1 00:00:04,760 --> 00:00:07,840 Speaker 1: Very excited here the day before Thanksgiving to be joined 2 00:00:07,840 --> 00:00:10,840 Speaker 1: by Mark Cockman. He is short on time. He has 3 00:00:10,880 --> 00:00:12,879 Speaker 1: a meeting, He has a breakfast. He has a meeting 4 00:00:12,920 --> 00:00:13,560 Speaker 1: with Avocato. 5 00:00:13,600 --> 00:00:14,640 Speaker 2: Toast is what he has. 6 00:00:15,400 --> 00:00:16,919 Speaker 1: He also has an interesting shirt on. We have a 7 00:00:16,960 --> 00:00:19,159 Speaker 1: big announcement to make. I'm very excited about this. I 8 00:00:19,200 --> 00:00:21,320 Speaker 1: have no idea what the announcement is. But before we 9 00:00:21,400 --> 00:00:24,560 Speaker 1: get to that, Mark Kakman, what is that shirt you 10 00:00:24,560 --> 00:00:25,479 Speaker 1: are wearing today. 11 00:00:25,760 --> 00:00:29,960 Speaker 3: I'm so glad you asked Stubatt this. I like to 12 00:00:30,040 --> 00:00:35,200 Speaker 3: consider myself kind of the mini Darren Revel of Chotchkes. 13 00:00:35,600 --> 00:00:39,800 Speaker 3: You know Darren Revel. He has the largest collection of 14 00:00:40,240 --> 00:00:44,000 Speaker 3: MLK memorabilia in the world. I happen to like Darren 15 00:00:44,040 --> 00:00:47,440 Speaker 3: Revel by the way, Northwestern guy. Yes, your kind of guy, 16 00:00:47,479 --> 00:00:49,599 Speaker 3: no doubt about it. Totally my kind of guy. He 17 00:00:49,640 --> 00:00:53,240 Speaker 3: gets ripped online. I love him. I can't get enough 18 00:00:53,280 --> 00:00:56,320 Speaker 3: of Darren Revel. And he did this whole story the 19 00:00:56,360 --> 00:00:59,520 Speaker 3: other day on social media. He got you know this. 20 00:01:00,080 --> 00:01:02,320 Speaker 3: I mean, Taylor's too young to know, and you're probably 21 00:01:02,440 --> 00:01:05,920 Speaker 3: just too fried to know. But you remember dB Cooper, 22 00:01:06,120 --> 00:01:11,280 Speaker 3: the old the guy dB Cooper. He he like stole 23 00:01:11,319 --> 00:01:12,800 Speaker 3: a bunch of money and then jumped out of a 24 00:01:12,800 --> 00:01:15,600 Speaker 3: moving aircraft. He's never been found something like that. It's 25 00:01:15,600 --> 00:01:16,319 Speaker 3: an old story. 26 00:01:16,440 --> 00:01:17,520 Speaker 2: Seems like my kind of guy. 27 00:01:17,760 --> 00:01:22,919 Speaker 3: Yeah, regardless, Darren Ravell bought the airline ticket this week 28 00:01:23,040 --> 00:01:26,280 Speaker 3: of the person who was sitting next to dB Cooper. 29 00:01:26,640 --> 00:01:29,400 Speaker 3: And I can't imagine that anyone found that interesting other 30 00:01:29,480 --> 00:01:32,120 Speaker 3: than me. I was like, wow, well that's interesting. 31 00:01:32,760 --> 00:01:34,280 Speaker 2: Else knows who dB Cooper is. 32 00:01:34,520 --> 00:01:36,759 Speaker 3: This is like from the sixties, you know. He's like, oh, 33 00:01:36,800 --> 00:01:40,720 Speaker 3: I got the airline ticket from the guy sitting next 34 00:01:40,800 --> 00:01:47,040 Speaker 3: to dB Cooper. Anyway, Yes, I bought this McDonald's breakfast 35 00:01:47,680 --> 00:01:50,120 Speaker 3: Thanksgiving shirt. I don't know how well you can see 36 00:01:50,160 --> 00:01:52,400 Speaker 3: it on the screen. Didn't see well yeah I could 37 00:01:52,400 --> 00:01:55,840 Speaker 3: see it. Yeah. Yeah. It's like a breakfast special for 38 00:01:55,960 --> 00:02:00,360 Speaker 3: Thanksgiving and I was the So I was the lucky 39 00:02:00,560 --> 00:02:04,760 Speaker 3: purveyor of this shirt. Again, I'm a mini Darren ravel 40 00:02:05,520 --> 00:02:09,040 Speaker 3: Anyone can buy it. Just search it on Vintage, Vintage 41 00:02:09,160 --> 00:02:13,240 Speaker 3: and Instagram pretty much knows what I want to buy. 42 00:02:13,200 --> 00:02:14,800 Speaker 2: Yeah, I need to announce this anymore. 43 00:02:14,840 --> 00:02:16,720 Speaker 1: No one is clamoring to take the lane of the 44 00:02:16,760 --> 00:02:18,120 Speaker 1: mini deaths like that. 45 00:02:18,200 --> 00:02:20,000 Speaker 3: Do you see the hotcakes? 46 00:02:20,120 --> 00:02:23,800 Speaker 1: I see it nineteen ninety It says Thanksgiving. 47 00:02:23,919 --> 00:02:27,400 Speaker 3: So I wear this once a year, you know, like 48 00:02:27,480 --> 00:02:31,639 Speaker 3: the anniversary of Kobe's death. May he rest in peace. 