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Speaker 1: What's up.

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Speaker 2: It's way up with Angela ye, Angela yee. My guy

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Speaker 2: Mano is here with me. And I don't know how

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Speaker 2: to feel about Corey Harjack, but he's here today too.

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Speaker 3: What's up? What's up? New York City?

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Speaker 1: What's up?

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Speaker 4: Well, it's everywhere, oh, everywhere, worldwide, global.

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Speaker 1: We were wide.

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Speaker 3: We're on in Chicago International Town.

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Speaker 1: You know we're on GCI.

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Speaker 3: Yeah, ninety two point three, Harold's Chicken. That's my city.

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Speaker 2: Yeah, but yes, we The reason why I had a

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Speaker 2: little shade towards you was because I did see Divorce

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Speaker 2: in the Black.

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Speaker 5: Now with the shade that towards me and Dallas.

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Speaker 1: You're right toward status different your character. I gotta get that.

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Speaker 2: But you know, people were saying, and the movie has

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Speaker 2: come out now because people woke up early or stayed

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Speaker 2: up late to watch the movie. And I see everybody

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Speaker 2: kind of talking about it on social media and they said,

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Speaker 2: you did that too good?

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Speaker 3: They're going crazy. Yeah.

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Speaker 4: I put my thirty years of acting experience into this movie,

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Speaker 4: like all the raw emotions, the authenticness, everything.

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Speaker 3: I just went for it. And Tyler first day of working,

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Speaker 3: I can say this story. Can I cuss him? No, okay.

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Speaker 4: So first day of filming, me and Meghan was about

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Speaker 4: to do a scene. Meghan came in, you know, all

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Speaker 4: looking nice and made up, and she said something to me,

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Speaker 4: and then I threw something out there. I was like, yeah,

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Speaker 4: you need to sign these papers something, but I said

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Speaker 4: bitch right. But it wasn't in the dialogue, but I

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Speaker 4: did it to wake her up, to get her in

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Speaker 4: that mold, to let her know I'm here to work

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Speaker 4: and were not friends. Right now, Meghan, we got to

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Speaker 4: go at each other to give the best energy for

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Speaker 4: the camera.

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Speaker 3: Tyler, come out the back court. Hold hold on second,

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Speaker 3: come over here. Now I thought I got fired. Wow,

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Speaker 3: it was first day working.

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Speaker 6: Let me say something to you. I don't know if

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Speaker 6: you remembered this.

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Speaker 5: Me and you was on a bus years ago to

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Speaker 5: go to set the film. The Tupac Yah picked me

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Speaker 5: up from the hotel. Me and you were staying in

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Speaker 5: the same hotel. Were staying in Intercontinental, and they came

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Speaker 5: and picked us up. Now we was talking on a bus.

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Speaker 5: You told me something. You told me about that about improvising.

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Speaker 5: You do that a lot improv That was the first time,

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Speaker 5: because you know I'm for music. That was my first

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Speaker 5: real movie. So when you told me that, I didn't

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Speaker 5: know the actors did that like improvising on the scene.

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Speaker 6: You do that a lot.

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Speaker 3: I do it a lot.

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Speaker 4: And I gauged the room. I gauge the filmmaker. I

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Speaker 4: see if they'll let me rock with it. But it's like,

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Speaker 4: you got to improv at the beginning or the end,

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Speaker 4: not the middle. The middle is where all you know,

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Speaker 4: it gets tricky if you start trying to mess with

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Speaker 4: the middle of the stuff.

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Speaker 3: Right at the end, you can come in.

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Speaker 6: They want you to kind of keep the lines. Yeah,

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Speaker 6: maybe you can improv something.

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Speaker 3: In the yeah, beginning and end, and the.

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Speaker 4: End is like to read like when you go at

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Speaker 4: the end, say like the scene is over, you can

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Speaker 4: have some yeah something mother.

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Speaker 3: You know.

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Speaker 4: So I know that, but I feel it some people

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Speaker 4: like we did. I joined, they didn't capture that line,

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Speaker 4: you know. They fell out laughing, and they was like.

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Speaker 3: You, like you didn't get it. Bit here y'all didn't

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Speaker 3: get it. Damn, I gotta do this all over again,

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Speaker 3: he said, I'm talking special Special.

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Speaker 4: I said, don't you ever walk in my face like

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Speaker 4: that again, Nigga, I bite your motherfucking nose.

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Speaker 3: Just like that.

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Speaker 6: Wow.

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Speaker 3: And I did it again and that was amprov.

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Speaker 4: But I was feeling at that moment because I felt

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Speaker 4: like I could play in that space.

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Speaker 1: Like what would this person say? Because you more that person?

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Speaker 3: I was playing, Yeah, when you when you did that?

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Speaker 4: He pulled around the corner. No, so what Tyler did

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Speaker 4: He came and said, Corey, hold on and they talk

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Speaker 4: to you for a minute.

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Speaker 3: He grabbed me quick, right.

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Speaker 4: I said, damn, he's gonna put me on the flight

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Speaker 4: back there like I didn't blew my opportunity. Damn, I said,

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Speaker 4: because I'm trying to like be you know, in it.

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Speaker 4: He said, look, Corey, I know who you're going with this, right,

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Speaker 4: I love it. Just stay there, but we're gonna get

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Speaker 4: to that. You can call a bitch. You can do

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Speaker 4: all that.

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Speaker 3: Later he said, not on this scene.

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Speaker 4: He said, this is day one, but he said you

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Speaker 4: love it some something sign of papers bitch.

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Speaker 1: Wasn't.

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Speaker 3: And when I woke Meggan up, Megan looked at me

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Speaker 3: like this mother on camera. Wow. He came there, looked like, oh,

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Speaker 3: niggas that's looked at me.

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Speaker 1: Oh my god.

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Speaker 3: I love Megan. That's my sister. I told her what

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Speaker 3: I was doing.

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Speaker 2: The first thing you should have thought too, was because

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Speaker 2: she's the one that referred you for that job. Was like, man, now,

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Speaker 2: Meghan referred me for a job. I came in here and.

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Speaker 3: Meghan knew what I was doing, like she know what

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Speaker 3: kind of actors. That's why she told you.

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Speaker 1: Didn't knew because I.

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Speaker 3: Didn't even know.

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Speaker 4: It never worked for him, never, I didn't even know.

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Speaker 4: I got a phone call he said, Meghan, what actor

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Speaker 4: out there? You think that's really good and pretty good

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Speaker 4: dope whatever that you would love to work with the

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Speaker 4: first thing she.

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Speaker 3: Said, Corey Hardrick. She said Corey would.

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Speaker 6: Kill his role, called me y'all had good chemistry.

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Speaker 3: Yeah, just like just.

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Speaker 4: Real life, like you know, in passing and just having

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Speaker 4: good friendship.

