WEBVTT - Kamau

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<v Speaker 1>Do I start. Welcome to the podcast. I'm happy to start.

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<v Speaker 1>This is comedian W Kamal Bell. We met years ago

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<v Speaker 1>at the beginning of both of our careers. I think

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<v Speaker 1>I bombed a couple of volunteer events. Yeah, you bombed

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<v Speaker 1>a little bit and I got to see bombs. I

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<v Speaker 1>love this guy. Look at him bombing like a pro. Yeah,

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<v Speaker 1>it's great and uh and yeah, it's been wild that

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<v Speaker 1>our careers have gone in these crazy trajectories and now

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<v Speaker 1>we reunited to discuss Fred Rogers today come Out has

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<v Speaker 1>a CNN show called United Shades of America where he

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<v Speaker 1>travels around the US talking to people about what's wrong

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<v Speaker 1>with this country. And I wanted to talk with him

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<v Speaker 1>because he did something really interesting with that show. He

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<v Speaker 1>sat down with some of the most hateful people I

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<v Speaker 1>can think of, and he had a conversation. I'm Carvel

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<v Speaker 1>Wallace and this is Finding Fred, a podcast about Fred

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<v Speaker 1>Rogers from I Heeart Media and Fatherly in partnership with

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<v Speaker 1>Transmitter Media Early and I think it was the first season.

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<v Speaker 1>You talked with some white nationalists, uh, and some pretty

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<v Speaker 1>heavy movers in that. I imagine you've got a lot

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<v Speaker 1>of pushback from people about giving the people platform given,

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<v Speaker 1>how did you make sense? Why did you decide to

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<v Speaker 1>do that, and what did you learn in that experience.

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<v Speaker 1>I believe, and you know, platforming Richard Spencer or any

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<v Speaker 1>of these people would be tonight in the United Shades,

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<v Speaker 1>I'm going to take the night off and let Richard

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<v Speaker 1>Spencer run the show. To me, that's platforming. That's normalizing.

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<v Speaker 1>Sitting out and talking to Richard Spencer about what he

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<v Speaker 1>believes in all of his white nationalists beliefs in the

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<v Speaker 1>middle of an episode that is highlighting the importance of

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<v Speaker 1>immigration and refugees in this country. To me, it's not platforming.

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<v Speaker 1>I also think when Trump was first selected, the fear

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<v Speaker 1>of platforming and normalizing is I think we're really buzzwords

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<v Speaker 1>at the left held onto in lieu of doing the

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<v Speaker 1>actual work, Like you know, no, we I feel like

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<v Speaker 1>looking at it in the face is actually helpful to

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<v Speaker 1>me to go how serious is this? Not looking at

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<v Speaker 1>it in the face? To me, is is sort of

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<v Speaker 1>a way to sort of like just pretend like you

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<v Speaker 1>can still go to yoga class and and uh in

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<v Speaker 1>the farmer's market. Because I think the reason why we

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<v Speaker 1>have Trumpet office right now is because a lot of

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<v Speaker 1>people on the left were wanting to look at him,

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<v Speaker 1>you know, they weren't willing to really like is this possible. No,

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<v Speaker 1>it's not possible because I've been doing a chance in

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<v Speaker 1>the morning. So for me, it's the fact is it's

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<v Speaker 1>like if we've if we if we've learned anything in

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<v Speaker 1>this current air of America that we got to look

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<v Speaker 1>at the stuff in the face, you know what I mean.

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<v Speaker 1>So for me, you know, it's the it's sunlight's the

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<v Speaker 1>best disinfectant. Like I believe that. Did you find Richard Spencer,

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<v Speaker 1>uh intimidating who's probably a foot shorter than you. Yeah,

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<v Speaker 1>he's not as short as most whites spread. I think

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<v Speaker 1>that's why he was the leader. He was like, uh,

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<v Speaker 1>did you play in the NBA. After you go in there,

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<v Speaker 1>you do realize everybody's like five four and like, and

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<v Speaker 1>they would sort of trying to like walk up to me,

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<v Speaker 1>a couple of them trying to get me to a

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<v Speaker 1>flinch or just sort of like and it was like,

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<v Speaker 1>also six four, man, I'm not, I'm not. I just

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<v Speaker 1>sort of like it became fun to me to sort

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<v Speaker 1>of like look comfortable, you know. And so by the

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<v Speaker 1>time I sat down and talked to him. It was

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<v Speaker 1>really fine. We are here to talk about Mr Rogers,

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<v Speaker 1>And that's good because I was like, man, this is

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<v Speaker 1>really not what I prepared. Know. I tend to approach

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<v Speaker 1>things from like a um And Uh, the reason I'm

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<v Speaker 1>asking about your experiences with Richard Spencer's because I've been

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<v Speaker 1>really stuck on this this sort of ethical position that

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<v Speaker 1>Fred Rogers took, which is that it's it's you I like,

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<v Speaker 1>I like you just the way you are, Uh, that

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<v Speaker 1>kind of thing. And I wonder how that squares with

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<v Speaker 1>people who were like Richard Spencer. Could Fred Rogers say

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<v Speaker 1>I like you just the way you are? And I

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<v Speaker 1>know you can't speak for him, So I'm going to

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<v Speaker 1>ask you to speak for you. Did you when you

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<v Speaker 1>look at him, see anything that you felt compared fashion

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<v Speaker 1>forward when you talked with Richard Spencer or some of

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<v Speaker 1>these other white nationalists. So, Uh, the thing is when

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<v Speaker 1>I think about that, I like you just where you are.

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<v Speaker 1>When you sit down with people individually, a lot of

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<v Speaker 1>times all that stuff, a lot of the bluster goes away.