49 00:02:32,080 --> 00:02:35,480 Speaker 3: I think Darren Revel dresses like Kobe. He has a 50 00:02:35,480 --> 00:02:39,640 Speaker 3: game warn jersey and he's got shoes and like, so 51 00:02:40,120 --> 00:02:43,680 Speaker 3: for me the day before Thanksgiving, because this would be 52 00:02:43,800 --> 00:02:47,160 Speaker 3: ridiculous attire for a Thanksgiving meal. So for me, the 53 00:02:47,280 --> 00:02:52,519 Speaker 3: day before Thanksgiving, I wear this shirt and and I 54 00:02:52,960 --> 00:02:55,280 Speaker 3: try to you know, it's a it's a great, it's 55 00:02:55,280 --> 00:02:58,279 Speaker 3: a great I don't know, a party starter. 56 00:02:58,280 --> 00:03:04,840 Speaker 1: Right, Chochki Man, Darren Ravel, listen, if you could do 57 00:03:04,880 --> 00:03:07,720 Speaker 1: it all over again, Like did Darren Ravel steal your lane? 58 00:03:07,760 --> 00:03:10,680 Speaker 1: Like if you could choose one person's career in the media. 59 00:03:10,440 --> 00:03:16,240 Speaker 3: Yes, yes, like nonsensical stuff. You're one hundred percent correct. 60 00:03:16,480 --> 00:03:18,840 Speaker 3: If I could do that, well, there's two things that 61 00:03:18,880 --> 00:03:22,519 Speaker 3: I would want to do. I want to cover food 62 00:03:22,600 --> 00:03:29,360 Speaker 3: courts the way that Barry Jackson covers media. You know, 63 00:03:29,480 --> 00:03:31,919 Speaker 3: he's just got his hand in everything. 64 00:03:34,160 --> 00:03:35,480 Speaker 2: I love every food court. 65 00:03:35,760 --> 00:03:38,760 Speaker 3: I love food courts, always have. I would do that, 66 00:03:38,840 --> 00:03:42,200 Speaker 3: But Darren Ravel has my kind of thing, which is 67 00:03:43,040 --> 00:03:45,880 Speaker 3: you wake up in the morning and it's like you 68 00:03:45,920 --> 00:03:47,440 Speaker 3: know what I would like to get. I'd like to 69 00:03:47,440 --> 00:03:51,080 Speaker 3: get the pencil that Ali Sheety was holding in Breakfast 70 00:03:51,080 --> 00:03:55,000 Speaker 3: Club during that and like that's it, but like that's 71 00:03:55,040 --> 00:03:57,240 Speaker 3: his day and I love that, I really do. 72 00:03:57,280 --> 00:03:58,480 Speaker 2: And I know he gets heat. 73 00:03:58,360 --> 00:04:00,720 Speaker 3: For stuff like that, but I'm like that makes like 74 00:04:01,120 --> 00:04:04,280 Speaker 3: he's probably gonna spend you know, yeah, I love uncut Gems. 75 00:04:04,280 --> 00:04:07,839 Speaker 3: You watch on cut Gems. No greatest movie of all time, 76 00:04:07,880 --> 00:04:11,440 Speaker 3: top ten movie of all time, but Adam Sandler, Howie, 77 00:04:11,760 --> 00:04:14,880 Speaker 3: Adam's the one that has frances in it, right, Yes, 78 00:04:15,560 --> 00:04:17,600 Speaker 3: brilliant cameo by Francesa. 79 00:04:17,720 --> 00:04:20,599 Speaker 2: Yes I heard he was great. Yes, yea movie is great. 80 00:04:20,800 --> 00:04:25,600 Speaker 3: But Sandler's got to track down this Opal from Ethiopia, 81 00:04:26,400 --> 00:04:29,360 Speaker 3: and he spends over a year trying to get this 82 00:04:29,680 --> 00:04:34,920 Speaker 3: Opal from Ethiopia. And that's what ravel does with the 83 00:04:34,960 --> 00:04:39,200 Speaker 3: beret from Farris Bueller's Day Off that Manthew Broderick was wearing, 84 00:04:39,600 --> 00:04:42,200 Speaker 3: like he's he like you know what I mean, Like 85 00:04:42,279 --> 00:04:45,120 Speaker 3: Adam Sandler was doing that because he saw a million 86 00:04:45,200 --> 00:04:47,160 Speaker 3: dollar payday at the end if I can get one 87 00:04:47,160 --> 00:04:51,000 Speaker 3: of these opals, and Revel does it and it's really 88 00:04:51,080 --> 00:04:53,720 Speaker 3: just for fun, but he like, you know, he wakes 89 00:04:53,800 --> 00:04:56,400 Speaker 3: up in the morning and it's like, yeah, I gotta 90 00:04:56,440 --> 00:05:00,320 Speaker 3: get the beret that Matthew Broderick was wearing in Ferris 91 00:05:00,360 --> 00:05:03,880 Speaker 3: Bueller's Day Off, And where do I start this journey? 92 00:05:04,279 --> 00:05:07,520 Speaker 3: And he goes out and he finds it, he gets it. 93 00:05:07,839 --> 00:05:10,159 Speaker 3: I kind of did the same thing with this Thanksgiving 94 00:05:10,200 --> 00:05:13,720 Speaker 3: T shirt. You've never seen anyone wear this before, right, No? Never? Right? 95 00:05:14,040 --> 00:05:17,120 Speaker 3: So I started my search. I was on Instagram and 96 00:05:17,320 --> 00:05:20,919 Speaker 3: it found me. Wow, I bought it. It bought you 97 00:05:21,880 --> 00:05:24,760 Speaker 3: and I've been wearing it the day before Thanksgiving many 98 00:05:24,800 --> 00:05:25,320 Speaker 3: many years. 99 00:05:25,360 --> 00:05:25,720 Speaker 2: Okay. 100 00:05:25,880 --> 00:05:28,240 Speaker 4: So it looks like Uncut Gems got a fifty two 101 00:05:28,320 --> 00:05:30,599 Speaker 4: percent on Rotten Tomatoes from the audience. 