1 00:00:04,280 --> 00:00:07,960 Speaker 1: So it's the type like what it's just once you 2 00:00:08,000 --> 00:00:13,840 Speaker 1: see once you know about it. Yeah, you see it everywhere. 3 00:00:13,560 --> 00:00:17,280 Speaker 2: There's a name for this phenomenon as well. And it's 4 00:00:18,079 --> 00:00:20,959 Speaker 2: and this is funny actually because this happened to me. 5 00:00:21,079 --> 00:00:26,279 Speaker 2: I think with I want to say the word ubiquitous 6 00:00:27,640 --> 00:00:32,199 Speaker 2: and so so uh, you know, and Kevin, you'll appreciate this. 7 00:00:32,520 --> 00:00:35,280 Speaker 2: So he's Kevin's like on a bit of a vocab kick. 8 00:00:37,560 --> 00:00:41,200 Speaker 2: Uh and he uh and he and by the way, Kevin, 9 00:00:41,240 --> 00:00:44,919 Speaker 2: he's getting really good, yes, circling. 10 00:00:46,280 --> 00:00:49,199 Speaker 1: Yeah, he'll like a puzzle, you know where they have 11 00:00:49,280 --> 00:00:53,160 Speaker 1: the words and the word bank and you can refer 12 00:00:53,280 --> 00:01:00,400 Speaker 1: to the word bank different things. He can circle every word, okay, yeah, is. 13 00:01:00,680 --> 00:01:03,680 Speaker 3: Part of some of them because his circles are too big. Yeah, 14 00:01:03,680 --> 00:01:04,360 Speaker 3: that makes sense. 15 00:01:04,319 --> 00:01:08,839 Speaker 2: But it's but ultimately, if you were too any individual 16 00:01:08,880 --> 00:01:12,440 Speaker 2: word is circled properly, sure, but you can't read all 17 00:01:12,480 --> 00:01:14,720 Speaker 2: of the words because the circles are so big. 18 00:01:14,800 --> 00:01:16,360 Speaker 3: You got to keep those circles right and tight. 19 00:01:17,000 --> 00:01:19,600 Speaker 2: And so when I mean, it's we're trying to encourage 20 00:01:19,640 --> 00:01:21,880 Speaker 2: the guy because this is the first time. 21 00:01:22,959 --> 00:01:26,559 Speaker 1: We are going to be having that conversation down the road. 22 00:01:26,760 --> 00:01:28,679 Speaker 3: But for right now, just. 23 00:01:28,640 --> 00:01:32,600 Speaker 1: Having found a use for those words that's not necessarily 24 00:01:32,600 --> 00:01:36,600 Speaker 1: the one intended by the puzzle, but attempting to circle 25 00:01:36,640 --> 00:01:41,920 Speaker 1: them instead. We're trying to take that as a victory 26 00:01:42,319 --> 00:01:44,319 Speaker 1: right now, and then we get to the right and 27 00:01:44,360 --> 00:01:45,000 Speaker 1: tight and. 28 00:01:45,200 --> 00:01:47,800 Speaker 3: Getting Yes, getting better circles. 29 00:01:47,480 --> 00:01:49,600 Speaker 2: Is doing the puzzle the way, So don't trust me 30 00:01:49,720 --> 00:01:52,560 Speaker 2: going to be the easy part versus just getting him 31 00:01:52,880 --> 00:01:54,680 Speaker 2: literally engaged on anything at all. 32 00:01:54,840 --> 00:01:57,280 Speaker 4: Yeah, Yeah, I'm sorry about doling out that praise. I 33 00:01:57,280 --> 00:01:58,840 Speaker 4: don't think it was earned yet. 34 00:01:59,160 --> 00:02:03,760 Speaker 3: So you weren't doing out praise. Yeah, that's crazy that 35 00:02:03,800 --> 00:02:05,240 Speaker 3: you think that was you. 36 00:02:05,240 --> 00:02:07,240 Speaker 2: You actually need to get in the word bank with 37 00:02:07,280 --> 00:02:09,840 Speaker 2: this guy, because yeah, you were. 38 00:02:11,639 --> 00:02:13,480 Speaker 3: You were giving out criticism. 39 00:02:13,680 --> 00:02:17,000 Speaker 5: Sucks to start this way, sucks. 40 00:02:16,680 --> 00:02:20,000 Speaker 2: Well, I agree, but I but it happened with ubiquitous, 41 00:02:20,000 --> 00:02:21,160 Speaker 2: which Kevin, you'll like this. 42 00:02:22,160 --> 00:02:25,799 Speaker 3: So it means basically, it's everywhere. And I'd never heard 43 00:02:25,800 --> 00:02:30,840 Speaker 3: the word, and the second I learned the meaning, it's ubiq. 44 00:02:30,919 --> 00:02:35,320 Speaker 3: What is the fucking damn word was everywhere? 45 00:02:36,160 --> 00:02:41,960 Speaker 2: The goddamn fucking word started showing up all fucking It 46 00:02:42,000 --> 00:02:44,240 Speaker 2: was like number twenty three with Jim Carrey, right, But 47 00:02:44,440 --> 00:02:46,440 Speaker 2: it can be all funny stuff like ubiquitous. 48 00:02:46,480 --> 00:02:48,760 Speaker 1: It can be about serious stuff like the number twenty three, 49 00:02:48,760 --> 00:02:51,160 Speaker 1: which like can happen to you, like that is real, 50 00:02:51,280 --> 00:02:55,560 Speaker 1: that does happen to people? Yes, or like the surveillance 51 00:02:55,639 --> 00:02:59,960 Speaker 1: state like everywhere you go, like once you start to 52 00:03:00,200 --> 00:03:02,639 Speaker 1: like see like yeah, they are watching you, they are 53 00:03:02,639 --> 00:03:03,360 Speaker 1: paying attention. 54 00:03:03,639 --> 00:03:04,520 Speaker 3: You see it everywhere? 55 00:03:04,560 --> 00:03:06,320 Speaker 2: Can I ask something and nobody make fun of me? 56 00:03:07,960 --> 00:03:11,079 Speaker 2: Is the deep state and the surveillance state the same thing? 57 00:03:11,960 --> 00:03:14,880 Speaker 3: So this is really interesting. I actually I would like 58 00:03:14,919 --> 00:03:17,280 Speaker 3: to ask this and not have anyone make fun of me. No, no, no, 59 00:03:17,320 --> 00:03:20,680 Speaker 3: I'm I'm seconding. No. But that's what's like. 60 00:03:20,760 --> 00:03:24,440 Speaker 1: What's so funny is like that even you asking that question, 61 00:03:24,480 --> 00:03:28,200 Speaker 1: now you're in trouble like now like that, yeah, now 62 00:03:28,240 --> 00:03:30,600 Speaker 1: you got I guess who I'm in trouble with one 63 00:03:31,840 --> 00:03:34,960 Speaker 1: and you don't even know I was asking kind of state. 64 00:03:36,320 --> 00:03:40,480 Speaker 3: So let me try sorry to get oh man. 65 00:03:41,360 --> 00:03:46,560 Speaker 2: Ship Ship's actually fine and it's good to just have. 66 00:03:46,800 --> 00:03:49,800 Speaker 3: It's good because I know I just know what this 67 00:03:49,920 --> 00:03:52,320 Speaker 3: is gonna be. So you just have my key. 68 00:03:52,400 --> 00:03:53,920 Speaker 1: I got to give you a chance to just like 69 00:03:53,960 --> 00:04:00,760 Speaker 1: have your keys and like put them somewhere where they can. 70 00:03:59,440 --> 00:04:02,280 Speaker 2: I'll put them on the open banana that you have 71 00:04:03,120 --> 00:04:04,440 Speaker 2: unfinished banana. 72 00:04:05,720 --> 00:04:08,200 Speaker 3: Small room like this recording studio. 73 00:04:09,080 --> 00:04:11,680 Speaker 2: That's a place to really space out the bites of 74 00:04:11,720 --> 00:04:12,440 Speaker 2: your banana. 75 00:04:13,160 --> 00:04:19,040 Speaker 4: We bring that thing down, small room. I brought a banana. 76 00:04:19,040 --> 00:04:19,920 Speaker 4: It's pretty neutral. 77 00:04:21,680 --> 00:04:23,400 Speaker 1: Did you not did you not have the put your 78 00:04:23,440 --> 00:04:24,960 Speaker 1: keys in an open banana conversation? 79 00:04:25,839 --> 00:04:27,200 Speaker 6: I'm sorry, I got disrected. 80 00:04:28,080 --> 00:04:28,680 Speaker 3: You can do it now. 81 00:04:28,720 --> 00:04:33,039 Speaker 6: This circling stuff is hard. Uh, there's a banana tree outside, Hannah. 82 00:04:32,720 --> 00:04:33,159 Speaker 3: If you want. 83 00:04:33,320 --> 00:04:35,040 Speaker 5: Okay, let me just gow my keys. 84 00:04:35,320 --> 00:04:38,279 Speaker 3: I have your I mean, why did you have my keys? Kevin? 85 00:04:38,880 --> 00:04:39,279 Speaker 3: I think you. 86 00:04:39,400 --> 00:04:42,360 Speaker 6: Someone put your keys over there next to my backpack. 87 00:04:42,640 --> 00:04:45,240 Speaker 3: I'll just be back in a little while. All right, 88 00:04:48,640 --> 00:04:50,640 Speaker 3: she's back. Thanks for coming back. 89 00:04:50,800 --> 00:04:56,480 Speaker 1: Do you notice this where at the grocery store? Sure, 90 00:04:56,640 --> 00:04:59,800 Speaker 1: they have those big wide aisles right, so they have 91 00:04:59,839 --> 00:05:03,200 Speaker 1: a clear line of sight down every aisle. Okay, that's 92 00:05:03,200 --> 00:05:05,520 Speaker 1: so you can find mommy with like you like you're 93 00:05:05,560 --> 00:05:06,239 Speaker 1: looking at something. 94 00:05:07,040 --> 00:05:08,919 Speaker 3: Yea, all of a sudden, Mommy, I have to be 95 00:05:08,960 --> 00:05:10,640 Speaker 3: able to get all the way around. 