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Speaker 1: Welcome to pod meets Twirl, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance, don't want

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Speaker 1: to dance, and have now seen ten episodes of Dancing

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Speaker 1: with the Stars. But since our best friend Danielle joined

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Speaker 1: the cast for season thirty four, we're going all in.

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Speaker 1: We are Wilfred Ell and Ryder Strong aka the two

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Speaker 1: dudes standing next to Topanga aka daniel Fishal's backup aka

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Speaker 1: the Daniettes. How's it going, Will?

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Speaker 2: It's going well righter? How you doing?

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Speaker 1: This is? This is the hottest off the presses we've

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Speaker 1: ever recorded.

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Speaker 2: The press is so hot.

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Speaker 3: I can't even it's this is hot, this hot off

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Speaker 3: the presses.

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Speaker 1: We are recording right after the tenth episode aired, like

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Speaker 1: literally right after, literally right after and uh, are you shook?

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Speaker 2: I'm shook.

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Speaker 1: I'm a little shook too.

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Speaker 2: I'm a little shook. I'm a little yes and no,

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Speaker 2: yes and no again.

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Speaker 3: I think there's more that goes into all this that

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Speaker 3: we're not really privy to.

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Speaker 2: I think, you know, we've been hearing that apparently she.

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Speaker 3: Had a big another show, and I don't know, what

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Speaker 3: the hell do you feel like?

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Speaker 1: We have a good grasp at least on how the

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Speaker 1: judging works.

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Speaker 2: And no, no, no, I don't.

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Speaker 3: I feel like we have a good grasp on the show,

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Speaker 3: But I don't think we have a good grasp on

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Speaker 3: all of the internal external social media, all that stuff

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Speaker 3: politics that go into the vote, right that I don't.

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Speaker 3: I think you and I are woefully ignorant of I really,

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Speaker 3: because neither of us are particularly good on social media

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Speaker 3: or have.

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Speaker 2: A You have a much bigger presence than I do.

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Speaker 2: I have none, but you have one.

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Speaker 3: Danielle obviously has one, so you know the world a bit.

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Speaker 3: But I think there's a whole micro world around Dancing

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Speaker 3: with the Stars that we are just not privy to.

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Speaker 1: Yeah, I mean we're a part of it, yes now,

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Speaker 1: because we have this podcast exactly, and my feed has

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Speaker 1: been a lot of Dancing with the Stars, although it

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Speaker 1: tends to skew very Danielle heavy well, of course, right, yeah,

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Speaker 1: So I have no clue what's up with Whitney. I

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Speaker 1: guess it's kind.

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Speaker 2: Of I didn't either, but I guess.

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Speaker 3: So. You know, her other show, The Secret Lives of

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Speaker 3: Mormon Wives, is the number one show on Hulu, thus

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Speaker 3: being the number one show on ABC. And you know,

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Speaker 3: which is the same world as Dancing with the Stars, right,

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Speaker 3: So because it's on Hulu, it's all in the Disney family.

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Speaker 3: So I'm sure there's people there that thought that Disney

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Speaker 3: and ABC obviously wanted her to go as far as possible.

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Speaker 3: But I guess something came out where she said she

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Speaker 3: didn't want to do the Secret Lives of Mormon Wives anymore.

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Speaker 3: She would only do that if she got a chance

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Speaker 3: to do Dancing with the Stars. Like they said to her, well,

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Speaker 3: if you do another season of the show, we'll let

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Speaker 3: you do Dancing with the Stars, or you have a

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Speaker 3: better shot at doing Dance with the Stars something.

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Speaker 2: It was intertwined.

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Speaker 3: So because of that, she went on to do another

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Speaker 3: season of the show, and I guess she's getting.

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Speaker 2: Kind of roasted for that. I don't know what it.

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Speaker 3: Was, but again, this is all stuff we don't know about,

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Speaker 3: so it's just part of the world we're not familiar with.

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Speaker 2: It's clearly not the best dancer wins the show.

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Speaker 3: That's clearly not with Dancing with the Stars is no no,

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Speaker 3: So I.

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Speaker 2: Just yeah, then you're fine.

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Speaker 1: That's the bottom line is that Andy Sticks are around

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Speaker 1: way longer than he probably should have in terms of

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Speaker 1: just dancing skill and Whitney, who I thought dancer.

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Speaker 2: Basically a professional dancer.

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Speaker 3: She didn't have a bad performance that I can remember

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Speaker 3: throughout the entire show where you're like, eh, right.

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Speaker 2: And and she's gone and doesn't make the final, so

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Speaker 2: you just, well.

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Speaker 1: I didn't expect it. I was surprised. Me too, So

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Speaker 1: I'm still feeling a little like, wow, Okay, well shuck.

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Speaker 1: I also love everybody who made it through, so yeah,

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Speaker 1: me too. You know, I have no reason to dislike Whitney,

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Speaker 1: I guess, but so I guess I would have been

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Speaker 1: happy no matter what, because I like all these people.

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Speaker 1: They're all good dancers.

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Speaker 3: Yeah, but again, it took a turn for us when

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Speaker 3: Danielle wasn't on the show anymore. Right, it kind of

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Speaker 3: becomes you know, the person you're really rooting for isn't there,

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Speaker 3: So then you kind of go like, okay, now I'm

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Speaker 3: just kind of watching the show and I'm enjoying it.

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Speaker 2: And it was.

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Speaker 1: Dramatic, huge, it was huge TV.

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Speaker 2: Yeah, very much.

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Speaker 1: So all right, our opening number was an homage to Prince.

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Speaker 3: I'd like to say, musically, by far, my favorite episode ever.

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Speaker 1: Okay, complete opposite. Okay, will be complete opposite. Okay. So

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Speaker 1: I was watching this opening number, not really cluing in

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Speaker 1: that it was Prince Night or whatever, and I was like,

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Speaker 1: I just I just don't like this, you know. I

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Speaker 1: was that it was just like I don't know the

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Speaker 1: style of it. The everything was just like this is fine,

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Speaker 1: everyone's dancing. Well, I just don't care. And then I

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Speaker 1: was like, oh, it's Prince.

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Speaker 2: And you're not a Prince fan.

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Speaker 1: Well, here's the thing. I always thought that Prince was

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Speaker 1: just this gap in my musical knowledge, like I don't know.

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Speaker 1: I didn't think I knew many Prince songs. I don't

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Speaker 1: listen to Prince. I've never been into Prince. I don't

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Speaker 1: know anything about it. And I always knew that was

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Speaker 1: just like a blind spot in my musical world. I

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Speaker 1: have a lot of them, to be fair, most people do.

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Speaker 1: I'm very limited. I just don't, you know. I don't

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Speaker 1: expose myself to the radio that much. I don't listen

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Speaker 1: to popular music, so I'm usually out of it. And

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Speaker 1: I always knew Prince as this like looming, towering figure

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Speaker 1: that I should someday give attention to. And then when

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Speaker 1: they did the like Prince round Up where they showed

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Speaker 1: his montage of his whole career. I was like, yeah,

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Speaker 1: I don't I don't like this. I'm like everything he wears, yeah,

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Speaker 1: his style. I was just like, yeah, not for me.

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Speaker 1: And then the music itself, I'm like, yeah, I know

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Speaker 1: that song. Oh, I know that song too. I don't

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Speaker 1: know I really like any of these.

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Speaker 2: Prince was Lenny Kravitz before Len Kravitz. Prince is the guy.

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Speaker 2: I also, oh Man.

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Speaker 3: Put them the two coolest men who have ever arguably

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Speaker 3: walked the pret Just put them in a feather boa

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Speaker 3: and stretch purple pants that have shark teeth on him

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Speaker 3: and they pull it off, like yeah, love it, love it,

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Speaker 3: and show me. I'm not a style guy, but I

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Speaker 3: love I found Prince like in my early forties because

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Speaker 3: everyone was like, dude, you love music and you've never

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Speaker 3: found Prince.

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Speaker 2: And I was the same way.

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Speaker 3: I was like, I'm not I don't need to listen

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Speaker 3: to Prince, Like I got enough going on. And then

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Speaker 3: I started to kind of deep dive Princes and it

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Speaker 3: was like, holy.

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Speaker 1: Oh, so you had the exact opposite of me.

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Speaker 2: Exactly, okay, exactly, I mean made amazing music. To do it.

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Speaker 1: But I watched the montage. I was like, man, yeah, do.

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Speaker 3: You want to you want to get you want to

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Speaker 3: get a little a little nugget, just a very little

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Speaker 3: nugget of Prince. What Prince is capable of? Go and

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Speaker 3: google it's playing. I think it's my guitar gently weeps.

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Speaker 3: Is I think the name of the song? I could

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Speaker 3: this song might be wrong from the Beatles and they're

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Speaker 3: doing some kind of retrospective and it's some of the

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Speaker 3: greatest musicians ever on stage. It's like Tom Petty and

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Speaker 3: all these people, and Prince does the guitar solo and

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Speaker 3: it's all of them half way through these towers of

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Speaker 3: the industry looking at this guy, like who is this guy?

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Speaker 3: He's it's insane. Yeah, So, I mean he does certain things.

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Speaker 3: I mean the one of the he's also a prolific songwriter.

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Speaker 3: So one of the famous stories is apparently he saw uh,

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Speaker 3: what's what's her name from the Bengals on the plane

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Speaker 3: he was flying on the plane with like the lead

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Speaker 3: singer of the Bengals. This is a story that's like

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Speaker 3: a Hollywood story. So I'm not sure if it's true,

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Speaker 3: but it's People have said it is and he walked

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Speaker 3: on and he saw her and he was very big

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Speaker 3: into female empowerment music, and by the time the flight

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Speaker 3: landed he had written it was like just another manic

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Speaker 3: Monday and handed it to her on a napkin like

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Speaker 3: one of their biggest things.

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Speaker 2: He was like that guy where it was yeah, that

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Speaker 2: kind of thing.

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Speaker 1: I mean, I get it. It's I guess it's sort

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Speaker 1: of like jazz, which we've talked about, like one of

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Speaker 1: those things. I feel like I should like. Everyone tells

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Speaker 1: me they're like, oh, you would totally like this, and

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Speaker 1: I've never been able to get past Like, I just

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Speaker 1: never got into it. I feel like Prince's kind of

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Speaker 1: that way. I feel like tonight was a deep dive

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Speaker 1: into britt Slam for me, and I came.

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Speaker 2: You were swimming for the surface. You were deep diving

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Speaker 2: and swam for the service totally. So I love the music.

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Speaker 2: I really music, all right.

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Speaker 1: So first up Elaine and Alan uh I thought this

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Speaker 1: was pretty great.

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Speaker 3: I did too, But I have a question. Have we

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Speaker 3: asked anybody how they pick who goes first? Because this

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Speaker 3: is the second week in a row she's had to

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Speaker 3: dance first.

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Speaker 1: That's not true. Robert went first, didn't he No?

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Speaker 2: I thought, what tonight?

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Speaker 1: None went first? Last week?

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Speaker 2: I thought Elaine went first? Again? Didn't she go first

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Speaker 2: last week?

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Speaker 1: Interesting?

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Speaker 2: Well yeah she almost Sarah said, yeah.

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Speaker 1: She did. Okay, Well this week it almost doesn't matter

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Speaker 1: because they all got to dance a second danced.

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Speaker 3: About the whole start in the first position, and she's

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Speaker 3: now gone twice.

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Speaker 2: Yeah, yeah, but I agree.

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Speaker 3: I thought it was. I thought it was decent. It

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Speaker 3: wasn't my favorite, but it started strong.

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Speaker 1: I thought she brought a like a slinky quality that

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Speaker 1: she hasn't before that I thought was really good. She

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Speaker 1: had like nice attitude without being cheesy, you know, like,

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Speaker 1: all right, you're bringing some attitude. Obviously, she brought it

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Speaker 1: way more for her second dance.

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Speaker 3: Second dance was no, it was. She also looked great tonight.

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Speaker 3: Both of the dresses she was wearing, we were pretty great.

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Speaker 1: And even before the second dance, I was like, oh,

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Speaker 1: Eline has brought it tonight in a way that I

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Speaker 1: don't think she has before.

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Speaker 2: And she was.

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Speaker 1: I could see it right and the yeah, she was

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Speaker 1: really in it, and I was. I thought she brought

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Speaker 1: a new attitude and a new way of moving her

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Speaker 1: body to this dance. I was like, oh, wow, she's

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Speaker 1: come to like really dance and yeah, so I thought

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Speaker 1: it was great. She got nines across the board, which

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Speaker 1: seemed totally fair. Yeah, I agree a good start.

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Speaker 3: Wasn't tens, but yeah, kind of changing my tune a

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Speaker 3: little bit on her just this week. I've had my

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Speaker 3: problems with Lane obviously, but I thought she did really

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Speaker 3: well this week, like really well, and you could tell

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Speaker 3: she was focused and kind of ready to go.

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Speaker 2: Yeah.

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Speaker 1: Next up where Alex and Val too?

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Speaker 2: Man, just can't they?

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Speaker 1: God?

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Speaker 3: I think with Whitney out of the way, I still

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Speaker 3: don't think that I stand by what I say.

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Speaker 2: No one's gonna beat Robert, No one's but.

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Speaker 1: It's going to be a tight competition.

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Speaker 2: Close. She could really close.

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Speaker 1: You know. It's funny. I wasn't convinced that the song

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Speaker 1: and the dance went well together because you know, this

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Speaker 1: is the song felt kind of like a joyful release

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Speaker 1: and this this dance is like a little bit more

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Speaker 1: about control or like maybe even resisting control in a way.

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Speaker 1: Like it just felt like a little mismatch to me. Yeah,

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Speaker 1: that was my only like, but it was still so

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Speaker 1: well done. It was like great, of course, yes, this

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Speaker 1: is gonna get nines and tens which.

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Speaker 3: It And she also that I I you know, apparently,

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Speaker 3: so one of the things we're learning as we're learning

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Speaker 3: these dances is a lot of these dances are really

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Speaker 3: there to highlight the woman. So it's like the how

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Speaker 3: did Danielle say it to us one time? She's like,

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Speaker 3: the man is the frame and the woman is the painting.

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Speaker 3: So it's like it's kind of that's what it's highlighting.

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Speaker 3: And her in that red dress was stunning. I mean

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Speaker 3: it's just everything about that visual how long and lean

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Speaker 3: she was when he like leans her over at the

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Speaker 3: end and the slit up the side, I mean it

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Speaker 3: was the whole look was pretty remarkable for this dance.

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Speaker 1: Yeah, she's such a good dancer. I mean she is insane.

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Speaker 2: She is.

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Speaker 3: All right.

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Speaker 1: Next up Whitney and Mark. I you know, contrary to

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Speaker 1: the fact that she got kicked off this week, I

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Speaker 1: thought that this was some of her best solo work. Yeah,

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Speaker 1: you know, like it really hasn't had a bad dance no,

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Speaker 1: and this was a chance for them to do some

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Speaker 1: side by side. I don't know something about this. I

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Speaker 1: was like, all right, Whitney's really like just I mean

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Speaker 1: into her own as a dancer. She it's like, what,

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Speaker 1: didn't feel dependent on him to the same degree that

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Speaker 1: I felt like, you know, they've always been great, but

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Speaker 1: this was like a chance. I don't know. I was like, man,

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Speaker 1: she's killing it. And I think the scores reflected that

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Speaker 1: even better than Alex in some ways with their first dance.

