1 00:00:04,720 --> 00:00:07,320 Speaker 1: Hey, man, we are live here at the twenty twenty 2 00:00:07,360 --> 00:00:10,280 Speaker 1: five b E t Awards media room. 3 00:00:10,560 --> 00:00:12,879 Speaker 2: Now we're gonna keep the street going. Bro. 4 00:00:12,920 --> 00:00:14,040 Speaker 3: We got the pining with us. Man. 5 00:00:14,080 --> 00:00:15,640 Speaker 1: Bro, We're gonna keep the street going. I told you 6 00:00:15,680 --> 00:00:18,880 Speaker 1: we're only talking to ghetto legends. Now you ain't introducing 7 00:00:18,880 --> 00:00:19,479 Speaker 1: nobody out there. 8 00:00:19,520 --> 00:00:21,880 Speaker 4: Tell them who we got, man, we got Sean Garrett, 9 00:00:21,880 --> 00:00:23,400 Speaker 4: the ping in this motherfucker. 10 00:00:23,480 --> 00:00:23,720 Speaker 1: Man. 11 00:00:23,880 --> 00:00:24,600 Speaker 3: Come on, man. 12 00:00:25,120 --> 00:00:27,360 Speaker 4: Look and I ain't clapped all day. I hear people 13 00:00:27,400 --> 00:00:29,920 Speaker 4: clapping for you in the background. Man, you deserve it. 14 00:00:29,960 --> 00:00:30,960 Speaker 3: Man. What you been up to? 15 00:00:31,520 --> 00:00:34,280 Speaker 5: Man, everything's great, bro. Shoot, I just got back from Africa. Man, 16 00:00:35,920 --> 00:00:41,320 Speaker 5: what part Man? I went to u Darsalon, Zanzibar, Tanzania, 17 00:00:41,720 --> 00:00:43,120 Speaker 5: Kenya and Legos. 18 00:00:43,560 --> 00:00:43,880 Speaker 3: Damn. 19 00:00:44,040 --> 00:00:45,199 Speaker 5: Yeah you know what I'm saying. I was out there 20 00:00:45,200 --> 00:00:46,240 Speaker 5: for like thirty two days. 21 00:00:46,400 --> 00:00:47,400 Speaker 2: Yeah, you was out there? 22 00:00:47,479 --> 00:00:48,640 Speaker 5: Yeah, Yeah, you know what I'm saying. 23 00:00:48,640 --> 00:00:48,919 Speaker 2: I was. 24 00:00:48,960 --> 00:00:51,720 Speaker 5: I was. I was out there, pressing the pressing away man, 25 00:00:51,720 --> 00:00:54,760 Speaker 5: and just learning. You know, It's just such a beautiful opportunity, man, 26 00:00:54,760 --> 00:00:57,280 Speaker 5: to go there and just enjoy the enjoy the scenery, 27 00:00:57,360 --> 00:01:00,360 Speaker 5: enjoy the people. People love me out there man, there 28 00:01:00,360 --> 00:01:02,480 Speaker 5: working too. Yeah. Man, I was out there working. I 29 00:01:02,520 --> 00:01:05,399 Speaker 5: was out there doing you know, I was doing some press. 30 00:01:05,400 --> 00:01:08,520 Speaker 5: I actually presented the Album of the Year award at 31 00:01:08,520 --> 00:01:13,120 Speaker 5: the at the Trace Awards. I don't know if you 32 00:01:13,120 --> 00:01:17,800 Speaker 5: guys know about this artist, Diamond Platts, but he's like 33 00:01:17,840 --> 00:01:20,479 Speaker 5: one of the biggest He's he is the biggest artist 34 00:01:20,520 --> 00:01:23,640 Speaker 5: in Tanzania. But it's his shows are amazing. Man, he's 35 00:01:23,680 --> 00:01:28,200 Speaker 5: on He's on the show African, Rich and Famous. But yeah, 36 00:01:28,240 --> 00:01:31,480 Speaker 5: he's hilarious. Man, he's amazing. But it was just beautiful. 