WEBVTT - Actor Tristan Fazekas Talks Smashin On Screen & More

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<v Speaker 1>Gangs, the chronic goals. This is not your average shows.

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<v Speaker 1>You're now tuned into the rail Stell.

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<v Speaker 2>Welcome to the gainst the Chronicles podcast, the production of

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<v Speaker 2>iHeart Radio and Black Effect podcast Network. Make sure you

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<v Speaker 2>download the iHeart app and subscribe to Against the Chronicles.

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<v Speaker 2>For my Apple users, hit the purple micae on your

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<v Speaker 2>front screen. Subscribed Against the Chronicles and leave a five

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<v Speaker 2>star rating and comment what's adding? What's adding? What's adding?

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<v Speaker 2>Is your boy big still along with? And you know what, man,

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<v Speaker 2>we got some very important people in here tonight.

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<v Speaker 3>Hey.

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<v Speaker 2>You know I was asking you early if your boy

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<v Speaker 2>rich because I know he like all the super duper

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<v Speaker 2>messy ship man. We got the homeboy man, Tristan Physic

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<v Speaker 2>is up in here tonight, man, Steve Love. So it's

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<v Speaker 2>just money man, just chilling, so twisting you down there

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<v Speaker 2>in New Orleans shooting some stuff.

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<v Speaker 4>Right now, Yes, sir, actually band rouge, but yeah, I'm

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<v Speaker 4>in Louisiana right now.

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<v Speaker 1>Yeah.

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<v Speaker 2>We said, man, you stay working. You gotta be the

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<v Speaker 2>most work working actor in the whole motherfuckering United States.

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<v Speaker 1>Dog h shit, I ain't gonna lie.

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<v Speaker 4>It's a couple of us, man, we are here in

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<v Speaker 4>the ground for shure man trying to trying to get

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<v Speaker 4>it out the mud as they say.

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<v Speaker 2>Man, that's a blessing man and me being from the Midwest, Man,

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<v Speaker 2>I think it's an incredible job man, that everybody is

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<v Speaker 2>doing down there. Man, just really just taking over the

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<v Speaker 2>just independent movie game. Thank you, brother. I appreciate that

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<v Speaker 2>when you first started going to your journey man, that

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<v Speaker 2>you think it'd be a big Yeah.

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<v Speaker 1>I did. I most definitely thought. I can't I be.

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<v Speaker 4>I would be remiss or a lie to say if

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<v Speaker 4>I didn't think it would be this big. I'm just

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<v Speaker 4>waiting for for uh my dreams to catch up to

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<v Speaker 4>reality because my mind is it was as much bigger.

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<v Speaker 4>But I just know it takes time and it don't

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<v Speaker 4>happen when when you wanted to, What happen when it's

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<v Speaker 4>supposed to.

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<v Speaker 2>Yeah, that's real. That's real, man. And your characters, Man,

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<v Speaker 2>are always somebody like real, memorable man like I ain't

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<v Speaker 2>gonna front Man. You play the most fucked up niggas

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<v Speaker 2>work man.

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<v Speaker 4>Yeah, I agree with you, Man, But playing the most

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<v Speaker 4>fucked up nigga, as you say, it gives you more,

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<v Speaker 4>uh more nuances to play with as an actor as

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<v Speaker 4>opposed to being somebody that's square or that's just you

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<v Speaker 4>know what I'm saying, that they don't have there's no

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<v Speaker 4>there's no real art to them. But with a a

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<v Speaker 4>person that's that's a villain, you get, you get to

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<v Speaker 4>put you get, you get so much of a variety

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<v Speaker 4>of variety, of of of range that you can play

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<v Speaker 4>with this person, you know what I'm saying, And you

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<v Speaker 4>don't have I'm not saying that this person don't have

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<v Speaker 4>no morality, but the morale his the reason why he

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<v Speaker 4>do things is you know what I'm saying, it might

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<v Speaker 4>be a little bit off kilter as a normal person.

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<v Speaker 2>Yeah, that's that's real. Man. Let me ask you this man,

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<v Speaker 2>has it ever been a character so messed up that

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<v Speaker 2>she was like, No, I don't know if I want

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<v Speaker 2>a fool with this?

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<v Speaker 4>Uh yeah, Steve Ball, just having played some ship that

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<v Speaker 4>I was, I was like, man, I don't know, man.

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<v Speaker 4>But honestly, man, a lot of even though you know

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<v Speaker 4>these characters be fucked up, I think these characters stories

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<v Speaker 4>be told because it's somebody out here that's really that

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<v Speaker 4>person in life, and it could be a cautionary tale

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<v Speaker 4>for somebody else.

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<v Speaker 1>You know what I'm saying. So even though these people

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<v Speaker 1>are fucked up.

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<v Speaker 4>Individuals, there's really somebody out here like that, you know

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<v Speaker 4>what I'm saying. And me as an actor, I gotta

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<v Speaker 4>figure out why I need to tell this story through

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<v Speaker 4>this character, and I can't judge the character at the

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<v Speaker 4>same time, you know what I'm saying, because you know,

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<v Speaker 4>in a real world, we are not perfect, you know

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<v Speaker 4>what I'm saying. So I love not playing these people

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<v Speaker 4>that that that are flawed people.

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<v Speaker 2>Yeah, that's real, that's real, Steve, O, that's Sam. You

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<v Speaker 2>always playing a fucked up ass character too, man, A

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<v Speaker 2>crooked ass police officer some other those shit man. And

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<v Speaker 2>what's crazy is y'all your personality ain't nothing like it

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<v Speaker 2>is on movie?

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<v Speaker 5>Man.

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<v Speaker 2>If y'all ever noticed, man that usually the people who

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<v Speaker 2>play the fucked up characters in the movies is really

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<v Speaker 2>the nicest people in real life.

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<v Speaker 5>They said about all.

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<v Speaker 2>That's what it is, Steve. What was the first movie

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<v Speaker 2>you shot down? There?

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<v Speaker 5>N trust nobody in probably one.

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<v Speaker 2>Trust nobody, probably one. So you kind of just hit

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<v Speaker 2>it right off the rip.

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<v Speaker 3>Then that's the I meetrician like that.

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<v Speaker 6>So where where do you get the inspiration for coming

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<v Speaker 6>up with these these stories, these movies.

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<v Speaker 5>Well, trust nobody probably want to tell you truth.

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<v Speaker 3>Man, I was doing a little time right years couple months,

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<v Speaker 3>and I said, if I started and this motherfuckering myself

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<v Speaker 3>a longer time to me started writing. So I was

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<v Speaker 3>writing a movie, a lot of the based off real life.

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<v Speaker 3>I ain't gonna say what part it was not now.

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<v Speaker 3>So I was really right, you know, to keep myself

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<v Speaker 3>from getting more trouble. And then now when I finish it,

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<v Speaker 3>I made the golden myself say when I get out,

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<v Speaker 3>I'm gonna shoot this. So every time I did a

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<v Speaker 3>little town here and there, I did something and be like,

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<v Speaker 3>i'll get out if I'm gonna come back, I'm gonna

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<v Speaker 3>do something like for myself. You know what I'm saying,

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<v Speaker 3>I'm better than what I am. I ain't gonna be

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<v Speaker 3>in here, and I know a person like I am there.

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<v Speaker 3>Every time I get out, I make a gold At

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<v Speaker 3>one time with the jail, I seen a Z in

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<v Speaker 3>the magazine with a big ring.

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<v Speaker 5>I got out just to make that ring and never wear.

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<v Speaker 5>So I put throwing myself all the time.

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<v Speaker 3>But I was sitting there right, Trust nobody, it was

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<v Speaker 3>about five pages Man Handwrich movie.

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<v Speaker 5>I'm I was gonna do it.

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<v Speaker 3>The crazy part about it is, you know I did

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<v Speaker 3>it twenty years before, shot to.

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<v Speaker 5>About almost twenty years and shot the movie when I

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<v Speaker 5>wrote it twenty years before I shot it.

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<v Speaker 2>That's crazy, man. So how long do it typically make you? Like,

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<v Speaker 2>how long do it typically take to put a movie together,

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<v Speaker 2>like a script and all that from script to shooting

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<v Speaker 2>and all the other stuff.

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<v Speaker 3>For me, it just takes depends on what I'm writing, Like, uh, y,

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<v Speaker 3>I can write something like thirty forty days.

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<v Speaker 5>I think something might take you three or four months.

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<v Speaker 3>Uh shorts every shot of movie by than four days,

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<v Speaker 3>which unfair exchange it came out grade.

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<v Speaker 5>And but most people do it like ten days, the

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<v Speaker 5>ten days mark. Yet it's just.

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<v Speaker 1>Gonna bey on me.

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<v Speaker 3>Well, I think it's about I tear fifteen days. You

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<v Speaker 3>want a real good silid movie with some real good

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<v Speaker 3>solid to make it right, I would say do least

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<v Speaker 3>ten days, yeah.

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<v Speaker 2>For sure. And with the stuff on to be man,

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<v Speaker 2>they really too be seemed like it really don't resonate

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<v Speaker 2>it like with the black community.

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<v Speaker 1>Man.

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<v Speaker 2>I think that's for a couple of reasons. First of

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<v Speaker 2>all to be always got the bad two B movies

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<v Speaker 2>as they call them. They always got the baddest bras

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<v Speaker 2>in them, right, they always got the baddest women in

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<v Speaker 2>them and everything and Tris And I gotta ask you this, bro,

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<v Speaker 2>you can't be married doog.

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<v Speaker 1>Hey? Man?

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<v Speaker 4>We look man, just know that. Man, Man, I got

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<v Speaker 4>somebody that's very understanding. Man, you know what I'm saying.

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<v Speaker 4>And you know they understand it is what it is,

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<v Speaker 4>is the job at the end of the day. Should

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<v Speaker 4>I come home and you know that's you know, you

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<v Speaker 4>know understand.

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<v Speaker 2>I don't know if my old lady will be going

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<v Speaker 2>for that. Man. Looks like you all be getting it

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<v Speaker 2>in on the movies.

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<v Speaker 6>Man, Oh yeah, you working, You would not be fucking around,

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<v Speaker 6>You would not be.

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<v Speaker 5>Yeah, your wife is not happening. My wife would be.

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<v Speaker 7>Like that might get down like that down like.

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<v Speaker 1>You don't know.

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<v Speaker 2>I'm just from sleeping out side.

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<v Speaker 5>He told me, right, and gotta change the kid.

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<v Speaker 2>Doing that too, crazy man like church being something like

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<v Speaker 2>that in the church.

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<v Speaker 6>Yeah, he can't. No female presidents allowed or out here.

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<v Speaker 6>You know it's curtains like a motherfucker. I'm telling you.

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<v Speaker 2>A siting that they're talking knowing he can't do too

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<v Speaker 2>much to different. So let me ask you this. Have

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<v Speaker 2>you ever had a scene that just has you had,

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<v Speaker 2>just has you hill of uncomfortable?

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<v Speaker 7>Old dog?

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<v Speaker 8>I think thing, Yeah, no, man, you gotta be man,

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<v Speaker 8>because I'm gonna tell you, at the end of the day,

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<v Speaker 8>you steal a man, dog.

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<v Speaker 2>And when you got somebody like me and a Moreau.

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<v Speaker 2>You know what I'm saying, she got the you know

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<v Speaker 2>kind of you know what I'm.

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<v Speaker 6>Saying, she got man. You you own it, ain't you?

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<v Speaker 2>Hell yeah, I'm on it man, looking like everybody, I'm

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<v Speaker 2>just the art.

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<v Speaker 1>Uh damn be uncomfortable. I think.

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<v Speaker 4>When when two you got too attracted attractive people, you

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<v Speaker 4>know what I'm saying. And y'all both kind of easy

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<v Speaker 4>on the eye, I think you know that makes it

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<v Speaker 4>a little bit more easier when you talk about the

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<v Speaker 4>boundaries and stuff that you know, both of y'all may

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<v Speaker 4>or may not have in the beginning. And ship, Man,

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<v Speaker 4>it's other people in the room. It's not like it's

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<v Speaker 4>just an intimate setting.

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<v Speaker 1>Man.

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<v Speaker 4>You got an audio person in the room, you got

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<v Speaker 4>the camera guy in the room. You know what I'm saying.

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<v Speaker 4>So you know it's not really, it's not really nervous.

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<v Speaker 4>And when you got, like I said, somebody that's attractive

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<v Speaker 4>in front of you, in front of you, it's easy

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<v Speaker 4>to pretend like you like tom.

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<v Speaker 2>Oh for sure you said you're pretending like.

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<v Speaker 1>I just got to say that because I want to

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<v Speaker 1>get to.

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<v Speaker 5>To kick in.

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<v Speaker 1>You get it, Yeah, for sure.

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<v Speaker 6>Proestionalism just have to kick in, and you got to

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<v Speaker 6>just put what's what with it all in perspective. Man,

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<v Speaker 6>At the end of the day, I'm an actor and

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<v Speaker 6>this is a scene. And if I call myself an actor,

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<v Speaker 6>just like an entertain or whatever. Man, at the end

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<v Speaker 6>of the day, you gotta perform. It's what you're here

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<v Speaker 6>to do. So you know that's real.

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<v Speaker 2>And it's crazy nowadays too, because like you said, you

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<v Speaker 2>don't want to get sued. You can miss round and

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<v Speaker 2>be doing them scenes and somebody feel uncomfortable. Man, it

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<v Speaker 2>could all go left real quick, man, and you ain't

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<v Speaker 2>doing nothing but doing what you was kind of told exactly.

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<v Speaker 4>But I think that especially like in our count were

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<v Speaker 4>getting a little bit better with like just coordinating those scenes.

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<v Speaker 4>And just for any other independent filmmakers out there or

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<v Speaker 4>just women out there, as an actor, if somebody not

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<v Speaker 4>bringing some of this stuff to your awareness, or they're

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<v Speaker 4>not asking you certain questions about how you feel about

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<v Speaker 4>your bonds and stuff like that, you should speak up

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<v Speaker 4>immediately because if they're not saying nothing about it, then

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<v Speaker 4>you need to say something about it, you know what

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<v Speaker 4>I'm saying. So hell yeah, man, you don't want to

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<v Speaker 4>get sued and you don't want your reputation to be

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<v Speaker 4>mud out here in this in this industry too, because

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<v Speaker 4>people talk, you know what I'm saying, from project to project.

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<v Speaker 5>So m.

0:11:07.080 --> 0:11:09.280
<v Speaker 2>I imagine that you do have to have a certain

0:11:09.320 --> 0:11:13.800
<v Speaker 2>high level of professionalism because I noticed you it just

0:11:13.840 --> 0:11:16.440
<v Speaker 2>did the move flick with the homly Beez and his wife, right,

0:11:17.000 --> 0:11:19.320
<v Speaker 2>and I see BZ down there listening. I think I

0:11:19.320 --> 0:11:23.040
<v Speaker 2>see him down in the corner gets listening. That had

0:11:23.080 --> 0:11:25.439
<v Speaker 2>to be kind of a crazy dynamic because you got

0:11:25.440 --> 0:11:29.160
<v Speaker 2>his wife and there the homie's wife in there most definitely,

0:11:29.280 --> 0:11:33.640
<v Speaker 2>and he over there and shooting. It's like, man, Steve,

0:11:33.679 --> 0:11:37.840
<v Speaker 2>what you laughing for a dog? I'm just saying, it's like,

0:11:37.880 --> 0:11:39.920
<v Speaker 2>you gotta be a different type of person, you feel

0:11:39.920 --> 0:11:40.439
<v Speaker 2>what I'm saying.

0:11:42.520 --> 0:11:45.520
<v Speaker 4>Uh, that was somebody I was on live on my

0:11:45.600 --> 0:11:47.800
<v Speaker 4>Instagram the other day and somebody asked me, like, what

0:11:47.840 --> 0:11:50.960
<v Speaker 4>was what was like the most uncomfortable say, And that

0:11:51.120 --> 0:11:54.560
<v Speaker 4>was it because I'm sitting there and I do have

0:11:55.080 --> 0:11:57.040
<v Speaker 4>a high respect for Bez and I do have a

0:11:57.120 --> 0:11:58.880
<v Speaker 4>high respect for his wife, Like I came in the

0:11:58.960 --> 0:12:01.680
<v Speaker 4>game with him, so I don't it's hard for me

0:12:01.720 --> 0:12:02.760
<v Speaker 4>to look at her like that.

0:12:02.840 --> 0:12:03.400
<v Speaker 1>You know what I'm saying.

0:12:03.440 --> 0:12:05.480
<v Speaker 4>She's sitting there pretty much in her you know what

0:12:05.520 --> 0:12:07.679
<v Speaker 4>I'm saying, her underwear and shit like that, and it's like, bro,

0:12:07.760 --> 0:12:09.440
<v Speaker 4>please can we hurry able to get through the same Bro,

0:12:09.600 --> 0:12:10.280
<v Speaker 4>I'm not even trying.

0:12:10.320 --> 0:12:12.599
<v Speaker 1>I'm trying to maintain eye contact. Bro, I don't you

0:12:12.600 --> 0:12:13.480
<v Speaker 1>know what I'm saying. I don't.

0:12:13.720 --> 0:12:16.080
<v Speaker 4>Bro, when you are real, when you a real one, bro,

0:12:16.640 --> 0:12:18.920
<v Speaker 4>and your man's woman is around you, damn, don't even

0:12:18.960 --> 0:12:22.400
<v Speaker 4>look in her eyebro A real I don't even want to.

0:12:22.640 --> 0:12:24.439
<v Speaker 1>I don't even want to make face kind of eye

0:12:24.520 --> 0:12:25.440
<v Speaker 1>contact with your lady.

0:12:25.440 --> 0:12:27.120
<v Speaker 4>You know what I'm saying. That's just that's just the

0:12:27.160 --> 0:12:29.120
<v Speaker 4>type of guy him. So I really wanted to hurry

0:12:29.160 --> 0:12:31.320
<v Speaker 4>up and get through that thing. Like you said, A

0:12:31.559 --> 0:12:34.520
<v Speaker 4>like a certain professionalism has to kick in and You're

0:12:34.520 --> 0:12:36.680
<v Speaker 4>an actor and you here to perform, So no matter

0:12:36.720 --> 0:12:38.880
<v Speaker 4>how comfortable it may seem, it can't come off like

0:12:38.920 --> 0:12:40.000
<v Speaker 4>that to the rest of the audience.

