WEBVTT - Brave New World (Part 2)

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<v Speaker 1>Hey there, this is Popcorn Book Club. I'm Danis Schwartz.

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<v Speaker 1>Thanks for listening. Last week we started in on Alvis

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<v Speaker 1>Huxley's Brave New World Now a series on NBC's Peacock.

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<v Speaker 1>We discussed a whole bunch of people in it, none

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<v Speaker 1>of whom, as it turns out, are the protagonist. This

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<v Speaker 1>story does not have a protagonist, nobody you want to

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<v Speaker 1>root for. Anyway. If you haven't heard our previous show,

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<v Speaker 1>please go back and start there. This one will make

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<v Speaker 1>a little bit more sense. Today. Jennifer Wright, Karamadaqua, Tan Trent,

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<v Speaker 1>Melissa Hunter and I will get into the thick of

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<v Speaker 1>Huxley's story about sex, drugs, and a complete lack of

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<v Speaker 1>rock and roll. One more tiny good thing that again

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<v Speaker 1>levels don't go this far, but non violent de escalation

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<v Speaker 1>of violence, but every in line. Yeah, I mean, I

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<v Speaker 1>would be much happier if they instead of tear gassing protesters,

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<v Speaker 1>they were blown out weed smoke like that would be

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<v Speaker 1>and they played an audio tape that was just like,

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<v Speaker 1>just be nice to each other, Come on nice cool.

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<v Speaker 1>That's scary. Yeah, it sounds like the music festival they

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<v Speaker 1>used to have at my college. That's not fun. I'll

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<v Speaker 1>just jump us off and then Jennifer, I'm gonna give

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<v Speaker 1>you the climax, but I'll lead us up to there,

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<v Speaker 1>which is uh, John h has you know, had these

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<v Speaker 1>ideals of this brave new world his entire life, hearing

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<v Speaker 1>about it from his mom Linda. But he's conflicted. People

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<v Speaker 1>have no feelings. No one has read Shakespeare here, and

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<v Speaker 1>he's very um confused by this strumpet Lunina because he

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<v Speaker 1>has feelings for her, but she's a strumpet and and

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<v Speaker 1>what is what is going on? So he has these

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<v Speaker 1>this this crisis of faith, and he goes to visit

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<v Speaker 1>his mother at just said dirty word dying in the

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<v Speaker 1>hospital um on Soma on a Soma holiday. Um in

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<v Speaker 1>a hospital where a Booknovski group of like a million

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<v Speaker 1>twins are being death conditioned. Because another pretty good thing

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<v Speaker 1>about the society is people aren't scared of death, which

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<v Speaker 1>genuinely is a is a positive thing that I think

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<v Speaker 1>that humans should be less scared of death of all

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<v Speaker 1>the things that they were conditioning the young children. I

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<v Speaker 1>was like that one fine, because it's also like a

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<v Speaker 1>lot of Latin American cultures have that too, with like

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<v Speaker 1>Dan Dalis Moritos, where it's like death is something to

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<v Speaker 1>celebrate and not to be as afraid of. I think

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<v Speaker 1>that there's a there's a line, and I mean that's

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<v Speaker 1>the whole thing of this book, is that there needs

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<v Speaker 1>to be a line somewhere between the two worlds. But

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<v Speaker 1>I think that like eating a chocolate and Claire of

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<v Speaker 1>being like, is she dead a little much CAUs yes,

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<v Speaker 1>it's a little cavaliering, callous and uncaring and unfeeling because

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<v Speaker 1>they don't have these strong relationships. And so I think

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<v Speaker 1>that being unafraid of death is important, and accepting that

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<v Speaker 1>death is a part of life is important. But also

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<v Speaker 1>seeing that person as a person who people cared about

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<v Speaker 1>is what's missing in this and that's what John gets

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<v Speaker 1>upset about. That's also it it's like people also don't

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<v Speaker 1>see people as individuals. They're like, you're just part of

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<v Speaker 1>the organism, like you're not a person. So to bring

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<v Speaker 1>us into the climax, John witnesses his mother die and

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<v Speaker 1>see sort of the taunting and just like sneers and

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<v Speaker 1>and repulsion of this Bukanovski group twins and John has

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<v Speaker 1>a freak out, a justifiable freak out because his mom

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<v Speaker 1>just died. Uh, and Jennifer, why don't you take it.

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<v Speaker 1>At this climactic moment um, John decides that he's going

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<v Speaker 1>to liberate this world. So he sees saw being handed

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<v Speaker 1>out to a huge group of people. I think they're guilta's.

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<v Speaker 1>They've just been used working for the day, and they're

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<v Speaker 1>getting their ration of selma. They're all lining up and

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<v Speaker 1>John runs back behind the station, screams from Shakespeare at them,

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<v Speaker 1>and throws away all the selma. Understandably, everybody is furious.

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<v Speaker 1>There's a riot. They tried to you understand, they've set

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<v Speaker 1>you free, and no, no, that's not how they felt

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<v Speaker 1>about that. They just did like eight hours of work

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<v Speaker 1>in a factory. They thought we're going to get a drink.

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<v Speaker 1>People are very angry at him. It's gonna jump in

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<v Speaker 1>real quick. At this moment, I thought the plot was

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<v Speaker 1>going to be that he was like that guy from

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<v Speaker 1>the movie Yesterday where he starts like reciting Shakespeare's and

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<v Speaker 1>everyone's like, oh my goodness, Sonnets, he's a god. But

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<v Speaker 1>because it's like lend me your ears, and he's like,

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<v Speaker 1>oh shit, I've never spoken publicly before, so it's very unfortunate.

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<v Speaker 1>But they can't even really rebel because I thought, wow,

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<v Speaker 1>that's some strong emotion, like that's certainly curious anger resulting

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<v Speaker 1>in riot. It's only a very strong emotion because they

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<v Speaker 1>release clouds of so much into the air to calm

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<v Speaker 1>everybody down. And they played this very soothing, automated message

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<v Speaker 1>saying like you should all be good to love each other.

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<v Speaker 1>Wouldn't that be nice? So apparent general orgy, one more

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<v Speaker 1>tiny good thing that again levels don't go this far,

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<v Speaker 1>but non violent shutting down of de escalation of violence

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<v Speaker 1>that they have like a nice little recording. They're like, oh,

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<v Speaker 1>we're gonna play Riot number two, alright, but everyone in

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<v Speaker 1>line like like, yeah, I mean, I would be much

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<v Speaker 1>happier if they instead of tear gassing protesters they were

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<v Speaker 1>blown out weed smoke like that would be And they

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<v Speaker 1>played an audio tape that was just like, just be

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<v Speaker 1>nice to each other, come on, nice cool. That's scary, Yeah,

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<v Speaker 1>it is scary. It sounds like the music festival they

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<v Speaker 1>used to have at my college. It's not fun. Wait,

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<v Speaker 1>wait what spring weekend? They did not play creepy saying

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<v Speaker 1>there was like a bunch of music and weed smoke

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<v Speaker 1>and it was all right. So hem. Holtz and Bernard

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<v Speaker 1>are also present for this. They are worried the savage

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<v Speaker 1>is going to get killed him. Holtz like restless to

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<v Speaker 1>defend him because him Holtz is good at everything and

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<v Speaker 1>that's made him different. Bernard it's like a shitty little

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<v Speaker 1>weasel about this because he's a shitty little person. So

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<v Speaker 1>they all get called in to stand before and also sorry,

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<v Speaker 1>one more interruption when they were like, is this are

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<v Speaker 1>you guys friends with John? They whatever, and Bernard was

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<v Speaker 1>like trying to come up with a way he could

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<v Speaker 1>say no, reading him around. The best part of that

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<v Speaker 1>was when help comes and it says that he starts

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<v Speaker 1>shouting help to give the illusion that he's helping. He's

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<v Speaker 1>the worst. So they're all called in before the World

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<v Speaker 1>Controller and the world and Groler talks about how these

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<v Speaker 1>people can't be in civilife society anymore. The World Controller

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<v Speaker 1>has also read Shakespeare. Uh. He also loved doing true

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<v Speaker 1>science when he was young. He wanted to do real experiments,

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<v Speaker 1>but they weren't conducive to society's happiness. So he had

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<v Speaker 1>a choice when he was young where he could either

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<v Speaker 1>accumulate a huge amount of power or he could be

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<v Speaker 1>exiled to an island, and um, he's like, so all

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<v Speaker 1>of you are going to be exiled to islands. You're

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<v Speaker 1>you're right about that assumption, if that's what you think

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<v Speaker 1>is going on. And Bernard begins sobbing controllably breaks out

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<v Speaker 1>things to be allowed to say, like becomes inconsolable and

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<v Speaker 1>has to be taken and given so many in the

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<v Speaker 1>other room and the world control. He's like, well, that

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<v Speaker 1>hasn't dumb reaction, because if you think about it, you're

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<v Speaker 1>gonna meet the most interesting people you've ever met in

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<v Speaker 1>your life. Uh, it's everybody who was a little bit

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<v Speaker 1>too weird to function here. And also he really nicely

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<v Speaker 1>lets how Lant's choose what island. I love that party.

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<v Speaker 1>He says, you want one with a good climate and

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<v Speaker 1>him holds so snow. I think I'd do better writing

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<v Speaker 1>if I was in a really bad climate. Yeah, he's like,

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<v Speaker 1>the storms will inspire me. I feel like there's you

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<v Speaker 1>don't get a lot of writing done in Hawaii and

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<v Speaker 1>it works for the Russians. Um. Yeah, also goes to

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<v Speaker 1>the Falkland Islands, which is I also really like that.

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<v Speaker 1>It's basically an artists colony. That's the punishment. Yeah, amazing. Also,

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<v Speaker 1>I gotta say I'm really bummed for Helmholds that he

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<v Speaker 1>is banished to an island with his toxic friend that

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<v Speaker 1>he just can't get rid of. Oh I don't think

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<v Speaker 1>they're going to the same island. Yeah. And at the

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<v Speaker 1>end that chapter when he freaks out him home, Helmholds

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<v Speaker 1>is like, I'm gonna go check on my friend, even

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<v Speaker 1>though it's them just being a stem, make sure he's okay.

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<v Speaker 1>It's like, you can do better. As brand is gonna

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<v Speaker 1>be a lot of interesting people. He's gonna be. Yeah,

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<v Speaker 1>he's gonna be He's gonna have a great time at

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<v Speaker 1>the He's going to have a lot of sex. He's

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<v Speaker 1>gonna thrive. One of the things that I did think

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<v Speaker 1>was this is a little separate from the rest of

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<v Speaker 1>the plot. But they talked about how at one point

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<v Speaker 1>Alpha's wanted to have their own island, so they gave

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<v Speaker 1>them an island, and they had an Alpha only island,

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<v Speaker 1>and it went terribly because none of them wanted to

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<v Speaker 1>do menial labor. They were all just constantly jockeying to

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<v Speaker 1>be the most powerful person there. Devolved into like wars

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<v Speaker 1>of revolutions every few years. It fell apart of media, Like, um,

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<v Speaker 1>how would this sign might be different? Like are there

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<v Speaker 1>a lot of poets who wanted to do a lot

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<v Speaker 1>of me? I think I had the idea that maybe

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<v Speaker 1>it's this this society doesn't understand that not all like

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<v Speaker 1>poets and and like what I'm saying is there's a

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<v Speaker 1>flaw with how they're making alpha pluses, you know what

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<v Speaker 1>I mean, Like because not all poets are like straight

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<v Speaker 1>smart or good at engineering, and so like the things

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<v Speaker 1>that they were breeding in their alpha plus is probably

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<v Speaker 1>also weren't the best things for like fun people all ways.