96 00:05:10,760 --> 00:05:13,600 Speaker 1: Okay, that must be what that's for. But then you 97 00:05:13,760 --> 00:05:17,640 Speaker 1: notice it's set up so there's nowhere in the store 98 00:05:18,080 --> 00:05:20,719 Speaker 1: where there's like a kind of hidden out of sight 99 00:05:20,880 --> 00:05:27,760 Speaker 1: area where you can crouch down and eat hard boil eggs. Like, 100 00:05:27,800 --> 00:05:30,040 Speaker 1: mister peepers, I hate that. 101 00:05:30,400 --> 00:05:31,520 Speaker 3: I hate that. 102 00:05:31,680 --> 00:05:34,680 Speaker 1: And we all hate this, and we just accept it 103 00:05:34,720 --> 00:05:37,280 Speaker 1: and we just go to the store and we act 104 00:05:37,440 --> 00:05:41,200 Speaker 1: like and then that's either the surveillance state or the 105 00:05:41,200 --> 00:05:41,680 Speaker 1: deep state. 106 00:05:41,880 --> 00:05:47,800 Speaker 2: Well, I'm realizing now that's got to be the surveillance state, right. 107 00:05:47,839 --> 00:05:50,719 Speaker 1: But then my question is what you initially said. But 108 00:05:50,839 --> 00:05:54,039 Speaker 1: then the guy that like comes over and is talking 109 00:05:54,040 --> 00:05:57,560 Speaker 1: to you. That's the stage thing, the guy that comes 110 00:05:57,560 --> 00:06:01,080 Speaker 1: over and is talking to you. But I think so 111 00:06:01,200 --> 00:06:02,839 Speaker 1: he doesn't like when you call him peddler. 112 00:06:02,920 --> 00:06:03,599 Speaker 3: They're married. 113 00:06:05,920 --> 00:06:11,560 Speaker 1: When you say peddler, peddler hawking your wares, they don't 114 00:06:11,640 --> 00:06:13,279 Speaker 1: like that one. 115 00:06:13,839 --> 00:06:17,640 Speaker 3: Noble, you don't like your wares? God, I love that. 116 00:06:17,720 --> 00:06:21,480 Speaker 3: Oh there, noble merchant. Oh is it the rent fair? 117 00:06:26,400 --> 00:06:29,640 Speaker 1: It's a rent unfair in here. You don't even get 118 00:06:29,640 --> 00:06:32,400 Speaker 1: to sample your wares. And there's nowhere for me to 119 00:06:32,440 --> 00:06:36,280 Speaker 1: crouch down and do it and put my torso between 120 00:06:36,440 --> 00:06:37,240 Speaker 1: my legs. 121 00:06:38,400 --> 00:06:39,560 Speaker 5: Kevin toss me my keys. 122 00:06:40,480 --> 00:06:43,200 Speaker 3: When I was growing up, big keys. 123 00:06:43,320 --> 00:06:45,440 Speaker 2: They used to have a lot of the stuff out 124 00:06:45,520 --> 00:06:47,760 Speaker 2: and you just eat him. That's the best throw Kevin's 125 00:06:47,760 --> 00:06:51,279 Speaker 2: ever done. It was so far, that's number one. I 126 00:06:51,320 --> 00:06:54,040 Speaker 2: have a ranking of times he's trying to throw things people, 127 00:06:54,200 --> 00:06:59,839 Speaker 2: and that shot was number three, the number three. We 128 00:07:00,080 --> 00:07:02,600 Speaker 2: it didn't get it, It didn't get off his last 129 00:07:02,640 --> 00:07:04,279 Speaker 2: We've had to give you an idea where we were at. 130 00:07:04,400 --> 00:07:08,760 Speaker 2: We've had to expand the definition of throwing. Yes, sure, 131 00:07:10,240 --> 00:07:12,960 Speaker 2: number three was he sort of he got his hand 132 00:07:13,080 --> 00:07:17,320 Speaker 2: up to his shoulder and when he released it just 133 00:07:17,760 --> 00:07:19,160 Speaker 2: kind of fell on his thigh. 134 00:07:19,360 --> 00:07:23,520 Speaker 6: He's got hot. 135 00:07:23,520 --> 00:07:24,679 Speaker 3: Right through it to garden State. 136 00:07:25,480 --> 00:07:29,200 Speaker 2: Oh well you yeah, So Kevin wants to talk about 137 00:07:29,240 --> 00:07:32,600 Speaker 2: garden State this week. And I know, I'm sure Hannah 138 00:07:32,600 --> 00:07:34,200 Speaker 2: you must have come in with something too, But. 139 00:07:35,320 --> 00:07:40,200 Speaker 3: Kevin's got a Garden State rant? Is that right? That's right? 140 00:07:41,320 --> 00:07:45,720 Speaker 2: Uh so, let's hear about it, Kevin, have fun exploring 141 00:07:45,760 --> 00:07:47,400 Speaker 2: your infinite abyss, my friend. 142 00:07:47,560 --> 00:07:50,280 Speaker 3: Let's uh, let's get in there this biss. 143 00:07:52,040 --> 00:07:53,720 Speaker 6: There's a scene, and I haven't seen the movie, but 144 00:07:53,760 --> 00:07:56,480 Speaker 6: there's a scene where zach is on the couch and 145 00:07:56,560 --> 00:07:59,440 Speaker 6: the whole world moved by around him. Is that not 146 00:07:59,640 --> 00:08:00,720 Speaker 6: like the times we live? 147 00:08:01,720 --> 00:08:08,680 Speaker 2: Zachary Braffy very and he it's Zachary Braffarty's Dappery, the 148 00:08:08,800 --> 00:08:22,720 Speaker 2: Braffery brothers, It's Zappary, It's Zappery batteries, Zappary brassery. 149 00:08:23,760 --> 00:08:27,040 Speaker 3: And at this point in the film, he's ingested, yes, some. 150 00:08:27,720 --> 00:08:34,720 Speaker 2: Recreational slipping spies, things that are that the deep State 151 00:08:34,760 --> 00:08:37,800 Speaker 2: has decided are illegal because they make us too open 152 00:08:37,960 --> 00:08:43,640 Speaker 2: to connected, right, And he has taken this suff and 153 00:08:43,679 --> 00:08:48,079 Speaker 2: the world, yes, is zipping by him. 154 00:08:48,320 --> 00:08:51,320 Speaker 6: Zappardy Rafferty is going the couch and the whole world 155 00:08:51,360 --> 00:08:54,200 Speaker 6: go by him. And time for social media challenge. 156 00:08:54,240 --> 00:08:55,320 Speaker 3: This is a new segment we do. 157 00:08:55,360 --> 00:08:59,840 Speaker 6: Hannah Scoop Troop. Put your favorite Hollywood Hampa clip under 158 00:08:59,880 --> 00:09:02,640 Speaker 6: his act. Was Aberdy Brafferty sitting on the couch and 159 00:09:02,920 --> 00:09:06,240 Speaker 6: everyone's going behind him. Maybe he's listening. Oh you know, 160 00:09:06,520 --> 00:09:08,520 Speaker 6: there's a way better moment for that to happen. 161 00:09:08,600 --> 00:09:09,800 Speaker 3: Kevin has no way. 162 00:09:10,480 --> 00:09:14,560 Speaker 1: Kevin has a complaint about this, And I'm I'm actually 163 00:09:14,559 --> 00:09:17,320 Speaker 1: proud that you've moved on for your other complaints about 164 00:09:17,320 --> 00:09:20,440 Speaker 1: that movie, which is that only the waiters are allowed 165 00:09:20,480 --> 00:09:25,680 Speaker 1: to wear sort of vaguely ethnic makeup at the restaurant. 166 00:09:25,880 --> 00:09:27,079 Speaker 3: You're bumed about that. 167 00:09:26,920 --> 00:09:28,960 Speaker 1: And my response to that is, like, the waiters don't 168 00:09:28,960 --> 00:09:31,560 Speaker 1: really do that anymore either. I actually don't recall them 169 00:09:31,640 --> 00:09:34,760 Speaker 1: ever doing that except in the movie. I. 170 00:09:36,200 --> 00:09:37,080 Speaker 3: Yeah, I've been. 171 00:09:36,960 --> 00:09:39,920 Speaker 2: To and this is now where I'm gonna end up 172 00:09:39,960 --> 00:09:45,040 Speaker 2: siding like I'm bragging. I've been to nine restaurants. 173 00:09:44,760 --> 00:09:48,040 Speaker 3: Where they do that. No, I've never seen anyone. Do 174 00:09:48,120 --> 00:09:50,680 Speaker 3: you think I have been to nine restaurants total? 175 00:09:51,960 --> 00:09:54,120 Speaker 2: And for my birthday next year, I am going to 176 00:09:54,200 --> 00:10:03,120 Speaker 2: make it a bushel pair. I'm going to make it 177 00:10:03,160 --> 00:10:05,440 Speaker 2: an even dozen next year, which I believe is ten, 178 00:10:06,240 --> 00:10:07,360 Speaker 2: could be twelve though. 179 00:10:07,600 --> 00:10:08,960 Speaker 3: Can we sit down at the restaurant. 180 00:10:09,000 --> 00:10:12,960 Speaker 1: I'll just have one bull bushel off pairs, put it 181 00:10:13,000 --> 00:10:15,439 Speaker 1: on my tab, Sir. 182 00:10:18,360 --> 00:10:23,400 Speaker 3: Next to the bushel, it says, MP, what does that mean? Exactly? 183 00:10:24,480 --> 00:10:29,720 Speaker 3: More pairs? More more pears. 184 00:10:30,440 --> 00:10:35,000 Speaker 2: Hannah, Hannah, we have to figure something out saying your 185 00:10:35,080 --> 00:10:35,840 Speaker 2: last name for me? 186 00:10:36,600 --> 00:10:43,640 Speaker 3: Thanks you guys, Hannah podcast. That's right, it's mena podcast. 