1
00:00:00,160 --> 00:00:02,800
Speaker 1: Straight Night. What you're a murderer. I'm not a murderer,

2
00:00:03,000 --> 00:00:10,000
Speaker 1: not a murderer. None of us have ever met one

3
00:00:10,039 --> 00:00:20,560
Speaker 1: of these girls that you've dated. That's by design from

4
00:00:20,560 --> 00:00:22,960
Speaker 1: Elvis Strand in the Morning Show. That's right. If you

5
00:00:23,000 --> 00:00:27,080
Speaker 1: see straight Night, run Run Run, Run, Run, Run Away,

6
00:00:28,720 --> 00:00:30,600
Speaker 1: good morning, cycle killber. Come on in here. You know

7
00:00:30,640 --> 00:00:33,600
Speaker 1: what this is. We we really proclaimed this Danielle's favorite

8
00:00:33,600 --> 00:00:36,360
Speaker 1: time of the year, but it really was meant for you.

9
00:00:36,360 --> 00:00:38,199
Speaker 1: You can get away with more this time of year,

10
00:00:38,640 --> 00:00:42,120
Speaker 1: Christmas for you and murders and all of your ilk.

11
00:00:42,440 --> 00:00:46,680
Speaker 1: None of this has been proven, know what you're talking about.

12
00:00:46,760 --> 00:00:48,919
Speaker 1: Good morning, I have seen your night. Good morning, moving on,

13
00:00:48,960 --> 00:00:52,760
Speaker 1: good morning, Morning Morning, Good morning, Danielle, Scary, good morning.

14
00:00:52,760 --> 00:00:57,480
Speaker 1: Froggy's here, high Froggy, good morning. And there's a producer,

15
00:00:57,520 --> 00:01:02,200
Speaker 1: Sam is here, and Scottie b. And there's Diamond High Diamond,

16
00:01:03,400 --> 00:01:06,880
Speaker 1: Garrett's here, and Andrew's here, and Scart good morning and

17
00:01:06,959 --> 00:01:14,480
Speaker 1: good morning, and then there's Gandhi here to ruin your day.

18
00:01:14,520 --> 00:01:16,039
Speaker 1: Can we just write all these down so I don't

19
00:01:16,040 --> 00:01:20,559
Speaker 1: miss any names. I thought this would be a nice,

20
00:01:20,920 --> 00:01:34,520
Speaker 1: easy transitional song. Calvin Harris, Frank Ocean amigos. Yes, what

21
00:01:34,520 --> 00:01:41,039
Speaker 1: what is he singing? I love maybe her? Anyway? That

22
00:01:41,160 --> 00:01:44,960
Speaker 1: was a wonderful transitional song. It transitioned in sus in

23
00:01:45,040 --> 00:01:46,959
Speaker 1: to the day. Hey. Our first caller of the day

24
00:01:47,080 --> 00:01:51,640
Speaker 1: is Kaylin. Hey is this Kaylin? Welcome to the day.

25
00:01:51,680 --> 00:01:55,320
Speaker 1: How's everything out on Eastern Long Island? Oh? It is

26
00:01:55,440 --> 00:01:58,640
Speaker 1: just great? Oh beautiful. I'm gonna be halfway out the

27
00:01:58,680 --> 00:02:01,640
Speaker 1: island today. I'm going to a an incredible, incredible event

28
00:02:01,720 --> 00:02:06,080
Speaker 1: at that castle. Oh could castle? Oh? Oh yeah, very nice.

29
00:02:06,200 --> 00:02:09,040
Speaker 1: I've actually never been neither have I. But you know what,

30
00:02:09,200 --> 00:02:11,440
Speaker 1: I feel like I was switched at birth. I should

31
00:02:11,520 --> 00:02:16,520
Speaker 1: be rightfully in a castle. Yes. Yes, So this is

32
00:02:16,520 --> 00:02:20,120
Speaker 1: a very very early morning for our friend Kaylin. You

33
00:02:20,200 --> 00:02:23,120
Speaker 1: just dropped your mother off to get eye surgery and

34
00:02:23,560 --> 00:02:25,560
Speaker 1: did yeah, and now you're heading home to get your

35
00:02:25,560 --> 00:02:30,640
Speaker 1: toddler ready for school. I love the word toddler. Use

36
00:02:31,000 --> 00:02:35,200
Speaker 1: I use Yeah. So your mom you're she's gonna be okay.

37
00:02:35,360 --> 00:02:39,160
Speaker 1: It's all good with her eye surgery. Yeah, it's mostly cosmetic.

38
00:02:39,320 --> 00:02:43,640
Speaker 1: You know, years of dress and turmoil of you know,

39
00:02:43,760 --> 00:02:47,840
Speaker 1: raising me. Did you give your mother? You gave your

40
00:02:47,840 --> 00:02:51,160
Speaker 1: mother crow's feet in her eyes? Yes? Did your mother.

41
00:02:51,200 --> 00:02:53,080
Speaker 1: Did your mother do it? But my mother did. I

42
00:02:53,200 --> 00:02:56,640
Speaker 1: never used bad words until you came along. I didn't

43
00:02:56,639 --> 00:03:00,320
Speaker 1: need moisturez until you. Yeah. My favorite line is I

44
00:03:00,360 --> 00:03:02,919
Speaker 1: didn't have a cell phone until I was thirty nine.

45
00:03:03,360 --> 00:03:05,320
Speaker 1: You think you're gonna get one now? I mean I

46
00:03:05,400 --> 00:03:09,320
Speaker 1: was like sixteen at the time. Yeah. Mom, they weren't

47
00:03:09,360 --> 00:03:13,720
Speaker 1: invented until you're thirty nine. Welcome to the show. Thank

48
00:03:13,760 --> 00:03:16,000
Speaker 1: you for being our first call of the day. What

49
00:03:16,040 --> 00:03:18,600
Speaker 1: do you have for Kaylin? Vintage Elvis Duran in the

50
00:03:18,600 --> 00:03:21,120
Speaker 1: Morning show? Where here it comes? It's old, I mean

51
00:03:21,160 --> 00:03:25,200
Speaker 1: it's it's a new vintage. It's old new again or

52
00:03:25,320 --> 00:03:28,079
Speaker 1: new and old again, and have a beautiful k Thank

53
00:03:28,080 --> 00:03:30,359
Speaker 1: you for listening to us. Hold on one second, there

54
00:03:30,400 --> 00:03:34,680
Speaker 1: you go. Yeah, drop mom off, get some cosmetic surgery

55
00:03:34,680 --> 00:03:36,960
Speaker 1: because I gave her a hell of a life. I

56
00:03:36,960 --> 00:03:39,760
Speaker 1: don't know if that's really true. Really, do you think

57
00:03:40,280 --> 00:03:43,840
Speaker 1: we put mileage on our parents? Yeah? God, do you

58
00:03:43,880 --> 00:03:46,400
Speaker 1: know how much mileage my children put on me when

59
00:03:46,440 --> 00:03:48,720
Speaker 1: I'm up at night thinking about all these things I

60
00:03:48,720 --> 00:03:51,680
Speaker 1: have to worry about. But you're one of those wacky moms.

61
00:03:51,680 --> 00:03:56,240
Speaker 1: You put mileage on your kids? Shut up? It does

62
00:03:56,280 --> 00:03:59,600
Speaker 1: go both ways. It does. Yeah, yeah, yeah, think about it.

63
00:04:00,080 --> 00:04:02,320
Speaker 1: Always talking about your parents putting mileage on Uganda. Oh

64
00:04:02,320 --> 00:04:03,680
Speaker 1: my god, they do it every day. Every time my

65
00:04:03,680 --> 00:04:07,480
Speaker 1: phone rings, I'm like, what did they do? Now? All right, well,

66
00:04:07,560 --> 00:04:09,080
Speaker 1: let's rolled into the three things we need to know

67
00:04:09,120 --> 00:04:11,640
Speaker 1: what's going on? All right. Three police officers have been

68
00:04:11,680 --> 00:04:14,760
Speaker 1: shot in Bristol, Connecticut. State Police say an officer involved

69
00:04:14,760 --> 00:04:17,720
Speaker 1: shooting happened last night. No details have been released about

70
00:04:17,720 --> 00:04:20,479
Speaker 1: the officers injuries, who fired the shots, or what led

71
00:04:20,520 --> 00:04:23,400
Speaker 1: to the shooting in a residential area. A nearby resident

72
00:04:23,440 --> 00:04:27,120
Speaker 1: claims he heard at least a dozen gun shots. Conspiracy

73
00:04:27,160 --> 00:04:29,960
Speaker 1: theorist Alex Jones is being ordered to pay nearly a

74
00:04:30,040 --> 00:04:35,040
Speaker 1: billion dollars to the families of eight Sandy Hook victims. Good, Yes, absolutely.

75
00:04:35,360 --> 00:04:39,160
Speaker 1: The Connecticut jury had been deliberating since Thursday, and today

76
00:04:39,320 --> 00:04:42,560
Speaker 1: ordered him to pay fifteen individual awards ranging from almost

77
00:04:42,560 --> 00:04:44,880
Speaker 1: thirty million dollars to one hundred and twenty million dollars.

78
00:04:45,040 --> 00:04:47,080
Speaker 1: He was already found liable by a judge over his

79
00:04:47,160 --> 00:04:51,080
Speaker 1: repeated claims that the twenty twelve school massacre was a hoax.

80
00:04:51,320 --> 00:04:54,719
Speaker 1: Plaintiffs alleged that he profited off those claims. And caused

81
00:04:54,760 --> 00:04:59,480
Speaker 1: his followers to harass the families of those victims. And finally, Danielle,

82
00:04:59,480 --> 00:05:01,320
Speaker 1: this one's just for you. We've sort of talked about

83
00:05:01,320 --> 00:05:04,240
Speaker 1: this happening one day. Tickets for disney World are now

84
00:05:04,360 --> 00:05:07,320
Speaker 1: going up in price there, munch. They're between one hundred

85
00:05:07,360 --> 00:05:09,960
Speaker 1: and four dollars and one hundred and seventy nine depending

86
00:05:10,000 --> 00:05:12,360
Speaker 1: on the day. And the Magic Genie thingy is going

87
00:05:12,400 --> 00:05:15,880
Speaker 1: up on the Magic Genie thoeny. Can you know that

88
00:05:15,960 --> 00:05:18,599
Speaker 1: they want it helps you skip the lines and stuff. Yeah, yeah,

89
00:05:18,640 --> 00:05:21,960
Speaker 1: that's going up. Park Copper tickets, which allow admission to

90
00:05:21,960 --> 00:05:25,200
Speaker 1: both Disneyland and California Adventure, will now range from one

91
00:05:25,279 --> 00:05:28,320
Speaker 1: hundred and sixty four to two hundred and forty four

92
00:05:28,400 --> 00:05:33,240
Speaker 1: dollars standard parking though seems to be a deal thirty dollars. Yeah.

93
00:05:33,320 --> 00:05:36,480
Speaker 1: Disneyland previously raised prices on park admission last fall, so

94
00:05:36,520 --> 00:05:38,599
Speaker 1: it just keeps going up. So save all your money

95
00:05:38,680 --> 00:05:40,279
Speaker 1: in the world if you're trying to go to Disneyland

96
00:05:40,279 --> 00:05:42,160
Speaker 1: and Disney World, and those are your three things. By

97
00:05:42,200 --> 00:05:44,400
Speaker 1: the way, this is Thursday, our favorite day of the week. Yeah,

98
00:05:44,640 --> 00:05:47,000
Speaker 1: we got food news today with Froggy. We've got Bobby

99
00:05:47,040 --> 00:05:50,000
Speaker 1: Fla stopping by. We've got lots to do you ready

100
00:05:50,000 --> 00:05:58,560
Speaker 1: to do it? Yeah, we've also got a good friend

101
00:05:58,600 --> 00:06:04,159
Speaker 1: of ours out in the morning. Elvis Durrand in the

102
00:06:04,240 --> 00:06:07,520
Speaker 1: Morning Show. It's scary Jones. The good neighbors at State

103
00:06:07,520 --> 00:06:09,440
Speaker 1: Farm believe you don't have to give up what you

104
00:06:09,520 --> 00:06:12,680
Speaker 1: love for great insurance for surprisingly great rates, like a

105
00:06:12,680 --> 00:06:15,240
Speaker 1: good neighbor State Farm is there call or go to

106
00:06:15,279 --> 00:06:18,719
Speaker 1: state Farm dot com to get a quote today? Hello,

107
00:06:20,839 --> 00:06:23,640
Speaker 1: Elvis duran in the Morning Show. I mean, how long

108
00:06:23,760 --> 00:06:25,840
Speaker 1: has it been since Bobby Flay has been here on

109
00:06:26,000 --> 00:06:30,480
Speaker 1: his own show? I think about a year. He's been

110
00:06:30,480 --> 00:06:33,840
Speaker 1: about a year. He was our first guest in studio

111
00:06:34,160 --> 00:06:37,440
Speaker 1: after the pandemic. Oh really yeah, well he's finally making

112
00:06:37,440 --> 00:06:40,560
Speaker 1: an appearance again today, Bobby Flay on the way. Of course,

113
00:06:40,600 --> 00:06:45,279
Speaker 1: he's obviously pushing something a book, Oh, yes, natural cookbook

114
00:06:45,360 --> 00:06:47,440
Speaker 1: or just a life story. Oh, a cookbook. I think

115
00:06:47,480 --> 00:06:49,480
Speaker 1: he does it with his daughter. Yeah, it's a matter

116
00:06:49,480 --> 00:06:51,960
Speaker 1: of fact he does, and it's supposed to be really great. Hey,

117
00:06:52,040 --> 00:06:53,560
Speaker 1: whatever we can do to get him in here, I'm

118
00:06:53,600 --> 00:06:56,320
Speaker 1: totally into. Hey, he used us more than we need him.

119
00:06:56,360 --> 00:06:59,560
Speaker 1: Remember that's not true. Why do you say things like that,

120
00:07:00,080 --> 00:07:02,840
Speaker 1: you're so inviting because it's true, doesn't mean you say it.

121
00:07:04,440 --> 00:07:07,719
Speaker 1: You need no home training with you anyway. No, we

122
00:07:07,800 --> 00:07:10,040
Speaker 1: love Bobby and it's always it's always a fun time

123
00:07:10,040 --> 00:07:12,680
Speaker 1: when he's here and he's on his way. And speaking

124
00:07:12,680 --> 00:07:15,320
Speaker 1: of all things food, this weekend we're doing the New

125
00:07:15,400 --> 00:07:18,840
Speaker 1: York City Wine Food Festival. Oh yeah, Taco in Tequila

126
00:07:18,880 --> 00:07:22,360
Speaker 1: Knight or is I like to call Tequila and Taco night? Okay,

127
00:07:23,000 --> 00:07:26,320
Speaker 1: that's Saturday. I'm so stopped up. The ragweed in New

128
00:07:26,400 --> 00:07:32,000
Speaker 1: York City is so monstrous terrible. It's like forming monsters

129
00:07:32,040 --> 00:07:34,480
Speaker 1: in the air and attacking it. Yeah, it's not funny.

130
00:07:34,480 --> 00:07:37,040
Speaker 1: It's sad. No, I know. Usually I'm the one that's

131
00:07:37,080 --> 00:07:39,160
Speaker 1: dying from this stuff, and it's it hasn't hit me yet.

132
00:07:39,200 --> 00:07:42,680
Speaker 1: So I feel like nighttimes wars for me. Like I'm

133
00:07:42,680 --> 00:07:44,679
Speaker 1: sitting on the couch watching Netflix, and all of a sudden,

134
00:07:44,680 --> 00:07:46,920
Speaker 1: I'm like, oh my god, I do have a side hustle.

135
00:07:46,960 --> 00:07:48,840
Speaker 1: I'm gonna get into you guys have your side hustles.

136
00:07:48,880 --> 00:07:50,960
Speaker 1: I know you do your artwork. Yeah, and I know

137
00:07:51,040 --> 00:07:56,160
Speaker 1: that producer Sam sells vibrators. Oh yeah, big hit, big hit. Yes,

138
00:07:58,600 --> 00:08:00,680
Speaker 1: I have a seasonal side husse coming up. I want

139
00:08:00,720 --> 00:08:02,480
Speaker 1: to talk about this later. I want to be a

140
00:08:02,520 --> 00:08:07,960
Speaker 1: Haunted House extra. Oh can I can? I come? There's

141
00:08:07,960 --> 00:08:09,560
Speaker 1: gonna be well, you'll never know it's me. I'll be

142
00:08:09,720 --> 00:08:11,760
Speaker 1: I'll be in makeup, but you can. You can join.

143
00:08:11,960 --> 00:08:13,600
Speaker 1: There's gotta be money in that. They got to pay

144
00:08:13,640 --> 00:08:16,560
Speaker 1: us something like they have people audition. They auditioned for

145
00:08:16,560 --> 00:08:18,240
Speaker 1: that at the beginning of the season, and then they pay.

146
00:08:18,320 --> 00:08:20,720
Speaker 1: They pay them. I don't homework pay I need some

147
00:08:20,800 --> 00:08:24,400
Speaker 1: extra care. That Great Adventure does huge auditions before the

148
00:08:24,440 --> 00:08:26,440
Speaker 1: season starts. I actually was the judge of one of

149
00:08:26,480 --> 00:08:28,800
Speaker 1: them one year. Just walk around like a zombie. They

150
00:08:28,840 --> 00:08:31,400
Speaker 1: did that. There was there's a dance a zombie dance

151
00:08:31,440 --> 00:08:33,840
Speaker 1: show that they did, so they had to dance like zombies.

152
00:08:33,960 --> 00:08:35,400
Speaker 1: You know, stuff like that. I used to know the

153
00:08:35,400 --> 00:08:41,000
Speaker 1: thriller dance. Yes, I would hire you immediately, see yeah Frog. Now,

154
00:08:41,040 --> 00:08:42,880
Speaker 1: as scared as I am of haunted houses, do you

155
00:08:42,920 --> 00:08:44,520
Speaker 1: think I could do the extra Because once I was

156
00:08:44,600 --> 00:08:47,040
Speaker 1: in there, they wouldn't be scaring. I'd be scaring other people.

157
00:08:47,520 --> 00:08:50,040
Speaker 1: I don't know. Knowing you, you'd scare yourself. So I'm

158
00:08:50,040 --> 00:08:52,520
Speaker 1: gonna say that I absolutely scare myself and then look

159
00:08:52,520 --> 00:08:54,840
Speaker 1: at the other people and be like, is it real? Yeah,

160
00:08:55,480 --> 00:08:58,680
Speaker 1: you're too easily triggered in the Haunted house world. All right, well,

161
00:08:58,760 --> 00:09:00,840
Speaker 1: all right, we'll get into that later. Let's get into horoscopes.

162
00:09:00,840 --> 00:09:02,199
Speaker 1: Who are you doing them with? I'm gonna do it

163
00:09:02,240 --> 00:09:05,320
Speaker 1: with Scotty Be today. Thank you. Scotty B's here. I am.

164
00:09:05,559 --> 00:09:07,439
Speaker 1: We had lunch with Scotty B yesterday. We did and

165
00:09:07,520 --> 00:09:09,520
Speaker 1: I didn't do it getting bad? Oh no, it is

166
00:09:09,520 --> 00:09:11,360
Speaker 1: like having lunch with a toddler. What I do? I

167
00:09:11,360 --> 00:09:16,959
Speaker 1: didn't do anything yesterday. You just unique moves like sucking

168
00:09:17,040 --> 00:09:19,600
Speaker 1: cherries out of your soda with a straw and then

169
00:09:20,400 --> 00:09:22,440
Speaker 1: then he eats it off the end of the straw

170
00:09:22,480 --> 00:09:24,720
Speaker 1: and then all the liquids it's in the straw sprays

171
00:09:24,880 --> 00:09:28,480
Speaker 1: sprays out a little dear that, and he's wearing jeans

172
00:09:28,520 --> 00:09:30,360
Speaker 1: where you can see his big panties again, would you

173
00:09:30,440 --> 00:09:33,280
Speaker 1: stop it? Alright, let's get our horoscopes going. What do

174
00:09:33,280 --> 00:09:34,760
Speaker 1: you have? All right, if it's your birthday today, you

175
00:09:34,760 --> 00:09:38,560
Speaker 1: celebrate it with Jimmin uh Caleb McLaughlin, Ashanti and Sasha

176
00:09:38,600 --> 00:09:44,160
Speaker 1: Baron Cohen. Who's Jimmin from Yeah Yeah, Jim's right, m

177
00:09:45,160 --> 00:09:49,280
Speaker 1: that's how you say Jimmen's name. I looked out the pronunciations. Okay, yeah,

178
00:09:49,360 --> 00:09:51,600
Speaker 1: all right, sure, go right ahead, because you guys always mess.

179
00:09:51,679 --> 00:09:54,080
Speaker 1: We really should move on, all right, Capricorn. Replace your

180
00:09:54,120 --> 00:09:56,319
Speaker 1: fear with the faith that everything will work out in

181
00:09:56,360 --> 00:09:58,880
Speaker 1: the end. Your day isn't eight Aquarius. Speak your truth

182
00:09:58,920 --> 00:10:00,880
Speaker 1: and don't be afraid of the repper recussions. Your days

183
00:10:00,880 --> 00:10:03,360
Speaker 1: of nine, Pissy, Start a dialogue about your future with

184
00:10:03,440 --> 00:10:05,880
Speaker 1: people who can and will make it happen. Do not

185
00:10:06,040 --> 00:10:08,840
Speaker 1: let this moment pass your days of seven, hey, Aries,

186
00:10:08,880 --> 00:10:12,360
Speaker 1: important conversations must be had, so stop ignoring the obvious.

187
00:10:12,400 --> 00:10:14,360
Speaker 1: Your day's an eight Taurus. In order to create the

188
00:10:14,400 --> 00:10:16,880
Speaker 1: life you desire, you must be honest with what is

189
00:10:16,920 --> 00:10:20,520
Speaker 1: bothering you. Your day is a six. Speaking of side hustles, hey, Gemini,

190
00:10:20,679 --> 00:10:23,040
Speaker 1: tap into your ambitious side to start a new side

191
00:10:23,080 --> 00:10:26,480
Speaker 1: hustle that could improve that could prove to be quite fruitful.

192
00:10:26,559 --> 00:10:28,959
Speaker 1: Your days of nine Cancer, stop rushing yourself to get

193
00:10:29,000 --> 00:10:31,240
Speaker 1: from point A to point B. Try and enjoy the

194
00:10:31,320 --> 00:10:34,240
Speaker 1: scenery your days of six, Leo, Sometimes we have to

195
00:10:34,280 --> 00:10:37,480
Speaker 1: accept what we can't understand. Don't hold yourself down trying

196
00:10:37,480 --> 00:10:40,360
Speaker 1: to find answers your days of five Virgo, prioritize your

197
00:10:40,360 --> 00:10:43,480
Speaker 1: wants and needs first. A spa day may be in order.

198
00:10:43,520 --> 00:10:45,840
Speaker 1: Your day is a nine. Who sold Libra? Take a

199
00:10:45,880 --> 00:10:48,360
Speaker 1: trip down memory lane to reconnect with someone from your past.

200
00:10:48,480 --> 00:10:52,000
Speaker 1: Your day's an eight Scorpio. Your consistency is your true superpower.

201
00:10:52,040 --> 00:10:54,760
Speaker 1: People will model you by example. Your day is a ten.

202
00:10:55,040 --> 00:10:58,320
Speaker 1: And finally, Sagittarius, learn to invest your energy and time

203
00:10:58,360 --> 00:11:01,240
Speaker 1: into projects that are more important into your future. Your

204
00:11:01,320 --> 00:11:03,439
Speaker 1: days of seven and those others day morning horoscopes. I

205
00:11:03,480 --> 00:11:06,199
Speaker 1: love this text. Hey, I'm coming to New York City

206
00:11:06,320 --> 00:11:08,120
Speaker 1: first time ever for the weekend. Can you talk about

207
00:11:08,160 --> 00:11:09,840
Speaker 1: the places I need to see? In places I need

208
00:11:09,880 --> 00:11:12,120
Speaker 1: to eat? Here's the problem with that? No, Look, first

209
00:11:12,160 --> 00:11:13,800
Speaker 1: of all, welcome to New York. Yeah. I think it's

210
00:11:13,800 --> 00:11:16,800
Speaker 1: supposed to be a nice weekend. Um, there are so

211
00:11:16,840 --> 00:11:19,040
Speaker 1: many places to see, there are so many places to eat.

212
00:11:19,080 --> 00:11:21,200
Speaker 1: There's no way to start now, right, Where would you

213
00:11:21,240 --> 00:11:24,080
Speaker 1: start with that? Oh? Where would I start to eat?

214
00:11:24,360 --> 00:11:27,040
Speaker 1: Where would you start telling people like, there's a list

215
00:11:27,080 --> 00:11:30,360
Speaker 1: of things to do Broadway show, Yeah, Broadway, you eat

216
00:11:30,400 --> 00:11:33,760
Speaker 1: at Carmines? Yeah? Okay? And also Rosanna Scotto's restaurant, Fresco

217
00:11:33,800 --> 00:11:35,959
Speaker 1: by Scotto. You have to eat there. That's amazing if

218
00:11:35,960 --> 00:11:39,599
Speaker 1: you have a lot of money. Yeah, we only go

219
00:11:39,640 --> 00:11:43,079
Speaker 1: to Fresco when they pay Oh really, okay, Rosa is great,

220
00:11:43,160 --> 00:11:44,920
Speaker 1: you can get in. I mean it sort of depends

221
00:11:44,920 --> 00:11:46,880
Speaker 1: on the experience they want to have, Like do they

222
00:11:46,920 --> 00:11:50,040
Speaker 1: want that quintessential New York Times Square upire state building

223
00:11:50,040 --> 00:11:53,240
Speaker 1: type of stuff or do they want the authentic, more

224
00:11:53,360 --> 00:11:55,720
Speaker 1: low key type of thing. What about the olive garden

225
00:11:55,720 --> 00:12:01,440
Speaker 1: in Times Square? That's always good from you know, and

226
00:12:01,480 --> 00:12:04,360
Speaker 1: we're so jaded. If someone says, well, where's the touristy area,

227
00:12:04,480 --> 00:12:08,680
Speaker 1: you say, well, Times Square don't go right at all time. See,

228
00:12:08,720 --> 00:12:11,800
Speaker 1: I love Times Square. I'm like one of those geeky

229
00:12:11,840 --> 00:12:14,640
Speaker 1: ones who gets there and goes, wow, we live right here.

230
00:12:14,679 --> 00:12:17,200
Speaker 1: This is so cool, And then get out and cover

231
00:12:17,280 --> 00:12:21,880
Speaker 1: your purse. Right, don't wear jewelry. Oh my Goshi, subed

232
00:12:21,920 --> 00:12:25,439
Speaker 1: animals gonna assault you anyway. Yes, don't take a picture

233
00:12:25,480 --> 00:12:28,840
Speaker 1: with dirty Elmo. Avoid dirty Elmo. Yeah, and the subways

234
00:12:28,840 --> 00:12:32,160
Speaker 1: have been a little dangerous of late. Yes, you know what,

235
00:12:32,240 --> 00:12:35,720
Speaker 1: half a good time. Chinatown a little Italy, you know,

236
00:12:36,000 --> 00:12:39,760
Speaker 1: Chinatown is awesome. They redid the top deck of the

237
00:12:39,800 --> 00:12:43,320
Speaker 1: Empire State Building the observatory area, and it's really really cool.

238
00:12:43,440 --> 00:12:44,800
Speaker 1: So I think people should try to do that if

239
00:12:44,800 --> 00:12:48,360
Speaker 1: you can. Hunching Yards is a new place to hang out. Excellent. Okay. Anyway,

240
00:12:48,640 --> 00:12:51,360
Speaker 1: so as you can see, there is no way to

241
00:12:51,440 --> 00:12:53,680
Speaker 1: tell you where to go, what to do. Ratty Parks,

242
00:12:54,000 --> 00:12:56,880
Speaker 1: rat Park is always kind avoid I actually all Central

243
00:12:56,880 --> 00:12:59,040
Speaker 1: Park at this time of the year. It's awesome. Yes,

244
00:12:59,120 --> 00:13:02,120
Speaker 1: Central start in Central Park. All right, I think we've

245
00:13:02,280 --> 00:13:05,679
Speaker 1: exhausted this. What do you have coming up, Danielle, We're

246
00:13:05,679 --> 00:13:08,600
Speaker 1: gonna talk on Elon Musk. He actually has a scent

247
00:13:09,000 --> 00:13:11,280
Speaker 1: on the way. I already have it. You wanna smell it? No,

248
00:13:11,360 --> 00:13:14,600
Speaker 1: please don't. And also, oh, I'm so excited about this

249
00:13:14,640 --> 00:13:19,920
Speaker 1: new documentary coming out about oh the Glee documentary. All right,

250
00:13:19,960 --> 00:13:24,320
Speaker 1: that and more on the way. What I'm addicted to? Uh,

251
00:13:24,760 --> 00:13:32,320
Speaker 1: secret butth holes out? Please? Where come from? You said that?

252
00:13:32,360 --> 00:13:35,080
Speaker 1: I wanted to say it, but secret butth holes is

253
00:13:36,040 --> 00:13:39,360
Speaker 1: it's It's on Instagram. Yes, but it doesn't sound like

254
00:13:39,440 --> 00:13:43,320
Speaker 1: I'm saying that. No other day you did. We were

255
00:13:43,360 --> 00:13:46,120
Speaker 1: always exchanging secret buttholes. But you gotta understand the context

256
00:13:46,120 --> 00:13:49,560
Speaker 1: in which the Hello Fresh spot. Now, let's not do

257
00:13:49,640 --> 00:13:52,240
Speaker 1: Hello Fresh air. Let's just take a break and we're

258
00:13:52,280 --> 00:14:01,800
Speaker 1: just here. They deceives another client I deserve much better?

259
00:14:02,120 --> 00:14:06,280
Speaker 1: Is Elvis Durran in the Morning show. So last night

260
00:14:06,360 --> 00:14:08,200
Speaker 1: was stay at home, do nothing to night. I was

261
00:14:08,240 --> 00:14:11,480
Speaker 1: so excited. I just sat there and watched some TV

262
00:14:11,559 --> 00:14:13,440
Speaker 1: with the dogs hung out. So I tried to watch

263
00:14:13,480 --> 00:14:16,640
Speaker 1: that me Lakunis movie, Happiest Girl in the World. Is

264
00:14:16,679 --> 00:14:19,640
Speaker 1: that it? Luckiest Luckiest Girl in the World? Yeah, come here,

265
00:14:19,920 --> 00:14:21,560
Speaker 1: where's Diamond? Because I know you saw it. You went

266
00:14:21,600 --> 00:14:24,400
Speaker 1: to the premier, didn't you come here? Everyone says that

267
00:14:24,440 --> 00:14:28,640
Speaker 1: our own Diamond sounds like she sounds just like her Laconis. Yeah, Hi,

268
00:14:28,800 --> 00:14:31,240
Speaker 1: how are you? Oh? I'm great? What's up? You do?

269
00:14:31,280 --> 00:14:34,960
Speaker 1: You sound like Melacunas? You think so a little bit? Yeah? Hey? Um.

270
00:14:35,000 --> 00:14:37,160
Speaker 1: I tried to watch it. I couldn't get through it.

271
00:14:37,360 --> 00:14:39,880
Speaker 1: I couldn't get through the film. Really, I just couldn't.