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<v Speaker 1>Like when I talked to the clan and uh, in

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<v Speaker 1>was it in Kentucky? It became very clear to me

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<v Speaker 1>after a while, like, Oh, you guys have come from

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<v Speaker 1>a community where there's no jobs, there's no opportunity, your

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<v Speaker 1>educational system isn't good, and you're just mad, and you

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<v Speaker 1>have bought a bill of goods from somebody that is

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<v Speaker 1>black people's fault. Like that's the problem is that that

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<v Speaker 1>you went from, Like I want more opportunity and more

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<v Speaker 1>jobs of my community too, it's got to be somebody's fault.

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<v Speaker 1>And then somebody sold you can we talk to you

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<v Speaker 1>about black people? They handed you the it's black people

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<v Speaker 1>of fault plans. And so for me, when I take

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<v Speaker 1>away the when I look at that part, I go,

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<v Speaker 1>that's the part I could have empathy with. You know,

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<v Speaker 1>these people are not the billionaire people who are sort

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<v Speaker 1>of running this country and using tools of white supremacy

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<v Speaker 1>to keep things going. These are people who are got

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<v Speaker 1>sold a bill of goods based on being vulnerable. A

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<v Speaker 1>few years ago, I was in Michigan reporting a story.

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<v Speaker 1>I was at the gym and I looked up and

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<v Speaker 1>saw Kamal's face on the TV screen. This was several

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<v Speaker 1>months after the election, and the alt right was feeling

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<v Speaker 1>definitely emboldened, so much so in fact, that they were

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<v Speaker 1>white supremacists marching in downtown Berkeley, of all places, which

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<v Speaker 1>happened to be where Kamal lived. He had just spoken

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<v Speaker 1>at a counter protest and on Fox News they were

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<v Speaker 1>playing his speech and calling him a radical black separatist,

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<v Speaker 1>and suddenly Kamal had become a target of white supremacists.

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<v Speaker 1>That was when I got streets got hot for me

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<v Speaker 1>for a second, exactly the streets got hot for you,

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<v Speaker 1>And all of a sudden, I was I had a

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<v Speaker 1>lot of feelings seen that, actually, dude, Like on the

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<v Speaker 1>one hand, I was like, this is absurd, but then

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<v Speaker 1>in the other hand, it kind of struck a little

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<v Speaker 1>bit of fear my heart because I thought, God, if

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<v Speaker 1>you can call comal, or if you can get like

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<v Speaker 1>like the Confederate flag waivers income ou as a black separty,

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<v Speaker 1>what who among us is safe? Like this is the

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<v Speaker 1>most integrated dude I've ever met. And uh and um.

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<v Speaker 1>I was just really amazed by that, and I thought

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<v Speaker 1>a lot about it, and I guess I want to

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<v Speaker 1>ask you what that experience was like for you to

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<v Speaker 1>be targeted in that way, and how you made sense

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<v Speaker 1>of that, like how you navigated that was that scary

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<v Speaker 1>at all, Like it only became because you had kids

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<v Speaker 1>at that point. Yeah, it became scary because over the

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<v Speaker 1>next week or so, its like I became the like

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<v Speaker 1>the the deep intern dark web, intern hinterland Internet all

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<v Speaker 1>right target, Like I was just the person on the

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<v Speaker 1>summer Jam screen. So like like so all these memes

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<v Speaker 1>start going up, and you know, we were in downtown Berkeley,

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<v Speaker 1>so people see me walking into my house, you know,

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<v Speaker 1>and also we're right down where all the alt right

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<v Speaker 1>rallies are. It was scary. It was like the first

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<v Speaker 1>time I felt like that my thing deal on TV

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<v Speaker 1>is can affect my family, like in a way that

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<v Speaker 1>it feels like we have to sort of like think

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<v Speaker 1>about our security protocols and think about like where we

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<v Speaker 1>send our kids to school as opposed to like oh yeah,

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<v Speaker 1>you know, and all these sorts of things that sort

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<v Speaker 1>of that that we weren't thinking in that way before.

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<v Speaker 1>Doesn't that kind of make you hate people like they're

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<v Speaker 1>putting your family in jeopardy and putting you in the

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<v Speaker 1>situation where you feel like, I mean, doesn't that like

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<v Speaker 1>trigger rage and hating you know, it triggers, like I'd say,

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<v Speaker 1>it triggers like Papa Bear, protect your family. You know.

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<v Speaker 1>It triggers like don't do anything stupid. The people who

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<v Speaker 1>are doing this I already wasn't a fan of anyway

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<v Speaker 1>like this has. Yeah, I sort of knew this, you know.

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<v Speaker 1>And also the history of black people in this country

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<v Speaker 1>is that, you know, you can't know the history of

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<v Speaker 1>our people without knowing that, like, you know, we get

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<v Speaker 1>taken out regularly. Now. I don't think I'm not trying

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<v Speaker 1>to be some sort of martyr or something, but it's

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<v Speaker 1>just like, if I choose to do this work and

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<v Speaker 1>I choose to be public about it, It's not that

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<v Speaker 1>I'm like ready to die or any of that nonsense.

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<v Speaker 1>You know, I got too children to die right now.

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<v Speaker 1>But I do feel like this is a part of

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<v Speaker 1>the gig. I mean, my wife talked about that, like,

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<v Speaker 1>and I think about like people like Dick Gregory as

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<v Speaker 1>far as like he actually gave up comedy to be

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<v Speaker 1>an activist at one point in his life. And so

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<v Speaker 1>this is the work I want to do, and it

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<v Speaker 1>feels right now in this country, feels like it's necessary.

