WEBVTT - 89: Return To The Island Of Dr. Goldin

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<v Speaker 1>Welcome to Nightcall, a production of I Heart Radio. It's

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<v Speaker 1>one thirteen am in the Hall of Heads and you're

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<v Speaker 1>listening to night Call. Hello, and welcome to Nightcall, a

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<v Speaker 1>podcast for your strange days and nights. My name is

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<v Speaker 1>Emily Ashida. I am in Los Angeles, and here with

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<v Speaker 1>me as always are Test Lynch and Molly libert Um.

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<v Speaker 1>We were just commiserating over some shared dental trauma. I

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<v Speaker 1>feel like this episode is going to be trauma rich.

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<v Speaker 1>Just for like warning you ahead of time, I'll find

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<v Speaker 1>a bush. It is terror Fighting eighties puppet movies for

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<v Speaker 1>children December, but also dentist December. Um. I got a

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<v Speaker 1>filling for the first time. What made it scary was

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<v Speaker 1>that I thought I had done it before. Like I

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<v Speaker 1>said to my parents, I ever had a filling and

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<v Speaker 1>they were like, oh, yeah, you had a half filling,

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<v Speaker 1>which is specific. So I was like, sure, I must

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<v Speaker 1>have and then I half filling it's not a real

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<v Speaker 1>thing because that didn't have be okay okay um. So

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<v Speaker 1>I went to the dentist. I found out I need

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<v Speaker 1>to feeling, went back to get the filling. They were

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<v Speaker 1>like I'd been My dad was like, oh yeah, but

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<v Speaker 1>they'll probably just give you like a shot, And I

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<v Speaker 1>was like, oh, okay, they give you a shot. I

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<v Speaker 1>thought they just kind of got in there. Um. So

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<v Speaker 1>the dentist was like, what made scary was the dentist said,

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<v Speaker 1>I'm going to put your teeth to sleep. Oh no,

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<v Speaker 1>and I don't like, um, what does that mean? He's like, well,

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<v Speaker 1>I'm just going to give you a shot of whatever

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<v Speaker 1>it is. It's not no opcating. It's like something like

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<v Speaker 1>that light. It came probably asked a lot of questions.

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<v Speaker 1>I thought I was prepared for this experience, but then

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<v Speaker 1>it's just like they put a syringe like in your

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<v Speaker 1>tooth gum area. It feels really weird. Um, it feels

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<v Speaker 1>like fine and then just sort of like sensitive and

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<v Speaker 1>tender like and anytime you get like a new thing perforated,

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<v Speaker 1>it's gonna gonna feel weird. Um. But it felt so

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<v Speaker 1>much weirder than I thought because I didn't really understand

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<v Speaker 1>what novocaine is or does. So that you your face

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<v Speaker 1>feels humongous. I could not feel my face. Uh, and

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<v Speaker 1>it just freaked me out so much that that was

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<v Speaker 1>like a thing you can do. I just kept thinking

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<v Speaker 1>about audition the whole time. Um more spoiler alert, somebody

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<v Speaker 1>gives somebody else a bunch of syringes of sort of

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<v Speaker 1>paralyzing you. It also made be like, how do people

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<v Speaker 1>get botox? Like this is so scary to like paralyzed

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<v Speaker 1>part of your face for like three hours. Well, there's

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<v Speaker 1>a difference I think of like something that's meant to

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<v Speaker 1>actually anesthetize you to like in preparation for something else

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<v Speaker 1>more painful, versus like a long term like muscle deadening,

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<v Speaker 1>which is like the whole thing just freaked me out

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<v Speaker 1>so much that I was like not prepared, maybe like

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<v Speaker 1>I'm going to brush my teeth. I hearing this so

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<v Speaker 1>much because last week we also our guests the Least

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<v Speaker 1>Simonson mentioned that she had her first cavity ever. I

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<v Speaker 1>have my first cavity, but it won't be my first

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<v Speaker 1>filling because I had two pre cavities when I was

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<v Speaker 1>a kid, and I got novocaine for one and then

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<v Speaker 1>was and the other one was on the other side

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<v Speaker 1>of my mouth, and I I declined the novocaine and

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<v Speaker 1>said like, I don't want a shot, and they were like,

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<v Speaker 1>this is going to be tremendously painful and uncomfortable for you,

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<v Speaker 1>and I said, go go ahead, try me and it

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<v Speaker 1>was horrible. But I'm so afraid to get I have

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<v Speaker 1>to have a feeling a Tuesday, and I'm so afraid

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<v Speaker 1>to get it done. But I've also had two epidurals,

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<v Speaker 1>so it's like your spine. You think I wouldn't care,

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<v Speaker 1>but I do care. Well. I was thinking, if we

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<v Speaker 1>can't find the Ewok Adventures for next the next episode,

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<v Speaker 1>maybe we can do Little Shop of Horrors, which I

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<v Speaker 1>think falls under eighties puppet movies. I've never seen it.

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<v Speaker 1>You've never seen it? No? Why not? What? I don't know?

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<v Speaker 1>I missed a lot of the eighties. I feel like

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<v Speaker 1>you were such a mark for a Little Shop of Horror.

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<v Speaker 1>It feels like such a Molly movie. I've seen the original,

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<v Speaker 1>the Roger Corman serious horror movie one with but I

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<v Speaker 1>would see that, not the music. Oh it's good. I

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<v Speaker 1>want to see it. I mean, I wonder if it's

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<v Speaker 1>good as an adult and your rotation dental horror of

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<v Speaker 1>dr One of my like continue like my favorite things

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<v Speaker 1>to think about is just the statistic that you know

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<v Speaker 1>and I don't even know if it's true anymore, that

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<v Speaker 1>like dentists have the highest rate of suicide because there's

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<v Speaker 1>something both about the mouth, Like obviously people a lot

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<v Speaker 1>of people have like a lot of sensitivity about getting

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<v Speaker 1>donal work done. It's like a very like anxiety and

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<v Speaker 1>do sing thing. But then also the act of like

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<v Speaker 1>looking inside people's mouths all day. Something about that like

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<v Speaker 1>like leads to despair or something you're looking into like

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<v Speaker 1>a gaping hole. Yeah, I'm just like, what is it

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<v Speaker 1>about the mouth? Like it was like the tedium of

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<v Speaker 1>doing that over and over again. Maybe I don't know,

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<v Speaker 1>but like doctors get to mix it up. But like

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<v Speaker 1>every dentist I've ever had always seems like it always

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<v Speaker 1>seems like a really fun job. Like I wanted to

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<v Speaker 1>be a dentist when I was a kid because I

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<v Speaker 1>actually loved going to the dentist for some freakish reason,

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<v Speaker 1>and it was like my dream. I guess there's so

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<v Speaker 1>many toys. There's so Yeah, the idea of the water

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<v Speaker 1>pick is really like I took toys out of the

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<v Speaker 1>toy chest on my way out this time. He deserved it.

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<v Speaker 1>Deserved it, like dice eracer, so the toy chest that

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<v Speaker 1>they give away toys. Yeah, okay, I I thought you

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<v Speaker 1>were just admitting to stealing from hundreds of dollars worth

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<v Speaker 1>of dental equipment. I want to give myself more off brandental.

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<v Speaker 1>Why not? So we were talking about today's the Friday. Also,

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<v Speaker 1>yesterday was a full moon. It was a notable full

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<v Speaker 1>mayor are some really intense vibes happening? Did you? Did

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<v Speaker 1>any of you see? I think it was Alex Miles.

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<v Speaker 1>There was an astrologist who an astrologer who posted something

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<v Speaker 1>on Instagram that was widely shared, and it was about

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<v Speaker 1>the energy portal that's going on from the twelfth to

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<v Speaker 1>thee It was a very intense I'll find a link

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<v Speaker 1>to UH to put in our show notes, but it

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<v Speaker 1>was about how this is a time when we're going

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<v Speaker 1>to be feeling like we have to revolutionize our lifestyles

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<v Speaker 1>and get rid of toxic things, and we're going to

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<v Speaker 1>be feeling all of this crazy energy around us and

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<v Speaker 1>we're going to have to try and wrangle with it.

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<v Speaker 1>Isn't that just the holidays? Yes, but it's also full

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<v Speaker 1>moon energy. I think like the Pluto and Capricorn thing

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<v Speaker 1>or something. I think this was specific to the full moon.

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<v Speaker 1>And then there was also the retrograde that happened recently

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<v Speaker 1>was very powerful, very powerful. That was a couple of

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<v Speaker 1>months ago. But yeah, it made me think that the

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<v Speaker 1>kind of swirling vibes in my brain were real. Yeah.

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<v Speaker 1>I rarely ever feel like like a palpable sense of

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<v Speaker 1>anxiety or unease. It's like this unexplained like I've just been.

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<v Speaker 1>If you look at my Twitter, I'm clearly very stressed

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<v Speaker 1>out right now. And I'm just like I like and

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<v Speaker 1>and like doing dumb ship like getting into the wrong

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<v Speaker 1>car and stuff like that, and and I'm just like,

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<v Speaker 1>is it the moon? Is this the only thing that

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<v Speaker 1>I can I'm pin it too, is that I'm I'm

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<v Speaker 1>the moon is just so close that it's like zapping

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<v Speaker 1>my brain energy. I don't know. Family got in the

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<v Speaker 1>car and this is like the first thing we started

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<v Speaker 1>talking about. I was like, Oh, it's a hundred percent

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<v Speaker 1>the moon. I have been feeling so weird all weeks

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<v Speaker 1>and I feel felt so emotional. And then I was like, oh,

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<v Speaker 1>it's the moon. Obviously, it's clearly it has to be

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<v Speaker 1>the moon. Um. We I have a really weird experience

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<v Speaker 1>of watching So I'm watching the Sopranos, as you all know,

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<v Speaker 1>for the millionth time, and um, my husband and I

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<v Speaker 1>went out to Ramen and I was telling Molly, oh,

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<v Speaker 1>like we had We went out to ram and it

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<v Speaker 1>was so fantastic. It was a beautiful, rainy day. We

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<v Speaker 1>like way too much food. And then later we get

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<v Speaker 1>home and we're watching the Sopranos Anything run season three

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<v Speaker 1>right now, And in the middle of the Sopranos, my

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<v Speaker 1>husband was like, I have food poisoning, and he ran

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<v Speaker 1>out of the room. And then the next minute Tony

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<v Speaker 1>got food poisoning, and I was like, something weird is

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<v Speaker 1>there's a lot of synchronicity going around. Muscle memory. Muscle memory. Um,

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<v Speaker 1>if you have any reports about your December full moon experience,

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<v Speaker 1>please please let us know. It was the cold moon.

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<v Speaker 1>I had a tweet go super viral about the moon.

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<v Speaker 1>Uh so viral that it ruins your Twitter, but it's

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<v Speaker 1>it's awesome because I was about how it's you can't

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<v Speaker 1>take a picture of the moon on an iPhone. UM,

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<v Speaker 1>about how I respect that you can't capture the moon

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<v Speaker 1>on an iPhone, um even though you try, and people

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<v Speaker 1>sent me a million great blurry moon pictures, which is

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<v Speaker 1>the best thing. Um. But also we learned why you

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<v Speaker 1>can't take a picture of the moon on an iPhone.

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<v Speaker 1>It because the aperture is too wide. Emily explained it more,

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<v Speaker 1>can you explain to me, I don't know. I mean

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<v Speaker 1>iPhones are made. iPhones are not professional cameras, despite what

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<v Speaker 1>many people try to do with them, and then they

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<v Speaker 1>get better and better, but like they're not. They're made

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<v Speaker 1>to be able to be used in low light without

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<v Speaker 1>a flash, because that like most of your life is

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<v Speaker 1>in little light without a flash, So they are made

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<v Speaker 1>to be able to take in light when there is

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<v Speaker 1>low light. But then it's like the contrast of the

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<v Speaker 1>moon against the night sky is just it's too like

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<v Speaker 1>there's not the breadth that the aperture cannot pick up

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<v Speaker 1>that those distinctions, and like if you have a film camera,

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<v Speaker 1>if you have like a professional film camera, you can

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<v Speaker 1>obviously take a picture of moon all day and some

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<v Speaker 1>people all night. If you put your phone camera up

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<v Speaker 1>to a telescope, some people seem to get some more

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<v Speaker 1>decent pictures. Oh, I did that when at the Star

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<v Speaker 1>party that I went to. After we went to the

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<v Speaker 1>Star party, and it was great. You can take pictures

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<v Speaker 1>of what you see through this telescope and you get

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<v Speaker 1>the creators and everything, But when I was trying to

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<v Speaker 1>take pictures of the moon, which I did and then posted,

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<v Speaker 1>and was like, I don't like these pictures of the moon,

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<v Speaker 1>but I just like that there's something so beautiful you

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<v Speaker 1>can't capture. There are lots of things that are so

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<v Speaker 1>beautiful that cannot be caught on. That's what's so cool

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<v Speaker 1>to think about, especially one that's just like right there. Yeah,

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<v Speaker 1>everyone's trying to get a photo of it, and it's like, no,

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<v Speaker 1>put your phone away. Just so, in talking about the moon,

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<v Speaker 1>we also talked about the moon illusion. Yeah, let's talk

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<v Speaker 1>about the moon illusion. The moon illusion, According to Wikipedia,

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<v Speaker 1>the moon illusion is an optical illusion which causes the

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<v Speaker 1>moon to appear larger near the horizon than it does

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<v Speaker 1>higher up in the sky. It has been known in

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<v Speaker 1>ancient times and recorded by various cultures. The explanation of

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<v Speaker 1>this illusion is still debated. It's not about like atmospheric

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<v Speaker 1>pressure or something like that. There are many different hypotheses

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<v Speaker 1>as to why people think. Some people ptolemmy thinks it's

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<v Speaker 1>about atmospheric refraction. Uh Cleodmodes described it both to refraction

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<v Speaker 1>and to changes in apparent distance. I had a weird

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<v Speaker 1>experience looking at the moon after eating a gummy where

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<v Speaker 1>I was looking at the moon and it looked as

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<v Speaker 1>though the moon was zooming very quickly across the sky,

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<v Speaker 1>and I tried to take a video of it, and

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<v Speaker 1>then notice that it was the clouds moving. But for

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<v Speaker 1>for a second there it really had me. Yeah, I

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<v Speaker 1>I have enough. Oh oh no, I was gonna say

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<v Speaker 1>just about the Well, there are times on the Moon

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<v Speaker 1>is closer to the Earth. Well, that's apparently. There's also

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<v Speaker 1>the apparent distance hypothesis, which cleomotes. And also Schopenhauer wrote

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<v Speaker 1>about a good diagram. It doesn't explain anything, but it's

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<v Speaker 1>like it looks like the cross section of an eye. Um.

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<v Speaker 1>Speaking of ominous circles. Um. There was a story that

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<v Speaker 1>came out in in Vice recently about rings. Are they

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<v Speaker 1>just called rings? Ring? Ring cameras? Yeah, the doorbell camera

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<v Speaker 1>that has become pretty popular. It's a is it an

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<v Speaker 1>Amazon thing? Is it a Google thing? I believe it? Yeah? Amazon, Yeah, Amazon.

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<v Speaker 1>They were staying on a good expos about it. On

0:12:51.800 --> 0:12:56.720
<v Speaker 1>the outline. They were like selling selling the in photocops. Yeah, um, yeah,

0:12:56.760 --> 0:12:58.680
<v Speaker 1>I mean this is this has been a known issue

0:12:58.760 --> 0:13:02.480
<v Speaker 1>with ring an now There's a new known issue with Ring,

0:13:02.559 --> 0:13:04.920
<v Speaker 1>which is that there are groups that are dedicated to

0:13:05.000 --> 0:13:10.720
<v Speaker 1>hacking RING devices, and even a podcast called an Oldcast

0:13:11.440 --> 0:13:16.920
<v Speaker 1>where people basically prank Ring users live on the podcast.

