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Speaker 1: Donald. I'm very excited today.

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Speaker 2: I'm very excited today too.

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Speaker 3: Listen, man, hold on, before we get it started and

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Speaker 3: before we get into this. I'm so happy with all

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Speaker 3: of the press that we're getting and all of the

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Speaker 3: people that are listening.

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Speaker 2: To us and stuff.

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Speaker 1: Thank you for listeners of tuning in.

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Speaker 2: This is really amazing.

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Speaker 1: We certainly weren't expecting it to We just did press

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Speaker 1: to Australia. We certainly weren't expecting this kind of reaction.

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Speaker 2: Not at all.

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Speaker 3: And I did some press for Emergence today and they

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Speaker 3: wanted to talk about the podcast. Yes, and it was

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Speaker 3: overseas though like in the UK and stuff. I guess

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Speaker 3: are we playing in the UK?

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Speaker 2: Is this true?

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Speaker 1: All over the globe? You can listen to this In

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Speaker 1: Stad you can listen.

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Speaker 2: Can you really listen to it?

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Speaker 1: And stod Yes, if you have a computer you can

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Speaker 1: listen to us.

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Speaker 3: As long as you have iHeart. Wherever you get your podcasts,

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Speaker 3: you can hear us. A very sponsor our plug is iHeart,

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Speaker 3: so big shout out to iHeart.

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Speaker 1: I don't have it. We don't have a sponsor yet

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Speaker 1: really yet we will, I guess. But I just want

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Speaker 1: to say that Red Bull if you want to sponsor us,

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Speaker 1: you should, because I just drank a full one and

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Speaker 1: I am so hyped up right now. I'm so thrilled

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Speaker 1: about our guest.

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Speaker 2: So am I I'm very excited about who we have

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Speaker 2: on the show.

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Speaker 1: But first we should sing, Donald, let's.

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Speaker 2: Get into it, bosh six seven stories.

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Speaker 1: I'm that show we made about a bunch of dogs

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Speaker 1: and nurses.

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Speaker 2: Here's the stories natural.

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Speaker 1: So YadA, YadA, all right now. You might know her

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Speaker 1: as America's favorite Canadian. You might know her as second Becky.

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Speaker 1: You might know her as the beautiful blonde that starred

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Speaker 1: on the show Scrubs for many years. Go ahead, Donald,

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Speaker 1: do you do the intro?

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Speaker 2: Ladies and gentlemen, boys and girls, cats, dogs, whatever you

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Speaker 2: may be, Please welcome to the show. The one and only.

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Speaker 1: Sarah Shaw Sarah Hi, Hi, Sara. Don't worry. We'll add

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Speaker 1: thunderous applause.

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Speaker 2: It'll sound like you walked into a stadium.

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Speaker 1: Yeah, Dan, can you add thunderous applause? Thank you all

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Speaker 1: right here, Sarah chalk Hi, Sarah.

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Speaker 4: I even didn't know where to talk because I didn't

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Speaker 4: hear the thunder supplies. I thought maybe I was just

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Speaker 4: getting a glitch in these fancy headphones. Can I see

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Speaker 4: you guys? Like, right now, I'm staring at the garage

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Speaker 4: band screen? Can I make it small so I can

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Speaker 4: see you guys.

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Speaker 2: You got to do is click back on zoom.

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Speaker 4: So so Dan, can I make Can I hit the

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Speaker 4: yellow button and make garage bands small?

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Speaker 2: I'm just gonna put it out there. You ruined our introduction.

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Speaker 1: No, I don't want to edit it out. Dan, listen. No,

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Speaker 1: now that Sarah's ruined the magic, I want the fans

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Speaker 1: to know that we've been on We've been on zoom

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Speaker 1: for a half hour. While Sarah was getting technical supported.

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Speaker 1: Sarah literally had Sarah had a technical intervention with our editor.

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Speaker 1: She was like, how do you start your laptop?

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Speaker 4: And yet I've still I felt I've never felt more

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Speaker 4: proud are you than I do in this moment, because okay,

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Speaker 4: I just want to successfully. Jean Michelle is gonna edit

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Speaker 4: this out. Just give me one second. I'm gonna hit

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Speaker 4: the yellow button in the corner, Dan and minimize garage

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Speaker 4: band so I can see Zach and Donald.

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Speaker 1: I do it.

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Speaker 2: Just do it. You don't even have to ask.

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Speaker 1: I'm worried that Sarah's gonna call Dan for other technical

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Speaker 1: help in her life. She's gonna be like, hey Dan,

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Speaker 1: I'm wi FI signal.

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Speaker 4: I have dan Zy mail.

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Speaker 1: Special.

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Speaker 2: How are you, Sarah?

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Speaker 4: I'm good, guys. I miss you. I miss you, and

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Speaker 4: now seeing you on this zoom is making me miss

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Speaker 4: you more weird.

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Speaker 1: Where are you quarantining in Canada? I imagine, so I'm quarantining.

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Speaker 4: I'm quarantining Canada. My sister and I have decided to

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Speaker 4: quarantine our families together, so we have communally six children,

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Speaker 4: three dogs, and a cat. Wow.

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Speaker 2: Wow, How are you doing school? How's school going?

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Speaker 4: School is interesting? School is basic. We have children between

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Speaker 4: the ages of three and sixteen, so we'd only have

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Speaker 4: so many screens and so much bandwidth to attend different

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Speaker 4: online classes. So we've been kind of doing some of

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Speaker 4: that and then some group classes. My sister is a lawyer,

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Speaker 4: so she's teaching law, so like really right things like

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Speaker 4: you know, lessons on the Rights of the Child, the

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Speaker 4: United Nations Convention on the Rights of the Child. Next

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Speaker 4: week's the Constitution, and I do equally important things like

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Speaker 4: give them cartoons sides and they audition for cartoons.

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Speaker 1: That's you could give them a scene from Rick and

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Speaker 1: Morty and you guys could all play parts.

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Speaker 4: We have actually we've done we've done some cartoons. We

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Speaker 4: haven't reached Rick and Morty yet because that's not appropriate

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Speaker 4: for the four year old, right and as it's sort

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Speaker 4: of you know, tight quarters, we haven't gotten there yet.

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Speaker 4: But yeah, it's it's pretty nuts. I mean, we're all

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Speaker 4: quarantined together. I'm the designated grocery shopper, probably because of

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Speaker 4: all my OCD tendencies. So I feel like that's the

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Speaker 4: most harrowing experience in my life right now, which is, uh,

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Speaker 4: you know, I go to the grocery store. I have

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Speaker 4: my own you know, version of Ppe, which is like

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Speaker 4: rating the drama eight prop spin. So I have like

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Speaker 4: a tuk and sunglasses and I, you know, just put

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Speaker 4: my hoodie up and gloves on.

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Speaker 1: For you Canadians, is a hat?

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Speaker 4: It's a hat.

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Speaker 2: Yes, I'm I'm gonna say what.

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Speaker 1: Is the Sarah? If you wouldn't mind translating your canadianisms

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Speaker 1: as we go through the podcast. There are some non

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Speaker 1: Canadians listening listen.

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Speaker 4: Yes, the main the main ones really are to Garbrator,

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Speaker 4: Parkade and Seawalls.

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Speaker 1: What's a Garbarerator? Oh, the garbage disposal.

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Speaker 4: The garbage disposal got it, yeah, which happened to be

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Speaker 4: the first thing that broke when I went when I

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Speaker 4: came to Los Angeles and the landlord did not understand me.

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Speaker 1: At a park is a parkade a parking parking structure.

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Speaker 4: Your Canadians is doing very well. You've been studying.

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Speaker 1: I'm just guessing. I'm playing a game called guest the

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Speaker 1: Canadian expression. Are there any other.

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Speaker 4: Parcade? Seawall?

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Speaker 1: What's a seawall? The obvious? And then you have that

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Speaker 1: thing with the gravy and fries. What's that called? But

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Speaker 1: that's maybe the temine Okay, I know about poutine.

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Speaker 4: Yeah, it's the gravy and the cheese curds on top

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Speaker 4: of the of the fries.

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Speaker 1: It's just fries, but they take great pride in it

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Speaker 1: in Canada.

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Speaker 4: How is your guys quarantine going?

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Speaker 2: Oh it's amazing that Sorry, how much time do you spend?

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Speaker 1: Donald out in that closet. Donald tells his family that

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Speaker 1: he's recording the podcast. Donald's family thinks he records the

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Speaker 1: podcast every day and he's in the closet, But meanwhile,

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Speaker 1: we do it a week.

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Speaker 2: Yeah.

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Speaker 3: My wife keeps asking, like yo, how come when is

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Speaker 3: the next episode coming out?

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Speaker 2: You record so many of.

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Speaker 4: Them, You're banking soon.

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Speaker 1: Things that Donald records, like four podcasts a day in there.

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Speaker 2: Well, I definitely do a lot of press. I'll be like,

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Speaker 2: I'm doing so much press right now.

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Speaker 1: You should set up you should set up your your

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Speaker 1: your PlayStation in there. Donald.

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Speaker 2: I just don't know how I get the TV in here.

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Speaker 2: That's the problem.

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Speaker 4: Dan danos, Dan Danos, he knows Dan could hook it up.

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Speaker 4: Dann do it Dan really quickly. It says, Zoom would

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Speaker 4: like to record the computer screen. Grant access to this

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Speaker 4: application in security privacy preferences.

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Speaker 2: No, no, no, no, no, you don't want to record this, Sarah.

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Speaker 1: Dan is out. He's not He's not there for your

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Speaker 1: technical needs.

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Speaker 2: Okay, so let's get into it.

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Speaker 1: Let's get in the wait. Before we get into the episode, Sarah,

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Speaker 1: Donald and I have done this a few episodes now,

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Speaker 1: and now that we have you, we wanted to ask

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Speaker 1: you tell us about your casting process because as I remember,

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Speaker 1: you were coming off of Roseam, you were doing that

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Speaker 1: particularly unique thing where you had replaced the Becky that

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Speaker 1: was years before.

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Speaker 4: It wasn't yeah, it was I was like seventeen eighteen,

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Speaker 4: nineteen twenty when that happened, so four years before.

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Speaker 1: And uh And by the way, I was thinking as

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Speaker 1: as I was preparing for this, because Sarah, I do

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Speaker 1: a lot of research. I get really into this now.

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Speaker 1: By the way, I found for you Scrubs fans out

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Speaker 1: there and for us, I found a website called Scrubs

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Speaker 1: Wiki wiki where it has like everything you ever want

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Speaker 1: to know about Scrubs. Like I'm like, literally, whoever made that?

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Speaker 2: Well, it doesn't have everything.

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Speaker 1: It doesn't have us, No, it doesn't have us, but

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Speaker 1: it has a lot of It has a lot of

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Speaker 1: insightful information.

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Speaker 3: And I feel like I feel like they should not

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Speaker 3: go to wiki Scrubs wiki.

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Speaker 1: Yeah, but it has like it literally has like these

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Speaker 1: are the fantasies in the episode. These are the girls

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Speaker 1: name JD was called these are It's like all break

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Speaker 1: broken down. Someone put a lot of work into it.

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Speaker 1: Donal give them a shout out.

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Speaker 3: Shout out to you for putting all that work in,

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Speaker 3: But we got it from here.

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Speaker 1: Oh my god, Donald's jealous. All right, listen, Donald, you guys.

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Speaker 1: Before I was thinking about Sarah and I was saying,

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Speaker 1: is there another example other than Roseanne where they just

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Speaker 1: replaced the actress and had them play the same character.

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Speaker 1: And I she witched Witched, and was he still was

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Speaker 1: he just a different Darren?

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Speaker 4: Yeah? I think they just flipped him out, flipped him out.

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Speaker 1: Tell just briefly about that, because I thought it's a

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Speaker 1: very unique thing, and you've told me and Donald and

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Speaker 1: I just wanted if you could just talk about what

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Speaker 1: that was like really quickly because I think it's so interesting.

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Speaker 4: Yeah. I mean I was sixteen when I auditioned, and

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Speaker 4: it was Glenn Quinn, the guy who played my husband Mark.

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Speaker 4: The audition was with him and he just made out

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Speaker 4: with seven girls. We were all dressed exactly the same

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Speaker 4: and matching pink shirts, and the whole scene was this

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Speaker 4: like makeout scene where he's like baby baby cam here,

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Speaker 4: and I'm like, get a job at the gas station,

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Speaker 4: Get a job at the gas station. He's like baby

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Speaker 4: baby cam here. And it was literally like every other

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Speaker 4: actress that was auditioning was like twenty two living in

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Speaker 4: Los Angeles. I flew in, they flew me in for

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Speaker 4: the night to go and read, and I just remember

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Speaker 4: I was sixteen, he was twenty four and just thinking

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Speaker 4: he is so handsome. How am I going to remember

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Speaker 4: one line? And they said, we'll let you know in

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Speaker 4: a couple of days. And then they called back and

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Speaker 4: they were like, Okay, come back tomorrow and read with Roseanne.

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Speaker 4: Then I did, and then Tom Arnold called me at

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Speaker 4: home a few days later, and he was trying to

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Speaker 4: feel out whether I was going to leave the show

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Speaker 4: to go to college, because I was younger then and

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Speaker 4: still you know, at an age where I would do that.

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Speaker 4: And Sarah Gilbert at the time had left to go

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Speaker 4: to Gaale and she was flying back to do episodes,

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Speaker 4: and Lacy had left to go to Vassar, and so

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Speaker 4: I knew right away that that's what he was asked.

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Speaker 4: I could tell that's what he was getting at.

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Speaker 1: Oh, you were probably not allowed to do that, right,

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Speaker 1: So he was sort of tiptoeing around.

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Speaker 3: Right, baby, don't you call what happened?

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Speaker 4: Probably yes? So then I said I was like, no, no, college, gross,

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Speaker 4: absolutely not. And I knew I would go to college,

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Speaker 4: but it was the rosi Ane was a big opportunity

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Speaker 4: for me, and I knew that.

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Speaker 1: You knew you weren't going to lose the job over it.

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Speaker 4: So you're like college, college, bombit and I I just

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Speaker 4: did it on the side, and so, uh so I

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Speaker 4: got the job. But the craziest part of the story

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Speaker 4: that I actually I hadn't remembered and we were talking

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Speaker 4: about recently, was they called me and told me I

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Speaker 4: had the job. And I went to a party that night.

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Speaker 4: So I'm to this like little high school in Canada

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Speaker 4: and I get this phone call that I was going

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Speaker 4: to replace Becky, and I told a couple people and

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Speaker 4: it spread around our high school pretty fast. It sounded

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Speaker 4: like a lie. I mean, it doesn't like I'm going

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Speaker 4: to replace Becky on the Roseanne Show. The Roseann Show

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Speaker 4: was the number one show at the time. It sounded fake.

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Speaker 4: And then I get a call the following week and

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Speaker 4: it was the Roseanne Show saying, we're getting cold feet

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Speaker 4: about recasting Becky, so we don't know if we're going

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Speaker 4: to do it. So we're going to hold you for

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Speaker 4: four months. We're going to give you ten grand to

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Speaker 4: hold you. So, first of all, I'd never heard of

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Speaker 4: money like ten thousand dollars. I thought to do nothing

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Speaker 4: like just to sit here for four months while you

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Speaker 4: make a decision. And then the other half of me thought,

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Speaker 4: like my ass is grass at high school, like they're

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Speaker 4: going to tell me in four months if we're actually

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Speaker 4: going to do this. So I had to kind of wait.

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Speaker 1: You should have brought that money, Sa, You should have

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Speaker 1: brought that money to school and just fanned it out.

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Speaker 1: They got me a hold wasn't live. For those of

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Speaker 1: you who don't know, this is called a holding deal.

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Speaker 2: Right, this is a holding feat.

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Speaker 1: Excuse me when I fan my face with my holding view.

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Speaker 4: Totally and then uh, and then I know and by

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Speaker 4: the time you converted to Canadian dollars, it was obviously

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Speaker 4: a whole different situation. So so yes, it was a

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Speaker 4: crazy It was a crazy experience. I was a baby

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Speaker 4: and I had no idea what I was doing, and

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Speaker 4: I just watched like Roseanne and Lori Metcalf and Sandra

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Speaker 4: Bernhardt and Sarah Gilbert and John Goodman and Johnny Glecky

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Speaker 4: and this ridiculous list of comedians and it was kind

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Speaker 4: of in awe and a little bit terrified. And then

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Speaker 4: after two seasons, they you know, gave everybody hugs by

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Speaker 4: like I'll see you guys after hiatus, which is the

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Speaker 4: break that you take between seasons. For anyone listening to

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Speaker 4: that weird term and uh. Then I get a phone

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Speaker 4: call saying Lisa's coming back to play Becky, and apparently

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Speaker 4: I said, I want to talk to Roseanne for closure.

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Speaker 4: I don't remember doing that, and so I did. And

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Speaker 4: then and then they called me like six episodes into

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Speaker 4: the following season and said come back this week. Darlene's

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Speaker 4: getting married in an episode and can you come down

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Speaker 4: and be Becky? And I was like it went and

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Speaker 4: he said tomorrow.

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Speaker 1: So Lacy had just Liasy had just changed her mind

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Speaker 1: and she left.

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Speaker 4: They didn't tell me, they just said can you come

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Speaker 4: back tomorrow? And I said, well, I'm going to college

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Speaker 4: up here now and I'm doing this movie of the

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Speaker 4: week where John Ritter, interestingly enough, who played obviously your

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Speaker 4: dad on Scrubs, I was doing a TV movie with

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Speaker 4: him up here, and I said, so I can come on.

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Speaker 4: I can come on Friday night for tape night. So

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Speaker 4: it was the craziest day. I remember. I wrote an

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Speaker 4: ocean off fee exam at like six point thirty in

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Speaker 4: the morning, went straight into the scene with this pregnancy belly.

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Speaker 4: I just remember ripping the pregnancy belly off on the

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Speaker 4: way to the airport and got to La and they

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Speaker 4: had a car waiting for me with hair and makeup

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Speaker 4: in the car. Oh my, I did my hair and

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Speaker 4: makeup on the way to the live taping, and the

308
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Speaker 4: taping had already started and I hadn't seen anyone since

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Speaker 4: I'd been fired, and they were like, hold these flowers,

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Speaker 4: say this, stand here, do this. You got to you know,

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Speaker 4: the point where Roseann would take questions from the audience

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Speaker 4: and somebody said, why do you keep switching Becky's back

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Speaker 4: and forth? And she was like, well, it's going to

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Speaker 4: be shocky from now on. And that's how I found

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Speaker 4: out I had the job back for the last year

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Speaker 4: and a half of the show.

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Speaker 1: Wow, that's insane. Wow, I really think, Sarah, that is

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Speaker 1: a that is a story that I never heard of

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Speaker 1: another actor having. That is just if you're if you're

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Speaker 1: I mean, when do you ever see or hear something

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Speaker 1: like that happening to an actor. That's just insane.

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Speaker 3: Well, we as we all know, Sarah has the craziest

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Speaker 3: luck in the history of like just everything happens to

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Speaker 3: say Sarah.

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Speaker 1: We touched on that a bit in an earlier episode.

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Speaker 1: How you would come in on Monday morning and you

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Speaker 1: would have a story that was like nothing else we

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Speaker 1: had ever heard, and it happened every week.

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Speaker 4: Honestly, I still feel like sometimes I need to call

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Speaker 4: you guys, because I'm like, you, you would not believe

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Speaker 4: what just happened to me. Lately, it's mostly at the

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Speaker 4: grocery store. I mostly want to call you after I

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Speaker 4: leave the grocery store and be like, take a deep

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Speaker 4: breath and be like, Okay, so I get there, bos

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Speaker 4: bottomsself and all the produce drops in the main aisle

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Speaker 4: where everybody's standing. That's a woman behind me, costs little

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Speaker 4: in front of me. I mean, that is every day, right.

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Speaker 1: You just couldn't believe that. Every Monday morning. You would

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Speaker 1: be like, you are not gonna believe what happened to

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Speaker 1: me this weekend? And then and then we'd be like yeah, right,

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Speaker 1: And then it would she would go into a story

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Speaker 1: that was like that's the most insane thing I've ever heard.

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Speaker 2: That's just this weekend, right, And also it would be

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Speaker 2: so crazy. I'd be like, there's no way she could

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Speaker 2: make this shit up, No way she could make.

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Speaker 4: I mean, it is incredible how similar I am with Elliott.

347
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Speaker 2: Okay, well, let's talk about the audition process.

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Speaker 1: Yeah, talk about that's a good segue into talk about

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Speaker 1: getting scrubs now, because what was what was the auditioning

350
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Speaker 1: process when I read finally came around to getting callbacks,

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Speaker 1: I was, I was reading with you, so you were

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Speaker 1: were you the first person cast?

353
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Speaker 4: Donald? I were cast together? My audition process, I had

354
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Speaker 4: just moved back, like after the Roseansche, I moved back

355
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Speaker 4: to Canada for four years, and then my best friend

356
00:16:02,880 --> 00:16:06,080
Speaker 4: had finished film school and she wanted to produce and

357
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Speaker 4: I wanted to act, and there's you know, there was

358
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Speaker 4: just at the time not as much filming in Canada

359
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Speaker 4: as does now, and I creatively was like, okay, I'll

360
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Speaker 4: go back and give La another try. We had a

361
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Speaker 4: we got a six month sublet, and we moved down.

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Speaker 4: We didn't know anyone, and we never had any plans.

363
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Speaker 4: And so this one night we had plans. We were

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Speaker 4: going to a show and I get this. I had

365
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Speaker 4: two auditions in my you know, for the next day.

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Speaker 4: And normally I'm so type A I would have canceled

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Speaker 4: my plans and spent every second that existed between getting

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Speaker 4: the sides until going into the audition working on it.

