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Speaker 1: Hi.

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Speaker 2: Quick announcement before the episode gets started, and that is

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Speaker 2: that George and I's incredible, amazing stand up tour continues

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Speaker 2: this weekend. We're going to San Francisco, then Seattle, where

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Speaker 2: we've added a second date because the first one's sold out,

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Speaker 2: and then Portland, where we've added a late show because

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Speaker 2: the first one's sold out, and then Los Angeles, California,

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Speaker 2: where we'll be finishing our stand up tour. So please

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Speaker 2: get tickets there in our bio and we are so

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Speaker 2: excited to finish strong and get this. If you're in

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Speaker 2: Las Vegas or even somewhat close, we're doing a show there,

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Speaker 2: a Classics Radio Lab live show on October fifteenth, and

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Speaker 2: would love to see you there. We've never been to

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Speaker 2: Vegas and we are curious what the bibe will be.

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Speaker 2: So see you on the West coast starting this weekend

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Speaker 2: and see you next month Vegas.

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Speaker 3: Okay, bye, podcast starts now. I feel so rigid today. Wow? Sorry, no,

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Speaker 3: go ahead, cut me off.

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Speaker 4: What were you gonna say?

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Speaker 3: Nothing of importance?

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Speaker 2: But that doesn't mean I don't have a momentum, a

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Speaker 2: flow that just naturally comes.

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Speaker 3: Don't put your rigidity on me. That's true.

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Speaker 4: That's true.

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Speaker 3: I actually was I was cutting your cutting off your

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Speaker 3: wings because I was I was hearing you you. I

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Speaker 3: was like, you're about to be a superstar on Mike.

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Speaker 3: I can't have you overshadow me. So I'm gonna cut

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Speaker 3: in and say I'm feeling rigid. That is wild. I

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Speaker 3: can't believe you would do that. Tell me more about

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Speaker 3: your rigidity. Do you know when you have those days

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Speaker 3: where you're not moving in a in a flow based

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Speaker 3: way and you're moving more in a kind of action

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Speaker 3: figure based right angle way. Yeah, I and and now

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Speaker 3: I'm aware of it, and I'm and it's only making

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Speaker 3: me move more in a Barbie hands feet permanently in

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Speaker 3: heels kind of way. And this started like when you

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Speaker 3: woke up this morning. Yeah, I you know this studio

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Speaker 3: I'm lucky enough to say is approximately thirteen minute walk

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Speaker 3: from my apartment. I woke up, I started walking. I said,

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Speaker 3: uh oh, I'm not really runway walking right now. I'm

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Speaker 3: more so kind of like.

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Speaker 4: A pr girl with a clipboard.

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Speaker 3: You know. It's like everyone else is a celebrity and

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Speaker 3: I'm the one ugly one.

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Speaker 2: Sorry, sorry, I have to say I've seen you walk

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Speaker 2: stif flee before What the hell? I know what it

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Speaker 2: looks like when you're not in your flow state.

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Speaker 3: Yeah, what but you have also seen in my flow stage.

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Speaker 2: Of course it's you you glide on the sidewalks, but

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Speaker 2: when you when you go g I Joe mode, and.

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Speaker 3: It's no, it's crazy because it's also like, at this point,

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Speaker 3: shouldn't I be able to fike it?

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Speaker 4: So also should I be able to know?

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Speaker 3: Like this is just my default state of walking?

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Speaker 2: But when you think about what is my default state

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Speaker 2: of walking, you've already lost.

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Speaker 3: How are you feeling? I have to say the complete opposite.

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Speaker 3: I mean, yes, don't get me wrong.

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Speaker 2: I was seven minutes late to arriving, but that's because

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Speaker 2: I'm lost in the building. Yeah, but up until then

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Speaker 2: everything was working so perfectly.

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Speaker 4: Well.

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Speaker 3: You biked here, I city biked.

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Speaker 2: I took the e bike option, which is just a room,

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Speaker 2: delightful room room, and like you know, I go to

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Speaker 2: the station.

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Speaker 3: There's only one e bike left. That's perfect.

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Speaker 2: Yeah, I'm riding the time. It says I'm going to

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Speaker 2: get here at ten twenty eight. That's perfect. That's enough

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Speaker 2: time to be lost in the building for a moment,

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Speaker 2: and then I get to the City Bike station right outside,

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Speaker 2: just just one spot to park it. I was like,

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Speaker 2: this is insane. This city provides this is a big

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Speaker 2: city bank.

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Speaker 4: Thank you.

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Speaker 2: Thank you to our partners at City Bank for providing

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Speaker 2: a space for me two bike.

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Speaker 3: Thank you to City Bank for providing the space. Have

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Speaker 3: I told you about that? One time? Someone I know

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Speaker 3: posted Levi's spon con and said, thank you Levi's for

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Speaker 3: making the space. It's actually one of the most amazing things.

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Speaker 3: But the most amazing series of words I've ever seen

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Speaker 3: is strung together in a sentence, thank you Levi's for

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Speaker 3: making It's so amazing to imagine Levi's making the space.

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Speaker 3: I have to be honest.

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Speaker 2: Was it sort of a coffe situation where they were

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Speaker 2: just like, didn't finish but hits No.

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Speaker 3: I think it was like that was the copying me this.

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Speaker 3: I think even worse, it was not suggestive copy. I

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Speaker 3: think this person was like, I got it, thank you

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Speaker 3: Levi's for making the space. Wow. Yeah, So to go

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Speaker 3: back to City Bank, thank you for making the space.

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Speaker 3: Thank you for making the space. And you know, we

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Speaker 3: had an amazing night last night. We did have an

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Speaker 3: amazing Oh well, I mean I didn't have an amazing night.

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Speaker 3: Uh oh what happened? Well, you know why I left

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Speaker 3: the event? What I was promised that I would see

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Speaker 3: share perform. Oh and she didn't. And she and I

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Speaker 3: didn't get into the event.

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Speaker 4: Oh, you didn't get into the event.

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Speaker 1: So we I get a text.

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Speaker 3: I am old enough that I should know not to

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Speaker 3: trust things like this. But I get a text. It

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Speaker 3: says I'm at an event. The rumor is that Share

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Speaker 3: is going to perform. I could probably get a plus one.

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Speaker 3: I said, okay, but like sounds difficult. Are you sure

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Speaker 3: you want me to? You know, are you sure I

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Speaker 3: should come take an uber to Midtown on the off

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Speaker 3: chance that I will get in and see share perform.

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Speaker 3: They're like, you're on the list. I come, Like the

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Speaker 3: door is a little chaotic, but like you're on the

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Speaker 3: list and you'll get in.

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Speaker 4: I get there, they have fully closed the doors.

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Speaker 3: It's like it's like paparazzi that are so it's almost

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Speaker 3: like grotesque caricatures of paparazzi you would see in like

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Speaker 3: a Michael Bay movie, Like they're all look like deformed

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Speaker 3: faces and they're like representing the black heart of American society.

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Speaker 2: Yeah, and it's like, can't you see that she's hurting?

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Speaker 2: And all you do is yell at her? Yeah exactly.

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Speaker 3: And then I get in I immediately feel just completely invisible.

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Speaker 3: Just it's like everyone else is a human and I'm

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Speaker 3: sub human. Yeah, and then I leave and I go

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Speaker 3: home and I order Chinese foods.

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Speaker 2: Well, I have to say, it's you know, you did

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Speaker 2: leave an event to go to this event, which I

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Speaker 2: do think you're out, and you even said sort of

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Speaker 2: a I have to go, and then until you were like,

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Speaker 2: I just have to leave, and I was like, Okay,

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Speaker 2: you're just gonna go home.

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Speaker 3: You were gonna let me believe you were just gonna

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Speaker 3: go home, and I didn't want to set up yes,

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Speaker 3: But then, of course what I wanted to avoid is

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Speaker 3: what's happening now, which is that I told you I

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Speaker 3: was going to see Share and then I ended up

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Speaker 3: literally just spending one hundred dollars on Uber says coming home.

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Speaker 3: I wanted to sort of have it be a surprise

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Speaker 3: the next day, you'll never believe I saw last night.

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Speaker 3: Sure that would have been a nice surprise, but it

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Speaker 3: did feel like dishonesty. I also got, well, was asking

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Speaker 3: you to give me the space. Yeah, anyway, so I

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Speaker 3: just want to say, you know, the event responds by

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Speaker 3: Valentino Beauty, and I want to say they did not

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Speaker 3: create the space. They did not create the same in

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Speaker 3: the form of closing the door. He on, an LGBTQ

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Speaker 3: plus creator, no.

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Speaker 2: Less so messed up. And just when we were starting

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Speaker 2: to feel respected, I know.

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Speaker 3: And speaking of LGBTQ plus creators, we have such an

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Speaker 3: amazing guest tonight. I we are doing this amazing thing

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Speaker 3: where we're booking them actually right before or their show ends,

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Speaker 3: so they actually can't even there's simply no way to

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Speaker 3: There's no way to promote the show unless you are

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Speaker 3: going Hermione Granger mode, going back in time and buying

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Speaker 3: tickets or potentially waiting in the standby line to see

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Speaker 3: their show. Can I be frank which is now closed?

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Speaker 3: Quite frankly, yeah, I have to say I really loved

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Speaker 3: it and I highly recommend it if again, like at

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Speaker 3: some point it returns, maybe next year.

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Speaker 4: I really hope you can see it. I know you

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Speaker 4: were in LA you know I.

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Speaker 3: Would, and it just really I could not recommend it

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Speaker 3: more highly, and I really I'm sorry that none of

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Speaker 3: you are going to have the chance to see it.

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Speaker 3: And so, without further ado, please welcome Morgan Bassacus.

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Speaker 2: Hi.

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Speaker 3: Oh wow, well I used to be here with you

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Speaker 3: and the ultimate power move to recommend something that is

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Speaker 3: absolutely over Well, I actually it is the ultimate power yeah,

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Speaker 3: because there's something you know, when someone could recommend like

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Speaker 3: something exclusive. Yes, this is sort of exclusive in that way,

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Speaker 3: in that like it is temporally biased. It's like it's

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Speaker 3: only for people who are in the past over there, exactly,

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Speaker 3: Like I'm actually marginalizing presence oriented people and idis identify

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Speaker 3: people and I'm privileging past identified People's like, my recommendation

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Speaker 3: is only for people in the past, and it's like,

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Speaker 3: I'm sorry you couldn't get into the past. You can't

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Speaker 3: get into the show exactly. This is the share community. Yeah,

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Speaker 3: I know, I know. I've got an experience of rejection

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Speaker 3: to you wanted to have an experience of inclusion, and

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Speaker 3: I know I know that's how it works. We want

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Speaker 3: to feel like we're in somewhere.

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Speaker 2: And yetimes, it's so nice to feel like you're out.

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Speaker 4: Wait say more, Well, it's like.

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Speaker 2: When you can want, when you can be, like, when

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Speaker 2: you can want, It's that's amazing Ive your next song.

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Speaker 3: All I ever want is to want to be honest.

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Speaker 3: That's actually like, yeah, no, that's such a I was

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Speaker 3: recently wanting, wanting, Yes, I was recently wanted. I was

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Speaker 3: recently wanton, and okay, I was recently. I found myself

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Speaker 3: in the single biggest and most expensive apartment I will

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Speaker 3: ever be in my life. Love that happened, like we're talking,

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Speaker 3: like it was out of a out of a movie

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Speaker 3: that wasn't even and just like that, it was out

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Speaker 3: of it, just like that, Oh my god. And I

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Speaker 3: looked around and I said, there's no love in this house.

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Speaker 3: But if we just ended there, we just.

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Speaker 4: Ended here, I was like.

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Speaker 3: And and to add on top of that, can there

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Speaker 3: be this house is not definitionally, this is not a home.

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Speaker 3: And can any house that is like this be a home?

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Speaker 1: Right?

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Speaker 3: Oh it's so austere. Yeah, yes exactly. And it's like

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Speaker 3: it is there a way where once you're no longer wanting,

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Speaker 3: you can no longer experience love, Like the person that

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Speaker 3: lived in that apartment isn't wanting.

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Speaker 4: Oh my gosh, that hurts, you know what I mean?

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Speaker 4: Not one is like it is a great fear.

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Speaker 2: Yeah, because then it's like it's like sometimes I'm like

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Speaker 2: I sometimes I wish I weren't horny, Like I'd be like, God,

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Speaker 2: it'd be amazing for that cloud to go away all

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Speaker 2: the time.

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Speaker 3: But then I'm like, but what would my compass be?

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Speaker 2: Like?

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Speaker 4: Where would I know?

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Speaker 3: And wanting is kind of similar where it's like you're

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Speaker 3: just if you're always wanting. If you stop wanting, then

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Speaker 3: you like, well, I guess I just sit here still

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Speaker 3: like one hundred percent, not doing anything one hundred percent.

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Speaker 3: It's confusing, It's crazy all that. I mean, think about

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Speaker 3: all that. Remember that joke Margaret Chow used to have

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Speaker 3: years ago where she would be like, all that time

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Speaker 3: I was thinking about hating my body, I could have

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Speaker 3: taken a pottery class. I just think about that. Like

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Speaker 3: the number of hours I have spent searching for sex

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Speaker 3: is crazy. Yeah, oh my god, I could have learned

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Speaker 3: anything I could have learned, I could have I could

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Speaker 3: have been a person.

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Speaker 1: You know what.

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Speaker 3: Funny as this is how I feel about. On the

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Speaker 3: opposite end of the spectrum, I feel about the hours

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Speaker 3: I spent on Instagram, I'm like, I could have been

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Speaker 3: having sex, right, Like, I'm like, well, at least if

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Speaker 3: I could have been doing the dead eyed looking at

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Speaker 3: a screen thing. But I could have led somewhere instead

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Speaker 3: of me literally looking at photos from an event. I

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Speaker 3: know that I wasn't at, nor did I want to

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Speaker 3: be at, or like, why am I doing?

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Speaker 4: Right? Is that one I've been looking at?

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Speaker 3: You gotta be looking at three dicks? Yeah, but that's

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Speaker 3: and that's what I'm literally like, even I'm behind you,

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Speaker 3: guys like you guys are at the You're looking at dicks,

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Speaker 3: and you're like, God, I could have taken a pottery class.

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Speaker 3: I'm looking at a photo of Kristen Davis. I don't

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Speaker 3: know which one's better. To be honest with you, it's

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Speaker 3: always do you think, generally speaking, okay, a gay guy?

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Speaker 4: Okay?

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Speaker 3: Do you think a gay guy if he were to

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Speaker 3: be shown we're doing a study. He has to be

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Speaker 3: shown a variety of photos of Kristin Davis, like christ

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Speaker 3: Davis when she was young, Davis now like red carpet,

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Speaker 3: no makeup, interview with Kim Krau, and then another guy,

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Speaker 3: gay guy has just shown a bunch of dicks. Yes,

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Speaker 3: At the end of the experiment, who's happier? Whoa It's

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Speaker 3: like the most political thing I've ever heard.

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Speaker 4: WHOA, I'm serious. It's like wait, wait, wait wait, let's

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Speaker 4: how long does it last?

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Speaker 3: It lasts? Let's just say it lasts. Here's the thing.

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Speaker 2: If you're that example, I feel that the Christen Davis

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Speaker 2: person is happier.

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Speaker 1: Yeah.

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Speaker 3: I could think so too, because there's.

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Speaker 2: Like more depth, there's more beauty, there's like something to

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Speaker 2: be explored. You're you're thinking about time. You're thinking about

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Speaker 2: like you know, presentation and when and how you do it,

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Speaker 2: whereas like dis you're just like it's just animal and

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Speaker 2: you're just like okay.

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Speaker 3: And then there's the after. Well, then there's a conversation

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Speaker 3: after which you've totally forgotten about all the dicks. You're

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Speaker 3: just like recommending self help books. Do you know what

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Speaker 3: I mean? Like, I feel like that's that's like it's

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Speaker 3: got taken away. Where is the Christen Davis. There's no after,

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Speaker 3: there's no hangover. Yes, there's there's no hangover. You also

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Speaker 3: take yourself out of it when you're thinking about Kristen Davis. Yes,

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Speaker 3: you are actually thinking about someone else. When you're thinking

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Speaker 3: about the dicks, you're thinking what would they look like

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Speaker 3: with me in the frame you're thinking, you're thinking, what

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Speaker 3: would it look like if I grabbed one, if I

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Speaker 3: grab if one of them sort of slapped me across

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Speaker 3: these dick see me? Yeah, you're not. The dicks are

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Speaker 3: a mirror, whereas Christy Davis is a portal.

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Speaker 2: Whoa Jesus. So the rigidity era is over. I know,

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Speaker 2: it's unbelievable. You're really cooking.

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Speaker 3: Yeah, you're totally fluid.

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Speaker 2: Wow wow wow wow supple. I am currently in my

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Speaker 2: where I live in La Get this.

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Speaker 3: It's hard to have sex there? Well, it's impossible. For foremost,

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Speaker 3: nobody commits that. No one has had sex and no

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Speaker 3: one has sext there. Like the studios, there's a population issue.

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Speaker 2: There's a huge population. That's why you can get a

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Speaker 2: house if you want, exactly. But I think it's so

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Speaker 2: so like wanting versus having right because like so I have,

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Speaker 2: like I have a pool that I share with my landlord.

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Speaker 2: Oh my, which is extremely luxurious. I'm like, how happened

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Speaker 2: in my life where I have access to a pool

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Speaker 2: as a child that was like my full fantasy was

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Speaker 2: like one day a pool and then you go in

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Speaker 2: the pool alone and you're like now what right, Like

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Speaker 2: you're sort of like, okay, that of this pool? Yeah,

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Speaker 2: and I'm sort of like, where are all the people? Like,

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Speaker 2: where's the where's the like?

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Speaker 3: And furthermore, why am I not being filmed?

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Speaker 2: And furthermore, where are the dicks? And now literally I'm repulsive.

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Speaker 4: Okay.

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Speaker 2: It's just weird because you really think like this will

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Speaker 2: be everything and then you're like, okay, I know, like

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Speaker 2: that's it.

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Speaker 3: Yeah, I don't want pool. I want community. Can kind

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Speaker 3: that community? You're like, I hate these people. I didn't

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Speaker 3: choose you. This is so this is honestly one of

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Speaker 3: the themes of your show, and we won't talk about

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Speaker 3: it too much because I know.

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Speaker 4: Sam, because of his.

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Speaker 3: Geographical identity, is LA identifying, right, he wasn't unable to

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Speaker 3: see it, right, But one of the big themes is

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Speaker 3: like the connection between being community oriented and being a

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Speaker 3: complete narcissist.

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Speaker 4: Wouldn't you say that?

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Speaker 3: I'm like that to me was one of the most

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Speaker 3: radical things about what you were saying.

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Speaker 4: And I'm wondering if.

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Speaker 3: You could talk a little bit about that and how

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Speaker 3: you landed on that being one of the themes. Oh, Mike, well,

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Speaker 3: that I mean, when you're a narcisst that's going to

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Speaker 3: be the theme of You're gonna be the theme. Well,

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Speaker 3: it's almost the ultimate and I don't mean this as

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Speaker 3: a as a read, it's almost the ultimate form of

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Speaker 3: narcisism to be like, it's actually pro social that I'm

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Speaker 3: a narcissist and that there's a kind of narcist called

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Speaker 3: that called the called what are they called the communal narcissism? Yeah,

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Speaker 3: is it the sort of like I'm thinking of someone

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Speaker 3: who makes a lot of public statements about current events, Like,

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Speaker 3: is that the kind of thing we're talking about? I

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Speaker 3: think the show, you know, the show is about this

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Speaker 3: this comedian, and I get that this is annoying.

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Speaker 4: It's annoying at all.

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Speaker 3: And also I listened to your Exploration Live where you kind.

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Speaker 4: Of talk to talk about it.

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Speaker 3: So yeah, you've got the idea, I know roughly, but

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Speaker 3: I feel like we're all thinking about ourselves and we're

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Speaker 3: trying to pretend like we're not. We're disavowing our own

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Speaker 3: self involvement, which is where it gets dangerous with the

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Speaker 3: disavowal because then you're like, I'm not like that, and

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Speaker 3: then you're like, but where's it going to It's gonna

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Speaker 3: come out somewhere, and so I feel like the show,

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Speaker 3: and the show is also about the kind of like

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Speaker 3: the like hole in the soul, like endless. It's never enough,

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Speaker 3: it's about wanting, it's about it. This is never enough.

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Speaker 3: Is never enough praise, never enough attention, you know, And

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Speaker 3: that's like kind of the lineage of the gay comedian.

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Speaker 3: Is this disease of never enough?

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Speaker 2: Yeah, it's complicated. I've been trying to approach things a

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Speaker 2: little differently of being like what if, Like I feel

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Speaker 2: like when I was here, I was really like, go bigger,

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Speaker 2: go big, like, try harder, make it, make it bigger,

356
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Speaker 2: bigger venue, blah blah blah, you can do it. Yeah,

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Speaker 2: And now I'm sort of like feeling very opposite where

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Speaker 2: I'm like, I don't want to like I want to

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Speaker 2: be comfortable where I am, like in any like even

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Speaker 2: like be like less than what I am.

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Speaker 4: Like, I'm like, I.

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Speaker 2: Actually don't want to push your downsizing. I'm downsizing, which

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Speaker 2: I think is approaching and of your life. Am I am? I?

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Speaker 4: I don't know, am.

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Speaker 2: Maybe there's something I know like instinctually, like when a

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Speaker 2: dog walk, Yeah, you're like selling your possessions. Yeah, there

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Speaker 2: is something where I'm like because I when I see

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Speaker 2: people in our community, especially like one, I love when

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Speaker 2: they shoot big and do a big thing, and I'm

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Speaker 2: always like.

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Speaker 3: Go off, Diva.

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Speaker 2: But also I love when they're like, I'm just sort

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Speaker 2: of doing this yeah for a little to see, like

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Speaker 2: and being like very calm about it. Yeah, And I'm

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Speaker 2: not gonna overextend. I'm not going to freak out and

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Speaker 2: I'm just being like, this is pretty much what I'm doing.

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Speaker 3: But I think it goes somewhere else, even if it

378
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Speaker 3: just migrates to a different part like this, this sort

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Speaker 3: of the more the like the disease of more, the

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Speaker 3: want ye want yes, and the feeling of like not enoughness,

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Speaker 3: and then it goes into almost it can flit. The

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Speaker 3: opposite can be the same thing, you know what I mean,

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Speaker 3: Like where it's like then I'm gonna I'm wanting a

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Speaker 3: certain kind of humility or something. It's like, you know,

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Speaker 3: that's like fuck, you know, so I think ambitious about humility.

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Speaker 4: You're scary the most.

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Speaker 3: I'm orn on for you guys, Like literally, you brought

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Speaker 3: a Jewish person, okay, and I'm glad, Damn, let's talk

389
00:18:18,000 --> 00:18:22,320
Speaker 3: about it. You're braid, Yeah, I'm like the little braid

390
00:18:23,320 --> 00:18:27,080
Speaker 3: top and braid, So what happened? So what happened there?

391
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Speaker 1: God?

392
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Speaker 3: I love her?

393
00:18:28,440 --> 00:18:28,960
Speaker 4: I love her.

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Speaker 3: I recently heard a celebrity lesbian couple sees her. Uh oh,

395
00:18:33,640 --> 00:18:38,840
Speaker 3: you've told me this. Yeah, we can't say it because

396
00:18:38,840 --> 00:18:40,600
Speaker 3: it's hip. We can't say, but we're going to be

397
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Speaker 3: literally someone's going to enter with an AK forty seven

398
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Speaker 3: and shoot us.

