> 00:52:26,680
Speaker 4: I think so that.

1214
00:52:28,520 --> 00:52:29,640
Speaker 3: Yeah, you're not supposed to see anything.

1215
00:52:29,680 --> 00:52:30,560
Speaker 4: They were blindfolded.

1216
00:52:30,600 --> 00:52:33,200
Speaker 1: I think on Singled Out they wore a blindfold out

1217
00:52:33,239 --> 00:52:35,080
Speaker 1: past the people until they go behind the wall.

1218
00:52:35,200 --> 00:52:37,040
Speaker 3: Sit them behind the wall so they can't actually with

1219
00:52:37,040 --> 00:52:37,600
Speaker 3: their back turns.

1220
00:52:37,600 --> 00:52:39,080
Speaker 2: So why aren't you wearing a blindfold? Why are you

1221
00:52:39,080 --> 00:52:40,439
Speaker 2: wearing like this fan or the opera mask?

1222
00:52:40,480 --> 00:52:42,120
Speaker 3: I don't get it. Well, I think it's it's I

1223
00:52:42,160 --> 00:52:44,520
Speaker 3: think it's a it's blacked out, like my eyes were

1224
00:52:44,520 --> 00:52:45,680
Speaker 3: blacked out. So they put on a mask.

1225
00:52:45,880 --> 00:52:48,160
Speaker 1: It's still supposed to be that he can't see but

1226
00:52:48,239 --> 00:52:49,640
Speaker 1: I don't know why they didn't use.

1227
00:52:49,960 --> 00:52:52,880
Speaker 3: That they can't see you. It's that you can't see that, right.

1228
00:52:53,320 --> 00:52:55,880
Speaker 1: Right, But it also in this case works that the

1229
00:52:56,080 --> 00:53:00,680
Speaker 1: contestants can't really see him. So this feels like a

1230
00:53:00,680 --> 00:53:02,560
Speaker 1: weird sticking point for the episode.

1231
00:53:02,560 --> 00:53:04,880
Speaker 3: I don't know.

1232
00:53:04,920 --> 00:53:06,760
Speaker 2: It was like suddenly it was like eyes wide shut,

1233
00:53:06,840 --> 00:53:11,359
Speaker 2: kind of masks, like sex is this college thing?

1234
00:53:11,480 --> 00:53:14,839
Speaker 3: Like what is happening? Somebody gonna beat up Eric? Come

1235
00:53:14,880 --> 00:53:21,279
Speaker 3: and beat out Eric. Let's bring out the game. Yeah.

1236
00:53:21,320 --> 00:53:23,879
Speaker 1: So Chris has Eric take his mask off and he says,

1237
00:53:23,920 --> 00:53:25,399
Speaker 1: I'm not trying to be funny or anything, but you're

1238
00:53:25,400 --> 00:53:28,439
Speaker 1: a very attractive man. Eric tells him it's like looking

1239
00:53:28,480 --> 00:53:30,279
Speaker 1: in a mirror. Chris response, I don't think.

1240
00:53:30,280 --> 00:53:33,960
Speaker 6: So he added that because both of us weren't didn't

1241
00:53:33,960 --> 00:53:34,680
Speaker 6: get the mirror thing.

1242
00:53:34,719 --> 00:53:37,000
Speaker 3: So he was like, yeah, no, it's not Yeah, and

1243
00:53:37,040 --> 00:53:37,720
Speaker 3: you know I didn't.

1244
00:53:37,880 --> 00:53:40,280
Speaker 2: You brought up the improvise. Improvise that's fine. I forget

1245
00:53:40,480 --> 00:53:42,680
Speaker 2: when the end of the next scene, or maybe the

1246
00:53:42,800 --> 00:53:44,160
Speaker 2: end of this scene, I felt like you two were

1247
00:53:44,160 --> 00:53:46,680
Speaker 2: improvising with each other. You're like, I didn't say that,

1248
00:53:46,719 --> 00:53:49,160
Speaker 2: I said the naughty didn't and he's like responding though it.

1249
00:53:49,200 --> 00:53:50,719
Speaker 4: Was to exactly just.

1250
00:53:52,400 --> 00:53:54,600
Speaker 1: And I do think there was a lot of fun

1251
00:53:55,080 --> 00:53:59,919
Speaker 1: sprinkled in you guys just riffing with each other on sprinkles. Yeah,

1252
00:54:00,080 --> 00:54:02,279
Speaker 1: love an improv sprinkle Who doesn't love that? It's an

1253
00:54:02,280 --> 00:54:03,000
Speaker 1: improv jimmy.

1254
00:54:03,120 --> 00:54:05,040
Speaker 6: And I was gonna say an improv jimmy or an

1255
00:54:05,040 --> 00:54:06,480
Speaker 6: improv shot, depending on where you are.

1256
00:54:07,800 --> 00:54:09,680
Speaker 1: Eric, would you like to tell the girls a little

1257
00:54:09,680 --> 00:54:11,960
Speaker 1: bit about the big Harvard man that you are?

1258
00:54:12,120 --> 00:54:13,560
Speaker 4: Chris hypes up the crowd.

1259
00:54:13,560 --> 00:54:17,600
Speaker 1: Harvard University ladies and gentlemen. Eric nervously begs, why don't

1260
00:54:17,600 --> 00:54:20,320
Speaker 1: we just play the game? Chris announces he's modest. Two girls,

1261
00:54:20,320 --> 00:54:23,520
Speaker 1: what a catch. He currently maintains a GPA of seven

1262
00:54:23,600 --> 00:54:27,960
Speaker 1: point zero. Yeah, why couldn't they have just kept it

1263
00:54:28,280 --> 00:54:30,400
Speaker 1: a four point zero? Is this a nod to the

1264
00:54:30,440 --> 00:54:32,040
Speaker 1: fact that Eric is the one who told them that

1265
00:54:32,080 --> 00:54:34,160
Speaker 1: and he just doesn't understand how.

1266
00:54:34,040 --> 00:54:35,960
Speaker 3: Yes, okayting, so okay.

1267
00:54:35,960 --> 00:54:38,080
Speaker 1: The girls all cheer for his GPA. As Eric is

1268
00:54:38,080 --> 00:54:39,640
Speaker 1: still nervous. Do we have to talk about this on

1269
00:54:39,680 --> 00:54:41,640
Speaker 1: the air, Chris tells him they don't, and they won't.

1270
00:54:41,680 --> 00:54:43,800
Speaker 1: He walks over to the board and explains the categories

1271
00:54:43,840 --> 00:54:47,920
Speaker 1: first date, brains, hygiene, experience, height, and h He asks

1272
00:54:48,040 --> 00:54:50,959
Speaker 1: Eric's Eric where he'd like to start first date. Chris

1273
00:54:50,960 --> 00:54:53,440
Speaker 1: reveals two options. Have you been naughty or have you

1274
00:54:53,520 --> 00:54:56,640
Speaker 1: been nice? Eric slily answers, I know my mom would

1275
00:54:56,680 --> 00:54:59,640
Speaker 1: want me to send away the naughty girls, but Chris interrupts.

1276
00:54:59,280 --> 00:55:01,239
Speaker 4: Him, all right, have you been naughty? Get out?

1277
00:55:01,760 --> 00:55:05,160
Speaker 1: Eric kills no as a bunch of cute naughty girls

1278
00:55:05,160 --> 00:55:07,360
Speaker 1: walk past him. Not a leather jacket in the bunch.

1279
00:55:07,600 --> 00:55:09,320
Speaker 3: No, not fast girls.

1280
00:55:09,480 --> 00:55:13,439
Speaker 4: No, not naughty girls. That's different. That's different. And then

1281
00:55:13,719 --> 00:55:16,120
Speaker 4: Eric yells, my mom's not here. You can be naughty.

1282
00:55:16,160 --> 00:55:19,280
Speaker 4: I want to be naughty with you. It's kind of creepy.

1283
00:55:19,640 --> 00:55:23,280
Speaker 4: It was kind of creepy, funny. I love it.

1284
00:55:23,040 --> 00:55:24,040
Speaker 3: It's funny it is.

1285
00:55:24,520 --> 00:55:27,480
Speaker 1: Eric keeps yelling as a herd of hotties walks by.

1286
00:55:27,640 --> 00:55:29,359
Speaker 1: One girl even goes up to him and kisses him

1287
00:55:29,360 --> 00:55:32,399
Speaker 1: on the cheek. Chris admits, you're a strong man, sacrificing

1288
00:55:32,440 --> 00:55:35,040
Speaker 1: all that just to make mom proud. He says, Eric's

1289
00:55:35,040 --> 00:55:35,840
Speaker 1: the type of guy.

