1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,040 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,080 --> 00:00:33,440 Speaker 1: a little thing we like to call the after party. 6 00:00:34,000 --> 00:00:36,000 Speaker 1: This is the show after the show, the party after 7 00:00:36,040 --> 00:00:38,040 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,080 --> 00:00:40,800 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:40,840 --> 00:00:43,760 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:43,760 --> 00:00:47,520 Speaker 1: about this week's episode subject, Dennis Hopper. We are also 11 00:00:47,600 --> 00:00:50,920 Speaker 1: discussing two cultural giants that we lost last week, David 12 00:00:51,000 --> 00:00:54,040 Speaker 1: Johansson and Gene Hackman, and we get into your voicemails, 13 00:00:54,040 --> 00:00:58,000 Speaker 1: text DMS emails and as always, a whole lot of rosie. 14 00:00:58,000 --> 00:01:16,640 Speaker 1: All right, Discos, let's get into it. So, since the 15 00:01:16,720 --> 00:01:21,720 Speaker 1: last time we talked, which was during last week's after Party, 16 00:01:22,280 --> 00:01:25,240 Speaker 1: we lost two giants. I think we can use that 17 00:01:25,319 --> 00:01:29,440 Speaker 1: word giants from the world of entertainment. David Johansson and 18 00:01:29,560 --> 00:01:35,720 Speaker 1: Gene Hackman, two men, two artists of immense influence. David Johansson, 19 00:01:35,720 --> 00:01:38,399 Speaker 1: of course, as a New York doll, he was the 20 00:01:38,440 --> 00:01:41,120 Speaker 1: last living New York Doll as well, a band that 21 00:01:41,160 --> 00:01:44,160 Speaker 1: he led, A band that directly influenced so many others, 22 00:01:44,160 --> 00:01:49,040 Speaker 1: A band as exciting and thrilling and dangerous as the 23 00:01:49,080 --> 00:01:53,280 Speaker 1: city that it represented, A band largely reflective of David 24 00:01:53,320 --> 00:01:58,760 Speaker 1: Johansson's unique style and personality, which was tough, witty, funny. 25 00:01:59,200 --> 00:02:03,440 Speaker 1: I caught a class. If David Johansson never created The 26 00:02:03,480 --> 00:02:07,200 Speaker 1: New York Dolls, it's doubtful, Like I really truly mean this, 27 00:02:07,200 --> 00:02:09,639 Speaker 1: This isn't this isn't hyperbole. It's doubtful that we would 28 00:02:09,680 --> 00:02:14,000 Speaker 1: have had bands like the Stooges, the Ramones, And if 29 00:02:14,000 --> 00:02:15,480 Speaker 1: we didn't have the Ramones, then we wouldn't have had 30 00:02:15,520 --> 00:02:17,799 Speaker 1: the Clash or the Sex Pistols, and we definitely wouldn't 31 00:02:17,840 --> 00:02:19,600 Speaker 1: have had you know, without the New York Dolls, we 32 00:02:19,639 --> 00:02:23,520 Speaker 1: definitely wouldn't have had Kiss or Molly Cruet. At the 33 00:02:23,600 --> 00:02:26,400 Speaker 1: very least, Motley Crue would have been a hell of 34 00:02:26,440 --> 00:02:29,200 Speaker 1: a different band. If The New York Dolls never made 35 00:02:29,200 --> 00:02:31,800 Speaker 1: it into Nikki Six's record collection, I didn't grow up 36 00:02:31,800 --> 00:02:33,600 Speaker 1: in a New York Dolls fan. They were before my time. 37 00:02:33,639 --> 00:02:35,480 Speaker 1: I came to them late. I came to them actually 38 00:02:35,520 --> 00:02:40,320 Speaker 1: through Johnny Thunders's solo stuff. So I wasn't there obviously 39 00:02:40,440 --> 00:02:43,680 Speaker 1: when they started. It was before I was born. But 40 00:02:43,760 --> 00:02:45,919 Speaker 1: in the research I've done, both on the New York 41 00:02:45,960 --> 00:02:50,480 Speaker 1: Dolls and on bands like Blake Blondie and reading, especially 42 00:02:50,520 --> 00:02:53,880 Speaker 1: in reading Legs McNeil's book Please Kill Me, you really 43 00:02:53,880 --> 00:02:56,960 Speaker 1: get a sense of the stir, the unique stir, the 44 00:02:57,080 --> 00:03:00,720 Speaker 1: unique energy that the New York Dolls excitement that the 45 00:03:00,720 --> 00:03:05,359 Speaker 1: New York Dolls created in New York City at their spark, 46 00:03:05,400 --> 00:03:08,400 Speaker 1: at their beginning, specifically around the early seventies shows and 47 00:03:08,639 --> 00:03:14,600 Speaker 1: the Mercer Arts Center shows that were depicted in How 48 00:03:14,800 --> 00:03:17,959 Speaker 1: Was That Movie? The TV show on HBO Vinyl. These 49 00:03:18,000 --> 00:03:22,840 Speaker 1: shows were the coolest of the coolest shows by every estimation. 50 00:03:23,000 --> 00:03:25,520 Speaker 1: This whole scene that the New York Dolls had kind 51 00:03:25,560 --> 00:03:29,240 Speaker 1: of built and that had sprung up around them around 52 00:03:29,280 --> 00:03:32,480 Speaker 1: the creation of their band, it was fell all over 53 00:03:32,520 --> 00:03:35,280 Speaker 1: the city. I mean, from a young Jeffrey Ross Hyman 54 00:03:35,480 --> 00:03:39,520 Speaker 1: aka Joey Ramone to Bette Midler. I've even read accounts 55 00:03:39,520 --> 00:03:42,640 Speaker 1: of John Lennon. If not you know, being a fan 56 00:03:42,680 --> 00:03:44,520 Speaker 1: of the New York Dolls at least being interested or 57 00:03:44,560 --> 00:03:46,160 Speaker 1: aware of what was going on at the time, and 58 00:03:46,160 --> 00:03:48,560 Speaker 1: like I said, Bette Miller was hanging out down there. 59 00:03:48,720 --> 00:03:51,280 Speaker 1: I read it wasn't true. I checked it this morning. 60 00:03:51,320 --> 00:03:53,640 Speaker 1: I read that Hendricks was at a New York Dolls show. 61 00:03:53,640 --> 00:03:55,240 Speaker 1: When I checked that out, and he died, I believe 62 00:03:55,280 --> 00:03:57,640 Speaker 1: the year before they came to be, So if you 63 00:03:57,680 --> 00:04:01,080 Speaker 1: read that, that's not true. But of course Bette Midler, 64 00:04:01,160 --> 00:04:03,480 Speaker 1: a host of others who went on to become famous, 65 00:04:03,480 --> 00:04:08,080 Speaker 1: Debbie Harry, too many to mention. The Dolls were the 66 00:04:08,120 --> 00:04:12,320 Speaker 1: hottest thing in New York, unquestionably, and they were one 67 00:04:12,320 --> 00:04:15,200 Speaker 1: of those bands that, of course didn't sell a lot 68 00:04:15,200 --> 00:04:18,719 Speaker 1: of records, but whose influence is still being felt in 69 00:04:18,760 --> 00:04:22,120 Speaker 1: our culture fifty years later, even beyond music with style, 70 00:04:22,880 --> 00:04:25,039 Speaker 1: with filmmaking. I'm actually have a film on the back 71 00:04:25,120 --> 00:04:29,600 Speaker 1: on in the background right now. It's called Smithereens. It's 72 00:04:29,680 --> 00:04:32,240 Speaker 1: just playing on Criterion Channel, and it's said in the eighties, 73 00:04:32,320 --> 00:04:35,279 Speaker 1: early eighties, I believe in Manhattan, and just from the 74 00:04:35,279 --> 00:04:36,520 Speaker 1: look of it and the feel of it and the 75 00:04:36,520 --> 00:04:37,960 Speaker 1: sound of it and all of it, you can you 76 00:04:38,000 --> 00:04:40,240 Speaker 1: can feel the influence of the New York Dolls in 77 00:04:40,279 --> 00:04:43,560 Speaker 1: this little indie movie. David Johansson was a was a 78 00:04:43,600 --> 00:04:47,479 Speaker 1: star for sure, despite the band not selling a bunch 79 00:04:47,520 --> 00:04:49,520 Speaker 1: of records, so you know, even as a star, though, 80 00:04:50,240 --> 00:04:53,039 Speaker 1: it's hard to even explain the type of the type 81 00:04:53,040 --> 00:04:57,000 Speaker 1: of star that David Johansson was in The New York Dolls. 