1 00:00:04,559 --> 00:00:07,119 Speaker 1: I'm Buzzsnight, the host of the Taking a Walk podcast, 2 00:00:07,200 --> 00:00:10,280 Speaker 1: and welcome to another look at this week in music 3 00:00:10,400 --> 00:00:13,200 Speaker 1: history for the week of March seventeenth, and we're going 4 00:00:13,280 --> 00:00:16,960 Speaker 1: to go to the master of music history over at 5 00:00:16,960 --> 00:00:19,480 Speaker 1: the music History Desk, my panel, Harry Jacobs. 6 00:00:19,480 --> 00:00:24,599 Speaker 2: Hello, Harry, Buzz, Great to be here. Happy happy Saint. 7 00:00:24,680 --> 00:00:27,840 Speaker 2: Patrick's week to you you got it back at you 8 00:00:28,800 --> 00:00:33,000 Speaker 2: A pretty good week, I think musically, Van Morrison's Moondance 9 00:00:33,040 --> 00:00:37,720 Speaker 2: came out actually on the seventeenth. Fifty five years since 10 00:00:37,760 --> 00:00:39,880 Speaker 2: that came out in nineteen seventy. 11 00:00:40,120 --> 00:00:42,839 Speaker 1: There's a lot of those fifty year anniversaries that are 12 00:00:42,840 --> 00:00:46,040 Speaker 1: popping up. For fifty five year only anniversary, he seems 13 00:00:46,080 --> 00:00:47,320 Speaker 1: to be a regular occurrence. 14 00:00:48,000 --> 00:00:50,280 Speaker 3: We're old, but Van is much older. 15 00:00:50,280 --> 00:00:54,880 Speaker 1: That's right, and one of the most iconic albums certainly 16 00:00:54,920 --> 00:00:57,600 Speaker 1: ever and certainly in his great catalog as well. 17 00:00:58,160 --> 00:01:01,000 Speaker 2: Van Morrison, one of my arena friends told me about 18 00:01:01,080 --> 00:01:04,080 Speaker 2: him showing up at a gig in New York City 19 00:01:04,640 --> 00:01:11,200 Speaker 2: and he, you know, came apparently a little slightly inebriated, shocking, Yeah, 20 00:01:11,560 --> 00:01:13,600 Speaker 2: went to the back door and they wouldn't let him in. 21 00:01:13,760 --> 00:01:16,000 Speaker 2: He didn't, you know, Van Morrison looks like, you know, 22 00:01:17,360 --> 00:01:19,680 Speaker 2: no offense to any short fat accountants, but he looks 23 00:01:19,720 --> 00:01:20,640 Speaker 2: like a short that accountant. 24 00:01:20,640 --> 00:01:21,759 Speaker 3: He doesn't look like a rock star. 25 00:01:23,480 --> 00:01:27,680 Speaker 2: And he promptly left after they wouldn't let him in, 26 00:01:28,400 --> 00:01:31,240 Speaker 2: and that gig didn't happen that night. I don't know 27 00:01:31,280 --> 00:01:34,120 Speaker 2: what the lesson learned is, but you don't piss him off, 28 00:01:34,840 --> 00:01:35,640 Speaker 2: you know, he'll. 29 00:01:35,440 --> 00:01:35,920 Speaker 3: Go, he'll go. 30 00:01:36,200 --> 00:01:36,560 Speaker 4: Yeah. 31 00:01:36,760 --> 00:01:41,000 Speaker 1: There's some great stories of course about Van in the 32 00:01:41,160 --> 00:01:43,919 Speaker 1: new Peter wolfbook, which I think we'll be talking about 33 00:01:44,280 --> 00:01:47,720 Speaker 1: in the future in some form. So definitely those two 34 00:01:48,680 --> 00:01:52,600 Speaker 1: guys are characters over the years around Boston and Cambridge 35 00:01:52,680 --> 00:01:53,880 Speaker 1: and the like, so. 36 00:01:54,200 --> 00:01:57,480 Speaker 2: Sure that'd be great. I'm looking forward to to that. 37 00:01:58,240 --> 00:02:02,840 Speaker 2: The eighteenth of March is the thirtieth anniversary of Pearl 38 00:02:02,880 --> 00:02:08,399 Speaker 2: Jams Vitology, certified as a triple platinum in nineteen ninety five. 39 00:02:08,480 --> 00:02:11,000 Speaker 4: Big deal for them back in the day. 40 00:02:11,080 --> 00:02:14,320 Speaker 2: And a bunch of great tracks on that right Corduroy, 41 00:02:14,560 --> 00:02:15,560 Speaker 2: and one. 42 00:02:15,440 --> 00:02:17,560 Speaker 3: Of my favorites of all time is better Man. 43 00:02:18,200 --> 00:02:19,720 Speaker 4: Oh yeah, what a great one. 44 00:02:19,880 --> 00:02:21,880 Speaker 1: Have you ever seen Pearl Jim, because I've never been 45 00:02:21,919 --> 00:02:22,919 Speaker 1: fortunate to see him. 46 00:02:23,240 --> 00:02:27,200 Speaker 2: That's where I was going next it's on my bucket list. 47 00:02:26,720 --> 00:02:33,760 Speaker 2: Here's my problem, and this may solidify the fact that 48 00:02:33,800 --> 00:02:40,120 Speaker 2: I'm the get off my lawn guy. My patience for 49 00:02:40,480 --> 00:02:45,120 Speaker 2: music that I don't really know is thin. And the 50 00:02:45,240 --> 00:02:47,200 Speaker 2: music I really loved the most was the stuff we 51 00:02:47,200 --> 00:02:51,520 Speaker 2: played on rock radio and the deeper tracks like to me, 52 00:02:52,480 --> 00:02:56,600 Speaker 2: I go about as deep as Pendulum. You know Pendulum 53 00:02:56,600 --> 00:02:59,680 Speaker 2: that song Pendulum. Yes, that's about as deep as I 54 00:02:59,720 --> 00:03:01,760 Speaker 2: get for an unknown and I only know that because 55 00:03:01,800 --> 00:03:05,720 Speaker 2: of Blacklist. But I never would have known that. So 56 00:03:06,080 --> 00:03:08,120 Speaker 2: I'd love to see him. I think I would. I 57 00:03:08,160 --> 00:03:11,000 Speaker 2: would be cool with the experience. I just I get 58 00:03:11,000 --> 00:03:14,080 Speaker 2: a little impatient with music I don't know that bad. 59 00:03:15,440 --> 00:03:18,240 Speaker 4: We all have that. That's that's that's a natural thing. 60 00:03:18,320 --> 00:03:22,079 Speaker 1: We've witnessed it at concerts ourselves, when that's the time 61 00:03:22,120 --> 00:03:24,000 Speaker 1: people get up to go to the bathroom or go 62 00:03:24,000 --> 00:03:24,600 Speaker 1: buy a beer. 63 00:03:25,160 --> 00:03:27,639 Speaker 3: Right, Yeah, so that's the thing. But I would love 64 00:03:27,680 --> 00:03:28,120 Speaker 3: to see him. 65 00:03:28,160 --> 00:03:30,720 Speaker 2: I know it's an experience, and and the more time 66 00:03:30,800 --> 00:03:35,280 Speaker 2: goes on, the more respect I have for Eddie. You know, 67 00:03:35,320 --> 00:03:37,440 Speaker 2: he's a first of all, he's a big classic rock guy. 68 00:03:37,480 --> 00:03:39,560 Speaker 2: So he's a big Tom petty guy. He's a big 69 00:03:39,600 --> 00:03:43,040 Speaker 2: Bruce Springsteen. Guy, he knows where he came from, and 70 00:03:43,120 --> 00:03:45,400 Speaker 2: I think that's you know, there's something to be said 71 00:03:45,480 --> 00:03:47,440 Speaker 2: about that. Have you ever heard his version of the 72 00:03:47,480 --> 00:03:49,520 Speaker 2: Waiting with Tom Petty. 