WEBVTT - The Big Lie

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<v Speaker 1>Rincon and contracted me only Kama deva.

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<v Speaker 2>Name, that's you, rest I.

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<v Speaker 3>Love you, don't trebles something.

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<v Speaker 4>That's previously on Princess of South Beach.

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<v Speaker 5>My baby is now and is finally out of jail,

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<v Speaker 5>but thank thank thank thank you, and he's taking on

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<v Speaker 5>his new job as mayor now as an openly gay

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<v Speaker 5>man about time. Meanwhile, Estraya is somehow the main character

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<v Speaker 5>of this season, despite the fact that she is at

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<v Speaker 5>least half responsible for my murder. I'm not bitter, it's whatever. Anyway,

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<v Speaker 5>She and Raul have teamed up with Andreas to find

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<v Speaker 5>Estraya's missing high school girlfriend, Gabby, which is kind of

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<v Speaker 5>weird given that Estralla has a new girlfriend, Sarah Mmm messi.

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<v Speaker 5>Raul and Estrea were driving upstate to investigate Gabby's whereabouts

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<v Speaker 5>and they were just pulling into a motel parking lot

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<v Speaker 5>when they noticed a mysterious car that's been following them

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<v Speaker 5>the whole time.

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<v Speaker 6>It's jah, don't get out of the car. What if

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<v Speaker 6>it's some mobsters to beat me up? Have you ever

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<v Speaker 6>been beat up? It is not fun. It's deja it's

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<v Speaker 6>not fun. Oh God, I don't feel so good.

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<v Speaker 2>If you don't shut up.

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<v Speaker 7>I'm gonna smack the shit out of you.

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<v Speaker 2>Okay, I know who it is. Just give me a minute.

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<v Speaker 6>I really have to use the bathroom. I think it

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<v Speaker 6>was the lobster.

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<v Speaker 2>Just give me a minute.

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<v Speaker 6>Hold it coming out.

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<v Speaker 2>Put your hand on your ass and hold it.

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<v Speaker 8>Okay, okay, okay, Sarah?

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<v Speaker 2>What are you doing here?

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<v Speaker 9>I called your mom?

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<v Speaker 2>What?

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<v Speaker 9>I called your mom? I had a gift for your grandma.

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<v Speaker 10>Iver got to give it to you before you left,

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<v Speaker 10>And when you wouldn't answer your phone, I called your

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<v Speaker 10>mom to see where the party was at.

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<v Speaker 9>I figured I'll just catch up to her drop it off.

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<v Speaker 9>No big deal.

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<v Speaker 10>Can you imagine how stupid I feel when your mother.

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<v Speaker 9>Asked me what party?

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<v Speaker 10>So?

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<v Speaker 2>You followed me?

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<v Speaker 10>Yes, I followed you. You want to explain to me

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<v Speaker 10>what the hell is going on here?

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<v Speaker 7>I'm sorry I lied to you. That was wrong, but

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<v Speaker 7>this is like kind of crazy. You've been following me

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<v Speaker 7>for hours.

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<v Speaker 9>Don't try to deflect.

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<v Speaker 2>Are you cheating on me? Is that? What's happening?

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<v Speaker 7>Kiir?

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<v Speaker 11>What?

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<v Speaker 9>No, don't say it like I'm crazy? What other reasonable

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<v Speaker 9>explanation is there?

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<v Speaker 10>I I am If you don't want to be with me,

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<v Speaker 10>you could have just been honest. I didn't think you

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<v Speaker 10>were the kind of person that would have run around

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<v Speaker 10>behind my back.

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<v Speaker 7>I promised, Babe, It's nothing like that.

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<v Speaker 2>Then what is it?

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<v Speaker 9>Do you just tell me the truth?

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<v Speaker 2>The truth is, ugh, the truth is I'm helping Raoul.

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<v Speaker 10>Helping Raoul Glory has annoying ex boyfriend Raoul.

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<v Speaker 9>Yes, helping Raoul what and why?

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<v Speaker 7>He's been really sad ever since. You know, his dad

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<v Speaker 7>died and he doesn't really have anyone else. So I'm

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<v Speaker 7>taking this trip with him, Yes, to scatter his dad's ashes.

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<v Speaker 9>But I thought they never found his body.

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<v Speaker 2>They didn't. These are symbolic ashes. M h yeah, they're new.

