WEBVTT - Bonus Episode: RIP David Johansen and Gene Hackman

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<v Speaker 1>Hey, Discos, need a little more Disgraceland in your life,

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<v Speaker 1>just to touch to get you through. Yeah, me too.

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<v Speaker 1>This is the podcast that comes after the podcast. Welcome

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<v Speaker 1>to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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<v Speaker 1>a little thing we like to call the after party.

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<v Speaker 1>This is the show after the show, the party after

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<v Speaker 1>the party, the bridge to get you from one full

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<v Speaker 1>episode of Disgraceland to the other, the backyard to dig

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<v Speaker 1>into the dirt. On this bonus episode, we are talking

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<v Speaker 1>about this week's episode subject, Dennis Hopper. We are also

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<v Speaker 1>discussing two cultural giants that we lost last week, David

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<v Speaker 1>Johansson and Gene Hackman, and we get into your voicemails,

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<v Speaker 1>text DMS emails and as always, a whole lot of rosie.

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<v Speaker 1>All right, Discos, let's get into it. So, since the

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<v Speaker 1>last time we talked, which was during last week's after Party,

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<v Speaker 1>we lost two giants. I think we can use that

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<v Speaker 1>word giants from the world of entertainment. David Johansson and

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<v Speaker 1>Gene Hackman, two men, two artists of immense influence. David Johansson,

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<v Speaker 1>of course, as a New York doll, he was the

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<v Speaker 1>last living New York Doll as well, a band that

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<v Speaker 1>he led, A band that directly influenced so many others,

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<v Speaker 1>A band as exciting and thrilling and dangerous as the

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<v Speaker 1>city that it represented, A band largely reflective of David

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<v Speaker 1>Johansson's unique style and personality, which was tough, witty, funny.

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<v Speaker 1>I caught a class. If David Johansson never created The

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<v Speaker 1>New York Dolls, it's doubtful, Like I really truly mean this,

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<v Speaker 1>This isn't this isn't hyperbole. It's doubtful that we would

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<v Speaker 1>have had bands like the Stooges, the Ramones, And if

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<v Speaker 1>we didn't have the Ramones, then we wouldn't have had

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<v Speaker 1>the Clash or the Sex Pistols, and we definitely wouldn't

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<v Speaker 1>have had you know, without the New York Dolls, we

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<v Speaker 1>definitely wouldn't have had Kiss or Molly Cruet. At the

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<v Speaker 1>very least, Motley Crue would have been a hell of

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<v Speaker 1>a different band. If The New York Dolls never made

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<v Speaker 1>it into Nikki Six's record collection, I didn't grow up

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<v Speaker 1>in a New York Dolls fan. They were before my time.

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<v Speaker 1>I came to them late. I came to them actually

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<v Speaker 1>through Johnny Thunders's solo stuff. So I wasn't there obviously

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<v Speaker 1>when they started. It was before I was born. But

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<v Speaker 1>in the research I've done, both on the New York

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<v Speaker 1>Dolls and on bands like Blake Blondie and reading, especially

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<v Speaker 1>in reading Legs McNeil's book Please Kill Me, you really

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<v Speaker 1>get a sense of the stir, the unique stir, the

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<v Speaker 1>unique energy that the New York Dolls excitement that the

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<v Speaker 1>New York Dolls created in New York City at their spark,

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<v Speaker 1>at their beginning, specifically around the early seventies shows and

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<v Speaker 1>the Mercer Arts Center shows that were depicted in How

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<v Speaker 1>Was That Movie? The TV show on HBO Vinyl. These

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<v Speaker 1>shows were the coolest of the coolest shows by every estimation.

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<v Speaker 1>This whole scene that the New York Dolls had kind

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<v Speaker 1>of built and that had sprung up around them around

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<v Speaker 1>the creation of their band, it was fell all over

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<v Speaker 1>the city. I mean, from a young Jeffrey Ross Hyman

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<v Speaker 1>aka Joey Ramone to Bette Midler. I've even read accounts

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<v Speaker 1>of John Lennon. If not you know, being a fan

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<v Speaker 1>of the New York Dolls at least being interested or

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<v Speaker 1>aware of what was going on at the time, and

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<v Speaker 1>like I said, Bette Miller was hanging out down there.

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<v Speaker 1>I read it wasn't true. I checked it this morning.

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<v Speaker 1>I read that Hendricks was at a New York Dolls show.

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<v Speaker 1>When I checked that out, and he died, I believe

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<v Speaker 1>the year before they came to be, So if you

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<v Speaker 1>read that, that's not true. But of course Bette Midler,

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<v Speaker 1>a host of others who went on to become famous,

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<v Speaker 1>Debbie Harry, too many to mention. The Dolls were the

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<v Speaker 1>hottest thing in New York, unquestionably, and they were one

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<v Speaker 1>of those bands that, of course didn't sell a lot

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<v Speaker 1>of records, but whose influence is still being felt in

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<v Speaker 1>our culture fifty years later, even beyond music with style,

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<v Speaker 1>with filmmaking. I'm actually have a film on the back

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<v Speaker 1>on in the background right now. It's called Smithereens. It's

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<v Speaker 1>just playing on Criterion Channel, and it's said in the eighties,

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<v Speaker 1>early eighties, I believe in Manhattan, and just from the

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<v Speaker 1>look of it and the feel of it and the

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<v Speaker 1>sound of it and all of it, you can you

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<v Speaker 1>can feel the influence of the New York Dolls in

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<v Speaker 1>this little indie movie. David Johansson was a was a

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<v Speaker 1>star for sure, despite the band not selling a bunch

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<v Speaker 1>of records, so you know, even as a star, though,

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<v Speaker 1>it's hard to even explain the type of the type

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<v Speaker 1>of star that David Johansson was in The New York Dolls.

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<v Speaker 1>I mean, he's he's an everyman, tough guy, but he

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<v Speaker 1>he's in lipstick and high heels and he's got this

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<v Speaker 1>androgynous image that he's projecting while he's fronting the New

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<v Speaker 1>York Dolls. But he's still, like I said, tough, fast talking,

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<v Speaker 1>the scrappy New York cab driver. All that worked in

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<v Speaker 1>contrast with his band personas somehow, and it just all

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<v Speaker 1>added up to this certain brand of icon. David Johansson

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<v Speaker 1>was the best type of rock star. He was many

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<v Speaker 1>things at once, just like New York City. Okay, I've

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<v Speaker 1>said that about New York City in the past. It's obvious,

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<v Speaker 1>but David Johansson was more than just the front man

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<v Speaker 1>of the New York Dolls. Of course, he was the

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<v Speaker 1>Buster Poindexter character that monster hit from the eighties, Hot

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<v Speaker 1>Hot Hot. He was an actor, most notably as the

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<v Speaker 1>Ghost of Christmas Past and Bill Murray Scrooge, and I'm

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<v Speaker 1>sure there's a host of other roles that I'm not

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<v Speaker 1>thinking of right now that are more indicative of just

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<v Speaker 1>how awesome David Johansson was. I had a brief, a brief,

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<v Speaker 1>very brief personal exchange with David Johannson about five years ago,

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<v Speaker 1>and you know, I was fully aware of the legend

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<v Speaker 1>that he is, and I found him just in that

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<v Speaker 1>moment to be gentle and kind, and he just projected

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<v Speaker 1>this this ease about him that was just beyond cool.

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<v Speaker 1>That's that's how I would describe it. So rest in peace,

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<v Speaker 1>David Johansson. There's there's been a gazillion oh bits about

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<v Speaker 1>him and tributes and a lot more eloquent than what

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<v Speaker 1>I just laid out to you, and I just tried

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<v Speaker 1>to give it to you raw and sort of semi

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<v Speaker 1>off the coff of how I felt, how I feel

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<v Speaker 1>I should say about David Johansson's place in rock and

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<v Speaker 1>roll history. And I think if you asked he yesked

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<v Speaker 1>all the greats, they'd give you something similar to what

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<v Speaker 1>I just gave you. David Johansson was a one of

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<v Speaker 1>a kind artist who broke the mold, and he will

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<v Speaker 1>forever ever be missed. We also lost Gene Hackman, and

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<v Speaker 1>you know, like David Johansson, Gene Hackman was immensely influential

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<v Speaker 1>own ways that are harder to qualify. I think. Where

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<v Speaker 1>Johanson was sort of over the top and burst into

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<v Speaker 1>our cultural consciousness in these brief, impactful moments, leaving a

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<v Speaker 1>loud mark on music and film, Gene Hackman, to me, anyway,

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<v Speaker 1>was so good and so consistent that it's almost it's

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<v Speaker 1>almost like we took him for granted. Yet there he was.