73 00:03:49,760 --> 00:03:54,480 Speaker 4: It's awesome. Oh my god, it's so good. Yea, so good. 74 00:03:54,560 --> 00:04:00,360 Speaker 2: So I love his appreciation for for classic rock, especially 75 00:04:00,360 --> 00:04:04,480 Speaker 2: for those two artists I just mentioned, and you know 76 00:04:04,560 --> 00:04:06,480 Speaker 2: his he just seems. 77 00:04:06,200 --> 00:04:09,160 Speaker 4: Like a good dude. He does. That's right. I agree. 78 00:04:09,720 --> 00:04:13,240 Speaker 2: A couple of important things happened for Bob Dylan on 79 00:04:13,480 --> 00:04:17,279 Speaker 2: this date, the nineteenth of March. Bob Dylan and the 80 00:04:17,320 --> 00:04:21,720 Speaker 2: band wrapped up their reunion tour in nineteen seventy four. 81 00:04:22,120 --> 00:04:23,520 Speaker 4: It's a big deal for them. 82 00:04:23,839 --> 00:04:27,520 Speaker 1: This is what would yield the album before the flood, right, 83 00:04:28,480 --> 00:04:31,440 Speaker 1: it's correct. Yeah, So I have a little story about that, 84 00:04:32,360 --> 00:04:34,240 Speaker 1: mister Jacobs. 85 00:04:34,560 --> 00:04:38,400 Speaker 4: So I was in high school then. 86 00:04:40,320 --> 00:04:43,640 Speaker 1: I was a member of something called the Key Club, which, 87 00:04:43,960 --> 00:04:46,039 Speaker 1: for the life of me, I'm not sure what the 88 00:04:46,080 --> 00:04:49,000 Speaker 1: purpose of the Key Club was. It was something that 89 00:04:49,160 --> 00:04:53,040 Speaker 1: was about future business people or I don't even know 90 00:04:53,080 --> 00:04:55,560 Speaker 1: how to make keys, how to be a locksmith, I 91 00:04:55,600 --> 00:04:59,640 Speaker 1: couldn't tell you. But it was how I wasted some 92 00:04:59,720 --> 00:05:02,840 Speaker 1: of my high school time as a member of the 93 00:05:03,320 --> 00:05:04,000 Speaker 1: Key Club. 94 00:05:04,839 --> 00:05:07,800 Speaker 3: And I'll tell you this real quick. I just googled 95 00:05:07,800 --> 00:05:08,440 Speaker 3: it while you were talking. 96 00:05:08,440 --> 00:05:12,520 Speaker 2: Apparently, the Key Club is a student organization that makes 97 00:05:12,520 --> 00:05:14,880 Speaker 2: the world a better place through service. 98 00:05:15,560 --> 00:05:17,840 Speaker 3: So you were doing service, bus. 99 00:05:17,360 --> 00:05:21,320 Speaker 1: I was the Key Club. Got a hold of two 100 00:05:21,400 --> 00:05:26,520 Speaker 1: tickets to raffle Off for that Bob Dylan and the 101 00:05:26,600 --> 00:05:30,320 Speaker 1: Band reunion concert at Madison Square Garden. 102 00:05:31,000 --> 00:05:33,320 Speaker 4: Well lo and behold. I bought I'm. 103 00:05:33,200 --> 00:05:37,080 Speaker 1: Sure either one or two or two hundred, I don't remember, 104 00:05:37,200 --> 00:05:38,599 Speaker 1: but I bought tickets to it. 105 00:05:39,320 --> 00:05:42,240 Speaker 4: And I won tickets to it, and. 106 00:05:43,600 --> 00:05:46,680 Speaker 1: Took a young lady by the name of Michelle Caputo, 107 00:05:46,960 --> 00:05:52,680 Speaker 1: who has since passed on from this world, asked her 108 00:05:52,720 --> 00:05:55,400 Speaker 1: to go. She was she was someone I pined for 109 00:05:56,040 --> 00:06:00,480 Speaker 1: uh in in high school, and I said, you want 110 00:06:00,480 --> 00:06:02,000 Speaker 1: to go to this concert? 