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<v Speaker 7>Raul just hasn't been able to move on and he

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<v Speaker 7>needed someone to help him through it.

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<v Speaker 2>So we're driving up.

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<v Speaker 7>To his dad's favorite beach to scatter the symbolic ashes.

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<v Speaker 9>Okay, why wouldn't you just tell me that?

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<v Speaker 12>Why?

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<v Speaker 2>Lie?

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<v Speaker 7>Well, you know Raoul, he's very private and he asked

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<v Speaker 7>me not to tell anyone. That's why I couldn't tell you.

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<v Speaker 7>He's really embarrassed by the whole thing. I mean, Babe,

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<v Speaker 7>the ashes aren't even ashes, just a bag of oatmeal,

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<v Speaker 7>na cho loved oatmeal. Look, we're not even that close,

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<v Speaker 7>but we're Oh. He doesn't have any friends. He's just

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<v Speaker 7>a loner and a loser, and I felt really, really

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<v Speaker 7>bad for him.

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<v Speaker 9>So all of this was you trying to be a

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<v Speaker 9>good friend.

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<v Speaker 7>Yes see, I'm just trying to be a good friend.

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<v Speaker 2>I mean, look at him.

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<v Speaker 7>Don't look too hard, baby, because you might throw up.

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<v Speaker 7>But just look at him for a sec. Doesn't he

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<v Speaker 7>look so sad and pathetic? He needs me right now?

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<v Speaker 9>Okay?

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<v Speaker 10>Of course, okay, Oh my gosh, Oh my my gosh,

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<v Speaker 10>I'm so sorry.

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<v Speaker 9>What am I even doing here? I must I must

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<v Speaker 9>look like a total psycho?

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<v Speaker 2>What you No? No, of course not. You just no

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<v Speaker 2>followed me for like five hours.

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<v Speaker 7>But I'm glad you're here. You are of course. I

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<v Speaker 7>love you.

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<v Speaker 9>You you love me?

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<v Speaker 2>Yeah, I do. I love you.

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<v Speaker 9>I love you too.

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<v Speaker 2>I'm sorry I lied to you.

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<v Speaker 7>I just need to see this thing out.

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<v Speaker 9>It's okay, babe, I'm just I'm just I'm really glad

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<v Speaker 9>you're being honest. Now, so what do we do now?

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<v Speaker 7>It's too late for you to be driving home, So

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<v Speaker 7>why don't you say the night and head home in

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<v Speaker 7>the morning.

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<v Speaker 2>Come on, I introduce you to.

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<v Speaker 7>Raoul, but don't say anything, okay, okay, promise, I promise,

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<v Speaker 7>And Babe, your breath smells like cat. I no, I

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<v Speaker 7>forgot to text you. I fucking forgot. Sorry.

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<v Speaker 13>I love you.

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<v Speaker 5>You better?

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<v Speaker 6>Oh no, thank god, I need a bottom.

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<v Speaker 2>Nor Oh this is it's my girlfriend, Sarah. Sarah is

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<v Speaker 2>y so.

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<v Speaker 6>Nice to meet you. Listen, I really like to learn

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<v Speaker 6>all about you, but.

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<v Speaker 9>Favorable, how are you doing?

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<v Speaker 6>Not great at the moment, honestly, but I'd rather not

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<v Speaker 6>talk about it.

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<v Speaker 9>M I totally understand.

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<v Speaker 11>It's today.

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<v Speaker 9>I mentioned that you were having a hard time.

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<v Speaker 6>Well, that's good that you guys talk. I mean, that's

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<v Speaker 6>something I wish you hadn't share. But yeah, it wasn't

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<v Speaker 6>so bad before, but it gotten a lot worse.

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<v Speaker 1>So I'm so so sorry.

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<v Speaker 9>Just so you know we're here for.

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<v Speaker 6>You, Okay. I appreciate that.

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<v Speaker 2>That's You're so nice.

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<v Speaker 6>I mean, I just don't think there's a lot you

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<v Speaker 6>can really do about it. Sorry, that was rude. I

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<v Speaker 6>just I've been holding it in so long.

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<v Speaker 9>I mean, well, you know, you just got to let

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<v Speaker 9>that out. It's not good to hold it in. You

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<v Speaker 9>could do long term damming.

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<v Speaker 6>Telling me what to do. I don't want to hold

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<v Speaker 6>it in, okay, but letting it out here isn't really

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<v Speaker 6>an option, right Sah, you're so nice? Straight?