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<v Speaker 1>If anything, I feel bad, but I'm not doing more

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<v Speaker 1>of it. I think more about that, like what more

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<v Speaker 1>can I do or how can I do this better

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<v Speaker 1>than I think about the people who who have enmity

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<v Speaker 1>towards me. And also the thing is most of them

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<v Speaker 1>don't even They're just blah blah blah, like they're gonna

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<v Speaker 1>move on to the next person. We'll be right back.

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<v Speaker 1>What's your first earliest memory of seeing Fred Rogers or

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<v Speaker 1>seeing a show? Did you watch it growing up? I

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<v Speaker 1>watched you growing up, so I don't have like, h

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<v Speaker 1>I don't have the time. My mom sat me down.

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<v Speaker 1>We didn't have cable, so maybe cable. Uh, And so

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<v Speaker 1>you know, I'm talking about like Sesame Street, Mr Rogers,

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<v Speaker 1>the Electric Company, three to one contact for my old

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<v Speaker 1>heads out there lane right now. Yeah, So for me,

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<v Speaker 1>like Mr. Rogers is just one of the things that

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<v Speaker 1>I watched on TV. And then for me, the weird

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<v Speaker 1>part is like even when I got older, every now

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<v Speaker 1>again you flip past and go, let me just watch

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<v Speaker 1>a few minutes. Why what is what? What did that

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<v Speaker 1>bring to you? I think there's something the greatest of

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<v Speaker 1>kids programming, there's something so pure about it that it's

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<v Speaker 1>doing anything wants to do that adults watch it too, Like,

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<v Speaker 1>I think that's true when it's not pure when it's

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<v Speaker 1>really about like you just want my kid to buy

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<v Speaker 1>this thing, don't you. Then it's like it becomes too

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<v Speaker 1>self conscious of like the things that's trying to do.

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<v Speaker 1>But Mr Rogers is super pure. It's just like this

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<v Speaker 1>is one person statement being supported by the team of

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<v Speaker 1>people around him and somebody who works in TV. That's

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<v Speaker 1>hard to do. Yeah. I was going to ask you

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<v Speaker 1>about that, like as it has your understanding of what

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<v Speaker 1>he was able to do change now that you are

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<v Speaker 1>a maker of television. Yes, great, thank you, goodnight everyone. Yeah. No,

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<v Speaker 1>I mean it's like it's hard to get everybody on

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<v Speaker 1>you if you have everybody on the same page that

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<v Speaker 1>they're all in service of of Mr Rogers. I still

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<v Speaker 1>call Mr Rogers, you say Fred because you know him

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<v Speaker 1>like that. But I've been called that only by black

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<v Speaker 1>people on the show. I just want to point that out.

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<v Speaker 1>White people have been like Fred, Red Fred. And then

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<v Speaker 1>I had viewing and she was like, you know him

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<v Speaker 1>like that exactly, Fred Rogers. Excuse me? Are you a

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<v Speaker 1>son that I didn't know? Uh? Mr Rogers? Is that

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<v Speaker 1>it's clear that like everybody was on the same page,

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<v Speaker 1>or at least I knew that this was this is

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<v Speaker 1>the voice I'm following. That's not that's not case nine

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<v Speaker 1>percent the TV that's ever been made. That's not the

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<v Speaker 1>case that they're not listening to one. For even some

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<v Speaker 1>of the TV we like, it was like it was

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<v Speaker 1>a nightmare back there, but when it happens, you can

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<v Speaker 1>feel it. So for me, there's not much difference between Mr.

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<v Speaker 1>Rogers and Atlanta. With Donald Glover, you could feel it

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<v Speaker 1>like there's not much on that show that Donald Glover

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<v Speaker 1>hasn't been like, check, it's funny, it's the Atlanta is

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<v Speaker 1>a really interesting comparison, one that I had never made um,

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<v Speaker 1>but that rings true for me, partially for what you

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<v Speaker 1>said about the creative process, but also because both of

0:11:20.360 --> 0:11:23.800
<v Speaker 1>those shows make a lot of use of space and silence,

0:11:24.559 --> 0:11:27.000
<v Speaker 1>and they do this thing where they train the listeners

0:11:27.000 --> 0:11:30.400
<v Speaker 1>to sit still long enough to start to feel and

0:11:30.440 --> 0:11:33.600
<v Speaker 1>experience more subtle levels of what's going on. And they've

0:11:33.600 --> 0:11:35.400
<v Speaker 1>built a lot of trust with the audience. So even

0:11:35.440 --> 0:11:38.520
<v Speaker 1>if you're like, where's this going, he was like, I'm

0:11:38.520 --> 0:11:40.600
<v Speaker 1>gonna sit here and see. And I think that's the

0:11:40.600 --> 0:11:42.640
<v Speaker 1>important thing too, is that this that you when you

0:11:42.679 --> 0:11:44.320
<v Speaker 1>build that trust with the audience, and that comes from

0:11:44.320 --> 0:11:48.120
<v Speaker 1>the audience knowing I trust that, uh Mr Rogers or

0:11:48.240 --> 0:11:51.960
<v Speaker 1>Mr Glover, I trust that these people have a plan

0:11:52.360 --> 0:11:54.120
<v Speaker 1>because so many times you watch a lot of TV

0:11:54.200 --> 0:11:55.439
<v Speaker 1>and it's like there's no plan. They just had to

0:11:55.480 --> 0:11:57.360
<v Speaker 1>get this done. They just had to turn this in

0:11:57.840 --> 0:11:59.960
<v Speaker 1>and there was a way which Mr Rogers did. There

0:12:00.080 --> 0:12:04.040
<v Speaker 1>something that feels like we're here for one purpose. We're

0:12:04.040 --> 0:12:06.600
<v Speaker 1>all pulling together and we're not trying to do something

0:12:06.640 --> 0:12:09.360
<v Speaker 1>that is cooler, hip or trendy. We want to create

0:12:09.400 --> 0:12:11.679
<v Speaker 1>an experience and have you joined us today and come

0:12:11.679 --> 0:12:14.240
<v Speaker 1>back the next time. Also, I think talk, I mean

0:12:14.240 --> 0:12:16.200
<v Speaker 1>I think against this from Mr Rogers. I think the

0:12:16.200 --> 0:12:18.000
<v Speaker 1>reason why I respond to Mr Rogers because the way

0:12:18.000 --> 0:12:20.080
<v Speaker 1>my mom treated me talking to your kids like their people,

0:12:20.920 --> 0:12:23.360
<v Speaker 1>you know, like talking not talking to them like their kids. Like.