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Speaker 2: Sorry, but relevantly. But to be bare in this country,

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Speaker 2: it's always timely, so.

401
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Speaker 3: Exactly, okay, And thank you the advice for making the space.

402
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Speaker 2: Thank you the advice for making the space en City Bank.

403
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Speaker 2: So we were talking before about like speaking of wanting,

404
00:19:00,080 --> 00:19:03,320
Speaker 2: speaking of attention, Like, how does it feel to do

405
00:19:03,520 --> 00:19:05,840
Speaker 2: a run of a solo show where you're just like

406
00:19:06,000 --> 00:19:08,800
Speaker 2: receiving attention at a constant rate?

407
00:19:09,040 --> 00:19:09,240
Speaker 4: Right?

408
00:19:09,640 --> 00:19:12,960
Speaker 3: Well, it doesn't last.

409
00:19:14,280 --> 00:19:15,680
Speaker 1: What what?

410
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Speaker 3: But you do it the next night?

411
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Speaker 2: It doesn't last what you doing the next night, but

412
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Speaker 2: it fills the It fills the void for sure, and.

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Speaker 3: Then you go happy and dad loves you and all

414
00:19:23,960 --> 00:19:26,640
Speaker 3: that stuff. But you I think that the thing about

415
00:19:26,680 --> 00:19:30,560
Speaker 3: it is you're still the next audience to impress. But

416
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Speaker 3: are they ever like?

417
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Speaker 4: Are they like?

418
00:19:33,520 --> 00:19:34,440
Speaker 3: But we just love this.

419
00:19:35,320 --> 00:19:37,600
Speaker 4: What you like? Are they ever just like we love

420
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Speaker 4: this no matter what?

421
00:19:38,640 --> 00:19:41,880
Speaker 3: Yeah, well, I think I have to remind myself before

422
00:19:41,920 --> 00:19:43,800
Speaker 3: I go on stage. They came here because they want

423
00:19:43,840 --> 00:19:45,439
Speaker 3: to see the show. But this is the difference, I

424
00:19:45,440 --> 00:19:47,880
Speaker 3: think between your perspective as a performer and our perspective

425
00:19:47,960 --> 00:19:51,600
Speaker 3: is just like readers of reviews and Instagram, It's like,

426
00:19:52,320 --> 00:19:55,520
Speaker 3: at some point someone like you or someone like Cole

427
00:19:55,600 --> 00:19:57,480
Speaker 3: or Josh or whoever else has been the toast of

428
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Speaker 3: the time. It's like there's enough momentum that what you're

429
00:20:00,320 --> 00:20:02,840
Speaker 3: seeing as an outsider is like praise, praise, praise, rightse

430
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Speaker 3: But like, I'm sure you have bad show, like you

431
00:20:05,359 --> 00:20:07,600
Speaker 3: have shows or you last night leave the stage and

432
00:20:07,640 --> 00:20:09,520
Speaker 3: you're like, damn, that was a bad worst show I've

433
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Speaker 3: ever done. That I told you it felt to me

434
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Speaker 3: in fifty shows the worst show I done, and it's

435
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Speaker 3: one of the fun it's like one of the and

436
00:20:16,440 --> 00:20:18,040
Speaker 3: it's one of the fine. And we talked about it

437
00:20:18,040 --> 00:20:19,720
Speaker 3: is because it was very very hot in the theater,

438
00:20:20,600 --> 00:20:22,320
Speaker 3: I think. But then you don't know if you're blaming that.

439
00:20:23,000 --> 00:20:24,359
Speaker 3: You're like one of those people who's like, well it

440
00:20:24,440 --> 00:20:26,320
Speaker 3: was it was hot in the theater, so it wasn't me.

441
00:20:26,680 --> 00:20:28,480
Speaker 3: I go all the way in the other direction because

442
00:20:28,480 --> 00:20:31,600
Speaker 3: I'm so I've been so brainwashed. Never blame anyone. But

443
00:20:31,640 --> 00:20:34,520
Speaker 3: you're like, especially for live performance, never blame the audience.

444
00:20:34,560 --> 00:20:36,879
Speaker 3: Never blame the band. You never blame the tech. It's like,

445
00:20:36,960 --> 00:20:40,000
Speaker 3: if you can't make mark, blame It's like, we know

446
00:20:40,080 --> 00:20:43,520
Speaker 3: people that could make it work anywhere, Like you know

447
00:20:43,520 --> 00:20:45,199
Speaker 3: what I mean, like, and we know those people, so

448
00:20:45,280 --> 00:20:48,159
Speaker 3: it is possible. I had to be I had to

449
00:20:48,200 --> 00:20:50,359
Speaker 3: watch myself last night. I had to say on the

450
00:20:50,400 --> 00:20:54,360
Speaker 3: mic Morgan, be nice because I felt myself get so angry.

451
00:20:55,840 --> 00:20:56,800
Speaker 1: That's what then.

452
00:20:56,920 --> 00:21:00,440
Speaker 3: But then again, it's like the show was fine. In

453
00:21:00,440 --> 00:21:02,640
Speaker 3: my mind, it wasn't good, but it's fine.

454
00:21:02,720 --> 00:21:04,239
Speaker 2: That's what I was gonna ask, is like, was it

455
00:21:04,280 --> 00:21:07,639
Speaker 2: like you're so used to like a rapturous audience that

456
00:21:07,680 --> 00:21:10,720
Speaker 2: it was like, you know, more medium audience.

457
00:21:11,280 --> 00:21:13,600
Speaker 3: And I yes, And I decided that within the first

458
00:21:13,640 --> 00:21:16,400
Speaker 3: five seconds. I was like, I failed. I can't get

459
00:21:16,440 --> 00:21:20,960
Speaker 3: it back. And it's like, yeah, it's a disease. I

460
00:21:21,000 --> 00:21:23,480
Speaker 3: think it's terrible, terminal, it's horrible.

461
00:21:24,160 --> 00:21:25,920
Speaker 2: I've been I think blaming the audience is one of

462
00:21:25,960 --> 00:21:28,040
Speaker 2: the funniest things you can do. Though, I really love

463
00:21:28,040 --> 00:21:30,399
Speaker 2: when comedians do it as a zoom out because I

464
00:21:30,400 --> 00:21:30,960
Speaker 2: think it's.

465
00:21:31,040 --> 00:21:34,840
Speaker 3: Case something they're blaming the audience. It's actually so interesting

466
00:21:34,880 --> 00:21:40,800
Speaker 3: because blaming the audience is literally like bigotry. You are

467
00:21:41,080 --> 00:21:45,520
Speaker 3: grouping them all. They are not similar. It's like the audience.

468
00:21:45,600 --> 00:21:47,240
Speaker 3: There are people in the audience that are of all

469
00:21:47,280 --> 00:21:52,240
Speaker 3: different ages, genders, audience based on you know, classes, Like

470
00:21:52,480 --> 00:21:55,640
Speaker 3: you're saying the audience. That's not a group of monoliths.

471
00:21:55,720 --> 00:21:58,439
Speaker 3: That's not that's like someone saying like I hate women,

472
00:22:00,160 --> 00:22:01,800
Speaker 3: Thank you for bringing it there, you know what I mean. No,

473
00:22:01,840 --> 00:22:05,639
Speaker 3: I'm glad you said it. That is literally and like me,

474
00:22:06,080 --> 00:22:08,919
Speaker 3: you had the audience is bigotry, Like you are making

475
00:22:09,000 --> 00:22:11,560
Speaker 3: up a class of people that you're making the enemy.

476
00:22:11,720 --> 00:22:13,520
Speaker 4: And it's like, that's how we got to where we are.

477
00:22:13,640 --> 00:22:15,560
Speaker 3: That's how we got it literally the history. Yeah, and

478
00:22:15,600 --> 00:22:17,040
Speaker 3: that's what your show is about. So that's what my

479
00:22:17,080 --> 00:22:19,280
Speaker 3: show is literally about. And you're so right, and it's

480
00:22:19,359 --> 00:22:21,960
Speaker 3: and and and actually what when when you get into

481
00:22:21,960 --> 00:22:23,760
Speaker 3: the mindset of like, oh, they're a monolog you have

482
00:22:23,800 --> 00:22:26,280
Speaker 3: to start looking, oh they're not, Like oh, there's actually

483
00:22:26,359 --> 00:22:28,960
Speaker 3: so many different experiences happening here, and I'm projecting one

484
00:22:29,040 --> 00:22:32,680
Speaker 3: uniform experience and not just that. But here's the thing. Yeah,

485
00:22:33,080 --> 00:22:35,760
Speaker 3: when you're let's say bombing, Yeah, here's what's happening, there

486
00:22:35,760 --> 00:22:38,439
Speaker 3: are at least three four people that are loving it,

487
00:22:38,480 --> 00:22:41,680
Speaker 3: and they're the minority. So in fact, you have to

488
00:22:41,720 --> 00:22:45,280
Speaker 3: demo form even better for them, because that is doing

489
00:22:45,680 --> 00:22:51,440
Speaker 3: like activism supporting a marginalized community. Anti there's a marginalized

490
00:22:51,440 --> 00:22:53,679
Speaker 3: community that is within this audience.

491
00:22:53,680 --> 00:22:56,760
Speaker 4: It's like the ds General.

492
00:22:56,680 --> 00:23:00,320
Speaker 3: The DSA, the four DSA members loving it there and

493
00:23:00,400 --> 00:23:02,560
Speaker 3: you have to speak to them and you serve the people.

494
00:23:03,200 --> 00:23:03,920
Speaker 3: I think this is.

495
00:23:04,040 --> 00:23:06,640
Speaker 2: It's reminding me less of a you know, a race

496
00:23:06,720 --> 00:23:08,879
Speaker 2: or a gender and more of a sort of like

497
00:23:09,320 --> 00:23:12,280
Speaker 2: sort of renative like America in an election.

498
00:23:12,280 --> 00:23:14,200
Speaker 3: America in an election where you're sort.

499
00:23:14,000 --> 00:23:16,320
Speaker 2: Of like America like it's easy to be like America

500
00:23:16,440 --> 00:23:17,280
Speaker 2: is fucking stupid.

501
00:23:17,480 --> 00:23:18,840
Speaker 3: You look out there's Joe the Plumber.

502
00:23:18,960 --> 00:23:20,919
Speaker 2: Yeah, and you're like, I fucking hate this country. And

503
00:23:20,960 --> 00:23:23,640
Speaker 2: then you're like, no, I like it's like, let's see

504
00:23:23,640 --> 00:23:25,399
Speaker 2: at the map during the election, it's like, Okay, I

505
00:23:25,400 --> 00:23:29,119
Speaker 2: hate Pennsylvania, and it's like, okay, Pennsylvania sucks.

506
00:23:29,200 --> 00:23:29,680
Speaker 1: New York.

507
00:23:29,800 --> 00:23:31,280
Speaker 2: Oh, I kind of like, I kind of like that

508
00:23:31,320 --> 00:23:34,840
Speaker 2: part of the audience over there, right, demographic map right,

509
00:23:34,880 --> 00:23:36,520
Speaker 2: And then you observe to remind myself, oh, mynd this

510
00:23:36,560 --> 00:23:37,600
Speaker 2: is where the narcism comes in.

511
00:23:38,000 --> 00:23:41,040
Speaker 3: These people have had a whole other day that has

512
00:23:41,119 --> 00:23:45,280
Speaker 3: nothing to do with you. They're not even reacting their faces.

513
00:23:45,600 --> 00:23:48,359
Speaker 3: They've had a life. I'm sorry, I can't be thinking

514
00:23:48,400 --> 00:23:52,400
Speaker 3: about their lives. They haven't, don't. They're literally, like statistically

515
00:23:52,440 --> 00:23:53,359
Speaker 3: some of them are grieving.

516
00:23:53,920 --> 00:23:58,439
Speaker 2: No, that's literally literally, And we're like, you hated it,

517
00:23:58,480 --> 00:24:00,720
Speaker 2: you hate me, and you're like, no, I actually just

518
00:24:00,760 --> 00:24:01,320
Speaker 2: my mom died.

519
00:24:01,400 --> 00:24:03,840
Speaker 4: I just got bad news this morning.

520
00:24:04,160 --> 00:24:06,200
Speaker 3: As a very public assassination yesterday.

521
00:24:06,200 --> 00:24:07,359
Speaker 4: Maybe that affected.

522
00:24:07,000 --> 00:24:10,000
Speaker 2: Them, Yeah, maybe that too. Maybe they saw on the

523
00:24:10,040 --> 00:24:10,960
Speaker 2: internet all day long.

524
00:24:11,640 --> 00:24:17,000
Speaker 3: Yes, I watched the Hearing film on repeat all I

525
00:24:17,040 --> 00:24:20,040
Speaker 3: went to the Morgan show Now Something to hear about

526
00:24:20,440 --> 00:24:22,720
Speaker 3: an unknown gay comedian in the nineties.

527
00:24:23,840 --> 00:24:27,520
Speaker 4: Morgan was pissed because we were laughing. Meanwhile, I've seen

528
00:24:27,960 --> 00:24:29,600
Speaker 4: horrible things all day long.

529
00:24:29,840 --> 00:24:32,719
Speaker 1: I said, I am.

530
00:24:33,520 --> 00:24:35,400
Speaker 4: I think you know how people can sort.

531
00:24:35,240 --> 00:24:37,800
Speaker 3: Of go insane if they like meditate too hard and

532
00:24:37,840 --> 00:24:40,160
Speaker 3: like unlock hearing about problem.

533
00:24:40,720 --> 00:24:43,560
Speaker 2: I think there's something where I'm like, it's almost dangerous

534
00:24:43,640 --> 00:24:46,240
Speaker 2: to think too hard about what the audience is feeling.

535
00:24:46,440 --> 00:24:47,840
Speaker 3: You've got to stan out of it. You've got to

536
00:24:47,840 --> 00:24:49,720
Speaker 3: stay out there in your business. It's none of your business.

537
00:24:49,760 --> 00:24:51,960
Speaker 2: Because sometimes I'll be like, Okay, what would an audience

538
00:24:52,040 --> 00:24:54,439
Speaker 2: like as an audience member? What would I want to

539
00:24:54,440 --> 00:24:56,199
Speaker 2: feel when I watched this now? And I'm like, no, no, no,

540
00:24:56,320 --> 00:24:59,240
Speaker 2: no, no no no, Dan, your own yeah, perspective.

541
00:24:59,400 --> 00:25:02,320
Speaker 3: Wait, I've been hearing I know two people personally that

542
00:25:02,640 --> 00:25:07,560
Speaker 3: had psychotic breaks from my show, personally from your show. Yeah. Yeah,

543
00:25:07,600 --> 00:25:11,720
Speaker 3: you need to edit together because you're causing workers on site.

544
00:25:12,440 --> 00:25:14,240
Speaker 3: You need to Okay, I do you want to be safe?

545
00:25:14,280 --> 00:25:15,480
Speaker 4: Wait, and you know one person.

546
00:25:16,160 --> 00:25:19,080
Speaker 3: So that's three people psychotic breaks from men, from meditating

547
00:25:19,119 --> 00:25:23,800
Speaker 3: from It's a real thing, you guys people, I'm really worried.

548
00:25:24,320 --> 00:25:28,600
Speaker 3: This is I'm gonna get Bernie. Keep going call let

549
00:25:28,640 --> 00:25:31,200
Speaker 3: me call Bernie while you guys talk about we need

550
00:25:31,200 --> 00:25:32,720
Speaker 3: Bernie and Orna here starting.

551
00:25:32,760 --> 00:25:35,080
Speaker 4: We need Bernie because I need meditating too much.

552
00:25:35,160 --> 00:25:37,520
Speaker 3: Yeah, Bernie is gonna talk about it oligarchy tour.

553
00:25:39,680 --> 00:25:40,520
Speaker 4: He's going to change it.

554
00:25:40,520 --> 00:25:45,240
Speaker 3: From would you say excessive meditation is related to oligarchy? Honey,

555
00:25:46,119 --> 00:25:47,120
Speaker 3: you need me to spell it out?

556
00:25:47,640 --> 00:25:47,920
Speaker 1: Please?

557
00:25:48,000 --> 00:25:48,800
Speaker 3: Do I want you to?

558
00:25:48,960 --> 00:25:51,200
Speaker 4: Yeah, listen, we live in a world.

559
00:25:52,200 --> 00:25:56,360
Speaker 3: I'm getting I had never thought that that perspective. I've

560
00:25:56,359 --> 00:25:57,960
Speaker 3: never thought about it. It's true that like we do

561
00:25:58,080 --> 00:26:00,720
Speaker 3: exist in the context I didn't even want to do

562
00:26:00,880 --> 00:26:01,320
Speaker 3: and you did.

563
00:26:01,520 --> 00:26:03,680
Speaker 4: And that's the thing. You can't exist.

564
00:26:08,119 --> 00:26:11,240
Speaker 3: Don't you hate when you go into meme speak without one?

565
00:26:11,320 --> 00:26:13,840
Speaker 3: Of course, it's so half of my day.

566
00:26:13,880 --> 00:26:16,520
Speaker 2: I'm being like, okay, so this reminds me of this

567
00:26:16,600 --> 00:26:18,480
Speaker 2: meme that I saw, and I have to say it

568
00:26:18,520 --> 00:26:20,760
Speaker 2: with like a I hate that I'm saying this, but

569
00:26:20,800 --> 00:26:22,719
Speaker 2: it is like it does does remind me of that

570
00:26:22,760 --> 00:26:24,560
Speaker 2: sometimes means you have a helpful framework.

571
00:26:25,000 --> 00:26:27,600
Speaker 3: I can't see the word vibe anymore. It's like, but

572
00:26:27,800 --> 00:26:29,600
Speaker 3: sometimes it is a vibe, and yet you have to

573
00:26:29,640 --> 00:26:31,760
Speaker 3: say things have vibes all the time, and then it's

574
00:26:31,760 --> 00:26:33,199
Speaker 3: just that I doesn't shift.

575
00:26:33,359 --> 00:26:36,440
Speaker 2: Sorry, Wow, I'm really Yeah. Tell you guys for sharing

576
00:26:36,440 --> 00:26:37,920
Speaker 2: about your what you've been going through.

577
00:26:39,600 --> 00:26:41,720
Speaker 3: I'm going to do like your show, but with Kamala Harris.

578
00:26:41,960 --> 00:26:43,720
Speaker 3: It's going to be like me talking about like the

579
00:26:43,760 --> 00:26:45,679
Speaker 3: little known politician nam Kamala Harris.

580
00:26:45,720 --> 00:26:48,040
Speaker 4: Yes, people, people have forgotten you were from.

581
00:26:48,000 --> 00:26:52,280
Speaker 3: Twenty exactly before. And I'm going to do here from

582
00:26:52,320 --> 00:26:55,320
Speaker 3: the it's like how you do his you know, his

583
00:26:55,400 --> 00:26:58,399
Speaker 3: moteen hislogue. I'm going to do Kamala's d NC speech

584
00:26:58,400 --> 00:27:00,200
Speaker 3: which she says we need to have the most deadly

585
00:27:00,240 --> 00:27:03,760
Speaker 3: military in the in the world, and then m huff.

586
00:27:07,800 --> 00:27:08,080
Speaker 1: Wow.

587
00:27:09,080 --> 00:27:11,720
Speaker 3: So psychotic breaks from meditation. We had to be worried.

588
00:27:11,920 --> 00:27:13,600
Speaker 3: We've got to be worried. We've got to be worried.

589
00:27:14,080 --> 00:27:16,399
Speaker 3: I feel about having a psychotic way for meditation. Obviously,

590
00:27:16,400 --> 00:27:17,960
Speaker 3: I don't want to have a psychotic way for meditating

591
00:27:18,000 --> 00:27:19,920
Speaker 3: too much, but I'm like, god, it would be nice

592
00:27:19,960 --> 00:27:22,640
Speaker 3: to get close, yeah, which is also how I feel

593
00:27:22,680 --> 00:27:24,840
Speaker 3: about when people are like I'm a workaholic and it's

594
00:27:24,960 --> 00:27:27,960
Speaker 3: like life, I'm like, I wish, Yeah, I wish I

595
00:27:27,960 --> 00:27:29,399
Speaker 3: were that because I'm like a lazy haulic.

596
00:27:29,560 --> 00:27:31,080
Speaker 4: Me do that's crazy?

597
00:27:31,680 --> 00:27:34,840
Speaker 3: Like I'm literally like, oh, it can't work, it's the summer. Also, sorry,

598
00:27:34,840 --> 00:27:37,520
Speaker 3: but you're if you're naturally a workaholic, that's a privilege.

599
00:27:37,640 --> 00:27:38,960
Speaker 3: You should be able to You should have to pay

600
00:27:38,960 --> 00:27:44,200
Speaker 3: more taxes for you to work. That's hard for me, right, Okay,

601
00:27:44,400 --> 00:27:48,720
Speaker 3: I think the psychotic break during meditating is unfortunately like gonna.

602
00:27:48,480 --> 00:27:51,960
Speaker 2: Make people like it honestly, triggers something republican in me,

603
00:27:52,200 --> 00:27:55,480
Speaker 2: a desire to like it, triggers like a that's why

604
00:27:55,520 --> 00:28:00,320
Speaker 2: I don't look in word like oh like makes me

605
00:28:00,359 --> 00:28:03,280
Speaker 2: feel like justified in like being like, just move forward,

606
00:28:03,560 --> 00:28:04,520
Speaker 2: don't process that.

607
00:28:04,760 --> 00:28:08,040
Speaker 3: It is a sort of literalizing of like the concept

608
00:28:08,080 --> 00:28:10,280
Speaker 3: that we're all over therapized and over medicaid. It's like, look,

609
00:28:10,280 --> 00:28:15,480
Speaker 3: people are having people are having psychotic breaks from medicating extremes. Yeah, yeah, yeah, Okay,

610
00:28:15,760 --> 00:28:17,359
Speaker 3: we need to do her first segment. Oh my god,

611
00:28:17,400 --> 00:28:24,159
Speaker 3: Oh my god. Okay, So basically, Morgan, our first segment

612
00:28:24,320 --> 00:28:26,560
Speaker 3: is called straight Shooters, and in this segment, we gauge

613
00:28:26,560 --> 00:28:29,119
Speaker 3: your familiarity with in complicity and straight culture by asking

614
00:28:29,160 --> 00:28:31,920
Speaker 3: a series of rapid fire questions where you have to

615
00:28:32,000 --> 00:28:33,480
Speaker 3: choose one thing or another thing.

616
00:28:34,200 --> 00:28:36,400
Speaker 4: So it's just a or B. It's a or B.

617
00:28:36,720 --> 00:28:38,440
Speaker 3: And the one rule is we can't ask any follow

618
00:28:38,480 --> 00:28:40,480
Speaker 3: up questions about how the game works, and if you do,

619
00:28:40,560 --> 00:28:43,840
Speaker 3: we're gonna actually cancel your show early. Okay, We're gonna

620
00:28:43,960 --> 00:28:46,560
Speaker 3: call the theater and we're gonna say it's it's over,

621
00:28:46,640 --> 00:28:48,480
Speaker 3: it's over, it's the wrap. Now what did you say?

622
00:28:48,520 --> 00:28:50,680
Speaker 3: And I am answering a question, So that sounds like

623
00:28:51,000 --> 00:28:54,280
Speaker 3: that sort of is what you're going to last.

624
00:28:55,800 --> 00:28:58,080
Speaker 4: Yeah, and I think we need to get all the weapons.

625
00:28:58,280 --> 00:29:00,640
Speaker 3: I think to me to really look and word straight

626
00:29:00,720 --> 00:29:02,640
Speaker 3: or not straight? No, that's a question.

627
00:29:02,840 --> 00:29:04,240
Speaker 4: Wait, I'm sorry.

