1 00:00:00,240 --> 00:00:03,600 Speaker 1: Good boy, to show you love this room anywhere else? 2 00:00:03,800 --> 00:00:09,039 Speaker 1: So your friend Yo Friday that day the world's most agerous, 3 00:00:09,039 --> 00:00:12,479 Speaker 1: want to show the camera the mother. I agree? What 4 00:00:12,920 --> 00:00:18,560 Speaker 1: is this? Listen city? So d J Harry the capital 5 00:00:18,600 --> 00:00:20,960 Speaker 1: of this we usually eat. The only one who can 6 00:00:21,040 --> 00:00:24,279 Speaker 1: keep these guys in Chlomagne, the guard boy. This is 7 00:00:24,320 --> 00:00:41,720 Speaker 1: the breakface Club picture. Good morning you, wist yo yo 8 00:00:41,800 --> 00:00:43,360 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:43,440 --> 00:00:45,120 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:45,240 --> 00:00:47,120 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:47,200 --> 00:00:51,199 Speaker 1: yo yo. Good morning angela yet good money. Charlomagne, the 12 00:00:51,240 --> 00:00:53,960 Speaker 1: guy peace of the planet. Guess what day it is? 13 00:00:54,200 --> 00:01:00,960 Speaker 1: Guess what day it is? Yes, it's witness day, the 14 00:01:00,960 --> 00:01:03,320 Speaker 1: middle of the week. Yes it is. Man, what y'all 15 00:01:03,320 --> 00:01:05,120 Speaker 1: do yesterday? Yesterday? I had a great chess day in 16 00:01:05,120 --> 00:01:07,040 Speaker 1: the gym. Last till you did chest in the gym. 17 00:01:07,160 --> 00:01:11,479 Speaker 1: Last time you've been in the gym. Talking to both 18 00:01:11,520 --> 00:01:14,240 Speaker 1: of y'all. I go running, okay, I got a gym 19 00:01:14,240 --> 00:01:16,800 Speaker 1: with the crib. There you go. That was that was 20 00:01:16,800 --> 00:01:18,920 Speaker 1: a little light flex. That was a little turnaround, and 21 00:01:19,360 --> 00:01:21,760 Speaker 1: that was a little turnaround and spin and walk into 22 00:01:21,800 --> 00:01:25,759 Speaker 1: your private jet and tell everybody. They can't spell prague. 23 00:01:26,080 --> 00:01:28,200 Speaker 1: That was just now, it's a little bit real quick. 24 00:01:28,360 --> 00:01:30,840 Speaker 1: It's a little bit, just a little bit yesterday. I 25 00:01:30,840 --> 00:01:33,520 Speaker 1: ain't too much either, just pretty. That wasn't That wasn't 26 00:01:33,560 --> 00:01:34,920 Speaker 1: what I asked you though. The lasting you've been to 27 00:01:34,959 --> 00:01:36,160 Speaker 1: the gym, you got a gym in the crib when 28 00:01:36,160 --> 00:01:38,480 Speaker 1: the last thing you've been in there? Would you go 29 00:01:38,520 --> 00:01:44,160 Speaker 1: to the gym? Same downstairs to the gym yesterday. My 30 00:01:44,240 --> 00:01:46,160 Speaker 1: nephews in town and we worked out yesterday. We play 31 00:01:46,200 --> 00:01:48,280 Speaker 1: some ball and then we are worked out yesterday in 32 00:01:48,320 --> 00:01:50,520 Speaker 1: the gym. There you go. Because it's the summertime, and 33 00:01:50,600 --> 00:01:52,760 Speaker 1: you know, guys like to give girls a lot of 34 00:01:52,760 --> 00:01:54,920 Speaker 1: flak from wearing some dresses, sun dresses. We want to 35 00:01:54,920 --> 00:01:57,080 Speaker 1: see the right girls and sun dresses because we didn't 36 00:01:57,120 --> 00:01:59,280 Speaker 1: want to see you in the pool with your shirt on. Yeah, girls, 37 00:01:59,320 --> 00:02:01,360 Speaker 1: girls want to see your T shirt fit in a 38 00:02:01,400 --> 00:02:03,680 Speaker 1: certain way. They want to see you look in a 39 00:02:03,680 --> 00:02:05,400 Speaker 1: certain way when you take your shirt off at the 40 00:02:05,400 --> 00:02:07,720 Speaker 1: pool in the beach too. Yeah, guys don't do the 41 00:02:07,720 --> 00:02:09,880 Speaker 1: T shirt in the pool thing and just take it off. 42 00:02:10,600 --> 00:02:12,760 Speaker 1: And your T shirt got to fit a certain way 43 00:02:12,800 --> 00:02:15,720 Speaker 1: when you're just walking around living your life. Okay, we 44 00:02:15,840 --> 00:02:19,000 Speaker 1: see your man taties. But yesterday I went to one 45 00:02:19,040 --> 00:02:21,079 Speaker 1: of the best events that I've ever been to. It 46 00:02:21,120 --> 00:02:24,040 Speaker 1: was crazy. It was for Hendrick's Gin and it was 47 00:02:24,120 --> 00:02:27,119 Speaker 1: in Queens in Long Island City, and the event space 48 00:02:27,200 --> 00:02:29,679 Speaker 1: that they used and everything about it was just incredible. 49 00:02:29,720 --> 00:02:31,480 Speaker 1: I've never seen anything like that. As soon as you 50 00:02:31,480 --> 00:02:33,400 Speaker 1: said gin, that lets me know I have no business 51 00:02:33,400 --> 00:02:36,040 Speaker 1: there at all. Jin makes you sin in a different 52 00:02:36,080 --> 00:02:39,000 Speaker 1: type of way. But the event was a beautiful It 53 00:02:39,080 --> 00:02:43,040 Speaker 1: was crazy. I actually posted it on Instagram story just 54 00:02:43,120 --> 00:02:45,359 Speaker 1: so you could see because I was amazed by how much. 55 00:02:45,680 --> 00:02:47,000 Speaker 1: You know, a lot of times we go out to 56 00:02:47,040 --> 00:02:49,680 Speaker 1: all these events and different things and parties and it's regular, 57 00:02:49,880 --> 00:02:51,400 Speaker 1: but this was like they took a lot of time, 58 00:02:51,440 --> 00:02:53,240 Speaker 1: a lot of effort. It was really special. They had 59 00:02:53,320 --> 00:02:55,240 Speaker 1: like it was like a carnival. All I know is 60 00:02:55,240 --> 00:02:57,440 Speaker 1: it was over ninety degrees and you see somebody drinking gin. 61 00:02:57,520 --> 00:02:59,959 Speaker 1: You need to leave that facility immediately. Well it was 62 00:03:00,040 --> 00:03:03,000 Speaker 1: air conditioning and not having it. As soon as you 63 00:03:03,040 --> 00:03:05,440 Speaker 1: step outside in that ninety degree heat, hit your gin 64 00:03:05,520 --> 00:03:08,440 Speaker 1: and juice brain. Bad things happen. My goodness. Well, today 65 00:03:08,440 --> 00:03:11,880 Speaker 1: on the show Benny Booming. Lt. Hutton will be joining us, 66 00:03:11,919 --> 00:03:14,919 Speaker 1: the producer and director of the Tupac biopick, All eyes 67 00:03:14,960 --> 00:03:17,160 Speaker 1: on Me. I know everybody's excited because Black Panther comes 68 00:03:17,160 --> 00:03:19,200 Speaker 1: out next February, but let's not act like we don't 69 00:03:19,240 --> 00:03:22,000 Speaker 1: have a black superhero movie dropping this Friday, which is 70 00:03:22,040 --> 00:03:25,079 Speaker 1: all eyes on me to. Actually already bought my tickets 71 00:03:25,120 --> 00:03:28,320 Speaker 1: for the movie, but it was sold out everywhere until Sunday, 72 00:03:28,360 --> 00:03:29,920 Speaker 1: so I can't go see it until Sundy. But I 73 00:03:29,919 --> 00:03:31,960 Speaker 1: have my tickets. I'm ready to go check it out. 74 00:03:32,240 --> 00:03:34,440 Speaker 1: Good tupacs boring Day would have been Friday, he'd have 75 00:03:34,480 --> 00:03:36,320 Speaker 1: been forty six years old. That is a great way 76 00:03:36,320 --> 00:03:38,280 Speaker 1: to celebrate your forty six boring day by having a 77 00:03:38,280 --> 00:03:41,080 Speaker 1: biopick in theaters, even if you're not here to see it, right, 78 00:03:41,200 --> 00:03:43,160 Speaker 1: because at least you left some type of legacy that 79 00:03:43,280 --> 00:03:45,280 Speaker 1: warrant to the movie. All right, Well, let's get the 80 00:03:45,320 --> 00:03:47,720 Speaker 1: show cracking front page news. What we're talking about. Well, 81 00:03:47,760 --> 00:03:50,160 Speaker 1: if you are in Georgia, there are two inmates on 82 00:03:50,200 --> 00:03:52,640 Speaker 1: the run and they are very dangerous. We'll tell you 83 00:03:52,880 --> 00:03:55,680 Speaker 1: what they've done. They actually killed two officers. Okay, Christ, 84 00:03:55,760 --> 00:03:57,480 Speaker 1: we'll get into all that when we come back, keep 85 00:03:57,520 --> 00:04:00,800 Speaker 1: it locked, just to breakfast. Cloak of Morning wanted. Everybody 86 00:04:00,800 --> 00:04:03,960 Speaker 1: is dj envy angela ye, Charlemagne the guy we are 87 00:04:04,000 --> 00:04:07,080 Speaker 1: the breakfasts getting. He got caught out there, but I 88 00:04:07,080 --> 00:04:09,520 Speaker 1: thought that they didn't. He here laying in the beil Chick. 89 00:04:10,200 --> 00:04:11,880 Speaker 1: Now I see that. Yeah, And chick took a selfie 90 00:04:11,880 --> 00:04:13,400 Speaker 1: with him while he was asleep. Which one was the 91 00:04:14,480 --> 00:04:17,680 Speaker 1: take off? He was take off? Okay, all right, let's 92 00:04:17,680 --> 00:04:19,960 Speaker 1: get in some front page news. Let's talk about these 93 00:04:20,000 --> 00:04:23,160 Speaker 1: inmates on the run. Man. Now, if you are in Georgia, 94 00:04:23,360 --> 00:04:26,839 Speaker 1: be aware. These two prisoners have fatally shot two corrections 95 00:04:26,880 --> 00:04:30,160 Speaker 1: officers on a bus. That happened yesterday morning in central Georgia. 96 00:04:30,440 --> 00:04:32,760 Speaker 1: They've gotten rid of their prison uniforms and they actually 97 00:04:32,760 --> 00:04:36,760 Speaker 1: carjacked somebody at two thousand and four four door Honda Civic. 98 00:04:37,160 --> 00:04:39,200 Speaker 1: They forced to drive her out and they drove toward 99 00:04:39,279 --> 00:04:42,520 Speaker 1: Eatonon And these two inmates obviously are very dangerous because 100 00:04:42,520 --> 00:04:46,320 Speaker 1: they killed the two officers. Their names are Donnie Russell Row, 101 00:04:46,400 --> 00:04:49,600 Speaker 1: forty three, and Ricky Dubos, who is twenty four years old. 102 00:04:50,000 --> 00:04:51,720 Speaker 1: Let's that about a forty year old white male and 103 00:04:51,760 --> 00:04:54,000 Speaker 1: the twenty four year old white male. F I'm not mistaken, Yes, 104 00:04:54,000 --> 00:04:55,960 Speaker 1: if I had to guess their ages. Yeah, how did 105 00:04:55,960 --> 00:04:57,920 Speaker 1: they get to go from the from the officers? Well, 106 00:04:57,960 --> 00:04:59,880 Speaker 1: it's not clear. They actually have to review the footage, 107 00:04:59,880 --> 00:05:03,880 Speaker 1: but apparently they somehow managed to get into the front 108 00:05:03,880 --> 00:05:05,360 Speaker 1: of the bus that we should have been a locked 109 00:05:05,440 --> 00:05:08,800 Speaker 1: section of the bus, and they managed to overpower the 110 00:05:08,839 --> 00:05:12,760 Speaker 1: two officers, and one of those inmates shot and killed 111 00:05:12,839 --> 00:05:15,800 Speaker 1: both of the officers. Well, Georgia is an open carry state, 112 00:05:15,880 --> 00:05:18,520 Speaker 1: so I'm sure that those two thugs will be clapped 113 00:05:18,560 --> 00:05:20,880 Speaker 1: on site if they run upon the wrong person yards. 114 00:05:20,920 --> 00:05:23,160 Speaker 1: They ain't be careful because they may have the officers 115 00:05:23,240 --> 00:05:26,480 Speaker 1: glocks pistols as well. Once again, Georgia's an open carry states, 116 00:05:26,480 --> 00:05:27,800 Speaker 1: so they need to be careful because there's a lot 117 00:05:27,800 --> 00:05:29,720 Speaker 1: of people. Are they carrying glock pistols too? And week 118 00:05:29,960 --> 00:05:32,600 Speaker 1: you got their pictures, you know who they are. You 119 00:05:32,680 --> 00:05:35,240 Speaker 1: might have to clap those thugs on site. You gotta 120 00:05:35,240 --> 00:05:37,159 Speaker 1: get them out the paint. They already shot two cops 121 00:05:37,320 --> 00:05:39,360 Speaker 1: and killed them. They killed two cops, so imagine what 122 00:05:39,400 --> 00:05:42,440 Speaker 1: they're gonna do the US regular civilians. I'm terrified from 123 00:05:42,480 --> 00:05:44,400 Speaker 1: my life. You gotta shoot those thugs on site. Now, 124 00:05:44,400 --> 00:05:46,720 Speaker 1: what's going on in the White House news? Well, Jeff's Sessions, 125 00:05:46,800 --> 00:05:50,839 Speaker 1: as you know, was talking yesterday and he was testifying 126 00:05:50,880 --> 00:05:53,320 Speaker 1: in front of the Senate Intelligence Committee, and here is 127 00:05:53,360 --> 00:05:55,560 Speaker 1: some of what he had to say. He of course 128 00:05:55,600 --> 00:05:59,760 Speaker 1: denied collusion with Moscow to influence the election of twenty sixteen. 129 00:06:00,880 --> 00:06:04,880 Speaker 1: Let me state this clearly, colleagues, I have never met 130 00:06:04,920 --> 00:06:09,080 Speaker 1: with or had any conversation with any Russians or any 131 00:06:09,120 --> 00:06:13,680 Speaker 1: foreign officials concerning any type of interference with any campaign 132 00:06:14,080 --> 00:06:19,360 Speaker 1: or election. And the suggestion that I participated in any collusion, 133 00:06:19,680 --> 00:06:22,760 Speaker 1: that I was aware of any collusion with the Russian 134 00:06:22,839 --> 00:06:28,080 Speaker 1: government to hurt this country isn't an appalling and detestable life. 135 00:06:28,600 --> 00:06:33,719 Speaker 1: Jeff sessions grandparents definitely owned slaves, absolutely did now. Jeff 136 00:06:33,760 --> 00:06:36,640 Speaker 1: Sessions also refused to answer any questions about his discussions 137 00:06:36,640 --> 00:06:39,719 Speaker 1: with Donald Trump, because he's saying the President could claim 138 00:06:39,839 --> 00:06:43,520 Speaker 1: executive privilege over those discussions at a later date. He 139 00:06:43,560 --> 00:06:47,960 Speaker 1: also discussed his recusal. So many have suggested that my 140 00:06:48,160 --> 00:06:51,760 Speaker 1: recusal is because I felt I was a subject of 141 00:06:51,800 --> 00:06:56,440 Speaker 1: the investigation myself. But this is the reason I recused myself. 142 00:06:56,480 --> 00:06:59,200 Speaker 1: I felt I was required to I thought there was 143 00:06:59,240 --> 00:07:03,360 Speaker 1: a problem with me being able to serve as Attorney 144 00:07:03,360 --> 00:07:06,880 Speaker 1: General over this issue, and I felt I would possibly 145 00:07:07,000 --> 00:07:11,800 Speaker 1: have to recuse myself, and I took the position correctly. 146 00:07:11,840 --> 00:07:14,840 Speaker 1: I believe not to involve myself in the campaign in 147 00:07:14,880 --> 00:07:18,360 Speaker 1: any way. What is executive privilege? Is that Donald Trump's 148 00:07:18,360 --> 00:07:20,600 Speaker 1: new book that was there? Oh yeah, well, that they 149 00:07:20,640 --> 00:07:23,240 Speaker 1: don't have to answer certain questions because it's like, uh, 150 00:07:23,280 --> 00:07:27,520 Speaker 1: you know, it's private privilege information, executive privilege by Donald Trump. 151 00:07:27,600 --> 00:07:30,520 Speaker 1: Impeachment comes to presidents who created God bless my goodness. 