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Speaker 1: The volume.

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Speaker 2: Alright ready are we keeping that?

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Speaker 1: No?

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Speaker 3: No, you can't.

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Speaker 4: We're doing wrong. Start this is all right, this is

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Speaker 4: the intro we started. We started, are you feeling broke?

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Speaker 3: I feel great?

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Speaker 5: Man.

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Speaker 2: You listen, man, you came in. You walked in, man,

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Speaker 2: and we got right to the ship. You and Cam

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Speaker 2: New and I booked with Cam New. I love Cam New,

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Speaker 2: and I thought the conversation was great, but I was like,

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Speaker 2: it was over my phone when I saw Cam New

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Speaker 2: and the b I said this, I didn't even hear

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Speaker 2: what I was talking. I said, this is about to

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Speaker 2: be crazy.

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Speaker 5: It was a setup, bro, So I went, no, I'm bushing,

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Speaker 5: but I went and they just have very good producers,

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Speaker 5: I guess, And like towards the end of the ship,

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Speaker 5: he just did his own little game show like who

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Speaker 5: you fuck?

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Speaker 3: Volume moning. First of all, I was kind of taking back.

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Speaker 4: He was drink Champs to go Tupac or Big and

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Speaker 4: taking Cam show it's a little different.

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Speaker 5: Name and shit that ain't even famous that. I'm like, whoa, yeah,

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Speaker 5: how did you do that? Me?

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Speaker 2: Rory was talking about that, and I was like, you

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Speaker 2: know that's because you know, Cam was just talking about.

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Speaker 3: Him.

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Speaker 2: Wanted to know who his lady, like, if she has

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Speaker 2: anybody that he may know, any of his peers, if

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Speaker 2: she dated any of his peers, Like.

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Speaker 3: I like that.

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Speaker 2: I didn't think it was anything wrong with that, I said,

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Speaker 2: I can understand that, like Cam being an x NFL player,

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Speaker 2: you know, into sports. If there's anybody you may have dated,

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Speaker 2: let me know, because we're going to be in the

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Speaker 2: same moved. I don't want it to be uncomfortable, you

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Speaker 2: know how that goes. So I thought it was on

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Speaker 2: brand for him to have a conversation like, okay, name

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Speaker 2: the women that you slept with. So Rory was like, No,

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Speaker 2: that conversation was absolutely crazy.

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Speaker 1: I think you handled it well.

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Speaker 4: I could see you were a litt uncomfortable, though, because

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Speaker 4: that's kind of nuts to just look at somebody like yo,

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Speaker 4: you beat, like.

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Speaker 5: I don't even know you like what we were talking about, bro?

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Speaker 5: And they win crazy And I definitely got some calls

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Speaker 5: people and excited about it. But I tried to do

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Speaker 5: the best, you know, Yeah, I mean, because am I

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Speaker 5: technically lying on my dick? If I say I didn't beat.

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Speaker 4: I mean, but I think I line on my dick

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Speaker 4: a lot. And in the opposite way, though, Yeah, I

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Speaker 4: was like, no, I didn't.

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Speaker 5: Fuck yeah, I like I never dated her or not.

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Speaker 5: It's documented. The only reason they know is because it's

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Speaker 5: on the internet.

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Speaker 2: Yeah yeah, no, in that case, if it's already public knowledge,

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Speaker 2: then I don't think that.

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Speaker 1: It was on It was on VH one.

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Speaker 2: Yeah, that that conversation. I was just like, yo, hit maker,

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Speaker 2: gonna find a way, boy to just end up in

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Speaker 2: the headlines.

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Speaker 3: Bro on some b.

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Speaker 1: Yo, look at look at the jobs in America.

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Speaker 3: Now.

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Speaker 4: Somebody the night before that episode sat down at their

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Speaker 4: laptop and researched the people.

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Speaker 1: Going through you never mind never health restaurants.

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Speaker 2: For that records, Like, he ain't asking, yo, what's your

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Speaker 2: favorite top ten that you got.

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Speaker 5: Mag and so three hundred and fifty million record its

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Speaker 5: eighteen number one.

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Speaker 3: Yeah, seven billions. You don't want to talk to them.

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Speaker 1: About it is the head that super is what I'd

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Speaker 1: like to know.

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Speaker 2: Podcasting is crazy, man.

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Speaker 4: While that was happening in your head, was there a

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Speaker 4: name that you were hoping he didn't say, and then

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Speaker 4: he was.

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Speaker 5: Like, fuck multiple everyone. I didn't even want that. I

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Speaker 5: didn't know that that was a segment in the show.

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Speaker 5: I thought we had a great podcast and then it

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Speaker 5: ended with that.

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Speaker 2: But you have been doing a great job of not

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Speaker 2: being you know, not being messy. Yeah, because at one

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Speaker 2: point you kind of had this thing like, oh shit,

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Speaker 2: he about to go on camera and talk some shit.

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Speaker 2: It's about to be crazy. But I feel like in

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Speaker 2: the recent last couple of years, anytime I've seen you,

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Speaker 2: it's really been music focused. It's been like what you've

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Speaker 2: been doing, the great shit you've been doing. So to

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Speaker 2: see that cam back and forth, I was like, he

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Speaker 2: still got that dog in them.

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Speaker 5: Yeah. But I'm kind of like like at this point, like,

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Speaker 5: am I just a character on the internet, because like

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Speaker 5: on some real shit, I'm not like that in person.

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Speaker 5: But like bro I said, I didn't need a hamburger,

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Speaker 5: a hot dog or a sandwich. They sent me death

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Speaker 5: threats like nigga, like they're in my DM, Like you

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Speaker 5: bitch ass, nigga, you never had a sandwich.

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Speaker 3: That's why WHOA.

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Speaker 1: You should see their views on ball and PEPSI because

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Speaker 1: it's fucking crazy.

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Speaker 3: Anything I say, they gonna twist it and turn it.

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Speaker 2: But do you understand you you actually grew up in

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Speaker 2: front of the camp exactly. You were one of the

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Speaker 2: first people before viral was a word exactly. You were

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Speaker 2: one of the first people to go viral. But now,

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Speaker 2: as being in the industry as many years as you have,

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Speaker 2: having the legacy that you have, what do you think

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Speaker 2: about the current space as far as media and podcasts

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Speaker 2: and do you like this era, this generation of how

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Speaker 2: or the things that artists have to do to you know,

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Speaker 2: kind of promote and roll out. Do you like that

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Speaker 2: or do you kind of feel like we need to

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Speaker 2: kind of tape off of this a little bit and

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Speaker 2: go back to some older formats of doing things.

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Speaker 5: I just think it's all shock value at this point,

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Speaker 5: and everybody just saying shit to get into the algorithm.

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Speaker 5: Like when Dame dash is on the Shit and he's

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Speaker 5: saying to us, hey, I'm doing all this crazy shit

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Speaker 5: to stay in the algorithm and he's Dane Dashed, and

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Speaker 5: what the fuck do we expect the nineteen twenty year

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Speaker 5: old kid to be doing? And I just think that

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Speaker 5: people gravitate more than negativity than positivity. Like, Yo, if

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Speaker 5: we come up here and we have a great conversation

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Speaker 5: and we don't talk about how back Melissa Ford and

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Speaker 5: we don't do this all this other stuff or whatever,

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Speaker 5: then we don't go viral, right, But and.

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Speaker 3: It's like the interview never happened.

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Speaker 5: Now if I come up here and I say some

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Speaker 5: dumb shit or whatever, but then it's like everywhere that

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Speaker 5: Cam Newton interview was fucking eight months ago.

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Speaker 3: Really, yes, bro, I didn't just do that. Oh so

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Speaker 3: it's just.

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Speaker 1: Okay now they just released it or no been out

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Speaker 1: bro and you.

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Speaker 3: Just read show crazy. Yeah bro?

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Speaker 2: But hi, so hold, that's a whole nother s that interview.

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Speaker 2: But how does that make you feel? Like when it's

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Speaker 2: something like that that you you did eight months ago

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Speaker 2: starts to go viral today and like you may be

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Speaker 2: in a relationship, you may have found a lady that

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Speaker 2: you really love, and you like, how does that make

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Speaker 2: Like It's like I gotta deal with this shit?

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Speaker 5: Like that's so old, bro. We're in the circus, bro,

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Speaker 5: Like it just is what it is at this point.

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Speaker 5: I'm telling you, Like, if you don't go viral, then

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Speaker 5: people feel like it never happened.

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Speaker 3: Bro.

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Speaker 5: So it's almost like check it out. Right, if I

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Speaker 5: just laid back and I'm just in the studio, I

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Speaker 5: don't post no videos and me creating in the studio

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Speaker 5: with these different artsts niggas gonna say I fell off.

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Speaker 5: I purposely have taken my tag off of all the

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Speaker 5: records that are on the radio right now, just to

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Speaker 5: confuse motherfuckers to where it's like what's going on. It's

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Speaker 5: where they go check the credits and they see what's

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Speaker 5: really happening. But it's like this shit is different now, bro,

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Speaker 5: Like it's just all based on why would you take

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Speaker 5: your tag off? I mean, I'm tired of hearing my

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Speaker 5: own tag, nigga. I done ran this shit. I had

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Speaker 5: a number one every year for ten years straight. Yeah,

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Speaker 5: but I mean I thought about changing my producer name

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Speaker 5: and just ghost producing over a whole different name.

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Speaker 1: You're suffering from success or celerity, Like I'm just I'm

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Speaker 1: so sick of the shit number one.

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Speaker 4: I'm tired of hear my tag man take like number

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Speaker 4: four is my favorite number anyway.

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Speaker 1: I don't even know why I do this stuff.

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Speaker 4: And shit, do you think your I guess, rebrand and comeback?

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Speaker 4: Do you think the messiness helped with Yeah, outside of

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Speaker 4: like the actual stats of what we know, because if

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Speaker 4: that was even a slow burn of like oh wait,

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Speaker 4: hitmakers Berg and you know, I'd like to think us

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Speaker 4: as podcasters specifically played a hand in exact rerd y'all did.

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Speaker 4: But do you think the messiness is really what helped

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Speaker 4: push that forward?

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Speaker 5: Well, the rebrand kind of started on love and hip hop.

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Speaker 5: So when I did that, and like the crazy part

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Speaker 5: is that I didn't know that like love and hip

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Speaker 5: hop was like guilty pleasures for like a Nicki Minaj

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Speaker 5: and shit like that. Like I knew at that time

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Speaker 5: Cremona Scott had beenness. Remember they had the mixed Moscato

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Speaker 5: and shit. I knew she was aware of what was

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Speaker 5: going on. And then once I was working with Nicki

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Speaker 5: and she was just like, yo, like you're hilarious on

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Speaker 5: this ship. You could say my name, say you working

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Speaker 5: with me, say you're doing this, that and the third.

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Speaker 5: So at that point I was in the thick of

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Speaker 5: some bullshit when I was rebranding, like I literally back

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Speaker 5: to LA So this is.

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Speaker 3: What really happened.

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Speaker 5: I was living in Atlanta, and I was miserable because

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Speaker 5: Atlanta was real clickie at the time, Like it would

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Speaker 5: be Polo and them over there, and it me such

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Speaker 5: and such and them over there, tee painting them over

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Speaker 5: And I wasn't like Nigga I thought I had e

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Speaker 5: boler at the time because niggas just wasn't fucking with

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Speaker 5: young Bird. Like it was like, nah, I don't let

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Speaker 5: him in, don't do this, don't do that. So was

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Speaker 5: it the stigma that you had with you? Like, No,

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Speaker 5: it wasn't about being messy. I was the first person

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Speaker 5: that went through trials and tribulations on World Star and

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Speaker 5: shit like that or whatever, So it just wasn't a

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Speaker 5: good look to be around me. Like it was just

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Speaker 5: like I wasn't cool. So at that point, I'm like, damn.

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Speaker 5: I wrote this record at a studio and I fucking

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Speaker 5: sent it to Vincent Herbert's cousin and he ended up

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Speaker 5: getting the record to Vincent Herbert and Tamar Braxton, which

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Speaker 5: Tamar and Vince had that TV show at the time

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Speaker 5: and they had all that shit going on. They flew

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Speaker 5: me to LA and I did the record for him,

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Speaker 5: and that's what prompted me to move back to LA

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Speaker 5: and like be on love and hip hop. That's when

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Speaker 5: the girl Hatze and ray J and all them reached

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Speaker 5: out to me, like, Yo, you could do this Da

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Speaker 5: dah dah would be great TV. It would be good

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Speaker 5: for us and That's how it just started. And then

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Speaker 5: at that point, once it said action on that shit,

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Speaker 5: it was all bullshit from them.

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Speaker 3: It was all black bow. You never can make this

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Speaker 3: shit up.

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Speaker 5: I started the show and this was so fucked up,

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Speaker 5: and maybe I am being messy right now. I won't

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Speaker 5: name no names or whatever, but the show started so

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Speaker 5: like it was a mixer meeting and like moaning them

229
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Speaker 5: all there and they show you all the girls on

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Speaker 5: the show. They're like, who you slept with on this cast?

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Speaker 5: They'd be like her, her, her, blah blah blah blah.

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Speaker 5: So they like brewing up the fucking gumbo before you

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Speaker 5: been getting into this shit. So when I got there,

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Speaker 5: another woman who's also very popular now and very famous

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Speaker 5: or whatever, who I won't say a name out of

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Speaker 5: respect to whatever situation is. She was my girlfriend on

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Speaker 5: the show. So we dated and she was my girlfriend.

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Speaker 5: We filmed for then there three months. I went to

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Speaker 5: Miami to work with Puff when he was doing like

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Speaker 5: money making Mitch that album whatever. And when I went

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Speaker 5: to Miami, me and a girl that fell out and

242
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Speaker 5: then fucking on when I got back, they fired her

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Speaker 5: off the show and then they just d me at

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Speaker 5: Hazel ye house like, Yo, like, hey, yo up literally.

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Speaker 1: When doing arranged marriages, It's hilarious. Bro.

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Speaker 5: When I got back from Miami, Yo, when I got

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Speaker 5: back from Miami, that's what they said. They sent me

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Speaker 5: a text, They like, you'll wear some gem shorts, tank

249
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Speaker 5: top T shirt. I'm thinking I'm gonna play basketball for

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Speaker 5: one of these niggas, and they dropped. So at that point,

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Speaker 5: I'm like, yo, I quit the show. I'm not gonna

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Speaker 5: do this ship. You know what I'm saying, bro, Nigga

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Speaker 5: Mona Scott appeared like Cohoelea out in there like Barrick

254
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Speaker 5: and my Stevie JB loving hip hop Hollywood. We fired

255
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Speaker 5: such and such, just going there and be yourself. So

256
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Speaker 5: when I'm in the episode and I'm like, Yo, you're

257
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Speaker 5: not my girl, You've never been my girl, it's reality,

258
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Speaker 5: Like you know, I was just I don't even know you.

259
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Speaker 5: Granted I'd already known Hazel and she broke me to

260
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Speaker 5: the show and all other stuff, and we got much

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Speaker 5: love and respect for her, but it was insane that

262
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Speaker 5: they fired this beautiful girl off the show who I

263
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Speaker 5: was actually yeah, and then they just dropped me in there.

264
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Speaker 5: And then that's how that happened, and then at a

265
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Speaker 5: certain point I was just like fuck it, like this

266
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Speaker 5: what it is, and this is what it is. And

267
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Speaker 5: I think in her mind she was like fuck it too,

268
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Speaker 5: and it just was a fucking snowball effect from there,

269
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Speaker 5: you know what I'm saying.

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Speaker 3: And shit, it got wicked.

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Speaker 4: I mean, that's the only way to be successful on

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Speaker 4: love of hip hop, it's to say fuck it.

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Speaker 1: Why even do it? Like if you're just gonna kind

274
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Speaker 1: of just play the middle.

275
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Speaker 2: Yeah, you can't. You can't do love and hip hop

276
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Speaker 2: and try to have this moral ground and yeah, it's.

277
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Speaker 1: Just I don't like the quiet one in the corner.

278
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Speaker 1: It's like, it's not gonna work. What's the point of

279
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Speaker 1: doing it?

280
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Speaker 5: Es actually when the finances coming to play, because it's

281
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Speaker 5: not like we're getting paid, like for a shooting. We'll

282
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Speaker 5: shoot for fucking nine months and you don't get paid.

283
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Speaker 5: I'm talking about Nigga Head the Toe in Tzara. I'm

284
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Speaker 5: spending every dollar in Tzara to have a decent outfit

285
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Speaker 5: or whatever time, cause niggas was fucked up, ain't nobody

286
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Speaker 5: really had no money at that time. And then shit,

287
00:11:56,280 --> 00:11:58,640
Speaker 5: you don't get paid. Into the episode, eras. So if

288
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Speaker 5: you're not in the episode you shot for nine months,

289
00:12:01,080 --> 00:12:01,520
Speaker 5: you could have.

290
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Speaker 3: Been doing that.

291
00:12:02,040 --> 00:12:03,720
Speaker 5: They clipped you from it. You don't get paid. We

292
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Speaker 5: have thirty two hundred dollars.

293
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Speaker 1: Yeah you know that is yeah, come here, Hazel, I

294
00:12:10,320 --> 00:12:13,839
Speaker 1: come here, Yo, I'm looking at it.

295
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Speaker 3: Caunt.

296
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Speaker 5: I love you, I respect you. You are a great woman.

297
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Speaker 5: That was twenty fourteen, eleven years ago. Long on twelve

298
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Speaker 5: no spoke, and I'm glad to see everybody's moved on

299
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Speaker 5: and being successful.

300
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Speaker 3: I respect that.

301
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Speaker 2: But that's just while knowing that that's how that started.

302
00:12:30,040 --> 00:12:31,960
Speaker 2: Like they literally dropped you off there. Now, if I

303
00:12:32,000 --> 00:12:33,640
Speaker 2: go back and look, I could be like, I could

304
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Speaker 2: see why Bird came across as an asshole on this shit.

