WEBVTT - WWF Classic: The Ice Storm from Hell

0:00:00.080 --> 0:00:02.840
<v Speaker 1>What's up everyone? Happy holidays to you. Here is another

0:00:03.160 --> 0:00:06.960
<v Speaker 1>unsanctioned favorite from the archives and Drew the show piece.

0:00:12.720 --> 0:00:15.200
<v Speaker 1>What's up, you guys, It's Freddy Brins Junior and we're

0:00:15.240 --> 0:00:19.360
<v Speaker 1>back with another episode of Wrestling with Freddy. Last week

0:00:19.400 --> 0:00:21.840
<v Speaker 1>we got pretty deep into the promo classes and some

0:00:21.880 --> 0:00:25.000
<v Speaker 1>of the cool exercises and the successes and failures of them.

0:00:25.320 --> 0:00:27.960
<v Speaker 1>So if you haven't heard that, please go back because

0:00:27.960 --> 0:00:32.000
<v Speaker 1>this is a continuation episode. But this episode we'll touch

0:00:32.040 --> 0:00:34.680
<v Speaker 1>a little bit more on what I thought is like

0:00:34.720 --> 0:00:37.559
<v Speaker 1>the most heartwarming moment I ever had in WWE. There

0:00:37.600 --> 0:00:42.519
<v Speaker 1>weren't many, but this time we're going into the ice Storm.

0:00:42.840 --> 0:00:46.160
<v Speaker 1>I have built this story up, so without further ado,

0:00:46.880 --> 0:00:50.720
<v Speaker 1>the Ice Storm, I Wrestling with Freddy. Wow. Stuffing up

0:00:50.760 --> 0:00:55.200
<v Speaker 1>to the mic. The host of Wrestling with Freddy Freddy

0:00:55.560 --> 0:01:00.720
<v Speaker 1>Price tune. All Right, you guys, I'm on the highway

0:01:00.840 --> 0:01:04.440
<v Speaker 1>with a makeup artist from Friday Night SmackDown back then,

0:01:04.480 --> 0:01:07.119
<v Speaker 1>even though we shot it on Tuesdays, and we're driving

0:01:07.160 --> 0:01:12.319
<v Speaker 1>I think from Memphis to Atlanta, and if that's about

0:01:12.319 --> 0:01:14.120
<v Speaker 1>a four hour drive then I'm right. If not, it

0:01:14.200 --> 0:01:16.600
<v Speaker 1>was another town. So we're on the freeway and we're

0:01:16.600 --> 0:01:20.280
<v Speaker 1>cruising down and it's late at night, probably probably about

0:01:20.319 --> 0:01:23.360
<v Speaker 1>ten thirty eleven o'clock at night. We're on the highway.

0:01:23.440 --> 0:01:27.400
<v Speaker 1>It's winter and there's snow on both sides of the road,

0:01:27.680 --> 0:01:30.520
<v Speaker 1>and there are no cars anywhere. We left much later

0:01:30.560 --> 0:01:33.039
<v Speaker 1>than everyone else. Usually you would like pass other wrestlers,

0:01:33.360 --> 0:01:35.319
<v Speaker 1>or wrestlers would pass you. This was before I was

0:01:35.319 --> 0:01:39.560
<v Speaker 1>on the jet. So we're cruising down. It's getting late,

0:01:39.640 --> 0:01:42.880
<v Speaker 1>we haven't seen anybody, and she's getting sleepy. Right. So

0:01:42.920 --> 0:01:45.320
<v Speaker 1>I'm cruising, but we have a map that remember there's

0:01:45.360 --> 0:01:47.960
<v Speaker 1>no map quest, there was no app on a phone

0:01:48.000 --> 0:01:50.360
<v Speaker 1>that told you I have We would print out maps

0:01:50.400 --> 0:01:52.520
<v Speaker 1>at the end of the show and that's how the

0:01:52.640 --> 0:01:54.680
<v Speaker 1>rookies like me you would get from town to town

0:01:55.120 --> 0:01:58.200
<v Speaker 1>before I was, thank god, on the Black and Red jet.

0:01:58.360 --> 0:02:01.640
<v Speaker 1>So we're cruising, I have my map. She's getting sleepy.

0:02:01.680 --> 0:02:04.640
<v Speaker 1>And as we're driving down the road, it's been about

0:02:04.640 --> 0:02:08.000
<v Speaker 1>twenty minutes, maybe thirty minutes. Like I said, there's snow everywhere.

0:02:08.280 --> 0:02:11.680
<v Speaker 1>I see some smoke down the highway. I'm like, what

0:02:11.720 --> 0:02:16.440
<v Speaker 1>the hell is that? Man? So I'm driving cruising down

0:02:16.480 --> 0:02:19.920
<v Speaker 1>this curve and now I see this like fire and

0:02:19.960 --> 0:02:22.440
<v Speaker 1>smoke and in the middle of the snow, and so

0:02:22.520 --> 0:02:25.399
<v Speaker 1>I slow the car down and I'm almost pulled over

0:02:25.440 --> 0:02:29.680
<v Speaker 1>at this point, and the loss of speed wakes up

0:02:29.680 --> 0:02:32.520
<v Speaker 1>the makeup artist and I go, what the hell is that?

0:02:33.400 --> 0:02:36.960
<v Speaker 1>And it's this gigantic tree that's fallen over. The roots

0:02:37.040 --> 0:02:42.040
<v Speaker 1>are uprooted, and it's on fire, straight, just burning in

0:02:42.120 --> 0:02:45.239
<v Speaker 1>the middle of nowhere. There's nobody around it. There's no cars,

0:02:45.280 --> 0:02:48.240
<v Speaker 1>there's no tire tracks anywhere. It's just a tree that

0:02:48.400 --> 0:02:51.120
<v Speaker 1>it looks like it's been struck by lightning. There's no lightning,

0:02:51.639 --> 0:02:54.880
<v Speaker 1>at least not to my knowledge, during a snowstorm in

0:02:54.960 --> 0:02:58.520
<v Speaker 1>the South. Maybe I'm wrong. Hit me up on social

0:02:59.160 --> 0:03:01.000
<v Speaker 1>So I'm slowing down and I've now I pulled the

0:03:01.000 --> 0:03:03.160
<v Speaker 1>car all the way over, and I go, what the

0:03:03.160 --> 0:03:05.960
<v Speaker 1>hell is that? And she goes, I don't know. And

0:03:06.000 --> 0:03:07.400
<v Speaker 1>I go, I'm gonna go check it out. She goes,

0:03:07.440 --> 0:03:09.760
<v Speaker 1>the hell you are? She goes, it's freezing outside. We're

0:03:09.760 --> 0:03:11.600
<v Speaker 1>going to Atlanta. I go, no, I just want to

0:03:11.639 --> 0:03:13.399
<v Speaker 1>see what it is. She goes, no, you're not going

0:03:13.440 --> 0:03:15.520
<v Speaker 1>over there. Get back in the car. I've opened the door.

0:03:15.720 --> 0:03:18.120
<v Speaker 1>Get back in the car. We're gone. I go Okay, okay, okay,

0:03:18.240 --> 0:03:20.040
<v Speaker 1>I go, but that's some crazy shit. She goes, yeah,

0:03:20.080 --> 0:03:22.480
<v Speaker 1>it's crazy shit. Let's go. It's freaky. Okay. So I

0:03:22.520 --> 0:03:27.280
<v Speaker 1>close the door. We're driving. She passes out. Nothing else

0:03:27.720 --> 0:03:30.639
<v Speaker 1>spooky or no polter guys, nothing like that. But the

0:03:30.760 --> 0:03:33.919
<v Speaker 1>road starts getting kind of sketchy, and I have the

0:03:34.040 --> 0:03:36.640
<v Speaker 1>radio on and I'm scanning the AM channels because I

0:03:36.640 --> 0:03:38.640
<v Speaker 1>mean when I mean sketchy, like there's ice now on

0:03:38.680 --> 0:03:40.680
<v Speaker 1>the roads, and we're getting we're in Georgia, we're getting

0:03:40.800 --> 0:03:45.640
<v Speaker 1>just outside Atlanta. And on the radio, I hear the

0:03:45.640 --> 0:03:48.040
<v Speaker 1>mayor of Atlanta, and you could check this out. You

0:03:48.040 --> 0:03:51.280
<v Speaker 1>can figure out what year it is, has just declared

0:03:51.480 --> 0:03:54.960
<v Speaker 1>a state of emergency and he's basically closed the city

0:03:55.320 --> 0:03:58.560
<v Speaker 1>because of an ice storm. The roads are unsafe to

0:03:58.680 --> 0:04:03.120
<v Speaker 1>drive on, and everybody is like, not quarantine, but it's

0:04:03.120 --> 0:04:05.000
<v Speaker 1>a curfew, like stay home, you go on the roads,

0:04:05.000 --> 0:04:09.000
<v Speaker 1>you go and die. So we're close to the airport.

0:04:09.400 --> 0:04:13.120
<v Speaker 1>Our hotel is at the airport, and I cruise up

0:04:13.160 --> 0:04:15.520
<v Speaker 1>there and I mean, we're sliding everywhere like I'm on

0:04:15.600 --> 0:04:18.279
<v Speaker 1>ice skates. We're not in a four wheel drive automobile.

