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Speaker 1: No, just because we're such Chappelle fans and such black

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Speaker 1: star fans. What happened with that tweet on Sunday? Man,

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Speaker 1: stop with the bullshit. You can't bullshit me. I love

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Speaker 1: you to death, you can bullshit them.

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Speaker 2: What's going on?

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Speaker 3: Man?

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Speaker 2: That no Willie? And Yeah, it's your life.

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Speaker 4: You can play with it. You make your man. You

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Speaker 4: gonna lay oh your dad, Just be.

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Speaker 2: Safe with it.

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Speaker 4: Triple bucks in the state prison, blue laces in my

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Speaker 4: blue chucks. I ain't never gained two bucks, b T.

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Speaker 4: I jumped the hood up, asking it that nigga nighborhood

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Speaker 4: what like? I wouldn't take it to the back with

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Speaker 4: same nigga walks track with you, same nigga, shot.

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Speaker 2: A strap with you, same nigga bought us sack with you.

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Speaker 2: Welcome to another episode of the new Rory en Mall Podcast.

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Speaker 2: I am all, I am Julian. How you doing, bro?

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Speaker 1: I'm good man, I can't complain.

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Speaker 2: How was your weekend?

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Speaker 1: It was calm? It was very, very very much calm?

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Speaker 2: Was it? Calm?

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Speaker 3: It was?

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Speaker 1: I think I'm gonna go in the streets this coming

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Speaker 1: weekend though, Okay, me and de Meris, I think we agreed.

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Speaker 1: I'm tired of coming in here saying I haven't done

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Speaker 1: anything over the weekend, even though it is the truth.

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Speaker 1: It's just, you know, I'm a fucking loser. I need

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Speaker 1: to get out there.

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Speaker 2: I mean, what's going on in the streets though, Like, honestly,

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Speaker 2: what do you feel like you missing?

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Speaker 1: I don't think I missing anything. That's why I'm content

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Speaker 1: with not going out in the streets.

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Speaker 2: But I think you just at that age, man, but

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Speaker 2: you just you know, just like what am I really?

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Speaker 3: Yeah?

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Speaker 1: Dinner, you know, I went to dinner this weekend.

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Speaker 2: Yeah, that's going out. Yeah, that's grown going out. Eve.

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Speaker 2: When you get a little older, even though you're what

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Speaker 2: thirty two, thirty two, yeah, listening, you're at that age

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Speaker 2: where you're just tapering off. You can hit a little

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Speaker 2: club now and every now and then.

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Speaker 1: Well, I think I'm gonna party. I'm gonna go to

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Speaker 1: the old stage forty eight. I don't know what it's

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Speaker 1: called now, stage fifty two years older. I don't know

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Speaker 1: to stage you're in.

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Speaker 2: Yeah, wow, I'm not know so much. I'm stage forty,

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Speaker 2: stage forty oh.

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Speaker 1: Yeah, yeah, I'm gonna go, man, But it's uh, it's

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Speaker 1: people from my era when I went outside, like we're

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Speaker 1: all gonna go outside and be like, hey, like, how's life. Yeah,

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Speaker 1: do you have kids? Are you behind it? Ketch up

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Speaker 1: session that type of shit, like is your life falling

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Speaker 1: apart too? Like one of those and then you know,

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Speaker 1: take a shot and be like, yo, let's catch up,

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Speaker 1: and then we never catch up until the next year.

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Speaker 1: So I mean, what, I'm gonna bring Demrason and she

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Speaker 1: can be around the old folk.

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Speaker 2: Yeah, Demarius has been begging me to go out and

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Speaker 2: do something. I just I'm like Demerius, I don't know

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Speaker 2: what it is to do outside anymore.

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Speaker 1: But I feel like it'll be a lot of people

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Speaker 1: from like like the frat sorority college era of my life,

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Speaker 1: which most of them went into finance. So I think

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Speaker 1: Dameriska back here, like a guy that works at JP, Morgan,

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Speaker 1: like one.

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Speaker 2: Of those guys that never really settled down. Now he's

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Speaker 2: like forty.

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Speaker 1: Something, is like, yeah, man, it's time, Yeah, let me

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Speaker 1: find a baby.

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Speaker 2: D They're running. They're out there, running around, ready to

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Speaker 2: take care of a little young suspecting chocolate woman. Keep

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Speaker 2: them young. Oh man. You know the guys at JP

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Speaker 2: are looking for a little taste of chocolate on the weekends.

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Speaker 1: Yeah, you know, their pick up lines to be like, hey,

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Speaker 1: are you ovulating?

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Speaker 2: That's sick. First of all, any man call authorities, man

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Speaker 2: asks you are you ovulating? Straight out the gate colon

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Speaker 2: what if?

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Speaker 1: What if you're about to have consensual sex with with him?

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Speaker 1: And he wanted to know just in case?

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Speaker 2: In case? What? Like he should be extra careful? Is

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Speaker 2: he not wearing a condom?

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Speaker 3: Like?

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Speaker 2: It's just like insert trojan ad here.

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Speaker 5: Yeah, I tell man when I'm opulating.

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Speaker 2: Yeah, I think you should tell you tell men that

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Speaker 2: you're already dating, not just random new guys. I think

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Speaker 2: that wonder you're single. No, it's not working out. See

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Speaker 2: I disagree. I'mulating. I'm calling an uber at least a

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Speaker 2: guy you're dating. At least. Imagine the girl were like, hey,

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Speaker 2: I'm demerits and I'm obulating. I'm like, hey, I'm i'm

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Speaker 2: all and my uber is pulling up. I'm getting the

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Speaker 2: fuck out of here. Like if you're ovulating, what does

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Speaker 2: that mean?

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Speaker 1: But I disagree with the marras she should tell the well,

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Speaker 1: not her personally, but the woman should tell the guy

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Speaker 1: that she just met if she's about to have sex with,

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Speaker 1: because at least the dude you're dating, if it a

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Speaker 1: little slip up happens, you'll have a rapport. We can

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Speaker 1: figure this shit out.

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Speaker 2: Just the stranger stage forty eight. Let's get into the

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Speaker 2: slip ups. It was a slip up when you slip

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Speaker 2: it in and leave it there. Yeah, raw, right, first night,

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Speaker 2: just met her? Boom, oh you've done that before. Absolutely? Okay,

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Speaker 2: thank god. I was to be like, I know you

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Speaker 2: this fucking mister safe guy. Definitely winning raw and a

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Speaker 2: girl I just met first night and then prayed to

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Speaker 2: God the whole week.

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Speaker 1: Now, she should have been responsible even though you weren't

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Speaker 1: and said, hey, Jamil.

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Speaker 2: I'm ovulating.

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Speaker 1: Yeah, you should probably pull out like ten seconds before

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Speaker 1: you even start to feel that tingly feeling.

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Speaker 2: Yeah. I mean, luckily for me, I haven't never had

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Speaker 2: that scare and that you know that, you knowcy scare,

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Speaker 2: not from a first like a hook up. Oh yeah,

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Speaker 2: I think. Hell no, absolutely not. There was one time

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Speaker 2: I'll pull out for seventeen minutes before I come inside somebody. Yeah,

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Speaker 2: absolutely check it up. At seventeen she was looking at

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Speaker 2: me like, just put it back in.

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Speaker 1: Oh no, but that's not weirder than a woman saying Hey,

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Speaker 1: I'm Demerius and I'm ovulating.

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Speaker 2: Because you're looking for a nice young man that you

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Speaker 2: want to date and go to dinner with and just

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Speaker 2: meet and have a good time.

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Speaker 5: So I just wanted to have fun with the guy

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Speaker 5: you still, Yes.

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Speaker 2: I'm gonna ask you every week your updates because the

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Speaker 2: guys be asking, like every time you see a video

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Speaker 2: of the marriage walking, Yo, that's baby d I'm like, damn, y'all,

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Speaker 2: niggas is horny like that. That's behind the keyboards for sure.

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Speaker 1: Okay, that's the horniest place to be is But what

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Speaker 1: you get that right?

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Speaker 2: First and foremost rected? Peace to the legend. Happy birthday, Yes,

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Speaker 2: Nipsey Hustle to Nipsey Hustle, Happy thirty seventh birthday. Got

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Speaker 2: his Hollywood Walker Fame Walk a Star Hollywood Star on

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Speaker 2: the Walk of Fame today, So that was good to

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Speaker 2: see that. See some comments in the comments section about

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Speaker 2: people not feeling like nip deserved it. If he was

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Speaker 2: still alive, would he get it? You know how? People

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Speaker 2: this is what the internet is for. But we just

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Speaker 2: expressed their views and opinions. I'm happy that they honored

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Speaker 2: him and gave his family distribute.

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Speaker 1: Well, of course, I think Nipples is very much deserving

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Speaker 1: of it, but let's call a spade a spade with

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Speaker 1: certain things as well. Yes, death does make us honor

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Speaker 1: people quicker, and we typically know that. I think nip

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Speaker 1: would have lived even greater life had he continued on

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Speaker 1: and would have gotten one eventually. But yeah, death has

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Speaker 1: us honor people in ways that we wouldn't have yet

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Speaker 1: at that time. So yeah, I don't I think that's

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Speaker 1: always a weird point, to be quite honest.

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Speaker 2: I mean, but that's what the internet is for the

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Speaker 2: Internet is a place where people that shouldn't have an

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Speaker 2: opinion and shouldn't have a voice to voice their opinion

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Speaker 2: can get this shit off. Yeah, so, I mean, you know,

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Speaker 2: it was just interesting to see people go back and

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Speaker 2: forth about it. But either way, it's a huge tribute.

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Speaker 2: It's a huge honor for Nipsey and his family, especially

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Speaker 2: on his birthday. So continue prayers to the family and

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Speaker 2: salute to Nipsey on an honor as big as getting

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Speaker 2: a star on the Walker fan because that is not

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Speaker 2: something that you should take lightly and not many people have. Yeah,

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Speaker 2: a star on the Walker fame, So Congrats to the

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Speaker 2: Nipsey Hustle. Congrats to his family.

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Speaker 1: Do we have anything like that in New York?

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Speaker 2: Walker fame when you walk down forty second Street, then

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Speaker 2: all the dudes that's selling their CDs know your name.

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Speaker 6: In the Bronx where you have avenues named for people

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Speaker 6: like Big pun way on for them.

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Speaker 2: Row, Yeah, is that a walk of fame?

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Speaker 1: I mean, I guess that's honorable.

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Speaker 2: They're they're doing, they're doing more of that, which I

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Speaker 2: do like after people.

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Speaker 1: Yeah, and not just like just rappers. I've seen it

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Speaker 1: with like community organizers, coaches, teachers, and ship matter. So

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Speaker 1: I think that type of sh is cool, and I

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Speaker 1: feel like no one really calls it that though.

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Speaker 2: No, no, no, there's only one Walk of fame and

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Speaker 2: that's in on Hollywood. Have you ever googled?

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Speaker 4: Though?

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Speaker 1: Like sometimes you'll see a random name on some just

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Speaker 1: some random block and like Hell's Kitchen, and you google

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Speaker 1: that name and like find out who they are.

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Speaker 2: No, I've never gotten that. Rory, Oh, I have you

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Speaker 2: got to get out the house more? No, I'm out

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Speaker 2: the house. I'm the random names and then Google, I'm like,

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Speaker 2: I wonder what this gentleman did that I want to know.

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Speaker 2: I would like to know that he was just a

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Speaker 2: drug dealer who got his head blown off. Rory, That's

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Speaker 2: all he was. Fu he said, he sees their name

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Speaker 2: on the on the wall. Right. Well, sometimes sometimes it

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Speaker 2: goes down. You know what goes down in Hell's kitchen.

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Speaker 1: Hell Irish people getting their heads blown off exactly. Uh,

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Speaker 1: but no, some of it, I know, Uh, New York City, worthy, liberal, progressive,

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Speaker 1: amazing city that would never do anything wrong.

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Speaker 2: Some of that ship is like the statues in the South.

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Speaker 1: Look, I've googled some people, and I'm like, uhh, yeah,

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Speaker 1: it sounds like the guy that slaughtered the Native Americans

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Speaker 1: that once lived on Manhattan.

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Speaker 2: The Quakers, the Quakers put the oatmeal away, all right,

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Speaker 2: look at you hungry. They haven't wait, that's funny.

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Speaker 1: They haven't canceled. They got rid of Uncle Ben and Jemima,

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Speaker 1: but not the Quakers, because you know, the Quaker did

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Speaker 1: some bullshits.

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Speaker 2: Quakers was just a French way of saying Cracker.

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Speaker 1: I don't think the Quakers were French, Heather.

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Speaker 2: I mean he had a French hat on. I don't know.

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Speaker 1: I don't think that was French either.

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Speaker 2: Can we getting into music? Now all right, we'll get

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Speaker 2: into new music. No, actually, no, we're not gonna get

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Speaker 2: at your music. Rest in peace to Teddy Ray. Comedian

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Speaker 2: Teddy Ray passed away over the weekend, all double cheeked

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Speaker 2: up on the Thursday. Yeah, yeah, Teddy Ray man, really

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Speaker 2: funny guy. I was shat you. I was. It was

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Speaker 2: sad to receive that news, like, damn, somebody as funny

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Speaker 2: as he was and his personality and everything, you know,

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Speaker 2: to hear that he passed away was it was sad.

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Speaker 2: So rest in peace, Teddy Ray. Pres gondolosis to his

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Speaker 2: family and his fans for sure.

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Speaker 3: Yeah.

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Speaker 1: Man, I'm just still trying to figure out how I

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Speaker 1: can get Damarus kicked out of stage forty eight for

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Speaker 1: harassing men. I want to be the first person since

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Speaker 1: women kicked.

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Speaker 2: She has to be drunk and be falling all over

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Speaker 2: the place and and do something stupid like that to

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Speaker 2: get kicked out. Just hollering that men women.

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Speaker 6: You don't think that is capable of that.

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Speaker 2: No, I don't think Themarus will get drunk and get

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Speaker 2: dragged out of somewhere. No, I don't think so.

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Speaker 5: It depends on who's in the party.

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Speaker 1: What does that mean?

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Speaker 2: I don't know. I'm scared to ask you. I don't

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Speaker 2: want to know what that means. Drink Champs released the

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Speaker 2: episode with Chappelle sort of well about forty minutes of it,

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Speaker 2: thirty minutes of it. Well, no.

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Speaker 1: He tweeted on Sunday that we were finally going to

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Speaker 1: get the Chappelle Black Star Drink Champs because I believe

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Speaker 1: they recorded it I don't know, maybe two months ago,

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Speaker 1: three months ago, and that it was held up. But

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Speaker 1: he also said there's two hours and seven minutes.

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Speaker 2: That they had to edit out to be respectful to

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Speaker 2: I guess they had what they edited out two hours, yes.

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Speaker 1: And Nori put up a link, and by the time

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Speaker 1: I clicked the link, the video was private again, So

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Speaker 1: I'm not even quite sure if it came out. But

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Speaker 1: I did see a leak of forty five minutes, which

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Speaker 1: I think someone just ripped off what Nori posted.

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Speaker 2: So I don't know. I really don't know, and I

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Speaker 2: don't think.

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Speaker 1: If anyone else knows, if Norri's addressed it, that's really

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Speaker 1: put out a link that he said, this is the

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Speaker 1: edit to be respectful to them. But y'all are gonna

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Speaker 1: get this. Hip hop needs this and then it was

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Speaker 1: all right away.

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Speaker 2: Yeah. See, that's that's the first because Norriy doesn't first

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Speaker 2: of all allow anybody to say what needs to be

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Speaker 2: edited out, what needs to stay. I'm guessing that was

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Speaker 2: in light of respect for Dave Chappelle. Yes, I'm pretty sure,

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Speaker 2: you know. He was like, you know, only Dave can

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Speaker 2: can do that, but two hours of edited like footage

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Speaker 2: that's edited out.

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Speaker 1: Yeah, two hours and seven minutes was taken out, he

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Speaker 1: said in the tweet, and forty five minutes from what

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Speaker 1: I saw was the result.

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Speaker 2: Uh, Nory, I love you man, but I would have

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Speaker 2: just scrapped that whole shit. I don't I don't know

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Speaker 2: if you're gonna tell me to edit out two hours

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Speaker 2: and seven minutes or something and I only have forty

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Speaker 2: minutes of content.

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Speaker 1: Well, from my understanding, it was it was going to

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Speaker 1: be scrapped, but they had said it was on hold.

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Speaker 1: I think as when Chappelle got smacked, they did like

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Speaker 1: one of those pr things like we're gonna wait in

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Speaker 1: respect to him getting smacked, like Chappelle got smacked or

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Speaker 1: not smacked, almost try to get smacked. Whoever ran on stage,

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Speaker 1: oh ah didn't get did he get touched at least.

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Speaker 5: No, he didn't get touched.

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Speaker 2: They touched that guy gotchay touched. My shot him had

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Speaker 2: a game of shape up. So I don't really know.

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Speaker 1: I would love to see black Star and Chappelle. I

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Speaker 1: would love to see just Blackstar. I would love to

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Speaker 1: see just Chappelle.

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Speaker 2: Yeah, I would have just scrapped it. I'm not if

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Speaker 2: I only have his forty minutes forty five minutes of

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Speaker 2: a three hour conversation, but what if it's a good

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Speaker 2: forty Yeah, but I'm cool, I'm cool. But what I mean?

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Speaker 1: I can totally understand some segments needing to be at level?

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Speaker 1: What for two hours in seven minutes needed to be

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Speaker 1: taken out?

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Speaker 2: What am I edited for two hours?

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Speaker 4: Like?

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Speaker 2: What am I? What could they have possibly said?

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Speaker 3: That was?

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Speaker 2: Like, now we got to take all two hours of

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Speaker 2: that out of there? But if what if it's a

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Speaker 2: good forty minutes, I mean, I get it, man, but

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Speaker 2: you're talking about a fire forty minutes yeah, but two

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Speaker 2: hours gone? Yeah? Like come on, bro, like what do

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Speaker 2: what could be that bad? I would call Nori, but

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Speaker 2: I can't. What's gonna happen? David's gonna get canceled? Would work. Well,

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Speaker 2: Dave Chappelle can't be canceled. That's what we we that's

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Speaker 2: been proven. Yeah, well, we don't know if it was

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Speaker 2: a Chappelle thing.

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Speaker 1: Maybe Most in Quality there was something that they didn't

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Speaker 1: want involved. You know, Most is a very private person.

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Speaker 1: The fact that he even did drink tamps.

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Speaker 2: I was like, most don't even we don't even know

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Speaker 2: what he what he does. Yeah, Seen, I'm sorry, Well,

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Speaker 2: y'all seen, yes, but we don't even he I'm just

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Speaker 2: trying to figure out. We know two hours is gone,

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Speaker 2: So let's talk about what do we think they needed

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Speaker 2: to take away from this episode because they didn't want

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Speaker 2: the public to hear or y'all seen doesn't give up

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Speaker 2: Most for those that don't know, he doesn't care about

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Speaker 2: people wanting to cancel him. If he said something, maybe

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Speaker 2: it's not a cancel thing. Fucking country. It doesn't give

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Speaker 2: a fuck.

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Speaker 1: I don't think any of them, Quality included has been

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Speaker 1: very probably vocal more vocal to all of them. But

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Speaker 1: I'm not caring about getting canceled. That's why I don't

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Speaker 1: think it's a cancel thing.

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Speaker 3: I just.

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Speaker 1: There's got to be something in there personally related, not

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Speaker 1: cancel related because you can't cancel.

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Speaker 2: The for But somebody didn't say, okay, let's stop talking

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Speaker 2: about that. We got two hours of that, like I

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Speaker 2: just kept.

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Speaker 6: I'm sure it was an array of things. It cand

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Speaker 6: have just been one topic.

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Speaker 2: Right, we know that, What the fuck can you talk

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Speaker 2: about for two hours?

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Speaker 3: That was?

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Speaker 2: Like, we got to scrap all of that.

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Speaker 6: I bet you those forty minutes will let's know exactly

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Speaker 6: what it was.

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Speaker 2: I don't know, man, It's just weird, bro, It's just

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Speaker 2: weird to edit out two hours of shit. That's all

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Speaker 2: what I'm saying. That's a lot of shit.

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Speaker 3: Lit.

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Speaker 6: If Noorie don't pick up, there's be another thing for

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Speaker 6: mesk me this morning.

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Speaker 2: Yep, yop, you fake on air. We're not really rolling,

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Speaker 2: but we're rolling.

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Speaker 3: Ohkay?

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Speaker 1: No, no, no, I'm saying I want to ask you

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Speaker 1: something on air if it was okay with you?

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Speaker 3: All right? Cool? Not the media guy.

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Speaker 1: No, just because we're such Chappelle fans and some such

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Speaker 1: black star fans. What happened with that tweet on Sunday? Man,

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Speaker 1: stop with the bullshit. You can't bullshit me. I love

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Speaker 1: you to death. You can bullshit them.

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Speaker 2: What's going on? Man?

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Speaker 3: I wish you to do that, as.

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Speaker 7: You know what, there was a miscommunication, you know, Uh,

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Speaker 7: I supposed to Dave just won. I supposed to him

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Speaker 7: this afternoon. So it was certain things that he wanted

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Speaker 7: to edit it, and there are certain things I wanted

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Speaker 7: to add on. So he made a compromised this morning.

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Speaker 7: So I feel like we'll have to release date tomorrow.

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Speaker 7: I feel like we'll have to release date tomorrow.

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Speaker 2: Okay, all right, so it is coming to each other's cruise.

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Speaker 3: I'm sorry.

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Speaker 1: What what So it was forty five minutes that you

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Speaker 1: posted and then put private and then you said it

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Speaker 1: was two hours left? What how long of this interview

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Speaker 1: are we getting? And why couldn't we get the full one?

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Speaker 2: Oh?

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Speaker 3: Well, that's really up to you know, to tell you true.

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Speaker 7: You know, I'm not going to be really gonna be

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Speaker 7: let me just tell you what it is. You were

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Speaker 7: really out there to do a Black Star interview and

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Speaker 7: Dave came in and and you know, he actually turned it.

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Speaker 3: All the way up. But at the time I think.

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Speaker 7: That his people were overthinking it because of the things

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Speaker 7: that happened with the man shooting, and I guess he

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Speaker 7: didn't want to be like seem like he's celebrating as

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Speaker 7: you know, you know stoot we'll get well got shot,

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Speaker 7: you know what I mean.

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Speaker 3: So he that was his his cast, so we we

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Speaker 3: and then then there was just so much edit, so

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Speaker 3: much and honestly that was.

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Speaker 7: Like the Revolt edit ranked there four to five minutes,

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Speaker 7: that was the Revolt TV edit.

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Speaker 3: But I just I just wanted to. I just wanted

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Speaker 3: the people to see.

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Speaker 7: It for a couple of days and you know, uh,

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Speaker 7: then then it did the right thing because Dave's camp,

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Speaker 7: uh Fridday beached back out and then Dave reached out personally,

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Speaker 7: so we got to talk and we got to and

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Speaker 7: sometimes that's really what it is. It's like, you know,

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Speaker 7: the artists got to speak to the artists too sometimes,

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Speaker 7: you know what I mean. I know how how dope

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Speaker 7: it is to have management, have your publicist, and you

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Speaker 7: know what I mean, have have the retail guy and

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Speaker 7: then promoter.

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Speaker 3: But sometimes it's just an artist the artists, because doing

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Speaker 3: that it would have saved two much.

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Speaker 7: And I'm gonna tell you something, I'm a scary guy.

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Speaker 7: Like if you're a real real legend and you're a

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Speaker 7: real real icon, I don't be wanting your.

404
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Speaker 3: Number like people have to force me to give you number.

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Speaker 7: I remember when I first got a little Wayne number,

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Speaker 7: he had to literally grab my phone and put it

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Speaker 7: in and put his number in because I don't be

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Speaker 7: wanting them to tell me no, or I don't want

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Speaker 7: to want me to hit them and they not hit

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Speaker 7: me back in and I take it personally, So I'd

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Speaker 7: rather not have the they number so many times and

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Speaker 7: I'd rather do but but but from this experience, I

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Speaker 7: realized artists and artists and in certain situations is better.

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Speaker 1: Okay, so it will be it will be out by tomorrow,

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Speaker 1: and it will be the somewhat full episode.

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Speaker 7: It would be somewhere full episode because I asked Dave

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Speaker 7: for all the stuff that I want to pause to

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Speaker 7: put back in the episode, and he kind of agreed

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Speaker 7: with me because he kind of didn't know that all

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Speaker 7: the edits that was.

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Speaker 3: Was taking place. But you know, that's that's his camps.

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Speaker 7: Camp has to like like his campus in the Dave

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Speaker 7: Jappelle business, and they have to look out for him.

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Speaker 7: And but you know, but like I said, it's really

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Speaker 7: mainly a black Star episode where they make you a

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Speaker 7: whole bunch of great appearances.

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Speaker 3: And it was like he It was like he personally

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Speaker 3: did stand up for us.

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Speaker 7: So you know when they be a sensitive with certain materials.

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Speaker 7: You know, I don't live in Dave Japelle world, so

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Speaker 7: I have to respect that and I have to you know,

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Speaker 7: salute that because after this episode comes out, guess what,

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Speaker 7: I gotta go right back into Norway's world and they

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Speaker 7: got to go back to the Daepel world and black

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Speaker 7: Star world.

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Speaker 3: So you know, I in.

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Speaker 7: Return never edit nothing that nobody and I just sometimes

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Speaker 7: take the beef in the same So what this is

439
00:17:44,119 --> 00:17:46,440
Speaker 7: what drink Champs says, we don't edit, but in this case,

440
00:17:46,480 --> 00:17:49,840
Speaker 7: it was very special. Uh, college case was very special.

441
00:17:50,200 --> 00:17:53,919
Speaker 7: And I adjusted this show just a tiny bit, not

442
00:17:54,040 --> 00:17:56,879
Speaker 7: too much, just a tiny bit because I understand that

443
00:17:56,880 --> 00:17:59,760
Speaker 7: these guys are major puck public figures, and you know,

444
00:18:00,000 --> 00:18:01,440
Speaker 7: some times things get a little crazy.

445
00:18:01,480 --> 00:18:01,879
Speaker 2: I get it.

446
00:18:01,920 --> 00:18:04,560
Speaker 1: How how do you feel about the post IRV episode?

447
00:18:05,520 --> 00:18:05,639
Speaker 3: Uh?

448
00:18:05,760 --> 00:18:07,159
Speaker 1: Commentary from the internet.

449
00:18:07,359 --> 00:18:08,600
Speaker 3: I love oh, I love ar.

450
00:18:10,600 --> 00:18:14,760
Speaker 2: Let's be clear, I bet you.

451
00:18:14,880 --> 00:18:16,879
Speaker 7: Let's just be clear because people don't want him nowhere

452
00:18:16,880 --> 00:18:22,959
Speaker 7: near around me anymore. But let's just be clear, like

453
00:18:23,119 --> 00:18:26,679
Speaker 7: IRV is a non filtered person, sure, and that just

454
00:18:26,760 --> 00:18:29,600
Speaker 7: works that works for Drink Champs all day. You know,

455
00:18:29,680 --> 00:18:32,080
Speaker 7: we really want people to come in in the raw.

456
00:18:32,440 --> 00:18:34,159
Speaker 7: You want people to come in and get drunk. You

457
00:18:34,160 --> 00:18:36,199
Speaker 7: want people to come in and play the game, and

458
00:18:36,240 --> 00:18:38,439
Speaker 7: we want people they want you to smoke, want relaxed,

459
00:18:38,480 --> 00:18:39,520
Speaker 7: but we also want you.

460
00:18:39,480 --> 00:18:41,720
Speaker 3: To take down your guard. You want your guard to

461
00:18:41,720 --> 00:18:42,080
Speaker 3: be down.

462
00:18:42,119 --> 00:18:44,480
Speaker 7: We don't want and it's easy for me to to

463
00:18:44,680 --> 00:18:47,679
Speaker 7: to get them to take their guard down because they

464
00:18:48,119 --> 00:18:50,000
Speaker 7: recognize me from the locker room, you know what I'm saying.

465
00:18:50,000 --> 00:18:52,080
Speaker 7: They recognize me from the Championship game, you know what

466
00:18:52,119 --> 00:18:54,280
Speaker 7: I mean. They recognize me from the platinum plats. They

467
00:18:54,320 --> 00:18:56,239
Speaker 7: recognize me for them hits. They know that I've been

468
00:18:56,280 --> 00:18:58,600
Speaker 7: through what they've been through. But HERV is a golden goose.

469
00:18:58,640 --> 00:19:01,439
Speaker 7: And something something that I'm very proud of is I

470
00:19:01,480 --> 00:19:04,640
Speaker 7: got I think two HERB got the interviews, maybe three,

471
00:19:04,720 --> 00:19:06,919
Speaker 7: and then I got three dar Rule interviews. One of

472
00:19:06,960 --> 00:19:09,680
Speaker 7: the best thing I've ever did was conduct the whole

473
00:19:09,720 --> 00:19:13,440
Speaker 7: interview without them talking about their enemies like they're.

474
00:19:13,359 --> 00:19:16,200
Speaker 2: Really you know what I'm saying.

475
00:19:15,160 --> 00:19:17,520
Speaker 7: Like like like I was very careful because let me

476
00:19:17,600 --> 00:19:19,200
Speaker 7: just be clear of me, just say the name. But

477
00:19:19,560 --> 00:19:22,400
Speaker 7: I have a relationship with fifty cents, So me having

478
00:19:22,400 --> 00:19:25,240
Speaker 7: an HERB, I always be very very careful and I

479
00:19:25,320 --> 00:19:28,080
Speaker 7: always make sure I don't ever bring up anything regarding

480
00:19:28,240 --> 00:19:30,560
Speaker 7: a G unit or fifty cent because I don't want.

481
00:19:30,440 --> 00:19:32,480
Speaker 3: That mess to me. That's not a mess. That's not

482
00:19:32,600 --> 00:19:34,520
Speaker 3: that's not that's not what I want to be a

483
00:19:34,560 --> 00:19:37,360
Speaker 3: part of. You know what I mean? Now, Now, now,

484
00:19:38,119 --> 00:19:41,080
Speaker 3: when people see the real interview, you do see.

485
00:19:41,240 --> 00:19:45,320
Speaker 7: Joy Rul stopping us Herb when you keep calling a

486
00:19:45,359 --> 00:19:49,439
Speaker 7: shot to the B word. When most people seeing they

487
00:19:49,520 --> 00:19:52,239
Speaker 7: seeing the clips and they're seeing that it didn't look

488
00:19:52,280 --> 00:19:54,840
Speaker 7: like jay Rul was holding it down. But if anybody

489
00:19:54,880 --> 00:19:58,480
Speaker 7: really watched the actual interview, joy Rul did stop Herb.

490
00:19:58,800 --> 00:20:02,160
Speaker 3: And then IRV came, this is what's crazy. I don't

491
00:20:02,160 --> 00:20:03,080
Speaker 3: even answer this question.

492
00:20:03,119 --> 00:20:05,120
Speaker 7: But but IRB came back and gave a ten minutes

493
00:20:05,119 --> 00:20:10,760
Speaker 7: salylical of how much he was so uh offended that

494
00:20:10,800 --> 00:20:12,920
Speaker 7: he kept using the word bitch.

495
00:20:13,240 --> 00:20:14,720
Speaker 3: So that actually exists.

496
00:20:14,800 --> 00:20:18,200
Speaker 7: Yeah, to answer your question, in this totality, IRV is

497
00:20:18,359 --> 00:20:19,359
Speaker 7: of my golden goose.

498
00:20:21,840 --> 00:20:22,840
Speaker 3: I know how to crack him.

499
00:20:22,840 --> 00:20:24,800
Speaker 7: I know I know what shots to give home. You

500
00:20:24,880 --> 00:20:26,760
Speaker 7: know exactly what we need to give him. But what

501
00:20:26,960 --> 00:20:29,400
Speaker 7: what the crazy thing is? And this is what's crazy.

502
00:20:30,480 --> 00:20:32,320
Speaker 7: I don't even think I cracked her. I just think

503
00:20:32,400 --> 00:20:34,200
Speaker 7: that he just did ready, you know what I'm saying.

504
00:20:34,240 --> 00:20:34,920
Speaker 3: I think he's there.

505
00:20:35,000 --> 00:20:38,440
Speaker 2: Ready, He's comfortable, He's comfortable. He answered questions you didn't

506
00:20:38,480 --> 00:20:40,600
Speaker 2: ask after the third shot.

507
00:20:40,640 --> 00:20:43,840
Speaker 7: It was I didn't even interview no more. It was

508
00:20:43,840 --> 00:20:47,399
Speaker 7: his interview, and I just maintained. But you know, in

509
00:20:47,440 --> 00:20:49,200
Speaker 7: all honesty, I think it's a lot.

510
00:20:49,000 --> 00:20:52,280
Speaker 3: More jokes and laughs, you know what I mean, than

511
00:20:52,320 --> 00:20:53,639
Speaker 3: it is seriousness.

512
00:20:53,640 --> 00:20:55,760
Speaker 7: I know IRV hasn't picked the fault to me the

513
00:20:55,800 --> 00:20:58,280
Speaker 7: last couple of three times I called, it's not really

514
00:20:58,280 --> 00:20:58,800
Speaker 7: that serious.

515
00:20:59,119 --> 00:20:59,800
Speaker 2: It's not your fault.

516
00:21:00,840 --> 00:21:02,719
Speaker 7: I mean, just definitely not my fault. I ain't give

517
00:21:02,760 --> 00:21:03,560
Speaker 7: him to say none of that.

518
00:21:05,080 --> 00:21:07,440
Speaker 1: But but knowing, but knowing you, you still have some

519
00:21:07,560 --> 00:21:08,840
Speaker 1: messy uh left?

520
00:21:08,960 --> 00:21:11,719
Speaker 2: Rack in you did you reach out to a shanty?

521
00:21:13,000 --> 00:21:15,760
Speaker 7: I've been trying to reco was one of my friends

522
00:21:15,800 --> 00:21:17,840
Speaker 7: I've been trying to and then of course we won

523
00:21:17,920 --> 00:21:18,400
Speaker 7: a shanty.

524
00:21:18,560 --> 00:21:20,560
Speaker 3: I mean, not not to have a.

525
00:21:20,280 --> 00:21:23,160
Speaker 2: Butt huh for sure, but we want period.

526
00:21:23,240 --> 00:21:26,880
Speaker 3: He's a legend. Yeah, no, our platform. It's good given

527
00:21:27,240 --> 00:21:29,240
Speaker 3: blowers to d a shanty.

528
00:21:28,960 --> 00:21:31,320
Speaker 1: Should be on that regardless, but it would just be

529
00:21:31,359 --> 00:21:33,280
Speaker 1: funny for the response.

530
00:21:33,920 --> 00:21:36,720
Speaker 7: The funniest part is, I know, thirst trap, you're looking

531
00:21:36,760 --> 00:21:38,240
Speaker 7: at Ashanti Pitches on the ground.

532
00:21:38,359 --> 00:21:40,560
Speaker 3: Of course we denied that.

533
00:21:40,640 --> 00:21:44,400
Speaker 2: I of course, man, you can't. You can't not look

534
00:21:44,480 --> 00:21:45,959
Speaker 2: at a shanty. That's impossible.

535
00:21:46,480 --> 00:21:49,960
Speaker 1: I don't trust anyone that doesn't look at it, man.

536
00:21:53,560 --> 00:21:55,960
Speaker 1: But no, we're gonna get down there soon. We have

537
00:21:56,000 --> 00:21:57,320
Speaker 1: to do our proper sit down.

538
00:21:57,880 --> 00:21:59,840
Speaker 3: Let us let us give you all your flowers. Man.

539
00:21:59,840 --> 00:22:02,320
Speaker 7: You me, I love, I love how y'all maintained. I

540
00:22:02,320 --> 00:22:04,720
Speaker 7: love how y'all stayed positive. That could have went to

541
00:22:04,760 --> 00:22:07,399
Speaker 7: a nuggative route and did that that. You guys have

542
00:22:07,640 --> 00:22:12,080
Speaker 7: maintained positive positiveness. Guys out there working and you know,

543
00:22:12,119 --> 00:22:14,200
Speaker 7: if you meet me on the show, I guess I'm

544
00:22:14,200 --> 00:22:14,760
Speaker 7: on here now.

545
00:22:14,920 --> 00:22:15,919
Speaker 3: Thank y'all for having me.

546
00:22:16,119 --> 00:22:19,880
Speaker 7: And yeah, man, so I'm here yall.