0:12:40.040 --> 0:12:43.319
<v Speaker 2>So you really had to get in your acting back. Definitely,

0:12:44.360 --> 0:12:49.480
<v Speaker 2>that's crazy. That's crazy as hell. Man. I noticed that

0:12:50.360 --> 0:12:52.760
<v Speaker 2>with people out here, man, especially with the public. Man,

0:12:52.800 --> 0:12:56.280
<v Speaker 2>the lines kind of get blurred between with reality and

0:12:56.320 --> 0:12:59.079
<v Speaker 2>what's fiction. Do you ever have people coming to you

0:12:59.160 --> 0:13:01.480
<v Speaker 2>in the street man is answer you just the most

0:13:01.600 --> 0:13:04.080
<v Speaker 2>just crazy shit dog man.

0:13:04.080 --> 0:13:07.720
<v Speaker 4>I at least at least four or five times, da

0:13:07.760 --> 0:13:10.439
<v Speaker 4>I gotta ask Mike, why you kill that baby? Why

0:13:10.559 --> 0:13:12.160
<v Speaker 4>you kill that girl? Why you do that?

0:13:12.679 --> 0:13:12.920
<v Speaker 5>Dude?

0:13:13.080 --> 0:13:17.680
<v Speaker 4>Man? I love it. I love it. I love it.

0:13:17.760 --> 0:13:22.000
<v Speaker 4>I love it because you found the spot. You burned

0:13:22.000 --> 0:13:24.199
<v Speaker 4>the spot in their brain. You know you hope you

0:13:24.200 --> 0:13:26.480
<v Speaker 4>know what I'm saying. You hold living rent free in

0:13:26.559 --> 0:13:27.200
<v Speaker 4>somebody's head.

0:13:27.240 --> 0:13:28.640
<v Speaker 1>So I love it. You know what I'm saying. I

0:13:28.640 --> 0:13:31.000
<v Speaker 1>don't get mad at him, and I let him have

0:13:31.080 --> 0:13:31.560
<v Speaker 1>a moment.

0:13:31.640 --> 0:13:34.079
<v Speaker 4>You know what I'm saying, because at that point too,

0:13:34.080 --> 0:13:35.640
<v Speaker 4>when you let him have a moment, now you got

0:13:35.640 --> 0:13:36.320
<v Speaker 4>a fan forever.

0:13:36.400 --> 0:13:38.400
<v Speaker 1>You know what I'm saying. They cherished that, they hold

0:13:38.440 --> 0:13:39.920
<v Speaker 1>on to that moment. You know what I'm saying. From

0:13:40.000 --> 0:13:40.400
<v Speaker 1>movie to.

0:13:40.440 --> 0:13:43.360
<v Speaker 4>Movie to movie, from project to project to project, they

0:13:43.360 --> 0:13:45.959
<v Speaker 4>carry that moment with them as you grow in your career.

0:13:47.200 --> 0:13:49.880
<v Speaker 2>Yeah, because Scott the Ruck, probably one of the coldest

0:13:49.960 --> 0:13:57.040
<v Speaker 2>villains in the history, is just villainism. Man, Meggan's got

0:13:57.040 --> 0:13:58.640
<v Speaker 2>to make up a word for it. He was so

0:13:58.720 --> 0:14:03.080
<v Speaker 2>cold man out the Rock at the party, he killed everybody, man,

0:14:03.200 --> 0:14:05.679
<v Speaker 2>killed the cousin he was messed around with, killed the

0:14:05.720 --> 0:14:07.880
<v Speaker 2>little kid, and everything else. Scott the Rock was a

0:14:07.880 --> 0:14:10.560
<v Speaker 2>cold character man. That had to be just. I know

0:14:10.720 --> 0:14:12.560
<v Speaker 2>what was you thinking when you first saw that script?

0:14:12.600 --> 0:14:16.480
<v Speaker 4>Man, I think, Man, I'm about to have some fun

0:14:16.600 --> 0:14:19.200
<v Speaker 4>painting this picture. You know I'm about to have because

0:14:19.240 --> 0:14:22.200
<v Speaker 4>it was it was like I said, being a good

0:14:22.240 --> 0:14:24.800
<v Speaker 4>guy you have you have to stick to your morals.

0:14:25.040 --> 0:14:25.680
<v Speaker 1>You know what I'm saying.

0:14:25.680 --> 0:14:27.880
<v Speaker 4>You got this rule, Brick that you have to stick

0:14:27.920 --> 0:14:30.480
<v Speaker 4>by when you a bad guy, there is no rules,

0:14:30.560 --> 0:14:32.400
<v Speaker 4>you know what I'm saying. And you just and you

0:14:32.560 --> 0:14:35.480
<v Speaker 4>through throughout the whole movie, you justified at the end

0:14:35.640 --> 0:14:37.760
<v Speaker 4>why you're doing what you're doing. So I earned my

0:14:37.840 --> 0:14:40.360
<v Speaker 4>right to kill motherfuckers and I earned my right to die.

0:14:40.560 --> 0:14:43.080
<v Speaker 4>So that's my whole thing. Throughout the movie. I'm earning

0:14:43.120 --> 0:14:45.400
<v Speaker 4>my right to die. So when you see me kill myself,

0:14:45.640 --> 0:14:47.480
<v Speaker 4>I earned that right, you know what I'm saying. It's

0:14:47.480 --> 0:14:49.160
<v Speaker 4>just went like, why the fuck this nigga killed itself?

0:14:49.280 --> 0:14:50.920
<v Speaker 4>You see how the fucked up shit I did?

0:14:51.840 --> 0:14:54.200
<v Speaker 2>Yeah, yeah, you was on one for real. And you

0:14:54.240 --> 0:14:55.240
<v Speaker 2>know what was cold?

0:14:55.280 --> 0:14:55.440
<v Speaker 8>Man?

0:14:55.720 --> 0:14:58.280
<v Speaker 2>Your little son man got a future man because he

0:14:58.400 --> 0:14:59.560
<v Speaker 2>played the hell off that part.

0:14:59.680 --> 0:15:01.520
<v Speaker 1>Man, Thank you, thank you.

0:15:01.600 --> 0:15:03.400
<v Speaker 2>Yeah, I found out that was your son. Is he

0:15:03.480 --> 0:15:04.680
<v Speaker 2>starting to get a lot of work now?

0:15:06.400 --> 0:15:08.920
<v Speaker 4>You know what that it's not a lot of roles

0:15:09.000 --> 0:15:12.960
<v Speaker 4>for him right now, but I have a one that's

0:15:12.960 --> 0:15:16.680
<v Speaker 4>spot like that's like fifteen years old, and he's been

0:15:16.720 --> 0:15:18.720
<v Speaker 4>in a couple of colored movies too, and he's getting

0:15:18.760 --> 0:15:19.120
<v Speaker 4>a lot of roles.

0:15:19.160 --> 0:15:21.640
<v Speaker 1>Actually getting ready be in Steve Wan and Steve O projects.

0:15:22.520 --> 0:15:24.280
<v Speaker 2>That's crazy. And you know, I got to float it

0:15:24.320 --> 0:15:26.400
<v Speaker 2>back to you, Steve O. One thing about it. I'm

0:15:26.400 --> 0:15:29.120
<v Speaker 2>from Cleveland originally, man, and I came out here in

0:15:29.160 --> 0:15:31.960
<v Speaker 2>California in eighty eight man, because it really wasn't a

0:15:32.000 --> 0:15:34.680
<v Speaker 2>whole bunch of opportunities just back at the house. But

0:15:34.800 --> 0:15:37.080
<v Speaker 2>now y'all don't kind of change that because it seemed

0:15:37.120 --> 0:15:39.880
<v Speaker 2>like most of the work, especially for us as black people,

0:15:40.240 --> 0:15:44.120
<v Speaker 2>is coming up out of there right now. I think

0:15:44.160 --> 0:15:46.480
<v Speaker 2>the biggest problem out here with us being in Hollywood

0:15:46.600 --> 0:15:48.880
<v Speaker 2>is everybody kind of looks at the way Hollywood does

0:15:48.880 --> 0:15:50.720
<v Speaker 2>stuff with the big budgets, and they kind of look

0:15:51.000 --> 0:15:53.640
<v Speaker 2>y'all kind of went and did the impossible. Y'all need

0:15:53.800 --> 0:15:55.600
<v Speaker 2>to happen right now, man, And I ain't been back

0:15:55.600 --> 0:15:57.320
<v Speaker 2>to the crib in a minute. Man, is it just

0:15:57.360 --> 0:15:58.680
<v Speaker 2>exciting out there right now?

0:16:00.200 --> 0:16:02.040
<v Speaker 3>Going back to you thinking about back to like with

0:16:02.200 --> 0:16:07.800
<v Speaker 3>master ping and Mike John put up the DVDs movies

0:16:08.000 --> 0:16:11.400
<v Speaker 3>and independent movies. So it's back to that way, less

0:16:11.400 --> 0:16:13.840
<v Speaker 3>spend less money. It still costs a lot of money,

0:16:14.040 --> 0:16:16.400
<v Speaker 3>but with just digital it's making it a little easier

0:16:16.400 --> 0:16:17.880
<v Speaker 3>than you have to go get the reels and all that.

0:16:18.160 --> 0:16:23.840
<v Speaker 5>So it's back back in them days us. Yeah, it

0:16:23.960 --> 0:16:26.040
<v Speaker 5>was getting You know.

0:16:26.080 --> 0:16:29.600
<v Speaker 2>The funny thing about that is when usually people start

0:16:29.680 --> 0:16:32.400
<v Speaker 2>doing really well and something, everybody just think it's easy.

0:16:33.080 --> 0:16:36.600
<v Speaker 2>It's like when you remember everybody started becoming gangster rappers

0:16:36.640 --> 0:16:38.920
<v Speaker 2>when they started parking with rep Gangster reps started parking

0:16:38.960 --> 0:16:42.400
<v Speaker 2>in the nineties everybody started putting out records definitely.

0:16:42.480 --> 0:16:45.600
<v Speaker 6>I mean, you're just making access and then you know,

0:16:45.680 --> 0:16:47.240
<v Speaker 6>a lot of ship that people came.

0:16:48.880 --> 0:16:50.640
<v Speaker 5>Going back to the Hollywood ship.

0:16:52.120 --> 0:16:56.320
<v Speaker 6>They really don't like a lot of independent directors, producers, whatever.

0:16:57.480 --> 0:16:59.840
<v Speaker 6>You know, it's one of those games that they try

0:16:59.880 --> 0:17:03.080
<v Speaker 6>to keep you out of. But like he said, now

0:17:03.120 --> 0:17:08.159
<v Speaker 6>being able to you know, connect with these networks because

0:17:08.160 --> 0:17:12.840
<v Speaker 6>they see the value in it. You know, it's something

0:17:12.920 --> 0:17:15.280
<v Speaker 6>that you know, a lot of niggas can contribute to

0:17:15.400 --> 0:17:17.399
<v Speaker 6>if you got the right mind state and come up

0:17:17.400 --> 0:17:20.600
<v Speaker 6>with the good storylines. Because you know, we as black people,

0:17:20.640 --> 0:17:25.040
<v Speaker 6>we like to see some realism on our level, you know,

0:17:27.240 --> 0:17:31.640
<v Speaker 6>you know, being a motherfucking bad boy and driving through

0:17:31.680 --> 0:17:35.320
<v Speaker 6>the streets and ferraris and action gunshots. You know, that's

0:17:35.359 --> 0:17:40.240
<v Speaker 6>not you know, that's not a normal nigga's reality sometimes,

0:17:40.359 --> 0:17:43.080
<v Speaker 6>you know, so just to be able to see something

0:17:43.160 --> 0:17:47.280
<v Speaker 6>that depicts some normalcy around like I know a nigga,

0:17:47.359 --> 0:17:49.479
<v Speaker 6>like you said, I know a nigga around the corner

0:17:49.640 --> 0:17:53.160
<v Speaker 6>like that, that's get So these movies remind niggas of being,

0:17:53.320 --> 0:17:55.640
<v Speaker 6>you know, in normal settings and shit that they can

0:17:55.720 --> 0:17:58.960
<v Speaker 6>relate to. That's why I think, you know, it's getting

0:17:59.000 --> 0:18:01.560
<v Speaker 6>as popular as he is and shit with the movies.

0:18:03.000 --> 0:18:07.479
<v Speaker 2>Yeah, it's definitely resonating. It's definitely resonating. I know Detroit

0:18:07.600 --> 0:18:10.399
<v Speaker 2>is popping and Steve O you and Milwaukee and they

0:18:10.440 --> 0:18:12.960
<v Speaker 2>even got some brothers in Cleveland right now just putting

0:18:12.960 --> 0:18:15.239
<v Speaker 2>together fields and stuff like that. I think it's dope, man.

0:18:15.280 --> 0:18:17.159
<v Speaker 2>I think it's just giving a whole bunch of our

0:18:17.240 --> 0:18:20.720
<v Speaker 2>people opportunities that they otherwise might not have got. Like

0:18:20.840 --> 0:18:22.919
<v Speaker 2>back in the day, Tristan you that had to come

0:18:22.960 --> 0:18:24.680
<v Speaker 2>out here to La or go to New York something

0:18:24.720 --> 0:18:25.000
<v Speaker 2>like that.

0:18:26.040 --> 0:18:27.640
<v Speaker 1>I'm still coming out to La though.

0:18:29.440 --> 0:18:33.600
<v Speaker 2>I love Yeah, but you're starting to pop up in

0:18:33.640 --> 0:18:36.919
<v Speaker 2>a lot of mainstream stuff from now too though. Yeah,

0:18:37.040 --> 0:18:38.919
<v Speaker 2>like you was in the bm F joint and all that.

0:18:39.040 --> 0:18:41.040
<v Speaker 2>You know, you definitely know, man. When I was telling

0:18:41.080 --> 0:18:43.200
<v Speaker 2>the homies that I was having you on here, they

0:18:43.200 --> 0:18:44.920
<v Speaker 2>were just like, damn, you gonna have more to ask

0:18:45.119 --> 0:18:46.639
<v Speaker 2>this ask And I said, I ain't gonna ask to

0:18:46.640 --> 0:18:48.679
<v Speaker 2>home you all that crazy shit, but he gonna be

0:18:48.720 --> 0:18:52.480
<v Speaker 2>on there, y'all check it out, you know what I mean? Yes, sir, Steve,

0:18:52.760 --> 0:18:54.920
<v Speaker 2>what was one of the biggest roadblocks you had?

0:18:54.920 --> 0:18:55.120
<v Speaker 1>Man?

0:18:55.119 --> 0:18:57.240
<v Speaker 2>When you first decided he was gonna do these movies

0:18:58.160 --> 0:18:58.720
<v Speaker 2>the same.

0:18:58.560 --> 0:19:01.560
<v Speaker 3>As the music that I had a lawyer called Dance Stewart.

0:19:01.560 --> 0:19:03.040
<v Speaker 3>I think it was the lawyer. It's one of the

0:19:03.040 --> 0:19:07.600
<v Speaker 3>reasons I Dan Stewart back in the days. And like

0:19:07.600 --> 0:19:09.359
<v Speaker 3>I was doing the music, you know, I had a

0:19:09.359 --> 0:19:12.400
<v Speaker 3>song called in my product cook Cap and man, I

0:19:12.440 --> 0:19:14.679
<v Speaker 3>was just trying to get in and get in and

0:19:14.760 --> 0:19:18.080
<v Speaker 3>get in, and I just couldn't get into that a fucker

0:19:18.280 --> 0:19:20.159
<v Speaker 3>deal with Tommy Boy. But you know it was, you know,

0:19:20.359 --> 0:19:23.200
<v Speaker 3>it is what it is. But I didn't even want

0:19:23.200 --> 0:19:24.760
<v Speaker 3>to go that route no more, you know what I mean.

0:19:25.080 --> 0:19:28.400
<v Speaker 3>And especially I'm in the liquor game too, and it's

0:19:28.440 --> 0:19:30.160
<v Speaker 3>just like, I mean, you're tinting so much money.

0:19:30.160 --> 0:19:32.800
<v Speaker 5>I'm just like, I'm not gonna keep going this route.

0:19:32.880 --> 0:19:35.320
<v Speaker 3>Man, I want to stay independent and count all minds

0:19:35.320 --> 0:19:37.600
<v Speaker 3>and see all minds. So I said, like they said,

0:19:37.600 --> 0:19:40.040
<v Speaker 3>it's like you go through the line gates, you go

0:19:40.119 --> 0:19:42.920
<v Speaker 3>to the uh these big platforms and try to get on.

0:19:43.040 --> 0:19:45.280
<v Speaker 3>They don't want to ship invest into you, you know

0:19:45.359 --> 0:19:46.919
<v Speaker 3>what I mean, And they don't want to give.

0:19:46.760 --> 0:19:48.280
<v Speaker 5>You pennies for your thoughts.

0:19:48.320 --> 0:19:51.320
<v Speaker 3>So I was like an artist, So I found me

0:19:51.359 --> 0:19:55.120
<v Speaker 3>a way pay my own way, and God been good.

0:19:55.160 --> 0:19:55.320
<v Speaker 7>You know.

0:20:00.960 --> 0:20:03.240
<v Speaker 2>Yeah, you know one of the things I ask you

0:20:03.280 --> 0:20:05.840
<v Speaker 2>mentioned the music stuff you had cuckoo cab and stuff.

0:20:06.359 --> 0:20:08.760
<v Speaker 2>Does that ever go on with the movie stuff? The fuckering,

0:20:08.920 --> 0:20:11.080
<v Speaker 2>because you know, we always kind of get caught up

0:20:11.080 --> 0:20:13.159
<v Speaker 2>in there where people don't want to pay. They're not

0:20:13.240 --> 0:20:15.440
<v Speaker 2>doing that with the independent film lis early.

0:20:17.000 --> 0:20:19.000
<v Speaker 3>They'll try you if you'll know no better, you know,

0:20:19.119 --> 0:20:20.920
<v Speaker 3>if you don't stand on them like hit that yells,

0:20:20.960 --> 0:20:21.480
<v Speaker 3>you know what I mean.

0:20:22.040 --> 0:20:24.159
<v Speaker 5>Uh, you got some good distributors and you got some

0:20:24.200 --> 0:20:25.920
<v Speaker 5>bad distributis ain't gonna say no dangs.

0:20:26.200 --> 0:20:28.640
<v Speaker 3>So you gotta be real careful and you gotta watch

0:20:28.640 --> 0:20:31.119
<v Speaker 3>your paperwork because like I said, just like in the

0:20:31.200 --> 0:20:34.720
<v Speaker 3>Music Game, now it's streaming the same thing on these movies.

