1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hay handsomniacs, this is Heather Iine Horn, co creator of 2 00:00:04,480 --> 00:00:07,680 Speaker 1: See You in Your Nightmares. To fully immerse yourself in 3 00:00:07,720 --> 00:00:11,840 Speaker 1: the nightmare experience, headphones are recommended. Stay tuned for the 4 00:00:11,880 --> 00:00:14,760 Speaker 1: next episode, but first a quick word from our sponsor, 5 00:00:18,920 --> 00:00:22,439 Speaker 1: Iron Horn's Epic Productions and I Heart Radio present See 6 00:00:22,440 --> 00:00:40,280 Speaker 1: You in Your Nightmares in three D headphones recommended. Dr Carter. 7 00:00:41,640 --> 00:00:45,320 Speaker 1: Anything uncomfortable, Miss Hart? Have you been listening to my 8 00:00:45,400 --> 00:00:49,400 Speaker 1: dream logs? Oh? Yes, of course, all part of the 9 00:00:49,440 --> 00:00:53,080 Speaker 1: treatment program. Is that why you bumped up my rotation? 10 00:00:53,880 --> 00:00:59,040 Speaker 1: Isn't Chris supposed to be here tonight? Yes, that's exactly why, Harper. 11 00:01:00,040 --> 00:01:07,600 Speaker 1: Don't fear the monster. Don't fear your memories either. My memories, yes, 12 00:01:09,560 --> 00:01:13,520 Speaker 1: the creek, the pain you felt upon waking. Your file 13 00:01:13,600 --> 00:01:16,920 Speaker 1: didn't detail symptoms of repressed memories, so I didn't take 14 00:01:16,959 --> 00:01:19,840 Speaker 1: that into account when I had designed your treatment, but 15 00:01:20,120 --> 00:01:23,640 Speaker 1: you were able to face them on your own. What 16 00:01:23,720 --> 00:01:27,800 Speaker 1: are you typing? New code? I'm testing? I understand you're 17 00:01:27,800 --> 00:01:31,679 Speaker 1: trying to help your friends with their nightmares. Blossom is 18 00:01:31,720 --> 00:01:36,320 Speaker 1: a powerful system, but constantly evolving. She's learning from you 19 00:01:36,959 --> 00:01:40,480 Speaker 1: as you learn about yourself. This should hopefully open up 20 00:01:40,480 --> 00:01:46,520 Speaker 1: possibilities for you. Wow, thank you, Dr Carter. Well thank 21 00:01:46,600 --> 00:01:49,840 Speaker 1: me after it works, my art blossom begin r a 22 00:01:50,000 --> 00:01:54,240 Speaker 1: M sequence for patient calibrating neural oscillation of THEATA wave 23 00:01:54,320 --> 00:02:13,920 Speaker 1: patterns blue lucid sequence. That was a memory? How could that? No, 24 00:02:14,960 --> 00:02:19,040 Speaker 1: it wasn't real. It was just maybe Julia was messing 25 00:02:19,040 --> 00:02:25,760 Speaker 1: with me in that dream too. No, what if she's 26 00:02:25,800 --> 00:02:30,919 Speaker 1: in there? What if that lady? Where can we go together? Ah? 27 00:02:31,680 --> 00:02:35,919 Speaker 1: Come be together? Holly? She dried you up? What if 28 00:02:35,960 --> 00:02:44,160 Speaker 1: she together? Oh? Get out of my face? Just not 29 00:02:44,600 --> 00:02:53,160 Speaker 1: just going stop stop stopping my cantos me somebody else 30 00:02:53,280 --> 00:03:07,000 Speaker 1: us stay away. Ll Kelly come here. I don't want 31 00:03:07,000 --> 00:03:10,200 Speaker 1: to see that lady again. Can you come here? Please? 32 00:03:10,720 --> 00:03:14,560 Speaker 1: Please come be here, Come here, come here. Anyone know 33 00:03:19,560 --> 00:03:27,880 Speaker 1: what the This isn't the school? O? Who's that? Harpa? 34 00:03:28,840 --> 00:03:34,960 Speaker 1: Why you did it? Me? Happa? You brought me to you? Wait? 35 00:03:35,640 --> 00:04:06,840 Speaker 1: You cry right now? Healthy? Happy? See you in your nightmares? 36 00:04:17,480 --> 00:04:21,920 Speaker 1: Huh something wrong? Dr Carter. Her beta waves need to heighten. 37 00:04:23,000 --> 00:04:27,839 Speaker 1: Begin prepping Harper for electro convulsive therapy. Uh. Shouldn't we 38 00:04:27,839 --> 00:04:32,320 Speaker 1: start with something milder like transcranial magnetic stimulation. She's already 39 00:04:32,400 --> 00:04:36,920 Speaker 1: hyper stimulated. We could induce a seizure. There's some other 40 00:04:37,000 --> 00:04:40,599 Speaker 1: foreign code. I need to isolate her effect within the system. 