WEBVTT - Selects: Agatha Christie: Queen of the Murder Mystery

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<v Speaker 1>Hey, everybody, it's Meat Josham. For this week's Select, I've

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<v Speaker 1>chosen our episode from twenty twenty on Agatha Christie. It's

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<v Speaker 1>a neat little episode about who is possibly the greatest

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<v Speaker 1>selling writer of all time by far, and may inspire

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<v Speaker 1>you to get into Agatha Christie's books. And they're definitely

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<v Speaker 1>worse things you could do with your time, So grab

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<v Speaker 1>a cup of tea, a nice little blanket and enjoy

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<v Speaker 1>this cozy little episode.

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<v Speaker 2>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh Clark. There's

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<v Speaker 1>Charles w Chuck Bryan over there, and this is Stuff

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<v Speaker 1>you should Know. I'm I don't know if we're gonna

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<v Speaker 1>be able to get used to Jerry being round again.

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<v Speaker 2>Is she fired?

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<v Speaker 1>I don't think so. She made a fire yourself, though,

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<v Speaker 1>I have better things to do than hang out with

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<v Speaker 1>you cool cats and kittens.

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<v Speaker 2>Well, and it's kind of like, what's the point of

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<v Speaker 2>just sitting there? And I can't imagine any more boring

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<v Speaker 2>than listening to us on headphones. Wait a minute, that's

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<v Speaker 2>our show.

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<v Speaker 1>Yes, there are people doing that very thing right now. Chuck,

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<v Speaker 1>and you have just mocked their existence.

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<v Speaker 2>Oh, I've just met for Jerry's sake, you know.

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<v Speaker 1>Yeah, I know Jerry's not a fan. No, she's not

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<v Speaker 1>or a listener. So I have a question for you, Chuck.

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<v Speaker 2>You ever read a book? No?

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<v Speaker 1>No, don't be ridiculous, Chuck. Have you ever met Agatha Christy?

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<v Speaker 2>Yeah? I met her when I was three. Oh?

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<v Speaker 1>Really, do you have much of a memory of that encounter?

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<v Speaker 2>A little bit? She was, She was nice enough. She

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<v Speaker 2>signed my Murder on the Orient Express copy, first edition.

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<v Speaker 1>Oh wow, that's gotta be worth some money.

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<v Speaker 2>It's pretty neat.

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<v Speaker 1>Yeah. Do you still have that hot Nah?

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<v Speaker 2>I did some spring cleaning here a couple weeks ago,

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<v Speaker 2>and I didn't even recycle or put it in a

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<v Speaker 2>little free library, just do it in the trash.

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<v Speaker 1>Did you? Didn't you say once that your brother has

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<v Speaker 1>like a copy of Number one Superman or something nuts

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<v Speaker 1>like that. No, I thought he has something some valuable

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<v Speaker 1>comic book. No, huh, No, we must be confusing you

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<v Speaker 1>with my other co host, Chuck.

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<v Speaker 2>Now, we weren't big comic book people. We don't have

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<v Speaker 2>anything valuable like that.

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<v Speaker 1>I gotcha. Well, having met I get that Christie. When

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<v Speaker 1>you were a kid, I feel like you probably have

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<v Speaker 1>a lot to bring to this one. I was. I

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<v Speaker 1>have never met her still to this day, probably never will.

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<v Speaker 1>And I have read a couple of her things and

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<v Speaker 1>seen a couple of movies based on her stuff. But

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<v Speaker 1>I would never consider myself of like a a rabbit

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<v Speaker 1>Agatha Christie fan. But I do appreciate her work a lot.

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<v Speaker 1>You picked this one.

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<v Speaker 2>Why we have this series of books, children's books about

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<v Speaker 2>awesome women in history, from Freda to Coco Chanel to

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<v Speaker 2>Amelia Earhart to Agatha Christie. And so I was reading

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<v Speaker 2>this one the other night and thought, hey, let's do

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<v Speaker 2>you want an Agatha Christie that haven't read any of

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<v Speaker 2>her work, seen a couple of her movies, loved the

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<v Speaker 2>genre though yeah as films. I've never read mystery murder mysteries,

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<v Speaker 2>although I'm going to now.

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<v Speaker 1>I started reading The Mysterious Affair at Styles, which I

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<v Speaker 1>think was her first published work, last night, and it's

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<v Speaker 1>just great. She just sucks you right in, like you.

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<v Speaker 1>She does what's She creates a lot of books, not

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<v Speaker 1>all of them, but she creates what's called a cozy

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<v Speaker 1>mystery with a S because it's British, and i'd never

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<v Speaker 1>heard that term before until this article, But when I

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<v Speaker 1>came across it, I was like, Yes, I love that

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<v Speaker 1>kind of thing. And that's exactly what I love about

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<v Speaker 1>murder she wrote. Like the murder she wrote where she

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<v Speaker 1>goes to like Broadway or Paris or something like that,

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<v Speaker 1>I can take her leave. They're fine. But it's the

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<v Speaker 1>ones that are set in tiny little cabot cove that's

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<v Speaker 1>just isolated from the rest of the world, and it's

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<v Speaker 1>cozy and small and it's like a village and all that.

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<v Speaker 1>Those are the murder she wrotes that I love the most.

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<v Speaker 1>And I think that's what I like about Agatha Christie

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<v Speaker 1>mysteries too, is they're very typically cozy mysteries.

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<v Speaker 2>I've never seen that show what we what this conversation before.

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<v Speaker 1>No, that would be seared into my brain forever.

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<v Speaker 2>Now we have because you said that the first time. Yeah,

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<v Speaker 2>I've never seen it. But I'm a huge fan of

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<v Speaker 2>murder mystery movies, especially cozy mysteries like Clue is one

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<v Speaker 2>of my fa favorite films, and this year's or last

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<v Speaker 2>year's Knives Out was one of my top like three

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<v Speaker 2>or four films of the year.

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<v Speaker 1>I've not seen it yet it's still like seven dollars

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<v Speaker 1>on Amazon Prime. So I haven't rented yet. I'm waiting

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<v Speaker 1>for the price point to drop.

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<v Speaker 2>I can known you a couple of bucks if you need,

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<v Speaker 2>all right, sure, three three ninety nine, All right, now.

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<v Speaker 1>Three ninety nine. It's still a lot for a rental.

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<v Speaker 1>I mean, that's a lot. Do you think three ninety

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<v Speaker 1>nine is manageable? Four ninety nine and up, that's a

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<v Speaker 1>lot of That's a lot of mood law for a rental,

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<v Speaker 1>if you ask me. Wow, yeah, this is I'm taking

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<v Speaker 1>a stand on this.

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<v Speaker 2>All right. Well, film professionals out there, please do not

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<v Speaker 2>take offense to all your hard work.

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<v Speaker 1>So I have a question for you. Have one more question.

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<v Speaker 1>Have you seen that Agatha Christy film adaptation of Crooked

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<v Speaker 1>House that came out in twenty seventeen.

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<v Speaker 2>No, I think you'll like it.

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<v Speaker 1>It was big budget, but it also looks like British

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<v Speaker 1>made for television big budget.

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<v Speaker 2>It's great.

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<v Speaker 1>Jillian Anderson Danas Gully is in it, okay, because you

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<v Speaker 1>know the Brits are nuts for her, are they? Oh? Man,

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<v Speaker 1>She's like their favorite person in the world and has

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<v Speaker 1>been for years. I don't know why. Nothing against Gillian Anderson,

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<v Speaker 1>but like she just never hit it as big over

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<v Speaker 1>here as she did there. Terrence Stamp, isn't it?

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<v Speaker 2>Love him?

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<v Speaker 1>Glenn Close? She's great, and I was like, this is

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<v Speaker 1>really good. So I was reading little synopsies of it

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<v Speaker 1>and all that stuff, and it seemed like that's It's

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<v Speaker 1>widely regarded as one of her best, most ingenious and

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<v Speaker 1>inventive works. House Cricket House. I believe that's on Amazon

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<v Speaker 1>Prime for free.

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<v Speaker 2>Well, yes, do you actually do the math of how

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<v Speaker 2>much you pay for Amazon Prime to see how much

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<v Speaker 2>you're paying for that movie?

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<v Speaker 1>I don't want to do that. I just don't want

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<v Speaker 1>to do that. Pennies, Why did you do that to me?

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<v Speaker 1>All right, so, Charles, let's let's get into this because

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<v Speaker 1>I know that this one could be a little long

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<v Speaker 1>if we're not deliberate, and I would say, maybe considerate

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<v Speaker 1>of our time.

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<v Speaker 2>All right, Well that's an eight minute intro. So so far,

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<v Speaker 2>so good.

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<v Speaker 1>Okay.

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<v Speaker 2>She is perhaps again it's kind of hard to tall

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<v Speaker 2>with book tell with book sales because they can be

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<v Speaker 2>a little dodgy. But she is often quoted as the

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<v Speaker 2>or scene as the best selling novelist of all time

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<v Speaker 2>and I did a little check to compare, Like, I thought, well,

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<v Speaker 2>Stephen King sold a book or two. Sure, they tag

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<v Speaker 2>his book sales at about three hundred and fifty million.

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<v Speaker 2>Her sixty six novels and fourteen collected works of short

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<v Speaker 2>stories supposedly have sold to the tune of two billion.

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<v Speaker 1>I saw four billion in one place, and I think

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<v Speaker 1>after you hit the billion mark, you can just start

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<v Speaker 1>tossing around whatever number you want. I think, so that's

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<v Speaker 1>like a for example, we've had seventy billion downloads. Now

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<v Speaker 1>I just decided, oh great, that's a lot of downloads.

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<v Speaker 1>But think about it, Stephen King, how many books has

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<v Speaker 1>that cat written? How many is he sold all around

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<v Speaker 1>the world? And it amounts to three hundred and fifty million,

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<v Speaker 1>and he's one of the best selling authors of all time.

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<v Speaker 1>A lot of people say that Agatha Christie's numbers hit

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<v Speaker 1>two billion, Like you said, that's astounding.

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<v Speaker 2>Yeah, that is. That is a ton of books. It's

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<v Speaker 2>I don't think our stuff. You should know book will

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<v Speaker 2>approach those numbers.

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<v Speaker 1>No, you never say never, though it's a lofty goal,

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<v Speaker 1>Never say never. I also saw that she's the most

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<v Speaker 1>widely translated author of all time too, that so forty

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<v Speaker 1>five languages. I was like, this thing's a little low.

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<v Speaker 1>So then somewhere else I saw one hundred and three.

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<v Speaker 1>So let's go with that.

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<v Speaker 2>So let's talk about this cozy mystery or just mystery

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<v Speaker 2>novels in general. They are very much formulaic, which Ed

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<v Speaker 2>helped us put this together. Ed points out that's why

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<v Speaker 2>people like them, because the familiarity and it's sort of

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<v Speaker 2>a comfort thing, like a good beach book. You know

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<v Speaker 2>what you're gonna get.

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<v Speaker 1>Right, Yeah, yeah, yeah, there's and there's surprises and everything

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<v Speaker 1>woven in. I mean, the whole thing is meant to

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<v Speaker 1>be a surprise. It's a mystery. And part of the

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<v Speaker 1>mystery and the allure of the mysteries that Agatha Christie

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<v Speaker 1>not only wrote, but actually the whole genre she helped

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<v Speaker 1>to develop, is that you are ostensibly able to figure

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<v Speaker 1>out who the culprit is in the murder. It's almost

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<v Speaker 1>always a murderer, and so there is like, there is

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<v Speaker 1>surprise involved, that's the point. But there's also a tremendous

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<v Speaker 1>amount of familiar familiarity, and that's that formula you were

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<v Speaker 1>talking about, and that's what really has sucked generations of

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<v Speaker 1>people into this whole genre her sixty six plus books.

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<v Speaker 2>Yeah, so you've got that murder. You usually don't see

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<v Speaker 2>this murder occur. She doesn't usually, and in general, in

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<v Speaker 2>murder mysteries, you don't see the murder. That's kind of

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<v Speaker 2>not the point of how grizzly or gruesome the act is.