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<v Speaker 1>He's in all these great roles year after year. I

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<v Speaker 1>threw out my childhood, from before my childhood, you know,

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<v Speaker 1>into my adulthood, Gene Hackman just kind of always there,

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<v Speaker 1>always pumping out great role after roll after roll, until

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<v Speaker 1>he suddenly wasn't and when he stopped making movies and

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<v Speaker 1>retired from the public eye about I guess what a

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<v Speaker 1>decade ago, two decades ago, how many of us even

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<v Speaker 1>really noticed? I know I didn't, I'm ashamed to say.

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<v Speaker 1>And I say this because a couple of months ago

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<v Speaker 1>is when I realized this, when these paparazzi photos of

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<v Speaker 1>a gaunt looking Gene Hackman in his nineties were really,

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<v Speaker 1>he doesn't look anything like like we remember him as

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<v Speaker 1>and it was at that moment that I realized that

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<v Speaker 1>he was still around. And I don't know what that's about,

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<v Speaker 1>talk about fading away instead of burning out. But again,

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<v Speaker 1>there's something really interesting there to me about an artist

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<v Speaker 1>who's just so good and so consistent and so prolific

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<v Speaker 1>that we take them for granted, and we don't really

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<v Speaker 1>give ourselves the time and the moments to celebrate them

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<v Speaker 1>and to really dig in and shout about them and

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<v Speaker 1>geek out on them. And Gene Hackman was just always there.

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<v Speaker 1>His filmography is as impressive as almost any other great

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<v Speaker 1>twentieth century actor. I mean, these movies are incredible, French Connection,

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<v Speaker 1>Hoosier's Bonnie and Clyde Royal Tenantbaumbs, the Firm. The Firm's great.

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<v Speaker 1>I know there's going to be Cinophiles out there who

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<v Speaker 1>are like the Firm. When are you talking with the

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<v Speaker 1>Firm's fucking awesome. And he is tremendous and unforgiven. Even Superman, Mississippi,

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<v Speaker 1>Burning Young Frankenstein, and of course the Conversation Hackman is

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<v Speaker 1>so good, so consistent, and so Gene Hackmany and all

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<v Speaker 1>these films, Like I said, we take him for granted.

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<v Speaker 1>At least I do. That's my take. I don't know

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<v Speaker 1>if you guys feel that way. And there's just something

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<v Speaker 1>to be said about that, that greatness that is so

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<v Speaker 1>steady that it goes unnoticed. And that's what I believe

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<v Speaker 1>Gene Hackman had, and I believe that he had a

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<v Speaker 1>career that most actors in Hollywood would die for. And

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<v Speaker 1>that's actually something we need to talk about, is you

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<v Speaker 1>know how Gene Hackman himself died. We're still figuring it out.

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<v Speaker 1>David Johansson died through cancer. Gene Hackman's death alongside his wife,

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<v Speaker 1>Betsy Arakawa, is still very much under investigation. If you're

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<v Speaker 1>unaware of what happened. Their bodies were found in different

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<v Speaker 1>parts of their home in Santa Fe, New Mexico. Odutopsy

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<v Speaker 1>and toxicology reports are still pending. There were pills scattered

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<v Speaker 1>around the body of Hackman's wife, but not around Gene

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<v Speaker 1>Hackman himself. Both are believed to have been deceased for

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<v Speaker 1>as long as a week, possibly a little bit longer

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<v Speaker 1>before they were discovered when this happened last week. The

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<v Speaker 1>fact that their dog was found to be dead as

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<v Speaker 1>well led everyone to believe that or to speculate, I

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<v Speaker 1>should say that this was carbon monoxide poisoning and that's

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<v Speaker 1>what was to be blamed, but apparently that's been ruled out.

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<v Speaker 1>There are no signs of trauma to their bodies, if

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<v Speaker 1>we're to believe what's been reported. There's no signs of

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<v Speaker 1>foul play. But both these deaths are strange. Hackman was

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<v Speaker 1>ninety five, okay, obviously no spring chicken. His wife though,

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<v Speaker 1>was sixty five. How did they both die at the

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<v Speaker 1>same time in different parts of the house. And what's

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<v Speaker 1>up with their dog being dead? Twelve year old dog

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<v Speaker 1>found dead on the scene as well. Anyways, find out

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<v Speaker 1>and we'll do something a little more fully on Gene

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<v Speaker 1>Hackman in the future. And of course we have a

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<v Speaker 1>New York Dolls episode. What that gets into, you know,

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<v Speaker 1>obviously David Johansson in front of that band, so we

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<v Speaker 1>do a lot on David Johanson there. But I think

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<v Speaker 1>there could actually be some sort of David Johansson tribute

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<v Speaker 1>episode in the future. There's more to that guy's career

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<v Speaker 1>than we obviously get into in the New York Dolls episode.

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<v Speaker 1>And I'm just frankly fascinated by the guy. So I'd

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<v Speaker 1>love to stick my head and stick my head in

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<v Speaker 1>that wormhole for a couple of weeks and come out

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<v Speaker 1>the other side with something cool for you guys to

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<v Speaker 1>listen to. So maybe we'll do that in the future.

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<v Speaker 1>And uh yeah, Hackman David Johansson. Two deaths in the

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<v Speaker 1>past week heavy stuff. One death mysterious, one death rather uneventful.

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<v Speaker 1>Both sad, two lives well lived with massive contributions to

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<v Speaker 1>our culture. Both men will be missed by millions, including

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<v Speaker 1>of course those of us here in disgraceland. Speaking of

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<v Speaker 1>disgrace about Sean Combs and that lawyer who quit the

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<v Speaker 1>TikTok rumor uh why yeah, yeah, yeah, yeah, it's the

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<v Speaker 1>rumor mill will not quit And what's being bandied out

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<v Speaker 1>as the reason why Ditty's attorney bailed. It's so disgusting,

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<v Speaker 1>it's so grotesque. I can't repeat it here in this space,

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<v Speaker 1>but if you want to know my thoughts on it,

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<v Speaker 1>you can hit me up in the Patreon chat. We

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<v Speaker 1>can talk about it over there in private, like proper degenerates,

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<v Speaker 1>behind closed doors, privacy of our own digital home. Related

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<v Speaker 1>news to Diddy, jay Z is suing the accuser who

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<v Speaker 1>brought a lawsuit against him through Tony buzzby jay Z

0:12:25.760 --> 0:12:28.520
<v Speaker 1>suing that accuser for defamation. And as I say, if

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<v Speaker 1>you go for the King, you better not miss they missed,

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<v Speaker 1>and here comes jay Z speaking of kings. We got

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<v Speaker 1>some Dennis Hopper, We got some Stevie Rayvaughn, Dennis Hopper.

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<v Speaker 1>Of course, this week's full episode of Disgrace sand Stevie

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<v Speaker 1>ravon last week's exclusive episode for our All Access members,

0:12:44.760 --> 0:12:46.240
<v Speaker 1>We're going to be talking about those guys in this

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<v Speaker 1>year after party. Before we get to that, I want

0:12:48.280 --> 0:12:50.240
<v Speaker 1>to talk about what's coming up in Disgrace andd Next

0:12:50.240 --> 0:12:53.559
<v Speaker 1>to your feed are our rewind episodes on Tupac Secure,

0:12:53.640 --> 0:12:56.120
<v Speaker 1>and these have particular relevance right now because of Sean

0:12:56.160 --> 0:12:57.880
<v Speaker 1>Combs as we get ready to go into this Sean

0:12:57.880 --> 0:13:02.520
<v Speaker 1>Diddy Coombs trial into two months. It's right, two months

0:13:02.640 --> 0:13:06.280
<v Speaker 1>May fifth, still on the books. Okay, so we got

0:13:06.280 --> 0:13:08.800
<v Speaker 1>a bone up, got a bone up on our nineties

0:13:09.040 --> 0:13:13.640
<v Speaker 1>hip hop true crime. There's really five episodes on the

0:13:13.640 --> 0:13:18.080
<v Speaker 1>whole Tupac and Biggie saga. When I started Disgracing on

0:13:18.120 --> 0:13:21.199
<v Speaker 1>the first season, there's a joint episode on Tupac and