41 00:04:41,360 --> 00:04:43,479 Speaker 1: Why don't we wait and try this on Julia. She's 42 00:04:43,480 --> 00:04:46,479 Speaker 1: got a higher threshold for She's not the brain that's 43 00:04:46,520 --> 00:05:02,760 Speaker 1: coordinating all the improvements. Go. Restraints are secure, electrodes are 44 00:05:02,839 --> 00:05:07,960 Speaker 1: on her temples, and the mouthguard is in place. Blossom, Yes, 45 00:05:08,080 --> 00:05:19,440 Speaker 1: Dr Carter, begin ect stimulation on my mark three two one? Papa? 46 00:05:20,040 --> 00:05:23,680 Speaker 1: Are you okay? What do I do? I'm so sorry? 47 00:05:23,960 --> 00:05:25,840 Speaker 1: I didn't even know I was bringing you up here? 48 00:05:25,880 --> 00:05:33,919 Speaker 1: I just what is it? What's wrong? How did you get? Papa? 49 00:05:34,279 --> 00:05:40,320 Speaker 1: Are you okay? Told me your card? Coming a buck? Go? 50 00:05:40,520 --> 00:05:45,760 Speaker 1: Wake up? I don't think I think we're having a SISA. 51 00:05:46,240 --> 00:05:48,880 Speaker 1: Can you hear me? You're gonna jump us out of here? 52 00:05:50,880 --> 00:06:00,320 Speaker 1: Why is that door open before I came through? Over out? 53 00:06:00,480 --> 00:06:08,960 Speaker 1: He is? Oh? Hell? Get back? What do you want like? Play? 54 00:06:09,680 --> 00:06:15,919 Speaker 1: Isn't that ring? Corty? Stay away from her? No one 55 00:06:15,960 --> 00:06:19,640 Speaker 1: wants the paper can get back golf, now, that's very nice. 56 00:06:20,400 --> 00:06:35,080 Speaker 1: They can blame in my part. Come out? He no, 57 00:06:36,240 --> 00:06:48,560 Speaker 1: your friend in there and me? No? No, wait, dave me, 58 00:06:49,600 --> 00:07:07,960 Speaker 1: don't let this stick, take it no emergency patient Alpha 59 00:07:08,000 --> 00:07:12,160 Speaker 1: al Biley experiencing drop in cortical activity, drop in blood pressure, 60 00:07:12,360 --> 00:07:17,520 Speaker 1: depressed brainstem reflexes. Something's wrong. Dr Carter, Yes, but why 61 00:07:17,640 --> 00:07:21,600 Speaker 1: is Subject five? I'll check on him, Blossom. Do Subject 62 00:07:21,680 --> 00:07:25,560 Speaker 1: five spadea waves match with Harpers? Yes? All waves on 63 00:07:25,680 --> 00:07:28,920 Speaker 1: both charts, allowned ten dream minutes into R E M. 64 00:07:28,920 --> 00:07:33,360 Speaker 1: What is harper status? Harper has experienced multiple seizures. However, 65 00:07:33,440 --> 00:07:38,240 Speaker 1: her vitals are stabilizing, all right. Isolate any phantom code 66 00:07:38,280 --> 00:07:42,480 Speaker 1: present in tonight's rotation. He's breathing in stable, but something 67 00:07:42,600 --> 00:07:44,200 Speaker 1: is wrong. We need to get him an m R. 68 00:07:44,280 --> 00:07:50,200 Speaker 1: I panicking. Why you've dealt with setbacks before? I vividly 69 00:07:50,440 --> 00:07:54,800 Speaker 1: remember the previous setbacks. I even remember their names. Then 70 00:07:54,840 --> 00:07:58,880 Speaker 1: you remember why we keep moving forward. Nothing is wasted. 71 00:07:59,080 --> 00:08:03,040 Speaker 1: Every setback is teachable. Nothing like this has ever happened 72 00:08:03,040 --> 00:08:06,760 Speaker 1: to someone not in the chair. What are we learning here? 73 00:08:07,480 --> 00:08:10,760 Speaker 1: Isolate Subject five in the outbuilding. We can monitor him 74 00:08:10,760 --> 00:08:33,760 Speaker 1: consistently without disturbing further rotations. Gold mm hmmm, Alfie monster 75 00:08:35,880 --> 00:08:44,920 Speaker 1: h every must feels like knives. This in my you' 76 00:08:45,040 --> 00:08:54,040 Speaker 1: oh this place? Am I supposed to find him? Alfie, 77 00:08:56,760 --> 00:09:07,240 Speaker 1: My jaws so sore? What the hell will happen back there? Alfie? 