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Speaker 1: So so we're in this back room and it's me, and

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Speaker 1: it's Jimmy, I mean, and and Grievous Fasquez. Yes, and

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Speaker 1: in the back room and and Orbity the spring Alien

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Speaker 1: from the Jetsons, And we're stuffing the ballot box for

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Speaker 1: Sexiest Man Alive. And we hear this creek and door

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Speaker 1: opens and a little shaft of light comes in and

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Speaker 1: Orbity goes get in the box.

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Speaker 2: So we all jump.

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Speaker 1: Inside the ballot box. Now we're in there. Now they're

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Speaker 1: not going to announce the results for weeks, and this

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Speaker 1: guy is now guarding the box, and we're in there

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Speaker 1: for so long you have to start.

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Speaker 2: Eating the votes otherwise you'll starve.

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Speaker 1: And the votes on top are the ones we were

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Speaker 1: using to stuff it. Yeah, because we got a lot

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Speaker 1: of money riding on this thing. Yeah, but whose votes

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Speaker 1: are you eating? We're eating the votes the false boats

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Speaker 1: that we had put in, Okay, that were for Dumo.

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Speaker 3: I mean, we want Josh back because you had this

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Speaker 3: big plan and I know you spent a lot of

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Speaker 3: time executing it, but then.

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Speaker 2: It ends up being Blake. Why didn't you.

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Speaker 1: Eat the Blake ones? It's very dark inside the box

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Speaker 1: and ultimately I think Grievous had a little bit of

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Speaker 1: moral awakening inside the box too, okay, where he wanted

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Speaker 1: the right man to win, he wanted the sexy man

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Speaker 1: to win.

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Speaker 3: Judge, and your whole idea was to joker style throw

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Speaker 3: it into chaos and vote for someone who is very sexy,

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Speaker 3: but clearly less sexy than Blake show yes, just under

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Speaker 3: my faith institutions.

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Speaker 1: Well, I'm gaslighting the entire fucking country. So anyway, we

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Speaker 1: eat most of the votes. Finally, the big day comes,

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Speaker 1: the mayor comes down, the mayor does a big announcement,

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Speaker 1: uses the key to the city to unlock the box,

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Speaker 1: pops the top off, and I just jump.

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Speaker 2: Out and go, it's Blake Shelton.

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Speaker 3: Okay, Hey, wel good to Hollywood havoc and it's that

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Speaker 3: just guy to kicking button dropping names in the red

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Speaker 3: carpet Lineback always to this industry we call show bit.

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Speaker 2: Every once in a while, very.

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Speaker 3: Very occasionally, we will have hosts from another Earwolf podcast

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Speaker 3: on this show.

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Speaker 1: Special occasion it too much?

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Speaker 4: What is that?

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Speaker 1: Holy shit? Brett? What was that? What was it? What

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Speaker 1: was it?

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Speaker 5: It was?

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Speaker 6: CNN?

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Speaker 3: I'm sorry CNN, And see this is just another another

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Speaker 3: example of the cracks beginning to show in Brett liking music.

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Speaker 2: He's not watching.

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Speaker 3: MTV and to that, he might say, they did not

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Speaker 3: even play music anymore.

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Speaker 1: But he's not even watching the PRL back.

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Speaker 3: Yeah, and he's not even watching the Palladium channel. He's

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Speaker 3: he's watching CHEL he's not watching he does not watch Ovation.

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Speaker 1: And so and if you'll notice.

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Speaker 3: He's reading about The Lord of the Rings coming to Amazon.

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Speaker 1: If you'll notice, Cody got a lot of heat famously

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Speaker 1: and kind of became an institution at Earwolf when he

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Speaker 1: was watching Vice News, which, at least during our show,

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Speaker 1: the news for like music heads, people that are into

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Speaker 1: really cool views, badass millennials who are like rich and detached, and.

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Speaker 3: A lot of the times it's music people doing the

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Speaker 3: news for some fucking reason.

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Speaker 5: M M.

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Speaker 1: But and rappers. Yeah, but that's what I mean. M

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Speaker 1: Brett then managed to take that idea of like, I'm

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Speaker 1: watching Vice News and just make it way worse and

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Speaker 1: boring and just watch CNN and then pipe that into

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Speaker 1: my earphones. What's the what's the thinking, I'm I'm humiliated.

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Speaker 3: And music show that we are doing today today is

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Speaker 3: a music show would have.

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Speaker 1: Been a great time. Yeah, accidentally be playing music.

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Speaker 6: Doing a music show without me again?

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Speaker 1: Are you giving up on music because you got kicked

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Speaker 1: off the tour? You got thrown the van, you got freaking.

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Speaker 6: I thought the tour was just done.

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Speaker 1: Come on, that tour is going on like crazy.

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Speaker 7: They're going in a couple of months.

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Speaker 2: They're doing another lap.

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Speaker 1: They said, I guess they're really starting to rock now

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Speaker 1: and they're doing Beatles covers.

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Speaker 6: That's why they dropped me off.

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Speaker 2: I don't know.

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Speaker 1: I you know, I figured you would know more than

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Speaker 1: me about why you got your ass booted out the van.

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Speaker 1: But ones that Beatles covers that really rock, like a

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Speaker 1: raspy rock voice.

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Speaker 2: Oh yeah, yeah, like that like Ray Right. You know,

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Speaker 2: we are trying to do a music showm uh with Brett.

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Speaker 3: Would even let us with hosts from another Earwolf show

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Speaker 3: again a little treat.

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Speaker 1: It would be another year before you hear us have

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Speaker 1: a different ear Wolf host on. But uh, we like

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Speaker 1: to break rank every now and then and just say, hey,

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Speaker 1: we're going to promote another ear Wolf show on our show.

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Speaker 3: So these is the guys they just and Zach Rainnoceros, I've.

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Speaker 1: Just play it, he just playing I've just played.

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Speaker 3: And this is what I do sometimes when I meet

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Speaker 3: someone for the first time, is just.

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Speaker 1: He has a little fun with their name and just

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Speaker 1: messing with you. Yeah, I've just played. And Zach, how

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Speaker 1: mad are you do?

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Speaker 7: We have to do the podcast now.

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Speaker 3: Zach, sit down, I said, I was just playing. I

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Speaker 3: was just messing around.

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Speaker 1: This is how Hayes shows that he cares about people something.

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Speaker 1: For some people, it breaks down their walls a little bit.

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Speaker 7: I'm back.

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Speaker 2: My whole thing is it feels good.

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Speaker 7: It felt I felt I like, I don't know, I

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Speaker 7: wanted to feel the emotion, so I let it through.

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Speaker 7: I let it all through. I've heard that I was

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Speaker 7: seeing red at you for a second.

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Speaker 2: Yeah.

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Speaker 1: My whole thing is I have this uh great sort

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Speaker 1: of warm ability to just kind of be the human

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Speaker 1: embodiment of a hug. But then we got Hayes, who's

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Speaker 1: a little prickly. And what Hayes will do is he'll

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Speaker 1: put you off your feet and kind of draw something

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Speaker 1: new out of you. Because he gets in so far,

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Speaker 1: you go, holy shit, how's this guy going to get

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Speaker 1: out of this one? But people let him get away

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Speaker 1: with it because he does it with a smile.

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Speaker 8: Yeah, I sort of.

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Speaker 4: I sort of think of Hayes as one of those

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Speaker 4: like cacti that the shape of them makes him look

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Speaker 4: like you want to hug, hug, but you have to

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Speaker 4: be careful.

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Speaker 1: They're offering a hug, saying get in here.

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Speaker 7: Get in here, and if you take the hug, it

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Speaker 7: will hurt.

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Speaker 4: Appear a lot, it'll hurt a lot, but you're still

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Speaker 4: getting a hug.

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Speaker 7: When you really lean into it. At a certain point.

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Speaker 4: Water comes out and you're saved in the desert that

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Speaker 4: was you not having your walls.

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Speaker 2: I will save you, but you have to pay for

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Speaker 2: it in pain.

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Speaker 1: It's a hurdy hook, but it keeps you alive.

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Speaker 4: But isn't everything good in life? Doesn't it? Doesn't It

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Speaker 4: coming a little.

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Speaker 1: Bit chili peppers to talk about this? They do actually

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Speaker 1: like you guys probably, I mean, well you guys are music. Yes,

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Speaker 1: actually talked about this.

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Speaker 8: Yeah, I think, like I think somebody was like Zach

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Speaker 8: and I could even talk about this. We could even

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Speaker 8: talk about like how.

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Speaker 1: You know what music's your airplane?

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Speaker 4: Yeah, yeah, that's my airplane. And to get the go

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Speaker 4: go juice in the airplane, sometimes you need to have some.

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Speaker 1: Hurt mm yeah, yeah, pleasure Pine.

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Speaker 3: Yeah, no, I mean Anthony said it and here bred

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Speaker 3: sitting here nothing. We're talking about some of the most

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Speaker 3: famous songs ever and bra it's furiously typing.

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Speaker 1: I'm guessing, like, what is five minutes late? And he

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Speaker 1: needed to immediately read the news. Hey brows actor, Holy shit,

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Speaker 1: we're doing a fucking music Well, this is your whole thing.

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Speaker 6: There's the Lord of the Rings TV show coming out.

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Speaker 1: Yeah, that was announced like weeks ago.

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Speaker 6: My dad just sent it to me. I've been out

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Speaker 6: of it.

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Speaker 9: Yeah.

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Speaker 1: Amazon purchased a Prequelza Gang, and it's gonna be fun,

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Speaker 1: multiple series commitment, so you're gonna love it.

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Speaker 6: Bratt, Is it the original cast?

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Speaker 1: No, So.

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Speaker 2: We had Jess on before.

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Speaker 3: Yeah, we did a song to get people to vote

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Speaker 3: in the election, and guess what they did.

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Speaker 1: Yeah, we did it.

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Speaker 3: Everybody did. It was a major success. They came out

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Speaker 3: on election day and it worked very well.

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Speaker 1: People came out, they voted, and the winner one because

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Speaker 1: of the votes, So you know, I can't really question that. No,

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Speaker 1: So it's a good idea to have them in here

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Speaker 1: again to do another big song. Yeah, Jess's broader partner

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Speaker 1: Zach and as I'm not going to say it.

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Speaker 2: He likes it now like I think we should.

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Speaker 1: Yeah, I'm changing R Rhinosaurus. Well, you guys, we know

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Speaker 1: what you do on your show, which is you make

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Speaker 1: up these songs, that's right, and you do them so

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Speaker 1: fast and you just blow by them and you don't

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Speaker 1: really take.

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Speaker 7: Any time with it.

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Speaker 1: Yeah, and and it kind of can trick people into

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Speaker 1: going like, I guess that was pretty good because it

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Speaker 1: went by so fast that they don't really know it.

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Speaker 3: But there is a laziness to it, isn't there. I

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Speaker 3: think so I desired not to work very hard fear

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Speaker 3: of hard work.

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Speaker 4: Yeah, I think, like think about all the things that

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Speaker 4: go by really quickly in your life, you know, time, trains, birds, Yeah,

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Speaker 4: you don't really know how they work.

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Speaker 7: If you were to go into a museum and just

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Speaker 7: fucking run.

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Speaker 1: Yeah, just through, just sprint and just and just like

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Speaker 1: frigging up, bopping like.

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Speaker 7: Pounded the Michael Angelo, just fun with him. Does he

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Speaker 7: have hands? No, I don't know.

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Speaker 1: Maybe you've got like those those inflatable sort of bat

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Speaker 1: things that they have it like sporting events, you got

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Speaker 1: those out straight and you're just bopping everything.

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Speaker 7: If you were to do that, you would not notice

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Speaker 7: if some of the works of art on that wall

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Speaker 7: were by children in the third grade. Yeah, you would

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Speaker 7: be running through the museum.

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Speaker 1: So fast he could paint that. Yeah, but you would know.

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Speaker 7: It could be next to the Mona Lisa, and you

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Speaker 7: would be like, this was all art I ran through.

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Speaker 7: These are the same, you can tell you.

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Speaker 8: Yeah, And that's consciously definitely what second is.

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Speaker 7: That's what we do for our podcast. It goes by

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Speaker 7: so fast. We do so much of it.

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Speaker 4: We make up so much content so quickly, just so

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Speaker 4: much content that how can anyone even parse through.

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Speaker 1: By the time you have a second to ask?

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Speaker 7: Was this actually a good song?

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Speaker 3: Must must have been pretty doing it other one and

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Speaker 3: the first one must.

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Speaker 2: Have been good and it doesn't.