547
00:22:26,040 --> 00:22:29,080
Speaker 2: Something else happened that was interesting seeing Doja Cat had

548
00:22:29,119 --> 00:22:32,199
Speaker 2: tweeted at all you heathens. She was mad because you

549
00:22:32,240 --> 00:22:34,919
Speaker 2: guys are attacking her because she shaved her head, she

550
00:22:34,920 --> 00:22:37,359
Speaker 2: shaved the eyebrows, and she's going through this whole thing

551
00:22:37,400 --> 00:22:38,760
Speaker 2: where she's just like yo, Listen. I just want to

552
00:22:38,760 --> 00:22:41,800
Speaker 2: be comfortable in your hair. Listen, you do what you

553
00:22:41,840 --> 00:22:44,119
Speaker 2: want you guys, you know, she said, And we have

554
00:22:44,160 --> 00:22:46,280
Speaker 2: the tweet. I guess I think I have the tweet hair.

555
00:22:46,480 --> 00:22:47,400
Speaker 2: You have it in your favorites.

556
00:22:47,560 --> 00:22:50,280
Speaker 1: Absolutely, you was really feeling the dos you tweet.

557
00:22:50,480 --> 00:22:50,640
Speaker 3: Well.

558
00:22:50,640 --> 00:22:52,520
Speaker 2: I just thought it was interesting because I think I

559
00:22:52,600 --> 00:22:55,800
Speaker 2: think a lot of females can you know they can

560
00:22:55,840 --> 00:22:57,200
Speaker 2: relate to what she was well.

561
00:22:57,200 --> 00:22:59,399
Speaker 1: Listen, as as someone that has watched women in the

562
00:22:59,480 --> 00:23:03,280
Speaker 1: upkeep of their hair, I will say the life of

563
00:23:03,359 --> 00:23:07,399
Speaker 1: just getting out of bed and continuing with your day,

564
00:23:07,600 --> 00:23:10,520
Speaker 1: it's beautiful. I love this side. I could never imagine

565
00:23:10,840 --> 00:23:14,400
Speaker 1: making part of my day, week, month, year just dedicated

566
00:23:14,440 --> 00:23:16,440
Speaker 1: to my hair to that time. Yeah, I love growing

567
00:23:16,440 --> 00:23:17,080
Speaker 1: out of bed.

568
00:23:17,000 --> 00:23:20,240
Speaker 2: She says. I want to grammy and travel the fucking globe.

569
00:23:20,240 --> 00:23:22,760
Speaker 2: I've had a number one and I went platinum. I

570
00:23:22,840 --> 00:23:25,080
Speaker 2: make hit after hit after hit after hit, and all

571
00:23:25,160 --> 00:23:28,400
Speaker 2: you want me to look all in. All you want

572
00:23:28,440 --> 00:23:31,600
Speaker 2: me to do is look fuckable for you so that

573
00:23:31,640 --> 00:23:33,360
Speaker 2: you can go home and jerk your cat. She's talking

574
00:23:33,400 --> 00:23:35,080
Speaker 2: to Rory. So you can go home and jerk your

575
00:23:35,119 --> 00:23:38,080
Speaker 2: cocks all day long while you live in your mother's basement,

576
00:23:38,440 --> 00:23:39,800
Speaker 2: Go fuck yourselves.

577
00:23:40,280 --> 00:23:41,760
Speaker 1: You think this is directed, it is a suther of me.

578
00:23:42,080 --> 00:23:43,440
Speaker 2: She's definitely talking to you. Rory.

579
00:23:43,840 --> 00:23:47,159
Speaker 1: Well, I've never jerked my cock to Dojah before, but

580
00:23:47,200 --> 00:23:49,520
Speaker 1: I think she still looks not that my opinion matters.

581
00:23:49,560 --> 00:23:50,560
Speaker 1: I think she still looks fuckable.

582
00:23:50,560 --> 00:23:53,760
Speaker 2: With a shaved head. Doja is a pretty woman. She's pretty.

583
00:23:53,880 --> 00:23:56,639
Speaker 2: I mean shaved head, She's still a pretty girl. I mean,

584
00:23:56,680 --> 00:23:59,400
Speaker 2: I just you know, fuck it, do what the fuck

585
00:23:59,400 --> 00:24:01,760
Speaker 2: you want. You have a number one and you go platinum.

586
00:24:01,800 --> 00:24:03,159
Speaker 2: I think you're at that level where you can do

587
00:24:03,200 --> 00:24:04,760
Speaker 2: what the fuck you want to do. It is what

588
00:24:04,800 --> 00:24:07,399
Speaker 2: it is. See, Britney Spears did all of this, and

589
00:24:07,480 --> 00:24:09,240
Speaker 2: y'all thought she was going crazy and all of this.

590
00:24:09,560 --> 00:24:11,000
Speaker 2: Brittany just didn't want to deal with her hair.

591
00:24:11,080 --> 00:24:12,080
Speaker 5: Brittany was going crazy.

592
00:24:12,160 --> 00:24:13,280
Speaker 2: She wasn't going crazy.

593
00:24:13,480 --> 00:24:16,239
Speaker 1: But you realized this is part of as much as

594
00:24:16,280 --> 00:24:18,520
Speaker 1: we say, like look at Dojah talking to all the

595
00:24:18,520 --> 00:24:20,400
Speaker 1: haters or whatever the fuck they say.

596
00:24:20,560 --> 00:24:23,600
Speaker 2: Yeah, this has become part of her identity is not

597
00:24:23,640 --> 00:24:26,920
Speaker 2: giving a fuck. Yeah, but not giving a fuck.

598
00:24:29,240 --> 00:24:32,200
Speaker 5: I said wild and quirky, you said wild and horny.

599
00:24:32,240 --> 00:24:34,520
Speaker 2: I'm about to say Jesus, how do you know Doja's horny?

600
00:24:34,640 --> 00:24:37,760
Speaker 1: Okay, no, we're the ones that are horny obviously, jerk

601
00:24:37,760 --> 00:24:39,119
Speaker 1: our coxs hole in her mother's basement.

602
00:24:39,359 --> 00:24:41,240
Speaker 2: I've never thought about telling you, I've never thought about

603
00:24:41,320 --> 00:24:43,840
Speaker 2: jerking my cock to Dojah. I think she makes dope records,

604
00:24:43,960 --> 00:24:46,000
Speaker 2: but I never was, like, you know what them go home?

605
00:24:46,480 --> 00:24:48,480
Speaker 2: You know, turn on some Netflix and didn't jerk my

606
00:24:48,520 --> 00:24:50,440
Speaker 2: cock to uh Dojah.

607
00:24:50,440 --> 00:24:53,639
Speaker 1: But you thought about it the same way the barbs

608
00:24:53,640 --> 00:24:57,240
Speaker 1: are the Nikki Dojah. Replying to hate on the internet

609
00:24:57,359 --> 00:24:59,960
Speaker 1: is part of her identity and part of her artistry.

610
00:25:00,200 --> 00:25:02,800
Speaker 1: Like people love her for this. This is not like,

611
00:25:03,400 --> 00:25:04,840
Speaker 1: look at her standing up first.

612
00:25:05,000 --> 00:25:06,720
Speaker 2: This is just part of she does.

613
00:25:06,720 --> 00:25:08,520
Speaker 6: Her profile picture.

614
00:25:08,600 --> 00:25:10,000
Speaker 2: She wants to do what the fuck she wants to do.

615
00:25:10,119 --> 00:25:11,560
Speaker 1: And I'm sure this was said in a joking zone,

616
00:25:11,560 --> 00:25:12,200
Speaker 1: so I don't really care.

617
00:25:12,320 --> 00:25:16,680
Speaker 2: But either way, she's killing the fucking charts.

618
00:25:16,720 --> 00:25:17,000
Speaker 3: I know that.

619
00:25:18,000 --> 00:25:19,159
Speaker 2: I'm just not sure, like what.

620
00:25:20,720 --> 00:25:23,880
Speaker 1: Getting a Grammy and traveling the globe how that connects

621
00:25:23,880 --> 00:25:26,359
Speaker 1: to jerking my cop. These are two separate things, so

622
00:25:26,400 --> 00:25:27,760
Speaker 1: I don't know if those are really thought This one

623
00:25:27,760 --> 00:25:30,760
Speaker 1: through because there's women that have never won a grammy,

624
00:25:31,320 --> 00:25:35,120
Speaker 1: I haven't even won the most Improved award in middle

625
00:25:35,160 --> 00:25:38,840
Speaker 1: school that you know they're not connected.

626
00:25:39,280 --> 00:25:40,199
Speaker 2: Well, I think men.

627
00:25:40,400 --> 00:25:43,080
Speaker 1: Men will fuck bumps and jerk off. The bumps you're

628
00:25:43,080 --> 00:25:45,800
Speaker 1: giving me your resume doesn't really make me go crazy.

629
00:25:46,800 --> 00:25:49,000
Speaker 2: What she's more so saying is pay attention to my art,

630
00:25:49,359 --> 00:25:51,359
Speaker 2: my music. Like I don't care what I look like.

631
00:25:51,520 --> 00:25:53,800
Speaker 2: Like I'm out here putting up fucking numbers, putting out

632
00:25:53,880 --> 00:25:57,639
Speaker 2: hit records, dance to it, drive to it, travel to

633
00:25:57,720 --> 00:26:00,440
Speaker 2: my music, whatever, But like I don't care about Well,

634
00:26:00,600 --> 00:26:02,119
Speaker 2: jerk off to it if you want to. But you know,

635
00:26:02,240 --> 00:26:03,800
Speaker 2: she's like, listen, this is what the fuck I want

636
00:26:03,840 --> 00:26:06,440
Speaker 2: to do. I've always wanted to shave my head and

637
00:26:06,640 --> 00:26:07,159
Speaker 2: so I did it.

638
00:26:07,280 --> 00:26:07,920
Speaker 3: It is what it is.

639
00:26:08,760 --> 00:26:12,080
Speaker 2: I respect it. That's that's a sense of freedom right there.

640
00:26:12,920 --> 00:26:17,639
Speaker 2: I agree, that's what freedom and not caring and you know,

641
00:26:17,720 --> 00:26:20,040
Speaker 2: living on your own rules and not trying to conform

642
00:26:20,160 --> 00:26:23,040
Speaker 2: to what the beauty standards that the industry kind of

643
00:26:23,080 --> 00:26:25,000
Speaker 2: puts in play for female artists that they have to

644
00:26:25,040 --> 00:26:26,440
Speaker 2: look this way, they have to be shaped this way,

645
00:26:26,880 --> 00:26:28,359
Speaker 2: they have to say this, they have to do that

646
00:26:28,560 --> 00:26:31,000
Speaker 2: like those just just like listen, pay attention to the art.

647
00:26:31,520 --> 00:26:33,200
Speaker 2: As long as the music is great, who gives a

648
00:26:33,240 --> 00:26:36,080
Speaker 2: fuck what I look like? I but I don't know.

649
00:26:36,160 --> 00:26:38,560
Speaker 1: Maybe I'm a realist. I agree with you and her,

650
00:26:38,840 --> 00:26:42,040
Speaker 1: but if you are a pop star, which Doja Cata is,

651
00:26:42,080 --> 00:26:43,800
Speaker 1: I'm just explaining the world. I'm not agreeing with it.

652
00:26:44,680 --> 00:26:47,240
Speaker 1: A lot of her music isn't for a lot of people,

653
00:26:47,560 --> 00:26:50,879
Speaker 1: but she's still a pop star. So the appeal of

654
00:26:51,000 --> 00:26:54,639
Speaker 1: why people would care and focus on maybe because they

655
00:26:54,680 --> 00:26:56,159
Speaker 1: want to fuck you. I think there's plenty of men

656
00:26:56,240 --> 00:27:00,320
Speaker 1: that didn't love Madonna's records, but they say and looked

657
00:27:00,320 --> 00:27:03,520
Speaker 1: at Madonna because they wanted to jerk their cocks all

658
00:27:03,640 --> 00:27:04,800
Speaker 1: day long in their mother's basement.

659
00:27:05,680 --> 00:27:07,159
Speaker 2: So I'm not I'm not saying all.

660
00:27:07,200 --> 00:27:09,040
Speaker 1: I'm not saying it's right, and of course it's it's

661
00:27:09,359 --> 00:27:12,000
Speaker 1: a double standard and all that bullshit. But yes, part

662
00:27:12,040 --> 00:27:15,920
Speaker 1: of being extremely fucking popular and being a pop star.

663
00:27:17,280 --> 00:27:18,560
Speaker 2: Uh sure, I'm not.

664
00:27:18,600 --> 00:27:21,119
Speaker 1: Saying what the standard of beauty is, but exactly so,

665
00:27:21,520 --> 00:27:24,240
Speaker 1: if you make certain type of music that is skewed

666
00:27:24,280 --> 00:27:28,680
Speaker 1: for the pop women, gay men, and just men that

667
00:27:29,200 --> 00:27:33,520
Speaker 1: appreciate music, there is a huge fan base over here

668
00:27:33,600 --> 00:27:35,119
Speaker 1: that's just fucking men that want to look at you

669
00:27:35,440 --> 00:27:38,760
Speaker 1: and just be disgusting men. But there's that's still part

670
00:27:38,800 --> 00:27:39,320
Speaker 1: of the market.

671
00:27:39,400 --> 00:27:41,239
Speaker 2: I know it's fucked up to here, but some men

672
00:27:41,359 --> 00:27:43,720
Speaker 2: like that and it's not right something like that. I

673
00:27:43,800 --> 00:27:45,680
Speaker 2: think she looks great, yeah, something like the shaved look.

674
00:27:45,720 --> 00:27:47,320
Speaker 1: But I'm just saying when you're saying, oh, just like

675
00:27:48,359 --> 00:27:51,720
Speaker 1: just focus on the art, like that's not how this works.

676
00:27:51,800 --> 00:27:54,159
Speaker 2: Unfortunately, I'm saying that's what she's saying. I mean, she

677
00:27:54,240 --> 00:27:57,240
Speaker 2: doesn't give a fuck. And I'll and I and I'll listen.

678
00:27:57,320 --> 00:28:00,520
Speaker 2: I'm for it. Who gives a fuck with shave my head?

679
00:28:00,640 --> 00:28:02,960
Speaker 2: She can put a wig on tomorrow? Like, who gives

680
00:28:02,960 --> 00:28:04,199
Speaker 2: a top?

681
00:28:04,240 --> 00:28:05,320
Speaker 1: Stars would never wear wigs?

682
00:28:05,480 --> 00:28:08,719
Speaker 2: Well, yeah, so yeah, I listen. I feel doja cat

683
00:28:08,800 --> 00:28:11,520
Speaker 2: on this one? H And who's jerking off in basements?

684
00:28:11,560 --> 00:28:13,520
Speaker 2: Like you can hear everything above you while you're jerking off.

685
00:28:14,000 --> 00:28:17,800
Speaker 2: You gotta focus it's in the basement. Yeah, but people

686
00:28:17,840 --> 00:28:21,200
Speaker 2: walking around upstairs in the kitchen put on headphones. You

687
00:28:21,359 --> 00:28:22,280
Speaker 2: jerk off with headphones on.

688
00:28:22,600 --> 00:28:23,320
Speaker 6: That's not the point.

689
00:28:24,560 --> 00:28:26,919
Speaker 2: That was a yes, definitely a yes, and look at him,

690
00:28:27,000 --> 00:28:27,679
Speaker 2: yes headphones.

691
00:28:29,720 --> 00:28:30,160
Speaker 1: Headphones?

692
00:28:30,240 --> 00:28:32,919
Speaker 2: No? I mean okay, uh so we got some new

693
00:28:33,040 --> 00:28:36,679
Speaker 2: music over the weekend, a lot of new music. Actually,

694
00:28:38,240 --> 00:28:40,120
Speaker 2: I think I read something that's projected at rod Wave

695
00:28:40,160 --> 00:28:41,960
Speaker 2: will have the number one album. Is that right, Julie

696
00:28:42,440 --> 00:28:46,000
Speaker 2: so far? Yes? Yes, I like that name first and foremost.

697
00:28:46,000 --> 00:28:48,400
Speaker 2: I think that name is super dope rod Wave. I

698
00:28:48,480 --> 00:28:49,760
Speaker 2: think he can do a lot with that name, with

699
00:28:49,840 --> 00:28:51,840
Speaker 2: that brand. I don't I'm not really a big fan

700
00:28:51,920 --> 00:28:53,160
Speaker 2: of road Wave. I don't listen to a lot of

701
00:28:53,200 --> 00:28:55,760
Speaker 2: his music. I've listened to obviously some of the biggest

702
00:28:55,800 --> 00:28:58,520
Speaker 2: songs and ship like that, But listen to this album. Huh, Like,

703
00:28:58,600 --> 00:28:59,040
Speaker 2: what do you like.

704
00:28:59,040 --> 00:28:59,880
Speaker 1: About the name?

705
00:29:00,280 --> 00:29:01,880
Speaker 2: Are you more like the rod side or the Waves?

706
00:29:01,960 --> 00:29:02,760
Speaker 3: Like? What your No?

707
00:29:02,840 --> 00:29:04,800
Speaker 2: I just think it's if somebody be like, yo, that's

708
00:29:04,880 --> 00:29:06,960
Speaker 2: my man, but it was that's rod Wave. It's kind

709
00:29:06,960 --> 00:29:09,440
Speaker 2: of like, Okay, you expect like a cool nigga to

710
00:29:09,440 --> 00:29:10,880
Speaker 2: walk through the room, like my man, rod Wave is

711
00:29:10,920 --> 00:29:11,720
Speaker 2: about to come through. Okay.

712
00:29:11,760 --> 00:29:14,280
Speaker 1: But we usually shortened names, especially when it's two names.

713
00:29:14,440 --> 00:29:15,520
Speaker 2: Yeah, is it is?

714
00:29:15,600 --> 00:29:15,640
Speaker 3: It?

715
00:29:16,080 --> 00:29:18,120
Speaker 2: Is it waving? No pun intended? When rod comes in

716
00:29:18,160 --> 00:29:18,520
Speaker 2: the building.

717
00:29:19,560 --> 00:29:19,840
Speaker 3: Yuck.

718
00:29:21,200 --> 00:29:25,600
Speaker 2: Nah, So I'm just asking what that wasn't. No, we're

719
00:29:25,600 --> 00:29:28,160
Speaker 2: not gonna call him that. We're not gonna call him wavy. Nah,

720
00:29:28,640 --> 00:29:29,320
Speaker 2: but I like Roadway.

721
00:29:29,360 --> 00:29:29,920
Speaker 3: I like that name.

722
00:29:30,320 --> 00:29:32,360
Speaker 2: I did download the album. I did listen to it.

723
00:29:33,000 --> 00:29:34,720
Speaker 2: I'm trying to get into the artists that I don't

724
00:29:34,760 --> 00:29:38,320
Speaker 2: really listen to a lot. But I don't know. It's

725
00:29:38,360 --> 00:29:40,840
Speaker 2: something about rod Wave that I just haven't connected to yet.

726
00:29:40,960 --> 00:29:41,920
Speaker 1: He's he's projected at.

727
00:29:42,920 --> 00:29:47,640
Speaker 2: Yeah, objected through forty that was that those are huge numbers.

728
00:29:49,320 --> 00:29:51,480
Speaker 2: But yeah, I downloaded the project and I was trying

729
00:29:51,480 --> 00:29:52,560
Speaker 2: to get into it over the weekend.

730
00:29:53,600 --> 00:29:53,680
Speaker 3: Uh.

731
00:29:53,800 --> 00:29:55,040
Speaker 2: The thing I did see.

732
00:29:56,640 --> 00:29:58,640
Speaker 1: Was I think he did an interview. I'm not quite

733
00:29:58,640 --> 00:30:00,760
Speaker 1: sure who it was with. I'm sorry, but he said

734
00:30:00,800 --> 00:30:03,160
Speaker 1: he took his verse off the lemon Pepper free style

735
00:30:03,320 --> 00:30:05,160
Speaker 1: with Drake, Yeah, because he ain't want to get washed.

736
00:30:05,680 --> 00:30:08,720
Speaker 1: And I respect that. Oh, I really respect that.

737
00:30:08,840 --> 00:30:12,760
Speaker 2: Gotta respect that, Like, yeah, I'm cool, it's appreciate this opportunity. Yeah,

738
00:30:12,840 --> 00:30:16,280
Speaker 2: but I know, yeah, I'm not ready for that feature yet.

739
00:30:16,760 --> 00:30:18,840
Speaker 2: Let me just you know, And and that takes that

740
00:30:18,960 --> 00:30:21,080
Speaker 2: takes a sense of knowing where you are as an artist.

741
00:30:22,040 --> 00:30:24,320
Speaker 2: And also like, yo, listen, you know what I don't

742
00:30:24,360 --> 00:30:26,520
Speaker 2: want to I know this platform standing next to Drake,

743
00:30:26,520 --> 00:30:28,480
Speaker 2: I know how many people are gonna hear me, and

744
00:30:28,640 --> 00:30:30,800
Speaker 2: if I feel like what I wrote and where I'm at,

745
00:30:30,880 --> 00:30:32,840
Speaker 2: like my creativity right now is not up to par

746
00:30:33,280 --> 00:30:35,200
Speaker 2: I'm not gonna let these millions of people hear me

747
00:30:35,280 --> 00:30:36,680
Speaker 2: like this. I'm not doing that. Yeah.

748
00:30:36,840 --> 00:30:40,160
Speaker 1: Whereas I don't think Jack should have taken his verse off,

749
00:30:40,720 --> 00:30:42,280
Speaker 1: but I'm glad he went back in and added some

750
00:30:42,400 --> 00:30:44,560
Speaker 1: more bars and then said, Hey, we may need the

751
00:30:44,640 --> 00:30:47,640
Speaker 1: Kentucky Derby as a video to distract them from this

752
00:30:47,880 --> 00:30:49,160
Speaker 1: this washing that's taking place.

753
00:30:49,960 --> 00:30:51,680
Speaker 2: If I'm gonna get washed, it's gonna be at Kentucky

754
00:30:51,720 --> 00:30:53,720
Speaker 2: Derby in a suit. I get it. That was a

755
00:30:53,760 --> 00:30:54,920
Speaker 2: good move. That was a great pivot.

756
00:30:55,160 --> 00:30:56,760
Speaker 1: So Yeah, as much as I don't know too much

757
00:30:56,760 --> 00:30:58,239
Speaker 1: about rod Wave, I did see that, and I did

758
00:30:58,280 --> 00:31:01,560
Speaker 1: appreciate the self aways of not being ready for certain

759
00:31:01,600 --> 00:31:03,560
Speaker 1: records and like, I'm not just gonna take this opportunity

760
00:31:03,600 --> 00:31:06,800
Speaker 1: to take it and fucking fail either way.

761
00:31:07,360 --> 00:31:10,959
Speaker 2: Road Wave, congrats, those numbers are huge. Who's on the project?

762
00:31:11,320 --> 00:31:12,520
Speaker 3: Oh? Jack is on there?

763
00:31:12,960 --> 00:31:14,000
Speaker 2: Jack Hollows on there?

764
00:31:14,720 --> 00:31:19,920
Speaker 1: Uh, not a lot of features. One forty with very

765
00:31:20,000 --> 00:31:21,720
Speaker 1: minimal features. Shout out, congrats.

766
00:31:21,880 --> 00:31:23,959
Speaker 2: That's not that's not easy to do. Hell no, that's

767
00:31:24,000 --> 00:31:25,920
Speaker 2: not so. I yes, I made sure because I've seen

768
00:31:25,920 --> 00:31:27,800
Speaker 2: a lot of people talking about him, and like I said,

769
00:31:27,800 --> 00:31:29,840
Speaker 2: I've heard the bigger songs, the biggest singles, but I

770
00:31:29,960 --> 00:31:32,080
Speaker 2: never really got into a full project for road Waves.

771
00:31:32,120 --> 00:31:34,040
Speaker 2: So I'm trying to. I'm trying to like get into

772
00:31:34,120 --> 00:31:36,600
Speaker 2: new artists and and and see what their their whole

773
00:31:36,640 --> 00:31:38,720
Speaker 2: thing is about. So road Wave, I've downloaded the project

774
00:31:38,920 --> 00:31:41,560
Speaker 2: Beautiful Mind available now your DSPs, and he is projected

775
00:31:41,600 --> 00:31:44,000
Speaker 2: to have the number one album this week. So congratulations

776
00:31:44,000 --> 00:31:44,720
Speaker 2: to him and his team.

777
00:31:45,600 --> 00:31:47,320
Speaker 1: I'm sure you didn't get a chance to listen to

778
00:31:47,400 --> 00:31:50,520
Speaker 1: it because you had your streaming farm duties as a

779
00:31:50,600 --> 00:31:53,720
Speaker 1: bar over the weekend where you were buying new phones

780
00:31:53,760 --> 00:31:55,240
Speaker 1: over at AT and T and just setting them up

781
00:31:55,240 --> 00:31:57,040
Speaker 1: around the house repeating.

782
00:31:56,720 --> 00:31:58,920
Speaker 2: And playing a nicky record. Oh you didn't, You didn't know.

783
00:31:58,960 --> 00:32:00,600
Speaker 2: You didn't see the numbers that came out for the song.

784
00:32:00,680 --> 00:32:01,320
Speaker 2: I did see.

785
00:32:01,360 --> 00:32:04,040
Speaker 1: I think it was whatever streaming stat they always add

786
00:32:04,280 --> 00:32:06,400
Speaker 1: when a big artist puts something out, the most stream

787
00:32:06,520 --> 00:32:07,560
Speaker 1: for a female.

788
00:32:07,320 --> 00:32:10,280
Speaker 2: In on Halloween. Always they always make it that it's

789
00:32:10,280 --> 00:32:13,840
Speaker 2: always the most streams ever on the full Moon by

790
00:32:13,880 --> 00:32:16,480
Speaker 2: any artist to ever come out in the Winter Solstice,

791
00:32:16,600 --> 00:32:18,920
Speaker 2: you know, ship like that. But yeah, I heard the

792
00:32:18,960 --> 00:32:23,120
Speaker 2: Super Freak record, Nikki, it's not for us. I don't

793
00:32:23,120 --> 00:32:25,280
Speaker 2: think it's for for gods to be banging. I wouldn't.

794
00:32:25,280 --> 00:32:26,600
Speaker 2: You wouldn't come up to the crib and hear me

795
00:32:26,640 --> 00:32:30,520
Speaker 2: banging super Freak. But Damaris couldn't stop working all day

796
00:32:31,120 --> 00:32:32,160
Speaker 2: to the Super Freak record.

797
00:32:32,800 --> 00:32:33,080
Speaker 7: I can.

798
00:32:33,720 --> 00:32:34,680
Speaker 5: I can write it well.

799
00:32:35,600 --> 00:32:40,400
Speaker 2: Sliding. Why do every girl think they got the slippy slotty?

800
00:32:40,560 --> 00:32:41,000
Speaker 3: They don't.

801
00:32:41,160 --> 00:32:41,600
Speaker 2: They don't.

802
00:32:42,280 --> 00:32:46,360
Speaker 5: That's the confidence thing. I'm not gonna hop on the

803
00:32:46,400 --> 00:32:48,720
Speaker 5: track and say, yeah I got that average push Like,

804
00:32:48,800 --> 00:32:49,360
Speaker 5: who's doing that?

805
00:32:49,560 --> 00:32:53,040
Speaker 2: Like I would love it. I respect that. Here's a

806
00:32:53,080 --> 00:32:56,480
Speaker 2: woman he knows. Here's an artist that knows us to

807
00:32:56,480 --> 00:32:59,560
Speaker 2: see Rod Rod took yourself off the track. He's like, yo,

808
00:32:59,600 --> 00:33:02,200
Speaker 2: I'm not doing that. We respect it. Were like, yo,

809
00:33:02,240 --> 00:33:04,720
Speaker 2: you know what, let me go listen to this. Kid's

810
00:33:04,720 --> 00:33:07,200
Speaker 2: a kid that knows herself. If a girl came on,

811
00:33:07,280 --> 00:33:09,680
Speaker 2: a female, MC was like, yo, listen, my box is

812
00:33:09,680 --> 00:33:11,719
Speaker 2: all right. I be like, I'm fucking with her.

813
00:33:12,400 --> 00:33:13,760
Speaker 3: I like this. I like her.

814
00:33:13,840 --> 00:33:16,200
Speaker 2: You know, some days my box is really hit, Like yeah,

815
00:33:16,280 --> 00:33:18,200
Speaker 2: like you know, my box is cool. You know I mean,

816
00:33:18,280 --> 00:33:20,240
Speaker 2: I I mean, it get wet, but you might have

817
00:33:20,320 --> 00:33:22,920
Speaker 2: to eat it a little bit, you know, started up,

818
00:33:22,960 --> 00:33:26,200
Speaker 2: warming up a little bit. I respect that. But women

819
00:33:26,280 --> 00:33:28,760
Speaker 2: now they come out, I got that gushy, gushy wet. No,

820
00:33:30,080 --> 00:33:32,080
Speaker 2: my man hit that. He's he say nothing like that.

821
00:33:33,680 --> 00:33:36,120
Speaker 2: He did not say it was Goodhye gushy. He didn't

822
00:33:36,200 --> 00:33:36,480
Speaker 2: say that.

823
00:33:36,840 --> 00:33:39,400
Speaker 1: He didn't even don't even know the podcast twenty years

824
00:33:39,480 --> 00:33:42,120
Speaker 1: later with an engraved watch and say how crazy that ship?

825
00:33:42,200 --> 00:33:44,240
Speaker 5: But yeah, he.

826
00:33:44,280 --> 00:33:46,680
Speaker 2: Didn't do it, Like Ashanti is the only one with

827
00:33:46,720 --> 00:33:49,920
Speaker 2: the gushy gushy so far. Let's just be her words.

828
00:33:50,000 --> 00:33:50,400
Speaker 2: Is that good?

829
00:33:50,480 --> 00:33:50,640
Speaker 7: Good?

830
00:33:50,720 --> 00:33:51,160
Speaker 3: But whatever?

831
00:33:51,280 --> 00:33:54,040
Speaker 2: That's what That's what she said that it was a

832
00:33:54,600 --> 00:33:56,600
Speaker 2: call back to one of her songs. Oh I thought

833
00:33:56,640 --> 00:33:58,400
Speaker 2: she came out and said that about Sol She's gangster

834
00:33:59,440 --> 00:34:01,280
Speaker 2: if that's all she said. A response to that like, yeah,

835
00:34:01,280 --> 00:34:03,520
Speaker 2: you know, I got that good good, Like I'm going

836
00:34:03,560 --> 00:34:05,200
Speaker 2: to download every shaty song right now.

837
00:34:05,920 --> 00:34:07,320
Speaker 1: And I don't want to ship on women because I

838
00:34:07,320 --> 00:34:09,840
Speaker 1: already know what time it is with me. But women

839
00:34:09,920 --> 00:34:12,000
Speaker 1: swear they're super freaks. And then he'd be like, oh

840
00:34:12,120 --> 00:34:12,920
Speaker 1: we could fuck in the car.

841
00:34:13,120 --> 00:34:16,600
Speaker 2: I'm like, whoa crazy girl over here.

842
00:34:17,800 --> 00:34:19,840
Speaker 1: That's when they think they're like some crazy freak and

843
00:34:19,920 --> 00:34:22,040
Speaker 1: then you find out they're not. But uh, yeah, I

844
00:34:22,080 --> 00:34:27,080
Speaker 1: guess this Rick James song featured Nicki Minaj Again, it's

845
00:34:27,160 --> 00:34:28,960
Speaker 1: not for me. I see the barbs love it. That's

846
00:34:29,000 --> 00:34:29,560
Speaker 1: all that matters.

847
00:34:29,640 --> 00:34:30,800
Speaker 2: I'm interested in the album.

848
00:34:31,080 --> 00:34:31,800
Speaker 1: I'm not interested.

849
00:34:31,800 --> 00:34:33,160
Speaker 2: I want to hit the project. I don't I know

850
00:34:33,239 --> 00:34:35,160
Speaker 2: how this goes. We have to do this type of single. Yeah,

851
00:34:35,160 --> 00:34:36,600
Speaker 2: so I'm cool. It's not for me.

852
00:34:36,760 --> 00:34:38,680
Speaker 5: I'm not gonna let you keep getting let Nikki get

853
00:34:38,680 --> 00:34:40,319
Speaker 5: away with that ship. You gotta do this type of single.

854
00:34:40,440 --> 00:34:41,239
Speaker 5: She has to do this type.

855
00:34:41,520 --> 00:34:43,719
Speaker 2: I don't think she does. But I can't do too.

856
00:34:43,760 --> 00:34:46,560
Speaker 2: But I see why she did it. Of course she

857
00:34:46,600 --> 00:34:49,560
Speaker 2: got it. I'm coming like this song is big, is

858
00:34:49,640 --> 00:34:52,520
Speaker 2: streaming everywhere right now, is breaking numbers obviously, like I

859
00:34:52,600 --> 00:34:54,200
Speaker 2: get it. Yeah, give them that. You got to give

860
00:34:54,200 --> 00:34:56,879
Speaker 2: them that poppy, poppy hop rap shit.

861
00:34:57,080 --> 00:35:01,040
Speaker 1: All right, Damaris, I'll give that to you because it's

862
00:35:01,080 --> 00:35:02,879
Speaker 1: working so well. Who the fuck am I to say

863
00:35:03,320 --> 00:35:07,600
Speaker 1: that she's above this? But I do think Nikki's artistry,

864
00:35:07,680 --> 00:35:09,360
Speaker 1: especially at this age, as well above the song. And

865
00:35:09,440 --> 00:35:11,200
Speaker 1: this is not but but but I think Nikki is

866
00:35:11,239 --> 00:35:13,839
Speaker 1: way better than this record. But who the fuck am

867
00:35:13,840 --> 00:35:15,720
Speaker 1: I to say that single when it's it's the same.

868
00:35:15,560 --> 00:35:17,640
Speaker 2: Streaming, it's not the whole album sounds and now I

869
00:35:17,680 --> 00:35:19,920
Speaker 2: don't we don't know, but I'm pretty sure the whole

870
00:35:19,920 --> 00:35:21,239
Speaker 2: album is not gonna sound like this.

871
00:35:22,719 --> 00:35:25,399
Speaker 5: Didn't shoot Drake that same bell when Staying Alive came

872
00:35:25,440 --> 00:35:25,680
Speaker 5: out and.

873
00:35:26,960 --> 00:35:29,399
Speaker 2: Standing when I said that the song stinks, Yes, we'll

874
00:35:29,400 --> 00:35:33,719
Speaker 2: staying alive. That's the Kalid Yeah that but that song, No,

875
00:35:33,880 --> 00:35:35,719
Speaker 2: that's that's just not a good No. It first was

876
00:35:35,760 --> 00:35:38,840
Speaker 2: a different bpm first of all, Like all together, it

877
00:35:39,000 --> 00:35:40,520
Speaker 2: just changed the whole energy of the record.

878
00:35:41,520 --> 00:35:42,120
Speaker 3: I don't like it.

879
00:35:43,360 --> 00:35:45,560
Speaker 2: I don't like it is what it is, Love Drake,

880
00:35:45,600 --> 00:35:48,120
Speaker 2: love little Baby. But what's your point of Staying Alive

881
00:35:48,239 --> 00:35:48,560
Speaker 2: versus this?

882
00:35:48,840 --> 00:35:51,120
Speaker 5: You're saying, Oh, it's a single, it doesn't matter. You know,

883
00:35:51,160 --> 00:35:51,799
Speaker 5: it's just a single.

884
00:35:51,840 --> 00:35:52,360
Speaker 3: You gotta do that.

885
00:35:52,440 --> 00:35:56,840
Speaker 2: Okay, we're did we say we loved this record. Nobody

886
00:35:56,920 --> 00:35:59,480
Speaker 2: said that. We understand you don't like NICKI.

887
00:35:59,239 --> 00:35:59,560
Speaker 3: We get that.

888
00:36:00,239 --> 00:36:01,560
Speaker 5: That's no, don't put we know you.

889
00:36:01,560 --> 00:36:03,879
Speaker 2: Don't like Nikki. We know you're not a bar, You're

890
00:36:03,880 --> 00:36:07,160
Speaker 2: not a ball. He has all the members I'm the

891
00:36:07,239 --> 00:36:09,480
Speaker 2: vice president of the barbies, Like, you're not a bar

892
00:36:09,600 --> 00:36:12,719
Speaker 2: We don't have your paperwork anywhere. He's not even in here,

893
00:36:12,760 --> 00:36:16,600
Speaker 2: No PaperWorks nowhere to Michael K. Williams, which is available now.