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<v Speaker 2>Can we get out of here?

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<v Speaker 6>I really think I need to be alone right now?

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<v Speaker 2>Yep, you got it?

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<v Speaker 5>Whoof that's gonna leave a mark? Someone get that kid

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<v Speaker 5>some pepto and some new pants and astraya tisk tisk

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<v Speaker 5>lying to your girlfriend twice, But be careful. It's easy

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<v Speaker 5>to get caught up in your own lives. Just ask Estevan.

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<v Speaker 5>Speaking of, let's see how al Ca de Calderon is doing, Louisa.

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<v Speaker 6>I'm home, Louisa, are you here?

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<v Speaker 2>What are you doing here? Ah?

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<v Speaker 1>The famous mister Mayer in the flesh? My goodness, Now

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<v Speaker 1>I see what all the fuss is about.

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<v Speaker 6>What is going on here?

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<v Speaker 2>This is Victoria, Victoria, my ex.

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<v Speaker 1>Estema, lovely to finally meet you. I've heard such interesting

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<v Speaker 1>things about you.

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<v Speaker 6>How how do you too know each other?

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<v Speaker 2>Oh?

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<v Speaker 13>Victoria is in my support group. After everything, I needed

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<v Speaker 13>people who understood what I was going through.

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<v Speaker 1>I'm the founder of LASH Left or Abandoned Spouses of Homosexuals.

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<v Speaker 13>Hate that, okay, not that it's any of your business.

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<v Speaker 13>But we start hanging out after a group and just

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<v Speaker 13>hit it off. Anyway, Are you supposed to be in jail?

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<v Speaker 6>I told you they were letting me out today.

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<v Speaker 5>Lash.

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<v Speaker 6>It's a ridiculous name for an organization. Didn't you watch

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<v Speaker 6>my press conference?

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<v Speaker 13>No no, no, no, no no no, no, no no no,

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<v Speaker 13>I did not watch your press confidence.

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<v Speaker 2>To be honest, I haven't really thought about you all.

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<v Speaker 13>For the first time in my life, I am not

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<v Speaker 13>thinking about you or Gloria or my father. I am

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<v Speaker 13>doing what I want, and tonight what I want is

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<v Speaker 13>to drink this delicious bottle of Chateau Margo and listen

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<v Speaker 13>to Anita Baker, and that's.

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<v Speaker 12>With my friend.

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<v Speaker 6>Wait, you're not mad at me?

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<v Speaker 13>Not really, No, I was, But ever since I met Victoria,

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<v Speaker 13>I realized that I was putting the burden of my

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<v Speaker 13>happiness on you and that wasn't fair to either of us,

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<v Speaker 13>and also that that you are super gay. Looking back

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<v Speaker 13>on it, it was actually really obvious.

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<v Speaker 6>Yeah, super gay. I know I am gay gay.

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<v Speaker 13>And I can't be mad at you for that. So

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<v Speaker 13>I'm gonna focus. I'm finding my joy and spending my

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<v Speaker 13>money because I'm super rich, and that's awesome.

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<v Speaker 6>Okay, well, then I guess I will just leave you

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<v Speaker 6>to it.

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<v Speaker 13>Oh, by the way, if you're going to be staying here,

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<v Speaker 13>rent is do on the first And now that we're divorced,

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<v Speaker 13>I closed out all your accounts, so you might want

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<v Speaker 13>to think about how you're going to pay for everything.

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<v Speaker 1>Okay, okay, then here, Why don't I see you out?

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<v Speaker 1>I was just about to get another bottle another margot Luisa.

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<v Speaker 2>Well that sounds glorious.

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<v Speaker 3>M hm hmm.

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<v Speaker 1>What are you doing here so grouchy? That's no way

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<v Speaker 1>to greet an old friend.

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<v Speaker 6>I don't know what kind of game you are playing here,

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<v Speaker 6>but I am mourning you.

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<v Speaker 9>You stay away from my family.

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<v Speaker 1>Or what.

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<v Speaker 6>I am not a boy anymore, Victoria.

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<v Speaker 2>I am not afraid of you. You're so cute when

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<v Speaker 2>you're mad.

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<v Speaker 1>But you should be careful who you talk to that way.

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<v Speaker 1>In fact, you should be careful of who you talk

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<v Speaker 1>to at all.

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<v Speaker 6>Are you threatening me?

