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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe emissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: future and the zero zero Zero initiative at GM dot com.

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Speaker 1: GM everybody in Yo? What up this big Loom? This

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Speaker 1: is this up their podcast? I want to welcome me

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Speaker 1: about this up their podcast? You know where you were

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Speaker 1: at right now? At State Farm, we're committed to uplifting

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Speaker 1: black futures. In collaboration with organizations like one hundred Black

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Speaker 1: Men and National Urban League, State Farm provides high school

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Speaker 1: students with the opportunity to learn and apply best practice

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Speaker 1: strategies for saving and investing, all while offering academic support,

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Speaker 1: life skills, and exposure to college access programs to prepare

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Speaker 1: these students for life after high school. Check out one

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Speaker 1: hundred black Men dot org and NUL dot org to

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Speaker 1: donate and learn more. Like a good neighbor, State Farm

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Speaker 1: is there. At State Farm, we're committed to uplifting black futures.

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Speaker 1: In collaboration with organizations like one hundred Black Men and

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Speaker 1: National Urban League, State Farm provides high school students with

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Speaker 1: the opportunity to learn and apply best practice strategies for

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Speaker 1: saving and investing, all while offering academic support, life skills,

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Speaker 1: and exposure to college access programs to prepare these students

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Speaker 1: for life after high school. Check out one hundred black

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Speaker 1: Men dot org end and you Olt dot org to

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Speaker 1: donate and learn more. Like a good neighbor, State Farm

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Speaker 1: is there. It's a muss. I let everybody no man,

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Speaker 1: it's a pleasure that you've been involved with my climbing

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Speaker 1: up to the top. My name is Big Loan. I

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Speaker 1: have the going podcast in the world right now, especially

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Speaker 1: when we're dealing with impacts. So I gotta say thank

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Speaker 1: you to my people. I gotta say thank you to

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Speaker 1: the people that's been here since day one right now.

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Speaker 1: If you help and you want to find a way

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Speaker 1: to support this movement, head the Patreon dot com slashes

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Speaker 1: up there podcasts. I really appreciate the people that's been involved.

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Speaker 1: You are helping me change my life and my family's life.

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Speaker 1: As I go up this ladder that this industry has,

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Speaker 1: So I want to say thank you guys for that.

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Speaker 1: As you guys know what podcasting, I'm finding a special place.

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Speaker 1: I'm finding that I occupy very specific place that very

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Speaker 1: few people can get in. And so as I moved

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Speaker 1: through this game, man, I want people to know, like

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Speaker 1: especially people that's looking at me, A lot of people

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Speaker 1: looking at me saying as possible and for me to

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Speaker 1: be the light means a lot. That is such a

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Speaker 1: valuable place position to hold in people's hards minds right

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Speaker 1: that they feel as though because you've done it, they

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Speaker 1: can do it. I want to be clear that they

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Speaker 1: don't understand that. See they're viewing the touchdown celebration, they

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Speaker 1: ain't never seen what's happening in between the whistles, in

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Speaker 1: between the sticks. Right every first down I had to

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Speaker 1: get when they were fourth and ten, and I went

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Speaker 1: forward when it was third and inches and I did

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Speaker 1: a play action, And they don't get to see my craftsmanship, right,

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Speaker 1: All they get to see it's my execution. And so

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Speaker 1: if all you depending on it, all you pointing it,

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Speaker 1: and all you pulling from is execution, you're in a

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Speaker 1: bad place. Because the information is in the preparation and

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Speaker 1: it is in the ingredients. The execution is just resemblance

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Speaker 1: of the preparation, you understand. So I like to get

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Speaker 1: with dudes and figure out, Hey, what's your ritual? Like,

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Speaker 1: what's your what's your what's your thing? What keep you seeing?

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Speaker 1: Because I know I talk once a week, twice a week,

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Speaker 1: sometimes three times a week right to people and things

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Speaker 1: like that, depending on my schedule. And I'm talking about

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Speaker 1: interviews where you gotta be entertaining and informative. I created

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Speaker 1: that element. I'm trying to provide that laying escape in

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Speaker 1: this market, you know. But I see that I'm making

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Speaker 1: it easier for people, so people like, you know what,

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Speaker 1: Loan did it and he really doing it. I can

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Speaker 1: do it, and I think it's cool in a way,

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Speaker 1: but it's it ain't cool in a way because and

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Speaker 1: it ain't cool because of my selfish reasons, right to

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Speaker 1: be like, yo, man, you don't know how hard this was, Like,

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Speaker 1: you don't know how hard this is. You don't know

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Speaker 1: how much work going into this, And the idea that

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Speaker 1: I make it so easy it says something to what

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Speaker 1: I'm able to do. But boy, I know what's I know,

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Speaker 1: the sweat equity is involved in it. And when we're

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Speaker 1: talking about podcasting, we're talking about Loon coming into a market,

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Speaker 1: right and having a certain amount of impact. Right. Right now,

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Speaker 1: what we're trying to view is my conversion I need

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Speaker 1: just all I need is eyeballs. The conversion is a

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Speaker 1: pretty good number, so we'll be able to probably capitalize

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Speaker 1: on the more eyeballs to see it. So it's just

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Speaker 1: about audience at this point and access to audience. Loon

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Speaker 1: come into game and I battle with dudes that come

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Speaker 1: in with built in fan basis, right, So I come

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Speaker 1: in creating a fan base with the game. It's dudes

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Speaker 1: that come in with built in fan basis from rap

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Speaker 1: or from their celebrity. They're pulling that celebrity from somewhere.

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Speaker 1: So I come into world. I have to cut through

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Speaker 1: celebrity and ability, right, So I got to provide something

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Speaker 1: that's in the middle of that that's so different that

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Speaker 1: they can say this dude that's famous, I want to

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Speaker 1: listen to this dude here, right, And so the ingredients

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Speaker 1: that go into that, the hours of understanding how to communicate,

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Speaker 1: what words to use, transitions like I remember for a

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Speaker 1: year straight. I just studied them people them politician, House

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Speaker 1: of Representatives and stuff. They would just have those these

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Speaker 1: long drawn out that what appears to be boring conversations

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Speaker 1: right about frivolous laws. And they may not be frivolous,

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Speaker 1: but some of the conversations were just long and drawn out.

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Speaker 1: But you would have five minutes. They will take it

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Speaker 1: to someone else. You can pass your five minutes on

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Speaker 1: the next dude to make sure he get ten minutes.

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Speaker 1: Or if your boy had a better point, right, and

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Speaker 1: your five minutes, you probably ain't got much. You pass

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Speaker 1: it back to him. So now let him build on

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Speaker 1: what he was saying in his first five minutes, right,

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Speaker 1: And just understanding words that they use, because you have

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Speaker 1: to understand the gravity attached to the communication in the field. Right,

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Speaker 1: these legal things that they can be held accountable for

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Speaker 1: if they say the wrong thing or if they pigeonhole themselves.

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Speaker 1: So I just studied those kind of things and just

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Speaker 1: the time that was put in in all of these areas,

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Speaker 1: right for people just to think, oh, I can sit

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Speaker 1: down and talk. Yeah, no, we can't sit down and talk. Now,

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Speaker 1: I'm telling your lorne be sitting on talking to be

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Speaker 1: going sit on and talk. Then I got the thinking

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Speaker 1: boy in his life in this game. Or and when

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Speaker 1: you're hustling for some or you just going forward, you

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Speaker 1: gotta give something to get something. You gotta give something

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Speaker 1: to get something. Right, If you don't pay for somebody

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Speaker 1: that got the information to do it for you, you

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Speaker 1: gotta pay with your time, your life. You damnly got

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Speaker 1: to throw your whole life into something to understand the

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Speaker 1: infrastructure just to be able to navigate without the help.

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Speaker 1: That's gonna cost you all of your budget, you understand.

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Speaker 1: But boy, a lot of people want to get in

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Speaker 1: these industries right and get in these positions and get

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Speaker 1: rich for nothing. It's it's impossible to get rich for nothing.

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Speaker 1: It's impossible to get rich for free any more. You

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Speaker 1: gotta spend something. And when I say spend something, it

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Speaker 1: may not be money. It may be time. It may

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Speaker 1: be the only way you can get there spending your

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Speaker 1: time doing it. That's it ain't no buying your way

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Speaker 1: right there that position. Now, you got to work your

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Speaker 1: way through that tunnel. That's the only way to get it. Digging,

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Speaker 1: And the people that's there is still digging, so they

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Speaker 1: may not got time to even tell you you understand.

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Speaker 1: So you gotta be equip with either information or you

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Speaker 1: gotta pay one. Stop digging. And I heard jay Z

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Speaker 1: say this, and we'll get into the jay Z and

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Speaker 1: Kidd and Hard interview. Right, what do it coust you

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Speaker 1: for me to stop digging on my behalf to come

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Speaker 1: help you dig you understand me. I'm building companies, I'm

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Speaker 1: building brands. I'm building infrastructures. I got business plans. I'm

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Speaker 1: upgrading my house, I'm upgrading my standards. I'm learning, I'm

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Speaker 1: teaching my children. I'm trying to lead the way from

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Speaker 1: my family. I'm evolving. I'm trying to be a better parent,

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Speaker 1: a better dude, a better man, a better son. See

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Speaker 1: a lot of people hustling for new chains and watches.

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Speaker 1: I'm hustling for experiences for my children. I want to

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Speaker 1: take them to Grease. I want them to sleep in

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Speaker 1: one of them bungalows them twenty five thousand dollar night joints,

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Speaker 1: then big boy joints out there. I want my children

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Speaker 1: to be able to experience that. My little family, we

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Speaker 1: cuttle up and get on over there. And right, I'm

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Speaker 1: hustling for some different I'm on a whole another type vibration.

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Speaker 1: But to get rich or to get some information. Nowadays,

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Speaker 1: you're gonna give something. You're gonna sacrifice at the bad minimum,

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Speaker 1: and a lot of people want everything from the people

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Speaker 1: that sacrifice without sacrificing. You want to take from me

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Speaker 1: something that I earned that costs me all of me

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Speaker 1: that I was unsure about prior to the execution of it.

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Speaker 1: I didn't know whether or not at all work. But

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Speaker 1: I believe, and I know the universe, and God said

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Speaker 1: he'll provide, and I know when I look up under

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Speaker 1: the rock and them answer right there some kind of

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Speaker 1: way they still breathing. That's telling me somebody providing for everything.

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Speaker 1: So I got to ask myself how I'm thinking that

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Speaker 1: I missed out when they tell me about providing. Ain't

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Speaker 1: no way. So I believe that myself put my first

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Speaker 1: step out, second step out, failed, kept going, kept going.

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Speaker 1: You want to get from me what costs me all

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Speaker 1: of me? I'm I'm confused, But sacrifices will be made

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Speaker 1: when you're trying to get on. I'm just lucky enough

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Speaker 1: that my base is the people that's cutting chicks, that's

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Speaker 1: getting money right, the people that like my be the

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Speaker 1: people that that be out there getting business deals done

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Speaker 1: and got the big yachts and right, so I'm resonating

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Speaker 1: with the people that's in position, and I'm just lucky

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Speaker 1: enough to be in that position. Right. The thing is

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Speaker 1: that is that that's my base. But see, you gotta

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Speaker 1: get crafted in this game, because you gotta first of all,

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Speaker 1: you gotta recognize what's your base. Who I'm serving, who

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Speaker 1: buying from it? Who liked me? Right? I got lucky

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Speaker 1: enough that the people like me got money. Right. A

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Speaker 1: lot of the people that like me, they hustling, they're

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Speaker 1: getting too or they don't mind. They can you understand,

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Speaker 1: they can move around and provide for their families, so

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Speaker 1: they living in a certain way. Now let's say you

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Speaker 1: get the other side of their corn, and you got

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Speaker 1: the less fortunate people that love you, the people that

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Speaker 1: really don't got the money to speeding and do nothing

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Speaker 1: and can't really hip you. But you got them strength

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Speaker 1: in numbers. You got a lot of them. Then you

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Speaker 1: gotta get crafty. See, those that understand the game, like Louon,

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Speaker 1: understand that there's two ways to go about getting your

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Speaker 1: money out this game. You can get it from the

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Speaker 1: companies or you can get it from the consumers. Right.

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Speaker 1: If you gotta hold bunch of people, but they broke,

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Speaker 1: you can go get it from the companies to put

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Speaker 1: them companies in front of them people. Right, you play

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Speaker 1: the numbers game. If you don't got a bunch of people,

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Speaker 1: but you got a bunch of culture equity, you might

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Speaker 1: can get it from the companies because that equity helps

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Speaker 1: legitimize their brand. Right. You it's a game to understand

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Speaker 1: where you fit in, but it's two different ways to

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Speaker 1: do it. You have to get crafted when you understand

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Speaker 1: who your audience is. The problem is all rappers want

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Speaker 1: to serve the same audience in the same way. That

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Speaker 1: ain't had work. Same with podcasts and anybody think they're

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Speaker 1: gonna jump in long lane. You can't serve to the

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Speaker 1: people that with me, the vibration too high. They eat

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Speaker 1: good when they come with this. We talk about all

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Speaker 1: the rids. You understand me, so trying to and you

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Speaker 1: can't copy your way upon a million dollars no more,

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Speaker 1: it's dead. There was a brief moment, right, and this

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Speaker 1: is for the game catches, right, my people, you know

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Speaker 1: that was a brief moment in which you can really

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Speaker 1: get rich off the internet without any influence. That's over

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Speaker 1: with you really can't. They really unlocked it back in

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Speaker 1: where you really can't get rich for free no more.

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Speaker 1: At a certain point of time, man, you can really

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Speaker 1: go viral. Ain't no more going viral. All your people

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Speaker 1: got to really post you, and they ain't doing that

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Speaker 1: because they've created economy with that. Posting people has now

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Speaker 1: became the way that people pay their bills. So just

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Speaker 1: think about it, right, I've seen it. The way they

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Speaker 1: want to just take like ten posts days. Say they

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Speaker 1: get five thousand dollars a post, that's fifty thousand a day.

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Speaker 1: That's one point five a month. That's like eighteen million

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Speaker 1: dollars a year just from social media, just just one page.

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Speaker 1: And so because we don't understand multitasking, we don't understand

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Speaker 1: that we can also run that business and also elevate

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Speaker 1: other talent and amplify voices at the same time. And

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Speaker 1: if you're not careful, you'll be told by media and

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Speaker 1: people that's supposed to create awareness around what you do

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Speaker 1: on whatever field or in whatever field you're doing, you

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Speaker 1: will hit them tell you certain things like shut up

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Speaker 1: and dribble because if I can trick you not to

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Speaker 1: doing the balance in that, especially in the prime. See,

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Speaker 1: the thing is that even us, a lot of us

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Speaker 1: do start juggling too late. You didn't last it, are

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Speaker 1: you know? You don't launch it out? Then you didn't

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Speaker 1: figured everything out. Not saying that you know it's cool,

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Speaker 1: but I'm saying that the prime time is while you

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Speaker 1: are number one, understand the balance in that. Oh no, no, no,

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Speaker 1: you don't tell me to shut up in dribble or

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Speaker 1: you can tell me what you want to because it

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Speaker 1: ain't what they call you, it's what you answer to. Right.

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Speaker 1: I expect someone that's supposed to want me to stay

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Speaker 1: marginalized to say, Yo, shut up in dribble. Yo, shut

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Speaker 1: up in dribble. That's what they posted it to you. Yo.

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Speaker 1: Now just rap, no, no, no, just wrap now. Don't

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Speaker 1: gonna sit with home jeh rap jet rapp. You know

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Speaker 1: they're gonna trick you in that position, and it's dumb

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Speaker 1: enough to fall forward. At State Farm, we're committed to

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Speaker 1: uplifting black futures. In collaboration with organizations like one hundred

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Speaker 1: Black Men and National Urban League. State Farm provides high

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Speaker 1: school students with the opportunity to learn a apply best

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Speaker 1: practice strategies for saving and investing, all while offering academic support,

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Speaker 1: life skills, and exposure to college access programs to prepare

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Speaker 1: these students for life after high school. Check out one

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Speaker 1: hundred black Men dot org and NUL dot org to

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Speaker 1: donate and learn more. Like a good neighbor, State Farm

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Speaker 1: is there. At State Farm, we're committed to uplifting Black

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Speaker 1: futures in collaboration with organizations like one hundred Black Men

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Speaker 1: and National Urban League. State Farm provides high school students

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Speaker 1: with the opportunity to learn and apply best practice strategies

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Speaker 1: for saving and investing, all while offering academic support, life skills,

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Speaker 1: and exposure to college access programs to prepare these students

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Speaker 1: for life after high school. Check out one hundred black

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Speaker 1: Men dot org and NUL dot org to donate and

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Speaker 1: learn more. Like a good neighbor, State Farm is There.

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Speaker 1: There was an old saying, and there is an old

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Speaker 1: saying that the cream rises to the top. You always

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Speaker 1: hear me say if the cream rises to the top,

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Speaker 1: Because I'm not sure the cream rises to the top.

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Speaker 1: I think the hustle rises to the top. I think

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Speaker 1: the saying that the creamer rise to the top and

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Speaker 1: the saying that hard work beat talent. When talent don't work,

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Speaker 1: can't live in the same place. I believe if the

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Speaker 1: cream rise to the top, I wouldn't see some of

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Speaker 1: the best ball players that the center and the hood hooping.

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Speaker 1: What I'm saying is that if it was purely about talent,

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Speaker 1: those people wouldn't be in that position. It is not

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Speaker 1: purely about talent. It's about circumstance, it's about timing, it's

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Speaker 1: about information. It's about way more than just talent. But

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Speaker 1: talent is a big chunk of You always got to

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Speaker 1: know the first thing is to get inside the structure

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Speaker 1: because you ineffective. I don't care how effective you are

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Speaker 1: outside the structure. So if you're balling at the center,

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Speaker 1: don't know about to give a about the thirty and

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Speaker 1: thirty you had for souven straight years out there when

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Speaker 1: in the league, the records is the records, right, So

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Speaker 1: what happens is the cream doesn't rise to the top

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Speaker 1: because the cream can be outside of the standards, outside

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Speaker 1: of the industry. The cream itself can live outside of

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Speaker 1: the industry standards. Just like in the NBA, the stats

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Speaker 1: are the stats. The people before you put the stats

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Speaker 1: sheet down, so whatever it has happened before you kind

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Speaker 1: of sits the pressing in on the standards. Right. So

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Speaker 1: if you come into the NBA and the stats say, yo,

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Speaker 1: it's thirty five assists a game, is the record? That's

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Speaker 1: the record. You know. If they say it's ten trible

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Speaker 1: doubles a season, that's the record. Right, the most triple

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Speaker 1: doubles a person got a season is ten. Don't nobody

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Speaker 1: give a if you're getting for the assists at the

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Speaker 1: center league and you don't got eighty one triple doubles

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Speaker 1: in the last two years at the center league, it

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Speaker 1: don't count inside the structure. So a lot of people

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Speaker 1: just work on talent. Talent talented. You can have talent

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Speaker 1: and be bawling at the center. I've seen something go

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Speaker 1: around saying can you have information and be broke? Of

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Speaker 1: course you can have information and be broke that when

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Speaker 1: I'm trying to tell you, right, you're bawling outside the center, Right,

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Speaker 1: you just focus on all the information. You ain't got

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Speaker 1: no execution. Now you just smarter than the everybody. You

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Speaker 1: look funny, then you out of touch. You think everybody

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Speaker 1: else is out of touch. You think you the smartest.

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Speaker 1: You think you know it all, you wanted them, right,

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Speaker 1: And we applaud originality, right, we applaud dudes trying to

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Speaker 1: figure it out. But a lot of times when you

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Speaker 1: dive deep into straight information without execution, that's a problem.

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Speaker 1: And I've been preaching that for so long that it's

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Speaker 1: it's like beating the old drama at that point. But

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Speaker 1: let's talk about this Kevin Harden Jay Z interview for

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Speaker 1: you know, I always say that he needs to come out.

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Speaker 1: The level of understanding that jay Z has gives us

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Speaker 1: a window of opportunity, right, we have a window of

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Speaker 1: opportunity and when we're able to sit down and pick

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Speaker 1: his brain sometimes just because the pathways that he's created

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Speaker 1: always tell people it's not about who's the smartest, meaning

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Speaker 1: who has the most degrees, took all the tests, know

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Speaker 1: how to do man, this is about who has problems

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Speaker 1: solving pathways And I have a lot of them, and

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Speaker 1: I'm trying to develop more pathways in my mind that

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Speaker 1: with a problem pops up, there's ways, there's pathways to

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Speaker 1: break it down and try to solve it. And when

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Speaker 1: you deal with someone that has to be as creative

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Speaker 1: as a Jay z as a Kanye as it did

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Speaker 1: as some of the people that paved the way, some

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Speaker 1: of the people that's created what we know is the

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Speaker 1: industry standard in regards to contracts, marketing, all these things

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Speaker 1: these people are dealing with specific So interviews with these

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Speaker 1: people always give me a certain level of motivation. Like

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Speaker 1: when I watch them, I'd be like, Yo, let's get it. Like,

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Speaker 1: let's get it. Let's see what home time. I hopefully

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Speaker 1: to do this interviewing them gonna get some game. That's

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Speaker 1: why I'm so important in this market. I have to

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Speaker 1: sit with the kind of people and I don't do

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Speaker 1: that and say that to pat myself on the back.

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Speaker 1: I want to be clear of my audience because I really, really,

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Speaker 1: in my heart believe I'm past the point where I

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Speaker 1: have to say that the people that's here now you know,

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Speaker 1: I'm past that. What happens is I have to keep

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Speaker 1: reminding myself because very little things I can pour motivation from.

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Speaker 1: I really don't get motivated from these things, right, I

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Speaker 1: don't care by coming in with jury that don't Again,

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Speaker 1: I want to provide for my children. I want to

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Speaker 1: be a better person and help to who help people

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Speaker 1: understand how to navigate. That's my calling. I have fun

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Speaker 1: doing this. This ain't work for me, right, So I

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Speaker 1: say these things not to toot my own horn. And

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Speaker 1: I want to say that. I say these things because

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Speaker 1: number one, I enjoy what this position that I've worked

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Speaker 1: myself into. That's number one. And number two, if I'm

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Speaker 1: not able to pour from me, I might not be

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Speaker 1: pulling from me. You know, I gotta be able to

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Speaker 1: pour from me to pour from me. You know, if

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Speaker 1: ain't nobody rooting for me, I'm rooting for me. If

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Speaker 1: ain't nobody clapping for me, I'm clapping for me. I

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Speaker 1: believe in me. I write my own chicks, and everything

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Speaker 1: I do is information based. Well, if I was only

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Speaker 1: looking for money, I could have cashed in a long

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Speaker 1: time ago. I'm looking for information. It's gonna cost me

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Speaker 1: a little more time. Information costs time. Getting a job

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Speaker 1: done cost money. I'm familiar with both ways, and that's

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Speaker 1: important to have both those things in your tool belt.

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Speaker 1: Never close off yourself. But let's get to this interview. Man.

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Speaker 1: I will say this Kevin Hard in regards to his

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Speaker 1: and you know, I always look at the communicators. Kevin

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Speaker 1: Hard is a great communicator, especially with this interview, I

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Speaker 1: saw a different side of him. I think he provides

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Speaker 1: he provides us several different sides, but it's still like

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Speaker 1: the same gear, his his voice. It may be just

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Speaker 1: his voice or his tone, right, he gives us that

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Speaker 1: that same gear. But this was a great interview and

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Speaker 1: they got into a few things. Let's look at a

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Speaker 1: little bit of it and we'll have some game on it.

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Speaker 1: I hope that at the end of this journey or

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Speaker 1: however it ends out like I represent that too, you know,

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Speaker 1: um as well, like I've seen you make that change.

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Speaker 1: Though I've seen you make that change in growth and

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Speaker 1: in person, um, just in conversation information that you've started

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Speaker 1: to put out right, Like you know, it made a

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Speaker 1: shift from money like even that if you look back

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Speaker 1: to Reasonable down listen, like even the songs that were

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Speaker 1: like more bragged, doocious and out there about money were

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Speaker 1: really more so directed at him, like the system in America.

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Speaker 1: Like you put us in these situations and you handcuffed us,

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Speaker 1: and you put it behind our back, and we still

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Speaker 1: made away. It's like almost like like like a you know,

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Speaker 1: like a peacock like spreading his wings, like you know,

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Speaker 1: we made it. Like so the transition has happened, you know,

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Speaker 1: because with more information that you get, you you evolved

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Speaker 1: and you grow. But even even men. My first album

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Speaker 1: came out with twenty six so politics as usual and

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Speaker 1: those songs really dealt with it. Regrets on the last

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Speaker 1: song on my first album. You know, those are real topics.

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Speaker 1: The evils you know, just talking about you know, the

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Speaker 1: relationship and how money can come between friends. You know,

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Speaker 1: we haven't had money for a long time, so we

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Speaker 1: don't know how to We're not professionals that navigate in

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Speaker 1: how to communicate from that space, you know what I mean?

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Speaker 1: Like you, you know, you'll have people that where you

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Speaker 1: come from, if you behave in a certain manner that

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Speaker 1: it's not a custom to where they are. Right. Some

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Speaker 1: people haven't evolved past sixteen. They still stuck in that place.

427
00:23:51,800 --> 00:23:54,280
Speaker 1: But you evolved in every year. So that may be

428
00:23:54,359 --> 00:23:58,720
Speaker 1: a threat to them subconsciously or consciously. Calf back in

429
00:23:58,760 --> 00:24:00,919
Speaker 1: funny because blah blah blah. You have to navigate that.

430
00:24:00,960 --> 00:24:03,359
Speaker 1: You have cousins. You got to go home for Thanksgiving

431
00:24:03,359 --> 00:24:05,679
Speaker 1: and people are talking to you like Kevin Hart and

432
00:24:05,800 --> 00:24:08,280
Speaker 1: you're going home for solace. You want family, going home

433
00:24:08,320 --> 00:24:10,200
Speaker 1: for peace of mind. You're going home for piece of mind.

434
00:24:10,280 --> 00:24:12,560
Speaker 1: Don't give you to your cousins. You're not cousins in

435
00:24:12,600 --> 00:24:15,480
Speaker 1: your grandma's living room, saying, yo, man, I got this up,

436
00:24:16,080 --> 00:24:18,200
Speaker 1: I got this play. I want to if you just

437
00:24:18,240 --> 00:24:21,080
Speaker 1: give me you know what I mean for they hunted,

438
00:24:21,240 --> 00:24:23,680
Speaker 1: I could make you two million. You like it don't work,

439
00:24:23,720 --> 00:24:25,520
Speaker 1: Like yeah, man, you got to explain to him, like

440
00:24:26,119 --> 00:24:28,840
Speaker 1: life isn't like that. Money isn't free, and no one's

441
00:24:28,840 --> 00:24:31,120
Speaker 1: given our opportunity. If it sounds too good to be true,

442
00:24:31,119 --> 00:24:33,040
Speaker 1: it is really And then he like, oh, you don't

443
00:24:33,080 --> 00:24:36,119
Speaker 1: believe in my dreams? Where did that come from? Like,

444
00:24:36,359 --> 00:24:40,640
Speaker 1: at what point did you make the switch? Let's put

445
00:24:40,640 --> 00:24:44,679
Speaker 1: a little context around that. Um so Jay was just

446
00:24:44,760 --> 00:24:49,920
Speaker 1: speaking about how when he goes home that he's bombarded

447
00:24:50,000 --> 00:24:55,359
Speaker 1: or he may be approached with certain offers that's unreasonable

448
00:24:55,480 --> 00:24:57,520
Speaker 1: from his family. And we all know what it's like

449
00:24:57,640 --> 00:25:00,800
Speaker 1: being the head of the family right now. I think

450
00:25:00,840 --> 00:25:03,399
Speaker 1: it speaks to the families hustle. If I'm your people

451
00:25:03,440 --> 00:25:05,560
Speaker 1: and you can't get no money to come through, and

452
00:25:05,600 --> 00:25:08,600
Speaker 1: I generate this much money each year and you can't

453
00:25:08,600 --> 00:25:12,000
Speaker 1: figure a way to slide two million your way from me,

454
00:25:12,359 --> 00:25:15,760
Speaker 1: and you make thirty percent of the sums. You know,

455
00:25:15,840 --> 00:25:18,600
Speaker 1: whatever the case may be, you can't figure a way

456
00:25:18,600 --> 00:25:21,359
Speaker 1: to make no money with me. I think that speaks

457
00:25:21,400 --> 00:25:24,239
Speaker 1: to your ability to digest the information not only that

458
00:25:24,280 --> 00:25:27,560
Speaker 1: I'm putting out publicly, but that you have access to

459
00:25:27,760 --> 00:25:31,360
Speaker 1: through me privately. Right, That's number one? But number two

460
00:25:31,400 --> 00:25:35,720
Speaker 1: when they when you come home as that as as powerful? Right?

461
00:25:37,200 --> 00:25:40,159
Speaker 1: I wonder does that speak to the conditions? Right? Is that?

462
00:25:40,440 --> 00:25:44,840
Speaker 1: Is that desperation? Right? Is that desperation right them? I'm

463
00:25:44,880 --> 00:25:46,560
Speaker 1: in here trying to kick it with the family and

464
00:25:46,600 --> 00:25:49,600
Speaker 1: they trying to you know, is that desperation or is

465
00:25:49,640 --> 00:25:57,720
Speaker 1: that greed? Does that speak to the conditions or does

466
00:25:57,760 --> 00:26:02,400
Speaker 1: that speak to them? I'm just being inconsiderate. I'm not sure,

467
00:26:02,520 --> 00:26:07,240
Speaker 1: But a lot of people do have delusional dreams, right again,

468
00:26:07,320 --> 00:26:09,680
Speaker 1: they've a lot of people. What I'm noticing a lot

469
00:26:09,680 --> 00:26:13,479
Speaker 1: of people are copying someone else's dream. And usually the

470
00:26:13,520 --> 00:26:17,040
Speaker 1: person you are copying, you're copying because they make it

471
00:26:17,080 --> 00:26:20,680
Speaker 1: look easy. And usually they make it look easy because

472
00:26:20,720 --> 00:26:23,480
Speaker 1: they're doing something they enjoy doing. And that's where you're

473
00:26:23,480 --> 00:26:26,240
Speaker 1: gonna run into the brick wall, because if you don't

474
00:26:26,400 --> 00:26:29,360
Speaker 1: enjoy doing it, in the way that they enjoy doing it.

475
00:26:29,400 --> 00:26:32,080
Speaker 1: Then it won't appear as easy as they make it look.

476
00:26:32,920 --> 00:26:36,720
Speaker 1: It's hard till it ain't hard. It ain't even hard

477
00:26:36,760 --> 00:26:40,760
Speaker 1: when you love doing it, but when it becomes a job. Right,

478
00:26:41,000 --> 00:26:43,600
Speaker 1: we spoke. We heard t I speak about stepping in

479
00:26:43,680 --> 00:26:46,680
Speaker 1: the podcasting like, yo, you gotta read, ask this, that

480
00:26:46,840 --> 00:26:49,840
Speaker 1: and that, wallowing them seem to love reading as loon

481
00:26:50,000 --> 00:26:53,160
Speaker 1: I read ass them is the checks bringing them brain

482
00:26:53,280 --> 00:26:57,399
Speaker 1: them ass here you understand and I don't. This is

483
00:26:57,440 --> 00:27:00,000
Speaker 1: what we do, this is this is part of it. Right,

484
00:27:00,040 --> 00:27:03,600
Speaker 1: we enjoy doing this. But you can't put your delusional

485
00:27:03,720 --> 00:27:06,880
Speaker 1: dreams on me because I hustle and like I got,

486
00:27:06,960 --> 00:27:09,160
Speaker 1: I got me, I gotta meet and hustle. I'm gonna

487
00:27:09,160 --> 00:27:10,840
Speaker 1: fire here. And then you're gonna push you up on

488
00:27:10,960 --> 00:27:13,680
Speaker 1: me with the delusional dreams and dump them in my lap.

