WEBVTT - Nick Bakay Meets World

0:00:00.080 --> 0:00:23.799
<v Speaker 1>Yeah, I have a sourdough lady. Right, I have a

0:00:23.840 --> 0:00:26.599
<v Speaker 1>new sourdough lady. Will you're gonna You're gonna freak out.

0:00:26.840 --> 0:00:30.000
<v Speaker 2>People are jelly on sour dough or just white bread.

0:00:30.560 --> 0:00:32.839
<v Speaker 1>Well, I yesterday just had white bread. I was in

0:00:32.880 --> 0:00:37.040
<v Speaker 1>a real rush. Also, it's so the okay.

0:00:37.840 --> 0:00:39.559
<v Speaker 3>Is the lady made of sour dough. I have so

0:00:39.600 --> 0:00:41.280
<v Speaker 3>many things. I have so many questions.

0:00:41.360 --> 0:00:42.239
<v Speaker 1>I have a sour.

0:00:46.440 --> 0:00:47.839
<v Speaker 3>You take a little piece of her finger and you

0:00:47.880 --> 0:00:49.559
<v Speaker 3>can make a piece of bread. Like, what is a

0:00:49.600 --> 0:00:50.360
<v Speaker 3>sour dough lady?

0:00:50.400 --> 0:00:50.839
<v Speaker 4>What is that?

0:00:51.840 --> 0:00:56.720
<v Speaker 1>She's a woman who makes sour dough and it's divine.

0:00:56.840 --> 0:00:59.560
<v Speaker 1>She has a couple of different flavors I to start with,

0:00:59.800 --> 0:01:04.399
<v Speaker 1>or a loaf of hot honey, which is got spicy

0:01:04.800 --> 0:01:08.039
<v Speaker 1>and honey in the sour dough loaf, and then also

0:01:08.440 --> 0:01:12.360
<v Speaker 1>just a plain sourdough loaf. And then she also makes

0:01:12.680 --> 0:01:20.280
<v Speaker 1>English muffins. Oh, so I ordered Cranny, a nook and Granny.

0:01:20.440 --> 0:01:23.319
<v Speaker 1>I ordered a hot honey, a sour dough and some

0:01:23.480 --> 0:01:27.800
<v Speaker 1>English muffins. Every single morning I open my eyeballs and

0:01:27.880 --> 0:01:30.240
<v Speaker 1>the first thing I think is I can't wait to

0:01:30.240 --> 0:01:31.280
<v Speaker 1>go down and eat some bread.

0:01:31.720 --> 0:01:35.120
<v Speaker 3>So I mean, when you say you have does she

0:01:35.160 --> 0:01:37.880
<v Speaker 3>give me the starter? Does she deliver it to your house?

0:01:38.000 --> 0:01:41.440
<v Speaker 1>How does this order it? Via my phone? I send

0:01:41.480 --> 0:01:43.440
<v Speaker 1>her a text. They go, Hi, I'd like to place

0:01:43.480 --> 0:01:44.440
<v Speaker 1>an order for.

0:01:44.880 --> 0:01:45.759
<v Speaker 4>I'm a special person.

0:01:45.800 --> 0:01:46.160
<v Speaker 3>Do you have to.

0:01:49.400 --> 0:01:51.000
<v Speaker 1>Send you I'll tell you. I mean you have to

0:01:51.000 --> 0:01:53.080
<v Speaker 1>live locally because she lives near us. She lives in

0:01:53.080 --> 0:01:56.280
<v Speaker 1>the San Fernando Valley. She does, yeah, and then she

0:01:56.400 --> 0:01:58.640
<v Speaker 1>delivers it on Friday to your door.

0:01:59.200 --> 0:02:01.960
<v Speaker 4>Wow, how big business is getting?

0:02:02.800 --> 0:02:05.600
<v Speaker 1>Well, it's a pretty new business. She's doing it from

0:02:05.600 --> 0:02:08.680
<v Speaker 1>her house. She wakes up super early because she has

0:02:08.800 --> 0:02:10.440
<v Speaker 1>like a bunch of loaves now she's making. And she

0:02:10.440 --> 0:02:12.560
<v Speaker 1>doesn't have like a you know, huge kitchen. She has

0:02:12.680 --> 0:02:13.760
<v Speaker 1>just a house kitchen.

0:02:14.200 --> 0:02:17.320
<v Speaker 3>And it's is she called the sour Lady?

0:02:18.320 --> 0:02:19.400
<v Speaker 1>No, I just call her that.

0:02:19.520 --> 0:02:20.119
<v Speaker 4>She is a name.

0:02:20.160 --> 0:02:20.640
<v Speaker 1>I'm sure.

0:02:20.840 --> 0:02:22.320
<v Speaker 3>Well no, but we got to give her a business,

0:02:22.360 --> 0:02:23.120
<v Speaker 3>a name of something.

0:02:23.200 --> 0:02:25.800
<v Speaker 1>I'll tell you. I'll find it right now. Give me

0:02:25.960 --> 0:02:29.200
<v Speaker 1>give me a second. But will you have to place

0:02:29.240 --> 0:02:31.640
<v Speaker 1>an order? And I know that writer you know all

0:02:31.639 --> 0:02:34.120
<v Speaker 1>about making sour dough. If you lived closer and would

0:02:34.120 --> 0:02:36.079
<v Speaker 1>deliver it to my house on Friday, you have.

0:02:36.040 --> 0:02:39.640
<v Speaker 3>A sour dough guy, what about what about need for bread?

0:02:40.560 --> 0:02:45.160
<v Speaker 3>Her for bread?

0:02:44.880 --> 0:02:48.120
<v Speaker 1>God? I love that so her her. The name of

0:02:48.160 --> 0:02:53.160
<v Speaker 1>her bakery is fresh Start Bakery. She's on Instagram at

0:02:53.360 --> 0:02:57.239
<v Speaker 1>fresh Start Bakery, Underscore at the end uh In Home

0:02:57.240 --> 0:03:00.359
<v Speaker 1>micro micro bakery located in with the Hills. Poor pick

0:03:00.440 --> 0:03:03.000
<v Speaker 1>up or local drop off available. Here's some things on

0:03:03.000 --> 0:03:07.880
<v Speaker 1>her menu. Her sour dough is classic cheddar, hallapeno, roasted garlet,

0:03:08.760 --> 0:03:13.280
<v Speaker 1>hot honey, parmesan, and black pepper English muffins, and then

0:03:13.320 --> 0:03:16.000
<v Speaker 1>she also has pastries. I haven't think.

0:03:16.760 --> 0:03:17.720
<v Speaker 3>Muffins are cool.

0:03:17.760 --> 0:03:19.880
<v Speaker 2>That's that guy, you know, because a lot of people,

0:03:20.200 --> 0:03:21.920
<v Speaker 2>like a lot of bread places have kind of sprung

0:03:22.000 --> 0:03:24.680
<v Speaker 2>up in the last couple of years, but I haven't

0:03:24.720 --> 0:03:26.360
<v Speaker 2>heard of like a good English muffin.

0:03:26.400 --> 0:03:28.160
<v Speaker 1>That's a great Are not going to try to make

0:03:28.160 --> 0:03:29.280
<v Speaker 1>your own English muffins now?

0:03:29.280 --> 0:03:29.560
<v Speaker 4>I don't know.

0:03:29.720 --> 0:03:30.720
<v Speaker 3>I don't know what's involved.

0:03:32.520 --> 0:03:34.880
<v Speaker 2>Just was inspired because we had friends come for the

0:03:34.920 --> 0:03:38.640
<v Speaker 2>holidays and one of them brought his own loaf of

0:03:38.640 --> 0:03:39.400
<v Speaker 2>sour dough.

0:03:39.400 --> 0:03:40.480
<v Speaker 4>And I was like, oh my god, this.

0:03:40.760 --> 0:03:43.120
<v Speaker 2>I haven't done it for years because my wife doesn't

0:03:43.120 --> 0:03:46.240
<v Speaker 2>eat sourdough. My son now, I think he'll like sourdough,

0:03:46.400 --> 0:03:48.160
<v Speaker 2>but like he used to not like sourdough, so I

0:03:48.320 --> 0:03:51.600
<v Speaker 2>like bread and nobody would eat it but me so,

0:03:52.280 --> 0:03:52.640
<v Speaker 2>But I.

0:03:52.560 --> 0:03:54.880
<v Speaker 1>Think, why doesn't Alex like sourdough.

0:03:56.640 --> 0:04:00.320
<v Speaker 5>Likes you know? My son in law introduced me to

0:04:00.400 --> 0:04:04.400
<v Speaker 5>the joy of the cheddar holopeno bagel, which I'd always

0:04:04.440 --> 0:04:05.000
<v Speaker 5>walked away from.

0:04:05.040 --> 0:04:06.680
<v Speaker 3>It seemed like it was too much going on. Yeah,

0:04:06.920 --> 0:04:07.880
<v Speaker 3>and he's like, just try.

0:04:08.160 --> 0:04:11.760
<v Speaker 5>He's like, just try, right, but both acts are delicious.

0:04:11.600 --> 0:04:12.960
<v Speaker 6>It's a thing too.

0:04:13.400 --> 0:04:14.400
<v Speaker 1>It was so good.

0:04:14.960 --> 0:04:17.000
<v Speaker 3>I want to try that. I want to try that.

0:04:17.000 --> 0:04:18.840
<v Speaker 3>That that her holopen you. I want to try that

0:04:18.880 --> 0:04:19.920
<v Speaker 3>woman's lapeno loaf.

0:04:20.040 --> 0:04:22.640
<v Speaker 1>It's really good. This is not an ad. I pay

0:04:22.680 --> 0:04:26.000
<v Speaker 1>for it directly. She's wonderful. I'm very excited about it

0:04:26.040 --> 0:04:28.039
<v Speaker 1>in Woodland Hills. She's in Woodland Hills.

0:04:28.360 --> 0:04:30.200
<v Speaker 3>She's an extra hand because I'd love to go. I've

0:04:30.200 --> 0:04:31.960
<v Speaker 3>wanted to learn how to bake and do the pastry like.

0:04:32.000 --> 0:04:33.680
<v Speaker 3>I wouldn't charge her. I'd just go and be her.

0:04:34.040 --> 0:04:36.400
<v Speaker 1>Soushi does it early early in the morning, so you'd

0:04:36.400 --> 0:04:38.119
<v Speaker 1>probably have to be to her house at five am.

0:04:38.160 --> 0:04:39.880
<v Speaker 1>I don't know if she'd like to welcome you into

0:04:39.880 --> 0:04:41.880
<v Speaker 1>her house to be honest, but ill sure, I'll make

0:04:41.920 --> 0:04:42.600
<v Speaker 1>I'll ask, I'll ask.

0:04:42.640 --> 0:04:44.599
<v Speaker 3>I'll find out this morning at five am when I

0:04:44.640 --> 0:04:46.440
<v Speaker 3>just show her. Just gave her a bunch of business

0:04:46.480 --> 0:04:48.279
<v Speaker 3>hopefully so she kind of makes.

0:04:48.400 --> 0:04:51.640
<v Speaker 1>If you live local, that's where you should be getting your.

0:04:51.480 --> 0:04:52.920
<v Speaker 3>I can't please send me that Please send me that

0:04:52.960 --> 0:04:53.640
<v Speaker 3>link because.

0:04:53.440 --> 0:04:55.760
<v Speaker 1>I want there's I know you guys will place an order.

0:04:55.800 --> 0:04:57.920
<v Speaker 1>You can place your order today for Fridayso come over.

0:04:57.960 --> 0:04:59.360
<v Speaker 2>I'll teach you how to make sour dough brea.

0:04:59.520 --> 0:05:02.720
<v Speaker 3>I know. No, Sue makes good bread. She makes good bread.

0:05:02.800 --> 0:05:04.400
<v Speaker 1>Oh okay, well.

0:05:04.120 --> 0:05:05.440
<v Speaker 4>Okay, well then I'll see you.

0:05:05.440 --> 0:05:07.440
<v Speaker 5>Well, no, she doesn't make sourdough because she doesn't have

0:05:07.480 --> 0:05:08.799
<v Speaker 5>a starter over.

0:05:09.520 --> 0:05:13.159
<v Speaker 1>That was the weirdest thing. Writer offered something that you

0:05:13.240 --> 0:05:14.960
<v Speaker 1>were saying you wanted to do with someone else, and

0:05:14.960 --> 0:05:15.800
<v Speaker 1>then you were like, no, no.

0:05:15.680 --> 0:05:19.159
<v Speaker 5>I doesn't have a sourdough starter.

0:05:19.320 --> 0:05:25.200
<v Speaker 3>Writer, Yeah, she doesn't have a friendship. What's okay?

0:05:25.240 --> 0:05:28.920
<v Speaker 1>Never mind? Anyway, what does that mean? There's a new

0:05:28.960 --> 0:05:31.200
<v Speaker 1>movie coming out called I think it's called Friendship, and

0:05:31.240 --> 0:05:34.359
<v Speaker 1>it's about like a grown man Tim Robinson who becomes

0:05:34.360 --> 0:05:37.760
<v Speaker 1>obsessed with his new friend Paul Rudd and it is, uh,

0:05:38.080 --> 0:05:40.480
<v Speaker 1>you know, it's a funny story about how it kind

0:05:40.480 --> 0:05:43.880
<v Speaker 1>of ruins both their lives when Tim Robinson becomes obsessed

0:05:44.000 --> 0:05:48.960
<v Speaker 1>with Paul Red and Tim Robins Tim Robbins, No, Tim Robinson.

0:05:48.920 --> 0:05:51.800
<v Speaker 5>Robinson, Okay, yeah, Tim Robins. Tim Robbins is the guy

0:05:51.800 --> 0:05:54.400
<v Speaker 5>who broke out of Shawshank right right.

0:05:54.279 --> 0:05:57.600
<v Speaker 1>Correct, different persons there are. There are totally different people

0:05:57.640 --> 0:05:57.880
<v Speaker 1>with those.

0:05:58.320 --> 0:05:59.800
<v Speaker 3>Yeah, okay, but I did just.

0:05:59.800 --> 0:06:00.560
<v Speaker 1>Want does that happen?

0:06:00.960 --> 0:06:02.960
<v Speaker 3>Robin's the novelist.

0:06:03.760 --> 0:06:08.039
<v Speaker 5>Tony Robbins who is the self help guy a lot

0:06:08.040 --> 0:06:11.240
<v Speaker 5>of Robins. Yeah, Robin Gibbons, totally different.

0:06:12.240 --> 0:06:14.039
<v Speaker 1>Just save rob or just.

0:06:17.960 --> 0:06:22.920
<v Speaker 4>Got a pal? It's this ward a palal.

0:06:22.120 --> 0:06:26.440
<v Speaker 1>Come on, come on, Welcome to Pod Meets Robin.

0:06:26.520 --> 0:06:30.200
<v Speaker 5>I'm Danielle Fischel, I'm right strong, and I'm wil Fredell.

0:06:42.120 --> 0:06:42.360
<v Speaker 6>T G.

0:06:42.520 --> 0:06:45.360
<v Speaker 1>I f had a handful of iconic faces over the years,

0:06:45.520 --> 0:06:49.760
<v Speaker 1>Cory Matthews, Uncle Jesse cousin, Balky, mister Cooper, the Aliens

0:06:49.760 --> 0:06:53.760
<v Speaker 1>from Aliens in the family. And yet there was one things,

0:06:53.839 --> 0:06:57.400
<v Speaker 1>a furry one that reigned supreme for many, many years.