152 00:07:30,720 --> 00:07:33,080 Speaker 1: All right. He was saying throughout this that he's not 153 00:07:33,160 --> 00:07:35,200 Speaker 1: able to answer because he said, I'm not able to 154 00:07:35,200 --> 00:07:37,600 Speaker 1: be rushed this fast. It makes me nervous while they 155 00:07:37,600 --> 00:07:41,280 Speaker 1: were questioning him. It makes him nervous to be questioned, sir. 156 00:07:41,640 --> 00:07:45,400 Speaker 1: Oh years old, he is up in age. See he's 157 00:07:45,440 --> 00:07:49,120 Speaker 1: definitely Betty White's age. Come on, now, Jeff Sessions is 158 00:07:49,160 --> 00:07:52,120 Speaker 1: Betty White? By the way, they actually just posted something 159 00:07:52,120 --> 00:07:56,400 Speaker 1: about her the other Day's chilling. All right, well, that's 160 00:07:56,440 --> 00:08:00,200 Speaker 1: front page and get off eight d five eight five 161 00:08:00,240 --> 00:08:02,120 Speaker 1: one oh five one. If you're upset, you need to 162 00:08:02,160 --> 00:08:04,360 Speaker 1: vin call us right now. Maybe you feel blessed. You 163 00:08:04,400 --> 00:08:06,480 Speaker 1: want to spread some positivity, call us up. Phone lines 164 00:08:06,480 --> 00:08:09,000 Speaker 1: to wide open eight hundred five eight five one O 165 00:08:09,120 --> 00:08:12,040 Speaker 1: five one is to breakfast club. Good morning. The breakfast 166 00:08:12,040 --> 00:08:18,840 Speaker 1: club is your time to get it off your chests, 167 00:08:18,920 --> 00:08:21,800 Speaker 1: whether you're man or blest. So people have the same industry. 168 00:08:21,960 --> 00:08:24,680 Speaker 1: We want to hear from you on the breakfast club. Gee, 169 00:08:24,760 --> 00:08:28,120 Speaker 1: come on and gee, yes this is from a setting him. No, 170 00:08:28,360 --> 00:08:31,200 Speaker 1: I'm not a sad guy. We heard from you in 171 00:08:31,240 --> 00:08:35,720 Speaker 1: a minute, bro, Bro, I had to talk to Solo 172 00:08:35,800 --> 00:08:38,319 Speaker 1: man really been felling himself way. But yeah, I haven't 173 00:08:38,360 --> 00:08:43,520 Speaker 1: talking about He went like more man, tal Man, I 174 00:08:43,520 --> 00:08:46,120 Speaker 1: gotta listen up. It was like a monkey before the 175 00:08:46,120 --> 00:08:48,800 Speaker 1: stalls room and you still was like one now and 176 00:08:48,960 --> 00:08:53,199 Speaker 1: he remind me of call back blocking up more chest up, brother, listen, 177 00:08:53,280 --> 00:08:55,560 Speaker 1: you're you're probably right, but keep in mind one thing. 178 00:08:55,720 --> 00:08:57,960 Speaker 1: Regardless of how I look, I am a New York 179 00:08:58,040 --> 00:09:00,520 Speaker 1: Times bestselling author, okay, And I don't like your tone, 180 00:09:01,040 --> 00:09:02,680 Speaker 1: the tone that you're taking me for New York Times 181 00:09:02,720 --> 00:09:08,160 Speaker 1: bestselling author. Have a blessed day. I know it kills 182 00:09:08,200 --> 00:09:10,319 Speaker 1: him every time. There's nothing they can say. Joe, Joe, 183 00:09:10,800 --> 00:09:13,000 Speaker 1: we're sattening you're feeling blessed day, Tell the world why 184 00:09:13,040 --> 00:09:15,400 Speaker 1: you blessed? Bro Oh man, I'm blessed because I got 185 00:09:15,440 --> 00:09:18,320 Speaker 1: the best baby mother in the world. There we God, 186 00:09:18,360 --> 00:09:20,280 Speaker 1: I love it. I love it. She look out on 187 00:09:20,320 --> 00:09:22,719 Speaker 1: me even though we separated. She stuid up from me, 188 00:09:22,760 --> 00:09:24,800 Speaker 1: and then I got the best job. Shout out caps 189 00:09:24,840 --> 00:09:27,280 Speaker 1: in the Asso, Shout out Lamar and the Coup in 190 00:09:27,360 --> 00:09:30,679 Speaker 1: the wheelhouse. Dj Envy, Charlotte Mane, a guy, your book 191 00:09:30,720 --> 00:09:33,400 Speaker 1: is the brother. I'm excusing my lang. Charlotte Maine, thank 192 00:09:33,400 --> 00:09:37,679 Speaker 1: you brother, bestseller than you. I was gonna I was 193 00:09:37,720 --> 00:09:40,040 Speaker 1: gonna say, if she's the best baby mom in the world, 194 00:09:40,080 --> 00:09:42,000 Speaker 1: why she's not your wife? Would you say you're not together? 195 00:09:42,080 --> 00:09:48,480 Speaker 1: So right? Hello? Who's this? Oh? Hi, Shanna, Shanna? Why 196 00:09:48,480 --> 00:09:50,199 Speaker 1: are you mad? Are you mad? A blessed? This morning? 197 00:09:50,760 --> 00:09:55,800 Speaker 1: This morning? I am mad because I'm still studying for finals. Um, 198 00:09:55,880 --> 00:09:58,240 Speaker 1: because I'm in college right now and I'm still studying 199 00:09:58,280 --> 00:10:00,960 Speaker 1: for finals. And I'm so, what school do you go 200 00:10:01,000 --> 00:10:03,960 Speaker 1: to because most colleges are oval Really yeah, Um, I 201 00:10:04,080 --> 00:10:11,080 Speaker 1: go to uh Stans Declara University. Oh okay, it's your 202 00:10:11,120 --> 00:10:13,880 Speaker 1: last week. You got finals this week? Oh? Yeah, I 203 00:10:13,960 --> 00:10:16,960 Speaker 1: got finals this week. But I want to say, I'm 204 00:10:17,000 --> 00:10:20,680 Speaker 1: so happy that I just am speaking to you guys 205 00:10:20,760 --> 00:10:25,200 Speaker 1: right now. So like Charlie mcgonne um and really ye 206 00:10:25,360 --> 00:10:28,760 Speaker 1: and also DJ Hindy as well. But it's just like 207 00:10:29,160 --> 00:10:32,600 Speaker 1: it's basically the highlight of my week basically, so I'm 208 00:10:32,880 --> 00:10:35,760 Speaker 1: super super excited. I'm gonna be honest. Would you sound 209 00:10:35,840 --> 00:10:39,880 Speaker 1: like caffeine or something now I am? I mean, I 210 00:10:39,960 --> 00:10:42,400 Speaker 1: actually got like a monster right here next to me, 211 00:10:42,600 --> 00:10:46,800 Speaker 1: and then talk about hours ago I drank Red Bull definitely, yeah, 212 00:10:47,160 --> 00:10:49,320 Speaker 1: we can tell. Oh yeah, but I mean that I 213 00:10:49,320 --> 00:10:52,240 Speaker 1: could do on college though. Yeah, you could be doing cocaine, 214 00:10:52,360 --> 00:10:54,560 Speaker 1: adderall or something. Elk. I'm glad. Did you just do 215 00:10:54,880 --> 00:10:57,640 Speaker 1: energy drinks? Just up a nice juice or something, drink 216 00:10:57,760 --> 00:11:00,240 Speaker 1: some green sea those things that keep you up as well? Yeah, 217 00:11:00,240 --> 00:11:03,640 Speaker 1: I'm glad we're the highlight though. Thank you? Awesome, all right, 218 00:11:03,720 --> 00:11:05,960 Speaker 1: thank you guys. Good luck on your example. But that 219 00:11:06,080 --> 00:11:08,679 Speaker 1: is very sad. If we're the highlight of somebody's week, 220 00:11:08,679 --> 00:11:10,439 Speaker 1: that's sad. I want to be the highlighters. I want 221 00:11:10,440 --> 00:11:12,440 Speaker 1: to be the highlight of somebody's day. I want them 222 00:11:12,440 --> 00:11:14,520 Speaker 1: to wake up in the morning, turn that breakfast club 223 00:11:14,559 --> 00:11:16,920 Speaker 1: on and be like, yes, I'm ready to go. I'm 224 00:11:16,920 --> 00:11:18,400 Speaker 1: ready to get to day movement. I want to be 225 00:11:18,440 --> 00:11:20,439 Speaker 1: the highlight of somebody's day. Ever since you made that 226 00:11:20,440 --> 00:11:24,080 Speaker 1: littletsue do radio? What's that little lissue I'm talking about? 227 00:11:24,080 --> 00:11:26,920 Speaker 1: But don't y'all do radio? They went up saying waking 228 00:11:27,000 --> 00:11:29,320 Speaker 1: up in the morning to be the highlight of somebody's day. 229 00:11:29,360 --> 00:11:31,160 Speaker 1: I think y'all forgetting Why y'all do the wife and 230 00:11:31,240 --> 00:11:33,440 Speaker 1: kids to be the highlight of my day? That's great too, 231 00:11:33,520 --> 00:11:35,640 Speaker 1: But we do radio. We are public servants. We are 232 00:11:35,679 --> 00:11:37,240 Speaker 1: here the servant the needs of the public. So yes, 233 00:11:37,280 --> 00:11:38,760 Speaker 1: I want people to wake up in the morning and say, 234 00:11:38,800 --> 00:11:40,599 Speaker 1: the breakfast club is the highlight of my day. We 235 00:11:40,920 --> 00:11:42,959 Speaker 1: get the morning started. Yeah, I want life to be 236 00:11:43,000 --> 00:11:45,160 Speaker 1: the highlight of that day. We are part of their life. 237 00:11:45,160 --> 00:11:46,320 Speaker 1: We could be part of it. I want to be 238 00:11:46,320 --> 00:11:48,560 Speaker 1: a habit. I want people to have great, great, great 239 00:11:48,640 --> 00:11:51,320 Speaker 1: lives and have several highlights. Dare you go? Yeah, I'm 240 00:11:51,360 --> 00:11:52,960 Speaker 1: happy to be one of them. Get it off your chests. 241 00:11:53,000 --> 00:11:55,280 Speaker 1: Eight hundred five eight five, one oh five one, you mad, 242 00:11:55,320 --> 00:11:56,960 Speaker 1: you blessed? Call us now. It was the breakfast club 243 00:11:56,960 --> 00:12:04,480 Speaker 1: of the morning. The breakfast Club This is your time 244 00:12:04,520 --> 00:12:06,760 Speaker 1: to get it off your chest, whether you're mad or blessed. 245 00:12:06,920 --> 00:12:08,960 Speaker 1: So you better have the same in We want to 246 00:12:08,960 --> 00:12:11,880 Speaker 1: hear from you on the breakfast club, Willie, good morning 247 00:12:12,360 --> 00:12:15,040 Speaker 1: or what's going on y'all? Good morning to you? What's up? Willie? 248 00:12:15,120 --> 00:12:21,760 Speaker 1: What yo? I'm mad Bron he's still mad at the castle. 249 00:12:22,400 --> 00:12:25,160 Speaker 1: I'm mad at them Calves man, but I'm not really 250 00:12:25,200 --> 00:12:27,800 Speaker 1: mad at the castle, mad at them Go Stay Warriors though. 251 00:12:28,240 --> 00:12:31,440 Speaker 1: Why that was a little Kevin Kevin Durant. You know, 252 00:12:31,640 --> 00:12:35,839 Speaker 1: everybody talking about he made a move. You know, I'm 253 00:12:35,840 --> 00:12:37,320 Speaker 1: not gonna stay it on the radio, but he made 254 00:12:37,360 --> 00:12:39,199 Speaker 1: that the kind of moved to go over there, a 255 00:12:39,280 --> 00:12:42,600 Speaker 1: bitch move, a bitch move, go ahead, saying okay, okay, yeah, 256 00:12:42,640 --> 00:12:45,280 Speaker 1: well I'll say that. Yeah he made He made a 257 00:12:45,280 --> 00:12:47,360 Speaker 1: pretty crazy move going over there on the team that 258 00:12:47,480 --> 00:12:50,440 Speaker 1: was already winning. Like, hey, Winn, it's already what are 259 00:12:50,440 --> 00:12:52,400 Speaker 1: you going there for? But you know, whatever, it was 260 00:12:52,440 --> 00:12:54,480 Speaker 1: his time. Let him have that. Let see what I'm 261 00:12:54,520 --> 00:12:56,760 Speaker 1: really mad about right now. It's like everybody talking about 262 00:12:57,200 --> 00:13:00,640 Speaker 1: Lebron is not great just because he took this in 263 00:13:00,679 --> 00:13:02,520 Speaker 1: the finals. Well, this is what you gotta read this 264 00:13:02,840 --> 00:13:04,880 Speaker 1: one you gotta realize about people. And I realized this 265 00:13:04,960 --> 00:13:07,839 Speaker 1: a long time ago. People are very, very fickle. Two 266 00:13:07,840 --> 00:13:10,680 Speaker 1: weeks ago, they were comparing Lebron James to Michael Jordan's 267 00:13:10,720 --> 00:13:12,800 Speaker 1: saying is he better than Jordan? Now they're saying Kevin 268 00:13:12,880 --> 00:13:14,400 Speaker 1: Duran is the best player in the world. So what 269 00:13:14,440 --> 00:13:16,480 Speaker 1: that should tell you is, don't listen to the opinions 270 00:13:16,480 --> 00:13:17,800 Speaker 1: of other people because they don't know what the hell 271 00:13:17,840 --> 00:13:21,320 Speaker 1: they're talking about. Rodney, good morning, what's up man? Aw 272 00:13:21,400 --> 00:13:23,480 Speaker 1: y'all doing this morning? Good? What part of Brooklyn are 273 00:13:23,520 --> 00:13:28,240 Speaker 1: you from? Originally Corney Allen? Okay, I'm gonna be a 274 00:13:28,360 --> 00:13:31,840 Speaker 1: Kney Allen next weekend for their anniversary for Luna podcast 275 00:13:32,040 --> 00:13:36,000 Speaker 1: with fab Fa bo. Okay, Okay, that's what's up, baby, 276 00:13:36,040 --> 00:13:38,440 Speaker 1: that's what's up. Blessed this morning? Right, you're feeling blessed 277 00:13:38,480 --> 00:13:41,199 Speaker 1: this morning? Absolutely, man. Just happened to be here and 278 00:13:41,240 --> 00:13:43,560 Speaker 1: woke up this morning inspired up. Like I was telling 279 00:13:43,640 --> 00:13:46,120 Speaker 1: this unique hey man, a lot of things going on, 280 00:13:46,320 --> 00:13:49,559 Speaker 1: but hey, people missed the biggest gift of balls just 281 00:13:49,679 --> 00:13:54,040 Speaker 1: waking up. That's it comes after it's extra breathing is 282 00:13:54,040 --> 00:13:56,480 Speaker 1: a privilege. I keep trying to tell people breathing is 283 00:13:56,480 --> 00:13:59,679 Speaker 1: a privilege. Somebody walk get dead this morning? All right, 284 00:14:00,200 --> 00:14:02,360 Speaker 1: off your chest eight hundred five eight five one o 285 00:14:02,520 --> 00:14:04,840 Speaker 1: five one. Now we got rumors on the way. Yes 286 00:14:05,080 --> 00:14:07,800 Speaker 1: why was to nash trending yesterday? Will tell you what 287 00:14:07,920 --> 00:14:11,120 Speaker 1: she said that had people really going in on her. Also, 288 00:14:11,280 --> 00:14:14,920 Speaker 1: the double xwth freshman cover the freshman class has been revealed. 289 00:14:15,240 --> 00:14:17,240 Speaker 1: Let's see what you think. Okay, we'll get into all 290 00:14:17,320 --> 00:14:19,120 Speaker 1: that when we come back. Keeping locked this to Breakfast 291 00:14:19,120 --> 00:14:25,880 Speaker 1: Club on the morning the Breakfast Club. Listen this just 292 00:14:26,720 --> 00:14:33,000 Speaker 1: oh gosh, got the rumor report guys with Angel Breakfast 293 00:14:33,080 --> 00:14:38,120 Speaker 1: Club yesterday David Bill the double X howth freshman class. 294 00:14:38,200 --> 00:14:40,040 Speaker 1: Definitely want to hear what you guys think about. Who 295 00:14:40,120 --> 00:14:42,440 Speaker 1: made the list? Aka, this is how you know you're 296 00:14:42,480 --> 00:14:46,000 Speaker 1: getting old freshman cover. All right, Kamaya made the list. 297 00:14:46,400 --> 00:14:50,160 Speaker 1: She's from the Bay Area. Yes, you do know Kamaya. 298 00:14:50,360 --> 00:14:53,120 Speaker 1: She has she's please please tell me why you always 299 00:14:53,160 --> 00:14:57,160 Speaker 1: hate She's got his song and she has a song 300 00:14:57,200 --> 00:15:00,160 Speaker 1: with E forty Petty. All Right, I like Kamaya. I'm 301 00:15:00,200 --> 00:15:03,760 Speaker 1: a boogie with the hoodie P and b Rock No 302 00:15:03,920 --> 00:15:08,160 Speaker 1: p and b Rock, no Median Tokyo. That's everywhere. He 303 00:15:08,200 --> 00:15:11,880 Speaker 1: should be on it, right, and the skateboard Pum playboy Cardie, 304 00:15:12,080 --> 00:15:14,680 Speaker 1: he should be on it. I mean A has its 305 00:15:14,720 --> 00:15:19,080 Speaker 1: own Caroline. No, no, they don't. They played that song 306 00:15:19,160 --> 00:15:21,680 Speaker 1: a lot on streaming services and did we ever played? Yeah? 307 00:15:21,800 --> 00:15:24,600 Speaker 1: We do? Okay, who played that? I mean that's on 308 00:15:24,760 --> 00:15:27,800 Speaker 1: Caroline was? It was on a count that everything? Who else? Um? 309 00:15:27,880 --> 00:15:31,360 Speaker 1: Also cap G made the list from La Yeah, capt 310 00:15:31,920 --> 00:15:34,880 Speaker 1: and raised in Atlanta, But caps has its own girlfriend 311 00:15:35,560 --> 00:15:39,400 Speaker 1: h Kyle. Nope, Kyle's going to be performing at the 312 00:15:39,440 --> 00:15:41,720 Speaker 1: bus and some a jam that we're hosting. Right, I'm 313 00:15:41,840 --> 00:15:45,320 Speaker 1: ugly god, ugly guy, ugly lip service. If you haven't 314 00:15:45,360 --> 00:15:46,880 Speaker 1: heard that, you should check that out. It was crazy. 