187 00:10:44,520 --> 00:10:46,880 Speaker 4: Why I want to hear your best Hollywood guesses for 188 00:10:47,040 --> 00:10:49,040 Speaker 4: my last name or your last name? 189 00:10:49,520 --> 00:10:53,520 Speaker 3: Well, I have a pitch on this, Okay, I think 190 00:10:53,520 --> 00:10:54,120 Speaker 3: what you like? 191 00:10:54,240 --> 00:11:02,520 Speaker 1: People are reading this, sure, and they're saying Okay. B 192 00:11:02,640 --> 00:11:09,080 Speaker 1: word is b word, which is British. Yeah, you need 193 00:11:09,120 --> 00:11:10,760 Speaker 1: to be coming in here British. 194 00:11:11,520 --> 00:11:11,959 Speaker 3: You like it? 195 00:11:12,200 --> 00:11:17,400 Speaker 1: Bring it, Hannah Pilks. That's what we're that's what we're wanting. 196 00:11:17,520 --> 00:11:21,960 Speaker 1: We want Hannah He'll know to come in Okay please. 197 00:11:23,120 --> 00:11:25,920 Speaker 1: They really don't like that. Oh my god, I really 198 00:11:25,920 --> 00:11:28,000 Speaker 1: don't like that one bit. That's like Kevin going into 199 00:11:28,000 --> 00:11:31,559 Speaker 1: the restaurant wearing the makeup that he thinks that I forgot. 200 00:11:31,679 --> 00:11:34,120 Speaker 3: Kevin's been doing that. Not only does he hate it, 201 00:11:34,120 --> 00:11:35,720 Speaker 3: but he's been actively doing. 202 00:11:35,679 --> 00:11:38,160 Speaker 1: He doesn't like that only the waiters are allowed to 203 00:11:38,240 --> 00:11:40,480 Speaker 1: do it. He thinks that the customers should be allowed 204 00:11:40,520 --> 00:11:43,079 Speaker 1: to do it too. Again, I don't. 205 00:11:43,160 --> 00:11:45,720 Speaker 4: And are you going to the location of that restaurant. 206 00:11:46,240 --> 00:11:48,880 Speaker 4: That's not a real restaurant, that's just a location in 207 00:11:48,920 --> 00:11:49,760 Speaker 4: the movie. 208 00:11:49,840 --> 00:11:53,319 Speaker 3: The movie is it is just a story they tell you. 209 00:11:53,160 --> 00:11:56,120 Speaker 5: You know that there's a script. 210 00:11:57,200 --> 00:11:59,520 Speaker 3: I believe they had one for that. I think it's 211 00:12:00,040 --> 00:12:08,679 Speaker 3: I think there was atom with the movie too. 212 00:12:08,720 --> 00:12:11,120 Speaker 1: He never saw it, but he was very heavily invested 213 00:12:11,160 --> 00:12:14,319 Speaker 1: in it, and he started at the basketball franchise called 214 00:12:14,320 --> 00:12:15,320 Speaker 1: the Garden State Warriors. 215 00:12:17,760 --> 00:12:19,960 Speaker 3: Heavily invested how much did you put in? How much 216 00:12:20,000 --> 00:12:21,400 Speaker 3: did you put in? How much money? 217 00:12:21,679 --> 00:12:25,840 Speaker 6: At least ten a bushel? 218 00:12:26,000 --> 00:12:30,800 Speaker 4: Money is a bushel more than a dozen or less 219 00:12:30,840 --> 00:12:31,920 Speaker 4: than a scoop. 220 00:12:32,800 --> 00:12:36,200 Speaker 3: And so so here's this is what I'm saying, George W. Bush. 221 00:12:36,400 --> 00:12:39,360 Speaker 1: You need to be talking about your confusion around like 222 00:12:39,640 --> 00:12:44,040 Speaker 1: feet and inches and that's the type. 223 00:12:44,000 --> 00:12:46,480 Speaker 2: You're used to, the metric system. And the reason I 224 00:12:46,559 --> 00:12:47,679 Speaker 2: asked how to pronounce. 225 00:12:47,440 --> 00:12:48,000 Speaker 3: Your last name? 226 00:12:48,040 --> 00:12:51,719 Speaker 2: Of course, so you know, is not anything personal between us. 227 00:12:51,760 --> 00:12:57,120 Speaker 2: What Kevin told me was Hannah, pill piss is coming it. Well, 228 00:12:57,120 --> 00:12:59,760 Speaker 2: that's correct, which I think was connected somehow. 229 00:12:59,320 --> 00:13:03,160 Speaker 3: To to our beef that we have. Yeah, I don't know. 230 00:13:03,280 --> 00:13:07,040 Speaker 2: I guess it's like probably what uh Zapary Braffrey did 231 00:13:07,080 --> 00:13:07,920 Speaker 2: after that scene. 232 00:13:08,040 --> 00:13:09,760 Speaker 3: Right, Sure, well, I. 233 00:13:09,720 --> 00:13:12,680 Speaker 4: Think I did a reverse name change, which is I 234 00:13:12,760 --> 00:13:17,920 Speaker 4: wasn't getting enough attention, so then said I think pill piss. 235 00:13:17,679 --> 00:13:20,360 Speaker 3: And you really got to hit piss pill piss. 236 00:13:21,000 --> 00:13:23,600 Speaker 4: There's an umlot, which of course means say it loud, 237 00:13:23,840 --> 00:13:24,920 Speaker 4: say hit louder. 238 00:13:26,840 --> 00:13:30,920 Speaker 2: Sorry, reverse name change, because I wasn't getting enough attention. 239 00:13:31,600 --> 00:13:35,560 Speaker 2: I want to talk about what that sentence means. Sure, 240 00:13:35,840 --> 00:13:37,760 Speaker 2: so what's a reverse name change? 241 00:13:38,720 --> 00:13:41,160 Speaker 4: Well, you've got your front words, name changes, your diagonal 242 00:13:41,240 --> 00:13:41,800 Speaker 4: name changes. 243 00:13:41,880 --> 00:13:47,599 Speaker 3: Can't do that one at the don't stay for diagonal. 244 00:13:49,320 --> 00:13:55,520 Speaker 4: But I think of okay, more like conspiracy or like government. 245 00:13:55,640 --> 00:13:57,800 Speaker 3: Basically it's like that stands for government or. 246 00:13:57,840 --> 00:14:02,640 Speaker 2: Something that the way the state is government, the way 247 00:14:02,679 --> 00:14:04,120 Speaker 2: these states are god. 248 00:14:04,679 --> 00:14:07,920 Speaker 1: So I think what she's saying is normally it's a 249 00:14:07,960 --> 00:14:11,720 Speaker 1: reverse name change, because normally Hannah pill Piss is going 250 00:14:11,800 --> 00:14:14,920 Speaker 1: into the d MB to change. 251 00:14:15,440 --> 00:14:18,920 Speaker 3: Can I have a name that doesn't have piss in it? 252 00:14:19,160 --> 00:14:21,000 Speaker 5: I do not have something more than this? 253 00:14:21,320 --> 00:14:24,480 Speaker 3: Yes, And they say, well we have pill kiss and 254 00:14:26,120 --> 00:14:29,280 Speaker 3: fuck it, I guess, but you're not going to take 255 00:14:29,280 --> 00:14:30,120 Speaker 3: my husband's name. 256 00:14:31,080 --> 00:14:36,280 Speaker 2: So so you're so so, but just to like go 257 00:14:36,440 --> 00:14:39,080 Speaker 2: the other way on the statements, of course, yeah, a 258 00:14:39,960 --> 00:14:42,800 Speaker 2: forward name change. So like I didn't do a forward 259 00:14:42,880 --> 00:14:46,160 Speaker 2: name change, which people usually do because they're getting too 260 00:14:46,240 --> 00:14:46,920 Speaker 2: much attention. 261 00:14:47,200 --> 00:14:50,320 Speaker 3: That's right, And yes, I got to change my name. 262 00:14:50,360 --> 00:14:53,280 Speaker 3: I've got too much attention. So then they're doing a 263 00:14:53,280 --> 00:14:54,120 Speaker 3: forward name change. 264 00:14:54,160 --> 00:14:57,560 Speaker 1: Hannah pill piss too much attention, she did a reverse 265 00:14:57,680 --> 00:14:58,280 Speaker 1: name change. 266 00:14:58,320 --> 00:15:02,720 Speaker 2: She wasn't getting so we landed on piss. 267 00:15:03,880 --> 00:15:06,120 Speaker 3: And just terms and we're going to let that out 268 00:15:06,360 --> 00:15:07,080 Speaker 3: I think. 269 00:15:07,200 --> 00:15:08,640 Speaker 6: We only get one episodes. 270 00:15:08,640 --> 00:15:12,240 Speaker 3: We gotta use it. You might want to use it there. 271 00:15:17,600 --> 00:15:21,120 Speaker 1: So what I'm wondering is if maybe they're letting you 272 00:15:21,160 --> 00:15:23,160 Speaker 1: take pill piss kind of out for a walk and 273 00:15:23,160 --> 00:15:25,160 Speaker 1: see how you feel about it. But if you want it, 274 00:15:25,400 --> 00:15:31,560 Speaker 1: like I'm just seeing how the Pikes walk into these rooms. 275 00:15:31,320 --> 00:15:35,280 Speaker 2: And be different, everything would be so much better. That's 276 00:15:35,320 --> 00:15:39,640 Speaker 2: what I was expecting you had might be coming in here. British, 277 00:15:39,760 --> 00:15:40,920 Speaker 2: you just gotta do it. 278 00:15:40,960 --> 00:15:43,160 Speaker 3: I tried for a second, and you both turned on 279 00:15:43,200 --> 00:15:44,320 Speaker 3: me so well, they didn't. 280 00:15:44,400 --> 00:15:47,920 Speaker 1: They don't like the way you did it. They don't 281 00:15:47,960 --> 00:15:48,640 Speaker 1: like that one bit. 282 00:15:49,040 --> 00:15:49,720 Speaker 5: Oh my god. 283 00:15:51,280 --> 00:15:54,960 Speaker 2: There's different kinds of British, and we certainly haven't found 284 00:15:55,000 --> 00:15:56,760 Speaker 2: the one that we would like. 285 00:15:57,000 --> 00:16:00,960 Speaker 3: Do you okay? Who of course, I'd like that to 286 00:16:01,080 --> 00:16:09,640 Speaker 3: happen away from probably on these I didn't mean out 287 00:16:09,640 --> 00:16:12,400 Speaker 3: our location, these acts. It would also help. 288 00:16:12,520 --> 00:16:14,920 Speaker 1: So like it's Tom Holland, this is what we need 289 00:16:14,920 --> 00:16:17,720 Speaker 1: to like, that's the thing that we have to achieve here. 290 00:16:18,160 --> 00:16:22,640 Speaker 1: That's our shining north star. Right where you hear Tom Holland, 291 00:16:22,640 --> 00:16:27,760 Speaker 1: you're like, okay, I'm expecting like pointy wooden shoes, right 292 00:16:28,160 --> 00:16:30,400 Speaker 1: and then he comes in, it's like, okay, not a 293 00:16:30,520 --> 00:16:34,200 Speaker 1: large guy, but he's he is coming in here. 294 00:16:34,240 --> 00:16:37,880 Speaker 5: British short king, crisp accent. 