78 00:09:08,160 --> 00:09:14,640 Speaker 1: Where are you? Why am I here? Damn it? Julia 79 00:09:15,559 --> 00:09:20,280 Speaker 1: or evil ghost monster? Whatever took Alfie? Why do you keep? 80 00:09:21,720 --> 00:09:26,440 Speaker 1: Why am I here? Why am I doing this? What 81 00:09:26,559 --> 00:09:30,600 Speaker 1: if that thing kills him? Oh? God it? Why did 82 00:09:30,600 --> 00:09:35,839 Speaker 1: I jump into my treem once? Such an idiot? The 83 00:09:36,000 --> 00:09:42,640 Speaker 1: monster is right, Julius, right, oh, my coward. I sacrificed 84 00:09:42,720 --> 00:09:47,640 Speaker 1: Alfie just so I didn't have to open a creepy door. Hey, weird, 85 00:09:47,760 --> 00:09:59,800 Speaker 1: evil monster take me in stead? How about that? Ba's listen? Kay? 86 00:10:00,120 --> 00:10:09,840 Speaker 1: Was these gravestones? They're so clean? It's like Jeremy Gorman 87 00:10:10,840 --> 00:10:15,240 Speaker 1: Angel ray is do I even know? Do I know? 88 00:10:15,440 --> 00:10:24,440 Speaker 1: These people? Like ankle? Oh my god, get off? Like 89 00:10:24,559 --> 00:10:33,800 Speaker 1: go with me. That was the hand that was a 90 00:10:33,880 --> 00:10:35,840 Speaker 1: hand from the grave with this blue You gotta get 91 00:10:35,880 --> 00:10:39,160 Speaker 1: out of here. No no, no, no, no, no, no 92 00:10:39,160 --> 00:10:45,040 Speaker 1: no no, get off. He's like crawling around in mud. Dreamers, 93 00:10:45,960 --> 00:10:51,440 Speaker 1: stay back? How far? How are you? I'm the kid, 94 00:10:51,480 --> 00:10:58,720 Speaker 1: taker of what he's grounds? Who are you? I'm the dreamer? 95 00:10:59,679 --> 00:11:05,720 Speaker 1: This is in my dream? I think, Oh yeah, right, yeah, yeah, 96 00:11:05,760 --> 00:11:09,240 Speaker 1: that's fun. Did you have to stop Jeremy's hand into 97 00:11:09,360 --> 00:11:14,960 Speaker 1: mulchs like that though he's a it's a it's a zombie. Yeah, 98 00:11:15,120 --> 00:11:20,280 Speaker 1: but that wasn't nice. Who are you? We did this 99 00:11:20,320 --> 00:11:24,200 Speaker 1: bit already, right or did we? We did? Did we? 100 00:11:25,120 --> 00:11:30,080 Speaker 1: Who are you? I need to find my friend? Can 101 00:11:30,120 --> 00:11:32,640 Speaker 1: you help me get back to where I was? Depends 102 00:11:33,160 --> 00:11:40,280 Speaker 1: on what how you got here? You dead or oh? 103 00:11:40,760 --> 00:11:46,040 Speaker 1: Blossom queer me or command Queery? Identify the girl next 104 00:11:46,040 --> 00:11:49,480 Speaker 1: to me? Please? Is she alive or dead or somewhere 105 00:11:49,480 --> 00:11:56,640 Speaker 1: in between? You know? Blossoming catalog accessing, current data, integrating. 106 00:11:57,559 --> 00:12:02,160 Speaker 1: I got these from others kids, you or less like you? 107 00:12:02,920 --> 00:12:07,760 Speaker 1: Most can't leave. Most give me new watches. See that's 108 00:12:07,800 --> 00:12:10,800 Speaker 1: a lot of watches on one arm. I keep them, 109 00:12:11,080 --> 00:12:15,000 Speaker 1: keep six from my friends. Sometimes I say blossom, and 110 00:12:15,120 --> 00:12:20,400 Speaker 1: sometimes I get answers. Oh, oh, you remind me of 111 00:12:20,400 --> 00:12:27,480 Speaker 1: someone who most you know it. You've been listening. Do 112 00:12:27,600 --> 00:12:31,480 Speaker 1: not doubt your choices, Harper Heart, You already know what 113 00:12:31,559 --> 00:12:36,559 Speaker 1: to do? How did you know my name? Harper Heart 114 00:12:36,640 --> 00:12:40,840 Speaker 1: is currently recovering in Dr Carter's office at the Luckwitch 115 00:12:40,840 --> 00:12:51,079 Speaker 1: Wellness Center, Blossom. Where's Alfie scanning? Scanning? Alfie Abili's location 116 00:12:51,280 --> 00:12:56,400 Speaker 1: is presently unknown. What if I killed him? Nah, then 117 00:12:56,400 --> 00:13:00,400 Speaker 1: he'd be here. You know what to do, Harper. All 118 00:13:00,440 --> 00:13:03,840 Speaker 1: you have are choices. You cannot own their results. You 119 00:13:03,880 --> 00:13:08,360 Speaker 1: can contend with the fallout. Now look way over there 120 00:13:08,679 --> 00:13:14,120 Speaker 1: where the giant tomb, the mausoleume. Come walk with me. Okay, 121 00:13:15,240 --> 00:13:21,079 Speaker 1: it's really far, and we'll bring it closer one step. 122 00:13:24,440 --> 00:13:33,559 Speaker 1: Damn time? How are you? Oh? You know dimentions? That's it? Dimensions? 