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Speaker 3: She knew what I was about, and we was, you know,

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Speaker 3: just on screen. I was like man on screen. It

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Speaker 3: really hit it a lecture and that day set the tone.

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Speaker 4: And I don't know if I wouldn't have called her

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Speaker 4: that name, it could have been more friendly because she's protagonist.

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Speaker 4: I'm an antagonist. Could have it could have got a

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Speaker 4: little too watered down. I'm being honest.

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Speaker 3: So I knew.

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Speaker 4: I said I'm gonna try it and I got her

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Speaker 4: and that she was locked in the hole and killed

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Speaker 4: that role.

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Speaker 3: Yes, afterwards, we're all good.

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Speaker 5: She's the only person on the entire planet Earth that

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Speaker 5: still reads what is it?

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Speaker 6: What's that site? Media take Media Takeout?

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Speaker 3: They still got me, That's what I said.

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Speaker 5: Right, Media Takeout. I thought that she reads that every day.

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Speaker 5: Now she's just reading a story.

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Speaker 1: That makes this. I'd be like, let me see what

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Speaker 1: they talk about on me take only person of.

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Speaker 6: Going media takeout. Nobody does that, No human does that.

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Speaker 1: But you want to hear the story about you.

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Speaker 6: They got a story about you.

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Speaker 1: Want it quite funny?

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Speaker 3: You gonna hear it right now?

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Speaker 1: Hey, hold on, hold on, I gotta find it.

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Speaker 6: Yeah, they be capping it.

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Speaker 2: Said that Jonathan Major's was jealous at the chemistry that

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Speaker 2: you and Megan had on set.

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Speaker 3: I just posted them in my story right right.

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Speaker 2: That was one of the big stories out here, and

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Speaker 2: he was like Angela. I was like, oh look at this,

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Speaker 2: and are you serious? Yes, I'm dead serious.

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Speaker 6: And nobody does nobody does.

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Speaker 3: Butth walked up.

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Speaker 1: To shal the reason too.

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Speaker 6: Take out?

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Speaker 1: Why are your shaming media takes?

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Speaker 3: It's crazy?

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Speaker 4: I ain't working with nuts, So listen Jonathan came to

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Speaker 4: me after rap party. He said, man, you you really

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Speaker 4: grounded this film. He said, you are so real and raw.

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Speaker 4: He should say, man, you are amazing. I gave him

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Speaker 4: this flower.

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Speaker 3: You amazing too. Don't let nothing stop you, man, I said,

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Speaker 3: you're cold boy. Just get back here, Just get back

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Speaker 3: in it. You and your correct don't get back in

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Speaker 3: it whatever you do. But he showed a lot.

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Speaker 4: Of love and it was you know, it was real.

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Speaker 4: And I just feel like, you know, it's about another

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Speaker 4: chance trying to destroy no black man.

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Speaker 3: Ain't nobody that you know.

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Speaker 1: But key be hating, I be hating.

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Speaker 3: Listen.

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Speaker 4: The thing I don't like is how people try to

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Speaker 4: play God right with people's lives.

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Speaker 3: Ain't nobody God nobody.

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Speaker 4: You can't determine that outcome and what he needs to

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Speaker 4: be doing and what's going to happen.

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Speaker 2: Because make a good with single for a second. So

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Speaker 2: a lot of guys were kind of mad. I don't

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Speaker 2: know a bit to say when she got When she

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Speaker 2: got divorced and she was single for a second before

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Speaker 2: she got with, a lot of guys were like, man,

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Speaker 2: who's this?

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Speaker 1: You know, well, not who's he? But they were MANA

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Speaker 1: was one of never mind, just forget what he was

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Speaker 1: just hating you.

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Speaker 3: Listen, you got it.

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Speaker 6: You gotta understand where you're at right now. This is

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Speaker 6: the way up show. It gets crazy, it gets crazy.

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Speaker 6: It gets crazy with me.

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Speaker 2: And good good for a second, because you know, the

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Speaker 2: one thing.

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Speaker 1: As soon as it came.

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Speaker 2: Out, people were talking about that opening scene, which one

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Speaker 2: in the movie.

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Speaker 1: Yes, yeah, the move's out, you can talk about it.

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Speaker 3: Yes, Oh we picked up the picked that body up.

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Speaker 2: And by the way, this isn't like the first time.

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Speaker 2: And this guy, so you don't feel like we're giving

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Speaker 2: it away.

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Speaker 3: He's a real like a box or something, a fighter.

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Speaker 4: And that dude was thick, like he just oxtails all day.

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Speaker 3: Hey look he played dad for real.

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Speaker 4: So you know how you drop an extra twenty pounds

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Speaker 4: on you, Yeah, because you just laying flat.

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Speaker 3: I had certain on my right head, and he really

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Speaker 3: committed to it.

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Speaker 4: I'm like, I'm like, like, I'm whispering to him.

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Speaker 3: He playing dead right, But I'm like, man.

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Speaker 4: Would you stand your ass something? Man sing like seven

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Speaker 4: times here about the church. Wow, he got them wingtips

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Speaker 4: on the ship flying. I'll say, this dude is really

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Speaker 4: in it.

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Speaker 3: And he had no dialogue.

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Speaker 2: We played dad, but talk about an opening scene for

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Speaker 2: a movie. That definitely was like, I've never seen anything

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Speaker 2: like that before. But it did open up a conversation

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Speaker 2: about fighting at a funeral, because at funerals emotions are high.

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Speaker 1: There's a lot of talk about money, who was wrong?

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Speaker 3: Who was this?

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Speaker 2: Sometimes his side pieces come out and nobody never seen

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Speaker 2: this person before.

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Speaker 1: Sometimes the kids you didn't know that the person.

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Speaker 4: Has It was a funeral, everybody show up and it's

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Speaker 4: kind of like, who, right, did you know?

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Speaker 1: Have you ever had any crazy funeral experiences?

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Speaker 3: Nah? I haven't, not like that.

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Speaker 6: Have you have? What have?

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Speaker 3: Yeah?

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Speaker 6: I had to fight at the funeral before.

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Speaker 3: Really. Yeah.

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Speaker 4: I got invited to a few funerals where I know

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Speaker 4: it can go left, and I just felt like, nah,

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Speaker 4: I'm gonna send the flowers right and I'm gonna step.

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Speaker 4: I ain't finna go there because anything can go down right.

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Speaker 5: I got Yeah, I got caught up in something in

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Speaker 5: the funeral, man, and I felt really bad for it, man,

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Speaker 5: you know, and they was.

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Speaker 3: Like, man, really it was bad.

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Speaker 6: I'm sorry.

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Speaker 1: I just want he just want us to get that off.

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Speaker 3: But that's so memorable. Yeah, that scene, right, there.

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Speaker 1: That scene would make you be like, I got to

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Speaker 1: see what else is about that?

