WEBVTT - Episode 8 - Hope?

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<v Speaker 1>BBC Studios. Hey, I'm Maggie.

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<v Speaker 2>Before we begin, I just want to flag that this

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<v Speaker 2>episode includes some very strong language, contains some descriptions of violence,

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<v Speaker 2>and deals with adult themes.

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<v Speaker 3>We have a large painting of a astronaut laying in

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<v Speaker 3>a field of roses, and we bought it while we

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<v Speaker 3>were in the US, while I was working on SpaceX's.

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<v Speaker 1>First scrude flights, which is a huge, huge molestone. Can

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<v Speaker 1>you speak a little bit about what you did at SpaceX?

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<v Speaker 3>So I was part of the software team and worked

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<v Speaker 3>on well across the time there, worked on everything from

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<v Speaker 3>the flight vehicles like you know, launching Falcon Dragon and

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<v Speaker 3>so on, and myself and a few of the other.

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<v Speaker 2>It's another drizzly and cold day in London, Okay, to

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<v Speaker 2>be fair to January. But still I'm sitting across from

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<v Speaker 2>Liz and her husband Anthony American versus English. Question Anthony

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<v Speaker 2>or Anthony? What's the diff Okay?

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<v Speaker 4>So he says Anthony. I guess that's the British way

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<v Speaker 4>of saying it. But I say Anthony, because do you

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<v Speaker 4>ever just.

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<v Speaker 1>Like, Oh, I'm just gonna call you Tony.

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<v Speaker 4>He hates that, but I won't.

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<v Speaker 2>Call him tone yeah, or aunt.

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<v Speaker 4>He doesn't like that one either, but I did. I

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<v Speaker 4>did get an aunt tattoo. Cute.

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<v Speaker 2>I love it. I'll follow Liz Anthony it is. Anthony

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<v Speaker 2>continues telling me about working with SpaceX.

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<v Speaker 3>Through manufacturing satellites and the terminal to the Starling network,

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<v Speaker 3>and yeah, lots of different software problems over the four years.

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<v Speaker 5>Amazing.

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<v Speaker 1>I play in a Dolly part and cover band. I

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<v Speaker 1>wouldn't be able to do that.

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<v Speaker 2>He's being nice, but after getting to know Liz, it's

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<v Speaker 2>clear she needs to be with someone as brilliant as her.

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<v Speaker 2>The rac Tramp, Stamp and All. Liz and Anthony met

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<v Speaker 2>when they were teens. Anthony was working at a pub

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<v Speaker 2>in Oxford and Liz was visiting with a cousin. He

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<v Speaker 2>was smitten immediately.

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<v Speaker 3>I remember thinking Liz was the most beautiful girl I've

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<v Speaker 3>ever seen, very distinctly, which yeah, she would cringe if

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<v Speaker 3>I tell that's through and here we are, but yeah,

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<v Speaker 3>really captivated by her.

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<v Speaker 2>Liz does cringe when Anthony says this, letting out a

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<v Speaker 2>soft laugh under her breath. Anthony and Liz stayed in touch,

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<v Speaker 2>took a trip through Italy together, where they fell in love.

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<v Speaker 2>Then later married and had kids. They're now settled in

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<v Speaker 2>acute Victorian townhouse in Wimbledon, South London. The robot Anthony

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<v Speaker 2>and their son built on the bookshelf Erubik's cubes dashed

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<v Speaker 2>between couch cushions. Anthony has been there through every moment

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<v Speaker 2>in Liz's life, including the moment she found out her

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<v Speaker 2>dad had been killed.

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<v Speaker 1>I just from the shock. But it's just like kind

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<v Speaker 1>of like getting hit by a cart.

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<v Speaker 3>You just have this thing come at you, this piece

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<v Speaker 3>of information that you couldn't have expected, and you're out

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<v Speaker 3>of your.

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<v Speaker 1>Reference frame for like what normal is.

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<v Speaker 3>All of this stuff happened at once, and it was

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<v Speaker 3>like a very super chaotic time.

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<v Speaker 1>Yeah, it was pure chaos.

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<v Speaker 2>He flew back to Houston with Liz and did his

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<v Speaker 2>best to support her through those first Heroin days.

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<v Speaker 3>It's like extreme grief, like overwhelming shock that this is

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<v Speaker 3>real and not some horrible nightmare, and it's just sort

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<v Speaker 3>of an extended waking disaster where everyone is reeling in

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<v Speaker 3>different ways at different times.

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<v Speaker 2>I ask what he thinks about the case.

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<v Speaker 3>I would say it's unambiguous to me that she's wrongly convicted,

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<v Speaker 3>and it's overwhelmingly obvious that this wouldn't have gone the

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<v Speaker 3>way that it did, and to have gone through everything,

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<v Speaker 3>you know, the years leading up to the court case,

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<v Speaker 3>the court case itself, it's staggering that this level of

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<v Speaker 3>incompetence was allowed to be played out. And it really

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<v Speaker 3>demonstrates that you can do everything right and you can

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<v Speaker 3>get fucked and that's what happened here, and Sandy just

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<v Speaker 3>tried to do everything correctly.

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<v Speaker 2>He's angry at a system that has taken Sandy away

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<v Speaker 2>from her family for a crime he believes she didn't commit.