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<v Speaker 1>That was my understanding where I was like, maybe instead

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<v Speaker 1>of just being like the best and smartest people, they're

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<v Speaker 1>specifically breeding alpha plus is to be like engineers for

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<v Speaker 1>their society, and so that makes them all kind of shitty. Yeah,

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<v Speaker 1>it feels like in Cyprus because it was the experiment

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<v Speaker 1>with all the alphice happened in Cyprus. It feels like

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<v Speaker 1>they were like, Okay, we want you to replicate this

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<v Speaker 1>society exactly. And also you're being told, hey, you have

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<v Speaker 1>to do absolon work. So the things that you have

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<v Speaker 1>been conditioned to think are beneath you are the things

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<v Speaker 1>that they now have to do. So they gave them

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<v Speaker 1>all the means of production and they were like, yeah,

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<v Speaker 1>socialism and they were like but no, no, no, we

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<v Speaker 1>are capitalism, and we want capitalism because that is good,

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<v Speaker 1>right you buy new clothes when they get holes in

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<v Speaker 1>them and all that good stuff, and it's like, no,

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<v Speaker 1>I'll figure it out. So I think that's sort of

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<v Speaker 1>the breakdown because they weren't willing to be cooperative because

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<v Speaker 1>they had not been taught that that was the thing

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<v Speaker 1>that you do. Yeah, they've been conditioned totally against that,

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<v Speaker 1>which is why love that. Like John's outburst, not outburst,

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<v Speaker 1>but that he's like going to liberate everyone. Starts off

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<v Speaker 1>with quoting Shakespeare and then he's essentially just like an

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<v Speaker 1>emo boy in high school. That's like, I want to

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<v Speaker 1>be unhappy, so so you want your unhappiness and he's

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<v Speaker 1>like yeah, and they're in pain. He's like, I'll take

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<v Speaker 1>that to all of them, give it all to me.

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<v Speaker 1>I just want to feel okay. So John is not

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<v Speaker 1>allowed to go to the Falklands with his other friends.

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<v Speaker 1>He goes off into the far reachers of the territory

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<v Speaker 1>in takes over an abandoned lighthouse, decides that he'll just

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<v Speaker 1>go on this little Walden adventure and live completely cut

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<v Speaker 1>off from the rest of society. It looks for like

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<v Speaker 1>two days until reporters find them and they're like, it's

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<v Speaker 1>interesting what he's doing. Um John is horrible to them

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<v Speaker 1>and attacks them, and he also starts whipping himself whenever

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<v Speaker 1>he has sexual thoughts about when he so. Um so,

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<v Speaker 1>reporters also see him whipping himself in the wilderness and

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<v Speaker 1>take pictures because that's a crazy story. And then a

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<v Speaker 1>bunch of tourists come out to see him and they

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<v Speaker 1>want to see him whip himself, and eventually maybe Lanina

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<v Speaker 1>is among them. And in any event, there is some

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<v Speaker 1>blue eyed woman who goes up to him. I think

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<v Speaker 1>it is Lenina because she's with Henry Foster. I assumed

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<v Speaker 1>it was belongs to everyone else, So who knows who

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<v Speaker 1>that lady was. I think it's implied to be Yah.

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<v Speaker 1>I think it's implied to be Lenina. But I do

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<v Speaker 1>think it's interesting that he didn't name her and that

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<v Speaker 1>it's like to me, that implies it could have been

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<v Speaker 1>any like it probably is Lanina, but it could have

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<v Speaker 1>been any woman in place of her in that moment. Yeah,

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<v Speaker 1>there is also an interesting part that doesn't have that

0:12:54.120 --> 0:12:55.400
<v Speaker 1>much to do with the blood, but we get this

0:12:55.480 --> 0:12:59.959
<v Speaker 1>neat little dig aggression into a camperman who is filmed,

0:13:01.000 --> 0:13:03.800
<v Speaker 1>very excited about using this as a premise for a feeling,

0:13:04.120 --> 0:13:06.400
<v Speaker 1>and he thinks it's going to be as good as

0:13:06.559 --> 0:13:09.480
<v Speaker 1>like the sex Life of a sperm Whale, which would

0:13:09.480 --> 0:13:12.960
<v Speaker 1>really he's saying something like he really really thinks he's

0:13:13.000 --> 0:13:16.640
<v Speaker 1>gonna he's gonna take the film medium to a new place.

0:13:16.760 --> 0:13:20.559
<v Speaker 1>That made me laugh. And people seem to take a

0:13:20.760 --> 0:13:24.400
<v Speaker 1>lot of satisfaction in their jobs. I will say I

0:13:24.480 --> 0:13:28.840
<v Speaker 1>did find it interesting that that specific photographer slash cameraman,

0:13:29.760 --> 0:13:34.800
<v Speaker 1>he spent like four days in a tree, where I

0:13:34.960 --> 0:13:37.559
<v Speaker 1>was like, isn't that a feeling of like wanting a

0:13:37.679 --> 0:13:40.880
<v Speaker 1>thing and committing and then getting the thing? Like why

0:13:40.920 --> 0:13:42.760
<v Speaker 1>did they let him do that? That seems like way

0:13:42.800 --> 0:13:47.439
<v Speaker 1>too much satisfaction to go to island. He's gonna go

0:13:47.520 --> 0:13:51.200
<v Speaker 1>to an island where he's gonna make his documentary seen

0:13:51.240 --> 0:13:53.720
<v Speaker 1>to me, And also the addition of the reporters felt

0:13:53.760 --> 0:13:56.439
<v Speaker 1>out of place too, because I'm like, why would you

0:13:56.600 --> 0:13:59.640
<v Speaker 1>need someone to be documenting some like all the things

0:13:59.679 --> 0:14:02.760
<v Speaker 1>that you know are supposed to be regimented, like do

0:14:02.840 --> 0:14:07.880
<v Speaker 1>you need competing also seem to want questions. It would

0:14:07.960 --> 0:14:11.760
<v Speaker 1>call their world view into questions when they asked him, okay,

0:14:11.840 --> 0:14:13.880
<v Speaker 1>you know the kind of questions we're gonna ask. It's like,

0:14:14.240 --> 0:14:17.800
<v Speaker 1>what do you think of civilized which is a normal

0:14:17.920 --> 0:14:20.880
<v Speaker 1>question for a tabloid publication. But if somebody says I

0:14:20.960 --> 0:14:23.440
<v Speaker 1>think they're all strumpets women should only sleep with one man,

0:14:24.320 --> 0:14:28.040
<v Speaker 1>that is an incredibly controversial point. Are going to read

0:14:28.120 --> 0:14:33.280
<v Speaker 1>that and be like, wait, ship, wait, just does this

0:14:33.440 --> 0:14:38.200
<v Speaker 1>brave new world have freedom of press? Apparently? Yeah, and

0:14:38.360 --> 0:14:41.480
<v Speaker 1>like a thriving entertainment industry. If that's why it was,

0:14:42.160 --> 0:14:44.760
<v Speaker 1>I was like, wait, where the hell did these reporters

0:14:44.960 --> 0:14:48.240
<v Speaker 1>come from? Yeah? Well, I think that throughout the book

0:14:48.280 --> 0:14:50.960
<v Speaker 1>they do a good job of establishing that there's a

0:14:51.240 --> 0:14:55.920
<v Speaker 1>level of awfulness that they'll allow because everybody's like, oh,

0:14:56.320 --> 0:15:00.640
<v Speaker 1>Marx is so queer, and it's been establish he's kind

0:15:00.680 --> 0:15:03.400
<v Speaker 1>of a weirdo. But there's a point at which he

0:15:03.520 --> 0:15:07.640
<v Speaker 1>becomes too weird. They're like, he's alone a lot. He's

0:15:07.720 --> 0:15:11.760
<v Speaker 1>like starting to ask questions that we don't necessarily think

0:15:11.800 --> 0:15:15.560
<v Speaker 1>are cool, and um, like Helmholtz is also kind of weird,

0:15:15.600 --> 0:15:18.000
<v Speaker 1>which is why they're friends, because they've established that they're

0:15:18.000 --> 0:15:21.320
<v Speaker 1>both alf Us. They're both weird. But I think Helmholtz

0:15:21.440 --> 0:15:24.280
<v Speaker 1>kind of kept it together more until he did that

0:15:24.400 --> 0:15:27.520
<v Speaker 1>thing in his class where he showed them like unapproved rhymes,

0:15:28.320 --> 0:15:34.080
<v Speaker 1>like the teacher that very very long pool, like understandably

0:15:34.520 --> 0:15:37.320
<v Speaker 1>if and the kids are twelve years old, if your

0:15:37.320 --> 0:15:39.880
<v Speaker 1>teacher suddenly just came in four science class. It was like,

0:15:40.400 --> 0:15:44.120
<v Speaker 1>I'm going to I want to tell you all. When

0:15:44.160 --> 0:15:47.800
<v Speaker 1>I was a junior in an ap English class, my

0:15:48.160 --> 0:15:52.720
<v Speaker 1>English teacher, I mean frek, my English teacher brought in

0:15:53.080 --> 0:15:56.440
<v Speaker 1>a poem that he had written and he had us

0:15:56.680 --> 0:15:59.120
<v Speaker 1>read it out loud, like line by line and like

0:15:59.280 --> 0:16:02.600
<v Speaker 1>the poem again, a poem he wrote. And I remember

0:16:02.720 --> 0:16:06.360
<v Speaker 1>specifically there was like a line of like home reading

0:16:06.480 --> 0:16:10.640
<v Speaker 1>these inane essays from students who don't carry Oh, so

0:16:11.040 --> 0:16:14.240
<v Speaker 1>he dragged you and then made you read you're dragging.

0:16:15.160 --> 0:16:17.560
<v Speaker 1>But again that wasn't like the point of the poem.

0:16:17.840 --> 0:16:19.840
<v Speaker 1>It was just like snuck in there, like a little

0:16:19.920 --> 0:16:22.440
<v Speaker 1>line of his own like home life where he's like

0:16:22.520 --> 0:16:28.560
<v Speaker 1>I spend my night reading meaningless essays. Shot him out,

0:16:30.000 --> 0:16:33.240
<v Speaker 1>very funny. I had an acting teacher do that once.

0:16:33.320 --> 0:16:35.560
<v Speaker 1>He had a scene, uh, and it was like at

0:16:35.560 --> 0:16:37.640
<v Speaker 1>a reputable acting school, but he had a scene that

0:16:37.720 --> 0:16:39.920
<v Speaker 1>was from something that he had written that was not

0:16:40.160 --> 0:16:42.440
<v Speaker 1>like it's not like he wrote something that was like

0:16:42.560 --> 0:16:44.800
<v Speaker 1>produced by a major studio. It was like a thing

0:16:44.960 --> 0:16:47.080
<v Speaker 1>that he wrote that he and his friends made some

0:16:47.240 --> 0:16:51.840
<v Speaker 1>like teeny tiny indie film like seventeen years before. And

0:16:51.920 --> 0:16:53.960
<v Speaker 1>he's like, we're doing this in class today, and I

0:16:54.080 --> 0:16:58.480
<v Speaker 1>was like, I don't want to. We are. Acting teacher

0:16:58.560 --> 0:17:02.040
<v Speaker 1>in high school had an unpublished or self published play

0:17:02.400 --> 0:17:06.880
<v Speaker 1>called On Stars Not Falling that was a autobiographical play

0:17:07.040 --> 0:17:10.840
<v Speaker 1>about his coming out, which is, you know, a good

0:17:10.920 --> 0:17:13.800
<v Speaker 1>play but very personal for like a teacher to be like,

0:17:13.880 --> 0:17:16.040
<v Speaker 1>this is about me and my story, and like then

0:17:16.080 --> 0:17:18.119
<v Speaker 1>to have students acted out in front of him like

0:17:18.200 --> 0:17:23.359
<v Speaker 1>we did his play that was autobiographical day. The problem

0:17:23.440 --> 0:17:25.800
<v Speaker 1>is not that any of these people did creative endeavors.

0:17:25.880 --> 0:17:29.720
<v Speaker 1>I think wonderful. I think everybody should do creative things. Happy.