0:13:21.360 --> 0:13:24.360
<v Speaker 1>Biggie thirty minutes, and then about two years after that,

0:13:24.440 --> 0:13:27.520
<v Speaker 1>I released two two part episodes, one on Tupac himself

0:13:27.520 --> 0:13:29.800
<v Speaker 1>and one on the Notorious Big that book ended a

0:13:29.960 --> 0:13:32.160
<v Speaker 1>season of Disgraceland. I think they did. I think they

0:13:32.160 --> 0:13:34.959
<v Speaker 1>book ended it. Anyways, they all came out around early

0:13:34.960 --> 0:13:37.360
<v Speaker 1>twenty twenty. But this Tupac episode, if you have not

0:13:37.440 --> 0:13:39.800
<v Speaker 1>heard it, this two part two Pac episode, you were

0:13:39.840 --> 0:13:41.120
<v Speaker 1>in for a treat. And like I said, if you

0:13:41.160 --> 0:13:43.520
<v Speaker 1>have heard it, time to listen again. Time to bone up,

0:13:43.600 --> 0:13:45.720
<v Speaker 1>get ready for this trial. It's coming on Sean Combs

0:13:45.760 --> 0:13:48.800
<v Speaker 1>in a couple months. And plus, you know, with everything

0:13:48.840 --> 0:13:51.800
<v Speaker 1>that we've learned about Sean Combs and about Tupac's murder

0:13:51.840 --> 0:13:53.120
<v Speaker 1>in the last few years, I want to know what

0:13:53.120 --> 0:13:55.560
<v Speaker 1>you guys think about Tupac's murder. I want to know

0:13:55.559 --> 0:13:57.080
<v Speaker 1>what you guys think about how I depict it in

0:13:57.160 --> 0:14:02.120
<v Speaker 1>these episodes and what else is happening. Oh yeah, next Tuesday,

0:14:02.280 --> 0:14:04.199
<v Speaker 1>Saint Patty's Day. I know people hate when I say

0:14:04.200 --> 0:14:05.600
<v Speaker 1>Saint Patty's Day, but I don't care. I grew up

0:14:05.600 --> 0:14:07.840
<v Speaker 1>in Clinton, Massachusetts. You could not be more irish, you

0:14:07.840 --> 0:14:10.480
<v Speaker 1>could not be more Catholic. And I know, I know,

0:14:10.600 --> 0:14:12.880
<v Speaker 1>I know there's there's purists out there who say that

0:14:13.600 --> 0:14:16.959
<v Speaker 1>the Irish, the true cat the true Irish, the true Catholics,

0:14:16.960 --> 0:14:19.560
<v Speaker 1>don't say Saint Patty's Day. Well, I grew up amongst

0:14:19.840 --> 0:14:22.360
<v Speaker 1>I'm Catholic myself. I grew up amongst Catholics and we

0:14:22.400 --> 0:14:24.000
<v Speaker 1>said it. So I'm not going to stop it. Okay,

0:14:24.040 --> 0:14:26.800
<v Speaker 1>I'm not Saint Patrick's Day. There, I said it for you.

0:14:27.120 --> 0:14:30.240
<v Speaker 1>For Saint Patrick's Day, also known as Saint Patty's Day.

0:14:30.360 --> 0:14:32.480
<v Speaker 1>We have a Thin Lizzy episode that's coming up, that's

0:14:32.480 --> 0:14:34.120
<v Speaker 1>on Tuesday. That's for you guys to hear. When you're

0:14:34.120 --> 0:14:36.040
<v Speaker 1>listening to this Thin Lizzy episode, I want you to

0:14:36.120 --> 0:14:40.480
<v Speaker 1>be thinking about the greatest Irish bands of all time.

0:14:41.120 --> 0:14:44.160
<v Speaker 1>Okay you can. You can tell me drop Kick Murphy's

0:14:44.200 --> 0:14:47.160
<v Speaker 1>and I'll take it, all right, I'll accept it. They're great.

0:14:47.280 --> 0:14:50.480
<v Speaker 1>I love them. They're amazing. But you're gonna get bonus

0:14:50.520 --> 0:14:54.480
<v Speaker 1>points for Irish bands. Okay, there ain't that many of

0:14:54.520 --> 0:14:58.680
<v Speaker 1>them speaking to Catholics. Uh My priest went to high

0:14:58.720 --> 0:15:00.280
<v Speaker 1>school with some of the guys from you too. How

0:15:00.320 --> 0:15:02.120
<v Speaker 1>cool is that? So I know what his answer is,

0:15:02.840 --> 0:15:04.720
<v Speaker 1>but I want to know yours. Who is it? Let

0:15:04.760 --> 0:15:06.480
<v Speaker 1>me know, be thinking about that when that then Lizzy

0:15:06.600 --> 0:15:08.880
<v Speaker 1>episode pops next week. I'll be back in a flash

0:15:08.960 --> 0:15:11.160
<v Speaker 1>right after this with your voicemails, your texts, your DMS

0:15:11.240 --> 0:15:34.400
<v Speaker 1>emails and more. All right, we are back. Just a

0:15:34.480 --> 0:15:37.320
<v Speaker 1>quicker reminder of the Apple podcast listeners have auto downloads

0:15:37.360 --> 0:15:39.800
<v Speaker 1>turned on so that you're not missing out on any episodes.

0:15:39.800 --> 0:15:42.360
<v Speaker 1>All right, six one seven nine oh six six six

0:15:42.440 --> 0:15:44.000
<v Speaker 1>three eight to leave me a voicemail and send me

0:15:44.040 --> 0:15:47.520
<v Speaker 1>a text. Last week's Marilyn Monroe episodes being rewound in

0:15:47.560 --> 0:15:51.000
<v Speaker 1>your feed. We asked the question of do you think

0:15:51.320 --> 0:15:55.800
<v Speaker 1>that the Kennedys had anything to do with Marilyn Monroe's death?

0:15:55.920 --> 0:15:58.600
<v Speaker 1>And here is an answer from Who's this from? This

0:15:58.680 --> 0:16:02.760
<v Speaker 1>is from THEE.

0:16:01.680 --> 0:16:05.360
<v Speaker 2>Hey Jake, this is Jesse from the sixty one nine. No,

0:16:05.760 --> 0:16:08.200
<v Speaker 2>it's easy to say that the Kennedy's had something to

0:16:08.280 --> 0:16:12.320
<v Speaker 2>do with Marilyn Monroe's death. I think us as human

0:16:12.400 --> 0:16:16.760
<v Speaker 2>beings just automatically assume that just because someone was affiliated

0:16:16.760 --> 0:16:20.160
<v Speaker 2>with someone in a powerful position, that oh, we had

0:16:20.200 --> 0:16:22.640
<v Speaker 2>to go ahead and take this person out. No, I

0:16:22.680 --> 0:16:28.440
<v Speaker 2>don't think that was it. I just think that circumstances

0:16:28.680 --> 0:16:31.240
<v Speaker 2>may have contributed to her death. But me personally, I

0:16:31.280 --> 0:16:33.840
<v Speaker 2>just don't think it was the Kennedy's. Thanks everything you

0:16:33.920 --> 0:16:36.440
<v Speaker 2>do for the show, win for getting all this creative

0:16:36.520 --> 0:16:37.560
<v Speaker 2>stuff for us to listen to.

0:16:37.680 --> 0:16:41.160
<v Speaker 1>Man, thanks six one nine, Jesse, I agree with you one.