0:06:57.920 --> 0:07:00.479
<v Speaker 1>And it's hilarious that the man who voiced this iconic

0:07:00.560 --> 0:07:02.640
<v Speaker 1>feline is known to a majority of the world as

0:07:02.720 --> 0:07:06.000
<v Speaker 1>Salem Saberhagen, the talking cat from the long running hit

0:07:06.040 --> 0:07:09.320
<v Speaker 1>TV show Sabrina the Teenage Witch, because his resume is

0:07:09.360 --> 0:07:12.920
<v Speaker 1>not only wildly impressive outside of that show, at times

0:07:13.040 --> 0:07:17.320
<v Speaker 1>it's unbelievable. A one time contributor to the National Lampoon magazine,

0:07:17.360 --> 0:07:20.280
<v Speaker 1>he was a young writer on Sabrina who then somehow

0:07:20.360 --> 0:07:23.240
<v Speaker 1>became one of its stars. But before that, he was

0:07:23.240 --> 0:07:26.400
<v Speaker 1>a writer and guest star on the Iconic in Living Color,

0:07:26.760 --> 0:07:30.720
<v Speaker 1>while one of his first ever acting jobs was Somehow Seinfeld.

0:07:31.360 --> 0:07:34.760
<v Speaker 1>Then after Sabrina, the hits just somehow kept coming. The

0:07:34.840 --> 0:07:37.480
<v Speaker 1>King of Queen's till Death, two and a half Men Mom,

0:07:37.640 --> 0:07:42.160
<v Speaker 1>Young Sheldon, Paul Blart, and his newest creation Bookie on Max,

0:07:42.720 --> 0:07:45.080
<v Speaker 1>and he somehow finds time to be a sports expert

0:07:45.120 --> 0:07:48.520
<v Speaker 1>on ESPN. This guy sure has a lot of somehow's

0:07:48.520 --> 0:07:51.400
<v Speaker 1>in his career, and today we want to find out how.

0:07:51.800 --> 0:07:54.480
<v Speaker 1>Let's put a face to this renaissance man of Hollywood

0:07:54.600 --> 0:07:57.000
<v Speaker 1>who voiced the rascal of a cat that forced us

0:07:57.040 --> 0:08:00.000
<v Speaker 1>to time travel back to World War Two. This week

0:08:00.240 --> 0:08:06.280
<v Speaker 1>guest is Salem the Cat himself. Nick Backay, Hi, how

0:08:06.440 --> 0:08:07.760
<v Speaker 1>you doing I'm great.

0:08:07.800 --> 0:08:08.320
<v Speaker 4>How are you.

0:08:08.840 --> 0:08:09.920
<v Speaker 3>It's so good to see you.

0:08:10.640 --> 0:08:11.560
<v Speaker 4>Good to see you too.

0:08:12.280 --> 0:08:15.000
<v Speaker 1>Thank you so much for joining us. In addition to

0:08:15.360 --> 0:08:18.960
<v Speaker 1>reuniting with our Normal Boy Meets World cast and Crewe,

0:08:19.000 --> 0:08:21.200
<v Speaker 1>we have been very excited to catch up with other

0:08:21.400 --> 0:08:25.400
<v Speaker 1>TGIF legends and it would certainly be hard to remember

0:08:25.600 --> 0:08:29.000
<v Speaker 1>the programming block without your contribution. So thank you for

0:08:29.040 --> 0:08:29.640
<v Speaker 1>being here with.

0:08:29.600 --> 0:08:30.760
<v Speaker 4>Us, my pleasure.

0:08:30.920 --> 0:08:34.800
<v Speaker 1>Let's first get into how you got started in writing comedy.

0:08:35.080 --> 0:08:36.720
<v Speaker 1>I was hoping you could tell our listeners a little

0:08:36.720 --> 0:08:39.760
<v Speaker 1>bit about the National Lampoon magazine, which you were a

0:08:39.880 --> 0:08:43.200
<v Speaker 1>contributing editor and has produced some of the biggest names

0:08:43.200 --> 0:08:45.480
<v Speaker 1>in the history of comedy. So how did that happen?

0:08:46.000 --> 0:08:48.440
<v Speaker 6>Well, you know, I was a young actor in New

0:08:48.520 --> 0:08:52.959
<v Speaker 6>York back in that era, and you know, really really

0:08:53.080 --> 0:08:56.720
<v Speaker 6>scratching my way through life. And I knew a guy

0:08:56.720 --> 0:08:58.920
<v Speaker 6>who worked there, and they used to see him at

0:08:59.000 --> 0:09:01.240
<v Speaker 6>parties and he thought I was funny, and he used

0:09:01.240 --> 0:09:04.880
<v Speaker 6>to always say to me, you should try writing for us.

0:09:04.920 --> 0:09:07.720
<v Speaker 6>And I grew up reading that magazine. I'm the generation

0:09:07.880 --> 0:09:11.920
<v Speaker 6>that graduated from Mad to the Lampoon, and I revered it.

0:09:11.920 --> 0:09:13.840
<v Speaker 4>It wasn't exactly.

0:09:13.360 --> 0:09:17.720
<v Speaker 6>In its heyday, you know, And I'd be stumbling back

0:09:17.760 --> 0:09:20.719
<v Speaker 6>down Broadway at three in the morning and I'd look

0:09:20.760 --> 0:09:23.280
<v Speaker 6>at it on the newsstand and it was always somebody

0:09:23.320 --> 0:09:25.400
<v Speaker 6>with huge jugs on the cover, and I'd be thinking, an,

0:09:26.160 --> 0:09:28.760
<v Speaker 6>you know, you're so stupid when you're young. You know,

0:09:29.360 --> 0:09:32.280
<v Speaker 6>I'm waiting tables at Ernie's. But I'm like, I don't know,

0:09:33.040 --> 0:09:35.959
<v Speaker 6>he's so stupid, you know, But you know, I got

0:09:35.960 --> 0:09:39.640
<v Speaker 6>a callback for you know, the Actors Theater of Louisville.

0:09:39.640 --> 0:09:43.480
<v Speaker 6>It's so stupid. So I finally said, what am I doing?

0:09:43.640 --> 0:09:46.839
<v Speaker 6>And I went and you'd start there by writing fake

0:09:46.960 --> 0:09:50.079
<v Speaker 6>letters to the editor, okay, And I started doing that,

0:09:50.240 --> 0:09:52.680
<v Speaker 6>and it's the weird thing. It's like I started to

0:09:52.679 --> 0:09:58.480
<v Speaker 6>realize the world may not need another twenty three year

0:09:58.480 --> 0:10:01.440
<v Speaker 6>old actor like me, who wasn't quite as pretty as

0:10:01.480 --> 0:10:05.840
<v Speaker 6>you guys at that point. But if you can write

0:10:05.840 --> 0:10:08.200
<v Speaker 6>a joke, it's kind of like being a left handed pitcher.

0:10:08.280 --> 0:10:08.920
<v Speaker 4>There's a need.

0:10:10.080 --> 0:10:14.080
<v Speaker 6>So there was a stunning contrast, and within a very

0:10:14.160 --> 0:10:16.920
<v Speaker 6>short amount of time I was a contributing editor. I

0:10:16.960 --> 0:10:19.480
<v Speaker 6>met wonderful people. I got to write lots of really

0:10:19.520 --> 0:10:23.319
<v Speaker 6>interesting stuff there, and that's what led me to write

0:10:23.320 --> 0:10:26.559
<v Speaker 6>for TV because I got out of that with an interesting, strange,

0:10:26.800 --> 0:10:30.839
<v Speaker 6>unique portfolio that caught the eye of people when they

0:10:30.880 --> 0:10:34.679
<v Speaker 6>were starting what is now Comedy Central. And that's a

0:10:34.720 --> 0:10:36.920
<v Speaker 6>whole different story, but it got me my first TV

0:10:37.040 --> 0:10:41.720
<v Speaker 6>writing job, and and and then and it was you know,

0:10:42.280 --> 0:10:45.400
<v Speaker 6>your life takes little pivot points, and you know, that's

0:10:45.400 --> 0:10:47.880
<v Speaker 6>the point when I realized, I think I'm done with

0:10:48.000 --> 0:10:51.960
<v Speaker 6>theater because it had never really been interested in me

0:10:52.040 --> 0:10:54.480
<v Speaker 6>to begin with. But you know, I thought we had

0:10:54.480 --> 0:10:55.360
<v Speaker 6>a relationship.

0:10:55.440 --> 0:10:58.520
<v Speaker 4>It was over. That's interesting.

0:10:58.559 --> 0:11:01.480
<v Speaker 2>So you actually started acting, went into writing, and then

0:11:01.920 --> 0:11:02.920
<v Speaker 2>came back to acting.

0:11:03.600 --> 0:11:05.800
<v Speaker 3>You were acting just enough to keep you in writing.

0:11:06.120 --> 0:11:08.880
<v Speaker 6>Yeah, I've always said my acting career I was just

0:11:09.000 --> 0:11:10.720
<v Speaker 6>good enough to have my heart broken.

0:11:10.800 --> 0:11:11.040
<v Speaker 4>You know.

0:11:11.160 --> 0:11:14.520
<v Speaker 6>It's like writing is the only thing that's actually let

0:11:14.559 --> 0:11:17.959
<v Speaker 6>me have a decent life, you know, But there's always

0:11:18.000 --> 0:11:20.000
<v Speaker 6>been great acting stuff along the way.

0:11:20.600 --> 0:11:23.400
<v Speaker 5>You mentioned that it led you into your first television

0:11:23.400 --> 0:11:24.679
<v Speaker 5>writing gig, which was what was that.

0:11:25.679 --> 0:11:30.439
<v Speaker 6>It was the original late night talk show on Comedy Central,

0:11:30.679 --> 0:11:32.680
<v Speaker 6>which was then the Comedy Channel.

0:11:33.280 --> 0:11:34.040
<v Speaker 4>It was with the.

0:11:34.000 --> 0:11:36.800
<v Speaker 6>Alan Havy, who you may know from mad Men and

0:11:36.880 --> 0:11:39.120
<v Speaker 6>a lot of cool things. But he's a great stand

0:11:39.200 --> 0:11:42.280
<v Speaker 6>up comedian to this day. And we did a strip

0:11:42.320 --> 0:11:46.200
<v Speaker 6>show five shows a week at late night. He was

0:11:46.240 --> 0:11:49.320
<v Speaker 6>the host. I was the writer sidekick. We had a

0:11:49.360 --> 0:11:51.240
<v Speaker 6>producer and a PA and we had to do five

0:11:51.240 --> 0:11:51.920
<v Speaker 6>shows a week.

0:11:52.280 --> 0:11:52.800
<v Speaker 4>Jeez.

0:11:53.120 --> 0:11:55.160
<v Speaker 6>Yeah, it was great. It was like doing TV in

0:11:55.200 --> 0:11:56.200
<v Speaker 6>the nineteen fifties.

0:11:56.240 --> 0:11:56.680
<v Speaker 4>It was great.

0:11:56.720 --> 0:11:58.560
<v Speaker 6>We had a studio on twenty third Street in New

0:11:58.640 --> 0:12:01.880
<v Speaker 6>York and it was sort of collegiate. Everybody there was

0:12:01.960 --> 0:12:06.360
<v Speaker 6>young and cutting their teeth and there was no nobody

0:12:06.400 --> 0:12:09.520
<v Speaker 6>was jaded. Everybody was so thrilled to be there. And

0:12:09.559 --> 0:12:12.000
<v Speaker 6>I met my wife Robin there. I made friendships for

0:12:12.080 --> 0:12:14.200
<v Speaker 6>life there. So it was wonderful.

0:12:15.080 --> 0:12:17.240
<v Speaker 1>Who were your crew? Like, who were you coming up

0:12:17.240 --> 0:12:18.120
<v Speaker 1>with around that time?

0:12:18.440 --> 0:12:21.439
<v Speaker 6>Well, it's interesting at the channel at that time, interesting

0:12:21.520 --> 0:12:24.839
<v Speaker 6>people were there, Like that's where John Stewart got it start.

0:12:24.880 --> 0:12:27.599
<v Speaker 6>He hosted this show called Short Attention.

0:12:27.320 --> 0:12:30.240
<v Speaker 3>Span Theater Theater, Yeah.

0:12:29.400 --> 0:12:32.880
<v Speaker 6>Which was comedy clips. The Higgins Boys and Gruber who

0:12:32.920 --> 0:12:36.480
<v Speaker 6>are still like Steve Higgins, who is you know, produced

0:12:36.559 --> 0:12:42.600
<v Speaker 6>SNL for years and is the Jimmy's He's Jimmy. Steve

0:12:42.760 --> 0:12:44.360
<v Speaker 6>is one of my best friends. He was my best

0:12:44.360 --> 0:12:46.760
<v Speaker 6>man when Robin and I got married Dave Higgins. You

0:12:46.800 --> 0:12:50.400
<v Speaker 6>know Eddie Gordetski, who's a writer of great renown. There's

0:12:50.480 --> 0:12:53.200
<v Speaker 6>so many people. Scott Carter was the producer of my

0:12:53.280 --> 0:12:57.520
<v Speaker 6>shows who went on to produce Politically Incorrect forever. It

0:12:57.640 --> 0:13:01.440
<v Speaker 6>was a hotbed of complete unn owns, and many many

0:13:01.480 --> 0:13:03.839
<v Speaker 6>people from there. I'm no, I'm forgetting tons of them

0:13:04.400 --> 0:13:07.600
<v Speaker 6>went on to do very interesting things. But at that point,

0:13:07.880 --> 0:13:12.560
<v Speaker 6>it was this little fledgling cable network, very poor distribution,

0:13:13.400 --> 0:13:15.880
<v Speaker 6>but they were fighting to get it on and there

0:13:15.920 --> 0:13:18.320
<v Speaker 6>was a rival one called HA and it's back when

0:13:18.400 --> 0:13:22.040
<v Speaker 6>Viacom and Time Warner were at battle for the soul

0:13:22.120 --> 0:13:22.920
<v Speaker 6>of cable TV.

0:13:23.160 --> 0:13:23.480
<v Speaker 3>I got.

0:13:23.520 --> 0:13:26.840
<v Speaker 5>I remember how it was the beta max of the

0:13:26.880 --> 0:13:30.040
<v Speaker 5>TV channels.

0:13:30.080 --> 0:13:31.960
<v Speaker 6>So we and they were just like, if you guys,

0:13:32.000 --> 0:13:34.000
<v Speaker 6>don't burn down the studio, keep doing what you're doing.

0:13:34.040 --> 0:13:38.040
<v Speaker 6>We're trying to convert cable operators in Nebraska, and I

0:13:38.200 --> 0:13:40.920
<v Speaker 6>was alan sidekick, and I did a show called sports

0:13:40.920 --> 0:13:44.880
<v Speaker 6>Monster there as well, and that's what cut Dennis Miller's eye.

0:13:45.440 --> 0:13:49.280
<v Speaker 6>So when Dennis left SNL to do his original talk

0:13:49.360 --> 0:13:51.520
<v Speaker 6>show in la he hired me to write on it

0:13:51.559 --> 0:13:52.800
<v Speaker 6>and be his sidekick.

0:13:53.240 --> 0:13:55.840
<v Speaker 4>And that's what got me to La Geez.

0:13:56.640 --> 0:13:58.240
<v Speaker 5>Was that was the first one? The first show that

0:13:58.240 --> 0:14:00.800
<v Speaker 5>Dennis Miller did. Was it the one where Robin Williams

0:14:00.840 --> 0:14:02.600
<v Speaker 5>was his first guest? Was that the was that the

0:14:02.600 --> 0:14:03.200
<v Speaker 5>first one?

0:14:03.320 --> 0:14:05.520
<v Speaker 6>You know, I was there. I should remember. I know

0:14:05.640 --> 0:14:08.360
<v Speaker 6>I met you briefly in Tampa. Yeah, I know, you

0:14:08.440 --> 0:14:10.080
<v Speaker 6>remember things better about me.

0:14:10.360 --> 0:14:12.439
<v Speaker 3>I do, I do, I'll do.

0:14:15.000 --> 0:14:17.720
<v Speaker 4>I think it. I think it was Tom Hanks.

0:14:17.559 --> 0:14:21.280
<v Speaker 5>Was second show then that that he had It were

0:14:21.680 --> 0:14:22.400
<v Speaker 5>they pulled out.