295 00:16:38,520 --> 00:16:42,400 Speaker 2: And then he's like he's basically talking about crisps. 296 00:16:42,560 --> 00:16:46,280 Speaker 3: He calls him, he's a he's a lady thing with sample. 297 00:16:47,000 --> 00:16:51,720 Speaker 1: He what he calls a crisp accent, it's a sorry, 298 00:16:51,960 --> 00:16:54,480 Speaker 1: clear the floor place. What he calls a crisp accent, 299 00:16:54,480 --> 00:17:03,080 Speaker 1: we call a vocal fry. 300 00:17:04,119 --> 00:17:05,680 Speaker 3: Do you guys think I should add a question mark 301 00:17:05,720 --> 00:17:13,640 Speaker 3: pill piss pill dot dot dot piss uma to say 302 00:17:13,640 --> 00:17:16,520 Speaker 3: it louder, I don't think you should do that. 303 00:17:19,800 --> 00:17:21,639 Speaker 5: I like the not a white pill. 304 00:17:21,560 --> 00:17:25,800 Speaker 3: Pe Yeah, Pi Pi pius. 305 00:17:26,960 --> 00:17:30,479 Speaker 4: Talk about oh everyone's stopping this girl and cohwanka, what's 306 00:17:30,600 --> 00:17:31,320 Speaker 4: her deal? 307 00:17:34,119 --> 00:17:34,760 Speaker 3: Uh? 308 00:17:35,320 --> 00:17:37,679 Speaker 2: I gotta say we should get if we're going to 309 00:17:37,760 --> 00:17:39,440 Speaker 2: change the name, I wouldn't mind change it. 310 00:17:39,320 --> 00:17:44,119 Speaker 3: To And then of course dot dot dot exclamation. 311 00:17:51,359 --> 00:17:53,639 Speaker 1: So what I'm what I'm hearing is we don't have 312 00:17:53,720 --> 00:17:57,480 Speaker 1: a British in the in the bag right now in 313 00:17:57,560 --> 00:18:00,680 Speaker 1: our little like satchel of it in the quiver. 314 00:18:00,920 --> 00:18:03,440 Speaker 4: It's not and apparently I can't workshop it here. So 315 00:18:03,960 --> 00:18:06,280 Speaker 4: I'll take my keys and I'll work on that. 316 00:18:06,520 --> 00:18:10,800 Speaker 1: I think or else you can't work drop it here, 317 00:18:10,960 --> 00:18:12,880 Speaker 1: certainly can't workshop at in Britain. 318 00:18:13,040 --> 00:18:15,160 Speaker 3: If you took that over there, I'm not allowed over there. 319 00:18:15,560 --> 00:18:20,760 Speaker 3: Yeah that's what That's what I'm saying. I kin, how 320 00:18:20,800 --> 00:18:24,040 Speaker 3: what we think about? So not here, not there? 321 00:18:24,280 --> 00:18:27,600 Speaker 1: This is where we started having, like the Mexico conversation, 322 00:18:27,960 --> 00:18:29,879 Speaker 1: just as a place to like work this. 323 00:18:30,160 --> 00:18:32,399 Speaker 3: Let's play the sound for little bit of a safe house. 324 00:18:32,600 --> 00:18:35,680 Speaker 1: Yeah no, this is Kevin also thinks he should be 325 00:18:35,720 --> 00:18:39,160 Speaker 1: abowed to have sounds that he can play at these restaurants. 326 00:18:39,600 --> 00:18:41,720 Speaker 1: He's like, I'm a podcast, I'm a sound guy. I 327 00:18:41,720 --> 00:18:45,080 Speaker 1: should go to go to a restaurant. I play related sounds. 328 00:18:46,040 --> 00:18:49,280 Speaker 4: Someone said sound big old to stop doing that. 329 00:18:49,560 --> 00:18:52,320 Speaker 1: That's that should be one of the sounds. And the 330 00:18:52,359 --> 00:18:54,680 Speaker 1: fact that it's one of the sounds for every restaurant. 331 00:18:55,240 --> 00:18:58,560 Speaker 3: Yeah, it's kind of better. 332 00:18:58,680 --> 00:19:02,959 Speaker 1: I guess, like Gordon Ramsey's restaurant. 333 00:19:03,440 --> 00:19:05,639 Speaker 3: Which one man that? Yeah? Which one? 334 00:19:05,680 --> 00:19:10,840 Speaker 1: Were you referring to the lax Let's let's just have everything, Okay, 335 00:19:11,320 --> 00:19:11,720 Speaker 1: wind up? 336 00:19:11,800 --> 00:19:15,200 Speaker 3: Is that mace? Yeah? I am I about to get 337 00:19:15,800 --> 00:19:18,360 Speaker 3: sprayed again. It's not that I didn't feel unsafe. 338 00:19:18,400 --> 00:19:20,840 Speaker 5: I felt so safe I just wanted the mace. 339 00:19:22,480 --> 00:19:24,679 Speaker 3: I felt safe enough to show off my mace. I 340 00:19:24,760 --> 00:19:27,040 Speaker 3: just wanted you guys to see all the cool stuff 341 00:19:27,080 --> 00:19:32,000 Speaker 3: I put on it. Sorry, So can I get a 342 00:19:32,040 --> 00:19:36,240 Speaker 3: hit of that? Ya? Of course, take one pass down. 343 00:19:36,240 --> 00:19:36,679 Speaker 3: I hit that. 344 00:19:38,800 --> 00:19:42,560 Speaker 1: They should have one of those that you pump and 345 00:19:42,760 --> 00:19:46,320 Speaker 1: you do the inhaler and it gives you a different 346 00:19:46,400 --> 00:19:49,679 Speaker 1: voice that you oh yeah, something that you need to was. 347 00:19:52,280 --> 00:19:54,800 Speaker 2: Not an accent necessarily, is what he meant, although I 348 00:19:54,880 --> 00:19:56,760 Speaker 2: think that would be neat. Yeah, there was like a 349 00:19:56,800 --> 00:19:59,560 Speaker 2: helium for accents. 350 00:19:59,600 --> 00:20:02,399 Speaker 4: Fun fact if I may, and if I and I 351 00:20:02,440 --> 00:20:03,520 Speaker 4: totally couldn't. 352 00:20:03,400 --> 00:20:09,280 Speaker 3: Uh oh do it? Do it start anywhere? Where are things? 353 00:20:09,320 --> 00:20:11,679 Speaker 1: We have sort of a branded version of this, and 354 00:20:11,760 --> 00:20:15,239 Speaker 1: so like when you're here, if you could share a 355 00:20:15,280 --> 00:20:16,720 Speaker 1: funky factable. 356 00:20:16,640 --> 00:20:18,600 Speaker 5: Yeah, okay, and I'll do as quickly as possible. 357 00:20:18,640 --> 00:20:20,560 Speaker 3: Funky factable, funky factable. 358 00:20:20,640 --> 00:20:22,480 Speaker 4: I went to the beach, two people next to me 359 00:20:22,560 --> 00:20:24,400 Speaker 4: doing nitrous balloons all day long. 360 00:20:24,960 --> 00:20:29,640 Speaker 3: Okay, that's not really an example of the Yeah, that's 361 00:20:29,680 --> 00:20:33,520 Speaker 3: just a story. What what would have made it funky? 362 00:20:34,480 --> 00:20:37,399 Speaker 3: It's not? Then it is funky, it's just not a factable. 363 00:20:37,720 --> 00:20:42,520 Speaker 2: I see quick shout out to listeners. We try to 364 00:20:42,600 --> 00:20:46,360 Speaker 2: stigmatize nitrous since that is so much of our audiences. 365 00:20:46,720 --> 00:20:49,320 Speaker 3: It's the only way that they can. 366 00:20:49,080 --> 00:20:54,439 Speaker 5: Three eleven hats that come back on board. 367 00:20:54,800 --> 00:20:57,399 Speaker 3: It's just it's just making them feel comfortable. Hey, my 368 00:20:57,440 --> 00:20:59,080 Speaker 3: head's doing the same thing yours as. 369 00:21:01,359 --> 00:21:04,560 Speaker 1: I'm just trying to imagine flipping the page. So it's Monday, 370 00:21:04,560 --> 00:21:06,359 Speaker 1: I'm starting a new week. I'm flipping the page in 371 00:21:06,440 --> 00:21:09,520 Speaker 1: my Funky Factios calendar. Okay, it says one day I 372 00:21:09,520 --> 00:21:11,359 Speaker 1: was at the beach and two people were next to 373 00:21:11,400 --> 00:21:13,760 Speaker 1: be doing nitrous blues all day. 374 00:21:13,960 --> 00:21:17,600 Speaker 2: It doesn't feel it feels like less of a FACTI 375 00:21:17,680 --> 00:21:20,240 Speaker 2: ble and. 376 00:21:22,200 --> 00:21:23,960 Speaker 3: I wouldn't drink that. 377 00:21:24,520 --> 00:21:28,200 Speaker 2: Yeah, if I open the bottle, it's too personal. I 378 00:21:28,359 --> 00:21:30,680 Speaker 2: just be like, okay, well somebody stuck their finger in 379 00:21:30,760 --> 00:21:33,560 Speaker 2: this iced tea, because how else did you get do it. 380 00:21:34,080 --> 00:21:34,880 Speaker 3: It's like they. 381 00:21:34,840 --> 00:21:37,879 Speaker 2: They're having a relationship with the cap and everything, like 382 00:21:38,160 --> 00:21:39,440 Speaker 2: it's just this is a diary. 