WEBVTT - Hannah Waddingham Lightning Round

0:00:00.120 --> 0:00:07.200
<v Speaker 1>M everybody, it's Bruce.

0:00:07.840 --> 0:00:13.080
<v Speaker 2>Thanks for joining us for another bonus episode Table for two. Recently,

0:00:13.360 --> 0:00:15.960
<v Speaker 2>I had one of my favorite lunches ever with the

0:00:15.960 --> 0:00:18.320
<v Speaker 2>incredible actress Hannah Watting.

0:00:18.360 --> 0:00:18.640
<v Speaker 3>Number.

0:00:19.200 --> 0:00:20.599
<v Speaker 4>Of course, we also.

0:00:20.360 --> 0:00:22.079
<v Speaker 2>Did a speed round at the end of our meal,

0:00:22.320 --> 0:00:25.400
<v Speaker 2>and her answers were so much fun. I can't wait

0:00:25.480 --> 0:00:28.200
<v Speaker 2>to share the full interview with you all next week,

0:00:28.560 --> 0:00:34.320
<v Speaker 2>but for now, I hope you enjoy this little taste.

0:00:34.840 --> 0:00:36.320
<v Speaker 1>We're gonna do a fuick speed round.

0:00:36.479 --> 0:00:38.960
<v Speaker 5>Oh god, a speed round. Oh God. I'm two.

0:00:40.520 --> 0:00:41.640
<v Speaker 1>No, no, no, this is fun.

0:00:41.720 --> 0:00:43.680
<v Speaker 6>Okay, movie that most influenced you.

0:00:44.360 --> 0:00:45.400
<v Speaker 5>It's a green mile.

0:00:46.320 --> 0:00:48.720
<v Speaker 1>That's a good name. What TV shows you, Binger?

0:00:49.040 --> 0:00:52.279
<v Speaker 5>I did binge succession and went back on it.

0:00:52.479 --> 0:00:57.240
<v Speaker 7>I'm currently absolutely, fully, deeply immersed in bad Monkey loving.

0:00:59.840 --> 0:01:00.600
<v Speaker 1>I want to see it.

0:01:00.720 --> 0:01:01.680
<v Speaker 5>I really like him in this.

0:01:02.360 --> 0:01:06.120
<v Speaker 6>He's smart and economical and economical okay.

0:01:07.520 --> 0:01:10.440
<v Speaker 7>Economically with his movement is facial expressions, but he brings

0:01:10.440 --> 0:01:13.000
<v Speaker 7>you in clever art form.

0:01:13.280 --> 0:01:13.959
<v Speaker 1>What scares you?

0:01:14.600 --> 0:01:15.080
<v Speaker 5>The dark?

0:01:15.720 --> 0:01:16.880
<v Speaker 1>Actor? You would like to work with?

0:01:17.480 --> 0:01:17.960
<v Speaker 5>Actors?

0:01:18.480 --> 0:01:19.320
<v Speaker 1>Actors?

0:01:19.319 --> 0:01:22.600
<v Speaker 7>Fine glad of Davis, although I'd have to stop myself

0:01:22.640 --> 0:01:26.120
<v Speaker 7>just gulping at her even when she gives speeches, and

0:01:26.080 --> 0:01:27.520
<v Speaker 7>I feel like I forget.

0:01:27.319 --> 0:01:29.760
<v Speaker 5>To breathe bad of Davis.

0:01:31.000 --> 0:01:33.080
<v Speaker 7>One of them I'm just about to work with, actually,

0:01:33.120 --> 0:01:34.800
<v Speaker 7>and I can't quite believe I still have, which is

0:01:35.000 --> 0:01:35.720
<v Speaker 7>Davis Spencer.

0:01:36.600 --> 0:01:38.600
<v Speaker 5>She and I have found each other.

0:01:41.000 --> 0:01:45.480
<v Speaker 1>Oh my god, I haven't. It's crazy she is.

0:01:47.160 --> 0:01:49.480
<v Speaker 7>And the other one, if I could stop gulping at

0:01:49.560 --> 0:01:55.840
<v Speaker 7>him in a different way, is Sam Rockwell. She is

0:01:56.720 --> 0:01:59.920
<v Speaker 7>almost aggressively revolsing new challenges.

0:02:01.480 --> 0:02:02.960
<v Speaker 5>And unfortunately very taken.

0:02:03.200 --> 0:02:08.919
<v Speaker 6>Next question, Ooh, I like that, he's unfortunately very taken.