305
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Speaker 5: Bro.

306
00:12:36,840 --> 00:12:38,360
Speaker 2: They like, I don't even know what y'all got me

307
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Speaker 2: in here doing, Like y'all dropped me off as some girls.

308
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Speaker 1: And I don't.

309
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Speaker 4: Really you're leaving out of a big part of his

310
00:12:43,160 --> 00:12:45,480
Speaker 4: story though, that we didn't just leaving the money making

311
00:12:45,559 --> 00:12:49,480
Speaker 4: mitched sessions to them be dropped off at Hazel and yo.

312
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Speaker 5: But remember I went viral from the puff shit when

313
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Speaker 5: I was talking to ray J and you was like,

314
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Speaker 5: what did you say? That when I was doing them sessions,

315
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Speaker 5: the money making this shit, that's when he said that

316
00:12:56,760 --> 00:12:57,440
Speaker 5: wild shit to me.

317
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Speaker 2: Oh okay, see when he puts it like that. Okay,

318
00:13:01,480 --> 00:13:04,200
Speaker 2: so now we com petting together like all right. So

319
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Speaker 2: him mak ain't as crazy as y'all try to make him.

320
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Speaker 4: See No, And I don't think it's crazy that did

321
00:13:08,720 --> 00:13:10,240
Speaker 4: he tried to hit on him. That checks out.

322
00:13:10,280 --> 00:13:16,280
Speaker 6: I feel like, yo, checks out? Did you not read

323
00:13:16,280 --> 00:13:20,960
Speaker 6: the paperwork? That guy's nuts, yo, producer? He could He

324
00:13:20,960 --> 00:13:21,960
Speaker 6: ain't had to throw me nothing.

325
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Speaker 3: I would have.

326
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Speaker 5: He just couldn't been in the room. I would have

327
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Speaker 5: took care of Cassie for him. You know what I'm saying,

328
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Speaker 5: Free of charge. Yeah, you gotta pay me for that.

329
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Speaker 3: You mean off the.

330
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Speaker 1: Strength of the house. This is what I do. That

331
00:13:33,760 --> 00:13:35,719
Speaker 1: would be your verse swap. You canna have his beat

332
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Speaker 1: for free?

333
00:13:36,280 --> 00:13:40,920
Speaker 5: Yah? Sure, I'll pay every co producer. Don't worry about

334
00:13:40,920 --> 00:13:45,400
Speaker 5: it myself to be making joke type of ship. Everybody

335
00:13:45,480 --> 00:13:47,200
Speaker 5: chill out, free him. You know what I'm saying, Just

336
00:13:47,200 --> 00:13:49,240
Speaker 5: a nasty nigga. He'll be home soon, you know, and

337
00:13:49,400 --> 00:13:49,840
Speaker 5: is what it is.

338
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Speaker 1: He needs to sit down for a little bit.

339
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Speaker 5: I hope he disappears and thing there and just like

340
00:13:54,960 --> 00:13:56,480
Speaker 5: it doesn't ruin his legacy anymore.

341
00:13:56,520 --> 00:13:58,800
Speaker 2: So me and Rory was talking about that, like what

342
00:13:58,800 --> 00:14:01,920
Speaker 2: what what? What do you feel like will be the

343
00:14:02,720 --> 00:14:05,320
Speaker 2: route he takes when he is released from prison. Does

344
00:14:05,360 --> 00:14:07,400
Speaker 2: he jump right back into the industry, to the mix

345
00:14:07,679 --> 00:14:11,080
Speaker 2: or does he go to Bali and live on the

346
00:14:11,120 --> 00:14:12,400
Speaker 2: beach for ten years?

347
00:14:12,440 --> 00:14:14,600
Speaker 5: Like I would hope that he go like TD Jake's

348
00:14:14,720 --> 00:14:16,520
Speaker 5: you know what I'm saying, and just like clean up

349
00:14:16,520 --> 00:14:19,240
Speaker 5: his image, go lean into religion. But there's a strong

350
00:14:19,360 --> 00:14:22,880
Speaker 5: chance he might come out gangs the gay, gangster gay

351
00:14:23,040 --> 00:14:23,680
Speaker 5: is crazy.

352
00:14:23,880 --> 00:14:27,120
Speaker 1: Yeah, yeah, I like Omar gangst the game.

353
00:14:27,200 --> 00:14:30,520
Speaker 5: I'm talking about the wired nigga.

354
00:14:30,680 --> 00:14:32,520
Speaker 1: But Yo, but do you feel like people? He kind

355
00:14:32,520 --> 00:14:34,400
Speaker 1: of has been a gangster gay for his whole career.

356
00:14:34,760 --> 00:14:36,320
Speaker 2: But that's what I'm saying, do you even feel like people?

357
00:14:36,400 --> 00:14:36,840
Speaker 1: Is not for play?

358
00:14:36,880 --> 00:14:37,080
Speaker 3: Play?

359
00:14:37,880 --> 00:14:39,120
Speaker 2: Like do you think people even care?

360
00:14:40,480 --> 00:14:40,600
Speaker 3: Well?

361
00:14:40,720 --> 00:14:42,800
Speaker 5: Now, I think he get out, he'll be sixty years old.

362
00:14:42,800 --> 00:14:44,280
Speaker 5: I just think that he needs to finish the rest

363
00:14:44,280 --> 00:14:46,920
Speaker 5: of his life off peacefully, to be honest, That's what

364
00:14:46,960 --> 00:14:49,040
Speaker 5: I wish for him, And I got mad respect for

365
00:14:49,080 --> 00:14:51,720
Speaker 5: his kids. I actually fuck with Christian and all them.

366
00:14:51,720 --> 00:14:53,840
Speaker 5: I've done all Christian records a lot of different shit.

367
00:14:53,960 --> 00:14:56,000
Speaker 5: So when I say this shit, I feel bad when

368
00:14:56,000 --> 00:14:57,920
Speaker 5: they go viral after the fact because it's like they

369
00:14:57,960 --> 00:15:00,760
Speaker 5: don't deserve you know what I'm saying at the ricochet

370
00:15:00,840 --> 00:15:02,600
Speaker 5: or whatever it is. But I just don't know how

371
00:15:02,640 --> 00:15:02,960
Speaker 5: to lie.

372
00:15:02,960 --> 00:15:05,000
Speaker 3: Bro. Like, if y'all ask me a question, I'm gonna

373
00:15:05,000 --> 00:15:05,520
Speaker 3: say the truth.

374
00:15:05,880 --> 00:15:08,480
Speaker 1: If he gets out and hits you to work, would.

375
00:15:08,240 --> 00:15:12,040
Speaker 3: You with absolutely not? All money ain't good money, that's

376
00:15:12,040 --> 00:15:13,480
Speaker 3: the fact. Yeah, I mean, but.

377
00:15:13,440 --> 00:15:15,440
Speaker 1: If he was rehabilitated by the State of New York.

378
00:15:15,440 --> 00:15:17,320
Speaker 4: You don't think you don't believe that, you don't New

379
00:15:17,360 --> 00:15:19,720
Speaker 4: York don't believe in our sorry traditional system.

380
00:15:20,440 --> 00:15:21,000
Speaker 3: No, I don't.

381
00:15:22,280 --> 00:15:26,200
Speaker 4: He should be fine when it gets recently again, come on, man.

382
00:15:26,280 --> 00:15:28,280
Speaker 1: He's still the Mayorah.

383
00:15:28,280 --> 00:15:29,120
Speaker 2: It's fucking crazy.

384
00:15:29,680 --> 00:15:31,440
Speaker 4: What else you've been working on? I mean, I didn't

385
00:15:31,480 --> 00:15:32,920
Speaker 4: know you took your tag off anything. Now I got

386
00:15:32,920 --> 00:15:33,960
Speaker 4: to go look at the credits to see what the

387
00:15:33,960 --> 00:15:35,800
Speaker 4: fu Yeah, like, why would you now don't know the

388
00:15:35,840 --> 00:15:36,600
Speaker 4: ship you're doing?

389
00:15:36,680 --> 00:15:36,880
Speaker 3: Man?

390
00:15:36,960 --> 00:15:38,480
Speaker 2: Like, I mean, I think I can kind of still

391
00:15:38,480 --> 00:15:40,440
Speaker 2: hear your sound though, but I think your sound is

392
00:15:40,480 --> 00:15:42,480
Speaker 2: your sound like you could take the tag off, like,

393
00:15:42,520 --> 00:15:44,000
Speaker 2: but I could. I could still hear your.

394
00:15:43,880 --> 00:15:46,560
Speaker 3: Sound though, what if everything? I don't know. I'm looking

395
00:15:46,680 --> 00:15:47,640
Speaker 3: my Graham. I don't even know.

396
00:15:47,640 --> 00:15:49,840
Speaker 5: Bro, I'm in the matrix right now, for real, for real.

397
00:15:49,920 --> 00:15:53,760
Speaker 5: So to be honest, ship all projects on. Probably got

398
00:15:53,800 --> 00:15:55,520
Speaker 5: I got like four on Tie Dollars sign that come

399
00:15:55,560 --> 00:15:59,200
Speaker 5: out Friday. Probably did like eight on Chris Brown new

400
00:15:59,200 --> 00:16:02,080
Speaker 5: album is about to come out. Shit, I'm on Wive Fan,

401
00:16:02,160 --> 00:16:03,560
Speaker 5: Lucci new album.

402
00:16:03,680 --> 00:16:04,360
Speaker 3: I'm on everybody.

403
00:16:04,400 --> 00:16:09,320
Speaker 5: I'm Joey Badass, everything, g Herbo, anything that's dropping that's

404
00:16:09,320 --> 00:16:10,440
Speaker 5: coming out, I'm on it.

405
00:16:10,560 --> 00:16:10,760
Speaker 3: Yeah.

406
00:16:10,840 --> 00:16:12,280
Speaker 5: I mean, it ain't a year that I don't have

407
00:16:12,280 --> 00:16:14,280
Speaker 5: one hundred placements, Like it's been that way for like

408
00:16:14,320 --> 00:16:14,760
Speaker 5: three years.

409
00:16:14,760 --> 00:16:14,960
Speaker 3: For you.

410
00:16:15,040 --> 00:16:16,760
Speaker 2: Whatever happened to that record when we was in the

411
00:16:16,760 --> 00:16:20,200
Speaker 2: studio you played with man? That shit was crazy. I

412
00:16:20,240 --> 00:16:24,960
Speaker 2: think it was t I Cardy. Yeah, that was supposed

413
00:16:24,960 --> 00:16:27,520
Speaker 2: to be for my producer album, but it's just song

414
00:16:27,680 --> 00:16:30,280
Speaker 2: was Oh yeah.

415
00:16:29,200 --> 00:16:30,840
Speaker 3: That shit is it? Two Chains was on it.

416
00:16:30,960 --> 00:16:32,960
Speaker 5: I did it with Take Keith and a few other

417
00:16:33,000 --> 00:16:35,360
Speaker 5: co producers. But it's just so hard to do a

418
00:16:35,400 --> 00:16:37,360
Speaker 5: produce album, bro, Like I know, Rory Ken, you know

419
00:16:37,400 --> 00:16:39,200
Speaker 5: what I'm saying, like, when you're not the artist in

420
00:16:39,240 --> 00:16:42,120
Speaker 5: the lead of doing an album, it's so many different

421
00:16:42,120 --> 00:16:45,640
Speaker 5: moving parts and shing you'll get frustrated with it. And

422
00:16:45,680 --> 00:16:50,440
Speaker 5: it kind of like I serve as such a large

423
00:16:50,560 --> 00:16:54,200
Speaker 5: crowd of artists that it's kind of like to stop that.

424
00:16:54,440 --> 00:16:56,640
Speaker 5: To do a DJ calilbum, you literally have to stop

425
00:16:56,680 --> 00:16:59,120
Speaker 5: working with people and just work on that. And it's

426
00:16:59,160 --> 00:17:01,360
Speaker 5: just like not benefit Like if I'm getting like thirty

427
00:17:01,480 --> 00:17:03,280
Speaker 5: forty grand a record, Like, am I going to stop

428
00:17:03,280 --> 00:17:05,240
Speaker 5: getting thirty forty grand a record when I'm doing a

429
00:17:05,320 --> 00:17:06,480
Speaker 5: hundred of them a year just.

430
00:17:06,400 --> 00:17:08,480
Speaker 3: To work on my project? Right? Yeah?

431
00:17:08,600 --> 00:17:10,879
Speaker 1: Nah, don't make sense because I thought you were going

432
00:17:10,920 --> 00:17:13,080
Speaker 1: to lean into that route. Forgive me, what's the name

433
00:17:13,080 --> 00:17:14,320
Speaker 1: of the record? Lot was on it?

434
00:17:14,760 --> 00:17:15,280
Speaker 3: Godbox?

435
00:17:15,400 --> 00:17:17,760
Speaker 1: Yeah, I was on that record. Is that record?

436
00:17:17,920 --> 00:17:18,720
Speaker 3: Yeah? It's platinum.

437
00:17:18,920 --> 00:17:21,360
Speaker 5: I love that it's on that But I mean that's

438
00:17:21,400 --> 00:17:23,600
Speaker 5: when I kind of like parted ways with Atlantic Records.

439
00:17:23,640 --> 00:17:27,600
Speaker 5: So at that time, like just being transparent, La Reader

440
00:17:27,680 --> 00:17:29,879
Speaker 5: offered me a label deal while I was working for

441
00:17:29,920 --> 00:17:32,040
Speaker 5: Atlantic Records, and they never offered me a label deal.

442
00:17:32,080 --> 00:17:34,680
Speaker 5: So I did all these big records for all the

443
00:17:34,800 --> 00:17:37,119
Speaker 5: artists that were on Atlantic, but they never approached me

444
00:17:37,119 --> 00:17:39,600
Speaker 5: with a label situation. So when I went to Craig,

445
00:17:39,640 --> 00:17:42,040
Speaker 5: I'm like, yo, the nigga's offer me two million dollars

446
00:17:42,080 --> 00:17:43,960
Speaker 5: to my pocket, like you know, like I need to

447
00:17:43,960 --> 00:17:46,080
Speaker 5: get this two million, like I don't care what. And

448
00:17:46,119 --> 00:17:49,720
Speaker 5: he was like, you know what, your family, we're going

449
00:17:49,800 --> 00:17:51,320
Speaker 5: to give you the deal. Just give us some time.

450
00:17:51,359 --> 00:17:52,560
Speaker 5: And then they end up giving me a deal. They

451
00:17:52,600 --> 00:17:54,639
Speaker 5: end up giving me more money than what La was

452
00:17:54,720 --> 00:17:56,840
Speaker 5: gonna do or whatever. But I just think it was

453
00:17:56,920 --> 00:17:59,600
Speaker 5: because it was more chasing the ambulance instead of just

454
00:17:59,600 --> 00:18:02,920
Speaker 5: being like like proactive, like, oh, this nigga's killing it,

455
00:18:03,000 --> 00:18:04,440
Speaker 5: Let's give him his own joint venture.

456
00:18:04,480 --> 00:18:04,800
Speaker 3: Let's do it.

457
00:18:04,800 --> 00:18:06,520
Speaker 5: And it was cut somebody else offered it to me,

458
00:18:06,800 --> 00:18:09,399
Speaker 5: and it just wasn't like the best situation for me.

459
00:18:09,840 --> 00:18:11,800
Speaker 1: So Empire made more sense moving forward.

460
00:18:12,080 --> 00:18:15,760
Speaker 5: Well, I mean to be honest, and I don't all right,

461
00:18:15,800 --> 00:18:19,200
Speaker 5: let me be super executive with this answer. Ghazi had

462
00:18:19,320 --> 00:18:22,760
Speaker 5: worked with Atlantic Records, like you know, they they upstreamed

463
00:18:22,840 --> 00:18:24,960
Speaker 5: from Empire at a certain point. So like Gazi did

464
00:18:25,000 --> 00:18:27,359
Speaker 5: Bodak Keelo, he did Broccoli, he did all these different

465
00:18:27,359 --> 00:18:29,679
Speaker 5: records whatever, And I don't think they he felt like

466
00:18:29,760 --> 00:18:32,639
Speaker 5: they handled him the best in that situation. So I

467
00:18:32,920 --> 00:18:35,840
Speaker 5: randomly just went to meet with Ghazi about something totally

468
00:18:35,840 --> 00:18:38,920
Speaker 5: different and we got to have a dialogue. And that's

469
00:18:38,960 --> 00:18:42,240
Speaker 5: what At that point, it was so turmoil at Atlantic.

470
00:18:42,240 --> 00:18:43,639
Speaker 5: I wanted to give them the money back that they

471
00:18:43,680 --> 00:18:45,920
Speaker 5: gave me, and then like a mentor of mind, like Nigga,

472
00:18:45,920 --> 00:18:47,800
Speaker 5: that's the music benits, you don't get nobody, no motherfucking

473
00:18:47,840 --> 00:18:51,480
Speaker 5: money back, right. But I was that mad and like

474
00:18:51,600 --> 00:18:54,400
Speaker 5: at the situation, just fakecoop until they drop you exactly

475
00:18:54,440 --> 00:18:56,280
Speaker 5: and me and shit Gazi came through like a g

476
00:18:56,440 --> 00:18:58,800
Speaker 5: and bought me out my deal. Oh that was and

477
00:18:58,800 --> 00:18:59,879
Speaker 5: that's how I went to Empire.

478
00:19:00,640 --> 00:19:02,719
Speaker 4: How do I ask this without being super messy, But

479
00:19:02,800 --> 00:19:05,440
Speaker 4: this is a conversation I've been wanting to have with you,

480
00:19:05,480 --> 00:19:06,080
Speaker 4: So let's have it on.

481
00:19:06,160 --> 00:19:06,360
Speaker 3: Mike.