369
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Speaker 4: And I was like, you know what, fuck it I'm

370
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Speaker 4: not canceling, you know, on gen We're going to go

371
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Speaker 4: to the show. And I got home and it was

372
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Speaker 4: midnight and my audition was at nine am, and the

373
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Speaker 4: other audition was at noon. My Scrubs audition was at

374
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Speaker 4: nine am. And I opened the script and I started

375
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Speaker 4: reading it, and I swore every page. I was like fuck,

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Speaker 4: o shit, oh my god, this is so good. And

377
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Speaker 4: every page I was like, oh shit, this is like

378
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Speaker 4: the thing I've ever read. Oh fuck, I want this

379
00:17:01,840 --> 00:17:03,720
Speaker 4: job so badly. I want this part so bad. And

380
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Speaker 4: so by twelve thirty, I like sitting there with having

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Speaker 4: read the script and with these sides, and I loved

382
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Speaker 4: the show. I loved the writing. I love the part

383
00:17:13,560 --> 00:17:16,040
Speaker 4: so much. So I thought, okay, I'll skip the other audition.

384
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Speaker 4: I won't read that one. Whatever that is goes in

385
00:17:17,800 --> 00:17:20,960
Speaker 4: the garbage. And I read with Debbie and Brett, the

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Speaker 4: cash In directors, at nine o'clock on a Friday morning,

387
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Speaker 4: and they said, okay, can you come back at three

388
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Speaker 4: to read with Bill.

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Speaker 1: That's a good sign.

390
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Speaker 4: And then one of Jen's and my very very good

391
00:17:33,359 --> 00:17:37,600
Speaker 4: friends husbands was in town for work and he had

392
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Speaker 4: come over to visit us, and so him and Jen

393
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Speaker 4: Aaron Brindle and Jen read the sides with me, and

394
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Speaker 4: so we just kept like running them and then I

395
00:17:48,440 --> 00:17:51,800
Speaker 4: went in and auditioned with Bill at three auditions were

396
00:17:52,000 --> 00:17:54,640
Speaker 4: like ten days later because they were still casting other

397
00:17:54,680 --> 00:17:57,040
Speaker 4: people to go to studio and network. So then we

398
00:17:57,080 --> 00:17:59,479
Speaker 4: did studio and then network. So there's four auditions and

399
00:18:00,080 --> 00:18:01,040
Speaker 4: I were the same thing.

400
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Speaker 2: Every too, see Sarah, because the last two auditions we

401
00:18:06,320 --> 00:18:08,000
Speaker 2: were there together. I remember that.

402
00:18:08,080 --> 00:18:10,760
Speaker 3: And you wore the same jeans with the big ass

403
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Speaker 3: belt and it had a big belt buckle.

404
00:18:14,119 --> 00:18:18,040
Speaker 4: Am I right, Okay, I know the belt you're talking about. Yeah,

405
00:18:18,080 --> 00:18:20,760
Speaker 4: I went through a very big belt buckle collecting face.

406
00:18:21,400 --> 00:18:23,719
Speaker 4: So I had this old vintage leather belt and then

407
00:18:23,720 --> 00:18:26,000
Speaker 4: I would switch out like like an old Coca Cola

408
00:18:26,000 --> 00:18:28,719
Speaker 4: belt buckle or like. So I did wear not a lot,

409
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Speaker 4: but in my memory, I don't know, we could both.

410
00:18:31,440 --> 00:18:32,840
Speaker 4: I have no idea which one of us is right.

411
00:18:32,880 --> 00:18:35,560
Speaker 4: But in my memory, what I wore was I wore

412
00:18:35,760 --> 00:18:38,640
Speaker 4: black boots at the heel, black pants and a tight

413
00:18:38,680 --> 00:18:43,200
Speaker 4: black tank top. Because when I first moved to LA

414
00:18:43,280 --> 00:18:44,879
Speaker 4: and I would go on these auditions, I remember I

415
00:18:44,880 --> 00:18:47,280
Speaker 4: went out for an Aaron spelling wearing these like plaid

416
00:18:47,359 --> 00:18:49,040
Speaker 4: funky bell bottoms that I thought we was really cool

417
00:18:49,040 --> 00:18:51,840
Speaker 4: in this like vintage T shirt. And I thought that

418
00:18:51,920 --> 00:18:53,879
Speaker 4: I like super excited about this out. And I walked

419
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Speaker 4: in and there were ten girls and they were all

420
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Speaker 4: wearing tight black tank tops and tight black pants, and

421
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Speaker 4: I thought, Okay, so that's how you do it here,

422
00:19:02,880 --> 00:19:03,280
Speaker 4: got it.

423
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Speaker 3: I remember the jenes being blue. I do remember them

424
00:19:05,960 --> 00:19:08,040
Speaker 3: being I thought they were tight as fuck too. I

425
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Speaker 3: remember being like, yeah, Jesus tight.

426
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Speaker 2: I was the same.

427
00:19:13,600 --> 00:19:15,840
Speaker 1: I was the same way, not with the tight jeans,

428
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Speaker 1: but I the second I started getting callbacks, I was like,

429
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Speaker 1: I'm not washing this. I want my pheromones. I want

430
00:19:22,080 --> 00:19:25,639
Speaker 1: my pheromones on it. I'm not jinxing this thing. And

431
00:19:25,680 --> 00:19:27,720
Speaker 1: I would get like another callback and be like not

432
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Speaker 1: changing not I mean, I was just so towards the end,

433
00:19:31,359 --> 00:19:33,720
Speaker 1: I remember I was like doing the same thing I

434
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Speaker 1: did that when I would get up, I would sit

435
00:19:35,080 --> 00:19:36,720
Speaker 1: in the chair, have a coffee. I would go to

436
00:19:36,760 --> 00:19:39,000
Speaker 1: the treadmill do thirty minute. Like I had a whole regiment.

437
00:19:39,119 --> 00:19:41,639
Speaker 1: I would listen to the same few songs before I

438
00:19:41,680 --> 00:19:43,720
Speaker 1: went to the audition. I like had a ritual. Do

439
00:19:43,800 --> 00:19:44,560
Speaker 1: you remember what they were?

440
00:19:44,920 --> 00:19:47,280
Speaker 4: Ah, definitely Madonna.

441
00:19:47,800 --> 00:19:50,320
Speaker 1: One of mine was changed by Blind Melon.

442
00:19:50,680 --> 00:19:51,800
Speaker 4: Oh I love it does?

443
00:19:52,119 --> 00:19:54,800
Speaker 2: How is a melon? Blind? It doesn't make no sense.

444
00:19:55,040 --> 00:19:57,320
Speaker 1: Donald is the name of a very popular band. You

445
00:19:57,400 --> 00:20:01,280
Speaker 1: might like their music. Let's circle back to south audition process.

446
00:20:02,640 --> 00:20:05,720
Speaker 4: I feel like probably I'm guessing that Babies Got Back

447
00:20:05,920 --> 00:20:07,719
Speaker 4: was another one of the songs.

448
00:20:07,760 --> 00:20:09,480
Speaker 1: Oh oh wow, that really got you.

449
00:20:09,720 --> 00:20:11,679
Speaker 2: Do you want to tell them your Baby Got backstory?

450
00:20:12,080 --> 00:20:12,280
Speaker 4: Yeah?

451
00:20:12,560 --> 00:20:14,760
Speaker 3: I was very impressed that you knew I didn't know

452
00:20:14,800 --> 00:20:16,400
Speaker 3: that song as well as you knew that song.

453
00:20:16,680 --> 00:20:19,240
Speaker 4: For grad parent event, we had to do a talent

454
00:20:19,320 --> 00:20:20,720
Speaker 4: for the parents. And kids got up and played the

455
00:20:20,800 --> 00:20:22,639
Speaker 4: violin and the piano, and ten of my girlfriends and

456
00:20:22,680 --> 00:20:25,200
Speaker 4: I got up and danced and we had a whole routine.

457
00:20:25,560 --> 00:20:28,000
Speaker 1: The routine did is a bit. It was a bit sexual.

458
00:20:28,240 --> 00:20:30,000
Speaker 1: I think that was kind of odd for the talent show.

459
00:20:30,160 --> 00:20:31,199
Speaker 2: Now they were seen yourself.

460
00:20:31,280 --> 00:20:33,600
Speaker 4: I think all of our parents were probably like I'd

461
00:20:33,600 --> 00:20:35,760
Speaker 4: asked them, I should like, what did you think when

462
00:20:35,800 --> 00:20:37,800
Speaker 4: your child was up there at grad parent event?

463
00:20:37,880 --> 00:20:40,480
Speaker 2: It seems like a very odd How old were you guys?

464
00:20:40,720 --> 00:20:42,760
Speaker 4: We were in grade twelve, which is Canadian.

465
00:20:42,800 --> 00:20:44,640
Speaker 2: Grade right, so you're about to graduate.

466
00:20:45,040 --> 00:20:47,359
Speaker 1: We were in grade twelve, which is Canadian for twelfth

467
00:20:47,400 --> 00:20:48,880
Speaker 1: creative yep.

468
00:20:49,359 --> 00:20:53,360
Speaker 4: So any who sen of my songs the Holden BC

469
00:20:53,560 --> 00:20:56,840
Speaker 4: lot and in the quarantine cleanup, I did find my

470
00:20:57,000 --> 00:21:01,000
Speaker 4: sides from the auditor little visitors past. Oh I shaved

471
00:21:01,040 --> 00:21:04,200
Speaker 4: both of those. But I remember being in the parking

472
00:21:04,200 --> 00:21:07,080
Speaker 4: lot and just like seat back in the car and

473
00:21:07,160 --> 00:21:09,840
Speaker 4: lying there, and someone told me to do this. I've

474
00:21:09,840 --> 00:21:15,480
Speaker 4: never told any of this, but to visualize yourself walking

475
00:21:15,480 --> 00:21:18,679
Speaker 4: into the audition, visualize the whole thing playing out, and

476
00:21:18,800 --> 00:21:22,240
Speaker 4: visualize yourself walking out and it going really well. And

477
00:21:22,400 --> 00:21:24,600
Speaker 4: so I remember sitting in my car in the NBC

478
00:21:24,760 --> 00:21:27,840
Speaker 4: parking lot, closed my eyes, visualizing the whole thing. And

479
00:21:27,880 --> 00:21:30,359
Speaker 4: then and then Donald and I were in there together

480
00:21:30,440 --> 00:21:32,439
Speaker 4: with some other Turks and some other Elliots and some

481
00:21:32,480 --> 00:21:36,439
Speaker 4: other jds, and we basically all took turks going in

482
00:21:36,520 --> 00:21:38,600
Speaker 4: and then they came back out. And then you go

483
00:21:38,640 --> 00:21:40,439
Speaker 4: back in with this person and read together, and then

484
00:21:40,440 --> 00:21:42,960
Speaker 4: they peer you up and you read together, and it

485
00:21:43,000 --> 00:21:44,800
Speaker 4: was yeah, pretty in nerve racking.

486
00:21:44,880 --> 00:21:47,320
Speaker 3: Let me ask you a question, did you know any

487
00:21:47,400 --> 00:21:50,560
Speaker 3: of the young ladies that were auditioning for your role.

488
00:21:51,040 --> 00:21:53,520
Speaker 3: I knew both of the guys that were auditioning for Turk.

489
00:21:53,680 --> 00:21:55,640
Speaker 3: I knew and I not only did I know them,

490
00:21:56,040 --> 00:21:58,760
Speaker 3: I knew them well too, Like I hung out with

491
00:21:58,800 --> 00:22:01,400
Speaker 3: one of them and we used to play a lot

492
00:22:01,400 --> 00:22:03,879
Speaker 3: of basketball together, and then the other one we did

493
00:22:03,920 --> 00:22:06,440
Speaker 3: a bunch of movies together, or we did a movie together.

494
00:22:06,480 --> 00:22:07,840
Speaker 3: But I would see him out at the club all

495
00:22:07,840 --> 00:22:08,200
Speaker 3: the time.

496
00:22:08,440 --> 00:22:09,040
Speaker 1: Was it Denzel?

497
00:22:09,520 --> 00:22:11,199
Speaker 2: I wish it was Denzel. I wish I could be

498
00:22:11,200 --> 00:22:14,640
Speaker 2: like Denzel. I got it, Yo, d.

499
00:22:16,080 --> 00:22:18,160
Speaker 1: Denzel, Denzel, this one's mine.

500
00:22:18,200 --> 00:22:21,280
Speaker 2: I'm sorry, Sorry, buddy, You'll bounce back. Don't worry about it.

501
00:22:21,320 --> 00:22:24,359
Speaker 4: So was that weird to sit there with kind of

502
00:22:24,520 --> 00:22:25,160
Speaker 4: buddies or.

503
00:22:25,480 --> 00:22:27,520
Speaker 3: Yeah, you know, it was very It was very weird,

504
00:22:27,720 --> 00:22:29,880
Speaker 3: and it was. It's also one of those things where

505
00:22:29,920 --> 00:22:32,200
Speaker 3: it was like, you know, if one of these guys

506
00:22:32,200 --> 00:22:34,320
Speaker 3: get it, I'm gonna freaking I'm gonna lose my shit,

507
00:22:34,560 --> 00:22:36,560
Speaker 3: you know what I mean. Like, as much as I

508
00:22:36,600 --> 00:22:38,960
Speaker 3: love you guys, and as much as you know I

509
00:22:39,000 --> 00:22:41,880
Speaker 3: have root for you guys, I want this so bad.

510
00:22:42,040 --> 00:22:44,760
Speaker 3: I want this so bad I could taste it. Both

511
00:22:44,960 --> 00:22:48,119
Speaker 3: very successful have gone on to do other things. I

512
00:22:48,200 --> 00:22:49,520
Speaker 3: just really wanted Chris Turk bad.

513
00:22:49,840 --> 00:22:50,919
Speaker 1: Yeah, well you got it.

514
00:22:51,200 --> 00:22:53,359
Speaker 4: I mean, so when you're sitting in that for people

515
00:22:53,359 --> 00:22:54,840
Speaker 4: that are listening, when you're sitting in that position and

516
00:22:54,920 --> 00:22:56,640
Speaker 4: you're going to sit, you're going to network. You don't

517
00:22:56,640 --> 00:22:59,919
Speaker 4: have the part yet, and you sign a six year contract,

518
00:23:00,160 --> 00:23:02,440
Speaker 4: they call it five plus one, and I was like, well,

519
00:23:02,440 --> 00:23:05,960
Speaker 4: but isn't that six years?

520
00:23:05,440 --> 00:23:08,960
Speaker 1: That's a contract lingo for don't tell them a six years.

521
00:23:08,960 --> 00:23:10,280
Speaker 1: We're going to call it five plus one.

522
00:23:10,480 --> 00:23:12,520
Speaker 4: Yeah, five plus one. So you signed five plus one,

523
00:23:12,520 --> 00:23:16,080
Speaker 4: and I feel like that's always such a feeling of

524
00:23:16,680 --> 00:23:18,520
Speaker 4: I mean, you're twenty four and you're thinking, wow, until

525
00:23:18,520 --> 00:23:20,959
Speaker 4: I'm thirty, and in any other scenario that would kind

526
00:23:21,000 --> 00:23:22,800
Speaker 4: of take your breath away. In this case, I was

527
00:23:22,880 --> 00:23:25,320
Speaker 4: just like, yes, for the love of God, please a

528
00:23:25,440 --> 00:23:28,640
Speaker 4: hundred years of doing this, Like there was no two

529
00:23:28,680 --> 00:23:32,000
Speaker 4: seconds of thinking about it. Was like, I'm desperate and wow,

530
00:23:32,040 --> 00:23:35,040
Speaker 4: if it could ever go, I would be grateful for

531
00:23:35,080 --> 00:23:37,000
Speaker 4: as many years as it would go for. And that

532
00:23:37,040 --> 00:23:41,720
Speaker 4: feeling of just complete signing that and so hopefully that

533
00:23:41,720 --> 00:23:45,040
Speaker 4: don't happen anyways. Then Bill called me the few yards

534
00:23:45,080 --> 00:23:46,399
Speaker 4: lay that date or it was the next day. It

535
00:23:46,440 --> 00:23:48,320
Speaker 4: was very soon after the audition was either later that

536
00:23:48,400 --> 00:23:51,399
Speaker 4: day or the next day, and I couldn't believe it.

537
00:23:51,440 --> 00:23:53,879
Speaker 4: I think we all probably after reading that script kind

538
00:23:53,920 --> 00:23:57,280
Speaker 4: of felt like it was really something special and had

539
00:23:57,720 --> 00:24:00,639
Speaker 4: the possibility of I mean, you obviously you never know,

540
00:24:00,760 --> 00:24:03,960
Speaker 4: but the chance to go for it writ so good.

541
00:24:04,320 --> 00:24:06,360
Speaker 3: As you know, Sarah, I did not read the script

542
00:24:06,400 --> 00:24:08,760
Speaker 3: before we shot the pilot. I didn't read the script

543
00:24:08,800 --> 00:24:10,880
Speaker 3: until the table read and I was like, Oh, that's

544
00:24:10,920 --> 00:24:11,520
Speaker 3: what happens.

545
00:24:11,760 --> 00:24:13,760
Speaker 2: Read dude.

546
00:24:14,000 --> 00:24:16,240
Speaker 3: I didn't know it was a freaking dope pilot until

547
00:24:16,280 --> 00:24:18,440
Speaker 3: my agent was like, Dude, this is like a really

548
00:24:18,440 --> 00:24:19,120
Speaker 3: big pilot.

549
00:24:19,560 --> 00:24:22,359
Speaker 1: I never I never knew the trivia that you didn't

550
00:24:22,359 --> 00:24:23,840
Speaker 1: read the script till the table read.

551
00:24:24,200 --> 00:24:25,160
Speaker 4: Dude, I did not know that.

552
00:24:25,480 --> 00:24:27,760
Speaker 3: Remember the Titans. I didn't know what happened in the

553
00:24:27,800 --> 00:24:30,960
Speaker 3: script until the table read. I remember we did the dude.

554
00:24:31,040 --> 00:24:34,639
Speaker 3: I just know, listen, I just knew only my stuff.

555
00:24:34,640 --> 00:24:36,000
Speaker 3: This was I was a kid, I was young.

556
00:24:36,280 --> 00:24:38,680
Speaker 1: Listen. There would be times when we'd be shooting scrubs

557
00:24:38,720 --> 00:24:41,360
Speaker 1: where you know, the whole script wasn't out yet, and

558
00:24:41,480 --> 00:24:43,280
Speaker 1: you know, because the writers were behind, so we would

559
00:24:43,560 --> 00:24:45,760
Speaker 1: we'd get scenes, but Bill would sort of explain what

560
00:24:45,840 --> 00:24:47,680
Speaker 1: was going on, and you know, you shoot out of order.

561
00:24:47,720 --> 00:24:50,040
Speaker 1: So we'd be like Monday morning, you know, time to rehearse,

562
00:24:50,119 --> 00:24:52,240
Speaker 1: and Donald and I are like standing on a table,

563
00:24:52,280 --> 00:24:54,760
Speaker 1: and he'd whisper in my amy, like, yo, yo, why

564
00:24:54,760 --> 00:25:01,040
Speaker 1: are we standing on a table? I had no idea

565
00:25:01,119 --> 00:25:02,919
Speaker 1: what was happening in the script? All right, we're going

566
00:25:02,960 --> 00:25:05,280
Speaker 1: to take a quick break. We'll be right back with

567
00:25:05,320 --> 00:25:06,880
Speaker 1: the legendary Sarah Chalker.

568
00:25:13,840 --> 00:25:15,120
Speaker 2: And we're back, and.

569
00:25:15,080 --> 00:25:17,720
Speaker 1: We're back, Sarah tell us about.

570
00:25:17,560 --> 00:25:19,560
Speaker 4: He just really quickly, really quickly. Before I tell you,

571
00:25:19,640 --> 00:25:21,560
Speaker 4: I need to tell you. My favorite example of Donald

572
00:25:22,040 --> 00:25:27,159
Speaker 4: not having read the scene was during the auditions in

573
00:25:27,200 --> 00:25:30,240
Speaker 4: the show, when you're like, I can't remember what sees,

574
00:25:30,359 --> 00:25:34,600
Speaker 4: but we're supposed to be auditioning and Neil and Sam

575
00:25:34,720 --> 00:25:39,120
Speaker 4: Lloyd are auditioning you and like I remember you walked

576
00:25:39,160 --> 00:25:41,919
Speaker 4: in and you, you know, were like, oh, yeah, I

577
00:25:41,920 --> 00:25:43,919
Speaker 4: think I could you read the actual script? You're like,

578
00:25:43,960 --> 00:25:45,399
Speaker 4: I think I can, you know, come up with a

579
00:25:45,480 --> 00:25:46,720
Speaker 4: dance for that? And you had to come up with

580
00:25:46,720 --> 00:25:48,800
Speaker 4: a dance and you just came up with on the spot,

581
00:25:48,880 --> 00:25:50,840
Speaker 4: and you're such a fucking good dancer. You came up

582
00:25:50,840 --> 00:25:54,439
Speaker 4: with this unbelievable dance to poison and then like, my

583
00:25:54,520 --> 00:25:56,240
Speaker 4: kids are all obsessed with the fact that it's the

584
00:25:56,320 --> 00:25:59,359
Speaker 4: Fortnite dance now and they watch the Fortnite character do it.

585
00:25:59,400 --> 00:26:02,879
Speaker 4: Besides you feel and they've all tried to learn it.

586
00:26:02,920 --> 00:26:04,480
Speaker 4: We've tried to learn it. I can't learn it.

587
00:26:04,960 --> 00:26:07,480
Speaker 2: I don't think I could even do it again. Listen.

588
00:26:07,520 --> 00:26:09,240
Speaker 1: So I just want to say the billion off what

589
00:26:09,359 --> 00:26:11,760
Speaker 1: Sarah said. That's a perfect example. Sorry, Sarah, that is

590
00:26:11,760 --> 00:26:14,679
Speaker 1: the best example. Donald hadn't read the script, and everyone

591
00:26:14,720 --> 00:26:16,800
Speaker 1: loves that dance. People talk about it. It's the Fortnite

592
00:26:16,880 --> 00:26:19,200
Speaker 1: dances everywhere. Donald literally showed up and was like, you

593
00:26:19,240 --> 00:26:21,119
Speaker 1: want me to do what now? And he had to

594
00:26:21,280 --> 00:26:24,080
Speaker 1: and he totally improvised that dance on the spot.