0:17:29.760 --> 0:17:34.119
<v Speaker 1>There's a you tried to turn your classroom for a

0:17:34.200 --> 0:17:39.320
<v Speaker 1>little stadium of friends for my api. English teacher was

0:17:39.480 --> 0:17:43.000
<v Speaker 1>this very famous English teacher in my school. She was

0:17:43.119 --> 0:17:47.680
<v Speaker 1>like probably eighty When I had her, she was at

0:17:48.160 --> 0:17:52.200
<v Speaker 1>Pali High forever. She like donated. She was from very

0:17:52.359 --> 0:17:56.600
<v Speaker 1>rich and like donated her salary to the school and stuff.

0:17:56.880 --> 0:18:01.040
<v Speaker 1>But she was asshole. She like also will bullied half

0:18:01.080 --> 0:18:04.320
<v Speaker 1>of her class. She would call people her fours and fives,

0:18:04.480 --> 0:18:06.360
<v Speaker 1>like the ones that she thought were like the smartest.

0:18:07.040 --> 0:18:11.600
<v Speaker 1>My god, wait, and then she's like has had life,

0:18:11.600 --> 0:18:15.399
<v Speaker 1>think a narcissistic personality sort of. And on the first

0:18:15.520 --> 0:18:17.200
<v Speaker 1>day of class and we were all told this and

0:18:17.240 --> 0:18:20.959
<v Speaker 1>I had her two years in a row, she turned

0:18:21.000 --> 0:18:23.479
<v Speaker 1>on TV and it was like she was on sixty

0:18:23.560 --> 0:18:26.960
<v Speaker 1>minutes or something as uh, like she like one Teacher

0:18:27.000 --> 0:18:30.720
<v Speaker 1>of the Year one year, like twenty years before plays

0:18:30.800 --> 0:18:33.280
<v Speaker 1>it for everyone to be like, this is what you're getting.

0:18:36.040 --> 0:18:39.160
<v Speaker 1>I just been imagining her rolling out the TV cart

0:18:39.440 --> 0:18:41.959
<v Speaker 1>that you like keep for rainy days and days when

0:18:42.000 --> 0:18:46.040
<v Speaker 1>you're hungover as a teacher, like popping in the homemade

0:18:46.160 --> 0:18:49.320
<v Speaker 1>recorded vhs of her on sixty minutes and just the

0:18:49.400 --> 0:18:53.320
<v Speaker 1>ti tik tik happening, and then her face, Oh gosh,

0:18:54.000 --> 0:18:56.000
<v Speaker 1>can you imagine that you're going to watch the Road

0:18:56.040 --> 0:18:58.919
<v Speaker 1>to El Dorado and watching sixty Minutes on your teacher

0:19:00.760 --> 0:19:03.280
<v Speaker 1>Also just like thinking of like a mean girl English

0:19:03.280 --> 0:19:05.639
<v Speaker 1>teacher walking around being like, okay, my fours and fives,

0:19:05.680 --> 0:19:09.119
<v Speaker 1>where are you? I know, it was very It was

0:19:09.240 --> 0:19:12.359
<v Speaker 1>very very and that would be like I would be

0:19:12.480 --> 0:19:16.280
<v Speaker 1>such an insecure little scholar in that room. I mean

0:19:16.359 --> 0:19:19.359
<v Speaker 1>I was four, so I it was I was a

0:19:19.480 --> 0:19:22.480
<v Speaker 1>forward to, but she was her fours and fives. And

0:19:22.520 --> 0:19:24.680
<v Speaker 1>then I remember I saw her one day with like

0:19:24.800 --> 0:19:27.320
<v Speaker 1>her two favorite students, like, oh, here they are my fives,

0:19:27.359 --> 0:19:30.240
<v Speaker 1>and I'm like, oh, that's why you call us collectively

0:19:30.320 --> 0:19:44.359
<v Speaker 1>fours and fives. You're listening to Popcorn book Club for

0:19:44.440 --> 0:19:46.960
<v Speaker 1>My Heart Radio, and we'll be back right after the break.

0:19:56.520 --> 0:20:04.600
<v Speaker 1>So we're back with Popcorn book Club for My Heart Radio. Okay,

0:20:04.640 --> 0:20:08.960
<v Speaker 1>So back to Helmholtz. Yeah, reads a long poem to

0:20:09.040 --> 0:20:11.280
<v Speaker 1>his students, which is cute, and that was like his

0:20:11.520 --> 0:20:17.200
<v Speaker 1>big act of descent. So I think that it was weird.

0:20:17.680 --> 0:20:21.160
<v Speaker 1>But the reported him those acts, but like those acts

0:20:21.200 --> 0:20:24.840
<v Speaker 1>of descent don't seem to warrant like a full camera crew,

0:20:25.400 --> 0:20:28.240
<v Speaker 1>which is which which was why I felt the reporters

0:20:28.359 --> 0:20:30.760
<v Speaker 1>felt so odd that they were like on the ready,

0:20:31.000 --> 0:20:34.240
<v Speaker 1>ready to record John, Like I think part of it

0:20:34.480 --> 0:20:36.800
<v Speaker 1>is like John is so different that John is like

0:20:36.880 --> 0:20:41.520
<v Speaker 1>the only you know, but why the exist? I think

0:20:41.560 --> 0:20:45.119
<v Speaker 1>that's what Like maybe it's I think it's part of

0:20:45.200 --> 0:20:49.000
<v Speaker 1>that economy of distraction, right, Like it's it's the frivolity

0:20:49.160 --> 0:20:52.920
<v Speaker 1>of the media, and like this society has well, yeah,

0:20:52.920 --> 0:20:55.600
<v Speaker 1>it already it already assumes that people are so well

0:20:55.720 --> 0:20:58.679
<v Speaker 1>conditioned that they're not going to do anything like wild

0:20:58.840 --> 0:21:00.680
<v Speaker 1>you know what I mean, Like they're so regimented in

0:21:00.760 --> 0:21:04.320
<v Speaker 1>their like brains everything. Also, like the guy who did

0:21:04.400 --> 0:21:08.119
<v Speaker 1>the whales thing or the nature thing. I wonder if

0:21:08.160 --> 0:21:11.480
<v Speaker 1>that because it does feel like you wouldn't profile individuals

0:21:11.720 --> 0:21:15.720
<v Speaker 1>because this society is so anti individual that I feel

0:21:15.720 --> 0:21:19.159
<v Speaker 1>like you would profile nature or you would profile like

0:21:19.560 --> 0:21:24.399
<v Speaker 1>the the the making of the Feelies or something like that.

0:21:25.240 --> 0:21:28.560
<v Speaker 1>But I don't know, maybe they don't see John as

0:21:28.600 --> 0:21:30.720
<v Speaker 1>an individual. Like that's also a big part of that,

0:21:30.880 --> 0:21:33.600
<v Speaker 1>Like he's so outside the society that he's just like

0:21:33.680 --> 0:21:37.159
<v Speaker 1>a curio. Yeah, I mean, and he's attempting to return

0:21:37.240 --> 0:21:41.720
<v Speaker 1>to nature. He's just thwarted in his attempts immediately and

0:21:42.280 --> 0:21:47.480
<v Speaker 1>even during this period where he is attempting to do

0:21:47.680 --> 0:21:52.560
<v Speaker 1>his walden bit where he is living alone unperturbed by

0:21:52.600 --> 0:21:55.600
<v Speaker 1>the rest of the world. And he bought a few

0:21:55.800 --> 0:21:58.239
<v Speaker 1>canned goods because they were irresistible, but he's not going

0:21:58.280 --> 0:22:03.879
<v Speaker 1>to eat them. That that was very funny. Yeah, so

0:22:04.760 --> 0:22:10.240
<v Speaker 1>he's playing stove entirely alone. It okay. When I kept

0:22:10.320 --> 0:22:12.640
<v Speaker 1>thinking about this book, and I think one thing that's

0:22:12.720 --> 0:22:16.840
<v Speaker 1>interesting about any dystopia is we it forces us to

0:22:17.040 --> 0:22:19.680
<v Speaker 1>think about what he's missing from that society and what's

0:22:19.760 --> 0:22:22.840
<v Speaker 1>valuable to us. And sometimes that's something very obvious, like

0:22:23.359 --> 0:22:26.480
<v Speaker 1>water is missing from this society, and that is something

0:22:26.560 --> 0:22:31.119
<v Speaker 1>I care about. Um, the amazing that seems to be

0:22:31.280 --> 0:22:35.679
<v Speaker 1>missing from this society's love, and John comes no closer

0:22:35.800 --> 0:22:38.240
<v Speaker 1>to be incapable of loving when he's living alone. At

0:22:38.280 --> 0:22:40.840
<v Speaker 1>the end, he's still just whipping himself every time he

0:22:40.880 --> 0:22:43.960
<v Speaker 1>thinks about Lanina when she actually comes back for him.

0:22:44.200 --> 0:22:46.359
<v Speaker 1>I thought a happy ending was going to be, like

0:22:46.440 --> 0:22:48.560
<v Speaker 1>he was going right to her. They were going to

0:22:48.600 --> 0:22:50.040
<v Speaker 1>be together, She was going to live with him in

0:22:50.119 --> 0:22:53.399
<v Speaker 1>his lighthouse, and they were gonna restart the family. And

0:22:53.960 --> 0:22:56.600
<v Speaker 1>I hope be documented by that guy who is a

0:22:56.680 --> 0:23:01.760
<v Speaker 1>documentary and I'm very passionate about his art, Treating Treat

0:23:02.080 --> 0:23:08.120
<v Speaker 1>Treat guy. Yeah, he works really hard. Everyone else. John

0:23:08.200 --> 0:23:11.399
<v Speaker 1>also Eldest Huxley, does that thing where he wants to

0:23:11.480 --> 0:23:14.240
<v Speaker 1>make an argument, so he has two characters argue opposing

0:23:14.320 --> 0:23:16.720
<v Speaker 1>points for ten pages. And that's the argument that John

0:23:16.840 --> 0:23:19.720
<v Speaker 1>has with Mustafa Amount, where it's like two smart people

0:23:20.000 --> 0:23:24.040
<v Speaker 1>with opposite perspectives talking and John's perspective is like, what

0:23:24.200 --> 0:23:28.639
<v Speaker 1>about art and truth and beauty? And Mustafa a Mount goes, Okay, well,

0:23:28.680 --> 0:23:31.479
<v Speaker 1>those are fine, but they're not empirically more important than

0:23:31.600 --> 0:23:35.040
<v Speaker 1>comfort and happiness, and we prioritize comfort and happiness and

0:23:35.160 --> 0:23:38.359
<v Speaker 1>that is a compromise. Look, it's an argument. Some people

0:23:38.440 --> 0:23:41.280
<v Speaker 1>say that, you know, comfort is better than than beauty

0:23:41.320 --> 0:23:44.640
<v Speaker 1>and truth, And I thought it was really nice when

0:23:44.760 --> 0:23:47.760
<v Speaker 1>him Holt says that he's suffering because he wants to

0:23:47.840 --> 0:23:51.359
<v Speaker 1>make art and he can't, and must Amount says that

0:23:51.600 --> 0:23:55.040
<v Speaker 1>actually he's working with very few dramatic situations and he's

0:23:55.080 --> 0:23:57.920
<v Speaker 1>still turning them into feelings and making art, and maybe

0:23:58.000 --> 0:24:03.000
<v Speaker 1>that's more impressive than something shakepeare having experience. But I

0:24:03.080 --> 0:24:06.119
<v Speaker 1>guess what I was saying is like, even John is

0:24:06.200 --> 0:24:08.480
<v Speaker 1>not a hero in the sense of like this book

0:24:08.480 --> 0:24:11.680
<v Speaker 1>where it's like he's not doing anything for truth, or

0:24:11.760 --> 0:24:13.800
<v Speaker 1>beauty or art and or love. He's just like whipping

0:24:13.880 --> 0:24:17.480
<v Speaker 1>himself and being alone, Like he really doesn't do anything

0:24:17.960 --> 0:24:21.280
<v Speaker 1>other than a spouse. These ideas to make us the

0:24:21.359 --> 0:24:24.280
<v Speaker 1>reader route for him. I think that this book is

0:24:24.320 --> 0:24:26.760
<v Speaker 1>a cautionary tale about what happens when you read too

0:24:26.840 --> 0:24:32.520
<v Speaker 1>much Shakespeare, but you don't understand it because he doesn't

0:24:32.640 --> 0:24:36.680
<v Speaker 1>understand it. And I feel like these people, like he

0:24:36.800 --> 0:24:38.960
<v Speaker 1>talks a lot about Romeo and juliet because he fashions

0:24:39.040 --> 0:24:42.680
<v Speaker 1>himself to be Romeo and Lenina to be Juliett And like,

0:24:42.800 --> 0:24:45.560
<v Speaker 1>first off, you didn't read the end of that. Second

0:24:45.560 --> 0:24:49.720
<v Speaker 1>of all, I feel like there is a choice that

0:24:49.920 --> 0:24:53.440
<v Speaker 1>is made. And he is again saying because Juliette could

0:24:53.440 --> 0:24:55.800
<v Speaker 1>have chosen to be with Paris and to take the

0:24:56.320 --> 0:24:59.040
<v Speaker 1>easy road. But to quote Shakespeare in another of his plays,

0:24:59.080 --> 0:25:00.840
<v Speaker 1>the Course of True Love Now or did run smooth?