37 00:01:31,520 --> 00:01:31,720 Speaker 3: Man. 38 00:01:31,840 --> 00:01:34,679 Speaker 5: So last two days I've been in the studio where 39 00:01:34,680 --> 00:01:40,640 Speaker 5: Irish star here. She's like the biggest female artists African 40 00:01:40,680 --> 00:01:42,880 Speaker 5: artists in the world. Man, so fire. 41 00:01:43,080 --> 00:01:44,919 Speaker 2: So you're still out here making it happen. 42 00:01:45,000 --> 00:01:49,120 Speaker 5: Man, Oh yeah, I can't stop. Yeah, you know. And 43 00:01:49,160 --> 00:01:51,200 Speaker 5: my new single comes out on the twenty seven, man, 44 00:01:51,320 --> 00:01:52,920 Speaker 5: me Hunter implies already. 45 00:01:56,920 --> 00:01:58,160 Speaker 2: Yeah, man, what's it called? 46 00:01:58,480 --> 00:01:59,000 Speaker 5: Girlfriend? 47 00:02:00,280 --> 00:02:00,400 Speaker 1: You? 48 00:02:02,280 --> 00:02:02,520 Speaker 3: Yeah? 49 00:02:02,600 --> 00:02:04,400 Speaker 5: Man, I'm on that ship. I'm on that tape of 50 00:02:04,440 --> 00:02:06,720 Speaker 5: time again, little anthem for the summer You feel me 51 00:02:07,240 --> 00:02:09,359 Speaker 5: the last time? Man, you know, I like to make 52 00:02:09,400 --> 00:02:11,720 Speaker 5: them what I call super records. The last super record 53 00:02:11,760 --> 00:02:14,040 Speaker 5: I made it was me, Mario and Gucci. Man, we 54 00:02:14,200 --> 00:02:16,720 Speaker 5: fucked up the summer. You know what I'm saying, break 55 00:02:16,800 --> 00:02:18,000 Speaker 5: up one. 56 00:02:18,040 --> 00:02:20,120 Speaker 3: You might have slept on them. Man, they got damn 57 00:02:20,160 --> 00:02:21,280 Speaker 3: gripping on the Oh. 58 00:02:21,360 --> 00:02:26,600 Speaker 5: Yeah, man. You know the good thing too, is so 59 00:02:26,639 --> 00:02:29,360 Speaker 5: we're doing We're also re releasing on my fifteenth anniversary 60 00:02:29,400 --> 00:02:32,840 Speaker 5: of the Ink. Well that was basically like it was. 61 00:02:33,080 --> 00:02:34,919 Speaker 5: I called it a mixed table that she was an album, 62 00:02:34,919 --> 00:02:40,440 Speaker 5: and I had everybody on there, Nicki, Minaj, Lil Wayne T, Pain, Drake, 63 00:02:40,919 --> 00:02:45,640 Speaker 5: j Cole, bun Bee, Yo Gotti. Yeah, she was crazy. 64 00:02:45,880 --> 00:02:48,400 Speaker 2: Hey, man, you're known for doing ship like that. Man. 65 00:02:49,040 --> 00:02:51,760 Speaker 1: Man, you pop out when you want to, Yeah, with 66 00:02:52,200 --> 00:02:54,000 Speaker 1: songs that stick around forever. 67 00:02:54,600 --> 00:02:56,640 Speaker 4: Man, you get that love though, like you know, like 68 00:02:57,040 --> 00:03:00,679 Speaker 4: for a person that like to even brand yourself as 69 00:03:00,720 --> 00:03:03,320 Speaker 4: the pen and ain't nobody else discredit the like you. 70 00:03:03,280 --> 00:03:03,880 Speaker 3: Know what I'm saying. 71 00:03:04,040 --> 00:03:05,959 Speaker 5: Yeah, I mean actually jay Z named me depend I 72 00:03:06,000 --> 00:03:08,160 Speaker 5: ain't even myself depending, you know what I'm saying. But 73 00:03:08,600 --> 00:03:11,080 Speaker 5: it's just been a blessing, man, ju because I am 74 00:03:11,120 --> 00:03:13,000 Speaker 5: the greatest songwriter alive. 