Speaker 1: A note to the listener. The following story contains some
Speaker 1: adult content and language, and so it comes to this,
Speaker 1: no long winded recap or explanation of any kind. Here
Speaker 1: we are at the end of it, the end of
Speaker 1: Hank's journey, end of ours. So I'm just gonna sit
Speaker 1: back and be quiet and allow us to finish what
Speaker 1: we started. Welcome back, Mr Briggs. I've been very much
Speaker 1: looking forward to this. Please come in, no butler today.
Speaker 1: I only hire assistance when I'm entertaining. When it comes
Speaker 1: to all the odds and ends, I know what I like,
Speaker 1: but I don't know how to prepare and present it.
Speaker 1: So no tea. Then, of course there's tea. I had
Speaker 1: just assumed you wanted to relay the information and get
Speaker 1: back to life as usual. Might as usual? Is that
Speaker 1: how you think this works? I would hope that you
Speaker 1: would be able to separate yourself from the work long
Speaker 1: enough to enjoy life. Yes, you don't know anything about
Speaker 1: my life, Hank. I think you've forgotten why I hired you.
Speaker 1: See t what's in the envelope? Why that's the second
Speaker 1: half of your payment? Mr Briggs. You didn't think I'd forgotten,
Speaker 1: did you. That's simple humph. It's all there, shouldn't it be,
Speaker 1: That's sure, but neither of us known if I actually
Speaker 1: solved anything. Solve That was always a pressure word for motivation.
Speaker 1: If you will, I said, you would be chasing information,
Speaker 1: and chase information you have. I would never allow you
Speaker 1: to go without reward for all your efforts, unless you
Speaker 1: feel that you have been careless. That's another matter. Entirely.
Speaker 1: I wouldn't say careless, but I do have a few questions.
Speaker 1: I realized that I wasn't as thorough as I could
Speaker 1: have been when you first brought me into this. But
Speaker 1: that's the tricky thing about hindsight. Right by all means
Speaker 1: ask me anything, who do you think killed her? I
Speaker 1: really wouldn't know. No, I know, But if you had
Speaker 1: to guess, who'd you lean towards? I call it a hunch.
Speaker 1: You know those instincts of mine you talked about, the
Speaker 1: ones that make me picasso. You must have some of
Speaker 1: those instincts, right. I don't consider myself a detective in
Speaker 1: the slightest Mr Briggs, not even one guess. Come on,
Speaker 1: humor me, all this chasing, all this work, don't you
Speaker 1: want to know if you were right? I did I
Speaker 1: had a hunch when I started hunting and scrauching. Come on,
Speaker 1: just play along and take a guess if it turns
Speaker 1: out to be right fastest murder ever solved. This is
Speaker 1: a very strange exercise, mister Briggs. I haven't the faintest
Speaker 1: idea one guess. Was it the doctor? Damn good guess?
Speaker 1: But no, you know, people still believe he was responsible
Speaker 1: for it, even after he had been cleared. I was
Speaker 1: one of those people. Really, yes, twice. Very interesting. I'm
Speaker 1: curious as to why clean cuts precision would have taken
Speaker 1: years of experience to be able to cut her up
Speaker 1: like that. That's very astute view. But it couldn't have
Speaker 1: been him. You're sure, without question, z Aliba checked out
Speaker 1: clean as a whistle. Uh. That's a relief, you see.
Speaker 1: That is a job well done on your part. Do
Speaker 1: you know, Adler Harrison. I can't say that I do
Speaker 1: why relief. Relief is a pretty strong word to use
Speaker 1: for someone you've never met. You don't have to know
Speaker 1: someone to have empathy for them. Mister Briggs, I think
Speaker 1: you've done a wonderful thing for this man. Once the
Speaker 1: press are able to properly exonerate him, he may be
Speaker 1: able to piece his career back together. After all, press,
Speaker 1: who's going to care at this point? You don't think
Speaker 1: the public will want to know new Plus, he's busy
Speaker 1: with Leonard Shaw's dirty work, so I don't think he's
Speaker 1: gonna want too much attention. Leonard Shaw the king himself.