272
00:14:40,320 --> 00:14:44,800
Speaker 1: Maybe I didn't get far enough. It lost me. Ah, Well,

273
00:14:44,840 --> 00:14:47,400
Speaker 1: did you read the book? No? No? Oh, So that's

274
00:14:47,400 --> 00:14:50,080
Speaker 1: why I was so hooked. I loved the book. I

275
00:14:50,160 --> 00:14:53,840
Speaker 1: love Milacunas. Yeah, I love her. I love her and

276
00:14:54,000 --> 00:14:57,240
Speaker 1: I love everything about her. But did the story. I'll

277
00:14:57,280 --> 00:14:59,920
Speaker 1: tell you why it lost me. It's about these extreme,

278
00:15:00,120 --> 00:15:05,680
Speaker 1: only uber wealthy Manhattan nights. Yep. And I'm like, I

279
00:15:05,840 --> 00:15:09,200
Speaker 1: was like, there's gotta be more depth to these people

280
00:15:09,200 --> 00:15:12,920
Speaker 1: other than they have money. Oh well, it gets real dark, Okay,

281
00:15:12,920 --> 00:15:15,160
Speaker 1: So I need to keep watching, keep watching, please, and

282
00:15:15,200 --> 00:15:20,080
Speaker 1: then we can really Oh my gosh, tomorrow we're watch party. Yeah,

283
00:15:20,080 --> 00:15:23,480
Speaker 1: we can all get together. Honestly, let's do it tonight

284
00:15:23,680 --> 00:15:28,400
Speaker 1: your place. But my point is this. You know, you

285
00:15:28,480 --> 00:15:31,320
Speaker 1: have friends that suggest a movie or a series whatever,

286
00:15:31,600 --> 00:15:33,600
Speaker 1: and you watch, you don't watch enough of it, but

287
00:15:33,680 --> 00:15:36,280
Speaker 1: you're like, I'm I can't. Yeah, it's just not me. Yeah,

288
00:15:36,400 --> 00:15:37,880
Speaker 1: And I feel like I got to hop back on

289
00:15:37,920 --> 00:15:40,320
Speaker 1: this by s you gotta get back on Hey. You

290
00:15:40,360 --> 00:15:43,440
Speaker 1: know the one we gotta watch is the horror. The

291
00:15:43,480 --> 00:15:45,760
Speaker 1: horror one I was talking about, Oh, the midnight club,

292
00:15:46,080 --> 00:15:49,080
Speaker 1: midnight club. Yeah, it's a team, it's a team genre.

293
00:15:49,280 --> 00:15:53,760
Speaker 1: But that's okay, I guess, and Sam said it's amazing.

294
00:15:53,920 --> 00:15:56,840
Speaker 1: She's like, we're gonna love it. What I won't do

295
00:15:56,960 --> 00:15:59,560
Speaker 1: the horror movies? No, I get mad that Netflix just

296
00:15:59,560 --> 00:16:01,440
Speaker 1: decides the play the trailer on its own, I'm like,

297
00:16:01,480 --> 00:16:05,000
Speaker 1: get out of my apartment, sucked in. When the trailer plays,

298
00:16:05,000 --> 00:16:08,080
Speaker 1: I'm like, are you already triggered on a horror film?

299
00:16:08,360 --> 00:16:11,760
Speaker 1: I am the biggest chicken ever. I'm a chicken. I

300
00:16:11,760 --> 00:16:13,360
Speaker 1: hate the dark. I don't like this horror stuff. I

301
00:16:13,400 --> 00:16:15,720
Speaker 1: don't like it. Okay, all right, anyway, So back to

302
00:16:15,800 --> 00:16:18,800
Speaker 1: luckiest girl in the World alive. Yeah, I gotta get

303
00:16:18,800 --> 00:16:22,680
Speaker 1: that fixed. I'm gonna I'm gonna start it again and

304
00:16:22,840 --> 00:16:24,880
Speaker 1: get through it. And all the listeners keep telling me

305
00:16:24,960 --> 00:16:28,440
Speaker 1: Vampire Academy on Peacock, Vampire Academy on Peacock. I'm like, okay,

306
00:16:28,440 --> 00:16:30,760
Speaker 1: all right, all right, so many things, too many things.

307
00:16:30,840 --> 00:16:33,600
Speaker 1: I know, I know, and all my favorites are coming

308
00:16:33,600 --> 00:16:36,920
Speaker 1: back soon. So I'm like, I got time, all right.

309
00:16:36,920 --> 00:16:40,120
Speaker 1: Thank you, Mila, I mean Diamond, Oh, you're welcome. Sounds

310
00:16:40,120 --> 00:16:42,080
Speaker 1: just like her, she dies you, sounds just like her.

311
00:16:42,440 --> 00:16:44,880
Speaker 1: I love that. I do too, because we love me lacunas.

312
00:16:44,920 --> 00:16:46,240
Speaker 1: And she has a cute voice. So what do you

313
00:16:46,280 --> 00:16:51,760
Speaker 1: think you have a cute voice? Here here, here's the

314
00:16:51,840 --> 00:16:53,920
Speaker 1: sound of me Lacuna's voice. In case you need to

315
00:16:53,920 --> 00:17:01,560
Speaker 1: be reminded, coolness. I mean, I'm thinking hokuna matata and

316
00:17:01,640 --> 00:17:05,879
Speaker 1: melacunas here here. See if it sounds like diamond to you,

317
00:17:06,040 --> 00:17:08,600
Speaker 1: I will happily clear it up once and for all.

318
00:17:08,840 --> 00:17:13,920
Speaker 1: I am attending. Yeah, that is diamond speaking. Her husband,

319
00:17:13,960 --> 00:17:15,960
Speaker 1: Ashton Kutcher, is actually running in the New York City

320
00:17:15,960 --> 00:17:20,119
Speaker 1: Marathon for his foundation, which protects kids against sex trafficking,

321
00:17:20,400 --> 00:17:23,040
Speaker 1: which is awesome. I do love them both. Yeah, yeah,

322
00:17:23,080 --> 00:17:26,040
Speaker 1: that's the power couple. Yeah, all right, Danielle, all right,

323
00:17:26,080 --> 00:17:28,880
Speaker 1: so let's talk about Elon Musk. He's now selling a fragrance.

324
00:17:28,880 --> 00:17:33,280
Speaker 1: It's called burnt Hair hair und dollars a bottle, and

325
00:17:33,359 --> 00:17:36,320
Speaker 1: if you ask what it smells like, the website calls

326
00:17:36,359 --> 00:17:40,640
Speaker 1: it the essence of repugnant desire. Yeah, what does that even?

327
00:17:40,840 --> 00:17:43,399
Speaker 1: What does that smell like? Burnt hair is one of

328
00:17:43,400 --> 00:17:45,760
Speaker 1: the worst smells you can add? Why would you? That's

329
00:17:45,840 --> 00:17:47,840
Speaker 1: right up there with one of the Pelcher's candle. Yeah.

330
00:17:47,880 --> 00:17:50,080
Speaker 1: I don't get it, but people are buying it. The

331
00:17:50,080 --> 00:17:55,439
Speaker 1: bottle's cute. I don't know. Burnt hair, Yeah your hair, yes, yes,

332
00:17:55,520 --> 00:17:58,680
Speaker 1: smells awful. And we have Harry like Harry knuckles and things. Yeah,

333
00:17:58,880 --> 00:18:03,720
Speaker 1: what are you doing? What are you doing a liar?

334
00:18:03,840 --> 00:18:07,080
Speaker 1: That's not no. You can bring your hair over here,

335
00:18:07,320 --> 00:18:12,400
Speaker 1: I get away. Who's Harry Knuckles? He used to do sports,

336
00:18:14,680 --> 00:18:16,480
Speaker 1: No nocause I have a little hair in my hand.

337
00:18:16,600 --> 00:18:19,080
Speaker 1: So if I go to like light a stove or something,

338
00:18:19,160 --> 00:18:22,440
Speaker 1: you'll and you smell that smell. Oh it's terrible. Alright,

339
00:18:22,440 --> 00:18:24,680
Speaker 1: moving on, moving all right. So our friend Darren Feffer's

340
00:18:24,720 --> 00:18:27,840
Speaker 1: wife Carly was the first person who ever played pickleball

341
00:18:27,840 --> 00:18:30,639
Speaker 1: that I knew. Now, pickleball is like the biggest thing.

342
00:18:30,760 --> 00:18:34,720
Speaker 1: CBS announced a new celebrity pickleball tournament. It's called Nice Pickled,

343
00:18:34,760 --> 00:18:37,560
Speaker 1: which just was so cute, hosted by Stephen Colbert, is

344
00:18:37,560 --> 00:18:40,720
Speaker 1: going to air November seventeenth at nine pm. So that's

345
00:18:40,720 --> 00:18:43,800
Speaker 1: on the way. Sad news, American Idol Season nineteen runner

346
00:18:43,880 --> 00:18:45,920
Speaker 1: up Willie Spence has passed away. He was only twenty

347
00:18:45,960 --> 00:18:48,720
Speaker 1: three years old. Talented singer killed in a car accident

348
00:18:48,760 --> 00:18:52,040
Speaker 1: mere hours after making his final Instagram post a video

349
00:18:52,080 --> 00:18:54,600
Speaker 1: of him singing a praise song and it's you know

350
00:18:54,640 --> 00:18:57,200
Speaker 1: a lot of people were watching it yesterday and posting

351
00:18:57,240 --> 00:19:00,600
Speaker 1: and sending their condolences, of course, to his family. Jennifer

352
00:19:00,600 --> 00:19:04,240
Speaker 1: Lopez and Pitbull's YouTube, Milestone is Amazing on the Floor

353
00:19:04,320 --> 00:19:07,080
Speaker 1: has more than two billion views averages over five hundred

354
00:19:07,080 --> 00:19:10,520
Speaker 1: thousand views a day this year, so that's pretty cool.

355
00:19:10,720 --> 00:19:13,520
Speaker 1: Adam Levine is taking his wife Bahati away for a

356
00:19:13,680 --> 00:19:18,439
Speaker 1: romantic trip because they're trying to mend everything apparently, and

357
00:19:18,480 --> 00:19:20,199
Speaker 1: I mean they look happy when you see them. It

358
00:19:20,200 --> 00:19:22,320
Speaker 1: doesn't look like that tech. What if they're not mending anything.

359
00:19:22,359 --> 00:19:25,800
Speaker 1: They're just fine. They are. I mean, look, if they're fine,

360
00:19:25,920 --> 00:19:27,680
Speaker 1: then I think there's a lot more about that that

361
00:19:27,800 --> 00:19:30,879
Speaker 1: we don't know. She probably knew about a lot of stuff.

362
00:19:30,920 --> 00:19:34,560
Speaker 1: That's I think that always happens. Yeah, HBO Max is

363
00:19:34,640 --> 00:19:37,159
Speaker 1: Lizzo's documentaries on the way. It's called Love Lizzo. It's

364
00:19:37,240 --> 00:19:40,679
Speaker 1: hitting November twenty fourth. She said that it's about the

365
00:19:40,720 --> 00:19:43,760
Speaker 1: truth and finally getting to tell her story her way.

366
00:19:44,480 --> 00:19:47,960
Speaker 1: Tom Brady and Giselle married for a while and friends,

367
00:19:48,000 --> 00:19:51,399
Speaker 1: you know, you get friends together, right, So whose side

368
00:19:51,400 --> 00:19:53,959
Speaker 1: do you take? The rumor is they're taking her side

369
00:19:54,000 --> 00:19:56,240
Speaker 1: that they hate the way he is refusing to bend

370
00:19:56,280 --> 00:19:59,280
Speaker 1: for we know Froggy would take Tom's side. He wouldn't

371
00:19:59,280 --> 00:20:06,520
Speaker 1: care Tom. And there's a Glee docuseries in the works,

372
00:20:06,520 --> 00:20:09,440
Speaker 1: Discovery plus an I D it's a three part docuseries.

373
00:20:09,720 --> 00:20:11,960
Speaker 1: They're talking to the cast and crew. They're gonna tell

374
00:20:11,960 --> 00:20:14,760
Speaker 1: the real story behind all the scandals. And there was

375
00:20:14,800 --> 00:20:18,040
Speaker 1: a lot that went down controversy, there was death, there

376
00:20:18,119 --> 00:20:22,000
Speaker 1: was crazy scandals, there was diva behavior there. Oh wait

377
00:20:22,040 --> 00:20:24,080
Speaker 1: for this one. Who it's gonna be nuts nuts on

378
00:20:24,119 --> 00:20:26,680
Speaker 1: the way. Let's see what are we watching? Grayz is

379
00:20:26,720 --> 00:20:29,399
Speaker 1: on tonight. The Midnight Club is on Netflix, but it's

380
00:20:29,440 --> 00:20:32,000
Speaker 1: getting a lot of great reviews. Yankees and Guardians go

381
00:20:32,040 --> 00:20:34,159
Speaker 1: at it for Game two. There's a new episode of

382
00:20:34,200 --> 00:20:37,080
Speaker 1: The Vampire Academy over on Peacock, season four of The

383
00:20:37,200 --> 00:20:40,760
Speaker 1: Center on Netflix, and new episode of Disney Plus. She

384
00:20:40,920 --> 00:20:42,959
Speaker 1: Hulk Attorney at Law. I swear to gosh, that's on

385
00:20:43,000 --> 00:20:47,359
Speaker 1: every single interrupt me. What is she Hulk Attorney at Law?

386
00:20:47,400 --> 00:20:49,760
Speaker 1: I've never watched it. It just has a great catchy title,

387
00:20:49,840 --> 00:20:52,720
Speaker 1: The Hulk, but it's a girl Hulk and she's she's

388
00:20:52,720 --> 00:20:57,080
Speaker 1: an attorney. Tih okay, Oh you know it makes sense. Now.

389
00:20:57,160 --> 00:20:59,760
Speaker 1: I haven't watched it, So I haven't watched it, but

390
00:21:00,000 --> 00:21:02,040
Speaker 1: I guess people really like it. I mean, everybody loves Marvel,

391
00:21:02,080 --> 00:21:06,119
Speaker 1: so anyway, that's my Danielle report. Thank you Danielle. A

392
00:21:06,200 --> 00:21:11,080
Speaker 1: text text that came in from Ali. I'm a potato

393
00:21:11,200 --> 00:21:17,360
Speaker 1: eating freak. Don't hate potates. Apply. Oh my god, look

394
00:21:17,440 --> 00:21:20,600
Speaker 1: all the text del Strand in the Morning Show. Our

395
00:21:20,640 --> 00:21:23,000
Speaker 1: Audible pick of the day is I'm Glad my Mom

396
00:21:23,080 --> 00:21:26,120
Speaker 1: died by Jeanette McCurdy. It's her funny and heartbreaking story

397
00:21:26,160 --> 00:21:29,960
Speaker 1: about her enmeshed relationship with her mother, complicated grief and stardom.

398
00:21:30,119 --> 00:21:32,200
Speaker 1: Start listening when you sign up for a free thirty

399
00:21:32,240 --> 00:21:34,960
Speaker 1: day trial at the Home of storytelling audible dot com

400
00:21:35,000 --> 00:21:37,440
Speaker 1: slash Elvis. Oh. You know what a lot of people say,

401
00:21:37,480 --> 00:21:41,120
Speaker 1: They wake up stressed, and you know what, it may

402
00:21:41,160 --> 00:21:43,760
Speaker 1: be several things. Number one, the alarm that you're waking

403
00:21:43,840 --> 00:21:46,159
Speaker 1: up to. Yes, because I know, I jump out, I

404
00:21:46,320 --> 00:21:48,440
Speaker 1: jump up, and I and I my heart skips a

405
00:21:48,520 --> 00:21:51,960
Speaker 1: beat and sometimes sometimes I bite my tongue. Oh yeah,

406
00:21:51,840 --> 00:21:55,040
Speaker 1: when the alarm goes off. She's like, oh, the like

407
00:21:55,160 --> 00:21:57,679
Speaker 1: the sound of the hurricane coming or whatever that is. Oh,

408
00:21:57,760 --> 00:21:59,600
Speaker 1: that one's terrible. I don't know why people use that one.

409
00:21:59,600 --> 00:22:03,000
Speaker 1: I don't know. I've got to find a more gentler

410
00:22:03,040 --> 00:22:05,480
Speaker 1: way of waking up. Yes, Is that how you want

411
00:22:05,480 --> 00:22:07,359
Speaker 1: to start your day, because it truly is the way

412
00:22:07,440 --> 00:22:11,399
Speaker 1: you're setting your pace for the day. That awful shrieking alarm,

413
00:22:11,560 --> 00:22:14,240
Speaker 1: Oh terrible. We need to find a nice, gentle way

414
00:22:14,240 --> 00:22:15,919
Speaker 1: to wake up. But some people can't wake up with

415
00:22:15,960 --> 00:22:18,440
Speaker 1: a gentle something. Some people need us to be startled

416
00:22:18,520 --> 00:22:20,119
Speaker 1: or they don't get out of the bed. Oh well,

417
00:22:20,160 --> 00:22:22,040
Speaker 1: there's got to be a happy medium. I'm thinking where

418
00:22:22,200 --> 00:22:25,600
Speaker 1: you can slowly pick up the pace. Otherwise you're stressed

419
00:22:25,640 --> 00:22:27,560
Speaker 1: all day. They have an option on the iPhone, the

420
00:22:27,640 --> 00:22:30,560
Speaker 1: ascending alarm, so it starts quietly, it gets louder, and

421
00:22:30,560 --> 00:22:33,040
Speaker 1: you can pick a nice happy charm sound or chime

422
00:22:33,080 --> 00:22:34,960
Speaker 1: sound as to day. I bought one of those lights.

423
00:22:36,440 --> 00:22:39,040
Speaker 1: I guess it's UV light like sunshine. Yeah, and it's

424
00:22:39,040 --> 00:22:43,040
Speaker 1: slowly gets brighter and brighter. That's nice. It's nice. Doesn't

425
00:22:43,040 --> 00:22:46,640
Speaker 1: work for me. I like to be snuggled awake, snuggled away. Well,

426
00:22:46,680 --> 00:22:48,919
Speaker 1: I know I've got dogs. They do that. That's nice.

427
00:22:49,400 --> 00:22:51,760
Speaker 1: So yeah, if you're gonna start your day out stressed,

428
00:22:51,800 --> 00:22:54,200
Speaker 1: your whole day is going to be stressed in my opinion,

429
00:22:54,440 --> 00:22:56,560
Speaker 1: And that's why I love the calm app Because I

430
00:22:56,560 --> 00:22:58,880
Speaker 1: listened to you know, my Daily Jay with Jay Shatty

431
00:22:58,920 --> 00:23:02,600
Speaker 1: every day. Today he talked about how to support friends

432
00:23:02,600 --> 00:23:04,720
Speaker 1: that are going through something. Well that's nice, and he

433
00:23:04,760 --> 00:23:07,120
Speaker 1: has like a little meditation. It's so only seven minutes long.

434
00:23:07,760 --> 00:23:10,399
Speaker 1: It starts my day at the right pace, and I

435
00:23:10,440 --> 00:23:12,600
Speaker 1: feel like I'm good. I'm good for the rest of

436
00:23:12,600 --> 00:23:14,480
Speaker 1: the day. Good. One if you wake up late and

437
00:23:14,520 --> 00:23:17,040
Speaker 1: you know you're late for work and you like, you know,

438
00:23:17,080 --> 00:23:18,760
Speaker 1: like when we're late for the show, like it's six

439
00:23:18,760 --> 00:23:21,280
Speaker 1: o'clock and you call and you go, um, it's six o'clock.

440
00:23:21,320 --> 00:23:23,960
Speaker 1: Where are you? That's it for the day. Your day

441
00:23:24,240 --> 00:23:27,040
Speaker 1: is done. You shouldn't be You're catching up all I

442
00:23:27,119 --> 00:23:29,680
Speaker 1: feel like I'm having an outer body experience. You're you're

443
00:23:30,040 --> 00:23:32,600
Speaker 1: causing your reading havoc on your own. And I'll tell

444
00:23:32,600 --> 00:23:35,679
Speaker 1: you why, why Because there's eight other people here, I know,

445
00:23:35,840 --> 00:23:38,000
Speaker 1: but I just not even just for that reason. It's

446
00:23:38,040 --> 00:23:40,119
Speaker 1: just that I just feel like I'm catching up the

447
00:23:40,160 --> 00:23:42,280
Speaker 1: whole rest of the day. It's like that weird feeling,

448
00:23:42,359 --> 00:23:47,480
Speaker 1: you know. Let's see, Um, in reality, waking up in

449
00:23:47,600 --> 00:23:52,760
Speaker 1: and of itself is the horrible experience than the alternative, though,

450
00:23:53,040 --> 00:23:56,040
Speaker 1: that's true, but half of the people pulled in this

451
00:23:56,119 --> 00:24:00,200
Speaker 1: poem I'm reading say they need an aggressively loud alarms

452
00:24:00,200 --> 00:24:04,760
Speaker 1: are so tired. I do you sleep through alarms? Yeah?

453
00:24:04,800 --> 00:24:09,560
Speaker 1: Sometimes I can. No. Anyway, you need to come up

454
00:24:09,600 --> 00:24:13,639
Speaker 1: with a nice, easy way to gently roll I'm sorry,

455
00:24:13,800 --> 00:24:17,840
Speaker 1: cascade into the day? You know what? What's that scary?

456
00:24:17,920 --> 00:24:20,240
Speaker 1: And the last couple of mornings when I was complaining

457
00:24:20,240 --> 00:24:22,800
Speaker 1: and screaming about breakfast because it was bad. Yes, that

458
00:24:22,960 --> 00:24:25,679
Speaker 1: is the exact reason why you want a good tasting

459
00:24:25,720 --> 00:24:28,320
Speaker 1: breakfast to put you in a great mood. See, if

460
00:24:28,320 --> 00:24:30,600
Speaker 1: I have a wonderful breakfast, I'm going to be set

461
00:24:30,640 --> 00:24:32,720
Speaker 1: for the rest of the day. Right. Well, I know,

462
00:24:32,800 --> 00:24:34,639
Speaker 1: But so you should be breakfast when you're waking up,

463
00:24:34,640 --> 00:24:37,920
Speaker 1: because that's kind of what we're talking about. Yeah, well yeah,

464
00:24:37,960 --> 00:24:41,000
Speaker 1: but you're saying you can have a great break a

465
00:24:41,040 --> 00:24:43,439
Speaker 1: great morning, but then they give you a crappy breakfast

466
00:24:43,480 --> 00:24:45,640
Speaker 1: and then it all goes to hell, It goes the offices. Well,

467
00:24:45,640 --> 00:24:47,520
Speaker 1: you know you're letting that happen. That's kind of still

468
00:24:47,680 --> 00:24:49,280
Speaker 1: I need to get control of it. We'll stop ordering

469
00:24:49,320 --> 00:24:54,359
Speaker 1: from this. Bad places we order from that. So find

470
00:24:54,400 --> 00:24:57,320
Speaker 1: a way to ease into the day and your day

471
00:24:57,320 --> 00:24:59,640
Speaker 1: will be great. You choose, You choose how you start

472
00:24:59,680 --> 00:25:01,840
Speaker 1: your day. That is what mate, you want to be stressed.

473
00:25:02,119 --> 00:25:04,200
Speaker 1: So my dad was a trucker. The enter's no, I

474
00:25:04,240 --> 00:25:06,639
Speaker 1: don't want to be stress. So no, I know you

475
00:25:06,720 --> 00:25:11,280
Speaker 1: don't cacetiously asking. But he had a difficult time waking up.

476
00:25:11,320 --> 00:25:14,480
Speaker 1: So he had this thing called a Screaming Meanie, which

477
00:25:14,600 --> 00:25:19,040
Speaker 1: was an alarm clock that basically sounded like a fire

478
00:25:19,080 --> 00:25:21,840
Speaker 1: alarm going on. Oh, I mean, it was like eighty

479
00:25:21,920 --> 00:25:24,680
Speaker 1: decibels and it was the loudest thing ever. And I

480
00:25:24,720 --> 00:25:26,720
Speaker 1: knew when my dad had to go to work because

481
00:25:26,760 --> 00:25:29,680
Speaker 1: it would wake up the entire house. It was ear piercing.

482
00:25:29,680 --> 00:25:31,359
Speaker 1: But some people sleep her alarms, and he was one

483
00:25:31,400 --> 00:25:35,000
Speaker 1: of those people. I don't want that. Yeah, I mean,

484
00:25:35,040 --> 00:25:37,200
Speaker 1: it's stressed everybody else. Some people put the alarm clock

485
00:25:37,240 --> 00:25:39,080
Speaker 1: on the other side of the room so they're forced

486
00:25:39,119 --> 00:25:42,360
Speaker 1: to get up. This way they get out of the bed.

487
00:25:43,119 --> 00:25:45,720
Speaker 1: If not, you'd be hitting snooze every five seconds. Scary,

488
00:25:45,760 --> 00:25:48,240
Speaker 1: We're going to move you from your bad burnt breakfast

489
00:25:48,480 --> 00:25:52,879
Speaker 1: to a cereal. Cereal is probably the that's a given.

490
00:25:52,920 --> 00:25:55,399
Speaker 1: If you know the cereal, you're you're familiar with it.

491
00:25:55,400 --> 00:25:57,399
Speaker 1: It's going to be let's go live to our serial

492
00:25:57,480 --> 00:26:00,840
Speaker 1: killer correspondent Scottie b. It's always consist stint unless maybe

493
00:26:00,840 --> 00:26:02,880
Speaker 1: you buy a store brand, but they're usually pretty much

494
00:26:02,880 --> 00:26:06,640
Speaker 1: as good. Yeah, and it just does a simple bowl

495
00:26:06,680 --> 00:26:10,040
Speaker 1: of cheerios. I mean, it's all you need work it does.

496
00:26:10,400 --> 00:26:13,760
Speaker 1: You need marshmallows, Yes, you need marshmallows. I'm looking at

497
00:26:13,800 --> 00:26:16,760
Speaker 1: the list of the healthiest cereals right from best to worst.

498
00:26:16,760 --> 00:26:21,479
Speaker 1: In cheerios number one, Oh really absolutely okay, Yeah, fiber

499
00:26:21,520 --> 00:26:23,760
Speaker 1: ones number nine, fiber one. I just you know, I

500
00:26:23,760 --> 00:26:32,760
Speaker 1: don't like to build building condos in my colons for loops. No,

501
00:26:32,840 --> 00:26:34,600
Speaker 1: it's not on there. No, you know that. You know

502
00:26:34,720 --> 00:26:37,440
Speaker 1: that there's some great Halloween fruity pebbles that are out

503
00:26:37,480 --> 00:26:39,920
Speaker 1: right now. You try those. It's so good. Let me

504
00:26:40,000 --> 00:26:42,480
Speaker 1: have something. Oh that's the simula told you to have

505
00:26:42,600 --> 00:26:44,480
Speaker 1: yesterday and you had something else? What you have? I

506
00:26:44,480 --> 00:26:47,040
Speaker 1: had some kind of fibers something. Yeah, we got to

507
00:26:47,119 --> 00:26:51,720
Speaker 1: keep everything moving, moving, moving. I made chocolate bark with

508
00:26:51,760 --> 00:26:55,160
Speaker 1: these fruity pebbles. Is so good. Oh it sounds good.

509
00:26:56,400 --> 00:26:59,639
Speaker 1: The sound is great. Why don't you get that in here?

510
00:26:59,680 --> 00:27:02,760
Speaker 1: Who want to bite? Okay? I'll try it. Nates in

511
00:27:02,800 --> 00:27:06,800
Speaker 1: a mood. Yeah. We were ordering breakfast and he's like, damn,

512
00:27:06,920 --> 00:27:10,240
Speaker 1: he slams his phone. I just I can't order what

513
00:27:10,320 --> 00:27:12,720
Speaker 1: I want and see, this is the stress you don't need,

514
00:27:12,880 --> 00:27:15,399
Speaker 1: I know, and I'm sorry I'm imparting my stress upon you.

515
00:27:15,440 --> 00:27:17,760
Speaker 1: But all I wanted was a rap with Swiss cheese.

516
00:27:18,240 --> 00:27:21,800
Speaker 1: The restaurant we ordered from doesn't have the option to

517
00:27:21,920 --> 00:27:23,560
Speaker 1: change the cheese, so I know I'm gonna get that

518
00:27:23,600 --> 00:27:26,399
Speaker 1: American cheese on there and I'm gonna hate it. And

519
00:27:26,440 --> 00:27:28,720
Speaker 1: then your second choice was seafood bisk and you got

520
00:27:28,760 --> 00:27:31,760
Speaker 1: yelled at about the seafood. You can't have that smell

521
00:27:31,800 --> 00:27:35,360
Speaker 1: in here. It's gonna smell up the whole joint. You're

522
00:27:35,400 --> 00:27:38,919
Speaker 1: gonna order seafood bisk from it? The cereal's good, I know,

523
00:27:39,000 --> 00:27:45,240
Speaker 1: isn't it delicious? It's so good. I don't like fruity pebbles.

524
00:27:45,320 --> 00:27:48,000
Speaker 1: Oh my gosh, who doesn't like fruity pebbles? You are

525
00:27:48,040 --> 00:27:50,639
Speaker 1: being a little wine coco pebbles? But we don't have

526
00:27:50,680 --> 00:27:52,840
Speaker 1: any of those. Well, that's because that's the Halloween cereal

527
00:27:52,920 --> 00:27:56,960
Speaker 1: we just did the Halloween episode. You can tell his

528
00:27:57,080 --> 00:28:00,720
Speaker 1: voice is just stressed. I'm sorry, Scary him a massage?

529
00:28:00,760 --> 00:28:02,880
Speaker 1: Would you like hims? Actually, I would love one. Take

530
00:28:02,920 --> 00:28:10,639
Speaker 1: over your shirt? Whats happening right now? Scary massage parlor?

531
00:28:10,720 --> 00:28:14,200
Speaker 1: Oh yeah, gives the best massages around here. And Drew

532
00:28:15,520 --> 00:28:23,520
Speaker 1: and yeah, look Scary getting up in his clouds got

533
00:28:23,560 --> 00:28:26,600
Speaker 1: him in a headlock anywhere. Yeah, you get right. Why

534
00:28:26,600 --> 00:28:28,159
Speaker 1: don't you guys go down on the floor and do it.

535
00:28:28,560 --> 00:28:31,000
Speaker 1: I'm good. Oh, you don't have to wrap your arms around.

536
00:28:32,119 --> 00:28:35,879
Speaker 1: I need to get your lips away from you know what,

537
00:28:35,920 --> 00:28:39,200
Speaker 1: It would be great receiving a massage while eating fruity pebbles.

538
00:28:40,280 --> 00:28:47,000
Speaker 1: You just don't touch me. I didn't ask you, no,

539
00:28:47,360 --> 00:28:48,800
Speaker 1: I just want to know what. The first thing Scary

540
00:28:48,840 --> 00:28:52,400
Speaker 1: said was take your shirt off, because that's what he

541
00:28:52,400 --> 00:28:57,320
Speaker 1: says to his girlfriends. Let me let me bring this

542
00:28:57,400 --> 00:29:01,960
Speaker 1: back to where it started. Waking up dressed. It sets

543
00:29:01,960 --> 00:29:04,920
Speaker 1: the pace for your whole day. You need to you

544
00:29:05,000 --> 00:29:07,160
Speaker 1: have but things. When you wake up, you're not really

545
00:29:07,200 --> 00:29:10,080
Speaker 1: at your most brilliant, So you need to get into

546
00:29:10,160 --> 00:29:14,280
Speaker 1: the habit of slowly waking up in a soothing, calm way,

547
00:29:14,680 --> 00:29:17,360
Speaker 1: and like I said, cascading into the day. Otherwise you

548
00:29:17,400 --> 00:29:19,520
Speaker 1: turn out like Nate, I'm sorry, I'm not trying to

549
00:29:19,520 --> 00:29:22,320
Speaker 1: be better tomorrow. No, no, for your own good, not ours.

