WEBVTT - 303: Mrs. Smith Goes to Washington w/ Cynthia Stevenson

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with iHeartRadio.

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<v Speaker 2>Scams and Katie.

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<v Speaker 3>G k Gee. The strike has is over.

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<v Speaker 2>The strike is over, and the deal has been ratified.

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<v Speaker 2>We are free to go and be thesbians again.

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<v Speaker 4>Wesian are available for employment, and we are available to

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<v Speaker 4>talk about more and more scam Toolbox but also which

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<v Speaker 4>we already know because we're on episode three, but it

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<v Speaker 4>can never be discussed enough because we're fucking stoked.

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<v Speaker 3>Thank god we have Unpacking the Toolbox because now I

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<v Speaker 3>don't see you on the strike lines, I know, and

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<v Speaker 3>this is where I see your sexy face. Yes, hey, hey,

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<v Speaker 3>what's up baby? Second season of Unpacking the Toolbox, which like,

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<v Speaker 3>thank god, what are you wearing today?

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<v Speaker 2>Honey, I'm wearing a T shirt with an angry black cat.

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<v Speaker 2>See him? He's cool? Huh. I don't know what the

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<v Speaker 2>words is. Oh, that's good.

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<v Speaker 3>Yeah, the sag actors did not rebel because we ratified

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<v Speaker 3>the contract.

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<v Speaker 2>That's right.

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<v Speaker 3>Also, I'm still looking at your adorable faith with the

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<v Speaker 3>nose ring that you have, and I still really want

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<v Speaker 3>to get it.

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<v Speaker 2>Oh, dude, let me know. I'll take you me and

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<v Speaker 2>Katie live eight minutes away from each other, and I

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<v Speaker 2>found this amazing tattoo slash piercing place and he's like

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<v Speaker 2>a master piercer. It didn't hurt at all. I'm the

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<v Speaker 2>biggest chicken.

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<v Speaker 5>Shit.

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<v Speaker 2>I have a ton of tattoos and they've all hurt.

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<v Speaker 2>But the septum piercing did not hurt at all. So

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<v Speaker 2>if you're ever down to get it and look and

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<v Speaker 2>then you can make it. We forget a job which

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<v Speaker 2>you and it's gone your booge stupid. Yeah, I can't

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<v Speaker 2>do it right now, but yeah.

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<v Speaker 3>That in my life. I've never called it that in

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<v Speaker 3>my life. I'm disgusted with myself.

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<v Speaker 2>Look and now it's gone.

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<v Speaker 3>See and you can feel weird?

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<v Speaker 2>No, not at all, you don't even feel it.

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<v Speaker 3>What'd you eat today? What'd you eat today today?

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<v Speaker 2>For breakfast? I had a cinnamon raisin bagel with cream

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<v Speaker 2>cheese because my stomach has been a little bit, a

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<v Speaker 2>little bit upset these last few days, so I didn't

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<v Speaker 2>want to do my normal celery and parsley and lime

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<v Speaker 2>juice every morning.

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<v Speaker 3>I just need to lay down a layer of carbs.

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<v Speaker 1>Well.

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<v Speaker 3>For breakfast, I had just a power bar, which is

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<v Speaker 3>pretty lame. I've been in a rush children at the

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<v Speaker 3>time of this recording. It's the holidays and everything is insane,

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<v Speaker 3>but life stops for the guests that we have today.

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<v Speaker 2>Uh, one of my favorites, one of my favor guest

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<v Speaker 2>stars in episode three oh three, she shines her light

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<v Speaker 2>for us, and she's just amazing.

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<v Speaker 3>She's just a tried and true journey woman of an actress,

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<v Speaker 3>like she just has been on everything, comedies, dramas, film,

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<v Speaker 3>TV shows, you name it, maybe some horror movies.

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<v Speaker 2>What what was that again?

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<v Speaker 3>She's amazing and she so lovingly has agreed to come

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<v Speaker 3>on and be our guest today for episode three or three.

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<v Speaker 3>It is the one, It is the only. Yes, Steve, Yeah,

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<v Speaker 3>First of all, it's amazing to see you again. I

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<v Speaker 3>am such a fan.

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<v Speaker 2>I don't I don't think either one of us worked

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<v Speaker 2>with you actually in person in the episode except for

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<v Speaker 2>Caring right.

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<v Speaker 5>Yeah. It was so weird that I didn't get to

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<v Speaker 5>connect with you guys, because you you know, when you're

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<v Speaker 5>doing that part, like that emotional part, like.

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<v Speaker 3>When you're like the guest star of the episode and

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<v Speaker 3>the entire story revolves around you. A lot of times

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<v Speaker 3>you have more heavy lifting than the lead actors do,

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<v Speaker 3>Like you're the entire episode. You work every day and

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<v Speaker 3>have to go through all these emotional huge swings.

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<v Speaker 5>Oh my god, kiddie. And also you know, because we've

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<v Speaker 5>done it, Like when it's your family, it's your show,

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<v Speaker 5>it's your show, You're like, yeah, it's the weird an.

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<v Speaker 5>You had to be invited to the wedding.

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<v Speaker 2>You always feel like you have to prove something right

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<v Speaker 2>as the guests start, You're like, I gotta be the

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<v Speaker 2>best and be off book.

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<v Speaker 5>Intruding somehow. I'm like always feel like, oh I'm talking

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<v Speaker 5>too much or oh I'm talking too little.

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<v Speaker 2>Oh me too. We all do that shit. But you know, punning,

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<v Speaker 2>don you killed it in this episode?

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<v Speaker 3>Killed it the bomb strap to you. I want to

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<v Speaker 3>hear about Wait was there an audition? We have so

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<v Speaker 3>many questions and listeners, we've already jumped into this. It's

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<v Speaker 3>just like you, how is your scandal paced? Do you

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<v Speaker 3>remember having to do talk really quick on this?

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<v Speaker 5>Who's terrifying? So in the last part of that episode,

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<v Speaker 5>there was a lot there was a little not a monologue,

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<v Speaker 5>but like some dialogue that they cut out because I

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<v Speaker 5>think I wasn't doing this fettle face.

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<v Speaker 2>No, oh my god. No, you know how many monologues

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<v Speaker 2>and pieces that we had that they cut out. It's

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<v Speaker 2>mostly for timing or just didn't you know, work with

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<v Speaker 2>the story. We had shit cut out all the time.

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<v Speaker 3>You don't even know how many times Tom Veriko would

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<v Speaker 3>come to work and say, just delivered the episode and

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<v Speaker 3>it's eighteen minutes over.

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<v Speaker 5>Like no, no, yes, yes, because you guys could not

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<v Speaker 5>have spoken any faster your whole rhythm. So you must

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<v Speaker 5>have been so exhausted at the end of this run

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<v Speaker 5>because you're on a treadmill at highest speed all the time.

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<v Speaker 5>And all the emotional journeys you guys took, none of

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<v Speaker 5>them are casual. None of them were like this episode

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<v Speaker 5>what you guys were going through.

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<v Speaker 2>You know what it was, Cynthia. The worst part after

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<v Speaker 2>finishing with this series, when the series ended is we

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<v Speaker 2>me and Katie spoke at least I know because Katie's

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<v Speaker 2>talked about it too. We just talked so fast that

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<v Speaker 2>our next auditions and our next projects that the direct

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<v Speaker 2>would be like, you need to slow down, and we're like,

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<v Speaker 2>what are you going down?

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<v Speaker 5>Yeah?

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<v Speaker 3>I still have that problem I do too.

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<v Speaker 5>Yeah, funny you got tightened up internally like you're nervous,

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<v Speaker 5>is yes? No, I totally get it.

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<v Speaker 3>Yeah, for all of you listeners, just to catch you up. Obviously,

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<v Speaker 3>it already feels like me, Cynthia and g our family

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<v Speaker 3>the last three minutes and it feels like forever in

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<v Speaker 3>a good way. I hope that came out.

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<v Speaker 2>I feel like a good aim, of course.

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<v Speaker 3>But we are going to read real quick that we're

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<v Speaker 3>talking about episode three oh three, which was entitled Wow,

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<v Speaker 3>I think cultivated.

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<v Speaker 2>It was entitled to shit. It was titled and entitled Yes'

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<v Speaker 2>character was definitely a title.

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<v Speaker 3>Missus Smith Goes to Washington, which aired on October seventeenth

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<v Speaker 3>in twenty thirteen. It was written by.

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<v Speaker 2>Maddy Bird and directed by Janeaul's Wark, who is one

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<v Speaker 2>of our one of our directors who who directed a

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<v Speaker 2>bunch of episodes.

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<v Speaker 3>Yes, he directed a bunch of episodes, and he's directed

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<v Speaker 3>a bunch of Gray's Anatomis too, and I believe Private Practice.

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<v Speaker 3>He's a Shondaland All star and a real character, a real.

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<v Speaker 2>Character, and he directed Jaws two f y.

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<v Speaker 3>Put that in your pipe and smoke it. The episode

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<v Speaker 3>is guest starring the one and Only Cynthia Stephenson as

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<v Speaker 3>Mary ness Bit who we have? It was also starring

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<v Speaker 3>Mark Moses as Congressman Jim Struthers and Ernie Hudson Yes Wow,

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<v Speaker 3>as FBI Commander Randolph Bowles. Cynthia, do you want to

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<v Speaker 3>take a Do you have this synopsis up in front

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<v Speaker 3>of you? If you don't, I wish that's okay. I'm

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<v Speaker 3>like you, grandmother, You're most Look, most people have never

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<v Speaker 3>done any of them before.

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<v Speaker 2>We've been doing this for so long, and I still

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<v Speaker 2>will text Katie and be like Katie, can you like

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<v Speaker 2>send me that link? I don't know what to do.

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<v Speaker 3>Also, we had like Deborah Mooney on.

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<v Speaker 2>Who played Judge Brenda Thornton on the show, and she

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<v Speaker 2>her camera was like just like from her eyes and

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<v Speaker 2>her forehead and that was it.

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<v Speaker 3>And she was doing the episode.

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<v Speaker 2>But she was amazing. She was great, all right? So

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<v Speaker 2>should I give it? Should I start it off?

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<v Speaker 5>Yeah?

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<v Speaker 3>Rock it out, be a little dirty, but not too dirty.

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<v Speaker 3>You're welcome, Hulu.