123 00:13:34,440 --> 00:13:39,600 Speaker 1: What is we're here? That sounds? Is there a token 124 00:13:39,640 --> 00:13:42,400 Speaker 1: in there? One you can only attain if it attains 125 00:13:42,440 --> 00:13:48,000 Speaker 1: by itself? What are you? Are you part of someone's dream? 126 00:13:48,040 --> 00:13:52,600 Speaker 1: Are you Dr Carter's dream? Who is that? I don't know. 127 00:13:53,480 --> 00:13:58,560 Speaker 1: I can't tell you. I don't remember been here ages centuries? Probably? 128 00:14:00,000 --> 00:14:04,800 Speaker 1: So what happens if I open it? Open way the mausoleum. 129 00:14:04,800 --> 00:14:08,360 Speaker 1: I don't trafficking mysteries, lady, I maintain these grounds in 130 00:14:08,440 --> 00:14:12,240 Speaker 1: my my business. Now, if you'll excuse me, there are 131 00:14:12,280 --> 00:14:15,800 Speaker 1: more stray nightmares to tend to. You can see yourself. 132 00:14:16,640 --> 00:14:20,680 Speaker 1: I'll greet you again when it's time. Don't traffic. Literally, 133 00:14:20,840 --> 00:14:24,200 Speaker 1: nothing he said made any sense. Show myself out. I 134 00:14:24,240 --> 00:14:42,840 Speaker 1: don't even know how I got in. Why? Hey, insomniacs 135 00:14:43,280 --> 00:14:46,200 Speaker 1: want to dive deeper into the nightmare. Follow us at 136 00:14:46,240 --> 00:14:50,320 Speaker 1: Harper Nightmare for more terrified details. More See You in 137 00:14:50,400 --> 00:14:53,200 Speaker 1: Your Nightmares is up next, but first a quick word 138 00:14:53,200 --> 00:15:09,560 Speaker 1: from our sponsor, Hey, Insomniacs, welcome back. I want to 139 00:15:09,600 --> 00:15:12,320 Speaker 1: find out what's really behind the nightmare. Had to see 140 00:15:12,320 --> 00:15:15,000 Speaker 1: You in Your Nightmares dot com to uncover more mind 141 00:15:15,040 --> 00:15:28,560 Speaker 1: bending details. She's back. Dr Carter, Hey, welcome back, Harper. 142 00:15:30,480 --> 00:15:32,000 Speaker 1: You've been out for the better part of the day. 143 00:15:32,920 --> 00:15:39,200 Speaker 1: What happened there was a complication. I'm so sorry. I 144 00:15:39,240 --> 00:15:43,720 Speaker 1: didn't mean to No, not you, Harper. You did nothing wrong. 145 00:15:44,640 --> 00:15:50,480 Speaker 1: Something happened to said to Alfhie. He is recuperating. We've 146 00:15:50,480 --> 00:15:54,440 Speaker 1: taken him off site where he can recuperate. What happened 147 00:15:54,480 --> 00:15:57,800 Speaker 1: to us? I thought I was dying. I was so scared. 148 00:15:57,840 --> 00:16:02,560 Speaker 1: I thought I killed him. Oh, Harbor, No, you did 149 00:16:02,600 --> 00:16:07,360 Speaker 1: your best, as did we. Some things, especially in the 150 00:16:07,440 --> 00:16:12,240 Speaker 1: human brain, are still beyond the understanding of science for now, 151 00:16:13,120 --> 00:16:15,720 Speaker 1: but we only learn more by being willing to step 152 00:16:15,760 --> 00:16:21,360 Speaker 1: into the unknown. Okay, Alphie will be fine here, drink 153 00:16:21,440 --> 00:16:26,080 Speaker 1: this the whole glass. Finn will bring your meal, and 154 00:16:26,160 --> 00:16:28,960 Speaker 1: when you're ready, come out and be with your friends. 155 00:16:29,600 --> 00:16:46,600 Speaker 1: They've been worried for you both. Does that mean Alphie's 156 00:16:46,640 --> 00:16:50,000 Speaker 1: not on the island. He's at a hospital we partner 157 00:16:50,080 --> 00:16:54,960 Speaker 1: with M. If I want to see him, could you 158 00:16:55,280 --> 00:16:59,520 Speaker 1: take me? I feel safer if you did. I wish 159 00:16:59,560 --> 00:17:02,480 Speaker 1: I could, Harper. I'm glad you trust me. But you 160 00:17:02,520 --> 00:17:06,160 Speaker 1: know what the NDA says. You stay on the grounds 161 00:17:06,480 --> 00:17:11,280 Speaker 1: until the end of your residency. But maybe we could 162 