1 00:00:00,120 --> 00:00:02,759 Speaker 1: Right now, it's time to ask the riddlo. That's already 2 00:00:02,880 --> 00:00:07,040 Speaker 1: love Officer Tommy and Junior. Here we go, guys, All right, guys, 3 00:00:07,080 --> 00:00:09,840 Speaker 1: this is from Sasha in Clarksdale. I had a party 4 00:00:10,760 --> 00:00:13,400 Speaker 1: and everyone got drunk. I let my cousin sleep on 5 00:00:13,440 --> 00:00:15,800 Speaker 1: the couch and his friend sleep on the floor. My 6 00:00:15,880 --> 00:00:18,880 Speaker 1: boyfriend was mad that I let them stay over. That's 7 00:00:18,920 --> 00:00:21,320 Speaker 1: my family. So I'm not trying to hear that. Why 8 00:00:21,320 --> 00:00:22,840 Speaker 1: do I have to explain myself? 9 00:00:23,400 --> 00:00:26,640 Speaker 2: Okay, what was your boyfriend? Then? Was he at the part? 10 00:00:26,920 --> 00:00:30,120 Speaker 1: Well, she didn't say. She didn't say he was mad 11 00:00:30,200 --> 00:00:32,680 Speaker 1: that she He must not have been there because when 12 00:00:32,720 --> 00:00:34,320 Speaker 1: he found out about it, he got mad. 13 00:00:35,400 --> 00:00:37,640 Speaker 3: But I get this, I get why I'm man, especially 14 00:00:37,680 --> 00:00:39,680 Speaker 3: if he's not there. Man, it's like, okay, you had 15 00:00:39,720 --> 00:00:41,839 Speaker 3: your little party. These people need to go home now. 16 00:00:41,840 --> 00:00:43,400 Speaker 3: You got all these men up in your house and 17 00:00:43,400 --> 00:00:45,240 Speaker 3: that's that's just one group of people. We don't know 18 00:00:45,280 --> 00:00:47,320 Speaker 3: how many other people stayed at the house too. 19 00:00:47,440 --> 00:00:50,600 Speaker 1: So but your cousin though your family, well, we. 20 00:00:50,600 --> 00:00:52,320 Speaker 3: Ain't talking about the cooks. We ain't talking about the 21 00:00:52,360 --> 00:00:53,960 Speaker 3: cook we talking about that one. We don't know nothing. 22 00:00:54,160 --> 00:00:54,640 Speaker 2: What's about? 23 00:00:54,760 --> 00:00:58,360 Speaker 1: No, No, the boyfriend was man that he let them, 24 00:00:58,480 --> 00:01:01,720 Speaker 1: that she let them. Still, she didn't just say the friend. 25 00:01:02,000 --> 00:01:02,840 Speaker 1: She meant the cousin. 26 00:01:02,920 --> 00:01:06,240 Speaker 3: And that's what them mean because he knows the cousin. 27 00:01:07,080 --> 00:01:09,360 Speaker 3: It's this other one that we don't know much about. 28 00:01:09,440 --> 00:01:11,800 Speaker 3: I promise you that's what it's about. And he probably 29 00:01:11,880 --> 00:01:15,080 Speaker 3: sexy looking. Okay, he looks, trust me, he does. 30 00:01:15,520 --> 00:01:17,679 Speaker 1: Baby, you can say here, don't you don't have to drive? 31 00:01:19,040 --> 00:01:20,960 Speaker 3: No, No, it's and it's too many ways to get 32 00:01:20,959 --> 00:01:23,160 Speaker 3: people home. We can ouber you, we can we can 33 00:01:23,240 --> 00:01:25,520 Speaker 3: lift you. You know, there's too many people way we 34 00:01:25,520 --> 00:01:28,039 Speaker 3: can get people home and somebody going that way. You know, 35 00:01:28,720 --> 00:01:30,880 Speaker 3: we can get you to your house. You come back 36 00:01:30,920 --> 00:01:32,040 Speaker 3: the next day and get your car. 37 00:01:32,880 --> 00:01:35,320 Speaker 1: They were drunk though, you heard the drunk part. 38 00:01:36,120 --> 00:01:40,520 Speaker 2: That's why you get in the old bar. What you got, 39 00:01:40,600 --> 00:01:42,480 Speaker 2: jor what I got? 40 00:01:42,800 --> 00:01:45,280 Speaker 4: I'm with Tommy. It's not the cousin that's on the couch. 