Speaker 1: The last place he expected to be was in the
Speaker 1: middle of all this, with a punk like me questioning him.
Speaker 1: You met with Leonard Shaw, I did, and he's every
Speaker 1: bit to prick. I've been told he was. He's sick.
Speaker 1: You know, kidneys are failing that Poe Man. I wouldn't
Speaker 1: waste your empathy on old Leo Benny Luck. He'll go quick.
Speaker 1: I'm surprised at you, Mr Briggs. I wouldn't have expected
Speaker 1: you to be so frivolous in regards to another suffering.
Speaker 1: It's funny you should say that, Sam. Why is that?
Speaker 1: That was my impression of you too. She didn't suffer, Hank.
Speaker 1: Not at any point did Marline suffer, So you don't
Speaker 1: deny it, Hank. I think we've done enough dancing today,
Speaker 1: don't you. Butler t hunch Adler dip Once you said
Speaker 1: it wasn't Adler, I was satisfied you wanted me to
Speaker 1: know it was you. Now, that's not true. I was
Speaker 1: perfectly content to part ways with you today as the
Speaker 1: charitable donor, despite your failures. But once you mentioned Leonard,
Speaker 1: I knew you'd gotten closer than you were ever supposed to.
Speaker 1: You may not be a detective, Hank, but you're certainly
Speaker 1: not an idiot. Follow me, Hank. Why don't you just
Speaker 1: follow me and you can have all your answers before
Speaker 1: you walk out of here? M h s. All of this,
Speaker 1: this was what you were bored. Bored. Quite the contrary,
Speaker 1: I've been more invested in this than anything I've ever done.
Speaker 1: Did you meet her at shots? I did, and that
Speaker 1: vile gigglow of a doctor stalking or hoping to make
Speaker 1: her one of his conquests. She had no interest in
Speaker 1: him at first, but at each gathering, however subtle, I
Speaker 1: could see a flirtation growing. And then what mm hmm,
Speaker 1: I wanted to paint her. She understood that I wasn't
Speaker 1: a threat to her. Right over there is where she
Speaker 1: sat for me, and often it was there that we
Speaker 1: developed our friendship. You killed her in here. I wanted
Speaker 1: to capture what light she afforded the world before it
Speaker 1: left her in the same way, it leaves all of
Speaker 1: the innocence. Did you kill her in here as she
Speaker 1: died in this room? Yes, But as I said, she
Speaker 1: didn't suffer. I don't understand why I have any of this.
Speaker 1: Why out of reverence for her reverence, you pride her
Speaker 1: ribs apart and drain her. I removed her impurity once
Speaker 1: the barbiturates entered her she was no longer clean. Left
Speaker 1: her in a parking lot so that she would be
Speaker 1: more accessible to the common man, just like the construction
Speaker 1: worker who found her, just like you noticed. Doesn't make
Speaker 1: any sense, of course it does. You're just not listening. Listen.
Speaker 1: Anyone is capable of being renewed, anyone is capable of salvation.
Speaker 1: Where you opened her arms and you crossed her legs,
Speaker 1: what did all that mean? Uh? The search for artistic
Speaker 1: meaning has become overbearing ly un original. Don't you think
Speaker 1: it was simply the position in which I felt that
Speaker 1: her innocence would be best preserved. Meaning destroys purity. Meanings
Speaker 1: when my heart began to suffer the most an obsession
Speaker 1: with meaning, as contradictory as it may sound, I would
Speaker 1: rather that we as intellectuals, abandoned the need for meaning,
Speaker 1: all of us, for it is only in the absence
Speaker 1: of meaning that we are emotionally and psychologically free to experience.