1290
00:55:35,680 --> 00:55:39,200
Speaker 4: Every girl wants. Will Did you meet any girls here

1291
00:55:39,239 --> 00:55:39,640
Speaker 4: this day?

1292
00:55:40,560 --> 00:55:45,160
Speaker 3: I don't remember. I don't remember.

1293
00:55:45,520 --> 00:55:49,680
Speaker 4: I think what year was this, ninety I don't know.

1294
00:55:50,800 --> 00:55:51,960
Speaker 3: Ninety six.

1295
00:55:52,040 --> 00:55:54,400
Speaker 1: We still and originally aired November first, ninety six, so

1296
00:55:54,440 --> 00:55:55,200
Speaker 1: it's ninety six.

1297
00:55:55,440 --> 00:55:59,120
Speaker 3: Okay, I don't know if I'm dating Love yet, right, Yeah,

1298
00:55:59,160 --> 00:56:01,359
Speaker 3: you would have done Trojan War, so you were dating

1299
00:56:01,400 --> 00:56:01,719
Speaker 3: had I?

1300
00:56:01,800 --> 00:56:02,000
Speaker 2: Yeah?

1301
00:56:02,000 --> 00:56:03,040
Speaker 3: Okay, then I get because you're.

1302
00:56:02,920 --> 00:56:05,600
Speaker 4: Talking, so you were blind you you were blinded by

1303
00:56:05,640 --> 00:56:06,680
Speaker 4: love and.

1304
00:56:06,680 --> 00:56:10,480
Speaker 3: Love and love yeah, yeah, but yes, I don't if

1305
00:56:10,520 --> 00:56:12,960
Speaker 3: we were dating then normally I can tell by the

1306
00:56:13,000 --> 00:56:15,920
Speaker 3: necklace I'm wearing, because of course you're young actors. So

1307
00:56:15,960 --> 00:56:17,920
Speaker 3: both Love and I wore the same necklace on our shows.

1308
00:56:17,920 --> 00:56:20,120
Speaker 4: We thought it was hit each other's blood in it

1309
00:56:20,200 --> 00:56:22,520
Speaker 4: or something. No, it wasn't even worse than that. It

1310
00:56:22,600 --> 00:56:24,680
Speaker 4: was seriously worse than It looks like a little little

1311
00:56:24,680 --> 00:56:25,320
Speaker 4: mini heads.

1312
00:56:26,640 --> 00:56:27,000
Speaker 3: It does.

1313
00:56:27,040 --> 00:56:28,880
Speaker 6: It looks like a tiny little coke. It's it's a

1314
00:56:28,880 --> 00:56:30,840
Speaker 6: little heart, but it looks like a little koke spoon.

1315
00:56:30,880 --> 00:56:32,040
Speaker 6: Every time I look at it now, it's like I'm

1316
00:56:32,040 --> 00:56:34,080
Speaker 6: wearing a little you're wearing Envoy World.

1317
00:56:34,200 --> 00:56:36,279
Speaker 3: Yeah for a year or two something.

1318
00:56:36,360 --> 00:56:38,239
Speaker 4: Why did you wear spoon necklaces?

1319
00:56:38,360 --> 00:56:40,800
Speaker 3: I have no she said, you're wearing little spoon.

1320
00:56:41,000 --> 00:56:42,319
Speaker 4: Have you ever heard of a white Why were you

1321
00:56:42,320 --> 00:56:43,480
Speaker 4: the little spoon? Much better?

1322
00:56:44,280 --> 00:56:46,000
Speaker 3: Just wear a full white rose around my neck and

1323
00:56:46,120 --> 00:56:50,680
Speaker 3: where we go? I think it'd be great answer your question.

1324
00:56:50,719 --> 00:56:53,000
Speaker 3: I don't know if I shows like this exist anymore,

1325
00:56:53,040 --> 00:56:54,920
Speaker 3: like singled Out? Remember Studs?

1326
00:56:55,239 --> 00:56:58,520
Speaker 2: There were always like these dating shows where if you're like.

1327
00:56:58,680 --> 00:57:02,600
Speaker 1: Yeah, yeah, now it's like ninety dight Fiance Bachelor.

1328
00:57:03,120 --> 00:57:06,640
Speaker 3: Yeah. No, wonder the Internet.

1329
00:57:06,320 --> 00:57:09,160
Speaker 2: Dating mind filled these kinds of shows, right, like the

1330
00:57:09,239 --> 00:57:11,520
Speaker 2: idea of like getting a bunch of hotties together and

1331
00:57:11,560 --> 00:57:15,200
Speaker 2: like asking them questions like zero people like you just

1332
00:57:15,280 --> 00:57:15,600
Speaker 2: do this.

1333
00:57:15,600 --> 00:57:18,160
Speaker 3: On the internet every like everybody just does this on apps?

1334
00:57:18,160 --> 00:57:25,320
Speaker 4: Well no, now, eliminate no, eliminate fifth Wheel. There were

1335
00:57:25,360 --> 00:57:25,800
Speaker 4: so many.

1336
00:57:25,960 --> 00:57:28,360
Speaker 3: I feel like you're making these up. No, no, But

1337
00:57:28,360 --> 00:57:29,760
Speaker 3: do you guys remember Studs?

1338
00:57:30,560 --> 00:57:32,280
Speaker 4: Kind of? I remember the name.

1339
00:57:32,640 --> 00:57:34,720
Speaker 3: I remember watching that, Like, I feel like I learned

1340
00:57:34,760 --> 00:57:37,200
Speaker 3: a lot about dating when I was like eleven by

1341
00:57:37,200 --> 00:57:38,880
Speaker 3: watching Studs.

1342
00:57:39,000 --> 00:57:41,600
Speaker 1: Where you got the white rose, that's where you were

1343
00:57:41,600 --> 00:57:43,040
Speaker 1: the original Bachelor you were.

1344
00:57:43,360 --> 00:57:44,560
Speaker 3: I gotta look that up. Now.

1345
00:57:44,560 --> 00:57:46,720
Speaker 6: It's like, here, you're gonna you're gonna marry a girl

1346
00:57:46,760 --> 00:57:48,480
Speaker 6: you haven't met yet and you've known each other.

1347
00:57:50,520 --> 00:57:52,200
Speaker 3: Ye ridiculous.

1348
00:57:52,360 --> 00:57:56,040
Speaker 1: Yeah, So Chris asks where they're going to go to next,

1349
00:57:56,080 --> 00:57:58,400
Speaker 1: and Eric answers, I want to go with the naughty girls,

1350
00:57:58,560 --> 00:58:01,320
Speaker 1: but he ends up picking brains his next category. The

1351
00:58:01,360 --> 00:58:05,520
Speaker 1: options are Einstein or beer Stein. Eric tells him he's

1352
00:58:05,560 --> 00:58:07,800
Speaker 1: not gonna get fooled this time, so he knows if

1353
00:58:07,840 --> 00:58:10,160
Speaker 1: he says beer Stein first, whoops.

1354
00:58:10,400 --> 00:58:13,120
Speaker 4: Wris yells beer Stein, get out.

1355
00:58:13,480 --> 00:58:17,640
Speaker 1: Eric screams no again, and a plethora of alcoholic girls

1356
00:58:17,680 --> 00:58:20,480
Speaker 1: exit as he begs them to stay. He saves a

1357
00:58:20,520 --> 00:58:22,840
Speaker 1: girl with a golden ticket and that gets her to

1358
00:58:22,880 --> 00:58:23,560
Speaker 1: the next round.

1359
00:58:23,600 --> 00:58:29,000
Speaker 4: And explained just just you have a thing all of

1360
00:58:29,000 --> 00:58:30,880
Speaker 4: a sudden, and where did it come from? And we

1361
00:58:30,920 --> 00:58:32,920
Speaker 4: didn't get it and then you think, did you just

1362
00:58:32,960 --> 00:58:34,600
Speaker 4: slip one of the extras something.

1363
00:58:34,800 --> 00:58:37,520
Speaker 1: It was like siler Fan Easton will know this, of course,

1364
00:58:37,600 --> 00:58:40,400
Speaker 1: because that's that was a famous thing from singled Out.

1365
00:58:40,560 --> 00:58:43,040
Speaker 1: So it was just like, we're not going to explain

1366
00:58:43,120 --> 00:58:45,040
Speaker 1: it on Boy Meets World. We're just going to assume,

1367
00:58:45,080 --> 00:58:46,640
Speaker 1: you know, singled out and then you.