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Speaker 7: Yeah, it doesn't matter if you realize it's happening. You

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Speaker 7: can't protect yourself from it. Like we'll just do a

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Speaker 7: bunch of lyrics right now, We'll just sentence each is

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Speaker 7: a good example. So it would be like it'd be

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Speaker 7: like this, like all of the pine cones.

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Speaker 8: Fall and they didn't. They did it for a tree

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Speaker 8: this so.

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Speaker 7: Tall you've seen in the sky with diamonds.

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Speaker 8: And I wouldn't so hard, So I can find them.

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Speaker 7: I found three three three Crows. One of those is

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Speaker 7: a lyric from an actual song, and you would.

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Speaker 2: And you can't.

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Speaker 3: Can I just tell you Brett has no idea which

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Speaker 3: one is the real one. He's furiously googling again. He's

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Speaker 3: still on the Red Hot Chimney Poppers or whatever. He's

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Speaker 3: like trying to figure out what that is. And now

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Speaker 3: you've thrown another one at him. He has no idea

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Speaker 3: the band.

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Speaker 7: The real one is three three three Crows.

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Speaker 3: So counting Crows, that's where that comes fromber.

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Speaker 7: It's off the album Our August and everything after.

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Speaker 3: Yeah, but we were thinking, what if we actually took

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Speaker 3: our time and we actually try to do a good job.

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Speaker 7: We had You should know that we did a couple

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Speaker 7: of pilots for our podcast and the idea that you're

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Speaker 7: pitching right now is one of them.

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Speaker 8: And it did not It did not go.

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Speaker 2: So you're taking because of your laziness.

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Speaker 7: Yeah, it's one it's very difficult to do.

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Speaker 1: Because you didn't have experts. Yeah, self sabotaged. I've heard

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Speaker 1: that about you guys.

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Speaker 4: Yeah, Well it's like I don't want to set myself

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Speaker 4: up for something I can't deliver.

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Speaker 1: Afraid of success. You're so scared of success right now.

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Speaker 7: I'm afraid of it mostly because of what it means

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Speaker 7: and how I will impact my life.

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Speaker 1: Well, changes your own image of yourself for sure.

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Speaker 7: Yeah, I've achieved a level of success right now wherein

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Speaker 7: I am the most successful in my own head.

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Speaker 1: And so to have the world to use successful all

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Speaker 1: of a sudden, you got to argue with them.

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Speaker 7: Now I'm putting on a I'm putting on a mask.

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Speaker 3: I got this piano and be online and we're going

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Speaker 3: to use it to make a song. Now every once

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Speaker 3: in a while while I have to look at an ad

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Speaker 3: after such a certain number of keys, usually for Domino's

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Speaker 3: Pizza in my limited experimentation with this so far, but

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Speaker 3: can you talk a little bit about the song that

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Speaker 3: we're going to do and actually going to try to

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Speaker 3: do a good job and take our time with for once.

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Speaker 1: Well, so we have a big opportunity to do a

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Speaker 1: song that we actually craft. There's still there's still a

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Speaker 1: little bit of craftsmanship left in the world, and Hayes

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Speaker 1: and I are sort of the last bastions of it,

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Speaker 1: and in this on demand era that something handmade still

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Speaker 1: has value.

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Speaker 4: Well, so sort of you're talking about like an artisanal

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Speaker 4: track right now?

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Speaker 1: Yes, yes, small batch. Wow, it's like when pizza takes forever.

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Speaker 1: So what we want to do is make a song

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Speaker 1: for Super Bowl. Now, you got to do a pretty

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Speaker 1: far in advance because they need their submissions really early

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Speaker 1: because the Super Bowl is so big, so super, so

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Speaker 1: super that they try to plan out a lot of it.

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Speaker 1: And whoever is doing the halftime show this year is

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Speaker 1: going to have to sing this song. And the song

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Speaker 1: should advertise some of the you know, uh products that

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Speaker 1: are supporting the Super Bowl. That's only fair. And it

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Speaker 1: should the game itself, and it should talk about the game,

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Speaker 1: the sport itself and.

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Speaker 2: What the score is at halftime.

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Speaker 1: It should say the score, and it should say what

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Speaker 1: teams are in it. Which it's gonna be a challenge.

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Speaker 1: I'm not here to pretend that it's not.

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Speaker 4: Yeah that I mean that does sound like this is

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Speaker 4: going to require.

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Speaker 2: Us to actually put some real thought into it.

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Speaker 8: Yeah, that's you took the words right out of my mouth.

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Speaker 4: And then I had a follow up point, which is

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Speaker 4: be I guess prescient or are we just going to

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Speaker 4: work on this song until halftime?

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Speaker 8: Is this just sort of the beginning.

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Speaker 1: Some move accused me of being precious before and uh,

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Speaker 1: and I don't mean based on the novel push By

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Speaker 1: so that fire, And I say to that, maybe I

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Speaker 1: am precious, but so is what I create.

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Speaker 8: What about the old adage that sometimes you have to,

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Speaker 8: you know, kill your darlings.

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Speaker 1: Oh? Yes, yes, yes, how does that go?

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Speaker 8: Sometimes you have to kill your darlings.

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Speaker 7: Sometimes you have to kill a child.

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Speaker 8: Sometimes you have to kill your daughter.

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Speaker 1: You got to kill a little kid, kill little darling,

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Speaker 1: which you buy? That's right.

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Speaker 4: If you break a darling, you buy that darling.

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Speaker 7: Sometimes you have to broken child.

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Speaker 4: Yes, And I believe I could be wrong, but I

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Speaker 4: believe this adage refers specifically to the children in peter.

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Speaker 7: Ban, the Darling children.

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Speaker 2: Children.

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Speaker 8: Yeah, so sometimes you have to kill boys.

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Speaker 1: So nobody John or Michael. Mm hmmm, you might have

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Speaker 1: to kill yeah, Rufio or whoever? And and and that's

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Speaker 1: okay because they're lost boys.

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Speaker 2: Does anyone know what the different things are on a piano?

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Speaker 8: What do you mean? Notes? Keys?

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Speaker 2: Just which which thing on?

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Speaker 1: They look the same? Right, Yes, honestly they look the different,

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Speaker 1: exactly the same, like powers?

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Speaker 7: Sure?

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Speaker 8: Sure?

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Speaker 4: So third one from the middle is brevity, and a

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Speaker 4: fourth one from the bottom is dynamic.

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Speaker 7: Yeah, okay, that sounds right. Yeah, you start get up

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Speaker 7: to the top, you start getting into ornamentation, you.

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Speaker 2: Know, should I let Brett pretend that we talk a.

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Speaker 1: Lot about the circle of fifths on this show, but

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Speaker 1: I don't know how it directly applies.

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Speaker 3: To a physical keyboard, because this is the thing I

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Speaker 3: am untrained in this. I'm just like by ear music

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Speaker 3: around me and stuff, and these have what the different

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Speaker 3: notes are on the keys, and that is like throwing me,

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Speaker 3: messing him up.

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Speaker 7: Yeah, you don't want to know that C is a ce.

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Speaker 7: You just want to play the no, but you're.

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Speaker 1: Now and now he's trying to throw it.

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Speaker 3: Yeah, and now it's like school for me, you know,

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Speaker 3: instead of recess, instead of just like being on the playground.

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Speaker 2: Yeah, and that to me.

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Speaker 1: But it's also hard work.

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Speaker 2: Yeah, no, it's actually doing hard work.

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Speaker 4: Well, it's like imagine when you would come back in

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Speaker 4: from recess and you are you're very.

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Speaker 1: Tired, Yeah, because you worked your ass off out there

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Speaker 1: and if you hear a song a lot fun oh yeah,

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Speaker 1: and then you ran you overlooked. Yes, you're exhausted from

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Speaker 1: throwing up. Yeah, that you ran so hard you threw up.

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Speaker 3: You feel then on the swings it kind of like

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Speaker 3: went up of the air and then you swung into

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Speaker 3: it and hopefully you didn't.

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Speaker 1: Eat your throat up.

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Speaker 8: Well, I the fingers crossed.

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Speaker 4: But are we talking enough about how heaving can really

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Speaker 4: hurt your abs?

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Speaker 2: But that's a great workout.

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Speaker 8: It's a great workout.

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Speaker 3: This is like pleasure spiked with pain. Really is like

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Speaker 3: you if you even.

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Speaker 4: That is the circle of fifths, because that's how we started,

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Speaker 4: is how pain can leat art.

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Speaker 8: So that's our one circle of fifth we've done so far.

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Speaker 2: And I have five abs.

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Speaker 7: You got five pack five very distinct as whoa, they're

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Speaker 7: all over the place. I was gonna ask, do you

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Speaker 7: normally record without a shirt? This is my first time.

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Speaker 3: In I it is getting cold, so sometimes like once

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Speaker 3: it gets colder, I will wear a.

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Speaker 8: Half shirt a crop or at the bottom half a tube.

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Speaker 3: Yeah, no, I will wear the bottom half to keep

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Speaker 3: my apps warm. There's all five of them, little ab rap.

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Speaker 1: But but Hayes even came in today and just look

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Speaker 1: me in the in the eye, dead in the eye,

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Speaker 1: in the elevator, and he went.

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Speaker 2: You ready to sweat.

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Speaker 1: And so I knew we were working hard when we

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Speaker 1: got in the studio, and I knew that it was

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Speaker 1: going to be appropriate to not have shirts on.

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Speaker 3: M hm, because I have my big ropes, which we

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Speaker 3: maybe we'll get to or not, but at some point

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Speaker 3: we're going to be smacking those big ropes out of

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Speaker 3: the ground. That's kind of how we like to end this.

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Speaker 4: Yeah, well, shot, I wish we had known, because uh,

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Speaker 4: we're not dressed in clothes ready to sweat.

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Speaker 8: I'm sorry, guys.

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Speaker 1: I guess we'll do the heavy lifting again.

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Speaker 3: Just like in the boating song, brat you are you

400
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Speaker 3: interested in this?

401
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Speaker 2: Should? I pretend that he knows what I've.

402
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Speaker 6: Been creating a beat right like you guys have been

403
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Speaker 6: talking oh yeah, okay without hearing it. Oh, I'm just

404
00:19:06,880 --> 00:19:08,280
Speaker 6: visually kind of okay.

405
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Speaker 3: Well, like I said, we were gonna take our time

406
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Speaker 3: with this and really workshop it, and I just like

407
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Speaker 3: throw together the first thing that we thought.

408
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Speaker 6: Of and it could be just a starting point.

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Speaker 2: And I did download this whole piano.

410
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Speaker 6: Okay, I can use that too.

411
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Speaker 3: So for me to go through that work and for

412
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Speaker 3: you to say, oh, well I just did this, I

413
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Speaker 3: downloaded the entire piano.

414
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Speaker 2: Okay, so you use that as well.

415
00:19:34,440 --> 00:19:35,920
Speaker 6: Oh yeah, we can use both.

416
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Speaker 2: Thank you.

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Speaker 3: It doesn't work through the headphone jack, great, it only

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Speaker 3: plays on the speaker.

419
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Speaker 2: Okay, I tried. So what we have to do?

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Speaker 1: Good?

421
00:19:46,280 --> 00:19:51,879
Speaker 4: Oh wow, it's really resonant. Hmmm, that's beautiful. Oh wow,

422
00:19:52,640 --> 00:19:56,119
Speaker 4: are you feeling the same thing I'm feeling, Zach fear, Yeah, fear.

423
00:19:56,200 --> 00:19:57,480
Speaker 7: Yeah.

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Speaker 3: So what we have to do for the football song

425
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Speaker 3: is we have to figure a way to I guess

426
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Speaker 3: start with some of the sponsors.

427
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Speaker 1: Okay, we'll probably talk about Heineken a little bit. Yeah,

428
00:20:08,560 --> 00:20:12,000
Speaker 1: we'll probably talk about Scientology, the Church of Scientology.

429
00:20:12,119 --> 00:20:14,440
Speaker 2: Yeah, they're doing a big one this year.

430
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Speaker 3: Hmm.

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Speaker 1: They're gonna get in.

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Speaker 8: There, some some Dodos.

433
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Speaker 1: We got to talk about dairy Queen, right, fast food.

434
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Speaker 8: It's fan food, very good.

435
00:20:24,760 --> 00:20:28,800
Speaker 7: And then there's usually one that's with whatever political movement

436
00:20:28,840 --> 00:20:32,320
Speaker 7: has kind of like reached its zenith about America at

437
00:20:32,320 --> 00:20:32,720
Speaker 7: that time.