0:04:18.360 --> 0:04:23.400
<v Speaker 1>I'm in like a little four door rental Sedan. It

0:04:23.440 --> 0:04:27.000
<v Speaker 1>wasn't built for the snow. So we're at the airport

0:04:27.080 --> 0:04:29.720
<v Speaker 1>because we know the hotel's close to there, and I

0:04:29.800 --> 0:04:34.000
<v Speaker 1>see one of those like rental car transport vans and

0:04:34.040 --> 0:04:37.720
<v Speaker 1>it's running and there's this black dude inside, and so

0:04:38.000 --> 0:04:40.560
<v Speaker 1>I go up to him and I go, hey, man,

0:04:40.800 --> 0:04:42.479
<v Speaker 1>I'm trying to get to my hotel. Can you help

0:04:42.480 --> 0:04:45.160
<v Speaker 1>me out? And he says, well, what's the name of it?

0:04:45.360 --> 0:04:49.080
<v Speaker 1>And I don't remember what it was, It's the Ice

0:04:49.080 --> 0:04:51.919
<v Speaker 1>Storm Hotel. Will call it the Ice Storm Hotel. And

0:04:51.960 --> 0:04:54.320
<v Speaker 1>he goes, oh, it's down that way. You're just going

0:04:54.400 --> 0:04:56.279
<v Speaker 1>to make a right and just keep going straight and

0:04:56.320 --> 0:04:58.719
<v Speaker 1>you'll see it. You'll see the big sign. It's down

0:04:58.720 --> 0:05:01.880
<v Speaker 1>a big driveway. I go, okay. So I drive down

0:05:01.920 --> 0:05:05.120
<v Speaker 1>there and we get to the driveway and yeah, the

0:05:05.200 --> 0:05:09.440
<v Speaker 1>driveway goes down, but it's steep and it goes straight

0:05:09.680 --> 0:05:13.360
<v Speaker 1>into the hotel lobby. If I take this car down

0:05:13.360 --> 0:05:17.360
<v Speaker 1>this hill, I'm not stopping. It's gonna go through the

0:05:17.400 --> 0:05:21.159
<v Speaker 1>front of the building. So I drive back to the

0:05:21.240 --> 0:05:24.400
<v Speaker 1>airport guy and I say, hey, man, is there is

0:05:24.400 --> 0:05:26.920
<v Speaker 1>there another hotel around here? Because we couldn't find any

0:05:26.920 --> 0:05:29.560
<v Speaker 1>other ones, or can I stay in the Can I

0:05:29.560 --> 0:05:31.039
<v Speaker 1>stay in the airport? I can't get down there. And

0:05:31.040 --> 0:05:33.600
<v Speaker 1>he's this Jamaican dude and he's like, you stay out, dear,

0:05:33.640 --> 0:05:35.720
<v Speaker 1>you're gonna dime on. You better find a way to

0:05:35.800 --> 0:05:39.760
<v Speaker 1>that hotel. And so I'm like, all right, the airport's closed.

0:05:39.760 --> 0:05:42.440
<v Speaker 1>They're not gonna let me in. So I drive back

0:05:42.760 --> 0:05:45.440
<v Speaker 1>and now we're parked at the top of this hotel's

0:05:45.520 --> 0:05:50.080
<v Speaker 1>driveway and the and the makeup artist is looking at me,

0:05:50.120 --> 0:05:52.080
<v Speaker 1>and I'm looking at her, and she goes, how the

0:05:52.080 --> 0:05:53.520
<v Speaker 1>hell are we going to get down there? She goes,

0:05:53.560 --> 0:05:55.919
<v Speaker 1>I can't walk down it. It's all it's all Ice.

0:05:56.080 --> 0:05:58.080
<v Speaker 1>I go, yeah, I don't. I don't know, but I'm

0:05:58.080 --> 0:06:00.000
<v Speaker 1>not going to have like a headline in the paper tomorrow.

0:06:00.560 --> 0:06:03.760
<v Speaker 1>Freddie Prinz Junior found with a makeup artist frozen dead

0:06:03.800 --> 0:06:06.520
<v Speaker 1>in a car. I was like, the stories they would

0:06:06.520 --> 0:06:09.640
<v Speaker 1>write would shame my family for the next generation. I said,

0:06:09.640 --> 0:06:13.480
<v Speaker 1>we're getting down this damn hill. So I'm looking around.

0:06:13.760 --> 0:06:15.640
<v Speaker 1>I don't see any way down outside of you know,

0:06:15.960 --> 0:06:21.520
<v Speaker 1>horrible accident, I get sued or dead or someone else dies. Right,

0:06:21.960 --> 0:06:25.200
<v Speaker 1>So finally, because I'm an idiot, all right, And I'll

0:06:25.240 --> 0:06:27.200
<v Speaker 1>preface this by saying, I've done a lot of dumb

0:06:27.240 --> 0:06:29.680
<v Speaker 1>stuff as a kid and slid down a lot of

0:06:29.720 --> 0:06:32.000
<v Speaker 1>hills I shouldn't have slid down. So I go to

0:06:32.040 --> 0:06:35.680
<v Speaker 1>the trunk. I'll freezing to death, y'all. I'm a California kid.

0:06:35.880 --> 0:06:39.159
<v Speaker 1>My blood is thin. I surf if the water's you know,

0:06:39.320 --> 0:06:42.799
<v Speaker 1>below seventy I'm wearing a wet suit, so I'm cold

0:06:42.839 --> 0:06:46.960
<v Speaker 1>as hell. I'm not dressed properly. I grab my suitcase.

0:06:47.440 --> 0:06:48.919
<v Speaker 1>I set it at the top of the thing, and

0:06:48.920 --> 0:06:51.159
<v Speaker 1>now I'm just staring down the hill at this hotel,

0:06:51.200 --> 0:06:53.760
<v Speaker 1>at the Ice Storm Hotel, and she comes up to me.

0:06:53.920 --> 0:06:55.440
<v Speaker 1>She gets out of the car. She goes, what are

0:06:55.480 --> 0:06:58.480
<v Speaker 1>you doing? And I don't even look at her. I say,

0:06:59.400 --> 0:07:02.840
<v Speaker 1>I'm a slide down this hill on my suitcase. She goes, what.

0:07:02.920 --> 0:07:04.680
<v Speaker 1>I go, i'mna slide down my hill and I'm gonna

0:07:04.680 --> 0:07:06.920
<v Speaker 1>slide down the hill on my suitcase, and so are you.

0:07:07.520 --> 0:07:09.720
<v Speaker 1>She goes, I'm not doing that. I said, you're going

0:07:09.800 --> 0:07:12.560
<v Speaker 1>to get your ass on your suitcase and you're sliding

0:07:12.600 --> 0:07:14.600
<v Speaker 1>down this hill with me. I'm not going to leave

0:07:14.640 --> 0:07:17.240
<v Speaker 1>you in the car to die. Is the only way down.

0:07:17.680 --> 0:07:20.320
<v Speaker 1>I'm sure it wasn't, but I'm not a genius, so

0:07:20.400 --> 0:07:23.040
<v Speaker 1>this was the best way I could think of. I said, So,

0:07:23.360 --> 0:07:25.440
<v Speaker 1>I'm going down with you, and you're not going to

0:07:25.520 --> 0:07:29.680
<v Speaker 1>get hurt. Don't worry. I'm certain of it in my head.

0:07:29.720 --> 0:07:32.160
<v Speaker 1>I'm certain of it. Sara, are you ready? She goes no.

0:07:32.840 --> 0:07:34.720
<v Speaker 1>I go, well, we're going. I said, I'm not going first,

0:07:34.760 --> 0:07:38.600
<v Speaker 1>We're going together. She's she doesn't want to. She gets

0:07:38.600 --> 0:07:41.600
<v Speaker 1>her suitcase. What are the I mean, we have an option,

0:07:42.000 --> 0:07:45.000
<v Speaker 1>get down this hill. That's the option. So she gets

0:07:45.000 --> 0:07:48.160
<v Speaker 1>her suitcase. Every word that I'm telling you in this

0:07:48.280 --> 0:07:52.080
<v Speaker 1>story is actual. Well I'm about to go Tilsa. It's

0:07:52.160 --> 0:07:57.080
<v Speaker 1>actual and factual everywhere. Sorry, every word I'm telling you

0:07:57.120 --> 0:08:00.000
<v Speaker 1>it is one hundred percent true, and every word I'm

0:08:00.000 --> 0:08:02.840
<v Speaker 1>I'm telling you you will not believe. And I'm okay

0:08:02.880 --> 0:08:06.120
<v Speaker 1>with that. So I get on my suitcase. I lay

0:08:06.160 --> 0:08:08.720
<v Speaker 1>it down and I'm sitting on it the way you

0:08:08.760 --> 0:08:11.480
<v Speaker 1>would have sled, and my feet are on the snow

0:08:11.560 --> 0:08:13.400
<v Speaker 1>so that I can have my heels to dig in

0:08:13.440 --> 0:08:15.840
<v Speaker 1>to slow me down. I tell her to do the

0:08:15.880 --> 0:08:19.680
<v Speaker 1>same thing. She sits on the suitcase. I think I

0:08:19.720 --> 0:08:22.880
<v Speaker 1>have like a Toomey. Right, it's like black travel to me,

0:08:22.960 --> 0:08:24.800
<v Speaker 1>that was big enough to get all your crap, but

0:08:24.880 --> 0:08:27.040
<v Speaker 1>small enough to get in an overhead bin one of those.