1368
00:58:46,560 --> 00:58:48,960
Speaker 2: Guys noticed that, like all the girls leave for the

1369
00:58:49,080 --> 00:58:51,480
Speaker 2: naughty list, and then it cuts to them cheering and

1370
00:58:51,520 --> 00:58:52,160
Speaker 2: they're all back.

1371
00:58:52,520 --> 00:58:54,520
Speaker 6: Did you guys notice that we I noticed that they

1372
00:58:54,760 --> 00:58:58,880
Speaker 6: obviously doubled up on the I think they them.

1373
00:58:57,920 --> 00:58:58,840
Speaker 3: Cheering right before this.

1374
00:58:58,920 --> 00:59:00,840
Speaker 2: Next question was like, but those girls who just like

1375
00:59:01,080 --> 00:59:03,800
Speaker 2: you could recognize their outfits, Like right, they're right there,

1376
00:59:03,840 --> 00:59:04,360
Speaker 2: they didn't leave.

1377
00:59:04,400 --> 00:59:05,560
Speaker 4: Well, no, but that's what you didn't.

1378
00:59:05,600 --> 00:59:07,880
Speaker 6: This was the Twin day, so this was the naughty

1379
00:59:07,920 --> 00:59:10,200
Speaker 6: and nice. So the naughty twin left and the nice

1380
00:59:10,240 --> 00:59:10,880
Speaker 6: twin was there.

1381
00:59:11,040 --> 00:59:13,320
Speaker 1: Well, what I really think happened is that they did

1382
00:59:13,360 --> 00:59:15,520
Speaker 1: those pickups at the end of the day, all right,

1383
00:59:15,640 --> 00:59:17,880
Speaker 1: the crowd of people, and then in editing when they

1384
00:59:17,880 --> 00:59:19,720
Speaker 1: were like, now we'll cut back to this, they used

1385
00:59:19,720 --> 00:59:21,760
Speaker 1: a shot they didn't when they were doing it, say

1386
00:59:21,800 --> 00:59:23,040
Speaker 1: take fifty percent of you away.

1387
00:59:23,240 --> 00:59:26,800
Speaker 3: Yep. So, like my twin explanation better.

1388
00:59:26,680 --> 00:59:28,760
Speaker 1: I know yours is really good. It's a soap opera there,

1389
00:59:28,840 --> 00:59:29,440
Speaker 1: it's twins.

1390
00:59:29,480 --> 00:59:31,640
Speaker 3: Okay. When I was amnesia, forget it.

1391
00:59:31,760 --> 00:59:34,280
Speaker 1: Eric's still pleading when Chris grabs his head forget about them.

1392
00:59:34,360 --> 00:59:37,760
Speaker 1: We've narrowed it down to our last five brainy, chaste girls.

1393
00:59:38,280 --> 00:59:41,160
Speaker 1: Eric asks, it's bad, isn't it. Chris assures them they're

1394
00:59:41,200 --> 00:59:44,640
Speaker 1: exactly the girls he wanted. Sweet, sensitive, intelligent and fully clothed.

1395
00:59:44,840 --> 00:59:46,400
Speaker 1: We'll see how bad it is for Eric when we

1396
00:59:46,440 --> 00:59:48,880
Speaker 1: come back. The camera zooms in on the remaining ladies

1397
00:59:48,880 --> 00:59:50,840
Speaker 1: that are left as they go to break and this

1398
00:59:51,000 --> 00:59:51,880
Speaker 1: is a long.

1399
00:59:53,120 --> 00:59:57,680
Speaker 7: Really same thing. We just had time to kill like

1400
00:59:58,240 --> 01:00:02,000
Speaker 7: we didn't. This is what they did on MTV shows.

1401
01:00:02,080 --> 01:00:04,280
Speaker 7: They played the played the outro for.

1402
01:00:04,240 --> 01:00:06,440
Speaker 1: A long time and you got to see people dancing

1403
01:00:06,480 --> 01:00:09,640
Speaker 1: and it's just like, no, you will doing that dance

1404
01:00:09,640 --> 01:00:12,080
Speaker 1: where he looks like he's stirring a very large soup.

1405
01:00:12,360 --> 01:00:15,680
Speaker 3: It's I was kicking it right there, kicking but it was.

1406
01:00:15,720 --> 01:00:17,920
Speaker 4: It felt so weird for Boy Meets World was.

1407
01:00:18,520 --> 01:00:22,000
Speaker 2: Coming back and the same song as playing. I was like, oh, more, more,

1408
01:00:22,360 --> 01:00:23,960
Speaker 2: more of this, what is happening?

1409
01:00:24,560 --> 01:00:26,360
Speaker 4: They had an extra two and a half minutes in

1410
01:00:26,400 --> 01:00:27,240
Speaker 4: the show and they were.

1411
01:00:27,640 --> 01:00:30,480
Speaker 3: My dancing is so good that they were there like

1412
01:00:30,520 --> 01:00:31,840
Speaker 3: we need more of this.

1413
01:00:34,040 --> 01:00:36,840
Speaker 4: So we're back at singled Out. Eric looks down in

1414
01:00:36,880 --> 01:00:37,320
Speaker 4: the dumps.

1415
01:00:37,360 --> 01:00:39,160
Speaker 1: It's the final round of Singled Out and they're down

1416
01:00:39,200 --> 01:00:42,120
Speaker 1: to the last three girls we apparently lost to during

1417
01:00:42,160 --> 01:00:44,840
Speaker 1: the commercial break, but we don't see that. We don't

1418
01:00:44,840 --> 01:00:48,000
Speaker 1: need The girl with the golden ticket was eliminated. I

1419
01:00:48,040 --> 01:00:51,000
Speaker 1: took it back, and Eric pounced, there used to be fifty.

1420
01:00:51,280 --> 01:00:53,200
Speaker 1: Chris responds, let it go, math boy.

1421
01:00:54,120 --> 01:00:55,880
Speaker 4: I think it's so funny. I call back to you

1422
01:00:55,920 --> 01:00:58,600
Speaker 4: being smart. I thought that was really funny.

1423
01:00:59,480 --> 01:01:01,360
Speaker 1: He tells every one that before the show, they gave

1424
01:01:01,480 --> 01:01:03,919
Speaker 1: Eric a pop quiz, and now these girls will try

1425
01:01:03,960 --> 01:01:06,760
Speaker 1: to match his answers. Each correct answer gets them a

1426
01:01:06,800 --> 01:01:09,640
Speaker 1: step closer to Eric, and the winner gets a chance

1427
01:01:09,680 --> 01:01:13,240
Speaker 1: to go out with their Harvard hunk Eric. Eric excitedly

1428
01:01:13,320 --> 01:01:16,840
Speaker 1: yells Harvard hunk. You hear that, mister Phoene, Why now

1429
01:01:16,880 --> 01:01:17,800
Speaker 1: are you cool with it?

1430
01:01:18,040 --> 01:01:21,720
Speaker 3: And he wanted to downplay it first, but now he's yeah,

1431
01:01:21,720 --> 01:01:22,720
Speaker 3: it didn't make any sense.

1432
01:01:22,840 --> 01:01:28,640
Speaker 4: You're like, ooh, guys, and then you're like, Harvard Vinie,

1433
01:01:28,880 --> 01:01:31,920
Speaker 4: you hear? What's so funny? Okay?

1434
01:01:32,120 --> 01:01:35,240
Speaker 1: Chris starts the game. First question, bad kissers dumb them

1435
01:01:35,360 --> 01:01:39,040
Speaker 1: or train them? Eric answers train them. Two girls step forward.

1436
01:01:39,280 --> 01:01:42,720
Speaker 1: Next question, a guy who listens is sensitive or picturing

1437
01:01:42,720 --> 01:01:47,080
Speaker 1: you naked? Eric's answer sensitive, Now this could be the

1438
01:01:47,120 --> 01:01:51,360
Speaker 1: final question, best way to wake up steamy hot cocoa

1439
01:01:51,440 --> 01:01:54,040
Speaker 1: for two or steamy hot shower for two.

1440
01:01:54,640 --> 01:01:57,040
Speaker 4: Chris is sure he's gonna answer, do you too you

1441
01:01:57,120 --> 01:01:57,840
Speaker 4: have shower?

1442
01:01:59,320 --> 01:01:59,680
Speaker 3: Nope.

1443
01:02:00,160 --> 01:02:04,240
Speaker 4: Eric likes Coco, So Coco before.

1444
01:02:03,920 --> 01:02:06,360
Speaker 6: The even said, so you went, you got two things?

1445
01:02:06,400 --> 01:02:08,000
Speaker 6: You've got Coco, Sue went, I.