41 00:01:45,400 --> 00:01:49,919 Speaker 4: He has the couch. It's the friend that's on their flow. Yeah, 42 00:01:50,080 --> 00:01:51,280 Speaker 4: that's the issue. 43 00:01:52,040 --> 00:01:53,360 Speaker 2: What do they have going on? 44 00:01:53,480 --> 00:01:54,880 Speaker 4: They have to have something going on. 45 00:01:55,560 --> 00:01:57,200 Speaker 2: It's a sexy friend on the floor. 46 00:01:57,960 --> 00:02:01,880 Speaker 4: Yeah, yeah, a bedroom and he up against that baseball 47 00:02:02,000 --> 00:02:02,920 Speaker 4: that it looks different. 48 00:02:05,080 --> 00:02:06,200 Speaker 2: That's why is he posing? 49 00:02:06,240 --> 00:02:07,200 Speaker 4: And he's supposed to be sleeping. 50 00:02:07,200 --> 00:02:09,760 Speaker 2: Why is he posing? 51 00:02:10,040 --> 00:02:18,000 Speaker 3: Okay, put it like this, Shirley, what's the guy talking about? 52 00:02:18,040 --> 00:02:19,840 Speaker 1: Aaron Pierre? 53 00:02:20,000 --> 00:02:20,200 Speaker 2: Move? 54 00:02:20,800 --> 00:02:20,920 Speaker 3: Oh? 55 00:02:20,960 --> 00:02:23,160 Speaker 2: We go head on over there to Jayla Hurst. Yeah, 56 00:02:23,200 --> 00:02:25,560 Speaker 2: come on, okay, So Jalen Hurst is on the floor. 57 00:02:28,639 --> 00:02:33,160 Speaker 3: Listen, Beverly, and yes not for got to go. 58 00:02:33,360 --> 00:02:40,600 Speaker 1: Stays over at my house. He's not on that floor lawn. Okay, 59 00:02:40,600 --> 00:02:41,400 Speaker 1: I get your point. 60 00:02:43,000 --> 00:02:49,320 Speaker 2: You kicked the boyfriend out for Jaylen. Yeah. Wow, and 61 00:02:49,440 --> 00:02:50,600 Speaker 2: he got that bigger ring. 62 00:02:53,880 --> 00:02:56,760 Speaker 1: All right, moving on, moving on, I get your point, 63 00:02:56,800 --> 00:03:01,359 Speaker 1: Tommy Joy and Concord the Joy writes, my husband refuses 64 00:03:01,440 --> 00:03:03,960 Speaker 1: to put things back where they go before I go 65 00:03:04,000 --> 00:03:06,240 Speaker 1: to bed. I want the house to be tidy so 66 00:03:06,280 --> 00:03:09,360 Speaker 1: we can wake up refreshed and not stressed. I have 67 00:03:09,440 --> 00:03:11,880 Speaker 1: to wait until he goes to bed so I can 68 00:03:11,919 --> 00:03:15,120 Speaker 1: straighten up. I'd hate to nag him, So what do 69 00:03:15,160 --> 00:03:15,480 Speaker 1: I do? 70 00:03:18,840 --> 00:03:21,040 Speaker 3: You're a hard spot because it seemed like he been 71 00:03:21,080 --> 00:03:22,880 Speaker 3: doing this and he's not gonna stop this. This is 72 00:03:22,919 --> 00:03:26,800 Speaker 3: his pattern, So you don't got You've allowed this pattern 73 00:03:26,840 --> 00:03:29,560 Speaker 3: to develop, so this happens all the time and late 74 00:03:29,680 --> 00:03:31,880 Speaker 3: night you cleaning up the whole kitchen and getting everything 75 00:03:31,919 --> 00:03:34,920 Speaker 3: back in order. It's just turned into what it is now. 76 00:03:34,960 --> 00:03:36,920 Speaker 3: You can come to him and say, baby, can you 77 00:03:36,920 --> 00:03:39,600 Speaker 3: at least help me clean up? All right, I'm up 78 00:03:39,680 --> 00:03:41,880 Speaker 3: later than you for another hour, trying to get the 79 00:03:41,920 --> 00:03:44,240 Speaker 3: house right. Can you at least, you know, show me 80 00:03:44,280 --> 00:03:46,200 Speaker 3: some love. I am your wife. Can you come help 81 00:03:46,200 --> 00:03:48,560 Speaker 3: me and have this stuff out here? Is yours? 