0:02:09.200 --> 0:02:09.959
<v Speaker 6>So what's your time?

0:02:11.280 --> 0:02:11.960
<v Speaker 1>Do you have a type?

0:02:12.040 --> 0:02:17.359
<v Speaker 5>Charismatic, joyful, kind, twinkly and silly?

0:02:17.880 --> 0:02:18.880
<v Speaker 1>What brings you joy?

0:02:19.360 --> 0:02:21.600
<v Speaker 5>My baby girl? And music?

0:02:21.680 --> 0:02:23.680
<v Speaker 7>If I didn't have those two, I feel like I

0:02:23.680 --> 0:02:24.600
<v Speaker 7>would die on the spot.

0:02:25.160 --> 0:02:28.520
<v Speaker 8>Family music to me? Music every day. There's always music

0:02:28.560 --> 0:02:34.160
<v Speaker 8>around the deal Breaker on a first day.

0:02:36.280 --> 0:02:37.520
<v Speaker 5>For so long, since I hadn't.

0:02:38.160 --> 0:02:39.000
<v Speaker 1>I don't get this.

0:02:39.440 --> 0:02:42.079
<v Speaker 8>I'm looking at literally one of the most gorgeous women

0:02:42.960 --> 0:02:44.200
<v Speaker 8>in Hollywood.

0:02:45.200 --> 0:02:46.040
<v Speaker 1>What the hell?

0:02:47.760 --> 0:02:50.000
<v Speaker 5>I honestly can't remember.

0:02:51.480 --> 0:02:53.280
<v Speaker 1>Is it a sweaty palm? Is it a bad kiss?

0:02:53.520 --> 0:02:54.200
<v Speaker 6>My god?

0:02:54.639 --> 0:02:58.160
<v Speaker 1>Is it is it? Is it? Is it a I?

0:02:58.240 --> 0:03:00.000
<v Speaker 6>Then I'll ask you questions about yourself.

0:03:00.000 --> 0:03:03.079
<v Speaker 5>I feel like sweaty palm and the backs or different.

0:03:03.160 --> 0:03:07.280
<v Speaker 1>Aren't they let you shake someone's hand. It's sweaty.

0:03:07.320 --> 0:03:10.160
<v Speaker 6>It's a bit funky, gross, or it was like a

0:03:10.240 --> 0:03:11.639
<v Speaker 6>kiss of a beautiful day.

0:03:12.080 --> 0:03:14.160
<v Speaker 5>And then and then you've got like a washing machine

0:03:14.520 --> 0:03:15.000
<v Speaker 5>and then.

0:03:16.400 --> 0:03:16.840
<v Speaker 1>A lizard.

0:03:19.440 --> 0:03:24.919
<v Speaker 5>What's my deal breaker? Yeah, I'm going to be very basic. Yeah,

0:03:25.040 --> 0:03:27.400
<v Speaker 5>bad kiss come on to me.

0:03:27.720 --> 0:03:31.560
<v Speaker 6>A bad kiss always is the epitome of like, oh,

0:03:32.120 --> 0:03:34.480
<v Speaker 6>it's not going to happen. You know that, nothing else works,

0:03:34.600 --> 0:03:37.280
<v Speaker 6>nothing else, and there's not going to be that.

0:03:38.440 --> 0:03:42.840
<v Speaker 7>But also eye contact, I contact this key, eye contact

0:03:42.920 --> 0:03:45.640
<v Speaker 7>his key, and that you're right, the sweaty palm.

0:03:45.800 --> 0:03:49.040
<v Speaker 5>Honestly, it's so long ago, I can't actually remember what

0:03:49.240 --> 0:03:49.760
<v Speaker 5>was happening.

0:03:49.960 --> 0:03:50.480
<v Speaker 1>I don't know.

0:03:52.800 --> 0:03:54.200
<v Speaker 6>Season four last so yes or no?

0:03:59.040 --> 0:04:03.800
<v Speaker 1>Just I got a gun quick.

0:04:05.120 --> 0:04:05.400
<v Speaker 6>Fast.

0:04:05.560 --> 0:04:11.480
<v Speaker 5>I don't know. I genuinely don't know. That's why that's

0:04:11.600 --> 0:04:13.440
<v Speaker 5>so good of them to tell me. I don't know.

0:04:13.560 --> 0:04:14.520
<v Speaker 5>I genuinely don't know.