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<v Speaker 3>When you kind of think about your life that could change,

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<v Speaker 3>like that is just such a fracture to the way

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<v Speaker 3>that things happen right normally, you would have been going

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<v Speaker 3>back for you know, family events, reunions, holidays, whatever it

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<v Speaker 3>might be. And things look different after. They look different

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<v Speaker 3>for you, they look different for your kids, they look

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<v Speaker 3>different from the extended family. And yeah, he's just kind

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<v Speaker 3>of like dealing with a new reality kind of after

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<v Speaker 3>a loss like that.

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<v Speaker 1>How do you even process the last it's multiple.

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<v Speaker 3>Losses, Yeah, it is even now I think about it, so,

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<v Speaker 3>you know, I think about that, like the children don't

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<v Speaker 3>have the life that they would have had, otherwise and

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<v Speaker 3>knowing him, knowing Jim as their grandfather.

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<v Speaker 1>Yeah, it's difficult.

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<v Speaker 3>I think now of like the things that I do

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<v Speaker 3>today that I know that he would have been interested in,

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<v Speaker 3>and you kind of miss the dynamic that could have been,

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<v Speaker 3>which is a sentiment.

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<v Speaker 2>I completely understand grieving a reality that never came, but

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<v Speaker 2>you were promised it. I remember thinking this after my

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<v Speaker 2>dad died. If I had kids, they would never know

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<v Speaker 2>their grandpa. And while Sandy is still alive, their kids

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<v Speaker 2>can't spend any time with her.

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<v Speaker 1>You know, I see a very direct pain in my daughter.

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<v Speaker 3>So she was young enough to have had Sandy around

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<v Speaker 3>early on in her life and be a significant figure.

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<v Speaker 3>That's still a significant figure today, but it's very difficult

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<v Speaker 3>for her to talk about it, to think about it,

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<v Speaker 3>to write letters, because of very acute pain.

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<v Speaker 2>But he says it's Liz who carries the pain most acutely.

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<v Speaker 2>She's changed so much over the past few years.

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<v Speaker 3>When we first moved to England, you know, Lizabeth the

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<v Speaker 3>person who would talk to the stranger on the train

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<v Speaker 3>and then you know, by the time you get to

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<v Speaker 3>the destination, you're going to a party with them, Whereas

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<v Speaker 3>I would be the person who's like noise canceling headphones on,

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<v Speaker 3>don't even.

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<v Speaker 1>Talk to me, let alone sad me.

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<v Speaker 3>So that dynamic definitely changed for her because you know

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<v Speaker 3>everything that she experienced.

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<v Speaker 2>Liz has told me about this past version of herself,

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<v Speaker 2>and she often talks about how her life has split

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<v Speaker 2>in two. There's the Liz before Jim's murder and the

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<v Speaker 2>Liz after. Where the Liz before was vivacious and gregarious,

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<v Speaker 2>the Liz now is closed off, a gooraphobic, and can

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<v Speaker 2>have trouble getting out of bed. But in meeting Liz,

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<v Speaker 2>I can see both sides. I think she is whip smart, funny,

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<v Speaker 2>and mischievous. We'd laugh together on her couch or on

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<v Speaker 2>a trip on the tube. But during the making of

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<v Speaker 2>this podcast, I experienced my own loss. My mother, who

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<v Speaker 2>long suffered from Parkinson's and later dementia, passed away this year,

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<v Speaker 2>and out of all of the messages I got, it

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<v Speaker 2>was Liz who I felt understood the indescribable pain of

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<v Speaker 2>losing a parent the most. She sent me the most

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<v Speaker 2>beautiful messages filled with empathy because she walks this grief

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<v Speaker 2>every single day, and in many ways, she's lost both

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<v Speaker 2>of her parents. Liz really didn't have to do that,

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<v Speaker 2>but nonetheless I'm grateful. It's really hard to talk about death,

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<v Speaker 2>but it is something that can unite us. While I

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<v Speaker 2>don't know the exact pain Liz and through I can

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<v Speaker 2>understand through my own a tiny sliver of her pain.

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<v Speaker 2>And I mean really really tiny sliver. Because whether you

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<v Speaker 2>believe that Sandy is innocent or guilty, you cannot ignore

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<v Speaker 2>the immense loss that permeates every facet of the story.

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<v Speaker 2>But the story isn't over yet.

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<v Speaker 3>I feel incredibly appreciative that you have an organization like

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<v Speaker 3>the Innocence of Projects supporting you, because, frankly speaking, to

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<v Speaker 3>try and deal with this yourself like it feels impossible.

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<v Speaker 1>It just feels like you resigned to accept that you've

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<v Speaker 1>been crushed. So you do feel hope, Yeah.

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<v Speaker 4>I feel like there's a little glimmer of hope. We

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<v Speaker 4>might not get the results we want, but at least

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<v Speaker 4>we had the heavyweights behind us, and at least it

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<v Speaker 4>gives us a fighting chance.

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<v Speaker 2>I'm Maggie Robinson Katz and from BBC's Studios and iHeart Podcasts.

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<v Speaker 2>This is Hands Tied, Episode eight Hope.

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<v Speaker 6>The Innocence Project of Texas is a nonprofit that I

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<v Speaker 6>co founded back in two thousand and six, and ultimately

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<v Speaker 6>we strive to exonerate the innocent people that we have

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<v Speaker 6>identified and get them out of prison.