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<v Speaker 1>Don't be silly, Estevan. You know what it sounds like

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<v Speaker 1>when I'm threatening you. I just think you shouldn't forget

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<v Speaker 1>who your friends are and who you owe favors to,

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<v Speaker 1>because you might think that you've hit rock bottom. But

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<v Speaker 1>trust me, you have.

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<v Speaker 2>So much more to lose.

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<v Speaker 1>See that was a threat?

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<v Speaker 2>Goodah, where's that?

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<v Speaker 1>Why don't forget about the rent?

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<v Speaker 2>Sweet dreams?

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<v Speaker 6>Sugar Lemma doggets?

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<v Speaker 5>Oh no, who the hell is this lady? Looks like

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<v Speaker 5>I stave. I brought some skeletons out of the closet

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<v Speaker 5>with him. Well, let's check back in on our intrepid

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<v Speaker 5>road trippers.

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<v Speaker 6>Thanks again for let me use your bathroom, not to self,

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<v Speaker 6>No more lobster.

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<v Speaker 11>No problem.

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<v Speaker 2>So what can I do for you too? Can we

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<v Speaker 2>get two rooms? Please? Oh?

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<v Speaker 11>You're not together.

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<v Speaker 7>To get a couple. I'm assaulted. You thought that I

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<v Speaker 7>would be with it? Absolutely not.

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<v Speaker 2>Okay, let me just check here.

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<v Speaker 6>We're save.

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<v Speaker 2>She in a car, but listen, I don't get to

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<v Speaker 2>tell her about it.

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<v Speaker 11>Looks we are having two rooms the suits of the penthouse.

0:14:45.440 --> 0:14:48.920
<v Speaker 6>Oh, you don't have anything in the more budget friendly

0:14:49.040 --> 0:14:52.040
<v Speaker 6>range of prices. Not because I'm being cheap or anything,

0:14:52.240 --> 0:14:54.720
<v Speaker 6>you know. I think it's better for the environment. Yeah,

0:14:54.800 --> 0:14:57.560
<v Speaker 6>I'm trying to be a good earth man. And also

0:14:57.600 --> 0:15:00.000
<v Speaker 6>you wasteless electricity.

0:15:00.120 --> 0:15:01.160
<v Speaker 2>Oh I'm so sorry.

0:15:01.240 --> 0:15:03.760
<v Speaker 11>These are the only rooms that we are having right

0:15:03.800 --> 0:15:04.720
<v Speaker 11>now at the moment.

0:15:04.960 --> 0:15:08.080
<v Speaker 6>Are there any other hotels around here.

0:15:08.000 --> 0:15:11.960
<v Speaker 11>Yet nit The next one is about one hour away driving.

0:15:12.440 --> 0:15:18.080
<v Speaker 11>But I have extra room in my suite if you

0:15:18.120 --> 0:15:20.920
<v Speaker 11>are wanting to stop by.

0:15:20.960 --> 0:15:23.400
<v Speaker 2>Are you talking about are you talking to him Die?

0:15:23.600 --> 0:15:23.840
<v Speaker 12>Yes?

0:15:25.000 --> 0:15:29.920
<v Speaker 11>You look thrill like baby boot Ivana like that.

0:15:31.760 --> 0:15:35.080
<v Speaker 6>Actually I'm stronger than I look. The penthouse spets are fine,

0:15:35.080 --> 0:15:35.320
<v Speaker 6>I guess.

0:15:35.480 --> 0:15:36.440
<v Speaker 2>Are you being sure?

0:15:36.960 --> 0:15:40.480
<v Speaker 11>I've got a bottle of pepper, much schnaps and weighted

0:15:40.640 --> 0:15:43.080
<v Speaker 11>blanket with your name on it. You're like that.

0:15:43.400 --> 0:15:46.840
<v Speaker 2>Can we just get the wrong case please? Raoul paidest woman?

0:15:47.280 --> 0:15:47.960
<v Speaker 1>Oh?

0:15:48.160 --> 0:15:50.320
<v Speaker 6>Actually, I was thinking maybe you could spot me and

0:15:50.360 --> 0:15:51.800
<v Speaker 6>I'll just bemo on you at the end of the trip,

0:15:52.000 --> 0:15:54.520
<v Speaker 6>or PayPal or casha. Are people still using that?

0:15:54.800 --> 0:15:56.920
<v Speaker 2>Wait? Why are you being so weird about money?