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Speaker 4: It was actually a new scene okay, the film and

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Speaker 4: started on the whole something else.

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Speaker 1: How did it start before?

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Speaker 3: It wasn't that one?

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Speaker 4: It was something Oh I was working on like a

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Speaker 4: barn country boy, you know, a mechanic working in the

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Speaker 4: field doing something. But it was it was a good scene.

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Speaker 4: And then a day before he changed the whole script.

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Speaker 4: Like that's how tired to get down. He changes dialogue

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Speaker 4: and change scenes and you gotta be ready to go.

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Speaker 4: So when I saw that scene, I said, oh, this

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Speaker 4: one about to hit. I said that one.

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Speaker 3: That's crazy.

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Speaker 2: They don't talk about this, but you know, I think

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Speaker 2: when you're first watching it too, you don't understand what's happening,

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Speaker 2: you know what I mean, Like you don't understand. Yeah,

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Speaker 2: but that's okay because that makes you be like, now,

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Speaker 2: I got to figure out what's going on here?

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Speaker 5: What's the You're gonna sit there because you're looking for

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Speaker 5: what's gonna happen.

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Speaker 6: So you're gonna sit through.

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Speaker 3: It, right, You're gonna sit through it for sure.

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Speaker 2: Now, I know a lot of people watching this will

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Speaker 2: be like, why would Meghan good stay with him. But

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Speaker 2: that's real life too, because a lot of times women

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Speaker 2: stay in relationships.

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Speaker 1: That everybody else knows you don't need to be there.

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Speaker 2: Everybody else is like, he don't treat it right, but

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Speaker 2: they stay anyway. And I just thought that's a really

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Speaker 2: real thing, real life.

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Speaker 4: Yeah, like sometimes they gravitate towards the toxic situation.

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Speaker 3: You know, I don't know how to get it.

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Speaker 4: And my whole thing is, you know, I feel like

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Speaker 4: sometimes I'm not speaking like of mind uh any personal situations,

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Speaker 4: but women, I think when you, especially when you're younger,

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Speaker 4: it's like you like that risk factor, you know, like.

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Speaker 3: Some daring about all that.

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Speaker 4: When we get older, I don't know, like you reach

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Speaker 4: a certain age, you just want a dude to come

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Speaker 4: home at night, he can work at the post office,

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Speaker 4: be a male whatever, like you just want safety.

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Speaker 3: But early it's like everything like.

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Speaker 4: That challenge and that edge. Yeah, they like it, like

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Speaker 4: that's just what it is. And until you don't like

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Speaker 4: it no more.

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Speaker 6: When you when you liked all that daring, you know, toxicity.

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Speaker 2: Yeah, we all went through. Everybody had a mano at

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Speaker 2: some point, go ahead, come for me, may.

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Speaker 3: Get my name back, you know.

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Speaker 2: But now you're absolutely right. As we're younger, like, we

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Speaker 2: don't want this safe nice guy.

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Speaker 1: People think that's.

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Speaker 5: Bad things they want.

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Speaker 2: But let's talk about what y'all guys want when you're

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Speaker 2: younger too, because I think it's quite similar. Like you

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Speaker 2: guys don't want the girl that's gonna you want to

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Speaker 2: get used, don't.

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Speaker 6: You guys don't, Yes, you do, don't.

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Speaker 3: I don't know. You want a woman from the jump,

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Speaker 3: that's right.

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Speaker 6: You like simplicity. We want simplicity. We want we want to.

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Speaker 1: I love arguing and being like, oh my god.

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Speaker 6: I want you heard. Okay, we want respect.

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Speaker 1: Okay, y'all gonna really sit up here.

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Speaker 2: And I don't I know some of your situations personally.

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Speaker 6: Okay, this is what happens.

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Speaker 1: You have a friend like this, be like you like

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Speaker 1: Dallas's character.

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Speaker 3: I don't know nothing.

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Speaker 2: I want to say this one scene that is so

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Speaker 2: funny to me, and I predicted it right before it happened,

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Speaker 2: you do know, right when his best friend he goes

320
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Speaker 2: over there and now imagine this happens, right and he

321
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Speaker 2: sees that because so just so you know, just to

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Speaker 2: set the scene right. His Megan Good is Dallas's estranged wife, right,

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Speaker 2: and so her best friend is his best friend's wife

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Speaker 2: or whatever. So it's like two couples, they're best friends.

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Speaker 2: And so he goes over there because and he doesn't

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Speaker 2: know that his wife is there and she's there with

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Speaker 2: the new guy.

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Speaker 1: H So he sees his best friend. They get at it.

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Speaker 2: His best friend's like, look, you got to just get

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Speaker 2: out of here, like you know, and he's like, oh,

331
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Speaker 2: so you're taking her side?

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Speaker 1: And what do you think he did after that? If

333
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Speaker 1: you have to? He said, you're not gonna tell about

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Speaker 1: Kelly the woman to choose tea with.

335
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Speaker 2: When I tell you, I was like, but I will say,

336
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Speaker 2: that has to be a hard feeling to see your

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Speaker 2: best friend on a double date with the new guy.

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Speaker 3: You know what I'm saying, supposed to be there. That's

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Speaker 3: my best.

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Speaker 1: Friend, right, but that's your wife's best friend when he.

341
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Speaker 3: Can sit in the wife.

342
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Speaker 4: But he got to stay out of that, right, I

343
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Speaker 4: believe he just stay out of that?

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Speaker 1: Is that Dallas? Of course?

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Speaker 3: Dallas, Okay, I'm saying Dallas.

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Speaker 4: So I go there thinking you're supposed to be my guy, Like,

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00:14:10,200 --> 00:14:12,760
Speaker 4: you know what I'm saying, but you trying to fix

348
00:14:12,880 --> 00:14:15,080
Speaker 4: me and stuff. But you over here with this dude

349
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Speaker 4: and all hugged up on the couch. That's why I

350
00:14:17,360 --> 00:14:19,000
Speaker 4: told that dude, you know, let me get out of

351
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Speaker 4: here before I shoot the ship out your heads.

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Speaker 1: But in real life, how could something like that play out?

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Speaker 2: Imagine like, you know, couples are best friends and then

354
00:14:28,120 --> 00:14:30,440
Speaker 2: you know your woman moves on. He can't hang out

355
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Speaker 2: with the new guy because that's your best friend.

356
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Speaker 1: What are you supposed to do?

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Speaker 5: My best friend should not be hanging out with my

358
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Speaker 5: exits new guy.

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Speaker 1: But that's a weird situation.

360
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Speaker 6: It's not wed.

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Speaker 4: I think that's the wife hang out with a Here's

362
00:14:42,480 --> 00:14:45,600
Speaker 4: the thing. I think it's like an unhidden rule. You

363
00:14:45,640 --> 00:14:47,640
Speaker 4: either got it or you don't. Like some people live

364
00:14:47,680 --> 00:14:50,120
Speaker 4: by a cold, and I live by that. So you've

365
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Speaker 4: got to know what you're supposed to do.