82 00:04:57,040 --> 00:04:59,920 Speaker 1: I mean, he's he's an everyman, tough guy, but he 83 00:05:00,000 --> 00:05:03,400 Speaker 1: he's in lipstick and high heels and he's got this 84 00:05:03,560 --> 00:05:07,320 Speaker 1: androgynous image that he's projecting while he's fronting the New 85 00:05:07,400 --> 00:05:11,160 Speaker 1: York Dolls. But he's still, like I said, tough, fast talking, 86 00:05:11,640 --> 00:05:15,599 Speaker 1: the scrappy New York cab driver. All that worked in 87 00:05:15,680 --> 00:05:20,160 Speaker 1: contrast with his band personas somehow, and it just all 88 00:05:20,200 --> 00:05:25,120 Speaker 1: added up to this certain brand of icon. David Johansson 89 00:05:25,240 --> 00:05:27,679 Speaker 1: was the best type of rock star. He was many 90 00:05:27,720 --> 00:05:32,360 Speaker 1: things at once, just like New York City. Okay, I've 91 00:05:32,360 --> 00:05:34,520 Speaker 1: said that about New York City in the past. It's obvious, 92 00:05:34,880 --> 00:05:36,800 Speaker 1: but David Johansson was more than just the front man 93 00:05:36,839 --> 00:05:38,680 Speaker 1: of the New York Dolls. Of course, he was the 94 00:05:38,680 --> 00:05:42,440 Speaker 1: Buster Poindexter character that monster hit from the eighties, Hot 95 00:05:42,480 --> 00:05:45,880 Speaker 1: Hot Hot. He was an actor, most notably as the 96 00:05:45,880 --> 00:05:48,320 Speaker 1: Ghost of Christmas Past and Bill Murray Scrooge, and I'm 97 00:05:48,360 --> 00:05:51,560 Speaker 1: sure there's a host of other roles that I'm not 98 00:05:51,600 --> 00:05:54,360 Speaker 1: thinking of right now that are more indicative of just 99 00:05:54,480 --> 00:05:59,680 Speaker 1: how awesome David Johansson was. I had a brief, a brief, 100 00:05:59,760 --> 00:06:02,680 Speaker 1: very brief personal exchange with David Johannson about five years ago, 101 00:06:03,160 --> 00:06:06,920 Speaker 1: and you know, I was fully aware of the legend 102 00:06:06,920 --> 00:06:09,280 Speaker 1: that he is, and I found him just in that 103 00:06:09,760 --> 00:06:13,440 Speaker 1: moment to be gentle and kind, and he just projected 104 00:06:13,440 --> 00:06:17,520 Speaker 1: this this ease about him that was just beyond cool. 105 00:06:17,720 --> 00:06:21,240 Speaker 1: That's that's how I would describe it. So rest in peace, 106 00:06:21,320 --> 00:06:25,000 Speaker 1: David Johansson. There's there's been a gazillion oh bits about 107 00:06:25,080 --> 00:06:28,200 Speaker 1: him and tributes and a lot more eloquent than what 108 00:06:28,240 --> 00:06:29,520 Speaker 1: I just laid out to you, and I just tried 109 00:06:29,520 --> 00:06:31,960 Speaker 1: to give it to you raw and sort of semi 110 00:06:32,000 --> 00:06:35,640 Speaker 1: off the coff of how I felt, how I feel 111 00:06:35,680 --> 00:06:38,880 Speaker 1: I should say about David Johansson's place in rock and 112 00:06:38,920 --> 00:06:41,880 Speaker 1: roll history. And I think if you asked he yesked 113 00:06:41,920 --> 00:06:43,800 Speaker 1: all the greats, they'd give you something similar to what 114 00:06:43,880 --> 00:06:46,159 Speaker 1: I just gave you. David Johansson was a one of 115 00:06:46,160 --> 00:06:48,920 Speaker 1: a kind artist who broke the mold, and he will 116 00:06:48,960 --> 00:06:54,320 Speaker 1: forever ever be missed. We also lost Gene Hackman, and 117 00:06:55,040 --> 00:06:59,880 Speaker 1: you know, like David Johansson, Gene Hackman was immensely influential 118 00:07:00,040 --> 00:07:03,640 Speaker 1: own ways that are harder to qualify. I think. Where 119 00:07:03,720 --> 00:07:05,800 Speaker 1: Johanson was sort of over the top and burst into 120 00:07:05,800 --> 00:07:10,160 Speaker 1: our cultural consciousness in these brief, impactful moments, leaving a 121 00:07:10,200 --> 00:07:14,400 Speaker 1: loud mark on music and film, Gene Hackman, to me, anyway, 122 00:07:15,240 --> 00:07:20,160 Speaker 1: was so good and so consistent that it's almost it's 123 00:07:20,200 --> 00:07:23,600 Speaker 1: almost like we took him for granted. Yet there he was. 124 00:07:23,880 --> 00:07:27,080 Speaker 1: He's in all these great roles year after year. I 125 00:07:27,120 --> 00:07:30,400 Speaker 1: threw out my childhood, from before my childhood, you know, 126 00:07:30,440 --> 00:07:33,400 Speaker 1: into my adulthood, Gene Hackman just kind of always there, 127 00:07:33,440 --> 00:07:36,559 Speaker 1: always pumping out great role after roll after roll, until 128 00:07:36,560 --> 00:07:39,680 Speaker 1: he suddenly wasn't and when he stopped making movies and 129 00:07:39,720 --> 00:07:41,640 Speaker 1: retired from the public eye about I guess what a 130 00:07:41,680 --> 00:07:45,040 Speaker 1: decade ago, two decades ago, how many of us even 131 00:07:45,640 --> 00:07:48,559 Speaker 1: really noticed? I know I didn't, I'm ashamed to say. 132 00:07:49,920 --> 00:07:52,720 Speaker 1: And I say this because a couple of months ago 133 00:07:53,400 --> 00:07:55,960 Speaker 1: is when I realized this, when these paparazzi photos of 134 00:07:56,000 --> 00:08:00,000 Speaker 1: a gaunt looking Gene Hackman in his nineties were really, 135 00:08:00,640 --> 00:08:03,440 Speaker 1: he doesn't look anything like like we remember him as 136 00:08:03,920 --> 00:08:05,280 Speaker 1: and it was at that moment that I realized that 137 00:08:05,280 --> 00:08:08,640 Speaker 1: he was still around. And I don't know what that's about, 138 00:08:09,680 --> 00:08:14,040 Speaker 1: talk about fading away instead of burning out. But again, 139 00:08:14,080 --> 00:08:18,160 Speaker 1: there's something really interesting there to me about an artist 140 00:08:18,560 --> 00:08:23,400 Speaker 1: who's just so good and so consistent and so prolific 141 00:08:24,040 --> 00:08:28,480 Speaker 1: that we take them for granted, and we don't really 142 00:08:28,880 --> 00:08:33,240 Speaker 1: give ourselves the time and the moments to celebrate them 143 00:08:33,320 --> 00:08:37,040 Speaker 1: and to really dig in and shout about them and 144 00:08:37,120 --> 00:08:40,679 Speaker 1: geek out on them. And Gene Hackman was just always there. 145 00:08:40,880 --> 00:08:45,360 Speaker 1: His filmography is as impressive as almost any other great 146 00:08:45,400 --> 00:08:49,079 Speaker 1: twentieth century actor. I mean, these movies are incredible, French Connection, 147 00:08:49,559 --> 00:08:55,319 Speaker 1: Hoosier's Bonnie and Clyde Royal Tenantbaumbs, the Firm. The Firm's great. 148 00:08:56,000 --> 00:08:57,679 Speaker 1: I know there's going to be Cinophiles out there who 149 00:08:57,720 --> 00:08:58,760 Speaker 1: are like the Firm. When are you talking with the 150 00:08:58,760 --> 00:09:04,079 Speaker 1: Firm's fucking awesome. And he is tremendous and unforgiven. Even Superman, Mississippi, 151 00:09:04,120 --> 00:09:10,040 Speaker 1: Burning Young Frankenstein, and of course the Conversation Hackman is 152 00:09:10,080 --> 00:09:15,520 Speaker 1: so good, so consistent, and so Gene Hackmany and all 153 00:09:15,600 --> 00:09:17,800 Speaker 1: these films, Like I said, we take him for granted. 154 00:09:17,800 --> 00:09:19,839 Speaker 1: At least I do. That's my take. I don't know 155 00:09:19,880 --> 00:09:22,480 Speaker 1: if you guys feel that way. And there's just something 156 00:09:22,480 --> 00:09:24,360 Speaker 1: to be said about that, that greatness that is so 157 00:09:24,480 --> 00:09:27,480 Speaker 1: steady that it goes unnoticed. And that's what I believe 158 00:09:27,640 --> 00:09:29,840 Speaker 1: Gene Hackman had, and I believe that he had a 159 00:09:29,880 --> 00:09:33,880 Speaker 1: career that most actors in Hollywood would die for. And 160 00:09:34,600 --> 00:09:37,000 Speaker 1: that's actually something we need to talk about, is you 161 00:09:37,000 --> 00:09:40,640 Speaker 1: know how Gene Hackman himself died. We're still figuring it out. 162 00:09:41,200 --> 00:09:45,960 Speaker 1: David Johansson died through cancer. Gene Hackman's death alongside his wife, 163 00:09:46,200 --> 00:09:51,679 Speaker 1: Betsy Arakawa, is still very much under investigation. If you're 164 00:09:51,720 --> 00:09:54,560 Speaker 1: unaware of what happened. Their bodies were found in different 165 00:09:54,559 --> 00:09:57,880 Speaker 1: parts of their home in Santa Fe, New Mexico. Odutopsy 166 00:09:57,960 --> 00:10:02,360 Speaker 1: and toxicology reports are still pending. There were pills scattered 167 00:10:02,360 --> 00:10:06,839 Speaker 1: around the body of Hackman's wife, but not around Gene 168 00:10:06,880 --> 