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Speaker 2: I agree. Now, do you think by this point, I

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Speaker 2: guess you can't. You can't dissect the two.

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Speaker 3: Because there she has this whole other persona that I

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Speaker 3: guess is driving some of her voting when it comes

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Speaker 3: to her other reality show and her online persona, which

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Speaker 3: again we're not privy to at all. So do you

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Speaker 3: think the fact that people like us and a lot

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Speaker 3: of other people have kind of said she's a professional dancer.

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Speaker 2: Has hurt her as the the.

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Speaker 3: I mean, because again, if you look at her and

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Speaker 3: Alex now, it seems like they're kind of close to

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Speaker 3: the same level. And Alex isn't a professional dancer, right,

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Speaker 3: I mean.

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Speaker 2: She's like a well she I think, oh, it's the

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Speaker 2: same thing. I thought she was just like a makeup

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Speaker 2: influencer or something.

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Speaker 1: Yeah, you're right, she's introduced more as a makeup and answer.

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Speaker 1: But I just assume if anybody's on TikTok and there's

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Speaker 1: they're dancing.

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Speaker 3: That's that's where we're wrong. That's where we don't know

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Speaker 3: anything about. To take away, I just assume it's food

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Speaker 3: to dance, right, It's have no idea what it is.

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Speaker 1: You're right, she does make up tutorials, right.

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Speaker 2: Yeah.

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Speaker 3: Ever, Alex never really danced on TikTok. Apparently it's what

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Speaker 3: it's says. So yeah, it seems like that to me,

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Speaker 3: seems more of the show. We've talked about that with Dylan,

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Speaker 3: who I did not think had a great night. But

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Speaker 3: we talked about that with Dylan, where you know, there's

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Speaker 3: something too you're not a dancer, now you're a dancer,

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Speaker 3: as opposed to you're a dancer and now you're a

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Speaker 3: slightly better dancer.

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Speaker 2: That's it's two different journeys.

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Speaker 3: Yeah.

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Speaker 1: Yeah, she got nine, ten and ten, so a little

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Speaker 1: little higher than Alex and Bow. And then we went

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Speaker 1: on to Dylan and Daniella your favorite. She's you know,

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Speaker 1: I'm still really rooting for both of them.

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Speaker 2: Me too, me too.

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Speaker 1: This one did not did not do it for me.

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Speaker 2: I felt like he was a little stiff tonight, like

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Speaker 2: he was a little off tonight.

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Speaker 1: The note I took was I could feel him gritting

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Speaker 1: his teeth a little bit. Yeah, I missed.

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Speaker 3: You know the word that I used when I was

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Speaker 3: watching it, deliberate. Yeah, it seemed there was no flow

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Speaker 3: to it. It seemed like he was in his head and

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Speaker 3: it was kind of one two three, what like he's

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Speaker 3: trying to keep up with it in his mind. But

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Speaker 3: she's I have to remind myself to watch him because she's.

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Speaker 1: So good, she's astounding.

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Speaker 2: Yeah.

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Speaker 1: Yeah, but yeah, I was, you know, I was glad

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Speaker 1: they came back out for another dance, but this was Yeah,

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Speaker 1: I was like, oh, Dylan, come on, man, after last week,

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Speaker 1: you could bring it, you could do it. But I also,

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Speaker 1: you know, and this was an overall for this week.

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Speaker 2: A lot of jives, which I just still not my

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Speaker 2: favorite dance no either, and.

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Speaker 1: So you know, there were a lot of choices being

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Speaker 1: made in terms of dance that I was like, really,

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Speaker 1: this is what you're gonna do this. Now you're gonna

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Speaker 1: bust out the Vietnese waltz. I mean, everybody was still good,

332
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Speaker 1: but it was like, I don't know, I wanted a little.

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Speaker 1: I'm very curious how the finale is going to go,

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Speaker 1: like what their dance?

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Speaker 2: He dances each apparently is it?

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Speaker 1: And then and so yeah, and there's five there's five

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Speaker 1: couples left in the finals. Is that right? Is there

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Speaker 1: any theme for the finale or is.

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Speaker 2: It just a free for all finale?

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Speaker 3: I don't have finally, fine, finally no, just finale, just finale.

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Speaker 1: All right, final songs? Cool?

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Speaker 2: All right?

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Speaker 1: So they got nine to nine and nine, which seemed fair.

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Speaker 1: Actually yeah, yeah.

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Speaker 2: Yeah, I don't disagree. I thought he was off a

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Speaker 2: little tonight.

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Speaker 3: Yeah. Now I have a question for you, since we

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Speaker 3: are talking about it's clear that the best answer doesn't win.

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Speaker 3: And I imagine this is something that everybody who's ever

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Speaker 3: watched Dancing with the Stars.

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Speaker 2: Ever knew, and we just didn't that.

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Speaker 3: It's not like if you if you expect the best

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Speaker 3: dnswer to win, you're gonna be disappointed a lot of

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Speaker 3: the time. Do you think Whitney had lost before she

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Speaker 3: even stepped foot on the dance floor tonight?

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Speaker 1: Yeah?

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Speaker 2: Yeah, I kind of feel the same way.

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Speaker 1: They were.

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Speaker 2: They just that was it. She was just she was

360
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Speaker 2: done already.

361
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Speaker 1: No, you know what if Elaine hadn't blown everybody away,

362
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Speaker 1: especially with their second dance, I think she could have

363
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Speaker 1: been eliminated. I think danced her way into the finale tonight,

364
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Speaker 1: but it was on the bubble coming in.

365
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Speaker 3: I don't know how it works, but I feel like

366
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Speaker 3: with whatever was going on in the internet, it was

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Speaker 3: like she's done before she ever had a chance.

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Speaker 1: But see, this is why the show is so well produced,

369
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Speaker 1: right because because if it was just about who's the

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Speaker 1: best dancer, and the judges sort of had like robotic

371
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Speaker 1: answers of like technical stuff, but you know, but that

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Speaker 1: human element is still there, and the journey and the

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Speaker 1: narrative of the season, it still has a huge impact.

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Speaker 1: And that's those ups and downs. Man, in this elimination,

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Speaker 1: I have to.

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Speaker 2: It shocked me too.

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Speaker 3: But I have to tell you that I've expanded on

378
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Speaker 3: my idea from last week. Okay, remember I talked about

379
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Speaker 3: how a cool version of the show would be if

380
00:16:52,080 --> 00:16:53,360
Speaker 3: both were celebrities and.

381
00:16:53,320 --> 00:16:54,280
Speaker 2: They dance as a couple.

382
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Speaker 3: What it should be is that, but each week, one

383
00:16:58,040 --> 00:17:01,320
Speaker 3: of the two of that couple is kicked off and

384
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Speaker 3: has to then partner with somebody else, and so the

385
00:17:04,359 --> 00:17:06,960
Speaker 3: final comes down to two celebrities dancing together, but only

386
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Speaker 3: one of.

387
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Speaker 2: Them can win.

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Speaker 1: That's not bad.

389
00:17:09,680 --> 00:17:10,440
Speaker 2: I think it'd be cool.

390
00:17:10,600 --> 00:17:12,240
Speaker 3: And yeah, I just saw Running Man this week, so

391
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Speaker 3: I'm just trying to think of other ways to up

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Speaker 3: up the game.

393
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Speaker 1: And then they get killed.

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Speaker 2: I'm just saying, you know, I'm just squid games with

395
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Speaker 2: the squid games, all right.

396
00:17:24,119 --> 00:17:26,679
Speaker 1: Next up Jordan and Ezra. And this is where I

397
00:17:26,720 --> 00:17:29,639
Speaker 1: was like, man, the jive just kind of sucks.

398
00:17:29,840 --> 00:17:34,440
Speaker 2: I agree, I don't like it. I don't like it, but.

399
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Speaker 1: We'll get to in our next dance. I was surprised.

400
00:17:38,440 --> 00:17:39,040
Speaker 2: So Derek.

401
00:17:39,119 --> 00:17:42,040
Speaker 1: Derek gave the feedback, you know, he gave really great feedback.

402
00:17:42,040 --> 00:17:44,040
Speaker 1: He was like, Jordan, I just feel like you're you're

403
00:17:44,040 --> 00:17:46,919
Speaker 1: missing some of the bite or I think he said punch,

404
00:17:47,160 --> 00:17:49,040
Speaker 1: you know, like and I felt that. When he said that,

405
00:17:49,080 --> 00:17:50,879
Speaker 1: I was like, yeah, that's what it was. It was

406
00:17:50,880 --> 00:17:54,320
Speaker 1: she wasn't like hitting the landing into her her moves

407
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Speaker 1: as much. And this is when I started to get

408
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Speaker 1: worried because I love Jordans. I love Jordan and Ezra,

409
00:18:00,040 --> 00:18:02,680
Speaker 1: and I was like, oh no, it's not looking good

410
00:18:02,680 --> 00:18:05,119
Speaker 1: for them. So when it came down to the the

411
00:18:05,119 --> 00:18:07,880
Speaker 1: bottom three, who aren't really even maybe the bottom three.

412
00:18:08,680 --> 00:18:12,679
Speaker 1: I was pretty convinced that Jordan was out, but I

413
00:18:12,680 --> 00:18:13,720
Speaker 1: thought this was a good dance.

414
00:18:14,760 --> 00:18:15,119
Speaker 2: Yeah.

415
00:18:15,480 --> 00:18:17,000
Speaker 3: I don't think it was one of her best or

416
00:18:17,040 --> 00:18:19,120
Speaker 3: her best, but it was good. I mean, I thought

417
00:18:19,160 --> 00:18:19,919
Speaker 3: she was good tonight.

418
00:18:20,080 --> 00:18:24,160
Speaker 1: As an overall, everybody up their game for their second dance.

419
00:18:24,320 --> 00:18:27,880
Speaker 1: It seemed like, yes, if they got to choose which

420
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Speaker 1: one went first. I mean, I know that I'm so

421
00:18:30,440 --> 00:18:34,280
Speaker 1: confused with how what choices they have, but it seems

422
00:18:34,280 --> 00:18:36,639
Speaker 1: like they were all pretty strategic and like whatever they

423
00:18:36,640 --> 00:18:38,480
Speaker 1: thought was their best dance if they had the choice,

424
00:18:38,480 --> 00:18:41,760
Speaker 1: they put second. Because yeah, I.

425
00:18:41,720 --> 00:18:43,960
Speaker 3: Also have to imagine, though, like any other whether it's

426
00:18:44,400 --> 00:18:45,919
Speaker 3: the second half of a game or something like that,

427
00:18:45,960 --> 00:18:48,760
Speaker 3: you're also warmed up. Yeah, like you know you're I know,

428
00:18:48,840 --> 00:18:50,480
Speaker 3: I know you can warm up a bit beforehand, but

429
00:18:50,520 --> 00:18:52,919
Speaker 3: once you've already danced in that first adrenaline rushes off.

430
00:18:52,920 --> 00:18:54,800
Speaker 3: I have to imagine that second dance you can kind

431
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Speaker 3: of sink into a little easier.

432
00:18:56,480 --> 00:18:58,760
Speaker 1: What are your how do you warm up your voice

433
00:18:58,760 --> 00:19:02,360
Speaker 1: for cartoon work? What are your what are your vocal exercises?

434
00:19:03,520 --> 00:19:04,879
Speaker 2: I usually wake up and cough.

435
00:19:05,800 --> 00:19:10,120
Speaker 1: You don't do anything, No, really no red leather, yellow letter,

436
00:19:10,200 --> 00:19:12,520
Speaker 1: red leather, yellow leather of that.

437
00:19:13,359 --> 00:19:14,400
Speaker 2: In my entire life.

438
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Speaker 3: No, at least now I'm not waking up and smoking

439
00:19:16,720 --> 00:19:22,040
Speaker 3: half a pack of cigarettes. No, oh my god, I

440
00:19:22,119 --> 00:19:23,679
Speaker 3: exercised nothing with my voice.

441
00:19:23,760 --> 00:19:27,960
Speaker 1: That's that's actually pretty rare. Right in your street.

442
00:19:28,160 --> 00:19:30,840
Speaker 3: I've never been with a voiceover actor I've ever seen

443
00:19:31,520 --> 00:19:32,919
Speaker 3: warming up their voice next to me.

444
00:19:33,000 --> 00:19:34,640
Speaker 2: You just kind of sit down and you just go.

445
00:19:35,920 --> 00:19:38,399
Speaker 3: So, I mean maybe I think it's just again, it

446
00:19:38,400 --> 00:19:41,439
Speaker 3: also depends on what you're doing. Yeah, if you know,

447
00:19:41,480 --> 00:19:43,600
Speaker 3: when I were, I remember doing a Medal of Honor

448
00:19:43,680 --> 00:19:45,920
Speaker 3: video game where I had to scream at the top

449
00:19:45,960 --> 00:19:48,000
Speaker 3: of my lungs for sixteen straight sessions or.

450
00:19:48,000 --> 00:19:49,919
Speaker 2: Something like that, and it was that was because everything.

451
00:19:50,000 --> 00:19:51,920
Speaker 2: Don't forget there's gunfire going out, so.

452
00:19:51,880 --> 00:19:53,399
Speaker 3: You're just yelling the whole time. It's like you couldn't

453
00:19:53,400 --> 00:19:55,120
Speaker 3: warm up for that. It was just your your your

454
00:19:55,119 --> 00:19:57,840
Speaker 3: throat is bleeding by the end of the so.

455
00:19:58,200 --> 00:20:00,399
Speaker 2: But no, but normally no, I don't. What do you

456
00:20:00,440 --> 00:20:04,920
Speaker 2: what do you do? You warm up theater for you? Oh?

457
00:20:05,080 --> 00:20:08,919
Speaker 1: Well, yeah, I mean when when I was, I've done like,

458
00:20:09,080 --> 00:20:11,239
Speaker 1: you know, eight shows a week where I've had to

459
00:20:11,240 --> 00:20:15,680
Speaker 1: like steam, like, you know, I'll be inhaling like uh whatever,

460
00:20:15,840 --> 00:20:18,280
Speaker 1: you know, just because like the throat gets so tired.

461
00:20:18,320 --> 00:20:20,199
Speaker 1: But I'm horrible with my throat, like I use it.

462
00:20:20,240 --> 00:20:23,639
Speaker 1: Oh yeah, horribly me Like I don't. Yeah, I don't

463
00:20:23,680 --> 00:20:26,359
Speaker 1: like project correctly from my diaphragm or any of that.

464
00:20:26,680 --> 00:20:28,800
Speaker 2: I do that I'm pretty, but I don't treat my throat. Well,

465
00:20:28,800 --> 00:20:30,239
Speaker 2: you just gotta be careful of the stuff you put

466
00:20:30,240 --> 00:20:30,720
Speaker 2: in your body.

467
00:20:31,200 --> 00:20:33,320
Speaker 1: Right, Are you having a whiskey right now?

468
00:20:33,640 --> 00:20:35,120
Speaker 2: No, it's a urban.

469
00:20:36,080 --> 00:20:37,440
Speaker 1: Good for you.

470
00:20:37,600 --> 00:20:38,040
Speaker 2: All right?

471
00:20:38,800 --> 00:20:42,760
Speaker 1: That out came Robert and Whitney, and my note was, Jesus,

472
00:20:42,960 --> 00:20:48,080
Speaker 1: I guess I like the jive, so maybe that's all

473
00:20:48,119 --> 00:20:50,480
Speaker 1: I need to say. It's incredible, it's so good. I

474
00:20:50,520 --> 00:20:53,680
Speaker 1: was like, oh dude, and suddenly the most coolest dance

475
00:20:53,720 --> 00:20:54,159
Speaker 1: I've ever.