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Speaker 3: At all times.

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Speaker 4: That's how i'muse. If you don't move in that cold,

368
00:14:55,440 --> 00:14:57,560
Speaker 4: the rest to me is just corny. Then I look

369
00:14:57,560 --> 00:14:59,280
Speaker 4: at you different for the rest of your life. If

370
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Speaker 4: I see you, I feel that that's what we're doing,

371
00:15:02,080 --> 00:15:04,440
Speaker 4: then I just removed myself. I don't even get that man,

372
00:15:04,480 --> 00:15:06,440
Speaker 4: I say that's what he owned, so, but does.

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Speaker 1: That justify breaking the code and snitching out your best friend.

374
00:15:09,000 --> 00:15:11,920
Speaker 4: It's other things we could do, But no, that was Dallas.

375
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Speaker 4: He was just a wild boy.

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Speaker 3: He was.

377
00:15:13,640 --> 00:15:16,640
Speaker 4: He drunk alcohol. You saw he was wild with it. Yeah,

378
00:15:16,720 --> 00:15:19,320
Speaker 4: Dallas had no filter, you know what I'm saying. He

379
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Speaker 4: was just he was he was. He was just reckless

380
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Speaker 4: out here.

381
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Speaker 2: And this movie is exactly why I don't believe. And

382
00:15:24,640 --> 00:15:27,040
Speaker 2: I'm gonna stick beside him no matter what, because you know,

383
00:15:27,080 --> 00:15:28,960
Speaker 2: some people, but try to make you believe that, like,

384
00:15:29,040 --> 00:15:33,120
Speaker 2: no matter what, you gotta stay with somebody. Marriage is forever, y'all,

385
00:15:33,200 --> 00:15:35,360
Speaker 2: you know whatever. In this movie, I'm like, she should

386
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Speaker 2: have been left.

387
00:15:36,160 --> 00:15:38,000
Speaker 4: And you know what, even though me being in the movie,

388
00:15:38,000 --> 00:15:39,720
Speaker 4: she should have left Dallas because he didn't know how to.

389
00:15:39,760 --> 00:15:41,360
Speaker 4: He didn't treat her right after a while. And it's

390
00:15:41,400 --> 00:15:44,000
Speaker 4: all about the woman, everybody and the man. Everyone find

391
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Speaker 4: their happiness because you know, life is short, you know

392
00:15:46,600 --> 00:15:49,520
Speaker 4: what I'm saying, and you gotta walk towards that. And

393
00:15:49,880 --> 00:15:53,600
Speaker 4: it should be okay to walk away peacefully in all relationships.

394
00:15:54,040 --> 00:15:56,080
Speaker 4: You know, it should be. It should be that way.

395
00:15:56,320 --> 00:15:59,840
Speaker 4: You know, don't nobody own nobody be free, do your

396
00:16:00,280 --> 00:16:01,920
Speaker 4: you know, and if I see, we still get a

397
00:16:02,000 --> 00:16:04,120
Speaker 4: hug and we keep it moving. It's all up.

398
00:16:04,400 --> 00:16:07,080
Speaker 1: Don't y'all make this a headline. Now, Okay, I'm not.

399
00:16:07,040 --> 00:16:08,800
Speaker 3: Speaking about me. I'm talking about Dallas.

400
00:16:08,840 --> 00:16:11,720
Speaker 4: They ain't got nothing to do with me, because sometimes

401
00:16:11,720 --> 00:16:12,640
Speaker 4: I see you talking.

402
00:16:12,840 --> 00:16:14,920
Speaker 3: This is what he said. What happened that ain't.

403
00:16:16,520 --> 00:16:19,280
Speaker 1: To make sure, to make sure, please don't.

404
00:16:19,040 --> 00:16:20,880
Speaker 3: Put me well, this is what happened with it?

405
00:16:21,240 --> 00:16:24,960
Speaker 2: You know it did not no, but you know, tell

406
00:16:25,000 --> 00:16:27,200
Speaker 2: me for you working with Tyler Perry, what was different

407
00:16:27,280 --> 00:16:29,640
Speaker 2: working with him than other directors you worked with.

408
00:16:29,960 --> 00:16:33,600
Speaker 4: Well, mister Tyler Perry, like I said, how powerful he is,

409
00:16:34,280 --> 00:16:37,160
Speaker 4: you know, a man of that caliber magnitude. You know,

410
00:16:37,240 --> 00:16:40,000
Speaker 4: he's very humble and he's very on your level. Like

411
00:16:40,040 --> 00:16:42,440
Speaker 4: he treats you the same, like y'all on the same

412
00:16:42,480 --> 00:16:46,400
Speaker 4: plan field, like VARs collaboration. He listened to your ideas,

413
00:16:46,800 --> 00:16:49,800
Speaker 4: like we went back and forth texting for days on court.

414
00:16:49,840 --> 00:16:51,440
Speaker 4: What do you think the character? Okay, send me what

415
00:16:51,480 --> 00:16:54,120
Speaker 4: you think and I'll review it. And you know, let's

416
00:16:54,160 --> 00:16:55,360
Speaker 4: let's build the best character.

417
00:16:55,400 --> 00:16:55,800
Speaker 3: And you don't.

418
00:16:55,840 --> 00:16:58,400
Speaker 4: He's a billionaire. He ain't got to ask you, and

419
00:16:58,440 --> 00:17:01,240
Speaker 4: he respected me like this this is what we're doing

420
00:17:01,320 --> 00:17:02,960
Speaker 4: or nothing. He wanted to hear what I had to

421
00:17:03,080 --> 00:17:04,560
Speaker 4: and I said, wow, this is different.

422
00:17:05,080 --> 00:17:06,920
Speaker 3: This is different. And when I got down there, it

423
00:17:07,000 --> 00:17:08,320
Speaker 3: was the same thing. Like he was.

424
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Speaker 4: You think he should have his gold teeth in his mouth.

425
00:17:10,840 --> 00:17:12,760
Speaker 4: Put the gold teeth in his mouth. I said, Okay, back,

426
00:17:13,480 --> 00:17:14,200
Speaker 4: you know what I'm saying.

427
00:17:14,280 --> 00:17:17,040
Speaker 3: It was just like that. And he treats his actors

428
00:17:17,040 --> 00:17:19,120
Speaker 3: like when you're down there, like he treats you really well.

429
00:17:19,160 --> 00:17:20,240
Speaker 3: I had the biggest trailer.

430
00:17:20,440 --> 00:17:22,919
Speaker 4: I had, like a whole mobile home, like three stories.

431
00:17:23,560 --> 00:17:25,160
Speaker 4: That's the brad Eddie Murphy trailer.

432
00:17:25,200 --> 00:17:27,600
Speaker 1: I had two beds, and I've never seen that trailer.