894
00:36:17,000 --> 00:36:17,920
Speaker 1: I think it's available now.

895
00:36:18,800 --> 00:36:19,680
Speaker 2: Please check this out.

896
00:36:20,480 --> 00:36:23,160
Speaker 1: Michael kay Williams Rests for My Life, Rest in Peace,

897
00:36:23,280 --> 00:36:24,400
Speaker 1: his memoir that he wrote.

898
00:36:24,200 --> 00:36:26,480
Speaker 2: Before his death with John Sternfeld.

899
00:36:27,239 --> 00:36:28,360
Speaker 1: Yeah, I'm excited to read that.

900
00:36:28,520 --> 00:36:29,840
Speaker 2: Look at Mike on the back. I know, you know,

901
00:36:29,920 --> 00:36:31,200
Speaker 2: Mike used to be in the club's going you know,

902
00:36:31,280 --> 00:36:34,280
Speaker 2: he sweated that silk shirt out in ten minutes, dancing,

903
00:36:34,320 --> 00:36:35,160
Speaker 2: shaking his ass all.

904
00:36:37,040 --> 00:36:43,360
Speaker 1: All right, but see to Marius to your point, weird transition,

905
00:36:43,400 --> 00:36:48,000
Speaker 1: I'm sorry, Well, Mike was a super freaking this is working.

906
00:36:48,520 --> 00:36:50,719
Speaker 1: This is this is where your argument goes away. Super

907
00:36:50,760 --> 00:36:54,239
Speaker 1: freaky girls working. It broke every Spotify record ever or something.

908
00:36:54,360 --> 00:36:56,440
Speaker 2: And it's not for me. I'm not banging this. I'm

909
00:36:56,680 --> 00:36:59,439
Speaker 2: a barb. Do we think staying alive is working?

910
00:37:00,000 --> 00:37:00,320
Speaker 6: I don't know.

911
00:37:01,719 --> 00:37:03,280
Speaker 1: So I can critique to be like, hey, you probably

912
00:37:03,280 --> 00:37:05,800
Speaker 1: could have won a different route. Hindsight's twenty twenty. This

913
00:37:06,040 --> 00:37:08,719
Speaker 1: I would say as a Nikki fan, I think she's

914
00:37:08,760 --> 00:37:10,719
Speaker 1: better than this record. I think she's better than the

915
00:37:10,800 --> 00:37:16,200
Speaker 1: obvious sample and the freaky girl lyrics. But but it's working,

916
00:37:16,320 --> 00:37:17,200
Speaker 1: so let me shut.

917
00:37:17,000 --> 00:37:18,719
Speaker 2: The fuck up. This is playing the game. This is

918
00:37:18,800 --> 00:37:21,400
Speaker 2: gonna do well on TikTok, and you know it's a different,

919
00:37:21,719 --> 00:37:25,320
Speaker 2: amazing TikTok. Of course, this is what this is for. Like,

920
00:37:25,360 --> 00:37:27,680
Speaker 2: I know what this is about. I want to hear

921
00:37:28,200 --> 00:37:30,280
Speaker 2: I want to hear the album though them album cuts

922
00:37:30,400 --> 00:37:32,840
Speaker 2: when Nikki talking her ship and you know that's the

923
00:37:32,880 --> 00:37:34,759
Speaker 2: ship I wanted. That's for me. That's what you're talking

924
00:37:34,760 --> 00:37:36,839
Speaker 2: to niggas like me. Why this is for y'all? Get

925
00:37:36,880 --> 00:37:38,960
Speaker 2: on your TikTok and do your snapchat ship and all

926
00:37:38,960 --> 00:37:39,439
Speaker 2: that other shit.

927
00:37:39,800 --> 00:37:41,000
Speaker 1: Old Nikki is she was talking to you.

928
00:37:41,400 --> 00:37:42,880
Speaker 2: Old Nikki is at the name of Erecord.

929
00:37:42,920 --> 00:37:43,680
Speaker 1: See you're not even a bar.

930
00:37:44,160 --> 00:37:45,040
Speaker 2: You not even no bar.

931
00:37:46,920 --> 00:37:49,799
Speaker 1: It's cool, bro, you're not a bar the record, Old Nikki, listen,

932
00:37:49,880 --> 00:37:51,279
Speaker 1: you're not a reloaded fan.

933
00:37:52,520 --> 00:37:53,560
Speaker 2: What are you crazy?

934
00:37:54,080 --> 00:37:57,000
Speaker 5: Come on, man, pull up and see that's TikTok.

935
00:37:57,000 --> 00:37:57,279
Speaker 3: All right?

936
00:37:57,320 --> 00:37:58,920
Speaker 1: Sorry, any Why do you guys think she didn't do

937
00:37:58,920 --> 00:37:59,360
Speaker 1: a video with this?

938
00:38:00,719 --> 00:38:02,200
Speaker 2: Do we know if she did a video? She didn't

939
00:38:02,360 --> 00:38:04,200
Speaker 2: she might have one. No, no, I think there's one coming.

940
00:38:04,239 --> 00:38:09,200
Speaker 1: I'm saying, but typically Nikki, especially with singles, she definitely

941
00:38:09,200 --> 00:38:10,960
Speaker 1: has a video a single that would be super free.

942
00:38:11,040 --> 00:38:12,879
Speaker 1: I get that, but it didn't come out with a single,

943
00:38:12,920 --> 00:38:16,200
Speaker 1: and usually that's a driving force. I hate saying that word,

944
00:38:16,280 --> 00:38:19,640
Speaker 1: but for you'd like female, it's very it's very interesting.

945
00:38:20,239 --> 00:38:22,560
Speaker 1: He loves driving force, the blazing hip hop and R

946
00:38:22,600 --> 00:38:26,600
Speaker 1: and B. But yeah, with with with women rappers, they

947
00:38:26,719 --> 00:38:28,520
Speaker 1: usually do the video with a single, especially if it's

948
00:38:28,520 --> 00:38:29,480
Speaker 1: a freaky girl record.

949
00:38:29,800 --> 00:38:31,840
Speaker 2: Nicky's definitely have a video for this. I agree.

950
00:38:31,960 --> 00:38:33,800
Speaker 1: I'm asking why do you guys think she didn't do

951
00:38:33,840 --> 00:38:36,080
Speaker 1: it when it came out, because it usually comes the

952
00:38:36,120 --> 00:38:36,600
Speaker 1: day it comes out.

953
00:38:36,640 --> 00:38:39,040
Speaker 2: Yeah, I don't know that. I can't speak to yeah,

954
00:38:39,080 --> 00:38:41,160
Speaker 2: but she definitely has a video coming for that record.

955
00:38:41,239 --> 00:38:43,480
Speaker 2: Is to doing too well to not have a video for.

956
00:38:43,600 --> 00:38:45,520
Speaker 1: Do you think she's gonna do verse swaps with Takashi?

957
00:38:48,560 --> 00:38:49,880
Speaker 2: That's kind for the album? Do you just threw his

958
00:38:50,000 --> 00:38:52,000
Speaker 2: name out there like that? Are you wearing.

959
00:38:53,560 --> 00:38:55,160
Speaker 1: Okay, I'm not wearing Takashi.

960
00:38:56,000 --> 00:39:01,879
Speaker 2: I he's singing cologne no wire, not a cologne A wire.

961
00:39:02,040 --> 00:39:03,200
Speaker 2: I just want to know she would do the verse

962
00:39:03,239 --> 00:39:05,640
Speaker 2: wis for the album? Do you hope not?

963
00:39:06,000 --> 00:39:08,960
Speaker 5: Do you guys have any idea how to make like

964
00:39:09,080 --> 00:39:11,879
Speaker 5: I feel like music has a really short shelf life

965
00:39:11,920 --> 00:39:15,560
Speaker 5: these days singles everything gets forgetting, so it gets forgotten

966
00:39:15,640 --> 00:39:17,840
Speaker 5: so fast, like we forget about it so fast it

967
00:39:17,960 --> 00:39:20,839
Speaker 5: comes out album exactly. So do you guys have any

968
00:39:20,920 --> 00:39:22,960
Speaker 5: ideas how artists could extend.

969
00:39:22,600 --> 00:39:26,560
Speaker 2: That or like what's next and stop chasing trends? Like

970
00:39:26,640 --> 00:39:29,200
Speaker 2: I think artists need to stop chasing trends. One an

971
00:39:29,280 --> 00:39:31,360
Speaker 2: artist that had one of the probably if not my

972
00:39:31,480 --> 00:39:35,480
Speaker 2: favorite rap album of year so far, Vince Staples. He

973
00:39:35,520 --> 00:39:39,000
Speaker 2: didn't chase no trends. He not looking for TikTok, he

974
00:39:39,120 --> 00:39:41,400
Speaker 2: not looking for hashtags and all that other shit. He

975
00:39:41,520 --> 00:39:44,040
Speaker 2: just putting out good music, look good balls, good versus

976
00:39:44,320 --> 00:39:44,920
Speaker 2: good production.

977
00:39:45,400 --> 00:39:47,440
Speaker 1: But that could only take you so that takes you

978
00:39:47,560 --> 00:39:49,040
Speaker 1: to your core core?

979
00:39:49,200 --> 00:39:50,840
Speaker 2: Yeah yeah, but sometimes that's all you need to do.

980
00:39:51,000 --> 00:39:54,120
Speaker 2: Sometimes focus on focus on who's here. I agree with

981
00:39:54,280 --> 00:39:56,960
Speaker 2: some artists. Everybody will following niggas a fall in line

982
00:39:57,000 --> 00:39:59,960
Speaker 2: and follow suit and catch up later, But like, don't chase,

983
00:40:00,280 --> 00:40:01,840
Speaker 2: because now when you chase a trend and then you

984
00:40:01,920 --> 00:40:03,520
Speaker 2: look back four years you'd be like, yo, I didn't

985
00:40:03,520 --> 00:40:05,400
Speaker 2: even want to do that ship. Of course not.

986
00:40:05,600 --> 00:40:09,560
Speaker 1: But some artists, within their deals and what they owe

987
00:40:09,640 --> 00:40:11,879
Speaker 1: back to their label, can't just go after their core.

988
00:40:13,080 --> 00:40:15,960
Speaker 1: They got bills to pay, They're gonna get sued. So yeah,

989
00:40:16,000 --> 00:40:17,759
Speaker 1: all right, let's do the TikTok dance.

990
00:40:17,840 --> 00:40:18,160
Speaker 2: I get it.

991
00:40:18,719 --> 00:40:22,120
Speaker 1: Everyone has Nicki Minaj's core and she's still playing the game.

992
00:40:22,600 --> 00:40:25,080
Speaker 2: Well, Nikki built her core. Oh we know that she

993
00:40:25,239 --> 00:40:26,839
Speaker 2: You know that. What I'm saying, look at her core.

994
00:40:26,920 --> 00:40:27,320
Speaker 3: No matter what.

995
00:40:27,360 --> 00:40:30,920
Speaker 1: When Nikki puts something out, the barbs are showing up regardless,

996
00:40:30,960 --> 00:40:33,279
Speaker 1: and she's still to some degree, as we're saying with

997
00:40:33,520 --> 00:40:35,319
Speaker 1: this record, it's playing the game.

998
00:40:37,040 --> 00:40:38,920
Speaker 2: And understandably so she's that.

999
00:40:39,960 --> 00:40:41,359
Speaker 1: You know, people take that in a bad way. I'm

1000
00:40:41,360 --> 00:40:43,319
Speaker 1: not saying a bad way. She plays the game.

1001
00:40:43,480 --> 00:40:45,920
Speaker 2: She's Nicki is a is a superstar, so she has

1002
00:40:46,000 --> 00:40:48,480
Speaker 2: to It's a certain level that she has to hit

1003
00:40:48,560 --> 00:40:52,399
Speaker 2: every time. But even Nikki, I think that she still

1004
00:40:52,440 --> 00:40:55,920
Speaker 2: focuses on her core audience thuff like let me hit

1005
00:40:56,000 --> 00:40:59,359
Speaker 2: the core and then sprinkling, you know, the other ship,

1006
00:40:59,480 --> 00:41:02,640
Speaker 2: the other ship to go viral. The TikTok shit, the

1007
00:41:02,680 --> 00:41:06,000
Speaker 2: TikTok records and all of that. I don't, well, Nicki's

1008
00:41:06,040 --> 00:41:08,600
Speaker 2: core is gonna love everything Nicki does regardless, And I

1009
00:41:08,640 --> 00:41:11,280
Speaker 2: don't feel like Nikki was making TikTok records before TikTok.

1010
00:41:11,600 --> 00:41:13,279
Speaker 6: Sure, definitely, like you know what I mean.

1011
00:41:13,480 --> 00:41:16,360
Speaker 2: So this is not this is not too far away

1012
00:41:16,400 --> 00:41:18,040
Speaker 2: from who Nicky is. Oh no, I don't think this

1013
00:41:18,040 --> 00:41:19,480
Speaker 2: is too far ye, No, this is this is this

1014
00:41:19,600 --> 00:41:22,040
Speaker 2: is Nicki. But I just know that when the album comes,

1015
00:41:22,040 --> 00:41:24,640
Speaker 2: she's gonna have those album cuts on there that are

1016
00:41:24,680 --> 00:41:26,560
Speaker 2: forgods like me. Like, Okay, I fust she getting off.

1017
00:41:26,600 --> 00:41:28,600
Speaker 2: She's spinning that shit on it, like that's all I'm

1018
00:41:28,640 --> 00:41:30,360
Speaker 2: looking forward to. This is cool. I understand what this

1019
00:41:30,480 --> 00:41:31,919
Speaker 2: is for, but I'm waiting for the album.

1020
00:41:35,320 --> 00:41:38,200
Speaker 1: Skitzy your Man's who else. I'm sitting at the edge

1021
00:41:38,239 --> 00:41:40,160
Speaker 1: of my seat waiting waiting for the game.

1022
00:41:40,320 --> 00:41:42,560
Speaker 2: So we talked about the game. Album came out thirty

1023
00:41:42,600 --> 00:41:45,560
Speaker 2: one tracks. When we got the track list, it came out,

1024
00:41:45,600 --> 00:41:48,279
Speaker 2: I downloaded it, and then it disappeared because I think

1025
00:41:48,320 --> 00:41:49,160
Speaker 2: they took a track off.

1026
00:41:50,040 --> 00:41:52,200
Speaker 1: No all, right, before we get into the review, I

1027
00:41:52,200 --> 00:41:53,520
Speaker 1: didn't want to bring that up, but since you brought

1028
00:41:53,560 --> 00:41:56,839
Speaker 1: it up first, was this the doings of Whack one

1029
00:41:56,920 --> 00:42:02,239
Speaker 1: hundred explain so over. Then I went to the game

1030
00:42:02,280 --> 00:42:05,279
Speaker 1: album HM and typically when you go to albums, let's

1031
00:42:05,280 --> 00:42:08,360
Speaker 1: shoose Apple Music for an example, you go to albums

1032
00:42:08,600 --> 00:42:11,480
Speaker 1: and it has everything there. Yeah, there was two game albums,

1033
00:42:11,880 --> 00:42:13,719
Speaker 1: both with the little E thing, which means it's not

1034
00:42:13,880 --> 00:42:17,719
Speaker 1: the edited version, like explicit explicit. When you clicked one

1035
00:42:17,760 --> 00:42:21,719
Speaker 1: of them, it was just the record with blue Face.

1036
00:42:23,560 --> 00:42:24,600
Speaker 1: I would click the whole album, this.

1037
00:42:24,560 --> 00:42:25,040
Speaker 2: Is the whole weekend.

1038
00:42:25,080 --> 00:42:26,839
Speaker 1: It wasn't just my phone, it was other people's as well.

1039
00:42:27,040 --> 00:42:30,239
Speaker 1: You would click Drillmatic the first one and it would

1040
00:42:30,239 --> 00:42:34,600
Speaker 1: be Game featuring a Blue Face thirty eight special, and

1041
00:42:34,600 --> 00:42:36,840
Speaker 1: then the one next to it, which was also explicit.

1042
00:42:37,840 --> 00:42:39,640
Speaker 1: It was the full album, but the first one was

1043
00:42:39,760 --> 00:42:44,000
Speaker 1: just the album with just Blue facing Game. Now you

1044
00:42:44,040 --> 00:42:46,000
Speaker 1: get that off if you go, If you go, you

1045
00:42:46,080 --> 00:42:47,360
Speaker 1: can go out to the common.

1046
00:42:47,160 --> 00:42:50,279
Speaker 2: Denominator between Game and Blue Face.

1047
00:42:52,560 --> 00:42:53,240
Speaker 1: Who's Kashan?

1048
00:42:54,719 --> 00:42:56,680
Speaker 2: He ain't gang? Gang? You ain't you ain't you ain't

1049
00:42:56,719 --> 00:42:59,680
Speaker 2: you ain't? No, I'm not I'm not gang. I'm not ganggang?

1050
00:43:00,320 --> 00:43:03,360
Speaker 3: Uh is that is?

1051
00:43:03,440 --> 00:43:05,239
Speaker 2: That's something to do with the crips. No, that's a

1052
00:43:05,360 --> 00:43:06,360
Speaker 2: blue Face's girlfriend.

1053
00:43:06,760 --> 00:43:08,799
Speaker 1: Oh, the one that like beats up his mom, and shit,

1054
00:43:08,840 --> 00:43:09,480
Speaker 1: I shouldn't laugh.

1055
00:43:09,560 --> 00:43:09,880
Speaker 3: I say that.

1056
00:43:10,560 --> 00:43:12,560
Speaker 2: I just saw the headline. I was like, Jesus, weird

1057
00:43:12,680 --> 00:43:15,040
Speaker 2: you laugh at that? You need help. I thought it

1058
00:43:15,160 --> 00:43:16,520
Speaker 2: was a do you and your mom have something to

1059
00:43:16,560 --> 00:43:19,000
Speaker 2: talk about? You think it's funny beating up moms?

1060
00:43:19,120 --> 00:43:19,160
Speaker 3: No?

1061
00:43:19,280 --> 00:43:21,920
Speaker 1: And I would never let a woman beat my mother up.

1062
00:43:22,040 --> 00:43:23,760
Speaker 2: Okay, you would beat her ash.

1063
00:43:23,880 --> 00:43:26,080
Speaker 1: Well, I think it's a fair fay Blue Faces mom

1064
00:43:26,160 --> 00:43:29,560
Speaker 1: is uh from the picture, looked like she's still in shape.

1065
00:43:29,680 --> 00:43:32,680
Speaker 2: Like was it a fair fight? I don't even know

1066
00:43:32,680 --> 00:43:33,319
Speaker 2: if did this fight?

1067
00:43:33,520 --> 00:43:35,960
Speaker 1: Yes, like more than what a couple of rounds? It

1068
00:43:36,120 --> 00:43:38,319
Speaker 1: was just the Blue Facing Game record, and I thought,

1069
00:43:38,360 --> 00:43:39,640
Speaker 1: what is the common denominated here?

1070
00:43:39,960 --> 00:43:41,200
Speaker 2: And you thought, Whack has something to do.

1071
00:43:41,280 --> 00:43:44,960
Speaker 1: Whack one hundred went to DSP's and said, all right,

1072
00:43:44,960 --> 00:43:46,680
Speaker 1: we're gonna run up the streams on this Blue Facing

1073
00:43:46,719 --> 00:43:47,120
Speaker 1: Game record.

1074
00:43:47,120 --> 00:43:49,440
Speaker 2: It's could be its own album. Yeah, Like I downloaded

1075
00:43:49,440 --> 00:43:50,840
Speaker 2: it and then I went to listen to it and

1076
00:43:50,960 --> 00:43:53,719
Speaker 2: it said this album this is not available in your

1077
00:43:53,800 --> 00:43:56,640
Speaker 2: I was like, what. They clearly had some type of issues.

1078
00:43:56,640 --> 00:43:58,799
Speaker 1: And I'm not saying Whack did that purposely, but if

1079
00:43:58,840 --> 00:44:00,920
Speaker 1: he did, hats off to him, because that's fucking hilertous.

1080
00:44:00,920 --> 00:44:02,879
Speaker 2: I thought maybe a sample or something didn't get cleared

1081
00:44:03,000 --> 00:44:05,440
Speaker 2: or something something happened, Like I do.

1082
00:44:05,640 --> 00:44:08,960
Speaker 1: Know that Black Sam had gotten this is allegedly it's

1083
00:44:09,000 --> 00:44:10,279
Speaker 1: the Internet, so I don't know if it's true Black

1084
00:44:10,280 --> 00:44:14,000
Speaker 1: Sam had gotten Nipsey's either record or Verse taken off

1085
00:44:14,080 --> 00:44:15,920
Speaker 1: the album once it came out, so that could have

1086
00:44:15,920 --> 00:44:16,440
Speaker 1: had something to do.

1087
00:44:16,560 --> 00:44:20,400
Speaker 2: Absolutely, I knew it. I know it disappeared and then

1088
00:44:20,440 --> 00:44:22,239
Speaker 2: I had to like download it again and it was

1089
00:44:22,440 --> 00:44:23,160
Speaker 2: thirty tracks.

1090
00:44:23,400 --> 00:44:25,839
Speaker 1: Yeah, why do you get it taken off?

1091
00:44:25,960 --> 00:44:26,520
Speaker 5: Anybody know?

1092
00:44:27,000 --> 00:44:29,279
Speaker 2: We just said, are you listening to Marus? You're fired?

1093
00:44:29,320 --> 00:44:33,200
Speaker 2: Get up my guests.

1094
00:44:33,200 --> 00:44:35,840
Speaker 1: You want to know my guests would be Whack on

1095
00:44:36,000 --> 00:44:38,919
Speaker 1: Clubhouse talking about those allegations of Nipsey that I won't

1096
00:44:38,920 --> 00:44:41,320
Speaker 1: even bring up. But Whack has had some things to

1097
00:44:41,360 --> 00:44:43,560
Speaker 1: say about Nipsey for the past few months, so I

1098
00:44:43,600 --> 00:44:46,680
Speaker 1: can see Black Sam saying, yeah that your client's not

1099
00:44:46,760 --> 00:44:47,399
Speaker 1: getting a Verse.

1100
00:44:47,719 --> 00:44:51,640
Speaker 2: Sorry. Yeah, it's like pretty easy. It sounds like politics

1101
00:44:51,680 --> 00:44:53,160
Speaker 2: for sure, and I don't know if that is the case,

1102
00:44:53,200 --> 00:44:55,400
Speaker 2: but that's the obvious one to go to. So to

1103
00:44:55,520 --> 00:45:01,200
Speaker 2: the music, Yes, thirty one tracks. Listen. I don't really

1104
00:45:01,320 --> 00:45:03,719
Speaker 2: like the album, and I was really looking forward to it.

1105
00:45:04,360 --> 00:45:06,959
Speaker 2: But I going into it thirty one tracks, I knew

1106
00:45:07,040 --> 00:45:11,239
Speaker 2: it's just too much fucking music to listen to, too

1107
00:45:11,400 --> 00:45:14,200
Speaker 2: much to pick through. It's a couple of tracks that

1108
00:45:14,280 --> 00:45:16,839
Speaker 2: are that are good. I think if you take those

1109
00:45:16,880 --> 00:45:20,200
Speaker 2: couple of tracks and make it one album, got a

1110
00:45:20,280 --> 00:45:24,160
Speaker 2: better project thirty one tracks. I mean, I like the

1111
00:45:24,239 --> 00:45:27,680
Speaker 2: joint of the Ruby Rose. I like the uh she's

1112
00:45:27,760 --> 00:45:31,400
Speaker 2: not on it? So is title? I said, I like

1113
00:45:31,520 --> 00:45:32,480
Speaker 2: the joint Ruby Rose.

1114
00:45:32,480 --> 00:45:36,520
Speaker 1: I think he said no, But I like her music.

1115
00:45:36,960 --> 00:45:38,080
Speaker 2: You like Ruby Rose's music?

1116
00:45:38,200 --> 00:45:38,359
Speaker 3: Yeah?

1117
00:45:38,440 --> 00:45:40,120
Speaker 5: I love her voice. She has a really good voice.

1118
00:45:41,400 --> 00:45:43,040
Speaker 2: Yeah, it's a couple. It's a couple of tracks on

1119
00:45:43,080 --> 00:45:45,120
Speaker 2: here that are good, but for the most part, it's

1120
00:45:45,360 --> 00:45:46,960
Speaker 2: it's something that I don't care to.

1121
00:45:46,960 --> 00:45:47,279
Speaker 3: Go back to.

1122
00:45:47,320 --> 00:45:48,879
Speaker 2: Which why do you think? Why do you think is trash?

1123
00:45:49,719 --> 00:45:51,400
Speaker 2: I think it's too much music and not enough of

1124
00:45:51,440 --> 00:45:56,080
Speaker 2: its good. Out of thirty tracks, I mean, to have

1125
00:45:56,200 --> 00:45:58,640
Speaker 2: a good project with thirty tracks, I would have guessed

1126
00:45:58,640 --> 00:46:01,319
Speaker 2: that twenty would have to be really good.

1127
00:46:02,160 --> 00:46:04,320
Speaker 6: And how many would you say are actually good in

1128
00:46:04,440 --> 00:46:04,880
Speaker 6: your opinion?

1129
00:46:05,560 --> 00:46:08,440
Speaker 1: I think if you make this a twelve to fourteen

1130
00:46:08,560 --> 00:46:11,919
Speaker 1: track album. You get a really good album that sounds

1131
00:46:11,920 --> 00:46:14,200
Speaker 1: like I said, half yeah, but I think if you

1132
00:46:14,280 --> 00:46:19,080
Speaker 1: knock it down to twenty eighteen you get a cool album.

1133
00:46:19,920 --> 00:46:21,759
Speaker 2: It's just too I don't know how to judge, but

1134
00:46:21,840 --> 00:46:24,720
Speaker 2: this album is I'm out, But this is what happens

1135
00:46:24,719 --> 00:46:28,320
Speaker 2: when you have this many tracks. It's like, by the

1136
00:46:28,400 --> 00:46:31,840
Speaker 2: time I get to track twenty six, I done forgot

1137
00:46:31,880 --> 00:46:35,480
Speaker 2: about track number twelve, I don't even remember what song

1138
00:46:35,560 --> 00:46:38,080
Speaker 2: it was like. So it's like, and that's the gift

1139
00:46:38,120 --> 00:46:40,520
Speaker 2: that ocurage. So it's it's dope that you were able

1140
00:46:40,560 --> 00:46:43,280
Speaker 2: to put together this many records and get this many features,

1141
00:46:43,360 --> 00:46:46,000
Speaker 2: and you know, the production is pretty good for the

1142
00:46:46,040 --> 00:46:49,040
Speaker 2: most part on the album, but the songs and it's

1143
00:46:49,160 --> 00:46:50,320
Speaker 2: just not you know what.

1144
00:46:50,360 --> 00:46:52,840
Speaker 1: It's funny you mentioned that this is probably one of

1145
00:46:52,880 --> 00:46:56,120
Speaker 1: the first extremely long albums that I remembered exactly which

1146
00:46:56,200 --> 00:46:58,040
Speaker 1: records I liked and which ones I want to go

1147
00:46:58,120 --> 00:46:59,400
Speaker 1: back to. I don't know if that was because of

1148
00:46:59,400 --> 00:47:02,279
Speaker 1: the features were so recognizable, but like I can look

1149
00:47:02,400 --> 00:47:05,520
Speaker 1: through this track list just listening to it two or

1150
00:47:05,520 --> 00:47:11,640
Speaker 1: three times and no one time easy Voodoo outside. I

1151
00:47:11,800 --> 00:47:14,439
Speaker 1: like to joint with you how far it came Harvar's mind.

1152
00:47:14,520 --> 00:47:17,680
Speaker 1: No smoking the pole lounge just fire. Yeah, no, man falls.

1153
00:47:18,560 --> 00:47:21,640
Speaker 2: Saved the best for last. That's what rules, right, Yes,

1154
00:47:22,200 --> 00:47:25,240
Speaker 2: like that joint. I like Chris Brown.

1155
00:47:25,800 --> 00:47:28,680
Speaker 1: I will say, though, we have to stop putting incomplete

1156
00:47:28,719 --> 00:47:32,600
Speaker 1: Kanye West versus on all these albums. You can tell

1157
00:47:32,600 --> 00:47:34,160
Speaker 1: they're incomplete. You could tell you went in there and

1158
00:47:34,239 --> 00:47:36,120
Speaker 1: did not finish it. It's just shipped on.

1159
00:47:36,120 --> 00:47:38,320
Speaker 2: A hard round, not just this is getting off and

1160
00:47:38,360 --> 00:47:40,200
Speaker 2: that was it. No, he did. He started to get a.

1161
00:47:40,160 --> 00:47:42,480
Speaker 1: Shit off and then he went to the bathroom. It

1162
00:47:42,680 --> 00:47:43,200
Speaker 1: never came back.

1163
00:47:43,200 --> 00:47:43,520
Speaker 3: You had to go.

1164
00:47:43,680 --> 00:47:46,040
Speaker 1: He had to go, put on his rubble dreasy cleaned

1165
00:47:46,120 --> 00:47:48,799
Speaker 1: up Kanye and Game Love Driz. Yeah, she's fire.

1166
00:47:48,840 --> 00:47:52,399
Speaker 2: But I think there's joints on here. It's a couple

1167
00:47:52,440 --> 00:47:55,040
Speaker 2: of joints just but it's just thirty tracks. You can

1168
00:47:55,080 --> 00:47:56,640
Speaker 2: say a couple of joints out of thirty that's not

1169
00:47:56,719 --> 00:47:57,440
Speaker 2: a good project.

1170
00:47:57,719 --> 00:47:59,600
Speaker 1: You can tell the ones that Kanye was involved with

1171
00:47:59,680 --> 00:48:01,560
Speaker 1: as far production, you can tell the ones hit Boy

1172
00:48:01,640 --> 00:48:03,239
Speaker 1: was involved with production, and.

1173
00:48:03,280 --> 00:48:05,160
Speaker 2: Then the ones that went Boy only did what five

1174
00:48:05,239 --> 00:48:08,279
Speaker 2: joints on him? And I like those five It's like

1175
00:48:08,360 --> 00:48:09,759
Speaker 2: I thought, I thought this was gonna be like a

1176
00:48:09,880 --> 00:48:12,680
Speaker 2: hit Boy, hit Boy and game project, like the whole

1177
00:48:12,800 --> 00:48:14,000
Speaker 2: joint hit.

1178
00:48:13,920 --> 00:48:17,320
Speaker 5: Boy, Easy.

1179
00:48:19,040 --> 00:48:19,320
Speaker 2: Kanye.

1180
00:48:19,800 --> 00:48:23,719
Speaker 5: Yeah, I was Easy hit Boy, and there were a

1181
00:48:23,760 --> 00:48:25,839
Speaker 5: couple others too, Like it was never just a hit

1182
00:48:25,920 --> 00:48:26,480
Speaker 5: Boy project.

1183
00:48:26,920 --> 00:48:28,719
Speaker 2: I see. I thought that this was gonna be heavy

1184
00:48:28,800 --> 00:48:31,319
Speaker 2: hit Boy produced project. I didn't think he did every joint,

1185
00:48:31,400 --> 00:48:33,120
Speaker 2: but I thought he was gonna have more than five

1186
00:48:33,200 --> 00:48:33,839
Speaker 2: songs on here.

1187
00:48:34,480 --> 00:48:36,160
Speaker 5: I think he just they kind of led with that,

1188
00:48:36,360 --> 00:48:38,799
Speaker 5: like for promo reasons, because everybody is looking for hit

1189
00:48:38,880 --> 00:48:42,759
Speaker 5: Boy collaborations right now, So I think he wanted you

1190
00:48:42,840 --> 00:48:43,200
Speaker 5: to think that.

1191
00:48:44,239 --> 00:48:47,040
Speaker 2: Yeah, but come on, man, like I that's what I'm saying.

1192
00:48:47,080 --> 00:48:49,200
Speaker 2: If him and hit Boy locking Foot they do ten

1193
00:48:49,280 --> 00:48:52,200
Speaker 2: joints together, what is it?

1194
00:48:52,320 --> 00:48:55,920
Speaker 1: What is our session with obvious samples in the past

1195
00:48:56,360 --> 00:48:56,799
Speaker 1: five years?

1196
00:48:57,600 --> 00:48:59,759
Speaker 2: I think Granted, I think people just like samples because

1197
00:48:59,760 --> 00:49:01,759
Speaker 2: they remind you of the original, and you love the

1198
00:49:01,840 --> 00:49:05,800
Speaker 2: original so much. It's a legendary song and if somebody

1199
00:49:05,880 --> 00:49:08,360
Speaker 2: did it over there there, their rendition of it probably

1200
00:49:08,480 --> 00:49:10,239
Speaker 2: was dope. So now you want to do the more

1201
00:49:10,320 --> 00:49:13,040
Speaker 2: current version of that. But it's just getting to a

1202
00:49:13,080 --> 00:49:16,120
Speaker 2: point where we're sampling samples that are sampled by samples

1203
00:49:16,160 --> 00:49:18,319
Speaker 2: that were sampled. And my thing is all right, because

1204
00:49:18,320 --> 00:49:20,160
Speaker 2: I'm gonna sound like a hypocrite because the hip hop

1205
00:49:20,760 --> 00:49:22,360
Speaker 2: and we love game. I don't want to sound like

1206
00:49:22,400 --> 00:49:23,279
Speaker 2: we shitting on game because we.

1207
00:49:23,239 --> 00:49:24,759
Speaker 1: Love I'm not talk about game right now, but I

1208
00:49:24,800 --> 00:49:27,040
Speaker 1: am going to get that are on here that I

1209
00:49:27,120 --> 00:49:29,239
Speaker 1: feel are like that I grew the hip hop I

1210
00:49:29,280 --> 00:49:31,600
Speaker 1: grew up on did sample a lot of soul and

1211
00:49:31,800 --> 00:49:35,720
Speaker 1: R and B that was obvious samples to the generation

1212
00:49:35,800 --> 00:49:38,880
Speaker 1: before me, and to some degree me growing up in

1213
00:49:38,960 --> 00:49:40,680
Speaker 1: the household of parents that play.

1214
00:49:40,600 --> 00:49:42,440
Speaker 2: Well, let's be hold on before you get into that rory.

1215
00:49:42,719 --> 00:49:46,760
Speaker 2: Hip hop does derived from the break beata sampling.

1216
00:49:46,840 --> 00:49:48,360
Speaker 1: So it's the break beating the discorrection.

1217
00:49:48,600 --> 00:49:52,440
Speaker 2: It's the DNA of hip hop sampling. But it's becoming

1218
00:49:52,520 --> 00:49:53,040
Speaker 2: a bit.

1219
00:49:54,560 --> 00:49:54,759
Speaker 3: Much.

1220
00:49:55,760 --> 00:49:57,640
Speaker 2: It's becoming a bit and too blatant. It's like it's

1221
00:49:57,680 --> 00:49:59,400
Speaker 2: not even a it's not even remakeing. It's like they

1222
00:49:59,600 --> 00:50:02,359
Speaker 2: changed the BP him a little bit, sadding that they

1223
00:50:02,440 --> 00:50:05,040
Speaker 2: added one snare or added an extra base to like

1224
00:50:05,120 --> 00:50:08,200
Speaker 2: one pitch higher, right, And I think just sampling.

1225
00:50:08,800 --> 00:50:13,400
Speaker 1: I don't mind sampling within the genre m but completely

1226
00:50:13,520 --> 00:50:15,320
Speaker 1: taking records from the genre is weird to me, Like

1227
00:50:16,480 --> 00:50:18,279
Speaker 1: even like when Puff and the hit Man were doing

1228
00:50:18,320 --> 00:50:20,640
Speaker 1: all that, Yes, they were taking from other genres and

1229
00:50:20,800 --> 00:50:24,239
Speaker 1: making it hip hop. Now we're taking hip hop and

1230
00:50:24,400 --> 00:50:26,640
Speaker 1: just putting a new verse on it and calling it

1231
00:50:26,719 --> 00:50:30,400
Speaker 1: a new song. Like listen man that bone Thug sample.

1232
00:50:31,040 --> 00:50:32,080
Speaker 2: Thugust Ruggers bone.

1233
00:50:32,280 --> 00:50:33,480
Speaker 1: I have thuggust Rugger's bone.