00:17:11,320 --> 00:17:15,040 Speaker 1: do a picnic on the center grounds now. I have 163 00:17:15,119 --> 00:17:23,359 Speaker 1: to run lots of research to do. M That sounded 164 00:17:23,400 --> 00:17:39,680 Speaker 1: more like a threat than a bargain. Nice one is me. 165 00:17:40,640 --> 00:17:43,320 Speaker 1: You're the one with a nice chat. Oh my god, Harper, 166 00:17:44,760 --> 00:17:50,359 Speaker 1: good to see you. Good to see you too. As we, 167 00:17:51,760 --> 00:17:54,560 Speaker 1: Dr Carter told us what happened. She said something was 168 00:17:54,600 --> 00:17:57,800 Speaker 1: wrong with Alfie's wrist band. Do you think it's my fault? 169 00:17:58,240 --> 00:17:59,840 Speaker 1: It wasn't even done with my code and I only 170 00:17:59,840 --> 00:18:03,000 Speaker 1: do it in my dream. It's okay as me, don't worry. 171 00:18:03,400 --> 00:18:07,120 Speaker 1: Finn said, he's recuperating at the hospital in Greenport. Harper, 172 00:18:08,240 --> 00:18:13,600 Speaker 1: you okay, Alfie was in my dream with me. What 173 00:18:13,600 --> 00:18:17,679 Speaker 1: what happened to him? I don't know. Something was wrong 174 00:18:17,720 --> 00:18:21,399 Speaker 1: with me. I was having a seizure or something inside 175 00:18:21,440 --> 00:18:24,960 Speaker 1: my dream that that's never happened before. Then we got 176 00:18:25,040 --> 00:18:30,440 Speaker 1: separated and I went somewhere where What did you see? 177 00:18:30,760 --> 00:18:33,600 Speaker 1: I don't really know how to explain it, but we 178 00:18:33,680 --> 00:18:36,600 Speaker 1: need to get into Blossom's records. That's where I can 179 00:18:36,640 --> 00:18:40,320 Speaker 1: find out. Well, if we need to be sneaky, there's 180 00:18:40,480 --> 00:18:44,320 Speaker 1: one person who could definitely help us. Not damn it, 181 00:18:45,240 --> 00:18:48,640 Speaker 1: she's been sulking in her room all day, but maybe 182 00:18:48,760 --> 00:18:51,520 Speaker 1: I can get an answer without her biting my head 183 00:18:51,680 --> 00:18:57,000 Speaker 1: completely off. Do you know why Dr Carter skipped Chris's rotation? 184 00:18:57,920 --> 00:19:01,359 Speaker 1: Something about my ability? I think she's figured out I 185 00:19:01,400 --> 00:19:05,480 Speaker 1: can dream jump. That's not your fault, isn't it? It's 186 00:19:05,520 --> 00:19:08,800 Speaker 1: got dangerous once I got here and Dr Carter didn't 187 00:19:08,800 --> 00:19:11,200 Speaker 1: seem surprised by what happened in our dreams at all. 188 00:19:11,800 --> 00:19:14,280 Speaker 1: What if there's no point in shame spirally, if they 189 00:19:14,280 --> 00:19:16,320 Speaker 1: want to shut us out, we find our own way in. 190 00:19:17,040 --> 00:19:19,280 Speaker 1: That's what you did when those puppets were eating me alive. 191 00:19:20,320 --> 00:19:23,480 Speaker 1: I've got an idea. What are you thinking? I'm thinking 192 00:19:23,520 --> 00:19:53,760 Speaker 1: we see what Blossom knows at the source. What what 193 00:19:53,800 --> 00:19:57,480 Speaker 1: do you want? Quarterback? Dude? Can we not? We're just 194 00:19:57,520 --> 00:19:59,680 Speaker 1: trying to find Alfie. And you've been here longest, so 195 00:19:59,800 --> 00:20:07,639 Speaker 1: we've maybe you knew something. Carter said, Julia, I'm fine, 196 00:20:08,359 --> 00:20:11,720 Speaker 1: I can't help you. Go away now. Yeah, what about 197 00:20:11,760 --> 00:20:14,800 Speaker 1: Dr carter Wood? What did she say? What's wrong with Juliet? 