WEBVTT - New Beginnings

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<v Speaker 1>Come on my ancle tracts from the side to go

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<v Speaker 1>into a really behome.

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<v Speaker 2>My boot rest Tablin.

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<v Speaker 3>Way Sunday may get us in Sandy.

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<v Speaker 1>Do you get down to way Easter many can stay

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<v Speaker 1>and sleep.

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<v Speaker 4>From the stime.

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<v Speaker 5>Be a more bally long Starn.

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<v Speaker 2>Make on Sunday long the stars.

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<v Speaker 1>Looking on that Sodomas.

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<v Speaker 5>Previously on Princess of South Beach. Both stev and l

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<v Speaker 5>are pinching pennies.

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<v Speaker 6>Estevan started his first day as mayor of Miami, but

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<v Speaker 6>after a disastrous meeting with the city council, He's decided

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<v Speaker 6>to reach out to someone for help.

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<v Speaker 5>As for Raoul, he had to ask the mob to

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<v Speaker 5>loan him money like father, like son. While their car

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<v Speaker 5>is in the shop, Raoul got a reading from a

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<v Speaker 5>fortune teller who told him my killer is closer than

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<v Speaker 5>he thinks. Yes, the person responsible for your father's fate

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<v Speaker 5>they are Niah, and I can tell you exactly who

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<v Speaker 5>it is.

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<v Speaker 7>For two hundred dollars. Two hundred dollars yep. Seeing into

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<v Speaker 7>the future ain't cheap. I don't have that kind of cash.

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<v Speaker 7>Did you take American Express or a diners Club? Ooh,

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<v Speaker 7>I think I have a group on gift card. Sorry,

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<v Speaker 7>the spirits up.

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<v Speaker 4>But you just told me there's a killer on the loose,

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<v Speaker 4>and there's somewhere nearby. You have to tell me something

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<v Speaker 4>about them, you know. I could be in danger.

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<v Speaker 7>A killer could be.

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<v Speaker 4>You know, outside or waiting for me in a bathroom,

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<v Speaker 4>you know, or in a dressing room at a clothing store.

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<v Speaker 7>Sounds like a problem too. Hundred dogs. Okay, okay, okay,

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<v Speaker 7>just give me a minute.

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<v Speaker 8>Hey, I guess you're still on the road, Sarah, call

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<v Speaker 8>me back when you're home and let me know you

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<v Speaker 8>got it.

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<v Speaker 1>Okay. I ended up at this random county fair and well,

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<v Speaker 1>it's a long story.

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<v Speaker 5>I love you, babe Insteajah.

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<v Speaker 7>Why do you have so many stuff to animals?

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<v Speaker 1>I won them for Sarah? She loves her some Spongeboble.

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<v Speaker 7>But I was only gone like five minutes.

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<v Speaker 1>I'm really good at ringtars. Wait, why are you sweating?

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<v Speaker 7>I need two hundred dollars?

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<v Speaker 9>What?

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<v Speaker 7>Why?

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<v Speaker 3>Well?

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<v Speaker 4>Fortune tell her knew about my puppy. She says, she

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<v Speaker 4>knows who killed him, but you won't tell me unless I.

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<v Speaker 7>Give her two hundred dollars. She said, what she knows

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<v Speaker 7>who killed my puppy is jah, She said, it's someone

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<v Speaker 7>close to me. We could be in danger.

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<v Speaker 1>Well, well I told you fortune tellers were scams.

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<v Speaker 8>You know what.

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<v Speaker 1>I'm so flabbergasted. I can't even be leaf she would use.

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<v Speaker 8>Your father's passing for her own personal I mean, what

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<v Speaker 8>kind of foots?

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<v Speaker 1>Honestly, I am so disgusting. Come on, let's get out

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<v Speaker 1>of here.

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<v Speaker 4>It's no but this is real. What if it's that

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<v Speaker 4>green Prius that keeps following us? What if they're nere

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<v Speaker 4>to finish the job?