0:16:42.040 --> 0:16:44.600
<v Speaker 1>I know that's not that interesting. I know the big

0:16:44.680 --> 0:16:49.360
<v Speaker 1>juicy conspiracy theory is more interesting. But you know, I

0:16:49.360 --> 0:16:50.880
<v Speaker 1>think the Kennedy's in a lot of way, In a

0:16:50.920 --> 0:16:52.960
<v Speaker 1>lot of ways, we're shits, and they did some pretty

0:16:53.640 --> 0:16:57.200
<v Speaker 1>pretty awful stuff. But I think on balance, especially Bobby Kennedy,

0:16:57.240 --> 0:16:59.520
<v Speaker 1>I think he was a good dude. And yeah, he

0:16:59.560 --> 0:17:02.640
<v Speaker 1>may have been in love with Meril Monroe, but I mean, hey,

0:17:02.680 --> 0:17:04.080
<v Speaker 1>can you fucking blame the guy? I mean, come on,

0:17:04.160 --> 0:17:06.040
<v Speaker 1>but does does that mean he killed her? I don't

0:17:06.040 --> 0:17:08.640
<v Speaker 1>think so. I agree one hundred percent with your take

0:17:08.680 --> 0:17:11.720
<v Speaker 1>on this, Jesse. We also, you know, we released the

0:17:11.720 --> 0:17:15.000
<v Speaker 1>stevee Yvonne episode in our all access to our all

0:17:15.040 --> 0:17:17.000
<v Speaker 1>access members. If you didn't get in the feed, it's

0:17:17.000 --> 0:17:18.840
<v Speaker 1>because you're not a member of the unit of a

0:17:18.880 --> 0:17:21.360
<v Speaker 1>membership for the all access part of Disgrace and five

0:17:21.400 --> 0:17:24.240
<v Speaker 1>bucks a months by the way, So so a lot

0:17:24.280 --> 0:17:27.040
<v Speaker 1>of talk with about Steve yvon which was last last

0:17:27.080 --> 0:17:30.880
<v Speaker 1>month's exclusive episode. I always stumble over how to say that.

0:17:31.320 --> 0:17:33.400
<v Speaker 1>That went to our all Access members and we got

0:17:33.400 --> 0:17:35.800
<v Speaker 1>this call here regarding Steve Yvon from Curtis in the

0:17:35.800 --> 0:17:36.240
<v Speaker 1>five to one.

0:17:36.240 --> 0:17:39.640
<v Speaker 3>Three, Hey, Jake Is Curtis from five to one to three,

0:17:39.680 --> 0:17:41.000
<v Speaker 3>that's Middletown, Ohio.

0:17:41.760 --> 0:17:42.040
<v Speaker 1>Uh.

0:17:42.200 --> 0:17:44.440
<v Speaker 2>You asked the question about.

0:17:44.680 --> 0:17:49.760
<v Speaker 3>Artists who found themselves in a supporting role to another artist. Well,

0:17:49.840 --> 0:17:54.679
<v Speaker 3>to have a continuation on Stevie ray Vaughn's story, what

0:17:54.800 --> 0:17:59.280
<v Speaker 3>I heard a few months ago was that when Stevie

0:17:59.440 --> 0:18:07.200
<v Speaker 3>Ray left David Bowie's tour, David Bowie went and found

0:18:07.640 --> 0:18:10.560
<v Speaker 3>another guitarist who happened to be kind of down on

0:18:10.600 --> 0:18:12.840
<v Speaker 3>his luck at the time, and it happened to be

0:18:13.359 --> 0:18:18.280
<v Speaker 3>Peter Frampton. Research that but that's what I heard on something.

0:18:18.320 --> 0:18:21.200
<v Speaker 3>I forget what it was, but that's a big thing

0:18:21.240 --> 0:18:22.879
<v Speaker 3>too later.

0:18:22.880 --> 0:18:27.440
<v Speaker 1>Curtis, I'd never heard that before. I'm not surprised Peter

0:18:27.520 --> 0:18:30.359
<v Speaker 1>Frampton backing up David Bowie. I could see Bowie throwing

0:18:30.400 --> 0:18:33.560
<v Speaker 1>throwing Frampton Frampton a bone there bring him on tour.

0:18:34.800 --> 0:18:36.520
<v Speaker 1>But you know, Curtis, I actually have a lot of

0:18:36.560 --> 0:18:38.439
<v Speaker 1>research I'm already doing, so I'm not I'm not going

0:18:38.480 --> 0:18:42.240
<v Speaker 1>to research that as you, as you so politely told

0:18:42.320 --> 0:18:44.200
<v Speaker 1>me to do. But if anyone else wants to check

0:18:44.200 --> 0:18:45.720
<v Speaker 1>that out and get back to Curtis and I hear,

0:18:45.840 --> 0:18:48.480
<v Speaker 1>we will gladly take your hard work and try and

0:18:48.520 --> 0:18:52.680
<v Speaker 1>figure this out. Did Peter Frampton support David Bowie after

0:18:52.720 --> 0:18:55.200
<v Speaker 1>Stevie Rayvaugh split from Bowie's band? If you want to

0:18:55.200 --> 0:18:57.080
<v Speaker 1>hear more about how Stevie Rayvaugh split, what it was

0:18:57.119 --> 0:18:58.840
<v Speaker 1>like playing with Bowie, all that stuff, you can listen.

0:18:58.960 --> 0:19:01.480
<v Speaker 1>Like I said to the All Access episode on Steve Ravan,

0:19:01.560 --> 0:19:04.760
<v Speaker 1>we got to become a member, all right. Regarding David Johansson,

0:19:04.760 --> 0:19:09.119
<v Speaker 1>this voicemail comes from the four one five.

0:19:10.000 --> 0:19:13.639
<v Speaker 4>Easy for you to say, Jake, Hey there, Michael Lean.

0:19:13.800 --> 0:19:20.760
<v Speaker 4>He's calling from San Francisco on cloudy Saturday afternoon. Just

0:19:21.119 --> 0:19:25.320
<v Speaker 4>got the news about the passing of David Johanson and

0:19:25.400 --> 0:19:29.600
<v Speaker 4>I am listening to your Dolls episode in a sort

0:19:29.640 --> 0:19:35.200
<v Speaker 4>of humble tribute to him. People say that when somebody passes,

0:19:35.200 --> 0:19:38.000
<v Speaker 4>somebody's oh, a bit of my childhood just passed, And

0:19:38.040 --> 0:19:41.000
<v Speaker 4>I really feel that way today. I mean, I was

0:19:41.040 --> 0:19:43.119
<v Speaker 4>one of a handful of people in my high school

0:19:43.480 --> 0:19:46.320
<v Speaker 4>who dug the Dolls. Even wrote about him in my

0:19:46.400 --> 0:19:49.359
<v Speaker 4>who school newspaper, and you know they were just you know,

0:19:49.960 --> 0:19:54.040
<v Speaker 4>no them, no pistols, no Ramones, no Green Day, you know,

0:19:54.280 --> 0:19:54.760
<v Speaker 4>none of that.

0:19:55.200 --> 0:20:00.760
<v Speaker 5>He was a gentleman and a spiritual scholar and a

0:20:00.840 --> 0:20:05.159
<v Speaker 5>scholar rather. You know, I really feel lucky to have

0:20:05.200 --> 0:20:06.960
<v Speaker 5>seen them at the Fillmore here in.

0:20:06.960 --> 0:20:10.600
<v Speaker 4>San Francisco in two thousand and five. Six well as

0:20:10.800 --> 0:20:16.320
<v Speaker 4>Samanson himself would say, let's just dance and uh, thanks

0:20:16.359 --> 0:20:19.159
<v Speaker 4>for what you guys do. Keep that Prenshaw's Facebook g

0:20:19.280 --> 0:20:20.240
<v Speaker 4>going all right.

0:20:20.480 --> 0:20:22.640
<v Speaker 1>Four one five Michael Lane, he thank you so much

0:20:22.680 --> 0:20:25.560
<v Speaker 1>for the for the call. Yeah, you nailed it. I

0:20:25.560 --> 0:20:26.960
<v Speaker 1>said pretty much the same thing at the top of

0:20:27.000 --> 0:20:28.800
<v Speaker 1>the show. I mean, I share your sentiments one hundred

0:20:28.800 --> 0:20:30.479
<v Speaker 1>percent on David Johansson and the influence that the New

0:20:30.520 --> 0:20:34.000
<v Speaker 1>York Dolls had, specifically that David had himself. He was

0:20:34.520 --> 0:20:37.000
<v Speaker 1>I believe the spark. Not to take anything away from

0:20:37.040 --> 0:20:39.000
<v Speaker 1>the other guys in the band, Johnny Thunders in particular,

0:20:39.040 --> 0:20:42.000
<v Speaker 1>but I appreciate your sentiment. I appreciate your call, appreciate

0:20:42.000 --> 0:20:44.600
<v Speaker 1>the emotion. We're all a little a little bit, a

0:20:44.600 --> 0:20:48.000
<v Speaker 1>little bit raw. After the death of David Johansson six

0:20:48.040 --> 0:20:49.960
<v Speaker 1>one seven, nine o six six six three eight. You

0:20:50.000 --> 0:20:51.440
<v Speaker 1>guys want to call me about anything, you want to

0:20:51.520 --> 0:20:53.560
<v Speaker 1>vent about anything going on in the world. You want

0:20:53.600 --> 0:20:55.600
<v Speaker 1>to commiserate with our grief over the passing of a

0:20:55.640 --> 0:20:57.399
<v Speaker 1>couple legends. We can do that as well. You can

0:20:57.480 --> 0:20:59.560
<v Speaker 1>hit me on text, you can hit me on voicemail

0:20:59.320 --> 0:21:01.399
<v Speaker 1>like Michael here and the others, you know, with the

0:21:01.480 --> 0:21:04.720
<v Speaker 1>David Johansson and Gene Hackman passing. I've talked very little

0:21:04.760 --> 0:21:07.439
<v Speaker 1>in the last few days, even in this podcast already.