489
00:27:14,160 --> 00:27:17,120
Speaker 1: I can't afford to do that. I gotta do risk

490
00:27:17,160 --> 00:27:20,400
Speaker 1: assessment on that. And then you saying something four day

491
00:27:20,480 --> 00:27:22,920
Speaker 1: hunting for two media. Man, Please let's listen to a

492
00:27:22,960 --> 00:27:26,120
Speaker 1: little bit more, right, what else? Like how else can

493
00:27:26,119 --> 00:27:28,400
Speaker 1: I be of service? You know? And a And as

494
00:27:28,400 --> 00:27:31,360
Speaker 1: you move further and further away from you achieve these

495
00:27:31,400 --> 00:27:34,719
Speaker 1: goals that you thought were you know, unattainable in the beginning,

496
00:27:34,760 --> 00:27:37,080
Speaker 1: and you achieve them, and then you look around and

497
00:27:37,160 --> 00:27:40,600
Speaker 1: you say, okay, how can we duplicate this. The reason

498
00:27:40,640 --> 00:27:43,600
Speaker 1: we created rock Nation was to be able to say, Okay,

499
00:27:43,640 --> 00:27:48,280
Speaker 1: this is all the information we gathered. Here, it is Rihanna, here,

500
00:27:48,280 --> 00:27:50,720
Speaker 1: it is Kanye you know, whomever, whomever, right like, and

501
00:27:50,840 --> 00:27:55,679
Speaker 1: just like, here here's the information. So if we achieve

502
00:27:55,760 --> 00:27:58,640
Speaker 1: those goals at thirty six, you do it at twenty six,

503
00:27:59,320 --> 00:28:02,320
Speaker 1: you know. And if we mate, you know, if we

504
00:28:02,440 --> 00:28:05,600
Speaker 1: created a billion dollar company, you create a seven billion

505
00:28:05,600 --> 00:28:07,760
Speaker 1: dollars giving you the infrastructure that we know works, but

506
00:28:07,800 --> 00:28:10,280
Speaker 1: we're embedding into you at a young age so that

507
00:28:10,400 --> 00:28:13,080
Speaker 1: it works earlier for you and now you can succeed

508
00:28:13,160 --> 00:28:15,520
Speaker 1: in surpass what we've done. Yeah, because they're building off.

509
00:28:15,560 --> 00:28:19,080
Speaker 1: You know, had you had someone at twenty six or

510
00:28:19,080 --> 00:28:22,479
Speaker 1: earlier to say, you know, his Camp Heart productions, the ding,

511
00:28:22,600 --> 00:28:23,760
Speaker 1: this is how you do it. You don't want to

512
00:28:23,800 --> 00:28:25,439
Speaker 1: need to back end. You want to create the content,

513
00:28:25,480 --> 00:28:26,960
Speaker 1: You want to own the content, you want to take

514
00:28:26,960 --> 00:28:29,600
Speaker 1: it here, et cetera, et cetera. If you have someone

515
00:28:29,680 --> 00:28:32,280
Speaker 1: just to give you that rolematch. That rolemat has been

516
00:28:32,280 --> 00:28:35,080
Speaker 1: given to people since the beginning of time. We just

517
00:28:35,200 --> 00:28:39,120
Speaker 1: was never privy to itv too, we never had access

518
00:28:39,120 --> 00:28:42,000
Speaker 1: to that sort of information. Of the rule I believe

519
00:28:42,000 --> 00:28:44,760
Speaker 1: he's talking about Kanye is a very specific number with

520
00:28:45,200 --> 00:28:49,160
Speaker 1: the seven billion. But nonetheless, let's take the information and

521
00:28:49,240 --> 00:28:53,560
Speaker 1: try to extract it out of it. It's like what

522
00:28:53,680 --> 00:28:57,760
Speaker 1: I always tell people, it's the handoff. The arrow you

523
00:28:57,840 --> 00:29:01,880
Speaker 1: drop will be picked up by someone that was following you.

524
00:29:02,680 --> 00:29:05,959
Speaker 1: So it's important to understand that now we stand on

525
00:29:06,000 --> 00:29:08,040
Speaker 1: the shoulders of people. And that's what I mean when

526
00:29:08,080 --> 00:29:12,360
Speaker 1: I say we got great representation of what hip hop

527
00:29:12,640 --> 00:29:16,360
Speaker 1: can be as it's getting older, right when you deal

528
00:29:16,400 --> 00:29:19,160
Speaker 1: with a Ja or Kanye, or you deal with a

529
00:29:19,280 --> 00:29:21,360
Speaker 1: Did or some of these people that's kind of older

530
00:29:21,440 --> 00:29:26,200
Speaker 1: in the game. Established the bird Man still doing good business,

531
00:29:26,440 --> 00:29:29,240
Speaker 1: a masterpiece still doing good business. A lot of these

532
00:29:29,280 --> 00:29:33,680
Speaker 1: people still doing good business and flourishing. Right. It shows

533
00:29:33,680 --> 00:29:37,440
Speaker 1: the hip hop in its older age still has a place.

534
00:29:38,120 --> 00:29:40,280
Speaker 1: And I think for a long time we shunned that,

535
00:29:40,360 --> 00:29:45,200
Speaker 1: and I never understood why we kick back on older rap.

536
00:29:46,160 --> 00:29:49,280
Speaker 1: Now I do think that we need to allow rappers

537
00:29:49,320 --> 00:29:51,360
Speaker 1: to evolve. I don't want to see you showing up

538
00:29:51,400 --> 00:29:53,720
Speaker 1: in the costume you had on in the eighties. That's

539
00:29:53,760 --> 00:29:57,040
Speaker 1: embarrassing to me. I know you don't want to wear that.

540
00:29:57,160 --> 00:29:59,640
Speaker 1: I know you old. I know you ain't trying to write.

541
00:29:59,680 --> 00:30:02,280
Speaker 1: So when you're doing that, I'm knowing it's a check

542
00:30:02,400 --> 00:30:05,800
Speaker 1: move and that feel bad. But to be an older

543
00:30:05,840 --> 00:30:09,440
Speaker 1: black man is becoming cooler, you know what I'm saying.

544
00:30:09,440 --> 00:30:12,040
Speaker 1: We got the older black men now that Yeah, they

545
00:30:12,120 --> 00:30:14,280
Speaker 1: look at like being now. Look like when you hit

546
00:30:14,320 --> 00:30:16,480
Speaker 1: a certain age, boy, if you've been hustling good, they

547
00:30:16,560 --> 00:30:20,440
Speaker 1: might put a bee next to you. I'm telling y'all

548
00:30:20,440 --> 00:30:24,560
Speaker 1: how important it is to see these dudes elevated execute.

549
00:30:24,800 --> 00:30:28,360
Speaker 1: It's very important. I always tell y'all that, Yo, Jay

550
00:30:28,440 --> 00:30:31,040
Speaker 1: gotta come out. Did they gotta sit with the game?

551
00:30:31,120 --> 00:30:34,160
Speaker 1: Give us they gotta come sit with Kanye if they

552
00:30:34,200 --> 00:30:37,000
Speaker 1: got to come sit with because it ain't about sitting

553
00:30:37,040 --> 00:30:40,440
Speaker 1: with it's about everybody that's eating off that you just

554
00:30:40,720 --> 00:30:43,480
Speaker 1: all of them gems. You just drop right there. They

555
00:30:43,600 --> 00:30:46,080
Speaker 1: go through the culture for the next five teen years,

556
00:30:46,120 --> 00:30:49,520
Speaker 1: and they picked up on TikTok over here two years late.

557
00:30:49,600 --> 00:30:52,520
Speaker 1: It's over here, a clip from there over here, somebody

558
00:30:52,560 --> 00:30:54,680
Speaker 1: asking can they use that clip over here for a

559
00:30:54,720 --> 00:30:58,440
Speaker 1: platinum song? Right, It's just that's how our culture learns,

560
00:30:58,480 --> 00:31:00,520
Speaker 1: and it's important to feed us in the way that

561
00:31:00,560 --> 00:31:04,240
Speaker 1: we can learn. There's a moment in time where we

562
00:31:04,320 --> 00:31:08,720
Speaker 1: realize that our likeliness is more valuable than our actual income. Right,

563
00:31:08,880 --> 00:31:13,560
Speaker 1: our our likeliness um the attachment to saying your likeness, well,

564
00:31:13,840 --> 00:31:18,360
Speaker 1: or you like likeness? Likeness? What is it? Likeness? No?

565
00:31:18,440 --> 00:31:21,160
Speaker 1: I may have it up. Is it likeliness a likeness?

566
00:31:22,000 --> 00:31:25,000
Speaker 1: I don't know which one? You don't know? If I'm

567
00:31:25,120 --> 00:31:27,480
Speaker 1: using my if I'm attaching myself to a brand, I'm

568
00:31:27,480 --> 00:31:31,640
Speaker 1: giving my likeness likeness? Yes, all right? One nothing? So

569
00:31:31,920 --> 00:31:36,680
Speaker 1: what first I wanted to say. I know Kevin Hart

570
00:31:36,680 --> 00:31:39,840
Speaker 1: probably know what likeness is and how to execute it

571
00:31:39,880 --> 00:31:43,840
Speaker 1: and make sure that he's capitalizing off of it. But

572
00:31:43,960 --> 00:31:48,000
Speaker 1: I do think it's interesting for him not to know

573
00:31:48,120 --> 00:31:50,640
Speaker 1: the word. But the first thing you say when you

574
00:31:50,640 --> 00:31:52,960
Speaker 1: see this is how he don't know what likeness means.

575
00:31:54,840 --> 00:31:57,280
Speaker 1: You say, man, he must got somebody in position running

576
00:31:57,320 --> 00:32:00,960
Speaker 1: his business, deady trust and then it's all good until

577
00:32:01,000 --> 00:32:03,640
Speaker 1: it ain't all good. And of course I'm assuming, but

578
00:32:03,760 --> 00:32:05,840
Speaker 1: I'm not sure that I'll be worth three hunting me

579
00:32:05,960 --> 00:32:10,080
Speaker 1: and get something like Lking this's wrong, right, No shade

580
00:32:10,080 --> 00:32:12,200
Speaker 1: to Kevin. I know he's a great business man, a

581
00:32:12,320 --> 00:32:15,760
Speaker 1: stoop business man, you know, they say, makes a lot

582
00:32:15,800 --> 00:32:18,640
Speaker 1: of money. And I've watched him execute to elevate throughout

583
00:32:18,640 --> 00:32:20,960
Speaker 1: our coach and be a great representation of what a

584
00:32:21,000 --> 00:32:24,000
Speaker 1: comic can and will be if he puts the work

585
00:32:24,040 --> 00:32:26,560
Speaker 1: in and does what has to be done right. So

586
00:32:26,600 --> 00:32:29,560
Speaker 1: we know he's a big dog in that space hundred percent.

587
00:32:30,160 --> 00:32:32,440
Speaker 1: And for the audience looking and listening and don't know

588
00:32:32,480 --> 00:32:35,800
Speaker 1: what likeness is, it's just your brand, right. So if

589
00:32:35,840 --> 00:32:39,320
Speaker 1: I'm gonna let you put out that Kevin Hart wears manscape,

590
00:32:39,480 --> 00:32:41,840
Speaker 1: or if I'm gonna let you put out that Kevin

591
00:32:41,920 --> 00:32:45,120
Speaker 1: Hart use this manscape, we need to make sure that

592
00:32:45,200 --> 00:32:49,160
Speaker 1: we get some equity or we need to do some

593
00:32:49,280 --> 00:32:51,640
Speaker 1: kind of compensation for that, because the fact that I

594
00:32:51,840 --> 00:32:54,360
Speaker 1: use it affects a lot of people. They use what

595
00:32:54,480 --> 00:32:57,680
Speaker 1: I use. My skin looks good or right, They like

596
00:32:57,800 --> 00:32:59,600
Speaker 1: to be, they want to be with whatever I'm with.

597
00:33:00,440 --> 00:33:02,560
Speaker 1: We got to make sure that we swap out something

598
00:33:02,600 --> 00:33:05,080
Speaker 1: that's worth for me being involved in that way. Now,

599
00:33:05,120 --> 00:33:07,000
Speaker 1: if we don't, I can just bad on the low

600
00:33:07,080 --> 00:33:10,040
Speaker 1: key and use it if you're not. My question is

601
00:33:10,400 --> 00:33:14,240
Speaker 1: when you make the decision to attach yourself to somebody

602
00:33:14,280 --> 00:33:18,120
Speaker 1: else's body to work or a cameo or a little

603
00:33:18,200 --> 00:33:21,760
Speaker 1: a moment of whole. Is that all based on relationships

604
00:33:21,760 --> 00:33:23,280
Speaker 1: at this point or is it based on talent that

605
00:33:23,320 --> 00:33:27,280
Speaker 1: you're a fan of. Yeah, Um, mostly relationships. Okay, you

606
00:33:27,320 --> 00:33:32,000
Speaker 1: know it's mostly relationships. It's actually always been mostly relationships.

607
00:33:32,040 --> 00:33:35,120
Speaker 1: Sometimes it's talent. And sometimes someone asks me to be

608
00:33:35,160 --> 00:33:38,080
Speaker 1: on something. Pretty much every song that I'm on, Um,

609
00:33:38,360 --> 00:33:40,040
Speaker 1: you know I'm asked to be on. I don't ask

610
00:33:40,080 --> 00:33:44,120
Speaker 1: people to be on songs. Yea, and I never charged

611
00:33:44,320 --> 00:33:47,320
Speaker 1: how many knows? Oh no, there's a lot way more

612
00:33:47,440 --> 00:33:49,680
Speaker 1: nose than yes. But do the nose get to you, like,

613
00:33:49,760 --> 00:33:52,640
Speaker 1: do you have to verbally say no? Or I try

614
00:33:52,680 --> 00:33:54,600
Speaker 1: to be straight up? I try to be straight Sometimes

615
00:33:54,600 --> 00:33:56,320
Speaker 1: it slips through the crack. Sometimes I want to do

616
00:33:56,360 --> 00:33:58,400
Speaker 1: it and I'm my life is in a certain place

617
00:33:58,400 --> 00:34:00,680
Speaker 1: and I'm moving and I can't do it. But I

618
00:34:00,760 --> 00:34:02,720
Speaker 1: typically try to be straight up with people. I don't

619
00:34:03,040 --> 00:34:05,360
Speaker 1: like the dragon like way speaking time or hold them,

620
00:34:05,760 --> 00:34:07,360
Speaker 1: you know, if it's something like I'm not in a

621
00:34:07,400 --> 00:34:11,319
Speaker 1: space right now to create or if I don't like

622
00:34:11,360 --> 00:34:13,799
Speaker 1: the song, it's like it's just not for me. So

623
00:34:13,840 --> 00:34:17,560
Speaker 1: he basically said everybody asks him, So then you ask yourself,

624
00:34:17,600 --> 00:34:22,239
Speaker 1: how does someone like him discover music? Like how does

625
00:34:22,360 --> 00:34:27,799
Speaker 1: Jay Z discover music? Entertainment podcasts, whatever he's watching, Like

626
00:34:28,120 --> 00:34:32,239
Speaker 1: what's his algorithm? It seems like that everything is. See,

627
00:34:32,280 --> 00:34:34,680
Speaker 1: there's two ways to get music. And I think it's

628
00:34:34,680 --> 00:34:38,040
Speaker 1: a process for somebody like jay Z or someone to

629
00:34:38,120 --> 00:34:40,759
Speaker 1: get up on a podcast or a new music or

630
00:34:40,760 --> 00:34:43,239
Speaker 1: a new rap or something. And I think that don't

631
00:34:43,239 --> 00:34:46,439
Speaker 1: even matter how good the music is. What I think

632
00:34:46,640 --> 00:34:48,680
Speaker 1: is that a lot of people like me or you

633
00:34:48,840 --> 00:34:51,440
Speaker 1: or most people, we discover music. But when you get

634
00:34:51,440 --> 00:34:55,359
Speaker 1: to a certain level, now almost everything gets introduced to you.

635
00:34:56,320 --> 00:34:58,480
Speaker 1: It's like, yo, this is such a sign of suchet

636
00:34:58,480 --> 00:35:00,879
Speaker 1: such or suchet such man coming out a sudden making

637
00:35:00,880 --> 00:35:02,600
Speaker 1: a lot of noise, Like they gotta give you some

638
00:35:02,719 --> 00:35:05,640
Speaker 1: fluff around it, not just yo, this is a great

639
00:35:05,800 --> 00:35:08,799
Speaker 1: show or this is high level game, or this is

640
00:35:09,040 --> 00:35:11,879
Speaker 1: they gotta put some fluff around it to even think

641
00:35:11,920 --> 00:35:14,160
Speaker 1: they can a lot of people to think it's disrespect

642
00:35:14,239 --> 00:35:16,400
Speaker 1: taking certain things to certain people. And I don't know

643
00:35:16,520 --> 00:35:18,839
Speaker 1: if you got that kind of relationship with dudes get

644
00:35:18,880 --> 00:35:21,920
Speaker 1: to that place where they homeboards can't be like, yo,

645
00:35:21,960 --> 00:35:24,120
Speaker 1: I'm listening to such and such, but I think they

646
00:35:24,200 --> 00:35:28,279
Speaker 1: kind of taste the nostalgic feeling a way or out

647
00:35:28,320 --> 00:35:31,200
Speaker 1: of it. When you gotta be like introduced your music

648
00:35:31,280 --> 00:35:34,480
Speaker 1: or have some expectations tied to it. You don't just

649
00:35:34,560 --> 00:35:37,920
Speaker 1: discover it like everybody else, or just discover a clip

650
00:35:37,960 --> 00:35:42,239
Speaker 1: on Instagram or it's popping podcast or you know, it's

651
00:35:42,280 --> 00:35:44,520
Speaker 1: like how far up that you gotta be, even with

652
00:35:44,640 --> 00:35:48,239
Speaker 1: Drake or most people, like even with anybody that's up there.

653
00:35:48,719 --> 00:35:50,400
Speaker 1: You know what I'm saying. It's almost like, man, you

654
00:35:50,440 --> 00:35:55,160
Speaker 1: don't get so far up there to where somebody got

655
00:35:55,239 --> 00:35:58,160
Speaker 1: to tell somebody to tell somebody that's close to you.

656
00:35:58,400 --> 00:36:02,040
Speaker 1: It's like full levels before we get to you and say,

657
00:36:02,080 --> 00:36:04,200
Speaker 1: hell of was situation. What are you leaving your house for?

658
00:36:05,080 --> 00:36:07,760
Speaker 1: You know, like every second that you spend you spending

659
00:36:07,800 --> 00:36:11,319
Speaker 1: away from the development of these people that you brought here,

660
00:36:11,360 --> 00:36:14,479
Speaker 1: that you loved more than anything in the world. So

661
00:36:15,719 --> 00:36:17,719
Speaker 1: what are you going to? What are you gonna spend

662
00:36:17,760 --> 00:36:21,160
Speaker 1: that time on? So that changed the light that I

663
00:36:21,360 --> 00:36:26,279
Speaker 1: changed practically everything for me? Was it okay? And Tata again,

664
00:36:26,360 --> 00:36:29,440
Speaker 1: Tata came to me and he told me, man, you know,

665
00:36:29,520 --> 00:36:31,560
Speaker 1: I went to see my mom based on what you said.

666
00:36:31,960 --> 00:36:33,920
Speaker 1: He hadn't seen his mom. His mom passed away. He

667
00:36:33,920 --> 00:36:37,480
Speaker 1: went to go see his mom and and I hadn't

668
00:36:37,480 --> 00:36:41,160
Speaker 1: going to see my nephew. So I here here it is.

669
00:36:41,200 --> 00:36:43,319
Speaker 1: I said this in the song, I know what to do,

670
00:36:44,200 --> 00:36:48,920
Speaker 1: but I was in you know, I hadn't mature to

671
00:36:48,960 --> 00:36:51,279
Speaker 1: the point where I can really do it, you can

672
00:36:51,320 --> 00:36:54,120
Speaker 1: actually go and do it. The execution of that. It

673
00:36:54,200 --> 00:36:56,719
Speaker 1: was so much pain there that I couldn't do it.

674
00:36:56,760 --> 00:36:59,239
Speaker 1: But I knew it was the right thing to do, right,

675
00:36:59,280 --> 00:37:03,560
Speaker 1: So even that, like think about that knowing and doing

676
00:37:03,920 --> 00:37:08,839
Speaker 1: is it's not you think it's just close, it's just far. Yeah,

677
00:37:09,320 --> 00:37:12,239
Speaker 1: it's far, you know. So I knew the right thing

678
00:37:12,239 --> 00:37:13,759
Speaker 1: to do, but I wasn't able to do it. Two

679
00:37:13,800 --> 00:37:17,520
Speaker 1: years later, I mean, finally went the most painful thing ever.

680
00:37:17,760 --> 00:37:20,719
Speaker 1: You know, I've been multiple times since. But the fact

681
00:37:20,719 --> 00:37:25,080
Speaker 1: that I was saying that knowing it, So that's again

682
00:37:25,280 --> 00:37:27,200
Speaker 1: like you were saying about self awitness, That's a big

683
00:37:27,280 --> 00:37:29,799
Speaker 1: checkpoint for me. That was one of the times where

684
00:37:29,800 --> 00:37:33,560
Speaker 1: I had to. You know, Okay, you can't just be

685
00:37:33,600 --> 00:37:36,399
Speaker 1: saying it all right, let's deal with that for a second. Man,

686
00:37:37,160 --> 00:37:39,359
Speaker 1: I think it's a lot of game being put down

687
00:37:39,480 --> 00:37:43,880
Speaker 1: right there. Like he said, you think doing and knowing

688
00:37:44,280 --> 00:37:47,080
Speaker 1: it's really close to each other, but it's not. I

689
00:37:47,160 --> 00:37:51,680
Speaker 1: always talk about people's interpretation of information, right. I always

690
00:37:51,680 --> 00:37:54,880
Speaker 1: think it's important for you to understand what you're looking

691
00:37:54,880 --> 00:37:56,680
Speaker 1: at and going through because that's the only way you

692
00:37:56,680 --> 00:38:00,520
Speaker 1: can explain it. And if you can't even explaining it,

693
00:38:01,000 --> 00:38:05,040
Speaker 1: they can argue you never experienced it when all hell

694
00:38:05,120 --> 00:38:08,000
Speaker 1: break loose and all the records disappear, because we just

695
00:38:08,120 --> 00:38:10,520
Speaker 1: own a power grid, so we never know, so we

696
00:38:10,600 --> 00:38:14,200
Speaker 1: need to be operating with information. But I agree there's

697
00:38:14,200 --> 00:38:17,919
Speaker 1: a misunderstanding between the marriage of execution and information. That's

698
00:38:17,920 --> 00:38:19,920
Speaker 1: why you see some of the smartest men you know

699
00:38:20,040 --> 00:38:23,640
Speaker 1: selling being pies in time square. And that's why sometimes

700
00:38:23,800 --> 00:38:27,239
Speaker 1: I engage with those who couldn't execute. I get up

701
00:38:27,239 --> 00:38:29,480
Speaker 1: close to him and like to look them in the

702
00:38:29,600 --> 00:38:32,640
Speaker 1: ass and like to be like, because I know that's

703
00:38:32,680 --> 00:38:36,200
Speaker 1: possible if you playing, it's possible to get caught in

704
00:38:36,320 --> 00:38:38,600
Speaker 1: loss in this, so make sure you know, right. I

705
00:38:38,640 --> 00:38:40,840
Speaker 1: have to get close to them. Dudes. Man, it's almost

706
00:38:40,840 --> 00:38:44,480
Speaker 1: like seeing a ghost. It's like it's a case study

707
00:38:44,560 --> 00:38:47,600
Speaker 1: for me. Those that had the information but it couldn't execute.

708
00:38:48,760 --> 00:38:50,799
Speaker 1: That's a that is a hell of a story. And

709
00:38:50,840 --> 00:38:53,879
Speaker 1: it's a lot of people in this industry that now

710
00:38:54,080 --> 00:38:59,520
Speaker 1: are quote unquote fake gatekeepers, that are only failed artists

711
00:39:00,040 --> 00:39:06,359
Speaker 1: and failed execs and failed video guys and failed radio guys. Right,

712
00:39:06,600 --> 00:39:09,720
Speaker 1: And now they took the information that they learned while

713
00:39:09,800 --> 00:39:12,239
Speaker 1: in the industry, and now they put all of that

714
00:39:12,320 --> 00:39:14,759
Speaker 1: and then they backpack and now they appear as a

715
00:39:14,800 --> 00:39:17,239
Speaker 1: gate keep because they know a little bit more to you.

716
00:39:18,520 --> 00:39:20,560
Speaker 1: But you looking at them like that, and I'm looking

717
00:39:20,560 --> 00:39:23,439
Speaker 1: at them like a man that couldn't execute. I'm looking

718
00:39:23,480 --> 00:39:26,799
Speaker 1: at men that's been in position that didn't score. I'm

719
00:39:26,800 --> 00:39:28,680
Speaker 1: looking at me. And they got the ball with three

720
00:39:28,719 --> 00:39:31,280
Speaker 1: seconds on the clock and jack the shot off forty

721
00:39:31,360 --> 00:39:34,399
Speaker 1: times out of forty, Right, they couldn't get nothing going.

722
00:39:34,520 --> 00:39:36,560
Speaker 1: So and I don't look at them to shame them.

723
00:39:36,680 --> 00:39:38,719
Speaker 1: I look at them to make sure I realize that

724
00:39:38,800 --> 00:39:42,280
Speaker 1: it's possible. I see the pain and the hurt behind

725
00:39:42,320 --> 00:39:46,080
Speaker 1: some of the creators. They might have got the idea

726
00:39:46,200 --> 00:39:50,280
Speaker 1: stolen because they business wasn't right. Never could have bounce

727
00:39:50,360 --> 00:39:55,000
Speaker 1: back had full five hits in two ten because they

728
00:39:55,040 --> 00:39:59,080
Speaker 1: were pushing through DJ Kellett or this person or that person,

729
00:39:59,400 --> 00:40:01,680
Speaker 1: but they didn't getting no information why they was there,

730
00:40:01,760 --> 00:40:03,520
Speaker 1: so they don't know what to do after they would

731
00:40:03,600 --> 00:40:06,920
Speaker 1: let go. I see the pain in them. People live

732
00:40:07,040 --> 00:40:09,200
Speaker 1: that they can't get back gone. I can't never be

733
00:40:09,360 --> 00:40:13,480
Speaker 1: one of them. If I don't execute, I'm anna fail you.

734
00:40:14,200 --> 00:40:17,000
Speaker 1: I don't get caught up in the fame. I love

735
00:40:17,080 --> 00:40:20,080
Speaker 1: all the home boards. I love them, and it give

736
00:40:20,160 --> 00:40:23,840
Speaker 1: me major confidence. It means give me confidence when I

737
00:40:23,840 --> 00:40:25,880
Speaker 1: see people that I grew up listening to or that

738
00:40:25,960 --> 00:40:28,879
Speaker 1: I just respect their game or I respect home home

739
00:40:28,960 --> 00:40:32,319
Speaker 1: onto the game. Now they do something to me, right,

740
00:40:32,360 --> 00:40:34,799
Speaker 1: so it give me that push. But I don't get

741
00:40:34,800 --> 00:40:39,040
Speaker 1: caught into that like, oh lord, that's enough. Now we're

742
00:40:39,040 --> 00:40:41,680
Speaker 1: looking for information and money and not to be confused

743
00:40:41,719 --> 00:40:44,680
Speaker 1: with nothing else. So sometimes I engaged these dudes. And

744
00:40:44,719 --> 00:40:47,120
Speaker 1: that's why sometimes I'm gonna start bringing something on the

745
00:40:47,200 --> 00:40:50,839
Speaker 1: pard to talk about that, to talk tune and get

746
00:40:50,840 --> 00:40:53,959
Speaker 1: into that. Like you was almost there, You was there,

747
00:40:54,600 --> 00:40:58,839
Speaker 1: you just didn't pay attention. You lost it all, Like yo,

748
00:40:59,040 --> 00:41:02,160
Speaker 1: help other creative. Let not go through that, bro, that's

749
00:41:02,160 --> 00:41:06,320
Speaker 1: a dog place. Luckily, a lot of people are mentally

750
00:41:06,920 --> 00:41:10,080
Speaker 1: coming out of that with with their mental health and

751
00:41:10,200 --> 00:41:13,200
Speaker 1: take right because you can lose yourself and all this fame.

752
00:41:14,400 --> 00:41:17,319
Speaker 1: Another thing about this Kevin Harden Jay Z interview, Man,

753
00:41:17,360 --> 00:41:20,040
Speaker 1: he was really engaged Kevin Harden, And it showed me

754
00:41:20,120 --> 00:41:24,480
Speaker 1: also like it's important when you're doing these podcasts to

755
00:41:24,560 --> 00:41:26,560
Speaker 1: speak to people you want to speak to, to talk

756
00:41:26,600 --> 00:41:29,000
Speaker 1: to the people that you engaged with, right, because that's

757
00:41:29,000 --> 00:41:31,800
Speaker 1: what getty going. Don't even just talk to people just

758
00:41:31,880 --> 00:41:34,960
Speaker 1: because they're a big name. The White Boys got dead

759
00:41:35,000 --> 00:41:38,399
Speaker 1: down like full of sin as I watched them. They

760
00:41:38,400 --> 00:41:40,759
Speaker 1: can sit by somebody they don't really care about and

761
00:41:40,840 --> 00:41:43,759
Speaker 1: have a pretty good podcast, you know what I'm saying.

762
00:41:43,800 --> 00:41:46,080
Speaker 1: So it's a it's a hell of a little thing.

763
00:41:46,160 --> 00:41:48,799
Speaker 1: But me, I gotta really kind of be engaged or

764
00:41:48,840 --> 00:41:51,640
Speaker 1: my fans gonna probably peeple that Lane ain't even own

765
00:41:51,760 --> 00:41:53,839
Speaker 1: it that day, you know what I'm saying. But yeah,

766
00:41:53,880 --> 00:41:57,120
Speaker 1: that was a good interview with Jay Z and Kevin

767
00:41:57,160 --> 00:41:58,680
Speaker 1: Hart Man. If you ain't, if you ain't when it

768
00:41:58,719 --> 00:42:01,319
Speaker 1: saw that on Paramount shut the Paramount, Man, go see

769
00:42:01,320 --> 00:42:04,879
Speaker 1: that right. Now, let's move on. Let's let's look at

770
00:42:04,880 --> 00:42:08,760
Speaker 1: this clip how to choose up find you some value.

771
00:42:09,360 --> 00:42:11,319
Speaker 1: You know, sometimes before we get friends, we have to

772
00:42:11,320 --> 00:42:19,160
Speaker 1: do an interview. How long have you been broke? How

773
00:42:19,160 --> 00:42:21,640
Speaker 1: many times have you changed your name on your light bill?

774
00:42:24,840 --> 00:42:27,040
Speaker 1: How many of your bills and your little cousin's name?

775
00:42:28,920 --> 00:42:30,680
Speaker 1: Do you live in a trailer home or a house?

776
00:42:30,920 --> 00:42:33,080
Speaker 1: You know, you understand, And it's not about status and

777
00:42:33,200 --> 00:42:36,960
Speaker 1: material things. It's just about choices. You know. Life is

778
00:42:37,000 --> 00:42:40,520
Speaker 1: different now, and you know we are in church. Thank God,

779
00:42:40,520 --> 00:42:42,480
Speaker 1: we're here. Those of us are walking by faith without

780
00:42:42,480 --> 00:42:49,160
Speaker 1: a mask and no vaccine, and so we're honor the Lord.