0:25:01.280 --> 0:25:03.719
<v Speaker 1>And he's saying like, well, everyone would be better if

0:25:03.720 --> 0:25:05.440
<v Speaker 1>they did this, And it's like, well, no, there's no

0:25:05.520 --> 0:25:07.520
<v Speaker 1>way that everyone would have been better, which is why

0:25:07.800 --> 0:25:10.639
<v Speaker 1>they have this island for these misfit toys where they

0:25:10.680 --> 0:25:13.120
<v Speaker 1>send them are several islands. Because he's like, oh, it's

0:25:13.160 --> 0:25:15.040
<v Speaker 1>good that we have so many islands. I don't know

0:25:15.119 --> 0:25:19.760
<v Speaker 1>what we did without him, and um, so it's sort

0:25:19.760 --> 0:25:22.960
<v Speaker 1>of like I feel like Mustaf Ahman is actually the

0:25:23.080 --> 0:25:26.160
<v Speaker 1>most realistic person, and he's like, this is the society

0:25:26.280 --> 0:25:30.000
<v Speaker 1>that we have. And I think that you have some

0:25:30.160 --> 0:25:32.520
<v Speaker 1>valid points, but this is the society that we're in.

0:25:32.800 --> 0:25:35.600
<v Speaker 1>Your society that you come from is not inherently better

0:25:35.680 --> 0:25:38.960
<v Speaker 1>than ours, and you need to stop acting like it is.

0:25:39.160 --> 0:25:43.200
<v Speaker 1>Your society is fine. Ours is not necessarily better than yours.

0:25:43.240 --> 0:25:44.920
<v Speaker 1>And he's kind of the only one who, even while

0:25:44.960 --> 0:25:49.080
<v Speaker 1>referring to it as civilization and savagery, does concede that

0:25:49.320 --> 0:25:53.880
<v Speaker 1>savagery is not inherently bad. It's just different and it's old. Yeah,

0:25:54.240 --> 0:25:56.240
<v Speaker 1>And that's exactly why he's like, yeah, we don't not

0:25:56.520 --> 0:26:00.359
<v Speaker 1>teach this because it's bad or are scared it just

0:26:00.640 --> 0:26:05.080
<v Speaker 1>it doesn't reinforce the society we've built that prioritizes comfort

0:26:05.240 --> 0:26:08.560
<v Speaker 1>above all. And they wouldn't understand it, like that was

0:26:08.640 --> 0:26:10.440
<v Speaker 1>the other piece of it. They wouldn't understand the lot

0:26:10.520 --> 0:26:13.359
<v Speaker 1>like Helmholtz laughs at the idea of like the mother

0:26:14.000 --> 0:26:17.320
<v Speaker 1>and this true love and why wouldn't you in marriage?

0:26:17.400 --> 0:26:24.720
<v Speaker 1>And it is so disconnected um, I will say, you know, Jennifer,

0:26:24.720 --> 0:26:27.600
<v Speaker 1>you're talking about these kind of dystopian books, and the

0:26:27.680 --> 0:26:30.119
<v Speaker 1>one and the other part of it that I usually

0:26:30.520 --> 0:26:33.119
<v Speaker 1>take from them is, you know, what are the things

0:26:33.400 --> 0:26:37.639
<v Speaker 1>in this dystopia that feel familiar? And a lot of

0:26:37.720 --> 0:26:41.760
<v Speaker 1>it feels very familiar, especially now, like the idea of

0:26:42.440 --> 0:26:45.680
<v Speaker 1>never being alone with your thoughts and like always having

0:26:45.800 --> 0:26:49.240
<v Speaker 1>constant distraction, and how constant distraction is a way for

0:26:49.400 --> 0:26:52.879
<v Speaker 1>like the systems of power to keep working and also

0:26:53.119 --> 0:26:56.720
<v Speaker 1>for consumerism to keep working, to like feed the beast,

0:26:56.920 --> 0:26:59.640
<v Speaker 1>and there's always something to buy, there's always something to consume.

0:27:00.160 --> 0:27:02.520
<v Speaker 1>And I did feel like that helm holds thing about

0:27:03.160 --> 0:27:07.800
<v Speaker 1>solitude and that like no one there is ever alone

0:27:08.320 --> 0:27:11.720
<v Speaker 1>is it was just really compelling to me and kind

0:27:11.760 --> 0:27:14.359
<v Speaker 1>of world that we like, Oh my god, it made me.

0:27:14.600 --> 0:27:17.240
<v Speaker 1>I mean, I'm someone I'm alone in quarantine, but I'm

0:27:17.280 --> 0:27:20.800
<v Speaker 1>on Twitter constantly, and I also keep like my TV

0:27:20.960 --> 0:27:23.440
<v Speaker 1>on in the background when I work, just like and

0:27:23.520 --> 0:27:25.840
<v Speaker 1>I always have like two screens up, like I'm always

0:27:25.960 --> 0:27:30.399
<v Speaker 1>my brain is never quiet, and I'm clearly uncomfortable with

0:27:30.560 --> 0:27:32.840
<v Speaker 1>just being alone with my thoughts, which isn't a good thing.

0:27:32.920 --> 0:27:34.639
<v Speaker 1>And the thing that I should work on. Yeah. I

0:27:34.720 --> 0:27:37.840
<v Speaker 1>think there is also this idea that at least if

0:27:37.880 --> 0:27:39.920
<v Speaker 1>you are someone who leaves in public at any kind

0:27:39.960 --> 0:27:42.480
<v Speaker 1>of way, like someone who is on Twitter, there is

0:27:42.520 --> 0:27:46.480
<v Speaker 1>a notion that everyone belongs to everyone else. My husband

0:27:46.960 --> 0:27:50.240
<v Speaker 1>often says that the thing that he thinks that our

0:27:50.280 --> 0:27:53.800
<v Speaker 1>grandchildren will rightly mock us the most as a generation

0:27:53.960 --> 0:27:57.960
<v Speaker 1>for was the idea that random private citizens had to

0:27:58.080 --> 0:28:01.920
<v Speaker 1>issue like public apologies on it, Like the idea that

0:28:02.080 --> 0:28:04.280
<v Speaker 1>you had to be like, I'm sorry, I didn't I

0:28:04.400 --> 0:28:07.440
<v Speaker 1>was not aware of good year tires, poor politics. I

0:28:07.600 --> 0:28:11.560
<v Speaker 1>do not. They do not stand with me. I am

0:28:11.640 --> 0:28:18.119
<v Speaker 1>a teacher from Missouri. Um. It is uh, it is

0:28:18.560 --> 0:28:22.680
<v Speaker 1>somewhat unnecessary that we believe that we belong so much

0:28:22.800 --> 0:28:25.639
<v Speaker 1>to everyone else that we have to constantly make it

0:28:25.760 --> 0:28:29.760
<v Speaker 1>clear that we are standing together as a group. Um.

0:28:30.400 --> 0:28:33.120
<v Speaker 1>Not that you shouldn't try to support, you know, companies

0:28:33.160 --> 0:28:37.399
<v Speaker 1>to do good things and good people in general, and

0:28:37.480 --> 0:28:40.960
<v Speaker 1>the right political causes. But I do think there is

0:28:41.000 --> 0:28:43.280
<v Speaker 1>an idea that if you don't, you will be canceled

0:28:43.320 --> 0:28:49.120
<v Speaker 1>online very very quickly. Um, and well everybody, Yeah, I

0:28:49.200 --> 0:28:52.440
<v Speaker 1>mean I not to bring up something personal from your Twitter,

0:28:52.600 --> 0:28:58.120
<v Speaker 1>but the but that whole like book thing, like, yeah,

0:28:58.560 --> 0:29:02.400
<v Speaker 1>is it's so enough with It's not political, it's just

0:29:02.680 --> 0:29:04.960
<v Speaker 1>the way you organize your books and for you to

0:29:05.040 --> 0:29:09.240
<v Speaker 1>get dragged by strangers and telling you you're an idiot

0:29:09.440 --> 0:29:12.800
<v Speaker 1>because oh yeah, don't worry, I've readden Look, there is

0:29:12.960 --> 0:29:15.400
<v Speaker 1>a very real chance that I have written more books

0:29:15.440 --> 0:29:17.560
<v Speaker 1>than those people have read this. Yes, so I'm not

0:29:17.800 --> 0:29:23.040
<v Speaker 1>too worried. It is like that that they feel like

0:29:23.160 --> 0:29:27.120
<v Speaker 1>they have a right to you know, your time and attention,

0:29:28.000 --> 0:29:31.720
<v Speaker 1>says I didn't specifically want to invoke that example, but yes,

0:29:32.760 --> 0:29:35.120
<v Speaker 1>do you feel like, what kind of insane world are

0:29:35.200 --> 0:29:40.120
<v Speaker 1>we living in? Oh? No, no, it's fine. Honestly, it's

0:29:40.160 --> 0:29:42.240
<v Speaker 1>better than me trying to make up an argument. Yeah,

0:29:43.240 --> 0:29:45.080
<v Speaker 1>insane to me that people feel like they have a

0:29:45.200 --> 0:29:47.160
<v Speaker 1>right to do that. I think it's the same argument

0:29:47.200 --> 0:29:51.000
<v Speaker 1>that Mustafa and John are basically having, where it's like

0:29:51.840 --> 0:29:55.600
<v Speaker 1>you are prioritizing, in that specific instance, beauty and you're like,

0:29:55.760 --> 0:29:58.120
<v Speaker 1>I like the way that this looks. These are books,

0:29:58.200 --> 0:30:01.680
<v Speaker 1>they have information. I use the for information. I like them,

0:30:02.000 --> 0:30:04.680
<v Speaker 1>but I am prioritizing the way I organized my books

0:30:05.160 --> 0:30:07.120
<v Speaker 1>in a beauty sense. I wanted to look pretty and

0:30:07.200 --> 0:30:13.760
<v Speaker 1>be a rainbow, which the same thing. Yeah, is the

0:30:13.800 --> 0:30:19.000
<v Speaker 1>first person I like. I'm like, I live in a

0:30:19.120 --> 0:30:22.280
<v Speaker 1>studio apartment and my bookshelves take up a full wall,

0:30:22.440 --> 0:30:25.480
<v Speaker 1>and so I want them to like look nice of

0:30:25.800 --> 0:30:28.280
<v Speaker 1>my last book at friends, to have those built in

0:30:28.360 --> 0:30:31.800
<v Speaker 1>bookshelves built and get the ladder and do everything they

0:30:31.840 --> 0:30:36.800
<v Speaker 1>are in very important to me. Know, they're stunning. They're stunning. Okay,

0:30:36.920 --> 0:30:48.160
<v Speaker 1>thank you, they are. This is Popcorn book Club. We'll

0:30:48.200 --> 0:30:57.000
<v Speaker 1>be right back after this quick break. Okay, we're back

0:30:57.160 --> 0:31:02.400
<v Speaker 1>with Popcorn book Club. We didn't say what happens at

0:31:02.440 --> 0:31:06.000
<v Speaker 1>the end of the book. Oh my god, Yes, okay,

0:31:08.120 --> 0:31:11.640
<v Speaker 1>Lena runs towards him. I fully assume they're going to

0:31:11.720 --> 0:31:13.920
<v Speaker 1>embrace and restart a family and they're going to have

0:31:14.000 --> 0:31:17.000
<v Speaker 1>an interesting and different world. But that is not what happens.