102 00:05:31,080 --> 00:05:35,480 Speaker 3: Uncut Gems is so unfairly maligned. Another thing that. 103 00:05:35,680 --> 00:05:37,400 Speaker 1: Was the audience score, because I don't care what the 104 00:05:37,400 --> 00:05:38,640 Speaker 1: fucking critics have to say. 105 00:05:38,720 --> 00:05:40,280 Speaker 2: If the audience liked it, they liked it. 106 00:05:40,560 --> 00:05:43,440 Speaker 4: The critics gave it a ninety one percent, the audience 107 00:05:43,480 --> 00:05:44,560 Speaker 4: gave it a fifty two. 108 00:05:44,720 --> 00:05:46,120 Speaker 2: Okay. So in this case I saw it with the 109 00:05:46,160 --> 00:05:46,760 Speaker 2: critics from No. 110 00:05:46,960 --> 00:05:49,839 Speaker 3: Why because the audience are a bunch of pussies. They 111 00:05:50,200 --> 00:05:53,200 Speaker 3: everyone whenever I talk about Uncut Gems, Whenever I talk 112 00:05:53,240 --> 00:05:55,480 Speaker 3: about Uncut Gems. It was, Oh, it's it's a it's 113 00:05:55,520 --> 00:05:57,960 Speaker 3: a tough watch. It's too tense. I'm on the edge 114 00:05:57,960 --> 00:05:59,719 Speaker 3: of my seat the entire time, and that's what I 115 00:05:59,720 --> 00:06:02,120 Speaker 3: love about it. But another thing that Revel and I 116 00:06:02,200 --> 00:06:06,680 Speaker 3: agree about. Revel says clearly, Adam Sandler got robbed of 117 00:06:06,720 --> 00:06:10,640 Speaker 3: an Oscar nomination for that movie, and I won hundred 118 00:06:10,880 --> 00:06:15,919 Speaker 3: percent agree. His acting in that movie was phenomenal. And 119 00:06:15,960 --> 00:06:21,400 Speaker 3: you know who else was great in that movie, Kevin Garnett. Well, wow, 120 00:06:21,680 --> 00:06:27,800 Speaker 3: big ticket playing Kevin garnetto cameo. I mean, but it's 121 00:06:27,839 --> 00:06:31,200 Speaker 3: not a cameo. He's a co star. He's Kevin Garnett. 122 00:06:31,240 --> 00:06:34,880 Speaker 3: But he role perfectly. 123 00:06:34,520 --> 00:06:39,280 Speaker 1: Right, angry, starting fights but never actually finishing the fight. 124 00:06:39,680 --> 00:06:42,039 Speaker 3: Right. I'm telling you that movie top ten movie of 125 00:06:42,080 --> 00:06:44,760 Speaker 3: all time. That's not even shtick. Top ten movie of 126 00:06:44,760 --> 00:06:45,159 Speaker 3: all time. 127 00:06:46,200 --> 00:06:48,840 Speaker 1: I think the objection to that movie was Sandler, who's 128 00:06:48,839 --> 00:06:51,200 Speaker 1: a comedian, tried to take himself seriously right. 129 00:06:51,320 --> 00:06:55,240 Speaker 3: That was well, it was his first endeavor into a 130 00:06:55,360 --> 00:06:57,960 Speaker 3: serious role, for sure, but it was believable. A lot 131 00:06:57,960 --> 00:07:00,800 Speaker 3: of times that stuff doesn't work right, and it worked 132 00:07:00,839 --> 00:07:03,039 Speaker 3: with him. That movie is phenomenal on every level. 133 00:07:03,360 --> 00:07:04,600 Speaker 2: So Ravel has the lane. 134 00:07:04,600 --> 00:07:07,680 Speaker 1: But the lane of a food court review is something 135 00:07:07,680 --> 00:07:09,680 Speaker 1: that I would like you should take it. 136 00:07:09,680 --> 00:07:12,960 Speaker 2: It should be yours. You should go to different food courts. 137 00:07:13,000 --> 00:07:15,680 Speaker 1: You should give everyone a review, stick your hand in 138 00:07:15,760 --> 00:07:17,520 Speaker 1: all the dishes, get a cut, you know, get. 139 00:07:17,360 --> 00:07:20,160 Speaker 2: A free lunch, or like i'd no. 140 00:07:20,320 --> 00:07:22,720 Speaker 3: I'm trying to be the portnoy of avocado toast as well. 141 00:07:22,960 --> 00:07:26,440 Speaker 3: That gets a very similar care thunder carriage is important. 142 00:07:26,520 --> 00:07:28,960 Speaker 3: But the undercarriage, like avocado toast, there's a lot. I mean, 143 00:07:28,960 --> 00:07:30,320 Speaker 3: one bite. Everybody knows the rules. 144 00:07:30,560 --> 00:07:34,520 Speaker 1: Listen, Taylor, if you had Hawk okay at the at 145 00:07:34,520 --> 00:07:37,600 Speaker 1: the Boca Mall and he is taking you around a 146 00:07:37,600 --> 00:07:39,600 Speaker 1: food court and giving you a review, is that not 147 00:07:39,720 --> 00:07:42,440 Speaker 1: something you'd be I'm being dead serious here. I would 148 00:07:42,440 --> 00:07:44,360 Speaker 1: be glued to that on a weekly basis. Can we 149 00:07:44,400 --> 00:07:44,920 Speaker 1: get it done? 150 00:07:46,200 --> 00:07:47,040 Speaker 3: YEA in Heaven? 151 00:07:47,360 --> 00:07:49,679 Speaker 2: Yes? So my go in Heaven, yeah. 152 00:07:49,840 --> 00:07:54,360 Speaker 4: My go to at food courts is always sesame chicken. 