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<v Speaker 2>As most of the OPA team takes on a new client,

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<v Speaker 2>a mother seeking justice for her murdered son, Huck has

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<v Speaker 2>see I already screwed it up. Take two, as most

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<v Speaker 2>of the OPA team takes on a new client, a

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<v Speaker 2>mother seeking justice for her murdered son. Huck has a

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<v Speaker 2>mission of his own track down and kill pop a Pope,

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<v Speaker 2>but two twists interrupt everyone's plans.

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<v Speaker 3>The grieving mother plans to blow up part of the

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<v Speaker 3>White House, and Eli Pope knew Huck was coming. Oh shit,

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<v Speaker 3>Oh yeah, yeah, we did not getting highed. We're not

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<v Speaker 3>getting hired. The grieving mother plans to blow up part

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<v Speaker 3>of the White House, and Eli Pope knew Huck was

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<v Speaker 3>following him. Olivia gets herself in the middle of Olivia

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<v Speaker 3>gets herself in the middle of the hostas negotiation over

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<v Speaker 3>an ultra high security dot that leads to a tragic ending.

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<v Speaker 3>You know what, we wouldn't have booked the job. You

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<v Speaker 3>wouldn't have.

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<v Speaker 2>Booked, But give us a couple of minutes reading that over,

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<v Speaker 2>we would have had it down. We would have had

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<v Speaker 2>it down.

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<v Speaker 3>So, Cynthia, can you take us into had you seen

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<v Speaker 3>scandal before? Did you audition for the part where you

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<v Speaker 3>offered the part because you fancy tell us how you

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<v Speaker 3>got here?

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<v Speaker 5>So this was so funny to me. Every summer we

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<v Speaker 5>go to this cabin way up in northern California in

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<v Speaker 5>the woods. My grandparents built it in the fifties. It's

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<v Speaker 5>a little red cabin with yellow shutters. It's like walking

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<v Speaker 5>into a story book. It's so great. And there's no

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<v Speaker 5>internet there, so whenever we go, you're just fully unplugged. Right,

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<v Speaker 5>So it does jealous, I know, it's so heaven. So

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<v Speaker 5>we're there or at the river, and we do have

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<v Speaker 5>a landline and the phone or whatever. The phone rings.

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<v Speaker 5>I'm like, oh, what is that?

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<v Speaker 2>What is that?

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<v Speaker 3>The dairy?

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<v Speaker 5>So I answered it and it's my manager, God love him,

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<v Speaker 5>sweetest mallin earth, Kelly Garner, the greatest guy. And he goes, Cynthia,

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<v Speaker 5>I'm sending you something. And I said, I'm at the river.

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<v Speaker 5>He goes, I'm sending you something and you have to

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<v Speaker 5>get in your car and I have to drive four

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<v Speaker 5>miles to get internet. Right, He goes, get in your

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<v Speaker 5>car and drive to the it's called the dry yards.

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<v Speaker 5>Get to the dry yards and read this thing that

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<v Speaker 5>I sent you. And I go, what is it? He goes,

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<v Speaker 5>I'm not telling you. I want you to just open

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<v Speaker 5>it and read it. So I go, but I'm at

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<v Speaker 5>the river. He goes, just get in a car. So

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<v Speaker 5>I four miles to the dryards. I opened it the

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<v Speaker 5>link and I had I have watched the show. I

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<v Speaker 5>was a huge.

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<v Speaker 2>Mantain, oh nice, I have.

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<v Speaker 5>Goosebumps while I'm telling you this. So I start reading it,

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<v Speaker 5>and you know what it is. I'm reading it. I'm like,

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<v Speaker 5>oh my god, oh my god, this is a huge

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<v Speaker 5>Oh my god. When I get to the end, he

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<v Speaker 5>burst out crying. I start just crawling. What And so

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<v Speaker 5>then I'm alone in my car and I go, I

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<v Speaker 5>don't think I can do that. Har they made a mistake.

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<v Speaker 5>It was an offer, and I'm.

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<v Speaker 2>Like, it's oh my god.

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<v Speaker 5>No. At the time, this is your magical realm of

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<v Speaker 5>Shondaland had already been a guest on her show Off

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<v Speaker 5>the Map, so I'd done yes, Yeah, and an episode

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<v Speaker 5>of Grays and a private practice, then Scandal, and then

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<v Speaker 5>after Scandal, I went to do How to Get Away

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<v Speaker 5>with Murder a little arc on that.

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<v Speaker 3>So, oh my god, Aynthia, you are yes, you are

0:11:20.440 --> 0:11:22.600
<v Speaker 3>a beloved. You are part of the shop.

0:11:24.760 --> 0:11:28.320
<v Speaker 5>The team right, like they're just so wonderful. Yeah. I

0:11:28.400 --> 0:11:31.280
<v Speaker 5>call him for myself and I go and I said, Kelly,

0:11:31.559 --> 0:11:34.280
<v Speaker 5>I don't know. You just shut your mouth and if

0:11:34.320 --> 0:11:35.960
<v Speaker 5>you don't get your ass back down to town, I'm

0:11:35.960 --> 0:11:37.360
<v Speaker 5>gonna drive up there and I want to.

0:11:39.600 --> 0:11:41.880
<v Speaker 2>I love your manager's so great.

0:11:42.440 --> 0:11:44.480
<v Speaker 3>Did you have to cancel your trip?

0:11:44.920 --> 0:11:46.680
<v Speaker 5>I think we cut it short a little bit, and

0:11:46.720 --> 0:11:48.360
<v Speaker 5>that's why he was like, oh, well you have to

0:11:48.400 --> 0:11:49.720
<v Speaker 5>leave the river jut down here.

0:11:49.800 --> 0:11:52.320
<v Speaker 2>Isn't that old, doesn't it? That always happened. I remember

0:11:52.320 --> 0:11:54.520
<v Speaker 2>being Inwai in Hawaii for one of my best friend's

0:11:54.559 --> 0:11:56.760
<v Speaker 2>weddings and I had to leave early because I booked

0:11:56.800 --> 0:11:59.320
<v Speaker 2>like a Law and Order episode. That that's been like

0:11:59.360 --> 0:12:00.640
<v Speaker 2>our lives so.

0:12:00.600 --> 0:12:04.760
<v Speaker 3>Long, right, just like okay, yeah, all the actors listening there,

0:12:04.840 --> 0:12:07.520
<v Speaker 3>it's like book a trip, book a job, like no

0:12:07.520 --> 0:12:10.600
<v Speaker 3>one will want you in the minute you actually spend

0:12:10.760 --> 0:12:14.040
<v Speaker 3>money to leave town and do something else is when

0:12:14.080 --> 0:12:16.000
<v Speaker 3>Hollywood will get It's because I need a.

0:12:16.080 --> 0:12:19.839
<v Speaker 2>Job, yes, is yeah in the universe is like.

0:12:19.800 --> 0:12:22.120
<v Speaker 5>Hey, cool guy, Hey cool girl, here's your job.

0:12:22.480 --> 0:12:22.720
<v Speaker 2>Yes.

0:12:23.480 --> 0:12:26.720
<v Speaker 3>So do you remember like you're fitting with Lynn Pollo

0:12:26.920 --> 0:12:28.960
<v Speaker 3>or like first coming on too Saturday to prepare for

0:12:28.960 --> 0:12:30.760
<v Speaker 3>the role, were you nervous to work with Carrie?

0:12:30.920 --> 0:12:33.040
<v Speaker 5>Like tell us all of them, I'm always I literally

0:12:33.160 --> 0:12:35.679
<v Speaker 5>am the most If you know what HSPs are I

0:12:35.760 --> 0:12:38.680
<v Speaker 5>highly sense to your person. I'm like, my son, is

0:12:38.679 --> 0:12:40.840
<v Speaker 5>that tweeked up to the max? So I'm always like,

0:12:40.880 --> 0:12:44.280
<v Speaker 5>oh god, what's happening. It's just so much craziness. So

0:12:45.160 --> 0:12:47.640
<v Speaker 5>and everybody's so lovely. And the other thing about your

0:12:47.679 --> 0:12:51.800
<v Speaker 5>show is that season three, right, so everyone's comfortable. Yeah,

0:12:51.920 --> 0:12:56.880
<v Speaker 5>you guys were all the cool people at the reunion. Yeah, yeah,

0:12:58.600 --> 0:13:01.920
<v Speaker 5>betting super casual. And then the prop guy came in

0:13:01.960 --> 0:13:04.200
<v Speaker 5>to the wardrobe fitting and here prompt man was so

0:13:04.240 --> 0:13:07.320
<v Speaker 5>sweet and he was so excited about that best right, like.

0:13:07.840 --> 0:13:09.160
<v Speaker 2>It was probably George George.

0:13:09.200 --> 0:13:12.000
<v Speaker 3>It had to be George, and George props, he's the

0:13:12.040 --> 0:13:13.160
<v Speaker 3>bast You've taken so.

0:13:13.160 --> 0:13:15.320
<v Speaker 5>Much pride in it, and it was incredible. So he

0:13:15.360 --> 0:13:17.240
<v Speaker 5>came into the wardrobe fitting to see how it fit

0:13:17.320 --> 0:13:20.280
<v Speaker 5>over the blouse, and yes, they were all excited about it,

0:13:20.280 --> 0:13:22.360
<v Speaker 5>and so I'm like, that was super cool. And then

0:13:22.400 --> 0:13:25.000
<v Speaker 5>I remember in the makeup and the hair and makeup,

0:13:25.040 --> 0:13:27.640
<v Speaker 5>I think Carrie wasn't there yet, the Bellamy, who had

0:13:27.720 --> 0:13:32.480
<v Speaker 5>never met before. So here comes this amazing angel person

0:13:32.640 --> 0:13:38.800
<v Speaker 5>and she's like, yeah, I was all my nervous craziness

0:13:38.840 --> 0:13:40.680
<v Speaker 5>just disappeared in an instant. She was like, you're got

0:13:41.000 --> 0:13:44.040
<v Speaker 5>kill it. You're killing you crazy weirdo. You're gonna be

0:13:47.080 --> 0:13:50.320
<v Speaker 5>like with that ball of just kindness and amazing, you

0:13:50.320 --> 0:13:53.079
<v Speaker 5>can't be nervous anymore. But I don't think I met Carrie.

0:13:53.280 --> 0:13:55.960
<v Speaker 5>I don't think i'd met her until Oh, I guess

0:13:55.960 --> 0:13:58.640
<v Speaker 5>it was our little thing in your office, in the office,

0:13:58.640 --> 0:14:01.720
<v Speaker 5>the scene in the office, and that was oh so

0:14:01.800 --> 0:14:03.839
<v Speaker 5>much to do. And I remember she kept carrying around

0:14:03.840 --> 0:14:04.920
<v Speaker 5>her huge blinder.