Speaker 1: There was a woman. Well there's always a woman, isn't
Speaker 1: there as appropriately so, as that is how we all
Speaker 1: come into this world. Her name was Genevieve, and she
Speaker 1: took such loving care of me, such care that my
Speaker 1: memories honored her more than anyone. Still too. See, I
Speaker 1: wasn't ready. My style was crude, certainly wasn't art. It
Speaker 1: was harried and clumsy, and I was ashamed. I wanted
Speaker 1: to be rid of my failure. But it being quite
Speaker 1: a different canvas. It's not as if she could be
Speaker 1: thrown out in the bins, although in retrospect I suppose
Speaker 1: I could have. But I was so young and petuous
Speaker 1: and overcome with fear an adrenaline. My only thought was fire.
Speaker 1: It was the only way in which I could absolve
Speaker 1: myself of both the shame and the act. My initial
Speaker 1: experience when she was gone, Oh it was unbearable. I
Speaker 1: was nineteen years old. The pain that I felt what's excruciating,
Speaker 1: as if someone was standing on my chest. Peeling away
Speaker 1: what I felt for her an inch at a time,
Speaker 1: pure dane, raw emotional movement that only exists in nature.
Speaker 1: I tried to find meaning in her death for years
Speaker 1: after I left Paris, and the more I uncovered about
Speaker 1: her sordid tale of prostitution and disease and drug addiction,
Speaker 1: the more I uncovered about my own prejudice. I could
Speaker 1: no longer recognize her. When I thought of her. My
Speaker 1: thoughts were clouded with judgment and expletives and contempt. So
Speaker 1: I thought or less, and so I felt less until
Speaker 1: I felt nothing. Ironic, isn't it At the end of
Speaker 1: my quest for meaning, she no longer held any meaning,
Speaker 1: And so I wept not for her, not for me,
Speaker 1: but for the loss of feeling itself. I wanted that
Speaker 1: feeling again. I wanted that feeling of loss, of emptiness,
Speaker 1: the raw emotional movement. I didn't ask Marline any personal questions,
Speaker 1: not one. See. I didn't want any part of her past.
Speaker 1: I wanted to know her, experience her only as she
Speaker 1: was at that time of her life. I wanted to
Speaker 1: ensure her a perfect future. I wanted to develop the
Speaker 1: love necessary to feel it ripped from me the moment
Speaker 1: she was gone, her parents set right out there. No
Speaker 1: that ar her parents here when the feelings began to fade.
Speaker 1: There's nothing more powerful and more innocent than a mother's love.
Speaker 1: And I'd hope that her parents recollections of her might
Speaker 1: stir something inside of me. But nothing, nothing, And so
Speaker 1: it will continue as it always has, and she, like
Speaker 1: the others, will remain in this room with me as
Speaker 1: I search for inspiration once again. What do you mean,
Speaker 1: remain in this room. I'm not a butcher, Hank, I'm
Speaker 1: an artist. My love for them went into my art.
Speaker 1: They are in my art. They are all in my art.
Speaker 1: In doing so, I make them clean again. What is this?
Speaker 1: It's a rebirth on canvas. Let's pay now. That is
Speaker 1: very much Marline's blood, you know it? How many here
Speaker 1: against the wall? This one is Marline, She's Unfortunately she
Speaker 1: was never intended for this series. They should have only
Speaker 1: have ever been twenty seven paintings. Marlene was my masterpiece.
Speaker 1: I was certain that she wouldn't that she couldn't be ignored.
Speaker 1: She should have been the focal point of our time,
Speaker 1: not the irresponsible and reckless death of a heart throb
Speaker 1: or foreign nuclear weapons testing certainly not backseat to the
Speaker 1: most handsome bachelor of the year on the cover of
Speaker 1: Life magazine. She should have been on the cover of Life,
Speaker 1: if we're all being honest with ourselves. I didn't want
Speaker 1: her to disappear, and so I made her clean again.