1446
01:02:07,960 --> 01:02:09,680
Speaker 3: Don't need to hear the second one. You'd pick Coco.

1447
01:02:12,120 --> 01:02:14,200
Speaker 3: It's like, yeah, that's true. She's like, yeah, I don't

1448
01:02:14,200 --> 01:02:15,200
Speaker 3: even need to hear what second?

1449
01:02:16,880 --> 01:02:19,960
Speaker 4: Definitely Coco Coco, and we have a winner.

1450
01:02:20,120 --> 01:02:22,800
Speaker 1: Chris puts Eric and his new love interest back to back,

1451
01:02:22,960 --> 01:02:25,000
Speaker 1: and that's when we see one of our cameramen.

1452
01:02:25,120 --> 01:02:26,360
Speaker 4: So we see the jib is.

1453
01:02:26,360 --> 01:02:28,840
Speaker 1: Moving around, okay, and then one of our you know

1454
01:02:28,920 --> 01:02:32,600
Speaker 1: four cameras, uh, probably coming in to do Will's coverage,

1455
01:02:33,280 --> 01:02:38,200
Speaker 1: and the jibs like zooms in. So she is all

1456
01:02:38,280 --> 01:02:41,360
Speaker 1: things Eric wanted in a girl. Her name is Lisa Thurman.

1457
01:02:41,800 --> 01:02:44,160
Speaker 1: Eric and Lisa turn around and they look really happy

1458
01:02:44,160 --> 01:02:46,840
Speaker 1: with the results. The game show announcer chimes in, you

1459
01:02:46,880 --> 01:02:49,400
Speaker 1: and Lisa will enjoy a night on the town escorted

1460
01:02:49,440 --> 01:02:52,600
Speaker 1: in your own personal limo. We also hear Lisa asking

1461
01:02:52,720 --> 01:02:55,160
Speaker 1: Eric about being a junior at Harvard, and we learn

1462
01:02:55,240 --> 01:02:59,040
Speaker 1: that she is a sophomore at Columbia, and again, very

1463
01:02:59,040 --> 01:03:01,760
Speaker 1: weird for boy Meets World. The announcer is talking and

1464
01:03:01,960 --> 01:03:04,200
Speaker 1: they are also talking Undernath You've.

1465
01:03:04,080 --> 01:03:08,080
Speaker 6: Got to kind of gett because what they're saying.

1466
01:03:08,200 --> 01:03:14,400
Speaker 1: Yes, yeah, but it did work, but awkward and weird

1467
01:03:14,440 --> 01:03:15,920
Speaker 1: for Boys World, but good direction.

1468
01:03:16,080 --> 01:03:18,600
Speaker 4: It did. It did like it was just it.

1469
01:03:18,880 --> 01:03:20,640
Speaker 2: Feels like you guys are naturally talking to one of

1470
01:03:20,680 --> 01:03:22,120
Speaker 2: these the show is still going on.

1471
01:03:22,320 --> 01:03:24,720
Speaker 3: It's like, oh, they're actually connecting. And the whole Chubby thing.

1472
01:03:24,640 --> 01:03:27,560
Speaker 4: Yes, the Chubby's thing is unbelievable.

1473
01:03:27,800 --> 01:03:30,040
Speaker 1: The voice continues, You'll be ending your night at the

1474
01:03:30,080 --> 01:03:34,600
Speaker 1: best kept little Secret Chubby's. Lisa loves that place. Eric

1475
01:03:34,640 --> 01:03:36,440
Speaker 1: lies and says he's never been. And I would just

1476
01:03:36,480 --> 01:03:39,320
Speaker 1: like to point out that if Lisa loves Chubby's, I

1477
01:03:39,360 --> 01:03:41,560
Speaker 1: mean she has definitely seen Eric.

1478
01:03:41,600 --> 01:03:44,600
Speaker 4: There is no other place to eat.

1479
01:03:45,320 --> 01:03:48,320
Speaker 1: She probably knows mister Turner, and she may have even

1480
01:03:48,360 --> 01:03:49,840
Speaker 1: seen Eric's trick pool shot.

1481
01:03:50,160 --> 01:03:54,840
Speaker 4: So exactly, she's DTC. She's down a job job. I

1482
01:03:54,880 --> 01:03:56,280
Speaker 4: was gonna say down to Chubbs, and then I was

1483
01:03:56,280 --> 01:03:57,720
Speaker 4: like I'm gonna just take.

1484
01:04:00,600 --> 01:04:04,560
Speaker 1: Mid mid sentences, but we can all put that in

1485
01:04:04,560 --> 01:04:04,959
Speaker 1: our head.

1486
01:04:04,880 --> 01:04:05,640
Speaker 3: Anyway we'd like to.

1487
01:04:06,760 --> 01:04:10,120
Speaker 1: Chris tells Eric nice hair. Eric compliments him right back,

1488
01:04:10,640 --> 01:04:15,160
Speaker 1: because they both have middle parted, blondish hair. The show

1489
01:04:15,280 --> 01:04:18,240
Speaker 1: ends in a very nineties way, with other couples dancing

1490
01:04:18,280 --> 01:04:21,040
Speaker 1: on stage and Lisa and Eric making small talk until

1491
01:04:21,080 --> 01:04:24,920
Speaker 1: it cuts, and then we're back at the hospital. Cory

1492
01:04:25,040 --> 01:04:27,440
Speaker 1: is still laying in the hospital bed pre operation, his

1493
01:04:27,520 --> 01:04:30,160
Speaker 1: parents in Tapanga at his side. The nurse explains that

1494
01:04:30,200 --> 01:04:32,920
Speaker 1: she gave him a mild sedative for nerves. It's obviously

1495
01:04:32,960 --> 01:04:36,000
Speaker 1: making Corey quite groggy. As he announces, I'll have the soup.

1496
01:04:36,240 --> 01:04:39,000
Speaker 1: What are you going to have? King Louis, Tapanga tells

1497
01:04:39,040 --> 01:04:42,280
Speaker 1: him she'll be waiting for him. He asks spongebath right

1498
01:04:42,320 --> 01:04:43,240
Speaker 1: in front of his mama.

1499
01:04:44,680 --> 01:04:47,000
Speaker 6: Well, you also had just gotten back from solving that

1500
01:04:47,040 --> 01:04:49,920
Speaker 6: bank robbery from nineteen seventy eight.

1501
01:04:50,080 --> 01:04:52,040
Speaker 3: Yeah, with the rest of your crew. Is the way

1502
01:04:52,080 --> 01:04:52,560
Speaker 3: you're dressed.

1503
01:04:52,560 --> 01:04:54,480
Speaker 6: I'm just looking the whole time, just like the leathern

1504
01:04:54,560 --> 01:04:55,880
Speaker 6: jacket is going on.

1505
01:04:56,800 --> 01:04:59,520
Speaker 4: Hey, Angel's like, what the hell, who's dressing?

1506
01:04:59,640 --> 01:05:02,400
Speaker 1: I know it is very seventies inspired, it's very funny.

1507
01:05:03,120 --> 01:05:05,800
Speaker 1: Uh so, Phoene bursts in through the door. He received

1508
01:05:05,840 --> 01:05:08,320
Speaker 1: an urgent phone call imploring him to come down. Corey

1509
01:05:08,400 --> 01:05:09,920
Speaker 1: motions Phoene to come closer to him.

1510
01:05:09,960 --> 01:05:10,080
Speaker 5: Now.

1511
01:05:10,080 --> 01:05:12,160
Speaker 1: I don't have much time. I need to make peace

1512
01:05:12,200 --> 01:05:14,880
Speaker 1: with you. Phoene looks at Alan, who explains it's the sedative.

1513
01:05:15,040 --> 01:05:17,560
Speaker 1: Phoene tells Corey all is forgiven, but Corey says it's

1514
01:05:17,600 --> 01:05:20,760
Speaker 1: not that simple. Phoene admits, you're making me very uncomfortable.

1515
01:05:21,000 --> 01:05:23,160
Speaker 1: Corey grabs him by the collar and whisper. Yells, just

1516
01:05:23,200 --> 01:05:25,720
Speaker 1: listen to me, man. There's a key under the desk

1517
01:05:25,760 --> 01:05:28,000
Speaker 1: that will open an airport locker that's hiding his homework

1518
01:05:28,000 --> 01:05:31,280
Speaker 1: from the past five years. Corey reveals that he's understood everything.

1519
01:05:31,360 --> 01:05:35,080
Speaker 1: He's actually a brilliant student. Phoene asks what the capital

1520
01:05:35,120 --> 01:05:37,600
Speaker 1: of Montana is, and Corey knows the jig is up.