00:10:11,280 Speaker 1: Hackman himself. Both are believed to have been deceased for 169 00:10:11,600 --> 00:10:13,959 Speaker 1: as long as a week, possibly a little bit longer 170 00:10:14,240 --> 00:10:18,720 Speaker 1: before they were discovered when this happened last week. The 171 00:10:18,760 --> 00:10:22,000 Speaker 1: fact that their dog was found to be dead as 172 00:10:22,120 --> 00:10:24,880 Speaker 1: well led everyone to believe that or to speculate, I 173 00:10:24,880 --> 00:10:27,760 Speaker 1: should say that this was carbon monoxide poisoning and that's 174 00:10:27,800 --> 00:10:31,160 Speaker 1: what was to be blamed, but apparently that's been ruled out. 175 00:10:31,600 --> 00:10:35,000 Speaker 1: There are no signs of trauma to their bodies, if 176 00:10:35,040 --> 00:10:38,240 Speaker 1: we're to believe what's been reported. There's no signs of 177 00:10:38,280 --> 00:10:44,719 Speaker 1: foul play. But both these deaths are strange. Hackman was 178 00:10:44,800 --> 00:10:47,760 Speaker 1: ninety five, okay, obviously no spring chicken. His wife though, 179 00:10:47,840 --> 00:10:50,160 Speaker 1: was sixty five. How did they both die at the 180 00:10:50,200 --> 00:10:53,679 Speaker 1: same time in different parts of the house. And what's 181 00:10:53,760 --> 00:10:56,320 Speaker 1: up with their dog being dead? Twelve year old dog 182 00:10:56,480 --> 00:11:00,360 Speaker 1: found dead on the scene as well. Anyways, find out 183 00:11:00,679 --> 00:11:04,800 Speaker 1: and we'll do something a little more fully on Gene 184 00:11:04,800 --> 00:11:07,040 Speaker 1: Hackman in the future. And of course we have a 185 00:11:07,160 --> 00:11:10,640 Speaker 1: New York Dolls episode. What that gets into, you know, 186 00:11:10,640 --> 00:11:12,360 Speaker 1: obviously David Johansson in front of that band, so we 187 00:11:12,440 --> 00:11:13,800 Speaker 1: do a lot on David Johanson there. But I think 188 00:11:13,800 --> 00:11:16,480 Speaker 1: there could actually be some sort of David Johansson tribute 189 00:11:16,520 --> 00:11:19,680 Speaker 1: episode in the future. There's more to that guy's career 190 00:11:20,520 --> 00:11:22,800 Speaker 1: than we obviously get into in the New York Dolls episode. 191 00:11:22,840 --> 00:11:25,640 Speaker 1: And I'm just frankly fascinated by the guy. So I'd 192 00:11:25,679 --> 00:11:27,640 Speaker 1: love to stick my head and stick my head in 193 00:11:27,640 --> 00:11:29,199 Speaker 1: that wormhole for a couple of weeks and come out 194 00:11:29,200 --> 00:11:30,680 Speaker 1: the other side with something cool for you guys to 195 00:11:30,720 --> 00:11:32,440 Speaker 1: listen to. So maybe we'll do that in the future. 196 00:11:32,520 --> 00:11:35,680 Speaker 1: And uh yeah, Hackman David Johansson. Two deaths in the 197 00:11:35,679 --> 00:11:39,920 Speaker 1: past week heavy stuff. One death mysterious, one death rather uneventful. 198 00:11:40,000 --> 00:11:44,000 Speaker 1: Both sad, two lives well lived with massive contributions to 199 00:11:44,000 --> 00:11:46,280 Speaker 1: our culture. Both men will be missed by millions, including 200 00:11:46,280 --> 00:11:48,920 Speaker 1: of course those of us here in disgraceland. Speaking of 201 00:11:48,960 --> 00:11:53,600 Speaker 1: disgrace about Sean Combs and that lawyer who quit the 202 00:11:53,640 --> 00:11:57,000 Speaker 1: TikTok rumor uh why yeah, yeah, yeah, yeah, it's the 203 00:11:57,480 --> 00:12:00,280 Speaker 1: rumor mill will not quit And what's being bandied out 204 00:12:00,760 --> 00:12:05,160 Speaker 1: as the reason why Ditty's attorney bailed. It's so disgusting, 205 00:12:05,200 --> 00:12:07,439 Speaker 1: it's so grotesque. I can't repeat it here in this space, 206 00:12:07,480 --> 00:12:08,680 Speaker 1: but if you want to know my thoughts on it, 207 00:12:08,720 --> 00:12:10,199 Speaker 1: you can hit me up in the Patreon chat. We 208 00:12:10,240 --> 00:12:14,000 Speaker 1: can talk about it over there in private, like proper degenerates, 209 00:12:14,280 --> 00:12:19,560 Speaker 1: behind closed doors, privacy of our own digital home. Related 210 00:12:19,559 --> 00:12:22,760 Speaker 1: news to Diddy, jay Z is suing the accuser who 211 00:12:23,480 --> 00:12:25,679 Speaker 1: brought a lawsuit against him through Tony buzzby jay Z 212 00:12:25,760 --> 00:12:28,520 Speaker 1: suing that accuser for defamation. And as I say, if 213 00:12:28,520 --> 00:12:31,000 Speaker 1: you go for the King, you better not miss they missed, 214 00:12:31,280 --> 00:12:34,160 Speaker 1: and here comes jay Z speaking of kings. We got 215 00:12:34,160 --> 00:12:37,320 Speaker 1: some Dennis Hopper, We got some Stevie Rayvaughn, Dennis Hopper. 216 00:12:37,400 --> 00:12:39,880 Speaker 1: Of course, this week's full episode of Disgrace sand Stevie 217 00:12:40,000 --> 00:12:44,720 Speaker 1: ravon last week's exclusive episode for our All Access members, 218 00:12:44,760 --> 00:12:46,240 Speaker 1: We're going to be talking about those guys in this 219 00:12:46,320 --> 00:12:48,280 Speaker 1: year after party. Before we get to that, I want 220 00:12:48,280 --> 00:12:50,240 Speaker 1: to talk about what's coming up in Disgrace andd Next 221 00:12:50,240 --> 00:12:53,559 Speaker 1: to your feed are our rewind episodes on Tupac Secure, 222 00:12:53,640 --> 00:12:56,120 Speaker 1: and these have particular relevance right now because of Sean 223 00:12:56,160 --> 00:12:57,880 Speaker 1: Combs as we get ready to go into this Sean 224 00:12:57,880 --> 00:13:02,520 Speaker 1: Diddy Coombs trial into two months. It's right, two months 225 00:13:02,640 --> 00:13:06,280 Speaker 1: May fifth, still on the books. Okay, so we got 226 00:13:06,280 --> 00:13:08,800 Speaker 1: a bone up, got a bone up on our nineties 227 00:13:09,040 --> 00:13:13,640 Speaker 1: hip hop true crime. There's really five episodes on the 228 00:13:13,640 --> 00:13:18,080 Speaker 1: whole Tupac and Biggie saga. When I started Disgracing on 229 00:13:18,120 --> 00:13:21,199 Speaker 1: the first season, there's a joint episode on Tupac and 230 00:13:21,360 --> 00:13:24,360 Speaker 1: Biggie thirty minutes, and then about two years after that, 231 00:13:24,440 --> 00:13:27,520 Speaker 1: I released two two part episodes, one on Tupac himself 232 00:13:27,520 --> 00:13:29,800 Speaker 1: and one on the Notorious Big that book ended a 233 00:13:29,960 --> 00:13:32,160 Speaker 1: season of Disgraceland. I think they did. I think they 234 00:13:32,160 --> 00:13:34,959 Speaker 1: book ended it. Anyways, they all came out around early 235 00:13:34,960 --> 00:13:37,360 Speaker 1: twenty twenty. But this Tupac episode, if you have not 236 00:13:37,440 --> 00:13:39,800 Speaker 1: heard it, this two part two Pac episode, you were 237 00:13:39,840 --> 00:13:41,120 Speaker 1: in for a treat. And like I said, if you 238 00:13:41,160 --> 00:13:43,520 Speaker 1: have heard it, time to listen again. Time to bone up, 239 00:13:43,600 --> 00:13:45,720 Speaker 1: get ready for this trial. It's coming on Sean Combs 240 00:13:45,760 --> 00:13:48,800 Speaker 1: in a couple months. And plus, you know, with everything 241 00:13:48,840 --> 00:13:51,800 Speaker 1: that we've learned about Sean Combs and about Tupac's murder 242 00:13:51,840 --> 00:13:53,120 Speaker 1: in the last few years, I want to know what 243 00:13:53,120 --> 00:13:55,560 Speaker 1: you guys think about Tupac's murder. I want to know 244 00:13:55,559 --> 00:13:57,080 Speaker 1: what you guys think about how I depict it in 245 00:13:57,160 --> 00:14:02,120 Speaker 1: these episodes and what else is happening. Oh yeah, next Tuesday, 246 00:14:02,280 --> 00:14:04,199 Speaker 1: Saint Patty's Day. I know people hate when I say 247 00:14:04,200 --> 00:14:05,600 Speaker 1: Saint Patty's Day, but I don't care. I grew up 248 00:14:05,600 --> 00:14:07,840 Speaker 1: in Clinton, Massachusetts. You could not be more irish, you 249 00:14:07,840 --> 00:14:10,480 Speaker 1: could not be more Catholic. And I know, I know, 250 00:14:10,600 --> 00:14:12,880 