0:13:17.160 --> 0:13:19.880
<v Speaker 1>It's like it's like a total it's not a dark

0:13:19.880 --> 0:13:21.839
<v Speaker 1>web thing, it's like a discord thing. I guess that's

0:13:21.840 --> 0:13:24.320
<v Speaker 1>all you need to know. Um, this is the world

0:13:24.320 --> 0:13:28.920
<v Speaker 1>we deserve, I guess. I remember when I saw Ring pitched.

0:13:28.960 --> 0:13:31.000
<v Speaker 1>It was called something Else I think on the Shark Tank,

0:13:31.480 --> 0:13:34.439
<v Speaker 1>and I was like, that's the dumbest thing, Like the

0:13:34.640 --> 0:13:37.120
<v Speaker 1>the idea that you could set up cameras, like you

0:13:37.200 --> 0:13:38.920
<v Speaker 1>just need so many and you're going to have the

0:13:38.920 --> 0:13:42.480
<v Speaker 1>whole perimeter. And it's like such a paranoid, horrible thing.

0:13:43.080 --> 0:13:47.200
<v Speaker 1>I know, I bother Ring. What do you? How do

0:13:47.240 --> 0:13:50.559
<v Speaker 1>you feel about that? Did this make you feel it? Twice? Well,

0:13:50.600 --> 0:13:54.280
<v Speaker 1>it's not inside. So the two hacking things that were

0:13:54.360 --> 0:13:56.880
<v Speaker 1>kind of outlined in the Vice article, I think we're

0:13:57.040 --> 0:14:01.240
<v Speaker 1>indoor ring cameras and the doorbell. I hack baby cams.

0:14:01.679 --> 0:14:04.720
<v Speaker 1>There have been known hackings of baby camps. I believe.

0:14:04.760 --> 0:14:06.760
<v Speaker 1>I don't know why you would want a smart baby cam.

0:14:06.800 --> 0:14:08.920
<v Speaker 1>Why can't you just use the ones that it's like

0:14:08.920 --> 0:14:11.920
<v Speaker 1>a closed circuit, Like it's unhackable. Can you hack just

0:14:12.000 --> 0:14:16.080
<v Speaker 1>like anyone's computer camera? Also like, well, that's why I

0:14:16.080 --> 0:14:18.280
<v Speaker 1>want people put That's how we all put stickers over it.

0:14:18.360 --> 0:14:21.520
<v Speaker 1>I don't put a sticker. I don't really why are

0:14:21.520 --> 0:14:25.320
<v Speaker 1>they going to see? Would they see when you're walking

0:14:25.320 --> 0:14:32.920
<v Speaker 1>around your house naked? I don't like them? Um, but yeah,

0:14:32.960 --> 0:14:35.040
<v Speaker 1>I mean I got the ring because I because there

0:14:35.040 --> 0:14:37.560
<v Speaker 1>were two burglaries on either side of my house that

0:14:37.640 --> 0:14:41.680
<v Speaker 1>I was sitting outside for coincidentally both of them. Then

0:14:42.040 --> 0:14:44.840
<v Speaker 1>I had like someone was ringing my doorbell a lot,

0:14:44.880 --> 0:14:46.600
<v Speaker 1>and then by the time I got there, they were gone,

0:14:46.600 --> 0:14:48.640
<v Speaker 1>and I was like, I'm just I'm going to lose

0:14:48.680 --> 0:14:52.080
<v Speaker 1>my mind over this. So I got one, and now

0:14:52.320 --> 0:14:54.800
<v Speaker 1>I don't want someone to talk to me through it.

0:14:54.880 --> 0:14:56.720
<v Speaker 1>But I don't know. So one of the ways people

0:14:56.720 --> 0:15:00.120
<v Speaker 1>were hacking it or you know, doing these pranks to

0:15:00.280 --> 0:15:03.400
<v Speaker 1>use the speaker, I guess that's in the ring. What

0:15:03.560 --> 0:15:07.360
<v Speaker 1>is that used for? Uh? Normally the idea is that

0:15:07.440 --> 0:15:09.400
<v Speaker 1>if someone rings your doorbell, so there's a camera and

0:15:09.440 --> 0:15:12.240
<v Speaker 1>a microphone, so someone's like your intercom. Yeah, it's like

0:15:12.240 --> 0:15:14.600
<v Speaker 1>an intercom that you can use from anywhere. So it's

0:15:14.640 --> 0:15:16.520
<v Speaker 1>really for if you're out of town or you're at

0:15:16.520 --> 0:15:19.120
<v Speaker 1>work and then someone rings your doorbell, you get a

0:15:19.160 --> 0:15:22.000
<v Speaker 1>notification on your phone where you can say hello, go away.

0:15:22.320 --> 0:15:26.040
<v Speaker 1>It's so scary because also like if somebody, oh, if

0:15:26.040 --> 0:15:29.800
<v Speaker 1>you're like in Florida on vacation and somebody who with

0:15:30.080 --> 0:15:32.760
<v Speaker 1>ill intent comes to your door and you pick up

0:15:32.800 --> 0:15:35.680
<v Speaker 1>the phone and you just like watch helplessly, right they

0:15:35.720 --> 0:15:38.040
<v Speaker 1>like burgle your hat. It's a horror movie. It's a

0:15:38.080 --> 0:15:40.840
<v Speaker 1>horror movie. It's like sometimes like I feel like the

0:15:40.960 --> 0:15:43.440
<v Speaker 1>much less stressful version is to just come back from

0:15:43.520 --> 0:15:47.040
<v Speaker 1>vacation be like, oh, bombash, it's gone. Like watching I mean,

0:15:47.080 --> 0:15:49.480
<v Speaker 1>it's kind of the more you know, the worst it is.

0:15:49.560 --> 0:15:51.240
<v Speaker 1>But at the same time, I mean there's so there's

0:15:51.240 --> 0:15:54.080
<v Speaker 1>an alarm feature, I think as well, So if there's

0:15:54.120 --> 0:15:56.240
<v Speaker 1>someone who you don't want to be there and you're

0:15:56.280 --> 0:15:59.240
<v Speaker 1>freaking out, you can push the alarm ideally like neighbors here,

0:15:59.360 --> 0:16:01.520
<v Speaker 1>or you can just call the police and then then

0:16:01.560 --> 0:16:05.000
<v Speaker 1>you don't come. But yeah, I mean it's it's a

0:16:05.000 --> 0:16:09.200
<v Speaker 1>conundrum obviously, And since it's since I bought the ring,

0:16:09.400 --> 0:16:13.800
<v Speaker 1>all of this has come out so it's probably my fault. Sorry,

0:16:13.720 --> 0:16:16.720
<v Speaker 1>we're just putting like a mirror on your door. What

0:16:16.800 --> 0:16:22.240
<v Speaker 1>would that achieve? You're just like take a look. I'm

0:16:22.320 --> 0:16:26.560
<v Speaker 1>feeling you see that it's a monitor and no shame

0:16:28.120 --> 0:16:31.240
<v Speaker 1>that works always. I'm kind of into phone freaking coming back.

0:16:31.840 --> 0:16:35.000
<v Speaker 1>Phone freaking, yeah, well like hacking, like old school phone

0:16:35.000 --> 0:16:38.200
<v Speaker 1>freaking was like people would like hack people's phone coming back,

0:16:38.320 --> 0:16:41.240
<v Speaker 1>because that's so this seems like a new version of Yeah,

0:16:42.040 --> 0:16:44.600
<v Speaker 1>phone freaking is so quaint. It's like it's quaint. This

0:16:44.800 --> 0:16:46.840
<v Speaker 1>The really messed up thing about this was that people

0:16:46.880 --> 0:16:50.360
<v Speaker 1>were speaking into the One of the cases highlighted in

0:16:50.400 --> 0:16:53.680
<v Speaker 1>this article where people speaking through the camera to children,

0:16:53.880 --> 0:16:56.960
<v Speaker 1>it was in children children's room and like saying like

0:16:57.160 --> 0:17:01.000
<v Speaker 1>racial things and like just threatening people. It's so icky.

0:17:01.120 --> 0:17:03.840
<v Speaker 1>It's so bad. It's not definitely make you think twice

0:17:03.840 --> 0:17:07.320
<v Speaker 1>about having it. Yes, well I don't have any whatever.

0:17:07.359 --> 0:17:10.639
<v Speaker 1>We've talked about this before we come on. Let's take

0:17:10.680 --> 0:17:25.199
<v Speaker 1>a quick break. We'll be back. We are back. Molly

0:17:25.440 --> 0:17:29.560
<v Speaker 1>and I took the plunge this past week and immersed

0:17:29.600 --> 0:17:35.639
<v Speaker 1>ourselves in the far off kingdom of Noah Vomback's marriage story.

0:17:36.040 --> 0:17:38.000
<v Speaker 1>Don't worry We're going to talk about return Us soon,

0:17:38.200 --> 0:17:40.439
<v Speaker 1>but we had to get to another horrifying movie. I

0:17:40.480 --> 0:17:45.000
<v Speaker 1>did them back to back, um order. I did Return

0:17:45.080 --> 0:17:47.199
<v Speaker 1>to Oz first and then Marriage Story, which was the

0:17:47.240 --> 0:17:50.280
<v Speaker 1>wrong order. Yeah, I did it while I cleaned the house.

0:17:51.200 --> 0:17:53.240
<v Speaker 1>Um Marriage Story. I wish I had been watching the

0:17:53.280 --> 0:17:56.080
<v Speaker 1>whole time I was cleaning my bathroom, because that felt

0:17:56.080 --> 0:17:58.119
<v Speaker 1>like what it was the perfect movie for. How do

0:17:58.119 --> 0:18:00.399
<v Speaker 1>you watch a movie while you clean your bathroom? You

0:18:00.440 --> 0:18:03.000
<v Speaker 1>put it on your computer, and you put your computer

0:18:03.040 --> 0:18:05.119
<v Speaker 1>on the toilet and clean your bathrooms. You're not really

0:18:05.119 --> 0:18:07.160
<v Speaker 1>watching them? Yeah you're not. I don't know if you're

0:18:07.160 --> 0:18:12.120
<v Speaker 1>doing a lot of attention. I was paying attention. I've

0:18:12.160 --> 0:18:15.840
<v Speaker 1>seen Return to Oz before. Um No Marriage Story. I

0:18:15.920 --> 0:18:17.800
<v Speaker 1>wish I had been doing more activity while I was

0:18:17.800 --> 0:18:19.280
<v Speaker 1>watching it, because I was like, oh, I wish I

0:18:19.280 --> 0:18:21.719
<v Speaker 1>had been a little distracted watching this movie instead of

0:18:21.760 --> 0:18:24.080
<v Speaker 1>just fully. It is one I will say, like right

0:18:24.119 --> 0:18:26.280
<v Speaker 1>now where I live, I can I can go to

0:18:26.320 --> 0:18:28.560
<v Speaker 1>the kitchen and still hear the movie, and like if

0:18:28.560 --> 0:18:31.000
<v Speaker 1>I look through I can like move two feet and

0:18:31.520 --> 0:18:33.880
<v Speaker 1>see the screen if I want to get a snack

0:18:34.000 --> 0:18:35.760
<v Speaker 1>or something. And this is one of those movies there

0:18:35.800 --> 0:18:37.520
<v Speaker 1>are some movies we have to pause even if you

0:18:37.560 --> 0:18:40.359
<v Speaker 1>have that to me. But this is like, it's totally fine.

0:18:40.760 --> 0:18:44.080
<v Speaker 1>This movie could be a podcast. It's it's not like

0:18:44.240 --> 0:18:47.680
<v Speaker 1>visually so sure, right, well, I mean it's very talkie.

0:18:47.960 --> 0:18:50.080
<v Speaker 1>It's got a lot of monologue. My theory about no

0:18:50.200 --> 0:18:53.399
<v Speaker 1>Bombox movies okay, Emily, but I both have theories. My

0:18:53.480 --> 0:18:57.800
<v Speaker 1>theory is that they're like the vegan meet substitute replacement

0:18:57.840 --> 0:19:01.640
<v Speaker 1>for Woody Allen movies, which is good. It's a service. Yeah,

0:19:01.720 --> 0:19:03.480
<v Speaker 1>it is a service. And it's like we all kind

0:19:03.480 --> 0:19:05.680
<v Speaker 1>of like ship talk them, but we also watched them.

0:19:05.960 --> 0:19:08.600
<v Speaker 1>They're about like just rich white people in New York

0:19:08.880 --> 0:19:12.880
<v Speaker 1>in the media class having affairs and stuff. But they

0:19:12.880 --> 0:19:15.680
<v Speaker 1>don't make you feel like a terrible person for watching them,

0:19:15.720 --> 0:19:18.520
<v Speaker 1>like what Allen movies do. I'm not saying that that

0:19:18.800 --> 0:19:21.880
<v Speaker 1>needs to exist as a genre necessarily forever. I don't

0:19:21.880 --> 0:19:24.359
<v Speaker 1>think it needs to be like re upped again after this.

0:19:24.800 --> 0:19:27.439
<v Speaker 1>But for those of us who enjoy those kinds of

0:19:27.440 --> 0:19:32.400
<v Speaker 1>movies about over educated people having like dramatic fights, it's fun.

0:19:32.520 --> 0:19:34.640
<v Speaker 1>I think there's always going to be a space for them.

0:19:34.840 --> 0:19:37.399
<v Speaker 1>And it's like it's one of these things where it's like, Okay,

0:19:37.440 --> 0:19:40.399
<v Speaker 1>if that was all movies, if that was all prestige dramas,

0:19:40.400 --> 0:19:42.520
<v Speaker 1>that would be super boring. But I like it in

0:19:42.560 --> 0:19:46.199
<v Speaker 1>the Salad. It's like it's like I'm not I go

0:19:46.320 --> 0:19:48.600
<v Speaker 1>hot and cold on a bomb back movies. I really

0:19:48.640 --> 0:19:50.640
<v Speaker 1>like a few no a bomback movies, and I really

0:19:50.680 --> 0:19:55.879
<v Speaker 1>dislike other ones. Yeah, I love Greenberg. I love Greenberg tests. Yeah,

0:19:56.040 --> 0:19:58.000
<v Speaker 1>I think he's did. I like The Squid in the

0:19:58.000 --> 0:20:01.080
<v Speaker 1>Whale like men, I thought it was in black and white.

0:20:01.800 --> 0:20:04.400
<v Speaker 1>I can't claim to be a fan. I just knew

0:20:04.800 --> 0:20:07.120
<v Speaker 1>I was going to watch this movie. Then I heard

0:20:07.119 --> 0:20:09.639
<v Speaker 1>what everyone had to say about the movie, and I

0:20:09.720 --> 0:20:12.080
<v Speaker 1>was like, there's no place like this movie. I don't

0:20:12.080 --> 0:20:15.320
<v Speaker 1>need it. I mean it's I find custody disputes really depressing.