315 00:15:46,960 --> 00:15:49,400 Speaker 1: And also the tenth spot when it was x x 316 00:15:49,600 --> 00:15:52,000 Speaker 1: x ten tasion right has look at me. I'm not 317 00:15:52,000 --> 00:15:54,960 Speaker 1: surprised who just got snuffed? Right? Okay, I'm surprised Whie 318 00:15:54,960 --> 00:15:57,280 Speaker 1: and Lucci didn't make that list. Wife and Luci definitely 319 00:15:57,280 --> 00:15:58,520 Speaker 1: should be on that list. Well, I was talking to 320 00:15:58,640 --> 00:16:00,440 Speaker 1: my young boys yesterday. I had to up my young 321 00:16:00,520 --> 00:16:02,800 Speaker 1: boys really on smashing academics because you know this is 322 00:16:03,400 --> 00:16:05,600 Speaker 1: that young wave is not my lane. So I was 323 00:16:05,680 --> 00:16:07,920 Speaker 1: asking them what they thought rarely thought that the whole 324 00:16:08,360 --> 00:16:10,640 Speaker 1: cover was trash. T Grizzly should be on that last 325 00:16:10,680 --> 00:16:13,000 Speaker 1: what academics academic said, T Grizzly should be on that. 326 00:16:14,200 --> 00:16:17,440 Speaker 1: I thought Curdie b was gonna be on the should 327 00:16:17,440 --> 00:16:19,480 Speaker 1: have been on the Young definitely should have been. But 328 00:16:19,520 --> 00:16:21,600 Speaker 1: I feel like maybe some people because people have turned 329 00:16:21,600 --> 00:16:23,080 Speaker 1: it down. So we are going to talk at some 330 00:16:23,160 --> 00:16:25,560 Speaker 1: point too, Vanessa who is the editor in chief of 331 00:16:25,600 --> 00:16:28,240 Speaker 1: double Xtel. Because let's not forget there's some people who 332 00:16:28,320 --> 00:16:30,000 Speaker 1: feel like, I don't want to do the Freshman cover 333 00:16:30,120 --> 00:16:32,080 Speaker 1: because I feel like I'm going to get my own cover, 334 00:16:32,240 --> 00:16:34,160 Speaker 1: or sometimes they feel like they don't want to they're 335 00:16:34,200 --> 00:16:38,040 Speaker 1: trying to follow the Drake Nicki Minaj model. But y'all 336 00:16:38,040 --> 00:16:40,200 Speaker 1: ain't Drake Nicki Minaj. Who else? He told me should 337 00:16:40,200 --> 00:16:43,040 Speaker 1: have been on the NAV? Whose nav? Nave? I don't 338 00:16:43,080 --> 00:16:44,880 Speaker 1: know who that is. Academics said he should have been 339 00:16:44,880 --> 00:16:49,720 Speaker 1: on there, and Slack his name. It's like six black, 340 00:16:51,360 --> 00:16:54,480 Speaker 1: I'm brown. It's too hot for trap music, okay, I 341 00:16:54,560 --> 00:16:56,560 Speaker 1: don't like. I was riding as in the gym yesterday. 342 00:16:56,600 --> 00:16:58,240 Speaker 1: I try to put on some trap music and it 343 00:16:58,360 --> 00:17:00,280 Speaker 1: was too hot, so I put on some nine R 344 00:17:00,320 --> 00:17:02,760 Speaker 1: and B. Well, we're gonna have that debate. Don't worry 345 00:17:02,800 --> 00:17:05,040 Speaker 1: about it when we have Vanessa up here from Double 346 00:17:05,160 --> 00:17:06,919 Speaker 1: X magazine, because you know, everybody always got to talk 347 00:17:06,920 --> 00:17:08,960 Speaker 1: about the Freshman cover. It's a big deal for a 348 00:17:09,040 --> 00:17:10,760 Speaker 1: lot of artists. And they also do the Freshman the 349 00:17:10,840 --> 00:17:13,960 Speaker 1: Double XEL Freshman Show, and that's gonna be Wednesday, June 350 00:17:14,040 --> 00:17:16,040 Speaker 1: twenty eighth, and they are also doing one in la 351 00:17:16,160 --> 00:17:18,720 Speaker 1: as well in July twelfth. Too confusing for me? What's 352 00:17:18,760 --> 00:17:22,199 Speaker 1: too confusing that Double XEL Freshman List? All right, Well, 353 00:17:22,200 --> 00:17:23,680 Speaker 1: it's a big deal for them. It's a nice little 354 00:17:23,760 --> 00:17:27,920 Speaker 1: jump starngratulations, toulation drop one of clues bombs for everybody 355 00:17:28,000 --> 00:17:30,400 Speaker 1: on the list. I have no reason to say who 356 00:17:30,440 --> 00:17:32,960 Speaker 1: shouldn't or should be on the list, because I don't know. 357 00:17:33,160 --> 00:17:35,119 Speaker 1: But don't worry. We're gonna have more insight for everybody 358 00:17:35,160 --> 00:17:36,959 Speaker 1: who commented on it because we are going to get 359 00:17:37,000 --> 00:17:39,680 Speaker 1: that exclusive all right to Nashe In the meantime was 360 00:17:39,800 --> 00:17:42,119 Speaker 1: trending yesterday now, she did an interview with the Guardian 361 00:17:42,200 --> 00:17:45,119 Speaker 1: where she talked about colorism playing a role in her 362 00:17:45,200 --> 00:17:47,280 Speaker 1: career not being where it should be. She said there's 363 00:17:47,320 --> 00:17:50,000 Speaker 1: colorism involved in the black community, which is very apparent. 364 00:17:50,280 --> 00:17:52,200 Speaker 1: It's about trying to find a balance where I'm a 365 00:17:52,320 --> 00:17:55,000 Speaker 1: mixed black woman, where I'm a mixed woman, and sometimes 366 00:17:55,040 --> 00:17:57,200 Speaker 1: I feel like I don't fully fit into the black community. 367 00:17:57,240 --> 00:17:59,320 Speaker 1: They don't fully accept me, even though I see myself 368 00:17:59,640 --> 00:18:02,360 Speaker 1: as a black woman. That just connects is confusing. Sometimes 369 00:18:02,720 --> 00:18:05,560 Speaker 1: I am what I am to Nase. Tripping to Nasha 370 00:18:05,680 --> 00:18:07,840 Speaker 1: gets plenty of looks. I see to Nach on the 371 00:18:07,960 --> 00:18:12,119 Speaker 1: bill for stuff and TV shows and truestivals. She beyond 372 00:18:12,119 --> 00:18:14,119 Speaker 1: and always say to myself, how did to Nasha get here? 373 00:18:14,160 --> 00:18:16,520 Speaker 1: I just thought she had sneaky singles everybody was rocking with. 374 00:18:16,760 --> 00:18:18,399 Speaker 1: But she had too. She had two records that did 375 00:18:18,440 --> 00:18:20,639 Speaker 1: pretty well. I don't know, you know, I'm with you. 376 00:18:20,680 --> 00:18:22,280 Speaker 1: I see her on a lot of a lot of 377 00:18:22,880 --> 00:18:25,280 Speaker 1: a lot of The article was titled if you're a 378 00:18:25,400 --> 00:18:28,240 Speaker 1: Black singer, You're either Beyonce or Rihanna. She said in 379 00:18:28,280 --> 00:18:30,720 Speaker 1: the article, there are hundreds of male rappers that all 380 00:18:30,760 --> 00:18:32,160 Speaker 1: look the same, that sound the same, But if you're 381 00:18:32,160 --> 00:18:34,800 Speaker 1: a black woman, you're either Beyonce or Rihanna. It's very 382 00:18:34,960 --> 00:18:36,680 Speaker 1: very strange. Now, I do agree that this is a 383 00:18:36,760 --> 00:18:38,800 Speaker 1: Beyonce Rihanna world and the rest of these chicks just 384 00:18:38,960 --> 00:18:40,880 Speaker 1: live in it. But don't nobody care about your complexion. 385 00:18:40,960 --> 00:18:43,240 Speaker 1: Just make dope music. And if it is any colorism, 386 00:18:43,440 --> 00:18:46,120 Speaker 1: it's it's against the dark skinned women. But to Nache 387 00:18:46,200 --> 00:18:49,080 Speaker 1: and Rihannay, to Nacia Rihanna like the same complexion. No, 388 00:18:49,600 --> 00:18:53,800 Speaker 1: they're not just. I don't think people really they know 389 00:18:53,960 --> 00:18:55,720 Speaker 1: her music, but they don't think of her when they 390 00:18:55,760 --> 00:18:57,080 Speaker 1: hear it. When I hear her too old, I think 391 00:18:57,119 --> 00:18:58,840 Speaker 1: of the drink version. Well, I tell you what, though, 392 00:18:58,880 --> 00:19:01,040 Speaker 1: I've seen to Nasha perform here at the iHeart Theater 393 00:19:01,119 --> 00:19:04,439 Speaker 1: and she's an excellent performance perform She gets it in now, 394 00:19:04,520 --> 00:19:07,800 Speaker 1: she tweeted in responds to all the hate that she 395 00:19:07,960 --> 00:19:13,000 Speaker 1: was getting, and she said that the article was misquoted her. Basically, 396 00:19:13,040 --> 00:19:14,960 Speaker 1: she said the article framed it like it was about 397 00:19:15,280 --> 00:19:18,280 Speaker 1: the music business, but she said the article was about 398 00:19:18,359 --> 00:19:20,840 Speaker 1: success and music. Wasn't just about success and music. She said, 399 00:19:20,880 --> 00:19:23,639 Speaker 1: the conversation we had was about my experiences growing up 400 00:19:23,720 --> 00:19:26,200 Speaker 1: in general. Okay, I got one to Nasi record. I 401 00:19:26,280 --> 00:19:28,360 Speaker 1: really liked at the joint with snake kIPS and chance 402 00:19:28,400 --> 00:19:32,520 Speaker 1: to wrapple. All my friends always stand Oh yeah, that 403 00:19:32,760 --> 00:19:34,720 Speaker 1: that's a tough two. I don't know what Nai talking 404 00:19:34,840 --> 00:19:36,320 Speaker 1: is that how record? It was that the DJ's record. 405 00:19:36,359 --> 00:19:41,000 Speaker 1: I thought it was a perform But I'll say this 406 00:19:41,160 --> 00:19:44,160 Speaker 1: about to Naca. She's still really young in her career. 407 00:19:44,320 --> 00:19:46,280 Speaker 1: She's only twenty four years old, so she still has 408 00:19:46,320 --> 00:19:49,399 Speaker 1: a lot of time to develop. She's a great performer. 409 00:19:49,720 --> 00:19:51,800 Speaker 1: All Right, I'm Angela Yee and that's your rumor report. 410 00:19:51,920 --> 00:19:55,800 Speaker 1: Warning everybody is DJ VI Angela Yee, Charlomagne the guy. 411 00:19:55,840 --> 00:19:57,920 Speaker 1: We all the breakfast club. We got some special guests 412 00:19:57,960 --> 00:20:02,159 Speaker 1: in the building. Directors of all eyes on me, Benny Bowman, 413 00:20:02,280 --> 00:20:11,680 Speaker 1: lt producer, producer, creator, director. This is a long time 414 00:20:11,720 --> 00:20:13,840 Speaker 1: coming because I remember seeing L T n LA maybe 415 00:20:14,720 --> 00:20:18,720 Speaker 1: five six years ago. Seven Ya, it was you and 416 00:20:19,160 --> 00:20:21,639 Speaker 1: what's the ballplayer name? He's got a Cowboys I don't remember. 417 00:20:22,680 --> 00:20:25,280 Speaker 1: Sean Jackson. Yeah, and you were you were saying you 418 00:20:25,320 --> 00:20:27,679 Speaker 1: had just got directed the movie. Then it started actually 419 00:20:27,720 --> 00:20:32,520 Speaker 1: in two thousand and eight, Dan, you know what I mean? Yeah, man, 420 00:20:32,600 --> 00:20:35,080 Speaker 1: the process, you know, in the creation of this process. Man, 421 00:20:35,119 --> 00:20:37,680 Speaker 1: you gotta understand, like I always say, you know, thirty 422 00:20:37,760 --> 00:20:40,160 Speaker 1: minutes of Tuparc's life could have been its own film. 423 00:20:40,200 --> 00:20:43,920 Speaker 1: In itself. Um, and then with just the nuances of 424 00:20:44,600 --> 00:20:46,600 Speaker 1: you know, protecting the IP you know what I mean, 425 00:20:46,640 --> 00:20:50,200 Speaker 1: the intellectual property, you know, and um, creating something great. 426 00:20:50,400 --> 00:20:53,200 Speaker 1: And in Hollywood it's hard enough to make a film 427 00:20:54,000 --> 00:20:56,399 Speaker 1: in general, you know what I mean, most most of 428 00:20:56,480 --> 00:20:59,080 Speaker 1: the great films out there still having been made, you 429 00:20:59,160 --> 00:21:01,720 Speaker 1: know what I mean, Riving Gays and and and the 430 00:21:01,800 --> 00:21:04,639 Speaker 1: films like that. So just understand, like, you know, to 431 00:21:04,880 --> 00:21:08,880 Speaker 1: make Avatar, it was fifteen years you know, so this film, 432 00:21:09,000 --> 00:21:10,880 Speaker 1: you know, I wanted to make sure that we had 433 00:21:10,960 --> 00:21:14,240 Speaker 1: it correct and you got to sort through and sift 434 00:21:14,280 --> 00:21:17,040 Speaker 1: through all of the nonsense, you know what I'm saying, 435 00:21:17,040 --> 00:21:19,080 Speaker 1: the rights, Like what's the process of getting the rights 436 00:21:19,119 --> 00:21:22,399 Speaker 1: to somebody's life. It wasn't a process like that. It 437 00:21:22,560 --> 00:21:25,000 Speaker 1: was just about you know, I wasn't going to do 438 00:21:25,119 --> 00:21:27,760 Speaker 1: anything unauthorized, you know what I mean. And I want 439 00:21:27,800 --> 00:21:30,400 Speaker 1: to make sure that, you know, people benefit off their 440 00:21:30,560 --> 00:21:34,119 Speaker 1: names and likenesses, you know. And so you know, the 441 00:21:34,240 --> 00:21:36,680 Speaker 1: lawyers got involved and we cut a deal. That's a 442 00:21:36,720 --> 00:21:40,600 Speaker 1: good point because people can do authorized movies. You can 443 00:21:40,600 --> 00:21:43,760 Speaker 1: do whatever you want to do. You want tsh like 444 00:21:43,840 --> 00:21:45,560 Speaker 1: the Ilia movie. Yeah, you don't want to do that, 445 00:21:46,040 --> 00:21:48,720 Speaker 1: but they didn't have to. Yeah, but they didn't have 446 00:21:48,840 --> 00:21:51,159 Speaker 1: to do the Elia movie like that. But that's like 447 00:21:51,280 --> 00:21:53,720 Speaker 1: part of the reason why I took the journey and 448 00:21:53,760 --> 00:21:56,119 Speaker 1: took it up on myself. It's like it's time for 449 00:21:56,240 --> 00:21:59,760 Speaker 1: us to have stories about our culture told by someone 450 00:22:00,160 --> 00:22:03,040 Speaker 1: our culture. Like I said, don't necessarily gotta be me, 451 00:22:03,240 --> 00:22:04,960 Speaker 1: Like I'm not one of those guys to say I'm 452 00:22:04,960 --> 00:22:08,920 Speaker 1: an authoritarian figure on all biopic. No, you can't say that, 453 00:22:09,080 --> 00:22:10,920 Speaker 1: you know what I mean, whoever can get it done, 454 00:22:11,280 --> 00:22:13,400 Speaker 1: just get it done. Stop talking about didn't get it done? 455 00:22:13,520 --> 00:22:15,440 Speaker 1: Who was the first one? Who is LT hunting? I 456 00:22:15,520 --> 00:22:17,440 Speaker 1: know people are watching this and saying, how does LT 457 00:22:18,280 --> 00:22:20,960 Speaker 1: get the Tupac movie? Like, give them a little backstory 458 00:22:21,040 --> 00:22:24,520 Speaker 1: on you. I'm just you know, small guy from Chicago 459 00:22:24,640 --> 00:22:28,359 Speaker 1: that came around and worked beyond beyond work made the 460 00:22:28,480 --> 00:22:31,720 Speaker 1: transition into film and television in nineteen ninety seven. And 461 00:22:31,840 --> 00:22:34,000 Speaker 1: it's like it's not really like a transition because I 462 00:22:34,080 --> 00:22:37,520 Speaker 1: always did both. And for some reason, as black people, 463 00:22:37,560 --> 00:22:39,600 Speaker 1: they say, if you do one thing, you can't do 464 00:22:39,760 --> 00:22:42,520 Speaker 1: something else. And what I mean, and as for ast any, 465 00:22:42,680 --> 00:22:45,239 Speaker 1: like Charlottegne just did a book. You know a lot 466 00:22:45,280 --> 00:22:47,280 Speaker 1: of people, you know what I mean? Yeah, and and 467 00:22:47,480 --> 00:22:49,720 Speaker 1: and you know, the thing is a lot of people 468 00:22:49,880 --> 00:22:52,719 Speaker 1: like you can't be on the radio and don MTV 469 00:22:52,840 --> 00:22:54,679 Speaker 1: show and didn't write a book. Who you think you are? 470 00:22:54,720 --> 00:22:57,120 Speaker 1: It's like, I just work, you know what I'm saying. 