Speaker 1: I know there's there's purists out there who say that 251 00:14:13,600 --> 00:14:16,959 Speaker 1: the Irish, the true cat the true Irish, the true Catholics, 252 00:14:16,960 --> 00:14:19,560 Speaker 1: don't say Saint Patty's Day. Well, I grew up amongst 253 00:14:19,840 --> 00:14:22,360 Speaker 1: I'm Catholic myself. I grew up amongst Catholics and we 254 00:14:22,400 --> 00:14:24,000 Speaker 1: said it. So I'm not going to stop it. Okay, 255 00:14:24,040 --> 00:14:26,800 Speaker 1: I'm not Saint Patrick's Day. There, I said it for you. 256 00:14:27,120 --> 00:14:30,240 Speaker 1: For Saint Patrick's Day, also known as Saint Patty's Day. 257 00:14:30,360 --> 00:14:32,480 Speaker 1: We have a Thin Lizzy episode that's coming up, that's 258 00:14:32,480 --> 00:14:34,120 Speaker 1: on Tuesday. That's for you guys to hear. When you're 259 00:14:34,120 --> 00:14:36,040 Speaker 1: listening to this Thin Lizzy episode, I want you to 260 00:14:36,120 --> 00:14:40,480 Speaker 1: be thinking about the greatest Irish bands of all time. 261 00:14:41,120 --> 00:14:44,160 Speaker 1: Okay you can. You can tell me drop Kick Murphy's 262 00:14:44,200 --> 00:14:47,160 Speaker 1: and I'll take it, all right, I'll accept it. They're great. 263 00:14:47,280 --> 00:14:50,480 Speaker 1: I love them. They're amazing. But you're gonna get bonus 264 00:14:50,520 --> 00:14:54,480 Speaker 1: points for Irish bands. Okay, there ain't that many of 265 00:14:54,520 --> 00:14:58,680 Speaker 1: them speaking to Catholics. Uh My priest went to high 266 00:14:58,720 --> 00:15:00,280 Speaker 1: school with some of the guys from you too. How 267 00:15:00,320 --> 00:15:02,120 Speaker 1: cool is that? So I know what his answer is, 268 00:15:02,840 --> 00:15:04,720 Speaker 1: but I want to know yours. Who is it? Let 269 00:15:04,760 --> 00:15:06,480 Speaker 1: me know, be thinking about that when that then Lizzy 270 00:15:06,600 --> 00:15:08,880 Speaker 1: episode pops next week. I'll be back in a flash 271 00:15:08,960 --> 00:15:11,160 Speaker 1: right after this with your voicemails, your texts, your DMS 272 00:15:11,240 --> 00:15:34,400 Speaker 1: emails and more. All right, we are back. Just a 273 00:15:34,480 --> 00:15:37,320 Speaker 1: quicker reminder of the Apple podcast listeners have auto downloads 274 00:15:37,360 --> 00:15:39,800 Speaker 1: turned on so that you're not missing out on any episodes. 275 00:15:39,800 --> 00:15:42,360 Speaker 1: All right, six one seven nine oh six six six 276 00:15:42,440 --> 00:15:44,000 Speaker 1: three eight to leave me a voicemail and send me 277 00:15:44,040 --> 00:15:47,520 Speaker 1: a text. Last week's Marilyn Monroe episodes being rewound in 278 00:15:47,560 --> 00:15:51,000 Speaker 1: your feed. We asked the question of do you think 279 00:15:51,320 --> 00:15:55,800 Speaker 1: that the Kennedys had anything to do with Marilyn Monroe's death? 280 00:15:55,920 --> 00:15:58,600 Speaker 1: And here is an answer from Who's this from? This 281 00:15:58,680 --> 00:16:02,760 Speaker 1: is from THEE. 282 00:16:01,680 --> 00:16:05,360 Speaker 2: Hey Jake, this is Jesse from the sixty one nine. No, 283 00:16:05,760 --> 00:16:08,200 Speaker 2: it's easy to say that the Kennedy's had something to 284 00:16:08,280 --> 00:16:12,320 Speaker 2: do with Marilyn Monroe's death. I think us as human 285 00:16:12,400 --> 00:16:16,760 Speaker 2: beings just automatically assume that just because someone was affiliated 286 00:16:16,760 --> 00:16:20,160 Speaker 2: with someone in a powerful position, that oh, we had 287 00:16:20,200 --> 00:16:22,640 Speaker 2: to go ahead and take this person out. No, I 288 00:16:22,680 --> 00:16:28,440 Speaker 2: don't think that was it. I just think that circumstances 289 00:16:28,680 --> 00:16:31,240 Speaker 2: may have contributed to her death. But me personally, I 290 00:16:31,280 --> 00:16:33,840 Speaker 2: just don't think it was the Kennedy's. Thanks everything you 291 00:16:33,920 --> 00:16:36,440 Speaker 2: do for the show, win for getting all this creative 292 00:16:36,520 --> 00:16:37,560 Speaker 2: stuff for us to listen to. 293 00:16:37,680 --> 00:16:41,160 Speaker 1: Man, thanks six one nine, Jesse, I agree with you one. 294 00:16:42,040 --> 00:16:44,600 Speaker 1: I know that's not that interesting. I know the big 295 00:16:44,680 --> 00:16:49,360 Speaker 1: juicy conspiracy theory is more interesting. But you know, I 296 00:16:49,360 --> 00:16:50,880 Speaker 1: think the Kennedy's in a lot of way, In a 297 00:16:50,920 --> 00:16:52,960 Speaker 1: lot of ways, we're shits, and they did some pretty 298 00:16:53,640 --> 00:16:57,200 Speaker 1: pretty awful stuff. But I think on balance, especially Bobby Kennedy, 299 00:16:57,240 --> 00:16:59,520 Speaker 1: I think he was a good dude. And yeah, he 300 00:16:59,560 --> 00:17:02,640 Speaker 1: may have been in love with Meril Monroe, but I mean, hey, 301 00:17:02,680 --> 00:17:04,080 Speaker 1: can you fucking blame the guy? I mean, come on, 302 00:17:04,160 --> 00:17:06,040 Speaker 1: but does does that mean he killed her? I don't 303 00:17:06,040 --> 00:17:08,640 Speaker 1: think so. I agree one hundred percent with your take 304 00:17:08,680 --> 00:17:11,720 Speaker 1: on this, Jesse. We also, you know, we released the 305 00:17:11,720 --> 00:17:15,000 Speaker 1: stevee Yvonne episode in our all access to our all 306 00:17:15,040 --> 00:17:17,000 Speaker 1: access members. If you didn't get in the feed, it's 307 00:17:17,000 --> 00:17:18,840 Speaker 1: because you're not a member of the unit of a 308 00:17:18,880 --> 00:17:21,360 Speaker 1: membership for the all access part of Disgrace and five 309 00:17:21,400 --> 00:17:24,240 Speaker 1: bucks a months by the way, So so a lot 310 00:17:24,280 --> 00:17:27,040 Speaker 1: of talk with about Steve yvon which was last last 311 00:17:27,080 --> 00:17:30,880 Speaker 1: month's exclusive episode. I always stumble over how to say that. 312 00:17:31,320 --> 00:17:33,400 Speaker 1: That went to our all Access members and we got 313 00:17:33,400 --> 00:17:35,800 Speaker 1: this call here regarding Steve Yvon from Curtis in the 314 00:17:35,800 --> 00:17:36,240 Speaker 1: five to one. 315 00:17:36,240 --> 00:17:39,640 Speaker 3: Three, Hey, Jake Is Curtis from five to one to three, 316 00:17:39,680 --> 00:17:41,000 Speaker 3: that's Middletown, Ohio. 317 00:17:41,760 --> 00:17:42,040 Speaker 1: Uh. 318 00:17:42,200 --> 00:17:44,440 Speaker 2: You asked the question about. 319 00:17:44,680 --> 00:17:49,760 Speaker 3: Artists who found themselves in a supporting role to another artist. Well, 320 00:17:49,840 --> 00:17:54,679 Speaker 3: to have a continuation on Stevie ray Vaughn's story, what 321 00:17:54,800 --> 00:17:59,280 Speaker 3: I heard a few months ago was that when Stevie 322 00:17:59,440 --> 00:18:07,200 Speaker 3: Ray left David Bowie's tour, David Bowie went and found 323 00:18:07,640 --> 00:18:10,560 Speaker 3: another guitarist who happened to be kind of down on 324 00:18:10,600 --> 00:18:12,840 Speaker 3: his luck at the time, and it happened to be 325 00:18:13,359 --> 00:18:18,280 Speaker 3: Peter Frampton. Research that but that's what I heard on something. 326 00:18:18,320 --> 00:18:21,200 Speaker 3: I forget what it was, but that's a big thing 327 00:18:21,240 --> 00:18:22,879 Speaker 3: too later. 328 00:18:22,880 --> 00:18:27,440 Speaker 1: Curtis, I'd never heard that before. I'm not surprised Peter 329 00:18:27,520 --> 00:18:30,359 Speaker 1: Frampton backing up David Bowie. I could see Bowie throwing 330 00:18:30,400 --> 00:18:33,560 Speaker 1: throwing Frampton Frampton a bone there bring him on tour. 331 00:18:34,800 --> 00:18:36,520 Speaker 1: But you know, Curtis, I actually have a lot of 332 00:18:36,560 --> 00:18:38,439 Speaker 1: research I'm already doing, so I'm not I'm not going 333 00:18:38,480 --> 00:18:42,240 Speaker 1: to research that as you, as you so politely told 334 00:18:42,320 --> 00:18:44,200 Speaker 1: me to do. But if anyone else wants to check 335 00:18:44,200 --> 00:18:45,720 Speaker 1: that out and get back to Curtis and I hear, 336 00:18:45,840 --> 00:18:48,480 Speaker 1: we will gladly take your hard work and try and 337 00:18:48,520 --> 00:18:52,680 Speaker 1: figure this out. Did Peter Frampton support David Bowie after 338 00:18:52,720 --> 00:18:55,200 Speaker 1: Stevie Rayvaugh split from Bowie's band? If you want to 339 00:18:55,200 --> 00:18:57,080 Speaker 1: hear more about how Stevie Rayvaugh split, what it was 340 00:18:57,119 --> 00:18:58,840 Speaker 1: like playing with Bowie, all that stuff, you can listen. 