0:20:15.800 --> 0:20:18.840
<v Speaker 1>And I got nervous because of my Blue Valentine Curse

0:20:18.960 --> 0:20:21.600
<v Speaker 1>theory that the curse was going to be cured. Not

0:20:21.920 --> 0:20:23.879
<v Speaker 1>that at all. I'm not going to roll the dice though, Molly,

0:20:24.000 --> 0:20:27.080
<v Speaker 1>it's not. It's not even a little cursed. How do

0:20:27.119 --> 0:20:30.520
<v Speaker 1>you know it takes it takes a year, it has

0:20:30.560 --> 0:20:33.480
<v Speaker 1>alan Alda. I've I've decided that it no longer takes

0:20:33.520 --> 0:20:36.479
<v Speaker 1>three months. It takes a year. So I'm just saying, like,

0:20:36.560 --> 0:20:39.359
<v Speaker 1>my thoughts are with you guys. Well, but also like

0:20:39.400 --> 0:20:41.440
<v Speaker 1>in the way that I'll know a bomba movies are related.

0:20:41.600 --> 0:20:43.719
<v Speaker 1>There's a part where like she's like, you're just like

0:20:43.760 --> 0:20:45.200
<v Speaker 1>your dad, and you're like, oh, we've all seen the

0:20:45.240 --> 0:20:49.040
<v Speaker 1>squid in the whale. You know what that means, Emily,

0:20:49.080 --> 0:20:53.120
<v Speaker 1>what's your big theory? Well, I mean that that I've

0:20:53.280 --> 0:20:56.000
<v Speaker 1>had to endure so much of this like Twitter discourse

0:20:56.040 --> 0:20:57.840
<v Speaker 1>around this movie, which is really funny. It's like not

0:20:57.880 --> 0:21:00.560
<v Speaker 1>even the first Noah Vomback movie to be on Netflix.

0:21:00.560 --> 0:21:04.440
<v Speaker 1>But I guess because of the biographical and and like

0:21:04.560 --> 0:21:07.720
<v Speaker 1>scare quotes around that nature of this movie and the story,

0:21:07.760 --> 0:21:09.520
<v Speaker 1>I guess people feel like there's much more of a

0:21:09.560 --> 0:21:13.040
<v Speaker 1>kind of lucky lu gossipy aspect to it. But I

0:21:13.119 --> 0:21:14.919
<v Speaker 1>just like, I don't know, I feel like that the

0:21:14.960 --> 0:21:19.680
<v Speaker 1>criticism has been so much around um like what he's

0:21:19.760 --> 0:21:23.159
<v Speaker 1>chosen to depict and in what way, And like I

0:21:23.160 --> 0:21:26.320
<v Speaker 1>saw somebody refer to his movies as like being bereft

0:21:26.320 --> 0:21:30.680
<v Speaker 1>of creativity, And while I understand that argument, I think

0:21:30.680 --> 0:21:34.119
<v Speaker 1>it really underestimates the act of actually sitting down and

0:21:34.160 --> 0:21:37.920
<v Speaker 1>writing something because you can experience something and just tell

0:21:37.960 --> 0:21:40.320
<v Speaker 1>your friends about something that bad that happened to you,

0:21:40.480 --> 0:21:43.080
<v Speaker 1>or like a bad breakup or something like that. But

0:21:43.160 --> 0:21:45.720
<v Speaker 1>I feel like there's a lot of there's There are

0:21:45.720 --> 0:21:48.479
<v Speaker 1>still decisions that are made, and thus it is not

0:21:48.800 --> 0:21:52.040
<v Speaker 1>the characters are not named Noah bomb Back and Jennifer Adjacently,

0:21:52.400 --> 0:21:55.560
<v Speaker 1>some of the decisions are so specifically about them that

0:21:55.600 --> 0:21:58.240
<v Speaker 1>you're like, why not lean more into it actually being

0:21:58.280 --> 0:22:01.560
<v Speaker 1>about them instead of pretending part where they're like the

0:22:01.600 --> 0:22:04.320
<v Speaker 1>Adam Driver character isn't from New York, but he moved

0:22:04.320 --> 0:22:06.399
<v Speaker 1>to New York and now he's the biggest New Yorker

0:22:06.440 --> 0:22:08.680
<v Speaker 1>of all, and it's like, we know, you're just from

0:22:08.680 --> 0:22:11.040
<v Speaker 1>New York. It's fine to just be a guy from

0:22:11.119 --> 0:22:14.280
<v Speaker 1>New York. You don't think that he could take inspiration

0:22:14.359 --> 0:22:17.080
<v Speaker 1>for maybe other people who knew, like say somebody who

0:22:17.119 --> 0:22:20.359
<v Speaker 1>moved to New York from Indiana as Adam Driver's characters, like,

0:22:21.000 --> 0:22:24.160
<v Speaker 1>do you think that it's meant to be the only

0:22:24.200 --> 0:22:26.920
<v Speaker 1>reason that guy knows songs from companies because he grew

0:22:26.960 --> 0:22:30.000
<v Speaker 1>up in New York. As we were discussing earlier, I

0:22:30.040 --> 0:22:32.000
<v Speaker 1>didn't grow up in New York, and I'm familiar with

0:22:32.080 --> 0:22:37.720
<v Speaker 1>some song time. I mean, like the company, Company Company.

0:22:37.960 --> 0:22:41.560
<v Speaker 1>I get so excited. The only proof I have that

0:22:41.760 --> 0:22:45.000
<v Speaker 1>people from man Haround in the eighties no company, I told.

0:22:45.119 --> 0:22:47.480
<v Speaker 1>I told Molly and Emily, it's what your parents would

0:22:47.560 --> 0:22:50.560
<v Speaker 1>play on the long, long long drive to try to

0:22:50.560 --> 0:22:53.080
<v Speaker 1>get out of the city, and you would I found

0:22:53.160 --> 0:22:56.399
<v Speaker 1>it very I told him I found it very cheerful

0:22:56.440 --> 0:23:00.320
<v Speaker 1>and uplifting, and they were like, but it's about affairs love.

0:23:03.440 --> 0:23:06.280
<v Speaker 1>But I don't. I don't like Adam Driver. I actually

0:23:06.280 --> 0:23:08.439
<v Speaker 1>have said some horrible things about Adam Driver on this

0:23:08.480 --> 0:23:11.199
<v Speaker 1>podcast that I've then begged to be edited out. So

0:23:11.240 --> 0:23:13.080
<v Speaker 1>I'm not even going to go down that right. But

0:23:13.119 --> 0:23:15.560
<v Speaker 1>I just can't go like the Adam Driver discourse though,

0:23:15.600 --> 0:23:18.640
<v Speaker 1>because it's so polarized, polarizing. I like that we got

0:23:18.640 --> 0:23:20.800
<v Speaker 1>a funny looking hot guy. He doesn't do anything for me,

0:23:20.840 --> 0:23:22.879
<v Speaker 1>but I'm glad he does something for other people, and

0:23:22.960 --> 0:23:26.200
<v Speaker 1>I don't. I am generally a very pro funny looking,

0:23:26.200 --> 0:23:28.959
<v Speaker 1>hot guy person. He's got he looks like he can

0:23:29.000 --> 0:23:32.040
<v Speaker 1>build a deck. He takes himself so seriously. There were

0:23:32.040 --> 0:23:34.639
<v Speaker 1>there were a lot of examples on Twitter of him

0:23:34.680 --> 0:23:37.280
<v Speaker 1>calling restaurants and things and saying can you can you

0:23:37.359 --> 0:23:45.639
<v Speaker 1>shut down my wife? And so it takes actors to

0:23:45.800 --> 0:23:50.640
<v Speaker 1>make act towards movie. It's true. I don't know, I'm

0:23:50.680 --> 0:23:53.320
<v Speaker 1>like people. It got nominated for SAG Awards. So there's

0:23:53.320 --> 0:23:55.520
<v Speaker 1>a clip of like the big argument scene from Marriage

0:23:55.520 --> 0:23:57.479
<v Speaker 1>Story that's been circling around and so of course, like

0:23:57.800 --> 0:24:01.080
<v Speaker 1>Sam's contact sounds like the hour and a half leads

0:24:01.119 --> 0:24:04.080
<v Speaker 1>up to that scene. Everybody's like they're just yelling and screaming,

0:24:04.160 --> 0:24:06.840
<v Speaker 1>like is this all acting is? I'm like, like this

0:24:06.880 --> 0:24:10.360
<v Speaker 1>is this is actually like a very very clear crystallization

0:24:10.400 --> 0:24:12.720
<v Speaker 1>of how the internet. It doesn't I feel like that

0:24:12.840 --> 0:24:14.840
<v Speaker 1>something didn't super work for me, though I did feel

0:24:14.880 --> 0:24:17.360
<v Speaker 1>kind of like screamy and talking and I was like,

0:24:18.359 --> 0:24:20.879
<v Speaker 1>I don't know. I thought that scene worked and it

0:24:20.920 --> 0:24:23.080
<v Speaker 1>worked when it worked because it just felt like that

0:24:23.119 --> 0:24:25.639
<v Speaker 1>fight had been coming for an hour and it had

0:24:25.960 --> 0:24:27.879
<v Speaker 1>they kept kind of being nice to each other, and

0:24:27.880 --> 0:24:29.880
<v Speaker 1>I was like, it's gonna blow, It's gonna blow, and

0:24:30.000 --> 0:24:32.080
<v Speaker 1>I don't know. He was like, I wish a dump

0:24:32.160 --> 0:24:36.800
<v Speaker 1>truck would run you over and you die. It's amazing.

0:24:37.480 --> 0:24:39.800
<v Speaker 1>I mean that's like, I don't know, that's like a

0:24:39.920 --> 0:24:42.840
<v Speaker 1>very specific, voicy thing to have somebody say to another

0:24:42.880 --> 0:24:47.160
<v Speaker 1>person everybody else. The best part the ray Leota Laura

0:24:47.200 --> 0:24:50.320
<v Speaker 1>Dern is a kicky divorce lawyer. Disagree. I actually think

0:24:50.400 --> 0:24:52.440
<v Speaker 1>Laura Dern is actively bad in this movie. Love Lord

0:24:52.520 --> 0:24:55.680
<v Speaker 1>Der's having fun. I think this is it is a

0:24:55.800 --> 0:24:58.520
<v Speaker 1>distracting and weird for the best part is Alan Alda

0:24:58.640 --> 0:25:01.600
<v Speaker 1>saying about a cat, don't expect a lot from that cat.

0:25:03.440 --> 0:25:09.000
<v Speaker 1>It's really good, like I want them. The spinoff series

0:25:09.040 --> 0:25:11.680
<v Speaker 1>just about Alan Alda is like coming out of retirement

0:25:11.720 --> 0:25:14.920
<v Speaker 1>to be a family lawyer, and like and silver Fox

0:25:15.000 --> 0:25:17.560
<v Speaker 1>ray Leiota, I would totally watch the l A Law

0:25:17.600 --> 0:25:20.359
<v Speaker 1>reboot with all of these people. I just want to

0:25:20.359 --> 0:25:22.719
<v Speaker 1>mention that my favorite movie B movie has a ray

0:25:22.800 --> 0:25:26.119
<v Speaker 1>Leota plotline that I enjoy. I just want to mention

0:25:26.200 --> 0:25:31.320
<v Speaker 1>that ideally I would mention Bioda. No, it's ray Leiota

0:25:31.400 --> 0:25:38.240
<v Speaker 1>has a brand of honey and these are mad good times. Hey,

0:25:38.280 --> 0:25:40.000
<v Speaker 1>do you guys want to take a night call? Yes,

0:25:40.359 --> 0:25:43.000
<v Speaker 1>this is actually a night email from our listener Sam

0:25:43.200 --> 0:25:46.120
<v Speaker 1>who wrote to us and said your episode on Labyrinth

0:25:46.280 --> 0:25:48.240
<v Speaker 1>was like the sleep over my eleven year old self

0:25:48.280 --> 0:25:51.720
<v Speaker 1>always wanted which is to say perfect podcast. Hearing y'all

0:25:51.760 --> 0:25:54.760
<v Speaker 1>talk through the weird burpie smelly, horny but undeniably magical

0:25:54.840 --> 0:25:56.840
<v Speaker 1>qualities of that movie was super fun and I can't

0:25:56.840 --> 0:26:01.879
<v Speaker 1>wait for Night Call. Does the Dark Crystal maybe maybe? Um.

0:26:01.920 --> 0:26:04.439
<v Speaker 1>But more importantly, I'd like to direct your attention to

0:26:04.520 --> 0:26:07.200
<v Speaker 1>the story of the Lost Hoggle Puppet, which you can

0:26:07.280 --> 0:26:10.960
<v Speaker 1>view in Scottsboro, Alabama. The story goes that the puppet

0:26:10.960 --> 0:26:13.840
<v Speaker 1>got lost in air transit, only to be unearthed many

0:26:13.880 --> 0:26:17.399
<v Speaker 1>years later at the Unclaimed Baggage Center, a place strange

0:26:17.440 --> 0:26:20.160
<v Speaker 1>and mysterious in its own right. It had been stuck

0:26:20.160 --> 0:26:21.879
<v Speaker 1>in a pile of junk for so long, though, that

0:26:21.920 --> 0:26:25.080
<v Speaker 1>the puppet had basically rotted through. The photos are some

0:26:25.160 --> 0:26:29.199
<v Speaker 1>fucked up terminator ship. They've since restored him, not particularly well,

0:26:29.280 --> 0:26:31.639
<v Speaker 1>and you can see him on display at the center

0:26:31.720 --> 0:26:34.800
<v Speaker 1>as one of their prized finds. That's the thing about puppets.

0:26:34.800 --> 0:26:36.800
<v Speaker 1>They need to be maintained by professionals or they just

0:26:36.880 --> 0:26:40.199
<v Speaker 1>kind of dissolve away. But I think that ifemorality is

0:26:40.200 --> 0:26:42.119
<v Speaker 1>just another thing that's really cool about it versus c

0:26:42.200 --> 0:26:44.680
<v Speaker 1>G I, on the other hand, I guess I'm gonna

0:26:44.720 --> 0:26:47.399
<v Speaker 1>have to ponder rotting hoggle. But for baby Yoda, oh no,

0:26:48.280 --> 0:26:52.120
<v Speaker 1>your daggers, untold Sam. I have to say, I don't

0:26:52.119 --> 0:26:54.320
<v Speaker 1>remember who said this on Twitter, and I don't know

0:26:54.359 --> 0:26:56.840
<v Speaker 1>if you guys thought that the characters in It's a

0:26:56.880 --> 0:27:01.240
<v Speaker 1>Small World have to get their hair cut okay, because

0:27:01.280 --> 0:27:04.800
<v Speaker 1>it's made of yarn and the yarn overtime slackens and

0:27:04.840 --> 0:27:07.439
<v Speaker 1>so they have to get haircuts. And I was like, wow,

0:27:07.440 --> 0:27:10.760
<v Speaker 1>it's the same thing that puppets are organic, you know,

0:27:10.920 --> 0:27:14.760
<v Speaker 1>so they kind of decompose and like change and age.

0:27:14.800 --> 0:27:17.879
<v Speaker 1>That's it's so cool. Ones that are made out of

0:27:17.920 --> 0:27:20.879
<v Speaker 1>latex and stuff in latex is like an organic material,

0:27:21.080 --> 0:27:24.720
<v Speaker 1>like it breaks down. The pictures of rotten hoggle. Yeah,

0:27:24.760 --> 0:27:27.600
<v Speaker 1>we have to link to these must see incredible. It

0:27:27.680 --> 0:27:30.560
<v Speaker 1>is some terminator ship because eyeballs are exposed and the

0:27:30.600 --> 0:27:33.960
<v Speaker 1>foam is all kind of like fucked up and be prepared.

0:27:34.600 --> 0:27:41.080
<v Speaker 1>It's not raised yourself trigger warning childhood wonder. I didn't

0:27:41.119 --> 0:27:45.400
<v Speaker 1>know about the Unclaimed Baggage Center. Uh did you guys

0:27:45.440 --> 0:27:48.120
<v Speaker 1>know about that? No? Um, I feel like we should

0:27:48.560 --> 0:27:53.040
<v Speaker 1>go to the air go to their It's just in Arizona.