471 00:22:57,160 --> 00:23:00,800 Speaker 1: So I've always done both man, And you know, regardless 472 00:23:00,840 --> 00:23:03,760 Speaker 1: if like I said, if I started from scratch, my 473 00:23:04,400 --> 00:23:06,919 Speaker 1: respect for the culture and growing up in the culture 474 00:23:06,960 --> 00:23:09,760 Speaker 1: and being from the culture gives me the ability when 475 00:23:09,800 --> 00:23:12,600 Speaker 1: people say, you know, how did I do it? My 476 00:23:12,760 --> 00:23:15,040 Speaker 1: thing is who else would have done it? Did you 477 00:23:15,119 --> 00:23:19,159 Speaker 1: have a relationship with Park at death Row Records? We uh, 478 00:23:19,800 --> 00:23:21,800 Speaker 1: you know, we got a chance to be you know, 479 00:23:22,080 --> 00:23:24,679 Speaker 1: come close in that last year of his life at 480 00:23:24,720 --> 00:23:27,600 Speaker 1: snoop say, um, him and Pod had a better relationship 481 00:23:27,680 --> 00:23:30,080 Speaker 1: than me. He felt like he knew part better than me, 482 00:23:30,359 --> 00:23:32,600 Speaker 1: right because he the one who introduced me to Part. 483 00:23:32,680 --> 00:23:35,040 Speaker 1: But he said, I couldn't tell the story like you 484 00:23:35,200 --> 00:23:37,760 Speaker 1: told it. He's all I'm saying. It's it's a difference 485 00:23:39,520 --> 00:23:43,560 Speaker 1: signed the movie. See. Here's the thing. Are responsible? Yeah, 486 00:23:43,560 --> 00:23:46,200 Speaker 1: because our responsibility is higher. You know, people will say 487 00:23:46,600 --> 00:23:50,080 Speaker 1: certain things. These people are still alive. I talked to ship. 488 00:23:50,680 --> 00:23:52,560 Speaker 1: You know what I mean. I talked to Snoop if 489 00:23:52,600 --> 00:23:54,600 Speaker 1: I put out a piece of material that wasn't that 490 00:23:54,880 --> 00:23:57,320 Speaker 1: or we did it like you gotta see us. You 491 00:23:57,359 --> 00:23:59,200 Speaker 1: know what I'm saying, Like it's it's like the last 492 00:23:59,240 --> 00:24:02,280 Speaker 1: thing I'm gonna have it, as ye envy and Charlemagne's like, 493 00:24:02,320 --> 00:24:04,880 Speaker 1: you man, that movie is trash, right, I wasn't gonna 494 00:24:04,920 --> 00:24:08,640 Speaker 1: have that. Honestly, I'm saying this trash weren't even matter 495 00:24:08,640 --> 00:24:11,120 Speaker 1: because we don't really know. But like you, like you said, 496 00:24:11,119 --> 00:24:15,800 Speaker 1: those people are alive. And that's what everybody I'm talking about. 497 00:24:16,280 --> 00:24:19,800 Speaker 1: We had a process where we showed it to you know, 498 00:24:20,080 --> 00:24:23,880 Speaker 1: everybody that was there on the authenticity side. And when 499 00:24:23,920 --> 00:24:27,800 Speaker 1: I'm telling you if these people, like everybody came he's like, hey, 500 00:24:28,280 --> 00:24:31,000 Speaker 1: I really came in to tell your ass something. Tell 501 00:24:31,040 --> 00:24:34,080 Speaker 1: you like this is not this, this and that everybody 502 00:24:34,400 --> 00:24:37,399 Speaker 1: you know it's too Yeah, it's not hate. It's like 503 00:24:37,560 --> 00:24:41,600 Speaker 1: everybody come in, like what y'all do to this movie? 504 00:24:41,920 --> 00:24:43,840 Speaker 1: You know what I'm saying, what y'all do with this movie? 505 00:24:44,000 --> 00:24:45,639 Speaker 1: Let's see what's going on all these rooms and this 506 00:24:45,760 --> 00:24:48,439 Speaker 1: and that. What you do to the movie and they 507 00:24:48,520 --> 00:24:51,040 Speaker 1: watch it and they stuck in a chair and that's 508 00:24:51,080 --> 00:24:53,520 Speaker 1: when you see the tears and you see the emotion 509 00:24:53,960 --> 00:24:56,200 Speaker 1: and he's you know, we filmed like you get the 510 00:24:56,320 --> 00:25:00,880 Speaker 1: hugs and the salutes. Even Jimmy Iveen said, I don't 511 00:25:00,920 --> 00:25:03,840 Speaker 1: know how you did it, but you solved the rupe 512 00:25:03,920 --> 00:25:06,119 Speaker 1: is cute, you know What's what I'm saying. So that's 513 00:25:06,200 --> 00:25:09,000 Speaker 1: Jimmy Ivy, So he's watching it with different eyes. It's 514 00:25:09,040 --> 00:25:11,199 Speaker 1: a lot of pressure since Straight Out of Comment came 515 00:25:11,240 --> 00:25:14,280 Speaker 1: out and that movie did so great. It's not pressure. 516 00:25:14,359 --> 00:25:17,480 Speaker 1: But but the thing is this, the industry said that 517 00:25:17,560 --> 00:25:20,440 Speaker 1: there wasn't a market for Straight Out of Compton. They 518 00:25:20,520 --> 00:25:23,280 Speaker 1: told me that. They said the same thing about Tupac. 519 00:25:23,640 --> 00:25:26,560 Speaker 1: There was no benchmark when I started this journey, you know, 520 00:25:26,680 --> 00:25:31,520 Speaker 1: like I said, Compton was sitting there. They this this film. 521 00:25:31,600 --> 00:25:35,119 Speaker 1: Put energy into that project because they wanted notorious. They 522 00:25:35,119 --> 00:25:38,440 Speaker 1: don't look at those like benchmore. Nah, culture wasn't involved 523 00:25:38,480 --> 00:25:41,760 Speaker 1: in making that move. What about notorious? Culture is involved 524 00:25:41,800 --> 00:25:44,119 Speaker 1: in making it, but not not to It wasn't lt 525 00:25:44,280 --> 00:25:47,760 Speaker 1: hudding any boom or you know, like in the financial 526 00:25:48,280 --> 00:25:52,159 Speaker 1: It didn't do financially what Compton did. So therefore they 527 00:25:52,440 --> 00:25:54,359 Speaker 1: was their expectation. Yeah, and they wanted to be a 528 00:25:54,400 --> 00:25:58,680 Speaker 1: benchmarks as like financially low. You see what I'm saying. 529 00:25:58,800 --> 00:26:03,600 Speaker 1: So they take Straight out of Compton and a milon 530 00:26:03,680 --> 00:26:06,600 Speaker 1: attributed to some else, and it really act like Compton 531 00:26:06,680 --> 00:26:10,760 Speaker 1: didn't happen. You understand I'm saying, Really like, I don't 532 00:26:10,800 --> 00:26:12,159 Speaker 1: understand what you mean when you say did you try 533 00:26:12,160 --> 00:26:13,600 Speaker 1: to act like it didn't have any todd like this. 534 00:26:13,800 --> 00:26:17,800 Speaker 1: You spend twelve million dollars on something and you make 535 00:26:18,520 --> 00:26:22,639 Speaker 1: one hundred two hundred million dollars. They spend two hundred 536 00:26:22,680 --> 00:26:28,400 Speaker 1: million and make three hundred. That's not a successful scenario 537 00:26:28,600 --> 00:26:31,879 Speaker 1: in our eyes. The fact that Straight out of Compton costs, 538 00:26:32,040 --> 00:26:35,040 Speaker 1: you know, thirty million dollars and did two hundred and 539 00:26:35,119 --> 00:26:38,679 Speaker 1: sixty four million, that's just box office, not including everything 540 00:26:38,720 --> 00:26:40,840 Speaker 1: else to come with it. That's a success. All right. 541 00:26:40,880 --> 00:26:43,040 Speaker 1: When we come back, we have to talk John Singleton. 542 00:26:43,160 --> 00:26:44,880 Speaker 1: Now he didn't like the movie and he didn't even 543 00:26:44,880 --> 00:26:46,600 Speaker 1: see it. Well, we'll talk about it when we come back. 544 00:26:46,600 --> 00:26:50,439 Speaker 1: It's the Breakfast Club. Good morning morning. Everybody is DJ Envy, 545 00:26:50,560 --> 00:26:53,280 Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club. 546 00:26:53,560 --> 00:26:56,840 Speaker 1: We have Benny booming. LT Hunting, directed and producer of 547 00:26:56,920 --> 00:26:58,800 Speaker 1: the Old Eyes on Me to Tupac movie in the 548 00:26:58,840 --> 00:27:01,080 Speaker 1: building now. A couple of months ago we had John 549 00:27:01,240 --> 00:27:04,000 Speaker 1: Singleton up pen. He was pretty pissed off about the movie. 550 00:27:04,040 --> 00:27:05,840 Speaker 1: He said he didn't like it, even though he didn't 551 00:27:05,840 --> 00:27:07,879 Speaker 1: see it. We have the audio. You were one of 552 00:27:07,920 --> 00:27:10,479 Speaker 1: the original directors of the Tupart movie, right they came. 553 00:27:10,640 --> 00:27:13,119 Speaker 1: You had that first one, the one of the several 554 00:27:14,000 --> 00:27:16,800 Speaker 1: the people were involved in it. Just I couldn't deal 555 00:27:16,840 --> 00:27:18,919 Speaker 1: with them. They were trying to tell me me how 556 00:27:18,960 --> 00:27:20,840 Speaker 1: to make a movie about pot and that was your guy. 557 00:27:21,040 --> 00:27:23,159 Speaker 1: That was your guy. Come on, now, I'm not I 558 00:27:23,200 --> 00:27:24,640 Speaker 1: don't even have to speak on that any more, y'all. 559 00:27:24,680 --> 00:27:26,399 Speaker 1: Just see when it comes out and you'll just know 560 00:27:26,840 --> 00:27:30,240 Speaker 1: it's rash. Just no, I don't have to see it 561 00:27:30,320 --> 00:27:38,520 Speaker 1: a snap. Come on, you know, first of all, it's 562 00:27:38,560 --> 00:27:43,240 Speaker 1: so you know it disturbs me. Yeah, it just because 563 00:27:43,280 --> 00:27:45,000 Speaker 1: you know, I call I talked to you after that. 564 00:27:45,359 --> 00:27:48,520 Speaker 1: It's like this, this is this is how, and I'm 565 00:27:48,520 --> 00:27:51,520 Speaker 1: gonna dress it on this breakfast club to be that 566 00:27:51,680 --> 00:27:55,800 Speaker 1: self servant, to take the shine off of the celebratory moment. 567 00:27:56,200 --> 00:27:59,440 Speaker 1: As great as a feat that this is for culture, 568 00:27:59,800 --> 00:28:02,240 Speaker 1: so to make it about you and have me have 569 00:28:02,400 --> 00:28:04,080 Speaker 1: to answer the question and go back and forth of 570 00:28:04,200 --> 00:28:07,600 Speaker 1: why he was bitter. He did not quit. You know 571 00:28:07,600 --> 00:28:11,280 Speaker 1: what I'm saying. We parted ways over creative differences, and 572 00:28:11,359 --> 00:28:13,639 Speaker 1: if I was to put those differences out there, the 573 00:28:13,760 --> 00:28:16,960 Speaker 1: world would understand. I had to think long and hard 574 00:28:17,320 --> 00:28:20,280 Speaker 1: because of where Park was with him when he passed. Yeah, 575 00:28:20,320 --> 00:28:23,200 Speaker 1: I learned a lot left because people started sending me 576 00:28:23,280 --> 00:28:25,280 Speaker 1: an interview. I guess it was a phone call between 577 00:28:25,400 --> 00:28:32,600 Speaker 1: Pocket and Monster and Park wasn't even rocking. We heard 578 00:28:32,640 --> 00:28:35,119 Speaker 1: that John Singleton wanted to add scenes that were like 579 00:28:35,400 --> 00:28:37,280 Speaker 1: a rape scene and in prison or something like that, 580 00:28:37,359 --> 00:28:40,680 Speaker 1: and it was seemed that necessarily weren't proven to be true. See, 581 00:28:40,960 --> 00:28:43,080 Speaker 1: that's just dead it right now because June sixteenth of 582 00:28:43,120 --> 00:28:45,520 Speaker 1: film come out, you can see for yourself what we did. 583 00:28:45,960 --> 00:28:48,520 Speaker 1: But you know, the rumors you're here and are true. 584 00:28:49,480 --> 00:28:51,440 Speaker 1: I already wanted to start the movie off with Pocket 585 00:28:51,520 --> 00:28:57,840 Speaker 1: and raped in jail. He started the raped in jail stuff. Yeah, 586 00:28:58,080 --> 00:29:00,720 Speaker 1: he wanted to put that in there. The movie go 587 00:29:00,880 --> 00:29:03,960 Speaker 1: from go from Black, Go from Black. So he wanted 588 00:29:04,000 --> 00:29:06,000 Speaker 1: to start the movie off of Tupac goes in the studio. 589 00:29:06,480 --> 00:29:10,200 Speaker 1: Uh one, guys in the studio, he's getting Uh okay, 590 00:29:10,200 --> 00:29:12,600 Speaker 1: we said on the show. Okay. So Tupac is with 591 00:29:12,800 --> 00:29:15,280 Speaker 1: the other girl, you know, and these girls are white, 592 00:29:15,760 --> 00:29:19,680 Speaker 1: and Tupac tries to give her ain't now. First of all, 593 00:29:19,680 --> 00:29:22,480 Speaker 1: an't it wasn't even around at that type of time, 594 00:29:22,520 --> 00:29:25,640 Speaker 1: and it wasn't cool yet, you know what I'm saying. 595 00:29:25,920 --> 00:29:29,080 Speaker 1: It wasn't eat the groceries. Yeah, it wasn't. No, it 596 00:29:29,240 --> 00:29:32,560 Speaker 1: wasn't like yeah, you wasn't. Yeah, but I'm saying you 597 00:29:32,640 --> 00:29:34,640 Speaker 1: wasn't waking up saying you know, yeah, I'm gonna you 598 00:29:34,640 --> 00:29:36,560 Speaker 1: know what I mean, Like it was it was like 599 00:29:36,680 --> 00:29:38,240 Speaker 1: if you did that, you know, you was on the 600 00:29:38,320 --> 00:29:40,960 Speaker 1: other side or something. You know. So, but then not 601 00:29:41,160 --> 00:29:43,320 Speaker 1: just that, right, So we go ahead to this this 602 00:29:43,560 --> 00:29:47,240 Speaker 1: particular part. The girl denies him. He kicks her out, 603 00:29:47,720 --> 00:29:50,920 Speaker 1: and he tells the white girls to go home and 604 00:29:51,040 --> 00:29:54,640 Speaker 1: tell your dad you got by the day in scene? 605 00:29:55,680 --> 00:30:01,840 Speaker 1: What movie is that? Brone? First of all, it's it's freaky. 606 00:30:01,920 --> 00:30:04,959 Speaker 1: It's freaky. It's it's a portal. Other than that, we're 607 00:30:04,960 --> 00:30:08,320 Speaker 1: getting ready to deal with a case in the middle 608 00:30:08,320 --> 00:30:11,800 Speaker 1: of this film. You would already convict Pot if he 609 00:30:11,920 --> 00:30:13,920 Speaker 1: tried to do that like that's and it's not true. 610 00:30:13,920 --> 00:30:16,520 Speaker 1: Where did that come from? That script was already written, 611 00:30:16,600 --> 00:30:19,760 Speaker 1: and that's just no, no, no, no, no, no script. 612 00:30:19,800 --> 00:30:21,680 Speaker 1: The script that I ended up shooting is the script 613 00:30:21,720 --> 00:30:24,920 Speaker 1: that I've had. But he was trying to write, he wrote, 614 00:30:25,000 --> 00:30:26,920 Speaker 1: he wrote his own. I didn't want to disrespect the 615 00:30:26,960 --> 00:30:28,840 Speaker 1: guy who put put put him out there like that. 616 00:30:28,960 --> 00:30:31,040 Speaker 1: But when you go on on radio talk shows and 617 00:30:31,080 --> 00:30:33,200 Speaker 1: say that picture, I don't need to see it. It's 618 00:30:33,240 --> 00:30:36,080 Speaker 1: not me, like who made you the authoritarian figure and 619 00:30:36,120 --> 00:30:38,920 Speaker 1: the gatekeeper to something? And then here's the thing. I'm 620 00:30:38,960 --> 00:30:40,960 Speaker 1: gonna end it with this, and we gotta get off 621 00:30:41,000 --> 00:30:44,760 Speaker 1: this guy. If you really really loved and respect Pot, 622 00:30:45,480 --> 00:30:48,120 Speaker 1: you could have made the picture eighteen years ago. You 623 00:30:48,240 --> 00:30:50,600 Speaker 1: had to power in the juice. You could have been 624 00:30:50,680 --> 00:30:52,560 Speaker 1: made this movie. Why would you? Why would you wait 625 00:30:52,600 --> 00:30:55,440 Speaker 1: till I put it together? Then you know you call 626 00:30:55,520 --> 00:30:57,360 Speaker 1: me and say you gotta get on this picture and 627 00:30:57,520 --> 00:30:59,400 Speaker 1: then do that. I just saw him, and a lot 628 00:30:59,400 --> 00:31:01,880 Speaker 1: of people heard about I just saw him. You don't 629 00:31:01,880 --> 00:31:04,600 Speaker 1: say anything when you see me. You don't say nothing 630 00:31:04,680 --> 00:31:07,440 Speaker 1: on the phone, because if you really cared, you'd have said, 631 00:31:07,720 --> 00:31:09,280 Speaker 1: your approach would have been different. It wasn't like he 632 00:31:09,360 --> 00:31:11,400 Speaker 1: was getting small money. He didn't. He wasn't on this 633 00:31:11,480 --> 00:31:13,360 Speaker 1: project for free. I was giving him the top dollar. 