0:12:23.520 --> 0:12:26.560
<v Speaker 1>Certainly Mr Rodgers as slows down because he's trying to

0:12:26.679 --> 0:12:29.200
<v Speaker 1>makes you understand, but you feel like he's a friend

0:12:29.280 --> 0:12:31.760
<v Speaker 1>of yours. And I think and for me as a parent,

0:12:32.120 --> 0:12:35.000
<v Speaker 1>when you feel like you're like I'm the I'm your friend.

0:12:35.320 --> 0:12:36.880
<v Speaker 1>I mean, I'm the friend who pays the rent so

0:12:36.880 --> 0:12:39.600
<v Speaker 1>every now and again to make some decisions. But really,

0:12:39.640 --> 0:12:42.160
<v Speaker 1>I would rather us be friends. I would rather us

0:12:42.200 --> 0:12:44.679
<v Speaker 1>talk through these problems instead of like, instead of me

0:12:44.720 --> 0:12:47.920
<v Speaker 1>saying because I said, so, yeah, you know, it's interesting

0:12:47.960 --> 0:12:49.760
<v Speaker 1>you bring up your mom and I met your mom

0:12:49.800 --> 0:12:52.280
<v Speaker 1>and read her book, and um, she's a person with

0:12:52.320 --> 0:12:54.880
<v Speaker 1>a very strong black identity, which is part of the

0:12:54.880 --> 0:12:58.040
<v Speaker 1>way you were raised. And um, and I wonder when

0:12:58.040 --> 0:13:01.600
<v Speaker 1>I talk to people about Fred Rogers. A lot of times, Uh,

0:13:01.840 --> 0:13:05.760
<v Speaker 1>they'll they'll bring up in some way, depending on their race,

0:13:06.880 --> 0:13:08.960
<v Speaker 1>a question about how I feel about him as a

0:13:08.960 --> 0:13:11.320
<v Speaker 1>black man. In other words, the question I was actually

0:13:11.320 --> 0:13:13.920
<v Speaker 1>talking with, of all people, Well, I'm not gonna name drop,

0:13:13.920 --> 0:13:17.240
<v Speaker 1>but I was talking with someone I don't know. I

0:13:17.320 --> 0:13:19.600
<v Speaker 1>was talking with someone in Cape God randomly that i'd

0:13:19.640 --> 0:13:22.480
<v Speaker 1>run into, who is a known historian, And I said,

0:13:22.559 --> 0:13:24.679
<v Speaker 1>I'm doing this thing in Fred Rogers. And he immediately

0:13:24.679 --> 0:13:26.640
<v Speaker 1>said he was a white guy. He immediately said, how

0:13:26.640 --> 0:13:29.880
<v Speaker 1>do black people feel about Fred Rogers? Just like sir.

0:13:30.080 --> 0:13:31.680
<v Speaker 1>That's why I'm not gonna name drop, because I don't

0:13:31.679 --> 0:13:33.200
<v Speaker 1>want to. I don't want to kill his book sales

0:13:33.200 --> 0:13:35.280
<v Speaker 1>because this book is very important. But um, but that's

0:13:35.280 --> 0:13:37.880
<v Speaker 1>the first thing he said, And uh, whatever, I stumbled

0:13:37.880 --> 0:13:40.160
<v Speaker 1>through the answer also kind of annoyed and then excuse myself.

0:13:40.200 --> 0:13:44.160
<v Speaker 1>But it did make me think about this inherent belief

0:13:44.280 --> 0:13:47.920
<v Speaker 1>that somehow what Fred Rogers did was like doesn't work

0:13:48.000 --> 0:13:50.720
<v Speaker 1>for blackness, or there is misaligned and like you know

0:13:50.720 --> 0:13:52.680
<v Speaker 1>that's been I mean, in the famous Eddie Murphy sketch,

0:13:52.720 --> 0:13:54.680
<v Speaker 1>that's sort of the premise of that joke is that

0:13:55.000 --> 0:13:56.920
<v Speaker 1>if you did Fred Rogers in the black neighborhood, it

0:13:56.960 --> 0:13:58.400
<v Speaker 1>might look like this. But I want to hear you

0:13:58.440 --> 0:14:00.439
<v Speaker 1>talk a little bit about how people in this so funny.

0:14:00.480 --> 0:14:02.880
<v Speaker 1>At the same time I was taking into Mr Rogers,

0:14:02.960 --> 0:14:04.960
<v Speaker 1>I was also watching Eddie Murphy on The Stay Night.

0:14:05.120 --> 0:14:08.800
<v Speaker 1>I never saw Eddie Murphy's Mr Robinsons Neighborhood as being

0:14:08.840 --> 0:14:12.199
<v Speaker 1>critical of Mr Rogers. His portrayal of Mr Rogers felt

0:14:12.200 --> 0:14:14.800
<v Speaker 1>like Mr Rogers, but an Eddie Murphy version of it.