0:21:07.480 --> 0:21:09.520
<v Speaker 1>I've talked very little about Dennis Hopper in the episode

0:21:09.520 --> 0:21:11.200
<v Speaker 1>that we had. So let's go to this voicemail here,

0:21:11.880 --> 0:21:16.600
<v Speaker 1>this one coming from the seven eight one back in Massachusetts.

0:21:17.000 --> 0:21:21.080
<v Speaker 2>Jake, what up? It's Ish, Hope Aul as well.

0:21:22.320 --> 0:21:26.119
<v Speaker 6>Regarding your question of the week, who is the most

0:21:26.400 --> 0:21:31.520
<v Speaker 6>rock and roll actor in Hollywood? I wouldn't say this

0:21:31.560 --> 0:21:35.000
<v Speaker 6>person is the most, but he's definitely a bit rock

0:21:35.080 --> 0:21:38.600
<v Speaker 6>and roll. I'm gonna go with Mickey Rourke. I don't

0:21:38.640 --> 0:21:42.320
<v Speaker 6>know something about him, just screams rock and roll.

0:21:43.840 --> 0:21:46.960
<v Speaker 4>Uh yeah, that's all I got. Hope Aul as well,

0:21:47.280 --> 0:21:48.400
<v Speaker 4>just go Ish.

0:21:48.480 --> 0:21:50.800
<v Speaker 1>Appreciate you man as always, thanks for the call. I

0:21:50.840 --> 0:21:52.840
<v Speaker 1>wonder what Dennis Hopper thought of Mickey Rourke. I think

0:21:52.840 --> 0:21:55.480
<v Speaker 1>he would share your sentiment there for sure. Mickey Rourke

0:21:55.600 --> 0:22:00.600
<v Speaker 1>is fantastic. Just what a force? What a force popa

0:22:00.600 --> 0:22:04.320
<v Speaker 1>Greenwich village? Please tell me you've all seen that. I

0:22:04.400 --> 0:22:06.919
<v Speaker 1>kind of want to rewatch that right now. Yeah, I

0:22:06.960 --> 0:22:10.240
<v Speaker 1>do ish. Thanks for reminding me, Mickey Rourke. Dennis Hopper

0:22:10.680 --> 0:22:13.440
<v Speaker 1>six one seven, nine oh six six six three eight

0:22:13.560 --> 0:22:16.760
<v Speaker 1>David Johansson, Wow, Gene Hackman, all the greats are coming

0:22:16.800 --> 0:22:19.120
<v Speaker 1>out to play today in this after party. Barry from

0:22:19.119 --> 0:22:22.360
<v Speaker 1>the nine oh four reference to our recent Scorsese episode. Hey,

0:22:22.400 --> 0:22:24.919
<v Speaker 1>my favorite filmmaker, and this one is tough, but I

0:22:24.920 --> 0:22:29.320
<v Speaker 1>gotta say Eastwood, same dude who directed Unforgiven, also with

0:22:29.480 --> 0:22:31.640
<v Speaker 1>Gene Hackman. Barry, thank you for the text, Guys, I'm

0:22:31.640 --> 0:22:33.199
<v Speaker 1>gonna rapid fire a bunch of these. I might not

0:22:33.240 --> 0:22:35.320
<v Speaker 1>read the entire text, but I want to get to

0:22:35.359 --> 0:22:36.720
<v Speaker 1>a bunch of stuff that I haven't gotten to in

0:22:36.720 --> 0:22:38.760
<v Speaker 1>a while. Jake, This is James from the three one

0:22:38.800 --> 0:22:41.760
<v Speaker 1>eight Stevie ray Vaughn episode. Was the very definition of

0:22:41.840 --> 0:22:45.479
<v Speaker 1>exquisite storytelling. Thanks James, appreciate that. James goes on to say,

0:22:45.520 --> 0:22:48.200
<v Speaker 1>as far as my favorite guitarist. I have two. First,

0:22:48.240 --> 0:22:50.359
<v Speaker 1>Paul Gilbert, not only is he a shredder of the

0:22:50.440 --> 0:22:52.399
<v Speaker 1>highest level, but the joy on his face as he

0:22:52.440 --> 0:22:54.560
<v Speaker 1>burns up and down the fret board reminds me of

0:22:54.560 --> 0:22:56.880
<v Speaker 1>why I love music in the first place. I love that.

0:22:57.320 --> 0:23:00.320
<v Speaker 1>Second is the recently passed Jordi Walker for the British

0:23:00.320 --> 0:23:02.840
<v Speaker 1>post punk act Killing Joke three point eight. Thanks for

0:23:02.880 --> 0:23:05.160
<v Speaker 1>the text. Appreciate you seven oh six right saying, hey there,

0:23:05.160 --> 0:23:07.760
<v Speaker 1>disgraceand folks. It seems like I can't get a break

0:23:07.760 --> 0:23:10.160
<v Speaker 1>from grief these last few years. It's started a few

0:23:10.240 --> 0:23:12.560
<v Speaker 1>years back by the loss of my father, and I

0:23:12.600 --> 0:23:14.920
<v Speaker 1>had your podcast to prop up my mind from going

0:23:14.920 --> 0:23:16.919
<v Speaker 1>to that dark place that we go to in grieving.

0:23:16.920 --> 0:23:18.639
<v Speaker 1>And this time it's a little different, but it hurts

0:23:18.680 --> 0:23:21.639
<v Speaker 1>just the same. My pet of almost twelve years sccumb

0:23:21.640 --> 0:23:24.359
<v Speaker 1>to lymphoma and that we've been fighting since around my

0:23:24.400 --> 0:23:26.359
<v Speaker 1>birthday in October, and all I have to say after

0:23:26.400 --> 0:23:29.320
<v Speaker 1>that is fuck cancer and anyone who openly opposes any

0:23:29.359 --> 0:23:31.440
<v Speaker 1>and all forms of treatment to possibly get a cure

0:23:31.480 --> 0:23:35.240
<v Speaker 1>for it. Love you guys, please keep it rolling. Seven

0:23:35.280 --> 0:23:39.760
<v Speaker 1>oh six. I'm sorry for your loss. That sucks. I

0:23:39.760 --> 0:23:41.800
<v Speaker 1>hope you're doing as well as you can be doing

0:23:42.240 --> 0:23:45.320
<v Speaker 1>with the news, and I hope you're enjoying connecting here

0:23:45.359 --> 0:23:47.280
<v Speaker 1>with the rest of the disco community here in the

0:23:47.280 --> 0:23:49.840
<v Speaker 1>after party. Hit us up elsewhere if you like. We're

0:23:49.840 --> 0:23:52.600
<v Speaker 1>on Instagram at Disgraceland Pod, We're on x and we

0:23:52.640 --> 0:23:54.560
<v Speaker 1>are on Facebook. Also, I don't know if you're in

0:23:54.600 --> 0:23:56.920
<v Speaker 1>the Patreon chat, hit us up there too. Three zero

0:23:56.920 --> 0:23:59.520
<v Speaker 1>two wearing the Disgraceland Rock and Roller shirt. Looks great,

0:23:59.720 --> 0:24:02.720
<v Speaker 1>look good, Keep it up. This one comes from the

0:24:02.720 --> 0:24:04.879
<v Speaker 1>three one nine. Hey, Jake, it's Jeremy from the three

0:24:04.960 --> 0:24:07.600
<v Speaker 1>one nine. Have you thought about making an app with

0:24:07.800 --> 0:24:10.919
<v Speaker 1>all your shows like Ashley Flowers has. That would be

0:24:10.920 --> 0:24:12.800
<v Speaker 1>cool and an easy way for people who miss bad

0:24:12.840 --> 0:24:14.760
<v Speaker 1>Lands when you start it back up, keep up the