595
00:26:24,359 --> 00:26:26,600
Speaker 3: Well, there was a lot of years of of you know,

596
00:26:26,920 --> 00:26:29,320
Speaker 3: I was a huge New Audition fan, a huge Bell

597
00:26:29,400 --> 00:26:32,639
Speaker 3: Bibdavo fan. I still am a huge New Edition in

598
00:26:32,680 --> 00:26:36,280
Speaker 3: Bell Bibdavo fan and Bobby Brown and Ralph chans Van,

599
00:26:36,359 --> 00:26:39,760
Speaker 3: all of them. Anyway, I had been dancing like that

600
00:26:39,960 --> 00:26:42,119
Speaker 3: my whole life, pretty much since I was like and

601
00:26:42,200 --> 00:26:45,199
Speaker 3: since ninety two, I was doing dances like that and

602
00:26:45,280 --> 00:26:47,200
Speaker 3: so when they were like, we want you to dance

603
00:26:47,240 --> 00:26:50,280
Speaker 3: to poison, in my mind I was like, yeah, I know,

604
00:26:50,400 --> 00:26:52,000
Speaker 3: I know some steps that I could do to that

605
00:26:52,359 --> 00:26:55,119
Speaker 3: to everybody else, because I remember I was late that day.

606
00:26:55,600 --> 00:26:58,240
Speaker 3: Everybody packed the room that day, and I know the

607
00:26:58,320 --> 00:27:00,280
Speaker 3: pressure was on me, but I was like, this is

608
00:27:00,600 --> 00:27:02,560
Speaker 3: this is something that I do all the time.

609
00:27:02,600 --> 00:27:02,760
Speaker 2: Now.

610
00:27:02,760 --> 00:27:06,600
Speaker 3: There are other times where I didn't prepare when we

611
00:27:06,600 --> 00:27:08,800
Speaker 3: were doing the show, and it cost us like hours

612
00:27:08,800 --> 00:27:09,360
Speaker 3: of filming.

613
00:27:09,480 --> 00:27:11,840
Speaker 1: Oh my god, Donald, I remember I was.

614
00:27:11,640 --> 00:27:11,959
Speaker 2: I was.

615
00:27:12,280 --> 00:27:15,280
Speaker 1: I was directing once and Donald had a paragraph of

616
00:27:15,320 --> 00:27:18,280
Speaker 1: medical jargon, like a really hard a paragraph you would

617
00:27:18,320 --> 00:27:21,239
Speaker 1: anyone would have to practice a lot because it was

618
00:27:21,280 --> 00:27:25,399
Speaker 1: like fast medical jargon and like five sentences, and I

619
00:27:25,480 --> 00:27:28,280
Speaker 1: was directing and just Donald could not get it because

620
00:27:28,280 --> 00:27:29,879
Speaker 1: he hadn't even looked at it. It's not something you

621
00:27:29,880 --> 00:27:31,800
Speaker 1: could do on the spot. And I remember, you know,

622
00:27:31,840 --> 00:27:34,240
Speaker 1: when you're directing a scene, you normally start with the

623
00:27:34,280 --> 00:27:36,879
Speaker 1: widest shots and then you start moving into closer and

624
00:27:36,920 --> 00:27:40,240
Speaker 1: closer angles. And I was like, Donald, we gotta move on, dude,

625
00:27:40,400 --> 00:27:42,040
Speaker 1: don't worry, we'll cut it together. We cut it together.

626
00:27:42,119 --> 00:27:44,160
Speaker 1: By the time we got to like an extreme close

627
00:27:44,280 --> 00:27:47,679
Speaker 1: up of Donald's face like eyebrowed a chin. He finally

628
00:27:47,680 --> 00:27:50,080
Speaker 1: got it. And if you watch that episode, like Donald

629
00:27:50,119 --> 00:27:52,439
Speaker 1: does the whole monologue and a shot that's like this

630
00:27:52,680 --> 00:27:55,360
Speaker 1: tight because that was finally the only time you ever

631
00:27:55,400 --> 00:27:55,760
Speaker 1: got it.

632
00:27:55,800 --> 00:27:57,200
Speaker 2: Those days are over, by the way.

633
00:27:57,400 --> 00:28:00,520
Speaker 3: Just anybody who's looking to hire me for any thing, Yeah,

634
00:28:00,800 --> 00:28:02,600
Speaker 3: I am not like that anymore.

635
00:28:02,680 --> 00:28:06,240
Speaker 1: I'm sure no no casting directors or directors are listening

636
00:28:06,280 --> 00:28:07,000
Speaker 1: to our podcast.

637
00:28:08,800 --> 00:28:11,200
Speaker 4: But and what Zach was saying about, you know, getting

638
00:28:11,240 --> 00:28:14,480
Speaker 4: the script sometimes, you know, as the season would get

639
00:28:14,520 --> 00:28:17,040
Speaker 4: towards the end, and the writers were so taxed trying

640
00:28:17,040 --> 00:28:21,119
Speaker 4: to crank out these scripts that were so funny. I

641
00:28:21,119 --> 00:28:24,040
Speaker 4: remember one morning we got to work on a Monday

642
00:28:24,040 --> 00:28:26,760
Speaker 4: morning and it was the week that my character had

643
00:28:26,760 --> 00:28:29,400
Speaker 4: the voiceover because each of our characters had a voiceover

644
00:28:29,440 --> 00:28:32,520
Speaker 4: for one time, and they didn't have the script out yet.

645
00:28:32,520 --> 00:28:35,560
Speaker 4: But we had to start shooting something, and so they said,

646
00:28:35,800 --> 00:28:38,200
Speaker 4: We're just going to do a long, kind of steady

647
00:28:38,200 --> 00:28:41,320
Speaker 4: cam shot following you through the hallways, and I just

648
00:28:41,360 --> 00:28:43,520
Speaker 4: want you to change your face around to go with

649
00:28:43,720 --> 00:28:46,280
Speaker 4: different emotions and things you're going to write. So just

650
00:28:46,400 --> 00:28:48,800
Speaker 4: you know, you're walking and you're thinking, like a little

651
00:28:48,800 --> 00:28:50,800
Speaker 4: bit happy and you're a little bit sad, and then

652
00:28:50,800 --> 00:28:54,200
Speaker 4: you're thinking about something. We talk for two hours, just

653
00:28:54,320 --> 00:28:55,240
Speaker 4: me and his steady cam.

654
00:28:55,600 --> 00:28:58,240
Speaker 1: I'm like, that's funny that they probably had to eventually

655
00:28:58,280 --> 00:29:00,760
Speaker 1: write to your expressions because they were changing, because then

656
00:29:00,760 --> 00:29:02,440
Speaker 1: they didn't and the camera didn't want to cut away.

657
00:29:02,520 --> 00:29:04,680
Speaker 1: So it's like, okay, wait, she's about it. Got a

658
00:29:04,720 --> 00:29:07,920
Speaker 1: second of seriousness and then a smile, so like we

659
00:29:07,960 --> 00:29:10,360
Speaker 1: need a one second sentence and then it's something to

660
00:29:10,400 --> 00:29:11,000
Speaker 1: smile about.

661
00:29:11,480 --> 00:29:14,080
Speaker 4: Then looking a little nostalgic and.

662
00:29:15,160 --> 00:29:17,080
Speaker 1: All right, should we go into this episode? This is

663
00:29:17,080 --> 00:29:18,840
Speaker 1: one of my favorite episodes. This is one of my

664
00:29:18,880 --> 00:29:23,600
Speaker 1: favorite episodes of the whole nine years. It really is special,

665
00:29:23,600 --> 00:29:25,000
Speaker 1: and I want you to know I haven't seen it

666
00:29:25,040 --> 00:29:28,880
Speaker 1: in twenty years and I got goosebumps multiple times watching it.

667
00:29:28,880 --> 00:29:30,480
Speaker 1: That's how it really does hold up.

668
00:29:30,680 --> 00:29:34,000
Speaker 3: I was about, there's some really great moments in this show,

669
00:29:34,720 --> 00:29:37,120
Speaker 3: in particular with you, Sarah. This this You know, I

670
00:29:37,480 --> 00:29:39,240
Speaker 3: looked at this show when I first when we first

671
00:29:39,240 --> 00:29:41,200
Speaker 3: did this show, I was like, oh wow, we all

672
00:29:41,200 --> 00:29:42,840
Speaker 3: get a chance to shine here.

673
00:29:43,400 --> 00:29:45,920
Speaker 2: But this was a moment I feel like for you

674
00:29:46,040 --> 00:29:47,120
Speaker 2: and for Judy as well.

675
00:29:47,160 --> 00:29:50,280
Speaker 3: Where you guys, You guys really crushed this episode, Like

676
00:29:50,320 --> 00:29:54,959
Speaker 3: it's really fucking good, like you two alone, you alone,

677
00:29:54,960 --> 00:29:57,719
Speaker 3: you and Judy alone. Like really, I don't know what

678
00:29:57,760 --> 00:30:00,240
Speaker 3: it is, but you guys start off on a you know,

679
00:30:00,320 --> 00:30:02,560
Speaker 3: as adversaries and by the end of it your friends.

680
00:30:02,920 --> 00:30:04,560
Speaker 2: And that's for a half an hour.

681
00:30:04,560 --> 00:30:06,240
Speaker 3: To be able to tell a story like that's very

682
00:30:06,280 --> 00:30:10,880
Speaker 3: difficult to start two people off as enemies, especially when

683
00:30:10,880 --> 00:30:12,880
Speaker 3: the narrative so far in the show.

684
00:30:12,680 --> 00:30:14,520
Speaker 2: Has been you guys not getting along.

685
00:30:14,800 --> 00:30:17,760
Speaker 3: And so you know, it really is a testament to

686
00:30:17,800 --> 00:30:20,840
Speaker 3: how good you are as an actress that you guys

687
00:30:20,840 --> 00:30:23,600
Speaker 3: were able to not only bring the funny, but bring

688
00:30:23,640 --> 00:30:26,360
Speaker 3: the drama and then also bring the connection so that

689
00:30:26,440 --> 00:30:28,880
Speaker 3: the story tracks all the way through. And I just

690
00:30:28,920 --> 00:30:31,400
Speaker 3: wanted to give you props on that straight up, right out,

691
00:30:31,600 --> 00:30:33,400
Speaker 3: you know the bat. And also it was so early

692
00:30:33,440 --> 00:30:36,120
Speaker 3: on in the show too, it was episode four, and

693
00:30:36,200 --> 00:30:39,120
Speaker 3: so for us to be able to jump in and

694
00:30:39,600 --> 00:30:42,160
Speaker 3: tell such a good story, it's really a testament to

695
00:30:42,200 --> 00:30:44,560
Speaker 3: how good First of all, Matt tarsis, holy shit, what

696
00:30:44,600 --> 00:30:45,000
Speaker 3: a good writer.

697
00:30:45,120 --> 00:30:47,280
Speaker 1: D Matt Tarsus wrote it. And we should also say

698
00:30:47,360 --> 00:30:50,200
Speaker 1: that this was the first episode not directed by Adam Bernstein,

699
00:30:50,280 --> 00:30:53,120
Speaker 1: and it was the first episode directed by Mark Buckland,

700
00:30:53,480 --> 00:30:56,040
Speaker 1: who really added a lot of cool style. You know,

701
00:30:56,080 --> 00:30:59,880
Speaker 1: we've spoken about how Adam Bernstein really developed the language

702
00:30:59,880 --> 00:31:01,800
Speaker 1: of how the camera moves and scrubs and how you

703
00:31:01,800 --> 00:31:03,440
Speaker 1: could do some trick shots and how there was a

704
00:31:03,480 --> 00:31:05,880
Speaker 1: lot of creativity. The camera was a character in the show,

705
00:31:06,200 --> 00:31:08,640
Speaker 1: and Mark Bucklan, I think, with this episode, really took

706
00:31:08,640 --> 00:31:10,560
Speaker 1: that and ran with it and added a lot of

707
00:31:11,000 --> 00:31:13,640
Speaker 1: a new language to the way the show was shot.

708
00:31:13,800 --> 00:31:16,400
Speaker 4: Adam Bernstein, it should be said, directed the Baby's Got

709
00:31:16,400 --> 00:31:19,840
Speaker 4: Back video in case anyone out there does not know that, Yes.

710
00:31:19,720 --> 00:31:22,800
Speaker 1: That that is beautiful trivia there for you Scrubs fans.

711
00:31:22,920 --> 00:31:24,920
Speaker 1: Sarah can do the full dance and knows all the

712
00:31:24,960 --> 00:31:27,680
Speaker 1: lyrics the Babies Got Back And coincidentally, was it Sir

713
00:31:27,680 --> 00:31:29,840
Speaker 1: Mix a Lot? Yes, it is Sir Mix a Lot

714
00:31:29,920 --> 00:31:32,360
Speaker 1: music video was directed by Adam Bernstein. There you go.

715
00:31:32,360 --> 00:31:33,880
Speaker 1: That's not on your Scrubs wiki.

716
00:31:33,880 --> 00:31:36,480
Speaker 2: Right, Thank you told you wiki wiki. We got it

717
00:31:36,520 --> 00:31:36,920
Speaker 2: from here.

718
00:31:37,440 --> 00:31:39,080
Speaker 4: Well, first of all, Donald, thank you for saying all

719
00:31:39,080 --> 00:31:41,440
Speaker 4: those nice things. I felt the same way about you guys,

720
00:31:41,440 --> 00:31:44,040
Speaker 4: Like I was like going like, Wow, Donald Zach fucking

721
00:31:44,080 --> 00:31:46,040
Speaker 4: nailing this episode, and it's like we just started, like

722
00:31:46,080 --> 00:31:47,880
Speaker 4: we were a few weeks in. It was that fourth episode,

723
00:31:47,880 --> 00:31:49,800
Speaker 4: but it was the third one that we'd shot in

724
00:31:49,840 --> 00:31:52,520
Speaker 4: that chunk, you know, separated out from the pilot. And like,

725
00:31:53,320 --> 00:31:55,840
Speaker 4: I feel like Bill had told us a long time

726
00:31:55,880 --> 00:32:01,240
Speaker 4: ago that he didn't he say to the network, We're

727
00:32:01,280 --> 00:32:03,360
Speaker 4: going to set it up one out of every three

728
00:32:03,440 --> 00:32:05,320
Speaker 4: patients die here and you're kind of waiting the whole

729
00:32:05,400 --> 00:32:06,640
Speaker 4: episode to find out who it's going to be, and

730
00:32:06,680 --> 00:32:08,080
Speaker 4: then they all die. I feel like he said that

731
00:32:08,120 --> 00:32:09,520
Speaker 4: to the network and they said, no, you can only

732
00:32:09,520 --> 00:32:11,080
Speaker 4: have one patient die, and he said, no, it's going

733
00:32:11,160 --> 00:32:12,560
Speaker 4: to be all three. We have to do that.

734
00:32:12,640 --> 00:32:12,960
Speaker 2: Yees.

735
00:32:13,040 --> 00:32:15,120
Speaker 4: We're coming out of the gate right now. We're going

736
00:32:15,200 --> 00:32:17,840
Speaker 4: to show the audience that this is what the show is.

737
00:32:17,920 --> 00:32:21,400
Speaker 4: And all those years on Scrubs, this one, for me

738
00:32:21,560 --> 00:32:23,720
Speaker 4: absolutely is the one that stands out whenever I think

739
00:32:23,760 --> 00:32:28,640
Speaker 4: of the show as being the one that really shows

740
00:32:28,680 --> 00:32:31,680
Speaker 4: the responsibility that's put on these young, young, young doctors.

741
00:32:31,680 --> 00:32:33,800
Speaker 4: I mean, my little sister is in her first year

742
00:32:34,240 --> 00:32:37,480
Speaker 4: right now of being a real doctor. What a crazy

743
00:32:37,520 --> 00:32:41,800
Speaker 4: time in the world to be doing that, and I

744
00:32:41,840 --> 00:32:44,920
Speaker 4: can't believe for stories, I can't believe what level of

745
00:32:44,960 --> 00:32:47,680
Speaker 4: responsibility that they're given right out of the gate. I mean,

746
00:32:48,160 --> 00:32:50,240
Speaker 4: I'll be at work on set and I'm on lunch,

747
00:32:50,520 --> 00:32:53,640
Speaker 4: and I come back from lunch and she's like, you know,

748
00:32:53,680 --> 00:32:57,000
Speaker 4: she's just been doing CPR on someone for thirty minutes,

749
00:32:57,040 --> 00:32:58,840
Speaker 4: trying to save them. And I'm like, well, I was

750
00:32:58,880 --> 00:33:00,720
Speaker 4: just in here a makeup touch and they took the

751
00:33:00,760 --> 00:33:05,479
Speaker 4: same curl and recurled it again to make it curly

752
00:33:05,800 --> 00:33:09,200
Speaker 4: like it just it's such a u it takes your

753
00:33:09,240 --> 00:33:12,160
Speaker 4: breath away. Really, what the decisions young doctors have to make?

754
00:33:12,440 --> 00:33:15,440
Speaker 1: Do you think your sister was inspired by you? I mean,

755
00:33:15,440 --> 00:33:17,880
Speaker 1: it's interesting. You know a lot of younger sisters might

756
00:33:17,880 --> 00:33:20,040
Speaker 1: be inspired that their older sister was a real doctor.

757
00:33:20,080 --> 00:33:23,040
Speaker 1: But because she grew up with you playing this character,

758
00:33:23,040 --> 00:33:24,880
Speaker 1: does she think that that inspired her at all?

759
00:33:25,160 --> 00:33:25,280
Speaker 5: Oh?

760
00:33:25,320 --> 00:33:27,880
Speaker 4: I tried to get my I remember I'd say to

761
00:33:27,920 --> 00:33:29,960
Speaker 4: my family like, hey, guys, like, did you see you

762
00:33:30,000 --> 00:33:31,440
Speaker 4: know I was so excited about the show. I've like

763
00:33:31,520 --> 00:33:33,560
Speaker 4: you've seen They were like, well, we t vote it

764
00:33:33,560 --> 00:33:35,240
Speaker 4: because it's on the same time as twenty four. But

765
00:33:35,280 --> 00:33:42,719
Speaker 4: that Jack Bauer, what he did. They I feel like,

766
00:33:43,000 --> 00:33:45,480
Speaker 4: you know, she's thirteen years younger than me, and I

767
00:33:45,520 --> 00:33:47,640
Speaker 4: would like to think that I had that kind of

768
00:33:47,680 --> 00:33:51,160
Speaker 4: an influence, but really she came out of the womb

769
00:33:51,360 --> 00:33:54,360
Speaker 4: a doctor. I mean she the stories are crazy me. Yeah,

770
00:33:54,360 --> 00:33:58,240
Speaker 4: she she was just so interested in medicine from such

771
00:33:58,280 --> 00:34:01,800
Speaker 4: a young age and really so calm under pressure, Like

772
00:34:01,840 --> 00:34:04,760
Speaker 4: I remember, it's just responsible. I mean I remember we

773
00:34:04,800 --> 00:34:06,600
Speaker 4: went on a road trip and she'd had her license

774
00:34:06,600 --> 00:34:08,960
Speaker 4: for maybe two weeks and my dad was like, so

775
00:34:09,000 --> 00:34:10,640
Speaker 4: she's gonna drive, right, And I was like, Dad, I've

776
00:34:10,680 --> 00:34:12,560
Speaker 4: been I've been driving for thirteen and a half years.

777
00:34:12,600 --> 00:34:14,920
Speaker 4: He's like, yeah, yeah, so she's gonna drive right. Like

778
00:34:15,040 --> 00:34:18,560
Speaker 4: she just is just a much more responsible human. But

779
00:34:18,680 --> 00:34:23,799
Speaker 4: it definitely has been interesting just rewatching a couple, like

780
00:34:23,840 --> 00:34:26,239
Speaker 4: just last night, rewatching a couple of the early episodes

781
00:34:26,680 --> 00:34:29,080
Speaker 4: and thinking them, thinking about them just in the context

782
00:34:29,160 --> 00:34:33,800
Speaker 4: of her and this one in particular, because it's pretty

783
00:34:34,560 --> 00:34:37,520
Speaker 4: it's pretty unbelievable, as you know, you see JD and

784
00:34:37,640 --> 00:34:40,839
Speaker 4: Elliott and Turk and the pressure that is on them

785
00:34:40,880 --> 00:34:43,279
Speaker 4: and just all of it, like trying to figure out,

786
00:34:43,320 --> 00:34:45,160
Speaker 4: you know, what calls they can make on their own

787
00:34:45,160 --> 00:34:46,399
Speaker 4: and when to go for help.

788
00:34:46,840 --> 00:34:50,280
Speaker 3: Here's a little bit more scrubs trivia. Your little sister

789
00:34:50,960 --> 00:34:56,399
Speaker 3: taught my eighteen year old, when he was probably nine

790
00:34:56,440 --> 00:35:00,359
Speaker 3: to ten months at this time, how to walk right

791
00:35:01,000 --> 00:35:04,400
Speaker 3: happen on the third floor of the hospital, right in

792
00:35:04,520 --> 00:35:06,359
Speaker 3: between our dressing rooms.

793
00:35:07,239 --> 00:35:08,800
Speaker 4: That's so crazy crazy.

794
00:35:09,320 --> 00:35:11,919
Speaker 3: And now she's an adult and she's taking care of patients. Wow,

795
00:35:12,400 --> 00:35:13,839
Speaker 3: is she on the front line right now?

796
00:35:14,640 --> 00:35:17,800
Speaker 4: She is. I think about her mostly every minute.