438
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Speaker 3: That is gonna be the dairy Queen one as well. Yeah,

439
00:20:37,000 --> 00:20:40,600
Speaker 3: they're doing a thing about the players, like kneeling or

440
00:20:40,800 --> 00:20:44,560
Speaker 3: standing up, but it's like with their burgers or something

441
00:20:44,600 --> 00:20:48,480
Speaker 3: like they should say that we should Yeah, they want

442
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Speaker 3: you to eat the burgers standing up on their sides.

443
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Speaker 2: They're saying real, like real.

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Speaker 1: And it tastes so good it'll bring you to your knees.

445
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Speaker 1: I guess as part of the center place. Yeah, I

446
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Speaker 1: guess you have to play both sides.

447
00:21:01,640 --> 00:21:01,800
Speaker 10: Yeah.

448
00:21:02,000 --> 00:21:03,520
Speaker 7: If you don't play both sides, I think you're going

449
00:21:03,600 --> 00:21:07,880
Speaker 7: to alienate a lot of your Yes, so the burgers

450
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Speaker 7: are patriotic, but they will make you unpatriotic unless you

451
00:21:12,600 --> 00:21:14,840
Speaker 7: think the kneeling is the most patriot I think we're safe.

452
00:21:14,840 --> 00:21:16,280
Speaker 7: I think we're safe on either side.

453
00:21:16,080 --> 00:21:16,600
Speaker 6: Of this point.

454
00:21:16,680 --> 00:21:16,880
Speaker 2: Yeah.

455
00:21:16,920 --> 00:21:18,520
Speaker 1: I think it's okay, because really, at the end of

456
00:21:18,520 --> 00:21:20,640
Speaker 1: the day, it's about a delicious tasting burger.

457
00:21:21,080 --> 00:21:22,520
Speaker 8: And what's more American than that?

458
00:21:23,720 --> 00:21:24,560
Speaker 1: Are you asking me?

459
00:21:24,800 --> 00:21:25,040
Speaker 4: Yep?

460
00:21:25,600 --> 00:21:27,840
Speaker 2: M shoo?

461
00:21:28,000 --> 00:21:28,760
Speaker 1: Gun to my head?

462
00:21:28,920 --> 00:21:29,200
Speaker 8: Yeah?

463
00:21:29,440 --> 00:21:30,200
Speaker 2: Pull the trigger?

464
00:21:31,119 --> 00:21:33,280
Speaker 4: Uh oh is that the answer?

465
00:21:33,520 --> 00:21:36,600
Speaker 1: Can't you know? I can't he like I can't positive

466
00:21:37,320 --> 00:21:38,080
Speaker 1: head situations.

467
00:21:38,160 --> 00:21:42,080
Speaker 2: But then it almost always ends shot.

468
00:21:42,160 --> 00:21:44,760
Speaker 1: I can't pick. I can't pick. You know.

469
00:21:46,240 --> 00:21:47,359
Speaker 8: Oh that's tough.

470
00:21:47,640 --> 00:21:50,320
Speaker 7: I mean, a gun to your head is a pretty

471
00:21:50,359 --> 00:21:54,680
Speaker 7: American thing, I will say.

472
00:21:55,160 --> 00:21:58,520
Speaker 5: Yeah, I mean, well, you know, I mean, here's the thing.

473
00:21:58,720 --> 00:22:00,119
Speaker 5: Let's get into the song.

474
00:22:00,640 --> 00:22:04,760
Speaker 1: And Uh, we will, uh, you know, hopefully get back

475
00:22:04,760 --> 00:22:07,600
Speaker 1: to that zach rynowswairs if there's time. If we have time, Yeah,

476
00:22:07,880 --> 00:22:10,000
Speaker 1: let me write it down. I'll write it down and

477
00:22:10,040 --> 00:22:12,080
Speaker 1: Hayes put it on a note card. Everyone can see that.

478
00:22:12,920 --> 00:22:14,080
Speaker 8: Okay, yeah, I seen a note card.

479
00:22:14,320 --> 00:22:15,080
Speaker 2: Just sick.

480
00:22:18,600 --> 00:22:21,880
Speaker 8: Yeah, Alliston, I'm sorry. It's true. It's true. I got

481
00:22:22,040 --> 00:22:23,160
Speaker 8: got one of them bugs.

482
00:22:23,320 --> 00:22:25,600
Speaker 1: First I thought you just liked tea, But now I'm

483
00:22:25,680 --> 00:22:27,440
Speaker 1: realizing that the tea is medicinal.

484
00:22:28,119 --> 00:22:30,560
Speaker 2: It's actually necessary for her even do this show.

485
00:22:30,400 --> 00:22:34,800
Speaker 3: And people actually work here and like have to breathe

486
00:22:34,880 --> 00:22:38,320
Speaker 3: in some of the air that's here that now has

487
00:22:38,400 --> 00:22:39,320
Speaker 3: your germs in it?

488
00:22:39,400 --> 00:22:40,080
Speaker 8: Are you?

489
00:22:40,080 --> 00:22:42,320
Speaker 1: Can you add to the note card? Change the microphones

490
00:22:42,320 --> 00:22:43,080
Speaker 1: after this one?

491
00:22:43,359 --> 00:22:45,680
Speaker 8: I'm sorry, you know, I'm sorry.

492
00:22:47,080 --> 00:22:55,080
Speaker 4: I coughed into the into my arm nook, like like

493
00:22:55,200 --> 00:22:58,560
Speaker 4: you're taught to keep others safe, But.

494
00:22:58,480 --> 00:23:02,600
Speaker 3: What if somebody wants to smell it later? Yeah, I

495
00:23:02,640 --> 00:23:05,240
Speaker 3: guess later, just like greed it just like as a

496
00:23:05,280 --> 00:23:09,400
Speaker 3: greeting is like, oh, like your arm nook like smells good.

497
00:23:09,440 --> 00:23:11,760
Speaker 3: Just as a way to like get to know someone

498
00:23:11,840 --> 00:23:13,879
Speaker 3: a little better and not just be looking at our

499
00:23:13,920 --> 00:23:14,720
Speaker 3: phones all the time.

500
00:23:14,760 --> 00:23:17,359
Speaker 2: I actually like talk to people and get to know them.

501
00:23:17,440 --> 00:23:20,560
Speaker 4: I guess I could offer them my other arm.

502
00:23:20,720 --> 00:23:24,160
Speaker 3: Okay, but that's imagine like the awkwardness of that someone's

503
00:23:24,160 --> 00:23:26,920
Speaker 3: approaching you, trying to put their face in your little

504
00:23:27,000 --> 00:23:28,240
Speaker 3: arm nook and you're like, oh.

505
00:23:28,119 --> 00:23:30,600
Speaker 8: No, there's only one, you're right, Yeah.

506
00:23:30,400 --> 00:23:31,560
Speaker 2: Someone could actually get hurt.

507
00:23:31,640 --> 00:23:33,800
Speaker 1: That actually could be pretty rude. If someone is trying

508
00:23:33,840 --> 00:23:35,720
Speaker 1: to greet you by smelling your arm nonk, and you

509
00:23:35,760 --> 00:23:37,959
Speaker 1: try to offer them the other one. That would be

510
00:23:38,200 --> 00:23:41,200
Speaker 1: an unusual way to sort of respond to a greeting.

511
00:23:41,520 --> 00:23:43,440
Speaker 4: Yeah, and it would really put me, put me in

512
00:23:43,440 --> 00:23:46,040
Speaker 4: a bind, you know, like now that how do I

513
00:23:46,119 --> 00:23:46,920
Speaker 4: unring that bell?

514
00:23:47,119 --> 00:23:50,520
Speaker 1: M A lot of stalling from doing the song. Yeah,

515
00:23:50,600 --> 00:23:52,920
Speaker 1: I seem like they don't really have what it.

516
00:23:52,880 --> 00:23:55,560
Speaker 2: Takes to a big song. Thank you? What happened, Brett?

517
00:23:56,119 --> 00:23:59,119
Speaker 6: I let the phone fall asleep. I just need you

518
00:23:59,200 --> 00:23:59,880
Speaker 6: to unlock it.

519
00:24:00,640 --> 00:24:01,160
Speaker 1: There you go.

520
00:24:01,280 --> 00:24:01,600
Speaker 6: Thanks?

521
00:24:02,960 --> 00:24:07,880
Speaker 3: Okay, So we were doing we need to involve Dorito's

522
00:24:08,160 --> 00:24:11,200
Speaker 3: Heineken Dairy Queen, not the ice cream stuff where they're

523
00:24:11,240 --> 00:24:14,600
Speaker 3: getting away from the ice cream. Burgers Burgers, just burgers.

524
00:24:14,680 --> 00:24:16,280
Speaker 3: It is a burger restaurant.

525
00:24:16,440 --> 00:24:18,760
Speaker 1: How yeah?

526
00:24:18,280 --> 00:24:18,399
Speaker 4: Uh?

527
00:24:18,880 --> 00:24:23,720
Speaker 3: And scientology and then the score and the sport and

528
00:24:23,760 --> 00:24:26,399
Speaker 3: who's playing right, and the score and the sport and

529
00:24:26,440 --> 00:24:28,960
Speaker 3: who's playing has been an update on stuff that happened

530
00:24:29,000 --> 00:24:33,320
Speaker 3: in the game. Okay, great, okay, so let's start. Let's

531
00:24:33,359 --> 00:24:33,960
Speaker 3: find it like.

532
00:24:33,920 --> 00:24:35,680
Speaker 1: We want to throw the zipercruiter around in there too.

533
00:24:35,880 --> 00:24:37,280
Speaker 2: That could be great for us.

534
00:24:37,400 --> 00:24:38,960
Speaker 8: I would love I would love that.

535
00:24:39,000 --> 00:24:41,920
Speaker 3: We are trying to get them back as advertisers that

536
00:24:41,920 --> 00:24:43,680
Speaker 3: that contract has lapsed.

537
00:24:44,400 --> 00:24:45,800
Speaker 2: Is it are you guys doing that?

538
00:24:45,840 --> 00:24:47,040
Speaker 8: We do not have ZipRecruiter?

539
00:24:47,080 --> 00:24:48,960
Speaker 2: We have That makes me feel much better.

540
00:24:49,080 --> 00:24:52,760
Speaker 4: Yeah, no, we don't have ZipRecruiter. Do you guys? Do

541
00:24:52,800 --> 00:24:55,359
Speaker 4: you guys got Lisa? Get some Lisa?

542
00:24:55,480 --> 00:24:57,720
Speaker 1: No, I think we're a cast show.

543
00:24:58,440 --> 00:25:00,720
Speaker 8: Yeah, you got to have your legiance, got to Yeah.

544
00:25:00,960 --> 00:25:02,840
Speaker 3: Can I just say, welcome to the family, you guys,

545
00:25:02,840 --> 00:25:05,879
Speaker 3: by the way, you welcome to Thank you so much.

546
00:25:05,920 --> 00:25:08,159
Speaker 2: I surely had the chance to say that it's so

547
00:25:08,280 --> 00:25:09,280
Speaker 2: wonderful having you here.

548
00:25:09,400 --> 00:25:14,840
Speaker 3: I will say, Uh, the new show Honeymoon goes away

549
00:25:15,560 --> 00:25:19,440
Speaker 3: real fast, and we have we have been there, and

550
00:25:19,560 --> 00:25:21,480
Speaker 3: the way they treat you when you're a new show,

551
00:25:21,640 --> 00:25:24,320
Speaker 3: it's pretty nice. I can still sort of remember it

552
00:25:24,359 --> 00:25:26,720
Speaker 3: at this point, but that rug comes out.

553
00:25:27,040 --> 00:25:30,000
Speaker 4: You are you guys still getting like your car's washed?

554
00:25:30,280 --> 00:25:32,760
Speaker 8: And uh like you getting?

555
00:25:33,000 --> 00:25:39,280
Speaker 3: Yeah, I'm getting a wash with spittle. Yes, Dana will

556
00:25:39,680 --> 00:25:42,080
Speaker 3: put her spittle on my car.

557
00:25:42,359 --> 00:25:42,560
Speaker 2: Yeah.

558
00:25:43,119 --> 00:25:45,200
Speaker 1: And I also think she may have some kind of

559
00:25:45,400 --> 00:25:48,240
Speaker 1: medical condition because when she's finished with Hayes' car, she

560
00:25:48,359 --> 00:25:49,680
Speaker 1: goes right over to mine.

561
00:25:49,680 --> 00:25:51,960
Speaker 2: And there's still plenty even more.

562
00:25:53,200 --> 00:25:56,400
Speaker 1: Yes, it's almost like she's able to generate and work

563
00:25:56,560 --> 00:26:01,720
Speaker 1: up like a spittle. Uh, the wave of sorts. And

564
00:26:01,960 --> 00:26:03,040
Speaker 1: does it get the car clean?