0:08:27.640 --> 0:08:30.000
<v Speaker 1>And she has like a hard case one because she

0:08:30.080 --> 0:08:33.920
<v Speaker 1>got like makeup and crap. Right, So she sits on

0:08:33.960 --> 0:08:36.440
<v Speaker 1>her suitcase. I said on mine. I say, are you ready?

0:08:36.840 --> 0:08:39.920
<v Speaker 1>She goes, oh, god, I guess so. So we kind

0:08:39.920 --> 0:08:41.560
<v Speaker 1>of do the scooch like our feet are in the

0:08:41.640 --> 0:08:45.840
<v Speaker 1>snow like a one and IT'SO and three and my

0:08:45.960 --> 0:08:50.800
<v Speaker 1>feet are in the snow instantly. The moment that it

0:08:50.840 --> 0:08:53.640
<v Speaker 1>gets steep, there's no more snow for my feet to

0:08:53.679 --> 0:08:58.199
<v Speaker 1>dig into. It is hard ice. It is a good

0:08:58.600 --> 0:09:01.439
<v Speaker 1>inch thick, and there probably not an inch thick, but

0:09:01.480 --> 0:09:03.920
<v Speaker 1>you get the point. Like it is there's no traction.

0:09:13.040 --> 0:09:17.400
<v Speaker 1>So I hit terminal velocity within about two and a

0:09:17.440 --> 0:09:21.680
<v Speaker 1>half seconds, and I'm I mean, I'm flying. I look

0:09:21.760 --> 0:09:24.760
<v Speaker 1>to my right because it's it's too fast for me.

0:09:25.040 --> 0:09:28.080
<v Speaker 1>I look to my right and she's bailing out. It's

0:09:28.160 --> 0:09:31.760
<v Speaker 1>too fast, okay, So she bails out to her left

0:09:31.960 --> 0:09:35.319
<v Speaker 1>toward me right. But now she has nothing. Now it's

0:09:35.400 --> 0:09:38.160
<v Speaker 1>just her body, so she's just gonna keep on sliding.

0:09:38.480 --> 0:09:40.840
<v Speaker 1>But it's not with any sort of control. So she's

0:09:40.880 --> 0:09:44.240
<v Speaker 1>going upside down, she's going horizontal, she's going to the left,

0:09:44.360 --> 0:09:46.800
<v Speaker 1>she's on her left hip, she's on her belly, she's

0:09:46.800 --> 0:09:50.400
<v Speaker 1>sliding everywhere. It looks like breaking to Electric Bugoloo, like

0:09:50.440 --> 0:09:53.160
<v Speaker 1>a deleted scene. Right, She's break dancing all the way

0:09:53.200 --> 0:09:56.960
<v Speaker 1>down this ice and I'm flying. Okay, So I get

0:09:56.960 --> 0:09:59.559
<v Speaker 1>down first. She kind of curved off to the side

0:10:00.040 --> 0:10:02.360
<v Speaker 1>into the snow drift by the curb, but she's okay.

0:10:02.400 --> 0:10:05.400
<v Speaker 1>She gets up, she's solid, make up, good to go,

0:10:05.720 --> 0:10:09.840
<v Speaker 1>case not destroyed. I slide all the way down to

0:10:10.000 --> 0:10:13.439
<v Speaker 1>basically where the valet is and onto the brick entryway

0:10:13.960 --> 0:10:17.560
<v Speaker 1>of this hotel, about four feet away from the double

0:10:17.600 --> 0:10:22.840
<v Speaker 1>sliding doors. The entire staff of the hotel that was

0:10:22.920 --> 0:10:26.160
<v Speaker 1>in that area had been watching us since we were

0:10:26.200 --> 0:10:28.680
<v Speaker 1>on top of the hill, wondering how we were going

0:10:28.760 --> 0:10:32.440
<v Speaker 1>to get down, And they're literally cheering for me because

0:10:32.480 --> 0:10:35.600
<v Speaker 1>I literally just did my evil canievil shit. It just

0:10:35.640 --> 0:10:37.920
<v Speaker 1>went like one hundred and twenty seven miles per hour

0:10:38.040 --> 0:10:41.000
<v Speaker 1>done his driveway, and they're cheering, and I get up

0:10:41.040 --> 0:10:43.960
<v Speaker 1>and I'm laughing, and she's laughing. Everybody's still in a

0:10:44.000 --> 0:10:46.160
<v Speaker 1>good mood, and the guy literally tells me, he goes, dude,

0:10:46.160 --> 0:10:47.640
<v Speaker 1>we didn't know how you were going to get down.

0:10:47.679 --> 0:10:51.040
<v Speaker 1>That was so sick. So we go to check in.

0:10:51.559 --> 0:10:54.760
<v Speaker 1>They don't have her room. So she gets my bed

0:10:54.800 --> 0:10:57.320
<v Speaker 1>and I crash out on the couch and then we

0:10:57.440 --> 0:11:01.079
<v Speaker 1>wake up and the ice they now salted and done

0:11:01.080 --> 0:11:02.680
<v Speaker 1>all this stuff. And the next day we got on

0:11:02.720 --> 0:11:05.920
<v Speaker 1>the plane and we flew back to well, I flew

0:11:05.920 --> 0:11:08.240
<v Speaker 1>to New York City and she flew to wherever, to

0:11:08.240 --> 0:11:12.000
<v Speaker 1>wherever she lived. But that is the ice storm, and

0:11:12.040 --> 0:11:14.240
<v Speaker 1>that's the fastest that I've ever gone in something that

0:11:14.280 --> 0:11:16.120
<v Speaker 1>wasn't a vehicle or a jet. Oh, by the way,

0:11:16.160 --> 0:11:19.160
<v Speaker 1>I flew in a jet. This isn't wrestling related, but

0:11:19.559 --> 0:11:22.480
<v Speaker 1>the like the debt commander at Nellis Air Force Base

0:11:22.600 --> 0:11:25.080
<v Speaker 1>in Las Vegas was a Puerto Rican dude, and he

0:11:25.120 --> 0:11:28.400
<v Speaker 1>loved my dad and my buddy who lives out there.

0:11:28.480 --> 0:11:31.320
<v Speaker 1>Ran a construction company and gave him like some equipment

0:11:31.320 --> 0:11:34.160
<v Speaker 1>to help him do his house and his off his

0:11:34.240 --> 0:11:37.120
<v Speaker 1>off base house. And there in Las Vegas, I think

0:11:37.120 --> 0:11:40.280
<v Speaker 1>it was Henderson, Nevada. And so he was like he

0:11:40.320 --> 0:11:42.600
<v Speaker 1>saw a picture of me and Brian, my buddy Brian,

0:11:42.640 --> 0:11:44.280
<v Speaker 1>and he goes, oh, you know Freddy Prince Junior man,

0:11:44.360 --> 0:11:46.280
<v Speaker 1>I loved his dad. And he goes, oh, yeah, he's

0:11:46.280 --> 0:11:48.240
<v Speaker 1>a good friend of mine. And he goes tell him

0:11:48.240 --> 0:11:50.560
<v Speaker 1>if he ever wants to fly in the jet, it's

0:11:50.600 --> 0:11:52.720
<v Speaker 1>on me. He goes, no cameras, nothing. I was like,

0:11:52.800 --> 0:11:54.800
<v Speaker 1>and so my buddy Brian calls me and I was like,

0:11:54.800 --> 0:11:56.760
<v Speaker 1>what do you mean like a jet jet? He goes yeah.

0:11:56.760 --> 0:11:59.280
<v Speaker 1>I go to oh, dude, I'm in. I drove from

0:11:59.400 --> 0:12:02.880
<v Speaker 1>La to Las Vegas at night at like eleven thirty

0:12:02.880 --> 0:12:05.560
<v Speaker 1>at night, drove as fast as I could, and uh,

0:12:06.240 --> 0:12:07.719
<v Speaker 1>we have the date and I get there and I

0:12:07.760 --> 0:12:10.320
<v Speaker 1>think I'm just gonna fly in a jet. No, it's

0:12:10.360 --> 0:12:13.640
<v Speaker 1>like an eight hour class on how to breathe because

0:12:13.679 --> 0:12:15.680
<v Speaker 1>you're going to be pulling so many g's. And I'm

0:12:15.679 --> 0:12:17.920
<v Speaker 1>in my twenties. I'm cocky. I'm like, yeh, whatever, man,

0:12:17.960 --> 0:12:20.440
<v Speaker 1>I'm half listening, right. So they put me in the

0:12:20.440 --> 0:12:23.280
<v Speaker 1>two seater and forgive me, this is over twenty years ago.

0:12:23.280 --> 0:12:26.640
<v Speaker 1>I don't remember. I think it was an F sixteen.