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<v Speaker 2>It's sort of all about finding that body. And I

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<v Speaker 2>won't have a bunch of knives out things to say,

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<v Speaker 2>but I won't say any of them now. But then

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<v Speaker 2>you've got your detective that arrives on the scene, and

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<v Speaker 2>I will say this knives out very much follows this

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<v Speaker 2>formula very smartly. So you've got this master detective who

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<v Speaker 2>usually arrives upon the scene, but they may already be there,

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<v Speaker 2>and they are generally very eccentric and sort of they

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<v Speaker 2>always have these quirky sort of characteristics. In Christie's case,

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<v Speaker 2>we have the very formidable Hercule Poirot, and then Miss Marple,

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<v Speaker 2>Jane Marple. In Hercule's case, he's Belgian and has this

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<v Speaker 2>big mustache and it's just sort of eccentric and Belgian.

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<v Speaker 2>Just you know, he's not French. There's something about being

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<v Speaker 2>Belgium that makes it slightly different. Sure, and Miss Marple

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<v Speaker 2>apparently it's just a very ordinary and people underestimate her

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<v Speaker 2>and that's how she sort of wins the day.

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<v Speaker 1>Yeah, because for Hercule Poirot was a retired Belgian police detective,

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<v Speaker 1>so he has some measure of authority still to question

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<v Speaker 1>people and interrogate people as he wishes. With Miss Marple,

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<v Speaker 1>she's just kind of a quiet old lady who sews

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<v Speaker 1>and knits a lot, and she just has a very

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<v Speaker 1>keen eye for detail and an interest in solving, you know,

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<v Speaker 1>the murders that seem to happen around her, Like Angela

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<v Speaker 1>Lansbury basically, yes, but rather than interrogate people directly, Miss

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<v Speaker 1>Marple's thing is she just kind of quietly is there

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<v Speaker 1>and people tend to confide in her, and she kind

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<v Speaker 1>of quietly helps them along and gives them She gives

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<v Speaker 1>them the rope to hang themselves with. That's how she

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<v Speaker 1>interrogates people or figures out who who the murderer is.

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<v Speaker 2>Right, So you've got your setting in the cozy mystery setting.

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<v Speaker 2>Like you said, it's usually like in a state or

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<v Speaker 2>a home, maybe a hotel, maybe it might be a

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<v Speaker 2>small English village or an express obviously is on a

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<v Speaker 2>train another sort of confined space. By the way, have

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<v Speaker 2>you seen Trained to Busan?

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<v Speaker 1>I confuse that with Snow Piercer. I think I've seen both,

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<v Speaker 1>but I can't remember which ones, which.

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<v Speaker 2>They're kind of very similar. But bon is Zombies on

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<v Speaker 2>a Train Korean film.

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<v Speaker 1>No, then I think I've just seen snow Piercer.

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<v Speaker 2>You should check out Trained to Busan. If you think

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<v Speaker 2>you've seen it all with the zombie genre, then think again, dude.

0:12:40.280 --> 0:12:46.719
<v Speaker 1>That's saying something because that genre has gotten a little tired. Tale. Hey,

0:12:46.800 --> 0:12:48.280
<v Speaker 1>let me ask you this. Have you seen I know

0:12:48.320 --> 0:12:51.199
<v Speaker 1>you've seen it. You had to have Ozark? Oh sure,

0:12:51.320 --> 0:12:52.679
<v Speaker 1>I'm just started it.

0:12:52.880 --> 0:12:55.680
<v Speaker 2>Yeah, I'm a couple of episodes into the latest season.

0:12:56.040 --> 0:12:58.400
<v Speaker 1>Okay, yeah, you me and I just started at season one,

0:12:58.480 --> 0:13:00.160
<v Speaker 1>and I'm like, all I want to do is sit

0:13:00.200 --> 0:13:02.240
<v Speaker 1>her own and watch os Ark. It's amazing.

0:13:02.480 --> 0:13:06.040
<v Speaker 2>Yeah, I love it. That's like hartwell you know, oh no,

0:13:06.160 --> 0:13:11.000
<v Speaker 2>I didn't know that. Yeah, smart. I've tried to get

0:13:11.320 --> 0:13:13.800
<v Speaker 2>Bateman and Laura Lenny on movie Crush and it's always

0:13:14.559 --> 0:13:15.000
<v Speaker 2>thank you no.

0:13:15.840 --> 0:13:19.320
<v Speaker 1>Oh yeah, yeah, Hey, you're giving responses. That's that's a

0:13:19.320 --> 0:13:20.280
<v Speaker 1>big step forward.

0:13:20.360 --> 0:13:22.400
<v Speaker 2>It's nice to be told no, and just not ignored.

0:13:22.880 --> 0:13:25.640
<v Speaker 2>Yeah right, all right, so you've got your setting. With

0:13:25.760 --> 0:13:30.280
<v Speaker 2>Agatha Christie, she did include her travels in some of

0:13:30.280 --> 0:13:33.840
<v Speaker 2>her later novels when they became like super popular, but

0:13:34.000 --> 0:13:37.480
<v Speaker 2>it was still not like a globe trotting like James

0:13:37.480 --> 0:13:38.280
<v Speaker 2>Bond kind of thing.

0:13:39.720 --> 0:13:43.040
<v Speaker 1>No, that's that's the point. So like in a espionage

0:13:43.120 --> 0:13:45.600
<v Speaker 1>thriller or something that locals are all over the place,

0:13:45.640 --> 0:13:50.880
<v Speaker 1>and you know, the characters constantly moving in these cozy thrillers,

0:13:50.920 --> 0:13:54.800
<v Speaker 1>like even if they're in an exotic local, they're still

0:13:54.840 --> 0:13:57.760
<v Speaker 1>set in a small part of that exotic local.

0:13:58.480 --> 0:14:02.840
<v Speaker 2>That's right, you got your suspect. They are questioned by

0:14:02.840 --> 0:14:06.880
<v Speaker 2>the detective. They usually all have a motive, They usually

0:14:06.960 --> 0:14:10.080
<v Speaker 2>all have the means because everyone, you know, in a

0:14:10.080 --> 0:14:13.079
<v Speaker 2>great novel like this, everyone's got to be a suspect

0:14:13.760 --> 0:14:16.040
<v Speaker 2>from the beginning. And then you can kind of quickly

0:14:16.080 --> 0:14:18.080
<v Speaker 2>whittle or slowly whittle that list down.

0:14:19.000 --> 0:14:21.880
<v Speaker 1>Right. And here's the thing what I was saying with

0:14:21.920 --> 0:14:26.000
<v Speaker 1>the with the kind of mystery that Agatha Christie wrote

0:14:26.440 --> 0:14:30.520
<v Speaker 1>and really established, you are part of the mystery, like

0:14:30.720 --> 0:14:36.040
<v Speaker 1>you're either the investigator. The detective has an assistant that

0:14:36.040 --> 0:14:40.520
<v Speaker 1>they explain things to very much like Sherlock, Holmes and Watson. Sure,

0:14:41.440 --> 0:14:44.720
<v Speaker 1>or if the detective is working solo, say like Miss Marple.

0:14:45.040 --> 0:14:49.640
<v Speaker 1>Miss Marples might write a list of suspects and their

0:14:49.680 --> 0:14:53.840
<v Speaker 1>motives and little clues down as part of the narration,

0:14:54.600 --> 0:14:58.760
<v Speaker 1>and you're let in every step of the way, So

0:14:58.960 --> 0:15:02.680
<v Speaker 1>you're part of the working towards solving the mystery. And

0:15:02.680 --> 0:15:05.160
<v Speaker 1>as it's very frequently put, it kind of pits you

0:15:05.160 --> 0:15:07.920
<v Speaker 1>in a competition with the author to see if you

0:15:07.960 --> 0:15:10.560
<v Speaker 1>can figure out who done it before the end of

0:15:10.560 --> 0:15:11.000
<v Speaker 1>the book.

0:15:11.240 --> 0:15:13.640
<v Speaker 2>Yeah. I mean that goes back to Encyclopedia Brown. The

0:15:13.640 --> 0:15:15.560
<v Speaker 2>whole point is to try and figure that stuff.

0:15:15.320 --> 0:15:18.560
<v Speaker 1>Out, right, Man, I love those Those are so great.

0:15:18.640 --> 0:15:22.000
<v Speaker 1>Encyclopedia Brown. I remember he busted one dumb kid who

0:15:22.000 --> 0:15:23.520
<v Speaker 1>did something bad. I can't remember.

0:15:24.240 --> 0:15:24.960
<v Speaker 2>Was it bugs meaning?

0:15:26.280 --> 0:15:29.280
<v Speaker 1>Oh man, good memory. It may have been bugs meaning

0:15:29.400 --> 0:15:31.200
<v Speaker 1>was he kind of a big dumb o who'd like

0:15:31.240 --> 0:15:32.560
<v Speaker 1>beat up on chipmunks?

0:15:32.640 --> 0:15:32.880
<v Speaker 2>I think?

0:15:32.920 --> 0:15:37.200
<v Speaker 1>So, okay, he busted bugs once because bugs had tears

0:15:37.200 --> 0:15:40.440
<v Speaker 1>coming out of the the outside corners of his eyes,

0:15:40.840 --> 0:15:43.840
<v Speaker 1>a freakazoid by the inside corners.

0:15:45.080 --> 0:15:47.320
<v Speaker 2>That's good. But see, the great thing about those books

0:15:47.360 --> 0:15:51.640
<v Speaker 2>is that a twelve year old doesn't really necessarily always

0:15:51.680 --> 0:15:52.600
<v Speaker 2>pick up on those clues.

0:15:53.520 --> 0:15:54.120
<v Speaker 1>Oh I did.

0:15:54.720 --> 0:15:56.680
<v Speaker 2>I wasn't that great. I'd be curious to see if

0:15:56.680 --> 0:15:59.640
<v Speaker 2>they would stump me now No, no, I mean.

0:15:59.640 --> 0:16:03.440
<v Speaker 1>Specif with the outside of the eye thing. But yeah, no,

0:16:03.520 --> 0:16:05.280
<v Speaker 1>I'm sure there are plenty that I missed.

0:16:05.440 --> 0:16:08.200
<v Speaker 2>But she cried a lot when you were a boy,

0:16:08.800 --> 0:16:13.480
<v Speaker 2>I knew while the mirror tears came from uh. And

0:16:13.560 --> 0:16:15.360
<v Speaker 2>so then at the end, to wrap up the little

0:16:15.400 --> 0:16:19.040
<v Speaker 2>genre sort of summary, you've got this great ending usually

0:16:19.480 --> 0:16:23.160
<v Speaker 2>where everyone's gathered together and the detective kind of walks

0:16:23.200 --> 0:16:25.920
<v Speaker 2>everyone through the big reveal of exactly how the killer

0:16:25.960 --> 0:16:28.920
<v Speaker 2>did it right, And in her case, she did not

0:16:29.920 --> 0:16:32.960
<v Speaker 2>like when the killer is revealed, they didn't turn around

0:16:33.040 --> 0:16:37.000
<v Speaker 2>and shoot them in the face like it's usually pretty nonviolent.

0:16:37.040 --> 0:16:39.720
<v Speaker 2>They would be wrestled to the ground or arrested, or

0:16:39.760 --> 0:16:42.840
<v Speaker 2>maybe they might run away and you hear later that

0:16:42.920 --> 0:16:44.800
<v Speaker 2>they had killed themselves or something like that.

0:16:45.320 --> 0:16:48.920
<v Speaker 1>Sure, there was rarely a grand finale where they would

0:16:48.960 --> 0:16:50.960
<v Speaker 1>be pressed to death in front of a crowd.

0:16:51.280 --> 0:16:52.680
<v Speaker 2>Nah, who needs it?

0:16:53.320 --> 0:16:55.520
<v Speaker 1>So that? I mean, that's it like bing bang boom.