565
00:26:03,440 --> 00:26:03,680
Speaker 2: Yeah?

566
00:26:04,160 --> 00:26:05,560
Speaker 1: Does it feel respectful?

567
00:26:06,119 --> 00:26:06,159
Speaker 4: No?

568
00:26:07,760 --> 00:26:10,920
Speaker 3: And that happens after about twenty episodes. What are you

569
00:26:11,000 --> 00:26:11,359
Speaker 3: guys on?

570
00:26:11,560 --> 00:26:12,280
Speaker 8: We're on eighteen?

571
00:26:12,440 --> 00:26:15,440
Speaker 2: Oh my god, Well we have a great couple of weeks.

572
00:26:15,720 --> 00:26:17,160
Speaker 2: Please enjoy these times.

573
00:26:17,320 --> 00:26:21,440
Speaker 1: Soak up these two weeks. Do not take note of everything,

574
00:26:21,440 --> 00:26:23,880
Speaker 1: because you're gonna want to remember this because soon it's.

575
00:26:24,320 --> 00:26:25,440
Speaker 2: All spittle all the time.

576
00:26:25,960 --> 00:26:26,680
Speaker 8: Oh thanks, guys.

577
00:26:26,720 --> 00:26:29,119
Speaker 1: And they wash your car with it, and they're going

578
00:26:29,200 --> 00:26:32,520
Speaker 1: to do it on your phone, and they're gonna freaking

579
00:26:32,600 --> 00:26:35,119
Speaker 1: make you take a shower in it, and they're gonna

580
00:26:35,160 --> 00:26:39,480
Speaker 1: do it on your friends and your dad's friends and

581
00:26:39,600 --> 00:26:40,320
Speaker 1: your books.

582
00:26:40,640 --> 00:26:42,760
Speaker 2: Wait wa wait wait, And it's hard for older men

583
00:26:42,840 --> 00:26:43,560
Speaker 2: to make friends.

584
00:26:44,240 --> 00:26:44,400
Speaker 3: Yeah.

585
00:26:44,400 --> 00:26:46,200
Speaker 4: Are we talking to my dad's new friends or like

586
00:26:46,320 --> 00:26:48,840
Speaker 4: my dad's work friends or my dad's friends.

587
00:26:48,960 --> 00:26:50,679
Speaker 8: Friends new dad friends.

588
00:26:51,359 --> 00:26:55,639
Speaker 1: Yeah, who may not understand because it's still so fresh

589
00:26:55,760 --> 00:26:56,680
Speaker 1: the relationships.

590
00:26:56,800 --> 00:26:59,760
Speaker 8: Yeah, exactly, and they just exchange contact inform.

591
00:27:00,680 --> 00:27:02,280
Speaker 2: Yeah, it's hard to maintain them.

592
00:27:02,320 --> 00:27:04,280
Speaker 1: Oh, they bumped. They bumped their phones together.

593
00:27:04,320 --> 00:27:06,919
Speaker 4: They have that. They have that because both of them

594
00:27:06,960 --> 00:27:08,840
Speaker 4: have children. Who installed it for him and they thought,

595
00:27:09,000 --> 00:27:09,840
Speaker 4: now this is fun.

596
00:27:10,080 --> 00:27:11,720
Speaker 1: Yeah, they both met and went do you bump?

597
00:27:12,080 --> 00:27:12,480
Speaker 2: Do I?

598
00:27:13,119 --> 00:27:13,959
Speaker 7: And then they bumped.

599
00:27:15,359 --> 00:27:15,479
Speaker 9: Oh?

600
00:27:15,600 --> 00:27:17,959
Speaker 2: Man, so let's come up with a good Brett. Can

601
00:27:18,000 --> 00:27:19,280
Speaker 2: we have a first note? Please?

602
00:27:22,440 --> 00:27:24,240
Speaker 7: Oh that's multi Brett.

603
00:27:25,160 --> 00:27:26,720
Speaker 6: What for a note?

604
00:27:27,400 --> 00:27:28,680
Speaker 2: Like a real one?

605
00:27:28,760 --> 00:27:29,159
Speaker 3: To me?

606
00:27:29,200 --> 00:27:29,800
Speaker 2: A real note?

607
00:27:30,520 --> 00:27:31,919
Speaker 6: We why have a note? Stopped telling me.

608
00:27:31,960 --> 00:27:32,280
Speaker 9: What to do?

609
00:27:33,080 --> 00:27:33,399
Speaker 7: All right?

610
00:27:33,520 --> 00:27:33,760
Speaker 8: Wow?

611
00:27:34,320 --> 00:27:38,920
Speaker 4: He played with a homophone there, and I am shocked.

612
00:27:39,400 --> 00:27:40,600
Speaker 1: This tour changed him.

613
00:27:40,640 --> 00:27:44,040
Speaker 3: I know he's been hanging out with these rockers, the

614
00:27:44,240 --> 00:27:46,000
Speaker 3: grossest crust punks.

615
00:27:46,880 --> 00:27:49,280
Speaker 1: I knew this would happened. And we got two Cody's

616
00:27:49,320 --> 00:27:49,800
Speaker 1: on our hands.

617
00:27:49,880 --> 00:27:51,879
Speaker 6: Now, how about that?

618
00:27:52,320 --> 00:27:52,840
Speaker 7: That's a note?

619
00:27:53,280 --> 00:27:55,399
Speaker 1: A little murky that sounds like the first note of

620
00:27:55,480 --> 00:28:05,040
Speaker 1: that in the end, but like a party gets a

621
00:28:05,080 --> 00:28:05,919
Speaker 1: little murky.

622
00:28:06,760 --> 00:28:13,200
Speaker 4: Ball soup, soup soup, super Ball soup, soup, soup soup.

623
00:28:14,000 --> 00:28:17,920
Speaker 1: Okay, okay, I'm sorry.

624
00:28:19,440 --> 00:28:22,760
Speaker 8: Sorry, run through that louve again.

625
00:28:22,960 --> 00:28:25,440
Speaker 3: First of all, instead of soup, we need to be

626
00:28:25,520 --> 00:28:28,960
Speaker 3: talking about burgers from Derrek Quick.

627
00:28:29,040 --> 00:28:33,160
Speaker 1: You're right right, they don't sell soup.

628
00:28:33,000 --> 00:28:36,280
Speaker 8: There, but they do sell chili. Now, what makes a

629
00:28:36,400 --> 00:28:37,680
Speaker 8: soup and what makes a chill?

630
00:28:37,960 --> 00:28:40,440
Speaker 1: I knew you were going to do this. Okay, here

631
00:28:40,560 --> 00:28:40,800
Speaker 1: we go.

632
00:28:41,480 --> 00:28:43,800
Speaker 8: I'm sorry, this is my old soup buck. So what

633
00:28:44,080 --> 00:28:46,040
Speaker 8: makes a soup and what makes a chili?

634
00:28:47,400 --> 00:28:50,840
Speaker 1: Okay, just let's really don't get it, get it out

635
00:28:50,880 --> 00:28:51,680
Speaker 1: of your s stuff.

636
00:28:52,240 --> 00:28:54,440
Speaker 3: Just let's just we'll play the whole thing out because

637
00:28:54,440 --> 00:28:55,760
Speaker 3: I know we're not going to be able to move

638
00:28:55,840 --> 00:28:57,520
Speaker 3: on until you do your soup chili.

639
00:28:57,640 --> 00:28:59,960
Speaker 7: Then you need to deliver the hierarchy of beans again.

640
00:29:00,000 --> 00:29:02,000
Speaker 1: And Brad makeing No, this is gonna be about twenty

641
00:29:02,080 --> 00:29:05,000
Speaker 1: five minutes, so you know, yeah, so you just mark

642
00:29:05,080 --> 00:29:05,960
Speaker 1: the beginning of this.

643
00:29:07,040 --> 00:29:10,600
Speaker 4: I'm just saying a lot of soups are just what

644
00:29:10,720 --> 00:29:13,040
Speaker 4: are they? They are components of several ingredients that you

645
00:29:13,160 --> 00:29:15,479
Speaker 4: have in a bowl. Now, when do we transition from

646
00:29:15,520 --> 00:29:18,080
Speaker 4: soup to stew? And is chili if not a soup?

647
00:29:18,160 --> 00:29:19,440
Speaker 8: Isn't it merely a stew?

648
00:29:20,800 --> 00:29:22,480
Speaker 4: Is it the fact that the meat is ground that

649
00:29:22,600 --> 00:29:25,040
Speaker 4: makes it a chili? Well, you can have vegetarian chili

650
00:29:25,280 --> 00:29:27,320
Speaker 4: if you take out the ground meat. It looks just

651
00:29:27,440 --> 00:29:30,280
Speaker 4: like a tomatoey vegetable soup to me. And yes, I

652
00:29:30,320 --> 00:29:33,880
Speaker 4: would like to go over the bean hierarchy. Kidney beans,

653
00:29:34,080 --> 00:29:36,440
Speaker 4: garbonzo beans, black beans.

654
00:29:36,920 --> 00:29:38,920
Speaker 8: Those are the beans that I'm dealing with in my chili,

655
00:29:39,960 --> 00:29:41,760
Speaker 8: and I think they could also be in a soup.

656
00:29:41,920 --> 00:29:43,840
Speaker 2: Kevin, don't leave while she's talking.

657
00:29:44,080 --> 00:29:46,440
Speaker 6: Yeah, Ken, she's.

658
00:29:46,320 --> 00:29:47,480
Speaker 2: Trying to say something.

659
00:29:47,600 --> 00:29:48,280
Speaker 1: She's asking you.

660
00:29:48,520 --> 00:29:52,920
Speaker 4: I'm this is this is not this is not rhetorical, Okay,

661
00:29:53,080 --> 00:29:54,720
Speaker 4: I really want people to help me decide.

662
00:29:55,360 --> 00:29:56,160
Speaker 8: Why isn't it chili?

663
00:29:56,360 --> 00:29:56,479
Speaker 11: Here?

664
00:29:56,480 --> 00:30:01,640
Speaker 1: Here she goes again. Sit down, Kevin, actually be polite

665
00:30:01,680 --> 00:30:03,920
Speaker 1: while people are trying to do a show. Come on,

666
00:30:05,880 --> 00:30:08,240
Speaker 1: and maybe Chef Kevin could answer your question. I mean,

667
00:30:08,440 --> 00:30:11,040
Speaker 1: this is a guy who actually specialized.

668
00:30:10,360 --> 00:30:11,400
Speaker 2: Like his food stuff.

669
00:30:11,600 --> 00:30:17,040
Speaker 1: Yeah, and no wonder you're just sick.

670
00:30:18,800 --> 00:30:21,920
Speaker 12: Hey, guys, Chef Kevin here, Sorry Jess for walking out.

671
00:30:21,960 --> 00:30:23,000
Speaker 12: That was inappropriate.

672
00:30:23,160 --> 00:30:23,400
Speaker 1: Thank you.

673
00:30:24,600 --> 00:30:26,200
Speaker 12: What makes a super?

674
00:30:27,040 --> 00:30:31,120
Speaker 4: Why isn't chili a soup. Look at I'm on my

675
00:30:31,240 --> 00:30:34,080
Speaker 4: soup bocks. Why isn't chili a soup?

676
00:30:35,520 --> 00:30:41,200
Speaker 12: Why isn't chili a soup? I think because is it

677
00:30:41,320 --> 00:30:43,760
Speaker 12: often made as a stew? Was it first made as

678
00:30:43,800 --> 00:30:44,200
Speaker 12: a stew?

679
00:30:44,440 --> 00:30:44,760
Speaker 8: Chili?

680
00:30:45,120 --> 00:30:48,200
Speaker 4: Yeah, like in a crock pot, can be in a

681
00:30:48,280 --> 00:30:50,880
Speaker 4: crock pot, But I don't think that that's what makes

682
00:30:50,920 --> 00:30:51,520
Speaker 4: a stew.

683
00:30:51,920 --> 00:30:54,080
Speaker 7: Kevin is someone who works with Jess Luck. Can I

684
00:30:54,080 --> 00:30:56,240
Speaker 7: give you a little bit of a of a rope here.

685
00:30:56,960 --> 00:30:58,840
Speaker 7: What you need to do in this situation is you

686
00:30:58,920 --> 00:31:01,560
Speaker 7: need to figure out what Jess thinks the answer is sure,

687
00:31:01,560 --> 00:31:04,960
Speaker 7: I need to present that answer to her. Yeah, and

688
00:31:05,080 --> 00:31:07,000
Speaker 7: then so you got to figure out what she's looking

689
00:31:07,040 --> 00:31:07,600
Speaker 7: for you to say.

690
00:31:07,720 --> 00:31:08,600
Speaker 1: I get a better question.