0:15:57.200 --> 0:15:57.960
<v Speaker 6>It's not a big deal.

0:15:58.520 --> 0:15:58.840
<v Speaker 1>I just.

0:16:00.840 --> 0:16:02.560
<v Speaker 9>Hey, you to be all set in here?

0:16:03.160 --> 0:16:05.840
<v Speaker 2>Yep here, I got.

0:16:05.640 --> 0:16:09.920
<v Speaker 11>It fine, it's being your loss. Pull your car around

0:16:09.960 --> 0:16:12.480
<v Speaker 11>in the water in the back. Is that your Neon

0:16:12.680 --> 0:16:13.800
<v Speaker 11>green Preus?

0:16:14.400 --> 0:16:14.560
<v Speaker 7>Now?

0:16:15.200 --> 0:16:19.360
<v Speaker 2>Pat, you have a Lincoln, Oh my Lincoln. All right,

0:16:19.440 --> 0:16:20.560
<v Speaker 2>let's get the hell up out of here.

0:16:20.800 --> 0:16:24.360
<v Speaker 11>Those Dana, baby bird Man, my bosom.

0:16:24.240 --> 0:16:27.960
<v Speaker 7>Dreams of you to my Sarah Baby. I'm just gonna

0:16:27.960 --> 0:16:29.840
<v Speaker 7>go make sure Raoul is okay, and then I'll meet

0:16:29.840 --> 0:16:30.400
<v Speaker 7>you in our room.

0:16:30.440 --> 0:16:30.840
<v Speaker 2>Okay.

0:16:31.200 --> 0:16:33.800
<v Speaker 9>Oh, of course you're such a good friend for doing this.

0:16:34.520 --> 0:16:38.720
<v Speaker 2>Thanks baby, m hm.

0:17:20.119 --> 0:17:23.520
<v Speaker 6>Oh man, I'm beat and my stomach is still so

0:17:23.560 --> 0:17:25.040
<v Speaker 6>mad at you and it keeps growling.

0:17:25.080 --> 0:17:30.520
<v Speaker 2>And yeah, just one small thing.

0:17:30.800 --> 0:17:32.119
<v Speaker 7>I know.

0:17:32.359 --> 0:17:34.719
<v Speaker 6>I know it's my own fall for ordering the lobster.

0:17:34.960 --> 0:17:37.760
<v Speaker 7>No, I mean, yes, that that was a choice. But

0:17:39.440 --> 0:17:42.760
<v Speaker 7>I didn't tell Sarah that we're looking for Gabby what.

0:17:43.119 --> 0:17:44.520
<v Speaker 7>I told her that we're on a road trip to

0:17:44.680 --> 0:17:48.480
<v Speaker 7>spread natural's ashes. Excuse me, I know, I know it's

0:17:48.560 --> 0:17:51.040
<v Speaker 7>awful and I'm sorry, but I didn't know what else.

0:17:52.320 --> 0:17:54.200
<v Speaker 7>Yeah about that we're gonna need to get like a

0:17:54.240 --> 0:17:56.320
<v Speaker 7>bag of oatmeal or something.

0:17:57.240 --> 0:17:57.560
<v Speaker 2>Listen.

0:17:57.600 --> 0:17:59.639
<v Speaker 7>I told her that you're really torn up about what

0:17:59.680 --> 0:18:01.959
<v Speaker 7>happened with your dad and that you don't have any friends.

0:18:02.040 --> 0:18:04.040
<v Speaker 2>So I need you to act like that's true.

0:18:04.040 --> 0:18:06.320
<v Speaker 6>But it is true. I am torn up about my

0:18:06.400 --> 0:18:08.560
<v Speaker 6>dad and I don't have any friends.

0:18:08.720 --> 0:18:11.480
<v Speaker 2>Oh, I don't know about that last part.

0:18:12.000 --> 0:18:12.879
<v Speaker 6>I don't want to be a part of this.

0:18:12.960 --> 0:18:13.200
<v Speaker 1>Okay.

0:18:13.240 --> 0:18:15.760
<v Speaker 6>I hate lying. I'm really bad at it.

0:18:16.119 --> 0:18:16.480
<v Speaker 2>I know.

0:18:16.560 --> 0:18:18.800
<v Speaker 7>I'm sorry, Listen, I'm sorry. I dried you into this,

0:18:18.880 --> 0:18:20.280
<v Speaker 7>but I just need a little more time.