153 00:07:54,640 --> 00:07:57,480 Speaker 4: So if Hawk had a database that said where can 154 00:07:57,520 --> 00:08:00,960 Speaker 4: I get the best sesame chicken in food court, I'd 155 00:08:00,960 --> 00:08:01,680 Speaker 4: be all in for that. 156 00:08:02,040 --> 00:08:06,000 Speaker 3: So I do have a take on any food court chicken, 157 00:08:06,080 --> 00:08:10,240 Speaker 3: sesame chicken bourbon chicken all the you know, the the 158 00:08:10,360 --> 00:08:14,040 Speaker 3: chicken where they flop it onto the plate and there's 159 00:08:14,080 --> 00:08:15,360 Speaker 3: a bed of rice there. 160 00:08:15,520 --> 00:08:17,800 Speaker 2: The bourbon chicken is always the free sample. 161 00:08:17,440 --> 00:08:19,960 Speaker 3: Though, right bourbon chicken, you can usually fill up on 162 00:08:20,040 --> 00:08:22,559 Speaker 3: that just walking in circles a few times if you want. 163 00:08:22,680 --> 00:08:25,640 Speaker 3: But I may have done this bit. I can't remember 164 00:08:25,680 --> 00:08:27,480 Speaker 3: if it was on the Levatard Show or not, but 165 00:08:28,120 --> 00:08:31,760 Speaker 3: I have a take on that, which is, there is 166 00:08:31,920 --> 00:08:38,520 Speaker 3: no better chicken than sesame chicken, bourbon chicken, honey garlic chicken. 167 00:08:39,040 --> 00:08:41,640 Speaker 3: Add a food court if. 168 00:08:42,880 --> 00:08:43,800 Speaker 2: You eat the. 169 00:08:43,880 --> 00:08:48,240 Speaker 3: Entire piece all at once, So you're gonna have what 170 00:08:48,880 --> 00:08:52,840 Speaker 3: nine to twelve chunks of chicken right on that plate, tailor, 171 00:08:53,240 --> 00:08:55,400 Speaker 3: it's gonna be about nine to twelve chunks of chicken, 172 00:08:56,000 --> 00:09:00,319 Speaker 3: and they're gonna be glazed in the I mean, the tangyest, 173 00:09:00,720 --> 00:09:05,840 Speaker 3: most tasty glaze you've ever put your mouth on yet. 174 00:09:06,640 --> 00:09:10,640 Speaker 3: But if you cut that piece of chicken open, you're 175 00:09:10,640 --> 00:09:15,160 Speaker 3: going to see beaks, talons, feathers, You're going to see 176 00:09:15,240 --> 00:09:20,360 Speaker 3: meat that you didn't know chickens had. Because spoiler alert, 177 00:09:21,200 --> 00:09:25,600 Speaker 3: the food courts are not known for buying high quality chicken. 178 00:09:27,480 --> 00:09:30,640 Speaker 3: So if you can eat each chunk. Now, every now 179 00:09:30,679 --> 00:09:32,640 Speaker 3: and then correct me if I'm wrong, tailor, you'll get 180 00:09:32,640 --> 00:09:35,160 Speaker 3: a chunk too big to eat on its own. It 181 00:09:35,200 --> 00:09:38,120 Speaker 3: has to be cut. That piece has to be brought 182 00:09:38,320 --> 00:09:42,840 Speaker 3: directly to a garbage can. You cannot open the food 183 00:09:42,880 --> 00:09:46,760 Speaker 3: court chicken in you know, again, unless you like a beak, 184 00:09:47,600 --> 00:09:52,760 Speaker 3: a talon, a feather. But what you see inside that 185 00:09:52,800 --> 00:09:55,800 Speaker 3: piece of chicken is going to startle you if. 186 00:09:55,679 --> 00:09:56,880 Speaker 2: You don't want to see the insides. 187 00:09:57,200 --> 00:09:58,960 Speaker 3: You don't want to see the insides. 188 00:09:59,120 --> 00:10:02,520 Speaker 4: Every time I what are the sesame chicken? I enjoyed 189 00:10:02,559 --> 00:10:04,800 Speaker 4: in the moment, but even when I'm eating it, I'm like, 190 00:10:04,880 --> 00:10:06,760 Speaker 4: I know, I'm gonna regret this in like ten minutes. 191 00:10:06,960 --> 00:10:12,200 Speaker 3: Yes, well, sure, it's hard to it's hard to digest beaks, talent's. 192 00:10:16,360 --> 00:10:20,559 Speaker 1: It's a great take. You have to go directly to 193 00:10:20,640 --> 00:10:22,439 Speaker 1: the garbage. Let me see if I can get you 194 00:10:22,480 --> 00:10:24,679 Speaker 1: guys on these shirts. Yeah, please do next year. 195 00:10:24,840 --> 00:10:26,400 Speaker 3: Next year, we'll all wear these shirts today. 196 00:10:26,920 --> 00:10:29,640 Speaker 1: I love you very much. I'm excited for whatever our 197 00:10:29,679 --> 00:10:32,040 Speaker 1: next project is. And I know we've spoken about it 198 00:10:32,040 --> 00:10:33,720 Speaker 1: on the air, and I know we're supposed to launch 199 00:10:33,800 --> 00:10:35,800 Speaker 1: it on Monday. I just don't know what it is, 200 00:10:35,840 --> 00:10:38,559 Speaker 1: So why don't you tell the audience and Taylor what 201 00:10:38,600 --> 00:10:40,520 Speaker 1: it is and me what it is that we're going 202 00:10:40,559 --> 00:10:42,880 Speaker 1: to be doing three days a week a brand new podcast. 