628
00:29:04,400 --> 00:29:11,480
Speaker 3: Okay, so Morgan, Yeah, hippy long stockings okay? Or Tipper Gore,

629
00:29:11,760 --> 00:29:18,760
Speaker 3: Oh b okay, silk chiffon or milk coupon. Oh a

630
00:29:18,920 --> 00:29:21,560
Speaker 3: musical chairs or pharmaceutical affairs.

631
00:29:22,240 --> 00:29:28,000
Speaker 2: Oh b okay, a tailored suit or a gay lord.

632
00:29:27,920 --> 00:29:36,520
Speaker 3: Aka fruit Oh personally a tonight we ball or my

633
00:29:36,640 --> 00:29:38,440
Speaker 3: flight is out of the gaull.

634
00:29:41,520 --> 00:29:49,640
Speaker 2: Hmmm ba be okay, stand culture has gone too far

635
00:29:50,400 --> 00:29:53,920
Speaker 2: or damn vultures have come to swarm.

636
00:29:55,680 --> 00:30:00,320
Speaker 3: B absolutely Tate McCrae. Or wait, I'm gay? You said

637
00:30:00,320 --> 00:30:03,440
Speaker 3: Tate McRae, Tate McCray, Tate McRae. Do you not know

638
00:30:03,480 --> 00:30:06,560
Speaker 3: who that is? I would love to know your media consumption.

639
00:30:06,960 --> 00:30:08,920
Speaker 3: We can't get to that. I'm like a thousand years old.

640
00:30:09,600 --> 00:30:13,160
Speaker 3: What who's Tate McRae. Okay, First of all, the points.

641
00:30:13,160 --> 00:30:16,400
Speaker 3: Are you are literally like, no one has ever scored

642
00:30:16,440 --> 00:30:19,320
Speaker 3: this love and I have one more and it's really

643
00:30:19,360 --> 00:30:19,800
Speaker 3: worth it.

644
00:30:19,840 --> 00:30:25,120
Speaker 2: What is it, okay, a brand partnership or a Sam

645
00:30:25,200 --> 00:30:25,840
Speaker 2: fart and ship?

646
00:30:27,480 --> 00:30:32,600
Speaker 3: Oh damn, yeah, wow, you're going south Park mode.

647
00:30:32,840 --> 00:30:34,320
Speaker 1: Yeah it's time.

648
00:30:34,760 --> 00:30:41,000
Speaker 3: I mean, hey, wow, some incredible facial expression. Is it

649
00:30:41,040 --> 00:30:41,720
Speaker 3: getting captured?

650
00:30:41,920 --> 00:30:42,160
Speaker 1: Yes?

651
00:30:42,240 --> 00:30:46,120
Speaker 3: I think I think so. Okay, So we rank everyone's

652
00:30:46,480 --> 00:30:49,800
Speaker 3: performance on a scale of zero to one thousand dubs. Right,

653
00:30:49,960 --> 00:30:56,120
Speaker 3: the bird basically gotta song, basically gotta song. I actually

654
00:30:56,200 --> 00:31:00,640
Speaker 3: love the I love answering A or B. Right, that

655
00:31:00,720 --> 00:31:02,720
Speaker 3: was the word. I thought it was very made it.

656
00:31:02,800 --> 00:31:05,320
Speaker 3: People just be like, oh, Tate McCray, like, and hey

657
00:31:05,360 --> 00:31:09,240
Speaker 3: see that's why. Okay, I got lost in the question. Okay,

658
00:31:09,280 --> 00:31:12,560
Speaker 3: so I like, I did it wrong. No, see you didn't.

659
00:31:12,640 --> 00:31:13,800
Speaker 3: You're saying you're mad.

660
00:31:13,840 --> 00:31:16,480
Speaker 4: Actually, the fact that you just said Sam just said mad,

661
00:31:17,640 --> 00:31:18,160
Speaker 4: I think.

662
00:31:17,960 --> 00:31:19,960
Speaker 3: You're doing it wrong. It's like, we're gonna have to

663
00:31:20,000 --> 00:31:21,640
Speaker 3: duct points for that because you're not living in the

664
00:31:21,640 --> 00:31:27,200
Speaker 3: moment and you're thinking like in like rigid terms, extremely rigid. Basically,

665
00:31:27,520 --> 00:31:29,280
Speaker 3: let's see saying Reggie and now we're going to add

666
00:31:29,280 --> 00:31:33,080
Speaker 3: points because that's draw de viv So it's it's complicated

667
00:31:33,080 --> 00:31:34,960
Speaker 3: having an unal situation with rigidity.

668
00:31:35,360 --> 00:31:36,000
Speaker 4: We really are.

669
00:31:36,120 --> 00:31:39,120
Speaker 3: It's passing. It's I know, and I have to say

670
00:31:39,160 --> 00:31:45,160
Speaker 3: i'd love it. I'm loving our conversation. I feel very

671
00:31:45,240 --> 00:31:48,240
Speaker 3: lose conversationally. Physically, I've never felt more rigid. There's like

672
00:31:48,320 --> 00:31:50,040
Speaker 3: nothing I can do to get out. Really do you

673
00:31:50,040 --> 00:31:51,080
Speaker 3: still feel it? Yeah?

674
00:31:51,520 --> 00:31:52,840
Speaker 4: Really, you see more relaxed.

675
00:31:52,920 --> 00:31:56,280
Speaker 3: Thank you. So I just breathed for the first time

676
00:31:56,320 --> 00:31:58,880
Speaker 3: in forty five minutes. You gotta breathe, You gotta breathe.

677
00:31:58,920 --> 00:32:06,360
Speaker 3: Your score is seven hundred. Okay, no, go say what

678
00:32:06,360 --> 00:32:07,880
Speaker 3: you want to say now. Now you can. Now you

679
00:32:07,880 --> 00:32:09,760
Speaker 3: can say whatever you want. The game is over.

680
00:32:09,960 --> 00:32:13,920
Speaker 2: You Before your language was being policed, before the before

681
00:32:14,000 --> 00:32:17,080
Speaker 2: your language was being policed, and now now you're free.

682
00:32:17,160 --> 00:32:20,680
Speaker 3: Yeah. I just really appreciate the humblingness of that experience.

683
00:32:20,920 --> 00:32:24,719
Speaker 3: And I fully blacked out. I was dissociated from beginning

684
00:32:24,760 --> 00:32:26,640
Speaker 3: to add But I like that. I'm still this, I'm

685
00:32:26,640 --> 00:32:29,440
Speaker 3: still this. I'm I'm dissociated right now.

686
00:32:29,560 --> 00:32:29,760
Speaker 4: Yeah.

687
00:32:29,920 --> 00:32:32,160
Speaker 3: I started when you said we're about to do a segment,

688
00:32:32,960 --> 00:32:36,400
Speaker 3: and then I it's continuing to right now. And is

689
00:32:36,480 --> 00:32:36,880
Speaker 3: that good?

690
00:32:37,200 --> 00:32:40,640
Speaker 2: I think it's there's Actually it's interesting. This segment is

691
00:32:40,640 --> 00:32:42,680
Speaker 2: obviously stupid, means nothing.

692
00:32:42,800 --> 00:32:47,760
Speaker 3: No, it sucks, You're not We're not saying that to

693
00:32:47,920 --> 00:32:51,400
Speaker 3: like appease you. It's literally designed to make the guests

694
00:32:51,440 --> 00:32:54,280
Speaker 3: go crazy because it's unclear what they need to do

695
00:32:54,520 --> 00:32:55,920
Speaker 3: and all of them are like, wait, so what am

696
00:32:55,920 --> 00:32:59,240
Speaker 3: I okay? And so then it gets to basically the

697
00:32:59,320 --> 00:33:05,640
Speaker 3: challenges within this funhouse mirror of the musical, of the

698
00:33:05,720 --> 00:33:08,920
Speaker 3: musical that we're putting you in. What performance are you

699
00:33:08,960 --> 00:33:10,360
Speaker 3: gonna well?

700
00:33:10,360 --> 00:33:12,800
Speaker 2: And even there's a certain type which I think maybe

701
00:33:12,800 --> 00:33:14,800
Speaker 2: you are, which is you really want to be right.

702
00:33:15,200 --> 00:33:17,880
Speaker 3: Yeah, And I'm like that too, and it's I want

703
00:33:17,920 --> 00:33:19,720
Speaker 3: to be good, you want to be good. I just

704
00:33:19,720 --> 00:33:21,840
Speaker 3: want to follow the rules. Yeah, that's how I feel

705
00:33:21,880 --> 00:33:23,719
Speaker 3: like that interaction is how I feel in every interaction.

706
00:33:23,720 --> 00:33:25,280
Speaker 3: I'm just like, just tell me what the rule is,

707
00:33:25,400 --> 00:33:27,760
Speaker 3: Like I don't even care. I've never thought about it.

708
00:33:27,760 --> 00:33:27,920
Speaker 2: You know.

709
00:33:27,920 --> 00:33:31,479
Speaker 3: It is actually an emblematic of the world at large.

710
00:33:31,680 --> 00:33:35,120
Speaker 3: It's like you're going around trying to find rules. Just

711
00:33:35,160 --> 00:33:37,080
Speaker 3: tell me the norms. Yeah, because I feel like I

712
00:33:37,080 --> 00:33:39,400
Speaker 3: missed the class, I missed the one on one on norms.

713
00:33:39,560 --> 00:33:42,000
Speaker 3: I'm like whoa how it alps to act, But norms

714
00:33:42,160 --> 00:33:44,320
Speaker 3: have never been rigid? Is this weird?

715
00:33:45,040 --> 00:33:49,040
Speaker 2: Changing always it's like the audience audience, Oh my god,

716
00:33:50,440 --> 00:33:52,560
Speaker 2: this is yeah, this is honestly here how I've been

717
00:33:52,600 --> 00:33:56,080
Speaker 2: feeling about fashion, which I keep talking about. I'm so

718
00:33:56,120 --> 00:33:59,000
Speaker 2: glad you named it because I never know what is normal.

719
00:33:59,080 --> 00:34:01,360
Speaker 2: Like I'm like, I don't know what's normal, so that I.

720
00:34:01,360 --> 00:34:02,080
Speaker 4: Can so I can.

721
00:34:04,400 --> 00:34:06,040
Speaker 3: I see what you're saying, Yeah, well you're looking.

722
00:34:06,080 --> 00:34:07,640
Speaker 2: But the thing is because I'm like, what if I

723
00:34:07,680 --> 00:34:10,440
Speaker 2: show up and everyone's like, you look insane?

724
00:34:10,680 --> 00:34:12,560
Speaker 3: Well, we were thinking yeah, but that is the thing

725
00:34:12,560 --> 00:34:14,520
Speaker 3: about I feel like, now you know.

726
00:34:14,840 --> 00:34:15,840
Speaker 4: Like what is insane?

727
00:34:15,880 --> 00:34:17,759
Speaker 2: And then if you're like I'm wearing a unique cloth shirt,

728
00:34:17,760 --> 00:34:18,760
Speaker 2: they're like, you look insane.

729
00:34:19,480 --> 00:34:20,319
Speaker 4: There's no way knowing.

730
00:34:20,400 --> 00:34:25,839
Speaker 3: There's no way of knowing. Yeah, it's so confusing. That's

731
00:34:25,840 --> 00:34:34,680
Speaker 3: the end. So Morgan George, I just had this moment

732
00:34:34,680 --> 00:34:37,520
Speaker 3: of like, maybe that's not your name, well, which is

733
00:34:37,520 --> 00:34:40,000
Speaker 3: something that's happening more and more. Oh, go to people

734
00:34:40,040 --> 00:34:42,319
Speaker 3: I know. I'm like, oh, maybe I'm about to say

735
00:34:42,320 --> 00:34:45,080
Speaker 3: the wrong name out loud. Dear friends, dear friends. I'm

736
00:34:45,080 --> 00:34:47,120
Speaker 3: like introducing people i've known for a decade, and I'm like,

737
00:34:47,160 --> 00:34:49,239
Speaker 3: this is what's that?

738
00:34:49,360 --> 00:34:49,960
Speaker 1: What is that?

739
00:34:50,239 --> 00:34:53,359
Speaker 3: It's self doubt. It's because you self doubt, you just

740
00:34:53,360 --> 00:34:54,520
Speaker 3: like think you're going to be wrong.

741
00:34:55,080 --> 00:34:56,279
Speaker 4: I think that's what it is.

742
00:34:56,480 --> 00:34:59,600
Speaker 3: I also think, Oh, I hope I'm able to articulate.

743
00:34:59,600 --> 00:34:59,719
Speaker 1: This.

744
00:35:00,760 --> 00:35:04,680
Speaker 3: Life is so repetitive that sometimes it's you have done

745
00:35:04,680 --> 00:35:07,600
Speaker 3: something such as introducing a friend so many times that

746
00:35:07,640 --> 00:35:09,680
Speaker 3: you're like, what if At some point I snap, like

747
00:35:09,680 --> 00:35:12,640
Speaker 3: how many more times can I do this? And pretend

748
00:35:13,520 --> 00:35:16,920
Speaker 3: it's normal that I'm doing it over and over again

749
00:35:17,640 --> 00:35:20,799
Speaker 3: until I'm like, well, I don't give a fuck who

750
00:35:20,800 --> 00:35:23,200
Speaker 3: this is just fucking talk about how like nice?

751
00:35:23,280 --> 00:35:23,600
Speaker 1: This part?

752
00:35:23,680 --> 00:35:25,960
Speaker 3: Like how many it's It's like how people like go

753
00:35:26,239 --> 00:35:29,160
Speaker 3: crazy when they're like making small talk or something. I'm like,

754
00:35:30,080 --> 00:35:33,200
Speaker 3: when am I gonna snap put a name tag on?

755
00:35:33,719 --> 00:35:34,080
Speaker 1: Yeah?

756
00:35:34,200 --> 00:35:36,759
Speaker 3: Girl, put your name tags on?

757
00:35:36,880 --> 00:35:40,520
Speaker 2: Girl, put your name tags on. I want there to

758
00:35:40,520 --> 00:35:42,920
Speaker 2: be fashion rules so that you can play within the margin.

759
00:35:43,080 --> 00:35:46,120
Speaker 2: I agree, I want name tags on. Tell me what

760
00:35:46,160 --> 00:35:47,920
Speaker 2: you want me to bring to the event. Tell me

761
00:35:49,000 --> 00:35:53,000
Speaker 2: the heck give me the Google spreadsheet of what's being brought.

762
00:35:53,120 --> 00:35:55,480
Speaker 2: I'm not I don't want to bring wine. And if

763
00:35:55,520 --> 00:35:57,920
Speaker 2: there's gonna be twenty bottles of wine. Just tell me

764
00:35:57,960 --> 00:36:00,000
Speaker 2: what you need? Do you need napkins?

765
00:36:00,040 --> 00:36:00,319
Speaker 1: Hell me?

766
00:36:00,960 --> 00:36:05,480
Speaker 3: Do you ever go into a party and are like, well,

767
00:36:05,480 --> 00:36:07,200
Speaker 3: I want them to see I brought some things, So

768
00:36:07,239 --> 00:36:10,960
Speaker 3: I'm just gonna carry bottle until I see the host.

769
00:36:11,280 --> 00:36:13,640
Speaker 3: Sometimes that's not right at the door. Sometimes you're like

770
00:36:13,680 --> 00:36:16,400
Speaker 3: walking around for quite a long time holding the bottle

771
00:36:16,680 --> 00:36:19,239
Speaker 3: so that you see the host and you're like check,

772
00:36:19,440 --> 00:36:21,560
Speaker 3: you know, and put it down, just for it to

773
00:36:21,719 --> 00:36:25,399
Speaker 3: like sit there in that person's apartment for god knows

774
00:36:25,400 --> 00:36:27,240
Speaker 3: how many years, never to be opened on the credit

775
00:36:27,360 --> 00:36:30,400
Speaker 3: you want the credit? Yeah, can I tell you something crazy?

776
00:36:30,440 --> 00:36:30,760
Speaker 1: Please?

777
00:36:31,120 --> 00:36:33,440
Speaker 2: You know I've done this sometimes that they don't like

778
00:36:33,520 --> 00:36:34,840
Speaker 2: if there's like a lot of stuff.

779
00:36:34,600 --> 00:36:39,840
Speaker 3: There and bring it back, Sam, If there's like a

780
00:36:39,840 --> 00:36:41,400
Speaker 3: lot of stuff there, I'm like, and then you like

781
00:36:41,400 --> 00:36:42,520
Speaker 3: bring it to a shelter or something.

782
00:36:42,880 --> 00:36:46,880
Speaker 4: Well, yeah, of course, I'm like, here's some tequila.

783
00:36:47,320 --> 00:36:48,479
Speaker 3: Somebody supposed bring it back.

784
00:36:49,160 --> 00:36:51,240
Speaker 2: Not always, but if there's like a lot of stuff

785
00:36:51,239 --> 00:36:53,720
Speaker 2: and nobody's touching it, Okay.

786
00:36:53,760 --> 00:36:57,480
Speaker 3: So this is where we get into like what am

787
00:36:57,520 --> 00:36:58,520
Speaker 3: I supposed to be crucified?

788
00:36:58,560 --> 00:36:58,719
Speaker 1: Now?

789
00:36:59,200 --> 00:37:01,759
Speaker 3: This is where we get in to like ethics. So

790
00:37:01,800 --> 00:37:04,279
Speaker 3: if you're doing if you're doing that, here's another question

791
00:37:04,320 --> 00:37:06,120
Speaker 3: for you. You see a bunch of things that are untouched,

792
00:37:06,640 --> 00:37:10,880
Speaker 3: is it equally or more unethical to take a different,

793
00:37:11,520 --> 00:37:15,280
Speaker 3: better bottle, white elephant. That's wrong, that's just not right.

794
00:37:15,440 --> 00:37:18,000
Speaker 3: But why because that's for someone else to take home.

795
00:37:19,880 --> 00:37:21,280
Speaker 4: Everyone take your own bottle home.

796
00:37:22,360 --> 00:37:27,520
Speaker 2: Home, why I'll be home. Look, I'm not doing this

797
00:37:27,560 --> 00:37:31,000
Speaker 2: all the time, just every you've done it before.

798
00:37:31,040 --> 00:37:33,479
Speaker 3: I love when you share something and immediately becomes so human,

799
00:37:33,600 --> 00:37:35,799
Speaker 3: like it work. No one's even judging you, but you're

800
00:37:36,320 --> 00:37:40,560
Speaker 3: like no. I love confessing things that I am embarrassed. Yeah,

801
00:37:40,680 --> 00:37:44,440
Speaker 3: you do. I overcompensate and I tear up easy because

802
00:37:44,520 --> 00:37:48,880
Speaker 3: I now it's gonna seem like I'm bragging, but I'm not.

803
00:37:49,600 --> 00:37:52,080
Speaker 3: But I don't drink, so I don't so so then

804
00:37:52,120 --> 00:37:54,760
Speaker 3: I then I so, then I feel guilty. Only bring

805
00:37:55,320 --> 00:37:58,520
Speaker 3: one bottle of seltzer. Two bottles. Then I overcompensate and

806
00:37:58,520 --> 00:38:01,480
Speaker 3: I'm bringing like a shopping car full of seltzer. Yay,

807
00:38:01,560 --> 00:38:04,080
Speaker 3: And then that's real and that's overcompensating.

808
00:38:04,719 --> 00:38:05,880
Speaker 4: That's just for season.

809
00:38:06,840 --> 00:38:10,280
Speaker 3: That's part where to drive. Thanks for giving us a space.

810
00:38:11,480 --> 00:38:13,479
Speaker 3: I just want to say thank you overcompensated for giving

811
00:38:13,560 --> 00:38:20,040
Speaker 3: for a holding space. So here's a question for you. Okay,

812
00:38:21,000 --> 00:38:22,920
Speaker 3: not to get it too personal, but how long have

813
00:38:23,080 --> 00:38:26,160
Speaker 3: you not drank well? And this I have follow a

814
00:38:26,239 --> 00:38:28,080
Speaker 3: question of this. It's not We're not just gonna talk

815
00:38:28,080 --> 00:38:29,760
Speaker 3: about your sobriting. No, I mean I think we should

816
00:38:33,440 --> 00:38:36,920
Speaker 3: just shot you think sobriety straight. This is sort of

817
00:38:36,920 --> 00:38:39,080
Speaker 3: what I want to get into. Four and a half years. Okay,

818
00:38:39,080 --> 00:38:41,919
Speaker 3: four and a half years. I would say pandemic vibe,

819
00:38:42,000 --> 00:38:48,279
Speaker 3: pandemic vibes, and I would say pandemic vibes brings up

820
00:38:48,320 --> 00:38:51,160
Speaker 3: something pandemic, pandemic just my follow up. I just want

821
00:38:51,160 --> 00:38:51,800
Speaker 3: to say pandemic.

822
00:38:51,800 --> 00:38:53,880
Speaker 4: Okay, Okay, I see you pandemic vibes.

823
00:38:54,400 --> 00:39:02,320
Speaker 3: I see a pandemic virus in the context bob shift, Okay,

824
00:39:02,320 --> 00:39:07,440
Speaker 3: it's time for a change globally during a pandemic. Men,

825
00:39:07,480 --> 00:39:09,440
Speaker 3: while I was banging pots and pants, okay.

826
00:39:09,120 --> 00:39:11,200
Speaker 2: While I'm not talking banging potsive pans, you're saying I

827
00:39:11,239 --> 00:39:11,880
Speaker 2: need to change.

828
00:39:12,120 --> 00:39:13,600
Speaker 4: Okay, Okay, okay.

829
00:39:13,320 --> 00:39:18,759
Speaker 2: Major life changes, okay, pandemic HiT's different when you're more good.

830
00:39:21,520 --> 00:39:26,280
Speaker 3: One time, my I was like talking to my friend's

831
00:39:26,320 --> 00:39:31,200
Speaker 3: sister who is like a sort of respectable woman in

832
00:39:31,239 --> 00:39:37,640
Speaker 3: her thirties, like normal, normal, normal jealas, two kids, normal husband, whatever,

833
00:39:38,200 --> 00:39:38,719
Speaker 3: And I.

834
00:39:38,880 --> 00:39:46,879
Speaker 2: Was nice, I'm turned on, yeah exactly, like like yeah,

835
00:39:47,160 --> 00:39:51,680
Speaker 2: a belly like what normal, like not too skinny, right,

836
00:39:51,760 --> 00:39:53,680
Speaker 2: like not like runner every morning, normal right.

837
00:39:58,600 --> 00:40:01,040
Speaker 3: Like shaped beard that there's still neckcare.

838
00:40:01,160 --> 00:40:01,359
Speaker 4: Yeah.

839
00:40:01,360 --> 00:40:06,960
Speaker 2: And he's like mowing the lawn yeah, yeah, yeah, Polo

840
00:40:07,040 --> 00:40:08,120
Speaker 2: tucked into Khaki's.

841
00:40:08,520 --> 00:40:09,280
Speaker 1: Yeah.

842
00:40:09,400 --> 00:40:13,880
Speaker 2: Nice birken Stocks, Birkenstocks and stocks old Birkenstocks.

843
00:40:15,719 --> 00:40:18,759
Speaker 3: Like the light beige suede and it's like dirty, yeah,

844
00:40:18,800 --> 00:40:20,640
Speaker 3: the top, the front part is dirty.

845
00:40:20,680 --> 00:40:20,799
Speaker 1: Oh.

846
00:40:20,800 --> 00:40:22,279
Speaker 2: And she's always like, We've got to get you some

847
00:40:22,360 --> 00:40:24,439
Speaker 2: new birkan Stocks and he's like.