0:14:15.080 --> 0:14:16.640
<v Speaker 1>And also it never occurred to me that it was

0:14:16.720 --> 0:14:19.000
<v Speaker 1>really the black version of Mr Rogers. It was just

0:14:19.040 --> 0:14:22.880
<v Speaker 1>the the the this version of blackness of Mr Rosson,

0:14:22.920 --> 0:14:24.800
<v Speaker 1>which is the thing white people do. That's the black version.

0:14:24.800 --> 0:14:28.320
<v Speaker 1>None of that's like the hood criminal black version Rogers. Sorry,

0:14:28.400 --> 0:14:34.400
<v Speaker 1>therefer criminal and black making news. So satists come out bell. Yeah,

0:14:34.640 --> 0:14:39.160
<v Speaker 1>so again, Tucker Carlson again. So for me, it was

0:14:39.200 --> 0:14:43.280
<v Speaker 1>just the idea that, like this is how this is

0:14:43.360 --> 0:14:45.640
<v Speaker 1>Eddie Murphy. It was a love letter Mr Rogers. And

0:14:45.680 --> 0:14:47.920
<v Speaker 1>when I watched Mr Rogers, I didn't watch him as

0:14:47.920 --> 0:14:50.720
<v Speaker 1>a white guy. I watched him as Mr Rogers. And

0:14:50.760 --> 0:14:53.080
<v Speaker 1>I think that's that's the thing. I think when a

0:14:53.080 --> 0:14:56.320
<v Speaker 1>white person asked that question, they understand Black people and

0:14:56.360 --> 0:14:58.480
<v Speaker 1>people of color can tell the difference between a white

0:14:58.480 --> 0:15:01.520
<v Speaker 1>guy and Mr Rogers. If that show had been made

0:15:01.560 --> 0:15:03.680
<v Speaker 1>for white kids, we would have been able to sniff

0:15:03.720 --> 0:15:06.880
<v Speaker 1>it through. Doesn't feel like it's talking to me, but

0:15:06.960 --> 0:15:09.160
<v Speaker 1>the fact is Mr Rogers was talking to all kids.

0:15:09.320 --> 0:15:10.840
<v Speaker 1>I've been trying to get a black person to come

0:15:10.840 --> 0:15:13.120
<v Speaker 1>on this show and say that Mr Rogers transcends race.

0:15:13.640 --> 0:15:16.160
<v Speaker 1>Can I get you? Can I put you down for

0:15:16.240 --> 0:15:23.240
<v Speaker 1>transcends race? The way that when Prince died, he transcended race.

0:15:23.880 --> 0:15:26.160
<v Speaker 1>Remember printed Prince dying David Bowie died, was like, no,

0:15:26.240 --> 0:15:35.360
<v Speaker 1>I said, David Bowie transcended race. Mr Rogers transcends his race. Wow,

0:15:35.400 --> 0:15:38.600
<v Speaker 1>we got it, we got it. Clip. Uh. Yeah, it's

0:15:38.600 --> 0:15:42.240
<v Speaker 1>funny because I think a lot about um. I think

0:15:42.240 --> 0:15:44.400
<v Speaker 1>a lot about this. He doesn't transcend race, he transcends

0:15:44.440 --> 0:15:47.760
<v Speaker 1>his race. That's so that's an interesting distinction. Tell me

0:15:47.760 --> 0:15:50.160
<v Speaker 1>more about that, just that he that he's so good

0:15:50.200 --> 0:15:52.640
<v Speaker 1>that I don't even score him down for being white,

0:15:53.360 --> 0:15:57.760
<v Speaker 1>that I don't I don't see him through through his whiteness,

0:15:57.760 --> 0:15:59.960
<v Speaker 1>which I see a lot of people through their whiteness. Yeah, yeah,

0:16:00.040 --> 0:16:02.280
<v Speaker 1>I Actually it's a really interesting point. No one had

0:16:02.320 --> 0:16:07.120
<v Speaker 1>made that quite as articulately. You're so articulate. I don't know, Uh,

0:16:07.240 --> 0:16:09.240
<v Speaker 1>no one's made that quite as articulately as you have.

0:16:09.360 --> 0:16:11.840
<v Speaker 1>That there was something It wasn't that he transcended sort

0:16:11.840 --> 0:16:13.960
<v Speaker 1>of the existence of race, but something about the way

0:16:14.000 --> 0:16:17.680
<v Speaker 1>he presented himself didn't allow you to think of him

0:16:17.760 --> 0:16:21.400
<v Speaker 1>just as a white guy period. And I wonder what

0:16:21.480 --> 0:16:23.560
<v Speaker 1>that is, Like, I mean, part of me thinks that

0:16:24.280 --> 0:16:29.239
<v Speaker 1>because he was trafficking in a certain kind of respect

0:16:29.320 --> 0:16:35.680
<v Speaker 1>and kindness that typically we don't see associated with like

0:16:35.800 --> 0:16:38.600
<v Speaker 1>your average run of the middle white person when interacting

0:16:38.640 --> 0:16:40.280
<v Speaker 1>with like the rest of the world, or your average

0:16:40.360 --> 0:16:42.360
<v Speaker 1>run of the middle kids show like there are a

0:16:42.360 --> 0:16:44.920
<v Speaker 1>lot of times they're yelling, you know, they're they're not

0:16:44.960 --> 0:16:48.960
<v Speaker 1>actually trying to connect they're trying to order, you know,

0:16:49.080 --> 0:16:52.480
<v Speaker 1>like do this now, do this? Go buy it? Like

0:16:52.520 --> 0:16:58.400
<v Speaker 1>it's very like shows, and he was just like he