0:12:27.160 --> 0:12:29.640
<v Speaker 1>I don't know what the two seater was. It might've

0:12:29.640 --> 0:12:31.840
<v Speaker 1>even been like an F one oh something. I don't know,

0:12:32.280 --> 0:12:35.640
<v Speaker 1>but uh, we get in. I've done my my test

0:12:35.720 --> 0:12:38.200
<v Speaker 1>and they make you do this like like I don't

0:12:38.200 --> 0:12:39.720
<v Speaker 1>want to breathe in the mic because it'll sound weird,

0:12:39.760 --> 0:12:42.920
<v Speaker 1>but it's like labor breathing. Okay, So I get in

0:12:43.000 --> 0:12:47.600
<v Speaker 1>the jet, we take off, just the takeoff, I borderline

0:12:47.640 --> 0:12:51.960
<v Speaker 1>tap out. Okay, this dude, I tap out twice. And

0:12:52.120 --> 0:12:55.960
<v Speaker 1>this isn't even from tricks. Just turns where literally like

0:12:56.000 --> 0:13:00.960
<v Speaker 1>he goes, if it feels good, you're not breathing. I said,

0:13:00.960 --> 0:13:02.320
<v Speaker 1>what do you mean? He goes, if it starts to

0:13:02.360 --> 0:13:05.120
<v Speaker 1>feel good, if you feel high, you're not breathing, right,

0:13:05.400 --> 0:13:07.640
<v Speaker 1>I said, okay, And that basically like as in jiu jitsu,

0:13:07.720 --> 0:13:09.480
<v Speaker 1>like they say tap when you when it feels good,

0:13:09.520 --> 0:13:11.480
<v Speaker 1>that means you're about to go to sleep. Twice I

0:13:11.520 --> 0:13:13.560
<v Speaker 1>had to tap because I forgot to breathe, and the

0:13:13.600 --> 0:13:16.120
<v Speaker 1>breathing is the hardest part. At one point in the air,

0:13:16.520 --> 0:13:18.040
<v Speaker 1>I said how long would it take us to get

0:13:18.040 --> 0:13:21.880
<v Speaker 1>to LA? He said about fifteen minutes? And I literally

0:13:21.920 --> 0:13:24.000
<v Speaker 1>was just like, oh my god. So anyway, I like

0:13:24.040 --> 0:13:28.760
<v Speaker 1>going fast. We fly back, I go back and and

0:13:28.840 --> 0:13:31.920
<v Speaker 1>now I'm back ready to go to work, talking to

0:13:31.960 --> 0:13:34.679
<v Speaker 1>Vince about the promo class. Who I like, who I don't.

0:13:35.120 --> 0:13:38.559
<v Speaker 1>And the storyline going on at the time was the Nexus,

0:13:38.920 --> 0:13:44.000
<v Speaker 1>and this was Wade, Barrett and Michael something I can't

0:13:44.000 --> 0:13:46.120
<v Speaker 1>remember saying, but it was a big group that came

0:13:46.200 --> 0:13:49.560
<v Speaker 1>up to like take on kind of like how the

0:13:49.600 --> 0:13:52.480
<v Speaker 1>Shield took on, like the Current Stars. This was they

0:13:52.480 --> 0:13:54.719
<v Speaker 1>were taking on that eras current Stars. So they were

0:13:54.760 --> 0:13:57.720
<v Speaker 1>going after Randy who was a heel, and John who

0:13:57.840 --> 0:14:00.560
<v Speaker 1>was a babyface, and John sold big for him, like

0:14:00.640 --> 0:14:03.120
<v Speaker 1>horror movie sells, right, because they were really trying to

0:14:03.160 --> 0:14:05.600
<v Speaker 1>get this group over. They thought they had a couple

0:14:05.679 --> 0:14:09.679
<v Speaker 1>solid bangers in there. Right. So I'm doing my promo

0:14:09.679 --> 0:14:11.480
<v Speaker 1>class and I have a lot of these guys and

0:14:12.720 --> 0:14:14.720
<v Speaker 1>girls in there now, and we're getting to use like

0:14:14.760 --> 0:14:18.320
<v Speaker 1>really big rooms, like sometimes even the cafeteria because we'd

0:14:18.320 --> 0:14:20.320
<v Speaker 1>have so many people in there. And now I got

0:14:20.320 --> 0:14:23.840
<v Speaker 1>these Nexus cats, right, And there was this one dude

0:14:24.360 --> 0:14:27.800
<v Speaker 1>named Fred, and y'all, if you watch then they he

0:14:27.840 --> 0:14:30.440
<v Speaker 1>wrestled under the name Darren Young. His real name is

0:14:30.480 --> 0:14:35.200
<v Speaker 1>Fred Rosser, and he's now out of out of the closet,

0:14:35.320 --> 0:14:38.640
<v Speaker 1>and and everyone knows that that Fred is a gay wrestler,

0:14:38.640 --> 0:14:41.720
<v Speaker 1>and I think was the first one to come out

0:14:41.760 --> 0:14:44.920
<v Speaker 1>while under the employee of WWE, but certainly not the

0:14:44.960 --> 0:14:47.840
<v Speaker 1>first gay wrestler in the WWE. If you know about

0:14:47.840 --> 0:14:50.120
<v Speaker 1>Pat Patterson, everyone in the company knew Pat was. He

0:14:50.200 --> 0:14:53.680
<v Speaker 1>was very open about it and everyone embraced him. So

0:14:53.880 --> 0:14:56.080
<v Speaker 1>at this point in time, though Fred was not out

0:14:56.440 --> 0:14:58.360
<v Speaker 1>and he was a young wrestler, he was coming up

0:14:59.280 --> 0:15:02.000
<v Speaker 1>and U so now I think he's in New Japan

0:15:02.040 --> 0:15:04.560
<v Speaker 1>wrestling now. So if you're a big wrestling fan, he's

0:15:05.200 --> 0:15:08.320
<v Speaker 1>built from stone, looks great, solid user. And we used

0:15:08.320 --> 0:15:10.600
<v Speaker 1>to call him Black John Cena because he looked just

0:15:10.640 --> 0:15:13.520
<v Speaker 1>like John Cena. But if John was black, even his face,

0:15:13.560 --> 0:15:15.760
<v Speaker 1>it was crazy. You put him side by side and

0:15:15.800 --> 0:15:17.760
<v Speaker 1>it looked like the exact same dude. I think John

0:15:17.800 --> 0:15:20.640
<v Speaker 1>even cut a promo on it in like an actual

0:15:20.640 --> 0:15:22.960
<v Speaker 1>storyline where he's like, maybe we did have the same father,

0:15:23.040 --> 0:15:26.440
<v Speaker 1>but I hate you anyway. I'm fighting for justice. So

0:15:26.440 --> 0:15:29.200
<v Speaker 1>so we're doing the promo classes and it's a lot

0:15:29.320 --> 0:15:34.960
<v Speaker 1>of you you going against me because Vince likes that, right,

0:15:35.320 --> 0:15:37.680
<v Speaker 1>So it's we're going to have a fight and you're

0:15:37.720 --> 0:15:39.400
<v Speaker 1>going to give me a reason to watch Like that

0:15:39.480 --> 0:15:41.920
<v Speaker 1>if you remember the dog story, you're a dog, and

0:15:41.960 --> 0:15:44.960
<v Speaker 1>you're a dog. Now make me want to watch you fight.

0:15:45.560 --> 0:15:49.800
<v Speaker 1>So a more productive way to accomplish that is to

0:15:50.200 --> 0:15:52.040
<v Speaker 1>give them a reason to fight, like I did with

0:15:52.160 --> 0:15:55.960
<v Speaker 1>Kea Stevens and with Beth Phoenix if you remember from

0:15:56.040 --> 0:16:03.920
<v Speaker 1>last week's episode. So William also known as Stephenriegal is

0:16:05.160 --> 0:16:10.320
<v Speaker 1>and was one of the single most helpful human beings

0:16:11.600 --> 0:16:14.480
<v Speaker 1>while I worked at that company. He would warn me

0:16:14.560 --> 0:16:20.440
<v Speaker 1>about people. He would help show me what wrestler strengths

0:16:20.480 --> 0:16:25.200
<v Speaker 1>were and to write my promos to fit the type

0:16:25.200 --> 0:16:28.600
<v Speaker 1>of wrestler they were, because I was not doing that.

0:16:30.200 --> 0:16:32.280
<v Speaker 1>You don't want to write a luchador like a big man.

0:16:32.640 --> 0:16:34.040
<v Speaker 1>You don't want to write a big man like a

0:16:34.120 --> 0:16:37.760
<v Speaker 1>high flyer. There's a different attitude. When you're seven feet tall.

0:16:38.160 --> 0:16:41.200
<v Speaker 1>You don't have to say as much you're seven feet tall.

0:16:41.600 --> 0:16:43.920
<v Speaker 1>I kind of equate it to Darth Vader. You don't

0:16:43.920 --> 0:16:46.960
<v Speaker 1>have to give Darth Vader at a lot of dialogue.

0:16:47.040 --> 0:16:50.240
<v Speaker 1>And you notice he only moves when he has to.

0:16:50.680 --> 0:16:53.760
<v Speaker 1>There's no wasted movement with Darth Vader, which was the

0:16:53.800 --> 0:16:56.680
<v Speaker 1>same crap I would hear in the production. Not crap.

0:16:56.720 --> 0:16:59.640
<v Speaker 1>This is good crap, the same stuff I would hear

0:16:59.640 --> 0:17:01.840
<v Speaker 1>in the production meetings when they would talk about, you know,

0:17:01.960 --> 0:17:04.760
<v Speaker 1>tell these guys, the big guys, to slow down. Less

0:17:04.840 --> 0:17:06.800
<v Speaker 1>is more And there's something I know a lot of

0:17:06.800 --> 0:17:09.560
<v Speaker 1>people disagree with that, but I tend to agree with it.