781
00:42:50,000 --> 00:42:52,520
Speaker 1: God is good. I respect all of the men of

782
00:42:52,600 --> 00:42:55,279
Speaker 1: God ear and respect you in your collaps I don't

783
00:42:55,280 --> 00:42:59,160
Speaker 1: feel strange right about now. Hopefully we'll get a chance

784
00:42:59,200 --> 00:43:01,680
Speaker 1: to meet each other when y'all invite me to come

785
00:43:01,680 --> 00:43:04,120
Speaker 1: to your church. I'm not as expensive as I seen,

786
00:43:08,760 --> 00:43:10,480
Speaker 1: and so I don't know. Maybe you got a little

787
00:43:10,560 --> 00:43:16,520
Speaker 1: left over from your PPP load prayer, praise and power.

788
00:43:16,640 --> 00:43:21,600
Speaker 1: You understand, Hey, man, isn't it are great? A man? Amen?

789
00:43:22,080 --> 00:43:26,560
Speaker 1: And so you know I like coming here because the

790
00:43:26,680 --> 00:43:30,440
Speaker 1: ground is already tilled with great personality, like doctor Carne

791
00:43:31,000 --> 00:43:33,239
Speaker 1: because one thing I love about him he's keeping the word,

792
00:43:33,280 --> 00:43:36,000
Speaker 1: but he knows how to have great humanity, and most

793
00:43:36,040 --> 00:43:39,840
Speaker 1: don't understand his personality because he is truth personified, and

794
00:43:39,920 --> 00:43:42,560
Speaker 1: he tells the type of truth that makes most uncomfortable

795
00:43:42,920 --> 00:43:47,040
Speaker 1: because who likes to be told you just ugly? No

796
00:43:47,040 --> 00:43:49,880
Speaker 1: one likes to be told that, you know, especially when

797
00:43:49,960 --> 00:43:53,960
Speaker 1: they have realized it all right. Most don't get offended

798
00:43:54,040 --> 00:43:56,719
Speaker 1: until they know the bad thing about themselves and then

799
00:43:56,760 --> 00:43:59,399
Speaker 1: somebody else recognizes us that, Oh I saw the ugly too.

800
00:43:59,400 --> 00:44:01,839
Speaker 1: I just wanted to, you know. So anyway, y'all get

801
00:44:01,840 --> 00:44:04,000
Speaker 1: that later. God's great. All of you're beautiful. I haven't

802
00:44:04,040 --> 00:44:06,960
Speaker 1: chosen anyone to be ugly at God is good. God

803
00:44:07,080 --> 00:44:08,960
Speaker 1: is great. Y'all look great. Most of you have on

804
00:44:08,960 --> 00:44:11,120
Speaker 1: the hats covering most of that. Anyway, here's to you.

805
00:44:13,600 --> 00:44:16,480
Speaker 1: I have a great personality. I'm gonna say. I'm gonna say,

806
00:44:16,920 --> 00:44:20,920
Speaker 1: Dailia shop yo, when I tell you that kind of

807
00:44:20,960 --> 00:44:24,200
Speaker 1: should be really triggering me out. And church people, man,

808
00:44:24,280 --> 00:44:27,480
Speaker 1: they some of the greatest speakers, but they some kind

809
00:44:27,520 --> 00:44:30,120
Speaker 1: of way be putting it together a little funny, you know,

810
00:44:30,200 --> 00:44:33,759
Speaker 1: like she was on there. Um, then we're gonna fellowship

811
00:44:33,760 --> 00:44:36,880
Speaker 1: for the you know, for the convenience of the Lord,

812
00:44:37,360 --> 00:44:42,880
Speaker 1: and we're gonna fellowship for the understanding that Joseph was

813
00:44:43,520 --> 00:44:46,640
Speaker 1: just just watching church people talk. Man. It's just a

814
00:44:46,640 --> 00:44:50,680
Speaker 1: different level of craziness. Man. But hey, they take shots

815
00:44:50,719 --> 00:44:53,319
Speaker 1: in church, but they are some communicators. Boy, listen to

816
00:44:53,320 --> 00:44:56,720
Speaker 1: what she says. She said, how long have you been broke?

817
00:44:57,400 --> 00:45:02,000
Speaker 1: A man? Man? There, I'm telling you, boy, you say

818
00:45:02,000 --> 00:45:05,000
Speaker 1: anything through that a man after you really get you

819
00:45:05,040 --> 00:45:08,399
Speaker 1: out of the woods. You know, somebody's things say. Man,

820
00:45:09,880 --> 00:45:14,360
Speaker 1: one of y'all smell horrific. Abe, Man, God is great.

821
00:45:14,560 --> 00:45:18,320
Speaker 1: You smell horrific God, and they just let it slide.

822
00:45:19,120 --> 00:45:22,480
Speaker 1: I'm telling that church vibration. That's a different vibration too, man.

823
00:45:22,960 --> 00:45:25,239
Speaker 1: So let me give y'all the update about something that

824
00:45:25,320 --> 00:45:28,680
Speaker 1: I've been finding interesting while I was looking into Gunner's

825
00:45:28,719 --> 00:45:31,600
Speaker 1: case and why no media was there. I'm starting to

826
00:45:31,719 --> 00:45:35,120
Speaker 1: understand what's happening down in Foulton County with the DA

827
00:45:35,160 --> 00:45:38,440
Speaker 1: and some of her tactics and and what she's going for.

828
00:45:38,680 --> 00:45:42,560
Speaker 1: So luckily for me, while looking for something for Gunner

829
00:45:42,640 --> 00:45:44,760
Speaker 1: that was not there, and we'll get to that later

830
00:45:45,560 --> 00:45:48,440
Speaker 1: for some reason, no media presence was dying there for gunning,

831
00:45:48,480 --> 00:45:53,279
Speaker 1: and I find it very strange interesting bare minimum, but um,

832
00:45:53,360 --> 00:45:56,840
Speaker 1: this particular da in Faulton County, the lady that's behind

833
00:45:56,880 --> 00:46:00,480
Speaker 1: the rico charges on a young thug and why selling

834
00:46:00,560 --> 00:46:04,040
Speaker 1: gun in the whole case with them and wife and Lucci,

835
00:46:04,320 --> 00:46:07,000
Speaker 1: it was a hearing. And so if you know what

836
00:46:07,080 --> 00:46:09,160
Speaker 1: she's doing, she's trying to get Trump, and you can't

837
00:46:09,200 --> 00:46:11,200
Speaker 1: just go get Trump. So what you have to do

838
00:46:11,400 --> 00:46:16,160
Speaker 1: is there's a strategic in a very specific way that

839
00:46:16,320 --> 00:46:19,080
Speaker 1: you have to go about doing this. She's trying to

840
00:46:19,160 --> 00:46:21,759
Speaker 1: hit them with a rico kind of charges, well, but

841
00:46:22,440 --> 00:46:25,879
Speaker 1: she's hitting them with an organized crime now to do so.

842
00:46:26,320 --> 00:46:29,520
Speaker 1: She can't just go arrest Trump because organized crime is

843
00:46:29,560 --> 00:46:32,280
Speaker 1: not one person. So she has to go and arrest

844
00:46:32,680 --> 00:46:35,600
Speaker 1: some people that was in conjunction with what Trump was doing.

845
00:46:35,640 --> 00:46:39,520
Speaker 1: And from my understanding them me watching this hearing what

846
00:46:39,680 --> 00:46:43,759
Speaker 1: their a legend is. And I'm not sure that they're wrong,

847
00:46:43,880 --> 00:46:46,080
Speaker 1: but they may be framing it in a way because

848
00:46:46,120 --> 00:46:47,920
Speaker 1: I have to look at her that way because how

849
00:46:47,920 --> 00:46:51,480
Speaker 1: she's framing lyrics now, has she not been mentioning with lyrics?

850
00:46:51,480 --> 00:46:53,680
Speaker 1: I probably can say, well, hey man, this woman is

851
00:46:54,640 --> 00:46:59,640
Speaker 1: pretty straightforward, right, but now I understand that she's on

852
00:46:59,680 --> 00:47:03,640
Speaker 1: the sudden edge of using this rico law. Right. There

853
00:47:03,800 --> 00:47:06,600
Speaker 1: is nowhere that they've used this rico law in this

854
00:47:06,680 --> 00:47:09,560
Speaker 1: kind of way. So that's number one. But let's let's

855
00:47:09,600 --> 00:47:12,719
Speaker 1: look at what's happening. So for her to do this

856
00:47:12,840 --> 00:47:16,440
Speaker 1: improved that Trump was involved with organized crime, she has

857
00:47:16,480 --> 00:47:18,880
Speaker 1: to indict several people. One of those people is a

858
00:47:18,960 --> 00:47:23,080
Speaker 1: sitting there. This hearing was from his lawyers to disqualify

859
00:47:23,160 --> 00:47:27,040
Speaker 1: the prosecutors, basically saying that she's cloud chasing. So they

860
00:47:27,080 --> 00:47:30,480
Speaker 1: filed emotion saying, Yo, we know what she's doing. She's

861
00:47:30,520 --> 00:47:34,480
Speaker 1: playing a game. This investigation should be over by Na Yanna.

862
00:47:34,960 --> 00:47:37,000
Speaker 1: We see what she's trying to do. She's trying to

863
00:47:37,000 --> 00:47:39,919
Speaker 1: wait to election and interfere with the election. It's clear

864
00:47:39,960 --> 00:47:43,760
Speaker 1: what she's doing. Right in lame its terms, that mean Sianna,

865
00:47:43,880 --> 00:47:46,680
Speaker 1: she's cloud chasing. When that comes, she's gonna try to

866
00:47:46,719 --> 00:47:48,399
Speaker 1: make an the rest because it's gonna be a big

867
00:47:48,480 --> 00:47:51,400
Speaker 1: news story and it's gonna affect the election. So she

868
00:47:51,560 --> 00:47:53,799
Speaker 1: may be a part of organized crime. They didn't say

869
00:47:53,840 --> 00:47:56,920
Speaker 1: that last part. But if you're framing it like Folton County.

870
00:47:56,920 --> 00:47:59,920
Speaker 1: You mightn't say anything, but they questioned her hand to

871
00:48:00,360 --> 00:48:02,080
Speaker 1: up the case. And again I like to see in

872
00:48:02,120 --> 00:48:05,759
Speaker 1: which scope she's viewing things. And in this particular case,

873
00:48:05,760 --> 00:48:09,160
Speaker 1: I learned a few things. Number One, in regards to Gunner,

874
00:48:09,239 --> 00:48:11,000
Speaker 1: and I'm not sure if this speaks to why no

875
00:48:11,160 --> 00:48:14,680
Speaker 1: media was in Gunner's case, there's something called a rule

876
00:48:14,760 --> 00:48:17,879
Speaker 1: twenty two to have approval to record, right, So I'm

877
00:48:17,920 --> 00:48:20,480
Speaker 1: not sure anyone's putting in a rule twenty two. Anybody

878
00:48:20,480 --> 00:48:23,759
Speaker 1: in Folding County, Atlanta, Georgia, surrounding areas that want to

879
00:48:23,760 --> 00:48:28,440
Speaker 1: go in the county in going courting and give them

880
00:48:28,520 --> 00:48:31,319
Speaker 1: due some press when they go to court, y'all need

881
00:48:31,360 --> 00:48:33,640
Speaker 1: to file a rule twenty two and get your cameras

882
00:48:33,640 --> 00:48:36,000
Speaker 1: in there and be able to record. And it's supposed

883
00:48:36,040 --> 00:48:37,960
Speaker 1: to be in twenty four hours in advance. So I

884
00:48:38,040 --> 00:48:41,280
Speaker 1: learned that. So again me just searching for Yo, these

885
00:48:41,320 --> 00:48:43,719
Speaker 1: tactics they use and we're keeping the media. I'm really

886
00:48:43,760 --> 00:48:46,239
Speaker 1: trying to because I'm not one of them podcasts dudes

887
00:48:46,280 --> 00:48:48,920
Speaker 1: to just talking. Number One, I know that, yo. If

888
00:48:48,920 --> 00:48:51,279
Speaker 1: they just blew the house up next to me, bo,

889
00:48:51,400 --> 00:48:54,319
Speaker 1: I'm close to that house, you understand me. So if

890
00:48:54,320 --> 00:48:57,000
Speaker 1: they get a rapper, they might get Yeah, so let's

891
00:48:57,000 --> 00:48:59,360
Speaker 1: pay attention to what's happening to our brothers because it

892
00:48:59,400 --> 00:49:02,160
Speaker 1: can affect one of us. Right, That's how I look

893
00:49:02,160 --> 00:49:04,800
Speaker 1: at it. One hand watched the other both watched the face.

894
00:49:05,080 --> 00:49:08,200
Speaker 1: So with them saying that she's gonna try to interfere

895
00:49:08,239 --> 00:49:12,319
Speaker 1: with the election or with whatever process that could help

896
00:49:12,400 --> 00:49:14,640
Speaker 1: the election, because what again, what I think is happening

897
00:49:14,800 --> 00:49:17,040
Speaker 1: is she can't just arrest Trump. So if I can

898
00:49:17,120 --> 00:49:20,640
Speaker 1: arrest the senator and the reason, let me tell you

899
00:49:20,680 --> 00:49:23,000
Speaker 1: why she's trying to arrest them. What she's a legend.

900
00:49:23,040 --> 00:49:27,000
Speaker 1: And what I think happened is that nine people, and

901
00:49:27,080 --> 00:49:30,240
Speaker 1: this is what they was a legend in court, Nine

902
00:49:30,400 --> 00:49:33,160
Speaker 1: people from nine different states came out and said Trump

903
00:49:33,200 --> 00:49:38,799
Speaker 1: won the election, knowingly that he didn't. Right, That's that's

904
00:49:38,840 --> 00:49:41,440
Speaker 1: what it's being said. They knew he didn't win the election,

905
00:49:41,760 --> 00:49:43,960
Speaker 1: but yet they came out and said it. And Foton

906
00:49:44,000 --> 00:49:47,000
Speaker 1: County is framing this is organized crime to rig the

907
00:49:47,080 --> 00:49:49,960
Speaker 1: election for the guy who they are trying to indict

908
00:49:50,000 --> 00:49:53,960
Speaker 1: to get the Trump Apparently they're saying that, yo, hold on,

909
00:49:54,160 --> 00:49:56,719
Speaker 1: let's pay attention to this da lady in Foton counter.

910
00:49:56,840 --> 00:50:00,480
Speaker 1: She's raised or was given thirty some thousand dollars us

911
00:50:00,520 --> 00:50:04,600
Speaker 1: to our opponent that's running in this near election. Again,

912
00:50:04,640 --> 00:50:07,520
Speaker 1: this is politics they're playing. And so I heard them

913
00:50:07,600 --> 00:50:10,640
Speaker 1: kept saying special grand jury, and I said, okay, So

914
00:50:10,680 --> 00:50:14,440
Speaker 1: what a special grand jury is is that they're gonna

915
00:50:14,480 --> 00:50:17,120
Speaker 1: put them in front of a jury that investigates to

916
00:50:17,160 --> 00:50:20,520
Speaker 1: see if organized crime took in place. Now that's different

917
00:50:20,560 --> 00:50:23,239
Speaker 1: than a grand jury for you and me, will be

918
00:50:23,360 --> 00:50:25,719
Speaker 1: tried in the court of law for some others. This

919
00:50:25,840 --> 00:50:28,879
Speaker 1: is a special grand jury that they're trying to point

920
00:50:28,920 --> 00:50:31,640
Speaker 1: to the case. Now they're arguing, Yo, get this lady

921
00:50:31,680 --> 00:50:34,400
Speaker 1: off the case. She's playing cloud Chasey game. She's feeding

922
00:50:34,400 --> 00:50:38,440
Speaker 1: the media. Bas my client is being harassed, right because

923
00:50:38,440 --> 00:50:41,320
Speaker 1: she's feeding things to the media, and they're saying and

924
00:50:41,680 --> 00:50:44,480
Speaker 1: also on top of that everything that they're gonna pull

925
00:50:44,520 --> 00:50:47,719
Speaker 1: the people here and asks they can be covered under

926
00:50:47,760 --> 00:50:51,799
Speaker 1: Fifth Amendment. And the judge understood that. He was like,

927
00:50:51,920 --> 00:50:54,879
Speaker 1: it does make sense everything today. And so it's just

928
00:50:54,920 --> 00:50:58,160
Speaker 1: a long drawn off thing where she's literally seeming to

929
00:50:58,239 --> 00:51:00,520
Speaker 1: be making steps to try to go at Rump. But

930
00:51:00,600 --> 00:51:03,400
Speaker 1: why isn't she moving quick to lock them up in

931
00:51:03,440 --> 00:51:07,759
Speaker 1: the same way that she did with the lyrics. They

932
00:51:07,840 --> 00:51:09,880
Speaker 1: got a lot of stuff where they've said this and

933
00:51:09,920 --> 00:51:12,400
Speaker 1: that right, and we're talking about they've said it in

934
00:51:12,440 --> 00:51:15,719
Speaker 1: the context of having a conversation, not with elaborate production

935
00:51:15,800 --> 00:51:19,440
Speaker 1: behind it, mix it mastered, you know, each record with

936
00:51:19,480 --> 00:51:23,520
Speaker 1: the most clarity that you ever heard, with lossless audio

937
00:51:24,080 --> 00:51:26,799
Speaker 1: right putting out to millions of people. They've said these

938
00:51:26,800 --> 00:51:30,000
Speaker 1: things in confidence behind closed doors that seeming to leak

939
00:51:30,080 --> 00:51:32,680
Speaker 1: out in which can frame them in a way where

940
00:51:32,680 --> 00:51:34,799
Speaker 1: they may have been involved in things that can be

941
00:51:34,880 --> 00:51:37,680
Speaker 1: framed as criminal activity. But us we go in a

942
00:51:37,800 --> 00:51:41,000
Speaker 1: studio and wrap with a million dollar budget, and y'all

943
00:51:41,000 --> 00:51:44,120
Speaker 1: don't have no problem framing that as criminal activity. We

944
00:51:44,239 --> 00:51:46,319
Speaker 1: got to see the differences in two and that's why

945
00:51:46,360 --> 00:51:49,480
Speaker 1: I'm watching it. And of course as they get closer

946
00:51:49,520 --> 00:51:53,080
Speaker 1: to announcing that they're running and things like that, they're

947
00:51:53,120 --> 00:51:57,360
Speaker 1: gonna be releasing things. And of course, if you listen

948
00:51:57,400 --> 00:52:00,720
Speaker 1: to Trump, he's playing a dangerous game that they're almost

949
00:52:00,719 --> 00:52:04,239
Speaker 1: are saying that, Yo, if Trump don't get reelected, he's

950
00:52:04,320 --> 00:52:08,080
Speaker 1: going to prison. And if he does get reelected, some

951
00:52:08,120 --> 00:52:10,719
Speaker 1: of the people that's been hidden at him gonna get

952
00:52:10,760 --> 00:52:12,960
Speaker 1: put out of position, so to make sure that he

953
00:52:13,040 --> 00:52:15,320
Speaker 1: doesn't go in the event that he when he gets

954
00:52:15,320 --> 00:52:18,640
Speaker 1: out right. But and he's all alleged of course. Now

955
00:52:18,760 --> 00:52:21,840
Speaker 1: here's why I find interesting. As much as I thought

956
00:52:21,840 --> 00:52:24,520
Speaker 1: he was too cool for school and he really didn't care.

957
00:52:24,920 --> 00:52:27,840
Speaker 1: He was just hustling about his business, I'm starting to

958
00:52:27,880 --> 00:52:31,360
Speaker 1: believe that he's panicking as they're releasing certain things and

959
00:52:31,440 --> 00:52:34,080
Speaker 1: I'm hearing behind the scenes on these little conversations. Man,

960
00:52:34,080 --> 00:52:36,359
Speaker 1: I need votes. Finding the votes, man, then I'm gonna

961
00:52:36,360 --> 00:52:39,000
Speaker 1: try to find that as well. You know, it's like

962
00:52:39,080 --> 00:52:43,080
Speaker 1: he's panicking. It's almost like he doesn't want to lose. Now,

963
00:52:43,160 --> 00:52:44,799
Speaker 1: a lot of people are saying, yo, he don't want

964
00:52:44,800 --> 00:52:47,000
Speaker 1: to lose because he has the country's best interests out.

965
00:52:47,360 --> 00:52:51,160
Speaker 1: That's fine and whatever, Yo, that's your argument. Cool. What

966
00:52:51,280 --> 00:52:54,480
Speaker 1: I think is too, that he has some self motivation

967
00:52:54,560 --> 00:52:58,200
Speaker 1: and trying to obtain and keep that position. Right, There's

968
00:52:58,239 --> 00:53:01,879
Speaker 1: something there, I'm not sure what, and speaking to him

969
00:53:01,880 --> 00:53:04,800
Speaker 1: being desperate. There's a video that's been released and it

970
00:53:04,920 --> 00:53:07,480
Speaker 1: kind of speaks to some of his Hey, let me

971
00:53:07,520 --> 00:53:09,480
Speaker 1: watch what I'm saying. Right, I don't want my people

972
00:53:09,480 --> 00:53:12,279
Speaker 1: to I don't want them to deactivate. I don't want

973
00:53:12,360 --> 00:53:16,239
Speaker 1: them to stop thinking that it's right. It's almost like, no, don't,

974
00:53:16,280 --> 00:53:18,480
Speaker 1: don't shush my base. But let's look at this video.

975
00:53:18,680 --> 00:53:21,920
Speaker 1: I find any interesting. Let's look at it. We obtained

976
00:53:21,920 --> 00:53:25,560
Speaker 1: the never before seeing raw footage the President recording his

977
00:53:25,640 --> 00:53:28,759
Speaker 1: address to the nation that day on January seventh, more

978
00:53:28,760 --> 00:53:31,040
Speaker 1: than twenty four hours after the last time he had

979
00:53:31,080 --> 00:53:34,439
Speaker 1: addressed the nation from the Rose Garden. Let's take a look.

980
00:53:36,000 --> 00:53:41,600
Speaker 1: Whenever you're ready there. I would like to begin by

981
00:53:41,640 --> 00:53:46,560
Speaker 1: addressing the Hayters attack yesterday, and to those who broke

982
00:53:46,600 --> 00:53:51,400
Speaker 1: the law, you will pay. You do not represent our movement.

983
00:53:51,520 --> 00:53:54,600
Speaker 1: You do not represent our country. And if you broke

984
00:53:54,640 --> 00:53:58,680
Speaker 1: the law, you can't say that. I'm not gonna I

985
00:53:58,719 --> 00:54:02,640
Speaker 1: already said you will pay. The demonstrators who infiltrated the

986
00:54:02,719 --> 00:54:07,600
Speaker 1: capital have defied the seat of dust, just defiled, right, say,

987
00:54:07,640 --> 00:54:10,040
Speaker 1: I can't see it very well, Okay, I'll do this.

988
00:54:10,120 --> 00:54:12,640
Speaker 1: I'm going to do this. Let's go. But this election

989
00:54:12,800 --> 00:54:16,399
Speaker 1: is now over. Congress has certified the results. I don't

990
00:54:16,440 --> 00:54:18,120
Speaker 1: want to say the elections over. I just want to

991
00:54:18,160 --> 00:54:29,040
Speaker 1: say Congress has certified the results without saying the elections. Over. Okay, now, yeah,

992
00:54:29,200 --> 00:54:31,919
Speaker 1: right now, I didn't say over. So let's let me see.

993
00:54:32,920 --> 00:54:44,080
Speaker 1: Don't go to the paragraph before. Okay. I would like

994
00:54:44,160 --> 00:54:48,600
Speaker 1: to begin by addressing the Haynes's attack yesterday. Yesterday is

995
00:54:48,640 --> 00:54:54,399
Speaker 1: a hard word for me that could take the word

996
00:54:54,480 --> 00:55:00,720
Speaker 1: yesterday because it doesn't work with Haynes's attack on our country,

997
00:55:00,760 --> 00:55:04,279
Speaker 1: say on our country. I want to say that my

998
00:55:04,400 --> 00:55:08,480
Speaker 1: only goal was to ensure the integrity of the vote.

999
00:55:09,440 --> 00:55:12,279
Speaker 1: My only goal was to ensure the integrity of the

1000
00:55:12,440 --> 00:55:21,719
Speaker 1: vote on January seventh, one day after he incited an

1001
00:55:21,719 --> 00:55:24,920
Speaker 1: insurrection based on a lie. So this is a capital

1002
00:55:25,040 --> 00:55:27,719
Speaker 1: Hill for people that are listening. This is at Capitol Hill.

1003
00:55:27,800 --> 00:55:30,319
Speaker 1: This is what I was just speaking about. These are

1004
00:55:30,440 --> 00:55:34,200
Speaker 1: interesting conversations. You know what this really is. It shows

1005
00:55:34,280 --> 00:55:37,640
Speaker 1: me like it's a glimpse into because you wouldn't ever

1006
00:55:37,840 --> 00:55:41,359
Speaker 1: knew that. This is a hundred takes And we're gonna

1007
00:55:41,360 --> 00:55:44,840
Speaker 1: play the original video so we can have a example

1008
00:55:44,880 --> 00:55:47,319
Speaker 1: of what I'm saying. But man, when you look at

1009
00:55:47,360 --> 00:55:50,040
Speaker 1: it from that aspect, number one, you see wow, look

1010
00:55:50,080 --> 00:55:56,719
Speaker 1: at how manufactured this is, right, that's number one. Number two,

1011
00:55:57,120 --> 00:56:00,239
Speaker 1: you see a man that doesn't want to concede, like

1012
00:56:00,800 --> 00:56:03,279
Speaker 1: he doesn't want to say that the votes are in,

1013
00:56:03,560 --> 00:56:05,920
Speaker 1: or it's final, or this is the it's over and

1014
00:56:06,040 --> 00:56:09,320
Speaker 1: things like that. No, I don't want to deactivate my base.

1015
00:56:09,400 --> 00:56:12,239
Speaker 1: I want my base to stay hide and ready. I

1016
00:56:12,320 --> 00:56:14,959
Speaker 1: want them to stay right there where at any time

1017
00:56:15,040 --> 00:56:17,799
Speaker 1: we can go. Right. And I think that he has

1018
00:56:17,840 --> 00:56:20,640
Speaker 1: some self interest in that, and it's just becoming apparent

1019
00:56:20,719 --> 00:56:22,840
Speaker 1: to me. Let's look at what it came out to

1020
00:56:22,880 --> 00:56:25,319
Speaker 1: be though, that's what's interesting. I would like to begin

1021
00:56:25,440 --> 00:56:29,240
Speaker 1: by addressing the hainous attack on the United States Capital.

1022
00:56:29,840 --> 00:56:34,440
Speaker 1: Like all Americans, I am outraged by the violence, lawlessness,

1023
00:56:34,480 --> 00:56:39,640
Speaker 1: and mayhem. I immediately deployed the National Guard and federal

1024
00:56:39,719 --> 00:56:44,040
Speaker 1: law enforcement to secure the building and expel the intruders.

1025
00:56:44,680 --> 00:56:48,160
Speaker 1: America is and must always be, a nation of law

1026
00:56:48,480 --> 00:56:51,400
Speaker 1: and order. Now, let me tell you, guys, before we

1027
00:56:51,520 --> 00:56:54,560
Speaker 1: go any further, how this even ties in. Right. So,

1028
00:56:54,880 --> 00:56:58,960
Speaker 1: what's what's going on with the election is they're saying

1029
00:56:59,000 --> 00:57:02,080
Speaker 1: it's organized crime to rig the election, but they're also

1030
00:57:02,239 --> 00:57:04,960
Speaker 1: citing this January six where he came out and said

1031
00:57:05,040 --> 00:57:07,839
Speaker 1: something about we won't have it and meet me down

1032
00:57:07,880 --> 00:57:10,200
Speaker 1: at the Capitol or something like that. There's a lot

1033
00:57:10,280 --> 00:57:14,279
Speaker 1: of talking about what has happened behind the scenes on

1034
00:57:14,400 --> 00:57:17,440
Speaker 1: January six A lot of it is a Trump said this,

1035
00:57:17,600 --> 00:57:19,560
Speaker 1: he did this, he was hot, he wanted this to

1036
00:57:19,600 --> 00:57:22,439
Speaker 1: have this that. A lot of it is the other side, like, man,

1037
00:57:22,480 --> 00:57:25,200
Speaker 1: he didn't it. So you really don't know what to believe.

1038
00:57:25,320 --> 00:57:27,440
Speaker 1: But one thing we do know is what he said,

1039
00:57:28,160 --> 00:57:30,920
Speaker 1: and he did say things to activate that base in

1040
00:57:30,960 --> 00:57:33,920
Speaker 1: that way. And if we don't acknowledge that, then we're

1041
00:57:33,960 --> 00:57:36,000
Speaker 1: playing with the truth. And over here we don't play

1042
00:57:36,000 --> 00:57:38,840
Speaker 1: with the truth. But again, we're watching the video for

1043
00:57:38,880 --> 00:57:43,960
Speaker 1: those that just tuning in of Donald Trump at this time.

1044
00:57:44,000 --> 00:57:48,360
Speaker 1: President Trump addressing the people that stormed the Capitol on

1045
00:57:48,480 --> 00:57:52,800
Speaker 1: January sixth. They took over some of the congressmen's desk,

1046
00:57:52,960 --> 00:57:55,480
Speaker 1: They had the people in from the Senate hiding in

1047
00:57:55,560 --> 00:57:59,040
Speaker 1: the buildings while they took it over, and just ramschecked

1048
00:57:59,080 --> 00:58:04,920
Speaker 1: the entire capital right because he said the election was

1049
00:58:04,960 --> 00:58:07,959
Speaker 1: stolen from them and they just felt like they wasn't

1050
00:58:07,960 --> 00:58:11,040
Speaker 1: going for that. So again, this all ties into this

1051
00:58:11,240 --> 00:58:14,240
Speaker 1: da that we just was talking about and how she's

1052
00:58:14,280 --> 00:58:16,720
Speaker 1: trying to hit him with the organized crime. I want

1053
00:58:16,760 --> 00:58:22,200
Speaker 1: you to pay attention, play close attention, the demonstrates the

1054
00:58:22,320 --> 00:58:27,200
Speaker 1: capital have defiled the seat of American democracy. To those

1055
00:58:27,280 --> 00:58:31,000
Speaker 1: who engage in the acts of violence and destruction, you

1056
00:58:31,120 --> 00:58:34,480
Speaker 1: do not represent our country. And to those who broke

1057
00:58:34,520 --> 00:58:37,959
Speaker 1: the law, you will pay. We have just been through

1058
00:58:38,000 --> 00:58:42,440
Speaker 1: an intense election and emotions are high. But now tempers

1059
00:58:42,560 --> 00:58:47,160
Speaker 1: must be cooled and calm restored. We must get on

1060
00:58:47,600 --> 00:58:52,280
Speaker 1: with the business of America. My campaign vigorously pursued every

1061
00:58:52,400 --> 00:58:57,760
Speaker 1: legal avenue to contest the election results. My only goal

1062
00:58:57,960 --> 00:59:01,520
Speaker 1: was to ensure the integrity of the In so doing,

1063
00:59:01,560 --> 00:59:06,400
Speaker 1: I was fighting to defend American democracy. I continue to

1064
00:59:06,480 --> 00:59:10,440
Speaker 1: strongly believe that we must reform our election laws to

1065
00:59:10,720 --> 00:59:15,040
Speaker 1: verify the identity and eligibility of all voters, and to

1066
00:59:15,160 --> 00:59:20,720
Speaker 1: ensure faith and confidence in all future elections. Now Congress

1067
00:59:20,720 --> 00:59:24,480
Speaker 1: has certified the results, a new administration will be inaugurated

1068
00:59:24,560 --> 00:59:29,480
Speaker 1: on January twentieth. My focus now turns to ensuring a smooth, orderly,

1069
00:59:29,520 --> 00:59:34,520
Speaker 1: and seamless transition of power. This moment calls for healing

1070
00:59:34,720 --> 00:59:38,880
Speaker 1: and reconciliation. Twenty twenty has been a challenging time for

1071
00:59:38,920 --> 00:59:42,360
Speaker 1: our people. A menacing pandemic has upended the lives of

1072
00:59:42,400 --> 00:59:50,760
Speaker 1: our citizens. Isolated millions economy and claimed countless lives, defeating

1073
00:59:50,800 --> 00:59:54,000
Speaker 1: this pandemic and rebuilding the greatest accress. So again there's

1074
00:59:54,080 --> 00:59:59,400
Speaker 1: several cuts, right, but it is very weird all of

1075
00:59:59,440 --> 01:00:02,520
Speaker 1: this has happening. Bro, this is the country they're talking about.