341 00:18:58,960 --> 00:19:01,480 Speaker 1: Like I said to the All Access episode on Steve Ravan, 342 00:19:01,560 --> 00:19:04,760 Speaker 1: we got to become a member, all right. Regarding David Johansson, 343 00:19:04,760 --> 00:19:09,119 Speaker 1: this voicemail comes from the four one five. 344 00:19:10,000 --> 00:19:13,639 Speaker 4: Easy for you to say, Jake, Hey there, Michael Lean. 345 00:19:13,800 --> 00:19:20,760 Speaker 4: He's calling from San Francisco on cloudy Saturday afternoon. Just 346 00:19:21,119 --> 00:19:25,320 Speaker 4: got the news about the passing of David Johanson and 347 00:19:25,400 --> 00:19:29,600 Speaker 4: I am listening to your Dolls episode in a sort 348 00:19:29,640 --> 00:19:35,200 Speaker 4: of humble tribute to him. People say that when somebody passes, 349 00:19:35,200 --> 00:19:38,000 Speaker 4: somebody's oh, a bit of my childhood just passed, And 350 00:19:38,040 --> 00:19:41,000 Speaker 4: I really feel that way today. I mean, I was 351 00:19:41,040 --> 00:19:43,119 Speaker 4: one of a handful of people in my high school 352 00:19:43,480 --> 00:19:46,320 Speaker 4: who dug the Dolls. Even wrote about him in my 353 00:19:46,400 --> 00:19:49,359 Speaker 4: who school newspaper, and you know they were just you know, 354 00:19:49,960 --> 00:19:54,040 Speaker 4: no them, no pistols, no Ramones, no Green Day, you know, 355 00:19:54,280 --> 00:19:54,760 Speaker 4: none of that. 356 00:19:55,200 --> 00:20:00,760 Speaker 5: He was a gentleman and a spiritual scholar and a 357 00:20:00,840 --> 00:20:05,159 Speaker 5: scholar rather. You know, I really feel lucky to have 358 00:20:05,200 --> 00:20:06,960 Speaker 5: seen them at the Fillmore here in. 359 00:20:06,960 --> 00:20:10,600 Speaker 4: San Francisco in two thousand and five. Six well as 360 00:20:10,800 --> 00:20:16,320 Speaker 4: Samanson himself would say, let's just dance and uh, thanks 361 00:20:16,359 --> 00:20:19,159 Speaker 4: for what you guys do. Keep that Prenshaw's Facebook g 362 00:20:19,280 --> 00:20:20,240 Speaker 4: going all right. 363 00:20:20,480 --> 00:20:22,640 Speaker 1: Four one five Michael Lane, he thank you so much 364 00:20:22,680 --> 00:20:25,560 Speaker 1: for the for the call. Yeah, you nailed it. I 365 00:20:25,560 --> 00:20:26,960 Speaker 1: said pretty much the same thing at the top of 366 00:20:27,000 --> 00:20:28,800 Speaker 1: the show. I mean, I share your sentiments one hundred 367 00:20:28,800 --> 00:20:30,479 Speaker 1: percent on David Johansson and the influence that the New 368 00:20:30,520 --> 00:20:34,000 Speaker 1: York Dolls had, specifically that David had himself. He was 369 00:20:34,520 --> 00:20:37,000 Speaker 1: I believe the spark. Not to take anything away from 370 00:20:37,040 --> 00:20:39,000 Speaker 1: the other guys in the band, Johnny Thunders in particular, 371 00:20:39,040 --> 00:20:42,000 Speaker 1: but I appreciate your sentiment. I appreciate your call, appreciate 372 00:20:42,000 --> 00:20:44,600 Speaker 1: the emotion. We're all a little a little bit, a 373 00:20:44,600 --> 00:20:48,000 Speaker 1: little bit raw. After the death of David Johansson six 374 00:20:48,040 --> 00:20:49,960 Speaker 1: one seven, nine o six six six three eight. You 375 00:20:50,000 --> 00:20:51,440 Speaker 1: guys want to call me about anything, you want to 376 00:20:51,520 --> 00:20:53,560 Speaker 1: vent about anything going on in the world. You want 377 00:20:53,600 --> 00:20:55,600 Speaker 1: to commiserate with our grief over the passing of a 378 00:20:55,640 --> 00:20:57,399 Speaker 1: couple legends. We can do that as well. You can 379 00:20:57,480 --> 00:20:59,560 Speaker 1: hit me on text, you can hit me on voicemail 380 00:20:59,320 --> 00:21:01,399 Speaker 1: like Michael here and the others, you know, with the 381 00:21:01,480 --> 00:21:04,720 Speaker 1: David Johansson and Gene Hackman passing. I've talked very little 382 00:21:04,760 --> 00:21:07,439 Speaker 1: in the last few days, even in this podcast already. 383 00:21:07,480 --> 00:21:09,520 Speaker 1: I've talked very little about Dennis Hopper in the episode 384 00:21:09,520 --> 00:21:11,200 Speaker 1: that we had. So let's go to this voicemail here, 385 00:21:11,880 --> 00:21:16,600 Speaker 1: this one coming from the seven eight one back in Massachusetts. 386 00:21:17,000 --> 00:21:21,080 Speaker 2: Jake, what up? It's Ish, Hope Aul as well. 387 00:21:22,320 --> 00:21:26,119 Speaker 6: Regarding your question of the week, who is the most 388 00:21:26,400 --> 00:21:31,520 Speaker 6: rock and roll actor in Hollywood? I wouldn't say this 389 00:21:31,560 --> 00:21:35,000 Speaker 6: person is the most, but he's definitely a bit rock 390 00:21:35,080 --> 00:21:38,600 Speaker 6: and roll. I'm gonna go with Mickey Rourke. I don't 391 00:21:38,640 --> 00:21:42,320 Speaker 6: know something about him, just screams rock and roll. 392 00:21:43,840 --> 00:21:46,960 Speaker 4: Uh yeah, that's all I got. Hope Aul as well, 393 00:21:47,280 --> 00:21:48,400 Speaker 4: just go Ish. 394 00:21:48,480 --> 00:21:50,800 Speaker 1: Appreciate you man as always, thanks for the call. I 395 00:21:50,840 --> 00:21:52,840 Speaker 1: wonder what Dennis Hopper thought of Mickey Rourke. I think 396 00:21:52,840 --> 00:21:55,480 Speaker 1: he would share your sentiment there for sure. Mickey Rourke 397 00:21:55,600 --> 00:22:00,600 Speaker 1: is fantastic. Just what a force? What a force popa 398 00:22:00,600 --> 00:22:04,320 Speaker 1: Greenwich village? Please tell me you've all seen that. I 399 00:22:04,400 --> 00:22:06,919 Speaker 1: kind of want to rewatch that right now. Yeah, I 400 00:22:06,960 --> 00:22:10,240 Speaker 1: do ish. Thanks for reminding me, Mickey Rourke. Dennis Hopper 401 00:22:10,680 --> 00:22:13,440 Speaker 1: six one seven, nine oh six six six three eight 402 00:22:13,560 --> 00:22:16,760 Speaker 1: David Johansson, Wow, Gene Hackman, all the greats are coming 403 00:22:16,800 --> 00:22:19,120 Speaker 1: out to play today in this after party. Barry from 404 00:22:19,119 --> 00:22:22,360 Speaker 1: the nine oh four reference to our recent Scorsese episode. Hey, 405 00:22:22,400 --> 00:22:24,919 Speaker 1: my favorite filmmaker, and this one is tough, but I 406 00:22:24,920 --> 00:22:29,320 Speaker 1: gotta say Eastwood, same dude who directed Unforgiven, also with 407 00:22:29,480 --> 00:22:31,640 Speaker 1: Gene Hackman. Barry, thank you for the text, Guys, I'm 408 00:22:31,640 --> 00:22:33,199 Speaker 1: gonna rapid fire a bunch of these. I might not 409 00:22:33,240 --> 00:22:35,320 Speaker 1: read the entire text, but I want to get to 410 00:22:35,359 --> 00:22:36,720 Speaker 1: a bunch of stuff that I haven't gotten to in 411 00:22:36,720 --> 00:22:38,760 Speaker 1: a while. Jake, This is James from the three one 412 00:22:38,800 --> 00:22:41,760 Speaker 1: eight Stevie ray Vaughn episode. Was the very definition of 413 00:22:41,840 --> 00:22:45,479 Speaker 1: exquisite storytelling. Thanks James, appreciate that. James goes on to say, 414 00:22:45,520 --> 00:22:48,200 Speaker 1: as far as my favorite guitarist. I have two. First, 415 00:22:48,240 --> 00:22:50,359 Speaker 1: Paul Gilbert, not only is he a shredder of the 416 00:22:50,440 --> 00:22:52,399 Speaker 1: highest level, but the joy on his face as he 417 00:22:52,440 --> 00:22:54,560 Speaker 1: burns up and down the fret board reminds me of 418 00:22:54,560 --> 00:22:56,880 Speaker 1: why I love music in the first place. I love that. 419 00:22:57,320 --> 00:23:00,320 Speaker 1: Second is the recently passed Jordi Walker for the British 420 00:23:00,320 --> 00:23:02,840 Speaker 1: post punk act Killing Joke three point eight. Thanks for 421 00:23:02,880 --> 00:23:05,160 Speaker 1: the text. Appreciate you seven oh six right saying, hey there, 422 00:23:05,160 --> 00:23:07,760 Speaker 1: disgraceand folks. It seems like I can't get a break 423 00:23:07,760 --> 00:23:10,160 Speaker 1: from grief these last few years. It's started a few 424 00:23:10,240 --> 00:23:12,560 Speaker 1: years back by the loss of my father, and I 425 00:23:12,600 --> 00:23:14,920 Speaker 1: had your podcast to prop up my mind from going 426 00:23:14,920 --> 00:23:16,919 Speaker 1: to that dark place that we go to in grieving. 