0:31:17.120 --> 0:31:19.560
<v Speaker 1>He runs out after her and tries to whip her,

0:31:19.920 --> 0:31:24.880
<v Speaker 1>and I think successfully does sound like just fully attacks her. Yes, yeah,

0:31:25.320 --> 0:31:30.240
<v Speaker 1>Henry Foster runs away because um, all men are cowards

0:31:30.320 --> 0:31:36.240
<v Speaker 1>in this world. But yes, and Henry Foster runs away,

0:31:36.360 --> 0:31:39.720
<v Speaker 1>and I think she might be dead anyhow. Then the

0:31:39.760 --> 0:31:42.240
<v Speaker 1>Sandwich goes back to his house and hangs himself. I

0:31:42.360 --> 0:31:44.880
<v Speaker 1>think they also have an orgy on her dead body, yes,

0:31:45.000 --> 0:31:50.960
<v Speaker 1>orgy porgy. Yeah. They have just like just overcome with

0:31:51.080 --> 0:31:53.400
<v Speaker 1>like a motion, but their conditioned not to know how

0:31:53.440 --> 0:31:56.280
<v Speaker 1>to handle it except in that way until they have

0:31:56.360 --> 0:32:00.360
<v Speaker 1>an orgy, which John participates too, because he's like everything

0:32:00.480 --> 0:32:02.960
<v Speaker 1>is so crazy, like I might as well just give

0:32:03.040 --> 0:32:05.840
<v Speaker 1>in to what's happening. And then the next morning he

0:32:06.280 --> 0:32:11.200
<v Speaker 1>is so guilty that he had an orgy that yeah, yeah,

0:32:11.840 --> 0:32:15.840
<v Speaker 1>which again, the scale of things that are bad and

0:32:15.920 --> 0:32:18.000
<v Speaker 1>good about this world is like a certain level of

0:32:18.080 --> 0:32:21.960
<v Speaker 1>sexual openness is I would say, on the better scale

0:32:22.000 --> 0:32:24.200
<v Speaker 1>if you can also marry that with a commitment and love.

0:32:24.640 --> 0:32:27.520
<v Speaker 1>Um and John thinking that every woman who wants sex

0:32:27.680 --> 0:32:30.600
<v Speaker 1>is a strumpet who should be beaten and whipped to

0:32:30.680 --> 0:32:35.280
<v Speaker 1>death not a good thing kind of well, I mean, look,

0:32:35.600 --> 0:32:40.400
<v Speaker 1>is is love incompatible with a society that is this

0:32:40.800 --> 0:32:43.719
<v Speaker 1>calm and happy and prioritize has comfort as much? Well?

0:32:43.760 --> 0:32:46.080
<v Speaker 1>I think they do love things. I think that they

0:32:46.160 --> 0:32:48.120
<v Speaker 1>love things in a different way than we perceive love.

0:32:48.200 --> 0:32:51.840
<v Speaker 1>Like they love electromagnetic and obstacle golf. They love it.

0:32:52.440 --> 0:32:56.120
<v Speaker 1>But I do think love monogamy is possessive, right, and

0:32:56.440 --> 0:33:00.840
<v Speaker 1>there is inherent jealousy and like owning an object, not

0:33:01.120 --> 0:33:05.360
<v Speaker 1>that you're owning a person, but possessing an exclusivity with

0:33:05.440 --> 0:33:09.680
<v Speaker 1>a person, it does lead itself to jealousy and you

0:33:09.800 --> 0:33:11.960
<v Speaker 1>want things that other people have and you can't have

0:33:12.120 --> 0:33:15.040
<v Speaker 1>certain people, and well, feelings aren't quite it. I feel

0:33:15.040 --> 0:33:17.960
<v Speaker 1>like it's toxic. Monogamy is that. I feel like monogamy

0:33:18.040 --> 0:33:20.400
<v Speaker 1>doesn't have to be that monogamy doesn't have to be

0:33:20.600 --> 0:33:24.880
<v Speaker 1>inherently jealous. I think that recognizing that you can't be

0:33:24.960 --> 0:33:29.080
<v Speaker 1>everybody to one person is important, and I don't mean

0:33:29.160 --> 0:33:31.680
<v Speaker 1>that in terms of a sexual way, but like, your

0:33:31.720 --> 0:33:34.880
<v Speaker 1>partner should be able to have friends. Your partner should

0:33:35.000 --> 0:33:38.360
<v Speaker 1>be able to have a coworker where they make cheeky

0:33:38.480 --> 0:33:41.360
<v Speaker 1>jokes and that's okay with you if that's something that

0:33:41.440 --> 0:33:44.200
<v Speaker 1>they want. Like, I think that that there needs to

0:33:44.280 --> 0:33:48.200
<v Speaker 1>be a conversation about what monogamy means to you. But

0:33:48.320 --> 0:33:52.240
<v Speaker 1>I think that there's this culture that exists, maybe more

0:33:52.440 --> 0:33:56.520
<v Speaker 1>so back then but especially now where it's like, oh,

0:33:56.840 --> 0:34:02.400
<v Speaker 1>you're my person, you're my person, that's it. And well,

0:34:02.520 --> 0:34:04.760
<v Speaker 1>I also you really just have to be on the

0:34:04.840 --> 0:34:07.400
<v Speaker 1>same page. Like I don't care if Mike Pens and

0:34:07.520 --> 0:34:10.520
<v Speaker 1>his wife want to do they're thing that I think

0:34:10.560 --> 0:34:12.319
<v Speaker 1>it's kind of weird for he's not allowed to talk

0:34:12.360 --> 0:34:14.120
<v Speaker 1>to other women, and I'm sure she's not allowed to

0:34:14.160 --> 0:34:16.080
<v Speaker 1>talk to other men. And they're calling each other mother

0:34:16.160 --> 0:34:18.279
<v Speaker 1>and father. Okay, it's weird to me. It's not what

0:34:18.400 --> 0:34:21.279
<v Speaker 1>i'd want for my marriage. But it seems like they're

0:34:21.320 --> 0:34:23.200
<v Speaker 1>both very much on the same page and that makes

0:34:23.280 --> 0:34:25.360
<v Speaker 1>them happy. But so I think I think I'm speaking

0:34:25.360 --> 0:34:27.880
<v Speaker 1>a little more abstractly where it's not about the actual

0:34:28.040 --> 0:34:31.360
<v Speaker 1>nature of monogamy. It's the nature of strong feelings for

0:34:31.520 --> 0:34:34.640
<v Speaker 1>anything and a possessiveness. Then like, even if it's not

0:34:34.840 --> 0:34:37.160
<v Speaker 1>like cheating, it's like if the person die, like there's

0:34:37.200 --> 0:34:41.239
<v Speaker 1>a loss and and and there's pain and loving something. Yeah,

0:34:41.560 --> 0:34:44.719
<v Speaker 1>well there's family to family is a kind of love. Yeah.

0:34:44.880 --> 0:34:48.640
<v Speaker 1>I think they're also is that this is this is

0:34:48.880 --> 0:34:52.479
<v Speaker 1>last about all that. Yeah, it's more about familial love

0:34:52.800 --> 0:34:58.040
<v Speaker 1>and romantic love, and those two things inherently as perfect

0:34:58.120 --> 0:35:01.080
<v Speaker 1>and healthy as they it can be in the most

0:35:01.160 --> 0:35:05.280
<v Speaker 1>healthy version, there is grief involved in those relationships, because

0:35:05.800 --> 0:35:08.839
<v Speaker 1>if it's not through a divorce or a breakup, it's

0:35:08.880 --> 0:35:12.600
<v Speaker 1>through someone dying or like with a child, it's them

0:35:13.120 --> 0:35:16.040
<v Speaker 1>moving away, you know, like there's there's so much grief

0:35:16.160 --> 0:35:21.360
<v Speaker 1>because the feelings are so intense, and that this society

0:35:21.560 --> 0:35:26.960
<v Speaker 1>has gotten rid of those griefs and losses in and

0:35:27.120 --> 0:35:31.520
<v Speaker 1>but they've also gotten rid of deep, meaningful love. I mean,

0:35:31.600 --> 0:35:34.399
<v Speaker 1>Dorothy Parker has this great quote where she says, it's

0:35:34.440 --> 0:35:36.839
<v Speaker 1>so easy to be sweet to people until you love them,

0:35:37.680 --> 0:35:40.920
<v Speaker 1>And I think that's true. I would never speak to

0:35:41.080 --> 0:35:43.359
<v Speaker 1>like my postman the way I spoke to my mother

0:35:43.480 --> 0:35:45.600
<v Speaker 1>when I was fifteen, when I told her that she

0:35:45.680 --> 0:35:49.440
<v Speaker 1>was like full on destroying my life. Um, like it is.

0:35:50.440 --> 0:35:53.520
<v Speaker 1>And you know, if if somebody killed my husband, I

0:35:53.600 --> 0:35:56.120
<v Speaker 1>would want to hunt them down and kill them. Those

0:35:56.160 --> 0:36:00.160
<v Speaker 1>are not civilized rational feelings that lead to everybody is

0:36:00.200 --> 0:36:03.880
<v Speaker 1>happiness and well being. And my biggest fear is my

0:36:04.160 --> 0:36:07.280
<v Speaker 1>parents dying, and like that is that rue that ruins

0:36:07.360 --> 0:36:10.000
<v Speaker 1>my life, the thought of that, And yeah, that is

0:36:10.080 --> 0:36:12.440
<v Speaker 1>a pain because I have something good and I don't

0:36:12.480 --> 0:36:15.240
<v Speaker 1>want it to go away. I just want to speak

0:36:15.280 --> 0:36:19.279
<v Speaker 1>to grief. And I think that having community is what

0:36:19.480 --> 0:36:22.719
<v Speaker 1>makes grief bearable and what makes grief something that can

0:36:22.840 --> 0:36:26.480
<v Speaker 1>be compatible with civilization, because it's like the moment when

0:36:27.080 --> 0:36:29.520
<v Speaker 1>some you have somebody in your life die and we

0:36:29.600 --> 0:36:31.960
<v Speaker 1>talked about this um or we don't talk about it,

0:36:32.040 --> 0:36:34.839
<v Speaker 1>but it comes up in the hate you give. How

0:36:35.080 --> 0:36:39.480
<v Speaker 1>everybody comes together after Khalil's death and they're all there

0:36:39.520 --> 0:36:41.640
<v Speaker 1>for each other to support each other in this terrible

0:36:41.640 --> 0:36:43.960
<v Speaker 1>time where somebody has taken too soon. And I think

0:36:44.080 --> 0:36:48.840
<v Speaker 1>that the problem with John losing Linda is that there's

0:36:48.920 --> 0:36:51.759
<v Speaker 1>no template for it. They're like, why are you like

0:36:51.920 --> 0:36:55.360
<v Speaker 1>this eating a Claire have some soma, Like it's not

0:36:55.520 --> 0:36:59.120
<v Speaker 1>that deep. People die, and because I think it's just

0:36:59.200 --> 0:37:01.759
<v Speaker 1>two world views being incompatible. So it is about, like

0:37:01.960 --> 0:37:05.160
<v Speaker 1>Jen just said, being on the same page. I really

0:37:05.239 --> 0:37:07.360
<v Speaker 1>like the quote that John says in his sort of

0:37:07.440 --> 0:37:10.440
<v Speaker 1>like monologue towards me Stop Amount where he's quoting the

0:37:10.520 --> 0:37:13.440
<v Speaker 1>one book he's read and he's talking about Hamlet and

0:37:13.560 --> 0:37:16.120
<v Speaker 1>he says like, you know, to bear the slings narrows

0:37:16.120 --> 0:37:18.160
<v Speaker 1>aboutrage of sports, and he's like, well, you just made

0:37:18.280 --> 0:37:20.719
<v Speaker 1>instead of bearing it, you just do away with the

0:37:20.760 --> 0:37:24.040
<v Speaker 1>slings narrow So it's like, I totally, Karama, You're totally right.