482
00:19:07,000 --> 00:19:09,719
Speaker 4: You had a very talented writer artist. She did some

483
00:19:09,760 --> 00:19:13,080
Speaker 4: reference joints for you. And then one day Maul comes

484
00:19:13,160 --> 00:19:15,760
Speaker 4: up to me and says her name which we won't say,

485
00:19:15,800 --> 00:19:18,320
Speaker 4: and says, you know, she just got arrested for drug trafficking.

486
00:19:18,480 --> 00:19:19,960
Speaker 3: You know she's out. I just seen it recently.

487
00:19:20,400 --> 00:19:22,919
Speaker 4: I saw that I saw the ig activated shot her

488
00:19:23,000 --> 00:19:25,159
Speaker 4: DM's we welcome m.

489
00:19:28,560 --> 00:19:40,679
Speaker 1: I said, I said, welcome, hometown, welcome home. Her name alive,

490
00:19:41,160 --> 00:19:42,840
Speaker 1: Rory had I said this for my nigga's up.

491
00:19:42,720 --> 00:19:48,760
Speaker 2: Nor you don't even said that, Kite though Nah I didn't,

492
00:19:48,760 --> 00:19:49,360
Speaker 2: I definitely did.

493
00:19:49,440 --> 00:19:52,840
Speaker 5: She's still beautiful. Yeah, she still has talent, very talented.

494
00:19:53,560 --> 00:19:55,440
Speaker 5: I don't know how close I can play her because

495
00:19:55,440 --> 00:19:56,120
Speaker 5: of the situation.

496
00:19:56,280 --> 00:19:57,120
Speaker 1: But that was wild.

497
00:19:57,160 --> 00:19:59,880
Speaker 4: That was the last person and maybe it was their

498
00:20:00,240 --> 00:20:02,679
Speaker 4: because you just had the most innocent face ever to

499
00:20:02,760 --> 00:20:05,040
Speaker 4: know that she was moving bricks across the country in

500
00:20:05,040 --> 00:20:05,480
Speaker 4: the U haul.

501
00:20:05,760 --> 00:20:06,600
Speaker 3: I never knew that.

502
00:20:06,760 --> 00:20:09,120
Speaker 5: I just thought that she had a rich boyfriend because

503
00:20:09,119 --> 00:20:11,240
Speaker 5: she was always like even when I got her a

504
00:20:11,280 --> 00:20:13,760
Speaker 5: deal with Atlantic, like she nigga, Like she was pulling

505
00:20:13,840 --> 00:20:16,359
Speaker 5: up sl benz Is and shit like that or whatever.

506
00:20:16,359 --> 00:20:19,080
Speaker 5: But I'm thinking it's a dude that she sleeping with

507
00:20:19,119 --> 00:20:20,040
Speaker 5: that was financing the.

508
00:20:20,040 --> 00:20:21,920
Speaker 1: Situation she missed seventeen to five.

509
00:20:22,680 --> 00:20:27,800
Speaker 5: Jesus, Yeah, it was crazy.

510
00:20:27,480 --> 00:20:29,919
Speaker 2: You had, but You've been known to have like a

511
00:20:29,960 --> 00:20:32,639
Speaker 2: lot of talented artists. And I'll be like, damn, what

512
00:20:32,720 --> 00:20:36,240
Speaker 2: happened with Shorty? That was with bird Like she she

513
00:20:36,320 --> 00:20:38,359
Speaker 2: never really popped. I never really heard much from her,

514
00:20:38,400 --> 00:20:39,879
Speaker 2: and then I look up and it's like, y'all not

515
00:20:39,960 --> 00:20:43,720
Speaker 2: working together no more? Like you had some really really

516
00:20:43,760 --> 00:20:47,880
Speaker 2: talented artists literally in their careers. Who was the one

517
00:20:48,000 --> 00:20:48,800
Speaker 2: artist that you like?

518
00:20:48,920 --> 00:20:49,200
Speaker 3: Damn?

519
00:20:49,240 --> 00:20:51,480
Speaker 2: I'm mad that never transpired to what we thought it

520
00:20:51,480 --> 00:20:54,560
Speaker 2: would have been. Shit because I ain't gonna lie just

521
00:20:54,560 --> 00:20:56,480
Speaker 2: throwing her. I don't know what your relationship is now today,

522
00:20:56,520 --> 00:20:59,960
Speaker 2: and I hope I'm not now you good? But Malibu, Mitch, Yeah,

523
00:21:00,000 --> 00:21:02,560
Speaker 2: she's incredible, she isn't. I remember we was at when

524
00:21:02,560 --> 00:21:05,680
Speaker 2: you was at Jungle City. I think I was playing

525
00:21:05,800 --> 00:21:07,680
Speaker 2: a bunch of shit and we walked in and I'm like, yo,

526
00:21:07,720 --> 00:21:09,320
Speaker 2: who the fuck is that? And she stood up from

527
00:21:09,320 --> 00:21:11,840
Speaker 2: behind the board. I think she was writing back there

528
00:21:11,920 --> 00:21:13,240
Speaker 2: listen to the b and she was like, that's me.

529
00:21:13,280 --> 00:21:15,560
Speaker 2: And I was like, there's no way this small girl

530
00:21:15,680 --> 00:21:20,800
Speaker 2: sounds like that. Like her voice is very aligned with

531
00:21:20,880 --> 00:21:24,600
Speaker 2: Fox a little bit, Yeah, for sure. But to see

532
00:21:24,640 --> 00:21:27,359
Speaker 2: her and then to hear her and know that she's

533
00:21:27,440 --> 00:21:31,760
Speaker 2: writing that shit, I thought she was incredible. Then she's

534
00:21:31,800 --> 00:21:33,840
Speaker 2: still doing dope, She making dope records. She put out

535
00:21:33,880 --> 00:21:37,199
Speaker 2: a drunk I think Jeremiah I did that one too, fire, Like,

536
00:21:37,240 --> 00:21:38,399
Speaker 2: what's the relationship like with you?

537
00:21:38,600 --> 00:21:40,960
Speaker 3: Amalliable? It's great. I mean, it's not a bad thing.

538
00:21:41,080 --> 00:21:43,560
Speaker 5: So she was my first sign in the Atlantic Records, okay,

539
00:21:43,560 --> 00:21:45,960
Speaker 5: and I was very happy to be a part of it.

540
00:21:46,000 --> 00:21:48,280
Speaker 5: But in reality, she's just like I think she just

541
00:21:48,280 --> 00:21:50,840
Speaker 5: got out that deal now and this is almost a

542
00:21:50,920 --> 00:21:52,960
Speaker 5: decade later, but she is just in a very bad

543
00:21:53,000 --> 00:21:56,320
Speaker 5: production deal, like a nasty, nasty She fell out with

544
00:21:56,359 --> 00:21:59,920
Speaker 5: the person who I did to deal with at Atlantic,

545
00:22:00,480 --> 00:22:02,480
Speaker 5: So then they fell out and then they kind of

546
00:22:02,520 --> 00:22:04,600
Speaker 5: like they went on some other shit, you know what

547
00:22:04,640 --> 00:22:06,920
Speaker 5: I'm saying, Like they wanted large amounts of money, they

548
00:22:06,960 --> 00:22:09,280
Speaker 5: wanted this. It was just a nasty relationship that I

549
00:22:09,320 --> 00:22:11,720
Speaker 5: had wasn't privy to because when I signed her, I

550
00:22:11,720 --> 00:22:13,440
Speaker 5: thought they they thing with smooth sailing, but.

551
00:22:13,440 --> 00:22:14,120
Speaker 3: You know how that shit.

552
00:22:14,200 --> 00:22:18,879
Speaker 5: Yeah, and it's just like, unfortunately it ruined that moment.

553
00:22:18,920 --> 00:22:21,199
Speaker 5: But I think time and is everything bro Absolutely, I

554
00:22:21,200 --> 00:22:23,080
Speaker 5: think she got an opportunity to pop back out. But

555
00:22:23,240 --> 00:22:25,720
Speaker 5: I mean, well, now she's out that deal, so I

556
00:22:25,720 --> 00:22:26,760
Speaker 5: think it'll be way better.

557
00:22:27,359 --> 00:22:30,800
Speaker 2: Is there any artists that you haven't worked with, particularly

558
00:22:30,840 --> 00:22:32,760
Speaker 2: on the female side, that you like?

559
00:22:32,800 --> 00:22:34,399
Speaker 5: Now, I got to get in the studio where we

560
00:22:34,400 --> 00:22:36,560
Speaker 5: got to get some joys together. I want to do

561
00:22:36,600 --> 00:22:38,679
Speaker 5: some shit with Marida scientists. I like her music.

562
00:22:41,119 --> 00:22:41,359
Speaker 3: Shit.

563
00:22:42,080 --> 00:22:44,440
Speaker 5: Whoever got a budget and you got a deal, nigga,

564
00:22:44,480 --> 00:22:44,800
Speaker 5: let's go.

565
00:22:46,480 --> 00:22:49,760
Speaker 1: Who never got a budget? Whoever cut the check?

566
00:22:49,960 --> 00:22:50,280
Speaker 3: Yeah?

567
00:22:50,320 --> 00:22:52,439
Speaker 5: Like, I don't got no picks, Like this shit is

568
00:22:52,440 --> 00:22:54,679
Speaker 5: strictly business for me. So it's like it ain't like

569
00:22:54,680 --> 00:22:57,240
Speaker 5: I'm running around here like nah, we don't you don't

570
00:22:57,280 --> 00:22:58,440
Speaker 5: you don't match my aesthetic?

571
00:22:58,600 --> 00:23:01,600
Speaker 2: Like ye, like fuck that the BUDGETO was talented, That's

572
00:23:01,640 --> 00:23:06,160
Speaker 2: why it. Now, you and Rory had a little tift. Yes,

573
00:23:06,680 --> 00:23:09,000
Speaker 2: Roy broke my heart? Bro Yeah, like what was that about?

574
00:23:09,000 --> 00:23:10,639
Speaker 2: Because we had spoken? I was like, yo, what the

575
00:23:10,680 --> 00:23:13,399
Speaker 2: fuck happened? And then me and you spoke and he

576
00:23:13,440 --> 00:23:14,879
Speaker 2: was like, yo, I didn't even know that it was

577
00:23:14,920 --> 00:23:16,160
Speaker 2: nothing that Like me and.

578
00:23:16,119 --> 00:23:17,520
Speaker 3: Rory did escape the room together.

579
00:23:17,600 --> 00:23:20,720
Speaker 5: We got I gave I gave some unbelievable snippets to

580
00:23:20,800 --> 00:23:22,919
Speaker 5: you guys. You guys were my an RS before I

581
00:23:23,000 --> 00:23:23,639
Speaker 5: was at an R.

582
00:23:24,160 --> 00:23:28,280
Speaker 3: In the end. Now my dog lined me up, yo?

583
00:23:28,320 --> 00:23:29,159
Speaker 3: Why you lined up?

584
00:23:29,200 --> 00:23:29,679
Speaker 1: Berg Man?

585
00:23:29,720 --> 00:23:30,360
Speaker 3: What's up? Man?

586
00:23:30,840 --> 00:23:31,520
Speaker 1: Do we talk about it?

587
00:23:31,600 --> 00:23:31,800
Speaker 3: BT?

588
00:23:32,359 --> 00:23:34,200
Speaker 4: We talked about on this episode, but did we talked

589
00:23:34,200 --> 00:23:35,399
Speaker 4: about BT briefly.

590
00:23:35,480 --> 00:23:35,640
Speaker 6: Yeah.

591
00:23:35,760 --> 00:23:42,120
Speaker 1: Yeah. I was with hit Boy in La at Challice

592
00:23:42,160 --> 00:23:42,480
Speaker 1: and he.

593
00:23:42,400 --> 00:23:44,400
Speaker 4: Was just playing me ship and he was putting out

594
00:23:44,400 --> 00:23:47,280
Speaker 4: the record with Alchemists, the first one and play me

595
00:23:48,080 --> 00:23:51,639
Speaker 4: his producer control if you will, where he was naming

596
00:23:51,720 --> 00:23:56,159
Speaker 4: names and I hit Berg after I heard it, and

597
00:23:56,200 --> 00:23:57,760
Speaker 4: I was like, I don't think it's no disrespect, Like

598
00:23:58,160 --> 00:23:59,720
Speaker 4: I was going to post this clip, but I called

599
00:23:59,760 --> 00:24:01,879
Speaker 4: him first, thinking I was being a good friend and

600
00:24:01,920 --> 00:24:03,960
Speaker 4: going and hit Boy was in, you know, like a

601
00:24:04,000 --> 00:24:07,920
Speaker 4: good wees like it's no static whatever. But then when

602
00:24:07,960 --> 00:24:10,600
Speaker 4: I posted it, Berg called me and cursed me the

603
00:24:10,600 --> 00:24:11,760
Speaker 4: funk out when I was at LAX.

604
00:24:12,000 --> 00:24:12,960
Speaker 3: I was so mad.

605
00:24:14,119 --> 00:24:15,719
Speaker 1: Cursed me the fuck out while I was at LA.

606
00:24:16,040 --> 00:24:17,159
Speaker 1: I ain't know what's gonna be that. I an't know

607
00:24:17,200 --> 00:24:17,960
Speaker 1: the clip was that.

608
00:24:18,760 --> 00:24:22,160
Speaker 4: You know which I still give him credit of one

609
00:24:22,160 --> 00:24:24,040
Speaker 4: of the better digs that somebody has said to me

610
00:24:24,080 --> 00:24:26,400
Speaker 4: where I'm getting yelled at and I wanted to laugh

611
00:24:26,400 --> 00:24:26,720
Speaker 4: because I.

612
00:24:26,720 --> 00:24:28,040
Speaker 1: Thought it was a great job. He was like, you

613
00:24:28,080 --> 00:24:33,399
Speaker 1: could use the relevance. I was like, damn, like that

614
00:24:33,480 --> 00:24:42,240
Speaker 1: one such.

615
00:24:38,040 --> 00:24:39,960
Speaker 3: An eloquent way. You use the relevance.

616
00:24:40,800 --> 00:24:42,200
Speaker 1: But then once we did.

617
00:24:42,280 --> 00:24:44,840
Speaker 4: Talk I did get his perspective because there was a

618
00:24:45,000 --> 00:24:46,960
Speaker 4: line in there that I kind of ignored that was like.

619
00:24:46,960 --> 00:24:48,600
Speaker 1: Personal to to burg.

620
00:24:48,680 --> 00:24:51,159
Speaker 4: So I understand I got it at that point, but

621
00:24:51,160 --> 00:24:52,399
Speaker 4: my intentions weren't that.

622
00:24:53,119 --> 00:24:55,479
Speaker 1: But I made a mistake. I apologize for the entire thing.

623
00:24:55,520 --> 00:24:57,160
Speaker 3: I mean, well, y'all, y'all good now. I just wanted

624
00:24:57,200 --> 00:24:58,480
Speaker 3: to kind of just bring it. How did they go

625
00:24:58,600 --> 00:24:59,200
Speaker 3: from there? Though?

626
00:24:59,240 --> 00:25:01,359
Speaker 5: I think I went a hot ninety seven and I

627
00:25:01,400 --> 00:25:05,159
Speaker 5: said some shit like hit Boy is a legend, but

628
00:25:06,119 --> 00:25:07,880
Speaker 5: this radio shit is my ship.

629
00:25:08,200 --> 00:25:08,800
Speaker 3: This is what I do.

630
00:25:09,200 --> 00:25:11,000
Speaker 5: Like he good a way, and then it was all

631
00:25:11,040 --> 00:25:13,679
Speaker 5: downhill from there. But y'all, y'all still cool though, Right,

632
00:25:14,000 --> 00:25:17,280
Speaker 5: We just actually spoke for the first time in Vegas,

633
00:25:17,640 --> 00:25:21,359
Speaker 5: and uh, I was I was really just casually walking

634
00:25:21,400 --> 00:25:23,280
Speaker 5: up to get a new key for my hotel room

635
00:25:23,320 --> 00:25:25,440
Speaker 5: by myself at the polls goes to Vegas and yeah,

636
00:25:25,720 --> 00:25:27,720
Speaker 5: I'm standing in line and then motherfucker like tap me

637
00:25:27,720 --> 00:25:29,800
Speaker 5: and I turned around. It's him, his security and a

638
00:25:29,800 --> 00:25:31,960
Speaker 5: couple other girls and he's like, bro, like, you know,

639
00:25:32,000 --> 00:25:34,000
Speaker 5: that shit ain't really about nothing, you know what I'm saying.

640
00:25:34,040 --> 00:25:36,560
Speaker 5: I'm like, bro, it was never about nothing, Like for real,

641
00:25:36,640 --> 00:25:38,600
Speaker 5: for real, and he was like, man, you know, let's

642
00:25:38,600 --> 00:25:40,720
Speaker 5: exchange numbers. Let's really you know what I'm saying, tap

643
00:25:40,720 --> 00:25:42,040
Speaker 5: in this and the third and then I think, like

644
00:25:42,080 --> 00:25:43,960
Speaker 5: a day or two, lady, like y'all, I did roorya

645
00:25:44,000 --> 00:25:46,520
Speaker 5: Ma and I spoke about you or whatever and all love.

646
00:25:46,520 --> 00:25:48,280
Speaker 5: I'm gonna do Rory and mall too and speak high

647
00:25:48,520 --> 00:25:51,959
Speaker 5: you because I think that that's that's dope, that it

648
00:25:51,960 --> 00:25:53,639
Speaker 5: ain't gotta be no bulls shit, you know.

649
00:25:53,640 --> 00:25:55,919
Speaker 3: What I'm saying. It's all really just music. Me and him.

650
00:25:56,000 --> 00:25:58,560
Speaker 2: He ain't no street nigga. I ain't no street nigga cool.

651
00:25:58,720 --> 00:26:00,560
Speaker 2: He's one of the coolest guys. You one of the coolest.