198 00:20:14,920 --> 00:20:18,040 Speaker 1: Should I get Finn in here? No? No, I'm fine. 199 00:20:19,000 --> 00:20:22,240 Speaker 1: Like I said, I can't help. I don't know anything 200 00:20:23,160 --> 00:20:25,760 Speaker 1: other than the best place to sneak a smoke. That's 201 00:20:26,760 --> 00:20:31,600 Speaker 1: really helpful. Thanks. You know, if it was you that 202 00:20:31,720 --> 00:20:39,640 Speaker 1: was missing, Alfie would be looking. We all would wait. Fine, 203 00:20:41,200 --> 00:20:54,479 Speaker 1: I have an idea. Let's grab that smoke. How did 204 00:20:54,480 --> 00:20:59,240 Speaker 1: you get in here? A lady never could and tells 205 00:21:00,040 --> 00:21:02,399 Speaker 1: owe me? Or I'll take that as code for I 206 00:21:02,440 --> 00:21:04,359 Speaker 1: hooked up with Chris right here on this table, and 207 00:21:05,720 --> 00:21:08,240 Speaker 1: we were just planning to sneak out so I could 208 00:21:08,240 --> 00:21:10,280 Speaker 1: give him a full moon ritual on the beach next week, 209 00:21:10,440 --> 00:21:16,680 Speaker 1: which is code for don't hit me. I'll stop. So 210 00:21:17,200 --> 00:21:20,000 Speaker 1: what happens once you're in Blossom server? We should be 211 00:21:20,040 --> 00:21:23,240 Speaker 1: able to pull up restricted info. Okay, I'm going to 212 00:21:23,320 --> 00:21:27,360 Speaker 1: try an algorithm to root force a password solution through 213 00:21:27,359 --> 00:21:31,040 Speaker 1: Blossom security. Well, I understand those words individually, but I 214 00:21:31,119 --> 00:21:33,800 Speaker 1: trust my computer queen to hack the matrix. Thanks do. 215 00:21:34,720 --> 00:21:39,720 Speaker 1: Let's see I think I'm through, Blossom. Yes, as a 216 00:21:39,760 --> 00:21:42,320 Speaker 1: may how may I help you today? Do you know 217 00:21:42,359 --> 00:21:46,600 Speaker 1: the whereabouts of patient Alphabelee? That information is restricted and 218 00:21:46,720 --> 00:21:50,840 Speaker 1: unavailable to persons outside of operational staff. That sounds like 219 00:21:51,000 --> 00:21:55,320 Speaker 1: robot for yes, Blossom, why is that information restricted? That 220 00:21:55,400 --> 00:22:01,040 Speaker 1: information is restricted and unavailable to persons outside of operational staff. Okay, 221 00:22:01,160 --> 00:22:04,080 Speaker 1: this isn't getting us anywhere, but at least you can 222 00:22:04,119 --> 00:22:07,760 Speaker 1: try asking about what you saw earlier, Blossom, What information 223 00:22:07,800 --> 00:22:12,000 Speaker 1: do you have on Angel Reus? Angel Monica Reus born 224 00:22:12,040 --> 00:22:17,360 Speaker 1: in Montauk, New York, registered oh one fourteen two thousand nineteen, 225 00:22:17,760 --> 00:22:25,199 Speaker 1: aged seventeen seventy eight, sessions deceased and Jeremy. Damn it, 226 00:22:25,400 --> 00:22:29,080 Speaker 1: I'm so bad with names. There are records of two patients, 227 00:22:29,200 --> 00:22:33,720 Speaker 1: first named Jeremy. Would you like to access both files? Yes? 228 00:22:35,000 --> 00:22:40,240 Speaker 1: Jeremy Young Lee born in Bethesda, Maryland, registered zero four 229 00:22:40,520 --> 00:22:47,240 Speaker 1: zero seven two thousand nineteen, aged fifteen thirty seven, sessions released. 230 00:22:48,440 --> 00:22:54,280 Speaker 1: Jeremy Allan Gorman born in Allentown, Pennsylvania, registered zero seven 231 00:22:54,720 --> 00:23:01,520 Speaker 1: one two thousand nineteen, age eighteen nine, sessions just see, Blossom. 232 00:23:01,520 --> 00:23:05,119 Speaker 1: Were they residents at the Lutwig Center? Yes? How did 233 00:23:05,160 --> 00:23:10,359 Speaker 1: they die? Cause of death for Angel Reus suicide, cause 234 00:23:10,440 --> 00:23:15,280 Speaker 1: of death for Jeremy Gorman suicide. How many previous residents 235 00:23:15,280 --> 00:23:21,520 Speaker 1: of the center have committed suicide? Six? Jesus Blosom list 236 00:23:21,600 --> 00:23:29,040 Speaker 1: their names, Angel Reus, Jeremy Gorman, name redacted, Isaiah Carver, 237 00:23:29,720 --> 00:23:35,680 Speaker 1: Tina Garibaldi name redacted. Why are two of the names redacted? Blossom? 238 00:23:35,960 --> 00:23:40,000 Speaker 1: That information is restricted and unavailable to persons outside of 239 00:23:40,000 --> 00:23:45,199 Speaker 1: operational staff. Oh hey, what are you two doing in here? Uh? 240 00:23:45,359 --> 00:23:48,920 Speaker 1: We Esne was just showing me how the dream record works, 241 00:23:48,960 --> 00:23:51,280 Speaker 1: so I had something to talk about on our picnic. 