0:14:22.240 --> 0:14:24.480
<v Speaker 6>The heavyweights to try and get us jump started, and

0:14:24.480 --> 0:14:27.360
<v Speaker 6>we lasted a little less than a year. It was

0:14:27.520 --> 0:14:31.840
<v Speaker 6>interesting timing. We concurred with Johnny's retirement and then Leno

0:14:31.960 --> 0:14:35.400
<v Speaker 6>came in and it was a hole. It was fascinating though.

0:14:35.400 --> 0:14:39.240
<v Speaker 6>It was fascinating experience. Dennis was with Bernie Berlstein and

0:14:39.280 --> 0:14:44.360
<v Speaker 6>Brad Gray and it was interesting. You know, I came

0:14:44.400 --> 0:14:46.200
<v Speaker 6>in the deep end, but it was good. It's a good,

0:14:46.240 --> 0:14:48.000
<v Speaker 6>good way to come to l A And I'm grateful

0:14:48.040 --> 0:14:52.480
<v Speaker 6>to Dennis and Allan those guys hiring me and shifting

0:14:52.480 --> 0:14:56.880
<v Speaker 6>me away from the pretensions of my youth really led

0:14:56.920 --> 0:14:58.000
<v Speaker 6>me to who I am.

0:14:58.480 --> 0:14:59.160
<v Speaker 4>That's amazing.

0:14:59.280 --> 0:15:01.040
<v Speaker 3>What kind of were you hoping to do?

0:15:01.120 --> 0:15:03.560
<v Speaker 2>Were you hoping to be like a dramatic.

0:15:06.360 --> 0:15:07.520
<v Speaker 1>He wasn't hoping to do anything.

0:15:07.600 --> 0:15:10.560
<v Speaker 3>You say, the pretensions of my youth?

0:15:10.560 --> 0:15:14.880
<v Speaker 4>What does that mean? Like me was like plays and yeah, no,

0:15:14.920 --> 0:15:16.240
<v Speaker 4>I was going to be Hamlet, Pally.

0:15:17.760 --> 0:15:20.800
<v Speaker 6>I trained. I'm a classically trained actor. I would get

0:15:20.840 --> 0:15:25.000
<v Speaker 6>gigs like I would get you know, Shakespeare gigs in Syracuse.

0:15:25.160 --> 0:15:25.640
<v Speaker 4>You know what I mean.

0:15:25.640 --> 0:15:28.400
<v Speaker 6>It's like it was just brutal, but like theater for

0:15:28.520 --> 0:15:31.240
<v Speaker 6>me is like that old girlfriend that you liked a

0:15:31.240 --> 0:15:33.160
<v Speaker 6>lot better than she liked you, and she would bang

0:15:33.240 --> 0:15:34.080
<v Speaker 6>people in front of you.

0:15:35.440 --> 0:15:37.720
<v Speaker 4>It was just went off the rails.

0:15:39.320 --> 0:15:41.800
<v Speaker 6>I don't really know the I don't understand the lanes

0:15:41.840 --> 0:15:42.720
<v Speaker 6>of this podcast.

0:15:43.360 --> 0:15:46.120
<v Speaker 5>There are not goodly.

0:15:46.280 --> 0:15:49.240
<v Speaker 6>It was like the minute I realized I'm just a

0:15:49.920 --> 0:15:53.400
<v Speaker 6>I am meant to be an anarchist in this comedy mode,

0:15:54.520 --> 0:15:56.800
<v Speaker 6>it was you know, we all we got plans, we

0:15:56.840 --> 0:15:59.040
<v Speaker 6>all have plans, but you know the world's going to

0:15:59.080 --> 0:16:01.600
<v Speaker 6>say to you, nice, try it's over here, and if

0:16:01.640 --> 0:16:03.040
<v Speaker 6>you're smart you listen.

0:16:03.400 --> 0:16:06.680
<v Speaker 1>Yes, yes, Wow. So how did so then you moved

0:16:06.680 --> 0:16:10.320
<v Speaker 1>to la How did one of your first acting gigs

0:16:10.400 --> 0:16:12.920
<v Speaker 1>end up being on Seinfeld? What was that like?

0:16:14.240 --> 0:16:16.400
<v Speaker 6>Well, you know, at that point, I was still really

0:16:16.440 --> 0:16:21.120
<v Speaker 6>going hard at trying to be on camera. And you know,

0:16:21.240 --> 0:16:24.200
<v Speaker 6>I had auditioned for that show like two or three

0:16:24.320 --> 0:16:27.880
<v Speaker 6>times and it always went well, and I knew they

0:16:28.080 --> 0:16:31.400
<v Speaker 6>liked me. And then I got that part as a

0:16:31.400 --> 0:16:33.520
<v Speaker 6>phone I got a phone call, you know, I just

0:16:33.600 --> 0:16:35.560
<v Speaker 6>got it. And I had done a lot of stuff

0:16:35.600 --> 0:16:38.080
<v Speaker 6>and that was on their radar from you know, I

0:16:38.080 --> 0:16:41.120
<v Speaker 6>think Larry and Jerry knew I was well known in

0:16:41.160 --> 0:16:43.880
<v Speaker 6>the stand up community, you know, and so I was

0:16:43.880 --> 0:16:46.600
<v Speaker 6>a proven entity from a lot of things I've been doing.

0:16:47.200 --> 0:16:49.160
<v Speaker 6>And so then I just got the call and they said,

0:16:49.200 --> 0:16:52.400
<v Speaker 6>you know, you got cast. And that was funny because

0:16:52.440 --> 0:16:55.720
<v Speaker 6>when I started in my relationship with my wife, she said,

0:16:55.760 --> 0:16:59.040
<v Speaker 6>you know, what's it going to be like, I've done

0:17:00.040 --> 0:17:02.040
<v Speaker 6>leadship with an actor when you have to kiss somebody,

0:17:02.320 --> 0:17:04.240
<v Speaker 6>And I was like, I love you so much. That

0:17:04.480 --> 0:17:06.800
<v Speaker 6>has not that's not a big.

0:17:06.640 --> 0:17:07.679
<v Speaker 4>Part of my career.

0:17:09.359 --> 0:17:11.560
<v Speaker 1>I mean you for thinking about that, but don't worry.

0:17:11.680 --> 0:17:14.080
<v Speaker 6>You're fine, We're safe, you know. And then I had

0:17:14.080 --> 0:17:16.200
<v Speaker 6>to kiss late, so I said, good news, bad news.

0:17:16.280 --> 0:17:17.040
<v Speaker 4>I got the rent.

0:17:17.119 --> 0:17:21.760
<v Speaker 5>But it's still one of my favorite episodes ever. It's

0:17:21.760 --> 0:17:23.640
<v Speaker 5>an episode called the Smelly Car.

0:17:24.119 --> 0:17:25.960
<v Speaker 1>Oh oh, I love that episode.

0:17:26.000 --> 0:17:26.600
<v Speaker 3>It is great.

0:17:26.640 --> 0:17:28.359
<v Speaker 5>I can do all your lines. My wife and I

0:17:28.440 --> 0:17:30.560
<v Speaker 5>still to this day are one of our ongoing jokes.

0:17:30.560 --> 0:17:32.280
<v Speaker 3>Wi hug each other and pull back and go. It

0:17:32.400 --> 0:17:35.840
<v Speaker 3>still smells like we still we so we do.

0:17:36.200 --> 0:17:38.600
<v Speaker 5>You're quoted often in our home just so you know

0:17:38.960 --> 0:17:42.360
<v Speaker 5>it's rightful. But yeah, what a what a way to

0:17:42.359 --> 0:17:44.560
<v Speaker 5>to jump onto the scene is to do one of

0:17:44.560 --> 0:17:47.040
<v Speaker 5>the one of the well known episodes of Seinfeld, which

0:17:47.080 --> 0:17:48.040
<v Speaker 5>is which is great.

0:17:48.320 --> 0:17:49.520
<v Speaker 4>Yeah, that was a great week.

0:17:49.600 --> 0:17:52.160
<v Speaker 6>It was fun and you know, having written a lot

0:17:52.160 --> 0:17:54.520
<v Speaker 6>of these things now I'm also looking back on it,

0:17:54.560 --> 0:17:56.360
<v Speaker 6>and you know that script did not change a lot

0:17:56.440 --> 0:17:59.199
<v Speaker 6>during the week. Well, we read at the table was

0:17:59.280 --> 0:18:02.520
<v Speaker 6>really close to what we shot, which was great because

0:18:02.520 --> 0:18:06.080
<v Speaker 6>you got to really work the material and you guys

0:18:06.160 --> 0:18:10.200
<v Speaker 6>know how often things change overnight and you had new

0:18:10.240 --> 0:18:13.399
<v Speaker 6>pages and then in between takes, right, I mean, I

0:18:13.480 --> 0:18:17.120
<v Speaker 6>do go. It's such an elusive process and the rewriting

0:18:17.200 --> 0:18:19.120
<v Speaker 6>never ends. But that one we got to really lock

0:18:19.200 --> 0:18:19.560
<v Speaker 6>it down.

0:18:20.440 --> 0:18:23.199
<v Speaker 1>That's so great. So then where does one of your

0:18:23.240 --> 0:18:26.800
<v Speaker 1>next early jobs in Living Color, which is like one

0:18:26.840 --> 0:18:29.520
<v Speaker 1>of the greatest shows of all time, Where does that

0:18:29.800 --> 0:18:32.600
<v Speaker 1>job fall and what was that experience like that must

0:18:32.600 --> 0:18:35.120
<v Speaker 1>have been pretty incredible. They were firing on all cylinders

0:18:35.160 --> 0:18:36.040
<v Speaker 1>by the time you joined.

0:18:36.720 --> 0:18:40.320
<v Speaker 6>It was wonderful and it came to my rescue. It was,

0:18:40.520 --> 0:18:43.280
<v Speaker 6>I think, really my first main job after the Miller

0:18:43.359 --> 0:18:47.320
<v Speaker 6>Show went down, as I recall, and I remember, it

0:18:47.359 --> 0:18:50.320
<v Speaker 6>was one of those gigs that came in and I

0:18:50.440 --> 0:18:54.639
<v Speaker 6>remember how little there was in the checking account, and

0:18:54.720 --> 0:18:56.520
<v Speaker 6>I was, you know, it was one of those like,

0:18:56.600 --> 0:18:58.480
<v Speaker 6>oh good, I have to tell Robin.

0:19:00.480 --> 0:19:02.040
<v Speaker 1>Oh I got the job. I don't have to tell

0:19:02.040 --> 0:19:03.400
<v Speaker 1>her we had eight cents.

0:19:05.400 --> 0:19:07.160
<v Speaker 4>And that's a less fire.

0:19:07.240 --> 0:19:10.280
<v Speaker 6>Stein brought me in on that unless had worked a

0:19:10.280 --> 0:19:13.040
<v Speaker 6>lot at the Lampoon, Although I didn't really know him

0:19:13.080 --> 0:19:16.760
<v Speaker 6>that well. That relationship really was essential to me getting

0:19:16.840 --> 0:19:21.879
<v Speaker 6>hired there. And that was an incredible year I ended up,

0:19:21.880 --> 0:19:24.480
<v Speaker 6>you know, and that was at the point where you know,

0:19:24.560 --> 0:19:30.159
<v Speaker 6>writing was starting to really eclipse my camera stuff and

0:19:30.200 --> 0:19:32.320
<v Speaker 6>then you know, but it's always happened. I ended up

0:19:32.320 --> 0:19:34.480
<v Speaker 6>doing more than I thought I would, and I did

0:19:34.480 --> 0:19:37.160
<v Speaker 6>the dirty dozen sketches and things like that. Things fell

0:19:37.160 --> 0:19:39.600
<v Speaker 6>into my lap there that I didn't plan on, and

0:19:39.640 --> 0:19:40.600
<v Speaker 6>it was a great year.

0:19:41.119 --> 0:19:43.480
<v Speaker 1>Did you get to work with Jim Carrey I did.

0:19:43.640 --> 0:19:49.280
<v Speaker 6>He was doing The Mask and ace Ventura that year. Oh, Jim,

0:19:49.600 --> 0:19:53.680
<v Speaker 6>I know, it was like he was turning into a phenomena.

0:19:53.840 --> 0:19:56.320
<v Speaker 6>So Jim was not around a lot, but when he

0:19:56.600 --> 0:19:59.840
<v Speaker 6>was around had He and I shared a writing office,

0:20:00.720 --> 0:20:05.000
<v Speaker 6>and so I had intense doses when he and when

0:20:05.040 --> 0:20:08.439
<v Speaker 6>we would do it. But I don't think there's another kind.

0:20:08.680 --> 0:20:13.080
<v Speaker 6>And and we would stockpile sketches. He'd come into town

0:20:13.119 --> 0:20:16.240
<v Speaker 6>and we'd shoot as much as we could with him,

0:20:17.280 --> 0:20:18.840
<v Speaker 6>and it was great. And I've got to be in

0:20:18.920 --> 0:20:22.320
<v Speaker 6>some of them. It's really funny. I'm I'm, I'm, you know,

0:20:22.359 --> 0:20:25.359
<v Speaker 6>it's that long ago. I'm digitizing some stuff and throwing

0:20:25.359 --> 0:20:27.159
<v Speaker 6>some things on there, and I'm in sketches with him.

0:20:27.200 --> 0:20:30.040
<v Speaker 6>He's in some of the dozens. We did one where

0:20:30.040 --> 0:20:32.920
<v Speaker 6>he and I were the Menendez brothers and we're dancing

0:20:33.000 --> 0:20:37.320
<v Speaker 6>to the Risky Business song with gun with shotguns and

0:20:37.359 --> 0:20:40.720
<v Speaker 6>there's none of them. We're like the We're like the

0:20:40.760 --> 0:20:44.240
<v Speaker 6>awful white cops in the wake of the riots in jail,

0:20:44.400 --> 0:20:48.840
<v Speaker 6>getting you know, introduced to jail in the old classic way,

0:20:49.119 --> 0:20:53.359
<v Speaker 6>you know. And and I remember there's another uh. We

0:20:53.400 --> 0:20:55.760
<v Speaker 6>wrote a sketch that never made it, But I remember

0:20:55.800 --> 0:20:58.119
<v Speaker 6>we were up a long time because then I watched

0:20:58.200 --> 0:21:01.600
<v Speaker 6>him at his best and his most obsessive, and we

0:21:01.640 --> 0:21:06.560
<v Speaker 6>wrote a really funny sketch about a late night used

0:21:06.600 --> 0:21:09.320
<v Speaker 6>car salesman who did his own ads, but he had tourettes,

0:21:09.960 --> 0:21:14.040
<v Speaker 6>and I'm you know, everything about it. I'm sure deeply

0:21:14.160 --> 0:21:18.199
<v Speaker 6>cancelable now, but watching Jim try and sell you on

0:21:18.280 --> 0:21:21.520
<v Speaker 6>a car and having these outbursts in the middle of

0:21:21.720 --> 0:21:24.000
<v Speaker 6>it boil, you know, And I think I'm the only

0:21:24.040 --> 0:21:27.080
<v Speaker 6>person on earth who actually saw him perform that sketch

0:21:27.119 --> 0:21:30.840
<v Speaker 6>in our office, well, we were writing it, and I'll

0:21:30.880 --> 0:21:31.880
<v Speaker 6>never get over it.

0:21:31.880 --> 0:21:33.040
<v Speaker 4>It was amazing.

0:21:33.240 --> 0:21:35.600
<v Speaker 5>That show to me was so I'm that guy where

0:21:35.680 --> 0:21:38.800
<v Speaker 5>I always liked Future Ama more than The Simpsons, I

0:21:38.800 --> 0:21:40.679
<v Speaker 5>always liked In Living Color more than SNL.

0:21:40.720 --> 0:21:42.440
<v Speaker 3>It was just my it was my thing.

0:21:42.840 --> 0:21:45.920
<v Speaker 5>And as amazing as Jim Carrey was and he got

0:21:45.960 --> 0:21:46.520
<v Speaker 5>he's so good.