691
00:31:08,720 --> 00:31:10,000
Speaker 2: Why isn't chili chili?

692
00:31:11,120 --> 00:31:12,240
Speaker 1: That's as hot as heck?

693
00:31:13,400 --> 00:31:13,560
Speaker 3: Right?

694
00:31:14,360 --> 00:31:14,640
Speaker 5: Thank you?

695
00:31:15,080 --> 00:31:17,160
Speaker 1: I mean, I you know, you tell me, hey, here,

696
00:31:17,280 --> 00:31:20,000
Speaker 1: this is chili. Next thing I know, I burned my

697
00:31:20,160 --> 00:31:23,960
Speaker 1: mouth and I'm not expecting the temperature.

698
00:31:24,440 --> 00:31:26,200
Speaker 8: You know what, it's hot both ways.

699
00:31:26,280 --> 00:31:30,600
Speaker 3: Sometimes this is all sort of like Kevin's shaking me up.

700
00:31:31,840 --> 00:31:34,120
Speaker 3: Kevin's sort of He's a blue apron chef, so his

701
00:31:34,320 --> 00:31:37,600
Speaker 3: experience is most in making soup is mostly pouring boiling

702
00:31:37,640 --> 00:31:41,520
Speaker 3: hot water on a little plastic tray of ingredients.

703
00:31:41,880 --> 00:31:44,880
Speaker 2: Right, and then it's like just suddenly.

704
00:31:44,600 --> 00:31:47,040
Speaker 7: You guys still have that blue Apron sponsorship.

705
00:31:46,840 --> 00:31:48,680
Speaker 2: That has lapsed as well, has gone.

706
00:31:48,760 --> 00:31:51,080
Speaker 1: Yes, that contract has expired. We had to do a

707
00:31:51,160 --> 00:31:52,400
Speaker 1: couple free ones for him.

708
00:31:52,600 --> 00:31:55,680
Speaker 3: Some of them have gone away without much fanfare. That

709
00:31:55,880 --> 00:31:59,800
Speaker 3: one was announced pretty well half time. Then we might

710
00:32:00,040 --> 00:32:03,680
Speaker 3: lose it if we if we didn't straighten up so

711
00:32:04,320 --> 00:32:06,880
Speaker 3: that it's you know, hard to not not a lot

712
00:32:06,920 --> 00:32:08,440
Speaker 3: of mystery about what happened there.

713
00:32:09,080 --> 00:32:10,920
Speaker 1: Yeah, some of them we look at and we go like, hey,

714
00:32:11,000 --> 00:32:12,160
Speaker 1: do we have this anymore?

715
00:32:12,280 --> 00:32:12,760
Speaker 5: Is that gone?

716
00:32:12,840 --> 00:32:14,840
Speaker 1: But believe but it was like this is going.

717
00:32:16,960 --> 00:32:19,560
Speaker 12: Most of my job is spent offending Sean and Hayes

718
00:32:19,600 --> 00:32:20,560
Speaker 12: to advertisers.

719
00:32:24,080 --> 00:32:27,240
Speaker 1: Okay, now, why we are trying to do the nice

720
00:32:27,640 --> 00:32:32,360
Speaker 1: song good coming. Imagine a good song about some nice

721
00:32:32,440 --> 00:32:36,480
Speaker 1: companies that makes you want to watch football and the score.

722
00:32:36,640 --> 00:32:38,400
Speaker 8: I'm so sorry, I'm so sorry to interrupt.

723
00:32:38,800 --> 00:32:40,480
Speaker 4: Is it a good song about nice companies or a

724
00:32:40,600 --> 00:32:42,560
Speaker 4: nice song about good companies that's just going to inform

725
00:32:42,920 --> 00:32:44,840
Speaker 4: I think like the types of notes we use.

726
00:32:45,000 --> 00:32:48,800
Speaker 1: Yeah, okay, this is a great question. I know Kevin

727
00:32:48,880 --> 00:32:50,240
Speaker 1: what he said, teacher's pet.

728
00:32:50,400 --> 00:32:54,920
Speaker 12: Yes, you you probably would like a nice song about companies, right.

729
00:32:55,040 --> 00:32:56,520
Speaker 1: Yeah, I would a good company.

730
00:32:57,960 --> 00:32:59,240
Speaker 6: I don't know how to play nice.

731
00:33:02,040 --> 00:33:05,040
Speaker 1: And he's wearing a fear shirt and he's wearing no

732
00:33:05,240 --> 00:33:07,200
Speaker 1: fear shirt, so we know it's true.

733
00:33:07,760 --> 00:33:10,040
Speaker 6: I can do good music. I can't do nice new

734
00:33:10,120 --> 00:33:11,040
Speaker 6: song man.

735
00:33:12,120 --> 00:33:16,040
Speaker 4: Well, I mean we can make good We can make

736
00:33:16,080 --> 00:33:17,640
Speaker 4: a good song about good companies.

737
00:33:17,800 --> 00:33:18,160
Speaker 1: I guess.

738
00:33:21,240 --> 00:33:24,880
Speaker 3: Okay, this is how we This is our new approach

739
00:33:25,400 --> 00:33:28,120
Speaker 3: to getting some advertisers back now that we have lost

740
00:33:28,200 --> 00:33:32,280
Speaker 3: so many is winning contests like the Rock the super

741
00:33:32,320 --> 00:33:34,440
Speaker 3: Bowl contest, which is what we.

742
00:33:34,480 --> 00:33:37,400
Speaker 1: Are entering with this song. And unfortunately your names will

743
00:33:37,400 --> 00:33:40,120
Speaker 1: not be on the submission is mainly me and Hayes' song.

744
00:33:40,200 --> 00:33:41,880
Speaker 1: But we do need a little bit of your help.

745
00:33:41,920 --> 00:33:44,160
Speaker 1: And you guys sound like you're doing fine and we're

746
00:33:44,200 --> 00:33:46,240
Speaker 1: helping you advertise. Well, yeah, because you got.

747
00:33:46,240 --> 00:33:49,080
Speaker 3: Least w get ready because after a few weeks they

748
00:33:49,120 --> 00:33:49,840
Speaker 3: start emailing you.

749
00:33:49,920 --> 00:33:51,800
Speaker 2: It's say your ads were bad.

750
00:33:52,640 --> 00:33:56,200
Speaker 1: Yeah, and do them again, and don't mention pedophilia or

751
00:33:56,280 --> 00:33:59,480
Speaker 1: whatever it is that you know that this particular advertiser

752
00:33:59,480 --> 00:34:02,720
Speaker 1: doesn't want ussociated because They never say that stuff in advance.

753
00:34:02,720 --> 00:34:06,360
Speaker 1: It's not only after you get it wrong. They just

754
00:34:06,480 --> 00:34:09,560
Speaker 1: go sniffing around and dig out something you said that

755
00:34:09,640 --> 00:34:11,680
Speaker 1: They don't go like, well you weren't supposed to say this,

756
00:34:11,880 --> 00:34:15,319
Speaker 1: and it's like, well you should have to give me guys, yeah,

757
00:34:15,480 --> 00:34:17,879
Speaker 1: right right now. We don't have to pay the money

758
00:34:17,960 --> 00:34:20,200
Speaker 1: for the ad because you mentioned you know whatever it

759
00:34:20,320 --> 00:34:21,759
Speaker 1: is pedophilia or whatever else.

760
00:34:21,920 --> 00:34:23,920
Speaker 3: So can we start over? And this is like our

761
00:34:24,040 --> 00:34:26,640
Speaker 3: role in this as like creators of it is. Yes,

762
00:34:26,719 --> 00:34:28,560
Speaker 3: you guys are singing and writing the words of the song,

763
00:34:28,640 --> 00:34:31,040
Speaker 3: but we're giving you notes along the way, which is.

764
00:34:31,680 --> 00:34:33,839
Speaker 1: Which is us helping and that's why it's ours.

765
00:34:34,560 --> 00:34:38,240
Speaker 3: Uh, can we do it again? I like the melody.

766
00:34:39,160 --> 00:34:42,680
Speaker 3: I like talking about the super Bowl, but no souper discussion.

767
00:34:43,239 --> 00:34:45,439
Speaker 3: You got that idea system. It has to be about

768
00:34:45,480 --> 00:34:46,719
Speaker 3: dairy queen bergers.

769
00:34:48,280 --> 00:34:55,840
Speaker 6: Brett Well, okay, burgers.

770
00:34:55,280 --> 00:34:59,440
Speaker 4: On their side side side and make you fall to.

771
00:35:04,600 --> 00:35:08,200
Speaker 7: I'm sorry, what's the matter, Well, I just he said

772
00:35:08,239 --> 00:35:10,600
Speaker 7: that the melody was the same. Yeah, he said that

773
00:35:10,640 --> 00:35:11,960
Speaker 7: the melody didn't change.

774
00:35:12,160 --> 00:35:14,160
Speaker 3: So I was wondering about that too. I'm not a

775
00:35:14,280 --> 00:35:16,919
Speaker 3: music guy, but it did seem like a change quite.

776
00:35:17,000 --> 00:35:20,120
Speaker 7: I was using the melody from in the Lincoln Parks

777
00:35:20,160 --> 00:35:20,719
Speaker 7: in the end.

778
00:35:20,880 --> 00:35:23,080
Speaker 4: Well, I was afraid that when I didn't hear from

779
00:35:23,200 --> 00:35:25,600
Speaker 4: Brett that I needed to vamp and sort of make

780
00:35:25,640 --> 00:35:30,040
Speaker 4: a new intro until Brett caught up and Zach.

781
00:35:29,920 --> 00:35:31,000
Speaker 6: I'm wondering which I did.

782
00:35:31,120 --> 00:35:33,080
Speaker 1: Are you how married are you to your last name?

783
00:35:33,200 --> 00:35:35,840
Speaker 1: Because I know we really loved this rhino thing, but

784
00:35:36,000 --> 00:35:37,560
Speaker 1: it's pretty close to heine Ken?

785
00:35:37,840 --> 00:35:38,080
Speaker 7: Sure?

786
00:35:38,800 --> 00:35:42,680
Speaker 1: And can we can you be Zach? Can you sort

787
00:35:42,719 --> 00:35:43,839
Speaker 1: of burst onto the track?

788
00:35:44,080 --> 00:35:44,279
Speaker 9: Yeah?

789
00:35:44,400 --> 00:35:46,719
Speaker 1: Yoh, kind of kid on the track.

790
00:35:46,560 --> 00:35:48,640
Speaker 3: And we can break it down in a little like

791
00:35:48,880 --> 00:35:51,800
Speaker 3: for example, for example like a Lincoln part jay Z

792
00:35:52,040 --> 00:35:55,840
Speaker 3: collaboration where you bust in as Zach kind of.

793
00:35:55,880 --> 00:35:57,239
Speaker 7: Kid much like collision course.

794
00:35:57,480 --> 00:35:59,880
Speaker 1: Yes, yes, and you start spitting a little bit.

795
00:36:00,040 --> 00:36:02,520
Speaker 7: I think that's good, So Jess, I apologize. I'm gonna

796
00:36:02,560 --> 00:36:04,799
Speaker 7: let you do the intro then, Zach kinde and will

797
00:36:04,840 --> 00:36:05,160
Speaker 7: bust in?

798
00:36:05,360 --> 00:36:05,919
Speaker 8: Okay, great?

799
00:36:06,200 --> 00:36:06,359
Speaker 9: Yes?

800
00:36:06,440 --> 00:36:09,200
Speaker 8: And now should I should I let Brett start so

801
00:36:09,320 --> 00:36:09,920
Speaker 8: I don't have to.

802
00:36:10,280 --> 00:36:11,440
Speaker 2: I don't van let me.

803
00:36:12,080 --> 00:36:15,360
Speaker 10: Let's let me get this in this intro. I need to, like,

804
00:36:15,840 --> 00:36:19,439
Speaker 10: let's not count on Brett for anything. Okay, okay, okay,

805
00:36:19,440 --> 00:36:24,759
Speaker 10: and if he helps, that's great, that's it.

806
00:36:24,960 --> 00:36:25,080
Speaker 6: Right.

807
00:36:28,600 --> 00:36:32,240
Speaker 8: We have to pay for this, probably I think not anymore.

808
00:36:32,360 --> 00:36:33,560
Speaker 2: Now it's fair.

809
00:36:34,200 --> 00:36:34,600
Speaker 1: It's fair.

810
00:36:34,800 --> 00:36:37,120
Speaker 2: Use. It's fair used because you changed the melody.

811
00:36:37,719 --> 00:36:40,600
Speaker 8: I mean, I mean I did.