797
00:35:18,040 --> 00:35:18,360
Speaker 6: Wow.

798
00:35:18,800 --> 00:35:23,120
Speaker 4: We've been pots and pans every night, all of us.

799
00:35:23,160 --> 00:35:26,200
Speaker 4: And my three year old has broken a couple measuring

800
00:35:26,239 --> 00:35:28,680
Speaker 4: cups because she gets so into it.

801
00:35:29,719 --> 00:35:31,440
Speaker 1: That's very sweet. You do it as like an honor

802
00:35:31,520 --> 00:35:33,279
Speaker 1: to the healthcare workers.

803
00:35:33,760 --> 00:35:37,399
Speaker 4: Yeah, so it's it's really cool. Actually, everybody, everybody goes

804
00:35:37,440 --> 00:35:39,319
Speaker 4: out on the on the everybody goes outside at like

805
00:35:39,320 --> 00:35:42,120
Speaker 4: seven o'clock and just bangs the pots and pans and

806
00:35:42,160 --> 00:35:43,480
Speaker 4: screams and cheers.

807
00:35:43,840 --> 00:35:44,040
Speaker 2: Oh.

808
00:35:44,080 --> 00:35:45,960
Speaker 1: I like that. I want my neighborhood. I want my

809
00:35:45,960 --> 00:35:48,480
Speaker 1: neighborhood to do that. We need a primal scream.

810
00:35:48,800 --> 00:35:50,640
Speaker 4: Oh, you start it. It's so cool.

811
00:35:50,920 --> 00:35:51,160
Speaker 2: Yeah.

812
00:35:51,520 --> 00:35:53,440
Speaker 1: Just segueing back to the show, I want to just

813
00:35:53,600 --> 00:35:55,919
Speaker 1: say that you'll hear us at a minute and forty

814
00:35:55,960 --> 00:35:58,560
Speaker 1: five seconds, there's this really cool steady cam shot that

815
00:35:58,719 --> 00:36:01,800
Speaker 1: really kind of sets up the tone of the show.

816
00:36:02,239 --> 00:36:04,560
Speaker 1: You'll hear us talk about the word steady camel lot

817
00:36:04,600 --> 00:36:06,160
Speaker 1: on this and if you don't know what it is,

818
00:36:06,200 --> 00:36:08,000
Speaker 1: it's a it's like it's a way of mounting the

819
00:36:08,040 --> 00:36:11,120
Speaker 1: camera on a on an operator's body so that the

820
00:36:11,120 --> 00:36:13,640
Speaker 1: operator can move around and the camera just feels like

821
00:36:13,680 --> 00:36:16,640
Speaker 1: it's floating around. And it's something that was used extensively

822
00:36:16,760 --> 00:36:19,200
Speaker 1: on the Scrubs set as we traveled on the hallways.

823
00:36:19,200 --> 00:36:21,279
Speaker 1: But I pointed out, as I was talking about Mark

824
00:36:21,280 --> 00:36:23,799
Speaker 1: Buckle in the director's style, how I like this sort

825
00:36:23,800 --> 00:36:25,640
Speaker 1: of way he's introducing that this episode is going to

826
00:36:25,680 --> 00:36:27,920
Speaker 1: be about the three of us, where the camera starts

827
00:36:27,960 --> 00:36:30,080
Speaker 1: on me and then it and then it goes to

828
00:36:30,200 --> 00:36:32,440
Speaker 1: Sarah and it never it never cuts, and then it

829
00:36:32,480 --> 00:36:34,279
Speaker 1: goes by the children, and then it comes up to

830
00:36:34,320 --> 00:36:37,279
Speaker 1: Donald as he comes into the room. And I just

831
00:36:37,320 --> 00:36:40,240
Speaker 1: thought that was kind of an early example of something

832
00:36:40,239 --> 00:36:41,800
Speaker 1: that we did ended up doing a lot of of

833
00:36:42,040 --> 00:36:45,120
Speaker 1: of sort of moving around the hallways without cutting a lot.

834
00:36:45,440 --> 00:36:45,840
Speaker 2: Yeah.

835
00:36:46,040 --> 00:36:47,920
Speaker 3: Also, if I don't know if you guys noticed, but

836
00:36:47,960 --> 00:36:50,440
Speaker 3: the hospital is really dark in this episode.

837
00:36:50,760 --> 00:36:52,520
Speaker 1: Yeah, it's true, the.

838
00:36:52,520 --> 00:36:55,319
Speaker 3: Lights aren't on. Really, everything's you know, it's very very

839
00:36:55,400 --> 00:36:58,359
Speaker 3: dark in this episode. Not only that, here's another thing.

840
00:36:58,360 --> 00:37:00,920
Speaker 3: It's jumping ahead, but this is one of the first

841
00:37:00,960 --> 00:37:04,280
Speaker 3: times where Kelso isn't the bad guy on the show. Also,

842
00:37:05,200 --> 00:37:08,480
Speaker 3: what I've noticed is that when we're dealing with something

843
00:37:09,200 --> 00:37:13,319
Speaker 3: like that's as powerful or as strong as death, it's

844
00:37:13,440 --> 00:37:15,960
Speaker 3: us versus the hospital. If you've noticed that, you know

845
00:37:16,000 --> 00:37:20,920
Speaker 3: what I mean, it's the cast versus death. And in

846
00:37:20,960 --> 00:37:24,120
Speaker 3: this one, Kelso gives is a mentor in this one.

847
00:37:24,360 --> 00:37:27,600
Speaker 3: He gives really good advice in this one to JD.

848
00:37:28,640 --> 00:37:31,520
Speaker 3: And he's not the obstacle. He's the one that's actually

849
00:37:31,600 --> 00:37:35,759
Speaker 3: trying to help solve the problems in this Now, if

850
00:37:35,760 --> 00:37:39,600
Speaker 3: you watch other episodes, he's never really like that, you

851
00:37:39,640 --> 00:37:42,680
Speaker 3: know what I mean. He's always he's always the bad guy.

852
00:37:42,719 --> 00:37:45,760
Speaker 3: This was the first episode, well obviously the first episode

853
00:37:45,760 --> 00:37:46,920
Speaker 3: in a run, but this is the first episode that

854
00:37:46,920 --> 00:37:48,920
Speaker 3: I can remember where I was like, Wow, Kelso was

855
00:37:49,040 --> 00:37:51,399
Speaker 3: on board with us this whole time.

856
00:37:51,680 --> 00:37:52,120
Speaker 2: Mm hmm.

857
00:37:52,320 --> 00:37:53,879
Speaker 1: I like what you pointed out too about the lighting,

858
00:37:53,920 --> 00:37:56,960
Speaker 1: because traditionally in half hour TV comedy, everything's always bright

859
00:37:57,000 --> 00:37:59,440
Speaker 1: there's like this unwritten rule that for it to be

860
00:37:59,440 --> 00:38:03,320
Speaker 1: funny to be bright and again just challenging some of

861
00:38:03,360 --> 00:38:07,000
Speaker 1: the conventions. In this episode, both John Inwood, the cinematographer,

862
00:38:07,080 --> 00:38:10,960
Speaker 1: and Mark Buckland did things like have have it be

863
00:38:11,239 --> 00:38:13,800
Speaker 1: in dark rooms, you know, having some of the dramatic

864
00:38:13,840 --> 00:38:18,080
Speaker 1: moments like in ICU later happened in you know, at

865
00:38:18,760 --> 00:38:21,720
Speaker 1: night or at sundown, which I thought, was I agree,

866
00:38:21,800 --> 00:38:23,440
Speaker 1: that was something I hadn't I had noticed that was

867
00:38:23,480 --> 00:38:24,560
Speaker 1: this is the first time they did that.

868
00:38:24,920 --> 00:38:26,680
Speaker 2: Yeah, it carries on throughout the series too.

869
00:38:27,200 --> 00:38:31,200
Speaker 1: Yeah. At two twenty six we meet Catherine Juston playing

870
00:38:31,280 --> 00:38:34,160
Speaker 1: Missus Tanner. Now she is such an uzz she has

871
00:38:34,239 --> 00:38:36,880
Speaker 1: since passed away, but was such an extraordinary actress, and

872
00:38:36,880 --> 00:38:40,160
Speaker 1: I remember she had just done a very high profile

873
00:38:40,280 --> 00:38:43,400
Speaker 1: run on The West Wing where that character had passed

874
00:38:43,440 --> 00:38:46,719
Speaker 1: away as well, and I remember thinking, well, is that

875
00:38:46,760 --> 00:38:49,160
Speaker 1: gonna be odd that she's coming onto art. I mean,

876
00:38:49,160 --> 00:38:51,440
Speaker 1: I'm glad she's coming on because she's a wonderful actress,

877
00:38:51,440 --> 00:38:54,879
Speaker 1: but having just played someone else who died, I think

878
00:38:54,920 --> 00:38:56,440
Speaker 1: I just remember that being in my head, like she

879
00:38:56,480 --> 00:38:58,680
Speaker 1: had just done such a hope, high profile moment on

880
00:38:59,000 --> 00:39:02,719
Speaker 1: West Wing. But then the second I started working with her,

881
00:39:02,719 --> 00:39:06,720
Speaker 1: I just felt in awe of her, of her talent,

882
00:39:06,719 --> 00:39:08,360
Speaker 1: and that was the furthest thing from my mind.

883
00:39:08,719 --> 00:39:10,799
Speaker 4: One of my favorite moments in the episode when she says,

884
00:39:10,800 --> 00:39:12,680
Speaker 4: are you a good doctor? And you say it's probably

885
00:39:12,719 --> 00:39:14,480
Speaker 4: too soon to tell, and I just feel like it's

886
00:39:14,480 --> 00:39:18,320
Speaker 4: such a such an example of how the show walked

887
00:39:18,320 --> 00:39:20,560
Speaker 4: that line of like you're just on the edge of

888
00:39:20,600 --> 00:39:22,680
Speaker 4: your seat and you're crying and then you're laughing, and

889
00:39:23,160 --> 00:39:24,680
Speaker 4: there's a few moments.

890
00:39:24,480 --> 00:39:26,160
Speaker 3: Oh, there's a couple of moments that I laughed in

891
00:39:26,200 --> 00:39:30,200
Speaker 3: my ass. So when JD goes to the park to

892
00:39:30,280 --> 00:39:33,759
Speaker 3: meet up with her, yeah, and he's like, you got

893
00:39:33,760 --> 00:39:36,200
Speaker 3: to get your ass back to the hospital. And then

894
00:39:36,200 --> 00:39:38,200
Speaker 3: he's like, is that some moores? And then they cut

895
00:39:38,200 --> 00:39:41,160
Speaker 3: away and then they cut back and he's still chastising her,

896
00:39:41,239 --> 00:39:43,040
Speaker 3: but now he've got chocolate all on his lips.

897
00:39:43,160 --> 00:39:46,239
Speaker 1: Yeah. JD was not going to pass up amores moment.

898
00:39:46,280 --> 00:39:46,920
Speaker 1: Are you kidding me?

899
00:39:47,760 --> 00:39:49,200
Speaker 4: You think he could have gone a big cake?

900
00:39:50,840 --> 00:39:53,280
Speaker 1: JD was not. JD was trying. It was a perfect

901
00:39:53,360 --> 00:39:55,560
Speaker 1: JD thing to be like really trying to be taken

902
00:39:55,600 --> 00:39:58,400
Speaker 1: seriously with s'mores. Chuck late over all of his lips.

903
00:40:00,000 --> 00:40:02,399
Speaker 4: One of my favorite laugh out low moments is when

904
00:40:02,480 --> 00:40:04,680
Speaker 4: Donald is doing the workout.

905
00:40:04,320 --> 00:40:10,040
Speaker 1: Video, which is foreshadowing the Poison Dance a little bit

906
00:40:10,040 --> 00:40:12,879
Speaker 1: because you're dancing in the very same room and and a.

907
00:40:12,800 --> 00:40:14,799
Speaker 4: Little bit and some and some sweet moves that I

908
00:40:14,800 --> 00:40:18,120
Speaker 4: guarantee you we're not in the eighties workout video. But

909
00:40:18,160 --> 00:40:20,399
Speaker 4: when he's like, she had such energy and warm, dude.

910
00:40:20,400 --> 00:40:22,879
Speaker 4: The Women League of Women Voters called and they want

911
00:40:22,880 --> 00:40:24,200
Speaker 4: to know where to zend your membership.

912
00:40:27,120 --> 00:40:30,680
Speaker 1: Sarah tell us about I'm a tell us about I'm

913
00:40:30,680 --> 00:40:33,160
Speaker 1: a Chunky Monkey from Funky Town because I remember that,

914
00:40:33,280 --> 00:40:34,840
Speaker 1: and I just was like, who wrote that? That is

915
00:40:34,880 --> 00:40:36,160
Speaker 1: the most random thing in the world.

916
00:40:36,440 --> 00:40:39,040
Speaker 4: I guess Matt Tarsus or who knows.

917
00:40:39,440 --> 00:40:41,680
Speaker 1: But was the idea that you were just testing out?

918
00:40:42,000 --> 00:40:45,600
Speaker 1: Elliott was just testing out that she could say anything

919
00:40:45,640 --> 00:40:46,279
Speaker 1: in front of a woman.

920
00:40:46,560 --> 00:40:47,799
Speaker 4: Yes, Yes, I think so.

921
00:40:47,960 --> 00:40:48,160
Speaker 2: Yes.

922
00:40:49,640 --> 00:40:51,640
Speaker 4: Obviously to Carla's.

923
00:40:51,120 --> 00:40:53,920
Speaker 3: Display, there's a lot of there's a lot of trivia

924
00:40:53,960 --> 00:40:59,160
Speaker 3: in this episode because we we introduced characters that from

925
00:40:59,160 --> 00:41:01,720
Speaker 3: that moment on weren't on the show anymore.

926
00:41:01,760 --> 00:41:06,480
Speaker 2: Like I remember Layla Lee. She plays the surgeon in

927
00:41:06,600 --> 00:41:08,560
Speaker 2: the room with doctor Wynn and Turk.

928
00:41:08,800 --> 00:41:10,719
Speaker 1: She was really good. I had the same reaction. I

929
00:41:10,760 --> 00:41:11,480
Speaker 1: was like, what happened to her?

930
00:41:11,520 --> 00:41:13,320
Speaker 2: She was, yeah, so I do know the story.

931
00:41:13,400 --> 00:41:16,680
Speaker 3: I remember we were filming and it was a couple

932
00:41:16,719 --> 00:41:18,799
Speaker 3: of episodes in and she was going to come back

933
00:41:18,840 --> 00:41:22,680
Speaker 3: as my nemesis. And she was saying how she had

934
00:41:22,719 --> 00:41:25,440
Speaker 3: just got this part on a television show that was

935
00:41:25,480 --> 00:41:27,799
Speaker 3: going to take her out of California, or not out

936
00:41:27,800 --> 00:41:30,480
Speaker 3: of California, but out of the Los Angeles area, and

937
00:41:30,520 --> 00:41:32,120
Speaker 3: she was going to go do that instead.

938
00:41:32,920 --> 00:41:34,920
Speaker 2: Now I remember being like, but what about us? What?

939
00:41:35,200 --> 00:41:36,399
Speaker 2: What about what we've got going?

940
00:41:36,440 --> 00:41:38,759
Speaker 3: This is so funny, and she was like, you know,

941
00:41:38,880 --> 00:41:41,640
Speaker 3: I'm a guest star on this show, but on the

942
00:41:41,719 --> 00:41:43,120
Speaker 3: other show I would be a lead.

943
00:41:43,160 --> 00:41:45,080
Speaker 2: And so she went and took the other job. To

944
00:41:45,120 --> 00:41:45,960
Speaker 2: be honest with you, enough you.

945
00:41:45,960 --> 00:41:46,920
Speaker 1: Remember what the show was.

946
00:41:47,040 --> 00:41:47,800
Speaker 2: It was Trimors.

947
00:41:48,239 --> 00:41:50,680
Speaker 3: Oh okay, it was the syndicated version of Tremors, and

948
00:41:50,680 --> 00:41:53,759
Speaker 3: I remember it ran for a while and the dad

949
00:41:53,840 --> 00:41:55,759
Speaker 3: from Family Ties, I think, is on it.

950
00:41:55,800 --> 00:41:57,200
Speaker 2: I'm not sure. I couldn't.

951
00:41:57,360 --> 00:42:00,000
Speaker 1: I just remember watching that scene, which we'll get to

952
00:42:00,280 --> 00:42:02,560
Speaker 1: later in the episode. And you guys had such a

953
00:42:02,560 --> 00:42:06,440
Speaker 1: funny banter that that's spoofing of a couple driving together.

954
00:42:06,760 --> 00:42:08,480
Speaker 1: And then I had the same thought. I go, oh

955
00:42:08,520 --> 00:42:10,920
Speaker 1: that that that young woman was so funny. What happened

956
00:42:10,960 --> 00:42:12,399
Speaker 1: to her? And I guess she got her own show

957
00:42:12,400 --> 00:42:12,920
Speaker 1: at the time.

958
00:42:12,800 --> 00:42:14,960
Speaker 3: She got well, yeah, she got a job and went

959
00:42:15,000 --> 00:42:17,239
Speaker 3: on to do other things to.

960
00:42:17,400 --> 00:42:19,680
Speaker 4: Other people of Scrubs Lore who were introduced in this

961
00:42:19,719 --> 00:42:24,280
Speaker 4: episode seven fifty nine, I very quickly. If you watched

962
00:42:24,360 --> 00:42:27,520
Speaker 4: Danny Rose, you killed the sistant and obviously became a

963
00:42:27,520 --> 00:42:29,640
Speaker 4: producer on the show. He walks by in the park

964
00:42:29,680 --> 00:42:31,080
Speaker 4: and he has Tankers.

965
00:42:30,880 --> 00:42:33,400
Speaker 1: On his shoulders, shoulders, Yeah, and Tankers was what a

966
00:42:33,440 --> 00:42:38,080
Speaker 1: big bulldog that he Yeah, Tankers And I just we

967
00:42:38,160 --> 00:42:41,920
Speaker 1: have to talk about the legendary Mike Schwartz, who plays

968
00:42:41,960 --> 00:42:44,560
Speaker 1: his very first appearance, very first appearance. A lot of

969
00:42:44,560 --> 00:42:46,160
Speaker 1: times we're watching these episodes and I forget that some

970
00:42:46,160 --> 00:42:48,040
Speaker 1: of the people were introduced so early. So Mike Schwartz

971
00:42:48,080 --> 00:42:50,080
Speaker 1: was one of the writers on the show, very funny,

972
00:42:50,120 --> 00:42:52,719
Speaker 1: a comedy writer, and he plays the delivery guy, the

973
00:42:52,840 --> 00:42:55,840
Speaker 1: ups guy, if you will. That his first they established

974
00:42:55,880 --> 00:42:58,000
Speaker 1: him giving something to Kelso and then later he comes

975
00:42:58,000 --> 00:43:00,360
Speaker 1: and delivers a ton of bricks to me, he is

976
00:43:00,520 --> 00:43:02,359
Speaker 1: uh he We had so many laughs with that guy.

977
00:43:02,440 --> 00:43:05,480
Speaker 4: Huh oh my god, constantly doing bits and making us

978
00:43:05,520 --> 00:43:07,200
Speaker 4: all laugh. Like you walk by him in the hallway

979
00:43:07,200 --> 00:43:09,239
Speaker 4: and he'd be like, what's that, it's Jack Crew.

980
00:43:10,640 --> 00:43:11,160
Speaker 2: He would do this.

981
00:43:11,480 --> 00:43:13,839
Speaker 1: He would do this bit that I don't know why.

982
00:43:13,840 --> 00:43:15,319
Speaker 1: It was so funny, but he would go he would

983
00:43:15,360 --> 00:43:18,239
Speaker 1: pretend to call off to someone that wasn't there, and

984
00:43:18,520 --> 00:43:19,920
Speaker 1: he would and he would do a bit where he

985
00:43:20,000 --> 00:43:22,800
Speaker 1: was pretending that they were asking him who made his shirt,

986
00:43:23,560 --> 00:43:26,520
Speaker 1: and so he'd be reaching for the tag. He'd be what, oh,

987
00:43:26,600 --> 00:43:29,480
Speaker 1: hold on to me. Oh yeah, it's Jay Crew. And

988
00:43:30,040 --> 00:43:32,360
Speaker 1: it was so stupid, but he was talking to no

989
00:43:32,480 --> 00:43:34,520
Speaker 1: one and you would laugh every single time.

990
00:43:34,440 --> 00:43:36,319
Speaker 4: Every time we're lonely this guy in the world, where

991
00:43:36,320 --> 00:43:37,520
Speaker 4: you tap him on the shoulder and be like.

992
00:43:38,520 --> 00:43:39,719
Speaker 1: We ended up putting that in the show.

993
00:43:42,520 --> 00:43:45,880
Speaker 3: He went on to be the Was he the drummer

994
00:43:46,360 --> 00:43:49,320
Speaker 3: for the for the airband that same episode that we

995
00:43:49,400 --> 00:43:49,920
Speaker 3: were talking.

996
00:43:49,760 --> 00:43:52,720
Speaker 1: About, y Yeah, he liked his character. Like later episodes,

997
00:43:52,719 --> 00:43:54,719
Speaker 1: we learned that his character like speed metal.

998
00:43:55,000 --> 00:43:57,160
Speaker 3: Right and and and that his character was a big

999
00:43:57,280 --> 00:43:59,000
Speaker 3: time like drug addict and everything like that, and it

1000
00:43:59,080 --> 00:44:01,600
Speaker 3: was always I think, and he was very lonely.

1001
00:44:01,680 --> 00:44:04,000
Speaker 1: But that that bit about that was his bit where

1002
00:44:04,040 --> 00:44:06,400
Speaker 1: you if no one touched him, So if you ever

1003
00:44:06,480 --> 00:44:09,719
Speaker 1: did graize his shoulder, he would sort of cuddle his

1004
00:44:09,800 --> 00:44:12,120
Speaker 1: own shoulder because he was so low. He was so

1005
00:44:12,280 --> 00:44:14,319
Speaker 1: lonely and lacking of touch, the.