0:17:09.560 --> 0:17:14.880
<v Speaker 1>It's more. It's what made Frankenstein so scary, right is

0:17:14.920 --> 0:17:17.359
<v Speaker 1>It's why pepe lepu we were amazed with him, Like

0:17:17.359 --> 0:17:20.920
<v Speaker 1>how can someone ask slow? Always catch always catch them right?

0:17:21.359 --> 0:17:24.919
<v Speaker 1>So it may be dated, but with the big guys,

0:17:24.920 --> 0:17:27.600
<v Speaker 1>they don't want them, you know, flying around everywhere. Vince

0:17:27.640 --> 0:17:30.880
<v Speaker 1>doesn't want his guys and his girls getting hurt, which

0:17:30.920 --> 0:17:34.119
<v Speaker 1>is why that WWE style is less exciting because he

0:17:34.160 --> 0:17:38.240
<v Speaker 1>feels it prevents injuries. So Steven has been getting me

0:17:38.320 --> 0:17:41.600
<v Speaker 1>hip to it, and he asks me if he can

0:17:41.640 --> 0:17:46.000
<v Speaker 1>come in and cut a promo and I'm like, yeah, man,

0:17:46.040 --> 0:17:48.359
<v Speaker 1>you want me to pick something for He goes, oh, no, no, no,

0:17:48.400 --> 0:17:51.359
<v Speaker 1>I have something. I said, all right, dude. So he

0:17:51.440 --> 0:17:55.960
<v Speaker 1>comes in and I it was either the Saint Crispin's

0:17:56.040 --> 0:17:59.879
<v Speaker 1>Day from Henry the Fifth, which is no joke, or

0:18:00.280 --> 0:18:02.600
<v Speaker 1>it was from Hamlet, and I feel like it was

0:18:02.640 --> 0:18:05.919
<v Speaker 1>from Hamlet. Otherwise I don't know why I remember this line,

0:18:06.040 --> 0:18:09.960
<v Speaker 1>but I feel like I remember Steven saying the world

0:18:10.040 --> 0:18:12.879
<v Speaker 1>is nothing more to me but a foul and pestilent

0:18:13.000 --> 0:18:16.359
<v Speaker 1>congregation of vapors, and that I know for sure is

0:18:16.400 --> 0:18:18.760
<v Speaker 1>from Hamlet, so I think it was Hamlet. So he

0:18:18.840 --> 0:18:22.040
<v Speaker 1>cuts this, and then he's trying to explain why he

0:18:22.160 --> 0:18:25.359
<v Speaker 1>chose this to all these young wrestlers, and he said

0:18:25.640 --> 0:18:28.719
<v Speaker 1>he was talking about the iambic pentameter, which is sort

0:18:28.760 --> 0:18:34.560
<v Speaker 1>of the rhythm and cadence required by Shakespeare. He's trying

0:18:34.600 --> 0:18:38.760
<v Speaker 1>to explain that you can tell a story whether you

0:18:38.880 --> 0:18:41.560
<v Speaker 1>speak English or not. There were a couple of Japanese

0:18:41.800 --> 0:18:44.240
<v Speaker 1>wrestlers in the room at the time. You can communis

0:18:44.560 --> 0:18:47.920
<v Speaker 1>Kate a story whether you speak Spanish better than English,

0:18:48.359 --> 0:18:51.600
<v Speaker 1>the same way he communed. Those communicated those feelings from

0:18:51.600 --> 0:18:54.720
<v Speaker 1>that monologue to everyone in there, and everyone knew exactly

0:18:54.800 --> 0:18:57.440
<v Speaker 1>what he was saying. When you say someone, this world

0:18:57.440 --> 0:18:59.520
<v Speaker 1>does nothing more to me but a foul and pestilent

0:18:59.600 --> 0:19:03.000
<v Speaker 1>congregation of vapors, I'm communicating a message to you with

0:19:03.080 --> 0:19:05.040
<v Speaker 1>a whole bunch of words that neither one of us

0:19:05.040 --> 0:19:07.639
<v Speaker 1>will ever use again in our entire life. But you

0:19:07.720 --> 0:19:09.959
<v Speaker 1>know exactly what I'm talking about. You go, whoa, Freddie

0:19:10.119 --> 0:19:13.240
<v Speaker 1>is a little depressed. Oh you do, and that message

0:19:13.240 --> 0:19:17.080
<v Speaker 1>has been communicated beautifully, right, So I think Funaki was

0:19:17.080 --> 0:19:20.720
<v Speaker 1>in there. And by the way, I got a great

0:19:20.960 --> 0:19:24.159
<v Speaker 1>Funaki story, kung should we do a Japanese side quest?

0:19:24.280 --> 0:19:26.440
<v Speaker 1>Should we do a side quest? All right, we're doing

0:19:26.440 --> 0:19:29.760
<v Speaker 1>a side quest? Okay. So it's a SmackDown. It's over

0:19:30.280 --> 0:19:33.359
<v Speaker 1>and Shane Hurricane Helms and some of the writers and

0:19:33.400 --> 0:19:36.240
<v Speaker 1>my buddy Angelo the writer, We're all having like a

0:19:36.280 --> 0:19:39.879
<v Speaker 1>beer at the hotel, and you know, after a couple in,

0:19:40.040 --> 0:19:42.240
<v Speaker 1>Shane goes, man, I wish we could get I wish

0:19:42.280 --> 0:19:45.560
<v Speaker 1>we'd get Funaki over again. And Angela is like, yeah, well,

0:19:45.640 --> 0:19:47.240
<v Speaker 1>let's let's think of something. He goes, oh, then it

0:19:47.280 --> 0:19:49.520
<v Speaker 1>wouldn't buy anything we'd do, and he goes, do we

0:19:49.600 --> 0:19:52.679
<v Speaker 1>can think of something? And this is all credit to Shane. Okay,

0:19:52.680 --> 0:19:54.960
<v Speaker 1>I think he even wrote the song that Artruth saying

0:19:54.960 --> 0:19:59.040
<v Speaker 1>to him later on. But uh, he goes, what about

0:19:59.320 --> 0:20:02.760
<v Speaker 1>what if it was kung Fu Naki? And all the

0:20:02.760 --> 0:20:05.760
<v Speaker 1>writers are drunk and they're like, wait what He goes, yeah,

0:20:05.920 --> 0:20:08.040
<v Speaker 1>like kung Fu? Hey, if we can sing the song

0:20:08.320 --> 0:20:13.000
<v Speaker 1>Everybody loves Kong Fu Naki. That dude can't drink some

0:20:13.400 --> 0:20:17.119
<v Speaker 1>socke and he had like this whole freestyle jam that

0:20:17.160 --> 0:20:19.159
<v Speaker 1>they all fell in love with. And I was in

0:20:19.160 --> 0:20:21.199
<v Speaker 1>the writer's room one day and they're pitching this and

0:20:21.280 --> 0:20:24.679
<v Speaker 1>I'm like, yo, wait what And Shane comes in and

0:20:24.680 --> 0:20:28.280
<v Speaker 1>they go, Shane, what about Kung Funaki? And Shane just

0:20:28.280 --> 0:20:30.000
<v Speaker 1>looks at the board and he sees how he booked

0:20:30.000 --> 0:20:32.679
<v Speaker 1>it and he goes, yeah, that's pretty fucking funny, and

0:20:32.720 --> 0:20:34.840
<v Speaker 1>he just walked out of the room. And that's when

0:20:34.880 --> 0:20:38.280
<v Speaker 1>we gave Funaki the Daniel song Crane Kick, and MVP

0:20:38.520 --> 0:20:40.960
<v Speaker 1>sold it better than Johnny Lawrence did in that movie

0:20:41.000 --> 0:20:44.280
<v Speaker 1>Are You Getting Man? Come Home Baby? Sound for the Wind.

0:20:44.560 --> 0:20:47.880
<v Speaker 1>So anyway, that's the Japanese side question. So we're back

0:20:47.920 --> 0:20:51.280
<v Speaker 1>in promo class and Sir William Regal is in there.

0:20:51.560 --> 0:20:53.680
<v Speaker 1>Gotta call him sir, even if he's not a real knight,

0:20:53.720 --> 0:20:57.119
<v Speaker 1>he should be Darren Young Fred gets up and he

0:20:57.160 --> 0:21:00.879
<v Speaker 1>wants to he wants to do a promo them cutting

0:21:00.880 --> 0:21:04.600
<v Speaker 1>on each other, and so Rego says, I'll start my friend,

0:21:05.359 --> 0:21:09.080
<v Speaker 1>and he says, I'll never forget this man. He says

0:21:11.200 --> 0:21:16.040
<v Speaker 1>you don't belong here, and you're going to quit. And

0:21:16.359 --> 0:21:19.480
<v Speaker 1>Rosser comes back and he goes and he does repetition.

0:21:19.680 --> 0:21:23.120
<v Speaker 1>He goes, I don't belong here. You think I'm gonna quit?

0:21:24.160 --> 0:21:25.960
<v Speaker 1>And Rigo just looks back at him and he goes,

0:21:26.560 --> 0:21:29.400
<v Speaker 1>I've seen this a million times before, my friend, You're

0:21:29.440 --> 0:21:33.240
<v Speaker 1>going to quit and you know you don't belong And

0:21:33.359 --> 0:21:38.119
<v Speaker 1>Fred gets this like emotion and cuts like the promo

0:21:38.240 --> 0:21:40.440
<v Speaker 1>of It's a shame I didn't film any of these.