0:21:46.520 --> 0:21:48.200
<v Speaker 3>He's just proven himself time and time again.

0:21:48.880 --> 0:21:53.640
<v Speaker 5>David Allen Greer and Tommy Davidson to me were two

0:21:53.760 --> 0:21:56.320
<v Speaker 5>guys to where every time they were on screen, David,

0:21:56.359 --> 0:21:58.240
<v Speaker 5>I mean, they're both amazing. With David Allen Greer I

0:21:58.320 --> 0:22:01.040
<v Speaker 5>couldn't stop laughing every time this I did anything, And

0:22:01.040 --> 0:22:02.600
<v Speaker 5>then when I saw him then an Amazon Woman on

0:22:02.640 --> 0:22:04.199
<v Speaker 5>the Moon, which is one of my favorite movies of

0:22:04.200 --> 0:22:08.000
<v Speaker 5>all time. He's just that cast was incredible, I mean

0:22:08.160 --> 0:22:11.680
<v Speaker 5>so amazing at everything they did. I'm curious, what was

0:22:11.720 --> 0:22:14.919
<v Speaker 5>it like working because I know that Keenan Ivory WANs

0:22:14.960 --> 0:22:16.520
<v Speaker 5>was really in charge of the show.

0:22:16.600 --> 0:22:16.800
<v Speaker 3>Right.

0:22:17.560 --> 0:22:20.280
<v Speaker 6>Well, you know, here's the fun fact. He wasn't there.

0:22:20.520 --> 0:22:23.960
<v Speaker 6>I was there one year, will and it was when

0:22:24.000 --> 0:22:29.400
<v Speaker 6>the Wayans family had essentially recused themselves.

0:22:30.600 --> 0:22:32.879
<v Speaker 4>Yeah, it was a really strange deal.

0:22:32.960 --> 0:22:36.640
<v Speaker 6>It was the final year, which is really interesting because

0:22:36.640 --> 0:22:39.119
<v Speaker 6>they had Jim Carrey under contract, but I think Fox

0:22:39.240 --> 0:22:42.679
<v Speaker 6>was like, let's not alienate this guy. But yeah, they

0:22:42.720 --> 0:22:46.880
<v Speaker 6>could have gone forth. So it was a The show

0:22:46.960 --> 0:22:49.119
<v Speaker 6>was run in sort of a three headed hydra of

0:22:49.200 --> 0:22:54.840
<v Speaker 6>Greg Field's, Pan VSA and Laspierstein and they assumed that position.

0:22:55.119 --> 0:22:57.640
<v Speaker 6>So I wasn't there. There were no Wayans. I didn't

0:22:57.640 --> 0:23:02.640
<v Speaker 6>get to work with Damon, Keenan, anybody you know. So yeah,

0:23:02.800 --> 0:23:05.280
<v Speaker 6>I can't fill you in on that, although I do

0:23:05.440 --> 0:23:07.320
<v Speaker 6>know a lot. I worked with a lot of the

0:23:07.359 --> 0:23:09.840
<v Speaker 6>guys who were there, and a lot of those guys

0:23:09.880 --> 0:23:12.840
<v Speaker 6>remain friends of mine, and those and pitch sessions in

0:23:12.880 --> 0:23:13.679
<v Speaker 6>that era.

0:23:14.920 --> 0:23:16.439
<v Speaker 4>Were legendarily brutal.

0:23:16.480 --> 0:23:17.119
<v Speaker 6>I do know that.

0:23:17.400 --> 0:23:17.880
<v Speaker 4>Yeah.

0:23:17.920 --> 0:23:21.439
<v Speaker 1>Man, Well, just two years after in Living Color, you

0:23:21.840 --> 0:23:24.919
<v Speaker 1>get the job for a little show called Sabrina the

0:23:24.960 --> 0:23:27.960
<v Speaker 1>Teenage Witch. How did that job come to you?

0:23:28.520 --> 0:23:32.560
<v Speaker 6>Well, you know, it's interesting, you know, unlike every other

0:23:32.680 --> 0:23:38.399
<v Speaker 6>show ever, there was no traditional pilot of Sabrina. They

0:23:38.440 --> 0:23:43.360
<v Speaker 6>Paula and Melissa had done this movie for I think Showtime,

0:23:43.960 --> 0:23:47.360
<v Speaker 6>and it was single cam and it's a very different animal.

0:23:48.080 --> 0:23:51.040
<v Speaker 6>But I think on the premise of that they sold

0:23:51.080 --> 0:23:54.879
<v Speaker 6>it to ABC and then they had to do the

0:23:54.920 --> 0:23:58.400
<v Speaker 6>half hour version. And while all of that was kind

0:23:58.400 --> 0:24:02.960
<v Speaker 6>of percolating, I worked on this very strange, interesting, great

0:24:03.280 --> 0:24:07.919
<v Speaker 6>project called the TV Wheel with Joel Hodgson, who you

0:24:07.960 --> 0:24:09.240
<v Speaker 6>probably know from Mystery.

0:24:08.960 --> 0:24:13.480
<v Speaker 4>Science NST Hell. Yes, Joel was.

0:24:13.440 --> 0:24:16.399
<v Speaker 6>One of the original comedy Channel that was the Lynch

0:24:16.440 --> 0:24:18.600
<v Speaker 6>Pinch Show. When we started, that was the one everybody

0:24:18.680 --> 0:24:21.080
<v Speaker 6>knew and loved, and he's the man, and he's, you know,

0:24:21.119 --> 0:24:25.080
<v Speaker 6>the greatest on every level. And he did this very

0:24:25.119 --> 0:24:28.960
<v Speaker 6>interesting project where he built this rotating set like an

0:24:28.960 --> 0:24:33.359
<v Speaker 6>old viewfinder and the camera was locked down, and the

0:24:33.520 --> 0:24:36.359
<v Speaker 6>set rotated and locked in, and there are all these

0:24:36.440 --> 0:24:41.440
<v Speaker 6>weird perspective sets, and little sketches would play and then rotate,

0:24:42.280 --> 0:24:44.639
<v Speaker 6>and I wrote on it for a couple of weeks,

0:24:44.640 --> 0:24:47.119
<v Speaker 6>and then I'm in sketches in this strange thing was

0:24:47.119 --> 0:24:50.920
<v Speaker 6>so I think for HBO ended up running on Comedy Central,

0:24:51.320 --> 0:24:53.119
<v Speaker 6>and it was like a lot of interesting people with there.

0:24:53.160 --> 0:24:58.200
<v Speaker 6>I know, David Cross and Paul Figue before he became

0:24:58.240 --> 0:25:01.400
<v Speaker 6>the Oats, a lot of interesting people involved. And one

0:25:01.440 --> 0:25:04.119
<v Speaker 6>of the people who was writing on it was Nell Scovell,

0:25:04.520 --> 0:25:08.680
<v Speaker 6>who ended up writing the Sabrina show.

0:25:08.800 --> 0:25:10.200
<v Speaker 4>And it was interesting because.

0:25:10.000 --> 0:25:11.960
<v Speaker 6>I felt like Nell and I kind of locked horns

0:25:12.000 --> 0:25:13.360
<v Speaker 6>creatively writing there.

0:25:13.440 --> 0:25:14.840
<v Speaker 4>I had no idea who she was.

0:25:14.600 --> 0:25:19.119
<v Speaker 6>I just you know, we were philosophically not exactly aligned.

0:25:19.760 --> 0:25:25.399
<v Speaker 6>But then when she took over the Sabrina project, my

0:25:25.760 --> 0:25:27.960
<v Speaker 6>manager's phone rang and I had just had one of

0:25:27.960 --> 0:25:31.600
<v Speaker 6>those kitchen table talks with my wife and it was,

0:25:31.760 --> 0:25:34.800
<v Speaker 6>you know, is every year going to be this terrifying

0:25:34.880 --> 0:25:37.199
<v Speaker 6>one of those talks? You know, are you always going

0:25:37.240 --> 0:25:39.320
<v Speaker 6>to be reaching for another vine? Because I had done

0:25:39.400 --> 0:25:41.560
<v Speaker 6>so many things and none of them stuck to the wall,

0:25:42.359 --> 0:25:45.560
<v Speaker 6>and I never wanted to write half hours. I was like, oh, no,

0:25:46.080 --> 0:25:48.280
<v Speaker 6>you know, but I said, I think, just as a

0:25:48.320 --> 0:25:51.920
<v Speaker 6>responsible human being, I got to open my mind to this.

0:25:52.640 --> 0:25:54.920
<v Speaker 6>And then the phone rang. I talked to my manager

0:25:54.960 --> 0:25:56.199
<v Speaker 6>at the time and I said, I think I got

0:25:56.240 --> 0:25:58.160
<v Speaker 6>to open my mind to this, and then the phone rang,

0:25:58.520 --> 0:26:00.560
<v Speaker 6>and I got hired to write on the show. I

0:26:00.600 --> 0:26:02.040
<v Speaker 6>was already doing a lot of voice work. I was

0:26:02.080 --> 0:26:05.600
<v Speaker 6>an angry Beaver already on Nickelodeon. I was doing a

0:26:05.640 --> 0:26:08.160
<v Speaker 6>lot of that stuff. So I was writing on the show.

0:26:08.560 --> 0:26:11.840
<v Speaker 6>They didn't have a pilot, they were casting it. I

0:26:11.920 --> 0:26:14.200
<v Speaker 6>read for the cat a bit of an inside job,

0:26:14.200 --> 0:26:16.920
<v Speaker 6>but I got it. And that's how that happened.

0:26:17.560 --> 0:26:17.919
<v Speaker 4>Wow.

0:26:18.200 --> 0:26:21.760
<v Speaker 6>Yeah, you know, you know, I've struggled a lot of

0:26:21.760 --> 0:26:25.600
<v Speaker 6>good things in life. I've found I have wrestled with

0:26:25.800 --> 0:26:30.040
<v Speaker 6>you know. You know, I have these beautiful kids. And

0:26:30.160 --> 0:26:32.560
<v Speaker 6>my wife had to read me an ultimatum on that

0:26:32.760 --> 0:26:35.960
<v Speaker 6>we adopted these beautiful boys, and you know, I was

0:26:36.040 --> 0:26:38.760
<v Speaker 6>Dean Martin man. I was like, we're going out hard

0:26:38.840 --> 0:26:42.800
<v Speaker 6>and we're gonna you know, and she just said we

0:26:42.920 --> 0:26:45.640
<v Speaker 6>had enough, you know, And I fought and I and

0:26:45.720 --> 0:26:48.320
<v Speaker 6>you know, but Robin's always been the architect of all

0:26:48.320 --> 0:26:51.320
<v Speaker 6>the smart moves in our life. And and I listened,

0:26:51.480 --> 0:26:53.560
<v Speaker 6>and it's been the best thing that ever happened to me.

0:26:53.600 --> 0:26:56.280
<v Speaker 6>And I have wrestled a lot of good things, and

0:26:56.320 --> 0:26:58.960
<v Speaker 6>I wrestled that one. But you know, I was mister

0:26:59.040 --> 0:27:02.760
<v Speaker 6>in New York, mister late night, missed all these crap

0:27:02.840 --> 0:27:05.080
<v Speaker 6>and and living and you know, I was like, oh

0:27:05.119 --> 0:27:07.240
<v Speaker 6>my god, I'm writing a half hour and I'm on

0:27:07.320 --> 0:27:10.520
<v Speaker 6>TGIF and Model and you know, and you know, but

0:27:10.520 --> 0:27:12.680
<v Speaker 6>it just goes to show how stupid I am, because

0:27:12.720 --> 0:27:15.239
<v Speaker 6>all of a sudden, I'm like, that's I worked with

0:27:15.359 --> 0:27:18.440
<v Speaker 6>wonderful writers that they helped me learn how to write

0:27:18.480 --> 0:27:22.200
<v Speaker 6>half hours, that bread and butter. I worked with great people.

0:27:22.240 --> 0:27:24.200
<v Speaker 6>I got to be on a show that people love

0:27:24.280 --> 0:27:26.960
<v Speaker 6>as opposed to these disposable.

0:27:26.280 --> 0:27:27.280
<v Speaker 4>Things I'd been doing.

0:27:28.280 --> 0:27:31.920
<v Speaker 6>You know, I'm happy to admit how wrong I was

0:27:31.960 --> 0:27:35.639
<v Speaker 6>to be hesitant because it was a beautiful experience.

0:27:35.840 --> 0:27:36.359
<v Speaker 4>That's great.

0:27:36.640 --> 0:27:39.760
<v Speaker 2>How was it learning how to write half hour? Like,

0:27:40.040 --> 0:27:42.880
<v Speaker 2>because this was the first time you were coming into yeah,

0:27:43.040 --> 0:27:46.400
<v Speaker 2>real storytelling of that, you know, like extended storytelling, because

0:27:46.440 --> 0:27:48.919
<v Speaker 2>it everything had been sketches up until then, everything.

0:27:48.680 --> 0:27:51.359
<v Speaker 6>Had been sketches in character comedy and that's how I

0:27:51.400 --> 0:27:52.600
<v Speaker 6>survived for years.

0:27:52.880 --> 0:27:53.760
<v Speaker 4>You know, I was.

0:27:55.119 --> 0:27:58.320
<v Speaker 6>I was always valuable because I can write in character,

0:27:58.800 --> 0:28:02.760
<v Speaker 6>and I can pitch jokes that are in character. They're

0:28:02.760 --> 0:28:04.800
<v Speaker 6>not those jokes, they're like, that's great, but it stops

0:28:04.840 --> 0:28:07.679
<v Speaker 6>the scene dead. I can if you're playing a character,

0:28:07.840 --> 0:28:10.280
<v Speaker 6>I'll give you gold, and it's on story, and it's

0:28:10.280 --> 0:28:13.359
<v Speaker 6>on point. What I couldn't do is break story. What

0:28:13.400 --> 0:28:16.480
<v Speaker 6>I couldn't do is you know this. I mean, I

0:28:16.520 --> 0:28:19.359
<v Speaker 6>didn't run a show until I was in my fifties,

0:28:19.960 --> 0:28:22.359
<v Speaker 6>and I felt like it took me every minute to

0:28:22.440 --> 0:28:23.240
<v Speaker 6>learn how to do that.

0:28:23.359 --> 0:28:24.360
<v Speaker 4>Some people, I.

0:28:24.320 --> 0:28:26.680
<v Speaker 6>Guess are born with that gift. I wasn't one of them.

0:28:27.040 --> 0:28:29.840
<v Speaker 6>I had to learn slow and hard, but there's a

0:28:29.840 --> 0:28:32.800
<v Speaker 6>lot to it. And I also had to learn different

0:28:32.800 --> 0:28:35.920
<v Speaker 6>ways of storytelling. I feel like in that era, storytelling

0:28:36.040 --> 0:28:40.160
<v Speaker 6>was very plotty, very very much about clever turns. And

0:28:40.960 --> 0:28:42.920
<v Speaker 6>I always joked like, back in that era when it

0:28:42.960 --> 0:28:45.000
<v Speaker 6>was story breaking, I used to have to burn myself

0:28:45.040 --> 0:28:46.400
<v Speaker 6>with cigarettes to stay awake.

0:28:46.520 --> 0:28:48.640
<v Speaker 4>You know. It was like, you know, what are we

0:28:48.680 --> 0:28:50.040
<v Speaker 4>going to do with these suitcases?

0:28:50.040 --> 0:28:53.040
<v Speaker 6>And I'd be like, oh, I'd be like, I'm gonna

0:28:53.120 --> 0:28:56.320
<v Speaker 6>kilm myself, you know, and I just hated it, and

0:28:56.680 --> 0:28:58.760
<v Speaker 6>You'd be there at two in the morning and I'd be.

0:28:58.680 --> 0:29:01.600
<v Speaker 4>Like, this is not why I got an showbiz. This

0:29:01.800 --> 0:29:03.520
<v Speaker 4>is really not the plan, you know.