476
00:20:54,040 --> 00:20:57,120
Speaker 2: Seen said the same thing. When she flips him over.

477
00:20:57,160 --> 00:21:00,639
Speaker 3: I was like, okay, okay, we're done, thank you.

478
00:21:02,240 --> 00:21:05,399
Speaker 1: Absolutely. There were like two moves that flip, and then

479
00:21:05,400 --> 00:21:07,040
Speaker 1: there was one early one. I was like, well, what

480
00:21:07,160 --> 00:21:10,159
Speaker 1: they're making this so cool and so interesting? So like

481
00:21:10,400 --> 00:21:12,840
Speaker 1: I feel like it had great big set pieces, still

482
00:21:12,960 --> 00:21:15,280
Speaker 1: was a jive technically wonderful.

483
00:21:15,320 --> 00:21:18,119
Speaker 3: There were some there were some different dances going around

484
00:21:18,160 --> 00:21:20,320
Speaker 3: that you could argue were dancing the night, but Dancer

485
00:21:20,400 --> 00:21:23,600
Speaker 3: of the Night Robert killed it. And we talked about

486
00:21:23,680 --> 00:21:25,960
Speaker 3: last week about him against Dylan, where it was like

487
00:21:26,040 --> 00:21:27,840
Speaker 3: Dylan stole it last week and he's as good as

488
00:21:29,080 --> 00:21:32,840
Speaker 3: they were in two different categories. Tonight, Robert absolutely crushed it. Yeah,

489
00:21:32,880 --> 00:21:33,360
Speaker 3: crushed it.

490
00:21:33,560 --> 00:21:37,119
Speaker 1: Did you notice that like nobody had sets? Yes, like

491
00:21:37,320 --> 00:21:41,000
Speaker 1: all of the the production design has just stripped down.

492
00:21:41,240 --> 00:21:43,560
Speaker 1: Now it's just that whole dance. I do too. I

493
00:21:43,640 --> 00:21:46,520
Speaker 1: love that, and it seems like everybody made the same choice.

494
00:21:46,520 --> 00:21:49,119
Speaker 1: It was like, no, no, no, Now it's just about the dancing.

495
00:21:49,160 --> 00:21:50,840
Speaker 1: We're not going to have any props, We're not going

496
00:21:50,920 --> 00:21:53,280
Speaker 1: to have any extra stuff. And I thought it was

497
00:21:53,320 --> 00:21:54,400
Speaker 1: really cool me too.

498
00:21:54,600 --> 00:21:56,800
Speaker 3: Yeah, do you want to take a moment here or

499
00:21:56,840 --> 00:22:00,239
Speaker 3: towards the end to talk about the judging tonight and

500
00:22:00,320 --> 00:22:02,680
Speaker 3: what was actually going on with the judges.

501
00:22:02,440 --> 00:22:05,400
Speaker 1: The kind of missed all of it. I oh, because yeah,

502
00:22:05,440 --> 00:22:08,359
Speaker 1: we were texting while watching, so let's talk about it,

503
00:22:08,359 --> 00:22:10,120
Speaker 1: because I I you.

504
00:22:10,080 --> 00:22:12,520
Speaker 2: Can tell Derek was going at carry carry in.

505
00:22:12,600 --> 00:22:15,119
Speaker 3: I thought tonight, frankly, some of the stuff she did

506
00:22:15,200 --> 00:22:18,199
Speaker 3: made no sense whatsoever. How you look at Whitney and

507
00:22:18,240 --> 00:22:21,160
Speaker 3: you say this was the best dance you've ever done

508
00:22:21,400 --> 00:22:23,000
Speaker 3: and then give her a lower score than you've given

509
00:22:23,000 --> 00:22:26,800
Speaker 3: her before obviously makes no sense. That being said, I

510
00:22:26,800 --> 00:22:28,680
Speaker 3: thought a lot of She's like, we're going from the

511
00:22:28,680 --> 00:22:31,399
Speaker 3: semifinals to the finals. Our job is to judge. We

512
00:22:31,480 --> 00:22:32,879
Speaker 3: have to nitpick a little bit, and that's what I

513
00:22:32,880 --> 00:22:35,280
Speaker 3: thought she was doing. I didn't think it was horribly unfair.

514
00:22:35,280 --> 00:22:38,480
Speaker 3: I thought getting down in front of Elaine and bowing

515
00:22:38,520 --> 00:22:39,600
Speaker 3: to her was a bit much.

516
00:22:40,000 --> 00:22:43,600
Speaker 1: But I mean, she loves Elamb She's so obvious she does.

517
00:22:43,800 --> 00:22:46,000
Speaker 3: She's one of her Elaine, we're talking about it in

518
00:22:46,040 --> 00:22:51,320
Speaker 3: one of her faves. But the then Derek obviously was

519
00:22:51,400 --> 00:22:54,720
Speaker 3: like looking at her. She mentioned something about you missed

520
00:22:54,720 --> 00:22:57,240
Speaker 3: two different hops in ya. I forget who she was

521
00:22:57,280 --> 00:22:58,960
Speaker 3: talking to, but she said you missed two different hops

522
00:22:59,040 --> 00:23:01,040
Speaker 3: and Derek kind of looked at her looked. He was like, no,

523
00:23:01,160 --> 00:23:03,000
Speaker 3: she what the hell? And she's like, look, I saw

524
00:23:03,040 --> 00:23:05,280
Speaker 3: what I saw. And they were going at it. And

525
00:23:05,320 --> 00:23:07,919
Speaker 3: then apparently we have we have some insider knowledge of

526
00:23:07,960 --> 00:23:11,879
Speaker 3: some people that were there that apparently she was super

527
00:23:11,880 --> 00:23:14,360
Speaker 3: pissed at the table and then when they cut back

528
00:23:14,359 --> 00:23:16,399
Speaker 3: to them and he's like, oh, bring it in, and

529
00:23:16,440 --> 00:23:17,679
Speaker 3: he went to hug the.

530
00:23:17,720 --> 00:23:21,680
Speaker 2: Two of them. She was pissed. I mean, like you

531
00:23:21,720 --> 00:23:23,600
Speaker 2: could tell it was bad.

532
00:23:24,119 --> 00:23:26,399
Speaker 3: So there's a there's gonna be It's an interesting in

533
00:23:26,440 --> 00:23:28,119
Speaker 3: my head, they all drive to the show together, So

534
00:23:28,240 --> 00:23:29,679
Speaker 3: in my head, that's going to be an interesting car

535
00:23:29,760 --> 00:23:32,959
Speaker 3: ride home, the three of those judges sharing the Volvo

536
00:23:33,040 --> 00:23:33,480
Speaker 3: they drive.

537
00:23:34,240 --> 00:23:39,280
Speaker 1: You know, I wonder about this. So our friend of

538
00:23:39,320 --> 00:23:43,879
Speaker 1: the podcast Variety writer Emily Longretta, did an interview with

539
00:23:43,920 --> 00:23:47,080
Speaker 1: Carrie Anne that she sent to me and said we

540
00:23:47,080 --> 00:23:49,760
Speaker 1: should read before we recorded last week. And I did

541
00:23:49,760 --> 00:23:52,520
Speaker 1: read it, said it to me, what's up, bro, Thanks Emily.

542
00:23:53,040 --> 00:23:54,679
Speaker 1: You're not on social media. She sent it to me

543
00:23:54,720 --> 00:23:57,960
Speaker 1: through Instagram. But it was a really good interview and

544
00:23:58,000 --> 00:24:01,360
Speaker 1: they you know, they sort of covered the fact that

545
00:24:01,600 --> 00:24:04,560
Speaker 1: Carrie and gets a lot more crap than other judges.

546
00:24:05,000 --> 00:24:07,240
Speaker 1: And in the interview, you know, Carrie Ane was sort

547
00:24:07,240 --> 00:24:12,400
Speaker 1: of you know, connecting it to being a woman and

548
00:24:12,440 --> 00:24:15,879
Speaker 1: that she's in some ways harder on women dancers than

549
00:24:15,920 --> 00:24:19,480
Speaker 1: the guys are. And then unfortunately that kind of comes

550
00:24:19,520 --> 00:24:22,920
Speaker 1: back on her, which you know, it was. It was

551
00:24:22,960 --> 00:24:24,919
Speaker 1: a good point. But I also think even beyond the

552
00:24:24,960 --> 00:24:28,520
Speaker 1: fact that she's female, I think that she does put

553
00:24:28,520 --> 00:24:31,679
Speaker 1: herself into a more serious position often, like by the

554
00:24:31,680 --> 00:24:34,560
Speaker 1: way she talks, you know. I feel like Derek and

555
00:24:34,600 --> 00:24:36,879
Speaker 1: Bruno have a much more sort of like, even when

556
00:24:36,920 --> 00:24:39,440
Speaker 1: they're critical, there's always this sort of like, but we're

557
00:24:39,440 --> 00:24:43,120
Speaker 1: all just having fun and it's all about positivity, where

558
00:24:43,200 --> 00:24:45,080
Speaker 1: she can come off a little more like I am

559
00:24:45,119 --> 00:24:47,960
Speaker 1: here to judge. This is my job, and I'm going

560
00:24:47,960 --> 00:24:50,600
Speaker 1: to take it seriously, and as a result, she kind

561
00:24:50,600 --> 00:24:52,439
Speaker 1: of gets more blowback. You know.

562
00:24:53,200 --> 00:24:56,200
Speaker 3: I think if she did that though equally for everybody,

563
00:24:56,840 --> 00:24:59,240
Speaker 3: then most people might I won't say most people.

564
00:24:59,320 --> 00:25:00,919
Speaker 2: I wouldn't have that big a problem with it.

565
00:25:01,280 --> 00:25:04,280
Speaker 3: But when she's saying to people like Andy, who for

566
00:25:04,400 --> 00:25:06,199
Speaker 3: some dances, let's be honest, we all liked him, but

567
00:25:06,280 --> 00:25:07,760
Speaker 3: was kind of sitting there in the middle and moving

568
00:25:07,800 --> 00:25:09,520
Speaker 3: his arms and moving his legs a little bit while

569
00:25:10,040 --> 00:25:12,560
Speaker 3: she danced around him and going like, oh my god,

570
00:25:12,600 --> 00:25:15,040
Speaker 3: your journey is amazing, and Daniell's flipping all over the

571
00:25:15,040 --> 00:25:16,919
Speaker 3: stage and she's like, well, you're really not holding your

572
00:25:16,920 --> 00:25:17,560
Speaker 3: shoulders back.

573
00:25:17,920 --> 00:25:20,200
Speaker 2: It didn't come off as equal judgment.

574
00:25:21,080 --> 00:25:23,520
Speaker 3: So it's one of those things apparently, because again we've

575
00:25:23,560 --> 00:25:25,479
Speaker 3: talked about this now we've been deep diving it a bit,

576
00:25:25,560 --> 00:25:28,040
Speaker 3: or I've been deep diving it a bit. Everyone seems

577
00:25:28,080 --> 00:25:30,360
Speaker 3: to say that from the beginning, Well, yes, she does

578
00:25:30,359 --> 00:25:33,040
Speaker 3: put herself in that more serious kind of category. She

579
00:25:33,119 --> 00:25:36,440
Speaker 3: also definitely has her favorites. Yeah, and when she picks

580
00:25:36,440 --> 00:25:39,719
Speaker 3: her favorites, they're her favorites, and when anybody else comes up,

581
00:25:40,280 --> 00:25:42,480
Speaker 3: she judges them as opposed to praising the people that

582
00:25:42,520 --> 00:25:47,240
Speaker 3: are her favorites. So again, I would say, at least

583
00:25:47,240 --> 00:25:49,240
Speaker 3: from the two guys that I've seen, and I'm sure

584
00:25:49,280 --> 00:25:51,520
Speaker 3: she does get for being a woman and putting herself

585
00:25:51,520 --> 00:25:53,840
Speaker 3: out there, and don't doubt that at all, but the

586
00:25:53,880 --> 00:25:59,080
Speaker 3: guys seem to be consistently consistent with everybody, whereas she

587
00:25:59,200 --> 00:26:01,520
Speaker 3: seems to kind kind of again, I'm going to say

588
00:26:01,520 --> 00:26:03,159
Speaker 3: this to this person, but this to this person, and

589
00:26:03,200 --> 00:26:05,399
Speaker 3: this to this and again the good example is tonight,

590
00:26:05,440 --> 00:26:07,280
Speaker 3: I mean looking at Whitney and going, this is.

591
00:26:07,200 --> 00:26:11,000
Speaker 2: The best dance you have ever done? Here nine?

592
00:26:11,480 --> 00:26:13,520
Speaker 3: It's like, but you gave her a ten last week,

593
00:26:13,640 --> 00:26:16,520
Speaker 3: so how can you say this is the best she's

594
00:26:16,560 --> 00:26:20,000
Speaker 3: ever done and give her a nine?

595
00:26:20,440 --> 00:26:22,160
Speaker 2: It just a lot of seeds, some.

596
00:26:22,119 --> 00:26:23,840
Speaker 1: Of that flave of flave consistency.

597
00:26:24,119 --> 00:26:26,960
Speaker 3: Yeah, yeah, I just yes, I don't know if you heard.

598
00:26:26,960 --> 00:26:29,000
Speaker 3: I read it yesterday. He just found his paddle.

599
00:26:29,760 --> 00:26:32,960
Speaker 2: Uh so congratulations, he was just told he was there.

600
00:26:33,359 --> 00:26:35,680
Speaker 1: He just found up that he did dance with the stars.

601
00:26:37,040 --> 00:26:40,320
Speaker 3: So yeah, no, again, I can see and I look

602
00:26:40,400 --> 00:26:42,480
Speaker 3: back on some of the stuff you and I said

603
00:26:42,480 --> 00:26:44,360
Speaker 3: about her, and we got some pressed about it, and

604
00:26:44,480 --> 00:26:46,280
Speaker 3: maybe we're a little harsh, but again, it's like I

605
00:26:46,400 --> 00:26:48,800
Speaker 3: become a big brother when I see what you're doing

606
00:26:48,800 --> 00:26:50,720
Speaker 3: to a friend of mine. But again, I just don't

607
00:26:50,760 --> 00:26:55,960
Speaker 3: think she's overly consistent, and I think there's there's drama

608
00:26:56,040 --> 00:26:58,320
Speaker 3: going on. I mean, if you could go back when

609
00:26:58,359 --> 00:27:00,800
Speaker 3: it goes on Hulu and you can watch again, just

610
00:27:01,000 --> 00:27:04,760
Speaker 3: watch when Derek grabs her and grabs him and.

611
00:27:04,800 --> 00:27:09,640
Speaker 2: Pulls him into a hug. She is livid, like livid.

612
00:27:10,119 --> 00:27:12,360
Speaker 2: So yeah, super super interesting week.

613
00:27:12,400 --> 00:27:14,240
Speaker 3: It'll it se because that's going to make depressed, and

614
00:27:14,320 --> 00:27:15,640
Speaker 3: obviously it absolutely will.

615
00:27:15,680 --> 00:27:16,960
Speaker 2: So I see what happens.