242 00:23:51,640 --> 00:23:56,280 Speaker 1: Oh well, now, I'm really sorry I interrupted, but I 243 00:23:56,320 --> 00:23:58,760 Speaker 1: am afraid I need to run some numbers for Dr Carter. 244 00:23:59,320 --> 00:24:05,120 Speaker 1: No problem, we were just leaving. Hey, um, if you're 245 00:24:05,160 --> 00:24:08,399 Speaker 1: free Friday, I have a bottle of something I've been saving. 246 00:24:08,640 --> 00:24:32,280 Speaker 1: Oh that sounds lovely, brous like today wasn't bad enough, Julia, 247 00:24:32,520 --> 00:24:38,000 Speaker 1: where exactly overgon my smoking spots? How the hell is 248 00:24:38,000 --> 00:24:40,480 Speaker 1: that going to help us find Alfie? You'd be surprised 249 00:24:40,480 --> 00:24:42,800 Speaker 1: what you over here? When you're smoking silently in the 250 00:24:42,880 --> 00:24:46,160 Speaker 1: dark in the middle of the woods. You know something 251 00:24:46,200 --> 00:24:50,520 Speaker 1: you're not telling me? Why what now any further and 252 00:24:50,560 --> 00:24:53,760 Speaker 1: we're technically off premises. Our blossom bands will set off 253 00:24:53,760 --> 00:24:57,760 Speaker 1: an alarm. Here take my cigarettes. Yeah I don't smoke, 254 00:24:57,880 --> 00:25:01,160 Speaker 1: but thanks, good for you. But here's a little trick 255 00:25:01,200 --> 00:25:03,840 Speaker 1: I figured out. Tear off a bit of foil from 256 00:25:03,880 --> 00:25:06,280 Speaker 1: the pack and wrap it around the sensor on your wristband. 257 00:25:07,119 --> 00:25:09,879 Speaker 1: It messes up the signal. As may calls it a 258 00:25:09,880 --> 00:25:13,440 Speaker 1: Faraday cage. I call it getting inventive af after three 259 00:25:13,480 --> 00:25:18,320 Speaker 1: days of withdrawal, okay, done, and now my hand smells 260 00:25:18,359 --> 00:25:23,840 Speaker 1: like tobacco. Super great. Perfect. Over here are those tool 261 00:25:23,880 --> 00:25:26,840 Speaker 1: sheds or something? The one on the left is yeah, 262 00:25:27,040 --> 00:25:30,040 Speaker 1: that one over there is all toilet paper. No idea 263 00:25:30,080 --> 00:25:31,960 Speaker 1: is about the big one in the middle. Do you 264 00:25:32,000 --> 00:25:37,200 Speaker 1: think that's where they took elfie? I heard Carter's Seriously, 265 00:25:37,200 --> 00:25:42,120 Speaker 1: are you okay? Is it asthma? No, it's not asthma. 266 00:25:42,400 --> 00:25:46,760 Speaker 1: It's Look. All I know is that this is where 267 00:25:46,760 --> 00:25:48,560 Speaker 1: I go to smoke when I don't want to be bothered, 268 00:25:49,040 --> 00:25:52,480 Speaker 1: and where on the rare occasion someone comes by. It's 269 00:25:52,640 --> 00:25:56,280 Speaker 1: very dark and I'm very quiet. Hey, you have a 270 00:25:56,359 --> 00:26:06,520 Speaker 1: lighter on you. It's literally why I came locked. But 271 00:26:06,600 --> 00:26:09,480 Speaker 1: there's like a security keypad over the door knob with 272 00:26:09,640 --> 00:26:17,120 Speaker 1: letters instead of numbers. C D, E and G are 273 00:26:17,160 --> 00:26:22,400 Speaker 1: pretty worn down. I bet it's some combo of those crap. 274 00:26:23,320 --> 00:26:27,880 Speaker 1: How many words have just letters C D E and G. Wait? 275 00:26:28,640 --> 00:26:32,639 Speaker 1: I bet their music notes like guitar tabs. What if 276 00:26:32,640 --> 00:26:38,359 Speaker 1: it's part of a song? Mm hmmm mm hmmm mm 277 00:26:38,520 --> 00:26:47,600 Speaker 1: hmmm hm. Do the thing blossom plays when we start rotation? UM? 278 00:26:47,119 --> 00:26:58,560 Speaker 1: C D G, C D E. It worked? Pears of 279 00:26:58,720 --> 00:27:06,040 Speaker 1: light switch? Gotcha? Alfie? Oh man, Alfie? Who did they 280 00:27:06,080 --> 00:27:09,200 Speaker 1: do to you? Can you hear anybody? I don't think 281 00:27:09,200 --> 00:27:13,600 Speaker 1: you can hear you, Chris, he's in a coma. What 282 00:27:13,600 --> 00:27:18,159 Speaker 1: do we do? I don't. We've got to get out 283 00:27:18,200 --> 00:27:21,240 Speaker 1: of here right now before someone