0:16:55.640 --> 0:16:57.960
<v Speaker 1>That was when you started on page one of an

0:16:57.960 --> 0:17:01.040
<v Speaker 1>Agatha Christie novel, you knew exactly how everything was going

0:17:01.120 --> 0:17:03.600
<v Speaker 1>to play out. And then one of the other things

0:17:03.680 --> 0:17:06.800
<v Speaker 1>is because this thing was so formulaic, there was also

0:17:06.960 --> 0:17:09.560
<v Speaker 1>room for this for the author to kind of play

0:17:09.600 --> 0:17:14.520
<v Speaker 1>with you, the reader in using things like bluffs and

0:17:14.600 --> 0:17:18.439
<v Speaker 1>red herrings, I think are basically the same thing. But

0:17:18.520 --> 0:17:22.160
<v Speaker 1>the idea is that so the author in this case,

0:17:22.200 --> 0:17:24.800
<v Speaker 1>I get said Christy would say something like, you know,

0:17:25.080 --> 0:17:28.560
<v Speaker 1>early on in the book, a suspect would come running

0:17:28.560 --> 0:17:32.359
<v Speaker 1>out of the house looking shaken and pale, and you

0:17:32.480 --> 0:17:34.560
<v Speaker 1>the reader would be like, well, that's just way too obvious.

0:17:34.600 --> 0:17:36.359
<v Speaker 1>She's not going to name She's not going to point

0:17:36.359 --> 0:17:39.440
<v Speaker 1>out who the murderer is at the beginning of the book,

0:17:39.720 --> 0:17:42.520
<v Speaker 1>so I can disregard that person or this very obvious

0:17:42.560 --> 0:17:45.359
<v Speaker 1>clue or something like that. That was just kind of

0:17:45.359 --> 0:17:48.240
<v Speaker 1>part of the interplay between author and reader. But then

0:17:48.240 --> 0:17:50.480
<v Speaker 1>it could go even deeper to where she would say

0:17:50.520 --> 0:17:52.840
<v Speaker 1>something like, well, I know that you think that this

0:17:52.920 --> 0:17:54.879
<v Speaker 1>is too obvious, so I'm going to actually make this

0:17:54.960 --> 0:17:57.560
<v Speaker 1>the actual murderer, which she did in some cases, which

0:17:57.600 --> 0:18:00.359
<v Speaker 1>was like a double bluff. Apparently could just keep going

0:18:00.359 --> 0:18:02.480
<v Speaker 1>on and on and on, but it was this kind

0:18:02.480 --> 0:18:08.119
<v Speaker 1>of wrestling match or maybe slap fight between Agatha Christie

0:18:08.160 --> 0:18:10.560
<v Speaker 1>and you, her reader, which made the whole thing all

0:18:10.600 --> 0:18:11.400
<v Speaker 1>the more delightful.

0:18:12.520 --> 0:18:15.920
<v Speaker 2>That's right, And she ed takes great pains to point

0:18:15.960 --> 0:18:19.080
<v Speaker 2>out that she did not invent this genre. There were

0:18:19.119 --> 0:18:22.320
<v Speaker 2>people like Arthur Conan Doyle obviously and Poe before her

0:18:22.440 --> 0:18:24.879
<v Speaker 2>that sort of established some of these rules. But she

0:18:25.160 --> 0:18:27.640
<v Speaker 2>was very popular. She's very good at what she did.

0:18:28.160 --> 0:18:28.280
<v Speaker 1>Ye.

0:18:28.640 --> 0:18:30.920
<v Speaker 2>She wrote about what she knew. And we'll talk about

0:18:30.960 --> 0:18:34.200
<v Speaker 2>her life coming up in a little bit. But these

0:18:34.320 --> 0:18:37.240
<v Speaker 2>manor houses in these estates, and these English villages and

0:18:37.280 --> 0:18:41.000
<v Speaker 2>even the exotic locales and these train trips and things

0:18:41.000 --> 0:18:44.560
<v Speaker 2>were things that she actually experienced. And you know, a

0:18:44.600 --> 0:18:46.280
<v Speaker 2>lot of people are great at making stuff up, and

0:18:46.280 --> 0:18:48.159
<v Speaker 2>a lot of people are great about writing what they know.

0:18:48.720 --> 0:18:50.800
<v Speaker 2>And it seems like she was really great at writing

0:18:50.800 --> 0:18:51.359
<v Speaker 2>what she knew.

0:18:52.080 --> 0:18:57.639
<v Speaker 1>Yeah, And for some reason, either it was the time

0:18:57.880 --> 0:19:01.320
<v Speaker 1>or maybe because of her I'm not sure. It was

0:19:01.440 --> 0:19:03.360
<v Speaker 1>kind of a chicken or the egg thing, but she

0:19:03.480 --> 0:19:06.199
<v Speaker 1>happened to write about stuff that a lot of people

0:19:06.240 --> 0:19:11.040
<v Speaker 1>wanted to read about, these small, you know, English villages

0:19:11.080 --> 0:19:15.080
<v Speaker 1>and you know, quaint mannerisms of the upper middle and

0:19:15.160 --> 0:19:20.560
<v Speaker 1>upper class English society set in this period of time

0:19:21.119 --> 0:19:23.840
<v Speaker 1>that and for some reason, it just captured everybody's attention.

0:19:23.920 --> 0:19:28.640
<v Speaker 1>And apparently when she started expanding, like I think after

0:19:28.720 --> 0:19:32.840
<v Speaker 1>World War Two, to some slightly more exotic locales like

0:19:32.960 --> 0:19:37.920
<v Speaker 1>Egypt or Mesopotamia, you know, for like Death on the

0:19:38.040 --> 0:19:40.080
<v Speaker 1>Nile was a very famous wonder in this time, or

0:19:40.119 --> 0:19:46.240
<v Speaker 1>the Orient Express that really catapulted her into superstardom, international

0:19:46.240 --> 0:19:47.240
<v Speaker 1>superstardom too.

0:19:48.000 --> 0:19:50.720
<v Speaker 2>Yeah. I don't have a super firm read on the

0:19:50.800 --> 0:19:53.280
<v Speaker 2>history of literature, but I get the idea that this

0:19:53.440 --> 0:19:57.080
<v Speaker 2>is sort of aligned with the beginnings of pop lit.

0:19:58.240 --> 0:20:01.880
<v Speaker 2>And like I call it the beach Book. I don't

0:20:01.920 --> 0:20:03.479
<v Speaker 2>know if there had been a ton of stuff like

0:20:03.520 --> 0:20:06.720
<v Speaker 2>this that was just sort of pure comfort food and

0:20:06.840 --> 0:20:08.520
<v Speaker 2>entertainment up to this point.

0:20:09.000 --> 0:20:12.000
<v Speaker 1>Yeah, I'm not sure either. Nothing that I'm familiar with

0:20:12.080 --> 0:20:12.760
<v Speaker 1>I can say.

0:20:12.840 --> 0:20:15.159
<v Speaker 2>But they were very entertaining books. They were humorous, a

0:20:15.240 --> 0:20:21.520
<v Speaker 2>very dark sense of humor. Great dialogue, all these verbal

0:20:21.600 --> 0:20:24.400
<v Speaker 2>jousts between the detectives and the suspects is really key

0:20:24.440 --> 0:20:27.879
<v Speaker 2>to that genre. Something nis Out did really really well.

0:20:28.359 --> 0:20:30.040
<v Speaker 2>It was one of my favorite scripts of the year,

0:20:30.280 --> 0:20:33.960
<v Speaker 2>maybe my favorite script. Wow, but just really really good

0:20:34.000 --> 0:20:37.760
<v Speaker 2>sharp writing. And it's no sort of no accident that

0:20:37.840 --> 0:20:39.520
<v Speaker 2>she became so hugely popular.

0:20:40.200 --> 0:20:42.680
<v Speaker 1>No, And that's something like if you're not really familiar

0:20:42.720 --> 0:20:44.800
<v Speaker 1>with Agatha Chrissy and you just kind of look her

0:20:44.880 --> 0:20:47.800
<v Speaker 1>up and passing. One of the things you'll be confronted

0:20:47.840 --> 0:20:49.600
<v Speaker 1>with is that a lot of people, a lot of

0:20:49.640 --> 0:20:53.680
<v Speaker 1>critics say she was a hack. And what they're talking

0:20:53.760 --> 0:20:57.320
<v Speaker 1>about is that formula that she followed to almost like

0:20:57.359 --> 0:21:03.120
<v Speaker 1>a soul les Lee rational degree, Like that was the formula,

0:21:03.320 --> 0:21:07.919
<v Speaker 1>that's what she followed. But that really misses like the

0:21:08.000 --> 0:21:10.120
<v Speaker 1>fact that she had a really great eye for detail

0:21:10.119 --> 0:21:12.000
<v Speaker 1>and the dialogue. Like you were saying, like she was

0:21:12.080 --> 0:21:15.439
<v Speaker 1>a good writer and she could just crank workout. I

0:21:15.440 --> 0:21:19.560
<v Speaker 1>think during the decade of the twenties she wrote a

0:21:19.760 --> 0:21:23.640
<v Speaker 1>book a year. It might have even become more prolific

0:21:23.680 --> 0:21:25.480
<v Speaker 1>later on in the thirties and forties too.

0:21:26.200 --> 0:21:30.760
<v Speaker 2>Yeah, and she was a business person, you know, like,

0:21:30.800 --> 0:21:34.240
<v Speaker 2>there's nothing wrong with saying, wow, people love this stuff

0:21:34.760 --> 0:21:38.000
<v Speaker 2>and they sell a lot. And although it took a

0:21:38.040 --> 0:21:40.200
<v Speaker 2>while for that to happen, as we'll see, but there's

0:21:40.200 --> 0:21:42.040
<v Speaker 2>nothing wrong with any of that. I think people that

0:21:42.119 --> 0:21:44.320
<v Speaker 2>call her a hack. Can go fly kite?

0:21:45.080 --> 0:21:47.800
<v Speaker 1>Yeah, go fly it with extreme prejudice.

0:21:47.840 --> 0:21:49.160
<v Speaker 2>Should we take a break.

0:21:49.200 --> 0:21:51.160
<v Speaker 1>I think so, man, we'll come back and talk about

0:21:51.160 --> 0:22:17.800
<v Speaker 1>her life. Great, okay, Chuck.

0:22:17.920 --> 0:22:18.000
<v Speaker 2>So.

0:22:19.240 --> 0:22:25.720
<v Speaker 1>Agatha Christie was born in eighteen ninety in England, in Devonshire,

0:22:26.320 --> 0:22:31.040
<v Speaker 1>in Torquay, which I always wanted to say, Tanga Rey, Devonshire. Sure,

0:22:32.200 --> 0:22:35.080
<v Speaker 1>And it's in the southwest of England. So Torquay is

0:22:35.200 --> 0:22:38.960
<v Speaker 1>kind of like our Devonshire is like our Arizona, basically,

0:22:40.840 --> 0:22:41.800
<v Speaker 1>that's my impression.

0:22:41.960 --> 0:22:44.720
<v Speaker 2>I think it is very much like Arizona, right, the

0:22:44.840 --> 0:22:47.960
<v Speaker 2>legendary Devonshire cactus.

0:22:47.840 --> 0:22:53.240
<v Speaker 1>Right, so which stalks the moors, that's right. And she

0:22:53.440 --> 0:22:55.480
<v Speaker 1>was one of three kids, and I think her older

0:22:55.480 --> 0:22:58.000
<v Speaker 1>brother and sister were both at least a decade older

0:22:58.040 --> 0:23:01.600
<v Speaker 1>than her. So she had like a very solitary childhood,

0:23:01.600 --> 0:23:04.240
<v Speaker 1>which appears to have made her fairly happy. She didn't

0:23:04.280 --> 0:23:06.760
<v Speaker 1>go to school. She was raised by governesses and educated

0:23:06.760 --> 0:23:10.560
<v Speaker 1>by governesses. Spent a lot of time reading and just

0:23:11.000 --> 0:23:13.080
<v Speaker 1>hung out around her family's estate.

0:23:13.600 --> 0:23:16.600
<v Speaker 2>Yeah, I mean they had some dough They were not

0:23:16.760 --> 0:23:19.320
<v Speaker 2>wealthy wealthy, but they were definitely upper middle class. They

0:23:19.320 --> 0:23:23.920
<v Speaker 2>got an inheritance from her paternal grandfather, such that her

0:23:24.000 --> 0:23:28.359
<v Speaker 2>dad didn't need to work. Apparently, she is on record

0:23:28.400 --> 0:23:31.320
<v Speaker 2>as saying that her dad wasn't around much. Didn't really

0:23:31.359 --> 0:23:34.879
<v Speaker 2>impact me once much. So he can go fly a

0:23:34.960 --> 0:23:37.639
<v Speaker 2>kite as well. Right, it's a lot of kite flying.