0:29:03.600 --> 0:29:07.640
<v Speaker 6>But but then, uh, you know, I've been exposed to

0:29:07.680 --> 0:29:11.080
<v Speaker 6>other approaches, and when I started to tract story from

0:29:11.160 --> 0:29:15.680
<v Speaker 6>just a sincere place, it got good to me. Jeez.

0:29:28.080 --> 0:29:29.520
<v Speaker 1>So I want to talk a little bit about you

0:29:29.600 --> 0:29:32.320
<v Speaker 1>doing the voice. How did you do that then on

0:29:32.400 --> 0:29:35.680
<v Speaker 1>tape night? How was what was the process for like

0:29:35.960 --> 0:29:38.560
<v Speaker 1>you actually shooting the show and being the voice of Salem.

0:29:39.120 --> 0:29:41.920
<v Speaker 6>Well, we didn't tape night because of all those old

0:29:42.000 --> 0:29:47.280
<v Speaker 6>school special effects, you know, and and a live cat

0:29:47.440 --> 0:29:50.120
<v Speaker 6>and a deeply unconvincing puppet cat.

0:29:50.920 --> 0:29:53.200
<v Speaker 1>I want to know every detail about the animation.

0:29:56.920 --> 0:30:01.360
<v Speaker 3>Sorry, oh, no world destroyed.

0:30:02.480 --> 0:30:08.480
<v Speaker 6>A puppeteer was jammed inside that kitchen cabinet's.

0:30:07.800 --> 0:30:10.120
<v Speaker 4>It was, you know. So we didn't do tape night.

0:30:10.240 --> 0:30:12.440
<v Speaker 4>But the first four years I was also.

0:30:12.240 --> 0:30:15.040
<v Speaker 6>Writing there and I would go down to set and

0:30:15.080 --> 0:30:17.280
<v Speaker 6>be off camera with a boom mic and the script.

0:30:17.480 --> 0:30:20.600
<v Speaker 6>Beautiful thing, as you guys know, voiceover you never have

0:30:20.720 --> 0:30:24.640
<v Speaker 6>to learn a looney beautiful joy and it's glorious. But

0:30:25.520 --> 0:30:27.480
<v Speaker 6>we were in the and there was a puppeteer who

0:30:27.480 --> 0:30:29.959
<v Speaker 6>did the voice, and he would watch me like a

0:30:30.000 --> 0:30:34.200
<v Speaker 6>piano accompanyist, and we had a great groove going. And

0:30:34.240 --> 0:30:37.000
<v Speaker 6>then in the last three seasons I had moved over

0:30:37.080 --> 0:30:40.720
<v Speaker 6>and was writing on King of Queen's so then he

0:30:40.760 --> 0:30:42.880
<v Speaker 6>would lay down a track and I would come in

0:30:42.880 --> 0:30:45.400
<v Speaker 6>and loop it, and so that was different.

0:30:45.440 --> 0:30:46.840
<v Speaker 4>But in the early going, I go down there.

0:30:46.840 --> 0:30:50.120
<v Speaker 6>There was one scene I remember where I think Salem,

0:30:50.360 --> 0:30:52.120
<v Speaker 6>you know, had his head jammed in a.

0:30:52.080 --> 0:30:53.240
<v Speaker 4>Fish bowl or something.

0:30:53.280 --> 0:30:55.600
<v Speaker 6>So I'm like sitting there with a script and a

0:30:55.600 --> 0:30:58.960
<v Speaker 6>boom mic and there's a you know, somebody holding a

0:30:59.800 --> 0:31:02.400
<v Speaker 6>fish bowl, a big tank over my head for this.

0:31:02.520 --> 0:31:05.400
<v Speaker 4>You know, it was deeply practical.

0:31:05.560 --> 0:31:08.400
<v Speaker 3>Magic Hollywood, the magic of Hollywood.

0:31:08.440 --> 0:31:08.960
<v Speaker 4>You gotta love.

0:31:10.720 --> 0:31:13.120
<v Speaker 1>Are you a cat person at all?

0:31:13.400 --> 0:31:15.640
<v Speaker 6>I am a cat person. I've always grew up with

0:31:15.680 --> 0:31:18.360
<v Speaker 6>cats when never had dogs. I have two enormous main

0:31:18.480 --> 0:31:22.120
<v Speaker 6>coon cats right now, beautiful, and the dogs have worked

0:31:22.120 --> 0:31:23.880
<v Speaker 6>their way into the picture too. But yeah, I'm a

0:31:23.920 --> 0:31:26.040
<v Speaker 6>cat person at heart, very much.

0:31:26.080 --> 0:31:27.000
<v Speaker 4>So that was easy.

0:31:27.600 --> 0:31:31.840
<v Speaker 1>When did you realize that this was becoming a phenomenon, Like,

0:31:31.880 --> 0:31:34.400
<v Speaker 1>at what point did it hit you that like, oh

0:31:34.440 --> 0:31:36.920
<v Speaker 1>my gosh, this is mascot forever. Yeah, I'm going to

0:31:36.960 --> 0:31:40.240
<v Speaker 1>be this cat for the rest of this episode.

0:31:45.400 --> 0:31:48.080
<v Speaker 6>I think it was a slower reveal for me than

0:31:48.160 --> 0:31:51.520
<v Speaker 6>for guys like you, because you're out with your faces.

0:31:52.240 --> 0:31:54.280
<v Speaker 6>You guys could go to seven eleven for a pack

0:31:54.280 --> 0:31:56.800
<v Speaker 6>of smokes and people would wet their pants. I'm sure,

0:31:56.920 --> 0:32:00.520
<v Speaker 6>you know, but I don't look like a cat. Nobody

0:32:00.640 --> 0:32:02.960
<v Speaker 6>vibes me that way, you know. I think, you know,

0:32:03.320 --> 0:32:06.200
<v Speaker 6>it's pretty anonymous work, but people would hear my voice

0:32:06.280 --> 0:32:07.200
<v Speaker 6>because I don't do it.

0:32:07.200 --> 0:32:09.560
<v Speaker 4>It wasn't like I'm dealing one of those nickeloneon boys.

0:32:09.600 --> 0:32:09.720
<v Speaker 4>You know.

0:32:10.120 --> 0:32:12.600
<v Speaker 6>It's pretty much me with more sauce on it, you know.

0:32:12.760 --> 0:32:16.200
<v Speaker 6>And and you know what it would happen is I

0:32:16.480 --> 0:32:21.680
<v Speaker 6>remember going, you know, it's funny because as much as

0:32:21.720 --> 0:32:23.760
<v Speaker 6>our shows, I know, you guys know this one. It

0:32:23.920 --> 0:32:27.920
<v Speaker 6>owned a generation of kids and girls, in particular Friday nights.

0:32:28.600 --> 0:32:31.239
<v Speaker 6>But there was also a generation of girls who were

0:32:31.240 --> 0:32:34.040
<v Speaker 6>getting dulled up on Friday to go out and they

0:32:34.120 --> 0:32:37.200
<v Speaker 6>loved their TGIF too, right. Yeah, And I remember going

0:32:37.200 --> 0:32:41.360
<v Speaker 6>to remember Billy Martin's on Sunset Plaza. Oh it was

0:32:41.560 --> 0:32:44.440
<v Speaker 6>it was a really billy Martin. The oldi Achey manager

0:32:44.520 --> 0:32:46.040
<v Speaker 6>had one in New York and one in LA and

0:32:46.080 --> 0:32:50.400
<v Speaker 6>it was great elite western wear, really good boutique store

0:32:50.720 --> 0:32:53.560
<v Speaker 6>right up at Sunset Plaza with all the eurotrash weirdos

0:32:53.600 --> 0:32:54.000
<v Speaker 6>and all that.

0:32:54.080 --> 0:32:56.360
<v Speaker 4>But there's like, it's only the cowboy boots.

0:32:56.440 --> 0:33:00.400
<v Speaker 6>Anyway, I go in there and I bought something, and

0:33:00.440 --> 0:33:03.080
<v Speaker 6>I put my credit card down, and the and and

0:33:03.120 --> 0:33:07.760
<v Speaker 6>I got name recognition on the credit card from the

0:33:07.800 --> 0:33:12.440
<v Speaker 6>sales person and she melted down. And that was for me,

0:33:12.640 --> 0:33:15.320
<v Speaker 6>that moment where I went, oh, this is getting interesting.

0:33:17.000 --> 0:33:23.680
<v Speaker 4>And when credit card bill that was exactly exactly and

0:33:23.680 --> 0:33:24.840
<v Speaker 4>that's the one that pays you.

0:33:25.040 --> 0:33:27.160
<v Speaker 6>It was like a silver one and it was really

0:33:27.200 --> 0:33:32.520
<v Speaker 6>cool and that didn't bounce and I wasn't thrown out.

0:33:32.640 --> 0:33:34.840
<v Speaker 6>But there were also bad moments so that like, you know,

0:33:34.880 --> 0:33:37.720
<v Speaker 6>people would want to tell their young kids, much like

0:33:37.720 --> 0:33:40.160
<v Speaker 6>the experience you just had, well that I you know,

0:33:40.240 --> 0:33:43.240
<v Speaker 6>it was the cat and the cat wasn't real, and

0:33:43.280 --> 0:33:45.560
<v Speaker 6>there'd be a kid who wasn't ready to handle that information,

0:33:46.080 --> 0:33:49.920
<v Speaker 6>let alone look at me and associate, you know, and

0:33:50.920 --> 0:33:51.240
<v Speaker 6>they go.

0:33:51.240 --> 0:33:58.760
<v Speaker 4>No, he's the cat, Billy's don't. I don't need this.

0:33:59.160 --> 0:34:03.120
<v Speaker 4>I don't need it. He really doesn't mean I'm good.

0:34:03.400 --> 0:34:04.960
<v Speaker 4>Oh man, Did.

0:34:04.800 --> 0:34:07.720
<v Speaker 1>You know Caroline Ray from the comedy scene before you

0:34:07.840 --> 0:34:08.920
<v Speaker 1>worked on that show together?

0:34:09.320 --> 0:34:09.840
<v Speaker 4>Not really.

0:34:09.960 --> 0:34:12.200
<v Speaker 6>I remember she came in on a twenty or third

0:34:12.239 --> 0:34:15.239
<v Speaker 6>Street one week. I think she hosted Sasty as we

0:34:15.320 --> 0:34:18.200
<v Speaker 6>called Short Spent Theater, and I think I might have

0:34:18.239 --> 0:34:19.960
<v Speaker 6>met her fleetingly there, but I didn't.

0:34:20.200 --> 0:34:20.560
<v Speaker 4>I didn't.

0:34:20.560 --> 0:34:24.399
<v Speaker 6>I didn't know anybody over there before that. But as

0:34:24.400 --> 0:34:26.080
<v Speaker 6>you know, we got to know each other well.

0:34:26.400 --> 0:34:30.080
<v Speaker 5>Yes, of course, did it change the dynamic on the

0:34:30.120 --> 0:34:32.160
<v Speaker 5>set at all, or how you were with the cast

0:34:32.200 --> 0:34:35.560
<v Speaker 5>and the writing crew when you left to go right

0:34:35.640 --> 0:34:37.359
<v Speaker 5>for King of Queen's but we're still doing the Voice

0:34:37.360 --> 0:34:37.759
<v Speaker 5>of the Cat.

0:34:38.840 --> 0:34:44.839
<v Speaker 6>No, Because it was really isolated, you know. Honestly. I

0:34:44.880 --> 0:34:47.719
<v Speaker 6>would go in on Friday mornings before my King of

0:34:47.800 --> 0:34:51.960
<v Speaker 6>Queen's shoot day or tape night, and it was me

0:34:52.040 --> 0:34:56.360
<v Speaker 6>and Jim Hilton, who was our post producer, and we'd

0:34:56.400 --> 0:34:58.839
<v Speaker 6>go over to Paramount to a sound stage and we'd

0:34:58.920 --> 0:35:01.000
<v Speaker 6>roll it and we'd be done so I could be

0:35:01.080 --> 0:35:06.799
<v Speaker 6>at my other job by ten. So I was really isolated,

0:35:07.200 --> 0:35:10.239
<v Speaker 6>other than you know, Christmas parties and things here and there,

0:35:11.440 --> 0:35:13.759
<v Speaker 6>and I remember going to a party once when it

0:35:13.840 --> 0:35:14.600
<v Speaker 6>moved over.

0:35:14.440 --> 0:35:15.120
<v Speaker 4>To the WB.

0:35:16.080 --> 0:35:20.239
<v Speaker 6>Okay, But honestly, you know, and and and you know,

0:35:20.360 --> 0:35:25.320
<v Speaker 6>there's the writing gig on these shows is there's no time,

0:35:25.480 --> 0:35:27.799
<v Speaker 6>you know, and doing like King Queen's like, you know,

0:35:28.000 --> 0:35:31.719
<v Speaker 6>you're you're, you're there is no hiatus, there is no downtime,

0:35:31.800 --> 0:35:35.000
<v Speaker 6>and you're there, you're lockdown. So it wasn't like I

0:35:35.120 --> 0:35:39.520
<v Speaker 6>was avoiding people. It was that I was in a gulag.

0:35:40.040 --> 0:35:43.840
<v Speaker 1>Yeah, was there ever any jealousy with the other writers

0:35:43.880 --> 0:35:45.120
<v Speaker 1>that you were the voice of the cat?

0:35:46.200 --> 0:35:49.799
<v Speaker 6>No, you know, everybody was thrilled. And it's nice when

0:35:49.840 --> 0:35:51.319
<v Speaker 6>you can have the voice in the room.

0:35:51.480 --> 0:35:52.520
<v Speaker 3>That's I was just gonna say.

0:35:52.520 --> 0:35:54.160
<v Speaker 5>I mean, that must be so great when you're writing

0:35:54.239 --> 0:35:56.680
<v Speaker 5>or pitching lines, actually have the voice there with You's

0:35:56.719 --> 0:35:57.480
<v Speaker 5>got to be incredible.

0:35:57.719 --> 0:35:59.719
<v Speaker 6>Yeah, I'm sure there are scenarios where that would be

0:35:59.760 --> 0:36:03.360
<v Speaker 6>the case, but that that first the staff that first

0:36:03.400 --> 0:36:06.520
<v Speaker 6>four years was wonderful and really into it. And the

0:36:06.600 --> 0:36:10.359
<v Speaker 6>other thing is that you know, that character was a

0:36:10.400 --> 0:36:14.080
<v Speaker 6>great get out of jail free card for the writers

0:36:14.120 --> 0:36:17.520
<v Speaker 6>on so many levels. You know, you want exposition, tell

0:36:17.560 --> 0:36:18.400
<v Speaker 6>it to the there's.

0:36:18.200 --> 0:36:19.920
<v Speaker 1>A cat can do it.

0:36:20.000 --> 0:36:22.400
<v Speaker 4>Yeah, well, you know that just got easy.

0:36:22.920 --> 0:36:25.239
<v Speaker 6>And also you know it's that old like showbiz thing,

0:36:25.280 --> 0:36:28.640
<v Speaker 6>like you know, puppets just get away with more ye.

0:36:28.840 --> 0:36:31.080
<v Speaker 6>So you know, if you had a little edge, if

0:36:31.120 --> 0:36:34.320
<v Speaker 6>you had a joke, that might not quite you know, right,

0:36:34.440 --> 0:36:36.680
<v Speaker 6>give it to the cat. Cat gets away with murders.

0:36:36.760 --> 0:36:40.160
<v Speaker 6>So the cat was quite popular with the writers for

0:36:40.520 --> 0:36:41.680
<v Speaker 6>writerly reasons.

0:36:42.400 --> 0:36:43.440
<v Speaker 3>Oh God's amazing.