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<v Speaker 1>No one is following us?

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<v Speaker 6>Wait?

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<v Speaker 1>Wait, wait, wait a minute. What do you need me

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<v Speaker 1>to give you two hundred dollars anyway? Aren't you supposed

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<v Speaker 1>to be the one bake rolling this whole trip? All right?

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<v Speaker 7>Yeah, so I guess this could be a good time

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<v Speaker 7>to mention that I, uh don't have any money?

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<v Speaker 9>What?

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<v Speaker 1>Yeah?

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<v Speaker 4>When my dad died, the bank repossessed everything we had,

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<v Speaker 4>and between the loans he took out with the mob

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<v Speaker 4>and the dip at of business, I was left with nothing.

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<v Speaker 1>Rabel, I can't even I am sorry, okay, but why

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<v Speaker 1>didn't you.

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<v Speaker 5>Just tell me?

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<v Speaker 7>Because I didn't think you would let me come with

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<v Speaker 7>you unless I pay for everything?

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<v Speaker 1>What as facts. That's pure facts. Come here. I'm sorry,

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<v Speaker 1>I didn't mean that.

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<v Speaker 7>It's okay, It's true. I don't really have a lot

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<v Speaker 7>of friends, and the friends I did have all bailed

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<v Speaker 7>when they found out I was broke.

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<v Speaker 1>So you lied to me.

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<v Speaker 7>Well, I guess there's a lot of that going around.

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<v Speaker 4>Huh.

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<v Speaker 1>Well, I'm not paying for no damn fortune to tell us,

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<v Speaker 1>So come on. The car should be ready by dawn,

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<v Speaker 1>which ab okay, I's trying to be jail and me. Goddamn,

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<v Speaker 1>but I lie because I've been loved Johnny, say you

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<v Speaker 1>just go?

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<v Speaker 6>Oh boy, even I'm getting lost in all these all

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<v Speaker 6>these lying liars everywhere. I guess Raoul will have to

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<v Speaker 6>wait to find out what really happened to his Bobby, to.

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<v Speaker 5>His loving, devoted father.

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<v Speaker 6>How long will it take before he sees the answer

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<v Speaker 6>is right under that big nose of HISO. Come on, boy,

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<v Speaker 6>let's head over to city hall and see who is

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<v Speaker 6>stey one called in to save the day.

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<v Speaker 10>You said you'll take all the help you can get.

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<v Speaker 7>No, there has to be another way.

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<v Speaker 10>I promise you there isn't.

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<v Speaker 9>No.

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<v Speaker 5>But I really truly hate her.

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<v Speaker 3>This better be good, alo Alice, Yeah, oh, I haven't

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<v Speaker 3>seen you since since I whoop you're ass in the election, and.

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<v Speaker 2>I haven't I've seen you since you were in handcuffs,

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<v Speaker 2>and I don't mean your time in jail.

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<v Speaker 3>Ah, she's so funny.

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<v Speaker 10>Council Woman Mendez, thank you for coming on such short notice.

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<v Speaker 3>Yes, Alicia, thank you, thank you. I mean not that

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<v Speaker 3>I need any help, since we are doing fine on

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<v Speaker 3>our own, but I suppose your deep knowledge of obscure

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<v Speaker 3>by laws could be useful in some ways.

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<v Speaker 2>Oh, cut the crap a seven. I'm not here for you.

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<v Speaker 2>I'm here as a favorite of Kellogg, and I'm actually

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<v Speaker 2>in the middle of a very important investigation. So if

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<v Speaker 2>you don't mind, what do you want?

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<v Speaker 7>Well, there's been some disagreements about a proposal.

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<v Speaker 2>And Perez won't let you build the new highway through

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<v Speaker 2>his district.

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<v Speaker 3>Huh.

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<v Speaker 2>Yes, but also Cunningham's pulling the kids with asthma card.

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<v Speaker 4>Yes, well, how did you know?