848
00:40:26,680 --> 00:40:37,239
Speaker 4: Fuck, so what's their their deal?

849
00:40:38,080 --> 00:40:40,040
Speaker 3: He's an it guy.

850
00:40:41,480 --> 00:40:43,959
Speaker 4: He's like always so good at it. He's like oh,

851
00:40:43,960 --> 00:40:45,960
Speaker 4: but then you're out to dinner and you're like talk.

852
00:40:46,160 --> 00:40:48,640
Speaker 3: Yeah yeah, and you're like, I guess I had to

853
00:40:48,640 --> 00:40:49,120
Speaker 3: do everything.

854
00:40:49,440 --> 00:40:51,480
Speaker 4: So did you see the news today?

855
00:40:52,080 --> 00:40:52,680
Speaker 1: Right? Yeah?

856
00:40:52,719 --> 00:40:56,480
Speaker 3: And password managers? Yeah, And you want to like him,

857
00:40:56,520 --> 00:40:58,480
Speaker 3: but the way he speaks.

858
00:40:58,200 --> 00:41:02,120
Speaker 2: To her, yeah, I'm sorry, I'm getting lost in his haircut,

859
00:41:02,880 --> 00:41:04,960
Speaker 2: it's so like the same length all over.

860
00:41:06,080 --> 00:41:09,960
Speaker 3: It's just like, you actually make a significant amount of money,

861
00:41:10,080 --> 00:41:12,640
Speaker 3: you have a normal career, you have two kids. Like

862
00:41:12,920 --> 00:41:16,239
Speaker 3: your wife is wearing this beautiful dress. You know it's reformation.

863
00:41:16,960 --> 00:41:21,680
Speaker 3: Maybe make an effort work on your microbiome. Literally, he

864
00:41:21,719 --> 00:41:24,200
Speaker 3: hasn't shat in weeks. Literally, I'm like worried about this

865
00:41:24,239 --> 00:41:27,200
Speaker 3: person's I'm thinking about the guy. There's a smell.

866
00:41:27,280 --> 00:41:28,160
Speaker 4: It affects everything.

867
00:41:28,280 --> 00:41:30,759
Speaker 3: Yeah, exactly, nobody's talking about that.

868
00:41:30,840 --> 00:41:31,919
Speaker 4: Nobody's talking about it.

869
00:41:32,400 --> 00:41:35,640
Speaker 3: Well, I guess everywhere, but he's not Ye not tuning

870
00:41:35,680 --> 00:41:37,840
Speaker 3: into the conversation. You know, who's making his doctor's appointments,

871
00:41:37,880 --> 00:41:44,840
Speaker 3: the wife zoc doc. I feel like you were on

872
00:41:44,880 --> 00:41:47,919
Speaker 3: the jour and I feel like, so we were talking

873
00:41:47,920 --> 00:41:50,440
Speaker 3: about memes speak and I just I had this distinct

874
00:41:50,520 --> 00:41:52,600
Speaker 3: memory talking. I was in my twenties at the time.

875
00:41:52,640 --> 00:41:55,160
Speaker 3: I was living with tubermaids, and we were like talking

876
00:41:55,200 --> 00:41:57,680
Speaker 3: about our days and we're like, oh, we like when

877
00:41:57,760 --> 00:41:59,520
Speaker 3: to the story we did this, this, we cook, we

878
00:41:59,520 --> 00:42:02,520
Speaker 3: made a little and whatever. And then the sister who's

879
00:42:02,600 --> 00:42:07,040
Speaker 3: like adult normal girl, the sister goes just completely stone faced.

880
00:42:07,120 --> 00:42:09,080
Speaker 3: She goes, Wow, you guys are killing it at the

881
00:42:09,120 --> 00:42:15,880
Speaker 3: adulting game. Yeah, that fills me with such sadness.

882
00:42:15,960 --> 00:42:18,560
Speaker 4: Me too, Me too. It's tough.

883
00:42:18,800 --> 00:42:21,240
Speaker 3: It's tough because that's really sad.

884
00:42:21,400 --> 00:42:24,360
Speaker 2: It's like wanting to connect. It's like a desire to

885
00:42:24,440 --> 00:42:28,279
Speaker 2: be like in it, but like not understanding that you

886
00:42:28,360 --> 00:42:29,719
Speaker 2: have to like think of.

887
00:42:29,680 --> 00:42:31,840
Speaker 3: Your own thing, like a militarized version.

888
00:42:32,040 --> 00:42:33,880
Speaker 4: Yes, it's yes.

889
00:42:33,880 --> 00:42:36,640
Speaker 3: It's very much looking in the book of phrases and

890
00:42:36,719 --> 00:42:40,239
Speaker 3: being like I guess I could combine those two. This

891
00:42:40,440 --> 00:42:42,399
Speaker 3: really makes me really sad. That makes me so let's

892
00:42:42,440 --> 00:42:43,280
Speaker 3: get her on the line.

893
00:42:43,560 --> 00:42:45,600
Speaker 2: Yeah, I need her to meditate until she has a

894
00:42:45,640 --> 00:42:50,600
Speaker 2: fucking mental break. I'll see you on the other side,

895
00:42:50,640 --> 00:43:01,560
Speaker 2: miss mama. Oh god, I love New York.

896
00:43:03,280 --> 00:43:03,880
Speaker 1: Just good.

897
00:43:05,400 --> 00:43:05,760
Speaker 3: God.

898
00:43:05,920 --> 00:43:06,719
Speaker 1: I love New York.

899
00:43:06,960 --> 00:43:10,400
Speaker 3: Your commitment to interpreting everything as being as being about

900
00:43:10,480 --> 00:43:13,520
Speaker 3: the city one of the most charming qualities about you.

901
00:43:13,800 --> 00:43:18,279
Speaker 3: It's like place based. We're in a studio, we can't

902
00:43:18,280 --> 00:43:20,719
Speaker 3: even see outside. We're having a conversation. It sounds like

903
00:43:20,719 --> 00:43:26,120
Speaker 3: I love New York and yet and yet you're right.

904
00:43:26,760 --> 00:43:28,880
Speaker 3: So you have a straight topic that you brought I

905
00:43:28,880 --> 00:43:30,879
Speaker 3: do which is very connected to this, and it's very yes,

906
00:43:31,160 --> 00:43:33,000
Speaker 3: which is why I really want to get to it.

907
00:43:33,120 --> 00:43:34,880
Speaker 3: So tell us what is your straight topic and what

908
00:43:34,960 --> 00:43:37,640
Speaker 3: is straight about it? Okay, well, the story topic that

909
00:43:37,640 --> 00:43:39,920
Speaker 3: that came to me as a result of the question

910
00:43:40,480 --> 00:43:42,879
Speaker 3: was misery. I think I think straight is I think

911
00:43:42,920 --> 00:43:47,680
Speaker 3: straight is misery is straight. Hence the case example evidence

912
00:43:47,840 --> 00:43:50,240
Speaker 3: this this thiss Ongna person.

913
00:43:53,040 --> 00:43:55,120
Speaker 2: You can live your whole life and you on your

914
00:43:55,160 --> 00:43:56,080
Speaker 2: person on a podcast.

915
00:43:56,640 --> 00:44:00,520
Speaker 3: Yeah, but it's like you're I think about this. It's

916
00:44:00,560 --> 00:44:05,120
Speaker 3: like you're saying it's a miserable existence. Yes, to have

917
00:44:05,160 --> 00:44:08,160
Speaker 3: the husband and to say you're killing it at the

918
00:44:08,160 --> 00:44:13,120
Speaker 3: adulting game. Yes, there's no way out. But then what

919
00:44:13,160 --> 00:44:18,399
Speaker 3: if that person you know, fulfilled family church, looks at

920
00:44:18,400 --> 00:44:26,560
Speaker 3: you says they are an off Broadway performer with no children.

921
00:44:27,400 --> 00:44:28,360
Speaker 3: How miserable?

922
00:44:29,440 --> 00:44:29,759
Speaker 1: This is?

923
00:44:29,800 --> 00:44:32,480
Speaker 3: No children is my favorite part of myself or of course,

924
00:44:32,800 --> 00:44:36,000
Speaker 3: but from her perspective, well that's right. Well, well, I

925
00:44:36,040 --> 00:44:39,799
Speaker 3: think that's the thing about about disavowal is that they're

926
00:44:39,840 --> 00:44:42,080
Speaker 3: disavowing their own misery and projecting on us. So like

927
00:44:42,120 --> 00:44:45,040
Speaker 3: we are like the screens for all of their own

928
00:44:45,800 --> 00:44:51,720
Speaker 3: projected suffering and self loathing. That's just like, oh my god, honey,

929
00:44:51,760 --> 00:44:54,040
Speaker 3: are every you know, every accusation is a confession. We're

930
00:44:54,040 --> 00:44:55,320
Speaker 3: like what's going on over there?

931
00:44:55,400 --> 00:45:01,080
Speaker 2: Wow, I so weaponized misery. Thank you. You can just

932
00:45:01,120 --> 00:45:08,040
Speaker 2: put weaponize if anything now now culture and Anya, who

933
00:45:08,360 --> 00:45:09,360
Speaker 2: that has happened, Well, that.

934
00:45:10,840 --> 00:45:11,319
Speaker 4: Happened to me.

935
00:45:11,360 --> 00:45:13,839
Speaker 3: Don't joke about that. I got a mental break because

936
00:45:13,840 --> 00:45:16,600
Speaker 3: the wea and I appreciate you. Yeah.

937
00:45:16,680 --> 00:45:20,080
Speaker 2: Yeah, I think there's something in the same way that

938
00:45:20,120 --> 00:45:21,759
Speaker 2: we were talking about the people who meditate too hard

939
00:45:21,760 --> 00:45:24,399
Speaker 2: and have a mental break, and I'm like, well, thank god,

940
00:45:24,520 --> 00:45:25,400
Speaker 2: I'm not looking inward.

941
00:45:25,680 --> 00:45:30,040
Speaker 3: There's something about straight people seeing how we are constantly

942
00:45:30,080 --> 00:45:33,279
Speaker 3: still searching yes and being like, well, thank god, I'm

943
00:45:33,280 --> 00:45:35,200
Speaker 3: not that yes, And it's sort of like, well, it's

944
00:45:35,200 --> 00:45:38,920
Speaker 3: actually fun to sort of, you know, continue this journey.

945
00:45:38,960 --> 00:45:40,719
Speaker 4: Do you ever Sometimes I look around and you're like, wow,

946
00:45:40,760 --> 00:45:41,839
Speaker 4: if they really know what we.

947
00:45:41,800 --> 00:45:46,399
Speaker 3: Did, they're kind of right, yeah, well that's like you're

948
00:45:46,400 --> 00:45:48,239
Speaker 3: in some basements somewhere and you're like, well, I get

949
00:45:48,239 --> 00:45:48,840
Speaker 3: what you're saying.

950
00:45:49,840 --> 00:45:53,000
Speaker 4: You know what I mean, I see where the.

951
00:45:52,960 --> 00:45:55,640
Speaker 3: Devil is here. I get what you're saying.

952
00:45:55,800 --> 00:45:57,120
Speaker 4: I totally agree with you.

953
00:45:57,440 --> 00:46:00,440
Speaker 3: But then do you think they are ever like, damn,

954
00:46:01,040 --> 00:46:05,400
Speaker 3: we're having missionary sex once a year. They're right about like,

955
00:46:05,960 --> 00:46:08,320
Speaker 3: you know what I think jealousy is a big motivation

956
00:46:08,360 --> 00:46:11,200
Speaker 3: of the right. Yeah, I think. I think like supremacist

957
00:46:11,239 --> 00:46:14,920
Speaker 3: ideologies are really often brooded in like jealousy of joy

958
00:46:15,360 --> 00:46:18,440
Speaker 3: and connection to like the earth and the body, and

959
00:46:18,560 --> 00:46:20,960
Speaker 3: it's like own it instead of murdering, do you know

960
00:46:21,000 --> 00:46:21,319
Speaker 3: what I mean?

961
00:46:21,400 --> 00:46:21,600
Speaker 1: Yeah?

962
00:46:21,880 --> 00:46:26,640
Speaker 3: Yeah, how about that? Think about that, Calma.

963
00:46:26,840 --> 00:46:31,879
Speaker 2: I went to the airport yesterday, Oh my god, and yeah,

964
00:46:31,920 --> 00:46:34,280
Speaker 2: thank you. And it was actually kind of a groundwreaking

965
00:46:34,280 --> 00:46:36,359
Speaker 2: experience because maybe the first time since I've been an

966
00:46:36,360 --> 00:46:38,480
Speaker 2: adult that I didn't open a gay sex app while

967
00:46:38,520 --> 00:46:42,360
Speaker 2: at the airport in my whole life. That's like and

968
00:46:42,400 --> 00:46:44,880
Speaker 2: obviously not like getting out there something was wrong.

969
00:46:44,920 --> 00:46:45,200
Speaker 3: I guess.

970
00:46:45,200 --> 00:46:47,960
Speaker 2: I was just like like there was like a I

971
00:46:48,000 --> 00:46:49,880
Speaker 2: didn't have. I was just like, what where is this

972
00:46:49,880 --> 00:46:52,200
Speaker 2: actually gonna lead? Like for once in my life, Yeah,

973
00:46:52,320 --> 00:46:54,239
Speaker 2: for once in my life, I had like I was

974
00:46:54,280 --> 00:46:56,520
Speaker 2: able to think ahead and be.

975
00:46:56,480 --> 00:46:57,920
Speaker 3: Like, well, what's the point play the tape?

976
00:46:58,000 --> 00:47:00,880
Speaker 4: Play the tape after hundreds of times of.

977
00:47:00,960 --> 00:47:02,560
Speaker 2: Sitting at airport just being like, well, I guess I'll

978
00:47:02,560 --> 00:47:05,120
Speaker 2: look at the sex apps just and then it's always

979
00:47:05,120 --> 00:47:08,200
Speaker 2: at the wrong gate. They're always like I'm actually internal three. Yeah,

980
00:47:08,520 --> 00:47:10,680
Speaker 2: I'm see what. There's no I can't there's no way

981
00:47:10,680 --> 00:47:11,200
Speaker 2: to get that happen.

982
00:47:11,560 --> 00:47:16,200
Speaker 3: What's up? Oh my grandma died. I'm gonna hurt.

983
00:47:18,120 --> 00:47:21,319
Speaker 2: Literally, and this I was like, what's like? I was

984
00:47:21,320 --> 00:47:23,239
Speaker 2: actually a little scared because I was like, I'm being

985
00:47:23,239 --> 00:47:24,480
Speaker 2: so like levelheaded about all this.

986
00:47:24,800 --> 00:47:27,920
Speaker 1: What did you do instead? I?

987
00:47:29,560 --> 00:47:35,080
Speaker 3: Yeah, You're like, I'm going to be mature about this.

988
00:47:35,160 --> 00:47:37,759
Speaker 3: I'm not going on grind. I'm just gonna jerk chatter bait.

989
00:47:37,880 --> 00:47:43,000
Speaker 3: And then I'm just gonna go on chatterbare can at

990
00:47:43,000 --> 00:47:48,120
Speaker 3: the call no I chatterbait is. In an earlier point

991
00:47:48,120 --> 00:47:50,040
Speaker 3: in my life, I went for a real chatterbait face

992
00:47:50,239 --> 00:47:52,680
Speaker 3: and I had to be like stop, no, yeah, it's

993
00:47:52,920 --> 00:47:56,719
Speaker 3: very era. I was like, this is not okay, No,

994
00:47:56,760 --> 00:47:58,279
Speaker 3: it's not talk about losing a day.

995
00:47:59,080 --> 00:48:01,279
Speaker 5: Talk about losing a day, talk about losing a day,

996
00:48:01,280 --> 00:48:04,319
Speaker 5: and my god. And then you're also like, who is

997
00:48:04,960 --> 00:48:09,320
Speaker 5: funding these rooms? Like when it's like, oh the rooms

998
00:48:09,560 --> 00:48:12,520
Speaker 5: like some some of the rooms where it's like three guys,

999
00:48:12,600 --> 00:48:17,960
Speaker 5: You're like that can't be good. Oh not to well,

1000
00:48:18,040 --> 00:48:19,760
Speaker 5: not to kill it by.

1001
00:48:19,600 --> 00:48:24,440
Speaker 3: Making the point, but this so anyway, So.

1002
00:48:24,360 --> 00:48:26,200
Speaker 2: I think I just looked at Instagram. Actually, I don't

1003
00:48:26,200 --> 00:48:28,080
Speaker 2: think I opened my book yet. I think I was

1004
00:48:28,080 --> 00:48:30,040
Speaker 2: just sort of like I think and honestly, if I'm

1005
00:48:30,040 --> 00:48:31,960
Speaker 2: being truthful, I do it.

1006
00:48:32,040 --> 00:48:33,439
Speaker 3: I think it was just because it was really early

1007
00:48:33,440 --> 00:48:33,920
Speaker 3: in the morning.

1008
00:48:34,040 --> 00:48:36,879
Speaker 4: Yeah, so you just jerked off the book in the book.

1009
00:48:37,239 --> 00:48:41,759
Speaker 3: Yeah, jerked out in the book. Wait, I want to

1010
00:48:42,440 --> 00:48:44,759
Speaker 3: This is a difficult question. I'm sorry, but I think

1011
00:48:44,760 --> 00:48:47,920
Speaker 3: it'll be fruitful. Okay, how do we define miss misery?

1012
00:48:48,880 --> 00:48:53,800
Speaker 3: It's a really good question because what's the distinction between.

1013
00:48:54,960 --> 00:48:58,640
Speaker 2: Like misery versus suffering and misery versus like sadness.

1014
00:48:58,960 --> 00:49:03,120
Speaker 3: I'm like, is misery a helplessness in the face of

1015
00:49:05,280 --> 00:49:08,240
Speaker 3: not being able to get what you want or surrender

1016
00:49:08,320 --> 00:49:11,360
Speaker 3: to it? Like like I feel like like, yes, the

1017
00:49:11,400 --> 00:49:14,120
Speaker 3: gay misery is like the constant wanting, yes, which is

1018
00:49:14,160 --> 00:49:17,719
Speaker 3: like bad, but also it keeps us going. Submission to

1019
00:49:17,719 --> 00:49:19,680
Speaker 3: helplessness is like a really good It's just like, well,

1020
00:49:19,680 --> 00:49:23,759
Speaker 3: this is it's a resignation. Resignation, which to me is

1021
00:49:23,800 --> 00:49:26,920
Speaker 3: such an abhorrent thing. Like it's so that's I mean,

1022
00:49:26,960 --> 00:49:29,600
Speaker 3: you'll meet you'll meet straight people who are like, well

1023
00:49:29,600 --> 00:49:31,719
Speaker 3: this is just how you know, and it's like is

1024
00:49:31,800 --> 00:49:35,400
Speaker 3: it is it just how it is. Why this is

1025
00:49:35,440 --> 00:49:37,440
Speaker 3: what I love about gay people like it? Why does

1026
00:49:37,440 --> 00:49:41,120
Speaker 3: it have to be like that? And the resignation freaks

1027
00:49:41,160 --> 00:49:44,239
Speaker 3: me out. The regignation feels like Julianne Moore and safe

1028
00:49:44,239 --> 00:49:45,720
Speaker 3: for whatever, you know what I mean? Like that feels

1029
00:49:45,800 --> 00:49:48,839
Speaker 3: like that, that kind of moment. Yeah, you're absolutely right,

1030
00:49:48,880 --> 00:49:53,960
Speaker 3: and there is a the constant searching can also be tragic.

1031
00:49:54,120 --> 00:49:57,080
Speaker 3: It's absolutely tragic, you know, and we should be because

1032
00:49:57,120 --> 00:50:01,239
Speaker 3: resignation and if there's a spectrum and it's resignation on

1033
00:50:01,239 --> 00:50:04,719
Speaker 3: one hand, constant searching on the other, both of them

1034
00:50:05,040 --> 00:50:09,160
Speaker 3: basically lead to uh, psycho failic, yes, you know what

1035
00:50:09,239 --> 00:50:13,719
Speaker 3: I mean, like or rather, I guess resignation doesn't lead

1036
00:50:13,760 --> 00:50:17,600
Speaker 3: to it leads to complete like neutrality, whereas constant searching

1037
00:50:17,800 --> 00:50:20,279
Speaker 3: inevitably leads to failure because you're never gonna find what

1038
00:50:20,320 --> 00:50:23,560
Speaker 3: you're looking. I have one, I have one. Okay, straight

1039
00:50:23,960 --> 00:50:29,600
Speaker 3: is misery. Gay is tragedy, wow, because it's being able

1040
00:50:29,640 --> 00:50:32,080
Speaker 3: to think on top of that, Wait, this is tragic.

1041
00:50:32,440 --> 00:50:34,680
Speaker 2: Yeah, and you're being like, damn, I'm shooting so big

1042
00:50:34,719 --> 00:50:36,080
Speaker 2: and I don't care what's gonna.

1043
00:50:35,840 --> 00:50:36,879
Speaker 3: Happen, and I'm gonna lose.

1044
00:50:37,200 --> 00:50:40,200
Speaker 2: Yeah, and it's always tragic. But then straight it's like

1045
00:50:40,360 --> 00:50:42,239
Speaker 2: that's never gonna come true. I'll just stay where I am.

1046
00:50:42,320 --> 00:50:47,040
Speaker 3: M M, I'm really with you. You have piercing eyes. I

1047
00:50:47,080 --> 00:50:50,920
Speaker 3: know they're so intense. I know, I know it's so intense,

1048
00:50:50,960 --> 00:50:54,200
Speaker 3: and sometimes I have to turn it down. I imagine

1049
00:50:54,200 --> 00:50:57,000
Speaker 3: a dial just like turned down in my gaze. And

1050
00:50:57,040 --> 00:51:00,479
Speaker 3: sometimes when I'm in my thoughts, the gay gets even

1051
00:51:00,480 --> 00:51:05,839
Speaker 3: more intense. All that to say, I think tragedy, Yeah,

1052
00:51:05,840 --> 00:51:08,920
Speaker 3: what is the definition of tragedy again, because I know, like,

1053
00:51:08,920 --> 00:51:11,480
Speaker 3: what does tragedy mean? I'm not trying to put everybody

1054
00:51:11,520 --> 00:51:15,000
Speaker 3: on the spot. You were reading a book, so it's

1055
00:51:15,000 --> 00:51:19,120
Speaker 3: actually comedy minus time, right, so if you actually reverse that,

1056
00:51:19,280 --> 00:51:20,160
Speaker 3: So okay.

1057
00:51:21,400 --> 00:51:22,640
Speaker 4: You know that's an amazing question.

1058
00:51:22,840 --> 00:51:24,600
Speaker 2: I guess I was thinking of it more in the

1059
00:51:24,640 --> 00:51:27,360
Speaker 2: sense of like having a big goal and failing.