0:21:41.560 --> 0:21:44.240
<v Speaker 1>He cuts like the promo of the Universe. And he's

0:21:44.280 --> 0:21:47.280
<v Speaker 1>straight up, his fist ball up and you can hear

0:21:47.320 --> 0:21:52.760
<v Speaker 1>his knuckles crack, and we've already established there's no there's

0:21:52.800 --> 0:21:55.879
<v Speaker 1>no punching, right, and Fred didn't come off the type

0:21:55.880 --> 0:21:59.320
<v Speaker 1>to do it. And there's his eyes start to well

0:21:59.440 --> 0:22:04.040
<v Speaker 1>up and I'm sitting there watching and Regal's so cool man.

0:22:04.040 --> 0:22:06.680
<v Speaker 1>He's like a gunslinger in the wild West. He's gonna

0:22:06.720 --> 0:22:09.879
<v Speaker 1>let you draw first and still be fast enough. Like

0:22:09.920 --> 0:22:12.399
<v Speaker 1>he doesn't even blink. Bro, this is the guy that

0:22:12.480 --> 0:22:15.560
<v Speaker 1>smashed on Goldberg to let people know like what time

0:22:15.600 --> 0:22:17.600
<v Speaker 1>it was back in the day, right, Like he does

0:22:17.680 --> 0:22:21.159
<v Speaker 1>not care. But he's a good giving man at this

0:22:21.280 --> 0:22:23.840
<v Speaker 1>point in his career. He probably was his whole career,

0:22:23.840 --> 0:22:29.200
<v Speaker 1>but in this moment especially, and Darren Young just screams

0:22:29.240 --> 0:22:31.440
<v Speaker 1>and tears come down his face. At the same time,

0:22:31.720 --> 0:22:34.480
<v Speaker 1>it's like the like Denzel Washington does the perfect tear

0:22:34.840 --> 0:22:36.600
<v Speaker 1>right like he'll hold it for a whole scene and

0:22:36.600 --> 0:22:39.080
<v Speaker 1>then drop it out right at the end, and everyone's like,

0:22:39.080 --> 0:22:42.480
<v Speaker 1>oh God, like that's next level technique. This was just

0:22:42.600 --> 0:22:45.320
<v Speaker 1>raw and came out and he screams, I do it

0:22:45.520 --> 0:22:50.080
<v Speaker 1>long and then there's like a ninety second promo of

0:22:50.119 --> 0:22:54.240
<v Speaker 1>the sacrifice, the fear that this that that, And while

0:22:54.280 --> 0:22:59.080
<v Speaker 1>he's saying this, I shit you not. I literally was like, Yo,

0:22:59.240 --> 0:23:13.120
<v Speaker 1>Fred's gay. You could just I mean, I've work in Hollywood, man,

0:23:13.200 --> 0:23:14.879
<v Speaker 1>I know a lot of people to this day that

0:23:14.920 --> 0:23:17.840
<v Speaker 1>aren't comfortable with who they are based on the reaction

0:23:17.960 --> 0:23:22.560
<v Speaker 1>that society is going to have. Right, So I'm not

0:23:22.600 --> 0:23:24.240
<v Speaker 1>trying to say this to like, oh, look how some

0:23:24.280 --> 0:23:26.920
<v Speaker 1>morn I knew, Like I was like, oh my gosh,

0:23:27.000 --> 0:23:30.480
<v Speaker 1>Fred Fred's gay. And I didn't say anything. I never did,

0:23:30.840 --> 0:23:32.919
<v Speaker 1>and he's out now, so it's not a secret. And

0:23:33.000 --> 0:23:36.720
<v Speaker 1>I don't think anyone else knew except maybe William who

0:23:36.800 --> 0:23:40.040
<v Speaker 1>kind of had this like glint in his eye and

0:23:40.080 --> 0:23:45.560
<v Speaker 1>as Darren Young. Although this was all Fred Rosser finished

0:23:45.560 --> 0:23:49.920
<v Speaker 1>his promo. You know how like British people, like when

0:23:49.920 --> 0:23:52.040
<v Speaker 1>you do something sick in America, we give you that

0:23:52.160 --> 0:23:54.679
<v Speaker 1>head nod, right, like people do memes of it, like

0:23:54.800 --> 0:23:58.040
<v Speaker 1>Robert Redford as Grizzly Adams or whatever. They're like nod

0:23:58.119 --> 0:24:01.000
<v Speaker 1>in his head. Well, British people do this smile and

0:24:01.040 --> 0:24:03.359
<v Speaker 1>it's like a half only half their face works, and

0:24:03.400 --> 0:24:06.879
<v Speaker 1>it's this ry sort of half smile. And Rego just

0:24:06.920 --> 0:24:09.119
<v Speaker 1>gives him this that smile A right, he hits him

0:24:09.160 --> 0:24:12.440
<v Speaker 1>with it and he goes and now, and Rosser finishes

0:24:12.440 --> 0:24:16.400
<v Speaker 1>his promo with I'll Never quit. And Rigo just looks

0:24:16.400 --> 0:24:19.600
<v Speaker 1>at him and he says, my mistake, lad, maybe you

0:24:19.720 --> 0:24:24.399
<v Speaker 1>do belong And everybody was, I mean balling man balling,

0:24:24.520 --> 0:24:26.840
<v Speaker 1>and Fred was too, and Regal gives him this big

0:24:26.920 --> 0:24:30.120
<v Speaker 1>hug man and you can see like Rosser squeeze him

0:24:30.119 --> 0:24:33.800
<v Speaker 1>hard like that there was hurt and pain in there.

0:24:34.400 --> 0:24:37.159
<v Speaker 1>And right after that we wrote this promo forim. And

0:24:37.200 --> 0:24:39.040
<v Speaker 1>you'll forgive me if I don't remember what show it

0:24:39.119 --> 0:24:41.080
<v Speaker 1>was for it, I believe it was NXT, like he

0:24:41.119 --> 0:24:44.400
<v Speaker 1>got moved down to NXT when it was like rookies

0:24:44.440 --> 0:24:47.199
<v Speaker 1>and someone maybe or maybe it was right before that,

0:24:48.320 --> 0:24:51.680
<v Speaker 1>and uh, and we gave him this promo where he

0:24:51.720 --> 0:24:54.680
<v Speaker 1>didn't feel like he should even been there. And I said,

0:24:54.680 --> 0:24:56.879
<v Speaker 1>do you remember when you screamed I do belong? He

0:24:56.880 --> 0:24:58.680
<v Speaker 1>said yeah. I said, I want you. It wasn't my promo,

0:24:58.800 --> 0:25:01.120
<v Speaker 1>someone else's, but he was struggling. I said, I want

0:25:01.160 --> 0:25:03.760
<v Speaker 1>you to feel that when you say I wrestled John

0:25:03.840 --> 0:25:08.240
<v Speaker 1>Cena and he goes, oh, yeah, okay, okay, And so

0:25:08.280 --> 0:25:10.720
<v Speaker 1>he did it and he hit it about like eighty

0:25:10.760 --> 0:25:13.520
<v Speaker 1>percent of where I'd hoped it got, but it still

0:25:13.560 --> 0:25:15.600
<v Speaker 1>got the point across and he's like, oh, I but

0:25:15.720 --> 0:25:17.520
<v Speaker 1>it was more of an arrogant take because it needed

0:25:17.560 --> 0:25:19.960
<v Speaker 1>to be. He's like, oh, I wrestled John scene and

0:25:20.000 --> 0:25:21.560
<v Speaker 1>he got kind of a little choked up on it

0:25:22.040 --> 0:25:25.159
<v Speaker 1>and he was able to kind of bring which was

0:25:25.200 --> 0:25:29.240
<v Speaker 1>a real honest moment to TV. Now. I could relate

0:25:29.320 --> 0:25:34.680
<v Speaker 1>to this because early in my acting class, my acting

0:25:34.720 --> 0:25:36.800
<v Speaker 1>coach gave me this scene. He used to let me

0:25:36.880 --> 0:25:39.320
<v Speaker 1>pick right, but I would always pick real easy stuff

0:25:39.840 --> 0:25:42.240
<v Speaker 1>and he really challenged me. And I don't remember the

0:25:42.320 --> 0:25:44.679
<v Speaker 1>name of this play, and I don't want to remember

0:25:44.720 --> 0:25:46.760
<v Speaker 1>the name of the play, So even if I say

0:25:46.800 --> 0:25:49.359
<v Speaker 1>words from it that you remember, do not hit me

0:25:49.480 --> 0:25:52.679
<v Speaker 1>up at at real FPJR. On Twitter, and do not

0:25:52.800 --> 0:25:55.919
<v Speaker 1>hit me up on Instagram, because I've deleted this shit

0:25:56.000 --> 0:25:59.040
<v Speaker 1>from my mind because it broke me in pieces. So

0:26:00.880 --> 0:26:04.240
<v Speaker 1>my butthole acting. I love my acting coach, but this

0:26:04.359 --> 0:26:07.320
<v Speaker 1>was just Oh he was right. I was wrong, but man,

0:26:07.359 --> 0:26:10.159
<v Speaker 1>I hated him for this. So he gives me this