82 00:03:48,800 --> 00:03:51,080 Speaker 1: Yeah, she's cleaning up after his messy. 83 00:03:50,760 --> 00:03:53,920 Speaker 3: But yeah, so come on show me some love. Or 84 00:03:54,280 --> 00:03:56,600 Speaker 3: if he ain't helping clean up in the kitchen and 85 00:03:56,680 --> 00:04:00,120 Speaker 3: guess what, guess what it messes up. 86 00:04:00,040 --> 00:04:00,680 Speaker 2: But another room. 87 00:04:00,720 --> 00:04:03,520 Speaker 3: We know how to fix this, We know how to 88 00:04:03,560 --> 00:04:05,000 Speaker 3: get it with he two o'clock in the morning and 89 00:04:05,040 --> 00:04:07,000 Speaker 3: there there kitchen trying to get it right. We can 90 00:04:07,040 --> 00:04:10,160 Speaker 3: fix well, we can fix all. You gotta just cut it. 91 00:04:10,240 --> 00:04:12,880 Speaker 3: Cut a certain thing off, and trust me, things will change, 92 00:04:13,120 --> 00:04:19,000 Speaker 3: you know. 93 00:04:16,880 --> 00:04:19,240 Speaker 4: Absolutely right, cut something off at two o'clock in the morning. 94 00:04:19,279 --> 00:04:21,640 Speaker 4: It's it's it's we can watch two things at two 95 00:04:21,640 --> 00:04:23,000 Speaker 4: o'clock in the morning. That's it. 96 00:04:24,240 --> 00:04:24,720 Speaker 2: We do that. 97 00:04:27,880 --> 00:04:30,599 Speaker 4: We're watching that and we're not. It's not it's not 98 00:04:30,720 --> 00:04:31,040 Speaker 4: doing that. 99 00:04:31,080 --> 00:04:31,359 Speaker 2: I'm not. 100 00:04:31,560 --> 00:04:33,479 Speaker 4: First of all, you gave him a title to you 101 00:04:33,520 --> 00:04:36,120 Speaker 4: did give him a title? You said, my husband is 102 00:04:36,400 --> 00:04:38,280 Speaker 4: pretty much you said, you're telling us your husband. 103 00:04:38,279 --> 00:04:39,280 Speaker 2: Asked what you're saying? 104 00:04:39,680 --> 00:04:43,919 Speaker 4: Yeah, but you gave him a title of husband. 105 00:04:43,960 --> 00:04:49,000 Speaker 2: So he's a leader. Oh he's just a leader. He 106 00:04:49,080 --> 00:04:53,600 Speaker 2: don't all right? All right? So what should she do? 107 00:04:54,360 --> 00:04:56,960 Speaker 1: Just tell him that cut it off? 108 00:04:59,279 --> 00:05:02,719 Speaker 2: Divorce. Well that's all I got through the small stuff. 109 00:05:02,800 --> 00:05:05,800 Speaker 2: Yeah I can't. It's not small. 110 00:05:06,520 --> 00:05:08,280 Speaker 4: At midnight, I'm not I don't want my house. 111 00:05:10,000 --> 00:05:13,200 Speaker 2: She can nag him. Get the nagging. He'll start picking up. 112 00:05:13,200 --> 00:05:14,760 Speaker 4: You don't want to hear your mouth no more, get 113 00:05:14,800 --> 00:05:16,200 Speaker 4: the naggon whatever. 114 00:05:16,400 --> 00:05:17,920 Speaker 2: Clean up? All right? 115 00:05:18,680 --> 00:05:24,359 Speaker 1: Moving on to von Dale and Bloomington and Bloomington, Vondel 116 00:05:24,400 --> 00:05:27,599 Speaker 1: and Bloomington. Right, my wife talks back to me. I 117 00:05:27,600 --> 00:05:31,839 Speaker 1: have a problem with that first line, but anyway, either yeah. 118 00:05:31,839 --> 00:05:33,160 Speaker 2: Who are you? Okay? 119 00:05:33,360 --> 00:05:35,400 Speaker 1: I just she'll say it to my face where she 120 00:05:35,440 --> 00:05:39,279 Speaker 1: walks away mumbling calling me nasty names. I wish we 121 00:05:39,360 --> 00:05:43,240 Speaker 1: could have discussions without all the back talk and her 122 00:05:43,279 --> 00:05:46,839 Speaker 1: being childish. How can we approve? How can we improve 123 00:05:47,000 --> 00:05:51,320 Speaker 1: our communication? She is immature, though. 