1076
01:00:03,480 --> 01:00:08,200
Speaker 1: Then that's saying that Putin supposedly has cancer, so he

1077
01:00:08,320 --> 01:00:10,920
Speaker 1: just invaded the country and he got cancler meaning he

1078
01:00:10,960 --> 01:00:14,840
Speaker 1: don't give a about life. You know if that, if

1079
01:00:14,840 --> 01:00:17,200
Speaker 1: that's a true statement, you know what I'm saying. But

1080
01:00:17,320 --> 01:00:20,760
Speaker 1: you see what's happening, man, But like I say, this country, Bro,

1081
01:00:20,880 --> 01:00:23,520
Speaker 1: it's just it's interesting. Man. When you started to realize that,

1082
01:00:23,600 --> 01:00:26,240
Speaker 1: oh they all playing a little game, man, the people

1083
01:00:26,360 --> 01:00:30,240
Speaker 1: crazy man got the whole world and shambles and really

1084
01:00:30,320 --> 01:00:33,959
Speaker 1: playing a game about it. And so would that being

1085
01:00:34,040 --> 01:00:38,880
Speaker 1: the case? Right? I then look up and feel over

1086
01:00:39,120 --> 01:00:43,000
Speaker 1: gossip being the city post, there's a there's a lot

1087
01:00:43,000 --> 01:00:47,880
Speaker 1: of rapper helping the DA with these reco cases. He's

1088
01:00:47,920 --> 01:00:50,000
Speaker 1: not happy how a Latin turned out and she left

1089
01:00:50,000 --> 01:00:51,800
Speaker 1: it at that, and the whole internet took that and

1090
01:00:51,800 --> 01:00:54,600
Speaker 1: said it was till then I got the thing and

1091
01:00:54,680 --> 01:00:56,800
Speaker 1: then why they're saying this till number one? I was

1092
01:00:56,880 --> 01:00:59,600
Speaker 1: frustrated with the internet saying little baby, you better watch

1093
01:00:59,600 --> 01:01:01,360
Speaker 1: out for the rico A little baby. Y'all better what

1094
01:01:01,720 --> 01:01:04,560
Speaker 1: it's like, y'all wishing that only is y'all crazy. Y'all

1095
01:01:04,600 --> 01:01:07,040
Speaker 1: don't even know that feeling. Please don't do that. That's

1096
01:01:07,120 --> 01:01:10,120
Speaker 1: not cool. Wish are hunting me? You know me, y'all

1097
01:01:10,160 --> 01:01:13,120
Speaker 1: called real? Nick say, I wish I told Bank the

1098
01:01:13,120 --> 01:01:16,280
Speaker 1: other day, hope you make a hunting me. You know

1099
01:01:16,320 --> 01:01:19,160
Speaker 1: what I'm saying. That what I'm wishing on black men nowadays,

1100
01:01:19,240 --> 01:01:21,520
Speaker 1: I'm wishing that kind of enter jone. You know, I

1101
01:01:21,560 --> 01:01:24,760
Speaker 1: hope you get five hunting me and out this. You

1102
01:01:24,800 --> 01:01:26,880
Speaker 1: know what I'm saying because I know that the universe

1103
01:01:26,920 --> 01:01:30,920
Speaker 1: blesses those that can exhibit compassion, and only strong can

1104
01:01:31,000 --> 01:01:34,400
Speaker 1: give and then give. You must have right, and a

1105
01:01:34,400 --> 01:01:37,200
Speaker 1: lot of people ain't giving the opportunity because they ain't

1106
01:01:37,240 --> 01:01:40,720
Speaker 1: really have an opportunity. They just calmed men. But let's

1107
01:01:40,760 --> 01:01:43,360
Speaker 1: look past that. When she tweeted that and they said till,

1108
01:01:43,400 --> 01:01:44,800
Speaker 1: but I got the thing, and man want to make

1109
01:01:44,880 --> 01:01:47,760
Speaker 1: them say till man, they're I got the thing and

1110
01:01:47,840 --> 01:01:50,640
Speaker 1: oh he got a yell for them cases. So people

1111
01:01:50,680 --> 01:01:53,680
Speaker 1: always bad a eye at that. They ain't no paperword

1112
01:01:53,720 --> 01:01:55,400
Speaker 1: came out, and you know I don't play with the

1113
01:01:55,440 --> 01:01:58,760
Speaker 1: snitch word knowing his participation. So I don't know that

1114
01:01:58,760 --> 01:02:01,480
Speaker 1: that man no snitch because I ain't saw none the door.

1115
01:02:02,160 --> 01:02:04,680
Speaker 1: You know, I ain't been involved in no cases with demand.

1116
01:02:04,680 --> 01:02:07,280
Speaker 1: But I'm just speaking about why the coach is viewing

1117
01:02:07,320 --> 01:02:09,880
Speaker 1: it that way, and I had a right to do so.

1118
01:02:10,040 --> 01:02:13,040
Speaker 1: But for those of you under where the fees usually

1119
01:02:13,080 --> 01:02:15,880
Speaker 1: don't give a year. So what the internet is saying

1120
01:02:15,920 --> 01:02:18,360
Speaker 1: that yo, you got caught with silences and now let

1121
01:02:18,480 --> 01:02:21,000
Speaker 1: him end up getting a year. So his video from

1122
01:02:21,000 --> 01:02:23,280
Speaker 1: when he got caught before he was going to the

1123
01:02:23,280 --> 01:02:28,840
Speaker 1: BET Awards, This might have been the second time. Hours

1124
01:02:28,880 --> 01:02:31,080
Speaker 1: before he was to take the stage at the b

1125
01:02:31,320 --> 01:02:35,200
Speaker 1: ET Hip Hop Awards, Federal agents say rapper t I

1126
01:02:35,880 --> 01:02:39,760
Speaker 1: arranged to purchase machine guns and silencers. Agents with the

1127
01:02:39,800 --> 01:02:43,920
Speaker 1: Bureau of Alcohol, Tobacco, Firearms and Explosives arrested the Grammy

1128
01:02:43,960 --> 01:02:47,000
Speaker 1: winner at a shopping center blocks away from the venue.

1129
01:02:47,400 --> 01:02:50,520
Speaker 1: Word of the arrest spread quickly along the red carpet.

1130
01:02:50,760 --> 01:02:52,280
Speaker 1: I heard it, how I'm doing. I ain't get a

1131
01:02:52,360 --> 01:02:54,880
Speaker 1: chance to find out. Okay, I performing night as well,

1132
01:02:54,880 --> 01:02:57,640
Speaker 1: and I said, though, TI whose real name is Clifford

1133
01:02:57,680 --> 01:03:01,280
Speaker 1: Harris was nominated in nine category Worries. He was supposed

1134
01:03:01,280 --> 01:03:04,640
Speaker 1: to headline the award show, but remained in federal custody

1135
01:03:04,720 --> 01:03:08,960
Speaker 1: during the taping. Meanwhile, fifteen miles outside the city, agents

1136
01:03:09,040 --> 01:03:13,160
Speaker 1: spent hours searching the rappers home. According to court documents,

1137
01:03:13,200 --> 01:03:16,720
Speaker 1: TI arranged for a bodyguard to pick up twelve thousand

1138
01:03:16,760 --> 01:03:19,480
Speaker 1: dollars in cash from a local bank and use the

1139
01:03:19,560 --> 01:03:22,880
Speaker 1: funds to buy machine guns. The rapper then made arrangements

1140
01:03:22,880 --> 01:03:26,320
Speaker 1: to take possession of the guns Saturday afternoon, but the

1141
01:03:26,400 --> 01:03:30,720
Speaker 1: sellers were actually undercover federal agents. I'm saddened anytime I

1142
01:03:30,840 --> 01:03:34,560
Speaker 1: hear of a hip hopa being locked up or somehow

1143
01:03:34,640 --> 01:03:37,480
Speaker 1: stunted in his life and in his growth, and I

1144
01:03:37,560 --> 01:03:40,400
Speaker 1: just want to quick remedy to that. A spokesman for

1145
01:03:40,480 --> 01:03:44,320
Speaker 1: TIS label Atlantic Records declined to comment. When you talk

1146
01:03:44,360 --> 01:03:47,840
Speaker 1: about being at the top of your career the highlights

1147
01:03:47,840 --> 01:03:50,360
Speaker 1: of your life, you making your highlights and going to

1148
01:03:50,480 --> 01:03:53,880
Speaker 1: jail not once but twice for me, man coming from

1149
01:03:53,920 --> 01:03:56,520
Speaker 1: the street for Rhea, isn't no way I can make

1150
01:03:56,520 --> 01:03:59,080
Speaker 1: them mistakes unless I'm being targeted some kind of way.

1151
01:03:59,120 --> 01:04:03,480
Speaker 1: But I wouldn't be in a situation where I'm telling now,

1152
01:04:03,640 --> 01:04:06,200
Speaker 1: some go pick up twenty one thousand dolls and pick

1153
01:04:06,280 --> 01:04:08,760
Speaker 1: up some guns. But even back then, dude was a

1154
01:04:08,760 --> 01:04:12,120
Speaker 1: little younger. But he went twice and it's something to

1155
01:04:12,160 --> 01:04:14,480
Speaker 1: be seeing for Tip being able to come out of

1156
01:04:14,560 --> 01:04:17,840
Speaker 1: jail both times and kind of get back up to

1157
01:04:17,960 --> 01:04:20,560
Speaker 1: where he was. But that's the video, man, where he

1158
01:04:20,640 --> 01:04:23,320
Speaker 1: was arrested. M Let me see if I can find

1159
01:04:23,400 --> 01:04:26,040
Speaker 1: out one. I believe it was October tenth, So this

1160
01:04:26,160 --> 01:04:29,360
Speaker 1: is video of Tias lawyer at the time. Again, we're

1161
01:04:29,360 --> 01:04:32,200
Speaker 1: just kind of looking over it, man, we just pardon

1162
01:04:32,240 --> 01:04:36,440
Speaker 1: today looking over the point he explained that he was

1163
01:04:36,480 --> 01:04:39,280
Speaker 1: a bodyguard for mister Harris and that he was buying

1164
01:04:39,440 --> 01:04:42,680
Speaker 1: machine guns for mister Harris. It was only at that

1165
01:04:42,760 --> 01:04:45,600
Speaker 1: point to mister Harris came into the investigation. The ATF

1166
01:04:45,640 --> 01:04:48,240
Speaker 1: agents took that where it led, which was to make

1167
01:04:48,320 --> 01:04:50,720
Speaker 1: to not take the bodyguard's word for it by two

1168
01:04:51,680 --> 01:04:55,880
Speaker 1: engage in taper, cowarded monitor conversations, and that led to

1169
01:04:55,960 --> 01:05:00,400
Speaker 1: mister Harris agreeing to receive the guns. I think four

1170
01:05:00,480 --> 01:05:03,560
Speaker 1: days later. Three days later, at this point he was arrested.

1171
01:05:03,680 --> 01:05:06,760
Speaker 1: As we said at the time of his arrest, mister

1172
01:05:06,840 --> 01:05:11,600
Speaker 1: Harris was never the original target of this investigation. We

1173
01:05:11,720 --> 01:05:15,680
Speaker 1: followed where the evidence led, where the leads led, and

1174
01:05:15,800 --> 01:05:21,640
Speaker 1: it ended up following and leading to mister Harris. We're

1175
01:05:21,680 --> 01:05:25,880
Speaker 1: gratified that this case was resolved so quickly, and we

1176
01:05:25,880 --> 01:05:28,880
Speaker 1: are also pleased to see that the defendant has taken

1177
01:05:28,920 --> 01:05:33,400
Speaker 1: responsibility for his criminal actions. ATF does not care what

1178
01:05:33,560 --> 01:05:36,600
Speaker 1: your name is or what you do for a living.

1179
01:05:37,840 --> 01:05:41,160
Speaker 1: If a criminal decides to violate the federal firearms laws

1180
01:05:41,200 --> 01:05:43,920
Speaker 1: in the United States, then he or she should not

1181
01:05:44,000 --> 01:05:48,160
Speaker 1: be surprised to find the ATF or law enforcement investigating

1182
01:05:48,200 --> 01:05:50,960
Speaker 1: that crime. But today, you know, we're gonna find out.

1183
01:05:51,040 --> 01:05:53,640
Speaker 1: You know what the courts want to do with the king.

1184
01:05:53,960 --> 01:05:55,400
Speaker 1: See if you're gonna go ahead and let him get

1185
01:05:55,440 --> 01:05:57,920
Speaker 1: on these streets and get back to doing what we

1186
01:05:58,000 --> 01:06:01,440
Speaker 1: do best is and that's making this home. Harris has

1187
01:06:01,480 --> 01:06:04,200
Speaker 1: now admitted that he is guilty of the serious federal

1188
01:06:04,240 --> 01:06:08,200
Speaker 1: firearms charges with which he was charged. The next step

1189
01:06:08,280 --> 01:06:11,920
Speaker 1: is to determine an appropriate sentence. He has asked and

1190
01:06:12,000 --> 01:06:14,480
Speaker 1: we in the court have agreed that his sentencing be

1191
01:06:14,520 --> 01:06:17,600
Speaker 1: deferred for a year. Mister Harris is going to remain

1192
01:06:17,720 --> 01:06:21,600
Speaker 1: under very strict bond conditions for the next year. If

1193
01:06:21,640 --> 01:06:24,800
Speaker 1: he performs his community service as expected and lives up

1194
01:06:24,840 --> 01:06:28,280
Speaker 1: to the many other obligations of his bond and plea agreement,

1195
01:06:28,720 --> 01:06:32,520
Speaker 1: then he will still receive a substantial sentence for the

1196
01:06:32,560 --> 01:06:36,800
Speaker 1: crimes he committed. A year in federal prison, three years

1197
01:06:36,800 --> 01:06:40,560
Speaker 1: of supervisor release, including a year of home detention, a

1198
01:06:40,640 --> 01:06:43,840
Speaker 1: total of fifteen hundred hours of community service, and a

1199
01:06:43,880 --> 01:06:48,360
Speaker 1: one hundred thousand dollars fine. With the utmost respect of society,

1200
01:06:49,120 --> 01:06:51,720
Speaker 1: I'm grateful that Decourt and the government has given me

1201
01:06:51,760 --> 01:06:54,200
Speaker 1: a chance as a part of my sentence to help

1202
01:06:54,640 --> 01:06:58,560
Speaker 1: keys lived safe, be productive, and avoid making the same

1203
01:06:58,560 --> 01:07:02,720
Speaker 1: mistakes at me. I realized completely that I violated the law,

1204
01:07:02,960 --> 01:07:05,160
Speaker 1: and I accept that I must be punished. I take

1205
01:07:05,160 --> 01:07:08,720
Speaker 1: it very seriously. The most important thing to me is

1206
01:07:08,920 --> 01:07:10,959
Speaker 1: that I can turn this negative time in my life

1207
01:07:11,040 --> 01:07:14,960
Speaker 1: right now into a positive. While I'm not looking forward

1208
01:07:14,960 --> 01:07:17,960
Speaker 1: to being incarcerated, I am looking forward to putting this

1209
01:07:18,000 --> 01:07:21,080
Speaker 1: whole ordeal behind me. I realize I have a very

1210
01:07:21,120 --> 01:07:23,960
Speaker 1: long road of redemption to travel, and I intend to

1211
01:07:23,960 --> 01:07:27,680
Speaker 1: do just that. I am dedicated and committed to making

1212
01:07:27,680 --> 01:07:30,160
Speaker 1: a difference in the lives of our young people today,

1213
01:07:30,280 --> 01:07:33,920
Speaker 1: and I really do appreciate the opportunities say why why

1214
01:07:33,960 --> 01:07:37,000
Speaker 1: would you find you worry about your safety? I'm so

1215
01:07:37,360 --> 01:07:40,280
Speaker 1: I'm so sorry. I can't make it any comments to that,

1216
01:07:40,480 --> 01:07:44,040
Speaker 1: to that effect, what would you say to anybody answer,

1217
01:07:44,200 --> 01:07:49,480
Speaker 1: I can't do that everybody at the court. I'm saying

1218
01:07:49,560 --> 01:07:51,200
Speaker 1: because that's what I hear everybody else say that the

1219
01:07:51,280 --> 01:07:55,040
Speaker 1: end of the state. I'm glad my man out, Alpha

1220
01:07:55,160 --> 01:08:00,800
Speaker 1: Mega back to business. He remember that you hate us

1221
01:08:01,160 --> 01:08:04,760
Speaker 1: all you hater that thought it was over. And so

1222
01:08:05,000 --> 01:08:08,560
Speaker 1: fans took that situation and was like, yo, man, he

1223
01:08:08,640 --> 01:08:12,040
Speaker 1: might owe him a favor. And it's rough putting shown

1224
01:08:11,920 --> 01:08:15,000
Speaker 1: in the name without norm but they contemplating that and

1225
01:08:15,040 --> 01:08:17,920
Speaker 1: they're putting it in the universe. He hasn't responded. What

1226
01:08:18,080 --> 01:08:20,920
Speaker 1: I do find interesting, though, is that Tippingham do be

1227
01:08:21,040 --> 01:08:24,400
Speaker 1: loud about it justice and and they seemed like they

1228
01:08:24,479 --> 01:08:27,120
Speaker 1: quiet about the thug thing, thug and gunner. This's a

1229
01:08:27,160 --> 01:08:29,200
Speaker 1: lot of people quiet. But I spoke about why I

1230
01:08:29,240 --> 01:08:32,160
Speaker 1: think quiet. They think be quieter. She gonna get you nicks.

1231
01:08:34,520 --> 01:08:37,880
Speaker 1: Everybody think be quieter, she gonna get you knicks. Everybody

1232
01:08:38,000 --> 01:08:42,320
Speaker 1: think that. And so while they were doing that, this

1233
01:08:42,360 --> 01:08:45,719
Speaker 1: old video popped up. Now Tip has always had the dress,

1234
01:08:45,800 --> 01:08:48,519
Speaker 1: only getting the year fifty and said something a lot

1235
01:08:48,520 --> 01:08:50,760
Speaker 1: of his little beef and people that said, yo, you

1236
01:08:50,760 --> 01:08:53,240
Speaker 1: got a year follow him guns. Some ain't right. So

1237
01:08:53,280 --> 01:08:55,720
Speaker 1: he didn't had the dress it a few times. One

1238
01:08:55,760 --> 01:08:58,120
Speaker 1: of the times he addressed it. Let's look at that video.

1239
01:08:59,000 --> 01:09:03,600
Speaker 1: This snitches and bro, do you mother can understand the

1240
01:09:03,720 --> 01:09:07,400
Speaker 1: violation that you got. Damn that you that you guilt to? Brother?

1241
01:09:07,880 --> 01:09:11,960
Speaker 1: If if it's not guilt to then and you actually

1242
01:09:11,960 --> 01:09:15,320
Speaker 1: say that hell is? Do you know what that? Do

1243
01:09:15,400 --> 01:09:17,640
Speaker 1: you know the ramification behind that? Man? Do you know

1244
01:09:17,680 --> 01:09:20,160
Speaker 1: what a mother could actually press a button and do

1245
01:09:20,280 --> 01:09:22,680
Speaker 1: to you? I'm talking about where did g coo? What

1246
01:09:22,760 --> 01:09:26,360
Speaker 1: did you co authorize them to do? Bro? Huh? You

1247
01:09:27,160 --> 01:09:29,160
Speaker 1: you call it a rat and you ain't no rat?

1248
01:09:29,880 --> 01:09:34,240
Speaker 1: Do you get dealt with? You get handled? Hey? What's saying? Then? Y'all?

1249
01:09:34,520 --> 01:09:36,880
Speaker 1: Some people call me till But this is about another

1250
01:09:36,960 --> 01:09:39,360
Speaker 1: kind of tell all you gotta do. It's called prime stoppers,

1251
01:09:39,400 --> 01:09:42,240
Speaker 1: a noun if I do a mother commercial ten civiliance

1252
01:09:42,439 --> 01:09:46,120
Speaker 1: in a motherfum community to see other mother neighbors getting violated,

1253
01:09:47,240 --> 01:09:52,120
Speaker 1: elderly people, motherucker children getting violated. They pulled to call

1254
01:09:52,200 --> 01:09:56,200
Speaker 1: the mother to Poli. What they pulled to do? Bank

1255
01:09:56,360 --> 01:10:00,559
Speaker 1: roll whoever? You will send something to you? He said,

1256
01:10:00,600 --> 01:10:04,200
Speaker 1: something you can't send back? Play with me. Why what

1257
01:10:04,240 --> 01:10:06,600
Speaker 1: do you think of Chia versus fifty? Who do you

1258
01:10:06,640 --> 01:10:12,960
Speaker 1: think would win that? Uh? I would have to go

1259
01:10:13,000 --> 01:10:16,080
Speaker 1: with Chip, you know, because I'm like y'all said, look

1260
01:10:16,080 --> 01:10:18,960
Speaker 1: where I'm from. You know, I'm from this out. What

1261
01:10:19,000 --> 01:10:20,680
Speaker 1: do you think about the whole crime stoppers thing that's

1262
01:10:20,680 --> 01:10:23,519
Speaker 1: that's popping up again? Oh I think he should have

1263
01:10:23,640 --> 01:10:29,320
Speaker 1: never did it, but one day. So even how tr

1264
01:10:29,439 --> 01:10:32,840
Speaker 1: names came up is because of that post with Fee

1265
01:10:33,120 --> 01:10:36,840
Speaker 1: and also because Vlad mentioned him to Boosey and it

1266
01:10:37,040 --> 01:10:39,400
Speaker 1: was a couple of different blog sites that picked it

1267
01:10:39,520 --> 01:10:41,479
Speaker 1: up at the same time. And they boom and they

1268
01:10:41,479 --> 01:10:44,040
Speaker 1: blew up because they were saying, oh, you got a

1269
01:10:44,040 --> 01:10:47,400
Speaker 1: crime stopper video? She said. Somebody from Alana said they're

1270
01:10:47,439 --> 01:10:50,240
Speaker 1: helping the DA. She ain't never wrong. They speaking to

1271
01:10:50,360 --> 01:10:52,639
Speaker 1: him on the video. Why you got a video? Oh man,

1272
01:10:52,680 --> 01:10:54,960
Speaker 1: he he got caught with all of them guns only

1273
01:10:54,960 --> 01:10:57,080
Speaker 1: did a year then he older, So that's how they're

1274
01:10:57,120 --> 01:10:59,760
Speaker 1: coming up with that thinking again, the snitch word is

1275
01:10:59,800 --> 01:11:02,639
Speaker 1: a word. We don't say he has sneeze because knowing

1276
01:11:02,720 --> 01:11:05,960
Speaker 1: his participation. But I'm telling y'all why the game is

1277
01:11:06,000 --> 01:11:08,040
Speaker 1: looking at it like that. Let's look at a couple

1278
01:11:08,080 --> 01:11:11,320
Speaker 1: of videos that Vlad or let's look at when Boosy

1279
01:11:11,479 --> 01:11:13,599
Speaker 1: was speaking of Vlade and his name was brought up.

1280
01:11:13,800 --> 01:11:16,360
Speaker 1: And then we'll go back to that video. One day,

1281
01:11:16,400 --> 01:11:20,880
Speaker 1: I went listen to it, and you know it, he

1282
01:11:20,960 --> 01:11:23,080
Speaker 1: don't seem like he reading on that mother. Seemed like

1283
01:11:23,160 --> 01:11:26,240
Speaker 1: he's doing a drop. He's doing a trans like he's

1284
01:11:26,280 --> 01:11:29,280
Speaker 1: doing a drop, you know what I'm saying. But it's

1285
01:11:29,320 --> 01:11:33,000
Speaker 1: certain things you don't do when when when when you're

1286
01:11:33,040 --> 01:11:35,080
Speaker 1: rapping ball games, you know what I'm saying. So I

1287
01:11:35,120 --> 01:11:37,559
Speaker 1: think that was a mistake on his part, you know

1288
01:11:37,560 --> 01:11:39,840
Speaker 1: what I'm saying. But like they were saying, he did

1289
01:11:39,880 --> 01:11:42,240
Speaker 1: that to get out of trouble or whatever, I feel

1290
01:11:42,280 --> 01:11:44,479
Speaker 1: like it still was a mistake on his part doing it.

1291
01:11:44,520 --> 01:11:47,640
Speaker 1: But you're already in Mother trouble, like you know, like

1292
01:11:47,680 --> 01:11:50,800
Speaker 1: he should have took his ass up. Then said yeah,

1293
01:11:50,880 --> 01:11:55,280
Speaker 1: so again that is a weird thing, right to do that,

1294
01:11:55,640 --> 01:11:59,000
Speaker 1: And then they also said he was on the only stand,

1295
01:11:59,080 --> 01:12:00,800
Speaker 1: so they just brought up a lot of stuff from

1296
01:12:00,800 --> 01:12:02,879
Speaker 1: his pass because he'd been through a lot of action.

1297
01:12:03,520 --> 01:12:06,519
Speaker 1: It don't's happening around till you know what I'm saying.

1298
01:12:06,800 --> 01:12:08,960
Speaker 1: I think he would look back at that too and say,

1299
01:12:09,000 --> 01:12:12,080
Speaker 1: yo at then age, well that wasn't no, that wasn't

1300
01:12:12,080 --> 01:12:14,280
Speaker 1: no hell of a thing. They can be tooking spent

1301
01:12:14,479 --> 01:12:17,240
Speaker 1: on me, and they keep spinning it on me right now,

1302
01:12:17,880 --> 01:12:21,200
Speaker 1: getting knowing his participation. So I don't know if he snitched,

1303
01:12:21,400 --> 01:12:23,960
Speaker 1: But like Brush said, you can't be wrapping that gangster

1304
01:12:24,120 --> 01:12:27,120
Speaker 1: and then show up saying tell on if you get

1305
01:12:27,160 --> 01:12:30,920
Speaker 1: a chance. That's why they gangster all that big big

1306
01:12:30,920 --> 01:12:33,600
Speaker 1: bang bang, shoot him up, shitting talking. They mean they

1307
01:12:33,680 --> 01:12:35,880
Speaker 1: got to have a shootout, be bleeding and lay there

1308
01:12:35,920 --> 01:12:40,519
Speaker 1: and die. They can't calling oh man, look Tron shot me.

1309
01:12:40,800 --> 01:12:43,920
Speaker 1: They can't do all as as they don't claim gang gang,

1310
01:12:44,840 --> 01:12:47,400
Speaker 1: all that gang gang and shoot him up, bang bang.

1311
01:12:47,640 --> 01:12:50,720
Speaker 1: I mean standing on the bidding then, but let's let's

1312
01:12:50,760 --> 01:12:52,400
Speaker 1: look at a little bit more. Do you would have

1313
01:12:52,400 --> 01:12:55,240
Speaker 1: done more prison time to avoid doing that commercial. I'm

1314
01:12:55,240 --> 01:12:57,080
Speaker 1: not working with They know I'm not gonna work with them,

1315
01:12:58,479 --> 01:13:03,280
Speaker 1: no deal. You know they ain't gonna come up to

1316
01:13:03,320 --> 01:13:05,719
Speaker 1: me with no like that. They ain't They ain't gonna

1317
01:13:05,720 --> 01:13:08,200
Speaker 1: break no deals. To me like the TIU are very

1318
01:13:08,200 --> 01:13:11,080
Speaker 1: wise individual. Did you see Blucy said he would have

1319
01:13:11,600 --> 01:13:15,080
Speaker 1: served a full sentence rather than participate in the in

1320
01:13:15,120 --> 01:13:19,400
Speaker 1: the Crime Stoppers commercial. What would be your him? I

1321
01:13:19,479 --> 01:13:21,360
Speaker 1: have no advice for him as man. We all have

1322
01:13:21,479 --> 01:13:23,559
Speaker 1: decisions that we have our own decision to make it.

1323
01:13:23,560 --> 01:13:26,759
Speaker 1: If that's he is, I respect that, I respect. I'm

1324
01:13:26,880 --> 01:13:29,599
Speaker 1: gonna do that every time. I'm gonna do that every time.

1325
01:13:29,640 --> 01:13:31,200
Speaker 1: If I catch another case, you can see you gonna

1326
01:13:31,200 --> 01:13:33,200
Speaker 1: can just spect another commercial. See right there, that's that

1327
01:13:33,360 --> 01:13:37,479
Speaker 1: ego getting him. I think that's ego right there. He

1328
01:13:37,640 --> 01:13:40,200
Speaker 1: doubling down knowing how they come off. You know they

1329
01:13:40,240 --> 01:13:42,760
Speaker 1: can be took a certain way. But he doubling down there.

1330
01:13:42,960 --> 01:13:45,439
Speaker 1: I'm me do what I want. That's one of them vibes.

1331
01:13:45,840 --> 01:13:49,200
Speaker 1: And sometimes when you get arrogant, you block off information.

1332
01:13:49,240 --> 01:13:52,040
Speaker 1: That's a mistake, you know what I'm saying. He posted

1333
01:13:52,040 --> 01:13:53,920
Speaker 1: to take it in like bro, you know that they

1334
01:13:54,000 --> 01:13:56,599
Speaker 1: look a certain way now, but he's saying, yo, I'm

1335
01:13:56,640 --> 01:13:59,519
Speaker 1: getting out of trouble. I ain't told on It's just me.

1336
01:13:59,800 --> 01:14:01,760
Speaker 1: But but he's took in a certain way, and you

1337
01:14:01,840 --> 01:14:05,240
Speaker 1: represent a certain side of the game, right, and when

1338
01:14:05,280 --> 01:14:07,920
Speaker 1: you make that cool? What's the difference between Dad, and

1339
01:14:08,240 --> 01:14:10,599
Speaker 1: when you can blur the lines, you can affect people

1340
01:14:10,680 --> 01:14:14,840
Speaker 1: under you. You blur the lines, they don't know what them.

1341
01:14:15,000 --> 01:14:17,240
Speaker 1: Is it a different nine? Ain't really said I did

1342
01:14:17,320 --> 01:14:20,120
Speaker 1: what Tip did. Now you did a little more. But

1343
01:14:20,160 --> 01:14:22,920
Speaker 1: they're blur it, Like Dad, you see what I'm saying.

1344
01:14:22,960 --> 01:14:25,640
Speaker 1: So you can't co sign it from a position of

1345
01:14:25,920 --> 01:14:29,080
Speaker 1: I'm me even though that's the position he took. News

1346
01:14:29,120 --> 01:14:32,720
Speaker 1: in southwest Atlanta a federal search one's being executed at

1347
01:14:32,760 --> 01:14:36,160
Speaker 1: the home of a well known Atlanta rapper fars far As.

1348
01:14:36,200 --> 01:14:39,480
Speaker 1: Julia Harden joins his Live with more on our exclusive

1349
01:14:39,520 --> 01:14:44,599
Speaker 1: story Julie Well. Just hours before the b ET Hip

1350
01:14:44,640 --> 01:14:48,200
Speaker 1: Hop Award show was scheduled to be recorded this evening,

1351
01:14:48,400 --> 01:14:52,679
Speaker 1: we understand that popular well known rapper Ti has been

1352
01:14:52,840 --> 01:14:55,720
Speaker 1: arrested her. So the situation was that Tip was a

1353
01:14:55,760 --> 01:14:59,040
Speaker 1: convicted felon right and he was in with his bodyguard.

1354
01:14:59,040 --> 01:15:02,040
Speaker 1: His bodyguard was ask the guns from someone. He told them,

1355
01:15:02,080 --> 01:15:04,040
Speaker 1: gone and buy them. That's how they tied him in.