550
00:29:22,520 --> 00:29:25,360
Speaker 1: We're entertained when you're all Bitchie, what's that if we

551
00:29:25,440 --> 00:29:28,240
Speaker 1: want people to wake up with us? Isn't that opposite

552
00:29:28,280 --> 00:29:32,040
Speaker 1: of everything we're talking about right now? We just reversed cereal,

553
00:29:32,320 --> 00:29:34,800
Speaker 1: got a weird massage, yelled at each other about seafood

554
00:29:34,840 --> 00:29:39,880
Speaker 1: bisk and we're like, wake up. I feel pretty relaxed.

555
00:29:41,240 --> 00:29:45,120
Speaker 1: This is our version of a SPA moment. Are you

556
00:29:45,200 --> 00:29:47,760
Speaker 1: awake like that? Alarm? It's true. We have a thousand

557
00:29:47,760 --> 00:29:50,000
Speaker 1: dollars free money phone tap on the way, Bobby Flay

558
00:29:50,080 --> 00:29:52,720
Speaker 1: coming in. He's got a new cookbook out with his daughter,

559
00:29:52,720 --> 00:29:55,400
Speaker 1: who we love. I mean, what else could go right today?

560
00:29:55,600 --> 00:29:57,440
Speaker 1: A whole list of things. So go out and have

561
00:29:57,480 --> 00:30:02,000
Speaker 1: a great day. Don't be so stressed all this Talken

562
00:30:02,720 --> 00:30:08,160
Speaker 1: Allister in the Morning Show, ran in the Morning Show. Hey,

563
00:30:08,160 --> 00:30:11,040
Speaker 1: thanks for being being here with us. We have a

564
00:30:11,040 --> 00:30:13,120
Speaker 1: great show I have. We've got Bobby Flay on the way.

565
00:30:13,320 --> 00:30:15,600
Speaker 1: He's always great. He's always fun to have in the

566
00:30:15,640 --> 00:30:19,440
Speaker 1: studio always and also um with a thousand dollars free

567
00:30:19,440 --> 00:30:23,680
Speaker 1: money phone tap on the way. Everything okay, oh yeah, okay, yeah,

568
00:30:23,720 --> 00:30:25,560
Speaker 1: my dad wanted to know if I was interested in

569
00:30:25,600 --> 00:30:28,880
Speaker 1: attending a gasper La Pirate show in January. Well, of

570
00:30:28,920 --> 00:30:33,880
Speaker 1: course the inter yes, we love, yes it is yes,

571
00:30:35,320 --> 00:30:37,280
Speaker 1: you got to do that. Hey, what is this I'm

572
00:30:37,280 --> 00:30:41,320
Speaker 1: reading about how there are some people who are triggered

573
00:30:41,360 --> 00:30:45,360
Speaker 1: by and want to cancel some emojis off our phones.

574
00:30:45,760 --> 00:30:50,080
Speaker 1: Yeah why well why pete? They're saying, in particular people

575
00:30:50,080 --> 00:30:53,240
Speaker 1: born between nineteen ninety seven and twenty nineteen, otherwise known

576
00:30:53,240 --> 00:30:57,640
Speaker 1: as Generation Z. They think there are emojis that are

577
00:30:58,280 --> 00:31:05,560
Speaker 1: triggering negative passive aggressive conversation enders. There are some conversation

578
00:31:05,680 --> 00:31:09,560
Speaker 1: enders like goodbye. What what trauma was saying goodbye or

579
00:31:09,640 --> 00:31:11,959
Speaker 1: putting a thumbs up, like okay, we're done. A thumbs up,

580
00:31:12,080 --> 00:31:15,920
Speaker 1: especially the yellow one is a very I think, easy

581
00:31:15,960 --> 00:31:18,640
Speaker 1: way to be like I'm done, goodbye, goodbye. That means

582
00:31:18,440 --> 00:31:21,840
Speaker 1: that's that's the point. Oh well, see that's mean. It's

583
00:31:21,880 --> 00:31:24,959
Speaker 1: not mean. What does it mean if somebody says, hey,

584
00:31:25,000 --> 00:31:26,800
Speaker 1: they got something done, Like if somebody says, hey, I

585
00:31:26,840 --> 00:31:28,560
Speaker 1: did it, it's all done, thumbs up, you can't be

586
00:31:28,600 --> 00:31:30,720
Speaker 1: like okay, thanks, like appreciated. But I guess you can

587
00:31:31,280 --> 00:31:33,240
Speaker 1: you can just to me. I'm like, oh, so I

588
00:31:33,240 --> 00:31:36,720
Speaker 1: guess the conversations overkay bye. No thumbs up all the time,

589
00:31:36,760 --> 00:31:39,600
Speaker 1: and I do the check mark that means end of conversation. Yeah. Yeah,

590
00:31:39,840 --> 00:31:41,760
Speaker 1: if you want to have a meaningful conversation with me,

591
00:31:41,880 --> 00:31:44,080
Speaker 1: it's not going to be overtext. I'm sorry. I do

592
00:31:44,160 --> 00:31:46,360
Speaker 1: like the check mark better than the thumbs up. Yeah,

593
00:31:46,400 --> 00:31:48,360
Speaker 1: I do too. It's less offensive. I don't know why

594
00:31:48,480 --> 00:31:50,440
Speaker 1: the thumbs up with no race assigned to it feels

595
00:31:50,440 --> 00:31:52,280
Speaker 1: extra cold. I don't know why the yellow one. Okay.

596
00:31:52,360 --> 00:31:54,600
Speaker 1: All right, so you're a little triggered, a little bit,

597
00:31:54,680 --> 00:31:59,480
Speaker 1: a little bit passive aggressive. All right, So you're saying

598
00:31:59,480 --> 00:32:02,280
Speaker 1: the thumb up is passive aggressive, yes, okay. Here's the

599
00:32:02,320 --> 00:32:11,000
Speaker 1: official list of canceled emojis. Thumbs up, okay, the red heart. No,

600
00:32:12,280 --> 00:32:15,120
Speaker 1: they're saying red heart is just as much a conversation

601
00:32:15,280 --> 00:32:19,600
Speaker 1: ender as a thumbs up. Okay, The okay hand you

602
00:32:19,720 --> 00:32:22,520
Speaker 1: like to circle you make with your thumbs I never used.

603
00:32:22,880 --> 00:32:26,440
Speaker 1: Some people say the okay hand is a racist sign, too, isn't. Yeah,

604
00:32:26,480 --> 00:32:28,120
Speaker 1: it's supposed to be a sign of something else. Well,

605
00:32:28,200 --> 00:32:29,800
Speaker 1: I'm sorry if I don't. I didn't know that I

606
00:32:30,520 --> 00:32:32,600
Speaker 1: used that as my dismiss of like yeah, okay, sure,

607
00:32:32,600 --> 00:32:35,959
Speaker 1: I'm going to do that. Other canceled emojis include my

608
00:32:36,040 --> 00:32:39,520
Speaker 1: favorite to check mark, because I'll go like, hey, Nate,

609
00:32:39,560 --> 00:32:41,800
Speaker 1: what time is Bobby Flay tomorrow? He'll say eight twenty,

610
00:32:41,840 --> 00:32:44,320
Speaker 1: and I'll send a checkmark, meaning end of conversation. We

611
00:32:44,320 --> 00:32:46,920
Speaker 1: don't need to discuss it anymore. Okay, am I triggering

612
00:32:46,920 --> 00:32:48,360
Speaker 1: you when I give you a checkmark? I don't get

613
00:32:48,360 --> 00:32:55,600
Speaker 1: triggered by that, not at all. Also, now the pooh emoji? No, no, no, nope,

614
00:32:55,600 --> 00:32:58,080
Speaker 1: that's a good one. What makes that one good? I

615
00:32:58,080 --> 00:32:59,600
Speaker 1: don't know it's a poo emoji? Why would you ever

616
00:32:59,680 --> 00:33:03,080
Speaker 1: cancel it? Well, they're canceling it. Also the loud crying face.

617
00:33:03,880 --> 00:33:06,360
Speaker 1: Why I'm having a really bad day they canceled my

618
00:33:06,400 --> 00:33:10,720
Speaker 1: favorite show, loud crying face. The monkey covering his eyes?

619
00:33:10,880 --> 00:33:12,880
Speaker 1: I love the monkey. That's my favorite. When the monkey,

620
00:33:13,440 --> 00:33:15,760
Speaker 1: why is that triggering? I okay, I don't know why

621
00:33:15,760 --> 00:33:18,320
Speaker 1: it's triggering to them, but the monkey covering its eyes

622
00:33:18,360 --> 00:33:20,680
Speaker 1: that I think is creepy. Is a lot of guys

623
00:33:20,720 --> 00:33:22,840
Speaker 1: will send you a creepy d M and then add

624
00:33:22,880 --> 00:33:24,560
Speaker 1: that at the end like oops, I didn't mean to

625
00:33:24,600 --> 00:33:26,200
Speaker 1: send that. I hope I'm not offending you. And it's

626
00:33:26,240 --> 00:33:29,640
Speaker 1: extra creepy. Okay, yeah, I hate it. Also clapping hands.

627
00:33:29,760 --> 00:33:33,280
Speaker 1: They want to they want to erase and totally delete.

628
00:33:33,520 --> 00:33:37,040
Speaker 1: You did something good that you should get in the flow. See,

629
00:33:37,080 --> 00:33:39,440
Speaker 1: I use it as I'll put it between words like

630
00:33:39,640 --> 00:33:45,040
Speaker 1: I do not care exactly that's triggering it is leave

631
00:33:45,080 --> 00:33:48,560
Speaker 1: that one, the lipstick kiss mark. Oh, I like that one. No,

632
00:33:48,720 --> 00:33:51,680
Speaker 1: they're saying it needs to be canceled in the grimacing face,

633
00:33:51,760 --> 00:33:54,480
Speaker 1: which is I don't even know the prayer hands. I'm

634
00:33:54,520 --> 00:33:58,520
Speaker 1: really hoping we're okay. They'll be canceling that next week day.

635
00:33:58,760 --> 00:34:01,960
Speaker 1: Come on, I'm sorry, dumbasses. As long as they don't

636
00:34:01,960 --> 00:34:04,719
Speaker 1: mess with my black moonface, we're all good. You know what,

637
00:34:05,720 --> 00:34:07,800
Speaker 1: you're canceled. One of the first emojis you ever sent

638
00:34:07,840 --> 00:34:09,759
Speaker 1: me was black moonface. That's my favorite one. I said,

639
00:34:09,760 --> 00:34:15,080
Speaker 1: it's everybody. It says so many things. Yeah, you know what,

640
00:34:15,080 --> 00:34:17,120
Speaker 1: what does it say whatever I wanted to say at

641
00:34:17,120 --> 00:34:21,680
Speaker 1: the moment. Face. Do you ever type in an emoji

642
00:34:21,719 --> 00:34:23,680
Speaker 1: and it never doesn't come up because it doesn't exist?

643
00:34:24,040 --> 00:34:26,040
Speaker 1: There are so many I want to send, and I'm

644
00:34:26,080 --> 00:34:27,759
Speaker 1: like I want to send this and it doesn't go.

645
00:34:28,480 --> 00:34:35,880
Speaker 1: It doesn't exist. Response to this article middle finger emoji. Seriously,

646
00:34:36,080 --> 00:34:39,160
Speaker 1: black moonface, you see you can get away in black moonface.

647
00:34:39,239 --> 00:34:41,719
Speaker 1: I cannot know you can. The black moonface, it just

648
00:34:41,719 --> 00:34:44,319
Speaker 1: looks so naughty, like it's up to some nonsense. So

649
00:34:44,360 --> 00:34:46,400
Speaker 1: that's why I like it, because it can accompany so

650
00:34:46,440 --> 00:34:48,560
Speaker 1: many other things. The black moonface with a knife. You

651
00:34:48,600 --> 00:34:50,720
Speaker 1: know what I'm trying to say to you. Black moonface

652
00:34:50,760 --> 00:34:52,239
Speaker 1: with the little nails. You know what I'm trying to

653
00:34:52,239 --> 00:34:55,319
Speaker 1: say to you. It says a lot. It's expressive. You know. Look,

654
00:34:55,400 --> 00:34:58,360
Speaker 1: if I call you, which I really do, I'm really

655
00:34:58,360 --> 00:35:01,640
Speaker 1: on the phone. Ever, if I call you and we're okay, good,

656
00:35:01,640 --> 00:35:03,799
Speaker 1: I'm glad we got that figured out. Have a great day.

657
00:35:03,840 --> 00:35:07,000
Speaker 1: I'll talk to you tomorrow. Okay, bye bye click, that's

658
00:35:07,000 --> 00:35:10,240
Speaker 1: a proper goodbye. I just don't feel like texts are there.

659
00:35:10,640 --> 00:35:15,680
Speaker 1: Texts are there to abbreviate your life. So if we're like, hey, gandhi,

660
00:35:15,760 --> 00:35:19,279
Speaker 1: lunch noon today, yes, check mark done. Yeah, I guess

661
00:35:19,320 --> 00:35:21,799
Speaker 1: that's not so bad. The way you're describing this doesn't

662
00:35:21,800 --> 00:35:23,520
Speaker 1: feel as bad as the way I take it. Well,

663
00:35:23,960 --> 00:35:26,600
Speaker 1: look look on your phone. It's the texts that we

664
00:35:26,680 --> 00:35:29,080
Speaker 1: have we've shared. Okay, let me know if you see

665
00:35:29,080 --> 00:35:33,439
Speaker 1: any that are passive aggressive and triggering. I don't feel

666
00:35:33,480 --> 00:35:36,200
Speaker 1: passive aggressive stuff from you really. Ever, who in this

667
00:35:36,280 --> 00:35:40,920
Speaker 1: room are you receiving passive aggressive text this room? Maybe

668
00:35:40,960 --> 00:35:45,719
Speaker 1: no one because we're a family, Probably be nate. The

669
00:35:45,719 --> 00:35:48,040
Speaker 1: problem isn't a text message. Sometimes you just don't know

670
00:35:48,120 --> 00:35:50,520
Speaker 1: how they mean to say it. And I think a

671
00:35:50,560 --> 00:35:52,600
Speaker 1: lot of times people take things the wrong way and

672
00:35:52,640 --> 00:35:54,239
Speaker 1: you're like, no, no, I didn't mean it that way.

673
00:35:54,280 --> 00:35:57,400
Speaker 1: It's just it's hard to get it across in a text.

674
00:35:57,600 --> 00:35:59,560
Speaker 1: That's the nuance of text, though it always has been

675
00:35:59,600 --> 00:36:02,440
Speaker 1: yep for all. I am quite relieved that of the

676
00:36:02,480 --> 00:36:05,680
Speaker 1: ten that you named canceled emojis, they're not the egg

677
00:36:05,680 --> 00:36:09,399
Speaker 1: point of the peach, right, They're fine, and those those

678
00:36:09,440 --> 00:36:13,719
Speaker 1: are very well used. What's that? What's that? I think

679
00:36:13,719 --> 00:36:16,480
Speaker 1: this texture nailed it. They said that gen xers think

680
00:36:16,480 --> 00:36:19,080
Speaker 1: the thumbs up actually means cool and a okay, Because

681
00:36:19,200 --> 00:36:21,520
Speaker 1: in our generation when you do the thumbs up or

682
00:36:21,520 --> 00:36:24,840
Speaker 1: the a okay, that me those are positives. But there's

683
00:36:24,880 --> 00:36:28,359
Speaker 1: something lost in translation between gen X and well, they're there.

684
00:36:28,800 --> 00:36:31,399
Speaker 1: They feel it's passive aggressive. So it's but it's lost

685
00:36:31,440 --> 00:36:36,799
Speaker 1: in translation. Oh my god, I'll have to start using

686
00:36:36,800 --> 00:36:38,640
Speaker 1: the thumbs up more. Now have to be one of

687
00:36:38,640 --> 00:36:42,959
Speaker 1: my favorite emojis now that I know it's so dangerous, right,

688
00:36:43,280 --> 00:36:47,600
Speaker 1: let me let's talk to Chris over here. Hello, Chris, Hey, guys,

689
00:36:47,640 --> 00:36:53,440
Speaker 1: how's everybody doing. Oh? You know what thumbs up? Oh

690
00:36:53,440 --> 00:36:57,560
Speaker 1: my god, I hate the thumbs up. Now are there

691
00:36:57,600 --> 00:37:00,720
Speaker 1: emojis that you find are well personally you find passive

692
00:37:00,719 --> 00:37:05,000
Speaker 1: aggressive and dismissive. Yeah, it's totally the thumbs up. It's more,

693
00:37:05,080 --> 00:37:07,520
Speaker 1: it's not even passive aggressive. It's just like an F you.

694
00:37:08,360 --> 00:37:13,520
Speaker 1: Oh no, that's the middle finger. Actually, okay, so you're

695
00:37:13,520 --> 00:37:16,279
Speaker 1: saying it's Chris, why do you feel that, Like, in

696
00:37:16,320 --> 00:37:19,759
Speaker 1: what way can the thumbs up be used at the

697
00:37:19,920 --> 00:37:21,799
Speaker 1: end of a text that makes you feel like they

698
00:37:21,880 --> 00:37:25,560
Speaker 1: just sent you an F you? You know, I don't

699
00:37:25,600 --> 00:37:28,480
Speaker 1: even think that people typically mean that. I just for

700
00:37:28,560 --> 00:37:31,760
Speaker 1: some reason when I see it, I just I almost

701
00:37:31,760 --> 00:37:33,560
Speaker 1: see red and I'm just like, oh my god, how

702
00:37:33,600 --> 00:37:35,640
Speaker 1: could you just give me a thumbs up and end

703
00:37:35,640 --> 00:37:39,520
Speaker 1: it and say F you? Wow? So that's what it is?

704
00:37:39,600 --> 00:37:41,560
Speaker 1: You feel like, you feel like you've been dismissed. You've

705
00:37:41,560 --> 00:37:44,680
Speaker 1: been dissed. I do. Yeah, yeah, maybe I have like

706
00:37:44,719 --> 00:37:48,600
Speaker 1: rejection anxiety or something. I don't know. Let's let's not

707
00:37:48,640 --> 00:37:50,680
Speaker 1: make this an issue that you have. I just want

708
00:37:50,680 --> 00:37:52,839
Speaker 1: to I just want to know, like why you feel

709
00:37:52,840 --> 00:37:55,120
Speaker 1: that way, because I will tell you if you and I,

710
00:37:55,320 --> 00:37:58,560
Speaker 1: especially if if we work together Chris and we had

711
00:37:58,560 --> 00:38:01,120
Speaker 1: a quick dialogue on text and I sent you the

712
00:38:01,200 --> 00:38:03,160
Speaker 1: thumbs up, that means Okay, I hear what you said,

713
00:38:03,640 --> 00:38:06,080
Speaker 1: let's move on, and I do dismiss it. I dismiss

714
00:38:06,120 --> 00:38:08,479
Speaker 1: our conversation. So you're you're saying that that you feel

715
00:38:08,520 --> 00:38:11,440
Speaker 1: that's rude. That's the rude one. Yeah, I feel like

716
00:38:11,480 --> 00:38:14,160
Speaker 1: to say okay bye for you know, it would be

717
00:38:14,160 --> 00:38:15,919
Speaker 1: better if I said, Okay, I'm glad we had this

718
00:38:15,920 --> 00:38:17,879
Speaker 1: this exchange. You go have a great day and let's

719
00:38:17,880 --> 00:38:19,520
Speaker 1: talk later. Is that what you'd rather have than a

720
00:38:20,160 --> 00:38:22,759
Speaker 1: than the thumbs up? Yeah? And I don't even need

721
00:38:22,800 --> 00:38:25,279
Speaker 1: all of that dialogue, Like I don't need quite that much.

722
00:38:25,280 --> 00:38:30,400
Speaker 1: Even just do need you know, thank you? Yeah? You

723
00:38:30,440 --> 00:38:33,839
Speaker 1: need you need closure on the text is what you're saying. Yes,

724
00:38:34,160 --> 00:38:37,839
Speaker 1: I need closure in words. Okay. So, so people who

725
00:38:37,960 --> 00:38:46,319
Speaker 1: just put the letter K oh Oh my god. I'm

726
00:38:46,320 --> 00:38:48,359
Speaker 1: gonna be honest. I hate the K as well. I

727
00:38:48,400 --> 00:38:51,960
Speaker 1: hate the K. I'm with you one, all right, Chris,

728
00:38:52,040 --> 00:38:54,360
Speaker 1: with the K and H. We thank you for listening

729
00:38:54,400 --> 00:38:56,920
Speaker 1: to us, and you have a great day, and we'll

730
00:38:56,960 --> 00:39:00,360
Speaker 1: see you and over and out. And I hope you

731
00:39:00,400 --> 00:39:04,320
Speaker 1: have a lovely, lovely, lovely lunch today, great dinner tonight.

732
00:39:05,920 --> 00:39:09,000
Speaker 1: I really do appreciate all of that. Okay, all right,

733
00:39:09,360 --> 00:39:13,640
Speaker 1: take care of Chris. There you go. She's like, Okay,

734
00:39:13,680 --> 00:39:17,279
Speaker 1: you're just missing me. I'm like in me, I'm like, yes,

735
00:39:17,360 --> 00:39:21,600
Speaker 1: I am. So we're all on the same page here exactly.

736
00:39:22,120 --> 00:39:25,319
Speaker 1: Not with Chris. I love Chris, but I'm saying please,

737
00:39:25,320 --> 00:39:28,160
Speaker 1: don't read so much into the texts as they are

738
00:39:28,320 --> 00:39:34,040
Speaker 1: an emotional bonding moment. With that said, let's get into

739
00:39:34,040 --> 00:39:36,160
Speaker 1: the three things we need to know? Oh gandhi, oh man?

740
00:39:36,239 --> 00:39:38,799
Speaker 1: What's going on? All right? Two police officers are dead

741
00:39:38,840 --> 00:39:42,000
Speaker 1: and one is seriously injured after a shooting in Connecticut.

742
00:39:42,080 --> 00:39:44,799
Speaker 1: State police say the officer involved shooting happened last night

743
00:39:44,840 --> 00:39:47,239
Speaker 1: in a residential area in the town of Bristol. No

744
00:39:47,400 --> 00:39:49,840
Speaker 1: details have been released about who fired the shots or

745
00:39:49,880 --> 00:39:53,040
Speaker 1: what led up to the event. A nearby resident told

746
00:39:53,040 --> 00:39:55,400
Speaker 1: a local NBC affiliate that he heard at least a

747
00:39:55,480 --> 00:39:58,279
Speaker 1: dozen gunshots. State police are expected to hold a press

748
00:39:58,280 --> 00:40:02,600
Speaker 1: conference later this morning. Scientists in California are celebrating a

749
00:40:02,680 --> 00:40:06,520
Speaker 1: medical breakthrough. They've learned how to grow human brain cells

750
00:40:06,560 --> 00:40:10,959
Speaker 1: in rats to study diseases. Researchers at Stanford University began

751
00:40:11,000 --> 00:40:13,319
Speaker 1: the experiment seven years ago. They say that more than

752
00:40:13,360 --> 00:40:15,719
Speaker 1: seventy percent of the rats were alive one year after

753
00:40:15,760 --> 00:40:18,719
Speaker 1: the transplants, and none showed signs of health issues like

754
00:40:18,800 --> 00:40:21,440
Speaker 1: seizures or epilepsy. The team hopes that this is going

755
00:40:21,440 --> 00:40:25,920
Speaker 1: to help them understand other conditions such as autism and schizophrenia.

756
00:40:26,000 --> 00:40:29,720
Speaker 1: And finally, the nation's two biggest lotteries keep climbing. Nobody

757
00:40:29,760 --> 00:40:33,600
Speaker 1: has matched all six numbers yet, both jackpots now worth

758
00:40:33,680 --> 00:40:36,520
Speaker 1: over four hundred and fifty million dollars. Nobody matched the

759
00:40:36,520 --> 00:40:38,960
Speaker 1: Powerball drawing last night, so the jackpot will roll over

760
00:40:39,000 --> 00:40:41,360
Speaker 1: for the Saturday drawing, worth at least four hundred and

761
00:40:41,400 --> 00:40:44,200
Speaker 1: fifty four million. The Mega Millions lottery will have its

762
00:40:44,239 --> 00:40:46,520
Speaker 1: drawing Friday night, and that jack pot is now up

763
00:40:46,520 --> 00:40:49,239
Speaker 1: to four hundred and ninety four million dollars. Oh my god.

764
00:40:49,280 --> 00:40:51,680
Speaker 1: See I went on into my pocket at to buy

765
00:40:51,719 --> 00:40:53,479
Speaker 1: some tickets. But the only thing I can win today

766
00:40:53,520 --> 00:40:59,040
Speaker 1: is a thousand dollars per day. Who needs that chump change?

767
00:40:59,239 --> 00:41:02,640
Speaker 1: We give that away though, Yes, that's great, we do. Yeah,

768
00:41:02,760 --> 00:41:05,160
Speaker 1: get the jack pucket. It's your lottery ticket. Yeah yeah.

769
00:41:05,160 --> 00:41:06,839
Speaker 1: It's easier feed to win a thousand dollars for us

770
00:41:06,880 --> 00:41:09,479
Speaker 1: than in the lottery. And it's certainly the lottery pluth.

771
00:41:09,800 --> 00:41:12,880
Speaker 1: And there you go, um speaking of the one thousand

772
00:41:12,880 --> 00:41:15,279
Speaker 1: dollars Veroni free money phone tap coming up for you

773
00:41:15,400 --> 00:41:18,920
Speaker 1: and just as a shake as they say, good morning

774
00:41:21,840 --> 00:41:24,319
Speaker 1: in the Morning show, Bobby Flay on the way in

775
00:41:24,440 --> 00:41:29,120
Speaker 1: less than an hour. There, I know, thank you. Robert

776
00:41:29,280 --> 00:41:32,279
Speaker 1: Flay will be here within the hour. Lots to talk

777
00:41:32,280 --> 00:41:35,560
Speaker 1: about and catch up on. I can't wait to see him. Also,

778
00:41:35,640 --> 00:41:39,600
Speaker 1: we had the best interview and I don't even want

779
00:41:39,600 --> 00:41:42,839
Speaker 1: to call it an interview, just the best conversation with

780
00:41:43,320 --> 00:41:46,480
Speaker 1: Charlie Pooth. Yesterday was a hang. It was yeah, it

781
00:41:46,520 --> 00:41:49,640
Speaker 1: was amazing. It was amazing. And the I mean everyone

782
00:41:49,719 --> 00:41:54,839
Speaker 1: loved everything's said and done, but Danielle basically giving him

783
00:41:54,880 --> 00:41:57,399
Speaker 1: an on the air hug for all the pain he's

784
00:41:57,400 --> 00:41:59,440
Speaker 1: been through to write those songs on this new album. Ye,

785
00:42:00,160 --> 00:42:03,000
Speaker 1: people really appreciated that. You need to hear this interview.

786
00:42:03,120 --> 00:42:05,000
Speaker 1: You need to see it as well. Wherever you get

787
00:42:05,040 --> 00:42:07,360
Speaker 1: your podcast, we prefer you get them from my heart.

788
00:42:07,840 --> 00:42:10,280
Speaker 1: Wherever you get your podcast, do a search for Elvis

789
00:42:10,320 --> 00:42:13,560
Speaker 1: Drain Morning Show on demand. Everything we do, you can

790
00:42:13,600 --> 00:42:16,160
Speaker 1: hear it. It's all there. You know, you can always listen.

791
00:42:16,200 --> 00:42:18,239
Speaker 1: I think they's a YouTube too. You collect the video

792
00:42:18,280 --> 00:42:20,840
Speaker 1: on YouTube. It's everywhere. Yeah, do a search. But ye,

793
00:42:20,960 --> 00:42:24,719
Speaker 1: our time with Charlie Puth yesterday was magnificent and uh,

794
00:42:24,840 --> 00:42:27,520
Speaker 1: I love that anyway? What else do we need to

795
00:42:27,520 --> 00:42:31,240
Speaker 1: bring up before the phone tap starts? Class announcements, Class

796
00:42:31,280 --> 00:42:34,880
Speaker 1: announcements on the calendar for tomorrow. Who's on the calendar

797
00:42:34,920 --> 00:42:39,000
Speaker 1: for Oh? I love him? He's so funny. I didn't

798
00:42:39,000 --> 00:42:41,879
Speaker 1: know that. He's funny as hell. Yeah. Yeah, Joe koy

799
00:42:42,080 --> 00:42:46,960
Speaker 1: on today is zooming okay because he's out of town.

800
00:42:47,280 --> 00:42:48,839
Speaker 1: But when he gets closer to his show he might

801
00:42:48,880 --> 00:42:51,800
Speaker 1: come okay. Cool. And then next week we have ed Shearon.

802
00:42:52,440 --> 00:42:54,880
Speaker 1: Let's see if he'll send us one of those six

803
00:42:54,920 --> 00:42:59,439
Speaker 1: foot tall penis statues. He gave one to Sam Smith. Yeah,

804
00:42:59,520 --> 00:43:04,040
Speaker 1: and what is that mask that he gave the gimp?

805
00:43:04,120 --> 00:43:07,640
Speaker 1: He gave him three gimp masks, So I like a

806
00:43:07,680 --> 00:43:11,000
Speaker 1: different present. I think the six foot penis sounds fun.

807
00:43:11,320 --> 00:43:13,520
Speaker 1: I'm sure my homeowner's association would love that in the

808
00:43:13,520 --> 00:43:17,080
Speaker 1: front yard. Yeah, I mean, out of all of us,

809
00:43:17,120 --> 00:43:20,440
Speaker 1: I think Froggy's homeowners Association is the most strict, right,

810
00:43:20,480 --> 00:43:22,640
Speaker 1: I mean they keep him out everybody. You do, yes,

811
00:43:22,800 --> 00:43:25,719
Speaker 1: how would they do? Right there in Pontevedra, Florida. I'm

812
00:43:25,760 --> 00:43:29,759
Speaker 1: putting a set erecting a six foot penis in your

813
00:43:29,760 --> 00:43:32,319
Speaker 1: front yard. Well, they claim that Nacate's like a big

814
00:43:32,360 --> 00:43:35,719
Speaker 1: swinger's headquarters. So maybe the instead of the upside down pineapple,

815
00:43:35,760 --> 00:43:37,759
Speaker 1: maybe if you put a tin orrect to six foot

816
00:43:37,800 --> 00:43:40,239
Speaker 1: penis in your yard, that really tells everybody to come over.

817
00:43:40,320 --> 00:43:42,520
Speaker 1: I don't know where he gets those from, Like, where

818
00:43:42,560 --> 00:43:45,520
Speaker 1: does he actually order the six foot penis? Who makes those? Hello?

819
00:43:45,719 --> 00:43:50,319
Speaker 1: Google the s FOI shop exactly Amazon. Probably, let's go,

820
00:43:50,760 --> 00:43:53,799
Speaker 1: let's go buy one. Let's let's give him one taste

821
00:43:53,840 --> 00:43:59,200
Speaker 1: of his own medicine. We love Veroni. Thanks to Veroni Gotch.