Speaker 1: I hope in you was that whatever you found would
Speaker 1: resurrect her importance. She could once again be unique as
Speaker 1: a work of art, as sculpture of beauty, distorted in
Speaker 1: her human form, fragmented in body, but never in soul.
Speaker 1: I am questionable, concrete Saint M twenty seven others. She
Speaker 1: wasn't meant for this, hank, And I assure you she wasn't. Oh,
Speaker 1: I hardly think that's necessary. And that's where it ended.
Speaker 1: The tape didn't run out. There was more tape, but
Speaker 1: it was all blank. I threw in two more random tapes,
Speaker 1: and it was an older hank. So I pressed up
Speaker 1: and I sat there, and I knew who had killed
Speaker 1: Marlene Marie Evans. I knew who had killed the Angel
Speaker 1: of mine. And there was the confession. And now what
Speaker 1: was I supposed to do with it? This was a
Speaker 1: little bit bigger than an internet search. So I called
Speaker 1: the Herald's contact within the l A p D who
Speaker 1: connected me to the cold case unit. I arranged to
Speaker 1: meet with them in hand over the tapes pertinent to
Speaker 1: the Angel of Vine and the rest is the rest. Actually,
Speaker 1: I shouldn't say the rest is the rest. That's too flippant.
Speaker 1: I don't want to dishonor Marlene's memory that way. Marlene
Speaker 1: had no next of kin, no one connected to her
Speaker 1: is still alive. But I would like us to take
Speaker 1: a moment to acknowledge her makes your rest in peace.
Speaker 1: I would also like to acknowledge that, thanks to Hank Briggs,
Speaker 1: this is the oldest cold case ever to have been solved.
Speaker 1: But now we're faced with a new question. What the
Speaker 1: hell happened to Samuel Tench? Throughout his life and career.
Speaker 1: Samuel Tench was incredibly reclusive. No family, no close friends
Speaker 1: per se, only acquaintance is so he was free to
Speaker 1: travel to any destination anywhere on the planet at any
Speaker 1: moment in time, and he did. The only person in
Speaker 1: his life with whom he had consistent contact with was
Speaker 1: his art dealer and occasional confident, Theodore Redmond. Redmond said
Speaker 1: that he had learned to live with the disappearing acts.
Speaker 1: It was part of Tench's creative process, he said, and
Speaker 1: whether it had been weeks or even months, when Tench
Speaker 1: would return from a pilgrimage, he would do so without
Speaker 1: apology or explanation, as if he had never left. When
Speaker 1: Redmond couldn't get in touch with Tench around the fall
Speaker 1: of nineteen fifty seven, it was perfectly natural for him
Speaker 1: to think the Tench had left on another one of
Speaker 1: his excursions. By March of nineteen fifty nine, and still
Speaker 1: with no word from him, Redmond just assumed the Tench
Speaker 1: didn't want to be found, that he had decided to
Speaker 1: leave the art world his way. In the summer of
Speaker 1: nineteen Redmond sold all of Samuel Tench's assets at auction,
Speaker 1: all except for the portraits that Redmond found in the
Speaker 1: studio behind the Garden. Those went back to New York
Speaker 1: with Redmond. Some were sold somewhere loan to museums and
Speaker 1: other galleries. But that's all irrelevant now. As of today,
Speaker 1: you won't be able to find one of the twenty
Speaker 1: seven Samuel Tant water color portraits anywhere in the world,
Speaker 1: not in the Music Stockholm, the Tate, the Broad, Googgenheim,
Speaker 1: a private collector's home, and nowhere they've all been collected
Speaker 1: as evidence because of Hanks tapes. Think about this tentious
Speaker 1: portraits painted in the blood of his twenty seven victims
Speaker 1: were hanging in some of the most famous spaces in
Speaker 1: the world for five decades, seen by billions of unaware patrons,
Speaker 1: some of whom probably got very close to the canvas,
Speaker 1: as art observers tend to do. That's insane, and was
Speaker 1: even more insane is that there was an exhibition that
Speaker 1: took place at the Redmond Gallery in New York City,
Speaker 1: and of all twenty seven portraits, all twenty seven victims
Speaker 1: were in the same room at the same time, nobody knew,
Speaker 1: and when the exhibition was over, they were each ship
Speaker 1: back to wherever they came from until today. Now. Remember
Speaker 1: Tench said he only intended for there to be twenty
Speaker 1: seven Marlene made, but there are only twenty seven portraits.