0:04:15.000 --> 0:04:18.800
<v Speaker 1>Favorite American city am I allowed to say? New York? Yes,

0:04:18.920 --> 0:04:23.080
<v Speaker 1>it's my favorite, nice reading new Bam, Bam.

0:04:23.800 --> 0:04:28.679
<v Speaker 7>I mean it's just there's nothing like it's grubby, it's

0:04:28.960 --> 0:04:30.799
<v Speaker 7>it's a live a mess.

0:04:31.279 --> 0:04:36.120
<v Speaker 5>It's a live it never stops. It's just like a

0:04:36.440 --> 0:04:39.719
<v Speaker 5>memby that smells.

0:04:39.360 --> 0:04:40.680
<v Speaker 1>Good, fast.

0:04:42.520 --> 0:04:42.919
<v Speaker 6>Perfect.

0:04:43.400 --> 0:04:43.800
<v Speaker 5>I love it.

0:04:44.640 --> 0:04:51.120
<v Speaker 1>Forgiveness or permission forgiveness, favorite designing.

0:04:52.480 --> 0:04:53.360
<v Speaker 7>I can't do that.

0:04:55.839 --> 0:04:57.680
<v Speaker 5>But do you know who I actually? This morning I

0:04:57.839 --> 0:05:00.560
<v Speaker 5>was backing and forth with Christian Sriano.

0:05:02.080 --> 0:05:08.600
<v Speaker 7>He celebrates a curber figure where most people don't, and

0:05:08.760 --> 0:05:10.880
<v Speaker 7>I thanked him for it this morning on Instagram.

0:05:11.680 --> 0:05:15.760
<v Speaker 5>I was like, nobody supports the curbyer frame like you do.

0:05:16.520 --> 0:05:19.040
<v Speaker 6>But you also had to work because you know, clothes

0:05:19.080 --> 0:05:20.400
<v Speaker 6>don't wear you. You were cloth.

0:05:20.960 --> 0:05:22.719
<v Speaker 1>That's the key comes from costume.

0:05:23.600 --> 0:05:24.200
<v Speaker 5>I think you do.

0:05:26.120 --> 0:05:28.440
<v Speaker 7>Think that's why I've never got married, because I was

0:05:28.600 --> 0:05:31.120
<v Speaker 7>engaged once and I put on all these wedding dresses

0:05:31.440 --> 0:05:31.960
<v Speaker 7>and I was like.

0:05:32.800 --> 0:05:41.720
<v Speaker 5>Less pedestrian compare, I got it. I mean it was

0:05:41.880 --> 0:05:42.320
<v Speaker 5>so bland.

0:05:42.400 --> 0:05:43.520
<v Speaker 7>I think if I was going to do it, I'd

0:05:43.600 --> 0:05:45.120
<v Speaker 7>just be in a bikini on the breas on the beach,

0:05:45.160 --> 0:05:45.960
<v Speaker 7>a white bikini on the.

0:05:45.960 --> 0:05:56.599
<v Speaker 5>Beach, an off white, slightly off, but nobody would notice

0:05:58.680 --> 0:05:59.680
<v Speaker 5>bikini on the beach.

0:06:00.000 --> 0:06:02.320
<v Speaker 8>This is such a gay question, and I happen to

0:06:02.360 --> 0:06:06.560
<v Speaker 8>be watching it again. If you were sex and the

0:06:06.600 --> 0:06:11.600
<v Speaker 8>city are you her Miranda right like Charlotte.

0:06:11.240 --> 0:06:15.320
<v Speaker 5>I know every twitch of yours and s jps interview

0:06:15.600 --> 0:06:16.160
<v Speaker 5>Who would I be?

0:06:16.920 --> 0:06:17.560
<v Speaker 1>Who would you be?

0:06:19.040 --> 0:06:20.520
<v Speaker 5>I think? No, I think that.

0:06:20.920 --> 0:06:26.480
<v Speaker 7>I think the joy of that series and the much

0:06:26.640 --> 0:06:31.960
<v Speaker 7>underrated and just like that. Yes, I agree, there is

0:06:32.000 --> 0:06:34.240
<v Speaker 7>one hundred a little bit of all of them in me.

0:06:35.680 --> 0:06:36.600
<v Speaker 6>You know what that is?

0:06:37.279 --> 0:06:40.000
<v Speaker 3>That's the beauty of the show and s JP and

0:06:40.120 --> 0:06:44.280
<v Speaker 3>Michael Patrick King it's actually one person, yes, that is

0:06:44.360 --> 0:06:45.120
<v Speaker 3>divided into.