1060
00:51:27,480 --> 00:51:29,440
Speaker 3: But oh, I was thinking about it in terms of

1061
00:51:29,440 --> 00:51:33,080
Speaker 3: like instilling the misery with meaning, like if something, if

1062
00:51:33,120 --> 00:51:37,319
Speaker 3: someone is a tragic character that actually and here's what's

1063
00:51:37,320 --> 00:51:40,520
Speaker 3: gay about it? That makes you a diva? Like okay,

1064
00:51:40,560 --> 00:51:43,680
Speaker 3: So I'm okay, let's say I'm deeply unhappy. I'm waking

1065
00:51:43,719 --> 00:51:46,640
Speaker 3: up every day I'm so unhappy with my life. I'm

1066
00:51:46,680 --> 00:51:49,080
Speaker 3: a tragic character. Well, that means that there should be

1067
00:51:49,120 --> 00:51:51,520
Speaker 3: a movie about me like that. That means that I

1068
00:51:51,600 --> 00:51:55,759
Speaker 3: am significant, whereas the resignation of just being miserable is

1069
00:51:55,800 --> 00:52:01,160
Speaker 3: like I'm nothing. Right, that's what I like? That definitely, Yeah,

1070
00:52:01,160 --> 00:52:04,319
Speaker 3: that's what and and and we can critics, we can

1071
00:52:04,320 --> 00:52:06,160
Speaker 3: be critical of our concert search for more, but at

1072
00:52:06,200 --> 00:52:09,880
Speaker 3: least it doesn't mute our our desire, which you know

1073
00:52:09,920 --> 00:52:11,320
Speaker 3: what I mean? Like and I feel like the resionation

1074
00:52:11,440 --> 00:52:13,680
Speaker 3: mutes the desire over and then you just want to

1075
00:52:13,680 --> 00:52:16,480
Speaker 3: control other people's desire. Yes, you're like your desires threatening

1076
00:52:16,520 --> 00:52:18,480
Speaker 3: to me, so I have to squash it. It's the

1077
00:52:18,480 --> 00:52:21,799
Speaker 3: difference between muting and then putting the volume so far

1078
00:52:22,000 --> 00:52:26,279
Speaker 3: up that it's like, can anyone hear anything that's exactly right?

1079
00:52:26,400 --> 00:52:34,200
Speaker 3: That that's that's LGBT. Yeah, damn. Okay, here's a question

1080
00:52:34,280 --> 00:52:36,400
Speaker 3: for you. Okay, what do you feel about the phrase

1081
00:52:36,560 --> 00:52:41,640
Speaker 3: misery loves company? Is that that's marriage, that's marriage, that's

1082
00:52:41,640 --> 00:52:44,799
Speaker 3: dinner parties, that's dinner parties. That's a family's family, and

1083
00:52:44,840 --> 00:52:48,160
Speaker 3: that's a family. It is that is a family totally.

1084
00:52:48,719 --> 00:52:49,240
Speaker 4: That's true.

1085
00:52:49,280 --> 00:52:49,959
Speaker 3: You're stuck here.

1086
00:52:51,080 --> 00:52:53,080
Speaker 2: I'm I don't place for I'm finding the point of

1087
00:52:53,200 --> 00:52:55,399
Speaker 2: children to be more confusing than ever.

1088
00:52:55,960 --> 00:52:58,680
Speaker 3: I think about this all the time because I you

1089
00:52:58,680 --> 00:53:02,080
Speaker 3: would think that as you get older, you your views

1090
00:53:02,080 --> 00:53:04,440
Speaker 3: get more solidified. It's actually something I'm realizing, not just

1091
00:53:04,440 --> 00:53:06,640
Speaker 3: with kids, but with everything I was always taught. As

1092
00:53:06,680 --> 00:53:09,719
Speaker 3: you get older, your views kurdle, like that people become

1093
00:53:09,719 --> 00:53:12,560
Speaker 3: more conservative or even on the other side of things,

1094
00:53:12,600 --> 00:53:15,920
Speaker 3: like an aging hippie, just because it's like you're regurgitating

1095
00:53:15,960 --> 00:53:17,680
Speaker 3: the same shit over and over again. You're going to

1096
00:53:17,719 --> 00:53:22,000
Speaker 3: the same protests, You're just holding the same sign exactly. Yes, literally,

1097
00:53:22,040 --> 00:53:24,759
Speaker 3: like you just curdle into more of who you are.

1098
00:53:25,080 --> 00:53:27,319
Speaker 3: And I am finding the complete opposite to be true,

1099
00:53:27,320 --> 00:53:29,360
Speaker 3: which is I'm more and more confused about what my

1100
00:53:29,440 --> 00:53:31,600
Speaker 3: beliefs are as I get older. Yeah, And I would

1101
00:53:31,680 --> 00:53:34,359
Speaker 3: say kids is a great example where like you would

1102
00:53:34,360 --> 00:53:37,000
Speaker 3: think at this point, I'm like, Okay, definitively I want kids,

1103
00:53:37,040 --> 00:53:41,800
Speaker 3: definitively I don't want kids. I've never been more undecided. Really, yeah,

1104
00:53:41,880 --> 00:53:42,320
Speaker 3: I agree.

1105
00:53:42,360 --> 00:53:45,040
Speaker 2: I'm literally like, okay, wait what is because I'm like,

1106
00:53:45,120 --> 00:53:47,680
Speaker 2: I see the goal, but I'm like, but there's like

1107
00:53:47,719 --> 00:53:49,919
Speaker 2: I'm sort of like what is the point. Like it's

1108
00:53:49,960 --> 00:53:52,680
Speaker 2: really confusing because so many people are like, I'm having kids, people,

1109
00:53:52,680 --> 00:53:53,919
Speaker 2: who's going to take care of you when you're older.

1110
00:53:53,920 --> 00:53:55,399
Speaker 3: I'm like, I don't want to have kids to have

1111
00:53:55,520 --> 00:53:59,399
Speaker 3: free help, free help are right, And.

1112
00:53:59,360 --> 00:54:01,799
Speaker 2: It's also like and then being like, well it'll be nice,

1113
00:54:01,800 --> 00:54:03,360
Speaker 2: Like there's a part of me that has a fantasy

1114
00:54:03,400 --> 00:54:05,520
Speaker 2: of being like, we would be nice to like have

1115
00:54:05,600 --> 00:54:08,040
Speaker 2: kids as like a progressive person, because then you could

1116
00:54:08,080 --> 00:54:10,640
Speaker 2: like in still progressive ideals. And I'm like, well, they're

1117
00:54:10,640 --> 00:54:13,920
Speaker 2: not my tools like to like for political gain either,

1118
00:54:14,000 --> 00:54:15,279
Speaker 2: Like I think that's docks whatever.

1119
00:54:15,320 --> 00:54:18,239
Speaker 3: I'll just anyways, yeah, anyways. But even everything you're thinking now,

1120
00:54:18,400 --> 00:54:20,919
Speaker 3: if you were to have had kids at twenty two,

1121
00:54:21,239 --> 00:54:23,200
Speaker 3: your mind would not have even been involved enough to

1122
00:54:23,239 --> 00:54:24,040
Speaker 3: have those thoughts.

1123
00:54:24,200 --> 00:54:25,240
Speaker 4: So it just is easier.

1124
00:54:25,280 --> 00:54:26,960
Speaker 3: Like I think that you just know too much as

1125
00:54:26,960 --> 00:54:30,040
Speaker 3: you get older, so then every decision is impossible. I mean,

1126
00:54:30,719 --> 00:54:34,360
Speaker 3: my dog is fourteen. Isn't that crazy? When did you

1127
00:54:34,360 --> 00:54:37,000
Speaker 3: get this dog? I got him when I was twenty three.

1128
00:54:38,080 --> 00:54:39,040
Speaker 3: How old was the dog?

1129
00:54:39,280 --> 00:54:39,919
Speaker 4: He was two?

1130
00:54:40,560 --> 00:54:44,080
Speaker 3: Oh my god? Yeah, you've had to do grandchildren. This

1131
00:54:44,160 --> 00:54:46,920
Speaker 3: is a crazy school family. I could have a fifteen

1132
00:54:47,320 --> 00:54:51,800
Speaker 3: fifteen year old? Fourteen year old? What'd I say before fourteen? Yeah,

1133
00:54:52,200 --> 00:54:54,440
Speaker 3: but you it sounds like you were saying you may

1134
00:54:54,480 --> 00:54:56,680
Speaker 3: have a desire for it, like there was I think

1135
00:54:56,719 --> 00:54:58,520
Speaker 3: both of us are sort of undecided. I mean, I

1136
00:54:58,520 --> 00:54:59,239
Speaker 3: don't know this is.

1137
00:54:59,200 --> 00:55:01,840
Speaker 2: And I were back to orne Yeah yeah, yeah, and

1138
00:55:01,880 --> 00:55:03,680
Speaker 2: we wouldn't you want to do it if the other

1139
00:55:03,680 --> 00:55:04,400
Speaker 2: one didn't, right?

1140
00:55:04,560 --> 00:55:06,600
Speaker 4: And you know what the thing is, there's almost something

1141
00:55:07,440 --> 00:55:08,160
Speaker 4: that's true.

1142
00:55:08,680 --> 00:55:11,960
Speaker 2: There's something about like the lack of If I were

1143
00:55:12,120 --> 00:55:15,080
Speaker 2: straight and it was like all my friends are having kids,

1144
00:55:15,160 --> 00:55:18,920
Speaker 2: I'd be like, okay, well, like I basically have kids anyway,

1145
00:55:19,120 --> 00:55:21,480
Speaker 2: but now as a gay person, it would be such

1146
00:55:21,600 --> 00:55:25,320
Speaker 2: a choice and such a like removal from the community

1147
00:55:25,360 --> 00:55:25,960
Speaker 2: of solo.

1148
00:55:25,760 --> 00:55:28,279
Speaker 3: Shows they have kids, yes, but this is I was

1149
00:55:28,320 --> 00:55:30,080
Speaker 3: explaining this to a friend of mine. I was like,

1150
00:55:30,160 --> 00:55:32,439
Speaker 3: a straight friend. I was like, so, you know how

1151
00:55:32,600 --> 00:55:35,360
Speaker 3: straight people without kids in your community are marginalized, Like

1152
00:55:35,400 --> 00:55:37,399
Speaker 3: they're like, god, she could have you know, she never

1153
00:55:37,480 --> 00:55:40,080
Speaker 3: had kids. Yeah, that's what it is when you do

1154
00:55:40,160 --> 00:55:42,759
Speaker 3: have rights, because we know people that have kids and

1155
00:55:42,800 --> 00:55:44,799
Speaker 3: it's like, yeah, they're not coming to the parties. They

1156
00:55:44,880 --> 00:55:49,360
Speaker 3: struggle feel belonging. Yeah, yeah, and some of them, like

1157
00:55:49,600 --> 00:55:51,279
Speaker 3: I mean, not anyone I'm thinking of right now, but

1158
00:55:51,320 --> 00:55:53,760
Speaker 3: like I could imagine, it's also easy to then develop

1159
00:55:53,760 --> 00:55:55,799
Speaker 3: a resentment that's like why aret my friends hanging out

1160
00:55:55,960 --> 00:55:59,000
Speaker 3: with me? Yes, it's like, well, because you have twins,

1161
00:55:59,160 --> 00:56:01,080
Speaker 3: and then you're telling you the straight people all the time,

1162
00:56:01,120 --> 00:56:05,160
Speaker 3: because so it's just as like it's it's not just

1163
00:56:05,239 --> 00:56:07,440
Speaker 3: the decision of like kids versus no kids, it's the

1164
00:56:07,520 --> 00:56:11,080
Speaker 3: decision of my life is radically changing in terms of

1165
00:56:11,120 --> 00:56:13,839
Speaker 3: like the possibilities of who I surround myself with.

1166
00:56:13,960 --> 00:56:15,239
Speaker 1: Do you want kids? Oh?

1167
00:56:15,320 --> 00:56:18,640
Speaker 3: My god, absolutely not Okay, and you've always known yes,

1168
00:56:19,400 --> 00:56:22,080
Speaker 3: it's actually the only thing I've known clearly. I feel

1169
00:56:22,080 --> 00:56:25,080
Speaker 3: like everything else about me, I am my jury's fully out. Yeah,

1170
00:56:25,080 --> 00:56:27,920
Speaker 3: Like I don't even know what the options are, but

1171
00:56:27,960 --> 00:56:29,719
Speaker 3: that one New York versus LA. It's a New York

1172
00:56:29,760 --> 00:56:31,000
Speaker 3: versus LA.

1173
00:56:32,480 --> 00:56:33,560
Speaker 4: But I love, you know what I love?

1174
00:56:33,560 --> 00:56:36,080
Speaker 3: I have a niece, obviously, we love having niece.

1175
00:56:36,120 --> 00:56:38,040
Speaker 4: Yes, yeah, yeah, yeah, they all have nieces.

1176
00:56:38,160 --> 00:56:38,799
Speaker 3: We all have nieces.

1177
00:56:38,840 --> 00:56:39,480
Speaker 4: We all have nieces.

1178
00:56:39,520 --> 00:56:40,759
Speaker 3: Yeah. How old are mine?

1179
00:56:40,800 --> 00:56:41,040
Speaker 4: Lives?

1180
00:56:41,120 --> 00:56:44,319
Speaker 3: Literally a walk away from no, that's amazing. Yeah, I

1181
00:56:44,400 --> 00:56:45,719
Speaker 3: like want to see her, bitch of the day care.

1182
00:56:46,719 --> 00:56:47,719
Speaker 3: Oh my god, get her out.

1183
00:56:47,800 --> 00:56:50,239
Speaker 4: I know we should have her on as a guest.

1184
00:56:50,560 --> 00:56:52,760
Speaker 3: She's got her on the pod. How old is she?

1185
00:56:52,760 --> 00:56:55,480
Speaker 3: She's like nineteen months at this point. Oh my god,

1186
00:56:55,480 --> 00:56:59,880
Speaker 3: she's tiny. She's really small. And you're about to turn three. Oh,

1187
00:57:00,000 --> 00:57:04,800
Speaker 3: oh my god, how old is your nine? You guys,

1188
00:57:04,880 --> 00:57:07,600
Speaker 3: And I'm having those feelings of I don't want her

1189
00:57:07,640 --> 00:57:10,320
Speaker 3: to age. Yeah, well, it's like going to become so back.

1190
00:57:10,600 --> 00:57:14,080
Speaker 4: Yeah, you're like a weld bitch. She came to my show.

1191
00:57:14,160 --> 00:57:15,960
Speaker 3: By the way, she came to my show, and she

1192
00:57:16,320 --> 00:57:21,600
Speaker 3: after she goes, she kind of liked it. I mean,

1193
00:57:21,640 --> 00:57:27,160
Speaker 3: are you like so cool to her? I both cool

1194
00:57:27,160 --> 00:57:28,560
Speaker 3: and not cool. Like she won't talk to me on

1195
00:57:28,560 --> 00:57:30,680
Speaker 3: the phone. She only talked to her friends on the phone.

1196
00:57:30,760 --> 00:57:32,080
Speaker 3: She does not want to talk to me. But then

1197
00:57:32,120 --> 00:57:34,320
Speaker 3: when we're around each other. I love her so much,

1198
00:57:34,520 --> 00:57:38,560
Speaker 3: but I can really see how like the sadness of

1199
00:57:38,920 --> 00:57:41,360
Speaker 3: kids aging, you know, because you want them to be

1200
00:57:41,640 --> 00:57:45,080
Speaker 3: little forever, which is like crazy because that's literally not

1201
00:57:45,120 --> 00:57:47,760
Speaker 3: what they're meant to do. It's also I mean, not

1202
00:57:47,880 --> 00:57:51,120
Speaker 3: to it happened. I'm trying to not say it happened

1203
00:57:51,160 --> 00:57:52,760
Speaker 3: so fast, because that is a cliche, but that is

1204
00:57:52,800 --> 00:57:55,400
Speaker 3: the point I'm trying to make. It's like, think about

1205
00:57:56,360 --> 00:57:58,880
Speaker 3: when you were young. You know, four years was such

1206
00:57:58,880 --> 00:58:01,120
Speaker 3: a long time, I know, and it's like, wow, we've

1207
00:58:01,200 --> 00:58:04,440
Speaker 3: changed so much since fifth grade, y'all. Now, if you're

1208
00:58:04,480 --> 00:58:07,800
Speaker 3: a parent, four years goes like that, goes by like that,

1209
00:58:08,000 --> 00:58:10,560
Speaker 3: you have like three late nights at work. You've missed

1210
00:58:10,600 --> 00:58:14,240
Speaker 3: a year of your kid's life that's never coming back.

1211
00:58:14,520 --> 00:58:17,840
Speaker 3: I mean, talk about misery, folks, literuly, I mean truly,

1212
00:58:18,440 --> 00:58:23,680
Speaker 3: because that parenting is is misery. It's and it's just

1213
00:58:24,000 --> 00:58:26,720
Speaker 3: lost after loss after loss after I mean, like and

1214
00:58:26,720 --> 00:58:28,520
Speaker 3: that I don't think I'm emotionally mature. That's why, by

1215
00:58:28,560 --> 00:58:32,280
Speaker 3: the way, I'm just not emotional and be okay with

1216
00:58:33,680 --> 00:58:37,160
Speaker 3: doing so much for no gratitude in return the opposite

1217
00:58:37,560 --> 00:58:38,320
Speaker 3: even now that I.

1218
00:58:40,120 --> 00:58:42,280
Speaker 2: Like, well that's that's like, that's part of the what's

1219
00:58:42,320 --> 00:58:44,600
Speaker 2: the point where I'm like, there's this fantasy of like, well,

1220
00:58:44,600 --> 00:58:47,080
Speaker 2: when they're twenty five, they're going to be like, damn

1221
00:58:47,160 --> 00:58:49,680
Speaker 2: you rock that, mama, and it's like no, no, they're

1222
00:58:49,760 --> 00:58:50,360
Speaker 2: going to be like.

1223
00:58:51,040 --> 00:58:53,440
Speaker 3: You didn't give me enough, Like I can't stand you

1224
00:58:53,840 --> 00:58:56,680
Speaker 3: even now, I know I'm not grateful enough to my parents.

1225
00:58:56,720 --> 00:58:59,640
Speaker 3: I talk about it with my sisters like I'm never

1226
00:58:59,680 --> 00:59:01,840
Speaker 3: gonna go and be like, hey, I just wanted to say, like,

1227
00:59:01,920 --> 00:59:03,800
Speaker 3: you guys did a really good job, because then they'll

1228
00:59:03,800 --> 00:59:04,800
Speaker 3: say something and you'd be like.

1229
00:59:05,280 --> 00:59:10,560
Speaker 2: Yeah, whatever they say, we'll be wrong, and then the

1230
00:59:10,560 --> 00:59:11,560
Speaker 2: cycle starts a little bit.

1231
00:59:11,600 --> 00:59:14,000
Speaker 3: It's like whatever, you know. They love to say the

1232
00:59:14,040 --> 00:59:17,000
Speaker 3: wrong thing. God, and I honestly like respect it. Like

1233
00:59:17,680 --> 00:59:19,840
Speaker 3: they're playing straight shooters and it's like right thing wrong

1234
00:59:19,880 --> 00:59:21,320
Speaker 3: things like wrong.

1235
00:59:23,040 --> 00:59:23,360
Speaker 4: Wrong.

1236
00:59:24,480 --> 00:59:26,880
Speaker 2: It's such an interesting thing where I like you almost

1237
00:59:27,000 --> 00:59:29,160
Speaker 2: like I'm confusing. People are like hurt by it because

1238
00:59:29,160 --> 00:59:30,920
Speaker 2: I'm like, well, that's parents. I know they say the

1239
00:59:30,960 --> 00:59:31,439
Speaker 2: wrong thing.

1240
00:59:31,600 --> 00:59:34,520
Speaker 3: That's parents. My mom loves to do this thing where

1241
00:59:34,520 --> 00:59:37,640
Speaker 3: you'll complain about something in your life and her response

1242
00:59:37,640 --> 00:59:43,200
Speaker 3: would be like, well but you chose that. It's like no, yeah,

1243
00:59:43,440 --> 00:59:50,400
Speaker 3: like oh my god, that's so. But when you say

1244
00:59:50,440 --> 00:59:54,560
Speaker 3: it again, because it kind of was like thrilling, yeah, well,

1245
00:59:55,000 --> 00:59:57,040
Speaker 3: especially when and she won't even mean it in like

1246
00:59:57,040 --> 00:59:57,880
Speaker 3: a negative way.

1247
00:59:58,000 --> 00:59:59,880
Speaker 4: It's I'll be like can I say, can I try one?

1248
01:00:00,000 --> 01:00:01,720
Speaker 3: And I want you to say it yeah, like I'll

1249
01:00:01,720 --> 01:00:05,000
Speaker 3: be like, God, it's like, I obviously I like the

1250
01:00:05,040 --> 01:00:07,960
Speaker 3: freedom of being a freelancer, but it's just like constant

1251
01:00:08,000 --> 01:00:10,320
Speaker 3: rescheduling and emails and sometimes the day ends and I

1252
01:00:10,320 --> 01:00:14,200
Speaker 3: feel like I haven't done anything. Well you chose that.

1253
01:00:14,200 --> 01:00:17,200
Speaker 3: That's like every conversation with my mom, I like really

1254
01:00:17,240 --> 01:00:19,120
Speaker 3: felt something. Yeah, that's amazing.

1255
01:00:19,360 --> 01:00:22,880
Speaker 2: I'm addicted because that she reminds me of myself. I

1256
01:00:22,920 --> 01:00:25,120
Speaker 2: love to do that to people, like be like, oh, well,

1257
01:00:25,160 --> 01:00:29,520
Speaker 2: maybe you should change, Like I'm so deeply unhelpful.

1258
01:00:30,000 --> 01:00:32,160
Speaker 3: It's interesting. It's on the opposite end. I'm like, I'm

1259
01:00:32,160 --> 01:00:34,880
Speaker 3: that that makes sense person. Oh that makes sense.

1260
01:00:35,040 --> 01:00:38,720
Speaker 4: I actually that's a good person to be. Well, sometimes

1261
01:00:38,800 --> 01:00:39,200
Speaker 4: you need.

1262
01:00:39,040 --> 01:00:42,080
Speaker 3: To be that person. It says, yeah, I hear you

1263
01:00:42,160 --> 01:00:45,400
Speaker 3: complain about this a lot. I did, I know it

1264
01:00:45,400 --> 01:00:49,320
Speaker 3: seems like you should make an adjustment that type of thing.

1265
01:00:49,440 --> 01:00:49,680
Speaker 1: Yeah.

1266
01:00:49,680 --> 01:00:54,000
Speaker 3: My mom always goes for always she's so proud of

1267
01:00:54,040 --> 01:00:56,800
Speaker 3: me as a performer d but she's like, she always goes,

1268
01:00:56,880 --> 01:00:59,760
Speaker 3: how many seats are there? Oh my mom? My mom

1269
01:00:59,800 --> 01:01:02,160
Speaker 3: is always Yes, she also goes, how do people find

1270
01:01:02,160 --> 01:01:05,560
Speaker 3: out about it? How where do the people?

1271
01:01:05,800 --> 01:01:09,320
Speaker 2: Then parents loved quantity quantity, and then they go, well,

1272
01:01:09,320 --> 01:01:10,960
Speaker 2: you will they be having you back, and you go, no,

1273
01:01:11,000 --> 01:01:11,960
Speaker 2: it's just a one time thing.

1274
01:01:12,760 --> 01:01:15,000
Speaker 4: It's like immediately you're trying to impress it.

1275
01:01:15,120 --> 01:01:18,000
Speaker 3: My mom is there was a very long period where

1276
01:01:18,040 --> 01:01:20,400
Speaker 3: she was obsessed with asking is the venue in Brooklyn

1277
01:01:20,480 --> 01:01:20,960
Speaker 3: or Manhattan?

1278
01:01:23,520 --> 01:01:25,200
Speaker 4: Which is her way being like, so is it valid

1279
01:01:25,280 --> 01:01:25,480
Speaker 4: or not?

1280
01:01:27,040 --> 01:01:28,800
Speaker 3: And I would be like Brooklyn should be like, oh, oh,

1281
01:01:28,880 --> 01:01:31,320
Speaker 3: well that's okay, you'll get there one day, sweetie.

1282
01:01:31,320 --> 01:01:32,960
Speaker 4: Literally wow.