203 00:10:43,000 --> 00:10:46,240 Speaker 3: Very excited, correct, we are excited. And it's with Stu 204 00:10:46,320 --> 00:10:52,680 Speaker 3: Gotts and Hawkman, which is the actual big voice open 205 00:10:53,000 --> 00:10:55,240 Speaker 3: to the old show when I put my name on 206 00:10:55,320 --> 00:10:57,880 Speaker 3: the show. Finally, much to the chagrin of Dan and 207 00:10:57,920 --> 00:10:59,920 Speaker 3: Stug Gotts, when I put my name on the show 208 00:11:00,400 --> 00:11:04,079 Speaker 3: the big Voice, it was the Dan Levitard Show with 209 00:11:04,240 --> 00:11:08,360 Speaker 3: Stu Gotts and Hawkman. Yes, with Stu Gotts and Hawkman. 210 00:11:09,120 --> 00:11:10,839 Speaker 3: Now I would have called it with Stu Gotts and 211 00:11:10,920 --> 00:11:16,120 Speaker 3: hawk but more proof that I didn't just unilaterally put 212 00:11:16,120 --> 00:11:18,640 Speaker 3: my name on the show. But regardless, you're going to 213 00:11:18,760 --> 00:11:22,960 Speaker 3: use that same audio and uh. And when we announced this, 214 00:11:23,120 --> 00:11:25,760 Speaker 3: because we have mentioned this a couple of times when 215 00:11:25,760 --> 00:11:27,600 Speaker 3: we had Frank calli Endo on we talked with him 216 00:11:27,600 --> 00:11:31,840 Speaker 3: about it. But on Instagram I have received because what 217 00:11:31,880 --> 00:11:34,680 Speaker 3: I said was DM me, whatever you want to hear 218 00:11:34,960 --> 00:11:37,120 Speaker 3: me and Stug Gotts talk about from the old days 219 00:11:37,120 --> 00:11:38,960 Speaker 3: of the Levatar Show, because we want to relive some 220 00:11:39,000 --> 00:11:41,560 Speaker 3: of this stuff. I've been holding some audio I've been 221 00:11:41,600 --> 00:11:44,200 Speaker 3: sending a lot of it to Taylor. I mean it's 222 00:11:44,360 --> 00:11:48,679 Speaker 3: I mean, stuff that's like so niche, but real old 223 00:11:48,800 --> 00:11:50,520 Speaker 3: fans of the show get a kick out of it, 224 00:11:50,559 --> 00:11:53,680 Speaker 3: because I know I have. I have gotten so many 225 00:11:53,720 --> 00:11:58,400 Speaker 3: direct messages from people who are saying, Hey, here's what 226 00:11:58,480 --> 00:12:00,480 Speaker 3: I want to hear you guys talk about, and it's 227 00:12:00,520 --> 00:12:03,240 Speaker 3: stuff that like you would go huh. But I'll read 228 00:12:03,240 --> 00:12:05,280 Speaker 3: you a couple of dms. Just listen to your intro 229 00:12:05,400 --> 00:12:10,040 Speaker 3: for the upcoming Levittard Memories podcast. You had already left 230 00:12:10,040 --> 00:12:12,200 Speaker 3: the show, but I went to a meet and greet 231 00:12:12,240 --> 00:12:16,839 Speaker 3: at a sports bar where the promotion was Dan and 232 00:12:16,960 --> 00:12:21,640 Speaker 3: Stu Gotts and Colin Cowhard. Yes, got to talk to 233 00:12:21,760 --> 00:12:24,880 Speaker 3: Dan for the first time, and he had no hesitations 234 00:12:24,920 --> 00:12:29,120 Speaker 3: about his opinions of the herd. I was wondering what 235 00:12:29,200 --> 00:12:33,760 Speaker 3: your and Stu Gotts's encounters and relationships are with that guy. 236 00:12:34,880 --> 00:12:37,200 Speaker 3: I'll hang up and listen. I didn't know that you, 237 00:12:37,520 --> 00:12:40,120 Speaker 3: Dan and Colin Cowhard had done it and appeared. 238 00:12:40,400 --> 00:12:49,079 Speaker 1: This is the first I'm hearing of it. 239 00:12:49,160 --> 00:12:49,640 Speaker 2: Was it good? 240 00:12:53,840 --> 00:12:56,520 Speaker 3: Here's the one As a person who fell in love 241 00:12:56,600 --> 00:12:59,760 Speaker 3: with the entire I gotta tell you four hour compilation 242 00:12:59,840 --> 00:13:03,200 Speaker 3: on YouTube two years ago living in Wisconsin. I want 243 00:13:03,240 --> 00:13:06,680 Speaker 3: stories about that and all the things you and Stu 244 00:13:06,720 --> 00:13:08,280 Speaker 3: Gott's did to piss off Dan. 245 00:13:08,559 --> 00:13:09,680 Speaker 2: Oh god, there's funny. 246 00:13:10,440 --> 00:13:14,160 Speaker 3: Did we ever intentionally, like, did we ever intentionally say 247 00:13:14,200 --> 00:13:16,680 Speaker 3: to ourselves, hey, let's piss him off? Or was it 248 00:13:16,840 --> 00:13:25,600 Speaker 3: just our personalities are so grating after a while that. 249 00:13:22,240 --> 00:13:26,160 Speaker 1: He could that eventually we're just going to piss you off, right, yeah. 250 00:13:25,960 --> 00:13:29,600 Speaker 3: Pretty much anyone that's around us for any long period 251 00:13:29,600 --> 00:13:32,640 Speaker 3: of time. Like, I liked it because when we when 252 00:13:32,679 --> 00:13:34,200 Speaker 3: we do, and we'll do an episode on it. But 253 00:13:34,240 --> 00:13:36,760 Speaker 3: when we did, I got Italian, I got news for you. 254 00:13:36,880 --> 00:13:39,760 Speaker 3: And I'm embarrassed to say this, but it was I 255 00:13:39,800 --> 00:13:43,680 Speaker 3: thought funny. That was like a funny, clever radio benchmark. 