0:14:05.160 --> 0:14:07.800
<v Speaker 3>Oh yeah, oh my god, we even talked about that

0:14:07.920 --> 0:14:12.560
<v Speaker 3>yet on this podcast. Yeah, Carrie Washington's nerd ass binder.

0:14:13.120 --> 0:14:14.800
<v Speaker 5>I looked at her blinder and I actually got a

0:14:14.840 --> 0:14:17.439
<v Speaker 5>stomach ache. I was like, oh god, I remember what she.

0:14:17.400 --> 0:14:20.640
<v Speaker 2>Would be memorizing lines for like the next episode while

0:14:20.680 --> 0:14:23.080
<v Speaker 2>she was memory while she was doing the scenes for

0:14:22.760 --> 0:14:24.320
<v Speaker 2>the episode we were shooting.

0:14:24.560 --> 0:14:27.960
<v Speaker 3>She would take down an entire tree of post it

0:14:28.000 --> 0:14:32.760
<v Speaker 3>notes through the binder, color coded what was shooting, what

0:14:32.880 --> 0:14:34.920
<v Speaker 3>she had memorized, what she hadn't learned yet, what the

0:14:34.960 --> 0:14:37.520
<v Speaker 3>long like, how things connected to each other.

0:14:37.920 --> 0:14:40.760
<v Speaker 2>Crazy. We'll be right back guys.

0:14:47.000 --> 0:14:50.720
<v Speaker 3>Now, you've been a lead of so many shows. What's

0:14:50.720 --> 0:14:53.760
<v Speaker 3>so amazing about you is like you are so versatile

0:14:53.920 --> 0:14:57.240
<v Speaker 3>in I mean, you carry sitcoms.

0:14:56.840 --> 0:14:59.840
<v Speaker 2>Really quickly too. I love horror movies and I had

0:14:59.840 --> 0:15:03.120
<v Speaker 2>not ever seen a horror movie that that Cynthia had

0:15:03.240 --> 0:15:07.080
<v Speaker 2>had been in called Jennifer's Body, and I just watched

0:15:07.120 --> 0:15:08.480
<v Speaker 2>it like last night.

0:15:08.640 --> 0:15:12.120
<v Speaker 3>This is Ghermo Diaz six Degrees of Horror. Every episode

0:15:12.240 --> 0:15:14.680
<v Speaker 3>we relate some shit to horror. We got.

0:15:15.200 --> 0:15:18.080
<v Speaker 2>Cynthia Stevenson was in one of the best freaking horror

0:15:18.080 --> 0:15:20.840
<v Speaker 2>movies written by Diablo Cody, who was an amazing writer.

0:15:21.160 --> 0:15:23.440
<v Speaker 2>That writer was gonna was in the midst of writing

0:15:23.480 --> 0:15:26.840
<v Speaker 2>Madonna's script about her life that Madonna's gonna direct, and

0:15:26.880 --> 0:15:29.440
<v Speaker 2>then something happened and she has a different writer.

0:15:29.520 --> 0:15:33.960
<v Speaker 3>Now Giermo's life has two lanes horror, yeah, Donna, yes.

0:15:34.120 --> 0:15:38.120
<v Speaker 3>And so Diablo Cody and Cynthia Stevenson are meeting at

0:15:38.120 --> 0:15:41.440
<v Speaker 3>the crux of horror and this is big for Gharamo.

0:15:41.760 --> 0:15:45.320
<v Speaker 2>And Cynthia plays Chip's mom who provides him with a

0:15:45.440 --> 0:15:49.240
<v Speaker 2>spray that says something pink on it, which he uses

0:15:49.320 --> 0:15:52.040
<v Speaker 2>or the other character uses to spray like the woman

0:15:52.080 --> 0:15:55.560
<v Speaker 2>that's possessed by all this devil stuff. Anyway, you were

0:15:55.640 --> 0:15:57.760
<v Speaker 2>so funny, so lovely, in that movie, and the movie

0:15:57.800 --> 0:16:00.320
<v Speaker 2>was so good. But then today this morning, I watched

0:16:00.400 --> 0:16:04.080
<v Speaker 2>A thirty nine, which is another horror movie that Cynthia's

0:16:04.120 --> 0:16:06.280
<v Speaker 2>in with Renees Eliger and Bradley Cooper.

0:16:07.560 --> 0:16:10.320
<v Speaker 3>Cynthia, see, I have a hard fast rule. I do

0:16:10.400 --> 0:16:12.400
<v Speaker 3>not watch horror. I do not like it. I only

0:16:12.400 --> 0:16:13.040
<v Speaker 3>hear about it all.

0:16:14.000 --> 0:16:15.800
<v Speaker 5>And thank goodness, like in all of those things that

0:16:15.840 --> 0:16:18.280
<v Speaker 5>you're referencing, I didn't have to do the horrory part

0:16:18.280 --> 0:16:18.560
<v Speaker 5>of it.

0:16:18.600 --> 0:16:21.480
<v Speaker 3>You didn't, Yes, for those of you listening and that

0:16:21.560 --> 0:16:23.280
<v Speaker 3>don't have a computer in front of you to know

0:16:23.480 --> 0:16:26.520
<v Speaker 3>every single thing that Cynthia has been in, which is insane,

0:16:26.680 --> 0:16:29.320
<v Speaker 3>and of course why you would get a straight offer

0:16:29.800 --> 0:16:32.520
<v Speaker 3>on Scandal and be on every single Chondalin show. But

0:16:32.680 --> 0:16:37.640
<v Speaker 3>it's like, it's unbelievable. It's like my talk show, Bob

0:16:38.040 --> 0:16:43.440
<v Speaker 3>Hope and Gloria Oh Baby, Robert Altman's film The Player,

0:16:44.080 --> 0:16:47.680
<v Speaker 3>Forget Paris Home for the Holidays, Air Bud Golden Receiver.

0:16:47.960 --> 0:16:51.280
<v Speaker 3>I mean, come on, Agent Cody Banks, dead like me,

0:16:51.280 --> 0:16:53.680
<v Speaker 3>Men and Trees. I mean, your career is ridiculous, and

0:16:53.720 --> 0:16:57.560
<v Speaker 3>you're so versatile between comedy drama, Like there's really movies

0:16:57.640 --> 0:17:00.320
<v Speaker 3>film like the TV. There's nothing you can do.

0:17:01.240 --> 0:17:03.920
<v Speaker 5>And hey, what about IMDb, you guys, I gotta say

0:17:03.960 --> 0:17:05.960
<v Speaker 5>I go on IMDb for a million years now and

0:17:06.000 --> 0:17:09.200
<v Speaker 5>it says my tashow various episodes.

0:17:10.040 --> 0:17:10.760
<v Speaker 2>Are you kidding?

0:17:13.000 --> 0:17:15.439
<v Speaker 5>Yeah, it won't change it. And it says I'm sixty.

0:17:15.880 --> 0:17:19.920
<v Speaker 3>It says you're six feet tall. What fucking forty two?

0:17:20.400 --> 0:17:21.440
<v Speaker 3>I'm forty one.

0:17:22.200 --> 0:17:24.240
<v Speaker 2>It brings up it actually says I'm younger. So I'm

0:17:24.280 --> 0:17:26.080
<v Speaker 2>not mad at IMDb, but I'm mad that it says

0:17:26.080 --> 0:17:28.720
<v Speaker 2>that I was born and raised in New Jersey. Now

0:17:28.760 --> 0:17:32.560
<v Speaker 2>that's worse than being six feet tall and being forty two.

0:17:32.760 --> 0:17:36.639
<v Speaker 2>It says I'm from fucking Jersey. No, no offense from Jersey.

0:17:36.640 --> 0:17:40.960
<v Speaker 2>I do love Jersey Jersey. But you're from fucking watching Manhattan.

0:17:41.080 --> 0:17:44.560
<v Speaker 3>Yeah, and it's culturally such a huge part of who

0:17:44.600 --> 0:17:47.720
<v Speaker 3>you are. That's so muched up.

0:17:47.840 --> 0:17:50.160
<v Speaker 2>But you're right, Cify, it's so hard to get things

0:17:50.240 --> 0:17:51.919
<v Speaker 2>changed on the it's ridiculous.

0:17:51.960 --> 0:17:53.959
<v Speaker 5>You can't, guys. So you say this, look what your

0:17:53.960 --> 0:17:54.760
<v Speaker 5>show gave you.

0:17:54.960 --> 0:17:59.040
<v Speaker 3>Best friend, right, Yes, yes, that's so true.

0:17:59.240 --> 0:18:01.640
<v Speaker 5>One of the greatest of all time. And I will

0:18:01.680 --> 0:18:05.080
<v Speaker 5>say this that so many people could not have done,

0:18:05.280 --> 0:18:07.159
<v Speaker 5>never could they have done your roles? Going back to

0:18:07.160 --> 0:18:09.800
<v Speaker 5>you sang listen to your silvers, you too, come on.

0:18:10.240 --> 0:18:12.320
<v Speaker 5>Your storylines were insane, and.

0:18:12.240 --> 0:18:15.320
<v Speaker 3>You were so they were insane, amazing, We were so lucky.

0:18:15.840 --> 0:18:18.120
<v Speaker 5>When did I feel like you were outside of it?

0:18:18.280 --> 0:18:21.880
<v Speaker 5>You just you can't or you can't do it.

0:18:22.160 --> 0:18:25.000
<v Speaker 2>Yeah, but that's the way I felt watching this episode

0:18:25.000 --> 0:18:28.080
<v Speaker 2>with you. I was like, I could not imagine anyone

0:18:28.119 --> 0:18:31.760
<v Speaker 2>else doing that part. You were so emotionally available, and

0:18:31.800 --> 0:18:33.720
<v Speaker 2>you talked a little bit about being that person that

0:18:33.760 --> 0:18:36.639
<v Speaker 2>sort of feels everything, and so I'm sure that helped

0:18:36.920 --> 0:18:39.480
<v Speaker 2>playing this character. You were just so there. Man.

0:18:40.160 --> 0:18:42.200
<v Speaker 5>In real life, I have one son, so of course

0:18:42.240 --> 0:18:43.120
<v Speaker 5>I was using.