75 00:03:14,400 --> 00:03:16,720 Speaker 1: That's what this whole little corner is put over here for. 76 00:03:17,040 --> 00:03:18,680 Speaker 1: You don't have to be humble over here. You can 77 00:03:18,720 --> 00:03:19,440 Speaker 1: really come. 78 00:03:19,240 --> 00:03:23,200 Speaker 3: Over here and got that ship with the writer song 79 00:03:23,320 --> 00:03:23,560 Speaker 3: right on. 80 00:03:23,680 --> 00:03:28,520 Speaker 2: Lie man, you write better songs than everybody. Sean Garrett, 81 00:03:29,000 --> 00:03:33,160 Speaker 2: you feel me, you feel you need right over here? 82 00:03:33,320 --> 00:03:36,960 Speaker 5: Yeah there, that's how you do it. I love y'all. 83 00:03:36,960 --> 00:03:40,800 Speaker 2: Man, y'all, y'all, y'all, y'all, who needs some music. That's 84 00:03:40,800 --> 00:03:41,720 Speaker 2: what we're talking about. 85 00:03:43,480 --> 00:03:44,280 Speaker 3: Don't be humble. 86 00:03:44,680 --> 00:03:47,360 Speaker 2: You feel all these artists don't nobody want to hit. 87 00:03:48,240 --> 00:03:49,320 Speaker 3: He gonna give you one. 88 00:03:50,480 --> 00:03:55,080 Speaker 1: Hey, we're giving away hit music over here, hit records, y'all. 89 00:03:55,120 --> 00:03:55,760 Speaker 5: Don't want it to. 90 00:03:57,960 --> 00:04:00,440 Speaker 2: I love it man, y'allby don't it bro? 91 00:04:00,520 --> 00:04:05,440 Speaker 5: You know what I'm saying. You know what I'm saying 92 00:04:06,320 --> 00:04:06,600 Speaker 5: to them? 93 00:04:06,680 --> 00:04:07,400 Speaker 2: Check, come on in. 94 00:04:07,560 --> 00:04:10,240 Speaker 1: We ain't in the music industry. Give us probably give 95 00:04:10,280 --> 00:04:12,720 Speaker 1: us like three to five elements. You need to have 96 00:04:12,760 --> 00:04:15,480 Speaker 1: a hit or a good song. 97 00:04:16,000 --> 00:04:16,840 Speaker 2: It's a song writer. 98 00:04:17,880 --> 00:04:20,520 Speaker 5: Uh, you definitely gotta have great melody. You definitely gotta have. 99 00:04:21,880 --> 00:04:23,880 Speaker 5: You gotta be talking about some ship. That's interesting. You 100 00:04:23,880 --> 00:04:27,280 Speaker 5: know what I'm saying. I think, uh, cadence is very important. 101 00:04:27,560 --> 00:04:31,159 Speaker 5: The beat is definitely important. You know what I'm saying. Yeah, 102 00:04:31,160 --> 00:04:32,800 Speaker 5: that beat, that beat is number one? You know what 103 00:04:32,839 --> 00:04:34,479 Speaker 5: I'm saying. Then you gotta be able to have that 104 00:04:34,560 --> 00:04:36,760 Speaker 5: overlay to the and lay that's sauce. You know what 105 00:04:36,760 --> 00:04:40,240 Speaker 5: I'm saying, That sauce is important. No cooking, no season 106 00:04:40,760 --> 00:04:42,839 Speaker 5: ain't gonna make it and every now and then. You 107 00:04:42,839 --> 00:04:45,920 Speaker 5: know what I'm saying, You gotta have a You gotta 108 00:04:45,960 --> 00:04:48,880 Speaker 5: have a I guess it'll catch you. You want to 109 00:04:48,880 --> 00:04:51,560 Speaker 5: have you want to have a good video, Okay, you 110 00:04:51,560 --> 00:04:53,280 Speaker 5: want your visuals to be decent. 