256 00:13:43,760 --> 00:13:46,240 Speaker 3: He turned on it at some point, and I don't 257 00:13:46,280 --> 00:13:50,760 Speaker 3: know why he hated it, and probably probably because it 258 00:13:50,800 --> 00:13:54,679 Speaker 3: featured us way too much. That could be. That could be. 259 00:13:55,120 --> 00:13:58,640 Speaker 3: It was another it was another lane for my spreading 260 00:13:58,679 --> 00:13:59,280 Speaker 3: my wings. 261 00:13:59,559 --> 00:14:01,760 Speaker 1: But in aareness to you, it was a great idea 262 00:14:01,920 --> 00:14:04,440 Speaker 1: and we were just trying to create a radio show, 263 00:14:04,480 --> 00:14:09,000 Speaker 1: a sports radio show with Dan's direction that felt different, 264 00:14:09,120 --> 00:14:12,320 Speaker 1: that didn't feel like everything else and I think what 265 00:14:12,440 --> 00:14:15,400 Speaker 1: you and I kind of stumbled upon early on and 266 00:14:15,480 --> 00:14:18,800 Speaker 1: working together was there are just a few catchphrases at 267 00:14:18,800 --> 00:14:21,320 Speaker 1: sports radio, like I gotta tell you. 268 00:14:21,400 --> 00:14:23,240 Speaker 3: I gotta tell you, you know what now that you 269 00:14:23,320 --> 00:14:27,200 Speaker 3: say that, yes, I think Dan had said something along 270 00:14:27,280 --> 00:14:31,080 Speaker 3: the lines of, you know, anyone who starts a sentence 271 00:14:31,280 --> 00:14:34,720 Speaker 3: with I gotta tell you, yes, something boring is coming 272 00:14:34,800 --> 00:14:38,200 Speaker 3: up and it's nothing that needs to be prefaced with 273 00:14:38,440 --> 00:14:40,120 Speaker 3: I gotta tell you, And I think you and I 274 00:14:40,240 --> 00:14:42,920 Speaker 3: were like, no, no, if you say I gotta tell you, 275 00:14:43,400 --> 00:14:47,000 Speaker 3: that's an attention grabber, you follow that with something important. 276 00:14:47,040 --> 00:14:49,560 Speaker 3: And that's actually where like the food court chicken thing 277 00:14:49,640 --> 00:14:51,480 Speaker 3: would come in Taylor, where it would be you know, 278 00:14:51,800 --> 00:14:55,160 Speaker 3: I gotta tell you, Yes, food court chicken is delightful, 279 00:14:55,760 --> 00:14:58,640 Speaker 3: but never cut the piece open, right. 280 00:14:58,760 --> 00:15:00,680 Speaker 1: I gotta tell you is one of the building block 281 00:15:00,760 --> 00:15:04,400 Speaker 1: phrases of sports radio, and so like it really right, 282 00:15:04,440 --> 00:15:06,240 Speaker 1: and we just turned it into a funny segment and 283 00:15:06,280 --> 00:15:08,400 Speaker 1: made fun of the fact that people will say, I 284 00:15:08,480 --> 00:15:09,080 Speaker 1: gotta tell you. 285 00:15:09,480 --> 00:15:11,440 Speaker 2: It's kind of like what I'm trying to do, uh 286 00:15:11,840 --> 00:15:13,200 Speaker 2: with Taylor right now, because I. 287 00:15:13,120 --> 00:15:15,960 Speaker 1: Think another one of the building blocks of phrases of 288 00:15:16,000 --> 00:15:16,720 Speaker 1: sports radio. 289 00:15:16,800 --> 00:15:21,680 Speaker 2: Hok is what someone says, you can't. You can't. I 290 00:15:21,800 --> 00:15:25,040 Speaker 2: want to start a segment called you can't. 291 00:15:25,440 --> 00:15:29,400 Speaker 1: Like Clayton Kershaw goes out World Series game, throws a stinker, 292 00:15:29,680 --> 00:15:32,120 Speaker 1: you can't call yourself the greatest. 293 00:15:31,680 --> 00:15:34,320 Speaker 2: Pitcher in the game and go out and do that. 294 00:15:34,600 --> 00:15:35,560 Speaker 2: He loves you can't. 295 00:15:35,600 --> 00:15:38,080 Speaker 3: He's in, Yes, you can't do that is a great 296 00:15:38,080 --> 00:15:41,960 Speaker 3: sports radio phrase. That's a great sports radio phrase. You can't. 297 00:15:42,240 --> 00:15:44,840 Speaker 4: One of the best parts about the I Gotta tell you, 298 00:15:45,040 --> 00:15:48,640 Speaker 4: just as a quick side, is that Stew's was always 299 00:15:48,720 --> 00:15:51,080 Speaker 4: just something that he had said twenty minutes before in. 300 00:15:51,040 --> 00:15:55,800 Speaker 1: The short but yes, yes, yeah, but not trying to 301 00:15:55,840 --> 00:15:57,440 Speaker 1: actively pissedand off right. 