433
00:17:28,320 --> 00:17:31,680
Speaker 3: Silver Man. You can put a whole family in there,

434
00:17:31,720 --> 00:17:33,960
Speaker 3: like an eight really household.

435
00:17:33,960 --> 00:17:35,239
Speaker 1: F How you going to go back to these?

436
00:17:36,280 --> 00:17:38,480
Speaker 7: I go back to the honeywagon. I went back showing

437
00:17:38,480 --> 00:17:42,880
Speaker 7: the damn honeywagon. I said, this ain't that. I gotta

438
00:17:42,880 --> 00:17:45,120
Speaker 7: get back to Atlanta, I said, I got to get

439
00:17:45,160 --> 00:17:49,639
Speaker 7: back to TVs studios quick. But Tyler treats you like

440
00:17:49,680 --> 00:17:51,360
Speaker 7: I said, he gets out of the way. And if

441
00:17:51,359 --> 00:17:53,440
Speaker 7: he see that you got it going, he let you

442
00:17:53,560 --> 00:17:55,080
Speaker 7: cook like he just let me cook.

443
00:17:55,200 --> 00:17:56,440
Speaker 3: So I was like I was.

444
00:17:56,400 --> 00:17:59,720
Speaker 4: Having too much fun. I was making up stuff and

445
00:17:59,760 --> 00:18:02,400
Speaker 4: he he behind the video village laughing. I said, okay,

446
00:18:02,440 --> 00:18:05,159
Speaker 4: I got we locked in. I had so much freedom,

447
00:18:05,240 --> 00:18:07,520
Speaker 4: and that's what the artist wants. He wants creative freedom

448
00:18:07,560 --> 00:18:07,720
Speaker 4: at the.

449
00:18:07,760 --> 00:18:09,760
Speaker 3: End of the day. In any field you're doing, you

450
00:18:09,760 --> 00:18:12,200
Speaker 3: want to be free, to be real and authentic. And

451
00:18:12,280 --> 00:18:12,960
Speaker 3: he let me do that.

452
00:18:13,400 --> 00:18:14,760
Speaker 1: Yeah, I tell you said, this was like one of

453
00:18:14,760 --> 00:18:16,679
Speaker 1: your favorite sets ever to work on.

454
00:18:16,920 --> 00:18:18,120
Speaker 3: Yeah, by far?

455
00:18:18,560 --> 00:18:21,520
Speaker 1: Really okay, because you work forever.

456
00:18:21,200 --> 00:18:23,879
Speaker 4: So working almost thirty years, people be like, you know

457
00:18:24,560 --> 00:18:26,680
Speaker 4: we come from or you know, he got a job.

458
00:18:26,720 --> 00:18:31,720
Speaker 4: I'm like, feel like people are still discovering you, well

459
00:18:31,800 --> 00:18:34,200
Speaker 4: a little bit now. It's different. Like I went to Essence,

460
00:18:34,240 --> 00:18:36,000
Speaker 4: I haven't been. I don't go out a lot, Like

461
00:18:36,040 --> 00:18:39,040
Speaker 4: I'm a homebody, introvert. I do the job and I say,

462
00:18:39,040 --> 00:18:41,520
Speaker 4: what's the next job, and I disappear. You know, that's

463
00:18:41,560 --> 00:18:42,640
Speaker 4: my big approach.

464
00:18:42,480 --> 00:18:43,320
Speaker 3: Of my career.

465
00:18:43,800 --> 00:18:45,679
Speaker 5: I kept trying to get you to come out, Oh,

466
00:18:45,720 --> 00:18:47,760
Speaker 5: don't go, don't do it here it was on set.

467
00:18:47,760 --> 00:18:49,040
Speaker 6: I was trying to get you to come party.

468
00:18:49,119 --> 00:18:49,879
Speaker 1: Yeah, don't do it.

469
00:18:50,080 --> 00:18:52,600
Speaker 4: And it wasn't like me being standed office or anything.

470
00:18:52,640 --> 00:18:56,080
Speaker 4: Because I'm not that guy. It's just I'm working on

471
00:18:56,119 --> 00:18:59,639
Speaker 4: that now. I'm working on that now. Just kind of

472
00:18:59,680 --> 00:19:02,639
Speaker 4: like I just got pr and I did Good Morning,

473
00:19:03,800 --> 00:19:06,080
Speaker 4: and I did Essence, And it's like people chasing me

474
00:19:06,080 --> 00:19:09,000
Speaker 4: in the street. They seemed like they saying my first courioardric.

475
00:19:09,119 --> 00:19:12,200
Speaker 4: They naming all the projects I forget sometimes. I did

476
00:19:12,240 --> 00:19:13,359
Speaker 4: forty five movies.

477
00:19:13,920 --> 00:19:16,360
Speaker 1: Get and all American Homecomings a big deal too.

478
00:19:17,000 --> 00:19:20,640
Speaker 4: I'll be forgetting because I don't really I remove a job.

479
00:19:20,680 --> 00:19:22,400
Speaker 4: When I do a job, I'm to the next one

480
00:19:22,480 --> 00:19:24,879
Speaker 4: that quick. I don't sit back into a job. And

481
00:19:25,200 --> 00:19:27,119
Speaker 4: you know how some people sit on something for ten years.

482
00:19:27,560 --> 00:19:30,320
Speaker 3: Like, man, that was me. I was gone. It's like,

483
00:19:30,359 --> 00:19:32,600
Speaker 3: when I'm done, what's the next one? What we're doing?

484
00:19:33,240 --> 00:19:35,240
Speaker 4: Like I told you know what we're doing, what's the

485
00:19:35,280 --> 00:19:37,359
Speaker 4: next one. I'm already thinking about what's the I want

486
00:19:37,400 --> 00:19:40,640
Speaker 4: to do a Marvel movie next. Oh wow, that's right,

487
00:19:40,800 --> 00:19:43,840
Speaker 4: So you like, I love it because you need the villain.

488
00:19:44,320 --> 00:19:48,080
Speaker 2: Oh man, what redeeming qualities? I saw a little mention

489
00:19:48,600 --> 00:19:51,360
Speaker 2: of Okay, I felt I could have felt bad for him,

490
00:19:51,359 --> 00:19:53,640
Speaker 2: but I just couldn't all the way feel bad.

491
00:19:53,800 --> 00:19:54,320
Speaker 3: I mean, he.

492
00:19:54,240 --> 00:19:58,640
Speaker 4: Came from a broken home, childhood issues, trauma, and it's

493
00:19:58,680 --> 00:20:01,199
Speaker 4: like when you're a child and you not healing that

494
00:20:01,200 --> 00:20:03,880
Speaker 4: that bleeds over into your adult life and your relationships,

495
00:20:04,000 --> 00:20:05,919
Speaker 4: all of it's gonna go bad. And that's what you

496
00:20:05,960 --> 00:20:08,200
Speaker 4: see with Dallas. He didn't get that healing and he

497
00:20:08,200 --> 00:20:12,560
Speaker 4: ain't getting no mental help or therapy or counsel, you know, So.