Speaker 1: Where is Marlene's watercolor portrait? It was never found. Redmond
Speaker 1: only brought twenty seven back to New York with him.
Speaker 1: So the mystery of the Angel of Vine is solved,
Speaker 1: only to become the mystery of Samuel Tench and the
Speaker 1: mystery of Hank Briggs for Tench? How many victims were
Speaker 1: there prior to him perfecting his art? And will we
Speaker 1: ever find out the names of the For Hank? Why
Speaker 1: didn't he tell anyone? I'll tell you what I think.
Speaker 1: I think Hank Briggs killed Samuel Tench. I think he
Speaker 1: was face to face with a serial killer who he
Speaker 1: knew would kill again. Now there's absolutely zero proof that
Speaker 1: he killed Tench? So why hide the tapes? Guilt Shane?
Speaker 1: Why did Hank become the recluse that Samuel Tench has been?
Speaker 1: Is that the tradeoff once you've killed? I don't know,
Speaker 1: but that's what became of him. And maybe I'm wrong.
Speaker 1: Maybe Hank just walked away that day, out of the garden,
Speaker 1: down the hall and into his car with ten tho
Speaker 1: in cash. And maybe Tench did retire from the art
Speaker 1: world to spend the rest of his days in solitude overseas.
Speaker 1: It's possible, but I don't believe that, and Hank's family
Speaker 1: didn't either. You know how, when every engagement story one
Speaker 1: person gets awkward and clumsy and the other freaks out.
Speaker 1: This was that? Who is who? In this case? I
Speaker 1: freaked out? Really after we spoke, Okay, I was gonna say,
Speaker 1: you sounded perfectly calm on the phone, because my first
Speaker 1: reaction was confusion, then shock, then freak out. I probably
Speaker 1: should have led with are you sitting down? All you
Speaker 1: said was he solved it? And then I have no
Speaker 1: idea what you said, but I did hear it was Tench.
Speaker 1: And that's when the adrenaline kicked in. When did she
Speaker 1: tell you? As soon as we got off the phone,
Speaker 1: she never calls the restaurant. Scared me half to death
Speaker 1: middle of the rush and Dale comes to the front
Speaker 1: and says, it's bet it's urgent. I don't I don't
Speaker 1: even know what I said. You were yelling. I need
Speaker 1: the art for Oscar. I need the art for Oscar.
Speaker 1: I need to send the book in the art to Oscar.
Speaker 1: So I said, go again a tiger, right, No, that
Speaker 1: wasn't it. Oh right? The keys? Okay. What I said
Speaker 1: was why the hell are you calling me when you've
Speaker 1: got a set of keys, Go get them tiger. Then
Speaker 1: I told her about our call and Hank and Tench,
Speaker 1: and all I could think was get that artwork out
Speaker 1: of my house? Is all you said. All you said
Speaker 1: was get that artwork out of my house. Just to
Speaker 1: clarify for our listeners, Um, what art are we talking
Speaker 1: about here? The art that we found in the ike, Yes,
Speaker 1: specifically three rolled canvases of Samuel Tench originals. I want
Speaker 1: to make it clear to our listeners that they are
Speaker 1: not three of the absolutely not. No. I have seen
Speaker 1: these works, I have handled them. They were definitely painted
Speaker 1: with the crilics. It was paint, thank god. Now you
Speaker 1: also mentioned a book, yes, Collected Poems of Robert's Service.