0:20:34.800 --> 0:20:38.199
<v Speaker 3>So you gotta really, you know, hope you get in

0:20:38.200 --> 0:20:39.960
<v Speaker 3>the right reports, you know what I mean, And you

0:20:40.000 --> 0:20:42.280
<v Speaker 3>hope you're getting the right the h I mean add

0:20:42.440 --> 0:20:44.320
<v Speaker 3>ReBs to get out of the chairs getting So just

0:20:44.400 --> 0:20:47.399
<v Speaker 3>like the music games, got some good accounts, some good

0:20:47.480 --> 0:20:49.840
<v Speaker 3>lawyers and uh, and do your research, just like the

0:20:49.920 --> 0:20:52.680
<v Speaker 3>music game. You know, hey, if a motherfucker fuck you

0:20:52.920 --> 0:20:54.800
<v Speaker 3>and find a way they're gonna do it like that.

0:20:55.680 --> 0:20:58.320
<v Speaker 6>I said all the time, if a nigga, if a

0:20:58.400 --> 0:20:59.960
<v Speaker 6>nigga can do and he don't do it.

0:21:01.359 --> 0:21:04.280
<v Speaker 4>And the tricky part about that is too, is when

0:21:04.359 --> 0:21:07.880
<v Speaker 4>you make a deal with these distribution companies, you you

0:21:07.880 --> 0:21:10.239
<v Speaker 4>don't you can't go directly to TWOB and get your

0:21:10.320 --> 0:21:14.240
<v Speaker 4>numbers because they don't have an obligation, uh, contractually to

0:21:14.359 --> 0:21:16.240
<v Speaker 4>give you numbers. So you just got to hope that

0:21:16.320 --> 0:21:19.159
<v Speaker 4>the distribution company that you're working with is giving you

0:21:19.200 --> 0:21:21.840
<v Speaker 4>real numbers or else you're gonna have to start udering people.

0:21:23.440 --> 0:21:25.600
<v Speaker 2>Yeah, and that costs money right there. That's that's what

0:21:25.640 --> 0:21:28.000
<v Speaker 2>I was gonna ask you, Tristan. You being an actor, right,

0:21:28.720 --> 0:21:31.320
<v Speaker 2>and I've been in some stuff too, like eight ass

0:21:31.320 --> 0:21:33.440
<v Speaker 2>you know, I'm a SAG member and all that, right

0:21:33.840 --> 0:21:36.720
<v Speaker 2>doing the independent films. Are they starting to give like

0:21:36.760 --> 0:21:39.000
<v Speaker 2>a back end on the stuff too? Because see, you

0:21:39.080 --> 0:21:40.760
<v Speaker 2>got a name now, so I'm pretty sure you can

0:21:40.760 --> 0:21:42.639
<v Speaker 2>go in and kind of demand certain things.

0:21:45.240 --> 0:21:48.440
<v Speaker 4>Some projects, Uh they would if they don't have the

0:21:48.480 --> 0:21:50.760
<v Speaker 4>capital to pay your ransom like you have, some you

0:21:50.760 --> 0:21:51.119
<v Speaker 4>can give you.

0:21:51.200 --> 0:21:53.000
<v Speaker 1>They give you points on the on the back end.

0:21:53.160 --> 0:21:53.879
<v Speaker 1>You know what I'm saying.

0:21:54.280 --> 0:21:57.960
<v Speaker 4>Uh, not too many people offer that, but you know,

0:21:58.080 --> 0:22:01.400
<v Speaker 4>it's something that you most definitely can negotiate. But outside

0:22:01.440 --> 0:22:04.320
<v Speaker 4>of that, there is not there is no no back

0:22:04.400 --> 0:22:06.560
<v Speaker 4>end for real. You get what you what you get paid,

0:22:06.600 --> 0:22:08.640
<v Speaker 4>You get what you negotiate, and then you go home

0:22:08.680 --> 0:22:09.879
<v Speaker 4>and you be happy about.

0:22:09.600 --> 0:22:12.080
<v Speaker 1>It and you go promote that film. You know what

0:22:12.160 --> 0:22:12.600
<v Speaker 1>I'm saying.

0:22:13.440 --> 0:22:18.200
<v Speaker 2>Yeah, I know it's a lot more today. It's a

0:22:18.240 --> 0:22:20.800
<v Speaker 2>lot more opportunity, especially for cats, Like do you have

0:22:20.920 --> 0:22:22.680
<v Speaker 2>you ever got behind the camera? If you have thoughts

0:22:22.760 --> 0:22:24.960
<v Speaker 2>getting behind the camera kind of doing your own projects.

0:22:25.880 --> 0:22:28.840
<v Speaker 4>So a lot of projects that I work on. Beasley

0:22:28.960 --> 0:22:31.200
<v Speaker 4>is my business partner, you know, we I'm I ain't

0:22:31.240 --> 0:22:34.600
<v Speaker 4>just an actor. I'm an executive producer. Uh so yeah,

0:22:34.640 --> 0:22:37.400
<v Speaker 4>I already got projects that's already out here that that's

0:22:37.480 --> 0:22:38.600
<v Speaker 4>that's that's my own.

0:22:39.200 --> 0:22:41.000
<v Speaker 2>Well that's dope, man, that's real dope.

0:22:41.560 --> 0:22:44.160
<v Speaker 4>So strict, I don't know, I don't know if y'all

0:22:45.640 --> 0:22:49.080
<v Speaker 4>heard the scripts of the scripts executive produced that not

0:22:50.720 --> 0:22:53.680
<v Speaker 4>her husbands and me and a few other a few

0:22:53.680 --> 0:22:55.960
<v Speaker 4>other things that most definitely when I when I got

0:22:56.000 --> 0:22:57.920
<v Speaker 4>in the game, man, I realized right off the bat,

0:22:57.960 --> 0:22:59.520
<v Speaker 4>like if you want some real money out this ship.

0:22:59.520 --> 0:23:00.680
<v Speaker 1>You got to put some money in.

0:23:01.720 --> 0:23:03.280
<v Speaker 2>Yeah, for real, let's do man.

0:23:03.320 --> 0:23:07.879
<v Speaker 3>You can see you know, independent artists just let them know.

0:23:08.040 --> 0:23:10.919
<v Speaker 3>Like if you ain't dealing with a big company, like

0:23:10.920 --> 0:23:12.879
<v Speaker 3>like Trisian said, if you can negotiate it back in,

0:23:13.280 --> 0:23:15.480
<v Speaker 3>that's good. But if you ain't dealing with a real

0:23:15.520 --> 0:23:19.720
<v Speaker 3>big company, all you can't get up front because or

0:23:19.800 --> 0:23:23.240
<v Speaker 3>the person ain't got no financial uh department. You know,

0:23:24.520 --> 0:23:27.480
<v Speaker 3>you know you'll run on your clothes down everything. So

0:23:27.800 --> 0:23:29.440
<v Speaker 3>you know, let me speaking. I mean, you can fight

0:23:29.520 --> 0:23:31.320
<v Speaker 3>for it, get what you can get up front. That

0:23:32.480 --> 0:23:35.080
<v Speaker 3>you can't get it back in good, But I'm gonna

0:23:35.080 --> 0:23:37.959
<v Speaker 3>tell you like this is the baby, try to get it.

0:23:37.720 --> 0:23:40.320
<v Speaker 6>Yeah, sure, what you can get up front, move on,

0:23:40.720 --> 0:23:43.560
<v Speaker 6>and like you said, be satisfied for what you negotiate,

0:23:43.720 --> 0:23:47.080
<v Speaker 6>because whether it's whether the ship go up or down,

0:23:47.760 --> 0:23:50.720
<v Speaker 6>you know, that's your position you in. You know, because

0:23:50.760 --> 0:23:53.680
<v Speaker 6>you like the independent game. A lot of niggas don't

0:23:53.760 --> 0:23:55.880
<v Speaker 6>like to give up a lot or whatever because that

0:23:55.880 --> 0:23:59.320
<v Speaker 6>that that's right we independent, you know. So and then

0:23:59.359 --> 0:24:02.240
<v Speaker 6>with the districts or whatever, you know, they still looking

0:24:02.240 --> 0:24:05.040
<v Speaker 6>at niggas bottom of the barrel. So they gonna try

0:24:05.080 --> 0:24:08.040
<v Speaker 6>to cheap you out which way they go, because their

0:24:08.160 --> 0:24:10.200
<v Speaker 6>job is gonna go be trying to get the money

0:24:10.200 --> 0:24:12.919
<v Speaker 6>from the big networks or the big channel or whatever.

0:24:13.080 --> 0:24:15.720
<v Speaker 6>So you feel me, so you might as well try

0:24:15.720 --> 0:24:18.000
<v Speaker 6>to squeeze the limit as hard as you mother fucking

0:24:18.040 --> 0:24:19.800
<v Speaker 6>can fuck it. Yeah.

0:24:19.960 --> 0:24:23.160
<v Speaker 4>But at the same time, remember and still they still

0:24:23.240 --> 0:24:26.240
<v Speaker 4>independent too, And they and the and and the filmmaker

0:24:26.280 --> 0:24:28.000
<v Speaker 4>is taking the hell of a gamble, man ain't no.

0:24:28.480 --> 0:24:31.120
<v Speaker 4>It's it's a project called Power Money that we did

0:24:31.720 --> 0:24:34.080
<v Speaker 4>and it's probably the most money that we ever put

0:24:34.119 --> 0:24:35.439
<v Speaker 4>into an independent project.

0:24:35.480 --> 0:24:35.640
<v Speaker 7>Bro.

0:24:35.720 --> 0:24:37.360
<v Speaker 4>And I promise you, man, we're still in the red

0:24:37.400 --> 0:24:39.920
<v Speaker 4>and we create we made this film. I want to say,

0:24:39.920 --> 0:24:41.879
<v Speaker 4>two three years ago, we're still in the red. We

0:24:41.920 --> 0:24:43.320
<v Speaker 4>still don't you know what I'm saying. We still ain't

0:24:43.480 --> 0:24:45.560
<v Speaker 4>ain't black yet, you know what I'm saying. So it's

0:24:45.600 --> 0:24:47.960
<v Speaker 4>a gamble, you know what I'm saying. It's it's it's

0:24:48.000 --> 0:24:50.480
<v Speaker 4>a real gamble with the with these projects. Man, ain't

0:24:50.480 --> 0:24:53.000
<v Speaker 4>nobody guaranteed to like their project once you put it

0:24:53.000 --> 0:24:54.800
<v Speaker 4>out there, up to the to the fan base to

0:24:55.320 --> 0:24:55.600
<v Speaker 4>like it.

0:24:56.400 --> 0:24:58.480
<v Speaker 2>Yeah, And it's always a gamble. And there's so many

0:24:58.480 --> 0:25:01.000
<v Speaker 2>people doing movies right now, Like if you go to Tubby,

0:25:01.600 --> 0:25:03.920
<v Speaker 2>it seemed like it's five hundred new movies coming out

0:25:03.920 --> 0:25:07.760
<v Speaker 2>every week. Dog, you feel what I'm saying, So it's

0:25:07.800 --> 0:25:08.960
<v Speaker 2>allowed to compete against.

0:25:09.400 --> 0:25:10.720
<v Speaker 1>Yeah, the life the lack.

0:25:10.680 --> 0:25:12.480
<v Speaker 4>Of a film, it's almost the same as the life

0:25:12.480 --> 0:25:14.760
<v Speaker 4>of a music video right now, you know what I'm saying.

0:25:14.800 --> 0:25:17.280
<v Speaker 4>It's like they they got about a good week or

0:25:17.320 --> 0:25:18.600
<v Speaker 4>so if you don't, you know what I'm saying, If

0:25:18.600 --> 0:25:21.280
<v Speaker 4>you're not constant promoting the marketing your movie, that's the

0:25:21.359 --> 0:25:23.480
<v Speaker 4>life of a movie because like you said, it's it's

0:25:23.560 --> 0:25:26.080
<v Speaker 4>content and the content and the people are consuming it

0:25:26.160 --> 0:25:29.080
<v Speaker 4>way faster than they were years ago.

0:25:29.320 --> 0:25:31.800
<v Speaker 2>That's what I'm saying, man. And it's like because I

0:25:31.880 --> 0:25:35.200
<v Speaker 2>remember when Tubby Tubby has actually been around for a while,

0:25:35.240 --> 0:25:38.920
<v Speaker 2>and I remember when a movie started coming out of Detroit,

0:25:39.200 --> 0:25:41.600
<v Speaker 2>the independent movies I started watching. I was a fan

0:25:41.680 --> 0:25:44.600
<v Speaker 2>of all this stuff really early on, and I remember

0:25:44.640 --> 0:25:47.119
<v Speaker 2>it kind of went from being like right here to

0:25:47.160 --> 0:25:49.920
<v Speaker 2>where it was just like and some of the stuff,

0:25:49.960 --> 0:25:51.800
<v Speaker 2>you know, and I ain't gonna be most of the

0:25:51.840 --> 0:25:54.520
<v Speaker 2>stuff on this most of the independent movies that come

0:25:54.520 --> 0:25:57.200
<v Speaker 2>out of shop pretty well, you got some that's not good.

0:25:57.560 --> 0:26:00.040
<v Speaker 2>But for the most part, everybody out there doing the

0:26:00.080 --> 0:26:03.159
<v Speaker 2>thing man, And I think that's the biggest thing, is

0:26:03.200 --> 0:26:06.520
<v Speaker 2>just putting quality material out there. If you're doing quality material, man,

0:26:07.280 --> 0:26:09.560
<v Speaker 2>because you already kind of got the odds against you,

0:26:09.600 --> 0:26:11.280
<v Speaker 2>so you can't come out what you can't come out

0:26:11.400 --> 0:26:15.040
<v Speaker 2>just doing any old thing. I agree, you feel what

0:26:15.080 --> 0:26:20.280
<v Speaker 2>I'm saying. So where do y'all think this stuff is

0:26:20.320 --> 0:26:22.159
<v Speaker 2>gonna go from here? Though? Like, like where y'all think to

0:26:22.160 --> 0:26:25.360
<v Speaker 2>see the game going from here? I just.

0:26:26.880 --> 0:26:30.600
<v Speaker 3>You know, I take like hip hop, if everybody keep

0:26:30.600 --> 0:26:34.480
<v Speaker 3>shooting good quality stuff, uh, supporting each other, you know

0:26:34.520 --> 0:26:37.800
<v Speaker 3>what I mean? You know, you know right now as

0:26:37.800 --> 0:26:39.679
<v Speaker 3>you see to me, it was like you said, a

0:26:39.680 --> 0:26:43.560
<v Speaker 3>bunch of us independent acts. But now it's kind of like, uh,

0:26:43.920 --> 0:26:46.280
<v Speaker 3>they put at their own content on their library fox

0:26:46.320 --> 0:26:48.640
<v Speaker 3>stuff and our old movie trying of pushing us out.

0:26:49.080 --> 0:26:52.040
<v Speaker 3>It's just about your movie that'll be hard to find.

0:26:52.760 --> 0:26:54.879
<v Speaker 3>But we keep supporting each other and standing on their

0:26:55.280 --> 0:26:58.760
<v Speaker 3>standing on together coming together them know that we're gonna

0:26:59.200 --> 0:27:04.520
<v Speaker 3>stand together, and no content back for independent Detroitment, Walpie, Cleveland,

0:27:04.720 --> 0:27:07.960
<v Speaker 3>all these blues really to maybe being that Cole is

0:27:07.960 --> 0:27:10.560
<v Speaker 3>to day Black people did that. The fans did that,

0:27:10.880 --> 0:27:15.399
<v Speaker 3>and we stick together expect we don't. They play its

0:27:15.440 --> 0:27:16.240
<v Speaker 3>just like they did Hit Bip.

0:27:17.400 --> 0:27:21.240
<v Speaker 6>Yeah, it's it's gotta be you know, uh looked in

0:27:21.359 --> 0:27:23.720
<v Speaker 6>a positive light. You feel me that.

0:27:23.960 --> 0:27:24.080
<v Speaker 4>Uh.

0:27:25.800 --> 0:27:28.600
<v Speaker 6>And and the more the more that you're able to

0:27:28.640 --> 0:27:31.720
<v Speaker 6>do and the more that's able to come out, it's

0:27:32.320 --> 0:27:35.040
<v Speaker 6>you know how they do. You know, when the ship

0:27:35.119 --> 0:27:38.480
<v Speaker 6>starts turning successful, they gonna see the light and then

0:27:38.560 --> 0:27:40.959
<v Speaker 6>that's when the big money gonna come in and they

0:27:41.080 --> 0:27:46.199
<v Speaker 6>gonna give opportunities. So uh, it gotta be nothing but

0:27:46.240 --> 0:27:49.400
<v Speaker 6>an upscale you feel me, like you said, because it's

0:27:49.440 --> 0:27:53.800
<v Speaker 6>a lot of brothers that's now doing this these projects

0:27:54.280 --> 0:27:59.360
<v Speaker 6>and being recognized for these projects. And uh, I think

0:27:59.400 --> 0:28:01.680
<v Speaker 6>it's a good I think it's a good thing because

0:28:01.720 --> 0:28:05.320
<v Speaker 6>first of all, you show motherfuckers that, okay, shit, I

0:28:05.320 --> 0:28:07.439
<v Speaker 6>don't need your budgets and shit, and I rather keep

0:28:07.480 --> 0:28:11.640
<v Speaker 6>shit independent anyway, because sometimes independency can bring you more

0:28:11.680 --> 0:28:14.959
<v Speaker 6>recognition and money in the first place. Now, you know,

0:28:15.040 --> 0:28:17.400
<v Speaker 6>you love to get that one hundred million dollar budget

0:28:17.480 --> 0:28:20.600
<v Speaker 6>or whatever, but they come in due time, you feel.

0:28:20.280 --> 0:28:23.399
<v Speaker 1>Me, I mean, personally, I ain't gonna lie.

0:28:23.600 --> 0:28:26.520
<v Speaker 4>I love the fact that I love the trajectory of

0:28:26.960 --> 0:28:30.520
<v Speaker 4>where we're going, but I feel like every time that

0:28:30.680 --> 0:28:35.080
<v Speaker 4>we start going up, up, up, up up, they watching

0:28:35.119 --> 0:28:37.000
<v Speaker 4>it looking like, what the fuck? How the fuck can

0:28:37.000 --> 0:28:38.840
<v Speaker 4>we get a piece of it? And how can we

0:28:38.880 --> 0:28:40.880
<v Speaker 4>knock them out of that motherfucker? How can we knock

0:28:40.920 --> 0:28:44.680
<v Speaker 4>them out the box? And I think that and we

0:28:44.800 --> 0:28:48.800
<v Speaker 4>don't find another platform or creating another platform outside of TOUB,

0:28:49.240 --> 0:28:53.040
<v Speaker 4>then they gonna do just that. If we as filmmakers

0:28:53.040 --> 0:28:56.480
<v Speaker 4>continue to make to be originals where we're.

0:28:56.280 --> 0:28:57.240
<v Speaker 1>Not getting.