498
00:20:13,119 --> 00:20:15,240
Speaker 3: He turned the vices. That's what happened. You turn the

499
00:20:15,359 --> 00:20:18,399
Speaker 3: vices and you start treating people pretty bad, you know.

500
00:20:18,600 --> 00:20:21,280
Speaker 4: That's that's what he did. But just not because he

501
00:20:21,359 --> 00:20:24,200
Speaker 4: wanted to. He just that was his survival on how

502
00:20:24,240 --> 00:20:25,320
Speaker 4: he coped with life.

503
00:20:26,119 --> 00:20:26,320
Speaker 3: You know.

504
00:20:26,520 --> 00:20:28,520
Speaker 4: So, man, brothers, y'all need to get help. If you

505
00:20:28,560 --> 00:20:30,479
Speaker 4: need help, ask for it. Don't be afraid to tell

506
00:20:30,520 --> 00:20:32,240
Speaker 4: your brother you love him, give him a hug. I

507
00:20:32,240 --> 00:20:34,040
Speaker 4: don't see nothing wrong with that because that can save

508
00:20:34,080 --> 00:20:36,040
Speaker 4: a life, you know what I'm saying.

509
00:20:36,240 --> 00:20:38,240
Speaker 2: And what about women trying to save men who have

510
00:20:38,400 --> 00:20:40,080
Speaker 2: been in that type of time, because that's what her

511
00:20:40,160 --> 00:20:43,239
Speaker 2: character was doing. Ava was trying to save Dallas, and

512
00:20:43,440 --> 00:20:45,200
Speaker 2: it just wasn't I don't really know.

513
00:20:45,520 --> 00:20:47,960
Speaker 4: You know what everything she was doing, she had a

514
00:20:48,040 --> 00:20:50,639
Speaker 4: right and point and her point is, you know, valid

515
00:20:50,760 --> 00:20:53,520
Speaker 4: to do that. But I can't really speak from a

516
00:20:53,560 --> 00:20:55,840
Speaker 4: woman's standpoint. I can speak from a man, you know

517
00:20:55,840 --> 00:20:58,720
Speaker 4: what I'm saying, because I don't really know how you

518
00:20:58,760 --> 00:21:01,040
Speaker 4: know how to approach star coming from a.

519
00:21:00,960 --> 00:21:03,480
Speaker 2: Woman's because that is just an interesting thing. Because a

520
00:21:03,520 --> 00:21:06,840
Speaker 2: lot of us do have broken homes, you know, a

521
00:21:06,880 --> 00:21:10,040
Speaker 2: lot of us have trauma that's not healed and that's

522
00:21:10,080 --> 00:21:14,040
Speaker 2: not addressed. So if you're in a relationship with somebody

523
00:21:14,280 --> 00:21:17,040
Speaker 2: that's like that, you know, at what point are you?

524
00:21:17,080 --> 00:21:17,159
Speaker 3: Like?

525
00:21:17,200 --> 00:21:19,080
Speaker 2: I can't because sometimes you feel like I don't want

526
00:21:19,119 --> 00:21:21,920
Speaker 2: to give up on a person, you know, and sometimes

527
00:21:21,960 --> 00:21:24,719
Speaker 2: you also feel like, from the other side of things,

528
00:21:24,960 --> 00:21:27,440
Speaker 2: this person gonna end up killing you if they don't

529
00:21:27,800 --> 00:21:30,040
Speaker 2: get out, and that, you know, But that's a real thing,

530
00:21:30,359 --> 00:21:33,600
Speaker 2: Like and you cover for somebody who make excuses for them.

531
00:21:33,920 --> 00:21:36,199
Speaker 4: But some people do get into relationships when they're not

532
00:21:36,320 --> 00:21:39,879
Speaker 4: stable just because they feel like they need validation, they

533
00:21:39,920 --> 00:21:41,800
Speaker 4: need somebody to be with them.

534
00:21:42,440 --> 00:21:44,800
Speaker 5: You shouldn't do that, but they feel like getting in

535
00:21:44,800 --> 00:21:46,800
Speaker 5: a relationship is going to make them whole. They feel

536
00:21:46,840 --> 00:21:48,600
Speaker 5: like somebody else is going to make them happy. You

537
00:21:48,600 --> 00:21:51,840
Speaker 5: should already be happy. You should be happy with yourself.

538
00:21:51,880 --> 00:21:54,200
Speaker 5: You should first, fall in love with yourself first and.

539
00:21:54,160 --> 00:21:55,840
Speaker 3: Foremost all day.

540
00:21:56,000 --> 00:21:57,399
Speaker 2: I mean, she moved on kind of quick though, I

541
00:21:57,400 --> 00:21:58,760
Speaker 2: will say that. But you know, I'm not going to

542
00:21:58,800 --> 00:22:00,960
Speaker 2: give away too much of the move okay, because.

543
00:22:00,720 --> 00:22:02,960
Speaker 3: People still got to watch this out. Yeah, just a

544
00:22:02,960 --> 00:22:04,320
Speaker 3: live stuff. I mean it's out now.

545
00:22:04,680 --> 00:22:06,280
Speaker 2: It's out now, but I know people are going to

546
00:22:06,320 --> 00:22:09,560
Speaker 2: be watching it, like you know, during the course of time.

547
00:22:09,600 --> 00:22:11,440
Speaker 2: I already know this is going to be getting a lot.

548
00:22:11,320 --> 00:22:14,400
Speaker 4: Of conversation pieces. I'm looking at my my d MS

549
00:22:14,480 --> 00:22:16,560
Speaker 4: and my message. They going crazy for this movie. Some

550
00:22:16,600 --> 00:22:19,879
Speaker 4: people saw it three times already in the morning.

551
00:22:20,040 --> 00:22:20,800
Speaker 3: But that's what I want.

552
00:22:20,960 --> 00:22:25,760
Speaker 1: People don't have jobs. That's what I want talk.

553
00:22:25,920 --> 00:22:28,359
Speaker 4: I want to talk, you know. And I'm, like I said,

554
00:22:28,359 --> 00:22:30,000
Speaker 4: I'm ready for all the talk. And they should know

555
00:22:30,080 --> 00:22:33,320
Speaker 4: that I'm an actor and if you really hate this motherfucker,

556
00:22:33,359 --> 00:22:36,000
Speaker 4: that means I did my job, azing job. So I mean,

557
00:22:36,160 --> 00:22:38,600
Speaker 4: I don't mind. I'm I take it all in, like

558
00:22:38,800 --> 00:22:40,239
Speaker 4: you know, let's let's do it.