111 00:04:53,400 --> 00:04:56,400 Speaker 2: What's the genre of music that you feel like you 112 00:04:56,440 --> 00:04:57,279 Speaker 2: don't have a hit in. 113 00:05:00,080 --> 00:05:00,560 Speaker 5: Country? 114 00:05:00,920 --> 00:05:01,400 Speaker 3: Country? 115 00:05:01,880 --> 00:05:02,920 Speaker 2: Are you working on it? 116 00:05:04,160 --> 00:05:04,840 Speaker 5: Absolutely? 117 00:05:05,040 --> 00:05:07,119 Speaker 1: I feel like you could pull off a country music 118 00:05:07,200 --> 00:05:09,760 Speaker 1: hit because you know, black people taking over because don't 119 00:05:10,400 --> 00:05:11,080 Speaker 1: switched over there. 120 00:05:11,160 --> 00:05:13,600 Speaker 5: Yeah no, that's automatic, you know because R and B 121 00:05:13,760 --> 00:05:16,280 Speaker 5: music and country music is really the same thing. You 122 00:05:16,320 --> 00:05:18,800 Speaker 5: know what I'm saying. It's just country music is just 123 00:05:19,480 --> 00:05:21,720 Speaker 5: R and B. It's like white R and B. 124 00:05:21,920 --> 00:05:25,280 Speaker 3: Yeah, I never thought about it that way. 125 00:05:25,320 --> 00:05:31,840 Speaker 2: Wait, yeah, white R and B rhythmless blues. 126 00:05:32,600 --> 00:05:36,960 Speaker 1: Yeah no, I'm not rhythm rhythms rhythmless blues. 127 00:05:39,640 --> 00:05:43,920 Speaker 5: I don't okay, okay, okay, I ain't gonna you said that. Yeah, 128 00:05:44,040 --> 00:05:46,600 Speaker 5: I don't think it's rhythmless. I think they got a 129 00:05:46,640 --> 00:05:49,679 Speaker 5: rhythm that's just not on our rhythm, but it's definitely 130 00:05:49,720 --> 00:05:50,400 Speaker 5: got a rhythm to it. 131 00:05:50,560 --> 00:05:51,880 Speaker 2: For them to enjoy it. 132 00:05:52,160 --> 00:05:54,359 Speaker 3: Yeah yeah, to slow it down. Yeah yeah, yeah, they 133 00:05:54,880 --> 00:05:55,880 Speaker 3: got to miss kill two. 134 00:05:56,680 --> 00:06:01,120 Speaker 1: Okay, okay, yeah, because you know that ship different for man, Yes, 135 00:06:01,960 --> 00:06:03,960 Speaker 1: get on exactly. 136 00:06:04,080 --> 00:06:06,560 Speaker 4: So who's some country artists that you like you fuck with? 137 00:06:06,680 --> 00:06:08,120 Speaker 4: Since you say that, Ryan. 138 00:06:08,920 --> 00:06:13,240 Speaker 5: Brian Hart ship, there's a lot of man ship. I 139 00:06:13,279 --> 00:06:18,360 Speaker 5: funk with Chaboozi. I like Chaboozi record. I like what's 140 00:06:18,400 --> 00:06:21,560 Speaker 5: my man name? Caine? 141 00:06:22,720 --> 00:06:28,240 Speaker 2: Oh Man? How you country music artists world? 142 00:06:29,720 --> 00:06:33,200 Speaker 1: Beyonce the fun What y'all thought I was gonna. 143 00:06:32,960 --> 00:06:37,200 Speaker 5: Say, shut out to be man? She's I mean, she 144 00:06:37,240 --> 00:06:38,400 Speaker 5: does whatever she wants to do. 145 00:06:38,880 --> 00:06:39,840 Speaker 3: Wait, what she wants? 