1283
01:01:33,920 --> 01:01:35,720
Speaker 3: But then it's like I would do a show Manhattan

1284
01:01:35,720 --> 01:01:37,720
Speaker 3: and I'd be like Manhattan, expecting her to be like, congratulations.

1285
01:01:37,800 --> 01:01:39,760
Speaker 3: She'd be like, and how many seats, and I'm like, well,

1286
01:01:39,880 --> 01:01:42,200
Speaker 3: smaller than the Brooklyn one. Actually, like the Brooklyn one

1287
01:01:42,240 --> 01:01:48,200
Speaker 3: was sort of bigger, nagging yeah wow. Or of course

1288
01:01:48,200 --> 01:01:50,480
Speaker 3: the worst thing is like being at a show them

1289
01:01:50,520 --> 01:01:52,840
Speaker 3: maybe not getting it and being like, well people were laughing.

1290
01:01:54,600 --> 01:01:56,240
Speaker 3: People seem to really like it. It seems like a lot

1291
01:01:56,240 --> 01:01:57,840
Speaker 3: of people really like that. And by people, by the way,

1292
01:01:57,880 --> 01:01:58,440
Speaker 3: I don't mean me.

1293
01:02:00,120 --> 01:02:02,440
Speaker 2: I've had that's a classic. I love when that's like

1294
01:02:02,440 --> 01:02:03,640
Speaker 2: people seem to really enjoy that.

1295
01:02:03,800 --> 01:02:07,120
Speaker 3: Yeah, Oh my god, oh chilling, because it's like a

1296
01:02:07,160 --> 01:02:09,080
Speaker 3: horror movie hearing you guys say these things. It's like,

1297
01:02:09,280 --> 01:02:10,760
Speaker 3: I'm like chilled.

1298
01:02:11,600 --> 01:02:14,640
Speaker 2: It's tough about I'm the way that I'm I'm radically

1299
01:02:14,800 --> 01:02:17,760
Speaker 2: unfortunately full of nothing but forgiveness for everything.

1300
01:02:17,800 --> 01:02:20,360
Speaker 3: My parents ever say me too, Like it's so weird

1301
01:02:20,520 --> 01:02:27,040
Speaker 3: to me too. At first, I would the twenty years exactly.

1302
01:02:27,640 --> 01:02:29,440
Speaker 3: It's like, because I had a forgiveness, I.

1303
01:02:29,440 --> 01:02:30,120
Speaker 4: Would have forgiven.

1304
01:02:30,240 --> 01:02:31,840
Speaker 2: But it's maybe I'm like doing the thing where I'm

1305
01:02:31,840 --> 01:02:33,080
Speaker 2: putting myself in the audience too much.

1306
01:02:33,120 --> 01:02:33,400
Speaker 3: With them.

1307
01:02:33,440 --> 01:02:35,040
Speaker 2: I'm like, like, I do love to be like, well,

1308
01:02:35,080 --> 01:02:36,439
Speaker 2: I would probably say that if I had no idea

1309
01:02:36,480 --> 01:02:37,880
Speaker 2: what comedy was like, like.

1310
01:02:38,200 --> 01:02:40,440
Speaker 3: Oh god, we also, by the way, have no idea

1311
01:02:40,520 --> 01:02:43,320
Speaker 3: what we have said to people with different jobs that

1312
01:02:43,360 --> 01:02:47,600
Speaker 3: has been completely insulting, stupid, basic, I mean, not to

1313
01:02:47,640 --> 01:02:51,880
Speaker 3: be a bit. Our entire podcast is like what straight culture. Ye, No,

1314
01:02:52,000 --> 01:02:56,479
Speaker 3: we're okay, wow, so we're sort of we're not looking

1315
01:02:56,480 --> 01:02:58,880
Speaker 3: at the people. It's in the mirror, Okay, Well, we're

1316
01:02:58,920 --> 01:03:03,600
Speaker 3: like performing ignorance, were right, Yeah, that power move it's

1317
01:03:03,640 --> 01:03:10,240
Speaker 3: what Donald Trump does. Ever go there. I don't know

1318
01:03:10,240 --> 01:03:11,600
Speaker 3: if we can put this one out. I don't know

1319
01:03:11,640 --> 01:03:14,360
Speaker 3: if we can put this one out. No, now, more

1320
01:03:14,400 --> 01:03:17,000
Speaker 3: than ever it's important to speak out and to say

1321
01:03:17,080 --> 01:03:21,240
Speaker 3: we don't want this administration. George, sorry, we're gonna lose

1322
01:03:21,240 --> 01:03:22,960
Speaker 3: our funding. I know you say that you don't want

1323
01:03:23,000 --> 01:03:25,880
Speaker 3: to talk about politics because you're a centrist and you

1324
01:03:25,880 --> 01:03:27,800
Speaker 3: know you have to make some good points, but we

1325
01:03:27,960 --> 01:03:33,960
Speaker 3: have to especially make an a fuck. Okay, okay, vote

1326
01:03:33,960 --> 01:03:34,720
Speaker 3: for gabbing you some.

1327
01:03:36,640 --> 01:03:39,040
Speaker 4: I love how you Yeah, some I feel like.

1328
01:03:41,640 --> 01:03:44,200
Speaker 3: This is okay? You know how. There's like a few things,

1329
01:03:44,280 --> 01:03:47,520
Speaker 3: right have a slant accent? Sure that is one of them.

1330
01:03:47,600 --> 01:03:50,520
Speaker 3: What we just found one? Yeah, and people say I

1331
01:03:50,560 --> 01:03:54,000
Speaker 3: say New York like that like like then we're like

1332
01:03:54,680 --> 01:03:58,840
Speaker 3: and another one is like when I say singer, singer, singer,

1333
01:03:59,320 --> 01:04:03,280
Speaker 3: I think that's really but I'm not trying to so

1334
01:04:03,320 --> 01:04:06,120
Speaker 3: that there's that new Yeah, there's like a couple of

1335
01:04:06,520 --> 01:04:09,840
Speaker 3: things and it's like I have been found out and

1336
01:04:09,840 --> 01:04:10,920
Speaker 3: and I was the part of that.

1337
01:04:11,320 --> 01:04:11,560
Speaker 1: Yeah.

1338
01:04:12,320 --> 01:04:13,640
Speaker 3: Yeah, how does it feel too?

1339
01:04:13,840 --> 01:04:14,560
Speaker 1: A million.

1340
01:04:16,960 --> 01:04:17,320
Speaker 4: Normal?

1341
01:04:20,560 --> 01:04:25,040
Speaker 3: I really feel anything, but they're supposed to a RB.

1342
01:04:29,000 --> 01:04:30,600
Speaker 2: I actually would love if the game was just a

1343
01:04:30,680 --> 01:04:32,200
Speaker 2: r B and we go a r B and then

1344
01:04:34,160 --> 01:04:38,840
Speaker 2: okay a or B hey okay AIRB hey, okay a

1345
01:04:38,960 --> 01:04:39,400
Speaker 2: r B B.

1346
01:04:43,080 --> 01:04:43,880
Speaker 1: Okay, let's do that.

1347
01:04:44,280 --> 01:04:47,960
Speaker 3: That's really good. Okay, how many of those we've had

1348
01:04:48,000 --> 01:04:51,280
Speaker 3: to come up? How many years? Like literally five hundred?

1349
01:04:51,400 --> 01:04:55,000
Speaker 3: That's crazy, it's crazy, it's nuts. It's crazy to be

1350
01:04:55,400 --> 01:04:57,680
Speaker 3: really bell? What was the bell?

1351
01:04:57,760 --> 01:04:57,920
Speaker 1: One?

1352
01:04:58,280 --> 01:04:58,880
Speaker 3: Go to the ball?

1353
01:05:00,080 --> 01:05:00,360
Speaker 1: Uh?

1354
01:05:01,000 --> 01:05:04,520
Speaker 3: Tonight we ball? Or my flight is out of the gaulf.

1355
01:05:06,800 --> 01:05:08,480
Speaker 3: I want a book of those, you guys. I think

1356
01:05:08,480 --> 01:05:10,200
Speaker 3: that'd be you know, I mean, you know, my my

1357
01:05:10,240 --> 01:05:14,120
Speaker 3: favorite one I've ever written. Super califragulistic, expladocious or super

1358
01:05:14,160 --> 01:05:15,960
Speaker 3: call me Friday. Let's just exploit it the process.

1359
01:05:16,160 --> 01:05:17,640
Speaker 4: Oh my god, that's.

1360
01:05:17,480 --> 01:05:19,520
Speaker 3: Really really good. Okay, that's really.

1361
01:05:19,320 --> 01:05:22,960
Speaker 2: Really Glorioate of New York City.

1362
01:05:24,720 --> 01:05:26,960
Speaker 3: Do we have like final thoughts on misery? I don't

1363
01:05:26,960 --> 01:05:29,000
Speaker 3: want to end you guys. I think we're having a

1364
01:05:29,000 --> 01:05:31,440
Speaker 3: good time. I think I'm having such a good time. Yeah,

1365
01:05:32,360 --> 01:05:33,960
Speaker 3: annoying to do after this that I don't want to do?

1366
01:05:34,160 --> 01:05:36,280
Speaker 3: Should we again? Should we do with you?

1367
01:05:36,320 --> 01:05:36,480
Speaker 1: No?

1368
01:05:36,560 --> 01:05:40,840
Speaker 3: It's a it's a zoom the marketing. Do you want

1369
01:05:40,840 --> 01:05:46,360
Speaker 3: to just do? You know what? I'll do it? God,

1370
01:05:46,400 --> 01:05:49,920
Speaker 3: if only I just be really affirming. Can I tell

1371
01:05:49,960 --> 01:05:50,400
Speaker 3: you something?

1372
01:05:50,560 --> 01:05:52,720
Speaker 2: This is potentially extremely boring, but I'm going to say

1373
01:05:52,720 --> 01:05:53,600
Speaker 2: it just in case it's.

1374
01:05:53,480 --> 01:05:55,320
Speaker 4: Not, which is sort of how I do things.

1375
01:05:55,440 --> 01:05:58,959
Speaker 2: Yesterday, George and I were supposed to have a call

1376
01:05:59,080 --> 01:06:00,320
Speaker 2: with a business hall.

1377
01:06:00,640 --> 01:06:03,680
Speaker 3: We've had countless of these calls. They're usually that I'd say.

1378
01:06:05,320 --> 01:06:07,720
Speaker 2: Of any business call I've had has been completely pointless

1379
01:06:07,720 --> 01:06:11,080
Speaker 2: and morning. And I was traveling yesterday and so I

1380
01:06:11,120 --> 01:06:12,720
Speaker 2: was like, George, can you just do it without me?

1381
01:06:12,880 --> 01:06:14,720
Speaker 3: And he was like totally. I got off the flight.

1382
01:06:14,760 --> 01:06:16,120
Speaker 3: He's like that was the most important calling.

1383
01:06:16,920 --> 01:06:19,240
Speaker 2: He was like, I learned so much stuff and we

1384
01:06:19,280 --> 01:06:21,000
Speaker 2: actually need to talk about a lot of things.

1385
01:06:21,240 --> 01:06:22,840
Speaker 4: And I was like, that sounds like you're in trouble.

1386
01:06:23,320 --> 01:06:26,000
Speaker 3: When I heard not his fault, it's just like I

1387
01:06:26,040 --> 01:06:27,720
Speaker 3: we really thought it was going to be like okay,

1388
01:06:27,880 --> 01:06:30,720
Speaker 3: like look through whatever, do it so we're going to

1389
01:06:30,840 --> 01:06:34,040
Speaker 3: hit end, and it was like we need an itemized

1390
01:06:34,080 --> 01:06:36,200
Speaker 3: list of, you know, the issues that.

1391
01:06:36,160 --> 01:06:38,280
Speaker 2: We're gonna there's a lot we need to discuss about

1392
01:06:38,320 --> 01:06:40,880
Speaker 2: moving forward and whoa and like there's so many choices

1393
01:06:40,920 --> 01:06:42,760
Speaker 2: and like so many things we need to think about.

1394
01:06:43,000 --> 01:06:45,440
Speaker 3: And I was like, this has never in my life happened.

1395
01:06:46,080 --> 01:06:47,680
Speaker 3: And you know, I'd be lying if I said there

1396
01:06:47,680 --> 01:06:49,000
Speaker 3: wasn't a part of me that thinks that George just

1397
01:06:49,040 --> 01:06:55,200
Speaker 3: wants to punish me. It is not my fault. So

1398
01:06:55,240 --> 01:06:58,040
Speaker 3: where does that come from? Yeah, I was just kidding.

1399
01:06:58,080 --> 01:06:59,960
Speaker 3: I'm just kidding. No, no, no, And I was gonna kid

1400
01:07:00,000 --> 01:07:02,720
Speaker 3: also and be like, well, because the truth, right, Because

1401
01:07:02,720 --> 01:07:04,080
Speaker 3: of the hits the past, see.

1402
01:07:04,080 --> 01:07:06,919
Speaker 2: The present, I like to be it's fun to be bad.

1403
01:07:07,320 --> 01:07:09,560
Speaker 2: Like it's fun to It's like, when you're on stage,

1404
01:07:09,640 --> 01:07:11,400
Speaker 2: it's fun to like blame the audience because you're like,

1405
01:07:11,440 --> 01:07:13,600
Speaker 2: this is what bad comedians do. Yes, And it's fun

1406
01:07:13,640 --> 01:07:15,640
Speaker 2: to be like to pretend to be like bad in

1407
01:07:15,680 --> 01:07:17,960
Speaker 2: therapy and be like, well, I think.

1408
01:07:17,760 --> 01:07:22,560
Speaker 3: That because it's true, right, right. I luck that you

1409
01:07:22,640 --> 01:07:26,040
Speaker 3: said on some level you think it's you're being punished.

1410
01:07:26,280 --> 01:07:28,800
Speaker 3: You think George may just punishing me, because I feel

1411
01:07:28,800 --> 01:07:31,760
Speaker 3: like there is that voice. There is there is that voice.

1412
01:07:32,160 --> 01:07:32,480
Speaker 1: Yeah.

1413
01:07:32,520 --> 01:07:34,480
Speaker 3: And by the way, I think Sam is punishing me

1414
01:07:34,520 --> 01:07:38,439
Speaker 3: by not moving to New York. Okay, I'm really glad

1415
01:07:38,440 --> 01:07:42,280
Speaker 3: we're here and I just want to hang out in

1416
01:07:42,320 --> 01:07:44,200
Speaker 3: this This switched to me recently where I was like,

1417
01:07:44,520 --> 01:07:47,640
Speaker 3: I in no way had held any resentment, like obviously,

1418
01:07:47,680 --> 01:07:50,080
Speaker 3: Sam moved to LA because of an exciting job opportunity,

1419
01:07:50,120 --> 01:07:52,720
Speaker 3: like I've I've never been like I can't believe we

1420
01:07:52,840 --> 01:07:55,760
Speaker 3: have to fucking zoom it, Like I really write and

1421
01:07:55,880 --> 01:07:58,880
Speaker 3: something switched literally in the past week where I was like, hello,

1422
01:07:59,560 --> 01:08:01,840
Speaker 3: we're leaving money on the table. Were living money on

1423
01:08:01,840 --> 01:08:04,920
Speaker 3: the table? Yeah, I mean something is shifted.

1424
01:08:05,520 --> 01:08:08,000
Speaker 4: It is just like a logistical issue.

1425
01:08:08,400 --> 01:08:13,880
Speaker 3: But yeah, if I was, if I was in your position,

1426
01:08:14,000 --> 01:08:16,080
Speaker 3: like you know, I would be worse than you are,

1427
01:08:16,240 --> 01:08:18,400
Speaker 3: Like I would be like I would like just keep

1428
01:08:18,439 --> 01:08:20,640
Speaker 3: living in la for three years because I would be

1429
01:08:20,680 --> 01:08:24,479
Speaker 3: like forgetting to look at apartments. Like I'm not saying

1430
01:08:25,400 --> 01:08:26,160
Speaker 3: it's a nightmare.

1431
01:08:26,479 --> 01:08:29,760
Speaker 2: Yeah, it's literally like two months at least, because like

1432
01:08:30,640 --> 01:08:31,360
Speaker 2: it's just whatever.

1433
01:08:31,800 --> 01:08:34,920
Speaker 3: Yeah, so you have the same longing. But this also

1434
01:08:34,960 --> 01:08:37,120
Speaker 3: happens when one of us has Often if we do

1435
01:08:37,120 --> 01:08:39,320
Speaker 3: a zoom recording, one of us will have technical difficulties

1436
01:08:39,520 --> 01:08:41,360
Speaker 3: because of the Wi Fi, because of the mic. It's

1437
01:08:41,400 --> 01:08:48,320
Speaker 3: not anyone, is it just one of us? Okay, Well

1438
01:08:48,360 --> 01:08:50,559
Speaker 3: I do sometimes have Wi Fi issues. I live in

1439
01:08:50,560 --> 01:08:53,400
Speaker 3: a pre war building and it's a building wide issue.

1440
01:08:54,640 --> 01:08:57,559
Speaker 3: I don't feel safe here.

1441
01:08:59,479 --> 01:09:02,720
Speaker 4: We're having to sort just stay We'll be fine. We'll

1442
01:09:02,720 --> 01:09:03,120
Speaker 4: be fine.

1443
01:09:03,160 --> 01:09:03,400
Speaker 1: We will.

1444
01:09:03,720 --> 01:09:06,240
Speaker 3: This is dinner with a couple where the woman is

1445
01:09:06,280 --> 01:09:09,360
Speaker 3: wearing a nice dress and supercuts haircut. Yeah, and you

1446
01:09:09,400 --> 01:09:09,960
Speaker 3: stay right there.

1447
01:09:09,960 --> 01:09:12,680
Speaker 4: And that's you stay right there, You stay right there,

1448
01:09:13,080 --> 01:09:16,240
Speaker 4: You stay right there. Yeah, we are not dinner is kidnapping?

1449
01:09:16,479 --> 01:09:18,080
Speaker 3: Yeah, yeah, it can be.

1450
01:09:18,240 --> 01:09:18,960
Speaker 1: Yeah, it can be.

1451
01:09:19,520 --> 01:09:21,240
Speaker 3: Oh my god, have you ever I mean, of course

1452
01:09:21,240 --> 01:09:22,960
Speaker 3: you have. But when you're stuck with a couple that

1453
01:09:23,000 --> 01:09:23,639
Speaker 3: is fighting, Oh.

1454
01:09:23,520 --> 01:09:26,360
Speaker 4: My god, Oh my god. Is that so every night

1455
01:09:26,400 --> 01:09:28,000
Speaker 4: is Who's afraid of Virginia Wolf over here?

1456
01:09:28,040 --> 01:09:30,400
Speaker 2: Literally it's literally talk about child. I'm like, oh, I'm

1457
01:09:30,400 --> 01:09:32,479
Speaker 2: a child again. But I'm like, but you're not even

1458
01:09:32,520 --> 01:09:32,880
Speaker 2: my parents.

1459
01:09:34,560 --> 01:09:34,760
Speaker 1: Yeah.

1460
01:09:35,960 --> 01:09:40,519
Speaker 2: That's that's when gay people can be straight as well. Yeah,

1461
01:09:40,520 --> 01:09:42,799
Speaker 2: it's one of the favorite things to be. And it's

1462
01:09:43,200 --> 01:09:45,160
Speaker 2: it's when they're fighting and you're stuck with them.

1463
01:09:45,400 --> 01:09:52,840
Speaker 3: Oh my god, so uncomfortable. I'm yeah, I'm sorry. I

1464
01:09:52,880 --> 01:09:55,720
Speaker 3: just this is intense for me. Yeah.

1465
01:09:55,760 --> 01:09:58,479
Speaker 2: No, And I'm sorry that's George. I'm just sorry that

1466
01:09:58,479 --> 01:09:59,439
Speaker 2: George made join comfortable.

1467
01:10:01,760 --> 01:10:04,720
Speaker 3: This is what he does, what he does. Sure, I'll

1468
01:10:04,760 --> 01:10:06,520
Speaker 3: take it. I'll take it. I'll be bad.

1469
01:10:06,680 --> 01:10:07,560
Speaker 1: We're just crazy.

1470
01:10:08,360 --> 01:10:09,679
Speaker 3: His Wi Fi never works.

1471
01:10:10,720 --> 01:10:12,000
Speaker 4: But oh it's both of us.

1472
01:10:14,439 --> 01:10:15,719
Speaker 3: Say, because you have a pre war building.

1473
01:10:15,800 --> 01:10:15,960
Speaker 4: Is that?

1474
01:10:16,760 --> 01:10:17,120
Speaker 3: Sorry?

1475
01:10:17,240 --> 01:10:17,400
Speaker 4: Oh?

1476
01:10:17,479 --> 01:10:19,280
Speaker 3: Here he goes breaking a buy his pre war building.

1477
01:10:19,920 --> 01:10:23,120
Speaker 3: Some of us live in la against our will. Yeah,

1478
01:10:23,200 --> 01:10:25,680
Speaker 3: they didn't build anything before the war. There there were

1479
01:10:25,720 --> 01:10:28,439
Speaker 3: no war to have a pool and a lesbian landlord. Jesus,

1480
01:10:31,160 --> 01:10:32,720
Speaker 3: I live in a pre war building. You have a

1481
01:10:32,720 --> 01:10:34,240
Speaker 3: pool in the lesbian landlord?

1482
01:10:34,560 --> 01:10:35,760
Speaker 4: Will they work it out?

1483
01:10:37,000 --> 01:10:40,040
Speaker 3: Can I make it anywhere obvious? Oh my god, I

1484
01:10:40,080 --> 01:10:40,439
Speaker 3: love this.

1485
01:10:40,680 --> 01:10:42,879
Speaker 4: I love fighting.

1486
01:10:43,280 --> 01:10:44,479
Speaker 3: No, I do too, me too.

1487
01:10:44,720 --> 01:10:45,280
Speaker 1: It's fun.

1488
01:10:46,080 --> 01:10:48,519
Speaker 3: So where's theater going? And what's your relationship to therapy?

1489
01:10:50,920 --> 01:10:55,599
Speaker 3: I am such a bad therapy being therapy, really really

1490
01:10:55,800 --> 01:10:58,000
Speaker 3: so bad at it. I would think of you as

1491
01:10:58,400 --> 01:11:02,400
Speaker 3: I know I think that way. I present vegetarian and

1492
01:11:02,439 --> 01:11:04,400
Speaker 3: as being good in therapy, but I am no steaks

1493
01:11:04,479 --> 01:11:10,120
Speaker 3: left and right, well done, only steak, yeah, paleo, raw

1494
01:11:10,200 --> 01:11:14,960
Speaker 3: meads and absolutely defiant therapy subjects. We're talking in like

1495
01:11:15,120 --> 01:11:18,479
Speaker 3: psycho analysis or like a CBT type. We're like talking

1496
01:11:18,479 --> 01:11:22,640
Speaker 3: goldilocks to modalities. We're like and we're talking getting evangelical

1497
01:11:22,680 --> 01:11:26,679
Speaker 3: for a week about it, never calling the person back. Yeah,

1498
01:11:27,080 --> 01:11:29,840
Speaker 3: I feel much more comfortable. And this is we can

1499
01:11:29,880 --> 01:11:32,120
Speaker 3: talk about it in the in the therapist chair.

1500
01:11:32,360 --> 01:11:34,240
Speaker 4: I do too, and I.

1501
01:11:34,240 --> 01:11:39,000
Speaker 3: Actually, I actually do think I give really good advice.

1502
01:11:39,520 --> 01:11:40,080
Speaker 1: I bet you do.