822
00:43:59,320 --> 00:44:01,680
Speaker 1: We have so much to thank them for. We're thankful

823
00:44:01,719 --> 00:44:03,839
Speaker 1: for Varoni because we have a thousand dollars free money

824
00:44:03,880 --> 00:44:06,480
Speaker 1: phone tap. They're also sponsoring our New York City Wine

825
00:44:06,480 --> 00:44:11,160
Speaker 1: and Food Festival with their giant mortadella. Maybe we should

826
00:44:11,160 --> 00:44:15,840
Speaker 1: give one of those as a gift. Yeah, maybe a

827
00:44:15,960 --> 00:44:21,280
Speaker 1: massive salami. Anyway, Varoni has it all. They import this incredible,

828
00:44:21,320 --> 00:44:26,279
Speaker 1: incredible charcuterie ingredients from Italy and then they slice them

829
00:44:26,320 --> 00:44:29,560
Speaker 1: fresh here in the US and it's right there in

830
00:44:29,560 --> 00:44:32,839
Speaker 1: your grocery store. We love Varoni. Not only do they

831
00:44:32,840 --> 00:44:34,960
Speaker 1: do the meats, but they also do cheese as they

832
00:44:35,000 --> 00:44:37,480
Speaker 1: do the charcuttery plates. The You know what I love

833
00:44:37,520 --> 00:44:42,120
Speaker 1: it is? They're dried u cantle little apricots. What is it?

834
00:44:42,880 --> 00:44:45,320
Speaker 1: Oh my god, it's so good. It's so good to

835
00:44:45,360 --> 00:44:47,239
Speaker 1: eat those with some They also put some nuts in

836
00:44:47,320 --> 00:44:51,880
Speaker 1: some of them with the cheeses and all. Yeah, I

837
00:44:51,960 --> 00:44:54,920
Speaker 1: got them. My mouth is watering so good. Thanks to Voni,

838
00:44:55,080 --> 00:44:56,640
Speaker 1: right there in your grocery store. You're about to win

839
00:44:56,680 --> 00:44:58,680
Speaker 1: a thousand dollars with a free money phone tap if

840
00:44:58,719 --> 00:45:01,239
Speaker 1: you call our one hundred any hundred two four two

841
00:45:01,440 --> 00:45:07,320
Speaker 1: zero one hundred. Today's phone tap is from Ye Daniel Duran,

842
00:45:07,640 --> 00:45:10,480
Speaker 1: Elvis durand Phone tap. All right, Danielle, tell us all

843
00:45:10,480 --> 00:45:12,600
Speaker 1: about your phone. All right, Well, Kelly called wants us

844
00:45:12,600 --> 00:45:15,520
Speaker 1: to phone tap her mom, Bonnie. Bonnie's been having some

845
00:45:15,560 --> 00:45:18,759
Speaker 1: issues with her dentures for a long time, so she

846
00:45:18,920 --> 00:45:21,200
Speaker 1: was waiting for the company to call her back. So

847
00:45:21,239 --> 00:45:23,319
Speaker 1: I'm going to call us direct from the company and

848
00:45:23,480 --> 00:45:26,080
Speaker 1: let her know what her denters. What's gonna happen with

849
00:45:26,120 --> 00:45:29,759
Speaker 1: her dentures? What could possibly go wrong here? Yeah? All right,

850
00:45:29,840 --> 00:45:33,880
Speaker 1: here's Danielle's phone tap. Hello, Um, hi Bonnie, this is Melissa.

851
00:45:33,960 --> 00:45:38,879
Speaker 1: I'm calling from Eland Dentures. Oh, you finally got back

852
00:45:38,920 --> 00:45:43,040
Speaker 1: to me. I called you sis like a month A little. Well,

853
00:45:43,080 --> 00:45:45,359
Speaker 1: we're really busy here, so I'm really sorry we didn't

854
00:45:45,400 --> 00:45:47,360
Speaker 1: get back to you sooner. But um, you know what

855
00:45:47,480 --> 00:45:52,800
Speaker 1: seems to be the problem. Oh, these dentures are terrible.

856
00:45:53,960 --> 00:45:59,400
Speaker 1: They move in my mouth and there's a there's like up,

857
00:45:59,400 --> 00:46:01,880
Speaker 1: there's a why I can't can you speak up? I

858
00:46:01,880 --> 00:46:05,760
Speaker 1: can't really hear you? Click? Well that's because I can't

859
00:46:05,920 --> 00:46:11,120
Speaker 1: talk my denters click. I try to eat and I

860
00:46:11,160 --> 00:46:13,640
Speaker 1: can car denters are the best that there is, and

861
00:46:13,680 --> 00:46:16,359
Speaker 1: so it's obviously the person putting the denters in their mouth.

862
00:46:16,360 --> 00:46:21,239
Speaker 1: That's the issue. What is your name? My name is Melissa, Melissa.

863
00:46:21,440 --> 00:46:23,080
Speaker 1: Do I give you a tutorial on how to put

864
00:46:23,120 --> 00:46:26,160
Speaker 1: your denters in? No? I know how to put them

865
00:46:26,200 --> 00:46:29,400
Speaker 1: in my mouth, obviously not. Did you buy denter cream

866
00:46:29,520 --> 00:46:32,959
Speaker 1: to put them in the denter adhesive? Young ladies, don't

867
00:46:33,000 --> 00:46:36,560
Speaker 1: be stupid. Of course I did. I tried to eat

868
00:46:36,640 --> 00:46:40,160
Speaker 1: corn on the cob and okay, wait a minute, let's

869
00:46:40,160 --> 00:46:43,080
Speaker 1: just stop there. What the heck are you doing eating

870
00:46:43,080 --> 00:46:46,720
Speaker 1: corn on the cob with denters? You said I could

871
00:46:46,840 --> 00:46:49,040
Speaker 1: when you sold them to Okay, first of all, you

872
00:46:49,280 --> 00:46:52,160
Speaker 1: talk to me. Love corn on the cob? Okay, what's

873
00:46:52,160 --> 00:46:54,279
Speaker 1: wrong with corn nipplets? You can open it, can stick

874
00:46:54,320 --> 00:46:56,120
Speaker 1: them in the pan and eat those. What the hell

875
00:46:56,160 --> 00:46:58,440
Speaker 1: would you eat corn on the cob? To do with

876
00:46:58,560 --> 00:47:04,920
Speaker 1: what I eat? Because not anybody enters dentures I wanted

877
00:47:05,000 --> 00:47:07,160
Speaker 1: to eat. Oh, Michael, can you hold on a second plane?

878
00:47:07,280 --> 00:47:10,759
Speaker 1: Just hold on what We got another one on the phone.

879
00:47:11,000 --> 00:47:13,359
Speaker 1: This one is eating corn with her dentures, and she's

880
00:47:13,360 --> 00:47:15,600
Speaker 1: complaining that it's our fault because you're eating corn on

881
00:47:15,640 --> 00:47:18,000
Speaker 1: the cob and her. I don't know what it is

882
00:47:18,080 --> 00:47:22,840
Speaker 1: with old people. I swear to goodness they're just so stupid. Lyssa. Yeah, Melissa,

883
00:47:23,000 --> 00:47:24,760
Speaker 1: how stupid is that you eat corn on the cobs?

884
00:47:25,360 --> 00:47:27,560
Speaker 1: Seventy five years old? You don't eat corn on the

885
00:47:27,680 --> 00:47:32,480
Speaker 1: cob with her wrinkling mouth? So ridiculous? Hello, Yes, what

886
00:47:32,640 --> 00:47:35,040
Speaker 1: did you just say? I didn't say anything. I was

887
00:47:35,280 --> 00:47:37,400
Speaker 1: heard you. What do you mean you heard? I had

888
00:47:37,440 --> 00:47:41,200
Speaker 1: you on hold the house? Still are you? I heard

889
00:47:41,320 --> 00:47:44,000
Speaker 1: you talk about old people. Okay, you know what? What

890
00:47:44,200 --> 00:47:46,319
Speaker 1: is the problem here? I want my money back. You're

891
00:47:46,360 --> 00:47:48,640
Speaker 1: eating corn on the cob with your dentures and you

892
00:47:48,800 --> 00:47:51,160
Speaker 1: want your money back. I want to talk to you

893
00:47:51,239 --> 00:47:53,760
Speaker 1: a manager, ma'am. I am the highest there is baby.

894
00:47:54,480 --> 00:47:56,640
Speaker 1: I'm gonna call the better business girl on your people.

895
00:47:56,960 --> 00:47:58,520
Speaker 1: I don't care if I have to walk out with

896
00:47:58,719 --> 00:48:01,719
Speaker 1: no chase. Every old person is trying to get money

897
00:48:01,719 --> 00:48:03,319
Speaker 1: out of us and get their money back so they

898
00:48:03,320 --> 00:48:07,359
Speaker 1: can get free densher. There's gotta be somebody over cars off.

899
00:48:07,800 --> 00:48:10,640
Speaker 1: I don't even know old people knew that word. Oh well,

900
00:48:10,680 --> 00:48:12,880
Speaker 1: how do you think people like you got born? You

901
00:48:12,960 --> 00:48:16,920
Speaker 1: are so rude. I want customer service, not an attitude

902
00:48:16,960 --> 00:48:19,000
Speaker 1: from a little pip squeeze. Next time, you call me.

903
00:48:19,080 --> 00:48:20,359
Speaker 1: Just put the corn on the cob in your mouth

904
00:48:20,400 --> 00:48:22,200
Speaker 1: so I don't have to hear you. Please, What kind

905
00:48:22,239 --> 00:48:26,520
Speaker 1: of root are you? It's that really nice customer. Stop tucking.

906
00:48:26,840 --> 00:48:31,040
Speaker 1: You are complete idiot. How did you get Okay, I'm

907
00:48:31,080 --> 00:48:33,160
Speaker 1: going to jot down what you said, and I am

908
00:48:33,280 --> 00:48:36,920
Speaker 1: going down that you're an idiot. I'm not really writing

909
00:48:36,960 --> 00:48:42,920
Speaker 1: anything down. This is just a phone tap moment. It

910
00:48:43,080 --> 00:48:46,160
Speaker 1: was your daughter's idea. Blame her, Kelly. That's not funny.

911
00:48:46,200 --> 00:48:48,960
Speaker 1: What is your name, Melissa? Actually it's Danielle. You have

912
00:48:49,120 --> 00:48:51,640
Speaker 1: upset me. I don't think that's funny. I'm sorry. It's

913
00:48:51,680 --> 00:48:57,840
Speaker 1: my job. Elvis makes me do it. I didn't. I

914
00:48:57,880 --> 00:49:01,080
Speaker 1: don't make you do that. Yes, you do know the

915
00:49:01,120 --> 00:49:06,080
Speaker 1: phone tap. I hate the phone taps. You know that. Oh? Anyway,

916
00:49:06,120 --> 00:49:09,560
Speaker 1: thank you, Danielle. That was your free money phone tap

917
00:49:09,600 --> 00:49:13,560
Speaker 1: thanks to Voni. John Is called on one hundred HI

918
00:49:13,719 --> 00:49:18,200
Speaker 1: caller one hundred John. Oh. Thanks, it's amazing. I call

919
00:49:18,239 --> 00:49:19,960
Speaker 1: you guys all the time. You very good. I love

920
00:49:20,000 --> 00:49:22,120
Speaker 1: that you're here again. This time it actually paid off.

921
00:49:22,160 --> 00:49:25,080
Speaker 1: You want a thousand dollars with a free money phone tap? Oh?

922
00:49:25,200 --> 00:49:27,719
Speaker 1: That's amazing, Thank you very much, We thank you. Thanks

923
00:49:27,760 --> 00:49:29,399
Speaker 1: for listening. What are you doing today, John? We want

924
00:49:29,400 --> 00:49:32,560
Speaker 1: to know what you're doing. I'm in five driving to work. Yeah,

925
00:49:32,600 --> 00:49:34,200
Speaker 1: a lot of people are tell them, tell them. We

926
00:49:34,239 --> 00:49:37,279
Speaker 1: said hi, but I have a great damon. Enjoy your

927
00:49:37,360 --> 00:49:40,239
Speaker 1: thousand dollars. Hold on one second, diamond, would you please

928
00:49:40,239 --> 00:49:43,879
Speaker 1: send John a thousand dollars? Thank you? All right, thanks

929
00:49:43,920 --> 00:49:46,320
Speaker 1: to Veroni right there at your grocery store. We have

930
00:49:46,360 --> 00:49:48,760
Speaker 1: another thousand dollars free money phone tap tomorrow and Varoni,

931
00:49:48,840 --> 00:49:51,520
Speaker 1: we love you. Thanks for sponsoring our free money phone taps.

932
00:49:51,520 --> 00:49:53,160
Speaker 1: And thanks for being a part of the New York

933
00:49:53,200 --> 00:49:55,920
Speaker 1: City Wine Food Festival. Thanks for the meat, Thanks for

934
00:49:55,960 --> 00:49:59,000
Speaker 1: the meat. Yeah, I'm biggest, the biggest. Thank you for

935
00:49:59,080 --> 00:50:05,040
Speaker 1: all that beautiful p meats. It's so good too. I'm

936
00:50:05,080 --> 00:50:06,680
Speaker 1: telling you. It's the best thing to do. A little

937
00:50:06,719 --> 00:50:09,880
Speaker 1: olive oil, little little pepper right there on a toasted

938
00:50:09,880 --> 00:50:11,840
Speaker 1: piece or whatever and put that meat on there and

939
00:50:11,880 --> 00:50:14,440
Speaker 1: just eat it so good. Yeah, I know, Daniel, Where

940
00:50:14,440 --> 00:50:15,680
Speaker 1: do you want to start? All right? We'll start with

941
00:50:15,800 --> 00:50:19,200
Speaker 1: Cardie Bee. She turned thirty and she had a burlesque

942
00:50:19,239 --> 00:50:22,760
Speaker 1: theme to birthday bash Tuesday night. It was very interesting,

943
00:50:22,960 --> 00:50:25,440
Speaker 1: to say the least Offset was there of course, her husband,

944
00:50:25,640 --> 00:50:31,120
Speaker 1: Tiffany Haddish, Haley Bailey, Chloe, Hallie Bailey, Sorry Chloe. Jamie

945
00:50:31,200 --> 00:50:33,640
Speaker 1: Fox was there, but then he wasn't there because he

946
00:50:33,680 --> 00:50:35,920
Speaker 1: got turned away because apparently he had too big of

947
00:50:35,960 --> 00:50:38,320
Speaker 1: an entourage and it just got a little crazy. And

948
00:50:38,640 --> 00:50:41,759
Speaker 1: so yeah, he was Jamie FOXX too big, a big

949
00:50:41,760 --> 00:50:44,560
Speaker 1: of an entourage. Yeah, so what are you gonna do?

950
00:50:44,640 --> 00:50:46,640
Speaker 1: How many people does one need in an entourage? I

951
00:50:46,719 --> 00:50:49,400
Speaker 1: don't know how many do you bring? Well? Like, for instance,

952
00:50:49,520 --> 00:50:51,799
Speaker 1: yesterday Charlie Pooth showed up. Yeah, and for the first

953
00:50:51,840 --> 00:50:54,359
Speaker 1: time he had he had a stylist with him. He's

954
00:50:54,360 --> 00:50:58,600
Speaker 1: watching his hair, he's watching his skin was impossibly perfect.

955
00:50:58,680 --> 00:51:00,600
Speaker 1: I said. We did say, oh my gosh, you look

956
00:51:00,640 --> 00:51:02,239
Speaker 1: so good in his makeup. Part of it was so cute. Yes,

957
00:51:02,280 --> 00:51:04,000
Speaker 1: ye go tell him that he looks so good. So

958
00:51:04,120 --> 00:51:06,680
Speaker 1: Charlie had his makeup, he had two people to his

959
00:51:06,760 --> 00:51:10,200
Speaker 1: sister who would love, and two people from the label.

960
00:51:10,760 --> 00:51:13,279
Speaker 1: He had a guard and he had I mean, his

961
00:51:13,400 --> 00:51:16,759
Speaker 1: posse was pretty big. I don't think he's gonna go

962
00:51:16,880 --> 00:51:22,520
Speaker 1: to Nicki Minaj's. But anyway, they did go and try

963
00:51:22,560 --> 00:51:24,520
Speaker 1: to get Jamie Fox to come back. But at that

964
00:51:24,560 --> 00:51:26,359
Speaker 1: point he was like, no, I'm good, thank you very much.

965
00:51:27,080 --> 00:51:30,279
Speaker 1: So Season eleven American Horror Story. There's all these new

966
00:51:30,400 --> 00:51:33,239
Speaker 1: character posters that have been revealed, some returning characters, some

967
00:51:33,360 --> 00:51:35,799
Speaker 1: new characters. It all goes down next Wednesday, and if

968
00:51:35,840 --> 00:51:37,719
Speaker 1: you look at the clothing and the posters, it looks

969
00:51:37,719 --> 00:51:41,360
Speaker 1: like it might take place seventies or eighties something like that,

970
00:51:41,520 --> 00:51:44,920
Speaker 1: so it'll be interesting. MTV Cribs is back. This is

971
00:51:44,960 --> 00:51:47,560
Speaker 1: the show that comes and goes all the time. It does. Yeah,

972
00:51:47,600 --> 00:51:50,239
Speaker 1: it gets a reboot whatever. That's where they take you

973
00:51:50,320 --> 00:51:52,839
Speaker 1: into the celebrities you know house and you see how

974
00:51:53,239 --> 00:51:54,800
Speaker 1: they have a lot of things that we don't have,

975
00:51:54,960 --> 00:51:58,439
Speaker 1: and you cry at the individual show. October twenty seven,

976
00:51:58,560 --> 00:52:00,560
Speaker 1: that nine pm is when we're getting that show back.

977
00:52:00,760 --> 00:52:02,920
Speaker 1: You know it for a while there. Yeah, in one

978
00:52:03,000 --> 00:52:05,960
Speaker 1: of its its life times they were doing Cribs with

979
00:52:06,080 --> 00:52:09,160
Speaker 1: celebrities who had like Jankey apartment. Yeah, that was favorite.

980
00:52:09,200 --> 00:52:11,680
Speaker 1: Those are my favorite. Redman and meThe Man, Yeah exactly.

981
00:52:12,040 --> 00:52:14,520
Speaker 1: Their doorgall was broken. Yeah, but usually you know they

982
00:52:14,640 --> 00:52:17,200
Speaker 1: they they have a big house with a huge circular

983
00:52:17,280 --> 00:52:19,279
Speaker 1: driveway and they put all their their Bentley's up front

984
00:52:19,320 --> 00:52:22,040
Speaker 1: and there in their lambeaus. Yeah, this one had like

985
00:52:22,080 --> 00:52:26,280
Speaker 1: a little kya up front with up up on blocks.

986
00:52:27,360 --> 00:52:29,040
Speaker 1: These are their real house, No, they're not. I feel

987
00:52:29,040 --> 00:52:32,080
Speaker 1: like they rent them for just most of them are rentals.

988
00:52:32,120 --> 00:52:34,279
Speaker 1: So like Little Wayne did one, yeah, and he the

989
00:52:34,400 --> 00:52:36,120
Speaker 1: only thing that was in his whole house was like

990
00:52:36,160 --> 00:52:39,160
Speaker 1: a bed upstairs. And then I think he said something

991
00:52:39,160 --> 00:52:40,960
Speaker 1: about it as the rental, like why are we looking

992
00:52:40,960 --> 00:52:42,239
Speaker 1: at They're right, Well, I don't need to see that.

993
00:52:42,239 --> 00:52:44,960
Speaker 1: I don't care about check out my Airbnb. So John

994
00:52:45,040 --> 00:52:48,240
Speaker 1: Stamode says he is not into a full house reboot.

995
00:52:48,320 --> 00:52:50,880
Speaker 1: He says there is a piece missing with Bob Saggett.

996
00:52:50,920 --> 00:52:52,840
Speaker 1: He goes, it will not be the same. So that

997
00:52:53,040 --> 00:52:54,759
Speaker 1: is not something that I will want to do. So

998
00:52:54,840 --> 00:52:56,880
Speaker 1: I don't know if you're watching The Midnight Club on Netflix.

999
00:52:56,960 --> 00:52:59,120
Speaker 1: I know that uh Sam loved it. I know that

1000
00:52:59,200 --> 00:53:01,799
Speaker 1: Elvis wants watched I want to watch it. So apparently

1001
00:53:01,960 --> 00:53:04,000
Speaker 1: The Midnight Club has broken a record for the most

1002
00:53:04,120 --> 00:53:07,440
Speaker 1: scripted jump scares in a television episode. This is a

1003
00:53:07,600 --> 00:53:11,759
Speaker 1: Guinness World Record. So it's a scripted part of the

1004
00:53:11,840 --> 00:53:14,319
Speaker 1: show that scares the bejeezis out of you and they

1005
00:53:14,440 --> 00:53:17,200
Speaker 1: do it on purpose. So they're saying that they break

1006
00:53:17,280 --> 00:53:18,960
Speaker 1: the record in the number of times they can make

1007
00:53:19,120 --> 00:53:22,120
Speaker 1: us the audience jump out of fright twenty one in

1008
00:53:22,239 --> 00:53:25,800
Speaker 1: one episode. God, that's a lot. Scotty would die. That's awesome.

1009
00:53:25,840 --> 00:53:28,040
Speaker 1: I can't wait. I gotta watch this. I jump scare

1010
00:53:28,080 --> 00:53:30,840
Speaker 1: when I pull my pants off. I'll stop it, Dickens.

1011
00:53:30,920 --> 00:53:33,680
Speaker 1: I'm speaking of pulling your pants off, Dickens. The Christmas

1012
00:53:33,760 --> 00:53:39,759
Speaker 1: Carol is getting Ryan Reynolds, Will Farrell. They're called it's

1013
00:53:39,800 --> 00:53:43,200
Speaker 1: going to be called spirited, but in a musical. It's

1014
00:53:43,200 --> 00:53:46,760
Speaker 1: a new, totally new perspective on the original Christmas Carol.

1015
00:53:47,000 --> 00:53:49,279
Speaker 1: This actually is going to give us the point of

1016
00:53:49,320 --> 00:53:55,719
Speaker 1: view from the Ghosts eleven. It's interesting, speaking of I know,

1017
00:53:55,760 --> 00:53:58,080
Speaker 1: when Nate pulls his pants down, we see tiny tim

1018
00:53:58,800 --> 00:54:04,200
Speaker 1: our own. Garrett hosted the world premiere of The Rocks

1019
00:54:04,280 --> 00:54:07,840
Speaker 1: new movie Black Adam yesterday. He was in Times Square.

1020
00:54:07,880 --> 00:54:09,840
Speaker 1: I can't believe how many people showed up. It was crazy.

1021
00:54:10,000 --> 00:54:11,960
Speaker 1: The movie comes out October twenty first. Garrett has a

1022
00:54:12,000 --> 00:54:15,160
Speaker 1: lot of stuff up at his Instagram and he got

1023
00:54:15,239 --> 00:54:18,480
Speaker 1: to meet mister Beast. To me, that is the coolest thing.

1024
00:54:18,560 --> 00:54:20,680
Speaker 1: I'm like he send me pictures. I'm like, oh, it's

1025
00:54:20,719 --> 00:54:22,800
Speaker 1: mister Bestol. We're hoping to get mister Beast up on

1026
00:54:22,800 --> 00:54:25,440
Speaker 1: the show. That would be amazing. Grays is on tonight.

1027
00:54:25,520 --> 00:54:27,839
Speaker 1: You've got the Midnight Club. We're talking about that. One

1028
00:54:27,920 --> 00:54:30,600
Speaker 1: Peacock gives you a new episode of Empire Academy. There's

1029
00:54:30,640 --> 00:54:33,160
Speaker 1: a new episode of She Hulk Attorney at Law on

1030
00:54:33,320 --> 00:54:37,320
Speaker 1: Disney Plus. Also series premiere of Exception on Netflix. And

1031
00:54:37,440 --> 00:54:40,040
Speaker 1: The Center season four is back as well. And that

1032
00:54:40,160 --> 00:54:44,920
Speaker 1: is my Danielle report. Lots of texts coming in from Bristol, Connecticut.

1033
00:54:45,000 --> 00:54:47,960
Speaker 1: Big story breaking under Bristol. We're two out of three

1034
00:54:48,360 --> 00:54:52,279
Speaker 1: police officers shot have passed away line of duty. And

1035
00:54:52,480 --> 00:54:55,040
Speaker 1: so your community, I know you're going through a lot today,

1036
00:54:55,239 --> 00:54:58,239
Speaker 1: So just let you know we're thinking about you. We

1037
00:54:58,560 --> 00:55:02,200
Speaker 1: will take the break. We'll be back after this restauran.

1038
00:55:02,560 --> 00:55:06,080
Speaker 1: Can you feel my breath? It smells like fruity pepper.

1039
00:55:06,560 --> 00:55:09,279
Speaker 1: Elvis Durand in the Morning Show. We all know that

1040
00:55:09,360 --> 00:55:11,920
Speaker 1: banks make it pretty difficult to redeem credit card awards.

1041
00:55:12,000 --> 00:55:15,160
Speaker 1: So let's talk about discover you can get your rewards

1042
00:55:15,200 --> 00:55:18,120
Speaker 1: in cash in any amount, at any time. Talk about

1043
00:55:18,200 --> 00:55:21,560
Speaker 1: amazing Learn more at discover dot com slash redeem rewards

1044
00:55:21,800 --> 00:55:24,800
Speaker 1: terms apply. What you're a murderer. I'm not a murderer.

1045
00:55:25,040 --> 00:55:32,040
Speaker 1: Not a murderer. None of us have ever met one

1046
00:55:32,120 --> 00:55:42,560
Speaker 1: of these girls that you've dated. That's by design from

1047
00:55:42,640 --> 00:55:46,800
Speaker 1: Elvis Durrand in the Morning Show. I'm not a murderer,

1048
00:55:46,920 --> 00:55:51,600
Speaker 1: says straightonate. Not a murderer. He just searches what lined

1049
00:55:51,680 --> 00:55:56,880
Speaker 1: us to a body. Yeah, yeah, you're curious too. Hey, um,

1050
00:55:57,920 --> 00:55:59,840
Speaker 1: you know Bobby flays on the way and it smells

1051
00:55:59,880 --> 00:56:02,719
Speaker 1: like an old onion in here. It shouldn't be used

1052
00:56:02,719 --> 00:56:07,640
Speaker 1: to that. Well, no, no, we're not in en. This

1053
00:56:07,760 --> 00:56:13,960
Speaker 1: isn't a kitchen order. Yeah, the only offensive odor is

1054
00:56:14,080 --> 00:56:16,200
Speaker 1: your soup. Yeah, sorry, but actually it smells like a

1055
00:56:16,440 --> 00:56:18,399
Speaker 1: really good chicken soup to be honest, Well it wasn't

1056
00:56:18,440 --> 00:56:21,640
Speaker 1: a good chicken soup. Yeah, my sandwich was awful. Once again,

1057
00:56:21,680 --> 00:56:23,640
Speaker 1: we got to find a place. It's New York City.

1058
00:56:23,640 --> 00:56:25,080
Speaker 1: You would think we'd find a place that there's a

1059
00:56:25,160 --> 00:56:28,320
Speaker 1: decent breakfast. Seriously, this place sucked. When we're in the

1060
00:56:28,440 --> 00:56:30,960
Speaker 1: new building, do they have like breakfast available like, we'll

1061
00:56:31,000 --> 00:56:33,600
Speaker 1: find out when we get there, but they have a station.

1062
00:56:33,800 --> 00:56:36,239
Speaker 1: Until then, we're gonna have to eat alpo or whatever

1063
00:56:36,280 --> 00:56:40,560
Speaker 1: that they served. What my dad used was one of

1064
00:56:40,640 --> 00:56:43,799
Speaker 1: his accounts, alpo, it's a dog. It's a dog. It's

1065
00:56:43,840 --> 00:56:45,960
Speaker 1: like in the can. You open up the cannon, it

1066
00:56:46,000 --> 00:56:48,719
Speaker 1: comes out in one log and he goes it's span

1067
00:56:48,840 --> 00:56:53,000
Speaker 1: in the cam. Well, we just they were just serving

1068
00:56:53,040 --> 00:56:56,239
Speaker 1: that for our breakfast this place. We should call him out.

1069
00:56:57,200 --> 00:56:59,440
Speaker 1: They they missed half the stuff. They give me chicken

1070
00:56:59,520 --> 00:57:04,440
Speaker 1: noodle soup, not one noodle, chunks with onions and and

1071
00:57:04,640 --> 00:57:06,640
Speaker 1: that's it. Head They called it a chicken soup. It

1072
00:57:06,680 --> 00:57:10,040
Speaker 1: would have been accurate looking forward to the vegetable, the

1073
00:57:10,160 --> 00:57:12,600
Speaker 1: vegetable spring rolls with dipping sauce. Yeah, well they didn't

1074
00:57:12,600 --> 00:57:15,400
Speaker 1: show up. I liked my soup. It's what Scottie told me,

1075
00:57:15,440 --> 00:57:17,360
Speaker 1: all the different bodies parts that it smelled like, So

1076
00:57:17,600 --> 00:57:20,480
Speaker 1: I think, yeah, there's a lot of weird um anyway,

1077
00:57:20,520 --> 00:57:22,200
Speaker 1: So Bobby playing on the way, so the place smells

1078
00:57:22,200 --> 00:57:27,840
Speaker 1: like an old kitchen just in time? Sorry, hey um oh, yes,

1079
00:57:28,200 --> 00:57:30,960
Speaker 1: it is the season of haunting. Where's my music? Yeah?

1080
00:57:34,880 --> 00:57:38,960
Speaker 1: Why is there a camera on? Nothing? Vampire coming, nothing amazing,

1081
00:57:38,960 --> 00:57:41,680
Speaker 1: it's about to happen. It is a series of haunting

1082
00:57:42,720 --> 00:57:46,280
Speaker 1: the season of Haunting Daniel's favorite time of year. Yes,

1083
00:57:46,360 --> 00:57:51,680
Speaker 1: it is, thank you. I want to be a Haunted

1084
00:57:51,760 --> 00:57:55,919
Speaker 1: House actor. Oh, I've always wanted to too. Of course.

1085
00:57:56,120 --> 00:57:58,280
Speaker 1: Maybe just one night, Yeah, one night, that's what I

1086
00:57:58,280 --> 00:58:01,040
Speaker 1: want me one night. I bet they see everything, They

1087
00:58:01,160 --> 00:58:03,600
Speaker 1: scare people, people punch him in the face. I'm sure.

1088
00:58:03,720 --> 00:58:07,320
Speaker 1: I'm sure. It's a dangerous gig. Yeah right, yeah, yeah, Okay.

1089
00:58:07,400 --> 00:58:09,520
Speaker 1: So I was actually doing an appearance at a Haunted

1090
00:58:09,600 --> 00:58:12,720
Speaker 1: House once and the power went out and none of

1091
00:58:12,840 --> 00:58:15,440
Speaker 1: them broke character for one second. The power was out

1092
00:58:15,520 --> 00:58:17,400
Speaker 1: for over an hour and they just kept it up

1093
00:58:17,480 --> 00:58:19,520
Speaker 1: the whole time. It's good. That's a good acting. Oh

1094
00:58:19,560 --> 00:58:22,280
Speaker 1: it's terrifying. I was like, can you stop the powers out?