652
00:26:00,600 --> 00:26:02,000
Speaker 5: So when I saw that, I was like, I hope

653
00:26:02,000 --> 00:26:04,160
Speaker 5: that don't Why do you think he was so perturbed

654
00:26:04,160 --> 00:26:07,159
Speaker 5: about me that was saying that it is because our

655
00:26:07,240 --> 00:26:08,120
Speaker 5: names are similar?

656
00:26:08,320 --> 00:26:08,480
Speaker 3: Is it?

657
00:26:08,480 --> 00:26:11,000
Speaker 2: Because I think I think a lot of that ship

658
00:26:11,280 --> 00:26:15,000
Speaker 2: is a lot of it is just you know, when

659
00:26:15,080 --> 00:26:17,960
Speaker 2: I maybe looking at my phone and hear somebody say

660
00:26:18,000 --> 00:26:21,320
Speaker 2: something about me, who I'm with, what they got to

661
00:26:21,359 --> 00:26:23,439
Speaker 2: say about it, A lot of that adds to it.

662
00:26:24,240 --> 00:26:26,719
Speaker 2: Why he talking crazy like that? And it's like, then

663
00:26:26,760 --> 00:26:29,040
Speaker 2: you start to take on some of that energy, like yeah,

664
00:26:29,080 --> 00:26:31,720
Speaker 2: he talking slick, like what's someone homie? And it's like

665
00:26:31,720 --> 00:26:33,480
Speaker 2: but when you really get to it, like you said

666
00:26:33,520 --> 00:26:35,720
Speaker 2: you seen him in the hotels, like, bro that shit

667
00:26:35,720 --> 00:26:38,399
Speaker 2: ain't about nothing, bro Like, And it makes more sense

668
00:26:39,160 --> 00:26:41,040
Speaker 2: for y'all to be cool and actually work together because

669
00:26:41,080 --> 00:26:45,000
Speaker 2: y'all are both two super talented dudes that have owned

670
00:26:45,000 --> 00:26:48,359
Speaker 2: the charts and the airwaves for however many years. Why

671
00:26:48,480 --> 00:26:51,640
Speaker 2: not like talk about it like ya, that's nothing. Let's

672
00:26:51,640 --> 00:26:53,520
Speaker 2: get to this this this bag, let's let's make some

673
00:26:53,560 --> 00:26:56,080
Speaker 2: money together, let's make history together. To me, that makes

674
00:26:56,119 --> 00:26:57,520
Speaker 2: more sense because both of y'all are two of the

675
00:26:57,560 --> 00:26:58,400
Speaker 2: coolest niggas ever.

676
00:26:58,480 --> 00:26:59,800
Speaker 5: The only thing that I heard he said, I did,

677
00:27:00,160 --> 00:27:03,320
Speaker 5: And I'm just like, damn man, when when did I

678
00:27:03,359 --> 00:27:04,080
Speaker 5: start doing coke?

679
00:27:04,200 --> 00:27:05,480
Speaker 3: Like Yo, NI put coke.

680
00:27:05,400 --> 00:27:07,480
Speaker 1: On you insult my drums?

681
00:27:07,480 --> 00:27:07,880
Speaker 4: But coke.

682
00:27:09,720 --> 00:27:11,800
Speaker 5: Then he said something like that, nigga's not a producer,

683
00:27:11,840 --> 00:27:15,119
Speaker 5: He's an R. I'm like, so I'm not, I'm not

684
00:27:15,240 --> 00:27:16,439
Speaker 5: an R enough for the a n R.

685
00:27:17,920 --> 00:27:20,800
Speaker 3: A producer? Where the am I I'm just what am

686
00:27:20,840 --> 00:27:22,479
Speaker 3: I doing? What do I do? Here? Like?

687
00:27:22,560 --> 00:27:24,120
Speaker 5: Am I just a nigga? That just hit a lick

688
00:27:24,160 --> 00:27:25,960
Speaker 5: out of nowhere, like what are we talking about it?

689
00:27:26,160 --> 00:27:28,560
Speaker 2: It's so funny here dudes like talk about it like this,

690
00:27:28,680 --> 00:27:31,840
Speaker 2: like how would they be a perspective places like what

691
00:27:31,840 --> 00:27:32,720
Speaker 2: what is this about?

692
00:27:32,760 --> 00:27:35,080
Speaker 4: But I mean you start to notice that with producers,

693
00:27:35,119 --> 00:27:37,240
Speaker 4: like when you get in studio with them, they're just

694
00:27:37,359 --> 00:27:40,520
Speaker 4: as loud and active as the rappers and the podcasters.

695
00:27:40,560 --> 00:27:42,840
Speaker 4: When it comes to this competition ship, they'll just do

696
00:27:42,880 --> 00:27:45,520
Speaker 4: it in more of a music nerdier way of like

697
00:27:45,600 --> 00:27:48,040
Speaker 4: how someone accutes their drums will be like a slight.

698
00:27:48,560 --> 00:27:49,520
Speaker 1: It's how they talk shit.

699
00:27:50,040 --> 00:27:53,520
Speaker 4: So I think hit boy, you saying like Yo, you'll

700
00:27:53,520 --> 00:27:55,320
Speaker 4: work with somebody with a budget and someone that you

701
00:27:55,400 --> 00:27:58,000
Speaker 4: fuck with. You're super active, hip boy, I think is

702
00:27:58,040 --> 00:28:00,760
Speaker 4: the exact same way. You are two of the A

703
00:28:00,880 --> 00:28:03,879
Speaker 4: list producers that do that. Most producers don't do that

704
00:28:03,880 --> 00:28:06,120
Speaker 4: shit at all. So I think because you guys are

705
00:28:06,119 --> 00:28:09,520
Speaker 4: so active, they're put some type of competition or sometimes

706
00:28:09,520 --> 00:28:11,000
Speaker 4: it's slight when he hears like yo, I do the

707
00:28:11,080 --> 00:28:13,280
Speaker 4: radio shit. He can do the other shit, but y'all

708
00:28:13,280 --> 00:28:16,120
Speaker 4: are both putting out shit every day. So maybe that's

709
00:28:16,119 --> 00:28:17,320
Speaker 4: where he started to feel like.

710
00:28:17,480 --> 00:28:19,359
Speaker 5: I talk a lot of shit though, like I'm not

711
00:28:19,560 --> 00:28:21,000
Speaker 5: I'm not mad at him, you know what I'm saying.

712
00:28:21,000 --> 00:28:23,920
Speaker 3: I talk a lot of shit, but I like.

713
00:28:24,000 --> 00:28:26,000
Speaker 5: I kind of like, but you're not a bad person

714
00:28:26,000 --> 00:28:28,080
Speaker 5: though not fucking not a bad person. And not only that,

715
00:28:28,280 --> 00:28:31,080
Speaker 5: I like talking shit and delivering like that's what I

716
00:28:31,320 --> 00:28:33,040
Speaker 5: you know what I'm saying kind of like that's my thing.

717
00:28:33,280 --> 00:28:35,960
Speaker 5: Let's be competitive, like I want it. And I still

718
00:28:36,000 --> 00:28:37,760
Speaker 5: think I'm you know what I'm saying, Like you should

719
00:28:37,760 --> 00:28:38,360
Speaker 5: feel that way?

720
00:28:38,760 --> 00:28:40,680
Speaker 3: Am I supposed to say? No hit boys better than me?

721
00:28:40,800 --> 00:28:42,400
Speaker 5: Like I wouldn't expect him to say that if they

722
00:28:42,440 --> 00:28:44,719
Speaker 5: asked him about Kanye And it's a nigga that he

723
00:28:44,760 --> 00:28:46,760
Speaker 5: did niggas in Paris with his biggest record. But I

724
00:28:46,800 --> 00:28:50,640
Speaker 5: think that moving forward, any nigga that's hating on me,

725
00:28:51,000 --> 00:28:53,160
Speaker 5: my career, what I've been through to be where I'm

726
00:28:53,160 --> 00:28:56,240
Speaker 5: at right now, you're just not happy with yourself and like,

727
00:28:56,240 --> 00:28:58,880
Speaker 5: like they say't like my shit, I'm like Rudy damn

728
00:28:58,880 --> 00:28:59,880
Speaker 5: there for the fucking.

729
00:29:02,720 --> 00:29:05,400
Speaker 3: Like this bounce.

730
00:29:05,200 --> 00:29:07,200
Speaker 1: Backstre Rudy.

731
00:29:08,720 --> 00:29:11,760
Speaker 2: Berg is definitely hip hop Rudy Like I made it,

732
00:29:11,800 --> 00:29:12,880
Speaker 2: Like what are you mad at me?

733
00:29:13,000 --> 00:29:15,520
Speaker 5: There? Like like I came from the dirt with this

734
00:29:15,560 --> 00:29:18,120
Speaker 5: shit and had a change and revamp ale yea.

735
00:29:18,080 --> 00:29:21,680
Speaker 2: Your rebrand and your story is definitely like like so

736
00:29:22,120 --> 00:29:23,760
Speaker 2: like for the people that don't, I don't know how

737
00:29:23,760 --> 00:29:25,800
Speaker 2: you don't know berg story about now, but like it's

738
00:29:25,840 --> 00:29:28,120
Speaker 2: definitely one of the ones where you like, damn, like

739
00:29:28,200 --> 00:29:31,760
Speaker 2: he really been at this shit for years, like literally

740
00:29:31,800 --> 00:29:34,760
Speaker 2: grew up in the industry.

741
00:29:36,680 --> 00:29:36,920
Speaker 1: Maul.

742
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745
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746
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747
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748
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Speaker 2: How do you feel about the current scene with the

781
00:31:31,240 --> 00:31:32,160
Speaker 2: female MC's.

782
00:31:33,400 --> 00:31:35,760
Speaker 5: I think right now, with the ladies, I mean shit,

783
00:31:35,800 --> 00:31:38,920
Speaker 5: they running shit. Yesterday we was having a real conversation.

784
00:31:39,040 --> 00:31:41,480
Speaker 5: Who are the top five male rappers in the game

785
00:31:41,640 --> 00:31:44,440
Speaker 5: right now, excluding all legends, any nigga that's.

786
00:31:44,280 --> 00:31:44,960
Speaker 3: Over thirty five?

787
00:31:46,000 --> 00:31:50,120
Speaker 2: I don't know youngy five male rappers.

788
00:31:50,520 --> 00:31:52,920
Speaker 5: I feel like young boys ambulance shasing too, because now

789
00:31:52,960 --> 00:31:54,840
Speaker 5: everybody just hip this shit, hes been doing this shit,

790
00:31:54,920 --> 00:31:56,960
Speaker 5: yeah years, you know what I'm saying. They see the

791
00:31:57,000 --> 00:31:59,120
Speaker 5: show now now it's a lot of ambulance shasing and

792
00:31:59,160 --> 00:31:59,680
Speaker 5: dick pulling.

793
00:32:00,440 --> 00:32:02,760
Speaker 4: I mean but even with Young Boy though, like his numbers,

794
00:32:03,520 --> 00:32:05,520
Speaker 4: I'm admitted, like I don't listen to Young Boy like that,

795
00:32:05,560 --> 00:32:06,800
Speaker 4: but I've always known his numbers.

796
00:32:06,800 --> 00:32:09,920
Speaker 1: We're fucking insane, like an astronomical I.

797
00:32:09,800 --> 00:32:11,680
Speaker 5: Love Young Boy. I can't funk a bitch that listening

798
00:32:11,720 --> 00:32:12,840
Speaker 5: and be a young boy though.

799
00:32:13,080 --> 00:32:15,000
Speaker 4: Or you're taking a that's a lot of women I'm

800
00:32:15,040 --> 00:32:18,160
Speaker 4: got now I'm good, I'm cool.

801
00:32:19,600 --> 00:32:22,440
Speaker 1: But what specifically happened that made you change your mind

802
00:32:22,480 --> 00:32:23,360
Speaker 1: on It's just.

803
00:32:23,480 --> 00:32:26,360
Speaker 5: It's just a thing, like you know, like it's too

804
00:32:26,400 --> 00:32:28,080
Speaker 5: young for me, Like I feel like I'm old now,

805
00:32:28,120 --> 00:32:30,280
Speaker 5: you know what I'm saying, like like this ain't it

806
00:32:30,280 --> 00:32:32,600
Speaker 5: ain't my lane. But I would say, like how we're

807
00:32:32,640 --> 00:32:33,440
Speaker 5: saying young boy?

808
00:32:34,720 --> 00:32:39,120
Speaker 1: Yeah, uh kodak, I'm trying to think.

809
00:32:39,040 --> 00:32:41,560
Speaker 5: One of my favorites. One of my favorites too. But

810
00:32:41,560 --> 00:32:43,600
Speaker 5: I'm just talking about right now, like that's going crazy.

811
00:32:44,080 --> 00:32:48,120
Speaker 5: Uh yea fam, that's the white boy. He was trying

812
00:32:48,120 --> 00:32:48,680
Speaker 5: to throw something.

813
00:32:48,760 --> 00:32:51,040
Speaker 1: I'm just I don't listen white love.

814
00:32:51,280 --> 00:32:52,800
Speaker 4: I don't listen to. I'm just trying to think of

815
00:32:52,960 --> 00:32:55,240
Speaker 4: I don't listen to either, no disrespect. But he does

816
00:32:55,520 --> 00:33:00,480
Speaker 4: crazy numbers. If we're doing to five culturally, yeah, damn.

817
00:33:00,520 --> 00:33:04,160
Speaker 2: See when you when you when you frame it like that, really,

818
00:33:04,200 --> 00:33:07,040
Speaker 2: I really can't because once you say under thirty.

819
00:33:06,760 --> 00:33:08,080
Speaker 3: Five, I'm like I'm stuck.

820
00:33:08,120 --> 00:33:12,720
Speaker 2: I'm like, oh ship, yeah who Travis.

821
00:33:13,160 --> 00:33:14,000
Speaker 3: But he's a legend.

822
00:33:14,080 --> 00:33:16,200
Speaker 1: Yes, he's tea during the legend stature.

823
00:33:16,320 --> 00:33:18,440
Speaker 3: And I don't look at him as a rapper. He's

824
00:33:18,440 --> 00:33:20,000
Speaker 3: an artist. He's just all around.

825
00:33:20,120 --> 00:33:25,480
Speaker 1: Yeah, cold, yeah, I mean yeah, I'm stuck. But I'm

826
00:33:25,480 --> 00:33:26,000
Speaker 1: thirty five.

827
00:33:26,280 --> 00:33:30,640
Speaker 2: So so who's the next So who's the next superstar rap?

828
00:33:31,360 --> 00:33:34,440
Speaker 3: Nobody? I don't know. Male, I don't know right now.

829
00:33:35,080 --> 00:33:35,680
Speaker 2: That's scary.

830
00:33:36,120 --> 00:33:38,440
Speaker 4: So what what brought that question up? When talking about

831
00:33:38,960 --> 00:33:40,760
Speaker 4: the female you could name?

832
00:33:40,880 --> 00:33:43,760
Speaker 5: Yeah, you can name ten. What's the top five female

833
00:33:43,840 --> 00:33:44,480
Speaker 5: rappers right now?

834
00:33:44,560 --> 00:33:46,040
Speaker 3: Go Nikki?

835
00:33:46,320 --> 00:33:48,720
Speaker 2: Well, no, no, no legend, no legends, its Cardigans to

836
00:33:48,800 --> 00:33:50,400
Speaker 2: the legend. You could lead him in there, go ahead,

837
00:33:50,400 --> 00:33:52,080
Speaker 2: who's number one? Nikki to me?

838
00:33:52,240 --> 00:33:54,280
Speaker 1: I agree, Naki Cardy.

839
00:33:55,720 --> 00:34:00,000
Speaker 4: Me, I'm going Gloriala oh ship Yeah, Coloreala for sure.

840
00:34:00,880 --> 00:34:03,440
Speaker 5: I actually think that hot take. I think Loriller's album

841
00:34:03,480 --> 00:34:04,640
Speaker 5: is better than Cardi B's new album.

842
00:34:05,040 --> 00:34:08,160
Speaker 2: I didn't really yet what you got.

843
00:34:08,000 --> 00:34:10,799
Speaker 5: I mean the previous one that just came out.

844
00:34:11,560 --> 00:34:14,640
Speaker 2: She's the best current female river A couple couple, A

845
00:34:14,640 --> 00:34:18,640
Speaker 2: couple jun the Pleasure principal joint, the Janish joint was.

846
00:34:18,680 --> 00:34:20,120
Speaker 2: I feel like that was a record you could have did.

847
00:34:20,239 --> 00:34:20,879
Speaker 3: I like that one.

848
00:34:20,960 --> 00:34:22,920
Speaker 5: I think I like the other one with the random

849
00:34:22,960 --> 00:34:24,600
Speaker 5: I don't know what the girl name is sinking the

850
00:34:24,640 --> 00:34:27,000
Speaker 5: hook on it, but it's a it's a random girl

851
00:34:27,080 --> 00:34:30,359
Speaker 5: like Damn, I forget her name, but.

852
00:34:30,480 --> 00:34:30,800
Speaker 3: I like it.

853
00:34:31,000 --> 00:34:32,720
Speaker 5: A couple joints on I like the one that Lotto

854
00:34:32,840 --> 00:34:35,479
Speaker 5: just remixed, the ooh this ship. It's kind of hard,

855
00:34:36,200 --> 00:34:38,680
Speaker 5: But I mean, I don't know as a man, like

856
00:34:39,160 --> 00:34:41,480
Speaker 5: who's the last female rapper that you can just really

857
00:34:41,520 --> 00:34:43,960
Speaker 5: digest the project from. That's who I'm interested in working with.

858
00:34:44,160 --> 00:34:46,640
Speaker 5: I don't know like too many women rappers that I

859
00:34:46,680 --> 00:34:49,480
Speaker 5: feel comfortable playing that.