111 00:06:02,120 --> 00:06:05,400 Speaker 4: So she was like yeah. So took Michelle to that. 112 00:06:05,560 --> 00:06:09,960 Speaker 1: We had nosebleed seats and it was an incredible experience 113 00:06:10,000 --> 00:06:15,799 Speaker 1: seeing Bob and the band. And you know, obviously listening 114 00:06:15,800 --> 00:06:18,920 Speaker 1: to that many times over when it became the Before 115 00:06:18,960 --> 00:06:22,600 Speaker 1: the Flood album, and I just remember it as a 116 00:06:23,040 --> 00:06:26,560 Speaker 1: great concert and a memory I shall never forget. 117 00:06:26,920 --> 00:06:29,120 Speaker 2: Yeah, I'm sure not. And I would caution you, by 118 00:06:29,120 --> 00:06:32,600 Speaker 2: the way, on your use of the word pine to 119 00:06:33,040 --> 00:06:34,400 Speaker 2: describe missing somebody. 120 00:06:34,640 --> 00:06:36,440 Speaker 4: Is that is that wrong? Well? 121 00:06:37,160 --> 00:06:39,320 Speaker 2: You know I dated a younger woman for a while 122 00:06:39,600 --> 00:06:42,400 Speaker 2: a minute ago, and at one point I said, you know, 123 00:06:42,520 --> 00:06:47,120 Speaker 2: when we're not together, I pined for you, and she said, okay, Grandpa, 124 00:06:47,320 --> 00:06:51,039 Speaker 2: what does that do? So I'm just saying, you know, 125 00:06:51,279 --> 00:06:53,240 Speaker 2: just be careful of that because you don't want some 126 00:06:53,279 --> 00:06:57,440 Speaker 2: sort of an age discrimination situation to happen. You know 127 00:06:57,520 --> 00:07:01,080 Speaker 2: what I want to say, Okay, Grandpa, that's all. I mean, 128 00:07:01,120 --> 00:07:03,719 Speaker 2: you are a grandfather. But I'm just saying, you don't 129 00:07:03,720 --> 00:07:05,080 Speaker 2: need people calling you out. 130 00:07:05,720 --> 00:07:07,520 Speaker 4: Yeah, any more than they already do. Exactly. 131 00:07:07,640 --> 00:07:08,120 Speaker 3: That's right. 132 00:07:08,240 --> 00:07:12,320 Speaker 2: Don't bring it upon myself, right, don't pile on yourself. 133 00:07:12,840 --> 00:07:18,280 Speaker 2: March twentieth, Jim Morrison's birthday. Jim, you know another one 134 00:07:18,280 --> 00:07:22,520 Speaker 2: that the life just cut way too short. What you know, 135 00:07:22,600 --> 00:07:27,000 Speaker 2: when you think about that group of folks that lost 136 00:07:27,040 --> 00:07:31,000 Speaker 2: their lives in their mid twenties, you know was twenty seven, right, 137 00:07:31,160 --> 00:07:36,880 Speaker 2: Janis Joplin and Jim Morrison, And it's just the drugs 138 00:07:36,920 --> 00:07:39,760 Speaker 2: and abuse of the body, and you know, who. 139 00:07:39,600 --> 00:07:41,240 Speaker 3: Knows what, but that. 140 00:07:42,800 --> 00:07:45,680 Speaker 2: You know, obviously we celebrate the birth today, but you 141 00:07:45,720 --> 00:07:47,960 Speaker 2: can't think about him without thinking about the tragedy of 142 00:07:48,560 --> 00:07:49,160 Speaker 2: his death. 143 00:07:49,360 --> 00:07:53,600 Speaker 3: How critical he is to classic rock music. 144 00:07:53,920 --> 00:07:56,960 Speaker 4: Oh definitely. Yeah. Somebody says he's still alive. 145 00:07:57,040 --> 00:08:00,080 Speaker 1: There's something going on saying that he's alive somewhere, so 146 00:08:00,760 --> 00:08:02,640 Speaker 1: you know, maybe there'll be a reunion concert. 