559
00:22:40,320 --> 00:22:42,280
Speaker 2: Do you see yourself working with Tyler Perry again? Have

560
00:22:42,359 --> 00:22:44,360
Speaker 2: you already had that conversation? Because you know he's got

561
00:22:44,400 --> 00:22:45,600
Speaker 2: NonStop projects.

562
00:22:47,040 --> 00:22:47,400
Speaker 3: I do.

563
00:22:47,720 --> 00:22:50,879
Speaker 4: I do see myself working with him again, and you know,

564
00:22:51,040 --> 00:22:52,920
Speaker 4: we you know, it's some things, you know, I really

565
00:22:52,960 --> 00:22:55,760
Speaker 4: can't discuss now, but you know, hopefully those things work

566
00:22:55,800 --> 00:22:57,880
Speaker 4: out and pan out. But yeah, we're gonna do more

567
00:22:57,920 --> 00:23:00,119
Speaker 4: movies together. He hugged me the other night, said I

568
00:23:00,119 --> 00:23:01,760
Speaker 4: fucking love you, Coreen.

569
00:23:02,040 --> 00:23:04,200
Speaker 3: I'm proud of you. And he grabbed me, you know,

570
00:23:04,240 --> 00:23:04,600
Speaker 3: his hand.

571
00:23:04,600 --> 00:23:06,359
Speaker 4: He grabbed me so hard, did my neck like this,

572
00:23:07,200 --> 00:23:10,840
Speaker 4: you know, but it felt genuine. It felt real, and

573
00:23:10,880 --> 00:23:12,919
Speaker 4: you know when you get somebody around you and it

574
00:23:12,960 --> 00:23:13,880
Speaker 4: doesn't feel real.

575
00:23:14,680 --> 00:23:15,760
Speaker 3: He really rocked with me.

576
00:23:15,720 --> 00:23:18,200
Speaker 2: Though, And people always have positive things to say about

577
00:23:18,240 --> 00:23:20,000
Speaker 2: working with him. I saw Meghan Good said she got

578
00:23:20,040 --> 00:23:23,240
Speaker 2: paid what she deserves to get paid after working with him.

579
00:23:23,280 --> 00:23:25,720
Speaker 2: How are those negotiations for you?

580
00:23:26,400 --> 00:23:28,960
Speaker 4: Listen, I can say the same as Megan. I worked

581
00:23:29,000 --> 00:23:31,800
Speaker 4: on this movie three weeks. I'm talking about from when

582
00:23:31,840 --> 00:23:34,040
Speaker 4: I left my house and when I came back. And

583
00:23:34,119 --> 00:23:38,600
Speaker 4: I've done movies for five months, studio seventy million dollar budget,

584
00:23:38,920 --> 00:23:41,200
Speaker 4: sixty million dollar budget, and he paid me the most.

585
00:23:41,200 --> 00:23:42,040
Speaker 3: Haven't made three.

586
00:23:41,920 --> 00:23:42,879
Speaker 1: Weeks, damn.

587
00:23:43,160 --> 00:23:46,200
Speaker 3: So that is real. Yeah, that's real. He take care

588
00:23:46,200 --> 00:23:48,800
Speaker 3: of his people like he make you feel appreciated.

589
00:23:49,400 --> 00:23:51,399
Speaker 4: So if y'all. Y'all got to work with Tyler Perry.

590
00:23:51,440 --> 00:23:52,960
Speaker 4: I say, I speak, it's.

591
00:23:52,880 --> 00:23:56,080
Speaker 6: A black actor. We already feel like we not appreciate

592
00:23:56,119 --> 00:23:56,800
Speaker 6: it in this.

593
00:23:56,680 --> 00:24:00,119
Speaker 4: Whole this whole business, like I've been doing this and

594
00:23:59,640 --> 00:24:01,880
Speaker 4: I and like I said, you know, I don't mind

595
00:24:01,880 --> 00:24:04,600
Speaker 4: the stairs approached, but damn it, I'm ready for the elevator.

596
00:24:05,400 --> 00:24:07,919
Speaker 3: You know what I'm saying. And I'm working. I know,

597
00:24:07,960 --> 00:24:10,240
Speaker 3: I'm I know I'm one of the best in the world.

598
00:24:10,280 --> 00:24:12,080
Speaker 4: Like I say that humbly to you may know, like

599
00:24:12,160 --> 00:24:14,240
Speaker 4: I know, the hood love me, like the ghetto love me.

600
00:24:14,320 --> 00:24:17,880
Speaker 3: They with me everywhere I go, and they like Corey Corey,

601
00:24:17,840 --> 00:24:19,360
Speaker 3: I'm waiting for you, like I hear.

602
00:24:19,240 --> 00:24:21,600
Speaker 4: It, and I'm like, you know what, in due time,

603
00:24:21,840 --> 00:24:24,320
Speaker 4: but I feel like the time could be like right.

604
00:24:24,160 --> 00:24:27,000
Speaker 1: Now, you think you would go hang out with Mano now,

605
00:24:27,160 --> 00:24:27,880
Speaker 1: of course of.

606
00:24:27,800 --> 00:24:28,480
Speaker 3: Course I would.

607
00:24:28,520 --> 00:24:29,920
Speaker 1: Okay, I'm real.

608
00:24:30,200 --> 00:24:35,680
Speaker 3: I mean, it's just the people. Don't look. I walked

609
00:24:35,720 --> 00:24:36,160
Speaker 3: with the Lord.

610
00:24:36,160 --> 00:24:38,439
Speaker 4: I ain't got no fear, I don't want no problem,

611
00:24:38,600 --> 00:24:40,119
Speaker 4: but I ain't scared of nobody.

612
00:24:40,119 --> 00:24:41,040
Speaker 3: I'm a grown ass man.

613
00:24:43,240 --> 00:24:45,480
Speaker 1: I'm just trying to make sure you avoid the tabloids.

614
00:24:45,520 --> 00:24:48,840
Speaker 3: That's a tabloid. Still I stay away from them.

615
00:24:49,600 --> 00:24:53,920
Speaker 1: You know, the outside wrong with that man?

616
00:24:54,040 --> 00:24:57,200
Speaker 3: Grown ill have a good relationship. I can see it's

617
00:24:57,240 --> 00:24:57,719
Speaker 3: a grown man.

618
00:24:57,800 --> 00:25:02,520
Speaker 6: This is my dog get fired every day. It's all

619
00:25:02,600 --> 00:25:04,159
Speaker 6: day long, none but shots.

620
00:25:04,200 --> 00:25:05,760
Speaker 2: But what I love is that he handles it so

621
00:25:05,880 --> 00:25:08,040
Speaker 2: well and we get it. That's why we get along.

622
00:25:08,119 --> 00:25:09,240
Speaker 6: The shots or the tables.