427 00:23:16,920 --> 00:23:18,639 Speaker 1: And this time it's a little different, but it hurts 428 00:23:18,680 --> 00:23:21,639 Speaker 1: just the same. My pet of almost twelve years sccumb 429 00:23:21,640 --> 00:23:24,359 Speaker 1: to lymphoma and that we've been fighting since around my 430 00:23:24,400 --> 00:23:26,359 Speaker 1: birthday in October, and all I have to say after 431 00:23:26,400 --> 00:23:29,320 Speaker 1: that is fuck cancer and anyone who openly opposes any 432 00:23:29,359 --> 00:23:31,440 Speaker 1: and all forms of treatment to possibly get a cure 433 00:23:31,480 --> 00:23:35,240 Speaker 1: for it. Love you guys, please keep it rolling. Seven 434 00:23:35,280 --> 00:23:39,760 Speaker 1: oh six. I'm sorry for your loss. That sucks. I 435 00:23:39,760 --> 00:23:41,800 Speaker 1: hope you're doing as well as you can be doing 436 00:23:42,240 --> 00:23:45,320 Speaker 1: with the news, and I hope you're enjoying connecting here 437 00:23:45,359 --> 00:23:47,280 Speaker 1: with the rest of the disco community here in the 438 00:23:47,280 --> 00:23:49,840 Speaker 1: after party. Hit us up elsewhere if you like. We're 439 00:23:49,840 --> 00:23:52,600 Speaker 1: on Instagram at Disgraceland Pod, We're on x and we 440 00:23:52,640 --> 00:23:54,560 Speaker 1: are on Facebook. Also, I don't know if you're in 441 00:23:54,600 --> 00:23:56,920 Speaker 1: the Patreon chat, hit us up there too. Three zero 442 00:23:56,920 --> 00:23:59,520 Speaker 1: two wearing the Disgraceland Rock and Roller shirt. Looks great, 443 00:23:59,720 --> 00:24:02,720 Speaker 1: look good, Keep it up. This one comes from the 444 00:24:02,720 --> 00:24:04,879 Speaker 1: three one nine. Hey, Jake, it's Jeremy from the three 445 00:24:04,960 --> 00:24:07,600 Speaker 1: one nine. Have you thought about making an app with 446 00:24:07,800 --> 00:24:10,919 Speaker 1: all your shows like Ashley Flowers has. That would be 447 00:24:10,920 --> 00:24:12,800 Speaker 1: cool and an easy way for people who miss bad 448 00:24:12,840 --> 00:24:14,760 Speaker 1: Lands when you start it back up, keep up the 449 00:24:14,800 --> 00:24:20,240 Speaker 1: great work. Three one nine. Appreciate the tip. Yeah, we've 450 00:24:20,280 --> 00:24:22,800 Speaker 1: thought about it, but we got something else cooking that 451 00:24:22,880 --> 00:24:25,159 Speaker 1: I'm going to talk to you about very shortly, Okay, 452 00:24:25,200 --> 00:24:27,960 Speaker 1: So just keep an ear glued to the after party, 453 00:24:28,320 --> 00:24:29,879 Speaker 1: all right, three one nine. You're gonna like what we 454 00:24:29,920 --> 00:24:32,639 Speaker 1: have to talk about. Lots of best director texts we 455 00:24:32,720 --> 00:24:35,760 Speaker 1: get two four eight coming in hot with Michael Mann 456 00:24:36,359 --> 00:24:44,199 Speaker 1: eight oh five, Scorsese, Kubrick, Kubrick, Kubrick. We should do 457 00:24:44,200 --> 00:24:47,360 Speaker 1: a Stanley Kubrick episode. That'd be great. Eight one eight, Right, 458 00:24:47,400 --> 00:24:48,960 Speaker 1: sim Jake, This is a little late, but I wanted 459 00:24:48,960 --> 00:24:51,960 Speaker 1: to tell you great work on the Scorsese Part two episode, 460 00:24:51,960 --> 00:24:54,240 Speaker 1: and your impression of Marty talking about taking out the 461 00:24:54,280 --> 00:24:56,800 Speaker 1: producer in the style that he was talking to Travis 462 00:24:56,840 --> 00:24:59,560 Speaker 1: Bickel while in the cab was pretty fresh. 463 00:25:00,320 --> 00:25:00,480 Speaker 5: Here. 464 00:25:00,560 --> 00:25:02,199 Speaker 1: I'll just say that, along with some of the obvious 465 00:25:02,200 --> 00:25:04,320 Speaker 1: ones like Scorsese, I gotta put Spike Lee and Guy 466 00:25:04,440 --> 00:25:08,760 Speaker 1: Ritchie on the fave director's list. Yeah, yeah, yeah, I 467 00:25:08,840 --> 00:25:11,600 Speaker 1: love Spike Lee's movies. I really really truly do. Guy 468 00:25:11,680 --> 00:25:15,840 Speaker 1: Ritchie not as much, but I just haven't spent enough 469 00:25:15,880 --> 00:25:18,080 Speaker 1: time with them. I will at some point something I 470 00:25:18,160 --> 00:25:20,800 Speaker 1: look forward to. One more here eight oh eight. In 471 00:25:20,840 --> 00:25:23,160 Speaker 1: regard to the question of the greatest guitarists, I'll answer 472 00:25:23,160 --> 00:25:27,960 Speaker 1: my personal favorite is Nuno Bettencourt. Nuno from Hudson, Massachusetts, 473 00:25:29,040 --> 00:25:31,200 Speaker 1: my old neck of the woods. All right, guy six 474 00:25:31,240 --> 00:25:34,840 Speaker 1: one seven nine six six six three eight voicemail and text. 475 00:25:35,240 --> 00:25:40,520 Speaker 1: Gr Twardowski writes on Instagram, good afternoon, I heard a 476 00:25:40,560 --> 00:25:45,399 Speaker 1: conspiracy theory this morning that Mindy McCready didn't commit suicide, 477 00:25:45,800 --> 00:25:48,840 Speaker 1: but that she and her husband were murdered due to 478 00:25:49,080 --> 00:25:52,879 Speaker 1: excessive debt. Have you ever heard that? No, I have not, 479 00:25:53,440 --> 00:25:56,080 Speaker 1: and I am I don't know. Should I be embarrassed 480 00:25:56,200 --> 00:25:58,560 Speaker 1: to say that I don't know who Mindy McCready is. 481 00:25:58,640 --> 00:26:01,040 Speaker 1: When you said Mindy McCready, the thought of Mike McCready 482 00:26:01,040 --> 00:26:03,600 Speaker 1: from Pearl Jam. But Mike McCready, last I checked, is 483 00:26:03,640 --> 00:26:05,640 Speaker 1: still very much alive. I don't know who you're talking about. 484 00:26:05,640 --> 00:26:07,600 Speaker 1: If anyone knows who this is or what this is about, 485 00:26:07,880 --> 00:26:10,080 Speaker 1: and if it's worth looking into, let me know. I 486 00:26:10,119 --> 00:26:13,040 Speaker 1: am in no ways supporting this so called conspiracy theory. 487 00:26:13,080 --> 00:26:15,160 Speaker 1: I am in no way saying that I think it's 488 00:26:15,160 --> 00:26:17,520 Speaker 1: even a conspiracy theory or that there's any validity to 489 00:26:17,640 --> 00:26:19,520 Speaker 1: it at all. It's just something that just popped up 490 00:26:19,520 --> 00:26:22,600 Speaker 1: immediately here in my feed, Sorry my dms, and I'm 491 00:26:22,840 --> 00:26:24,560 Speaker 1: asking you guys, if you know anything about it, so 492 00:26:24,960 --> 00:26:28,720 Speaker 1: hey me at Disgrace lampod on Instagram, at Disgrace lampod 493 00:26:28,840 --> 00:26:33,400 Speaker 1: on X, at Disgrace lampod on Facebook, follow us everywhere, 494 00:26:33,440 --> 00:26:36,000 Speaker 1: get all of our content. I communicate all over the place, 495 00:26:36,480 --> 00:26:39,080 Speaker 1: Paul G. Bateman on Facebook. Right, Hey Jake, it's me 496 00:26:39,240 --> 00:26:41,840 Speaker 1: PGB from the eight four to three, your friendly neighborhood 497 00:26:41,840 --> 00:26:44,440 Speaker 1: sports therapist and personal trainer. I just watched the documentary 498 00:26:44,440 --> 00:26:45,879 Speaker 1: on sly Stone and I have to say it was 499 00:26:45,920 --> 00:26:48,840 Speaker 1: the perfect compliment to your episode. Between the two, I 500 00:26:48,880 --> 00:26:50,480 Speaker 1: feel like I have a better look at the whole picture. 