0:24:14.800 --> 0:24:20.240
<v Speaker 1>great work. Three one nine. Appreciate the tip. Yeah, we've

0:24:20.280 --> 0:24:22.800
<v Speaker 1>thought about it, but we got something else cooking that

0:24:22.880 --> 0:24:25.159
<v Speaker 1>I'm going to talk to you about very shortly, Okay,

0:24:25.200 --> 0:24:27.960
<v Speaker 1>So just keep an ear glued to the after party,

0:24:28.320 --> 0:24:29.879
<v Speaker 1>all right, three one nine. You're gonna like what we

0:24:29.920 --> 0:24:32.639
<v Speaker 1>have to talk about. Lots of best director texts we

0:24:32.720 --> 0:24:35.760
<v Speaker 1>get two four eight coming in hot with Michael Mann

0:24:36.359 --> 0:24:44.199
<v Speaker 1>eight oh five, Scorsese, Kubrick, Kubrick, Kubrick. We should do

0:24:44.200 --> 0:24:47.360
<v Speaker 1>a Stanley Kubrick episode. That'd be great. Eight one eight, Right,

0:24:47.400 --> 0:24:48.960
<v Speaker 1>sim Jake, This is a little late, but I wanted

0:24:48.960 --> 0:24:51.960
<v Speaker 1>to tell you great work on the Scorsese Part two episode,

0:24:51.960 --> 0:24:54.240
<v Speaker 1>and your impression of Marty talking about taking out the

0:24:54.280 --> 0:24:56.800
<v Speaker 1>producer in the style that he was talking to Travis

0:24:56.840 --> 0:24:59.560
<v Speaker 1>Bickel while in the cab was pretty fresh.

0:25:00.320 --> 0:25:00.480
<v Speaker 5>Here.

0:25:00.560 --> 0:25:02.199
<v Speaker 1>I'll just say that, along with some of the obvious

0:25:02.200 --> 0:25:04.320
<v Speaker 1>ones like Scorsese, I gotta put Spike Lee and Guy

0:25:04.440 --> 0:25:08.760
<v Speaker 1>Ritchie on the fave director's list. Yeah, yeah, yeah, I

0:25:08.840 --> 0:25:11.600
<v Speaker 1>love Spike Lee's movies. I really really truly do. Guy

0:25:11.680 --> 0:25:15.840
<v Speaker 1>Ritchie not as much, but I just haven't spent enough

0:25:15.880 --> 0:25:18.080
<v Speaker 1>time with them. I will at some point something I

0:25:18.160 --> 0:25:20.800
<v Speaker 1>look forward to. One more here eight oh eight. In

0:25:20.840 --> 0:25:23.160
<v Speaker 1>regard to the question of the greatest guitarists, I'll answer

0:25:23.160 --> 0:25:27.960
<v Speaker 1>my personal favorite is Nuno Bettencourt. Nuno from Hudson, Massachusetts,

0:25:29.040 --> 0:25:31.200
<v Speaker 1>my old neck of the woods. All right, guy six

0:25:31.240 --> 0:25:34.840
<v Speaker 1>one seven nine six six six three eight voicemail and text.

0:25:35.240 --> 0:25:40.520
<v Speaker 1>Gr Twardowski writes on Instagram, good afternoon, I heard a

0:25:40.560 --> 0:25:45.399
<v Speaker 1>conspiracy theory this morning that Mindy McCready didn't commit suicide,

0:25:45.800 --> 0:25:48.840
<v Speaker 1>but that she and her husband were murdered due to

0:25:49.080 --> 0:25:52.879
<v Speaker 1>excessive debt. Have you ever heard that? No, I have not,

0:25:53.440 --> 0:25:56.080
<v Speaker 1>and I am I don't know. Should I be embarrassed

0:25:56.200 --> 0:25:58.560
<v Speaker 1>to say that I don't know who Mindy McCready is.

0:25:58.640 --> 0:26:01.040
<v Speaker 1>When you said Mindy McCready, the thought of Mike McCready

0:26:01.040 --> 0:26:03.600
<v Speaker 1>from Pearl Jam. But Mike McCready, last I checked, is

0:26:03.640 --> 0:26:05.640
<v Speaker 1>still very much alive. I don't know who you're talking about.

0:26:05.640 --> 0:26:07.600
<v Speaker 1>If anyone knows who this is or what this is about,

0:26:07.880 --> 0:26:10.080
<v Speaker 1>and if it's worth looking into, let me know. I

0:26:10.119 --> 0:26:13.040
<v Speaker 1>am in no ways supporting this so called conspiracy theory.

0:26:13.080 --> 0:26:15.160
<v Speaker 1>I am in no way saying that I think it's

0:26:15.160 --> 0:26:17.520
<v Speaker 1>even a conspiracy theory or that there's any validity to

0:26:17.640 --> 0:26:19.520
<v Speaker 1>it at all. It's just something that just popped up

0:26:19.520 --> 0:26:22.600
<v Speaker 1>immediately here in my feed, Sorry my dms, and I'm

0:26:22.840 --> 0:26:24.560
<v Speaker 1>asking you guys, if you know anything about it, so

0:26:24.960 --> 0:26:28.720
<v Speaker 1>hey me at Disgrace lampod on Instagram, at Disgrace lampod

0:26:28.840 --> 0:26:33.400
<v Speaker 1>on X, at Disgrace lampod on Facebook, follow us everywhere,

0:26:33.440 --> 0:26:36.000
<v Speaker 1>get all of our content. I communicate all over the place,

0:26:36.480 --> 0:26:39.080
<v Speaker 1>Paul G. Bateman on Facebook. Right, Hey Jake, it's me

0:26:39.240 --> 0:26:41.840
<v Speaker 1>PGB from the eight four to three, your friendly neighborhood

0:26:41.840 --> 0:26:44.440
<v Speaker 1>sports therapist and personal trainer. I just watched the documentary

0:26:44.440 --> 0:26:45.879
<v Speaker 1>on sly Stone and I have to say it was

0:26:45.920 --> 0:26:48.840
<v Speaker 1>the perfect compliment to your episode. Between the two, I

0:26:48.880 --> 0:26:50.480
<v Speaker 1>feel like I have a better look at the whole picture.

0:26:50.480 --> 0:26:52.639
<v Speaker 1>Thanks for the hard work ass always. You asked me

0:26:52.720 --> 0:26:55.359
<v Speaker 1>about the difference in hot tub and sauna and they

0:26:55.400 --> 0:26:58.440
<v Speaker 1>are huge. I'm not going to go into the rest here,

0:26:58.440 --> 0:27:01.520
<v Speaker 1>but let me just say, Paul, I appreciate the info

0:27:01.680 --> 0:27:05.239
<v Speaker 1>on hot tubs and Sunnah. Okay. Six one seven nine

0:27:05.400 --> 0:27:08.320
<v Speaker 1>six six six three eight At Disgraceland Pod. Next week's

0:27:08.400 --> 0:27:10.199
<v Speaker 1>question of the week, who's your favorite Irish band? Your

0:27:10.200 --> 0:27:12.040
<v Speaker 1>favorite band from Ireland? I want to know? Six one

0:27:12.080 --> 0:27:15.040
<v Speaker 1>seven nine six six six three eight voicemail text at

0:27:15.080 --> 0:27:32.720
<v Speaker 1>Disgraceland Pod on the Socials. I'll be back in a flash.

0:27:32.840 --> 0:27:35.359
<v Speaker 1>All right, welcome back. Disgraceland's Story of the week can

0:27:35.400 --> 0:27:37.560
<v Speaker 1>be any story from your rock and roll past or

0:27:37.600 --> 0:27:40.000
<v Speaker 1>from rock and roll history in general that you think

0:27:40.040 --> 0:27:42.560
<v Speaker 1>best represents the rock and roll spirit, and then you

0:27:42.560 --> 0:27:44.320
<v Speaker 1>want to share with us and then we share it

0:27:44.960 --> 0:27:47.520
<v Speaker 1>on the internet. Okay, we've been posting these on Instagram

0:27:47.600 --> 0:27:51.280
<v Speaker 1>doing these little carousel stories sort of celebrate you guys

0:27:51.320 --> 0:27:53.280
<v Speaker 1>and all the all the rock and roll animalism that

0:27:53.320 --> 0:27:56.240
<v Speaker 1>you've gotten up to in the past. Disgracelandpod at gmail

0:27:56.280 --> 0:27:58.280
<v Speaker 1>dot com is how to get your story of the

0:27:58.280 --> 0:28:01.640
<v Speaker 1>week to us. You can also call or send a text,

0:28:01.720 --> 0:28:04.919
<v Speaker 1>but email seems to be the right medium for this.