0:28:59.000 --> 0:29:00.760
<v Speaker 4>A lot of money, especially not even a lot of

0:29:00.760 --> 0:29:03.680
<v Speaker 4>money up front, then they're gonna box us out. So

0:29:03.720 --> 0:29:06.200
<v Speaker 4>we gotta, for one, not we gotta get off that

0:29:06.200 --> 0:29:08.040
<v Speaker 4>TV before we even get on it, and we got

0:29:08.040 --> 0:29:11.760
<v Speaker 4>to figure out other platform platforms and avenues to to

0:29:12.080 --> 0:29:14.920
<v Speaker 4>uh to showcase our stuff too, because I think to

0:29:15.080 --> 0:29:17.200
<v Speaker 4>be they looking at us and they're gonna do the

0:29:17.240 --> 0:29:21.000
<v Speaker 4>same thing. Like I said, they're finding ways to to

0:29:21.240 --> 0:29:23.920
<v Speaker 4>uh exclude us from what's going on. They build it,

0:29:24.000 --> 0:29:26.120
<v Speaker 4>they use us to build up the platform, and then

0:29:26.160 --> 0:29:27.880
<v Speaker 4>they're going to wipe us out.

0:29:28.800 --> 0:29:31.640
<v Speaker 1>Yes, we're not gonna do if you're not gonna do it.

0:29:31.760 --> 0:29:33.880
<v Speaker 4>In a minute, I feel like if you're not willing

0:29:33.960 --> 0:29:36.800
<v Speaker 4>to sell your movie to them where you're come to

0:29:36.800 --> 0:29:38.840
<v Speaker 4>them to make a two Be original, then they ain't

0:29:38.840 --> 0:29:43.280
<v Speaker 4>gonna allow your projects to get on their platform.

0:29:43.560 --> 0:29:45.800
<v Speaker 2>Yeah, what I was saying before I kind of left. Man,

0:29:45.880 --> 0:29:51.400
<v Speaker 2>it's like I saw pretty much Black Centema build Too

0:29:51.440 --> 0:29:54.240
<v Speaker 2>Be and bring an audience over there, right. And you're

0:29:54.280 --> 0:29:56.200
<v Speaker 2>starting to notice now, man, that with the two Be

0:29:56.320 --> 0:29:59.120
<v Speaker 2>your riginals, those are the those are the movies that

0:29:59.120 --> 0:30:01.720
<v Speaker 2>are getting prime play. You feel what I'm saying, They're

0:30:01.760 --> 0:30:04.920
<v Speaker 2>getting prime placement. And you may want to explain to

0:30:04.960 --> 0:30:07.000
<v Speaker 2>the people out there with the original Liss because I

0:30:07.040 --> 0:30:09.560
<v Speaker 2>heard in the original they kind of just give you

0:30:09.600 --> 0:30:11.400
<v Speaker 2>a flat fee and you don't get no row ay

0:30:11.440 --> 0:30:13.400
<v Speaker 2>off of it. But then I heard they don't even

0:30:13.400 --> 0:30:15.080
<v Speaker 2>give you all the bread up front. They make you

0:30:15.120 --> 0:30:16.680
<v Speaker 2>wait for some of the bride. So it don't make

0:30:16.720 --> 0:30:17.200
<v Speaker 2>no sense.

0:30:17.920 --> 0:30:20.040
<v Speaker 4>So what they do is they give you say they

0:30:20.240 --> 0:30:22.840
<v Speaker 4>if they offer you two hundred and fifty thousand for

0:30:22.920 --> 0:30:26.400
<v Speaker 4>your movie, they're gonna give you that over a period

0:30:26.480 --> 0:30:28.760
<v Speaker 4>of time, say every three months, they're gonna give you

0:30:28.800 --> 0:30:31.800
<v Speaker 4>maybe twenty or thirty thousand. And you could have did

0:30:31.920 --> 0:30:34.080
<v Speaker 4>you could have done that your first week on your own.

0:30:35.360 --> 0:30:38.200
<v Speaker 4>You could have did that your first month on your own.

0:30:38.440 --> 0:30:40.640
<v Speaker 4>And so what they do is they take your project

0:30:40.920 --> 0:30:42.760
<v Speaker 4>and they milk the shit out that much like say,

0:30:42.800 --> 0:30:44.920
<v Speaker 4>they put it wherever they you know what I'm saying,

0:30:44.960 --> 0:30:47.720
<v Speaker 4>And the most popular, they make it very visual to

0:30:47.800 --> 0:30:51.160
<v Speaker 4>the audience, and the projects do well. You license it

0:30:51.200 --> 0:30:53.960
<v Speaker 4>out to them and you don't see no money until

0:30:54.440 --> 0:30:57.120
<v Speaker 4>that licenses is over with, you know what I'm saying.

0:30:57.160 --> 0:30:59.600
<v Speaker 4>So they gonna milk your project and get the most

0:30:59.600 --> 0:31:00.959
<v Speaker 4>out of it. They didn't give it back to you

0:31:01.000 --> 0:31:02.560
<v Speaker 4>when there's nothing left.

0:31:03.760 --> 0:31:05.560
<v Speaker 2>Wow, So they're paying you to bring it over a

0:31:05.560 --> 0:31:07.400
<v Speaker 2>period of months. You're not even getting all the bread.

0:31:07.440 --> 0:31:08.880
<v Speaker 2>You can't even make a move like that.

0:31:09.720 --> 0:31:11.720
<v Speaker 4>Yeah, you can't even like like you say, now I

0:31:11.760 --> 0:31:13.760
<v Speaker 4>got this quarter million dollars, not gonna make me, you

0:31:13.800 --> 0:31:15.520
<v Speaker 4>know what I'm saying, two or three more movies, you

0:31:15.520 --> 0:31:16.080
<v Speaker 4>know what I'm saying.

0:31:16.120 --> 0:31:17.760
<v Speaker 1>So to me, it's not worth it.

0:31:19.440 --> 0:31:21.200
<v Speaker 2>Let me ask you this, how far you think we

0:31:21.240 --> 0:31:23.960
<v Speaker 2>await man from really having our own platform. Because I'm

0:31:23.960 --> 0:31:26.360
<v Speaker 2>gonna tell you something I've been trying to do for

0:31:26.440 --> 0:31:28.240
<v Speaker 2>the past three or four years. I've been trying to

0:31:28.240 --> 0:31:31.000
<v Speaker 2>build my own streaming platform, right, because I even know,

0:31:31.120 --> 0:31:34.840
<v Speaker 2>like me, we got like two or three different YouTube channels, right.

0:31:34.880 --> 0:31:36.920
<v Speaker 2>I don't like putting stuff on YouTube. Really, I don't

0:31:36.920 --> 0:31:40.320
<v Speaker 2>really like even messing with YouTube because the money ain't

0:31:40.320 --> 0:31:42.920
<v Speaker 2>really right, you feel what I'm saying. The money ain't

0:31:42.920 --> 0:31:44.720
<v Speaker 2>really right now when you know what you're supposed to

0:31:44.760 --> 0:31:47.520
<v Speaker 2>get paid, It's like there's no way to order that.

0:31:47.600 --> 0:31:51.440
<v Speaker 2>There's no way to see what's really going on on that, right,

0:31:51.760 --> 0:31:54.480
<v Speaker 2>and you can kind of get shadow band on here.

0:31:54.680 --> 0:31:56.560
<v Speaker 2>I just I'm just not a fan of putting my

0:31:56.600 --> 0:32:00.400
<v Speaker 2>stuff on depending on somebody else's platform to make living.

0:32:00.440 --> 0:32:02.240
<v Speaker 2>You feel what I'm saying, how far you think we

0:32:02.640 --> 0:32:04.080
<v Speaker 2>really have our own streaming channel.

0:32:04.400 --> 0:32:05.880
<v Speaker 5>That's the That's the how I did it though.

0:32:05.920 --> 0:32:08.560
<v Speaker 3>While they're winning is until we can come together and

0:32:08.600 --> 0:32:12.040
<v Speaker 3>build a platform that has, like you, ten twenty million

0:32:12.080 --> 0:32:15.640
<v Speaker 3>people on there there. That's why Amazon winning to be winning,

0:32:16.000 --> 0:32:20.680
<v Speaker 3>uh to YouTube winning because they already have a platform

0:32:20.720 --> 0:32:23.120
<v Speaker 3>set with twenty thirty million people there so they can

0:32:23.280 --> 0:32:25.800
<v Speaker 3>charge you whatever because you need that platform. Just like

0:32:25.880 --> 0:32:27.720
<v Speaker 3>back in the days, Reckster you had to go to

0:32:27.720 --> 0:32:29.320
<v Speaker 3>the record store. Yeah, you had this sputure because it

0:32:29.360 --> 0:32:31.480
<v Speaker 3>got access to ship it to all the record stores

0:32:31.520 --> 0:32:33.640
<v Speaker 3>at one time. So we got to get like instead

0:32:33.640 --> 0:32:35.480
<v Speaker 3>of one person trying to do it that My man

0:32:35.520 --> 0:32:37.880
<v Speaker 3>P's was talking with saying some things we leave about

0:32:37.880 --> 0:32:40.560
<v Speaker 3>four or five. Was even with some of the florists

0:32:40.680 --> 0:32:44.280
<v Speaker 3>to come together, build one big platform and bring all

0:32:44.440 --> 0:32:47.360
<v Speaker 3>all your stead if you got twenty million people watching.

0:32:47.400 --> 0:32:50.000
<v Speaker 3>The other time he come to advertisers, it is I

0:32:50.000 --> 0:32:52.360
<v Speaker 3>would get paid and came all the black movies.

0:32:52.880 --> 0:32:54.720
<v Speaker 5>Like I said, it's a tangerous thing, man. You see

0:32:54.760 --> 0:32:55.120
<v Speaker 5>what happened.

0:32:55.120 --> 0:32:57.840
<v Speaker 3>When should they them all try to start up distributions

0:32:57.920 --> 0:32:58.520
<v Speaker 3>for blacks.

0:32:58.400 --> 0:33:00.400
<v Speaker 5>What they did to them? And then whatever is going

0:33:00.440 --> 0:33:01.840
<v Speaker 5>on with uh people.

0:33:01.560 --> 0:33:03.200
<v Speaker 3>Trying to you gotta keep it quiet and we try

0:33:03.200 --> 0:33:05.400
<v Speaker 3>to start something with our own and they don't get

0:33:05.640 --> 0:33:08.280
<v Speaker 3>the more dangerous like that.

0:33:08.560 --> 0:33:11.040
<v Speaker 2>Man, it can get real dangerous man, you see. Like

0:33:11.040 --> 0:33:13.560
<v Speaker 2>like you said, you brought up sugaring them the homies

0:33:13.600 --> 0:33:16.080
<v Speaker 2>from murdering got in, you know, and died it on

0:33:16.120 --> 0:33:19.200
<v Speaker 2>some bullshit. Even though they came up innocent. They all

0:33:19.200 --> 0:33:21.400
<v Speaker 2>their bread was gone. They'd just spend a game of money,

0:33:21.520 --> 0:33:23.280
<v Speaker 2>you know what I'm saying. So they definitely don't like

0:33:23.360 --> 0:33:26.600
<v Speaker 2>to hear talk of that, man, But I definitely think

0:33:26.640 --> 0:33:28.720
<v Speaker 2>it is something that can happen now, man, And I

0:33:28.720 --> 0:33:30.480
<v Speaker 2>think it has to be a collective of people. And

0:33:30.520 --> 0:33:33.000
<v Speaker 2>I think we have to get off the mindset because

0:33:33.000 --> 0:33:35.640
<v Speaker 2>what usually has was is everybody wants to start their

0:33:35.680 --> 0:33:38.600
<v Speaker 2>own thing instead of everybody just coming together and pulling

0:33:38.680 --> 0:33:41.720
<v Speaker 2>resources and even you know, the movie people getting with

0:33:41.800 --> 0:33:44.200
<v Speaker 2>some of the bigger influencers and saying, hey, Okay, we're

0:33:44.240 --> 0:33:47.280
<v Speaker 2>gonna put our podcast movies on this platform and this

0:33:47.360 --> 0:33:48.920
<v Speaker 2>is gonna be our thing. I think that's what we

0:33:48.920 --> 0:33:50.640
<v Speaker 2>need to do because we've been building other people shift

0:33:50.640 --> 0:33:51.360
<v Speaker 2>for too long. Man.

0:33:52.080 --> 0:33:57.000
<v Speaker 4>Yeah, but it's the hard The harder part of that

0:33:57.200 --> 0:34:00.280
<v Speaker 4>is is getting people to put their content on your

0:34:00.320 --> 0:34:03.880
<v Speaker 4>platform and not knowing whether they're going to be able

0:34:03.920 --> 0:34:06.440
<v Speaker 4>to see a return on their investment or not. So

0:34:06.480 --> 0:34:09.279
<v Speaker 4>you're going to have to be able to uh, be

0:34:09.360 --> 0:34:11.439
<v Speaker 4>able to give viewership. So that's what that's the thing

0:34:11.480 --> 0:34:14.560
<v Speaker 4>where any streaming platform, even to get ad dollars, you

0:34:14.640 --> 0:34:18.200
<v Speaker 4>got to have so many viewerships a day in order

0:34:18.239 --> 0:34:21.759
<v Speaker 4>for ads to come to your platform. Now you can

0:34:21.800 --> 0:34:23.719
<v Speaker 4>do private ass Say if you got a homeboy that

0:34:23.800 --> 0:34:25.719
<v Speaker 4>got a company, he got a commercial on stuff like that,

0:34:25.760 --> 0:34:28.440
<v Speaker 4>So you can do ads privately. But that's the biggest

0:34:28.520 --> 0:34:32.440
<v Speaker 4>uphill battle for a streaming a new streaming platform is

0:34:32.480 --> 0:34:34.920
<v Speaker 4>being able to get viewership to that platform. So you

0:34:34.960 --> 0:34:37.120
<v Speaker 4>can't get AD dollars.

0:34:38.320 --> 0:34:38.719
<v Speaker 1>You know what.

0:34:40.920 --> 0:34:43.520
<v Speaker 2>Yeah, I think it's possible, but it would have to

0:34:43.560 --> 0:34:46.120
<v Speaker 2>be something that was real strategy. You gotta think, because

0:34:46.120 --> 0:34:49.919
<v Speaker 2>you have you have some influences out of here, man,

0:34:49.960 --> 0:34:53.400
<v Speaker 2>that are getting you know where from one hundred and

0:34:53.440 --> 0:34:56.759
<v Speaker 2>fifty thousand, you know, half a million views, you know

0:34:56.800 --> 0:34:57.920
<v Speaker 2>over a thirty day period.

0:34:58.040 --> 0:34:58.239
<v Speaker 8>Man.

0:34:58.320 --> 0:35:00.480
<v Speaker 2>You know, you have some people that make movies that

0:35:00.560 --> 0:35:02.719
<v Speaker 2>may get six seven million views there.

0:35:03.200 --> 0:35:03.400
<v Speaker 1>You know.

0:35:03.640 --> 0:35:05.719
<v Speaker 2>Obviously, the AU the n C is there because you

0:35:05.800 --> 0:35:08.560
<v Speaker 2>got platforms like to be that kind of was built

0:35:08.560 --> 0:35:10.640
<v Speaker 2>off the backs of those platforms. Now I see them

0:35:10.719 --> 0:35:13.200
<v Speaker 2>doing all kinds of stuff. So I think it's something

0:35:13.200 --> 0:35:14.879
<v Speaker 2>that's gonna happen, that can happen, But I don't think

0:35:14.880 --> 0:35:17.000
<v Speaker 2>it's an overnight thing. And I think it's gonna take

0:35:17.040 --> 0:35:19.719
<v Speaker 2>a lot of money. It's gonna take. It's what it's

0:35:19.719 --> 0:35:20.120
<v Speaker 2>gonna take.

0:35:20.160 --> 0:35:22.600
<v Speaker 4>It's gonna take the right it's gonna take the right companies,

0:35:23.000 --> 0:35:24.960
<v Speaker 4>the right person with the right influence and it's gonna

0:35:25.000 --> 0:35:27.960
<v Speaker 4>take a lot of marketing dollars behind, you know, I

0:35:27.960 --> 0:35:30.240
<v Speaker 4>would say, shit anywhere from two hundred and fifty thousand

0:35:30.400 --> 0:35:32.640
<v Speaker 4>to a half of being to get the right promotion

0:35:32.760 --> 0:35:35.560
<v Speaker 4>behind that platform too. And just the backtrack a little

0:35:35.600 --> 0:35:38.200
<v Speaker 4>bit while we were talking about the toob Originals and

0:35:38.239 --> 0:35:41.600
<v Speaker 4>stuff like that we put out when we put out

0:35:41.600 --> 0:35:46.080
<v Speaker 4>our movies on on TV or whatever, and when the

0:35:46.120 --> 0:35:48.399
<v Speaker 4>movies first come out and people trying to search those

0:35:48.400 --> 0:35:50.920
<v Speaker 4>movies that I can't find it. I can't find the movie. Everybody,

0:35:50.960 --> 0:35:52.960
<v Speaker 4>I can't find it. You got some people who can

0:35:53.000 --> 0:35:55.520
<v Speaker 4>access those movies quite easily. You got some people who

0:35:55.600 --> 0:35:58.319
<v Speaker 4>can access it on their phone, but can't find it

0:35:58.360 --> 0:36:01.560
<v Speaker 4>on their TV. When the twob Are Original comes out,

0:36:01.800 --> 0:36:06.520
<v Speaker 4>it's very ironic and crazy that nobody complains, Nobody saying, hey, look,

0:36:06.560 --> 0:36:07.720
<v Speaker 4>I can't find this movie.

0:36:07.760 --> 0:36:09.919
<v Speaker 1>It ain't showing up here, but it's showing up here.

0:36:10.400 --> 0:36:15.120
<v Speaker 4>That motherfucker is very uh made ready available, you know

0:36:15.200 --> 0:36:17.440
<v Speaker 4>what I'm saying. So I just had to backtrack on

0:36:17.480 --> 0:36:19.160
<v Speaker 4>that on that On that point too.

0:36:19.560 --> 0:36:21.719
<v Speaker 2>It's always some ship. I can't be rude, man. We

0:36:21.760 --> 0:36:25.239
<v Speaker 2>got the hommy beezy up. What's happening baby, what's hiding?

0:36:25.400 --> 0:36:28.080
<v Speaker 2>What's going on with man? Just chilling?

0:36:28.080 --> 0:36:28.239
<v Speaker 7>Man?

0:36:28.239 --> 0:36:29.480
<v Speaker 2>You know I had to pull you up there. Man,

0:36:29.480 --> 0:36:30.919
<v Speaker 2>I ain't want to leave you in the corner looking

0:36:30.960 --> 0:36:32.080
<v Speaker 2>all lonely and ship dog.