147 00:08:02,680 --> 00:08:04,720 Speaker 2: I don't know who we're saying. That's as high as 148 00:08:04,720 --> 00:08:07,560 Speaker 2: a lab rat. Guy's dead in the grave in France. 149 00:08:08,760 --> 00:08:14,160 Speaker 2: This is the date of the release of four sixty 150 00:08:14,200 --> 00:08:18,840 Speaker 2: one Ocean Boulevard the Clapton, the legendary Clapton album from 151 00:08:18,920 --> 00:08:20,200 Speaker 2: nineteen seventy four. 152 00:08:20,200 --> 00:08:22,600 Speaker 1: And Harry speaking of high as a lab rat, I'm 153 00:08:22,600 --> 00:08:23,640 Speaker 1: sure as they were then. 154 00:08:23,840 --> 00:08:26,920 Speaker 3: So yeah, absolutely, I'm sure they were. 155 00:08:27,360 --> 00:08:27,480 Speaker 4: Oh. 156 00:08:28,040 --> 00:08:30,520 Speaker 2: By the way, I want to go back for one second, 157 00:08:30,520 --> 00:08:33,600 Speaker 2: because there is something important that happened the day before, 158 00:08:33,640 --> 00:08:36,400 Speaker 2: on the nineteenth. Let's just talk about this for a minute. 159 00:08:36,600 --> 00:08:40,480 Speaker 2: That was the day they released the Bob Dylan self 160 00:08:40,520 --> 00:08:44,200 Speaker 2: titled album. His debut album came out on the nineteenth. 161 00:08:44,280 --> 00:08:47,400 Speaker 2: I didn't know any of those tracks a month ago, 162 00:08:48,120 --> 00:08:50,440 Speaker 2: and when I looked at it this morning before we 163 00:08:50,480 --> 00:08:56,320 Speaker 2: did this, I saw the tribute to Woody on the 164 00:08:56,360 --> 00:08:56,880 Speaker 2: track list? 165 00:08:56,880 --> 00:08:59,560 Speaker 3: Did you know that that was there? The song to Woody? 166 00:09:00,080 --> 00:09:00,840 Speaker 3: You would know it. 167 00:09:00,800 --> 00:09:03,120 Speaker 2: If you saw the Bob Dylan movie, which I believe 168 00:09:03,240 --> 00:09:05,679 Speaker 2: maybe you haven't yet. 169 00:09:05,880 --> 00:09:07,479 Speaker 4: It's correct, still hasn't. 170 00:09:07,840 --> 00:09:10,360 Speaker 1: My wife does not want to pay for the twenty 171 00:09:10,400 --> 00:09:13,199 Speaker 1: six dollars to look at it at home or whatever 172 00:09:14,240 --> 00:09:16,040 Speaker 1: until the price lower is on cable. 173 00:09:17,480 --> 00:09:20,439 Speaker 3: Okay, I kid you. 174 00:09:20,440 --> 00:09:24,720 Speaker 2: Not, Well, you'll pine for that movie until until you 175 00:09:24,760 --> 00:09:26,120 Speaker 2: can get it for five ninety nine. 176 00:09:26,200 --> 00:09:29,199 Speaker 1: Anyway, it's an ongoing running gag now in the house. 177 00:09:29,240 --> 00:09:31,880 Speaker 2: I can't help it. So all right, well you know 178 00:09:31,920 --> 00:09:36,240 Speaker 2: there is the theater option too. Again upcorn, All right. 179 00:09:36,360 --> 00:09:39,360 Speaker 1: You have encountered my wife, so you know the stubbornness 180 00:09:39,360 --> 00:09:41,760 Speaker 1: that my lovable wife. 181 00:09:42,960 --> 00:09:43,320 Speaker 4: Has. 182 00:09:43,440 --> 00:09:47,680 Speaker 2: So well, you're both stubborn the sheep they find each other. Anyway, 183 00:09:47,920 --> 00:09:52,800 Speaker 2: Back to March twenty four sixty one, Ocean Boulevard clapped 184 00:09:52,880 --> 00:09:55,640 Speaker 2: and I shot the sheriff is on there? 