0:28:04.920 --> 0:28:09.800
<v Speaker 1>This week's story of the Week comes from mister Joe Cromley.

0:28:09.920 --> 0:28:12.119
<v Speaker 1>Joe writes saying, Hey, this story is secondhand told to

0:28:12.160 --> 0:28:15.840
<v Speaker 1>me by the late mister Kim Davis, high school friend

0:28:16.119 --> 0:28:18.600
<v Speaker 1>of my former wife. He sadly died of a lifestyle

0:28:18.760 --> 0:28:21.639
<v Speaker 1>related disease. I have attempted to contact two of the

0:28:21.640 --> 0:28:24.000
<v Speaker 1>other parties in the story for verification and have not

0:28:24.080 --> 0:28:27.640
<v Speaker 1>heard back. Here goes. In January nineteen seventy seven, Kim

0:28:27.760 --> 0:28:31.920
<v Speaker 1>Davis was day drinking at an Atlanta strip club named Tattletale,

0:28:31.960 --> 0:28:34.280
<v Speaker 1>which is still open. There was hardly anyone in the

0:28:34.280 --> 0:28:37.679
<v Speaker 1>place and a group of very loud, oddly dressed people

0:28:37.920 --> 0:28:40.280
<v Speaker 1>came in. Kim ended up speaking with some of them

0:28:40.280 --> 0:28:43.920
<v Speaker 1>who were clearly British. Kim, you all from England. Guy. Yes,

0:28:44.200 --> 0:28:46.719
<v Speaker 1>we've never been to America. We've never really been anywhere.

0:28:46.720 --> 0:28:48.920
<v Speaker 1>We just got here, Kim. So what are you doing here, guy?

0:28:49.160 --> 0:28:51.640
<v Speaker 1>While we're in a band and we're playing a show tonight? Kim, Really,

0:28:51.680 --> 0:28:54.480
<v Speaker 1>what's your band called, guy? We're called the sex Pistols.

0:28:54.760 --> 0:28:56.800
<v Speaker 1>The band played their first US show at a venue

0:28:56.840 --> 0:28:59.360
<v Speaker 1>called the Great Southeast Music Hall, which was in a

0:28:59.360 --> 0:29:02.280
<v Speaker 1>strip center next to a bowling alley and a kmart,

0:29:02.320 --> 0:29:05.640
<v Speaker 1>just up the street from the Tattletale on Piedmont Avenue,

0:29:05.840 --> 0:29:07.640
<v Speaker 1>And they were staying in a two story motel called

0:29:07.760 --> 0:29:10.200
<v Speaker 1>Squire in more or less across the parking lot from

0:29:10.200 --> 0:29:12.440
<v Speaker 1>the Tattletale, and they were killing time before the show

0:29:12.480 --> 0:29:14.760
<v Speaker 1>at the nearest bar, and the girls there are still hot.

0:29:15.960 --> 0:29:17.840
<v Speaker 1>Told to me by Kim. I wish I could verify it.

0:29:17.840 --> 0:29:19.800
<v Speaker 1>If you know how to reach John Lyden or Steve Jones,

0:29:19.800 --> 0:29:23.080
<v Speaker 1>I'd love to have it corroborated. Thanks Joe, Atlanta, Joe

0:29:23.200 --> 0:29:26.280
<v Speaker 1>appreciate it. And you know, I often say the story

0:29:26.280 --> 0:29:30.240
<v Speaker 1>of the week is to support the preservation of the

0:29:30.400 --> 0:29:32.400
<v Speaker 1>rock and roll animal, the spirit of the rock and

0:29:32.440 --> 0:29:34.640
<v Speaker 1>roll animal. And I gotta say killing time at a

0:29:34.640 --> 0:29:37.520
<v Speaker 1>strip club in the afternoon on tour for a rock

0:29:37.560 --> 0:29:40.200
<v Speaker 1>and roll band is about as rock and roll as

0:29:40.240 --> 0:29:44.360
<v Speaker 1>it gets. So without the verification, I'm already believing this

0:29:44.520 --> 0:29:47.480
<v Speaker 1>just based on the details that you've provided here. But hey,

0:29:47.680 --> 0:29:50.920
<v Speaker 1>if we get a Steve Jones or John Lydon and

0:29:51.000 --> 0:29:52.560
<v Speaker 1>I've talked to John Lyden in the past, and I

0:29:52.600 --> 0:29:55.040
<v Speaker 1>was actually pitched on having Glenn Mattlock on the show

0:29:55.120 --> 0:29:58.600
<v Speaker 1>a while back and I just never followed up. I

0:29:58.600 --> 0:30:00.000
<v Speaker 1>feel bad about that now that I think about it,

0:30:00.000 --> 0:30:01.680
<v Speaker 1>But if I ever talked to a sex fistle, I'll

0:30:01.680 --> 0:30:03.120
<v Speaker 1>be sure to bring up the Tttletale. So thank you

0:30:03.160 --> 0:30:05.400
<v Speaker 1>so much, Joe. Guys, hit me with your story of

0:30:05.440 --> 0:30:08.400
<v Speaker 1>the week email all right, Disgrace slampod at gmail dot

0:30:08.440 --> 0:30:09.920
<v Speaker 1>com and you might get it read here on air.

0:30:09.960 --> 0:30:11.480
<v Speaker 1>Appreciate it, and then, like I said, Joe, keep an

0:30:11.480 --> 0:30:13.880
<v Speaker 1>eye on Instagram tomorrow, we'll have something up and we'll

0:30:13.880 --> 0:30:16.640
<v Speaker 1>be name checking you and the Tattletale. All right. If

0:30:16.640 --> 0:30:18.200
<v Speaker 1>you want to help the show out, you can do

0:30:18.240 --> 0:30:21.360
<v Speaker 1>so by leaving a review on Apple Podcasts and or Spotify.

0:30:21.400 --> 0:30:23.760
<v Speaker 1>As you know, the reviews helped the show with discovery

0:30:23.800 --> 0:30:25.800
<v Speaker 1>and every week I read a review and if I

0:30:25.800 --> 0:30:27.080
<v Speaker 1>read your review, and you get in touch with me,

0:30:27.200 --> 0:30:28.880
<v Speaker 1>we will send you some merch. So this one comes

0:30:28.960 --> 0:30:33.480
<v Speaker 1>from Pure Sarah Sue. Pure Sarah Sue, show you how

0:30:33.600 --> 0:30:35.800
<v Speaker 1>diplomatic I am. This is not a good review, Pure

0:30:35.840 --> 0:30:38.760
<v Speaker 1>Sarah Ssoue writes in all the stories are about dudes,

0:30:39.200 --> 0:30:42.640
<v Speaker 1>no bad girls allowed. I guess Pure Sarah Sue is understandably.

0:30:42.640 --> 0:30:46.400
<v Speaker 1>I'veset about this, Pure Sarah Sue. I've said this before

0:30:46.560 --> 0:30:49.320
<v Speaker 1>and I'll say it again. There just isn't all that

0:30:49.440 --> 0:30:52.920
<v Speaker 1>much true crime from women in the world of music.

0:30:53.240 --> 0:30:56.200
<v Speaker 1>We've covered a lot as much as I think we can,

0:30:56.280 --> 0:30:58.600
<v Speaker 1>and there's still more we can do. And I say this,

0:30:58.680 --> 0:31:01.160
<v Speaker 1>I read this review on purpose today because I'm in

0:31:01.200 --> 0:31:04.000
<v Speaker 1>the middle of researching the Go Gos for a Go

0:31:04.000 --> 0:31:06.560
<v Speaker 1>Gos episode that will be out in a couple months. So,

0:31:06.680 --> 0:31:09.640
<v Speaker 1>Pure Sarahsu, if you're listening, if you're still with us,

0:31:10.040 --> 0:31:13.080
<v Speaker 1>get pumped. Get pumped for that Go Gos episode, all right.