146 00:06:39,920 --> 00:06:40,160 Speaker 5: Yeah? 147 00:06:40,200 --> 00:06:44,279 Speaker 2: Man, that was since since that is, she's everybody's favorite. 148 00:06:44,279 --> 00:06:47,360 Speaker 1: Man And we know you work with with Beyonce, Man, 149 00:06:47,440 --> 00:06:50,400 Speaker 1: give us one of your favorite Beyonce stories. 150 00:06:49,960 --> 00:06:54,480 Speaker 5: Man stories. I mean, I could just tell you, man, 151 00:06:54,480 --> 00:06:57,200 Speaker 5: it was like the best I had the best opportunity 152 00:06:57,200 --> 00:06:59,560 Speaker 5: in the world man, to work with, work with one 153 00:06:59,560 --> 00:07:03,280 Speaker 5: of the great artist in the world who just always 154 00:07:03,440 --> 00:07:06,640 Speaker 5: she always carried herself in such a professional way, always 155 00:07:06,720 --> 00:07:11,119 Speaker 5: made you feel important. You know what I'm saying. Be honest, 156 00:07:11,360 --> 00:07:14,960 Speaker 5: I think the way she treated me was probably what 157 00:07:15,120 --> 00:07:17,440 Speaker 5: really inspired me the most because I felt like, you know, 158 00:07:17,480 --> 00:07:20,360 Speaker 5: I never really had a limit. She never limiteded me 159 00:07:20,760 --> 00:07:25,000 Speaker 5: to any type of idea. You know, she was excited 160 00:07:25,000 --> 00:07:28,280 Speaker 5: about my ideas, you know what I'm saying. So we 161 00:07:28,280 --> 00:07:30,880 Speaker 5: were able to do amazing things like Ring the Alarm 162 00:07:30,960 --> 00:07:33,360 Speaker 5: or give Me Boy and upgrade you and Diva and 163 00:07:34,240 --> 00:07:36,000 Speaker 5: just changed the world. Man. So I love you know, 164 00:07:36,040 --> 00:07:39,240 Speaker 5: I love looking at her shows and seeing, uh, the 165 00:07:39,280 --> 00:07:43,440 Speaker 5: fans go crazy whenever she performs like Diva Alarm. Yeah, 166 00:07:43,440 --> 00:07:43,960 Speaker 5: that's great, man. 167 00:07:44,000 --> 00:07:46,120 Speaker 3: And that Diva that whole build up when she's doing 168 00:07:46,120 --> 00:07:46,679 Speaker 3: that ship. 169 00:07:46,560 --> 00:07:48,360 Speaker 2: Oh yeah, that made me. 170 00:07:48,880 --> 00:07:52,320 Speaker 5: She break it down to show you what a diva 171 00:07:52,400 --> 00:07:53,040 Speaker 5: really bad. 172 00:07:53,320 --> 00:07:56,760 Speaker 1: Yeah, And that's dope to see her like enjoying performing 173 00:07:56,840 --> 00:07:58,680 Speaker 1: that shit, you know, and knowing what it places it 174 00:07:58,720 --> 00:08:00,960 Speaker 1: in the show where it's like that she's gonna hit 175 00:08:01,080 --> 00:08:02,160 Speaker 1: hard every now. 176 00:08:02,280 --> 00:08:03,920 Speaker 5: She's great at putting that whole thing together. 