0:23:38.400 --> 0:23:41.160
<v Speaker 2>And she loved being out in the garden. She wasn't

0:23:42.280 --> 0:23:44.560
<v Speaker 2>I get the impression. She wasn't like reclusive or anything,

0:23:44.680 --> 0:23:48.000
<v Speaker 2>but she very much enjoyed time with herself alone, but

0:23:48.080 --> 0:23:50.639
<v Speaker 2>also had friends and stuff when she eventually did go

0:23:50.680 --> 0:23:53.119
<v Speaker 2>to school once her father passed and they couldn't afford that.

0:23:53.160 --> 0:23:58.080
<v Speaker 1>Governess, right, but she was a very very shy person.

0:23:58.640 --> 0:24:03.440
<v Speaker 1>The novelist Joan neck Sella says that even as an adult,

0:24:03.560 --> 0:24:07.320
<v Speaker 1>she was so shy that sometimes she wouldn't go into

0:24:07.440 --> 0:24:10.680
<v Speaker 1>shops because she would have to interact with the shopkeeper.

0:24:11.880 --> 0:24:15.119
<v Speaker 2>So it's just ast. You know how many novelists are

0:24:15.240 --> 0:24:17.400
<v Speaker 2>the life of the party and super outgoing.

0:24:18.280 --> 0:24:21.160
<v Speaker 1>You've never met Philip Roth, apparently.

0:24:20.920 --> 0:24:22.479
<v Speaker 2>I just I don't know, you kind of picture like

0:24:22.600 --> 0:24:26.320
<v Speaker 2>the Stephen Kings, just locked in an attict somewhere and

0:24:26.359 --> 0:24:28.080
<v Speaker 2>not like, well, let me write a little bit, then

0:24:28.560 --> 0:24:31.280
<v Speaker 2>I'm gonna go, you know, go to a party.

0:24:31.520 --> 0:24:34.280
<v Speaker 1>Right, go play some pickup basketball and maybe volunteer at

0:24:34.280 --> 0:24:35.400
<v Speaker 1>the local food bank act.

0:24:35.600 --> 0:24:38.000
<v Speaker 2>I don't know it just it's sort of solitary pastime.

0:24:38.119 --> 0:24:42.919
<v Speaker 2>So that. Sure, there are examples of extroverted authors, but

0:24:42.960 --> 0:24:44.920
<v Speaker 2>I think she kind of fits the mold that you

0:24:45.200 --> 0:24:48.000
<v Speaker 2>generally think of, especially for a lady mystery writer.

0:24:48.640 --> 0:24:50.800
<v Speaker 1>Yeah, and you know, I think not only fits the mold,

0:24:50.880 --> 0:24:53.560
<v Speaker 1>the more I learned about her, she made the mold true.

0:24:53.760 --> 0:24:57.000
<v Speaker 1>Basically everything we take her for granted as far as

0:24:57.040 --> 0:24:59.800
<v Speaker 1>writing and mystery writing goes like she basically made it up.

0:25:00.160 --> 0:25:01.600
<v Speaker 1>It's pretty impressive stuff.

0:25:02.040 --> 0:25:04.959
<v Speaker 2>Yeah. So she, like we said, she did some pretty

0:25:06.200 --> 0:25:11.000
<v Speaker 2>to us dumb dumbs in America seem like exotic traveling trips.

0:25:11.000 --> 0:25:13.320
<v Speaker 2>But if you lived in England at the time, it's

0:25:13.400 --> 0:25:16.280
<v Speaker 2>no big deal to go to Egypt and check out

0:25:16.320 --> 0:25:18.359
<v Speaker 2>the Pyramids. That was if you had a little dough

0:25:18.400 --> 0:25:20.600
<v Speaker 2>that was a pretty common vacation that you might take.

0:25:21.400 --> 0:25:23.480
<v Speaker 2>So she did stuff like that, and she was exposed

0:25:23.480 --> 0:25:27.919
<v Speaker 2>to exotic locales and use those in her work. In

0:25:27.960 --> 0:25:31.040
<v Speaker 2>her very first novel, Even Snow Upon the Desert, she

0:25:31.119 --> 0:25:33.239
<v Speaker 2>wrote when she was like twenty two or twenty three

0:25:33.320 --> 0:25:37.840
<v Speaker 2>years old, I think, and you know, she had a

0:25:37.840 --> 0:25:39.760
<v Speaker 2>hard time getting published at first because she was a

0:25:39.760 --> 0:25:40.280
<v Speaker 2>young woman.

0:25:41.640 --> 0:25:45.280
<v Speaker 1>Yeah, she was rejected out of hand. And apparently also

0:25:45.400 --> 0:25:49.600
<v Speaker 1>she'd started writing because her sister told her that she

0:25:49.680 --> 0:25:52.440
<v Speaker 1>probably wouldn't be able to write a mystery novel, yeah,

0:25:52.440 --> 0:25:56.280
<v Speaker 1>which I love, So she did. She wrote the what

0:25:56.440 --> 0:25:57.159
<v Speaker 1>was it? Snow on?

0:25:57.320 --> 0:25:58.800
<v Speaker 2>What? Snow upon the Desert?

0:25:59.119 --> 0:26:01.640
<v Speaker 1>Snow upon the Desert? And she was very young then.

0:26:03.000 --> 0:26:05.720
<v Speaker 1>And in between the time she wrote Snow upon the

0:26:05.720 --> 0:26:08.600
<v Speaker 1>Desert and The Mysterious Affair at Styles, which would be

0:26:08.600 --> 0:26:12.560
<v Speaker 1>her first published book, I believe she wedged a lot

0:26:12.600 --> 0:26:15.520
<v Speaker 1>of life in there in the form of getting married

0:26:16.040 --> 0:26:19.399
<v Speaker 1>to a guy named Archibald Archie Christie. And one of

0:26:19.400 --> 0:26:24.280
<v Speaker 1>the things about Agatha Christie is that she never she

0:26:24.400 --> 0:26:27.640
<v Speaker 1>wasn't a born writer, even though she did write as

0:26:27.680 --> 0:26:29.800
<v Speaker 1>a younger person, like you were saying, like, she wasn't

0:26:29.840 --> 0:26:32.720
<v Speaker 1>like a She just didn't want to be a writer

0:26:32.840 --> 0:26:36.359
<v Speaker 1>as a kid. And she ended up writing really seriously

0:26:36.440 --> 0:26:39.760
<v Speaker 1>after she and Archie Christie got married, because Archie Christie

0:26:39.800 --> 0:26:44.680
<v Speaker 1>wasn't particularly wealthy and couldn't necessarily care for her himself,

0:26:44.960 --> 0:26:47.840
<v Speaker 1>so she started writing to make money, which some people

0:26:47.840 --> 0:26:50.000
<v Speaker 1>suspect is the reason she got into mystery writing in

0:26:50.000 --> 0:26:53.560
<v Speaker 1>the first place, because it was a very very popular genre.

0:26:53.680 --> 0:26:56.359
<v Speaker 1>Even though yeah, well it makes sense, so she had

0:26:56.400 --> 0:26:57.560
<v Speaker 1>the skills to pay the bills.

0:26:57.560 --> 0:27:01.560
<v Speaker 2>It turns out that's right. They were married nineteen fourteen.

0:27:01.960 --> 0:27:05.439
<v Speaker 2>He was kind of promptly sent to fight in the

0:27:05.480 --> 0:27:09.640
<v Speaker 2>Great War in France, and she worked at a pharmacist

0:27:10.359 --> 0:27:13.080
<v Speaker 2>at a war hospital during that period, and this is

0:27:13.080 --> 0:27:17.199
<v Speaker 2>where she learned a lot about potions and poisons and

0:27:17.240 --> 0:27:20.400
<v Speaker 2>pharmaceuticals and things that would there's a lot of poisoning

0:27:20.400 --> 0:27:23.920
<v Speaker 2>that goes on in her books. Yeah, and she later

0:27:23.960 --> 0:27:25.879
<v Speaker 2>in her career, I think she actually would consult with

0:27:25.920 --> 0:27:28.439
<v Speaker 2>doctors and stuff like that because she wanted everything to

0:27:28.440 --> 0:27:31.280
<v Speaker 2>be really medically accurate. But early on she learned a

0:27:31.320 --> 0:27:33.760
<v Speaker 2>lot about this stuff from her work in the pharmacy.

0:27:34.000 --> 0:27:37.919
<v Speaker 1>Which is kind of cool and ghoulish, you know, She's like, h,

0:27:37.960 --> 0:27:40.879
<v Speaker 1>how exactly would a person die from this bottle that

0:27:41.000 --> 0:27:45.480
<v Speaker 1>I'm holding? So yeah, and apparently most of the deaths

0:27:45.480 --> 0:27:49.760
<v Speaker 1>in her books are poisonings, and like you were saying,

0:27:49.760 --> 0:27:52.720
<v Speaker 1>like you very rarely see the person die. They just

0:27:52.760 --> 0:27:55.200
<v Speaker 1>come upon the body. And most of the times of

0:27:55.240 --> 0:27:58.959
<v Speaker 1>poison body. Sometimes there was violence visited upon them, but

0:27:58.960 --> 0:28:02.480
<v Speaker 1>for the most part, a body that was found poisoned

0:28:02.520 --> 0:28:02.920
<v Speaker 1>to death.

0:28:03.200 --> 0:28:06.840
<v Speaker 2>Yeah, and that's a good vehicle for a mystery novel

0:28:06.960 --> 0:28:11.480
<v Speaker 2>because you know there's no murder weapon per se. There

0:28:11.520 --> 0:28:14.359
<v Speaker 2>I guess there's the poison bottle. But it can often

0:28:14.400 --> 0:28:18.840
<v Speaker 2>be very vague a poisoning death, like could it have

0:28:18.880 --> 0:28:20.600
<v Speaker 2>been a heart attack? Like you have to kind of

0:28:20.720 --> 0:28:23.040
<v Speaker 2>suss out at first whether or not it was even

0:28:23.080 --> 0:28:25.680
<v Speaker 2>a murder. It's not like an obvious thing where there's

0:28:25.720 --> 0:28:29.399
<v Speaker 2>a bullet hole in their chest or something like that.

0:28:29.760 --> 0:28:33.240
<v Speaker 1>Right, right, Yeah, So poisoning is what she went with typically.

0:28:33.800 --> 0:28:36.320
<v Speaker 1>Another example also, Chuck, I think of like her writing

0:28:36.359 --> 0:28:39.800
<v Speaker 1>what she knew too, Yeah, at least writing what interested her.

0:28:41.160 --> 0:28:47.560
<v Speaker 1>And she wrote in I believe nineteen twenty no during

0:28:47.760 --> 0:28:50.120
<v Speaker 1>during World War One, so while she was working at

0:28:50.120 --> 0:28:52.680
<v Speaker 1>the dispensary and Archie was off flying in France. I

0:28:52.720 --> 0:28:58.840
<v Speaker 1>believe she wrote The Mysterious Affair at Styles and it

0:28:58.960 --> 0:29:01.040
<v Speaker 1>was that's the one I started reading, and I don't

0:29:01.160 --> 0:29:04.800
<v Speaker 1>understand how it was rejected at first, but it's a

0:29:04.880 --> 0:29:08.680
<v Speaker 1>really interesting book just right out of the gate in

0:29:08.720 --> 0:29:13.320
<v Speaker 1>that it pulls you right into this little country English

0:29:13.440 --> 0:29:16.440
<v Speaker 1>estate and all the people on it, and you realize

0:29:16.560 --> 0:29:18.920
<v Speaker 1>just after a couple of pages that you're already invested

0:29:18.920 --> 0:29:21.040
<v Speaker 1>in them, which is pretty amazing. And this is like

0:29:21.320 --> 0:29:24.200
<v Speaker 1>not her first book, but it was her first serious

0:29:24.240 --> 0:29:28.440
<v Speaker 1>work that wasn't published immediately. It wasn't published until nineteen twenty,

0:29:29.400 --> 0:29:32.200
<v Speaker 1>and I think even after it was published, it wasn't

0:29:32.400 --> 0:29:37.720
<v Speaker 1>an immediate catapult to success for her, but it was

0:29:37.720 --> 0:29:40.480
<v Speaker 1>a remarkable first book to be published.