0:36:43.800 --> 0:36:46.160
<v Speaker 1>Not only then did Salem become a star on Friday

0:36:46.200 --> 0:36:49.399
<v Speaker 1>Nights with Sabrina, but then you start doing TGIF commercials,

0:36:49.440 --> 0:36:52.240
<v Speaker 1>and you even enter the world of Boy Meets World

0:36:52.760 --> 0:36:56.480
<v Speaker 1>when you become the connective tissue for all of the

0:36:56.560 --> 0:37:01.359
<v Speaker 1>shows who are doing time travel at theisodes? Do you

0:37:01.480 --> 0:37:03.520
<v Speaker 1>remember anything specific about that?

0:37:04.360 --> 0:37:06.719
<v Speaker 6>I had to watch a little this morning. I'll be

0:37:06.760 --> 0:37:10.040
<v Speaker 6>honest with you. I was like, I remember, I didn't.

0:37:10.480 --> 0:37:13.759
<v Speaker 6>I didn't remember the premise that well. I knew that

0:37:14.000 --> 0:37:16.000
<v Speaker 6>he was running through the shows and there was a

0:37:16.040 --> 0:37:20.400
<v Speaker 6>time element, but I had to brush up on my

0:37:20.480 --> 0:37:24.560
<v Speaker 6>Shakespeare a little bit. And you know, again, especially in

0:37:24.560 --> 0:37:28.120
<v Speaker 6>those cases, it was very disembodied. I think I recorded

0:37:28.160 --> 0:37:30.880
<v Speaker 6>the you know, it's funny. I was watching, like, you know,

0:37:31.320 --> 0:37:33.120
<v Speaker 6>when he's in the trash can, at the end of

0:37:33.200 --> 0:37:35.560
<v Speaker 6>your episode. I was like, y wow, I you know,

0:37:39.719 --> 0:37:41.520
<v Speaker 6>I think that is that paramount. I don't know where

0:37:41.520 --> 0:37:44.200
<v Speaker 6>that is, but you know, it was fascinating. I love

0:37:44.200 --> 0:37:44.759
<v Speaker 6>to seeing you.

0:37:44.640 --> 0:37:45.880
<v Speaker 4>Guys in the old stuff.

0:37:45.880 --> 0:37:46.040
<v Speaker 5>Though.

0:37:46.040 --> 0:37:46.560
<v Speaker 4>It was great.

0:37:46.600 --> 0:37:50.480
<v Speaker 6>I kept thinking about that original Star Trek Forties episode.

0:37:50.520 --> 0:37:53.120
<v Speaker 6>It was like, you guys really did something cool with it.

0:37:53.480 --> 0:37:56.560
<v Speaker 1>Oh man, it's not one of our favorites.

0:37:58.040 --> 0:37:59.800
<v Speaker 4>That's why I told me everything.

0:38:00.320 --> 0:38:05.319
<v Speaker 1>Yeah, well, there were there were other eras people got

0:38:05.360 --> 0:38:07.480
<v Speaker 1>to go back to that. You know, we got we

0:38:07.560 --> 0:38:08.040
<v Speaker 1>had war.

0:38:10.440 --> 0:38:12.759
<v Speaker 5>Let's go to the other tunnels of World War two

0:38:12.920 --> 0:38:14.640
<v Speaker 5>where all the comedy takes place.

0:38:14.840 --> 0:38:20.040
<v Speaker 1>Sure, there was a seventies and we now got World

0:38:20.120 --> 0:38:20.560
<v Speaker 1>War two.

0:38:20.880 --> 0:38:24.800
<v Speaker 4>Okay, true, Okay, you're right, I forgot. We got the

0:38:24.840 --> 0:38:25.880
<v Speaker 4>swing in the sixties.

0:38:26.000 --> 0:38:28.840
<v Speaker 5>We were told we got to pick last our show,

0:38:28.960 --> 0:38:30.960
<v Speaker 5>so we literally got what was left.

0:38:31.040 --> 0:38:31.440
<v Speaker 4>Yeah, we had.

0:38:31.440 --> 0:38:33.200
<v Speaker 3>What was left was the nineteen forties.

0:38:33.200 --> 0:38:35.680
<v Speaker 5>By the way, speaking of forties, neither of them understood

0:38:35.680 --> 0:38:36.920
<v Speaker 5>your Star Trek forties reference.

0:38:36.960 --> 0:38:37.440
<v Speaker 3>I got it.

0:38:37.440 --> 0:38:37.960
<v Speaker 4>It was great.

0:38:38.560 --> 0:38:40.319
<v Speaker 3>They you just blew right by bye bye.

0:38:40.360 --> 0:38:43.200
<v Speaker 4>Yeah, that's that's going back aways it is.

0:38:43.280 --> 0:38:44.680
<v Speaker 5>It's not as good as a piece of the action

0:38:44.840 --> 0:38:48.000
<v Speaker 5>where they're the uh, the actual gangsters.

0:38:48.120 --> 0:38:49.640
<v Speaker 3>But it's still great.

0:38:49.680 --> 0:38:49.919
<v Speaker 4>Yeah.

0:38:50.120 --> 0:38:52.759
<v Speaker 1>Was there a for talk of a Salem spin off,

0:38:53.160 --> 0:38:56.120
<v Speaker 1>like a you know, an Alf thing. Alf had that

0:38:56.160 --> 0:38:56.960
<v Speaker 1>holiday special?

0:38:58.120 --> 0:39:01.520
<v Speaker 6>Nothing serious, No, you know, it's it's interesting. I think

0:39:01.520 --> 0:39:04.279
<v Speaker 6>there there was I think a little tension over the

0:39:04.360 --> 0:39:09.040
<v Speaker 6>character's popularity. You know, it was always an interesting gig.

0:39:10.000 --> 0:39:12.160
<v Speaker 6>I was very grateful for it, and it was nothing

0:39:12.200 --> 0:39:14.560
<v Speaker 6>but good for me. And you know, we used to

0:39:14.600 --> 0:39:17.400
<v Speaker 6>get two year pickups. You know, it's just you know,

0:39:17.400 --> 0:39:22.320
<v Speaker 6>there's nothing, nothing to complain about. But it was always

0:39:22.320 --> 0:39:25.680
<v Speaker 6>interesting because you know, the show was produced by a

0:39:25.719 --> 0:39:30.200
<v Speaker 6>wing of Viacom at the time that was particularly ruthless

0:39:30.239 --> 0:39:34.440
<v Speaker 6>and mercenary. And I always knew, you know, I better

0:39:34.920 --> 0:39:37.600
<v Speaker 6>mind my p's and q's here because they'll get Billy

0:39:37.680 --> 0:39:39.759
<v Speaker 6>West in here in a minute, you know.

0:39:40.040 --> 0:39:42.880
<v Speaker 5>They yeah, they'll do something.

0:39:42.920 --> 0:39:45.839
<v Speaker 6>They'll get you know, they ca the show's launched. They

0:39:45.840 --> 0:39:49.200
<v Speaker 6>could they could have you know, a pig fart my voice. Now,

0:39:49.239 --> 0:39:53.360
<v Speaker 6>they don't care. They are not about quality. Sole I

0:39:53.520 --> 0:39:55.759
<v Speaker 6>had to, you know, pick my battles.

0:39:56.320 --> 0:39:58.279
<v Speaker 5>Did they know it wasn't there at some point, I

0:39:58.320 --> 0:40:00.480
<v Speaker 5>don't know if there was talk of or they actually did.

0:40:00.840 --> 0:40:03.760
<v Speaker 5>Wasn't there an animated series or some sort that happened?

0:40:03.800 --> 0:40:04.120
<v Speaker 6>Yeah?

0:40:04.280 --> 0:40:07.640
<v Speaker 1>Yeah, that was the movies, video games, an animated show.

0:40:07.920 --> 0:40:10.400
<v Speaker 6>There was tons of stuff, you know, looking back on it, No,

0:40:10.480 --> 0:40:13.000
<v Speaker 6>they got glue out of the hoofs of that stuff,

0:40:13.040 --> 0:40:17.279
<v Speaker 6>you know. And I did the animated series too, and

0:40:17.280 --> 0:40:19.560
<v Speaker 6>that was surreal because I'd done a lot, done a

0:40:19.560 --> 0:40:24.360
<v Speaker 6>lot of animated and that one I never got a script.

0:40:25.640 --> 0:40:27.759
<v Speaker 6>It was they had the whole thing. It was like

0:40:27.800 --> 0:40:32.880
<v Speaker 6>they're like sixties whatever, eight episodes. They were all written.

0:40:33.280 --> 0:40:35.600
<v Speaker 6>I mean, this thing was done so on the cheap,

0:40:36.920 --> 0:40:40.040
<v Speaker 6>and I would just get these sessions where they would

0:40:40.080 --> 0:40:43.720
<v Speaker 6>give me wild lines. I would go there for three

0:40:43.760 --> 0:40:47.120
<v Speaker 6>hours and just do wild lines with no context. And

0:40:47.200 --> 0:40:51.400
<v Speaker 6>yet I knew the character enough that I was like.

0:40:49.760 --> 0:40:53.760
<v Speaker 4>Ye, Blazer, confusing careful.

0:40:54.280 --> 0:40:56.200
<v Speaker 6>I wouldn't if I were it just you know, I

0:40:56.239 --> 0:40:59.719
<v Speaker 6>knew all the lines almost. It's like handicapping football without

0:40:59.719 --> 0:41:02.799
<v Speaker 6>knowing that teams. Oh it's a divisional home game, I'll

0:41:02.800 --> 0:41:05.040
<v Speaker 6>take the plus three. I don't even know who's playing.

0:41:05.280 --> 0:41:06.040
<v Speaker 6>It's that kind of thing.

0:41:06.760 --> 0:41:09.760
<v Speaker 4>I would do like forty lines and then.

0:41:09.960 --> 0:41:13.440
<v Speaker 6>The director would go, oh, oh you're angry. Here I

0:41:13.480 --> 0:41:16.640
<v Speaker 6>go oh okay. You know, I wouldn't know what or

0:41:16.640 --> 0:41:20.520
<v Speaker 6>who would I just go, well, careful, all right, moving on,

0:41:20.640 --> 0:41:24.359
<v Speaker 6>you know, we bang that whole thing out, surreal.

0:41:24.040 --> 0:41:28.360
<v Speaker 5>Yeah, stuff, I mean, just just say words, just say words.

0:41:28.480 --> 0:41:29.640
<v Speaker 4>Yeah, I mean exactly.

0:41:29.719 --> 0:41:33.960
<v Speaker 6>And I watched them and you know, not the world's great,

0:41:33.960 --> 0:41:37.080
<v Speaker 6>it's cartoon, but my character makes sense. And that is

0:41:38.000 --> 0:41:41.040
<v Speaker 6>just as baffling as anything to me. It's like this,

0:41:41.160 --> 0:41:44.080
<v Speaker 6>you know, this thinking and this acting. It's highly overrated.

0:41:44.640 --> 0:41:47.960
<v Speaker 1>You were also on The Simpsons as Salem.

0:41:48.560 --> 0:41:52.759
<v Speaker 6>Yes, yeah, that was in a brief moment where there

0:41:52.840 --> 0:41:58.040
<v Speaker 6>was some scene where they're at the Smithsonian Institute and

0:41:58.400 --> 0:42:01.359
<v Speaker 6>I can't remember what Simpson care aracter knocks over a

0:42:01.400 --> 0:42:05.840
<v Speaker 6>domino effect display of things that were on TV shows

0:42:05.840 --> 0:42:09.520
<v Speaker 6>that aren't supposed to talk, and you know, I can't

0:42:09.560 --> 0:42:13.839
<v Speaker 6>know what that's Salem because there's a Salem doll as

0:42:13.880 --> 0:42:15.600
<v Speaker 6>one of them, and I am like, hey, you know,

0:42:16.160 --> 0:42:18.400
<v Speaker 6>that's the whole thing, you know, but it's like the

0:42:18.520 --> 0:42:21.759
<v Speaker 6>robot from Lost in Space and Salem and something else.

0:42:21.800 --> 0:42:23.520
<v Speaker 4>It's like things that I are supposed to talk.

0:42:24.920 --> 0:42:40.520
<v Speaker 1>My gosh, Well, we have forced you to focus on

0:42:41.080 --> 0:42:43.839
<v Speaker 1>very specific family shows. But as we have mentioned, You've

0:42:43.840 --> 0:42:46.919
<v Speaker 1>had a wildly successful career in Hollywood as a true

0:42:46.960 --> 0:42:50.120
<v Speaker 1>renaissance man. You went from Sabrina to writing and producing

0:42:50.200 --> 0:42:52.760
<v Speaker 1>King of Queen's Till Death two and a half Men, Mom,

0:42:52.960 --> 0:42:57.520
<v Speaker 1>Young Sheldon. You also like appeared in almost all of them.

0:42:57.880 --> 0:43:00.880
<v Speaker 1>So you've consistently partnered with TV Dge and Chuck Lorie,

0:43:01.000 --> 0:43:03.960
<v Speaker 1>most recently on a show you created with him, Bookie

0:43:04.000 --> 0:43:08.600
<v Speaker 1>on Max, and you never gave up voice acting, most

0:43:08.640 --> 0:43:13.120
<v Speaker 1>notably Norbert and Angry Beavers. How many of these people

0:43:13.200 --> 0:43:15.799
<v Speaker 1>that you work with now and over the years have

0:43:15.920 --> 0:43:18.080
<v Speaker 1>known you were also Salem the Cat all of them.

0:43:19.320 --> 0:43:23.480
<v Speaker 6>It comes out eventually, you know, it's very interesting. I

0:43:23.520 --> 0:43:28.640
<v Speaker 6>actually it's funny. I went down to I'm working right now.

0:43:29.400 --> 0:43:32.280
<v Speaker 4>Thank you for plugging Bookie by the way, that I want.

0:43:32.160 --> 0:43:32.840
<v Speaker 1>To talk about it.

0:43:32.960 --> 0:43:37.560
<v Speaker 6>Yeah, I went down the hall. There's a woman who

0:43:37.560 --> 0:43:40.680
<v Speaker 6>works in our building who worked in PR for years,

0:43:41.520 --> 0:43:45.480
<v Speaker 6>and I said, I have to pick your brain from

0:43:45.520 --> 0:43:50.200
<v Speaker 6>my wife about this Baldoni situation. And we were talking

0:43:50.239 --> 0:43:54.879
<v Speaker 6>and like that got her inside scoop and there are

0:43:54.920 --> 0:43:58.040
<v Speaker 6>two younger women who work with her. She came up

0:43:58.040 --> 0:44:00.239
<v Speaker 6>to me later and said, you know, I told them

0:44:00.600 --> 0:44:03.400
<v Speaker 6>and there's a meltdown.

0:44:02.960 --> 0:44:05.839
<v Speaker 4>So you know, it's like you know, it happens. I

0:44:05.880 --> 0:44:10.160
<v Speaker 4>don't think about identity. You can't. I'll tell you I failed.

0:44:10.880 --> 0:44:13.160
<v Speaker 6>I think I failed this country a little bit because

0:44:13.200 --> 0:44:16.120
<v Speaker 6>I always said, you know, my voice has a subliminal effect.

0:44:16.520 --> 0:44:20.360
<v Speaker 6>I should have run for office because people would have

0:44:20.360 --> 0:44:22.239
<v Speaker 6>gone it's persuasive.

0:44:22.280 --> 0:44:23.920
<v Speaker 4>And I don't know why. I don't agree with him

0:44:23.920 --> 0:44:24.480
<v Speaker 4>on anything.

0:44:25.239 --> 0:44:27.440
<v Speaker 1>I don't know why about.

0:44:29.160 --> 0:44:29.680
<v Speaker 6>My soul.

0:44:33.440 --> 0:44:35.280
<v Speaker 3>You're angry, You're angry, You're angry.

0:44:38.280 --> 0:44:39.080
<v Speaker 4>There's an answer.

0:44:40.800 --> 0:44:42.160
<v Speaker 5>No, You're gonna have to come back at some point

0:44:42.160 --> 0:44:44.680
<v Speaker 5>because I'm dying to know what the PR person's take

0:44:44.880 --> 0:44:45.960
<v Speaker 5>was on the whole Belton.