comes back to check 284 00:27:21,240 --> 00:27:24,040 Speaker 1: on him. We can't leave him here. What you want 285 00:27:24,040 --> 00:27:26,879 Speaker 1: to drag his bed through the woods? God damn it. 286 00:27:27,680 --> 00:27:32,879 Speaker 1: I hate that you're right hanging there, Alfie. We'll figure 287 00:27:33,000 --> 00:28:07,239 Speaker 1: something out. We're not going to leave you move Yeah, yeah, 288 00:28:07,520 --> 00:28:15,800 Speaker 1: is that happa happa? Help me? You can't feed me, 289 00:28:16,000 --> 00:28:24,720 Speaker 1: but I can still make you happaper help well? The 290 00:28:25,520 --> 00:28:29,600 Speaker 1: you know the kicker in this dream, it's ruish. What 291 00:28:29,800 --> 00:28:31,520 Speaker 1: the hell is this wants to just throw me into 292 00:28:32,200 --> 00:28:34,000 Speaker 1: which we do. If it doesn't come out of the car, 293 00:28:34,720 --> 00:28:40,440 Speaker 1: you follow the protopo, the d CONFENNI bi on one 294 00:28:40,480 --> 00:28:44,560 Speaker 1: out now, you idiot? Are you sure the other's dime 295 00:28:44,760 --> 00:28:53,880 Speaker 1: personal we're suggesting now, No, it's euthanasia for occasion to 296 00:28:54,400 --> 00:28:58,720 Speaker 1: hypothetically is in a persistent vegetative state. Are you talking 297 00:28:58,760 --> 00:29:04,680 Speaker 1: about me right now? By You've gotta be bloody side. 298 00:29:07,240 --> 00:29:10,360 Speaker 1: We don't get to the point, but if it is 299 00:29:10,440 --> 00:29:15,760 Speaker 1: the only option, we come off. Come on, wa come 300 00:29:16,480 --> 00:29:19,560 Speaker 1: get me out. I don't want to tie. I don't 301 00:29:19,560 --> 00:29:32,840 Speaker 1: want to I'm still here. Iron Horn's Epic Productions and 302 00:29:32,960 --> 00:29:36,400 Speaker 1: I Heart Radio present See You in Your Nightmares in 303 00:29:36,520 --> 00:29:39,960 Speaker 1: three D, created an executive produced by Heather Einhorn and 304 00:29:40,040 --> 00:29:44,560 Speaker 1: Adam Stafferroni executive produced by I Heart Radio head writer 305 00:29:45,000 --> 00:29:51,320 Speaker 1: ren Dara Santiago, writer's Lynn Vixen's Fan Caleb Brooks, Morgan Pelly, 306 00:29:51,640 --> 00:29:56,240 Speaker 1: and Adam Stafferoni directed by Geordana Williams, with performances by 307 00:29:56,680 --> 00:30:01,240 Speaker 1: Rachel orm Landis Harper, Obie o'beley as Alfie, Phil Buckman 308 00:30:01,280 --> 00:30:06,800 Speaker 1: as Finn, Amber Lee Connors as Callie Gesel Fernandez as Esmay, Judy, 309 00:30:06,840 --> 00:30:10,560 Speaker 1: Alice Lee as Julia, Robert Lange as a smiling man, 310 00:30:10,720 --> 00:30:14,800 Speaker 1: and Kai Marjan Salama as Chris, with Stephanie Willing as 311 00:30:14,840 --> 00:30:18,760 Speaker 1: Blossom and Carried Tom Basian as Dr Faith Carter and 312 00:30:19,040 --> 00:30:24,920 Speaker 1: the Woman. Additional voices Gail Artino, Maxwell Segal and Shannon Purdue. 313 00:30:25,680 --> 00:30:29,320 Speaker 1: Post sound and music by Chapter Four. Sound supervision and 314 00:30:29,400 --> 00:30:33,720 Speaker 1: sound design by Sarah Gibil Laska. Music by Kareem Dueti, 315 00:30:34,160 --> 00:30:39,000 Speaker 1: produced by A Route Santa Kaila. Development Executive Greg Lockhard, 316 00:30:39,480 --> 00:30:46,560 Speaker 1: Development writer Genevieve Valentine, Production manager Gail Artino, Production coordinator 317 00:30:46,640 --> 00:30:52,400 Speaker 1: and script supervisor Laura Martin, Operations Laura Kaufman. Marketing and 318 00:30:52,520 --> 00:30:58,920 Speaker 1: Publicity Jesse Post Digital marketing by Jennifer Gennaro, Creative direction 319 00:30:58,960 --> 00:31:02,600 Speaker 1: and design by Ian McCann. Key art and promotional art 320 00:31:02,720 --> 00:31:07,200 Speaker 1: illustrated by Yugen Park. Special thank you to The Shadow Unicorn, 321 00:31:10,760 --> 00:31:14,280 Speaker 1: Iron Horn's Epic Productions and I Heart Radio present See 322 00:31:14,320 --> 00:31:15,880 Speaker 1: You in Your Nightmares in three D