860
00:34:49,600 --> 00:34:51,359
Speaker 3: That's that's I feel like she a legend too. Though

861
00:34:51,360 --> 00:34:52,319
Speaker 3: to me, I.

862
00:34:52,880 --> 00:34:55,359
Speaker 4: Would say incredible to that point, because I'm the same way.

863
00:34:55,400 --> 00:34:57,000
Speaker 4: Like as much as I like Cardi, I know Cardi

864
00:34:57,040 --> 00:35:00,480
Speaker 4: doesn't make music for me like I would say Dochi

865
00:35:00,560 --> 00:35:03,319
Speaker 4: and low sim would be the closest that I felt.

866
00:35:03,000 --> 00:35:06,240
Speaker 5: Like as a and I love top Dog, I love Doci,

867
00:35:06,400 --> 00:35:09,799
Speaker 5: but that content, my g, I'm not playing that. I

868
00:35:09,880 --> 00:35:12,640
Speaker 5: like you talking about her. Nigga is gay and this

869
00:35:12,680 --> 00:35:13,520
Speaker 5: that and the third or whatever.

870
00:35:13,560 --> 00:35:16,400
Speaker 3: It's very it's very not in my ferrari.

871
00:35:16,440 --> 00:35:19,879
Speaker 2: It's I get up, get out, Get the fuck out.

872
00:35:20,000 --> 00:35:22,000
Speaker 2: Don't ever tell me it's not in my ri. It's

873
00:35:22,040 --> 00:35:25,440
Speaker 2: not in my spectrum. It's not in Mama clearing. It

874
00:35:25,520 --> 00:35:28,880
Speaker 2: ain't even in my truck. You don't have anxiety in

875
00:35:28,920 --> 00:35:29,400
Speaker 2: your ferrari.

876
00:35:29,680 --> 00:35:32,879
Speaker 4: No, No, if you hit a pothole, you have some

877
00:35:32,880 --> 00:35:36,319
Speaker 4: some anxiety.

878
00:35:36,320 --> 00:35:38,440
Speaker 3: We got you gets no play in Erri. But they

879
00:35:38,440 --> 00:35:39,560
Speaker 3: shouldn't know. I'm a man.

880
00:35:40,000 --> 00:35:41,640
Speaker 5: I think it's kind of like questionable if I do

881
00:35:41,680 --> 00:35:42,719
Speaker 5: pull up playing it.

882
00:35:42,800 --> 00:35:45,279
Speaker 1: But then again, what has there been female rappers like.

883
00:35:45,440 --> 00:35:48,560
Speaker 2: Because age, I'm telling you that's what it is, Bro,

884
00:35:48,840 --> 00:35:50,719
Speaker 2: because I say the same ship. I'm like, Bro, I'm

885
00:35:50,800 --> 00:35:53,840
Speaker 2: not playing none of that, not because it's not good music.

886
00:35:53,840 --> 00:35:56,879
Speaker 2: I'm not saying that, not because they're not talented. It's

887
00:35:56,920 --> 00:35:59,560
Speaker 2: just not for me. I can't pull up playing that.

888
00:35:59,600 --> 00:36:02,280
Speaker 2: And I don't think that they're making that music expecting

889
00:36:02,320 --> 00:36:05,400
Speaker 2: somebody like me years old to be pulling up playing.

890
00:36:05,400 --> 00:36:08,080
Speaker 4: Even like we listened to Kim Quiet Storm Verse, but

891
00:36:08,120 --> 00:36:09,880
Speaker 4: like we weren't banging Notorious Kim.

892
00:36:09,719 --> 00:36:12,799
Speaker 5: The music though the h Brown had an album that

893
00:36:12,800 --> 00:36:14,600
Speaker 5: you could play from top to bottom. What's the one

894
00:36:14,640 --> 00:36:17,200
Speaker 5: with China White and all that ship on the field

895
00:36:17,280 --> 00:36:21,600
Speaker 5: and the covers White, She's like a purple outfit or whatever. Yeah, nigga,

896
00:36:22,360 --> 00:36:24,440
Speaker 5: She's the last girl that you could really play like

897
00:36:24,920 --> 00:36:26,520
Speaker 5: hold your and not feel uncomfortable.

898
00:36:26,760 --> 00:36:28,839
Speaker 2: Yeah, like it ain't gonna be too much shake shaking

899
00:36:28,960 --> 00:36:29,520
Speaker 2: this like it was.

900
00:36:29,520 --> 00:36:31,359
Speaker 5: That was before. It was all ass and pussy. Yeah,

901
00:36:31,360 --> 00:36:32,839
Speaker 5: I was just all ass and teeth.

902
00:36:32,960 --> 00:36:33,640
Speaker 2: Yeah.

903
00:36:33,719 --> 00:36:36,880
Speaker 3: Yeah, you know, the whole bitch is ass and teeth.

904
00:36:37,760 --> 00:36:41,520
Speaker 1: A lot of teeth. They got the big teeth.

905
00:36:41,840 --> 00:36:44,279
Speaker 3: Oh us. Yeah.

906
00:36:44,440 --> 00:36:47,440
Speaker 4: I feel like for the past five, six, seven years, Yes,

907
00:36:47,480 --> 00:36:49,520
Speaker 4: the women have been running everything. I think that's starting

908
00:36:49,520 --> 00:36:52,680
Speaker 4: the plateau though. I think we're leaving that era. It's

909
00:36:52,719 --> 00:36:55,480
Speaker 4: all starting to fizz out where we know it's gonna

910
00:36:55,480 --> 00:36:59,680
Speaker 4: be Meg Lotto, Glorilla Cardi, Nikki sexy like there's not

911
00:37:00,160 --> 00:37:01,680
Speaker 4: and in flux the way it was before.

912
00:37:01,719 --> 00:37:03,040
Speaker 1: I think that eras done.

913
00:37:03,280 --> 00:37:05,400
Speaker 5: I missed Meg a little bit. I love her delivery.

914
00:37:05,480 --> 00:37:08,920
Speaker 5: I think her delivery is super special, solid like we went.

915
00:37:09,000 --> 00:37:12,200
Speaker 2: We was at Broccoli Fest last year and I was

916
00:37:12,200 --> 00:37:15,720
Speaker 2: telling Rory when she did the the Plan B record,

917
00:37:16,400 --> 00:37:19,080
Speaker 2: Meg good that ship looking around that's me too, No.

918
00:37:19,160 --> 00:37:20,640
Speaker 3: Tag, you did that.

919
00:37:21,239 --> 00:37:22,080
Speaker 1: I actually did not know.

920
00:37:22,120 --> 00:37:24,200
Speaker 3: That's what we talked about here.

921
00:37:25,239 --> 00:37:27,400
Speaker 1: I did not know you did that. Doesn't even like so,

922
00:37:27,760 --> 00:37:29,160
Speaker 1: I guess sound like your traditional Sundar.

923
00:37:29,480 --> 00:37:31,360
Speaker 2: To my brother Rob Holliday, who was also signed to

924
00:37:31,360 --> 00:37:33,640
Speaker 2: me as well, that's crazy. I didn't know you did

925
00:37:33,640 --> 00:37:37,280
Speaker 2: that record. But when she did that record in that stadium,

926
00:37:37,400 --> 00:37:39,040
Speaker 2: I told Rory, I was like, bro that. I was

927
00:37:39,080 --> 00:37:41,239
Speaker 2: not expecting them to respond to that record like that.

928
00:37:41,560 --> 00:37:44,920
Speaker 2: They went crazy, like the girls that they went crazy

929
00:37:44,920 --> 00:37:47,040
Speaker 2: at Broccoli shut down.

930
00:37:47,120 --> 00:37:49,440
Speaker 5: This a girl, Okay, her name is New York, LA.

931
00:37:49,640 --> 00:37:51,720
Speaker 5: She's Gilly's daughter or whatever.

932
00:37:51,840 --> 00:37:53,759
Speaker 2: Yeah, she's on it. She got a record with that

933
00:37:53,880 --> 00:37:57,880
Speaker 2: I liked with uh uh. I don't know if it's Bryce.

934
00:37:57,719 --> 00:38:02,680
Speaker 4: And she's on yeah, but she's she's super talented. Her

935
00:38:02,680 --> 00:38:03,560
Speaker 4: solo stuff is crazy.

936
00:38:03,680 --> 00:38:04,200
Speaker 3: It's crazy.

937
00:38:04,239 --> 00:38:06,640
Speaker 5: I'm executive producing her album. We just closed a major

938
00:38:06,680 --> 00:38:09,160
Speaker 5: label deal. Shout out to Gilly. Shout out to her.

939
00:38:09,480 --> 00:38:11,040
Speaker 5: They can announce where we closed the deal and I

940
00:38:11,080 --> 00:38:12,560
Speaker 5: ain't gonna let the cut out the bag. But her

941
00:38:12,560 --> 00:38:15,240
Speaker 5: album's done. Everybody's on her album. Talk about everybody.

942
00:38:15,280 --> 00:38:17,640
Speaker 1: No, she's like legitimately, legitimately fight like the.

943
00:38:17,680 --> 00:38:19,239
Speaker 2: Time I've heard. I'm like, okay, I like her.

944
00:38:19,320 --> 00:38:20,040
Speaker 3: She would have one.

945
00:38:20,120 --> 00:38:22,920
Speaker 4: Gilly first posted her long long time, even before the

946
00:38:22,960 --> 00:38:25,600
Speaker 4: Brent shit. I thought he was just posting some dope artists.

947
00:38:25,600 --> 00:38:26,960
Speaker 4: I didn't even know it's his daughter. I was like, oh,

948
00:38:27,000 --> 00:38:29,520
Speaker 4: she is ill and Jilly signed somebody like yeah.

949
00:38:29,360 --> 00:38:33,919
Speaker 5: She really good people man, Gilly his wife too, his daughter.

950
00:38:33,960 --> 00:38:35,920
Speaker 5: They did a good job with her. She's amazing and

951
00:38:35,960 --> 00:38:38,320
Speaker 5: I think she will be one of the biggest stars

952
00:38:38,320 --> 00:38:39,440
Speaker 5: next year, like hands.

953
00:38:39,160 --> 00:38:42,000
Speaker 4: Down even like her alternative shit is crazy too, Like

954
00:38:42,239 --> 00:38:44,320
Speaker 4: she does she can do pretty much everything.

955
00:38:44,360 --> 00:38:44,560
Speaker 3: Yeah.

956
00:38:44,719 --> 00:38:49,120
Speaker 4: I met her at super Bowl super cool chick, Like, yeah,

957
00:38:49,120 --> 00:38:50,320
Speaker 4: she's gonna be a superstar.

958
00:38:50,480 --> 00:38:51,880
Speaker 2: Anytime I've heard her, I was like, I like her.

959
00:38:52,239 --> 00:38:54,160
Speaker 2: Her sound is dope. What do you think about this

960
00:38:55,120 --> 00:38:57,160
Speaker 2: Jay Dawn kid? Is he? Is he the next one?

961
00:38:57,280 --> 00:38:58,120
Speaker 3: I love Jay Darn.

962
00:38:59,120 --> 00:39:01,239
Speaker 5: You know he was signing Nick Cannon before La read

963
00:39:01,320 --> 00:39:03,319
Speaker 5: this nigga Nick Cannon has everybody like how you had

964
00:39:03,360 --> 00:39:05,759
Speaker 5: Kilani and all other shit. But that's when I first

965
00:39:05,840 --> 00:39:08,239
Speaker 5: initially met Jay Don And then I mean I just

966
00:39:08,239 --> 00:39:10,360
Speaker 5: got strong belief in whatever La Reed. Do you know

967
00:39:10,440 --> 00:39:13,879
Speaker 5: one thing, La Reid, he will drop the bag he's

968
00:39:13,920 --> 00:39:16,200
Speaker 5: going once he believes in you, He's going to make

969
00:39:16,239 --> 00:39:18,560
Speaker 5: sure that shit goes. I think that they took a

970
00:39:18,640 --> 00:39:21,759
Speaker 5: little bit of time because maybe aesthetically how tall he

971
00:39:21,920 --> 00:39:23,879
Speaker 5: is and how much dance and he does for people

972
00:39:23,920 --> 00:39:26,600
Speaker 5: to get like customed to that and lock in with that.

973
00:39:26,640 --> 00:39:28,279
Speaker 3: But I think he found his lane. I like what

974
00:39:28,440 --> 00:39:29,399
Speaker 3: that record that he got out?

975
00:39:29,480 --> 00:39:30,279
Speaker 1: Yeah, I like him.

976
00:39:30,320 --> 00:39:32,399
Speaker 2: But everybody's like, yo, he's the next Chris And I'm

977
00:39:32,440 --> 00:39:34,160
Speaker 2: just like, you know, when you hear that and then

978
00:39:34,200 --> 00:39:37,360
Speaker 2: you start looking you like, I see the talent. I

979
00:39:37,400 --> 00:39:39,840
Speaker 2: see the talent. But when you when you introduce this

980
00:39:39,920 --> 00:39:41,959
Speaker 2: to me and say this is the next Chris Brown,

981
00:39:41,960 --> 00:39:43,640
Speaker 2: I'm like, all right, weight hold on, Yeah, that's kind

982
00:39:43,640 --> 00:39:45,640
Speaker 2: of a but that's a big deal to me. That's

983
00:39:45,680 --> 00:39:46,440
Speaker 2: unfair to Jay.

984
00:39:46,320 --> 00:39:49,200
Speaker 5: Donna's like, what whole deal with bleak the new unapproved Jason? Yes,

985
00:39:49,360 --> 00:39:52,000
Speaker 5: it's that's what we can't do that. Those shoes are

986
00:39:52,719 --> 00:39:54,360
Speaker 5: leave those over there. Don't even try to step in

987
00:39:54,400 --> 00:39:54,880
Speaker 5: those shoes.

988
00:39:54,960 --> 00:39:56,440
Speaker 2: But then and looking at him and looking at a

989
00:39:56,440 --> 00:39:59,320
Speaker 2: couple of videos, like you said, I'm like, okay, tall dances.

990
00:40:00,080 --> 00:40:02,360
Speaker 2: It's a little like you're a little too tall to

991
00:40:02,360 --> 00:40:04,879
Speaker 2: be dancing like this, bro, Like, but you I see

992
00:40:04,880 --> 00:40:05,360
Speaker 2: the talent.

993
00:40:05,480 --> 00:40:08,160
Speaker 5: No, the nigga is literally like taller than Steph Curry.

994
00:40:08,160 --> 00:40:10,560
Speaker 5: Like the niggas literally a fucking NBA point guard. Yeah,

995
00:40:10,719 --> 00:40:12,080
Speaker 5: Like he's like at least six three six.

996
00:40:12,160 --> 00:40:13,919
Speaker 2: But he dancing like Chris, like he moving and I'm

997
00:40:13,920 --> 00:40:15,800
Speaker 2: just like a little a little awkward at first on

998
00:40:15,880 --> 00:40:17,839
Speaker 2: the eye, but then listening to it, I'm like, he's

999
00:40:17,840 --> 00:40:19,719
Speaker 2: definitely talented, Like there's no doubt about it.

1000
00:40:19,719 --> 00:40:20,480
Speaker 3: The kid got talent.

1001
00:40:20,520 --> 00:40:23,920
Speaker 5: I got belief in Usher, Larry Jackson Man. You know

1002
00:40:24,080 --> 00:40:26,560
Speaker 5: Usher signed them too. Yeah, yeah, yeah, they gonna.

1003
00:40:26,400 --> 00:40:27,000
Speaker 3: Figure that out.

1004
00:40:27,040 --> 00:40:28,080
Speaker 2: You're definite gonna figure it out.

1005
00:40:28,360 --> 00:40:29,600
Speaker 3: They did okay with Bieber.

1006
00:40:29,440 --> 00:40:34,600
Speaker 1: Yeah, they got that one, right, he's a track Records

1007
00:40:34,600 --> 00:40:34,799
Speaker 1: a right.

1008
00:40:36,040 --> 00:40:38,799
Speaker 4: What do you think of Tim Malin in his new

1009
00:40:38,840 --> 00:40:43,280
Speaker 4: fucking AI artist video that he just did? He dancing

1010
00:40:43,320 --> 00:40:44,520
Speaker 4: next to a fake person?

1011
00:40:45,680 --> 00:40:47,920
Speaker 5: And I got so much respect for Tim. I'll mean

1012
00:40:48,000 --> 00:40:50,439
Speaker 5: to the next question, I don't even want to share

1013
00:40:50,480 --> 00:40:51,959
Speaker 5: with my just out of how much.

1014
00:40:51,880 --> 00:40:54,880
Speaker 1: I answer like this, I got a lot of respect.

1015
00:40:55,560 --> 00:40:58,280
Speaker 5: I just got so much respect for Tim, like and

1016
00:40:58,320 --> 00:41:01,040
Speaker 5: his and his wife and everybody they family.

1017
00:41:01,080 --> 00:41:02,960
Speaker 4: I can't say nothing, but I mean even I saw

1018
00:41:03,040 --> 00:41:05,600
Speaker 4: him in Guru going back and forth on Instagram in

1019
00:41:05,600 --> 00:41:08,920
Speaker 4: a respectful way like Tim can handle.

1020
00:41:08,960 --> 00:41:10,799
Speaker 1: I think the critiques without me.

1021
00:41:10,800 --> 00:41:13,480
Speaker 3: Who answered that question and me answering question is two different.

1022
00:41:13,200 --> 00:41:16,840
Speaker 4: People for sure, for sure, But I mean, his peers

1023
00:41:16,840 --> 00:41:19,600
Speaker 4: and people that he loves in respects have been critical

1024
00:41:19,680 --> 00:41:22,880
Speaker 4: of him in this entire thing, like he's wrong. No,

1025
00:41:23,040 --> 00:41:25,759
Speaker 4: he is, like, I think this is obviously you could

1026
00:41:25,760 --> 00:41:28,480
Speaker 4: never fuck up a legacy like his, because he's one

1027
00:41:28,520 --> 00:41:31,040
Speaker 4: of the greatest it's ever existed. But this is some

1028
00:41:31,120 --> 00:41:34,840
Speaker 4: of the goofy your ladder career shit I've seen in

1029
00:41:34,920 --> 00:41:36,800
Speaker 4: quite some time, and I get with it, dapping with

1030
00:41:36,840 --> 00:41:37,160
Speaker 4: the times.