0:36:32.600 --> 0:36:34.239
<v Speaker 7>I was good. I was just listening getting there.

0:36:34.239 --> 0:36:37.080
<v Speaker 2>I was entertain Yeah, Man, you know what, And I

0:36:37.120 --> 0:36:40.319
<v Speaker 2>can come back and ask you. Man, you a cold dude. Man,

0:36:40.840 --> 0:36:43.440
<v Speaker 2>I don't know. Man. I probably could if I was

0:36:43.480 --> 0:36:45.719
<v Speaker 2>a you know, if I was a director or whatever. Man,

0:36:47.800 --> 0:36:52.200
<v Speaker 2>I don't know. Man. I think I gotta step my

0:36:52.239 --> 0:36:54.080
<v Speaker 2>game up something. Man, I don't know. If I'd have

0:36:54.120 --> 0:36:55.919
<v Speaker 2>been there to put my wife on the thing, dog,

0:36:56.360 --> 0:36:58.480
<v Speaker 2>I'd have been too jealous. Matter probably wound up trying

0:36:58.520 --> 0:36:59.600
<v Speaker 2>to fire on a homie or something.

0:36:59.640 --> 0:37:03.760
<v Speaker 5>Man, keep born with the white thing. Man, get on something.

0:37:04.200 --> 0:37:07.280
<v Speaker 5>It's about the fourth time you don't mentioned the white man.

0:37:07.200 --> 0:37:09.560
<v Speaker 2>Don't talk, man, I gotta talk with my boy busy

0:37:09.640 --> 0:37:11.799
<v Speaker 2>one year. I gotta ask about a dog.

0:37:12.200 --> 0:37:14.400
<v Speaker 9>Hey, listen, Man, I look at it like this, like

0:37:16.080 --> 0:37:19.680
<v Speaker 9>they they're actors. I'm a creative just like they creative.

0:37:19.719 --> 0:37:20.440
<v Speaker 7>You know what I'm saying.

0:37:20.480 --> 0:37:23.759
<v Speaker 9>And I let that choice be hers. I let her

0:37:23.800 --> 0:37:26.359
<v Speaker 9>figure out what you want to do. I electrician figure

0:37:26.360 --> 0:37:27.480
<v Speaker 9>out that's something he wanted to do.

0:37:28.040 --> 0:37:28.560
<v Speaker 7>I'm for it.

0:37:28.640 --> 0:37:31.120
<v Speaker 9>We have boundaries, you know, some things that you know

0:37:31.320 --> 0:37:33.360
<v Speaker 9>just didn't happen. But you know, at the end of

0:37:33.400 --> 0:37:35.240
<v Speaker 9>the day, I can't stop her from being a creative.

0:37:35.360 --> 0:37:36.840
<v Speaker 7>You know what I'm saying. I'm not gonna be the

0:37:36.880 --> 0:37:38.040
<v Speaker 7>one to pigeonhold her career.

0:37:39.000 --> 0:37:41.920
<v Speaker 2>That's real. Ship man, y'all been hitting into some winners man,

0:37:41.960 --> 0:37:43.839
<v Speaker 2>that script shit as hard as a motherfucker. I told

0:37:43.840 --> 0:37:44.600
<v Speaker 2>you I was a fan.

0:37:44.680 --> 0:37:46.960
<v Speaker 7>Man. I don't know why. I don't know why he

0:37:47.120 --> 0:37:48.319
<v Speaker 7>ain't in there yet. I don't know.

0:37:48.360 --> 0:37:50.920
<v Speaker 5>We need a wax man, y'all.

0:37:50.960 --> 0:37:51.680
<v Speaker 2>Have you.

0:37:53.800 --> 0:37:56.040
<v Speaker 6>Get you to do some ship still, we need to

0:37:56.080 --> 0:37:58.279
<v Speaker 6>get you in the movie man, y'all to get you

0:37:58.600 --> 0:38:05.160
<v Speaker 6>with the professional lesson. Maria is the professions.

0:38:05.640 --> 0:38:07.480
<v Speaker 2>Man, That's what I'm saying, y'all. Try to explain that

0:38:07.480 --> 0:38:09.520
<v Speaker 2>that my wife ain't going for none of that. But

0:38:09.600 --> 0:38:11.520
<v Speaker 2>you know what that we definitely need to get eight

0:38:11.600 --> 0:38:13.480
<v Speaker 2>down in some steps. Wall. I was talking to you,

0:38:14.040 --> 0:38:16.359
<v Speaker 2>I was talking to you, beasy. We for sure got

0:38:16.360 --> 0:38:18.080
<v Speaker 2>to get him on some ship, doog. We gotta put

0:38:18.080 --> 0:38:18.800
<v Speaker 2>some stuff together.

0:38:19.480 --> 0:38:21.520
<v Speaker 9>Oh yeah, for sure, we about to start shooting season

0:38:21.560 --> 0:38:24.000
<v Speaker 9>two of Scripts. Man, we needed we gonna were gonna

0:38:24.000 --> 0:38:25.600
<v Speaker 9>give them the name a Wax for show.

0:38:26.239 --> 0:38:29.520
<v Speaker 2>An get Man. You gotta make him, don't get make him.

0:38:29.719 --> 0:38:33.799
<v Speaker 9>Man, that's a classic name. Man, that's legendary for me.

0:38:34.440 --> 0:38:35.680
<v Speaker 5>You can't slide from that.

0:38:35.960 --> 0:38:38.840
<v Speaker 7>Man. No, but you know, I mean we get something different,

0:38:38.840 --> 0:38:39.600
<v Speaker 7>but he got it. You gotta.

0:38:39.640 --> 0:38:40.960
<v Speaker 9>You know it's gonna have it with that big ass

0:38:41.000 --> 0:38:42.280
<v Speaker 9>deed ego again though.

0:38:44.080 --> 0:38:45.040
<v Speaker 2>Hell yeah for sure.

0:38:45.080 --> 0:38:45.239
<v Speaker 1>Man.

0:38:45.360 --> 0:38:55.280
<v Speaker 2>Just don't have my nigga get killed off. Manta lives. Man, Hey,

0:38:55.320 --> 0:38:56.480
<v Speaker 2>did you watch Scripts?

0:38:57.560 --> 0:38:58.839
<v Speaker 7>Did you ever? Suth?

0:38:59.560 --> 0:39:00.560
<v Speaker 5>No, I didn't.

0:39:00.719 --> 0:39:05.440
<v Speaker 6>I still put me on it, and I'm just getting

0:39:05.440 --> 0:39:07.719
<v Speaker 6>on all the two. But I've been watching so much

0:39:07.719 --> 0:39:10.040
<v Speaker 6>shit on too me. Man, it's just so much shit

0:39:10.160 --> 0:39:16.800
<v Speaker 6>on me. It's like and like I said, it's more

0:39:18.760 --> 0:39:22.520
<v Speaker 6>nigga can get interested because it's more in depth stories

0:39:22.680 --> 0:39:26.040
<v Speaker 6>of what niggas look at as realism. Like I said,

0:39:26.480 --> 0:39:30.080
<v Speaker 6>niggas ain't jumping out of Niggas ain't jumping out of

0:39:30.120 --> 0:39:34.120
<v Speaker 6>helicopters and blowing up six story buildings and shit like.

0:39:34.640 --> 0:39:37.920
<v Speaker 6>So it puts you in a perspective of something that

0:39:37.960 --> 0:39:43.360
<v Speaker 6>a nigga can really get into. Because shit, it's realism.

0:39:43.400 --> 0:39:46.200
<v Speaker 6>It's real shit that goes on still in the neighborhoods

0:39:46.200 --> 0:39:49.359
<v Speaker 6>and on these streets, and niggas is still crazy. So

0:39:49.719 --> 0:39:53.399
<v Speaker 6>when you have shit to remind motherfuckers that it's still

0:39:53.560 --> 0:39:56.120
<v Speaker 6>real niggas in the streets and real shit, they're gone.

0:39:56.400 --> 0:39:59.000
<v Speaker 6>It's why I think these movies are blowing up the

0:39:59.000 --> 0:40:04.080
<v Speaker 6>way they are. Hm hm, I agree. It's all my

0:40:04.160 --> 0:40:07.719
<v Speaker 6>niggas talk about. That's all they talk about is the movie. Man,

0:40:07.800 --> 0:40:10.319
<v Speaker 6>have you seen this on tub? Have you seen this?

0:40:10.800 --> 0:40:12.760
<v Speaker 5>Or they got this movie in this movie.

0:40:12.840 --> 0:40:16.439
<v Speaker 6>So it's good to see niggas getting it in, man,

0:40:16.840 --> 0:40:19.040
<v Speaker 6>And you know, it makes you don't do nothing but

0:40:19.120 --> 0:40:21.480
<v Speaker 6>want to contribute to what the niggas path fit.

0:40:21.680 --> 0:40:26.600
<v Speaker 5>So you know, it's all good. I'm definitely interested real

0:40:26.680 --> 0:40:26.880
<v Speaker 5>you know.

0:40:26.960 --> 0:40:27.719
<v Speaker 2>You know, whenever we.

0:40:29.200 --> 0:40:31.319
<v Speaker 3>Got like even the Hollywood actors coming back that they

0:40:31.520 --> 0:40:34.759
<v Speaker 3>was just coming out, I got Clipton Pile and oh

0:40:34.800 --> 0:40:36.080
<v Speaker 3>my good to come apart.

0:40:38.239 --> 0:40:38.600
<v Speaker 5>You know.

0:40:40.200 --> 0:40:40.520
<v Speaker 2>The game.

0:40:41.880 --> 0:40:43.640
<v Speaker 5>Yeah, he been getting it in.

0:40:45.280 --> 0:40:47.520
<v Speaker 2>Yeah for real. Hey, you know what when we had

0:40:47.560 --> 0:40:50.239
<v Speaker 2>homies on here, man, we like to talk about other

0:40:50.320 --> 0:40:52.120
<v Speaker 2>stuff that's going on in the world too. Man, what

0:40:52.239 --> 0:40:54.920
<v Speaker 2>y'all think about your boy, Drake, Man, did you do

0:40:54.960 --> 0:40:55.719
<v Speaker 2>some suther shit or what?

0:40:55.920 --> 0:41:00.759
<v Speaker 4>Man, I'm gonna read it. This is this is this

0:41:01.480 --> 0:41:04.520
<v Speaker 4>right conversation for me. I don't think he did no

0:41:04.600 --> 0:41:11.320
<v Speaker 4>such ship man. You don't think so speak okay whenever somebody,

0:41:11.560 --> 0:41:17.400
<v Speaker 4>whenever somebody whenever you okay, you got umg right, and

0:41:17.600 --> 0:41:19.520
<v Speaker 4>you know you got you got two dogs in a fight.

0:41:19.560 --> 0:41:22.600
<v Speaker 4>But whenever you give the somebody else a little bit

0:41:22.640 --> 0:41:25.920
<v Speaker 4>of extra juice and you costing somebody a couple of

0:41:26.000 --> 0:41:27.719
<v Speaker 4>hundred million as the result of it.

0:41:27.880 --> 0:41:31.960
<v Speaker 1>Hell no, ain't no suck ship. That's just how That's

0:41:32.000 --> 0:41:32.840
<v Speaker 1>how I felt about it.

0:41:33.360 --> 0:41:34.960
<v Speaker 2>But you know what, this this, this is the thing

0:41:35.040 --> 0:41:37.160
<v Speaker 2>though though Drake kind of third day ship. He talked

0:41:37.160 --> 0:41:40.080
<v Speaker 2>about the man's wife, said his wife had a baby

0:41:40.160 --> 0:41:42.200
<v Speaker 2>with his homie and all kinds of stuff, so he

0:41:42.280 --> 0:41:43.920
<v Speaker 2>kind of broke that on himself, and the homie just

0:41:44.000 --> 0:41:44.960
<v Speaker 2>hit him with that boot box.

0:41:45.840 --> 0:41:48.800
<v Speaker 6>Yeah, I mean, I think I don't think that. I

0:41:48.840 --> 0:41:51.040
<v Speaker 6>don't think he's speaking on that call.

0:41:51.239 --> 0:41:51.560
<v Speaker 5>Still.

0:41:51.760 --> 0:41:55.040
<v Speaker 6>What he's saying is why the nigga trying to sue

0:41:55.080 --> 0:41:58.160
<v Speaker 6>you in g And that has to do with him

0:41:58.200 --> 0:42:03.799
<v Speaker 6>feeling like they inflated and they inflated record sales or

0:42:03.840 --> 0:42:07.279
<v Speaker 6>they inflated promotion. I mean, it ain't it ain't. It

0:42:07.680 --> 0:42:12.040
<v Speaker 6>ain't the It ain't about the actual. You know, if

0:42:12.080 --> 0:42:14.239
<v Speaker 6>you beef, and you beef, and that's what it is.

0:42:14.680 --> 0:42:18.000
<v Speaker 6>But if you have a feeling that, Okay, y'all done

0:42:18.080 --> 0:42:22.200
<v Speaker 6>flooded another nigga's market when we're supposed to be two clients.

0:42:22.560 --> 0:42:26.440
<v Speaker 6>But y'all flooded somebody else's market to do more than me,

0:42:27.000 --> 0:42:30.600
<v Speaker 6>and it's done cost me a few hundred million. That's

0:42:30.680 --> 0:42:34.319
<v Speaker 6>what the lawsuit is. Now, do I agree with shit

0:42:34.600 --> 0:42:43.759
<v Speaker 6>like out of as a hip hop artist. As a

0:42:43.840 --> 0:42:47.200
<v Speaker 6>hip hop artist, you're gonna always say it was some

0:42:47.320 --> 0:42:50.640
<v Speaker 6>sucker shit. Not because of them dissing. Because if he

0:42:50.760 --> 0:42:53.719
<v Speaker 6>wanted to talk about your mom or your wife, and

0:42:53.840 --> 0:42:57.120
<v Speaker 6>Kendrick came back and said, that's that's all in love

0:42:57.160 --> 0:43:00.440
<v Speaker 6>and war, you get me, that's not the problem. The

0:43:00.560 --> 0:43:06.080
<v Speaker 6>problem is I'm saying, technically, you fucked with my money.

0:43:07.360 --> 0:43:09.719
<v Speaker 6>I don't give a fuck what a nigga said about me.

0:43:09.920 --> 0:43:13.239
<v Speaker 6>What I'm saying is you fucked with my bread. Now,

0:43:13.280 --> 0:43:15.879
<v Speaker 6>in the hip hop community, it's gonna be looked at

0:43:15.880 --> 0:43:18.640
<v Speaker 6>his sucker shit because we're supposed to be MC's and

0:43:18.680 --> 0:43:22.120
<v Speaker 6>we caught up in this battle that that's it. It

0:43:22.120 --> 0:43:25.000
<v Speaker 6>ain't supposed to be nothing more than that. You get me,

0:43:25.400 --> 0:43:28.040
<v Speaker 6>I diss you, you dissed me. We keep it going,

0:43:28.520 --> 0:43:33.399
<v Speaker 6>you know because in the long run, the record late

0:43:33.520 --> 0:43:36.359
<v Speaker 6>they taking money off both sides. I don't give a

0:43:36.360 --> 0:43:39.279
<v Speaker 6>bucket this three hundred million off of this shit and

0:43:39.320 --> 0:43:41.520
<v Speaker 6>it's only one hundred and fifty off of this shit.

0:43:41.920 --> 0:43:44.520
<v Speaker 5>They've all making the same bread off of it.

0:43:44.920 --> 0:43:50.240
<v Speaker 2>Now, the house always wins, dog, the house always wins.

0:43:50.600 --> 0:43:53.520
<v Speaker 2>Think about this. Brought some other stuff. When Kendrick left

0:43:53.560 --> 0:43:56.879
<v Speaker 2>TDE where did he go to? He didn't go nowhere. Really,

0:43:56.880 --> 0:43:57.960
<v Speaker 2>he's stayed right there.

0:44:00.600 --> 0:44:04.640
<v Speaker 6>It's like a nigga who holds your contract right and

0:44:04.640 --> 0:44:09.839
<v Speaker 6>and when you sign and you're distributed through a motherfucker,

0:44:10.160 --> 0:44:13.879
<v Speaker 6>they're gonna always put in that stipulation in the contract.

0:44:14.320 --> 0:44:18.719
<v Speaker 6>If he leaves, we get first did at the new contract,

0:44:19.000 --> 0:44:22.279
<v Speaker 6>so you don't go anywhere else. They're definitely as a

0:44:22.480 --> 0:44:25.520
<v Speaker 6>as a distributor, they're not gonna go let him cut

0:44:25.560 --> 0:44:28.600
<v Speaker 6>a deal with another monthy, with someone like a Sony

0:44:28.920 --> 0:44:33.200
<v Speaker 6>or whatever that in house. So if you're no longer

0:44:33.280 --> 0:44:36.800
<v Speaker 6>gonna deal with tde. We just gonna walk you across

0:44:36.800 --> 0:44:37.400
<v Speaker 6>the hall.

0:44:37.480 --> 0:44:40.240
<v Speaker 5>And give you a deal straight up because now.

0:44:40.200 --> 0:44:44.520
<v Speaker 6>We don't so that that's basically they gonna do that.

0:44:44.680 --> 0:44:47.759
<v Speaker 6>That's just like any nigga you sign the contract to, Oh,

0:44:47.840 --> 0:44:49.959
<v Speaker 6>if you don't deal with them, no more, we get

0:44:50.000 --> 0:44:50.680
<v Speaker 6>first DIBs.

0:44:50.960 --> 0:44:53.160
<v Speaker 4>It's the same thing with It's the same thing with

0:44:53.239 --> 0:44:55.319
<v Speaker 4>Drake the University, the same thing with.

0:44:55.880 --> 0:44:57.400
<v Speaker 5>Us to offer first.

0:44:57.840 --> 0:45:00.360
<v Speaker 6>So if your contract is up with Young Mon and

0:45:00.400 --> 0:45:03.440
<v Speaker 6>you're no longer going through Young Money, fine, but.

0:45:03.400 --> 0:45:05.880
<v Speaker 5>We're gonna walk you across the hall and give you

0:45:05.920 --> 0:45:08.640
<v Speaker 5>that deal. We're not gonna let you walk out the door.

0:45:09.080 --> 0:45:10.520
<v Speaker 5>So that that's what it is.