0:18:43.119 --> 0:18:45.240
<v Speaker 3>Oh my god, I was going to ask, how did

0:18:45.280 --> 0:18:47.800
<v Speaker 3>you prepare? Like what do you do for that stuff?

0:18:48.000 --> 0:18:49.760
<v Speaker 5>Do you guys do this? So when I was reading

0:18:49.760 --> 0:18:51.520
<v Speaker 5>it in the dry yards way back and like I'm

0:18:51.520 --> 0:18:53.360
<v Speaker 5>at the river, I was reading it and I knew

0:18:53.359 --> 0:18:56.719
<v Speaker 5>immediately she's a single mother. The husband had left many

0:18:56.800 --> 0:18:59.159
<v Speaker 5>years before. She raised her son alone, and she I

0:18:59.160 --> 0:19:00.480
<v Speaker 5>don't know why the song him to me in a

0:19:00.520 --> 0:19:03.280
<v Speaker 5>giant flood. And she's a home ch teacher, she taught

0:19:03.320 --> 0:19:04.679
<v Speaker 5>home ex she was just a teacher.

0:19:04.760 --> 0:19:08.440
<v Speaker 2>She's just oh my god, I'm chilled Midwest.

0:19:07.960 --> 0:19:10.480
<v Speaker 5>Woman and her whole life was her son. That's all

0:19:10.520 --> 0:19:13.640
<v Speaker 5>she had and that was enough. And so when that happened,

0:19:14.000 --> 0:19:17.000
<v Speaker 5>I remember saying, as that character, I can't live with it.

0:19:17.080 --> 0:19:19.600
<v Speaker 5>I can't, So I don't. I didn't know it's the character.

0:19:19.640 --> 0:19:20.720
<v Speaker 5>I was going to do what I did at the

0:19:20.800 --> 0:19:24.120
<v Speaker 5>end of the episode until I get the news from Carrie.

0:19:24.280 --> 0:19:27.600
<v Speaker 5>But it's like my whole was done. Yeah, it was heartbreading.

0:19:27.640 --> 0:19:29.960
<v Speaker 5>So that was a good place to go all during

0:19:29.960 --> 0:19:31.879
<v Speaker 5>the episode when you have to stay in that place,

0:19:32.040 --> 0:19:34.320
<v Speaker 5>right and it it made me go insane. Remember when

0:19:34.359 --> 0:19:36.840
<v Speaker 5>she says like he's just been laying in the morgue and.

0:19:36.800 --> 0:19:41.560
<v Speaker 2>Not oh yeah unclaimed, Yeah yeah.

0:19:41.400 --> 0:19:43.680
<v Speaker 5>Yeah, just begune unraveling.

0:19:43.960 --> 0:19:46.440
<v Speaker 3>Can I ask you something selfishly and then we'll talk

0:19:46.600 --> 0:19:48.679
<v Speaker 3>a little bit more about the episode. But because we

0:19:48.720 --> 0:19:50.480
<v Speaker 3>didn't get to be with you, did you do you

0:19:50.600 --> 0:19:54.119
<v Speaker 3>like not socialized? You like listen to music and like

0:19:54.160 --> 0:19:56.679
<v Speaker 3>an iPod? Do you like? I mean, I'm gil I

0:19:56.720 --> 0:19:59.440
<v Speaker 3>have tried so many different things when she's not there,

0:19:59.480 --> 0:20:01.119
<v Speaker 3>and I'm like, oh, hey, let's just think about if

0:20:01.119 --> 0:20:03.040
<v Speaker 3>something really fucking bad happened to my mom or like

0:20:03.080 --> 0:20:08.720
<v Speaker 3>whatever bring And then I'm like the biggest person for that.

0:20:09.680 --> 0:20:12.040
<v Speaker 3>What were your tips and tricks for this episode or

0:20:12.080 --> 0:20:13.960
<v Speaker 3>for all the other stuff you've done.

0:20:14.560 --> 0:20:15.960
<v Speaker 5>I do the same thing for all the time. And

0:20:16.000 --> 0:20:18.520
<v Speaker 5>I had this wonderful teacher who actually is still teaching

0:20:18.520 --> 0:20:21.399
<v Speaker 5>in la Ian Tucker. He's amazing, and he always says,

0:20:21.960 --> 0:20:26.360
<v Speaker 5>always keep your character here. Then when you're rolling, it

0:20:26.400 --> 0:20:28.359
<v Speaker 5>counts here. Put it right here.

0:20:28.840 --> 0:20:32.560
<v Speaker 3>Oh wow, for those of you guys listening, she's putting

0:20:32.600 --> 0:20:36.480
<v Speaker 3>like her character sits on her shoulder, sits on your shoulder,

0:20:36.520 --> 0:20:38.720
<v Speaker 3>and then when they call action, they move from your

0:20:38.760 --> 0:20:41.800
<v Speaker 3>shoulder into you. Is that what you're kind of meaning?

0:20:41.880 --> 0:20:44.040
<v Speaker 5>Because think of us walking into an audition room, which

0:20:44.080 --> 0:20:45.760
<v Speaker 5>now at ZUM we don't really have to do it anymore,

0:20:45.760 --> 0:20:50.399
<v Speaker 5>but you walk in, hey, and sometimes your character is

0:20:50.480 --> 0:20:52.760
<v Speaker 5>so far away that when it becomes time to like

0:20:52.760 --> 0:20:55.560
<v Speaker 5>here's my moline, you start reading, you're like, oh, picture,

0:20:55.640 --> 0:20:58.880
<v Speaker 5>our character is writing in with us, we're chatting, we're us,

0:20:58.920 --> 0:21:01.920
<v Speaker 5>we're not so crazy that and then it's just only

0:21:01.920 --> 0:21:04.240
<v Speaker 5>got this distance to travel, and then you're right there.

0:21:05.400 --> 0:21:09.159
<v Speaker 5>It gets harder when there's something really emotional right, and

0:21:09.280 --> 0:21:11.000
<v Speaker 5>so much easier on a sitcom that you're like, it's

0:21:11.000 --> 0:21:13.800
<v Speaker 5>all just light, yea, But to keep that character close.

0:21:14.400 --> 0:21:16.280
<v Speaker 5>I also don't ever want to do a job. But

0:21:16.320 --> 0:21:18.359
<v Speaker 5>please don't talk to me. Please call Meveut my character name.

0:21:18.960 --> 0:21:23.080
<v Speaker 5>Oh god, but you're just you keep that kind of

0:21:23.320 --> 0:21:26.480
<v Speaker 5>energetically really close to your heart and don't get so

0:21:26.600 --> 0:21:28.399
<v Speaker 5>far away they actually think. I remember a couple of

0:21:28.400 --> 0:21:31.200
<v Speaker 5>times saying to Mark, who I was just pouring on

0:21:31.320 --> 0:21:33.760
<v Speaker 5>that venom too. I said, I'm so sorry, I'm really

0:21:33.840 --> 0:21:36.160
<v Speaker 5>hateful to you. I just hate you. My character hates

0:21:36.200 --> 0:21:38.520
<v Speaker 5>you so much, and he goes, oh, it's okay, it's okay.

0:21:40.200 --> 0:21:46.760
<v Speaker 2>Mark moses gentlemen that plays the Congress, Yeah, yeah, yes, yes, yes,

0:21:47.440 --> 0:21:52.400
<v Speaker 2>you know yeah. I feel like Katie is the complete

0:21:52.440 --> 0:21:56.120
<v Speaker 2>opposite Katie. We've talked about this before. We'll be cracking up,

0:21:56.160 --> 0:21:58.480
<v Speaker 2>talking a mile a minute, telling a story about what

0:21:58.520 --> 0:22:01.520
<v Speaker 2>happened the night before. And as they're saying Rolling, she's

0:22:01.560 --> 0:22:05.040
<v Speaker 2>still talking, and the directors already knew once scandal. They

0:22:05.040 --> 0:22:09.240
<v Speaker 2>were like, just keep calling Rolling, slate, rolling, and when

0:22:09.240 --> 0:22:11.240
<v Speaker 2>she hears action, she snaps right into it.

0:22:11.280 --> 0:22:13.879
<v Speaker 5>I can totally see you doing that. I love that.

0:22:14.000 --> 0:22:14.679
<v Speaker 5>I love that.

0:22:15.200 --> 0:22:17.760
<v Speaker 2>Yeah, she can do that, and then she she still

0:22:17.800 --> 0:22:18.760
<v Speaker 2>does a kick ass job.

0:22:19.160 --> 0:22:21.640
<v Speaker 3>I mean I probably do better if I like took

0:22:21.640 --> 0:22:24.000
<v Speaker 3>my ship more. Seriously, I just love everybody so much.

0:22:24.240 --> 0:22:26.719
<v Speaker 3>Being on set is so fun with being all the people.

0:22:27.000 --> 0:22:28.680
<v Speaker 5>See Katie, that's your magic.

0:22:28.400 --> 0:22:31.040
<v Speaker 3>And I want to eat my snacks and I want

0:22:31.040 --> 0:22:33.040
<v Speaker 3>to you know, like.

0:22:33.160 --> 0:22:36.760
<v Speaker 5>And then you want to get into the same Yeah,

0:22:36.320 --> 0:22:39.840
<v Speaker 5>that's that's a huge skill. So don't ever say, oh,

0:22:40.840 --> 0:22:41.360
<v Speaker 5>you're in it.

0:22:41.520 --> 0:22:48.760
<v Speaker 3>We will be back with more after the break. This

0:22:48.880 --> 0:22:53.240
<v Speaker 3>episode there we always have like some uh some Kerry

0:22:53.359 --> 0:22:56.399
<v Speaker 3>Washington School of acting moments or word for words like

0:22:56.920 --> 0:22:59.199
<v Speaker 3>monologues that knocked your socks off or made us go

0:22:59.240 --> 0:23:02.600
<v Speaker 3>holy shit Sean Rimes and these writers are unfreaking believable.

0:23:03.080 --> 0:23:09.000
<v Speaker 3>And this episode, that Melly speech at the end with

0:23:09.119 --> 0:23:13.280
<v Speaker 3>the accent, I mean, I I cannot. Also, I think

0:23:13.280 --> 0:23:15.679
<v Speaker 3>this is the second or third time she's called Olivia

0:23:15.720 --> 0:23:18.480
<v Speaker 3>popehor but I never get I never am born of it.

0:23:19.640 --> 0:23:20.200
<v Speaker 5>I love.