0:16:58.560 --> 0:17:00.760
<v Speaker 1>just wanted to sit with you, and it was clear

0:17:00.800 --> 0:17:02.400
<v Speaker 1>he cared. And I mean, it's so hard to do

0:17:02.440 --> 0:17:04.160
<v Speaker 1>through the TV camera when you're looking at the camera

0:17:04.200 --> 0:17:06.000
<v Speaker 1>because he's literally looking at a camera. He's not looking

0:17:06.000 --> 0:17:08.240
<v Speaker 1>at a person. And I know that too from having

0:17:08.240 --> 0:17:09.680
<v Speaker 1>to look at camera when they say talk directly to

0:17:09.680 --> 0:17:11.720
<v Speaker 1>the camera along He's like yeah, because you're looking at

0:17:11.720 --> 0:17:13.879
<v Speaker 1>a box and you're looking at like half the camera

0:17:13.880 --> 0:17:15.959
<v Speaker 1>guys shoulder and you know, and you're wondering if he's

0:17:15.960 --> 0:17:17.879
<v Speaker 1>paying attention or whatever. How do you go about that?

0:17:18.000 --> 0:17:19.879
<v Speaker 1>Because I was gonna ask you about that, like about

0:17:19.920 --> 0:17:24.480
<v Speaker 1>similarities if any, that you see between Fred Rogers United Shades.

0:17:24.520 --> 0:17:26.040
<v Speaker 1>I don't know if you can find that, but but

0:17:26.119 --> 0:17:28.600
<v Speaker 1>just as you a person who has to like do

0:17:28.640 --> 0:17:30.359
<v Speaker 1>a similar kind of work, which is I need to

0:17:30.400 --> 0:17:33.200
<v Speaker 1>talk to people, need to reach people at home, how

0:17:33.240 --> 0:17:35.080
<v Speaker 1>do you go about that technically? Like how do you

0:17:35.119 --> 0:17:37.160
<v Speaker 1>think through that? The thing I think about his vulnerability,

0:17:37.440 --> 0:17:40.040
<v Speaker 1>like if you're vulnerable on camera and if you let

0:17:40.040 --> 0:17:41.800
<v Speaker 1>people know when you don't know or if you let

0:17:41.880 --> 0:17:44.800
<v Speaker 1>people see you uh, if if you let people see

0:17:44.840 --> 0:17:46.560
<v Speaker 1>you break, or if you let people see you like

0:17:46.720 --> 0:17:50.800
<v Speaker 1>basically sweat, you know, there's like then they connect with

0:17:50.800 --> 0:17:54.119
<v Speaker 1>you as on a human level. I'm trying to be clear,

0:17:54.119 --> 0:17:56.760
<v Speaker 1>I'm not the expert here. I'm sitting with some experts,

0:17:57.080 --> 0:17:58.760
<v Speaker 1>and I also don't always have the right opinion, and

0:17:58.760 --> 0:18:01.720
<v Speaker 1>sometimes I mispronounced thing, and sometimes I I will say, so,

0:18:01.840 --> 0:18:03.520
<v Speaker 1>we had a moment in a show we did last

0:18:03.560 --> 0:18:06.399
<v Speaker 1>year in Salt Lake City and I sat down with

0:18:06.440 --> 0:18:08.679
<v Speaker 1>a bunch of young people to talk about what was

0:18:08.720 --> 0:18:11.280
<v Speaker 1>like like to be Mormon and me in the LGBTQ

0:18:11.400 --> 0:18:14.119
<v Speaker 1>plus community. What's that like? And I said to one person,

0:18:14.119 --> 0:18:16.640
<v Speaker 1>I said, well, as a gay man. And the person

0:18:16.680 --> 0:18:18.000
<v Speaker 1>stops saying no, no no, no, I'm not a gay man.

0:18:18.040 --> 0:18:21.000
<v Speaker 1>I'm intersex. And I was like, oh sorry, and the

0:18:21.040 --> 0:18:23.040
<v Speaker 1>person was like, no, no big deal, Like basically happens

0:18:23.040 --> 0:18:25.360
<v Speaker 1>all the time. And the first edit that came back

0:18:25.359 --> 0:18:27.600
<v Speaker 1>from the production, they cut out the moment of my mistake,

0:18:27.600 --> 0:18:29.400
<v Speaker 1>because that's what you're supposed to do in TV, cut

0:18:29.400 --> 0:18:31.000
<v Speaker 1>out the mistakes. I was like, no, no, no, no, no,

0:18:31.680 --> 0:18:34.440
<v Speaker 1>that's real. That really happened. I'm not. If you cut

0:18:34.440 --> 0:18:35.679
<v Speaker 1>it out, it looks like I always know what I'm

0:18:35.720 --> 0:18:37.600
<v Speaker 1>talking about. To me, I like lean on the fact that,

0:18:37.680 --> 0:18:40.320
<v Speaker 1>like I that the audience, to the cores in the

0:18:40.320 --> 0:18:41.800
<v Speaker 1>show knows that I'm not trying to be the expert.

0:18:41.920 --> 0:18:45.919
<v Speaker 1>So for me, Mr Rogers feels like a person who's

0:18:45.960 --> 0:18:47.920
<v Speaker 1>making a TV show. He doesn't feel like the host

0:18:47.920 --> 0:18:49.119
<v Speaker 1>of a TV show. And I talked about that with

0:18:49.160 --> 0:18:51.080
<v Speaker 1>the United Shades. If I started to feel like I'm

0:18:51.119 --> 0:18:55.240
<v Speaker 1>hosting the TV show, We're doing something wrong. Fred Rogers

0:18:55.440 --> 0:18:58.840
<v Speaker 1>his work was very much of his time. He did

0:18:58.840 --> 0:19:02.840
<v Speaker 1>something on TV that was on the one hand, very successful.