0:27:53.720 --> 0:27:55.879
<v Speaker 1>It's not that I mean, that was what other eighties

0:27:55.880 --> 0:27:58.560
<v Speaker 1>puppets we could find. How many puppets do you think

0:27:59.040 --> 0:28:02.919
<v Speaker 1>to get left Hoggle has to be a special case.

0:28:03.400 --> 0:28:05.000
<v Speaker 1>I mean it seems like I'm looking through and they

0:28:05.040 --> 0:28:08.360
<v Speaker 1>mostly have pictures of like books and and and shoes

0:28:08.440 --> 0:28:10.960
<v Speaker 1>and a camera and stuff. But I'm sure that there

0:28:10.960 --> 0:28:14.000
<v Speaker 1>are some fun things that people. Do you think that's um?

0:28:14.119 --> 0:28:16.760
<v Speaker 1>Do you think that that's ethical? I think we should Okay,

0:28:16.840 --> 0:28:19.840
<v Speaker 1>you know how Storage Wars was faked. Yeah, we should

0:28:19.840 --> 0:28:22.680
<v Speaker 1>just do that. We should unclaimed to store a show

0:28:22.720 --> 0:28:25.720
<v Speaker 1>called Unclaim Baggage. That's the three of us caught a

0:28:25.840 --> 0:28:29.720
<v Speaker 1>very weird logo. This place looks like a toothpaste. Um,

0:28:29.760 --> 0:28:32.919
<v Speaker 1>anyway we should go. If you have been to the

0:28:33.000 --> 0:28:35.840
<v Speaker 1>Unclaimed Baggage place, would you please leave us a night

0:28:35.960 --> 0:28:38.040
<v Speaker 1>quality four or four sex night. Thank you to the

0:28:38.160 --> 0:28:41.560
<v Speaker 1>Night Called listener who sent us a Bluesifer update. Oh

0:28:41.600 --> 0:28:45.760
<v Speaker 1>my god, wait what the blues offer update? The Bluesifer

0:28:45.840 --> 0:28:51.840
<v Speaker 1>picture which one Emily texted that from Emily that was

0:28:51.880 --> 0:28:54.680
<v Speaker 1>just for me. I am the night called owner. The

0:28:54.840 --> 0:28:59.400
<v Speaker 1>Nightcalled coming from inside. Emily texted us a picture of

0:28:59.560 --> 0:29:03.280
<v Speaker 1>Blue an intimate picture of Blue Suffer. It was via

0:29:03.880 --> 0:29:06.560
<v Speaker 1>the Twitter for the band on Amana Gucci because they

0:29:06.560 --> 0:29:09.960
<v Speaker 1>were going to play a show in Denver, and that

0:29:10.080 --> 0:29:12.760
<v Speaker 1>was the tweet that they decided to retweet as a

0:29:12.800 --> 0:29:15.800
<v Speaker 1>part of their like Hey Denver. There was just a

0:29:15.840 --> 0:29:19.280
<v Speaker 1>picture apparently blue Sufer the horse, which we have discussed

0:29:19.320 --> 0:29:22.160
<v Speaker 1>on this podcast. There's a double horse, a douvil horse

0:29:22.920 --> 0:29:26.600
<v Speaker 1>maker giant double horse. A blue horse with demonies also

0:29:26.680 --> 0:29:30.120
<v Speaker 1>has a fully like articulated I guess, not articulated, that's

0:29:30.160 --> 0:29:32.680
<v Speaker 1>not the right word, but just like fully sculpted out

0:29:33.080 --> 0:29:36.960
<v Speaker 1>um asshole and bal sack with veins with veins, the

0:29:37.040 --> 0:29:40.000
<v Speaker 1>veins that don't need to be there. The veins are

0:29:40.440 --> 0:29:46.480
<v Speaker 1>truly lightning veins because it's a devil. It's a devil. Um.

0:29:46.480 --> 0:29:52.720
<v Speaker 1>I respect the the commitment. Yeah, accuracy again, most cursed sculpture.

0:29:52.800 --> 0:29:55.680
<v Speaker 1>It is. It definitely is. But okay, So while we

0:29:55.760 --> 0:30:03.360
<v Speaker 1>are on the subject of our puppet based fantasy horror memories,

0:30:04.000 --> 0:30:08.440
<v Speaker 1>we watched Return to Oz this week. Some of us

0:30:08.480 --> 0:30:11.080
<v Speaker 1>for the first, no, none of us for the first.

0:30:11.200 --> 0:30:13.120
<v Speaker 1>We've all seen it. Okay, this time, we've all seen

0:30:13.160 --> 0:30:16.840
<v Speaker 1>this one. I was trying to remember, um, it's uh.

0:30:16.880 --> 0:30:19.360
<v Speaker 1>I could not actually get through it, so I have

0:30:19.480 --> 0:30:22.760
<v Speaker 1>to I have to just like put that out of there.

0:30:22.920 --> 0:30:27.280
<v Speaker 1>A visceral repulsive. I mean, this is the scariest movie

0:30:27.320 --> 0:30:31.600
<v Speaker 1>ever made. I think I think, Um I saw it.

0:30:31.640 --> 0:30:34.640
<v Speaker 1>I guess when I was seven or yeah, some some

0:30:34.720 --> 0:30:36.640
<v Speaker 1>age that was. I mean, there's no right age to

0:30:36.640 --> 0:30:38.520
<v Speaker 1>see this movie. Is what did you make it through

0:30:38.600 --> 0:30:40.480
<v Speaker 1>when you were a kid? Yeah? I think I did,

0:30:40.560 --> 0:30:44.160
<v Speaker 1>And I think I you know, it's one of those

0:30:44.160 --> 0:30:47.600
<v Speaker 1>things where Okay, So the story of the film is

0:30:47.600 --> 0:30:51.960
<v Speaker 1>it takes place after the Wizard of Oz beloved childhood

0:30:51.960 --> 0:30:56.120
<v Speaker 1>story MGM musical movie. Uh, and it's that Dorothy has

0:30:56.200 --> 0:31:00.000
<v Speaker 1>come back to Kansas after her um was it all

0:31:00.040 --> 0:31:03.240
<v Speaker 1>a dream adventure in the Land of Oz and has

0:31:03.280 --> 0:31:07.000
<v Speaker 1>been telling Antem and Uncle Henry about uh, the Tin

0:31:07.040 --> 0:31:09.760
<v Speaker 1>Woodsman and the Scarecrow and all of her fun friends

0:31:09.800 --> 0:31:12.520
<v Speaker 1>that she met, and they think that she has lost

0:31:12.560 --> 0:31:16.920
<v Speaker 1>her mind. So they sent her to a I don't

0:31:16.920 --> 0:31:19.680
<v Speaker 1>know if it's a sanitarium, but it's some kind of clinic,

0:31:20.040 --> 0:31:23.000
<v Speaker 1>old timey mental hospital, an old timey mental hospital with

0:31:23.160 --> 0:31:28.280
<v Speaker 1>like the first lecture shock therapy machine. So this child

0:31:28.600 --> 0:31:31.720
<v Speaker 1>played by Fruzi balk And can't be older than ten,

0:31:31.920 --> 0:31:34.880
<v Speaker 1>gets wheeled down the hall and a gurney to get

0:31:34.880 --> 0:31:37.600
<v Speaker 1>electro shock therapy, and then the power goes out and

0:31:37.640 --> 0:31:41.360
<v Speaker 1>she escapes and then finds herself back in Oz, except

0:31:41.640 --> 0:31:46.320
<v Speaker 1>now everything's fucked up and the whole kingdom has been destroyed, which,

0:31:46.360 --> 0:31:48.400
<v Speaker 1>by the way, is a lot like so that in

0:31:48.920 --> 0:31:51.200
<v Speaker 1>return to Oz, we opened them so we can see

0:31:51.200 --> 0:31:55.080
<v Speaker 1>the destruction of the tornado six months later hasn't really

0:31:55.080 --> 0:31:59.239
<v Speaker 1>been repaired. Her. Her house is like half standing. Her

0:31:59.320 --> 0:32:02.040
<v Speaker 1>uncle can like fix the house because he has a

0:32:02.040 --> 0:32:04.840
<v Speaker 1>broken leg and he's depressed. So they're living in kind

0:32:04.840 --> 0:32:08.440
<v Speaker 1>of like a ramshackle situation. And Kansas looks really bleak

0:32:08.520 --> 0:32:11.040
<v Speaker 1>because it's still kind of in the aftermath of the tornado,

0:32:11.520 --> 0:32:14.920
<v Speaker 1>so much like Oz is now kind of you know,

0:32:15.080 --> 0:32:22.040
<v Speaker 1>and it's basically in ruins. Um I did. I had

0:32:22.120 --> 0:32:24.680
<v Speaker 1>some vague memories of watching this movie. I think the

0:32:24.720 --> 0:32:28.680
<v Speaker 1>one thing that everybody remembers from this movie is the Wheelers.

0:32:28.720 --> 0:32:31.320
<v Speaker 1>Probably if you remember one thing about this movie or

0:32:31.360 --> 0:32:33.960
<v Speaker 1>something that gave you nightmares from it, it's probably the Wheelers,

0:32:33.960 --> 0:32:36.240
<v Speaker 1>which are like the standings and this this story for

0:32:36.320 --> 0:32:42.400
<v Speaker 1>the flying monkeys just the kind of like bad yeah, um,

0:32:42.440 --> 0:32:45.719
<v Speaker 1>but they are like full grown men on roller skates

0:32:45.720 --> 0:32:49.040
<v Speaker 1>on their hands and legs, and they have these terrifying

0:32:49.120 --> 0:32:50.920
<v Speaker 1>mass that they were on the top of their heads.

0:32:51.000 --> 0:32:53.600
<v Speaker 1>And it's just like the It's just one of those things.

0:32:53.600 --> 0:32:55.240
<v Speaker 1>It's like if you ever went to like a street

0:32:55.280 --> 0:32:57.160
<v Speaker 1>fair something when you're a kid, and they like they

0:32:57.160 --> 0:33:00.240
<v Speaker 1>were like still people also always gave me the lose

0:33:00.280 --> 0:33:03.080
<v Speaker 1>when I was a kid, like just just unnatural sort

0:33:03.120 --> 0:33:08.800
<v Speaker 1>of like body like full body puppetry is like very

0:33:08.880 --> 0:33:12.400
<v Speaker 1>very upsetting to me. Um, And I was like bracing myself.

0:33:12.400 --> 0:33:14.239
<v Speaker 1>And that's when I told you guys, like I think

0:33:14.280 --> 0:33:16.800
<v Speaker 1>I'm gonna vomit. And I was so stressed out just

0:33:16.800 --> 0:33:19.000
<v Speaker 1>about the Wheelers showing up again. I was not ready

0:33:19.040 --> 0:33:22.480
<v Speaker 1>for it. And even the characters who kind of are

0:33:22.480 --> 0:33:25.560
<v Speaker 1>the stand ins for the Tin Man, the Lion and

0:33:25.600 --> 0:33:31.480
<v Speaker 1>the Scarecrow, they're off, like they're off. Instead of the Scarecrow.

0:33:31.520 --> 0:33:34.120
<v Speaker 1>There's a Jack, a guy named Jack who has a

0:33:34.160 --> 0:33:37.160
<v Speaker 1>pumpkin head and his body is kind of tied together

0:33:37.280 --> 0:33:39.520
<v Speaker 1>and keeps falling aparty. That's what I thought the movie

0:33:39.560 --> 0:33:43.280
<v Speaker 1>Pumpkinhead was going to be about. But and then the

0:33:43.360 --> 0:33:47.440
<v Speaker 1>tin Man is um this character called TikTok who's like

0:33:47.480 --> 0:33:50.080
<v Speaker 1>a wind up robot and he keeps kind of like

0:33:50.280 --> 0:33:53.720
<v Speaker 1>winding damn, much like the tin Man needs oil. Um.

0:33:53.760 --> 0:33:57.760
<v Speaker 1>And then there's something called Gump. I was like, who

0:33:57.840 --> 0:34:00.640
<v Speaker 1>knows how to exist? A moose head attached to us sofa.

0:34:00.960 --> 0:34:04.240
<v Speaker 1>There's a part of ittories like what am I like,

0:34:04.440 --> 0:34:06.880
<v Speaker 1>no one knows. It's like you didn't exist before, but

0:34:06.960 --> 0:34:09.879
<v Speaker 1>now you do. There's a lot of like weird existential

0:34:10.280 --> 0:34:14.920
<v Speaker 1>you know, kid level existential dilemmas brought forth it in

0:34:15.000 --> 0:34:18.920
<v Speaker 1>Return to Oz. I mean, you know, like the Wizard

0:34:18.960 --> 0:34:20.799
<v Speaker 1>of Oz and Molly, you've read like all of the

0:34:20.800 --> 0:34:23.120
<v Speaker 1>books I was saying, they're like just they're like twenty

0:34:23.120 --> 0:34:24.960
<v Speaker 1>books in the Wizard of Oz series. There's the Wizard

0:34:25.000 --> 0:34:28.360
<v Speaker 1>of Oz, and then there is Ozma Princess of Oz.

0:34:28.360 --> 0:34:30.400
<v Speaker 1>I think it's called it's like Narnia. There's like a

0:34:30.480 --> 0:34:34.359
<v Speaker 1>whole bunch of books. Dorothy's not even in most of them.

0:34:34.440 --> 0:34:38.240
<v Speaker 1>After the first couple they're about Ozma some of them um,

0:34:38.280 --> 0:34:40.239
<v Speaker 1>and I think they start being written by ghostwriters after

0:34:40.280 --> 0:34:42.560
<v Speaker 1>a while. It's just self Frank baumb for the first few.

0:34:43.000 --> 0:34:45.360
<v Speaker 1>But it is kind of like Lord of the Rings

0:34:45.480 --> 0:34:47.719
<v Speaker 1>or Narnia or something where it's like the stuff in

0:34:47.760 --> 0:34:49.920
<v Speaker 1>the Wizard of Oz is like a small slice of

0:34:50.000 --> 0:34:53.640
<v Speaker 1>this world that has all these different types of weird creatures,

0:34:53.920 --> 0:34:56.440
<v Speaker 1>and you know, it's a whole other verse. So I

0:34:56.480 --> 0:34:58.480
<v Speaker 1>think even in the first ones, there's like a map

0:34:58.560 --> 0:35:01.560
<v Speaker 1>of Oz. It shows you were, like the desert, the

0:35:01.600 --> 0:35:06.680
<v Speaker 1>Deadly Desert exists somewhere. Um. And I remember liking these

0:35:06.680 --> 0:35:08.560
<v Speaker 1>books because I was like, oh, I would like to

0:35:08.600 --> 0:35:17.840
<v Speaker 1>know more about the weird mirror words that I do. Also,

0:35:18.000 --> 0:35:20.880
<v Speaker 1>I mean, there are the things in Oz in Return

0:35:20.920 --> 0:35:23.120
<v Speaker 1>to Oz that are really charming, like the lunch pail

0:35:23.160 --> 0:35:26.080
<v Speaker 1>tree where you pick like a lunch box off a

0:35:26.120 --> 0:35:27.880
<v Speaker 1>tree and you have to get a ripe one you

0:35:27.920 --> 0:35:31.799
<v Speaker 1>don't know what's inside. Um. And then later in the movie, Uh,

0:35:31.880 --> 0:35:34.920
<v Speaker 1>Dorothy and her friends are having tea with like the

0:35:34.960 --> 0:35:38.480
<v Speaker 1>evil dude, the Nome King, and they're drinking what is

0:35:38.520 --> 0:35:40.799
<v Speaker 1>either I couldn't make it out. He was either like

0:35:40.840 --> 0:35:45.480
<v Speaker 1>it's like steaming liquid silver or steaming sulfur, and I

0:35:45.560 --> 0:35:47.279
<v Speaker 1>was like, those two things are very different. I want

0:35:47.320 --> 0:35:49.800
<v Speaker 1>to know in my mind what they are. And limestone pies.