0:23:21.800 --> 0:23:27.160
<v Speaker 3>So oh my god, it's hilarious, like, oh my god,

0:23:27.200 --> 0:23:30.240
<v Speaker 3>Matt Burne wrote this episode. But I just can't, like,

0:23:30.960 --> 0:23:34.240
<v Speaker 3>we never heard I think, you know, if Olivia Pope died.

0:23:34.280 --> 0:23:39.800
<v Speaker 3>It would be so bad, because it would be she says, spectacular.

0:23:39.920 --> 0:23:42.800
<v Speaker 3>But you can't compete with religious fervor. So no, I'm

0:23:42.800 --> 0:23:46.360
<v Speaker 3>not hoping that she would be blown up today. Tell

0:23:46.440 --> 0:23:48.760
<v Speaker 3>us your other acting favorite moments of the app.

0:23:49.000 --> 0:23:50.479
<v Speaker 5>For me, I think it was when Melly looked right

0:23:50.520 --> 0:23:51.760
<v Speaker 5>at me and said, you shut up.

0:23:51.960 --> 0:23:56.160
<v Speaker 2>It was so great, Yes, you shut up. Oh my god,

0:23:56.200 --> 0:23:57.160
<v Speaker 2>that was so good.

0:23:57.720 --> 0:23:59.600
<v Speaker 3>Melly might be the winner of this app. It's a

0:23:59.640 --> 0:24:03.880
<v Speaker 3>tie for me between Melly and between Mary nest Bit.

0:24:04.080 --> 0:24:09.440
<v Speaker 5>Well, no, but you had had some She walks into

0:24:09.440 --> 0:24:11.960
<v Speaker 5>the office and you're just sitting there. You were so

0:24:12.440 --> 0:24:13.160
<v Speaker 5>scary in.

0:24:13.119 --> 0:24:17.280
<v Speaker 2>That episode, you guys. This was the This was around

0:24:17.359 --> 0:24:20.000
<v Speaker 2>the time. Do you guys remember the grumpy Cat meme

0:24:20.560 --> 0:24:24.119
<v Speaker 2>that was going around. This is the episode that people

0:24:24.160 --> 0:24:27.600
<v Speaker 2>started posting that meme with my face in this scene.

0:24:27.640 --> 0:24:31.120
<v Speaker 3>In that scene, I am dead.

0:24:31.080 --> 0:24:32.920
<v Speaker 2>With grumpy Cat.

0:24:32.400 --> 0:24:35.720
<v Speaker 5>But your whole journey in that episode is so heartbreaking.

0:24:35.800 --> 0:24:37.439
<v Speaker 5>When he walks out of the trailer and you just

0:24:37.480 --> 0:24:39.200
<v Speaker 5>have the gun right in his head. Oh my god,

0:24:40.320 --> 0:24:41.280
<v Speaker 5>there's so much.

0:24:41.440 --> 0:24:44.120
<v Speaker 2>This is also the episode where Sion knows Wark our

0:24:44.119 --> 0:24:47.160
<v Speaker 2>director first came up to me after I we did

0:24:47.200 --> 0:24:49.120
<v Speaker 2>the first take of that scene where carry walks into

0:24:49.160 --> 0:24:52.000
<v Speaker 2>the office and he came up to me and he said, yes,

0:24:52.200 --> 0:24:57.439
<v Speaker 2>you're too maniacal, Yes you're too it's too much. And

0:24:57.480 --> 0:25:02.879
<v Speaker 2>I was like, oh my, okay, okay, because we have

0:25:02.960 --> 0:25:03.639
<v Speaker 2>to keep going.

0:25:03.800 --> 0:25:06.439
<v Speaker 5>So then when you were when she cradles you and

0:25:06.480 --> 0:25:11.800
<v Speaker 5>you're crying, yeah, and then it just flashed back to

0:25:11.880 --> 0:25:13.199
<v Speaker 5>all the time you were in the box.

0:25:13.400 --> 0:25:14.840
<v Speaker 3>Was such a wounded wound.

0:25:14.960 --> 0:25:18.520
<v Speaker 2>I loved doing this episode for me. The king of

0:25:18.560 --> 0:25:21.959
<v Speaker 2>this episode, of course Cynthia, I mean with her performance, yes,

0:25:22.200 --> 0:25:27.439
<v Speaker 2>But secondly, is freaking baby Teddy in that opening scene

0:25:28.000 --> 0:25:31.560
<v Speaker 2>where I have never seen a baby on screen give

0:25:32.200 --> 0:25:35.800
<v Speaker 2>less than any fucks before in my life. He was slept.

0:25:36.080 --> 0:25:39.119
<v Speaker 2>He was leaning on one one hand with a look

0:25:39.240 --> 0:25:41.080
<v Speaker 2>like I don't know what the hell I'm doing. He

0:25:41.119 --> 0:25:42.440
<v Speaker 2>looked like he was sixty five.

0:25:42.320 --> 0:25:45.560
<v Speaker 3>Years old, I'll give And they kept putting.

0:25:45.280 --> 0:25:47.080
<v Speaker 2>Like food on his face. You could tell because in

0:25:47.080 --> 0:25:50.119
<v Speaker 2>different takes there'd be more food or less, and he

0:25:50.280 --> 0:25:52.400
<v Speaker 2>just had this look like, get me the fuck out

0:25:52.440 --> 0:25:53.320
<v Speaker 2>of continuity.

0:25:53.400 --> 0:25:56.000
<v Speaker 3>Must have had a real heyday.

0:25:56.040 --> 0:25:59.119
<v Speaker 2>He wasn't like the guying and like he was just

0:25:59.119 --> 0:26:00.960
<v Speaker 2>like he was like staring.

0:26:04.080 --> 0:26:07.919
<v Speaker 5>With disdain at both of them, like, really, this is parents.

0:26:08.119 --> 0:26:11.000
<v Speaker 3>I felt bad for baby Teddy because Baby Teddy was

0:26:11.040 --> 0:26:13.919
<v Speaker 3>a set of twin girls I'm pretty sure, and they

0:26:14.119 --> 0:26:18.200
<v Speaker 3>just had kept having Baby Teddy girls in and cutting

0:26:18.240 --> 0:26:19.640
<v Speaker 3>her hair short like a boy.

0:26:20.080 --> 0:26:21.959
<v Speaker 2>Yeah, when he was really young, it was too. It

0:26:21.960 --> 0:26:23.840
<v Speaker 2>was twin girls, and then when he was older. I

0:26:23.840 --> 0:26:25.520
<v Speaker 2>think it was too at some point.

0:26:25.560 --> 0:26:27.399
<v Speaker 3>But you know, G and I love food and our

0:26:27.440 --> 0:26:30.840
<v Speaker 3>favorite acting on cameras when anyone eats, And so of

0:26:30.880 --> 0:26:34.040
<v Speaker 3>course maybe baby Teddy is the winner since he is

0:26:34.080 --> 0:26:36.639
<v Speaker 3>crushing baby food. Not the best acting.

0:26:36.840 --> 0:26:39.000
<v Speaker 2>He was amazing at the acting, but he was terrible

0:26:39.040 --> 0:26:41.959
<v Speaker 2>at the eating because he wasn't his mouth was shut. Clothes,

0:26:42.040 --> 0:26:43.639
<v Speaker 2>you just have food smeared on um.

0:26:44.680 --> 0:26:47.199
<v Speaker 3>He must have eaten in like other takes, Like he

0:26:47.359 --> 0:26:50.879
<v Speaker 3>must have liked, you know what I mean, Like he

0:26:51.040 --> 0:26:53.919
<v Speaker 3>must have like I don't know what went down, but

0:26:54.160 --> 0:26:56.960
<v Speaker 3>it didn't really work, and I thought it was very distracting.

0:26:57.000 --> 0:27:00.879
<v Speaker 3>But I do think that he might be and winner.

0:27:00.960 --> 0:27:03.800
<v Speaker 2>I think he's a king actor in this episode for sure,

0:27:03.880 --> 0:27:10.919
<v Speaker 2>and Cynthia is the queen that works. Another moment is

0:27:11.000 --> 0:27:13.199
<v Speaker 2>when Carrie is on the phone at the end of

0:27:13.200 --> 0:27:15.639
<v Speaker 2>the episode when you guys you still have the bomb

0:27:15.680 --> 0:27:18.520
<v Speaker 2>and she's talking to fits and she turns away from you, Cynthia,

0:27:19.119 --> 0:27:20.679
<v Speaker 2>and you could see it all on her face, and

0:27:20.680 --> 0:27:22.760
<v Speaker 2>she says, don't make me do this, and she and

0:27:22.800 --> 0:27:25.879
<v Speaker 2>then she turns back to you and just oh my god.

0:27:26.080 --> 0:27:29.920
<v Speaker 2>It was just so full of emotion and so heartbreaking.

0:27:30.040 --> 0:27:33.040
<v Speaker 5>I decided that she was a princess, and I crazy,

0:27:33.760 --> 0:27:36.240
<v Speaker 5>she's like a princess. She's like a princess, and she's

0:27:36.280 --> 0:27:38.920
<v Speaker 5>going to save me. Yeah, my character fell in love

0:27:38.960 --> 0:27:40.040
<v Speaker 5>with her and she was my safe.

0:27:41.520 --> 0:27:44.640
<v Speaker 2>You could feel that, Yeah, I could feel that watching it.

0:27:44.720 --> 0:27:50.520
<v Speaker 3>Yeah, we also have to add to the ah, we

0:27:50.560 --> 0:27:54.679
<v Speaker 3>have body count to add in this. We have some

0:27:54.800 --> 0:27:58.359
<v Speaker 3>death to add to the ever loving scandal body count,

0:27:58.400 --> 0:28:05.280
<v Speaker 3>which is sadly nessa Congressman, Jim Struthers.

0:28:05.119 --> 0:28:07.440
<v Speaker 2>And then Peter Poster, the.

0:28:07.359 --> 0:28:11.440
<v Speaker 3>White House intruder, and then yeah, hey.

0:28:11.400 --> 0:28:14.200
<v Speaker 5>Episode three, three deaths. There's some good syncretis.

0:28:14.320 --> 0:28:16.400
<v Speaker 2>Oh wow, Yeah, the Trinity.