501 00:26:50,480 --> 00:26:52,639 Speaker 1: Thanks for the hard work ass always. You asked me 502 00:26:52,720 --> 00:26:55,359 Speaker 1: about the difference in hot tub and sauna and they 503 00:26:55,400 --> 00:26:58,440 Speaker 1: are huge. I'm not going to go into the rest here, 504 00:26:58,440 --> 00:27:01,520 Speaker 1: but let me just say, Paul, I appreciate the info 505 00:27:01,680 --> 00:27:05,239 Speaker 1: on hot tubs and Sunnah. Okay. Six one seven nine 506 00:27:05,400 --> 00:27:08,320 Speaker 1: six six six three eight At Disgraceland Pod. Next week's 507 00:27:08,400 --> 00:27:10,199 Speaker 1: question of the week, who's your favorite Irish band? Your 508 00:27:10,200 --> 00:27:12,040 Speaker 1: favorite band from Ireland? I want to know? Six one 509 00:27:12,080 --> 00:27:15,040 Speaker 1: seven nine six six six three eight voicemail text at 510 00:27:15,080 --> 00:27:32,720 Speaker 1: Disgraceland Pod on the Socials. I'll be back in a flash. 511 00:27:32,840 --> 00:27:35,359 Speaker 1: All right, welcome back. Disgraceland's Story of the week can 512 00:27:35,400 --> 00:27:37,560 Speaker 1: be any story from your rock and roll past or 513 00:27:37,600 --> 00:27:40,000 Speaker 1: from rock and roll history in general that you think 514 00:27:40,040 --> 00:27:42,560 Speaker 1: best represents the rock and roll spirit, and then you 515 00:27:42,560 --> 00:27:44,320 Speaker 1: want to share with us and then we share it 516 00:27:44,960 --> 00:27:47,520 Speaker 1: on the internet. Okay, we've been posting these on Instagram 517 00:27:47,600 --> 00:27:51,280 Speaker 1: doing these little carousel stories sort of celebrate you guys 518 00:27:51,320 --> 00:27:53,280 Speaker 1: and all the all the rock and roll animalism that 519 00:27:53,320 --> 00:27:56,240 Speaker 1: you've gotten up to in the past. Disgracelandpod at gmail 520 00:27:56,280 --> 00:27:58,280 Speaker 1: dot com is how to get your story of the 521 00:27:58,280 --> 00:28:01,640 Speaker 1: week to us. You can also call or send a text, 522 00:28:01,720 --> 00:28:04,919 Speaker 1: but email seems to be the right medium for this. 523 00:28:04,920 --> 00:28:09,800 Speaker 1: This week's story of the Week comes from mister Joe Cromley. 524 00:28:09,920 --> 00:28:12,119 Speaker 1: Joe writes saying, Hey, this story is secondhand told to 525 00:28:12,160 --> 00:28:15,840 Speaker 1: me by the late mister Kim Davis, high school friend 526 00:28:16,119 --> 00:28:18,600 Speaker 1: of my former wife. He sadly died of a lifestyle 527 00:28:18,760 --> 00:28:21,639 Speaker 1: related disease. I have attempted to contact two of the 528 00:28:21,640 --> 00:28:24,000 Speaker 1: other parties in the story for verification and have not 529 00:28:24,080 --> 00:28:27,640 Speaker 1: heard back. Here goes. In January nineteen seventy seven, Kim 530 00:28:27,760 --> 00:28:31,920 Speaker 1: Davis was day drinking at an Atlanta strip club named Tattletale, 531 00:28:31,960 --> 00:28:34,280 Speaker 1: which is still open. There was hardly anyone in the 532 00:28:34,280 --> 00:28:37,679 Speaker 1: place and a group of very loud, oddly dressed people 533 00:28:37,920 --> 00:28:40,280 Speaker 1: came in. Kim ended up speaking with some of them 534 00:28:40,280 --> 00:28:43,920 Speaker 1: who were clearly British. Kim, you all from England. Guy. Yes, 535 00:28:44,200 --> 00:28:46,719 Speaker 1: we've never been to America. We've never really been anywhere. 536 00:28:46,720 --> 00:28:48,920 Speaker 1: We just got here, Kim. So what are you doing here, guy? 537 00:28:49,160 --> 00:28:51,640 Speaker 1: While we're in a band and we're playing a show tonight? Kim, Really, 538 00:28:51,680 --> 00:28:54,480 Speaker 1: what's your band called, guy? We're called the sex Pistols. 539 00:28:54,760 --> 00:28:56,800 Speaker 1: The band played their first US show at a venue 540 00:28:56,840 --> 00:28:59,360 Speaker 1: called the Great Southeast Music Hall, which was in a 541 00:28:59,360 --> 00:29:02,280 Speaker 1: strip center next to a bowling alley and a kmart, 542 00:29:02,320 --> 00:29:05,640 Speaker 1: just up the street from the Tattletale on Piedmont Avenue, 543 00:29:05,840 --> 00:29:07,640 Speaker 1: And they were staying in a two story motel called 544 00:29:07,760 --> 00:29:10,200 Speaker 1: Squire in more or less across the parking lot from 545 00:29:10,200 --> 00:29:12,440 Speaker 1: the Tattletale, and they were killing time before the show 546 00:29:12,480 --> 00:29:14,760 Speaker 1: at the nearest bar, and the girls there are still hot. 547 00:29:15,960 --> 00:29:17,840 Speaker 1: Told to me by Kim. I wish I could verify it. 548 00:29:17,840 --> 00:29:19,800 Speaker 1: If you know how to reach John Lyden or Steve Jones, 549 00:29:19,800 --> 00:29:23,080 Speaker 1: I'd love to have it corroborated. Thanks Joe, Atlanta, Joe 550 00:29:23,200 --> 00:29:26,280 Speaker 1: appreciate it. And you know, I often say the story 551 00:29:26,280 --> 00:29:30,240 Speaker 1: of the week is to support the preservation of the 552 00:29:30,400 --> 00:29:32,400 Speaker 1: rock and roll animal, the spirit of the rock and 553 00:29:32,440 --> 00:29:34,640 Speaker 1: roll animal. And I gotta say killing time at a 554 00:29:34,640 --> 00:29:37,520 Speaker 1: strip club in the afternoon on tour for a rock 555 00:29:37,560 --> 00:29:40,200 Speaker 1: and roll band is about as rock and roll as 556 00:29:40,240 --> 00:29:44,360 Speaker 1: it gets. So without the verification, I'm already believing this 557 00:29:44,520 --> 00:29:47,480 Speaker 1: just based on the details that you've provided here. But hey, 558 00:29:47,680 --> 00:29:50,920 Speaker 1: if we get a Steve Jones or John Lydon and 559 00:29:51,000 --> 00:29:52,560 Speaker 1: I've talked to John Lyden in the past, and I 560 00:29:52,600 --> 00:29:55,040 Speaker 1: was actually pitched on having Glenn Mattlock on the show 561 00:29:55,120 --> 00:29:58,600 Speaker 1: a while back and I just never followed up. I 562 00:29:58,600 --> 00:30:00,000 Speaker 1: feel bad about that now that I think about it, 563 00:30:00,000 --> 00:30:01,680 Speaker 1: But if I ever talked to a sex fistle, I'll 564 00:30:01,680 --> 00:30:03,120 Speaker 1: be sure to bring up the Tttletale. So thank you 565 00:30:03,160 --> 00:30:05,400 Speaker 1: so much, Joe. Guys, hit me with your story of 566 00:30:05,440 --> 00:30:08,400 Speaker 1: the week email all right, Disgrace slampod at gmail dot 567 00:30:08,440 --> 00:30:09,920 Speaker 1: com and you might get it read here on air. 568 00:30:09,960 --> 00:30:11,480 Speaker 1: Appreciate it, and then, like I said, Joe, keep an 569 00:30:11,480 --> 00:30:13,880 Speaker 1: eye on Instagram tomorrow, we'll have something up and we'll 570 00:30:13,880 --> 00:30:16,640 Speaker 1: be name checking you and the Tattletale. All right. If 571 00:30:16,640 --> 00:30:18,200 Speaker 1: you want to help the show out, you can do 572 00:30:18,240 --> 00:30:21,360 Speaker 1: so by leaving a review on Apple Podcasts and or Spotify. 573 00:30:21,400 --> 00:30:23,760 Speaker 1: As you know, the reviews helped the show with discovery 574 00:30:23,800 --> 00:30:25,800 Speaker 1: and every week I read a review and if I 575 00:30:25,800 --> 00:30:27,080 Speaker 1: read your review, and you get in touch with me, 576 00:30:27,200 --> 00:30:28,880 Speaker 1: we will send you some merch. So this one comes 577 00:30:28,960 --> 00:30:33,480 Speaker 1: from Pure Sarah Sue. Pure Sarah Sue, show you how 578 00:30:33,600 --> 00:30:35,800 Speaker 1: diplomatic I am. This is not a good review, Pure 579 00:30:35,840 --> 00:30:38,760 Speaker 1: Sarah Ssoue writes in all the stories are about dudes, 580 00:30:39,200 --> 00:30:42,640 Speaker 1: no bad girls allowed. I guess Pure Sarah Sue is understandably. 581 00:30:42,640 --> 00:30:46,400 Speaker 1: I'veset about this, Pure Sarah Sue. I've said this before 582 00:30:46,560 --> 00:30:49,320 Speaker 1: and I'll say it again. There just isn't all that 583 00:30:49,440 --> 00:30:52,920 Speaker 1: much true crime from women in the world of music. 