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<v Speaker 2>Because it's my job, because I take this seriously, because

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<v Speaker 2>not everyone runs for mayor as a pr stunt. Some

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<v Speaker 2>of us actually want to make a differences tend to.

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<v Speaker 3>Make and maybe it can be well, we seem to

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<v Speaker 3>be at a name pass.

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<v Speaker 2>You need to build the highway somewhere. Cunningham's right. The traffic,

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<v Speaker 2>it's horrendous, But I know Perez, he's never gonna give in.

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<v Speaker 2>What you need is another route.

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<v Speaker 5>But the only other way would be Bee who councilman Bay.

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<v Speaker 2>The industrial part of his district just got rezoned a

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<v Speaker 2>If you get him to agree, you could reroute the

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<v Speaker 2>highway through there.

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<v Speaker 10>Oh, come on, Alicia, you know Bay. He doesn't do

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<v Speaker 10>anything unless there's something in it for him.

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<v Speaker 2>Oh, he's not so bad.

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<v Speaker 10>I once saw him literally take candy from a baby.

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<v Speaker 10>It was a Mars bar and the baby had a

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<v Speaker 10>full set of teeth, and there was a tussle and

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<v Speaker 10>it was very unsettling.

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<v Speaker 2>Well, Bey has been asking me to co chair the

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<v Speaker 2>restoration committee with him for months. I'd rather chew on

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<v Speaker 2>glass than do that. But if I did say yes,

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<v Speaker 2>i'd have a favorite accussion. But if no one here

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<v Speaker 2>needs my help, then I guess I'll just be on

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<v Speaker 2>my way.

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<v Speaker 3>Wat What was that, cous Your help?

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<v Speaker 9>What?

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<v Speaker 2>I'm sorry? I? Oh, hold on, I think there's something

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<v Speaker 2>in my ear. I can't hear you.

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<v Speaker 5>What I'm sorry? What?

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<v Speaker 1>Excuse your help?

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<v Speaker 2>Okay, good to see you kellg bye, good luck at seven?

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<v Speaker 3>Oh, come on, okay, okay, I am sorry I called

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<v Speaker 3>you ferret faced, and I'm sorry I called you a

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<v Speaker 3>hot dog on a stick.

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<v Speaker 2>And I'm sure you're very sorry about that debate where

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<v Speaker 2>you made part noises every time I tried to talk.

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<v Speaker 7>That was not just idea.

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<v Speaker 3>Yeah, I'm sorry for that too.

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<v Speaker 7>I was a complete jerk. But I could really.

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<v Speaker 9>Use your help.

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<v Speaker 7>Will you help me get this done?

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<v Speaker 2>Let's just be clear, I still detest you, but the

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<v Speaker 2>people of Miami are more important than me hating you,

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<v Speaker 2>which I do very much, So you'll do it. Yes,

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<v Speaker 2>Hell Cunningham to swing by my office later this afternoon.

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<v Speaker 2>I'll get it done.

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<v Speaker 11>Okay.

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<v Speaker 2>By the way, I wouldn't get too comfortable in that chair.

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<v Speaker 2>The investigation that I'm leading, it's looking into voter fraud,

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<v Speaker 2>and I seem to remember there being a sudden influx

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<v Speaker 2>of votes at the very last.

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<v Speaker 6>Minute for you.

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<v Speaker 2>Ah, fascinating. Well, Hell, Loug, I'll see you at a

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<v Speaker 2>karaoke on Friday, Steve one, You're not invited.

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<v Speaker 5>Bye, saved by your arch nemesis. What I unexpected turn

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<v Speaker 5>And I don't care what anyone says that Bartnoys's thing

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<v Speaker 5>was uh hilarious, and I do it again. I do

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<v Speaker 5>it even now now that I stay on is settling in.

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<v Speaker 5>Let's turn to Luisa, who is out of her comfort zalty.

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<v Speaker 4>Louisa.

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<v Speaker 1>Oh there you are, and you're wearing the dress I

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<v Speaker 1>sent you. You look fabulous.