1031
00:41:37,160 --> 00:41:38,960
Speaker 1: I'm not completely anti AI.

1032
00:41:38,880 --> 00:41:41,440
Speaker 3: But are you up on a souno shit or whatever? Yeah? Bro,

1033
00:41:41,520 --> 00:41:42,400
Speaker 3: that shit fucked me up.

1034
00:41:42,400 --> 00:41:44,520
Speaker 5: We just did a write a writing camp in Vegas

1035
00:41:44,600 --> 00:41:47,360
Speaker 5: for fucking Warner Chapel and Rams from fifteen hundred and

1036
00:41:47,400 --> 00:41:49,120
Speaker 5: nothing was showing me the shit, and he like, Yo,

1037
00:41:50,200 --> 00:41:51,319
Speaker 5: what name a song?

1038
00:41:51,520 --> 00:41:52,080
Speaker 3: A sample?

1039
00:41:52,160 --> 00:41:54,160
Speaker 5: I'm like, yo, ron Ossey between the sheets, he like,

1040
00:41:54,200 --> 00:41:55,759
Speaker 5: all right, bet, he like what you want the song

1041
00:41:55,840 --> 00:41:59,000
Speaker 5: to sound like. I'm like Tyler afrobeat this, that, and

1042
00:41:59,040 --> 00:42:01,800
Speaker 5: the third he like, single melody into the phone, niggas.

1043
00:42:03,920 --> 00:42:05,960
Speaker 5: He's like, all right, bet nigga. One minute later he

1044
00:42:06,000 --> 00:42:10,120
Speaker 5: played me an entire song lyrics beat with the flip

1045
00:42:10,160 --> 00:42:13,640
Speaker 5: of the sample, nigga a whole everything, nigga, and two

1046
00:42:13,680 --> 00:42:17,520
Speaker 5: minutes later fuck me up and shit, wasn't drash.

1047
00:42:17,640 --> 00:42:18,560
Speaker 2: That's that's scary.

1048
00:42:19,160 --> 00:42:21,279
Speaker 1: No, I mean, that's my real issue with AI. Something

1049
00:42:21,400 --> 00:42:24,920
Speaker 1: should be dope. That's the problem, the fact that it's good.

1050
00:42:24,960 --> 00:42:26,800
Speaker 1: It's like, whoa, we got to chill with this.

1051
00:42:26,800 --> 00:42:30,799
Speaker 2: This that's scary. Man. Yeah, I don't ship like that.

1052
00:42:30,880 --> 00:42:33,640
Speaker 2: To me is like now we just all the way

1053
00:42:33,760 --> 00:42:37,279
Speaker 2: saying fuck the art of it all, Like I'm never on.

1054
00:42:37,239 --> 00:42:38,359
Speaker 3: The side of it. Fuck the art.

1055
00:42:38,480 --> 00:42:41,359
Speaker 4: No, I mean but for me too, Like with with

1056
00:42:41,680 --> 00:42:45,600
Speaker 4: Tim's AI artists, like she they whatever the what what's

1057
00:42:45,680 --> 00:42:52,279
Speaker 4: the right word to call AI person? I want you

1058
00:42:52,360 --> 00:42:55,840
Speaker 4: like all right, that bitch, that AI bitch that she

1059
00:42:56,320 --> 00:43:00,840
Speaker 4: has sucked in all of catalog like and higher music

1060
00:43:00,880 --> 00:43:04,160
Speaker 4: catalog all his ship, like she now knows that he

1061
00:43:04,200 --> 00:43:07,520
Speaker 4: should be paid for that. That's fucked up that Tim

1062
00:43:07,600 --> 00:43:11,120
Speaker 4: is even like partaking in something where the peers are affected.

1063
00:43:12,320 --> 00:43:14,920
Speaker 3: Hey, fam listen, you don't want to that's your god.

1064
00:43:14,960 --> 00:43:16,880
Speaker 2: But I'm just saying, like, well, it has to be

1065
00:43:16,920 --> 00:43:18,920
Speaker 2: the money that's tech it gave him, like it.

1066
00:43:19,280 --> 00:43:21,799
Speaker 5: Well, yeah, if you are kind of like trying to

1067
00:43:21,880 --> 00:43:24,800
Speaker 5: push that software to the forefront and that type of vibe,

1068
00:43:24,960 --> 00:43:27,200
Speaker 5: do you need a spokesperson for it, and who else

1069
00:43:27,239 --> 00:43:29,239
Speaker 5: better than one of the biggest producers of all time.

1070
00:43:29,480 --> 00:43:31,680
Speaker 4: Yeah, and I mean we speculated why everyone was selling

1071
00:43:31,719 --> 00:43:33,799
Speaker 4: their catalogs for for years and years, and I think

1072
00:43:33,840 --> 00:43:35,680
Speaker 4: we were right with our theories. But let's not act

1073
00:43:35,719 --> 00:43:38,200
Speaker 4: like it wasn't for this AI back catalog shit too.

1074
00:43:38,680 --> 00:43:39,879
Speaker 3: Yeah, Oh yes, it.

1075
00:43:39,800 --> 00:43:40,120
Speaker 1: Was a bunch.

1076
00:43:40,160 --> 00:43:42,000
Speaker 4: It was a bunch of fucking tech companies buying up

1077
00:43:42,000 --> 00:43:45,400
Speaker 4: Everybody's who you think somebody just randomly has a four

1078
00:43:45,440 --> 00:43:48,600
Speaker 4: and a million for the Dream like on a Tuesday

1079
00:43:48,320 --> 00:43:48,920
Speaker 4: and on.

1080
00:43:48,880 --> 00:43:51,400
Speaker 5: The board and Hypnosis too. That's why he was talking

1081
00:43:51,400 --> 00:43:53,720
Speaker 5: so crazy to Sean Garrett because he remember Sean Garrett

1082
00:43:53,719 --> 00:43:56,480
Speaker 5: in the verses he like he sold his catalog and yeah, like, nigga,

1083
00:43:56,520 --> 00:43:58,600
Speaker 5: I own your catalog because he's on the board of

1084
00:43:58,680 --> 00:44:00,879
Speaker 5: Hypnosis when he did his buy out for this deal.

1085
00:44:00,920 --> 00:44:03,080
Speaker 3: They put them on the board. That's crazy.

1086
00:44:03,920 --> 00:44:06,399
Speaker 4: That's that's that's like game going up and saying I'm

1087
00:44:06,440 --> 00:44:07,520
Speaker 4: the ceover vote.

1088
00:44:07,680 --> 00:44:11,000
Speaker 3: But it's truly be real, bro, I ain't gonna lie

1089
00:44:11,040 --> 00:44:12,000
Speaker 3: that dream good yo.

1090
00:44:12,120 --> 00:44:13,560
Speaker 2: It is nasty out here.

1091
00:44:13,600 --> 00:44:13,799
Speaker 7: Man.

1092
00:44:14,120 --> 00:44:16,440
Speaker 1: Has anyone approached you on the publishing the.

1093
00:44:16,400 --> 00:44:18,759
Speaker 5: Calo catalog what do you think I got spectras and

1094
00:44:18,760 --> 00:44:20,319
Speaker 5: all the other shit, Bron, Like, I live in a

1095
00:44:20,320 --> 00:44:22,520
Speaker 5: five million dollar house in Miami, no mortgage, no nothing.

1096
00:44:22,520 --> 00:44:25,680
Speaker 3: It's over. I can really retire right now. I don't

1097
00:44:25,680 --> 00:44:26,080
Speaker 3: have to do it.

1098
00:44:26,080 --> 00:44:28,160
Speaker 2: Whether Oh that's why you took your tags. So nigga,

1099
00:44:28,200 --> 00:44:29,680
Speaker 2: you like, I'm home. It's the home stretch.

1100
00:44:29,680 --> 00:44:30,040
Speaker 3: I'm good.

1101
00:44:31,200 --> 00:44:34,480
Speaker 1: I'm in Florida, man, I'm all the way home.

1102
00:44:34,520 --> 00:44:36,200
Speaker 5: I'm trying to figure out my out, like because in

1103
00:44:36,320 --> 00:44:37,799
Speaker 5: forty you know what I'm saying, Like, I ain't gonna

1104
00:44:37,800 --> 00:44:39,440
Speaker 5: lie me and Roy was talking about this before this

1105
00:44:39,520 --> 00:44:42,000
Speaker 5: shit that like the toad, that it takes on your

1106
00:44:42,040 --> 00:44:44,359
Speaker 5: body to be in a studio, to drink six nights

1107
00:44:44,400 --> 00:44:47,440
Speaker 5: a week, smoke six nights a week, to them long hours.

1108
00:44:47,600 --> 00:44:49,239
Speaker 5: It's catching up to me, Bro, I've been doing this

1109
00:44:49,280 --> 00:44:52,120
Speaker 5: shit for twenty years. So I'm gonna go back inside

1110
00:44:52,120 --> 00:44:55,120
Speaker 5: the building one because I think that there is not

1111
00:44:55,400 --> 00:44:57,680
Speaker 5: one an R with the exception of couple. I know

1112
00:44:57,920 --> 00:45:00,279
Speaker 5: that you can specifically give any music to as a

1113
00:45:00,280 --> 00:45:02,840
Speaker 5: producer and a writer. I don't know one nigga to

1114
00:45:02,920 --> 00:45:04,960
Speaker 5: sent a song to that can get get it to

1115
00:45:05,360 --> 00:45:07,160
Speaker 5: an artist that I want to any A and R.

1116
00:45:07,480 --> 00:45:10,319
Speaker 5: So it to me is like it's not cool no more.

1117
00:45:10,360 --> 00:45:14,000
Speaker 5: It's too much ambulance chasing, it's too much job security,

1118
00:45:14,000 --> 00:45:16,520
Speaker 5: worrying about like I'm going to go back in a

1119
00:45:16,520 --> 00:45:19,840
Speaker 5: building and really like change people lives. Like when I

1120
00:45:19,880 --> 00:45:21,560
Speaker 5: first got in a building, it was really for me

1121
00:45:21,600 --> 00:45:23,520
Speaker 5: to like shit on niggas like I'm me. I was

1122
00:45:23,600 --> 00:45:25,840
Speaker 5: letting people know I'm him. Now the next chapter of

1123
00:45:25,840 --> 00:45:27,560
Speaker 5: my career is just to be a blessing to other

1124
00:45:27,600 --> 00:45:30,920
Speaker 5: people and really change people lives, which I've done already,

1125
00:45:31,120 --> 00:45:32,960
Speaker 5: but just to really lock into it or whatever and

1126
00:45:33,040 --> 00:45:35,040
Speaker 5: still go to the studio and work on the projects

1127
00:45:35,040 --> 00:45:37,319
Speaker 5: that I'm executive producer for, but not just to go

1128
00:45:37,600 --> 00:45:39,680
Speaker 5: one hundred placements a year, you know what I'm saying

1129
00:45:39,760 --> 00:45:40,480
Speaker 5: like that type shit.

1130
00:45:40,719 --> 00:45:42,560
Speaker 4: Yeah, I mean you were bringing up La Read and

1131
00:45:42,600 --> 00:45:43,960
Speaker 4: I was going to ask like if he was the

1132
00:45:44,040 --> 00:45:48,359
Speaker 4: last like music man exec in the business. And I

1133
00:45:48,400 --> 00:45:49,879
Speaker 4: actually love to hear that you want to go back

1134
00:45:49,920 --> 00:45:52,120
Speaker 4: into a building because that's what I feel any about.

1135
00:45:52,280 --> 00:45:55,160
Speaker 1: Ain't no want, I'm about to go anytime? Yeah, the want.

1136
00:45:55,480 --> 00:45:56,799
Speaker 4: Some people don't even want to go near a fucking

1137
00:45:56,800 --> 00:45:59,120
Speaker 4: building anymore because it's a messing there. But when people

1138
00:45:59,160 --> 00:46:01,400
Speaker 4: typically ask what's wrong with majors, I always say is

1139
00:46:01,440 --> 00:46:03,200
Speaker 4: they have no music people in there, and A and

1140
00:46:03,320 --> 00:46:05,840
Speaker 4: RS are legitimately good at data now, which is like,

1141
00:46:06,000 --> 00:46:07,520
Speaker 4: all right, cool, I guess that's a part of it

1142
00:46:07,560 --> 00:46:09,399
Speaker 4: and you have to adapt, But there's no music people

1143
00:46:09,400 --> 00:46:11,960
Speaker 4: in there. Like la Read was a music person, like

1144
00:46:12,400 --> 00:46:14,279
Speaker 4: that is why he was so good at his job,

1145
00:46:14,320 --> 00:46:16,040
Speaker 4: not because he fucking knows P and L like that.

1146
00:46:16,200 --> 00:46:17,239
Speaker 1: He's a fucking music guy.

1147
00:46:17,520 --> 00:46:20,200
Speaker 5: Like It's like, artists want to be criticized by people

1148
00:46:20,200 --> 00:46:22,479
Speaker 5: that are actually doing what they're doing in real time.

1149
00:46:22,480 --> 00:46:25,520
Speaker 5: I opposed to somebody getting data and saying why something

1150
00:46:25,520 --> 00:46:29,000
Speaker 5: they working because it's a different conversation talking to some

1151
00:46:29,080 --> 00:46:31,080
Speaker 5: guy in front of a computer or talking to the

1152
00:46:31,120 --> 00:46:33,879
Speaker 5: guy in a studio that you actually respect his work,

1153
00:46:33,920 --> 00:46:36,399
Speaker 5: you respect the songs that he did. The artists will

1154
00:46:36,400 --> 00:46:39,040
Speaker 5: be able to be able to be artists developed better

1155
00:46:39,120 --> 00:46:41,719
Speaker 5: because it's the person that's developing them. It's the one

1156
00:46:41,719 --> 00:46:43,520
Speaker 5: that's seeing the game, that's lived through this shit. And

1157
00:46:43,600 --> 00:46:46,880
Speaker 5: you could pinpoint different records and different moments like oh okay,

1158
00:46:46,920 --> 00:46:49,520
Speaker 5: like he's doing he understands me.

1159
00:46:50,000 --> 00:46:51,239
Speaker 3: It's not like a disconnect.

1160
00:46:51,280 --> 00:46:53,120
Speaker 5: You know what I'm saying, So when I go back in,

1161
00:46:53,239 --> 00:46:54,799
Speaker 5: it's going to be like, well, I'm going back in

1162
00:46:54,920 --> 00:46:56,720
Speaker 5: very soon. I'll announced it, like in a couple of weeks.

1163
00:46:56,719 --> 00:46:58,840
Speaker 5: But when I do it, it's just going to be

1164
00:46:59,400 --> 00:47:02,600
Speaker 5: just because ain't nobody doing it. This shit is trash,

1165
00:47:02,640 --> 00:47:04,719
Speaker 5: Like they didn't groom, like how we're talking about the

1166
00:47:04,760 --> 00:47:07,000
Speaker 5: next class of rappers. They didn't really groom or allow

1167
00:47:07,080 --> 00:47:10,399
Speaker 5: the next class of an rs and like that, because

1168
00:47:10,480 --> 00:47:12,120
Speaker 5: I remember when we was at Atlantic Nigga, we had

1169
00:47:12,160 --> 00:47:15,480
Speaker 5: the all star team me or Orlando Warrenberg, Sean Barron,

1170
00:47:16,480 --> 00:47:20,000
Speaker 5: Dallas Martin. It was a fucking It was a bunch

1171
00:47:20,080 --> 00:47:23,160
Speaker 5: of motherfuckers. But you know, like I guess the you

1172
00:47:23,200 --> 00:47:26,319
Speaker 5: know when how the revolving door once was when you

1173
00:47:26,360 --> 00:47:29,320
Speaker 5: see the Kaiser regime with depth sham and then it

1174
00:47:29,520 --> 00:47:31,759
Speaker 5: transfers to Warner and you know what I'm saying, Like

1175
00:47:31,920 --> 00:47:33,279
Speaker 5: it ain't happening like that for an R.

1176
00:47:33,400 --> 00:47:35,719
Speaker 4: They fired everybody, Yeah, which is kind of weird too,

1177
00:47:35,760 --> 00:47:38,880
Speaker 4: Like even when Kaiser Juliano then went to Atlantic to

1178
00:47:38,920 --> 00:47:41,080
Speaker 4: start the new regime, like their A and R is

1179
00:47:41,120 --> 00:47:44,000
Speaker 4: a depth gym. Were people like IRV Gotti like producers

1180
00:47:44,040 --> 00:47:46,759
Speaker 4: for sure, it's weird that they didn't want to keep

1181
00:47:46,840 --> 00:47:47,799
Speaker 4: up with that even in the time.

1182
00:47:47,800 --> 00:47:48,280
Speaker 1: I understand.

1183
00:47:48,280 --> 00:47:50,839
Speaker 4: I know it's fuckingata, but even now, like, why would

1184
00:47:50,880 --> 00:47:51,560
Speaker 4: that not be a focus?

1185
00:47:51,680 --> 00:47:54,400
Speaker 5: Hit boy go inside the building. You pick a building,

1186
00:47:54,520 --> 00:47:56,680
Speaker 5: I'm a pick a building. All the different people that's

1187
00:47:56,719 --> 00:47:59,400
Speaker 5: a listers that really respect the that want to be

1188
00:47:59,440 --> 00:48:01,399
Speaker 5: involved in that ship. I think that we all scoring

1189
00:48:01,480 --> 00:48:03,880
Speaker 5: the building. Yeah, I think that'd be the hired a

1190
00:48:03,960 --> 00:48:05,400
Speaker 5: hit boy after I left or whatever.