0:28:16.480 --> 0:28:18.479
<v Speaker 5>You have to tell this story to remember so at

0:28:18.480 --> 0:28:20.640
<v Speaker 5>the end that what you just referenced caver where Tony

0:28:20.640 --> 0:28:23.840
<v Speaker 5>Goldwin has a giant two page monologue talking to and

0:28:23.880 --> 0:28:26.000
<v Speaker 5>her phone and I remember saying, how are they going

0:28:26.080 --> 0:28:28.720
<v Speaker 5>to do that? Did they recorded or is it God forbid?

0:28:28.720 --> 0:28:33.199
<v Speaker 5>The script supervisor, which thank so I remember on the

0:28:33.320 --> 0:28:35.080
<v Speaker 5>night because it was really late when we shot that.

0:28:35.160 --> 0:28:37.320
<v Speaker 5>I look over, I go what because he wasn't on

0:28:37.320 --> 0:28:39.160
<v Speaker 5>the call sheet, Tony wasn't on the cauchet, and there

0:28:39.240 --> 0:28:42.640
<v Speaker 5>he is sitting on the floor and he came he said, oh, yeah,

0:28:42.680 --> 0:28:44.240
<v Speaker 5>I was having dinner with my wife, but I wanted

0:28:44.280 --> 0:28:46.680
<v Speaker 5>to come in for Carrie. And that's when I said, Okay,

0:28:46.680 --> 0:28:47.200
<v Speaker 5>this show.

0:28:47.080 --> 0:28:49.680
<v Speaker 2>Is yes forever. Yeah.

0:28:49.840 --> 0:28:51.959
<v Speaker 3>He shot that scene at one o'clock in the morning,

0:28:52.120 --> 0:28:56.400
<v Speaker 3>So line huge monologue into a phone call scene, which

0:28:56.440 --> 0:28:59.840
<v Speaker 3>is how you know they took those phone calls very soon.

0:28:59.880 --> 0:29:01.760
<v Speaker 2>We would do that all the time, Katie right. They

0:29:01.760 --> 0:29:03.680
<v Speaker 2>would give us a heads up and be like, hey,

0:29:03.720 --> 0:29:06.080
<v Speaker 2>you have a phone call with Carrie or with Katie

0:29:06.160 --> 0:29:08.680
<v Speaker 2>or whoever, and we would make ourselves available to actually

0:29:08.680 --> 0:29:11.280
<v Speaker 2>get on the phone while they were shooting the scene

0:29:11.320 --> 0:29:13.360
<v Speaker 2>and do the scene with them, or we would come

0:29:13.400 --> 0:29:14.880
<v Speaker 2>to set. There were a couple of times I came

0:29:14.920 --> 0:29:16.760
<v Speaker 2>to set, or if we were already on set, of

0:29:16.760 --> 0:29:19.360
<v Speaker 2>course we would do it and just actors listening.

0:29:19.640 --> 0:29:22.840
<v Speaker 5>That's really unusual. A lot of the time, that's when

0:29:22.880 --> 0:29:25.400
<v Speaker 5>there's just oh yeah, support and that's the way it

0:29:25.440 --> 0:29:27.360
<v Speaker 5>should be, right, but it isn't.

0:29:27.200 --> 0:29:30.080
<v Speaker 3>A lot of the time, and sometimes it is Oh yeah,

0:29:30.080 --> 0:29:32.800
<v Speaker 3>that's definitely how you do your best act that's a

0:29:32.920 --> 0:29:35.440
<v Speaker 3>really good point to bring up, and that I love them.

0:29:35.560 --> 0:29:38.080
<v Speaker 3>They yeah, that's really really nice.

0:29:38.080 --> 0:29:39.640
<v Speaker 2>I did a move a big movie once and I

0:29:39.640 --> 0:29:42.400
<v Speaker 2>did most of my scenes with the actors stand in.

0:29:43.000 --> 0:29:45.360
<v Speaker 2>We would do all his stuff and then not the

0:29:45.400 --> 0:29:47.640
<v Speaker 2>whole movie. But like like I remember like two or

0:29:47.640 --> 0:29:50.960
<v Speaker 2>three like big scenes, and I ended up with doing

0:29:51.000 --> 0:29:53.840
<v Speaker 2>all my coverage with his stand in, and I was like,

0:29:54.200 --> 0:29:57.840
<v Speaker 2>this is so weird, this is shitty. But yeah, it's

0:29:57.840 --> 0:29:59.680
<v Speaker 2>not the norm to be there for your actor when

0:29:59.720 --> 0:30:01.560
<v Speaker 2>you're not in the actual scening or just on the

0:30:01.560 --> 0:30:02.360
<v Speaker 2>phone or whatever.

0:30:03.320 --> 0:30:06.040
<v Speaker 5>To you for doing that, because it's really hard. It's

0:30:06.200 --> 0:30:11.560
<v Speaker 5>really hard cameras in your face. Yes, So even if

0:30:11.560 --> 0:30:13.880
<v Speaker 5>you're your partner's there for you, which the perfect world

0:30:13.920 --> 0:30:16.360
<v Speaker 5>they are, but when they're not, that's really tough on

0:30:16.480 --> 0:30:17.960
<v Speaker 5>them and great on you that you could do it.

0:30:18.080 --> 0:30:18.280
<v Speaker 2>Yeah.

0:30:18.320 --> 0:30:18.520
<v Speaker 5>Real.

0:30:18.720 --> 0:30:20.680
<v Speaker 2>Although I feel like I've had some of my best

0:30:20.680 --> 0:30:22.959
<v Speaker 2>acting moments acting with like a tennis ball. There were

0:30:23.040 --> 0:30:25.000
<v Speaker 2>times where I had to act with just the actor

0:30:25.080 --> 0:30:27.320
<v Speaker 2>couldn't physically be there or they were like off to

0:30:27.360 --> 0:30:29.560
<v Speaker 2>the side, and I was like, this is the best

0:30:29.560 --> 0:30:31.320
<v Speaker 2>work on this tennis ball.

0:30:33.160 --> 0:30:33.960
<v Speaker 5>Even more.

0:30:35.360 --> 0:30:37.680
<v Speaker 2>Yeah, because sometimes you can look in the eyes of

0:30:37.720 --> 0:30:40.080
<v Speaker 2>the other acting you could see them being like, oh God,

0:30:40.240 --> 0:30:41.360
<v Speaker 2>what am I going to have for lung?

0:30:41.480 --> 0:30:44.360
<v Speaker 3>And one of the biggest hardest monologues I ever had

0:30:44.440 --> 0:30:47.719
<v Speaker 3>with an actress who will remain unnamed, and she may

0:30:47.800 --> 0:30:49.880
<v Speaker 3>or may not be a part of sand Land, but

0:30:49.920 --> 0:30:52.960
<v Speaker 3>we're going to leave it at that, and so all

0:30:53.000 --> 0:30:54.800
<v Speaker 3>you listeners can guess, but I'm not going to say

0:30:54.800 --> 0:30:56.880
<v Speaker 3>who it is. I do this like massive monologue and

0:30:57.040 --> 0:31:02.600
<v Speaker 3>like there wasn't nobody home, like nobody was listening, nothing

0:31:02.640 --> 0:31:05.120
<v Speaker 3>behind the eyes, nothing behind the eyes. And I was like,

0:31:05.160 --> 0:31:08.560
<v Speaker 3>this person is so bored and I am sobbing I

0:31:08.600 --> 0:31:14.400
<v Speaker 3>am having to go there and she does. I'll never

0:31:14.400 --> 0:31:16.680
<v Speaker 3>forget it, Like I'll never forget it. I'm like, oh

0:31:16.720 --> 0:31:21.239
<v Speaker 3>my god, this person like I'm either terrible or like

0:31:21.480 --> 0:31:24.640
<v Speaker 3>they don't care or I mean they're sick. I don't know,

0:31:24.800 --> 0:31:30.480
<v Speaker 3>but I Cynthia, do you have any like horror stories

0:31:30.520 --> 0:31:31.600
<v Speaker 3>in your long career.

0:31:32.040 --> 0:31:34.480
<v Speaker 5>Again, I won't name I won't name them. I was doing.

0:31:34.600 --> 0:31:37.040
<v Speaker 5>I was doing a guest part that I was like, okay,

0:31:37.280 --> 0:31:44.040
<v Speaker 5>I wasn't super excited and literally like a cartoon. Her

0:31:44.160 --> 0:31:48.760
<v Speaker 5>off camera for me was this, no.

0:31:50.360 --> 0:31:51.520
<v Speaker 2>Freaking nails, put the.

0:31:51.560 --> 0:31:57.280
<v Speaker 5>Nail file in her pocket and then pulled her phone out. No, like.

0:31:58.760 --> 0:32:00.320
<v Speaker 3>That person should be fineired.

0:32:00.400 --> 0:32:01.000
<v Speaker 2>Oh my god.

0:32:01.440 --> 0:32:04.000
<v Speaker 5>My thing about where is that? It's not our job

0:32:04.040 --> 0:32:05.880
<v Speaker 5>as the guest. It certainly isn't. I don't want to

0:32:05.880 --> 0:32:07.720
<v Speaker 5>stand there and make a big scene on someone else's show.

0:32:07.760 --> 0:32:11.960
<v Speaker 5>But the producer needs to step It needs to happen

0:32:12.120 --> 0:32:15.040
<v Speaker 5>because young people just sometimes don't know. You think, where

0:32:15.040 --> 0:32:15.240
<v Speaker 5>are you?

0:32:15.480 --> 0:32:18.560
<v Speaker 2>Cynthia? Was Was it a show where it was an

0:32:18.640 --> 0:32:21.600
<v Speaker 2>established show? Was it like successful? And she was like the.

0:32:21.600 --> 0:32:24.120
<v Speaker 5>Least, she's a really good actress.

0:32:24.600 --> 0:32:27.920
<v Speaker 2>She was really really amazing.

0:32:28.400 --> 0:32:33.880
<v Speaker 3>Yeah what wow, I am wasting all my energy off camera,

0:32:34.000 --> 0:32:36.520
<v Speaker 3>really holding up. I should just be filing my fucking

0:32:36.600 --> 0:32:39.520
<v Speaker 3>nails and checking my phone so that when it turns

0:32:39.560 --> 0:32:41.680
<v Speaker 3>to me, I'm full of energy and rare into go

0:32:41.800 --> 0:32:42.880
<v Speaker 3>because I've given them nothing.

0:32:42.920 --> 0:32:45.120
<v Speaker 5>Oh no, you're doing it because it's a gift. It's

0:32:45.120 --> 0:32:47.040
<v Speaker 5>the gift that you want to give and you want

0:32:47.080 --> 0:32:52.880
<v Speaker 5>to give her. That's the drug. A huge piece the

0:32:53.080 --> 0:32:56.120
<v Speaker 5>joy of creating this family and creating this altered world,

0:32:56.160 --> 0:32:58.280
<v Speaker 5>which is so magical, amazing.