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<v Speaker 2>I look like I'm twenty two.

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<v Speaker 1>Don't you think it's a little die? Of course not.

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<v Speaker 1>It's amazing what some cool sculpting can do.

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<v Speaker 2>Okay, you stay right here.

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<v Speaker 1>I'm gonna go find Joel.

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<v Speaker 2>Okay, I'm sure you too will hit it off.

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<v Speaker 7>Oh hello there, beautiful.

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<v Speaker 5>Oh oh.

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<v Speaker 2>Hello, Uh, I'm Louisa Jonathan.

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<v Speaker 7>Friends call me Johnny.

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<v Speaker 1>So you're a member of the church. No, no, my

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<v Speaker 1>friend is Victoria. Wow, your hair is really uh oh fuck?

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<v Speaker 1>Can I touch it?

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<v Speaker 3>No?

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<v Speaker 2>No, no, no, excuse mescal.

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<v Speaker 5>You're running from Johnny.

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<v Speaker 2>Yes, yes, he has to touch my hair.

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<v Speaker 5>Oh you got off easy once. I saw him like

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<v Speaker 5>a hair of a woman's head and flows with it.

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<v Speaker 2>No, no, no, I think that's an urban myth.

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<v Speaker 5>I swear my mother's grave. Well now I'm Louisa, Frank.

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<v Speaker 5>Nice to meet you.

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<v Speaker 7>So how is a beautiful woman like you single?

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<v Speaker 11>Well, that's a long story. Now I've got time.

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<v Speaker 2>Basically, my ex husband turned out to be gay.

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<v Speaker 5>Oh are you kidding me? They're everywhere these days.

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<v Speaker 11>My friend, my friend is calling me over, if you'll

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<v Speaker 11>excuse me, Victardia, what is wrong with all of these guys?

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<v Speaker 7>There you are?

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<v Speaker 1>I was looking for you.

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<v Speaker 2>Yeah, well I've been busy running from all of these creeps.

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<v Speaker 1>Yeah.

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<v Speaker 10>It's not our best showing, but I saved the best

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<v Speaker 10>for last because this is my brother Joel.

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<v Speaker 11>Luisa, such a pleasure to meet you.

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<v Speaker 7>I've heard such wonderful things. It's lovely to meet you, Jue.

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<v Speaker 1>But we need to get a couple of things out

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<v Speaker 1>of the way.

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<v Speaker 2>Okay, First, how do you feel about gay people?

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<v Speaker 7>I'm an ally, but it's not for me.

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<v Speaker 1>Okay, okay, that works. That works?

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<v Speaker 2>And do you want to touch my hair? I do,

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<v Speaker 2>but only after the third day.

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<v Speaker 7>Ideally you ask me to grab it by the fistful.

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<v Speaker 1>Oh isn't he just too much?

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<v Speaker 3>Well?

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<v Speaker 5>I think that's my cue.

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<v Speaker 11>So Luisa, Miami.

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<v Speaker 1>It's not quite Florida, but it's separate.

0:13:28.440 --> 0:13:32.040
<v Speaker 5>Whoa looks like Louisa is finally hitting it off with someone.

0:13:32.440 --> 0:13:36.080
<v Speaker 6>Good for you, Louisa, I gotta say, now that she's

0:13:36.200 --> 0:13:39.840
<v Speaker 6>not married to my boyfriend, I like her a lot better.

0:13:40.400 --> 0:13:41.680
<v Speaker 6>It's funny how that happens.

0:13:42.600 --> 0:13:45.320
<v Speaker 5>Now, let's check in with Estray and Raoul back at

0:13:45.360 --> 0:13:45.920
<v Speaker 5>the hospital.

0:13:51.960 --> 0:13:55.200
<v Speaker 1>Hi, I called earlier. I'm here to see Gabby Cabrera.

0:13:55.800 --> 0:13:59.200
<v Speaker 1>Oh sure, I just want to make sure you're aware.