1234
00:50:33,800 --> 00:50:34,200
Speaker 2: Mm hmm.

1235
00:50:34,719 --> 00:50:38,759
Speaker 1: I don't need Game and whoever else is on this

1236
00:50:39,000 --> 00:50:42,120
Speaker 1: on that that shit, Wayne, I love I love Game.

1237
00:50:42,360 --> 00:50:44,360
Speaker 2: I don't need them to just rap on that.

1238
00:50:44,400 --> 00:50:46,040
Speaker 1: If you're gonna do that, go to La Leakers, bring

1239
00:50:46,120 --> 00:50:49,560
Speaker 1: up the thuggust Ruggers bone, ubat and go off. I

1240
00:50:49,600 --> 00:50:52,400
Speaker 1: don't need a song that is the most obvious fucking sample.

1241
00:50:52,840 --> 00:50:56,200
Speaker 1: As much as I actually did not mind the asap

1242
00:50:56,520 --> 00:50:58,880
Speaker 1: money cash cloth shit, I don't know if I'll ever

1243
00:50:58,960 --> 00:51:01,799
Speaker 1: go back money gas Hoes, I will be going back

1244
00:51:01,800 --> 00:51:02,919
Speaker 1: to for the rest of my life.

1245
00:51:03,000 --> 00:51:07,080
Speaker 2: Yeah, yeah, yeah, yeah, that still bangs just And.

1246
00:51:07,120 --> 00:51:08,759
Speaker 1: I can't blame Game for this because this is the

1247
00:51:08,880 --> 00:51:13,560
Speaker 1: new shit. Even Nikki doing that with something outside the genre,

1248
00:51:13,719 --> 00:51:15,479
Speaker 1: It's just the fucking same song.

1249
00:51:15,640 --> 00:51:17,440
Speaker 2: It's the same song. It's the same and that's what

1250
00:51:17,560 --> 00:51:20,200
Speaker 2: it's like. I get it. I understand hip hop derive

1251
00:51:20,360 --> 00:51:22,840
Speaker 2: from you know, the breakbead and sampling and all of that,

1252
00:51:23,000 --> 00:51:25,640
Speaker 2: But I think that there are a lot of producers,

1253
00:51:25,680 --> 00:51:27,959
Speaker 2: there are a lot of artists that are so great,

1254
00:51:28,040 --> 00:51:31,160
Speaker 2: and they're not doing the heavy, heavy sampling shit, and

1255
00:51:31,280 --> 00:51:34,160
Speaker 2: it's like they don't get the same notoriety.

1256
00:51:34,440 --> 00:51:36,240
Speaker 1: Remember when it was cool if you knew the sample

1257
00:51:36,760 --> 00:51:38,359
Speaker 1: or you could tell someone or if you were able

1258
00:51:38,360 --> 00:51:38,839
Speaker 1: to figure it out.

1259
00:51:38,920 --> 00:51:40,560
Speaker 2: Yeah, remember when it was cool to find that shit out.

1260
00:51:41,239 --> 00:51:44,960
Speaker 2: Now it's the same record, same song, same song. So yeah,

1261
00:51:45,000 --> 00:51:48,400
Speaker 2: I think if the younger generation, maybe this is the

1262
00:51:48,480 --> 00:51:50,520
Speaker 2: way it was for me when I was their age

1263
00:51:50,560 --> 00:51:53,360
Speaker 2: and I didn't know every record that was being sampled,

1264
00:51:53,400 --> 00:51:56,200
Speaker 2: even though this is obvious samples. Maybe not to say

1265
00:51:56,239 --> 00:51:58,640
Speaker 2: game goes for the younger crowd, but Nicki, for example,

1266
00:51:59,440 --> 00:52:01,719
Speaker 2: I'm sure there's plenty of people that did not know

1267
00:52:02,320 --> 00:52:05,120
Speaker 2: any Rick James songs and are like, Wow, Nikki created

1268
00:52:05,120 --> 00:52:08,279
Speaker 2: an amazing hook. It's nah, I don't believe that. Who

1269
00:52:08,360 --> 00:52:09,399
Speaker 2: doesn't know super Freak?

1270
00:52:09,600 --> 00:52:09,799
Speaker 3: Yeah?

1271
00:52:09,840 --> 00:52:10,800
Speaker 1: Old Navy sampled it.

1272
00:52:10,920 --> 00:52:13,360
Speaker 2: You're like, yeah, I'm about to say, who doesn't know

1273
00:52:13,480 --> 00:52:15,640
Speaker 2: super Freak? Like it's one of the biggest fucking records ever.

1274
00:52:15,960 --> 00:52:17,319
Speaker 2: But that's I mean on the game album.

1275
00:52:17,360 --> 00:52:19,920
Speaker 1: Those are the real ones that I just dislike with

1276
00:52:20,040 --> 00:52:21,080
Speaker 1: the complete obvious ship.

1277
00:52:21,160 --> 00:52:23,239
Speaker 2: But if if se humble joints here, that a dope.

1278
00:52:23,719 --> 00:52:26,640
Speaker 2: If game just gets rid of those, I do, it's

1279
00:52:26,680 --> 00:52:28,680
Speaker 2: just there's some ship on here. Yeah, it's just too much.

1280
00:52:28,719 --> 00:52:30,920
Speaker 2: It's just too many tracks. Thirty tracks, that's a lot.

1281
00:52:31,040 --> 00:52:38,080
Speaker 2: But the highlight of the album is this, right, yo, Yeah, I.

1282
00:52:38,080 --> 00:52:39,360
Speaker 6: Just want to check that in with you.

1283
00:52:39,920 --> 00:52:42,960
Speaker 3: You know that feature feats probably not gonna.

1284
00:52:42,719 --> 00:52:43,839
Speaker 2: Work probably not gonna work out.

1285
00:52:46,200 --> 00:52:49,719
Speaker 1: We can learn so much from Aubrey yuck. Listen, Drake

1286
00:52:49,800 --> 00:52:51,520
Speaker 1: might be the go at canceling plans.

1287
00:52:51,600 --> 00:52:53,440
Speaker 2: I can't I can't wait to get my voice note

1288
00:52:53,480 --> 00:52:57,000
Speaker 2: off like that. Yo, this is moll that dinner thing,

1289
00:52:58,080 --> 00:53:02,080
Speaker 2: it's probably not gonna happen, right, it's probably not gonna happen.

1290
00:53:02,440 --> 00:53:04,960
Speaker 1: What like what a perfect way to say, Yo, I'm

1291
00:53:04,960 --> 00:53:05,759
Speaker 1: not doing a verse for you.

1292
00:53:05,880 --> 00:53:08,239
Speaker 2: Yeah no, that's listen. He changed the game with that.

1293
00:53:08,440 --> 00:53:11,319
Speaker 2: It's like now we know, like, oh, this is how

1294
00:53:11,400 --> 00:53:12,839
Speaker 2: you can't do plans.

1295
00:53:12,719 --> 00:53:14,400
Speaker 1: And this is I know, we go back to toxic

1296
00:53:14,440 --> 00:53:17,640
Speaker 1: and honesty thing. Typically, I'll do the ghost thing, which

1297
00:53:17,640 --> 00:53:19,480
Speaker 1: I'm not proud of. Sometimes when I really don't want

1298
00:53:19,520 --> 00:53:21,719
Speaker 1: to do something, I'm like, let me just not reply.

1299
00:53:22,400 --> 00:53:24,000
Speaker 2: Can't do that. I hate you do that. Some times

1300
00:53:24,080 --> 00:53:24,440
Speaker 2: I do too.

1301
00:53:24,440 --> 00:53:25,839
Speaker 1: It's actually really rude and I need.

1302
00:53:25,840 --> 00:53:27,520
Speaker 2: To change it. God damn it all.

1303
00:53:27,840 --> 00:53:32,400
Speaker 1: But this right here, this is a master class in respect,

1304
00:53:32,960 --> 00:53:37,160
Speaker 1: in avoiding something that he should inevitably knows, like I

1305
00:53:37,320 --> 00:53:38,040
Speaker 1: wasn't going to do this.

1306
00:53:41,000 --> 00:53:42,920
Speaker 3: I just got a lot going on and I was

1307
00:53:43,440 --> 00:53:47,120
Speaker 3: all over here to do that. He's a sential pain.

1308
00:53:50,280 --> 00:53:52,560
Speaker 2: Yeah, remember when he sounds worn out, he had a

1309
00:53:52,600 --> 00:53:53,440
Speaker 2: great time living life.

1310
00:53:53,480 --> 00:53:55,480
Speaker 1: You know, I think he's going from remember when you

1311
00:53:55,520 --> 00:53:59,120
Speaker 1: were fake sick, like to not go to school like

1312
00:53:59,160 --> 00:54:02,680
Speaker 1: you trying to put I've never applied that to canceling

1313
00:54:02,760 --> 00:54:05,359
Speaker 1: plans or not doing something for somebody like oh bro,

1314
00:54:05,480 --> 00:54:05,880
Speaker 1: He's like.

1315
00:54:06,480 --> 00:54:09,319
Speaker 2: You know I is right now? Yeah, damn, I'm working

1316
00:54:09,360 --> 00:54:13,680
Speaker 2: for the Ministry of Defense because what he got. He

1317
00:54:13,840 --> 00:54:16,720
Speaker 2: told game Yo, I can't do your album though, because

1318
00:54:16,840 --> 00:54:19,520
Speaker 2: like I'm defending Canada. And what do you say to that?

1319
00:54:20,080 --> 00:54:22,399
Speaker 2: You can't say nothing even with this this this tone,

1320
00:54:22,440 --> 00:54:23,200
Speaker 2: what do you say to it?

1321
00:54:23,239 --> 00:54:24,000
Speaker 6: I'm sorry.

1322
00:54:25,600 --> 00:54:33,120
Speaker 2: That's my life. I've had a few sagas in my life. Yo, listen,

1323
00:54:33,200 --> 00:54:35,080
Speaker 2: I can't make dinner. Last night, it was it was

1324
00:54:35,120 --> 00:54:35,960
Speaker 2: a saga going on.

1325
00:54:37,040 --> 00:54:40,160
Speaker 1: Can you can you imagine like just cheating on your

1326
00:54:40,239 --> 00:54:43,759
Speaker 1: girl and being like its just like I needed that

1327
00:54:43,840 --> 00:54:44,880
Speaker 1: saga in my life with them.

1328
00:54:44,960 --> 00:54:47,560
Speaker 2: Yeah, nah, that we're using the wrong words and that's

1329
00:54:47,560 --> 00:54:49,160
Speaker 2: what we're we're using the wrong word.

1330
00:54:49,239 --> 00:54:50,160
Speaker 6: Last night was a trilogy.

1331
00:54:50,360 --> 00:54:50,560
Speaker 1: Yeah.

1332
00:54:50,920 --> 00:54:53,680
Speaker 2: Last night, Yo, it was a fucking it was an episode,

1333
00:54:54,120 --> 00:54:57,400
Speaker 2: Like you can't say it was a lot going like,

1334
00:54:57,480 --> 00:55:00,600
Speaker 2: it was a fucking episode. Last Yeah was a fucking

1335
00:55:02,480 --> 00:55:05,800
Speaker 2: it was a documentary. Last night you had to be there. Album.

1336
00:55:08,600 --> 00:55:10,759
Speaker 2: I played the new album by the way that goes

1337
00:55:10,960 --> 00:55:11,359
Speaker 2: by the way.

1338
00:55:11,600 --> 00:55:15,360
Speaker 1: This is a this is a very underrated uh tactic

1339
00:55:15,440 --> 00:55:18,400
Speaker 1: that he's using that like used car salesman used and

1340
00:55:18,520 --> 00:55:20,960
Speaker 1: anyone that's like in sales, you find something that you

1341
00:55:21,080 --> 00:55:23,239
Speaker 1: know that they'll agree with. Yeah, like, Yo, had to

1342
00:55:23,280 --> 00:55:23,759
Speaker 1: play the album.

1343
00:55:23,800 --> 00:55:25,520
Speaker 2: You know how that goes? Right, And now you're sitting

1344
00:55:25,560 --> 00:55:28,560
Speaker 2: here record you can relate, you like, damn, maybe he

1345
00:55:28,640 --> 00:55:30,239
Speaker 2: can't do that first because I know what it's like

1346
00:55:30,320 --> 00:55:33,080
Speaker 2: to play album. Absolutely absolutely. I thought that was genius.

1347
00:55:33,120 --> 00:55:36,480
Speaker 2: I thought it was funny, and I do think that

1348
00:55:36,560 --> 00:55:38,160
Speaker 2: that was playing. I don't think that was real.

1349
00:55:38,880 --> 00:55:41,640
Speaker 3: You know, I just acquired like a properties, so I.

1350
00:55:41,840 --> 00:55:43,759
Speaker 2: Just have to add real estate into it. The word

1351
00:55:43,840 --> 00:55:47,640
Speaker 2: acquire negotiating, Yeah, because you can't get mad at somebody

1352
00:55:47,680 --> 00:55:49,680
Speaker 2: if they acquiet a bunch of property and they're trying

1353
00:55:49,719 --> 00:55:52,440
Speaker 2: to like make sure everything is like going great with

1354
00:55:52,560 --> 00:55:55,120
Speaker 2: their fucking investment. What are you gonna say, your fucking investments?

1355
00:55:55,160 --> 00:55:56,279
Speaker 2: Give me my verse? All right?

1356
00:55:56,320 --> 00:55:58,400
Speaker 1: As someone that as someone that's been in escrow, there

1357
00:55:58,480 --> 00:56:00,239
Speaker 1: is a lot of time to lay six team.

1358
00:56:02,320 --> 00:56:04,719
Speaker 2: There's a whole lot of time. But the time he's

1359
00:56:04,719 --> 00:56:09,359
Speaker 2: spent doing that voice, No, that's a feature. That's a verse,

1360
00:56:09,440 --> 00:56:10,960
Speaker 2: Like why did you just do that? To a beat

1361
00:56:15,680 --> 00:56:19,759
Speaker 2: the Ministry of Defense. I can't wait to tell somebody, y'all,

1362
00:56:19,760 --> 00:56:20,640
Speaker 2: I had to go to the u N.

1363
00:56:21,400 --> 00:56:22,600
Speaker 3: I still do music too.

1364
00:56:23,400 --> 00:56:25,319
Speaker 2: I still do pods too, so you know what I mean,

1365
00:56:25,440 --> 00:56:28,080
Speaker 2: Like it's obvious that I still do my episodes every week,

1366
00:56:28,160 --> 00:56:29,560
Speaker 2: so I can't really do dinner to night.

1367
00:56:29,880 --> 00:56:31,960
Speaker 1: That helped mals Like yoah, I still I still protect

1368
00:56:32,000 --> 00:56:36,440
Speaker 1: Fordam campus. I'm still campus security, like you know.

1369
00:56:36,520 --> 00:56:38,560
Speaker 2: Yeah, I still had a security on Jerome Avenue. Don't

1370
00:56:38,560 --> 00:56:39,000
Speaker 2: worry about it.

1371
00:56:39,120 --> 00:56:41,000
Speaker 1: You know it's you know, it's freshman orientation this week.

1372
00:56:42,640 --> 00:56:44,640
Speaker 2: That ship was funny. I do think that it was

1373
00:56:44,680 --> 00:56:46,440
Speaker 2: planned to a lot of people I've seen talking about it,

1374
00:56:46,440 --> 00:56:48,320
Speaker 2: and it was like that that's fucked up Drake. I'm like,

1375
00:56:48,760 --> 00:56:51,640
Speaker 2: if y'all think that Drake really was serious in that

1376
00:56:51,760 --> 00:56:53,400
Speaker 2: fucking voice note, y'all, I.

1377
00:56:53,520 --> 00:56:56,400
Speaker 1: Think that's actually one percent real, not planned. And I

1378
00:56:56,440 --> 00:56:58,439
Speaker 1: think Drake was dead serious and that was a master

1379
00:56:58,560 --> 00:57:02,000
Speaker 1: class in telling a friend and someone that he respects,

1380
00:57:02,080 --> 00:57:02,960
Speaker 1: I'm not doing it.

1381
00:57:03,800 --> 00:57:06,560
Speaker 2: I think that that was a planned I do think

1382
00:57:06,600 --> 00:57:08,359
Speaker 2: he was like, yo, listen, I'll send you a funny

1383
00:57:08,440 --> 00:57:10,880
Speaker 2: voice note or something saying that I couldn't do the feature.

1384
00:57:11,160 --> 00:57:13,480
Speaker 2: We'll have fun like that that is not a real voice.

1385
00:57:13,640 --> 00:57:15,800
Speaker 6: Let's say, if it wasn't planned, do you have to

1386
00:57:15,880 --> 00:57:17,560
Speaker 6: get permission for that to be cleared down?

1387
00:57:17,640 --> 00:57:17,760
Speaker 3: Well?

1388
00:57:17,800 --> 00:57:19,680
Speaker 1: I was the next thing I was going to bring up.

1389
00:57:19,880 --> 00:57:23,919
Speaker 1: I would love to see the paperwork getting a voice

1390
00:57:23,960 --> 00:57:26,920
Speaker 1: no field, Like how much does Drake it on the

1391
00:57:26,960 --> 00:57:30,280
Speaker 1: back end of that? Like what's the publishing splits? Who's

1392
00:57:30,320 --> 00:57:30,880
Speaker 1: the producer?

1393
00:57:32,080 --> 00:57:34,160
Speaker 2: Just gay? Like if that's you somewhere else. Just game,

1394
00:57:34,240 --> 00:57:37,400
Speaker 2: get royalties on it, getting royalties off a voice note

1395
00:57:37,400 --> 00:57:37,920
Speaker 2: as shick.

1396
00:57:38,080 --> 00:57:39,720
Speaker 1: And why don't call me Drake with the braids on

1397
00:57:39,760 --> 00:57:40,280
Speaker 1: my voice note?

1398
00:57:40,920 --> 00:57:45,360
Speaker 2: Well, he's Drake and he has braids now, and he wasacht.

1399
00:57:45,400 --> 00:57:48,040
Speaker 2: He was on the super yacht and and it be's

1400
00:57:48,080 --> 00:57:49,720
Speaker 2: a plan his album for Everybody's why you can give

1401
00:57:49,720 --> 00:57:50,360
Speaker 2: you your verse.

1402
00:57:50,800 --> 00:57:52,760
Speaker 1: Game did say on the album, I forgot what song

1403
00:57:52,800 --> 00:57:56,760
Speaker 1: it was. It was the worst, Uh, I guess uh

1404
00:57:58,920 --> 00:58:02,040
Speaker 1: encouragement bar I've ever hurt my life? He said, anything

1405
00:58:02,160 --> 00:58:07,120
Speaker 1: is possible. Even Drake got braids. She said that, you know,

1406
00:58:07,400 --> 00:58:08,600
Speaker 1: you know Drake's hair grows right.

1407
00:58:08,880 --> 00:58:08,920
Speaker 3: No.

1408
00:58:09,160 --> 00:58:11,640
Speaker 2: The sickest shit that Game said on that album was.

1409
00:58:11,920 --> 00:58:14,000
Speaker 1: Saying a billionaire can't get his his hair braided.

1410
00:58:14,160 --> 00:58:16,200
Speaker 2: I was in Brooklyn, well, he said no. He said, yeah,

1411
00:58:16,240 --> 00:58:19,800
Speaker 2: I've seen Fab outside of the Lomitage. What is this

1412
00:58:19,920 --> 00:58:24,560
Speaker 2: that the hotel in La the Lomitage. I think it's

1413
00:58:24,600 --> 00:58:27,120
Speaker 2: the Lomititage whatever. He said, Yeah, I saw Fab about

1414
00:58:27,120 --> 00:58:30,320
Speaker 2: that outside that shit years ago was gonna rob him. Damn,

1415
00:58:30,360 --> 00:58:32,200
Speaker 2: this is probably gonna fuck up our friendship. But this

1416
00:58:32,280 --> 00:58:34,800
Speaker 2: doesn't affect that game. Let me tell you something. Once

1417
00:58:34,840 --> 00:58:37,120
Speaker 2: you revealed that you thought about robbing a nigga years later,

1418
00:58:37,200 --> 00:58:40,160
Speaker 2: it's probably gonna affect you. How would you feel, though,

1419
00:58:40,680 --> 00:58:41,800
Speaker 2: if you said you was gonna rob me.

1420
00:58:41,920 --> 00:58:45,720
Speaker 1: Let's say let's say you were a rapper twelve years

1421
00:58:45,760 --> 00:58:48,720
Speaker 1: prior to another rapper and you was in the beginning

1422
00:58:48,760 --> 00:58:52,920
Speaker 1: of your career outside in his city, looking like a

1423
00:58:53,040 --> 00:58:54,960
Speaker 1: Mark with mad jewelry and my saying fab as Mark,

1424
00:58:55,040 --> 00:58:58,400
Speaker 1: but you just out there. Yeah, he got money, he's popping,

1425
00:58:58,440 --> 00:59:00,720
Speaker 1: and the other rapper is in active gang member that

1426
00:59:00,800 --> 00:59:01,840
Speaker 1: isn't rapping or knows.

1427
00:59:03,360 --> 00:59:05,480
Speaker 2: Yeah, I get it. No, I look very robbable.

1428
00:59:05,520 --> 00:59:07,920
Speaker 1: I would still feel fine, like you're still don't rob

1429
00:59:08,040 --> 00:59:08,280
Speaker 1: me now?

1430
00:59:08,840 --> 00:59:10,880
Speaker 2: Yeah, as long as long as you don't still view

1431
00:59:10,920 --> 00:59:14,040
Speaker 2: me that way, that's cool. But I understand It's like, yo, listen,

1432
00:59:14,240 --> 00:59:16,360
Speaker 2: Fab was lit at the time I was trying to

1433
00:59:16,400 --> 00:59:18,959
Speaker 2: get on. He was standing outside the hotel in Cali

1434
00:59:19,000 --> 00:59:21,439
Speaker 2: where I'm from. I'm in the streets, heavy gang banging.

1435
00:59:21,480 --> 00:59:23,800
Speaker 2: He out here with all his jewelry on. Yeah, he

1436
00:59:23,880 --> 00:59:25,680
Speaker 2: looked like he looked like a victim.

1437
00:59:25,920 --> 00:59:28,360
Speaker 1: Yeah, but I will say, once we became friends, why

1438
00:59:28,400 --> 00:59:30,200
Speaker 1: didn't you mention that and tell me how to look

1439
00:59:30,280 --> 00:59:33,200
Speaker 1: less we had mad conversations less robbable in your city.

1440
00:59:33,360 --> 00:59:36,320
Speaker 2: You're like, we had, man, you're slipping. Yeah, you remember

1441
00:59:36,360 --> 00:59:38,840
Speaker 2: that time back in the two thousand and five when

1442
00:59:38,880 --> 00:59:40,560
Speaker 2: you was outside. Yeah, I was gonna rob you. Then

1443
00:59:41,160 --> 00:59:43,120
Speaker 2: tell me that when we like kicking it like in

1444
00:59:43,240 --> 00:59:45,040
Speaker 2: real life. Don't put that on the album and then

1445
00:59:45,120 --> 00:59:46,600
Speaker 2: let me hear that for the first time, because now

1446
00:59:46,600 --> 00:59:47,280
Speaker 2: I'm like, wait what.

1447
00:59:47,880 --> 00:59:49,800
Speaker 1: And be like, hey, I was an active gang member

1448
00:59:49,840 --> 00:59:50,880
Speaker 1: and I found you very easily.

1449
00:59:51,200 --> 00:59:53,560
Speaker 2: You should change your schedule. You should have had your

1450
00:59:53,600 --> 00:59:56,480
Speaker 2: security slipping jewelry all out. I was right there behind

1451
00:59:56,520 --> 00:59:59,760
Speaker 2: the car, could have got you. But I think that

1452
00:59:59,840 --> 01:00:01,040
Speaker 2: was a on the fun I think that you know,

1453
01:00:01,160 --> 01:00:03,440
Speaker 2: Fab is not you know Fab don't care about it

1454
01:00:03,600 --> 01:00:08,160
Speaker 2: like that. But yeah, the game, uh heart versus mine

1455
01:00:08,720 --> 01:00:10,600
Speaker 2: dramatic in your DSPs.

1456
01:00:10,680 --> 01:00:12,760
Speaker 1: Now, yeah, this joints on here, man.

1457
01:00:13,160 --> 01:00:15,120
Speaker 2: I don't want to think that we're on it. There's

1458
01:00:15,160 --> 01:00:18,920
Speaker 2: definitely ones that are so much music, man, and it's

1459
01:00:19,000 --> 01:00:20,800
Speaker 2: not that's the but that's the gift in the courage.

1460
01:00:20,840 --> 01:00:22,200
Speaker 2: I think it's la all that music.

1461
01:00:22,440 --> 01:00:24,560
Speaker 1: And I don't mean the city itself, Los Angeles. I

1462
01:00:24,680 --> 01:00:29,000
Speaker 1: mean that every fucking rapper, singer, period. I don't think

1463
01:00:29,000 --> 01:00:33,120
Speaker 1: we've ever seen a time where every single artist within

1464
01:00:33,200 --> 01:00:35,640
Speaker 1: the genre of rapping R and B, for the most part,

1465
01:00:35,720 --> 01:00:38,960
Speaker 1: has moved to one city. New York had its time,

1466
01:00:39,000 --> 01:00:41,080
Speaker 1: of course, when a lot of people were living here

1467
01:00:41,120 --> 01:00:44,200
Speaker 1: in Atlanta. Atlanta, I remember when everyone moved over there Miami.

1468
01:00:44,920 --> 01:00:48,240
Speaker 1: But to have to have everybody in R and B

1469
01:00:48,800 --> 01:00:52,720
Speaker 1: and everybody in rap to live within thirty minutes of

1470
01:00:52,760 --> 01:00:56,440
Speaker 1: each other creates a lot of great sessions, and I

1471
01:00:56,960 --> 01:00:59,440
Speaker 1: do think music can be better for it because it's

1472
01:00:59,520 --> 01:01:02,680
Speaker 1: less email and shit, it's more actual studio sessions. Like

1473
01:01:02,680 --> 01:01:04,600
Speaker 1: I love to see when Game and Roddy were in

1474
01:01:04,720 --> 01:01:06,200
Speaker 1: hit Boy Studio and they heard the beat for the

1475
01:01:06,240 --> 01:01:08,960
Speaker 1: first time, Like I thought that shit was cool. But

1476
01:01:09,080 --> 01:01:11,600
Speaker 1: it does allow you to create too much fucking music,

1477
01:01:11,800 --> 01:01:13,360
Speaker 1: and it's like, oh shit, al right, I'm in with him,

1478
01:01:13,480 --> 01:01:15,400
Speaker 1: and I don't usually get this type of feature, so

1479
01:01:15,440 --> 01:01:18,120
Speaker 1: I'm keeping it. And you get these long ass fucking

1480
01:01:18,160 --> 01:01:22,080
Speaker 1: albums because you get with artists that are from La

1481
01:01:22,200 --> 01:01:24,960
Speaker 1: like Toddler that records seventeen songs a day that all

1482
01:01:25,040 --> 01:01:27,240
Speaker 1: sound fire, and of course they're going to make their

1483
01:01:27,320 --> 01:01:29,760
Speaker 1: rounds throughout the city and they're gonna end up in

1484
01:01:29,800 --> 01:01:32,240
Speaker 1: sessions and oh shit, you did this with Todd. Let

1485
01:01:32,280 --> 01:01:34,960
Speaker 1: me hop on that, let me get that. I think

1486
01:01:35,160 --> 01:01:37,640
Speaker 1: LA is a gift and a curse for everyone being

1487
01:01:37,680 --> 01:01:40,240
Speaker 1: out there. Sometimes it works out beautifully for collapse we

1488
01:01:40,280 --> 01:01:42,960
Speaker 1: wouldn't usually get in person. But I think it also

1489
01:01:43,000 --> 01:01:45,560
Speaker 1: allows you to have thirty one fucking records with everybody.

1490
01:01:45,840 --> 01:01:48,440
Speaker 2: I think that artists need to get back to not

1491
01:01:48,720 --> 01:01:52,360
Speaker 2: leaning so heavy on features too. Like you can have

1492
01:01:52,520 --> 01:01:54,680
Speaker 2: access to a lot of artists and you know, have

1493
01:01:54,760 --> 01:01:56,280
Speaker 2: a relationships with a lot of artists. But I think

1494
01:01:56,320 --> 01:01:59,520
Speaker 2: sometimes when you create in your art, when you start

1495
01:01:59,560 --> 01:02:02,400
Speaker 2: sharing it and cutting it up with too many other artists,

1496
01:02:02,960 --> 01:02:06,280
Speaker 2: I think that it sometimes takes takes away from it. Yeah,

1497
01:02:07,040 --> 01:02:08,880
Speaker 2: and that's just it's sometimes it is such thing as

1498
01:02:08,920 --> 01:02:09,600
Speaker 2: too many features.

1499
01:02:09,640 --> 01:02:10,680
Speaker 1: Oh, I completely agree, you.

1500
01:02:10,640 --> 01:02:11,960
Speaker 2: Know what I mean. So I just think that a

1501
01:02:12,000 --> 01:02:13,480
Speaker 2: lot of these artists need to get back to just

1502
01:02:13,560 --> 01:02:16,400
Speaker 2: locking in with producers, you know, just them and a

1503
01:02:16,480 --> 01:02:20,440
Speaker 2: producer and just you know, taking their time and just

1504
01:02:20,520 --> 01:02:22,800
Speaker 2: putting together a project. But like I said, Rod Wave

1505
01:02:22,920 --> 01:02:25,040
Speaker 2: got with one or two features on this project.

1506
01:02:25,960 --> 01:02:28,040
Speaker 1: But I mean with that LA shit, Like so we

1507
01:02:28,160 --> 01:02:31,560
Speaker 1: joke about highlight room so much on this fucking podcast,

1508
01:02:31,920 --> 01:02:34,320
Speaker 1: you know what I mean. Features have existed because of

1509
01:02:34,400 --> 01:02:37,680
Speaker 1: highlight room, because it's not so much the hey, let's

1510
01:02:37,680 --> 01:02:40,360
Speaker 1: get up and like let's let's do something industry talk now.

1511
01:02:40,400 --> 01:02:41,400
Speaker 2: We both live in La now.

1512
01:02:41,560 --> 01:02:43,840
Speaker 1: Yeah, and you actually follow up with that shit, especially

1513
01:02:43,880 --> 01:02:45,440
Speaker 1: if it's the uh I don't want to say, like

1514
01:02:45,480 --> 01:02:48,040
Speaker 1: the lower artists, but the person that's not as popular

1515
01:02:48,160 --> 01:02:50,520
Speaker 1: is going to follow up more and more. Yeah, And

1516
01:02:50,640 --> 01:02:52,400
Speaker 1: they all end up in the same studios. And there's

1517
01:02:52,400 --> 01:02:55,360
Speaker 1: only so many studios in La. Yeah, and everyone's in

1518
01:02:55,400 --> 01:02:57,360
Speaker 1: different rooms. Anytime you walk into studio, it's like, oh,

1519
01:02:57,400 --> 01:02:59,160
Speaker 1: this person's over here, this person's over there, this person's

1520
01:02:59,160 --> 01:02:59,400
Speaker 1: over there.

1521
01:02:59,480 --> 01:03:02,960
Speaker 2: It just actually is how humans work. It's like a

1522
01:03:03,000 --> 01:03:07,000
Speaker 2: press run yes and ELI recording. It's like yo and

1523
01:03:07,080 --> 01:03:09,439
Speaker 2: y'all in La. Yo, come through the studio first. First

1524
01:03:09,440 --> 01:03:11,440
Speaker 2: of all starts off is come through and just I

1525
01:03:11,520 --> 01:03:12,360
Speaker 2: want you to hear the album.

1526
01:03:12,560 --> 01:03:12,760
Speaker 3: Yep.

1527
01:03:13,120 --> 01:03:14,920
Speaker 2: And so if you invite every artist that's coming to

1528
01:03:15,160 --> 01:03:16,960
Speaker 2: LA to come to the studio and hear your project,

1529
01:03:17,480 --> 01:03:19,880
Speaker 2: what's going to happen? It's oh, Yo, you got something

1530
01:03:19,920 --> 01:03:22,200
Speaker 2: for that or I got something for that. Everything on

1531
01:03:22,240 --> 01:03:23,720
Speaker 2: that Let me. Hear that, pull that up. I like

1532
01:03:23,800 --> 01:03:25,360
Speaker 2: this joint and it's like, before you look up, you

1533
01:03:25,440 --> 01:03:27,160
Speaker 2: got fifteen features on y'all.

1534
01:03:27,160 --> 01:03:30,040
Speaker 1: Almost every studio in LA these days is a writer's

1535
01:03:30,080 --> 01:03:32,480
Speaker 1: camp by accident because everyone's in there. And even a

1536
01:03:32,520 --> 01:03:35,560
Speaker 1: lot of these forced writers camps are bringing even more

1537
01:03:35,600 --> 01:03:37,280
Speaker 1: records because they're not going to make the album you're

1538
01:03:37,320 --> 01:03:39,240
Speaker 1: working on. And then you meet that artist like yo,

1539
01:03:39,560 --> 01:03:41,479
Speaker 1: engineer bounced that and now it's ours.

1540
01:03:42,760 --> 01:03:43,920
Speaker 2: So there's good and bad with it.

1541
01:03:44,040 --> 01:03:46,800
Speaker 1: I just think some I see the artists that go

1542
01:03:46,920 --> 01:03:49,160
Speaker 1: to LA just for a week after working a year

1543
01:03:49,320 --> 01:03:51,400
Speaker 1: on their music, and I see the difference. It's like,

1544
01:03:51,440 --> 01:03:53,240
Speaker 1: we're just going to work on these five records. I

1545
01:03:53,320 --> 01:03:55,840
Speaker 1: want this specific verse and then I'm leaving. Not let's

1546
01:03:55,920 --> 01:03:58,640
Speaker 1: try to create seventy records this weekend and then I'll

1547
01:03:59,000 --> 01:04:01,240
Speaker 1: scatter some features. Who's in East West this day?

1548
01:04:02,320 --> 01:04:05,240
Speaker 2: I need people to pay attention to Ji d I

1549
01:04:05,280 --> 01:04:07,520
Speaker 2: think they are. I think Jid is going to be

1550
01:04:07,720 --> 01:04:11,360
Speaker 2: a superstar. He's an amazing talent. He put out a

1551
01:04:11,400 --> 01:04:14,800
Speaker 2: new video dance now, great video, new song, new video.

1552
01:04:16,560 --> 01:04:18,800
Speaker 2: I'm looking forward to this project. August twenty six, I

1553
01:04:18,840 --> 01:04:23,080
Speaker 2: believe is the release date August twenty six Ji D.

1554
01:04:24,280 --> 01:04:25,640
Speaker 2: If you don't know who j I D Is, please

1555
01:04:25,680 --> 01:04:29,680
Speaker 2: get familiar to He's a super super super talent, one

1556
01:04:29,720 --> 01:04:32,800
Speaker 2: of my favorite artists. Videos though I don't know who directed.

1557
01:04:32,840 --> 01:04:35,000
Speaker 2: Do we find out who directed the video? I'm Julian,

1558
01:04:35,520 --> 01:04:37,480
Speaker 2: I'm not sure who did the video. The video is amazing,

1559
01:04:37,560 --> 01:04:39,800
Speaker 2: but Jid always has his vision is always crazy.

1560
01:04:40,280 --> 01:04:42,760
Speaker 1: And shout out to my man Felton, who does all

1561
01:04:42,800 --> 01:04:44,920
Speaker 1: creative direction for a dream though. I mean, I know

1562
01:04:45,000 --> 01:04:48,120
Speaker 1: he didn't direct the video, but he has a hand

1563
01:04:48,160 --> 01:04:50,480
Speaker 1: in everything, as well as the album cover that they revealed.

1564
01:04:50,520 --> 01:04:52,120
Speaker 1: I think it's amazing for the Forever story.

1565
01:04:52,560 --> 01:04:53,240
Speaker 2: I look forward to it.

1566
01:04:53,320 --> 01:04:57,320
Speaker 1: I've heard a good majority of it and it sounds really, really,

1567
01:04:57,320 --> 01:04:57,680
Speaker 1: really fun.