0:45:10.920 --> 0:45:14.239
<v Speaker 6>The house is always gonna win because they got you

0:45:14.320 --> 0:45:16.640
<v Speaker 6>from when you first walked through the door with with

0:45:16.680 --> 0:45:20.000
<v Speaker 6>the with the label you came in with. If you

0:45:20.239 --> 0:45:24.520
<v Speaker 6>ever your contract is gonna be up one day, and

0:45:24.600 --> 0:45:27.520
<v Speaker 6>if you're doing the numbers that we project you gonna do,

0:45:27.600 --> 0:45:30.319
<v Speaker 6>if you ever decide to leave, come on across the

0:45:30.360 --> 0:45:33.480
<v Speaker 6>hall to my office and I'm just gonna sign you direct.

0:45:35.000 --> 0:45:38.000
<v Speaker 2>That's real because they said the boy got something like

0:45:38.360 --> 0:45:40.439
<v Speaker 2>I think what this is with Drake Man, I think

0:45:40.440 --> 0:45:42.799
<v Speaker 2>he honestly making the play to get off that label, man,

0:45:43.040 --> 0:45:45.279
<v Speaker 2>because if you think about it, right now, this is

0:45:45.320 --> 0:45:47.799
<v Speaker 2>the perfect time to be independent.

0:45:47.840 --> 0:45:48.000
<v Speaker 1>Man.

0:45:48.040 --> 0:45:49.960
<v Speaker 2>It's like, once you get to a certain point, though,

0:45:50.360 --> 0:45:52.640
<v Speaker 2>the label can no longer really do too much for you.

0:45:52.719 --> 0:45:55.000
<v Speaker 2>It's like, if you're going out there, you getting a

0:45:55.080 --> 0:45:57.880
<v Speaker 2>million dollars a show, you got your own bridge, you

0:45:57.920 --> 0:46:00.879
<v Speaker 2>got your own platform. Pretty much, you don't really need

0:46:00.880 --> 0:46:01.399
<v Speaker 2>them no more.

0:46:01.960 --> 0:46:02.959
<v Speaker 1>But that's just said too.

0:46:03.000 --> 0:46:06.560
<v Speaker 4>They cannot afford to let Drake go independent, nor do

0:46:06.640 --> 0:46:09.279
<v Speaker 4>they want him to get any more money, so they

0:46:09.440 --> 0:46:12.080
<v Speaker 4>like they're trying to fact. That's why it was important

0:46:12.080 --> 0:46:14.200
<v Speaker 4>for them to devalue him, and that was why it

0:46:14.239 --> 0:46:16.239
<v Speaker 4>was important for him to drop that hundred gigs too,

0:46:16.280 --> 0:46:18.880
<v Speaker 4>because that hundred gigs was gonna show one of two things.

0:46:19.120 --> 0:46:21.719
<v Speaker 4>Either it was gonna show that what y'all did devalue me,

0:46:22.200 --> 0:46:25.319
<v Speaker 4>or be dropping this independently and me doing the same

0:46:25.400 --> 0:46:29.640
<v Speaker 4>numbers that I did previously. Why with your help that

0:46:30.120 --> 0:46:32.320
<v Speaker 4>I can negotiate my numbers and get the number that

0:46:32.360 --> 0:46:34.879
<v Speaker 4>I'm asking for. So it's either gonna show that y'all

0:46:34.920 --> 0:46:36.880
<v Speaker 4>devalue me, or I'm still worth what I'm worth, So

0:46:36.960 --> 0:46:37.680
<v Speaker 4>give me my money.

0:46:39.440 --> 0:46:42.080
<v Speaker 6>It's just looked at as a bitch move because in

0:46:42.120 --> 0:46:45.640
<v Speaker 6>the community of hip hop, you don't see a nigga

0:46:45.719 --> 0:46:49.080
<v Speaker 6>because he dished you. You get me, And that just

0:46:49.120 --> 0:46:51.560
<v Speaker 6>goes back to the beginning of hip hop. Niggas have

0:46:51.680 --> 0:46:54.960
<v Speaker 6>battled and niggas have been disrespected and got into it,

0:46:55.320 --> 0:46:59.719
<v Speaker 6>and niggas a motherfucking fistfighter. Shoot you before it come

0:46:59.800 --> 0:47:01.920
<v Speaker 6>down on to me taking you to court and showing

0:47:01.920 --> 0:47:07.080
<v Speaker 6>your record label because you disrespected me. So instead of

0:47:07.120 --> 0:47:11.719
<v Speaker 6>a niggah, instead of a nigga, I guess admitting that,

0:47:11.960 --> 0:47:16.720
<v Speaker 6>you know, I'm probably you know, fucked over the fact

0:47:16.880 --> 0:47:22.839
<v Speaker 6>that the battle was you know, one by whatever. Uh

0:47:23.040 --> 0:47:26.200
<v Speaker 6>he came in on some technical ship. I'm a back

0:47:26.239 --> 0:47:30.600
<v Speaker 6>door and say, you niggas and you niggas inflated numbers

0:47:30.920 --> 0:47:34.359
<v Speaker 6>and y'all did this and that. But unless you got

0:47:34.360 --> 0:47:37.440
<v Speaker 6>a motherfucker who's going to hand you over paperwork showing

0:47:37.520 --> 0:47:40.440
<v Speaker 6>that ship was paid for and yeah they got with

0:47:40.600 --> 0:47:43.640
<v Speaker 6>Spotify and they did this and they did that, that's

0:47:43.640 --> 0:47:45.320
<v Speaker 6>gonna be a hard case to prove.

0:47:46.080 --> 0:47:52.600
<v Speaker 2>It's real hard to prove. It's almost you almost playing

0:47:52.640 --> 0:47:53.520
<v Speaker 2>a dangerous game.

0:47:54.120 --> 0:47:56.600
<v Speaker 5>I tell you what it is.

0:47:58.280 --> 0:47:58.520
<v Speaker 1>Let me.

0:47:58.520 --> 0:47:59.560
<v Speaker 5>Take you something right quick.

0:48:00.239 --> 0:48:04.759
<v Speaker 6>Labels have been hideing and doing shit for decades. You

0:48:04.800 --> 0:48:08.520
<v Speaker 6>get me, and come on, we've went through the town

0:48:08.600 --> 0:48:12.000
<v Speaker 6>infatuate numbers and niggas buying their own records and all

0:48:12.040 --> 0:48:15.080
<v Speaker 6>that type of shit. Shit been going on for thousands

0:48:15.120 --> 0:48:19.600
<v Speaker 6>of years, right whatever, So it's it's gonna be hard to,

0:48:19.920 --> 0:48:22.400
<v Speaker 6>like I said, unless you got a motherfucker who running

0:48:22.440 --> 0:48:25.480
<v Speaker 6>the numbers and the paychecks and they on your team

0:48:25.560 --> 0:48:27.920
<v Speaker 6>and they ready to just give up some shit. It

0:48:28.080 --> 0:48:31.560
<v Speaker 6>seemed like a stupid gesture to do, but I guess

0:48:31.600 --> 0:48:36.000
<v Speaker 6>if a nigga, you know, the quest is to receive

0:48:36.280 --> 0:48:39.600
<v Speaker 6>or get off the label or whatever the technical.

0:48:39.160 --> 0:48:41.400
<v Speaker 5>Move is behind it.

0:48:41.400 --> 0:48:45.480
<v Speaker 6>It's just frowned upon in the community of music because

0:48:45.840 --> 0:48:47.239
<v Speaker 6>it has never been done.

0:48:47.520 --> 0:48:50.160
<v Speaker 5>You get me, you know. But I'm gonna tell you this.

0:48:52.680 --> 0:48:57.320
<v Speaker 6>You feel me and nigga call you a bitch walking

0:48:57.360 --> 0:49:00.200
<v Speaker 6>out the restaurant. You ain't gonna go and tell run,

0:49:00.200 --> 0:49:02.440
<v Speaker 6>call your lawyer and be like, man, nigga, just call

0:49:02.600 --> 0:49:03.240
<v Speaker 6>me a bitch.

0:49:03.520 --> 0:49:07.520
<v Speaker 5>I want to sue that motherfucker. You feel dog.

0:49:07.440 --> 0:49:11.800
<v Speaker 2>Check this out the same stuff. You remember what happened

0:49:11.800 --> 0:49:13.799
<v Speaker 2>when Puffy got to talk about them white folks, man,

0:49:13.840 --> 0:49:15.960
<v Speaker 2>you saw the position he kind of got put in.

0:49:16.080 --> 0:49:20.040
<v Speaker 2>Right now, Drake is going against the biggest entity and

0:49:20.320 --> 0:49:22.440
<v Speaker 2>the planet of plannet. The ain't nobody even close to

0:49:22.520 --> 0:49:26.239
<v Speaker 2>universal music, right you don't think man? If he get

0:49:26.280 --> 0:49:28.920
<v Speaker 2>the uncovering too much, man, they gonna make him look crazy.

0:49:29.080 --> 0:49:31.480
<v Speaker 2>Because I hope, I hope he don't have no skeletons

0:49:31.480 --> 0:49:33.360
<v Speaker 2>in his closet because I'm gonna tell you in the

0:49:33.400 --> 0:49:34.600
<v Speaker 2>next few weeks.

0:49:35.080 --> 0:49:38.279
<v Speaker 6>They gonna either expose you or pay you off.

0:49:38.960 --> 0:49:42.000
<v Speaker 2>Yeah, that's what I'm saying. And they might pull somebody's closet.

0:49:43.120 --> 0:49:49.480
<v Speaker 1>They might do both, they might, yeah, because I want

0:49:49.480 --> 0:49:50.120
<v Speaker 1>to tell you.

0:49:50.400 --> 0:49:53.319
<v Speaker 2>Them motherfuckers do not lose, dog, They do not lose.

0:49:53.360 --> 0:49:55.400
<v Speaker 2>Have you ever known somebody to successfully.

0:49:54.920 --> 0:50:03.800
<v Speaker 5>Suit them videos till this day?

0:50:03.840 --> 0:50:06.840
<v Speaker 1>Come on videos.

0:50:08.440 --> 0:50:10.160
<v Speaker 5>The way, everybody.

0:50:10.200 --> 0:50:14.080
<v Speaker 6>If you do some kind of bullshy, man, I'm telling you,

0:50:14.280 --> 0:50:17.120
<v Speaker 6>they gonna either expose you or pay you off. That's

0:50:17.120 --> 0:50:19.480
<v Speaker 6>what they because they ain't got time for no bullshit.

0:50:19.880 --> 0:50:23.640
<v Speaker 6>Nigga were making too much money a day off of everything,

0:50:24.080 --> 0:50:27.080
<v Speaker 6>and we ain't got time for no motherfucker. And they

0:50:27.120 --> 0:50:31.160
<v Speaker 6>probably we like you, dude, we're making money with you,

0:50:31.200 --> 0:50:35.320
<v Speaker 6>so that's why they are already like, man, it's fabricated.

0:50:35.360 --> 0:50:37.480
<v Speaker 6>It is dumb because you don't want to get on

0:50:37.520 --> 0:50:39.759
<v Speaker 6>they bad shot on your fuck who you is?

0:50:40.560 --> 0:50:42.080
<v Speaker 2>No, you don't. Man, I'm gonna tell you what one

0:50:42.080 --> 0:50:43.600
<v Speaker 2>of the homies told me. I ain't gonna give his

0:50:43.719 --> 0:50:45.879
<v Speaker 2>name up and put him out there like that. But

0:50:45.920 --> 0:50:48.919
<v Speaker 2>one of the homies ran distribution for em My back

0:50:48.920 --> 0:50:50.560
<v Speaker 2>in the nineties, right, you knew what he told me

0:50:50.600 --> 0:50:53.480
<v Speaker 2>they was doing. They they would get a recording artist,

0:50:53.560 --> 0:50:56.560
<v Speaker 2>he would have a management team bringing the artists or whatever.

0:50:57.000 --> 0:50:58.480
<v Speaker 2>And they didn't get to do the deal. But they

0:50:58.560 --> 0:51:00.279
<v Speaker 2>knew they won't to ever put this record out. They

0:51:00.320 --> 0:51:02.600
<v Speaker 2>would get a kickback off of that. They would inflate

0:51:02.640 --> 0:51:06.160
<v Speaker 2>the recording budget, records a bunch of bullshit songs, go

0:51:06.280 --> 0:51:08.160
<v Speaker 2>back to the people in New York and say, hey,

0:51:08.160 --> 0:51:10.400
<v Speaker 2>we need some more money. We think we're close to

0:51:10.400 --> 0:51:14.920
<v Speaker 2>having the hit record. And before anybody become any the wise,

0:51:15.000 --> 0:51:18.480
<v Speaker 2>and they don't spend three four hundred thousand dollars five

0:51:18.560 --> 0:51:20.680
<v Speaker 2>hundred thousand dollars on some shit that wouldn't gonna ever

0:51:20.719 --> 0:51:24.000
<v Speaker 2>come out. Dog, So these motherfucker's dog even you think

0:51:24.000 --> 0:51:25.640
<v Speaker 2>about back in the day when they just talk about

0:51:25.680 --> 0:51:28.120
<v Speaker 2>Puffy was doing these million dollar music videos. You know,

0:51:28.200 --> 0:51:30.400
<v Speaker 2>ain't no music hit video on the history of music ever,

0:51:30.400 --> 0:51:33.239
<v Speaker 2>it really costs no million dollars. That's because everybody is

0:51:33.239 --> 0:51:39.080
<v Speaker 2>getting their piece, doog. They're kickbacks. Yeah, we went through

0:51:39.080 --> 0:51:39.879
<v Speaker 2>the kickbacks.

0:51:39.960 --> 0:51:43.920
<v Speaker 6>Nigga, I'm a charge, I'm I'm a charge one hundred thousand,

0:51:44.400 --> 0:51:48.200
<v Speaker 6>and then nigga kicked me back. Nigga fifteen twenty. You

0:51:48.320 --> 0:51:51.880
<v Speaker 6>get that, the kickback shit then going on for a minute.

0:51:52.280 --> 0:51:53.040
<v Speaker 7>That's it, real.

0:51:55.440 --> 0:51:58.200
<v Speaker 5>Shit, as real as a motherfucker. You best believe it.

0:51:58.280 --> 0:52:00.160
<v Speaker 7>I said, happened to me say music video was.

0:52:00.120 --> 0:52:03.600
<v Speaker 6>The one time, Yeah, nigga saying, I'm a I'm gonna

0:52:03.640 --> 0:52:05.920
<v Speaker 6>charge your motherfuck I'm gonna go tell the label. Nigga,

0:52:05.960 --> 0:52:09.399
<v Speaker 6>this motherfucker how much you won't for it? Oh ship,

0:52:09.480 --> 0:52:11.840
<v Speaker 6>Nigga give me thirty, Okay, I'm gonna go tell the

0:52:11.960 --> 0:52:15.440
<v Speaker 6>motherfucking label we need a hundred. And then you kicked

0:52:15.480 --> 0:52:18.239
<v Speaker 6>me back that I'm gonna get you your thirty and

0:52:18.320 --> 0:52:20.960
<v Speaker 6>you kicked me back that Nigga, that ship was going

0:52:21.000 --> 0:52:23.200
<v Speaker 6>on for dangerously.

0:52:23.600 --> 0:52:26.080
<v Speaker 5>That was the thing to do back in my rap time.

0:52:26.200 --> 0:52:26.520
<v Speaker 1>Nigga.

0:52:27.320 --> 0:52:30.120
<v Speaker 2>Hell yeah, no, Bsy, Steve over y'all, y'all think about this,

0:52:30.200 --> 0:52:33.319
<v Speaker 2>Triss and y'all do movies right. Where do y'all see

0:52:33.320 --> 0:52:36.720
<v Speaker 2>a music video ever costing a million dollars and y'all

0:52:36.719 --> 0:52:38.360
<v Speaker 2>out there y'all doing movies?

0:52:38.760 --> 0:52:41.520
<v Speaker 9>Assume only one ever thought that probably really would have

0:52:41.520 --> 0:52:43.520
<v Speaker 9>happened was with Bennie Boom and Hype Williams.

0:52:43.520 --> 0:52:44.800
<v Speaker 7>That they probably was closed.

0:52:44.840 --> 0:52:47.200
<v Speaker 9>I think Janet and them and Michael pulled that off

0:52:47.200 --> 0:52:56.480
<v Speaker 9>with that million dollar video. I don't think kickback man.

0:52:54.719 --> 0:52:59.960
<v Speaker 5>Yeah, Mike Williams videos was out the dough nigga.

0:53:00.960 --> 0:53:03.960
<v Speaker 2>Yeah, yeah, that's that's crazy.

0:53:03.960 --> 0:53:09.040
<v Speaker 7>But they say Goofy spent a million were hype on you?

0:53:12.400 --> 0:53:16.320
<v Speaker 6>Hepe ship. That's why it was certain nigga. It was

0:53:16.440 --> 0:53:19.000
<v Speaker 6>certain budgets you couldn't afford you.

0:53:19.400 --> 0:53:19.680
<v Speaker 2>Nigga.

0:53:19.760 --> 0:53:21.000
<v Speaker 5>Shit, I had a.

0:53:20.920 --> 0:53:24.279
<v Speaker 6>Motherfucking gold platinum record and I still wasn't gonna go

0:53:24.360 --> 0:53:27.960
<v Speaker 6>get no Hype Williams. I already knew, nigga, that chargeback

0:53:28.120 --> 0:53:30.680
<v Speaker 6>is coming to me. I ain't finna go spend no

0:53:30.880 --> 0:53:34.880
<v Speaker 6>five hundred a million dollars on my motherfucking video. Nigga'm

0:53:34.880 --> 0:53:37.040
<v Speaker 6>finna get a nigga, right, on the corner, Nigga with

0:53:37.080 --> 0:53:39.960
<v Speaker 6>a couple of homies and Ship at the motherfucker telephone

0:53:40.000 --> 0:53:44.160
<v Speaker 6>pole parking low rider right there, Nigga. Butt video done, Nigga.

0:53:44.200 --> 0:53:46.080
<v Speaker 6>Twenty thousand and thirty thousand.

0:53:46.200 --> 0:53:49.480
<v Speaker 5>Shit. Niggas didn't understand that ship back then.

0:53:49.600 --> 0:53:51.759
<v Speaker 6>Then that shiit come back to bite you in the

0:53:51.880 --> 0:53:54.640
<v Speaker 6>ass when you ain't seeing no royalty check.

0:53:55.239 --> 0:53:56.080
<v Speaker 7>Because you're paying.

0:53:58.239 --> 0:54:02.320
<v Speaker 3>La spent three hundred thousand, poor started two other slow riders.

0:54:06.640 --> 0:54:11.400
<v Speaker 6>Was stupid ridiculous, right, Nigga, Right now, Ship, she was

0:54:11.440 --> 0:54:15.000
<v Speaker 6>stupid ridiculous back in the days, nigga. And then that

0:54:15.280 --> 0:54:17.240
<v Speaker 6>they didn't give a fuck or you need a million

0:54:17.320 --> 0:54:19.560
<v Speaker 6>here there, gog like this too.