616
00:27:17,080 --> 00:27:19,800
Speaker 1: Yeah, I feel like I've gone through a full journey

617
00:27:19,840 --> 00:27:23,000
Speaker 1: with carry Anne because now I really kind of like her,

618
00:27:23,720 --> 00:27:27,280
Speaker 1: appreciate it. I know, I know, but I'm saying, like,

619
00:27:27,920 --> 00:27:30,439
Speaker 1: I know what you're saying about inconsistency, and that's you know,

620
00:27:30,480 --> 00:27:33,040
Speaker 1: a problem sort of across the board with this whole system.

621
00:27:33,119 --> 00:27:35,080
Speaker 1: Is like I, like I said a couple of episodes ago,

622
00:27:35,080 --> 00:27:37,880
Speaker 1: I would love it if they stated their intentions at

623
00:27:37,880 --> 00:27:39,560
Speaker 1: the beginning of the season, like this is what I

624
00:27:39,640 --> 00:27:41,040
Speaker 1: care about, and this is what I'm going to be

625
00:27:41,080 --> 00:27:44,480
Speaker 1: looking for and and sort of we could then judge them,

626
00:27:44,800 --> 00:27:47,479
Speaker 1: judge their judging right, holding it to whatever standard they

627
00:27:47,520 --> 00:27:50,159
Speaker 1: set out to. But I like that she takes it

628
00:27:50,200 --> 00:27:52,520
Speaker 1: so seriously. I really do do in a way that

629
00:27:52,640 --> 00:27:56,720
Speaker 1: as much as I know Derek and Bruno are obviously

630
00:27:57,080 --> 00:28:01,360
Speaker 1: just as knowledgeable and have justice, like have their opinions,

631
00:28:01,680 --> 00:28:04,640
Speaker 1: their presentation is a little more light and a little

632
00:28:04,800 --> 00:28:08,760
Speaker 1: less like, you know, just intense and severe. And I

633
00:28:08,760 --> 00:28:12,119
Speaker 1: actually kind of or I'm not intense and severe, just

634
00:28:12,200 --> 00:28:16,800
Speaker 1: like maybe rigorous or there's something about her presentation that

635
00:28:17,040 --> 00:28:19,440
Speaker 1: is just it's a different mode and I actually kind

636
00:28:19,440 --> 00:28:21,680
Speaker 1: of appreciate it now, So I've gone full circle.

637
00:28:21,800 --> 00:28:24,400
Speaker 3: That's great now Again, I don't dislike her. I don't

638
00:28:24,400 --> 00:28:30,560
Speaker 3: think she's particularly consistent. Yeah, and I wonder I still

639
00:28:30,600 --> 00:28:32,200
Speaker 3: want to know, because I don't think we've gotten a

640
00:28:32,200 --> 00:28:34,480
Speaker 3: sufficient answer. People have told us a quote unquote answer,

641
00:28:34,520 --> 00:28:37,840
Speaker 3: but I don't believe it. Frankly, I just don't how

642
00:28:37,960 --> 00:28:42,400
Speaker 3: much sway the judges' scores hold as opposed to the

643
00:28:42,480 --> 00:28:46,520
Speaker 3: popular vote, because that's what they say, but I don't.

644
00:28:46,600 --> 00:28:47,479
Speaker 2: I'm not sure I buy that.

645
00:28:47,680 --> 00:28:51,000
Speaker 3: So it's one of those things where you wonder if

646
00:28:50,720 --> 00:28:51,800
Speaker 3: if they're kind of.

647
00:28:51,760 --> 00:28:53,280
Speaker 2: Like, hey, we're here to go. You were great, but

648
00:28:53,320 --> 00:28:54,000
Speaker 2: maybe hold your.

649
00:28:53,920 --> 00:28:55,520
Speaker 3: Arms like this and then know that the public's going

650
00:28:55,560 --> 00:28:57,440
Speaker 3: to vote them through or not vote them through. And

651
00:28:57,480 --> 00:28:58,520
Speaker 3: that's just kind of how it is.

652
00:29:10,800 --> 00:29:13,560
Speaker 1: All right, second round of dances began with Elaine and Allen.

653
00:29:14,040 --> 00:29:15,280
Speaker 1: The passe dole.

654
00:29:16,600 --> 00:29:21,600
Speaker 3: Strikes again and strikes a sorry before you start. We're

655
00:29:21,600 --> 00:29:23,480
Speaker 3: going to very quickly because it is one of your favorites.

656
00:29:23,520 --> 00:29:26,480
Speaker 2: Do wiz history of dance history?

657
00:29:27,280 --> 00:29:29,160
Speaker 3: Oh, we should do it together at some point, and

658
00:29:29,240 --> 00:29:31,120
Speaker 3: for you, the writer of strong edition, we're going to

659
00:29:31,200 --> 00:29:32,600
Speaker 3: do the pasa dobla tonight.

660
00:29:32,720 --> 00:29:38,640
Speaker 2: Nice. Where do you think the passa dobla originated Spain? Wrong?

661
00:29:39,240 --> 00:29:40,320
Speaker 2: Really France?

662
00:29:41,040 --> 00:29:45,920
Speaker 3: What swear past pastoble originated in France in the sixteenth century,

663
00:29:46,000 --> 00:29:49,040
Speaker 3: drawing inspiration from the drama and movements of Spanish and

664
00:29:49,080 --> 00:29:54,080
Speaker 3: Portuguese bullfights, and was popularized in Spain but started in France.

665
00:29:54,280 --> 00:29:56,520
Speaker 3: The dance spread throughout Europe and became a ballroom dance

666
00:29:56,520 --> 00:29:59,000
Speaker 3: style in nineteen thirties, where is characterized by a man

667
00:29:59,040 --> 00:30:01,760
Speaker 3: portraying and mattado and a woman portraying the role of

668
00:30:01,800 --> 00:30:04,040
Speaker 3: his cape or a Spanish dancer.

669
00:30:04,680 --> 00:30:06,520
Speaker 2: We got to love the French.

670
00:30:06,760 --> 00:30:10,120
Speaker 3: You know, we are gonna make something spending.

671
00:30:13,320 --> 00:30:17,360
Speaker 2: That's it's so funny now for the records and bla

672
00:30:17,640 --> 00:30:19,120
Speaker 2: baguette and zis screwy?

673
00:30:25,960 --> 00:30:27,080
Speaker 1: Croissant? Wasn't French?

674
00:30:27,200 --> 00:30:27,360
Speaker 3: Was it?

675
00:30:27,400 --> 00:30:30,640
Speaker 2: I think croissantest, of course it is. Well, it's like

676
00:30:30,680 --> 00:30:35,959
Speaker 2: the National Quassas of France say it like that, just

677
00:30:35,960 --> 00:30:39,880
Speaker 2: a horrible person? Can I have a crescent blaze?

678
00:30:40,240 --> 00:30:42,640
Speaker 3: By the way, Sue and I Now if they the

679
00:30:42,680 --> 00:30:46,000
Speaker 3: second they say like and dancing the Argentine tango or

680
00:30:46,080 --> 00:30:47,760
Speaker 3: dancing the passa double, we will get it to go.

681
00:30:47,800 --> 00:30:50,040
Speaker 3: All right, Well, Riders is gonna love this one because

682
00:30:50,040 --> 00:30:51,800
Speaker 3: we just know these are your favorites now.

683
00:30:51,680 --> 00:30:53,640
Speaker 1: And look they save them for the end of the

684
00:30:53,640 --> 00:30:57,800
Speaker 1: season because everybody has their breakout moment with a pas

685
00:30:58,040 --> 00:31:01,480
Speaker 1: doble or an Argentinian tango. Oh sorry, you know, we

686
00:31:01,480 --> 00:31:03,320
Speaker 1: saw it tonight with Jordan coming out.

687
00:31:03,360 --> 00:31:06,120
Speaker 3: It's like the tango going at the top, but kind

688
00:31:06,120 --> 00:31:08,160
Speaker 3: of the jive legs sometimes at the bottom, so you

689
00:31:08,680 --> 00:31:09,360
Speaker 3: get the leg.

690
00:31:09,200 --> 00:31:12,000
Speaker 2: Movement, but it's still the statuesque. It's they're great, They're great,

691
00:31:12,000 --> 00:31:12,320
Speaker 2: all right.

692
00:31:12,480 --> 00:31:14,600
Speaker 1: So I thought this was Elaine's best dance of the

693
00:31:14,640 --> 00:31:16,440
Speaker 1: season her hands down.

694
00:31:16,520 --> 00:31:17,320
Speaker 2: She was great.

695
00:31:17,480 --> 00:31:21,720
Speaker 1: She was fantastic, she committed, her body was doing incredible things.

696
00:31:21,760 --> 00:31:25,400
Speaker 1: She had such perfect attitude. It's like, yes, yes, give

697
00:31:25,440 --> 00:31:28,760
Speaker 1: it to her tens across the board rightfully, so she

698
00:31:28,840 --> 00:31:31,960
Speaker 1: deserves reserved yes. And this is why I think she

699
00:31:32,240 --> 00:31:34,360
Speaker 1: just danced her way to the finale because this was

700
00:31:34,440 --> 00:31:37,320
Speaker 1: so damn good. Everybody was like, oh, and she timed

701
00:31:37,320 --> 00:31:40,000
Speaker 1: it perfectly. You know, you hold onto the show, you

702
00:31:40,120 --> 00:31:43,920
Speaker 1: stay in with your eight seven's, nines, and then you

703
00:31:43,920 --> 00:31:45,160
Speaker 1: you bust out your big ten.

704
00:31:45,080 --> 00:31:48,000
Speaker 3: Dances crush and she was great. Yeah, this was a

705
00:31:48,120 --> 00:31:49,360
Speaker 3: very very good dance.

706
00:31:50,040 --> 00:31:54,200
Speaker 1: And I wonder how much she also is getting a

707
00:31:54,520 --> 00:31:57,280
Speaker 1: bump from the Andy factor, you know what I mean,

708
00:31:57,440 --> 00:31:59,680
Speaker 1: I think that's possible. We're going to vote for an

709
00:31:59,760 --> 00:32:03,880
Speaker 1: act or somebody who's had a good journey. All those votes,

710
00:32:03,920 --> 00:32:07,960
Speaker 1: all those people are probably gonna right now be channeling

711
00:32:08,000 --> 00:32:10,320
Speaker 1: those votes to somewhere, right, Yeah.

712
00:32:10,160 --> 00:32:11,160
Speaker 2: I would agree.

713
00:32:11,440 --> 00:32:12,720
Speaker 3: I also think one of the things that you and

714
00:32:12,800 --> 00:32:15,480
Speaker 3: I have not talked about, and it seems to kind

715
00:32:15,480 --> 00:32:18,360
Speaker 3: of I think, probably be par for the course for

716
00:32:18,400 --> 00:32:20,840
Speaker 3: this guy a little bit, especially the season, is her partner, Alan,

717
00:32:21,560 --> 00:32:23,480
Speaker 3: who I don't think we've ever really talked about Alan.

718
00:32:23,560 --> 00:32:27,680
Speaker 3: He's dealing with somebody who's slightly older and injured, and

719
00:32:27,800 --> 00:32:29,960
Speaker 3: to be able to go this far with her with

720
00:32:30,000 --> 00:32:32,480
Speaker 3: the court, I mean, again, if you're doing choreography and

721
00:32:32,520 --> 00:32:34,480
Speaker 3: it's like you've got a bad toe, you've got a

722
00:32:34,480 --> 00:32:36,720
Speaker 3: bad hip, you've got this, you've got a tailor what

723
00:32:36,720 --> 00:32:39,240
Speaker 3: you're doing to your partner, So to be able to

724
00:32:39,280 --> 00:32:41,120
Speaker 3: get out of her what he's been able to get

725
00:32:41,120 --> 00:32:43,520
Speaker 3: out of her, I don't think we've certainly not given

726
00:32:43,560 --> 00:32:46,080
Speaker 3: him enough credit throughout the season. That's a really good point,

727
00:32:46,160 --> 00:32:48,520
Speaker 3: and he's I think, been really killing it.

728
00:32:48,680 --> 00:32:50,480
Speaker 1: Frank, Yeah, Yeah, it's a good point.

729
00:32:51,520 --> 00:32:51,920
Speaker 2: All right.

730
00:32:52,360 --> 00:32:57,160
Speaker 1: Next up, Alex and val I thought this was pretty magical.

731
00:32:57,760 --> 00:32:58,880
Speaker 2: I agree with you.

732
00:32:59,400 --> 00:33:01,680
Speaker 1: It was this, Yeah, I mean, for me, this was

733
00:33:01,720 --> 00:33:07,360
Speaker 1: when like Alex really because you know, Bruno had this

734
00:33:07,440 --> 00:33:12,160
Speaker 1: note about her connection with with Val and it was

735
00:33:12,240 --> 00:33:16,480
Speaker 1: so true when I think about her first dance, remember

736
00:33:16,520 --> 00:33:19,600
Speaker 1: the circus dance when we were there, Oh yes, right

737
00:33:19,680 --> 00:33:22,240
Speaker 1: and whip yeah, And I feel like the first couple

738
00:33:22,240 --> 00:33:24,440
Speaker 1: of weeks, she was always a good dancer, like her

739
00:33:24,440 --> 00:33:26,640
Speaker 1: body was always doing the right things, but it just

740
00:33:26,640 --> 00:33:28,719
Speaker 1: never felt it was kind of like an AI dancer

741
00:33:28,800 --> 00:33:31,200
Speaker 1: or something like, Yeah, there was something a little like

742
00:33:31,680 --> 00:33:34,840
Speaker 1: not connected in her eyes, a little bit soulless. Right,

743
00:33:35,080 --> 00:33:37,880
Speaker 1: that is not the case anymore. Like there like she

744
00:33:38,040 --> 00:33:41,240
Speaker 1: is in it body, heart, soul, like you're just with her.

745
00:33:41,520 --> 00:33:44,120
Speaker 1: And so she's become one of my favorites, like take

746
00:33:44,200 --> 00:33:46,880
Speaker 1: a lot of journey because I from the first episode,

747
00:33:46,880 --> 00:33:49,440
Speaker 1: I was like, Eh, she's good, but it's not gonna

748
00:33:49,440 --> 00:33:51,560
Speaker 1: speak to me. But this like spoke to me. It

749
00:33:51,600 --> 00:33:52,440
Speaker 1: was just beautiful.

750
00:33:52,520 --> 00:33:53,000
Speaker 2: I agree.

751
00:33:53,040 --> 00:33:56,200
Speaker 3: I think I think Dylan kind of said it best

752
00:33:56,240 --> 00:33:58,120
Speaker 3: in one of his pre show packages where he was like,

753
00:33:58,640 --> 00:34:01,280
Speaker 3: only part of this show is about dancing. The other

754
00:34:01,320 --> 00:34:04,200
Speaker 3: part of the show is about believing in what you're doing.