1006
00:44:14,400 --> 00:44:16,680
Speaker 4: Loneliest guy in the world. And then Randall Winston is

1007
00:44:16,760 --> 00:44:17,759
Speaker 4: introduced as Death.

1008
00:44:18,000 --> 00:44:23,320
Speaker 1: Yes, yeahs, And Randall Winston was our line producer on

1009
00:44:23,440 --> 00:44:25,560
Speaker 1: the show. And uh, for those who don't know, a

1010
00:44:25,640 --> 00:44:27,640
Speaker 1: line producer is the producer that really is handling the

1011
00:44:27,680 --> 00:44:30,320
Speaker 1: sort of the daily money of things, really like the

1012
00:44:30,360 --> 00:44:32,440
Speaker 1: guy with the spreadsheet being like we can afford that,

1013
00:44:32,560 --> 00:44:35,279
Speaker 1: we can't afford that. And he was a very he

1014
00:44:35,520 --> 00:44:38,040
Speaker 1: was he is a very tall man. How tall would

1015
00:44:38,040 --> 00:44:40,719
Speaker 1: you say, is six seven or six six? Yeah? And

1016
00:44:40,880 --> 00:44:44,520
Speaker 1: so he he was established early on as as Death

1017
00:44:45,719 --> 00:44:48,960
Speaker 1: and whole run. Yes, and some of you are too

1018
00:44:49,600 --> 00:44:52,960
Speaker 1: young to know that what this joke is about. Connect four,

1019
00:44:53,239 --> 00:44:55,800
Speaker 1: But Connect four was a was a game from it

1020
00:44:56,000 --> 00:44:58,080
Speaker 1: still is a game kids still, But I'm saying they

1021
00:44:58,120 --> 00:45:01,080
Speaker 1: didn't have the cheesy ad. She's the ad in the

1022
00:45:01,120 --> 00:45:04,640
Speaker 1: eighties was a brother and sister playing and the sister

1023
00:45:04,760 --> 00:45:10,200
Speaker 1: wins and the brother goes pretty Sneaky Sis. Remember that

1024
00:45:11,160 --> 00:45:13,080
Speaker 1: you guys can look it up on YouTube. And so

1025
00:45:13,280 --> 00:45:16,840
Speaker 1: that's why we were spoofing that old eighties ad where

1026
00:45:16,880 --> 00:45:19,040
Speaker 1: I go Pretty Sneaky Death.

1027
00:45:19,280 --> 00:45:20,719
Speaker 3: But you got to do the lead up to it

1028
00:45:21,040 --> 00:45:25,000
Speaker 3: is I win where I don't see it right here

1029
00:45:25,360 --> 00:45:28,640
Speaker 3: diagonally pretty Sneaky.

1030
00:45:28,320 --> 00:45:30,759
Speaker 1: Sis, Pretty Sneaky Sis.

1031
00:45:31,760 --> 00:45:35,600
Speaker 4: And Randall is his main belief was that it's not

1032
00:45:35,640 --> 00:45:37,200
Speaker 4: a party unless both hands are in the air. So

1033
00:45:37,360 --> 00:45:40,719
Speaker 4: we had the most incredible rap parties and.

1034
00:45:43,800 --> 00:45:48,560
Speaker 3: Parties man and Randall and Randall is like some of

1035
00:45:48,640 --> 00:45:52,520
Speaker 3: the highlights of every part, like the some of the

1036
00:45:52,600 --> 00:45:56,920
Speaker 3: best party highlights that I've ever experienced involved Randall.

1037
00:45:57,600 --> 00:46:00,800
Speaker 1: Fortunately for us, the guys ending the money for the

1038
00:46:00,880 --> 00:46:02,280
Speaker 1: party really loved to party.

1039
00:46:03,480 --> 00:46:04,720
Speaker 4: Yeah, we had some good parties.

1040
00:46:05,120 --> 00:46:06,839
Speaker 1: I'm sure there's episodes where they were like, you don't

1041
00:46:06,840 --> 00:46:08,320
Speaker 1: need that set, we're throwing a party.

1042
00:46:12,880 --> 00:46:17,120
Speaker 4: Why Johnny Ce's home space looked very sparse because we

1043
00:46:17,280 --> 00:46:17,640
Speaker 4: needed to.

1044
00:46:17,680 --> 00:46:19,960
Speaker 1: Go to Vogah. God, we were just talking about that,

1045
00:46:20,080 --> 00:46:22,400
Speaker 1: how Johnny Seed they didn't get around to Johnny cees

1046
00:46:22,480 --> 00:46:25,080
Speaker 1: uh partly building Johnny C's apartment. It was just a

1047
00:46:25,160 --> 00:46:26,160
Speaker 1: hospital set, but.

1048
00:46:26,200 --> 00:46:28,839
Speaker 4: I think Randall spearheaded. I'm sure the like we got

1049
00:46:28,920 --> 00:46:31,719
Speaker 4: to we got to go on that crazy, amazing trip

1050
00:46:31,960 --> 00:46:34,160
Speaker 4: everybody to Vegas. We had to do like they were

1051
00:46:34,200 --> 00:46:36,920
Speaker 4: able to kind of combine a press event with the

1052
00:46:37,000 --> 00:46:39,880
Speaker 4: Scrubs wrap party, and so they organized it so like

1053
00:46:40,360 --> 00:46:43,240
Speaker 4: our whole cap went to Vegas all together.

1054
00:46:43,360 --> 00:46:47,040
Speaker 2: Things that will never happen ever in again.

1055
00:46:47,520 --> 00:46:49,759
Speaker 1: I doubt any show is taking their whole company to

1056
00:46:49,840 --> 00:46:50,839
Speaker 1: Vegas to throw a bash.

1057
00:46:51,280 --> 00:46:53,680
Speaker 2: Will the old days, Yeah.

1058
00:46:54,280 --> 00:46:56,040
Speaker 4: When we got to shoot a whole season in the

1059
00:46:56,080 --> 00:46:57,360
Speaker 4: Bahamas with the whole crew.

1060
00:46:58,280 --> 00:47:00,680
Speaker 1: A company an episode, Sarah may have stayed and shot

1061
00:47:00,719 --> 00:47:01,120
Speaker 1: a season.

1062
00:47:03,000 --> 00:47:03,840
Speaker 4: What is the season?

1063
00:47:04,560 --> 00:47:07,040
Speaker 1: Donald? I want to know a sports question, and I

1064
00:47:07,080 --> 00:47:09,440
Speaker 1: want you to be honest. Yes, did you know what

1065
00:47:09,640 --> 00:47:13,120
Speaker 1: the quote unquote catch was? Absolutely, it's about it. It's

1066
00:47:13,120 --> 00:47:15,120
Speaker 1: a famous thing that sports people know about.

1067
00:47:15,719 --> 00:47:16,279
Speaker 2: Absolutely.

1068
00:47:16,360 --> 00:47:20,040
Speaker 3: So Joe Montana, Yeah, it looked like he couldn't throw

1069
00:47:20,120 --> 00:47:23,399
Speaker 3: it to anyone in this game. Now, granted, I don't

1070
00:47:23,480 --> 00:47:27,520
Speaker 3: know who who they were playing, so when we're talking

1071
00:47:27,520 --> 00:47:28,799
Speaker 3: about it in the show, I didn't know who they

1072
00:47:28,800 --> 00:47:31,160
Speaker 3: were playing. But he found Dwight Clark in the end

1073
00:47:31,280 --> 00:47:34,200
Speaker 3: zone and it was you know, it's one of the

1074
00:47:34,280 --> 00:47:37,040
Speaker 3: biggest catches in history. As a matter of fact, it's

1075
00:47:37,040 --> 00:47:39,759
Speaker 3: a part of a commercial, like a Gatorade commercial or

1076
00:47:39,800 --> 00:47:42,799
Speaker 3: something like that. And that's how I first heard about

1077
00:47:42,840 --> 00:47:45,759
Speaker 3: it because I wasn't a big football fan growing up.

1078
00:47:45,760 --> 00:47:46,080
Speaker 2: I didn't.

1079
00:47:46,080 --> 00:47:48,160
Speaker 3: I didn't become a football fan until later on in life.

1080
00:47:48,280 --> 00:47:50,560
Speaker 3: But yes, I did know when we did the when

1081
00:47:50,760 --> 00:47:53,160
Speaker 3: when they referenced the catch, I knew exactly what it was.

1082
00:47:53,280 --> 00:47:55,560
Speaker 1: Okay, good because I didn't know because I don't know

1083
00:47:55,600 --> 00:47:58,359
Speaker 1: anything about sports. If like everyone who's into sports knows, oh,

1084
00:47:58,600 --> 00:48:00,560
Speaker 1: the catch, it's called like the catch.

1085
00:48:00,800 --> 00:48:03,160
Speaker 2: Well, I mean at that time it was called the catch.

1086
00:48:03,280 --> 00:48:07,440
Speaker 3: I'm sure Since then they're like Eli Manning and Mario

1087
00:48:07,640 --> 00:48:10,960
Speaker 3: Manningham they have a you know how he found him

1088
00:48:11,000 --> 00:48:14,200
Speaker 3: on the you know, running down the it's it's I

1089
00:48:14,320 --> 00:48:17,480
Speaker 3: didn't know when or where the catch was, but I

1090
00:48:17,560 --> 00:48:19,200
Speaker 3: had heard of the reference before.

1091
00:48:19,080 --> 00:48:21,120
Speaker 1: Donald tell us about the bowling Thinguse I was laughing

1092
00:48:21,160 --> 00:48:23,560
Speaker 1: at this, going, what are those what are those pins?

1093
00:48:23,680 --> 00:48:23,719
Speaker 4: Like?

1094
00:48:23,880 --> 00:48:25,680
Speaker 1: What is that supposed to be in the hospital of

1095
00:48:25,719 --> 00:48:27,000
Speaker 1: those giant blue things.

1096
00:48:27,200 --> 00:48:29,160
Speaker 3: First of all, this this is a testament for how

1097
00:48:29,239 --> 00:48:32,560
Speaker 3: immature Christopher Turk was so the kid says to him, Hey,

1098
00:48:32,640 --> 00:48:34,880
Speaker 3: it's the catch. Turk turns around and goes, yeah, I'll

1099
00:48:34,880 --> 00:48:37,680
Speaker 3: watched the Catch with you, And within fifteen minutes he's

1100
00:48:37,719 --> 00:48:41,040
Speaker 3: bowling a kid down the hospital hall, Like, how did

1101
00:48:41,080 --> 00:48:41,920
Speaker 3: this kid convince?

1102
00:48:42,239 --> 00:48:44,279
Speaker 2: Like, that's how weak willed Chris Turk is.

1103
00:48:44,760 --> 00:48:48,680
Speaker 3: How in the hell did this kid convince him to

1104
00:48:48,960 --> 00:48:51,560
Speaker 3: put him in a wheelchair and push him down the

1105
00:48:51,680 --> 00:48:55,160
Speaker 3: hall into a bunch of I guess they were recycling bins.

1106
00:48:55,440 --> 00:48:57,040
Speaker 1: Is that what they were supposed to being? I think so,

1107
00:48:57,320 --> 00:49:00,120
Speaker 1: because to me they look like cardboard tubes that someone.

1108
00:49:00,680 --> 00:49:03,239
Speaker 3: Right, I'm hoping that it was a recycling but like,

1109
00:49:03,320 --> 00:49:05,640
Speaker 3: how did this kid convince him? And the rest of

1110
00:49:05,719 --> 00:49:07,880
Speaker 3: the floor, Like Chris Turk walked out the room and

1111
00:49:08,040 --> 00:49:10,279
Speaker 3: was like, Yo, this is what we're gonna do, all right,

1112
00:49:12,239 --> 00:49:13,480
Speaker 3: I'm gonna put him in a wheelchair.

1113
00:49:13,520 --> 00:49:16,040
Speaker 1: I know I just started. I know, I just started

1114
00:49:16,080 --> 00:49:19,120
Speaker 1: as a doctor here, but I'm gonna roll a patient

1115
00:49:19,200 --> 00:49:23,360
Speaker 1: in a wheelchair down the hall. If you're a new doctor,

1116
00:49:23,400 --> 00:49:25,040
Speaker 1: don't try that at work, please.

1117
00:49:25,440 --> 00:49:27,640
Speaker 3: Well, and that was the great thing about the show

1118
00:49:27,719 --> 00:49:30,239
Speaker 3: also is that he was held accountable for it, you know,

1119
00:49:31,200 --> 00:49:34,439
Speaker 3: Kelso right away and This is where Kelso mentors Turk

1120
00:49:34,560 --> 00:49:36,600
Speaker 3: kind of also like, we're not here to make friends,

1121
00:49:36,640 --> 00:49:37,800
Speaker 3: We're here to treat these patients.

1122
00:49:37,920 --> 00:49:39,040
Speaker 2: Dude, be a doctor.

1123
00:49:39,400 --> 00:49:42,840
Speaker 1: Yeah, I wanted to talk about the park Salary referenced

1124
00:49:42,840 --> 00:49:45,719
Speaker 1: it already, but I remember feeling really bad at nine

1125
00:49:45,760 --> 00:49:48,279
Speaker 1: minutes and thirty seconds slamming that little girl's face into

1126
00:49:48,320 --> 00:49:48,640
Speaker 1: the cake.

1127
00:49:48,920 --> 00:49:50,759
Speaker 2: That was hilarious. I wish I could do that to

1128
00:49:50,840 --> 00:49:51,600
Speaker 2: my kids sometimes.

1129
00:49:52,000 --> 00:49:54,400
Speaker 1: It was funny. I mean it was funny on paper

1130
00:49:54,480 --> 00:49:56,160
Speaker 1: when we got there and she has that cute little

1131
00:49:56,600 --> 00:49:58,400
Speaker 1: face and I was like, so, you guys really want

1132
00:49:58,440 --> 00:50:01,279
Speaker 1: me to jam this girl's face cake? And they're like, yeah,

1133
00:50:01,320 --> 00:50:02,880
Speaker 1: you gotta do it. You can't just like fake it.

1134
00:50:02,960 --> 00:50:04,560
Speaker 1: You got to do it. And I was like, and

1135
00:50:04,640 --> 00:50:06,120
Speaker 1: I talked to her. I was like, sweety, are you

1136
00:50:06,120 --> 00:50:08,040
Speaker 1: okay with this? And She's like, yeah, sure, it's gonna

1137
00:50:08,040 --> 00:50:09,440
Speaker 1: be funny. And I was like, all right, here we go,

1138
00:50:09,480 --> 00:50:11,120
Speaker 1: and I just jammed her head in and it felt

1139
00:50:11,160 --> 00:50:11,680
Speaker 1: really nice.

1140
00:50:12,200 --> 00:50:16,280
Speaker 2: Yeah, listen, Sarah can attest to this. She hasked children,

1141
00:50:16,400 --> 00:50:18,080
Speaker 2: as much as we love our children.

1142
00:50:17,840 --> 00:50:19,040
Speaker 4: Oh, sometimes you want to just.

1143
00:50:21,080 --> 00:50:25,480
Speaker 2: And on their face into a cake, especially going.

1144
00:50:25,440 --> 00:50:30,120
Speaker 4: To be quarantining for the near multiple multiple days months.

1145
00:50:30,719 --> 00:50:33,520
Speaker 3: If I had the opportunity and I knew my wife

1146
00:50:33,560 --> 00:50:36,560
Speaker 3: wouldn't be pissed off at me for doing it, Rocco's

1147
00:50:36,560 --> 00:50:38,200
Speaker 3: face would have been slammed into a couple of its.

1148
00:50:38,120 --> 00:50:40,439
Speaker 1: Birthday cakes, into many a cake.

1149
00:50:40,640 --> 00:50:42,319
Speaker 2: I'm just gonna put that out there right.

1150
00:50:42,280 --> 00:50:44,440
Speaker 4: Now, and I need to go bake a couple of cakes.

1151
00:50:44,680 --> 00:50:46,080
Speaker 1: We're gonna go break and we come back. We have

1152
00:50:46,120 --> 00:50:55,120
Speaker 1: a caller, all right. We're getting good at that whole

1153
00:50:55,160 --> 00:50:57,919
Speaker 1: break thing, Joelle. We're very lucky here on this show,

1154
00:50:58,040 --> 00:51:00,160
Speaker 1: Sarah Chalk that we get to take a call or

1155
00:51:00,760 --> 00:51:04,160
Speaker 1: once an episode. And here she is, what's your what's your?

1156
00:51:04,280 --> 00:51:05,440
Speaker 2: Alexis Torres?

1157
00:51:08,040 --> 00:51:13,640
Speaker 1: In Donald just gave you an oprah intro. Oh I

1158
00:51:13,760 --> 00:51:15,279
Speaker 1: was looking for your name. And the good thing about

1159
00:51:15,360 --> 00:51:17,320
Speaker 1: zoom is it just says it right there. Alexis Torres

1160
00:51:17,360 --> 00:51:24,080
Speaker 1: plumbley right there on the bottom ruin the woman's hearing

1161
00:51:24,200 --> 00:51:25,120
Speaker 1: she's in quarantine.

1162
00:51:26,440 --> 00:51:28,839
Speaker 6: I'm actually in Harrisburg, Pennsylvania right now.

1163
00:51:29,640 --> 00:51:37,920
Speaker 1: In My family has a steakhouse nearby called the Glass Lounge.

1164
00:51:38,960 --> 00:51:40,840
Speaker 6: Oh. I haven't gone there yet, but it's awesome.

1165
00:51:40,960 --> 00:51:43,520
Speaker 1: Will you go there? I want you to tell him

1166
00:51:43,560 --> 00:51:45,680
Speaker 1: I sent you. If you're in there, if you're in

1167
00:51:45,800 --> 00:51:46,560
Speaker 1: that area, go.

1168
00:51:46,680 --> 00:51:48,279
Speaker 2: To the gods. It's going to be a wild buddy.

1169
00:51:48,280 --> 00:51:50,280
Speaker 1: It's going to be a will Oh yeah, not now obviously,

1170
00:51:50,440 --> 00:51:53,279
Speaker 1: but you know when when this last nightmare is over,

1171
00:51:53,440 --> 00:51:54,920
Speaker 1: go check out the Glass Lounge.

1172
00:51:55,480 --> 00:51:57,560
Speaker 6: Yeah, I will definitely go for sure.

1173
00:51:57,680 --> 00:51:58,520
Speaker 1: Thank you for coming on.

1174
00:51:58,760 --> 00:51:59,719
Speaker 2: And do you have a question?

1175
00:52:00,600 --> 00:52:03,400
Speaker 1: Doesn't have to be Sarah Chalk focused. It doesn't just

1176
00:52:03,440 --> 00:52:05,200
Speaker 1: because she's you want.

1177
00:52:05,080 --> 00:52:06,320
Speaker 2: To we understand.

1178
00:52:08,080 --> 00:52:11,200
Speaker 4: Is a human and she probably knows the best person

1179
00:52:11,280 --> 00:52:11,600
Speaker 4: to talk to.

1180
00:52:12,160 --> 00:52:15,000
Speaker 6: I mean, we'll see. Not just kidding.

1181
00:52:16,680 --> 00:52:18,959
Speaker 5: I have actually technically a question for all of you guys.

1182
00:52:20,000 --> 00:52:22,720
Speaker 5: If you could switch rolls with anyone in the series,

1183
00:52:22,840 --> 00:52:25,279
Speaker 5: any character, Who would it be and how would you

1184
00:52:25,320 --> 00:52:27,040
Speaker 5: play their character? Would it be different than how it

1185
00:52:27,200 --> 00:52:28,000
Speaker 5: was originally played?

1186
00:52:28,280 --> 00:52:31,800
Speaker 1: Or that's a very good question. Sara go first.

1187
00:52:32,920 --> 00:52:35,440
Speaker 4: I mean, if it meant that I could have Donald's

1188
00:52:35,560 --> 00:52:36,480
Speaker 4: dancing skills?

1189
00:52:37,160 --> 00:52:39,040
Speaker 1: Was the fantasy? Was that fantasy that Sarah and I

1190
00:52:39,120 --> 00:52:40,960
Speaker 1: were making out and I was making out with you

1191
00:52:41,080 --> 00:52:42,759
Speaker 1: because she was you? Oh my god?

1192
00:52:43,160 --> 00:52:44,920
Speaker 3: That it starts off where you guys are making out

1193
00:52:44,920 --> 00:52:47,680
Speaker 3: and then she's like you fantasized about kissing turk just now,

1194
00:52:47,760 --> 00:52:48,040
Speaker 3: didn't you?

1195
00:52:50,040 --> 00:52:52,000
Speaker 4: And then I made up with Mandy Moore as myself.

1196
00:52:52,040 --> 00:52:55,040
Speaker 1: You were Mandy was dressed up as herself. No, Mandy

1197
00:52:55,120 --> 00:52:56,680
Speaker 1: was just herself and you were dressed up as me.

1198
00:52:56,800 --> 00:52:59,400
Speaker 1: I think, right, I think that was a really beautiful

1199
00:52:59,440 --> 00:53:01,120
Speaker 1: moment and television history right there.

1200
00:53:01,520 --> 00:53:03,120
Speaker 4: Did you make out how to make up with Judy

1201
00:53:03,520 --> 00:53:05,040
Speaker 4: in the pilot? Yeah, that's right.

1202
00:53:05,440 --> 00:53:07,040
Speaker 1: Yeah, we just watched that were you made out with

1203
00:53:07,120 --> 00:53:08,239
Speaker 1: the model girl?

1204
00:53:08,360 --> 00:53:10,360
Speaker 2: Is that the pilot or is that the second episode?

1205
00:53:10,400 --> 00:53:11,240
Speaker 1: That was the second episode?