1521
01:05:37,920 --> 01:05:46,320
Speaker 4: You're not going to the airport? Are you a valise?

1522
01:05:46,720 --> 01:05:50,560
Speaker 4: I was losing it because it's so funny, random.

1523
01:05:51,520 --> 01:05:54,680
Speaker 3: What's the capital of Montana? You're not You're not going

1524
01:05:56,320 --> 01:05:59,040
Speaker 3: so good? Yeah.

1525
01:06:00,920 --> 01:06:02,880
Speaker 1: Just then, a nurse walks into the room, ready to

1526
01:06:02,880 --> 01:06:04,080
Speaker 1: take Corey into his operation.

1527
01:06:04,240 --> 01:06:06,280
Speaker 4: He tells everyone no, I vanished.

1528
01:06:06,600 --> 01:06:09,000
Speaker 1: Alan looks at the newspaper and reads fifteen year old

1529
01:06:09,000 --> 01:06:12,120
Speaker 1: boy vanishes during surgery. He scoffs, this is idiotic. Not

1530
01:06:12,160 --> 01:06:14,560
Speaker 1: even Corey could believe this could happen to him. Corey

1531
01:06:14,640 --> 01:06:17,400
Speaker 1: drifts asleep and we get a dream sequence. It's a

1532
01:06:17,440 --> 01:06:21,240
Speaker 1: parody of Unsolved Mysteries. This is television's hardest hitting exploration

1533
01:06:21,320 --> 01:06:24,520
Speaker 1: of unexplained phenomena. We're not making this up.

1534
01:06:24,480 --> 01:06:27,600
Speaker 2: Now perfect the title card we're not making this up, though,

1535
01:06:27,720 --> 01:06:28,920
Speaker 2: is truly horrific.

1536
01:06:30,360 --> 01:06:31,000
Speaker 4: Faught is that?

1537
01:06:31,120 --> 01:06:33,960
Speaker 2: But it's the font and like it's also not centered

1538
01:06:34,080 --> 01:06:36,200
Speaker 2: or like, and there's no TV show that would ever

1539
01:06:36,280 --> 01:06:39,160
Speaker 2: have that cheesy of like it's so funny, and I

1540
01:06:39,120 --> 01:06:43,120
Speaker 2: don't recome a like self conscious, Like I don't think

1541
01:06:43,120 --> 01:06:43,800
Speaker 2: that was a choice.

1542
01:06:43,840 --> 01:06:44,400
Speaker 3: I think they.

1543
01:06:44,280 --> 01:06:46,440
Speaker 2: Literally were like, oh, it's just plugging a throwing out

1544
01:06:47,360 --> 01:06:49,760
Speaker 2: the title we could get with our you know, software

1545
01:06:49,880 --> 01:06:51,439
Speaker 2: from nineteen ninety six.

1546
01:06:51,760 --> 01:06:55,439
Speaker 6: But he also say that Ben's Dream doesn't make goods

1547
01:06:55,840 --> 01:06:57,600
Speaker 6: produced poor poorly.

1548
01:06:57,400 --> 01:06:59,600
Speaker 3: Poorly produced. No, I think it's fine. I think it's

1549
01:06:59,640 --> 01:06:59,960
Speaker 3: kind of fun.

1550
01:07:00,320 --> 01:07:02,840
Speaker 2: But like it's because like Unsolved Mysteries had like a

1551
01:07:02,880 --> 01:07:06,240
Speaker 2: great look and like all those shows back then, but

1552
01:07:06,280 --> 01:07:08,200
Speaker 2: that would have been very expensive to do back then,

1553
01:07:08,240 --> 01:07:10,640
Speaker 2: like nowadays you could do. So I just love that

1554
01:07:10,680 --> 01:07:13,280
Speaker 2: our show was so cheap that you just like pick

1555
01:07:13,320 --> 01:07:14,520
Speaker 2: a weird font and put it on the.

1556
01:07:14,520 --> 01:07:15,960
Speaker 3: Screen for new sets.

1557
01:07:16,080 --> 01:07:19,520
Speaker 4: And this week we.

1558
01:07:19,480 --> 01:07:21,600
Speaker 3: Don't have time for We don't have time for fond

1559
01:07:22,040 --> 01:07:25,320
Speaker 3: but perfect casting. You couldn't make anyone better. You knowly

1560
01:07:25,320 --> 01:07:29,040
Speaker 3: didn't even audition. Get him back and related.

1561
01:07:33,600 --> 01:07:35,920
Speaker 2: Now now that I saw him again, I was like, oh,

1562
01:07:35,920 --> 01:07:38,960
Speaker 2: that could have happened actually after this right right right.

1563
01:07:39,000 --> 01:07:41,040
Speaker 2: We don't know when that party was where he said

1564
01:07:41,040 --> 01:07:41,640
Speaker 2: that to us.

1565
01:07:41,840 --> 01:07:44,000
Speaker 3: So funny though, yea perfect for this.

1566
01:07:44,200 --> 01:07:47,000
Speaker 1: The host of this TV show, Slash Fantasy is Grant

1567
01:07:47,080 --> 01:07:50,680
Speaker 1: Steel played by John O'Hurley uh, and he explains the

1568
01:07:50,720 --> 01:07:54,120
Speaker 1: story of Corey Matthews' disappearance. Grant now stands in Corey's

1569
01:07:54,120 --> 01:07:56,680
Speaker 1: hospital room. This bed is empty because a fifteen.

1570
01:07:56,480 --> 01:07:58,120
Speaker 4: Year old boy is not in it.

1571
01:07:58,800 --> 01:08:01,720
Speaker 1: We see Amy and Allen, the grief stricken parents. They

1572
01:08:01,760 --> 01:08:03,880
Speaker 1: explained that they were looking right at him and then

1573
01:08:03,920 --> 01:08:06,560
Speaker 1: he just vanished. The news anchor asks what they mean.

1574
01:08:06,840 --> 01:08:10,560
Speaker 1: He explains, he disappeared, and then yes.

1575
01:08:10,480 --> 01:08:15,919
Speaker 4: And by disappeared, you mean and Alan says Vanish, that's

1576
01:08:15,960 --> 01:08:22,719
Speaker 4: literally it's so good, and then Sean appears. Of course

1577
01:08:22,760 --> 01:08:23,320
Speaker 4: he vanished.

1578
01:08:23,360 --> 01:08:25,559
Speaker 1: I even knew where he went, and he went where

1579
01:08:25,600 --> 01:08:28,400
Speaker 1: they all go to the fourth dimension, sometimes known as

1580
01:08:28,439 --> 01:08:31,360
Speaker 1: the Bottle City of Candor. I know.

1581
01:08:31,680 --> 01:08:33,200
Speaker 4: I was like, is this a reference? I don't get?

1582
01:08:33,280 --> 01:08:34,160
Speaker 4: But no, apparently not.

1583
01:08:34,840 --> 01:08:35,479
Speaker 3: It's nothing.

1584
01:08:36,040 --> 01:08:38,200
Speaker 4: No one ever listens to me. They all think I'm crazy.

1585
01:08:38,240 --> 01:08:40,240
Speaker 1: He then grabs a cooler, telling Grant he has to

1586
01:08:40,240 --> 01:08:42,559
Speaker 1: go so a guy's head back on. He walks out

1587
01:08:42,560 --> 01:08:45,599
Speaker 1: the door and flips the cooler around as two orderlies

1588
01:08:45,640 --> 01:08:49,800
Speaker 1: then start chasing after him. Next, Grant interviews Phoene, who's

1589
01:08:49,840 --> 01:08:53,320
Speaker 1: looking through Corey's stashed homework in the plaid valise. It

1590
01:08:53,400 --> 01:08:55,960
Speaker 1: was all there at the airport, just like Corey said.

1591
01:08:56,360 --> 01:08:59,599
Speaker 1: Phoene is astonished and the papers are remarkable. When Grant

1592
01:08:59,640 --> 01:09:01,880
Speaker 1: Steal asks how he feels about Corey now with this

1593
01:09:01,880 --> 01:09:04,439
Speaker 1: new information, Phoene says about the same.

1594
01:09:04,560 --> 01:09:05,200
Speaker 4: I'vebout the same.

1595
01:09:06,400 --> 01:09:07,760
Speaker 3: I was in love that. He says, like just like

1596
01:09:07,840 --> 01:09:08,439
Speaker 3: the boy said.

1597
01:09:08,479 --> 01:09:09,439
Speaker 2: It was like, oh, this is like one of the

1598
01:09:09,439 --> 01:09:11,880
Speaker 2: only times you've heard like boy like the boy.