755
00:34:04,240 --> 00:34:06,160
Speaker 3: When it's like believing in yourself and what you're doing

756
00:34:06,160 --> 00:34:08,640
Speaker 3: when you're out there because that's you and I've talked

757
00:34:08,640 --> 00:34:10,239
Speaker 3: about that. The hardest part we would have is be

758
00:34:10,320 --> 00:34:14,560
Speaker 3: like the comedy version would be saying committing to the bit,

759
00:34:14,640 --> 00:34:16,400
Speaker 3: which is obviously this is not a bit, but this

760
00:34:16,520 --> 00:34:19,080
Speaker 3: is commit going out there and giving one hundred percent

761
00:34:19,120 --> 00:34:20,680
Speaker 3: and believing in what you're doing. That would be a

762
00:34:20,719 --> 00:34:25,160
Speaker 3: difficult barrier for you and I to break through. Where dance, Yeah,

763
00:34:25,480 --> 00:34:27,759
Speaker 3: with dance where I agree with you. She got out

764
00:34:27,760 --> 00:34:29,760
Speaker 3: there and she could definitely do the steps, but she's

765
00:34:29,840 --> 00:34:32,879
Speaker 3: now to the point there's like Dylan last week where

766
00:34:32,880 --> 00:34:35,799
Speaker 3: it's like, oh you you believe you're a dancer now?

767
00:34:36,280 --> 00:34:39,680
Speaker 3: And I can see yeah, So it does. It makes

768
00:34:39,760 --> 00:34:42,000
Speaker 3: It makes a very big difference watching them, And the

769
00:34:42,040 --> 00:34:43,480
Speaker 3: only thing I was thinking the whole time, and I

770
00:34:43,520 --> 00:34:46,000
Speaker 3: know she's married to Pasha and they have a little

771
00:34:46,080 --> 00:34:47,319
Speaker 3: kid and they're happy as hell.

772
00:34:47,400 --> 00:34:51,280
Speaker 2: But I want to see Daniella and Val dance together.

773
00:34:51,560 --> 00:34:56,160
Speaker 3: Oh yeah, that to me would be something pretty remarkable. Yeah.

774
00:34:56,400 --> 00:35:00,279
Speaker 1: Yeah, Dylan and Daniella up neck. Oh well, they got

775
00:35:00,280 --> 00:35:05,600
Speaker 1: tens across the board, no surprise, right, Uh, Dylan and

776
00:35:05,680 --> 00:35:11,080
Speaker 1: Daniella doing the chat cha if I'm remembering correctly, Yes,

777
00:35:12,600 --> 00:35:15,440
Speaker 1: and right at the beginning with the way he started

778
00:35:15,480 --> 00:35:17,880
Speaker 1: reminding me of his first dance too. Everyone he started

779
00:35:17,880 --> 00:35:22,479
Speaker 1: on the judging table and doing his little I don't

780
00:35:22,480 --> 00:35:24,760
Speaker 1: know if this was the right choice at this time,

781
00:35:25,680 --> 00:35:31,120
Speaker 1: Like this is precisely his weakness, right, Latin dancing hips. Uh,

782
00:35:31,160 --> 00:35:37,880
Speaker 1: he's better in the more like you know, partnered tango

783
00:35:37,880 --> 00:35:40,520
Speaker 1: where anything where he can be the sort of leading

784
00:35:40,560 --> 00:35:44,120
Speaker 1: man without having to dance on his own. That said,

785
00:35:44,400 --> 00:35:45,439
Speaker 1: I still thought it was great.

786
00:35:45,840 --> 00:35:48,200
Speaker 2: Yeah, it was good. The cha cha is also not

787
00:35:48,200 --> 00:35:49,280
Speaker 2: one of my favorite dances.

788
00:35:49,400 --> 00:35:52,880
Speaker 3: Nope, I do prefer the tangoe stand up kind of

789
00:35:53,080 --> 00:35:54,400
Speaker 3: sexy kind of dances.

790
00:35:55,320 --> 00:35:57,600
Speaker 2: But yeah, he wasn't It wasn't bad. It certainly wasn't bad.

791
00:35:57,640 --> 00:36:00,880
Speaker 2: This was not his best night overall. No, but he

792
00:36:01,120 --> 00:36:03,000
Speaker 2: was not. It wasn't like, oh my god, that was

793
00:36:03,000 --> 00:36:03,719
Speaker 2: a terrible dance.

794
00:36:03,760 --> 00:36:05,600
Speaker 1: By his brother being in the audience throw him off

795
00:36:05,640 --> 00:36:06,000
Speaker 1: his game.

796
00:36:06,400 --> 00:36:06,799
Speaker 2: I don't know.

797
00:36:06,880 --> 00:36:09,480
Speaker 3: I can tell you that if the drinking game was

798
00:36:09,520 --> 00:36:11,480
Speaker 3: take a shot. Every time they cut to Zach Effron

799
00:36:11,600 --> 00:36:15,200
Speaker 3: when they were dead by the commercial, I just I

800
00:36:15,239 --> 00:36:17,920
Speaker 3: felt bad because it's like, that's why the guy doesn't

801
00:36:17,920 --> 00:36:18,480
Speaker 3: go anywhere.

802
00:36:18,520 --> 00:36:20,920
Speaker 2: He's like, this is this is about my brother. Stop cutting.

803
00:36:20,960 --> 00:36:23,239
Speaker 3: At one point it was like they literally were like

804
00:36:23,600 --> 00:36:26,480
Speaker 3: and Jordan Childs gets ten ten ten, and they cut

805
00:36:26,520 --> 00:36:27,280
Speaker 3: to zac Effron.

806
00:36:27,480 --> 00:36:30,200
Speaker 2: I know, like, oh wait, he's not part of her family.

807
00:36:30,239 --> 00:36:31,680
Speaker 2: Why you keep cutting to zac Efron?

808
00:36:32,120 --> 00:36:35,000
Speaker 3: So I just felt bad that they kept cutting to

809
00:36:35,080 --> 00:36:37,799
Speaker 3: the dude when it was it's supposed to be about

810
00:36:37,880 --> 00:36:39,640
Speaker 3: Dylan and you know that's why he doesn't go places

811
00:36:39,680 --> 00:36:40,280
Speaker 3: with his brothers.

812
00:36:40,280 --> 00:36:42,600
Speaker 1: It's like, I wonder what the conversation was, Like, Zach

813
00:36:42,719 --> 00:36:43,879
Speaker 1: was like, wait, when do you want me to come

814
00:36:43,920 --> 00:36:44,279
Speaker 1: to the show.

815
00:36:44,440 --> 00:36:47,960
Speaker 3: Dylan's like never, never, or Zach was like you know

816
00:36:48,000 --> 00:36:52,319
Speaker 3: what again, bro, Yeah, here's what we'll do, little brother.

817
00:36:52,719 --> 00:36:54,919
Speaker 3: Make it to the semifinals and I'll come walking away

818
00:36:54,960 --> 00:36:56,560
Speaker 3: going like he's not getting it.

819
00:36:57,480 --> 00:36:58,480
Speaker 2: That's never gonna happen.

820
00:36:59,000 --> 00:37:02,840
Speaker 3: But no, it was again not his best night. I

821
00:37:02,880 --> 00:37:04,759
Speaker 3: think he has more in him. We've seen more in him.

822
00:37:04,920 --> 00:37:08,200
Speaker 3: He's so likable. She's amazing, Still totally rooting for them,

823
00:37:08,600 --> 00:37:10,839
Speaker 3: excited to see what next week, totally should be through

824
00:37:10,840 --> 00:37:13,359
Speaker 3: to the finals, excited to see what next week has

825
00:37:13,400 --> 00:37:13,759
Speaker 3: in store.

826
00:37:14,040 --> 00:37:17,520
Speaker 1: All right, nine, nine, and ten from the judges, and

827
00:37:17,560 --> 00:37:19,320
Speaker 1: then Whitney and Mark.

828
00:37:21,480 --> 00:37:22,120
Speaker 2: Yeah.

829
00:37:23,000 --> 00:37:28,040
Speaker 1: I thought this was a little tame but good but good. Yeah.

830
00:37:28,080 --> 00:37:29,600
Speaker 1: And this was the one where Carrie and said this

831
00:37:29,640 --> 00:37:31,080
Speaker 1: is the best dance you've ever done.

832
00:37:31,520 --> 00:37:35,279
Speaker 2: Seven Yeah, but I was.

833
00:37:35,360 --> 00:37:37,200
Speaker 1: I was surprised she said that to begin with, because

834
00:37:37,200 --> 00:37:41,120
Speaker 1: he really I think Whitney's does a lot of great work.

835
00:37:42,000 --> 00:37:44,239
Speaker 1: But then I remember that actually the ones that I

836
00:37:44,360 --> 00:37:46,680
Speaker 1: liked the most, the two dances I like the most

837
00:37:46,680 --> 00:37:50,120
Speaker 1: were her dedication and then the night like the next week,

838
00:37:50,160 --> 00:37:52,560
Speaker 1: and I think in all cases yeah Halloween. Yeah, And

839
00:37:52,600 --> 00:37:54,440
Speaker 1: in both cases you pointed out that she was out

840
00:37:54,480 --> 00:37:59,080
Speaker 1: of sync, remember, and so I think that's why those

841
00:37:59,160 --> 00:38:01,839
Speaker 1: weren't her best dances. But as far as like expressive

842
00:38:01,960 --> 00:38:05,920
Speaker 1: capacity and like emotional connection, I thought she's done better.

843
00:38:06,719 --> 00:38:07,759
Speaker 1: But I thought she was good.

844
00:38:07,800 --> 00:38:09,600
Speaker 2: But I did not say this was the best dance

845
00:38:09,640 --> 00:38:10,759
Speaker 2: she's ever done. But again it was.

846
00:38:11,560 --> 00:38:14,400
Speaker 3: And now I feel a bit like I'm I'm bashing

847
00:38:14,400 --> 00:38:16,359
Speaker 3: the person who was just kicked off or you know,

848
00:38:16,760 --> 00:38:21,600
Speaker 3: but you know, professional dancer dance as well film at eleven.

849
00:38:21,719 --> 00:38:24,680
Speaker 3: That's I mean, that's what you know. That's kind of

850
00:38:24,680 --> 00:38:26,839
Speaker 3: what it was with me with her journey this year.

851
00:38:26,880 --> 00:38:29,760
Speaker 3: She started as a really good dancer and she ended

852
00:38:30,000 --> 00:38:33,120
Speaker 3: as a really good dancer. That's that's great, and and

853
00:38:33,560 --> 00:38:35,000
Speaker 3: I love the fact that this was one of her

854
00:38:35,080 --> 00:38:36,440
Speaker 3: dreams and she wanted to be on the show and

855
00:38:36,760 --> 00:38:37,560
Speaker 3: all that journey.

856
00:38:37,640 --> 00:38:38,359
Speaker 2: All that is great.

857
00:38:38,400 --> 00:38:40,759
Speaker 3: But if I'm watching somebody learn how to dance, then

858
00:38:40,800 --> 00:38:42,440
Speaker 3: I didn't watch a whole lot of her.

859
00:38:43,120 --> 00:38:45,320
Speaker 1: Is she going back on Mormon Wives?

860
00:38:45,360 --> 00:38:45,560
Speaker 3: Now?

861
00:38:46,200 --> 00:38:46,920
Speaker 1: I don't know how that.

862
00:38:46,880 --> 00:38:47,320
Speaker 2: Were I think it.

863
00:38:47,560 --> 00:38:49,520
Speaker 3: I think the third season just dropped, so I guess

864
00:38:49,640 --> 00:38:51,879
Speaker 3: that's they've already shot it and she's not in it.

865
00:38:52,280 --> 00:38:53,759
Speaker 2: No, she is. She was in the third season.

866
00:38:53,800 --> 00:38:56,280
Speaker 3: She had to do that third season to do Dancing

867
00:38:56,280 --> 00:38:58,399
Speaker 3: with the Stars because she didn't want to go back

868
00:38:58,400 --> 00:39:01,120
Speaker 3: to the show, apparently, and then said, well, if you

869
00:39:01,160 --> 00:39:02,640
Speaker 3: go back to the show, you can be on Dancing

870
00:39:02,640 --> 00:39:03,160
Speaker 3: with the Stars.

871
00:39:03,320 --> 00:39:05,680
Speaker 1: And her admitting that pissed people off.

872
00:39:05,840 --> 00:39:07,160
Speaker 2: I know it was that's all.

873
00:39:07,280 --> 00:39:09,800
Speaker 3: Somebody said that she was like raked over the coles

874
00:39:09,800 --> 00:39:12,440
Speaker 3: this week for I don't know if she's the villain.

875
00:39:12,480 --> 00:39:13,839
Speaker 2: Don't they have like a villain on.

876
00:39:14,800 --> 00:39:18,439
Speaker 1: The villain on Mormon Wives is Satan. That's it. There's

877
00:39:18,480 --> 00:39:20,840
Speaker 1: only one villain and alcohol.

878
00:39:22,480 --> 00:39:25,760
Speaker 2: Take another sip of burbotan Satan and caffeine.

879
00:39:25,880 --> 00:39:27,160
Speaker 1: Satan and Kaffy.

880
00:39:27,480 --> 00:39:27,560
Speaker 3: No.

881
00:39:27,640 --> 00:39:29,080
Speaker 1: I think SODA's okay, now.

882
00:39:29,320 --> 00:39:31,520
Speaker 2: Is it okay? Tar is not on unfortunately, but because

883
00:39:31,520 --> 00:39:32,600
Speaker 2: she would know all this stuff.

884
00:39:32,760 --> 00:39:36,239
Speaker 1: I this was the third person to cry in their

885
00:39:36,280 --> 00:39:39,520
Speaker 1: pre dance back yet it's a lot of tears, a

886
00:39:39,520 --> 00:39:43,320
Speaker 1: lot of emotion, which was like, okay, we're just getting

887
00:39:43,360 --> 00:39:46,479
Speaker 1: to the finale, I guess. But it also it did

888
00:39:46,680 --> 00:39:51,160
Speaker 1: lend a little bit of like attention to especially with

889
00:39:51,200 --> 00:39:53,840
Speaker 1: Alex and Whitney. It made them a little more human

890
00:39:54,080 --> 00:39:56,560
Speaker 1: for me. I agree, I've taken them for granted. I

891
00:39:56,600 --> 00:39:58,879
Speaker 1: think you know that that they're because that they're both

892
00:39:58,880 --> 00:40:01,200
Speaker 1: good dancers and they and so to see them both

893
00:40:01,239 --> 00:40:03,719
Speaker 1: break down on their pre dance package, I was like,

894
00:40:03,760 --> 00:40:07,200
Speaker 1: oh oh wow, yeah, yeah, there's artwork really hard.

895
00:40:07,560 --> 00:40:12,799
Speaker 3: I have to imagine that distress is cumulative, so by

896
00:40:12,880 --> 00:40:17,280
Speaker 3: week ten you're a frazzle mess of a raw nerve.

897
00:40:17,880 --> 00:40:20,279
Speaker 3: You also forget by looking at them that I think,

898
00:40:20,400 --> 00:40:22,120
Speaker 3: I mean, we googled it, Sue and I googled it.

899
00:40:23,480 --> 00:40:27,120
Speaker 2: Alex is twenty four. She's a kid. I mean she's

900
00:40:27,160 --> 00:40:27,800
Speaker 2: a kid.

901
00:40:28,239 --> 00:40:30,319
Speaker 3: So that compared I think Whitney's like thirty two or

902
00:40:30,360 --> 00:40:32,080
Speaker 3: something like that. And the difference between thirty two and

903
00:40:32,160 --> 00:40:33,960
Speaker 3: twenty four is very big.

904
00:40:34,200 --> 00:40:34,480
Speaker 2: Yeah.