0:06:47.600 --> 0:06:47.640
<v Speaker 1>It.

0:06:49.080 --> 0:06:50.880
<v Speaker 7>That's why I love it and that's why I loved

0:06:50.920 --> 0:06:53.680
<v Speaker 7>and just like that as well, because they don't shy

0:06:53.720 --> 0:06:56.560
<v Speaker 7>away from all that you are as you move along

0:06:56.600 --> 0:06:57.000
<v Speaker 7>your life.

0:06:57.600 --> 0:07:00.440
<v Speaker 5>And I absolutely love it all the she does.

0:07:00.760 --> 0:07:03.200
<v Speaker 7>In fact, when I was kind of summoned to the

0:07:03.279 --> 0:07:06.280
<v Speaker 7>set to meet the three Witches in hocus Pocus Too,

0:07:08.160 --> 0:07:11.800
<v Speaker 7>I was obviously hugely taken and staffed buck with Kathy

0:07:12.000 --> 0:07:17.760
<v Speaker 7>Jini and Lady Miss m But sitting next to is

0:07:17.880 --> 0:07:22.000
<v Speaker 7>Sarah on the couch. What she achieved with that show

0:07:22.840 --> 0:07:26.520
<v Speaker 7>before anyone was doing it was incredible. Yeah.

0:07:28.480 --> 0:07:31.360
<v Speaker 8>You know what's great about Sir Jessica Parker is she

0:07:31.640 --> 0:07:34.880
<v Speaker 8>is She's so smart and she did something that was

0:07:34.960 --> 0:07:38.240
<v Speaker 8>so interesting in a moment in time that we'll live

0:07:38.320 --> 0:07:40.400
<v Speaker 8>on forever in that series.

0:07:40.600 --> 0:07:42.880
<v Speaker 5>Yes, it's like friends timeless.

0:07:42.560 --> 0:07:43.960
<v Speaker 1>It's like time. It's timeless.

0:07:44.280 --> 0:07:48.080
<v Speaker 8>And I also believe it's because you know, she changed

0:07:48.080 --> 0:07:50.680
<v Speaker 8>her woman's dress, she changed New York City at the

0:07:50.800 --> 0:07:51.400
<v Speaker 8>end of the day.

0:07:51.560 --> 0:07:54.240
<v Speaker 6>It reminds us of the connection with people or are

0:07:54.360 --> 0:07:54.920
<v Speaker 6>no phones.

0:07:55.280 --> 0:07:59.040
<v Speaker 8>It's like and I said to her, and this could

0:07:59.080 --> 0:08:01.080
<v Speaker 8>go for you with your characters to us, So when

0:08:01.160 --> 0:08:04.480
<v Speaker 8>did when did you know Carrie was in the room?

0:08:04.560 --> 0:08:06.920
<v Speaker 1>Like when it was time, Was it a lipstick? Was

0:08:06.960 --> 0:08:09.440
<v Speaker 1>it a a thing? And she goes when they yelled action,

0:08:10.000 --> 0:08:12.560
<v Speaker 1>she goes. I didn't know if Carrie was going to be,

0:08:13.480 --> 0:08:13.760
<v Speaker 1>what the.

0:08:13.800 --> 0:08:15.240
<v Speaker 6>Reaction was going to be, if she was going to

0:08:15.280 --> 0:08:17.880
<v Speaker 6>be happy, if she didn't, she did not know, she goes.

0:08:17.920 --> 0:08:21.280
<v Speaker 8>It would be often twenty degrees, we take that big

0:08:21.360 --> 0:08:24.760
<v Speaker 8>poofy jacket off and action and Carrie would come and

0:08:25.440 --> 0:08:28.880
<v Speaker 8>it would be because I was expecting what Meril Monroe said,

0:08:29.560 --> 0:08:30.680
<v Speaker 8>which was often.

0:08:30.440 --> 0:08:31.400
<v Speaker 1>Do you want to see her?

0:08:32.160 --> 0:08:35.160
<v Speaker 6>And she was able to switch it on, switch it

0:08:35.200 --> 0:08:37.400
<v Speaker 6>on and off. So it's interesting do you find when

0:08:37.400 --> 0:08:42.400
<v Speaker 6>you're playing a character, do you how do you manifest

0:08:42.480 --> 0:08:44.680
<v Speaker 6>that character? Is there something that you bring to the set,

0:08:44.760 --> 0:08:47.800
<v Speaker 6>but it or something that you do know, it's just

0:08:47.880 --> 0:08:48.439
<v Speaker 6>in your bones.