1568
01:04:57,720 --> 01:05:01,320
Speaker 2: I'm looking forward to that project. Angel Mouse and Black

1569
01:05:01,360 --> 01:05:06,160
Speaker 2: Thought album Cheek Codes. I really like it. I like

1570
01:05:06,240 --> 01:05:09,160
Speaker 2: the joint k Joey Badass. I love the drunk Rayquon

1571
01:05:09,280 --> 01:05:14,480
Speaker 2: is hard uh salt Water with Conway. This is, you know,

1572
01:05:14,800 --> 01:05:17,480
Speaker 2: one of those type of I think twelve tracks. What

1573
01:05:17,480 --> 01:05:20,000
Speaker 2: I'm saying, keep it small, thirty eight minutes, keep it yeah,

1574
01:05:20,120 --> 01:05:22,320
Speaker 2: keep it right there. That's a good number right there.

1575
01:05:22,320 --> 01:05:26,440
Speaker 2: It gives people time to listen and to it. I

1576
01:05:26,560 --> 01:05:31,600
Speaker 2: was in the crib when I was I have the pill. Okay.

1577
01:05:32,160 --> 01:05:34,080
Speaker 1: I listened to it in the car for the first time,

1578
01:05:35,120 --> 01:05:36,480
Speaker 1: and I couldn't hear black thought at all?

1579
01:05:37,440 --> 01:05:39,800
Speaker 2: Really what you mean like at all this?

1580
01:05:40,080 --> 01:05:41,560
Speaker 1: And I could hear them, but I couldn't hear him,

1581
01:05:41,560 --> 01:05:41,840
Speaker 1: hear them.

1582
01:05:41,960 --> 01:05:42,720
Speaker 2: It wasn't mixed well.

1583
01:05:44,080 --> 01:05:45,880
Speaker 1: When I put my AirPods in, I really enjoyed it.

1584
01:05:45,960 --> 01:05:47,960
Speaker 2: Or you have the iPhone nine, I think you need

1585
01:05:48,040 --> 01:05:51,480
Speaker 2: to Is that is that a low number? Now?

1586
01:05:51,560 --> 01:05:54,960
Speaker 6: Yeah, what are they letters about to get to fourteen letter?

1587
01:05:55,080 --> 01:05:55,520
Speaker 2: But what does that?

1588
01:05:56,240 --> 01:06:01,600
Speaker 1: It's back in the yeah, like yeah, yeah, you know, yeah,

1589
01:06:01,600 --> 01:06:05,160
Speaker 1: I couldn't. It could just be my shitty Mazda speakers.

1590
01:06:05,280 --> 01:06:06,480
Speaker 2: Don't shit on the MASA speakers.

1591
01:06:06,520 --> 01:06:09,000
Speaker 1: It was good speakers from twenty fourteen. What iPhone was

1592
01:06:09,040 --> 01:06:09,840
Speaker 1: out in twenty fourteen?

1593
01:06:09,960 --> 01:06:10,240
Speaker 3: That one.

1594
01:06:14,160 --> 01:06:15,840
Speaker 1: It was just it's made for headphones, I feel like

1595
01:06:15,960 --> 01:06:18,480
Speaker 1: with the mixing and then some records were mixed different.

1596
01:06:19,200 --> 01:06:19,680
Speaker 2: It was hard.

1597
01:06:20,080 --> 01:06:22,520
Speaker 1: It sounds really fucking good, but I couldn't really get

1598
01:06:22,560 --> 01:06:25,160
Speaker 1: into it until I have my headphones on. Okay, uh, yeah,

1599
01:06:25,320 --> 01:06:26,760
Speaker 1: just it was mixed weird. I don't know if it

1600
01:06:26,800 --> 01:06:30,320
Speaker 1: was mixed purposely that way. Sometimes I have examples. Sometimes

1601
01:06:30,320 --> 01:06:33,120
Speaker 1: I like when samples are too loud, like purposely too loud,

1602
01:06:34,000 --> 01:06:36,000
Speaker 1: but they were too loud, like I couldn't even hear

1603
01:06:36,040 --> 01:06:37,160
Speaker 1: Black Thought on certain stuff.

1604
01:06:37,480 --> 01:06:38,400
Speaker 2: But I did like it overall.

1605
01:06:38,400 --> 01:06:39,680
Speaker 1: I don't want to sound like I'm shitting.

1606
01:06:39,400 --> 01:06:41,280
Speaker 2: On it, but no, it's definitely a good project. If

1607
01:06:41,280 --> 01:06:43,480
Speaker 2: you haven't checked out cheat codes with Danger Mouse and

1608
01:06:43,560 --> 01:06:46,200
Speaker 2: Black Thought, download that, stream that and if you don't

1609
01:06:46,240 --> 01:06:47,880
Speaker 2: like it, deleted from your fucking library like I do.

1610
01:06:47,960 --> 01:06:50,240
Speaker 2: Sometimes there you go. I give a lot of artist spins.

1611
01:06:50,760 --> 01:06:52,200
Speaker 2: Listen to it, listen to a lot of saying it,

1612
01:06:52,360 --> 01:06:53,240
Speaker 2: delete from library.

1613
01:06:54,520 --> 01:06:57,560
Speaker 1: Ari Lennox hoodie video and single came out. Second single,

1614
01:06:57,760 --> 01:06:58,520
Speaker 1: yeap the pressure.

1615
01:06:59,120 --> 01:07:02,280
Speaker 2: Shout out the mes king MEZ excuse me mes hairs.

1616
01:07:02,600 --> 01:07:05,400
Speaker 2: I don't want to call him as old I know old. Yeah.

1617
01:07:05,600 --> 01:07:07,439
Speaker 2: Shout out the meds on how you directed the video.

1618
01:07:08,320 --> 01:07:11,920
Speaker 2: Shout out to Ari Dope another dope single is uh?

1619
01:07:13,600 --> 01:07:16,360
Speaker 2: Excuse me? Would you call Ari fine? Fine? Okay?

1620
01:07:16,720 --> 01:07:18,120
Speaker 1: Ari is definitely very pretty.

1621
01:07:19,520 --> 01:07:19,640
Speaker 3: Well.

1622
01:07:19,640 --> 01:07:21,360
Speaker 1: I love the record. I think the record is really good.

1623
01:07:22,520 --> 01:07:24,560
Speaker 1: Just as a fan, I just put the album out

1624
01:07:24,920 --> 01:07:27,720
Speaker 1: like I understand pressure. Pressure did amazing. You had to

1625
01:07:27,720 --> 01:07:31,840
Speaker 1: work pressure on. You worked pressured to the best fucking way.

1626
01:07:31,880 --> 01:07:36,080
Speaker 1: I've seen someone slow burn a record in twenty twenty two, Like,

1627
01:07:36,120 --> 01:07:37,560
Speaker 1: I thought that was kind of ill how they did that,

1628
01:07:37,640 --> 01:07:38,960
Speaker 1: and felt like the old school way to get a

1629
01:07:38,960 --> 01:07:43,480
Speaker 1: record to number one. I just think we need the album.

1630
01:07:44,400 --> 01:07:46,160
Speaker 2: I'm with you, and I know how difficult. But when

1631
01:07:46,600 --> 01:07:48,040
Speaker 2: she did she have a release.

1632
01:07:47,840 --> 01:07:50,120
Speaker 1: Date, she tweeted out that the album is done.

1633
01:07:50,320 --> 01:07:52,160
Speaker 2: Okay, don't have a release date yet.

1634
01:07:52,200 --> 01:07:55,120
Speaker 1: They have not announced one yet. Okay, from my understanding,

1635
01:07:55,160 --> 01:07:55,600
Speaker 1: it is soon.

1636
01:07:55,760 --> 01:08:01,960
Speaker 2: So I'm excited school, don't you. I mean, that's my friend.

1637
01:08:02,040 --> 01:08:04,320
Speaker 2: But this is a podcast. She didn't ask her when

1638
01:08:04,360 --> 01:08:06,000
Speaker 2: she was releasing an album. I wouldn't say it on here.

1639
01:08:07,400 --> 01:08:09,160
Speaker 2: I'm a fan on the podcast. I know you actually

1640
01:08:09,560 --> 01:08:11,680
Speaker 2: already know. I know you actually. I was just asking

1641
01:08:11,720 --> 01:08:12,760
Speaker 2: if you asked her for the release date.

1642
01:08:13,320 --> 01:08:14,120
Speaker 1: I know the release date.

1643
01:08:14,200 --> 01:08:20,719
Speaker 2: Yes, Rory gets so. Rory gets so Protectiveari, it's my friend.

1644
01:08:20,760 --> 01:08:23,120
Speaker 2: I would never tell her release date on my platform.

1645
01:08:23,160 --> 01:08:26,479
Speaker 2: Are you kidding me? That was a confidential conversation we had.

1646
01:08:26,880 --> 01:08:32,000
Speaker 1: Okay, you can put the voice on, but yeah, I'm

1647
01:08:32,120 --> 01:08:35,360
Speaker 1: very protective. Number two, if she told me a release

1648
01:08:35,479 --> 01:08:37,680
Speaker 1: date in confidentiality, if that's even a word or just.

1649
01:08:37,680 --> 01:08:42,799
Speaker 2: A movie she told me to release I in conference?

1650
01:08:43,640 --> 01:08:43,960
Speaker 3: Got it?

1651
01:08:45,160 --> 01:08:45,840
Speaker 1: No, Miss Congeni?

1652
01:08:46,640 --> 01:08:46,840
Speaker 7: Yeah?

1653
01:08:47,600 --> 01:08:51,720
Speaker 5: What what the wow game of scrabble y'all got going over?

1654
01:08:51,920 --> 01:08:54,200
Speaker 1: I would not say the date on here. That's for

1655
01:08:54,280 --> 01:08:54,960
Speaker 1: them to release.

1656
01:08:55,160 --> 01:08:56,880
Speaker 2: You know, she'll tell her, She'll tell her fan base

1657
01:08:56,920 --> 01:08:57,920
Speaker 2: her release date. Rory's okay.

1658
01:08:58,000 --> 01:08:59,600
Speaker 1: I think she should be the one to tell. I

1659
01:08:59,640 --> 01:09:01,280
Speaker 1: don't know if I'm with you.

1660
01:09:01,360 --> 01:09:03,400
Speaker 2: On that one. I'm with you on that. I saw

1661
01:09:03,920 --> 01:09:06,680
Speaker 2: Baby D going crazy earlier, popping and dropping it. I

1662
01:09:06,720 --> 01:09:09,759
Speaker 2: don't know if she was listening to Traumazine was Meg's album.

1663
01:09:09,960 --> 01:09:14,200
Speaker 2: I'm gonna be honest, man, I like this album more

1664
01:09:14,240 --> 01:09:19,160
Speaker 2: than I probably should. I don't be honest, like the

1665
01:09:19,240 --> 01:09:23,040
Speaker 2: production was hard. Meg was talking her ship. I understand.

1666
01:09:23,040 --> 01:09:25,479
Speaker 2: It's not like I'm not gonna be banging this project obviously,

1667
01:09:25,560 --> 01:09:27,400
Speaker 2: but I listened to it just to hit with Meg did,

1668
01:09:27,439 --> 01:09:29,240
Speaker 2: and she did a good job. I'm not mad at

1669
01:09:29,280 --> 01:09:29,719
Speaker 2: this project.

1670
01:09:29,760 --> 01:09:31,080
Speaker 5: I agree you like it.

1671
01:09:31,360 --> 01:09:32,439
Speaker 2: How the girls responded to it.

1672
01:09:33,080 --> 01:09:33,479
Speaker 6: I love it.

1673
01:09:34,360 --> 01:09:36,360
Speaker 5: The girls are responding good. I like it. She did

1674
01:09:36,400 --> 01:09:38,840
Speaker 5: some different things she got probably got in the studio

1675
01:09:38,920 --> 01:09:41,840
Speaker 5: with her man and came up with some different song concepts.

1676
01:09:41,840 --> 01:09:43,640
Speaker 5: She's still talking that ship like her pussy good, her

1677
01:09:43,720 --> 01:09:45,080
Speaker 5: mouth good and fuck these bitches.

1678
01:09:45,120 --> 01:09:48,120
Speaker 2: And I'm pussy good, her mouth good and fuck these

1679
01:09:48,160 --> 01:09:51,120
Speaker 2: bitch Who are the girls? I like that? What girls?

1680
01:09:52,280 --> 01:09:52,559
Speaker 3: The girls?

1681
01:09:52,880 --> 01:09:53,240
Speaker 2: The girls?

1682
01:09:53,560 --> 01:09:56,360
Speaker 6: The girls, like the girls.

1683
01:09:56,160 --> 01:09:59,840
Speaker 2: The people that identify you as your demographic Oh, I'm just.

1684
01:10:01,880 --> 01:10:03,439
Speaker 1: I like that record a lot on there.

1685
01:10:04,560 --> 01:10:05,440
Speaker 5: Inconsistency.

1686
01:10:05,560 --> 01:10:06,880
Speaker 2: I mean, that's not the line I would have went

1687
01:10:06,960 --> 01:10:12,479
Speaker 2: right to. The song is consistent, Like the song is Dick.

1688
01:10:13,040 --> 01:10:17,599
Speaker 2: It's called consistency. Meg would not name her. Let me say,

1689
01:10:17,640 --> 01:10:19,280
Speaker 2: I like a song, and then you come right after

1690
01:10:20,000 --> 01:10:21,880
Speaker 2: because and did a little rock like she was on

1691
01:10:22,040 --> 01:10:22,960
Speaker 2: the Dick. Just now you didn't.

1692
01:10:24,760 --> 01:10:29,519
Speaker 1: I've also never given consistence in anything. Actually, this part

1693
01:10:29,600 --> 01:10:31,920
Speaker 1: is the only thing I've done consistent. Dick has never

1694
01:10:32,000 --> 01:10:32,880
Speaker 1: been in at all.

1695
01:10:33,800 --> 01:10:35,920
Speaker 2: But yeah, I like the album. Obviously it's I'm not

1696
01:10:35,960 --> 01:10:37,720
Speaker 2: gonna be banging this ship much because it's Meg just

1697
01:10:37,800 --> 01:10:42,240
Speaker 2: talking about exactly Goosie gussy wet wet. I think it

1698
01:10:42,320 --> 01:10:45,160
Speaker 2: was rushed. No, no, well it doesn't sound I don't

1699
01:10:45,160 --> 01:10:45,800
Speaker 2: think it sounds rush.

1700
01:10:45,800 --> 01:10:46,160
Speaker 3: I don't know that.

1701
01:10:46,560 --> 01:10:50,880
Speaker 1: I think they rush it the rollout. The rollout, that's

1702
01:10:50,920 --> 01:10:51,400
Speaker 1: what I'm saying.

1703
01:10:51,600 --> 01:10:53,479
Speaker 5: The rollout was very off, but she she put out

1704
01:10:53,520 --> 01:10:56,240
Speaker 5: that she was fighting with her label about releasing music

1705
01:10:56,280 --> 01:10:57,640
Speaker 5: and stuff, but she said this I think is the

1706
01:10:57,960 --> 01:10:59,160
Speaker 5: last project with them.

1707
01:11:01,040 --> 01:11:01,679
Speaker 2: Trying to get it okay.

1708
01:11:01,720 --> 01:11:03,080
Speaker 1: I was going to be the messy person that was like,

1709
01:11:03,080 --> 01:11:05,800
Speaker 1: all right, September is coming very soon, and that's when

1710
01:11:05,800 --> 01:11:08,439
Speaker 1: the trial is. And I would also understand if you

1711
01:11:08,479 --> 01:11:10,720
Speaker 1: have a trial coming, not that she's on trial, but

1712
01:11:10,760 --> 01:11:11,760
Speaker 1: she will be part of the trial.

1713
01:11:12,080 --> 01:11:12,519
Speaker 5: Get that that.

1714
01:11:12,920 --> 01:11:15,200
Speaker 1: Let me do my fucking press now and get this

1715
01:11:15,400 --> 01:11:18,040
Speaker 1: ship out. But that's where I felt it was rushed.

1716
01:11:18,120 --> 01:11:20,760
Speaker 1: Not because I saw people saying like, oh, the real

1717
01:11:20,840 --> 01:11:22,599
Speaker 1: facts will come out, that's why Meg's putting music.

1718
01:11:22,640 --> 01:11:24,120
Speaker 2: I'm like, no, maybe she just has to go to

1719
01:11:24,200 --> 01:11:28,080
Speaker 2: court and wants to But fifteen on one I think

1720
01:11:28,120 --> 01:11:30,400
Speaker 2: it is she owes them one album and this is

1721
01:11:30,479 --> 01:11:31,920
Speaker 2: it the last one. Then I could see her wanting

1722
01:11:31,920 --> 01:11:32,920
Speaker 2: to get this out the way for sure.

1723
01:11:33,040 --> 01:11:37,080
Speaker 1: How many albums does Meg have or project official album?

1724
01:11:37,120 --> 01:11:37,920
Speaker 1: How many projects too?

1725
01:11:39,640 --> 01:11:41,720
Speaker 2: I want to say six because Meg is one of

1726
01:11:41,720 --> 01:11:44,920
Speaker 2: those artists I thought was going to be the album

1727
01:11:45,160 --> 01:11:47,680
Speaker 2: disappear for a few years, do a feature every now

1728
01:11:47,680 --> 01:11:50,360
Speaker 2: and then and then come back artist. She puts out

1729
01:11:50,479 --> 01:11:56,080
Speaker 2: music very often. I think she has good news Feva,

1730
01:11:56,880 --> 01:12:05,639
Speaker 2: Tina Snow obviously, so that's what sugar, and that's all before.

1731
01:12:05,680 --> 01:12:08,960
Speaker 2: Obviously we know she puts you out before, but she

1732
01:12:09,080 --> 01:12:12,400
Speaker 2: puts out a lot of music. Man, Yeah, why do

1733
01:12:12,479 --> 01:12:16,160
Speaker 2: you think that? Because for some reason, I can't figure

1734
01:12:16,200 --> 01:12:20,400
Speaker 2: out why Meg doesn't uh get the support. I think

1735
01:12:20,439 --> 01:12:23,559
Speaker 2: that a lot of other female MC's female rappers get.

1736
01:12:24,520 --> 01:12:26,560
Speaker 2: Why do you think that though, from the from the

1737
01:12:26,600 --> 01:12:28,439
Speaker 2: fan base, from the from the from the fans, from

1738
01:12:28,479 --> 01:12:30,120
Speaker 2: the from the culture.

1739
01:12:30,320 --> 01:12:32,280
Speaker 5: I think Meg had a moment where it became very

1740
01:12:32,360 --> 01:12:34,760
Speaker 5: cool to hate her. I remember Nicki said she had

1741
01:12:34,760 --> 01:12:36,439
Speaker 5: a Nicki hate train, and it was like the cool

1742
01:12:36,479 --> 01:12:39,040
Speaker 5: thing to hate her, the whole thing where when she

1743
01:12:39,160 --> 01:12:41,040
Speaker 5: got shot and stuff like that. I feel like people

1744
01:12:41,120 --> 01:12:43,400
Speaker 5: just kind of chose sides on her and they let

1745
01:12:43,439 --> 01:12:45,800
Speaker 5: it like affect them judging her music as well, like

1746
01:12:45,840 --> 01:12:47,559
Speaker 5: people who, oh, she's a liar, she's a liar, she's

1747
01:12:47,560 --> 01:12:47,920
Speaker 5: a liar.

1748
01:12:48,040 --> 01:12:50,519
Speaker 1: And then it was but that was mostly men that

1749
01:12:50,600 --> 01:12:55,479
Speaker 1: weren't listening to a lot of shade room comments.

1750
01:12:56,760 --> 01:12:59,479
Speaker 5: Listen, I'm telling you a lot of women. Tory Lanez

1751
01:12:59,520 --> 01:13:01,800
Speaker 5: has a lot of ants. There were a lot of

1752
01:13:01,920 --> 01:13:05,760
Speaker 5: women that were very anti Meg, very anti Meg, and

1753
01:13:05,960 --> 01:13:08,920
Speaker 5: very quickly it switched, very quickly.

1754
01:13:09,240 --> 01:13:11,439
Speaker 2: She had a bar on one of these songs addressing

1755
01:13:11,520 --> 01:13:15,280
Speaker 2: that whole situation. What I do know what she gets it.

1756
01:13:15,400 --> 01:13:17,439
Speaker 2: I don't remember the verbating, but I do know what

1757
01:13:17,520 --> 01:13:19,600
Speaker 2: she gets into that tin of snowshit. There's not a

1758
01:13:19,640 --> 01:13:21,360
Speaker 2: lot of female mcs that could keep up with her.

1759
01:13:21,720 --> 01:13:24,840
Speaker 2: M I agree, like when she gets into that type

1760
01:13:24,880 --> 01:13:29,679
Speaker 2: of like I remember seeing the first few videos of Meg,

1761
01:13:29,840 --> 01:13:33,400
Speaker 2: like rapping at the gas station and all that, and

1762
01:13:33,520 --> 01:13:34,800
Speaker 2: I was like, yo, I don't know who this is,

1763
01:13:35,040 --> 01:13:38,640
Speaker 2: who she is, but she's spitting and is one of

1764
01:13:38,680 --> 01:13:43,040
Speaker 2: the better flows, even voices. I like Meg's voice, I

1765
01:13:43,160 --> 01:13:47,040
Speaker 2: like her energy, I like her confidence, her La Leguas freestyle.

1766
01:13:47,920 --> 01:13:50,719
Speaker 2: It was another freestyle she did. I can't remember which

1767
01:13:50,800 --> 01:13:53,479
Speaker 2: platform that was on when she killed that, And I'm

1768
01:13:53,479 --> 01:13:55,479
Speaker 2: just trying to figure it, well, I'm just trying to

1769
01:13:55,479 --> 01:13:59,360
Speaker 2: figure out where the I guess the disconnect with the

1770
01:13:59,520 --> 01:14:01,880
Speaker 2: support lies. Well, before we.

1771
01:14:01,920 --> 01:14:04,679
Speaker 1: Get right there to the point of the flow, Tamarison

1772
01:14:04,680 --> 01:14:07,000
Speaker 1: and I were talking and she corrected me and again,

1773
01:14:07,040 --> 01:14:09,679
Speaker 1: I will never claim that I know every Meg song,

1774
01:14:10,520 --> 01:14:11,760
Speaker 1: and I don't want to make this a woman thing

1775
01:14:11,760 --> 01:14:13,320
Speaker 1: the way the internet will, because I say this about

1776
01:14:13,360 --> 01:14:16,920
Speaker 1: Ross too, who's one of my favorite rappers. It's an

1777
01:14:17,280 --> 01:14:21,840
Speaker 1: incredible flow. Seems like it's very much the same on

1778
01:14:21,920 --> 01:14:23,760
Speaker 1: a lot of records, and there's plenty of rappers that

1779
01:14:23,840 --> 01:14:27,360
Speaker 1: do it and rappers that I love. But the amount

1780
01:14:27,479 --> 01:14:30,439
Speaker 1: of music she puts out with the minimal amount of features,

1781
01:14:30,439 --> 01:14:35,559
Speaker 1: which I commend, can get it's not boring, but it's

1782
01:14:35,640 --> 01:14:39,240
Speaker 1: just for a full album. Sometimes it can disconnect the

1783
01:14:39,320 --> 01:14:42,680
Speaker 1: fans a bit. I feel like when it's very much

1784
01:14:42,720 --> 01:14:45,120
Speaker 1: the same, not even saying content, just the same flow,

1785
01:14:45,479 --> 01:14:47,920
Speaker 1: just from a rhythmic point of view.

1786
01:14:48,040 --> 01:14:50,240
Speaker 2: I really hope, I really hope that I say this

1787
01:14:50,280 --> 01:14:51,040
Speaker 2: about rappers I love.

1788
01:14:51,160 --> 01:14:53,000
Speaker 1: I think Ross does it a lot too and finds

1789
01:14:53,040 --> 01:14:55,240
Speaker 1: a way to not make it boring, and then there's

1790
01:14:55,360 --> 01:14:56,040
Speaker 1: rappers that don't.

1791
01:14:56,120 --> 01:14:58,479
Speaker 2: That just sounds boring at this point. I do hope

1792
01:14:58,520 --> 01:15:01,360
Speaker 2: that her and I hope she really gets in the

1793
01:15:01,400 --> 01:15:04,600
Speaker 2: studio with Party because like I've always talked about his

1794
01:15:04,680 --> 01:15:08,000
Speaker 2: pen and his song making ability, I think that you know,

1795
01:15:08,439 --> 01:15:10,680
Speaker 2: her and Party can really get in the studio makes

1796
01:15:10,680 --> 01:15:13,280
Speaker 2: some really really dope songs together. Like, I know Meg

1797
01:15:13,320 --> 01:15:14,800
Speaker 2: writes a lot of her ship, if not all of it,

1798
01:15:15,320 --> 01:15:17,559
Speaker 2: But I do think that having somebody with an ear

1799
01:15:17,720 --> 01:15:21,000
Speaker 2: like party locking in with a couple of producers, I

1800
01:15:21,080 --> 01:15:23,120
Speaker 2: think Meg could really make it like a really really

1801
01:15:23,320 --> 01:15:24,360
Speaker 2: crazy fucking album.

1802
01:15:24,640 --> 01:15:28,400
Speaker 5: Can we get back to rappers actually having singers on

1803
01:15:28,520 --> 01:15:31,200
Speaker 5: the hooks instead of attempting to sing the hooks themselves?

1804
01:15:32,720 --> 01:15:36,479
Speaker 2: Well, I think that's rappers singers that are like like

1805
01:15:36,640 --> 01:15:38,280
Speaker 2: known singers or the singers that's like, who is this

1806
01:15:38,360 --> 01:15:40,200
Speaker 2: girl from your hood that just got a nice voice

1807
01:15:40,200 --> 01:15:43,360
Speaker 2: that you used? Yeah, that was a thing, like you like, Yo,

1808
01:15:43,439 --> 01:15:45,439
Speaker 2: where's she at right now? Like what you doing with her?

1809
01:15:45,880 --> 01:15:49,240
Speaker 2: She got a classic hook on a classic fucking rap record.

1810
01:15:49,280 --> 01:15:51,320
Speaker 1: That's That's where you get to Tony sunshines. That's where

1811
01:15:51,320 --> 01:15:52,080
Speaker 1: you get the reils.

1812
01:15:52,160 --> 01:15:55,840
Speaker 2: That's where like, don for that, I missed that.

1813
01:15:56,920 --> 01:15:59,439
Speaker 5: Like for example, I'm talking about it because we were

1814
01:15:59,439 --> 01:16:01,200
Speaker 5: talking about Meg's album and she has a song with

1815
01:16:01,360 --> 01:16:04,240
Speaker 5: Lucky Day, but she's singing, are.

1816
01:16:04,200 --> 01:16:06,880
Speaker 2: You serious, it's horrible. You don't like that song?

1817
01:16:07,000 --> 01:16:07,400
Speaker 6: Oh my god?

1818
01:16:08,360 --> 01:16:12,160
Speaker 5: Because she's singing Megan can't sing. Well, it's not rappers

1819
01:16:12,240 --> 01:16:14,719
Speaker 5: that can sing. She can't sing. You should be lucky

1820
01:16:15,280 --> 01:16:19,720
Speaker 5: sing that like what she did with with Jeneko on consistency.

1821
01:16:20,120 --> 01:16:22,960
Speaker 5: Janey killt that she sounds amazing. Meg sounds amazing on

1822
01:16:23,160 --> 01:16:26,439
Speaker 5: her verses. Just let's get back to I feel like Drake,

1823
01:16:27,000 --> 01:16:29,040
Speaker 5: Drake and Kanye fucked everybody up and they got all

1824
01:16:29,040 --> 01:16:31,439
Speaker 5: these rappers thinking that they could sing. And I want

1825
01:16:31,479 --> 01:16:31,840
Speaker 5: it to end.

1826
01:16:32,439 --> 01:16:33,920
Speaker 2: Give the singers that's fair.

1827
01:16:34,160 --> 01:16:36,519
Speaker 1: No, I think I think that was more Wayne than anyone,

1828
01:16:36,640 --> 01:16:38,600
Speaker 1: because Wayne can't sing and all his hooks when he

1829
01:16:38,640 --> 01:16:42,680
Speaker 1: sings sound amazing. Kanye and Drake can sing, not sing, sing,

1830
01:16:42,800 --> 01:16:43,400
Speaker 1: but they can sing.

1831
01:16:43,600 --> 01:16:44,200
Speaker 2: They can.

1832
01:16:44,400 --> 01:16:47,040
Speaker 1: Wayne did his hooks singing and can't sing for ship

1833
01:16:47,200 --> 01:16:48,320
Speaker 1: and it was like, this is fire.

1834
01:16:48,920 --> 01:16:50,800
Speaker 2: It's just amazing me when people can't sing in twenty

1835
01:16:50,840 --> 01:16:54,240
Speaker 2: twenty two because you can just auto tune your fucking voice.

1836
01:16:55,080 --> 01:16:57,400
Speaker 2: Wish was that it's not as easy as you're thinking of. Yeah,

1837
01:16:57,520 --> 01:16:59,479
Speaker 2: I mean if you got it half an ear for

1838
01:16:59,560 --> 01:17:01,080
Speaker 2: fucking it, like.

1839
01:17:01,160 --> 01:17:02,880
Speaker 6: Right now, dude, a little no and I'm gonna put it.

1840
01:17:02,920 --> 01:17:04,639
Speaker 2: On it, you know what I'm saying, Like it sounds

1841
01:17:04,720 --> 01:17:07,240
Speaker 2: really cheesy. Why you be trying to turn me into

1842
01:17:07,280 --> 01:17:09,360
Speaker 2: like these viral moments all the time. I'm not I'm

1843
01:17:09,360 --> 01:17:10,000
Speaker 2: gonna kick your.

1844
01:17:09,880 --> 01:17:13,640
Speaker 6: Assent consistency, you got me.

1845
01:17:13,840 --> 01:17:16,800
Speaker 2: See, this is why why she's still here, Why she

1846
01:17:16,840 --> 01:17:17,200
Speaker 2: still here?

1847
01:17:17,200 --> 01:17:18,560
Speaker 1: I mean we're talking about the album. It would be

1848
01:17:18,560 --> 01:17:19,680
Speaker 1: the first record that we would sing.

1849
01:17:20,120 --> 01:17:21,600
Speaker 2: I'm not singing the hook to consistency.

1850
01:17:21,720 --> 01:17:25,639
Speaker 5: I will sing any hook because all right, I don't

1851
01:17:25,680 --> 01:17:28,479
Speaker 5: know that hook. Well you know something ship sing it,

1852
01:17:28,520 --> 01:17:29,920
Speaker 5: so I don't.

1853
01:17:30,280 --> 01:17:32,240
Speaker 2: I don't know what you were in the Hall and

1854
01:17:32,280 --> 01:17:35,120
Speaker 2: Boys choir. You can actually sing without one exactly. I

1855
01:17:35,200 --> 01:17:39,000
Speaker 2: could sing for real, sing love one day, Love on Top, Yeah,

1856
01:17:41,400 --> 01:17:48,920
Speaker 2: trying to do the baseline. We're not doing that. Look

1857
01:17:48,960 --> 01:17:52,920
Speaker 2: at Julia, he's a human being.

1858
01:17:52,960 --> 01:17:55,080
Speaker 1: If you don't bop your shoulders ahead when Love on

1859
01:17:55,200 --> 01:17:55,759
Speaker 1: Top comes.

1860
01:17:55,640 --> 01:18:00,080
Speaker 2: In, yeah, no, we're not doing that, Ramona Park, So

1861
01:18:00,080 --> 01:18:00,760
Speaker 2: you my heart.

1862
01:18:00,800 --> 01:18:02,320
Speaker 1: So no one has a theory why no one likes

1863
01:18:02,439 --> 01:18:06,080
Speaker 1: uh that came out, that came out so long?

1864
01:18:06,240 --> 01:18:08,519
Speaker 2: No, you know why because nobody is talking about this.

1865
01:18:08,720 --> 01:18:09,960
Speaker 2: I talked about it when it came out. I love

1866
01:18:10,000 --> 01:18:11,400
Speaker 2: this something, But to keep going, I just want to,

1867
01:18:11,960 --> 01:18:13,599
Speaker 2: I just want to. I just want to put that out.

1868
01:18:14,280 --> 01:18:17,800
Speaker 2: Vince Staples, Ramona Park Broke My Heart. Stream that album.

1869
01:18:17,920 --> 01:18:19,920
Speaker 2: Listen to it if you are hip hophead. One of

1870
01:18:19,960 --> 01:18:22,040
Speaker 2: the best albums of the year by far.

1871
01:18:23,680 --> 01:18:23,800
Speaker 3: Well.

1872
01:18:23,840 --> 01:18:26,679
Speaker 1: I'm sorry to interrupt the initial question that you asked.

1873
01:18:26,840 --> 01:18:29,880
Speaker 1: As far as why does that, I asked the fans

1874
01:18:29,960 --> 01:18:33,439
Speaker 1: not connect with okay because I don't know.

1875
01:18:33,520 --> 01:18:35,920
Speaker 2: I feel like she hasn't been hated on.

1876
01:18:36,000 --> 01:18:39,000
Speaker 1: I know the Tory Lanez thing caused some split between

1877
01:18:39,080 --> 01:18:41,240
Speaker 1: but I thought she was the fucking people's champ before that.

1878
01:18:42,400 --> 01:18:43,639
Speaker 2: I don't think Meg ever.

1879
01:18:43,520 --> 01:18:46,679
Speaker 5: Got hate people, but it's a lot of hate.

1880
01:18:46,720 --> 01:18:48,600
Speaker 1: But I felt the same way about Nikki when she

1881
01:18:48,720 --> 01:18:50,599
Speaker 1: first started saying that, and then I realized, oh shit,

1882
01:18:50,600 --> 01:18:52,200
Speaker 1: all right, Nikki does get a lot of hate. Yeah,

1883
01:18:52,680 --> 01:18:54,640
Speaker 1: so it could be the case in this But what

1884
01:18:55,000 --> 01:18:55,960
Speaker 1: is it though, because it's weird.

1885
01:18:56,040 --> 01:18:59,479
Speaker 2: It's weird that that happens. It sways from female MC

1886
01:18:59,600 --> 01:19:00,479
Speaker 2: to female She is.

1887
01:19:00,560 --> 01:19:04,160
Speaker 1: Like, why, but that's not just with female mcs. Don't

1888
01:19:04,200 --> 01:19:06,120
Speaker 1: do that because Drake was the greatest ever and now

1889
01:19:06,160 --> 01:19:08,040
Speaker 1: he gets hated on non stop. Hope was the greatest ever.

1890
01:19:08,160 --> 01:19:10,880
Speaker 1: Now it's mad hole he hates on Drake mad ever,

1891
01:19:11,000 --> 01:19:14,840
Speaker 1: really mad people We're like on on Twitter even when

1892
01:19:14,920 --> 01:19:16,599
Speaker 1: Drake was at the peak Peak Drake.

1893
01:19:16,640 --> 01:19:19,040
Speaker 2: I mean they hated the last album because it's a

1894
01:19:19,160 --> 01:19:22,360
Speaker 2: dance album. I know they hated that. They hate hate star.

1895
01:19:23,720 --> 01:19:28,040
Speaker 2: Who's We? You know why double album? Only see it?

1896
01:19:28,120 --> 01:19:29,599
Speaker 6: I mean, look, you're doing the math.

1897
01:19:29,760 --> 01:19:31,840
Speaker 2: I'm just trulled. That's what it is. Whenever it's too

1898
01:19:31,920 --> 01:19:34,880
Speaker 2: much music, it's just something about it that's like your dog.

1899
01:19:34,920 --> 01:19:37,920
Speaker 2: I'm not sitting through thirty thirty five tracks.

1900
01:19:37,960 --> 01:19:39,559
Speaker 5: I'm just not doing y'all sat there and hated our

1901
01:19:39,680 --> 01:19:40,280
Speaker 5: views too.

1902
01:19:40,920 --> 01:19:41,479
Speaker 6: Who's y'all?

1903
01:19:42,680 --> 01:19:46,479
Speaker 2: I love that shit? I old you in views came

1904
01:19:46,520 --> 01:19:49,320
Speaker 2: out with fourteen twenty one, he was twenty one?

1905
01:19:49,479 --> 01:19:54,680
Speaker 6: Yeah, hold was twenty seven, twenty and September good year?

1906
01:19:56,000 --> 01:19:59,040
Speaker 2: Yeah, well there's only been what two? Was that a

1907
01:19:59,040 --> 01:19:59,960
Speaker 2: good year? Two and sixty?

1908
01:20:00,000 --> 01:20:03,599
Speaker 5: Everybody knows who done? Sixteen was the best year, best year.