812
00:36:40,880 --> 00:36:43,560
Speaker 4: I was the fair The paying for it was also

813
00:36:43,600 --> 00:36:46,399
Speaker 4: I thought they crossed my head when I so, we'll

814
00:36:46,400 --> 00:36:47,040
Speaker 4: switching it up.

815
00:36:47,120 --> 00:36:48,239
Speaker 8: Are we worried we.

816
00:36:48,280 --> 00:36:49,239
Speaker 1: Don't have to use it?

817
00:36:49,480 --> 00:36:51,840
Speaker 7: I know that you have a contentious personal relationship with

818
00:36:51,920 --> 00:36:52,560
Speaker 7: Lincoln Park.

819
00:36:53,640 --> 00:36:57,360
Speaker 4: That's right, the neighborhood outside Chicago, and I adopt not

820
00:36:57,480 --> 00:36:59,520
Speaker 4: the band, but it makes it hard to work with

821
00:36:59,560 --> 00:36:59,839
Speaker 4: the band.

822
00:37:00,080 --> 00:37:07,360
Speaker 7: Well, yeah, the magic case and a major key is better, very.

823
00:37:07,239 --> 00:37:10,440
Speaker 8: Good, lot more American football sounding.

824
00:37:10,640 --> 00:37:13,000
Speaker 4: We want to be a major Keys is an exciting event.

825
00:37:13,239 --> 00:37:17,520
Speaker 2: Drum Oh yeah, okay.

826
00:37:18,040 --> 00:37:23,440
Speaker 4: Burgers on their side side side makes you fall to

827
00:37:23,760 --> 00:37:24,360
Speaker 4: your knees.

828
00:37:25,440 --> 00:37:26,440
Speaker 8: It's day.

829
00:37:27,760 --> 00:37:33,879
Speaker 1: Queen, stay queen and zip recruiter that kind of can.

830
00:37:34,000 --> 00:37:37,760
Speaker 11: In the Super Bowl, everyone is touching down Miami Dolphins

831
00:37:37,880 --> 00:37:38,719
Speaker 11: Tnver Broncos.

832
00:37:38,840 --> 00:37:40,720
Speaker 6: And the score, what is the score.

833
00:37:41,000 --> 00:37:45,839
Speaker 1: It's just halftimes zero zero. Little toy game number one

834
00:37:45,880 --> 00:37:47,680
Speaker 1: wins everyone a field goal.

835
00:37:47,800 --> 00:37:57,160
Speaker 3: Now, okay, wow, we're close we're really really close, really close.

836
00:37:57,239 --> 00:37:59,719
Speaker 1: We nail when you take your time, we nailed this.

837
00:38:00,320 --> 00:38:02,879
Speaker 1: I think it's a great call that a field goal

838
00:38:03,000 --> 00:38:03,960
Speaker 1: happens during that.

839
00:38:04,000 --> 00:38:05,040
Speaker 2: Half time show.

840
00:38:05,239 --> 00:38:06,400
Speaker 1: That's so smart.

841
00:38:06,960 --> 00:38:10,359
Speaker 9: It would be a legendary occurrence at Super Bowl if

842
00:38:11,320 --> 00:38:14,399
Speaker 9: if there was a halftime field goal, if the kicker

843
00:38:14,520 --> 00:38:17,200
Speaker 9: snuck onto the field and just racked up a couple

844
00:38:17,320 --> 00:38:17,880
Speaker 9: extra points.

845
00:38:18,719 --> 00:38:22,120
Speaker 1: Well, there's no defense. I can't believe no one has

846
00:38:22,280 --> 00:38:23,040
Speaker 1: tried it yet.

847
00:38:23,239 --> 00:38:25,120
Speaker 2: Yes, it's totally unprotected.

848
00:38:25,680 --> 00:38:28,160
Speaker 8: Football are not doing enough sneak about well.

849
00:38:28,280 --> 00:38:30,520
Speaker 1: I think they're worried, especially at the Super Bowl, that

850
00:38:30,560 --> 00:38:36,279
Speaker 1: they're gonna maybe hit like yes, yeah, lays down from

851
00:38:36,320 --> 00:38:39,439
Speaker 1: the roof and she's going to block it or catch

852
00:38:39,520 --> 00:38:41,080
Speaker 1: it and run it to the other end zone.

853
00:38:41,200 --> 00:38:48,640
Speaker 4: That football it kicked off Janet Jackson's top again, scary, scary.

854
00:38:48,680 --> 00:38:50,520
Speaker 7: You don't want to be the player that accidentally is

855
00:38:50,560 --> 00:38:53,440
Speaker 7: the reason that Lady Gaga scored an interception on the

856
00:38:53,520 --> 00:38:58,719
Speaker 7: other side, No, that would be a really.

857
00:38:58,600 --> 00:39:01,439
Speaker 4: Dubious like to be careful because I'm pretty sure most

858
00:39:01,480 --> 00:39:02,840
Speaker 4: of her outfits are made of velcrow.

859
00:39:02,960 --> 00:39:05,480
Speaker 3: So that ball, you know, yeah, and as we all know,

860
00:39:05,600 --> 00:39:09,960
Speaker 3: a football it hits it's gotta may may never.

861
00:39:09,960 --> 00:39:10,560
Speaker 2: Get it off.

862
00:39:11,600 --> 00:39:12,480
Speaker 1: You never get it off.

863
00:39:12,920 --> 00:39:14,400
Speaker 8: In fact, I would love for that to.

864
00:39:14,400 --> 00:39:16,160
Speaker 7: Be the chorus. I was gonna say, when you just

865
00:39:16,239 --> 00:39:18,160
Speaker 7: when it came out of your mouth, you'll never get

866
00:39:18,200 --> 00:39:18,440
Speaker 7: it off.

867
00:39:18,480 --> 00:39:20,600
Speaker 1: You'll never get They call it the pig skin because

868
00:39:20,640 --> 00:39:22,680
Speaker 1: it is made of the other side of velcro.

869
00:39:22,920 --> 00:39:26,279
Speaker 2: That's right, Okay, so we can get we can jump

870
00:39:26,360 --> 00:39:26,600
Speaker 2: back in.

871
00:39:27,800 --> 00:39:32,320
Speaker 3: I think this is after Zach Heinigan's first uh, the

872
00:39:32,360 --> 00:39:34,280
Speaker 3: first time he busts it onto the draft.

873
00:39:34,040 --> 00:39:36,360
Speaker 5: Which is not to say that Zach heyde can doesn't

874
00:39:36,440 --> 00:39:38,880
Speaker 5: have two or three more versus Yeah.

875
00:39:38,920 --> 00:39:40,719
Speaker 2: We want people to think he's gone.

876
00:39:40,880 --> 00:39:42,359
Speaker 7: Sure. I think I think the good part.

877
00:39:43,040 --> 00:39:45,319
Speaker 5: I do want enough time to pass that people are like, oh,

878
00:39:45,440 --> 00:39:48,799
Speaker 5: too bad Zach Heineken left, and then he could really

879
00:39:49,000 --> 00:39:51,319
Speaker 5: sneak up on the microphone.

880
00:39:50,760 --> 00:39:52,279
Speaker 8: And yeah, I think that's yeah.

881
00:39:52,320 --> 00:39:54,359
Speaker 1: Maybe even the second time he comes in, he's kind

882
00:39:54,360 --> 00:39:56,319
Speaker 1: of quiet and you're not sure if he's back.

883
00:39:56,440 --> 00:39:58,040
Speaker 7: You're like whispering in the background.

884
00:39:58,560 --> 00:40:01,080
Speaker 1: Who that could be? So you're like you got to

885
00:40:01,120 --> 00:40:02,640
Speaker 1: sort of go like, wait a minute, is that kind

886
00:40:02,680 --> 00:40:03,640
Speaker 1: of it's still here.

887
00:40:03,640 --> 00:40:04,799
Speaker 7: In the room now?

888
00:40:05,239 --> 00:40:06,560
Speaker 8: I you did that great?

889
00:40:06,800 --> 00:40:09,840
Speaker 4: I think It was almost like a lyrical drop sn

890
00:40:10,120 --> 00:40:14,920
Speaker 4: of ZipRecruiter, Yes, which I loved. It's just as a musician,

891
00:40:15,200 --> 00:40:18,120
Speaker 4: as someone who likes music, as someone who appreciates what

892
00:40:18,239 --> 00:40:21,759
Speaker 4: ZipRecruiter does. Do you feel like we still need to

893
00:40:21,880 --> 00:40:24,680
Speaker 4: honor ZipRecruiter for other than the song or does that

894
00:40:24,960 --> 00:40:25,680
Speaker 4: covers the precruiter?

895
00:40:25,719 --> 00:40:27,560
Speaker 8: Do we move on to Church of scientology. I'm just

896
00:40:27,560 --> 00:40:28,479
Speaker 8: trying to think of it again.

897
00:40:28,560 --> 00:40:31,920
Speaker 1: I'm not necessarily trained in music. Okay, Well, what I

898
00:40:32,040 --> 00:40:35,800
Speaker 1: do know is just in terms of song structure, you

899
00:40:35,920 --> 00:40:37,400
Speaker 1: can't have too much ZipRecruiter.

900
00:40:37,560 --> 00:40:40,160
Speaker 3: Yeah, because the way Zipprecruiter works, they are not an

901
00:40:40,200 --> 00:40:43,279
Speaker 3: actual company. They are an algorithm that places ads on

902
00:40:43,440 --> 00:40:47,640
Speaker 3: podcasts and then they troll the sonic file of the

903
00:40:47,719 --> 00:40:50,640
Speaker 3: podcast for the name ZipRecruiter. That's when you get paid

904
00:40:50,680 --> 00:40:53,520
Speaker 3: every time you say the names. So there's no reason

905
00:40:53,600 --> 00:40:54,560
Speaker 3: to stop saying.

906
00:40:54,360 --> 00:40:56,239
Speaker 7: I wouldn't stop it. In fact, I would say that

907
00:40:56,360 --> 00:40:58,839
Speaker 7: I think you should be drawing some inspiration from DJ

908
00:40:59,000 --> 00:41:03,200
Speaker 7: Collin right now in the way that Zipercruiter is integrated

909
00:41:03,200 --> 00:41:03,759
Speaker 7: into the song.

910
00:41:04,840 --> 00:41:07,920
Speaker 4: And I was just going to make a hilarious reference

911
00:41:08,040 --> 00:41:11,279
Speaker 4: to all of our favorite SNL sketch and say that

912
00:41:11,680 --> 00:41:15,000
Speaker 4: I think the zippercruiter might be the cowbell of this.

913
00:41:15,200 --> 00:41:17,880
Speaker 1: Song if you could play it.

914
00:41:21,000 --> 00:41:24,080
Speaker 8: Yeah, and I think we need more zipercruiter.

915
00:41:24,320 --> 00:41:27,239
Speaker 1: Okay, you've got you've got a fever.

916
00:41:27,880 --> 00:41:28,480
Speaker 2: Here we go.

917
00:41:30,239 --> 00:41:34,080
Speaker 4: Yeah, okay, okay, so this is the second verse now, yes, one,

918
00:41:34,400 --> 00:41:35,759
Speaker 4: the tempo goes way up.

919
00:41:41,400 --> 00:41:44,040
Speaker 6: It's don't.

920
00:41:46,200 --> 00:41:50,160
Speaker 4: Do you need help with your mind? We have problems,

921
00:41:50,280 --> 00:41:55,719
Speaker 4: solutions you'll find. Come with us, come to explore, to

922
00:41:55,800 --> 00:41:57,959
Speaker 4: see what scientology has a star.

923
00:42:03,360 --> 00:42:05,480
Speaker 1: I was here on the track all along. You didn't

924
00:42:05,480 --> 00:42:08,560
Speaker 1: see me. I was hiding timber Broncos. Just go a touchdown?

925
00:42:08,600 --> 00:42:11,080
Speaker 1: How halftimes still going on? Miami told me and start

926
00:42:11,120 --> 00:42:13,439
Speaker 1: a riot, fighting the field, fighting the field with knives

927
00:42:13,480 --> 00:42:15,200
Speaker 1: and guns and guns and knives steals.

928
00:42:15,320 --> 00:42:18,160
Speaker 7: Now stand down now, now, Neila, stand back up, finding

929
00:42:18,200 --> 00:42:19,160
Speaker 7: can drink it all.

930
00:42:19,440 --> 00:42:22,960
Speaker 1: ZipRecruiter, DJ callen, we ain't stopping.

931
00:42:25,920 --> 00:42:28,279
Speaker 2: Okay, that was good. Okay, Bratt.