905
00:40:34,480 --> 00:40:36,680
Speaker 3: So, I mean you've got somebody like Robert who's twenty two,

906
00:40:36,760 --> 00:40:39,480
Speaker 3: You've got somebody like Whitney who's twenty four. These are children,

907
00:40:40,120 --> 00:40:42,959
Speaker 3: So it's you know, I think by this point, you're

908
00:40:43,560 --> 00:40:46,040
Speaker 3: in the press for everything you do for weeks at

909
00:40:46,040 --> 00:40:49,560
Speaker 3: a time, You're dancing for hours every single day.

910
00:40:49,760 --> 00:40:53,080
Speaker 2: You've got to just be a raw nerve at this point.

911
00:40:53,440 --> 00:40:53,640
Speaker 3: Hmm.

912
00:40:54,160 --> 00:40:54,359
Speaker 2: Yeah.

913
00:40:54,400 --> 00:40:56,399
Speaker 1: I mean I also imagine that there's this weird thing

914
00:40:56,440 --> 00:41:00,560
Speaker 1: that must happen where you get on Dancing the Stars

915
00:41:01,120 --> 00:41:04,719
Speaker 1: and it has to feel somewhat like a lark, you know, like,

916
00:41:04,800 --> 00:41:07,000
Speaker 1: oh my god, I'm I'm going to do this thing

917
00:41:07,080 --> 00:41:11,040
Speaker 1: and I'm gonna and then somewhere in there you really

918
00:41:11,080 --> 00:41:13,480
Speaker 1: start to care about winning, Yeah, you know, in a

919
00:41:13,520 --> 00:41:16,480
Speaker 1: new way, like because it becomes more and more possible,

920
00:41:16,520 --> 00:41:19,040
Speaker 1: and it becomes less and less like it's an honor

921
00:41:19,080 --> 00:41:22,920
Speaker 1: to be nominated more like wit freaking thing.

922
00:41:23,239 --> 00:41:23,479
Speaker 2: Yeah.

923
00:41:23,560 --> 00:41:26,160
Speaker 3: Yeah, I also think it's It's one of those things

924
00:41:26,160 --> 00:41:28,719
Speaker 3: too where my guess is, like, like a lot of

925
00:41:28,719 --> 00:41:31,520
Speaker 3: things in life, but especially things like this, you have

926
00:41:32,040 --> 00:41:35,200
Speaker 3: no idea what you're getting into when it comes to

927
00:41:35,239 --> 00:41:37,319
Speaker 3: the press, when it comes to the dancing, when it

928
00:41:37,320 --> 00:41:39,080
Speaker 3: comes to the physicality, when it comes to the live

929
00:41:39,120 --> 00:41:41,600
Speaker 3: show nights, when it comes to your entire life being

930
00:41:41,680 --> 00:41:44,000
Speaker 3: these eleven or twelve weeks. My guess is, until you

931
00:41:44,040 --> 00:41:46,040
Speaker 3: do it, you have no idea what it's like, no clue.

932
00:41:46,280 --> 00:41:46,880
Speaker 2: Yeah, do you.

933
00:41:46,840 --> 00:41:50,800
Speaker 1: Think she regrets dropping the F bomb afterwards or whatever?

934
00:41:50,840 --> 00:41:51,239
Speaker 1: She said?

935
00:41:51,480 --> 00:41:53,799
Speaker 3: I don't know why she cited it, I asked, Yeah,

936
00:41:53,840 --> 00:41:56,120
Speaker 3: they definitely, they bleeped it. But you know, you're on

937
00:41:56,160 --> 00:41:58,480
Speaker 3: live TV in your alarment and you're throwing out the

938
00:41:58,560 --> 00:42:00,400
Speaker 3: F bomb. That's that's a big one. But no, I

939
00:42:00,400 --> 00:42:02,359
Speaker 3: think she'd already been kicked off. I think we were right.

940
00:42:02,400 --> 00:42:06,759
Speaker 3: I think apparently she just had a rough week. But

941
00:42:06,800 --> 00:42:08,879
Speaker 3: it's again it shows that it's not about the best

942
00:42:08,920 --> 00:42:10,919
Speaker 3: dancers making it to the finals, because whether she would

943
00:42:10,920 --> 00:42:12,520
Speaker 3: win or not. Again, I don't think anyone's going to

944
00:42:12,600 --> 00:42:15,080
Speaker 3: beat Robert. But if it's just about the dancing, she

945
00:42:15,200 --> 00:42:16,720
Speaker 3: deserved to be in the finals.

946
00:42:29,440 --> 00:42:29,799
Speaker 2: All right.

947
00:42:30,200 --> 00:42:35,920
Speaker 1: Then came Jordan and Ezra with the Argentine dango once again,

948
00:42:36,360 --> 00:42:37,520
Speaker 1: breakthrough moment.

949
00:42:38,120 --> 00:42:42,720
Speaker 3: She just walks in with her upside down like in

950
00:42:42,400 --> 00:42:43,440
Speaker 3: that position.

951
00:42:43,600 --> 00:42:47,319
Speaker 1: Crazy just perfect. Just this dance just brings out the

952
00:42:47,360 --> 00:42:48,680
Speaker 1: best in everybody and.

953
00:42:48,680 --> 00:42:49,399
Speaker 2: Again of it.

954
00:42:49,600 --> 00:42:53,120
Speaker 1: Just like Danielle Vischel her legs. She's a very small

955
00:42:53,200 --> 00:42:56,840
Speaker 1: person and yet manages with this dance to seem like

956
00:42:57,080 --> 00:43:00,799
Speaker 1: long legged and all the things that it's just so

957
00:43:01,040 --> 00:43:06,319
Speaker 1: fun God and man technically just challenging as hell. This

958
00:43:06,400 --> 00:43:08,480
Speaker 1: might have been one of the most the way that

959
00:43:08,600 --> 00:43:11,480
Speaker 1: they were kicking their legs around each other, which is

960
00:43:11,520 --> 00:43:15,040
Speaker 1: always complicated in the Argentinian tango. This time I was like,

961
00:43:15,080 --> 00:43:16,680
Speaker 1: this is even more. They were doing it on like

962
00:43:16,719 --> 00:43:17,480
Speaker 1: another level.

963
00:43:17,760 --> 00:43:18,560
Speaker 2: Can I ask you a question?

964
00:43:18,600 --> 00:43:20,000
Speaker 3: And it might have just been my feed or I

965
00:43:20,080 --> 00:43:22,080
Speaker 3: might have been wrong, But did it seem like their

966
00:43:22,200 --> 00:43:25,360
Speaker 3: kicks and the stuff they were doing were a bit slower.

967
00:43:24,880 --> 00:43:26,600
Speaker 1: Than everybody else's.

968
00:43:26,360 --> 00:43:27,640
Speaker 2: No, Okay, then I'm wrong.

969
00:43:27,680 --> 00:43:30,440
Speaker 3: Then again, my feed could have been glitching, because it

970
00:43:30,480 --> 00:43:32,360
Speaker 3: seemed like there were times that that it was like

971
00:43:33,239 --> 00:43:35,319
Speaker 3: kind of a slower version than some of the other

972
00:43:35,360 --> 00:43:36,080
Speaker 3: ones we've seen.

973
00:43:36,280 --> 00:43:38,480
Speaker 1: Oh maybe that's true, you know, But I just know

974
00:43:38,520 --> 00:43:41,239
Speaker 1: that I was watching it going they're doing because like

975
00:43:41,400 --> 00:43:44,400
Speaker 1: there will always be moments where you know, one partner's

976
00:43:44,440 --> 00:43:46,399
Speaker 1: kicking in between the legs, right and then there would

977
00:43:46,400 --> 00:43:48,319
Speaker 1: be like one moment where they're both kind of doing it.

978
00:43:48,440 --> 00:43:51,279
Speaker 1: They had like multiple moments where they were I was like, Oh,

979
00:43:51,320 --> 00:43:56,120
Speaker 1: they're gonna trip each other. Oh, somebody are gonna mess up. Yeah,

980
00:43:56,160 --> 00:43:59,800
Speaker 1: this is the case, and it's a takedown she's gotten.

981
00:44:00,840 --> 00:44:02,759
Speaker 3: So I have to ask you a question. I'm gonna

982
00:44:02,760 --> 00:44:05,760
Speaker 3: throw a real Sophie's choice at you. Hear something, Yeah,

983
00:44:06,000 --> 00:44:08,160
Speaker 3: you've got one dance to save your life.

984
00:44:08,640 --> 00:44:10,680
Speaker 2: Are you picking the passive dobla? Are you picking the

985
00:44:10,760 --> 00:44:11,520
Speaker 2: Argentine tango?

986
00:44:11,840 --> 00:44:13,560
Speaker 1: I could do that. I could. I could do the

987
00:44:15,280 --> 00:44:17,480
Speaker 1: more attitude. Oh I could. I could stand in front

988
00:44:17,480 --> 00:44:20,600
Speaker 1: of the bull. I could fling that woman around as

989
00:44:20,640 --> 00:44:22,400
Speaker 1: my cape.

990
00:44:23,080 --> 00:44:23,560
Speaker 3: I like it.

991
00:44:27,200 --> 00:44:30,760
Speaker 1: Yeah, yeah, yeah, as much as I like the Argentinian tango.

992
00:44:31,000 --> 00:44:33,160
Speaker 1: That seems harder. I think I could come in with

993
00:44:33,200 --> 00:44:35,440
Speaker 1: some attitude and command the station.

994
00:44:36,280 --> 00:44:38,800
Speaker 2: Oh yeah, happy trail blow.

995
00:44:42,560 --> 00:44:45,399
Speaker 1: All right, Robert and Whitney bringing it out? Oh wait,

996
00:44:45,440 --> 00:44:46,320
Speaker 1: what did.

997
00:44:45,960 --> 00:44:46,440
Speaker 2: What did they get?

998
00:44:46,440 --> 00:44:48,799
Speaker 1: What did the last ten's across the board? Jordan's first

999
00:44:48,800 --> 00:44:51,560
Speaker 1: ten ten ten, which apparently she's never gotten a perfect

1000
00:44:51,560 --> 00:44:53,720
Speaker 1: score in gymnastics either, which seems crazy.

1001
00:44:54,160 --> 00:44:57,560
Speaker 3: It does, but I think it's way harder harder perfect

1002
00:44:57,560 --> 00:44:59,640
Speaker 3: scores and gymnastics at the Olympics than it is to

1003
00:44:59,640 --> 00:45:00,000
Speaker 3: get down.

1004
00:45:00,000 --> 00:45:01,560
Speaker 2: He's a death to get the star again.

1005
00:45:01,680 --> 00:45:03,400
Speaker 3: I haven't done either one, but I'm gonna throw that

1006
00:45:03,440 --> 00:45:06,680
Speaker 3: out there that it's probably more difficult. Both are important

1007
00:45:07,080 --> 00:45:09,640
Speaker 3: and important in her life, but I'm guessing tens across

1008
00:45:09,680 --> 00:45:12,400
Speaker 3: the board at the Olympic Games more difficult than tens

1009
00:45:12,400 --> 00:45:13,640
Speaker 3: from carry Ann Derek.

1010
00:45:13,760 --> 00:45:17,000
Speaker 2: I He's like, come on, oh yeah, all right.

1011
00:45:17,120 --> 00:45:21,920
Speaker 1: Robert and Whitney came out. I thought, did a phenomenal dance. Yeah,

1012
00:45:22,000 --> 00:45:22,960
Speaker 1: another one once again.

1013
00:45:23,560 --> 00:45:27,560
Speaker 2: Yep, Derek gave a nine. Yeah. I didn't understand that either.

1014
00:45:28,360 --> 00:45:30,520
Speaker 1: Do you think he just felt a little like he

1015
00:45:30,600 --> 00:45:33,200
Speaker 1: was playing favorites too much with Robert and finally was like,

1016
00:45:33,520 --> 00:45:34,399
Speaker 1: I'll just give him a nine.

1017
00:45:34,520 --> 00:45:36,480
Speaker 2: Yeah, he's gonna be safe. I'm just gonna I'm just

1018
00:45:36,520 --> 00:45:38,360
Speaker 2: gonna get Maybe. I don't know it.

1019
00:45:39,120 --> 00:45:41,080
Speaker 3: I didn't see why there was a nine thrown in there,

1020
00:45:41,080 --> 00:45:44,120
Speaker 3: it seemed, but it did. This was this kind of

1021
00:45:44,120 --> 00:45:46,919
Speaker 3: cemented it for me with Robert. He's just no one's

1022
00:45:46,920 --> 00:45:47,520
Speaker 3: gonna beat him.

1023
00:45:47,640 --> 00:45:52,239
Speaker 1: I went to a baby shower this weekend and met

1024
00:45:52,280 --> 00:45:56,040
Speaker 1: a woman who is a dancer with the Stars fan

1025
00:45:56,440 --> 00:45:59,000
Speaker 1: and we got into it, of course, as you do

1026
00:45:59,239 --> 00:46:02,319
Speaker 1: when you're a professional podcast host of Dancing with the

1027
00:46:02,320 --> 00:46:03,920
Speaker 1: Stars and you have to explain that to everything.

1028
00:46:03,960 --> 00:46:05,520
Speaker 2: But she did she know that you were doing that.

1029
00:46:05,719 --> 00:46:07,880
Speaker 1: No, she knew. She was a Boy Meets World fan too,

1030
00:46:07,920 --> 00:46:11,000
Speaker 1: and you know she's great, but but she you know,

1031
00:46:11,200 --> 00:46:15,000
Speaker 1: it was interesting. She just loves Robert I sort of.

1032
00:46:15,080 --> 00:46:17,359
Speaker 1: I know. I mean I knew, but I was, you know,

1033
00:46:17,480 --> 00:46:19,440
Speaker 1: trying to like feel her out, like, but don't you

1034
00:46:19,480 --> 00:46:22,239
Speaker 1: feel like he's kind of destined to win and and

1035
00:46:22,280 --> 00:46:24,319
Speaker 1: he doesn't need your support? She was like, no, I

1036
00:46:24,360 --> 00:46:27,680
Speaker 1: love him so much. I'm like, yeah, okay, I guess

1037
00:46:27,680 --> 00:46:30,719
Speaker 1: he's just the one everybody's hearts for some reason. I'm

1038
00:46:30,719 --> 00:46:33,400
Speaker 1: taking him for granted, or I'm just I'm a little less.

1039
00:46:33,880 --> 00:46:36,200
Speaker 3: My favorite, though, is so they put up our clip

1040
00:46:36,360 --> 00:46:38,279
Speaker 3: on the Instagram feed, and first of all, I will

1041
00:46:38,320 --> 00:46:39,880
Speaker 3: say to all of our fans out there who are

1042
00:46:39,880 --> 00:46:44,640
Speaker 3: who are following our Podmeatsworld, uh journey, love the passion.

1043
00:46:45,800 --> 00:46:48,560
Speaker 2: There's people that hated us, that loved us. They couldn't play.

1044
00:46:48,719 --> 00:46:51,680
Speaker 3: But to a person, because we criticized Robert, people were like,

1045
00:46:51,760 --> 00:46:55,719
Speaker 3: you don't know how difficult it is to work with animals.

1046
00:46:55,960 --> 00:46:58,560
Speaker 3: And I'm like, no, I I do believe it or not.

1047
00:46:58,719 --> 00:47:01,200
Speaker 2: I understand I thought you were Shape's father.