1909
01:20:03,479 --> 01:20:06,400
Speaker 2: Of all time. I love when people say that's the

1910
01:20:06,439 --> 01:20:07,360
Speaker 2: best year of all time.

1911
01:20:07,479 --> 01:20:07,960
Speaker 3: No, it was it.

1912
01:20:08,040 --> 01:20:10,439
Speaker 2: It was a good year for you. Twenty sixteen. That

1913
01:20:10,520 --> 01:20:12,360
Speaker 2: was a good year. I had fun that year, but

1914
01:20:12,439 --> 01:20:14,560
Speaker 2: that wasn't the greatest year ever. I don't know. The

1915
01:20:14,640 --> 01:20:17,880
Speaker 2: greatest year ever is sick. That's just crazy to call

1916
01:20:18,320 --> 01:20:20,320
Speaker 2: one year Yes, that's the greatest my recollection.

1917
01:20:20,479 --> 01:20:22,519
Speaker 1: I don't think there's been a better year in twenty.

1918
01:20:22,320 --> 01:20:24,800
Speaker 2: Sixteen, Get the fuck out twenty sixteen. I feel like

1919
01:20:24,840 --> 01:20:27,679
Speaker 2: the least amount of terrible shit happened. The best music

1920
01:20:27,760 --> 01:20:29,679
Speaker 2: came out. But y'all are young, so y'all don't y'all

1921
01:20:29,800 --> 01:20:30,479
Speaker 2: wasn't outside.

1922
01:20:30,880 --> 01:20:33,280
Speaker 5: I was onside in eighty four, so I can't speak.

1923
01:20:33,520 --> 01:20:34,639
Speaker 2: I wasn't outside in eighty four.

1924
01:20:34,640 --> 01:20:37,680
Speaker 1: It was fourteen, though, four, I had fourteen year old

1925
01:20:37,720 --> 01:20:38,439
Speaker 1: fun and though four.

1926
01:20:39,439 --> 01:20:41,400
Speaker 2: I know what you did in twenty sixteen, what I do?

1927
01:20:41,640 --> 01:20:44,400
Speaker 1: She licked your ass for the first time in twenty sixteen, Yeah,

1928
01:20:44,520 --> 01:20:45,880
Speaker 1: type of Oh.

1929
01:20:45,880 --> 01:20:47,760
Speaker 2: You was getting that. He was getting that earlier. Are

1930
01:20:47,800 --> 01:20:49,200
Speaker 2: you a nasty Irish lad?

1931
01:20:49,479 --> 01:20:49,880
Speaker 3: Look at you?

1932
01:20:50,000 --> 01:20:52,519
Speaker 2: You nasty? It was standard in twenty sixteen. Oh no,

1933
01:20:52,560 --> 01:20:55,000
Speaker 2: it was definite. It's death ustad of the twenty sixteen

1934
01:20:55,120 --> 01:20:55,519
Speaker 2: for sure.

1935
01:20:58,520 --> 01:20:58,760
Speaker 3: Wow.

1936
01:20:58,880 --> 01:21:02,840
Speaker 1: Yeah, I don't know why I got silent yeeah, I

1937
01:21:02,840 --> 01:21:04,240
Speaker 1: don't know why you try to play me right there?

1938
01:21:04,840 --> 01:21:10,439
Speaker 1: Listen to that record, feel held a bunch of ways. No,

1939
01:21:10,560 --> 01:21:12,160
Speaker 1: but double albums is not for everybody.

1940
01:21:13,040 --> 01:21:15,280
Speaker 2: That's too much fucking music, man, It's too much. We

1941
01:21:15,320 --> 01:21:15,960
Speaker 2: don't need that much.

1942
01:21:16,000 --> 01:21:17,719
Speaker 1: I can only think of two and rap that ever worked,

1943
01:21:18,200 --> 01:21:20,719
Speaker 1: All Eyes on Me and Life After Death and maybe

1944
01:21:20,920 --> 01:21:22,120
Speaker 1: just Life after Death.

1945
01:21:22,960 --> 01:21:25,280
Speaker 2: And the Speaker Box Love Below, but that wasn't a

1946
01:21:25,320 --> 01:21:27,439
Speaker 2: double album to me. That was a big boy album.

1947
01:21:27,479 --> 01:21:30,400
Speaker 1: And Audrey two thousand still Okay, then we'll put that

1948
01:21:30,439 --> 01:21:34,479
Speaker 1: one there because both sides are amazingly absolutely, but there

1949
01:21:34,520 --> 01:21:35,680
Speaker 1: were still some skips.

1950
01:21:40,640 --> 01:21:40,960
Speaker 3: All right.

1951
01:21:41,040 --> 01:21:43,240
Speaker 2: So look, man, you know, y'all have been trying to

1952
01:21:43,240 --> 01:21:45,280
Speaker 2: get me to watch this Woodstock doc and I was

1953
01:21:45,360 --> 01:21:48,320
Speaker 2: kind of apprehensive because I'm like Woodstock, I knowed white people. Yeah,

1954
01:21:48,439 --> 01:21:50,360
Speaker 2: white dirty white people running around doing drugs.

1955
01:21:50,400 --> 01:21:51,719
Speaker 1: I get it, life.

1956
01:21:51,880 --> 01:21:56,599
Speaker 2: But you left out one one particular thing about this doc.

1957
01:21:56,640 --> 01:22:01,320
Speaker 2: Worrying I'm you love you love mellanated women. Of course

1958
01:22:01,360 --> 01:22:01,519
Speaker 2: I do.

1959
01:22:01,680 --> 01:22:06,080
Speaker 1: Oh Ananda Luis, who was in the doc, who might

1960
01:22:06,160 --> 01:22:06,960
Speaker 1: be aging better?

1961
01:22:07,120 --> 01:22:09,840
Speaker 2: Yeah, if you would have said, a, maol look, a

1962
01:22:09,960 --> 01:22:12,679
Speaker 2: Nonda Luis is in this document, I thought I would

1963
01:22:12,680 --> 01:22:15,840
Speaker 2: have it done. No, no, no, Anando Luis, Like, are

1964
01:22:15,880 --> 01:22:17,640
Speaker 2: you kidding me? Of course, you know I used to

1965
01:22:17,720 --> 01:22:20,160
Speaker 2: run home to watch a Nondolus wow, just to see

1966
01:22:20,280 --> 01:22:22,160
Speaker 2: what she was gonna wear, how her hair, her hair

1967
01:22:22,240 --> 01:22:25,040
Speaker 2: still looks like it smells like a vacation. What doja

1968
01:22:25,160 --> 01:22:27,200
Speaker 2: Cat was saying in that tweet is what you were doing?

1969
01:22:27,360 --> 01:22:27,519
Speaker 7: Oh?

1970
01:22:27,600 --> 01:22:30,760
Speaker 2: Absolutely, I was tugging it to No, I'm joking. I

1971
01:22:30,880 --> 01:22:33,360
Speaker 2: was not doing that. But okay. The beautiful Nonda Luis

1972
01:22:33,400 --> 01:22:36,320
Speaker 2: was in the documentary Woodstock ninety nine.

1973
01:22:36,400 --> 01:22:38,760
Speaker 1: Is that she was, I would say, one of the

1974
01:22:38,800 --> 01:22:39,200
Speaker 1: main people.

1975
01:22:39,479 --> 01:22:42,920
Speaker 2: Yeah, absolutely, she looks great. But the documentary was interesting.

1976
01:22:43,040 --> 01:22:44,880
Speaker 2: I learned some things about Woodstock that I didn't know.

1977
01:22:45,720 --> 01:22:48,559
Speaker 2: One thing that I learned about Woodstock that I didn't

1978
01:22:48,600 --> 01:22:51,920
Speaker 2: know was white people. White people are dirtier and crazier

1979
01:22:51,920 --> 01:22:52,559
Speaker 2: than I thought they were.

1980
01:22:54,080 --> 01:22:56,800
Speaker 1: That's wild to think that there's something that could tell

1981
01:22:56,840 --> 01:23:00,320
Speaker 1: you that dirtier than we already. No, no, no, doc

1982
01:23:00,439 --> 01:23:02,840
Speaker 1: what was it bathing in the porta pottymud? Oh my?

1983
01:23:03,840 --> 01:23:06,640
Speaker 2: What bro I listen. I knew Woodstock was wild. I

1984
01:23:06,720 --> 01:23:08,600
Speaker 2: knew it was. You know, back in the day, it

1985
01:23:08,680 --> 01:23:12,200
Speaker 2: was crazy Woodstock ninety nine. We had videos, we had

1986
01:23:12,280 --> 01:23:14,680
Speaker 2: MTV back then, we saw you know, what was my

1987
01:23:14,720 --> 01:23:17,360
Speaker 2: favorite guy's name on the do the news car Carson?

1988
01:23:17,560 --> 01:23:20,160
Speaker 1: No, no, no, no, the other guy, oh every hour

1989
01:23:20,200 --> 01:23:21,280
Speaker 1: on the hour? What is his name?

1990
01:23:21,439 --> 01:23:24,080
Speaker 2: I forgot his name love him though he broke so

1991
01:23:24,160 --> 01:23:26,320
Speaker 2: much news in my life. Absolutely, yeah, you kidding me.

1992
01:23:26,439 --> 01:23:27,719
Speaker 2: He was the he was our news anger.

1993
01:23:27,800 --> 01:23:28,000
Speaker 3: Yeah.

1994
01:23:28,160 --> 01:23:32,040
Speaker 2: But the documentary was good though, Michael Lang, who started it,

1995
01:23:32,360 --> 01:23:34,719
Speaker 2: you could tell he's he's still on his woodstock ship.

1996
01:23:34,960 --> 01:23:36,320
Speaker 2: He's still like, he doesn't shower.

1997
01:23:37,080 --> 01:23:39,040
Speaker 1: Well, I think he actually just recently passed. Didn't they

1998
01:23:39,040 --> 01:23:39,880
Speaker 1: say that he did?

1999
01:23:40,040 --> 01:23:40,360
Speaker 2: He did it?

2000
01:23:40,560 --> 01:23:42,839
Speaker 6: Yeah, he passed like two months.

2001
01:23:42,640 --> 01:23:45,639
Speaker 2: After the dog. I'm sorry, I mean that Rory recorded.

2002
01:23:46,120 --> 01:23:48,200
Speaker 1: I I didn't know him personally. I think that was

2003
01:23:48,200 --> 01:23:50,519
Speaker 1: when people passed. We're not in.

2004
01:23:50,560 --> 01:23:51,080
Speaker 2: Relationship, ok.

2005
01:23:51,600 --> 01:23:55,439
Speaker 1: I thought that was related, even though he's definitely not

2006
01:23:55,479 --> 01:23:56,600
Speaker 1: my right, but.

2007
01:23:56,680 --> 01:23:58,120
Speaker 2: Rest in peace to Michael Ling. I did not know

2008
01:23:58,160 --> 01:23:58,720
Speaker 2: he passed away.

2009
01:23:59,040 --> 01:23:59,200
Speaker 3: Well.

2010
01:23:59,280 --> 01:24:02,280
Speaker 1: Also, though, the level of I don't give a fuck

2011
01:24:02,720 --> 01:24:05,320
Speaker 1: that he brought from the sixties to the nineties carried

2012
01:24:05,400 --> 01:24:06,519
Speaker 1: over was fucking hilarious.

2013
01:24:06,520 --> 01:24:07,880
Speaker 2: That was just who he was. That was his energy.

2014
01:24:08,040 --> 01:24:09,760
Speaker 2: He wasn't faking. That's just who he was. That's how

2015
01:24:09,800 --> 01:24:11,519
Speaker 2: he lived life. He was free. He wanted to just

2016
01:24:11,600 --> 01:24:13,840
Speaker 2: have fun, and you know, he didn't want to conform

2017
01:24:13,920 --> 01:24:17,040
Speaker 2: to society's rules. Who man, No, they all throw a

2018
01:24:17,040 --> 01:24:19,360
Speaker 2: big ass party. Everyone get drunk it high, I get dirty.

2019
01:24:19,640 --> 01:24:20,719
Speaker 2: I was talking with my pops.

2020
01:24:20,720 --> 01:24:23,240
Speaker 1: And this was before the Woodstock documentary of just my

2021
01:24:23,360 --> 01:24:25,400
Speaker 1: observation of how I think it's funny all these fake

2022
01:24:25,520 --> 01:24:29,880
Speaker 1: hippies ended up turning into the corporate, fucking conservative assholes

2023
01:24:29,920 --> 01:24:30,360
Speaker 1: that are.

2024
01:24:30,520 --> 01:24:32,559
Speaker 2: That they forged now, yeah, yeah, what they didn't want

2025
01:24:33,000 --> 01:24:34,240
Speaker 2: and that's who the fuck he was.

2026
01:24:34,560 --> 01:24:37,160
Speaker 1: Yeah, he was definitely the yeah man, it's like let's

2027
01:24:37,200 --> 01:24:39,599
Speaker 1: do it man, like let's get high man. And then

2028
01:24:39,640 --> 01:24:42,599
Speaker 1: in nineteen ninety nine he got up there with the mayor.

2029
01:24:44,000 --> 01:24:46,200
Speaker 2: Man, he got up there with the government.

2030
01:24:46,360 --> 01:24:48,439
Speaker 1: Yeah, it was like everyone had an amazing time. Yeah,

2031
01:24:49,360 --> 01:24:52,120
Speaker 1: everyone loved each other except for one of one things.

2032
01:24:52,840 --> 01:24:56,719
Speaker 1: They treated that like the way the government treats the police.

2033
01:24:56,840 --> 01:24:59,200
Speaker 1: Now after we see the footage, it's just a few

2034
01:24:59,240 --> 01:25:01,000
Speaker 1: bad apples. Yeah, everyone's fine.

2035
01:25:01,240 --> 01:25:03,560
Speaker 2: I love the part when the guy was backstage and

2036
01:25:03,600 --> 01:25:05,600
Speaker 2: he was saying how they didn't have the money the

2037
01:25:05,720 --> 01:25:07,960
Speaker 2: back end to pay James Brown. Yeah yeah, and he

2038
01:25:08,120 --> 01:25:09,639
Speaker 2: was like, you know his manager, listen, if you don't

2039
01:25:09,640 --> 01:25:11,240
Speaker 2: have the money, James is going on and you see

2040
01:25:11,280 --> 01:25:13,760
Speaker 2: James just standing there looking at from side stage, just

2041
01:25:13,800 --> 01:25:17,000
Speaker 2: looking at the crowd, and I'm saying to myself before,

2042
01:25:17,680 --> 01:25:20,200
Speaker 2: I don't remember James Brown walking off and not doing

2043
01:25:20,680 --> 01:25:23,080
Speaker 2: not doing this, So I'm like, this is gonna be

2044
01:25:23,160 --> 01:25:25,720
Speaker 2: crazy if James Brown walks away from all of these people. Yeah,

2045
01:25:26,120 --> 01:25:28,720
Speaker 2: and which is something he would do absolutely And then

2046
01:25:28,760 --> 01:25:31,000
Speaker 2: he was like, James Brown is not turning it down

2047
01:25:31,080 --> 01:25:32,840
Speaker 2: like all of these fucking people, like, are you kidding me?

2048
01:25:33,320 --> 01:25:35,320
Speaker 2: And it was like he hit the stage and it

2049
01:25:35,400 --> 01:25:38,360
Speaker 2: was like, yo, I forgot how many people were at

2050
01:25:38,479 --> 01:25:42,120
Speaker 2: that was stock crazy? That was like, see shit like

2051
01:25:42,200 --> 01:25:44,800
Speaker 2: that to me, I can never go to shit like that.

2052
01:25:45,240 --> 01:25:47,240
Speaker 2: I don't want to be around that many people. I

2053
01:25:47,280 --> 01:25:48,439
Speaker 2: don't want to be in the mix of all of

2054
01:25:48,479 --> 01:25:50,640
Speaker 2: that shit. That's just way too much shit going on.

2055
01:25:50,760 --> 01:25:53,240
Speaker 1: But you have to understand those like especially at that time,

2056
01:25:53,280 --> 01:25:55,080
Speaker 1: I know, it's kind of more of the norm because

2057
01:25:55,120 --> 01:25:58,360
Speaker 1: like weekend festivals are a thing that wasn't a festival,

2058
01:25:58,400 --> 01:26:00,800
Speaker 1: that was like a lifestyle, a earning man per se.

2059
01:26:00,920 --> 01:26:03,200
Speaker 1: Like we say, we couldn't be around those people, but

2060
01:26:03,240 --> 01:26:05,720
Speaker 1: they were going for that very reason, and some of

2061
01:26:05,800 --> 01:26:07,640
Speaker 1: it may have not even been the music. It was

2062
01:26:07,720 --> 01:26:11,000
Speaker 1: just to be in that small city for that fucking time.

2063
01:26:11,560 --> 01:26:15,240
Speaker 1: But as we know, you add in fucking hard drugs, alcohol,

2064
01:26:15,240 --> 01:26:18,679
Speaker 1: and irresponsible white people to any city, mayhem will ensue.

2065
01:26:18,840 --> 01:26:22,160
Speaker 2: Yeah. Absolutely, Yo, that shit got so crazy when they

2066
01:26:22,200 --> 01:26:25,000
Speaker 2: started tearing that shit up. Yep, they had to barricade

2067
01:26:25,040 --> 01:26:28,600
Speaker 2: themselves into that fucking tower and ce Yo. I was

2068
01:26:28,680 --> 01:26:31,160
Speaker 2: just like, but looking back, because a lot of those

2069
01:26:31,200 --> 01:26:32,880
Speaker 2: people now ironically they.

2070
01:26:32,840 --> 01:26:34,160
Speaker 1: Work their pairment.

2071
01:26:34,400 --> 01:26:36,960
Speaker 2: Yeah, they're working entertainment, they work in film, they working

2072
01:26:37,479 --> 01:26:41,320
Speaker 2: you know, televit whatever. That was a moment where it

2073
01:26:41,400 --> 01:26:43,560
Speaker 2: was like, Yo, these young kids are out here and

2074
01:26:43,680 --> 01:26:45,479
Speaker 2: they're just like, Yo, we don't give a fuck about

2075
01:26:45,479 --> 01:26:47,240
Speaker 2: any We're having fun. We're doing whatever the fuck we

2076
01:26:47,320 --> 01:26:50,040
Speaker 2: want to do. Do you think something like that could

2077
01:26:50,080 --> 01:26:52,560
Speaker 2: happen on the the size of that can happen in

2078
01:26:52,680 --> 01:26:56,920
Speaker 2: twenty twenty two. No, it has in different areas because

2079
01:26:56,960 --> 01:26:57,760
Speaker 2: that not one thing.

2080
01:26:59,160 --> 01:27:01,800
Speaker 1: I'm saying festivals in that regard, and bad things happen

2081
01:27:01,840 --> 01:27:03,479
Speaker 1: at festivals have with camera phones.

2082
01:27:03,479 --> 01:27:05,120
Speaker 2: I'm saying this type of shit has happened in other

2083
01:27:05,240 --> 01:27:06,559
Speaker 2: aspects of life.

2084
01:27:06,760 --> 01:27:09,920
Speaker 1: Yeah, like with the camera for We've seen kids get

2085
01:27:10,120 --> 01:27:12,439
Speaker 1: super fucked up at events and things like that.

2086
01:27:12,479 --> 01:27:15,120
Speaker 2: It's just I'm just talking about that many people. I

2087
01:27:15,160 --> 01:27:17,280
Speaker 2: don't think we've seen the festival Coachella. I don't think

2088
01:27:17,320 --> 01:27:18,479
Speaker 2: has that many that many people.

2089
01:27:18,520 --> 01:27:19,640
Speaker 1: How many people were at it at this.

2090
01:27:19,960 --> 01:27:27,240
Speaker 6: I think over two hundred thousand, No, that's amongst the world. Yeah, yeah,

2091
01:27:28,200 --> 01:27:29,040
Speaker 6: sixty thousand people.

2092
01:27:29,080 --> 01:27:31,640
Speaker 2: Like that's just like, come on, bro, that's a lot

2093
01:27:31,720 --> 01:27:34,439
Speaker 2: of fucking people. That's a lot of trust in a

2094
01:27:34,479 --> 01:27:36,640
Speaker 2: lot of people. Yeah, that's what I'm saying. That that

2095
01:27:36,680 --> 01:27:39,040
Speaker 2: would give me that my anxiety level would be Like

2096
01:27:39,160 --> 01:27:40,679
Speaker 2: watching it, I was like, there's no way I would

2097
01:27:40,680 --> 01:27:42,240
Speaker 2: ever go to no shit like that. I could not

2098
01:27:42,360 --> 01:27:45,720
Speaker 2: be in the middle of that. They were hiring kids,

2099
01:27:45,760 --> 01:27:48,240
Speaker 2: they were like, yo, going a job, Like all right, cool,

2100
01:27:48,520 --> 01:27:49,680
Speaker 2: Like what I'm sixteen, bro?

2101
01:27:50,320 --> 01:27:51,880
Speaker 1: And what's so funny is, of course most of these

2102
01:27:51,920 --> 01:27:56,120
Speaker 1: people are probably parents. Now hilarious thrown right back in

2103
01:27:56,160 --> 01:27:57,800
Speaker 1: your face. I'm sure they've said to all their kids

2104
01:27:57,840 --> 01:27:59,920
Speaker 1: that posted something on the internet, like you know, that's

2105
01:28:00,080 --> 01:28:01,680
Speaker 1: there forever your kids are gonna have to see this.

2106
01:28:01,840 --> 01:28:04,519
Speaker 2: Yeah, mom, yeah there is we saw you sucking dick

2107
01:28:04,560 --> 01:28:07,400
Speaker 2: on Netflix saying but yeah, but and that is a

2108
01:28:07,439 --> 01:28:09,280
Speaker 2: lot of the kids that were at Woodside in ninety nine,

2109
01:28:09,360 --> 01:28:11,160
Speaker 2: their parents were at their original wood stuff.

2110
01:28:11,439 --> 01:28:13,679
Speaker 1: Sure, so it's like, you know, it's like the cameras

2111
01:28:13,720 --> 01:28:14,800
Speaker 1: were only on Jimmy Hendrix.

2112
01:28:15,280 --> 01:28:17,880
Speaker 2: Yeah, they weren't focused on the crowd in the boobs.

2113
01:28:18,240 --> 01:28:19,920
Speaker 2: But I did like the documentary. I thought it was

2114
01:28:20,520 --> 01:28:22,840
Speaker 2: it was interesting. But I just I can never be apart.

2115
01:28:22,920 --> 01:28:25,160
Speaker 2: I can never go to no shit with two hundred

2116
01:28:25,200 --> 01:28:25,960
Speaker 2: thousand two miles.

2117
01:28:26,000 --> 01:28:26,360
Speaker 3: No, I'm not.

2118
01:28:26,479 --> 01:28:28,719
Speaker 2: I can't do that. That's way too many fucking people.

2119
01:28:28,760 --> 01:28:31,280
Speaker 1: I mean, did they start inflation because I used to

2120
01:28:31,280 --> 01:28:32,400
Speaker 1: think it was like when I would go to an

2121
01:28:32,479 --> 01:28:34,919
Speaker 1: NFL game and it'd be like parking would be insane

2122
01:28:34,960 --> 01:28:37,680
Speaker 1: and water would be seven dollars. I didn't realize that

2123
01:28:37,800 --> 01:28:39,439
Speaker 1: this happened in ninety nine at Woodstock.

2124
01:28:39,640 --> 01:28:42,120
Speaker 2: Yeah, I remember this. I remember. I mean, obviously we

2125
01:28:42,160 --> 01:28:43,680
Speaker 2: got the docs, so we actually got, you know, the

2126
01:28:43,840 --> 01:28:45,880
Speaker 2: in depth details about what went on and what was

2127
01:28:45,920 --> 01:28:48,040
Speaker 2: going on behind the scenes and how they put everything together.

2128
01:28:48,720 --> 01:28:52,240
Speaker 6: But so over all they're about four hundred thousand attendees

2129
01:28:52,760 --> 01:28:54,959
Speaker 6: and each ticket was about one eighty.

2130
01:28:57,040 --> 01:28:59,640
Speaker 2: Nineteen ninety nine is a lot, especially when you have

2131
01:28:59,720 --> 01:29:00,320
Speaker 2: to buy food and.

2132
01:29:00,360 --> 01:29:01,759
Speaker 6: Drie that wind up kind of look crazy.

2133
01:29:03,160 --> 01:29:04,840
Speaker 1: That's a lot of fucking Why do you think they

2134
01:29:04,920 --> 01:29:07,320
Speaker 1: left out DMX in that entire thing. I was waiting

2135
01:29:07,560 --> 01:29:09,400
Speaker 1: by the second episode, I was like, I can't wait.

2136
01:29:09,520 --> 01:29:12,320
Speaker 2: Let blame this entire thing X on the rough Rider,

2137
01:29:13,000 --> 01:29:15,400
Speaker 2: like and then the rough Riders showed up, and you know, I.

2138
01:29:15,439 --> 01:29:18,479
Speaker 1: Feel like the editors probably and the producers thought about, like,

2139
01:29:18,479 --> 01:29:20,160
Speaker 1: all right, how can we angle this to just blame

2140
01:29:20,200 --> 01:29:21,040
Speaker 1: it on the rough riders?

2141
01:29:21,640 --> 01:29:22,599
Speaker 2: They didn't have enough footage?

2142
01:29:22,760 --> 01:29:25,120
Speaker 6: Yeah, probably not did a whole good set.

2143
01:29:26,240 --> 01:29:28,400
Speaker 2: I mean blaming it on on limb Biscuit was close enough,

2144
01:29:28,400 --> 01:29:32,760
Speaker 2: I guess. Yeah, let Fred Durst take the heat for DMX. Yeah,

2145
01:29:32,960 --> 01:29:37,120
Speaker 2: the heat. Listen, man. I don't know if we'll ever

2146
01:29:37,200 --> 01:29:40,240
Speaker 2: see a festival the size of that Woodstock ninety nine.

2147
01:29:40,720 --> 01:29:41,000
Speaker 2: I don't.

2148
01:29:41,040 --> 01:29:41,200
Speaker 3: I know.

2149
01:29:41,240 --> 01:29:42,720
Speaker 2: I would never see one in person. I would never

2150
01:29:42,760 --> 01:29:45,160
Speaker 2: go down shit like that, but I would love to

2151
01:29:45,200 --> 01:29:48,800
Speaker 2: see the new rendition of Woodstock in twenty twenty.

2152
01:29:49,840 --> 01:29:50,880
Speaker 6: Coach close enough?

2153
01:29:51,320 --> 01:29:51,720
Speaker 3: How do you think?

2154
01:29:51,760 --> 01:29:53,519
Speaker 1: How do you think Billy McFarland felt that no one

2155
01:29:53,560 --> 01:29:54,320
Speaker 1: went to jail over this?

2156
01:29:57,840 --> 01:29:58,400
Speaker 3: What you mean?

2157
01:29:58,439 --> 01:29:59,519
Speaker 2: How to heat so much?

2158
01:29:59,600 --> 01:29:59,920
Speaker 3: Like? All right?

2159
01:30:00,040 --> 01:30:01,599
Speaker 2: Firefests was fucked up? Don't get it twisted?

2160
01:30:01,680 --> 01:30:05,559
Speaker 1: Yeah, it was nothing as bad as Woodstock ninety Nothing

2161
01:30:06,280 --> 01:30:08,839
Speaker 1: getting sexually assaulted, rape like no one went to jail.

2162
01:30:08,640 --> 01:30:11,600
Speaker 2: Over firefest didn't happen though, Like nothing happened, but he

2163
01:30:11,640 --> 01:30:14,639
Speaker 2: went to jail over. At least they put on an event. Yeah,

2164
01:30:14,680 --> 01:30:17,000
Speaker 2: they had a whole like artists showed up, people like

2165
01:30:17,240 --> 01:30:17,800
Speaker 2: performed like.

2166
01:30:18,320 --> 01:30:21,840
Speaker 1: If I'm billy, I'm sitting on fucking probation going thank

2167
01:30:21,960 --> 01:30:24,320
Speaker 1: God that this festilal didn't happen. I saved mad lives

2168
01:30:25,040 --> 01:30:26,639
Speaker 1: by being terrible at my job.

2169
01:30:27,280 --> 01:30:29,280
Speaker 2: I just love the fact that the idea came from

2170
01:30:29,320 --> 01:30:31,599
Speaker 2: one guy who just seems like he has no friends,

2171
01:30:31,920 --> 01:30:34,360
Speaker 2: like Michael Ling looked like a loner, like he was

2172
01:30:34,360 --> 01:30:36,800
Speaker 2: probably a man in the sixties though nah, he looked

2173
01:30:36,800 --> 01:30:38,840
Speaker 2: like he was. He didn't fuck with nobody, like I'm

2174
01:30:38,840 --> 01:30:40,600
Speaker 2: gonna just have a party. Whoever show up, show up.

2175
01:30:40,640 --> 01:30:43,439
Speaker 2: I don't give a fuck, like I wonder if and

2176
01:30:43,479 --> 01:30:44,599
Speaker 2: then everybody showed up.

2177
01:30:45,760 --> 01:30:47,720
Speaker 1: If you look at that Woodstock lineup for the first one,

2178
01:30:47,920 --> 01:30:50,880
Speaker 1: that ship was crazy, it was equally as crazy it was.

2179
01:30:52,080 --> 01:30:53,200
Speaker 2: I feel like Slide.

2180
01:30:53,240 --> 01:30:55,560
Speaker 1: The Family Stones performed like in the morning.

2181
01:30:56,760 --> 01:30:59,120
Speaker 2: Early, like eight am. They were stage at eight. It

2182
01:30:59,200 --> 01:31:00,400
Speaker 2: probably was up all night too.

2183
01:31:01,120 --> 01:31:03,920
Speaker 1: Oh I'm sure I never stopped, but It's just so funny,

2184
01:31:04,160 --> 01:31:07,639
Speaker 1: just the irony of a festival that's completely based off

2185
01:31:07,840 --> 01:31:10,720
Speaker 1: peace and Love was burnt to the fucking ground. It's

2186
01:31:10,760 --> 01:31:12,360
Speaker 1: just such a beautiful metaphor for America.

2187
01:31:12,520 --> 01:31:14,840
Speaker 6: Exactly did they really think it was gonnody Peace and

2188
01:31:14,960 --> 01:31:16,639
Speaker 6: Love in Woodstock ninety nine?

2189
01:31:16,840 --> 01:31:19,120
Speaker 2: I mean, it's it. For the most part, it was

2190
01:31:19,200 --> 01:31:22,559
Speaker 2: everybody was having a good time chilling for an hour, Yeah,

2191
01:31:22,720 --> 01:31:24,720
Speaker 2: that's most part. It was three days, so there was

2192
01:31:24,760 --> 01:31:28,120
Speaker 2: no more food and clean one out of seventy two hours. Yeah,

2193
01:31:28,320 --> 01:31:32,000
Speaker 2: that's that's that's that's the most part. Yeah, that this

2194
01:31:32,240 --> 01:31:35,000
Speaker 2: was crazy, like look at that. Look how many fucking people. Bro,

2195
01:31:35,160 --> 01:31:37,400
Speaker 2: That's just it's just too much. The peace patrols, the

2196
01:31:37,520 --> 01:31:41,439
Speaker 2: peace patrol. Wait, the peace patrol got their asses handed

2197
01:31:41,479 --> 01:31:41,760
Speaker 2: to him.

2198
01:31:41,800 --> 01:31:46,439
Speaker 1: Next, did they mention Aerosmith and Green Day? I feel

2199
01:31:46,479 --> 01:31:48,360
Speaker 1: like some artists just have really good pr and got

2200
01:31:48,439 --> 01:31:50,680
Speaker 1: left out of that dock. Because I was nine when

2201
01:31:50,680 --> 01:31:52,719
Speaker 1: this happened, so I don't remember the lineup.

2202
01:31:53,080 --> 01:31:54,200
Speaker 6: So Aerosmith canceled.

2203
01:31:54,800 --> 01:31:56,200
Speaker 2: Good for Arismith, Yeah, good for me.

2204
01:31:56,360 --> 01:31:58,599
Speaker 6: I'm assuming that was like, yeah.

2205
01:31:58,560 --> 01:32:00,080
Speaker 2: Do you not want to I mean, this was it

2206
01:32:00,160 --> 01:32:05,120
Speaker 2: wasn't I know? It ended terribly, but it was one

2207
01:32:05,120 --> 01:32:08,479
Speaker 2: of the biggest events ever. Yeah, I think you would.

2208
01:32:08,920 --> 01:32:10,519
Speaker 2: I mean, you know you want to touch the stage,

2209
01:32:10,520 --> 01:32:13,439
Speaker 2: Like listen, I was there, I performed that, so is Vietnam.

2210
01:32:14,680 --> 01:32:15,640
Speaker 2: See why are you.

2211
01:32:17,240 --> 01:32:17,400
Speaker 3: Ror?

2212
01:32:17,439 --> 01:32:19,519
Speaker 2: We just always gotta go so dark and we listen.

2213
01:32:19,600 --> 01:32:21,960
Speaker 2: We know you're depressed and you're heard against side. But

2214
01:32:22,000 --> 01:32:25,280
Speaker 2: I'm wait, I'm the crazy one in that statement? How

2215
01:32:25,360 --> 01:32:32,360
Speaker 2: am I stock stock Vietnam? On what you said?

2216
01:32:32,640 --> 01:32:35,400
Speaker 1: Moll said, just because I mean stuff happened, But it

2217
01:32:35,479 --> 01:32:36,479
Speaker 1: was like the biggest event ever.

2218
01:32:36,600 --> 01:32:40,760
Speaker 2: Man, So it's cool I didn't war. Yeah, like what

2219
01:32:43,320 --> 01:32:45,800
Speaker 2: what's the biggest? Woodstock was a bunch of high drunk

2220
01:32:45,920 --> 01:32:48,080
Speaker 2: kids that just decided to tear some ship up. If

2221
01:32:48,200 --> 01:32:51,640
Speaker 2: you go compare at the Vietnam I mean only all right,

2222
01:32:51,640 --> 01:32:53,479
Speaker 2: I'm by myself. I know I'm always the way the room.

2223
01:32:53,640 --> 01:32:55,760
Speaker 1: I can only describe the American side at that time,

2224
01:32:55,920 --> 01:32:56,920
Speaker 1: just because I studied history.

2225
01:32:57,160 --> 01:32:59,280
Speaker 2: Vietnam was a bunch of high kids tearing it up.

2226
01:33:00,080 --> 01:33:05,679
Speaker 2: They just had guns, they just they just had changes.

2227
01:33:05,720 --> 01:33:07,880
Speaker 2: Everything in that statement they was you don't think they

2228
01:33:07,920 --> 01:33:08,439
Speaker 2: was on heroin?

2229
01:33:08,640 --> 01:33:08,720
Speaker 3: Oh?

2230
01:33:08,800 --> 01:33:11,320
Speaker 2: Absolutely, that's what it came. I saw American gangster buddy,

2231
01:33:11,560 --> 01:33:13,360
Speaker 2: I know where it came from and this and their

2232
01:33:13,400 --> 01:33:15,640
Speaker 2: drug was ecstasy. Yeah, I mean it was a it

2233
01:33:15,760 --> 01:33:18,920
Speaker 2: was a it was an interesting event. I mean I

2234
01:33:19,040 --> 01:33:21,760
Speaker 2: understand what they tried to do with it, But listen

2235
01:33:21,840 --> 01:33:23,960
Speaker 2: that many people that, like you said, Rory, that's putting

2236
01:33:24,000 --> 01:33:25,439
Speaker 2: a lot of trust in a lot of people, and

2237
01:33:25,560 --> 01:33:27,479
Speaker 2: you never want to put that much trust in people.

2238
01:33:28,040 --> 01:33:30,679
Speaker 1: That amount of people is insane with them.

2239
01:33:30,640 --> 01:33:33,000
Speaker 2: One hundred thousand people. Yeah, it's fucking crazy. I don't

2240
01:33:34,040 --> 01:33:36,560
Speaker 2: and you know, like come on, as a performer, I

2241
01:33:36,560 --> 01:33:37,960
Speaker 2: would love to hit the stage and see that in

2242
01:33:38,000 --> 01:33:38,360
Speaker 2: front of them.

2243
01:33:38,439 --> 01:33:39,120
Speaker 1: Would be insane.

2244
01:33:39,200 --> 01:33:41,200
Speaker 2: Yeah, that's like, okay, I get that off, you know.