0:14:00.120 --> 0:14:03.920
<v Speaker 11>This patient is in a coma has been for five years.

0:14:04.559 --> 0:14:08.040
<v Speaker 1>I'm aware. Okay, just take a seat and someone will

0:14:08.080 --> 0:14:26.240
<v Speaker 1>call you in. Thank you. Hey, babe, I just got

0:14:26.280 --> 0:14:29.480
<v Speaker 1>to the hospital. You should be home by now. Maybe

0:14:29.520 --> 0:14:33.000
<v Speaker 1>your phone died or something. Anyway, I'm hoping to be

0:14:33.080 --> 0:14:36.600
<v Speaker 1>back by tonight. Call me back. I love you bye.

0:14:38.240 --> 0:14:38.920
<v Speaker 7>Are you ready for this?

0:14:39.760 --> 0:14:45.320
<v Speaker 1>Yes? No, I don't know. I just can't believe it's

0:14:45.360 --> 0:14:48.040
<v Speaker 1>finally happening, that this will finally be over.

0:14:48.840 --> 0:14:50.840
<v Speaker 7>H What should I do? Should I get your coffee?

0:14:51.160 --> 0:14:53.480
<v Speaker 7>Do you need a donut? Is there a gift shop around? Wow?

0:14:53.520 --> 0:14:55.040
<v Speaker 1>Oh? I don't need you to pay me to be

0:14:55.120 --> 0:14:59.480
<v Speaker 1>your friend. We are friends. You've been really supportive through

0:14:59.480 --> 0:15:03.600
<v Speaker 1>all this, and I appreciate your help. Really, thank you.

0:15:04.280 --> 0:15:05.720
<v Speaker 1>I just wish you hadn't lied to me.

0:15:06.400 --> 0:15:09.280
<v Speaker 4>Yeah, I'm sorry about that. I guess I'm just a

0:15:09.320 --> 0:15:13.320
<v Speaker 4>little embarrassed about it. Still, I've never been poor before.

0:15:14.040 --> 0:15:16.200
<v Speaker 1>Well, welcome to the club. We meet every Tuesday.

0:15:16.520 --> 0:15:18.280
<v Speaker 7>Ooh all right, I can't wait.

0:15:18.480 --> 0:15:20.040
<v Speaker 1>No, see, now you're no longer invited.

0:15:20.240 --> 0:15:23.080
<v Speaker 7>Oh okay, And.

0:15:23.200 --> 0:15:25.720
<v Speaker 4>Now that I am poorer, I need to make new friends,

0:15:26.120 --> 0:15:29.560
<v Speaker 4>and it's hard. I've never had to make poor friends before.

0:15:29.920 --> 0:15:31.680
<v Speaker 4>You know, rich friends are easy. You just buy each

0:15:31.720 --> 0:15:34.880
<v Speaker 4>other Bugattis and boom your friends. I don't know what

0:15:35.000 --> 0:15:35.800
<v Speaker 4>poor people want.

0:15:36.360 --> 0:15:38.760
<v Speaker 8>Well, I'll take a Bugatti with leather seats and picking

0:15:38.840 --> 0:15:42.800
<v Speaker 8>tea the next time you're giving them away. Okay, But

0:15:42.920 --> 0:15:45.000
<v Speaker 8>what I really need is just someone who is there

0:15:45.080 --> 0:15:48.080
<v Speaker 8>for me, who listens, and who cares.

0:15:48.880 --> 0:15:49.600
<v Speaker 7>I think I can do that.

0:15:50.480 --> 0:15:50.680
<v Speaker 5>Miss.

0:15:51.200 --> 0:15:52.040
<v Speaker 9>You can come back now.

0:15:52.160 --> 0:15:54.640
<v Speaker 1>Oh it's the room down the hallway to the line. Okay,

0:15:54.720 --> 0:15:56.960
<v Speaker 1>thank you? Come with me?