1356
01:15:04,360 --> 01:15:07,200
Speaker 1: His bodyguard end up getting caught and flipped on till

1357
01:15:07,800 --> 01:15:09,320
Speaker 1: you know what I'm saying. So that's kind of the

1358
01:15:09,400 --> 01:15:11,600
Speaker 1: case of what happened in regards to why he was

1359
01:15:11,640 --> 01:15:14,360
Speaker 1: even doing that video. And so from my understanding, the

1360
01:15:14,400 --> 01:15:19,080
Speaker 1: crime Stoppers commercial was part of the community service, right

1361
01:15:19,520 --> 01:15:21,799
Speaker 1: And if you know anything about the fizz, they usually

1362
01:15:21,840 --> 01:15:24,240
Speaker 1: don't do and I don't know about his case, his

1363
01:15:24,320 --> 01:15:27,920
Speaker 1: high profile status, they usually do a ten or five,

1364
01:15:29,520 --> 01:15:33,360
Speaker 1: you know, But again with the best lawyers in the world,

1365
01:15:33,360 --> 01:15:36,800
Speaker 1: I just don't know. You ain't invested in nothing. You

1366
01:15:36,920 --> 01:15:39,679
Speaker 1: standing around in the mother community that you an't got

1367
01:15:39,720 --> 01:15:43,160
Speaker 1: no mother, no no skin in the game. The only

1368
01:15:43,200 --> 01:15:45,800
Speaker 1: thing you do is stand up there and said you

1369
01:15:45,880 --> 01:15:48,879
Speaker 1: did what I'm saying. You ain't invested in the community

1370
01:15:48,920 --> 01:15:51,040
Speaker 1: to try to uplift the community or the rest of

1371
01:15:51,080 --> 01:15:54,400
Speaker 1: the neighbors or the neighborhood. All you're trying to do

1372
01:15:54,600 --> 01:15:58,200
Speaker 1: it go in there, extract whatever little got pittis money

1373
01:15:58,240 --> 01:16:00,160
Speaker 1: you can get out of there and going on to

1374
01:16:00,200 --> 01:16:03,120
Speaker 1: the next spot something else up. You ain't doing it.

1375
01:16:03,640 --> 01:16:08,160
Speaker 1: So that's why you ain't got to protect any of

1376
01:16:08,320 --> 01:16:10,880
Speaker 1: their own property. Somebody breaking their hid property and they

1377
01:16:10,880 --> 01:16:13,280
Speaker 1: ain't there. They won't their neighbors to call the police.

1378
01:16:14,479 --> 01:16:16,559
Speaker 1: So they can get a mother police report because you

1379
01:16:16,600 --> 01:16:20,919
Speaker 1: need that for your insurance claim. You did any business,

1380
01:16:21,080 --> 01:16:24,320
Speaker 1: if you had anything to your name besides the little

1381
01:16:24,320 --> 01:16:26,559
Speaker 1: bags of weed you got in your pocket, you might

1382
01:16:26,680 --> 01:16:34,360
Speaker 1: understand that. Now it really for me, bro, because I'm

1383
01:16:35,080 --> 01:16:37,960
Speaker 1: I'm pushing trying to trying to help y'all. Man. So

1384
01:16:38,120 --> 01:16:40,160
Speaker 1: that was that was twenty and twenty man. When he

1385
01:16:40,240 --> 01:16:46,280
Speaker 1: was talking, Um, it's one thing man that I you know,

1386
01:16:46,479 --> 01:16:49,120
Speaker 1: because I think I'm okayed talking when I get in

1387
01:16:49,160 --> 01:16:52,160
Speaker 1: front of these mic I hope that when it's time

1388
01:16:52,240 --> 01:16:54,960
Speaker 1: for me to not talk, that I don't talk, because

1389
01:16:55,000 --> 01:16:57,960
Speaker 1: what will happen is is because you're good talking, you're

1390
01:16:58,040 --> 01:17:01,320
Speaker 1: trying to talk your way out of it, anything and everything.

1391
01:17:01,400 --> 01:17:06,240
Speaker 1: When sometimes silence is the it's the best language. Sometimes

1392
01:17:06,320 --> 01:17:10,840
Speaker 1: not moving is moving. Sometimes not talking is talking. You

1393
01:17:10,880 --> 01:17:13,120
Speaker 1: know what I'm saying. Sometimes when they say, Okay, you

1394
01:17:13,200 --> 01:17:15,559
Speaker 1: gotta make a move, all right, my move is I

1395
01:17:15,560 --> 01:17:20,640
Speaker 1: ain't moving right. I don't got enough information to make

1396
01:17:20,680 --> 01:17:25,840
Speaker 1: a move right. And sometimes you gotta know how being

1397
01:17:25,880 --> 01:17:28,320
Speaker 1: received and just for because we got a part, we're

1398
01:17:28,360 --> 01:17:31,800
Speaker 1: just going through a couple of things. When Tip got out,

1399
01:17:31,840 --> 01:17:34,080
Speaker 1: though he did an interview, I ain't never saw this interview.

1400
01:17:34,120 --> 01:17:37,559
Speaker 1: Let's look at it. So this is after he got out,

1401
01:17:37,600 --> 01:17:39,760
Speaker 1: I believe, man, And we're just gonna look at her

1402
01:17:40,200 --> 01:17:41,800
Speaker 1: a little bit of it, just to kind of see

1403
01:17:41,840 --> 01:17:44,080
Speaker 1: what was happening at that time. Again, this is when

1404
01:17:44,120 --> 01:17:48,120
Speaker 1: he first got out. Really begins in Cincinnati, or you

1405
01:17:48,160 --> 01:17:51,479
Speaker 1: can say it began on my childhood. Cincinnati was a

1406
01:17:51,520 --> 01:17:58,280
Speaker 1: traumatic experience, and as most people respond to traumatic experiences,

1407
01:17:58,960 --> 01:18:02,400
Speaker 1: I went back to my natural instincts. Well, let's explain

1408
01:18:03,400 --> 01:18:06,920
Speaker 1: what happened. You go into a club, there's an argument

1409
01:18:07,280 --> 01:18:11,920
Speaker 1: with some guys, altercation. I don't know if they were

1410
01:18:11,960 --> 01:18:15,759
Speaker 1: local or not, Okay, and then what happens. Crowd spilled

1411
01:18:15,760 --> 01:18:17,880
Speaker 1: out to the parking lot. I got in the league

1412
01:18:17,960 --> 01:18:23,120
Speaker 1: shootout and sued, and there was several people shot. One

1413
01:18:23,160 --> 01:18:28,240
Speaker 1: person Dad. The person who died was Big Phil, friend

1414
01:18:28,360 --> 01:18:31,559
Speaker 1: from childhood, close friends. Those bullets were meant for me,

1415
01:18:32,520 --> 01:18:34,280
Speaker 1: you know, And I didn't get hit of off. See

1416
01:18:34,280 --> 01:18:37,160
Speaker 1: Tip kind of went closer to meet than you are.

1417
01:18:37,360 --> 01:18:41,439
Speaker 1: Tip kind of went through what what the baby kind

1418
01:18:41,479 --> 01:18:45,320
Speaker 1: of going through sept for with this. Nobody with him

1419
01:18:45,400 --> 01:18:48,000
Speaker 1: dad but his brother Dad. But he went through He

1420
01:18:48,120 --> 01:18:50,800
Speaker 1: going through a lot of stuff. People go through ship

1421
01:18:50,880 --> 01:18:53,360
Speaker 1: man being at the top of this rap game. He

1422
01:18:53,479 --> 01:18:56,400
Speaker 1: just ain't as pleasant as you think. Man, especially when

1423
01:18:56,439 --> 01:18:59,160
Speaker 1: you got everything at your finger tips. Any mistake you

1424
01:18:59,200 --> 01:19:01,599
Speaker 1: want to make, you can make it. Everything you do,

1425
01:19:01,680 --> 01:19:05,200
Speaker 1: they say is right. Nobody's critical or criticizing you. It's

1426
01:19:05,240 --> 01:19:08,320
Speaker 1: hard to evolve. They say, a rich man doesn't have friends.

1427
01:19:08,760 --> 01:19:14,799
Speaker 1: So the acquisition of firearms comes from the feeling of like, Wow,

1428
01:19:15,479 --> 01:19:18,880
Speaker 1: I didn't have one in the critical moment of my life,

1429
01:19:18,920 --> 01:19:23,000
Speaker 1: and my man paid with his life right for that absolutely,

1430
01:19:23,040 --> 01:19:26,760
Speaker 1: And then I instinctively resulted back to what I was

1431
01:19:27,640 --> 01:19:32,160
Speaker 1: used to, that overrule that fear. I'd rather eat a

1432
01:19:32,200 --> 01:19:36,040
Speaker 1: bullet than to go and lose my future and du

1433
01:19:36,120 --> 01:19:40,920
Speaker 1: these thirty and forty years, because if something happens again,

1434
01:19:41,000 --> 01:19:44,920
Speaker 1: you're not going to get an experimental SENSI do you

1435
01:19:44,920 --> 01:19:49,360
Speaker 1: think that you got off easy? Notively could have gotten

1436
01:19:49,920 --> 01:19:52,920
Speaker 1: ten years two hundred and fifty thousand dollars, fine, but

1437
01:19:53,000 --> 01:19:56,160
Speaker 1: you got a year and a day. Did ten months right?

1438
01:19:56,200 --> 01:19:58,599
Speaker 1: One hundred thousand dollars. I mean, if you look at

1439
01:19:58,640 --> 01:20:00,439
Speaker 1: it like that, if you only look at the jail

1440
01:20:00,520 --> 01:20:03,160
Speaker 1: times as you look at there was also a year

1441
01:20:03,280 --> 01:20:07,240
Speaker 1: of home confinement. It was also three years of probation.

1442
01:20:07,320 --> 01:20:10,840
Speaker 1: That was also a year worth of community service and

1443
01:20:11,200 --> 01:20:17,920
Speaker 1: using my story to deter young people from going down

1444
01:20:17,920 --> 01:20:20,519
Speaker 1: to simular path. Now, when you break the law, they

1445
01:20:20,560 --> 01:20:24,240
Speaker 1: say that you are supposed to pay a debt to society.

1446
01:20:24,800 --> 01:20:28,960
Speaker 1: Now who says that that debt to society is best

1447
01:20:29,000 --> 01:20:32,280
Speaker 1: paid in a prison? You know, with all of that,

1448
01:20:32,320 --> 01:20:35,880
Speaker 1: would tip man? He got to understand, Like number one,

1449
01:20:36,200 --> 01:20:38,960
Speaker 1: the internet, the Internet is a weird place. The Internet's

1450
01:20:39,000 --> 01:20:41,879
Speaker 1: gonna work like that, They're gonna pull your name in things.

1451
01:20:43,520 --> 01:20:46,240
Speaker 1: But then you if you look at it with clear vision,

1452
01:20:46,400 --> 01:20:50,560
Speaker 1: right and you say you know anything about the Feds,

1453
01:20:50,600 --> 01:20:53,880
Speaker 1: you say, now that is a hell of a deal.

1454
01:20:55,320 --> 01:20:57,719
Speaker 1: But then you try to lend it some understanding because

1455
01:20:57,720 --> 01:21:00,519
Speaker 1: he had profile and he got money. And also you

1456
01:21:00,600 --> 01:21:04,679
Speaker 1: lending that understanding when there's no paperwork provided you understand.

1457
01:21:04,720 --> 01:21:09,960
Speaker 1: So right now, all of this just theory. My only

1458
01:21:10,040 --> 01:21:14,120
Speaker 1: question is is why isn't he loud? You know, um,

1459
01:21:14,280 --> 01:21:17,040
Speaker 1: he seems to have some political power down in a Lena.

1460
01:21:17,680 --> 01:21:20,920
Speaker 1: You know, why isn't these guys loud? But again, I

1461
01:21:20,960 --> 01:21:23,680
Speaker 1: spoke last week about I think that everybody's playing a

1462
01:21:23,760 --> 01:21:26,600
Speaker 1: game or shut up or get put up, you know,

1463
01:21:26,640 --> 01:21:29,960
Speaker 1: And I just think that's ineffective. I don't see sympathy

1464
01:21:30,000 --> 01:21:33,280
Speaker 1: in America, especially in the justice judicial system. I don't

1465
01:21:33,280 --> 01:21:37,200
Speaker 1: see sympathy. I don't see them. Motherfucker. Like, there's a

1466
01:21:37,240 --> 01:21:39,719
Speaker 1: story I can't remember where I got it from because

1467
01:21:39,720 --> 01:21:43,479
Speaker 1: I take in so much information, but there's a story

1468
01:21:43,560 --> 01:21:47,240
Speaker 1: where there's there's someone that's taking a person and this

1469
01:21:47,320 --> 01:21:51,240
Speaker 1: is this shows you the It kind of examines the

1470
01:21:51,320 --> 01:21:55,000
Speaker 1: sympathy factor. Right, has a person that has killed people

1471
01:21:55,040 --> 01:21:57,160
Speaker 1: in front of someone and this is just a theory.

1472
01:21:57,640 --> 01:22:01,360
Speaker 1: So something has happened where he's got rid of people

1473
01:22:01,400 --> 01:22:05,200
Speaker 1: in front of you. Let's just say he's dug holes

1474
01:22:05,320 --> 01:22:08,120
Speaker 1: for six people ahead of you, and he gets to

1475
01:22:08,240 --> 01:22:11,920
Speaker 1: your hole and he's digging, and you're still begging, please

1476
01:22:11,960 --> 01:22:14,280
Speaker 1: don't do it, Please don't sit See you don't come

1477
01:22:14,400 --> 01:22:18,160
Speaker 1: up wrong. They don't wired you wrong. You think somebody

1478
01:22:18,240 --> 01:22:20,600
Speaker 1: can you think the people that they don't work like.

1479
01:22:20,720 --> 01:22:23,479
Speaker 1: It ain't no sympathy. You gotta fight your way out

1480
01:22:23,479 --> 01:22:26,120
Speaker 1: of that or fight back, not just get through in

1481
01:22:26,160 --> 01:22:29,080
Speaker 1: the hole. You understand me, And of course that's a

1482
01:22:29,160 --> 01:22:32,519
Speaker 1: figure of speech, but he has to understand how he

1483
01:22:32,560 --> 01:22:35,400
Speaker 1: can get lost in the internet when when they see

1484
01:22:35,439 --> 01:22:39,200
Speaker 1: you get charged with having a bunch of guns with silences. Right,

1485
01:22:39,560 --> 01:22:42,160
Speaker 1: you go do ten months, then you do your house

1486
01:22:42,240 --> 01:22:45,080
Speaker 1: or rest thing, all of that. Then you show up

1487
01:22:45,080 --> 01:22:48,559
Speaker 1: with a video saying, you know, report crimes like you

1488
01:22:48,640 --> 01:22:51,240
Speaker 1: gotta kind of just understand how the internet gonna create

1489
01:22:51,240 --> 01:22:54,360
Speaker 1: a narrative about that, you know. Again, my only question

1490
01:22:54,520 --> 01:22:57,040
Speaker 1: is I think he should be louder with his voice.

1491
01:22:57,120 --> 01:23:01,120
Speaker 1: Killing Mike is still a loud doing video certain things,

1492
01:23:01,120 --> 01:23:07,400
Speaker 1: but Killer Mike's brand isn't the same brand as tips brand. Right,

1493
01:23:07,880 --> 01:23:11,000
Speaker 1: Killer Mike speaks to us, but he also speaks to

1494
01:23:11,120 --> 01:23:15,400
Speaker 1: kind of like middle class and right right wing people

1495
01:23:15,439 --> 01:23:19,719
Speaker 1: as well. Right, he communicates at such a high level

1496
01:23:19,760 --> 01:23:22,160
Speaker 1: that I think his message is able to resonate with

1497
01:23:22,280 --> 01:23:25,160
Speaker 1: people beyond just the hip hop culture and what that

1498
01:23:25,320 --> 01:23:28,519
Speaker 1: does for our culture, which I believe is weird. And

1499
01:23:28,560 --> 01:23:31,120
Speaker 1: I'm gonna try to help bridge that gap. Is it

1500
01:23:31,200 --> 01:23:34,680
Speaker 1: alienates you from the hip hop culture, Right, so as

1501
01:23:34,200 --> 01:23:38,280
Speaker 1: farther you get over here with the understanding piece of

1502
01:23:38,320 --> 01:23:41,040
Speaker 1: it and able to show up on MSNBC and Kick

1503
01:23:41,120 --> 01:23:44,200
Speaker 1: Game and seeing then and Kick Game, the list that

1504
01:23:44,280 --> 01:23:47,559
Speaker 1: the street dudes act like they want to respect or

1505
01:23:47,600 --> 01:23:51,200
Speaker 1: accept your message in the same way. Right, So somebody

1506
01:23:51,240 --> 01:23:53,479
Speaker 1: got to work on bridge and their gap. But I

1507
01:23:53,479 --> 01:23:57,200
Speaker 1: think Killer Mike has always been somebody who who's been

1508
01:23:57,200 --> 01:24:00,640
Speaker 1: a great representation of hip hop and rapped and some

1509
01:24:00,840 --> 01:24:04,559
Speaker 1: of our ideas kind of drilled down because our way

1510
01:24:04,600 --> 01:24:07,960
Speaker 1: of communicating. Right, Sometimes he takes the way that some

1511
01:24:08,080 --> 01:24:11,160
Speaker 1: of us have communicated to him or his understanding of

1512
01:24:11,160 --> 01:24:13,599
Speaker 1: our culture, and he puts it in a way where

1513
01:24:13,640 --> 01:24:17,280
Speaker 1: they can understand the mainstream America. I think that's very important.

1514
01:24:17,439 --> 01:24:21,040
Speaker 1: But right now, thug and gunning them need them, not

1515
01:24:21,200 --> 01:24:25,000
Speaker 1: only them, bro, all the rappers to have ricos and

1516
01:24:25,080 --> 01:24:27,240
Speaker 1: this under this. They need niggas to come out and

1517
01:24:27,280 --> 01:24:31,160
Speaker 1: go to talking about this. You understand, create some awareness.

1518
01:24:31,600 --> 01:24:36,519
Speaker 1: Let's talk about this. Kodak Black was just arrested in

1519
01:24:36,640 --> 01:24:40,799
Speaker 1: Florida with thirty piels and fifty thousand dollars in cash.

1520
01:24:41,320 --> 01:24:44,000
Speaker 1: When a first scene has come across the media, I

1521
01:24:44,080 --> 01:24:48,519
Speaker 1: was already perplexed. I was already viewing it in a

1522
01:24:48,560 --> 01:24:52,320
Speaker 1: way while Yo, what is this about? Number one dude

1523
01:24:52,360 --> 01:24:54,960
Speaker 1: just got shot, so I know he probably should be

1524
01:24:55,040 --> 01:24:57,559
Speaker 1: able to have some pain medicine, but did he have

1525
01:24:57,720 --> 01:24:59,720
Speaker 1: it in a bottle, not in a bottle. I know

1526
01:24:59,800 --> 01:25:04,240
Speaker 1: how law enforcement has the discretion on how they are

1527
01:25:04,320 --> 01:25:09,160
Speaker 1: able to apply to laws. Right, So maybe the law says,

1528
01:25:09,200 --> 01:25:11,160
Speaker 1: if you get caught with this amount of drugs and

1529
01:25:11,160 --> 01:25:13,479
Speaker 1: this amount of money, that's a trafficking charge because they

1530
01:25:13,560 --> 01:25:17,000
Speaker 1: charged to do with trafficking. No, I don't believe that

1531
01:25:17,120 --> 01:25:19,519
Speaker 1: dude was trafficking, you know, But I think he caught

1532
01:25:19,560 --> 01:25:22,240
Speaker 1: himself in a situation with some people that don't like him,

1533
01:25:23,160 --> 01:25:25,519
Speaker 1: you know. And I ain't telling dudes that breaking the

1534
01:25:25,600 --> 01:25:29,320
Speaker 1: law is right acceptable. If you're a million dollars to

1535
01:25:29,479 --> 01:25:32,240
Speaker 1: do what you want, I'm telling you you better understand

1536
01:25:32,280 --> 01:25:35,800
Speaker 1: what you're up against. What's happening is Kodek Black was dying,

1537
01:25:35,840 --> 01:25:37,760
Speaker 1: that they sent him to jail, they try to get

1538
01:25:37,840 --> 01:25:41,439
Speaker 1: rid of and then he'd come President Trump, pardon them

1539
01:25:41,439 --> 01:25:43,240
Speaker 1: and let him out. You think they ain't got no

1540
01:25:43,320 --> 01:25:46,600
Speaker 1: disdain for that. You think them people down there like

1541
01:25:46,680 --> 01:25:48,559
Speaker 1: to see, Oh, we try to put him away and

1542
01:25:48,600 --> 01:25:51,320
Speaker 1: then somebody that come let him out and he's still

1543
01:25:51,360 --> 01:25:54,559
Speaker 1: around him. You think them people like that. Now, they

1544
01:25:54,560 --> 01:25:57,680
Speaker 1: don't like that. You like seeing a new you slept on,

1545
01:25:58,680 --> 01:26:02,600
Speaker 1: You like seeing you out, you put away picture, you

1546
01:26:02,720 --> 01:26:04,840
Speaker 1: putting a nigger away. You thought you hid him and

1547
01:26:05,080 --> 01:26:07,960
Speaker 1: got rid of me. He popped back out strong. You

1548
01:26:08,000 --> 01:26:12,080
Speaker 1: don't like seeing that, you understand. So even the idea

1549
01:26:12,160 --> 01:26:15,080
Speaker 1: that you try to put somebody away when they are

1550
01:26:15,080 --> 01:26:18,800
Speaker 1: in their prime right again breaking the law unfortunately for

1551
01:26:19,000 --> 01:26:21,519
Speaker 1: or fortunately, depending on how you're looking at it, because

1552
01:26:21,520 --> 01:26:23,760
Speaker 1: without law of the land, it'll be chaos, and some

1553
01:26:24,360 --> 01:26:28,000
Speaker 1: most ninety seven eight ninety eight percent of y'all can't

1554
01:26:28,040 --> 01:26:32,080
Speaker 1: survive in chaos. Y'all just have a distorted perception on

1555
01:26:32,120 --> 01:26:34,719
Speaker 1: what y'all are able to do with violence. Pops off

1556
01:26:35,160 --> 01:26:37,960
Speaker 1: if you don't know, right, and we can zoom out

1557
01:26:38,000 --> 01:26:40,600
Speaker 1: a little bit off of Kodak if you don't know.

1558
01:26:40,720 --> 01:26:48,600
Speaker 1: Florida has a very unique music scene. It's very eccentric

1559
01:26:48,680 --> 01:26:51,799
Speaker 1: down there. There's a lot being said. It's electric fine.

1560
01:26:51,840 --> 01:26:55,599
Speaker 1: It's electric fine down there in regards to they've now

1561
01:26:55,760 --> 01:26:58,439
Speaker 1: took drip. This is something that they're doing to it now.

1562
01:26:58,600 --> 01:27:01,679
Speaker 1: I'll get to the Kodak black. But they're taking our

1563
01:27:01,800 --> 01:27:06,439
Speaker 1: music and recategorizing it to try to figure out what

1564
01:27:06,600 --> 01:27:10,360
Speaker 1: word resonnates with the jury. When they say drill music,

1565
01:27:10,400 --> 01:27:12,439
Speaker 1: they don't get that. Rights they have to take a

1566
01:27:12,520 --> 01:27:16,080
Speaker 1: long drawn out approach, and how they explain the word

1567
01:27:16,200 --> 01:27:19,719
Speaker 1: drill music not only to the judge but to the jury,

1568
01:27:19,840 --> 01:27:23,000
Speaker 1: or just kind of create some kind of understanding the standards.

1569
01:27:23,080 --> 01:27:25,200
Speaker 1: Or they're trying to say that this is violent kind

1570
01:27:25,240 --> 01:27:29,080
Speaker 1: of music. See gangster rap hit different. The gangster was

1571
01:27:29,120 --> 01:27:32,680
Speaker 1: already a term that was already solidified in most Americans

1572
01:27:32,720 --> 01:27:35,600
Speaker 1: mind gangster. So now they put rap on it. It

1573
01:27:35,720 --> 01:27:40,479
Speaker 1: basically self explanatories gangster raps. So when they bring they

1574
01:27:40,600 --> 01:27:43,160
Speaker 1: in the court, that's a little different. Now the drill

1575
01:27:43,320 --> 01:27:45,840
Speaker 1: music thing, it gets slippery. So now I see in

1576
01:27:45,880 --> 01:27:49,400
Speaker 1: Florida they trying to change that, calling that not drill music,

1577
01:27:49,400 --> 01:27:54,040
Speaker 1: they calling it murder music. See how they get a

1578
01:27:54,560 --> 01:27:58,800
Speaker 1: term that's already solidified in the minds of Americans, right,

1579
01:27:58,880 --> 01:28:01,599
Speaker 1: and they bring that into the courtroom. Because now I'm

1580
01:28:01,640 --> 01:28:04,880
Speaker 1: talking to him, without talking to him, I'm saying that, Ayo,

1581
01:28:05,040 --> 01:28:08,280
Speaker 1: they've created a genre called murder music, which is drill

1582
01:28:08,439 --> 01:28:12,120
Speaker 1: music from Florida. You have to understand the market in Florida.

1583
01:28:12,200 --> 01:28:14,600
Speaker 1: You have to understand all of the rico charges that

1584
01:28:14,640 --> 01:28:17,320
Speaker 1: they got down there as well, Like they are playing

1585
01:28:17,320 --> 01:28:21,519
Speaker 1: that rico charge non traditional as well, Right, they're doing

1586
01:28:21,560 --> 01:28:24,240
Speaker 1: it in a way that's not conducive to the way

1587
01:28:24,240 --> 01:28:28,799
Speaker 1: that we've seen it been applied before. But they're using lyrics.

1588
01:28:29,680 --> 01:28:32,759
Speaker 1: I spoke about a couple of weeks ago that Fathers

1589
01:28:32,800 --> 01:28:35,559
Speaker 1: and Sons is telling them, like the gang violence or

1590
01:28:35,560 --> 01:28:39,000
Speaker 1: whatever's happening down there, it's happening at all time high

1591
01:28:39,040 --> 01:28:41,200
Speaker 1: and they can look at Kodak. It's like being the

1592
01:28:41,240 --> 01:28:45,040
Speaker 1: start of that. You tell me who brought Florida back.

1593
01:28:45,160 --> 01:28:50,240
Speaker 1: Ross was doing this thing, but Ross wasn't a Ross.

1594
01:28:50,360 --> 01:28:53,320
Speaker 1: Morse had a different kind of character in the game,

1595
01:28:53,960 --> 01:28:57,120
Speaker 1: you understand. Kodak had more of that character that was

1596
01:28:57,200 --> 01:29:00,559
Speaker 1: just like a regular Florida dude with the with the hair,

1597
01:29:01,360 --> 01:29:03,760
Speaker 1: you know, with the whole setup. He wasn't one of

1598
01:29:03,800 --> 01:29:07,920
Speaker 1: them I'm showing up in the helicopter type things. It

1599
01:29:08,000 --> 01:29:10,240
Speaker 1: was more down to earth, so it was real relatable.

1600
01:29:10,320 --> 01:29:12,120
Speaker 1: It made a lot of them Florida dudes feel like

1601
01:29:12,200 --> 01:29:14,880
Speaker 1: they can do it, so they can contribute a lot

1602
01:29:14,880 --> 01:29:18,800
Speaker 1: of the crime in their delusional minds right to the

1603
01:29:18,880 --> 01:29:22,360
Speaker 1: rapper Kodak Black in regards to Florida. Now, this doesn't

1604
01:29:22,400 --> 01:29:25,320
Speaker 1: speak to what they can prove. This speaks to what

1605
01:29:25,360 --> 01:29:28,519
Speaker 1: they believe to be the case, right, So they the

1606
01:29:28,520 --> 01:29:30,960
Speaker 1: thing that they do with us, right with black people,

1607
01:29:31,040 --> 01:29:33,599
Speaker 1: is they take our influence and use it against us.

1608
01:29:34,040 --> 01:29:37,240
Speaker 1: But they take our influence when they take it and

1609
01:29:37,320 --> 01:29:39,840
Speaker 1: repackage it, they use it for what they say is

1610
01:29:39,880 --> 01:29:42,880
Speaker 1: for the better, right. And so it's a weird thing, right.

1611
01:29:42,920 --> 01:29:46,000
Speaker 1: Our influence can be used even by them when they

1612
01:29:46,040 --> 01:29:48,880
Speaker 1: want to use it. But that same person can be

1613
01:29:50,600 --> 01:29:53,320
Speaker 1: shot down by the same people that was using him. So,

1614
01:29:53,479 --> 01:29:57,120
Speaker 1: I mean, it's just interesting. But Downa and Florida, you

1615
01:29:57,240 --> 01:30:01,400
Speaker 1: have to understand how that scene is. And I just

1616
01:30:01,439 --> 01:30:04,160
Speaker 1: think they have a disdain for Kodak. He should move,

1617
01:30:04,880 --> 01:30:06,960
Speaker 1: Like I don't. I don't know why people are staying

1618
01:30:07,040 --> 01:30:10,240
Speaker 1: in these spots, Like my family already know. Yo, when

1619
01:30:10,240 --> 01:30:14,000
Speaker 1: they when they cut the millions were gone. Yeah, now

1620
01:30:14,040 --> 01:30:17,120
Speaker 1: we're going to get the real big mansion somewhere like

1621
01:30:17,240 --> 01:30:22,480
Speaker 1: in the cut somewhere, Mamma, go get you whatever you want.

1622
01:30:22,479 --> 01:30:25,920
Speaker 1: The rest of us were gone, you understand, And it's like,

1623
01:30:26,479 --> 01:30:28,559
Speaker 1: why we want to stay. I don't. I don't have

1624
01:30:28,760 --> 01:30:32,960
Speaker 1: no Number one. The hood ain't the hood no more anyway.

1625
01:30:33,680 --> 01:30:36,840
Speaker 1: The rules doesn't change. So I don't let hanging in

1626
01:30:36,880 --> 01:30:39,320
Speaker 1: the hood for somebody like me. I don't do that.

1627
01:30:39,479 --> 01:30:42,040
Speaker 1: I think I'm a distraction in my neighborhood more than

1628
01:30:42,080 --> 01:30:45,400
Speaker 1: I am an asset unless I come in the structure setting.

1629
01:30:45,760 --> 01:30:48,320
Speaker 1: I don't let me got three or four Russians with

1630
01:30:48,520 --> 01:30:50,960
Speaker 1: me in the net because these showing up in the

1631
01:30:51,040 --> 01:30:53,840
Speaker 1: hood with two three now, don't get it confused. And

1632
01:30:53,920 --> 01:30:56,320
Speaker 1: even if they don't, me being in the hood in

1633
01:30:56,439 --> 01:30:59,120
Speaker 1: my bent little or in one of these hot cars,

1634
01:30:59,160 --> 01:31:02,479
Speaker 1: just look at them pulled over. It's like I ain't

1635
01:31:02,520 --> 01:31:04,920
Speaker 1: without that. I'm trying to really run the money numb.

1636
01:31:05,920 --> 01:31:08,280
Speaker 1: I might be the last hustler, my family guy for

1637
01:31:08,320 --> 01:31:12,439
Speaker 1: two hundred years. I can't be out here bulls. But

1638
01:31:12,560 --> 01:31:15,400
Speaker 1: the idea that if you move from your town, you

1639
01:31:15,560 --> 01:31:21,639
Speaker 1: put number one come from putting next. Yeah, then saying

1640
01:31:21,680 --> 01:31:27,400
Speaker 1: that them put you can't tell me. I can't elevate.

1641
01:31:27,439 --> 01:31:31,920
Speaker 1: I don't need permission to evolve who we think they're

1642
01:31:31,920 --> 01:31:34,559
Speaker 1: talking to. That why they need me on the big speaker.