0:35:50.840 --> 0:35:53.400
<v Speaker 1>But as a kid, those kind of things were the

0:35:53.440 --> 0:35:56.240
<v Speaker 1>things that I kind of latched onto so it's still

0:35:56.280 --> 0:35:59.719
<v Speaker 1>seemed to have a lot of whimsical fun stuff. While

0:35:59.719 --> 0:36:01.840
<v Speaker 1>the other thing, if you got freaked out by something,

0:36:01.920 --> 0:36:05.520
<v Speaker 1>it was probably Princess mom by right, and the Hall

0:36:05.600 --> 0:36:08.440
<v Speaker 1>of Heads. Yeah, the Hall of Heads is so good.

0:36:08.480 --> 0:36:10.600
<v Speaker 1>She can take her head off and put on other heads.

0:36:10.640 --> 0:36:13.359
<v Speaker 1>What's interesting is why she would want to sleep with

0:36:13.440 --> 0:36:17.360
<v Speaker 1>no head, because is she trying to preserve, like not

0:36:17.440 --> 0:36:21.000
<v Speaker 1>wrinkle her heads. Probably because she's really vain. She's really vain.

0:36:21.719 --> 0:36:24.080
<v Speaker 1>That's interesting. You think she just have a sleeping head,

0:36:24.640 --> 0:36:26.160
<v Speaker 1>because why does she has to get up to pee?

0:36:26.520 --> 0:36:28.480
<v Speaker 1>Like the idea that she's so obsessed with, like if

0:36:28.560 --> 0:36:30.920
<v Speaker 1>if there's a head that's like nicer than her, she's like,

0:36:30.960 --> 0:36:33.799
<v Speaker 1>I want that and want that head, that head, and

0:36:33.880 --> 0:36:36.960
<v Speaker 1>she wants that chicken. I mean, the thing about this movie,

0:36:36.960 --> 0:36:38.960
<v Speaker 1>and it does kind of make you realize something about

0:36:39.320 --> 0:36:42.040
<v Speaker 1>the original Wizard of Oz with the movie and the book,

0:36:42.320 --> 0:36:45.000
<v Speaker 1>which is that I mean both are this one more

0:36:45.040 --> 0:36:50.400
<v Speaker 1>explicitly so because it begins with a opening sequence involves

0:36:50.400 --> 0:36:53.520
<v Speaker 1>a mental hospital, but it really both are kind of

0:36:53.520 --> 0:36:56.640
<v Speaker 1>about kids processing trauma. And then the first one it's

0:36:56.640 --> 0:37:00.920
<v Speaker 1>a tornado and it's like about about losing your home

0:37:01.239 --> 0:37:04.680
<v Speaker 1>and about losing everything that's familiar to you and you're

0:37:04.719 --> 0:37:07.799
<v Speaker 1>innocence and yeah, and like reconstructing it and trying to

0:37:07.840 --> 0:37:09.640
<v Speaker 1>make sense of it in this dream world and like

0:37:09.719 --> 0:37:11.680
<v Speaker 1>the code of it is just like there's no place

0:37:11.760 --> 0:37:14.359
<v Speaker 1>like home, but it's like her home was destroyed. Like

0:37:14.640 --> 0:37:16.560
<v Speaker 1>there's something really rough about that. I mean, there has

0:37:16.600 --> 0:37:18.960
<v Speaker 1>always been something kind of dark about The Wizard of Oz,

0:37:19.040 --> 0:37:22.680
<v Speaker 1>regardless of doing a dark, a grim dark sequel to it,

0:37:22.760 --> 0:37:26.480
<v Speaker 1>as I think Returned to Oz qualifies, um, but it

0:37:26.600 --> 0:37:29.200
<v Speaker 1>just really I mean I would like to see like

0:37:29.200 --> 0:37:32.360
<v Speaker 1>a child psychologist or something take apart Return to Oz

0:37:32.400 --> 0:37:35.960
<v Speaker 1>because so much of it feels really primal and unexplainable

0:37:36.000 --> 0:37:37.520
<v Speaker 1>in a way that I think that's why it gets

0:37:37.560 --> 0:37:40.040
<v Speaker 1>to me. It's just and and I I can't I

0:37:40.120 --> 0:37:41.440
<v Speaker 1>said I couldn't watch it, but it's not because I

0:37:41.480 --> 0:37:43.879
<v Speaker 1>don't think it's good. Like it's also like the only

0:37:43.880 --> 0:37:48.319
<v Speaker 1>movie that Walter Merched ever directed, like amazing, and well

0:37:48.360 --> 0:37:49.600
<v Speaker 1>I was saying, I feel like it has a lot

0:37:49.600 --> 0:37:51.759
<v Speaker 1>in common with Night of the Hunter, which was the

0:37:51.800 --> 0:37:56.120
<v Speaker 1>only movie that Charles Lawton ever directed. Um, and is

0:37:56.160 --> 0:38:00.000
<v Speaker 1>another sort of like dark fairy tale that has children

0:38:00.040 --> 0:38:01.759
<v Speaker 1>and in it, but also like put them in real

0:38:01.840 --> 0:38:04.120
<v Speaker 1>danger in a way that like most kids movies don't,

0:38:04.200 --> 0:38:06.399
<v Speaker 1>you know, yeah, where you're like, oh, this kid could die,

0:38:06.560 --> 0:38:09.759
<v Speaker 1>which also I think never ending story yeah, and all

0:38:09.760 --> 0:38:11.920
<v Speaker 1>the good kids movies do you have a little bit

0:38:11.960 --> 0:38:16.279
<v Speaker 1>of that you know people will die? Yeah, feeling. And

0:38:16.560 --> 0:38:18.239
<v Speaker 1>I was watching with my husband who had never seen

0:38:18.280 --> 0:38:20.719
<v Speaker 1>it before, and it's like, holy sh it, like that

0:38:20.760 --> 0:38:23.720
<v Speaker 1>this was for kids, Like how is this movie not illegal?

0:38:23.840 --> 0:38:26.919
<v Speaker 1>Like how did this not like repel every single kid

0:38:26.920 --> 0:38:29.319
<v Speaker 1>who watched it? And I don't remember feeling repelled by

0:38:29.360 --> 0:38:30.799
<v Speaker 1>it when I was a kid, because like a lot

0:38:30.840 --> 0:38:34.400
<v Speaker 1>of this really dark like Dorothy and danger Ship is

0:38:34.400 --> 0:38:36.600
<v Speaker 1>the stuff that kids I think eat up because like

0:38:36.960 --> 0:38:40.279
<v Speaker 1>you feel that a lot when you're a kid and

0:38:40.360 --> 0:38:42.719
<v Speaker 1>when you're control. It's actually when you're older that you

0:38:42.760 --> 0:38:44.840
<v Speaker 1>can actually go back and watch something like Return to

0:38:44.880 --> 0:38:46.920
<v Speaker 1>Oz and be like, holy shit, what are they do?

0:38:46.960 --> 0:38:50.200
<v Speaker 1>Because you understand the context for it. When you're seven,

0:38:50.239 --> 0:38:52.000
<v Speaker 1>you're just like she's in a spooky house and they're

0:38:52.000 --> 0:38:53.960
<v Speaker 1>trying to get her, and like that's I don't know,

0:38:54.000 --> 0:38:56.520
<v Speaker 1>that's like a very compelling thing. I think also because

0:38:56.600 --> 0:39:01.280
<v Speaker 1>Dorothy has played by Ferusa Ball. Yeah, who's amazing. Um,

0:39:01.360 --> 0:39:03.560
<v Speaker 1>there's just sort of like you're not as worried about

0:39:03.560 --> 0:39:06.400
<v Speaker 1>her as you are about Judy Garland. I disagree. She

0:39:06.520 --> 0:39:10.440
<v Speaker 1>was only ten, she was so little. I was like

0:39:10.520 --> 0:39:12.840
<v Speaker 1>baby face, she's so like, I know she's going to

0:39:12.920 --> 0:39:14.920
<v Speaker 1>get out of it. Oh no, no, no, she's a

0:39:14.960 --> 0:39:17.760
<v Speaker 1>more powerful witch. I love everyone else. I'm worried about

0:39:17.760 --> 0:39:20.879
<v Speaker 1>both of them for different reasons. I think juty because

0:39:20.880 --> 0:39:24.440
<v Speaker 1>it's just duty. But I think taking the situation that

0:39:24.520 --> 0:39:26.719
<v Speaker 1>she's in and return to OZ at face value as

0:39:26.760 --> 0:39:29.640
<v Speaker 1>a child is much less unsettled. Well, first of all,

0:39:29.680 --> 0:39:32.239
<v Speaker 1>you you assume everything will be fine, because if she

0:39:32.280 --> 0:39:36.480
<v Speaker 1>can escape from OZ, then she's escaped from all you know,

0:39:36.719 --> 0:39:38.759
<v Speaker 1>and she can go back, and so you kind of

0:39:38.800 --> 0:39:41.359
<v Speaker 1>accept this narrative that it's a physical place and that

0:39:41.400 --> 0:39:43.920
<v Speaker 1>you have faith that you'll escape from it. Whereas as

0:39:43.960 --> 0:39:46.719
<v Speaker 1>an adult, I mean the fact that she starts off

0:39:46.760 --> 0:39:49.000
<v Speaker 1>in a mental hospital, where you realize that if she

0:39:49.200 --> 0:39:51.319
<v Speaker 1>did have the electroshock therapy, and this would have been

0:39:51.320 --> 0:39:53.920
<v Speaker 1>like a very primitive electroshock therapy, that she could have

0:39:54.000 --> 0:39:57.560
<v Speaker 1>basically becoming capacity. You guys think that the whole movie

0:39:57.640 --> 0:39:59.799
<v Speaker 1>is like she's been lobotomized, and this was her fan

0:39:59.880 --> 0:40:02.040
<v Speaker 1>of I don't think she's been lobotomized, but I think

0:40:02.040 --> 0:40:04.319
<v Speaker 1>that she's had electric shop and I think that it

0:40:04.440 --> 0:40:08.200
<v Speaker 1>has like the desolation that we see when she returns

0:40:08.239 --> 0:40:13.040
<v Speaker 1>to oz is what like how that fantasy world of

0:40:13.080 --> 0:40:15.680
<v Speaker 1>hers that she was using to cope with this first

0:40:15.880 --> 0:40:19.360
<v Speaker 1>cataclysmic thing that happened her has been decimated by this

0:40:19.360 --> 0:40:22.239
<v Speaker 1>this procedure, because the procedure is aimed to take the

0:40:22.280 --> 0:40:24.680
<v Speaker 1>bad thoughts out of her, take the nightmares out of

0:40:24.719 --> 0:40:26.600
<v Speaker 1>your part? Do you think she burned down the mental

0:40:26.640 --> 0:40:31.480
<v Speaker 1>hospital with her mind with the mysterious blonde girl who

0:40:31.520 --> 0:40:34.200
<v Speaker 1>just shows up and is definitely not an imaginary friend

0:40:34.200 --> 0:40:39.200
<v Speaker 1>that that she invents in a time of need like Ozma. Yeah, Ozma.

0:40:39.440 --> 0:40:41.200
<v Speaker 1>And that's the other thing is that obviously all of

0:40:41.200 --> 0:40:43.719
<v Speaker 1>the characters who appear in the mental hospital, including the

0:40:43.719 --> 0:40:46.719
<v Speaker 1>men who wheel the gurney down the hallway, are then

0:40:46.840 --> 0:40:50.360
<v Speaker 1>the wheelers. So it makes sense that she is taking

0:40:50.400 --> 0:40:54.120
<v Speaker 1>what she's seen and trying to fight what they're doing

0:40:54.160 --> 0:40:57.160
<v Speaker 1>to her to try to kind of rebuild oz in

0:40:57.239 --> 0:41:01.160
<v Speaker 1>her memory, taking like what she's just seen and integrating it.

0:41:01.200 --> 0:41:04.120
<v Speaker 1>But what comes out is this is this a nightmare?

0:41:04.840 --> 0:41:07.960
<v Speaker 1>I do too. It's super smart and I think it's

0:41:07.960 --> 0:41:11.120
<v Speaker 1>like really, I think it's a really valuable movie. I

0:41:11.200 --> 0:41:15.040
<v Speaker 1>just like it. But it's so effective because this is

0:41:15.040 --> 0:41:17.960
<v Speaker 1>all traumatic ship that we're talking about and like and

0:41:18.040 --> 0:41:21.400
<v Speaker 1>happening to a child no less, and so it is

0:41:21.719 --> 0:41:26.080
<v Speaker 1>I find now like so actively unpleasant to watch for

0:41:26.160 --> 0:41:28.520
<v Speaker 1>these reasons, not just because of the puppetry being spooky

0:41:28.600 --> 0:41:31.160
<v Speaker 1>or whatever, but just because you know what's happening to

0:41:31.200 --> 0:41:34.560
<v Speaker 1>her and why why she's making up what she's making up,

0:41:34.600 --> 0:41:36.239
<v Speaker 1>and the fact that it is made up. It's not

0:41:36.680 --> 0:41:40.120
<v Speaker 1>I think it's real, guys, man, I think it's not real.

0:41:40.200 --> 0:41:44.400
<v Speaker 1>But I loved it. But well, I was saying too,

0:41:44.400 --> 0:41:46.040
<v Speaker 1>I feel like the first like Wizard of Oz is

0:41:46.080 --> 0:41:47.840
<v Speaker 1>Alice in Wonderland, and then this is like through the

0:41:47.840 --> 0:41:50.880
<v Speaker 1>looking Glass. It's like even in the context of the

0:41:50.880 --> 0:41:53.839
<v Speaker 1>fantasy world, the rules that the made up rules don't

0:41:53.880 --> 0:41:58.839
<v Speaker 1>exist anymore or they're totally different. Yeah. Um, I don't know,

0:41:58.920 --> 0:42:01.560
<v Speaker 1>there's something so human about this movie. You know what

0:42:01.560 --> 0:42:03.800
<v Speaker 1>we're going to have to do because of this now

0:42:04.080 --> 0:42:08.000
<v Speaker 1>the whiz Oh have you guys ever seen the word? Definitely? Yeah?

0:42:08.200 --> 0:42:11.200
<v Speaker 1>Talk about some full body puppet tries. Yeah right, we

0:42:11.200 --> 0:42:12.560
<v Speaker 1>should do the Whiz and we also have to do

0:42:12.600 --> 0:42:16.000
<v Speaker 1>the Dark Crystal, which has been also requested by some listeners.

0:42:16.080 --> 0:42:19.400
<v Speaker 1>But if you have other requests of eighties puppet horror

0:42:19.440 --> 0:42:22.279
<v Speaker 1>that you would like to throw our way, please col

0:42:22.719 --> 0:42:27.000
<v Speaker 1>horror for children? Well yeah, I mean, I mean, what

0:42:28.160 --> 0:42:31.839
<v Speaker 1>what what are we talking about here? The wait? What's

0:42:31.880 --> 0:42:34.000
<v Speaker 1>that music video? I always forget the name of it.