0:26:10.280 --> 0:26:13.560
<v Speaker 1>scene and my character's crying right away, and that was

0:26:13.600 --> 0:26:15.440
<v Speaker 1>my biggest fear was I don't know if I can

0:26:15.480 --> 0:26:16.639
<v Speaker 1>do that. I don't know if I can cry. I

0:26:16.640 --> 0:26:19.200
<v Speaker 1>don't know if I can open up like that. Earlier

0:26:19.200 --> 0:26:23.160
<v Speaker 1>in my career, I manufactured every performance I did until

0:26:23.160 --> 0:26:26.120
<v Speaker 1>I was probably almost thirty years old, and it took

0:26:26.160 --> 0:26:29.000
<v Speaker 1>me that long to figure out acting. I didn't start

0:26:29.080 --> 0:26:30.680
<v Speaker 1>until I was eighteen, so I was learning on the

0:26:30.760 --> 0:26:33.520
<v Speaker 1>job and everything came real, real fast. I was not

0:26:33.840 --> 0:26:36.440
<v Speaker 1>ready and not prepared, so I withdrew and pulled back,

0:26:36.480 --> 0:26:40.440
<v Speaker 1>which is what I always do. And when I was thirty,

0:26:40.480 --> 0:26:44.480
<v Speaker 1>I finally like this actor Gil Bellow's just I was

0:26:44.520 --> 0:26:47.160
<v Speaker 1>gonna do this movie. This is another side quest Sorry, Alexis,

0:26:47.200 --> 0:26:49.199
<v Speaker 1>but I was doing a play in London and he

0:26:49.240 --> 0:26:50.520
<v Speaker 1>came to watch it because I was going to do

0:26:50.520 --> 0:26:53.880
<v Speaker 1>a movie that he wrote, and we went and had

0:26:53.880 --> 0:26:56.960
<v Speaker 1>dinner afterwards. My cousin was with me, and this dude

0:26:57.160 --> 0:27:00.800
<v Speaker 1>broke down my whole performance and nailed me on every

0:27:00.800 --> 0:27:04.280
<v Speaker 1>bad habit I had. And I'm sitting there like everything

0:27:04.359 --> 0:27:08.560
<v Speaker 1>this dude is saying is like dead on. My cousin

0:27:08.600 --> 0:27:10.800
<v Speaker 1>I can feel is like getting mad, like he's he's

0:27:10.840 --> 0:27:12.800
<v Speaker 1>getting pissed at the guy, but I'm kind of like

0:27:12.880 --> 0:27:16.280
<v Speaker 1>feeding off the energy. And we finally said our good nights,

0:27:16.440 --> 0:27:18.080
<v Speaker 1>and my cousin Joe was like, man, I thought you're

0:27:18.080 --> 0:27:20.280
<v Speaker 1>gonna knock him out. I was like, no, man, Like

0:27:20.320 --> 0:27:22.360
<v Speaker 1>I feel like this guy just kind of unlocks him.

0:27:22.840 --> 0:27:25.560
<v Speaker 1>The next night was the greatest performance that I ever

0:27:25.640 --> 0:27:28.800
<v Speaker 1>had in anything I ever did in my entire career.

0:27:28.840 --> 0:27:31.119
<v Speaker 1>It was a Kenneth Lonergan play called This Is Our Youth,

0:27:31.600 --> 0:27:34.160
<v Speaker 1>and it was the first time I ever like broke

0:27:34.240 --> 0:27:38.320
<v Speaker 1>down organically in a performance. So I knew exactly I

0:27:38.359 --> 0:27:41.320
<v Speaker 1>share that story because I knew exactly what Fred was

0:27:41.359 --> 0:27:44.240
<v Speaker 1>going through the scene was about my dad with a

0:27:44.359 --> 0:27:47.359
<v Speaker 1>character's dad, But I made it about my dad and

0:27:47.400 --> 0:27:50.600
<v Speaker 1>the moment I allowed myself to do that and allow

0:27:50.680 --> 0:27:53.520
<v Speaker 1>a real feeling that I hated at the time. I'm

0:27:53.640 --> 0:27:57.800
<v Speaker 1>forty five now I have kids, so it doesn't carry

0:27:57.840 --> 0:28:00.520
<v Speaker 1>that weight that it used to. Now it's just respect

0:28:00.560 --> 0:28:04.120
<v Speaker 1>and love, like on his birthday and stuff. I miss him.

0:28:04.119 --> 0:28:08.080
<v Speaker 1>But outside of that, like, I've adjusted well to it.

0:28:08.160 --> 0:28:12.000
<v Speaker 1>But then I applied so much real hurt and pain.

0:28:12.760 --> 0:28:15.239
<v Speaker 1>And my character is supposed to accidentally knock over this

0:28:15.359 --> 0:28:20.800
<v Speaker 1>dish full of cocaine and manitol and he freaks out,

0:28:21.040 --> 0:28:23.560
<v Speaker 1>and my choice was I got so mad at myself

0:28:23.560 --> 0:28:26.920
<v Speaker 1>because I was so stupid that I smashed the plate

0:28:26.960 --> 0:28:29.800
<v Speaker 1>on the table and the plate cracked open and it

0:28:29.960 --> 0:28:33.040
<v Speaker 1>split my left hand open, and I was bleeding everywhere

0:28:33.040 --> 0:28:35.560
<v Speaker 1>and I didn't even notice I was bleeding until the

0:28:35.680 --> 0:28:38.440
<v Speaker 1>end of the show. Like that's how into the moment

0:28:38.480 --> 0:28:40.200
<v Speaker 1>I was. And I have gil Bello's to think for that,

0:28:41.320 --> 0:28:44.640
<v Speaker 1>And so to see someone else let something reel out

0:28:44.680 --> 0:28:48.960
<v Speaker 1>like that, it just slap the holy hell out of me.

0:28:49.560 --> 0:28:53.600
<v Speaker 1>Now that's kind of deep and heavy. So we're gonna

0:28:53.680 --> 0:28:56.240
<v Speaker 1>end on a high note, and I'm going to talk

0:28:56.280 --> 0:29:00.200
<v Speaker 1>about one of the funniest promo classes that that we

0:29:00.280 --> 0:29:03.160
<v Speaker 1>ever had or not maybe scariest, and has to do

0:29:03.200 --> 0:29:06.800
<v Speaker 1>with Natty Knightheart and Harry Smith, who was the son

0:29:06.840 --> 0:29:08.920
<v Speaker 1>of a legend. So I loved him very much because

0:29:08.960 --> 0:29:10.959
<v Speaker 1>you have very big shoes to fill. I was the

0:29:10.960 --> 0:29:13.200
<v Speaker 1>son of a legend, so I had very big shoes

0:29:13.240 --> 0:29:15.320
<v Speaker 1>to fill, and so I connected with Harry a lot,

0:29:15.360 --> 0:29:17.520
<v Speaker 1>and I really wanted to get him and TJ over

0:29:18.200 --> 0:29:19.720
<v Speaker 1>and I worked. I worked hard to do it. But

0:29:19.720 --> 0:29:21.720
<v Speaker 1>we just you know, I have plenty of failures. We

0:29:21.760 --> 0:29:24.320
<v Speaker 1>can talk about those too, it's just the success success

0:29:24.320 --> 0:29:28.080
<v Speaker 1>ones are usually cooler and funnier stories. But I failed

0:29:28.080 --> 0:29:33.360
<v Speaker 1>those boys. I've never I never got over that I

0:29:33.360 --> 0:29:36.000
<v Speaker 1>failed the ussos to tag team wrestling is tough, man.

0:29:36.280 --> 0:29:39.920
<v Speaker 1>I remember Vince. I was working so hard on building

0:29:39.960 --> 0:29:43.120
<v Speaker 1>up a tag team division and Vin said, Freddie, I

0:29:43.160 --> 0:29:47.200
<v Speaker 1>got to pay four guys for one fucking match, and

0:29:47.240 --> 0:29:51.239
<v Speaker 1>I kind of went, oh, I had never looked at

0:29:51.240 --> 0:29:54.520
<v Speaker 1>it like that, and again, it's show business. And I

0:29:54.600 --> 0:29:57.800
<v Speaker 1>was in charge of the Cologne Brothers. I named Primo

0:29:57.880 --> 0:30:03.160
<v Speaker 1>for crying out loud, that was nam Primo Colon and

0:30:04.800 --> 0:30:08.040
<v Speaker 1>it kind of like changed my perspective on things and

0:30:08.120 --> 0:30:10.920
<v Speaker 1>changed the way I approached storylines. I couldn't pitch for

0:30:11.080 --> 0:30:14.400
<v Speaker 1>as much anymore. But anyway, or in promo class, sorry,

0:30:14.440 --> 0:30:18.320
<v Speaker 1>another side quest complete it. You just leveled up, and

0:30:18.360 --> 0:30:19.960
<v Speaker 1>if you make it through the whole podcast, you get

0:30:19.960 --> 0:30:24.720
<v Speaker 1>all kinds of experience. It's great. So we were in

0:30:24.800 --> 0:30:27.480
<v Speaker 1>promo class and you guys all remember the rules. There's

0:30:27.520 --> 0:30:31.200
<v Speaker 1>no makeout sessions allowed, and there's no beating each other up.