1095
00:58:22,800 --> 00:58:24,600
Speaker 1: I have this thing I love to do to the

1096
00:58:24,760 --> 00:58:27,480
Speaker 1: Haunted House actors, the same actors that probably in another

1097
00:58:27,520 --> 00:58:31,600
Speaker 1: season work at the Escape Room. When they get in

1098
00:58:31,680 --> 00:58:34,920
Speaker 1: your face, in their inn character. I just it's such

1099
00:58:34,920 --> 00:58:37,720
Speaker 1: a turn on. I kissed them on the lip. I

1100
00:58:37,760 --> 00:58:41,120
Speaker 1: don't think I do, but I do agree it is

1101
00:58:41,120 --> 00:58:44,240
Speaker 1: a turn on. I don't understand why when a gooul

1102
00:58:44,320 --> 00:58:46,160
Speaker 1: gets that close, I'm like, oh, this is why am

1103
00:58:46,200 --> 00:58:52,240
Speaker 1: I attracted to this? This is not right with yep.

1104
00:58:53,040 --> 00:58:55,040
Speaker 1: I know our friends who run Blood Manner in New

1105
00:58:55,120 --> 00:58:57,440
Speaker 1: York City. He's always asking if we want to come

1106
00:58:57,480 --> 00:59:00,240
Speaker 1: and do one night Blood Manners, right, you know, if

1107
00:59:00,280 --> 00:59:02,560
Speaker 1: you do it, you're doing the Blood Manner. Is it.

1108
00:59:02,960 --> 00:59:07,840
Speaker 1: It's on Broadway Rights Busy Street, downtown Tribeca, and there's

1109
00:59:07,880 --> 00:59:10,919
Speaker 1: apartment buildings they're just opening up. These people moved into

1110
00:59:10,960 --> 00:59:13,360
Speaker 1: these apartments right above Blood Manner, not knowing what's happening.

1111
00:59:13,400 --> 00:59:15,720
Speaker 1: Oh my god. Now there's lines of people dressed as

1112
00:59:15,800 --> 00:59:20,680
Speaker 1: Googles startling screens at their front doors. I love it anyway,

1113
00:59:20,680 --> 00:59:23,880
Speaker 1: but also a Blood manner. I think if you if

1114
00:59:23,920 --> 00:59:26,040
Speaker 1: you pee your pants while going through, they give you

1115
00:59:26,200 --> 00:59:29,680
Speaker 1: a free shirt. I think so sweatshirt or something. I

1116
00:59:29,720 --> 00:59:31,120
Speaker 1: think it's worth it, and I think it's it I

1117
00:59:31,200 --> 00:59:34,000
Speaker 1: peed my pants or something like that. Yeah, yeah, anyway.

1118
00:59:34,080 --> 00:59:36,720
Speaker 1: So I would love to hear from people who actually

1119
00:59:36,840 --> 00:59:40,360
Speaker 1: work haunted houses as actors. I want to know how

1120
00:59:40,440 --> 00:59:42,280
Speaker 1: far you can get with the touching, Like I know

1121
00:59:42,400 --> 00:59:44,560
Speaker 1: I pay for I pay for the glow necklace so

1122
00:59:44,720 --> 00:59:47,400
Speaker 1: that they can touch me. Like is that the glow necklace? Yeah?

1123
00:59:47,400 --> 00:59:50,080
Speaker 1: Like there's a chainsaw and it'll hit my leg where

1124
00:59:50,120 --> 00:59:52,280
Speaker 1: they can like grab my ankle like. I don't think

1125
00:59:52,320 --> 00:59:54,680
Speaker 1: they can go far far unless you sign something. But

1126
00:59:54,800 --> 00:59:57,000
Speaker 1: how far can you go with that? I kiss them?

1127
00:59:57,520 --> 01:00:00,240
Speaker 1: I don't think you're supposing that. No, they're hot. It's hot.

1128
01:00:01,280 --> 01:00:03,800
Speaker 1: You can be all googled up and I'm right I will.

1129
01:00:03,960 --> 01:00:05,919
Speaker 1: I will kiss you on your lips, especially the women

1130
01:00:06,040 --> 01:00:08,360
Speaker 1: goals when they're half naked. Haland what is Roland? What

1131
01:00:08,440 --> 01:00:10,280
Speaker 1: am I doing stuff? I don't know. You know, it's

1132
01:00:10,280 --> 01:00:12,000
Speaker 1: a whole different world in there. I wonder if the

1133
01:00:12,040 --> 01:00:13,520
Speaker 1: two of you would make it through that haunted house

1134
01:00:13,560 --> 01:00:16,240
Speaker 1: that's supposedly nobody makes it through ever where you have

1135
01:00:16,280 --> 01:00:18,440
Speaker 1: to sign the waiver. I would not do that to myself.

1136
01:00:18,720 --> 01:00:21,320
Speaker 1: You know. It's signing that waiver is what makes it scarier.

1137
01:00:21,440 --> 01:00:23,600
Speaker 1: Yeah right, yeah, I don't know. I don't need anybody

1138
01:00:23,640 --> 01:00:25,640
Speaker 1: doing anything they can to me or want to. No,

1139
01:00:25,800 --> 01:00:28,440
Speaker 1: thank you. Do you have something on the line for us? Yeah? Alex,

1140
01:00:30,680 --> 01:00:34,360
Speaker 1: Alexa Home emotions. Hi Alexa? How are you? I'm good?

1141
01:00:34,440 --> 01:00:36,760
Speaker 1: How are you doing well? So you have actually been

1142
01:00:36,800 --> 01:00:41,840
Speaker 1: a haunted house actor? Yes? I have been a house actor. Okay,

1143
01:00:41,960 --> 01:00:45,600
Speaker 1: So what got you into this crazy business? So? I

1144
01:00:45,800 --> 01:00:52,480
Speaker 1: did theater in college, and I actually volunteered just you know,

1145
01:00:52,720 --> 01:00:57,640
Speaker 1: perfect my craft, um at a local haunted house that

1146
01:00:57,760 --> 01:01:00,560
Speaker 1: we had. Okay, so did they audition you? How did

1147
01:01:00,560 --> 01:01:04,720
Speaker 1: that work? Yeah? So you actually went in an audition.

1148
01:01:04,960 --> 01:01:09,600
Speaker 1: You had to um, scream, you had to do your

1149
01:01:10,040 --> 01:01:16,360
Speaker 1: like scariest like glare and a slow walk. Right, there's

1150
01:01:16,480 --> 01:01:18,960
Speaker 1: there's make there's makeup involved. Did they put the makeup

1151
01:01:19,000 --> 01:01:21,240
Speaker 1: on or are you responsible for that on your own?

1152
01:01:22,200 --> 01:01:27,800
Speaker 1: So some people, Um, I actually took a theatrical makeup class,

1153
01:01:27,880 --> 01:01:30,640
Speaker 1: so I did my own makeup and some other people's makeup,

1154
01:01:30,880 --> 01:01:34,560
Speaker 1: but they also had people there to help with costume

1155
01:01:34,680 --> 01:01:37,240
Speaker 1: and makeup tone. Now, were you a certain a ghoul

1156
01:01:37,480 --> 01:01:39,200
Speaker 1: or were you like you know, did you have a

1157
01:01:39,240 --> 01:01:44,920
Speaker 1: specific purpose? No, I was just a psycho. So, oh

1158
01:01:44,960 --> 01:01:47,760
Speaker 1: my god, see I'm playing I'm a shoe in for

1159
01:01:47,840 --> 01:01:50,560
Speaker 1: this game. All right, So did you see did you

1160
01:01:50,640 --> 01:01:54,480
Speaker 1: witness anything just really crazy but people responding to you

1161
01:01:54,720 --> 01:01:57,840
Speaker 1: scaring them? Did anyone hit you or try to kiss

1162
01:01:57,880 --> 01:02:00,760
Speaker 1: you or make out with you? What happened? So? No,

1163
01:02:00,960 --> 01:02:03,680
Speaker 1: I heard that you guys are offering kisses to people.

1164
01:02:03,720 --> 01:02:06,280
Speaker 1: I would have loved that, but no, I never got kisses.

1165
01:02:06,360 --> 01:02:09,040
Speaker 1: It was kind of the opposite reaction. I have a

1166
01:02:09,120 --> 01:02:13,040
Speaker 1: funny story. I went up and, as I said, I

1167
01:02:13,120 --> 01:02:14,960
Speaker 1: was like a psycho is So I pretended that I

1168
01:02:15,040 --> 01:02:17,919
Speaker 1: wanted to steal a kid that was with his mom,

1169
01:02:18,760 --> 01:02:23,600
Speaker 1: and he just laid on the floor screaming, like just

1170
01:02:23,880 --> 01:02:26,880
Speaker 1: laid from the floor screaming that I had to I

1171
01:02:27,000 --> 01:02:32,120
Speaker 1: had to leave. I had to move. But wait a second.

1172
01:02:32,640 --> 01:02:35,000
Speaker 1: If you and your character make a little kid fall

1173
01:02:35,080 --> 01:02:37,120
Speaker 1: to the floor screaming, that means you've done your job.

1174
01:02:38,360 --> 01:02:40,800
Speaker 1: So I really think I did great. I think I did.

1175
01:02:40,880 --> 01:02:42,360
Speaker 1: I did. Think that's what I'm supposed to do. If

1176
01:02:42,360 --> 01:02:44,400
Speaker 1: you're bringing a little kid into a haunted house, what

1177
01:02:44,480 --> 01:02:46,600
Speaker 1: do you think's gonna happen? Would you ever do it again?

1178
01:02:46,840 --> 01:02:48,560
Speaker 1: Is this is this something you want to do every season?

1179
01:02:48,680 --> 01:02:51,240
Speaker 1: Or do you just did it one season? Um? So

1180
01:02:51,400 --> 01:02:53,560
Speaker 1: I did it while I was in college. And you know,

1181
01:02:53,640 --> 01:02:55,640
Speaker 1: now that you're sparking the memory, I might have to

1182
01:02:55,720 --> 01:02:59,400
Speaker 1: look into his zub And it was an amazing expiry

1183
01:02:59,520 --> 01:03:02,080
Speaker 1: to live, more hilarious than anything when you're the actor.

1184
01:03:02,200 --> 01:03:04,320
Speaker 1: All right, Alexa, now you've really taught me into it.

1185
01:03:04,440 --> 01:03:06,680
Speaker 1: I want to do fright Fest at Great Adventure, and

1186
01:03:06,840 --> 01:03:08,880
Speaker 1: I want to be the person who drags like the

1187
01:03:09,160 --> 01:03:12,720
Speaker 1: shovel around behind somebody and they don't know you're coming,

1188
01:03:12,760 --> 01:03:15,000
Speaker 1: and then you take them all over. You're all one

1189
01:03:15,040 --> 01:03:19,280
Speaker 1: step away from being murderers. Well okay, Alexa, thank you,

1190
01:03:19,440 --> 01:03:23,240
Speaker 1: you've really really enhanced this this experience. I cannot wait

1191
01:03:23,320 --> 01:03:26,480
Speaker 1: to be a haunted house actor anyway, hold one saying,

1192
01:03:26,720 --> 01:03:31,360
Speaker 1: let me give one more because Jessica, Hi, Jessica, good morning.

1193
01:03:31,560 --> 01:03:36,040
Speaker 1: Hello lazy listen to pleasant Jessica sounds, but she actually

1194
01:03:36,120 --> 01:03:40,280
Speaker 1: makes people cry and pee their pants. No, no, so

1195
01:03:41,080 --> 01:03:44,800
Speaker 1: you've done a haunted house acting yourself. Yeah, we had

1196
01:03:44,840 --> 01:03:48,560
Speaker 1: a haunted hay ride in my area run by a

1197
01:03:48,640 --> 01:03:51,160
Speaker 1: few of the volunteer fire departments. And I've been in

1198
01:03:51,200 --> 01:03:53,560
Speaker 1: the fire department for a long time, so we used

1199
01:03:53,600 --> 01:03:57,480
Speaker 1: to help out that event. Um, and my favorite was

1200
01:03:57,600 --> 01:04:00,440
Speaker 1: the chainsaw. It's so much fun scaring people. Oh yeah,

1201
01:04:00,720 --> 01:04:06,600
Speaker 1: people pee typically, Yeah, what's the chainsaws? Oh? Yes, So

1202
01:04:06,720 --> 01:04:09,560
Speaker 1: I'm small and they would put me with all of

1203
01:04:09,640 --> 01:04:13,320
Speaker 1: the large guys and you're all dressed up, so um,

1204
01:04:13,600 --> 01:04:17,000
Speaker 1: it's easy to hide behind the big dudes. So they're

1205
01:04:17,200 --> 01:04:19,040
Speaker 1: going to scare you. But then I would hop out

1206
01:04:19,160 --> 01:04:25,360
Speaker 1: with the chainsaw it's the surprise mixed with the scary.

1207
01:04:25,680 --> 01:04:29,000
Speaker 1: You know that sounds yeah, and you want to be

1208
01:04:29,080 --> 01:04:31,680
Speaker 1: touched with Daniel. Yeah. They get you at your ankles

1209
01:04:31,760 --> 01:04:36,960
Speaker 1: sometimes with it. It's real change. Yeah. They take the

1210
01:04:37,040 --> 01:04:42,240
Speaker 1: tea yeah yeah, yeah, attract the pay. So do you

1211
01:04:42,320 --> 01:04:45,520
Speaker 1: do this every year or just that one time? We? Yeah,

1212
01:04:45,560 --> 01:04:48,280
Speaker 1: it was every year. Um I did a couple of years.

1213
01:04:48,440 --> 01:04:51,520
Speaker 1: It doesn't run anymore, unfortunately, but um yeah, it was

1214
01:04:51,560 --> 01:04:53,960
Speaker 1: a very long standing thing. We did it two or

1215
01:04:54,000 --> 01:04:56,800
Speaker 1: three years in a row. I just love how on

1216
01:04:56,920 --> 01:04:59,520
Speaker 1: my screen it says, go to Jessica line twenty one.

1217
01:04:59,760 --> 01:05:05,160
Speaker 1: She makes people pee and cry and the chainsaws where

1218
01:05:05,200 --> 01:05:07,600
Speaker 1: it's at all right, so we know the ultimate prop

1219
01:05:07,720 --> 01:05:11,520
Speaker 1: is the chainsaw. Yeah yeah, because it's loud. Oh yeah,

1220
01:05:11,560 --> 01:05:14,320
Speaker 1: it's scary. You know that's coming up behind you. Who

1221
01:05:15,040 --> 01:05:16,920
Speaker 1: you're run for your life? Exactly? All right? Well, thank

1222
01:05:16,960 --> 01:05:22,200
Speaker 1: you very much, Jessica. I appreciate it to love you

1223
01:05:22,280 --> 01:05:23,880
Speaker 1: more now, more than ever. I need to be a

1224
01:05:23,960 --> 01:05:26,960
Speaker 1: hunted house. I think you guys should do this. I'll

1225
01:05:27,000 --> 01:05:36,440
Speaker 1: happily be the receptionist at the front I'm in. I

1226
01:05:36,560 --> 01:05:38,720
Speaker 1: like when they just follow you around and you cannot

1227
01:05:38,840 --> 01:05:41,280
Speaker 1: lose them. They like they pick that one person. It's

1228
01:05:41,360 --> 01:05:43,800
Speaker 1: usually the person who's who shows that they're really scared

1229
01:05:44,080 --> 01:05:46,440
Speaker 1: and they follow you everywhere. It's fat and if you're hot,

1230
01:05:46,480 --> 01:05:50,240
Speaker 1: I'm gonna kiss you. Let's around the room. What's on

1231
01:05:50,320 --> 01:05:52,280
Speaker 1: your mind? Bobby Flay is here. He brought a pan

1232
01:05:52,400 --> 01:05:55,120
Speaker 1: of something. Oh he did? Did he has the pan?

1233
01:05:55,320 --> 01:05:57,000
Speaker 1: I hope it's better than the soup I just had.

1234
01:05:57,560 --> 01:06:02,640
Speaker 1: It's probably his cat's cat box Naola Nachoe Flay. I

1235
01:06:02,720 --> 01:06:06,120
Speaker 1: hope it's clumping formula. Bobby. Anyway, he's got a new

1236
01:06:06,200 --> 01:06:08,320
Speaker 1: book out with his daughter. It's fantastic. I'm telling you

1237
01:06:08,440 --> 01:06:09,600
Speaker 1: right now. I haven't even seen it, but I know

1238
01:06:09,640 --> 01:06:12,760
Speaker 1: we're gonna sell a million copies today. But first, Danielle,

1239
01:06:12,760 --> 01:06:14,800
Speaker 1: what's on your mind? So? I want to say thank

1240
01:06:14,840 --> 01:06:18,400
Speaker 1: you to Garrett because he is like my protector. I

1241
01:06:18,520 --> 01:06:21,200
Speaker 1: feel like lately he is so funny, Like if something's

1242
01:06:21,240 --> 01:06:23,320
Speaker 1: going on downstairs before I come in the building, he

1243
01:06:23,440 --> 01:06:25,040
Speaker 1: calls me and he's like, hey, tell me when you

1244
01:06:25,080 --> 01:06:26,720
Speaker 1: come into the building, I'm gonna come downstairs and get you.

1245
01:06:26,840 --> 01:06:28,760
Speaker 1: Make sure you're okay. Because I walk in by myself.

1246
01:06:29,040 --> 01:06:31,000
Speaker 1: He like calls me and make sure I'm okay. He

1247
01:06:31,120 --> 01:06:33,240
Speaker 1: knows how much I love mister Beast. He's like sending

1248
01:06:33,240 --> 01:06:35,240
Speaker 1: me pictures of mister Beast last night. Like he just

1249
01:06:35,480 --> 01:06:37,320
Speaker 1: is like, I don't know. We have this really cool

1250
01:06:37,440 --> 01:06:40,280
Speaker 1: brothers sister thing and I love it. So Garrett, love you,

1251
01:06:40,520 --> 01:06:42,480
Speaker 1: and happy birthday. I know it's coming up this weekend.

1252
01:06:42,640 --> 01:06:44,280
Speaker 1: A lot of people don't know that about Gary. Garrett

1253
01:06:44,320 --> 01:06:46,360
Speaker 1: is always looking up for all. He really does. He's

1254
01:06:46,400 --> 01:06:50,160
Speaker 1: a good Hey, what's up there? Scary what's going on?

1255
01:06:50,440 --> 01:06:52,760
Speaker 1: You know? I'm really excited because, you know, as I've

1256
01:06:52,800 --> 01:06:55,480
Speaker 1: got older with my siblings, I've become closer with my

1257
01:06:55,560 --> 01:06:58,840
Speaker 1: brother and my sister. So we decided to collaborate three

1258
01:06:58,920 --> 01:07:01,680
Speaker 1: of us on a great gift my parents. They're celebrating

1259
01:07:01,680 --> 01:07:03,640
Speaker 1: their fiftieth anniversary, by the way, and right now they're

1260
01:07:03,720 --> 01:07:06,040
Speaker 1: they're hanging out in turks and kikos, So happy anniversary

1261
01:07:06,080 --> 01:07:07,840
Speaker 1: to you guys. But me and my brother and my sister,

1262
01:07:08,000 --> 01:07:11,040
Speaker 1: we got something up our sleeves. Oh yeah, well isn't it.

1263
01:07:11,160 --> 01:07:13,720
Speaker 1: Probably have to return it after it's done because my

1264
01:07:13,760 --> 01:07:16,120
Speaker 1: parents don't want to accept any physical gifts. But it's

1265
01:07:16,240 --> 01:07:18,000
Speaker 1: nice to know that as you get older, you start

1266
01:07:18,040 --> 01:07:20,720
Speaker 1: to collaborate and become closer to your siblings because we

1267
01:07:20,840 --> 01:07:23,600
Speaker 1: used we couldn't stand each other. What is this about? Exactly?

1268
01:07:25,480 --> 01:07:28,200
Speaker 1: It's about your parents, Turks and keikos, a gift that

1269
01:07:28,360 --> 01:07:32,280
Speaker 1: you bought with your siblings, and you're you're finally getting

1270
01:07:32,280 --> 01:07:38,720
Speaker 1: along and yes, okay, good, yeah, excellent, scary everyone. Yeah, hey, Froggy,

1271
01:07:38,800 --> 01:07:41,120
Speaker 1: what's going on? If you remember a while back, I

1272
01:07:41,200 --> 01:07:42,720
Speaker 1: told you a Lisa wanted me to help her with

1273
01:07:42,920 --> 01:07:48,080
Speaker 1: some Halloween project and I was complaining about it. Well, yeah,

1274
01:07:48,080 --> 01:07:51,080
Speaker 1: but I was wrong. Last night we finished that project

1275
01:07:51,240 --> 01:07:54,200
Speaker 1: and it came out amazing at Lisa so proud of it.

1276
01:07:54,520 --> 01:07:56,560
Speaker 1: We both worked together on it and we did something together,

1277
01:07:56,640 --> 01:07:58,600
Speaker 1: and so I'm very proud of our project that we did.

1278
01:07:58,760 --> 01:08:01,480
Speaker 1: I posted on my Instagram that Froggy Radio. It's as

1279
01:08:01,520 --> 01:08:06,560
Speaker 1: skeleton coming out of a mirror four um for for Halloween.

1280
01:08:06,600 --> 01:08:09,560
Speaker 1: Looks like a broken glass mirror. But yeah, it's so cool.

1281
01:08:10,000 --> 01:08:12,480
Speaker 1: I posted her reel on my on my Instagram list.

1282
01:08:12,560 --> 01:08:16,439
Speaker 1: It looks good. Congratulations you guys, you and Lisa, you

1283
01:08:16,520 --> 01:08:19,360
Speaker 1: guys all you have a house full of these arts

1284
01:08:19,400 --> 01:08:22,720
Speaker 1: and crafts things you put together. Yeah, it's fun. I

1285
01:08:22,840 --> 01:08:24,600
Speaker 1: didn't really want to do it. But I did it.

1286
01:08:24,720 --> 01:08:27,519
Speaker 1: I'm glad I did it and it was fun. All right? Cool, Danielle,

1287
01:08:27,560 --> 01:08:30,479
Speaker 1: what's up? I mean? What's up? All right? You know

1288
01:08:30,520 --> 01:08:32,760
Speaker 1: how sometimes you'll get a text message from a friend

1289
01:08:32,880 --> 01:08:34,560
Speaker 1: that was not meant for you and you try to

1290
01:08:34,600 --> 01:08:36,360
Speaker 1: just move past it. Whatever. Didn't mean to get that.

1291
01:08:36,960 --> 01:08:39,760
Speaker 1: Our boy Andrew in the other room over there sent

1292
01:08:39,920 --> 01:08:42,560
Speaker 1: me a message yesterday, and this is what it was.

1293
01:08:42,640 --> 01:08:44,519
Speaker 1: It was a voice note, not intended for me. But

1294
01:08:44,600 --> 01:08:50,760
Speaker 1: please listen to what it was. Yes, why did he

1295
01:08:50,840 --> 01:08:52,680
Speaker 1: send that to you? He didn't mean to send it

1296
01:08:52,760 --> 01:08:54,519
Speaker 1: to me. But why is he sending that to anyone?

1297
01:08:54,760 --> 01:08:57,160
Speaker 1: Is the question I told you. And he's got a

1298
01:08:57,200 --> 01:08:59,559
Speaker 1: life we don't know about. Danielle thinks it's a kink.

1299
01:09:01,680 --> 01:09:03,679
Speaker 1: We'll find out. Can we bring that up later? Oh? Please?

1300
01:09:03,960 --> 01:09:06,960
Speaker 1: All right? Are not good? Pretty sure? Sam? What's going on?

1301
01:09:07,200 --> 01:09:09,240
Speaker 1: I love you guys so much. There's something severely wrong

1302
01:09:09,280 --> 01:09:11,960
Speaker 1: with you people. Because my fiance came in and thirty

1303
01:09:12,040 --> 01:09:14,240
Speaker 1: seconds and he was pulled into this room to be

1304
01:09:14,479 --> 01:09:17,200
Speaker 1: asked on the fifteen minute Morning Show podcast if he

1305
01:09:17,360 --> 01:09:20,080
Speaker 1: had ever worn women's underwear before we did. Yeah, we

1306
01:09:20,160 --> 01:09:22,680
Speaker 1: do want to know you know what, I he's a

1307
01:09:22,760 --> 01:09:25,040
Speaker 1: better person than I am because he admitted it immediately.

1308
01:09:25,200 --> 01:09:27,280
Speaker 1: He did, he did, but so many people were sliding

1309
01:09:27,280 --> 01:09:28,920
Speaker 1: into my dams. We're like, we need to know the story.

1310
01:09:28,920 --> 01:09:30,840
Speaker 1: We need to I think anyone could figure it out.

1311
01:09:30,880 --> 01:09:32,280
Speaker 1: I don't think I need to tell a story for that.

1312
01:09:32,479 --> 01:09:38,360
Speaker 1: So what happened just before or after? Oh? Was he

1313
01:09:38,439 --> 01:09:40,840
Speaker 1: wear your underwear? I don't know he was? You saw them.

1314
01:09:40,920 --> 01:09:42,400
Speaker 1: He's like, you can wear these all the time? Are

1315
01:09:42,439 --> 01:09:44,840
Speaker 1: they comfortable? I'm like, I find them comfortable. And then

1316
01:09:45,080 --> 01:09:47,080
Speaker 1: that was it. He put them on. He's like, I disagree. Well,

1317
01:09:47,120 --> 01:09:49,200
Speaker 1: I'm glad that this show opened that dialogue between you

1318
01:09:49,360 --> 01:09:51,960
Speaker 1: and your Thanks for bringing us closer. Hey, we have

1319
01:09:52,040 --> 01:09:54,639
Speaker 1: something really weird going on here and happening. It's making

1320
01:09:54,800 --> 01:09:58,240
Speaker 1: I'm so full of anxiety. You know, Bobby Flay is here.

1321
01:09:58,320 --> 01:10:01,280
Speaker 1: He's pacing like a wild animal in another room. Okay,

1322
01:10:01,439 --> 01:10:04,760
Speaker 1: he's pacing, and why not we should let him in?

1323
01:10:04,760 --> 01:10:08,240
Speaker 1: And we will because he's pacing and he's antagonizing me.

1324
01:10:09,520 --> 01:10:12,680
Speaker 1: He's pacing like a wild cheetah, like a beast. He

1325
01:10:12,800 --> 01:10:16,439
Speaker 1: wants in. He's missed us. Here's this book out with

1326
01:10:16,520 --> 01:10:19,120
Speaker 1: his daughter called Sundays with Sophie. We're gonna talk about that.

1327
01:10:19,160 --> 01:10:21,760
Speaker 1: We gotta get him. Come on in, Bobby the Music

1328
01:10:22,240 --> 01:10:25,560
Speaker 1: do with Bobby Music. We have interview live from the

1329
01:10:25,640 --> 01:10:29,880
Speaker 1: Mercedes Bes Interview Lounge. Here we are and that was

1330
01:10:29,880 --> 01:10:31,920
Speaker 1: a quick move down the hall to the Mercedes Bins

1331
01:10:32,120 --> 01:10:36,320
Speaker 1: Interview Lounge. Bobby, he's pacing like have you ever been

1332
01:10:36,360 --> 01:10:38,320
Speaker 1: to the zoo and you see like the cats pacing

1333
01:10:38,400 --> 01:10:40,960
Speaker 1: back and forth? What are you doing? My hair's in

1334
01:10:41,000 --> 01:10:42,439
Speaker 1: a knot. I'm trying to take it down because the

1335
01:10:42,479 --> 01:10:44,680
Speaker 1: cameras are on and I don't want my head to

1336
01:10:44,720 --> 01:10:48,519
Speaker 1: look as big and pumpkiny ant. All right, well, look

1337
01:10:48,560 --> 01:10:52,519
Speaker 1: see this is this is what happens when when Bobby's pacing.

1338
01:10:52,600 --> 01:10:55,880
Speaker 1: Oh that looks good, Bobby. That looks amazing. It looks

1339
01:10:55,920 --> 01:11:00,280
Speaker 1: like a big chocolate thing. Bobby, this thing on. Yes,

1340
01:11:01,000 --> 01:11:05,240
Speaker 1: it's add it's odd. It's the last time I brought

1341
01:11:05,280 --> 01:11:07,200
Speaker 1: you something, it was biscuits. You literally threw me out

1342
01:11:07,200 --> 01:11:10,680
Speaker 1: of the studio and they were homemade biscuits. I mean,

1343
01:11:10,720 --> 01:11:12,679
Speaker 1: who doesn't want like a homemade biscuits? So I brought

1344
01:11:12,680 --> 01:11:15,360
Speaker 1: you something different. I love your biscuits. Somebody, some one

1345
01:11:15,360 --> 01:11:16,760
Speaker 1: of my teams said to me, yes, they make them

1346
01:11:16,800 --> 01:11:18,600
Speaker 1: some biscuits. I said, biscuits doesn't even get me in

1347
01:11:18,640 --> 01:11:21,000
Speaker 1: the in the door. No, no, no, no that whoever

1348
01:11:21,160 --> 01:11:24,719
Speaker 1: bitched about biscuits, shame on them. I love your biscuits. Okay,

1349
01:11:24,760 --> 01:11:29,280
Speaker 1: they're like Cathhead biscuits, a great tea. We let him

1350
01:11:29,320 --> 01:11:34,280
Speaker 1: go because of him and exactly, definitely you What did

1351
01:11:34,320 --> 01:11:37,799
Speaker 1: you bring? This looks beautiful. It's chocolate. It's Briot's chocolate

1352
01:11:37,840 --> 01:11:39,920
Speaker 1: bread pudding. And then there's some coconut with prem on

1353
01:11:39,960 --> 01:11:44,320
Speaker 1: the side. I heard you guys were complaining about your

1354
01:11:44,360 --> 01:11:47,439
Speaker 1: breakfast this morning. Yeah, it was awful. I liked mine.

1355
01:11:47,600 --> 01:11:49,280
Speaker 1: How can it? How bad can it? What do you order?

1356
01:11:50,280 --> 01:11:55,080
Speaker 1: A panini? Okay, well there's your chicken noodle soup, but

1357
01:11:55,120 --> 01:11:58,560
Speaker 1: there were no noodles chicken to get it out of

1358
01:11:58,600 --> 01:12:01,840
Speaker 1: the trash, so Bobby can it's Nate, Thanks for the

1359
01:12:02,160 --> 01:12:10,479
Speaker 1: invite to your wedding. Congratulations. I would have definitely shown up. Well, yes,

1360
01:12:10,600 --> 01:12:13,880
Speaker 1: absolutely food none of us were provided, None of us.

1361
01:12:14,000 --> 01:12:16,720
Speaker 1: What money? It asked me about the gift I gave him?

1362
01:12:16,920 --> 01:12:21,639
Speaker 1: Would you give him nothing? Good? Exactly? Thanks Nate, he thanks, Nate,

1363
01:12:21,680 --> 01:12:23,960
Speaker 1: appreciate it. Okay, next wedding. One of the reasons why

1364
01:12:24,040 --> 01:12:25,920
Speaker 1: next wedding? Yeah, no problem. One of the reasons Bobby

1365
01:12:26,040 --> 01:12:27,439
Speaker 1: is here other than it's good for him to finally

1366
01:12:27,520 --> 01:12:30,840
Speaker 1: come home and see his family, no guilt. This a

1367
01:12:30,920 --> 01:12:33,519
Speaker 1: book you have out with your daughter Sophie, Sundays with Sophie.