Speaker 1: And what was the inscription? Hank to paint and canvas
Speaker 1: Samuel Hanks toast the day Tench hired him? So creepy. Um,
Speaker 1: let's let's shift subjects. What I really want to ask
Speaker 1: you about is Hank. Now, when I met you both
Speaker 1: almost a year ago, how many of the tapes did
Speaker 1: you listen to? None, just a sample? And now how
Speaker 1: many of you listened to all of them? All of them?
Speaker 1: What did your sister say? She has no memory of
Speaker 1: him at all, so it didn't really make a difference
Speaker 1: to her. She thought it was a good story, but
Speaker 1: that was about it. What's the biggest difference for you? Now?
Speaker 1: I definitely think he killed tench mm hmm. Yeah, I'm
Speaker 1: kind of leaning that way too. What's the hesitation? I
Speaker 1: don't know. I I don't think there's any way to
Speaker 1: explain what it feels like to get to know your grandfather,
Speaker 1: get to like the man that you're getting to know,
Speaker 1: and then all of a sudden have to think of
Speaker 1: the possibility that this person who you really like may
Speaker 1: have murdered someone. It's does that make any sense? It's
Speaker 1: it's difficult to understand. Yeah, I know, perfect sense, I
Speaker 1: get and see. For me, it's kind of the opposite.
Speaker 1: I liked him more for the idea that he was
Speaker 1: with a man he knew would kill again have given
Speaker 1: the chance, and he dealt with it. Interesting. I mean,
Speaker 1: I'm not advocating for vigilantism, but in this case, you know,
Speaker 1: greater good and all that. Did you wonder if maybe
Speaker 1: that's why he didn't come home when it was done.
Speaker 1: I didn't. Actually, what I thought about the most was
Speaker 1: that my mother had absolutely no idea that any of
Speaker 1: this was going on, and I wish she could have known.
Speaker 1: I think it would have answered a lot of questions
Speaker 1: for her. Didn't answer questions, you arette, Yeah, I mean sure,
Speaker 1: I have a better understanding of who he was, and
Speaker 1: that would make sense. And so if that's why he disappeared,
Speaker 1: did it change how you felt about him? You know,
Speaker 1: I don't know yet. I definitely felt sorry for him,
Speaker 1: but how I feel about him, Uh, it's a it's
Speaker 1: a good question. I'll have to get back to you,
Speaker 1: you know, all you do that right, please don't well.
Speaker 1: I think I can safely speak for an entire community
Speaker 1: of people when I say thank you, and personally, I
Speaker 1: would like to thank you both very very much for
Speaker 1: trusting me with this man's life. Thank you for reaching
Speaker 1: out to me in the first place, and thank you
Speaker 1: for letting me into your home and your family history,
Speaker 1: and for being so open to all of my questions.
Speaker 1: Thank you, seriously, thank you for taking it on this responsibility.
Speaker 1: That was my pleasure, and I'm fairly confident that this
Speaker 1: experience will remain highlight I think that does it, Oh
Speaker 1: my plight. When I started this project, I didn't think
Speaker 1: there would be a definitive answer to my questions. I
Speaker 1: thought we would learn more details in the Angel Vine case,
Speaker 1: more facts that would elaborate on what we already knew.
Speaker 1: But I really didn't think there would be an actual ending.
Speaker 1: There were so many tapes There are so many tapes,
Speaker 1: and they spanned from the last tape that I played
Speaker 1: you well into Hank's old age, And like Beth and Phillis,
Speaker 1: I listened to everything that Hank Briggs had to say.