0:32:58.880 --> 0:33:02.000
<v Speaker 2>I am in to know who this person is. We

0:33:02.040 --> 0:33:04.840
<v Speaker 2>finished recording, we will all name name.

0:33:06.760 --> 0:33:10.040
<v Speaker 3>Oh my god, we have also were you on Twitter

0:33:10.120 --> 0:33:12.240
<v Speaker 3>at this time? Or you are you on Twitter?

0:33:12.320 --> 0:33:15.000
<v Speaker 5>God? I am like, I'm like the character in Downton Abbey,

0:33:15.160 --> 0:33:17.479
<v Speaker 5>was it Maggie Smith who comes to goes, Oh, these lights,

0:33:17.520 --> 0:33:19.560
<v Speaker 5>this is never gonna last. The vapors.

0:33:19.560 --> 0:33:20.000
<v Speaker 3>Good for you.

0:33:20.240 --> 0:33:23.320
<v Speaker 5>I'm the most untechnological person on earth. And the thought

0:33:23.360 --> 0:33:26.240
<v Speaker 5>of to live tweeting. I never because talk about my

0:33:26.320 --> 0:33:29.880
<v Speaker 5>characters here. Mary nesmdn't tweet. I can't. It's too far

0:33:29.920 --> 0:33:31.560
<v Speaker 5>for me to go. I can't go out.

0:33:32.160 --> 0:33:33.200
<v Speaker 2>Yeah, do you know what I mean?

0:33:33.680 --> 0:33:39.120
<v Speaker 3>No, you're not wrong. We read some Scandaled tweets of

0:33:39.160 --> 0:33:44.440
<v Speaker 3>the time and they're kind of like a real nice

0:33:44.920 --> 0:33:47.520
<v Speaker 3>time capsule for us to see what people thought of

0:33:47.560 --> 0:33:51.440
<v Speaker 3>the episode. There's some wow, oh I forgot about this line.

0:33:51.560 --> 0:33:55.120
<v Speaker 3>Kevin Costly, who oh my gosh, worked on Scandal in

0:33:55.160 --> 0:33:58.520
<v Speaker 3>publicity at Kevin Costly on October eighteenth, tweeted now we've

0:33:58.560 --> 0:34:02.120
<v Speaker 3>got a bimbo on the loose. Happy graduation hashtag Melly

0:34:02.160 --> 0:34:05.080
<v Speaker 3>Grant greeting cards hashtag scandal at bellmy Young So people

0:34:05.080 --> 0:34:09.000
<v Speaker 3>were making all of these like leading cards that had

0:34:09.280 --> 0:34:11.640
<v Speaker 3>Mellie's official photo on it. So it was a happy

0:34:11.680 --> 0:34:14.240
<v Speaker 3>graduation photo, but it said, now we've got a bimbo

0:34:14.320 --> 0:34:15.920
<v Speaker 3>on the loose. I'm dead, okay.

0:34:16.000 --> 0:34:20.000
<v Speaker 2>At Scandal Feelings tweeted, I think we'll need further inspection

0:34:20.160 --> 0:34:25.040
<v Speaker 2>to tell how presidential his balls are hashtag oops, hashtag

0:34:25.080 --> 0:34:26.840
<v Speaker 2>that slip, hashtag scandal.

0:34:27.400 --> 0:34:27.920
<v Speaker 5>Wow.

0:34:28.040 --> 0:34:32.240
<v Speaker 3>So women love that Tony goldwin Man, so women behave

0:34:32.400 --> 0:34:40.280
<v Speaker 3>like absolute imbeciles around him? Yes. At Joe Morton tweeted

0:34:40.560 --> 0:34:45.200
<v Speaker 3>work unfortunately or fortunately, Oh happy birthday, big Daddy Rowan.

0:34:45.280 --> 0:34:47.400
<v Speaker 3>What does a head honcho do for his birthday? I

0:34:47.440 --> 0:34:49.720
<v Speaker 3>guess maybe it was Joe. Was it Joe's birthday?

0:34:50.160 --> 0:34:52.040
<v Speaker 2>Joe Morton's. Maybe? I don't know.

0:34:52.480 --> 0:34:54.480
<v Speaker 5>I don't try to kill tried to kill him.

0:34:55.200 --> 0:34:56.960
<v Speaker 2>I tried to kill him. That's right, that's right.

0:34:57.200 --> 0:35:01.000
<v Speaker 3>Oh yeah. The other thing is at. Brown Eyed Girl

0:35:01.040 --> 0:35:04.359
<v Speaker 3>twenty three tweeted the Disney Studio lot is again showing

0:35:04.440 --> 0:35:07.120
<v Speaker 3>some love to add scandal and at Once upon a Time.

0:35:07.239 --> 0:35:09.440
<v Speaker 3>So this was at the time, and there's a picture

0:35:09.520 --> 0:35:13.000
<v Speaker 3>of up on the ABC a lot of the poster

0:35:13.160 --> 0:35:16.800
<v Speaker 3>of Lana Parrilla, who's me and Giermo's friend played the

0:35:16.800 --> 0:35:18.840
<v Speaker 3>Wicked Witch. It's her face up behind an apple on

0:35:18.880 --> 0:35:21.360
<v Speaker 3>the What's upon a Time poster and then carry's I

0:35:21.400 --> 0:35:24.640
<v Speaker 3>mean gorgeous face, I mean her face on those posters.

0:35:24.680 --> 0:35:27.240
<v Speaker 3>Are you joking? It'd be like her lips, her eyeball,

0:35:27.320 --> 0:35:30.919
<v Speaker 3>her nine, her profile, her dead on center, and all

0:35:30.960 --> 0:35:33.439
<v Speaker 3>of it was perfection and you could never get Yeah.

0:35:33.960 --> 0:35:37.960
<v Speaker 2>Oh damn. Trish tweeted, I'm scared of Hawk hashti scandal. Awesome,

0:35:38.440 --> 0:35:40.560
<v Speaker 2>anybody calls me hawk? That's a fan of scandal?

0:35:40.600 --> 0:35:42.520
<v Speaker 3>Wait, what does it hawk? By the way, it's a

0:35:42.600 --> 0:35:44.200
<v Speaker 3>very cool name. It's a very cool name.

0:35:44.280 --> 0:35:44.480
<v Speaker 5>Yeah.

0:35:44.560 --> 0:35:49.200
<v Speaker 3>Yeah, oh, someone tweeted at Anna. Labor eighty seven tweeted

0:35:49.239 --> 0:35:53.080
<v Speaker 3>watching hashtag scandal again, OMG, Melly and then quotations you

0:35:53.160 --> 0:35:56.160
<v Speaker 3>shut up. So that moment that you always talked about

0:35:56.600 --> 0:36:00.000
<v Speaker 3>really it really affected with the people even of the time.

0:36:00.239 --> 0:36:01.920
<v Speaker 5>I forgot to tell you guys this, So this is

0:36:01.920 --> 0:36:05.480
<v Speaker 5>another so crazy thing. So in the room where when

0:36:05.480 --> 0:36:07.360
<v Speaker 5>I'm holding the hostage and they're saying, what do we

0:36:07.400 --> 0:36:09.759
<v Speaker 5>do blah blah blah. Tony Goldland's characters and they're the

0:36:09.800 --> 0:36:12.120
<v Speaker 5>presidents having his briefing with like, how are we going

0:36:12.160 --> 0:36:15.520
<v Speaker 5>to get this crazy woman? Either my oldest friend Cheryl Bricker,

0:36:15.640 --> 0:36:17.080
<v Speaker 5>who I met when I first moved to LA in

0:36:17.160 --> 0:36:19.799
<v Speaker 5>nineteen eighty whatever. She plays one of the people and

0:36:19.880 --> 0:36:22.680
<v Speaker 5>one of her lines, oh no, wait, pumping some gas.

0:36:22.920 --> 0:36:25.320
<v Speaker 5>So we watched the episode together and we were laughing.

0:36:25.360 --> 0:36:27.080
<v Speaker 5>I was like, you were trying to kill me all

0:36:27.120 --> 0:36:27.800
<v Speaker 5>I was trying to do it?

0:36:27.960 --> 0:36:30.520
<v Speaker 2>Oh my god, Waite.

0:36:30.600 --> 0:36:33.399
<v Speaker 3>Are you guys good friends now or you had run

0:36:33.440 --> 0:36:34.200
<v Speaker 3>into or you were.

0:36:34.120 --> 0:36:35.600
<v Speaker 5>I don't get to see herzona because I don't live

0:36:35.600 --> 0:36:37.760
<v Speaker 5>in LA anymore, but she's one of my oldest friends.

0:36:37.760 --> 0:36:40.160
<v Speaker 5>She's amazing. She's a wonderful actress, and she had more

0:36:40.200 --> 0:36:41.560
<v Speaker 5>dialogue in Their Worse you know.

0:36:41.719 --> 0:36:43.919
<v Speaker 3>But did you know that she had booked the job

0:36:44.040 --> 0:36:45.880
<v Speaker 3>or were on set? How did that happen?

0:36:46.200 --> 0:36:47.839
<v Speaker 5>Yeah? We were just talking and I said, oh, gosh,

0:36:47.880 --> 0:36:49.560
<v Speaker 5>you know, I just got this offer on Scandal and

0:36:49.560 --> 0:36:52.839
<v Speaker 5>I'm so excited. She was like, what really, I'm going

0:36:52.920 --> 0:36:54.200
<v Speaker 5>to be on that? Like that really?

0:36:54.320 --> 0:36:57.520
<v Speaker 2>Oh my God, where are you, Cynthia? Do you where

0:36:57.520 --> 0:36:58.000
<v Speaker 2>do you live in.

0:36:58.040 --> 0:36:59.200
<v Speaker 5>Tucson, Arizona?

0:36:59.560 --> 0:37:01.040
<v Speaker 2>Oh? Wow, don't ask me.

0:37:01.040 --> 0:37:03.520
<v Speaker 5>Why spirits just let us here for some crazy reason.