634 00:31:14,840 --> 00:31:16,840 Speaker 1: So so I was giving him the top dollars. So 635 00:31:17,280 --> 00:31:21,000 Speaker 1: if you really cared about the authenticity and Tupac's character, 636 00:31:21,360 --> 00:31:24,000 Speaker 1: you would say, man, just let me see the movie. 637 00:31:24,280 --> 00:31:26,840 Speaker 1: Let me see what I can do to help the process. 638 00:31:27,040 --> 00:31:29,400 Speaker 1: Even though I'm not on it, I would have supported 639 00:31:29,480 --> 00:31:32,680 Speaker 1: anybody who got the film made. I wasn't saying that 640 00:31:32,800 --> 00:31:34,720 Speaker 1: I was the only person that can make it, but 641 00:31:34,840 --> 00:31:36,960 Speaker 1: I did. You know what I'm saying, I got it done. 642 00:31:37,120 --> 00:31:39,160 Speaker 1: Point blink. You know what I'm saying. And um, and 643 00:31:39,200 --> 00:31:40,600 Speaker 1: if I truly love me, you're not gonna show me 644 00:31:40,640 --> 00:31:42,640 Speaker 1: getting raped in the movie. Brother, I don't have it 645 00:31:42,720 --> 00:31:45,960 Speaker 1: really happened. It was, but it was. But you got 646 00:31:46,040 --> 00:31:48,160 Speaker 1: understand and this and this that. I gotta be clear 647 00:31:48,200 --> 00:31:51,320 Speaker 1: on this. The white people, right when he tried to 648 00:31:51,320 --> 00:31:53,560 Speaker 1: go at the white people, they looked at me and said, LT, 649 00:31:54,480 --> 00:31:58,560 Speaker 1: this is not the movie you pitched. The pitch. The 650 00:31:58,640 --> 00:32:02,920 Speaker 1: movie you got has integrity. There's nowhere in this shape 651 00:32:03,000 --> 00:32:06,720 Speaker 1: or form a porn on every page that fucking It's like, 652 00:32:07,000 --> 00:32:10,040 Speaker 1: we're not gonna use the real estate on Tupac ship 653 00:32:10,160 --> 00:32:14,440 Speaker 1: core and screw girls every scene, Like what is that movie? 654 00:32:14,760 --> 00:32:17,200 Speaker 1: I'm not gonna do that movie. So and I'm not 655 00:32:17,320 --> 00:32:22,000 Speaker 1: gonna have Mischi core in the threesome. Yes, you know 656 00:32:22,000 --> 00:32:27,240 Speaker 1: what I'm saying. Yes, So that's so, that's what I'm saying. 657 00:32:28,080 --> 00:32:30,840 Speaker 1: That's what I said, my man, No, I said, my man, 658 00:32:30,960 --> 00:32:33,600 Speaker 1: let me talk to you out here. Now. Let's get 659 00:32:33,640 --> 00:32:36,120 Speaker 1: away from these people, all right, you know, and I'm 660 00:32:36,160 --> 00:32:38,760 Speaker 1: not racist at all, but I like to deal with 661 00:32:39,320 --> 00:32:43,160 Speaker 1: my brothers in a different way. So it's not to 662 00:32:43,360 --> 00:32:45,680 Speaker 1: be like some people. Man, I'm gonna just take like this. 663 00:32:45,880 --> 00:32:49,920 Speaker 1: In Hollywood, we think they're black, but they're not black, 664 00:32:50,440 --> 00:32:51,520 Speaker 1: you know what I mean. They like to be the 665 00:32:51,600 --> 00:32:54,040 Speaker 1: only black person in the room because that makes them 666 00:32:54,080 --> 00:32:57,240 Speaker 1: an authoritarian figure. Against what I'm saying. They don't like 667 00:32:57,360 --> 00:33:00,040 Speaker 1: to be challenged. And so you say, well, when you 668 00:33:00,160 --> 00:33:03,000 Speaker 1: had an opportunity to put a black director on, who 669 00:33:03,080 --> 00:33:08,920 Speaker 1: did you call hustling floor? He put the white dude on. 670 00:33:09,240 --> 00:33:10,480 Speaker 1: I just want to know where did he go in 671 00:33:10,560 --> 00:33:12,800 Speaker 1: the script from the rape seat, Like where do you 672 00:33:12,840 --> 00:33:15,560 Speaker 1: go from your portraying Poke getting raped and Jell and 673 00:33:15,600 --> 00:33:17,640 Speaker 1: then what I'm gonna get y'all the real man. He 674 00:33:17,760 --> 00:33:24,320 Speaker 1: went from that scene to Tupac talking to a severed head. Okay, 675 00:33:24,840 --> 00:33:28,959 Speaker 1: a severed head. It's like a dream sequence where Tupac's 676 00:33:29,000 --> 00:33:31,320 Speaker 1: head was cut off and he was in the cell 677 00:33:31,400 --> 00:33:34,680 Speaker 1: and he went and picked up his own head and 678 00:33:34,880 --> 00:33:37,520 Speaker 1: spoke to his own head, like I don't know where 679 00:33:37,640 --> 00:33:39,760 Speaker 1: the hell that came from or what it is. Everybody 680 00:33:39,800 --> 00:33:46,040 Speaker 1: like this is the yeah, you know, and I was 681 00:33:46,160 --> 00:33:48,280 Speaker 1: never gonna talk about the issues. But like I said, 682 00:33:48,560 --> 00:33:51,440 Speaker 1: he cost me almost a year and some change, because 683 00:33:52,000 --> 00:33:53,480 Speaker 1: you know what I mean, he really cost me because 684 00:33:53,520 --> 00:33:55,520 Speaker 1: I was out the gate and everything was done, and 685 00:33:55,920 --> 00:33:59,160 Speaker 1: you know, I let Yeah, we got more with Betty 686 00:33:59,200 --> 00:34:01,360 Speaker 1: Booman LT. When we come back, don't move. It's the 687 00:34:01,400 --> 00:34:04,160 Speaker 1: Breakfast Club Morning the Morning. Everybody is DJ and the 688 00:34:04,440 --> 00:34:07,240 Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club. 689 00:34:07,640 --> 00:34:10,960 Speaker 1: We have Benny Booming LT, hunting director and producer of 690 00:34:11,040 --> 00:34:14,640 Speaker 1: the all Oys or Me movie to Tuopop movie. No so, LT, 691 00:34:14,840 --> 00:34:16,920 Speaker 1: Is it too that you're also working with dads on 692 00:34:17,080 --> 00:34:19,480 Speaker 1: the dog Pam movie. Yeah, I'm gonna do that with him. 693 00:34:19,480 --> 00:34:21,400 Speaker 1: You're doing that. Yeah, it's not, it's not. It's not. 694 00:34:21,840 --> 00:34:24,120 Speaker 1: He's doing DPG for life. You know, we're gonna help 695 00:34:24,200 --> 00:34:30,239 Speaker 1: him with that. But we also have death Row coming also. Yeah, 696 00:34:30,280 --> 00:34:32,960 Speaker 1: that is the that is the caption to the trilogy. 697 00:34:33,200 --> 00:34:36,120 Speaker 1: So you got straight out of Compton, All eyes on Me. 698 00:34:36,520 --> 00:34:39,680 Speaker 1: The secret to both of those films is, like, if 699 00:34:39,680 --> 00:34:42,480 Speaker 1: you know the Trinity in Los Angeles and just the industry, 700 00:34:43,280 --> 00:34:46,360 Speaker 1: you know, Death Row is the encompass of all of that, 701 00:34:46,640 --> 00:34:48,600 Speaker 1: you know what I mean. It is the final like 702 00:34:48,640 --> 00:34:50,840 Speaker 1: the hip hop Avengers going. But that's what I was 703 00:34:50,880 --> 00:34:55,239 Speaker 1: designed for in the movie, Yeah, in my tire slate, Yeah, 704 00:34:55,280 --> 00:34:57,879 Speaker 1: and the tire Schlate. It was to bring a whole 705 00:34:57,960 --> 00:35:02,919 Speaker 1: new universe. U. It's like entertainment, you know what I'm saying, 706 00:35:03,040 --> 00:35:06,759 Speaker 1: Education and entertainment all in one big ball. So it's 707 00:35:06,840 --> 00:35:09,880 Speaker 1: like it's a whole new breed and um, it's actually 708 00:35:09,960 --> 00:35:15,480 Speaker 1: going to give a whole new era of new Hollywood 709 00:35:15,520 --> 00:35:18,880 Speaker 1: and different jobs and different opportunities. You'll see more black actors, 710 00:35:18,960 --> 00:35:21,880 Speaker 1: You'll see more cameramen. You'll see and I'm not just 711 00:35:21,960 --> 00:35:24,279 Speaker 1: saying black, but I gotta focus on us, you know 712 00:35:24,280 --> 00:35:26,480 Speaker 1: what I mean. Like I gotta It's like I said, 713 00:35:26,480 --> 00:35:29,480 Speaker 1: out of seventy six, we got one. How did y'all 714 00:35:29,520 --> 00:35:31,439 Speaker 1: feel about lately? It was like a lot of people 715 00:35:31,440 --> 00:35:37,799 Speaker 1: were shooting on park like you had like why can flex? Like, yeah, 716 00:35:38,200 --> 00:35:43,160 Speaker 1: this is bordering on disrespect. It's disrespectful first of all, 717 00:35:43,400 --> 00:35:46,440 Speaker 1: but it's boarding on just it's just crazy, you know 718 00:35:46,480 --> 00:35:50,200 Speaker 1: what I'm saying. Um, We had conversations and say, look, 719 00:35:50,280 --> 00:35:53,000 Speaker 1: what is the purpose of this? You know, I always 720 00:35:53,000 --> 00:35:57,280 Speaker 1: asked the question, like pop, the word gangster has evolved 721 00:35:57,520 --> 00:36:01,240 Speaker 1: from when I was a kid at gangster in Philly. 722 00:36:01,480 --> 00:36:03,680 Speaker 1: They drove a certain car, they looked a certain way 723 00:36:04,000 --> 00:36:06,640 Speaker 1: that was very particular. Now everything is gangster. Where you 724 00:36:06,680 --> 00:36:08,680 Speaker 1: wear your clothes, or how you talk to a girl, 725 00:36:09,120 --> 00:36:11,520 Speaker 1: or whatever the case may be. I asked and challenge 726 00:36:11,560 --> 00:36:16,000 Speaker 1: anybody who claims to be gangster. Did they ever stop 727 00:36:16,080 --> 00:36:19,319 Speaker 1: their car on the street with two white people beating 728 00:36:19,400 --> 00:36:22,680 Speaker 1: up a black man, intervene, get a gun put in 729 00:36:22,719 --> 00:36:25,680 Speaker 1: their face, glass smashed on their face? Didn't pull out 730 00:36:25,719 --> 00:36:28,440 Speaker 1: a gun and shoot those two white men? And I 731 00:36:28,600 --> 00:36:31,200 Speaker 1: guarantee you asked him gangster thet N I never did that. 732 00:36:31,480 --> 00:36:33,880 Speaker 1: Tupac did that and there were cops. Yeah, you know, 733 00:36:34,000 --> 00:36:37,880 Speaker 1: he didn't know those cops. That's that even makes him 734 00:36:37,920 --> 00:36:40,480 Speaker 1: more dangerous because he thought they were citizens. Like this 735 00:36:40,719 --> 00:36:44,000 Speaker 1: is real. He gets somebody get to drop on him 736 00:36:45,040 --> 00:36:47,879 Speaker 1: in the lobby. We all been the quad, know, small 737 00:36:47,960 --> 00:36:51,280 Speaker 1: that places you can't run anywhere, And instead of getting 738 00:36:51,280 --> 00:36:52,919 Speaker 1: down and saying, you know what, you got me, whether 739 00:36:52,960 --> 00:36:54,640 Speaker 1: you got a gun or you or not, you got me, 740 00:36:55,280 --> 00:36:58,799 Speaker 1: he tries to go for his Whatever happens happens. That's 741 00:36:59,719 --> 00:37:01,840 Speaker 1: gangster or whatever you want to call it. But that 742 00:37:01,920 --> 00:37:06,160 Speaker 1: ain't no Park himself. Yeah, but listen, listen, but listen, 743 00:37:06,239 --> 00:37:08,799 Speaker 1: let's let's let's be clear. You know, this film does 744 00:37:08,840 --> 00:37:13,759 Speaker 1: not perpetuate the nonsense. You know, the last thing I'm 745 00:37:13,760 --> 00:37:16,560 Speaker 1: gonna sit up here and do with this platform is promote, 746 00:37:17,160 --> 00:37:21,960 Speaker 1: you know, more violence or the thought or the over 747 00:37:22,080 --> 00:37:28,520 Speaker 1: personification of shooting people. It's okay because it's not you 748 00:37:28,560 --> 00:37:30,719 Speaker 1: know what I mean. And let's be clear. So um, 749 00:37:31,200 --> 00:37:35,400 Speaker 1: but going to address it. What is gangster? You know 750 00:37:35,440 --> 00:37:37,360 Speaker 1: what I mean? Dying the twenty five is not gangster. 751 00:37:38,120 --> 00:37:39,680 Speaker 1: You know what I mean, going to jail for life 752 00:37:39,760 --> 00:37:42,439 Speaker 1: because you did something silly, it's not gangster. My little 753 00:37:42,440 --> 00:37:46,719 Speaker 1: cousin in Chicago, took someone's life that wasn't gangster, you 754 00:37:46,800 --> 00:37:49,280 Speaker 1: know what I mean. That's that's it wasn't a scenario 755 00:37:49,400 --> 00:37:51,440 Speaker 1: where he had to defend himself. You know what I mean. 756 00:37:51,520 --> 00:37:55,120 Speaker 1: There is a huge responsibility for us with these platforms 757 00:37:55,200 --> 00:37:59,280 Speaker 1: to make people understand that that is resolved in other ways. 758 00:37:59,560 --> 00:38:02,160 Speaker 1: Everything and all of this stuff and irresponsible things that 759 00:38:02,239 --> 00:38:05,799 Speaker 1: people are saying. It's disrespectful to the legacy, it's disrespectful 760 00:38:05,840 --> 00:38:08,640 Speaker 1: of culture. You know, I hate to give it. I 761 00:38:08,800 --> 00:38:10,880 Speaker 1: hate to give it. I got given not to you know, 762 00:38:11,000 --> 00:38:13,040 Speaker 1: black black privilege. You know what I'm saying. You can't 763 00:38:13,320 --> 00:38:15,520 Speaker 1: just expect everything to come to you know, you know, 764 00:38:15,680 --> 00:38:17,680 Speaker 1: you know, anyone to have to have shame as flood. 765 00:38:18,480 --> 00:38:22,480 Speaker 1: I'm I mean, you know it's it's like, like I said, 766 00:38:22,480 --> 00:38:27,160 Speaker 1: in the process, instead of celebrating that a person like 767 00:38:27,480 --> 00:38:32,200 Speaker 1: me got this movie done, Benny Boom, like this cast 768 00:38:32,800 --> 00:38:38,360 Speaker 1: right was all black almost why smutted with the nonsense 769 00:38:38,440 --> 00:38:40,920 Speaker 1: of people using their platforms in the wrong way, and 770 00:38:41,400 --> 00:38:43,719 Speaker 1: Park would have ripped his head off. You know what 771 00:38:43,719 --> 00:38:45,840 Speaker 1: I'm saying, You know, how to boy, get out? Like 772 00:38:45,920 --> 00:38:48,040 Speaker 1: it's like, come on, like that's what didn't make no 773 00:38:48,080 --> 00:38:50,640 Speaker 1: sense to me. I'm like, what's the point. I don't 774 00:38:50,640 --> 00:38:54,040 Speaker 1: even know? Respond from the grave, like I don't like, 775 00:38:54,160 --> 00:38:57,839 Speaker 1: what's the point. I'm excited to see the movie. Final question, 776 00:38:57,920 --> 00:39:00,759 Speaker 1: what did you guys learn new about pop? That's no excuses? 777 00:39:01,840 --> 00:39:06,040 Speaker 1: You know, you can complain, complain, complain, stop talking, and 778 00:39:06,160 --> 00:39:08,480 Speaker 1: do something about it. You know. And like I said, 779 00:39:08,520 --> 00:39:11,080 Speaker 1: even with the journey, like it helped me. His spirit 780 00:39:11,480 --> 00:39:15,120 Speaker 1: helped me say, stop begging for seats the table and 781 00:39:15,280 --> 00:39:19,520 Speaker 1: go make your own table, served inner on your own terms, 782 00:39:19,960 --> 00:39:23,560 Speaker 1: you know, take the all of that black privilege out. 783 00:39:23,719 --> 00:39:25,800 Speaker 1: You know what I'm saying, just do it. Yes, And 784 00:39:25,920 --> 00:39:28,279 Speaker 1: I'm saying, just do it. So I got you know, 785 00:39:28,880 --> 00:39:32,520 Speaker 1: when when the money wasn't right for Pot, he just worked. 