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<v Speaker 2>This is Mike Ware who, after getting a call from

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<v Speaker 2>Sandy's legal teams, started to review her case.

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<v Speaker 1>He dove headfirst.

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<v Speaker 2>Into Sandy's file, reviewing the various appeals court transcripts, He

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<v Speaker 2>talked to Liz and met Sandy, and has come to

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<v Speaker 2>the conclusion that.

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<v Speaker 6>The accusations were unique and on their face, to me,

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<v Speaker 6>ridiculous and preposterous.

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<v Speaker 2>Why do you think that Jerry then believed it?

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<v Speaker 6>Sometimes I think people prefer to believe the more elaborate

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<v Speaker 6>and interesting story rather than the more logical and perhaps

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<v Speaker 6>less interesting story. Perhaps it was more attractive to believe

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<v Speaker 6>this crazy story that the prosecutors spun than it was

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<v Speaker 6>to believe that someone or somebody invaded the home and

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<v Speaker 6>committed this murder.

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<v Speaker 2>So Mike and the Innocence Project of Texas agree to

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<v Speaker 2>take on Sandy's case. But it's not going to be easy.

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<v Speaker 6>Despite all the rhetoric, It's so much easier to convict

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<v Speaker 6>a completely innocent person than it is to exonerate a

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<v Speaker 6>completely innocent person once they've been convicted.

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<v Speaker 2>It's almost a se Saphean task to try and get

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<v Speaker 2>a jury verdict overturned. The only option left is for

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<v Speaker 2>them to file a writ of habeas corpus, which is

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<v Speaker 2>essentially asking a federal court to review Sandy's case because

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<v Speaker 2>they believe that she is unfairly imprisoned. To succeed, they

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<v Speaker 2>need to come up with clear and convincing new evidence.

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<v Speaker 2>They can't rehash arguments made during the trial or appeal.

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<v Speaker 6>There are only very limited grounds you can raise in

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<v Speaker 6>a habeas corpus. It's very tricky to even get heard because,

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<v Speaker 6>as the courts will tell you time and time again,

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<v Speaker 6>you know, finality of judgment is very important to our system.

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<v Speaker 2>The odds are stacked against them, and Mike knows this well.

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<v Speaker 2>The prosecution may have told a better story that Sandy

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<v Speaker 2>was a bitter housewife who killed Jim, tied and locked

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<v Speaker 2>herself in a closet. Mike and his team hope that

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<v Speaker 2>science will tell a different story, and they're relying on DNA.

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<v Speaker 5>Originally, investigators collected over one hundred items of evidence to

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<v Speaker 5>be tested for DNA.

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<v Speaker 2>This is Mike's colleague, attorney Chase Baumgartner, who also happens

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<v Speaker 2>to be a forensic scientist.

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<v Speaker 5>Part of this investigation we're doing now, and part of

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<v Speaker 5>the story of Sandy's case, is the evolution of DNA testing.

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<v Speaker 2>On the night Jim's body was found, the police swapped

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<v Speaker 2>the crime scene for DNA. They also bagged up evidence

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<v Speaker 2>for further testing, like the cord used to tie Sandy up, clothing,

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<v Speaker 2>and the murder weapon, but the test results were inconclusive.

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<v Speaker 5>They generated all this data and in most instances they

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<v Speaker 5>just said, it's too complicated, it's too low level, so

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<v Speaker 5>we can't tell you anything about the DNA profiles we developed,

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<v Speaker 5>and has left us kind of in the dark of

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<v Speaker 5>what all this evidence really points to and what it

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<v Speaker 5>could implicate.

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<v Speaker 2>Meaning it's either a sample with too many people's DNA

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<v Speaker 2>mixed together or sample without enough DNA in it. The

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<v Speaker 2>original testing was done more than a decade ago, and

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<v Speaker 2>science has progressed since then. Now the Innocence Project of

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<v Speaker 2>Texas is getting the samples reanalyzed and the hope this

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<v Speaker 2>will throw up something new, possibly the new evidence they

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<v Speaker 2>need to get Sandy's case back in court. And they've

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<v Speaker 2>got news. They asked Liz to jump on a call,

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<v Speaker 2>and I'm.

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<v Speaker 7>Really looking forward to hearing those.

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<v Speaker 6>Liz, Hi, how are you good, How are you doing?

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<v Speaker 7>I'm all right, thank you.

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<v Speaker 6>Well, thank you for joining us. I think we'll get

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<v Speaker 6>started by letting Chase catch you up on some of

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<v Speaker 6>the new, in my opinion, very promising findings that we've

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<v Speaker 6>gotten through additional DNA analysis.

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<v Speaker 2>Liz, lets me listen in on her call with the

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<v Speaker 2>Innocence Project of Texas. They've reanalyzed some of the DNA

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<v Speaker 2>samples and discovered something interesting on a knife that was

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<v Speaker 2>found submerged at the bottom of the jacuzzi, the murder weapon.