932
00:42:29,680 --> 00:42:31,680
Speaker 1: It seems that times to get harder for you to

933
00:42:31,760 --> 00:42:35,200
Speaker 1: play those like six notes as we go on.

934
00:42:35,400 --> 00:42:36,440
Speaker 6: Incredibly.

935
00:42:40,560 --> 00:42:43,720
Speaker 2: Piano downloaded onto a phone.

936
00:42:46,280 --> 00:42:48,600
Speaker 1: Yeah, I guess I sort of introduced the idea at

937
00:42:48,640 --> 00:42:53,920
Speaker 1: the end that people want Zippercruiter to stop. And that

938
00:42:54,120 --> 00:42:57,480
Speaker 1: was a little bit of the DJ Kalen inspiration. As

939
00:42:57,520 --> 00:43:00,560
Speaker 1: we all know, a lot of people told him to stop. Yeah,

940
00:43:00,680 --> 00:43:06,279
Speaker 1: and he has not forgotten that. He in fact refuses.

941
00:43:06,719 --> 00:43:08,759
Speaker 4: And here's what I love about that, because I think

942
00:43:08,920 --> 00:43:12,240
Speaker 4: pop music today is a lot about beef's.

943
00:43:13,440 --> 00:43:15,800
Speaker 8: And so you are sort of making a grand illusion.

944
00:43:17,280 --> 00:43:19,239
Speaker 7: I said, that's incredible, And.

945
00:43:19,320 --> 00:43:23,040
Speaker 4: That's our second circle of fifths is we got it

946
00:43:23,160 --> 00:43:27,480
Speaker 4: back to beef. Okay, and there's beef and chili. Thank you.

947
00:43:27,920 --> 00:43:31,120
Speaker 4: And I can just say, for one second, if I

948
00:43:31,280 --> 00:43:33,480
Speaker 4: put a bunch of beans and ground meat in a

949
00:43:33,560 --> 00:43:36,040
Speaker 4: tomato bisk, isn't that starting to look a lot.

950
00:43:36,080 --> 00:43:36,680
Speaker 8: Like a chili?

951
00:43:36,880 --> 00:43:40,480
Speaker 1: My friend, a man, you asked me to tell you

952
00:43:40,560 --> 00:43:42,640
Speaker 1: that there's between a soup and a chili. Gun to

953
00:43:42,719 --> 00:43:51,320
Speaker 1: my head, yeah, gun in your head? Yeah click. It

954
00:43:51,440 --> 00:43:52,040
Speaker 1: wasn't loaded.

955
00:43:52,440 --> 00:43:52,640
Speaker 2: Yeah.

956
00:43:53,160 --> 00:43:55,879
Speaker 1: I don't let him load it anymore from these scenarios.

957
00:43:56,000 --> 00:43:57,839
Speaker 8: That's nice, that's good, that's a good friend.

958
00:43:57,920 --> 00:44:00,319
Speaker 2: It got scary, but fake gun that he gets to use.

959
00:44:00,520 --> 00:44:03,920
Speaker 1: Yes, No, Hay's I noticed you haven't really sang a

960
00:44:04,120 --> 00:44:05,240
Speaker 1: solo or anything.

961
00:44:05,440 --> 00:44:07,880
Speaker 2: I obviously, well, my.

962
00:44:07,960 --> 00:44:11,000
Speaker 3: Plan with this initially was that I would be sort

963
00:44:11,040 --> 00:44:15,360
Speaker 3: of the sort of like DJ Khaled does and just

964
00:44:15,560 --> 00:44:18,600
Speaker 3: take a song that came out not that long ago

965
00:44:18,960 --> 00:44:22,839
Speaker 3: and take someone else to sing over it and hire

966
00:44:22,880 --> 00:44:26,240
Speaker 3: someone else to play my voice on the on the track.

967
00:44:26,600 --> 00:44:28,840
Speaker 1: So I'm sort of the real DJ Khalid here and

968
00:44:29,000 --> 00:44:31,360
Speaker 1: just sort of letting everyone else do it.

969
00:44:31,440 --> 00:44:32,359
Speaker 2: But it is my song.

970
00:44:32,920 --> 00:44:35,480
Speaker 1: Yeah, Okay, Well, do we want to do one more

971
00:44:35,640 --> 00:44:38,400
Speaker 1: verse dedicated entirely to the Church of Scientology.

972
00:44:38,760 --> 00:44:39,960
Speaker 7: I feel like we'd have to.

973
00:44:40,280 --> 00:44:44,719
Speaker 1: Yeah, And you know, I don't know if Zach can

974
00:44:44,840 --> 00:44:47,400
Speaker 1: is here or not. Nobody does, right.

975
00:44:49,600 --> 00:44:51,600
Speaker 6: Can we just try this beat that I was working on.

976
00:44:52,000 --> 00:44:56,040
Speaker 5: Yeah, And we haven't talked too much about just the

977
00:44:56,160 --> 00:44:57,560
Speaker 5: actual game of football.

978
00:44:57,800 --> 00:44:59,680
Speaker 1: We've talked about what's going on in the game. Are

979
00:44:59,719 --> 00:45:01,360
Speaker 1: going to be really some.

980
00:45:01,440 --> 00:45:03,319
Speaker 3: Of the rules. That's right.

981
00:45:03,400 --> 00:45:04,200
Speaker 8: That's right, that's right.

982
00:45:06,120 --> 00:45:06,759
Speaker 2: I can do that.

983
00:45:07,880 --> 00:45:11,120
Speaker 1: That's great. That's great because these are music guys.

984
00:45:11,440 --> 00:45:13,360
Speaker 2: You know, I worry about that.

985
00:45:13,560 --> 00:45:15,520
Speaker 3: But Zach kind of can talk about what is going

986
00:45:15,600 --> 00:45:18,040
Speaker 3: on in the game and and I can provide a

987
00:45:18,080 --> 00:45:19,160
Speaker 3: little extra context.

988
00:45:19,400 --> 00:45:20,799
Speaker 2: I will see how it actually works.

989
00:45:20,840 --> 00:45:22,800
Speaker 7: We need to stop mentioning that Zach Kinek is in

990
00:45:22,880 --> 00:45:24,160
Speaker 7: this track. Because I feel like he.

991
00:45:27,239 --> 00:45:30,880
Speaker 1: Might not he's gone. I just looked after that second

992
00:45:30,920 --> 00:45:33,640
Speaker 1: surprise verse. He's gone for sure. I think yes, but

993
00:45:33,760 --> 00:45:37,560
Speaker 1: I can't be totally positive. I've been fooled before. So

994
00:45:38,760 --> 00:45:39,799
Speaker 1: give me a taste of the beat.

995
00:45:41,120 --> 00:45:43,000
Speaker 6: I'm nervous you just.

996
00:45:48,440 --> 00:45:51,200
Speaker 1: As always. Can you slow the beat.

997
00:45:51,080 --> 00:45:51,600
Speaker 2: Down at all?

998
00:45:53,680 --> 00:45:53,879
Speaker 1: Yeah?

999
00:45:57,400 --> 00:46:07,080
Speaker 6: I'm right, it's somehow not slowing down. That's typing.

1000
00:46:08,520 --> 00:46:18,279
Speaker 7: That feelings. Ah, what is that foghorn that is in

1001
00:46:18,320 --> 00:46:20,560
Speaker 7: the middle of that that inception drop?

1002
00:46:22,400 --> 00:46:25,319
Speaker 8: We gotta do. You got a Hans Zimmering here?

1003
00:46:26,200 --> 00:46:29,120
Speaker 6: Put this together blind blind, figure out.

1004
00:46:28,960 --> 00:46:33,279
Speaker 2: Which one is the kind of like it? Okay, let's

1005
00:46:33,360 --> 00:46:33,719
Speaker 2: try it.

1006
00:46:33,920 --> 00:46:44,480
Speaker 7: All right, Scientology, el Ron hobb.

1007
00:46:46,320 --> 00:46:48,520
Speaker 1: L Ron Cobboard.

1008
00:46:50,680 --> 00:46:54,520
Speaker 4: Do you want to give thousands of years of your life?

1009
00:46:58,880 --> 00:47:02,040
Speaker 1: I know, Ron Hobby. Then I live in the volcano.

1010
00:47:02,320 --> 00:47:04,759
Speaker 7: You can tell I'm mel Ron Hobbard because of the

1011
00:47:04,880 --> 00:47:06,040
Speaker 7: drink in my hands.

1012
00:47:06,480 --> 00:47:10,359
Speaker 1: It's a heinegan zach Heindagin. Was l Ron Hobbard all

1013
00:47:10,440 --> 00:47:11,759
Speaker 1: along up in here?

1014
00:47:12,200 --> 00:47:14,920
Speaker 11: Now, let's hear about some of the rules of football.

1015
00:47:15,120 --> 00:47:17,200
Speaker 11: The under another game is to advance the ball and

1016
00:47:17,320 --> 00:47:20,520
Speaker 11: to the other team's territory. I figured twelve guys on

1017
00:47:20,760 --> 00:47:24,640
Speaker 11: either side farther them protect the quarter the quarterbacks, a thrower,

1018
00:47:24,800 --> 00:47:27,799
Speaker 11: I guy's a runner. Some guys who catch the ball

1019
00:47:28,160 --> 00:47:30,799
Speaker 11: they go into the end zone and that is worth

1020
00:47:30,880 --> 00:47:31,520
Speaker 11: six points.

1021
00:47:32,120 --> 00:47:35,759
Speaker 1: Tweet tweet tweets me the referee, Hey, you can't do that,

1022
00:47:36,080 --> 00:47:41,320
Speaker 1: I say, legal motion in the backfield. Ooh, it's past interference.

1023
00:47:41,480 --> 00:47:43,759
Speaker 1: Wait a minute. I was really Paul Haggison. I'm here

1024
00:47:43,800 --> 00:47:46,880
Speaker 1: to stop the scientology. First, everybody give me tons of

1025
00:47:46,960 --> 00:47:49,360
Speaker 1: credit because I was only in the church for twenty

1026
00:47:49,440 --> 00:47:52,640
Speaker 1: five years. My life full too, shut out a bunch

1027
00:47:52,640 --> 00:47:55,800
Speaker 1: of my family members, and I wrote the movie Crash,

1028
00:47:55,880 --> 00:47:57,920
Speaker 1: so you know I'm nice and know how about that.

1029
00:48:00,880 --> 00:48:02,680
Speaker 4: I liked the part where we found out he was

1030
00:48:02,840 --> 00:48:05,800
Speaker 4: nice because I was, Yeah, that was a little.

1031
00:48:06,280 --> 00:48:06,959
Speaker 8: Was a little worried.

1032
00:48:07,320 --> 00:48:08,759
Speaker 7: We did say it was going to be a nice song.

1033
00:48:08,840 --> 00:48:09,040
Speaker 1: Yeah.

1034
00:48:09,040 --> 00:48:10,160
Speaker 7: I think it's an important.

1035
00:48:09,800 --> 00:48:19,719
Speaker 8: Because you know, I'm nice, yeah, not bad. And I'm

1036
00:48:19,760 --> 00:48:22,160
Speaker 8: also here. Please listen to me.

1037
00:48:22,960 --> 00:48:25,560
Speaker 1: It's me the remeny.

1038
00:48:26,400 --> 00:48:29,920
Speaker 4: I'm also on an He watched my show where I

1039
00:48:30,000 --> 00:48:33,560
Speaker 4: stop scientage, surprising.

1040
00:48:33,040 --> 00:48:35,680
Speaker 1: Me that kind of that was my show all along.

1041
00:48:35,840 --> 00:48:39,520
Speaker 1: It is my show on any I own all media. Hi,

1042
00:48:39,719 --> 00:48:42,719
Speaker 1: Hi Tom Cruise here wouldn't be. I'll tell you atology

1043
00:48:42,800 --> 00:48:46,640
Speaker 1: song without me, Tom Cruise Mission impossible. Remember that movie

1044
00:48:49,320 --> 00:48:50,160
Speaker 1: I don't.

1045
00:48:52,200 --> 00:48:53,880
Speaker 2: The Ball's in the air, you have to go for

1046
00:48:54,040 --> 00:48:54,359
Speaker 2: the ball.

1047
00:48:55,640 --> 00:49:00,279
Speaker 8: Who's crying in the corn it's John Travolta, m.

1048
00:49:03,719 --> 00:49:04,440
Speaker 2: Okay Brett.

1049
00:49:04,760 --> 00:49:06,880
Speaker 1: So now starting the song that we had was a

1050
00:49:06,920 --> 00:49:07,399
Speaker 1: little long.