0:18:20.720 --> 0:18:22.639
<v Speaker 6>Why why didn't you just tell her the truth?

0:18:23.920 --> 0:18:25.240
<v Speaker 2>I don't know what do you mean?

0:18:25.320 --> 0:18:27.639
<v Speaker 6>I don't know you're telling me I have to lie

0:18:27.680 --> 0:18:29.320
<v Speaker 6>to her about this, which I hate. And I don't

0:18:29.320 --> 0:18:30.280
<v Speaker 6>even know why you're lying.

0:18:30.359 --> 0:18:30.840
<v Speaker 2>I don't know.

0:18:30.960 --> 0:18:39.479
<v Speaker 7>Okay, are you crying?

0:18:39.960 --> 0:18:40.120
<v Speaker 12>No?

0:18:42.240 --> 0:18:43.280
<v Speaker 2>No, I don't cry.

0:18:44.720 --> 0:18:47.120
<v Speaker 6>Come here, it's okay. I got you.

0:18:47.840 --> 0:18:49.480
<v Speaker 2>I don't hug either. Get off with me.

0:18:49.960 --> 0:18:50.840
<v Speaker 6>Just let it happen.

0:18:55.880 --> 0:19:01.719
<v Speaker 2>We Oh what am I doing? This is so stupid.

0:19:03.200 --> 0:19:05.440
<v Speaker 7>I'm going on this wildgood chase looking for Gabby when

0:19:05.440 --> 0:19:07.200
<v Speaker 7>I've got a woman I love right here.

0:19:08.040 --> 0:19:11.639
<v Speaker 6>Listen, this may be a stupid question, but why are

0:19:11.680 --> 0:19:13.000
<v Speaker 6>you even looking for Gabby?

0:19:15.080 --> 0:19:17.280
<v Speaker 7>What do you mean?

0:19:17.320 --> 0:19:20.520
<v Speaker 6>I mean, it's been six years yesterday. Don't you think

0:19:20.520 --> 0:19:21.280
<v Speaker 6>maybe it's time to.

0:19:21.240 --> 0:19:26.160
<v Speaker 2>Let this go? I never considered that.

0:19:26.800 --> 0:19:27.919
<v Speaker 6>But do you still love Gabby?

0:19:28.600 --> 0:19:30.680
<v Speaker 2>I guess a part of me will always care for her.

0:19:31.359 --> 0:19:36.960
<v Speaker 7>But no, no, not like that, not anymore.

0:19:37.680 --> 0:19:39.200
<v Speaker 6>So then why are you doing this to yourself?

0:19:39.840 --> 0:19:41.960
<v Speaker 7>I mean, I've been looking for her for so long.

0:19:43.160 --> 0:19:46.119
<v Speaker 7>I don't know what else to do. I just wanted to,

0:19:46.280 --> 0:19:49.199
<v Speaker 7>you know, finish it, and I want a stem On

0:19:49.320 --> 0:19:50.720
<v Speaker 7>to pay for what he did.

0:19:51.359 --> 0:19:54.399
<v Speaker 6>Hey, it's totally normal to one closure. You know, Gabby

0:19:54.440 --> 0:19:56.879
<v Speaker 6>was a big part of your life. But why couldn't

0:19:56.880 --> 0:19:57.800
<v Speaker 6>you just tell Sarah this?

0:19:58.960 --> 0:20:02.439
<v Speaker 7>I guess I just wanted to protect her from all

0:20:02.480 --> 0:20:09.760
<v Speaker 7>of this. Well, she's so sweet and innocent, and I

0:20:09.800 --> 0:20:12.879
<v Speaker 7>really really do love her. You know.

0:20:12.960 --> 0:20:13.480
<v Speaker 5>It's just.

0:20:14.920 --> 0:20:19.000
<v Speaker 7>The last time I let myself love someone, something terrible happened,

0:20:19.040 --> 0:20:20.840
<v Speaker 7>and I'm scared.

0:20:21.480 --> 0:20:24.520
<v Speaker 6>Love is scary. But you can't build a relationship with

0:20:24.560 --> 0:20:26.719
<v Speaker 6>Sarah if you're still holding onto this thing from the past.

0:20:27.480 --> 0:20:27.960
<v Speaker 2>I just.

0:20:30.119 --> 0:20:32.520
<v Speaker 7>I didn't want to believe she was really gone.