1191
00:48:05,719 --> 00:48:07,600
Speaker 3: I think they did a partnership as well too.

1192
00:48:07,600 --> 00:48:09,040
Speaker 4: I don't know if it's just and even when they

1193
00:48:09,040 --> 00:48:11,480
Speaker 4: would do the legal payol or with DJs like DJ's

1194
00:48:11,480 --> 00:48:13,480
Speaker 4: are music people. Yes, they should be hired in your

1195
00:48:13,480 --> 00:48:15,000
Speaker 4: building to tell you what the fuck is gonna work

1196
00:48:15,000 --> 00:48:17,160
Speaker 4: and what's not gonna work. Absolutely, if that ship is

1197
00:48:17,400 --> 00:48:18,960
Speaker 4: done now, it's playlisting for sure.

1198
00:48:19,000 --> 00:48:20,640
Speaker 3: Bro, that got to come back a something.

1199
00:48:20,920 --> 00:48:21,799
Speaker 1: Before we let you go.

1200
00:48:21,920 --> 00:48:24,920
Speaker 4: I want to ask do you have any information on

1201
00:48:25,239 --> 00:48:28,040
Speaker 4: the reco case that y J is putting together with

1202
00:48:28,040 --> 00:48:29,240
Speaker 4: the federal government.

1203
00:48:29,600 --> 00:48:39,160
Speaker 1: For the Kardashian cartel. We want Raj on the show so.

1204
00:48:39,120 --> 00:48:45,600
Speaker 2: Bad that I love Raid give a flying fuck about

1205
00:48:45,680 --> 00:48:48,520
Speaker 2: anything anybody He's gonna do what you want to say,

1206
00:48:48,560 --> 00:48:49,479
Speaker 2: what you want see.

1207
00:48:49,560 --> 00:48:50,799
Speaker 3: Ray is a real smart nigga.

1208
00:48:50,840 --> 00:48:52,160
Speaker 5: See a lot of you want to think he was

1209
00:48:52,239 --> 00:48:55,000
Speaker 5: glitching like this whole time, all this year, but he

1210
00:48:55,120 --> 00:48:57,560
Speaker 5: was really trying to get into that space with them people.

1211
00:48:57,600 --> 00:48:59,799
Speaker 5: And now you see Casanna and all them niggas fucking

1212
00:48:59,800 --> 00:49:00,000
Speaker 5: with him.

1213
00:49:00,080 --> 00:49:00,920
Speaker 3: He made his way right.

1214
00:49:01,640 --> 00:49:05,000
Speaker 2: It's like like, but Ray has been He's again. Before

1215
00:49:05,080 --> 00:49:07,920
Speaker 2: this all viral thing became a thing, he was that. Yeah,

1216
00:49:07,960 --> 00:49:10,000
Speaker 2: like he was doing all of that type of ship.

1217
00:49:10,120 --> 00:49:11,840
Speaker 2: That's why I understand what Sojier Boy was saying that

1218
00:49:11,840 --> 00:49:12,960
Speaker 2: a lot. I know what he means.

1219
00:49:13,480 --> 00:49:14,000
Speaker 3: What do you mean?

1220
00:49:14,120 --> 00:49:15,600
Speaker 1: Yeah, he was like when I did that, Like, he

1221
00:49:15,680 --> 00:49:17,040
Speaker 1: was the first to do a lot of this ship.

1222
00:49:17,000 --> 00:49:19,319
Speaker 2: It just has new names now, y'all. For sure there's

1223
00:49:19,360 --> 00:49:19,960
Speaker 2: something different now.

1224
00:49:20,080 --> 00:49:22,480
Speaker 1: Yeah, Sojio Boy was the first viral song.

1225
00:49:22,520 --> 00:49:25,560
Speaker 2: Absolutely ringtone, yeah, hitt and all of that.

1226
00:49:25,640 --> 00:49:26,040
Speaker 3: Like he was.

1227
00:49:26,239 --> 00:49:29,080
Speaker 2: He was the first behind a lot of that ship.

1228
00:49:29,360 --> 00:49:33,800
Speaker 1: And I mean, shit, ray j everything in our culture,

1229
00:49:33,920 --> 00:49:34,479
Speaker 1: it was the first.

1230
00:49:35,440 --> 00:49:40,040
Speaker 4: Like literally, I'm trying to think, I'm thinking of every category.

1231
00:49:40,160 --> 00:49:42,359
Speaker 7: I'm pretty sure Raymond Jay did it first. Yeah, if

1232
00:49:42,360 --> 00:49:44,279
Speaker 7: you really go through it, yo, bro, that nigga is

1233
00:49:44,280 --> 00:49:46,000
Speaker 7: a legend. You know how long I've known a niggas.

1234
00:49:46,000 --> 00:49:48,720
Speaker 7: So like, bro, we have done what's so crazy our record?

1235
00:49:48,880 --> 00:49:51,399
Speaker 7: I got three records that's about to be dimon and

1236
00:49:51,480 --> 00:49:52,000
Speaker 7: that's one.

1237
00:49:51,880 --> 00:49:54,480
Speaker 1: Of them, Like just a full ray J project.

1238
00:49:54,680 --> 00:49:57,239
Speaker 5: Sexy is about to be diming dang a song with

1239
00:49:57,239 --> 00:49:59,520
Speaker 5: me and y J, which is a classic record.

1240
00:50:00,360 --> 00:50:04,719
Speaker 4: Fucking yo, everyone that's listening now, stop what you're doing,

1241
00:50:04,760 --> 00:50:07,560
Speaker 4: pause this podcast and go back to the Chris Brown

1242
00:50:07,640 --> 00:50:09,000
Speaker 4: and ray J Blood mixtape.

1243
00:50:09,520 --> 00:50:11,239
Speaker 1: It's one of the greatest.

1244
00:50:12,160 --> 00:50:16,560
Speaker 4: Like why all of us just like stop talking about

1245
00:50:16,719 --> 00:50:19,080
Speaker 4: Chris Brown and ray J doing a blood mixtape together.

1246
00:50:19,520 --> 00:50:20,320
Speaker 3: It was like sixteen.

1247
00:50:23,480 --> 00:50:25,760
Speaker 7: He locked in with c B for a fucking blood

1248
00:50:26,239 --> 00:50:27,400
Speaker 7: Every record is fired.

1249
00:50:28,360 --> 00:50:29,840
Speaker 2: Ray J is fucking crazy.

1250
00:50:30,840 --> 00:50:33,040
Speaker 4: We did uh this little this of that segment. We

1251
00:50:33,080 --> 00:50:37,120
Speaker 4: did it with JD, done it with JD. Uh, we

1252
00:50:37,160 --> 00:50:39,560
Speaker 4: did with hit Boy. I felt like there was one

1253
00:50:39,600 --> 00:50:45,880
Speaker 4: more either way. But yeah, we grab some of your

1254
00:50:45,920 --> 00:50:48,640
Speaker 4: records where you have to pick which which one you

1255
00:50:48,680 --> 00:50:50,239
Speaker 4: would pick out of the two.

1256
00:50:50,280 --> 00:50:52,000
Speaker 1: We'll start with bounce Back or Dangerous.

1257
00:50:52,080 --> 00:50:56,040
Speaker 5: Mmm. I say bounce Back because it's about to be dining.

1258
00:50:56,239 --> 00:51:00,000
Speaker 5: That's what my second that would be that would be fair.

1259
00:51:00,280 --> 00:51:02,680
Speaker 5: But I think that Dangerous did something incredible for me

1260
00:51:02,760 --> 00:51:04,719
Speaker 5: this when he first got out of jail, and it

1261
00:51:04,960 --> 00:51:08,040
Speaker 5: was like the radio smash that kicked off everything for him.

1262
00:51:08,040 --> 00:51:08,320
Speaker 3: Again.

1263
00:51:09,080 --> 00:51:10,800
Speaker 1: Yeah, no, Dangerous was a joint.

1264
00:51:11,200 --> 00:51:14,080
Speaker 5: Yeah, I think I got a lot of dangerous women

1265
00:51:14,280 --> 00:51:20,480
Speaker 5: after me. But that was back because that just because

1266
00:51:20,480 --> 00:51:21,880
Speaker 5: how organically it happened.

1267
00:51:22,760 --> 00:51:23,800
Speaker 1: John or Rule the World?

1268
00:51:24,920 --> 00:51:31,760
Speaker 5: Wow mmm, I'll probably say John because it's the bigger,

1269
00:51:31,800 --> 00:51:34,960
Speaker 5: bigger record. But and nobody knew. I don't have a

1270
00:51:35,000 --> 00:51:37,040
Speaker 5: tag on that record too. Shout out to Al the producer,

1271
00:51:37,160 --> 00:51:39,640
Speaker 5: and that was a crazy story. So John was a song.

1272
00:51:40,080 --> 00:51:42,640
Speaker 5: I went to work with Polo to Don and this

1273
00:51:42,719 --> 00:51:45,040
Speaker 5: back when Roscoe Dash was signed to Polo to Don.

1274
00:51:45,400 --> 00:51:47,239
Speaker 3: So me and Roscoe Dash did a.

1275
00:51:47,160 --> 00:51:50,120
Speaker 5: Song over the John beat that night at Interscope Studios

1276
00:51:50,160 --> 00:51:52,600
Speaker 5: in LA and then somehow, some way, shit I guess,

1277
00:51:52,600 --> 00:51:54,080
Speaker 5: Polo just took him up a song and sent to

1278
00:51:54,080 --> 00:51:55,880
Speaker 5: beat the Wayne and then that's how it turned up

1279
00:51:55,920 --> 00:51:56,359
Speaker 5: being John.

1280
00:51:56,760 --> 00:51:58,640
Speaker 4: Yeah, I didn't even know you did John. So years

1281
00:51:58,760 --> 00:52:01,240
Speaker 4: news later, do you still have the U and Roscoe

1282
00:52:01,280 --> 00:52:01,799
Speaker 4: Dash version?

1283
00:52:01,840 --> 00:52:02,520
Speaker 3: I wish I did.

1284
00:52:03,239 --> 00:52:06,200
Speaker 4: That's got to be somewhere on YouTube. Somebody got took.

1285
00:52:06,040 --> 00:52:08,440
Speaker 3: That hard drive. Somebody leaked that ship for the first.

1286
00:52:08,239 --> 00:52:10,280
Speaker 1: Time you heard it was whin like on the album

1287
00:52:10,480 --> 00:52:11,080
Speaker 1: or yeah.

1288
00:52:11,040 --> 00:52:12,160
Speaker 3: I know, I wouldn't. I wouldn't.

1289
00:52:12,160 --> 00:52:15,200
Speaker 5: I wouldn't live like that my tagging, even though I

1290
00:52:15,200 --> 00:52:17,160
Speaker 5: had to do the follow up after the back, get

1291
00:52:17,160 --> 00:52:17,840
Speaker 5: my lawyers on it.

1292
00:52:17,880 --> 00:52:19,480
Speaker 3: I need my credit you talking about it.

1293
00:52:19,480 --> 00:52:22,680
Speaker 1: But then didn't another version of that end up on teflon.

1294
00:52:22,360 --> 00:52:27,080
Speaker 5: Down somebody did a similar beat. Yeah, it wasn't that.

1295
00:52:27,200 --> 00:52:31,440
Speaker 5: It sounded like the dyet coke of John Yeah, what.

1296
00:52:31,440 --> 00:52:32,919
Speaker 1: Was the name of that? It was like the second

1297
00:52:32,960 --> 00:52:34,400
Speaker 1: record I think on Tewana.

1298
00:52:34,000 --> 00:52:35,080
Speaker 3: It was the second record.

1299
00:52:35,120 --> 00:52:39,080
Speaker 4: Damn it was hard but the John by was You

1300
00:52:39,080 --> 00:52:41,040
Speaker 4: could tell the difference when you play them back.

1301
00:52:40,880 --> 00:52:43,520
Speaker 1: To back on it the one or favorite?

1302
00:52:44,239 --> 00:52:47,399
Speaker 5: Hmmm? The one was that record that I was telling

1303
00:52:47,400 --> 00:52:49,399
Speaker 5: you that Vincent Herbert flew in. It flew me back

1304
00:52:49,400 --> 00:52:53,040
Speaker 5: to LA and kind of like started my whole LA run.

1305
00:52:53,160 --> 00:52:55,960
Speaker 5: But I would have to go favorite, just because man

1306
00:52:56,200 --> 00:52:59,440
Speaker 5: like y'all don't understand them. Nicki Minine Sessions was amazing

1307
00:52:59,840 --> 00:53:03,279
Speaker 5: and to me just the work that I put into

1308
00:53:03,360 --> 00:53:05,120
Speaker 5: that record, Like a lot of people don't know that

1309
00:53:05,920 --> 00:53:09,040
Speaker 5: I forget her name, Candice her last name. She used

1310
00:53:09,080 --> 00:53:11,680
Speaker 5: to be signing Neo. That's her doing the sample shit

1311
00:53:11,719 --> 00:53:13,239
Speaker 5: that you know that you need to ride up right

1312
00:53:13,360 --> 00:53:16,239
Speaker 5: up right up right up. It's Aaron Ray doing the

1313
00:53:16,320 --> 00:53:20,759
Speaker 5: fucking and all that other show record you know. So

1314
00:53:20,840 --> 00:53:22,960
Speaker 5: that was a crazy time, like for real.

1315
00:53:23,239 --> 00:53:26,920
Speaker 4: I mean, just judging off Nikki's Twitter as of recent

1316
00:53:27,200 --> 00:53:30,120
Speaker 4: I could only imagine what a private studio session with

1317
00:53:30,200 --> 00:53:33,560
Speaker 4: her would be, Like, I mean, obviously there's NDAs on

1318
00:53:33,680 --> 00:53:36,120
Speaker 4: NDAs and that, but what is a typical Nicki Minaj

1319
00:53:36,320 --> 00:53:37,880
Speaker 4: session Like hmm.

1320
00:53:38,400 --> 00:53:40,600
Speaker 5: Well, at that time, she worked at a studio called

1321
00:53:40,600 --> 00:53:43,640
Speaker 5: Glenwood that was in Burbank. So I would just go

1322
00:53:43,719 --> 00:53:46,880
Speaker 5: to the studio and she was like the first person

1323
00:53:46,920 --> 00:53:49,239
Speaker 5: I've seen with like the booth, like just whatever her

1324
00:53:49,320 --> 00:53:51,200
Speaker 5: move was, Like I remember walking the booth. It was

1325
00:53:51,239 --> 00:53:54,120
Speaker 5: like a beach like Nigga had sand in the mooth,

1326
00:53:54,560 --> 00:53:57,879
Speaker 5: like fucking beach balls, like they were.

1327
00:53:57,880 --> 00:53:58,919
Speaker 3: On some crazy shit.

1328
00:53:59,000 --> 00:54:00,319
Speaker 5: He was the first person I say, I mean with

1329
00:54:00,360 --> 00:54:02,719
Speaker 5: the gigantic sign with their name on it inside the

1330
00:54:02,719 --> 00:54:06,759
Speaker 5: studio and fucking for me. Like she would just she

1331
00:54:06,800 --> 00:54:10,040
Speaker 5: would just be there sober, doing whatever she doing. I

1332
00:54:10,080 --> 00:54:13,840
Speaker 5: would be getting overly drunk and fucking smoking weed and

1333
00:54:13,880 --> 00:54:15,839
Speaker 5: then she just let me, gave me free reign. At

1334
00:54:15,840 --> 00:54:18,440
Speaker 5: one point she was just like, Yo, this is juice,

1335
00:54:18,480 --> 00:54:21,239
Speaker 5: this is my studio. Just go crazy, do whatever you

1336
00:54:21,280 --> 00:54:25,200
Speaker 5: want to do. So with Favorite in general, Jeremiah came

1337
00:54:25,239 --> 00:54:27,200
Speaker 5: to the studio. I was in another room. She was

1338
00:54:27,239 --> 00:54:28,799
Speaker 5: in her room. She booked me another room, and I

1339
00:54:28,840 --> 00:54:30,600
Speaker 5: was with her engineer while she was doing whatever she

1340
00:54:30,680 --> 00:54:33,359
Speaker 5: was doing. And Jeremiah was like, heyo, buruh, I got

1341
00:54:33,400 --> 00:54:35,680
Speaker 5: like seven minutes before I need to go to Lax.

1342
00:54:35,760 --> 00:54:37,359
Speaker 3: I'm like, nigga, what the fuck you even come to.

1343
00:54:37,280 --> 00:54:39,239
Speaker 5: The studio for in the first place, Like you got

1344
00:54:39,239 --> 00:54:41,640
Speaker 5: seven minutes to do him on God.

1345
00:54:41,400 --> 00:54:42,320
Speaker 3: In my life, nigga.

1346
00:54:42,320 --> 00:54:44,840
Speaker 5: He went in there, he did one takedown and somehow,

1347
00:54:44,960 --> 00:54:47,520
Speaker 5: some way he said, I just want to be your favorite.

1348
00:54:47,600 --> 00:54:50,680
Speaker 5: I'm like, that's it, stopped him, got it, chopped it up,

1349
00:54:51,200 --> 00:54:53,200
Speaker 5: copy paste to put it like four times, and told

1350
00:54:53,280 --> 00:54:55,040
Speaker 5: him to dance around and he literally left in those

1351
00:54:55,040 --> 00:54:55,520
Speaker 5: seven minutes.

1352
00:54:55,560 --> 00:54:56,160
Speaker 3: And that's how the hook.

1353
00:54:56,480 --> 00:55:00,359
Speaker 4: That's fucking that's wild. That's super wild. For what what's

1354
00:55:00,400 --> 00:55:04,600
Speaker 4: her process like? Nikki as far as she like approaches.

1355
00:55:04,200 --> 00:55:09,440
Speaker 5: Songs to me, it's just like I think it's great beats.