383 00:21:40,040 --> 00:21:43,480 Speaker 3: There's no way they were being careful the other day. 384 00:21:44,680 --> 00:21:47,000 Speaker 3: Yeah the other. 385 00:21:46,880 --> 00:21:53,920 Speaker 2: Day, Oh, I forgot to tell you, says my Snapple cap. 386 00:21:55,480 --> 00:22:01,359 Speaker 3: Oh while I have you? Yeah, God damn it. So 387 00:22:01,520 --> 00:22:06,880 Speaker 3: much cursive. A lot of swear words. 388 00:22:08,359 --> 00:22:11,879 Speaker 1: All right, And we also don't have a thing in 389 00:22:11,920 --> 00:22:14,520 Speaker 1: this room. And this is the surveillance as well. They 390 00:22:14,520 --> 00:22:16,879 Speaker 1: said it up me here too. There's almost nowhere you 391 00:22:16,920 --> 00:22:21,480 Speaker 1: can just like go crouch to like breathe and cough 392 00:22:21,560 --> 00:22:22,400 Speaker 1: and things like that. 393 00:22:22,640 --> 00:22:25,200 Speaker 3: Like they just do it. They wanted to see. They 394 00:22:25,200 --> 00:22:29,080 Speaker 3: put camera, camera, camera, everything has to be seen. The 395 00:22:29,320 --> 00:22:31,680 Speaker 3: snile you're on camera. There's no where to. 396 00:22:32,119 --> 00:22:34,560 Speaker 5: You want to control my breath to God. 397 00:22:34,920 --> 00:22:37,840 Speaker 1: Like so so stupid. They just want you to keep 398 00:22:37,880 --> 00:22:39,240 Speaker 1: doing it again. 399 00:22:39,000 --> 00:22:42,040 Speaker 3: And again, another one, another one. 400 00:22:43,000 --> 00:22:47,119 Speaker 1: The best they even put the song. 401 00:22:47,920 --> 00:22:50,119 Speaker 3: Yeah, are not hearing this go? 402 00:22:50,960 --> 00:22:54,200 Speaker 1: It's all the governments say they're the best of the song, 403 00:22:54,280 --> 00:22:55,960 Speaker 1: and they say you have to do another one. 404 00:22:56,080 --> 00:22:58,200 Speaker 3: All I do is record you no matter what. 405 00:22:58,800 --> 00:23:02,399 Speaker 1: See they keeping they get away with spying on my mind, 406 00:23:03,240 --> 00:23:04,560 Speaker 1: spying on my mind. 407 00:23:04,640 --> 00:23:05,639 Speaker 3: And they said. 408 00:23:05,400 --> 00:23:10,760 Speaker 1: That have you been to British like a place like that? 409 00:23:10,960 --> 00:23:12,520 Speaker 3: Couldn't I couldn't. I'm not. 410 00:23:12,760 --> 00:23:13,679 Speaker 5: I'm not there yet. 411 00:23:13,960 --> 00:23:17,359 Speaker 1: Okay, they do ted lasso there, so it's gonna be 412 00:23:17,359 --> 00:23:18,520 Speaker 1: hard to do ted lasso. 413 00:23:18,640 --> 00:23:22,000 Speaker 3: If you you guys seen the Beckham going there? 414 00:23:22,320 --> 00:23:24,919 Speaker 5: Beckham, what you guys seen that? The movie? 415 00:23:25,400 --> 00:23:29,840 Speaker 2: I've seen Ted Lasso, and I've had the biscuits that 416 00:23:30,040 --> 00:23:33,880 Speaker 2: he makes the most delicious biscuits for his. 417 00:23:33,960 --> 00:23:36,399 Speaker 3: Bean boss, for his bean boss. 418 00:23:37,440 --> 00:23:43,600 Speaker 1: Well over, Yes, yeah, that's true, a lot of yeah, well. 419 00:23:44,320 --> 00:23:46,560 Speaker 3: That's that's part of a full English is the bean, 420 00:23:46,800 --> 00:23:50,040 Speaker 3: mister Bean, mister Bean love his little car. 421 00:23:52,160 --> 00:23:55,880 Speaker 1: Okay, well it's really really dangerous and it's killed more 422 00:23:55,880 --> 00:23:57,600 Speaker 1: people than basically any other car. 423 00:23:57,880 --> 00:24:00,439 Speaker 3: It's killed more people than all the wars can buy us. 424 00:24:01,440 --> 00:24:03,439 Speaker 1: And I'd love to hear you say that to the 425 00:24:03,480 --> 00:24:10,040 Speaker 1: guy who drives the three wheeled car somehow constantly passing 426 00:24:10,880 --> 00:24:13,680 Speaker 1: and running off the road every single time, might say, Okay, 427 00:24:13,680 --> 00:24:15,880 Speaker 1: well that other car should have four wheels. 428 00:24:16,400 --> 00:24:18,040 Speaker 3: Okay, that's not on, mister Bean. 429 00:24:18,560 --> 00:24:28,280 Speaker 2: And that's and that's uh just a class and it's 430 00:24:28,520 --> 00:24:33,000 Speaker 2: uh just class inequality and you you know. 431 00:24:34,359 --> 00:24:37,040 Speaker 3: Suppressing the rights of the three wheeled car. 432 00:24:37,720 --> 00:24:41,320 Speaker 2: So and so thanks for coming by, get your keys, 433 00:24:41,359 --> 00:24:47,200 Speaker 2: get the fuck out, just go ahead, and I'm. 434 00:24:48,560 --> 00:24:49,520 Speaker 3: On the way to the door. 435 00:24:50,359 --> 00:24:52,159 Speaker 1: I do want to point out though, that you we 436 00:24:52,280 --> 00:24:55,560 Speaker 1: mentioned we have mister Bean is potentially acting as a new. 437 00:24:57,160 --> 00:24:59,560 Speaker 3: Star. They made me macee myself at the academy. 438 00:25:00,520 --> 00:25:02,960 Speaker 5: How many years you were over there. How many years 439 00:25:02,960 --> 00:25:03,919 Speaker 5: are you over there at. 440 00:25:03,760 --> 00:25:07,800 Speaker 3: The academy up through twelfth grade? Up through Yeah? 441 00:25:08,200 --> 00:25:11,560 Speaker 5: You reverse you reverse diagonaled your way through your years. 442 00:25:11,640 --> 00:25:14,280 Speaker 3: I was up through twelfth grade. Yeah. And they had 443 00:25:14,280 --> 00:25:15,040 Speaker 3: me mace myself. 444 00:25:15,080 --> 00:25:16,640 Speaker 2: They said, if you're going to be out here using 445 00:25:16,680 --> 00:25:18,840 Speaker 2: this stuff, you got to know what it feels like. 446 00:25:18,920 --> 00:25:20,879 Speaker 2: I said, I have no intention of using it, you 447 00:25:20,960 --> 00:25:24,600 Speaker 2: know what I mean? And even so and so they did. 448 00:25:25,400 --> 00:25:28,199 Speaker 2: They made me do it to myself. I did it 449 00:25:28,320 --> 00:25:29,200 Speaker 2: right in my mouth. 450 00:25:29,520 --> 00:25:31,280 Speaker 5: Oh and they didn't say you had to do that. 451 00:25:31,359 --> 00:25:31,760 Speaker 3: I did it. 452 00:25:33,359 --> 00:25:36,320 Speaker 2: I did a Banoka. Remember Dumb and Dumb. 453 00:25:36,440 --> 00:25:40,879 Speaker 3: Is that the drink with a marble? Yeah? Yeah, Banaka 454 00:25:41,000 --> 00:25:45,840 Speaker 3: was the marble drink. I love that stuff. That's another thing. 455 00:25:45,960 --> 00:25:48,680 Speaker 1: If I open a Snapple and it says the other 456 00:25:48,760 --> 00:25:50,400 Speaker 1: day at the beginning of the factor bue and there's 457 00:25:50,400 --> 00:25:57,439 Speaker 1: a marble just sitting in the bottom, I don't want that. 458 00:25:57,680 --> 00:25:58,800 Speaker 5: I did the sounds for that. 459 00:25:58,880 --> 00:26:00,840 Speaker 3: Actually you did those? 460 00:26:01,320 --> 00:26:03,359 Speaker 4: Yeah, And then because and you press the button and 461 00:26:03,359 --> 00:26:04,720 Speaker 4: you get the sound of the marble. 462 00:26:05,840 --> 00:26:07,880 Speaker 2: There's a button on there's a button on the front 463 00:26:07,880 --> 00:26:09,920 Speaker 2: of my Snapple that I can press and it makes 464 00:26:09,920 --> 00:26:12,720 Speaker 2: a sound that you that you recorded, and then at 465 00:26:12,760 --> 00:26:15,800 Speaker 2: the end I go, I'm not drinking the whole thing 466 00:26:16,600 --> 00:26:17,560 Speaker 2: another one. 467 00:26:18,640 --> 00:26:21,680 Speaker 1: So you're doing instead of doing like cut that out. 468 00:26:21,840 --> 00:26:25,040 Speaker 1: So you're in the you're in the sound space. You're 469 00:26:25,080 --> 00:26:30,040 Speaker 1: doing sounds for bottles. 470 00:26:30,119 --> 00:26:31,960 Speaker 2: I was trying to figure out what your thing was. 471 00:26:33,080 --> 00:26:34,200 Speaker 2: Now I think I get it. 472 00:26:34,320 --> 00:26:40,919 Speaker 3: Sound bottle sounds? Now what was that you gotta catchup? No, 473 00:26:42,320 --> 00:26:42,720 Speaker 3: that was you. 474 00:26:44,040 --> 00:26:46,200 Speaker 5: You're at a Broadway show and you got to open 475 00:26:46,240 --> 00:26:46,639 Speaker 5: a can. 476 00:26:46,880 --> 00:26:53,520 Speaker 3: You're so thirsty, so you can catch up. It's your 477 00:26:53,600 --> 00:26:56,840 Speaker 3: bottle sound. The example two of a sound of bottle 478 00:26:56,880 --> 00:27:00,680 Speaker 3: would make is the sound of opening a can. Don't 479 00:27:00,720 --> 00:27:04,960 Speaker 3: try to make sense of that. Not not today, of 480 00:27:04,960 --> 00:27:08,760 Speaker 3: all days? What show are like? 481 00:27:09,200 --> 00:27:12,320 Speaker 1: So obviously when you're doing the sounds, you're imagining which show? 482 00:27:12,480 --> 00:27:14,359 Speaker 1: Which show you're opening your ketchup? 