0:54:19.560 --> 0:54:21.600
<v Speaker 9>Though back in the day it wasn't digital too. They

0:54:21.600 --> 0:54:22.720
<v Speaker 9>still was dealing with films.

0:54:23.280 --> 0:54:25.640
<v Speaker 6>Yeah, they was dealing with film back there had the

0:54:25.719 --> 0:54:30.239
<v Speaker 6>whole crews and the grippers and the motherfucking assistance and

0:54:30.320 --> 0:54:34.760
<v Speaker 6>all that shit. Niggas motherfucking videos was looking like movies

0:54:34.800 --> 0:54:38.279
<v Speaker 6>and ship all the cameras and the crew services and

0:54:38.440 --> 0:54:39.279
<v Speaker 6>all that ship.

0:54:40.760 --> 0:54:44.000
<v Speaker 2>Yeah, they used to get cracking. You know, one thing

0:54:44.040 --> 0:54:45.520
<v Speaker 2>I was gonna tell you, I don't know if y'all

0:54:45.760 --> 0:54:49.040
<v Speaker 2>ran across this catch. I was talking this dude. We

0:54:49.120 --> 0:54:52.319
<v Speaker 2>had put out a movie man probably about like early

0:54:52.400 --> 0:54:55.359
<v Speaker 2>part of last year, right, and we was talking to

0:54:55.360 --> 0:54:56.960
<v Speaker 2>this distributor down on Florida.

0:54:57.040 --> 0:54:57.200
<v Speaker 7>Right.

0:54:57.400 --> 0:55:00.360
<v Speaker 2>I ain't gonna say the dude's name whatever, but dude

0:55:00.440 --> 0:55:03.040
<v Speaker 2>was telling us. He was pretty much telling us he

0:55:03.080 --> 0:55:06.720
<v Speaker 2>wanted to give us twenty thousand dollars. Right, there's an advance.

0:55:06.800 --> 0:55:09.480
<v Speaker 2>But he said, then there's another twenty five thousand dollars

0:55:09.480 --> 0:55:12.440
<v Speaker 2>marketing cost that's on the back end. And I was like, well,

0:55:12.440 --> 0:55:14.800
<v Speaker 2>what's the marketing cost, like, like, what is the marketing

0:55:14.840 --> 0:55:17.000
<v Speaker 2>for He said, well, I get you prime placement on

0:55:17.120 --> 0:55:20.040
<v Speaker 2>to B and Peacock and these other platforms. And I said,

0:55:20.080 --> 0:55:21.839
<v Speaker 2>I don't think that worked that way, bro. I think

0:55:21.840 --> 0:55:24.759
<v Speaker 2>that works by algorithm. I don't think they come out

0:55:25.000 --> 0:55:27.600
<v Speaker 2>and just to say, okay, you can buy this placement.

0:55:27.640 --> 0:55:29.239
<v Speaker 2>I think everybody would be doing that. If you can

0:55:29.280 --> 0:55:31.640
<v Speaker 2>go pay for prime placement on Toby, I think you

0:55:32.040 --> 0:55:34.080
<v Speaker 2>when you do that, busy, when y'all do that, Tristan

0:55:34.239 --> 0:55:41.480
<v Speaker 2>Steves definitely every Yeah, So this cat man and I

0:55:41.560 --> 0:55:43.319
<v Speaker 2>was got to doing the math and I said, bro,

0:55:44.200 --> 0:55:46.239
<v Speaker 2>before we come out and see it down, we got

0:55:46.239 --> 0:55:48.640
<v Speaker 2>to try to recoup forty some thousand dollars man, and

0:55:48.719 --> 0:55:50.719
<v Speaker 2>twenty Ever, it wasn't never even there, like twenty four,

0:55:50.719 --> 0:55:52.560
<v Speaker 2>what what are we giving you to the other twenty four?

0:55:52.880 --> 0:55:55.040
<v Speaker 2>He said, well, it's for he and he was, man,

0:55:55.360 --> 0:55:59.440
<v Speaker 2>he was really even up the even up the advanced amount,

0:55:59.480 --> 0:56:01.600
<v Speaker 2>I think by five or ten thousand dollars. But he

0:56:01.760 --> 0:56:04.240
<v Speaker 2>wasn't move He wasn't blazed on that twenty thousand dollars.

0:56:04.239 --> 0:56:06.680
<v Speaker 2>And he wanted the whole rights to the film for

0:56:06.760 --> 0:56:10.239
<v Speaker 2>ten years. I said, bro, the movie already shot. See yeah,

0:56:10.280 --> 0:56:11.920
<v Speaker 2>the movie movie already show. He wanted to have the

0:56:12.040 --> 0:56:13.080
<v Speaker 2>rights to it for ten years.

0:56:13.239 --> 0:56:14.560
<v Speaker 7>I say, what the thing is.

0:56:15.680 --> 0:56:17.359
<v Speaker 5>More than forty did did you get your money back

0:56:17.360 --> 0:56:18.640
<v Speaker 5>from shooting the movie?

0:56:18.800 --> 0:56:21.680
<v Speaker 1>That's predatorial, that's predatorial at his finess.

0:56:21.800 --> 0:56:24.120
<v Speaker 9>Man, yeah, I mean, but that's their thing though, that's

0:56:24.160 --> 0:56:25.680
<v Speaker 9>that's what they try to do. Like a lot of

0:56:25.680 --> 0:56:28.640
<v Speaker 9>these two be originals, they be locking these filmmakers then

0:56:28.920 --> 0:56:31.720
<v Speaker 9>one hundred and fifty thousand, two hundred thousand for six years,

0:56:32.080 --> 0:56:32.879
<v Speaker 9>six to eight years.

0:56:32.880 --> 0:56:34.360
<v Speaker 7>Like I know a filmmaker right now.

0:56:35.200 --> 0:56:37.520
<v Speaker 9>He did a six year deal for one hundred and

0:56:37.560 --> 0:56:40.080
<v Speaker 9>fifty thousand dollars and he was like it, and they

0:56:40.160 --> 0:56:43.000
<v Speaker 9>was paying him over a course of six of six quarters.

0:56:43.280 --> 0:56:45.040
<v Speaker 7>I said, there's no way in hell whatever did that?

0:56:45.120 --> 0:56:45.680
<v Speaker 2>You know what I mean?

0:56:45.719 --> 0:56:47.440
<v Speaker 7>Like I said, bro, that kind of.

0:56:47.400 --> 0:56:50.520
<v Speaker 9>Money is like, we see that in a month, Like

0:56:50.560 --> 0:56:52.160
<v Speaker 9>why would you I mean, the way two be going

0:56:52.239 --> 0:56:53.840
<v Speaker 9>right now, you can see that in a month.

0:56:54.480 --> 0:56:55.600
<v Speaker 7>Or two weeks.

0:56:55.680 --> 0:56:58.120
<v Speaker 9>Honestly, you know what I'm saying, Like, why would you

0:56:58.120 --> 0:56:59.799
<v Speaker 9>say here and give up? He's like, man, it's my

0:57:00.440 --> 0:57:03.440
<v Speaker 9>This is a lot of people's reasoning. This is my

0:57:03.520 --> 0:57:05.520
<v Speaker 9>first film. I just trying to make a couple couple

0:57:05.520 --> 0:57:07.920
<v Speaker 9>of dollars to make sure I guarantee my my residual,

0:57:08.000 --> 0:57:10.640
<v Speaker 9>like that I make back what I spent. I said, Man,

0:57:10.640 --> 0:57:12.920
<v Speaker 9>you're in the wrong game, playing playing them type of games.

0:57:13.080 --> 0:57:16.160
<v Speaker 2>Yeah, how you start off? How you finished too, taking

0:57:16.200 --> 0:57:20.000
<v Speaker 2>sucker deals, man end getting sucker deals.

0:57:20.320 --> 0:57:24.520
<v Speaker 7>But that's how for those for those like Media Trisian

0:57:24.560 --> 0:57:24.880
<v Speaker 7>and Steve.

0:57:25.120 --> 0:57:27.200
<v Speaker 9>For us who hold our own and we take pride

0:57:27.200 --> 0:57:28.920
<v Speaker 9>into our intellectual property.

0:57:29.200 --> 0:57:31.600
<v Speaker 7>Like we wouldn't do a deal like that, But it's gonna.

0:57:31.400 --> 0:57:33.400
<v Speaker 9>Make it bad for us because now to be gonna

0:57:33.400 --> 0:57:35.840
<v Speaker 9>love Look, either y'all gonna take this deal or y'all

0:57:35.840 --> 0:57:37.760
<v Speaker 9>can't get on the platform, so they're gonna start doing

0:57:37.800 --> 0:57:40.400
<v Speaker 9>stuff like that, or we're gonna get the Amazon effect,

0:57:40.600 --> 0:57:41.400
<v Speaker 9>because I don't know, a lot.

0:57:41.320 --> 0:57:44.200
<v Speaker 7>Of people don't remember when before Tube it was Amazon.

0:57:44.880 --> 0:57:46.160
<v Speaker 9>You know what I'm saying. I was one of the

0:57:46.160 --> 0:57:48.440
<v Speaker 9>ones that was blessed to make good money off Amazon.

0:57:48.680 --> 0:57:51.280
<v Speaker 9>But once Amazon, okay, they flood They flooding us now,

0:57:51.320 --> 0:57:53.560
<v Speaker 9>so let's now they cut down the pay rate, you

0:57:53.600 --> 0:57:55.840
<v Speaker 9>know what I'm saying. And then then that's when when

0:57:55.880 --> 0:57:58.200
<v Speaker 9>the pandemic hit, twob jumped up. So everybody, Okay, we're

0:57:58.200 --> 0:58:00.480
<v Speaker 9>gonna go to ad base. But now if you ever

0:58:00.520 --> 0:58:04.080
<v Speaker 9>go look at Amazon, you don't see no movies from

0:58:04.080 --> 0:58:06.160
<v Speaker 9>independent arts like Steve got a movie on that right now,

0:58:06.200 --> 0:58:07.240
<v Speaker 9>but it's transactional.

0:58:07.960 --> 0:58:11.200
<v Speaker 7>You don't get nothing subscription based or nothing ad based.

0:58:10.960 --> 0:58:13.080
<v Speaker 9>With Amazon because they don't want our movies on there

0:58:14.160 --> 0:58:15.600
<v Speaker 9>like that, you know what I'm say. Because we flooded,

0:58:16.040 --> 0:58:18.040
<v Speaker 9>people started flooding them. They didn't want that, they didn't

0:58:18.040 --> 0:58:19.040
<v Speaker 9>want them to be a fact.

0:58:20.560 --> 0:58:23.160
<v Speaker 2>Doing the same thing. You gotta look at it, Beezy,

0:58:23.200 --> 0:58:26.120
<v Speaker 2>you gotta name man. Tristan got a name, and obviously

0:58:26.160 --> 0:58:29.760
<v Speaker 2>people book Tristan because his face is gonna help sell.

0:58:29.840 --> 0:58:32.000
<v Speaker 2>It's gonna move to Needa when people see that thumbnail

0:58:32.040 --> 0:58:34.320
<v Speaker 2>with his face on there. That's how I do.

0:58:34.440 --> 0:58:34.600
<v Speaker 1>Man.

0:58:34.640 --> 0:58:36.760
<v Speaker 2>If I see a movie with Tristan on it, with

0:58:36.840 --> 0:58:40.200
<v Speaker 2>Gravy on it and Beezy shot by Beezy or Steve

0:58:40.360 --> 0:58:43.080
<v Speaker 2>or somebody that engineered, I'm gonna go look at it, man,

0:58:43.120 --> 0:58:45.200
<v Speaker 2>because it's like it's like Coca Cola.

0:58:45.240 --> 0:58:45.360
<v Speaker 7>Bro.

0:58:45.440 --> 0:58:48.320
<v Speaker 2>It's branded already, right, It's something like a trust. Okay,

0:58:48.320 --> 0:58:49.960
<v Speaker 2>they ain't just gonna be doing no bullshit, so I'm

0:58:49.960 --> 0:58:52.600
<v Speaker 2>gonna check them out. I think y'all got enough weight

0:58:52.680 --> 0:58:54.600
<v Speaker 2>dog to wear. If y'all want to pull that streaming

0:58:54.640 --> 0:58:56.440
<v Speaker 2>platform off the dog, I think it the work, bro,

0:58:56.560 --> 0:58:59.040
<v Speaker 2>because y'all think about how many champers. Think about how

0:58:59.080 --> 0:59:03.280
<v Speaker 2>many platforms that have been built off YOURLL brand, Dug Tubi.

0:59:03.000 --> 0:59:06.280
<v Speaker 7>Is one of them. Toub was built off Independent Film Guarantee.

0:59:06.480 --> 0:59:09.480
<v Speaker 9>Like I remember, I was one of the first films

0:59:09.640 --> 0:59:13.000
<v Speaker 9>put on Toob that was started jumping. I remember my

0:59:13.040 --> 0:59:15.880
<v Speaker 9>first check with Tuby was like three thousand dollars. Because

0:59:15.920 --> 0:59:18.959
<v Speaker 9>nobody knew what Tube was. They'd be like, what's Toob?

0:59:19.120 --> 0:59:20.760
<v Speaker 9>Like it's a free act. We take odds wait for

0:59:20.840 --> 0:59:23.240
<v Speaker 9>it to come on Amazon. But it's the same thing, now.

0:59:23.120 --> 0:59:23.600
<v Speaker 7>You know what I'm saying.

0:59:23.680 --> 0:59:26.640
<v Speaker 9>But me saying that to say is all of us

0:59:26.680 --> 0:59:30.919
<v Speaker 9>putting our independent content, building that traction we built toob

0:59:31.040 --> 0:59:34.480
<v Speaker 9>to be popped off pandemic. Right, What was one of

0:59:34.480 --> 0:59:36.320
<v Speaker 9>the first movies that the first things they seen on

0:59:36.400 --> 0:59:38.760
<v Speaker 9>tube that really made it? It was plug Love and

0:59:38.800 --> 0:59:41.280
<v Speaker 9>they had uh And then that the mcgra as shit

0:59:41.400 --> 0:59:41.840
<v Speaker 9>kicked off.

0:59:42.800 --> 0:59:45.640
<v Speaker 7>Once them movies kicked off, floodgates open.

0:59:45.680 --> 0:59:47.200
<v Speaker 9>So now okay, then I had my movie on I

0:59:47.240 --> 0:59:49.720
<v Speaker 9>got a movie called Wait that was on there, and

0:59:49.960 --> 0:59:52.320
<v Speaker 9>a few other ones like child Support with Christians shit

0:59:52.480 --> 0:59:55.240
<v Speaker 9>like that. It was like the floodgates open. So now

0:59:55.280 --> 0:59:57.760
<v Speaker 9>it was like everybody seeing that they made it. They

0:59:57.800 --> 0:59:59.320
<v Speaker 9>made one hundred thousand dollars on two. Let me go

0:59:59.320 --> 1:00:01.400
<v Speaker 9>over here, so not everybody dropping a movie a week

1:00:01.440 --> 1:00:01.760
<v Speaker 9>on two.

1:00:03.240 --> 1:00:05.320
<v Speaker 2>Man, it could work. I think what it would take though,

1:00:05.360 --> 1:00:07.400
<v Speaker 2>like we were saying, man, it'll take money, because then

1:00:07.440 --> 1:00:11.800
<v Speaker 2>people are spending money like man. Like our podcast, for example,

1:00:11.880 --> 1:00:14.600
<v Speaker 2>is on iHeart right, we on Charlomagne and the Guys

1:00:15.000 --> 1:00:18.480
<v Speaker 2>platform Black Effect, right, and I look at kind of

1:00:18.480 --> 1:00:20.880
<v Speaker 2>some of the stuff they do versus when we's independent.

1:00:21.240 --> 1:00:24.080
<v Speaker 2>It's a difference dog, especially in our audio. It's just different,

1:00:24.160 --> 1:00:27.480
<v Speaker 2>right because we hitting way more people now. But it's

1:00:27.520 --> 1:00:29.080
<v Speaker 2>a cost to be paid for that. All we got

1:00:29.080 --> 1:00:31.720
<v Speaker 2>to do is figure out, man, who the right people

1:00:32.120 --> 1:00:34.800
<v Speaker 2>you know, who the right people are, man to really

1:00:35.160 --> 1:00:37.160
<v Speaker 2>make that technology, go to put it in front of

1:00:37.200 --> 1:00:38.960
<v Speaker 2>them two million, three million people, because it ain't got

1:00:39.080 --> 1:00:41.160
<v Speaker 2>nothing to do with no bots. You're getting in front

1:00:41.200 --> 1:00:43.160
<v Speaker 2>of real people, man, And this is like a thing.

1:00:43.480 --> 1:00:46.320
<v Speaker 2>These people have the ability to throw something against like

1:00:46.440 --> 1:00:49.000
<v Speaker 2>two or three million people, dog and kind of make

1:00:49.040 --> 1:00:51.240
<v Speaker 2>it sticking. Whoever else is left over, that's what they

1:00:51.240 --> 1:00:53.720
<v Speaker 2>collect and just keep growing from there. So imagine if

1:00:53.720 --> 1:00:55.200
<v Speaker 2>we can get put in front of two or three

1:00:55.200 --> 1:00:57.320
<v Speaker 2>million people and we wind up with one point five

1:00:57.400 --> 1:01:00.360
<v Speaker 2>million every month, you win it in it.

1:01:00.400 --> 1:01:02.520
<v Speaker 9>But the thing is now that like when it comes

1:01:02.560 --> 1:01:04.600
<v Speaker 9>to that streaming platform, I think it's a lot of

1:01:04.600 --> 1:01:05.920
<v Speaker 9>gatekeeping going on with it.

1:01:07.280 --> 1:01:07.720
<v Speaker 5>For sure.

1:01:07.920 --> 1:01:10.720
<v Speaker 9>I would suggest, like like you say, we can't be

1:01:10.800 --> 1:01:13.360
<v Speaker 9>liud with it because I think, what after so long,

1:01:13.400 --> 1:01:16.080
<v Speaker 9>they're gonna be like, Okay, who is these people? We

1:01:16.160 --> 1:01:18.600
<v Speaker 9>gotta shut them down? So I think approaching that type

1:01:18.600 --> 1:01:20.120
<v Speaker 9>of situation. Like you said, we're gonna have to get

1:01:20.160 --> 1:01:22.920
<v Speaker 9>a name involved with that, someone that can get us

1:01:22.920 --> 1:01:24.760
<v Speaker 9>in rooms that we that we need to be in,

1:01:24.960 --> 1:01:26.720
<v Speaker 9>that has to face for it, because other than that,

1:01:26.760 --> 1:01:27.760
<v Speaker 9>they're gonna shut us down.