177 00:08:03,960 --> 00:08:04,120 Speaker 3: Man. 178 00:08:04,160 --> 00:08:06,720 Speaker 5: This was amazing man. You know It's funny that song 179 00:08:07,440 --> 00:08:10,960 Speaker 5: Diva I actually had called Ja. It was like jay 180 00:08:11,000 --> 00:08:14,080 Speaker 5: I got I got some crazy for me. He was like, yeah, kid, 181 00:08:14,760 --> 00:08:18,120 Speaker 5: So I sent him that man, and it was shit. 182 00:08:18,160 --> 00:08:20,480 Speaker 5: He hit me back in about ten minutes. It was 183 00:08:20,520 --> 00:08:23,840 Speaker 5: like she wants you to be here tomorrow. I was like, word, Bro, 184 00:08:24,640 --> 00:08:25,520 Speaker 5: was great, I think you. 185 00:08:25,600 --> 00:08:27,920 Speaker 4: Just said that Shiit like like it was normal. A 186 00:08:28,000 --> 00:08:29,480 Speaker 4: lot of people can't. 187 00:08:29,240 --> 00:08:33,720 Speaker 1: Call for jay z lost, especially even talking anything about 188 00:08:33,760 --> 00:08:34,440 Speaker 1: his wife. 189 00:08:35,400 --> 00:08:36,320 Speaker 2: And he called back. 190 00:08:36,440 --> 00:08:39,640 Speaker 5: Yeah, yeah, it was great. Man. It's like it's been 191 00:08:39,640 --> 00:08:40,440 Speaker 5: a blessing. 192 00:08:40,120 --> 00:08:40,520 Speaker 2: Man, Bro. 193 00:08:41,280 --> 00:08:44,440 Speaker 4: And the longevity and the come you know, bring it 194 00:08:44,480 --> 00:08:47,480 Speaker 4: back full circle. You're doing a song with Huncho implies 195 00:08:47,520 --> 00:08:50,600 Speaker 4: like how they come together. Yeah, somebody like Uncho anyway. Yeah, 196 00:08:50,640 --> 00:08:52,640 Speaker 4: so you know, I'm just a fan of mam a 197 00:08:52,720 --> 00:08:55,200 Speaker 4: fan of Hunchho man. I always I just like his music. 198 00:08:55,240 --> 00:08:58,600 Speaker 4: I actually first saw him. I saw him perform his 199 00:08:58,679 --> 00:09:02,200 Speaker 4: first single at like a radio. It was like a 200 00:09:02,200 --> 00:09:02,840 Speaker 4: little radio. 201 00:09:04,320 --> 00:09:06,240 Speaker 5: It's a radio performance when they allow, you know, they 202 00:09:06,240 --> 00:09:08,880 Speaker 5: allow new artists to come perform their their record And 203 00:09:08,920 --> 00:09:12,360 Speaker 5: I actually loved his first single. So he was somebody 204 00:09:12,360 --> 00:09:14,559 Speaker 5: that I felt that would be special. On girlfriend, when 205 00:09:14,559 --> 00:09:16,440 Speaker 5: you hit the record, you'll understand why. But it's like 206 00:09:16,720 --> 00:09:19,640 Speaker 5: it's basically like girlfriend is like the hook on girlfriend. 207 00:09:19,640 --> 00:09:22,800 Speaker 5: It's like girlfriends, the wives and my wives turn to girlfriends. Girlfriends, 208 00:09:22,840 --> 00:09:25,319 Speaker 5: the wives now the wives. It's my past tense. If 209 00:09:25,360 --> 00:09:27,400 Speaker 5: I had a wife that would treat me like my girlfriend, 210 00:09:27,640 --> 00:09:29,360 Speaker 5: then she would be my wife and she wouldn't be 211 00:09:29,360 --> 00:09:34,840 Speaker 5: my girlfriend. So basically, so it's just like you know, 212 00:09:35,400 --> 00:09:38,960 Speaker 5: when you talk about you talk about the idea of 213 00:09:39,080 --> 00:09:43,400 Speaker 5: like three different versions of or perspectives of a man 214 00:09:44,360 --> 00:09:48,480 Speaker 5: dealing with the relationships that