0:44:46.960 --> 0:44:50.960
<v Speaker 2>Talk about that, brought it up right before before came out,

0:44:51.000 --> 0:44:52.040
<v Speaker 2>and I'm talking about it.

0:44:53.160 --> 0:44:57.359
<v Speaker 1>Yeah, we'll talk about it off the record. I want

0:44:57.400 --> 0:44:59.880
<v Speaker 1>you to talk to us about Bookie on Max I.

0:45:00.280 --> 0:45:04.000
<v Speaker 6>I'm thrilled to it's We just rolled out the final

0:45:04.040 --> 0:45:07.840
<v Speaker 6>episode of season two stars Sebastian Maniscalco, one of my

0:45:07.840 --> 0:45:10.239
<v Speaker 6>favorites the most people are aware of, and he's out

0:45:10.239 --> 0:45:12.520
<v Speaker 6>on the road right now playing all the years. I

0:45:12.560 --> 0:45:18.480
<v Speaker 6>call them hockey rinks and Omar Dorsey, but an amazing cast.

0:45:18.640 --> 0:45:26.120
<v Speaker 6>You know Vanessa Forlido Horre Garcia, Andrea Anders and Rob Cordray.

0:45:26.480 --> 0:45:29.720
<v Speaker 4>It's, you know, the kind of thing I've always wanted

0:45:29.760 --> 0:45:30.120
<v Speaker 4>to write.

0:45:30.239 --> 0:45:33.040
<v Speaker 6>You know, a lot of this job is I always say,

0:45:33.080 --> 0:45:35.719
<v Speaker 6>you know, if you're on a show, it's a little

0:45:35.719 --> 0:45:37.560
<v Speaker 6>bit like you have to be tofu. You got to

0:45:37.600 --> 0:45:40.839
<v Speaker 6>absorb the flavor and make it work. And I love

0:45:40.960 --> 0:45:43.560
<v Speaker 6>doing that. But this is kind of if I had

0:45:43.560 --> 0:45:46.239
<v Speaker 6>been left to my own devices, what I would have

0:45:46.320 --> 0:45:49.520
<v Speaker 6>come up with. And it's about a bookie in La

0:45:49.640 --> 0:45:53.160
<v Speaker 6>and people who don't know gambling on sports is still

0:45:53.200 --> 0:45:55.560
<v Speaker 6>illegal here, which is one of the rare places in

0:45:55.600 --> 0:45:59.719
<v Speaker 6>America that's true. And it's about this guy in his

0:45:59.800 --> 0:46:03.799
<v Speaker 6>part partner sort of struggling to get over in sort

0:46:03.840 --> 0:46:09.440
<v Speaker 6>of crime gray light area and they have complicated families

0:46:09.480 --> 0:46:12.040
<v Speaker 6>and they're just trying to get over and there's this

0:46:12.200 --> 0:46:16.080
<v Speaker 6>looming specter of what's going to happen. Like Jorge plays

0:46:16.120 --> 0:46:18.359
<v Speaker 6>a guy who used to be a very successful weed

0:46:18.440 --> 0:46:21.759
<v Speaker 6>dealer and now is driving a lift car when he

0:46:21.800 --> 0:46:24.239
<v Speaker 6>meets them and they hire him. You know, it's just it,

0:46:24.400 --> 0:46:26.960
<v Speaker 6>and I think there's something relatable because I think all

0:46:27.000 --> 0:46:29.600
<v Speaker 6>of us look, you know, as a writer. I just

0:46:29.800 --> 0:46:31.919
<v Speaker 6>was on strike for a long time with the fear

0:46:31.960 --> 0:46:35.239
<v Speaker 6>of AI. If you know, a viacom in Paramount had

0:46:35.280 --> 0:46:37.279
<v Speaker 6>access to AI when I was doing the cat, they

0:46:37.280 --> 0:46:39.719
<v Speaker 6>probably would have bounced me after two years because they

0:46:39.719 --> 0:46:40.520
<v Speaker 6>would have been able.

0:46:40.320 --> 0:46:42.480
<v Speaker 4>To you know what I'm saying. It doesn't matter what

0:46:42.480 --> 0:46:43.600
<v Speaker 4>line of work you're in.

0:46:44.200 --> 0:46:47.080
<v Speaker 6>You wake up one morning, there's an app, there's an algorithm,

0:46:47.120 --> 0:46:51.279
<v Speaker 6>there's something that might make you obsolete. So this is

0:46:52.239 --> 0:46:55.920
<v Speaker 6>but it's also it's a big it's a big, funny

0:46:55.960 --> 0:47:00.319
<v Speaker 6>show with lots of delicious violence. I highly recommend. I

0:47:00.320 --> 0:47:01.640
<v Speaker 6>think I'm very.

0:47:01.480 --> 0:47:01.960
<v Speaker 4>Proud of it.

0:47:02.520 --> 0:47:05.120
<v Speaker 1>Well, you've dropped quite a few references. People may have

0:47:05.160 --> 0:47:06.840
<v Speaker 1>been able to pick up on it at this point.

0:47:06.840 --> 0:47:09.799
<v Speaker 1>But you were also a sports expert. You've written for

0:47:10.160 --> 0:47:15.120
<v Speaker 1>ESPN and the NFL, and you're an actual sports center commentator.

0:47:15.360 --> 0:47:18.360
<v Speaker 1>Where do you find time for this? How do you

0:47:18.480 --> 0:47:18.920
<v Speaker 1>keep up?

0:47:19.719 --> 0:47:21.680
<v Speaker 4>You know, I no longer do.

0:47:21.840 --> 0:47:26.080
<v Speaker 6>Once children entered my life, show running that fell a

0:47:26.120 --> 0:47:28.840
<v Speaker 6>little bit by the wayside, although they still get me

0:47:28.880 --> 0:47:33.560
<v Speaker 6>in certain fantasy magazines for the expert polls, which you

0:47:33.600 --> 0:47:38.920
<v Speaker 6>know makes me catnip to the ladies. But you know,

0:47:39.040 --> 0:47:43.680
<v Speaker 6>when I was that's right. Wait until you see my

0:47:43.760 --> 0:47:48.360
<v Speaker 6>wide receiver rankings. It's all over. That's my closer question.

0:47:49.880 --> 0:47:52.040
<v Speaker 6>What are you drinking? And what do you think about?

0:47:52.120 --> 0:47:54.000
<v Speaker 4>All right?

0:47:55.800 --> 0:47:58.439
<v Speaker 6>But when I would like I said, back in New York,

0:47:58.520 --> 0:48:01.520
<v Speaker 6>I did this show Channel, I did the late night show,

0:48:01.520 --> 0:48:04.680
<v Speaker 6>but we also did a show called Sports Monster that

0:48:04.880 --> 0:48:07.960
<v Speaker 6>was a parody of Sports Center, and it caught the

0:48:08.120 --> 0:48:13.680
<v Speaker 6>eye of ESPN at the time, and also Keith Oberman,

0:48:13.800 --> 0:48:15.960
<v Speaker 6>believing me a man who was at that point in

0:48:16.040 --> 0:48:19.520
<v Speaker 6>time on the road. He was working in la as

0:48:19.520 --> 0:48:21.600
<v Speaker 6>an anchor, but he was on the road to becoming

0:48:21.680 --> 0:48:25.840
<v Speaker 6>sort of the uber Sports Center anchor with Dan Patrick.

0:48:27.239 --> 0:48:33.280
<v Speaker 6>And when they launched ESPN two, Keith and John Walsch,

0:48:33.280 --> 0:48:38.320
<v Speaker 6>who they were really my mentors over there, they brought

0:48:38.320 --> 0:48:40.600
<v Speaker 6>me in to do stuff and I used to do

0:48:40.640 --> 0:48:43.400
<v Speaker 6>a department there a lot called the Tail the Tape,

0:48:43.480 --> 0:48:46.319
<v Speaker 6>and I did a book for Hyperion that collected the

0:48:46.320 --> 0:48:48.320
<v Speaker 6>ones I did over the years and some other ones.

0:48:49.080 --> 0:48:51.440
<v Speaker 6>It was basically taking the tail the tape boxing thing

0:48:51.440 --> 0:48:53.960
<v Speaker 6>of like who's got the advantage, reach height, weigh all

0:48:53.960 --> 0:48:57.560
<v Speaker 6>this stuff, but doing absurdist categories. We could do one

0:48:57.680 --> 0:49:03.200
<v Speaker 6>right now on Lively Baldoni. So it's an absurdist breakdown

0:49:03.320 --> 0:49:04.960
<v Speaker 6>and you declare a winner at the end. And it

0:49:05.000 --> 0:49:06.960
<v Speaker 6>was really good, and I would do a very clip

0:49:07.040 --> 0:49:10.120
<v Speaker 6>driven so if you're watching Sports Center, you didn't hate

0:49:10.120 --> 0:49:14.120
<v Speaker 6>my guts for just talking, you know. And through that,

0:49:14.360 --> 0:49:16.720
<v Speaker 6>I started to do a ton of stuff on ESPN.

0:49:16.760 --> 0:49:19.200
<v Speaker 6>I worked the Draft, I used to sit in for

0:49:19.320 --> 0:49:22.480
<v Speaker 6>Jim Rome on Talk two. I mean it blossomed into

0:49:22.520 --> 0:49:24.080
<v Speaker 6>this thing, and it was the thing that when I

0:49:24.120 --> 0:49:27.120
<v Speaker 6>started to write a lot on half hours, it was

0:49:27.160 --> 0:49:30.520
<v Speaker 6>sort of my sandist sanity pressure valve. I still got

0:49:30.560 --> 0:49:34.160
<v Speaker 6>to go write and perform this stuff that I had

0:49:34.160 --> 0:49:38.960
<v Speaker 6>control over, and I got to put this sort of funny, satirical,

0:49:39.040 --> 0:49:41.680
<v Speaker 6>op ed voice out there, and I was very opinionated

0:49:41.680 --> 0:49:44.920
<v Speaker 6>on the world of sports, and ultimately it led to

0:49:46.239 --> 0:49:48.680
<v Speaker 6>the most popular thing I did. My wife, Robin and

0:49:48.760 --> 0:49:52.880
<v Speaker 6>I did a segment on Sports Center about NFL bad beats.

0:49:52.920 --> 0:49:54.600
<v Speaker 6>I mean, Ben Pelt's doing it all the time now,

0:49:54.640 --> 0:49:57.040
<v Speaker 6>but I was the original bad beats guys on Sports Center,

0:49:57.040 --> 0:50:00.799
<v Speaker 6>where I would show the game footage and say, if

0:50:00.800 --> 0:50:03.000
<v Speaker 6>you had Carolina minus three, here's where a.

0:50:03.080 --> 0:50:04.560
<v Speaker 4>Kicker destroyed your dreams.

0:50:05.160 --> 0:50:07.440
<v Speaker 6>And Robin and I were sort of the sketch element

0:50:07.440 --> 0:50:09.840
<v Speaker 6>where I was the degenerate and she was my wife,

0:50:09.920 --> 0:50:14.200
<v Speaker 6>and it was wildly popular and the NFL eventually shut

0:50:14.239 --> 0:50:17.640
<v Speaker 6>us down when their deal was up. They had a

0:50:17.719 --> 0:50:20.680
<v Speaker 6>show on at the time called Playmakers that was set

0:50:20.719 --> 0:50:24.840
<v Speaker 6>in a mythical NFL where guys are like smoking crack

0:50:24.880 --> 0:50:29.920
<v Speaker 6>at act and when the game deal was up with

0:50:29.960 --> 0:50:35.120
<v Speaker 6>the NFL, the commissioner said, look, you can get games back,

0:50:35.239 --> 0:50:39.160
<v Speaker 6>but you're canceling Playmakers, and that the kai gambling segment's out.

0:50:39.600 --> 0:50:41.840
<v Speaker 6>But for four years before that, and now of course

0:50:42.360 --> 0:50:45.319
<v Speaker 6>everybody's you know, the ESPN has a gambling app, the

0:50:45.440 --> 0:50:49.359
<v Speaker 6>NFL has an official gambling partner. It's hilarious now, but

0:50:49.440 --> 0:50:51.719
<v Speaker 6>you know, back then it was very edgy stuff. But

0:50:51.760 --> 0:50:53.840
<v Speaker 6>we were the only thing on Sports Center where it's like,

0:50:54.200 --> 0:50:57.160
<v Speaker 6>if you bet this game, watch our segment Monday and

0:50:57.239 --> 0:50:59.759
<v Speaker 6>if you get if you've got a bad beat at

0:50:59.760 --> 0:51:02.799
<v Speaker 6>the end end of the game, I'm there.

0:51:02.400 --> 0:51:04.360
<v Speaker 3>Now, are you? Are you a Bills fan? Is that

0:51:04.360 --> 0:51:05.200
<v Speaker 3>what I see the helmet of that?

0:51:05.680 --> 0:51:07.680
<v Speaker 1>Yeah, that's the real reason he doesn't talk sports.

0:51:07.800 --> 0:51:14.000
<v Speaker 4>I'm sorry, sorry, no, it's not easy. Now, you know

0:51:14.040 --> 0:51:14.719
<v Speaker 4>how tough.

0:51:14.520 --> 0:51:17.440
<v Speaker 5>I am it's getting it'll be it's getting easier these

0:51:17.520 --> 0:51:18.080
<v Speaker 5>last few years.

0:51:18.120 --> 0:51:18.960
<v Speaker 3>It's getting easier.

0:51:19.120 --> 0:51:19.359
<v Speaker 4>You know.

0:51:20.080 --> 0:51:24.440
<v Speaker 6>I've been around this planet a while, and I always

0:51:24.440 --> 0:51:28.160
<v Speaker 6>say being a Buffalo sports fan is like being the

0:51:28.480 --> 0:51:29.760
<v Speaker 6>hero in a film noir.

0:51:30.520 --> 0:51:33.960
<v Speaker 4>You know, it's it's really exciting in act too. It's

0:51:34.000 --> 0:51:37.400
<v Speaker 4>great fighting people and you're getting laid. It's amazing, but

0:51:37.480 --> 0:51:39.320
<v Speaker 4>it doesn't end well for you.

0:51:39.400 --> 0:51:41.040
<v Speaker 5>Oh yeah, I guess you could the same thing, say

0:51:41.040 --> 0:51:43.520
<v Speaker 5>the same thing about being a Buffalo Bills kicker. So

0:51:43.960 --> 0:51:48.440
<v Speaker 5>it's kind of the same life, Isn't it Not easy?

0:51:48.520 --> 0:51:50.880
<v Speaker 1>I have to ask you about Paul Blart because I

0:51:50.920 --> 0:51:53.799
<v Speaker 1>think our listeners would be very bummed if I don't

0:51:53.800 --> 0:51:56.720
<v Speaker 1>mention it at all. Did you where did that idea

0:51:56.800 --> 0:51:59.320
<v Speaker 1>come from? Did you first meet him on King of Queens?

0:51:59.360 --> 0:52:01.120
<v Speaker 1>Is that where You're relationship with Kevin started?