0:31:13.120 --> 0:31:14.240
<v Speaker 1>And I think to all the women out there, it

0:31:14.280 --> 0:31:19.800
<v Speaker 1>says something about you that you haven't behaved throughout the

0:31:19.840 --> 0:31:23.280
<v Speaker 1>past and music history like as badly as men. I

0:31:23.320 --> 0:31:25.800
<v Speaker 1>just I think that's a positive. It may result in

0:31:25.800 --> 0:31:28.960
<v Speaker 1>a less well rounded podcast, but I think you know

0:31:29.120 --> 0:31:31.920
<v Speaker 1>on you know, on balance for humanity's sake. Anyways, it's

0:31:32.160 --> 0:31:36.200
<v Speaker 1>a good thing. Over on Spotify, Knackers, this isn't a review,

0:31:36.240 --> 0:31:39.600
<v Speaker 1>but Nackers, I still want you to hit me up

0:31:40.280 --> 0:31:42.000
<v Speaker 1>because I like how you're doing this over here on

0:31:42.040 --> 0:31:45.520
<v Speaker 1>the comments section and Spotify. Nackers is answering the question

0:31:45.600 --> 0:31:49.280
<v Speaker 1>of we prompted from the Dennis Hopper episode, which is

0:31:49.280 --> 0:31:52.680
<v Speaker 1>who is the most rock and roll actor from Hollywood?

0:31:53.160 --> 0:31:56.320
<v Speaker 1>And Nackers writes in Charlie Sheen and the discussion, you know,

0:31:57.080 --> 0:32:00.240
<v Speaker 1>hard to argue with that one. Hard, hard to argue

0:32:00.280 --> 0:32:02.520
<v Speaker 1>with that behavior. I don't even know if the only

0:32:02.640 --> 0:32:04.640
<v Speaker 1>you can argue that is to argue was that behavior

0:32:04.640 --> 0:32:06.440
<v Speaker 1>even rock and roll? Or was it just so fricking

0:32:06.480 --> 0:32:09.280
<v Speaker 1>over the top we can't even categorize it. Charlie Sheen

0:32:09.440 --> 0:32:11.720
<v Speaker 1>still alive. I think he's got a new series coming out,

0:32:11.880 --> 0:32:14.040
<v Speaker 1>or it's out or something six one seven nine oh

0:32:14.080 --> 0:32:16.000
<v Speaker 1>six six six three eight cent a voicemail, lead me

0:32:16.040 --> 0:32:17.800
<v Speaker 1>a text. You can leave a review for the show

0:32:18.040 --> 0:32:21.400
<v Speaker 1>on Apple Podcasts and or Spotify. We really appreciated this episode.

0:32:21.440 --> 0:32:21.640
<v Speaker 3>Guys.

0:32:21.680 --> 0:32:23.600
<v Speaker 1>It's coming to an end, but the after party, it's

0:32:23.640 --> 0:32:26.920
<v Speaker 1>going to continue for the All Access members. Okay, remember

0:32:26.920 --> 0:32:29.200
<v Speaker 1>earlier I was talking about that Stevie Ravond episode. You

0:32:29.240 --> 0:32:31.400
<v Speaker 1>might heard me sneak in there that you also, in

0:32:31.440 --> 0:32:35.360
<v Speaker 1>addition to getting that extra bonus episode per month, like

0:32:35.400 --> 0:32:38.000
<v Speaker 1>the Stevie Ravond episode, you also get a little bit

0:32:38.040 --> 0:32:40.160
<v Speaker 1>more of the bonus after party, and that's about to

0:32:40.200 --> 0:32:43.880
<v Speaker 1>start right now. For our All Access members five bucks

0:32:43.920 --> 0:32:45.840
<v Speaker 1>a month, you also get commercial free listening. I can't

0:32:45.840 --> 0:32:47.720
<v Speaker 1>forget that. I don't know, but if you ask me,

0:32:47.800 --> 0:32:51.400
<v Speaker 1>that's a good way to spend five dollars. All right.

0:32:51.520 --> 0:32:53.160
<v Speaker 1>I know we all don't have an extra five bucks

0:32:53.160 --> 0:32:55.320
<v Speaker 1>sitting around, but if you do, go over to Disgrace

0:32:55.400 --> 0:32:57.840
<v Speaker 1>sampod dot com slash membership and sign up to become

0:32:57.840 --> 0:33:21.200
<v Speaker 1>an All Access member. We appreciate. All Right, we are back.

0:33:21.240 --> 0:33:23.719
<v Speaker 1>We mentioned a couple of different archive episodes in this

0:33:23.800 --> 0:33:28.200
<v Speaker 1>here Bonus app talked obviously about David Johansson, So New

0:33:28.280 --> 0:33:32.280
<v Speaker 1>York Dolls, talked about the Ramones, talked about you two.

0:33:32.720 --> 0:33:34.560
<v Speaker 1>Who am I forgetting? I'm not sure, but for those

0:33:34.560 --> 0:33:38.120
<v Speaker 1>three episodes, Matt's gonna have the archive information, the episode information.

0:33:38.200 --> 0:33:41.360
<v Speaker 1>Excuse me on these archive episodes in the show notes

0:33:41.400 --> 0:33:43.040
<v Speaker 1>for this here bonus EPs, So if you guys want

0:33:43.040 --> 0:33:45.120
<v Speaker 1>to find those, you'll be able to find them. All right,

0:33:45.160 --> 0:33:47.600
<v Speaker 1>I want your story, Call me, I want your story

0:33:47.600 --> 0:33:49.680
<v Speaker 1>of the week. Okay, text me call me six one

0:33:49.720 --> 0:33:52.280
<v Speaker 1>seven nine o six six six three eight, or text me,

0:33:52.440 --> 0:33:55.120
<v Speaker 1>leave me a voicemail, hit me up at Disgrace sam Pod.

0:33:55.560 --> 0:33:58.440
<v Speaker 1>Give me your story of rock and roll animalism, either

0:33:58.520 --> 0:34:00.800
<v Speaker 1>something you heard or something you experience. It's first hand,

0:34:00.800 --> 0:34:03.000
<v Speaker 1>and your story might be the story of the week.

0:34:03.560 --> 0:34:05.640
<v Speaker 1>That is number one on our recap. Number two on

0:34:05.680 --> 0:34:08.040
<v Speaker 1>our recap is right now in our feed. Our episode

0:34:08.040 --> 0:34:10.520
<v Speaker 1>on Dennis Hopper number three coming tomorrow, our rewind episodes

0:34:10.520 --> 0:34:14.200
<v Speaker 1>on TUPAC Secure and coming next Tuesday. Our brand new

0:34:14.239 --> 0:34:16.960
<v Speaker 1>episode on Thin Lizzie. Number four, merch Winners get in touch.

0:34:16.960 --> 0:34:17.560
<v Speaker 6>You know who you are.

0:34:17.640 --> 0:34:19.600
<v Speaker 1>Number five. Remember, no one cares about preserving the true

0:34:19.640 --> 0:34:21.000
<v Speaker 1>spirit of rock and roll more than you do. In

0:34:21.080 --> 0:34:23.800
<v Speaker 1>that well, that's just a disgrace, all right. This week's

0:34:23.800 --> 0:34:27.920
<v Speaker 1>episode subject, Dennis Hopper, died on May twenty ninth, twenty ten,

0:34:27.960 --> 0:34:29.960
<v Speaker 1>and in honor of the man they call Hop, this

0:34:30.280 --> 0:34:32.640
<v Speaker 1>is the Billboard Top ten from the day he died.

0:34:33.680 --> 0:34:38.760
<v Speaker 1>Number one omg Usher featuring will i Am last week

0:34:39.040 --> 0:34:44.680
<v Speaker 1>two peak position one weeks on chart seven, Number two

0:34:45.160 --> 0:34:50.080
<v Speaker 1>California Girls Katie Perry featuring Snoop Dogg. Last week non

0:34:50.080 --> 0:34:55.440
<v Speaker 1>applicable peak position two weeks on chart one, number three.

0:34:55.600 --> 0:35:01.440
<v Speaker 1>Airplanes Bob featuring Hayley Williams. Last week five peak position

0:35:01.520 --> 0:35:05.480
<v Speaker 1>PEAP three weeks on trusts on five six, number four

0:35:05.600 --> 0:35:08.640
<v Speaker 1>number nothing on You and You a b Ob featuring

0:35:08.920 --> 0:35:12.960
<v Speaker 1>No Marms last week last three PEP peak positions one

0:35:13.440 --> 0:35:18.480
<v Speaker 1>weeks on Trust on sixty number five, Break Your Tail

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<v Speaker 1>Cruise featuring Chris last week's peak position WES Quit talking

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<v Speaker 1>and start mixing