0:29:40.920 --> 0:29:42.880
<v Speaker 2>Yeah, and this is the one that introduced the world

0:29:42.880 --> 0:29:46.400
<v Speaker 2>to her chief detective for a lot of those novels,

0:29:46.680 --> 0:29:50.120
<v Speaker 2>mister Poirot, like we mentioned, And later on they asked

0:29:50.120 --> 0:29:55.360
<v Speaker 2>her why he was Belgian, and she said why not? Basically,

0:29:56.960 --> 0:29:59.360
<v Speaker 2>I don't think a whole lot of thought went into it.

0:29:59.360 --> 0:30:01.840
<v Speaker 2>It turned out to be a really good choice because

0:30:01.840 --> 0:30:04.760
<v Speaker 2>he had this kind of interesting accent and everywhere he went,

0:30:04.840 --> 0:30:07.040
<v Speaker 2>I don't you know, they were never set in Belgium,

0:30:07.320 --> 0:30:11.840
<v Speaker 2>so everywhere he went he was this sort of sort

0:30:11.880 --> 0:30:15.120
<v Speaker 2>of strange foreigner that would come into town with this

0:30:15.280 --> 0:30:17.959
<v Speaker 2>accent that no one quite understood, and he just had

0:30:17.960 --> 0:30:20.160
<v Speaker 2>this sort of larger than life presence I think because

0:30:20.160 --> 0:30:21.480
<v Speaker 2>of that. So it turned out to be a really

0:30:21.520 --> 0:30:22.280
<v Speaker 2>smart choice.

0:30:22.640 --> 0:30:26.200
<v Speaker 1>Yeah. He was also a well known dandy who was

0:30:26.560 --> 0:30:31.440
<v Speaker 1>very vain about his appearance, and he apparently said in

0:30:31.440 --> 0:30:34.680
<v Speaker 1>one of the later books that he plays up his

0:30:34.920 --> 0:30:43.160
<v Speaker 1>foreignness and his dandiness to disarm suspects when he's interrogating them,

0:30:43.200 --> 0:30:46.400
<v Speaker 1>to make them take him less seriously than they otherwise might.

0:30:46.880 --> 0:30:48.840
<v Speaker 2>Man, I want to talk about knives out so.

0:30:48.840 --> 0:30:52.680
<v Speaker 1>Much you cannot. I appreciate you not doing that.

0:30:53.000 --> 0:30:55.360
<v Speaker 2>So she had a daughter, we should mention, in nineteen

0:30:55.440 --> 0:30:59.240
<v Speaker 2>nineteen named Rosalind, and that's the only child she ever had.

0:30:59.320 --> 0:31:02.560
<v Speaker 2>And it was in nineteen twenty a year later that

0:31:02.640 --> 0:31:06.680
<v Speaker 2>they finally did publish The Mysterious Affair at Styles after

0:31:06.760 --> 0:31:09.520
<v Speaker 2>she agreed to change the ending. They said, we don't

0:31:09.560 --> 0:31:13.360
<v Speaker 2>like Poirot revealing all this evidence in court, so she

0:31:13.480 --> 0:31:16.520
<v Speaker 2>changed the ending. They said great. That's when she went

0:31:16.560 --> 0:31:19.920
<v Speaker 2>on to publish that novel every year for about ten years,

0:31:20.680 --> 0:31:24.520
<v Speaker 2>very very big books. But they weren't They were popular,

0:31:24.560 --> 0:31:28.560
<v Speaker 2>but she wasn't like a superstar internationally at this point yet.

0:31:29.320 --> 0:31:34.560
<v Speaker 1>No, not yet. Again. She really catapulted later on because

0:31:34.600 --> 0:31:37.280
<v Speaker 1>she moved to some of these more exotic locales. But

0:31:37.400 --> 0:31:41.120
<v Speaker 1>one of the things that cemented her legend as a

0:31:41.160 --> 0:31:43.880
<v Speaker 1>mystery writer in addition to all of the work she did,

0:31:43.920 --> 0:31:48.760
<v Speaker 1>in addition to her prolificness and her extreme talent at

0:31:48.920 --> 0:31:53.720
<v Speaker 1>this formula that she had worked out was what still

0:31:53.760 --> 0:31:56.240
<v Speaker 1>today is considered an unsolved mystery. In fact, it was

0:31:56.240 --> 0:31:59.680
<v Speaker 1>featured on a nineteen ninety four episode of Unsolved Mysteries,

0:32:00.480 --> 0:32:05.120
<v Speaker 1>which I just randomly happened to see recently, and she disappeared.

0:32:05.360 --> 0:32:11.160
<v Speaker 1>There's a whole sub plot to Agatha Christie's life that

0:32:11.320 --> 0:32:15.960
<v Speaker 1>was really surprising, especially compared to how boring and normal

0:32:16.120 --> 0:32:19.840
<v Speaker 1>and just kind of plotting with these instead of teas

0:32:20.400 --> 0:32:23.680
<v Speaker 1>her normal life. Was the fact that she has this

0:32:24.200 --> 0:32:26.840
<v Speaker 1>grand mystery plunk down in the middle of it is

0:32:27.560 --> 0:32:28.400
<v Speaker 1>pretty impressive.

0:32:28.720 --> 0:32:33.800
<v Speaker 2>Yeah, it's so. Here's the backstory. She and Archie were

0:32:33.840 --> 0:32:36.000
<v Speaker 2>not meant to be together. As it turns out, he

0:32:36.120 --> 0:32:39.160
<v Speaker 2>revealed that he was having an affair with a lady

0:32:39.240 --> 0:32:41.320
<v Speaker 2>named Nancy Neil who was a friend of the family,

0:32:42.240 --> 0:32:45.800
<v Speaker 2>and obviously that was the end of their marriage. So

0:32:46.240 --> 0:32:50.520
<v Speaker 2>at the end of nineteen twenty six, they decided they

0:32:50.520 --> 0:32:52.880
<v Speaker 2>were going to take a trip together a weekend, or

0:32:53.920 --> 0:32:56.680
<v Speaker 2>Archie went to be with his friends instead. And then

0:32:56.720 --> 0:33:01.680
<v Speaker 2>she vanished into seemingly thin air. They found her car

0:33:02.160 --> 0:33:04.120
<v Speaker 2>near a rock quarry, with her fur coat and her

0:33:04.200 --> 0:33:07.600
<v Speaker 2>driver's license there and no Agatha Christie.

0:33:08.200 --> 0:33:10.600
<v Speaker 1>No, and her car wasn't just near the rock quarry

0:33:10.720 --> 0:33:13.720
<v Speaker 1>according to some reports like one of the wheels is

0:33:13.760 --> 0:33:14.880
<v Speaker 1>hanging over the edge of this.

0:33:14.920 --> 0:33:18.160
<v Speaker 2>Cliff and still spinning right.

0:33:19.320 --> 0:33:22.960
<v Speaker 1>So, but she was gone. They couldn't find her. And

0:33:23.000 --> 0:33:27.560
<v Speaker 1>so within a couple of days, this massive search, depending

0:33:27.600 --> 0:33:30.280
<v Speaker 1>on who you ask and depending on when you ask them,

0:33:30.800 --> 0:33:34.720
<v Speaker 1>ten like ten thousand plus people were searching for probably

0:33:34.720 --> 0:33:38.520
<v Speaker 1>more likely a couple thousand, which is still really remarkable

0:33:38.600 --> 0:33:41.720
<v Speaker 1>for this tiny little area in the southwest of England

0:33:42.480 --> 0:33:46.720
<v Speaker 1>at the time in nineteen twenty six. So that really

0:33:46.800 --> 0:33:49.920
<v Speaker 1>kind of demonstrates she was already a well known writer.

0:33:50.600 --> 0:33:53.840
<v Speaker 1>She wasn't legendary yet, but is this disappearance is the

0:33:54.480 --> 0:33:58.440
<v Speaker 1>mechanism by which she becomes legendary, I think. And this

0:33:58.600 --> 0:34:02.120
<v Speaker 1>goes on for a good week, I believe. Right when

0:34:02.120 --> 0:34:03.320
<v Speaker 1>did she disappear? December?

0:34:03.320 --> 0:34:05.520
<v Speaker 2>What I think December third is when they were going

0:34:05.560 --> 0:34:06.280
<v Speaker 2>to take that trip.

0:34:06.720 --> 0:34:09.720
<v Speaker 1>So she was gone almost two weeks, and by gone

0:34:09.920 --> 0:34:12.759
<v Speaker 1>we mean just vanished. She left behind that car. She

0:34:12.840 --> 0:34:15.200
<v Speaker 1>left behind the driver's license in the fur like you said,

0:34:15.640 --> 0:34:19.359
<v Speaker 1>she was gone. Her husband had came to be known

0:34:19.480 --> 0:34:21.880
<v Speaker 1>to have asked for a divorce already, so people were like,

0:34:21.920 --> 0:34:24.920
<v Speaker 1>well did he bump her off? And she's a mystery

0:34:24.920 --> 0:34:27.759
<v Speaker 1>writer known for generating stuff like this, So even at

0:34:27.760 --> 0:34:30.960
<v Speaker 1>the time, some people were like, is this a publicity stunt,

0:34:31.000 --> 0:34:32.799
<v Speaker 1>because it's a pretty good one if it is.

0:34:33.280 --> 0:34:37.680
<v Speaker 2>Sure it worked, And there was a band at this

0:34:37.760 --> 0:34:42.759
<v Speaker 2>place called the Swan Hydropathic Hotel in Yorkshire, which kind

0:34:42.760 --> 0:34:46.360
<v Speaker 2>of just sounds like a bit of a Kellogg Brothers

0:34:46.840 --> 0:34:47.520
<v Speaker 2>type of joint.

0:34:48.080 --> 0:34:50.120
<v Speaker 1>Have you seen a Cure for wellness?

0:34:50.640 --> 0:34:53.359
<v Speaker 2>Well? We talked about that in that podcast.

0:34:53.239 --> 0:34:54.759
<v Speaker 1>Did we? I can't remember. Have you seen it?

0:34:55.040 --> 0:34:56.680
<v Speaker 2>I never saw it?

0:34:56.840 --> 0:35:00.279
<v Speaker 1>Have you yet? I still have not seen it, missing

0:35:00.320 --> 0:35:02.759
<v Speaker 1>that much, but it is pretty interesting. It's it's worth

0:35:02.800 --> 0:35:03.720
<v Speaker 1>seeing at least once.

0:35:03.840 --> 0:35:06.080
<v Speaker 2>I might check it out, okay, but any rate, they

0:35:06.080 --> 0:35:09.080
<v Speaker 2>had a band here, because what hydropathic hotel does not

0:35:10.120 --> 0:35:13.759
<v Speaker 2>have a house band, And they came forward and said, Hey,

0:35:14.239 --> 0:35:17.799
<v Speaker 2>that's Agatha Christie lady. She's been staying here for a week.

0:35:19.280 --> 0:35:23.120
<v Speaker 2>She's been in the electric light bath cabinet and getting

0:35:23.600 --> 0:35:27.759
<v Speaker 2>yogurt enemas and having a grand old time. So they

0:35:27.760 --> 0:35:29.440
<v Speaker 2>went to the cops, and the cops went to the

0:35:29.520 --> 0:35:32.759
<v Speaker 2>lead detective and said, no, no, no, she has been

0:35:32.840 --> 0:35:34.760
<v Speaker 2>murdered and we're trying to find out the killer.

0:35:35.280 --> 0:35:36.120
<v Speaker 1>I'm sure of it.

0:35:36.360 --> 0:35:39.440
<v Speaker 2>Eventually, this detective said, well, let me tell her husband.