1:01:27.840 --> 1:01:28.080
<v Speaker 7>Quick.

1:01:28.600 --> 1:01:30.840
<v Speaker 2>Think about what fifty about to start doing. Man, he's

1:01:30.840 --> 1:01:36.120
<v Speaker 2>gonna open up his soundstage. Man, he's parting with the Lions.

1:01:36.160 --> 1:01:37.040
<v Speaker 2>Get catch though, right?

1:01:37.920 --> 1:01:40.360
<v Speaker 7>Yeah? I think so. The Lion's got her stars.

1:01:41.000 --> 1:01:43.720
<v Speaker 2>Yeah, he got some good stuff going on. I think

1:01:43.760 --> 1:01:45.280
<v Speaker 2>he's gonna be one of the people that do it.

1:01:45.560 --> 1:01:46.200
<v Speaker 2>I think he could.

1:01:46.440 --> 1:01:51.240
<v Speaker 9>He started, he started streaming platform him and uh, what's

1:01:51.320 --> 1:01:52.000
<v Speaker 9>the name?

1:01:52.160 --> 1:01:52.840
<v Speaker 7>Dame Dash was.

1:01:52.840 --> 1:01:56.400
<v Speaker 9>Going back and forth about it. Supposedly has his own

1:01:56.400 --> 1:01:57.360
<v Speaker 9>streaming platform.

1:01:57.480 --> 1:02:00.480
<v Speaker 2>Yeah, Dame got his own Dame got his own fast channel,

1:02:00.520 --> 1:02:03.360
<v Speaker 2>his own his own streaming platform. I don't know how

1:02:03.440 --> 1:02:06.000
<v Speaker 2>much traffic he getting, man, but I always support stuff

1:02:06.040 --> 1:02:08.600
<v Speaker 2>like that. That's the problem is black people doing. We

1:02:08.720 --> 1:02:10.919
<v Speaker 2>got to start really supporting each other instead of trying

1:02:10.920 --> 1:02:13.600
<v Speaker 2>to clown everything. Dang got his own thing going. He's

1:02:13.600 --> 1:02:15.840
<v Speaker 2>doing his thing now. I don't know how big it is,

1:02:15.880 --> 1:02:16.400
<v Speaker 2>but he doing it.

1:02:16.440 --> 1:02:16.600
<v Speaker 1>Though.

1:02:17.360 --> 1:02:18.480
<v Speaker 7>I am always been that guy.

1:02:18.840 --> 1:02:20.600
<v Speaker 1>To me, Champ.

1:02:22.720 --> 1:02:25.440
<v Speaker 5>He put their own channels. Uh, they reached out to me.

1:02:25.560 --> 1:02:27.640
<v Speaker 5>I talked to him. But you know, and it's like.

1:02:27.600 --> 1:02:30.760
<v Speaker 3>BZ said, it's funny because my man Swift motion picture

1:02:30.800 --> 1:02:33.480
<v Speaker 3>of a man Swift was at this conference and the

1:02:33.480 --> 1:02:35.720
<v Speaker 3>head of TWOB was there, that the one of the

1:02:35.760 --> 1:02:38.600
<v Speaker 3>presidents or the head guys, white guy was there, and

1:02:38.640 --> 1:02:41.000
<v Speaker 3>that's not asking questions about it. I was like, why

1:02:41.120 --> 1:02:43.720
<v Speaker 3>y'all independence like this, Like why y'all moved us to

1:02:43.720 --> 1:02:44.480
<v Speaker 3>the bottom of the chef.

1:02:44.520 --> 1:02:46.240
<v Speaker 5>Why y'all not showing to give us the spots that

1:02:46.280 --> 1:02:46.720
<v Speaker 5>we had?

1:02:47.280 --> 1:02:49.640
<v Speaker 3>And the man looked there be so crazy every being

1:02:49.640 --> 1:02:51.720
<v Speaker 3>Swift was laughing, is like, well, trust nobody gonna be

1:02:51.720 --> 1:02:52.400
<v Speaker 3>on TV no more.

1:02:53.960 --> 1:02:55.200
<v Speaker 5>Like, hey, man, shut the fuck up.

1:02:55.200 --> 1:02:56.080
<v Speaker 1>You get people up.

1:02:56.360 --> 1:02:58.320
<v Speaker 3>So, like BZ said, we gotta be quiet about it

1:02:58.320 --> 1:03:00.959
<v Speaker 3>because you gotta think about take it from them people.

1:03:01.000 --> 1:03:04.680
<v Speaker 3>We think, oh if movies, I think about movies. Swift

1:03:04.720 --> 1:03:07.040
<v Speaker 3>took out his movies, you know McGraw a people took

1:03:07.080 --> 1:03:09.520
<v Speaker 3>all their movies. Lisa to take all her movies. It

1:03:09.560 --> 1:03:10.880
<v Speaker 3>was one platform.

1:03:11.120 --> 1:03:17.400
<v Speaker 2>Hey, that's half of the action. Follow Yeah, man, we

1:03:17.600 --> 1:03:19.439
<v Speaker 2>have to talk off. We're gonnad to talk off. Learn

1:03:19.600 --> 1:03:22.760
<v Speaker 2>like about this man. Now, let's talk about real quick.

1:03:22.800 --> 1:03:24.800
<v Speaker 2>Man neg just dropped this Friday, right.

1:03:25.920 --> 1:03:28.520
<v Speaker 5>Yes, sir, man negligent. It's a big one.

1:03:28.520 --> 1:03:28.640
<v Speaker 6>Man.

1:03:28.680 --> 1:03:31.400
<v Speaker 3>I called Hollywood and me too be Uh been a

1:03:31.440 --> 1:03:33.520
<v Speaker 3>couple of Hollywood actors on there, but not like this.

1:03:33.880 --> 1:03:34.360
<v Speaker 5>It's this.

1:03:34.360 --> 1:03:38.320
<v Speaker 3>This is like, man, I think, like, uh this motherfuckers,

1:03:38.360 --> 1:03:40.200
<v Speaker 3>like I gave him two million dollar budget and you're

1:03:40.200 --> 1:03:41.800
<v Speaker 3>looking at him black man. He's had a two million

1:03:41.800 --> 1:03:44.000
<v Speaker 3>dollar budget for this one. Uh man, you know so

1:03:44.120 --> 1:03:47.120
<v Speaker 3>my man Trician, you know, craziest fucking ever on there.

1:03:47.520 --> 1:03:48.880
<v Speaker 5>We got Crystal to die.

1:03:48.800 --> 1:03:54.040
<v Speaker 3>My girl Chelby Lee, we got uh man, uh Reggie

1:03:54.120 --> 1:03:54.400
<v Speaker 3>on there.

1:03:54.480 --> 1:03:59.840
<v Speaker 5>We got my man Clifton Pole, my good pile. Oh

1:04:00.040 --> 1:04:00.479
<v Speaker 5>I'm good.

1:04:00.680 --> 1:04:05.240
<v Speaker 3>Uh start studying, man, Oh you got up stiff on here.

1:04:05.960 --> 1:04:12.520
<v Speaker 3>Erica Pickett starts Chaos Chaotic shout out to Chaotic man promote.

1:04:12.800 --> 1:04:15.480
<v Speaker 3>Uh this is his first movie from hip hop. This

1:04:15.560 --> 1:04:19.360
<v Speaker 3>is first movie with me on on on the independent side.

1:04:19.880 --> 1:04:24.000
<v Speaker 3>So uhy mother about Friday.

1:04:23.920 --> 1:04:24.560
<v Speaker 2>I love it.

1:04:30.520 --> 1:04:34.120
<v Speaker 5>But uh, hey, man, they think man actors.

1:04:34.280 --> 1:04:37.400
<v Speaker 3>I think it's because Omark of Goodie and Cook the

1:04:37.440 --> 1:04:40.160
<v Speaker 3>powerca to the set. I think everybody just stuffed their game.

1:04:40.200 --> 1:04:43.280
<v Speaker 3>But like even Lee Masters. He and Lee Masters, and

1:04:43.280 --> 1:04:44.160
<v Speaker 3>everybody stepped their game.

1:04:44.520 --> 1:04:46.680
<v Speaker 9>The ring on the line, everybody stepped their game up.

1:04:47.120 --> 1:04:49.360
<v Speaker 9>He just he just put everybody around good actors this

1:04:49.440 --> 1:04:51.200
<v Speaker 9>time instead of hire people that can't act.

1:04:51.240 --> 1:04:52.680
<v Speaker 7>That's all. It was just a bunch of talent.

1:04:54.880 --> 1:04:57.919
<v Speaker 2>He keep it real busy looking at this time.

1:04:58.320 --> 1:05:00.280
<v Speaker 9>Yeah, because you know, hey, listen, I'm an tell you

1:05:00.320 --> 1:05:03.320
<v Speaker 9>one thing about independent man. People are cheap. And I

1:05:03.400 --> 1:05:05.720
<v Speaker 9>understand why they're cheap because we're trying to stay in budget.

1:05:05.800 --> 1:05:09.200
<v Speaker 9>But I'm one of those people that really like like

1:05:09.280 --> 1:05:11.919
<v Speaker 9>to dive into the real acting, Like I don't really

1:05:11.960 --> 1:05:15.360
<v Speaker 9>care about popularity for real. And Steve O actually gave

1:05:15.440 --> 1:05:18.440
<v Speaker 9>me a bunch of tours with these actors that can

1:05:18.520 --> 1:05:19.840
<v Speaker 9>really bring characters to.

1:05:19.840 --> 1:05:20.920
<v Speaker 7>Life, you know what I'm saying.

1:05:20.960 --> 1:05:23.280
<v Speaker 9>So it was like we were able to have fun

1:05:23.360 --> 1:05:26.560
<v Speaker 9>with this one that actually Christian like Electrician really getting

1:05:26.640 --> 1:05:28.440
<v Speaker 9>his bag. When you see him in this movie, You're

1:05:28.480 --> 1:05:31.240
<v Speaker 9>gonna let this niggas nuts, you know what I'm saying.

1:05:31.280 --> 1:05:33.800
<v Speaker 9>So that's just one of those things. But sometimes people

1:05:33.840 --> 1:05:35.480
<v Speaker 9>get lost with the fact that oh I can get

1:05:35.480 --> 1:05:37.440
<v Speaker 9>her for like two hundred dollars a day, and you

1:05:37.480 --> 1:05:39.840
<v Speaker 9>know this and the third, and she's kind of popular

1:05:39.920 --> 1:05:42.280
<v Speaker 9>and it's cheaper for me, you know what I mean.

1:05:42.440 --> 1:05:44.840
<v Speaker 7>So that's all I mean. But Steve oo gave me

1:05:44.880 --> 1:05:46.440
<v Speaker 7>some He gave me some real actors to work with

1:05:46.560 --> 1:05:46.880
<v Speaker 7>this time.

1:05:47.440 --> 1:05:48.720
<v Speaker 2>He gave you some people to work with.

1:05:48.840 --> 1:05:49.040
<v Speaker 4>Man.

1:05:49.240 --> 1:05:51.560
<v Speaker 2>I know, as long as my boy playing a villain

1:05:51.560 --> 1:05:53.160
<v Speaker 2>on his mother for this gonna be successful.

1:05:53.880 --> 1:05:54.880
<v Speaker 7>He more than a villain.

1:05:56.720 --> 1:06:01.040
<v Speaker 1>You re in on this, Tristan, Yes, sir, Yes, sir,

1:06:01.320 --> 1:06:01.840
<v Speaker 1>yes sir.

1:06:02.640 --> 1:06:04.880
<v Speaker 4>Like I said, I read, it's playing the bad I

1:06:04.960 --> 1:06:07.720
<v Speaker 4>read it's playing the bad guy man. Like I said,

1:06:07.760 --> 1:06:10.919
<v Speaker 4>it gives me such a wide range of things to do, man,

1:06:11.560 --> 1:06:14.000
<v Speaker 4>And I think I really get my acting bag when

1:06:14.000 --> 1:06:16.400
<v Speaker 4>I played play the bad guy. But look y'all, I'm

1:06:16.400 --> 1:06:18.640
<v Speaker 4>getting ready getting my acting bad right now. But before

1:06:18.720 --> 1:06:22.520
<v Speaker 4>I get off of this podcast, Man mc eight, man,

1:06:22.680 --> 1:06:25.320
<v Speaker 4>I want I wanted to say this to the end,

1:06:25.720 --> 1:06:27.480
<v Speaker 4>but I got to get off a little bit prematurely.

1:06:27.520 --> 1:06:30.000
<v Speaker 4>I want to say, man, that you were a huge

1:06:30.080 --> 1:06:31.880
<v Speaker 4>part of my childhood growing up.

1:06:31.960 --> 1:06:32.160
<v Speaker 1>Bro.

1:06:32.800 --> 1:06:36.040
<v Speaker 4>A wax is something that me and my I'm forty

1:06:36.080 --> 1:06:38.200
<v Speaker 4>one years old, bro, and I got a best friend

1:06:38.200 --> 1:06:40.160
<v Speaker 4>that I've been hanging with us. I was eleven years old, Bro,

1:06:40.240 --> 1:06:44.840
<v Speaker 4>and we still quote you from from Minister Society to

1:06:44.880 --> 1:06:45.360
<v Speaker 4>this day.

1:06:45.400 --> 1:06:45.640
<v Speaker 1>Bro.

1:06:45.880 --> 1:06:47.200
<v Speaker 4>And I just want to want to let you know

1:06:47.240 --> 1:06:49.560
<v Speaker 4>that you have been an intricate part of my childhood.

1:06:49.560 --> 1:06:51.840
<v Speaker 4>I've been seeing your lines. Give my mother fucking joint back,

1:06:51.920 --> 1:06:54.600
<v Speaker 4>both of y'all. I've been saying that since.

1:06:55.840 --> 1:06:56.360
<v Speaker 7>Right now.

1:06:58.160 --> 1:07:00.280
<v Speaker 5>I appreciate the love back.

1:07:00.480 --> 1:07:04.120
<v Speaker 2>All good, Yes, sir man, we appreciate you coming on,

1:07:04.200 --> 1:07:05.880
<v Speaker 2>Tristan Man, go on, handle your business.

1:07:05.920 --> 1:07:06.040
<v Speaker 3>Bro.

1:07:06.080 --> 1:07:07.280
<v Speaker 2>We appreciate you much love.

1:07:07.680 --> 1:07:09.560
<v Speaker 1>I look at my beautiful right here.

1:07:09.800 --> 1:07:19.040
<v Speaker 2>Uh see, that's how you're able to get away with it.

1:07:19.160 --> 1:07:21.680
<v Speaker 2>She right there looking at him like this, Okay.

1:07:23.280 --> 1:07:28.560
<v Speaker 4>Right, yeah, but I appreciate the love, y'all. Make sure

1:07:28.600 --> 1:07:31.760
<v Speaker 4>that y'all go check out Negligence. I promise y'all Steve

1:07:31.800 --> 1:07:34.720
<v Speaker 4>O to not disappoint everything that he just said. Like, man,

1:07:35.000 --> 1:07:38.160
<v Speaker 4>he put us around as solid cash man. And when

1:07:38.160 --> 1:07:40.120
<v Speaker 4>you're around side of people, man, it's hard to mess up.

1:07:40.120 --> 1:07:42.520
<v Speaker 4>It's hard to fail because everybody is making sure that

1:07:42.920 --> 1:07:43.919
<v Speaker 4>you're policing each other.

1:07:43.960 --> 1:07:45.760
<v Speaker 1>You know what I'm saying. So make sure y'all go

1:07:45.840 --> 1:07:48.280
<v Speaker 1>check out Negligence this Friday on Tube.

1:07:48.280 --> 1:07:48.480
<v Speaker 7>Man.

1:07:49.360 --> 1:07:50.400
<v Speaker 1>Make it most popular.

1:07:51.280 --> 1:07:53.040
<v Speaker 2>It's all good man, we gonna be on him and

1:07:53.160 --> 1:07:59.640
<v Speaker 2>we get it popping. Yes, I appreciate Homie leaving you Facebook,

1:07:59.800 --> 1:08:01.240
<v Speaker 2>but shake up out of here. We gonna hall let

1:08:01.280 --> 1:08:02.200
<v Speaker 2>y'all next week.

1:08:02.880 --> 1:08:08.000
<v Speaker 3>Y'all gonna watch That's just Friday, Watch Somebody one, two

1:08:08.360 --> 1:08:12.640
<v Speaker 3>and three, unfatched Change and you like commonly the Hole

1:08:12.680 --> 1:08:15.600
<v Speaker 3>in the Wall, all great movies and b let them

1:08:15.600 --> 1:08:16.920
<v Speaker 3>know what you got out right now? Pop it.

1:08:18.040 --> 1:08:22.040
<v Speaker 9>Uh, we got cons and Cooeger scripts, pillow talk everything

1:08:22.040 --> 1:08:25.760
<v Speaker 9>with it, child support whatever. Man, just just type, just

1:08:25.800 --> 1:08:27.960
<v Speaker 9>type a Trician physics, a Bzy Jones and it all

1:08:28.000 --> 1:08:28.439
<v Speaker 9>pop up.

1:08:28.760 --> 1:08:31.719
<v Speaker 2>Well. That concludes another episode of the gainst the Chronicles podcast.

1:08:31.840 --> 1:08:34.120
<v Speaker 2>Be sure to download the iHeart app and subscribe to

1:08:34.160 --> 1:08:37.400
<v Speaker 2>The Gangster Chronicles podcast. For Apple users, find a purple

1:08:37.439 --> 1:08:39.479
<v Speaker 2>micae on the front of your screen, subscribe to the show,

1:08:39.560 --> 1:08:42.439
<v Speaker 2>leave a common and rating. Executive producers for The Gangster

1:08:42.520 --> 1:08:44.720
<v Speaker 2>Chronicles podcasts Norman Stell, Aaron M.

1:08:44.760 --> 1:08:45.000
<v Speaker 1>C a.

1:08:45.120 --> 1:08:47.960
<v Speaker 2>Tyler. Our visual media director is Brian Whatt, and the

1:08:48.120 --> 1:08:50.880
<v Speaker 2>audio editors tell It Hayes. The Gangster Chronicles is a

1:08:50.920 --> 1:08:54.400
<v Speaker 2>production of iHeart Media Network and the Black Effect Podcast Network.

1:08:54.680 --> 1:08:57.920
<v Speaker 2>For more podcasts from iHeart Radio. Visit the iHeart Radio app,

1:08:58.000 --> 1:09:00.400
<v Speaker 2>Apple podcasts wherever you're listening to your pop kids