0:14:14.840 --> 0:14:18.280
<v Speaker 5>Your dad's DNA was found on the knife originally. Yeah,

0:14:18.320 --> 0:14:19.880
<v Speaker 5>But what we did do is we went to a

0:14:19.880 --> 0:14:24.040
<v Speaker 5>new lab that specializes in low level data and they

0:14:24.040 --> 0:14:26.360
<v Speaker 5>were able to determine it for sure is a mixture

0:14:26.800 --> 0:14:29.520
<v Speaker 5>of at least two people. They actually think it's best

0:14:29.640 --> 0:14:32.440
<v Speaker 5>described as a mixture of two people and agree that

0:14:32.440 --> 0:14:34.200
<v Speaker 5>it still is your dad's DNA on there. But they

0:14:34.200 --> 0:14:38.680
<v Speaker 5>found an unknown DNA profile on that knife handle, and

0:14:38.720 --> 0:14:40.920
<v Speaker 5>they compared it to your whole family, to your mom,

0:14:41.080 --> 0:14:44.720
<v Speaker 5>to you, to your relatives and everything and no matches.

0:14:45.080 --> 0:14:46.200
<v Speaker 5>Everyone was excluded.

0:14:47.480 --> 0:14:50.400
<v Speaker 2>So, according to this new analysis, there are two people's

0:14:50.440 --> 0:14:54.560
<v Speaker 2>DNA on the murder weapon. There's Jim's DNA and there's

0:14:54.600 --> 0:14:58.640
<v Speaker 2>someone else's, someone that isn't Sandy.

0:14:59.480 --> 0:15:02.640
<v Speaker 5>The fact there's an unknown person who's not her, who's

0:15:02.680 --> 0:15:04.840
<v Speaker 5>not Jim, who's not a family member, who's not a

0:15:04.880 --> 0:15:09.320
<v Speaker 5>neighbor on this murder weapon supports her theory. Potentially, eve

0:15:09.320 --> 0:15:12.480
<v Speaker 5>improves her theory that an unknown person was wielding this

0:15:12.560 --> 0:15:17.880
<v Speaker 5>knife when they killed Jim.

0:15:18.120 --> 0:15:21.760
<v Speaker 2>This is a game changer in Mike Ware's view. This

0:15:21.800 --> 0:15:24.280
<v Speaker 2>could be the missing evidence they need to get Sandy's

0:15:24.320 --> 0:15:25.440
<v Speaker 2>case re examined.

0:15:27.160 --> 0:15:29.920
<v Speaker 6>We don't know whose DNA it is, but it is

0:15:29.960 --> 0:15:34.440
<v Speaker 6>definitely not hers. So it's highly likely that whoever last

0:15:34.600 --> 0:15:40.160
<v Speaker 6>touched that murder weapon handle is the real perpetrator, and

0:15:40.200 --> 0:15:44.720
<v Speaker 6>that person is not your mom. I think that alone

0:15:45.080 --> 0:15:48.120
<v Speaker 6>almost certainly would have changed the outcome of the trip.

0:15:50.240 --> 0:15:52.640
<v Speaker 5>So as just kind of as a quick refresher, right,

0:15:53.080 --> 0:15:56.200
<v Speaker 5>I guess there's a lot of information to take in

0:15:56.240 --> 0:15:57.160
<v Speaker 5>and try to digest.

0:15:57.920 --> 0:16:00.400
<v Speaker 2>Mike and Chase explain to Liz that they I ask

0:16:00.520 --> 0:16:04.359
<v Speaker 2>the lab to check if that unknown profile appears anywhere

0:16:04.360 --> 0:16:08.480
<v Speaker 2>else in the crime scene, and it does showing up

0:16:08.520 --> 0:16:11.440
<v Speaker 2>on a stool found outside of the closet where Jim

0:16:11.600 --> 0:16:12.120
<v Speaker 2>was found.

0:16:12.800 --> 0:16:15.240
<v Speaker 5>You you know the shower stool I'm talking about.

0:16:15.400 --> 0:16:18.520
<v Speaker 4>Yeah, there's like a blood mark on it.

0:16:18.880 --> 0:16:22.240
<v Speaker 5>Yeah, exactly, And that is consistent with whoever touched that

0:16:22.320 --> 0:16:25.320
<v Speaker 5>knife handle or whoever held that knife handle. So I

0:16:25.320 --> 0:16:27.640
<v Speaker 5>think that, you know, that a pretty strong connection between

0:16:28.520 --> 0:16:31.680
<v Speaker 5>who was involved in this case. But the problem is

0:16:31.840 --> 0:16:33.320
<v Speaker 5>we don't know who that is at this point.

0:16:36.760 --> 0:16:39.000
<v Speaker 7>Yeah, that's a lot of other imagement had taken. So

0:16:39.040 --> 0:16:41.160
<v Speaker 7>what now, what like, what do we do with all

0:16:41.160 --> 0:16:41.760
<v Speaker 7>this information?

0:16:41.840 --> 0:16:43.840
<v Speaker 4>Where do we know? How do we move forward from here?

0:16:44.640 --> 0:16:47.720
<v Speaker 2>At this stage, they don't know whose DNA it is,

0:16:48.600 --> 0:16:53.240
<v Speaker 2>but it's still a huge development and Chase remains hopeful.