0:20:32.760 --> 0:20:35.400
<v Speaker 6>Hey, I'm happy to talk through this with you all night,

0:20:35.440 --> 0:20:37.919
<v Speaker 6>but you should be really telling this to Sarah. It's

0:20:37.960 --> 0:20:39.560
<v Speaker 6>the only way you, too, will ever have a chance.

0:20:40.440 --> 0:20:47.200
<v Speaker 7>Yeah, yeah, you're right. I'm going to tell her the truth. Hey,

0:20:47.600 --> 0:20:50.280
<v Speaker 7>since when did you become so good at relationship stuff?

0:20:50.680 --> 0:20:53.560
<v Speaker 6>It's Judge Judy. Yeah, I listen to Judy Justice to

0:20:53.600 --> 0:20:54.119
<v Speaker 6>fall asleep.

0:20:54.560 --> 0:21:01.440
<v Speaker 7>Okay, Well it's questionable, but you are right. I'm gonna

0:21:01.480 --> 0:21:02.280
<v Speaker 7>go talk to her.

0:21:02.840 --> 0:21:03.080
<v Speaker 2>Wait.

0:21:04.320 --> 0:21:07.440
<v Speaker 7>I have a bunch of miscalls from Andres. He left

0:21:07.480 --> 0:21:08.200
<v Speaker 7>me a voicemail.

0:21:10.040 --> 0:21:21.840
<v Speaker 10>Why are you answering I Found Her, I found Gabby.

0:21:21.119 --> 0:21:25.720
<v Speaker 5>Hi the meal meta. It was easy to choose when

0:21:25.760 --> 0:21:30.480
<v Speaker 5>one of them was missing, But if Gabby's back, who

0:21:30.480 --> 0:21:31.320
<v Speaker 5>are you gonna pick?

0:21:45.480 --> 0:21:48.480
<v Speaker 12>The Princess of South Beach Season two was produced by

0:21:48.520 --> 0:21:53.159
<v Speaker 12>Sonoto in partnership with Our Heartsmichael Touda Network. Created and

0:21:53.200 --> 0:21:57.880
<v Speaker 12>directed by Jasmine Romero, Written by Jasmine Romero with help

0:21:57.920 --> 0:22:02.679
<v Speaker 12>from Nissa kin Rigs, produced by Luis Eduardo Castillo, Executive

0:22:02.720 --> 0:22:06.960
<v Speaker 12>produced by Jasmine Romero. Executive produced by Conaal Bayne and

0:22:07.040 --> 0:22:11.639
<v Speaker 12>Giselle Bances for iHeart and Camilla Victoriano and Josha Weinstein

0:22:11.920 --> 0:22:18.360
<v Speaker 12>for Sonoro. Performances in this episode by Danny Pino, Andy Bustillos,

0:22:19.080 --> 0:22:25.560
<v Speaker 12>Ex Majo, ku A ten Raule Spars, Gina Torres, Kelly Conco,

0:22:26.119 --> 0:22:32.520
<v Speaker 12>Aileen Clark, and Ala Eisenberg. Our production manager is Kennsa Childis.

0:22:33.280 --> 0:22:37.120
<v Speaker 12>Recording engineering and sound design by Luin Mirigoian and Juan

0:22:37.160 --> 0:22:41.520
<v Speaker 12>Diaz with help from Cassandra Tinjero and Andres Bayena. Casting

0:22:41.600 --> 0:22:46.240
<v Speaker 12>and coordination by Kennca Chaidis Angeli Martinez, Alex Gonzalez and

0:22:46.359 --> 0:22:50.960
<v Speaker 12>Andres Childis. Theme song and original music by Rodrigo Garcia

0:22:51.119 --> 0:22:56.880
<v Speaker 12>Rodes theme song performed by Jaffetzamajoa and Carol Belasco. Voices

0:22:56.960 --> 0:23:00.440
<v Speaker 12>recorded at the Invisible Studios in Los Angeles, a Rally

0:23:00.480 --> 0:23:03.200
<v Speaker 12>Groom in New York, and the Hollowed Halls in Portland,

0:23:03.640 --> 0:23:09.040
<v Speaker 12>with engineering by Charles Carroll, David Wilson, Neil Wagenson, Sam Bear,

0:23:09.680 --> 0:23:14.720
<v Speaker 12>Brett Tubin, and Justin Phelps. With special thanks to Heronimo Avile,