0:15:57.520 --> 0:15:58.080
<v Speaker 7>Are you sure?

0:15:58.720 --> 0:15:58.920
<v Speaker 2>Yes?

0:15:59.560 --> 0:16:03.000
<v Speaker 1>Hell? Yeah, you came all this way. You're part of this.

0:16:03.160 --> 0:16:08.120
<v Speaker 1>Now you's gonna hold your hand. It is so clammy.

0:16:08.480 --> 0:16:09.920
<v Speaker 7>I know I've got clam hands.

0:16:13.840 --> 0:16:22.800
<v Speaker 1>Okay, on the kind of three one two three? Why

0:16:22.880 --> 0:16:24.160
<v Speaker 1>did you guess? I don't know.

0:16:24.400 --> 0:16:26.680
<v Speaker 7>Curtain reveals are so dramatic it felt appropriate.

0:16:27.560 --> 0:16:28.560
<v Speaker 1>Man, What the hell is this?

0:16:33.680 --> 0:16:34.720
<v Speaker 5>Hey, Australia. What's up?

0:16:34.960 --> 0:16:35.520
<v Speaker 3>Did you find her?

0:16:35.640 --> 0:16:38.440
<v Speaker 1>I'm here at the hospital. It's not heart what.

0:16:39.040 --> 0:16:39.360
<v Speaker 5>No, No.

0:16:39.560 --> 0:16:42.480
<v Speaker 6>I checked the record to the birthday's match and everything.

0:16:42.840 --> 0:16:45.480
<v Speaker 6>There is no way that there are two Gabby Cabreras.

0:16:46.080 --> 0:16:47.040
<v Speaker 6>Maybe you're at the wrong bed.

0:16:47.240 --> 0:16:49.600
<v Speaker 1>I'm looking right at this way. It's not heart.

0:16:49.840 --> 0:16:50.960
<v Speaker 4>How can you be sure?

0:16:51.240 --> 0:16:54.560
<v Speaker 1>Because this is a man Ooh, I didn't think.

0:16:54.480 --> 0:16:55.120
<v Speaker 3>Of look at gender.

0:16:55.360 --> 0:16:57.480
<v Speaker 6>Yeah, yeah, yeah, no, it says it right there, gob

0:16:57.760 --> 0:16:58.480
<v Speaker 6>real Cabrera.

0:16:59.200 --> 0:16:59.520
<v Speaker 5>Damn it.

0:16:59.560 --> 0:17:02.360
<v Speaker 1>I'm sorry, It's okay. Maybe this is a sign.

0:17:03.080 --> 0:17:05.359
<v Speaker 8>I've been running myself ragged trying to find her, and

0:17:05.400 --> 0:17:08.520
<v Speaker 8>I keep hitting dead ends. Maybe the universe is telling

0:17:08.600 --> 0:17:10.399
<v Speaker 8>me to let it go.

0:17:11.000 --> 0:17:11.920
<v Speaker 6>I'm sorry, Astraa.

0:17:12.200 --> 0:17:13.760
<v Speaker 5>I really thought this was it.

0:17:15.240 --> 0:17:16.920
<v Speaker 1>That's all right, I'll call you when I get back.

0:17:19.240 --> 0:17:19.879
<v Speaker 7>How are you feeling?

0:17:20.480 --> 0:17:24.320
<v Speaker 1>Honestly, kind of relieved. I've been feeling so guilty about

0:17:24.400 --> 0:17:27.160
<v Speaker 1>lying to Sarah and this is kind of our last lead.

0:17:27.920 --> 0:17:29.080
<v Speaker 1>I feel like I gave it my off.

0:17:29.840 --> 0:17:33.000
<v Speaker 7>You did, you never gave up? I think Gabby would

0:17:33.000 --> 0:17:33.359
<v Speaker 7>be proud.