0:30:31.240 --> 0:30:34.880
<v Speaker 1>That seems These seemed like reasonable requests as far as

0:30:34.920 --> 0:30:37.880
<v Speaker 1>like an acting coach and the talent in that room go.

0:30:38.240 --> 0:30:40.080
<v Speaker 1>And I feel like everyone should be able to follow

0:30:40.120 --> 0:30:44.440
<v Speaker 1>those rules, but apparently not. And it was a little

0:30:44.520 --> 0:30:47.800
<v Speaker 1>Natty Knightheart who decided to break it. And so her

0:30:48.600 --> 0:30:52.040
<v Speaker 1>and Harry are in there, and I've already told you,

0:30:52.080 --> 0:30:54.160
<v Speaker 1>like what the state of women's wrestling was back then,

0:30:54.160 --> 0:30:57.719
<v Speaker 1>and we're going to get into the transition, which was

0:30:57.760 --> 0:31:02.200
<v Speaker 1>the Bellas. And I have no responsibility and take no

0:31:02.280 --> 0:31:06.280
<v Speaker 1>credit for the women's division, but I did help bring

0:31:06.320 --> 0:31:08.800
<v Speaker 1>those girls up. And it was those girls who really

0:31:08.840 --> 0:31:12.440
<v Speaker 1>opened Vince's eyes with their show Total Divas, which we'll

0:31:12.440 --> 0:31:15.600
<v Speaker 1>get into in another episode, and how they kind of

0:31:15.640 --> 0:31:19.240
<v Speaker 1>revolutionized and changed matches from five minutes to all of

0:31:19.240 --> 0:31:22.959
<v Speaker 1>a sudden having multiple commercial breaks, which is just so sick.

0:31:23.400 --> 0:31:25.520
<v Speaker 1>But anyway, we're still in the time where the ladies

0:31:25.560 --> 0:31:27.000
<v Speaker 1>got five minutes and if they had a pay per

0:31:27.080 --> 0:31:29.720
<v Speaker 1>view match, it usually got clipped to about seven to

0:31:30.480 --> 0:31:34.640
<v Speaker 1>give the boys more time. So, as Freebird would say,

0:31:35.200 --> 0:31:41.440
<v Speaker 1>So they're in there and it's a repetition and they're

0:31:41.480 --> 0:31:44.600
<v Speaker 1>going back and forth about you know, I don't even remember.

0:31:44.720 --> 0:31:48.720
<v Speaker 1>It was like you ain't shit, No, you ain't shit, whatever,

0:31:48.800 --> 0:31:51.719
<v Speaker 1>it was, right, They're going back and forth. Michael Tarvor

0:31:51.920 --> 0:31:53.560
<v Speaker 1>was the other Nexus guy. I was trying to think

0:31:53.560 --> 0:31:55.640
<v Speaker 1>of that early on. He had a sick promo where

0:31:55.640 --> 0:31:57.440
<v Speaker 1>he just wrapped and it was amazing. By the way,

0:31:57.480 --> 0:32:02.360
<v Speaker 1>there's another side quest. So they're in there and they're

0:32:02.360 --> 0:32:05.600
<v Speaker 1>going back and forth, but they're getting closer and closer,

0:32:06.040 --> 0:32:09.080
<v Speaker 1>and everyone knows that there's no chance of any like

0:32:09.360 --> 0:32:13.400
<v Speaker 1>smoochie smooch with those two because TJ's her man like forever.

0:32:15.040 --> 0:32:17.200
<v Speaker 1>So they're getting closer and closer, and I'm like, this

0:32:17.240 --> 0:32:19.840
<v Speaker 1>is this is weird. I don't know where this is going.

0:32:20.040 --> 0:32:21.840
<v Speaker 1>And at this point we were doing points. So if

0:32:21.880 --> 0:32:24.840
<v Speaker 1>you changed up the sentence the other person got a point,

0:32:24.840 --> 0:32:27.080
<v Speaker 1>but it wasn't over until someone got three points right,

0:32:27.560 --> 0:32:30.720
<v Speaker 1>so they change it up and he says something to

0:32:31.520 --> 0:32:34.720
<v Speaker 1>Naddy about like that's why you are where you are

0:32:35.320 --> 0:32:39.760
<v Speaker 1>and I am where I am and Naddy just I

0:32:39.840 --> 0:32:42.720
<v Speaker 1>mean it looked Richard Pryor had a joke where he

0:32:42.800 --> 0:32:45.520
<v Speaker 1>talks about he wanted to be a boxer and he

0:32:45.560 --> 0:32:47.840
<v Speaker 1>got hit with a hook and he said, I saw

0:32:47.880 --> 0:32:53.560
<v Speaker 1>his hands start down in Mississippi. It gains speed through Texas.

0:32:53.720 --> 0:32:57.560
<v Speaker 1>Now I'm watching Naddy throw this right hand and it's

0:32:57.560 --> 0:32:59.920
<v Speaker 1>like a John Woo movie. Man, it's full slow motion.

0:33:00.560 --> 0:33:02.760
<v Speaker 1>I'm pretty sure a bunch of doves like took flight

0:33:02.920 --> 0:33:05.920
<v Speaker 1>behind it as it traveled through the air. And Harry's

0:33:05.920 --> 0:33:08.959
<v Speaker 1>hands are down at his side and he's sticking his

0:33:09.080 --> 0:33:12.920
<v Speaker 1>chin out like what And Natty's hook comes all the

0:33:12.920 --> 0:33:17.200
<v Speaker 1>way through open hand hook right, like the way if

0:33:17.200 --> 0:33:20.280
<v Speaker 1>you saw the Godfather talk about how he used to

0:33:20.320 --> 0:33:23.120
<v Speaker 1>open hand slap people off of stools. It's like a

0:33:23.200 --> 0:33:30.280
<v Speaker 1>Godfather slap bah. And it sounds like two by fours

0:33:30.360 --> 0:33:35.600
<v Speaker 1>smashing together to simulate a gunshot. And everyone in the class,

0:33:35.640 --> 0:33:38.520
<v Speaker 1>including me, at the same time, goes and then I

0:33:38.880 --> 0:33:41.320
<v Speaker 1>jump out of my seat before I even let the

0:33:41.360 --> 0:33:44.000
<v Speaker 1>breath out, and instead of breathing out, I just go

0:33:44.760 --> 0:33:48.200
<v Speaker 1>what off? And I curse. Right, I'm trying to control myself,

0:33:48.200 --> 0:33:51.160
<v Speaker 1>but it was a big f bomb and I'm not mad.

0:33:51.680 --> 0:33:54.280
<v Speaker 1>I'm scared because I mean, it's the loudest shot I've

0:33:54.280 --> 0:33:56.719
<v Speaker 1>ever heard of my life. And Harry looks at me

0:33:56.920 --> 0:34:01.040
<v Speaker 1>with a freaking smile on his face. He goes, bro,

0:34:01.440 --> 0:34:05.520
<v Speaker 1>It's all good, like nothing happened. And you know, look,

0:34:05.560 --> 0:34:08.640
<v Speaker 1>I'm an actor. Actors are soft as hell, man. Like

0:34:08.719 --> 0:34:11.279
<v Speaker 1>I've seen dudes not be able to work for two

0:34:11.360 --> 0:34:14.840
<v Speaker 1>weeks just because their feelings got hurt. So this is

0:34:14.880 --> 0:34:17.720
<v Speaker 1>all new to me, man. But this dude took the

0:34:17.760 --> 0:34:22.879
<v Speaker 1>shot of I'm telling you, to this day, I've never

0:34:22.960 --> 0:34:25.680
<v Speaker 1>heard anyone get hit that hard in my life. I'm

0:34:25.719 --> 0:34:29.719
<v Speaker 1>including UFC kicks where you hear like an Edison Barbosa

0:34:29.840 --> 0:34:32.520
<v Speaker 1>foot slap on that one tall skinny dude's face. Back

0:34:32.560 --> 0:34:35.160
<v Speaker 1>in the day, it was like, what that ain't shit

0:34:35.560 --> 0:34:40.400
<v Speaker 1>compared to this Canadian right hand that literally game speed

0:34:40.440 --> 0:34:44.680
<v Speaker 1>through Alberta and then just made contact in whatever city

0:34:44.719 --> 0:34:48.400
<v Speaker 1>we were in. It was we gotta have Natty on

0:34:48.440 --> 0:34:50.360
<v Speaker 1>the show one day as a guess, I just gotta

0:34:50.440 --> 0:34:53.400
<v Speaker 1>know what she was thinking when he did that, because

0:34:53.680 --> 0:34:56.279
<v Speaker 1>in her eyes, he deserved it, and I ain't gonna

0:34:56.360 --> 0:34:59.840
<v Speaker 1>argue with the girl. So that said, guys made it

0:34:59.840 --> 0:35:02.799
<v Speaker 1>through like five side quists today, So you guys are

0:35:02.840 --> 0:35:05.719
<v Speaker 1>the real winners, and I'll speak with you guys all

0:35:05.960 --> 0:35:10.920
<v Speaker 1>on the next WWF Wrestling with Freddie. This has been

0:35:10.920 --> 0:35:14.560
<v Speaker 1>a production of iHeartRadio's Michael Tura podcast Network. For more

0:35:14.600 --> 0:35:18.759
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:35:18.800 --> 0:35:23.799
<v Speaker 1>wherever you listen to your favorite shows.