1048
00:47:01,400 --> 00:47:04,719
Speaker 3: No, no, no, They're like and I'm like, I know,

1049
00:47:04,880 --> 00:47:07,279
Speaker 3: I get that he's twenty two years old and in

1050
00:47:07,440 --> 00:47:11,040
Speaker 3: phenomenal shape. He kind of alluded tonight to the fact

1051
00:47:11,080 --> 00:47:12,920
Speaker 3: he's like, when I was eleven years old and watching

1052
00:47:12,960 --> 00:47:14,719
Speaker 3: my sister, if you told me, I would have been

1053
00:47:14,840 --> 00:47:16,759
Speaker 3: been here, like, he's wanted to do this forever. So

1054
00:47:16,800 --> 00:47:19,840
Speaker 3: the idea that he's never danced from that moment to

1055
00:47:19,920 --> 00:47:21,839
Speaker 3: now until he started dancing with the stars, I don't

1056
00:47:21,880 --> 00:47:23,839
Speaker 3: buy that. I'm not saying he went out there and

1057
00:47:23,880 --> 00:47:26,920
Speaker 3: had dance lessons left and right. But he's done some dancing,

1058
00:47:26,960 --> 00:47:30,479
Speaker 3: I will bet. Yes, not taking away from anything, and yes,

1059
00:47:30,520 --> 00:47:34,279
Speaker 3: I understand wrestling crocodiles is a very difficult and tough job.

1060
00:47:35,000 --> 00:47:37,440
Speaker 3: Not saying that at all. What I'm saying is it

1061
00:47:37,600 --> 00:47:40,480
Speaker 3: seems like everyone wants him to win. That's that's all

1062
00:47:40,520 --> 00:47:43,279
Speaker 3: I'm saying, and I don't disagree with that. I think

1063
00:47:43,320 --> 00:47:44,960
Speaker 3: he frankly deserves to at this point.

1064
00:47:45,040 --> 00:47:46,719
Speaker 1: Does he actually wrestle crocodiles?

1065
00:47:47,239 --> 00:47:49,759
Speaker 2: Does he think so don't you. Well, I think, you know,

1066
00:47:49,800 --> 00:47:51,280
Speaker 2: he does a thing where he's like, all right, Crocky,

1067
00:47:51,400 --> 00:47:53,280
Speaker 2: just everyone quiet, quiet.

1068
00:47:53,000 --> 00:47:54,400
Speaker 3: And then he jumps up behind him and puts his

1069
00:47:54,400 --> 00:47:55,920
Speaker 3: hands over their thing and like, no, I've got him.

1070
00:47:55,920 --> 00:47:57,760
Speaker 2: This is big Noigel like that kind of Yeah.

1071
00:47:57,600 --> 00:48:00,680
Speaker 3: I think I think he does that kind of So

1072
00:48:00,719 --> 00:48:02,239
Speaker 3: that's what his dad used to do, you know, So

1073
00:48:02,320 --> 00:48:04,040
Speaker 3: I think I think he does the same kind of stuff.

1074
00:48:04,080 --> 00:48:06,839
Speaker 3: And yes, I get that's very difficult. I wasn't saying

1075
00:48:06,880 --> 00:48:10,160
Speaker 3: he's in bad shape. I'm saying that I think he's

1076
00:48:10,280 --> 00:48:11,400
Speaker 3: probably been doing.

1077
00:48:12,800 --> 00:48:14,080
Speaker 2: Exactly exactly.

1078
00:48:14,280 --> 00:48:16,600
Speaker 3: So I was like, wait, what, Yes, so no, I get.

1079
00:48:17,200 --> 00:48:20,520
Speaker 3: I just think they they a lot of people want

1080
00:48:20,600 --> 00:48:20,960
Speaker 3: him to win.

1081
00:48:21,000 --> 00:48:23,840
Speaker 2: They love him. Everyone loves him and frankly rightfully, so.

1082
00:48:23,680 --> 00:48:25,280
Speaker 1: He's super dude.

1083
00:48:26,040 --> 00:48:26,799
Speaker 2: Yeah it.

1084
00:48:27,040 --> 00:48:32,680
Speaker 3: Now, here's my question, based just on journey from where

1085
00:48:32,719 --> 00:48:36,759
Speaker 3: they started to where they ended, who do you think

1086
00:48:36,880 --> 00:48:39,080
Speaker 3: improved the most as a dancer so far?

1087
00:48:42,280 --> 00:48:45,800
Speaker 1: It's really hard. I think I think it's between Jordan

1088
00:48:45,880 --> 00:48:52,080
Speaker 1: and Dylan for me, really, and I think Jordan obviously

1089
00:48:52,120 --> 00:48:54,919
Speaker 1: had the athleticism, so she had to learn the sort

1090
00:48:54,960 --> 00:48:57,880
Speaker 1: of emotionality, you know, she had to learn how the

1091
00:48:57,920 --> 00:49:03,520
Speaker 1: expressiveness and how to adapt to choreography, I think, and

1092
00:49:03,600 --> 00:49:05,960
Speaker 1: I love that journey for her, and I don't think

1093
00:49:05,960 --> 00:49:11,880
Speaker 1: it's really been appreciated enough. And Dylan, I guess, just

1094
00:49:11,920 --> 00:49:15,040
Speaker 1: strikes me as the everyman who made right. Do you

1095
00:49:15,040 --> 00:49:16,840
Speaker 1: know in a way that like what you're talking about, Robert,

1096
00:49:16,840 --> 00:49:18,799
Speaker 1: I don't feel. I don't feel like robertson every Man.

1097
00:49:18,880 --> 00:49:20,560
Speaker 1: I agree the same to the same degree that I

1098
00:49:20,560 --> 00:49:22,480
Speaker 1: do with Dylan. With Dylan, I feel like I'm watching

1099
00:49:22,480 --> 00:49:26,120
Speaker 1: somebody who's also very athletic, has but is not. You

1100
00:49:26,160 --> 00:49:28,560
Speaker 1: could tell when he started is just like not super

1101
00:49:28,640 --> 00:49:31,399
Speaker 1: comfortable with dancing as a as a form, Like it's

1102
00:49:31,440 --> 00:49:33,319
Speaker 1: not doesn't come naturally to him.

1103
00:49:33,440 --> 00:49:35,200
Speaker 3: When they showed that clip of his first dance and

1104
00:49:35,200 --> 00:49:37,319
Speaker 3: the one that we were we were at, it was like, oh,

1105
00:49:37,440 --> 00:49:39,360
Speaker 3: oh my god, that's right, that's where he started.

1106
00:49:39,480 --> 00:49:40,640
Speaker 1: So I at least star journeys.

1107
00:49:41,160 --> 00:49:43,560
Speaker 2: Who would you say, I would say Dylan and Alex.

1108
00:49:44,000 --> 00:49:46,560
Speaker 3: Yeah, I would say Dylan and Alex really had because

1109
00:49:46,600 --> 00:49:48,040
Speaker 3: I think you're right at the beginning with Alex, she

1110
00:49:48,120 --> 00:49:50,560
Speaker 3: had the steps but was kind of didn't buy it

1111
00:49:50,680 --> 00:49:52,279
Speaker 3: or was a little soulless when she was doing it,

1112
00:49:52,320 --> 00:49:54,040
Speaker 3: and then to throw in the fact that she's twenty

1113
00:49:54,040 --> 00:49:57,720
Speaker 3: four to just see like where she ended up tonight

1114
00:49:57,800 --> 00:50:00,479
Speaker 3: and last week with what she did, that's a that's

1115
00:50:00,480 --> 00:50:02,919
Speaker 3: a big step for me. Those so I think those

1116
00:50:02,960 --> 00:50:06,560
Speaker 3: two so far have had the big the biggest progress.

1117
00:50:06,640 --> 00:50:08,440
Speaker 1: But I think I think the finale is going to

1118
00:50:08,520 --> 00:50:14,520
Speaker 1: come down to Alex versus Robert. Yeah right, yeah, Alex

1119
00:50:14,560 --> 00:50:21,120
Speaker 1: for just pure dance ability are consistently insane numbers all

1120
00:50:21,160 --> 00:50:24,920
Speaker 1: over the map. Yeah, and then Robert is beloved. I

1121
00:50:24,960 --> 00:50:27,040
Speaker 1: think Robert's still gonna win, But I would I would

1122
00:50:27,080 --> 00:50:28,520
Speaker 1: love to give him or run for the money.

1123
00:50:28,640 --> 00:50:30,640
Speaker 2: I would love to be able to look at the

1124
00:50:30,680 --> 00:50:31,279
Speaker 2: scores from.

1125
00:50:31,200 --> 00:50:32,520
Speaker 3: The weeks, like, I mean, is it one of those

1126
00:50:32,520 --> 00:50:34,279
Speaker 3: things where it's like I'm making up a number. We

1127
00:50:34,360 --> 00:50:37,800
Speaker 3: got twenty five million votes, you know, twenty two million

1128
00:50:37,880 --> 00:50:41,279
Speaker 3: are for Robert and the other three are scattered out

1129
00:50:41,280 --> 00:50:42,000
Speaker 3: through the rest of the people.

1130
00:50:42,040 --> 00:50:44,080
Speaker 2: I mean, is it like, is it so close?

1131
00:50:44,120 --> 00:50:44,959
Speaker 1: It so far?

1132
00:50:45,320 --> 00:50:45,880
Speaker 2: Is it?

1133
00:50:45,920 --> 00:50:47,399
Speaker 3: Is it one of those things where there's three people

1134
00:50:47,400 --> 00:50:49,520
Speaker 3: in the world that already know, like he gets fifteen

1135
00:50:49,520 --> 00:50:51,520
Speaker 3: million of the seventeen million votes a week, we get

1136
00:50:51,680 --> 00:50:52,960
Speaker 3: like he's already one.

1137
00:50:53,040 --> 00:50:54,560
Speaker 2: Essentially, do you think there's one or two people that

1138
00:50:54,600 --> 00:50:55,239
Speaker 2: already know that.

1139
00:50:55,320 --> 00:50:57,719
Speaker 1: I don't know, probably man, yeah, I mean, I mean,

1140
00:50:58,080 --> 00:50:58,440
Speaker 1: who knows.

1141
00:50:58,480 --> 00:50:59,560
Speaker 2: You could be super close.

1142
00:50:59,680 --> 00:51:01,560
Speaker 1: I don't know. And what I want to know is

1143
00:51:01,600 --> 00:51:05,200
Speaker 1: do they share that information with the judges? They must,

1144
00:51:05,280 --> 00:51:07,319
Speaker 1: whether they have they we do or not. You know,

1145
00:51:07,360 --> 00:51:10,000
Speaker 1: they're just like Robert did really well last week.

1146
00:51:10,320 --> 00:51:11,400
Speaker 2: Maybe it's that, yeah, that.

1147
00:51:14,320 --> 00:51:17,919
Speaker 1: Surprisingly Andy's still holding his own. You know, there's back

1148
00:51:18,040 --> 00:51:22,480
Speaker 1: channel information right in little you know, conversations with the urinal.

1149
00:51:22,480 --> 00:51:26,560
Speaker 3: Exactly right, exactly what the water cooler conversation, Oh god,

1150
00:51:26,560 --> 00:51:28,719
Speaker 3: the Dancing with the Stars water cooler conversation.

1151
00:51:29,080 --> 00:51:30,719
Speaker 1: Oh that's a skit you want to write.

1152
00:51:30,680 --> 00:51:32,680
Speaker 2: Right, Oh my god, I'm already writing in my head

1153
00:51:32,760 --> 00:51:33,120
Speaker 2: right now.

1154
00:51:33,960 --> 00:51:34,800
Speaker 1: Argentinian tangles.

1155
00:51:36,200 --> 00:51:38,160
Speaker 3: The legs are flicking as they're trying to talk about

1156
00:51:38,200 --> 00:51:39,000
Speaker 3: what's going on where.

1157
00:51:38,880 --> 00:51:41,400
Speaker 1: They're speaking in code with the legs. It's like semaphore.

1158
00:51:41,440 --> 00:51:44,239
Speaker 1: They're like communicating with that. I'm not going to tell

1159
00:51:44,280 --> 00:51:46,080
Speaker 1: you who won, but.

1160
00:51:45,840 --> 00:51:47,400
Speaker 2: Yes, it's it's it is. It's like that.

1161
00:51:47,560 --> 00:51:49,560
Speaker 3: And then the one of them walks up to ask

1162
00:51:49,600 --> 00:51:50,680
Speaker 3: the other one out, and he's like, hey, can I

1163
00:51:50,719 --> 00:51:53,799
Speaker 3: get your numbers? She's like sure, seven like that kind so,

1164
00:51:53,960 --> 00:51:56,080
Speaker 3: oh my god, there's so many different jokes going through

1165
00:51:56,080 --> 00:52:01,839
Speaker 3: my head.

1166
00:52:00,520 --> 00:52:00,719
Speaker 2: There.

1167
00:52:00,719 --> 00:52:05,880
Speaker 1: We came to elimination, which seemed kind of predictable unto

1168
00:52:06,480 --> 00:52:08,439
Speaker 1: it wasn't there and I was waiting.

1169
00:52:08,440 --> 00:52:10,200
Speaker 2: I'm sorry, do we say what Robert got? Because I

1170
00:52:10,200 --> 00:52:10,799
Speaker 2: cut you off?

1171
00:52:11,200 --> 00:52:12,520
Speaker 1: Uh? He actually got one?

1172
00:52:12,680 --> 00:52:12,919
Speaker 3: Nine?

1173
00:52:13,000 --> 00:52:15,719
Speaker 2: Oh yeah we did because Derek came to nine. We did. Derek, Yeah,

1174
00:52:15,719 --> 00:52:17,719
Speaker 2: he's my callback. Sometimes they don't know work m hmm

1175
00:52:18,360 --> 00:52:19,280
Speaker 2: uh yeah.

1176
00:52:19,320 --> 00:52:23,879
Speaker 1: So, man, I was pretty convinced Jordan was going home

1177
00:52:24,160 --> 00:52:26,000
Speaker 1: when it got down to you thought, when it got

1178
00:52:26,000 --> 00:52:28,920
Speaker 1: down how about when they were all just standing there,

1179
00:52:28,960 --> 00:52:30,800
Speaker 1: they hadn't sent a single name yet, who did you

1180
00:52:30,840 --> 00:52:34,520
Speaker 1: think was going home by that point? Elene?

1181
00:52:35,480 --> 00:52:38,919
Speaker 2: Me too. I thought it was a layer Dylan. Frankly, Man,

1182
00:52:39,600 --> 00:52:40,959
Speaker 2: I thought Dylan had at this point.

1183
00:52:41,160 --> 00:52:43,759
Speaker 3: Yeah, but I thought Dylan had the weakest dancing night

1184
00:52:43,800 --> 00:52:44,160
Speaker 3: to right.

1185
00:52:44,480 --> 00:52:50,640
Speaker 1: But think about consistency, Like Elaine did have some sixes

1186
00:52:50,640 --> 00:52:52,959
Speaker 1: and seven throughout the season and that and didn't dance

1187
00:52:53,000 --> 00:52:56,800
Speaker 1: one week, And I feel like has Dylan, Like I

1188
00:52:56,880 --> 00:52:59,800
Speaker 1: guess he's had he had some early sevens and sixes,

1189
00:52:59,840 --> 00:53:03,480
Speaker 1: but like he's been like eight plus for weeks now.

1190
00:53:03,840 --> 00:53:06,040
Speaker 1: I just feel like everybody else was in a different category.