483 00:27:14,480 --> 00:27:18,919 Speaker 3: Canon Doctor Evan Hanson Follies is that Doctor Evans? 484 00:27:19,080 --> 00:27:22,040 Speaker 2: Doctor Evan Hanson the sequel, it's the same poster, and 485 00:27:22,080 --> 00:27:23,879 Speaker 2: they just slashed out the E and the A. 486 00:27:24,600 --> 00:27:27,760 Speaker 3: It's doctor Evan. It's like Evan Hanson and doctor and 487 00:27:27,800 --> 00:27:28,320 Speaker 3: he's now. 488 00:27:28,240 --> 00:27:30,920 Speaker 2: Treating children who are injured and he just keeps accusing 489 00:27:30,960 --> 00:27:31,560 Speaker 2: them of doing it. 490 00:27:31,600 --> 00:27:38,600 Speaker 3: To themselves beautiful balanced, he's still us a cast, not 491 00:27:38,800 --> 00:27:42,160 Speaker 3: us are Come on, man, you could level with you're 492 00:27:42,160 --> 00:27:43,400 Speaker 3: not injured. I'm injured. 493 00:27:44,680 --> 00:27:46,600 Speaker 5: So you may have heard my sounds over there. 494 00:27:47,119 --> 00:27:49,359 Speaker 1: So it's Follies the show, that is it? Because it 495 00:27:49,440 --> 00:27:50,719 Speaker 1: sounds like follies. 496 00:27:52,840 --> 00:27:55,000 Speaker 3: That's why I'm a folly artist. 497 00:27:56,960 --> 00:27:57,840 Speaker 5: Kissing at the show. 498 00:27:59,640 --> 00:28:05,159 Speaker 1: Why you need to do a sound for that? Just 499 00:28:05,200 --> 00:28:09,320 Speaker 1: in case people in the crowd who are kissing. Okay, 500 00:28:09,400 --> 00:28:12,480 Speaker 1: now let's get what okay next time? 501 00:28:12,920 --> 00:28:15,240 Speaker 3: What we need here? We need one of people kissing 502 00:28:15,280 --> 00:28:15,760 Speaker 3: at the show. 503 00:28:15,880 --> 00:28:17,879 Speaker 2: We just good just in case people are kissing me. 504 00:28:18,080 --> 00:28:21,320 Speaker 2: That can't be silent, because what are you gonna kiss with? 505 00:28:21,560 --> 00:28:24,040 Speaker 3: Nothing? That what? 506 00:28:24,320 --> 00:28:26,359 Speaker 1: It would be helpful to put that on the bottle 507 00:28:27,840 --> 00:28:30,879 Speaker 1: or the ketchup can, So instead of the sound of 508 00:28:31,400 --> 00:28:33,560 Speaker 1: opening the ketchup can, you can hit the button and 509 00:28:33,560 --> 00:28:39,200 Speaker 1: people think that you're kissing instead, but actually you're drink 510 00:28:39,480 --> 00:28:41,120 Speaker 1: a tall boy of ketchup. 511 00:28:41,720 --> 00:28:43,040 Speaker 5: Oh how else is he gonna do it? 512 00:28:43,120 --> 00:28:44,200 Speaker 3: Little? Well? 513 00:28:44,240 --> 00:28:46,880 Speaker 2: It's what's beautiful is like two people on opposite ends 514 00:28:46,880 --> 00:28:49,040 Speaker 2: of the aisle both hit the kissing sound on their 515 00:28:49,040 --> 00:28:50,040 Speaker 2: Snapple bottle, and. 516 00:28:51,960 --> 00:28:54,440 Speaker 3: You know, and then they yeah, exactly. They meet in 517 00:28:54,480 --> 00:28:56,960 Speaker 3: the middle. It's like, yeah, it's like spaghetti, but it's 518 00:28:57,000 --> 00:29:00,960 Speaker 3: instead of them. That's what you That's why you have 519 00:29:01,040 --> 00:29:01,560 Speaker 3: the can. 520 00:29:03,000 --> 00:29:07,880 Speaker 5: Of spaghe I love I love that on my skinty. 521 00:29:09,080 --> 00:29:15,040 Speaker 1: Mhm oh my play Sketty the place Sketty. 522 00:29:14,840 --> 00:29:19,320 Speaker 3: Just hits different. You ever tried that to taste. 523 00:29:20,400 --> 00:29:23,720 Speaker 1: What happens in Folly's. Let's try and find a good moment. 524 00:29:23,760 --> 00:29:24,560 Speaker 1: I haven't seen it. 525 00:29:25,480 --> 00:29:30,800 Speaker 3: What like, have we done this episode before? Wait a minute, 526 00:29:30,880 --> 00:29:34,480 Speaker 3: it does? It really does? It feels really really familiar. 527 00:29:35,200 --> 00:29:39,800 Speaker 2: Have we done miss I'm getting huge dj vu? I'm 528 00:29:39,800 --> 00:29:51,280 Speaker 2: getting dj vu. We ketch up on the beat? 529 00:29:51,400 --> 00:30:07,440 Speaker 3: Right, that's that's the bottle cloth again. When I first 530 00:30:07,480 --> 00:30:12,720 Speaker 3: heard it, I thought it was okay. I thought he 531 00:30:12,800 --> 00:30:16,240 Speaker 3: was saying mustard on the beat. Bet. I was like, 532 00:30:16,280 --> 00:30:17,680 Speaker 3: all right, I'll try it. 533 00:30:18,360 --> 00:30:18,680 Speaker 5: All right. 534 00:30:18,720 --> 00:30:23,560 Speaker 1: You seem to you seem to think very highly of it. 535 00:30:23,600 --> 00:30:24,360 Speaker 1: I'll give it a try. 536 00:30:25,640 --> 00:30:27,320 Speaker 3: Mm hmm. Okay. 537 00:30:30,280 --> 00:30:32,520 Speaker 1: But let's talk about mister Bean is our potential new 538 00:30:32,560 --> 00:30:35,000 Speaker 1: shining north star Tom Holland. It feels like it is 539 00:30:35,040 --> 00:30:36,920 Speaker 1: a little bit of a of a reach out of 540 00:30:36,960 --> 00:30:42,120 Speaker 1: the question. Mister Bean has been able to cultivate a 541 00:30:42,160 --> 00:30:45,000 Speaker 1: British identity. 542 00:30:45,800 --> 00:30:46,640 Speaker 3: Using the accent. 543 00:30:47,960 --> 00:30:55,800 Speaker 1: Yes, so it's about it's moving in a very British way. Well, mustache, 544 00:30:56,680 --> 00:30:58,280 Speaker 1: I don't think so. 545 00:30:58,600 --> 00:31:01,080 Speaker 3: I don't think so. I think no, for sure, you 546 00:31:01,160 --> 00:31:02,360 Speaker 3: haven't seen it. It's just fun. 547 00:31:02,400 --> 00:31:08,200 Speaker 1: It's a regrettable. It's a regrettable first specific mustache. I 548 00:31:08,240 --> 00:31:11,840 Speaker 1: don't think that is the mustache. Being where we start, 549 00:31:13,120 --> 00:31:17,640 Speaker 1: he has a monkey. Okay, now who are we thinking 550 00:31:17,720 --> 00:31:22,640 Speaker 1: about the stuffed an stuff monkey. That's not that's not 551 00:31:22,680 --> 00:31:24,080 Speaker 1: a monkey, although. 552 00:31:23,760 --> 00:31:28,720 Speaker 3: I can see look in the family. Yes it is. Yes, 553 00:31:29,440 --> 00:31:32,040 Speaker 3: it's not so far off. It's not like saying he 554 00:31:32,120 --> 00:31:33,200 Speaker 3: had a mustache. 555 00:31:34,240 --> 00:31:37,280 Speaker 5: I'm hear me out here, and please. 556 00:31:38,440 --> 00:31:39,400 Speaker 3: I think mustache. 557 00:31:39,480 --> 00:31:43,360 Speaker 5: Is it feels like I'm across the pond. It's not. 558 00:31:43,520 --> 00:31:45,920 Speaker 3: He does kind of feels like he has a mustache 559 00:31:45,960 --> 00:31:49,400 Speaker 3: a little bit. It's not so bean, it's more, well. 560 00:31:49,240 --> 00:31:51,120 Speaker 2: What he feels like you would do is put on 561 00:31:51,240 --> 00:31:54,600 Speaker 2: a mustache in order to make a second attempt at 562 00:31:54,600 --> 00:31:56,320 Speaker 2: some sort of failed. 563 00:31:56,040 --> 00:31:58,480 Speaker 5: Venture kids in a trench coat mustache. 564 00:31:58,600 --> 00:32:00,120 Speaker 2: Well, he's trying to get to the front of then 565 00:32:00,200 --> 00:32:03,440 Speaker 2: he keeps getting cut by people things like this high jinks. 566 00:32:03,600 --> 00:32:06,000 Speaker 3: Yeah, well, maybe with a mustache, I'd be allowed to 567 00:32:06,040 --> 00:32:07,920 Speaker 3: get to the front of the line. Yeah, you don't. 568 00:32:07,960 --> 00:32:11,160 Speaker 3: You don't know who this is. Of course I do. 569 00:32:11,680 --> 00:32:12,320 Speaker 3: And now I'm. 570 00:32:12,200 --> 00:32:14,720 Speaker 1: Starting to question the little car of it, Like who 571 00:32:14,960 --> 00:32:17,200 Speaker 1: you are thinking about as a mustache? 572 00:32:17,320 --> 00:32:20,200 Speaker 3: You know, mister bean is maybe a kid or two kids. 573 00:32:20,280 --> 00:32:23,800 Speaker 4: He's always doing it twice, always doing it twice. 574 00:32:23,840 --> 00:32:27,040 Speaker 3: He is always doing it. Yeah, it's sort of a repetitive. 