0:37:24.080 --> 0:37:28.120
<v Speaker 1>Like our society has come up with ways to cope

0:37:28.200 --> 0:37:32.440
<v Speaker 1>with that grief through like communities, and they're just like, well,

0:37:32.560 --> 0:37:36.120
<v Speaker 1>what if we just didn't. I was so mad when

0:37:36.160 --> 0:37:39.640
<v Speaker 1>he did that quote because he misquoted it, and I was, yeah,

0:37:39.719 --> 0:37:41.319
<v Speaker 1>I had to double check because I was like, look,

0:37:41.760 --> 0:37:44.279
<v Speaker 1>I don't know much, but I know to be or

0:37:44.320 --> 0:37:48.080
<v Speaker 1>not to be when I used to work out. Hello, well, um,

0:37:48.280 --> 0:37:50.320
<v Speaker 1>I used to recite to be or not to be

0:37:50.440 --> 0:37:52.560
<v Speaker 1>when I was on the rowing machine so that it

0:37:52.560 --> 0:37:56.000
<v Speaker 1>would feel less traumatic. I'm making a face, Karama. That

0:37:56.120 --> 0:38:00.160
<v Speaker 1>is the most taps concentrator ship I've ever happened, where

0:38:00.320 --> 0:38:03.239
<v Speaker 1>I'm sorry. It's something that I remembered that I knew

0:38:03.320 --> 0:38:05.719
<v Speaker 1>well that I could go through. And he says whether

0:38:05.800 --> 0:38:08.799
<v Speaker 1>tis in the book all this? Huxley says whether tis better?

0:38:08.920 --> 0:38:13.840
<v Speaker 1>And I was like, tis nobler? Motherfucker. I was like,

0:38:14.000 --> 0:38:16.200
<v Speaker 1>that's wrong and I checked. It was like, there's no

0:38:16.480 --> 0:38:20.280
<v Speaker 1>version of this that would have been really an amazing

0:38:20.360 --> 0:38:24.279
<v Speaker 1>power move. At the end of Bernard's speech must Off,

0:38:24.400 --> 0:38:31.040
<v Speaker 1>it was like, tis nobler, Oh my gosh, Mike drop

0:38:31.640 --> 0:38:34.040
<v Speaker 1>if I wrote that TV show, That's what I would Uh,

0:38:34.640 --> 0:38:38.960
<v Speaker 1>That's what I would do. Is kind of dumb. John

0:38:39.040 --> 0:38:41.600
<v Speaker 1>is definitely dumb, but I think he could he not

0:38:41.760 --> 0:38:45.800
<v Speaker 1>be also because he doesn't. I mean he formulates his

0:38:45.920 --> 0:38:48.600
<v Speaker 1>arguments well, but the fact that he thinks the solution

0:38:48.840 --> 0:38:52.879
<v Speaker 1>is just go into a forest and pray all day

0:38:52.920 --> 0:38:56.160
<v Speaker 1>on his knees, Like, that's not a productive use of

0:38:56.239 --> 0:38:59.799
<v Speaker 1>your energy. Also, I don't think that's also a weird narcissism,

0:39:00.000 --> 0:39:04.399
<v Speaker 1>a weird distraction. Absolutely, he became very bernard like by

0:39:04.480 --> 0:39:06.839
<v Speaker 1>the end, well, and like he had never really been

0:39:06.920 --> 0:39:10.160
<v Speaker 1>shown much kindness except for that one old man at

0:39:10.200 --> 0:39:14.200
<v Speaker 1>the reservation, and no one really taught him anything, like

0:39:14.280 --> 0:39:16.320
<v Speaker 1>he had been taught how to read, but not to

0:39:16.520 --> 0:39:20.960
<v Speaker 1>comprehend fully what he's reading. And I think that so, like, genuinely,

0:39:21.040 --> 0:39:23.840
<v Speaker 1>how could he not be bad at formulating arguments and

0:39:23.920 --> 0:39:27.040
<v Speaker 1>bad at making these connections like he has he is learning,

0:39:27.080 --> 0:39:30.279
<v Speaker 1>but he has no education. Well, that's almost the most

0:39:30.360 --> 0:39:32.759
<v Speaker 1>interesting thing to me. As also, as we said, there's

0:39:32.800 --> 0:39:35.279
<v Speaker 1>no protagonist in this book, like John is not a hero,

0:39:35.520 --> 0:39:37.880
<v Speaker 1>and again he murders Learning at the end, and if

0:39:37.920 --> 0:39:43.360
<v Speaker 1>he doesn't, he maims her. But in a less nuanced

0:39:43.520 --> 0:39:46.960
<v Speaker 1>or maybe even more modern dystopian book, usually there is

0:39:47.000 --> 0:39:50.440
<v Speaker 1>a character who's meant to be like an audience placeholder,

0:39:50.680 --> 0:39:53.560
<v Speaker 1>who always is like voicing things as if they're the

0:39:53.640 --> 0:39:56.040
<v Speaker 1>reader from our world who just came into that world,

0:39:56.320 --> 0:39:58.520
<v Speaker 1>you know, like Catanus and Hunger games, being like this

0:39:58.760 --> 0:40:02.680
<v Speaker 1>is wrong, we shouldn't have hunger games. Like yeah, they

0:40:02.719 --> 0:40:05.600
<v Speaker 1>shouldn't have a Hunger game right where it's like someone

0:40:06.080 --> 0:40:10.560
<v Speaker 1>who's like predor naturally wise and has a perspective on it.

0:40:11.320 --> 0:40:15.560
<v Speaker 1>So none of these characters have perspective on their society. Honestly,

0:40:15.640 --> 0:40:18.040
<v Speaker 1>I think the only one that does is missed off

0:40:18.080 --> 0:40:21.719
<v Speaker 1>a mom mom, because completely saw that he knew the

0:40:21.800 --> 0:40:24.640
<v Speaker 1>old world. And whether you know, you agree with him

0:40:24.760 --> 0:40:29.080
<v Speaker 1>or not about this dystopia, he gets both sides, Like

0:40:29.200 --> 0:40:33.400
<v Speaker 1>he understands the benefits of not being in the society

0:40:33.640 --> 0:40:36.640
<v Speaker 1>and having romantic love and art, but he like I

0:40:36.800 --> 0:40:40.760
<v Speaker 1>chose not to, which makes his position as the resident

0:40:40.840 --> 0:40:47.279
<v Speaker 1>world controller pretty diabolical. Yes, absolutely, the fact that he

0:40:47.400 --> 0:40:51.359
<v Speaker 1>can just sit there and talk to John about oh yeah,

0:40:51.400 --> 0:40:53.279
<v Speaker 1>I see your side of things, and I saw it

0:40:53.400 --> 0:40:56.879
<v Speaker 1>from that perspective as well, And he probably maybe would

0:40:56.880 --> 0:40:58.799
<v Speaker 1>have ended up in the same position as John if

0:40:58.840 --> 0:41:02.640
<v Speaker 1>he just didn't wasn't offered a position of power. Well,

0:41:02.719 --> 0:41:04.759
<v Speaker 1>that's sort of the scary thing is when you have

0:41:04.920 --> 0:41:08.960
<v Speaker 1>someone like Mustafa Mound looking at a population and saying like,

0:41:09.239 --> 0:41:11.759
<v Speaker 1>all right, we will predestined that everyone just lives a

0:41:11.840 --> 0:41:15.160
<v Speaker 1>comfortable life and lives and does their job and plays

0:41:15.200 --> 0:41:17.640
<v Speaker 1>golf and dies. You're like, well, why are these people

0:41:17.719 --> 0:41:19.920
<v Speaker 1>even living? It's like an ant colony, Like you could

0:41:19.960 --> 0:41:22.120
<v Speaker 1>just kill Like if your life is just like a

0:41:22.239 --> 0:41:27.360
<v Speaker 1>meaningless array of soma pleasantries, Like what is the difference

0:41:27.440 --> 0:41:29.279
<v Speaker 1>between that and life and death? Like if to me

0:41:29.440 --> 0:41:32.720
<v Speaker 1>it reads as Mustafa mind, like playing with an ant colony,

0:41:33.160 --> 0:41:37.279
<v Speaker 1>And that's what to me. I mean, maybe this is interpretation,

0:41:37.400 --> 0:41:41.040
<v Speaker 1>but like propping up billionaires and making them to you

0:41:41.160 --> 0:41:44.080
<v Speaker 1>to be rich and have their machines run and they

0:41:44.280 --> 0:41:47.080
<v Speaker 1>buy their clothes and their soma and their perfumes and

0:41:47.120 --> 0:41:51.080
<v Speaker 1>their feelies and and their mechanical golf and whatever that

0:41:51.239 --> 0:41:54.200
<v Speaker 1>like they need all those people to do that because

0:41:55.560 --> 0:42:00.760
<v Speaker 1>that He even mentions like the iceberg as the perfect

0:42:00.840 --> 0:42:03.879
<v Speaker 1>example of what the society is that like the tip

0:42:04.160 --> 0:42:06.759
<v Speaker 1>is that like at the very top, I was like,

0:42:06.840 --> 0:42:09.279
<v Speaker 1>your numbers are wrong. He was like, it was like

0:42:11.200 --> 0:42:13.879
<v Speaker 1>one night about the water, eight nights below the water.

0:42:14.080 --> 0:42:15.960
<v Speaker 1>But I think it's because I had like nine pasts

0:42:16.680 --> 0:42:20.360
<v Speaker 1>or something. Maybe the wealth disparity was less less crazy,

0:42:21.600 --> 0:42:23.800
<v Speaker 1>because now it is. But it did feel like he

0:42:23.920 --> 0:42:27.920
<v Speaker 1>was describing late stage capitalism for sure. I wanted to

0:42:28.000 --> 0:42:31.000
<v Speaker 1>talk about the epigram, the quote at the beginning, the

0:42:31.040 --> 0:42:33.880
<v Speaker 1>epigraph or epigram, which one is it? Um? I think

0:42:33.920 --> 0:42:37.520
<v Speaker 1>it's the epigraph. Yes, the epigraph, a word that I

0:42:37.680 --> 0:42:42.200
<v Speaker 1>knew for sure. Um. So it's in French um which

0:42:42.560 --> 0:42:45.160
<v Speaker 1>in French. I was one of my teachers force um,

0:42:45.320 --> 0:42:47.640
<v Speaker 1>so I just have to give me a French No.

0:42:48.719 --> 0:42:50.560
<v Speaker 1>I definitely had to use Google Translate to get some

0:42:50.600 --> 0:42:52.560
<v Speaker 1>of this though, because I was like, it's been a while,

0:42:52.880 --> 0:42:58.680
<v Speaker 1>but it basically boils down to um. Utopias are basically

0:42:59.120 --> 0:43:04.439
<v Speaker 1>becoming more realizable then we believed before, and we find

0:43:04.480 --> 0:43:09.080
<v Speaker 1>ourselves actually in front of a more um agonizing question,

0:43:09.200 --> 0:43:13.960
<v Speaker 1>which is, how do we avoid the definitive realization of Utopia's?