124 00:05:51,240 --> 00:05:55,280 Speaker 3: She is this is immature. But I think the thing 125 00:05:55,360 --> 00:05:57,440 Speaker 3: that drives. That drives most of me. And great that 126 00:05:57,560 --> 00:06:01,600 Speaker 3: that walking away mumbling, oh that drives me. Just I 127 00:06:01,640 --> 00:06:04,800 Speaker 3: can't stand that. What are you saying because all that 128 00:06:04,880 --> 00:06:08,080 Speaker 3: mommy is about me. What you're saying, I want to 129 00:06:08,120 --> 00:06:08,480 Speaker 3: hear it. 130 00:06:08,880 --> 00:06:11,960 Speaker 2: You don't know right there? 131 00:06:14,560 --> 00:06:16,960 Speaker 3: You know there's always something like call it that going 132 00:06:17,000 --> 00:06:18,800 Speaker 3: to be very clear and bold. Oh you did not 133 00:06:18,880 --> 00:06:20,960 Speaker 3: hear me. Let me be clear. 134 00:06:21,040 --> 00:06:23,560 Speaker 1: Then I don't like the fact that he said, my 135 00:06:23,600 --> 00:06:25,240 Speaker 1: wife talks back to me. 136 00:06:25,880 --> 00:06:25,960 Speaker 3: What. 137 00:06:26,680 --> 00:06:28,599 Speaker 2: Yeah, I can. 138 00:06:28,480 --> 00:06:32,560 Speaker 1: Talk back to you said, Yeah, you said what you 139 00:06:32,600 --> 00:06:34,560 Speaker 1: wanted to say. I can say what I want to say. 140 00:06:34,680 --> 00:06:34,920 Speaker 2: Yeah. 141 00:06:35,520 --> 00:06:37,840 Speaker 3: I don't like the I just don't like the confrontation 142 00:06:38,000 --> 00:06:40,400 Speaker 3: that we get into the top back area, that we 143 00:06:40,480 --> 00:06:41,599 Speaker 3: got to get to this level. 144 00:06:41,800 --> 00:06:43,400 Speaker 2: Yeah, we shouldn't have to get to that. 145 00:06:43,680 --> 00:06:47,880 Speaker 1: Yeah, well then yeah he should change his mindsett and 146 00:06:47,960 --> 00:06:50,919 Speaker 1: stop saying my wife talks back to me. He doesn't 147 00:06:51,080 --> 00:06:52,800 Speaker 1: like what she's saying. That's all. 148 00:06:53,120 --> 00:06:56,039 Speaker 2: Here's my question. Did von Dale leave a phone number 149 00:06:56,080 --> 00:07:00,240 Speaker 2: so we can talk and talk? 150 00:07:00,839 --> 00:07:02,960 Speaker 4: If your wife you think your wife talking back to you, 151 00:07:03,920 --> 00:07:08,440 Speaker 4: to call me, ride us back with your phone on 152 00:07:08,640 --> 00:07:09,600 Speaker 4: Ndale in Bloomington. 153 00:07:09,680 --> 00:07:15,000 Speaker 2: We can talk. I can't believe this is bothering you, 154 00:07:15,120 --> 00:07:15,600 Speaker 2: Von Dale. 155 00:07:16,720 --> 00:07:18,120 Speaker 1: You thought it was normal, Junior. 156 00:07:18,480 --> 00:07:21,560 Speaker 4: And I've never heard nobody lead with that question. My 157 00:07:21,600 --> 00:07:23,920 Speaker 4: wife talks back to me, brother, you better, you better 158 00:07:23,960 --> 00:07:24,480 Speaker 4: pick it up. 159 00:07:24,640 --> 00:07:28,440 Speaker 2: Bro. They do it all the time, all right, Judie, 160 00:07:28,480 --> 00:07:30,520 Speaker 2: what is your house like? Boy? 161 00:07:30,560 --> 00:07:32,000 Speaker 4: You need to come over here and spend a weekend 162 00:07:32,040 --> 00:07:34,160 Speaker 4: time going weekend time. 163 00:07:34,320 --> 00:07:36,920 Speaker 1: Thank you, guys. Coming up at the top of the hour, 164 00:07:37,000 --> 00:07:39,440 Speaker 1: we'll have some entertainment news for you right after this. 165 00:07:40,120 --> 00:07:42,840 Speaker 1: You're listening Morning Show