1356
00:55:09,760 --> 00:55:12,480
Speaker 5: And then for me when her collaborating, she would just

1357
00:55:12,560 --> 00:55:14,160
Speaker 5: have great beats and be like, Yo, make some hooks

1358
00:55:14,160 --> 00:55:16,279
Speaker 5: for me, do some shit that I like. Like even

1359
00:55:16,320 --> 00:55:18,480
Speaker 5: it's a song on how I'm called Shanghai. I'm on

1360
00:55:18,640 --> 00:55:20,800
Speaker 5: the song. It's me saying roll up on you and

1361
00:55:20,840 --> 00:55:23,120
Speaker 5: all this other shit on the actual record. So she

1362
00:55:23,280 --> 00:55:25,200
Speaker 5: was just like, go go hook crazy for me, and

1363
00:55:25,200 --> 00:55:27,279
Speaker 5: then I just went hook crazy and it turned out

1364
00:55:27,280 --> 00:55:28,239
Speaker 5: to being whatever it is.

1365
00:55:28,760 --> 00:55:32,080
Speaker 1: Incredible, Sexy Lady or Sexy Kenna.

1366
00:55:32,239 --> 00:55:37,480
Speaker 5: Oh my god, I'm gonna have to go Sexy Kenna

1367
00:55:37,680 --> 00:55:39,680
Speaker 5: just because I knew Sexy Lady was a hit. And

1368
00:55:39,840 --> 00:55:41,799
Speaker 5: like y'all got to like go back into them la

1369
00:55:41,960 --> 00:55:45,319
Speaker 5: days like Nigga, Like I was literally like wearing a chinchilla.

1370
00:55:45,760 --> 00:55:47,719
Speaker 5: My man, my manager at the time, was the club

1371
00:55:47,760 --> 00:55:49,440
Speaker 5: promoted at the Hottest Club or whatever. I think it

1372
00:55:49,520 --> 00:55:51,600
Speaker 5: was called like fuck Mondays or something like that, shout

1373
00:55:51,600 --> 00:55:53,719
Speaker 5: out to TK and all them or whatever. And I

1374
00:55:53,800 --> 00:55:55,440
Speaker 5: used to go in the club. They used to sneak

1375
00:55:55,480 --> 00:55:57,120
Speaker 5: the bottles in. We would go to rouse some by

1376
00:55:57,160 --> 00:55:58,920
Speaker 5: a bunch of bottles before we went to the club,

1377
00:55:59,239 --> 00:56:01,279
Speaker 5: and my manager at the time was the promoter. So

1378
00:56:01,280 --> 00:56:02,800
Speaker 5: he would set me up at the table next to

1379
00:56:02,880 --> 00:56:05,279
Speaker 5: DJ Echo and they would bring the bottles out and

1380
00:56:05,280 --> 00:56:07,279
Speaker 5: I would wear like a full length chinchilla in the

1381
00:56:07,280 --> 00:56:09,640
Speaker 5: middle of like summer or whatever in l A, just

1382
00:56:09,680 --> 00:56:12,919
Speaker 5: wilding out performing my song Sexy Lady. And then from

1383
00:56:12,920 --> 00:56:16,120
Speaker 5: there it just blew to this phenomenon Sexy ken I.

1384
00:56:16,120 --> 00:56:20,080
Speaker 5: I actually hated Sexy ken I stoles P was supposed

1385
00:56:20,080 --> 00:56:21,400
Speaker 5: to be on Sexy Kenny before me.

1386
00:56:21,440 --> 00:56:22,600
Speaker 3: Remember, ray J was signing a.

1387
00:56:22,600 --> 00:56:25,840
Speaker 5: Cotch and Epic Records being Shadow was doing all the

1388
00:56:25,960 --> 00:56:28,440
Speaker 5: radio shit for Epic or whatever at the time, So

1389
00:56:28,960 --> 00:56:30,720
Speaker 5: styles P was supposed to be on that, and I'm

1390
00:56:30,760 --> 00:56:33,120
Speaker 5: glad that styles P wasn't on Sexy can Out.

1391
00:56:33,160 --> 00:56:36,080
Speaker 3: That seems like a weird choice, much less than but.

1392
00:56:38,760 --> 00:56:39,000
Speaker 1: Rapper.

1393
00:56:42,080 --> 00:56:42,640
Speaker 3: I'm like, yo.

1394
00:56:43,120 --> 00:56:45,560
Speaker 5: So when they presented me the record, Charlie Walk at

1395
00:56:45,600 --> 00:56:47,920
Speaker 5: the time, who like, fucking is my god, this niggas

1396
00:56:47,920 --> 00:56:50,040
Speaker 5: like five two looks like Zuelander. He was the fucking

1397
00:56:50,080 --> 00:56:55,319
Speaker 5: president of Epic Records at the time, and he was like, yo,

1398
00:56:55,680 --> 00:56:57,400
Speaker 5: you need to do this record for ray J. And

1399
00:56:57,400 --> 00:56:59,440
Speaker 5: I'm like, I'm just coming off of Sexy Lady. And

1400
00:56:59,480 --> 00:57:01,560
Speaker 5: I wanted to go my song The Business with the Girl.

1401
00:57:01,560 --> 00:57:03,640
Speaker 5: Cash is singing the hook and I'm like, nah, I

1402
00:57:03,640 --> 00:57:05,200
Speaker 5: want to go to this song. He's like, no, You're

1403
00:57:05,200 --> 00:57:07,000
Speaker 5: gonna do this is gonna be your biggest record. He like,

1404
00:57:07,040 --> 00:57:08,560
Speaker 5: what is it gonna take for you to do this record?

1405
00:57:08,560 --> 00:57:09,719
Speaker 5: I'm like, got to buy me a chain?

1406
00:57:10,560 --> 00:57:11,200
Speaker 3: He like for real?

1407
00:57:11,320 --> 00:57:14,120
Speaker 5: I'm like yeah. I called Jason and Beverly Hills and

1408
00:57:14,200 --> 00:57:16,240
Speaker 5: I put him on the phone with Charlie Walker. I'm like, yo,

1409
00:57:16,280 --> 00:57:18,720
Speaker 5: I want an Epic Records chain, Like you gotta make it.

1410
00:57:18,720 --> 00:57:20,680
Speaker 5: He made the chain. It probably came out my budget,

1411
00:57:20,680 --> 00:57:22,760
Speaker 5: you know what I'm saying. He got me the chain

1412
00:57:22,800 --> 00:57:24,000
Speaker 5: and I never forgetted me.

1413
00:57:24,160 --> 00:57:24,640
Speaker 3: Billy J.

1414
00:57:25,760 --> 00:57:29,640
Speaker 5: Cap One, we walked from the Lowe's Hotel to what

1415
00:57:29,800 --> 00:57:33,160
Speaker 5: Willie's in Miami and we just threw bars around while

1416
00:57:33,160 --> 00:57:34,880
Speaker 5: we was doing it, just talking shit with my brothers

1417
00:57:34,880 --> 00:57:35,600
Speaker 5: and threw bars around.

1418
00:57:35,640 --> 00:57:36,040
Speaker 3: We wrote.

1419
00:57:36,040 --> 00:57:39,320
Speaker 5: I wrote all my parts with them, probably on that walk.

1420
00:57:39,600 --> 00:57:42,000
Speaker 5: I laid my part at Circle House, where I still

1421
00:57:42,040 --> 00:57:44,880
Speaker 5: work at today. That's how crazy this shit coming full circle.

1422
00:57:45,000 --> 00:57:47,720
Speaker 5: And then from there it leads us to the epic

1423
00:57:48,800 --> 00:57:51,640
Speaker 5: studio session with me ray J. The Girl Cash and

1424
00:57:51,680 --> 00:57:53,640
Speaker 5: Tierra Marie. I didn't know it was tier Marie at

1425
00:57:53,680 --> 00:57:56,240
Speaker 5: the time. So, like, ray J comes in the studio.

1426
00:57:56,440 --> 00:57:58,880
Speaker 5: I think we're at a fucking we're at a studio.

1427
00:57:58,960 --> 00:58:01,760
Speaker 5: We're at Challdice in LA and this when he just

1428
00:58:01,800 --> 00:58:04,400
Speaker 5: did his Vivid deal for the Kim Kardashian tape and

1429
00:58:04,400 --> 00:58:06,080
Speaker 5: like he was on this porn star shit.

1430
00:58:06,360 --> 00:58:07,400
Speaker 3: So the nigga came in.

1431
00:58:07,520 --> 00:58:10,520
Speaker 5: He like, hey, yo, bird, I don't want to disrespect

1432
00:58:10,520 --> 00:58:12,440
Speaker 5: your lady, but you mind if I put these on

1433
00:58:12,520 --> 00:58:15,000
Speaker 5: the TV. I'm like these The nigga put out all

1434
00:58:15,120 --> 00:58:18,560
Speaker 5: vivid DVDs, a porn and shit like that. So now

1435
00:58:19,720 --> 00:58:22,920
Speaker 5: we're in a session. He got a gun, allegedly he

1436
00:58:23,000 --> 00:58:25,160
Speaker 5: had a gut a strap on the table. It's nothing

1437
00:58:25,200 --> 00:58:28,440
Speaker 5: but white women porno playing on this big screen inside

1438
00:58:28,480 --> 00:58:31,400
Speaker 5: the studio and we're finishing the song Sexy can On.

1439
00:58:31,600 --> 00:58:33,919
Speaker 5: So we're in there and like there's a girl that's

1440
00:58:34,000 --> 00:58:37,520
Speaker 5: like talking so bad about ray J, Like you trash nigga,

1441
00:58:37,560 --> 00:58:38,880
Speaker 5: you get your weak ass out of here.

1442
00:58:38,920 --> 00:58:41,520
Speaker 3: And I'm like, who is this girl disrespecting J like that?

1443
00:58:42,160 --> 00:58:44,040
Speaker 1: I ain't know it was Tierra Marie at the time,

1444
00:58:44,160 --> 00:58:45,280
Speaker 1: Like he ain't cooked at me.

1445
00:58:45,320 --> 00:58:45,800
Speaker 3: I'm like, yo.

1446
00:58:45,840 --> 00:58:48,479
Speaker 5: The nigga goes in the booth, he like, I gotta

1447
00:58:48,520 --> 00:58:50,960
Speaker 5: hit this last line. He like getting dungeons in some

1448
00:58:51,160 --> 00:58:56,480
Speaker 5: fun and he like, nah, this's my Stevie.

1449
00:58:56,720 --> 00:58:57,600
Speaker 1: She like, get your.

1450
00:59:00,480 --> 00:59:05,240
Speaker 3: Stevee from there. We delivered a record and ship.

1451
00:59:05,280 --> 00:59:07,040
Speaker 5: That ship shot up to like fucking I think it

1452
00:59:07,080 --> 00:59:08,959
Speaker 5: peaked at number two on the Hot one hundred or whatever.

1453
00:59:09,000 --> 00:59:10,919
Speaker 5: And it's like, why does ray J and Young Berg

1454
00:59:10,960 --> 00:59:12,680
Speaker 5: had this record that all these white people.

1455
00:59:12,440 --> 00:59:15,960
Speaker 1: Like, I mean, yeah, that fucking melody is yo.

1456
00:59:16,040 --> 00:59:18,080
Speaker 5: I went to jail on the video set of the

1457
00:59:18,160 --> 00:59:21,200
Speaker 5: video for what the first shot of the day we

1458
00:59:21,280 --> 00:59:21,840
Speaker 5: in Miami.

1459
00:59:21,880 --> 00:59:24,080
Speaker 3: I'm smoking a blunt. Nigga's down to like a roach.

1460
00:59:24,120 --> 00:59:25,960
Speaker 5: I throw the blunt out of the fucking ship and

1461
00:59:26,000 --> 00:59:27,920
Speaker 5: the police that was one set to protect us came,

1462
00:59:27,960 --> 00:59:30,400
Speaker 5: picked up the roach and took me to jail. That's

1463
00:59:30,480 --> 00:59:36,440
Speaker 5: crazy to Quilo, Neal bailed me out of jail. I

1464
00:59:36,480 --> 00:59:40,200
Speaker 5: can't make this ship up, bro, Like, yeah, bro, I knew.

1465
00:59:40,200 --> 00:59:41,800
Speaker 5: I should have known the record was going down, and

1466
00:59:41,840 --> 00:59:42,640
Speaker 5: when came.

1467
00:59:43,200 --> 00:59:45,320
Speaker 1: That is your greatest record.

1468
00:59:46,160 --> 00:59:49,840
Speaker 3: Don't get no grit, so hold on.

1469
00:59:49,880 --> 00:59:52,720
Speaker 1: Let's slow down for second. I got shacks number memorized.

1470
00:59:52,880 --> 00:59:54,640
Speaker 3: No, ray J and.

1471
00:59:54,640 --> 00:59:57,240
Speaker 5: Shaq had a business deal, and I think he was

1472
00:59:57,240 --> 00:59:59,280
Speaker 5: the investor on ray J's project at the time.

1473
00:59:59,400 --> 01:00:00,520
Speaker 2: Okay, that's yeah.

1474
01:00:00,960 --> 01:00:04,160
Speaker 5: And he was a police officer in my Yeah, Bro,

1475
01:00:04,320 --> 01:00:05,880
Speaker 5: nigga came and belt me out of you come on,

1476
01:00:05,960 --> 01:00:13,200
Speaker 5: little man, and I went back on set twelve hours later,

1477
01:00:13,240 --> 01:00:14,680
Speaker 5: and it's like I never.

1478
01:00:14,520 --> 01:00:15,080
Speaker 3: Went to jail.

1479
01:00:15,600 --> 01:00:19,480
Speaker 2: Sexy can die, fucking Larry, Oh my god.

1480
01:00:19,680 --> 01:00:22,040
Speaker 4: So I guess Kim has a type thing because I'd

1481
01:00:22,080 --> 01:00:24,600
Speaker 4: heard at every Kanye session all he would have was

1482
01:00:24,600 --> 01:00:26,000
Speaker 4: just porno on the whole time.

1483
01:00:26,360 --> 01:00:28,280
Speaker 1: You like it would be, it would be.

1484
01:00:28,640 --> 01:00:31,280
Speaker 4: It's not that horney assistance in pr coming back to

1485
01:00:31,320 --> 01:00:33,240
Speaker 4: the Death Jam office, like shell shocks, Like yeah, we

1486
01:00:33,280 --> 01:00:35,360
Speaker 4: went to the studio and it was just hardcore porn

1487
01:00:35,400 --> 01:00:36,439
Speaker 4: playing the entire time.

1488
01:00:36,520 --> 01:00:40,440
Speaker 3: It's like, bron It's different, Bro, that's a difference.

1489
01:00:40,440 --> 01:00:43,240
Speaker 2: Apple Horny, All right, Bert, Well, listen, man, we appreciate you.

1490
01:00:43,280 --> 01:00:45,160
Speaker 2: Next time you're New York. You gotta stop on coming

1491
01:00:45,200 --> 01:00:46,960
Speaker 2: back always a pleasure to you.

1492
01:00:47,080 --> 01:00:48,960
Speaker 1: Yeah, we gotta know, we gotta kick it off camera.

1493
01:00:49,240 --> 01:00:51,280
Speaker 2: Got we got a lot of a lot of shit

1494
01:00:51,320 --> 01:00:53,360
Speaker 2: we gotta catch up on to talk about man, anything,

1495
01:00:53,360 --> 01:00:55,960
Speaker 2: you gotta come anything, y'all dropping mass you on everybody's album.

1496
01:00:56,600 --> 01:00:58,400
Speaker 5: The album for the rest of the year, fifty more,

1497
01:00:58,680 --> 01:01:00,840
Speaker 5: I said, fifty songs will I did that like a

1498
01:01:00,920 --> 01:01:03,200
Speaker 5: week ago or whatever, so probably like forty three more

1499
01:01:03,240 --> 01:01:06,680
Speaker 5: songs will drop on Friday. I got seven more coming

1500
01:01:06,720 --> 01:01:09,240
Speaker 5: out and then well, actually no, I have twenty one

1501
01:01:09,280 --> 01:01:12,960
Speaker 5: songs coming out on Friday. So shalute to Rannie my artist.

1502
01:01:13,080 --> 01:01:15,840
Speaker 5: Let me explain this new album comes out Friday. Salute

1503
01:01:15,840 --> 01:01:18,000
Speaker 5: the tie dollars sign his new album come out Friday.

1504
01:01:18,160 --> 01:01:22,520
Speaker 5: Shout out to Toy and Krishan, Nigel, my engine, everybody,

1505
01:01:22,600 --> 01:01:24,680
Speaker 5: my whole team, man like we really like we in

1506
01:01:24,720 --> 01:01:27,360
Speaker 5: a groove right now, and salute man New York LA.

1507
01:01:27,840 --> 01:01:29,680
Speaker 5: Just wait for that next year. And also shout out

1508
01:01:29,680 --> 01:01:31,120
Speaker 5: to my artists teink Man. We got a new album

1509
01:01:31,120 --> 01:01:32,040
Speaker 5: that's a by the drop as well.

1510
01:01:32,240 --> 01:01:34,040
Speaker 3: Fire. I'm coming down to Miami to kick it with you.

1511
01:01:34,200 --> 01:01:34,800
Speaker 3: We got to bro.

1512
01:01:34,960 --> 01:01:37,320
Speaker 1: I'll be the end of the month. I'll be Miami

1513
01:01:37,480 --> 01:01:38,200
Speaker 1: here two two weeks.

1514
01:01:38,360 --> 01:01:40,200
Speaker 3: There you go. Black women everywhere for you when you

1515
01:01:40,240 --> 01:01:41,120
Speaker 3: go and.

1516
01:01:41,120 --> 01:01:43,160
Speaker 2: I'm that Nigga's just judge, that's hit maker.

1517
01:01:44,520 --> 01:01:45,800
Speaker 3: No