1191
00:53:06,080 --> 00:53:08,160
Speaker 1: And you know, Elene is there for the journey and

1192
00:53:08,400 --> 00:53:11,279
Speaker 1: her story, but I was pretty sure she was going

1193
00:53:11,320 --> 00:53:14,680
Speaker 1: home when she got through right off the bat. It

1194
00:53:14,719 --> 00:53:16,560
Speaker 1: was like, well okay, And you.

1195
00:53:16,640 --> 00:53:18,839
Speaker 2: Know they did that on intentionally.

1196
00:53:19,280 --> 00:53:22,120
Speaker 3: Know everybody like you and I were sitting there going well,

1197
00:53:22,200 --> 00:53:24,600
Speaker 3: they know they know no Elaine's going home.

1198
00:53:24,680 --> 00:53:26,239
Speaker 2: So we're the first one we're going to announce is

1199
00:53:26,239 --> 00:53:27,880
Speaker 2: that a Laine is safe, and it is.

1200
00:53:27,920 --> 00:53:30,000
Speaker 1: You know, it's interesting, Like I'm trying to think how

1201
00:53:30,840 --> 00:53:33,880
Speaker 1: I felt, because I've watched American Idol, Like that's the

1202
00:53:33,920 --> 00:53:36,399
Speaker 1: show I've watched we start to finish through seasons many

1203
00:53:36,440 --> 00:53:39,759
Speaker 1: times me too, and enjoyed a lot, and I'm I

1204
00:53:39,840 --> 00:53:42,600
Speaker 1: don't like Dancing with the Stars. I feel like I

1205
00:53:42,640 --> 00:53:45,080
Speaker 1: want to keep watching even if everybody I like gets

1206
00:53:45,160 --> 00:53:47,080
Speaker 1: voted off. I don't know if I'd say the same

1207
00:53:47,120 --> 00:53:50,680
Speaker 1: thing about American Idol in other words, interesting. I don't

1208
00:53:50,680 --> 00:53:53,200
Speaker 1: know why that is. Maybe I just still watch American

1209
00:53:53,239 --> 00:53:55,680
Speaker 1: Idol for the singing a little bit more, and so

1210
00:53:55,719 --> 00:53:57,640
Speaker 1: if like all my favorite singers get off of mine,

1211
00:53:57,680 --> 00:54:00,719
Speaker 1: I don't care anymore. Whereas with this, like I want

1212
00:54:00,719 --> 00:54:02,799
Speaker 1: to keep watching like I'm right. So I don't know

1213
00:54:02,800 --> 00:54:05,120
Speaker 1: what that speaks to you. I don't know, but.

1214
00:54:05,080 --> 00:54:07,279
Speaker 2: I watched old school Idol. I haven't watched in a while.

1215
00:54:07,320 --> 00:54:09,480
Speaker 3: But the one thing I did like about Idol that

1216
00:54:09,480 --> 00:54:12,319
Speaker 3: that throws me about Dance with the Star still is

1217
00:54:12,360 --> 00:54:15,680
Speaker 3: the judging. Meaning, like the judges on IDLE, they're gonna

1218
00:54:15,680 --> 00:54:17,319
Speaker 3: be harsh or they're going to not be harsher to take,

1219
00:54:17,400 --> 00:54:20,200
Speaker 3: but their feedback and their scores don't matter.

1220
00:54:20,480 --> 00:54:22,640
Speaker 1: Well, they don't actually have scores, that's what I mean.

1221
00:54:22,680 --> 00:54:23,279
Speaker 2: They don't matter.

1222
00:54:23,320 --> 00:54:25,840
Speaker 1: They're just these are opinions and coaching and feedback.

1223
00:54:25,920 --> 00:54:27,799
Speaker 3: Yeah, and maybe some people are going to agree with

1224
00:54:27,880 --> 00:54:29,799
Speaker 3: Simon and vote against somebody or something like that.

1225
00:54:29,840 --> 00:54:31,799
Speaker 2: But for the most part, they just know it's a.

1226
00:54:31,719 --> 00:54:33,719
Speaker 3: Popularity contest and they're going to vote somebody through it,

1227
00:54:34,200 --> 00:54:36,080
Speaker 3: and so they at least don't try to hide it

1228
00:54:36,239 --> 00:54:38,160
Speaker 3: under the fact that it's like and the judges scores

1229
00:54:38,160 --> 00:54:39,359
Speaker 3: get forty five point two percent.

1230
00:54:39,480 --> 00:54:42,480
Speaker 1: Actually, maybe that's why I like this more, is because

1231
00:54:42,520 --> 00:54:46,000
Speaker 1: I feel like I will learn something about dancing even

1232
00:54:46,000 --> 00:54:48,279
Speaker 1: if all of my favorite dancers get kicked off. So

1233
00:54:48,400 --> 00:54:50,000
Speaker 1: actually I think it might be it.

1234
00:54:50,280 --> 00:54:52,359
Speaker 3: You can learn something about this, a discipline that we

1235
00:54:52,400 --> 00:54:55,000
Speaker 3: know nothing about, whereas idole, you can't really learn anything

1236
00:54:55,000 --> 00:54:55,640
Speaker 3: about singing.

1237
00:54:55,800 --> 00:54:57,759
Speaker 1: That's what I'm saying. Yeah, Like, that's what I mean. Like,

1238
00:54:57,880 --> 00:55:00,399
Speaker 1: so I think if all my favorite singers get kicked

1239
00:55:00,400 --> 00:55:02,920
Speaker 1: off the IDOL, I don't keep watching because there's no

1240
00:55:03,000 --> 00:55:05,120
Speaker 1: reason too. I'm like, oh, the entertainment factor has gone

1241
00:55:05,120 --> 00:55:07,359
Speaker 1: for me and the education factor is not really there.

1242
00:55:07,520 --> 00:55:09,120
Speaker 2: How do you do that as a TV show?

1243
00:55:09,160 --> 00:55:11,400
Speaker 3: How do you shut off a show with like weeks

1244
00:55:11,480 --> 00:55:12,239
Speaker 3: left to find out?

1245
00:55:12,440 --> 00:55:13,680
Speaker 2: How do you not complete that?

1246
00:55:14,320 --> 00:55:15,760
Speaker 1: Yeah?

1247
00:55:15,840 --> 00:55:16,960
Speaker 2: That would kill me.

1248
00:55:17,800 --> 00:55:19,919
Speaker 1: I don't complete most TV shows.

1249
00:55:19,920 --> 00:55:22,160
Speaker 3: I say, oh, I have to complete everything. I mean

1250
00:55:22,600 --> 00:55:24,759
Speaker 3: a horrible book right now, and you have just I

1251
00:55:24,800 --> 00:55:25,000
Speaker 3: have to.

1252
00:55:25,120 --> 00:55:29,080
Speaker 1: I can't TV shows. I tap out pretty consistently. Episode

1253
00:55:29,120 --> 00:55:31,480
Speaker 1: three or four, I'm like, all right, I'll wait to

1254
00:55:31,480 --> 00:55:33,520
Speaker 1: see if anybody tells me this is worth it. Even

1255
00:55:33,560 --> 00:55:36,439
Speaker 1: if I love it the first second, I'll be like cool.

1256
00:55:36,600 --> 00:55:38,200
Speaker 1: By the third one, I'm like when they're well, now

1257
00:55:38,239 --> 00:55:40,320
Speaker 1: they're dragging this out. They couldn't wrap it up like

1258
00:55:40,360 --> 00:55:43,719
Speaker 1: a movie, so they're just gonna keep it going every week.

1259
00:55:43,760 --> 00:55:46,640
Speaker 1: It's like lost, Oh, you have polar Bears. We forgot

1260
00:55:46,680 --> 00:55:49,759
Speaker 1: about dude. Now it's a time travel thing and.

1261
00:55:49,760 --> 00:55:53,799
Speaker 3: Every season is just going what the is happening right now?

1262
00:55:53,840 --> 00:55:56,600
Speaker 3: Now there's a smoke monster? What that hell is going on?

1263
00:55:56,719 --> 00:55:57,200
Speaker 1: Tap out?

1264
00:55:57,480 --> 00:55:57,839
Speaker 3: All right?

1265
00:55:58,000 --> 00:56:00,560
Speaker 1: So came down to the bottom three which are not

1266
00:56:00,880 --> 00:56:04,000
Speaker 1: maybe technically the bottom three three three couples stand Which

1267
00:56:04,080 --> 00:56:06,680
Speaker 1: who were who wasn't? In this case, it was Jordan.

1268
00:56:06,480 --> 00:56:09,520
Speaker 2: It was It was Witty Whitney, Jordan and.

1269
00:56:10,320 --> 00:56:13,240
Speaker 1: Dylan, right, is that right? Yeah?

1270
00:56:13,239 --> 00:56:13,759
Speaker 2: Maybe?

1271
00:56:13,840 --> 00:56:17,560
Speaker 1: And I was, yeah, I was like, oh, Jordan's going

1272
00:56:17,600 --> 00:56:19,440
Speaker 1: home and that situation. Only I thought there was a

1273
00:56:19,520 --> 00:56:21,200
Speaker 1: chance it could have been Dylan. I thought there was

1274
00:56:21,239 --> 00:56:24,160
Speaker 1: a chance it could have been Dylan. I just thought that.

1275
00:56:24,239 --> 00:56:26,760
Speaker 1: I figured the week is night, Yeah, but I figured

1276
00:56:26,800 --> 00:56:32,960
Speaker 1: his popularity was would override. But man, Whitney gone gone.

1277
00:56:33,480 --> 00:56:36,480
Speaker 3: If you go back and watch it again, she didn't

1278
00:56:36,520 --> 00:56:40,960
Speaker 3: seem shocked. She really didn't see So, I mean, my

1279
00:56:41,080 --> 00:56:43,520
Speaker 3: guess is the stuff we've heard about all this stuff

1280
00:56:43,520 --> 00:56:45,479
Speaker 3: going on on the internet this week shatter.

1281
00:56:46,120 --> 00:56:48,919
Speaker 2: She obviously watches all that stuff too. She's a young

1282
00:56:49,080 --> 00:56:50,240
Speaker 2: so she's on all this stuff.

1283
00:56:50,400 --> 00:56:52,600
Speaker 3: So she was probably like, I'll bet you at some

1284
00:56:52,680 --> 00:56:54,600
Speaker 3: point this week, I will I will bet all the

1285
00:56:54,640 --> 00:56:56,319
Speaker 3: money in my pockets right now. At some point this

1286
00:56:56,360 --> 00:56:58,719
Speaker 3: week she looked at her partner and went, I'm going

1287
00:56:58,760 --> 00:57:00,520
Speaker 3: home this week. You watched it as a matter how

1288
00:57:00,520 --> 00:57:02,719
Speaker 3: good we dance, They're gonna send me home this week.

1289
00:57:02,800 --> 00:57:05,680
Speaker 3: I will guarantee you that conversation took place.

1290
00:57:07,160 --> 00:57:10,799
Speaker 1: Well, who do you think is gonna win it all?

1291
00:57:11,480 --> 00:57:15,279
Speaker 2: Robert's right, what are we doing? What are we doing?

1292
00:57:16,640 --> 00:57:19,040
Speaker 1: I guess we'll just we'll get to watch one final.

1293
00:57:20,880 --> 00:57:24,160
Speaker 3: Okay, so then let's let's reverse. It would the biggest

1294
00:57:24,200 --> 00:57:27,360
Speaker 3: shock of the season for you be Robert not winning

1295
00:57:27,360 --> 00:57:27,680
Speaker 3: the show.

1296
00:57:27,960 --> 00:57:29,919
Speaker 2: Yes, at this point, me too.

1297
00:57:29,960 --> 00:57:32,440
Speaker 3: It would be a bigger shock in Whitney leaving tonight

1298
00:57:32,560 --> 00:57:34,040
Speaker 3: would be Robert not winning the show.

1299
00:57:34,080 --> 00:57:35,520
Speaker 2: I agree.

1300
00:57:35,640 --> 00:57:38,840
Speaker 1: And it's been like a straight shot to the bulls

1301
00:57:38,880 --> 00:57:40,240
Speaker 1: eye since his first dance.

1302
00:57:40,840 --> 00:57:42,440
Speaker 3: We kept saying where do you go from here? He

1303
00:57:42,520 --> 00:57:44,439
Speaker 3: started at eleven? You and I were five feet away.

1304
00:57:44,480 --> 00:57:45,880
Speaker 3: We need when he did that dance.

1305
00:57:45,640 --> 00:57:47,680
Speaker 2: We're like, well, that's it. Where are you gonna go

1306
00:57:47,720 --> 00:57:49,560
Speaker 2: shut yourself in the foot? Nope, you just kept it

1307
00:57:49,600 --> 00:57:51,720
Speaker 2: at eleven, kept it at eleven. Pretty smart.

1308
00:57:51,960 --> 00:57:54,520
Speaker 3: It's like the thing that Pam says in the office

1309
00:57:54,520 --> 00:57:55,960
Speaker 3: where He's like, Hey, how are you gonna run that

1310
00:57:56,000 --> 00:57:58,560
Speaker 3: race today? She's like, well, I'm gonna start fast and

1311
00:57:58,600 --> 00:58:00,600
Speaker 3: then in the middle, i'm gonna go fast, and then

1312
00:58:00,640 --> 00:58:01,640
Speaker 3: I'm gonna end fast.

1313
00:58:01,760 --> 00:58:03,480
Speaker 2: And he's like, Wow, why don't more people do that?

1314
00:58:03,920 --> 00:58:06,160
Speaker 2: And that's what it's like. That's Robert.

1315
00:58:06,280 --> 00:58:08,560
Speaker 3: He's like, I'm gonna start at eleven and I'm just

1316
00:58:08,560 --> 00:58:09,360
Speaker 3: gonna keep it there.

1317
00:58:10,040 --> 00:58:11,000
Speaker 2: Great, good plan.

1318
00:58:12,000 --> 00:58:14,480
Speaker 1: All right, that's it for this episode of Podmets Twirld.

1319
00:58:15,000 --> 00:58:19,600
Speaker 1: Join us next week as we finish watching season thirty

1320
00:58:19,640 --> 00:58:22,800
Speaker 1: four of Dancing with the Stars. We may not know

1321
00:58:22,800 --> 00:58:26,080
Speaker 1: Apostle Dole from a pastromion Rye, but we know what

1322
00:58:26,120 --> 00:58:29,560
Speaker 1: we learned way back in Phoene's class. Daniel Fischel was

1323
00:58:29,760 --> 00:58:34,240
Speaker 1: the star of the show. Podmeats World is an iHeart

1324
00:58:34,280 --> 00:58:37,840
Speaker 1: podcast producer hosted by Daniel Fischl, Wilfredell and Ryder Strong.

1325
00:58:38,040 --> 00:58:41,480
Speaker 1: Executive producers Jensen Karp and Amy Sugarman, Executive in charge

1326
00:58:41,480 --> 00:58:45,959
Speaker 1: of production, Danielle Romo, producer and editor, Tarasubach, producer, Maddie Moore,

1327
00:58:46,200 --> 00:58:49,160
Speaker 1: engineer and boy meets World superman Easton Allen. Our theme

1328
00:58:49,240 --> 00:58:52,200
Speaker 1: song is by Kyle Morton of Typhoon, Follow us on

1329
00:58:52,200 --> 00:58:55,560
Speaker 1: Instagram at Podmeets World Show, or email us at Podmeats

1330
00:58:55,560 --> 00:58:59,960
Speaker 1: World Show at gmail dot com.

1331
00:59:00,120 --> 00:59:00,160
Speaker 3: Y