0:08:48.559 --> 0:08:50.920
<v Speaker 7>Yeah, it's like I really I really identify with her

0:08:51.000 --> 0:08:54.680
<v Speaker 7>on that one, and none more so than than Rebecca Welton.

0:08:54.760 --> 0:08:57.040
<v Speaker 5>I can literally think of her and think as me

0:08:57.240 --> 0:08:57.800
<v Speaker 5>like on a dime.

0:08:59.480 --> 0:09:02.240
<v Speaker 8>Rebecca is an amazing one of those characters that goes

0:09:02.280 --> 0:09:05.719
<v Speaker 8>down and you you you nail her so perfectly, like

0:09:05.840 --> 0:09:08.079
<v Speaker 8>you know, you get her and and it's and it

0:09:08.240 --> 0:09:10.920
<v Speaker 8>is polarizing in a way because you love her and

0:09:11.000 --> 0:09:14.080
<v Speaker 8>then you're like, she's volatile, and she's you know, she's

0:09:14.120 --> 0:09:14.720
<v Speaker 8>all these things.

0:09:14.760 --> 0:09:17.240
<v Speaker 6>And then you walk in you see her through your

0:09:17.280 --> 0:09:20.760
<v Speaker 6>eyes in such a magnificent way. Did anyone tell you

0:09:20.800 --> 0:09:21.880
<v Speaker 6>you were a talented actress?

0:09:23.559 --> 0:09:24.640
<v Speaker 1>Sunrise or sunset?

0:09:25.520 --> 0:09:29.920
<v Speaker 7>Definitely sunset? Definitely definitely sunset. I'm just not a morning

0:09:30.000 --> 0:09:32.319
<v Speaker 7>person people, right, I don't know how to do it.

0:09:32.760 --> 0:09:33.800
<v Speaker 5>Even having a child.

0:09:34.000 --> 0:09:36.640
<v Speaker 7>I thought having a child this night I would suddenly

0:09:36.640 --> 0:09:37.160
<v Speaker 7>become a warning.

0:09:37.480 --> 0:09:45.360
<v Speaker 1>No. No, it just basically ragging yourself. Dream role I don't.

0:09:45.200 --> 0:09:47.719
<v Speaker 5>Know, goes back to that thing of just I'm in

0:09:47.800 --> 0:09:48.360
<v Speaker 5>the palm of the.

0:09:48.360 --> 0:09:52.400
<v Speaker 1>Gods, right, palm of the gods. My new York accidents,

0:09:52.720 --> 0:09:53.920
<v Speaker 1>harm of the God.

0:09:54.280 --> 0:09:56.600
<v Speaker 6>The God of the God, the God.

0:09:56.880 --> 0:09:59.880
<v Speaker 5>Yeah, yeah, I don't.

0:10:00.080 --> 0:10:04.079
<v Speaker 7>I don't know, because playing Desiree in Little Night Music

0:10:05.120 --> 0:10:09.200
<v Speaker 7>was a beautiful thing for me back then, But then again,

0:10:09.320 --> 0:10:10.959
<v Speaker 7>so was the Lady of the Lake and span a lot,

0:10:11.640 --> 0:10:14.480
<v Speaker 7>and in terms of I've never felt like I was

0:10:14.559 --> 0:10:17.480
<v Speaker 7>walking along with a friend as much as as Ted Lasso.

0:10:19.240 --> 0:10:24.160
<v Speaker 7>So what I will say is that which I've already

0:10:24.200 --> 0:10:25.880
<v Speaker 7>played is going to be a hard act to follow

0:10:26.600 --> 0:10:30.920
<v Speaker 7>because I love them completely. Even like I was saying, like, like,

0:10:31.240 --> 0:10:33.880
<v Speaker 7>you know, my my scept Nolla, the shame Nun in

0:10:34.760 --> 0:10:36.400
<v Speaker 7>games Zones, I loved her.

0:10:37.200 --> 0:10:39.560
<v Speaker 5>I love them. I feel like I walk along hand

0:10:39.600 --> 0:10:40.200
<v Speaker 5>in hand with them.