1503
01:11:40,400 --> 01:11:42,360
Speaker 3: I would love to have the kind of relationship where

1504
01:11:42,360 --> 01:11:45,920
Speaker 3: I ask you for it, yes, at some point, but

1505
01:11:46,000 --> 01:11:48,120
Speaker 3: it's well, then maybe what we can do is I

1506
01:11:48,120 --> 01:11:50,519
Speaker 3: can give you advice and you can give me advice

1507
01:11:50,520 --> 01:11:54,080
Speaker 3: since we're both really good therapists. Yeah, bad patients. It's

1508
01:11:54,120 --> 01:11:57,880
Speaker 3: about being seen about bad patients exactly. It's about being

1509
01:11:57,880 --> 01:12:00,960
Speaker 3: seen being vulnerable whatever, and I'm just like, I can't

1510
01:12:01,000 --> 01:12:03,519
Speaker 3: trust this person. They're not gonna this is this is

1511
01:12:03,520 --> 01:12:06,200
Speaker 3: not going to work well. Needless to say, the main

1512
01:12:06,320 --> 01:12:09,479
Speaker 3: issue with therapists is the entire time you're like, so

1513
01:12:09,560 --> 01:12:10,680
Speaker 3: are you smart or not?

1514
01:12:10,840 --> 01:12:13,599
Speaker 2: Well, that is the main issue. It's sort of like actually,

1515
01:12:13,600 --> 01:12:15,519
Speaker 2: pop quiz, yeah, and.

1516
01:12:15,840 --> 01:12:17,000
Speaker 3: It can be my therapist.

1517
01:12:17,479 --> 01:12:19,720
Speaker 4: It is a little bit like so, pop quiz, am

1518
01:12:19,760 --> 01:12:20,360
Speaker 4: I smarter than you?

1519
01:12:20,560 --> 01:12:20,720
Speaker 3: Yeah?

1520
01:12:20,760 --> 01:12:23,240
Speaker 4: It's like did you watch the rehearsal and what are your.

1521
01:12:23,120 --> 01:12:24,960
Speaker 3: Thoughts on it? You know what I mean? You my

1522
01:12:25,120 --> 01:12:26,280
Speaker 3: last episode right right?

1523
01:12:26,360 --> 01:12:26,559
Speaker 4: Right?

1524
01:12:26,640 --> 01:12:31,160
Speaker 3: Like do you think you know Emma Stone deserved the oscar?

1525
01:12:31,240 --> 01:12:31,479
Speaker 1: Like it?

1526
01:12:31,680 --> 01:12:31,880
Speaker 2: Right?

1527
01:12:32,400 --> 01:12:32,479
Speaker 4: Like?

1528
01:12:32,680 --> 01:12:37,160
Speaker 3: Yeah? Politically like how do you post yes, exactly? Politically

1529
01:12:37,240 --> 01:12:38,160
Speaker 3: how do you post.

1530
01:12:37,960 --> 01:12:40,759
Speaker 2: I want to know, like what, like when something crazy happens,

1531
01:12:40,800 --> 01:12:41,599
Speaker 2: what do you post?

1532
01:12:42,200 --> 01:12:44,519
Speaker 3: Because that would really inform a lot for me. What

1533
01:12:44,680 --> 01:12:47,639
Speaker 3: kind of memes are you resharing? Yeah, I like therapy

1534
01:12:47,920 --> 01:12:49,840
Speaker 3: therapists who talk like I just don't want to talk,

1535
01:12:50,120 --> 01:12:52,160
Speaker 3: which I know it seems like maybe I talk, But

1536
01:12:52,280 --> 01:12:54,439
Speaker 3: I like that's why I like psychics because they just talk.

1537
01:12:55,520 --> 01:12:58,080
Speaker 3: That's very relaxing to me. I mean, I would it

1538
01:12:58,120 --> 01:13:00,439
Speaker 3: if they just like looked inside of me, told me

1539
01:13:00,479 --> 01:13:03,880
Speaker 3: like what same told like, let go of this. Nobody

1540
01:13:03,920 --> 01:13:07,879
Speaker 3: needs to hear it. That's because, by the way, talking horrible.

1541
01:13:08,040 --> 01:13:12,080
Speaker 3: It's also like, yeah, I'm telling you, I'm telling a story.

1542
01:13:12,200 --> 01:13:13,600
Speaker 3: You're not going to get the truth out of me.

1543
01:13:13,680 --> 01:13:16,200
Speaker 3: I don't even know why, Like I might as well

1544
01:13:16,240 --> 01:13:17,639
Speaker 3: just be on stage and at least I'm getting paid

1545
01:13:17,680 --> 01:13:19,880
Speaker 3: instead of paying you four hundred dollars by the way,

1546
01:13:20,040 --> 01:13:24,400
Speaker 3: So well, no, I'm not everyone. Yeah, no, neither of I. No,

1547
01:13:24,880 --> 01:13:26,880
Speaker 3: I haven't been it doesn't doesn't work. So doesn't work.

1548
01:13:28,000 --> 01:13:29,040
Speaker 4: You have a psychotic break?

1549
01:13:29,520 --> 01:13:29,600
Speaker 1: No?

1550
01:13:29,840 --> 01:13:31,120
Speaker 4: Literally, do I have a psychonic No?

1551
01:13:31,960 --> 01:13:34,760
Speaker 3: No, I haven't been there since like twenty twenty one

1552
01:13:34,840 --> 01:13:36,639
Speaker 3: or twenty twenty two. But I'm actually looking to get

1553
01:13:36,640 --> 01:13:38,760
Speaker 3: back into it, So please write in, and you want

1554
01:13:38,760 --> 01:13:41,280
Speaker 3: to do you want to do like I mean, I

1555
01:13:41,360 --> 01:13:44,200
Speaker 3: ultimately do want to do Goldilocks because I think, like,

1556
01:13:44,360 --> 01:13:47,200
Speaker 3: can you what's called are just like a mix of modelity,

1557
01:13:47,240 --> 01:13:49,519
Speaker 3: like you know, she goes from room to each product,

1558
01:13:49,640 --> 01:13:55,960
Speaker 3: because I'm like, I please don't write in, but like

1559
01:13:56,080 --> 01:14:00,640
Speaker 3: everything put the pen down. When I read about real planelists,

1560
01:14:00,680 --> 01:14:02,880
Speaker 3: I'm like, you guys are crazy. I'm not going to

1561
01:14:02,920 --> 01:14:05,040
Speaker 3: be put in the care of someone who is insane

1562
01:14:05,080 --> 01:14:07,760
Speaker 3: and is like having visions all day long, you know

1563
01:14:07,840 --> 01:14:10,400
Speaker 3: what I mean? Totally. And then of course the CBT

1564
01:14:11,200 --> 01:14:13,519
Speaker 3: with like on the other end of the spectrum, they

1565
01:14:13,560 --> 01:14:15,960
Speaker 3: like don't even care about the reasoning for everything. They're like,

1566
01:14:16,000 --> 01:14:18,040
Speaker 3: do your worksheet and you're like my mom said, They're

1567
01:14:18,080 --> 01:14:18,880
Speaker 3: like that doesn't matter.

1568
01:14:19,120 --> 01:14:20,080
Speaker 1: Do your work set.

1569
01:14:20,520 --> 01:14:23,280
Speaker 3: Well, that also doesn't work, right, So we need someone

1570
01:14:23,360 --> 01:14:25,000
Speaker 3: emotional intelligence.

1571
01:14:24,680 --> 01:14:26,080
Speaker 1: Right, you know what?

1572
01:14:26,439 --> 01:14:27,120
Speaker 3: You know what we need?

1573
01:14:27,520 --> 01:14:32,559
Speaker 2: Basically every therapy session ever should be filmed couples therapy style,

1574
01:14:33,200 --> 01:14:35,559
Speaker 2: and then we should be able to watch and be like,

1575
01:14:35,640 --> 01:14:37,719
Speaker 2: I actually really like this one and.

1576
01:14:37,640 --> 01:14:40,000
Speaker 4: I agree because it's it is very personality based.

1577
01:14:40,000 --> 01:14:40,960
Speaker 3: Well, that's such a good point.

1578
01:14:41,000 --> 01:14:43,360
Speaker 2: If I could hire Orna this second, I would, Oh

1579
01:14:43,439 --> 01:14:45,479
Speaker 2: my god. But to have to get to know someone

1580
01:14:45,560 --> 01:14:48,200
Speaker 2: through them doing therapy on me, no, I'm like, no, no, no,

1581
01:14:48,240 --> 01:14:50,040
Speaker 2: I need to see how you've done with others. Yes,

1582
01:14:50,280 --> 01:14:51,519
Speaker 2: and then I don't know if you'll be able to

1583
01:14:51,560 --> 01:14:51,960
Speaker 2: work with me.

1584
01:14:52,360 --> 01:14:54,000
Speaker 3: Well do you read the description, They're like, oh, they

1585
01:14:54,040 --> 01:14:57,000
Speaker 3: specialized in Like the description is bullshit. It's like you

1586
01:14:57,120 --> 01:15:00,400
Speaker 3: specialize in that, have like the constitution? Show me the results. Yeah, yeah,

1587
01:15:00,479 --> 01:15:01,800
Speaker 3: it's literally like the Constitution.

1588
01:15:03,200 --> 01:15:06,240
Speaker 4: It's like, yeah, in theory, I guess what you're actually happened?

1589
01:15:06,800 --> 01:15:10,080
Speaker 3: What really happened? Yes, okay, I got it, but what happens?

1590
01:15:10,320 --> 01:15:13,080
Speaker 2: Yeah, Because like if I could watch the couple's therapy

1591
01:15:13,080 --> 01:15:15,160
Speaker 2: of what the Constitution has done to the country, I'm like.

1592
01:15:15,560 --> 01:15:16,799
Speaker 3: No, no, yeah, that's Hamilton.

1593
01:15:17,000 --> 01:15:19,040
Speaker 4: It doesn't work, and that's not Hamilton.

1594
01:15:19,560 --> 01:15:20,559
Speaker 3: And that's on Hamilton.

1595
01:15:23,040 --> 01:15:23,680
Speaker 1: What about E M.

1596
01:15:23,800 --> 01:15:24,080
Speaker 4: D R.

1597
01:15:24,840 --> 01:15:28,280
Speaker 3: Anybody doing that doing that? What about dbt O? What's

1598
01:15:28,320 --> 01:15:29,160
Speaker 3: dB named?

1599
01:15:29,439 --> 01:15:29,759
Speaker 4: Okay?

1600
01:15:29,760 --> 01:15:32,439
Speaker 3: All, now, which is the one where you have you're

1601
01:15:32,479 --> 01:15:36,800
Speaker 3: like have different with like the light and the No, no,

1602
01:15:36,840 --> 01:15:40,040
Speaker 3: I mean literally like you are like taught to think

1603
01:15:40,040 --> 01:15:43,120
Speaker 3: of yourself as having different compartments and then they it's

1604
01:15:43,120 --> 01:15:47,040
Speaker 3: like integritive internal family system. Yes, yes, wave parts work,

1605
01:15:47,200 --> 01:15:50,960
Speaker 3: yes exactly, Yeah, firefighters managers. Yes, it's like okay, suddenly

1606
01:15:50,960 --> 01:15:53,880
Speaker 3: it's the United States of terrast during Tony Collette and

1607
01:15:54,000 --> 01:15:54,840
Speaker 3: the gay kid and.

1608
01:15:54,800 --> 01:15:57,400
Speaker 1: The gay kid. I've never seen it. Oh love has.

1609
01:15:57,400 --> 01:16:00,880
Speaker 3: Multiple personality disorder and it's written by Diablo Cody. Oh yeah,

1610
01:16:00,880 --> 01:16:03,840
Speaker 3: it's really good actually, and there's a really sweet gay

1611
01:16:03,920 --> 01:16:05,840
Speaker 3: kid and it's like a really sweet representation.

1612
01:16:05,920 --> 01:16:06,080
Speaker 1: You know.

1613
01:16:06,120 --> 01:16:09,479
Speaker 3: That was when TV was good. Sorry, that was like

1614
01:16:10,080 --> 01:16:12,000
Speaker 3: that was a TV show. Yeah, I want to say

1615
01:16:12,000 --> 01:16:15,000
Speaker 3: like twenty ten, if I had to guess, pre Enlightened

1616
01:16:15,560 --> 01:16:20,080
Speaker 3: like around the same time as Enlightened. Anyway, now we

1617
01:16:20,120 --> 01:16:22,880
Speaker 3: have the Hunting Wives. Oh did you think you finished?

1618
01:16:22,960 --> 01:16:23,120
Speaker 4: Yeah?

1619
01:16:23,120 --> 01:16:25,960
Speaker 3: I finished. It was amazing, but really bad for culture

1620
01:16:26,040 --> 01:16:29,280
Speaker 3: and the world. I finished. Yeah, it was like exactly

1621
01:16:29,360 --> 01:16:31,559
Speaker 3: the emotional vibration I can handle, though, Like I can't

1622
01:16:31,560 --> 01:16:35,680
Speaker 3: handle anything more more emotionally provocative. You know, totally, it's

1623
01:16:35,720 --> 01:16:38,200
Speaker 3: like that. That's kind of Netflix show is all like,

1624
01:16:38,360 --> 01:16:40,880
Speaker 3: I know, it's hard. It's hard because I would hear

1625
01:16:40,880 --> 01:16:42,920
Speaker 3: people say things like that. Yeah, it's like when people

1626
01:16:43,840 --> 01:16:46,160
Speaker 3: are like this happened a lot during the pandemic where

1627
01:16:46,120 --> 01:16:47,559
Speaker 3: they're like, I can't even watch the whole shows anymore.

1628
01:16:47,560 --> 01:16:49,479
Speaker 3: I just go on TikTok. You hear people say things

1629
01:16:49,479 --> 01:16:51,400
Speaker 3: like that and you're like, oh my god, no, and

1630
01:16:51,439 --> 01:16:55,240
Speaker 3: then you start seeing it happen to yourself, or like

1631
01:16:55,320 --> 01:16:57,400
Speaker 3: when people used to say I don't read books anymore,

1632
01:16:57,400 --> 01:17:00,320
Speaker 3: I'm like, that's ridiculous, right. But then I did go

1633
01:17:00,360 --> 01:17:02,760
Speaker 3: through a phase in approximately like twenty twenty three where

1634
01:17:02,800 --> 01:17:05,840
Speaker 3: I did have a difficult time finishing books. I was like, oh,

1635
01:17:05,840 --> 01:17:06,559
Speaker 3: it's coming for me.

1636
01:17:07,520 --> 01:17:11,120
Speaker 2: I mean, there's nothing worse than gaining empathy for an

1637
01:17:11,120 --> 01:17:16,080
Speaker 2: opinion you think is bad. Literally, like, it's so much

1638
01:17:16,080 --> 01:17:18,120
Speaker 2: easier to just be like they are the other. I

1639
01:17:18,160 --> 01:17:21,320
Speaker 2: am not that, yeah, but it's tough when you get

1640
01:17:21,320 --> 01:17:23,920
Speaker 2: empathy for them and you're like, damn, we can all

1641
01:17:23,960 --> 01:17:24,240
Speaker 2: be that.

1642
01:17:25,000 --> 01:17:27,200
Speaker 3: Yeah, empathy is not all it's cracked up.

1643
01:17:27,200 --> 01:17:30,759
Speaker 2: To me, I'm finding myself. My family is currently fighting,

1644
01:17:31,439 --> 01:17:33,800
Speaker 2: and they're in huge fights, right, that political thing, no,

1645
01:17:33,960 --> 01:17:37,000
Speaker 2: but just they're just fighting money. But I can't and

1646
01:17:37,080 --> 01:17:40,559
Speaker 2: as anyone knows, I've been watching Modern Family constantly. Yeah,

1647
01:17:40,600 --> 01:17:42,559
Speaker 2: because I don't know why. But something about Modern Family's

1648
01:17:42,560 --> 01:17:45,840
Speaker 2: really hitting. But recently, since my family started fighting, I

1649
01:17:45,840 --> 01:17:46,719
Speaker 2: can't watch Modern.

1650
01:17:46,520 --> 01:17:47,759
Speaker 4: Family because it is their conflict.

1651
01:17:47,760 --> 01:17:50,519
Speaker 2: Because the conflict every episode's a little conflict, and I'm like,

1652
01:17:50,560 --> 01:17:52,880
Speaker 2: they're not handling this right. They're not handling this right.

1653
01:17:53,160 --> 01:17:54,639
Speaker 2: And yes, it ends up finding the end, but I'm

1654
01:17:54,680 --> 01:17:56,080
Speaker 2: like that was really dangerous.

1655
01:17:57,439 --> 01:18:01,879
Speaker 4: This could have gone sad, and I'm.

1656
01:18:01,680 --> 01:18:03,439
Speaker 3: Like, Okay, we lived to see another day.

1657
01:18:03,600 --> 01:18:05,639
Speaker 2: Like, but they're gonna get another conflict and they're probably

1658
01:18:05,680 --> 01:18:06,719
Speaker 2: not gonna hitt it well.

1659
01:18:06,760 --> 01:18:11,160
Speaker 3: It's really weird to be like over it. After fifteen seasons,

1660
01:18:11,200 --> 01:18:13,760
Speaker 3: Modern Family ended with them having a blowout fight and

1661
01:18:13,800 --> 01:18:16,360
Speaker 3: like not speaking to each other again, full rift, and

1662
01:18:16,400 --> 01:18:18,240
Speaker 3: then the gaze are like, you know what, like fuck

1663
01:18:18,320 --> 01:18:20,519
Speaker 3: all of you, Like we've always felt like you've been

1664
01:18:20,560 --> 01:18:23,160
Speaker 3: really condescending to us, and like we don't even like

1665
01:18:23,240 --> 01:18:25,080
Speaker 3: this lifestyle, like we don't like.

1666
01:18:26,640 --> 01:18:28,720
Speaker 2: I mean, there's part of me that I am like,

1667
01:18:29,160 --> 01:18:31,320
Speaker 2: I know this show is completely off the air, but

1668
01:18:31,400 --> 01:18:32,920
Speaker 2: I keep wanting to like I'm like I need to

1669
01:18:32,920 --> 01:18:34,840
Speaker 2: write in because like you need to write it. I'm

1670
01:18:34,880 --> 01:18:36,679
Speaker 2: like Cam and Mitch need to love each other more.

1671
01:18:37,120 --> 01:18:39,800
Speaker 2: They how come they only get silly conflicts they never

1672
01:18:39,840 --> 01:18:43,920
Speaker 2: get like, we don't have sex anymore, whereas like Claire

1673
01:18:44,040 --> 01:18:46,879
Speaker 2: and Phil, we don't have sex anymore.

1674
01:18:47,040 --> 01:18:47,679
Speaker 4: Plot lines.

1675
01:18:48,680 --> 01:18:49,920
Speaker 3: By the way, this is what it's like coming on

1676
01:18:49,960 --> 01:18:53,360
Speaker 3: our podcast us talking about modern family storylines and you

1677
01:18:53,439 --> 01:18:54,000
Speaker 3: having to be.

1678
01:18:53,920 --> 01:18:56,360
Speaker 1: Like, oh, that's good.

1679
01:18:56,800 --> 01:19:01,680
Speaker 3: So talking to a niece booking you after your show,

1680
01:19:01,760 --> 01:19:05,439
Speaker 3: is booking you after your shows? Sit there sort of

1681
01:19:05,439 --> 01:19:09,720
Speaker 3: like look cute while we're like talking about good I'm

1682
01:19:09,760 --> 01:19:10,439
Speaker 3: really grateful.

1683
01:19:10,640 --> 01:19:11,160
Speaker 4: It's tough.

1684
01:19:11,200 --> 01:19:13,559
Speaker 2: It's tough when you have a good point that isn't

1685
01:19:13,600 --> 01:19:15,000
Speaker 2: relevant to the conversation at all.

1686
01:19:15,120 --> 01:19:17,840
Speaker 3: Wait, oh, that's too late.

1687
01:19:18,360 --> 01:19:19,600
Speaker 1: I've been really feeling.

1688
01:19:19,880 --> 01:19:21,360
Speaker 3: Okay, I was going to start a new point, but

1689
01:19:21,400 --> 01:19:22,360
Speaker 3: it's do we need to wrap up?

1690
01:19:22,400 --> 01:19:25,240
Speaker 2: Okay, But I do want to say this is this

1691
01:19:25,320 --> 01:19:28,479
Speaker 2: episode has been interesting, Oh god, because I feel that, no,

1692
01:19:28,560 --> 01:19:30,559
Speaker 2: in a good way, a good way. I feel that

1693
01:19:30,920 --> 01:19:33,880
Speaker 2: there's there's points where about you really connect and I

1694
01:19:34,000 --> 01:19:36,120
Speaker 2: I go sort of like, and I'm here too.

1695
01:19:36,360 --> 01:19:38,479
Speaker 3: That's because we live in New York. Yeah, that's the

1696
01:19:38,479 --> 01:19:40,680
Speaker 3: New Yorker thing. And then I feel we're like going

1697
01:19:40,720 --> 01:19:44,280
Speaker 3: to plays and galleries and like you're you're going to

1698
01:19:44,360 --> 01:19:48,280
Speaker 3: like see time you know, it's their different cultures. I

1699
01:19:48,360 --> 01:19:49,880
Speaker 3: just mean like there's like a thing.

1700
01:19:49,880 --> 01:19:52,400
Speaker 2: There's almost something like threesome about this that is like

1701
01:19:52,479 --> 01:19:54,320
Speaker 2: different than I don't know, like normally it's like we're

1702
01:19:54,360 --> 01:19:57,519
Speaker 2: the couple and you're the third, but like this one,

1703
01:19:57,520 --> 01:19:59,400
Speaker 2: I'm like, oh my god, sometimes you got you're the

1704
01:19:59,400 --> 01:19:59,800
Speaker 2: trouble and.

1705
01:20:00,400 --> 01:20:02,519
Speaker 3: Really yeah that that came up for.

1706
01:20:02,479 --> 01:20:04,759
Speaker 4: You a little, but not the way that I dislike,

1707
01:20:04,880 --> 01:20:05,639
Speaker 4: Like in a way, I'm.

1708
01:20:05,479 --> 01:20:09,639
Speaker 3: Like, this isn't appropriate. He always does this, like trying

1709
01:20:09,640 --> 01:20:13,040
Speaker 3: to have like dress with a friend, Like you're trying

1710
01:20:13,080 --> 01:20:14,439
Speaker 3: to like having a.

1711
01:20:14,360 --> 01:20:17,559
Speaker 4: Three you're trying to out your show that's over, Like

1712
01:20:17,840 --> 01:20:18,280
Speaker 4: it's not.

1713
01:20:20,000 --> 01:20:21,320
Speaker 3: So where can people see your.

1714
01:20:21,240 --> 01:20:30,800
Speaker 1: Show when this show is over?

1715
01:20:30,880 --> 01:20:35,240
Speaker 3: It's so funny. One of my favorite sort of perfect things, yeah,

1716
01:20:35,439 --> 01:20:40,280
Speaker 3: is like recasting like this happened with Cole, like writing

1717
01:20:40,320 --> 01:20:44,040
Speaker 3: and performing something that is so you, and then because

1718
01:20:44,040 --> 01:20:46,519
Speaker 3: of the way theater works, having someone else played like

1719
01:20:46,560 --> 01:20:50,200
Speaker 3: it happened with Headbig, like whatever, Yes, could you imagine

1720
01:20:50,200 --> 01:20:54,120
Speaker 3: someone else doing the show? Oh my god? I mean

1721
01:20:54,120 --> 01:20:56,360
Speaker 3: I guess yours is more difficult because there is like

1722
01:20:56,520 --> 01:20:57,880
Speaker 3: personal more you know what I mean?