0:17:33.920 --> 0:17:36.159
<v Speaker 1>I think I'm ready to just put all this behind me,

0:17:36.320 --> 0:17:40.199
<v Speaker 1>really focus on the future. There she is. I've been

0:17:40.200 --> 0:17:44.359
<v Speaker 1>calling this girl all day she stayed losing her phone. Babe,

0:17:44.400 --> 0:17:47.560
<v Speaker 1>where have you been? I've been calling you off. I

0:17:47.640 --> 0:17:48.720
<v Speaker 1>thought that you've been calling.

0:17:49.960 --> 0:17:55.119
<v Speaker 5>I'm sorry we've been Sarah was in an accident. You

0:17:55.240 --> 0:17:57.840
<v Speaker 5>need to get here as soon as possible.

0:17:58.680 --> 0:17:59.879
<v Speaker 10>I don't know how much time she.

0:18:02.800 --> 0:18:08.560
<v Speaker 5>Oh my god, not Sarah. I really liked her for Estray.

0:18:08.640 --> 0:18:09.520
<v Speaker 5>I can't catch a break.

0:18:09.560 --> 0:18:14.359
<v Speaker 6>I mean, I'm still mad at her, but damn, looks

0:18:14.400 --> 0:18:16.600
<v Speaker 6>like these two are in for another long drive.

0:18:30.800 --> 0:18:33.720
<v Speaker 9>The Princess of South Beach Season two was produced by

0:18:33.800 --> 0:18:39.120
<v Speaker 9>Sonato in partnership with Iheartsmichael Tura Network. Created and directed

0:18:39.160 --> 0:18:43.520
<v Speaker 9>by Jazmine Romero, Written by Jasmine Romero with help from

0:18:43.600 --> 0:18:48.679
<v Speaker 9>Anissa Hendrix, Produced by Luisa Eduardo Castillo, Executive produced by

0:18:48.760 --> 0:18:53.360
<v Speaker 9>Jasmine Romero. Executive produced by conaal Byron and Jaselle Bansis

0:18:53.400 --> 0:18:58.000
<v Speaker 9>for iHeart and Camilla Victoriano and Josha Weinstein for Sonatro.

0:18:58.800 --> 0:19:06.640
<v Speaker 9>Performances in this episode by Danny Pino, Joseph Limos, Andy Bustillos,

0:19:07.160 --> 0:19:14.240
<v Speaker 9>ex Maio, Raul Sparsa, Mike Cabelan, Jasmine Romero, Kelly Contell,

0:19:14.960 --> 0:19:22.000
<v Speaker 9>Gina Torres, Wendel Johnson, Ryan Peres Brent Harvey, Nico Posi,

0:19:22.760 --> 0:19:28.960
<v Speaker 9>Alan Eisenberg and Dorein Hamilton. Our production manager is kennsa Chains.

0:19:29.760 --> 0:19:33.959
<v Speaker 9>Recording engineering and sound design by Lundgoyan and Joan Diaz

0:19:34.160 --> 0:19:38.080
<v Speaker 9>with help from Cassandra Tinajiro and Andres Yena. Casting and

0:19:38.160 --> 0:19:43.760
<v Speaker 9>coordination by Kennca Gairis, Ansli Martinez, Alex Gonzalez and Andres Chilis.

0:19:44.320 --> 0:19:48.680
<v Speaker 9>Theme song and original music by Rodrigo Garcia Rodis theme

0:19:48.760 --> 0:19:53.800
<v Speaker 9>song performed by Jafetzamajoa and Carol velasco voices. Recorded at

0:19:53.840 --> 0:19:57.080
<v Speaker 9>the Invisible Studios in Los Angeles, the Relly Groom in

0:19:57.119 --> 0:20:00.960
<v Speaker 9>New York, and the Hollowood Halls Importman, with engineering by

0:20:01.080 --> 0:20:06.720
<v Speaker 9>Charles Carroll, David Wilson, Neil Wagenson, Sam Bear, Brett Tubin

0:20:07.080 --> 0:20:11.200
<v Speaker 9>and Justin Phelps. With special thanks to Heronima Villa