0:19:02.880 --> 0:19:06.000
<v Speaker 1>On the other hand, almost no one else repeated it.

0:19:06.119 --> 0:19:08.679
<v Speaker 1>I mean, in his legacy there's a small tradition, but

0:19:08.800 --> 0:19:10.679
<v Speaker 1>for the large part, the rest of children television just

0:19:10.680 --> 0:19:15.720
<v Speaker 1>became more manic, more insane, more And so I guess

0:19:15.760 --> 0:19:20.879
<v Speaker 1>I wonder, assuming that you couldn't have that exact person

0:19:21.440 --> 0:19:24.480
<v Speaker 1>appear right now in the twenty one century, what would

0:19:24.520 --> 0:19:28.160
<v Speaker 1>have Fred Rogers of the century look like. You don't

0:19:28.160 --> 0:19:30.200
<v Speaker 1>want somebody to repeat, You want somebody to stand on

0:19:30.240 --> 0:19:32.560
<v Speaker 1>the shoulders of And also it means they may make

0:19:32.640 --> 0:19:34.879
<v Speaker 1>it look differently, and so I do feel like like

0:19:34.920 --> 0:19:39.119
<v Speaker 1>I think about like hair love the animated you know,

0:19:38.280 --> 0:19:41.720
<v Speaker 1>you know so so Matthew Cherry wrote a book care

0:19:41.800 --> 0:19:43.840
<v Speaker 1>Lovel about a black dad doing his daughter's hair, trying

0:19:43.880 --> 0:19:45.479
<v Speaker 1>to learn how to do his his black daughter's hair.

0:19:45.800 --> 0:19:47.640
<v Speaker 1>And I would say black twice just because it's possible

0:19:47.640 --> 0:19:51.840
<v Speaker 1>for people to have kids of different races. So it

0:19:51.960 --> 0:19:54.000
<v Speaker 1>just turned they turned into an animated feature. And it

0:19:54.119 --> 0:19:56.760
<v Speaker 1>is that almost sounds like science fiction to me, that

0:19:56.760 --> 0:19:59.439
<v Speaker 1>that's in a movie theater. And it's not like if

0:19:59.480 --> 0:20:01.280
<v Speaker 1>you read the book, that's all it's about. It's not

0:20:01.320 --> 0:20:03.119
<v Speaker 1>about and now we got to go fight a dragon,

0:20:03.240 --> 0:20:06.080
<v Speaker 1>you know it's and it's not about like or some

0:20:06.240 --> 0:20:08.080
<v Speaker 1>bad things gonna happen if I don't do your hair.

0:20:08.480 --> 0:20:11.240
<v Speaker 1>The steaks are not that high. But for me, there's

0:20:11.280 --> 0:20:13.400
<v Speaker 1>something about it that is pure. And that's what Mr

0:20:13.480 --> 0:20:16.440
<v Speaker 1>rogers legacy is is the pureness of how to sort

0:20:16.480 --> 0:20:18.639
<v Speaker 1>of like put out good content for kids in the

0:20:18.680 --> 0:20:21.280
<v Speaker 1>world that is so pure that adults are excited about it.

0:20:22.000 --> 0:20:25.879
<v Speaker 1>Given how expanse of his vision for love and acceptance

0:20:25.880 --> 0:20:30.600
<v Speaker 1>in the world was, and given how uh shitty the

0:20:30.640 --> 0:20:36.080
<v Speaker 1>world of the world is, do you think he was successful. Yes,

0:20:36.160 --> 0:20:37.960
<v Speaker 1>because I think that this is the thing I said

0:20:37.960 --> 0:20:41.399
<v Speaker 1>earlier about like when we're making when I'm making anything

0:20:41.400 --> 0:20:44.840
<v Speaker 1>I'm making, whether it's a podcast or writing or you know, shades,

0:20:44.920 --> 0:20:46.639
<v Speaker 1>when I'm writing it, I'm like, this is going to

0:20:46.800 --> 0:20:49.399
<v Speaker 1>change the world just because you I think you have

0:20:49.480 --> 0:20:52.120
<v Speaker 1>to feel that, have to feel that way. Every basketball

0:20:52.119 --> 0:20:54.440
<v Speaker 1>player thinks that they're they're like top five all time.

0:20:54.480 --> 0:20:56.000
<v Speaker 1>You have to think that, whereas why you out and

0:20:56.000 --> 0:20:57.760
<v Speaker 1>why are stepping out there? But then when you get

0:20:57.800 --> 0:20:59.359
<v Speaker 1>on the court, you just gotta make sure you're helping

0:20:59.359 --> 0:21:04.639
<v Speaker 1>win the game. Like maybe in the gym by yourself

0:21:04.640 --> 0:21:06.760
<v Speaker 1>your top five all time, or maybe when I'm home

0:21:06.840 --> 0:21:08.960
<v Speaker 1>writing on my computer or if I'm making nice shades.

0:21:09.160 --> 0:21:10.639
<v Speaker 1>I think this is going to be the thing that

0:21:10.800 --> 0:21:15.040
<v Speaker 1>is like the definitive episode on reproductive justice in America.

0:21:15.520 --> 0:21:16.919
<v Speaker 1>And then at the end you have to be I

0:21:16.920 --> 0:21:19.280
<v Speaker 1>hope people watch it and talk about it, and I

0:21:19.320 --> 0:21:22.280
<v Speaker 1>think Mr Rodgers one because people watched it and talked

0:21:22.280 --> 0:21:24.600
<v Speaker 1>about it have been inspired by it. You know. I

0:21:24.640 --> 0:21:28.280
<v Speaker 1>think that it's a big thing to do to make

0:21:28.320 --> 0:21:31.439
<v Speaker 1>the world a more equitable, just loving place. That's a

0:21:31.440 --> 0:21:33.359
<v Speaker 1>big task and you have to more people working on it.