1643
01:31:35,160 --> 01:31:37,599
Speaker 1: I got to tell young man, you know what they're

1644
01:31:37,640 --> 01:31:41,120
Speaker 1: telling you. Man. They're telling you you because you don't

1645
01:31:41,120 --> 01:31:43,360
Speaker 1: win and got a football contract and you ain't got

1646
01:31:43,360 --> 01:31:46,479
Speaker 1: time to come back to the projects right now. But

1647
01:31:46,640 --> 01:31:49,479
Speaker 1: you send your blessings, you send your sponsorships, you send

1648
01:31:49,560 --> 01:31:52,120
Speaker 1: your people down there Christmas, you see, but you're not

1649
01:31:52,200 --> 01:31:56,760
Speaker 1: coming to hang and chill and just sit around with yo.

1650
01:31:56,880 --> 01:32:00,600
Speaker 1: I can be training, I don't want to hang with it.

1651
01:32:00,960 --> 01:32:03,960
Speaker 1: I can be training, I can be working, I can

1652
01:32:04,040 --> 01:32:08,120
Speaker 1: be lifting, I can be evolving, reading. I don't want

1653
01:32:08,120 --> 01:32:12,040
Speaker 1: to hang with this. Who tricked us into doing that?

1654
01:32:12,120 --> 01:32:14,640
Speaker 1: In the way? Hanging together all day? Who tricked the

1655
01:32:14,760 --> 01:32:18,960
Speaker 1: motherfucker into that? That's a trick. I believe that's one

1656
01:32:18,960 --> 01:32:21,800
Speaker 1: of the biggest tricks ever ran in the world. A

1657
01:32:21,880 --> 01:32:24,439
Speaker 1: bunch of hanging on the block every day. I think

1658
01:32:24,439 --> 01:32:26,920
Speaker 1: that's a game. Man. Who tricked us into doing that,

1659
01:32:27,080 --> 01:32:30,680
Speaker 1: hanging around talking? And who tricked us into doing that

1660
01:32:30,720 --> 01:32:34,360
Speaker 1: without the work they need to be done. Who told

1661
01:32:34,439 --> 01:32:36,880
Speaker 1: us that that approach was gonna work? Everybody a yo,

1662
01:32:36,920 --> 01:32:39,599
Speaker 1: We're gonna meet right here and just hang got who

1663
01:32:39,680 --> 01:32:42,559
Speaker 1: said that? But I don't even give a who said it,

1664
01:32:42,600 --> 01:32:47,040
Speaker 1: because I know these to say anything. I always tell

1665
01:32:47,080 --> 01:32:49,320
Speaker 1: a mother, you can believe what you heard about me,

1666
01:32:49,439 --> 01:32:52,519
Speaker 1: depending on who said it. You know what I'm saying.

1667
01:32:52,560 --> 01:32:54,280
Speaker 1: If I hate it, tell you something about me, you

1668
01:32:54,360 --> 01:32:57,160
Speaker 1: better man, you better raced it. Out the data files.

1669
01:32:58,479 --> 01:33:01,479
Speaker 1: I hate it till you man listen to folk know

1670
01:33:01,520 --> 01:33:04,360
Speaker 1: how to frame from hating that day. You know what

1671
01:33:04,360 --> 01:33:06,800
Speaker 1: I'm saying. They're seeing walk on water and say it's

1672
01:33:06,800 --> 01:33:11,160
Speaker 1: because he can't swim. Right, Man, you know loon can't swim.

1673
01:33:11,800 --> 01:33:14,639
Speaker 1: They ain't say, Yo, I've seen that walking on water over.

1674
01:33:14,680 --> 01:33:17,320
Speaker 1: I ain't never seen an done that. They'll come back

1675
01:33:17,320 --> 01:33:20,360
Speaker 1: and tell you that story from that perspective. Man, you

1676
01:33:20,360 --> 01:33:23,519
Speaker 1: know that loon can't swim. Let's talk about this. Man,

1677
01:33:23,560 --> 01:33:25,960
Speaker 1: I'm gonna be honest with my audience. I feel bad

1678
01:33:26,040 --> 01:33:28,880
Speaker 1: for Kid Cutting. Man, let me frame it. For those

1679
01:33:28,920 --> 01:33:31,800
Speaker 1: of you underwhere Kanye West poured out of Rolling Loud,

1680
01:33:31,920 --> 01:33:34,280
Speaker 1: Rolling Love Weekend, it's happening right now. I guess I

1681
01:33:34,400 --> 01:33:37,360
Speaker 1: speak about some of the things from happening that's happening

1682
01:33:37,400 --> 01:33:41,000
Speaker 1: from Rolling Loud. Um, for those of you underwhere Kanye

1683
01:33:41,080 --> 01:33:43,479
Speaker 1: West poured out of Rolling Loud and they replaced him

1684
01:33:43,479 --> 01:33:47,479
Speaker 1: with Kid Cutting. When I seen that replacement, I already

1685
01:33:47,520 --> 01:33:50,400
Speaker 1: said that don't seem right. But I know that that

1686
01:33:50,479 --> 01:33:55,880
Speaker 1: ain't really my base. Right. The kid cutted the who

1687
01:33:55,920 --> 01:34:01,320
Speaker 1: else in that little The kid cutted the tie a creator, right.

1688
01:34:01,400 --> 01:34:03,920
Speaker 1: I know that they're powerful in the market because it's

1689
01:34:03,960 --> 01:34:07,080
Speaker 1: my job to understand the market. But that's not my base.

1690
01:34:07,800 --> 01:34:10,639
Speaker 1: So when Roland Live did Kid cut It, I said,

1691
01:34:11,080 --> 01:34:13,679
Speaker 1: maybe the experts got it, maybe they know what they're doing,

1692
01:34:14,000 --> 01:34:16,000
Speaker 1: But boy, when I'm looking at it, them some big

1693
01:34:16,040 --> 01:34:20,080
Speaker 1: shoes to feel. You know, Kanye were big boots. Now

1694
01:34:20,200 --> 01:34:23,320
Speaker 1: you got to feel them big black boots that and

1695
01:34:23,320 --> 01:34:25,320
Speaker 1: then you got Kid cut It trying to do it.

1696
01:34:25,560 --> 01:34:28,560
Speaker 1: I just didn't see that being the case. No disrespect

1697
01:34:28,560 --> 01:34:31,080
Speaker 1: to cut it again. They just ain't my base, and

1698
01:34:31,120 --> 01:34:34,200
Speaker 1: I'm gonna stop saying no disrespect. I got a job

1699
01:34:34,280 --> 01:34:37,080
Speaker 1: to do, and if they take it disrespectful and this

1700
01:34:37,160 --> 01:34:39,040
Speaker 1: ain't the cut, I know he's a good guy. It's

1701
01:34:39,040 --> 01:34:41,800
Speaker 1: more so to the other guys that I speak about

1702
01:34:41,880 --> 01:34:43,800
Speaker 1: or things that I speak about. I got a job

1703
01:34:43,840 --> 01:34:46,200
Speaker 1: to do and I'll get back to cut it. Respect

1704
01:34:46,280 --> 01:34:50,120
Speaker 1: my hustle, Right, I ain't gonna keep framing it that Yoka.

1705
01:34:50,200 --> 01:34:52,719
Speaker 1: I really don't care. I ain't really friends with nobody.

1706
01:34:52,800 --> 01:34:56,599
Speaker 1: Ain't nobody you know. My relationships are all transactional, and

1707
01:34:56,640 --> 01:34:59,040
Speaker 1: I respect that. I come from the street. Ain't nothing

1708
01:34:59,080 --> 01:35:03,400
Speaker 1: like a transaction relationship. I love it, so I view

1709
01:35:03,439 --> 01:35:08,479
Speaker 1: it as that, but Kid Cutting when they made that,

1710
01:35:08,920 --> 01:35:13,920
Speaker 1: you know, my first question to myself was do you

1711
01:35:14,040 --> 01:35:18,519
Speaker 1: believe the Kid Cutting can replace Kanye? And I think

1712
01:35:18,520 --> 01:35:21,439
Speaker 1: the ticket sale spoke to it that not being the case,

1713
01:35:21,479 --> 01:35:24,479
Speaker 1: because the numbers went down. I think the price of

1714
01:35:24,520 --> 01:35:27,080
Speaker 1: a ticket went down. And you'll have to google me

1715
01:35:28,479 --> 01:35:30,599
Speaker 1: or fact check, men, I'm not sure, but I I'm

1716
01:35:30,600 --> 01:35:33,360
Speaker 1: almost certain that the price of tickets went down when

1717
01:35:33,439 --> 01:35:36,760
Speaker 1: Kanye dropped out and they got Kid Cutting. The unfortunate

1718
01:35:36,880 --> 01:35:39,800
Speaker 1: thing for Cutting is that he just trying to get

1719
01:35:39,840 --> 01:35:43,000
Speaker 1: this bad because let's be clear, it's a big bag

1720
01:35:43,360 --> 01:35:45,559
Speaker 1: with rolling Loud, and when you see all them people

1721
01:35:45,600 --> 01:35:48,679
Speaker 1: out there like that, it's a pretty big bag. If

1722
01:35:48,720 --> 01:35:51,400
Speaker 1: you don't consider the ticket sales, if you just do

1723
01:35:51,520 --> 01:35:55,360
Speaker 1: it relative to what rappers usually make the show up

1724
01:35:55,400 --> 01:35:58,800
Speaker 1: at shows, right, that's a pretty big bag. But if

1725
01:35:58,840 --> 01:36:02,080
Speaker 1: you zoom out and say, now, look at all them tickets,

1726
01:36:02,080 --> 01:36:05,519
Speaker 1: so King afford to pay ten times probably what they're paying.

1727
01:36:05,640 --> 01:36:08,840
Speaker 1: But that's a different conversation for a different level of understanding.

1728
01:36:09,920 --> 01:36:14,080
Speaker 1: But it's a pretty big bad relative to the show

1729
01:36:14,160 --> 01:36:16,599
Speaker 1: money that they usually get. Right, there's something to write

1730
01:36:16,600 --> 01:36:20,360
Speaker 1: home about show Cut. It just up there trying to

1731
01:36:20,400 --> 01:36:23,880
Speaker 1: get this bad see the fans. But that's the bad

1732
01:36:23,960 --> 01:36:26,960
Speaker 1: part about these announcements. And I heard somebody say, don't

1733
01:36:27,000 --> 01:36:29,200
Speaker 1: fall in love with the announcement. And I'm glad that

1734
01:36:29,240 --> 01:36:32,479
Speaker 1: I touched base with my business partners and things, and

1735
01:36:32,479 --> 01:36:36,720
Speaker 1: they kind of reset my thinking about announcements. See a

1736
01:36:36,720 --> 01:36:39,639
Speaker 1: lot of y'all do announcements and nothing really changes. It's

1737
01:36:39,680 --> 01:36:42,799
Speaker 1: not really a thing, right. We really want to build

1738
01:36:42,800 --> 01:36:46,000
Speaker 1: the business in a way to be able to capitalize,

1739
01:36:46,800 --> 01:36:51,120
Speaker 1: you know, and make the business lucrative. But let's look

1740
01:36:51,120 --> 01:36:53,519
Speaker 1: at this video. Man cut It came out there doing

1741
01:36:53,560 --> 01:36:56,120
Speaker 1: these little songs and the fans just was not with it.

1742
01:36:56,439 --> 01:36:59,599
Speaker 1: They looking at him like, yo, well yeah, yet let's

1743
01:36:59,600 --> 01:37:28,160
Speaker 1: look at this video. So that, ladies and gentlemen, was

1744
01:37:28,280 --> 01:37:31,120
Speaker 1: Kid Cutty walking down stage and rolling loud in which

1745
01:37:31,120 --> 01:37:36,160
Speaker 1: he was called in to replace Kanye West after dropping out.

1746
01:37:37,160 --> 01:37:41,320
Speaker 1: The thing is with Kanye West, the money means nothing, right.

1747
01:37:41,920 --> 01:37:46,320
Speaker 1: So Kanye West turned down rolling out headlining and showed

1748
01:37:46,400 --> 01:37:48,920
Speaker 1: up with a little dirt right. So because it ain't

1749
01:37:48,960 --> 01:37:51,400
Speaker 1: about the money, and he may didn't want to sit

1750
01:37:51,560 --> 01:37:53,800
Speaker 1: design and all of that to go with it, they

1751
01:37:54,200 --> 01:37:57,960
Speaker 1: they running Kanye out for rap rap is starting to

1752
01:37:58,040 --> 01:38:03,920
Speaker 1: become more hurtful then helpful for people like Yay, So

1753
01:38:03,960 --> 01:38:06,240
Speaker 1: they're trying to run him from it. You know, when

1754
01:38:06,240 --> 01:38:09,479
Speaker 1: he if just notice, if he's not doing rap, they

1755
01:38:09,560 --> 01:38:12,160
Speaker 1: let him be. He can do anything. But when he

1756
01:38:12,280 --> 01:38:15,959
Speaker 1: started picking that peeing up, they start to be critical

1757
01:38:15,960 --> 01:38:18,519
Speaker 1: of him a little more. As you've seen, the people

1758
01:38:18,520 --> 01:38:21,160
Speaker 1: were throwing things. That kid cut him, and that's an

1759
01:38:21,240 --> 01:38:24,840
Speaker 1: unfortunate thing, bro, just being imagine being on stage trying

1760
01:38:24,840 --> 01:38:28,400
Speaker 1: to get your art out. N folk throwing born like

1761
01:38:28,560 --> 01:38:32,200
Speaker 1: rappers ain't like comics. Comments got to fight through that rap.

1762
01:38:32,280 --> 01:38:34,760
Speaker 1: Dudes are dropped the mic. You saw Joe button that

1763
01:38:34,760 --> 01:38:39,559
Speaker 1: that rap battle with the audacity to tell the fans

1764
01:38:39,640 --> 01:38:43,400
Speaker 1: if you boo one more time, I'm leaving, man, What

1765
01:38:43,560 --> 01:38:46,880
Speaker 1: in the hell was that? See at Joe Show? That

1766
01:38:47,040 --> 01:38:50,720
Speaker 1: work at Joe Show? Because you got this massive control

1767
01:38:50,800 --> 01:38:54,400
Speaker 1: over everybody. They come to see you at a festival.

1768
01:38:54,840 --> 01:39:00,240
Speaker 1: They come because the future Healer Baby Hell Dub Baby here,

1769
01:39:00,360 --> 01:39:06,000
Speaker 1: Gates Hill, Little Dirk Kill, you know, Kodak Black Hid

1770
01:39:06,040 --> 01:39:08,720
Speaker 1: like everybody, all these rapping niggas is here. So they

1771
01:39:08,760 --> 01:39:12,240
Speaker 1: may not be necessarily fans of particularly of yours, So

1772
01:39:12,360 --> 01:39:16,040
Speaker 1: you don't got that same power off be quiet, you

1773
01:39:16,120 --> 01:39:18,599
Speaker 1: know or this or that you don't got that same power.

1774
01:39:19,200 --> 01:39:22,120
Speaker 1: Just like we've seen with Joe Button in that rap

1775
01:39:22,200 --> 01:39:24,960
Speaker 1: battle where it's yo bull again, I'm gone. You see

1776
01:39:25,000 --> 01:39:28,080
Speaker 1: the same thing with Tyler, like throw something else at

1777
01:39:28,120 --> 01:39:32,400
Speaker 1: me and it's over with. He posted really told the crowd, hey, yo,

1778
01:39:33,200 --> 01:39:35,759
Speaker 1: this is not my decision. I love ya, like y'all

1779
01:39:35,760 --> 01:39:38,960
Speaker 1: love Yay, but pride won't allow him to give Yay

1780
01:39:39,040 --> 01:39:41,280
Speaker 1: his flywers right. And then you know what I'm saying,

1781
01:39:41,280 --> 01:39:43,639
Speaker 1: because he's great in his own right. I think they

1782
01:39:43,680 --> 01:39:46,920
Speaker 1: may have some rifts back in the day, right, But

1783
01:39:47,520 --> 01:39:49,960
Speaker 1: you gotta address the crowd. That's one thing about a

1784
01:39:50,040 --> 01:39:53,479
Speaker 1: performer and a live performer. You gotta know you cannot

1785
01:39:53,520 --> 01:39:56,719
Speaker 1: ignore the crowd. I don't give You can't egno the crowd.

1786
01:39:56,760 --> 01:39:59,280
Speaker 1: If you're doing a live show, you can't egno the crowd.

1787
01:39:59,439 --> 01:40:02,520
Speaker 1: If he gets tense in there, something needs to be addressed,

1788
01:40:03,040 --> 01:40:05,720
Speaker 1: You're not gonna penetrate the crowd until you address it

1789
01:40:05,840 --> 01:40:09,479
Speaker 1: or whatever the situation is. So he tried to go

1790
01:40:09,640 --> 01:40:12,280
Speaker 1: around it and not say nothing, just come out and

1791
01:40:12,320 --> 01:40:15,160
Speaker 1: perform and get his bad. He gotta address the crowd.

1792
01:40:15,800 --> 01:40:19,400
Speaker 1: He might got to come out and say yo, or

1793
01:40:19,439 --> 01:40:22,160
Speaker 1: play something with him and yay, you know, or or

1794
01:40:22,200 --> 01:40:25,599
Speaker 1: just lean into it. Not because he necessarily think yay,

1795
01:40:25,640 --> 01:40:27,400
Speaker 1: it's better than him, because I'm sure you are about

1796
01:40:27,439 --> 01:40:30,920
Speaker 1: to think they're the best, but because of the atmosphere

1797
01:40:30,920 --> 01:40:36,519
Speaker 1: that you was catapulted into right. Roland Loud says, some

1798
01:40:36,680 --> 01:40:40,080
Speaker 1: expectations that Kanye Whist was gonna be that then inserted you.

1799
01:40:40,439 --> 01:40:42,840
Speaker 1: So you gotta address the crowd. You can't just think

1800
01:40:42,920 --> 01:40:45,599
Speaker 1: like I'm gonna get up here, I ain't gonna say

1801
01:40:45,600 --> 01:40:48,240
Speaker 1: nothing to the crowd and I'm just rock my rock out. Yo.

1802
01:40:48,400 --> 01:40:52,280
Speaker 1: Social media is too loud. Things are too it ain't

1803
01:40:52,320 --> 01:40:56,400
Speaker 1: like it used to be. Bro. You know the people man,

1804
01:40:56,479 --> 01:40:58,960
Speaker 1: You gotta address the people man. The power is in

1805
01:40:59,080 --> 01:41:02,400
Speaker 1: the people. You gotta lean into your rolling line. Did that?

1806
01:41:02,600 --> 01:41:04,920
Speaker 1: I love yay like y'all love. Yeah. I was coming

1807
01:41:04,960 --> 01:41:06,760
Speaker 1: as a fan, but they got me here. We're gonna

1808
01:41:06,800 --> 01:41:09,280
Speaker 1: rock out, like you gotta say something. I don't know

1809
01:41:09,320 --> 01:41:11,639
Speaker 1: if that's what we say. We're going to think taking

1810
01:41:12,280 --> 01:41:14,800
Speaker 1: figure out. But you can't just come out and just

1811
01:41:14,880 --> 01:41:18,519
Speaker 1: say and don't don't address it and go around it

1812
01:41:18,600 --> 01:41:21,360
Speaker 1: and then they throw and throw something else. I'm gone, Man,

1813
01:41:21,400 --> 01:41:25,880
Speaker 1: they definitely throwing something a crowd dead big. You can't

1814
01:41:25,880 --> 01:41:28,479
Speaker 1: even handle a crowd dead big like that. Throw something

1815
01:41:28,479 --> 01:41:33,200
Speaker 1: else and I'm gone. Unless it's your fans, and at festivals,

1816
01:41:33,400 --> 01:41:36,280
Speaker 1: it's not just your fans. Hey, Let's look at this

1817
01:41:36,360 --> 01:41:39,240
Speaker 1: little video I found. Man, I only seen the first

1818
01:41:39,280 --> 01:41:42,759
Speaker 1: like three seconds because if some get me in three seconds,

1819
01:41:42,760 --> 01:41:44,800
Speaker 1: I'm like, y'all gotta take that to the part and

1820
01:41:44,920 --> 01:41:48,400
Speaker 1: show every boy at the same time, you know, and

1821
01:41:48,479 --> 01:41:52,479
Speaker 1: not take that surprise in factor the element of surprise

1822
01:41:52,560 --> 01:41:55,160
Speaker 1: out of it. It's a short clip, but we're gonna

1823
01:41:55,160 --> 01:41:58,200
Speaker 1: take a look at it. I think it's hilarious. So

1824
01:41:58,320 --> 01:42:00,439
Speaker 1: for those of you that are listening right now, we

1825
01:42:00,520 --> 01:42:04,080
Speaker 1: are at a what seems to be the video we're

1826
01:42:04,120 --> 01:42:06,559
Speaker 1: looking at. I'm speaking now, not us. I don't ever

1827
01:42:06,640 --> 01:42:10,840
Speaker 1: think we're there. But the video we're looking at is

1828
01:42:11,080 --> 01:42:14,599
Speaker 1: at a what would be, in my opinion, a twenty

1829
01:42:14,600 --> 01:42:20,519
Speaker 1: dollars for three hours hotel. Seems to be some sort

1830
01:42:20,560 --> 01:42:27,439
Speaker 1: of operation, some sort of date night, or something happening

1831
01:42:27,520 --> 01:42:37,160
Speaker 1: here between these two individuals. Let's let's look at what happened. Yeah,

1832
01:42:37,320 --> 01:42:39,840
Speaker 1: so we're looking at a young lady right at this truck,

1833
01:42:39,880 --> 01:42:44,680
Speaker 1: and she's naked. She has a blanket over her, but

1834
01:42:44,800 --> 01:42:49,040
Speaker 1: she's trying to get into the truck naked. I think

1835
01:42:49,120 --> 01:42:53,679
Speaker 1: she's in a rush. She's still in his she's still

1836
01:42:53,720 --> 01:43:03,080
Speaker 1: in his she's still in his school. Now he ain't

1837
01:43:03,080 --> 01:43:06,320
Speaker 1: got no clothes on either. So I want you to

1838
01:43:06,360 --> 01:43:09,200
Speaker 1: pick peep out a couple of different things. Number one,

1839
01:43:09,640 --> 01:43:12,760
Speaker 1: old school out of his mind. Old School went to

1840
01:43:12,800 --> 01:43:15,040
Speaker 1: the passenger side of the door, like we're going for

1841
01:43:15,160 --> 01:43:18,479
Speaker 1: a ride here here she is naked getting in the car.

1842
01:43:18,760 --> 01:43:21,120
Speaker 1: He went to the passenger side and try to open it.

1843
01:43:21,280 --> 01:43:24,080
Speaker 1: What you're gonna do on the padder side? That's number one.

1844
01:43:24,120 --> 01:43:27,080
Speaker 1: Then number two we run on over heat and he

1845
01:43:27,080 --> 01:43:29,920
Speaker 1: he free balled Old school lot. I think, what doesn't

1846
01:43:29,920 --> 01:43:33,160
Speaker 1: happen to him? He don't win in the bathroom after

1847
01:43:33,320 --> 01:43:35,840
Speaker 1: some six or something, and she run out with the

1848
01:43:35,920 --> 01:43:38,519
Speaker 1: key for the dip in the car. I'm out of here,

1849
01:43:38,800 --> 01:43:41,840
Speaker 1: you understand. So now he is at the carge. Something

1850
01:43:41,840 --> 01:43:45,640
Speaker 1: else to take note of. It ain't nothing like in

1851
01:43:45,760 --> 01:43:49,439
Speaker 1: the South. Boy, you hear the Holland school seeing the South,

1852
01:43:49,479 --> 01:43:52,320
Speaker 1: data took the old law for used to be old school,

1853
01:43:52,720 --> 01:43:55,960
Speaker 1: but now just Holland School when you're old, they just

1854
01:43:56,040 --> 01:44:15,240
Speaker 1: Holland School. He got his door over, Oh oh, get

1855
01:44:15,240 --> 01:44:29,320
Speaker 1: out of the way. School old, you got my past.

1856
01:44:30,000 --> 01:44:37,080
Speaker 1: You got bill holding on with school and none. It's

1857
01:44:37,160 --> 01:44:41,040
Speaker 1: weird speaking old, rolling loud. There's a lot going on

1858
01:44:41,240 --> 01:44:45,200
Speaker 1: down there. All of my partners called me. They dining there.

1859
01:44:45,360 --> 01:44:51,400
Speaker 1: Everybody die there. Um, Charleston White and Soldier Boy, let's

1860
01:44:51,400 --> 01:44:54,639
Speaker 1: talk about this. I'm concerned, though, with with with what

1861
01:44:54,800 --> 01:44:57,960
Speaker 1: Charleston White is allowing the Internet the morphing into, but

1862
01:44:58,040 --> 01:45:00,719
Speaker 1: I'll get to that a little later. Char Auston White

1863
01:45:00,960 --> 01:45:03,960
Speaker 1: and Soldier Boy. I keep telling y'all, Charleston don't play.

1864
01:45:04,160 --> 01:45:08,559
Speaker 1: Don't run up on Charleston White playing because he ain't

1865
01:45:08,560 --> 01:45:11,479
Speaker 1: playing by the rules y'all playing by he ain't it

1866
01:45:11,600 --> 01:45:15,120
Speaker 1: just he ain't playing by the same rules. So let

1867
01:45:15,160 --> 01:45:18,280
Speaker 1: me frame it for you guys, while letting Miami on

1868
01:45:18,400 --> 01:45:22,479
Speaker 1: Rolling loud. Charleston White is dying there on Colin's you know,

1869
01:45:22,600 --> 01:45:25,720
Speaker 1: mixing in England. You understand me what the people and

1870
01:45:26,080 --> 01:45:29,599
Speaker 1: Soldier Boy his people see him. And Charleston White has

1871
01:45:29,640 --> 01:45:32,360
Speaker 1: said some things about Soldier Boy on say cheese. I

1872
01:45:32,400 --> 01:45:34,320
Speaker 1: think he had just said, like yo, he ain't a

1873
01:45:34,320 --> 01:45:38,120
Speaker 1: street dude, and he ain't that. He ain't got no opts,

1874
01:45:38,120 --> 01:45:40,920
Speaker 1: solid op talk. B don't really know what that's about.

1875
01:45:41,280 --> 01:45:45,439
Speaker 1: So that's what Charleston White said. And soldier boy end up,

1876
01:45:46,000 --> 01:45:48,240
Speaker 1: I guess, coming to talk to him. So they push

1877
01:45:48,320 --> 01:45:51,559
Speaker 1: up on Charleston White like they want to talk, and

1878
01:45:51,720 --> 01:45:56,800
Speaker 1: Charleston White go to Mason. See, y'all, I always want

1879
01:45:56,800 --> 01:46:00,280
Speaker 1: to talk, you know what I'm saying, And God for

1880
01:46:00,360 --> 01:46:02,840
Speaker 1: being y'all didn't want to talk, and y'all did something

1881
01:46:02,840 --> 01:46:06,200
Speaker 1: else to the little knick. Charleston is a little good man,

1882
01:46:06,320 --> 01:46:08,400
Speaker 1: you know, but he gonna stand on it. He gonna

1883
01:46:08,439 --> 01:46:11,080
Speaker 1: have some with him to even the odds at all time.

1884
01:46:11,920 --> 01:46:14,599
Speaker 1: And we want to look at what both of these

1885
01:46:14,640 --> 01:46:17,360
Speaker 1: guys are saying about what happened, and then will come

1886
01:46:17,400 --> 01:46:21,120
Speaker 1: back confused. But too many. It was one that one

1887
01:46:21,320 --> 01:46:23,559
Speaker 1: had it gone. It was a big saying that big

1888
01:46:23,720 --> 01:46:26,080
Speaker 1: with that man. My partner said, he was waiting for

1889
01:46:26,080 --> 01:46:30,240
Speaker 1: you to pull that gun. Y'all. Y'all, y'all will go, y'all, No, now, y'all,

1890
01:46:30,439 --> 01:46:33,680
Speaker 1: we would go. George Himmerman wanting, yeah, yeah, no, you

1891
01:46:33,720 --> 01:46:35,719
Speaker 1: wouldn't go, y'all with y'all. No, no no, I will stand

1892
01:46:35,760 --> 01:46:40,479
Speaker 1: your ground. I hear the mother one more time. Can't

1893
01:46:40,479 --> 01:46:51,280
Speaker 1: for goodness say that way? Man? Man, you bro, you

1894
01:46:51,479 --> 01:47:04,000
Speaker 1: maze me? Yail nick Hey, I say, yeah, I get.

1895
01:47:04,280 --> 01:47:06,880
Speaker 1: I don't know what toilet to talk. I don't wanna know.

1896
01:47:06,920 --> 01:47:10,320
Speaker 1: You don't talk, ain't know. Next time you better hollow

1897
01:47:10,320 --> 01:47:13,679
Speaker 1: with a bullhorn. You better use the pody fullhorn and say, hey,

1898
01:47:13,960 --> 01:47:17,679
Speaker 1: we want to talk. N't that sh You can't get

1899
01:47:17,800 --> 01:47:19,880
Speaker 1: walk up and on the like me, how the body?

1900
01:47:19,880 --> 01:47:21,560
Speaker 1: I want to talk? I don't want to talk to

1901
01:47:21,640 --> 01:47:25,759
Speaker 1: nown something. Hell no, man, I don't wan't know smoke

1902
01:47:25,920 --> 01:47:28,280
Speaker 1: none of you. If I knew that, you don't get

1903
01:47:28,320 --> 01:47:32,519
Speaker 1: on the internet. So all the gangsters, all this crazy

1904
01:47:33,560 --> 01:47:37,639
Speaker 1: and reaching your girl purse and starts friends peppers praying

1905
01:47:37,680 --> 01:47:40,519
Speaker 1: in the air and running you like it's like it's

1906
01:47:40,560 --> 01:47:49,200
Speaker 1: a trail printing was peppers? What the you that's so

1907
01:47:49,360 --> 01:47:53,960
Speaker 1: scared of me? Yah, gotta put out pepper, spray out

1908
01:47:54,000 --> 01:48:02,880
Speaker 1: your purse, running with peppers? What the fuck? I thought you?

1909
01:48:03,120 --> 01:48:09,080
Speaker 1: This was gainst this pulling out pepper's bread and doing

1910
01:48:09,080 --> 01:48:13,360
Speaker 1: the dashboard. Stop talking about Big Drake saying my name

1911
01:48:14,960 --> 01:48:18,679
Speaker 1: got you pulling out purpers break during the dash, caught

1912
01:48:18,680 --> 01:48:25,160
Speaker 1: you with you, caught you with you lack and pull

1913
01:48:25,240 --> 01:48:29,519
Speaker 1: out some pepper's bread sprighting in the air. Put the

1914
01:48:29,600 --> 01:48:39,720
Speaker 1: spreading in a circle. Scary, I see now you young

1915
01:48:40,080 --> 01:48:45,400
Speaker 1: to misidentify the rules engagement. Yeah, I think it's rude.

1916
01:48:45,680 --> 01:48:51,439
Speaker 1: I know the bite, scratch, trip you, the knee you

1917
01:48:51,479 --> 01:48:56,320
Speaker 1: in the stomach, Uh, get you from behind, scoop you

1918
01:48:57,400 --> 01:49:00,200
Speaker 1: put the weight on you. That's why I be hen

1919
01:49:00,479 --> 01:49:06,559
Speaker 1: I was telling the other day, because if you don't know,

1920
01:49:06,680 --> 01:49:09,000
Speaker 1: you don't know, right, and so you'll get the fighting

1921
01:49:09,040 --> 01:49:12,320
Speaker 1: with somebody and they'll try to take away your strength.

1922
01:49:13,240 --> 01:49:15,800
Speaker 1: Now now I don't want to wrestle. Now we're wrestling.

1923
01:49:16,280 --> 01:49:19,280
Speaker 1: Now that's how I get you. Yeah, yeah, now we're wrestling.