we deal with today's y'all. 215 00:09:48,360 --> 00:09:51,240 Speaker 3: Don't give too much of the game away though, And oh. 216 00:09:51,120 --> 00:09:55,840 Speaker 5: No, it's definitely a applies went after plies went absolutely crazy, 217 00:09:56,760 --> 00:10:01,000 Speaker 5: like ridiculous, and then you know, Hancho gave Huncho's verse, 218 00:10:01,000 --> 00:10:02,199 Speaker 5: you know what I'm saying, gave my verse. You know 219 00:10:02,200 --> 00:10:04,280 Speaker 5: what I'm saying. It's just it's like, shit, we just 220 00:10:04,280 --> 00:10:05,600 Speaker 5: slide on there the show. 221 00:10:05,840 --> 00:10:07,360 Speaker 3: I can tell that that's gonna be one. 222 00:10:07,920 --> 00:10:09,840 Speaker 5: You know what I mean, Like that combination and stuff 223 00:10:09,840 --> 00:10:12,600 Speaker 5: you wouldn't expect us to get. It's just like breakup, 224 00:10:12,679 --> 00:10:15,000 Speaker 5: like you wouldn't expect our people saying, well, why would 225 00:10:15,000 --> 00:10:17,320 Speaker 5: you put Gucci Man on record with you and Mario? 226 00:10:17,360 --> 00:10:19,400 Speaker 5: And it's like that's what y'a don't understand. We three 227 00:10:19,400 --> 00:10:19,959 Speaker 5: different people. 228 00:10:20,640 --> 00:10:21,640 Speaker 3: It was so underrated. 229 00:10:21,720 --> 00:10:25,800 Speaker 4: For Gucca to say girls are like buses missed one 230 00:10:26,000 --> 00:10:27,640 Speaker 4: next fifteen. 231 00:10:27,240 --> 00:10:30,280 Speaker 3: One comment, but you mean you don't play him on that. 232 00:10:30,280 --> 00:10:31,400 Speaker 2: That's the breakup line. 233 00:10:31,559 --> 00:10:33,439 Speaker 5: Hey man, my man, And you know what I'm saying, Wow, 234 00:10:33,559 --> 00:10:35,240 Speaker 5: gave me like when I went to go see him. 235 00:10:35,320 --> 00:10:37,839 Speaker 5: He was in the traps at that time. You know 236 00:10:37,920 --> 00:10:40,120 Speaker 5: what I'm saying. But man, he gave me like twenty 237 00:10:40,120 --> 00:10:41,320 Speaker 5: four That's why I had to break the up. That's 238 00:10:41,320 --> 00:10:43,319 Speaker 5: why I had to break the verses up because he 239 00:10:43,360 --> 00:10:45,560 Speaker 5: gave me like twenty four balls. He was going just 240 00:10:45,600 --> 00:10:49,240 Speaker 5: going crazy, hey be Donna, Sean Garrett put the shit 241 00:10:49,320 --> 00:10:52,160 Speaker 5: on and got to it. So it was that's all 242 00:10:52,360 --> 00:10:53,400 Speaker 5: I've been blessed. 243 00:10:53,040 --> 00:10:54,040 Speaker 3: Man for sure. 244 00:10:54,120 --> 00:10:55,960 Speaker 2: Man, you do your thing, bron. 245 00:10:56,040 --> 00:10:58,959 Speaker 1: It's like we really appreciate, you know what I'm saying, 246 00:10:59,000 --> 00:11:01,400 Speaker 1: Like we don't get to give people they flowers while 247 00:11:01,400 --> 00:11:04,160 Speaker 1: they're still around to enjoy and the things that you're 248 00:11:04,160 --> 00:11:07,600 Speaker 1: doing musically and sonically and always pushing to go forward 249 00:11:07,640 --> 00:11:10,760 Speaker 1: to some ship wing you know what I mean, some 250 00:11:10,760 --> 00:11:12,880 Speaker 1: ship we ain't heard and some you know stuff. 