2245
01:33:41,240 --> 01:33:43,200
Speaker 2: I mean I got that footage, those those pictures forever.

2246
01:33:43,320 --> 01:33:46,000
Speaker 1: But ye to be in that no, no, but you

2247
01:33:46,120 --> 01:33:48,840
Speaker 1: got to be like the opposite of a hippie to

2248
01:33:48,920 --> 01:33:51,680
Speaker 1: be okay, that's why I think, dude, it was a sociopath,

2249
01:33:51,760 --> 01:33:55,120
Speaker 1: not a fucking hippie. Michael Lane, you know, like you're

2250
01:33:55,160 --> 01:33:57,519
Speaker 1: setting that up for kids to be on their own

2251
01:33:57,600 --> 01:33:58,880
Speaker 1: intense you know what Tom it is?

2252
01:33:58,920 --> 01:34:00,960
Speaker 2: You know the line up you doing mm hmm. Those

2253
01:34:01,000 --> 01:34:04,080
Speaker 2: kids canna be high and drunk the entire time. You're

2254
01:34:04,120 --> 01:34:05,960
Speaker 2: not done. You're not some old naive dude.

2255
01:34:06,000 --> 01:34:08,120
Speaker 1: You knew what was gonna happen. Yeah, the fact this

2256
01:34:08,160 --> 01:34:11,160
Speaker 1: shouldn't be a surprise of what all burning the ship down? Sure,

2257
01:34:12,320 --> 01:34:15,000
Speaker 1: Actually I take that back, because after day three, everything

2258
01:34:15,040 --> 01:34:17,280
Speaker 1: that happened, they thought, let's give everyone candles.

2259
01:34:17,400 --> 01:34:20,880
Speaker 2: Yeah that was what are you talking about? So they

2260
01:34:20,920 --> 01:34:22,479
Speaker 2: wanted to make sure everybody smell good. You know what

2261
01:34:22,479 --> 01:34:25,439
Speaker 2: I mean. Light some candles, Light some incense, peace and love.

2262
01:34:25,479 --> 01:34:27,000
Speaker 2: You gotta have incense with peace and love.

2263
01:34:27,040 --> 01:34:27,320
Speaker 3: You know that.

2264
01:34:27,479 --> 01:34:30,479
Speaker 1: All respect to everyone that lost people in Columbine, But

2265
01:34:30,800 --> 01:34:33,360
Speaker 1: anyone with a brain would have said, I think everyone

2266
01:34:33,800 --> 01:34:36,400
Speaker 1: in Columbine would just like a shout out right now,

2267
01:34:36,840 --> 01:34:39,600
Speaker 1: we don't need to get four hundred thousand people candles

2268
01:34:40,000 --> 01:34:41,520
Speaker 1: that are high and dehydrated.

2269
01:34:41,920 --> 01:34:46,240
Speaker 2: Yeah, and what was the Budweiser beer garden beer?

2270
01:34:46,960 --> 01:34:47,320
Speaker 3: What was it?

2271
01:34:47,439 --> 01:34:51,519
Speaker 2: Beer booth beer? Something that was just about to say

2272
01:34:51,560 --> 01:34:53,599
Speaker 2: that was a whole nother That was a whole nother

2273
01:34:53,640 --> 01:34:56,280
Speaker 2: woodstock in itself. People didn't even go to see the performances.

2274
01:34:56,520 --> 01:34:59,320
Speaker 2: They just hung out by the big ass. Uh, the

2275
01:34:59,400 --> 01:35:01,960
Speaker 2: big ass that was fucking filled with helium.

2276
01:35:02,360 --> 01:35:03,639
Speaker 6: It was a brill experience.

2277
01:35:03,680 --> 01:35:05,439
Speaker 1: I just loved that Puff showed up in a throwback

2278
01:35:06,520 --> 01:35:07,200
Speaker 1: at Woodstock.

2279
01:35:08,640 --> 01:35:10,880
Speaker 2: Ship was crazy. Anana Lewis look great. I'm gonna keep

2280
01:35:10,880 --> 01:35:12,920
Speaker 2: saying that. Jesus Christ, she looks good. I wish I

2281
01:35:12,960 --> 01:35:14,240
Speaker 2: would have told me she was in as I would

2282
01:35:14,240 --> 01:35:16,680
Speaker 2: have watched this as soon as it came out. Yo.

2283
01:35:17,240 --> 01:35:20,200
Speaker 1: The fact they threw that many bottles at Carson Daily, Like,

2284
01:35:21,040 --> 01:35:23,439
Speaker 1: what's funny is? I did start to like I agreed

2285
01:35:23,479 --> 01:35:26,120
Speaker 1: with the chaos in the beginning because I was like,

2286
01:35:26,200 --> 01:35:30,599
Speaker 1: it's Woodstock, it's the revolt culture. Fuck the corporate shit,

2287
01:35:30,840 --> 01:35:32,960
Speaker 1: Like you know, we're hippies, man, Get all this this

2288
01:35:33,240 --> 01:35:36,200
Speaker 1: fucking commercialism away from us, Get MTV away from us.

2289
01:35:36,680 --> 01:35:39,439
Speaker 1: So I wasn't mad at maybe a beer bottle shouldn't

2290
01:35:39,439 --> 01:35:41,880
Speaker 1: go at Carson said, I don't think Carson, he doesn't

2291
01:35:42,000 --> 01:35:44,439
Speaker 1: want to throw some plastic for recycling purposes. I don't know,

2292
01:35:44,479 --> 01:35:47,719
Speaker 1: maybe making a statement to go green. Yeah, that was funny,

2293
01:35:48,280 --> 01:35:50,360
Speaker 1: but boy did they take that a little cleaner there.

2294
01:35:50,360 --> 01:35:51,920
Speaker 1: Did you see how much shit they had to clean up?

2295
01:35:53,600 --> 01:35:54,600
Speaker 1: What do you think traffic was?

2296
01:35:54,680 --> 01:35:54,720
Speaker 3: Like?

2297
01:35:55,240 --> 01:35:59,040
Speaker 2: Oh my god, that's probably people still there, right you think?

2298
01:35:59,320 --> 01:36:01,080
Speaker 1: Do you think people just stayed and raised their kids

2299
01:36:01,080 --> 01:36:01,719
Speaker 1: and would stop.

2300
01:36:02,840 --> 01:36:05,120
Speaker 2: Right in the woods. This is where we're having right here.

2301
01:36:06,000 --> 01:36:08,479
Speaker 2: Interesting doc if you haven't seen it, Woodstock ninety nine

2302
01:36:08,600 --> 01:36:12,919
Speaker 2: on Netflix. Yes, another doc, The Murder Ink Doc episode

2303
01:36:12,920 --> 01:36:13,519
Speaker 2: two tonight.

2304
01:36:14,160 --> 01:36:15,559
Speaker 1: Yes, we're recording this on a Monday.

2305
01:36:15,880 --> 01:36:16,080
Speaker 3: Yeah.

2306
01:36:16,400 --> 01:36:17,880
Speaker 2: Did we talk about episode one? I did watch it.

2307
01:36:18,000 --> 01:36:21,640
Speaker 1: Yeah, we did not drink Champs the episode itself. No,

2308
01:36:21,760 --> 01:36:22,320
Speaker 1: I didn't watch it.

2309
01:36:22,400 --> 01:36:24,439
Speaker 2: We talked about it, talked about the last episode on

2310
01:36:24,760 --> 01:36:26,639
Speaker 2: You didn't watch episode one? You didn't see yet when

2311
01:36:26,680 --> 01:36:28,880
Speaker 2: we talked about it. Oh, no, okay, you know we

2312
01:36:28,960 --> 01:36:30,960
Speaker 2: talked also. We'll talk about it now. How did you

2313
01:36:31,080 --> 01:36:32,320
Speaker 2: like it? I loved it.

2314
01:36:32,560 --> 01:36:34,840
Speaker 1: I thought it was I wished IRV didn't do that

2315
01:36:34,920 --> 01:36:35,759
Speaker 1: Drink Champs episode.

2316
01:36:35,840 --> 01:36:38,200
Speaker 2: No, I I'm on the opposite in here the way.

2317
01:36:38,360 --> 01:36:40,320
Speaker 1: Of course, more people are going to watch it exactly,

2318
01:36:40,640 --> 01:36:43,360
Speaker 1: but I just don't want them to take away from

2319
01:36:43,400 --> 01:36:45,280
Speaker 1: the genius that that was actually thought.

2320
01:36:45,280 --> 01:36:47,960
Speaker 2: They sped through a lot of shit already. But how

2321
01:36:48,000 --> 01:36:50,120
Speaker 2: many episodes is it? Do we know how many episodes

2322
01:36:50,160 --> 01:36:50,400
Speaker 2: this is?

2323
01:36:51,600 --> 01:36:53,840
Speaker 1: I don't know. I think I think when we talked

2324
01:36:53,840 --> 01:36:57,519
Speaker 1: to Earth he said three or four four part series.

2325
01:36:57,560 --> 01:36:59,360
Speaker 2: I want to say, but we can't look that up.

2326
01:36:59,400 --> 01:37:01,280
Speaker 2: I'm not mad at it being four parts.

2327
01:37:02,600 --> 01:37:03,200
Speaker 6: Was the episode?

2328
01:37:04,040 --> 01:37:04,160
Speaker 3: Uh?

2329
01:37:05,120 --> 01:37:06,360
Speaker 2: I think fifty minutes?

2330
01:37:07,320 --> 01:37:09,400
Speaker 1: Yeah, it was a good, good first one something like that.

2331
01:37:09,560 --> 01:37:14,120
Speaker 2: Fifty minutes, But it was a good first episode. The production.

2332
01:37:14,360 --> 01:37:17,160
Speaker 2: The production was like, really really good. I love the

2333
01:37:17,240 --> 01:37:22,639
Speaker 2: way they produced the music underneath irv storytelling. And again,

2334
01:37:22,720 --> 01:37:25,160
Speaker 2: I understand what you're saying about him being on Drink

2335
01:37:25,200 --> 01:37:27,600
Speaker 2: Champs and how that may have, you know, put a

2336
01:37:27,640 --> 01:37:29,680
Speaker 2: bad taste in people's mouths. You don't want that to

2337
01:37:29,760 --> 01:37:32,840
Speaker 2: take away from the genius and the contribution that IRV

2338
01:37:32,920 --> 01:37:36,200
Speaker 2: has has given to to hip hop. But I think

2339
01:37:36,240 --> 01:37:38,040
Speaker 2: it's great. I think people get that side of HERV,

2340
01:37:38,120 --> 01:37:40,160
Speaker 2: to get the honest side of IRV and him drunk

2341
01:37:40,240 --> 01:37:43,400
Speaker 2: and him just you know, making itself like a complete fool.

2342
01:37:43,520 --> 01:37:47,919
Speaker 2: But then getting this documentary and seeing him get emotional

2343
01:37:47,920 --> 01:37:51,800
Speaker 2: about his dad passing and talking about family and his friends.

2344
01:37:51,840 --> 01:37:52,320
Speaker 2: Oh that that.

2345
01:37:52,360 --> 01:37:56,040
Speaker 1: Footage of IRV giving his pops the Cadillac for Christmas amazing.

2346
01:37:56,120 --> 01:37:57,439
Speaker 2: That's what I'm saying. I had a little bit of

2347
01:37:57,479 --> 01:37:59,439
Speaker 2: a tear jerky, but that's what I say. That's so

2348
01:37:59,520 --> 01:38:02,479
Speaker 2: that's why the the Drink Champs. It's okay, it's five.

2349
01:38:02,560 --> 01:38:05,840
Speaker 2: It's a five part series. But that's why that's okay,

2350
01:38:05,880 --> 01:38:07,240
Speaker 2: because you get that side of IRV and then you

2351
01:38:07,320 --> 01:38:08,000
Speaker 2: get this oute of Earth.

2352
01:38:08,080 --> 01:38:12,680
Speaker 1: I will say the fact that they, I felt, were

2353
01:38:12,800 --> 01:38:14,800
Speaker 1: very quick with a lot of stuff in the early

2354
01:38:15,120 --> 01:38:18,479
Speaker 1: phases and it's five parts makes me feel confident. Now, yeah,

2355
01:38:19,080 --> 01:38:21,320
Speaker 1: how much shit do they have left? Because they skipped

2356
01:38:21,360 --> 01:38:25,080
Speaker 1: through all of Rockefeller and rough Riders in one episode?

2357
01:38:25,960 --> 01:38:28,400
Speaker 2: Not really, they kind of they kind of told the

2358
01:38:28,479 --> 01:38:30,920
Speaker 2: beginning of all of those relationships and him being in

2359
01:38:31,240 --> 01:38:34,280
Speaker 2: London with Jay and running around early like that. Like

2360
01:38:34,360 --> 01:38:36,479
Speaker 2: so they kind of touched on the beginning and and

2361
01:38:36,800 --> 01:38:40,720
Speaker 2: how things came about. But I thought that they did

2362
01:38:40,760 --> 01:38:43,000
Speaker 2: a great job. I thought the production on this is amazing.

2363
01:38:44,000 --> 01:38:46,439
Speaker 2: I think that this is, uh, this is probably gonna

2364
01:38:46,439 --> 01:38:48,280
Speaker 2: be one of the better docs that we have from

2365
01:38:48,840 --> 01:38:50,760
Speaker 2: the record labels, history and things like that.

2366
01:38:51,040 --> 01:38:55,920
Speaker 1: How how old were you around that time when it

2367
01:38:56,200 --> 01:39:00,360
Speaker 1: was when Murder Inc. Was actually the group Jay jah X,

2368
01:39:00,520 --> 01:39:03,760
Speaker 1: not the imprint when it was supposed to be that, Yeah,

2369
01:39:03,760 --> 01:39:08,679
Speaker 1: when it was supposed to be rather that was ninety eight, yes, yeah,

2370
01:39:08,840 --> 01:39:09,320
Speaker 1: now I was.

2371
01:39:09,479 --> 01:39:11,200
Speaker 2: Sixteen seventeen sixteen.

2372
01:39:11,920 --> 01:39:14,000
Speaker 1: Do you have any recollection and I know we joke

2373
01:39:14,000 --> 01:39:15,680
Speaker 1: about I'm actually I remember the question, you know, I.

2374
01:39:15,680 --> 01:39:18,080
Speaker 2: Remember getting I remember hearing the record. I remember the

2375
01:39:19,160 --> 01:39:21,759
Speaker 2: cover of the magazine, one of the most iconic covers,

2376
01:39:22,000 --> 01:39:23,479
Speaker 2: them facing front and you open it up and you

2377
01:39:23,560 --> 01:39:25,840
Speaker 2: see their hands behind it back they got weapons, bat

2378
01:39:26,479 --> 01:39:29,160
Speaker 2: I think a chain and something else. That was like

2379
01:39:29,479 --> 01:39:32,679
Speaker 2: super dope to see that. But yeah, I remember wanting

2380
01:39:32,880 --> 01:39:34,920
Speaker 2: to get that album and everybody tolding me, yo, this

2381
01:39:35,000 --> 01:39:37,759
Speaker 2: is gonna be crazy, you know, jay X and Job

2382
01:39:37,960 --> 01:39:40,840
Speaker 2: doing a whole joint together, a whole project, and it

2383
01:39:40,960 --> 01:39:44,080
Speaker 2: never happened. But that was definitely a talk of like

2384
01:39:44,200 --> 01:39:47,160
Speaker 2: then they're about to because we got the record. Yeah,

2385
01:39:47,320 --> 01:39:48,920
Speaker 2: but we didn't, you know, get the whole thing. But

2386
01:39:49,800 --> 01:39:53,719
Speaker 2: I mean, looking back, I'm kind of glad it didn't happen.

2387
01:39:55,000 --> 01:39:58,559
Speaker 1: Yeah, I think all their careers went the way they

2388
01:39:58,600 --> 01:40:01,600
Speaker 1: should have and that may have put back And of

2389
01:40:01,680 --> 01:40:04,120
Speaker 1: course we didn't get the commission because of the obvious,

2390
01:40:04,240 --> 01:40:08,439
Speaker 1: but had Big lived, I don't know if I would

2391
01:40:08,439 --> 01:40:09,519
Speaker 1: have wanted the commission to happen.

2392
01:40:09,960 --> 01:40:11,719
Speaker 2: And the same way with this, we got.

2393
01:40:11,600 --> 01:40:16,800
Speaker 1: What three records together plus four features of just one

2394
01:40:16,880 --> 01:40:19,160
Speaker 1: or two of them or whatever. Like I think it

2395
01:40:19,240 --> 01:40:25,800
Speaker 1: served its purpose, but it is interesting the route they

2396
01:40:25,920 --> 01:40:29,160
Speaker 1: took from that. You know, we talked about fifty and

2397
01:40:29,200 --> 01:40:30,840
Speaker 1: Kanye with the Nerd. I know, I say it every

2398
01:40:30,880 --> 01:40:32,920
Speaker 1: time the Nerds versus the street shit and how it split.

2399
01:40:33,160 --> 01:40:35,639
Speaker 2: Yeah, I think murder inc.

2400
01:40:35,760 --> 01:40:38,439
Speaker 1: The group breaking up is one of those moments as well,

2401
01:40:38,520 --> 01:40:41,160
Speaker 1: because JOD did get all that you know, you sound

2402
01:40:41,240 --> 01:40:42,880
Speaker 1: so much like X, you sound so much like X.

2403
01:40:43,560 --> 01:40:47,080
Speaker 1: He went full melodic, and I think that changed hip hop,

2404
01:40:47,880 --> 01:40:52,400
Speaker 1: probably just as drastically as the Nerd verse Street split

2405
01:40:52,600 --> 01:40:57,040
Speaker 1: did as well, like JOD took when X and Jay

2406
01:40:57,240 --> 01:41:00,120
Speaker 1: was tearing shit up just on Street records, and I

2407
01:41:00,240 --> 01:41:03,240
Speaker 1: came in by man like, yeah, this should changed him.

2408
01:41:03,320 --> 01:41:05,160
Speaker 2: But I never I never was one of those people

2409
01:41:05,200 --> 01:41:08,160
Speaker 2: that thought John X sounded anything alike. But I never

2410
01:41:08,240 --> 01:41:08,519
Speaker 2: thought that.

2411
01:41:08,680 --> 01:41:10,680
Speaker 1: I I don't feel that way either, But you're in

2412
01:41:10,760 --> 01:41:13,840
Speaker 1: the minority, including DMX saying hey, your man sounds too.

2413
01:41:13,760 --> 01:41:16,640
Speaker 2: Much like me. Yeah. I never thought that, John X,

2414
01:41:16,760 --> 01:41:17,680
Speaker 2: But that was even I.

2415
01:41:17,760 --> 01:41:21,080
Speaker 1: Remember that was If you want to say that gist

2416
01:41:21,240 --> 01:41:24,120
Speaker 1: rule three thirty six are two completely different gy rules.

2417
01:41:24,360 --> 01:41:26,280
Speaker 2: Oh yeah, I mean I think Rule three thirty six

2418
01:41:26,400 --> 01:41:28,960
Speaker 2: change hip hop completely. But I say that that's just

2419
01:41:29,040 --> 01:41:31,639
Speaker 2: an artist growing. I don't say that that's him trying

2420
01:41:31,640 --> 01:41:33,920
Speaker 2: to get away from people saying he sounds like Now,

2421
01:41:33,960 --> 01:41:36,040
Speaker 2: if you want to say, I think the image was

2422
01:41:36,200 --> 01:41:36,640
Speaker 2: like X.

2423
01:41:36,840 --> 01:41:38,840
Speaker 1: That's what image was like pop, to be quite honest.

2424
01:41:38,880 --> 01:41:41,000
Speaker 1: But if you're gonna do, if you're gonna say something,

2425
01:41:41,080 --> 01:41:42,400
Speaker 1: I get it.

2426
01:41:42,520 --> 01:41:44,800
Speaker 2: But I could see people saying that I never thought

2427
01:41:44,840 --> 01:41:46,600
Speaker 2: that John X sounded.

2428
01:41:46,439 --> 01:41:50,479
Speaker 1: Like inflections and even when like on Murder Gram and

2429
01:41:50,520 --> 01:41:54,160
Speaker 1: like certain records like when John would would rap with

2430
01:41:54,240 --> 01:41:56,120
Speaker 1: a higher inflection and then drop real low on a

2431
01:41:56,160 --> 01:41:59,320
Speaker 1: certain bars, like that's a very X cadence. So I

2432
01:41:59,400 --> 01:42:01,920
Speaker 1: can see why people would feel that way, especially when

2433
01:42:01,920 --> 01:42:05,000
Speaker 1: they're X is the biggest rapper and Jay's the biggest rapper,

2434
01:42:05,040 --> 01:42:07,479
Speaker 1: and Jaws like the younger dude, Like all right, that's

2435
01:42:07,479 --> 01:42:10,720
Speaker 1: your It's like when Jr. Writer and Cameron were together, like, oh,

2436
01:42:10,760 --> 01:42:12,840
Speaker 1: he's rapping like him. They're not to say you can

2437
01:42:12,880 --> 01:42:16,800
Speaker 1: tell they're different rappers, but they're similar. So I think

2438
01:42:16,840 --> 01:42:18,479
Speaker 1: it was genius that they did that, And I think

2439
01:42:18,479 --> 01:42:21,640
Speaker 1: they even showed that in The To Come episode two

2440
01:42:22,120 --> 01:42:24,200
Speaker 1: when Earth was like, there's only other one other way

2441
01:42:24,240 --> 01:42:25,000
Speaker 1: we could change Jah.

2442
01:42:25,200 --> 01:42:28,439
Speaker 2: Let's make them the fucking r and b Rapper. Yeah. Well,

2443
01:42:28,560 --> 01:42:31,240
Speaker 2: either way, I'm looking forward to episode two tonight. I'm

2444
01:42:31,240 --> 01:42:33,400
Speaker 2: definitely gonna check that out. Check out the Murder Ain't

2445
01:42:33,479 --> 01:42:35,439
Speaker 2: doc on b E t BT did a great job.

2446
01:42:35,479 --> 01:42:36,720
Speaker 2: You could tell they put a lot of money behind

2447
01:42:36,760 --> 01:42:38,280
Speaker 2: his document. I mean there was any time you get

2448
01:42:38,280 --> 01:42:39,080
Speaker 2: hold to shit down.

2449
01:42:39,000 --> 01:42:41,120
Speaker 1: In well that's an IRV thing. Well, they could have

2450
01:42:41,240 --> 01:42:43,200
Speaker 1: no budget and that would happen.

2451
01:42:43,320 --> 01:42:43,880
Speaker 2: Yeah, that's true.

2452
01:42:44,439 --> 01:42:48,559
Speaker 5: Yeah, I don't think they paid Jada no no that.

2453
01:42:48,720 --> 01:42:50,120
Speaker 2: That that would have broke the budget.

2454
01:42:51,040 --> 01:42:51,360
Speaker 3: I did.

2455
01:42:51,439 --> 01:42:53,559
Speaker 1: Over by the way, I did appreciate lee Or's honesty

2456
01:42:54,720 --> 01:42:55,240
Speaker 1: in this doc.

2457
01:42:56,040 --> 01:43:00,679
Speaker 2: It was one thing that that that that uh IRV

2458
01:43:00,760 --> 01:43:03,200
Speaker 2: said in the doc that I just just I didn't

2459
01:43:03,280 --> 01:43:09,640
Speaker 2: like it. It's something to the effect of when you

2460
01:43:09,800 --> 01:43:15,280
Speaker 2: co signed to a white man by a white man,

2461
01:43:15,600 --> 01:43:16,600
Speaker 2: that's when you know you made it.

2462
01:43:17,400 --> 01:43:18,960
Speaker 1: Still, I didn't like that, well he said he said

2463
01:43:19,000 --> 01:43:19,719
Speaker 1: on Drink Champs.

2464
01:43:19,960 --> 01:43:22,320
Speaker 2: I didn't like that. He went further on Drink Champs.

2465
01:43:22,400 --> 01:43:25,439
Speaker 1: And said, uh that the most important thing is being

2466
01:43:25,479 --> 01:43:28,920
Speaker 1: as Yeah, I suppose I see what he was trying

2467
01:43:29,000 --> 01:43:32,320
Speaker 1: to say, but I didn't particularly Yeah, I was on.

2468
01:43:32,360 --> 01:43:35,240
Speaker 2: Drink Champs and that was my thing, like Josh sitting

2469
01:43:35,320 --> 01:43:37,320
Speaker 2: right next to you, like you said that was the

2470
01:43:37,600 --> 01:43:40,080
Speaker 2: biggest most important moment of his career or the biggest

2471
01:43:40,080 --> 01:43:40,719
Speaker 2: moment in his career.

2472
01:43:40,760 --> 01:43:41,800
Speaker 1: So I don't know if it was that he was

2473
01:43:41,800 --> 01:43:45,160
Speaker 1: saying his new business partner when you're co signed to

2474
01:43:45,160 --> 01:43:47,680
Speaker 1: a white billionaire or something that. Yeah, I felt it

2475
01:43:47,760 --> 01:43:49,360
Speaker 1: was a little odd to it. I could even see

2476
01:43:49,720 --> 01:43:51,599
Speaker 1: without watching it. I was listening, I wasn't even looking

2477
01:43:51,600 --> 01:43:53,200
Speaker 1: at the TV. I could feel nor He's pushback on

2478
01:43:53,280 --> 01:43:54,600
Speaker 1: it too. Just I could just feel it.

2479
01:43:54,720 --> 01:43:58,720
Speaker 2: Yeah, okay, yeah, I just didn't like that. But either way,

2480
01:43:58,760 --> 01:44:01,559
Speaker 2: the documentary first, this episode was amazing. I'm looking forward

2481
01:44:01,600 --> 01:44:04,639
Speaker 2: to watching the rest of it. BT did a great job.

2482
01:44:04,680 --> 01:44:07,479
Speaker 2: Shout out to EARV and yeah, we'll see what the

2483
01:44:07,479 --> 01:44:08,320
Speaker 2: rest of this doc goes.

2484
01:44:08,520 --> 01:44:10,519
Speaker 1: Oh well, yeah, the thing I liked that Leor did say,

2485
01:44:10,680 --> 01:44:11,280
Speaker 1: since we're.

2486
01:44:12,160 --> 01:44:13,960
Speaker 2: Now, I'm not paying you more because you're like my son.

2487
01:44:14,040 --> 01:44:16,599
Speaker 1: Now I feel bad since I'm complimenting a white man.

2488
01:44:16,600 --> 01:44:23,560
Speaker 1: After that statement, Leo's honesty is like, uh, yeah, I

2489
01:44:23,640 --> 01:44:26,240
Speaker 1: wanted to keep him as an an R for sixty

2490
01:44:26,320 --> 01:44:28,960
Speaker 1: grand a year for bringing me this and he.

2491
01:44:29,200 --> 01:44:31,320
Speaker 2: And he may have grossed what four hundred million dollars

2492
01:44:31,360 --> 01:44:34,519
Speaker 2: or something like that at minimum. That's sick. No, that's

2493
01:44:34,560 --> 01:44:35,000
Speaker 2: fucked up.

2494
01:44:35,160 --> 01:44:37,560
Speaker 1: I just the fact that the fact that lear just

2495
01:44:37,600 --> 01:44:40,800
Speaker 1: said that with such confidence, like why wouldn't I want

2496
01:44:40,840 --> 01:44:42,280
Speaker 1: to keep him on for sixty grand?

2497
01:44:42,400 --> 01:44:45,240
Speaker 2: As a businessman? Yeah, you would absolutely, like we understand

2498
01:44:45,280 --> 01:44:45,880
Speaker 2: the business man.

2499
01:44:45,960 --> 01:44:48,240
Speaker 1: But it's like, that's not good business. And I'm not

2500
01:44:48,280 --> 01:44:51,000
Speaker 1: saying good business in the way for keeping all the money.

2501
01:44:51,200 --> 01:44:52,720
Speaker 1: You're not going to keep someone happy that way. So

2502
01:44:52,760 --> 01:44:53,439
Speaker 1: it's bad business.

2503
01:44:53,520 --> 01:44:55,200
Speaker 2: It is bad business, and it turned out to be

2504
01:44:55,280 --> 01:44:58,559
Speaker 2: bad business. But either way, murder inc doc on BT

2505
01:44:59,720 --> 01:45:01,920
Speaker 2: today it is National Relaxation Day. I did not know that.

2506
01:45:02,560 --> 01:45:05,240
Speaker 2: Had I known that, I wouldn't be here same. So

2507
01:45:05,360 --> 01:45:07,439
Speaker 2: y'all tricked me because you're supposed to know these things.

2508
01:45:07,439 --> 01:45:09,439
Speaker 2: I feel like, you know what National Relaxation Day is.

2509
01:45:09,600 --> 01:45:12,000
Speaker 2: I've never seen any of you plant a tree on

2510
01:45:12,120 --> 01:45:14,439
Speaker 2: arbor Day? Is that what you're supposed to do on

2511
01:45:14,520 --> 01:45:16,240
Speaker 2: arbor Day? I think, right right?

2512
01:45:16,479 --> 01:45:16,639
Speaker 3: Yes?

2513
01:45:16,840 --> 01:45:18,360
Speaker 2: Oh no, why does your brain retain and said what

2514
01:45:18,400 --> 01:45:21,120
Speaker 2: school did you go to? Because we didn't have that.

2515
01:45:21,160 --> 01:45:21,920
Speaker 2: They didn't teach us that.

2516
01:45:23,040 --> 01:45:24,880
Speaker 1: I don't know what day Arbor Day is, nor do

2517
01:45:24,960 --> 01:45:27,360
Speaker 1: we plant a tree. I'm just with holidays that y'all

2518
01:45:27,439 --> 01:45:31,439
Speaker 1: keep bringing up. You don't celebrate them. Arbor Day, you

2519
01:45:31,520 --> 01:45:33,719
Speaker 1: don't celebrate Valentine, you don't celebrate Halloween.

2520
01:45:33,880 --> 01:45:35,200
Speaker 6: Small definitely celebrate times.

2521
01:45:35,240 --> 01:45:36,479
Speaker 2: I celebrate Valentine's Day.

2522
01:45:37,080 --> 01:45:37,720
Speaker 6: He's a loving guy.

2523
01:45:37,880 --> 01:45:40,840
Speaker 2: So if I go get dark chocolate and fucking light

2524
01:45:40,960 --> 01:45:44,040
Speaker 2: candles in the crib, you do that every day?

2525
01:45:44,080 --> 01:45:44,280
Speaker 6: Mom?

2526
01:45:44,400 --> 01:45:44,760
Speaker 3: Did you go?

2527
01:45:45,240 --> 01:45:49,120
Speaker 2: They wo switch up? They can't consist. There you go

2528
01:45:49,360 --> 01:45:49,880
Speaker 2: call back?

2529
01:45:50,120 --> 01:45:53,759
Speaker 1: So the way like school, so like the way single

2530
01:45:53,840 --> 01:45:56,639
Speaker 1: mothers say, Jesus is is their baby father?

2531
01:45:56,840 --> 01:46:01,000
Speaker 2: Like to you, that's your single baby mothers, Jesus is

2532
01:46:01,040 --> 01:46:03,080
Speaker 2: my man. Single baby mothers. Yeah, they always say that

2533
01:46:03,080 --> 01:46:05,320
Speaker 2: they love at all. You know, stop posting pictures at

2534
01:46:05,320 --> 01:46:07,559
Speaker 2: your baby shower without the without the baby father. Why

2535
01:46:07,760 --> 01:46:11,639
Speaker 2: why it's fucking stupid. That's why. What it's fucking stupid.

2536
01:46:12,320 --> 01:46:13,760
Speaker 2: Let's just say it's not right for us to say

2537
01:46:13,760 --> 01:46:15,200
Speaker 2: it's stupid. Why is it stupid?

2538
01:46:15,439 --> 01:46:16,200
Speaker 6: What if he ain't ship?

2539
01:46:17,160 --> 01:46:19,000
Speaker 2: Matter of fact, if you don't. If you don't, that

2540
01:46:19,040 --> 01:46:20,680
Speaker 2: has a great time to say that your baby all,

2541
01:46:20,720 --> 01:46:23,160
Speaker 2: they ain't ship. Oh, now that you're pregnant, what's the.

2542
01:46:23,160 --> 01:46:25,000
Speaker 1: Point of a baby shower to get gifts. Come on,

2543
01:46:25,160 --> 01:46:25,760
Speaker 1: it's not to sell a.

2544
01:46:25,760 --> 01:46:27,600
Speaker 2: Baby showers to celebrate people fucking you know how it

2545
01:46:27,720 --> 01:46:29,400
Speaker 2: is for sure to good gifts.

2546
01:46:29,640 --> 01:46:32,080
Speaker 1: So if the father is definitely not around, I definitely

2547
01:46:32,160 --> 01:46:35,280
Speaker 1: need some gifts. Yeah we should, we should have together.

2548
01:46:35,960 --> 01:46:37,679
Speaker 2: Yeah, but we don't have to come together and to celebrate.

2549
01:46:38,320 --> 01:46:42,120
Speaker 2: Send them ships to my grib Amazon the gifts to

2550
01:46:42,160 --> 01:46:44,559
Speaker 2: my grib. People do that now anyway, because they don't

2551
01:46:44,560 --> 01:46:46,320
Speaker 2: want to carry a bunch of gifts home. They'd be like, yo, listen,

2552
01:46:46,439 --> 01:46:48,040
Speaker 2: just registry have it delivered to the house.

2553
01:46:48,280 --> 01:46:50,439
Speaker 5: And a lot of baby showers were originally just supposed

2554
01:46:50,439 --> 01:46:50,800
Speaker 5: to be women.

2555
01:46:51,120 --> 01:46:54,360
Speaker 2: So yeah, yeah that changed. That got weird. Yeah, well

2556
01:46:54,360 --> 01:46:56,600
Speaker 2: we only got invited. Men's only got invited to the

2557
01:46:56,640 --> 01:47:00,360
Speaker 2: baby showers to take the gifts home, right, And somebody

2558
01:47:00,439 --> 01:47:02,240
Speaker 2: decided to go inside and get a played and was like, Yo,

2559
01:47:02,320 --> 01:47:07,200
Speaker 2: it's mad bitches in there, yacht. I don't know if

2560
01:47:07,240 --> 01:47:10,360
Speaker 2: y'all niggas know it's a whole basement full of bitches,

2561
01:47:10,479 --> 01:47:12,160
Speaker 2: Like we might want to go in there.

2562
01:47:12,400 --> 01:47:14,120
Speaker 1: It might have been the gay bestie that told all

2563
01:47:14,120 --> 01:47:15,920
Speaker 1: the straight men, but you know what's going on in.

2564
01:47:15,920 --> 01:47:18,320
Speaker 2: There, like it's fried chicken, baked maga.

2565
01:47:18,200 --> 01:47:21,479
Speaker 1: Cheese, andes a bunch of women with baby fever. Absolutely,

2566
01:47:21,479 --> 01:47:23,960
Speaker 1: and they're probably ovulating drunk.

2567
01:47:23,760 --> 01:47:26,640
Speaker 2: Wine flowing, you know, the the sangreeas we all love

2568
01:47:26,680 --> 01:47:27,719
Speaker 2: sangaree's at baby showers.

2569
01:47:27,800 --> 01:47:30,840
Speaker 1: Jesus Christ, is megatallion allowed to play at the baby

2570
01:47:30,840 --> 01:47:34,639
Speaker 1: shower and maybe another baby shower that the baby father's

2571
01:47:34,680 --> 01:47:37,479
Speaker 1: not at. I must have not been that wet.

2572
01:47:37,520 --> 01:47:40,479
Speaker 2: I'm scared to know. I was trying to say. I

2573
01:47:40,560 --> 01:47:42,080
Speaker 2: was trying to find out, Yeah, just some plug that

2574
01:47:42,120 --> 01:47:43,040
Speaker 2: you don't need that for the rest of it. They

2575
01:47:43,080 --> 01:47:48,400
Speaker 2: dontry about that. Yeah, but it's National Relaxation Day, So

2576
01:47:48,439 --> 01:47:51,680
Speaker 2: I'm gonna ask everybody here, starting with Baby D, what

2577
01:47:51,840 --> 01:47:53,479
Speaker 2: is your favorite way to relax? How do you relax?

2578
01:47:53,520 --> 01:47:55,360
Speaker 2: What does baby D do when she has nothing else

2579
01:47:55,360 --> 01:47:59,920
Speaker 2: to do but relax? Never mind what a barber's shot.