302 00:15:57,680 --> 00:16:00,440 Speaker 3: And it was really all he had to say was 303 00:16:00,680 --> 00:16:03,720 Speaker 3: I gotta tell you, I'm not prepared for this again. 304 00:16:04,160 --> 00:16:06,240 Speaker 3: That really could have been the punch. 305 00:16:07,880 --> 00:16:08,200 Speaker 2: Of that. 306 00:16:08,920 --> 00:16:13,360 Speaker 3: Somebody dm me on Instagram don't underestimate because I had 307 00:16:13,400 --> 00:16:15,520 Speaker 3: said when we were talking about this, I don't know 308 00:16:15,520 --> 00:16:16,960 Speaker 3: how many people will get a kick out of this 309 00:16:17,080 --> 00:16:20,240 Speaker 3: or not, you know, us doing a podcast with Stubotts 310 00:16:20,280 --> 00:16:24,880 Speaker 3: and Hawkman and somebody dm me, don't underestimate the degenerate 311 00:16:25,120 --> 00:16:29,560 Speaker 3: South Florida radio listeners. You guys are South Florida legends. 312 00:16:29,880 --> 00:16:33,360 Speaker 3: What you all did locally and you're still doing it 313 00:16:33,480 --> 00:16:37,720 Speaker 3: was truly generational. You know firsthand the listeners are some 314 00:16:37,800 --> 00:16:41,440 Speaker 3: of the craziest, wildest, and most deplorable people in the nation. 315 00:16:42,080 --> 00:16:45,200 Speaker 3: They were also some of the most witty, creative, dedicated, 316 00:16:45,240 --> 00:16:48,560 Speaker 3: and loyal people in the nation. I moved to Hialia 317 00:16:48,640 --> 00:16:51,560 Speaker 3: from Oregon in two thousand and four. That's obviously when 318 00:16:51,560 --> 00:16:55,320 Speaker 3: we started the show. I ran a greyhound kennel at 319 00:16:55,360 --> 00:16:58,120 Speaker 3: Flagler and Hollywood. I don't have to tell you what 320 00:16:58,200 --> 00:17:01,480 Speaker 3: a culture shock it was going from Portland to Hyaliah 321 00:17:01,520 --> 00:17:05,639 Speaker 3: with no prior knowledge of anything. Miami seven ninety the 322 00:17:05,680 --> 00:17:09,000 Speaker 3: ticket back then was my key hole to everything going 323 00:17:09,040 --> 00:17:12,760 Speaker 3: on in South Florida. Can't wait for you guys to 324 00:17:12,880 --> 00:17:15,600 Speaker 3: relive some of those moments, and that's what everyone wants. 325 00:17:15,600 --> 00:17:20,400 Speaker 3: Here's a DM request for the Stu Hawk podcast. Everything 326 00:17:20,440 --> 00:17:24,080 Speaker 3: about Wannie Mustash's remember hearing about it at the time 327 00:17:24,119 --> 00:17:27,480 Speaker 3: and being from Minneapolis, so I was incredibly jealous because 328 00:17:27,480 --> 00:17:31,560 Speaker 3: it was such a great idea. Somebody DM me Sam Snead, 329 00:17:31,840 --> 00:17:35,920 Speaker 3: My god, can you revisit Lombardo with Stu Gott's on 330 00:17:35,960 --> 00:17:38,640 Speaker 3: the new podcast. We will do that. Yes, So there's 331 00:17:38,960 --> 00:17:41,639 Speaker 3: a bunch of dms you can dm me. I'm super 332 00:17:41,680 --> 00:17:46,240 Speaker 3: active on social media. It's Radio Mark Hakman on Instagram. 333 00:17:46,480 --> 00:17:49,240 Speaker 3: If you want to DM me stuff that you want 334 00:17:49,240 --> 00:17:52,520 Speaker 3: to hear us talking about, because and I know we're 335 00:17:52,520 --> 00:17:53,400 Speaker 3: going to wrap it up. 336 00:17:53,400 --> 00:17:55,200 Speaker 2: And it could be new stuff too, by the way. 337 00:17:55,200 --> 00:17:57,399 Speaker 3: It can be anything, because we've talked about doing the 338 00:17:57,440 --> 00:18:01,119 Speaker 3: mount rushmores of different sports radio market. I mean, we 339 00:18:01,280 --> 00:18:04,280 Speaker 3: just like shooting the ship obviously, but there's like some 340 00:18:04,400 --> 00:18:07,760 Speaker 3: Levotard Show stuff. And again it's Radio Mark Hawkman on Instagram. 341 00:18:07,800 --> 00:18:09,679 Speaker 3: If you want to DM me stuff that you'd like 342 00:18:09,720 --> 00:18:12,040 Speaker 3: to hear us reminisce about. 343 00:18:12,240 --> 00:18:15,119 Speaker 1: If you want to dm Taylor's at Stu got seven ninety, 344 00:18:15,320 --> 00:18:17,399 Speaker 1: well that's why I didn't. I don't think you do 345 00:18:17,440 --> 00:18:18,680 Speaker 1: you ever check social media? 346 00:18:19,280 --> 00:18:20,920 Speaker 2: I can't access my social media. 347 00:18:20,960 --> 00:18:23,520 Speaker 3: Taylor has all the passwords because yesterday I got a 348 00:18:23,560 --> 00:18:28,160 Speaker 3: tweet from someone that said, what happened to your podcast 349 00:18:28,280 --> 00:18:33,240 Speaker 3: with Stu Gotts And I wrote, I responded, Stu Gott's happened. 