0:42:34.160 --> 0:42:37.680
<v Speaker 1>The Genesis video with all the splitting image videos. I

0:42:37.760 --> 0:42:40.040
<v Speaker 1>was just talking about that because they show this is

0:42:40.040 --> 0:42:42.520
<v Speaker 1>the most sucked up thing. But in an Epstein documentary

0:42:42.600 --> 0:42:46.120
<v Speaker 1>I watched in order to get Prince Andrew to molest

0:42:46.200 --> 0:42:48.640
<v Speaker 1>one of the victims, they had a splitting image puppet

0:42:48.640 --> 0:42:51.280
<v Speaker 1>of Prince Andrew and they were like, look the puppets

0:42:51.280 --> 0:42:53.480
<v Speaker 1>putting its hand on her breast. Would you like to

0:42:53.520 --> 0:42:59.200
<v Speaker 1>do that? Yeah, because he's like an imbecile. UM was

0:42:59.239 --> 0:43:01.480
<v Speaker 1>the most up to the documentary was. I was also like,

0:43:01.800 --> 0:43:05.480
<v Speaker 1>Julainne just had a splitting a spitting image puppet of Andreid.

0:43:05.520 --> 0:43:07.799
<v Speaker 1>I knew what that meant because I've seen that Genesis video,

0:43:07.800 --> 0:43:15.640
<v Speaker 1>which is terrifying. UM on that return to return Us trauma,

0:43:16.080 --> 0:43:18.759
<v Speaker 1>UM alright, we're gonna take a break and when we

0:43:18.800 --> 0:43:21.200
<v Speaker 1>come back, we're going to have our guest Katie Golden on.

0:43:30.360 --> 0:43:33.840
<v Speaker 1>And we are back. We are joined today by Katie Golden.

0:43:34.080 --> 0:43:37.480
<v Speaker 1>Posts of Creature feature a great podcast right here on

0:43:37.560 --> 0:43:40.239
<v Speaker 1>this podcast network that we have all been guests on

0:43:40.640 --> 0:43:43.719
<v Speaker 1>already at some point. It's super fun. Everybody should check

0:43:43.760 --> 0:43:45.880
<v Speaker 1>it out. Hi, Katie, Hey, thanks for having me on.

0:43:46.120 --> 0:43:50.080
<v Speaker 1>Of course, we you know, as listeners know, we frequently

0:43:50.080 --> 0:43:54.719
<v Speaker 1>get into creature news, animal news, new bugs, new crabs, um.

0:43:54.760 --> 0:43:57.440
<v Speaker 1>They usually make an appearance here. But we also don't

0:43:57.440 --> 0:43:59.640
<v Speaker 1>know that much about animals, or at least not as

0:43:59.719 --> 0:44:02.479
<v Speaker 1>much as you do, so we felt like it would

0:44:02.480 --> 0:44:06.520
<v Speaker 1>be appropriate to pick your brain about newsworthy animals that

0:44:06.719 --> 0:44:10.239
<v Speaker 1>take my brain like a parasitoid wasp. Well what do

0:44:10.280 --> 0:44:12.000
<v Speaker 1>you what do you think about? I mean, there is

0:44:12.080 --> 0:44:15.880
<v Speaker 1>a there's totally a cottage industry of viral animal news

0:44:16.120 --> 0:44:20.400
<v Speaker 1>that we obviously love and thrive on. But yeah, and

0:44:20.440 --> 0:44:23.919
<v Speaker 1>I think the general rule for journalists is the more

0:44:24.320 --> 0:44:27.160
<v Speaker 1>penis shaped the animal is, the more viral it will

0:44:27.239 --> 0:44:30.680
<v Speaker 1>be the better story. Don't don't bury the penis is

0:44:30.680 --> 0:44:35.720
<v Speaker 1>what they call. Well, they struggled this week and there.

0:44:35.760 --> 0:44:38.000
<v Speaker 1>I mean, even if they wanted to bury the penis,

0:44:38.280 --> 0:44:40.960
<v Speaker 1>there were just so many. I don't think I don't

0:44:40.960 --> 0:44:44.160
<v Speaker 1>think there was room. I don't know if anybody saw. Okay,

0:44:44.160 --> 0:44:46.080
<v Speaker 1>so this was very this is like a misnomer and

0:44:46.160 --> 0:44:48.120
<v Speaker 1>some people are very angry about this because it was

0:44:48.160 --> 0:44:51.080
<v Speaker 1>being called a penis fish on twitter. Um it is

0:44:51.120 --> 0:44:53.800
<v Speaker 1>not a fish, no, but it is called a penis

0:44:53.840 --> 0:44:58.640
<v Speaker 1>fish like that is that is used for it. It's

0:44:58.680 --> 0:45:03.360
<v Speaker 1>got a fish. So more, it's related distantly two leeches,

0:45:03.440 --> 0:45:08.399
<v Speaker 1>earthworms basically worms. It's a warm it's also known as

0:45:08.440 --> 0:45:10.960
<v Speaker 1>a spoon worm or it's in the family of spoon

0:45:10.960 --> 0:45:14.600
<v Speaker 1>worms because it's proboscus is shaped like a spoon. Where's

0:45:14.640 --> 0:45:17.400
<v Speaker 1>the proboscus? You know, comes out at one of the ends,

0:45:17.400 --> 0:45:20.680
<v Speaker 1>probably front, which is the front. Okay, So so if

0:45:20.680 --> 0:45:22.680
<v Speaker 1>you haven't seen a picture of this, first make sure

0:45:22.719 --> 0:45:26.840
<v Speaker 1>that you're not at work. Maybe at the work you

0:45:26.880 --> 0:45:28.719
<v Speaker 1>can look, can you you'd have to You're going to

0:45:28.800 --> 0:45:32.839
<v Speaker 1>have to explain yourself. Is the one assuming things that's true?

0:45:32.960 --> 0:45:37.239
<v Speaker 1>That's true? What are those penises? And you say penis? Why?

0:45:37.360 --> 0:45:41.440
<v Speaker 1>Who I know? It's nanimal? I would never I'm a scientist.

0:45:43.080 --> 0:45:46.279
<v Speaker 1>It is a fat innkeeper worm. Yes, that's the I

0:45:46.320 --> 0:45:48.680
<v Speaker 1>guess that's the official name of it. That that's the

0:45:48.719 --> 0:45:52.680
<v Speaker 1>official name. Yeah, it's a very rude. Uh. It does

0:45:52.800 --> 0:45:57.560
<v Speaker 1>look like a pink dildo. Um. And they're found in

0:45:57.600 --> 0:46:01.560
<v Speaker 1>the West Coast and usually Northern Town, California. Is that right, Katie?

0:46:02.120 --> 0:46:04.839
<v Speaker 1>I guess so. I'm actually not an expert on this

0:46:04.960 --> 0:46:08.240
<v Speaker 1>particular worm. There's just so many worms out there. Yeah,

0:46:08.480 --> 0:46:11.440
<v Speaker 1>you'd think that I would have specialized in the penis

0:46:11.520 --> 0:46:15.880
<v Speaker 1>shaped worm, but now there's still time. Um. One of

0:46:15.920 --> 0:46:19.359
<v Speaker 1>the cool things about the penis worm or the penis fish,

0:46:19.600 --> 0:46:25.760
<v Speaker 1>the fat innkeeper worm, my friend, is they they eat

0:46:25.880 --> 0:46:29.759
<v Speaker 1>by spitting out slime nets tea and then they like

0:46:29.920 --> 0:46:32.480
<v Speaker 1>pull the slime net back in and eat whatever's in it.

0:46:32.600 --> 0:46:35.640
<v Speaker 1>That's actually a pretty common tactic by a lot of

0:46:35.680 --> 0:46:40.399
<v Speaker 1>different worms. There. Proboscus worms that basically spit out their

0:46:40.440 --> 0:46:44.040
<v Speaker 1>proboscis inverted or everted, I guess which is where it

0:46:44.120 --> 0:46:46.000
<v Speaker 1>like spits it out and then like pulls it back

0:46:46.040 --> 0:46:50.920
<v Speaker 1>in to pull in prey. It's a disgusting fun way

0:46:50.960 --> 0:46:54.560
<v Speaker 1>to eat. Why would they not just evolve to have mouths?

0:46:54.680 --> 0:46:57.360
<v Speaker 1>Is that the dumbest question, Like it doesn't it expend

0:46:57.440 --> 0:47:00.120
<v Speaker 1>a bunch of energy. It's not a dumb question. It

0:47:00.200 --> 0:47:02.839
<v Speaker 1>just depends on the type of environment you're in. So

0:47:02.880 --> 0:47:06.040
<v Speaker 1>if you're sort of a filter feeding animal or an

0:47:06.040 --> 0:47:10.000
<v Speaker 1>animal that eats a bunch of small detritus that winds

0:47:10.040 --> 0:47:13.440
<v Speaker 1>up in the ocean, by casting a net, you've created

0:47:13.480 --> 0:47:16.759
<v Speaker 1>a system that's a lot more You get a much

0:47:16.800 --> 0:47:18.439
<v Speaker 1>more bang for your buck. Then if you're just going

0:47:18.480 --> 0:47:22.560
<v Speaker 1>around hungry, hungry, hippoing all those little bits of marine snow,

0:47:22.680 --> 0:47:25.799
<v Speaker 1>which is like little bits of organic matter, do they

0:47:25.840 --> 0:47:29.600
<v Speaker 1>have any kind of a colony or anything? The penis fish,

0:47:29.840 --> 0:47:33.200
<v Speaker 1>the independent contractors, I mean, apparently they have something going

0:47:33.239 --> 0:47:35.960
<v Speaker 1>on because of this massive amount of penis fishes that

0:47:36.040 --> 0:47:38.319
<v Speaker 1>washed up on the shore. Well, this is saying that

0:47:38.360 --> 0:47:41.080
<v Speaker 1>it was a storm. Is the reason right that they

0:47:41.320 --> 0:47:44.000
<v Speaker 1>that they all got caught in like a cyclone of

0:47:44.040 --> 0:47:45.960
<v Speaker 1>just that would be such a sight to see a

0:47:46.000 --> 0:47:49.520
<v Speaker 1>cyclone of wieners. I mean, that's the concept of Sharknado.

0:47:49.640 --> 0:47:55.560
<v Speaker 1>It's just with dicks like um, it's truly raining. I

0:47:56.800 --> 0:47:59.759
<v Speaker 1>want like, if I ever have a bachelorette party, this

0:47:59.840 --> 0:48:02.000
<v Speaker 1>is at a very high bar where if there's not

0:48:02.080 --> 0:48:05.520
<v Speaker 1>a cyclone of Wieners. I don't know, you're not trying,

0:48:05.520 --> 0:48:08.160
<v Speaker 1>You're not my friend underwhelming. I'm like fine with all

0:48:08.160 --> 0:48:10.680
<v Speaker 1>these images of them, like they're they're they're just covering

0:48:10.719 --> 0:48:12.640
<v Speaker 1>the speech. What about the image where it's on a

0:48:12.680 --> 0:48:16.040
<v Speaker 1>plate to be eaten? God? So yeah, they are also

0:48:16.400 --> 0:48:19.040
<v Speaker 1>a delicacy. Yeah, that's right. Well, I'm looking at a

0:48:19.040 --> 0:48:22.440
<v Speaker 1>photo of there was a photo of a like an

0:48:22.480 --> 0:48:27.520
<v Speaker 1>otter just sort of like snacking on. But there's another

0:48:27.560 --> 0:48:30.359
<v Speaker 1>one with it like mid eating it where it just

0:48:30.400 --> 0:48:33.120
<v Speaker 1>looks like it looks like happy, let's be adults about it.

0:48:33.120 --> 0:48:35.360
<v Speaker 1>It looks like it's giving it a be j Yes,

0:48:35.480 --> 0:48:38.080
<v Speaker 1>yes that's what. But that that's the first one. That's

0:48:38.120 --> 0:48:41.760
<v Speaker 1>the before picture. The after it's just like like stretched

0:48:41.800 --> 0:48:45.440
<v Speaker 1>out remains of the worm. I wonder what the texture

0:48:45.560 --> 0:48:48.359
<v Speaker 1>is looks like. Also, I feel like I think it's

0:48:48.360 --> 0:48:49.879
<v Speaker 1>like a gooey duck. I like, I've seen the otter

0:48:49.960 --> 0:48:53.400
<v Speaker 1>eat a good duck. It's like a shell less, gooey duck. Actually,

0:48:53.640 --> 0:48:55.440
<v Speaker 1>I bet it. I bet it's sort of like, yeah,

0:48:55.520 --> 0:48:58.680
<v Speaker 1>like a muscle or maybe even scargo that kind of

0:48:58.719 --> 0:49:03.200
<v Speaker 1>like kind of looks like a nice yeah test making

0:49:03.239 --> 0:49:09.480
<v Speaker 1>a face I'm not a funatter for I'll leave them

0:49:09.480 --> 0:49:13.359
<v Speaker 1>for the otters, just a million floppy dicks for them.

0:49:13.400 --> 0:49:16.719
<v Speaker 1>I don't think so. They're very like easy prey. It

0:49:16.800 --> 0:49:19.000
<v Speaker 1>sounds like from what I've read that just they don't

0:49:19.040 --> 0:49:22.480
<v Speaker 1>have any defense mechanisms. They're just like just like a

0:49:22.520 --> 0:49:25.359
<v Speaker 1>penis exactly do you think the seagulls are just like

0:49:25.760 --> 0:49:30.680
<v Speaker 1>having a party? I guess a penis party. Yeah. Party.

0:49:30.880 --> 0:49:32.120
<v Speaker 1>It's got to be a site to see a bunch

0:49:32.160 --> 0:49:36.640
<v Speaker 1>of goals and other scavengers just floppings around, you know,

0:49:36.800 --> 0:49:40.560
<v Speaker 1>just letting them flop down their Goallet's seagull bachelorette. Yes,

0:49:41.600 --> 0:49:44.719
<v Speaker 1>this podcast this isn't. This was in Drake speech in

0:49:44.800 --> 0:49:50.240
<v Speaker 1>California at the mass beaching of wieners. Yeah, is um

0:49:51.160 --> 0:49:55.520
<v Speaker 1>elkhorns slow? I've been there? Is that more? Obey? No,

0:49:55.640 --> 0:49:57.560
<v Speaker 1>it's like up near moderate, but it's where you can

0:49:57.560 --> 0:50:01.520
<v Speaker 1>see a lot of otters. It's really cool. So other

0:50:01.600 --> 0:50:04.759
<v Speaker 1>than um animals that look like dis uh, what, what

0:50:04.840 --> 0:50:07.400
<v Speaker 1>do you think is like? What what makes the perfect

0:50:08.400 --> 0:50:12.680
<v Speaker 1>viral animal story? Like? What for you personally and maybe

0:50:12.680 --> 0:50:14.880
<v Speaker 1>for the world at large? For me, it's good writing.

0:50:15.000 --> 0:50:17.319
<v Speaker 1>I love a story that starts with a nice hook.

0:50:17.360 --> 0:50:21.040
<v Speaker 1>I think that with science writing sometimes it falls short

0:50:21.280 --> 0:50:24.080
<v Speaker 1>of my expectations. I think it's important for it to

0:50:24.120 --> 0:50:27.319
<v Speaker 1>both be accurate and have a nice narrative. There is

0:50:27.840 --> 0:50:30.799
<v Speaker 1>a story I think it's by ed Young. It was

0:50:30.880 --> 0:50:33.520
<v Speaker 1>I think it was in the National Geographic and I

0:50:33.600 --> 0:50:36.320
<v Speaker 1>loved it because it started with, you know when Dr

0:50:36.400 --> 0:50:39.480
<v Speaker 1>so and so got a big sack full of reindeer eyeballs.