575 00:32:26,480 --> 00:32:31,760 Speaker 4: It can't can't keep that guy down. Yeah, okay, putting 576 00:32:31,760 --> 00:32:33,440 Speaker 4: it where the sun don't shoe it goes. 577 00:32:33,280 --> 00:32:36,080 Speaker 1: Again right away. Yeah, he is doing that with the turkey. 578 00:32:37,000 --> 00:32:38,560 Speaker 1: He is putting it where the sun don't. 579 00:32:38,400 --> 00:32:41,720 Speaker 3: Hiy, So why don't you consider that inside that part 580 00:32:41,720 --> 00:32:42,280 Speaker 3: of the turkey? 581 00:32:42,360 --> 00:32:48,280 Speaker 4: Yeah, turducan could be well, depends on that. 582 00:32:48,960 --> 00:32:52,040 Speaker 1: And that's more it doesn't that's sort of an American thing, 583 00:32:52,120 --> 00:32:55,080 Speaker 1: and we are trying to get rid of that, like 584 00:32:55,120 --> 00:32:57,040 Speaker 1: we need to be coming in here British. 585 00:32:57,760 --> 00:33:00,520 Speaker 4: Yeah, we could run the whole thing back. We could 586 00:33:00,560 --> 00:33:02,720 Speaker 4: do it sideways from now on. 587 00:33:11,440 --> 00:33:14,360 Speaker 2: I was interested in the idea that the bottle, when 588 00:33:14,440 --> 00:33:17,960 Speaker 2: you put the cat back on it, it's kind of sassy. 589 00:33:18,440 --> 00:33:19,920 Speaker 3: There's almost a little judgment. 590 00:33:20,080 --> 00:33:24,600 Speaker 2: I think it was like, oh, yeah, okay. 591 00:33:24,200 --> 00:33:27,520 Speaker 3: Is it all? Oh you thirsty. 592 00:33:27,160 --> 00:33:31,040 Speaker 2: Thirskay, you're thirsty joints. 593 00:33:32,080 --> 00:33:33,960 Speaker 1: And this is part of the surveillance state too, that 594 00:33:34,160 --> 00:33:37,720 Speaker 1: like and you know, like look, there's no ethical consumption 595 00:33:38,000 --> 00:33:41,360 Speaker 1: and whatever, like we're all like implicated in this to 596 00:33:41,480 --> 00:33:44,120 Speaker 1: varying degrees. But the fact, do you ever think about 597 00:33:44,120 --> 00:33:47,560 Speaker 1: the fact that you make the sounds that make it 598 00:33:47,600 --> 00:33:52,640 Speaker 1: impossible for you to open one of these bottles or 599 00:33:52,800 --> 00:33:56,600 Speaker 1: cans or packages in the store and crouch in the 600 00:33:56,680 --> 00:34:03,360 Speaker 1: hidden area because like it makes this unbelievably loud sound. 601 00:34:03,760 --> 00:34:05,720 Speaker 4: Yeah, well have you heard that if you're in a 602 00:34:05,800 --> 00:34:08,360 Speaker 4: room that's this most silent room on earth, that you 603 00:34:08,400 --> 00:34:09,080 Speaker 4: go crazy? 604 00:34:09,440 --> 00:34:13,960 Speaker 1: Yeah, that's been this show a few times. Nothing's going 605 00:34:14,000 --> 00:34:17,600 Speaker 1: on up there a few times. This this room has 606 00:34:19,000 --> 00:34:21,239 Speaker 1: temporarily had the award of. 607 00:34:21,120 --> 00:34:22,600 Speaker 3: Being the most silent room on Earth. 608 00:34:22,719 --> 00:34:25,560 Speaker 5: Yes, And so that's why you guys are the way 609 00:34:25,640 --> 00:34:26,000 Speaker 5: you are? 610 00:34:26,320 --> 00:34:27,680 Speaker 3: Well, how are we actually? 611 00:34:27,800 --> 00:34:30,160 Speaker 2: Because you seem to have a strong opinion on that, 612 00:34:31,000 --> 00:34:33,040 Speaker 2: So I'd like to not be vague about it. 613 00:34:33,080 --> 00:34:34,880 Speaker 3: I'd like to say, what is the way we are? 614 00:34:35,040 --> 00:34:38,040 Speaker 2: This will help fact Yeah, I'd like a funky factual 615 00:34:38,040 --> 00:34:40,040 Speaker 2: about us. I think this will help us because we 616 00:34:40,080 --> 00:34:43,719 Speaker 2: do have to keep doing the show. But apparently I'm 617 00:34:43,800 --> 00:34:46,120 Speaker 2: going back to the mister bean of it all, and 618 00:34:46,239 --> 00:34:48,799 Speaker 2: like if I'm going to be tagged with like a 619 00:34:49,200 --> 00:34:53,600 Speaker 2: mister bean mustache level of yeah. 620 00:34:53,600 --> 00:34:57,759 Speaker 4: You give the impressional awareness, sat in prolonged silence. 621 00:35:01,520 --> 00:35:05,640 Speaker 3: Until you didn't know who you were anymore. Mm hmmm 622 00:35:06,680 --> 00:35:11,400 Speaker 3: mm hmm. Okay, I mean used to call it like 623 00:35:11,440 --> 00:35:18,400 Speaker 3: it is. I know, I'm not fucking pissed. You're acting 624 00:35:18,440 --> 00:35:20,640 Speaker 3: like I'm fucking pissed right now, and I'm not. 625 00:35:21,239 --> 00:35:24,120 Speaker 1: I didn't get pissed either, but not happened. So not 626 00:35:24,200 --> 00:35:26,480 Speaker 1: happened that, so not happened. 627 00:35:26,280 --> 00:35:31,960 Speaker 3: So my good mics closer. But it's still I hate it. 628 00:35:32,200 --> 00:35:34,520 Speaker 3: I know. Yeah, they don't like that either. 629 00:35:35,080 --> 00:35:38,440 Speaker 5: No, they're all they're all show it's here. I'm not 630 00:35:38,520 --> 00:35:39,719 Speaker 5: doing that well either. 631 00:35:39,719 --> 00:35:42,239 Speaker 3: The guitar all like that. That's crazy. 632 00:35:42,440 --> 00:35:47,920 Speaker 2: That is like such a crazy thing about that country's. 633 00:35:48,600 --> 00:35:51,360 Speaker 3: Show us you're this and that and we want to 634 00:35:51,360 --> 00:35:58,560 Speaker 3: see one and then yeah, well and they always asking 635 00:35:58,640 --> 00:36:00,920 Speaker 3: me that. It's like, yeah, I'm. 636 00:36:00,800 --> 00:36:04,120 Speaker 2: Having a wank, okay, and then show us your you know, 637 00:36:04,280 --> 00:36:04,880 Speaker 2: et cetera. 638 00:36:06,239 --> 00:36:12,920 Speaker 3: I love it was like a dance they do. 639 00:36:13,160 --> 00:36:15,919 Speaker 2: Yeah, they say these things to us, and I don't 640 00:36:15,920 --> 00:36:19,400 Speaker 2: know if they just do it to Americans and if 641 00:36:19,400 --> 00:36:22,280 Speaker 2: they're having a wank and if they're you know, taking 642 00:36:22,360 --> 00:36:26,160 Speaker 2: this piss you know, for taking this? 643 00:36:27,600 --> 00:36:29,880 Speaker 3: Are you taking the pill from before? It took a 644 00:36:29,920 --> 00:36:34,319 Speaker 3: three and we went before? Yes, what's so interesting over there? 645 00:36:34,360 --> 00:36:36,680 Speaker 3: What's so interesting on our telephone? Mister Kevin? 646 00:36:36,719 --> 00:36:41,759 Speaker 1: You do you have enough interesting? He's ideas from phone 647 00:36:41,800 --> 00:36:42,640 Speaker 1: to share with everyone. 648 00:36:42,800 --> 00:36:43,680 Speaker 3: Oh, he's texting me. 649 00:36:46,760 --> 00:36:48,880 Speaker 5: Oh god, you guys text through notes out that. 650 00:36:49,280 --> 00:36:53,719 Speaker 2: He's saying, we do it says the air, It says 651 00:36:55,160 --> 00:36:57,799 Speaker 2: it says, reminder, numb nuts. By the way, you can 652 00:36:57,880 --> 00:37:00,520 Speaker 2: just talk to me. It says, reminder numb nuts. We 653 00:37:00,560 --> 00:37:03,719 Speaker 2: do need to get to the movie. So, oh so 654 00:37:04,040 --> 00:37:09,440 Speaker 2: we were talent today with we're supposed to be breaking 655 00:37:09,480 --> 00:37:12,799 Speaker 2: the story for Speed three. And then Kevin's note is 656 00:37:12,960 --> 00:37:14,960 Speaker 2: this time it's on a horse, and this time we 657 00:37:15,040 --> 00:37:20,520 Speaker 2: blow the fucker up for real. So so, like, I know, 658 00:37:20,640 --> 00:37:25,400 Speaker 2: it's been nice kind of figured out your name thing. Yeah, 659 00:37:25,680 --> 00:37:28,839 Speaker 2: but Speed one was on a bus, Speed two was 660 00:37:29,280 --> 00:37:33,600 Speaker 2: on a boat. Speed three, I believe, according to Kevin, 661 00:37:34,000 --> 00:37:37,160 Speaker 2: and he said he's talked to some producers about it 662 00:37:37,200 --> 00:37:40,160 Speaker 2: takes place in like the sixteenth century, and it is 663 00:37:40,200 --> 00:37:42,200 Speaker 2: on a horse, and this time we blow the fucker 664 00:37:42,280 --> 00:37:43,040 Speaker 2: up for real. 665 00:37:42,960 --> 00:37:45,560 Speaker 1: And it is still a bunch of people like on 666 00:37:45,680 --> 00:37:48,440 Speaker 1: the horse and from different walks of life, and you 667 00:37:48,480 --> 00:37:52,040 Speaker 1: sell you what like different, Like the horse is big 668 00:37:52,160 --> 00:37:54,840 Speaker 1: ideal of that situation. Yeaheah, it's big, but it's like 669 00:37:54,920 --> 00:37:56,719 Speaker 1: not so big that people aren't like kind of like 670 00:37:56,800 --> 00:37:58,480 Speaker 1: rubbing up on any other. This is a big part 671 00:37:58,480 --> 00:38:01,000 Speaker 1: of it for Kevin, that like everyone is sitting on 672 00:38:01,080 --> 00:38:02,799 Speaker 1: the way and it's like going up and down. 673 00:38:02,719 --> 00:38:08,880 Speaker 3: And it's creating some friction. They're having a like you 674 00:38:08,960 --> 00:38:11,320 Speaker 3: sort of can't help and run time on this runtime, 675 00:38:12,160 --> 00:38:12,920 Speaker 3: the horse is going to. 676 00:38:12,920 --> 00:38:16,279 Speaker 2: Be running for yeah, most of the movie, I think 677 00:38:16,680 --> 00:38:19,200 Speaker 2: at least couple of kilometers if you're baby. 678 00:38:19,000 --> 00:38:20,359 Speaker 3: Right up until it explodes. 