1723
01:20:57,960 --> 01:21:01,280
Speaker 2: Yeah, Well, is there like a could someone build upon it?

1724
01:21:01,320 --> 01:21:04,080
Speaker 2: Since you're like drawing from someone else's work. They could

1725
01:21:04,640 --> 01:21:06,920
Speaker 2: we could add a third perspective, right, Oh.

1726
01:21:06,800 --> 01:21:09,240
Speaker 3: My god, it's always three Simes with you. What's going on?

1727
01:21:09,360 --> 01:21:13,360
Speaker 3: Jesus Christ? So there drinking it at the airport exactly,

1728
01:21:14,240 --> 01:21:16,400
Speaker 3: chatterbait in the middle of de gaul. I'm sorry.

1729
01:21:16,479 --> 01:21:19,160
Speaker 2: Jerking at the airport is so lot of no Ray lyrics.

1730
01:21:21,920 --> 01:21:25,240
Speaker 2: That should be her album title. Jerking at the airport. Fuck,

1731
01:21:25,280 --> 01:21:26,000
Speaker 2: that's good.

1732
01:21:27,320 --> 01:21:31,320
Speaker 3: I yeah, jerking it at at the airport. Jerking. No,

1733
01:21:31,439 --> 01:21:34,960
Speaker 3: but it's also jerking it at LaGuardia airport.

1734
01:21:35,640 --> 01:21:40,280
Speaker 2: Yeah, jerking at La Guardia. Should we do our final segment?

1735
01:21:40,520 --> 01:21:42,519
Speaker 3: Did we ask you a question then not listen to

1736
01:21:42,520 --> 01:21:42,920
Speaker 3: the answer?

1737
01:21:43,760 --> 01:21:45,799
Speaker 4: I if you did, I was relieved.

1738
01:21:46,240 --> 01:21:48,320
Speaker 3: What person would you cast as yourself? I know, I

1739
01:21:48,320 --> 01:21:52,679
Speaker 3: can't think of a good answer. Could you guys help? Yes?

1740
01:21:53,200 --> 01:21:56,479
Speaker 3: I think it should be Rooney Mara. It's gonna be

1741
01:21:56,680 --> 01:22:01,360
Speaker 3: it's gonna go ahead, And I was but don't you

1742
01:22:01,360 --> 01:22:04,280
Speaker 3: think it has to be like I think she will

1743
01:22:04,320 --> 01:22:08,240
Speaker 3: actually eat down. She's gonna be like she would look

1744
01:22:08,240 --> 01:22:10,080
Speaker 3: really good with your haircut. Actually, oh my god, I

1745
01:22:10,080 --> 01:22:16,240
Speaker 3: can see that. Okay, Wow, things have moved so fast. Yeah,

1746
01:22:16,640 --> 01:22:21,200
Speaker 3: god Rooney off Broadway, Runette, so playhouse, Runette, soho Playhouse.

1747
01:22:21,960 --> 01:22:26,400
Speaker 3: She's like, I'll just have like carrots backstage. That's my

1748
01:22:26,439 --> 01:22:31,080
Speaker 3: impression of Rooney Mara. So yeah, keep an eye out

1749
01:22:31,080 --> 01:22:35,000
Speaker 3: for my solo show. George is George is Runey Mora.

1750
01:22:35,240 --> 01:22:36,120
Speaker 3: Can I be Rooney?

1751
01:22:36,320 --> 01:22:39,799
Speaker 1: Can? Can I be Ronnie?

1752
01:22:40,800 --> 01:22:42,519
Speaker 3: Now we do our final segment. I'm sorry, I'm just

1753
01:22:42,560 --> 01:22:45,640
Speaker 3: now realizing. What if your name was Rooney? Well, her

1754
01:22:45,680 --> 01:22:52,680
Speaker 3: name is actually Patricia. I hate when people lie. I'm

1755
01:22:52,760 --> 01:22:55,840
Speaker 3: actually not making that up. Well, I'm furious and there.

1756
01:22:56,000 --> 01:22:56,800
Speaker 3: You could say anything.

1757
01:22:56,840 --> 01:22:58,879
Speaker 4: I would believe you.

1758
01:22:58,880 --> 01:23:02,080
Speaker 2: You could say literally anything like well, I would repeat

1759
01:23:02,080 --> 01:23:02,920
Speaker 2: it to multiple people.

1760
01:23:03,600 --> 01:23:05,160
Speaker 3: Well, one of my favorite things to do is to

1761
01:23:05,160 --> 01:23:08,040
Speaker 3: say a lie and a confidence. You are very confident,

1762
01:23:08,080 --> 01:23:12,280
Speaker 3: thank you, Well, I'm confident speaking and speaking yeah, and

1763
01:23:12,320 --> 01:23:13,000
Speaker 3: in no other way.

1764
01:23:13,120 --> 01:23:13,320
Speaker 4: Yeah.

1765
01:23:13,320 --> 01:23:14,760
Speaker 3: Well that's a good That's one of the main ways

1766
01:23:14,800 --> 01:23:15,960
Speaker 3: we communicate confidence.

1767
01:23:16,080 --> 01:23:20,879
Speaker 2: There was honestly something a bit there's something almost shady

1768
01:23:21,520 --> 01:23:24,800
Speaker 2: about calling being like you are very confident?

1769
01:23:24,920 --> 01:23:26,240
Speaker 3: Well, yes, you know what.

1770
01:23:26,320 --> 01:23:28,519
Speaker 2: There's a there's an undertone of like, but you don't

1771
01:23:28,520 --> 01:23:30,040
Speaker 2: know what the fuck you're talking about, in a way

1772
01:23:30,040 --> 01:23:30,280
Speaker 2: that I.

1773
01:23:30,280 --> 01:23:32,040
Speaker 3: Kind of really was sort of like when you are like,

1774
01:23:32,240 --> 01:23:34,680
Speaker 3: what sounds like you're a photogenic and it's like, so

1775
01:23:34,840 --> 01:23:37,679
Speaker 3: you're ugly in real life, Oh my god, like in movement?

1776
01:23:37,760 --> 01:23:40,599
Speaker 2: Interesting that you look good in photo. Yeah, yeah that's good.

1777
01:23:40,720 --> 01:23:43,519
Speaker 2: Oh my god, you really they made you? I love

1778
01:23:44,479 --> 01:23:45,280
Speaker 2: confident you are?

1779
01:23:45,400 --> 01:23:51,920
Speaker 3: Yeah, oh my god. Wow, well weaponized confidence. Yeah, well

1780
01:23:52,000 --> 01:23:52,879
Speaker 3: weaponized lasagna.

1781
01:23:54,280 --> 01:23:56,200
Speaker 4: And here we are, and here we are.

1782
01:23:56,560 --> 01:24:08,960
Speaker 1: There should be like this has been so fun.

1783
01:24:09,320 --> 01:24:10,880
Speaker 3: Fuck, oh god, I love New York.

1784
01:24:11,120 --> 01:24:17,960
Speaker 4: Fuck. I think we should our final say.

1785
01:24:17,840 --> 01:24:20,000
Speaker 3: You have to and then I have to fucking have

1786
01:24:20,000 --> 01:24:22,880
Speaker 3: a zoom meeting. I'll do it. Yeah, you'll take the zoom.

1787
01:24:23,120 --> 01:24:28,040
Speaker 3: We'll go to lunch. Yeah, because we have a lot

1788
01:24:28,080 --> 01:24:34,639
Speaker 3: to talk about. Yes you do, Okay.

1789
01:24:34,640 --> 01:24:37,120
Speaker 2: Our final segment is called shout Outs, and in this

1790
01:24:37,160 --> 01:24:40,799
Speaker 2: segment we shout out to anything that we are enjoying, people, places, things, ideas.

1791
01:24:41,800 --> 01:24:42,000
Speaker 4: You know.

1792
01:24:42,240 --> 01:24:44,800
Speaker 2: Imagine it is TRL and you're shouting out to your

1793
01:24:44,840 --> 01:24:47,160
Speaker 2: squad back home, but about anything.

1794
01:24:46,760 --> 01:24:49,559
Speaker 3: That you like, and we think of them on the

1795
01:24:49,560 --> 01:24:51,280
Speaker 3: speaking of them on the spot. I'm trying to think

1796
01:24:51,280 --> 01:24:52,720
Speaker 3: of And the thing is, I have one, but I'm worried.

1797
01:24:52,720 --> 01:24:54,120
Speaker 3: I've done it before. But I have to do it anyway,

1798
01:24:54,160 --> 01:24:54,479
Speaker 3: you just.

1799
01:24:54,439 --> 01:24:55,080
Speaker 1: Have to do it.

1800
01:24:55,240 --> 01:24:55,840
Speaker 4: I'll go first.

1801
01:24:55,960 --> 01:24:56,799
Speaker 3: What's up, freaks?

1802
01:24:56,880 --> 01:24:58,000
Speaker 4: Was the perpets around the globe.

1803
01:24:58,760 --> 01:25:01,200
Speaker 2: I want to give a huge shout out to the

1804
01:25:01,240 --> 01:25:05,680
Speaker 2: City Bank, City Bikes, especially the e bikes. When I

1805
01:25:05,680 --> 01:25:07,679
Speaker 2: I have always loved biking in this damp city.

1806
01:25:07,960 --> 01:25:09,120
Speaker 3: And when you, you know.

1807
01:25:09,160 --> 01:25:11,200
Speaker 2: Move and you don't have your bike here anymore, you think, well,

1808
01:25:11,720 --> 01:25:14,439
Speaker 2: that's that dream is dead. Guess thanks to City Bike,

1809
01:25:14,640 --> 01:25:17,400
Speaker 2: it's not. You can bike wherever you want. The city

1810
01:25:17,520 --> 01:25:22,759
Speaker 2: is so bikeable. It's so fun. Coming from North Brooklyn

1811
01:25:22,840 --> 01:25:25,000
Speaker 2: to here. I said, Damn, I'm in heaven. I'm on

1812
01:25:25,040 --> 01:25:28,040
Speaker 2: the bike super Highway and I have the wind is

1813
01:25:28,040 --> 01:25:29,760
Speaker 2: in my hair. I'm gonna look a little shitty when

1814
01:25:29,760 --> 01:25:32,479
Speaker 2: I show up because I use shampoo conditioner this morning,

1815
01:25:32,520 --> 01:25:33,040
Speaker 2: so you know my.

1816
01:25:33,000 --> 01:25:34,160
Speaker 3: Hair is extra flue fee.

1817
01:25:34,200 --> 01:25:35,720
Speaker 2: And then with the wind blowing in all day, I

1818
01:25:35,760 --> 01:25:38,439
Speaker 2: have no idea what I look like. And yet I say,

1819
01:25:38,640 --> 01:25:41,760
Speaker 2: this is real life. I'm I'm traveling from point A

1820
01:25:41,920 --> 01:25:45,280
Speaker 2: to point B in a physical way. It feels amazing,

1821
01:25:45,280 --> 01:25:48,679
Speaker 2: it feels electric. Thank you City Bike for giving us space.

1822
01:25:49,000 --> 01:25:50,560
Speaker 2: Xoxo Samoo.

1823
01:25:51,200 --> 01:26:00,120
Speaker 3: Wow, Okay, give me a second Okay, what's up or

1824
01:26:00,160 --> 01:26:01,840
Speaker 3: it's freaks. I want to give a shout out to

1825
01:26:01,920 --> 01:26:06,000
Speaker 3: the US Open, the tennis event US Open. As everyone knows,

1826
01:26:06,080 --> 01:26:09,360
Speaker 3: once again, I had to buy tickets out of pocket

1827
01:26:09,360 --> 01:26:11,519
Speaker 3: this year because no brand was willing to sponsor me.

1828
01:26:11,840 --> 01:26:15,680
Speaker 3: Cowards and famously I did a joke about being a

1829
01:26:15,760 --> 01:26:19,280
Speaker 3: hashtag Fiya partner and multiply but believed it, which I

1830
01:26:19,320 --> 01:26:21,400
Speaker 3: think is a sign that next year I should be

1831
01:26:21,439 --> 01:26:24,000
Speaker 3: sponsored because people are already believing it. I'm the kind

1832
01:26:24,000 --> 01:26:27,000
Speaker 3: of person that potentially could have a brand sponsorship at

1833
01:26:27,000 --> 01:26:34,040
Speaker 3: the US Open. I'm a very beautiful and successful comedian, performer, writer. Yes,

1834
01:26:34,400 --> 01:26:38,400
Speaker 3: I am really killing it at the adulting game. Daily.

1835
01:26:38,479 --> 01:26:40,479
Speaker 3: On the daily, I wake up and I say, fuck,

1836
01:26:40,520 --> 01:26:43,599
Speaker 3: I'm good. And so I just want to say I

1837
01:26:43,640 --> 01:26:46,599
Speaker 3: love every US Open sponsor, each and every one of them.

1838
01:26:46,600 --> 01:26:48,320
Speaker 3: I use all the products, and I would be more

1839
01:26:48,360 --> 01:26:53,000
Speaker 3: than happy to more publicly sing the praises of anything

1840
01:26:53,040 --> 01:26:58,120
Speaker 3: from American Express to Polo Ralph Lauren to fai Ya Yogurt.

1841
01:26:58,160 --> 01:27:00,559
Speaker 3: Actually I had a delicious one before I came here.

1842
01:27:01,760 --> 01:27:05,599
Speaker 3: Wilson Tennis Rackets. You know, I'm definitely down to get

1843
01:27:05,600 --> 01:27:08,559
Speaker 3: into sort of playing doubles tennis on a Saturday morning,

1844
01:27:09,400 --> 01:27:12,519
Speaker 3: and pretty much I have an amazing time there. Every

1845
01:27:12,520 --> 01:27:14,920
Speaker 3: time I go, I always pay exactly two hundred dollars

1846
01:27:14,960 --> 01:27:17,320
Speaker 3: to sit in the final row in section three twenty one,

1847
01:27:18,000 --> 01:27:20,479
Speaker 3: and I would love to spend zero dollars to sit

1848
01:27:20,520 --> 01:27:22,679
Speaker 3: sort of court side next time I go. That would

1849
01:27:22,760 --> 01:27:25,280
Speaker 3: so that would be really amazing. And so twenty twenty

1850
01:27:25,280 --> 01:27:27,880
Speaker 3: six is the tiar that that will happen for me.

1851
01:27:28,640 --> 01:27:32,200
Speaker 3: I love tennis, I love New York City, and I

1852
01:27:32,240 --> 01:27:37,080
Speaker 3: love America. Whoa, oh my god, that was stunning. Yeah, gorgeous,

1853
01:27:37,120 --> 01:27:40,000
Speaker 3: Thank you, thank you, thank you. Well. I want to say,

1854
01:27:40,000 --> 01:27:43,040
Speaker 3: first of all, hey mom, sorry for being ungrateful.

1855
01:27:43,280 --> 01:27:43,680
Speaker 1: And I.

1856
01:27:45,280 --> 01:27:49,800
Speaker 2: Want to shout out tidying. I want to shout out

1857
01:27:49,800 --> 01:27:52,320
Speaker 2: tidying for those of us who wake up and we

1858
01:27:52,400 --> 01:27:55,080
Speaker 2: say why how do we get here?

1859
01:27:55,600 --> 01:27:58,400
Speaker 3: Can we go back? Or you are at the end

1860
01:27:58,400 --> 01:28:01,080
Speaker 3: of the day and you say why why did that

1861
01:28:01,120 --> 01:28:06,439
Speaker 3: go like that? Maybe they're mad. Tidying is a great

1862
01:28:07,120 --> 01:28:10,040
Speaker 3: way to proceed. You say, you know what, let's wash

1863
01:28:10,360 --> 01:28:12,920
Speaker 3: the little recycling and let's put that plate into the

1864
01:28:13,000 --> 01:28:15,800
Speaker 3: drying rock, and let's put that silverware back in the

1865
01:28:15,800 --> 01:28:18,320
Speaker 3: silverware drawer, and you want to know what you're going

1866
01:28:18,400 --> 01:28:22,200
Speaker 3: to feel a little better, and that one degree of

1867
01:28:22,200 --> 01:28:24,320
Speaker 3: feeling better is going to set the rest of the

1868
01:28:24,400 --> 01:28:28,000
Speaker 3: day a little less fad. And so I want to

1869
01:28:28,040 --> 01:28:32,920
Speaker 3: say to everyone who's doing tidying, thank you, and to

1870
01:28:32,960 --> 01:28:36,599
Speaker 3: the people who run the tiding business, big Tidying, Big Tidy.

1871
01:28:37,479 --> 01:28:40,120
Speaker 3: I would too like to be sponsored by Bye Bye

1872
01:28:40,160 --> 01:28:47,599
Speaker 3: tidy and by tide by Tide. And yeah, I think

1873
01:28:47,640 --> 01:28:50,800
Speaker 3: I'm because I think I'm a natural fit as someone

1874
01:28:50,840 --> 01:28:57,280
Speaker 3: who does often make big my clothes or disgusting, you know,

1875
01:28:57,360 --> 01:29:00,840
Speaker 3: so who often needs tide. Oh we're now at tie.

1876
01:29:01,000 --> 01:29:04,559
Speaker 3: Well you you brought that was just amazing. Oh, thank

1877
01:29:04,600 --> 01:29:06,400
Speaker 3: you because of Tide. It's because of Tide.

1878
01:29:06,920 --> 01:29:07,280
Speaker 1: Wow.

1879
01:29:07,360 --> 01:29:11,360
Speaker 3: Wow, thank you Tiede, Thank you tied, Thank you see bank,

1880
01:29:11,400 --> 01:29:11,760
Speaker 3: thank you.

1881
01:29:11,720 --> 01:29:12,560
Speaker 4: For a yogurt.

1882
01:29:12,840 --> 01:29:15,320
Speaker 3: Something happened to me recently speaking of tidying. Where sorry

1883
01:29:15,360 --> 01:29:21,160
Speaker 3: we'll end where I saw a I don't know if

1884
01:29:21,160 --> 01:29:23,479
Speaker 3: I would call it a meme, like a still from

1885
01:29:23,560 --> 01:29:27,240
Speaker 3: a filmed podcast with some self help person. Okay, can

1886
01:29:27,280 --> 01:29:30,600
Speaker 3: we guess who? I don't know Glennan Doyle. Probably I

1887
01:29:31,120 --> 01:29:33,519
Speaker 3: didn't recognize a single. It wasn't a father and a

1888
01:29:33,560 --> 01:29:38,559
Speaker 3: son knows a woman. Period. So it said it said,

1889
01:29:38,640 --> 01:29:44,320
Speaker 3: some people, uh, tidy to relax. Some people have to

1890
01:29:44,360 --> 01:29:47,200
Speaker 3: be relaxed to tidy, and then the other person goes

1891
01:29:47,280 --> 01:29:49,840
Speaker 3: and then those two get married. And so then I

1892
01:29:49,880 --> 01:29:53,040
Speaker 3: sent that to Matthew, and I was like, this is

1893
01:29:53,280 --> 01:29:56,360
Speaker 3: I'm being h straight right now? Which are you? Which

1894
01:29:56,360 --> 01:29:58,280
Speaker 3: are you? I'm I have to be relaxed to tidy?

1895
01:29:58,439 --> 01:30:01,120
Speaker 3: Really the same? Wait, this is why nothing has some

1896
01:30:01,240 --> 01:30:01,640
Speaker 3: between us.

1897
01:30:01,640 --> 01:30:04,479
Speaker 2: Wait you guys and I tidy to relax. Yeah, which

1898
01:30:04,560 --> 01:30:05,680
Speaker 2: is why you got being in the.

1899
01:30:05,920 --> 01:30:19,439
Speaker 3: The third Finally, Okay, let's go clean up. Yeah, servous top. Wow, Well,

1900
01:30:19,560 --> 01:30:21,640
Speaker 3: just sending a meme about tidying to your husband. No,

1901
01:30:21,720 --> 01:30:24,840
Speaker 3: It's like, I might as well fucking vote for you know,

1902
01:30:25,040 --> 01:30:25,759
Speaker 3: Nikki Haley.

1903
01:30:26,200 --> 01:30:30,320
Speaker 2: Literally, seriously, guys, it's about time we voted for Nicky Haley.

1904
01:30:30,400 --> 01:30:31,200
Speaker 3: Yeah right her in.

1905
01:30:32,520 --> 01:30:36,639
Speaker 2: Well for mayor of New York City, mayor Pat mayor

1906
01:30:36,720 --> 01:30:39,639
Speaker 2: pep Rter inform writer in from Ape.

1907
01:30:40,760 --> 01:30:41,559
Speaker 4: They should vote on.

1908
01:30:41,479 --> 01:30:42,080
Speaker 3: Whose mayor.

1909
01:30:44,960 --> 01:30:45,360
Speaker 4: A thousand?

1910
01:30:46,120 --> 01:30:48,920
Speaker 3: Oh my god, they should. They have to do that,

1911
01:30:49,080 --> 01:30:52,719
Speaker 3: they have to wow, coming to South Bend soon. Well, Morgan,

1912
01:30:53,800 --> 01:30:56,040
Speaker 3: you know, is there anything you want to promote.

1913
01:30:57,720 --> 01:31:01,240
Speaker 2: Yeah. No, this is it well well finished and I

1914
01:31:01,320 --> 01:31:03,640
Speaker 2: want to wow finishing.

1915
01:31:05,040 --> 01:31:10,439
Speaker 3: Yeah, congrats on finishing. And you know at some point

1916
01:31:10,479 --> 01:31:12,000
Speaker 3: you will have a new show and people can go

1917
01:31:12,040 --> 01:31:17,360
Speaker 3: to that. Yes, yeah, TikTok We're gonna get TikTok. Oh, yes, TikTok, TikTok,

1918
01:31:17,600 --> 01:31:22,519
Speaker 3: tik talk at exactly. I love that.

1919
01:31:22,600 --> 01:31:24,880
Speaker 2: Yeah all right, well, thanks so much for doing this.

1920
01:31:24,880 --> 01:31:27,160
Speaker 2: This has been a real treat. I had a great time.

1921
01:31:27,160 --> 01:31:28,080
Speaker 2: Thank you guys for having me.

1922
01:31:28,160 --> 01:31:32,680
Speaker 3: Bye Bye bye podcast and now want more. Subscribe to

1923
01:31:32,720 --> 01:31:36,439
Speaker 3: our Patreon for two extra episodes a month, discord access

1924
01:31:36,479 --> 01:31:40,679
Speaker 3: and more by heading to patreon dot com. Slash Stradio Lab.

1925
01:31:40,720 --> 01:31:43,280
Speaker 2: And for all our visual earners, free full length video

1926
01:31:43,320 --> 01:31:44,639
Speaker 2: episodes are available on.

1927
01:31:44,560 --> 01:31:46,439
Speaker 3: Our YouTube now Get back to work.

1928
01:31:46,680 --> 01:31:49,040
Speaker 2: Stradia Lab is a production by Will Ferrell's Big Money

1929
01:31:49,080 --> 01:31:50,800
Speaker 2: Players Network and iHeart Podcasts.

1930
01:31:50,960 --> 01:31:53,759
Speaker 3: Created and hosted by George Severs and Sam Taggart.

1931
01:31:53,880 --> 01:31:57,840
Speaker 2: Executive produced by Will Ferrell, Hans Sonny and Olivia Aguilar.

1932
01:31:57,560 --> 01:32:01,000
Speaker 4: Co produced by Bai Wang, Edited an engineer by Adam Avalos,

1933
01:32:01,360 --> 01:32:03,519
Speaker 4: artwork by Michael Phils and Matt Gruff.

1934
01:32:03,600 --> 01:32:04,840
Speaker 3: Theme music by Ben Kling,