0:16:54.200 --> 0:16:56.920
<v Speaker 5>I think DNA could be the clincher for Sandy's case

0:16:57.000 --> 0:16:59.800
<v Speaker 5>because it shows the state's theory that there was no

0:17:00.000 --> 0:17:04.320
<v Speaker 5>one else in the house is false. The whole theory

0:17:04.400 --> 0:17:06.440
<v Speaker 5>was based on that there was no force entry. There's

0:17:06.480 --> 0:17:09.359
<v Speaker 5>only two people here. It's only Sandy, it's only Jim,

0:17:09.480 --> 0:17:12.280
<v Speaker 5>and there's only one person alive, so it had to

0:17:12.280 --> 0:17:15.160
<v Speaker 5>be Sandy, and the DNA shows.

0:17:14.960 --> 0:17:16.040
<v Speaker 1>That's a lie.

0:17:17.359 --> 0:17:20.320
<v Speaker 4>So what like, how long? I know, think this is

0:17:20.359 --> 0:17:22.920
<v Speaker 4>more of a marathon than a sprint, Right, we've already

0:17:23.040 --> 0:17:26.439
<v Speaker 4>been here, like my mom's already been in prison for yours.

0:17:26.680 --> 0:17:30.359
<v Speaker 6>Well, using that metaphor, yeah, that there's some truth to that.

0:17:31.400 --> 0:17:33.600
<v Speaker 6>Let's be optimistic though, let's say it's more like a

0:17:33.600 --> 0:17:35.359
<v Speaker 6>ten k than a sprint.

0:17:35.800 --> 0:17:38.359
<v Speaker 7>Do you believe injustice? Like, do you think that is

0:17:38.400 --> 0:17:42.600
<v Speaker 7>something that is actually obtainable or given out by what

0:17:42.800 --> 0:17:45.720
<v Speaker 7>is commonly referred to as the criminal justice system? Because

0:17:45.760 --> 0:17:47.720
<v Speaker 7>to me, it feels like a penal system, it feels

0:17:47.720 --> 0:17:49.800
<v Speaker 7>like a legal system. It doesn't really feel like a

0:17:50.040 --> 0:17:52.760
<v Speaker 7>justice system. And I don't know if I'm just super

0:17:52.880 --> 0:17:55.679
<v Speaker 7>jadd but I was just wondering if you really do

0:17:55.800 --> 0:17:58.240
<v Speaker 7>believe in justice, and you know, you dedicated your life

0:17:58.280 --> 0:18:00.439
<v Speaker 7>to this project.

0:18:00.080 --> 0:18:03.159
<v Speaker 6>I can understand how you'd feel that way. But the

0:18:03.200 --> 0:18:06.040
<v Speaker 6>answer is yes, I absolutely do. I think the truth

0:18:06.080 --> 0:18:08.399
<v Speaker 6>has a power of its own, and I think it

0:18:08.440 --> 0:18:12.919
<v Speaker 6>will eventually surface if you stick with the case. Not

0:18:13.000 --> 0:18:16.040
<v Speaker 6>to sound hokey or corny, but the truth has a

0:18:16.080 --> 0:18:19.240
<v Speaker 6>way of being able to claw its way out of

0:18:19.280 --> 0:18:22.440
<v Speaker 6>a hole and climb out into the daylight.

0:18:22.960 --> 0:18:26.000
<v Speaker 5>The pursuit of justice. I'm not sure there's a nobler pursuit,

0:18:26.040 --> 0:18:28.399
<v Speaker 5>at least for me. So I haven't a faith in

0:18:28.440 --> 0:18:29.879
<v Speaker 5>the power of the truth and the power of the

0:18:29.880 --> 0:18:32.760
<v Speaker 5>pursuit to keep fighting day in and day out for it.

0:18:34.160 --> 0:18:37.399
<v Speaker 7>Thank you. I appreciate that. And the time and energy

0:18:37.440 --> 0:18:40.480
<v Speaker 7>that you've expended not only on this case but for

0:18:40.600 --> 0:18:43.439
<v Speaker 7>other people who are in similar positions.

0:18:43.720 --> 0:18:45.720
<v Speaker 6>Well, we appreciate you, Liz. Thank you.

0:18:50.600 --> 0:18:53.160
<v Speaker 2>Can I ask you, Liz, how does it feel hearing

0:18:53.200 --> 0:18:55.520
<v Speaker 2>all this new information and how do you think your

0:18:55.520 --> 0:18:56.880
<v Speaker 2>mom would feel hearing it.

0:18:58.040 --> 0:19:02.040
<v Speaker 7>I just don't have any that this is just how

0:19:02.040 --> 0:19:05.280
<v Speaker 7>it is, and so if things don't go well, then

0:19:05.920 --> 0:19:09.880
<v Speaker 7>I wasn't expecting it. And if things do go well,

0:19:09.960 --> 0:19:13.480
<v Speaker 7>then it's even better, right because I wasn't expecting anything.

0:19:14.520 --> 0:19:17.920
<v Speaker 7>So for me, I'm just waiting. I have information, and

0:19:18.040 --> 0:19:21.960
<v Speaker 7>I'm going to wait until I have more. My mom, however,

0:19:22.520 --> 0:19:26.359
<v Speaker 7>gets her hopes up very easily, and so I have

0:19:26.440 --> 0:19:29.280
<v Speaker 7>to do a lot of talking to make sure that

0:19:29.320 --> 0:19:34.520
<v Speaker 7>she tempers her expectations and that she understands that time

0:19:34.600 --> 0:19:37.639
<v Speaker 7>is going to crawl. Yeah, I think she'll be I

0:19:37.680 --> 0:19:41.440
<v Speaker 7>think this will give her the extra bit of hope

0:19:41.440 --> 0:19:44.880
<v Speaker 7>that she might need to you know, make it in

0:19:44.920 --> 0:19:46.199
<v Speaker 7>prison for.