185 00:09:55,720 --> 00:09:59,640 Speaker 3: Let it grow great one? And how about Motherless Children? 186 00:10:00,040 --> 00:10:03,160 Speaker 1: Oh yeah, and Mainline Florida too. 187 00:10:04,160 --> 00:10:05,760 Speaker 4: Oh, I forgot about Mainline Florida. 188 00:10:05,760 --> 00:10:07,480 Speaker 3: That's right. Was Mainline Florida on that one? 189 00:10:07,480 --> 00:10:08,319 Speaker 4: Too? Well? 190 00:10:08,520 --> 00:10:11,720 Speaker 3: If I yeah, it was track ten incredible. 191 00:10:11,720 --> 00:10:15,160 Speaker 4: Wow. Yeah, it's a great album. Yeah, absolutely it is. 192 00:10:17,000 --> 00:10:21,320 Speaker 2: March twenty first, Bruce Springsteen's Born to Run inducted into 193 00:10:21,360 --> 00:10:25,560 Speaker 2: the Grammy Hall of Fame in three. I think it's 194 00:10:25,679 --> 00:10:30,559 Speaker 2: probably my favorite Bruce album, might Start to Finish, thunder 195 00:10:30,640 --> 00:10:35,720 Speaker 2: Road to Clarence's Sax Solo and jungle Land. Just I 196 00:10:35,720 --> 00:10:38,440 Speaker 2: don't think there's a in my opinion to me, number 197 00:10:38,520 --> 00:10:39,559 Speaker 2: one Born to Run. 198 00:10:40,840 --> 00:10:43,720 Speaker 1: And one thing that goes on said about great albums, 199 00:10:43,760 --> 00:10:49,040 Speaker 1: including this one, is the way each track is situated, 200 00:10:49,200 --> 00:10:51,760 Speaker 1: in the ordering of it, the way it all sort 201 00:10:51,760 --> 00:10:56,679 Speaker 1: of flows as an album, which is often lost to 202 00:10:56,760 --> 00:11:00,920 Speaker 1: this day, not completely, but the way from start to 203 00:11:01,000 --> 00:11:06,400 Speaker 1: finish each song flows in this story, it's I think 204 00:11:06,400 --> 00:11:08,960 Speaker 1: it's brilliant if you think about it. 205 00:11:09,480 --> 00:11:11,640 Speaker 2: You know, the way that we listen has changed so 206 00:11:11,840 --> 00:11:15,520 Speaker 2: much since you know, nineteen seventy five when that album 207 00:11:15,559 --> 00:11:15,920 Speaker 2: came out. 208 00:11:15,920 --> 00:11:17,400 Speaker 3: We're not listening to albums anymore. 209 00:11:17,400 --> 00:11:21,800 Speaker 2: We're not listening to you know, ten eleven tracks, you know, 210 00:11:21,840 --> 00:11:23,920 Speaker 2: in a row, start to finish. 211 00:11:24,000 --> 00:11:27,920 Speaker 3: We're streaming songs. So you're right in that. 212 00:11:28,160 --> 00:11:31,760 Speaker 2: March twenty second, the forty fifth anniversary of Floyd's The 213 00:11:31,920 --> 00:11:37,880 Speaker 2: Wall Tour, performance nineteen eighty That was a legendary tour, 214 00:11:38,640 --> 00:11:41,520 Speaker 2: you know, just an unbelievable album. 215 00:11:42,000 --> 00:11:45,640 Speaker 1: Absolutely, and you know, once again you talk about the 216 00:11:45,679 --> 00:11:51,040 Speaker 1: construction of an album that manifests itself as well as 217 00:11:51,240 --> 00:11:54,760 Speaker 1: so brilliantly put together as an album. You know, in 218 00:11:54,800 --> 00:11:57,920 Speaker 1: a world of album tracks back then. 219 00:11:57,840 --> 00:12:03,120 Speaker 2: Right, it's another one of those like Darkseide, like you know, 220 00:12:03,200 --> 