1206
00:53:11,320 --> 00:53:11,480
Speaker 2: Yeah.

1207
00:53:11,680 --> 00:53:13,279
Speaker 1: But so you'd like to be Donald if you could

1208
00:53:13,320 --> 00:53:14,479
Speaker 1: be anybody else, is what you're saying.

1209
00:53:14,760 --> 00:53:16,759
Speaker 4: Well, if I could, if if I could do that

1210
00:53:16,800 --> 00:53:19,960
Speaker 4: fucking poison dance or rowdy, that would be pretty low.

1211
00:53:20,360 --> 00:53:25,280
Speaker 1: Low brush crush. It's a very good question, I guess.

1212
00:53:26,640 --> 00:53:29,400
Speaker 1: I it's funny because you don't want to pick. You

1213
00:53:29,440 --> 00:53:31,040
Speaker 1: want to have some screen time, right, you want to

1214
00:53:31,040 --> 00:53:32,440
Speaker 1: pick one of the seven, so you're gonna have some

1215
00:53:32,520 --> 00:53:36,719
Speaker 1: good screen time. I think I would choose Johnny c

1216
00:53:37,080 --> 00:53:40,959
Speaker 1: just because he had such amazing and they just knew

1217
00:53:40,960 --> 00:53:43,120
Speaker 1: how to write for him so amazingly well, and he

1218
00:53:43,760 --> 00:53:47,680
Speaker 1: he was just Uh, I don't know. I think that

1219
00:53:47,760 --> 00:53:50,040
Speaker 1: I just love the all the material they gave Johnny,

1220
00:53:50,080 --> 00:53:51,719
Speaker 1: So I think that would be a really challenging fun

1221
00:53:51,800 --> 00:53:53,360
Speaker 1: part to even attempt to do.

1222
00:53:54,800 --> 00:53:56,799
Speaker 4: To pick mash walking around in a banana hammock.

1223
00:53:56,760 --> 00:53:58,840
Speaker 3: That's who I was gonna pick. If I could pick anybody,

1224
00:53:58,920 --> 00:54:01,920
Speaker 3: I guess it would be Mash. Uh because if I

1225
00:54:02,000 --> 00:54:04,880
Speaker 3: could get But like we teased, we used to make

1226
00:54:04,960 --> 00:54:07,080
Speaker 3: fun of Mashow about running line and everything like that.

1227
00:54:07,160 --> 00:54:09,560
Speaker 3: But I had such a hard time learning my lines

1228
00:54:09,680 --> 00:54:11,879
Speaker 3: back then that I probably it probably would have suited

1229
00:54:11,960 --> 00:54:12,640
Speaker 3: me to play Mash.

1230
00:54:13,560 --> 00:54:16,160
Speaker 1: You know, the first thing, the first step to a

1231
00:54:16,280 --> 00:54:19,680
Speaker 1: solving memorizing your lin style is to actually just do.

1232
00:54:19,800 --> 00:54:22,600
Speaker 2: It, or to read the script. Actually that's read the script.

1233
00:54:23,360 --> 00:54:24,920
Speaker 1: I love how you're always like I just have such

1234
00:54:24,920 --> 00:54:26,680
Speaker 1: a hard time memorizing class. I'm like, dude, you've been

1235
00:54:26,719 --> 00:54:28,239
Speaker 1: playing PlayStation in your pressing room.

1236
00:54:28,360 --> 00:54:28,960
Speaker 2: That's all I look.

1237
00:54:29,200 --> 00:54:30,080
Speaker 1: You even looked at it.

1238
00:54:30,400 --> 00:54:32,719
Speaker 2: No, Yeah, okay, right, do you have another question?

1239
00:54:32,800 --> 00:54:34,560
Speaker 1: Another question? We're going to answer a better one.

1240
00:54:36,080 --> 00:54:38,000
Speaker 2: Yeah, your question sucked. That's what I just said.

1241
00:54:39,320 --> 00:54:43,280
Speaker 4: I like you, I like creatives. It was it was thoughtful.

1242
00:54:44,960 --> 00:54:47,239
Speaker 1: I think You're spectacular, and I love Harrisburg, but I

1243
00:54:47,239 --> 00:54:48,560
Speaker 1: think you got a better question than you.

1244
00:54:51,239 --> 00:54:53,319
Speaker 2: No, I don't know if now you got.

1245
00:54:53,320 --> 00:54:56,440
Speaker 5: To ask what was something that you were super proud

1246
00:54:56,480 --> 00:54:58,320
Speaker 5: of back then that you did. Maybe it was a

1247
00:54:58,400 --> 00:55:01,239
Speaker 5: scene or a specific joke or anything like that. But

1248
00:55:01,320 --> 00:55:03,600
Speaker 5: then now, since you guys are doing the rewatch and

1249
00:55:04,000 --> 00:55:05,600
Speaker 5: you've seen it, now you're kind of like, oh, that

1250
00:55:05,880 --> 00:55:07,440
Speaker 5: wasn't as good as I remember.

1251
00:55:07,800 --> 00:55:10,400
Speaker 1: That's a good question, Sarah. As guests, do you have

1252
00:55:10,480 --> 00:55:11,000
Speaker 1: to go first?

1253
00:55:11,600 --> 00:55:15,400
Speaker 4: Jesus the pressure. I feel like interestingly enough.

1254
00:55:15,360 --> 00:55:17,560
Speaker 1: Like you're like, I feel like interesting enough. I was

1255
00:55:17,640 --> 00:55:18,560
Speaker 1: just fucking amazing.

1256
00:55:18,680 --> 00:55:20,160
Speaker 6: I mean, I mean, I thought you were amazing.

1257
00:55:20,600 --> 00:55:23,879
Speaker 4: Like the early stuff a little bit hard, harder to watch.

1258
00:55:24,200 --> 00:55:27,000
Speaker 4: I feel like I learned so much on the show.

1259
00:55:27,040 --> 00:55:28,640
Speaker 4: I feel like I learned so much from Baill, I

1260
00:55:28,760 --> 00:55:30,480
Speaker 4: learned so much from the rest of the cast. And

1261
00:55:30,560 --> 00:55:34,160
Speaker 4: I feel like it's so different watching those early episode

1262
00:55:34,200 --> 00:55:36,920
Speaker 4: Thans eight years later, certainly with Elliott who the character

1263
00:55:37,040 --> 00:55:39,719
Speaker 4: changed a lot. Like in the pilot, we even did reshoots.

1264
00:55:39,760 --> 00:55:42,279
Speaker 4: She was much harder and much you know, there was

1265
00:55:42,320 --> 00:55:45,279
Speaker 4: she was a bit more of a batch in the

1266
00:55:45,560 --> 00:55:47,200
Speaker 4: in the in the beginning and then and then we

1267
00:55:47,239 --> 00:55:49,800
Speaker 4: actually did a couple of reshoots to soften her, and

1268
00:55:50,000 --> 00:55:54,320
Speaker 4: then I think, you know, the line between me and

1269
00:55:54,440 --> 00:55:57,040
Speaker 4: her started to blur. It's a first part of your question,

1270
00:55:57,120 --> 00:55:59,799
Speaker 4: what were you the most proud of? Certainly interestingly enough,

1271
00:55:59,800 --> 00:56:02,160
Speaker 4: it's this is definitely one of those episodes like when

1272
00:56:02,160 --> 00:56:03,800
Speaker 4: I think back on the eight years, this is the

1273
00:56:03,880 --> 00:56:07,360
Speaker 4: first one to pop into my mind about just the

1274
00:56:07,560 --> 00:56:09,960
Speaker 4: kind of show that that Scrubs was.

1275
00:56:10,080 --> 00:56:10,480
Speaker 6: And and.

1276
00:56:12,280 --> 00:56:16,000
Speaker 4: Then in terms of things to do differently, well, that's just.

1277
00:56:16,040 --> 00:56:17,879
Speaker 1: I mean, Sarah, I don't think you could have done

1278
00:56:17,880 --> 00:56:20,000
Speaker 1: everything differently. I wish that I could go back and

1279
00:56:20,600 --> 00:56:25,000
Speaker 1: have a chin, because I this episode starts with the

1280
00:56:25,120 --> 00:56:29,920
Speaker 1: least flattering view of my non existent chin, and in

1281
00:56:30,080 --> 00:56:32,600
Speaker 1: later episodes I would I would look at the director

1282
00:56:32,600 --> 00:56:34,440
Speaker 1: and be like, bro, don't shoot me like that. I mean,

1283
00:56:34,640 --> 00:56:37,200
Speaker 1: I'm doing I'm doing the best I can with what

1284
00:56:37,280 --> 00:56:39,480
Speaker 1: I have, but that's not the angle I want for

1285
00:56:39,600 --> 00:56:41,239
Speaker 1: myself and Bill.

1286
00:56:41,400 --> 00:56:43,600
Speaker 4: I don't know how many listeners know this, but Bill

1287
00:56:43,640 --> 00:56:46,600
Speaker 4: would like to add things that were actual, real physical

1288
00:56:46,680 --> 00:56:50,040
Speaker 4: attributes and write them into the show, so characters would

1289
00:56:50,040 --> 00:56:52,520
Speaker 4: be named by their physical attributes. So like the guy

1290
00:56:52,600 --> 00:56:54,400
Speaker 4: with the beard is beard for say, because you know,

1291
00:56:55,280 --> 00:56:58,160
Speaker 4: and so so for me my character, you know, you

1292
00:56:58,239 --> 00:57:01,080
Speaker 4: had to say lines like short gives me pig face,

1293
00:57:01,360 --> 00:57:06,719
Speaker 4: which is not untrue, and or there was one where

1294
00:57:06,719 --> 00:57:09,399
Speaker 4: I had my characters like, oh yeah, chin, hair's back

1295
00:57:09,520 --> 00:57:12,799
Speaker 4: because I have this mole where three hairs grow out

1296
00:57:12,840 --> 00:57:15,080
Speaker 4: of it. And so that was actually written into the show.

1297
00:57:15,640 --> 00:57:17,560
Speaker 4: By the way, my son said to me a few

1298
00:57:17,640 --> 00:57:20,919
Speaker 4: years ago, completely seriously. He's like, Mama, I have terrible news.

1299
00:57:21,680 --> 00:57:24,560
Speaker 4: And I said what, and he goes, you're growing a beard.

1300
00:57:25,040 --> 00:57:25,760
Speaker 1: Oh my gosh.

1301
00:57:26,680 --> 00:57:30,160
Speaker 4: So so there were definitely moments of the show where

1302
00:57:30,280 --> 00:57:32,520
Speaker 4: he just had to go gate all in the name

1303
00:57:32,600 --> 00:57:36,640
Speaker 4: of comedy and so air out my biggest insecurities. Yeah,

1304
00:57:37,200 --> 00:57:39,400
Speaker 4: and you know, in terms of how it worked too,

1305
00:57:39,520 --> 00:57:41,040
Speaker 4: like Bill would come up and he would watch us,

1306
00:57:41,040 --> 00:57:43,560
Speaker 4: and this is not common for every you know, creator

1307
00:57:43,640 --> 00:57:46,520
Speaker 4: of a show to come up for every single rehearsal.

1308
00:57:46,600 --> 00:57:48,600
Speaker 4: He would come up from you know, to the to

1309
00:57:48,720 --> 00:57:50,320
Speaker 4: the set from the writer's room, and the writer's room

1310
00:57:50,360 --> 00:57:53,000
Speaker 4: was in another wing of the hospital. He would tweak

1311
00:57:53,040 --> 00:57:55,360
Speaker 4: a lot of stuff. He would say, I actually don't

1312
00:57:55,400 --> 00:57:57,240
Speaker 4: love this blocking I think how it had it in

1313
00:57:57,320 --> 00:58:00,640
Speaker 4: my head was X Y or Z, and and he

1314
00:58:00,720 --> 00:58:02,640
Speaker 4: would he would. He would tweak our performance in our

1315
00:58:02,680 --> 00:58:04,000
Speaker 4: jokes too, to the point where, like a lot of

1316
00:58:04,040 --> 00:58:06,560
Speaker 4: times I think actors like don't like a line read,

1317
00:58:06,600 --> 00:58:08,680
Speaker 4: and I just had so much respect for him, I'd

1318
00:58:08,720 --> 00:58:10,440
Speaker 4: be like, yeah, just if you've got some way in

1319
00:58:10,480 --> 00:58:14,240
Speaker 4: your head, just you know, tell us we'll do it right.

1320
00:58:14,360 --> 00:58:19,600
Speaker 1: Yeah, all right, Well, thank you for coming on, Lexis plumb.

1321
00:58:19,840 --> 00:58:21,160
Speaker 1: Are you gonna give her? Are you gonna give you

1322
00:58:21,200 --> 00:58:23,120
Speaker 1: the Oprah? Goodbye? Send off as well done.

1323
00:58:24,200 --> 00:58:27,560
Speaker 3: Let's say goodbye to Alexis trus Plumber.

1324
00:58:29,040 --> 00:58:31,000
Speaker 1: You get a car, You get a car, You get a.

1325
00:58:31,040 --> 00:58:32,680
Speaker 2: Car, Alexis, we cannot give you a car.

1326
00:58:33,200 --> 00:58:33,919
Speaker 6: I know it's okay.

1327
00:58:34,440 --> 00:58:38,000
Speaker 1: I can't go anywhere anyway, go anywhere, yes, yes, go

1328
00:58:38,120 --> 00:58:39,560
Speaker 1: get a state. When this is all said and done

1329
00:58:39,560 --> 00:58:42,040
Speaker 1: at the Glass Lounge, all right, thank you so much, Alexis,

1330
00:58:42,640 --> 00:58:45,680
Speaker 1: Alexis writer, you guys. At eleven forty nine, one of

1331
00:58:45,760 --> 00:58:48,520
Speaker 1: my biggest regrets in the history of Scrubs is that

1332
00:58:48,640 --> 00:58:51,760
Speaker 1: I flinch right before those bricks fall on me. And

1333
00:58:51,840 --> 00:58:54,320
Speaker 1: I remember Bill being so disappointed in me because there

1334
00:58:54,320 --> 00:58:56,520
Speaker 1: were like four takes of it, and I flinched every time.

1335
00:58:56,960 --> 00:59:00,320
Speaker 1: But it's pretty tricky to not flinch when you know, bunch,

1336
00:59:00,520 --> 00:59:03,000
Speaker 1: I know that they're not real bricks, but it still

1337
00:59:03,360 --> 00:59:05,320
Speaker 1: was noticeably uncomfortable.

1338
00:59:06,120 --> 00:59:08,240
Speaker 4: I mean, it'd be pretty hard not to especially, I

1339
00:59:08,320 --> 00:59:10,400
Speaker 4: feel like all that shit, like even if it was

1340
00:59:10,440 --> 00:59:14,080
Speaker 4: like a major pratfall or something, once you've done it once,

1341
00:59:14,160 --> 00:59:16,000
Speaker 4: I feel like our best chance out of the gate

1342
00:59:16,080 --> 00:59:18,120
Speaker 4: is on your first take, because the second you've done it,

1343
00:59:18,200 --> 00:59:19,520
Speaker 4: once you know what's going to happen, you know the

1344
00:59:19,560 --> 00:59:21,560
Speaker 4: feeling of it. Maybe you like tweak something a little

1345
00:59:21,560 --> 00:59:23,840
Speaker 4: bit in your shoulder, and then it's kind of it's around.

1346
00:59:23,840 --> 00:59:25,200
Speaker 1: But this was early on in the show, and I

1347
00:59:25,320 --> 00:59:27,280
Speaker 1: and I and I was I was really loving doing

1348
00:59:27,320 --> 00:59:30,600
Speaker 1: physical comedy, and I always love physical comedy. You referenced

1349
00:59:30,640 --> 00:59:32,760
Speaker 1: John Ridder. I mean when I grew up on Three's Company,

1350
00:59:32,800 --> 00:59:35,400
Speaker 1: and I just thought that John Ridder was the funniest

1351
00:59:35,600 --> 00:59:38,840
Speaker 1: person I'd ever seen, and I wanted to be like him.

1352
00:59:39,120 --> 00:59:41,200
Speaker 1: And Bill was giving me lots of love for my

1353
00:59:41,280 --> 00:59:43,320
Speaker 1: physical comedy. And this was the first moment where he

1354
00:59:43,440 --> 00:59:45,040
Speaker 1: like called me in the editors room. He's like, dude,

1355
00:59:45,440 --> 00:59:47,520
Speaker 1: you flinched on every take, and I was like, no,

1356
00:59:49,240 --> 00:59:52,200
Speaker 1: you blew it. I was like, I let Daddy down,

1357
00:59:52,640 --> 00:59:53,480
Speaker 1: fucking blew it.

1358
00:59:53,720 --> 00:59:55,800
Speaker 4: The first time I was called up by by Bill

1359
00:59:56,200 --> 00:59:59,280
Speaker 4: after he left the editing room was you guys will

1360
00:59:59,360 --> 01:00:03,400
Speaker 4: remember the we had been so lucky to get nominated

1361
01:00:03,440 --> 01:00:05,000
Speaker 4: for an Emmy and we were going and we were

1362
01:00:05,040 --> 01:00:09,280
Speaker 4: excited and I got to borrow this fancy dress and

1363
01:00:09,840 --> 01:00:13,200
Speaker 4: the stylist I never had a stylist before, and she said,

1364
01:00:13,280 --> 01:00:19,280
Speaker 4: so you need to go get it. And I said, no,

1365
01:00:19,440 --> 01:00:20,720
Speaker 4: I'm not going to do that. I'm not going to

1366
01:00:20,760 --> 01:00:22,720
Speaker 4: go get a tan. And she said, okay, go get

1367
01:00:22,720 --> 01:00:25,280
Speaker 4: a spray tan. And so I said, okay. So I

1368
01:00:25,360 --> 01:00:27,320
Speaker 4: think the Emmys were like on the Sunday and so

1369
01:00:27,440 --> 01:00:28,800
Speaker 4: on the friday of work.

1370
01:00:28,920 --> 01:00:30,680
Speaker 2: It might have been well before that. It might have

1371
01:00:30,720 --> 01:00:31,840
Speaker 2: been well before that.

1372
01:00:31,920 --> 01:00:34,760
Speaker 3: It might have been like maybe five days before or

1373
01:00:34,840 --> 01:00:38,080
Speaker 3: something like that, dude, because we did the whole up.

1374
01:00:41,120 --> 01:00:43,680
Speaker 4: Okay, So I get to uh, I get to the

1375
01:00:43,800 --> 01:00:46,200
Speaker 4: tanning booth and it's like that fucking episode of Friends

1376
01:00:46,240 --> 01:00:48,880
Speaker 4: where Ross becomes a nine instead of for three because

1377
01:00:48,920 --> 01:00:51,360
Speaker 4: it keeps spraying stuff at him. He doesn't turn around.

1378
01:00:51,400 --> 01:00:54,000
Speaker 4: Its sprays again. So I get in there and you

1379
01:00:54,080 --> 01:00:55,800
Speaker 4: watch this little video and you put this cream on

1380
01:00:55,840 --> 01:00:57,160
Speaker 4: your hands and you got to spin around and do

1381
01:00:57,280 --> 01:01:00,000
Speaker 4: these weird poses. And I had like negative five minute

1382
01:01:00,120 --> 01:01:01,880
Speaker 4: to get this done before going to set, and I

1383
01:01:01,960 --> 01:01:04,480
Speaker 4: put a hairnet over my face so that I wouldn't

1384
01:01:04,480 --> 01:01:06,840
Speaker 4: tan my face, and then I rip that off and

1385
01:01:06,880 --> 01:01:10,600
Speaker 4: then then keep spraying. And so I get to set

1386
01:01:10,640 --> 01:01:12,760
Speaker 4: and I'm I'm tanned, and then.

1387
01:01:14,000 --> 01:01:16,640
Speaker 2: I say, hold on, now, you were you were full

1388
01:01:16,720 --> 01:01:18,040
Speaker 2: of Oh no, not.

1389
01:01:18,120 --> 01:01:20,560
Speaker 4: Yet, not yet, because what happens with this spray ten

1390
01:01:20,680 --> 01:01:23,480
Speaker 4: is it develops over time. And so I was in

1391
01:01:23,520 --> 01:01:25,840
Speaker 4: the makeup chair and my makeup and we're doing these

1392
01:01:25,880 --> 01:01:27,640
Speaker 4: scenes and then as the day goes on, I'm just

1393
01:01:27,680 --> 01:01:31,640
Speaker 4: getting like more and more and more tanned, and instead

1394
01:01:31,640 --> 01:01:33,160
Speaker 4: of actually tanned, it was just more and more and

1395
01:01:33,200 --> 01:01:37,800
Speaker 4: more orange. And so Bill comes harder than any special

1396
01:01:37,800 --> 01:01:39,440
Speaker 4: effect we've ever done on a show, order than the

1397
01:01:39,680 --> 01:01:43,960
Speaker 4: zac's head explode in the fantasy sequence is going to

1398
01:01:44,040 --> 01:01:48,160
Speaker 4: be making you look less like an oop lumpa. They

1399
01:01:48,200 --> 01:01:49,840
Speaker 4: were like, we're trying to float filters in front of

1400
01:01:49,920 --> 01:01:52,680
Speaker 4: your face because we can't color time it and just

1401
01:01:52,840 --> 01:01:55,720
Speaker 4: jack out, Like we can't just wind the knob and

1402
01:01:55,800 --> 01:01:57,360
Speaker 4: take out some of the color because we keep doing it.

1403
01:01:57,400 --> 01:01:59,400
Speaker 4: You're see with Donald and then make Donald white.

1404
01:02:00,800 --> 01:02:01,040
Speaker 2: Dude.

1405
01:02:01,040 --> 01:02:03,040
Speaker 3: I'm gonna say something right now. I remember, I remember

1406
01:02:03,040 --> 01:02:05,000
Speaker 3: when it happened. I remember you being on set, and

1407
01:02:05,040 --> 01:02:07,360
Speaker 3: I remember saying to you, did you change something? Did

1408
01:02:07,400 --> 01:02:09,240
Speaker 3: you do your hair different or something like that, what's

1409
01:02:09,240 --> 01:02:09,760
Speaker 3: so different?