0:35:40.200 --> 0:35:42.759
<v Speaker 2>And husband Archie went out to check it out on

0:35:42.800 --> 0:35:46.560
<v Speaker 2>the fourteenth of December. There she was. She was in seclusion,

0:35:47.320 --> 0:35:50.560
<v Speaker 2>and that was sort of the end of this mystery.

0:35:50.560 --> 0:35:54.759
<v Speaker 2>It wasn't so much a mystery, you know. She by

0:35:54.760 --> 0:35:57.440
<v Speaker 2>all accounts, it seems like she went there because she

0:35:58.320 --> 0:36:02.839
<v Speaker 2>had thought about or maybe tried to drive her car

0:36:02.880 --> 0:36:06.040
<v Speaker 2>into that quarry and kill herself because she was upset

0:36:06.040 --> 0:36:10.320
<v Speaker 2>about her marriage ending. Yeah, and then it didn't happen,

0:36:10.520 --> 0:36:12.360
<v Speaker 2>and she just kind of goes on a walk and

0:36:12.480 --> 0:36:15.080
<v Speaker 2>ends up at this place. May or may not have

0:36:15.200 --> 0:36:19.840
<v Speaker 2>invented an amnesia story, or it may have actually happened

0:36:19.840 --> 0:36:22.120
<v Speaker 2>to some degree. She didn't talk about a lot, so

0:36:22.120 --> 0:36:24.880
<v Speaker 2>we don't really know exactly what went down with the amnesia.

0:36:25.480 --> 0:36:28.279
<v Speaker 1>She said that. So two years later she gave an

0:36:28.320 --> 0:36:31.440
<v Speaker 1>interview with The Daily Mail and apparently explain the amnesia

0:36:31.480 --> 0:36:33.760
<v Speaker 1>by saying she'd hit her head on the steering wheel,

0:36:34.040 --> 0:36:37.080
<v Speaker 1>but in the same interview she says that she'd let

0:36:37.239 --> 0:36:40.080
<v Speaker 1>go of the steering wheel. So she basically said, like,

0:36:40.520 --> 0:36:43.160
<v Speaker 1>I attempted suicide and it didn't work out. I hit

0:36:43.200 --> 0:36:45.319
<v Speaker 1>my head on the steering wheel, and I wandered off,

0:36:45.320 --> 0:36:49.040
<v Speaker 1>and I had amnesia. But they think that it was

0:36:49.120 --> 0:36:52.760
<v Speaker 1>just a family cover story to save face, this amnesia story,

0:36:52.760 --> 0:36:55.440
<v Speaker 1>and that really she had attempted to take her own

0:36:55.480 --> 0:37:00.640
<v Speaker 1>life and hadn't succeeded and now regretted it was embarrassed

0:37:00.680 --> 0:37:03.160
<v Speaker 1>by all of this because the idea that there were

0:37:03.239 --> 0:37:06.000
<v Speaker 1>thousands of people looking for I think it probably never

0:37:06.080 --> 0:37:08.759
<v Speaker 1>crossed her mind when she wandered away from her car. No,

0:37:09.760 --> 0:37:12.080
<v Speaker 1>and that I remember she was a very shy person,

0:37:12.520 --> 0:37:15.640
<v Speaker 1>so this all this attention was very very hard on her.

0:37:15.920 --> 0:37:18.440
<v Speaker 1>So the family just came up with this cover story

0:37:18.680 --> 0:37:22.000
<v Speaker 1>that she had amnesia, so didn't even bother asking, and

0:37:23.200 --> 0:37:26.200
<v Speaker 1>Archie and she stayed together for another year or so

0:37:26.560 --> 0:37:29.919
<v Speaker 1>and then their divorce finally became finalized in nineteen twenty eight.

0:37:30.719 --> 0:37:33.320
<v Speaker 2>Yeah, so she didn't even mention this in her autobiography,

0:37:33.360 --> 0:37:35.080
<v Speaker 2>which kind of says all you need to know about

0:37:35.080 --> 0:37:36.759
<v Speaker 2>how much she liked to talk about.

0:37:36.440 --> 0:37:39.520
<v Speaker 1>This, right, we should say there was one other thing

0:37:39.560 --> 0:37:42.319
<v Speaker 1>that did this too. It wasn't just Archie asking for

0:37:42.360 --> 0:37:45.040
<v Speaker 1>a divorce. He asked for a divorce a few months

0:37:45.040 --> 0:37:49.239
<v Speaker 1>after her mother died. And I getak, Christie's mother was

0:37:49.360 --> 0:37:52.279
<v Speaker 1>beloved to her. She worshiped her mother. She thought she

0:37:52.440 --> 0:37:55.520
<v Speaker 1>was wonderful. Her mother was the parent that was there

0:37:55.560 --> 0:37:57.439
<v Speaker 1>for her while she was a kid and raised her.

0:37:58.040 --> 0:37:59.920
<v Speaker 1>It was just a very interesting person, it sounds like.

0:38:00.040 --> 0:38:02.879
<v Speaker 1>So she died, Archie asks for a divorce a few

0:38:02.880 --> 0:38:07.360
<v Speaker 1>months later, and then this whole mysterious disappearance happened.

0:38:07.560 --> 0:38:08.000
<v Speaker 2>That's right.

0:38:08.160 --> 0:38:10.600
<v Speaker 1>And then one last thing I read that at the

0:38:10.600 --> 0:38:15.040
<v Speaker 1>Swan Hydro Hotel she was actually playing cards and chatting

0:38:15.080 --> 0:38:18.000
<v Speaker 1>with other guests about this mysterious disappearance that was in

0:38:18.040 --> 0:38:20.520
<v Speaker 1>all of the newspapers, and none of the other guests

0:38:20.600 --> 0:38:24.719
<v Speaker 1>recognized her. It was those band members that you mentioned. Interesting,

0:38:25.320 --> 0:38:27.560
<v Speaker 1>I thought so too, man. So that's everything I learned

0:38:27.560 --> 0:38:32.759
<v Speaker 1>from Unsolved Mysteries. Should we take a break finally?

0:38:33.040 --> 0:38:35.440
<v Speaker 2>All right, let's take our final break, and we'll talk

0:38:35.440 --> 0:39:00.840
<v Speaker 2>a little bit more about her later life and further success.

0:39:02.200 --> 0:39:04.640
<v Speaker 2>All right, So, it's in nineteen twenty eight. At this point,

0:39:05.280 --> 0:39:09.520
<v Speaker 2>she is freshly divorced. She kept that name because you know,

0:39:09.960 --> 0:39:12.399
<v Speaker 2>that's the name that made her famous, so it makes

0:39:12.400 --> 0:39:16.239
<v Speaker 2>a lot of sense. And she kept writing novels. She

0:39:16.360 --> 0:39:20.839
<v Speaker 2>traveled on the Orient Express to Bagdad. She got into archaeology,

0:39:21.040 --> 0:39:24.200
<v Speaker 2>just sort of a hobbyist, and made friends with a

0:39:24.239 --> 0:39:27.680
<v Speaker 2>couple who were archaeologists. Went to visit them in nineteen

0:39:27.719 --> 0:39:30.360
<v Speaker 2>thirty and on that trip met a man named Max

0:39:30.480 --> 0:39:35.280
<v Speaker 2>Malawan who was also an adventurer and an archaeologist thirteen

0:39:35.360 --> 0:39:38.120
<v Speaker 2>years younger, and they fell in love and got married,

0:39:38.160 --> 0:39:40.080
<v Speaker 2>which is a very very sweet story.

0:39:40.680 --> 0:39:43.840
<v Speaker 1>Yeah. Apparently he was giving her a tour of some

0:39:44.000 --> 0:39:48.719
<v Speaker 1>archaeological sites and he got the car stuck, and she, apparently,

0:39:48.800 --> 0:39:51.320
<v Speaker 1>he said later she made no fuss about it, didn't

0:39:51.320 --> 0:39:54.680
<v Speaker 1>blame him or anything like that, and he said, that's

0:39:54.680 --> 0:39:56.800
<v Speaker 1>about the time when I started to begin to realize

0:39:56.840 --> 0:40:00.520
<v Speaker 1>that you are wonderful. And so they got married, and

0:40:00.600 --> 0:40:03.000
<v Speaker 1>she said later on that the good thing about being

0:40:03.000 --> 0:40:05.399
<v Speaker 1>married to an archaeologist is that the older you get,

0:40:05.400 --> 0:40:10.880
<v Speaker 1>the more interested they become interesting. That's kind of cute.

0:40:11.120 --> 0:40:14.000
<v Speaker 2>So this is when Miss Marple comes along as a

0:40:14.840 --> 0:40:18.640
<v Speaker 2>detective in nineteen thirty with the Murder at the Vicarage.

0:40:19.080 --> 0:40:20.080
<v Speaker 1>That was our first one.

0:40:20.239 --> 0:40:23.040
<v Speaker 2>That was the first Miss Marple book, Okay. And then

0:40:23.320 --> 0:40:27.080
<v Speaker 2>she's traveling around, She's doing these archaeological digs and trips.

0:40:27.440 --> 0:40:30.919
<v Speaker 2>She's going to Syria and Iraq. She fell in love

0:40:30.920 --> 0:40:34.240
<v Speaker 2>with Syria and the Syrian people, and she's really cranking

0:40:34.280 --> 0:40:37.040
<v Speaker 2>out some big books at this point in the nineteen thirties.

0:40:37.239 --> 0:40:40.960
<v Speaker 1>That's why even on archaeological digs, Chuck, can you imagine

0:40:41.040 --> 0:40:43.480
<v Speaker 1>how uncomfortable it would be to sit and write for

0:40:43.640 --> 0:40:45.400
<v Speaker 1>hours in an archaeological site.

0:40:46.120 --> 0:40:46.560
<v Speaker 2>I can't.

0:40:47.400 --> 0:40:49.120
<v Speaker 1>It would be tough, I would think. And yet she

0:40:49.239 --> 0:40:51.160
<v Speaker 1>was still just as prolific as ever.

0:40:51.520 --> 0:40:54.080
<v Speaker 2>Yeah, books like Murder and Mesopotamia and Death on the

0:40:54.160 --> 0:40:56.640
<v Speaker 2>Nile and Murder on the Orient Express were all written

0:40:57.360 --> 0:41:00.520
<v Speaker 2>during this period, and this is what really can appulted

0:41:00.560 --> 0:41:03.400
<v Speaker 2>her into international superstardom as an author.

0:41:04.040 --> 0:41:09.640
<v Speaker 1>Right. So she and Max stayed together for I think

0:41:09.719 --> 0:41:14.840
<v Speaker 1>forty six years until her death. Actually yeah, I think, yeah,

0:41:14.880 --> 0:41:19.200
<v Speaker 1>she outlived him, so it's pretty sweet. But despite all

0:41:19.239 --> 0:41:23.880
<v Speaker 1>of this kind of adventure and archaeological digs and like

0:41:24.000 --> 0:41:29.280
<v Speaker 1>visits to the Middle East, most of her life from

0:41:29.320 --> 0:41:35.560
<v Speaker 1>that point on was in Devonshire, in this tiny little

0:41:35.600 --> 0:41:40.240
<v Speaker 1>area in the English countryside, in these the quaint little towns,

0:41:41.080 --> 0:41:44.800
<v Speaker 1>and she gardened and was very involved in local community theater.

0:41:45.120 --> 0:41:49.080
<v Speaker 1>That was her life. She was also one of the biggest,

0:41:50.000 --> 0:41:55.799
<v Speaker 1>most well known, most best selling writers of in the

0:41:55.840 --> 0:41:59.000
<v Speaker 1>world while she was alive, and yet that's what she did.

0:41:59.200 --> 0:42:02.239
<v Speaker 1>She hung out with community theater group in garden. It

0:42:02.280 --> 0:42:03.160
<v Speaker 1>was just her life.