584 00:30:53,240 --> 00:30:56,200 Speaker 1: We've covered a lot as much as I think we can, 585 00:30:56,280 --> 00:30:58,600 Speaker 1: and there's still more we can do. And I say this, 586 00:30:58,680 --> 00:31:01,160 Speaker 1: I read this review on purpose today because I'm in 587 00:31:01,200 --> 00:31:04,000 Speaker 1: the middle of researching the Go Gos for a Go 588 00:31:04,000 --> 00:31:06,560 Speaker 1: Gos episode that will be out in a couple months. So, 589 00:31:06,680 --> 00:31:09,640 Speaker 1: Pure Sarahsu, if you're listening, if you're still with us, 590 00:31:10,040 --> 00:31:13,080 Speaker 1: get pumped. Get pumped for that Go Gos episode, all right. 591 00:31:13,120 --> 00:31:14,240 Speaker 1: And I think to all the women out there, it 592 00:31:14,280 --> 00:31:19,800 Speaker 1: says something about you that you haven't behaved throughout the 593 00:31:19,840 --> 00:31:23,280 Speaker 1: past and music history like as badly as men. I 594 00:31:23,320 --> 00:31:25,800 Speaker 1: just I think that's a positive. It may result in 595 00:31:25,800 --> 00:31:28,960 Speaker 1: a less well rounded podcast, but I think you know 596 00:31:29,120 --> 00:31:31,920 Speaker 1: on you know, on balance for humanity's sake. Anyways, it's 597 00:31:32,160 --> 00:31:36,200 Speaker 1: a good thing. Over on Spotify, Knackers, this isn't a review, 598 00:31:36,240 --> 00:31:39,600 Speaker 1: but Nackers, I still want you to hit me up 599 00:31:40,280 --> 00:31:42,000 Speaker 1: because I like how you're doing this over here on 600 00:31:42,040 --> 00:31:45,520 Speaker 1: the comments section and Spotify. Nackers is answering the question 601 00:31:45,600 --> 00:31:49,280 Speaker 1: of we prompted from the Dennis Hopper episode, which is 602 00:31:49,280 --> 00:31:52,680 Speaker 1: who is the most rock and roll actor from Hollywood? 603 00:31:53,160 --> 00:31:56,320 Speaker 1: And Nackers writes in Charlie Sheen and the discussion, you know, 604 00:31:57,080 --> 00:32:00,240 Speaker 1: hard to argue with that one. Hard, hard to argue 605 00:32:00,280 --> 00:32:02,520 Speaker 1: with that behavior. I don't even know if the only 606 00:32:02,640 --> 00:32:04,640 Speaker 1: you can argue that is to argue was that behavior 607 00:32:04,640 --> 00:32:06,440 Speaker 1: even rock and roll? Or was it just so fricking 608 00:32:06,480 --> 00:32:09,280 Speaker 1: over the top we can't even categorize it. Charlie Sheen 609 00:32:09,440 --> 00:32:11,720 Speaker 1: still alive. I think he's got a new series coming out, 610 00:32:11,880 --> 00:32:14,040 Speaker 1: or it's out or something six one seven nine oh 611 00:32:14,080 --> 00:32:16,000 Speaker 1: six six six three eight cent a voicemail, lead me 612 00:32:16,040 --> 00:32:17,800 Speaker 1: a text. You can leave a review for the show 613 00:32:18,040 --> 00:32:21,400 Speaker 1: on Apple Podcasts and or Spotify. We really appreciated this episode. 614 00:32:21,440 --> 00:32:21,640 Speaker 3: Guys. 615 00:32:21,680 --> 00:32:23,600 Speaker 1: It's coming to an end, but the after party, it's 616 00:32:23,640 --> 00:32:26,920 Speaker 1: going to continue for the All Access members. Okay, remember 617 00:32:26,920 --> 00:32:29,200 Speaker 1: earlier I was talking about that Stevie Ravond episode. You 618 00:32:29,240 --> 00:32:31,400 Speaker 1: might heard me sneak in there that you also, in 619 00:32:31,440 --> 00:32:35,360 Speaker 1: addition to getting that extra bonus episode per month, like 620 00:32:35,400 --> 00:32:38,000 Speaker 1: the Stevie Ravond episode, you also get a little bit 621 00:32:38,040 --> 00:32:40,160 Speaker 1: more of the bonus after party, and that's about to 622 00:32:40,200 --> 00:32:43,880 Speaker 1: start right now. For our All Access members five bucks 623 00:32:43,920 --> 00:32:45,840 Speaker 1: a month, you also get commercial free listening. I can't 624 00:32:45,840 --> 00:32:47,720 Speaker 1: forget that. I don't know, but if you ask me, 625 00:32:47,800 --> 00:32:51,400 Speaker 1: that's a good way to spend five dollars. All right. 626 00:32:51,520 --> 00:32:53,160 Speaker 1: I know we all don't have an extra five bucks 627 00:32:53,160 --> 00:32:55,320 Speaker 1: sitting around, but if you do, go over to Disgrace 628 00:32:55,400 --> 00:32:57,840 Speaker 1: sampod dot com slash membership and sign up to become 629 00:32:57,840 --> 00:33:21,200 Speaker 1: an All Access member. We appreciate. All Right, we are back. 630 00:33:21,240 --> 00:33:23,719 Speaker 1: We mentioned a couple of different archive episodes in this 631 00:33:23,800 --> 00:33:28,200 Speaker 1: here Bonus app talked obviously about David Johansson, So New 632 00:33:28,280 --> 00:33:32,280 Speaker 1: York Dolls, talked about the Ramones, talked about you two. 633 00:33:32,720 --> 00:33:34,560 Speaker 1: Who am I forgetting? I'm not sure, but for those 634 00:33:34,560 --> 00:33:38,120 Speaker 1: three episodes, Matt's gonna have the archive information, the episode information. 635 00:33:38,200 --> 00:33:41,360 Speaker 1: Excuse me on these archive episodes in the show notes 636 00:33:41,400 --> 00:33:43,040 Speaker 1: for this here bonus EPs, So if you guys want 637 00:33:43,040 --> 00:33:45,120 Speaker 1: to find those, you'll be able to find them. All right, 638 00:33:45,160 --> 00:33:47,600 Speaker 1: I want your story, Call me, I want your story 639 00:33:47,600 --> 00:33:49,680 Speaker 1: of the week. Okay, text me call me six one 640 00:33:49,720 --> 00:33:52,280 Speaker 1: seven nine o six six six three eight, or text me, 641 00:33:52,440 --> 00:33:55,120 Speaker 1: leave me a voicemail, hit me up at Disgrace sam Pod. 642 00:33:55,560 --> 00:33:58,440 Speaker 1: Give me your story of rock and roll animalism, either 643 00:33:58,520 --> 00:34:00,800 Speaker 1: something you heard or something you experience. It's first hand, 644 00:34:00,800 --> 00:34:03,000 Speaker 1: and your story might be the story of the week. 645 00:34:03,560 --> 00:34:05,640 Speaker 1: That is number one on our recap. Number two on 646 00:34:05,680 --> 00:34:08,040 Speaker 1: our recap is right now in our feed. Our episode 647 00:34:08,040 --> 00:34:10,520 Speaker 1: on Dennis Hopper number three coming tomorrow, our rewind episodes 648 00:34:10,520 --> 00:34:14,200 Speaker 1: on TUPAC Secure and coming next Tuesday. Our brand new 649 00:34:14,239 --> 00:34:16,960 Speaker 1: episode on Thin Lizzie. Number four, merch Winners get in touch. 650 00:34:16,960 --> 00:34:17,560 Speaker 6: You know who you are. 651 00:34:17,640 --> 00:34:19,600 Speaker 1: Number five. Remember, no one cares about preserving the true 652 00:34:19,640 --> 00:34:21,000 Speaker 1: spirit of rock and roll more than you do. In 653 00:34:21,080 --> 00:34:23,800 Speaker 1: that well, that's just a disgrace, all right. This week's 654 00:34:23,800 --> 00:34:27,920 Speaker 1: episode subject, Dennis Hopper, died on May twenty ninth, twenty ten, 655 00:34:27,960 --> 00:34:29,960 Speaker 1: and in honor of the man they call Hop, this 656 00:34:30,280 --> 00:34:32,640 Speaker 1: is the Billboard Top ten from the day he died. 657 00:34:33,680 --> 00:34:38,760 Speaker 1: Number one omg Usher featuring will i Am last week 658 00:34:39,040 --> 00:34:44,680 Speaker 1: two peak position one weeks on chart seven, Number two 659 00:34:45,160 --> 00:34:50,080 Speaker 1: California Girls Katie Perry featuring Snoop Dogg. Last week non 660 00:34:50,080 --> 00:34:55,440 Speaker 1: applicable peak position two weeks on chart one, number three. 661 00:34:55,600 --> 00:35:01,440 Speaker 1: Airplanes Bob featuring Hayley Williams. Last week five peak position 662 00:35:01,520 --> 00:35:05,480 Speaker 1: PEAP three weeks on trusts on five six, number four 663 00:35:05,600 --> 00:35:08,640 Speaker 1: number nothing on You and You a b Ob featuring 664 00:35:08,920 --> 00:35:12,960 Speaker 1: No Marms last week last three PEP peak positions one 665 00:35:13,440 --> 00:35:18,480 Speaker 1: weeks on Trust on sixty number five, Break Your Tail 666 00:35:18,640 --> 00:35:29,960 Speaker 1: Cruise featuring Chris last week's peak position WES Quit talking 667 00:35:30,239 --> 00:35:31,600 Speaker 1: and start mixing