786 00:39:33,400 --> 00:39:36,800 Speaker 1: When things were going bad at home in different places, 787 00:39:37,160 --> 00:39:42,040 Speaker 1: he just worked. He never stopped to complain about his issues. 788 00:39:42,200 --> 00:39:44,719 Speaker 1: He worked through it. That's why he was basically the 789 00:39:44,840 --> 00:39:47,480 Speaker 1: roles that grew from concrete. In spite of so when 790 00:39:47,520 --> 00:39:50,920 Speaker 1: all everybody like put me on, it's like you're grown man, 791 00:39:50,960 --> 00:39:53,799 Speaker 1: put yourself on. You know what I'm saying, Like all 792 00:39:53,840 --> 00:39:57,080 Speaker 1: the excuses that we have in the world, you know, 793 00:39:57,320 --> 00:40:01,359 Speaker 1: I took from it that Pot worked like no other 794 00:40:01,840 --> 00:40:03,800 Speaker 1: you know. So I took the work ethic and just 795 00:40:03,960 --> 00:40:06,600 Speaker 1: the encouragement that, you know what I'm saying, we don't 796 00:40:06,719 --> 00:40:11,040 Speaker 1: have to be what they say. We are right, you know. 797 00:40:11,200 --> 00:40:15,000 Speaker 1: And this film I would love for it to be. 798 00:40:16,560 --> 00:40:20,000 Speaker 1: It is going to be like the statement on our 799 00:40:20,080 --> 00:40:22,640 Speaker 1: back with Tupac said, I may not change the world, 800 00:40:22,719 --> 00:40:25,120 Speaker 1: but I guarantee I sparked the mind that does. This 801 00:40:25,320 --> 00:40:29,040 Speaker 1: film was designed to be that spark. You know. I'm saying, well, 802 00:40:29,040 --> 00:40:32,759 Speaker 1: there you have it. There is June sixteenth old me. 803 00:40:33,239 --> 00:40:36,279 Speaker 1: Thank you, Elsie Hutton, thank you. Yes, it's the Breakfast Poke. 804 00:40:36,320 --> 00:40:41,080 Speaker 1: The morning is the Morning. Everybody is DJ Envy, Angela Yee, 805 00:40:41,160 --> 00:40:43,200 Speaker 1: Charlomne the guy we are the breakfast club that was 806 00:40:43,239 --> 00:40:45,200 Speaker 1: bad and booge know. Let's get to the rumors us 807 00:40:45,239 --> 00:40:52,640 Speaker 1: to Klanni. This is the rumor report with Angela all 808 00:40:52,680 --> 00:40:59,120 Speaker 1: this breakfast club. Solani was performing and she had to 809 00:40:59,160 --> 00:41:02,400 Speaker 1: stop the show to get somebody kicked out. This is 810 00:41:02,480 --> 00:41:21,759 Speaker 1: what happened. Who said that security was the god? Now 811 00:41:21,800 --> 00:41:24,279 Speaker 1: she kicks some because they yelled out Kyrie. I think 812 00:41:24,320 --> 00:41:27,319 Speaker 1: Kyrie Irving. Ye, what's the backstory? She used to date Kyrie? Yes, 813 00:41:27,400 --> 00:41:30,600 Speaker 1: and then if you remember she actually was bullied after 814 00:41:30,680 --> 00:41:32,719 Speaker 1: that because it was something that happened with Party next 815 00:41:32,760 --> 00:41:35,640 Speaker 1: Door posted a picture, so she said, I was bullied 816 00:41:35,680 --> 00:41:38,720 Speaker 1: for a year, tormented, sent death threats, and they screamed 817 00:41:38,760 --> 00:41:40,400 Speaker 1: his name at every show. His name had nothing to 818 00:41:40,480 --> 00:41:42,320 Speaker 1: do with it. It was the fact that someone thought 819 00:41:42,640 --> 00:41:45,200 Speaker 1: they could come into a space about positivity and bring 820 00:41:45,280 --> 00:41:47,960 Speaker 1: the bullying from last year and expect me to try 821 00:41:48,000 --> 00:41:49,719 Speaker 1: to run off and cry about it like I used to. 822 00:41:49,760 --> 00:41:52,400 Speaker 1: I'm proud of myself for standing up a that k 823 00:41:53,120 --> 00:41:55,359 Speaker 1: First of all, you can't show everybody what pisses you off. 824 00:41:55,560 --> 00:41:58,279 Speaker 1: Now it's going to be more people Kyrie at your show, 825 00:41:59,200 --> 00:42:01,360 Speaker 1: Krie at you, and you're gonna be screaming Kyrie at 826 00:42:01,400 --> 00:42:03,160 Speaker 1: you in the airport because they know that it gets 827 00:42:03,160 --> 00:42:04,520 Speaker 1: to you. If they do it at her show, they're 828 00:42:04,520 --> 00:42:07,000 Speaker 1: gonna get kicked out. But she was very fragile for 829 00:42:07,080 --> 00:42:09,480 Speaker 1: a period of time. Remember she was suicidal and everything. 830 00:42:09,560 --> 00:42:12,120 Speaker 1: So people should respect. If you're her fan and you're 831 00:42:12,120 --> 00:42:14,480 Speaker 1: at her show, why would you do that. It's always 832 00:42:14,480 --> 00:42:16,319 Speaker 1: gonna be one drunk ass that's gonna do it. Now 833 00:42:16,400 --> 00:42:20,560 Speaker 1: that like kicked out and everybody's getting the truth to 834 00:42:20,640 --> 00:42:23,360 Speaker 1: the matter is Kilanie just don't want any harsh remind 835 00:42:23,480 --> 00:42:26,399 Speaker 1: is that she made a bad decision. You picked the guy, 836 00:42:27,320 --> 00:42:29,319 Speaker 1: You had a guy that had a hundred million dollar 837 00:42:29,440 --> 00:42:32,279 Speaker 1: contract and you messed that up. Kalani, Well he come on, 838 00:42:32,400 --> 00:42:34,200 Speaker 1: he did just post under one of her pictures. Hey, 839 00:42:34,239 --> 00:42:36,600 Speaker 1: big head. Oh so I'm sure if she wanted to, 840 00:42:36,840 --> 00:42:39,279 Speaker 1: he's still in play. Not about the money, Yes it is, 841 00:42:41,320 --> 00:42:44,040 Speaker 1: she might be. But yeah, so that's what happens. You 842 00:42:44,120 --> 00:42:46,319 Speaker 1: try to be funny and you get kicked out the show. 843 00:42:46,520 --> 00:42:49,359 Speaker 1: All right, all right. Bruno mars It recently did an 844 00:42:49,400 --> 00:42:52,759 Speaker 1: episode of Sixty Minutes and he talked about basically how 845 00:42:52,800 --> 00:42:54,640 Speaker 1: we grew up and how rough things were for him 846 00:42:54,800 --> 00:42:57,680 Speaker 1: when he was growing up. He's worth about ninety million 847 00:42:57,760 --> 00:43:01,080 Speaker 1: dollars now, and he he visited one of the spots 848 00:43:01,160 --> 00:43:02,759 Speaker 1: where he used to live with his family for over 849 00:43:02,960 --> 00:43:06,000 Speaker 1: two years. Okay, check this out. My dad was just 850 00:43:06,120 --> 00:43:09,400 Speaker 1: the king of finding these little spots for us to 851 00:43:09,560 --> 00:43:12,239 Speaker 1: stay that we should never have been staying yet. But 852 00:43:12,360 --> 00:43:15,120 Speaker 1: you were like homeless people. Yeah no, yeah, for sure. 853 00:43:15,360 --> 00:43:17,640 Speaker 1: Just so people don't think we're crazy. It did not 854 00:43:17,760 --> 00:43:20,360 Speaker 1: look like this. It had a room, didn't have plans 855 00:43:20,400 --> 00:43:22,919 Speaker 1: growing inside. I didn't have plans growing inside. I don't 856 00:43:22,960 --> 00:43:24,919 Speaker 1: know what happens to the room, but the bed would 857 00:43:24,920 --> 00:43:26,840 Speaker 1: be right there in the middle and all sleep in 858 00:43:26,920 --> 00:43:29,239 Speaker 1: one bed, So we'd have to walk across the park 859 00:43:29,640 --> 00:43:32,400 Speaker 1: to this other spot that had a bathroom in the 860 00:43:32,440 --> 00:43:36,640 Speaker 1: middle of the night. Happy memories the best. God Bless 861 00:43:36,680 --> 00:43:38,880 Speaker 1: Bruno Mars dropped on the clues Bombs with Bruno mars Man. 862 00:43:39,040 --> 00:43:40,839 Speaker 1: They didn't even have a bathroom. They had to walk 863 00:43:40,920 --> 00:43:42,640 Speaker 1: apart from the park in the middle of the night 864 00:43:42,719 --> 00:43:44,959 Speaker 1: to go use another bathroom. But he said it wasn't 865 00:43:44,960 --> 00:43:46,799 Speaker 1: about the struggle or what he didn't have. He said 866 00:43:46,800 --> 00:43:48,719 Speaker 1: it was because he had his family and it was 867 00:43:48,800 --> 00:43:51,360 Speaker 1: just amazing. Speaking of family, Bruno Mars looked like the 868 00:43:51,400 --> 00:43:53,640 Speaker 1: auntie that loved to do yoga and be healthy, and 869 00:43:53,760 --> 00:43:55,279 Speaker 1: you like going to our house because you know how 870 00:43:55,320 --> 00:43:58,400 Speaker 1: to make good protein shakes. God bless Bruno mass Man. 871 00:43:58,440 --> 00:44:01,160 Speaker 1: I love Bruno Mars. He's in credible. But that's a 872 00:44:01,200 --> 00:44:03,640 Speaker 1: great inspiring story for people who are having a rough time. 873 00:44:03,680 --> 00:44:06,719 Speaker 1: You don't a lot of people don't know Bruno Mars's backstory, 874 00:44:06,800 --> 00:44:08,960 Speaker 1: so it's good to hear something like that because if 875 00:44:08,960 --> 00:44:10,839 Speaker 1: you feel like you're struggling. You can see how far 876 00:44:10,960 --> 00:44:13,160 Speaker 1: you can go in life. Yeah, you ain't gonna be 877 00:44:13,160 --> 00:44:18,600 Speaker 1: Bruno Mars. Okay, no you can't, but you're not gonna. 878 00:44:18,760 --> 00:44:20,520 Speaker 1: You can get out of your circumstances. All right, let's 879 00:44:20,520 --> 00:44:22,160 Speaker 1: be just deal with the reality of the situation. You 880 00:44:22,239 --> 00:44:24,640 Speaker 1: don't got to stay in your present circumstance. You could, 881 00:44:24,640 --> 00:44:26,600 Speaker 1: but everybody ain't gonna be Bruno Mars. Don't sit here 882 00:44:26,600 --> 00:44:28,440 Speaker 1: and tell these people that lie. Not everybody, but you 883 00:44:28,480 --> 00:44:32,120 Speaker 1: could not even one person. All right, all right, this 884 00:44:32,280 --> 00:44:35,600 Speaker 1: got here. Now Matthew Knows is talking about Beyonce and 885 00:44:35,800 --> 00:44:39,600 Speaker 1: what she is not good. Throw that out there. He 886 00:44:39,719 --> 00:44:43,239 Speaker 1: was doing an artist management lecture at Howard University, and 887 00:44:43,320 --> 00:44:46,840 Speaker 1: he admitted that Beyonce does have a shortcoming that actually 888 00:44:46,880 --> 00:44:48,680 Speaker 1: Salante is very good at He said. Everybody thinks that 889 00:44:48,680 --> 00:44:50,840 Speaker 1: they're the greatest, and they should. We as label executives, 890 00:44:50,880 --> 00:44:53,000 Speaker 1: we have to know the limitations of the artists. I 891 00:44:53,080 --> 00:44:55,399 Speaker 1: can tell you all my artists limitations, he said. See, 892 00:44:55,400 --> 00:44:58,359 Speaker 1: I would never have Beyonce up here public speaking. She's 893 00:44:58,400 --> 00:45:01,200 Speaker 1: not good at it. Launch was just said, Yale, She's 894 00:45:01,200 --> 00:45:04,360 Speaker 1: incredible at it. But I know all of my artists weaknesses. 895 00:45:04,400 --> 00:45:07,720 Speaker 1: They all have weaknesses. I can't imagine that Beyonce wouldn't 896 00:45:07,719 --> 00:45:09,719 Speaker 1: be good at public speaking if she's so choose to 897 00:45:10,080 --> 00:45:12,600 Speaker 1: chose to do that. I can see that. I can 898 00:45:12,640 --> 00:45:15,080 Speaker 1: see why so Laune would be a better public speaking 899 00:45:15,120 --> 00:45:17,800 Speaker 1: in Beyonce. Solange is way more vocal. I can see that. 900 00:45:18,120 --> 00:45:20,279 Speaker 1: I mean, I think just watching when Beyonce did her 901 00:45:20,320 --> 00:45:22,600 Speaker 1: documentary and all of that, and seeing how open she 902 00:45:22,880 --> 00:45:26,920 Speaker 1: was and how that's probably sitting in the room by 903 00:45:27,000 --> 00:45:31,080 Speaker 1: herself that probably took hours and it's editing, and probably 904 00:45:31,239 --> 00:45:33,359 Speaker 1: why she wouldn't be as as good at it as 905 00:45:33,400 --> 00:45:35,520 Speaker 1: Solange is because she doesn't do it, because he probably 906 00:45:35,560 --> 00:45:38,840 Speaker 1: keeps her away from it. So practice makes perfect. Usually, 907 00:45:38,840 --> 00:45:40,080 Speaker 1: if you're not good at it and you keep on 908 00:45:40,200 --> 00:45:43,000 Speaker 1: doing it, you'll get better, right, No, all right, Well 909 00:45:43,320 --> 00:45:45,480 Speaker 1: you don't think so, No, not in every case. That's 910 00:45:45,480 --> 00:45:47,719 Speaker 1: another falsehood. No, you don't think that the more you 911 00:45:47,800 --> 00:45:50,279 Speaker 1: do something, the better you get at it and more comfortable. Well, 912 00:45:50,320 --> 00:45:52,920 Speaker 1: that's been my own personal experience. There's a lot of 913 00:45:52,960 --> 00:45:54,879 Speaker 1: things I've been uncomfortable with, and you have to face 914 00:45:54,920 --> 00:45:57,239 Speaker 1: your fears and do it and you get better. All right, 915 00:45:57,320 --> 00:46:03,839 Speaker 1: I'm angela ye and that's your rumor report. It's time 916 00:46:03,920 --> 00:46:08,880 Speaker 1: for Donkey of the day. So being dunky of the 917 00:46:08,960 --> 00:46:11,200 Speaker 1: day a little bit of a mix, but like a 918 00:46:11,280 --> 00:46:18,879 Speaker 1: dog the other day. Now I've been called a lot 919 00:46:18,960 --> 00:46:20,920 Speaker 1: of my twenty three years that donkey of the day 920 00:46:21,040 --> 00:46:24,360 Speaker 1: is a new wife. Yes, donk here to day for Wednesday, 921 00:46:24,440 --> 00:46:28,160 Speaker 1: June fourteenth goes to Lydia Marie Carmany now Lydia Maria 922 00:46:28,239 --> 00:46:30,800 Speaker 1: is a young white female from Wyoming. She attends the 923 00:46:30,880 --> 00:46:34,160 Speaker 1: school called she Lette College. Now. She was arrested after 924 00:46:34,239 --> 00:46:36,080 Speaker 1: she tried to just walk out of a Walmart with 925 00:46:36,160 --> 00:46:39,480 Speaker 1: a cart containing nearly two thousand and stolen items. Now, 926 00:46:39,520 --> 00:46:42,600 Speaker 1: I have sympathy for college students stealing. I never went 927 00:46:42,640 --> 00:46:45,479 Speaker 1: to college, but I understand the struggle of college kids. 928 00:46:45,760 --> 00:46:47,400 Speaker 1: They don't have money. They are busy trying to be 929 00:46:47,520 --> 00:46:50,600 Speaker 1: productive citizens. So if they still to survive, I don't 930 00:46:50,640 --> 00:46:52,799 Speaker 1: have a problem with that. I can turn a blind either. 931 00:46:52,880 --> 00:46:56,160 Speaker 1: That all right, Not to mention it's only shoplifting if 932 00:46:56,200 --> 00:46:58,759 Speaker 1: you try to hide your items. Okay, if you go 933 00:46:58,880 --> 00:47:01,240 Speaker 1: in the star hold up a cart full of stuff 934 00:47:01,400 --> 00:47:04,080 Speaker 1: and then attempt to just walk out, you're not shoplifting. 