00:12:06,760 Speaker 2: Sergeant Pepper, like you know, Born to Run. There's there 221 00:12:06,760 --> 00:12:10,880 Speaker 2: are probably fifteen, maybe twenty albums I have in my 222 00:12:11,000 --> 00:12:14,160 Speaker 2: iTunes as playlists. Everything else is just you know, artists 223 00:12:14,200 --> 00:12:19,160 Speaker 2: or songs or individual playlists. But the Wall completely is 224 00:12:19,559 --> 00:12:21,600 Speaker 2: in there as a playlist and I just love it. 225 00:12:22,000 --> 00:12:25,559 Speaker 2: Mother Run like hell, Hey you comfortably numb? Of course, 226 00:12:25,600 --> 00:12:28,800 Speaker 2: I mean just just great everything. But another brick in 227 00:12:28,800 --> 00:12:30,760 Speaker 2: the wall which drives me crazy. I think just because 228 00:12:30,760 --> 00:12:31,800 Speaker 2: we played it so much on the. 229 00:12:31,840 --> 00:12:34,360 Speaker 1: Right's right, yeap was great when you first heard it. 230 00:12:34,440 --> 00:12:37,360 Speaker 1: After the eight thousand times, well maybe not as much. 231 00:12:39,360 --> 00:12:43,479 Speaker 2: On March twenty second, nineteen seventy six, Kiss released Destroyer. 232 00:12:43,559 --> 00:12:47,600 Speaker 2: We talked in depth about Destroyer and it's meaning to 233 00:12:47,679 --> 00:12:49,959 Speaker 2: me shouted out loud, do you love me? King of 234 00:12:50,000 --> 00:12:51,560 Speaker 2: the Nighttime? I can go through that I can go 235 00:12:51,559 --> 00:12:53,680 Speaker 2: through that one all the way too. But that was 236 00:12:53,960 --> 00:12:55,960 Speaker 2: nineteen seventy six, and as. 237 00:12:55,840 --> 00:12:57,960 Speaker 1: I was watching you talk about it, I was trying 238 00:12:57,960 --> 00:13:01,720 Speaker 1: to envision you, Harry, with the makeup of Kiss on You, 239 00:13:01,760 --> 00:13:05,079 Speaker 1: and what you would look like that would be a look. 240 00:13:05,679 --> 00:13:08,320 Speaker 2: I will tell you that when I was seventy six, 241 00:13:08,360 --> 00:13:15,160 Speaker 2: I was ten, I think probably seventy seven, I had 242 00:13:15,240 --> 00:13:18,000 Speaker 2: one of my uncles do my parents were away or 243 00:13:18,040 --> 00:13:21,360 Speaker 2: something on Halloween and I had my parents my uncle 244 00:13:21,480 --> 00:13:24,440 Speaker 2: rather do the Gene Simmons makeup for me. I don't 245 00:13:24,440 --> 00:13:25,880 Speaker 2: know what the rest of the costume looked like, but 246 00:13:25,920 --> 00:13:29,840 Speaker 2: I remember sitting down and having him look at the picture. 247 00:13:29,600 --> 00:13:31,000 Speaker 3: And do the makeup for him. 248 00:13:31,000 --> 00:13:33,920 Speaker 4: See I was right, Yeah, absolutely, one hundred percent. 249 00:13:34,440 --> 00:13:39,360 Speaker 2: March twenty third, fifty five years since who performed Tommy 250 00:13:39,640 --> 00:13:45,640 Speaker 2: for the first time in nineteen seventy another legendary album 251 00:13:46,240 --> 00:13:49,880 Speaker 2: and the performance I mean crazy in the movie? 