1599
01:09:12,000 --> 01:09:12,960
Speaker 3: Yeah, he was kind of cool.

1600
01:09:13,360 --> 01:09:17,440
Speaker 1: Yeah, Grant concludes the segment, looking down the camera. Corey matthews,

1601
01:09:17,560 --> 01:09:20,000
Speaker 1: if you're out there, you're sort of missed.

1602
01:09:22,360 --> 01:09:23,240
Speaker 4: That's so absurd.

1603
01:09:23,760 --> 01:09:26,320
Speaker 3: It's great storyline.

1604
01:09:26,520 --> 01:09:40,880
Speaker 1: I know, it was really fun. Eric and Lisa are

1605
01:09:40,920 --> 01:09:43,360
Speaker 1: on their date. Eric's admitting how embarrassed he was on

1606
01:09:43,400 --> 01:09:46,400
Speaker 1: the show. Lisa bought his whole confidence thing. The things

1607
01:09:46,400 --> 01:09:48,640
Speaker 1: you were saying were so cute and smart. Well, of

1608
01:09:48,640 --> 01:09:51,280
Speaker 1: course you're smart. You're going to Harvard. Eric adds, well,

1609
01:09:51,320 --> 01:09:54,120
Speaker 1: you got into Columbia. She responds, yeah, but I never

1610
01:09:54,160 --> 01:09:56,479
Speaker 1: thought i'd have so much in common with a Harvard boy.

1611
01:09:57,000 --> 01:09:59,559
Speaker 4: Eric asks quietly, will you forget about Harvard?

1612
01:10:00,040 --> 01:10:01,400
Speaker 1: He says, the only reason he went on that show,

1613
01:10:01,520 --> 01:10:02,880
Speaker 1: because it's just like turns out that.

1614
01:10:02,840 --> 01:10:05,840
Speaker 3: She's lying, because I was like, Columbia is pretty good.

1615
01:10:05,880 --> 01:10:06,080
Speaker 6: I know.

1616
01:10:10,000 --> 01:10:12,439
Speaker 3: You're not sitting there going like Harvard is so much better.

1617
01:10:12,520 --> 01:10:15,360
Speaker 3: Like no, no, no, Columbia is everybody's safety school.

1618
01:10:15,360 --> 01:10:16,000
Speaker 5: Oh my god.

1619
01:10:16,320 --> 01:10:17,960
Speaker 3: Everybody knows that you.

1620
01:10:17,880 --> 01:10:19,880
Speaker 6: Go to Columbia's because you didn't get into your first

1621
01:10:19,920 --> 01:10:22,320
Speaker 6: For those who don't know strong.

1622
01:10:22,120 --> 01:10:28,200
Speaker 4: When to Columbia case you didn't know, there's.

1623
01:10:29,439 --> 01:10:31,960
Speaker 2: God, Columbia's hard, but it's you know, for people who

1624
01:10:31,960 --> 01:10:35,800
Speaker 2: can also handle a real city.

1625
01:10:36,000 --> 01:10:36,559
Speaker 3: It's cool.

1626
01:10:36,640 --> 01:10:38,960
Speaker 4: Yeah, uh, He says.

1627
01:10:38,960 --> 01:10:40,599
Speaker 1: The only reason he went on that show is because

1628
01:10:40,640 --> 01:10:43,200
Speaker 1: it's so hard to meet somebody like her. Don't you

1629
01:10:43,240 --> 01:10:45,800
Speaker 1: meet a lot of girls in Boston? He stutters, Yeah, Well,

1630
01:10:45,840 --> 01:10:47,439
Speaker 1: I'm in class all the time, and when I'm not

1631
01:10:47,479 --> 01:10:50,200
Speaker 1: in class, I'm on singled Out and stuff. He asks

1632
01:10:50,200 --> 01:10:52,240
Speaker 1: about the boys at Columbia and she says they're nice,

1633
01:10:52,320 --> 01:10:55,200
Speaker 1: but she looks upset. Eric asks what's wrong, and she admits,

1634
01:10:55,520 --> 01:10:56,720
Speaker 1: I'm not what you think I am.

1635
01:10:57,040 --> 01:10:57,479
Speaker 4: I lied.

1636
01:10:58,120 --> 01:11:00,200
Speaker 1: Eric perks up, you lied, You're really one of the

1637
01:11:00,280 --> 01:11:02,880
Speaker 1: naughty girls. He fakes in, Awe there, I'm over it.

1638
01:11:02,920 --> 01:11:06,000
Speaker 1: How naughty are you? She tells him I'm pretty naughty. Eric,

1639
01:11:06,160 --> 01:11:08,519
Speaker 1: I don't go to Columbia. I applied, but I didn't

1640
01:11:08,520 --> 01:11:10,720
Speaker 1: get in. I didn't get in anywhere. I went on

1641
01:11:10,800 --> 01:11:12,880
Speaker 1: singled Out because I really wanted to date a college

1642
01:11:12,920 --> 01:11:15,160
Speaker 1: guy because it would make me feel better about myself.

1643
01:11:15,360 --> 01:11:16,800
Speaker 4: Oh, Eric, but.

1644
01:11:16,800 --> 01:11:19,920
Speaker 2: This all just felt so convenient, and it's a bummer

1645
01:11:19,960 --> 01:11:22,920
Speaker 2: because it's not. It's just such a random like if

1646
01:11:22,920 --> 01:11:25,320
Speaker 2: they had developed her character ahead of time in any

1647
01:11:25,400 --> 01:11:25,880
Speaker 2: I don't know this.

1648
01:11:26,000 --> 01:11:28,320
Speaker 3: It's just it's so well yeah, but the way you

1649
01:11:28,360 --> 01:11:31,320
Speaker 3: do that is by you don't do an entire episode

1650
01:11:31,320 --> 01:11:33,040
Speaker 3: of singled out in the middle, right.

1651
01:11:32,960 --> 01:11:35,400
Speaker 2: You do something you do them go on multiple dates

1652
01:11:35,439 --> 01:11:37,479
Speaker 2: like they start, and then the lie comes out.

1653
01:11:37,520 --> 01:11:39,439
Speaker 3: But yeah, iving a whole single out thing. It just

1654
01:11:39,439 --> 01:11:42,599
Speaker 3: doesn't know. It felt that fell flat for me. It

1655
01:11:42,640 --> 01:11:49,559
Speaker 3: wasn't particularly funny. It was too long. Yeah, so exactly, yeah, exactly,

1656
01:11:49,640 --> 01:11:50,679
Speaker 3: so it was unfortunate.

1657
01:11:50,800 --> 01:11:55,439
Speaker 1: But uh, Eric is flabbergasted. Wow, where do I start.

1658
01:11:55,880 --> 01:11:58,200
Speaker 1: Lisa says she'll leave if he wants. He tells her, no,

1659
01:11:58,320 --> 01:12:00,680
Speaker 1: don't leave. He should really be the onely thing you

1660
01:12:01,120 --> 01:12:03,040
Speaker 1: I'm the pathetic towny who lied to get on a

1661
01:12:03,080 --> 01:12:03,559
Speaker 1: game show?

1662
01:12:04,160 --> 01:12:07,719
Speaker 4: Is towny a phrase people used?

1663
01:12:08,240 --> 01:12:09,960
Speaker 3: I used to say that, really. I used to say

1664
01:12:10,000 --> 01:12:12,920
Speaker 3: that back, and it's like you on the show, because

1665
01:12:13,400 --> 01:12:13,760
Speaker 3: that's what I.

1666
01:12:15,240 --> 01:12:17,800
Speaker 1: Thought it was maybe like a show thing, but I

1667
01:12:17,800 --> 01:12:20,160
Speaker 1: guess it is like an actual it is used.

1668
01:12:20,560 --> 01:12:22,720
Speaker 3: I never used it growing up. I never heard that

1669
01:12:22,840 --> 01:12:24,080
Speaker 3: we did. We did? We did?

1670
01:12:24,200 --> 01:12:26,000
Speaker 6: If it was like, maybe that's an East Coast thing,

1671
01:12:26,080 --> 01:12:28,360
Speaker 6: because it was you. People would graduate from high school

1672
01:12:28,400 --> 01:12:30,120
Speaker 6: and certain people go to college, and you'd always come

1673
01:12:30,160 --> 01:12:32,960
Speaker 6: back and it was there'd be the townies were there.