1368
01:12:33,600 --> 01:12:35,680
Speaker 1: I love it. You and your daughter Sophie have such

1369
01:12:35,720 --> 01:12:38,160
Speaker 1: a great relationship. We see it on all the shows,

1370
01:12:38,200 --> 01:12:40,240
Speaker 1: on the segments you guys do. And now it's in

1371
01:12:40,320 --> 01:12:42,600
Speaker 1: the book. How long has the book been out? It

1372
01:12:42,680 --> 01:12:44,720
Speaker 1: came out on Monday. Good. I just brought you a

1373
01:12:44,760 --> 01:12:48,760
Speaker 1: copy copy. Yeah, so you know, I'm I'm basically I'm

1374
01:12:48,800 --> 01:12:51,960
Speaker 1: out with it this week. And Sundays with Sophie is

1375
01:12:52,000 --> 01:12:54,599
Speaker 1: really Sophie is actually just standing in for everybody else.

1376
01:12:54,640 --> 01:12:57,160
Speaker 1: It's basically Sunday meals with your family. That's that's that's

1377
01:12:57,200 --> 01:12:59,200
Speaker 1: the whole idea. And I wrote this book during the

1378
01:12:59,320 --> 01:13:01,360
Speaker 1: quarantine because like everybody else, I was cooking three and

1379
01:13:01,439 --> 01:13:03,640
Speaker 1: four meals a day. This time I actually wrote some

1380
01:13:03,680 --> 01:13:07,040
Speaker 1: stuff down and here's the book. And the first thing

1381
01:13:07,080 --> 01:13:09,479
Speaker 1: I open up to is the Green Chilly Chicken soup

1382
01:13:09,800 --> 01:13:16,400
Speaker 1: and it has cilantrot. Oh god, but but There are

1383
01:13:16,400 --> 01:13:18,439
Speaker 1: a lot of people who don't like cilantro. But but

1384
01:13:18,560 --> 01:13:25,640
Speaker 1: I can with my visualization and theatrical uh imagination, I

1385
01:13:25,760 --> 01:13:28,439
Speaker 1: can remove the cilantro with my the power of my eyes.

1386
01:13:28,640 --> 01:13:32,560
Speaker 1: You know it's beautiful. Okay, great it is Parsley, No,

1387
01:13:32,880 --> 01:13:36,000
Speaker 1: he'll love it. It takes like soap. But back to

1388
01:13:36,080 --> 01:13:38,320
Speaker 1: you and your daughter. You know what. I met her

1389
01:13:38,400 --> 01:13:40,760
Speaker 1: not that long ago, one of the New York It's

1390
01:13:40,800 --> 01:13:42,560
Speaker 1: a Miami beach wine and food puss. Oh. Yes, of

1391
01:13:42,640 --> 01:13:45,800
Speaker 1: course I love her, Sophie. Everybody likes Sophie. She's such

1392
01:13:45,840 --> 01:13:48,120
Speaker 1: a nice girl. I mean, and she's got a great

1393
01:13:48,160 --> 01:13:50,240
Speaker 1: career out in Los Angeles. She works for ABC News.

1394
01:13:50,479 --> 01:13:53,360
Speaker 1: He's on camera report. She's you know, it's a hard

1395
01:13:53,439 --> 01:13:57,760
Speaker 1: hitting reporter out there working with with your family. I mean,

1396
01:13:58,160 --> 01:13:59,840
Speaker 1: you guys are at a point in your relationship where

1397
01:13:59,840 --> 01:14:02,040
Speaker 1: you and do that with no problem. It doesn't feel

1398
01:14:02,080 --> 01:14:03,920
Speaker 1: like work. Like if we go out and do um,

1399
01:14:04,400 --> 01:14:06,120
Speaker 1: you know, a show for Food Network or something like that.

1400
01:14:06,200 --> 01:14:08,519
Speaker 1: It just or a podcast. It just doesn't feel it

1401
01:14:08,600 --> 01:14:10,160
Speaker 1: doesn't feel like work at all. We're just hanging out.

1402
01:14:10,240 --> 01:14:14,800
Speaker 1: It's like when you're here, doesn't feel like work. No,

1403
01:14:14,880 --> 01:14:17,840
Speaker 1: it doesn't I actually missed this place you got you remember,

1404
01:14:17,960 --> 01:14:20,000
Speaker 1: used to have you all the time because you would

1405
01:14:20,000 --> 01:14:21,760
Speaker 1: actually say yes and you would come no, no, no, no.

1406
01:14:21,920 --> 01:14:23,680
Speaker 1: I just want you. I want you to know something else.

1407
01:14:23,880 --> 01:14:27,760
Speaker 1: I lived four blocks away. Okay, I haven't moved. I'm

1408
01:14:27,800 --> 01:14:30,880
Speaker 1: still there, still four blocks away. You're still four blocks away.

1409
01:14:31,880 --> 01:14:34,760
Speaker 1: I don't nobody calls me from here anymore. It's you know,

1410
01:14:35,200 --> 01:14:37,920
Speaker 1: I text you sometimes, Sake and grass, yes you do,

1411
01:14:38,200 --> 01:14:41,640
Speaker 1: yes you and Scary does too. Elvis. Also, let's get

1412
01:14:41,680 --> 01:14:43,400
Speaker 1: to the bottom of this up. Nate says he has

1413
01:14:45,800 --> 01:14:48,560
Speaker 1: been reaching out and you have not responded past and

1414
01:14:48,680 --> 01:14:52,080
Speaker 1: you haven't responded. Bobby. Wow, you know we're moving, Bobby, right,

1415
01:14:52,400 --> 01:14:54,719
Speaker 1: you are. We're moving up. We're moving up to fifty

1416
01:14:54,760 --> 01:14:57,280
Speaker 1: fifth Street. You are, Yeah, I know. We hate it.

1417
01:14:57,320 --> 01:15:01,080
Speaker 1: Weel so I have to move now. Yeah, you have them.

1418
01:15:01,120 --> 01:15:03,400
Speaker 1: You're moving a fifty fifth to move to the Carnegie

1419
01:15:03,439 --> 01:15:06,719
Speaker 1: Building or whatever. Yeah, it's beautiful new studios they're building.

1420
01:15:07,000 --> 01:15:09,840
Speaker 1: But it's not downtown. No, it's not. They didn't tell you.

1421
01:15:09,880 --> 01:15:15,080
Speaker 1: I'm taking over the studio. Hey, you know, we're right,

1422
01:15:15,240 --> 01:15:19,000
Speaker 1: but we're in the same building where Milos is original Melo. Wow.

1423
01:15:19,360 --> 01:15:21,600
Speaker 1: So you're gonna be broke. I know that place. That

1424
01:15:21,760 --> 01:15:24,160
Speaker 1: place is honestly one of my favorite restaurants in New York.

1425
01:15:24,200 --> 01:15:26,240
Speaker 1: But it's not cheap. And there was even an article,

1426
01:15:26,280 --> 01:15:28,040
Speaker 1: I think New York Times, they say that it's the

1427
01:15:28,080 --> 01:15:31,120
Speaker 1: biggest rip off in town. But I we love it.

1428
01:15:31,200 --> 01:15:33,920
Speaker 1: We keep going back, take the good. The four of

1429
01:15:34,000 --> 01:15:35,720
Speaker 1: us had like an eight hundred dollar lunch the other day.

1430
01:15:35,720 --> 01:15:38,240
Speaker 1: My restaurant in Malfie is an Italian version of that. Well,

1431
01:15:38,400 --> 01:15:41,760
Speaker 1: I went to a Malfi uh in Las Vegas. Yes,

1432
01:15:41,920 --> 01:15:44,200
Speaker 1: and I must report back what I found. Boy. We'll

1433
01:15:44,200 --> 01:15:46,719
Speaker 1: get to that in a moment. But we love you, Bobby.

1434
01:15:46,920 --> 01:15:49,360
Speaker 1: I love when people want to fatigue the restaurant. I

1435
01:15:49,560 --> 01:15:52,880
Speaker 1: was disappointed because your Bob Burger, your Bobby's Burger Palace

1436
01:15:53,120 --> 01:15:56,120
Speaker 1: is closed in Vegas as well. You can go to Phoenix.

1437
01:15:56,280 --> 01:15:58,719
Speaker 1: Bobby's Burger Palace is closed on the strip in Vegas,

1438
01:15:58,760 --> 01:16:01,840
Speaker 1: but we have three. We were rebranded. It's called Bobby's Burgers.

1439
01:16:01,840 --> 01:16:04,240
Speaker 1: We got rid of palace. I couldn't I couldn't say

1440
01:16:04,280 --> 01:16:07,320
Speaker 1: it all anymore, so it's just Bobby's Burgers. We rebranded

1441
01:16:07,400 --> 01:16:09,600
Speaker 1: it and now we have three in Vegas. Okay, it

1442
01:16:09,680 --> 01:16:11,400
Speaker 1: makes me mad because the only one on the strip

1443
01:16:11,520 --> 01:16:14,080
Speaker 1: is closed. Yeah, okay, see, I stay in that hotel.

1444
01:16:14,120 --> 01:16:17,479
Speaker 1: So when I come down downstairs, you're well, you stay

1445
01:16:17,520 --> 01:16:20,960
Speaker 1: in that built in uh in the Aria. Yeah, well no,

1446
01:16:21,479 --> 01:16:25,560
Speaker 1: it's a Waldorf right there. I'm sorry, say, did you

1447
01:16:25,600 --> 01:16:27,960
Speaker 1: see that? Move? Yeah? He was like, wait a second,

1448
01:16:28,720 --> 01:16:30,599
Speaker 1: let's get he goes. Let's let's not get it twisted.

1449
01:16:30,680 --> 01:16:41,599
Speaker 1: I stay in the very expensive hold the door. Hold on, damn.

1450
01:16:42,360 --> 01:16:44,519
Speaker 1: He was like, no, no, don't say Aria. It's the

1451
01:16:44,640 --> 01:16:50,280
Speaker 1: Waldorf story. If I may explain the reason why that's

1452
01:16:50,360 --> 01:16:53,439
Speaker 1: shuddered when I said. The reason I said that is

1453
01:16:53,479 --> 01:16:56,280
Speaker 1: because not the Aria. But when you walk out the

1454
01:16:56,320 --> 01:16:59,080
Speaker 1: doors of my hotel, your old restaurant is right there.

1455
01:16:59,600 --> 01:17:01,840
Speaker 1: It's right outside the door of the Walldorf, not the

1456
01:17:02,120 --> 01:17:04,200
Speaker 1: its Okay, Bobby, he wants to use the bathroom at

1457
01:17:04,240 --> 01:17:07,960
Speaker 1: the area, don't worry, understand. So my point is, I'm

1458
01:17:08,160 --> 01:17:10,720
Speaker 1: haunted by what used to be your restaurant every time

1459
01:17:10,760 --> 01:17:12,360
Speaker 1: I walk out of my hotel. I know they haven't

1460
01:17:12,400 --> 01:17:15,120
Speaker 1: even put anything in there. Um. So Bobby's Burgers is

1461
01:17:15,160 --> 01:17:18,519
Speaker 1: now in Caesar's Palace, in the Paris Hotel and in

1462
01:17:18,640 --> 01:17:21,599
Speaker 1: Harris's Hotel in Vegas alone, okay, and we just won't

1463
01:17:21,640 --> 01:17:24,800
Speaker 1: open one in Atlantic City. Um at Harrah's and we're

1464
01:17:24,800 --> 01:17:27,760
Speaker 1: at Yankee Stadium. It's growing about Bergen Town Center. You

1465
01:17:27,760 --> 01:17:29,519
Speaker 1: want to come back over there? Do they put anything

1466
01:17:29,560 --> 01:17:31,200
Speaker 1: in that space? I don't think there's anything there yet?

1467
01:17:31,280 --> 01:17:33,640
Speaker 1: Oh my goodness. That was a great space too. I

1468
01:17:33,720 --> 01:17:35,960
Speaker 1: know it's such a great mall. That's a really good

1469
01:17:36,680 --> 01:17:39,680
Speaker 1: I know you hang out there. You know where you

1470
01:17:39,720 --> 01:17:43,360
Speaker 1: need to go? What American Dream? That would be awesome? Yes,

1471
01:17:43,439 --> 01:17:45,400
Speaker 1: you need. Have you been to American Dream? I don't.

1472
01:17:45,439 --> 01:17:47,840
Speaker 1: I've never been. There is a good God, it's not.

1473
01:17:48,240 --> 01:17:51,960
Speaker 1: It's the most amazing experience. It's just a busy thing. Yeah,

1474
01:17:52,000 --> 01:17:55,519
Speaker 1: Oh my gosh, yes, really I didn't tell him we

1475
01:17:55,560 --> 01:17:57,280
Speaker 1: got we gotta take a break. Go ahead, tell him

1476
01:17:57,280 --> 01:17:59,240
Speaker 1: when I got to know there's no breaks. You don't.

1477
01:18:00,200 --> 01:18:02,000
Speaker 1: But you don't just go there to eat. You go

1478
01:18:02,200 --> 01:18:05,439
Speaker 1: there to play and shop, and there's skiing and there's

1479
01:18:06,680 --> 01:18:08,439
Speaker 1: there's there's just so much you have to go look

1480
01:18:08,479 --> 01:18:12,200
Speaker 1: at it. I'm wrapping up calls the paper American Dream.

1481
01:18:12,240 --> 01:18:14,639
Speaker 1: I'm done, Okay, we have to take a break back

1482
01:18:14,680 --> 01:18:20,160
Speaker 1: after this. Why do you listen to this crap in

1483
01:18:20,200 --> 01:18:23,720
Speaker 1: the morning Zoe, Hello Fresh, let you savor all the

1484
01:18:23,800 --> 01:18:26,880
Speaker 1: season has to offer with thirty five weekly recipes and

1485
01:18:27,080 --> 01:18:30,200
Speaker 1: fresh ingredients delivered right to your door. Get sixty five

1486
01:18:30,240 --> 01:18:32,840
Speaker 1: percent off plus free shipping at Hello Fresh dot com.

1487
01:18:33,160 --> 01:18:40,400
Speaker 1: Slash Elvis Elvis to Rand in the Morning Show. Let

1488
01:18:40,479 --> 01:18:45,360
Speaker 1: me be very clear. There was an article in the

1489
01:18:45,439 --> 01:18:47,639
Speaker 1: New York Times about a restaurant that we love. They

1490
01:18:47,720 --> 01:18:50,280
Speaker 1: said that a certain restaurant was a rep off. I

1491
01:18:50,439 --> 01:18:53,639
Speaker 1: think it's worth every penny. Oh, and you'd be very clear,

1492
01:18:55,680 --> 01:18:59,920
Speaker 1: faces like, Okay, what which restaurant? O? Good, That's that's

1493
01:19:00,000 --> 01:19:01,880
Speaker 1: the amswer we're looking for. We'll just move on. Okay,

1494
01:19:01,960 --> 01:19:03,800
Speaker 1: we were just talking about a restaurant, Yes, we were.

1495
01:19:03,880 --> 01:19:06,800
Speaker 1: We were talking about a restaurant, and you're talking about

1496
01:19:06,800 --> 01:19:12,000
Speaker 1: my restaurant. No, in our building uptown. Oh the one

1497
01:19:12,040 --> 01:19:16,599
Speaker 1: that you yeah, yeah, not at all. You're kidding me. Wait,

1498
01:19:16,680 --> 01:19:18,080
Speaker 1: we're not. You're not gonna You're not gonna say what

1499
01:19:18,160 --> 01:19:20,080
Speaker 1: the name of the restaurant is. What is it? A

1500
01:19:20,160 --> 01:19:23,559
Speaker 1: Storio Melos? I didn't want to say it. Okay, let

1501
01:19:23,600 --> 01:19:26,400
Speaker 1: me hold on, let's let's let's clear this up. I

1502
01:19:26,479 --> 01:19:30,160
Speaker 1: want I want to defend that. Okay, I think that

1503
01:19:30,280 --> 01:19:33,160
Speaker 1: place is delicious. It's one of my favorite restaurants in

1504
01:19:33,160 --> 01:19:36,519
Speaker 1: New York. And just so everybody understands when you go

1505
01:19:36,640 --> 01:19:39,000
Speaker 1: into that restaurant, it's a Greek restaurant, but it's really

1506
01:19:39,120 --> 01:19:43,519
Speaker 1: fish driven and there's an incredibly beautiful fish market, kind

1507
01:19:43,520 --> 01:19:45,080
Speaker 1: of like we have it at Malfie in Vegas, but

1508
01:19:45,640 --> 01:19:47,920
Speaker 1: you know, in just it's in. It's in the style

1509
01:19:47,960 --> 01:19:53,080
Speaker 1: of grease, and you pick your fish and you buy it,

1510
01:19:53,200 --> 01:19:55,679
Speaker 1: buy the pounds, and then they fabricate it and cook

1511
01:19:55,680 --> 01:19:57,560
Speaker 1: it the way you want it. And and here's the

1512
01:19:57,600 --> 01:20:00,080
Speaker 1: bottom line. That fish is really expensive, so let's to

1513
01:20:00,160 --> 01:20:02,200
Speaker 1: be very expensive. It's like one hundred and seventy dollars

1514
01:20:02,240 --> 01:20:07,920
Speaker 1: a pound. Wow. No, they fly in from the Mediterranean stuff.

1515
01:20:07,960 --> 01:20:10,240
Speaker 1: I mean it's really good fish. They fly first class.

1516
01:20:10,280 --> 01:20:12,879
Speaker 1: So yes, but you know what, if you want good quality,

1517
01:20:13,080 --> 01:20:15,360
Speaker 1: high end cuisine, you're gonna have to pay for it.

1518
01:20:15,479 --> 01:20:18,599
Speaker 1: Oh it's so good. Yeah, but they made me pay.

1519
01:20:18,760 --> 01:20:21,679
Speaker 1: That's the problem. Oh you don't like paying. Okay, Well,

1520
01:20:22,280 --> 01:20:25,639
Speaker 1: I'm run out on the check. I would never dine

1521
01:20:25,720 --> 01:20:29,800
Speaker 1: in death. Let me ask you. See, I was running

1522
01:20:29,840 --> 01:20:32,960
Speaker 1: down Fifth Avenue. Are there a lot of people that

1523
01:20:33,040 --> 01:20:34,800
Speaker 1: come to your restaurants that do dine in dash, they

1524
01:20:34,840 --> 01:20:37,040
Speaker 1: just run right now. But I catch them, how, I

1525
01:20:37,200 --> 01:20:42,880
Speaker 1: just run faster. Yeah, it's when you're full. Yeah. Well,

1526
01:20:42,960 --> 01:20:45,680
Speaker 1: so we went to Bobby's restaurant I'm Alfie out in

1527
01:20:45,960 --> 01:20:48,640
Speaker 1: Las Vegas, and from the moment we walked into the

1528
01:20:48,680 --> 01:20:51,360
Speaker 1: moment we left, it was just an extraordinary experience. The

1529
01:20:51,479 --> 01:20:54,400
Speaker 1: food was just perfect, Thank you so much. And of course,

1530
01:20:54,600 --> 01:20:58,320
Speaker 1: just when you think you've tried every taste, combination or whatever,

1531
01:20:58,720 --> 01:21:01,200
Speaker 1: he had something new, a new twist on something, and

1532
01:21:01,560 --> 01:21:04,280
Speaker 1: everything on our dishes. Everything we ordered, we ordered three

1533
01:21:04,400 --> 01:21:06,160
Speaker 1: orders of one of the appetizers. Well, you know, I'm

1534
01:21:06,200 --> 01:21:08,360
Speaker 1: so obsessed with the Maufie coast that I had to

1535
01:21:08,439 --> 01:21:10,840
Speaker 1: open a restaurant. And like luckily, like Caesars in the

1536
01:21:10,880 --> 01:21:12,599
Speaker 1: middle of the pandemic, was like, you want to build,

1537
01:21:12,600 --> 01:21:14,599
Speaker 1: We're gonna build this restaurant for you. I was like, great,

1538
01:21:14,800 --> 01:21:16,960
Speaker 1: I mean, it's been so fantastic. It's actually in the

1539
01:21:17,000 --> 01:21:19,599
Speaker 1: same space where Mason Grill was for sixteen years. That's right, Yeah,

1540
01:21:19,640 --> 01:21:21,680
Speaker 1: so's it's been great. How many restaurants do you have now?

1541
01:21:22,520 --> 01:21:23,960
Speaker 1: High end? I have a Maufie and I have my

1542
01:21:24,000 --> 01:21:26,960
Speaker 1: burger spots. That's it. There's gonna be an announced been

1543
01:21:27,040 --> 01:21:29,800
Speaker 1: pretty soon about a new one. But um, I can't

1544
01:21:29,840 --> 01:21:34,200
Speaker 1: divulge that yet, we can. You know what happened, you

1545
01:21:34,240 --> 01:21:37,920
Speaker 1: know what happened. You know, unfortunately obviously this what happened

1546
01:21:37,920 --> 01:21:39,439
Speaker 1: to me, it happened to a lot of people. Was

1547
01:21:40,439 --> 01:21:42,960
Speaker 1: I had got to in New York and when COVID happened,

1548
01:21:42,960 --> 01:21:45,800
Speaker 1: obviously everybody shut down and we decided not to reopen it.

1549
01:21:46,840 --> 01:21:51,160
Speaker 1: And just because of you know, not not knowing on

1550
01:21:51,360 --> 01:21:53,439
Speaker 1: what not not knowing what was going to be happening

1551
01:21:53,479 --> 01:21:55,120
Speaker 1: in New York City, et cetera. So like I'm just

1552
01:21:55,200 --> 01:21:57,360
Speaker 1: being patient, you know, I'm just taking a breath. I

1553
01:21:57,400 --> 01:21:59,280
Speaker 1: don't feel like I have to like rush into anything.

1554
01:21:59,720 --> 01:22:02,360
Speaker 1: And also when I'm more thoughtful, I feel like I

1555
01:22:02,479 --> 01:22:05,920
Speaker 1: do better work. Okay, fair enough, Yeah, well we're anxious.

1556
01:22:05,960 --> 01:22:08,960
Speaker 1: Whatever it's ready to divold you divold Okay, I'm gonna

1557
01:22:08,960 --> 01:22:10,439
Speaker 1: I'm gonna open it right next to your new spot

1558
01:22:10,520 --> 01:22:14,160
Speaker 1: up town. Please do make sure it's right there on

1559
01:22:14,160 --> 01:22:16,840
Speaker 1: the street so we can dine in dash. Hey, we

1560
01:22:16,920 --> 01:22:18,200
Speaker 1: have a couple of things we got to talk about

1561
01:22:18,200 --> 01:22:20,519
Speaker 1: I know you hate talking about all the things you're doing,

1562
01:22:20,600 --> 01:22:23,360
Speaker 1: but I want to bring them first of all. Uh,

1563
01:22:24,439 --> 01:22:29,519
Speaker 1: let's talk. Let's talk about your incredible acting debut. Oh, okay,

1564
01:22:29,600 --> 01:22:32,720
Speaker 1: what's the next subject, Because there's no such thing as

1565
01:22:32,760 --> 01:22:38,800
Speaker 1: incredible acting. Bobby Flay is playing a character on this

1566
01:22:39,000 --> 01:22:44,160
Speaker 1: Discovery Plus. Uh, Chris, it's a Christmas themed movie movie,

1567
01:22:44,200 --> 01:22:47,320
Speaker 1: like like a Hallmark type, except it's not Hallmark. It's

1568
01:22:47,360 --> 01:22:49,519
Speaker 1: Discovery plus Discovery Plus. And what's the name of the

1569
01:22:50,000 --> 01:22:54,280
Speaker 1: piece It's called. Obviously, it's called One Delicious Christmas exactly. Now,

1570
01:22:54,439 --> 01:22:58,640
Speaker 1: are you playing yourself? I'm not playing myself. I am

1571
01:22:58,720 --> 01:23:02,439
Speaker 1: playing a doing food critic named Tom Kingsley. Oh are

1572
01:23:02,560 --> 01:23:05,160
Speaker 1: you mean to the girl who just moved home? Now?

1573
01:23:05,240 --> 01:23:06,960
Speaker 1: Did you fall in love with like, you know, a

1574
01:23:07,080 --> 01:23:09,960
Speaker 1: long lost lover? No? I actually, is there a love scene, Bobby? Now,

1575
01:23:10,000 --> 01:23:12,320
Speaker 1: there's no love scene, but there might be a twinkle

1576
01:23:12,400 --> 01:23:14,920
Speaker 1: here and there, twinkle. I'm not really sure. I was

1577
01:23:14,960 --> 01:23:19,240
Speaker 1: eating a lot of pumpkin pie. Did you kiss another actor? Now?

1578
01:23:19,320 --> 01:23:22,120
Speaker 1: I did not. Actor did not? An actor? Maybe a guy? No?

1579
01:23:22,400 --> 01:23:26,920
Speaker 1: Did not? Did not. So there's no romantic scene with

1580
01:23:27,000 --> 01:23:29,080
Speaker 1: There was no romantic scene with me. No, are you

1581
01:23:29,160 --> 01:23:34,080
Speaker 1: the lead lead? No, No, one would be that ridiculous.

1582
01:23:34,960 --> 01:23:38,960
Speaker 1: I'm a you know, a let's call it a day player.

1583
01:23:39,360 --> 01:23:41,960
Speaker 1: You know, I shot my scenes in basically a day.

1584
01:23:42,760 --> 01:23:44,760
Speaker 1: You told me three days or two days? I can't

1585
01:23:44,760 --> 01:23:46,960
Speaker 1: remember it. Look, so the name of it again is

1586
01:23:47,280 --> 01:23:51,719
Speaker 1: something Delicious for one delicious Christmas, one delicious mom Christmas

1587
01:23:51,760 --> 01:23:55,679
Speaker 1: shoes in the movie. You know that story, right of course?

1588
01:23:55,760 --> 01:24:01,160
Speaker 1: Not all right? Did you get a script approval because

1589
01:24:01,160 --> 01:24:03,479
Speaker 1: I had to. I had to fight with my producers

1590
01:24:03,520 --> 01:24:08,680
Speaker 1: at SVU. Well basically actually about being dead. Yes, oh yeah,

1591
01:24:08,720 --> 01:24:11,719
Speaker 1: I'll explain, but go ahead, go ahead. Um, so basically,

1592
01:24:11,920 --> 01:24:16,360
Speaker 1: I uh, actually you know what. The director and the

1593
01:24:16,439 --> 01:24:19,639
Speaker 1: producers called me and we had a zoom call about

1594
01:24:20,000 --> 01:24:21,880
Speaker 1: the script because I read the script and I said,

1595
01:24:22,080 --> 01:24:23,960
Speaker 1: there's a couple of things in here I just want

1596
01:24:23,960 --> 01:24:25,439
Speaker 1: to point out to you in terms of it because

1597
01:24:25,479 --> 01:24:27,720
Speaker 1: it takes place in an inn and a restaurant, right,

1598
01:24:27,800 --> 01:24:29,280
Speaker 1: And I said, I just there's a couple of things

1599
01:24:29,320 --> 01:24:31,519
Speaker 1: that that I want to I want to I want

1600
01:24:31,560 --> 01:24:34,799
Speaker 1: you to understand about the relationship between a food critic

1601
01:24:35,240 --> 01:24:38,800
Speaker 1: and the restaurant, Like it's they're not friends, Like they

1602
01:24:38,840 --> 01:24:41,240
Speaker 1: don't they don't. They don't have relationships. So you play

1603
01:24:41,280 --> 01:24:43,800
Speaker 1: a critic. I'm a food critic. Yeah, I'm coming into

1604
01:24:43,840 --> 01:24:46,400
Speaker 1: critique to food right, Yeah, and so yeah, that's not

1605
01:24:46,520 --> 01:24:51,519
Speaker 1: a very ab serial relationship between a chef and a critic. Well,

1606
01:24:51,760 --> 01:24:54,799
Speaker 1: like you're supposed to be anonymous or or you're supposed

1607
01:24:54,800 --> 01:25:01,240
Speaker 1: to like basically, you know, be subjective. Right, So as

1608
01:25:01,240 --> 01:25:03,040
Speaker 1: a food critic, have you ever had a food critic

1609
01:25:03,080 --> 01:25:05,720
Speaker 1: come in and they dress up like a harpo Marx nose?

1610
01:25:05,920 --> 01:25:08,280
Speaker 1: I mean, you know what I'm saying. I mean, do

1611
01:25:08,400 --> 01:25:10,280
Speaker 1: food critics ever try to change their look because they

1612
01:25:10,400 --> 01:25:12,560
Speaker 1: know that you may recognize that. I mean, you know,

1613
01:25:12,720 --> 01:25:15,880
Speaker 1: like uh Ruth Reischel, who you know, was the New

1614
01:25:15,960 --> 01:25:20,000
Speaker 1: York Times critic, she was famous for putting wigs on. Yeah,

1615
01:25:20,000 --> 01:25:22,960
Speaker 1: oh absolutely, yeah she definitely Yeah totally. Because you know

1616
01:25:23,040 --> 01:25:27,720
Speaker 1: we have the food critics face taped to the kitchen door.

1617
01:25:28,120 --> 01:25:31,080
Speaker 1: You do understand that, Oh yeah absolutely. If you see

1618
01:25:31,120 --> 01:25:34,519
Speaker 1: this person, see here's my bitch and moan about this.

1619
01:25:35,520 --> 01:25:37,120
Speaker 1: If they're a food critic or if they're not, they

1620
01:25:37,120 --> 01:25:40,320
Speaker 1: should all be treated the same. You shouldn't. You shouldn't

1621
01:25:40,360 --> 01:25:42,120
Speaker 1: be on your a game just because of food critic

1622
01:25:42,160 --> 01:25:43,519
Speaker 1: walks in, what are you talking about? And then when

1623
01:25:43,560 --> 01:25:46,800
Speaker 1: I walk in, you know, they can make a break

1624
01:25:46,840 --> 01:25:49,640
Speaker 1: your entire career. And I'm dining and dashing, Yeah, and

1625
01:25:49,640 --> 01:25:51,439
Speaker 1: you're running out the door. You're not even paying your check.

1626
01:25:51,520 --> 01:25:56,040
Speaker 1: Do you know? IM? No? But sometimes years ago, we

1627
01:25:56,160 --> 01:25:58,559
Speaker 1: used to have their phone numbers, like literally a list

1628
01:25:58,600 --> 01:26:01,880
Speaker 1: of their numbers, and like when we when you used

1629
01:26:01,880 --> 01:26:04,920
Speaker 1: to take a phone number over the phone, we would

1630
01:26:04,960 --> 01:26:06,800
Speaker 1: look at the number and be like, oh wait a second,

1631
01:26:07,640 --> 01:26:09,320
Speaker 1: we know that we don't know the name, but we

1632
01:26:09,400 --> 01:26:14,120
Speaker 1: know the number. Oh wow, the true critic. So you

1633
01:26:14,240 --> 01:26:17,160
Speaker 1: play a food critic, you don't have a romantic scene?