1410
01:02:11,240 --> 01:02:12,240
Speaker 2: And you were I remember ten.

1411
01:02:12,440 --> 01:02:14,600
Speaker 1: I remember, just like kids in a in a family,

1412
01:02:14,760 --> 01:02:16,880
Speaker 1: the three of us, whenever one of us was in trouble,

1413
01:02:17,120 --> 01:02:19,200
Speaker 1: I was always so happy when it wasn't me, and

1414
01:02:19,320 --> 01:02:21,280
Speaker 1: you just be like you just be on set, just

1415
01:02:21,360 --> 01:02:24,320
Speaker 1: kind of bouncing around, like shit, somebody's in trouble and

1416
01:02:24,400 --> 01:02:27,439
Speaker 1: it's not me, and Sarah is freaking orange.

1417
01:02:29,720 --> 01:02:30,560
Speaker 4: So embarrassing.

1418
01:02:30,720 --> 01:02:32,080
Speaker 1: It's like we were laughing the other time.

1419
01:02:32,160 --> 01:02:34,040
Speaker 2: I got the braces on the inside of my mouth.

1420
01:02:34,160 --> 01:02:36,360
Speaker 1: They were laughing about that. When Donald showed up with

1421
01:02:36,400 --> 01:02:39,040
Speaker 1: bracest and he would like, so Bill, I got braefif

1422
01:02:39,160 --> 01:02:40,640
Speaker 1: and nobody couldn't even notice.

1423
01:02:43,920 --> 01:02:45,000
Speaker 2: The exact same thing.

1424
01:02:45,440 --> 01:02:48,040
Speaker 4: Oh good, So did you just have to go get

1425
01:02:48,080 --> 01:02:48,600
Speaker 4: and taken out?

1426
01:02:48,720 --> 01:02:48,919
Speaker 1: Yeah?

1427
01:02:49,000 --> 01:02:51,120
Speaker 2: Right off? Yeah dude, Yeah, he made me getting taken out.

1428
01:02:51,320 --> 01:02:53,480
Speaker 4: I got in visil line in like season two. Everybody

1429
01:02:53,520 --> 01:02:54,960
Speaker 4: made so much fun of me, but I had to.

1430
01:02:55,200 --> 01:02:56,720
Speaker 4: I would like I had to take him out, like

1431
01:02:56,840 --> 01:02:58,880
Speaker 4: right before tape. But you're supposed to war like twenty

1432
01:02:58,920 --> 01:03:01,200
Speaker 4: two to tween. Like it was just a disaster.

1433
01:03:01,360 --> 01:03:03,600
Speaker 1: I just remember Donald. It was so funny watching him

1434
01:03:03,640 --> 01:03:06,160
Speaker 1: try to sell the bill that the brace is. Nobody

1435
01:03:06,320 --> 01:03:08,320
Speaker 1: was gonna notice those braces on the inside of his teeth.

1436
01:03:08,320 --> 01:03:10,840
Speaker 2: It's gonna be great. Everybody's gonna love this. Nobody keep

1437
01:03:10,840 --> 01:03:11,439
Speaker 2: a good notice.

1438
01:03:11,520 --> 01:03:13,040
Speaker 1: And I think it's gonna be great for my It's

1439
01:03:13,040 --> 01:03:14,040
Speaker 1: gonna be great for my teeth.

1440
01:03:16,000 --> 01:03:18,080
Speaker 4: I remember I went I went home that night after

1441
01:03:18,120 --> 01:03:21,240
Speaker 4: the spray tan and I had to scrub every ounce

1442
01:03:21,720 --> 01:03:24,520
Speaker 4: of my body. I just my face and my body.

1443
01:03:24,520 --> 01:03:26,760
Speaker 4: I just was like taking to it. And then I

1444
01:03:26,840 --> 01:03:28,760
Speaker 4: did a movie in Hawaii last year and the person

1445
01:03:28,840 --> 01:03:30,960
Speaker 4: wanted us to do a spray tand so Lauren Lapis

1446
01:03:31,000 --> 01:03:33,320
Speaker 4: who plays the lead in the movie, and I was

1447
01:03:33,320 --> 01:03:35,720
Speaker 4: supposed sposed to spray TANNDS and I said, I've actually

1448
01:03:35,760 --> 01:03:38,560
Speaker 4: had a couple of really bad experiences with spray tanns.

1449
01:03:38,600 --> 01:03:41,120
Speaker 4: I don't recommend it. I think it's just reacts with

1450
01:03:41,520 --> 01:03:44,600
Speaker 4: me the bad Orangeewey and they're like, no, no, no,

1451
01:03:44,680 --> 01:03:46,400
Speaker 4: we have like the best people in Hawaii. They're gonna come,

1452
01:03:46,400 --> 01:03:48,600
Speaker 4: They're gonna do it, You're gonna love it. So I

1453
01:03:48,760 --> 01:03:51,280
Speaker 4: come down. The next morning, the woman comes to how

1454
01:03:51,280 --> 01:03:53,040
Speaker 4: Tell room, the four sprays you down. I come down.

1455
01:03:53,080 --> 01:03:55,800
Speaker 4: It's the hair and makeup trailer, and they are freaking out.

1456
01:03:55,840 --> 01:03:58,280
Speaker 4: They're like, your legs are orange. And then Lauren Lapis

1457
01:03:58,560 --> 01:04:01,760
Speaker 4: hasn't seen any of this preamble chee walks and she's like,

1458
01:04:02,160 --> 01:04:06,240
Speaker 4: who loves the sprint? And they're like, Sarah, quickly go

1459
01:04:06,320 --> 01:04:08,680
Speaker 4: back up, Joe tone, take some salt, scrub, scrub it

1460
01:04:08,720 --> 01:04:09,240
Speaker 4: all off, get.

1461
01:04:09,120 --> 01:04:09,680
Speaker 1: It all off quick.

1462
01:04:09,720 --> 01:04:11,640
Speaker 4: I'm like, okay, I'll be right back.

1463
01:04:12,080 --> 01:04:14,120
Speaker 1: Oh god, So Sarah, I don't think Spray's hands are

1464
01:04:14,160 --> 01:04:14,320
Speaker 1: for you.

1465
01:04:14,880 --> 01:04:14,920
Speaker 6: No.

1466
01:04:15,760 --> 01:04:17,360
Speaker 2: Do you burn when you get into the sun?

1467
01:04:17,960 --> 01:04:18,120
Speaker 3: Uh?

1468
01:04:18,600 --> 01:04:18,880
Speaker 6: He is?

1469
01:04:19,240 --> 01:04:21,440
Speaker 1: She's very pale. Look at her, like how pale she is.

1470
01:04:22,640 --> 01:04:25,200
Speaker 4: It was the other joke on this movie reason Hawaii.

1471
01:04:25,200 --> 01:04:28,120
Speaker 4: I would literally, in between in between scenes, I would be,

1472
01:04:28,360 --> 01:04:31,920
Speaker 4: you know, completely covered up to the point where we

1473
01:04:31,920 --> 01:04:37,200
Speaker 4: would go out at night and everyone else would be like, uh, chock,

1474
01:04:37,240 --> 01:04:38,800
Speaker 4: do you have your son screening on? Like I just

1475
01:04:39,000 --> 01:04:40,840
Speaker 4: I mean, oh I burn.

1476
01:04:41,160 --> 01:04:43,880
Speaker 1: Let's talk about this scene. But the dramatic scene, Sarah,

1477
01:04:43,880 --> 01:04:45,960
Speaker 1: I think your acting is really good. Here at seventeen

1478
01:04:46,040 --> 01:04:49,240
Speaker 1: oh three, there's this awesome scene where you and Judy,

1479
01:04:49,360 --> 01:04:50,880
Speaker 1: where Judy comes to get you and you're at the

1480
01:04:50,920 --> 01:04:52,840
Speaker 1: soda machine. I think this is a really really good

1481
01:04:52,920 --> 01:04:53,800
Speaker 1: acting on your part.

1482
01:04:54,480 --> 01:04:57,120
Speaker 2: Was this Was this the first big monologue for you

1483
01:04:57,520 --> 01:04:58,000
Speaker 2: on the show?

1484
01:04:58,240 --> 01:04:59,840
Speaker 4: I thought you were gonna say? Was this the first

1485
01:05:00,200 --> 01:05:02,400
Speaker 4: that you put in your iPod and listen to Josh Raiden?

1486
01:05:02,960 --> 01:05:03,040
Speaker 6: Oh?

1487
01:05:03,160 --> 01:05:04,920
Speaker 1: Is that what you did? Or you're giving Josh Raiden?

1488
01:05:05,000 --> 01:05:05,760
Speaker 2: Was it Josh Raiden?

1489
01:05:05,840 --> 01:05:06,120
Speaker 4: Or was it?

1490
01:05:06,200 --> 01:05:06,880
Speaker 2: Who was it?

1491
01:05:07,240 --> 01:05:12,479
Speaker 1: I will remember, well, don't don't take away her, don't

1492
01:05:12,520 --> 01:05:14,680
Speaker 1: take away her. Josh Raiden plugged Donald.

1493
01:05:15,520 --> 01:05:17,200
Speaker 2: Josh Rayden's gotten enough plugs on this show?

1494
01:05:17,240 --> 01:05:17,680
Speaker 4: Is that? Is that?

1495
01:05:17,880 --> 01:05:19,560
Speaker 1: Is that how you used to get to make your

1496
01:05:19,600 --> 01:05:22,360
Speaker 1: eyes uh, to make yourself emotional in eyes tear up?

1497
01:05:22,560 --> 01:05:24,479
Speaker 4: Well? I was still young. I mean at that point.

1498
01:05:24,560 --> 01:05:27,360
Speaker 4: Now you know, as you grow old or you have

1499
01:05:27,480 --> 01:05:29,600
Speaker 4: many more experiences draw from. But I used to use

1500
01:05:29,640 --> 01:05:32,040
Speaker 4: an iPod and I would play sad music and kind

1501
01:05:32,040 --> 01:05:33,840
Speaker 4: of get into the mode. I don't know then that

1502
01:05:34,000 --> 01:05:36,920
Speaker 4: scene was kind of it was very early on. It

1503
01:05:37,000 --> 01:05:39,000
Speaker 4: was enough. I mean, I remember just shooting.

1504
01:05:38,680 --> 01:05:42,560
Speaker 1: It and it was was it babies got back? I mean,

1505
01:05:43,360 --> 01:05:44,760
Speaker 1: there's something about the lyrics this.

1506
01:05:45,040 --> 01:05:46,800
Speaker 4: You can see if you look very closely, if you

1507
01:05:46,840 --> 01:05:48,720
Speaker 4: stop freeze the frame, you can see my hips just

1508
01:05:49,400 --> 01:05:53,520
Speaker 4: kind of undulate. My booty's shaken a little bit. Yeah,

1509
01:05:53,720 --> 01:05:56,920
Speaker 4: Josh Raiden, let's give a plug man. He he obviously

1510
01:05:57,080 --> 01:05:59,200
Speaker 4: was a soundtrack to many things. I delivered my children

1511
01:05:59,240 --> 01:06:01,000
Speaker 4: to josh O Raydory.

1512
01:06:01,080 --> 01:06:02,920
Speaker 1: You go if you're gonna, if you're gonna deliver your

1513
01:06:03,000 --> 01:06:06,240
Speaker 1: children and that's coming up, we recommend you use the

1514
01:06:06,360 --> 01:06:08,600
Speaker 1: musical stylings of Joshua Raidon.

1515
01:06:09,000 --> 01:06:13,160
Speaker 3: Josh Raidon sang the song at my wedding. Their first

1516
01:06:13,240 --> 01:06:15,920
Speaker 3: dance was to Josh Raydon and he fucked up the

1517
01:06:15,960 --> 01:06:18,480
Speaker 3: song tremendously, he did. But I love them, Oh my god.

1518
01:06:18,520 --> 01:06:21,200
Speaker 3: He didn't even remember the song. I got the video,

1519
01:06:21,400 --> 01:06:22,280
Speaker 3: Which got the video?

1520
01:06:22,280 --> 01:06:25,200
Speaker 1: Which which song of it was it? It was? It

1521
01:06:25,320 --> 01:06:26,600
Speaker 1: was which song of his?

1522
01:06:26,800 --> 01:06:31,240
Speaker 3: No, it was moon pours through the ceiling tonight and

1523
01:06:31,320 --> 01:06:35,680
Speaker 3: praises us with life And it was perfect for the uh,

1524
01:06:35,840 --> 01:06:36,720
Speaker 3: for the moment.

1525
01:06:36,720 --> 01:06:41,600
Speaker 2: The rest of my life. Cake of this night. Whoa yeah,

1526
01:06:42,520 --> 01:06:47,560
Speaker 2: And only the heartaches have given me side. They bring

1527
01:06:47,680 --> 01:06:50,240
Speaker 2: me to you, right, bring me to you. Fucked it

1528
01:06:50,440 --> 01:06:53,200
Speaker 2: up the whole He fucked up the whole song. Dude,

1529
01:06:53,880 --> 01:06:57,880
Speaker 2: I wish op no, it was It's fun, dude, he

1530
01:06:58,000 --> 01:06:58,680
Speaker 2: did it. Listen.

1531
01:06:59,080 --> 01:07:01,720
Speaker 3: It's not every day you get somebody like him to

1532
01:07:02,280 --> 01:07:04,880
Speaker 3: one perform at your wedding, also to do it for free.

1533
01:07:05,200 --> 01:07:07,160
Speaker 1: So you know that he also performed at Ellen's wedding.

1534
01:07:08,560 --> 01:07:11,640
Speaker 2: I'm sure they paid him. I didn't have to pay him,

1535
01:07:11,680 --> 01:07:16,520
Speaker 2: and for that alone. And thank you Josh Raydon. You

1536
01:07:16,760 --> 01:07:18,960
Speaker 2: are one of my heroes.

1537
01:07:19,600 --> 01:07:21,479
Speaker 4: KEVII Donald didn't ask me to sing at his wedding.

1538
01:07:21,800 --> 01:07:24,280
Speaker 1: By the way, has the worst voice in the world. America.

1539
01:07:24,400 --> 01:07:27,120
Speaker 1: Let me tell you something, America and all other nations listening,

1540
01:07:27,200 --> 01:07:32,480
Speaker 1: don't ever let Sarah sing. Windows will break these what

1541
01:07:32,600 --> 01:07:34,200
Speaker 1: this what's happening in my house? The windows going?

1542
01:07:36,640 --> 01:07:39,280
Speaker 4: I was conspicuously absent in the musical episode.

1543
01:07:39,600 --> 01:07:42,960
Speaker 1: And also, do you remember when when the whenyl when

1544
01:07:43,080 --> 01:07:45,920
Speaker 1: Daryl Hannah and splash says her name. That's what happens

1545
01:07:45,920 --> 01:07:46,400
Speaker 1: when Sarah.

1546
01:07:48,560 --> 01:07:50,520
Speaker 4: I guess we haven't covered that yet that you guys

1547
01:07:50,560 --> 01:07:53,120
Speaker 4: didn't ask me to help you record the opening song.

1548
01:07:53,200 --> 01:07:53,920
Speaker 4: Can you imagine do.

1549
01:07:53,960 --> 01:07:54,600
Speaker 1: You like our song?

1550
01:07:55,000 --> 01:07:55,840
Speaker 4: I love your song.

1551
01:07:56,120 --> 01:07:58,240
Speaker 1: Yeah, Charlie Pooth wrote the music and Donald and I

1552
01:07:58,360 --> 01:08:00,440
Speaker 1: were Donald and I were the lyrisis.

1553
01:08:00,880 --> 01:08:02,560
Speaker 2: Well, we wrote the melody too and then sent it

1554
01:08:02,600 --> 01:08:04,320
Speaker 2: to him. Well the melody is right.

1555
01:08:04,840 --> 01:08:08,440
Speaker 1: Credit for melody melody was us. Charlie Pooth is producer

1556
01:08:08,720 --> 01:08:12,720
Speaker 1: and music writer, right, and you and I are the lyricists.

1557
01:08:13,120 --> 01:08:15,000
Speaker 2: But we can also we also need to give a

1558
01:08:15,080 --> 01:08:18,800
Speaker 2: little shout out to sitcom shows from back in the day,

1559
01:08:18,920 --> 01:08:20,000
Speaker 2: like the Jefferson Oh.

1560
01:08:20,000 --> 01:08:22,519
Speaker 1: Yeah, and someone said on Twitter, I thought it was

1561
01:08:22,640 --> 01:08:24,360
Speaker 1: it was right. It said, it's a mix between the

1562
01:08:24,439 --> 01:08:26,519
Speaker 1: Brady Bunch theme and the Jeffersons theme.

1563
01:08:26,640 --> 01:08:29,880
Speaker 2: Yeah, yeah, yeah, yeah, yeah, yeah, that's exactly what it is.

1564
01:08:30,240 --> 01:08:33,240
Speaker 1: Yeah. I thought that was really perfect. Sarah, do you

1565
01:08:33,320 --> 01:08:36,080
Speaker 1: find yourself singing our theme song when you're in your

1566
01:08:36,080 --> 01:08:37,120
Speaker 1: house in quarantine?

1567
01:08:37,479 --> 01:08:40,120
Speaker 4: It's it's you know, I I've actually learned it. I've

1568
01:08:40,160 --> 01:08:43,600
Speaker 4: got learning the guitar of the ukulelea actually, And i''ll

1569
01:08:43,640 --> 01:08:45,320
Speaker 4: send you guys a clip of me singing and you

1570
01:08:45,479 --> 01:08:46,800
Speaker 4: you know, I'll leave it in your hands if you.

1571
01:08:47,640 --> 01:08:50,680
Speaker 1: Show my girlfriend caught me on the treadmill listening to

1572
01:08:50,720 --> 01:08:53,000
Speaker 1: our theme song and laughed at me, not with me.

1573
01:08:53,200 --> 01:08:57,439
Speaker 4: At me. You're proud of it. You're proud of it.

1574
01:08:57,720 --> 01:09:00,599
Speaker 3: Things I noticed about the show, about this show go ahead.

1575
01:09:00,680 --> 01:09:02,840
Speaker 3: I had no idea that I bopped that hard in

1576
01:09:02,920 --> 01:09:05,640
Speaker 3: the hallway. And when I say bop, I mean like

1577
01:09:05,840 --> 01:09:10,160
Speaker 3: I had this straight up. My walk is legendary.

1578
01:09:10,400 --> 01:09:11,960
Speaker 1: To go strut, is it like a stress?

1579
01:09:12,000 --> 01:09:15,200
Speaker 2: It's like a struck. But it's like so over the top, dude,

1580
01:09:15,280 --> 01:09:16,400
Speaker 2: it's so over the top.

1581
01:09:16,479 --> 01:09:18,280
Speaker 1: It's like George Jefferson when he would this is.

1582
01:09:18,320 --> 01:09:23,320
Speaker 3: Exactly like George jeffersons. It's like so heavy. It's like, yo, dude,

1583
01:09:24,600 --> 01:09:26,280
Speaker 3: why are you going so hard with that?

1584
01:09:26,520 --> 01:09:28,439
Speaker 1: And that was your inspiration? Do you remember who your

1585
01:09:28,479 --> 01:09:29,080
Speaker 1: inspiration was?

1586
01:09:29,200 --> 01:09:32,160
Speaker 2: It's always Sherman Hemsley, Sherman Hemsley always.

1587
01:09:32,800 --> 01:09:36,000
Speaker 1: I wanted to say something about the scene in nineteen

1588
01:09:36,160 --> 01:09:38,560
Speaker 1: oh seven There's the I had this dramatic scene with

1589
01:09:38,760 --> 01:09:41,559
Speaker 1: Catherinejustin and it was the first time I ever had

1590
01:09:41,600 --> 01:09:44,240
Speaker 1: the balls to go to Bill because I thought I

1591
01:09:44,280 --> 01:09:46,760
Speaker 1: did a good job. And then he showed me an

1592
01:09:46,960 --> 01:09:48,560
Speaker 1: edit of it and he had taken out some of

1593
01:09:48,640 --> 01:09:52,000
Speaker 1: my dramatic pauses, and it was one of the first

1594
01:09:52,040 --> 01:09:54,640
Speaker 1: times in my acting career where I was like, I

1595
01:09:54,760 --> 01:09:56,120
Speaker 1: was like, I gotta go talk to him because he's

1596
01:09:56,120 --> 01:09:58,800
Speaker 1: making me look like a bad actor. He's he's taking

1597
01:09:58,840 --> 01:10:00,760
Speaker 1: out the pauses like you know, because you know, the

1598
01:10:00,840 --> 01:10:02,639
Speaker 1: show had to be cut down to twenty two minutes

1599
01:10:02,720 --> 01:10:04,920
Speaker 1: or something, and I remember Bill Willing like, dude, there's

1600
01:10:04,960 --> 01:10:06,840
Speaker 1: no time. It's twenty two minutes. There's no time for pauses.