935 00:47:04,320 --> 00:47:07,840 Speaker 1: You're just recusing yourself from paying for the items. Okay, 936 00:47:08,280 --> 00:47:12,239 Speaker 1: I used to do it often, still do sometime. All right, 937 00:47:12,320 --> 00:47:15,719 Speaker 1: just magazines though, And come now, I told you all, 938 00:47:15,800 --> 00:47:18,279 Speaker 1: Lydia Marie got caught, and what she did? You know? 939 00:47:18,400 --> 00:47:20,000 Speaker 1: What did she say when she got caught. Did she 940 00:47:20,080 --> 00:47:22,040 Speaker 1: tell the authorities look, I'm a twenty three year old, 941 00:47:22,239 --> 00:47:25,399 Speaker 1: starving college student who's just trying to survive. Nope? Did 942 00:47:25,480 --> 00:47:29,200 Speaker 1: she flex her struggling college student privilege. Nope. Instead, Lydia 943 00:47:29,280 --> 00:47:33,400 Speaker 1: Marie Cormany did what any brilliantly idiotic college student would do. 944 00:47:33,800 --> 00:47:37,400 Speaker 1: She said she was doing research for a term paper 945 00:47:37,680 --> 00:47:42,920 Speaker 1: on kleptomania. Lydia Marie got caught shoplifting at Walmart, and 946 00:47:43,040 --> 00:47:45,640 Speaker 1: she told the Walmart employees that she was doing research 947 00:47:45,719 --> 00:47:49,239 Speaker 1: for a term paper on kleptomania. Kleptomania is not a 948 00:47:49,360 --> 00:47:52,879 Speaker 1: new WWE pay per view. It is a recurrent urge 949 00:47:52,920 --> 00:47:55,800 Speaker 1: to still, typically without regard for need or profit. I 950 00:47:55,920 --> 00:47:57,279 Speaker 1: know some of you all are thinking, why did you 951 00:47:57,360 --> 00:48:00,120 Speaker 1: feel the need to explain what kleptomania is. Well, I 952 00:48:00,360 --> 00:48:02,400 Speaker 1: like to give people to credit they deserve for being stupid, 953 00:48:02,560 --> 00:48:04,520 Speaker 1: including myself. So for those who didn't know what a 954 00:48:04,520 --> 00:48:07,680 Speaker 1: cleptomaniac is now you do, Now, the real reason Lydia 955 00:48:07,719 --> 00:48:09,960 Speaker 1: was shoplifting was because she was forced into a new 956 00:48:10,040 --> 00:48:13,239 Speaker 1: dorm room and her former roommate kept the majority of 957 00:48:13,320 --> 00:48:15,600 Speaker 1: the household items. Now, if she would have just led 958 00:48:15,680 --> 00:48:17,920 Speaker 1: with that, if she would have just said that from 959 00:48:17,960 --> 00:48:20,920 Speaker 1: the beginning, the fact she's a white female college student, 960 00:48:21,160 --> 00:48:23,520 Speaker 1: probably would have gotten her pass from Walmart. But no, 961 00:48:24,360 --> 00:48:27,800 Speaker 1: you want to insult Walmart and the authorities intelligence and 962 00:48:27,960 --> 00:48:31,320 Speaker 1: say you're doing a research paper for kleptomania. Kleptomania is 963 00:48:31,320 --> 00:48:34,800 Speaker 1: a recurrent urge to steal. Okay, recurrent meaning that you 964 00:48:34,840 --> 00:48:37,560 Speaker 1: would have had to steal from this Walmart several times 965 00:48:37,719 --> 00:48:40,480 Speaker 1: to do proper research on kleptomania. You're walking out of 966 00:48:40,520 --> 00:48:42,880 Speaker 1: that Walmart after stealing from at once. Wasn't going to 967 00:48:43,040 --> 00:48:45,400 Speaker 1: serve as proper research. You would have had to do 968 00:48:45,520 --> 00:48:48,200 Speaker 1: it again and again and again. And that's probably why 969 00:48:48,280 --> 00:48:50,319 Speaker 1: they called the police on your silly ass, because they 970 00:48:50,360 --> 00:48:52,400 Speaker 1: didn't want you to hit them again. Okay, Lydia is 971 00:48:52,440 --> 00:48:54,840 Speaker 1: definitely the type of student who told the teacher the 972 00:48:54,960 --> 00:48:57,000 Speaker 1: reason she doesn't have her homework is because she left 973 00:48:57,040 --> 00:48:58,959 Speaker 1: it in the back of her uncle Jeff's pickup truck, 974 00:48:59,120 --> 00:49:00,920 Speaker 1: and then Jeff drove to pick up Trump through a 975 00:49:01,000 --> 00:49:03,960 Speaker 1: car wash. Lydia has definitely told her teachers that her 976 00:49:04,040 --> 00:49:06,799 Speaker 1: homework slipped out of her hands and blew away. By 977 00:49:06,880 --> 00:49:09,040 Speaker 1: the way, teacher, that's why I was also late to class, 978 00:49:09,160 --> 00:49:11,960 Speaker 1: because I was chasing after said homework after it blew 979 00:49:12,000 --> 00:49:15,000 Speaker 1: out my hands. The moral of the story is why lie, kids, 980 00:49:15,320 --> 00:49:18,560 Speaker 1: You would be surprised you understand your situation. Everything can 981 00:49:18,640 --> 00:49:21,520 Speaker 1: be worked out. Some donkey. The days just sell themselves. 982 00:49:21,760 --> 00:49:24,600 Speaker 1: Please give Lydia Marie Cormany the biggest heath hall please. 983 00:49:27,880 --> 00:49:29,920 Speaker 1: All right, well, thank you for that donkey the day. Yeah, 984 00:49:29,960 --> 00:49:32,040 Speaker 1: and she was released from jail last Thursday, but now 985 00:49:32,120 --> 00:49:34,120 Speaker 1: she faces up to ten years in prison and a 986 00:49:34,239 --> 00:49:38,239 Speaker 1: ten thousand dollars fine for felony shoplifting. Okay, what all 987 00:49:38,320 --> 00:49:39,959 Speaker 1: she had to do was probably tell her the truth 988 00:49:40,000 --> 00:49:42,880 Speaker 1: from the beginning, and then she could have skated. Maybe 989 00:49:43,040 --> 00:49:46,480 Speaker 1: you think, yeah, absolutely, all right? Well up next is 990 00:49:46,600 --> 00:49:48,960 Speaker 1: ask a ye eight hundred five eight five one O 991 00:49:49,080 --> 00:49:50,440 Speaker 1: five one. If you got a question for Ye, you 992 00:49:50,480 --> 00:49:52,799 Speaker 1: could call her right now. She helped you out. If 993 00:49:52,840 --> 00:49:55,560 Speaker 1: you need some advice, relationship advice, call up She'll put 994 00:49:55,600 --> 00:49:57,160 Speaker 1: your live when the air and help you with your problems. 995 00:49:57,200 --> 00:49:59,640 Speaker 1: A getting numbers eight hundred eight five one on five 996 00:49:59,719 --> 00:50:02,320 Speaker 1: one is big showing with bounce back Morning. Everybody is 997 00:50:02,400 --> 00:50:05,560 Speaker 1: DJ Envy, Angela, yee Chelamin the guy. We are the 998 00:50:05,640 --> 00:50:10,000 Speaker 1: Breakfast Club. Now we have Eric Odoline from Miami. What's up, Eric? 999 00:50:10,680 --> 00:50:13,920 Speaker 1: What's up? What's your course of You sound depressed? Nope, 1000 00:50:14,000 --> 00:50:18,800 Speaker 1: not at all, Okay, So what's up? My question is 1001 00:50:19,000 --> 00:50:22,000 Speaker 1: I am My birthday is coming up and I booked 1002 00:50:22,719 --> 00:50:25,440 Speaker 1: trips in New York as a family. However, I made 1003 00:50:25,480 --> 00:50:28,360 Speaker 1: a mistake of booking a flight for my girlfriend the 1004 00:50:28,440 --> 00:50:31,080 Speaker 1: day after my birthday, so I will not be with 1005 00:50:31,200 --> 00:50:34,960 Speaker 1: her on my birthday. I wanted to know if this 1006 00:50:35,560 --> 00:50:38,839 Speaker 1: is something that should not be done. Did I make 1007 00:50:38,920 --> 00:50:41,520 Speaker 1: a mistake? I feel like I did make mistake, and 1008 00:50:41,600 --> 00:50:44,200 Speaker 1: I just wanted to feel know your thoughts on it. Well, 1009 00:50:44,320 --> 00:50:46,560 Speaker 1: you so you didn't on purpose book it. It was 1010 00:50:46,600 --> 00:50:48,360 Speaker 1: just a mistake, like she was supposed to come the 1011 00:50:48,400 --> 00:50:54,239 Speaker 1: same days and timing last second getting off work, and 1012 00:50:54,360 --> 00:50:55,920 Speaker 1: just this is the only way it could have happened 1013 00:50:55,960 --> 00:50:58,200 Speaker 1: where I could have enjoyed a vacation on my girlfriend. 1014 00:50:58,239 --> 00:51:00,480 Speaker 1: The weekend on my birthday. All right, I mean, what 1015 00:51:00,600 --> 00:51:02,840 Speaker 1: is she saying about it? Well, she wanted to be 1016 00:51:02,920 --> 00:51:05,239 Speaker 1: with me our birthday, so she's a little upset, and 1017 00:51:05,280 --> 00:51:07,840 Speaker 1: I completely understand where she's coming from. I know that 1018 00:51:07,920 --> 00:51:10,840 Speaker 1: I probably made a mistake initially, if by booking the 1019 00:51:10,920 --> 00:51:15,719 Speaker 1: flight so suddenly, but I wanted to know whether, well, 1020 00:51:16,160 --> 00:51:18,799 Speaker 1: this is something that is normal. Well, Eric, number when 1021 00:51:18,840 --> 00:51:21,319 Speaker 1: you know, you could change the flight if you want to, right, 1022 00:51:21,600 --> 00:51:23,880 Speaker 1: I have no. I have plans with my family throughout 1023 00:51:23,920 --> 00:51:25,600 Speaker 1: the entire day, and if I change your flight, I 1024 00:51:25,640 --> 00:51:28,520 Speaker 1: would be fighting my family down. Okay, So here's what 1025 00:51:28,640 --> 00:51:31,920 Speaker 1: I think. Number One, it's really nice for your birthday. 1026 00:51:32,239 --> 00:51:33,920 Speaker 1: You booked her a flight because she didn't book her 1027 00:51:33,960 --> 00:51:36,200 Speaker 1: own flight. You still booked her a flight even though 1028 00:51:36,239 --> 00:51:39,239 Speaker 1: it's your birthday, right, Yeah. And number two, if she's 1029 00:51:39,280 --> 00:51:42,640 Speaker 1: a great girlfriend, she should be more trying to make 1030 00:51:42,640 --> 00:51:45,320 Speaker 1: sure that you're happy on your actual birthday, knowing that 1031 00:51:45,360 --> 00:51:47,359 Speaker 1: you're going to spend time with your family and then 1032 00:51:47,400 --> 00:51:49,319 Speaker 1: she can celebrate with you the next day. It should 1033 00:51:49,360 --> 00:51:51,040 Speaker 1: be more like are you okay with it? And that 1034 00:51:51,239 --> 00:51:53,960 Speaker 1: is she okay with it? Yeah, she's a great girlfriend. 1035 00:51:54,000 --> 00:51:56,440 Speaker 1: She's very supportive of me right. I just felt that 1036 00:51:56,680 --> 00:52:00,680 Speaker 1: I would have her missing out on the thing of 1037 00:52:00,800 --> 00:52:03,319 Speaker 1: making me feel stars for my birthday. Jake can still 1038 00:52:03,400 --> 00:52:06,360 Speaker 1: make you speel special the next day, it should be fine. 1039 00:52:06,760 --> 00:52:08,759 Speaker 1: I mean, if timing wise, you know, that's how it 1040 00:52:08,880 --> 00:52:11,759 Speaker 1: worked out. I would have no problem with that if 1041 00:52:11,840 --> 00:52:14,200 Speaker 1: that was me. And is she upset about it or 1042 00:52:15,480 --> 00:52:19,080 Speaker 1: she's pretty understanding. I went on my way to make 1043 00:52:19,200 --> 00:52:23,640 Speaker 1: sure that she's including. Well, that's great on both of 1044 00:52:23,719 --> 00:52:25,920 Speaker 1: your price. Don't stress yourself out about it. You know, 1045 00:52:26,280 --> 00:52:28,960 Speaker 1: sometimes it's great if you can celebrate those holidays or 1046 00:52:29,000 --> 00:52:31,680 Speaker 1: your birthday on that actual day. But there's nothing wrong 1047 00:52:31,719 --> 00:52:33,719 Speaker 1: with making the next day a special day as well, 1048 00:52:33,800 --> 00:52:35,800 Speaker 1: just because of timing and convenience, as long as you 1049 00:52:35,880 --> 00:52:38,440 Speaker 1: are both okay with that. Okay, great, Thank you very much. 1050 00:52:38,480 --> 00:52:40,480 Speaker 1: I watch you guys every single day. You guys are awesome. 1051 00:52:40,560 --> 00:52:43,680 Speaker 1: All right, Happy birthday, Thank you very much. All right, 1052 00:52:43,840 --> 00:52:46,640 Speaker 1: ask yet five five one oh five one. If you 1053 00:52:46,719 --> 00:52:48,600 Speaker 1: got a question for Ye, you can call her right now, 1054 00:52:48,719 --> 00:52:50,640 Speaker 1: or you can always email or what's to email? Ye 1055 00:52:50,880 --> 00:52:53,560 Speaker 1: help me Ye at gmail dot com. Hit all right now, 1056 00:52:53,600 --> 00:52:55,759 Speaker 1: it's the Breakfast Club the morning. The morning everybody is 1057 00:52:55,840 --> 00:52:59,000 Speaker 1: DJ Envy Angela Yee, Charlomagne, the guy. We are the 1058 00:52:59,080 --> 00:53:02,000 Speaker 1: breakfast club up. We're in the middle of Ask ye. 1059 00:53:02,160 --> 00:53:04,560 Speaker 1: If you need relationship advice or any type of advice 1060 00:53:04,680 --> 00:53:06,800 Speaker 1: eight hundred five eight five one or five one. You 1061 00:53:06,840 --> 00:53:09,560 Speaker 1: can always email ye. What's to email you? Help me 1062 00:53:09,719 --> 00:53:11,840 Speaker 1: Ye at gmail dot com. A lone you want to 1063 00:53:11,880 --> 00:53:16,440 Speaker 1: go to, Let's talk to Madison online number six. Madison 1064 00:53:16,520 --> 00:53:18,959 Speaker 1: You there, Yes, I hope you got a good question. 1065 00:53:19,040 --> 00:53:20,760 Speaker 1: That's my daughter's name. So ope, it's not too crazy, 1066 00:53:22,640 --> 00:53:24,440 Speaker 1: it's not it's not all right? What's your question for you? 1067 00:53:25,360 --> 00:53:27,239 Speaker 1: I've been in a relationship for two years with this 1068 00:53:27,400 --> 00:53:31,600 Speaker 1: guy and he has two kids. Okay, I am about 1069 00:53:31,640 --> 00:53:33,880 Speaker 1: the same age and I don't have any kids, but 1070 00:53:33,960 --> 00:53:35,759 Speaker 1: we both on the same level me and like, we 1071 00:53:35,920 --> 00:53:39,360 Speaker 1: have good jobs. We you know, educated as well. I 1072 00:53:39,480 --> 00:53:42,759 Speaker 1: feel like that I'm raising a man because he doesn't 1073 00:53:42,760 --> 00:53:46,200 Speaker 1: know how to treat me. But past relationships, the girls 1074 00:53:46,280 --> 00:53:49,319 Speaker 1: weren't like up to par. They just didn't care about 1075 00:53:49,360 --> 00:53:51,920 Speaker 1: how they treated him well he treated them. But I'm 1076 00:53:51,960 --> 00:53:55,080 Speaker 1: feeling I'm I don't know if I'm being insecure or 1077 00:53:55,880 --> 00:53:59,399 Speaker 1: I'm just blind, but I feel I don't know if 1078 00:53:59,560 --> 00:54:02,960 Speaker 1: he's in me or okay, so be specific because I'm 1079 00:54:02,960 --> 00:54:04,560 Speaker 1: gonna tell you ever had this issue before where you 1080 00:54:04,680 --> 00:54:06,160 Speaker 1: date a guy and you're like, who the hell did 1081 00:54:06,200 --> 00:54:08,040 Speaker 1: you date before me? Because you don't know how to 1082 00:54:08,120 --> 00:54:09,919 Speaker 1: do these simple things for a girl. But some guys 1083 00:54:10,000 --> 00:54:12,440 Speaker 1: really don't know. So give me some examples, all right, 1084 00:54:12,520 --> 00:54:15,160 Speaker 1: So I'll tell him all the time. He's good right now, 1085 00:54:15,239 --> 00:54:18,240 Speaker 1: he's learning, so he'll do those gentlemen things opening the doors, 1086 00:54:18,280 --> 00:54:20,879 Speaker 1: taking me to work, or buying men, you know, paying 1087 00:54:20,960 --> 00:54:24,640 Speaker 1: for the bills, stuff like that. Okay, But then is 1088 00:54:24,719 --> 00:54:27,840 Speaker 1: things like, oh, I don't even know. I can't I 1089 00:54:27,880 --> 00:54:29,719 Speaker 1: don't know, Like I had to tell my boyfriend as 1090 00:54:29,760 --> 00:54:31,360 Speaker 1: a man, you know, you should walk on the outside 1091 00:54:31,360 --> 00:54:34,200 Speaker 1: of the sidewalk. It just feels weird because guys always 1092 00:54:34,239 --> 00:54:37,000 Speaker 1: do that, you know, So I like, you don't even 1093 00:54:37,040 --> 00:54:40,440 Speaker 1: do that, right, But what you did say that