251 00:11:14,280 --> 00:11:14,679 Speaker 2: Definitely. 252 00:11:14,800 --> 00:11:17,240 Speaker 1: Yeah, so you got a very unique sound and you 253 00:11:17,280 --> 00:11:19,760 Speaker 1: know it exactly when you hear it, bro keep doing 254 00:11:19,840 --> 00:11:22,880 Speaker 1: your thing. But we got one of our favorite segments 255 00:11:22,880 --> 00:11:25,880 Speaker 1: that we came up with just for the twenty twenty 256 00:11:25,880 --> 00:11:26,720 Speaker 1: five b T. 257 00:11:26,880 --> 00:11:29,800 Speaker 2: Awards, and it's called what. 258 00:11:29,559 --> 00:11:32,079 Speaker 3: The fuck You got on? And you just tell them 259 00:11:32,120 --> 00:11:32,800 Speaker 3: what you got on? 260 00:11:33,000 --> 00:11:34,720 Speaker 2: Man? Man? You know what I'm saying. I got a 261 00:11:34,720 --> 00:11:35,000 Speaker 2: little that. 262 00:11:35,040 --> 00:11:37,959 Speaker 5: You know what, I got some boat taking. I mean, 263 00:11:37,960 --> 00:11:39,600 Speaker 5: not my boat taking, my balisiyaga pus. 264 00:11:39,640 --> 00:11:40,160 Speaker 3: You know what I'm saying. 265 00:11:40,200 --> 00:11:41,000 Speaker 5: It's my hurricane. 266 00:11:41,280 --> 00:11:47,000 Speaker 3: Yeah, yeah, yeah, for sure, that's rush. Yeah, that leather. 267 00:11:47,000 --> 00:11:48,080 Speaker 5: You know what I'm saying. I had to go light 268 00:11:48,160 --> 00:11:48,679 Speaker 5: leave on y'all. 269 00:11:48,720 --> 00:11:49,280 Speaker 3: You know what I'm saying. 270 00:11:49,640 --> 00:11:50,560 Speaker 5: That's that crack leather. 271 00:11:50,840 --> 00:11:52,360 Speaker 3: Yeah, yeah, you know what I'm saying. 272 00:11:52,640 --> 00:11:53,880 Speaker 5: I ain't want to go too crazy. You know what 273 00:11:53,880 --> 00:11:55,320 Speaker 5: I'm saying. I don't want to put too much shit on, 274 00:11:55,400 --> 00:11:56,920 Speaker 5: but you don't have to flex a little bit. I 275 00:11:56,920 --> 00:11:58,520 Speaker 5: ain't throw no watch on or nothing like that. I 276 00:11:58,520 --> 00:12:00,160 Speaker 5: just want to hit them with the light glass, you 277 00:12:00,200 --> 00:12:00,640 Speaker 5: know what I'm saying. 278 00:12:00,720 --> 00:12:02,800 Speaker 3: Got the ice down there, don't forget that. 279 00:12:02,880 --> 00:12:10,040 Speaker 5: You know, bitch stones exactly countering swats up in there, 280 00:12:10,520 --> 00:12:13,559 Speaker 5: swats up in there, and be you talk, Brady, baby. 281 00:12:13,640 --> 00:12:18,480 Speaker 2: The going on confused, way. 282 00:12:18,320 --> 00:12:19,400 Speaker 5: Over the missing stool. 283 00:12:19,480 --> 00:12:20,559 Speaker 2: Please don't do it. 284 00:12:20,520 --> 00:12:23,560 Speaker 1: And appreciate you stopping through here and blessing us. Man 285 00:12:23,800 --> 00:12:27,400 Speaker 1: eighty five. Shall now Green can play Sean Yeah? 286 00:12:28,000 --> 00:12:33,040 Speaker 5: Indeed a t L baby