0:42:03.400 --> 0:42:05.840
<v Speaker 2>Yeah. She got the Dame Commander of the Order of

0:42:05.840 --> 0:42:11.120
<v Speaker 2>the British Empire in nineteen seventy one, and the rights

0:42:11.120 --> 0:42:14.040
<v Speaker 2>to her novels were held by company that she created

0:42:14.040 --> 0:42:16.640
<v Speaker 2>for a long time, and then before she died she

0:42:16.800 --> 0:42:19.799
<v Speaker 2>sold part of that off and that's been sort of

0:42:20.040 --> 0:42:21.719
<v Speaker 2>bought and sold a bunch over the years, which is

0:42:21.800 --> 0:42:25.120
<v Speaker 2>kind of how that usually happens. But she did retain

0:42:25.360 --> 0:42:29.480
<v Speaker 2>enough of the company to have it be worth a

0:42:29.520 --> 0:42:32.520
<v Speaker 2>ton of money, which she passed down to her daughter.

0:42:32.600 --> 0:42:35.600
<v Speaker 2>Of course, as her only child. She sort of took

0:42:35.640 --> 0:42:38.440
<v Speaker 2>care of her mother's works for many many years and

0:42:38.520 --> 0:42:41.640
<v Speaker 2>then passed that on to her only child and named

0:42:41.680 --> 0:42:45.279
<v Speaker 2>Matthew Pritchard, who still holds these rights and still sort

0:42:45.280 --> 0:42:47.719
<v Speaker 2>of manages that today.

0:42:47.880 --> 0:42:53.240
<v Speaker 1>That's right. So everything turned out well for Matthew Prichard sounds.

0:42:52.920 --> 0:42:56.279
<v Speaker 2>Like, yeah, I wish my grandma was Actually I dunt

0:42:56.280 --> 0:42:58.640
<v Speaker 2>because I love my grandma, But sure would it have

0:42:58.719 --> 0:43:00.640
<v Speaker 2>killed her to be an internationally famous author.

0:43:01.320 --> 0:43:04.200
<v Speaker 1>No, it wouldn't, Chuck, and I'm glad we're finally talking

0:43:04.239 --> 0:43:07.160
<v Speaker 1>about it. Been an elephant in the room for a

0:43:07.280 --> 0:43:08.120
<v Speaker 1>very long time.

0:43:08.920 --> 0:43:10.840
<v Speaker 2>So she You know, a lot of these went on

0:43:10.880 --> 0:43:14.760
<v Speaker 2>to be very famous films, TV series. I think Murder

0:43:14.760 --> 0:43:17.400
<v Speaker 2>on the Orient Express has been a couple of big movies,

0:43:18.040 --> 0:43:20.120
<v Speaker 2>in fact, one a couple of years ago that I

0:43:20.160 --> 0:43:20.759
<v Speaker 2>have not seen.

0:43:21.760 --> 0:43:22.839
<v Speaker 1>It's unwatchable.

0:43:23.000 --> 0:43:23.759
<v Speaker 2>Oh was it really bad?

0:43:24.560 --> 0:43:26.680
<v Speaker 1>I'm sorry if you listened to this. Kenneth BROWNO. I

0:43:26.719 --> 0:43:28.600
<v Speaker 1>couldn't make it through the first five minutes.

0:43:28.760 --> 0:43:30.080
<v Speaker 2>Oh wow, it was.

0:43:30.480 --> 0:43:31.200
<v Speaker 1>I didn't like it.

0:43:31.280 --> 0:43:32.480
<v Speaker 2>Okay. Is that all you know?

0:43:32.560 --> 0:43:36.520
<v Speaker 1>I love? Yes? Okay, So that's my report is on

0:43:36.560 --> 0:43:37.680
<v Speaker 1>the first five minutes.

0:43:39.080 --> 0:43:42.200
<v Speaker 2>She very famously has a play called The mouse Trap,

0:43:42.800 --> 0:43:46.080
<v Speaker 2>which is debuted the West End in nineteen fifty two,

0:43:46.600 --> 0:43:48.840
<v Speaker 2>and it is the longest running play in the history

0:43:48.880 --> 0:43:51.040
<v Speaker 2>of the West End, which is remarkable.

0:43:51.560 --> 0:43:54.360
<v Speaker 1>Yeah, and to make that even sweeter, remember her sister

0:43:54.480 --> 0:43:58.520
<v Speaker 1>who said that she probably couldn't write a mystery novel. Well,

0:43:58.560 --> 0:44:02.000
<v Speaker 1>her sister was the first in the family to get

0:44:02.000 --> 0:44:04.480
<v Speaker 1>a play produced on the West End, but it certainly

0:44:04.520 --> 0:44:07.239
<v Speaker 1>wasn't the longest running play on the West End of

0:44:07.280 --> 0:44:09.440
<v Speaker 1>all time. So she got her back doubly so.

0:44:09.719 --> 0:44:11.600
<v Speaker 2>And then she was hit by a train and Agatha

0:44:11.640 --> 0:44:12.799
<v Speaker 2>Christie laughed and.

0:44:12.800 --> 0:44:14.960
<v Speaker 1>Laughed and poisoned her corpse.

0:44:16.239 --> 0:44:18.600
<v Speaker 2>So we need to talk a little bit here at

0:44:18.600 --> 0:44:22.879
<v Speaker 2>the end. We always like to give everyone's give everyone

0:44:22.920 --> 0:44:25.000
<v Speaker 2>the accolades they deserve, but also point out some of

0:44:25.040 --> 0:44:27.160
<v Speaker 2>the things that weren't so great. We don't want to

0:44:27.160 --> 0:44:30.440
<v Speaker 2>whitewash anything. And she used a lot of kind of

0:44:32.080 --> 0:44:36.440
<v Speaker 2>racially insensitive language some would call anti Semitic at times

0:44:36.480 --> 0:44:42.239
<v Speaker 2>anti Catholic through parts of her career, such that the

0:44:42.280 --> 0:44:45.640
<v Speaker 2>Anti Defamation League complained to her agent at one point,

0:44:46.280 --> 0:44:49.360
<v Speaker 2>and because of that, American publishers were given the ability

0:44:49.400 --> 0:44:51.560
<v Speaker 2>to change that stuff out sort of at.

0:44:51.400 --> 0:44:55.680
<v Speaker 1>Will, without any notice given to her. She just she

0:44:55.719 --> 0:44:58.520
<v Speaker 1>didn't know this was going on at all. Yeah, we

0:44:58.680 --> 0:45:01.520
<v Speaker 1>just were like, I don't think the Americans are going

0:45:01.600 --> 0:45:03.680
<v Speaker 1>to go for this. The Brits can barely stand it.

0:45:03.840 --> 0:45:05.959
<v Speaker 1>The Americans definitely aren't going to take this well.

0:45:06.160 --> 0:45:07.719
<v Speaker 2>Yeah, and I read a lot about this, and there

0:45:07.719 --> 0:45:12.359
<v Speaker 2>are different takes. One take is that the old you know,

0:45:12.480 --> 0:45:14.640
<v Speaker 2>she was a product of her time, thing, which people

0:45:15.840 --> 0:45:19.600
<v Speaker 2>you know rightfully point out. Another is that oftentimes she's

0:45:19.760 --> 0:45:25.640
<v Speaker 2>doing this to show characters are sort of underdeveloped as

0:45:25.680 --> 0:45:30.640
<v Speaker 2>humans and sort of backward. So there's that as well.

0:45:30.680 --> 0:45:33.080
<v Speaker 2>But you also can't dance around the fact that she

0:45:33.200 --> 0:45:37.960
<v Speaker 2>did use some pretty bad words, and you know, we just.

0:45:37.880 --> 0:45:40.399
<v Speaker 1>Got were bad stuff out and they were bad even

0:45:40.440 --> 0:45:43.040
<v Speaker 1>at the time. Yeah, like that it wasn't. Yes, you

0:45:43.120 --> 0:45:45.080
<v Speaker 1>can say, like, yeah, a lot of people had different

0:45:45.080 --> 0:45:50.360
<v Speaker 1>social attitudes toward race and racism, and in that sense,

0:45:50.360 --> 0:45:53.160
<v Speaker 1>she wasn't that much different. But there were cases where

0:45:53.200 --> 0:45:58.120
<v Speaker 1>she was standing well outside of the norm, including in

0:45:58.200 --> 0:46:02.560
<v Speaker 1>book titles and care characters and things like that. And

0:46:03.120 --> 0:46:05.840
<v Speaker 1>one book in particular, and then there were none was

0:46:05.880 --> 0:46:09.200
<v Speaker 1>revised many many times, not just in the US but

0:46:09.239 --> 0:46:13.040
<v Speaker 1>in Great Britain as well. And it's remarkable in that sense.

0:46:13.640 --> 0:46:16.040
<v Speaker 1>But in another sense, it is also remarkable in that

0:46:16.160 --> 0:46:20.719
<v Speaker 1>it's considered pretty widely to have given birth to the

0:46:20.840 --> 0:46:22.240
<v Speaker 1>slasher film genre.

0:46:22.600 --> 0:46:26.200
<v Speaker 2>Did you know that I didn't until my bred d say.

0:46:26.080 --> 0:46:28.720
<v Speaker 1>It, I yeah, I look this up a little more

0:46:29.200 --> 0:46:32.799
<v Speaker 1>and on its own, and then there were none. The

0:46:32.840 --> 0:46:36.560
<v Speaker 1>book ends Sorry for the spoiler, everybody, but it ends

0:46:36.600 --> 0:46:39.120
<v Speaker 1>with I think all of the suspects killing one another

0:46:40.920 --> 0:46:44.640
<v Speaker 1>and everyone dies. In the stage adaptation of the play

0:46:44.640 --> 0:46:49.560
<v Speaker 1>that she helped write, The Final Girl, a female character

0:46:49.640 --> 0:46:54.040
<v Speaker 1>is left alive and has out done the murderer who's

0:46:54.080 --> 0:46:56.480
<v Speaker 1>come to get her, which is, you know, for the

0:46:56.520 --> 0:46:59.799
<v Speaker 1>formula for any slasher film whatsoever. But there's a bunch

0:46:59.840 --> 0:47:02.200
<v Speaker 1>of other elements in there too, and they're like, you know,

0:47:02.239 --> 0:47:05.719
<v Speaker 1>even on like horror fan Wikis, they point to that

0:47:05.840 --> 0:47:08.719
<v Speaker 1>as like the genuine birth even more than Psycho of

0:47:08.800 --> 0:47:10.160
<v Speaker 1>the slasher film genre.

0:47:10.360 --> 0:47:10.520
<v Speaker 2>Oh.

0:47:10.560 --> 0:47:13.600
<v Speaker 1>Interesting, Yeah, it is pretty interesting. Who would have ever

0:47:13.640 --> 0:47:17.680
<v Speaker 1>thought that. I guess Christie, with her non violence and

0:47:17.719 --> 0:47:20.960
<v Speaker 1>poison and occasional racism, would have been the one to

0:47:21.360 --> 0:47:22.800
<v Speaker 1>birth the slasher.

0:47:22.360 --> 0:47:25.160
<v Speaker 2>Film occasional racism. Yeah, and a lot of the racist stuff,

0:47:25.200 --> 0:47:28.480
<v Speaker 2>just to put a final pin on that was a

0:47:28.480 --> 0:47:31.719
<v Speaker 2>lot of it was character descriptions, which can be some

0:47:31.800 --> 0:47:35.400
<v Speaker 2>of the ugliest kinds of stuff like that, because it

0:47:35.440 --> 0:47:39.160
<v Speaker 2>wasn't just like talking about philosophies. It was just like

0:47:39.280 --> 0:47:43.279
<v Speaker 2>literally physically describing a character. Sometimes she would use some

0:47:43.320 --> 0:47:45.160
<v Speaker 2>pretty derogatory language.

0:47:45.520 --> 0:47:49.880
<v Speaker 1>Yeah. So again, it's a bit like exploring Elizabeth Blackwell

0:47:49.920 --> 0:47:53.799
<v Speaker 1>or any historical characters. Always weird little bugs under the

0:47:53.880 --> 0:47:55.080
<v Speaker 1>rocks you turn over. You know.

0:47:55.360 --> 0:47:58.719
<v Speaker 2>I'm glad we're doing our great work in the time

0:47:58.760 --> 0:48:02.000
<v Speaker 2>of wokeness, right, exactly. No, one can never go back.