1051
00:49:07,480 --> 00:49:11,919
Speaker 3: It will go into regulation play of the halftime show

1052
00:49:12,000 --> 00:49:15,000
Speaker 3: will extend into regular but they came into our half

1053
00:49:15,080 --> 00:49:17,520
Speaker 3: type show of course, so it's only fair at this

1054
00:49:17,600 --> 00:49:19,040
Speaker 3: point that we get a little extra time.

1055
00:49:19,440 --> 00:49:22,239
Speaker 2: So the clock will be taking down while while we're

1056
00:49:22,320 --> 00:49:27,319
Speaker 2: performing this. Mm hmm, I guess.

1057
00:49:27,560 --> 00:49:30,799
Speaker 3: So you see what happens when you actually do spend

1058
00:49:30,840 --> 00:49:32,560
Speaker 3: a little time on something.

1059
00:49:32,360 --> 00:49:34,520
Speaker 1: You end up with such a good song. Yeah, here's

1060
00:49:34,600 --> 00:49:35,560
Speaker 1: my concern.

1061
00:49:36,120 --> 00:49:40,360
Speaker 7: Were we to play this song on our podcast, we

1062
00:49:40,520 --> 00:49:43,600
Speaker 7: would peak what would we do the next week? And

1063
00:49:43,719 --> 00:49:45,320
Speaker 7: if we were to come back do that.

1064
00:49:45,480 --> 00:49:48,720
Speaker 3: I guess my response to that would be fucking don't

1065
00:49:48,880 --> 00:49:52,800
Speaker 3: do that because what we were thinking that exactly because.

1066
00:49:52,600 --> 00:49:55,960
Speaker 2: It's our this is our show. We own all of

1067
00:49:56,040 --> 00:49:56,960
Speaker 2: this kind for sure.

1068
00:49:57,000 --> 00:49:59,520
Speaker 7: I got hypothetical. I meant a song comparable to this,

1069
00:49:59,719 --> 00:50:00,320
Speaker 7: not the it could be.

1070
00:50:00,680 --> 00:50:03,160
Speaker 1: Yeah, rights to Zach Heineken. I mean, even though that

1071
00:50:03,480 --> 00:50:06,040
Speaker 1: is you in a way, that's also us.

1072
00:50:07,120 --> 00:50:09,160
Speaker 3: Yeah, and if you use that kind of kin on

1073
00:50:09,239 --> 00:50:12,400
Speaker 3: your show, you will sue you're asked of fucking Mars.

1074
00:50:14,040 --> 00:50:16,719
Speaker 8: But then we'd all be on Mars together, that's true.

1075
00:50:17,080 --> 00:50:19,640
Speaker 2: So we don't do a song about that. If you

1076
00:50:19,719 --> 00:50:21,320
Speaker 2: know how long it takes to get to Mars.

1077
00:50:23,080 --> 00:50:25,640
Speaker 1: Do we want to do sort of a post post

1078
00:50:25,760 --> 00:50:28,400
Speaker 1: role for the song where we talk about other actors

1079
00:50:28,520 --> 00:50:30,600
Speaker 1: that we can remember that are scientologists.

1080
00:50:30,760 --> 00:50:33,160
Speaker 2: Okay, what I guess if one of us.

1081
00:50:33,120 --> 00:50:35,160
Speaker 3: Had spend some time coming up with that while the

1082
00:50:35,280 --> 00:50:38,279
Speaker 3: rest of us we're talking, that seems like that would

1083
00:50:38,320 --> 00:50:39,080
Speaker 3: be fun for them.

1084
00:50:41,880 --> 00:50:49,160
Speaker 7: Well, who plays be Okay, yeah, yeah, who plays Peggy Old?

1085
00:50:49,320 --> 00:50:50,480
Speaker 1: People know that Elizabeth?

1086
00:50:53,640 --> 00:50:54,680
Speaker 8: I think Laura.

1087
00:50:56,000 --> 00:50:56,239
Speaker 2: Sure.

1088
00:50:56,480 --> 00:50:59,880
Speaker 1: Well, spend a lot of time with Danny masters Bench.

1089
00:51:00,160 --> 00:51:01,920
Speaker 2: He's kind of talking and and he's in there.

1090
00:51:02,040 --> 00:51:02,239
Speaker 9: Yeh.

1091
00:51:03,480 --> 00:51:13,640
Speaker 1: Jason Doring, he played Logan Eckles on Veronica Mars Erica Christiansen. Yeah,

1092
00:51:13,680 --> 00:51:14,359
Speaker 1: oh yeah, sure.

1093
00:51:14,440 --> 00:51:16,480
Speaker 3: People used to say Greg Garcia, but I think that

1094
00:51:16,680 --> 00:51:18,640
Speaker 3: was like a rumor that came from the fact that

1095
00:51:18,800 --> 00:51:22,560
Speaker 3: Jason Lee was one and Ethan superly.

1096
00:51:26,760 --> 00:51:29,160
Speaker 1: Like a super version of Jason Lee is kind of

1097
00:51:29,239 --> 00:51:32,360
Speaker 1: what he was. He was a super le Can you guys.

1098
00:51:32,239 --> 00:51:36,040
Speaker 7: Think of any famous actors or actresses that are Christians?

1099
00:51:37,480 --> 00:51:42,080
Speaker 2: So this is a great this will really get shot going.

1100
00:51:45,239 --> 00:51:47,279
Speaker 1: I didn't want to get all wound up today, you know.

1101
00:51:47,320 --> 00:51:48,719
Speaker 1: I came here to kind of have fun with my

1102
00:51:48,800 --> 00:51:54,040
Speaker 1: friends and make art. But if you're gonna really put

1103
00:51:54,080 --> 00:51:57,480
Speaker 1: it to me, yeah, I can think of I can

1104
00:51:57,520 --> 00:52:01,120
Speaker 1: think of, actually the reverse, a lot of Christians who

1105
00:52:01,200 --> 00:52:04,839
Speaker 1: are actors and actresses. Yeah, and that's because anyone who

1106
00:52:05,000 --> 00:52:08,239
Speaker 1: is pretending to believe in that hogwash and is trying

1107
00:52:08,280 --> 00:52:12,720
Speaker 1: to sell you some of that is absolutely just acting

1108
00:52:13,719 --> 00:52:14,400
Speaker 1: like a person.

1109
00:52:14,520 --> 00:52:17,120
Speaker 2: And you say that they should all get the Academy Awards.

1110
00:52:16,800 --> 00:52:21,279
Speaker 1: Oh yeah, yeah, forgive. It's a billionway tie again this

1111
00:52:21,480 --> 00:52:26,000
Speaker 1: year for for Best Liar Gender Neutral Award, by the way,

1112
00:52:26,440 --> 00:52:31,560
Speaker 1: you guys love that, and it's too every Christian in

1113
00:52:31,680 --> 00:52:34,880
Speaker 1: the world and they all get the statute. They're all

1114
00:52:34,920 --> 00:52:38,960
Speaker 1: bringing home the hardware this year again for Best Liar

1115
00:52:39,120 --> 00:52:43,279
Speaker 1: and Actor and not even saying anything real and now

1116
00:52:43,600 --> 00:52:44,960
Speaker 1: a lot of the ideas, I.

1117
00:52:45,200 --> 00:52:49,279
Speaker 7: Like, sure love into it.

1118
00:52:50,760 --> 00:52:52,080
Speaker 2: I'm huge, I'm that.

1119
00:52:52,480 --> 00:52:54,120
Speaker 1: Brett, I love you and I'm in love with you,

1120
00:52:56,280 --> 00:52:58,040
Speaker 1: but a lot of that Brett.

1121
00:52:59,000 --> 00:53:01,000
Speaker 6: Oh yeah, I love you and I'm in love with you.

1122
00:53:01,200 --> 00:53:03,320
Speaker 1: Yeah. A lot of the ways that these guests with

1123
00:53:03,560 --> 00:53:07,239
Speaker 1: like award winning liars. Go ahead, Brett, hit our guests

1124
00:53:07,280 --> 00:53:08,960
Speaker 1: with them individually.

1125
00:53:09,000 --> 00:53:10,560
Speaker 6: I love you and I'm in love with you. Yes,

1126
00:53:10,840 --> 00:53:12,000
Speaker 6: I love you and I'm in love with you.

1127
00:53:12,120 --> 00:53:16,440
Speaker 1: Okay, yeap and louder louder, Yeah, do it again, but

1128
00:53:16,719 --> 00:53:17,759
Speaker 1: really loud.

1129
00:53:19,320 --> 00:53:23,239
Speaker 6: To both of them, Zach, I love you and I'm

1130
00:53:23,320 --> 00:53:23,880
Speaker 6: in love with you.

1131
00:53:24,560 --> 00:53:24,840
Speaker 7: Thank you.

1132
00:53:25,080 --> 00:53:29,920
Speaker 3: Slow it down to be like organic, where like you

1133
00:53:30,200 --> 00:53:33,600
Speaker 3: like to bring up something else first and then hit

1134
00:53:33,680 --> 00:53:34,040
Speaker 3: them with that.

1135
00:53:34,480 --> 00:53:37,080
Speaker 2: M So, just have a nice conversation with Jess.

1136
00:53:37,520 --> 00:53:40,720
Speaker 6: Yeah, oh I like your shirt, Jess.

1137
00:53:41,719 --> 00:53:42,280
Speaker 8: Thanks Brett.

1138
00:53:42,840 --> 00:53:44,719
Speaker 6: Is this loud? Just loud enough?

1139
00:53:44,880 --> 00:53:45,600
Speaker 1: Yeah, it's great.

1140
00:53:46,800 --> 00:53:48,239
Speaker 6: I love you and I'm in love with you.

1141
00:53:49,040 --> 00:53:53,319
Speaker 4: Whoa gosh, I came out of Nowhere's Yeah, that's all good.

1142
00:53:53,440 --> 00:53:55,880
Speaker 1: I can feel good to hear that from someone like Brett.

1143
00:53:57,040 --> 00:53:59,239
Speaker 1: Even cruss punks like him have a little bit of

1144
00:53:59,320 --> 00:54:02,680
Speaker 1: goodness in their heart. So anyway, yeah, I love a

1145
00:54:02,719 --> 00:54:04,920
Speaker 1: lot of the ideas that are involved in Christianity, but

1146
00:54:04,960 --> 00:54:08,800
Speaker 1: the way they've perverted those ideas uh, just to basically

1147
00:54:09,000 --> 00:54:12,960
Speaker 1: make money off all the suckers and liars. When are

1148
00:54:13,000 --> 00:54:16,080
Speaker 1: you guys doing your show again? Hang on, hayes, I'm

1149
00:54:16,120 --> 00:54:16,640
Speaker 1: not done.

1150
00:54:17,840 --> 00:54:18,800
Speaker 2: Okay, what is this?

1151
00:54:19,360 --> 00:54:21,840
Speaker 1: These communion wafers? What a racket?

1152
00:54:22,520 --> 00:54:22,800
Speaker 2: Okay?

1153
00:54:22,880 --> 00:54:23,320
Speaker 1: Go ahead?

1154
00:54:24,360 --> 00:54:25,719
Speaker 2: When are you guys doing your.

1155
00:54:25,640 --> 00:54:26,960
Speaker 8: Show in forty minutes?

1156
00:54:28,360 --> 00:54:28,680
Speaker 2: Okay?

1157
00:54:29,120 --> 00:54:29,440
Speaker 6: Okay?

1158
00:54:30,040 --> 00:54:32,200
Speaker 2: A lot of downtime between this one and I mean

1159
00:54:32,280 --> 00:54:32,799
Speaker 2: we're done.

1160
00:54:33,840 --> 00:54:35,719
Speaker 1: Yeah, you guys have got anything you want to do.

1161
00:54:38,880 --> 00:54:40,640
Speaker 4: I might like see if they can wash my car again,

1162
00:54:41,360 --> 00:54:42,239
Speaker 4: just because if.

1163
00:54:42,120 --> 00:54:43,640
Speaker 7: They're not gonna if it's gonna get.

1164
00:54:45,360 --> 00:54:47,000
Speaker 2: Up outside. She's hearing this.

1165
00:54:47,120 --> 00:54:55,479
Speaker 1: I can hear her glands just filling her mouth with spittle. Bye,

1166
00:55:00,080 --> 00:55:01,040
Speaker 1: I'm a horny girl.

1167
00:55:01,120 --> 00:55:01,440
Speaker 8: Wolf.

1168
00:55:01,800 --> 00:55:05,560
Speaker 1: This has been an Earwolf production, executive produced by Scott Ackerman,

1169
00:55:05,680 --> 00:55:09,000
Speaker 1: Colin Anderson, and Chris Bannon. For more information and content,

1170
00:55:09,160 --> 00:55:11,560
Speaker 1: visit earwolf dot com ow