1674
01:12:33,000 --> 01:12:34,920
Speaker 6: It's like, oh, yeah, that guy never left and he's

1675
01:12:34,920 --> 01:12:36,800
Speaker 6: still wearing his high school jersey in the local bar,

1676
01:12:36,960 --> 01:12:37,640
Speaker 6: like that kind of thing.

1677
01:12:37,720 --> 01:12:39,479
Speaker 3: Right, That's well.

1678
01:12:39,680 --> 01:12:42,000
Speaker 1: Eric tells her the truth. I don't go to Harvard.

1679
01:12:42,160 --> 01:12:44,479
Speaker 1: I did the same thing you did, but you confessed first.

1680
01:12:44,800 --> 01:12:46,240
Speaker 1: I was gonna let you think I really went to

1681
01:12:46,240 --> 01:12:48,240
Speaker 1: Harvard until you liked me anyway, and I felt better

1682
01:12:48,280 --> 01:12:50,360
Speaker 1: about myself, and then I'd have my parents call you

1683
01:12:50,400 --> 01:12:50,840
Speaker 1: and till.

1684
01:12:50,720 --> 01:12:56,800
Speaker 4: You I died. I died, I died.

1685
01:12:57,280 --> 01:13:00,519
Speaker 1: She takes this all in and smiles, Wow, we really

1686
01:13:00,560 --> 01:13:03,240
Speaker 1: are compatible. He agrees, you want to cut the classes

1687
01:13:03,240 --> 01:13:05,320
Speaker 1: we don't have and see a movie. Actually, she's heard

1688
01:13:05,360 --> 01:13:07,320
Speaker 1: there's a great party in Swarthmore and asks if he

1689
01:13:07,360 --> 01:13:09,320
Speaker 1: wants to go. She can't get them in, but she's

1690
01:13:09,320 --> 01:13:13,040
Speaker 1: hoping Eric can. He ponders the thought, one day I will.

1691
01:13:14,800 --> 01:13:17,560
Speaker 4: Huh, Okay, why can't they just go to the party.

1692
01:13:18,400 --> 01:13:21,040
Speaker 6: Do they check student IDs as you're going to random

1693
01:13:21,080 --> 01:13:21,880
Speaker 6: parties at college?

1694
01:13:22,080 --> 01:13:22,880
Speaker 3: Doesn't understand that.

1695
01:13:24,240 --> 01:13:26,200
Speaker 4: Is the point that you're going to go to college someday.

1696
01:13:26,360 --> 01:13:27,760
Speaker 6: Yeah, I think that's what it means. That's what it's

1697
01:13:27,760 --> 01:13:29,439
Speaker 6: supposed to be. Is like someday I'll be able to

1698
01:13:29,439 --> 01:13:32,720
Speaker 6: get us into a college college part which three of

1699
01:13:32,760 --> 01:13:34,960
Speaker 6: us right now wanted to go to a college party.

1700
01:13:34,960 --> 01:13:36,840
Speaker 3: You just walk into a college party. I think that's

1701
01:13:36,840 --> 01:13:38,679
Speaker 3: how that you know we're old.

1702
01:13:38,760 --> 01:13:40,320
Speaker 1: They would be like, they would be like, get out

1703
01:13:40,360 --> 01:13:42,719
Speaker 1: of your narks, what are you doing, NERVs.

1704
01:13:43,200 --> 01:13:46,160
Speaker 3: I told you I'd have my homework done next week, nerd.

1705
01:13:46,520 --> 01:13:49,000
Speaker 1: That's what we We don't care that you're the hosts

1706
01:13:49,040 --> 01:13:50,400
Speaker 1: of Pod Meets World.

1707
01:13:50,760 --> 01:13:52,000
Speaker 4: They might he losing.

1708
01:13:52,080 --> 01:13:54,040
Speaker 3: They might oh boy meets World.

1709
01:13:54,320 --> 01:13:58,840
Speaker 2: I feel like my grandparents talked about that History channel.

1710
01:13:58,880 --> 01:14:02,280
Speaker 1: You know what, my dad I had a crush on you.

1711
01:14:02,280 --> 01:14:06,880
Speaker 2: You not like I had, Like I swear they were

1712
01:14:06,880 --> 01:14:10,639
Speaker 2: like nineteen twenty year olds, like recognizing me and asking

1713
01:14:10,640 --> 01:14:12,120
Speaker 2: for my picture in Park City last week.

1714
01:14:12,160 --> 01:14:14,920
Speaker 3: I was like, how is this still a thing?

1715
01:14:15,120 --> 01:14:18,559
Speaker 4: It's young? Yeah, I hate to go back to the show,

1716
01:14:19,160 --> 01:14:20,760
Speaker 4: even though we were to talk about it. But I

1717
01:14:20,800 --> 01:14:22,000
Speaker 4: have a question about the show.

1718
01:14:22,680 --> 01:14:25,320
Speaker 1: In the chubby scene and will you're the only one

1719
01:14:25,320 --> 01:14:28,160
Speaker 1: I'm not even gonna ask writer, writer, it's about sports ball?

1720
01:14:28,520 --> 01:14:29,559
Speaker 4: Okay, Well, did.

1721
01:14:29,400 --> 01:14:32,479
Speaker 1: You happen to notice the jersey that's on the wall

1722
01:14:33,040 --> 01:14:34,679
Speaker 1: over her right shoulder.

1723
01:14:34,960 --> 01:14:38,280
Speaker 4: Upstage, there's a jersey on the maroon and golden. Yes,

1724
01:14:38,360 --> 01:14:41,120
Speaker 4: it looks like a Trojan jersey. I saw that too.

1725
01:14:42,040 --> 01:14:44,759
Speaker 4: I think it might be Oh J Simpson's jersey.

1726
01:14:44,960 --> 01:14:45,960
Speaker 3: No, was it thirty two?

1727
01:14:46,200 --> 01:14:49,080
Speaker 1: We can't see the three. There's definitely a two. The

1728
01:14:49,120 --> 01:14:50,640
Speaker 1: second number two just.

1729
01:14:50,640 --> 01:14:53,840
Speaker 2: Would have been after the murder trial. That that makes

1730
01:14:53,960 --> 01:14:54,479
Speaker 2: no sense.

1731
01:14:54,680 --> 01:14:56,240
Speaker 3: Do we have Jay's jersey?

1732
01:14:56,479 --> 01:14:58,960
Speaker 4: I don't know, because he does not do well when

1733
01:14:59,000 --> 01:14:59,839
Speaker 4: people taking.

1734
01:14:59,640 --> 01:15:04,559
Speaker 6: It seriously, give just give it back.

1735
01:15:05,960 --> 01:15:06,599
Speaker 3: It can't.

1736
01:15:08,640 --> 01:15:09,840
Speaker 4: On the sleeve for sure.

1737
01:15:09,960 --> 01:15:12,040
Speaker 1: And the second number is definitely a two, but she

1738
01:15:12,160 --> 01:15:15,240
Speaker 1: stands up directly in front of the other number, and

1739
01:15:15,800 --> 01:15:18,759
Speaker 1: it is either a three or an eight.

1740
01:15:18,960 --> 01:15:20,280
Speaker 4: It definitely has.

1741
01:15:21,000 --> 01:15:24,240
Speaker 3: Oh god, anyway, I hope it's not O's jersey. It's not.

1742
01:15:24,640 --> 01:15:26,559
Speaker 3: This was after the trial. They would never would have

1743
01:15:26,680 --> 01:15:31,040
Speaker 3: had it on our show. Who knows he was?

1744
01:15:31,240 --> 01:15:31,719
Speaker 4: Who knows?

1745
01:15:31,800 --> 01:15:32,400
Speaker 3: I don't know.

1746
01:15:32,479 --> 01:15:34,400
Speaker 1: It's completely blocked by her head, So I don't know

1747
01:15:34,400 --> 01:15:35,559
Speaker 1: if it'll be there in other episodes.

1748
01:15:35,600 --> 01:15:36,679
Speaker 4: We'll have to I just want now.

1749
01:15:36,600 --> 01:15:39,360
Speaker 1: That we know that's where it is, let's just keep

1750
01:15:39,400 --> 01:15:40,960
Speaker 1: an eye on it in case it is still in

1751
01:15:41,040 --> 01:15:41,679
Speaker 1: other episodes.

1752
01:15:41,680 --> 01:15:42,720
Speaker 4: We can look to see what it is?

1753
01:15:42,840 --> 01:15:43,639
Speaker 3: Okay, all right?

1754
01:15:43,640 --> 01:15:45,879
Speaker 4: Then we enter into the tag. We're in the hospital.