was 1094 00:54:40,480 --> 00:54:43,719 Speaker 1: important is that he is he is learning, Like you 1095 00:54:43,800 --> 00:54:47,080 Speaker 1: tell him something and he doesn't, right, And I think 1096 00:54:47,120 --> 00:54:49,239 Speaker 1: that's important because one of the key things is if 1097 00:54:49,280 --> 00:54:51,440 Speaker 1: he doesn't know how to treat a woman, because clearly 1098 00:54:51,760 --> 00:54:54,680 Speaker 1: he hasn't had a relationship prior to you where he 1099 00:54:54,760 --> 00:54:56,600 Speaker 1: had some standards that he had to live up to. 1100 00:54:57,000 --> 00:54:59,000 Speaker 1: It is important that when you tell him things that 1101 00:54:59,120 --> 00:55:01,120 Speaker 1: you feel like, Okay, I think you should do this, 1102 00:55:01,200 --> 00:55:02,799 Speaker 1: I think you should do that, that he actually does 1103 00:55:02,880 --> 00:55:06,040 Speaker 1: it right. Okay, So that's important. You gotta give him 1104 00:55:06,040 --> 00:55:08,920 Speaker 1: credit for that. Yeah, but I'm in patient. The patience 1105 00:55:09,040 --> 00:55:11,680 Speaker 1: is killing me. I don't want to be like reason 1106 00:55:11,760 --> 00:55:14,680 Speaker 1: the man. I'm just I mean, listen, you guys have 1107 00:55:14,760 --> 00:55:16,920 Speaker 1: been together for two years already, and the fact of 1108 00:55:16,960 --> 00:55:20,120 Speaker 1: the matter is that sometimes these guys really don't know, 1109 00:55:20,239 --> 00:55:22,759 Speaker 1: Like I have dated guys that I felt like, you 1110 00:55:22,800 --> 00:55:25,120 Speaker 1: don't even know, like how to buy a proper present. Listen, 1111 00:55:25,360 --> 00:55:28,360 Speaker 1: I've dated I have never even been on vacation that 1112 00:55:28,480 --> 00:55:30,719 Speaker 1: have never even been on vacation with a girl before, 1113 00:55:30,760 --> 00:55:33,719 Speaker 1: and it's their first time ever going on vacation, you know. 1114 00:55:33,840 --> 00:55:36,719 Speaker 1: So sometimes it's like that. And if you really care 1115 00:55:36,760 --> 00:55:38,960 Speaker 1: about him and love him, and if you feel like 1116 00:55:39,080 --> 00:55:41,640 Speaker 1: he is willing to learn and make that effort, then 1117 00:55:41,840 --> 00:55:43,560 Speaker 1: that could be a great thing because he's growing with 1118 00:55:43,719 --> 00:55:46,160 Speaker 1: you and growing with this relationship. So he's treating you 1119 00:55:46,280 --> 00:55:49,120 Speaker 1: better than he's ever treated anybody else. Okay, Okay, I 1120 00:55:49,160 --> 00:55:50,719 Speaker 1: can get that. I get that, right, which is a 1121 00:55:50,760 --> 00:55:51,960 Speaker 1: good way to look at it because it is a 1122 00:55:52,040 --> 00:55:54,920 Speaker 1: bad perspective. It's like, Okay, he loves me so much 1123 00:55:54,960 --> 00:55:58,200 Speaker 1: that he's doing things that he's never done before. But 1124 00:55:58,360 --> 00:55:59,880 Speaker 1: see when he tells me stuff like that, he's the 1125 00:56:00,000 --> 00:56:02,120 Speaker 1: and it's not normal for him. I don't know if 1126 00:56:02,120 --> 00:56:04,759 Speaker 1: I'm believing him or not, because hey, I don't know 1127 00:56:04,840 --> 00:56:06,440 Speaker 1: what he's done before and what he hasn't done. Well, 1128 00:56:06,440 --> 00:56:09,640 Speaker 1: why wouldn't you believe him? I don't know. For no reason? 1129 00:56:09,880 --> 00:56:14,080 Speaker 1: Does he lie to you? I mean, he hasn't a past. Okay, well, listen, 1130 00:56:14,120 --> 00:56:15,960 Speaker 1: you gotta just take it at face value. If he's 1131 00:56:15,960 --> 00:56:17,680 Speaker 1: saying that he's never done this, but he's doing it 1132 00:56:17,840 --> 00:56:20,600 Speaker 1: for you, just appreciate that he's doing these things for 1133 00:56:20,800 --> 00:56:23,120 Speaker 1: you instead of worrying about what he's not doing. And 1134 00:56:23,239 --> 00:56:25,440 Speaker 1: then in the future, every time you feel like okay, 1135 00:56:25,840 --> 00:56:28,800 Speaker 1: you know what, and let him know, like, don't scream 1136 00:56:28,840 --> 00:56:31,040 Speaker 1: on him about it. As long as he's being you know, 1137 00:56:31,080 --> 00:56:33,400 Speaker 1: as long as he's being susceptible to this, like just 1138 00:56:33,560 --> 00:56:35,719 Speaker 1: wanting to learn and grow with you, just make sure 1139 00:56:35,760 --> 00:56:37,880 Speaker 1: that you tell him like listening, babe, I think it 1140 00:56:37,920 --> 00:56:39,440 Speaker 1: would be good if you did this. I know you've 1141 00:56:39,480 --> 00:56:42,000 Speaker 1: never done things like this before. But I think it 1142 00:56:42,040 --> 00:56:44,279 Speaker 1: would make me feel good if you would walk on 1143 00:56:44,320 --> 00:56:46,120 Speaker 1: the outside of the sidewalk as a man, you know, 1144 00:56:46,200 --> 00:56:48,640 Speaker 1: for a woman. That just makes me feel, you know, 1145 00:56:49,040 --> 00:56:51,480 Speaker 1: very protected. Just explain to him why you need him 1146 00:56:51,480 --> 00:56:53,560 Speaker 1: to do those things, and hopefully he does them. Now 1147 00:56:53,640 --> 00:56:55,720 Speaker 1: the problem would only come in is if you're asking 1148 00:56:55,800 --> 00:56:57,560 Speaker 1: him to do these things and he's not willing to 1149 00:56:57,640 --> 00:56:59,359 Speaker 1: do them, then that's a whole other story. But if 1150 00:56:59,360 --> 00:57:01,520 Speaker 1: he's willing, then you should give him that shot. And 1151 00:57:01,560 --> 00:57:03,400 Speaker 1: you got to be patient too, because that's part of 1152 00:57:03,440 --> 00:57:06,080 Speaker 1: our relationship is learning each other and learning our likes 1153 00:57:06,120 --> 00:57:10,640 Speaker 1: and our dislikes and growing. Okay, okay, all right, look 1154 00:57:10,640 --> 00:57:14,839 Speaker 1: good luck Madison. All right, madam, thank you, all right? 1155 00:57:15,000 --> 00:57:17,400 Speaker 1: Asking eight hundred five eight five one o five one. 1156 00:57:17,440 --> 00:57:18,840 Speaker 1: If you got a question for you, you could call 1157 00:57:18,880 --> 00:57:20,960 Speaker 1: that anytime that we got rumors on the way, Yes, 1158 00:57:21,080 --> 00:57:24,120 Speaker 1: find out what celebrity was missing her teeth and she 1159 00:57:24,320 --> 00:57:27,760 Speaker 1: explains why. Also, we'll be talking about Bachelor in Paradise. 1160 00:57:28,040 --> 00:57:31,440 Speaker 1: We've been following this story about alleged sexual encounter that 1161 00:57:31,600 --> 00:57:34,840 Speaker 1: happens and now there's possible lawsuits on the line. Will 1162 00:57:34,880 --> 00:57:36,640 Speaker 1: tell you what's going on. With that. Okay, we'll get 1163 00:57:36,680 --> 00:57:38,440 Speaker 1: into all that when we come back. Keep it Lockedice 1164 00:57:38,440 --> 00:57:51,880 Speaker 1: to Breakfast Club. God morning, it's about Angela the Breakfast Club. Well, 1165 00:57:51,960 --> 00:57:54,000 Speaker 1: Demi Moore was on The Tonight Show and she told 1166 00:57:54,080 --> 00:57:56,600 Speaker 1: Jimmy Fallon that she lost her two front teeth. How 1167 00:57:56,640 --> 00:58:00,120 Speaker 1: could something like this happen age She's years old. That's 1168 00:58:00,120 --> 00:58:03,040 Speaker 1: not what happened. Here is what she said. I sheered 1169 00:58:03,120 --> 00:58:05,280 Speaker 1: off my front teeth. But I'd love to say it 1170 00:58:05,360 --> 00:58:07,600 Speaker 1: was like skateboarding or something like really kind of like cool. 1171 00:58:08,080 --> 00:58:10,480 Speaker 1: But I think it's really something that's important to share 1172 00:58:10,640 --> 00:58:13,520 Speaker 1: because I think it's literally probably after heart disease, one 1173 00:58:13,520 --> 00:58:17,040 Speaker 1: of the biggest killers in America, which is stress. Yeah. Stress, 1174 00:58:17,080 --> 00:58:19,680 Speaker 1: sheared off my front tooth. I thought she was into 1175 00:58:19,720 --> 00:58:22,440 Speaker 1: those energy drinks at one time, heavily, and I think 1176 00:58:22,480 --> 00:58:23,960 Speaker 1: that was effing her up at one But now she 1177 00:58:24,000 --> 00:58:26,600 Speaker 1: said that she would grind her teeth because she was 1178 00:58:26,680 --> 00:58:29,240 Speaker 1: stressed out. Get you a mouthful of gold and then 1179 00:58:29,320 --> 00:58:31,840 Speaker 1: getting removed like coldak black if you want to impress me, 1180 00:58:31,920 --> 00:58:34,760 Speaker 1: I don't care about you losing your two front teeth. Yeah, 1181 00:58:34,800 --> 00:58:36,240 Speaker 1: so she said, people, but you know what, there are 1182 00:58:36,240 --> 00:58:38,320 Speaker 1: a lot of people that grind your teeth when enough 1183 00:58:38,360 --> 00:58:40,600 Speaker 1: to lose your tea. I've never heard of that when. Yeah, 1184 00:58:40,760 --> 00:58:43,400 Speaker 1: it really weakened your teeth. And you know, mouncle's a dentist. 1185 00:58:43,600 --> 00:58:45,400 Speaker 1: My brother actually when we were growing up, used to 1186 00:58:45,400 --> 00:58:47,200 Speaker 1: grind his teeth other time. There's people that grind their 1187 00:58:47,240 --> 00:58:49,320 Speaker 1: teeth and they actually have to wear something protective at 1188 00:58:49,400 --> 00:58:52,480 Speaker 1: night to stop them from grinding their teeth. Yea, your 1189 00:58:52,480 --> 00:58:54,400 Speaker 1: teach and touch each other throughout the day. Like you 1190 00:58:54,440 --> 00:58:56,080 Speaker 1: know how when you just rest your teeth and your mouth, 1191 00:58:56,160 --> 00:58:58,200 Speaker 1: just lay your teach it and touch each other. Do 1192 00:58:58,240 --> 00:59:02,640 Speaker 1: you know that? Yeah? Years old and she had wooden 1193 00:59:02,680 --> 00:59:06,480 Speaker 1: teeth for the majority of her life. Nah, but she 1194 00:59:06,680 --> 00:59:08,280 Speaker 1: was saying that, and that is true. A lot of 1195 00:59:08,320 --> 00:59:10,440 Speaker 1: people are stressed out in life. So she's saying that 1196 00:59:10,480 --> 00:59:12,400 Speaker 1: it is one of the top killers of people. So 1197 00:59:13,040 --> 00:59:15,360 Speaker 1: that is one issue that she had. The grinding makes 1198 00:59:15,360 --> 00:59:17,600 Speaker 1: your teeth weaken, all that friction and that causes a 1199 00:59:17,640 --> 00:59:19,080 Speaker 1: lot of problems. So that's why you got to go 1200 00:59:19,120 --> 00:59:21,680 Speaker 1: to the dentist, right, all right. Katy Perry was on 1201 00:59:21,880 --> 00:59:26,520 Speaker 1: Deray mckesson's podcast and she discussed cultural appropriation. Now, she 1202 00:59:26,680 --> 00:59:30,040 Speaker 1: was on pod Save the People and this clip actually 1203 00:59:30,160 --> 00:59:33,160 Speaker 1: went viral. Check out Katy Perry admitting that she didn't 1204 00:59:33,240 --> 00:59:36,000 Speaker 1: understand certain things about what she's done in videos and 1205 00:59:36,600 --> 00:59:39,600 Speaker 1: her video This Is How We Do. I've made several 1206 00:59:39,680 --> 00:59:42,200 Speaker 1: mistakes even in like this is How We Do video 1207 00:59:42,320 --> 00:59:45,320 Speaker 1: about how I wore my hair and having a hard 1208 00:59:45,400 --> 00:59:49,240 Speaker 1: conversation with one of my empowered angels, Cleo, about what 1209 00:59:49,400 --> 00:59:52,320 Speaker 1: does it mean? Why why can't I wear my hair 1210 00:59:52,480 --> 00:59:55,480 Speaker 1: that way? Or what is the history behind wearing the 1211 00:59:55,560 --> 00:59:58,760 Speaker 1: hair that way? And she told me about the power 1212 00:59:59,160 --> 01:00:01,960 Speaker 1: in black women it's hair and how beautiful it is 1213 01:00:02,040 --> 01:00:05,560 Speaker 1: in the struggle. And I listened and I heard, and 1214 01:00:05,640 --> 01:00:09,720 Speaker 1: I didn't know, and I won't ever understand blah blah 1215 01:00:09,720 --> 01:00:13,560 Speaker 1: blah who I am. But I can educate myself, all right, 1216 01:00:13,720 --> 01:00:17,120 Speaker 1: Katie's a liar, Okay, Katie Perry, I did up until 1217 01:00:17,200 --> 01:00:19,760 Speaker 1: this album running. Okay, Katie came to the IHAB building 1218 01:00:19,800 --> 01:00:21,680 Speaker 1: in New York and didn't come near the hip hop 1219 01:00:21,760 --> 01:00:23,720 Speaker 1: on RB station, even though she got the megs and 1220 01:00:23,880 --> 01:00:26,880 Speaker 1: NICKI Minaj on the record. Okay, nick Katie's full full 1221 01:00:26,920 --> 01:00:28,880 Speaker 1: of cock? All right? You went to the pop station, 1222 01:00:29,200 --> 01:00:31,160 Speaker 1: you went to the dance station, but didn't come near here. 1223 01:00:31,240 --> 01:00:33,080 Speaker 1: Remember she gave us that little pity phone call a 1224 01:00:33,160 --> 01:00:35,520 Speaker 1: couple of years ago. You love you some, Katie Petty. 1225 01:00:37,640 --> 01:00:41,240 Speaker 1: You guys, I listened here. I can't say that, can't I? 1226 01:00:41,480 --> 01:00:48,160 Speaker 1: You can't station A lot lies lies, she said, listen. 1227 01:00:48,280 --> 01:00:51,080 Speaker 1: She didn't even say breakfast club. She said station. She 1228 01:00:51,240 --> 01:00:54,000 Speaker 1: called up. I remember that phone called. Remember she called up. 1229 01:00:54,520 --> 01:00:55,920 Speaker 1: Her people was in the background and he was like, 1230 01:00:56,040 --> 01:00:58,640 Speaker 1: they sing the Friday song every Friday. And then all 1231 01:00:58,680 --> 01:01:01,360 Speaker 1: of a sudden, she turned on the Hey yo, what's 1232 01:01:01,480 --> 01:01:07,320 Speaker 1: up Skatie listens? Hey yo, she didn't come to the station, 1233 01:01:07,400 --> 01:01:09,840 Speaker 1: and she got me goals and Nicki minaj on the 1234 01:01:09,920 --> 01:01:11,680 Speaker 1: song how you don't come to the hip hop and 1235 01:01:11,760 --> 01:01:17,440 Speaker 1: Army station? And you got Nicki Minajee. You're not even 1236 01:01:17,520 --> 01:01:20,200 Speaker 1: oh my gosh, maybe you're not even listening. You're not listening. 1237 01:01:20,240 --> 01:01:22,160 Speaker 1: You're not listening to what I'm saying. I'm listening, all right, 1238 01:01:22,240 --> 01:01:24,920 Speaker 1: all right, And uh well we ran out of time now, 1239 01:01:25,040 --> 01:01:27,439 Speaker 1: so I'm Mandelagie. I was going to tell you about 1240 01:01:27,480 --> 01:01:29,880 Speaker 1: Bachelor in Paradise and all of that drama that's going on, 1241 01:01:30,000 --> 01:01:32,280 Speaker 1: but I'll update you on that tomorrow because it's still 1242 01:01:32,280 --> 01:01:36,240 Speaker 1: an ongoing situation with producers saying that they were uncomfortable 1243 01:01:36,280 --> 01:01:37,720 Speaker 1: with some of the footage. But I will tell you 1244 01:01:37,800 --> 01:01:40,000 Speaker 1: that Demerio Jackson, who's in the middle of this Bachelor 1245 01:01:40,120 --> 01:01:42,640 Speaker 1: in Paradise scandal, is saying that he feels like that 1246 01:01:42,760 --> 01:01:45,400 Speaker 1: video footage will show that he didn't do anything wrong. 1247 01:01:45,520 --> 01:01:48,160 Speaker 1: All right, I'mande Laye, and that is your rumor report.