2580
01:48:00,120 --> 01:48:02,040
Speaker 5: But listen, excuse me.

2581
01:48:02,760 --> 01:48:06,040
Speaker 2: Vibrator made sense, Like the vibrator sounds like clippers, and

2582
01:48:07,080 --> 01:48:09,400
Speaker 2: I've never put she's never put those two things. No,

2583
01:48:09,520 --> 01:48:11,160
Speaker 2: she's nasty. Now I'm about to get a haircut and

2584
01:48:11,200 --> 01:48:14,400
Speaker 2: think of do you ever think about flicking the bean

2585
01:48:14,560 --> 01:48:18,640
Speaker 2: when she's sucking in her, she's baby D's at home

2586
01:48:18,720 --> 01:48:19,400
Speaker 2: flicking the bean.

2587
01:48:20,000 --> 01:48:23,479
Speaker 5: Yeah, this is who's here with us beating off all

2588
01:48:23,520 --> 01:48:24,400
Speaker 5: types of wild shots.

2589
01:48:24,479 --> 01:48:27,519
Speaker 2: We do no such thing, not on relaxation day. We

2590
01:48:27,560 --> 01:48:30,760
Speaker 2: don't touch ourselves. That's not how we relax. Who said

2591
01:48:30,800 --> 01:48:31,719
Speaker 2: that you're nasty?

2592
01:48:31,880 --> 01:48:34,320
Speaker 1: I was going through uh t s A with a

2593
01:48:34,400 --> 01:48:38,760
Speaker 1: young woman who who brings who brings vibrators with her

2594
01:48:38,840 --> 01:48:39,640
Speaker 1: on her carry on to.

2595
01:48:40,640 --> 01:48:43,080
Speaker 2: Vict First, let's stop right there, bringing a vibrator on

2596
01:48:43,160 --> 01:48:45,160
Speaker 2: a carry She should be next to Britney grinders, which

2597
01:48:45,240 --> 01:48:49,040
Speaker 2: should be what woman? What woman has a vibrator in

2598
01:48:49,160 --> 01:48:49,880
Speaker 2: her carry on?

2599
01:48:50,240 --> 01:48:50,280
Speaker 3: Me?

2600
01:48:50,880 --> 01:48:54,080
Speaker 2: They should be put her on the bottom bunk of

2601
01:48:54,160 --> 01:48:56,720
Speaker 2: Brittany and let Britney's legs hang down next to her.

2602
01:48:57,120 --> 01:48:59,400
Speaker 5: Stressed out and the ruth's picnicy coats out room. And

2603
01:48:59,439 --> 01:49:01,360
Speaker 5: I had checked remember, we were like no, I don't

2604
01:49:01,439 --> 01:49:04,000
Speaker 5: check out and left my key and my key and

2605
01:49:04,120 --> 01:49:07,000
Speaker 5: my vibrator and it was picnic hotel room, stressed the fun.

2606
01:49:07,200 --> 01:49:09,040
Speaker 2: That's why we're not invited back to Philly because they

2607
01:49:09,120 --> 01:49:10,599
Speaker 2: find and vibrators and ship in the room.

2608
01:49:10,880 --> 01:49:14,000
Speaker 1: So I was with her going through ts A, and

2609
01:49:14,400 --> 01:49:16,160
Speaker 1: I know, for I knew that she had the vibrator

2610
01:49:16,200 --> 01:49:17,120
Speaker 1: in there, and we.

2611
01:49:17,240 --> 01:49:20,880
Speaker 2: Hear they're gonna take you in, you her and Brittany.

2612
01:49:20,640 --> 01:49:22,599
Speaker 1: And as long as we keep the vibrator, I'm cool.

2613
01:49:23,320 --> 01:49:24,439
Speaker 1: That's my that's my teammate.

2614
01:49:27,520 --> 01:49:30,439
Speaker 2: We hear the vibration. No, don't tell me that when.

2615
01:49:30,439 --> 01:49:32,760
Speaker 1: It comes through, and they were like asking whose bag

2616
01:49:32,800 --> 01:49:36,320
Speaker 1: it was, and we didn't. We didn't see which bag

2617
01:49:36,400 --> 01:49:38,000
Speaker 1: it was yet. We just knew it was our area

2618
01:49:38,040 --> 01:49:40,600
Speaker 1: of bags. And thank god it ended up being my

2619
01:49:40,680 --> 01:49:43,160
Speaker 1: electric razor because I tapped her and said, your vibrator

2620
01:49:43,280 --> 01:49:50,760
Speaker 1: is going crazy right now. Listen, it was my electric raiser.

2621
01:49:50,800 --> 01:49:51,559
Speaker 2: Did you feel like a fool?

2622
01:49:52,479 --> 01:49:52,519
Speaker 3: No?

2623
01:49:52,640 --> 01:49:56,920
Speaker 1: I was relieved because I didn't want to see pull

2624
01:49:57,000 --> 01:49:58,439
Speaker 1: this out and have it just hanging like this is

2625
01:49:58,520 --> 01:50:02,640
Speaker 1: this it's my sir, you took the rat No, it

2626
01:50:02,680 --> 01:50:03,759
Speaker 1: was actually my electric fraser.

2627
01:50:03,800 --> 01:50:04,120
Speaker 3: It wasn't.

2628
01:50:04,479 --> 01:50:06,040
Speaker 1: Oh, it wasn't the vibrating yea, it was just in

2629
01:50:06,160 --> 01:50:07,200
Speaker 1: our area of bags.

2630
01:50:07,320 --> 01:50:09,599
Speaker 2: Okay, all right. That was smart to plant your your

2631
01:50:09,640 --> 01:50:12,160
Speaker 2: clipper right next to the vibrator and throw it off.

2632
01:50:13,000 --> 01:50:14,840
Speaker 5: Put my baby powder next to my cocaine and get

2633
01:50:14,880 --> 01:50:15,840
Speaker 5: it all through it at the same time.

2634
01:50:15,880 --> 01:50:17,639
Speaker 2: Sure, yeah, sure, whatever works.

2635
01:50:18,080 --> 01:50:20,680
Speaker 5: To answer your question, on my days of relaxation, I

2636
01:50:20,920 --> 01:50:22,720
Speaker 5: put my phone on do not disturb so that y'all

2637
01:50:22,760 --> 01:50:25,760
Speaker 5: cannot contact me and I cozy up in my bed

2638
01:50:25,840 --> 01:50:26,360
Speaker 5: and watch TV.

2639
01:50:26,600 --> 01:50:28,599
Speaker 6: That's just notify anyways every single time.

2640
01:50:29,680 --> 01:50:32,280
Speaker 5: Yeah, edit hits notify anyways, Benner hits nor anyway.

2641
01:50:32,360 --> 01:50:33,719
Speaker 6: I don't give a I don't give a fuck.

2642
01:50:34,520 --> 01:50:35,559
Speaker 2: I didn't even know it was a button.

2643
01:50:35,720 --> 01:50:35,880
Speaker 3: Yep.

2644
01:50:35,960 --> 01:50:37,519
Speaker 5: Yeah, you can hit like if they'll say so and

2645
01:50:37,640 --> 01:50:39,759
Speaker 5: so has do not disturbing, and you could put notifying.

2646
01:50:40,439 --> 01:50:43,320
Speaker 2: Wait you can wait, well, okay, hold on, slow down.

2647
01:50:43,960 --> 01:50:46,360
Speaker 2: You can tell when somebody has do not disturb them.

2648
01:50:46,439 --> 01:50:48,519
Speaker 1: Yeah, look at my messages right now, Yeah, that is anything.

2649
01:50:49,520 --> 01:50:50,240
Speaker 2: Why are you doing that?

2650
01:50:50,439 --> 01:50:50,479
Speaker 3: So?

2651
01:50:50,720 --> 01:50:52,000
Speaker 6: I mean, you can put it till it doesn't show,

2652
01:50:52,040 --> 01:50:52,640
Speaker 6: but you.

2653
01:50:52,840 --> 01:50:54,960
Speaker 2: Okay, But I like people to know that I'm not

2654
01:50:55,120 --> 01:50:58,240
Speaker 2: ignoring you. But I appreciate that type of time.

2655
01:50:58,439 --> 01:51:00,439
Speaker 1: That was I always wanted iPhones to do like the

2656
01:51:00,520 --> 01:51:02,320
Speaker 1: way away messages were with AIM.

2657
01:51:02,520 --> 01:51:04,280
Speaker 2: I was like, why can't we do that with text messages?

2658
01:51:04,360 --> 01:51:06,479
Speaker 2: They do that, like you can say I'm driving right now,

2659
01:51:06,520 --> 01:51:07,519
Speaker 2: I can't text like I've.

2660
01:51:07,400 --> 01:51:09,519
Speaker 1: Seen cars do that, Like, why can't I putt in

2661
01:51:09,520 --> 01:51:12,080
Speaker 1: a way message on my I message, hey, not buy

2662
01:51:12,120 --> 01:51:12,519
Speaker 1: my phone.

2663
01:51:12,600 --> 01:51:15,080
Speaker 2: I'll get back to you when I can. Yeah, because

2664
01:51:15,080 --> 01:51:17,760
Speaker 2: I would set that twenty four hours out of the day. Yeah.

2665
01:51:17,800 --> 01:51:20,439
Speaker 5: But see that's the thing though. People started doing that,

2666
01:51:20,560 --> 01:51:23,920
Speaker 5: so that's why people don't respect. Do not disturb your phones.

2667
01:51:23,920 --> 01:51:25,879
Speaker 5: I do not disturb at twelve o'clock in the afternoon,

2668
01:51:26,000 --> 01:51:28,519
Speaker 5: like I'm gonna keep or you know, if you call twice,

2669
01:51:28,560 --> 01:51:29,760
Speaker 5: it'll go through a second time.

2670
01:51:30,160 --> 01:51:32,240
Speaker 1: I think that's disrespectful that he did that, because I

2671
01:51:32,240 --> 01:51:32,840
Speaker 1: would respect you.

2672
01:51:32,920 --> 01:51:34,760
Speaker 2: Do not disturb, Rory.

2673
01:51:34,840 --> 01:51:36,640
Speaker 6: I promise you won't respect you.

2674
01:51:36,720 --> 01:51:37,280
Speaker 3: Don't. You know.

2675
01:51:37,960 --> 01:51:40,120
Speaker 2: I've seen it before and I have not continued to text.

2676
01:51:42,040 --> 01:51:43,879
Speaker 1: Okay, maybe.

2677
01:51:46,000 --> 01:51:46,400
Speaker 2: What do I know?

2678
01:51:47,200 --> 01:51:47,400
Speaker 7: Rory?

2679
01:51:47,439 --> 01:51:49,800
Speaker 2: How do you relax? You like this candle right here?

2680
01:51:49,840 --> 01:51:52,080
Speaker 2: I don't like this candle right here? You lay right here?

2681
01:51:52,120 --> 01:51:52,759
Speaker 2: Is this what you relax?

2682
01:51:52,840 --> 01:51:52,880
Speaker 3: It?

2683
01:51:53,760 --> 01:51:56,560
Speaker 1: No, because you guys have sullied up this beautiful calcul.

2684
01:51:58,840 --> 01:52:01,400
Speaker 2: You guys have so I'm gonna know what that means.

2685
01:52:01,439 --> 01:52:02,840
Speaker 2: I just know it means you ruined something.

2686
01:52:04,439 --> 01:52:07,160
Speaker 1: Oh man, this this beautiful couch that I bought and

2687
01:52:07,240 --> 01:52:09,080
Speaker 1: this rug is now fucking ruined.

2688
01:52:09,320 --> 01:52:09,840
Speaker 2: It looks great.

2689
01:52:09,840 --> 01:52:11,920
Speaker 1: I just did a cleaning service for those asses.

2690
01:52:11,920 --> 01:52:12,559
Speaker 2: In these couches?

2691
01:52:12,960 --> 01:52:14,800
Speaker 1: Do you not never not relax? I know I did

2692
01:52:14,840 --> 01:52:16,559
Speaker 1: like triple triple negatives there.

2693
01:52:16,600 --> 01:52:18,200
Speaker 2: Yeah, I'm always I'm always relaxed.

2694
01:52:18,400 --> 01:52:19,840
Speaker 1: How do you not relax? Is what I'd like to

2695
01:52:19,920 --> 01:52:20,679
Speaker 1: How do I not relax?

2696
01:52:20,720 --> 01:52:22,840
Speaker 2: Because I know how you relaxed life? How do I

2697
01:52:22,920 --> 01:52:26,080
Speaker 2: turn up? Just answer my phone for family sold with

2698
01:52:26,160 --> 01:52:26,599
Speaker 2: some drama?

2699
01:52:26,920 --> 01:52:27,000
Speaker 3: Ap?

2700
01:52:27,680 --> 01:52:29,760
Speaker 2: Oh my god, that's that's when it's gonna be lit.

2701
01:52:30,040 --> 01:52:31,519
Speaker 2: You see one of your cousins you ain't talked to

2702
01:52:31,560 --> 01:52:33,479
Speaker 2: in a while, text you like, let me see what's

2703
01:52:33,479 --> 01:52:33,800
Speaker 2: going on?

2704
01:52:34,120 --> 01:52:34,240
Speaker 3: Yo?

2705
01:52:34,280 --> 01:52:34,720
Speaker 2: What's good?

2706
01:52:35,360 --> 01:52:35,559
Speaker 3: Y'all?

2707
01:52:35,640 --> 01:52:39,800
Speaker 2: Auntie got gout? This nigga got I'm like, yo, all right,

2708
01:52:39,960 --> 01:52:43,200
Speaker 2: you know what. I'll talk to you. Yeah, I told

2709
01:52:43,200 --> 01:52:45,320
Speaker 2: to you all niggas later. Man. It's just like I

2710
01:52:45,360 --> 01:52:47,679
Speaker 2: don't don't text me this ship, man, leave me alone.

2711
01:52:47,760 --> 01:52:50,640
Speaker 1: Man, Like creating the bath is my relaxation. And then

2712
01:52:50,680 --> 01:52:52,240
Speaker 1: once I get in the bath, I'm like, well, time

2713
01:52:52,280 --> 01:52:52,680
Speaker 1: to get up.

2714
01:52:53,120 --> 01:52:54,920
Speaker 2: Oh that's kind of like heroin addicts. They like cooking

2715
01:52:54,960 --> 01:52:55,200
Speaker 2: it up.

2716
01:52:55,320 --> 01:52:57,760
Speaker 1: That's the whole was actually cooking. It's the same thing too.

2717
01:52:57,800 --> 01:52:59,280
Speaker 1: I don't even really care for the meal, it's just

2718
01:52:59,439 --> 01:53:00,559
Speaker 1: making it and it tastes good.

2719
01:53:00,600 --> 01:53:02,880
Speaker 5: I'm like, yes, cooking is the way I relax too,

2720
01:53:02,960 --> 01:53:03,880
Speaker 5: and thank you too.

2721
01:53:03,920 --> 01:53:05,360
Speaker 1: Oh yeah, cooking for sure, relaxing.

2722
01:53:05,960 --> 01:53:06,280
Speaker 2: Cleaning.

2723
01:53:06,360 --> 01:53:08,479
Speaker 1: I like cleaning too. That's a relaxation for me.

2724
01:53:09,960 --> 01:53:11,519
Speaker 2: I just say, you don't get bitches, it's all good.

2725
01:53:13,920 --> 01:53:17,040
Speaker 2: I don't. I like cleaning. I like cooking. Okay, I

2726
01:53:17,160 --> 01:53:20,240
Speaker 2: don't his guy got neutered or or I don't believe

2727
01:53:20,280 --> 01:53:21,960
Speaker 2: in gender roles. You misogynistic?

2728
01:53:22,080 --> 01:53:22,760
Speaker 3: Pick right? I do?

2729
01:53:23,400 --> 01:53:23,840
Speaker 1: I do too.

2730
01:53:24,040 --> 01:53:26,000
Speaker 2: Pair of foot and pregnant in the kitchen, I love it.

2731
01:53:28,720 --> 01:53:30,200
Speaker 2: When are you gonna spare your DNA and somebody?

2732
01:53:30,280 --> 01:53:30,920
Speaker 3: Man? I don't know.

2733
01:53:30,960 --> 01:53:35,680
Speaker 2: Oh my god, I'm gonna find an ovulating woman this

2734
01:53:35,760 --> 01:53:38,479
Speaker 2: weekend and rolled it down on Friday Stage forty eight.

2735
01:53:38,520 --> 01:53:38,920
Speaker 3: We in there.

2736
01:53:42,400 --> 01:53:45,760
Speaker 2: That's just wrong. We shouldn't say that. Where are we

2737
01:53:45,840 --> 01:53:48,800
Speaker 2: going next? I'm sorry? We get Trump? What about Trump?

2738
01:53:48,800 --> 01:53:51,040
Speaker 1: I don't clean any of what happened with Trump. The

2739
01:53:51,160 --> 01:53:51,880
Speaker 1: nuclear codes?

2740
01:53:52,479 --> 01:53:55,519
Speaker 2: Oh that's what he stole. He may he got the

2741
01:53:55,600 --> 01:54:00,320
Speaker 2: codes bro okay, in his defense, yeah, got if he's

2742
01:54:00,320 --> 01:54:03,240
Speaker 2: trying to defend us. In his defense, he's trying to

2743
01:54:03,280 --> 01:54:07,000
Speaker 2: defend America. No, he's not. If I were to steal

2744
01:54:07,080 --> 01:54:08,600
Speaker 2: anything from the White House. And I'm still in the

2745
01:54:09,000 --> 01:54:11,360
Speaker 2: I take about one thousand percent still in the cold.

2746
01:54:11,439 --> 01:54:12,680
Speaker 2: It's gonna be the last you see of me.

2747
01:54:13,600 --> 01:54:17,280
Speaker 1: I'll have the last say, watch and see if you

2748
01:54:17,479 --> 01:54:19,320
Speaker 1: forced me out of the White House and I'm like, oh,

2749
01:54:20,080 --> 01:54:20,759
Speaker 1: I got elected.

2750
01:54:20,840 --> 01:54:23,679
Speaker 2: Yeah, I'm taking the coach. Absolutely. Absolutely. Maybe he didn't

2751
01:54:23,680 --> 01:54:28,120
Speaker 2: want sleepy Joe to have the codes sleep You don't

2752
01:54:28,200 --> 01:54:29,640
Speaker 2: have Joe do what's going on?

2753
01:54:31,120 --> 01:54:31,160
Speaker 3: Like?

2754
01:54:31,280 --> 01:54:33,280
Speaker 2: I get it? Do y'all?

2755
01:54:33,280 --> 01:54:33,400
Speaker 3: Ever?

2756
01:54:33,520 --> 01:54:35,480
Speaker 2: Just look at Joe Biden like this is one of

2757
01:54:35,560 --> 01:54:37,880
Speaker 2: my favorite things? Is just No, I don't like he's

2758
01:54:38,280 --> 01:54:42,280
Speaker 2: he's watching he is completely clueless. He don't know what's

2759
01:54:42,360 --> 01:54:44,880
Speaker 2: going on, like at all. He has no idea what

2760
01:54:45,000 --> 01:54:47,880
Speaker 2: the fuck is going on? And when that's what I

2761
01:54:47,960 --> 01:54:49,360
Speaker 2: had to tell you about. Do y'all know that they

2762
01:54:49,520 --> 01:54:52,920
Speaker 2: keep changing the meaning of the word recession? Yes?

2763
01:54:53,360 --> 01:54:55,080
Speaker 1: Did you know that recession is gender?

2764
01:54:55,120 --> 01:54:57,800
Speaker 2: At this point? Why did you tell me this? That

2765
01:54:57,960 --> 01:54:59,720
Speaker 2: is the that's not crazy, He's I don't want.

2766
01:54:59,600 --> 01:55:01,800
Speaker 1: To talk politics with you because I think everyone's crazy.

2767
01:55:01,880 --> 01:55:03,920
Speaker 2: No, but that's not funny to you. That's like, look

2768
01:55:03,960 --> 01:55:06,360
Speaker 2: what they're doing. They're changing the word recession so that

2769
01:55:06,520 --> 01:55:09,040
Speaker 2: we don't realize and know that we're currently in a

2770
01:55:09,080 --> 01:55:12,520
Speaker 2: recession right now. Definitely that's not crazy to y'all.

2771
01:55:12,680 --> 01:55:13,480
Speaker 6: Yeah, pretty crazy.

2772
01:55:13,720 --> 01:55:16,960
Speaker 2: That's scary. It's scary, like, yo, do they're changing the

2773
01:55:17,080 --> 01:55:19,600
Speaker 2: definition of a word so that people don't feel like

2774
01:55:19,600 --> 01:55:20,000
Speaker 2: we're in it.

2775
01:55:20,680 --> 01:55:23,280
Speaker 1: I don't know if it was Biden's actual verified Twitter

2776
01:55:23,320 --> 01:55:25,320
Speaker 1: account or someone attached to it or the one that

2777
01:55:25,600 --> 01:55:29,200
Speaker 1: writes for it put out like his accomplishments thus far

2778
01:55:29,320 --> 01:55:32,680
Speaker 1: with his term, and it really said gas prices on there.

2779
01:55:34,480 --> 01:55:36,839
Speaker 1: This is where I just gave up on just like everything.

2780
01:55:37,160 --> 01:55:39,839
Speaker 1: I'm like, y'all really are just playing in our faces.

2781
01:55:40,360 --> 01:55:42,200
Speaker 2: Yeah they are. They haven't agree because you.

2782
01:55:42,280 --> 01:55:46,160
Speaker 1: Know, whatever team we're on, World Champion, whatever you say.

2783
01:55:47,120 --> 01:55:51,680
Speaker 2: Listen, man, God to love America, God bless America. I

2784
01:55:51,800 --> 01:55:54,400
Speaker 2: was reading that Agrian Brno was supposed to fight this weekend,

2785
01:55:55,680 --> 01:55:58,240
Speaker 2: but he's pulled out of the fight, and he is

2786
01:55:58,360 --> 01:56:01,640
Speaker 2: blaming mental health as not blaming, but he's saying that

2787
01:56:01,760 --> 01:56:06,200
Speaker 2: mental health is the reason why. So report says, Man,

2788
01:56:06,240 --> 01:56:08,000
Speaker 2: I'm going through a lot at this moment in my life,

2789
01:56:08,880 --> 01:56:11,360
Speaker 2: but I ain't gonna give up. I set some more

2790
01:56:11,440 --> 01:56:15,040
Speaker 2: goals and I ain't stopping until I finished what I started.

2791
01:56:15,080 --> 01:56:19,560
Speaker 2: But sorry to say this, but I'm not fighting August twentieth.

2792
01:56:19,760 --> 01:56:25,600
Speaker 2: I guess was he supposed to fight the twentieth? Yeah, man,

2793
01:56:25,800 --> 01:56:27,280
Speaker 2: prays to agent Broun. I hope he's okay.

2794
01:56:27,360 --> 01:56:29,240
Speaker 1: If he's saying a lot of you guys, I don't

2795
01:56:29,280 --> 01:56:31,800
Speaker 1: use mental health as a buffet. If that's what he says,

2796
01:56:32,040 --> 01:56:33,680
Speaker 1: then I respect I believe him.

2797
01:56:33,720 --> 01:56:35,880
Speaker 2: If he's saying his mental health is the reason why

2798
01:56:35,920 --> 01:56:38,160
Speaker 2: he won't fight this weekend, you have to be mentally

2799
01:56:38,200 --> 01:56:39,400
Speaker 2: shocked to step in the ring and fight.

2800
01:56:39,520 --> 01:56:41,480
Speaker 1: So I will also say though, at the height of

2801
01:56:41,560 --> 01:56:43,520
Speaker 1: his career, when he was knocking people out, he did

2802
01:56:43,560 --> 01:56:45,280
Speaker 1: do an interview and they said, hey, you go to

2803
01:56:45,360 --> 01:56:48,120
Speaker 1: the club a lot and you visibly get drunk on

2804
01:56:48,200 --> 01:56:51,080
Speaker 1: camera a lot. And his response was, yeah, but I

2805
01:56:51,160 --> 01:56:52,320
Speaker 1: jog home from the club though.

2806
01:56:52,640 --> 01:57:00,160
Speaker 2: Yeah, focus shot raise the shop. But anyway, hopefully it's

2807
01:57:00,160 --> 01:57:01,600
Speaker 2: his mental health right and he gets back in the

2808
01:57:01,680 --> 01:57:04,000
Speaker 2: ring soon. I was looking forward to to that fight

2809
01:57:04,080 --> 01:57:05,240
Speaker 2: this weekend, But who is it with it?

2810
01:57:05,240 --> 01:57:06,280
Speaker 1: I didn't even know bron was fighting.

2811
01:57:06,920 --> 01:57:09,280
Speaker 2: I forgot I just I just wanted to see Adrian fight.

2812
01:57:09,840 --> 01:57:13,240
Speaker 2: I'm rude for him. I like Adrian Browner, but it

2813
01:57:13,400 --> 01:57:17,240
Speaker 2: is what it is. Yeah, I like Adrian Broner. I

2814
01:57:17,240 --> 01:57:18,800
Speaker 2: don't know him as a person, so I can't No,

2815
01:57:18,920 --> 01:57:20,400
Speaker 2: not as a person. I'm talking about a fighter. I

2816
01:57:20,440 --> 01:57:24,360
Speaker 2: don't like him. Well, I think nobody, but I don't

2817
01:57:24,360 --> 01:57:24,560
Speaker 2: know who.

2818
01:57:24,600 --> 01:57:24,800
Speaker 3: You know.

2819
01:57:25,000 --> 01:57:26,800
Speaker 2: You might have been to fucking dinner with.

2820
01:57:26,840 --> 01:57:27,640
Speaker 1: AB mad times.

2821
01:57:27,760 --> 01:57:32,080
Speaker 2: No, I haven't never been at dinner with Ab. Both

2822
01:57:32,120 --> 01:57:36,400
Speaker 2: abs around. No, Antonio brown I would go to dinner

2823
01:57:36,440 --> 01:57:38,960
Speaker 2: with though. Absolutely. Put that ship on what's that ship?

2824
01:57:39,000 --> 01:57:40,760
Speaker 2: Baby d put that ship on that ship?

2825
01:57:40,840 --> 01:57:41,000
Speaker 3: Hard?

2826
01:57:41,400 --> 01:57:43,480
Speaker 1: You need to add the DJ drop to the record,

2827
01:57:43,520 --> 01:57:46,120
Speaker 1: because that's what made the hook. Yeah, I mean I

2828
01:57:46,240 --> 01:57:48,240
Speaker 1: liked Adrian Browner as a fighter for I don't know,

2829
01:57:48,280 --> 01:57:51,839
Speaker 1: maybe two or three fights, and then he became as

2830
01:57:51,880 --> 01:57:55,200
Speaker 1: now and we're only talking about fighting. Yeah, I don't

2831
01:57:55,240 --> 01:57:55,839
Speaker 1: know him personally.

2832
01:57:56,640 --> 01:58:01,240
Speaker 5: Yeah, we like each other and Adrian on them Do

2833
01:58:01,320 --> 01:58:01,920
Speaker 5: we like each other?

2834
01:58:02,120 --> 01:58:02,320
Speaker 3: Yeah?

2835
01:58:02,440 --> 01:58:05,840
Speaker 2: Yeah, weird questions. What was that asking?

2836
01:58:06,640 --> 01:58:07,760
Speaker 6: Yeah that's what you means.

2837
01:58:07,840 --> 01:58:09,360
Speaker 2: Yeah, well let me do you like me?

2838
01:58:09,680 --> 01:58:09,880
Speaker 3: Yeah?

2839
01:58:10,120 --> 01:58:12,400
Speaker 2: I didn't like them too. I wouldn't take them on

2840
01:58:12,400 --> 01:58:13,120
Speaker 2: a date or nothing like that.

2841
01:58:13,200 --> 01:58:13,760
Speaker 3: But I like him.

2842
01:58:14,120 --> 01:58:14,840
Speaker 6: I gotta take him.

2843
01:58:15,200 --> 01:58:17,240
Speaker 2: I mean, it's not my type and that way. I

2844
01:58:17,240 --> 01:58:20,880
Speaker 2: wouldn't like. Hold what do you mean it's not my type?

2845
01:58:21,040 --> 01:58:21,680
Speaker 3: What's type?

2846
01:58:22,000 --> 01:58:23,680
Speaker 5: Mm A friend?

2847
01:58:24,560 --> 01:58:28,800
Speaker 1: Oh you're saying friends, because I mean I'm into hips,

2848
01:58:28,840 --> 01:58:31,080
Speaker 1: but his are just I don't think I can handle it.

2849
01:58:32,160 --> 01:58:32,400
Speaker 5: Thank you.

2850
01:58:32,600 --> 01:58:34,480
Speaker 2: It's just not it's not my type in that regard.

2851
01:58:34,640 --> 01:58:39,280
Speaker 2: This is crazy. Just keep talking about thank you with

2852
01:58:39,360 --> 01:58:40,040
Speaker 2: all my Listen.

2853
01:58:41,240 --> 01:58:42,960
Speaker 1: I know what I'm capable of, and those hips just

2854
01:58:43,600 --> 01:58:44,160
Speaker 1: they don't lie.

2855
01:58:44,400 --> 01:58:49,800
Speaker 2: Just a lot. Listen, man, what's going on. I just

2856
01:58:49,840 --> 01:58:51,400
Speaker 2: wouldn't want to disappoint them that. I don't even give

2857
01:58:51,400 --> 01:58:52,440
Speaker 2: a funk what you're doing for the rest of week.

2858
01:58:52,440 --> 01:58:56,360
Speaker 2: Listen man. Another episode of the New Rory and Mall podcast.

2859
01:58:56,640 --> 01:58:59,280
Speaker 2: Were all going on tour. Have a lot of live

2860
01:58:59,320 --> 01:59:02,840
Speaker 2: shows coming up September eighteenth. We are in Chicago. Yes,

2861
01:59:04,200 --> 01:59:05,760
Speaker 2: I would actually editing to pull up the rest of

2862
01:59:05,800 --> 01:59:08,280
Speaker 2: the dates, but it doesn't matter. Tickets available now at

2863
01:59:08,360 --> 01:59:11,960
Speaker 2: New roryinmall dot com. That's where the dates are, New

2864
01:59:12,120 --> 01:59:13,760
Speaker 2: Rory Inmall dot com. And you can just put it

2865
01:59:13,840 --> 01:59:16,120
Speaker 2: right here in boom to Day's about right there. Put

2866
01:59:16,160 --> 01:59:18,480
Speaker 2: it right the wood. There you go on September eighteenth, Chicago,

2867
01:59:18,560 --> 01:59:22,680
Speaker 2: September twenty third, Washington, d c's October two, Charlotte November fifth,

2868
01:59:22,920 --> 01:59:27,080
Speaker 2: London November thirteenth, Atlanta November nineteenth, Dallas November twentieth. Rory's

2869
01:59:27,120 --> 01:59:31,640
Speaker 2: favorite hometown Houston, Texas December ninety, Seattle December eleventh, where

2870
01:59:31,720 --> 01:59:34,880
Speaker 2: Rory's ancestor are from Portland, Oregon, December eighteenth, where Rory

2871
01:59:35,000 --> 01:59:39,760
Speaker 2: was born at Boston, Massachusetts. We'll be get your tickets

2872
01:59:39,840 --> 01:59:42,840
Speaker 2: now and Rory's entire family will follow us in the road.

2873
01:59:42,920 --> 01:59:46,400
Speaker 2: Come out met Rory's family in Boston, Portland, Seattle, and

2874
01:59:46,520 --> 01:59:51,120
Speaker 2: anywhere else where the Quakers are from. What are there

2875
01:59:51,200 --> 01:59:52,280
Speaker 2: Irish people in Portland?

2876
01:59:52,920 --> 01:59:53,280
Speaker 6: I'm sure?

2877
01:59:53,320 --> 01:59:53,800
Speaker 2: Are you sure?

2878
01:59:53,920 --> 01:59:54,120
Speaker 3: Yeah?

2879
01:59:54,280 --> 01:59:56,840
Speaker 2: There probably is. This is Portland. Unfortunately I have no

2880
01:59:56,960 --> 02:00:01,200
Speaker 2: family in Boston. That's crazy. Are you kidding me? Let

2881
02:00:01,240 --> 02:00:03,960
Speaker 2: me look at my twenty three Yeah, I'm sure you

2882
02:00:04,080 --> 02:00:06,680
Speaker 2: have plenty of cousins that's coming out to Boston were

2883
02:00:06,720 --> 02:00:07,400
Speaker 2: born in Boston.

2884
02:00:07,800 --> 02:00:11,640
Speaker 1: Yeah, at the Wilburg have been a really good Bostonian.

2885
02:00:12,280 --> 02:00:13,040
Speaker 1: I got the face for it.

2886
02:00:13,920 --> 02:00:14,320
Speaker 5: Racist.

2887
02:00:14,840 --> 02:00:18,520
Speaker 2: Absolutely, I definitely like a will absolutely tickets available at

2888
02:00:18,640 --> 02:00:21,600
Speaker 2: New roryanmaul dot com. Get them now. We'll see y'all.

2889
02:00:21,800 --> 02:00:23,800
Speaker 1: To make the same jokes about mall in Atlanta or no.

2890
02:00:23,960 --> 02:00:28,520
Speaker 2: Yes, yeah, I got family in l Charlotte. You definitely

2891
02:00:28,560 --> 02:00:32,320
Speaker 2: got what you know every drug dealer from Harlem just Charlotte,

2892
02:00:32,360 --> 02:00:35,320
Speaker 2: absolutely ducking those indictments. I know where y'all. I know

2893
02:00:35,320 --> 02:00:36,040
Speaker 2: where you're hiding.

2894
02:00:36,200 --> 02:00:39,400
Speaker 1: Half of North Carolina is just uptown absolutely absolutely.

2895
02:00:39,960 --> 02:00:42,560
Speaker 2: Uh so yeah, get your tickets now or not. Fuck us.

2896
02:00:42,960 --> 02:00:45,440
Speaker 3: It is what it is. It is what it is.

2897
02:00:45,680 --> 02:00:46,880
Speaker 2: If you don't want to come see us, don't come

2898
02:00:46,920 --> 02:00:49,200
Speaker 2: see us. Uh well we'll we'll we'll be there anyway.

2899
02:00:49,640 --> 02:00:49,680
Speaker 3: Me.

2900
02:00:49,760 --> 02:00:50,680
Speaker 5: I'll tell you guys.

2901
02:00:53,720 --> 02:00:55,760
Speaker 2: Know where we're staying at right, No, where you staying?

2902
02:00:55,920 --> 02:00:56,080
Speaker 3: Nah?

2903
02:00:56,280 --> 02:00:59,240
Speaker 2: Yeah yeah, yeah yeah. What do we know about south

2904
02:00:59,320 --> 02:01:02,000
Speaker 2: Side Music Hall on Dallas? I don't know what do

2905
02:01:02,080 --> 02:01:02,520
Speaker 2: we know about that?

2906
02:01:02,680 --> 02:01:04,560
Speaker 1: Just to the south Side makes me nervous, no matter

2907
02:01:04,600 --> 02:01:05,840
Speaker 1: what I mean.

2908
02:01:05,880 --> 02:01:07,080
Speaker 2: That's what Lloyd wanted you to meet him.

2909
02:01:07,080 --> 02:01:08,800
Speaker 1: Mat So it seems like, no, that was you in

2910
02:01:08,840 --> 02:01:09,920
Speaker 1: Atlanta and with your family.

2911
02:01:10,480 --> 02:01:12,360
Speaker 2: That was definitely mean. No, we're at center stage in

2912
02:01:12,360 --> 02:01:16,600
Speaker 2: Atlanta south Side Musical Dallas. Okay, what you know, IRV?

2913
02:01:16,800 --> 02:01:19,400
Speaker 1: You know, IRV surprised her at that video set too,

2914
02:01:20,400 --> 02:01:22,280
Speaker 1: brought us some flowers, didn't even know you were coming.

2915
02:01:23,560 --> 02:01:24,800
Speaker 2: Oh V wasn't expecting you.

2916
02:01:25,000 --> 02:01:26,640
Speaker 6: Yeah, you're sick yo.

2917
02:01:26,760 --> 02:01:29,000
Speaker 2: Listen man, we're getting out of here. We'll talk to

2918
02:01:29,040 --> 02:01:31,520
Speaker 2: you this week. Have fun, be safe. I'm that nigga.

2919
02:01:31,560 --> 02:01:34,360
Speaker 2: He's just Ginger peace nor En