679 00:38:20,600 --> 00:38:23,000 Speaker 5: Yeah, and when that's oh, I love that part. 680 00:38:23,080 --> 00:38:25,399 Speaker 3: And we do blow the fucker up, and I hate 681 00:38:25,400 --> 00:38:27,200 Speaker 3: to love it, but you guys get it. 682 00:38:27,280 --> 00:38:29,239 Speaker 2: And he just sent me another text and it just 683 00:38:29,239 --> 00:38:33,360 Speaker 2: says speed biscuit, Speed biscuit. 684 00:38:34,320 --> 00:38:39,360 Speaker 3: And I gotta say that horse was small, So I 685 00:38:39,360 --> 00:38:43,560 Speaker 3: don't love that baby or just just shrunken speed critariat 686 00:38:43,560 --> 00:38:47,000 Speaker 3: would be good you tarry it, that would be good 687 00:38:47,600 --> 00:38:49,960 Speaker 3: because that actually that horse was fucking. 688 00:38:49,719 --> 00:38:52,400 Speaker 5: Big dude, biscuit. 689 00:38:52,680 --> 00:38:58,959 Speaker 3: You like animals, Okay, it seems like no. Which one 690 00:38:59,040 --> 00:38:59,600 Speaker 3: seems like no? 691 00:38:59,719 --> 00:39:05,200 Speaker 4: Which you can either confirm or deny? 692 00:39:06,440 --> 00:39:09,640 Speaker 3: You let me know you could either confirm or deny. 693 00:39:09,760 --> 00:39:12,680 Speaker 2: This is someone trained by the Deep State, and wow, 694 00:39:12,800 --> 00:39:13,960 Speaker 2: how to conduct these covers. 695 00:39:14,000 --> 00:39:16,680 Speaker 5: The state would be able to do this with my hands. 696 00:39:17,760 --> 00:39:20,719 Speaker 1: That is kind of how mister bean stands actually got 697 00:39:20,760 --> 00:39:22,879 Speaker 1: really close, you know how it puts it the way 698 00:39:22,920 --> 00:39:27,439 Speaker 1: up on his darfits like that, not the mustache, no, no, no, but. 699 00:39:27,400 --> 00:39:29,200 Speaker 3: He does kind of put him way up under there 700 00:39:30,080 --> 00:39:37,080 Speaker 3: being here. That's his classic entrance line. Let's talk about 701 00:39:37,080 --> 00:39:39,000 Speaker 3: more sounds for the different bottom. Yeah. 702 00:39:39,080 --> 00:39:41,839 Speaker 2: I do think we need to get closer on that, 703 00:39:41,960 --> 00:39:44,359 Speaker 2: because right now none of it has made me want 704 00:39:44,360 --> 00:39:45,640 Speaker 2: to drink anything at all. 705 00:39:46,440 --> 00:39:49,600 Speaker 3: Okay, this is Speed three. You're opening you're cracking open 706 00:39:49,640 --> 00:39:50,319 Speaker 3: your can of mead. 707 00:39:50,560 --> 00:39:53,200 Speaker 1: Okay, you're sitting in Speed three. You've brought in your 708 00:39:53,200 --> 00:39:53,640 Speaker 1: own meat. 709 00:39:53,840 --> 00:39:57,759 Speaker 3: You're on your horse. There's a special meat promotion there. 710 00:39:57,760 --> 00:40:01,560 Speaker 5: You got like, yeah, two meads, if you show us here. 711 00:40:01,520 --> 00:40:04,080 Speaker 3: It looks like the dude popcorn bucket. Yeah, but it 712 00:40:04,200 --> 00:40:04,840 Speaker 3: is meat. 713 00:40:05,360 --> 00:40:08,080 Speaker 5: And and and here it and it's opening. 714 00:40:10,440 --> 00:40:15,880 Speaker 1: Sounds like closing the ketchup bottle. I guess that because. 715 00:40:15,800 --> 00:40:16,760 Speaker 5: It's got to be similar. 716 00:40:16,920 --> 00:40:20,359 Speaker 3: So you know my brand that right, Yes, that's right, 717 00:40:20,480 --> 00:40:22,400 Speaker 3: no imitators. Yeah, I've got a. 718 00:40:23,280 --> 00:40:25,800 Speaker 5: New stuff at Claire's, so you know my brand. 719 00:40:26,960 --> 00:40:30,839 Speaker 1: It sounds a little like uh, Rick Ross, like his 720 00:40:30,920 --> 00:40:33,359 Speaker 1: little noise that he does. So you ever get that 721 00:40:33,480 --> 00:40:35,200 Speaker 1: when people open the bottom and be like, okay, it 722 00:40:35,200 --> 00:40:38,120 Speaker 1: sounds a little like Rick Cross its derivative. Yeah, it's 723 00:40:38,160 --> 00:40:43,279 Speaker 1: a whole legal thing because speed colon mead. 724 00:40:43,800 --> 00:40:47,680 Speaker 5: Speed mead, speed meat. So then the speed. 725 00:40:47,640 --> 00:40:54,000 Speaker 3: Yeah, speed meat, speed meat. Question and do this and 726 00:40:54,040 --> 00:40:54,880 Speaker 3: do the sound again? 727 00:40:57,480 --> 00:40:57,960 Speaker 5: Was different. 728 00:40:58,000 --> 00:40:58,880 Speaker 3: It's a little less. 729 00:40:59,360 --> 00:41:01,960 Speaker 2: It feels like you're watching that you're trying to avoid 730 00:41:02,120 --> 00:41:03,560 Speaker 2: the Rick Ross comparison. 731 00:41:04,600 --> 00:41:06,480 Speaker 4: Yeah, because it's a legal thing. He did it first, 732 00:41:06,520 --> 00:41:09,360 Speaker 4: but I did it best. And you know what the 733 00:41:09,480 --> 00:41:10,959 Speaker 4: law that's tricky. 734 00:41:10,680 --> 00:41:14,560 Speaker 1: Right, that one is tricky. Okay, Well she did the best. 735 00:41:14,440 --> 00:41:15,920 Speaker 3: But he did the first. 736 00:41:16,160 --> 00:41:17,280 Speaker 5: I had the same lawyer. 737 00:41:18,719 --> 00:41:20,480 Speaker 3: Those all those who wore it best. 738 00:41:20,680 --> 00:41:22,520 Speaker 2: Kind of posts that you see online, those are from 739 00:41:22,560 --> 00:41:25,480 Speaker 2: court cases serious. 740 00:41:25,600 --> 00:41:26,920 Speaker 5: Yes, that was from me. 741 00:41:28,239 --> 00:41:30,160 Speaker 3: That's em barrister was looking at that. 742 00:41:30,280 --> 00:41:35,040 Speaker 1: Yeah, yes, and that's where sligh came from. 743 00:41:35,360 --> 00:41:54,840 Speaker 3: Stone excuse me? Were pro wrestlers stone cold evidence I 744 00:41:54,920 --> 00:41:55,799 Speaker 3: have at w W E. 745 00:41:56,880 --> 00:41:59,040 Speaker 1: You're sitting in speed three. You crack open the meat 746 00:41:59,080 --> 00:42:02,160 Speaker 1: and makes that sund owned. How thick is this meat 747 00:42:02,200 --> 00:42:03,000 Speaker 1: we're talking about? 748 00:42:03,040 --> 00:42:07,520 Speaker 3: Are you? Yeah, it's it's pretty viscous. You need you 749 00:42:07,560 --> 00:42:09,520 Speaker 3: need a culture and to stir that ship up. And 750 00:42:09,520 --> 00:42:11,879 Speaker 3: in my break your spoon is it like. 751 00:42:13,320 --> 00:42:13,600 Speaker 2: Hot? 752 00:42:13,680 --> 00:42:16,840 Speaker 3: It's hot viscosity known for spoon break. 753 00:42:17,920 --> 00:42:22,319 Speaker 1: Well, if it's really this guy, that's I mean, that's 754 00:42:22,360 --> 00:42:24,719 Speaker 1: really serious. And they didn't have the spoons like we 755 00:42:24,880 --> 00:42:26,480 Speaker 1: do like back then they. 756 00:42:26,360 --> 00:42:30,480 Speaker 3: Have no, they didn't have them long like Yeah, sea viscous, 757 00:42:31,120 --> 00:42:34,319 Speaker 3: Sea viscous. It's a horse, but he's got a lot, 758 00:42:34,400 --> 00:42:35,160 Speaker 3: a lot of junk in. 759 00:42:38,360 --> 00:42:42,879 Speaker 2: So that's a word you described, an aqueous rump. 760 00:42:44,760 --> 00:42:50,680 Speaker 3: Ubiquitous, ubisquitous. 761 00:42:50,080 --> 00:42:53,879 Speaker 2: Your enthusiasm when you think you've made a connection here 762 00:42:55,320 --> 00:42:56,440 Speaker 2: is infectious. 763 00:42:57,760 --> 00:43:01,440 Speaker 3: I do buy into it. Per second. I go, oh wow, 764 00:43:01,680 --> 00:43:04,040 Speaker 3: had it did all just connect? You know? I know, 765 00:43:05,840 --> 00:43:08,000 Speaker 3: you know what the trick is? Just a c sound 766 00:43:08,040 --> 00:43:11,000 Speaker 3: occurred again, just hold. I think I do know what 767 00:43:11,120 --> 00:43:11,759 Speaker 3: the trick is. 768 00:43:13,640 --> 00:43:24,880 Speaker 4: Yeah, say it with me, Okay, forget it.