0:50:39.520 --> 0:50:42.960
<v Speaker 1>At first he didn't want it. That pulls me in

0:50:43.800 --> 0:50:46.400
<v Speaker 1>that you must know more, to know more. That's a

0:50:46.440 --> 0:50:49.920
<v Speaker 1>good hook, and it's you know I do sometimes I

0:50:49.920 --> 0:50:53.200
<v Speaker 1>think that viral stories exaggerate the facts a little bit,

0:50:53.360 --> 0:50:56.719
<v Speaker 1>which can be frustrating. So I think you can, if

0:50:56.760 --> 0:50:59.520
<v Speaker 1>you know how to write a good story without exaggerating

0:50:59.520 --> 0:51:01.959
<v Speaker 1>the facts, you go and really try to dig down

0:51:02.000 --> 0:51:04.959
<v Speaker 1>into the science. It's never you never have to. Really.

0:51:05.040 --> 0:51:07.759
<v Speaker 1>Nature is so crazy. You don't have to make anything up.

0:51:07.920 --> 0:51:11.040
<v Speaker 1>You don't have to kind of stretch the truth for

0:51:11.120 --> 0:51:14.160
<v Speaker 1>it to be really interesting. Yeah. I feel like we've

0:51:14.200 --> 0:51:19.000
<v Speaker 1>had debates on this podcast about certain headlines from certain

0:51:19.040 --> 0:51:25.279
<v Speaker 1>websites about science stories, um, guilding the lily. Nature is cool, Like,

0:51:25.400 --> 0:51:28.160
<v Speaker 1>you don't need to mislead people. I feel like, you

0:51:28.160 --> 0:51:31.200
<v Speaker 1>don't have to stretch a fat innkeeper worm, you don't

0:51:31.239 --> 0:51:35.919
<v Speaker 1>have to guild a penis fish. Um. We also wanted

0:51:35.920 --> 0:51:39.799
<v Speaker 1>to talk about I came across on Live Science a

0:51:39.960 --> 0:51:46.320
<v Speaker 1>story about a pig monkey chimera hybrid. Interesting um, and

0:51:46.680 --> 0:51:50.799
<v Speaker 1>it it just seems like a bad idea. It's intriguing,

0:51:51.040 --> 0:51:54.360
<v Speaker 1>but we were kind of wondering what you thought about hybrids,

0:51:54.440 --> 0:51:58.040
<v Speaker 1>especially because there was also an article by the person

0:51:58.120 --> 0:52:01.759
<v Speaker 1>who created the lab redoodle saying it was his or

0:52:01.800 --> 0:52:06.600
<v Speaker 1>her life's regret. Um. And since then I went on

0:52:06.760 --> 0:52:09.480
<v Speaker 1>kind of like an internet spiral and started looking into

0:52:09.520 --> 0:52:12.839
<v Speaker 1>like the mini bernardoodles and all the kind of like

0:52:12.960 --> 0:52:16.920
<v Speaker 1>new designer dogs, and it was like the pig monkey. No,

0:52:17.800 --> 0:52:20.600
<v Speaker 1>I actually have very strong opinions on all of these things,

0:52:20.840 --> 0:52:23.640
<v Speaker 1>so I'm happy to be here to sort of force

0:52:23.760 --> 0:52:27.440
<v Speaker 1>my opinions on other people. It's my favorite thing to do. UM.

0:52:27.480 --> 0:52:30.640
<v Speaker 1>So the I'm actually I wasn't aware of the the

0:52:31.000 --> 0:52:34.399
<v Speaker 1>pig monkey hybrid, but I know so it's My guests

0:52:34.400 --> 0:52:37.200
<v Speaker 1>would be that it was an embryo and it wasn't viable.

0:52:37.600 --> 0:52:41.640
<v Speaker 1>I think it was viable, so it says okay. On

0:52:41.960 --> 0:52:46.279
<v Speaker 1>Live Science two piglets recently born in China look like

0:52:46.360 --> 0:52:49.359
<v Speaker 1>average swine on the outside, but on the inside they

0:52:49.360 --> 0:52:53.680
<v Speaker 1>are a very small part monkey. A team of researchers

0:52:53.760 --> 0:52:57.360
<v Speaker 1>generated the pig primate creatures by injecting monkey stem cells

0:52:57.400 --> 0:53:01.800
<v Speaker 1>into fertilized pig embryos and then planting them into sarroget saws.

0:53:01.840 --> 0:53:04.520
<v Speaker 1>According to a piece by New Scientists, two of the

0:53:04.560 --> 0:53:08.840
<v Speaker 1>resulting piglets developed into interspecies animals known as chimeras, meaning

0:53:08.840 --> 0:53:12.040
<v Speaker 1>that they contained DNA from two distinct individuals, in this case,

0:53:12.040 --> 0:53:14.360
<v Speaker 1>a pig and a monkey. It's the first report of

0:53:14.360 --> 0:53:17.239
<v Speaker 1>a full term pig monkey I see. So it's not

0:53:17.840 --> 0:53:20.840
<v Speaker 1>I think, more accurately, it would be a pig born

0:53:21.000 --> 0:53:23.960
<v Speaker 1>with some monkey cells in it, a dash of monkey,

0:53:24.000 --> 0:53:26.120
<v Speaker 1>a dash of monkey. And it also looks like I

0:53:26.200 --> 0:53:28.800
<v Speaker 1>just looked up a little thing. It looks like they were.

0:53:28.880 --> 0:53:32.600
<v Speaker 1>They died after about a week. So typically that's what

0:53:32.680 --> 0:53:35.880
<v Speaker 1>happens when you try to Uh, it's either not viable

0:53:36.280 --> 0:53:41.160
<v Speaker 1>or they're not gonna make it because it's I think

0:53:41.160 --> 0:53:45.239
<v Speaker 1>it's hard to play god. Yeah, in general for this,

0:53:45.440 --> 0:53:49.760
<v Speaker 1>it's so seductive. So actually, there was a pig human

0:53:50.600 --> 0:53:55.320
<v Speaker 1>hybrid made in seventeen at the Sock Institute in San Diego,

0:53:55.320 --> 0:53:58.120
<v Speaker 1>which is actually my hometown, and they, I guess I

0:53:58.160 --> 0:54:01.600
<v Speaker 1>got out of there just in time, injected human stem

0:54:01.600 --> 0:54:05.000
<v Speaker 1>cells into a pig embryo, which created a pig human

0:54:05.080 --> 0:54:08.479
<v Speaker 1>hybrid sort of. I mean, I think so. The pig

0:54:08.480 --> 0:54:12.200
<v Speaker 1>embryo was like only point zero zero one person human,

0:54:12.280 --> 0:54:15.000
<v Speaker 1>which I assume is similar with the monkey one. It

0:54:15.040 --> 0:54:18.239
<v Speaker 1>was probably a very tiny amount of monkey, and it

0:54:18.360 --> 0:54:21.560
<v Speaker 1>was only able to develop for about twenty eight days,

0:54:22.280 --> 0:54:25.719
<v Speaker 1>and it was also I'm not I think it would

0:54:25.800 --> 0:54:29.239
<v Speaker 1>have probably terminated, but I think they also would not

0:54:29.360 --> 0:54:32.560
<v Speaker 1>allow it to develop further because that would be super illegal. Right,

0:54:33.080 --> 0:54:35.879
<v Speaker 1>Is it illegal? That's my question? Yeah. I don't think

0:54:35.880 --> 0:54:39.520
<v Speaker 1>you're allowed to make human hybrids. You're not allowed to splice.

0:54:39.800 --> 0:54:41.960
<v Speaker 1>I don't think so. I don't think the splice was

0:54:42.000 --> 0:54:46.520
<v Speaker 1>it sex? Yeah? Yeah, it's that was an interesting movie.

0:54:47.840 --> 0:54:50.839
<v Speaker 1>I think. Isn't the point to get closer to being

0:54:50.840 --> 0:54:54.879
<v Speaker 1>able to manufacture organs for organ transplant? Yeah? I think

0:54:54.920 --> 0:54:58.239
<v Speaker 1>that's the hope. I don't think we're an evil masterminding

0:55:00.080 --> 0:55:02.759
<v Speaker 1>stem cells, right, I don't think it's trying to make

0:55:02.960 --> 0:55:07.359
<v Speaker 1>sort of a half pig half human hybrid. That it's

0:55:07.400 --> 0:55:11.080
<v Speaker 1>not gallops around just trying to make a monkey pig

0:55:11.120 --> 0:55:13.440
<v Speaker 1>in order to be the most viral animal story that

0:55:13.480 --> 0:55:19.839
<v Speaker 1>would be the half shark all. Yeah, yeah, yeah, it's

0:55:21.040 --> 0:55:25.360
<v Speaker 1>I think it's interesting. I think it's something where obviously,

0:55:25.400 --> 0:55:27.480
<v Speaker 1>I think there are a lot of ethical concerns when

0:55:27.520 --> 0:55:29.839
<v Speaker 1>it comes to creating hybrids. I think when if if

0:55:29.880 --> 0:55:33.160
<v Speaker 1>it's just in the name of creating, like growing organs,

0:55:34.160 --> 0:55:37.080
<v Speaker 1>you know that that's something. Of course, if you're growing

0:55:37.200 --> 0:55:40.440
<v Speaker 1>organs within a living animal, then you have to consider

0:55:40.520 --> 0:55:43.279
<v Speaker 1>the quality of life for the animal. It seems to

0:55:43.280 --> 0:55:46.320
<v Speaker 1>me though, like the ethical concerns haven't been a big

0:55:46.360 --> 0:55:51.560
<v Speaker 1>issue in tech biotech recently. Do you think there are

0:55:51.600 --> 0:55:55.320
<v Speaker 1>people who have like a secret island of Dr Mureau already?

0:55:55.560 --> 0:55:59.759
<v Speaker 1>I was sure, probably now that we know sociopaths have

0:55:59.800 --> 0:56:04.680
<v Speaker 1>seen grid islands kind of some kind of Epstein pig

0:56:04.800 --> 0:56:09.120
<v Speaker 1>monkey hybrid just doing his bidding. What would the island

0:56:09.160 --> 0:56:12.080
<v Speaker 1>of Dr Golden look like? What kind of creatures? Yeah,

0:56:12.120 --> 0:56:16.640
<v Speaker 1>what would you populated with? Good question? I mean bird people, probably,

0:56:18.000 --> 0:56:21.759
<v Speaker 1>you know I do. So here's here's the thing, and

0:56:21.800 --> 0:56:24.480
<v Speaker 1>I hope, I hope nobody steals this idea of idea

0:56:24.560 --> 0:56:26.880
<v Speaker 1>from me. But I'm I'm in the works of creating

0:56:27.000 --> 0:56:29.399
<v Speaker 1>a you know how Cats the movie is coming out.

0:56:29.920 --> 0:56:34.120
<v Speaker 1>I'm creating a rival Broadway production called Birds, where it's

0:56:34.280 --> 0:56:38.920
<v Speaker 1>bird people dancing around and talking about sort of bird issues,

0:56:39.600 --> 0:56:41.560
<v Speaker 1>which you may know it is very important to me.

0:56:41.600 --> 0:56:44.800
<v Speaker 1>I'm the author of pro bird Rights, which is a

0:56:44.840 --> 0:56:48.480
<v Speaker 1>Twitter dedicated to the supremacy of birds. But do you

0:56:48.480 --> 0:56:51.480
<v Speaker 1>know about the rival conspiracy theory birds don't exist? Yeah?

0:56:51.480 --> 0:56:56.320
<v Speaker 1>I know this what we're in a very protracted a

0:56:56.440 --> 0:57:01.680
<v Speaker 1>legal issue, right, Yeah, it's um, I get ads for it.

0:57:01.719 --> 0:57:05.280
<v Speaker 1>Sometimes exist. It's a fake conspiracy that says that birds

0:57:05.280 --> 0:57:09.520
<v Speaker 1>are all just drones. Now like birds do exists. The

0:57:09.560 --> 0:57:13.840
<v Speaker 1>bird conspiracy theory that birds don't exist is actually a

0:57:14.520 --> 0:57:22.920
<v Speaker 1>reverse psyops ci, a shadow plot to undermine birds. Birds.

0:57:22.960 --> 0:57:32.040
<v Speaker 1>We have seen that, you know what birds on documentary. Wait,

0:57:32.080 --> 0:57:33.760
<v Speaker 1>so what are the what are the bird issues? What

0:57:33.800 --> 0:57:36.840
<v Speaker 1>are the major bird issues? Well, the Twitter account itself

0:57:36.920 --> 0:57:38.920
<v Speaker 1>is I hate to say it, it's a satire. It

0:57:39.000 --> 0:57:41.440
<v Speaker 1>is actually written by a real bird. I just interpret

0:57:41.480 --> 0:57:45.160
<v Speaker 1>the birds sort of speaks. I'm a channel, a medium,

0:57:45.160 --> 0:57:47.280
<v Speaker 1>a bird medium, and the bird speaks through me, and

0:57:47.320 --> 0:57:50.520
<v Speaker 1>then I put the birds thoughts into words. But it

0:57:50.640 --> 0:57:54.280
<v Speaker 1>is a satire. It's like political satire, basically making fun

0:57:54.440 --> 0:57:58.960
<v Speaker 1>of people in power who feel like they're they're suppressed

0:57:58.960 --> 0:58:02.439
<v Speaker 1>when really they're not, like the Trumps of the world. Basically, yeah,

0:58:03.000 --> 0:58:07.720
<v Speaker 1>bird rights, Um, what's the best bird? The best bird, Well,

0:58:08.080 --> 0:58:10.840
<v Speaker 1>the cutest bird, in my opinion is the European robin.

0:58:10.960 --> 0:58:14.320
<v Speaker 1>That's the That's the bird that I use for that

0:58:14.320 --> 0:58:18.160
<v Speaker 1>that account because it's very round and very angry looking.

0:58:18.520 --> 0:58:21.480
<v Speaker 1>It's the perfect bird. It's like, when you think of bird,

0:58:21.720 --> 0:58:24.400
<v Speaker 1>that is bird. That is what? Yeah, that is the

0:58:24.520 --> 0:58:27.040
<v Speaker 1>quintessential bird. When I think of bird, I think of duck.

0:58:27.160 --> 0:58:29.720
<v Speaker 1>Is that weird? It is? I don't know what's wrong

0:58:29.760 --> 0:58:32.120
<v Speaker 1>with you. I don't either trying to figure it out.

0:58:32.760 --> 0:58:34.280
<v Speaker 1>I don't know what I think of when I think now,

0:58:34.320 --> 0:58:36.320
<v Speaker 1>I feel like my mind has been poisoned by both

0:58:36.360 --> 0:58:39.919
<v Speaker 1>of this very adorable round bird. Crows talk about Oh,

0:58:39.960 --> 0:58:42.800
<v Speaker 1>that's an interesting question. Crows are hell of smart. They're

0:58:42.880 --> 0:58:47.200
<v Speaker 1>very smart. They're highly social. They do communicate with each other.

0:58:47.920 --> 0:58:54.160
<v Speaker 1>I think you know, they probably talk about oh. Mostly

0:58:54.200 --> 0:58:56.600
<v Speaker 1>it's probably like hey, are you there, Yeah, I'm here.

0:58:56.600 --> 0:58:58.720
<v Speaker 1>Are you there? Yeah, I'm here. What about you? Are

0:58:58.760 --> 0:59:01.360
<v Speaker 1>you there? Yeah, I'm here? You over there? Yeah? Here

0:59:01.400 --> 0:59:05.240
<v Speaker 1>over there. They also do things like hey, I know you.