623
00:25:11,240 --> 00:25:14,120
Speaker 2: Yeah, well, Corey harjak No, honestly, I appreciate you so much.

624
00:25:14,160 --> 00:25:16,040
Speaker 2: I saw you at BT Awards and I knew we

625
00:25:16,040 --> 00:25:18,520
Speaker 2: were gonna have this sit down. I was excited to

626
00:25:18,560 --> 00:25:20,560
Speaker 2: have a chance to because I really wanted to make

627
00:25:20,560 --> 00:25:23,720
Speaker 2: sure I saw the movie, you know, yeah, before we

628
00:25:23,800 --> 00:25:27,000
Speaker 2: even had a chance. But you know what, I'm a

629
00:25:27,040 --> 00:25:29,439
Speaker 2: fan of Tyler Perry movies, and I see people always

630
00:25:29,440 --> 00:25:32,840
Speaker 2: will criticize, you know, his movies and him for writing

631
00:25:32,880 --> 00:25:34,400
Speaker 2: and things like that, because you get both.

632
00:25:34,440 --> 00:25:36,040
Speaker 1: But I do feel like it's polarizing.

633
00:25:36,240 --> 00:25:39,120
Speaker 2: There's people that love love him, and that's what comes

634
00:25:39,160 --> 00:25:40,840
Speaker 2: with it because then where there's people that love you,

635
00:25:40,880 --> 00:25:44,640
Speaker 2: there's people that are super critical. Yeah, And what it is,

636
00:25:44,960 --> 00:25:46,600
Speaker 2: the more I love you get, the more.

637
00:25:46,640 --> 00:25:50,080
Speaker 4: It's okay speak for how someone treats me. I don't

638
00:25:50,119 --> 00:25:53,120
Speaker 4: go and see anything else. He paid me the most

639
00:25:53,200 --> 00:25:55,960
Speaker 4: in three weeks, and he took the handcuffs off. And

640
00:25:56,000 --> 00:25:58,280
Speaker 4: this film is gonna get me more movies. Yeah, and

641
00:25:58,320 --> 00:26:01,879
Speaker 4: I thank Tyler Perry for that brother, for letting me,

642
00:26:02,359 --> 00:26:04,840
Speaker 4: you know, allowing me the opportunity to keep taking care

643
00:26:04,880 --> 00:26:05,479
Speaker 4: of my children.

644
00:26:06,000 --> 00:26:08,600
Speaker 1: Yep, you was channeling that Turner from the Yeah.

645
00:26:08,720 --> 00:26:11,320
Speaker 4: You know, hey, you remember the diner scene the way

646
00:26:11,320 --> 00:26:13,040
Speaker 4: about the bank when I said you the sign of

647
00:26:13,080 --> 00:26:13,879
Speaker 4: God damn papers?

648
00:26:15,520 --> 00:26:20,440
Speaker 2: Yeah, oh man, I was concerned that the papers was

649
00:26:20,520 --> 00:26:22,240
Speaker 2: different than what they were supposed to be. You was

650
00:26:22,240 --> 00:26:24,119
Speaker 2: about to own her house, That's what I was. That

651
00:26:24,240 --> 00:26:25,879
Speaker 2: was the first thing I thought. I was like, he

652
00:26:25,960 --> 00:26:28,400
Speaker 2: about to own all her stuff because she didn't you know.

653
00:26:28,680 --> 00:26:31,640
Speaker 3: But yeah, but here's the here's the most important thing.

654
00:26:31,880 --> 00:26:32,280
Speaker 1: That paper.

655
00:26:32,520 --> 00:26:35,480
Speaker 4: I had fun. You gotta have fun in what you're doing.

656
00:26:35,600 --> 00:26:37,719
Speaker 4: And I had the most fun I've had in years

657
00:26:37,760 --> 00:26:40,040
Speaker 4: on the set. And sometimes the fun if the fun

658
00:26:40,160 --> 00:26:43,119
Speaker 4: is gone and she ain't, she ain't coming out right

659
00:26:43,200 --> 00:26:45,080
Speaker 4: no more, the creative is gone.

660
00:26:45,640 --> 00:26:47,760
Speaker 2: I'll never forget the first Tallipara movie. I said it

661
00:26:47,800 --> 00:26:49,240
Speaker 2: was Diary of a Mad Black Woman.

662
00:26:49,760 --> 00:26:53,199
Speaker 3: I was so young and hating that of all, was

663
00:26:53,200 --> 00:26:55,199
Speaker 3: it the.

664
00:26:54,280 --> 00:26:56,200
Speaker 1: The one that was that's the first one.

665
00:26:56,240 --> 00:26:58,280
Speaker 2: We all seen it, but no, But I just remember

666
00:26:58,359 --> 00:27:00,520
Speaker 2: seeing it because I was with my best and her

667
00:27:00,600 --> 00:27:04,400
Speaker 2: mom and her mom's best friend, and they her mom

668
00:27:04,440 --> 00:27:06,399
Speaker 2: and her mom's best fend knew every word to the movie.

669
00:27:06,600 --> 00:27:08,400
Speaker 2: So they like, come out, you guys, gotta watch this movie.

670
00:27:08,400 --> 00:27:10,520
Speaker 2: They put it on and they were talking along with

671
00:27:10,560 --> 00:27:12,480
Speaker 2: the movie. I was like, hey, y'all stop so we

672
00:27:12,520 --> 00:27:14,760
Speaker 2: could actually watch and see what's happening. But what I'm

673
00:27:14,800 --> 00:27:19,960
Speaker 2: saying is those fans are absolutely, like so strong they

674
00:27:20,240 --> 00:27:22,159
Speaker 2: die her fans. I was like, you didn't see this

675
00:27:22,240 --> 00:27:23,040
Speaker 2: movie so much?

676
00:27:23,560 --> 00:27:23,760
Speaker 3: You know.

677
00:27:23,800 --> 00:27:25,600
Speaker 2: I think the first movie I knew all the words too,

678
00:27:25,680 --> 00:27:28,800
Speaker 2: probably was Menace. You know how you watch a movie

679
00:27:28,960 --> 00:27:29,800
Speaker 2: Menace Society?

680
00:27:30,080 --> 00:27:35,240
Speaker 3: We all do. Yeah, we all all know. Minutes you

681
00:27:35,280 --> 00:27:40,520
Speaker 3: said you bought a bottle of remember that?

682
00:27:40,720 --> 00:27:42,879
Speaker 1: All right, Well, thank you so much for coming through.

683
00:27:43,520 --> 00:27:46,880
Speaker 3: Y'all two out here, you know, killing it. Yeah, that's

684
00:27:46,920 --> 00:27:49,080
Speaker 3: what's up. Thank you all. I appreciate it.

685
00:27:49,240 --> 00:27:50,560
Speaker 1: Curry ladies and gentlemen.

686
00:27:50,760 --> 00:27:54,520
Speaker 6: Yeah,