1634
01:26:17,800 --> 01:26:20,519
Speaker 1: And when do we see this on Discovery Plus? It

1635
01:26:20,640 --> 01:26:23,360
Speaker 1: starts November eleventh. Oh god, I'm counting down the day

1636
01:26:24,120 --> 01:26:27,560
Speaker 1: I'm gonna have a I'm renting out Time Square for

1637
01:26:27,640 --> 01:26:31,040
Speaker 1: a screening and uh so Time Square is going to

1638
01:26:31,080 --> 01:26:36,160
Speaker 1: be closed that day. Okay, So so that was your

1639
01:26:36,280 --> 01:26:39,160
Speaker 1: that was your short scuffle with the directors that it

1640
01:26:39,240 --> 01:26:41,479
Speaker 1: wasn't a scuffle. I just gave them some insight based

1641
01:26:41,479 --> 01:26:43,840
Speaker 1: on experience, that's all. And actually they made some they

1642
01:26:43,880 --> 01:26:45,559
Speaker 1: made a couple of little tweaks, and I worked out

1643
01:26:45,560 --> 01:26:47,160
Speaker 1: really nicely. They was so nice to me. So when

1644
01:26:47,160 --> 01:26:50,080
Speaker 1: I had to lay down on the slab as a

1645
01:26:50,200 --> 01:26:53,920
Speaker 1: dead body, a dead drug abuser, they wanted me to

1646
01:26:54,040 --> 01:26:57,320
Speaker 1: have no clothes on under the sheet. Well I can't

1647
01:26:57,360 --> 01:26:58,640
Speaker 1: have shorts on, but they wanted me to take my

1648
01:26:58,680 --> 01:27:02,000
Speaker 1: shirt off. But mine instruction was they had to have

1649
01:27:02,080 --> 01:27:05,080
Speaker 1: the sheet above my nipples. Really, I did not want

1650
01:27:05,120 --> 01:27:08,559
Speaker 1: my my my boobies showing. Why but because they're big

1651
01:27:08,640 --> 01:27:11,439
Speaker 1: and harry and they're flopping. They're big Harry. I guess

1652
01:27:11,439 --> 01:27:15,760
Speaker 1: that's a good enough Phras's big hairy, floppy boobies, all right,

1653
01:27:15,960 --> 01:27:18,760
Speaker 1: don't make me spell it out. So usually the people

1654
01:27:18,800 --> 01:27:21,920
Speaker 1: who played dead bodies on SVU are just you know,

1655
01:27:22,120 --> 01:27:24,519
Speaker 1: they going to get one hundred fifty dollars in their

1656
01:27:24,560 --> 01:27:25,880
Speaker 1: out and there they feel very lucky to be a

1657
01:27:25,920 --> 01:27:28,599
Speaker 1: part of the me. I'm like, well, no, I have conditions, right,

1658
01:27:28,920 --> 01:27:31,200
Speaker 1: You had a writer. So the director says, who is

1659
01:27:31,280 --> 01:27:34,160
Speaker 1: this who wants me to put the sheet above? Bring

1660
01:27:34,320 --> 01:27:36,519
Speaker 1: him to me. So I had to go talk to

1661
01:27:36,560 --> 01:27:39,160
Speaker 1: the director and I said, really yeah, it's like, oh, okay,

1662
01:27:39,200 --> 01:27:40,479
Speaker 1: I get it. You're doing this as a kind of

1663
01:27:40,520 --> 01:27:43,080
Speaker 1: a bit. He said, you're playing a dead guy's a bit.

1664
01:27:43,200 --> 01:27:46,040
Speaker 1: I said, yeah, but my nipples cannot show. That's all

1665
01:27:46,080 --> 01:27:49,120
Speaker 1: I care about. It's true. Next time you do you

1666
01:27:49,280 --> 01:27:53,360
Speaker 1: have full full control over your character. Well, I expect

1667
01:27:53,400 --> 01:27:55,720
Speaker 1: a lot of them, a lot of offers to come

1668
01:27:55,760 --> 01:27:59,040
Speaker 1: in after this. You'll be seeing me on a screen,

1669
01:27:59,320 --> 01:28:05,000
Speaker 1: the big screen everywhere universe. Oh yes, I'm a superhero.

1670
01:28:05,080 --> 01:28:09,679
Speaker 1: Would be great to have, like a culinary superhero fights

1671
01:28:09,720 --> 01:28:11,240
Speaker 1: people with. Speaking of her, you know, you know what

1672
01:28:11,320 --> 01:28:13,800
Speaker 1: I do speaking of superheroes. You know what I do

1673
01:28:13,880 --> 01:28:17,000
Speaker 1: on Thanksgiving? Right, what do you do? I walk Scarlett

1674
01:28:17,080 --> 01:28:20,680
Speaker 1: Johansen through Thanksgiving from start to finish almost every year. Now,

1675
01:28:20,720 --> 01:28:24,600
Speaker 1: I'm only saying that because she, um, she blurted this

1676
01:28:24,680 --> 01:28:27,400
Speaker 1: out on on a show like last year, right, two

1677
01:28:27,439 --> 01:28:29,560
Speaker 1: years ago. So I'm not, I'm not. I'm not. I'm not.

1678
01:28:29,800 --> 01:28:31,479
Speaker 1: You know, I'm not shutting the light on her. But

1679
01:28:31,600 --> 01:28:34,680
Speaker 1: that's you know, she's a superhero. But her you know,

1680
01:28:34,920 --> 01:28:38,240
Speaker 1: but her gravy needs help. Of course, I'm flying. You

1681
01:28:38,320 --> 01:28:40,960
Speaker 1: need like a cape flying in you fix the gravy. Now,

1682
01:28:40,960 --> 01:28:42,880
Speaker 1: are you their hands on in the kitchen? No? No, no,

1683
01:28:43,000 --> 01:28:44,640
Speaker 1: no no. You know she's married to Colin Joe, so

1684
01:28:44,680 --> 01:28:47,200
Speaker 1: they so Colin likes to make like pies. He's very

1685
01:28:47,240 --> 01:28:50,479
Speaker 1: proud of his pie making. And then Scarlett basically does

1686
01:28:50,560 --> 01:28:52,720
Speaker 1: everything else. So it's a lot of work, a lot

1687
01:28:52,760 --> 01:28:58,120
Speaker 1: of moving parts when things. Yeah, which brings us a

1688
01:28:58,200 --> 01:29:01,200
Speaker 1: triple threat. This is his new show. He said, Oh,

1689
01:29:01,240 --> 01:29:02,400
Speaker 1: you don't have to talk about it. I said, no,

1690
01:29:02,520 --> 01:29:04,760
Speaker 1: I want to talk about it. I'm here to make

1691
01:29:04,840 --> 01:29:07,439
Speaker 1: sure people are supporting the Bobby Flay brand. Yeah. We

1692
01:29:07,479 --> 01:29:09,519
Speaker 1: just started. It's called Bobby Triple Threat. It's a new show.

1693
01:29:09,600 --> 01:29:12,040
Speaker 1: We've We've had three episodes. Eready got picked up for

1694
01:29:12,080 --> 01:29:15,840
Speaker 1: season two already. The rating has been great. It's so fun. Wait,

1695
01:29:15,920 --> 01:29:17,960
Speaker 1: hold on a text. I just saw Triple Threat for

1696
01:29:17,960 --> 01:29:20,160
Speaker 1: the first time last night. Love it. What's it like

1697
01:29:20,280 --> 01:29:24,960
Speaker 1: having Top Chefs crossed into the Food Network family Top

1698
01:29:25,040 --> 01:29:27,439
Speaker 1: Chef Chefs? Yeah, Top Chef Chefs. Oh, because there's some

1699
01:29:27,760 --> 01:29:29,680
Speaker 1: some there's some chefs on Top Chefs that are now

1700
01:29:29,800 --> 01:29:33,280
Speaker 1: on that show. Wow. Hold on, let's listen to this

1701
01:29:33,520 --> 01:29:37,760
Speaker 1: crossover Triple Threat promo. He explains it all right here.

1702
01:29:39,800 --> 01:29:46,760
Speaker 1: Oh my god, that's sound scary. There's Bobby walking by

1703
01:29:46,800 --> 01:29:50,720
Speaker 1: the river. I spent my entire career opening and running restaurants,

1704
01:29:50,880 --> 01:29:55,280
Speaker 1: and competing at the highest level of busy. Today starts

1705
01:29:55,320 --> 01:30:01,000
Speaker 1: a new chapter. I created the toughest coloring competition yet. Oh,

1706
01:30:01,240 --> 01:30:04,760
Speaker 1: I've hand take three extraordinary chefs to become my triple threat.

1707
01:30:05,439 --> 01:30:09,240
Speaker 1: Brook Williamson won circles around the competition or California cuisine

1708
01:30:09,360 --> 01:30:11,880
Speaker 1: is packed with exclusive flavor. If you think you've got

1709
01:30:12,000 --> 01:30:14,639
Speaker 1: her beat, don't take a breath, and she's got another gear.

1710
01:30:15,360 --> 01:30:19,720
Speaker 1: Michael Voltaggio is ache from Philadelphia. Yeah, oh, I love him. Right.

1711
01:30:19,920 --> 01:30:23,920
Speaker 1: Let me tell you something. It sounds almost scary, you know,

1712
01:30:24,040 --> 01:30:26,439
Speaker 1: I'm saying it's it's a it's like it's it's very serious.

1713
01:30:26,640 --> 01:30:29,800
Speaker 1: It's a speakeasy in New York. Excuse me, it's like

1714
01:30:29,840 --> 01:30:32,519
Speaker 1: a it's a secret location. It's a it's a speakeasy

1715
01:30:32,560 --> 01:30:35,600
Speaker 1: in New York. There's kitchen's obviously set up, and the

1716
01:30:35,760 --> 01:30:39,439
Speaker 1: house chefs are Brooke Williamson, Michael Voltaggio, and Tiffany Derry.

1717
01:30:39,760 --> 01:30:42,960
Speaker 1: And then I bring one visiting chef. I'm like the matchmaker.

1718
01:30:43,000 --> 01:30:45,640
Speaker 1: I bring one visiting chef, like really badass chef to

1719
01:30:45,680 --> 01:30:48,160
Speaker 1: come in and they have to take them. They have

1720
01:30:48,240 --> 01:30:50,000
Speaker 1: to take all three of the Titans on and if

1721
01:30:50,040 --> 01:30:52,920
Speaker 1: they beat them, they win twenty five thousand in cash.

1722
01:30:53,320 --> 01:30:55,080
Speaker 1: I don't, but the way you guys promote it with

1723
01:30:55,280 --> 01:30:59,120
Speaker 1: that promo, Yeah, it sounds frightening. I wrote that. I

1724
01:31:00,280 --> 01:31:03,519
Speaker 1: wrote that it's very serious though, Well, the idea is like,

1725
01:31:03,600 --> 01:31:05,920
Speaker 1: this is like, this is serious competition. There's no gummy

1726
01:31:05,960 --> 01:31:08,519
Speaker 1: bears in the building, you know, like like on certain

1727
01:31:08,560 --> 01:31:11,960
Speaker 1: shows they throw like you know, ingredients that don't make

1728
01:31:12,000 --> 01:31:16,360
Speaker 1: any sense. This is the highest level cooking. It frightens me.

1729
01:31:16,520 --> 01:31:21,760
Speaker 1: This makes Iron Chef look like Kindergarten. Oh good? Anyone die?

1730
01:31:21,960 --> 01:31:24,280
Speaker 1: Does anyone die? I mean it's only been episode three,

1731
01:31:26,840 --> 01:31:28,840
Speaker 1: so the day is young. So Triple Thread is like

1732
01:31:29,040 --> 01:31:31,880
Speaker 1: that Triple Thread and beat Bobby Flay. I mean we're

1733
01:31:31,880 --> 01:31:34,240
Speaker 1: doing forty more episodes that We're almost at five hundred

1734
01:31:34,280 --> 01:31:36,439
Speaker 1: episodes of that. Are you gonna come back? Really? Will

1735
01:31:36,439 --> 01:31:38,680
Speaker 1: you come back? Yeah? But see, I I screwed up

1736
01:31:38,720 --> 01:31:39,840
Speaker 1: the first time I was there. What do you mean

1737
01:31:39,880 --> 01:31:41,800
Speaker 1: you screwed up? You great? You know what you and

1738
01:31:41,880 --> 01:31:43,680
Speaker 1: Katie Lee wasn't it. Katie Lee told me when I

1739
01:31:43,720 --> 01:31:45,479
Speaker 1: walked to the door, she said, no, it's your job

1740
01:31:45,560 --> 01:31:48,679
Speaker 1: to be mean to Bobby Well and and they're they're

1741
01:31:48,720 --> 01:31:51,120
Speaker 1: telling me I wasn't mean enough to you. Please, It's

1742
01:31:51,200 --> 01:31:53,600
Speaker 1: not about being mean now, I've had practice. Yeah, you

1743
01:31:53,680 --> 01:31:56,680
Speaker 1: just have to, like, you know, break my chops basically, well,

1744
01:31:56,680 --> 01:31:59,160
Speaker 1: you know, but I do. I am convinced that that

1745
01:31:59,320 --> 01:32:03,600
Speaker 1: competition they you threw it. No, whatever you made was

1746
01:32:03,840 --> 01:32:07,479
Speaker 1: so spicy. It was hotter than the planet, than the

1747
01:32:07,560 --> 01:32:09,599
Speaker 1: surface of the sun. Sometimes I make things too spicy,

1748
01:32:10,000 --> 01:32:12,360
Speaker 1: do it on purpose. Don't think you ever throw it

1749
01:32:12,439 --> 01:32:15,880
Speaker 1: a little never really never. Never. First of all, no

1750
01:32:16,080 --> 01:32:19,479
Speaker 1: chef worth their weight wants that to happen. Okay, they

1751
01:32:19,520 --> 01:32:21,000
Speaker 1: want to beat me, friend Square, I would never do

1752
01:32:21,080 --> 01:32:23,360
Speaker 1: that to them. But he's not a chef, so you know, no,

1753
01:32:23,439 --> 01:32:26,880
Speaker 1: but he wasn't cooking. He's like he's hosting. So next

1754
01:32:26,920 --> 01:32:29,080
Speaker 1: time I do it, if I'm invited back, I'll really

1755
01:32:29,120 --> 01:32:33,240
Speaker 1: give you hell what go? What? What? Twenty? Hello? Amanda,

1756
01:32:33,640 --> 01:32:39,680
Speaker 1: Bobby Flay is here. Hi Bobby. Hi, I'm too huge fan.

1757
01:32:39,760 --> 01:32:43,640
Speaker 1: I'm like so nervous right now you should be What

1758
01:32:43,720 --> 01:32:46,320
Speaker 1: do you want to talk to Bobby about? I love

1759
01:32:46,479 --> 01:32:49,920
Speaker 1: Triple Threat. It's such it's such a good show. How

1760
01:32:49,960 --> 01:32:52,720
Speaker 1: did you come up with the idea for it? That's

1761
01:32:52,720 --> 01:32:57,799
Speaker 1: a great question. And actually there's an answer, we like to. Actually,

1762
01:32:57,920 --> 01:33:01,360
Speaker 1: I actually come up with my ideas not from food programming. Ever.

1763
01:33:03,439 --> 01:33:06,439
Speaker 1: You remember the movie Color of Money with Paul Newman

1764
01:33:06,520 --> 01:33:11,759
Speaker 1: and Tom Cruise. Yeah, Paul Newman plays plays a veteran

1765
01:33:11,920 --> 01:33:14,680
Speaker 1: pool shark and then you know he's been around for

1766
01:33:14,960 --> 01:33:19,080
Speaker 1: a while like me, and he he runs into to

1767
01:33:19,560 --> 01:33:23,080
Speaker 1: Tom Cruise, who was like a young, you know, whipper snapper,

1768
01:33:23,640 --> 01:33:25,680
Speaker 1: like you know, trying to be a pool shark. But

1769
01:33:25,840 --> 01:33:27,800
Speaker 1: you know, he's he doesn't have enough experience, so he

1770
01:33:27,880 --> 01:33:30,400
Speaker 1: takes him under his wing and then and shows him

1771
01:33:30,439 --> 01:33:32,160
Speaker 1: the ways of how to be a pool shark around

1772
01:33:32,200 --> 01:33:35,040
Speaker 1: the country. So basically that was the idea. It was

1773
01:33:35,080 --> 01:33:37,400
Speaker 1: like I'm gonna I'm gonna take three chefs that have

1774
01:33:37,760 --> 01:33:41,040
Speaker 1: accolades but are just really getting started in their career

1775
01:33:41,120 --> 01:33:43,880
Speaker 1: in terms of like in terms of like you know,

1776
01:33:44,120 --> 01:33:46,400
Speaker 1: the big stage so to speak. And I made them

1777
01:33:46,479 --> 01:33:48,360
Speaker 1: the house chefs, so and then and I'm creating like

1778
01:33:48,479 --> 01:33:51,040
Speaker 1: these matches for them for them to get better and better.

1779
01:33:51,160 --> 01:33:53,439
Speaker 1: That's the whole point. That's how I got the German

1780
01:33:53,920 --> 01:33:56,360
Speaker 1: So yeah, I mean, and like when I had that

1781
01:33:56,400 --> 01:34:02,880
Speaker 1: show throw Down, totally inspired by that punked. Really it's

1782
01:34:02,880 --> 01:34:05,400
Speaker 1: a great idea. It's so simple. You show up, but

1783
01:34:05,560 --> 01:34:08,639
Speaker 1: Throwdown is like a surprise basic basically a surprise cooking

1784
01:34:08,720 --> 01:34:11,000
Speaker 1: show that you don't know what that Basically you're getting punked. Well,

1785
01:34:11,040 --> 01:34:12,559
Speaker 1: I know we've done so many of them. How can

1786
01:34:12,600 --> 01:34:17,920
Speaker 1: it still be a surprise. Well, we don't do it anymore. Okay, surprise. Yeah,

1787
01:34:19,040 --> 01:34:21,200
Speaker 1: but that's how I get my ideas, not from food shows,

1788
01:34:21,240 --> 01:34:23,879
Speaker 1: from other things. Let's come up with some other shows

1789
01:34:24,800 --> 01:34:28,080
Speaker 1: you can rip off and make your own. Don't say

1790
01:34:28,200 --> 01:34:31,560
Speaker 1: rip off, it's I'm inspired by inspired. I really, I

1791
01:34:31,680 --> 01:34:34,760
Speaker 1: really enjoyed. Uh that answer? Now one will watch the show?

1792
01:34:35,080 --> 01:34:37,880
Speaker 1: Your three episodes deep and so amander. You're gonna watch

1793
01:34:37,920 --> 01:34:41,479
Speaker 1: every single triple threat, every single triplet Oh my god,

1794
01:34:41,520 --> 01:34:45,080
Speaker 1: I love you for that. Thank you so much. A

1795
01:34:45,200 --> 01:34:47,519
Speaker 1: copy of Sundays with Sophie. Yes, let's do that. You

1796
01:34:47,560 --> 01:34:51,000
Speaker 1: want a cookbook? I would love her cookbook. Where do

1797
01:34:51,080 --> 01:34:52,720
Speaker 1: you live? Where? What part of the world are you in?

1798
01:34:53,600 --> 01:34:59,040
Speaker 1: I live in Austin, Westchester? All right, okay, cookbook on

1799
01:34:59,120 --> 01:35:01,240
Speaker 1: the way. You're not too far from now. You could

1800
01:35:01,320 --> 01:35:04,320
Speaker 1: drop that cookbook? What else? What else do you have?

1801
01:35:04,439 --> 01:35:08,040
Speaker 1: You can give her some pots and pans. I want

1802
01:35:08,080 --> 01:35:11,880
Speaker 1: a cat. I have a couple of cats. Wait, hold on,

1803
01:35:12,000 --> 01:35:14,400
Speaker 1: hold on, hold on, Where did you see Nate? I

1804
01:35:14,520 --> 01:35:17,720
Speaker 1: saw me that tasty table and Briar Cliff. Oh my god,

1805
01:35:17,760 --> 01:35:20,040
Speaker 1: I love their other pastry. Nate, I just saw you.

1806
01:35:20,280 --> 01:35:24,920
Speaker 1: You were mentioned in doom Wi Yeah you know that

1807
01:35:25,000 --> 01:35:27,200
Speaker 1: is Hold on a second, Hold on one second, Amanda.

1808
01:35:27,200 --> 01:35:28,840
Speaker 1: We're gonna get your address and send you your your

1809
01:35:28,960 --> 01:35:32,040
Speaker 1: Sundays with Sophie book. Now what you know doom Wise

1810
01:35:32,360 --> 01:35:35,640
Speaker 1: like that? It's that gossip? What's it called? Oh my god,

1811
01:35:35,680 --> 01:35:38,160
Speaker 1: you guys don't know what this is. Are you having

1812
01:35:38,200 --> 01:35:41,920
Speaker 1: a stroke? Are you okay? Let it? Forget it. Let's

1813
01:35:41,960 --> 01:35:44,840
Speaker 1: do something I can really reference. Is I'm just guy?

1814
01:35:44,840 --> 01:35:47,439
Speaker 1: I was just kidding anyway, nobody would actually actually right

1815
01:35:47,439 --> 01:35:56,880
Speaker 1: about him. Hold on this but listen, it's but wait.

1816
01:35:57,080 --> 01:35:59,519
Speaker 1: But when Nate was like leaning over waiting to hear

1817
01:35:59,520 --> 01:36:02,040
Speaker 1: about him, so he was you see that? He was

1818
01:36:02,040 --> 01:36:06,600
Speaker 1: like what what Bobby's books? Yeah, I'm so upset that

1819
01:36:06,680 --> 01:36:10,599
Speaker 1: I wasn't invited to the wedding. He didn't even invite

1820
01:36:10,880 --> 01:36:14,719
Speaker 1: his wife to the wedding. We have a very special guest.

1821
01:36:15,320 --> 01:36:19,640
Speaker 1: Oh yes, are you kidding me? I have to gold

1822
01:36:19,640 --> 01:36:23,680
Speaker 1: on good morning. Is this the one and only Chef Latiere.

1823
01:36:23,800 --> 01:36:30,360
Speaker 1: Of course, Chef Lati. Bobby Flay is here your favorite?

1824
01:36:31,320 --> 01:36:36,280
Speaker 1: I know, I hear my people tell me Bobby Flay

1825
01:36:36,439 --> 01:36:47,200
Speaker 1: is I know? Are you missing me? Of course? I

1826
01:36:47,280 --> 01:36:50,479
Speaker 1: always walk in here expecting to see him. Yeah, yeah,

1827
01:36:51,479 --> 01:36:55,240
Speaker 1: you do know you one of my greatest rivals the

1828
01:36:55,320 --> 01:36:59,040
Speaker 1: whole time. Now has a touch of Arabic. Yeah, you

1829
01:36:59,080 --> 01:37:01,880
Speaker 1: do have Arabic. Be calling from another part of the world. Now,

1830
01:37:02,000 --> 01:37:06,519
Speaker 1: Cheff lat You're not here? Where where are you? I've

1831
01:37:06,600 --> 01:37:13,960
Speaker 1: been traveling all around the world, learning about different to make.

1832
01:37:14,160 --> 01:37:16,320
Speaker 1: Where are you? Where are you right now? Chef lat

1833
01:37:17,400 --> 01:37:23,960
Speaker 1: Right now, I am in Egypt, in Dubai, in Egypt,

1834
01:37:24,080 --> 01:37:31,720
Speaker 1: in Dubai. When did Egypt and Dubai get together? You know,

1835
01:37:32,439 --> 01:37:37,240
Speaker 1: I have so many woman everywhere. Sometimes you love the women,

1836
01:37:37,560 --> 01:37:39,840
Speaker 1: the women of the world. Chef Chef lat loves the

1837
01:37:39,920 --> 01:37:43,880
Speaker 1: women of the world. So you love those Egyptian McLaine.

1838
01:37:46,760 --> 01:37:49,599
Speaker 1: I said to myself, I say, I'm going to make

1839
01:37:49,760 --> 01:37:54,120
Speaker 1: the best nachos in the whole world. I love my nachios.

1840
01:37:54,680 --> 01:38:01,040
Speaker 1: Do you love naxos? Yes? I do. Oh all over

1841
01:38:01,200 --> 01:38:04,599
Speaker 1: your body. I would love to see eat nachos off,

1842
01:38:04,640 --> 01:38:10,080
Speaker 1: Bobby flame A, Chef Lati, you tell all the Egyptian

1843
01:38:10,400 --> 01:38:15,640
Speaker 1: Dubai citizens that we said hello, I miss you. I

1844
01:38:15,840 --> 01:38:20,160
Speaker 1: miss you horribly last time we met. It was a

1845
01:38:20,360 --> 01:38:27,519
Speaker 1: nice and nice that you remember. Forget all right, we

1846
01:38:27,680 --> 01:38:32,240
Speaker 1: love you, chef Let. You have a beautiful day in Dubai, Egypt.

1847
01:38:35,680 --> 01:38:42,680
Speaker 1: Goodbye from Dubaye, goodbye, goodbye. There you go, cheak, chef

1848
01:38:42,840 --> 01:38:53,920
Speaker 1: Let Egypt, Dubai. We're gonna take a break. Okay, so uh,

1849
01:38:54,320 --> 01:38:58,120
Speaker 1: we're gonna take the break. We want to can regroup,

1850
01:38:58,760 --> 01:39:00,840
Speaker 1: get it back to get it back to center if

1851
01:39:00,880 --> 01:39:03,400
Speaker 1: we could. I appreciate that Bobby Flay is here, and

1852
01:39:03,840 --> 01:39:06,400
Speaker 1: he may stay here, so hold on, we'll see what happens.

1853
01:39:10,600 --> 01:39:12,759
Speaker 1: More texting in saying that they do love to sniff

1854
01:39:12,800 --> 01:39:15,280
Speaker 1: their underwear, you no get out of your home. Standard

1855
01:39:15,320 --> 01:39:19,160
Speaker 1: data and messaging rates may apply the text Strand in

1856
01:39:19,240 --> 01:39:27,000
Speaker 1: the Morning Show Elvis Durand in the Morning Show Sundays,

1857
01:39:27,760 --> 01:39:33,120
Speaker 1: can you turn that down? Jesus club? This place, it's

1858
01:39:33,720 --> 01:39:35,880
Speaker 1: I mean, honestly, it's just you guys just kind of

1859
01:39:35,960 --> 01:39:40,680
Speaker 1: roll in and whatever happens. Whatever Bobby Flays used to

1860
01:39:40,920 --> 01:39:43,600
Speaker 1: like producers and directors and you must hit time. You

1861
01:39:43,680 --> 01:39:46,639
Speaker 1: know marks on TV shows, Hey, Hey, what we do here?

1862
01:39:46,760 --> 01:39:49,400
Speaker 1: And literally Scary has been standing on you over your

1863
01:39:49,560 --> 01:39:51,960
Speaker 1: left shoulder like a parrot for our last twenty years.

1864
01:39:52,040 --> 01:39:58,120
Speaker 1: He's crazy. So how many meetings you guys must be crazy.

1865
01:39:58,160 --> 01:40:01,920
Speaker 1: We're like what. So anyway, I'm flipping through Sundays with

1866
01:40:02,040 --> 01:40:04,920
Speaker 1: Sophie Flay family and recipes for any day of the week,

1867
01:40:05,200 --> 01:40:08,519
Speaker 1: and I'm seeing some things I want made for me immediately. Really,

1868
01:40:08,520 --> 01:40:10,680
Speaker 1: you know, I realized I'm staying in my apartment in

1869
01:40:10,720 --> 01:40:12,680
Speaker 1: the city now, and but I was living out of

1870
01:40:12,720 --> 01:40:17,960
Speaker 1: there for how many years? Too? Yeah? Right, yeah, So

1871
01:40:18,240 --> 01:40:21,320
Speaker 1: I realized I had not made a meal in my

1872
01:40:21,439 --> 01:40:23,840
Speaker 1: kitchen for two and a half years. So Alex and

1873
01:40:23,920 --> 01:40:26,160
Speaker 1: I actually made dinner in the apartment here the night.

1874
01:40:26,160 --> 01:40:29,040
Speaker 1: It was the strangest thing. COVID really messed us up

1875
01:40:29,040 --> 01:40:31,720
Speaker 1: in so many ways at home. Well not this, not

1876
01:40:31,880 --> 01:40:35,439
Speaker 1: this one. Order. Yeah, it's New York City Deliver and

1877
01:40:35,520 --> 01:40:40,440
Speaker 1: we get his leftovers every day. It's so great. Anyway,

1878
01:40:40,880 --> 01:40:43,120
Speaker 1: So I'm looking at the recipe and like I said before,

1879
01:40:43,200 --> 01:40:45,640
Speaker 1: the one of the greatest things about this book is

1880
01:40:45,680 --> 01:40:49,479
Speaker 1: you're witnessing another perspective of the relationship Bobby has with

1881
01:40:49,560 --> 01:40:52,040
Speaker 1: his daughter Sophie. She's the best. I love that you

1882
01:40:52,080 --> 01:40:54,320
Speaker 1: guys have that great relationships, the best. And I don't

1883
01:40:54,320 --> 01:40:57,800
Speaker 1: know she loves her dad too. Oh my god, what

1884
01:40:58,040 --> 01:41:02,679
Speaker 1: is this? What are those zucchini fries? Eggplant palm? Speak

1885
01:41:02,760 --> 01:41:06,960
Speaker 1: my blood with? This is a chicken palm recipe in

1886
01:41:06,960 --> 01:41:08,720
Speaker 1: there too, which I know you love. The first time

1887
01:41:08,760 --> 01:41:10,920
Speaker 1: I met you, all you did was talking about chicken palm.

1888
01:41:11,600 --> 01:41:14,479
Speaker 1: I'm obsessed for the pages he follows on Instagram are

1889
01:41:14,560 --> 01:41:17,720
Speaker 1: chicken parm page It's porn chicken palm pages. Yeah. No,

1890
01:41:17,920 --> 01:41:20,040
Speaker 1: you can just do a search on Instagram chicken parm

1891
01:41:20,120 --> 01:41:23,480
Speaker 1: and there's a whole world of chicken farmway. It's amazing. Absolutely.

1892
01:41:23,680 --> 01:41:26,679
Speaker 1: So you know every Thursday we do uh Froggy's food News.

1893
01:41:26,840 --> 01:41:30,040
Speaker 1: Oh okay, it's very apropos that you're here. Where do

1894
01:41:30,160 --> 01:41:32,920
Speaker 1: you get the does he do the research? Well, Froggy,

1895
01:41:33,479 --> 01:41:36,000
Speaker 1: Bobby wants to know. I can give you my secrets, Bobby.

1896
01:41:36,080 --> 01:41:45,120
Speaker 1: Come on, is it called Google? Yes, this just in.

1897
01:41:45,240 --> 01:41:47,479
Speaker 1: I've got breaking food news. Let's get into food news.

1898
01:41:47,920 --> 01:41:52,160
Speaker 1: But I've got breaking food news. Okay, go ahead over here, Froggy,

1899
01:41:52,200 --> 01:41:57,479
Speaker 1: over these words. When you get info frogs these food

1900
01:41:57,560 --> 01:42:01,160
Speaker 1: news FEEDBA there you hold on, hold on, hold on,

1901
01:42:01,280 --> 01:42:03,400
Speaker 1: hold on, you need your own I mean I just

1902
01:42:03,479 --> 01:42:05,880
Speaker 1: want to I want a little bts. Who does that?

1903
01:42:06,200 --> 01:42:09,120
Speaker 1: Who sings that? People in the back. They're singing live

1904
01:42:09,200 --> 01:42:14,240
Speaker 1: right now. Yeah, people in the back. We do have

1905
01:42:14,400 --> 01:42:20,120
Speaker 1: breaking food news though. Hold on one second. We have

1906
01:42:20,200 --> 01:42:24,120
Speaker 1: been told that a tradition that went away several years

1907
01:42:24,120 --> 01:42:28,000
Speaker 1: ago is now returning this season. On the Elvis Drain

1908
01:42:28,080 --> 01:42:33,360
Speaker 1: Morning Show. Bobby's team has agreed for him to come

1909
01:42:33,400 --> 01:42:39,280
Speaker 1: back and judge our our stuff off. We make stuffing

1910
01:42:39,360 --> 01:42:42,320
Speaker 1: and he judges it. It's this is breaking news. You're back.