0:19:46.760 --> 0:19:48.880
<v Speaker 4>A little longer, however long it might be.

0:19:51.960 --> 0:19:56.320
<v Speaker 2>And more than anything else, this family needs hope and

0:19:56.359 --> 0:19:59.840
<v Speaker 2>they are not giving up offering a one hundred thousand

0:19:59.840 --> 0:20:03.920
<v Speaker 2>dollar dollar reward for any new information regarding Sandy's case

0:20:04.000 --> 0:20:05.719
<v Speaker 2>that would prove her innocence.

0:20:18.000 --> 0:20:22.240
<v Speaker 1>So today we are marking the size of a traditional tattoo.

0:20:22.720 --> 0:20:27.400
<v Speaker 8>Tattoos were really important, really especially in our culture.

0:20:27.560 --> 0:20:30.200
<v Speaker 1>But there were banned where we were colonized. So we're

0:20:30.200 --> 0:20:33.119
<v Speaker 1>trying to keep the tradition, you know, anyways in a

0:20:33.200 --> 0:20:33.640
<v Speaker 1>good way.

0:20:35.640 --> 0:20:39.520
<v Speaker 2>I'm crouched somewhere between the bed and a stool and

0:20:39.680 --> 0:20:44.520
<v Speaker 2>tattoo artist Adam's flat in London. Liz is here with me.

0:20:45.640 --> 0:20:47.879
<v Speaker 2>Though I may have toyed with the idea of getting

0:20:47.920 --> 0:20:50.879
<v Speaker 2>one as well, I'm really here to watch us. Liz

0:20:50.960 --> 0:20:53.320
<v Speaker 2>a's another piece to her inked altar.

0:20:57.000 --> 0:20:59.359
<v Speaker 4>Maybe right above the blue, like right on the blue

0:20:59.480 --> 0:21:02.679
<v Speaker 4>or yeah, it's good today and again it's part of

0:21:02.800 --> 0:21:07.080
<v Speaker 4>like the whippie that my grandmother wore. So can you

0:21:07.119 --> 0:21:16.880
<v Speaker 4>have any It's just a red plain red band. Yeah.

0:21:17.440 --> 0:21:20.600
<v Speaker 2>Adam makes a quick sketch with a blue pen, creating

0:21:20.640 --> 0:21:24.160
<v Speaker 2>a stencil that he then places on Liz's wrist.

0:21:24.600 --> 0:21:28.320
<v Speaker 1>So what do you think about this repetition of the stars. Yeah,

0:21:29.040 --> 0:21:30.440
<v Speaker 1>they also represent flowers as well.

0:21:30.520 --> 0:21:34.880
<v Speaker 2>Yeah, and for directions, he moves her hand left and right,

0:21:35.520 --> 0:21:39.919
<v Speaker 2>seeing how the pattern shifts and changes with motion. The

0:21:39.960 --> 0:21:42.400
<v Speaker 2>star is based on a piece of fabric Liz brought

0:21:42.440 --> 0:21:44.640
<v Speaker 2>back from her dad's village in Guatemala.

0:21:45.359 --> 0:21:50.520
<v Speaker 4>They take hours, hundreds of hours to shoot, I mean months. Yeah. Weaving,

0:21:50.560 --> 0:21:54.600
<v Speaker 4>it's all done by hand. It's all done on the

0:21:54.640 --> 0:22:00.560
<v Speaker 4>backstrap blooms. They spin their own cotton. They use natural dies.

0:22:01.960 --> 0:22:04.639
<v Speaker 4>There's one plant that I can't remember which one it is,

0:22:04.680 --> 0:22:08.400
<v Speaker 4>but depending on when in the cycle of the moon

0:22:08.520 --> 0:22:11.720
<v Speaker 4>it's it's been picked and processed. It can be like

0:22:11.760 --> 0:22:14.399
<v Speaker 4>a deep purple or it can be a lavender color

0:22:14.440 --> 0:22:17.359
<v Speaker 4>anywhere in between. It's I think it's just like really

0:22:17.400 --> 0:22:19.119
<v Speaker 4>cool that they had all this knowledge.

0:22:21.480 --> 0:22:27.159
<v Speaker 8>Yes, it's a whole process, right, I got it, Like

0:22:27.240 --> 0:22:28.720
<v Speaker 8>what you write.

0:22:29.640 --> 0:22:32.880
<v Speaker 2>So can you walk me through what you're doing right now?

0:22:33.200 --> 0:22:41.679
<v Speaker 1>Right now? Where I'm just in the right size for needles. Yeah,

0:22:41.840 --> 0:22:47.440
<v Speaker 1>that's because he's gonna be hamp hoed and he chooses needles.

0:22:47.760 --> 0:22:52.000
<v Speaker 2>Here he takes a sterile needle out of its packaging

0:22:52.080 --> 0:22:56.280
<v Speaker 2>and tapes a colorful macafeather into the bamboo cane holding

0:22:56.320 --> 0:23:00.440
<v Speaker 2>the needle. He then picks up a headdress of these

0:23:00.480 --> 0:23:04.960
<v Speaker 2>brilliant macaw feathers and deep teals, bright blues and vibrant

0:23:05.000 --> 0:23:07.480
<v Speaker 2>purples and wraps it around his head.