0:43:14.280 --> 0:43:20.840
<v Speaker 1>Utopias are realistic life marches towards utopias, and maybe in

0:43:21.280 --> 0:43:24.640
<v Speaker 1>a in the beginning of a new century, a century

0:43:25.120 --> 0:43:30.440
<v Speaker 1>where intellectuals and the cultivate, cultivated class can dream of

0:43:30.520 --> 0:43:33.320
<v Speaker 1>a method of avoiding the utopias, we can return to

0:43:33.400 --> 0:43:37.080
<v Speaker 1>a society non a non utopian society, less perfect and

0:43:37.200 --> 0:43:40.880
<v Speaker 1>more free. And I think that that's a really interesting

0:43:41.600 --> 0:43:43.840
<v Speaker 1>like little summary of the book and the idea of

0:43:44.280 --> 0:43:48.279
<v Speaker 1>less perfect and more free and interesting that we are

0:43:48.360 --> 0:43:51.320
<v Speaker 1>trying to form a more perfect union. I think that

0:43:51.680 --> 0:43:56.520
<v Speaker 1>have any of you read? Yeah, so that's another That's

0:43:56.560 --> 0:43:59.279
<v Speaker 1>another book that is sort of compared to this a lot,

0:43:59.400 --> 0:44:01.360
<v Speaker 1>because you know they I think that was written in

0:44:01.440 --> 0:44:05.479
<v Speaker 1>the fifties, but like similar, similar eras and and both

0:44:06.239 --> 0:44:08.800
<v Speaker 1>dystopi into a degree. Even though nineteen four is like

0:44:08.880 --> 0:44:13.040
<v Speaker 1>objectively a full totalitarian government, I would argue that, you know,

0:44:13.120 --> 0:44:15.920
<v Speaker 1>Brave New World is equally totalitarian, but just like more

0:44:16.000 --> 0:44:19.279
<v Speaker 1>pleasant where it's like the defectors in Brave New World

0:44:19.560 --> 0:44:21.400
<v Speaker 1>when you're different, you just like go to the Falkland

0:44:21.440 --> 0:44:23.680
<v Speaker 1>island and they're like great, we're in like breat In nine.

0:44:24.239 --> 0:44:27.120
<v Speaker 1>They like torture you with rat which is bad. Um

0:44:27.440 --> 0:44:33.560
<v Speaker 1>yea difference rats are islands. Yeah, it's interesting. Mustafa does

0:44:33.719 --> 0:44:37.000
<v Speaker 1>talk about that that like force, that they tried to

0:44:37.560 --> 0:44:40.239
<v Speaker 1>kill people like you do this through force and fear

0:44:40.920 --> 0:44:44.360
<v Speaker 1>and it didn't work, like it could just cause civil

0:44:44.520 --> 0:44:46.800
<v Speaker 1>unrest and they're like, oh no, we can't have that.

0:44:47.000 --> 0:44:49.200
<v Speaker 1>And I thought that was really interesting. And that's how

0:44:49.320 --> 0:44:52.880
<v Speaker 1>you know that this is like every piece of this

0:44:53.280 --> 0:44:57.120
<v Speaker 1>is designed by very evil people because they just want

0:44:57.200 --> 0:45:00.560
<v Speaker 1>to control the masses. It's just that, like what is it,

0:45:00.760 --> 0:45:07.880
<v Speaker 1>you get get more flies with honey? Civil civil unrest

0:45:08.040 --> 0:45:13.799
<v Speaker 1>like inspires heroism, you know what inspires glory? When really

0:45:13.880 --> 0:45:16.360
<v Speaker 1>kissed me off about the misquoted Shakespeare was because he

0:45:16.440 --> 0:45:19.000
<v Speaker 1>had just been talking about being noble and then he

0:45:19.080 --> 0:45:21.880
<v Speaker 1>didn't even say the word noble where it was in

0:45:22.000 --> 0:45:24.760
<v Speaker 1>the text. Like I was a big man about this tongue.

0:45:25.239 --> 0:45:28.239
<v Speaker 1>But I think I used to public speaking. That's I mean,

0:45:28.320 --> 0:45:30.480
<v Speaker 1>he's pretty private at that point. I think it's interesting

0:45:30.600 --> 0:45:34.440
<v Speaker 1>that Mustafaman's last name is world in French. He's like

0:45:34.520 --> 0:45:37.160
<v Speaker 1>born to be the world's controller. Again, I took French.

0:45:37.200 --> 0:45:42.680
<v Speaker 1>I don't know if you all knew I did. Like

0:45:42.800 --> 0:45:44.680
<v Speaker 1>the little came as of all the of all the

0:45:44.760 --> 0:45:49.480
<v Speaker 1>people with their with their names like um, the Malthusian belts,

0:45:49.640 --> 0:45:55.200
<v Speaker 1>which is like the reproduction. But malthest is the the

0:45:55.400 --> 0:45:58.399
<v Speaker 1>economist who talks about population and growth. So that makes

0:45:58.440 --> 0:46:03.080
<v Speaker 1>sense that like to limit, just like Alice is like

0:46:03.160 --> 0:46:04.759
<v Speaker 1>look at all the people. I know, I went to

0:46:06.480 --> 0:46:09.560
<v Speaker 1>major and he did. He didn't even have Google. He

0:46:09.719 --> 0:46:12.120
<v Speaker 1>did not that's impressive. They were just up there in

0:46:12.200 --> 0:46:16.719
<v Speaker 1>his noggin, but apparently not the correct version of to

0:46:16.880 --> 0:46:21.560
<v Speaker 1>be or not to be. It was late in the book. Yeah,

0:46:21.880 --> 0:46:27.960
<v Speaker 1>John is one book, his entire fucking life. Editor, I

0:46:28.120 --> 0:46:31.400
<v Speaker 1>blame Elvis's editors. That's fair. Whoever you are, all this

0:46:31.600 --> 0:46:33.239
<v Speaker 1>is editor. I hope you hear this from beyond the

0:46:33.280 --> 0:46:36.960
<v Speaker 1>grave and you're ashamed of yourself. I bet they are.

0:46:37.080 --> 0:46:39.759
<v Speaker 1>I bet they're hearing it being like we know it's

0:46:39.840 --> 0:46:42.760
<v Speaker 1>really it's one regret. That's why I'm stuck on earth

0:46:42.840 --> 0:46:46.200
<v Speaker 1>because it's my unfinished we talk about the show at all.

0:46:46.840 --> 0:46:48.320
<v Speaker 1>I was about to say most of us did not

0:46:48.400 --> 0:46:50.640
<v Speaker 1>watch the show. The one thing that came up in

0:46:50.680 --> 0:46:52.440
<v Speaker 1>the text chat that I want to bring up is

0:46:53.000 --> 0:47:00.279
<v Speaker 1>actress Demi Moore playing Linda. Yeah, because Demi Demi is

0:47:00.360 --> 0:47:04.399
<v Speaker 1>the antithesis of human age. She's the opposite of human Yeah,

0:47:04.480 --> 0:47:06.160
<v Speaker 1>don't worry to make her into a sex symbol on

0:47:06.200 --> 0:47:09.400
<v Speaker 1>the show. Also, she doesn't like to to die slowly

0:47:09.640 --> 0:47:14.440
<v Speaker 1>by taking soma she's shot is she heroically gets her

0:47:14.520 --> 0:47:16.719
<v Speaker 1>son to safety so he can go back to the

0:47:18.040 --> 0:47:21.680
<v Speaker 1>or likes her as just like this, this like tragic

0:47:21.800 --> 0:47:26.680
<v Speaker 1>figure It was really interesting because in the show, the

0:47:26.920 --> 0:47:31.200
<v Speaker 1>Savage Area is an amusement park. It's not a reservation.

0:47:32.160 --> 0:47:36.000
<v Speaker 1>They love West World, it's our West World, but like

0:47:36.360 --> 0:47:39.880
<v Speaker 1>it's got real quote unquote savages. But they're all like, um,

0:47:41.040 --> 0:47:44.279
<v Speaker 1>they're all working class white people, what some might call

0:47:44.360 --> 0:47:48.240
<v Speaker 1>trailer trash. Is what is the that's the like vibe

0:47:48.640 --> 0:47:55.600
<v Speaker 1>like that. But they're also if you like, yeah, yeah,

0:47:55.840 --> 0:47:58.680
<v Speaker 1>it's exactly like that. But that's also interesting because then

0:47:58.719 --> 0:48:01.200
<v Speaker 1>those people are also are they familiar with Do they

0:48:01.280 --> 0:48:03.480
<v Speaker 1>know they're in a theme park? Yes? And it's like

0:48:03.600 --> 0:48:07.920
<v Speaker 1>they're just we're that's weird because then they know about

0:48:07.960 --> 0:48:12.360
<v Speaker 1>the outside world exactly though some force field that prevents

0:48:12.440 --> 0:48:14.520
<v Speaker 1>them from going out. I just watched the first episode,

0:48:14.520 --> 0:48:19.040
<v Speaker 1>the first two episodes are free um, and I like

0:48:19.400 --> 0:48:22.200
<v Speaker 1>it was very weird because basically they were like, oh,

0:48:22.840 --> 0:48:25.600
<v Speaker 1>the regular people are not regularly. They didn't say regular,

0:48:25.680 --> 0:48:28.440
<v Speaker 1>but the people from New London can walk in and

0:48:28.480 --> 0:48:29.960
<v Speaker 1>out of that blue force field and it makes you

0:48:30.000 --> 0:48:32.759
<v Speaker 1>wonder if they're even human. And I was like, wait,

0:48:33.280 --> 0:48:36.000
<v Speaker 1>are they human? What is this blue force field? What's

0:48:36.040 --> 0:48:39.200
<v Speaker 1>going on? When a lot of stuff happens in the

0:48:39.280 --> 0:48:41.920
<v Speaker 1>TV show that's not happened in the book. A lot

0:48:42.000 --> 0:48:44.440
<v Speaker 1>of it is not good to someone really had to

0:48:44.520 --> 0:48:48.239
<v Speaker 1>take some things that I do enjoy less racist off

0:48:48.320 --> 0:48:51.600
<v Speaker 1>the bat, A lot of people of color characters seems

0:48:51.680 --> 0:48:55.120
<v Speaker 1>like they are not They're not like mixing the They're

0:48:55.160 --> 0:48:57.680
<v Speaker 1>mixing the casts up a little bit more. The C

0:48:57.880 --> 0:49:01.480
<v Speaker 1>A S T E casts, not B C A st cast. Um,

0:49:03.320 --> 0:49:08.960
<v Speaker 1>Henry's Asian. Okay, so everybody's sexually fluid. So everybody everyone

0:49:09.080 --> 0:49:13.320
<v Speaker 1>truly belongs to everyone else. Yeah, um, yeah, so Henry's Asian.

0:49:13.719 --> 0:49:17.720
<v Speaker 1>Franny is black. Um. And then we already talked briefly

0:49:17.760 --> 0:49:22.680
<v Speaker 1>about how Helmholtz is a woman named Wilhelmina. So Holm

0:49:23.000 --> 0:49:26.080
<v Speaker 1>for sure does she is. She's still like a hot commodity.

0:49:26.520 --> 0:49:32.839
<v Speaker 1>She's she's the Andy Warhole. She's doing Andy warhol because

0:49:32.880 --> 0:49:35.560
<v Speaker 1>she wears the silver with yea this little haircut that she's.

0:49:37.280 --> 0:49:39.080
<v Speaker 1>I don't think I saw him in the first episode.