1755
01:15:45,920 --> 01:15:48,800
Speaker 1: Cory, now post operation, is in his hospital bed with

1756
01:15:48,840 --> 01:15:51,360
Speaker 1: Tapanga at his side. She asks if he's feeling better,

1757
01:15:51,360 --> 01:15:54,400
Speaker 1: and he says, with a glazed overlook, I'm completely recovered, darling.

1758
01:15:54,560 --> 01:15:56,360
Speaker 1: They might have taken out my tonsils, but they could

1759
01:15:56,360 --> 01:15:58,519
Speaker 1: never take out my love for you. Could you bring

1760
01:15:58,560 --> 01:16:01,640
Speaker 1: me some soup? She pulls out some Sherbert and he

1761
01:16:01,680 --> 01:16:05,080
Speaker 1: asks chicken and rice. Pang asks you're still a little woozy,

1762
01:16:05,200 --> 01:16:07,960
Speaker 1: aren't you. He admits, I'm seeing five of yeah. She

1763
01:16:08,080 --> 01:16:10,040
Speaker 1: asks if he feels strong enough for a walk around

1764
01:16:10,040 --> 01:16:12,400
Speaker 1: the hallways, and he excitedly says, are you kidding? I'd

1765
01:16:12,439 --> 01:16:16,240
Speaker 1: walk anywhere for soup. She doesn't help him get up

1766
01:16:16,360 --> 01:16:18,400
Speaker 1: at all, by the way, she doesn't.

1767
01:16:18,479 --> 01:16:20,960
Speaker 4: She just on your own, kid. She just walks out.

1768
01:16:21,560 --> 01:16:24,080
Speaker 1: He stumbles out of the room. Once they're gone, Sean

1769
01:16:24,120 --> 01:16:26,679
Speaker 1: walks in from the other direction with some comics for Corey.

1770
01:16:26,720 --> 01:16:28,040
Speaker 1: What you think they don't like X men?

1771
01:16:28,280 --> 01:16:32,599
Speaker 6: Huh, I don't know, I don't which, He toss out come.

1772
01:16:32,439 --> 01:16:37,639
Speaker 1: On, so Sean realizes it's happened. He vanished. Then Sean

1773
01:16:37,680 --> 01:16:40,280
Speaker 1: starts to spiral. He's next because he knows too much,

1774
01:16:40,439 --> 01:16:43,360
Speaker 1: his body starts to pixelate. Oh no, he's getting minkissed.

1775
01:16:44,040 --> 01:16:45,320
Speaker 3: Wow, I thought that too.

1776
01:16:45,920 --> 01:16:46,080
Speaker 6: And the.

1777
01:16:48,080 --> 01:16:50,960
Speaker 2: Effects for our show, and I don't remember doing like

1778
01:16:51,000 --> 01:16:53,000
Speaker 2: I guess they just pixelate me like I don't. I'm

1779
01:16:53,040 --> 01:16:54,479
Speaker 2: definitely not in front of a green screen.

1780
01:16:54,560 --> 01:16:55,360
Speaker 3: So no, they're not.

1781
01:16:55,439 --> 01:16:57,160
Speaker 4: Just that you're isolated, and that's why.

1782
01:16:57,200 --> 01:16:59,400
Speaker 1: Then when we enter, you don't see us as you

1783
01:17:00,080 --> 01:17:03,200
Speaker 1: saw like the technology wasn't wasn't great.

1784
01:17:03,280 --> 01:17:05,040
Speaker 4: So when we come back Star Trek.

1785
01:17:05,600 --> 01:17:07,760
Speaker 3: It does special effects.

1786
01:17:08,520 --> 01:17:11,160
Speaker 1: He says, I'm starting to de materialize. Sean looks at

1787
01:17:11,160 --> 01:17:13,519
Speaker 1: his body and disbelief. Then the pixelating comes to an

1788
01:17:13,560 --> 01:17:16,559
Speaker 1: abrupt stop. Corey tapanger at the door. Corey blurts out

1789
01:17:16,640 --> 01:17:18,519
Speaker 1: to Panga and her four sisters are taking me for

1790
01:17:18,600 --> 01:17:21,280
Speaker 1: soup you want in? Seawan obliges and walks out the

1791
01:17:21,320 --> 01:17:25,839
Speaker 1: room like nothing happened. Weird little episode.

1792
01:17:26,040 --> 01:17:28,040
Speaker 4: It is a weird episode, not a bad episode.

1793
01:17:28,720 --> 01:17:31,600
Speaker 2: Why we were recapping it, we kept finding things that

1794
01:17:31,640 --> 01:17:32,720
Speaker 2: were hysterical to us.

1795
01:17:33,320 --> 01:17:34,400
Speaker 4: That's very funny.

1796
01:17:34,400 --> 01:17:37,920
Speaker 6: Things in this episode that were laugh out loud funny. Yes,

1797
01:17:38,479 --> 01:17:40,960
Speaker 6: both storylines and the first Feenie call i mean, you

1798
01:17:41,000 --> 01:17:45,120
Speaker 6: can't dismiss this episode, but it's it's just a weird.

1799
01:17:44,960 --> 01:17:45,519
Speaker 3: You know what it is.

1800
01:17:45,560 --> 01:17:48,320
Speaker 2: It's silly, like it's a silly Boys World episode, and

1801
01:17:48,360 --> 01:17:51,040
Speaker 2: I think that there's a big strain of silliness, you know.

1802
01:17:51,080 --> 01:17:52,840
Speaker 3: That's pretty great. I like that.

1803
01:17:53,200 --> 01:17:56,240
Speaker 1: It also is something we've talked about before where sometimes

1804
01:17:56,240 --> 01:17:58,479
Speaker 1: what we're bumping against without even realizing it, is the

1805
01:17:58,520 --> 01:17:59,599
Speaker 1: fact that both.

1806
01:17:59,439 --> 01:18:00,920
Speaker 4: Storylines are a little absurd.

1807
01:18:01,120 --> 01:18:04,640
Speaker 1: Whereas sometime like if we just had this weird storyline,

1808
01:18:04,640 --> 01:18:08,880
Speaker 1: the b storyline with a maybe more like less out

1809
01:18:08,960 --> 01:18:12,360
Speaker 1: there single arounded a storyline, we would have been.

1810
01:18:12,320 --> 01:18:15,320
Speaker 4: Like the balance. Yeah, but because both of them are a.

1811
01:18:15,280 --> 01:18:18,880
Speaker 1: Little bonkers, Yeah, it feels like, Wow, this is a lot,

1812
01:18:18,960 --> 01:18:22,519
Speaker 1: but still very funny, very funny. So join us for

1813
01:18:22,560 --> 01:18:25,000
Speaker 1: our next episode, which will be season four, episode eight,

1814
01:18:25,280 --> 01:18:28,760
Speaker 1: Dangerous Secret. It originally aired November eighth, nineteen ninety six.

1815
01:18:29,200 --> 01:18:30,960
Speaker 1: Thank you all for joining us for this episode of

1816
01:18:30,960 --> 01:18:33,919
Speaker 1: Podmeets World. As always, you can follow us on Instagram

1817
01:18:33,920 --> 01:18:36,000
Speaker 1: pod meets World Show. You can send us your emails

1818
01:18:36,000 --> 01:18:39,280
Speaker 1: pod meets World Show at gmail dot com, and we

1819
01:18:39,320 --> 01:18:39,920
Speaker 1: have merch.

1820
01:18:40,479 --> 01:18:46,280
Speaker 4: Mister March pod meets Worldshow dot com. We love You

1821
01:18:46,320 --> 01:18:49,960
Speaker 4: All pod dismissed. Pod Meets World is.

1822
01:18:49,960 --> 01:18:53,400
Speaker 1: An iHeart podcast produced and hosted by Danielle Fischel, Wilfredell

1823
01:18:53,439 --> 01:18:57,040
Speaker 1: and Wright Strong. Executive producers Jensen Karp and Amy Sugarman.

1824
01:18:57,280 --> 01:19:00,719
Speaker 1: Executive in charge of production, Danielle Romo, Sir and Editor,

1825
01:19:00,800 --> 01:19:04,800
Speaker 1: Tara Subash, producer Maddy Moore, engineer and Boy Meets World

1826
01:19:04,880 --> 01:19:07,960
Speaker 1: super fan Easton Allen. Our theme song is by Kyle

1827
01:19:08,040 --> 01:19:11,240
Speaker 1: Morton of Typhoon. Follow us on Instagram at podmeets World

1828
01:19:11,320 --> 01:19:14,240
Speaker 1: Show or email us at Podmeets Worldshow at gmail dot

1829
01:19:14,280 --> 01:19:15,000
Speaker 1: com