0:23:08.280 --> 0:23:12.040
<v Speaker 8>You've seen these headbands before, right, so we use them

0:23:12.080 --> 0:23:14.600
<v Speaker 8>in the in the head. That's a connection, you know,

0:23:14.680 --> 0:23:18.560
<v Speaker 8>with the with the symbology and the.

0:23:17.800 --> 0:23:19.720
<v Speaker 1>Ceremonial side as well.

0:23:21.200 --> 0:23:23.879
<v Speaker 8>So it's good too to use it in the ceremony

0:23:24.320 --> 0:23:27.240
<v Speaker 8>like this, Please sell off for me, please, Like over there.

0:23:27.920 --> 0:23:30.600
<v Speaker 2>He lights a piece of copole a resin from the

0:23:30.640 --> 0:23:34.600
<v Speaker 2>Mexican copoultry and swirls the aromatic smoke all around list

0:23:34.680 --> 0:23:36.680
<v Speaker 2>while she stands with her eyes closed.

0:23:37.200 --> 0:23:40.679
<v Speaker 1>And now you can clean your face with the smoke,

0:23:41.119 --> 0:23:41.919
<v Speaker 1>like washing it.

0:23:42.760 --> 0:23:45.320
<v Speaker 2>She uses her hands to brush the smoke up over

0:23:45.359 --> 0:23:47.720
<v Speaker 2>her head and shoulders.

0:23:47.200 --> 0:23:50.040
<v Speaker 8>And also take this moke wherever you feel pain in

0:23:50.080 --> 0:23:55.720
<v Speaker 8>your body, you're gonna say everywhere, right, she carefully, is

0:23:55.760 --> 0:23:59.320
<v Speaker 8>really hot, all right, and we're ready, come and sit

0:23:59.359 --> 0:23:59.760
<v Speaker 8>down with me.

0:24:02.480 --> 0:24:05.720
<v Speaker 2>Liz outstretches her wrist as he dips the needle into

0:24:05.760 --> 0:24:09.840
<v Speaker 2>the deep red ink the tattoo will be done by hand,

0:24:10.400 --> 0:24:14.119
<v Speaker 2>dot by dot, a point to less painting on skin.

0:24:15.280 --> 0:24:17.280
<v Speaker 4>I mean it shows who my dad was or where

0:24:17.320 --> 0:24:22.200
<v Speaker 4>he came from. Some that's important to me, you know.

0:24:22.320 --> 0:24:25.040
<v Speaker 4>I think I didn't appreciate it when i was a kid,

0:24:25.080 --> 0:24:29.479
<v Speaker 4>and now it's something I'm immensely proud of and very

0:24:29.560 --> 0:24:30.280
<v Speaker 4>vocal about.

0:24:32.359 --> 0:24:35.760
<v Speaker 2>As Adam presses the needle into Liz's wrist, I see

0:24:35.800 --> 0:24:39.400
<v Speaker 2>her body begin to relax, as if the tension from

0:24:39.400 --> 0:24:43.000
<v Speaker 2>the day, maybe years, temporarily releases.

0:24:43.760 --> 0:24:47.680
<v Speaker 4>Today was a rough day. I definitely didn't want to

0:24:47.720 --> 0:24:52.160
<v Speaker 4>leave my bed or my house today, but I definitely

0:24:52.160 --> 0:24:56.119
<v Speaker 4>didn't want to get this done. Sometimes my brain just

0:24:56.160 --> 0:24:57.880
<v Speaker 4>takes over and nothing helps.

0:25:00.480 --> 0:25:01.560
<v Speaker 1>Yeah.

0:25:01.720 --> 0:25:02.840
<v Speaker 4>I think that's just trauma.

0:25:04.119 --> 0:25:07.159
<v Speaker 2>Yeah, it's hard when your brain lies to you.

0:25:07.520 --> 0:25:11.520
<v Speaker 4>Yeah, And I'm like, I'm constantly in fight or flight,

0:25:12.119 --> 0:25:13.840
<v Speaker 4>So it's exhausting.

0:25:16.720 --> 0:25:20.320
<v Speaker 2>Liz has a lot of tattoos, many of them with meeting,

0:25:21.280 --> 0:25:25.240
<v Speaker 2>but this one seems quite special, a talisman against those

0:25:25.359 --> 0:25:26.880
<v Speaker 2>dark days.

0:25:27.160 --> 0:25:31.200
<v Speaker 4>You know, just something to kind of help me keep

0:25:31.240 --> 0:25:34.800
<v Speaker 4>going and stuff gets hard. Yeah, And it's just like

0:25:34.880 --> 0:25:38.320
<v Speaker 4>really nice that I was able to meet up with

0:25:38.359 --> 0:25:42.360
<v Speaker 4>somebody who is able to do this in a way

0:25:42.440 --> 0:25:46.640
<v Speaker 4>that is kind of like the way that our ancestors

0:25:46.680 --> 0:25:47.639
<v Speaker 4>would have done.

0:25:49.240 --> 0:25:52.320
<v Speaker 2>Not only honoring her dad Jim, but her own spirit.