1924
01:49:19,280 --> 01:49:22,200
Speaker 1: I'm dump you on your ship and then beat you up.

1925
01:49:22,920 --> 01:49:25,479
Speaker 1: Now I want to fight now, that's fighting, ain't no

1926
01:49:25,600 --> 01:49:31,960
Speaker 1: motherfucking yeah. Now, So they'll trick you, you understand, And

1927
01:49:32,080 --> 01:49:35,400
Speaker 1: so for to think that or even how the things

1928
01:49:35,439 --> 01:49:38,400
Speaker 1: to say that, Yo, I thought you was gangster boy.

1929
01:49:38,600 --> 01:49:42,280
Speaker 1: Survival is what's important, not how I look to you. Now.

1930
01:49:42,360 --> 01:49:44,559
Speaker 1: So if I got the mas a couple of you

1931
01:49:45,080 --> 01:49:50,439
Speaker 1: hit you with brass knuckles, ill boy, didn't cutter. Whatever

1932
01:49:50,479 --> 01:49:55,240
Speaker 1: I got to do. I'm a due soldier boy. After

1933
01:49:55,360 --> 01:49:57,400
Speaker 1: that came out, of course, y'all heard him. The city

1934
01:49:57,520 --> 01:50:00,719
Speaker 1: was scared, did to day Charleston? Then show there ain't

1935
01:50:00,760 --> 01:50:04,280
Speaker 1: nobody run. He ain't look scared to me. Then somebody

1936
01:50:04,360 --> 01:50:08,080
Speaker 1: else ran into him. I'll get to that. But in

1937
01:50:08,160 --> 01:50:10,920
Speaker 1: this soldier boys situation, he ain't looks scared. The video

1938
01:50:11,040 --> 01:50:13,479
Speaker 1: after that, he was sitting out there chilling. See, I

1939
01:50:13,640 --> 01:50:16,600
Speaker 1: know what that looks scared look like. I know what

1940
01:50:16,720 --> 01:50:20,479
Speaker 1: a cow would look like. You understand. I know what

1941
01:50:21,160 --> 01:50:23,200
Speaker 1: a cow would look like. And you can smell the

1942
01:50:23,360 --> 01:50:27,639
Speaker 1: feel you understand. Some of these so scary. They get

1943
01:50:27,720 --> 01:50:31,200
Speaker 1: into a situation like that and they'll be sweating, even

1944
01:50:31,240 --> 01:50:36,040
Speaker 1: if they're sitting in water. Them starts sweating sitting in water.

1945
01:50:36,160 --> 01:50:39,160
Speaker 1: They'll be so scared. So you gotta understand when you

1946
01:50:39,280 --> 01:50:41,439
Speaker 1: look at him, he looked like he was just spooked

1947
01:50:41,479 --> 01:50:43,720
Speaker 1: out of nothing. He looked like you were chilling. So

1948
01:50:44,920 --> 01:50:48,080
Speaker 1: that's a good thing. But then what I'm saying is

1949
01:50:48,960 --> 01:50:51,120
Speaker 1: is that I think Charleston gotta be careful with what

1950
01:50:51,240 --> 01:50:54,559
Speaker 1: he's letting the Internet turn him into. Right, the message

1951
01:50:54,680 --> 01:50:58,080
Speaker 1: is good, everything is clear, but it's starting to seep.

1952
01:51:00,200 --> 01:51:03,679
Speaker 1: It's starting to seep out, you know, and it's starting

1953
01:51:03,720 --> 01:51:06,200
Speaker 1: And when when you when you approached that much, because

1954
01:51:06,240 --> 01:51:08,080
Speaker 1: then he had another dude to prod them talking about

1955
01:51:08,120 --> 01:51:10,960
Speaker 1: pyrou this, that and the third. And it's just like,

1956
01:51:11,840 --> 01:51:16,000
Speaker 1: when no circumstances are happening, you gotta wonder, you gotta

1957
01:51:16,080 --> 01:51:20,240
Speaker 1: wonder what vehicle is getting you there? Because I think

1958
01:51:20,360 --> 01:51:23,000
Speaker 1: when I look at the say Cheese interviews and the

1959
01:51:23,120 --> 01:51:27,759
Speaker 1: Vlad interviews and some of these interviews in which they

1960
01:51:27,840 --> 01:51:30,720
Speaker 1: bring him on to say certain things, right, to get

1961
01:51:30,800 --> 01:51:34,920
Speaker 1: them to talk in certain ways, and for me, they pimping.

1962
01:51:36,439 --> 01:51:38,960
Speaker 1: You know what I'm saying, They're pimping right. I go

1963
01:51:39,080 --> 01:51:41,240
Speaker 1: on these platforms. I want to be clear, but I

1964
01:51:41,320 --> 01:51:44,640
Speaker 1: want to be clear that I understand the engagement. But

1965
01:51:44,800 --> 01:51:47,200
Speaker 1: what's happening with a lot of these platforms like your

1966
01:51:47,280 --> 01:51:52,599
Speaker 1: Say Cheese or your Vlad TVs. Not necessarily you're no jumpers,

1967
01:51:53,080 --> 01:51:56,400
Speaker 1: but those two in particular, and I like both those platforms,

1968
01:51:56,520 --> 01:51:59,880
Speaker 1: but identifying the business structure is important. What's happening there

1969
01:52:00,120 --> 01:52:03,360
Speaker 1: is is that they're basically paying some of the top

1970
01:52:03,520 --> 01:52:07,240
Speaker 1: names in the culture. What say you're going there? What

1971
01:52:07,880 --> 01:52:10,840
Speaker 1: six seven times sixty to seventy K a year to

1972
01:52:10,960 --> 01:52:16,040
Speaker 1: do a podcast on their network. And I know when

1973
01:52:16,080 --> 01:52:18,479
Speaker 1: I say that, you don't understand what that means because

1974
01:52:18,520 --> 01:52:21,280
Speaker 1: you don't understand content and you don't understand the world

1975
01:52:21,360 --> 01:52:25,320
Speaker 1: that we're in. But I can match whatever number that

1976
01:52:25,439 --> 01:52:27,200
Speaker 1: they're paying and get you and get you in a

1977
01:52:27,360 --> 01:52:31,000
Speaker 1: situation and where you know you have some IP and

1978
01:52:31,080 --> 01:52:33,400
Speaker 1: things like that, because for me, when I see these

1979
01:52:33,479 --> 01:52:36,280
Speaker 1: things happening, and these are the vehicles that's driving some

1980
01:52:36,400 --> 01:52:40,800
Speaker 1: of these altercations, and you see the game ain't gonna

1981
01:52:40,840 --> 01:52:43,320
Speaker 1: pimp me. I ain't gonna let the game get ahead

1982
01:52:43,360 --> 01:52:46,360
Speaker 1: of me. It's just unfortunate when you see, all right,

1983
01:52:46,439 --> 01:52:50,280
Speaker 1: this is spending out of control. Right. Every time they

1984
01:52:50,360 --> 01:52:51,960
Speaker 1: get you in front of camera, they hit you with

1985
01:52:52,040 --> 01:52:54,639
Speaker 1: these bulls topics, right, And there's a way to speak

1986
01:52:54,680 --> 01:52:57,360
Speaker 1: about these topics. That's why I try to be so

1987
01:52:58,760 --> 01:53:01,600
Speaker 1: fluid with my commune munication, because there's a way to

1988
01:53:01,680 --> 01:53:05,720
Speaker 1: speak about these things without it being a certain kind

1989
01:53:05,760 --> 01:53:07,800
Speaker 1: of way, right, And if you're gonna even have it

1990
01:53:07,840 --> 01:53:09,960
Speaker 1: a certain kind of way, let them be your clips,

1991
01:53:10,479 --> 01:53:13,080
Speaker 1: Let that be your IP you own that's doing all

1992
01:53:13,120 --> 01:53:17,920
Speaker 1: of that. You understand, Um, but again that's that's me

1993
01:53:18,280 --> 01:53:22,160
Speaker 1: outside looking in. But it seems like the internet or

1994
01:53:23,160 --> 01:53:28,400
Speaker 1: the message that he's because the message is strong. People

1995
01:53:28,439 --> 01:53:31,680
Speaker 1: are understanding that. Yo. Bro, he's he's He's laid it

1996
01:53:31,720 --> 01:53:33,600
Speaker 1: out to them. Yo. It's a character, bro. You know,

1997
01:53:33,680 --> 01:53:36,000
Speaker 1: I really do this in the real And so people

1998
01:53:36,120 --> 01:53:39,280
Speaker 1: have digested that and they understand that, but there's a

1999
01:53:39,400 --> 01:53:44,479
Speaker 1: large majority of people that don't. And it's starting to

2000
01:53:44,560 --> 01:53:48,960
Speaker 1: get lost a little bit where it's like, oh, they

2001
01:53:48,960 --> 01:53:52,080
Speaker 1: ain't really trying to hip him up. They just using them.

2002
01:53:52,320 --> 01:53:55,800
Speaker 1: They just using this little audience tactics. They just everybody,

2003
01:53:55,880 --> 01:53:57,400
Speaker 1: come over here, bro, come over here, Let's do a part.

2004
01:53:57,479 --> 01:53:59,760
Speaker 1: Let's do this, let's do this, let's do let's do this,

2005
01:54:00,040 --> 01:54:02,000
Speaker 1: let's do let's do let's do let's do And that's

2006
01:54:02,040 --> 01:54:07,080
Speaker 1: how they work right now. The problem is, and Charlemagne

2007
01:54:07,160 --> 01:54:09,280
Speaker 1: had to go through this where you keep reaching for

2008
01:54:10,000 --> 01:54:12,120
Speaker 1: more and more things to say, like they got you

2009
01:54:12,280 --> 01:54:15,559
Speaker 1: trying to find something else to say, something else, to say,

2010
01:54:15,680 --> 01:54:20,320
Speaker 1: something else, to say, something more more egregious, more more

2011
01:54:21,400 --> 01:54:24,160
Speaker 1: left field, more, you know, and they have you chasing

2012
01:54:24,240 --> 01:54:27,680
Speaker 1: that violence him out. I'd probably be done there, like

2013
01:54:27,800 --> 01:54:30,200
Speaker 1: man I Ranning and the three four people that quick.

2014
01:54:30,920 --> 01:54:33,920
Speaker 1: I can't be doing that. Man, they trimming you know

2015
01:54:33,960 --> 01:54:35,800
Speaker 1: what I'm saying. I need some fold with me. They're

2016
01:54:35,800 --> 01:54:39,240
Speaker 1: gonna knock something out at least and you Dyna in Florida.

2017
01:54:39,400 --> 01:54:43,040
Speaker 1: They play different dynam in Florida, so you know, I

2018
01:54:43,080 --> 01:54:46,840
Speaker 1: don't know. But he hit them mace and got about

2019
01:54:46,880 --> 01:54:50,800
Speaker 1: it there and went viral. Again. That's one thing about him.

2020
01:54:50,840 --> 01:54:53,280
Speaker 1: He knows how to go viral. So I want to

2021
01:54:53,360 --> 01:54:56,560
Speaker 1: talk about Andrew Shots. For those of you underwear, Andrew

2022
01:54:56,600 --> 01:55:00,280
Speaker 1: Shots Special just came out. Andrew Shots has e solved

2023
01:55:00,400 --> 01:55:06,240
Speaker 1: into a personality comic content creator in this space that

2024
01:55:06,760 --> 01:55:09,560
Speaker 1: has grown to be something that you know, a lot

2025
01:55:09,640 --> 01:55:13,240
Speaker 1: of people like me and other people that saw him

2026
01:55:13,360 --> 01:55:16,200
Speaker 1: on his entrance wouldn't have thought he would have been

2027
01:55:16,240 --> 01:55:18,240
Speaker 1: able to morph to what it speaks to as him

2028
01:55:18,280 --> 01:55:21,040
Speaker 1: being prepared for the journey. So I don't want to

2029
01:55:21,440 --> 01:55:25,360
Speaker 1: negate that. And also sometimes when I speak about Sholtz, right,

2030
01:55:26,120 --> 01:55:30,520
Speaker 1: I have such a high level respect for Chris and Charlemagne,

2031
01:55:31,440 --> 01:55:35,520
Speaker 1: you know. And also I've watched Shots from the very beginning, right,

2032
01:55:35,640 --> 01:55:38,280
Speaker 1: so there's a lot of information. I got a lot

2033
01:55:38,320 --> 01:55:41,520
Speaker 1: of perspective. I got that I have to make sure

2034
01:55:41,600 --> 01:55:45,040
Speaker 1: when I communicated that I don't that I don't interfere

2035
01:55:45,120 --> 01:55:47,240
Speaker 1: with the understanding that I have with two of the

2036
01:55:47,360 --> 01:55:50,800
Speaker 1: best minds in the business that I respect, right, but

2037
01:55:51,080 --> 01:55:55,480
Speaker 1: the truth can't be disrespect So I think it's very

2038
01:55:55,600 --> 01:55:59,320
Speaker 1: important that we speak about things from a holistic standpoint,

2039
01:55:59,400 --> 01:56:02,440
Speaker 1: don't hold back, and that's what my audience hits me

2040
01:56:02,560 --> 01:56:04,720
Speaker 1: for and so I have to do that. With that

2041
01:56:04,880 --> 01:56:07,880
Speaker 1: being said, I have a doctor Umar Johnson interview coming

2042
01:56:08,360 --> 01:56:11,760
Speaker 1: in which he said some very interesting things about Shots

2043
01:56:11,800 --> 01:56:15,480
Speaker 1: and will drop that And for those of you know,

2044
01:56:15,600 --> 01:56:17,560
Speaker 1: I've been trying to put something behind the scenes with

2045
01:56:17,640 --> 01:56:21,640
Speaker 1: Shots and Umar at a live podcast event hosted by

2046
01:56:21,720 --> 01:56:24,560
Speaker 1: me and not none of that play place. I want

2047
01:56:24,600 --> 01:56:27,080
Speaker 1: to really have a conversation and not shows can't be

2048
01:56:27,160 --> 01:56:29,960
Speaker 1: shows because Shots and shows right, you let shows be him,

2049
01:56:31,240 --> 01:56:34,280
Speaker 1: but with me moderating it without any skin in the game,

2050
01:56:34,440 --> 01:56:37,120
Speaker 1: just making sure that we stay on point. And I

2051
01:56:37,240 --> 01:56:41,720
Speaker 1: have a very specific set of questions that can either

2052
01:56:41,840 --> 01:56:49,360
Speaker 1: expose both sides or clarify who arguments have mirrit or not.

2053
01:56:49,560 --> 01:56:52,000
Speaker 1: So I just think it'll be interesting. I'm actually putting

2054
01:56:52,040 --> 01:56:56,400
Speaker 1: that on behind the scenes, but dealing with Shots, right,

2055
01:56:56,480 --> 01:57:02,240
Speaker 1: you hit the narrative. You've heard people speak about him

2056
01:57:02,360 --> 01:57:06,640
Speaker 1: being somewhat of a culture vulture and how he entered

2057
01:57:06,800 --> 01:57:10,680
Speaker 1: into the hip hop and bro he was He's a

2058
01:57:10,720 --> 01:57:13,400
Speaker 1: slick dude, like he's one of the best minds are

2059
01:57:13,440 --> 01:57:17,120
Speaker 1: doing this. He was prepared. If I can say anything,

2060
01:57:17,840 --> 01:57:20,640
Speaker 1: I'm gonna say that dude came into the game prepared,

2061
01:57:20,880 --> 01:57:23,320
Speaker 1: knowing when to pivot, what to do, how to do

2062
01:57:23,560 --> 01:57:26,360
Speaker 1: when the dude go. Get the ad company right, because

2063
01:57:26,400 --> 01:57:31,520
Speaker 1: I've watched these moves behind the cameras. Everybody probably is

2064
01:57:31,680 --> 01:57:34,760
Speaker 1: viewing this, and I'm sure Joe Budden probably know a

2065
01:57:34,840 --> 01:57:36,680
Speaker 1: few of the things behind the camera as well. But

2066
01:57:37,240 --> 01:57:40,960
Speaker 1: Joe sends tends to send Shots said him, and I

2067
01:57:41,080 --> 01:57:44,320
Speaker 1: think it's because Shots has took in some of Joe

2068
01:57:44,400 --> 01:57:47,880
Speaker 1: Budden's style. And I'll get to that later, but let's

2069
01:57:47,920 --> 01:57:51,720
Speaker 1: deal with the special. I think Schotz has evolved into

2070
01:57:51,800 --> 01:57:54,440
Speaker 1: a pretty good coming, you know, one of the best

2071
01:57:54,520 --> 01:57:59,240
Speaker 1: in the business. I don't think Joe should be censored, right,

2072
01:58:00,720 --> 01:58:03,280
Speaker 1: But I think the reason why jokes shouldn't be censored

2073
01:58:03,480 --> 01:58:07,280
Speaker 1: is because, in a weird way, it allows you into

2074
01:58:07,360 --> 01:58:09,400
Speaker 1: the mind frame of some of the people that's telling

2075
01:58:09,480 --> 01:58:11,200
Speaker 1: the jokes, so you can kind of see what they're

2076
01:58:11,200 --> 01:58:13,720
Speaker 1: at with it. They can if you allow them to

2077
01:58:13,800 --> 01:58:16,040
Speaker 1: tell you, you know, it's all jokes. It's absolutely no

2078
01:58:16,200 --> 01:58:19,480
Speaker 1: truth to it. If you know enough about them to

2079
01:58:20,520 --> 01:58:22,840
Speaker 1: grab that idea and hold on to it, then I

2080
01:58:22,920 --> 01:58:26,000
Speaker 1: can appreciate that. If you don't, then understand what you're

2081
01:58:26,040 --> 01:58:29,240
Speaker 1: dealing with. I almost think it's better to have things

2082
01:58:29,400 --> 01:58:32,240
Speaker 1: overt But when you deal with jokes and you deal

2083
01:58:32,320 --> 01:58:34,160
Speaker 1: with what some of the things that some of the

2084
01:58:34,240 --> 01:58:37,720
Speaker 1: community has community has said that Shows has said right

2085
01:58:37,760 --> 01:58:41,160
Speaker 1: in regards to black people and things like that. I've

2086
01:58:41,200 --> 01:58:43,680
Speaker 1: been a fan of them, so I know everybody gets

2087
01:58:43,720 --> 01:58:47,160
Speaker 1: the jokes with Shows, right. A lot of people see

2088
01:58:47,200 --> 01:58:50,240
Speaker 1: the clips, right, everybody gets the jokes. I can't say that.

2089
01:58:50,840 --> 01:58:54,120
Speaker 1: So I bought it special, really good special. Had some

2090
01:58:54,280 --> 01:58:56,320
Speaker 1: jokes in there that he said, wanted to be poor.

2091
01:58:56,760 --> 01:59:00,520
Speaker 1: I'm gonna be completely honest, right. I think Shows one

2092
01:59:00,560 --> 01:59:03,480
Speaker 1: of the best marketers that comment comedy has. I think

2093
01:59:03,560 --> 01:59:06,200
Speaker 1: this is a marketing thing. This is what I mean

2094
01:59:06,280 --> 01:59:09,240
Speaker 1: when I say what he got from our culture. The

2095
01:59:09,400 --> 01:59:13,080
Speaker 1: comics wonder why Andrew Shots is moving around not like

2096
01:59:13,240 --> 01:59:16,880
Speaker 1: a comic is because he's poured his business acumen from us,

2097
01:59:17,400 --> 01:59:21,440
Speaker 1: from rap, from hip hop, from music, especially from Charlemagne.

2098
01:59:21,480 --> 01:59:24,680
Speaker 1: He's been sitting next to a dude doing high level business.

2099
01:59:25,040 --> 01:59:27,280
Speaker 1: And I tell you something, it's different when you have

2100
01:59:27,440 --> 01:59:30,760
Speaker 1: to develop in a dog and Shots didn't never have

2101
01:59:30,920 --> 01:59:35,480
Speaker 1: to develop in a dog, developing private without the crowd,

2102
01:59:36,000 --> 01:59:38,280
Speaker 1: where the roars is few and far in between. What

2103
01:59:38,480 --> 01:59:41,400
Speaker 1: sometimes you don't never hit, nobody clap for you, but

2104
01:59:41,560 --> 01:59:44,200
Speaker 1: you still got to work on this. He was able

2105
01:59:44,240 --> 01:59:47,760
Speaker 1: to get on the stage from his inception, and I

2106
01:59:47,880 --> 01:59:51,960
Speaker 1: think from that privileged position, I think it's it's now

2107
01:59:52,320 --> 01:59:55,920
Speaker 1: he's got so lost in building this audience and being

2108
01:59:56,000 --> 01:59:58,280
Speaker 1: able to, you know, grab from here, grab from that,

2109
01:59:58,400 --> 02:00:00,840
Speaker 1: that he's forgotten that he he came in in the

2110
02:00:00,920 --> 02:00:05,240
Speaker 1: privileged position content creation. For most of us that don't

2111
02:00:05,280 --> 02:00:07,600
Speaker 1: come in with an audience like a Shots, that has

2112
02:00:07,640 --> 02:00:09,800
Speaker 1: to build it from a ground up. You got to

2113
02:00:09,880 --> 02:00:14,640
Speaker 1: develop in a dog, and man, when you and the dog,

2114
02:00:14,760 --> 02:00:19,160
Speaker 1: all you got to deal with is your imagination. That

2115
02:00:19,360 --> 02:00:22,040
Speaker 1: same room you've been sitting in. When the lights go out, man,

2116
02:00:22,160 --> 02:00:25,600
Speaker 1: everything feels different. It feels like some coming at you

2117
02:00:25,680 --> 02:00:28,720
Speaker 1: because you're dealing with your imagination. And it's different when

2118
02:00:29,120 --> 02:00:30,760
Speaker 1: you know, you ain't sitting next to one of the

2119
02:00:30,840 --> 02:00:33,840
Speaker 1: best communicators that we have, especially at that time, at

2120
02:00:33,880 --> 02:00:37,720
Speaker 1: a high level. Right. So I've always noticed how he

2121
02:00:37,960 --> 02:00:40,040
Speaker 1: was able to get on a big stage, right, And

2122
02:00:40,160 --> 02:00:43,800
Speaker 1: I think from that privileged position allowed him to put

2123
02:00:43,880 --> 02:00:46,640
Speaker 1: together an audience and he's been able to This is

2124
02:00:46,720 --> 02:00:49,840
Speaker 1: what I also believe is that you probably could have

2125
02:00:49,920 --> 02:00:52,800
Speaker 1: called him a culture vulture if he didn't spawn into

2126
02:00:52,840 --> 02:00:55,600
Speaker 1: what he spawned into, Like the conversation with me and

2127
02:00:55,760 --> 02:00:59,720
Speaker 1: Uma had it was one of them kind of conversations, right.

2128
02:01:00,240 --> 02:01:03,120
Speaker 1: But the thing is is this was prior to him

2129
02:01:03,160 --> 02:01:06,440
Speaker 1: spawning into the comic because if you had foresight and

2130
02:01:06,600 --> 02:01:09,800
Speaker 1: you see Andrew shows next to Charlemagne doing brilliant idiots

2131
02:01:09,880 --> 02:01:12,720
Speaker 1: at that time when the combat jack thing just had

2132
02:01:12,760 --> 02:01:16,280
Speaker 1: happened and they were in a very very good space,

2133
02:01:16,760 --> 02:01:19,320
Speaker 1: and also being next to Charlemagne, you're gonna land on

2134
02:01:19,400 --> 02:01:22,520
Speaker 1: your feet. So we automatically and the coaches say, yo,

2135
02:01:22,600 --> 02:01:26,320
Speaker 1: when Shots was next to Charlemagne, No matter what happens

2136
02:01:26,400 --> 02:01:29,920
Speaker 1: with him, he's gonna have somewhere in the business to

2137
02:01:30,000 --> 02:01:33,400
Speaker 1: get some money. Right, You're gonna see him on MTV

2138
02:01:33,560 --> 02:01:36,560
Speaker 1: over here, You're gonna see him because Charlemagne and his people,

2139
02:01:36,640 --> 02:01:40,800
Speaker 1: it just seems like an ecosystem. And so the coaching

2140
02:01:41,360 --> 02:01:43,840
Speaker 1: understood it from that perspective to say, oh man, they

2141
02:01:43,920 --> 02:01:46,600
Speaker 1: got he didn't got next to Charlemagne. He in no

2142
02:01:46,760 --> 02:01:49,960
Speaker 1: matter what. But I think the respect came from what

2143
02:01:50,120 --> 02:01:54,200
Speaker 1: he spawned into right when he was able to actually

2144
02:01:56,720 --> 02:02:01,040
Speaker 1: harness his craft and actually turn that into a valuable

2145
02:02:01,120 --> 02:02:04,640
Speaker 1: asset and not just be the white boy next to

2146
02:02:04,760 --> 02:02:08,400
Speaker 1: Charlemagne doing the podcast, because that's what it looked like

2147
02:02:08,560 --> 02:02:11,480
Speaker 1: at first. No one's seen the comic thing really doing

2148
02:02:12,080 --> 02:02:15,120
Speaker 1: what he did. He was overreaching. I'm talking back when

2149
02:02:15,160 --> 02:02:18,400
Speaker 1: they was talking about do you want credit or not?

2150
02:02:18,640 --> 02:02:22,000
Speaker 1: The first couple of episodes of what Charlemagne and shows

2151
02:02:22,160 --> 02:02:25,720
Speaker 1: right when it was they would argue and it would

2152
02:02:25,760 --> 02:02:30,520
Speaker 1: be visible that they're arguing on camera, they're arguing on

2153
02:02:30,760 --> 02:02:34,960
Speaker 1: audio because Andrew is trying to do what he thinks

2154
02:02:35,080 --> 02:02:39,280
Speaker 1: Charlemagne is doing right. He thinks Charlemagne is being ruled

2155
02:02:39,320 --> 02:02:41,520
Speaker 1: and saying whatever he thing right, So he had to

2156
02:02:41,760 --> 02:02:45,440
Speaker 1: actually horness that craft. And I've saw him being able

2157
02:02:45,480 --> 02:02:49,440
Speaker 1: to do that, and I know he's kind of charismatic,

2158
02:02:49,560 --> 02:02:52,320
Speaker 1: so he's you know, he's gonna be able to live

2159
02:02:52,440 --> 02:02:55,080
Speaker 1: in this space. What I will say though, while he's

2160
02:02:55,320 --> 02:02:59,680
Speaker 1: running around, because although I think it's a marketing plan,

2161
02:03:00,240 --> 02:03:03,560
Speaker 1: you know, or marketing scheme, I think again a lot

2162
02:03:03,640 --> 02:03:07,640
Speaker 1: of Andrews shows marketing, and the way he moves around

2163
02:03:07,720 --> 02:03:10,160
Speaker 1: comedy and entertainment, it is because of hip ho hop.

2164
02:03:10,720 --> 02:03:14,280
Speaker 1: He was understood how rappers move, how Charlemagne has moved,

2165
02:03:14,320 --> 02:03:17,000
Speaker 1: how Joe Button has moved. He's understood these things. He

2166
02:03:17,120 --> 02:03:20,320
Speaker 1: studied these things until he didn't need him anymore, right,

2167
02:03:20,400 --> 02:03:23,760
Speaker 1: And that doesn't make him unnecessarily still and he's studying

2168
02:03:23,840 --> 02:03:27,360
Speaker 1: the game. The information in the game is to be digested.

2169
02:03:27,480 --> 02:03:30,640
Speaker 1: It's just you guys won't take the time to digest it.

2170
02:03:30,920 --> 02:03:34,880
Speaker 1: But what I do know is is that when he

2171
02:03:35,120 --> 02:03:38,080
Speaker 1: was what I found interested, and this is what I say,

2172
02:03:38,560 --> 02:03:41,240
Speaker 1: what he turned into makes you say, what damn? Maybe

2173
02:03:41,880 --> 02:03:45,520
Speaker 1: maybe Charlemagne was right in regards to now he got

2174
02:03:45,640 --> 02:03:47,520
Speaker 1: something and he ain't gonna just ride my back. You

2175
02:03:47,520 --> 02:03:49,960
Speaker 1: ain't never seen see Sometimes you gotta kind of trust

2176
02:03:50,360 --> 02:03:53,200
Speaker 1: who you're dealing with, right, So you say, damn, look

2177
02:03:53,240 --> 02:03:56,200
Speaker 1: at Charlemagne. Charlemagne an never let nobody just ride his

2178
02:03:56,360 --> 02:03:59,160
Speaker 1: coat till he got a respect, a dude to put

2179
02:03:59,240 --> 02:04:00,960
Speaker 1: him next to him do a part. He got to

2180
02:04:01,000 --> 02:04:03,800
Speaker 1: know something we don't know, and at the very beginning

2181
02:04:03,880 --> 02:04:06,520
Speaker 1: nobody knew. So it's like Shots kind of turned into

2182
02:04:07,840 --> 02:04:10,440
Speaker 1: what we thought would be a white boy next to

2183
02:04:10,520 --> 02:04:13,480
Speaker 1: Show next to Charlemagne talking about rapp It and others

2184
02:04:14,280 --> 02:04:18,560
Speaker 1: and kind of being disrespectful because he don't have no understanding.

2185
02:04:18,920 --> 02:04:21,360
Speaker 1: This is what the culture thought. But as when you

2186
02:04:21,520 --> 02:04:23,520
Speaker 1: fast forward and look at him now, you said, oh no,

2187
02:04:23,680 --> 02:04:26,680
Speaker 1: he was prepared, LaDue had he had some game. He

2188
02:04:26,800 --> 02:04:29,640
Speaker 1: understood what he wanted to do. This is what Shots

2189
02:04:29,720 --> 02:04:33,280
Speaker 1: this saying. Show said that someone paid him or he

2190
02:04:33,400 --> 02:04:36,320
Speaker 1: sold his special. So if you don't understanding the entertainment

2191
02:04:36,440 --> 02:04:39,600
Speaker 1: business for comics, they go do a deal. They do

2192
02:04:39,680 --> 02:04:41,760
Speaker 1: a deal for a special. Then the people find the

2193
02:04:41,800 --> 02:04:45,959
Speaker 1: answer the special meaning they meaning they pay for the cameras,

2194
02:04:46,000 --> 02:04:49,680
Speaker 1: the shooting, the editing, the venue. They set everything up

2195
02:04:50,040 --> 02:04:54,000
Speaker 1: where it's this immaculate film that can be TV ready

2196
02:04:54,160 --> 02:04:56,640
Speaker 1: or Netflix ready four K. It's got to be the

2197
02:04:56,720 --> 02:04:59,400
Speaker 1: best of the best, right, And so he said he

2198
02:04:59,480 --> 02:05:03,480
Speaker 1: signed the deal for his special, and then he came

2199
02:05:03,600 --> 02:05:08,560
Speaker 1: back turned thin is his jokes, and then they say, yo,

2200
02:05:08,600 --> 02:05:11,320
Speaker 1: you gotta pull some jokes or we may have some mishoes.

2201
02:05:11,880 --> 02:05:14,440
Speaker 1: The reason why I think and I almost think Rogan

2202
02:05:14,560 --> 02:05:18,320
Speaker 1: calls bulls the Rogan likes shows shows. It's so charismatic.

2203
02:05:18,560 --> 02:05:22,480
Speaker 1: He's been able to even skip the line. In regards

2204
02:05:22,560 --> 02:05:27,920
Speaker 1: to Rogan, Rogan is a very exclusive guy. And I

2205
02:05:28,040 --> 02:05:30,040
Speaker 1: have to watch these dudes. They make all the money,

2206
02:05:30,120 --> 02:05:32,960
Speaker 1: but Rogan is a very exclusive guy in regards to

2207
02:05:33,080 --> 02:05:36,280
Speaker 1: its friendships. You kind of rarely see him on podcast.