Speaker 1: Here was a family man with a great sense of humor,
Speaker 1: assault of the earth, do the right things, stand up,
Speaker 1: guy who didn't have a mean bone in his body,
Speaker 1: yet to catch a killer, he may have had to
Speaker 1: become one. What does that do to a person like Hank,
Speaker 1: For someone who was a good cop and wanted more
Speaker 1: than anything to be a great detective. Whatever went on
Speaker 1: in that studio after he stopped the tape, that is
Speaker 1: another mystery altogether. But if Hank the cop vanished that day,
Speaker 1: then why not destroy the tapes? Why not destroy the
Speaker 1: art in the book of poetry? Unless that's all that
Speaker 1: was left to remind him of who he was and
Speaker 1: what he had sacrificed it all for Hank Briggs with
Speaker 1: a damn good detective, even if he didn't have a
Speaker 1: badge to show for it. I for one hope that
Speaker 1: he knew that, and that he left all of this
Speaker 1: for us so that we would too. There was a
Speaker 1: lot of information here, and I tried to compile it
Speaker 1: as efficiently and as effectively as possible in order to
Speaker 1: bring you this story. It was an important story. Hank
Speaker 1: was onto something when he started recording the world around him,
Speaker 1: and by taking the time to stop and listen, he
Speaker 1: didn't have to miss a thing. As I leave you
Speaker 1: with Hank's final words, I would like to say, thank you,
Speaker 1: thank you for listening. I'm Oscar Simmons and this was
Speaker 1: the Angel of Vine. Jeesy to cry that you're beaten
Speaker 1: and die, jeezy to crawfish and crawl, but to fight,
Speaker 1: and to fight when hoops out of sight, Well that's
Speaker 1: the best game of them all. And though you come
Speaker 1: out of each grueling, bout, broken, battered and scarred, just
Speaker 1: have one more try. It stead easy to die. It's
Speaker 1: the keeping on living that's hard. H I one time, come,
Speaker 1: oh way is my a joel E excuse me while
Speaker 1: I did SUPPI thank you for listening to the Angel
Speaker 1: of Vine. If you'd like to support us, please leave
Speaker 1: us a review and tell your friends to subscribe. The
Speaker 1: Angel of Vine is available on Apple Podcasts, Spotify, Stitcher,
Speaker 1: and all major podcast apps. If you want more of
Speaker 1: the Angel of Vine, please check out our bonus episodes
Speaker 1: and extended episodes available exclusively on Stitcher Premium, including cast interviews,
Speaker 1: behind the scenes stories, journeys through Old Hollywood, and much more.
Speaker 1: This season's performances by Joe Manganello, Constant Zimmer, Camilla Luddington,
Speaker 1: Oliver Vakhre, Alan Tuteck, Mike Colter, Misha Collins, Alfred Molina,
Speaker 1: Kary Peyton, Nolan North, Cree, Summer, Rebecca Field, Eric Bowsa,
Speaker 1: Matthew Mercer, Travis Willingham, Cary Walgren, Courtney Taylor, Steve Bloom,
Speaker 1: Mary Elizabeth McGlenn, Coco Lamaru, Tom Sibley, Ali Ruddy, Amari Williams,
Speaker 1: William DeMeritt Delaney, Hilen Patrick, Eazel, Philip Mershamon The Angel
Speaker 1: Levine was written by Oliver Vacare, directed by E. Ryan Martz,
Speaker 1: Story by E. Ryan Martz, Jason sum Walton, Oliver Vacare.
Speaker 1: Lead sound designer was Joel Robbie. Additional sound design by
Speaker 1: Kevin du Ziblon, Matt Tamarello and Andrew Vernon. Recording engineer
Speaker 1: was Colin Rodgers. Produced by Vox Popular Incorporated in association
Speaker 1: with Forever Dog Podcast Network Associate producers William chip Beaman
Speaker 1: and Julia Bianco of the Holp Network. Recorded at Roundabout Entertainment, Burbank, California.
Speaker 1: Angel I's performed by Desy Dennis Dyllan, Piano arrangement by
Speaker 1: James Harper, composed by Matt Dennis, Lyrics by Earl Brent,
Speaker 1: Cover art by Studio Lissara. This has been season one
Speaker 1: of the Angel Levine. Thank you for listening.