0:25:53.000 --> 0:25:56.879
<v Speaker 2>The spirit of a fighter and being a fighter runs

0:25:56.920 --> 0:25:59.520
<v Speaker 2>down the generations in Liz's family.

0:25:59.800 --> 0:26:02.960
<v Speaker 4>And so it's a way to remember the struggle not

0:26:03.119 --> 0:26:09.240
<v Speaker 4>just of my grandmother, but like also our ancestors. And yeah,

0:26:09.480 --> 0:26:13.800
<v Speaker 4>that's just kind of a way to remind myself, like,

0:26:14.119 --> 0:26:19.359
<v Speaker 4>my problems are not anywhere near what they experienced, food,

0:26:19.359 --> 0:26:23.680
<v Speaker 4>insecurity or just general violence. It's important to me to

0:26:24.640 --> 0:26:30.240
<v Speaker 4>remind myself that my problems are not nearly that bad.

0:26:33.520 --> 0:26:37.040
<v Speaker 2>The tiny dots began to form into a beautiful, textured,

0:26:37.200 --> 0:26:42.080
<v Speaker 2>flowing shape around her wrist, a natural fit, as if

0:26:42.119 --> 0:26:46.160
<v Speaker 2>she's had it for years. And as I watch each

0:26:46.280 --> 0:26:50.639
<v Speaker 2>new dot pluck into her skin, I imagine each piece of

0:26:50.760 --> 0:26:54.160
<v Speaker 2>Lissa's journey and her enduring fight to free her mom

0:26:54.440 --> 0:26:58.640
<v Speaker 2>and grieve her dad. I think about my own loss

0:26:58.720 --> 0:27:02.159
<v Speaker 2>and the complexity of life life, but grateful for the

0:27:02.200 --> 0:27:05.199
<v Speaker 2>strength Liz has shown me in our short time together

0:27:06.080 --> 0:27:11.080
<v Speaker 2>and her tenacity to keep fighting. While we may never

0:27:11.200 --> 0:27:14.440
<v Speaker 2>know the answer to Jim's murder, And wherever you stand

0:27:14.480 --> 0:27:18.040
<v Speaker 2>on Sandy's guilt or innocence. I think we can all

0:27:18.080 --> 0:27:21.880
<v Speaker 2>agree if anything bad were to happen to you, you'd

0:27:21.880 --> 0:27:24.200
<v Speaker 2>want someone like Liz on your side of the ring.

0:27:27.119 --> 0:27:30.480
<v Speaker 2>It's been nearly thirteen years since Jim died and Liz

0:27:30.520 --> 0:27:33.879
<v Speaker 2>had to turn into an investigator instead of a grieving daughter.

0:27:35.000 --> 0:27:38.840
<v Speaker 2>After all that time, She's exhausted, wants to give up,

0:27:38.880 --> 0:27:43.960
<v Speaker 2>but somehow tries to fight another day. As I look

0:27:44.040 --> 0:27:48.960
<v Speaker 2>closer at the tattoo, nearly complete, it starts to remind

0:27:49.000 --> 0:27:54.159
<v Speaker 2>me of something else, the twisting linear strands and repeating

0:27:54.200 --> 0:27:59.440
<v Speaker 2>double helix of the building blocks of all life DNA.

0:28:00.359 --> 0:28:03.480
<v Speaker 2>And I can't help but wonder if DNA will be

0:28:03.520 --> 0:28:07.800
<v Speaker 2>the key to unlock the rest of Lissa's story. But

0:28:07.880 --> 0:28:35.480
<v Speaker 2>I guess for now, we'll just have to wait and see.

0:28:36.240 --> 0:28:39.480
<v Speaker 2>You've been listening to Hands Tied from BBC Studios and

0:28:39.560 --> 0:28:43.400
<v Speaker 2>iHeart Podcasts. If you like the show, please help us

0:28:43.400 --> 0:28:46.360
<v Speaker 2>by spreading the word or giving us a five star review.

0:28:47.800 --> 0:28:51.239
<v Speaker 2>The series was produced by me, Maggie Robinson Katz and

0:28:51.280 --> 0:28:55.560
<v Speaker 2>Maggie Latham. Sound design and mix is by Tom Brignell.

0:28:56.280 --> 0:29:02.520
<v Speaker 2>Our script consultant is Emma Weatherall music research by Aisha Antwe.

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<v Speaker 2>Production support is from Dan Martini, Elena Boutang and Mabel

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<v Speaker 2>Finnegan Wright, and our production Executive is Laura Jordan Rawl.

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<v Speaker 2>The series was developed by Anya Saunders and Emma Shaw.

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<v Speaker 2>At iHeart, the Managing Executive Producer is Christina Everett, and

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<v Speaker 2>for BBC Studios, the executive producer is Joe Kent. At

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<v Speaker 2>iHeart Podcasts, David Wasserman is the brand Marketing Manager and

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<v Speaker 2>Ali Cantor Graber is the Director of Marketing at BBC

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<v Speaker 2>Studios Audio, our editorial standards advisor is Michael Fatta Ella

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<v Speaker 2>Squire's our podcast marketing manager. Lucy Matthias is Commercial lead

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<v Speaker 2>and Helen Penbury is the Commercial and Business Development Director.

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<v Speaker 2>James Cook is a creative director of Factual for Audio,

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<v Speaker 2>and the Director of Audio at BBC Studios is Richard Knight.