0:59:05.240 --> 0:59:09.080
<v Speaker 1>You're a bad person. I don't like you. Yeah. So

0:59:09.120 --> 0:59:12.760
<v Speaker 1>they can recognize, they can recognize faces. They will attack

0:59:12.840 --> 0:59:15.800
<v Speaker 1>people that they hold a grudge against. So a University

0:59:15.800 --> 0:59:20.120
<v Speaker 1>of Washington study banded a bunch of crows, and banding

0:59:20.160 --> 0:59:23.240
<v Speaker 1>is when you put that little plastic inklet on on

0:59:23.280 --> 0:59:26.080
<v Speaker 1>the crows and they hate it. And so they researchers

0:59:26.120 --> 0:59:28.840
<v Speaker 1>knew crows could remember faces and attack people. So they

0:59:28.840 --> 0:59:33.480
<v Speaker 1>started wearing masks, and the crows would attack and scold

0:59:33.640 --> 0:59:37.960
<v Speaker 1>people wearing these masks for like years, and they have

0:59:38.040 --> 0:59:41.120
<v Speaker 1>a specific call that is a scolding call. So they're

0:59:41.160 --> 0:59:45.360
<v Speaker 1>probably saying, like, I remember you forced us to wear bracelets.

0:59:45.400 --> 0:59:49.200
<v Speaker 1>We hate you. What. How how old do crows live?

0:59:49.640 --> 0:59:52.720
<v Speaker 1>A few years? That's a good question I think about now.

0:59:52.760 --> 0:59:55.280
<v Speaker 1>I'm like really scared. I'm thinking back on all the

0:59:55.320 --> 1:00:00.680
<v Speaker 1>crows I've wronged, and I'm just like sin. Let's see,

1:00:00.760 --> 1:00:05.160
<v Speaker 1>American crews seven to eight years. Ravens live ten to

1:00:05.240 --> 1:00:09.040
<v Speaker 1>fifteen years. There's a big difference between the two. But

1:00:09.320 --> 1:00:13.600
<v Speaker 1>they're they're different species and they in terms of their size.

1:00:14.240 --> 1:00:16.919
<v Speaker 1>They I think ravens tend to be a little bit

1:00:17.480 --> 1:00:20.800
<v Speaker 1>bigger than crows, but not by too much. The best

1:00:20.840 --> 1:00:25.400
<v Speaker 1>way to tell the difference between them is ravens tails

1:00:25.440 --> 1:00:28.720
<v Speaker 1>are giving you a middle finger, whereas crow's tails aren't.

1:00:28.760 --> 1:00:32.400
<v Speaker 1>So the raven tail comes and has like a comes

1:00:32.440 --> 1:00:34.440
<v Speaker 1>to sort of like a point where the middle feathers

1:00:34.480 --> 1:00:36.400
<v Speaker 1>stick out, so it's like a big old middle finger,

1:00:36.680 --> 1:00:39.000
<v Speaker 1>and with crows is just kind of a wedge. And

1:00:39.120 --> 1:00:42.160
<v Speaker 1>ravens also have a little bit of fluff right at

1:00:42.160 --> 1:00:44.360
<v Speaker 1>the bridge of their beak that's a little more pronounced.

1:00:44.480 --> 1:00:47.680
<v Speaker 1>I feel like ravens have like shoulders more so than

1:00:47.760 --> 1:00:51.440
<v Speaker 1>crows could be. They could be like a posture when

1:00:51.440 --> 1:00:53.680
<v Speaker 1>they're sitting. I mean, like it looks like they have shoulders.

1:00:53.720 --> 1:00:57.080
<v Speaker 1>They're all dinosaurs. I mean it's the big crows are hard.

1:00:57.080 --> 1:00:59.800
<v Speaker 1>It's smaller crows are easy to tell from ravens, but

1:00:59.800 --> 1:01:02.200
<v Speaker 1>there can be some pretty big crows and that that

1:01:02.240 --> 1:01:06.600
<v Speaker 1>can be difficult. Crows often come in brigger groups. Ravens

1:01:06.640 --> 1:01:11.960
<v Speaker 1>usually come in ones or two's. The call is different,

1:01:12.080 --> 1:01:17.520
<v Speaker 1>so crows have a like like that's like the car.

1:01:18.080 --> 1:01:20.720
<v Speaker 1>It sounds like a con and then ravens sort of

1:01:20.760 --> 1:01:26.560
<v Speaker 1>have a croak where it's like those are really good impressions.

1:01:26.640 --> 1:01:31.360
<v Speaker 1>Thank you? Did you see um? Did you see the Lighthouse? Hey?

1:01:31.920 --> 1:01:34.800
<v Speaker 1>The movie with Will Dafoe and Robert Pattinson, there's a

1:01:34.840 --> 1:01:37.920
<v Speaker 1>really good performance by a seagull in it. It's a

1:01:37.960 --> 1:01:40.600
<v Speaker 1>pivotal point. It's actually like I would say, maybe the

1:01:40.640 --> 1:01:46.680
<v Speaker 1>best performance in the movie. But it's a really brutal performance.

1:01:46.720 --> 1:01:48.479
<v Speaker 1>But it is this sort of it's it's about Robert

1:01:48.480 --> 1:01:51.240
<v Speaker 1>Pattinson's character being remembered by the seagull that just comes

1:01:51.280 --> 1:01:56.200
<v Speaker 1>back to funk with him. Um. It's it's kind of great. Also,

1:01:56.240 --> 1:01:59.000
<v Speaker 1>like it has to be hard to train a seagull.

1:01:59.480 --> 1:02:02.280
<v Speaker 1>Do you think seagulls are interesting? I mean, yes, I

1:02:02.360 --> 1:02:04.320
<v Speaker 1>do think it would be hard to train a seagull.

1:02:04.440 --> 1:02:10.040
<v Speaker 1>But seagulls also have social calls, and they'll they'll communicate

1:02:10.160 --> 1:02:12.520
<v Speaker 1>with each other with a variety of alarm calls. They

1:02:12.560 --> 1:02:15.800
<v Speaker 1>even sometimes have these social calls where when they're nesting,

1:02:15.840 --> 1:02:18.000
<v Speaker 1>where they kind of communicate with each other where they

1:02:18.000 --> 1:02:20.840
<v Speaker 1>want to put the nest. They also can learn when

1:02:21.800 --> 1:02:24.280
<v Speaker 1>one of their seagull friends like cries wolf a lot.

1:02:24.400 --> 1:02:28.560
<v Speaker 1>So like if a seagull is overly sensitive and keeps

1:02:28.560 --> 1:02:30.720
<v Speaker 1>calling when there's no danger. They learned to ignore it,

1:02:30.800 --> 1:02:33.120
<v Speaker 1>so they're they're pretty smart, I could. I think the

1:02:33.200 --> 1:02:38.200
<v Speaker 1>hardest thing with training a seagull is knowing what you

1:02:38.240 --> 1:02:41.240
<v Speaker 1>could possibly offer a seagull that it couldn't get on

1:02:41.280 --> 1:02:46.480
<v Speaker 1>its own, because they're very opportunistic. They'll swallow like entire

1:02:46.560 --> 1:02:50.920
<v Speaker 1>other animals. They I don't know what we have that is,

1:02:51.000 --> 1:02:54.480
<v Speaker 1>what do you bias the seagull who has everything? I've

1:02:54.480 --> 1:02:58.880
<v Speaker 1>had a seagull steal a whole sandwich dis so much

1:02:59.120 --> 1:03:01.840
<v Speaker 1>we don't need to give them. They just take. So

1:03:02.320 --> 1:03:05.640
<v Speaker 1>I'm not sure how you what kind of blackmail the

1:03:05.680 --> 1:03:11.760
<v Speaker 1>trainer has a They just really wanted to meet Willem Dafoe. Yeah. Yeah,

1:03:11.840 --> 1:03:17.400
<v Speaker 1>they're all star fuckers. Maybe the stars are bird fuckers.

1:03:17.600 --> 1:03:21.640
<v Speaker 1>That's true. It goes. It's the two way street. Um, Katie,

1:03:21.720 --> 1:03:24.880
<v Speaker 1>your podcast is so cool. You know, you're so good

1:03:24.920 --> 1:03:27.000
<v Speaker 1>at doing your research and finding out about all the

1:03:27.000 --> 1:03:29.840
<v Speaker 1>creatures that we've talked about with you on the podcast,

1:03:29.840 --> 1:03:31.920
<v Speaker 1>and when you talk about with your guests, like what

1:03:32.320 --> 1:03:36.320
<v Speaker 1>got you into just like the world of creature study

1:03:36.480 --> 1:03:40.439
<v Speaker 1>and and digging into the weird ones. Yeah, So when

1:03:40.440 --> 1:03:43.200
<v Speaker 1>I was in college, I was really interested in both

1:03:43.280 --> 1:03:46.960
<v Speaker 1>evolutionary biology and psychology because I was I think I

1:03:47.000 --> 1:03:50.200
<v Speaker 1>was I really wanted to understand human behavior, and at

1:03:50.240 --> 1:03:53.200
<v Speaker 1>the same time, I really wanted to understand animal behavior.

1:03:53.600 --> 1:03:57.240
<v Speaker 1>And my interest in understanding human behavior actually started when

1:03:57.280 --> 1:03:59.560
<v Speaker 1>I was a kid, because as a child, I had

1:03:59.680 --> 1:04:02.560
<v Speaker 1>child hood o c D. And I was really interested

1:04:02.600 --> 1:04:04.800
<v Speaker 1>in finding out more about it. So I would read

1:04:04.800 --> 1:04:07.800
<v Speaker 1>all these psychology books and things and try to understand

1:04:07.840 --> 1:04:11.160
<v Speaker 1>myself better, and that kind of grew into an overall

1:04:11.200 --> 1:04:14.920
<v Speaker 1>wanting to understand human behavior. And then at the same time,

1:04:15.200 --> 1:04:18.200
<v Speaker 1>ever since I was a little kid, like basically a toddler,

1:04:18.240 --> 1:04:20.920
<v Speaker 1>I've been obsessed with animals. My mom says, when I

1:04:20.960 --> 1:04:24.000
<v Speaker 1>was a toddler, I used to chase birds around and

1:04:24.040 --> 1:04:26.240
<v Speaker 1>I tried and she asked me why I was doing that,

1:04:26.400 --> 1:04:28.160
<v Speaker 1>and I said I wanted to catch one so we

1:04:28.200 --> 1:04:32.040
<v Speaker 1>could become friends. And so i've and I used to

1:04:32.040 --> 1:04:34.320
<v Speaker 1>go bird watching when I was in high school. And

1:04:34.960 --> 1:04:38.240
<v Speaker 1>I think it's it's almost like, I think I've always

1:04:38.280 --> 1:04:41.720
<v Speaker 1>been interested in animals, I've always been interested in human behavior.

1:04:41.800 --> 1:04:45.480
<v Speaker 1>So I kind of like when I was in college,

1:04:45.480 --> 1:04:47.400
<v Speaker 1>I kind of married them together. I got my degree

1:04:47.400 --> 1:04:49.920
<v Speaker 1>in psychology, and I took a lot of evolutionary biology

1:04:49.960 --> 1:04:53.960
<v Speaker 1>classes to understand how behavior fits into the big picture

1:04:53.960 --> 1:04:59.600
<v Speaker 1>of evolutionary biology. Now I'm it's it's funny because my

1:04:59.680 --> 1:05:03.680
<v Speaker 1>career shift from sort of I used to do um

1:05:03.880 --> 1:05:09.320
<v Speaker 1>like medical educational texts and animation, and then I started

1:05:09.360 --> 1:05:12.080
<v Speaker 1>doing the pro bird rights Twitter account. People really loved it.

1:05:12.040 --> 1:05:14.360
<v Speaker 1>I was like, maybe I could do something with comedy.

1:05:14.600 --> 1:05:18.080
<v Speaker 1>So then I got into comedy, and then that naturally

1:05:18.160 --> 1:05:23.200
<v Speaker 1>progressed into doing podcasts and then which and I was like, well,

1:05:23.200 --> 1:05:25.200
<v Speaker 1>when I wanted to do a podcast, I was saying, well,

1:05:25.280 --> 1:05:28.080
<v Speaker 1>you know, I want to do it on animals. Gosh darn. Yeah.

1:05:28.360 --> 1:05:31.880
<v Speaker 1>So it's a pretty natural progression from chasing birds as

1:05:31.920 --> 1:05:35.760
<v Speaker 1>a little kid into doing stuff about animals who have

1:05:35.800 --> 1:05:39.520
<v Speaker 1>O c D as an adult. It's great. It's like,

1:05:39.640 --> 1:05:44.760
<v Speaker 1>it's definitely a much needed sector of the podcast, like

1:05:45.320 --> 1:05:50.520
<v Speaker 1>too many comedy podcasts and not enough animal pod comedy

1:05:50.560 --> 1:05:54.480
<v Speaker 1>podcasts about bird right, Yeah, it is a comedy animal podcast,

1:05:54.880 --> 1:05:56.720
<v Speaker 1>but it's not. We don't have to try too hard

1:05:56.720 --> 1:06:01.560
<v Speaker 1>because it's like, you know, penis fish come on right

1:06:01.640 --> 1:06:05.640
<v Speaker 1>in our laps like literally, well, everybody should check out

1:06:05.720 --> 1:06:07.960
<v Speaker 1>Creature Feature. It's a great show. We're going to be

1:06:08.000 --> 1:06:11.680
<v Speaker 1>on it super soon. Two minutes, in two minutes, it's

1:06:11.680 --> 1:06:15.560
<v Speaker 1>another I heart podcast. Yes and um yeah, thank you

1:06:15.600 --> 1:06:18.120
<v Speaker 1>so much for coming by today, Thank you for having me.

1:06:18.480 --> 1:06:22.120
<v Speaker 1>And you can subscribe to Nightcall if you haven't already,

1:06:22.360 --> 1:06:24.960
<v Speaker 1>on iTunes or wherever you get your podcasts. You can

1:06:25.000 --> 1:06:29.440
<v Speaker 1>also follow us on social media at Twitter, Instagram, Facebook,

1:06:29.840 --> 1:06:33.160
<v Speaker 1>Nightcall Podcast. I don't know, you'll find it. Gets so

1:06:33.280 --> 1:06:35.840
<v Speaker 1>tired of saying our separate. It's like a big glitch

1:06:35.840 --> 1:06:38.840
<v Speaker 1>in our social media. Just look up night Call podcast.

1:06:38.880 --> 1:06:45.280
<v Speaker 1>You will find it. Um, follow the tweets and um

1:06:45.360 --> 1:06:47.640
<v Speaker 1>and you can support us on Patreon. We are at

1:06:47.640 --> 1:06:51.000
<v Speaker 1>patreon dot com slash Nightcall and you can pledge your

1:06:51.040 --> 1:06:55.320
<v Speaker 1>support head in number of levels to get stuff like newsletters, mixtapes,

1:06:56.080 --> 1:07:02.040
<v Speaker 1>bonus episodes, pens, pens, more pens coming in January. Get

1:07:02.040 --> 1:07:05.120
<v Speaker 1>in uh all right, we'll be back next week. Thanks

1:07:05.200 --> 1:07:18.200
<v Speaker 1>so much for listening to Night Call. H Nightcall is

1:07:18.200 --> 1:07:21.120
<v Speaker 1>a production of I Heart Radio. For more podcasts from

1:07:21.120 --> 1:07:24.840
<v Speaker 1>my Heart Radio, visit the I Heart Radio app, Apple Podcasts,

1:07:24.960 --> 1:07:26.680
<v Speaker 1>or wherever you listen to your favorite shows,