2208
02:05:36,680 --> 02:05:38,880
Speaker 1: He would have done Lex Freeman, which if you know

2209
02:05:39,080 --> 02:05:41,560
Speaker 1: Lex Freeman, A lot of my audience may not know

2210
02:05:41,680 --> 02:05:45,600
Speaker 1: these names, but I'm very familiar, prepared and understand this market.

2211
02:05:45,960 --> 02:05:47,960
Speaker 1: Lex Freeman is a guy that went to m I T.

2212
02:05:48,280 --> 02:05:52,160
Speaker 1: He's an ai guy, jiu jitsu guy, was sued every days.

2213
02:05:52,200 --> 02:05:54,720
Speaker 1: One of them well put together guys. His show has

2214
02:05:54,760 --> 02:05:58,440
Speaker 1: had people like Elon Musk. Just to kind of put

2215
02:05:58,480 --> 02:06:01,160
Speaker 1: in perspective, these guys don't own shows for people just

2216
02:06:01,280 --> 02:06:03,800
Speaker 1: because they get paid to do it or nothing. They

2217
02:06:03,920 --> 02:06:06,320
Speaker 1: respect the mind saying. That's another thing I point out

2218
02:06:06,360 --> 02:06:09,640
Speaker 1: about um in the market. When you deal with just

2219
02:06:09,840 --> 02:06:13,440
Speaker 1: white podcasters, they just go have good conversation, and I

2220
02:06:13,560 --> 02:06:15,800
Speaker 1: want to bring that esstence over here to us like

2221
02:06:15,960 --> 02:06:20,600
Speaker 1: they take everything from us. But Rogan came to New

2222
02:06:20,720 --> 02:06:24,080
Speaker 1: York to do shows, podcasts and didn't do anybody else podcasts,

2223
02:06:24,120 --> 02:06:25,680
Speaker 1: and you got all his You got a lot of

2224
02:06:25,880 --> 02:06:28,360
Speaker 1: his other friends that's been waiting on him to do

2225
02:06:28,480 --> 02:06:30,480
Speaker 1: the part in La that is that have come to

2226
02:06:30,600 --> 02:06:32,840
Speaker 1: Texas for him to do it, and he's he just

2227
02:06:33,000 --> 02:06:36,000
Speaker 1: respects shows, has been able to get in the weasel

2228
02:06:36,160 --> 02:06:40,240
Speaker 1: is way around because he's well read, like it's easy

2229
02:06:40,320 --> 02:06:43,760
Speaker 1: to it's easy to kind of for him to coexist

2230
02:06:43,840 --> 02:06:46,600
Speaker 1: in all these different areas coming from New York. You know,

2231
02:06:46,640 --> 02:06:48,080
Speaker 1: if you got to talk to a white boy, he

2232
02:06:48,120 --> 02:06:49,720
Speaker 1: can do it. He got to talk to a black dude,

2233
02:06:49,720 --> 02:06:51,520
Speaker 1: he can do a Chinese dude. He slick know a

2234
02:06:51,560 --> 02:06:54,200
Speaker 1: little bit about a little bit if you know him.

2235
02:06:54,280 --> 02:06:58,080
Speaker 1: So again, I'm just helping you understand what's happening. What

2236
02:06:58,240 --> 02:07:01,080
Speaker 1: I do find interesting, though, is that Schultz was able

2237
02:07:01,200 --> 02:07:04,720
Speaker 1: to when he dropped this special that dude had to

2238
02:07:04,760 --> 02:07:09,560
Speaker 1: do like thirty podcasts, and it's something to be said

2239
02:07:09,840 --> 02:07:13,560
Speaker 1: to have that ability. A lot of y'all are struggling

2240
02:07:13,600 --> 02:07:17,760
Speaker 1: to do a podcast a week. So imagine going to

2241
02:07:17,880 --> 02:07:19,800
Speaker 1: New York and got or going to La and got

2242
02:07:19,920 --> 02:07:23,480
Speaker 1: to stop into twelve different places over three days and

2243
02:07:23,640 --> 02:07:27,760
Speaker 1: do four podcasts a day where you gotta be charismatic, energetic,

2244
02:07:27,960 --> 02:07:33,480
Speaker 1: make points, be well put together, giving instructions, ingredients, directions,

2245
02:07:33,560 --> 02:07:35,960
Speaker 1: people expecting these things from you on each one of

2246
02:07:36,000 --> 02:07:40,640
Speaker 1: these episodes. Dude did like twenty episodes and then winning

2247
02:07:40,720 --> 02:07:43,200
Speaker 1: done roging for three hours. I said, see, that's what

2248
02:07:43,280 --> 02:07:46,600
Speaker 1: I'm saying. You gotta respect that the dude working. You

2249
02:07:46,680 --> 02:07:50,200
Speaker 1: gotta respect he got a certain level of understanding to

2250
02:07:50,360 --> 02:07:53,480
Speaker 1: even have conversations that much. I'm telling y'all, it's harder

2251
02:07:53,520 --> 02:07:56,400
Speaker 1: than it look. Everybody just think it's just talking, and

2252
02:07:56,520 --> 02:07:59,120
Speaker 1: it's not just talking. Let's look at a little bit

2253
02:07:59,240 --> 02:08:03,240
Speaker 1: of Jo was talking on No Jump about Joe Budden

2254
02:08:03,360 --> 02:08:06,480
Speaker 1: saying that he's a coaching vote. This is a question

2255
02:08:06,560 --> 02:08:08,920
Speaker 1: that I really wanted to throw out there, Andrew. You've

2256
02:08:08,960 --> 02:08:12,360
Speaker 1: been criticized, most recently by Joe Budden. People like to

2257
02:08:12,480 --> 02:08:16,160
Speaker 1: claim that Andrew Schultz kind of like use hip hop

2258
02:08:16,280 --> 02:08:19,600
Speaker 1: to get his career off the ground and then essentially

2259
02:08:19,680 --> 02:08:22,480
Speaker 1: abandons it. There was a clip of Joe of Joe

2260
02:08:22,520 --> 02:08:26,080
Speaker 1: Budden basically saying, did I say Joe Rogan at Verse said,

2261
02:08:27,120 --> 02:08:30,400
Speaker 1: Joe Budden said basically that he wants out for me.

2262
02:08:30,840 --> 02:08:33,240
Speaker 1: You were a culture vulture and that you use like

2263
02:08:33,320 --> 02:08:36,800
Speaker 1: the Charlotte Magne co signed to basically get yourself some

2264
02:08:37,000 --> 02:08:38,960
Speaker 1: level of relevance, and now you're doing the flagrant thing

2265
02:08:39,000 --> 02:08:41,960
Speaker 1: which is not hip hop. Um was this ever part

2266
02:08:42,040 --> 02:08:43,720
Speaker 1: of the plan. Were you ever like, ah, this will

2267
02:08:43,760 --> 02:08:46,600
Speaker 1: be a great way to infiltrate the black community. Shout

2268
02:08:46,600 --> 02:08:53,240
Speaker 1: out of Joe Budd and Joel Schultz. So you know

2269
02:08:53,320 --> 02:08:57,000
Speaker 1: what you got me? You got me Joe. No, I

2270
02:08:57,040 --> 02:08:59,600
Speaker 1: don't think it was an elaborate plan. No, I don't

2271
02:08:59,600 --> 02:09:04,760
Speaker 1: think so okay at you, No, I don't know. I

2272
02:09:04,840 --> 02:09:06,880
Speaker 1: don't know what his his whole deal is. You see

2273
02:09:06,920 --> 02:09:10,520
Speaker 1: Andrew his mouth Krypto aside is something even because he

2274
02:09:10,680 --> 02:09:13,320
Speaker 1: knows he's winning, that he's even getting this kind of commentary.

2275
02:09:15,200 --> 02:09:18,200
Speaker 1: You said it when you said, this is the thing

2276
02:09:18,280 --> 02:09:20,200
Speaker 1: that confused me about that only one of us talks

2277
02:09:20,200 --> 02:09:23,480
Speaker 1: about each other when I saw it, brilliant idiots of

2278
02:09:23,520 --> 02:09:27,160
Speaker 1: the comedy thinking about I've never claimed to know anything

2279
02:09:27,200 --> 02:09:29,680
Speaker 1: about hip hop. I grew up in New York City,

2280
02:09:29,760 --> 02:09:32,800
Speaker 1: so like by proxy, I the music is part of

2281
02:09:32,840 --> 02:09:36,400
Speaker 1: the culture. But at the same time, Like Charlemagne just

2282
02:09:36,400 --> 02:09:38,040
Speaker 1: asked me if I want to do a podcast because

2283
02:09:38,080 --> 02:09:40,440
Speaker 1: we would just talk hours on the phone every week.

2284
02:09:40,480 --> 02:09:42,720
Speaker 1: And that's my boy. If we didn't really go in

2285
02:09:42,840 --> 02:09:45,120
Speaker 1: it like this will be interesting that there's like like

2286
02:09:45,280 --> 02:09:48,160
Speaker 1: when you grow up in a multi cultural place, like

2287
02:09:48,400 --> 02:09:52,040
Speaker 1: race doesn't play as much like um in your decision

2288
02:09:52,160 --> 02:09:54,000
Speaker 1: to do a thing, do you know what I mean?

2289
02:09:54,120 --> 02:09:56,520
Speaker 1: Like like like when I'm just going to play pick

2290
02:09:56,600 --> 02:09:58,200
Speaker 1: up with my boys, I'm not going, all right, well,

2291
02:09:58,240 --> 02:10:01,160
Speaker 1: we got an Asian guy and a black eye and

2292
02:10:01,280 --> 02:10:05,080
Speaker 1: an Indian guy and that will make our team diversity check. Yeah,

2293
02:10:05,200 --> 02:10:08,200
Speaker 1: Like it's just like, yo, this is who's here. Like

2294
02:10:08,320 --> 02:10:10,920
Speaker 1: even with Flagrant, like I want to be clear with

2295
02:10:11,080 --> 02:10:12,720
Speaker 1: this though, man, and again, I got a lot of

2296
02:10:12,800 --> 02:10:14,960
Speaker 1: respect for shows. I'm trying to get him on the show.

2297
02:10:15,000 --> 02:10:17,280
Speaker 1: We can have a conversation about some of these things.

2298
02:10:17,360 --> 02:10:22,200
Speaker 1: I remember the inception of Flagrant. I'm vividly remembering, Charlemagne.

2299
02:10:22,280 --> 02:10:24,840
Speaker 1: This is why I got This is why I kind

2300
02:10:24,880 --> 02:10:27,240
Speaker 1: of want to talk to shows about it because I

2301
02:10:27,280 --> 02:10:30,320
Speaker 1: don't want it to come off as right because bro,

2302
02:10:30,480 --> 02:10:35,000
Speaker 1: I remember those episodes with Flagrant starting and now I

2303
02:10:35,160 --> 02:10:40,120
Speaker 1: see you know how that's moved around. I just I'm

2304
02:10:40,160 --> 02:10:42,760
Speaker 1: paying attention to everything, and not that it's a bad thing,

2305
02:10:42,880 --> 02:10:46,920
Speaker 1: but it is worth quantifying when we have in these conversations. Also,

2306
02:10:47,200 --> 02:10:50,600
Speaker 1: being in content world and podcasting is much different than

2307
02:10:50,680 --> 02:10:54,240
Speaker 1: the pickup game, especially where's no money involved, just on

2308
02:10:54,320 --> 02:10:57,080
Speaker 1: the corn on the street. Those are two totally different things.

2309
02:10:57,200 --> 02:10:59,800
Speaker 1: Just to put that in context. Him and Joe Budden,

2310
02:11:00,400 --> 02:11:03,200
Speaker 1: I think when Spotify happened, so you have to understand,

2311
02:11:03,280 --> 02:11:06,440
Speaker 1: Shotz has connections in the business. So like a lot

2312
02:11:06,520 --> 02:11:09,640
Speaker 1: of us, Shots called out that, well, Yo, Joe's doing

2313
02:11:09,720 --> 02:11:13,360
Speaker 1: something crazy over there with Spotify, and he put a

2314
02:11:13,520 --> 02:11:16,080
Speaker 1: number on it. And the number he put on it,

2315
02:11:16,200 --> 02:11:18,880
Speaker 1: he said, Yo, he's crazy for asking for that number.

2316
02:11:20,120 --> 02:11:23,280
Speaker 1: And although it didn't start there, because it goes further

2317
02:11:23,400 --> 02:11:26,040
Speaker 1: back than that with Shots pointing out something that some

2318
02:11:26,200 --> 02:11:28,640
Speaker 1: of the things with Sholtz, I'm sorry, some of the

2319
02:11:28,760 --> 02:11:32,960
Speaker 1: things with Charlemagne and Joe. Right, he's informed enough to

2320
02:11:33,200 --> 02:11:35,800
Speaker 1: know when Joe throwing a shot at Charlemagne and he's

2321
02:11:35,800 --> 02:11:37,960
Speaker 1: gonna call it out. This is back before they got

2322
02:11:38,080 --> 02:11:39,840
Speaker 1: as big as they are now. The way they don't

2323
02:11:39,840 --> 02:11:41,680
Speaker 1: even talk about that kind of stuff. They used to

2324
02:11:41,760 --> 02:11:44,960
Speaker 1: talk about Joe and all of that on Brilliant Idiots

2325
02:11:45,040 --> 02:11:48,960
Speaker 1: with Charlemagne and UM and Andrew Sholtz when he called

2326
02:11:49,000 --> 02:11:51,480
Speaker 1: that number and said he crazy for asking for that number.

2327
02:11:51,520 --> 02:11:56,400
Speaker 1: I think Joe took that very disrespectful coming from shows right.

2328
02:11:57,360 --> 02:11:59,840
Speaker 1: May not know as much as we know about what

2329
02:12:00,080 --> 02:12:02,200
Speaker 1: Shots has done. I don't know if he respected to

2330
02:12:02,240 --> 02:12:05,320
Speaker 1: the business acumen at the time, right, and to somebody

2331
02:12:05,440 --> 02:12:07,640
Speaker 1: probably had to tell him, now, a dude doing theaters

2332
02:12:07,680 --> 02:12:10,880
Speaker 1: and like it, ain't he ain't no small act, no

2333
02:12:11,080 --> 02:12:14,240
Speaker 1: more like he now he ain't. He ain't just running

2334
02:12:14,240 --> 02:12:18,480
Speaker 1: around with Charlemagne. He really unflipped it. Now the podcast space,

2335
02:12:18,600 --> 02:12:21,880
Speaker 1: he's really more important in regards to talent hosts on

2336
02:12:22,080 --> 02:12:25,400
Speaker 1: camera than Charlemagne is. If we do just market share.

2337
02:12:25,840 --> 02:12:30,000
Speaker 1: Charlemagne is an exact and powerful in that position, you know,

2338
02:12:30,120 --> 02:12:33,800
Speaker 1: but as a host in podcasting not radio. In podcasting,

2339
02:12:34,680 --> 02:12:37,800
Speaker 1: Shouts has flipped that switch and become more powerful. When

2340
02:12:37,840 --> 02:12:40,600
Speaker 1: he said that about Joe, I think Joe took that personal.

2341
02:12:40,720 --> 02:12:44,000
Speaker 1: And what happened is he said Joe was asking Spotify

2342
02:12:44,120 --> 02:12:46,520
Speaker 1: for two hundred and fifty million, and he has to

2343
02:12:46,600 --> 02:12:49,440
Speaker 1: be crazy for doing that. But if you pay attention

2344
02:12:49,480 --> 02:12:52,800
Speaker 1: to Andrew shouts. Andrew Shots has took in everything he's

2345
02:12:52,840 --> 02:12:55,200
Speaker 1: done in regards to marketing and got it from hip

2346
02:12:55,280 --> 02:12:59,680
Speaker 1: hop through by way of Charlemagne. It's understanding on things

2347
02:12:59,760 --> 02:13:02,080
Speaker 1: that happening in hip hop. Even though he didn't take

2348
02:13:02,120 --> 02:13:06,000
Speaker 1: the culture in regards to the clothing or the jury,

2349
02:13:06,160 --> 02:13:10,120
Speaker 1: he took the business. So he came in understood old

2350
02:13:11,320 --> 02:13:15,800
Speaker 1: Russ doing that over there. Okay, Joe Oh, because he's

2351
02:13:15,800 --> 02:13:18,160
Speaker 1: smart enough to say Joe Budden. He used to call

2352
02:13:18,280 --> 02:13:20,120
Speaker 1: Joe Budden. Now let me lay it out to y'all.

2353
02:13:20,560 --> 02:13:22,360
Speaker 1: He used to say, Yo, Joe Budden is lying and

2354
02:13:22,520 --> 02:13:26,040
Speaker 1: leaning on the audience saying yo, like they're going against

2355
02:13:26,160 --> 02:13:28,480
Speaker 1: me and it's me against him. And I think that

2356
02:13:28,680 --> 02:13:31,640
Speaker 1: he understood that and now has put that in his recipe.

2357
02:13:32,320 --> 02:13:34,280
Speaker 1: A lot of times when Joe would have his riff

2358
02:13:34,320 --> 02:13:37,680
Speaker 1: with Complex or his rift with Spotify, Shots would kind

2359
02:13:37,720 --> 02:13:42,120
Speaker 1: of identify that yo, I call bullish. I think he's

2360
02:13:42,320 --> 02:13:47,840
Speaker 1: masking his agenda behind the people. Guess what shows does

2361
02:13:48,360 --> 02:13:51,600
Speaker 1: as a small motherfuck person. He takes and put that

2362
02:13:51,720 --> 02:13:54,040
Speaker 1: in his arsenal. Now he comes out with yo, they're

2363
02:13:54,080 --> 02:13:56,520
Speaker 1: trying to block comedy. This is for comedy. And if

2364
02:13:56,600 --> 02:13:59,840
Speaker 1: comedy can do this because as long as the truth

2365
02:14:00,000 --> 02:14:03,080
Speaker 1: and just living that space, you can operate there. I

2366
02:14:03,200 --> 02:14:08,080
Speaker 1: think that's a direct result of hip hop. His understanding

2367
02:14:08,200 --> 02:14:10,960
Speaker 1: to do that to the market is a direct result

2368
02:14:11,040 --> 02:14:13,320
Speaker 1: of him being involved with hip hop. These are the

2369
02:14:13,400 --> 02:14:16,080
Speaker 1: things I'm saying. His understanding to drop a clip of

2370
02:14:16,120 --> 02:14:18,920
Speaker 1: Week is a direct result from him being in hip hop,

2371
02:14:19,240 --> 02:14:23,480
Speaker 1: his understanding of hip hop, his understanding of black culture. Right,

2372
02:14:23,920 --> 02:14:26,960
Speaker 1: I ain't talking about just growing up around black people,

2373
02:14:26,960 --> 02:14:29,400
Speaker 1: because dude had so many questions when he was just

2374
02:14:29,520 --> 02:14:32,320
Speaker 1: sitting down with Charlemagne, just like so what is that like?

2375
02:14:32,440 --> 02:14:34,440
Speaker 1: What do they do that for? And what is that about?

2376
02:14:34,760 --> 02:14:38,400
Speaker 1: And he was interested and interested people learn you only

2377
02:14:38,480 --> 02:14:40,600
Speaker 1: live food for the for the minutes. You don't ask

2378
02:14:40,680 --> 02:14:45,160
Speaker 1: the question you understand, and you only stupid went until

2379
02:14:45,200 --> 02:14:47,840
Speaker 1: you get the answer. You see, so you gotta be

2380
02:14:47,960 --> 02:14:50,280
Speaker 1: someone looking for information, and that's what he was doing.

2381
02:14:50,360 --> 02:14:53,040
Speaker 1: And again, I think in retrospect, when you look back,

2382
02:14:53,120 --> 02:14:55,760
Speaker 1: you say, oh man, he he doesn't kind of grab

2383
02:14:55,960 --> 02:14:59,440
Speaker 1: things from hip hop, took him morphed them in that

2384
02:14:59,600 --> 02:15:03,520
Speaker 1: white skin and with that good comedy and being able

2385
02:15:03,560 --> 02:15:06,280
Speaker 1: to get next to Roguet and Tim Diddling and I

2386
02:15:06,520 --> 02:15:10,200
Speaker 1: know everybody you know what I'm saying and being able

2387
02:15:10,240 --> 02:15:12,320
Speaker 1: to do that even with Flagrant. But I'm gonna hold

2388
02:15:12,400 --> 02:15:14,760
Speaker 1: my points about Flagrant too. I talked to him so

2389
02:15:14,880 --> 02:15:17,240
Speaker 1: we can have that conversation. You know what I'm saying.

2390
02:15:17,280 --> 02:15:20,200
Speaker 1: I think it'll be great content and also great insight

2391
02:15:20,320 --> 02:15:23,480
Speaker 1: to people that's trying to come up behind us, you know,

2392
02:15:23,600 --> 02:15:27,360
Speaker 1: behind him, behind me, behind Charlemagne, in that kind of

2393
02:15:27,400 --> 02:15:30,600
Speaker 1: position where they got a friend like Charlemagne and their

2394
02:15:30,680 --> 02:15:33,680
Speaker 1: talented with a plan, Because if you get nothing from

2395
02:15:33,800 --> 02:15:36,640
Speaker 1: this understanding shots came in this game with a plan.

2396
02:15:37,360 --> 02:15:40,240
Speaker 1: He might then have the audience. He was lucky enough

2397
02:15:40,280 --> 02:15:42,440
Speaker 1: to get access to the audience. I talked to my

2398
02:15:42,560 --> 02:15:45,080
Speaker 1: people all the time about Yo. It's all about access

2399
02:15:45,120 --> 02:15:50,080
Speaker 1: to audience. Everybody like Yo he Cloud chasing Yo Yo

2400
02:15:50,400 --> 02:15:52,960
Speaker 1: White White. Why he worried about it for grown man

2401
02:15:53,120 --> 02:15:56,280
Speaker 1: post his stuff. It's about access to audience the same

2402
02:15:56,400 --> 02:15:58,800
Speaker 1: reason in businesses want you to post it, the same

2403
02:15:58,880 --> 02:16:01,840
Speaker 1: reason it's in your track that you got to post

2404
02:16:01,880 --> 02:16:05,000
Speaker 1: a clip from your show. It's because it's the access

2405
02:16:05,040 --> 02:16:07,480
Speaker 1: to the people that's there, and it helps people. It

2406
02:16:07,600 --> 02:16:10,560
Speaker 1: helps amplify people voices. Ain't anybody to tell me about

2407
02:16:10,560 --> 02:16:13,080
Speaker 1: that what they want to do. Let's not hide behind it,

2408
02:16:13,280 --> 02:16:17,400
Speaker 1: because it's a good conversation. You gotta understand before you

2409
02:16:17,520 --> 02:16:20,960
Speaker 1: get an audience. This is why access to audience is

2410
02:16:21,000 --> 02:16:23,320
Speaker 1: so important, because it goes back to what I was saying.

2411
02:16:23,440 --> 02:16:26,800
Speaker 1: You have to develop in the dog with nobody around.

2412
02:16:26,880 --> 02:16:29,160
Speaker 1: Nobody's saying you're doing the right thing, you're doing the

2413
02:16:29,240 --> 02:16:32,120
Speaker 1: wrong thing, whatever you're doing. And so the access to

2414
02:16:32,160 --> 02:16:35,879
Speaker 1: the audiences is very important because prior to the people,

2415
02:16:36,200 --> 02:16:41,040
Speaker 1: you can't really quantify your talent. Talent is not quantifiable

2416
02:16:41,600 --> 02:16:45,400
Speaker 1: until audience comes around. And so if you're lucky enough

2417
02:16:45,520 --> 02:16:47,840
Speaker 1: to kind of be able to do it in front

2418
02:16:47,879 --> 02:16:50,800
Speaker 1: of them and mold it right in front of their faces,

2419
02:16:51,440 --> 02:16:54,080
Speaker 1: you still operate with that high level confidence. I can

2420
02:16:54,160 --> 02:16:56,640
Speaker 1: do anything. But the guy that had to come up

2421
02:16:56,680 --> 02:16:59,360
Speaker 1: through and chop down and change and to get that

2422
02:16:59,440 --> 02:17:02,959
Speaker 1: fitted and switch his whole acting to get that eighteen thousand,

2423
02:17:03,480 --> 02:17:05,280
Speaker 1: you know, do something he really didn't want to do

2424
02:17:05,480 --> 02:17:07,720
Speaker 1: and switch that show up because he wanted to sell

2425
02:17:07,760 --> 02:17:11,400
Speaker 1: it the MTV and right you, yo, bro, it's a

2426
02:17:11,560 --> 02:17:15,080
Speaker 1: privilege to have to come in next to Charlemagne. It's

2427
02:17:15,080 --> 02:17:18,320
Speaker 1: a privilege to then run in the Rogan. But the

2428
02:17:18,480 --> 02:17:22,760
Speaker 1: Rogan thing didn't just happen. You gotta know how even

2429
02:17:22,879 --> 02:17:25,920
Speaker 1: that happened. I remember how that how his avenue to

2430
02:17:26,000 --> 02:17:30,760
Speaker 1: even Rogan was. But he always had gave it up

2431
02:17:30,800 --> 02:17:33,200
Speaker 1: to Rogan because Rogan is big in the space, and

2432
02:17:33,720 --> 02:17:36,920
Speaker 1: it's about just having the conversations, right. Rogan is told,

2433
02:17:36,959 --> 02:17:40,800
Speaker 1: if nothing else that and then just having conversations with

2434
02:17:40,959 --> 02:17:43,040
Speaker 1: people who he think are interesting. And that's what we

2435
02:17:43,200 --> 02:17:45,600
Speaker 1: bring on this side. But if you have not seen

2436
02:17:45,720 --> 02:17:49,280
Speaker 1: Shots Special, go get that, you know, go see that

2437
02:17:49,920 --> 02:17:52,560
Speaker 1: shots again. As a great comedian, I tell you who else,

2438
02:17:52,680 --> 02:17:57,959
Speaker 1: Bill Burr, Bill Burst, don't fire. Bill Burr probably one

2439
02:17:58,000 --> 02:18:01,640
Speaker 1: of the best comedians ever. You know, he has that

2440
02:18:01,800 --> 02:18:04,000
Speaker 1: muscle that I talk about man where he don't need

2441
02:18:04,120 --> 02:18:07,520
Speaker 1: no help. He can just go d it. You'll see

2442
02:18:07,600 --> 02:18:10,120
Speaker 1: him going to certain characters and now he didn't turn

2443
02:18:10,200 --> 02:18:13,279
Speaker 1: to a white woman who he talking to and turned

2444
02:18:13,280 --> 02:18:15,280
Speaker 1: back to his self talking to her. It's just like

2445
02:18:15,520 --> 02:18:18,400
Speaker 1: dude gets into a different kind of bag. And it's

2446
02:18:18,480 --> 02:18:21,760
Speaker 1: so spot on. I think nowadays, if you're gonna be

2447
02:18:21,840 --> 02:18:25,480
Speaker 1: a comic, you gotta take something that's painfully obvious but

2448
02:18:25,680 --> 02:18:31,080
Speaker 1: not spoke about and said you understand something that you'd

2449
02:18:31,120 --> 02:18:33,320
Speaker 1: be like, Man, that's it is true right there. And

2450
02:18:33,360 --> 02:18:36,280
Speaker 1: it's funny that you pointed that out. I didn't. Ain't

2451
02:18:36,520 --> 02:18:39,080
Speaker 1: you know. It's like you gotta be one of them things.

2452
02:18:39,280 --> 02:18:42,960
Speaker 1: When Birth first came out, I instantly said, Yo, that

2453
02:18:43,160 --> 02:18:45,920
Speaker 1: dude got a super big crowd. Look how biggest crowd

2454
02:18:46,120 --> 02:18:50,119
Speaker 1: is one of the biggest crowds I've probably unseen, right,

2455
02:18:50,680 --> 02:18:53,200
Speaker 1: And he wanted them people to hate compliments. So I

2456
02:18:53,320 --> 02:18:57,040
Speaker 1: wondered how that works because he really hates compliments. If

2457
02:18:57,080 --> 02:18:59,400
Speaker 1: you know, Bird, he's one of them dudes that man. Man,

2458
02:18:59,480 --> 02:19:01,920
Speaker 1: don't tell me I'm great. Don't tell me none of

2459
02:19:01,959 --> 02:19:04,640
Speaker 1: that shit. I'm gonna fuck up. You know, I'm My

2460
02:19:04,760 --> 02:19:07,640
Speaker 1: temp was bad. I you know, he wanted them so

2461
02:19:07,800 --> 02:19:10,960
Speaker 1: he don't really like to be and so they was clapping, clamming, clamming.

2462
02:19:11,000 --> 02:19:13,360
Speaker 1: He heard rubbed me yo, shut that down and got

2463
02:19:13,440 --> 02:19:15,400
Speaker 1: into his act. But he killed it. Bro, if you

2464
02:19:15,440 --> 02:19:18,360
Speaker 1: ain't seen the Burgos, see that comedy has hold Netflix

2465
02:19:18,480 --> 02:19:22,880
Speaker 1: down right now. Without comedy, Netflix probably let get canceled

2466
02:19:22,920 --> 02:19:25,240
Speaker 1: in a lot of homes right now. They've built their

2467
02:19:25,720 --> 02:19:28,320
Speaker 1: brand that way. I wonder was that the cheapest thing

2468
02:19:28,400 --> 02:19:31,039
Speaker 1: to do they could have won another way, they could

2469
02:19:31,080 --> 02:19:34,600
Speaker 1: have did podcast. I think Amazon gonna mess around and

2470
02:19:34,680 --> 02:19:37,440
Speaker 1: do that you hit me calling in now. Amazon gonna

2471
02:19:37,480 --> 02:19:40,560
Speaker 1: have a very large presence of podcasts on that prime

2472
02:19:40,680 --> 02:19:43,800
Speaker 1: at some point. Yeah, man, we'll revisit, you know, some

2473
02:19:43,959 --> 02:19:46,240
Speaker 1: of the next week. I think that for had a

2474
02:19:46,360 --> 02:19:49,200
Speaker 1: nice part to day long part, you know, And I

2475
02:19:49,280 --> 02:19:51,760
Speaker 1: want to say thank you to everybody that always tunes

2476
02:19:51,800 --> 02:19:54,920
Speaker 1: in this up that podcast. We're gonna we're about to

2477
02:19:55,000 --> 02:19:57,760
Speaker 1: turn it into another thing. Man hit the next gil.

2478
02:19:59,640 --> 02:20:02,520
Speaker 1: You know. It comes a time where rebel meets roll,

2479
02:20:03,400 --> 02:20:05,640
Speaker 1: you know, where you gotta test out your hustle, test

2480
02:20:05,680 --> 02:20:10,920
Speaker 1: out what you know. Um And oftentimes, if I'm being honest,

2481
02:20:13,080 --> 02:20:20,400
Speaker 1: you become afraid, right You're like, damn, oh yeah, I

2482
02:20:20,440 --> 02:20:22,720
Speaker 1: don't even even I don't even know if it's afraid

2483
02:20:22,800 --> 02:20:25,480
Speaker 1: because you have the information, so I won't say afraid.

2484
02:20:25,640 --> 02:20:30,000
Speaker 1: But something is trying to stop you or hold you

2485
02:20:30,160 --> 02:20:32,480
Speaker 1: back or like not right now, not yet, not yet,

2486
02:20:32,600 --> 02:20:37,000
Speaker 1: not yet, and ready aim aim, ready aim Aim. That's

2487
02:20:37,040 --> 02:20:39,920
Speaker 1: a syndrome. We don't want to fall victim too. But

2488
02:20:40,160 --> 02:20:43,080
Speaker 1: that's another episode of the Fastest Growing Podcasts Come to

2489
02:20:43,200 --> 02:20:48,400
Speaker 1: Patreon Right now Fall Exclusive content, biggest podcasts in the world. Man,

2490
02:20:49,000 --> 02:20:51,680
Speaker 1: we're speaking to the culture. We enjoy what we're doing.

2491
02:20:51,760 --> 02:20:55,520
Speaker 1: We appreciate the love. It's up that podcast show.