0:21:33.400 --> 0:21:34.800
<v Speaker 1>You know, at the same time he was working on it,

0:21:35.000 --> 0:21:37.240
<v Speaker 1>there's a guy across town named Martin Luther King Jr.

0:21:37.280 --> 0:21:38.600
<v Speaker 1>Who was also working on you know what I mean.

0:21:38.680 --> 0:21:41.000
<v Speaker 1>So like and they're different ways to do this. I

0:21:41.000 --> 0:21:42.960
<v Speaker 1>don't want to call either one of them failures because

0:21:43.040 --> 0:21:47.320
<v Speaker 1>because it didn't happen. I think that I believe, and

0:21:47.480 --> 0:21:49.679
<v Speaker 1>there's not proof, right was that things move in a

0:21:49.760 --> 0:21:52.760
<v Speaker 1>more equitable and just direction. They just don't always move consistently,

0:21:53.240 --> 0:21:55.560
<v Speaker 1>and they don't always stay moving forward. Right now we're

0:21:55.560 --> 0:21:56.879
<v Speaker 1>at a point where it's starting to move back. But

0:21:56.920 --> 0:22:00.200
<v Speaker 1>I feel like in the long line of history took

0:22:00.320 --> 0:22:03.320
<v Speaker 1>to paraphrase Dr King who stole it from a Quaker,

0:22:03.800 --> 0:22:05.760
<v Speaker 1>the arc of history has been towards justice, but it

0:22:05.800 --> 0:22:09.280
<v Speaker 1>hasn't always been consistently towards justice. And I think that, Yeah,

0:22:09.320 --> 0:22:11.160
<v Speaker 1>I think that the fact that we're sitting here talking

0:22:11.160 --> 0:22:12.919
<v Speaker 1>about Mr Rogers, and in the fact that we're sort

0:22:12.960 --> 0:22:15.159
<v Speaker 1>of deconstructing it too, black men talking with Mr Rogers.

0:22:15.880 --> 0:22:22.360
<v Speaker 1>Mission accomplished? Do you? Um? My last question is, uh,

0:22:22.640 --> 0:22:28.399
<v Speaker 1>if he were here, I would be crying. And after

0:22:28.480 --> 0:22:31.399
<v Speaker 1>you composed yourself and stopped weeping and cleaned all this

0:22:31.440 --> 0:22:35.280
<v Speaker 1>snot off of your face. Bubbles bubble clear snot bubbles.

0:22:35.600 --> 0:22:40.160
<v Speaker 1>What would you ask him? What would I ask Mr Rogers?

0:22:41.200 --> 0:22:45.240
<v Speaker 1>I guess the thing you do? You feel successful? I

0:22:45.280 --> 0:22:46.600
<v Speaker 1>think that's the thing, because I think a lot of

0:22:46.600 --> 0:22:50.679
<v Speaker 1>times people who are in on that side of it

0:22:50.720 --> 0:22:54.320
<v Speaker 1>have very complicated things about what they've done. Sometimes it's like,

0:22:55.320 --> 0:22:57.359
<v Speaker 1>it doesn't matter what you caught, what the world tells you.

0:22:57.680 --> 0:22:59.919
<v Speaker 1>That's how do you feel inside? And so for me,

0:23:00.040 --> 0:23:04.200
<v Speaker 1>if he felt like nope, I would make me said,

0:23:08.320 --> 0:23:12.439
<v Speaker 1>I've been thinking about that a lot too. Was Fred successful?

0:23:13.200 --> 0:23:18.600
<v Speaker 1>Did Fred feel successful? Next time we'll explore the ways

0:23:18.600 --> 0:23:21.919
<v Speaker 1>in which he was, but also the many ways in

0:23:21.960 --> 0:23:24.199
<v Speaker 1>which he wasn't. I went up to get him to

0:23:24.200 --> 0:23:28.359
<v Speaker 1>come down to the studio and he was. He was

0:23:28.400 --> 0:23:31.600
<v Speaker 1>a mess. He said, why am I doing? These? Aren't

0:23:31.600 --> 0:23:35.600
<v Speaker 1>going to do any good finding Fred is produced by

0:23:35.640 --> 0:23:39.159
<v Speaker 1>Transmitter Media. Our team is Dan O'donnald, Jordan Bailey, and

0:23:39.200 --> 0:23:42.879
<v Speaker 1>Maddie Foley. Our editor is Sarah Nicks. The executive producer

0:23:42.920 --> 0:23:47.000
<v Speaker 1>for Transmitter Media is Greta Cone. Executive producers at Fatherly

0:23:47.040 --> 0:23:49.960
<v Speaker 1>are Simon Isaacs and Andrew Berman. Thanks to the team

0:23:49.960 --> 0:23:53.200
<v Speaker 1>at I Heart Media. Our show is mixed by Rick Kwan,

0:23:53.640 --> 0:23:57.760
<v Speaker 1>music by Blue Dot Sessions and Alison Layton Brown. I'm

0:23:57.800 --> 0:24:02.600
<v Speaker 1>Carla Wallace. Thank you for listening. The book up to bocket, Comboku,

0:24:02.920 --> 0:24:11.000
<v Speaker 1>cobakup copa, Coboku kobook book Book co Book up book

0:24:11.080 --> 0:24:14.800
<v Speaker 1>up to book bottom book book