1601
01:10:06,920 --> 01:10:10,280
Speaker 1: There's no time for dramatic pauses. And I think in

1602
01:10:10,320 --> 01:10:12,679
Speaker 1: the end he put he put a little bit back,

1603
01:10:12,720 --> 01:10:14,400
Speaker 1: but it was like it was when she goes, are

1604
01:10:14,439 --> 01:10:18,080
Speaker 1: you okay? And then I go, I'm scared. And then

1605
01:10:18,080 --> 01:10:19,720
Speaker 1: when I saw it edited together for the first time,

1606
01:10:19,720 --> 01:10:21,479
Speaker 1: I was like, are you okay? I'm scared? And I

1607
01:10:21,640 --> 01:10:23,760
Speaker 1: was like, oh, that makes me look really bad. And

1608
01:10:23,880 --> 01:10:26,640
Speaker 1: this is the thing that actors, I'm sure I know

1609
01:10:26,920 --> 01:10:29,280
Speaker 1: as a director feel all the time. Sometimes you look

1610
01:10:29,280 --> 01:10:31,160
Speaker 1: and go, why did you cut me like that? Like

1611
01:10:31,520 --> 01:10:32,880
Speaker 1: on the day, I thought I was doing a much

1612
01:10:32,920 --> 01:10:35,400
Speaker 1: better job. But if you take out that pause and

1613
01:10:35,520 --> 01:10:38,160
Speaker 1: cut to me like like that, I don't look as

1614
01:10:38,160 --> 01:10:39,880
Speaker 1: good as I want to be. You know, I'm sure

1615
01:10:39,920 --> 01:10:41,400
Speaker 1: you guys had that feeling throughout the show.

1616
01:10:41,479 --> 01:10:44,439
Speaker 3: Sometimes, well, yeah, you know, you we would tell jokes

1617
01:10:44,479 --> 01:10:47,000
Speaker 3: sometimes and jokes wouldn't make the show, and you know,

1618
01:10:47,640 --> 01:10:51,120
Speaker 3: we'd have moments where we thought, you know, we were

1619
01:10:51,160 --> 01:10:54,120
Speaker 3: crushing it and then only to see you know, the

1620
01:10:54,560 --> 01:10:58,120
Speaker 3: editors and Bill decided to use the reaction shot instead

1621
01:10:58,120 --> 01:11:00,000
Speaker 3: of your actual you know, instead of your.

1622
01:11:00,080 --> 01:11:03,679
Speaker 2: Before gone right or the joke's just completely gone right. Yeah,

1623
01:11:03,800 --> 01:11:04,280
Speaker 2: I love that.

1624
01:11:04,560 --> 01:11:06,320
Speaker 4: I love that scene that you're talking about, Zac. It

1625
01:11:06,360 --> 01:11:07,640
Speaker 4: was one of my favorite ones in the in the

1626
01:11:07,720 --> 01:11:10,640
Speaker 4: episode when you know, she tells you to go and

1627
01:11:10,680 --> 01:11:12,840
Speaker 4: live your life and you're like, you know, uh huh uh,

1628
01:11:13,000 --> 01:11:14,280
Speaker 4: I'm just taking on a few things. And you go

1629
01:11:14,360 --> 01:11:16,560
Speaker 4: up to the thing and you're kind of pretending.

1630
01:11:16,360 --> 01:11:18,479
Speaker 1: I don't want to go, and and then it's always

1631
01:11:18,479 --> 01:11:22,559
Speaker 1: you know, my father, who passed away recently, always always

1632
01:11:22,600 --> 01:11:25,120
Speaker 1: would reference this moment in Scrubs that he thought it

1633
01:11:25,200 --> 01:11:27,960
Speaker 1: was so incredibly moving, the idea of a of an

1634
01:11:27,960 --> 01:11:32,960
Speaker 1: older woman comforting a young doctor about death. And and

1635
01:11:33,080 --> 01:11:35,519
Speaker 1: he said, I just you know, he was, He's like,

1636
01:11:35,520 --> 01:11:38,640
Speaker 1: I never seen anything like that before, and and and

1637
01:11:38,760 --> 01:11:41,040
Speaker 1: I just watching it this time, I just remember how

1638
01:11:41,120 --> 01:11:43,680
Speaker 1: much he would always reference that because it was so

1639
01:11:44,080 --> 01:11:47,040
Speaker 1: beautiful that that sentiment that the JD doesn't know how

1640
01:11:47,040 --> 01:11:48,800
Speaker 1: to deal with death yet, but here's this older woman

1641
01:11:48,800 --> 01:11:51,160
Speaker 1: who's ready to go and she's the one comforting him

1642
01:11:51,160 --> 01:11:53,360
Speaker 1: about it. I just thought that was beautifully written.

1643
01:11:53,360 --> 01:11:55,640
Speaker 4: Somehow managed to also be funny in parts. That was

1644
01:11:55,680 --> 01:11:58,200
Speaker 4: what I couldn't believe, Like when she's just like everybody dies,

1645
01:11:58,240 --> 01:11:58,879
Speaker 4: No they don't.

1646
01:11:59,120 --> 01:12:02,559
Speaker 2: Right, No, they don't right the Scheifel to the Miffel Tower.

1647
01:12:03,280 --> 01:12:06,720
Speaker 1: The Mindful Tower, the Minffel Tower, about the Minfele Tower.

1648
01:12:06,840 --> 01:12:10,639
Speaker 3: That being said, the whole list thing, especially the way

1649
01:12:10,920 --> 01:12:13,880
Speaker 3: things are right now, that whole list thing, got me

1650
01:12:14,000 --> 01:12:15,280
Speaker 3: to thinking, you know what I mean, I don't have

1651
01:12:15,360 --> 01:12:18,519
Speaker 3: any regrets in my life or anything like that, but

1652
01:12:18,600 --> 01:12:21,560
Speaker 3: there are certain things that I still want to do,

1653
01:12:21,920 --> 01:12:25,679
Speaker 3: you know what I mean. And uh, you know, we're

1654
01:12:25,720 --> 01:12:28,200
Speaker 3: in quarantine and it doesn't seem like, you know, it

1655
01:12:28,240 --> 01:12:29,680
Speaker 3: doesn't feel like we're going to get out of this

1656
01:12:29,800 --> 01:12:32,040
Speaker 3: anytime soon, you know what I mean. Not to sound

1657
01:12:32,120 --> 01:12:34,840
Speaker 3: more but or dark or anything like that, but when

1658
01:12:35,200 --> 01:12:37,880
Speaker 3: JD brings up the list and she's like, I've done

1659
01:12:37,960 --> 01:12:41,960
Speaker 3: all of those things already, it really made me think, like, well,

1660
01:12:42,080 --> 01:12:45,120
Speaker 3: you know, when this is over, I'm gonna make sure

1661
01:12:45,439 --> 01:12:47,240
Speaker 3: that I get out and I live a lot more

1662
01:12:47,320 --> 01:12:48,840
Speaker 3: than I did before, you know what I mean?

1663
01:12:49,120 --> 01:12:53,320
Speaker 1: And well, that's interesting. I mean this quarantine thing, I agree.

1664
01:12:53,400 --> 01:12:56,240
Speaker 1: I think it gives you perspective. And I've just been

1665
01:12:56,320 --> 01:12:59,200
Speaker 1: feeling focusing on gratitude a lot because I just think that,

1666
01:12:59,360 --> 01:13:03,360
Speaker 1: like when all this is so insane, and it makes

1667
01:13:03,360 --> 01:13:05,920
Speaker 1: you focus on how lucky we are and what we

1668
01:13:06,000 --> 01:13:08,680
Speaker 1: want to appreciate in life. You know, they just the

1669
01:13:08,760 --> 01:13:11,240
Speaker 1: simple things like being able to go to a restaurant

1670
01:13:11,320 --> 01:13:14,280
Speaker 1: with friends and laugh and have a drink. And I

1671
01:13:14,360 --> 01:13:16,640
Speaker 1: don't know, it's interesting you say that. So have you

1672
01:13:16,680 --> 01:13:18,280
Speaker 1: made a list on? Are you making lists of things

1673
01:13:18,320 --> 01:13:18,640
Speaker 1: you want to know?

1674
01:13:19,200 --> 01:13:20,120
Speaker 2: I'm going to start a list.

1675
01:13:20,160 --> 01:13:20,320
Speaker 1: I know.

1676
01:13:20,520 --> 01:13:22,120
Speaker 3: A lot of it has to do with my kids

1677
01:13:22,160 --> 01:13:24,160
Speaker 3: and making sure that they get to experience a lot

1678
01:13:24,200 --> 01:13:26,040
Speaker 3: of the things that I didn't experience when I was

1679
01:13:26,080 --> 01:13:27,840
Speaker 3: a kid, when I was young, you know what I mean.

1680
01:13:29,000 --> 01:13:31,120
Speaker 3: I try to do that now, but I feel like

1681
01:13:31,240 --> 01:13:34,160
Speaker 3: maybe I need to go a little bit overboard, and then,

1682
01:13:34,439 --> 01:13:36,760
Speaker 3: you know, have my wife tell me we need to

1683
01:13:36,840 --> 01:13:39,559
Speaker 3: dial it back a little bit. We're going too far,

1684
01:13:40,240 --> 01:13:43,280
Speaker 3: you know what I mean, Like, Uh, there's certain things

1685
01:13:43,320 --> 01:13:46,599
Speaker 3: that my kids have never done that, and that's because

1686
01:13:46,680 --> 01:13:48,120
Speaker 3: I don't do it, you know what I mean, and don't.

1687
01:13:48,479 --> 01:13:50,720
Speaker 2: I don't want to do that to them. I want

1688
01:13:50,760 --> 01:13:52,639
Speaker 2: them to have that experience in that adventure.

1689
01:13:53,960 --> 01:13:57,439
Speaker 4: I feel like I feel like it's it's also because

1690
01:13:57,520 --> 01:13:58,960
Speaker 4: we don't know when this is over. We don't know

1691
01:13:59,000 --> 01:14:00,560
Speaker 4: how long we're going to be doing for and it

1692
01:14:00,760 --> 01:14:03,400
Speaker 4: doesn't seem to be short. Obviously, it sounds like potent.

1693
01:14:03,600 --> 01:14:05,840
Speaker 4: Until we have a vaccine. Who knows how long this

1694
01:14:06,200 --> 01:14:07,720
Speaker 4: chunk of our lives is and what it looks like

1695
01:14:07,800 --> 01:14:10,400
Speaker 4: and whether it opens back up. I feel like as

1696
01:14:10,439 --> 01:14:12,920
Speaker 4: impossible it is, it is and has trite as it's

1697
01:14:13,040 --> 01:14:14,439
Speaker 4: like trying to be in the moment and trying to

1698
01:14:14,479 --> 01:14:17,120
Speaker 4: figure out what like the rare times with them that

1699
01:14:17,200 --> 01:14:20,960
Speaker 4: I have now that are so hard to get in

1700
01:14:21,080 --> 01:14:22,840
Speaker 4: the like in the every day you think about how

1701
01:14:22,960 --> 01:14:25,519
Speaker 4: much time you spend in the car driving them to activities,

1702
01:14:25,760 --> 01:14:27,960
Speaker 4: doing whatever, and when work takes over and that becomes

1703
01:14:28,040 --> 01:14:30,800
Speaker 4: so all consuming, and I feel like as much of

1704
01:14:30,880 --> 01:14:34,240
Speaker 4: it is that we can squeeze out just here, like

1705
01:14:34,479 --> 01:14:36,840
Speaker 4: just sitting with them, Like I was reading something the

1706
01:14:36,920 --> 01:14:38,880
Speaker 4: other day saying, you know, people are worried about their

1707
01:14:38,920 --> 01:14:41,160
Speaker 4: kids getting behind in education. What if they actually came

1708
01:14:41,160 --> 01:14:42,519
Speaker 4: out ahead. And I thought that was such a cool

1709
01:14:42,520 --> 01:14:44,840
Speaker 4: way to look at it, Like, kids, this is going

1710
01:14:44,880 --> 01:14:46,920
Speaker 4: to form who they are and who they become. And

1711
01:14:47,000 --> 01:14:49,880
Speaker 4: what if they actually start to appreciate the small things

1712
01:14:49,880 --> 01:14:53,960
Speaker 4: that we're starting to appreciate right now instead of just

1713
01:14:54,080 --> 01:14:55,960
Speaker 4: the grind of everyday life. And what if they actually

1714
01:14:56,080 --> 01:14:58,960
Speaker 4: learn to do meaningful chores at home and learn the

1715
01:15:00,560 --> 01:15:03,520
Speaker 4: the value in that and learn how to you know, actually.

1716
01:15:03,760 --> 01:15:04,800
Speaker 2: Be I hear.

1717
01:15:05,080 --> 01:15:05,240
Speaker 6: You know.

1718
01:15:05,360 --> 01:15:07,000
Speaker 3: The only thing I worry about with all of that

1719
01:15:07,280 --> 01:15:10,240
Speaker 3: is there's social skills when this is all said and done,

1720
01:15:10,280 --> 01:15:12,479
Speaker 3: you know what I mean, That's the only thing I

1721
01:15:12,600 --> 01:15:15,840
Speaker 3: worry about. But yeah, you know, we got this kid reading,

1722
01:15:16,080 --> 01:15:18,560
Speaker 3: you know, she's on site words and we're trying to

1723
01:15:18,600 --> 01:15:20,280
Speaker 3: get her to read and stuff like that, and we're

1724
01:15:20,320 --> 01:15:23,080
Speaker 3: working with math and all of that stuff. But at

1725
01:15:23,080 --> 01:15:24,960
Speaker 3: the end of the day, it's like, you know, there's

1726
01:15:25,000 --> 01:15:29,519
Speaker 3: something special about being around other children their age to

1727
01:15:29,680 --> 01:15:31,080
Speaker 3: interact with, you know what I mean.

1728
01:15:31,479 --> 01:15:34,120
Speaker 4: It's so true. I know my heartbreaks for only kids

1729
01:15:34,160 --> 01:15:35,960
Speaker 4: who are you know, having to go through this right

1730
01:15:36,000 --> 01:15:38,559
Speaker 4: now with no kids to play with it's really hard.

1731
01:15:39,040 --> 01:15:42,640
Speaker 1: The show ends with Hallelujah by John Cale, which has

1732
01:15:42,640 --> 01:15:45,640
Speaker 1: been covered by lots of folks. I thought this was

1733
01:15:45,680 --> 01:15:49,920
Speaker 1: a particularly beautiful rendition, and again I think it was

1734
01:15:50,000 --> 01:15:53,040
Speaker 1: the first real time I noticed the show ending with

1735
01:15:53,200 --> 01:15:58,000
Speaker 1: a sweet, somber, uplifting song in a beautiful way cutting

1736
01:15:58,040 --> 01:16:00,479
Speaker 1: to the montage, and I got I wrote down, I

1737
01:16:00,560 --> 01:16:04,120
Speaker 1: got goosebumps at twenty fourteen when we all three whip

1738
01:16:04,200 --> 01:16:07,960
Speaker 1: our heads around, yeah, revealing that we've all it's not

1739
01:16:08,080 --> 01:16:10,439
Speaker 1: one in three in this case. The odds have fallen,

1740
01:16:10,560 --> 01:16:14,360
Speaker 1: so we've lost three of three. I got goosebumps up

1741
01:16:14,400 --> 01:16:15,600
Speaker 1: and down my arms at that moment. I thought that

1742
01:16:15,680 --> 01:16:16,639
Speaker 1: was really beautifully done.

1743
01:16:17,120 --> 01:16:20,439
Speaker 4: Absolutely so shocking when that happens, right Like, as a viewer,

1744
01:16:20,520 --> 01:16:22,280
Speaker 4: I think you're not expecting that. You're kind of waiting

1745
01:16:22,320 --> 01:16:24,560
Speaker 4: for that statistic that they set up at the beginning.

1746
01:16:25,120 --> 01:16:26,080
Speaker 2: And then we end the show.

1747
01:16:26,120 --> 01:16:30,559
Speaker 3: And this is what I was saying a few episodes before, Sarah,

1748
01:16:30,600 --> 01:16:32,840
Speaker 3: you weren't here for this, but it's really important for

1749
01:16:32,960 --> 01:16:35,320
Speaker 3: doctors to be able to pick themselves back up after

1750
01:16:36,040 --> 01:16:40,120
Speaker 3: something like this happens. And you know, it's also very

1751
01:16:40,160 --> 01:16:43,439
Speaker 3: important that this happens to these young doctors at an

1752
01:16:43,520 --> 01:16:45,880
Speaker 3: early time, so they do know how to set up

1753
01:16:45,960 --> 01:16:48,880
Speaker 3: boundaries and do know how to set up balls to

1754
01:16:49,000 --> 01:16:52,160
Speaker 3: help them be professional. It's tragic that it has to

1755
01:16:52,240 --> 01:16:54,880
Speaker 3: be death that does it, but yeah, you know, to

1756
01:16:55,000 --> 01:16:56,720
Speaker 3: lose someone you care about and then show up the

1757
01:16:56,800 --> 01:17:00,320
Speaker 3: next day at that job, it's very difficult. I can't

1758
01:17:00,600 --> 01:17:03,360
Speaker 3: I can't imagine it. I find it difficult to watch

1759
01:17:03,400 --> 01:17:05,000
Speaker 3: and it's very difficult to experience.

1760
01:17:05,000 --> 01:17:05,679
Speaker 2: I would imagine.

1761
01:17:06,000 --> 01:17:07,479
Speaker 4: And that was that, and that piece of It's so

1762
01:17:07,560 --> 01:17:09,519
Speaker 4: cool that the show kind of owes that right after

1763
01:17:09,640 --> 01:17:12,280
Speaker 4: with all, you know, Churt going back and introducing himself

1764
01:17:12,680 --> 01:17:14,439
Speaker 4: to the patient, Jad taking the time to go be

1765
01:17:14,520 --> 01:17:16,120
Speaker 4: on the grass, Elliott kind of figuring out how to

1766
01:17:16,320 --> 01:17:19,720
Speaker 4: take charge. And that was kind of cool too. Johnny's

1767
01:17:19,840 --> 01:17:23,479
Speaker 4: conversation with Elliott when he says, you made the right call,

1768
01:17:23,640 --> 01:17:26,679
Speaker 4: you did, and she says, I know, and I don't.

1769
01:17:26,800 --> 01:17:29,040
Speaker 4: I didn't remember that. And when I saw that, I,

1770
01:17:29,200 --> 01:17:32,200
Speaker 4: you know, just sort of having her take that confident position.

1771
01:17:32,439 --> 01:17:36,960
Speaker 1: Yeah, that was really powerful. I was really powerful. I thought, Okay, listen, guys,

1772
01:17:37,040 --> 01:17:37,360
Speaker 1: we did it.

1773
01:17:37,479 --> 01:17:37,800
Speaker 2: We did it.

1774
01:17:38,120 --> 01:17:40,360
Speaker 1: I'm so glad, Sarah we had you, because we wanted

1775
01:17:40,400 --> 01:17:42,280
Speaker 1: to have you on this one because we all keep

1776
01:17:42,320 --> 01:17:44,559
Speaker 1: saying this was a very special episode for all of us,

1777
01:17:44,800 --> 01:17:48,559
Speaker 1: and thank you for for coming on. And I hope

1778
01:17:48,640 --> 01:17:50,519
Speaker 1: you know we're having fun doing this. I hope that

1779
01:17:50,640 --> 01:17:52,640
Speaker 1: Donald and I both hope that you'll come as as

1780
01:17:52,760 --> 01:17:55,799
Speaker 1: as many times as you're willing to and and rewatch

1781
01:17:55,880 --> 01:17:56,479
Speaker 1: the show with us.

1782
01:17:56,760 --> 01:17:58,760
Speaker 4: I loved it. It was so fun, so fun to do.

1783
01:17:59,520 --> 01:18:00,240
Speaker 2: So is that a yes?

1784
01:18:00,600 --> 01:18:02,200
Speaker 1: Was that a yes? That was a very non chemical

1785
01:18:02,400 --> 01:18:03,240
Speaker 1: very that is?

1786
01:18:03,360 --> 01:18:03,560
Speaker 6: That is?

1787
01:18:03,600 --> 01:18:05,280
Speaker 4: I'm in you? Just you can know where I am. Guys,

1788
01:18:05,320 --> 01:18:06,160
Speaker 4: I'm not doing anything.

1789
01:18:06,400 --> 01:18:08,880
Speaker 1: How do you say? How do you say? Goodbye? And Canadians?

1790
01:18:09,200 --> 01:18:16,120
Speaker 2: I think it's goodbye? Wait? Is it something like? That's French?

1791
01:18:16,479 --> 01:18:17,960
Speaker 1: That's well, you know there's a lot of them speak

1792
01:18:18,000 --> 01:18:21,160
Speaker 1: French up there, Donald Bilingo country here, guys?

1793
01:18:21,760 --> 01:18:21,920
Speaker 6: Is it?

1794
01:18:22,439 --> 01:18:25,639
Speaker 1: Yes? On that note? Donald, if you'll lead us in song?

1795
01:18:26,360 --> 01:18:26,479
Speaker 6: Uh?

1796
01:18:26,880 --> 01:18:27,320
Speaker 4: Why god?

1797
01:18:27,439 --> 01:18:27,679
Speaker 2: Donald?

1798
01:18:27,720 --> 01:18:28,720
Speaker 4: Why can't I lead us in song?

1799
01:18:28,800 --> 01:18:31,599
Speaker 1: Sorry? You can lead us in song? We will now,

1800
01:18:31,840 --> 01:18:36,400
Speaker 1: Donald Countison, please one two? I prefer when you count

1801
01:18:36,479 --> 01:18:37,639
Speaker 1: down like DeBie.

1802
01:18:38,439 --> 01:18:39,839
Speaker 2: Okay, you got big dreams?

1803
01:18:40,400 --> 01:18:42,040
Speaker 1: You take the monologue?

1804
01:18:42,080 --> 01:18:45,400
Speaker 2: This time? Fame costs and right here is where you

1805
01:18:45,520 --> 01:18:47,919
Speaker 2: start paying the sweat.

1806
01:18:48,640 --> 01:18:49,679
Speaker 1: By six.

1807
01:18:51,000 --> 01:18:54,240
Speaker 2: Stories, I'm not sure we made.

1808
01:18:55,280 --> 01:19:02,000
Speaker 1: About a bunch of the story next.

1809
01:19:02,120 --> 01:19:03,080
Speaker 4: All should know.

1810
01:19:04,680 --> 01:19:09,599
Speaker 1: So Gadder Rado here, hop Gatherer rad you here, Hobbs Butch.

1811
01:19:09,680 --> 01:19:12,280
Speaker 1: We watch your Witz and and no