252 00:13:50,559 --> 00:13:56,360 Speaker 1: Oh yeah, absolutely. And I think it's been sort of 253 00:13:56,440 --> 00:14:01,000 Speaker 1: quiet out of the Petertown's and Roger all Tree camp 254 00:14:01,080 --> 00:14:06,120 Speaker 1: these days. I don't know of this means they're working 255 00:14:06,160 --> 00:14:09,560 Speaker 1: on music together, but there have been some rumors that 256 00:14:10,280 --> 00:14:13,720 Speaker 1: those two might be working on something, so that would 257 00:14:13,760 --> 00:14:14,400 Speaker 1: be pretty cool. 258 00:14:14,800 --> 00:14:16,320 Speaker 3: You just saw him at the Rock and Roll Hall 259 00:14:16,360 --> 00:14:16,600 Speaker 3: of Fame. 260 00:14:16,679 --> 00:14:20,440 Speaker 4: Honey, look look fantastic. Yeah, yeah, he looked. 261 00:14:20,480 --> 00:14:25,840 Speaker 1: He looked absolutely great and energized and you know, just 262 00:14:26,400 --> 00:14:27,280 Speaker 1: a man of the people. 263 00:14:27,720 --> 00:14:31,120 Speaker 2: I mentioned this once before when we talked about who in. 264 00:14:32,840 --> 00:14:35,360 Speaker 2: What's impressive about him is that he does not need 265 00:14:35,400 --> 00:14:37,600 Speaker 2: a lyric sheet. He doesn't need a songbook. If they're 266 00:14:37,640 --> 00:14:41,720 Speaker 2: going to rehearsals, everything is in his steel trap, which 267 00:14:41,760 --> 00:14:44,800 Speaker 2: is you know, he's now eighty or something, which is 268 00:14:44,840 --> 00:14:45,680 Speaker 2: pretty incredible. 269 00:14:46,440 --> 00:14:49,120 Speaker 1: I admire that because in a world where it seems 270 00:14:49,160 --> 00:14:53,600 Speaker 1: like everybody is reading off the teleprompter, if there's one 271 00:14:53,640 --> 00:14:57,640 Speaker 1: person out there who's not and they make a mistake, fine, 272 00:14:57,840 --> 00:15:00,760 Speaker 1: but you know the fact that he's he's confident in 273 00:15:00,800 --> 00:15:02,080 Speaker 1: that and believes in that. 274 00:15:02,360 --> 00:15:03,400 Speaker 4: I absolutely love that. 275 00:15:03,920 --> 00:15:05,440 Speaker 3: When you look at these artists that are doing that, 276 00:15:05,480 --> 00:15:07,520 Speaker 3: it's like a million dollar karaoke. 277 00:15:07,480 --> 00:15:10,360 Speaker 1: Oh yeah, right yeah, And just when you hope they're 278 00:15:10,400 --> 00:15:13,000 Speaker 1: not doing it, and then if you're seeing some you know, 279 00:15:13,080 --> 00:15:16,760 Speaker 1: live performance footage or something, you're like, ah, another one 280 00:15:16,800 --> 00:15:18,400 Speaker 1: who's reading off the teleprompter. 281 00:15:18,840 --> 00:15:20,720 Speaker 4: No, by the way, I'm sure I would be too. 282 00:15:22,200 --> 00:15:25,440 Speaker 3: Yeah, let's not forget how bad our own memories are. 283 00:15:25,800 --> 00:15:30,080 Speaker 2: Right right, all right, Well that's it week of March seventeenth. 284 00:15:30,120 --> 00:15:34,040 Speaker 1: Bus well, as I read off of my teleprompter here 285 00:15:35,240 --> 00:15:40,560 Speaker 1: Henry Jacobs, I'm sorry, Harry Jacobs. Oh, Harry Jacobs, master 286 00:15:40,680 --> 00:15:43,960 Speaker 1: of all. Thanks for being on and giving us a 287 00:15:43,960 --> 00:15:46,960 Speaker 1: look at the week of March seventeenth, and for all 288 00:15:47,000 --> 00:15:49,880 Speaker 1: of you, thanks for listening to the Taking a Walk podcast. 289 00:15:50,000 --> 00:15:52,200 Speaker 1: Find us wherever you get your podcasts.