350 00:18:34,440 --> 00:18:37,040 Speaker 3: That's a fair because this was supposed to start like 351 00:18:37,280 --> 00:18:40,359 Speaker 3: early November, And I wrote stug Gott's happened and it 352 00:18:40,520 --> 00:18:46,439 Speaker 3: got a million likes. All the old Levatard listeners, you know, 353 00:18:46,560 --> 00:18:51,080 Speaker 3: every everyone had. They all understand gods. 354 00:18:51,080 --> 00:18:54,040 Speaker 2: Once ye had nothing to do with you or Taylor. 355 00:18:54,320 --> 00:18:59,679 Speaker 3: But uh, someone a dm me on Instagram and it said, 356 00:19:00,119 --> 00:19:02,080 Speaker 3: and I know I sent Taylor the sound, but we'll 357 00:19:02,080 --> 00:19:07,000 Speaker 3: do an episode on this. Oh it's so macaroni. 358 00:19:07,480 --> 00:19:09,600 Speaker 2: Oh God, do you know what that's from? 359 00:19:09,920 --> 00:19:10,000 Speaker 3: No? 360 00:19:10,080 --> 00:19:14,400 Speaker 1: I remember the frame rate with that phrase. 361 00:19:14,760 --> 00:19:17,280 Speaker 3: For a while at the beginning of the Levantard Show, 362 00:19:17,440 --> 00:19:21,200 Speaker 3: we would we would punch everything with it's so macaroni? 363 00:19:21,920 --> 00:19:23,680 Speaker 3: Do you have any idea what that's from? 364 00:19:24,320 --> 00:19:27,240 Speaker 1: Hawk's connection has dropped. Dan cut the line. But it's 365 00:19:27,280 --> 00:19:31,119 Speaker 1: the perfect cliffhanger. It is Taylor the perfect cliff cliffhanger 366 00:19:31,160 --> 00:19:34,520 Speaker 1: to find out next week what it's so Macaroni means 367 00:19:34,560 --> 00:19:36,720 Speaker 1: and where it came from. And I don't know how 368 00:19:36,720 --> 00:19:37,520 Speaker 1: he remembers it. 369 00:19:38,040 --> 00:19:39,760 Speaker 2: I really don't. I have no idea. 370 00:19:39,840 --> 00:19:41,920 Speaker 1: So Taylor, we're going to start this. It's going to 371 00:19:41,960 --> 00:19:46,080 Speaker 1: be three days a week with Stugatti Hawk. The first 372 00:19:46,080 --> 00:19:47,960 Speaker 1: episode is going to be Monday. So if people want 373 00:19:47,960 --> 00:19:51,000 Speaker 1: to subscribe to the new podcast, you're you're going to 374 00:19:51,080 --> 00:19:54,080 Speaker 1: create a feed. They'll be able to do so probably 375 00:19:54,240 --> 00:19:56,520 Speaker 1: by Friday, hopefully, you know, definitely by Monday. 376 00:19:56,560 --> 00:19:58,840 Speaker 2: Is that fair? Correct? Okay? 377 00:19:59,119 --> 00:20:02,560 Speaker 1: All right, So Hawk's Internet went down. I'm excited, Taylor. 378 00:20:02,560 --> 00:20:03,399 Speaker 1: You're excited about this. 379 00:20:03,520 --> 00:20:06,560 Speaker 2: You love Hawk. You have grown to love Mark Cockman, 380 00:20:06,640 --> 00:20:07,000 Speaker 2: haven't you. 381 00:20:07,359 --> 00:20:12,119 Speaker 4: Yeah, somebody not from South Florida originally and maybe didn't 382 00:20:12,119 --> 00:20:15,399 Speaker 4: have the natural on ramp to listen to some people 383 00:20:15,440 --> 00:20:18,680 Speaker 4: talking about Miami sports specifically. 384 00:20:19,080 --> 00:20:20,760 Speaker 2: Yeah, it was kind. 385 00:20:20,560 --> 00:20:24,600 Speaker 4: Of the perfect entrance and being like a people can 386 00:20:24,680 --> 00:20:27,360 Speaker 4: talk about sports in a fun, a fun different way. 387 00:20:27,760 --> 00:20:27,920 Speaker 3: Right. 388 00:20:28,119 --> 00:20:30,399 Speaker 1: All right, So tell the audience again the title of 389 00:20:30,440 --> 00:20:33,280 Speaker 1: the show and they need to subscribe, rate and review 390 00:20:33,359 --> 00:20:34,440 Speaker 1: for me and Mark Cockman. 391 00:20:34,560 --> 00:20:37,840 Speaker 2: It is with Steve gottson Hawk. Is that what it is? 392 00:20:38,000 --> 00:20:38,400 Speaker 4: Correct? 393 00:20:38,800 --> 00:20:39,240 Speaker 2: Okay? 394 00:20:40,440 --> 00:20:43,480 Speaker 1: And we're creating the feed, okay, And we're creating a feed. 395 00:20:43,520 --> 00:20:45,760 Speaker 1: We don't have a feed yet, we're in the process, tailors, 396 00:20:45,800 --> 00:20:49,040 Speaker 1: in the process of creating a feed. It was jarring 397 00:20:49,040 --> 00:20:50,800 Speaker 1: the guy who moved from Portland to High A League. 398 00:20:50,840 --> 00:20:54,320 Speaker 1: I can't imagine what that was like, Tom, And we 399 00:20:54,320 --> 00:20:56,400 Speaker 1: weren't intentionally trying to piss Dan off. 400 00:20:56,440 --> 00:20:57,000 Speaker 2: But now we are