1911
01:42:42,560 --> 01:42:48,120
Speaker 1: Your team is agreed. I love your team agreed. I

1912
01:42:48,200 --> 01:42:50,599
Speaker 1: need I needed an endorsement deal with Pepsidac right now.

1913
01:42:54,280 --> 01:42:58,400
Speaker 1: That's right. I have to premedicate if oh, Goddy has

1914
01:42:58,439 --> 01:43:01,960
Speaker 1: you covered? Yes, some load sage something. Let's go once again.

1915
01:43:02,960 --> 01:43:05,240
Speaker 1: Bobby's team has agreed for him to come back and

1916
01:43:05,400 --> 01:43:08,320
Speaker 1: judge our stuff off. We'll make the stuffing, he will

1917
01:43:08,360 --> 01:43:10,080
Speaker 1: do the judging. Let me tell you something about the

1918
01:43:10,080 --> 01:43:11,960
Speaker 1: stuff off. Okay, let's till I did it. I was

1919
01:43:12,040 --> 01:43:14,559
Speaker 1: so drunk from the night before. But but you guys

1920
01:43:14,600 --> 01:43:16,760
Speaker 1: get into it. So much so that sometimes we don't

1921
01:43:16,800 --> 01:43:24,800
Speaker 1: talk to each other for years. Andrew's sweet Italian mother

1922
01:43:24,960 --> 01:43:27,200
Speaker 1: made this great stuff, and you said it tasted like

1923
01:43:27,360 --> 01:43:32,479
Speaker 1: cash food. I've never been part of this stuff. Off,

1924
01:43:32,520 --> 01:43:35,960
Speaker 1: I'm so excited to restant. You do an Indian type.

1925
01:43:36,240 --> 01:43:39,360
Speaker 1: You make it yourself. You're supposed to at least. Okay,

1926
01:43:39,600 --> 01:43:41,960
Speaker 1: here we go, here's a froggy food news. And is

1927
01:43:41,960 --> 01:43:45,760
Speaker 1: it okay for Bobby to interrupt and whatever? Bobby can

1928
01:43:45,800 --> 01:43:48,160
Speaker 1: do whatever he wants, so Bobby can ruin the countown,

1929
01:43:48,200 --> 01:43:49,960
Speaker 1: but I can't ruin the count Bobby. Boby didn't say

1930
01:43:50,000 --> 01:43:51,400
Speaker 1: he's gonna ruin and he said he was gonna be

1931
01:43:51,439 --> 01:43:53,880
Speaker 1: a part of it, right really and bellish it all right?

1932
01:43:53,880 --> 01:43:56,679
Speaker 1: Here we go, all right. Krispy Kreme is no longer

1933
01:43:56,800 --> 01:43:59,719
Speaker 1: Krispy Kreme. It is now Crispy Scream. For the twenty

1934
01:43:59,760 --> 01:44:02,799
Speaker 1: twenty to Halloween season, they have a brand new collection

1935
01:44:02,840 --> 01:44:06,080
Speaker 1: of haunted donuts Nate. They include the Spooky Spider Donut,

1936
01:44:06,479 --> 01:44:09,519
Speaker 1: the Scaredy Cat Donut, the Boo Batter Donut. I don't

1937
01:44:09,600 --> 01:44:12,120
Speaker 1: ask questions about that one, and the Neon Orange are

1938
01:44:12,160 --> 01:44:15,040
Speaker 1: sprinkled donuts. I'm ready. You can find the Haunted House

1939
01:44:15,080 --> 01:44:20,759
Speaker 1: collection at participating Krispy Scream locations through Halloweens. So basically

1940
01:44:20,800 --> 01:44:26,080
Speaker 1: you just get pr releases and read them. No fair,

1941
01:44:26,600 --> 01:44:29,360
Speaker 1: we give equal time here, don't get donuts. They're also

1942
01:44:29,479 --> 01:44:33,040
Speaker 1: doing hold on, hold on, saying, by the way, that's

1943
01:44:33,080 --> 01:44:37,679
Speaker 1: not true. He goes to Krispy Creeman, he interviews the management.

1944
01:44:37,800 --> 01:44:40,960
Speaker 1: Oh what you asked me? What my favorite thing to

1945
01:44:41,040 --> 01:44:44,000
Speaker 1: do with a box of stale donuts is? What's your

1946
01:44:44,040 --> 01:44:45,639
Speaker 1: favorite thing to do with a box of stale donuts?

1947
01:44:45,880 --> 01:44:49,479
Speaker 1: Grill them, really grill stale donut. You put it on

1948
01:44:49,560 --> 01:44:51,400
Speaker 1: the grill and they'll put it in the waffle iron.

1949
01:44:51,880 --> 01:44:55,360
Speaker 1: I can do that too. They get caramelized on both sides. Go.

1950
01:44:56,400 --> 01:44:59,080
Speaker 1: You welcome everybody who well, now I want to leave

1951
01:44:59,120 --> 01:45:02,280
Speaker 1: my donuts out for it. Okay, so equal time for Duncan,

1952
01:45:02,320 --> 01:45:05,400
Speaker 1: go right ahead. Truck Duncan Donuts also has added the

1953
01:45:05,760 --> 01:45:09,519
Speaker 1: dunk O Lantern Donuts, the Spider Donut, and a peanut

1954
01:45:09,560 --> 01:45:14,120
Speaker 1: butter cup Machiatto. Those are also available through October thirty first,

1955
01:45:14,320 --> 01:45:17,640
Speaker 1: So stop by Crispy Scream or Dunkan Donuts and take

1956
01:45:17,680 --> 01:45:19,920
Speaker 1: advantage of the Halloween offerings going on. There you go

1957
01:45:20,200 --> 01:45:22,600
Speaker 1: I like it. Bobby Flay, did you know there's a

1958
01:45:22,680 --> 01:45:26,880
Speaker 1: brand new snickerdoodle Oreo coming out that sounds good? You

1959
01:45:26,960 --> 01:45:32,280
Speaker 1: know what snakeerdoodles are? No? What cinnamon? Yes? And hate cinnamon.

1960
01:45:32,479 --> 01:45:35,720
Speaker 1: Dondie hates cinnamon. I hate the smell of it. It

1961
01:45:35,880 --> 01:45:38,840
Speaker 1: makes me crazy. Christmas time is the worst, but I

1962
01:45:38,920 --> 01:45:46,840
Speaker 1: let other people live. Yeay for Sickel live with an

1963
01:45:47,000 --> 01:45:50,120
Speaker 1: edition Oreo Sneakerdoodle Sandwich cookies, like Bobby said, is Sneakerdoodle

1964
01:45:50,160 --> 01:45:54,200
Speaker 1: flavored bascake cinnamon flavored cream with crunchy red and green

1965
01:45:54,360 --> 01:45:58,519
Speaker 1: sugar crystals available October seventeenth, so make sure you get those.

1966
01:45:58,720 --> 01:46:03,240
Speaker 1: That's six days after one delicious Christmas Day. Use so

1967
01:46:03,320 --> 01:46:07,840
Speaker 1: many reasons we're celebrating. Gandy loves Taco Bell and as

1968
01:46:07,880 --> 01:46:09,960
Speaker 1: we know, they brought back the Mexican pizza. But now

1969
01:46:10,080 --> 01:46:12,479
Speaker 1: for a limited time, two weeks only, they are doing

1970
01:46:12,720 --> 01:46:17,320
Speaker 1: loaded truugh nacho fries at Taco Bell. No, it is

1971
01:46:17,400 --> 01:46:22,360
Speaker 1: a no, that's a no season fries, truffles and Mexican food.

1972
01:46:22,560 --> 01:46:24,840
Speaker 1: I just I mean, I guess you could work it in,

1973
01:46:25,040 --> 01:46:27,479
Speaker 1: but I just don't see it. It's only four dollars

1974
01:46:27,520 --> 01:46:29,519
Speaker 1: and forty nine cents. You can't go wrong. It's only

1975
01:46:29,560 --> 01:46:32,479
Speaker 1: the only available for two weeks for Taco bells. It

1976
01:46:32,560 --> 01:46:34,800
Speaker 1: is kind of pricey, but I do I do like

1977
01:46:34,920 --> 01:46:37,960
Speaker 1: a little truffle on my Mexican street corn, just saying

1978
01:46:38,120 --> 01:46:41,479
Speaker 1: no that that works for sure? All right back to you, wow, Elvis.

1979
01:46:41,680 --> 01:46:43,800
Speaker 1: All right, here we go for the countdown. It is

1980
01:46:44,040 --> 01:46:48,960
Speaker 1: the best selling Halloween candies of all time. Do you

1981
01:46:49,000 --> 01:46:51,479
Speaker 1: want you want Bobby to try to ruin this? Well?

1982
01:46:51,479 --> 01:46:53,599
Speaker 1: I think number one is so obvious because it's that's

1983
01:46:53,640 --> 01:46:57,120
Speaker 1: the number one Halloween candy. But we'll see Goobby. Candy corn. No, no,

1984
01:46:57,280 --> 01:46:59,439
Speaker 1: candy corn not on the top. Do your countdown? Here

1985
01:46:59,479 --> 01:47:02,559
Speaker 1: we go. Number five is nobody better lay a finger

1986
01:47:02,640 --> 01:47:06,840
Speaker 1: on my butterfinger all right? Number four kit Kat, no

1987
01:47:06,920 --> 01:47:08,400
Speaker 1: matter how you eat it, whether you break it apart

1988
01:47:08,479 --> 01:47:12,160
Speaker 1: or just chomp down on it, Kitcat. Number four. Number

1989
01:47:12,280 --> 01:47:14,760
Speaker 1: three Snickers, whether it's the fun size or the full

1990
01:47:14,840 --> 01:47:19,680
Speaker 1: size bars, Oh yes, lovely, break your teeth Bobby so

1991
01:47:21,080 --> 01:47:25,200
Speaker 1: he'll buy new teeth. He's okay. Number two Twicks. I

1992
01:47:25,479 --> 01:47:28,719
Speaker 1: love Twicks as we And the number one selling Halloween

1993
01:47:28,760 --> 01:47:38,000
Speaker 1: candy of all time is Reese's butter Yes, yes, so

1994
01:47:38,160 --> 01:47:40,880
Speaker 1: we have a fight with Nate. You know Reese's Pieces.

1995
01:47:41,000 --> 01:47:43,960
Speaker 1: You've heard those before, right, Yeah, he calls him Reese's pieces.

1996
01:47:45,400 --> 01:47:49,479
Speaker 1: No they're not. It's in the Midwests. No they're not.

1997
01:47:49,600 --> 01:47:52,560
Speaker 1: That's wrong to rhyme with feces. I don't like it.

1998
01:47:53,479 --> 01:47:56,360
Speaker 1: It's that they belonged to a guy named Reese. His

1999
01:47:56,520 --> 01:48:00,200
Speaker 1: name doesn't change. It's ress. They're Reess. They belong there,

2000
01:48:00,520 --> 01:48:02,559
Speaker 1: all right, there you get no peanut butter and chocolate

2001
01:48:02,680 --> 01:48:06,000
Speaker 1: is really good. Anything with peanut butters. You like Justin's

2002
01:48:06,000 --> 01:48:08,560
Speaker 1: peanut butter cups, Yes, I haven't had their cups. I

2003
01:48:08,640 --> 01:48:11,559
Speaker 1: like Justin's almond butter. Oh yeah, I have every nut

2004
01:48:11,600 --> 01:48:19,400
Speaker 1: butter going. You can imagine many questions. Wait, we got

2005
01:48:19,439 --> 01:48:23,559
Speaker 1: more breaking news. When you called Andrew's mom's cat food,

2006
01:48:25,800 --> 01:48:30,400
Speaker 1: you called Andrew's mom's stuffing cat food. His mom actually cried,

2007
01:48:31,520 --> 01:48:35,280
Speaker 1: that is not true. Oh she's such a sweet lady,

2008
01:48:35,560 --> 01:48:40,639
Speaker 1: she really is. Well, that's stuffing at home. Oh my god,

2009
01:48:42,400 --> 01:48:44,280
Speaker 1: she cried, this is what I don't make my own.

2010
01:48:44,520 --> 01:48:47,320
Speaker 1: We're starting already. She was in a bowling alley full

2011
01:48:47,439 --> 01:48:49,760
Speaker 1: of women who she made all listen to the show.

2012
01:48:49,800 --> 01:48:52,920
Speaker 1: They were all excited and tuned in and the minute

2013
01:48:53,000 --> 01:48:56,000
Speaker 1: you looked at her as it went, oh, I'm not

2014
01:48:56,080 --> 01:48:59,439
Speaker 1: eating that, it's cat food, everybody walked away and go

2015
01:49:00,120 --> 01:49:04,160
Speaker 1: and it happened in a bowling alley. I feel terrible.

2016
01:49:04,280 --> 01:49:10,680
Speaker 1: Well that said, thanks Bobby, Thanks, yes, thank you. All right,

2017
01:49:11,479 --> 01:49:14,280
Speaker 1: we have a glowing endorsement for the food that Bobby

2018
01:49:14,360 --> 01:49:17,000
Speaker 1: makes for his cat, Nacho, the Nacho brand cat food,

2019
01:49:17,200 --> 01:49:20,120
Speaker 1: the only made by Nacho's, by Nacho, the only wet

2020
01:49:20,200 --> 01:49:22,200
Speaker 1: food and truths I've ever given my cat to eat.

2021
01:49:22,360 --> 01:49:26,879
Speaker 1: And he's a pretty picky pussy cat. Yes, yes, Nacho's Companies.

2022
01:49:26,960 --> 01:49:31,080
Speaker 1: It has twenty five plays now, Yes, made by Nacho

2023
01:49:31,200 --> 01:49:33,720
Speaker 1: is blowing up a cat. I hope he's nice to them.

2024
01:49:33,840 --> 01:49:39,160
Speaker 1: He's the man, he is very good employer. Absolutely well, Bobby,

2025
01:49:39,400 --> 01:49:43,400
Speaker 1: I got triple threat Sundays with Sophie, our new favorite cookbook,

2026
01:49:43,760 --> 01:49:46,479
Speaker 1: and of course that show that's coming out on Discovery

2027
01:49:46,520 --> 01:49:49,280
Speaker 1: Plus called It's a movie. It's a movie called The

2028
01:49:49,360 --> 01:49:53,880
Speaker 1: Big Screen. One Delicious Christmas, One Delicious Christmas. Yeah, the

2029
01:49:54,000 --> 01:50:00,320
Speaker 1: big Screen. You have a big screen TV, and we're

2030
01:50:00,320 --> 01:50:02,760
Speaker 1: according to his team, he's treading out Time Square. Don't

2031
01:50:02,760 --> 01:50:04,720
Speaker 1: even think about going to Time Square. I will I

2032
01:50:04,880 --> 01:50:08,439
Speaker 1: never do. But anyway, and he'll be back for the

2033
01:50:08,520 --> 01:50:12,800
Speaker 1: great stuffing. Judge, what is that happening? I'm taking off

2034
01:50:12,840 --> 01:50:15,479
Speaker 1: that day. All right, we gotta go. We love you,

2035
01:50:15,560 --> 01:50:17,960
Speaker 1: Bobby Flip, Thank you. I love you too. You guys

2036
01:50:18,000 --> 01:50:20,640
Speaker 1: are the greatest of all times. Seriously, I miss my

2037
01:50:20,760 --> 01:50:24,040
Speaker 1: time here. Well, invite me back. You're always invited here. Okay,

2038
01:50:24,160 --> 01:50:27,040
Speaker 1: walk over, just walk over, hurry before they move us,

2039
01:50:27,080 --> 01:50:32,560
Speaker 1: all right, Bobby Flay? Everyone, Okay, every day up in

2040
01:50:32,560 --> 01:50:38,240
Speaker 1: the morning Helstran in the morning show, Hello Fresh. Let

2041
01:50:38,360 --> 01:50:40,800
Speaker 1: you savor all the season has to offer with thirty

2042
01:50:40,880 --> 01:50:44,680
Speaker 1: five weekly recipes and fresh ingredients delivered right to your door.

2043
01:50:44,960 --> 01:50:47,559
Speaker 1: Get sixty five percent off plus free shipping at Hello

2044
01:50:47,640 --> 01:50:52,080
Speaker 1: Fresh dot com. Slash Elvis. Thank you Bobby Flay for

2045
01:50:52,200 --> 01:50:54,920
Speaker 1: coming in. It's good to have him come home right.

2046
01:50:54,960 --> 01:50:56,479
Speaker 1: Oh yeah, that was awesome. We had a lot of

2047
01:50:56,520 --> 01:50:59,080
Speaker 1: fun with him today. We always do Sundays the st

2048
01:50:59,439 --> 01:51:01,719
Speaker 1: to go to the Time Square screening of his movie

2049
01:51:02,880 --> 01:51:07,160
Speaker 1: You're Gonna Wait Sundays with Sophie. The book is fabious.

2050
01:51:07,200 --> 01:51:10,080
Speaker 1: They're not going to shut down time squar Ya, he said,

2051
01:51:10,080 --> 01:51:12,040
Speaker 1: they were. What are you talking about? Hey? Moving along

2052
01:51:12,960 --> 01:51:15,360
Speaker 1: something we have to get to and this. When I

2053
01:51:15,520 --> 01:51:19,040
Speaker 1: saw this meme, I'm like, what the what are these

2054
01:51:19,080 --> 01:51:23,920
Speaker 1: people talking about? You want to share? Yeah. So a

2055
01:51:24,000 --> 01:51:26,559
Speaker 1: woman tweeted not too long ago that if a man

2056
01:51:26,800 --> 01:51:29,160
Speaker 1: orders dessert on a date, it is a red flag

2057
01:51:29,280 --> 01:51:31,160
Speaker 1: she will not go out with him again because it's

2058
01:51:31,200 --> 01:51:34,200
Speaker 1: so feminine. And all I could think was how crazy

2059
01:51:34,280 --> 01:51:37,240
Speaker 1: that statement was. And then poor Nate, Nate would never

2060
01:51:37,280 --> 01:51:41,400
Speaker 1: get a second date with this broad Nope, Wow, Wow.

2061
01:51:42,160 --> 01:51:43,760
Speaker 1: Do you think it's a problem for a guy to

2062
01:51:43,880 --> 01:51:47,400
Speaker 1: order dessert? No? No, I love a guy that orders dessert.

2063
01:51:47,720 --> 01:51:51,599
Speaker 1: And people actually wasted their time responding and reacting to it. Yes,

2064
01:51:51,680 --> 01:51:53,920
Speaker 1: and there were a lot of people who agreed with it.

2065
01:51:54,880 --> 01:51:58,439
Speaker 1: I don't get how sugar is feminine and it's so stupid.

2066
01:51:58,560 --> 01:52:00,439
Speaker 1: Like I feel like I want some body to be

2067
01:52:00,520 --> 01:52:02,479
Speaker 1: themselves when I go out to eat with them, Like

2068
01:52:02,600 --> 01:52:05,120
Speaker 1: I don't want you to like hide it because we're

2069
01:52:05,160 --> 01:52:07,360
Speaker 1: on a first date or whatever. I want you to

2070
01:52:07,479 --> 01:52:09,200
Speaker 1: be the way you're gonna be, Like I'm not going

2071
01:52:09,240 --> 01:52:12,360
Speaker 1: to order a salad because normally I'll order a cheesebur So's.

2072
01:52:12,640 --> 01:52:15,160
Speaker 1: You should, you know, because that's real. Dan, Yeah, of

2073
01:52:15,160 --> 01:52:17,439
Speaker 1: course that's when it comes to dessert. I didn't know

2074
01:52:17,479 --> 01:52:20,519
Speaker 1: there was a gender assignment on there is not. That

2075
01:52:20,720 --> 01:52:24,040
Speaker 1: woman was nuts. I totally disagree with that. But your

2076
01:52:24,080 --> 01:52:26,840
Speaker 1: other issues with the people who agreed. There were so

2077
01:52:26,920 --> 01:52:29,799
Speaker 1: many more who agreed. Obviously there was a skirmish. Yeah, Froggy,

2078
01:52:29,880 --> 01:52:32,639
Speaker 1: what I just think finding a partner in today's world

2079
01:52:32,800 --> 01:52:36,160
Speaker 1: is difficult enough as it is. That disqualifying somebody for

2080
01:52:36,280 --> 01:52:40,240
Speaker 1: some stupid reason like that is just dumb. Well okay,

2081
01:52:40,520 --> 01:52:42,840
Speaker 1: yeah they could be missing out on someone good. Absolutely

2082
01:52:43,160 --> 01:52:45,400
Speaker 1: if they think that a guy ordering dessert is a flaw.

2083
01:52:46,560 --> 01:52:48,280
Speaker 1: And then it makes me think about this woman, like, oh,

2084
01:52:48,360 --> 01:52:50,559
Speaker 1: how fun are you in real life? If you don't

2085
01:52:50,640 --> 01:52:53,040
Speaker 1: let somebody eat their dessert and just live their life.

2086
01:52:53,560 --> 01:52:57,680
Speaker 1: The problem is with you, ma'am. Dessert, this really has

2087
01:52:57,760 --> 01:53:00,800
Speaker 1: you upset? I was so upset. I think it's it

2088
01:53:00,960 --> 01:53:05,000
Speaker 1: is kind of silly. It is super silly. Anyway, should

2089
01:53:05,000 --> 01:53:08,880
Speaker 1: you live your life? I am baby? You should order

2090
01:53:09,000 --> 01:53:14,560
Speaker 1: all the cheesecake I want. Yeah, bread pudding, something was

2091
01:53:14,600 --> 01:53:18,919
Speaker 1: like a che lace. I would love that. Nothing feminine,

2092
01:53:20,560 --> 01:53:26,559
Speaker 1: feminine desserts. All right, let's get into sounds. Let's Garrett, Hey, Garrett,

2093
01:53:26,560 --> 01:53:29,240
Speaker 1: what's going on? In good morning. Not much, So let's

2094
01:53:29,320 --> 01:53:32,560
Speaker 1: talk about Ian. The cleanup is still happening down in

2095
01:53:32,720 --> 01:53:36,200
Speaker 1: South Florida, and some interesting fun stories are coming out

2096
01:53:36,280 --> 01:53:39,920
Speaker 1: of people doing good. Two guys came across a piano

2097
01:53:40,040 --> 01:53:43,240
Speaker 1: that was underwater and they saw it and then go, hey,

2098
01:53:43,320 --> 01:53:45,800
Speaker 1: let's see if it plays. And they sat down and

2099
01:53:45,920 --> 01:53:48,519
Speaker 1: listened to how well it sounds. Yeah, there's a piano

2100
01:53:48,640 --> 01:53:55,240
Speaker 1: is washed up, and they said, let's see if it works. Oh, yeah,

2101
01:53:59,160 --> 01:54:05,479
Speaker 1: really tells a story he doesn't. Yeah, maybe it's an

2102
01:54:05,560 --> 01:54:09,840
Speaker 1: official flop out here. And there there's a shark that's

2103
01:54:09,840 --> 01:54:12,120
Speaker 1: so cool. I like it all right. Now let's move

2104
01:54:12,200 --> 01:54:14,000
Speaker 1: over to this. We've been talking about how people just

2105
01:54:14,360 --> 01:54:16,920
Speaker 1: you know, go crazy over the dumbest things. Um, and

2106
01:54:17,080 --> 01:54:19,760
Speaker 1: people start recording them. So a guy went into a

2107
01:54:19,800 --> 01:54:22,080
Speaker 1: little Caesar's to pick up his hot and ready pizza.

2108
01:54:22,840 --> 01:54:25,680
Speaker 1: The pizza wasn't hot or ready, so he just in

2109
01:54:25,880 --> 01:54:28,000
Speaker 1: and he started complaining. So the guy behind the counter

2110
01:54:28,240 --> 01:54:30,160
Speaker 1: threw it on the ground, and this is how it started.

2111
01:54:30,200 --> 01:54:32,240
Speaker 1: He says, screw you, I'm throwing your pizza on the ground. Yeah,

2112
01:54:32,400 --> 01:54:35,520
Speaker 1: this dude just crushed my pizza and told me to

2113
01:54:35,600 --> 01:54:38,600
Speaker 1: get the f out of the store crushed my pizza

2114
01:54:39,040 --> 01:54:40,840
Speaker 1: because I'm asking, why is there no hot and ready

2115
01:54:40,840 --> 01:54:43,000
Speaker 1: when they're supposed to be out ready? Oh no, you're

2116
01:54:43,040 --> 01:54:45,520
Speaker 1: on video now. But oh you're on video now. You

2117
01:54:45,560 --> 01:54:48,560
Speaker 1: crushed my pizza. Man, Yeah, I want to refund out.

2118
01:54:48,880 --> 01:54:52,360
Speaker 1: You are going to get in so much trouble pizza. Yeah,

2119
01:54:52,600 --> 01:54:54,920
Speaker 1: just get out. He's just going down. Now. Who's the

2120
01:54:55,040 --> 01:54:58,480
Speaker 1: Karen here? Well, I mean you have doing Karen's here.

2121
01:54:58,560 --> 01:55:01,160
Speaker 1: Guess how much the pizza is? Si? Well, he wanted

2122
01:55:01,400 --> 01:55:03,080
Speaker 1: and ready? All right. Remember we played the sound of

2123
01:55:03,160 --> 01:55:06,640
Speaker 1: the boy who swallowed the Squeaky dog toy the other day.

2124
01:55:06,720 --> 01:55:13,480
Speaker 1: Sounds like this, all right, so we hear from the

2125
01:55:13,520 --> 01:55:17,120
Speaker 1: Texas mom of how that happened. He's sitting there annoying

2126
01:55:17,240 --> 01:55:21,360
Speaker 1: me with this dog toy. I get a two leader

2127
01:55:21,480 --> 01:55:24,280
Speaker 1: bottle and I'm like, Jonathan, can I hit you if

2128
01:55:24,320 --> 01:55:26,880
Speaker 1: you don't stop? And when I go to grab it,

2129
01:55:27,000 --> 01:55:30,880
Speaker 1: it's empty. And he ducked and he swallowed it. He

2130
01:55:31,000 --> 01:55:34,280
Speaker 1: was like king of the hospital. All the doctors and

2131
01:55:34,400 --> 01:55:35,800
Speaker 1: nurses would go in there and be like, hey, can

2132
01:55:35,840 --> 01:55:42,520
Speaker 1: you make the noise for us? Could choke to death.

2133
01:55:43,440 --> 01:55:46,880
Speaker 1: I don't could choke to death, but it's funny, all right. Then, finally,

2134
01:55:48,280 --> 01:55:51,400
Speaker 1: from our podcast Serial Killers, they have a spinoff called

2135
01:55:51,480 --> 01:55:53,520
Speaker 1: bull Chat where they sit down and talk about other

2136
01:55:53,560 --> 01:55:57,680
Speaker 1: things aside from Cereal. It's bowl Chat. Bowl chat Chat

2137
01:56:00,000 --> 01:56:03,040
Speaker 1: almost his favorite podcast. Now it sounded like you said

2138
01:56:03,160 --> 01:56:09,600
Speaker 1: ball check. Well I just created a third podcast. So

2139
01:56:09,880 --> 01:56:11,800
Speaker 1: what they did was they took out They did the

2140
01:56:11,880 --> 01:56:15,240
Speaker 1: one chip challenge. These are in stores. You buy a chip.

2141
01:56:15,320 --> 01:56:17,640
Speaker 1: It's supposed to be the hottest chip ever. So this

2142
01:56:17,800 --> 01:56:20,880
Speaker 1: is their reaction. We're talking, Uh, we're talking Scottie b

2143
01:56:21,120 --> 01:56:23,400
Speaker 1: Andrew and our friend Greg t. Oh. Greg t was

2144
01:56:23,440 --> 01:56:25,360
Speaker 1: a guest. Yes, I guess who got to eat the chip?

2145
01:56:25,480 --> 01:56:30,800
Speaker 1: All three of them? All three of them? Wow? And so,

2146
01:56:31,840 --> 01:56:46,120
Speaker 1: oh my god broke Holy I pants you peed your pants? Scottie, idea,

2147
01:56:46,360 --> 01:56:48,200
Speaker 1: did you really pee your pants? I did? I peed

2148
01:56:48,240 --> 01:56:52,560
Speaker 1: a little bit. Why would anyone eat these dumb things?

2149
01:56:53,080 --> 01:56:55,280
Speaker 1: Why are what are people doing this? Scotty blew his

2150
01:56:55,400 --> 01:56:58,760
Speaker 1: nose and blue stuff came out. Hey, you guys, drink

2151
01:56:58,880 --> 01:57:02,280
Speaker 1: water after your Cereal Killers. You have the milk in there.

2152
01:57:02,440 --> 01:57:04,960
Speaker 1: We had some milk you want Do you want a piece? No?

2153
01:57:05,560 --> 01:57:07,080
Speaker 1: I kind of want to try it? Now, do it?

2154
01:57:07,280 --> 01:57:10,920
Speaker 1: GANI don't do it now. No, we need that on

2155
01:57:10,960 --> 01:57:12,680
Speaker 1: the I won't pee my pants on the air. You're

2156
01:57:12,680 --> 01:57:21,640
Speaker 1: a good American. Thank you so much, Hello Fresh, Love

2157
01:57:21,720 --> 01:57:23,880
Speaker 1: Hello Fresh. Here. It is getting into the end of

2158
01:57:23,920 --> 01:57:26,560
Speaker 1: the year. Food's changed with the seasons, and they are

2159
01:57:26,720 --> 01:57:29,800
Speaker 1: changing already. The chefs that put together the recipes that

2160
01:57:29,880 --> 01:57:32,240
Speaker 1: Hello Fresh have acknowledged the fact that we are ready

2161
01:57:32,280 --> 01:57:34,160
Speaker 1: for fall foods. You're gonna have a lot of brown

2162
01:57:34,240 --> 01:57:37,080
Speaker 1: in there. Yeah, you know what, Hello Fresh. They do

2163
01:57:37,160 --> 01:57:39,840
Speaker 1: it for you. They do all the shopping, they give

2164
01:57:39,880 --> 01:57:42,080
Speaker 1: you the recipes, and they don't give you too much food.

2165
01:57:42,080 --> 01:57:44,280
Speaker 1: There's no food waste. I love that it's also cheaper

2166
01:57:44,320 --> 01:57:46,880
Speaker 1: than takeout. Right now, I'm going to treat you to

2167
01:57:47,080 --> 01:57:51,200
Speaker 1: gourmet fall meals and some cooking skills as well with

2168
01:57:51,320 --> 01:57:56,400
Speaker 1: Holo Fresh as new limited time Harvest Dinner series. I

2169
01:57:56,560 --> 01:57:59,879
Speaker 1: love that they have a rotating selection of fall inspired

2170
01:58:00,080 --> 01:58:03,480
Speaker 1: brunch kits and dessert boards, all sorts of stuff for

2171
01:58:03,560 --> 01:58:05,920
Speaker 1: a limited time, for the season only. I want you

2172
01:58:06,000 --> 01:58:08,720
Speaker 1: to check it out. Another reason why you'll love being

2173
01:58:08,760 --> 01:58:11,920
Speaker 1: a member of the Hello Fresh family. Go to HelloFresh

2174
01:58:12,000 --> 01:58:15,040
Speaker 1: dot com slash Elvis get sixty five percent off plus

2175
01:58:15,080 --> 01:58:18,520
Speaker 1: free shipping. Let's hello fresh dot com. Slash elvis