0:10:40.240 --> 0:10:44.040
<v Speaker 7>I don't feel like there's any any I know who

0:10:44.120 --> 0:10:46.120
<v Speaker 7>I am and I know who they are. And there's

0:10:46.160 --> 0:10:48.040
<v Speaker 7>been plenty of times when people have said, oh, you're

0:10:48.200 --> 0:10:52.679
<v Speaker 7>You're she's you. Rebecca Wilton's just like you. I'm nothing

0:10:52.840 --> 0:10:57.240
<v Speaker 7>like Rebecca, but I can slip into her. It's like

0:10:57.360 --> 0:10:58.120
<v Speaker 7>sliding doors.

0:10:58.160 --> 0:10:59.800
<v Speaker 5>I love that Fulton movie.

0:11:00.559 --> 0:11:03.040
<v Speaker 7>It's just who you could have been in a different life.

0:11:03.400 --> 0:11:07.599
<v Speaker 7>I like playing characters that are that slight slice of

0:11:07.720 --> 0:11:10.000
<v Speaker 7>who you could have been. Who any of us could

0:11:10.040 --> 0:11:13.520
<v Speaker 7>have been, should we have taken different choices, made different choices.

0:11:13.760 --> 0:11:17.520
<v Speaker 6>I love that because I also feel that everything, every choice.

0:11:17.320 --> 0:11:19.000
<v Speaker 8>You've made in your life, and every choice that I've

0:11:19.040 --> 0:11:20.840
<v Speaker 8>made in my life has led us to this.

0:11:20.960 --> 0:11:25.760
<v Speaker 5>Moment here right now, fascinating and beautiful, and then it's.

0:11:26.520 --> 0:11:29.120
<v Speaker 6>It's beautiful, and then it's gone, and then it goes.

0:11:30.400 --> 0:11:32.439
<v Speaker 8>You're a very special person, and Hannah, thank you for

0:11:32.559 --> 0:11:35.960
<v Speaker 8>joining me and us who have decided to pull up

0:11:36.000 --> 0:11:40.320
<v Speaker 8>a chair today on Table for two and enjoy everybody.

0:11:40.440 --> 0:11:41.280
<v Speaker 1>Thank you for joining.

0:11:42.200 --> 0:11:57.040
<v Speaker 4>Let's have led one second. One second, Yes, thank you

0:11:57.160 --> 0:11:58.199
<v Speaker 4>for pulling up a chair.

0:11:58.800 --> 0:12:02.800
<v Speaker 3>I love our line and never forget the romance of

0:12:02.920 --> 0:12:03.240
<v Speaker 3>a meal.

0:12:04.240 --> 0:12:06.679
<v Speaker 2>If you enjoy the show, please tell a friend and

0:12:06.880 --> 0:12:09.240
<v Speaker 2>rate and review us on Apple Podcasts.

0:12:09.840 --> 0:12:12.680
<v Speaker 3>Table for two with Bruce Bosi is produced by iHeartRadio

0:12:12.840 --> 0:12:16.880
<v Speaker 3>seven three seven Park and Airmail. Our executive producers are

0:12:16.920 --> 0:12:21.440
<v Speaker 3>Bruce Bosi and Nathan King. Our supervising producer is Dylan Fagan.

0:12:21.760 --> 0:12:23.680
<v Speaker 3>Our editors are Vincent.

0:12:23.360 --> 0:12:25.559
<v Speaker 1>To Johnny and Cas b. Bias.

0:12:26.200 --> 0:12:29.600
<v Speaker 3>Table for two is researched and written by Jack Sullivan.

0:12:30.000 --> 0:12:34.000
<v Speaker 3>Our sound engineers are Mio B. Klein, Jess Krainich, Evan Taylor,

0:12:34.240 --> 0:12:38.280
<v Speaker 3>and Jesse funn. Our music supervisor is Randall. Poster Our

0:12:38.360 --> 0:12:41.400
<v Speaker 3>talent booking is done by Jane Sarkin. Table for two's

0:12:41.400 --> 0:12:45.680
<v Speaker 3>social media manager is Gracie Wiener. Special thanks to Amy Sugarman,

0:12:46.040 --> 0:12:50.640
<v Speaker 3>Uni Scherer, Kevin Yvane, Bobby Bauer, and Alison Kanter Graber.

0:12:51.120 --> 0:12:56.200
<v Speaker 3>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcast,

0:12:56.720 --> 0:12:59.680
<v Speaker 3>or wherever you listen to your favorite shows