0:37:03.600 --> 0:37:06.160
<v Speaker 2>Oh man, do you do you ever watch Long Island

0:37:06.200 --> 0:37:08.680
<v Speaker 2>Medium a lot about Spirits. She always refers to it

0:37:08.719 --> 0:37:11.680
<v Speaker 2>as spirit and I mean, so every time you say that,

0:37:11.680 --> 0:37:12.200
<v Speaker 2>it reminds me.

0:37:12.360 --> 0:37:16.040
<v Speaker 3>We love the Long Island Medium. We love it so much.

0:37:16.320 --> 0:37:18.279
<v Speaker 3>Wait tuson Arizona. Do you love it?

0:37:18.440 --> 0:37:24.080
<v Speaker 5>We've been here almost two years. I like it. I'm

0:37:24.120 --> 0:37:27.520
<v Speaker 5>not sure. The deserts in tenth California. We're in a desert,

0:37:27.560 --> 0:37:29.920
<v Speaker 5>but we don't feel that we're in the desert right right.

0:37:30.160 --> 0:37:33.000
<v Speaker 5>It's cool. There's it's actually really cool. There's a huge

0:37:33.160 --> 0:37:38.760
<v Speaker 5>music seeing here, really interesting quirky art, cool street fairs,

0:37:38.840 --> 0:37:41.120
<v Speaker 5>and it's got a cool life to it. I'm still

0:37:41.680 --> 0:37:42.520
<v Speaker 5>not ground.

0:37:42.680 --> 0:37:44.080
<v Speaker 3>Just figuring it out.

0:37:44.400 --> 0:37:46.400
<v Speaker 2>What do you do like for auditions? Of course you

0:37:46.440 --> 0:37:49.120
<v Speaker 2>do a remotely. You'll just audition remotely and then if

0:37:49.160 --> 0:37:52.400
<v Speaker 2>you book something, you'll get to LA and order wherever

0:37:52.440 --> 0:37:52.960
<v Speaker 2>it's shooting.

0:37:53.040 --> 0:37:53.120
<v Speaker 5>Ye.

0:37:53.200 --> 0:37:55.520
<v Speaker 2>Yeah, has that been challenging at all?

0:37:55.640 --> 0:37:58.600
<v Speaker 5>Or? I mean my careers I remember being my twenties.

0:37:58.640 --> 0:38:01.560
<v Speaker 5>You guys and meeting much older women and they'd say, I, well,

0:38:01.560 --> 0:38:04.080
<v Speaker 5>it was here, because after fifty it's all over. And

0:38:04.160 --> 0:38:08.800
<v Speaker 5>I remember hearing that probably fifty times, and I'm saying, hello, negative,

0:38:08.880 --> 0:38:11.200
<v Speaker 5>what the heck? I'm a character, right, A character is

0:38:11.280 --> 0:38:13.839
<v Speaker 5>not gonna work forever. And I swear to god, I

0:38:13.880 --> 0:38:18.640
<v Speaker 5>was like, did that thought virus infiltrate my subconscious mind

0:38:18.840 --> 0:38:22.800
<v Speaker 5>could get out? But after fifty ish fifty five ish,

0:38:22.960 --> 0:38:25.600
<v Speaker 5>it definitely slows down. It definitely does. And I was

0:38:25.680 --> 0:38:28.120
<v Speaker 5>never the dynamo. I'm gonna get my own thing going.

0:38:28.200 --> 0:38:31.160
<v Speaker 5>I'm gonna I'm always so distracted, I'm so add and

0:38:31.200 --> 0:38:33.920
<v Speaker 5>I have a carousel going in my head. Very hard

0:38:33.920 --> 0:38:37.319
<v Speaker 5>to pin me down. I'm like, oh no, really, if

0:38:37.360 --> 0:38:40.040
<v Speaker 5>you look back, I could have done it really differently

0:38:40.080 --> 0:38:42.359
<v Speaker 5>and been much more aggressive. I don't like that.

0:38:42.719 --> 0:38:44.440
<v Speaker 2>And it sounds like you have a bunch of other

0:38:44.480 --> 0:38:47.279
<v Speaker 2>stuff that you love doing in your yeah time and

0:38:47.400 --> 0:38:48.719
<v Speaker 2>energy into Yeah.

0:38:48.560 --> 0:38:51.000
<v Speaker 5>I'm just going where you feel like it was like

0:38:51.080 --> 0:38:55.239
<v Speaker 5>that started naturally close down. I'm open to that, you

0:38:55.280 --> 0:38:58.719
<v Speaker 5>know what I'm saying. Yeah, so we'll see.

0:38:59.040 --> 0:39:05.000
<v Speaker 3>Yeah, you are an inspiration killed this episode and you

0:39:05.080 --> 0:39:08.040
<v Speaker 3>are so wonderful for taking the time out of your

0:39:08.040 --> 0:39:12.720
<v Speaker 3>life and bringing out so lucky, So lucky.

0:39:12.880 --> 0:39:15.440
<v Speaker 2>I was super shocked and excited when they said you

0:39:15.480 --> 0:39:16.839
<v Speaker 2>were going to be the guest, because I was like, oh,

0:39:16.840 --> 0:39:17.840
<v Speaker 2>we're not going to be a ready to get her.

0:39:18.560 --> 0:39:20.120
<v Speaker 2>And then all of a sudden they were like, Okay,

0:39:20.239 --> 0:39:22.360
<v Speaker 2>this episode, Cynthia's gonna be there, and I was like what.

0:39:22.600 --> 0:39:25.160
<v Speaker 5>I was so happy. We were so happy, thrill and

0:39:25.239 --> 0:39:26.920
<v Speaker 5>you guys are so great on the show, and your

0:39:26.960 --> 0:39:29.040
<v Speaker 5>love for each other just just so infectious and it

0:39:29.200 --> 0:39:31.000
<v Speaker 5>makes people want to come and listen.

0:39:32.040 --> 0:39:36.360
<v Speaker 2>Good, oh good, Yeah, I love it.

0:39:36.440 --> 0:39:38.759
<v Speaker 3>I always say I did this podcast because it would

0:39:38.760 --> 0:39:41.040
<v Speaker 3>force Cameron hang out with me, like at least for

0:39:41.280 --> 0:39:42.960
<v Speaker 3>however many episodes we have a season.

0:39:43.120 --> 0:39:44.279
<v Speaker 5>I love it so much.

0:39:44.640 --> 0:39:47.560
<v Speaker 3>Like Cynthia Stevenson, you are the greatest. Thank you for

0:39:47.680 --> 0:39:50.960
<v Speaker 3>doing this. I'm glad you SiO. Thanks for listening. Here

0:39:51.000 --> 0:39:53.279
<v Speaker 3>we are at season three of Unpacking the Toolbox and

0:39:53.360 --> 0:39:56.680
<v Speaker 3>next up episode three oh four titled say Hello to

0:39:56.840 --> 0:39:57.760
<v Speaker 3>My Little Friend.

0:39:57.920 --> 0:39:59.880
<v Speaker 2>What from that's from Scarf?

0:40:00.600 --> 0:40:00.719
<v Speaker 5>Oh?

0:40:00.880 --> 0:40:01.880
<v Speaker 3>Thank you god?

0:40:02.640 --> 0:40:05.440
<v Speaker 2>But check it out. So this episode is called Missus

0:40:05.520 --> 0:40:08.800
<v Speaker 2>Smith goes to Washington. Right. There was a nineteen thirty

0:40:08.920 --> 0:40:12.960
<v Speaker 2>nine Jimmy Stewart movie called Mister Smith Goes to Washington.

0:40:13.360 --> 0:40:15.840
<v Speaker 2>So I wonder if they did a play on the.

0:40:15.920 --> 0:40:19.960
<v Speaker 5>Idea of that movie. And then they did, right, yeah,

0:40:20.120 --> 0:40:21.520
<v Speaker 5>so good is it?

0:40:21.640 --> 0:40:24.120
<v Speaker 2>Really? I haven't seen it now. I think Claude Rains

0:40:24.200 --> 0:40:26.520
<v Speaker 2>is in it and and Stuart.

0:40:26.200 --> 0:40:28.600
<v Speaker 5>Like I said, amazing and weirdly, here's a fun fact.

0:40:28.680 --> 0:40:31.800
<v Speaker 5>My uncle I met and worked with Jimmy Stewart for

0:40:32.120 --> 0:40:34.400
<v Speaker 5>like a decade. He was who was a fundraiser for

0:40:34.600 --> 0:40:37.600
<v Speaker 5>some I think it was muscular dystrophe or something, and said,

0:40:37.640 --> 0:40:40.880
<v Speaker 5>Jimmy Stewart was the chose to be the face of that,

0:40:41.040 --> 0:40:41.839
<v Speaker 5>the celebrity face.

0:40:44.239 --> 0:40:46.959
<v Speaker 3>And he said, I'm the biggest Jimmy Stewart fan. I can't,

0:40:47.000 --> 0:40:49.160
<v Speaker 3>I can't. I love so much much.

0:40:49.920 --> 0:40:51.920
<v Speaker 5>Said he's kinder than we could ever imagine.

0:40:52.840 --> 0:40:54.840
<v Speaker 2>Really, Oh, I love that.

0:40:55.920 --> 0:41:01.759
<v Speaker 3>I love that. Cynthia Stevenson, we love you, rip to

0:41:01.840 --> 0:41:02.760
<v Speaker 3>your amazing character.

0:41:03.440 --> 0:41:09.760
<v Speaker 2>Yes, thank you guys for joining us on Unpacking the Toolbox.

0:41:10.120 --> 0:41:13.640
<v Speaker 2>If you enjoyed the show, please subscribe, share with your friends, rate,

0:41:13.840 --> 0:41:14.760
<v Speaker 2>or leave us a review.

0:41:14.960 --> 0:41:18.880
<v Speaker 3>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:41:19.200 --> 0:41:22.920
<v Speaker 3>Tyler Klang and Gabrielle Collins. Our producer and editor is

0:41:23.040 --> 0:41:25.800
<v Speaker 3>Vince de Johnny, with music by Chad Fisher.

0:41:26.040 --> 0:41:28.960
<v Speaker 2>Scandal is a production of ABC Signature, and you can

0:41:29.040 --> 0:41:31.080
<v Speaker 2>follow along by rewatching Scandal on Hulu.

0:41:31.480 --> 0:41:33.840
<v Speaker 3>Unpacking the Toolbox is a production of Shondaland Audio in

0:41:33.920 --> 0:41:38.200
<v Speaker 3>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:41:38.280 --> 0:41:41.400
<v Speaker 3>the iHeartRadio app or anywhere you subscribe to your favorite shows.