0:49:39.080 --> 0:49:42.239
<v Speaker 1>I I did look at the IMDb, and I think

0:49:42.320 --> 0:49:45.920
<v Speaker 1>Mustafa is that they gender flipped that character too. I

0:49:46.040 --> 0:49:51.160
<v Speaker 1>think dystopian modern dystopians love like a steely woman to

0:49:51.280 --> 0:49:53.920
<v Speaker 1>be in church. That's like the new trend of like

0:49:54.080 --> 0:49:56.160
<v Speaker 1>a woman in a gray suit. Oh yeah, it's like

0:49:56.239 --> 0:50:00.400
<v Speaker 1>totally Kate Winslett and Divergent, Yes, and from You and

0:50:01.960 --> 0:50:06.640
<v Speaker 1>Julianne Moore. Yeah yeah, I think that or Tillington and

0:50:07.480 --> 0:50:15.160
<v Speaker 1>Snow Piercer. Oh yeah, I love Snow for fun. That's

0:50:15.160 --> 0:50:18.840
<v Speaker 1>a that's a good dystopia. That's a fun dystopia. All right,

0:50:19.080 --> 0:50:23.239
<v Speaker 1>they're making it into a TV. Before we leave, let's

0:50:23.280 --> 0:50:24.960
<v Speaker 1>go around and say, if you had to live in

0:50:25.080 --> 0:50:28.120
<v Speaker 1>a dystopia, you have to live in it. You which one?

0:50:28.280 --> 0:50:31.640
<v Speaker 1>What do you want to live in? Wait? Do I

0:50:31.719 --> 0:50:35.520
<v Speaker 1>get to choose? Like? Can I in charge? No, You're

0:50:35.560 --> 0:50:37.759
<v Speaker 1>not in charge. You're just a citizen. It can be

0:50:37.760 --> 0:50:39.840
<v Speaker 1>a book, TV show, anything, but we all have to

0:50:39.960 --> 0:50:42.680
<v Speaker 1>sort of collectively agree to dystopia. What about the one

0:50:42.719 --> 0:50:46.279
<v Speaker 1>we're in now? I just think it's clever, But now,

0:50:48.560 --> 0:50:52.879
<v Speaker 1>oh this one is hot. It's hard, Okay. I mean

0:50:53.160 --> 0:50:56.240
<v Speaker 1>I think, Um, if we lift in the Hunger Games,

0:50:56.480 --> 0:51:01.040
<v Speaker 1>we live in America, and um, you know we live

0:51:01.080 --> 0:51:03.480
<v Speaker 1>in wealthy parts of America, we would definitely live in

0:51:03.560 --> 0:51:06.960
<v Speaker 1>the capital. I doesn't feel bad about the games going on,

0:51:07.520 --> 0:51:10.440
<v Speaker 1>but the clothing is very good. We could have like

0:51:10.520 --> 0:51:13.440
<v Speaker 1>a protest. That is also true where it's like we

0:51:13.600 --> 0:51:16.560
<v Speaker 1>are the coastal elites. And also in the Hunger Games,

0:51:16.600 --> 0:51:21.120
<v Speaker 1>it's it's only ten eleven. Oh, you're not even going

0:51:21.160 --> 0:51:28.120
<v Speaker 1>to come to my capital, lady pro it's tunny, so correct,

0:51:29.080 --> 0:51:33.600
<v Speaker 1>I bet you there are the protests were going afterwards.

0:51:33.719 --> 0:51:36.319
<v Speaker 1>I'll come to the protest, but I'll be like you, look,

0:51:36.360 --> 0:51:38.319
<v Speaker 1>as long as if it keeps everyone. There's a lot

0:51:38.360 --> 0:51:43.359
<v Speaker 1>of deaths now, a lot of kids die. Be clear, kids,

0:51:44.680 --> 0:51:52.160
<v Speaker 1>you're going to be moderate conservatives. I don't say that.

0:51:52.880 --> 0:51:55.239
<v Speaker 1>I think I choose to live in the purge. Can

0:51:55.280 --> 0:52:02.080
<v Speaker 1>I live in the purge? Yeah? I don't scar. I

0:52:03.520 --> 0:52:05.200
<v Speaker 1>I was that's what I was gonna do West World,

0:52:05.320 --> 0:52:08.480
<v Speaker 1>because especially are you a robot or are you a person?

0:52:09.200 --> 0:52:12.919
<v Speaker 1>Either one? There they are benefits. The robots don't ever

0:52:13.160 --> 0:52:16.480
<v Speaker 1>remember anything and then eventually suprising, and that seems very

0:52:16.520 --> 0:52:20.839
<v Speaker 1>fun the robots or whatever if robots, but if you're

0:52:20.920 --> 0:52:23.800
<v Speaker 1>a human. But as a woman visitor, I feel like

0:52:23.920 --> 0:52:26.680
<v Speaker 1>the men visitors are terrible, but the women visitors just

0:52:27.760 --> 0:52:31.799
<v Speaker 1>a saloon like flirt with James Morriston. And I'm saying,

0:52:32.520 --> 0:52:35.040
<v Speaker 1>what about friends? When the robot uprising happens and you're

0:52:35.040 --> 0:52:38.200
<v Speaker 1>a human well, yeah, you would know I was already friends. Yeah,

0:52:38.200 --> 0:52:41.560
<v Speaker 1>we were friends with the robots. We wouldn't be like

0:52:41.880 --> 0:52:46.120
<v Speaker 1>we're Yeah, m if I'm just a regular person, I

0:52:46.239 --> 0:52:50.000
<v Speaker 1>either choose the Purge or Dollhouse, because in Dollhouse, I

0:52:50.040 --> 0:52:53.680
<v Speaker 1>would be a regular person unaffiliated with the Dollhouse. I

0:52:53.719 --> 0:52:56.360
<v Speaker 1>would not be rich enough to partake at the Dollhouse.

0:52:56.640 --> 0:52:59.319
<v Speaker 1>I don't think that I am like conventionally hot enough

0:52:59.360 --> 0:53:01.840
<v Speaker 1>to be a doll So I'm just like a person

0:53:01.920 --> 0:53:09.719
<v Speaker 1>in Los Angeles. Yeah, you know, I think I did

0:53:09.760 --> 0:53:11.560
<v Speaker 1>you guys ever read The Giver when you were a kid?

0:53:12.120 --> 0:53:14.200
<v Speaker 1>Of course? Yeah, I think I know that that's a

0:53:14.280 --> 0:53:17.480
<v Speaker 1>dystopia where like colors don't exist in like strong sexual

0:53:17.560 --> 0:53:21.000
<v Speaker 1>feelings don't exist, but like they're all emotionally healthy and

0:53:21.120 --> 0:53:25.000
<v Speaker 1>your family and you like talk about your day. They

0:53:25.080 --> 0:53:30.640
<v Speaker 1>kill all the twins, do they they have to murder? Yeah?

0:53:33.000 --> 0:53:40.520
<v Speaker 1>God is not I said it happened. Yeah, I was like,

0:53:40.680 --> 0:53:44.280
<v Speaker 1>it has to be a dystopia. Westly slaves sentient beings

0:53:44.600 --> 0:53:47.200
<v Speaker 1>or I mean, honestly, runner up would be bring the

0:53:47.320 --> 0:53:50.000
<v Speaker 1>World and that's sent to one of the tropical islands.

0:53:50.480 --> 0:53:58.680
<v Speaker 1>Oh wait, I might be changing my opinion, which one,

0:53:58.719 --> 0:54:02.360
<v Speaker 1>would you be the bottom? Actually, stufford Wives would be

0:54:02.400 --> 0:54:04.439
<v Speaker 1>great if you just like, don't live in Connecticut because

0:54:04.480 --> 0:54:12.200
<v Speaker 1>I know man like I like, Oh jen Jennifer, Jennifer,

0:54:12.719 --> 0:54:19.520
<v Speaker 1>Oh Jennifer, this is worse than making pies. It is

0:54:20.360 --> 0:54:25.000
<v Speaker 1>Christians decorations. Jennifer. I would purchase shut out of you.

0:54:28.360 --> 0:54:32.480
<v Speaker 1>You're going to be the first courage. The great thing

0:54:32.520 --> 0:54:34.919
<v Speaker 1>about the purchase you get to save up for three

0:54:35.000 --> 0:54:37.759
<v Speaker 1>hundred and sixty four days all of the rage that

0:54:37.880 --> 0:54:41.840
<v Speaker 1>you have and then directed whoever ye with no consequences.

0:54:42.160 --> 0:54:44.799
<v Speaker 1>But every year definitely gets worse because they probably killed

0:54:44.840 --> 0:54:47.279
<v Speaker 1>someone you loved last year, so now you've got to

0:54:47.320 --> 0:54:50.160
<v Speaker 1>go run. And here's the other here's the other upside

0:54:50.239 --> 0:54:53.239
<v Speaker 1>of the purge. All laws cease to exist on the

0:54:53.360 --> 0:54:56.640
<v Speaker 1>night of the purge, which means like doing community gardens.

0:54:56.640 --> 0:55:01.040
<v Speaker 1>I was like, not allowed unity gardens. Yeah, no, no,

0:55:02.760 --> 0:55:06.840
<v Speaker 1>laws that are dumb extortion. I would extort people are

0:55:06.960 --> 0:55:10.560
<v Speaker 1>going to we're going into purge discussion. This is too far.

0:55:10.640 --> 0:55:13.120
<v Speaker 1>I'm very sweaty. I was like, I would build something

0:55:13.160 --> 0:55:17.959
<v Speaker 1>in my backyard without a proper permit. Yeah, I would

0:55:18.000 --> 0:55:21.440
<v Speaker 1>park on the street. Sweeping side of the happens on

0:55:21.520 --> 0:55:27.280
<v Speaker 1>the first I'm not paying rent. Uh, this was a delight.

0:55:27.400 --> 0:55:29.759
<v Speaker 1>Thank you Jennifer, tan Mellis and Grandma for joining me.

0:55:30.680 --> 0:55:33.560
<v Speaker 1>Brave New World is a series on Peacock if you want.

0:55:33.640 --> 0:55:36.719
<v Speaker 1>But it sounds like it is not similar to the book. Uh,

0:55:38.680 --> 0:55:40.560
<v Speaker 1>it has the bones of the book. I'm going to

0:55:40.600 --> 0:55:42.359
<v Speaker 1>say it has the bones of the book, but it's

0:55:42.360 --> 0:55:49.640
<v Speaker 1>got a real different muscles. That's our show for the week.

0:55:49.760 --> 0:55:52.360
<v Speaker 1>Thank you so much for listening. I'm Danis Schwartz and

0:55:52.440 --> 0:55:54.600
<v Speaker 1>you can find me on Twitter at Danis Schwartz with

0:55:54.760 --> 0:55:57.640
<v Speaker 1>three z s. You can follow Jennifer Wright at Jen

0:55:57.800 --> 0:56:02.120
<v Speaker 1>Ashley Right, Karama Downqua is at Karama Drama, Melissa Hunter

0:56:02.360 --> 0:56:06.040
<v Speaker 1>is at Melissa f tw and Tian Tran is smart

0:56:06.120 --> 0:56:08.080
<v Speaker 1>enough to have gotten off Twitter, but she is on

0:56:08.200 --> 0:56:12.200
<v Speaker 1>Insta at Hank Tina. Our executive producer is Christopher Hessiotes

0:56:12.239 --> 0:56:15.359
<v Speaker 1>and we're produced and edited by Mike John's special thanks

0:56:15.400 --> 0:56:18.320
<v Speaker 1>to David Wasserman. Next week we will get some screen

0:56:18.400 --> 0:56:21.760
<v Speaker 1>time and talk about how the Peacock adaptation of Brave

0:56:21.840 --> 0:56:26.759
<v Speaker 1>New World diverges wildly from the novel spoiler alert, but

0:56:26.920 --> 0:56:33.600
<v Speaker 1>like way different. All right, see you next week. Popcorn

0:56:33.640 --> 0:56:35.680
<v Speaker 1>book Club is a production of I Heart Radio.