0:48:02.040 --> 0:48:03.600
<v Speaker 2>I mean we've made missed ups here and there, but

0:48:03.640 --> 0:48:05.719
<v Speaker 2>they can't go back and talk about when Josh and

0:48:05.760 --> 0:48:07.280
<v Speaker 2>Chuck were big racists at the beginning.

0:48:07.960 --> 0:48:11.160
<v Speaker 1>Yeah, no, it's true. But just wait for twenty years

0:48:11.160 --> 0:48:12.879
<v Speaker 1>from now, they'll be like, I can't believe they talk

0:48:12.960 --> 0:48:16.080
<v Speaker 1>about those guys were ageous bastards, you know.

0:48:16.400 --> 0:48:16.800
<v Speaker 2>Probably.

0:48:16.840 --> 0:48:19.480
<v Speaker 1>So there's one other thing I want to say too.

0:48:19.600 --> 0:48:23.760
<v Speaker 1>So when she lived through World War Two, Agatha Christie

0:48:23.960 --> 0:48:26.080
<v Speaker 1>was worried that she was going to die in the

0:48:26.120 --> 0:48:30.400
<v Speaker 1>bombing blitz of Great Britain, and she really wanted Hercule

0:48:30.480 --> 0:48:34.160
<v Speaker 1>poi Row and Jane Marple's to have a final case,

0:48:34.680 --> 0:48:38.080
<v Speaker 1>so she wrote a book for each of them. One

0:48:38.160 --> 0:48:41.239
<v Speaker 1>is called Curtain that's Paul Roe's final book, and the

0:48:41.280 --> 0:48:45.759
<v Speaker 1>other is Sleeping Murder that is Marple's final case, and

0:48:46.800 --> 0:48:48.759
<v Speaker 1>It just kind of explains what happens to them. I

0:48:48.840 --> 0:48:53.839
<v Speaker 1>believe poor Rowe dies and Marple just retires. But when

0:48:53.920 --> 0:48:55.680
<v Speaker 1>she survived World War Two, she was like, well, I

0:48:55.680 --> 0:48:58.000
<v Speaker 1>don't I'm not ready for these guys to be retired yet.

0:48:58.120 --> 0:49:01.360
<v Speaker 1>So she kept those books and had them posthumously published,

0:49:01.360 --> 0:49:04.439
<v Speaker 1>and they were in the seventies. And when Hercule poil

0:49:04.520 --> 0:49:08.000
<v Speaker 1>rose last book came out and he died, the New

0:49:08.080 --> 0:49:11.040
<v Speaker 1>York Times ran a front page obituary for him, the

0:49:11.080 --> 0:49:15.160
<v Speaker 1>only fictional character to have that honor bestowed on them.

0:49:15.640 --> 0:49:17.239
<v Speaker 2>That's crazy, isn't it?

0:49:17.480 --> 0:49:17.680
<v Speaker 1>Yeah?

0:49:17.719 --> 0:49:21.560
<v Speaker 2>And also a very cool good idea to write those

0:49:21.560 --> 0:49:25.280
<v Speaker 2>books early on, just in case, because you never know. Yeah,

0:49:25.320 --> 0:49:29.040
<v Speaker 2>besides the bombing thing. I mean, she could walk off

0:49:29.040 --> 0:49:31.520
<v Speaker 2>a ledge or get hit by a bus, or die

0:49:31.560 --> 0:49:33.759
<v Speaker 2>of natural causes early, like you never know, and then

0:49:33.760 --> 0:49:37.640
<v Speaker 2>you've got this legacy cemented. Right, pretty smart?

0:49:38.239 --> 0:49:40.000
<v Speaker 1>Have you ever seen one last thing? I've ever seen

0:49:40.080 --> 0:49:42.600
<v Speaker 1>murdered by death? I know, I've asked you before.

0:49:43.280 --> 0:49:45.200
<v Speaker 2>I have that DVD sitting on my desk.

0:49:45.680 --> 0:49:48.280
<v Speaker 1>Well, that's amazing that you have that on your desk,

0:49:48.400 --> 0:49:50.879
<v Speaker 1>and you wait, is it on your desk at work?

0:49:51.560 --> 0:49:54.200
<v Speaker 2>It is the wrong place.

0:49:54.520 --> 0:49:56.399
<v Speaker 1>I was going to say, watch it tonight, but don't

0:49:56.440 --> 0:50:00.879
<v Speaker 1>watch it tonight. Wait until everything clear that you're gonna

0:50:00.920 --> 0:50:03.640
<v Speaker 1>love it. No, it's a spoof actually of detective books

0:50:03.960 --> 0:50:07.400
<v Speaker 1>of like Charlie Chan and Agatha Christie and Sam Spade

0:50:07.400 --> 0:50:10.400
<v Speaker 1>and all that that she helped, you know, kind of create.

0:50:10.560 --> 0:50:15.200
<v Speaker 1>But it's actually like a complaint from fans of mystery mysteries.

0:50:15.640 --> 0:50:18.920
<v Speaker 1>It's just a wonderful book. Truman movie, Truman, Capote's in it,

0:50:19.120 --> 0:50:26.400
<v Speaker 1>David Niven, Peter Peter Falkah, a lot of people. James

0:50:27.160 --> 0:50:31.040
<v Speaker 1>Cromwell as a younger man. Oh yeah, James Coco is,

0:50:31.080 --> 0:50:33.399
<v Speaker 1>Hercule poil Row. It's just great. You're gonna love it, man.

0:50:33.920 --> 0:50:35.480
<v Speaker 2>So I guess we should say that she did die

0:50:35.520 --> 0:50:38.879
<v Speaker 2>eventually five years or three years after I met her

0:50:39.600 --> 0:50:42.439
<v Speaker 2>in nineteen seventy six, at the age of eighty five,

0:50:43.080 --> 0:50:47.239
<v Speaker 2>at her home in Oxfordshire or Oxfordshire, and it was

0:50:47.320 --> 0:50:48.720
<v Speaker 2>natural causes, not poison.

0:50:49.520 --> 0:50:53.320
<v Speaker 1>No. Her last words were good to meet you, Chuck,

0:50:55.840 --> 0:50:56.640
<v Speaker 1>you got anything else?

0:50:57.040 --> 0:50:58.719
<v Speaker 2>I do not have anything else?

0:50:59.160 --> 0:51:01.680
<v Speaker 1>Well, friends, that is Agatha Christie. If you want to

0:51:01.719 --> 0:51:03.799
<v Speaker 1>know more about it, the Christie, go start reading. I

0:51:03.840 --> 0:51:06.280
<v Speaker 1>get the Christie books. And since I said Agatha Christie

0:51:06.280 --> 0:51:10.440
<v Speaker 1>like three or four times, it's time for a listener mate.

0:51:11.719 --> 0:51:14.560
<v Speaker 2>All right, I'm gonna call this a letter from a kid,

0:51:14.600 --> 0:51:18.360
<v Speaker 2>because we love reading these letters from kids. Hey, guys,

0:51:18.880 --> 0:51:21.000
<v Speaker 2>I've been listening to your podcast for about eight months now,

0:51:21.040 --> 0:51:23.600
<v Speaker 2>and I'd like to say I am a huge fan. Uh.

0:51:23.760 --> 0:51:25.120
<v Speaker 2>This is Emmett. He's ten years old.

0:51:25.520 --> 0:51:26.760
<v Speaker 1>Oh yeah, I love this email.

0:51:27.040 --> 0:51:29.000
<v Speaker 2>My dad is even more of a fan of you

0:51:29.040 --> 0:51:31.400
<v Speaker 2>guys than me, and he told me about your podcast.

0:51:31.960 --> 0:51:34.560
<v Speaker 2>I am a huge fan of the Atlanta Falcons and

0:51:34.640 --> 0:51:37.600
<v Speaker 2>pretty much everything Atlanta related, including your podcast, which is

0:51:37.640 --> 0:51:42.719
<v Speaker 2>weird because I live in Iowa. I love it.

0:51:42.719 --> 0:51:44.680
<v Speaker 1>It is a little weird, though, amit. You're right? I

0:51:44.719 --> 0:51:46.359
<v Speaker 1>love how self aware this guy is.

0:51:46.400 --> 0:51:48.080
<v Speaker 2>I think you know, when you grow up in a

0:51:48.080 --> 0:51:52.560
<v Speaker 2>place like Iowa with no professional sports, you you know

0:51:52.640 --> 0:51:53.960
<v Speaker 2>you do that thing where you just pick out a

0:51:54.000 --> 0:51:54.720
<v Speaker 2>team in a city.

0:51:55.239 --> 0:51:57.560
<v Speaker 1>Yeah, you're like the Bay City Rollers. You throw a

0:51:57.719 --> 0:51:59.440
<v Speaker 1>dart at a map and go with it.

0:51:59.680 --> 0:52:02.719
<v Speaker 2>That's right. Now, I'm really worried there's a professional team

0:52:02.760 --> 0:52:03.960
<v Speaker 2>in Iowa. But there is not.

0:52:04.440 --> 0:52:07.520
<v Speaker 1>There is not, There are none, right, No need to

0:52:07.560 --> 0:52:08.279
<v Speaker 1>double check that.

0:52:10.040 --> 0:52:12.160
<v Speaker 2>I've been listening to your podcast a ton during this

0:52:12.320 --> 0:52:15.320
<v Speaker 2>coronavirus outbreak to keep me from going crazy, and it's worked.

0:52:15.760 --> 0:52:18.200
<v Speaker 2>My birthday is actually coming up, so I'll not be

0:52:18.239 --> 0:52:20.480
<v Speaker 2>able to see my friends or even have a party.

0:52:20.880 --> 0:52:23.279
<v Speaker 2>It would be totally awesome and make my year if

0:52:23.320 --> 0:52:25.640
<v Speaker 2>you said happy birthday to me. But I want to

0:52:25.640 --> 0:52:27.080
<v Speaker 2>bet you won't read this on the air.

0:52:27.640 --> 0:52:30.080
<v Speaker 1>That's some fine reverse psychology right there.

0:52:30.120 --> 0:52:33.560
<v Speaker 2>Well played, Emmitt. I love your grass podcast, and last

0:52:33.640 --> 0:52:36.759
<v Speaker 2>year me and my best friend Oliver started a long

0:52:36.800 --> 0:52:39.880
<v Speaker 2>care business and I made enough money to buy Beats

0:52:39.880 --> 0:52:42.000
<v Speaker 2>headphones to listen to your podcast on.

0:52:42.680 --> 0:52:44.120
<v Speaker 1>That is full circle right there.

0:52:44.120 --> 0:52:46.120
<v Speaker 2>That's right, he says. I may ture to wrap this

0:52:46.200 --> 0:52:47.799
<v Speaker 2>letter up and spank it all the bottom before I

0:52:47.840 --> 0:52:53.200
<v Speaker 2>sent it, so happy happy big I guess eleventh birthday, Emmet,

0:52:53.719 --> 0:52:58.160
<v Speaker 2>best to your dad, Hello Oliver and everyone there in Atlanta, Iowa.

0:52:59.000 --> 0:53:05.000
<v Speaker 1>Yeah, happy birthday, Emit. That reverse psychology worked. Man. If

0:53:05.040 --> 0:53:06.960
<v Speaker 1>you want to get in touch with us like Emmett did,

0:53:07.600 --> 0:53:09.480
<v Speaker 1>and see if I'll wish you a happy birthday, I'll

0:53:09.480 --> 0:53:12.880
<v Speaker 1>bet we won't. But who can tell them these crazy times?

0:53:13.440 --> 0:53:16.400
<v Speaker 1>You can get in touch with us via email. Wrap

0:53:16.440 --> 0:53:19.239
<v Speaker 1>it up? Spank it on the bottom and send it

0:53:19.280 --> 0:53:25.840
<v Speaker 1>off to stuff podcast at iHeartRadio dot com.

0:53:27.600 --> 0:53:30.480
<v Speaker 2>Stuff you Should Know is a production of iHeartRadio. For

0:53:30.560 --> 0:53:34.759
<v Speaker 2>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:53:34.880 --> 0:53:36.720
<v Speaker 2>or wherever you listen to your favorite shows.