0:52:01.239 --> 0:52:03.680
<v Speaker 6>That's where I met him, and we worked there for

0:52:03.840 --> 0:52:07.359
<v Speaker 6>years together and we developed a really beautiful bond and

0:52:07.400 --> 0:52:11.600
<v Speaker 6>a great comedic relationship. And you know that grew out

0:52:11.600 --> 0:52:15.799
<v Speaker 6>of he had done really well in Hitch. Remember he

0:52:15.960 --> 0:52:18.800
<v Speaker 6>was just great, And yeah, he was sort of poised

0:52:18.960 --> 0:52:21.680
<v Speaker 6>at that point, and the idea was to do something

0:52:22.320 --> 0:52:26.520
<v Speaker 6>to sort of before that momentum evaporated and we sat

0:52:26.600 --> 0:52:30.120
<v Speaker 6>down and we were throwing things around. And I actually

0:52:30.239 --> 0:52:35.480
<v Speaker 6>worked as a security guard in Buffalo. You know, I

0:52:35.560 --> 0:52:38.800
<v Speaker 6>had lots of great jobs. They still help me write

0:52:38.800 --> 0:52:42.399
<v Speaker 6>things to this day. And I spent And the way

0:52:42.440 --> 0:52:44.080
<v Speaker 6>you made money on that job was you did your

0:52:44.120 --> 0:52:46.160
<v Speaker 6>regular gig, and then you got time and a half

0:52:46.160 --> 0:52:48.360
<v Speaker 6>if you worked nights and weekends and those gigs. I

0:52:48.400 --> 0:52:51.880
<v Speaker 6>was always paired with other security guards, and you'd be

0:52:52.000 --> 0:52:55.200
<v Speaker 6>like all night, I'm you know, like in the Hall

0:52:55.239 --> 0:53:01.960
<v Speaker 6>of Records downtown with some crazy security guard and or all.

0:53:02.080 --> 0:53:03.560
<v Speaker 6>I was all over the world with these guys, and

0:53:03.600 --> 0:53:07.480
<v Speaker 6>they were all many of these guys took the job

0:53:07.640 --> 0:53:11.839
<v Speaker 6>very seriously, and so I developed a profile and and

0:53:11.920 --> 0:53:14.080
<v Speaker 6>so Kevin and I started talking and I said, you know,

0:53:14.120 --> 0:53:18.960
<v Speaker 6>but and Kevin's bread and butter is sincerity, and so

0:53:19.160 --> 0:53:21.719
<v Speaker 6>we just started talking and we got into this. And

0:53:21.760 --> 0:53:24.520
<v Speaker 6>I have to say, Kevin's the one who said I

0:53:24.560 --> 0:53:27.600
<v Speaker 6>should be on one of those you know vehicles, and

0:53:29.160 --> 0:53:31.239
<v Speaker 6>because he's he's just funny, we did it. There's a

0:53:31.280 --> 0:53:35.000
<v Speaker 6>king Queen's with a whole tag is just Kevin screwing

0:53:35.080 --> 0:53:38.320
<v Speaker 6>up on a forklift it's the funniest thing. He's funny physically,

0:53:38.320 --> 0:53:39.440
<v Speaker 6>he's funny on vehicles.

0:53:39.440 --> 0:53:39.880
<v Speaker 4>We knew this.

0:53:39.920 --> 0:53:42.200
<v Speaker 6>Put him on a golf cart, put him on a forklift.

0:53:42.239 --> 0:53:47.480
<v Speaker 6>It's gold and uh. And we just quickly arrived at okay,

0:53:47.520 --> 0:53:52.680
<v Speaker 6>it's a dreamer, delusional mall cop and let's just make

0:53:52.760 --> 0:53:55.719
<v Speaker 6>it die hard on them all, you know. And and

0:53:55.880 --> 0:53:59.399
<v Speaker 6>we sold that fast. We wrote that fast, and it

0:53:59.480 --> 0:54:01.960
<v Speaker 6>was but we did not expect it to be as

0:54:02.040 --> 0:54:05.160
<v Speaker 6>popular as it was. That was really kind of a

0:54:05.239 --> 0:54:07.680
<v Speaker 6>deeply exciting moment, that opening weekend.

0:54:08.360 --> 0:54:08.759
<v Speaker 4>That's cool.

0:54:08.800 --> 0:54:12.640
<v Speaker 1>Well, finally, before I let you go, looking back now

0:54:12.960 --> 0:54:17.120
<v Speaker 1>at specifically Sabrina the Teenage Witch TGAF Friday Nights, a

0:54:17.239 --> 0:54:21.400
<v Speaker 1>job you could have never seen coming. It is obviously

0:54:21.480 --> 0:54:25.440
<v Speaker 1>an iconic character for an entire generation and now, thanks

0:54:25.440 --> 0:54:30.839
<v Speaker 1>to streaming, for generations to come. What are your emotions

0:54:30.920 --> 0:54:34.560
<v Speaker 1>or thoughts when you look back at young Nick and

0:54:34.640 --> 0:54:37.680
<v Speaker 1>you think about those opportunities and you voicing Salem so

0:54:37.760 --> 0:54:38.600
<v Speaker 1>early in your career.

0:54:40.400 --> 0:54:43.640
<v Speaker 6>You know, it's really interesting, you know, you start out

0:54:43.719 --> 0:54:46.680
<v Speaker 6>with this career dream and you just you know, my

0:54:46.800 --> 0:54:49.080
<v Speaker 6>original dream was, man, I just don't want to work

0:54:49.120 --> 0:54:51.839
<v Speaker 6>a square job, you know, It's like, you know, if

0:54:51.880 --> 0:54:54.880
<v Speaker 6>I get an equity card, you start in those small

0:54:54.920 --> 0:54:59.040
<v Speaker 6>increments and in the milestones change on you.

0:55:00.800 --> 0:55:01.520
<v Speaker 4>So much of.

0:55:01.440 --> 0:55:04.960
<v Speaker 6>It was just I'd love to not have to spend

0:55:05.520 --> 0:55:08.400
<v Speaker 6>as much of my energy doing things I don't care about,

0:55:09.719 --> 0:55:14.719
<v Speaker 6>and that fruition is the best part always. But you know,

0:55:14.760 --> 0:55:18.239
<v Speaker 6>and you know, it's funny. I met you guys down

0:55:18.320 --> 0:55:22.080
<v Speaker 6>at that convention in Tampa. I don't have I don't

0:55:22.160 --> 0:55:25.319
<v Speaker 6>get to go to those things. That's the only time

0:55:25.360 --> 0:55:28.680
<v Speaker 6>I ever got to. And that was really interesting for

0:55:28.760 --> 0:55:32.239
<v Speaker 6>me because that was my opportunity to see that the

0:55:32.320 --> 0:55:35.160
<v Speaker 6>show has this. I mean, I've done so many into things,

0:55:35.200 --> 0:55:38.920
<v Speaker 6>but you know, look, I'm so proud of Bookie and

0:55:38.960 --> 0:55:42.440
<v Speaker 6>I loved every minute of doing it, but Sabrina is

0:55:42.440 --> 0:55:45.239
<v Speaker 6>the thing that this lasting impact. You guys see this

0:55:45.360 --> 0:55:45.920
<v Speaker 6>all the time.

0:55:46.000 --> 0:55:46.399
<v Speaker 4>I don't.

0:55:46.880 --> 0:55:50.239
<v Speaker 6>When I met people who love the show and then

0:55:50.239 --> 0:55:53.799
<v Speaker 6>they're introducing it to their kids, and the and the

0:55:53.880 --> 0:55:57.439
<v Speaker 6>way they express their appreciation for it, and you see

0:55:57.440 --> 0:56:00.560
<v Speaker 6>it manifest it that way, and you really, well, you know,

0:56:00.600 --> 0:56:01.879
<v Speaker 6>I actually did something.

0:56:01.600 --> 0:56:03.800
<v Speaker 4>With legs that's a whole other level.

0:56:03.880 --> 0:56:09.319
<v Speaker 6>I never expected that and to come full circle, you know,

0:56:10.040 --> 0:56:12.279
<v Speaker 6>it's the thing that I didn't expect it to be,

0:56:12.520 --> 0:56:15.120
<v Speaker 6>you know that the one I went in going okay,

0:56:15.280 --> 0:56:18.759
<v Speaker 6>you know, yeah, right, you know you're you're never going

0:56:18.840 --> 0:56:21.759
<v Speaker 6>to get it right when you try to predict your outcomes,

0:56:21.800 --> 0:56:25.000
<v Speaker 6>So try things right, try them, because this one's been

0:56:25.120 --> 0:56:25.920
<v Speaker 6>just beautiful.

0:56:27.239 --> 0:56:29.400
<v Speaker 1>Well, Nick, thank you so much for coming and spending

0:56:29.480 --> 0:56:31.919
<v Speaker 1>so much time talking to us. A pleasure to talk

0:56:31.960 --> 0:56:34.560
<v Speaker 1>to you. You've had such an interesting, fascinating career. It's

0:56:34.760 --> 0:56:36.920
<v Speaker 1>great to great to hear you reminiscent it all, So

0:56:37.120 --> 0:56:40.440
<v Speaker 1>thank you. Thanks for having me check out Booky on Max. Yeah,

0:56:40.440 --> 0:56:42.160
<v Speaker 1>where else can we find you? Where else can we

0:56:42.160 --> 0:56:45.239
<v Speaker 1>see you? That's on Max? Bookie? What else you know?

0:56:45.280 --> 0:56:47.040
<v Speaker 4>I'm right now. We're shooting.

0:56:47.280 --> 0:56:49.680
<v Speaker 6>I got a show coming up on Netflix. It's a

0:56:49.760 --> 0:56:52.879
<v Speaker 6>half hour with the comedian Leanne Morgan and you guys

0:56:52.920 --> 0:56:55.000
<v Speaker 6>will like this. It's an old school multi came with

0:56:55.040 --> 0:56:55.640
<v Speaker 6>an audience.

0:56:55.760 --> 0:56:57.600
<v Speaker 1>Oh thank god.

0:56:58.440 --> 0:57:02.680
<v Speaker 6>We're just shooting I think our seventh or eighth episode

0:57:02.760 --> 0:57:06.160
<v Speaker 6>next week. So we're back in the old uh, back

0:57:06.160 --> 0:57:08.600
<v Speaker 6>in the belly of the beast. And it's been really

0:57:08.600 --> 0:57:11.680
<v Speaker 6>fun and she's been delightful. It's on Netflix, so you

0:57:11.680 --> 0:57:13.919
<v Speaker 6>know it'll take them three years to translate it into

0:57:14.200 --> 0:57:17.680
<v Speaker 6>you know, every language under the sun. But it's coming

0:57:17.720 --> 0:57:18.960
<v Speaker 6>at you in and it's really fun.

0:57:19.640 --> 0:57:19.880
<v Speaker 4>Great.

0:57:20.360 --> 0:57:21.160
<v Speaker 3>Thank you wonderful.

0:57:21.240 --> 0:57:22.920
<v Speaker 1>Well, thank you again for being here with us. Nick.

0:57:22.920 --> 0:57:24.240
<v Speaker 1>We'll look forward to seeing you next time.

0:57:24.520 --> 0:57:26.280
<v Speaker 4>You guys are blast. Thanks for having me.

0:57:26.760 --> 0:57:27.800
<v Speaker 1>Thank you bye.

0:57:30.080 --> 0:57:30.200
<v Speaker 5>Oh.

0:57:30.280 --> 0:57:32.280
<v Speaker 1>I still do want to know what that PR person

0:57:32.320 --> 0:57:34.000
<v Speaker 1>said about the Baldoni.

0:57:34.280 --> 0:57:35.000
<v Speaker 3>I'm the same way.

0:57:35.040 --> 0:57:36.840
<v Speaker 5>He's also one of those guys where I feel like

0:57:36.840 --> 0:57:39.160
<v Speaker 5>he and I speak the same language. Oh yeah, guys

0:57:39.360 --> 0:57:41.040
<v Speaker 5>like you meet somebody and you're like, it'll be like

0:57:41.080 --> 0:57:42.720
<v Speaker 5>writer meeting another professor.

0:57:42.960 --> 0:57:44.560
<v Speaker 1>So we picked up on that right and I just

0:57:44.560 --> 0:57:45.360
<v Speaker 1>stayed pretty quiet.

0:57:46.520 --> 0:57:47.480
<v Speaker 3>We speak the same language.

0:57:47.480 --> 0:57:49.080
<v Speaker 5>I know this guy, okay, yeah yeah, just the old

0:57:49.120 --> 0:57:52.280
<v Speaker 5>school kind of comedy and the really random references.

0:57:52.400 --> 0:57:54.560
<v Speaker 3>Yeah, love love for sure.

0:57:54.880 --> 0:57:57.520
<v Speaker 1>He's so interesting, so many interesting careers, and it's funny

0:57:57.560 --> 0:58:00.120
<v Speaker 1>that how much what he said at the very beginning

0:58:00.120 --> 0:58:02.600
<v Speaker 1>of the episode reminded me of what Rusty says. It's like,

0:58:02.720 --> 0:58:04.920
<v Speaker 1>you can bang your head against door A, but eventually,

0:58:04.960 --> 0:58:07.160
<v Speaker 1>if you know, DOORB opens and you don't walk through it,

0:58:07.240 --> 0:58:09.320
<v Speaker 1>like yeah, you know, it's it's just it's.

0:58:09.200 --> 0:58:10.920
<v Speaker 5>Funny you say that he said a couple things that

0:58:10.960 --> 0:58:12.600
<v Speaker 5>reminded me of Rusty. The other thing Rusty used to

0:58:12.640 --> 0:58:14.840
<v Speaker 5>always say to me was I knew when I was

0:58:14.840 --> 0:58:16.680
<v Speaker 5>coming up, I just never wanted to wear a suit

0:58:16.680 --> 0:58:17.000
<v Speaker 5>to work.

0:58:17.480 --> 0:58:18.280
<v Speaker 3>Right, He's like, I.

0:58:18.280 --> 0:58:19.720
<v Speaker 5>Just knew he would always say that to me. He's like,

0:58:19.760 --> 0:58:20.840
<v Speaker 5>I didn't know what I wanted to do. I just

0:58:20.920 --> 0:58:22.280
<v Speaker 5>knew I didn't want to wear a suit to work.

0:58:22.320 --> 0:58:23.840
<v Speaker 5>And you got that same kind of vibe from Nick

0:58:23.840 --> 0:58:25.840
<v Speaker 5>where it was just like, no, I don't.

0:58:25.600 --> 0:58:28.080
<v Speaker 3>Know exactly what it is. Yeah, yeah, right, Yeah, it's

0:58:28.080 --> 0:58:29.560
<v Speaker 3>like I just don't want to wear a suit to work,

0:58:29.600 --> 0:58:30.360
<v Speaker 3>So the same kind of thing.

0:58:30.440 --> 0:58:32.320
<v Speaker 1>Yeah. Well, thank you all for joining us for this

0:58:32.360 --> 0:58:34.640
<v Speaker 1>episode of Pod Meets World. As always, you can follow

0:58:34.720 --> 0:58:37.040
<v Speaker 1>us on Instagram pod Meets World Show. You can send

0:58:37.120 --> 0:58:40.160
<v Speaker 1>us your emails pod meets World Show at gmail dot com.

0:58:40.200 --> 0:58:41.600
<v Speaker 1>And we've got March.

0:58:42.080 --> 0:58:44.000
<v Speaker 3>I still don't believe Salem was a puppet.

0:58:44.000 --> 0:58:48.640
<v Speaker 1>March pod meets Worldshow dot com writer, send us out.

0:58:48.840 --> 0:58:50.520
<v Speaker 4>We love you all, pod dismissed.

0:58:52.760 --> 0:58:55.280
<v Speaker 2>Pod Meets World is an iHeart podcast producer and hosted

0:58:55.320 --> 0:58:59.160
<v Speaker 2>by Danielle Fischl Wilfordell and Ryder Straw executive producers Jensen

0:58:59.240 --> 0:59:02.680
<v Speaker 2>Karp and Amy Executive in charge of production, Danielle Romo,

0:59:02.880 --> 0:59:06.520
<v Speaker 2>producer and editor, Tara Subasch, producer, Maddie Moore, engineer and

0:59:06.560 --> 0:59:09.600
<v Speaker 2>Boy Meets World Superman Easton Allen. Our theme song is

0:59:09.640 --> 0:59:12.760
<v Speaker 2>by Kyle Morton of Typhoon. Follow us on Instagram at

0:59:12.800 --> 0:59:16.200
<v Speaker 2>Podmets World Show, or email us at Podmeats Worldshow at

0:59:16.280 --> 0:59:20.600
<v Speaker 2>gmail dot com